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Speaker 1: Mercedes Benz Interview Lounge show.

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Speaker 2: What's going on this time of year. We have our friends,

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Speaker 2: we have our family, we have travel, we have the food,

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Speaker 2: we have cocktails. We also have movies. You know, this

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Speaker 2: is the time of year when all the big ones

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Speaker 2: roll out. Yeah, so there's a list, isn't there. Isn't

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Speaker 2: there a master list of all the films that are

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Speaker 2: coming out?

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Speaker 1: I think, yeah, well, you know, starting before Thanksgiving is

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Speaker 1: when like they roll out all the big ones for

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Speaker 1: the holidays. And then you know, we've already had the

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Speaker 1: Wickeds of the world and like you know, mulwan Iu

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Speaker 1: and all that stuff, right, and then next year there's

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Speaker 1: another list. But this is the time when the you know,

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Speaker 1: the big holiday. But what is it called, like the

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Speaker 1: push the holiday push?

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Speaker 2: Here we go. Yeah, there are many Christmases I recall,

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Speaker 2: you know, we'll we'll do our thing and okay, let's

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Speaker 2: get out, we're going We're gonna watch a film and

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Speaker 2: that those are my favorite favorite moments. I love those.

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Speaker 2: Thanksgiving and Christmas. Well, one of the films that everyone

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Speaker 2: is talking about is a complete unknown. It's coming out

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Speaker 2: Christmas Day, of course, all about Bob Dylan starring Timothy

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Speaker 2: shallow May. We're gonna talk to him just a moment

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Speaker 2: about this character, Bob Dylan. How do you do that?

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Speaker 2: I mean, I feel like such an intelliged weep see

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Speaker 2: seeing him do this film is wow? Okay, yeah, this

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Speaker 2: this actor is fantastic and so many great things that

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Speaker 2: we love.

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Speaker 1: Just with a name Timothy Shallamy. He had to be famous,

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Speaker 1: Like that's just a famous name, you know, it really

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Speaker 1: just is Timothy Shallamy.

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Speaker 2: This is Bob Dylan. Wasn't like I didn't. It's not

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Speaker 2: like a name. It should be famous. No, wait, is

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Speaker 2: that Timothy? Timothy? Is that you? Are you eavesdropping on

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Speaker 2: our conversation?

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Speaker 3: I'm here? Can they see me?

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Speaker 2: We can see you, We can see you, so stay

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Speaker 2: dressed if you will.

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Speaker 3: Fantastic. Nice, Nice to see you, guys, Good to see you.

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Speaker 2: I know you're in London, but we're in New York.

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Speaker 2: How long did you live in New York earlier in

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Speaker 2: your life?

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Speaker 4: Me?

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Speaker 3: Man, I grew up listening to you. I grew up

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Speaker 3: listening on the way Elvis Durant in the z morning Zook.

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Speaker 3: I don't know if I'm sposed to say that.

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Speaker 4: Is it the same?

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Speaker 3: Is it the same?

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Speaker 2: Uh title, we got rid of the zoo part.

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Speaker 3: Well, listen what I honor to be on here?

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Speaker 4: Listen at seven twenty if I'm correct, at seven twenty

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Speaker 4: am sharp.

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Speaker 3: You used to do the prank calls. My dad and

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Speaker 3: I would listen. But sometimes you.

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Speaker 4: Guys veer into quote unquote vulgar territories. When my dad

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Speaker 4: would say, you know something, I couldn't listen to it.

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Speaker 2: Oh really, Yeah. It's kind of funny because our kids,

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Speaker 2: they will purposefully stay away from their parents during those

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Speaker 2: they call them phone taps, and they were very Now

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Speaker 2: we're vulgar all four hours. We don't just do it

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Speaker 2: so perfect perfect, let's get into it. Go ahead, No,

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Speaker 2: I don't want to get into it. You what we're

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Speaker 2: gonna say?

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Speaker 3: Oh you will?

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Speaker 2: You see, we just had to push the button. You

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Speaker 2: can't you.

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Speaker 4: Know, we're just we're just pushing the edge.

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Speaker 3: I'm sure we are are. Yeah, right, MICUs, you can

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Speaker 3: say whatever we want.

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Speaker 2: Right, No, No, you can't.

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Speaker 3: I'm serious.

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Speaker 2: By the way, we just had to push the dump button.

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Speaker 3: We're back in that vulgar Yeah.

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Speaker 5: Okay, you know we're gonna.

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Speaker 3: We're gonna pull it back.

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Speaker 4: Pg.

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Speaker 3: Thirteen.

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Speaker 2: All right, let's get into it. I first of all,

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Speaker 2: we were so lucky to see a complete unknown, which

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Speaker 2: is out Christmas Day, by the way, and to watch

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Speaker 2: you do what you do is pretty amazing. I don't

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Speaker 2: think he'll ever be as amazed as we are watching

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Speaker 2: any human being be able to pull off what you

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Speaker 2: did with this Bob Dylan character. With Bob Dylan, I.

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Speaker 3: Appreciate it well.

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Speaker 4: I had five and a half years to work on this,

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Speaker 4: and you know, I was supposed to shoot it four

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Speaker 4: years ago than the pandemic hit. Then I was supposed

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Speaker 4: to shoot it a year and a half ago when

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Speaker 4: the Actors Strike hit. So I just had a lot

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Speaker 4: of time to sit with this material, a lot of

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Speaker 4: time to play the guitar, play the harmonica, bother everyone

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Speaker 4: in my life with my Bob Dylan singing. But I

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Speaker 4: think I think the work was worth in. Bob Dylan,

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Speaker 4: as you I'm sure known many of your listeners, is

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Speaker 4: a Titanic artist. He's one of the most influential artists

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Speaker 4: in American history. So I wanted to do justice to

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Speaker 4: this guy. And I'm prideful about the character because when

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Speaker 4: you think about Elvis Presley or Mick Jagger, Paul McCartney

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Speaker 4: or John Lennon, these kind of titans of the of

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Speaker 4: the sixties. They're not elusive figures in the sense that

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Speaker 4: we know what there, we know what their faces look like,

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Speaker 4: we know what their interviews look like.

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Speaker 3: But Bob Dylan is such a mysterious figure.

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Speaker 4: I think to my generation, you know, a lot of

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Speaker 4: people know the name is iconic, but they don't necessarily

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Speaker 4: know the face.

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Speaker 3: They don't necessarily know the music.

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Speaker 4: Right, So I want like a humble bridge to this

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Speaker 4: period and to this to this music.

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Speaker 2: So you must beel somewhat grateful that you had writer

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Speaker 2: strikes in pandemics. It gave you longer to learn how

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Speaker 2: to finger pick your guitar and play harmonica and saying

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Speaker 2: and sound like Bob Dylan.

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Speaker 3: I mean, listen, the time was an absolute blessing.

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Speaker 4: I'm not going to say the pandemic was a blessing

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Speaker 4: for my role, because I think a lot of people

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Speaker 4: would go, wait a second, this kid is out of

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Speaker 4: his mind. That was the worst time in our in

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Speaker 4: our modern history. But you know, so you know anyway,

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Speaker 4: but uh, you know, yeah, it gave me. It just

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Speaker 4: gave me a ton of time. I'll never get this

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Speaker 4: much time to work on a role ever again, you know,

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Speaker 4: five and a half years. But this, this artist is

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Speaker 4: worth it, This man is worth and we wanted to

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Speaker 4: do him justice and also do justice to the fans

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Speaker 4: of Bob Dylan's work. That wouldn't feel like we committed

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Speaker 4: an act of blasphemy.

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Speaker 3: You know.

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Speaker 1: Yeah, what goes into something like that when you're actually

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Speaker 1: playing a real life character, not just you know, like

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Speaker 1: you know, a character that's made up, Like how much

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Speaker 1: preparation do you do and what's the first thing that

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Speaker 1: you dive into to prepare?

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Speaker 4: Well?

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Speaker 3: The preparation was endless. You know.

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Speaker 4: Bob Dylan, as I'm sure you guys will know, is

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Speaker 4: a peculiar fellow and his behaviors and his mannerisms, and

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Speaker 4: he's an inward guy.

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Speaker 3: He's mysterious.

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Speaker 4: That's why I was, you know, bringing up these other

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Speaker 4: names before that were sort of in my worldview more

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Speaker 4: forward facing entertainers.

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Speaker 3: Bob was really a lyricist.

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Speaker 4: He's a Pulitzer Prize winning lyricist and thinker and writer

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Speaker 4: and poet. Really, so there's the aspect of getting the

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Speaker 4: behaviors down, how he carried himself, how he would carry

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Speaker 4: himself in situations with the women in his life, how

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Speaker 4: he carried himself with the press, studying all the footage

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Speaker 4: that was available. Most importantly was the music, getting the

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Speaker 4: music down. But that was almost the easiest part, in

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Speaker 4: the sense.

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Speaker 3: That I love this music. It was a privilege and

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Speaker 3: a joy to get to work on this.

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Speaker 4: And lastly is all the all the all the excavating

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Speaker 4: of stones that you know, when you get to act

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Speaker 4: at this level you have to do, like retracing his

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Speaker 4: footsteps through Madison, Wisconsin and Chicago, going to Minnesota where

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Speaker 4: he was born, and hibbing, and then Duluth, and spending

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Speaker 4: time in Minneapolis where he was in college for a

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Speaker 4: little bit, spending time in an area called dinky Town

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Speaker 4: in MINNEAPOLISY hey.

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Speaker 3: Man, that's just what it's called. Man, that's just don't

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Speaker 3: don't hit that swear button none.

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Speaker 4: It just it just sounds a little unportantly. It just

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Speaker 4: sounds a little, you know, a little dinky town. But uh,

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Speaker 4: that's where he discovered folk music, you know. And so

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Speaker 4: I tried to do everything, but it was easy. This

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Speaker 4: didn't become work at some point, I, like I said,

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Speaker 4: I love this artist, and it's well worth it, you know.

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Speaker 4: I think we did a great job at the movie

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Speaker 4: spotlighting this great artist in this great period in American history.

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Speaker 4: No matter how boring that sounds. People the nineteen sixties,

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Speaker 4: you know, this was the time.

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Speaker 3: Man, this was like.

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Speaker 4: And I'm I'm a child of hip hop. I grew

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Speaker 4: up on Elvis Durant and the z Morning Zoo Baby.

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Speaker 2: That's me. I'm the king of hip hop, very straight.

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Speaker 3: Very strue, well not not, you know.

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Speaker 4: I guess if I look at getting my fix, I would

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Speaker 4: I would scroll down to ninety seven point one and

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Speaker 4: all honesty.

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Speaker 3: But you know, but I hit the dumb button. Yeah,

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Speaker 3: I hit the dumb button right now, Elvis.

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Speaker 4: I grew up with what was on the menu musically,

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Speaker 4: you know, I didn't listen to this sixty stuff because

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Speaker 4: my mom listened to show tunes and my dad listened

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Speaker 4: to old French classics. So I had a weird musical upbringing,

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Speaker 4: you know. So now I got to dad dive into

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Speaker 4: this music. And Bob Dylan was my gateway into you know,

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Speaker 4: stuff that's more obvious than it sounds, like the Beatles

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Speaker 4: or the Rolling Stones, or the Kinks or Jimmy Hendricks.

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Speaker 4: You know, Jimi Hendrix was a massive fan of Bob,

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Speaker 4: so this was this was the ultimate.

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Speaker 2: Education, you know Timothy Shallomey. Of course, the movie A

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Speaker 2: Complete Unknown, all about Bob Dylan, and it's out December

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Speaker 2: twenty fifth. He's alive right now, saying what he's wants

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Speaker 2: to say, obviously from London.

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Speaker 6: Yes, Gandhi, So you know you were with this for

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Speaker 6: five and a half years. You're studying somebody else. And

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Speaker 6: I heard that when you do these roles, part of

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Speaker 6: it always lives with you even after you're done. Which

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Speaker 6: parts have stuck with you?

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Speaker 3: I don't know. I feel like the whole experience stoke

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Speaker 3: with me.

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Speaker 4: There's a part in a Bob Dylan documentary called Don't

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Speaker 4: Look Back.

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Speaker 3: At the end he's just played for.

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Speaker 4: The Queen of England and the Beatles and has sold

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Speaker 4: out sold out Royal Albert Hall, and then he's kind

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Speaker 4: of like smoking a cigarette and he turns to his

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Speaker 4: friends and he goes, I feel like I just went

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Speaker 4: through a thing, man, And that's like, that's the best.

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Speaker 3: Description of how I can how I can expect. I

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Speaker 3: really feel like I went through a thing.

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Speaker 4: I've never turned my phone off for the entirety of

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Speaker 4: a shoot, you know, I've never I've never sank into something.

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Speaker 4: I don't say it pretentiously. I don't say method acting

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Speaker 4: blah blah blah. I'm not saying any of that. I'm

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Speaker 4: just saying I had two and a half three months

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Speaker 4: of my life to play this guy and never get

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Speaker 4: to play him again.

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Speaker 3: So I just went as hard as possible. I went

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Speaker 3: as fucking no.

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Speaker 7: Hit but but no, I just you know, it was

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Speaker 7: transformative experience.

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Speaker 3: Man. I don't know what I took him. I don't

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Speaker 3: think I talked like him anymore.

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Speaker 2: You know, Yeah, I can't see you walking into the Star.

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Speaker 3: Elvis. You got a good dealing man.

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Speaker 5: It hard.

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Speaker 2: I gave it.

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Speaker 1: You're good friends with Austin Butler, right, So I know

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Speaker 1: Austin Butler was saying how when he finished doing Elvis,

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Speaker 1: it was very hard to get out of that character.

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Speaker 1: So it wasn't as hard for you as it was

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Speaker 1: for him.

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Speaker 3: I guess maybe our processes are different.

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Speaker 4: Austin is absolutely brilliant in Elvis and one of my

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Speaker 4: favorite things.

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Speaker 3: And Austin is such.

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Speaker 4: A lovely guy, so I don't think he'd ever really

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Speaker 4: be confrontational in him. But I remember talking about it

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Speaker 4: with him once and he's like, listen, man, Like he's like,

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Speaker 4: I know, I don't think he would mind me saying

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Speaker 4: that I know Elvis in and out, Like you don't

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Speaker 4: think if I really wanted to sound like Elvis, I

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Speaker 4: could sound like Elvis. This point being that, you know,

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Speaker 4: maybe some aspects had remained with him, but like if

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Speaker 4: he was going full Elvis like, we would really know.

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Speaker 3: You know what I mean that was that wasn't as

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Speaker 3: funny as you guys as it was to me. But no, no, no, I.

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Speaker 2: Mean we're hanging on every single word to me.

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Speaker 3: Hey, Elvis, Elvis, I love you, man, and we love you.

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Speaker 2: I can't wait till you're here live in the studios

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Speaker 2: so we can spank your ass for saying the F word.

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Speaker 3: By the way, word.

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Speaker 2: There are so many choos from all right, So I'm

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Speaker 2: just loving how we're now finding out preparing for a

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Speaker 2: complean unknown and Bob Dylan that this wasn't an overnight

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Speaker 2: prep I mean, you had rolled out of Dune, you'd

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Speaker 2: rolled out of Wonka, and which is all amazing, but

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Speaker 2: to see you picking that guitar and singing, you're singing

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Speaker 2: live to a camera, right, and you're sounding like this guy,

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Speaker 2: I mean amazing. I mean, do you ever watch any

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Speaker 2: of your work and go, God, I'm fing fantastic.

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Speaker 3: No, no, no, I appreciate it.

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Speaker 4: But this this, if you want to talk about disconnect

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Speaker 4: from something like Dune, is so above my pay grade

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Speaker 4: in the sense that it's it's so meticulously well directed,

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Speaker 4: it's it's operating on a level cinematography wise and special

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Speaker 4: effects wise, that what I can watch that and really

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Speaker 4: disconnecting the experience because it's so beyond me in a sense,

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Speaker 4: This Bob Dylan movie, I was so well researched and

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Speaker 4: so well versed and so passionate about the material that

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Speaker 4: whatever experience.

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Speaker 3: I had doing it.

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Speaker 4: I love the finished product and I'm super proud of it,

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Speaker 4: but it'll never compare.

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Speaker 3: To what I went through actually shooting it. You know.

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Speaker 4: The first time I saw it, I had to realize

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Speaker 4: it was a movie. And I love it, but I

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Speaker 4: feel like I went through a like a biblical passage

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Speaker 4: or something. I swear I'm really not trying to use

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Speaker 4: I'm not trying to sound pretentious, and I'm not trying

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Speaker 4: to be like one of these actors who puffs up

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Speaker 4: their own work, you know, because I haven't talked about

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Speaker 4: and I love everything I've been in, but this was

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Speaker 4: the thing I spent five and a half years working on.

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Speaker 4: So honestly, when I watched this, the one time i've

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Speaker 4: watched this, can only saw one final cut. I honestly

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Speaker 4: still just honestly just still see moments that I wish

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Speaker 4: I could tinker with, and because I would. This da

295
00:12:08,040 --> 00:12:10,719
Speaker 4: Pennybaker documentary. Man, it's one of the best music documentaries ever.

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Speaker 4: If you love music documentaries, don't look back. It's sort

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Speaker 4: of like the OG rock and Roll documentary.

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Speaker 3: You know.

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Speaker 4: I just see moments in our movie that line up

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Speaker 4: with that, and it makes me very excited. And then

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Speaker 4: I see moments where it doesn't line up, and I

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Speaker 4: wish I could tinker with things still, you know, But.

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Speaker 2: Well it's done. Sorry, no tinkering, No tin going back

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Speaker 2: to dinky Town.

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Speaker 3: Now.

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Speaker 2: Look, thank you so much for spending time with us,

307
00:12:39,200 --> 00:12:41,720
Speaker 2: and I think you've having me on. It's so important

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Speaker 2: that people understand all the different genres of music that

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Speaker 2: have made us come to where we are now. With

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Speaker 2: the music we listen to today, folk music is sort

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Speaker 2: of the genres is kind of kicked to the side

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00:12:52,840 --> 00:12:56,360
Speaker 2: that people of today don't really understand, and I think

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Speaker 2: this film is going to help that. And the film

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00:13:00,400 --> 00:13:03,040
Speaker 2: makes New York City look kick ass beautiful. I think

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Speaker 2: that's another great thing about this film. New York City

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Speaker 2: seems to be one of the stars of the show

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Speaker 2: and I love it. I think it's great. So what

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Speaker 2: do you do now? I mean, what is it like?

319
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Speaker 2: Because we only have like a minute left with you.

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Speaker 2: What is it like now? Now that film's in the cans.

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Speaker 2: There's nothing you can do to change anything? Is it all?

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Speaker 2: What you're doing today with us is all just on

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Speaker 2: the road talking about it.

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Speaker 4: But this is seriously, it's an honor and it's a

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Speaker 4: joy to get to talk to you. And also I wanted,

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Speaker 4: like I said, I want to be a bridge to

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Speaker 4: this folk music.

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Speaker 3: You know, folk music is a man and a woman

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Speaker 3: with a guitar. And what Bob.

330
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Speaker 4: Dylan did in the sixties, which seems trivial now, is

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Speaker 4: he took old Irish ballads, he took old forms of

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Speaker 4: songwriter and he made them personalized.

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Speaker 3: And you could draw a line to all personalized.

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Speaker 4: Music, from Lona del Ray to hip hop to this

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Speaker 4: moment in the sixties.

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Speaker 3: No matter how grand that sounds.

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Speaker 4: And it seems trivial now to put music in the

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Speaker 4: I am form that's to say I am going through this,

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Speaker 4: or this person broke my heart, or this is my

340
00:13:54,960 --> 00:13:57,719
Speaker 4: point of view on this. But Bob sort of had

341
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Speaker 4: the avant garde instinct to do that, you know. So

342
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Speaker 4: this is the part of the process I'm at in

343
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Speaker 4: this movie. Now, I'm putting it out. But I love

344
00:14:04,160 --> 00:14:06,640
Speaker 4: talking to you and I love hitting the streets. In

345
00:14:06,800 --> 00:14:08,760
Speaker 4: lack of a better sense to talk about this because

346
00:14:08,800 --> 00:14:11,280
Speaker 4: I'm not pushing some corporate selling point. I'm not pushing

347
00:14:11,320 --> 00:14:14,840
Speaker 4: some corporate bottom line. This is like, this is this

348
00:14:14,920 --> 00:14:16,760
Speaker 4: is the real deal. This is Bob Dylan.

349
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Speaker 3: This is the music of the sixties.

350
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Speaker 4: And uh, and like I started the interview with, you know,

351
00:14:22,640 --> 00:14:24,960
Speaker 4: it's sort of an untapped period. It's sort of an

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00:14:25,000 --> 00:14:29,119
Speaker 4: untapped period. And and uh, seeing artists like McGee explode,

353
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Speaker 4: now there is an ear for quote unquote like authentic music,

354
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Speaker 4: you know, stuff that's not hyper edited and hyper process.

355
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Speaker 3: People want to hear real stuff. You know, That's my opinion.

356
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Speaker 4: So uh, anyway, thank you for letting me come on

357
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Speaker 4: a big platform like this talking about this film.

358
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Speaker 3: It's an honor to talk to all of.

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Speaker 2: You, well, honor to speak with you, Timothy Shallow May

360
00:14:49,320 --> 00:14:51,360
Speaker 2: of course when you're in New York City, we do

361
00:14:51,480 --> 00:14:53,320
Speaker 2: want you to come take pay a visit. And as

362
00:14:53,320 --> 00:14:55,040
Speaker 2: we leave you, I know you have to roll. We're

363
00:14:55,080 --> 00:14:58,000
Speaker 2: gonna we're gonna actually gonna play like a rolling stone.

364
00:14:58,400 --> 00:15:00,600
Speaker 2: So everybody, and when you're you.

365
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Speaker 3: This is like a rolling stone written by Bob Dylan.

366
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Speaker 2: There you go, tim me too. Chalo ma, thank you

367
00:15:06,720 --> 00:15:09,240
Speaker 2: so much. You have a great day, Thank you so much,

368
00:15:09,240 --> 00:15:12,960
Speaker 2: great speaking ship. Absolutely wow, listen to this.

369
00:15:13,080 --> 00:15:16,760
Speaker 3: It sounds so good. Right once upon a time you're

370
00:15:16,840 --> 00:15:19,920
Speaker 3: just so fine through the bumps of dime in your prime.

371
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Speaker 8: Then you.

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00:15:25,560 --> 00:15:27,480
Speaker 3: People call, say't be let out.

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Speaker 5: You found a file you thought they were out, can

374
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Speaker 5: you You used to laugh about never let it up

375
00:15:42,200 --> 00:15:48,400
Speaker 5: us hang it out now, you know, talk so loud.

376
00:15:50,640 --> 00:15:55,880
Speaker 4: Now you don't seems so proud about having him be

377
00:15:56,120 --> 00:15:59,720
Speaker 4: strounging your next.

378
00:16:03,600 --> 00:16:04,240
Speaker 2: How it.

379
00:16:08,600 --> 00:16:28,280
Speaker 8: Howl the a even no direction, a complete like a

380
00:16:28,520 --> 00:16:42,760
Speaker 8: run stop.

381
00:16:42,400 --> 00:16:43,440
Speaker 3: Process on the.

382
00:16:43,360 --> 00:16:47,200
Speaker 4: Steeples and all that pretty people are drinking thinking.

383
00:16:46,920 --> 00:16:50,960
Speaker 5: That day God is mad.

384
00:16:52,520 --> 00:16:56,280
Speaker 3: Exchanging our precious gifts. But you better take it down

385
00:16:56,320 --> 00:16:58,120
Speaker 3: and drink you better.

386
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Speaker 1: Money back.

387
00:17:03,240 --> 00:17:10,159
Speaker 5: Used to be so mute and aposi and rags in

388
00:17:10,240 --> 00:17:15,320
Speaker 5: the language that you God is no cost kept you.

389
00:17:17,480 --> 00:17:22,600
Speaker 5: We ain't got nothing. You got nothing to lose, your

390
00:17:22,720 --> 00:17:24,040
Speaker 5: invisible value.

391
00:17:24,040 --> 00:17:27,840
Speaker 3: You've got no secrets to con steal.

392
00:17:31,280 --> 00:17:37,720
Speaker 8: A fell ah and feel.

393
00:17:40,480 --> 00:17:41,000
Speaker 3: To be an.

394
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Speaker 8: We're at the regime.

395
00:17:50,240 --> 00:17:57,480
Speaker 3: Like a come up like aromic stove.

396
00:18:15,280 --> 00:18:18,000
Speaker 2: Wow, Timothy shallow May that's him singing, by the way,

397
00:18:18,280 --> 00:18:24,240
Speaker 2: it's incredible and playing harmonica, plays a harmonica. What I mean, hello,

398
00:18:25,119 --> 00:18:27,200
Speaker 2: what a what a great morning? I wish she didn't

399
00:18:27,240 --> 00:18:29,720
Speaker 2: say F twice the work. I wish he said it

400
00:18:29,760 --> 00:18:32,119
Speaker 2: three times. Well, here's what we're doing. We do know

401
00:18:32,280 --> 00:18:36,600
Speaker 2: that we have the unedited version in the back, the

402
00:18:36,680 --> 00:18:39,879
Speaker 2: computer that captures it without the dump button thing, because

403
00:18:39,880 --> 00:18:41,359
Speaker 2: when he said F, we had to dump it.

404
00:18:41,480 --> 00:18:41,600
Speaker 4: Right.

405
00:18:42,680 --> 00:18:47,320
Speaker 2: What can we get rid of this stupid law? Yes, nice,

406
00:18:47,359 --> 00:18:49,359
Speaker 2: let's do it anyway. We're gonna find that. As soon

407
00:18:49,400 --> 00:18:50,680
Speaker 2: as we have it, we're gonna post it so you

408
00:18:50,760 --> 00:18:52,680
Speaker 2: can listen to all of it.

409
00:18:52,800 --> 00:18:55,080
Speaker 1: But my favorite is that you told him, you know,

410
00:18:55,200 --> 00:18:56,960
Speaker 1: after he said it the first time, he thought it

411
00:18:57,080 --> 00:18:58,879
Speaker 1: was okay to say it, We told him no. So

412
00:18:59,000 --> 00:19:02,040
Speaker 1: then he presumed, make sure he said it again. I

413
00:19:02,160 --> 00:19:02,560
Speaker 1: love him.

414
00:19:03,040 --> 00:19:05,040
Speaker 2: He was comfortable, Yes, he was very comfortab anyway, So

415
00:19:05,080 --> 00:19:07,720
Speaker 2: Timothy challamead the movie of Course, A Complete Unknown. It's

416
00:19:07,720 --> 00:19:12,040
Speaker 2: out December twenty fIF they call that Christmas Day. Keep

417
00:19:12,080 --> 00:19:15,399
Speaker 2: in mind. Uh, like a rolling stone, it's one of

418
00:19:15,400 --> 00:19:19,080
Speaker 2: the biggest rock songs of all time. Yeah, so I

419
00:19:19,200 --> 00:19:21,440
Speaker 2: hit it, I pushed play and we're listening to it

420
00:19:21,520 --> 00:19:23,960
Speaker 2: here in the studio. Nate says, Wow, that's a.

421
00:19:23,960 --> 00:19:26,800
Speaker 3: Pretty good song, you know what I mean.

422
00:19:29,119 --> 00:19:30,760
Speaker 2: It's like one of the biggest songs of all time

423
00:19:30,880 --> 00:19:33,840
Speaker 2: like that. That's it's kind of hold on him, kind

424
00:19:33,880 --> 00:19:37,840
Speaker 2: of catching. I'm aware of the history of Bob Dylan

425
00:19:37,920 --> 00:19:40,520
Speaker 2: and like a rolling Stone, that's being said. His version

426
00:19:40,680 --> 00:19:46,080
Speaker 2: is great and I could actually hear that being play space.

427
00:19:46,160 --> 00:19:48,960
Speaker 2: We just play. Yeah, it's okay, it's a it's a song, right,

428
00:19:49,560 --> 00:19:52,240
Speaker 2: this song, it's a think there's something.

429
00:19:52,359 --> 00:19:57,720
Speaker 3: He could be a hit anyway, So, uh, that was awesome,

430
00:19:57,800 --> 00:19:57,920
Speaker 3: you know.

431
00:19:58,000 --> 00:19:59,320
Speaker 2: And at the end of the day, what an actor.

432
00:19:59,640 --> 00:20:01,480
Speaker 2: Look at it. Everything Timothy shallow May has been in

433
00:20:01,760 --> 00:20:04,960
Speaker 2: Oh yeah, I mean in these roles he just kind

434
00:20:04,960 --> 00:20:07,560
Speaker 2: of he doesn't kind of he just tremendously owns them.

435
00:20:07,720 --> 00:20:08,200
Speaker 3: What do you think?

436
00:20:08,560 --> 00:20:10,119
Speaker 6: I thought he was awesome and he's somebody that I

437
00:20:10,119 --> 00:20:12,280
Speaker 6: would love to come into studio because.

438
00:20:12,080 --> 00:20:13,000
Speaker 2: He has really good energy.

439
00:20:13,200 --> 00:20:15,680
Speaker 1: Yeah what do you Yeah, yeah, same thing. I wish

440
00:20:15,760 --> 00:20:17,119
Speaker 1: he would come up here, would be awesome.

441
00:20:17,240 --> 00:20:19,040
Speaker 2: There you go, and he's only twenty eight and he's

442
00:20:19,040 --> 00:20:21,560
Speaker 2: done all that scary, scary. I hope you get some

443
00:20:21,640 --> 00:20:22,840
Speaker 2: more done before you're twenty eight.

444
00:20:25,560 --> 00:20:27,800
Speaker 1: A lot of people say, my oldest looks like him.

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00:20:28,119 --> 00:20:29,840
Speaker 1: Oh really, That's why I can't say he's hot. I

446
00:20:29,880 --> 00:20:31,040
Speaker 1: can only say, oh, you know, he does?

447
00:20:31,040 --> 00:20:31,680
Speaker 2: They do look away.

448
00:20:31,720 --> 00:20:32,760
Speaker 1: I'm like, no, he's a nice boy.

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00:20:33,880 --> 00:20:37,920
Speaker 2: He looks like nice young man. All right, that was great,

450
00:20:38,000 --> 00:20:39,639
Speaker 2: What a great moment on our show. We do have

451
00:20:39,680 --> 00:20:42,080
Speaker 2: a free money phone tap worth a thousand dollars. Timothy

452
00:20:42,119 --> 00:20:44,760
Speaker 2: Shadow May grew up listening to phone taps. Yeah, that's crazy.

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00:20:45,960 --> 00:20:48,640
Speaker 1: It's and his song, so think about it, even though

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00:20:48,680 --> 00:20:51,520
Speaker 1: it's not really his song. Technically, his song just got

455
00:20:51,560 --> 00:20:53,399
Speaker 1: paid played on the radio station that he grew up

456
00:20:53,480 --> 00:20:53,879
Speaker 1: listening to.

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00:20:54,080 --> 00:20:55,800
Speaker 2: Like, that's always should have said that, yeh, can you

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00:20:55,840 --> 00:20:58,520
Speaker 2: get back on the phone. Yeah, all right, your one

459
00:20:58,560 --> 00:21:00,280
Speaker 2: thousand dollars free money phone tap is on the way.

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00:21:00,320 --> 00:21:02,919
Speaker 2: Let's get into the three things if you want, all right,

461
00:21:03,080 --> 00:21:05,600
Speaker 2: the three things we need to know from Gandhi. All right, Gandhi,

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00:21:05,640 --> 00:21:06,080
Speaker 2: what's going on?

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00:21:06,560 --> 00:21:09,680
Speaker 6: Pope Francis says there were two attempts on his life

464
00:21:09,800 --> 00:21:12,280
Speaker 6: during a twenty twenty one trip to Iraq. In his

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00:21:12,480 --> 00:21:16,239
Speaker 6: upcoming autobiography, Hope, he writes that two suicide bombers, one

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00:21:16,280 --> 00:21:18,560
Speaker 6: in a van, were on the way to Musoul to

467
00:21:18,680 --> 00:21:21,800
Speaker 6: attack during his visit. The attackers were intercepted and taken

468
00:21:21,800 --> 00:21:25,320
Speaker 6: out by Iraqi security forces. Pope Francis's visit to Iraq

469
00:21:25,520 --> 00:21:29,480
Speaker 6: was the first by a pontiff. Luigi Mangioni is facing

470
00:21:29,560 --> 00:21:32,240
Speaker 6: murder and terrorism charges in the killing of United Healthcare

471
00:21:32,320 --> 00:21:35,680
Speaker 6: CEO Brian Thompson. Mangioni is accused of killing him as

472
00:21:35,760 --> 00:21:38,840
Speaker 6: we know, into Manhattan Street earlier this month. The Manhattan

473
00:21:38,920 --> 00:21:42,280
Speaker 6: District Attorney's office announced Tuesday that Mangioni is charged with

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00:21:42,359 --> 00:21:45,679
Speaker 6: one count of first degree murder in furtherance of terrorism

475
00:21:46,000 --> 00:21:48,719
Speaker 6: and two counts of second degree murder, including one as

476
00:21:48,760 --> 00:21:51,600
Speaker 6: an act of terrorism. District Attorney Alvin Bragg said that

477
00:21:51,640 --> 00:21:54,560
Speaker 6: the killing was intended to evoke terror. Mangioni, who is

478
00:21:54,640 --> 00:21:57,640
Speaker 6: in custody in Pennsylvania, faces life in prison if convicted.

479
00:21:58,480 --> 00:22:01,600
Speaker 6: And finally, the two NASA astronauts who have been stuck

480
00:22:01,680 --> 00:22:04,280
Speaker 6: on the International Space Station, we'll have to stay there

481
00:22:04,480 --> 00:22:08,359
Speaker 6: through March. Sodey Williams and Bush Wilmore flew to the

482
00:22:08,480 --> 00:22:12,399
Speaker 6: ISS on the Boeing Starliners shaky first test flight in June.

483
00:22:12,960 --> 00:22:14,960
Speaker 6: The two intended to stay in space for just a

484
00:22:15,040 --> 00:22:18,000
Speaker 6: week before returning, but it's gonna end up being closer

485
00:22:18,080 --> 00:22:21,600
Speaker 6: to nine months. WHOA, I can't even imagine what that

486
00:22:21,720 --> 00:22:24,720
Speaker 6: does to you and your body mental health. NASA has

487
00:22:24,760 --> 00:22:27,159
Speaker 6: repeatedly pushed back the launch of a SpaceX craft that

488
00:22:27,200 --> 00:22:29,359
Speaker 6: will be used to bring them home. On Tuesday, Officials

489
00:22:29,359 --> 00:22:31,200
Speaker 6: said that the launch will be no earlier than the

490
00:22:31,359 --> 00:22:34,360
Speaker 6: end of March to allow more time to complete processing

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00:22:34,840 --> 00:22:35,920
Speaker 6: on the spacecraft.

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00:22:36,240 --> 00:22:40,520
Speaker 2: And those are your three things, Thank you guy. Another

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00:22:40,720 --> 00:22:42,639
Speaker 2: free money phone tap coming up next?

494
00:22:42,800 --> 00:22:43,440
Speaker 8: Yeh what is that?

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00:22:43,960 --> 00:22:45,280
Speaker 1: It's a major award for.

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00:22:45,359 --> 00:22:46,680
Speaker 2: The Elvis Duran in the Morning show.

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00:22:46,720 --> 00:22:49,320
Speaker 1: Free money phone Tap, No purchase necessary void in Montana,

498
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Speaker 1: New Mexico, Washington and werever hibited. For more infoing rules,

499
00:22:52,040 --> 00:22:53,119
Speaker 1: go to Elvis Duran dot com.

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00:22:53,200 --> 00:22:55,720
Speaker 2: Slash contest Elvis Urana, The Morning Show