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Speaker 1: I listen to The Black Guy Who Tips Podcast because

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Speaker 1: Rod and Karen.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tips Podcast. I'm your host, Rod, joined us always by

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Speaker 2: my co host Karen, and we're live on a Wednesday,

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Speaker 2: which means we are recapping a TV show this week.

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Speaker 2: It is Lovecraft Country, which a lot of people seem

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Speaker 2: to be enjoined our recaps. Okay, I'll see y'all sharing them.

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Speaker 2: I'll see people, you know, talking about them, leaving us

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Speaker 2: comments in the old Twitter sphere and recommending them. You know,

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Speaker 2: there's a lot of black people out there like, Yo,

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Speaker 2: I want to listen to what black wives don't matter, really,

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Speaker 2: but I want to listen to a podcast about Lovecraft Country.

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Speaker 2: And you know, some of these other podcasts they either

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Speaker 2: don't get it or to be hating or whatever. Yo,

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Speaker 2: thank you for recommending it.

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Speaker 3: Thank you.

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Speaker 1: We appreciate y'all. Okay, come for the recap.

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Speaker 2: Stay for the Thai racism, anti capitalism, anti white supremacy,

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Speaker 2: all that shit, except for black capitalism. The only good

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Speaker 2: capitalism anyway, speaking of capitalism.

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Speaker 3: Only because we're a part of the group now right, speaking.

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Speaker 2: Of capitalism, don't forget we're moving to Spotify. Okay, if

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Speaker 2: you want to continue to listen to the show, we're

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Speaker 2: gonna exclusively be on Spotify starting October to twenty sixth.

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Speaker 2: Spotify is free, it's free to download, it's free to

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Speaker 2: listen to podcasts.

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Speaker 3: You don't get charged for anything.

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Speaker 1: Free.

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Speaker 2: Yeah, it's a partnership that we're having with them. They're

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Speaker 2: investing in the show. They believe in the show, they believe.

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Speaker 3: In the vision.

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Speaker 2: Matter of fact, today is International Podcast Day. And if

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Speaker 2: you look on my Twitter, if you look at our

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Speaker 2: Facebook page for or the Instagram stories for the black

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Speaker 2: out tips and for my personal Instagram stories, Spotify created

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Speaker 2: a filter for International Podcasts Day where you basically hold

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Speaker 2: the camera look at yourself, and then you hold the

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Speaker 2: button down and it flips to a bunch of podcasts.

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Speaker 2: And I'm just saying, if you're listening to this today,

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Speaker 2: give it a try. You might see someone in there,

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Speaker 2: you know, Okay, you might. You might be able to

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Speaker 2: see it. You might know a couple of people in

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Speaker 2: the old International Podcast Day rotation from Spotify. So yeah,

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Speaker 2: October twenty sixth. So we're excited about it. We hope

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Speaker 2: you're excited about it. And we just don't want to

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Speaker 2: leave anyone behind. We don't even want to forget.

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Speaker 3: You know.

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Speaker 2: I know a couple of people hit me up, you know,

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Speaker 2: with the kind of like I'm not gonna be able

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Speaker 2: to make it, which I understand. You know, if you

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Speaker 2: can't make it, I don't need every person to individually

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Speaker 2: let me know or anything.

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Speaker 3: I just understand.

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Speaker 2: And I don't know, you know the rules, Maybe you're

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Speaker 2: in a different country. I don't know how the rules

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Speaker 2: to why people can't get it, but I understand. If

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Speaker 2: you can't, you gotta leave us behind. But you know,

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Speaker 2: we're hoping most people come over with us. And when

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Speaker 2: you find some new people, yes.

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Speaker 3: And shout out to the people. That was like, I

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Speaker 3: didn't know y'all was on Spotify already, and shout out

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Speaker 3: to the people. It's like, oh, I was already listening

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Speaker 3: to Spotify for music. Oh shit, they got podcasts. Let

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Speaker 3: me go over there and check it out.

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Speaker 2: All right, y'all didn't come for all that, But that's

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Speaker 2: what the fuck you got to listen to. Okay, this

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Speaker 2: is the business.

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Speaker 1: Someone gotta pay.

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Speaker 2: These bills in this pandemic, and these are uncertain times.

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Speaker 3: Make sure.

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Speaker 2: But yeah, it's trying to recap love Craft Country. Okay,

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Speaker 2: y'all and in the way.

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Speaker 3: That only Karen and I can do it.

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Speaker 1: All right, Uh, this episode is called I Am.

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Speaker 2: It is the seventh I Believe episode of the season,

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Speaker 2: which means we only got three left, eight, nine, ten.

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Speaker 2: This shit is almost over.

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Speaker 1: I can't believe it.

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Speaker 2: And at the same time, it's almost like I understand

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Speaker 2: because all the other TV is coming back. Fargo's coming back, Walking,

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Speaker 2: Dad's coming back.

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Speaker 1: Yes, like, oh, it's about to be murder on these

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Speaker 1: on these TV street.

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Speaker 3: We went from everybody was gone to hey, everybody slowly

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Speaker 3: come back.

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Speaker 2: The DV are gonna be smoking. Okay, I'm just letting

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Speaker 2: y'all know.

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Speaker 3: I know it's been it's been on bit rest.

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Speaker 2: But yeah, so we'll start the way we always start. Karen,

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Speaker 2: what do you think about this episode?

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Speaker 1: I Am?

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Speaker 3: I absolutely love it. Honestly, I'm I don't know if

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Speaker 3: there's a controversy now, but this right here has to

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Speaker 3: be one of my favorite episode of the series. It

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Speaker 3: was absolutely gorgeous, absolutely stunning. It was beautiful.

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Speaker 2: That was very controversial, Karen, And that's the kind of

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Speaker 2: hot takes that we're gonna have to stop having when

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Speaker 2: we get on Spotify. Okay, this is the last time

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Speaker 2: no for me personally, I loved it as well. It

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Speaker 2: feels weird to come here every week and feel like, man,

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Speaker 2: this is my new favorite episode. But you know, I

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Speaker 2: did they feel that way about the Haunted House one

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Speaker 2: for sure? Uh, Sundown is still such an epic beginning

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Speaker 2: to a show. I just can't even believe they did

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Speaker 2: all that with the show goths and the Sundowntown of course,

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Speaker 2: and the sheriffs and stuff. Man, it's just so good,

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Speaker 2: even you know last week when we went to day

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Speaker 2: daego things how you pronounce it or daygle like that

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Speaker 2: departure kind of episode, Like it's.

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Speaker 1: I don't know, the show is so well done.

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Speaker 2: I'm not I don't want to get into, you know,

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Speaker 2: the battle of the people that don't like it or whatever.

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Speaker 2: I get that, But I feel like, because of what

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Speaker 2: I watch and read in my personal time and other

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Speaker 2: things I'm entertained by, somehow this shit just fell right

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Speaker 2: into my wheelhouse or things that I like, Like it's

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Speaker 2: funny and it doesn't take itself nearly as seriously as

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Speaker 2: the people who hate the show take it. Like I

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Speaker 2: don't think you get a moving on up moment with

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Speaker 2: an episode two unless you have a little bit of mirth,

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Speaker 2: a little bit of winking at the at the audience, like, yo,

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Speaker 2: we get it.

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Speaker 3: It's trippy. We making it. We make jokes too, And and.

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Speaker 2: Then you got excellent acting and you got sci fi

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Speaker 2: elements horror elements. And the thing I think people maybe

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Speaker 2: one day people can go.

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Speaker 3: Back and look at this and me and really appreciate it.

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Speaker 2: But they are presenting these genres as different things, and

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Speaker 2: it's blowing my mind every week. Like it's science fiction

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Speaker 2: as horror, it's horror as magic, it's magic as as

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Speaker 2: sci fi. It's you know, like it's like they're always

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Speaker 2: kind of flipping it on you. So when you think

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Speaker 2: you got to handle on the show and you're like, oh,

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Speaker 2: it's a horror show, like if anything. That's the thing

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Speaker 2: that really got people is because you know, when they

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Speaker 2: put the screeners out, you normally want to see the

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Speaker 2: first one to five episodes, and so people went, it's

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Speaker 2: a horror show, but black history and stuff too. It's like, Okay,

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Speaker 2: I like black history, I'll give it a shot, but

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Speaker 2: it's not. It's actually it's sci fi it's magic. It's

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Speaker 2: like there's fels, there's fucking like you know, and like

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Speaker 2: I said, this genre bending, it's magic, like you can

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Speaker 2: have the ability to turn into another person. You're like, what,

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Speaker 2: but it's it's science because you know, we get into

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Speaker 2: how you do that this week, or it's horror, but

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Speaker 2: really the horror is kind of based in some racial

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Speaker 2: elements which are based in some magic. You know, like

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Speaker 2: just stuff like that that it really blows me away.

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Speaker 2: I'm glad I watched anime and you know what I mean, read.

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Speaker 1: Science fiction books when I was a kid, watch.

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Speaker 2: Side fiction serious. I'm glad I got into all that

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Speaker 2: weird shit.

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Speaker 3: For me, not really sci fi, even though I watched

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Speaker 3: sci fi stuff. For me, it's been an anime. I

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Speaker 3: think watching anime really made a lot of the things

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Speaker 3: because I think a lot of people I'm watching this

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Speaker 3: and not very funny, they don't know anything about some

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Speaker 3: of these other genres, or they're not into these other

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Speaker 3: genres other because anime is very trippy to a lot

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Speaker 3: of people because it's cartoons and so a lot of

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Speaker 3: people just you know, feel like cartoons for kids, they

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Speaker 3: fucking check out. They you know, you start taking the

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Speaker 3: same concept, but instead of people, you start drawing, and

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Speaker 3: a lot of motherfuckers be like, the fuck is this

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Speaker 3: and they just automatically tap out that they just when

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Speaker 3: we'll not dive into that. So once you start crossing

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Speaker 3: into things like that and things that are very different

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Speaker 3: and abstract and out there, for a lot of people,

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Speaker 3: they're like, the fuck is happening here? And it's very

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Speaker 3: confusing to them, particularly if you're being introduced to some

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Speaker 3: of these concepts for the first time, or you've never

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Speaker 3: seen black people in these particular areas and things like that,

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Speaker 3: Like it's it's a it could be a mind for

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Speaker 3: a lot of people. So I think enjoying anime really

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Speaker 3: helped with a lot of the mind bending things. I

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Speaker 3: was like, oh, okay, we do this in anime all

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Speaker 3: the time. We go from we're grounded to we not

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Speaker 3: grounded no more, my nigga, to we ground it again,

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Speaker 3: to we're doing this and we're doing that, and we're

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Speaker 3: gonna we taking these adventures and we're going here and

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Speaker 3: we're going there, and and I really enjoyed, uh that,

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Speaker 3: particularly about this particular episode, but about the whole series

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Speaker 3: in general, because you can literally from episode to episode

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Speaker 3: be telling me a story but completely introducing it in

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Speaker 3: a different way that can take me on a completely

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Speaker 3: different adventure that can allow me to ask questions. And

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Speaker 3: the thing is, it's okay to ask questions about this

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Speaker 3: show because you're watching TV like that's that's the part

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Speaker 3: of the of the thing. But I think sometimes people

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Speaker 3: are allowing the questioning, questioning things and the things that

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Speaker 3: they lay out in the background about black history to

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Speaker 3: kind of be like, well, I saw this, so this

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Speaker 3: is what everything's gonna be about. And that's that's not thing.

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Speaker 2: One of the things that I noticed is the people

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Speaker 2: that I see struggle with the show are mostly the

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Speaker 2: people that feel like I have to pick up every

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Speaker 2: Easter egg or the people that like, you know, and

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Speaker 2: I don't mean this pejoratively, so if you're listening, don't

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Speaker 2: take offense.

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Speaker 3: But like, I got to create.

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Speaker 2: The syllabus that go along with the study. God, like,

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Speaker 2: I feel like you watching it the wrong way. It's

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Speaker 2: a vibe.

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Speaker 3: I listen.

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Speaker 2: I've watched this converse read red read this conversation between

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Speaker 2: Mikayla Cole and Donald Glovers and Vanity fair uk I

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Speaker 2: believe or something or GQ UK something like that, and

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Speaker 2: it's a great it's like probably twenty minute thirty minute read,

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Speaker 2: but it's such a great conversation. But she talks about

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Speaker 2: I may destroy you, and she says because they both

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Speaker 2: they're both fans of each other like that, and she

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Speaker 2: for her article basically they said, if you could pick

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Speaker 2: one creative person to talk to in the world, who

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Speaker 2: would you want to talk to? And she said Donald

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Speaker 2: Glover and so that's how that's what the conversation is.

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Speaker 2: It's her on Zoom talking to Donald Glover, and so

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Speaker 2: he basically was talking about I made destroy you, and

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Speaker 2: he was like, you know, I love how you really

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Speaker 2: were able to have, like to connect to people's feelings

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Speaker 2: and these feelings that people leave with. And she was like, right,

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Speaker 2: it's not me trying to like deliver necessarily a message

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Speaker 2: or black and white, who's right or wrong. I'm trying

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Speaker 2: to get the audience to have a certain feeling at

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Speaker 2: the end. And I feel like this show and that episode,

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Speaker 2: this episode specifically, were more about giving you a certain feeling.

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Speaker 2: That being said, the world still operates on these rules

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Speaker 2: and these theories and stuff too that I find intriguing

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Speaker 2: and it most reminds me of two things.

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Speaker 3: One Rick and Morty.

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Speaker 2: Yes it sounds crazy to say, but because I know

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Speaker 2: Rick and Morty's comedy and shit. But it really reminds

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Speaker 2: me a lot of Rick and Morty, how every week

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Speaker 2: it's them taking on another genre and being like, okay,

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Speaker 2: let's fuck with you heist.

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Speaker 3: Movies, but also time travel.

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Speaker 2: Okay, this isn't time travel, this is actually multi universe theory.

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Speaker 2: And you won't realize that we didn't do time travel

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Speaker 2: to the very last frame of the episode, like what

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Speaker 2: the fuck was that?

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Speaker 3: You know stuff?

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Speaker 1: You know stuff like that?

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Speaker 3: Uh.

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Speaker 2: And then the other thing. It reminds me of the

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Speaker 2: Marvel movies and how Marvel had to slow walk us

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Speaker 2: all through. You know, if you're a comic book fan,

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Speaker 2: you already ready for everything, But if you're not, they

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Speaker 2: slow walked a bunch of people who really weren't that

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Speaker 2: big of nerds until multiversal time travel theory. Yes, yes,

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Speaker 2: like inter dimensional fucking like the end the last before

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Speaker 2: you get the Spider Man was an end game. End

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Speaker 2: game is you've taken a bunch of people who really

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Speaker 2: aren't sci fi nerds like that most of the most

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Speaker 2: likely because we're talking about billions of people billions of dollars.

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Speaker 2: So you know, it's not like Marvel comic books had

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Speaker 2: billions of big as of dollars, right, So you're talking

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Speaker 2: about a handful of people that were hardcore, but then

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Speaker 2: a whole lot of people were like, I guess and

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Speaker 2: after years of dumbing down comic book movies from like

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Speaker 2: Fox and DC, and we don't know if people are

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Speaker 2: going to buy this, so let's just dumb down Wolverine.

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Speaker 3: Let's just dumb that.

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Speaker 2: You finally has somebody be like, no, let's not. Let's

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Speaker 2: just slow walk them into This movie's about interdimensional travel.

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Speaker 2: We're gonna call it ant Man, and it's funny, but

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Speaker 2: you just learned that there's this dimension where you can

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Speaker 2: go in space and time are different, and you add

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Speaker 2: all these little building blocks up and then by the end,

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Speaker 2: everyone's like, you know, I think doctor Strange is gonna

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Speaker 2: see the multidiversal realities and.

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Speaker 1: You're like, they got you.

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Speaker 2: And that's how this feels to me, is like they

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Speaker 2: kind of slow walking through some of it, or but

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Speaker 2: they're just like throwing you in there, going you understand

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Speaker 2: the mini world theories. If not, go look it up,

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Speaker 2: you probably already know about it because you've watched some

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Speaker 2: Marvel movies. It's not like that different from the concept.

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Speaker 3: So I know for me, and we've kind of talked

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Speaker 3: about this before. Two things. We kind enough talked about

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Speaker 3: this before. And we live in the age now where feelings,

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Speaker 3: Oh my gosh, people lose their minds over forcing people

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Speaker 3: to feel. But that's a part of art and utter street, like,

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Speaker 3: that's the part, Like, my whole job is to get

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Speaker 3: a reaction out of you, good, bad or in different

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Speaker 3: like like like, my job is to do something to

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Speaker 3: invoke something out of you. And the thing is, truthfully,

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Speaker 3: regardless of how people feel, that's what they won't. That

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Speaker 3: that's why you do it, then that's what you won't.

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Speaker 3: But yet when you get it, some people don't respond, well,

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Speaker 3: oh my gosh, you may me feel sad, you may

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Speaker 3: me feel happy, you made me feel depressed, you made

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Speaker 3: me feel this way, and they reject it, even though

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Speaker 3: deep down that's what they want because they're talking about

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Speaker 3: it like everybody else. They constantly watch it like everybody else.

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Speaker 3: You're there every week like everybody else. So it's something

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Speaker 3: about it that you love.

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Speaker 2: Well, that's what's weird, though, I'm not saying I haven't

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Speaker 2: seen people saying it's like triggering or making them feel.

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Speaker 3: Like a certain badness or something that's.

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Speaker 1: Okay, I'm sorry.

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Speaker 3: The reason why I say feel is that all these

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Speaker 3: genres about race and racism, they're evoking feeling And I

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Speaker 3: don't mean that in a bad way, but people respond

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Speaker 3: different ways to that. You know, these things about seeing

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Speaker 3: black people in positions and things that you've never seen before.

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Speaker 3: People feel a certain way about that. And I think

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Speaker 3: that these feelings are causing these reactions what people feel like, Well,

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Speaker 3: since they're about race, you know, I got to find

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Speaker 3: out everything about it. I got to dig. I got

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Speaker 3: to find out what these things is so I can

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Speaker 3: better understand. It's almost like challenging people to I.

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Speaker 1: Think it's just a nerd thing they can't turn off.

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Speaker 2: Like I think the way I think the feelings thing

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Speaker 2: comes into player is there's certain people I've seen say

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Speaker 2: stuff like they make the white people cartoonishly racist, and

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Speaker 2: I'm like, I don't know how.

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Speaker 3: To tell you this.

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Speaker 2: There's not one scene of actual racism in this show

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Speaker 2: that didn't happen in real life. I don't even know

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Speaker 2: what to tell you, Like, it's none of this is

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Speaker 2: far fetched, like including motherfucker's driving through town with guns

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Speaker 2: chasing black people out. Come on, Like I don't like

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Speaker 2: there were parts of Charlotte which is a black scen

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Speaker 2: whereas like, don't go in that neighborhood.

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Speaker 1: They will fucking shoot at you. They will kill you,

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Speaker 1: they will threaten you.

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Speaker 2: And it only stopped with nineteen seventy nine, nineteen eighty, like.

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Speaker 3: Because laws is somebody forced them to enforce them.

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Speaker 1: Not even laws, just it just stopped then for some reason.

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Speaker 2: But because like it was always against the law for

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Speaker 2: them to do that shit, yes, like or not always,

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Speaker 2: but you know past nineteen fifty, but white people didn't

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Speaker 2: give a fuck about them laws, you know what I mean.

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Speaker 3: So yeah, yeah, that's why somebody forced them to enforce them,

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Speaker 3: like something. Somebody had to be like, hey, y'all can't

336
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Speaker 3: do this no more. And we're and they're but like this,

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00:16:34,280 --> 00:16:36,240
Speaker 3: white people don't stop shit just because somebody got to

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Speaker 3: come in and be like, hey, stop this, or is

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Speaker 3: we're gonna do so We're gonna make it inconvenient for

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Speaker 3: you and you you have to make shit inconvenient enough

341
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Speaker 3: for white people for them to be like, oh, it

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Speaker 3: ain't worth the hassle.

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Speaker 2: Yeah, so something happened, But my point being that shit

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Speaker 2: ain't that long ago. And all our ancestors are alive,

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Speaker 2: our parents, our grandparents, many of them are still living.

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Speaker 3: They'll fucking tell you these stories.

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Speaker 2: So it was weird to see, especially black critics dismiss

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Speaker 2: is like, yeah, this is ridiculous racism.

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Speaker 1: Right, You're like, have you never read a book? Do

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Speaker 1: you think it's all?

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Speaker 2: Does not make believe, you know what I mean, Like

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Speaker 2: it's based off of something. You know, they were taking

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Speaker 2: niggas out in the woods and killing them. That's not like,

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Speaker 2: that's not something that only happened in eighteen eighty eight.

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Speaker 3: This is nineteen fifty.

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Speaker 1: So anyway, I go ahead, No, you go ahead, all

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Speaker 1: I'd say.

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Speaker 3: And another thing, when you was talking about the Marvel thing,

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Speaker 3: I agree because I've read comic books, but as far

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Speaker 3: as like the Marvel, the DC, you know, all those

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Speaker 3: type of comic books, I started getting into them like

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Speaker 3: kind of later on, kind of almost liking my adulthood, right, like, oh,

363
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Speaker 3: let me read Black Panther, you know, let me read

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Speaker 3: these things and get into those. And so for me,

365
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Speaker 3: it's almost where you want the biggest audience, so you

366
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Speaker 3: you know, it's good that you took people like me

367
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Speaker 3: and literally made the Marvel movies my visual comic book.

368
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Speaker 3: You literally made a the visual comic book and shout

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Speaker 3: out to the CW because I started to understanding like

370
00:18:08,640 --> 00:18:11,520
Speaker 3: the multi verse and all that stuff through flash like

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Speaker 3: like for me, that's where that concept came in, and

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Speaker 3: I began to connect the dots and the shit began

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Speaker 3: to make sense. Then we had different worlds and we

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Speaker 3: began to go back and forth, and you know, they

375
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Speaker 3: took all the shows and they would cross the platforms

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Speaker 3: like and in my mind, I didn't realize that was

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Speaker 3: kind of laying the foundation for me, like you said,

378
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Speaker 3: laying the foundation for these other things, so that I

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Speaker 3: could talk to you about something and me and you

380
00:18:38,720 --> 00:18:40,520
Speaker 3: could have a conversation that we might not have been

381
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Speaker 3: able to have before. And also me learning that certain

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Speaker 3: characters and certain versions meant different things, you know. And

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Speaker 3: I think that one thing I can say about Marvel

384
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Speaker 3: that I personally think they did a really good job,

385
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Speaker 3: particularly in the end game, is that once you get

386
00:19:02,760 --> 00:19:05,880
Speaker 3: these audiences together, you can reward both parties. Because they

387
00:19:05,960 --> 00:19:10,200
Speaker 3: rewarded the people that read the kind of books you got.

388
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Speaker 3: You they like, Hey, we're gonna drop stuff that we

389
00:19:13,560 --> 00:19:16,120
Speaker 3: know the other people can't get. But I don't want

390
00:19:16,119 --> 00:19:17,639
Speaker 3: to go I didn't want to turn it into a

391
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Speaker 3: whole Marvel thing.

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Speaker 2: I just just I'm just saying, these things are that

393
00:19:22,440 --> 00:19:24,800
Speaker 2: different from Lovecraft, you know what I'm saying. Like, so

394
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Speaker 2: for that to be the most popular fucking movies in

395
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Speaker 2: the world, to be like, I can't believe this, this.

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Speaker 1: Show is doing this.

397
00:19:30,920 --> 00:19:35,000
Speaker 2: It's like, why not, like what black people can't do

398
00:19:35,040 --> 00:19:37,320
Speaker 2: the same fucking thing, you know what I mean? Like,

399
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Speaker 2: I don't know why people be detracting from this show

400
00:19:41,000 --> 00:19:45,360
Speaker 2: specifically when it's in the most Like so it's not

401
00:19:45,640 --> 00:19:47,800
Speaker 2: it's not too good for Marvel, but it's too good

402
00:19:47,840 --> 00:19:49,879
Speaker 2: for this, you know what I mean. Like it just

403
00:19:49,920 --> 00:19:52,080
Speaker 2: feels weird to have a problem with any of that.

404
00:19:52,359 --> 00:19:55,640
Speaker 3: Yeah, And the purpose of that was to say that

405
00:19:56,119 --> 00:19:58,800
Speaker 3: they're gonna reward both parties. They're gonna reward people who

406
00:19:59,119 --> 00:20:02,080
Speaker 3: are actually into sci fi, into science fiction, and they're

407
00:20:02,080 --> 00:20:04,720
Speaker 3: also gonna reward somebody like me who don't have any knowledge.

408
00:20:04,760 --> 00:20:07,200
Speaker 3: That was the purpose of that, And I think that

409
00:20:07,440 --> 00:20:08,080
Speaker 3: but you do.

410
00:20:07,960 --> 00:20:10,840
Speaker 2: Have knowledge though, huh, you do have knowledge coming into

411
00:20:10,840 --> 00:20:14,920
Speaker 2: this or do you mean like book readers of yet.

412
00:20:14,280 --> 00:20:18,280
Speaker 3: Like book readers and or people that might know more

413
00:20:18,280 --> 00:20:21,840
Speaker 3: about the different types of horror, like you know horror

414
00:20:21,880 --> 00:20:24,360
Speaker 3: like that you know different types of like because they're

415
00:20:24,359 --> 00:20:26,359
Speaker 3: different genmas to it, Like some of I know, some

416
00:20:26,440 --> 00:20:28,320
Speaker 3: of I don't. So they're gonna be.

417
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Speaker 2: The same here, same here, by the way, we're in

418
00:20:30,160 --> 00:20:34,080
Speaker 2: the same boat, like yeah, And I think having faith

419
00:20:34,080 --> 00:20:36,680
Speaker 2: in the show and faith and faith in the people

420
00:20:36,720 --> 00:20:39,640
Speaker 2: making the show that it's going somewhere and that these

421
00:20:39,720 --> 00:20:42,920
Speaker 2: narratives are coming together. I think that's something that we

422
00:20:43,240 --> 00:20:46,240
Speaker 2: lend to certain types of creators. But I'm seeing a

423
00:20:46,280 --> 00:20:49,840
Speaker 2: lot of pushback on this from black people, Like, like,

424
00:20:50,359 --> 00:20:53,639
Speaker 2: I didn't see this kind of pushback on Watchmen, you

425
00:20:53,680 --> 00:20:55,680
Speaker 2: know what I mean, because some white dudes at the helm.

426
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Speaker 2: You know, there wasn't even this kind of pushback on

427
00:20:58,440 --> 00:21:01,360
Speaker 2: Game of Thrones people. I was mad at season eight

428
00:21:01,400 --> 00:21:05,040
Speaker 2: because they could not possibly imagine that these dudes would

429
00:21:05,119 --> 00:21:07,280
Speaker 2: not do a good job even without the fucking book

430
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Speaker 2: like that.

431
00:21:08,280 --> 00:21:10,880
Speaker 3: Like, so it's weird to straight.

432
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Speaker 2: Out the gates start shitting on this black thing. The

433
00:21:12,320 --> 00:21:14,280
Speaker 2: last thing I did want to say. And I may

434
00:21:14,320 --> 00:21:16,080
Speaker 2: have brought it up on the show before, but and

435
00:21:16,119 --> 00:21:17,320
Speaker 2: then we'll get into the recaps.

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Speaker 1: Sorry, I didn't really mean for this intro to be long.

437
00:21:20,040 --> 00:21:21,800
Speaker 3: I'm sorry, but I'm not.

438
00:21:22,920 --> 00:21:23,240
Speaker 1: Yeah.

439
00:21:23,280 --> 00:21:28,840
Speaker 2: So I feel like Watchmen took a very vast universe

440
00:21:29,040 --> 00:21:32,120
Speaker 2: and condensed it and made it small.

441
00:21:32,720 --> 00:21:33,920
Speaker 3: And that's why that's good.

442
00:21:34,119 --> 00:21:38,000
Speaker 2: They took something that's had a comic book from decades,

443
00:21:38,680 --> 00:21:42,159
Speaker 2: a graphic novel, you know, from decades, it's had a movie,

444
00:21:42,760 --> 00:21:45,719
Speaker 2: you know, all these other like related properties and all

445
00:21:45,760 --> 00:21:49,360
Speaker 2: this shit. An actual book. They took all of that,

446
00:21:49,560 --> 00:21:52,840
Speaker 2: and then they said, let's jump forward in the future.

447
00:21:53,280 --> 00:21:56,159
Speaker 2: Let's make it super fucking black because the book isn't.

448
00:21:56,640 --> 00:21:59,160
Speaker 2: Let's make it super much about race. A white man

449
00:21:59,200 --> 00:22:02,720
Speaker 2: decided to do this and will cast Regina King is

450
00:22:02,760 --> 00:22:07,240
Speaker 2: the league and Yaya will be, you know, the male lead,

451
00:22:07,280 --> 00:22:09,640
Speaker 2: and we'll get to see his dick a lot, and

452
00:22:09,920 --> 00:22:13,560
Speaker 2: we're gonna make this big story into a tiny story,

453
00:22:13,800 --> 00:22:17,080
Speaker 2: into an eight episode kind of mini series and then

454
00:22:17,119 --> 00:22:19,640
Speaker 2: we're never gonna touch it again. And that is its

455
00:22:19,640 --> 00:22:23,720
Speaker 2: own type of brilliance. But the slack that that gets

456
00:22:23,760 --> 00:22:27,280
Speaker 2: cut while then shitting on something that's doing the opposite.

457
00:22:27,359 --> 00:22:31,040
Speaker 2: It's taking something that was compressed and small Black life

458
00:22:31,119 --> 00:22:34,359
Speaker 2: in America in the nineteen fifties. And by compressed and small,

459
00:22:34,400 --> 00:22:37,680
Speaker 2: I mean it's not very much written about it. There's

460
00:22:37,800 --> 00:22:40,480
Speaker 2: not very much respect to it, not a lot of

461
00:22:40,560 --> 00:22:43,200
Speaker 2: culture around it. We didn't get to tell our stories

462
00:22:43,240 --> 00:22:46,640
Speaker 2: at that time. We you know, there was a there's

463
00:22:46,640 --> 00:22:50,200
Speaker 2: a there was a literal confining of your red line

464
00:22:50,240 --> 00:22:53,320
Speaker 2: to this street. You know, you're you're you can't get

465
00:22:53,359 --> 00:22:55,520
Speaker 2: on the bus at this point. You can't do this

466
00:22:55,640 --> 00:22:57,439
Speaker 2: and you can't do that. So you took a life

467
00:22:57,800 --> 00:22:59,040
Speaker 2: that people see as.

468
00:22:58,920 --> 00:23:02,680
Speaker 1: Small, and they have turned these characters into the universe,

469
00:23:02,760 --> 00:23:04,680
Speaker 1: into it literally this week.

470
00:23:04,600 --> 00:23:06,000
Speaker 3: Infinity, you know what I mean.

471
00:23:06,320 --> 00:23:11,560
Speaker 2: You have made the most finite, the most restricted type

472
00:23:11,600 --> 00:23:17,440
Speaker 2: of life in America at that moment, into the most vast, universal,

473
00:23:18,240 --> 00:23:23,840
Speaker 2: wondrous experiment. And I love that, like I can't explain

474
00:23:23,920 --> 00:23:27,800
Speaker 2: how much I fucking love that. And that's why, you know,

475
00:23:28,200 --> 00:23:31,320
Speaker 2: that's why our recap's better. All right, let's get into

476
00:23:31,359 --> 00:23:34,040
Speaker 2: this recap speaking of which, And you're right, Karen, I

477
00:23:34,040 --> 00:23:37,960
Speaker 2: don't apologize, you're right, I am is this episode now

478
00:23:37,960 --> 00:23:40,760
Speaker 2: I had to split this into the recap into two segments.

479
00:23:41,119 --> 00:23:44,639
Speaker 2: You got Letty Tick, Montrosse and Ruby, and then the

480
00:23:44,680 --> 00:23:48,719
Speaker 2: other segment is just Hippolyta. Okay, I will start with

481
00:23:48,840 --> 00:23:51,280
Speaker 2: Letty Tick, Montrousse, and Ruby and will work our way

482
00:23:51,320 --> 00:23:53,760
Speaker 2: to Hippolyta, the star of this week.

483
00:23:53,920 --> 00:23:54,240
Speaker 3: Come on.

484
00:23:55,680 --> 00:23:59,719
Speaker 2: So after confronting Christina, you know, as remember last time

485
00:23:59,720 --> 00:24:03,080
Speaker 2: we said Ruby, she was in that what she thought

486
00:24:03,119 --> 00:24:06,280
Speaker 2: to be the white man's house. Yes, she did, and

487
00:24:06,760 --> 00:24:11,719
Speaker 2: Christina somehow morphed in the William morphed into Christina and

488
00:24:11,760 --> 00:24:13,600
Speaker 2: she was like, oh my god, I've been fucking a

489
00:24:13,640 --> 00:24:14,160
Speaker 2: white woman.

490
00:24:15,720 --> 00:24:17,000
Speaker 3: She didn't know how to handle that.

491
00:24:17,400 --> 00:24:20,080
Speaker 2: So now this like no time has passed since the

492
00:24:20,160 --> 00:24:22,960
Speaker 2: last time we saw that scene. They're in the house

493
00:24:23,000 --> 00:24:25,560
Speaker 2: in the basement, the one door that Christina keeps locked

494
00:24:25,600 --> 00:24:29,600
Speaker 2: all the time, and Christina is still like got blood

495
00:24:29,640 --> 00:24:30,120
Speaker 2: on her from.

496
00:24:30,040 --> 00:24:32,199
Speaker 1: The transformation, that's how freshness is.

497
00:24:32,760 --> 00:24:38,000
Speaker 2: And Ruby's in there like you're gonna explain, And inside

498
00:24:38,040 --> 00:24:42,680
Speaker 2: this room is the corpse, the bodies, the dead bodies

499
00:24:43,240 --> 00:24:48,040
Speaker 2: of William and that woman that was racist that had

500
00:24:48,080 --> 00:24:55,679
Speaker 2: the dogs from ardom. So literally, she takes the blood

501
00:24:55,720 --> 00:24:59,159
Speaker 2: from the dead bodies, turns it into a potion that

502
00:24:59,240 --> 00:25:02,520
Speaker 2: you drink and then it makes you morph into the

503
00:25:02,560 --> 00:25:05,199
Speaker 2: person for a certain period of time. Right, So she

504
00:25:05,320 --> 00:25:08,760
Speaker 2: has these cadavers in the basement. Probably stank, like, oh,

505
00:25:08,960 --> 00:25:10,159
Speaker 2: probably stank down there.

506
00:25:11,840 --> 00:25:14,600
Speaker 3: Because the refrigeration we got nw ain't it ain't the same.

507
00:25:14,680 --> 00:25:15,040
Speaker 3: I mean.

508
00:25:15,400 --> 00:25:17,280
Speaker 2: And Ruby, keep in mind, don't know any of the

509
00:25:17,280 --> 00:25:19,760
Speaker 2: backstory that we know or that taken Letty know.

510
00:25:19,920 --> 00:25:20,000
Speaker 1: No.

511
00:25:20,200 --> 00:25:22,280
Speaker 2: So she's like, you killed these people and she was like,

512
00:25:22,440 --> 00:25:24,760
Speaker 2: and Christina's like, nah, I didn't kill him. They was

513
00:25:24,800 --> 00:25:27,359
Speaker 2: already dead, but you know, I just used their blood

514
00:25:27,400 --> 00:25:31,040
Speaker 2: for this potion. And she reaches towards Ruby to comfort

515
00:25:31,040 --> 00:25:35,560
Speaker 2: her because obviously this is a lot of information because

516
00:25:35,640 --> 00:25:39,280
Speaker 2: Ruby don't know about all this other shit and she knows.

517
00:25:39,040 --> 00:25:40,960
Speaker 3: That, and she's like, okay, this is this.

518
00:25:41,119 --> 00:25:43,480
Speaker 1: I know it's a lot baby, right, yeah, come here, girl,

519
00:25:43,560 --> 00:25:44,040
Speaker 1: let me hold you.

520
00:25:44,080 --> 00:25:46,200
Speaker 2: She was like, get away from me. She's like, everything

521
00:25:46,240 --> 00:25:48,920
Speaker 2: you told me was a lie. And Christina was like, nah,

522
00:25:48,960 --> 00:25:53,399
Speaker 2: it's true. William was killed by Captain Lanister Lancaster.

523
00:25:53,960 --> 00:25:55,960
Speaker 3: I figured that. I thought that that was true. I

524
00:25:56,000 --> 00:25:58,639
Speaker 3: was like, yeah, I believe that they you know, I

525
00:25:58,680 --> 00:26:01,439
Speaker 3: thought he may have survived, you know before, but I

526
00:26:01,520 --> 00:26:03,440
Speaker 3: was like, oh, yeah, I believe that they fucked him up.

527
00:26:03,560 --> 00:26:08,840
Speaker 2: Yeah, because once that woman, once Ruby turned into that woman,

528
00:26:08,920 --> 00:26:11,119
Speaker 2: I'm like, how do you get the people's blood?

529
00:26:11,840 --> 00:26:12,200
Speaker 1: Like what?

530
00:26:12,240 --> 00:26:14,560
Speaker 2: Because then you gotta start like are they dead? Because

531
00:26:14,600 --> 00:26:16,440
Speaker 2: we don't know what happened to that woman. We didn't

532
00:26:17,280 --> 00:26:19,359
Speaker 2: like maybe like did she die in the collapse? And

533
00:26:19,400 --> 00:26:21,800
Speaker 2: then Ruby put a body in the I mean not Ruby,

534
00:26:21,880 --> 00:26:24,240
Speaker 2: Christina put a body in the trunk, like well, might.

535
00:26:24,240 --> 00:26:24,800
Speaker 1: Need this later.

536
00:26:24,960 --> 00:26:27,080
Speaker 3: I mean, she's stronger. This is one man's show. I'm

537
00:26:27,080 --> 00:26:28,880
Speaker 3: gonna turn some man slash woman's show.

538
00:26:29,480 --> 00:26:32,640
Speaker 2: Yeah, she turned into William. Then she put the body

539
00:26:32,680 --> 00:26:35,800
Speaker 2: in the truck. Must get it strength, right, But yeah,

540
00:26:35,840 --> 00:26:36,120
Speaker 2: I was.

541
00:26:36,080 --> 00:26:38,400
Speaker 1: Just like how does she get Like that's crazy?

542
00:26:39,440 --> 00:26:43,359
Speaker 2: And so then Ruby is like so what is this

543
00:26:43,480 --> 00:26:44,880
Speaker 2: revenge for your dead lover?

544
00:26:45,560 --> 00:26:51,000
Speaker 3: William? And Christina is being very forthright in this scene.

545
00:26:51,240 --> 00:26:55,320
Speaker 2: And you would think once you taught a woman that

546
00:26:55,320 --> 00:26:57,120
Speaker 2: that turned into a man and had sex.

547
00:26:56,960 --> 00:26:58,920
Speaker 3: With you, you would think you would be very.

548
00:26:58,840 --> 00:27:00,800
Speaker 2: Suspicious and they would be in a lot and they

549
00:27:00,840 --> 00:27:03,080
Speaker 2: would be like, you know the black dudes on Love

550
00:27:03,080 --> 00:27:04,320
Speaker 2: and hip Hop like coh.

551
00:27:04,320 --> 00:27:07,199
Speaker 1: On, come on, I just want you to win, you know,

552
00:27:07,359 --> 00:27:08,400
Speaker 1: like like.

553
00:27:09,320 --> 00:27:13,879
Speaker 2: Oh ah, you for real, real ah, so you think

554
00:27:14,320 --> 00:27:15,800
Speaker 2: you think I'm just doing you like that?

555
00:27:16,000 --> 00:27:18,280
Speaker 3: Huh.

556
00:27:18,320 --> 00:27:21,119
Speaker 2: But yeah, so instead she told her the truth in

557
00:27:21,200 --> 00:27:26,119
Speaker 2: every way that we know. And so uh, Ruby thinks,

558
00:27:26,400 --> 00:27:28,560
Speaker 2: did you do this for revenge for your boy, your

559
00:27:28,640 --> 00:27:31,720
Speaker 2: dead lover or whatever? And she goes to leave and

560
00:27:31,800 --> 00:27:36,200
Speaker 2: Christina says, no, please listen to me. And Christina says, look.

561
00:27:36,640 --> 00:27:38,359
Speaker 3: My dad is in a member.

562
00:27:38,640 --> 00:27:40,240
Speaker 2: Yeah, he was a member of this group called the

563
00:27:40,320 --> 00:27:43,400
Speaker 2: Order of Dawn and they don't let women in.

564
00:27:43,520 --> 00:27:44,480
Speaker 3: It's a boy's club.

565
00:27:45,080 --> 00:27:50,919
Speaker 2: And I seduced William because he was like he is

566
00:27:51,000 --> 00:27:54,560
Speaker 2: in this one, this club, and he got h all

567
00:27:54,640 --> 00:27:57,560
Speaker 2: that he knows some magic stuff. Okay, so I put

568
00:27:57,600 --> 00:28:01,600
Speaker 2: that wop on him and then he was like, uh.

569
00:28:01,200 --> 00:28:02,520
Speaker 1: You know what I meant to you?

570
00:28:02,840 --> 00:28:06,680
Speaker 2: And so uh, I wanted to prove apparently her father

571
00:28:06,920 --> 00:28:09,679
Speaker 2: must have really approved of William or something or just

572
00:28:09,760 --> 00:28:12,920
Speaker 2: I guess just the male you know, just just the

573
00:28:12,960 --> 00:28:15,199
Speaker 2: fact that she wasn't that she was a girl that

574
00:28:15,280 --> 00:28:15,760
Speaker 2: he hated.

575
00:28:16,280 --> 00:28:16,399
Speaker 3: Uh.

576
00:28:16,440 --> 00:28:18,280
Speaker 1: She was like, I wanted to prove to my father

577
00:28:18,640 --> 00:28:19,600
Speaker 1: that I was better than the.

578
00:28:19,600 --> 00:28:21,199
Speaker 3: Son he wished she had.

579
00:28:21,680 --> 00:28:24,960
Speaker 2: And so she learned the metamorphosis spell from William. So

580
00:28:25,000 --> 00:28:27,119
Speaker 2: William was the person that cracked that spell. It seemed

581
00:28:27,119 --> 00:28:29,160
Speaker 2: like everyone has their own.

582
00:28:29,000 --> 00:28:34,280
Speaker 1: Specialty on this show. Her father's was impervious to damage.

583
00:28:33,960 --> 00:28:38,120
Speaker 3: Or some shit. Uh so uh.

584
00:28:38,400 --> 00:28:42,560
Speaker 2: She ends up saying like, Okay, well cool, I learned

585
00:28:42,600 --> 00:28:45,160
Speaker 2: this from from dicking, this from getting sucked by this dude.

586
00:28:45,720 --> 00:28:48,600
Speaker 3: And then, uh.

587
00:28:48,280 --> 00:28:51,600
Speaker 2: Uh that's cool, but that's just part of my ambitions.

588
00:28:51,680 --> 00:28:54,800
Speaker 2: I realized after I got this spell, Like, why the

589
00:28:54,840 --> 00:28:57,120
Speaker 2: fuck am I trying to still do all this for

590
00:28:57,240 --> 00:28:58,320
Speaker 2: my father's approval?

591
00:28:58,600 --> 00:29:00,360
Speaker 3: Right? Like that?

592
00:29:00,720 --> 00:29:02,120
Speaker 1: I want to surpass my father.

593
00:29:02,360 --> 00:29:05,360
Speaker 2: I want to like, I got bigger things to do

594
00:29:05,640 --> 00:29:08,800
Speaker 2: than just fucking be the you know, get dad to

595
00:29:08,840 --> 00:29:10,280
Speaker 2: finally approve me like that.

596
00:29:10,400 --> 00:29:11,560
Speaker 1: Now I'm thinking too small.

597
00:29:11,920 --> 00:29:16,640
Speaker 2: And we do know Christina's imagination is huge, and she

598
00:29:16,760 --> 00:29:19,600
Speaker 2: said I want to do things most people couldn't even imagine.

599
00:29:20,040 --> 00:29:24,440
Speaker 2: And of course Ruby is stuck on do you mean

600
00:29:24,480 --> 00:29:28,440
Speaker 2: like fuck me as a man bitch? Like I ain't

601
00:29:28,480 --> 00:29:30,160
Speaker 2: forgot her white woman.

602
00:29:30,040 --> 00:29:32,440
Speaker 3: Like she was still she was still stuck on that.

603
00:29:33,760 --> 00:29:35,440
Speaker 2: She's like, yeah, yeah, you want to rule to earth,

604
00:29:35,640 --> 00:29:38,640
Speaker 2: but you also is one of the ambitious to fuck

605
00:29:38,720 --> 00:29:42,880
Speaker 2: me nigga, And she said, I never lied to you.

606
00:29:43,600 --> 00:29:45,480
Speaker 2: The words are coming out of William's mouth, but they

607
00:29:45,480 --> 00:29:45,960
Speaker 2: were mine.

608
00:29:46,720 --> 00:29:48,600
Speaker 3: M So that's one of them things. But it wouldn't

609
00:29:48,600 --> 00:29:51,000
Speaker 3: surprise me if she is like attracted to her.

610
00:29:51,680 --> 00:29:54,000
Speaker 2: I wonder because you know, the thing I kept thinking

611
00:29:54,120 --> 00:29:56,760
Speaker 2: is if you can take a potion and it changes

612
00:29:56,800 --> 00:30:01,680
Speaker 2: your entire like by and then also.

613
00:30:01,480 --> 00:30:04,720
Speaker 3: Christina's obsession with because she's been.

614
00:30:04,640 --> 00:30:08,520
Speaker 2: Left out of male power and patriarchy, with this idea

615
00:30:08,560 --> 00:30:12,280
Speaker 2: of becoming or joining the ranks of the men as

616
00:30:12,320 --> 00:30:16,440
Speaker 2: in getting to respect, it does make you wonder, like sexually,

617
00:30:16,840 --> 00:30:18,520
Speaker 2: she could be a lot of she could be fluid,

618
00:30:18,600 --> 00:30:21,800
Speaker 2: she could be you know, she could just be in

619
00:30:21,840 --> 00:30:24,880
Speaker 2: throlled with the power of now I'm on the male

620
00:30:25,040 --> 00:30:29,640
Speaker 2: side of sex because I felt so unempowered as a

621
00:30:29,640 --> 00:30:32,920
Speaker 2: woman or whatever. She or she literally could just be

622
00:30:33,040 --> 00:30:36,000
Speaker 2: like it's whatever it takes to get to the power.

623
00:30:36,600 --> 00:30:38,600
Speaker 3: I will fuck anybody.

624
00:30:38,120 --> 00:30:40,920
Speaker 2: Like this is like, it ain't even about you, it

625
00:30:40,920 --> 00:30:42,880
Speaker 2: ain't about him, because she because that's the thing I

626
00:30:42,920 --> 00:30:45,720
Speaker 2: would say as William. She also never said some like

627
00:30:45,840 --> 00:30:48,280
Speaker 2: I love you, Ruby, I want to be with you.

628
00:30:48,440 --> 00:30:51,000
Speaker 2: It was all like, I'm trying to get this power.

629
00:30:51,160 --> 00:30:53,560
Speaker 2: I want to help you get some power. Ain't too

630
00:30:53,560 --> 00:30:54,520
Speaker 2: tired of being.

631
00:30:54,400 --> 00:30:56,680
Speaker 3: Just stuck with this world powerless.

632
00:30:56,960 --> 00:30:59,680
Speaker 2: So technically you could be like I never lied to

633
00:30:59,720 --> 00:31:02,600
Speaker 2: you as William, you know, we never seen them like

634
00:31:02,640 --> 00:31:04,760
Speaker 2: cupcakeing in bed or nothing like that.

635
00:31:05,440 --> 00:31:08,680
Speaker 3: And it also might be this thing too well an noow,

636
00:31:08,760 --> 00:31:11,880
Speaker 3: since we knowing, I go back and I reflect. William

637
00:31:11,960 --> 00:31:14,360
Speaker 3: was very gentle, not that men can't be gentle, but

638
00:31:14,440 --> 00:31:17,440
Speaker 3: he was like a very gentleman to suck the blood

639
00:31:17,480 --> 00:31:21,640
Speaker 3: off her hand. Come on, he was very you know,

640
00:31:21,880 --> 00:31:23,560
Speaker 3: it was a freak, you know how dude, you know

641
00:31:23,640 --> 00:31:26,160
Speaker 3: they're like, you know, it's one of those things where

642
00:31:26,280 --> 00:31:30,360
Speaker 3: for me he was very nice and gentle and kind

643
00:31:30,440 --> 00:31:33,880
Speaker 3: and sweet, and it was one of those things to

644
00:31:33,920 --> 00:31:37,160
Speaker 3: where its still racist, but you know, it was one

645
00:31:37,160 --> 00:31:39,680
Speaker 3: of those things. But I was like, oh that was Christina.

646
00:31:39,760 --> 00:31:44,680
Speaker 2: Where do you feel like he was still racist?

647
00:31:48,120 --> 00:31:51,959
Speaker 3: I think he was still racist because you understand the

648
00:31:52,080 --> 00:31:54,280
Speaker 3: concept of where you are, so there are some parts

649
00:31:54,280 --> 00:31:56,160
Speaker 3: of you that have to be racist in order for

650
00:31:56,200 --> 00:31:59,080
Speaker 3: you to in order for Christina to actually put this,

651
00:31:59,480 --> 00:32:01,280
Speaker 3: keep this up, there has to be some part of

652
00:32:01,320 --> 00:32:05,480
Speaker 3: you that shows or at least makes them think that

653
00:32:05,600 --> 00:32:07,560
Speaker 3: you are racist. Like there has to be you. You

654
00:32:07,840 --> 00:32:12,040
Speaker 3: couldn't walk around KK country kkk Castle and not have

655
00:32:12,200 --> 00:32:15,200
Speaker 3: something in you even if it's not true, you would

656
00:32:15,240 --> 00:32:18,760
Speaker 3: have to exhibit or either make them feel or the

657
00:32:18,800 --> 00:32:22,520
Speaker 3: illusion you know that you're tolerating.

658
00:32:22,920 --> 00:32:25,960
Speaker 1: Yeah, it's not that I'm saying she's not racist.

659
00:32:26,160 --> 00:32:28,120
Speaker 2: I thought you were trying to say something in her

660
00:32:28,120 --> 00:32:30,840
Speaker 2: involvement with Ruby made you be like, well, she's still

661
00:32:30,920 --> 00:32:34,600
Speaker 2: obviously racist. But it's nothing that she did to Ruby

662
00:32:34,600 --> 00:32:36,520
Speaker 2: specifically that made you okay, all.

663
00:32:36,480 --> 00:32:36,880
Speaker 1: Right, Yeah.

664
00:32:36,880 --> 00:32:41,000
Speaker 3: For me, the thing is, I mean it's a racist world.

665
00:32:41,720 --> 00:32:44,640
Speaker 2: I feel like Christina looks at all that shit as

666
00:32:45,920 --> 00:32:50,440
Speaker 2: power or not power. Yes, yeah, she don't even really

667
00:32:50,440 --> 00:32:53,120
Speaker 2: see the characters, by which I mean she's not anti racist.

668
00:32:53,320 --> 00:32:57,560
Speaker 2: She wouldn't like she helped that black family because she

669
00:32:57,760 --> 00:33:00,360
Speaker 2: finds that they will be a means to get her.

670
00:33:00,280 --> 00:33:02,760
Speaker 1: Some more power. She don't give a fuck about none

671
00:33:02,800 --> 00:33:03,000
Speaker 1: of them.

672
00:33:03,040 --> 00:33:05,320
Speaker 2: I think she would absolutely throw Ruby in the trash,

673
00:33:05,400 --> 00:33:07,959
Speaker 2: Let it in the trash, take in the trash in

674
00:33:07,960 --> 00:33:08,920
Speaker 2: a little bit long.

675
00:33:08,800 --> 00:33:10,320
Speaker 3: As as soon as they not been official.

676
00:33:10,400 --> 00:33:13,600
Speaker 1: Yes, yeah, like if she Yeah, honestly so.

677
00:33:14,200 --> 00:33:18,080
Speaker 2: But there's something about her that I believe her when

678
00:33:18,120 --> 00:33:20,880
Speaker 2: I believe everything she said in this in this little

679
00:33:20,920 --> 00:33:24,120
Speaker 2: part of the segment. But I also was like, she

680
00:33:24,160 --> 00:33:26,920
Speaker 2: still can't be trusted because because just because you don't

681
00:33:26,960 --> 00:33:28,440
Speaker 2: lie to me don't mean I can trust you. You ain't

682
00:33:28,440 --> 00:33:31,040
Speaker 2: got my back. You'll just be like, of course I

683
00:33:31,120 --> 00:33:32,600
Speaker 2: betrayed you, Nick, I never told.

684
00:33:32,400 --> 00:33:33,680
Speaker 1: You I liked you, you know what I mean?

685
00:33:33,840 --> 00:33:37,880
Speaker 2: Like anyway, I just thought that was interesting that that

686
00:33:37,880 --> 00:33:38,960
Speaker 2: it came up that way.

687
00:33:39,400 --> 00:33:39,680
Speaker 3: Uh.

688
00:33:39,760 --> 00:33:43,440
Speaker 2: And so then Ruby Ruby does decide to stay and

689
00:33:43,480 --> 00:33:47,840
Speaker 2: says I want to know everything, and Christina says the

690
00:33:47,880 --> 00:33:50,800
Speaker 2: whole like your family is of all with these lost

691
00:33:50,800 --> 00:33:55,520
Speaker 2: pages from the Book of Names, and Ruby's like my family,

692
00:33:56,280 --> 00:33:58,360
Speaker 2: and that's when it cuts away to the next scene.

693
00:33:58,640 --> 00:34:02,160
Speaker 2: So I the way they set it up and everything

694
00:34:02,240 --> 00:34:05,040
Speaker 2: Christina was saying when we saw her on camera, I

695
00:34:05,080 --> 00:34:07,719
Speaker 2: think this is the TV show's way of getting Ruby

696
00:34:08,440 --> 00:34:11,759
Speaker 2: caught up to speed with where we are as an

697
00:34:11,800 --> 00:34:14,879
Speaker 2: audience on a lot of stuff. So it's like, now

698
00:34:15,320 --> 00:34:18,240
Speaker 2: like Ruby is now in the game quote unquote, before

699
00:34:18,280 --> 00:34:20,960
Speaker 2: she was kind of a pawn. Now she's gonna move

700
00:34:21,000 --> 00:34:26,360
Speaker 2: into making her having her own autonomy because she's she's

701
00:34:26,520 --> 00:34:29,160
Speaker 2: aware that there's a game afoot now.

702
00:34:29,600 --> 00:34:32,719
Speaker 3: Yes, and also I think this kind of proved some

703
00:34:32,800 --> 00:34:34,680
Speaker 3: of my perspectives right, because I was like, Oh, she's

704
00:34:34,680 --> 00:34:37,440
Speaker 3: gonna tell her everything like that. Like I was like, oh,

705
00:34:37,440 --> 00:34:39,520
Speaker 3: they're gonna be partners in crime. Like I cannot see

706
00:34:39,560 --> 00:34:43,120
Speaker 3: her introducing her and just being like, fuck it. I

707
00:34:43,160 --> 00:34:46,600
Speaker 3: can't see that because the Ruby's strong personality. She's like, no, no, no,

708
00:34:47,360 --> 00:34:50,719
Speaker 3: you got me into this. What the fuck? Like like,

709
00:34:50,880 --> 00:34:54,080
Speaker 3: I've experienced certain things, so it's not like you're talking

710
00:34:54,120 --> 00:34:56,480
Speaker 3: to somebody that's on the outside anymore. You bought me in,

711
00:34:56,640 --> 00:34:58,920
Speaker 3: so a nigga, I'm all the way in, so let's go.

712
00:34:59,320 --> 00:35:01,520
Speaker 3: And Also I I like the fact that they skip that.

713
00:35:01,719 --> 00:35:04,640
Speaker 3: I wish more shows would skip all this two or

714
00:35:04,640 --> 00:35:07,000
Speaker 3: three shows and them going back and forth and and

715
00:35:07,160 --> 00:35:09,840
Speaker 3: oh hold on, no, let's just skip it. She's informed

716
00:35:09,840 --> 00:35:12,960
Speaker 3: and we could keep going because then that's a time

717
00:35:13,440 --> 00:35:15,480
Speaker 3: film time that you can put towards other things.

718
00:35:15,760 --> 00:35:17,759
Speaker 2: Yeah, And it makes me wonder what kind of partnership

719
00:35:17,840 --> 00:35:20,440
Speaker 2: is it gonna end up ultimately being, because I can't

720
00:35:20,440 --> 00:35:23,360
Speaker 2: picture Christina letting any partnership be truly fifty to fifty.

721
00:35:23,880 --> 00:35:26,440
Speaker 2: She just seemed like it's type to be like, uh

722
00:35:26,480 --> 00:35:29,359
Speaker 2: and now all the power for me bye, Like yeah.

723
00:35:29,480 --> 00:35:32,719
Speaker 3: And then also it's I like the fact that they

724
00:35:32,760 --> 00:35:35,520
Speaker 3: skip that because we know that she told her, but

725
00:35:35,560 --> 00:35:37,200
Speaker 3: we don't know what she told her. We don't know

726
00:35:37,239 --> 00:35:39,640
Speaker 3: if she literally told her everything. I told her bits

727
00:35:39,640 --> 00:35:40,040
Speaker 3: and pieces.

728
00:35:40,080 --> 00:35:42,600
Speaker 2: But probably it felt like she would have told her

729
00:35:42,640 --> 00:35:46,440
Speaker 2: everything she knows. That's how it felt because of how

730
00:35:46,440 --> 00:35:48,680
Speaker 2: they set up the scene where she told her all

731
00:35:48,760 --> 00:35:49,280
Speaker 2: that truth.

732
00:35:49,800 --> 00:35:50,799
Speaker 1: She really didn't have to.

733
00:35:51,040 --> 00:35:52,680
Speaker 2: That's she could have kept lying and she was just

734
00:35:52,680 --> 00:35:55,279
Speaker 2: straight up like, nah my daddy did this, like this

735
00:35:55,360 --> 00:35:59,719
Speaker 2: is my motivation, blah blah blah. So I don't like,

736
00:36:00,280 --> 00:36:01,839
Speaker 2: you're right. They could have cut away and she could

737
00:36:01,880 --> 00:36:02,760
Speaker 2: have just started lying.

738
00:36:02,800 --> 00:36:04,680
Speaker 3: But I mean not lying to her. I mean telling

739
00:36:04,680 --> 00:36:07,879
Speaker 3: her the truth and not lying to her. But what

740
00:36:08,000 --> 00:36:11,040
Speaker 3: parts of the truth, like like, is she gonna tell

741
00:36:11,080 --> 00:36:14,799
Speaker 3: her like literally everything, or is she gonna tell her

742
00:36:14,840 --> 00:36:16,879
Speaker 3: only what she needs to know? Because the whole thing

743
00:36:17,000 --> 00:36:18,880
Speaker 3: is formed of manipulation.

744
00:36:18,760 --> 00:36:21,799
Speaker 2: Not just that, but it's also what does Christy? What

745
00:36:21,880 --> 00:36:25,640
Speaker 2: does Christina know? She don't know everything. She don't don't

746
00:36:25,680 --> 00:36:27,439
Speaker 2: know some of the stuff that taking Letty going through.

747
00:36:28,040 --> 00:36:31,000
Speaker 2: So but uh, yeah, anyway, man, I thought that was interesting.

748
00:36:31,960 --> 00:36:36,160
Speaker 2: So then Letty has a dream, uh you know, she's

749
00:36:36,320 --> 00:36:41,239
Speaker 2: sleeping in the bed by herself, and she has a

750
00:36:41,360 --> 00:36:45,279
Speaker 2: dream of running down the same hallway that Tick ran

751
00:36:45,800 --> 00:36:49,759
Speaker 2: running out of the the what they call those things?

752
00:36:50,440 --> 00:36:53,160
Speaker 2: Oh god, well, am I drawing a blank? But it's

753
00:36:53,200 --> 00:36:57,920
Speaker 2: like that big ass not no, it's they are the lodge.

754
00:36:58,160 --> 00:37:01,439
Speaker 2: She was running down the hall of the lodge out

755
00:37:01,440 --> 00:37:04,440
Speaker 2: of the exit. The same recurring dream Tick has with

756
00:37:04,640 --> 00:37:07,839
Speaker 2: his ancestor Hannah ahead of him. Was this time it

757
00:37:07,920 --> 00:37:10,759
Speaker 2: was Hannah ahead of her. And then when Hannah got

758
00:37:10,760 --> 00:37:12,239
Speaker 2: to the exit, she was holding the book.

759
00:37:12,320 --> 00:37:13,400
Speaker 3: She looks back at Letty.

760
00:37:13,960 --> 00:37:18,759
Speaker 2: Letty looks down at herself, sees that she's pregnant, and

761
00:37:18,800 --> 00:37:21,480
Speaker 2: then she burns up and then wakes up and like,

762
00:37:21,520 --> 00:37:22,399
Speaker 2: you know, oh my god.

763
00:37:23,760 --> 00:37:26,120
Speaker 3: And I was like, oh, this probably has to do

764
00:37:26,280 --> 00:37:30,520
Speaker 3: with her connection with Tick. It's like it's a bond

765
00:37:31,360 --> 00:37:36,480
Speaker 3: or it's something that Lily has tied them together, like

766
00:37:36,560 --> 00:37:40,280
Speaker 3: almost like a soul bond, where you know that tied

767
00:37:40,320 --> 00:37:42,799
Speaker 3: them together that they might not She didn't realize at

768
00:37:42,800 --> 00:37:43,120
Speaker 3: that time.

769
00:37:43,400 --> 00:37:46,520
Speaker 2: I think she I think it's pretty obvious she's pregnant.

770
00:37:47,120 --> 00:37:49,200
Speaker 2: If she's not pregnant, I don't know, Maybe it's gonna

771
00:37:49,200 --> 00:37:51,200
Speaker 2: be a nontail baby. In that I don't know, you know,

772
00:37:51,280 --> 00:37:54,040
Speaker 2: we don't know what Tick's working with after him messing

773
00:37:54,080 --> 00:37:58,520
Speaker 2: with Jill, But I'm just saying I think she's clearly pregnant.

774
00:37:58,520 --> 00:38:02,560
Speaker 2: And it made me think about like the same rules

775
00:38:02,600 --> 00:38:06,400
Speaker 2: of like anime stuff and some of them where it's like, well,

776
00:38:06,480 --> 00:38:09,359
Speaker 2: she doesn't really have a connection to this ancestor, but

777
00:38:09,480 --> 00:38:12,359
Speaker 2: she carrying this baby that has this connection, and that's

778
00:38:12,400 --> 00:38:15,640
Speaker 2: maybe why she can share that dream. But maybe Hannah's

779
00:38:15,640 --> 00:38:18,840
Speaker 2: trying to communicate in some type of way, like maybe

780
00:38:19,160 --> 00:38:22,359
Speaker 2: there's some magical thing going on with Hannah as an

781
00:38:22,360 --> 00:38:25,520
Speaker 2: ancestor maybe you know, up until this point, it was

782
00:38:25,719 --> 00:38:28,719
Speaker 2: Hannah the escaped slave who happened to be pregnant with

783
00:38:29,040 --> 00:38:33,240
Speaker 2: her master's baby, and now it's like maybe Hannah leaving

784
00:38:33,280 --> 00:38:37,520
Speaker 2: with this book or something. Maybe there's some magical lineage

785
00:38:37,560 --> 00:38:41,080
Speaker 2: in Tick's family. They have, of course, kept it very

786
00:38:42,480 --> 00:38:45,120
Speaker 2: mysterious what happened on his mother's side of the family.

787
00:38:45,200 --> 00:38:47,600
Speaker 2: The father that you know, man trous don't talk about

788
00:38:47,600 --> 00:38:48,360
Speaker 2: the mother's side.

789
00:38:48,160 --> 00:38:48,840
Speaker 3: Of the family.

790
00:38:49,440 --> 00:38:52,040
Speaker 2: Tick never got to go meet his relatives and all

791
00:38:52,080 --> 00:38:55,680
Speaker 2: this stuff. So it feels like they're doing something with

792
00:38:55,719 --> 00:38:58,680
Speaker 2: this mystery, and I'm like maybe Letty doesn't have a

793
00:38:58,680 --> 00:39:02,839
Speaker 2: connection directly, but there's a pregnancy involved now she does

794
00:39:02,880 --> 00:39:05,319
Speaker 2: have some kind of connection. And maybe she didn't even

795
00:39:05,320 --> 00:39:08,879
Speaker 2: have a connection to this magic yes, you know, which

796
00:39:08,880 --> 00:39:10,120
Speaker 2: would be interesting.

797
00:39:09,760 --> 00:39:12,279
Speaker 1: Man, you know what, you know what?

798
00:39:12,320 --> 00:39:13,080
Speaker 3: It made me think of.

799
00:39:14,560 --> 00:39:19,400
Speaker 2: That season of Flash when Joe's wife got pregnant and

800
00:39:19,480 --> 00:39:22,400
Speaker 2: her baby had powers and then made her psychic. But

801
00:39:22,440 --> 00:39:25,160
Speaker 2: then when the baby was born, like it was like

802
00:39:25,200 --> 00:39:27,520
Speaker 2: the power, the powers was for the fact that she

803
00:39:27,680 --> 00:39:29,479
Speaker 2: was having a meta baby or something like that.

804
00:39:30,040 --> 00:39:33,839
Speaker 1: Anyway, So then she.

805
00:39:33,880 --> 00:39:36,360
Speaker 2: Wakes up and she gets out of bed, Tickets in

806
00:39:36,400 --> 00:39:40,080
Speaker 2: the other room, just staring in deep off, in deep thought,

807
00:39:40,120 --> 00:39:45,480
Speaker 2: probably thinking about that the symbols on the ring that

808
00:39:45,520 --> 00:39:48,839
Speaker 2: he thought were his initials might also mean die, and

809
00:39:48,920 --> 00:39:49,879
Speaker 2: am I about to die?

810
00:39:50,000 --> 00:39:50,680
Speaker 3: Like what the fuck?

811
00:39:50,760 --> 00:39:52,960
Speaker 2: He's been working all night trying to figure out all

812
00:39:53,000 --> 00:39:54,399
Speaker 2: the decipher all these codes and.

813
00:39:54,360 --> 00:39:58,480
Speaker 3: Shit he was in the it's just a mood that

814
00:39:58,560 --> 00:40:01,720
Speaker 3: can't explain it, Like you can tell he was zoned

815
00:40:01,760 --> 00:40:04,600
Speaker 3: out and not really knowing what to do with all

816
00:40:04,680 --> 00:40:08,000
Speaker 3: the feelings he was having, and he never came to bed.

817
00:40:08,880 --> 00:40:11,000
Speaker 2: When she comes up and he notices she's there, he

818
00:40:11,000 --> 00:40:14,080
Speaker 2: pulls her clothes, kisses her, and then he hugs her

819
00:40:15,120 --> 00:40:17,359
Speaker 2: kind of putting her head his head by her rib

820
00:40:17,480 --> 00:40:21,040
Speaker 2: cage and stuff, which is like this intimate thing.

821
00:40:21,239 --> 00:40:23,280
Speaker 3: But it makes me think.

822
00:40:23,120 --> 00:40:26,759
Speaker 2: About the more we learn about Tick, the more I'm

823
00:40:26,800 --> 00:40:31,520
Speaker 2: starting to see Tick as a survivor, a boy who

824
00:40:31,600 --> 00:40:35,360
Speaker 2: was abused and in this world in the.

825
00:40:35,400 --> 00:40:37,920
Speaker 3: Nineteen fifty where it wasn't like get.

826
00:40:37,840 --> 00:40:40,759
Speaker 2: Some online therapy or whatever, like like it's just this.

827
00:40:40,880 --> 00:40:44,239
Speaker 2: People can get that, right, And so I'm seeing now

828
00:40:44,320 --> 00:40:46,520
Speaker 2: man that probably has some issues. I mean, he also

829
00:40:46,560 --> 00:40:49,680
Speaker 2: got that nine tails all upon him, like he's just

830
00:40:50,000 --> 00:40:52,440
Speaker 2: a dude that got and went the war, like he

831
00:40:52,560 --> 00:40:58,560
Speaker 2: got some issues. And there's a longing it seems to me.

832
00:40:58,719 --> 00:41:05,360
Speaker 1: For like like female love and nurturing, and Letty provides

833
00:41:05,440 --> 00:41:06,040
Speaker 1: that to an.

834
00:41:06,000 --> 00:41:09,960
Speaker 3: Extent, you know, like he's missing something and yes, giving

835
00:41:10,040 --> 00:41:13,080
Speaker 3: him the thing that he's missing, because like you said,

836
00:41:13,080 --> 00:41:16,399
Speaker 3: the way he grabbed her, it wasn't sexual at all.

837
00:41:16,560 --> 00:41:19,120
Speaker 3: It was almost like it was truly felt like a muthering,

838
00:41:19,320 --> 00:41:21,279
Speaker 3: like like I have to hold you because I have

839
00:41:21,360 --> 00:41:22,960
Speaker 3: these feelings. I don't know what to do with them.

840
00:41:23,480 --> 00:41:27,719
Speaker 3: You understand me, and you won't particularly be in the

841
00:41:27,760 --> 00:41:31,799
Speaker 3: man you won't judge me with me going through these emotions,

842
00:41:31,800 --> 00:41:34,360
Speaker 3: and I imagine she knows more about him than just

843
00:41:34,400 --> 00:41:37,160
Speaker 3: about anybody else on earth. Yes, so there's like a

844
00:41:37,400 --> 00:41:40,239
Speaker 3: like it's romantic for sure, like there's a sexual part too,

845
00:41:40,480 --> 00:41:42,719
Speaker 3: but there's also like a something like you said, like

846
00:41:43,000 --> 00:41:47,719
Speaker 3: a maternal thing going on, not in some weird incest way,

847
00:41:47,800 --> 00:41:52,120
Speaker 3: I mean just literally that maternal energy or something. And

848
00:41:52,280 --> 00:41:57,279
Speaker 3: also it shows that their their trust because a few

849
00:41:57,320 --> 00:42:00,680
Speaker 3: episodes ago, when Letty was down in that basement and

850
00:42:00,719 --> 00:42:03,200
Speaker 3: she heard shit, she ain't got ticked because she was like, oh,

851
00:42:03,239 --> 00:42:05,839
Speaker 3: he the only person when I tell him this ain't

852
00:42:05,840 --> 00:42:07,840
Speaker 3: gonna look at me like I'm motherfucker lost my mind.

853
00:42:07,960 --> 00:42:09,480
Speaker 1: Well, yeah, they went through that shit together.

854
00:42:09,600 --> 00:42:13,520
Speaker 2: So then he, like I said, hugs her and stuff

855
00:42:13,560 --> 00:42:16,680
Speaker 2: she showed. He shows her because then that's the other thing.

856
00:42:16,719 --> 00:42:20,080
Speaker 2: He's so distracted and so intense on this work. He

857
00:42:20,160 --> 00:42:22,000
Speaker 2: like holds her for she holds him for a little bit.

858
00:42:22,000 --> 00:42:23,680
Speaker 2: Then he's like, all right, look let me show you

859
00:42:23,719 --> 00:42:25,719
Speaker 2: what I've been working on. I translated these pages and

860
00:42:25,760 --> 00:42:28,640
Speaker 2: this Snymber right here. It looks like these spells are

861
00:42:28,680 --> 00:42:31,839
Speaker 2: actually more complicated than knowing the words and saying saying

862
00:42:31,840 --> 00:42:34,279
Speaker 2: them out loud because he was like, when they were

863
00:42:34,320 --> 00:42:36,040
Speaker 2: doing that ritual, to me, they had all this shit,

864
00:42:36,080 --> 00:42:38,320
Speaker 2: they rolled on the ground and chalking all this stuff,

865
00:42:38,880 --> 00:42:41,120
Speaker 2: and it looks like you got to get all that

866
00:42:41,360 --> 00:42:41,879
Speaker 2: right too.

867
00:42:42,360 --> 00:42:45,320
Speaker 1: And he's doubting himself because he's like, I've known about

868
00:42:45,320 --> 00:42:46,080
Speaker 1: this shit for.

869
00:42:45,960 --> 00:42:47,200
Speaker 3: Like six weeks.

870
00:42:47,880 --> 00:42:51,759
Speaker 2: These men spent their whole lives in this fucking order

871
00:42:52,360 --> 00:42:55,759
Speaker 2: and died during the ceremonies, like they spent decades of

872
00:42:55,800 --> 00:42:59,160
Speaker 2: their life thinking they got it right, did the ceremony

873
00:42:59,239 --> 00:43:00,720
Speaker 2: and just fuck died.

874
00:43:01,960 --> 00:43:03,600
Speaker 1: I'm in over my head what if.

875
00:43:03,520 --> 00:43:04,480
Speaker 3: We fucking get killed?

876
00:43:05,360 --> 00:43:07,720
Speaker 1: And she was like, well, you know your.

877
00:43:07,560 --> 00:43:12,960
Speaker 2: Ancestor Hannah made it out the front door that matching

878
00:43:13,880 --> 00:43:17,239
Speaker 2: of the lodge, and you got that in you And

879
00:43:17,480 --> 00:43:18,000
Speaker 2: he was like.

880
00:43:18,600 --> 00:43:20,000
Speaker 3: Because he hadn't shared that with her.

881
00:43:19,880 --> 00:43:21,560
Speaker 1: And it's like, how you know she ran out the

882
00:43:21,560 --> 00:43:22,120
Speaker 1: front door.

883
00:43:22,239 --> 00:43:25,040
Speaker 3: It's such a TV like moment, you know what I mean?

884
00:43:25,160 --> 00:43:28,920
Speaker 2: Like at one I appreciate rather than having them had

885
00:43:28,920 --> 00:43:33,520
Speaker 2: this revelation in episode ten or we get frustrated, but why.

886
00:43:33,360 --> 00:43:35,040
Speaker 3: Didn't you just tell him she had to dream? You know?

887
00:43:35,120 --> 00:43:41,720
Speaker 2: So because even because she's mentioned Hannah before, so anyway.

888
00:43:42,280 --> 00:43:42,799
Speaker 3: She was like.

889
00:43:43,040 --> 00:43:46,920
Speaker 2: He was like, yeah, I didn't say she ran out

890
00:43:46,960 --> 00:43:48,239
Speaker 2: the front door. She was like, yeah, I had a

891
00:43:48,320 --> 00:43:52,719
Speaker 2: dream about her and the burning lodge and she was

892
00:43:52,760 --> 00:43:55,120
Speaker 2: standing in the doorway. And he was like, did she

893
00:43:55,160 --> 00:43:57,200
Speaker 2: say something to you because I couldn't hear in my dream,

894
00:43:57,680 --> 00:43:59,719
Speaker 2: and she she was like, nah, she didn't say nothing,

895
00:43:59,760 --> 00:44:03,560
Speaker 2: but she was holding the book and uh he And

896
00:44:03,680 --> 00:44:07,080
Speaker 2: she never brings up that she was pregnant in her dream.

897
00:44:07,520 --> 00:44:09,880
Speaker 1: She started to, but then she stopped.

898
00:44:10,040 --> 00:44:12,319
Speaker 3: Because I think she she's not gonna keep it.

899
00:44:12,360 --> 00:44:17,120
Speaker 2: Okay, y'all, if that magical baby's going that okay, I.

900
00:44:17,120 --> 00:44:19,839
Speaker 3: Know it's before Robie Wade, but I'm just telling you,

901
00:44:20,000 --> 00:44:24,239
Speaker 3: or she might have complications. I don't think Letty don't

902
00:44:24,280 --> 00:44:26,080
Speaker 3: seem like to have a bunch of babies type.

903
00:44:26,120 --> 00:44:28,360
Speaker 2: I'm gonna be real with you, Okay. Letty is a

904
00:44:28,360 --> 00:44:29,800
Speaker 2: woman from twenty nineteen.

905
00:44:30,400 --> 00:44:32,439
Speaker 3: I didn't happen to be put back in this time.

906
00:44:32,600 --> 00:44:36,160
Speaker 2: She is an intersectional f right, that is, an intersectional

907
00:44:36,200 --> 00:44:41,960
Speaker 2: Black feminist. Okay, she is wokenow me down. The last

908
00:44:41,960 --> 00:44:44,560
Speaker 2: thing she wont is to be slowed down by this

909
00:44:44,640 --> 00:44:49,440
Speaker 2: nigga magical baby. It's Okayabies, but naw, she never mentioned it.

910
00:44:49,640 --> 00:44:52,040
Speaker 2: I don't you know, maybe because she didn't want to

911
00:44:52,040 --> 00:44:53,560
Speaker 2: scare them, because that's the other thing.

912
00:44:53,760 --> 00:44:55,399
Speaker 1: Correct, This nigga already.

913
00:44:55,080 --> 00:44:57,759
Speaker 3: Be stretched out. They tell this nigga pregnant might turn

914
00:44:57,800 --> 00:45:03,719
Speaker 3: the future. Oh no, I'm not gonna put that on

915
00:45:03,760 --> 00:45:10,719
Speaker 3: that man. I'm sorry. It might be even scarier than

916
00:45:10,760 --> 00:45:16,360
Speaker 3: what's happening. I dreamed I was pregnant, sensational.

917
00:45:16,520 --> 00:45:20,680
Speaker 2: No no, oh no, he don't got ral be pregnant.

918
00:45:20,680 --> 00:45:23,240
Speaker 3: What is happening is he gonna be a gift and disappear.

919
00:45:23,400 --> 00:45:25,800
Speaker 1: He's just getting everybody on the show pregnant.

920
00:45:25,800 --> 00:45:30,240
Speaker 2: Now, Christina sneak on Instagram, you got another one pregnant.

921
00:45:30,680 --> 00:45:31,920
Speaker 3: Je A pregnant.

922
00:45:31,800 --> 00:45:32,840
Speaker 1: Anyway, so.

923
00:45:34,520 --> 00:45:36,400
Speaker 3: He uh she.

924
00:45:36,400 --> 00:45:39,759
Speaker 2: She tells them about the dream and then she they

925
00:45:39,800 --> 00:45:42,960
Speaker 2: both figure out Hannah escape with the Book of Names,

926
00:45:43,880 --> 00:45:47,200
Speaker 2: and that's when their ambitions rise from we want to

927
00:45:47,239 --> 00:45:48,799
Speaker 2: get a few pages in the book. See we can

928
00:45:48,800 --> 00:45:51,960
Speaker 2: figure out this spell to we get the whole book,

929
00:45:52,200 --> 00:45:53,400
Speaker 2: we get all the spells.

930
00:45:53,680 --> 00:45:57,800
Speaker 3: Yes, yes, And it was fun kind of just watching

931
00:45:57,840 --> 00:46:00,080
Speaker 3: them almost bounce off of each other. It was like

932
00:46:00,120 --> 00:46:03,760
Speaker 3: they both had the same dream but a tid bit different,

933
00:46:03,800 --> 00:46:06,000
Speaker 3: you know, because Dick was like, she ain't had no book,

934
00:46:06,800 --> 00:46:09,759
Speaker 3: you know, like, you know, what did you see that

935
00:46:09,840 --> 00:46:12,439
Speaker 3: I didn't see? And you know what did you her?

936
00:46:12,640 --> 00:46:15,479
Speaker 3: You know, trying to trying to figure out his dream,

937
00:46:15,760 --> 00:46:19,920
Speaker 3: and my quote unquote prediction, it wouldn't be surprising if

938
00:46:20,000 --> 00:46:23,319
Speaker 3: they have this dream together at some period, like like

939
00:46:23,360 --> 00:46:26,640
Speaker 3: both of them but you see the same thing. Maybe

940
00:46:26,640 --> 00:46:29,560
Speaker 3: they complete each other's dream. Yes, well, well both of

941
00:46:29,640 --> 00:46:33,960
Speaker 3: them running together and like a unity. And I bet

942
00:46:34,040 --> 00:46:36,560
Speaker 3: you if they have a dream together, they were probably

943
00:46:36,600 --> 00:46:39,440
Speaker 3: here and see it in its entirety, because right now,

944
00:46:39,480 --> 00:46:40,280
Speaker 3: look like it's split.

945
00:46:40,600 --> 00:46:42,440
Speaker 1: Right, Yeah, that would make that would be cool. I

946
00:46:42,440 --> 00:46:43,239
Speaker 1: would love to see that.

947
00:46:43,920 --> 00:46:45,799
Speaker 2: Now we're just wait for both of them to all

948
00:46:45,800 --> 00:46:48,400
Speaker 2: asleep at the same time, right Instead had one of

949
00:46:48,400 --> 00:46:49,200
Speaker 2: them always.

950
00:46:48,880 --> 00:46:50,800
Speaker 1: Fucked the other one and then get up and do something,

951
00:46:50,840 --> 00:46:51,320
Speaker 1: and get.

952
00:46:51,200 --> 00:46:54,160
Speaker 3: Up and do something, they don't poot, they don't tie

953
00:46:54,200 --> 00:46:57,280
Speaker 3: the other one out, right, uh? And so then.

954
00:46:59,520 --> 00:47:02,400
Speaker 2: Uh uh they decided to find a book of names.

955
00:47:02,520 --> 00:47:05,520
Speaker 2: They realized Handa must that had it the ancestry, his

956
00:47:05,600 --> 00:47:08,840
Speaker 2: ancestors must have had it at some point, and they're like, so.

957
00:47:08,719 --> 00:47:09,680
Speaker 3: Where can we go?

958
00:47:09,840 --> 00:47:13,840
Speaker 2: And he's like, well, she don't really have family. My mom,

959
00:47:14,160 --> 00:47:16,880
Speaker 2: most of my mom family they died in Tulsa. She

960
00:47:16,960 --> 00:47:22,840
Speaker 2: was the only one that made it out. And they're like, Okay,

961
00:47:22,960 --> 00:47:26,959
Speaker 2: I guess we're gonna have to like like we're gonna

962
00:47:26,960 --> 00:47:29,759
Speaker 2: have to go talk to somebody. So who they're gonna

963
00:47:29,760 --> 00:47:33,000
Speaker 2: have to go talk to that nigga Montrose? You know,

964
00:47:33,520 --> 00:47:35,320
Speaker 2: you know they gotta go talk to this damn daddy

965
00:47:35,920 --> 00:47:39,800
Speaker 2: daddy so in his daddy house, you know, ever since

966
00:47:41,000 --> 00:47:47,400
Speaker 2: he had that magnificent, glorious experience of being hoisted above

967
00:47:47,520 --> 00:47:50,480
Speaker 2: everybody the dance floor at the ballroom, it.

968
00:47:50,520 --> 00:47:53,280
Speaker 3: Was so sweet life.

969
00:47:52,600 --> 00:47:55,480
Speaker 1: Right, He's all he's like, come in.

970
00:47:56,480 --> 00:47:58,640
Speaker 2: So he wakes up in the morning, Sammy in the

971
00:47:58,640 --> 00:48:01,359
Speaker 2: house and the like he just got some good dick.

972
00:48:01,440 --> 00:48:02,480
Speaker 1: Okay, he cooking.

973
00:48:03,680 --> 00:48:07,160
Speaker 2: It's like it's like, don't Clint Eastwood movies after he

974
00:48:07,239 --> 00:48:08,919
Speaker 2: fucked the woman and then they show in the morning

975
00:48:08,960 --> 00:48:11,680
Speaker 2: she wearing like no bride but just his shirt in

976
00:48:11,719 --> 00:48:14,560
Speaker 2: her panties. But it's not even buttoning up so you

977
00:48:14,560 --> 00:48:16,400
Speaker 2: can see all the cleavage, and she just cooking like

978
00:48:16,480 --> 00:48:17,560
Speaker 2: eggs and bacon and shit.

979
00:48:18,320 --> 00:48:20,920
Speaker 1: Like he was in the Sammy was getting it. Okay.

980
00:48:21,000 --> 00:48:22,560
Speaker 2: I was like Damn, it must have been some good

981
00:48:22,600 --> 00:48:24,880
Speaker 2: dick in last night, because it's like, oh, you, you

982
00:48:24,960 --> 00:48:25,440
Speaker 2: went to the.

983
00:48:25,400 --> 00:48:27,560
Speaker 3: Stove for this dick. You went to the stove, to

984
00:48:27,640 --> 00:48:29,200
Speaker 3: the home, motherfucking stove. Right.

985
00:48:29,320 --> 00:48:33,440
Speaker 2: Montross came in looking like looking relieved and happy, like

986
00:48:33,760 --> 00:48:35,680
Speaker 2: and so and that was the first time you've really

987
00:48:35,719 --> 00:48:36,720
Speaker 2: seen him look.

988
00:48:36,640 --> 00:48:39,360
Speaker 1: Truly happy, Yes, and so.

989
00:48:41,120 --> 00:48:43,000
Speaker 2: Said, we find out it's the first time that he

990
00:48:43,080 --> 00:48:44,160
Speaker 2: let Sammy stay the night.

991
00:48:45,000 --> 00:48:46,920
Speaker 1: He was like, I thought i'd cook you some breakfast.

992
00:48:46,960 --> 00:48:48,480
Speaker 2: He was like, you just trying to make a big

993
00:48:48,520 --> 00:48:52,200
Speaker 2: production out of how I'll let you stay here to night.

994
00:48:52,680 --> 00:48:54,560
Speaker 2: Sam It's like, gon, drop the needle on the record

995
00:48:54,680 --> 00:48:57,880
Speaker 2: and shut up, Which is funny because I really like

996
00:48:58,000 --> 00:49:02,239
Speaker 2: their dynamic because Montrous is a fucking curmudgeon and a

997
00:49:02,320 --> 00:49:06,480
Speaker 2: grump and Sammy is just the kind of person that

998
00:49:06,520 --> 00:49:09,120
Speaker 2: can be with a grump where it's like, just shut

999
00:49:09,200 --> 00:49:10,759
Speaker 2: up and eat the coffee or whatever.

1000
00:49:10,840 --> 00:49:13,360
Speaker 3: Like, yes, y'all know, y'all seeing couples like that on

1001
00:49:13,440 --> 00:49:15,799
Speaker 3: both sides, men and women whatever, Well, one of them

1002
00:49:15,880 --> 00:49:20,080
Speaker 3: is like another one is like a like a joy,

1003
00:49:20,200 --> 00:49:22,279
Speaker 3: a light, a beacon, and they need to ignore the

1004
00:49:22,320 --> 00:49:24,080
Speaker 3: hell out of them. Be like you gone, hand, I

1005
00:49:24,120 --> 00:49:25,680
Speaker 3: know you love me, going ahead, right.

1006
00:49:25,600 --> 00:49:27,920
Speaker 2: Like they compliment each other, and part of the compliment

1007
00:49:28,040 --> 00:49:30,480
Speaker 2: is I'm not listening to all this shit you're talking about.

1008
00:49:30,600 --> 00:49:33,160
Speaker 2: But yeah, Samy's like, gone, drop the record on that

1009
00:49:33,600 --> 00:49:35,240
Speaker 2: the need on that record over there, and they started

1010
00:49:35,239 --> 00:49:36,280
Speaker 2: playing some old music.

1011
00:49:36,680 --> 00:49:39,240
Speaker 3: And then Sammy tells.

1012
00:49:39,000 --> 00:49:40,799
Speaker 2: The story how he went to the store because he's like,

1013
00:49:41,239 --> 00:49:43,600
Speaker 2: you you ain't got nothing but alcohol in all your cabinets.

1014
00:49:43,640 --> 00:49:45,719
Speaker 2: So I went to get you some orange juice down

1015
00:49:45,719 --> 00:49:47,400
Speaker 2: at the store and I ran to this woman with

1016
00:49:47,480 --> 00:49:50,200
Speaker 2: a beautiful African scarf, and I said, where you get

1017
00:49:50,200 --> 00:49:52,000
Speaker 2: that from? She said, Marshall Field. I said, when they

1018
00:49:52,040 --> 00:49:56,560
Speaker 2: started and colored people up in Marshall Fields. And as

1019
00:49:56,600 --> 00:50:01,800
Speaker 2: he's telling his story, you can see mon Trousse's completely changed.

1020
00:50:01,920 --> 00:50:02,080
Speaker 3: Yep.

1021
00:50:02,640 --> 00:50:05,840
Speaker 2: It's like if they should have put a sound effect

1022
00:50:05,920 --> 00:50:08,319
Speaker 2: of a closet door closing, because he was like, I'm

1023
00:50:08,320 --> 00:50:13,040
Speaker 2: going back in back in fuck this shit. He was like, uh,

1024
00:50:13,680 --> 00:50:19,160
Speaker 2: you know that's my neighbor, Bernice. And then Sammy picked

1025
00:50:19,200 --> 00:50:20,719
Speaker 2: up where he was putting now to me like, well,

1026
00:50:20,719 --> 00:50:22,279
Speaker 2: she don't know, she didn't see me come in and

1027
00:50:22,280 --> 00:50:22,680
Speaker 2: out of here.

1028
00:50:22,760 --> 00:50:24,359
Speaker 3: She don't know, blah, blah blah.

1029
00:50:24,400 --> 00:50:27,640
Speaker 2: But the mood was ruined because Montrous is this man

1030
00:50:27,680 --> 00:50:30,759
Speaker 2: who's living this closeted life. He don't want nobody know

1031
00:50:30,800 --> 00:50:33,200
Speaker 2: he's gay. He don't have to deal with the harassment

1032
00:50:33,200 --> 00:50:35,600
Speaker 2: from that and shit. Of course, he's got a son,

1033
00:50:35,719 --> 00:50:41,160
Speaker 2: he's had this marriage that he's been you know that

1034
00:50:41,160 --> 00:50:42,400
Speaker 2: that he was in before.

1035
00:50:43,280 --> 00:50:47,680
Speaker 3: So Montross is basically like hate crimes and all that stuff.

1036
00:50:47,719 --> 00:50:48,400
Speaker 1: So he's like, I.

1037
00:50:50,160 --> 00:50:51,800
Speaker 3: Don't feel too comfortable.

1038
00:50:51,400 --> 00:50:55,040
Speaker 2: Right, he decides I'm fucking up the whole mood. And

1039
00:50:55,160 --> 00:50:57,080
Speaker 2: now he's just sitting at the table like.

1040
00:50:57,320 --> 00:50:58,200
Speaker 3: What's this poke?

1041
00:50:58,680 --> 00:51:01,080
Speaker 1: I don't eat no know, I don't dine on the

1042
00:51:01,120 --> 00:51:05,359
Speaker 1: swine or what. He started to a full of musklom ship.

1043
00:51:06,760 --> 00:51:09,400
Speaker 2: You see, you know, ain't nothing but a cross between

1044
00:51:09,440 --> 00:51:14,080
Speaker 2: a pig and a dog, and uh yeah it was.

1045
00:51:14,200 --> 00:51:16,520
Speaker 2: But it was ridiculous because he just flipped on him

1046
00:51:16,520 --> 00:51:20,160
Speaker 2: for no reason. And then he's like, uh, he.

1047
00:51:20,160 --> 00:51:21,719
Speaker 3: Ain't had no beef sausage or something.

1048
00:51:21,719 --> 00:51:25,040
Speaker 1: It's like nobody eats beef sausage for breakfast. And he's like,

1049
00:51:25,120 --> 00:51:25,680
Speaker 1: you ain't get.

1050
00:51:25,560 --> 00:51:29,360
Speaker 3: No green eggs ham huh? Like are you just looking

1051
00:51:29,360 --> 00:51:31,799
Speaker 3: for excuse to be mean? Yes, you ain't get no

1052
00:51:31,840 --> 00:51:32,359
Speaker 3: turkey bacon.

1053
00:51:32,719 --> 00:51:34,239
Speaker 1: They don't even don't got turkey bakes.

1054
00:51:34,239 --> 00:51:36,759
Speaker 3: They ain't got no fishteeth, huh, they ain't got no

1055
00:51:36,840 --> 00:51:38,319
Speaker 3: dunkey holes down there.

1056
00:51:38,440 --> 00:51:40,840
Speaker 2: Come out where you're gonna put some unicorn horns in

1057
00:51:40,880 --> 00:51:41,440
Speaker 2: this coffee.

1058
00:51:41,680 --> 00:51:43,920
Speaker 3: I mean you could have did fish and grits and

1059
00:51:43,960 --> 00:51:45,919
Speaker 3: sprink a little f magic on it. Right.

1060
00:51:46,120 --> 00:51:48,719
Speaker 1: It was like, well, what you're gonna say. I know

1061
00:51:48,760 --> 00:51:50,360
Speaker 1: what you're doing. What you're gonna say next to coffee?

1062
00:51:50,400 --> 00:51:54,160
Speaker 3: Too wet? And he was like a too much sugar?

1063
00:51:55,120 --> 00:52:00,000
Speaker 1: Oh Samon was just cut through the bullshit, like, okay,

1064
00:51:59,800 --> 00:52:02,840
Speaker 1: I started getting too close. Now you gotta push me away.

1065
00:52:03,360 --> 00:52:05,399
Speaker 1: You on some bullshit. Let me just get my shit

1066
00:52:05,480 --> 00:52:05,839
Speaker 1: and leave.

1067
00:52:06,600 --> 00:52:08,640
Speaker 2: And he's like, man, I'm not trying to do that, dude,

1068
00:52:08,680 --> 00:52:10,319
Speaker 2: what you're trying to say? And I'm like, oh, he

1069
00:52:10,440 --> 00:52:13,799
Speaker 2: want to argue, like one of these motherfuckers that they

1070
00:52:13,880 --> 00:52:16,160
Speaker 2: want to have an argument so that they can have

1071
00:52:16,160 --> 00:52:17,320
Speaker 2: an excuse.

1072
00:52:17,719 --> 00:52:19,200
Speaker 3: For getting you out of there.

1073
00:52:19,680 --> 00:52:21,879
Speaker 1: I was like, just like, you could have just told

1074
00:52:21,920 --> 00:52:23,160
Speaker 1: me leave. I'd rather do that.

1075
00:52:23,280 --> 00:52:24,680
Speaker 3: I'd have more respect for you.

1076
00:52:24,880 --> 00:52:26,400
Speaker 2: Let me be mad at home and be like this

1077
00:52:26,480 --> 00:52:28,880
Speaker 2: nigga be tripping don't. Don't, don't try to gas like

1078
00:52:28,920 --> 00:52:30,839
Speaker 2: me and the thing, and that's my fault. You know,

1079
00:52:30,920 --> 00:52:34,319
Speaker 2: these scripts was running, that's that's the problem. Okay, you

1080
00:52:34,360 --> 00:52:36,279
Speaker 2: have a problem when they was running all over your

1081
00:52:36,320 --> 00:52:37,239
Speaker 2: back last night?

1082
00:52:37,920 --> 00:52:40,320
Speaker 3: What about that? Come on, when you had these chicks spread.

1083
00:52:41,320 --> 00:52:42,040
Speaker 3: So then.

1084
00:52:43,320 --> 00:52:45,600
Speaker 1: Sammy goes to leave, he gets it to the hallway.

1085
00:52:45,719 --> 00:52:48,120
Speaker 2: Man Trouss gets up from the table, grass his arm,

1086
00:52:48,160 --> 00:52:48,960
Speaker 2: tries to pull him back.

1087
00:52:49,000 --> 00:52:50,960
Speaker 1: It's like, I'm sorry, let's talk about this.

1088
00:52:51,200 --> 00:52:54,640
Speaker 2: And right then, right in the middle of the hallway

1089
00:52:55,000 --> 00:52:59,400
Speaker 2: is when Letty and take roll up. They see this

1090
00:52:59,520 --> 00:53:02,200
Speaker 2: nigga always pulling off Sammy and.

1091
00:53:02,120 --> 00:53:04,160
Speaker 3: His shirt was all on button, I mean because he

1092
00:53:04,239 --> 00:53:05,720
Speaker 3: was relaxed. Yeah.

1093
00:53:05,840 --> 00:53:08,880
Speaker 2: Yeah, it was definitely just the wrong time. Like I

1094
00:53:08,920 --> 00:53:11,200
Speaker 2: thought they were gonna paying over. It was gonna be Bernice,

1095
00:53:11,600 --> 00:53:13,160
Speaker 2: the neighbor they were talking about with the scar.

1096
00:53:13,800 --> 00:53:14,839
Speaker 1: I thought that was I.

1097
00:53:14,760 --> 00:53:16,759
Speaker 2: Was like, oh, so then Bernice gonna see him and

1098
00:53:16,800 --> 00:53:19,160
Speaker 2: it's gonna be a whole thing that everyone knows he's gay,

1099
00:53:19,600 --> 00:53:24,239
Speaker 2: and uh no, it was ticking Letty and uh that's

1100
00:53:24,239 --> 00:53:27,480
Speaker 2: when the show reminds you of nineteen fifties, although it

1101
00:53:27,640 --> 00:53:34,799
Speaker 2: could happen to day you know, and uh, Tick says

1102
00:53:35,280 --> 00:53:38,440
Speaker 2: he's blown, like his whole face is like because you know.

1103
00:53:40,400 --> 00:53:42,279
Speaker 3: The haye nas nigga. I told him his dad was

1104
00:53:42,320 --> 00:53:43,640
Speaker 3: gay and shit.

1105
00:53:43,800 --> 00:53:47,040
Speaker 1: So he's like, Tree, good Tree. Yeah, He's like, so

1106
00:53:47,120 --> 00:53:47,560
Speaker 1: it's true.

1107
00:53:48,760 --> 00:53:50,000
Speaker 3: You an F word.

1108
00:53:50,640 --> 00:53:54,680
Speaker 1: And I was like, oh the homophobia hop right on

1109
00:53:54,760 --> 00:53:55,239
Speaker 1: now to Tick.

1110
00:53:55,960 --> 00:54:00,000
Speaker 2: Now, I don't know why that hurt so much, because technic,

1111
00:54:00,480 --> 00:54:03,600
Speaker 2: this man has shot nurses, innocent nurses in.

1112
00:54:03,600 --> 00:54:04,880
Speaker 1: The head at point blank range.

1113
00:54:04,960 --> 00:54:06,399
Speaker 3: I don't know why. I was like, I don't know

1114
00:54:06,440 --> 00:54:09,799
Speaker 3: why hoophobia. I was rude for that man, like, oh

1115
00:54:09,840 --> 00:54:11,759
Speaker 3: my god, you're supposed to be a feminist in the

1116
00:54:11,880 --> 00:54:14,160
Speaker 3: nineteen fifties. Homophobia.

1117
00:54:14,239 --> 00:54:14,839
Speaker 1: I don't know why.

1118
00:54:15,840 --> 00:54:16,359
Speaker 3: I don't know.

1119
00:54:17,239 --> 00:54:20,280
Speaker 2: You know what, I blame caring. I blame bad TV writing.

1120
00:54:20,560 --> 00:54:22,800
Speaker 2: And I'm not saying this is bad writing. I'm saying

1121
00:54:22,880 --> 00:54:26,359
Speaker 2: all the other shows are bad TV writing because they

1122
00:54:26,400 --> 00:54:28,880
Speaker 2: want to avoid the you know, the Twitter smoke and

1123
00:54:29,600 --> 00:54:32,360
Speaker 2: the triggering conversations and shit. So instead what they do

1124
00:54:32,480 --> 00:54:34,880
Speaker 2: is they go, no, no, no, the hero of our

1125
00:54:34,960 --> 00:54:39,000
Speaker 2: story would never kill a woman in Kobla. The hero

1126
00:54:39,080 --> 00:54:42,399
Speaker 2: of our story in nineteen fifty right like the.

1127
00:54:42,440 --> 00:54:45,200
Speaker 3: Time frame would never and that's not realistic.

1128
00:54:45,280 --> 00:54:49,040
Speaker 2: He would immediately look at his abusive dad and be like, father,

1129
00:54:49,480 --> 00:54:52,000
Speaker 2: I want you to know I finally accept you and

1130
00:54:52,480 --> 00:54:54,440
Speaker 2: love you, and you don't need to be ashamed and

1131
00:54:54,560 --> 00:54:56,920
Speaker 2: ug them. It's like, that's not what happens, but it

1132
00:54:56,960 --> 00:55:00,239
Speaker 2: does happen on Sleepy Hollow or what you know, it

1133
00:55:00,280 --> 00:55:02,600
Speaker 2: happens own fucking Troubler and with Bill Compton is the

1134
00:55:02,640 --> 00:55:04,759
Speaker 2: one nigga that don't own slaves but talk like that.

1135
00:55:05,040 --> 00:55:08,319
Speaker 3: Yes, I was so hurt. I was blind by the smidiums.

1136
00:55:08,360 --> 00:55:10,799
Speaker 3: I blame the smith. I was like, nigga, you as Smithiams,

1137
00:55:10,840 --> 00:55:11,920
Speaker 3: how dare you right?

1138
00:55:11,960 --> 00:55:13,880
Speaker 2: That's the other part too, because all the fashions in

1139
00:55:13,880 --> 00:55:16,719
Speaker 2: the fifties compared to now, it's like that that that

1140
00:55:16,920 --> 00:55:18,640
Speaker 2: if you wore that now, we'd be like, that's a

1141
00:55:18,680 --> 00:55:21,680
Speaker 2: gay man. Okay, look at his shirt and its pants

1142
00:55:21,920 --> 00:55:24,560
Speaker 2: at the wasstone, It's like he's like, I'm the man

1143
00:55:24,640 --> 00:55:25,160
Speaker 2: list man.

1144
00:55:25,200 --> 00:55:26,160
Speaker 1: I get all the women.

1145
00:55:26,440 --> 00:55:29,200
Speaker 3: I mean, the nipples cut straight through the shirt, sir,

1146
00:55:29,400 --> 00:55:31,040
Speaker 3: what are we talking about here? I get all the

1147
00:55:31,080 --> 00:55:33,000
Speaker 3: women with these nipples. Y'all need to stop hating.

1148
00:55:33,840 --> 00:55:37,680
Speaker 1: But yeah, so he called them the F word and

1149
00:55:37,840 --> 00:55:41,000
Speaker 1: Mantross and true Black Daddy acting.

1150
00:55:41,000 --> 00:55:44,800
Speaker 2: Black fatherhood, took his shirt all the way off and said,

1151
00:55:45,920 --> 00:55:48,759
Speaker 2: I'm still yo, goddamn daddy, and you will respect me

1152
00:55:49,320 --> 00:55:50,080
Speaker 2: to get out of here.

1153
00:55:50,120 --> 00:55:51,960
Speaker 3: You get out, and don't you ever call me on

1154
00:55:52,000 --> 00:55:55,239
Speaker 3: my fucking nerve Like I was like, oh shit, and

1155
00:55:55,800 --> 00:55:57,440
Speaker 3: it wasn't gonna be like that time. You let them

1156
00:55:57,440 --> 00:56:01,600
Speaker 3: beat them up like this sound. And also I think

1157
00:56:02,280 --> 00:56:05,719
Speaker 3: to an extent, he was relieved, and I think the

1158
00:56:05,840 --> 00:56:09,520
Speaker 3: relief made him be bolder, if that makes sense, because

1159
00:56:09,560 --> 00:56:15,120
Speaker 3: you know, before he felt like it wasn't worth the fight,

1160
00:56:15,400 --> 00:56:17,239
Speaker 3: like you know, that's why he got he let him

1161
00:56:17,280 --> 00:56:19,120
Speaker 3: beat him up before. I think he.

1162
00:56:19,120 --> 00:56:22,360
Speaker 2: Knew he did something wrong when he killed that killed

1163
00:56:22,800 --> 00:56:26,080
Speaker 2: the woman in the in the house, and he but

1164
00:56:26,320 --> 00:56:29,560
Speaker 2: I think this time it was disrespect. Yes, it was

1165
00:56:29,600 --> 00:56:32,920
Speaker 2: a disrespect like I'll like, I will fight you you.

1166
00:56:33,360 --> 00:56:36,560
Speaker 1: And considering myn Chrost and the struggle.

1167
00:56:36,160 --> 00:56:39,800
Speaker 2: That he's in and how much of his character scenes

1168
00:56:39,840 --> 00:56:41,840
Speaker 2: built around the fact that he's had to live this

1169
00:56:41,960 --> 00:56:47,080
Speaker 2: life in the closet in the nineteen fifties, it seems

1170
00:56:47,160 --> 00:56:50,560
Speaker 2: like that he's always had to project and protect his

1171
00:56:51,000 --> 00:56:53,680
Speaker 2: version of manly manhood, and this is.

1172
00:56:53,680 --> 00:56:55,400
Speaker 3: Just specifically to this character.

1173
00:56:55,560 --> 00:56:58,080
Speaker 2: I hope people don't extractulate this shit. They're like, and

1174
00:56:58,120 --> 00:57:00,520
Speaker 2: that's how all game men are. Like that's now, But

1175
00:57:00,600 --> 00:57:05,600
Speaker 2: for this character, that seems to be his particular struggle. Yeah,

1176
00:57:05,640 --> 00:57:08,279
Speaker 2: and so a lot of it because his father beat

1177
00:57:08,360 --> 00:57:10,919
Speaker 2: him for being too soft. He beat Tick for being

1178
00:57:10,960 --> 00:57:13,280
Speaker 2: too soft, Like it seems to be a big theme

1179
00:57:13,360 --> 00:57:16,400
Speaker 2: of you come at me, I will hurt you. I

1180
00:57:16,400 --> 00:57:19,280
Speaker 2: will inflict violence because that is how we measure manliness

1181
00:57:19,280 --> 00:57:19,960
Speaker 2: and manhood.

1182
00:57:20,000 --> 00:57:20,360
Speaker 3: Correct.

1183
00:57:20,520 --> 00:57:24,280
Speaker 2: So anyway, he uh, Tik walks off. Letty stays there

1184
00:57:24,600 --> 00:57:28,400
Speaker 2: and he's like, why y'all come here and downstairs?

1185
00:57:30,200 --> 00:57:30,439
Speaker 3: Tick?

1186
00:57:32,960 --> 00:57:35,720
Speaker 2: Uh oh wait, I'm sorry. Before Tik walks off, he

1187
00:57:35,760 --> 00:57:41,640
Speaker 2: asked his mama no about about about him being about

1188
00:57:41,960 --> 00:57:44,920
Speaker 2: man trust being gay, and he says, yeah, she did no,

1189
00:57:46,160 --> 00:57:46,600
Speaker 2: so and.

1190
00:57:46,680 --> 00:57:51,400
Speaker 3: I pieced that was like okay, So him, George and

1191
00:57:51,400 --> 00:57:55,160
Speaker 3: and the wife was all in on it. They all

1192
00:57:55,200 --> 00:57:59,080
Speaker 3: of them knew. And you know, I think Tick is

1193
00:57:59,120 --> 00:58:01,760
Speaker 3: still lost, Like I don't think he put that connection together.

1194
00:58:01,800 --> 00:58:04,920
Speaker 3: But eventually that's going to be the next level. Wheah.

1195
00:58:04,960 --> 00:58:06,520
Speaker 1: He don't know George's real daddy.

1196
00:58:06,280 --> 00:58:10,440
Speaker 3: Ye right, Yeah, when he learned that out by boy,

1197
00:58:10,640 --> 00:58:14,040
Speaker 3: he is going to be highly upset, not only him,

1198
00:58:14,320 --> 00:58:17,520
Speaker 3: when Hippolyta finds out, she's going to be highly up Yeah.

1199
00:58:17,680 --> 00:58:21,400
Speaker 3: So because that's something that shouldn't know because nothing funny.

1200
00:58:21,400 --> 00:58:24,000
Speaker 3: Who knows he might have gotten her pregnant while he

1201
00:58:24,080 --> 00:58:27,080
Speaker 3: was married, Like like nobody knows, like nobody knows. We

1202
00:58:27,120 --> 00:58:31,120
Speaker 3: don't know details win it. Yeah, we don't know.

1203
00:58:31,200 --> 00:58:35,080
Speaker 2: I know Hippolyta and child D is much younger than Tigs,

1204
00:58:35,120 --> 00:58:37,800
Speaker 2: so you know, but we just don't know everything.

1205
00:58:37,920 --> 00:58:39,480
Speaker 3: So then.

1206
00:58:42,080 --> 00:58:45,760
Speaker 2: Uh oh okay, So Tike goes downstairs out back of

1207
00:58:45,440 --> 00:58:53,120
Speaker 2: the apartment building. Leddy comes back, comes down there and says, basically,

1208
00:58:54,640 --> 00:58:56,520
Speaker 2: because you know, Tike is just man. He down there

1209
00:58:56,600 --> 00:58:57,440
Speaker 2: kicking trash.

1210
00:58:57,200 --> 00:59:01,040
Speaker 1: Cans off, Yes, going to.

1211
00:59:03,480 --> 00:59:06,200
Speaker 2: Yeah, he's kicking trash cans all homophobically and ship and

1212
00:59:06,200 --> 00:59:09,760
Speaker 2: then Letty came down and said that Montross said that

1213
00:59:09,800 --> 00:59:13,240
Speaker 2: Tick's mom had a cousin that survived the Tulsa Rise

1214
00:59:13,360 --> 00:59:15,800
Speaker 2: and now that cousin lives in Saint Louis or something

1215
00:59:15,840 --> 00:59:16,160
Speaker 2: like that.

1216
00:59:16,320 --> 00:59:18,160
Speaker 3: Leeddy was like, look, we ain't come up here for nothing.

1217
00:59:18,200 --> 00:59:20,200
Speaker 3: I don't give nothing. I don't care about you being gay.

1218
00:59:20,240 --> 00:59:22,320
Speaker 3: You're gonna give us we didn't come up here for nothing.

1219
00:59:22,440 --> 00:59:24,320
Speaker 2: This is now like the third or fourth time Letty's

1220
00:59:24,360 --> 00:59:27,800
Speaker 2: got an information out of out of Montross that Tick

1221
00:59:27,840 --> 00:59:30,320
Speaker 2: couldn't get. And I think as a way, I don't

1222
00:59:30,320 --> 00:59:32,280
Speaker 2: even think it's just that she has a way. I

1223
00:59:32,320 --> 00:59:35,680
Speaker 2: think Tick is so blocked off from all that abuse

1224
00:59:35,720 --> 00:59:38,360
Speaker 2: and that that relationship is so volatile.

1225
00:59:38,440 --> 00:59:40,479
Speaker 1: They literally can't fucking talk to each other.

1226
00:59:40,640 --> 00:59:41,000
Speaker 3: Agreed.

1227
00:59:41,200 --> 00:59:43,479
Speaker 2: Every time they have more than like three minutes together

1228
00:59:43,520 --> 00:59:45,400
Speaker 2: in the scene, it ends with one of them being like,

1229
00:59:45,440 --> 00:59:49,320
Speaker 2: well fuck you, then so uh so, And it's so funny.

1230
00:59:49,360 --> 00:59:53,000
Speaker 2: It always happens off camera. It's just like like it's

1231
00:59:53,080 --> 00:59:55,000
Speaker 2: Tick gives up, like, well, fuck you there, bitch, and

1232
00:59:55,160 --> 00:59:57,600
Speaker 2: he walks off, and then Letty's they just cut paying

1233
00:59:57,640 --> 00:59:59,800
Speaker 2: over to Letty and then we come back and Letty's like, yeah,

1234
01:00:00,120 --> 01:00:01,320
Speaker 2: so it's in Boston.

1235
01:00:01,360 --> 01:00:03,560
Speaker 3: You're like, what I did? Forget? It's innovation?

1236
01:00:03,920 --> 01:00:05,439
Speaker 1: Like how are you doing this?

1237
01:00:06,240 --> 01:00:06,479
Speaker 3: Uh?

1238
01:00:06,520 --> 01:00:08,120
Speaker 2: It's like you'll be amazed what happened if you don't

1239
01:00:08,160 --> 01:00:10,600
Speaker 2: call your daddy a bitch, Like come on, if you

1240
01:00:10,640 --> 01:00:11,200
Speaker 2: just sit there.

1241
01:00:11,120 --> 01:00:12,760
Speaker 3: And listen to him, he'll tell you everything you need

1242
01:00:12,800 --> 01:00:14,200
Speaker 3: to know. Uh.

1243
01:00:15,080 --> 01:00:17,720
Speaker 2: Meanwhile, he hated his son like I never helped your

1244
01:00:17,880 --> 01:00:19,280
Speaker 2: ass piece of ship.

1245
01:00:19,400 --> 01:00:21,080
Speaker 3: And then he walks off and he's like, now let it.

1246
01:00:21,080 --> 01:00:24,000
Speaker 2: What you wanna do is you want to take a left.

1247
01:00:24,040 --> 01:00:26,040
Speaker 1: You make a left on Grove Street. Now, if you

1248
01:00:26,040 --> 01:00:27,480
Speaker 1: can see that rock, you don't went too far.

1249
01:00:27,560 --> 01:00:30,240
Speaker 3: Okay. Hear that dog barking making you turn right there?

1250
01:00:30,320 --> 01:00:32,360
Speaker 2: Now you call this number you need directions, okay, because

1251
01:00:32,400 --> 01:00:34,240
Speaker 2: I'm gonna be here all day for you.

1252
01:00:34,280 --> 01:00:36,280
Speaker 3: Now you're going down this dirt road right here right.

1253
01:00:36,760 --> 01:00:37,480
Speaker 1: Tick coming there?

1254
01:00:37,960 --> 01:00:40,560
Speaker 2: Uh Dad, you've seen the uh you seen the milk.

1255
01:00:40,600 --> 01:00:41,760
Speaker 2: I ain't seen nothing in the fridge.

1256
01:00:41,920 --> 01:00:44,960
Speaker 3: Boy, you get the fuck out of my house getting

1257
01:00:44,960 --> 01:00:47,640
Speaker 3: no motherfucking milk. You go milk or cow punk.

1258
01:00:47,520 --> 01:00:50,439
Speaker 2: Ass nigga like all right, damn, all right, cool, fuck

1259
01:00:50,520 --> 01:00:53,600
Speaker 2: you in that. Letty Letty be like you need some milk.

1260
01:00:53,600 --> 01:00:55,320
Speaker 1: He like, I got the milk right here, girls, I

1261
01:00:55,440 --> 01:00:56,560
Speaker 1: just keep it in this cabinet.

1262
01:00:57,560 --> 01:01:02,200
Speaker 2: So yeah, she gets the information is Saint Louis.

1263
01:01:03,000 --> 01:01:03,800
Speaker 3: So they take.

1264
01:01:05,920 --> 01:01:10,720
Speaker 2: Tickets, putting together, trying to piece together like this complicated

1265
01:01:10,760 --> 01:01:12,800
Speaker 2: history with his father, which is he beat me, he

1266
01:01:12,880 --> 01:01:15,080
Speaker 2: was abusive to me, and part of the reason he

1267
01:01:15,120 --> 01:01:16,720
Speaker 2: told me he was abusive to me is to keep

1268
01:01:16,760 --> 01:01:20,120
Speaker 2: me from being soft. But now I'm like, it's not

1269
01:01:20,200 --> 01:01:25,400
Speaker 2: even really about me. It's something about him. And the

1270
01:01:25,440 --> 01:01:27,800
Speaker 2: thing it made me think of is, well, if you

1271
01:01:27,840 --> 01:01:30,440
Speaker 2: go a level deeper, it's something about what his father

1272
01:01:30,520 --> 01:01:34,600
Speaker 2: did to him. Violence is cyclical, like you, like, no

1273
01:01:34,680 --> 01:01:37,640
Speaker 2: one invents violence. Everyone has it happened to them and

1274
01:01:37,640 --> 01:01:38,520
Speaker 2: then pass it down.

1275
01:01:38,720 --> 01:01:41,320
Speaker 3: Yes, And that's something that George was trying to get

1276
01:01:41,400 --> 01:01:43,320
Speaker 3: him to understand. He was like, I know you managed

1277
01:01:43,360 --> 01:01:47,200
Speaker 3: your daddy, but your daddy hadn't always been like this,

1278
01:01:47,600 --> 01:01:51,880
Speaker 3: And things happened to cause people to change and become

1279
01:01:52,000 --> 01:01:58,760
Speaker 3: these things. And you know, my prediction is eventually Tickle understanding.

1280
01:01:58,800 --> 01:02:00,520
Speaker 3: I think it's gonna take a while, maybe even to

1281
01:02:00,520 --> 01:02:03,640
Speaker 3: the next season, but I think that he's going to

1282
01:02:04,720 --> 01:02:07,520
Speaker 3: be more understanding at some period of time to the

1283
01:02:07,560 --> 01:02:09,800
Speaker 3: plight of his daddy. Yeah.

1284
01:02:10,000 --> 01:02:16,480
Speaker 1: So then we get they go to oh, they go

1285
01:02:16,560 --> 01:02:21,080
Speaker 1: to Hippolytis house and they see her getting in her

1286
01:02:21,080 --> 01:02:27,280
Speaker 1: car to leave in the woody and he's like, take it, like,

1287
01:02:27,280 --> 01:02:28,160
Speaker 1: can we borrow the car?

1288
01:02:28,920 --> 01:02:29,120
Speaker 3: Now?

1289
01:02:29,280 --> 01:02:32,120
Speaker 2: This is such a man thing to do, just a

1290
01:02:32,880 --> 01:02:36,080
Speaker 2: it's just such a damn man. This woman is in

1291
01:02:36,200 --> 01:02:40,840
Speaker 2: the car pulling out suitcase in the back and left turn.

1292
01:02:41,000 --> 01:02:42,440
Speaker 1: He really was like, let me bart the car.

1293
01:02:42,560 --> 01:02:46,760
Speaker 2: She was like, Nigga, I'm in the car and he's like,

1294
01:02:47,040 --> 01:02:50,000
Speaker 2: I know, but like I got something really important to do.

1295
01:02:50,560 --> 01:02:54,320
Speaker 2: And she's like, it's my car, and I got something

1296
01:02:54,360 --> 01:02:55,160
Speaker 2: really important to do.

1297
01:02:55,240 --> 01:02:56,680
Speaker 3: And he's like, what you're gonna be doing?

1298
01:02:56,760 --> 01:03:00,760
Speaker 2: She like, Nigga, first, I don't have to tell you

1299
01:03:00,840 --> 01:03:01,600
Speaker 2: what I'm gonna be doing.

1300
01:03:01,600 --> 01:03:03,600
Speaker 3: You know, my boss, but I'm going on.

1301
01:03:03,520 --> 01:03:07,720
Speaker 2: A guidebook mission. Now we knew she was lying, but

1302
01:03:07,760 --> 01:03:10,360
Speaker 2: it don't really matter because it ain't his fucking card.

1303
01:03:10,560 --> 01:03:12,720
Speaker 2: Come on, So she was She's like, I'm going on

1304
01:03:12,760 --> 01:03:15,640
Speaker 2: a godbook mission. He was like, but Uncle George just

1305
01:03:15,640 --> 01:03:17,920
Speaker 2: said down a new print before he died. And she

1306
01:03:18,120 --> 01:03:23,560
Speaker 2: was like, nigga, do you got McDonald's money. M Now,

1307
01:03:23,640 --> 01:03:25,240
Speaker 2: she went full Black Mama on him.

1308
01:03:25,280 --> 01:03:26,800
Speaker 1: She's like, did George put.

1309
01:03:26,600 --> 01:03:29,480
Speaker 2: You in charge of the god before he got killed

1310
01:03:29,480 --> 01:03:34,480
Speaker 2: by that sheriff you say shot him? I peeped that

1311
01:03:34,600 --> 01:03:38,600
Speaker 2: you say, because that wasn't no. That wasn't no before

1312
01:03:38,600 --> 01:03:40,600
Speaker 2: the sheriff shot him. Like, I'm accepting your word that

1313
01:03:40,760 --> 01:03:44,520
Speaker 2: was because I don't believe y'all telling the truth. That's

1314
01:03:44,520 --> 01:03:48,560
Speaker 2: what you said happened. So it's like, oh shit, she know,

1315
01:03:50,760 --> 01:03:52,680
Speaker 2: and he was like, come on, let me get in

1316
01:03:52,720 --> 01:03:54,800
Speaker 2: this car. She was like, dude, I look like one.

1317
01:03:54,640 --> 01:03:57,560
Speaker 3: Of your little friends because I'm not. Because I'm not.

1318
01:03:57,520 --> 01:03:58,480
Speaker 1: One of your little friends.

1319
01:03:58,680 --> 01:03:59,320
Speaker 3: You think I'm.

1320
01:03:59,160 --> 01:03:59,920
Speaker 1: Booboo the fool.

1321
01:04:00,520 --> 01:04:06,320
Speaker 3: Come on, I was born yesterday, I was born to night,

1322
01:04:06,360 --> 01:04:07,640
Speaker 3: but not last night.

1323
01:04:07,680 --> 01:04:10,160
Speaker 2: She went to all the black Mama cliches and she's like,

1324
01:04:10,240 --> 01:04:11,160
Speaker 2: I'm back off the car, and.

1325
01:04:11,240 --> 01:04:16,480
Speaker 3: She she was saying all the quotes to black Mama monthly. Uh.

1326
01:04:16,760 --> 01:04:19,880
Speaker 2: Then Tick tells Letty they can catch a bus to

1327
01:04:19,920 --> 01:04:20,520
Speaker 2: Saint Louis.

1328
01:04:20,840 --> 01:04:22,960
Speaker 1: If she runs against a bag, they might make it

1329
01:04:22,960 --> 01:04:23,360
Speaker 1: in time.

1330
01:04:23,960 --> 01:04:27,920
Speaker 2: And Letty actually says, uh, now, I'm gonna stay here.

1331
01:04:28,160 --> 01:04:31,880
Speaker 2: And the reason she says that is because Ruby is

1332
01:04:31,960 --> 01:04:35,560
Speaker 2: there to babysit de who is not coming on the

1333
01:04:35,560 --> 01:04:40,800
Speaker 2: trip with Hippolyta. So d is salty because once she

1334
01:04:40,840 --> 01:04:42,400
Speaker 2: wanted to come on a trip where Mama or two

1335
01:04:42,520 --> 01:04:44,920
Speaker 2: her dad used to do this. They have this ritual

1336
01:04:45,040 --> 01:04:48,000
Speaker 2: of like, you know, she makes a comic book for

1337
01:04:48,040 --> 01:04:51,120
Speaker 2: her for her dad and and packs it and then

1338
01:04:51,160 --> 01:04:53,640
Speaker 2: he reads the comic while he's on the road. And

1339
01:04:53,680 --> 01:04:57,040
Speaker 2: so she didn't even do that for her mom. And

1340
01:04:57,120 --> 01:05:01,720
Speaker 2: so so Ruby's there and and her and Letty like,

1341
01:05:01,880 --> 01:05:03,400
Speaker 2: you know, we know, the last time they see each

1342
01:05:03,400 --> 01:05:06,360
Speaker 2: other have big falling out. She's now been staying at

1343
01:05:06,440 --> 01:05:11,200
Speaker 2: William's house slash Christina, And like even when let Ruby

1344
01:05:11,440 --> 01:05:13,760
Speaker 2: seen Letty and Tick come to the street, her face

1345
01:05:13,880 --> 01:05:17,120
Speaker 2: was like no, like and she like walked in the

1346
01:05:17,160 --> 01:05:19,200
Speaker 2: house while they were still begging for the ride, Like

1347
01:05:19,280 --> 01:05:20,400
Speaker 2: she was just like fuck them.

1348
01:05:20,560 --> 01:05:23,600
Speaker 3: She was like these niggas. And the thing is, you know,

1349
01:05:24,680 --> 01:05:27,640
Speaker 3: Tick looked at Letty and was like, you got business

1350
01:05:27,720 --> 01:05:29,800
Speaker 3: to take, you know, basically you have to know first

1351
01:05:29,800 --> 01:05:31,880
Speaker 3: he said, we we're going to Saint Louis.

1352
01:05:31,960 --> 01:05:35,280
Speaker 2: Yes, Then Letty made this face like I think I

1353
01:05:35,280 --> 01:05:37,360
Speaker 2: should stay, and he's like, oh, if you want to

1354
01:05:37,360 --> 01:05:39,960
Speaker 2: talk to your sister, you know, Like he picked up

1355
01:05:39,960 --> 01:05:41,720
Speaker 2: on it, but in his mind he thought they were

1356
01:05:41,760 --> 01:05:42,280
Speaker 2: both going.

1357
01:05:42,160 --> 01:05:42,880
Speaker 3: To Saint Louis.

1358
01:05:44,760 --> 01:05:46,320
Speaker 1: Now what I thought was interested here.

1359
01:05:46,400 --> 01:05:51,280
Speaker 2: Though Ruby's attitude could be attributed to the fight they had,

1360
01:05:51,800 --> 01:05:54,920
Speaker 2: for sure, right, do you think it could also be

1361
01:05:54,960 --> 01:05:59,480
Speaker 2: attributed to Christina telling her your family basically keeping you

1362
01:05:59,520 --> 01:06:00,200
Speaker 2: out the loop?

1363
01:06:00,400 --> 01:06:03,000
Speaker 1: Mm hmm, like they know about these.

1364
01:06:02,760 --> 01:06:06,040
Speaker 2: The magic they know about these pages is doing something.

1365
01:06:06,080 --> 01:06:07,400
Speaker 1: They up to something.

1366
01:06:07,480 --> 01:06:11,200
Speaker 2: They not telling you nothing, And so I'm telling you

1367
01:06:11,320 --> 01:06:15,160
Speaker 2: everything I know. And now Ruby is no longer just

1368
01:06:15,200 --> 01:06:18,680
Speaker 2: this person that thinks, oh I had an art. We're

1369
01:06:18,680 --> 01:06:21,600
Speaker 2: having an argument. What if she knows that Letty knows

1370
01:06:21,640 --> 01:06:24,680
Speaker 2: the money came for Christina, you know what I'm saying.

1371
01:06:24,760 --> 01:06:28,640
Speaker 2: So she knows her sisters be lying, and like she

1372
01:06:28,760 --> 01:06:31,920
Speaker 2: already caught her in a couple other things, but now

1373
01:06:32,040 --> 01:06:34,840
Speaker 2: like that would like she might still be clocking her,

1374
01:06:35,160 --> 01:06:36,120
Speaker 2: like you know what I mean.

1375
01:06:36,120 --> 01:06:39,080
Speaker 3: And the thing is with Ruby, Ruby I think eventually

1376
01:06:39,240 --> 01:06:41,000
Speaker 3: is going to be like the X factor of the

1377
01:06:41,040 --> 01:06:45,640
Speaker 3: wild Card because she can get the places that Christina

1378
01:06:45,720 --> 01:06:48,040
Speaker 3: can't get because she's wiped and everybody knows who she

1379
01:06:48,240 --> 01:06:52,120
Speaker 3: is and they're not gonna tear her shit. So she

1380
01:06:52,320 --> 01:06:55,920
Speaker 3: gonna be able to pick up the ship that Christina

1381
01:06:55,960 --> 01:06:59,000
Speaker 3: has told her and pieced together what Ruby and them

1382
01:06:59,080 --> 01:07:03,440
Speaker 3: have told, what Lady and Tick have told her, and uh,

1383
01:07:04,360 --> 01:07:06,680
Speaker 3: my prediction is that in another adventure or two, she

1384
01:07:06,720 --> 01:07:07,919
Speaker 3: gonna suck around and go with them.

1385
01:07:08,480 --> 01:07:11,600
Speaker 2: Okay, you are leading the league today, and predictions, I'll

1386
01:07:11,640 --> 01:07:13,720
Speaker 2: see you, Okay, I just want you to know.

1387
01:07:13,840 --> 01:07:14,640
Speaker 3: I'll see you over there.

1388
01:07:14,640 --> 01:07:17,200
Speaker 1: You are getting You're gonna get up as many shots

1389
01:07:17,240 --> 01:07:20,120
Speaker 1: as possible, come on, so that you can get some.

1390
01:07:20,200 --> 01:07:23,720
Speaker 2: Karen's Right music. So you get reveling being right too.

1391
01:07:23,840 --> 01:07:25,200
Speaker 2: It feels good when you get one right.

1392
01:07:25,560 --> 01:07:28,000
Speaker 3: It does too, and is also one of them things

1393
01:07:28,680 --> 01:07:30,520
Speaker 3: what they say, you don't get credit for the shots

1394
01:07:30,560 --> 01:07:31,080
Speaker 3: you don't take.

1395
01:07:31,240 --> 01:07:34,000
Speaker 2: Yeah, you out here, you you out here, Steph Curry, Okay,

1396
01:07:34,160 --> 01:07:35,400
Speaker 2: James Harden right now.

1397
01:07:35,400 --> 01:07:38,960
Speaker 3: I'm putting them all puts, you know, the threes. Right.

1398
01:07:40,600 --> 01:07:48,040
Speaker 2: So so then upstairs, since lady decides to stay and

1399
01:07:48,240 --> 01:07:50,200
Speaker 2: take to catch the bus to Saint.

1400
01:07:49,960 --> 01:07:54,320
Speaker 3: Louis, Ruby Gold Ruby's.

1401
01:07:53,960 --> 01:07:58,160
Speaker 2: Upstairs, sitting on the fire skate with by the window sill,

1402
01:07:58,240 --> 01:08:02,440
Speaker 2: with some chades on chocolate thighs, just warming in the Oh.

1403
01:08:02,320 --> 01:08:04,800
Speaker 3: She was so gorgeous in that window. And the thing

1404
01:08:04,960 --> 01:08:08,280
Speaker 3: is that woman got some long, gorgeous legs. I knew

1405
01:08:08,280 --> 01:08:10,040
Speaker 3: she was tall, but I don't know how tall she

1406
01:08:10,120 --> 01:08:11,600
Speaker 3: was till I see him in this saying, oh, you

1407
01:08:11,720 --> 01:08:13,720
Speaker 3: got leg legs like you are tall.

1408
01:08:13,880 --> 01:08:16,280
Speaker 2: I wonder if they gonna bring nineteen fifties fashion back,

1409
01:08:16,280 --> 01:08:20,040
Speaker 2: because these women are killing the fucking fashion game. But yeah,

1410
01:08:20,080 --> 01:08:22,519
Speaker 2: her chocolate thighs is just warming over in the chocolate

1411
01:08:22,560 --> 01:08:26,240
Speaker 2: in the Chicago sun, like two cinnamon rolls begging for

1412
01:08:26,280 --> 01:08:30,880
Speaker 2: a sugary coating, you know, just just dripping everywhere.

1413
01:08:31,200 --> 01:08:32,519
Speaker 1: Just want to lick it all up, you know what

1414
01:08:32,600 --> 01:08:32,920
Speaker 1: I mean.

1415
01:08:33,360 --> 01:08:35,639
Speaker 2: And so then Leeddy comes up and ask her where

1416
01:08:35,640 --> 01:08:38,559
Speaker 2: you've been staying, and she dodges the questions like how

1417
01:08:38,560 --> 01:08:39,479
Speaker 2: many days after.

1418
01:08:39,320 --> 01:08:40,599
Speaker 1: I moved did you start to care?

1419
01:08:41,160 --> 01:08:46,200
Speaker 2: And that just reminded me of my girl Essay Jenkins

1420
01:08:46,600 --> 01:08:49,360
Speaker 2: on Twitter when we had when she was like, well,

1421
01:08:49,400 --> 01:08:51,760
Speaker 2: do we even know that Ruby moved out? I was like,

1422
01:08:51,920 --> 01:08:54,000
Speaker 2: after that fight, it's no fucking way she's staying in

1423
01:08:54,000 --> 01:08:56,439
Speaker 2: that house and we've seen the other people move in.

1424
01:08:57,080 --> 01:09:00,639
Speaker 3: And turns out, ye.

1425
01:09:04,000 --> 01:09:15,960
Speaker 2: Ye yeah, turns out I was right, car Okay, if

1426
01:09:15,960 --> 01:09:19,960
Speaker 2: you couldn't get it from the song, she did move out,

1427
01:09:20,600 --> 01:09:22,559
Speaker 2: and then she was living with William for a while.

1428
01:09:24,040 --> 01:09:24,479
Speaker 3: And so.

1429
01:09:26,960 --> 01:09:32,800
Speaker 2: At this point, I'm like, Christina's told her enough for

1430
01:09:32,880 --> 01:09:35,040
Speaker 2: her to at least know Letty and take Bee lying.

1431
01:09:36,280 --> 01:09:41,080
Speaker 2: And Letty does something unexpected, which is she apologizes, and

1432
01:09:41,160 --> 01:09:44,800
Speaker 2: she's like, all these times I spent thinking about how

1433
01:09:44,840 --> 01:09:48,120
Speaker 2: much I hated Mama and it never occurred to me

1434
01:09:48,160 --> 01:09:49,519
Speaker 2: that I basically could become Mama.

1435
01:09:49,920 --> 01:09:51,760
Speaker 1: I might not be a hustler, but I tried to

1436
01:09:51,800 --> 01:09:52,840
Speaker 1: hustle you, and I'm sorry.

1437
01:09:54,439 --> 01:09:58,599
Speaker 2: And she doesn't necessarily flat out accept apologies.

1438
01:09:58,600 --> 01:09:59,759
Speaker 3: I don't come by your moment.

1439
01:10:00,240 --> 01:10:04,080
Speaker 2: But Ruby does say I never heard Mama apologize in

1440
01:10:04,160 --> 01:10:06,679
Speaker 2: all her life, So maybe y'all aren't exactly the same.

1441
01:10:07,400 --> 01:10:08,960
Speaker 3: You could tell it got to it just.

1442
01:10:08,960 --> 01:10:13,600
Speaker 1: A little bit, which let me put the remix on it.

1443
01:10:13,640 --> 01:10:17,800
Speaker 2: Though, What if this is her version of saying like,

1444
01:10:18,439 --> 01:10:20,840
Speaker 2: we think that this means, oh yeah, she's kind of

1445
01:10:20,880 --> 01:10:23,600
Speaker 2: accepting this and getting over it, and maybe it's like

1446
01:10:23,600 --> 01:10:27,240
Speaker 2: an olive branch. What if she's really saying like, bitch,

1447
01:10:27,280 --> 01:10:30,519
Speaker 2: I know you're still lying, because if she knows about

1448
01:10:30,520 --> 01:10:33,800
Speaker 2: the books and the pages and the hot and the

1449
01:10:33,880 --> 01:10:35,599
Speaker 2: house and the Oarry and all.

1450
01:10:35,439 --> 01:10:38,040
Speaker 3: This shit, Ruby could be up in there line.

1451
01:10:38,400 --> 01:10:43,280
Speaker 2: But you still you still be lying because you're telling

1452
01:10:43,320 --> 01:10:45,559
Speaker 2: me like you told me, I should have told.

1453
01:10:45,439 --> 01:10:46,920
Speaker 3: You about the money that Mama sent me.

1454
01:10:47,240 --> 01:10:50,040
Speaker 2: I know Mama didn't give you the money Christina did,

1455
01:10:50,439 --> 01:10:52,920
Speaker 2: so it's really like, how much did Christina tell her?

1456
01:10:53,479 --> 01:10:57,960
Speaker 2: Because Christina, Because if Christina, if Christina told her the

1457
01:10:58,000 --> 01:11:01,280
Speaker 2: full truth Ruby could be doing right now. She could

1458
01:11:01,320 --> 01:11:03,880
Speaker 2: still be like, fuck, letty, you know, like I'm gonna

1459
01:11:03,920 --> 01:11:06,760
Speaker 2: let it be cool because I need to infiltrade, I

1460
01:11:06,800 --> 01:11:09,360
Speaker 2: need the eavesdrop, I need to be around y'all so

1461
01:11:09,400 --> 01:11:11,479
Speaker 2: I can watch what y'all up to. But she might

1462
01:11:11,560 --> 01:11:14,679
Speaker 2: be over there like Christina spy because Christina don't care.

1463
01:11:14,640 --> 01:11:16,320
Speaker 1: How she get the information out of that house.

1464
01:11:17,280 --> 01:11:20,240
Speaker 2: So it just made me think about that because she

1465
01:11:20,320 --> 01:11:21,800
Speaker 2: played it real cool but not.

1466
01:11:22,000 --> 01:11:27,160
Speaker 3: It wasn't no total like hugging makeup. So then.

1467
01:11:29,360 --> 01:11:32,160
Speaker 2: Tick arizing Saint Louis, he eats with this old black woman,

1468
01:11:32,200 --> 01:11:32,919
Speaker 2: miss Oberta.

1469
01:11:33,680 --> 01:11:37,280
Speaker 3: Her house traditionally old black. Yeah, you know, she go

1470
01:11:37,360 --> 01:11:40,400
Speaker 3: to the amb zine around the Baptist Rock Church faith.

1471
01:11:40,600 --> 01:11:41,759
Speaker 3: This is only in the town.

1472
01:11:42,520 --> 01:11:47,599
Speaker 2: Yeah, you don't miss a Sunday, don't. She teaches her

1473
01:11:47,640 --> 01:11:51,559
Speaker 2: school right, And she's a woman that knew his cousin

1474
01:11:51,880 --> 01:11:56,320
Speaker 2: Ethel so still not necessarily a direct tide of his mother,

1475
01:11:57,040 --> 01:11:59,800
Speaker 2: but this is the cousin that survived Tulsa as well

1476
01:12:00,520 --> 01:12:05,880
Speaker 2: and her they and I thought they were trying to

1477
01:12:06,080 --> 01:12:08,320
Speaker 2: make a little bit of a hint towards towards this,

1478
01:12:09,000 --> 01:12:12,800
Speaker 2: but she brings up the idea of companionship as an

1479
01:12:12,800 --> 01:12:15,960
Speaker 2: older woman who's lost her husband and her ethel both

1480
01:12:16,000 --> 01:12:18,200
Speaker 2: lost their husbands and then they kind of like moved

1481
01:12:18,240 --> 01:12:19,679
Speaker 2: in together and became good.

1482
01:12:19,479 --> 01:12:20,240
Speaker 1: Friends or whatever.

1483
01:12:20,920 --> 01:12:24,200
Speaker 2: And that's it made me think about I wondered they're

1484
01:12:24,240 --> 01:12:27,920
Speaker 2: trying to like make that seed planet for him to be,

1485
01:12:28,120 --> 01:12:31,040
Speaker 2: like to forgive his father quote not that he should,

1486
01:12:31,600 --> 01:12:33,640
Speaker 2: you know how I mean it, guy's quote unquote like

1487
01:12:33,720 --> 01:12:36,639
Speaker 2: his father didn't technically do anything wrong by being gay,

1488
01:12:37,160 --> 01:12:40,840
Speaker 2: but nineteen fifties blah blah blah. I wonder if it's

1489
01:12:40,920 --> 01:12:44,200
Speaker 2: like that seed of like, look they your parents do

1490
01:12:44,280 --> 01:12:47,120
Speaker 2: with their people, they get older, they still need they

1491
01:12:47,160 --> 01:12:52,439
Speaker 2: need companionship. He lost his wife technically, and yeah he's gay,

1492
01:12:52,640 --> 01:12:55,559
Speaker 2: but why would he need to live his whole life

1493
01:12:55,960 --> 01:12:57,320
Speaker 2: as a non sexual being?

1494
01:12:57,439 --> 01:13:01,559
Speaker 3: For you, yes, because you're Yeah, because you've made this

1495
01:13:01,600 --> 01:13:03,519
Speaker 3: the center of your world. Because like I said, people

1496
01:13:03,560 --> 01:13:05,200
Speaker 3: don't look at parents as people.

1497
01:13:05,439 --> 01:13:07,280
Speaker 2: Right, So it just made me wonder if maybe they

1498
01:13:07,320 --> 01:13:09,000
Speaker 2: dropped that little that little clue.

1499
01:13:09,080 --> 01:13:10,960
Speaker 3: Yeah, yeah, I think it's gonna be a change or

1500
01:13:11,080 --> 01:13:12,759
Speaker 3: shifted some period of time. Yeah.

1501
01:13:12,920 --> 01:13:16,120
Speaker 2: So then she offers to get you know, a dish

1502
01:13:16,200 --> 01:13:17,479
Speaker 2: to mo macaroni and cheese.

1503
01:13:18,120 --> 01:13:20,880
Speaker 3: Old people love old bro particular black women love feeding you.

1504
01:13:20,880 --> 01:13:23,840
Speaker 3: You could be fool like you're gonna eat this? Uh

1505
01:13:23,880 --> 01:13:24,680
Speaker 3: And she was like.

1506
01:13:26,840 --> 01:13:28,479
Speaker 2: He was like, well, you know anything about a book

1507
01:13:28,479 --> 01:13:30,000
Speaker 2: of names? And she was like, the only book I

1508
01:13:30,080 --> 01:13:31,920
Speaker 2: know about your family talked about.

1509
01:13:32,000 --> 01:13:32,600
Speaker 1: I just thought it was.

1510
01:13:32,560 --> 01:13:36,479
Speaker 2: A photo book and I and if it was a book,

1511
01:13:36,520 --> 01:13:39,240
Speaker 2: it probably burned up in the Tulsa massacre. But she

1512
01:13:39,360 --> 01:13:42,200
Speaker 2: does offer to go get a photo of cousin Ethofatic,

1513
01:13:44,479 --> 01:13:47,960
Speaker 2: you know, and uh it was interesting because I mean,

1514
01:13:48,000 --> 01:13:50,040
Speaker 2: I'm like, this is probably the first man she that had.

1515
01:13:49,880 --> 01:13:51,360
Speaker 1: In this house in a long time.

1516
01:13:52,280 --> 01:13:54,960
Speaker 2: You know, where's medium shirts and all this come on

1517
01:13:56,439 --> 01:14:00,720
Speaker 2: Letty's playing space with the kids because uh, Ruby said

1518
01:14:00,760 --> 01:14:02,760
Speaker 2: she was going to invite some friends over to play

1519
01:14:02,920 --> 01:14:05,920
Speaker 2: games with D so that D wouldn't field in such

1520
01:14:06,439 --> 01:14:09,519
Speaker 2: low spirits, uh at, you know, dealing with her mom

1521
01:14:09,600 --> 01:14:12,960
Speaker 2: being on the road, her father died, right. But I

1522
01:14:13,040 --> 01:14:14,880
Speaker 2: was like, I hope to take them same friends from

1523
01:14:14,920 --> 01:14:17,680
Speaker 2: the fucking party, like Emmit telling them when they was

1524
01:14:17,720 --> 01:14:20,519
Speaker 2: playing the fucking Wuigi Boy like yo, daddy dead nigga,

1525
01:14:20,680 --> 01:14:24,000
Speaker 2: Like like I hope it ain't them kids, Like she

1526
01:14:24,080 --> 01:14:25,120
Speaker 2: got to make some new friends.

1527
01:14:25,360 --> 01:14:26,880
Speaker 3: She got to make a set of new friends.

1528
01:14:26,880 --> 01:14:28,960
Speaker 1: Every time she around the kids, something bad happened.

1529
01:14:29,040 --> 01:14:33,400
Speaker 2: So uh but it was the kids came, they played spades,

1530
01:14:33,960 --> 01:14:38,559
Speaker 2: and Letty played spades with them, and Letty was.

1531
01:14:40,200 --> 01:14:42,880
Speaker 1: Letty was was they set? They set them?

1532
01:14:43,000 --> 01:14:46,360
Speaker 2: Okay, Letty and d got ten bucks and set them

1533
01:14:46,360 --> 01:14:49,040
Speaker 2: little kids. And Letty was talking that ship and I

1534
01:14:49,080 --> 01:14:52,080
Speaker 2: was like, boy, teach a child, okay, train them up,

1535
01:14:52,880 --> 01:14:54,200
Speaker 2: and the way they're supposed to go?

1536
01:14:54,520 --> 01:14:56,640
Speaker 3: Ain't that the way somebody overbeate it?

1537
01:14:57,280 --> 01:15:02,439
Speaker 1: Like that's how you do it? Okay, So they whooped them.

1538
01:15:02,520 --> 01:15:06,120
Speaker 2: Kids asked, and then Letty went to go check off

1539
01:15:06,200 --> 01:15:08,920
Speaker 2: and see if dinner is ready, and the kids was asking, right,

1540
01:15:09,000 --> 01:15:11,280
Speaker 2: and of course Ruby was like, don't be asking me

1541
01:15:11,280 --> 01:15:13,400
Speaker 2: about no dinner. I don't know how all black women

1542
01:15:13,680 --> 01:15:14,679
Speaker 2: be cooking, know that.

1543
01:15:14,680 --> 01:15:16,639
Speaker 3: Because they know everybody be hungry. They were like, look,

1544
01:15:16,680 --> 01:15:18,320
Speaker 3: if you coming in here, I know the question is

1545
01:15:18,320 --> 01:15:19,639
Speaker 3: is it ready? And it ain't right?

1546
01:15:20,240 --> 01:15:23,679
Speaker 2: And then uh rue, Letty was like, you still didn't

1547
01:15:23,680 --> 01:15:24,559
Speaker 2: tell me where you've been staying.

1548
01:15:24,600 --> 01:15:26,559
Speaker 1: She was like on the north side. And let it's

1549
01:15:26,600 --> 01:15:26,880
Speaker 1: like with.

1550
01:15:26,880 --> 01:15:29,240
Speaker 2: The white man, and I'm like nigga, you the one,

1551
01:15:29,320 --> 01:15:31,600
Speaker 2: and like it made it was funny because I was like,

1552
01:15:31,760 --> 01:15:33,880
Speaker 2: you the one moved in that neighborhood with all.

1553
01:15:33,800 --> 01:15:35,800
Speaker 1: The white people. But then at the same time, like

1554
01:15:35,880 --> 01:15:38,000
Speaker 1: Ruby was the one being like, don't move in hood

1555
01:15:38,040 --> 01:15:40,200
Speaker 1: with the white people. So I would be.

1556
01:15:40,240 --> 01:15:43,640
Speaker 2: Like what what like what you're doing, And she of

1557
01:15:43,680 --> 01:15:47,479
Speaker 2: course flipped it back on her and was like, what

1558
01:15:47,600 --> 01:15:50,439
Speaker 2: about you. I mean, you got a boyfriend that's not

1559
01:15:50,479 --> 01:15:52,280
Speaker 2: paying rent atticants got to be the only nigga in

1560
01:15:52,360 --> 01:15:55,040
Speaker 2: town without a job. And I'm like this girl, Ruby,

1561
01:15:55,720 --> 01:15:58,920
Speaker 2: well she judged every nigga about having a job.

1562
01:15:59,160 --> 01:16:01,759
Speaker 3: Okay, she was like, she was like them dick payments,

1563
01:16:01,800 --> 01:16:03,360
Speaker 3: don't et real money nigga.

1564
01:16:03,680 --> 01:16:06,640
Speaker 2: But I'm just saying, like she she loves shitting on

1565
01:16:06,680 --> 01:16:08,360
Speaker 2: a black person for not having a job. I'm like,

1566
01:16:08,680 --> 01:16:10,760
Speaker 2: I know you on Black Twitter, Like she would be

1567
01:16:10,760 --> 01:16:12,439
Speaker 2: the shit on Black Twitter.

1568
01:16:12,920 --> 01:16:15,080
Speaker 3: Come on, she would be wonder one with the high

1569
01:16:15,160 --> 01:16:15,879
Speaker 3: number accounts.

1570
01:16:15,920 --> 01:16:19,759
Speaker 2: She'd be a problematic phave on Black Twitter talking about

1571
01:16:19,800 --> 01:16:22,080
Speaker 2: anti capitalism and you broke niggas.

1572
01:16:22,120 --> 01:16:23,360
Speaker 1: At the same time, she'd be.

1573
01:16:23,360 --> 01:16:25,920
Speaker 3: Wanting people everybody follow, but they mute and they only

1574
01:16:25,960 --> 01:16:27,479
Speaker 3: up mute with some shit happen because they know what

1575
01:16:27,520 --> 01:16:28,320
Speaker 3: She's gonna have something to.

1576
01:16:28,320 --> 01:16:33,400
Speaker 2: Say, right, and she in I guess nineteen fifties black

1577
01:16:33,439 --> 01:16:40,800
Speaker 2: women slang. Letty said tickby slanging that dick though, because

1578
01:16:40,800 --> 01:16:43,880
Speaker 2: she was like, oh, he's a big help around the house.

1579
01:16:44,960 --> 01:16:47,200
Speaker 2: And then they both exchanged it look like, oh he

1580
01:16:47,280 --> 01:16:48,240
Speaker 2: was slaying that dick.

1581
01:16:48,320 --> 01:16:49,280
Speaker 3: He was hitting the bottom.

1582
01:16:49,840 --> 01:16:52,960
Speaker 2: And then Ruby Ruby asked about them not going to

1583
01:16:52,960 --> 01:16:53,439
Speaker 2: Saint Louis.

1584
01:16:53,479 --> 01:16:55,000
Speaker 1: She's like, y'all was going to go to Saint Louis.

1585
01:16:55,000 --> 01:16:55,760
Speaker 3: What happened with that?

1586
01:16:56,320 --> 01:16:59,360
Speaker 2: And that's when I started being like, I wonder if

1587
01:16:59,400 --> 01:17:03,080
Speaker 2: this is where we prying, because Ruby, no, they lying

1588
01:17:03,160 --> 01:17:05,519
Speaker 2: about shit still, because she was like and this I'm

1589
01:17:05,600 --> 01:17:07,880
Speaker 2: this music played a little bit in the background, and

1590
01:17:07,960 --> 01:17:11,120
Speaker 2: she was like, you know, it's just Letty goes. It's

1591
01:17:11,160 --> 01:17:14,080
Speaker 2: just he got ahead some family business. She's like, okay,

1592
01:17:14,200 --> 01:17:17,000
Speaker 2: some family business. And then she dropped it. But I

1593
01:17:17,040 --> 01:17:19,679
Speaker 2: think Ruby noticed, like, that's still a lie.

1594
01:17:19,720 --> 01:17:20,120
Speaker 1: You could have.

1595
01:17:20,280 --> 01:17:22,559
Speaker 2: This is a moment you could have let me in

1596
01:17:22,800 --> 01:17:25,760
Speaker 2: on everything that's happening with all this magical shit, and

1597
01:17:25,800 --> 01:17:26,320
Speaker 2: you didn't.

1598
01:17:27,160 --> 01:17:30,040
Speaker 3: Yeah, And the more this happens, I think, the more

1599
01:17:30,120 --> 01:17:34,960
Speaker 3: offended and angrier she's going to get uh till she

1600
01:17:35,120 --> 01:17:36,800
Speaker 3: they may end up just telling her the truth, and

1601
01:17:36,800 --> 01:17:39,080
Speaker 3: by then she's gonna be like, I don't care anymore

1602
01:17:39,160 --> 01:17:42,080
Speaker 3: because I y'all not telling me something I don't know anymore.

1603
01:17:42,120 --> 01:17:44,400
Speaker 2: I really do think they might be setting Ruby up

1604
01:17:44,439 --> 01:17:46,960
Speaker 2: as a villain. Like I said, I don't know for sure.

1605
01:17:47,360 --> 01:17:49,479
Speaker 2: I haven't read the book. Da dah dah dah, but

1606
01:17:50,439 --> 01:17:53,160
Speaker 2: there's something about her story arc that feels very much

1607
01:17:53,320 --> 01:17:56,800
Speaker 2: like the Even if she's not a villain like that,

1608
01:17:57,000 --> 01:18:00,519
Speaker 2: she'll be on the wrong side for a while because

1609
01:18:00,880 --> 01:18:04,880
Speaker 2: they are giving her reason, and she's just ambitious enough

1610
01:18:04,880 --> 01:18:07,960
Speaker 2: and just bougie enough to kind of be like the

1611
01:18:08,040 --> 01:18:11,000
Speaker 2: nigga that's against you, you know what I mean, Like

1612
01:18:11,080 --> 01:18:13,320
Speaker 2: I'll give the power myself fuck y'all in you know.

1613
01:18:13,560 --> 01:18:15,240
Speaker 1: So I don't know, man.

1614
01:18:16,280 --> 01:18:23,000
Speaker 3: So then she she's also you know, maybe not now,

1615
01:18:23,080 --> 01:18:27,240
Speaker 3: but eventually Letty might piece together that she's not answering

1616
01:18:27,240 --> 01:18:29,960
Speaker 3: her questions, you know, because she's actually Letty questions and Letty,

1617
01:18:30,439 --> 01:18:35,759
Speaker 3: I mean Letty's asking Ruby questions, and Letty is realizing

1618
01:18:35,800 --> 01:18:38,520
Speaker 3: that she's not really quote unquote straightforward.

1619
01:18:38,560 --> 01:18:41,439
Speaker 2: But neither one of them are they both doing that

1620
01:18:41,479 --> 01:18:44,320
Speaker 2: thing where they're talking around each other and they notice it.

1621
01:18:44,360 --> 01:18:46,799
Speaker 3: Right, so I could. Yes, So I'm about to say Letty, eventually,

1622
01:18:46,880 --> 01:18:49,040
Speaker 3: I think it's gonna be suspicious because she, you know,

1623
01:18:49,120 --> 01:18:50,559
Speaker 3: She's like, I asked you, you're not really.

1624
01:18:50,920 --> 01:18:53,200
Speaker 2: There's the thing though, Karen, it's gonna be harder for

1625
01:18:53,280 --> 01:18:54,320
Speaker 2: Letty to put it together.

1626
01:18:56,120 --> 01:18:57,160
Speaker 3: She's gonna put together too late.

1627
01:18:57,280 --> 01:19:01,599
Speaker 2: Yeah, Ruby knows. Probably they didn't show us what Christina

1628
01:19:01,640 --> 01:19:03,880
Speaker 2: told us. But Ruby knows some shit is up and

1629
01:19:03,920 --> 01:19:06,840
Speaker 2: that Letty and Take are in it and won't tell her.

1630
01:19:07,200 --> 01:19:10,160
Speaker 1: Correct And now the other question comes this.

1631
01:19:11,160 --> 01:19:12,680
Speaker 2: We might be at the point where they shouldn't tell

1632
01:19:12,680 --> 01:19:16,479
Speaker 2: her depending on who side she y'all come on, because

1633
01:19:16,560 --> 01:19:20,599
Speaker 2: whatever Christina's promised her might be some Hey, you should

1634
01:19:20,680 --> 01:19:24,040
Speaker 2: go ahead and backstab these niggas because I'm promising you

1635
01:19:24,200 --> 01:19:26,439
Speaker 2: blank and blank and your family don't even fucking know

1636
01:19:26,479 --> 01:19:30,880
Speaker 2: how the books work. So anyway, she didn't ask Letty

1637
01:19:30,920 --> 01:19:33,439
Speaker 2: to try to souce, and the sous apparently got garlic

1638
01:19:33,479 --> 01:19:37,160
Speaker 2: in it and upsets Leeddy's stomach, and.

1639
01:19:36,479 --> 01:19:38,800
Speaker 1: She's like, uh, you are.

1640
01:19:38,760 --> 01:19:41,360
Speaker 2: Right basically, and I don't know, just some old wives

1641
01:19:41,400 --> 01:19:45,320
Speaker 2: tale shit, But I guess maybe garlic upsets people that

1642
01:19:45,479 --> 01:19:46,439
Speaker 2: are newly pregnant.

1643
01:19:46,720 --> 01:19:50,240
Speaker 3: Your your senses heightened, like all all of them you're

1644
01:19:50,280 --> 01:19:52,080
Speaker 3: find and all of a sudden, something that you love

1645
01:19:52,120 --> 01:19:54,639
Speaker 3: can make your your stomach turn. All of a sudden,

1646
01:19:54,960 --> 01:19:59,040
Speaker 3: certain smells, you know, could just turn your stomach sideways,

1647
01:19:59,200 --> 01:20:03,519
Speaker 3: you know. So yeah, she was like, no, because the

1648
01:20:03,560 --> 01:20:05,559
Speaker 3: thing is, you don't know what the baby gonna like,

1649
01:20:05,560 --> 01:20:07,120
Speaker 3: with the baby not gonna like and lot of you know,

1650
01:20:07,200 --> 01:20:09,400
Speaker 3: unless you and I just noticed from talking to other

1651
01:20:09,400 --> 01:20:11,639
Speaker 3: pregnant women, it was like, girl, I used to love

1652
01:20:11,680 --> 01:20:14,000
Speaker 3: me so such and such a but you better get

1653
01:20:14,000 --> 01:20:15,000
Speaker 3: that shit out of my face. Now.

1654
01:20:15,240 --> 01:20:16,400
Speaker 1: What's interesting is that.

1655
01:20:17,800 --> 01:20:20,360
Speaker 2: Ruby was Ruby even was like unless you're pregnant or

1656
01:20:20,400 --> 01:20:22,280
Speaker 2: something like, like she kind of handed towards.

1657
01:20:22,200 --> 01:20:24,200
Speaker 3: Right because I know he been digging you down.

1658
01:20:24,880 --> 01:20:26,840
Speaker 2: I wonder she had to dream about fish last night.

1659
01:20:26,920 --> 01:20:30,000
Speaker 2: You was dreaming about your ancestors. She was dreaming about fish.

1660
01:20:30,920 --> 01:20:32,679
Speaker 3: I had dream I got a fish fry girl.

1661
01:20:33,040 --> 01:20:36,680
Speaker 2: So then that's when to get some some air, some

1662
01:20:36,720 --> 01:20:40,120
Speaker 2: fresh air, and not throw up on everything. Letty leaves

1663
01:20:40,160 --> 01:20:44,080
Speaker 2: the room, goes into Hippoloida Hippolyta's room and opens up

1664
01:20:44,080 --> 01:20:46,519
Speaker 2: a window to breathe, and that's when she notices the

1665
01:20:46,720 --> 01:20:50,439
Speaker 2: orris in that room, the thing they've been looking for,

1666
01:20:51,640 --> 01:20:55,080
Speaker 2: and Hippolyta just took it out their house and it's

1667
01:20:55,080 --> 01:20:59,680
Speaker 2: sitting in Hippolyoti's house and so miss back to to

1668
01:20:59,720 --> 01:21:03,600
Speaker 2: say Louis. Miss Alberta shows Tick the photo album of

1669
01:21:03,760 --> 01:21:09,000
Speaker 2: his cousin and uh, Tixie and then and then she

1670
01:21:09,000 --> 01:21:12,040
Speaker 2: gets a phone call and then tixi's that his cousin

1671
01:21:12,080 --> 01:21:15,920
Speaker 2: Ethel or mom's cousin Ethel, has the same birthmark on

1672
01:21:16,000 --> 01:21:18,720
Speaker 2: her arm as he has on his back. And he

1673
01:21:18,800 --> 01:21:21,360
Speaker 2: goes to a mirror and unbunds his shirt and looks

1674
01:21:21,360 --> 01:21:23,479
Speaker 2: at his back and that's when mss Ether comes back

1675
01:21:23,479 --> 01:21:24,719
Speaker 2: in with baby, it's the phone.

1676
01:21:24,760 --> 01:21:27,080
Speaker 3: It's for you, I know. She is like, shirt off,

1677
01:21:27,320 --> 01:21:30,760
Speaker 3: looking like the fuck you doing it here right right?

1678
01:21:31,080 --> 01:21:34,040
Speaker 3: Like why are you sitting in here with no fucking

1679
01:21:34,080 --> 01:21:37,400
Speaker 3: shirt on? You need to tell me something.

1680
01:21:38,200 --> 01:21:39,680
Speaker 1: She's like, the phone is for you.

1681
01:21:40,720 --> 01:21:43,960
Speaker 2: Uh, and he was looking like oh bad or whatever,

1682
01:21:44,520 --> 01:21:45,400
Speaker 2: and uh.

1683
01:21:45,840 --> 01:21:47,719
Speaker 3: Then he has the phone.

1684
01:21:47,760 --> 01:21:55,200
Speaker 2: It's Letty and Letty tells him like, hey, Hippolytis had

1685
01:21:55,200 --> 01:21:56,639
Speaker 2: the fucking ry the whole time.

1686
01:21:56,760 --> 01:21:58,679
Speaker 1: Is sitting in her room.

1687
01:21:58,400 --> 01:22:02,639
Speaker 2: And uh, inside of the ry, which has now been opened,

1688
01:22:02,680 --> 01:22:06,000
Speaker 2: we'll get to that. It has coordinates of latitude and

1689
01:22:06,040 --> 01:22:11,160
Speaker 2: longitude and an empty place where he was. And she's like,

1690
01:22:11,560 --> 01:22:16,200
Speaker 2: you know, Hippolyta must be onto everything that's going on.

1691
01:22:16,720 --> 01:22:19,360
Speaker 3: That's a piece. Yeah, she started piecing together. That's why

1692
01:22:19,400 --> 01:22:21,720
Speaker 3: she had an attitude, because you know, she's normally not

1693
01:22:21,960 --> 01:22:24,479
Speaker 3: like that. Like, that's why she had an attitude that

1694
01:22:24,680 --> 01:22:30,600
Speaker 3: because she knows we've been lying to her, and you know,

1695
01:22:31,160 --> 01:22:33,320
Speaker 3: like she could be in some danger, you know, because

1696
01:22:33,320 --> 01:22:37,120
Speaker 3: we understand, like we don't know everything's gonna happen, we

1697
01:22:37,200 --> 01:22:39,400
Speaker 3: understand that we we know it's gonna be a risk.

1698
01:22:39,760 --> 01:22:41,920
Speaker 3: You know, she's walking in there, not knowing the risk

1699
01:22:42,040 --> 01:22:44,559
Speaker 3: that she's taking by go particularly even going along too.

1700
01:22:44,880 --> 01:22:49,240
Speaker 2: And meanwhile, while she said all this, Ruby is in

1701
01:22:49,280 --> 01:22:54,400
Speaker 2: the doorway kind of eavesdropping hearing Letty on the phone

1702
01:22:54,439 --> 01:22:58,040
Speaker 2: telling Tick this knowing like okay, so now she knows

1703
01:22:58,080 --> 01:23:02,520
Speaker 2: the ry is in there, and she knows that Hippolyto

1704
01:23:02,680 --> 01:23:03,080
Speaker 2: went to.

1705
01:23:03,080 --> 01:23:06,240
Speaker 1: The things, which means does that mean Christina.

1706
01:23:05,800 --> 01:23:07,240
Speaker 3: Knows she does?

1707
01:23:07,320 --> 01:23:08,519
Speaker 1: Now like she's gonna go.

1708
01:23:08,479 --> 01:23:12,800
Speaker 2: Tell Christina man to see black people doing all this

1709
01:23:12,920 --> 01:23:15,600
Speaker 2: to each other in the name of power. Meanwhile, in

1710
01:23:15,640 --> 01:23:19,120
Speaker 2: the background, in the house in Saint Louis, Miss Olberto

1711
01:23:19,520 --> 01:23:23,040
Speaker 2: is cleaning the table off, you know, making room for

1712
01:23:23,360 --> 01:23:32,840
Speaker 2: that shirtless tick, Like, I don't make this mac and

1713
01:23:32,920 --> 01:23:34,920
Speaker 2: cheese for just any old body, so why don't.

1714
01:23:34,960 --> 01:23:37,280
Speaker 3: I haven't had company in a long time.

1715
01:23:37,400 --> 01:23:39,160
Speaker 2: You know, I made you some mac and cheese, and

1716
01:23:39,200 --> 01:23:40,840
Speaker 2: I'm gonna need you to help me make some mac

1717
01:23:40,880 --> 01:23:41,560
Speaker 2: and cheese.

1718
01:23:41,400 --> 01:23:44,040
Speaker 1: Sounds up in here tonight.

1719
01:23:44,439 --> 01:23:48,080
Speaker 2: Okay, it's been a long time since Eustace was up

1720
01:23:48,120 --> 01:23:48,400
Speaker 2: in here.

1721
01:23:50,280 --> 01:23:52,280
Speaker 3: But uh, you know.

1722
01:23:52,280 --> 01:23:55,120
Speaker 1: A lot of nice, strong, medium wearing man like you.

1723
01:23:55,280 --> 01:23:57,679
Speaker 3: Come on. I need for somebody to blow the dust

1724
01:23:57,760 --> 01:23:58,160
Speaker 3: off of this.

1725
01:23:58,439 --> 01:24:04,600
Speaker 2: Okay, because I got some ham hocks and other things around.

1726
01:24:04,200 --> 01:24:05,599
Speaker 1: Here that need a little attention too.

1727
01:24:08,479 --> 01:24:08,879
Speaker 3: Uh.

1728
01:24:09,360 --> 01:24:11,480
Speaker 1: But yeah, that's it for that storyline.

1729
01:24:13,720 --> 01:24:16,559
Speaker 2: That would have been so funny if she was seeing

1730
01:24:16,600 --> 01:24:19,080
Speaker 2: with that shirt off and been like she hung up

1731
01:24:19,080 --> 01:24:20,760
Speaker 2: the front girl, I'm gonna call you back.

1732
01:24:20,840 --> 01:24:21,160
Speaker 3: Click.

1733
01:24:23,520 --> 01:24:27,479
Speaker 2: Who was that nobody? It was nobody? No, no, you

1734
01:24:27,600 --> 01:24:30,200
Speaker 2: keep that shirt off. Okay, you know, let me look

1735
01:24:30,200 --> 01:24:32,120
Speaker 2: at the birthmark a little closer. I don't know if

1736
01:24:32,120 --> 01:24:34,720
Speaker 2: this is this might not be an exact match. Let

1737
01:24:34,720 --> 01:24:36,439
Speaker 2: me come over here and get a good look at that.

1738
01:24:36,560 --> 01:24:39,320
Speaker 3: For you boy, not growling at him a cougar before

1739
01:24:39,360 --> 01:24:40,519
Speaker 3: she knew what the cougar was.

1740
01:24:42,240 --> 01:24:49,360
Speaker 2: Don't get dark in here, Come on, Marcus. Uh anyway, Hippolyta,

1741
01:24:49,800 --> 01:24:50,799
Speaker 2: let's get to her story.

1742
01:24:52,000 --> 01:24:52,200
Speaker 3: Uh.

1743
01:24:52,280 --> 01:24:54,919
Speaker 2: She is sitting up in her room studying the oorry

1744
01:24:55,200 --> 01:24:57,120
Speaker 2: at the beginning of this episode, and.

1745
01:24:57,160 --> 01:24:59,759
Speaker 3: She is at her wits end. Oh, she's so frustrated,

1746
01:24:59,760 --> 01:25:00,320
Speaker 3: you can tell.

1747
01:25:00,840 --> 01:25:03,720
Speaker 2: We like, and it's like, why is she now so

1748
01:25:03,960 --> 01:25:06,320
Speaker 2: focused on this? Or we get a flashback to three

1749
01:25:06,360 --> 01:25:10,519
Speaker 2: days ago in Ardam when she and d had driven

1750
01:25:10,600 --> 01:25:14,960
Speaker 2: up to the ruins of the Brave White Estate and

1751
01:25:16,120 --> 01:25:32,120
Speaker 2: the scene that it was destroyed. Still, so it looks like, yeah.

1752
01:25:30,720 --> 01:25:35,200
Speaker 3: Was right, that's right. I was right when I said that.

1753
01:25:35,960 --> 01:25:40,639
Speaker 2: Okay, and uh, y'all doubted me, but I told you

1754
01:25:41,000 --> 01:25:43,000
Speaker 2: the story. Don't make no sense that she drive up

1755
01:25:43,000 --> 01:25:46,120
Speaker 2: there and everything back to normal? Did she just gonna

1756
01:25:46,120 --> 01:25:47,800
Speaker 2: go back home? I guess they was telling the truth.

1757
01:25:48,200 --> 01:25:49,960
Speaker 2: She had to go up there and be like deed

1758
01:25:50,080 --> 01:25:54,439
Speaker 2: some lyon motherfuckers. And so while she's at the Brave

1759
01:25:54,479 --> 01:25:57,840
Speaker 2: White Estate looking through some debris, she sees the same

1760
01:25:57,920 --> 01:26:01,840
Speaker 2: symbol on the door that's on the ory. And then

1761
01:26:02,520 --> 01:26:04,240
Speaker 2: Dee gets out of the car. She's like, Mama, I

1762
01:26:04,280 --> 01:26:06,439
Speaker 2: don't think we're supposed to be here. What does this

1763
01:26:06,520 --> 01:26:07,679
Speaker 2: have to do with Pop's death?

1764
01:26:08,600 --> 01:26:10,960
Speaker 3: Yeah, because you know, it be one of them things

1765
01:26:11,000 --> 01:26:15,920
Speaker 3: where I think that her baby just picks up on

1766
01:26:15,960 --> 01:26:17,759
Speaker 3: shit like that too, Like she might not be aware

1767
01:26:17,800 --> 01:26:22,320
Speaker 3: of alert, but she has some senses, you know, and

1768
01:26:22,479 --> 01:26:24,639
Speaker 3: that might be why she remember when they had the map,

1769
01:26:24,720 --> 01:26:26,920
Speaker 3: she drew certain things, you know, probably because she got

1770
01:26:26,920 --> 01:26:28,840
Speaker 3: a feeling like, hey, don't go here, don't go here,

1771
01:26:28,960 --> 01:26:31,120
Speaker 3: don't do that, you know. So I got a feeling that,

1772
01:26:31,240 --> 01:26:33,760
Speaker 3: you know, she was she was like, just don't just

1773
01:26:33,800 --> 01:26:38,000
Speaker 3: don't feel right, mama. And so then.

1774
01:26:40,320 --> 01:26:45,559
Speaker 2: She's like, uh, get back in the car, baby, okay,

1775
01:26:45,960 --> 01:26:48,799
Speaker 2: And she starts looking through the rubble and she files

1776
01:26:48,880 --> 01:26:52,879
Speaker 2: the ornethea Blue comic that Dee drew for her daddy

1777
01:26:53,360 --> 01:26:58,920
Speaker 2: in episode one, which means George was definitely here so

1778
01:26:59,320 --> 01:27:02,439
Speaker 2: at some period time, right, So this story of the

1779
01:27:02,479 --> 01:27:06,000
Speaker 2: sheriff shooting him and them getting the sheriff back, it

1780
01:27:06,120 --> 01:27:11,920
Speaker 2: just sounds like complete bullshit. So then she we get

1781
01:27:11,960 --> 01:27:14,320
Speaker 2: back to the normal time, right, not no longer three

1782
01:27:14,360 --> 01:27:18,000
Speaker 2: days ago, and she's so pitched. She shoves the arry

1783
01:27:18,080 --> 01:27:19,599
Speaker 2: on the floor because she just can't figure out how

1784
01:27:19,600 --> 01:27:20,759
Speaker 2: to fucking open this thing.

1785
01:27:20,600 --> 01:27:21,360
Speaker 3: And get it to work.

1786
01:27:21,840 --> 01:27:24,120
Speaker 2: And then she lays on the bed and she rubs

1787
01:27:24,120 --> 01:27:26,120
Speaker 2: her hand over Georgie's empty side of the bed and

1788
01:27:26,160 --> 01:27:28,680
Speaker 2: she says, I'm sorry, I just can't figure it out.

1789
01:27:28,840 --> 01:27:31,760
Speaker 2: But then with the orry laying on the ground like

1790
01:27:32,439 --> 01:27:35,160
Speaker 2: on its side and her face being on the side,

1791
01:27:35,240 --> 01:27:39,880
Speaker 2: somehow she realizes, wait, it's the angles of the planets,

1792
01:27:40,200 --> 01:27:41,800
Speaker 2: Like you got to look at how they tilted on

1793
01:27:41,840 --> 01:27:44,639
Speaker 2: the axises while they order it in the two suns,

1794
01:27:45,080 --> 01:27:48,519
Speaker 2: and then it's an axi anyway, and then that will

1795
01:27:48,560 --> 01:27:51,600
Speaker 2: be how I can like figure it out. She of

1796
01:27:51,680 --> 01:27:54,200
Speaker 2: course does figure it out. You know, she's got these

1797
01:27:54,240 --> 01:27:58,240
Speaker 2: notes and all the stuff she's taken, and you know

1798
01:27:58,320 --> 01:28:03,960
Speaker 2: they've hinted towards it before with her naming a star

1799
01:28:04,400 --> 01:28:06,240
Speaker 2: before or media or comment.

1800
01:28:06,400 --> 01:28:10,080
Speaker 1: Yeah, but intelligent, we're beyond that now.

1801
01:28:11,520 --> 01:28:17,120
Speaker 2: Hippolyta is like superher intelligent, Like she like this is

1802
01:28:17,160 --> 01:28:23,479
Speaker 2: some mister fantastic Tony Stark level shit, and it's on

1803
01:28:23,560 --> 01:28:27,880
Speaker 2: some like what if Tony Stark just having me born

1804
01:28:28,000 --> 01:28:31,760
Speaker 2: a black woman in a racist country in the nineteen fifties,

1805
01:28:32,800 --> 01:28:38,200
Speaker 2: who like, maybe that potential ends up being a housewife.

1806
01:28:38,400 --> 01:28:39,759
Speaker 1: You see what I'm saying, Like that.

1807
01:28:39,760 --> 01:28:45,519
Speaker 2: Is how racism and stuff interrupts, and that is This

1808
01:28:45,600 --> 01:28:50,760
Speaker 2: episode to me is about Hippolyta uninterrupted.

1809
01:28:52,000 --> 01:28:55,120
Speaker 3: Yes, yes it is. And it's one of those things

1810
01:28:55,240 --> 01:29:02,400
Speaker 3: to where it was to see her figure that out

1811
01:29:02,400 --> 01:29:06,080
Speaker 3: after seeing her frustration, because she was very frustrated and

1812
01:29:06,120 --> 01:29:11,280
Speaker 3: it was like, oh, she piecing, she piecing this shit together,

1813
01:29:12,080 --> 01:29:15,720
Speaker 3: and I was rooting for her. I was like, let's go, Like,

1814
01:29:15,880 --> 01:29:17,559
Speaker 3: I don't know how you're gonna figure it out, because

1815
01:29:17,600 --> 01:29:19,520
Speaker 3: I know I don't know how to figure that shit out,

1816
01:29:19,680 --> 01:29:24,000
Speaker 3: but I'm glad that you have the intelligence to figure

1817
01:29:24,040 --> 01:29:25,320
Speaker 3: it out. Yeah.

1818
01:29:25,400 --> 01:29:29,080
Speaker 2: Also, I mean, for the show purposes, you can't have

1819
01:29:29,200 --> 01:29:31,200
Speaker 2: her not figure it out, you know what I mean.

1820
01:29:31,400 --> 01:29:33,719
Speaker 1: So I figured she was something's gonna.

1821
01:29:33,560 --> 01:29:36,479
Speaker 2: Happen with that or but I had no idea what

1822
01:29:36,680 --> 01:29:38,680
Speaker 2: was I didn't know it's gonna be like this. So

1823
01:29:38,720 --> 01:29:42,040
Speaker 2: she opens up the ory, gets a key inside of it,

1824
01:29:42,160 --> 01:29:47,160
Speaker 2: and inside of the place where the key is, there's

1825
01:29:47,200 --> 01:29:49,599
Speaker 2: a thing that's a a description that says, every beginning

1826
01:29:49,920 --> 01:29:55,160
Speaker 2: is in time, every limit of extension in space, and

1827
01:29:55,200 --> 01:29:58,439
Speaker 2: then there's some coordinates on the bottom of the dial

1828
01:29:58,600 --> 01:30:05,360
Speaker 2: that looked like ladd tude and longitude, and I'm like, okay,

1829
01:30:05,479 --> 01:30:09,960
Speaker 2: so I guess we uh, I guess we're traveling. Okay,

1830
01:30:10,080 --> 01:30:15,560
Speaker 2: this is like wherever you open up this this, this, this,

1831
01:30:15,560 --> 01:30:19,400
Speaker 2: this key, like this this location is is gonna be

1832
01:30:19,439 --> 01:30:21,640
Speaker 2: where it's wherever wherever the key goes to.

1833
01:30:23,760 --> 01:30:26,840
Speaker 1: So then Hippolyta is going for that road trip.

1834
01:30:26,960 --> 01:30:27,920
Speaker 3: That's when we.

1835
01:30:27,880 --> 01:30:31,519
Speaker 1: Already talked about it. Where where Ruby's gonna babysit?

1836
01:30:32,240 --> 01:30:34,200
Speaker 3: Uh, let it tick, come over.

1837
01:30:34,400 --> 01:30:36,080
Speaker 1: We don't have to really repeat that, you know.

1838
01:30:36,880 --> 01:30:41,320
Speaker 3: Uh. And then she ends up being getting in on

1839
01:30:41,360 --> 01:30:41,800
Speaker 3: the road.

1840
01:30:41,920 --> 01:30:45,599
Speaker 2: She got a map with the coordinates on them, and

1841
01:30:45,880 --> 01:30:49,000
Speaker 2: she's just vibing and they're playing like some French music

1842
01:30:49,040 --> 01:30:52,439
Speaker 2: and ship, which I think comes up later. I did

1843
01:30:52,439 --> 01:30:57,920
Speaker 2: not know the song, so so uh, maybe it was important,

1844
01:30:57,920 --> 01:31:00,920
Speaker 2: but I wasn't able to look it up. But a

1845
01:31:00,960 --> 01:31:05,000
Speaker 2: black woman on a motorcycle pulls up next door. Yeah,

1846
01:31:05,040 --> 01:31:10,000
Speaker 2: and it was definitely like you know this show, like, yeah,

1847
01:31:10,080 --> 01:31:12,760
Speaker 2: this show is heavy handed. Okay, it's don't let it

1848
01:31:12,800 --> 01:31:17,360
Speaker 2: patch your bunny, And so I immediately was like, who's

1849
01:31:17,360 --> 01:31:20,720
Speaker 2: that black woman. I know she must be somebody, And

1850
01:31:21,280 --> 01:31:26,160
Speaker 2: it turns out that she was somebody. Her name Oh wait,

1851
01:31:26,200 --> 01:31:29,719
Speaker 2: hold on, I put it in my research. Her name

1852
01:31:29,800 --> 01:31:34,720
Speaker 2: was Bessie. Let me get make sure I got the

1853
01:31:34,800 --> 01:31:39,400
Speaker 2: right name so we don't fuck it up. It would

1854
01:31:39,439 --> 01:31:41,160
Speaker 2: help if I went to the right place to look

1855
01:31:41,200 --> 01:31:42,560
Speaker 2: at the names.

1856
01:31:42,960 --> 01:31:47,200
Speaker 3: Oh my thing here. Oh and I did put it

1857
01:31:47,240 --> 01:31:49,080
Speaker 3: in the wrong part. Okay, that's great.

1858
01:31:50,680 --> 01:31:52,360
Speaker 1: Bessie Stringfield.

1859
01:31:52,479 --> 01:31:55,960
Speaker 3: That was her name, Springfield, Stringfield, Stringfield. Yeah.

1860
01:31:57,600 --> 01:32:00,599
Speaker 2: So apparently she was born in nineteen eleven, in nineteen

1861
01:32:00,640 --> 01:32:05,439
Speaker 2: ninety three US from Kingston, Jamaica. She's the pioneer of

1862
01:32:05,479 --> 01:32:10,320
Speaker 2: the Jamaican American Female Motorists.

1863
01:32:10,640 --> 01:32:13,719
Speaker 1: Yeah so yeah.

1864
01:32:13,800 --> 01:32:17,280
Speaker 2: She was the first Jamaican American woman to ride across

1865
01:32:17,320 --> 01:32:21,720
Speaker 2: the United States solo, and during during the World War Two,

1866
01:32:21,760 --> 01:32:24,240
Speaker 2: she served as one of the few motorcycle dispatch riders

1867
01:32:24,479 --> 01:32:28,439
Speaker 2: for the United States military. And so it's interesting they

1868
01:32:28,439 --> 01:32:32,479
Speaker 2: shared this knowing glance because it's two black women on

1869
01:32:32,600 --> 01:32:36,360
Speaker 2: solo trips out into the unknown. And this is such

1870
01:32:36,400 --> 01:32:40,080
Speaker 2: a big deal because when we first met Hipploida Hippolyta,

1871
01:32:40,479 --> 01:32:41,480
Speaker 2: she wanted.

1872
01:32:41,160 --> 01:32:43,639
Speaker 3: To go with George on one.

1873
01:32:43,479 --> 01:32:47,080
Speaker 1: Of these runs and he basically said no, and then

1874
01:32:47,080 --> 01:32:49,240
Speaker 1: he called her on the road and said he take

1875
01:32:49,240 --> 01:32:52,360
Speaker 1: her on the next one after everything that experienced at Ardom,

1876
01:32:53,080 --> 01:32:56,719
Speaker 1: But it was it was just it just it just.

1877
01:32:56,920 --> 01:32:59,640
Speaker 2: Was kind of interesting to see, like because this is

1878
01:32:59,680 --> 01:33:01,760
Speaker 2: a day time and this is a black woman by

1879
01:33:01,840 --> 01:33:05,400
Speaker 2: herself on the road, and this world is fraught with danger,

1880
01:33:05,439 --> 01:33:07,400
Speaker 2: and we know it's even more dangerous than just the

1881
01:33:07,479 --> 01:33:10,080
Speaker 2: racism because of all the magic and stuff. But there

1882
01:33:10,120 --> 01:33:13,920
Speaker 2: was a shaer pioneering spirit that these women had when

1883
01:33:13,920 --> 01:33:16,479
Speaker 2: they rolled up on each other and waved it is

1884
01:33:16,760 --> 01:33:19,519
Speaker 2: y'alls okay, oh yeah, they you know, they just get

1885
01:33:19,560 --> 01:33:23,639
Speaker 2: irritated sometimes it's fine, but yeah, I just thought it

1886
01:33:23,680 --> 01:33:26,160
Speaker 2: was I thought it was a cool and it was.

1887
01:33:26,160 --> 01:33:28,920
Speaker 3: A unique bond, you know, because, like I said, she

1888
01:33:29,040 --> 01:33:31,600
Speaker 3: literally popped up out of nowhere. I was like, what

1889
01:33:31,840 --> 01:33:35,840
Speaker 3: is happening here? And it was like, oh, you're on

1890
01:33:35,920 --> 01:33:37,879
Speaker 3: your way too, gold So too girl.

1891
01:33:37,760 --> 01:33:43,280
Speaker 1: Me too, right, And so then she reaches in uh,

1892
01:33:43,479 --> 01:33:47,559
Speaker 1: Bessie Stringfeld drives down the road, and then Hippolyta reaches

1893
01:33:47,600 --> 01:33:50,000
Speaker 1: in her bag to get some lunch and turns out

1894
01:33:50,080 --> 01:33:52,519
Speaker 1: d He did put one of the comic books in

1895
01:33:52,600 --> 01:33:53,679
Speaker 1: her lunch pale.

1896
01:33:54,439 --> 01:33:57,640
Speaker 3: You know how kids is she She was hurt, like,

1897
01:33:57,920 --> 01:34:00,519
Speaker 3: you know, because it was more of these were becuse

1898
01:34:00,560 --> 01:34:02,479
Speaker 3: Daddy would't now because you know, she loves going through

1899
01:34:02,479 --> 01:34:05,800
Speaker 3: that process with a father. So but she was like,

1900
01:34:05,840 --> 01:34:07,840
Speaker 3: I'm not gonna let you go with a long you know,

1901
01:34:07,920 --> 01:34:10,000
Speaker 3: I'm still gonna give you something, Mama, but you know,

1902
01:34:10,240 --> 01:34:13,160
Speaker 3: I just don't have the energy to do it without daddy.

1903
01:34:13,400 --> 01:34:15,320
Speaker 1: Well it makes me wonder if she just wanted to

1904
01:34:15,360 --> 01:34:15,960
Speaker 1: go with her.

1905
01:34:16,200 --> 01:34:20,120
Speaker 3: I think she was hurt and upset that.

1906
01:34:21,920 --> 01:34:24,439
Speaker 2: She was going somewhere by herself, because you know, she

1907
01:34:24,560 --> 01:34:27,479
Speaker 2: lost her father when he went on the road. Has

1908
01:34:27,520 --> 01:34:30,040
Speaker 2: to be extremely traumatic for her mother to now be

1909
01:34:30,040 --> 01:34:31,720
Speaker 2: going on the road because what if something happens to

1910
01:34:31,720 --> 01:34:34,760
Speaker 2: my mama, you know what I mean? Like so, because

1911
01:34:34,800 --> 01:34:37,000
Speaker 2: she don't know what, she don't know about this other shit.

1912
01:34:36,880 --> 01:34:41,799
Speaker 1: Either, So I can see that too. But yeah, so then.

1913
01:34:43,760 --> 01:34:47,919
Speaker 2: She gets to Mayfield. I believe it's either Kentucky or Indiana.

1914
01:34:48,000 --> 01:34:50,040
Speaker 2: Matter of fact, I should have looked that up because

1915
01:34:50,080 --> 01:34:55,160
Speaker 2: I know they had said that there was an observatory.

1916
01:34:58,760 --> 01:35:01,000
Speaker 2: Let me see if it's Indiana or Kentucky. I don't

1917
01:35:01,000 --> 01:35:03,760
Speaker 2: know which one, but uh, there was an observatory that

1918
01:35:03,800 --> 01:35:05,839
Speaker 2: they brought up in episode five in the Lounge.

1919
01:35:06,240 --> 01:35:06,439
Speaker 3: Uh.

1920
01:35:06,520 --> 01:35:09,960
Speaker 2: They were talking in Lancaster's office and this is when

1921
01:35:10,000 --> 01:35:13,280
Speaker 2: Ruby overheard it, and they was basically like, tell the

1922
01:35:13,280 --> 01:35:18,640
Speaker 2: local police in uh Indiana or whatever that we're you know,

1923
01:35:18,680 --> 01:35:23,400
Speaker 2: we're happy that they're watching the observatory.

1924
01:35:24,120 --> 01:35:25,960
Speaker 3: Kansas, Okay, thank you, Kansas. My bad.

1925
01:35:26,240 --> 01:35:28,920
Speaker 2: She's like, you know, thank you for watching the observatory

1926
01:35:29,120 --> 01:35:32,280
Speaker 2: and they're like, okay, we're gonna watch it for you

1927
01:35:32,400 --> 01:35:35,640
Speaker 2: or whatever. And so we know that that's an important

1928
01:35:35,680 --> 01:35:37,840
Speaker 2: part of the Lounge, and we also know of the

1929
01:35:38,439 --> 01:35:45,200
Speaker 2: I'm sorry of the Cope thing, and we also know that.

1930
01:35:43,439 --> 01:35:44,280
Speaker 3: That same.

1931
01:35:45,520 --> 01:35:49,800
Speaker 2: Lodge is after the arry, so that means they're you know,

1932
01:35:49,920 --> 01:35:51,479
Speaker 2: they were gonna be the ones to try to get

1933
01:35:51,479 --> 01:35:54,040
Speaker 2: the key and then go to the observatory.

1934
01:35:54,680 --> 01:35:58,040
Speaker 3: They just didn't know what the key was. So oh

1935
01:35:58,200 --> 01:36:01,360
Speaker 3: and uh uh, I'm gonna go back a little bit.

1936
01:36:01,520 --> 01:36:07,120
Speaker 3: The thing is with Hippolyta, Uh, I think because of

1937
01:36:07,240 --> 01:36:12,040
Speaker 3: her because she seeks knowledge like that, and the way

1938
01:36:12,080 --> 01:36:14,680
Speaker 3: the oriri almost it didn't sing to her, but it

1939
01:36:14,800 --> 01:36:18,120
Speaker 3: was like it brought her in that room. So it

1940
01:36:18,160 --> 01:36:21,680
Speaker 3: was something in it that was drawing, drawing, her to

1941
01:36:21,840 --> 01:36:23,600
Speaker 3: it like, oh, I know you're gonna be able to

1942
01:36:23,640 --> 01:36:26,200
Speaker 3: figure me out. Like it was just something in it

1943
01:36:26,280 --> 01:36:29,080
Speaker 3: that had a connection with her spirit to where she

1944
01:36:29,200 --> 01:36:31,040
Speaker 3: was like, oh I got it. Was like she couldn't

1945
01:36:31,120 --> 01:36:33,160
Speaker 3: leave it there, like that feeling was so heavy that

1946
01:36:33,240 --> 01:36:35,160
Speaker 3: she was like, I have to take this with me.

1947
01:36:35,720 --> 01:36:39,719
Speaker 3: But yeah, you make that's an excellent point, Karen. So then.

1948
01:36:41,400 --> 01:36:48,120
Speaker 2: She gets into this this this observatory, and she goes

1949
01:36:48,160 --> 01:36:51,240
Speaker 2: inside and it's abandoned, even though we know the cops

1950
01:36:51,280 --> 01:36:53,120
Speaker 2: are supposed to keeping an eye on it for quote

1951
01:36:53,200 --> 01:36:55,560
Speaker 2: unquote vandals.

1952
01:36:56,120 --> 01:36:59,360
Speaker 3: And this ship is literally out in the middle of nowhere.

1953
01:37:00,040 --> 01:37:03,759
Speaker 2: Puz a key into the machine and this apparatus stars

1954
01:37:03,760 --> 01:37:06,320
Speaker 2: like it's gonna turn on, and then it's a weird

1955
01:37:06,479 --> 01:37:10,920
Speaker 2: looking apparatus. But this is when I really really started

1956
01:37:10,960 --> 01:37:13,280
Speaker 2: loving this episode, because up until this point it was

1957
01:37:13,320 --> 01:37:16,639
Speaker 2: straight but nothing, you know, it was like nothing really

1958
01:37:16,720 --> 01:37:21,320
Speaker 2: like trippy had happened in my opinion. But this fucking

1959
01:37:21,400 --> 01:37:25,960
Speaker 2: machine looked like something from what the nineteen fifties stot

1960
01:37:26,080 --> 01:37:29,080
Speaker 2: was sci fi. Yes, you know, it's like a bunch

1961
01:37:29,120 --> 01:37:31,240
Speaker 2: of lights and moving.

1962
01:37:31,000 --> 01:37:35,519
Speaker 3: Parts and circles and fucking you know what. It reminds

1963
01:37:35,600 --> 01:37:36,880
Speaker 3: me of it. It's kind of not the same, but

1964
01:37:36,920 --> 01:37:41,440
Speaker 3: it reminds me of what's the old movie where Freakingstein

1965
01:37:41,800 --> 01:37:44,320
Speaker 3: where the scientists would be down there just twirling and

1966
01:37:44,360 --> 01:37:47,080
Speaker 3: pressing buttons and he would do the change and Freaking

1967
01:37:47,120 --> 01:37:48,840
Speaker 3: Stein would go up in the air. You would see

1968
01:37:48,880 --> 01:37:51,320
Speaker 3: him touching, you know, because it's different versions of that.

1969
01:37:51,400 --> 01:37:53,400
Speaker 3: So that's what it reminds me of, Like a room

1970
01:37:53,439 --> 01:37:56,360
Speaker 3: full of computers trying to figure out how to get

1971
01:37:56,400 --> 01:37:57,360
Speaker 3: this thing to come alive.

1972
01:37:57,880 --> 01:38:00,280
Speaker 2: It's like the first time you watch the It's like

1973
01:38:00,320 --> 01:38:02,920
Speaker 2: if you try to watch the first and my first

1974
01:38:03,120 --> 01:38:07,080
Speaker 2: you know, is like the fourth Star Wars a New Hope.

1975
01:38:07,160 --> 01:38:08,800
Speaker 2: Let's just go with that. It's like when you try

1976
01:38:08,840 --> 01:38:11,559
Speaker 2: to watch Star Wars a New Hope today and you

1977
01:38:11,600 --> 01:38:13,679
Speaker 2: look at Darth Vader suit with the buttons and shit,

1978
01:38:13,680 --> 01:38:18,799
Speaker 2: and you're like, that is clearly not from the future,

1979
01:38:19,479 --> 01:38:23,479
Speaker 2: Like that is not from a space faring society that

1980
01:38:23,560 --> 01:38:25,960
Speaker 2: will put a telephone on a man's chest. That's a

1981
01:38:26,120 --> 01:38:28,920
Speaker 2: rotary phone would never be on a man's chest. But

1982
01:38:29,200 --> 01:38:31,960
Speaker 2: back in the day, that's what that meant. It was bleep, oh,

1983
01:38:31,960 --> 01:38:34,519
Speaker 2: this motherfucker right here from the future, right, So it

1984
01:38:34,600 --> 01:38:37,519
Speaker 2: looked like that type of nineteen fifties sci fi stuff.

1985
01:38:37,880 --> 01:38:41,040
Speaker 2: But like I said, I love that stylistic choice. So

1986
01:38:41,880 --> 01:38:44,280
Speaker 2: she goes into there, she puts the key in. It

1987
01:38:44,320 --> 01:38:47,080
Speaker 2: doesn't It rips up, but it don't really work. It's like, oh,

1988
01:38:47,320 --> 01:38:51,960
Speaker 2: it don't work. And so then she sees there's three

1989
01:38:52,000 --> 01:38:55,439
Speaker 2: clocks that are next to the glowing rings, and she's like,

1990
01:38:56,600 --> 01:38:59,759
Speaker 2: she just go gets her notebook and goes a full

1991
01:39:00,200 --> 01:39:03,200
Speaker 2: beautiful mind on this shit. Like you can see the

1992
01:39:03,280 --> 01:39:05,920
Speaker 2: numbers in the air. It like that Easter Regiah on Twitter.

1993
01:39:06,240 --> 01:39:09,040
Speaker 2: But she's calculating shit, like you can just see the

1994
01:39:09,080 --> 01:39:11,719
Speaker 2: numbers floating through the air. All these equations and stuff

1995
01:39:12,120 --> 01:39:13,080
Speaker 2: she was putting together.

1996
01:39:13,240 --> 01:39:14,000
Speaker 3: They was glowing.

1997
01:39:14,840 --> 01:39:17,280
Speaker 2: It looked like black Twitter trying to figure out what

1998
01:39:17,400 --> 01:39:18,519
Speaker 2: Sean can't put that money.

1999
01:39:18,560 --> 01:39:23,280
Speaker 3: It was let me see carry the one. This nigga

2000
01:39:23,280 --> 01:39:24,280
Speaker 3: ain't fired on Texas.

2001
01:39:25,640 --> 01:39:31,440
Speaker 2: So then so then she she's.

2002
01:39:31,200 --> 01:39:34,680
Speaker 3: Like, mister fantastic. I think, yeah, that's a smart one.

2003
01:39:34,680 --> 01:39:37,080
Speaker 3: Hold on, yes, like mister fantastic. Okay, I was about

2004
01:39:37,080 --> 01:39:38,000
Speaker 3: to say that, I dang.

2005
01:39:38,600 --> 01:39:41,880
Speaker 2: Yeah, mask rotation, velocity and radius, the length of time

2006
01:39:41,880 --> 01:39:44,280
Speaker 2: it takes for he's planning at the travel around two

2007
01:39:44,360 --> 01:39:46,640
Speaker 2: sons and all this stuff she was figuring out, and

2008
01:39:46,720 --> 01:39:48,840
Speaker 2: four forty five, four forty six and all this shit.

2009
01:39:49,160 --> 01:39:51,680
Speaker 2: And then she starts operating the machine, putting all these

2010
01:39:51,760 --> 01:39:54,120
Speaker 2: buttons and all this stuff, and the machine finally starts

2011
01:39:54,160 --> 01:39:56,519
Speaker 2: to warm up and turned on, and that's when you

2012
01:39:56,600 --> 01:39:59,920
Speaker 2: hear some people coming in and it's that goddamn cop,

2013
01:40:00,360 --> 01:40:03,360
Speaker 2: the police. Now this is funny because this woman is brilliant.

2014
01:40:03,640 --> 01:40:05,479
Speaker 2: This one the smartest, This is smartest person on the

2015
01:40:05,520 --> 01:40:09,599
Speaker 2: show by far. This this woman heard the cops come

2016
01:40:09,640 --> 01:40:13,439
Speaker 2: in a head behind the machine, and I'm like like

2017
01:40:14,000 --> 01:40:17,519
Speaker 2: a kid playing hide and seek, like they were obviously

2018
01:40:17,560 --> 01:40:19,760
Speaker 2: gonna find her. Like it ain't even gotten nothing to

2019
01:40:19,840 --> 01:40:22,680
Speaker 2: with her being black. I'll saying, she's so smart she

2020
01:40:22,840 --> 01:40:24,479
Speaker 2: you would think she would have found like a better

2021
01:40:24,560 --> 01:40:27,040
Speaker 2: hiding place. She was just like, I'm gonna just move

2022
01:40:27,120 --> 01:40:28,640
Speaker 2: real still and they won't be able to see me.

2023
01:40:28,680 --> 01:40:32,000
Speaker 2: It's like no, no, they immediately into the background, right,

2024
01:40:32,120 --> 01:40:34,760
Speaker 2: they immediately caught it there, like ma'am, mam, ma'am.

2025
01:40:34,800 --> 01:40:37,000
Speaker 3: All we did was go around the table, ma'am, ma'am.

2026
01:40:37,160 --> 01:40:39,320
Speaker 2: And you know how they always gotta disrespect our grown

2027
01:40:39,360 --> 01:40:41,360
Speaker 2: ups and call them kids, it's like, gall, what are

2028
01:40:41,360 --> 01:40:42,200
Speaker 2: you doing ahead?

2029
01:40:42,720 --> 01:40:42,920
Speaker 3: Huh?

2030
01:40:44,520 --> 01:40:47,760
Speaker 2: And then uh, they're like, and how did you turn

2031
01:40:47,800 --> 01:40:51,080
Speaker 2: this machine on? And when they were coming in, you

2032
01:40:51,160 --> 01:40:53,519
Speaker 2: know they were hinchmen because one of them was like,

2033
01:40:53,600 --> 01:40:56,519
Speaker 2: Captain leg Cassa, thanks y'all for keeping an eye on

2034
01:40:56,560 --> 01:41:01,839
Speaker 2: the observatory. So they part of that, that that large

2035
01:41:02,200 --> 01:41:02,800
Speaker 2: colt shit.

2036
01:41:03,000 --> 01:41:05,639
Speaker 3: Yeah, they probably keep more rotation. And she probably happened

2037
01:41:05,640 --> 01:41:06,880
Speaker 3: to show up at a time where they were the

2038
01:41:07,439 --> 01:41:10,519
Speaker 3: changing shifts, or they went into town or to eat

2039
01:41:10,640 --> 01:41:11,200
Speaker 3: or something.

2040
01:41:11,439 --> 01:41:16,120
Speaker 1: And so then the cops started questioning her and they

2041
01:41:16,160 --> 01:41:19,759
Speaker 1: they they hear somebody coming in. They're like, you hear that, Larry?

2042
01:41:19,800 --> 01:41:23,040
Speaker 3: Is it you? And it's not Larry, it's Tick.

2043
01:41:23,920 --> 01:41:28,120
Speaker 2: And Tick comes in the door. Motherfucked the police. He

2044
01:41:28,320 --> 01:41:29,280
Speaker 2: is punching cops.

2045
01:41:30,280 --> 01:41:32,040
Speaker 3: This man. Did everybody get these hands?

2046
01:41:32,240 --> 01:41:35,000
Speaker 2: Nineteen fifties man came in there punching cops in the

2047
01:41:35,120 --> 01:41:37,040
Speaker 2: motherfucking face to save his art.

2048
01:41:37,120 --> 01:41:39,160
Speaker 1: Okay, I'm gonna get to it, all right.

2049
01:41:39,280 --> 01:41:41,759
Speaker 2: The shout out to the violence and the abucy experience

2050
01:41:41,800 --> 01:41:45,439
Speaker 2: as a child, because it led him to be not uh,

2051
01:41:45,560 --> 01:41:47,400
Speaker 2: these we are not his ancestors.

2052
01:41:47,400 --> 01:41:47,719
Speaker 3: Hands.

2053
01:41:47,720 --> 01:41:50,080
Speaker 2: Okay, because this man came in and was like, I'm

2054
01:41:50,080 --> 01:41:53,800
Speaker 2: punching everybody. Cops is getting it too, not explaining shit

2055
01:41:54,560 --> 01:41:57,280
Speaker 2: for what. So he punched them cops and then Hippolyta

2056
01:41:57,680 --> 01:42:00,559
Speaker 2: wrestled with a cop and the cop astud then shot

2057
01:42:00,600 --> 01:42:03,680
Speaker 2: the fucking expensive ass machine they're supposed to be guarding.

2058
01:42:03,560 --> 01:42:06,720
Speaker 3: Right, defeating the whole purpose. Yeah, Tim came in that

2059
01:42:06,800 --> 01:42:08,479
Speaker 3: turned down for what right?

2060
01:42:08,600 --> 01:42:09,920
Speaker 1: And then she hit she hit.

2061
01:42:10,439 --> 01:42:13,400
Speaker 2: He hit her with the butt his gun after he

2062
01:42:13,479 --> 01:42:16,280
Speaker 2: shot the machine and knocked her onto the machine. And

2063
01:42:16,320 --> 01:42:19,559
Speaker 2: then Tick starts fighting the other cop and then he

2064
01:42:19,680 --> 01:42:22,120
Speaker 2: knocks the gun out of the CoP's hand that has

2065
01:42:22,160 --> 01:42:22,559
Speaker 2: a gun.

2066
01:42:22,920 --> 01:42:25,400
Speaker 1: Hippolyta picks the gun up, aims at the cops.

2067
01:42:25,800 --> 01:42:28,280
Speaker 3: Meanwhile, hold on shes she gonna shoot the wrong person.

2068
01:42:28,479 --> 01:42:31,400
Speaker 2: Meanwhile, a fucking portal opens up in the back, but

2069
01:42:31,439 --> 01:42:34,320
Speaker 2: the portal, probably because of the gun shot, is not steady,

2070
01:42:34,800 --> 01:42:37,600
Speaker 2: so like the portal is literally like every two seconds

2071
01:42:37,720 --> 01:42:40,640
Speaker 2: flashing a different location just right, and everybody.

2072
01:42:40,320 --> 01:42:42,280
Speaker 3: Looking like the hell is happening here? Right?

2073
01:42:42,360 --> 01:42:43,840
Speaker 2: I do love that in the middle of the fight,

2074
01:42:43,880 --> 01:42:46,080
Speaker 2: everyone took a second to be like the fuck.

2075
01:42:46,080 --> 01:42:49,479
Speaker 3: Yes done? What has happened in the room is the

2076
01:42:49,880 --> 01:42:52,519
Speaker 3: wall paper keeps changing every two seconds. I don't understand.

2077
01:42:53,000 --> 01:42:56,920
Speaker 2: So then uh Tick knocks one of the cops out

2078
01:42:56,960 --> 01:43:01,439
Speaker 2: and throws his ass in the portal, and hip Alia like.

2079
01:43:01,400 --> 01:43:02,760
Speaker 3: I don't know where you're going, but you gotta get

2080
01:43:02,760 --> 01:43:03,320
Speaker 3: the hell ou out.

2081
01:43:03,240 --> 01:43:06,439
Speaker 2: Of here, and Hippolyta shoots the other cop, killing him

2082
01:43:07,360 --> 01:43:11,479
Speaker 2: and he falls down, and then uh Tick takes the

2083
01:43:11,600 --> 01:43:15,800
Speaker 2: gun from her, and you know, I just because she's like,

2084
01:43:15,880 --> 01:43:18,560
Speaker 2: you know, Hipolota kind of body. I'm like, these ancestors,

2085
01:43:19,080 --> 01:43:20,080
Speaker 2: this is what I'm talking about.

2086
01:43:20,240 --> 01:43:23,760
Speaker 1: Okay, oh she caught a body. They just killing cops now,

2087
01:43:23,800 --> 01:43:24,799
Speaker 1: were throwing them in portals.

2088
01:43:24,800 --> 01:43:25,160
Speaker 3: We're doing it.

2089
01:43:25,280 --> 01:43:26,559
Speaker 1: We do it big over here.

2090
01:43:26,800 --> 01:43:30,000
Speaker 3: And I was thinking, okay, now he's gonna have to

2091
01:43:30,040 --> 01:43:33,080
Speaker 3: have a fucking conversation with her, like he he gonna

2092
01:43:33,080 --> 01:43:35,120
Speaker 3: have to fully bring her in because not.

2093
01:43:35,000 --> 01:43:35,800
Speaker 1: So fast here.

2094
01:43:36,000 --> 01:43:38,040
Speaker 3: But that's what I was thinking at the time, because

2095
01:43:38,080 --> 01:43:41,400
Speaker 3: before they can have a conversation, what happens. All of

2096
01:43:41,439 --> 01:43:45,639
Speaker 3: a sudden, you look and she starts lifting off her feet,

2097
01:43:45,840 --> 01:43:48,000
Speaker 3: and you know what, I'm gonna go back a little

2098
01:43:48,000 --> 01:43:51,040
Speaker 3: before I say this, but she was in there, fuck

2099
01:43:51,120 --> 01:43:54,200
Speaker 3: with that machine. But like I said, because I watched

2100
01:43:54,240 --> 01:43:56,200
Speaker 3: some much shit. At that period of time, I was like,

2101
01:43:56,800 --> 01:43:59,519
Speaker 3: she gonna fuck around and she gonna open up something like.

2102
01:43:59,560 --> 01:44:01,880
Speaker 3: At that period, Town was like, it's more to this.

2103
01:44:02,000 --> 01:44:04,040
Speaker 3: I didn't know what was gonna happen, and I thought

2104
01:44:04,120 --> 01:44:08,560
Speaker 3: that maybe that porter would have happened with her and

2105
01:44:08,600 --> 01:44:12,639
Speaker 3: about herself or some shit like that. But yeah, they

2106
01:44:12,760 --> 01:44:16,040
Speaker 3: was looking at each other, almost relieved, and all of

2107
01:44:16,120 --> 01:44:18,760
Speaker 3: a sudden, the wallpaper was like, you know what, come on,

2108
01:44:18,880 --> 01:44:21,200
Speaker 3: ain't here with me, and she floated off her feet

2109
01:44:21,200 --> 01:44:24,120
Speaker 3: and was like, I was like, oh, it sucked her in.

2110
01:44:24,400 --> 01:44:27,000
Speaker 2: And then briefly right after that, we see tick lunge

2111
01:44:27,160 --> 01:44:29,519
Speaker 2: after her to try to grab her, but because this

2112
01:44:29,560 --> 01:44:33,040
Speaker 2: thing is changing locations so fast, it's no way he

2113
01:44:33,080 --> 01:44:33,840
Speaker 2: could know where she.

2114
01:44:33,880 --> 01:44:37,320
Speaker 3: Went or no to follow her. And well, she arrives in.

2115
01:44:37,280 --> 01:44:43,479
Speaker 2: The infinity of space by herself, just this vast openness

2116
01:44:43,520 --> 01:44:45,920
Speaker 2: of space and her just in the middle of it,

2117
01:44:46,320 --> 01:44:53,880
Speaker 2: in the stars, and it was beautiful. And she ends

2118
01:44:54,000 --> 01:44:57,800
Speaker 2: up arriving on a foreign planet all alone, nothing but

2119
01:44:57,840 --> 01:45:00,320
Speaker 2: a weird shaped tower in the background.

2120
01:45:00,080 --> 01:45:03,640
Speaker 3: Gave some cordinates. I guess it's somewhere in space and apparently.

2121
01:45:03,280 --> 01:45:04,719
Speaker 1: Now see, this is what's interesting.

2122
01:45:06,280 --> 01:45:11,040
Speaker 2: The coordinates were these big ass long numbers, and I

2123
01:45:11,120 --> 01:45:13,920
Speaker 2: think it wasn't just a coordinance in space.

2124
01:45:14,200 --> 01:45:16,439
Speaker 3: It part of it was time, and part of it.

2125
01:45:16,280 --> 01:45:16,879
Speaker 1: Was a location.

2126
01:45:17,520 --> 01:45:21,920
Speaker 3: Okay, okay, okay, that makes sense. So because I don't

2127
01:45:22,080 --> 01:45:24,000
Speaker 3: think it was.

2128
01:45:24,360 --> 01:45:28,840
Speaker 2: As cut and dry as she just you know, time

2129
01:45:28,920 --> 01:45:32,280
Speaker 2: traveled or just location travel it was it was. It

2130
01:45:32,320 --> 01:45:35,280
Speaker 2: was bigger than that, and so we'll get the more

2131
01:45:35,280 --> 01:45:37,880
Speaker 2: of that. But uh, there's nothing but this weird shaped

2132
01:45:37,920 --> 01:45:41,960
Speaker 2: tower in the background and a barren desert of.

2133
01:45:41,880 --> 01:45:43,320
Speaker 3: Dirt and crystals.

2134
01:45:43,400 --> 01:45:46,439
Speaker 2: It looked like a foreign planet, like it didn't look

2135
01:45:46,479 --> 01:45:47,320
Speaker 2: like anything on Earth.

2136
01:45:47,840 --> 01:45:51,360
Speaker 1: And two giant, glowing humanoid.

2137
01:45:50,880 --> 01:45:55,519
Speaker 2: Type beings roll up on her in full like like armor.

2138
01:45:55,560 --> 01:45:58,240
Speaker 3: It looked like almost like like sentinels from.

2139
01:45:58,120 --> 01:45:58,680
Speaker 1: The X Men.

2140
01:45:58,920 --> 01:46:00,000
Speaker 3: Yes, that's what I was saying.

2141
01:46:01,240 --> 01:46:04,200
Speaker 2: Yeah, So they roll up on her, a flash of

2142
01:46:04,240 --> 01:46:09,400
Speaker 2: white goes out, and then she wakes up naked in

2143
01:46:09,479 --> 01:46:13,320
Speaker 2: a futuristic room, laying on the table, nipples harder than

2144
01:46:13,320 --> 01:46:17,200
Speaker 2: the match you used to figure out where the portals go.

2145
01:46:19,360 --> 01:46:22,679
Speaker 2: If you're on this show, you getting naked, Okay, all right,

2146
01:46:22,880 --> 01:46:25,960
Speaker 2: and I want to see see everybody naked, So let's.

2147
01:46:25,800 --> 01:46:26,760
Speaker 3: Go, you know what I mean?

2148
01:46:26,800 --> 01:46:29,559
Speaker 2: But if you on this show, I hope you didn't

2149
01:46:29,560 --> 01:46:34,800
Speaker 2: come with no proclivities about you know, getting with your body,

2150
01:46:34,800 --> 01:46:37,840
Speaker 2: because you're gonna You've shown it all okay, and I

2151
01:46:37,880 --> 01:46:40,840
Speaker 2: want to see it. But nah, it's an all white

2152
01:46:40,920 --> 01:46:42,520
Speaker 2: room with funky architecture.

2153
01:46:42,960 --> 01:46:43,879
Speaker 3: It's like space.

2154
01:46:44,200 --> 01:46:47,760
Speaker 2: Shit is glowing in the like you like, it's just

2155
01:46:47,840 --> 01:46:50,160
Speaker 2: the future, like the whole I'm gonna said, the future.

2156
01:46:51,800 --> 01:46:53,719
Speaker 2: That's why I say this is more about a vibe

2157
01:46:53,760 --> 01:46:57,679
Speaker 2: because it was like there's books and stuff around it.

2158
01:46:58,240 --> 01:47:00,719
Speaker 3: But afro futurism is big wave.

2159
01:47:01,439 --> 01:47:04,160
Speaker 2: It's existed before, but you know, it's starting to get

2160
01:47:04,200 --> 01:47:06,320
Speaker 2: more and more game, more popularity and stuff.

2161
01:47:06,840 --> 01:47:08,880
Speaker 1: And like I.

2162
01:47:08,840 --> 01:47:12,360
Speaker 2: Think when people think of Sciphire or whatever, like they

2163
01:47:12,400 --> 01:47:17,400
Speaker 2: think like and everything has to be like functional, and

2164
01:47:17,439 --> 01:47:21,040
Speaker 2: I'm like, nah, like a lot of stuff is just cool.

2165
01:47:21,680 --> 01:47:22,679
Speaker 1: You know when you look at.

2166
01:47:22,560 --> 01:47:27,320
Speaker 2: These like afrofuturistic like some of the some like they

2167
01:47:27,320 --> 01:47:31,040
Speaker 2: have festivals around the idea of afrofuturism, and you look

2168
01:47:31,040 --> 01:47:34,760
Speaker 2: at the people's funky hairstyles and their fashions and all

2169
01:47:34,800 --> 01:47:35,280
Speaker 2: this stuff.

2170
01:47:35,360 --> 01:47:38,320
Speaker 3: Just wherever your mind can take you, you can do it right.

2171
01:47:38,400 --> 01:47:41,080
Speaker 2: And so you know, uh, it was some of this

2172
01:47:41,120 --> 01:47:43,639
Speaker 2: stuff I think was just stylistic, but it was cool

2173
01:47:43,680 --> 01:47:44,040
Speaker 2: as shit.

2174
01:47:44,160 --> 01:47:45,000
Speaker 3: It just looked cool.

2175
01:47:45,960 --> 01:47:49,519
Speaker 2: So, yeah, she wakes up, you know, naked or whatever,

2176
01:47:50,240 --> 01:47:55,720
Speaker 2: and she uh looks around and she's trying to figure

2177
01:47:55,720 --> 01:47:57,280
Speaker 2: out what she's as she looks on her wrist.

2178
01:47:57,320 --> 01:47:59,240
Speaker 3: Her wrist have these purple glowing.

2179
01:47:58,960 --> 01:48:03,400
Speaker 1: Things right by the like someone did surgery on her wrist,

2180
01:48:04,200 --> 01:48:06,719
Speaker 1: like like they're inserted into her fucking skin.

2181
01:48:06,920 --> 01:48:09,599
Speaker 3: Yes, I almost like it was pumping through her veins. Yes,

2182
01:48:09,720 --> 01:48:10,640
Speaker 3: that's what it looked like.

2183
01:48:11,320 --> 01:48:14,200
Speaker 2: And she fly finds a flight suit puts it on,

2184
01:48:14,880 --> 01:48:17,200
Speaker 2: and I'm like, oh man, but she.

2185
01:48:17,080 --> 01:48:21,360
Speaker 3: Puts on some clothes as one does. Yes. And the

2186
01:48:21,400 --> 01:48:24,799
Speaker 3: thing about it is that I was like, her body

2187
01:48:24,920 --> 01:48:26,760
Speaker 3: is a regular ass woman. And I'm not trying to

2188
01:48:26,760 --> 01:48:29,280
Speaker 3: be funny when I said it's like she wasn't quote

2189
01:48:29,360 --> 01:48:31,719
Speaker 3: unquote the standard of fine. You know what I'm saying,

2190
01:48:31,760 --> 01:48:34,240
Speaker 3: like things like, oh yeah, this is how a normal

2191
01:48:34,280 --> 01:48:37,240
Speaker 3: woman would actually look. Well, you know, speak for yourself.

2192
01:48:38,840 --> 01:48:40,799
Speaker 3: I mean, I mean, I'm I'm talking about like Hollywood

2193
01:48:40,840 --> 01:48:42,960
Speaker 3: find I'm just joking.

2194
01:48:43,000 --> 01:48:45,439
Speaker 1: Care We all know what it was. Here's the thing, Careen,

2195
01:48:45,520 --> 01:48:46,240
Speaker 1: this is what it is.

2196
01:48:46,320 --> 01:48:50,040
Speaker 2: One She's an actress, So she's still you know, like

2197
01:48:50,160 --> 01:48:52,879
Speaker 2: on the earth, you know, top percentage or whatever. Right, yes,

2198
01:48:52,920 --> 01:48:55,320
Speaker 2: but what it is is that you don't get to

2199
01:48:55,360 --> 01:48:59,200
Speaker 2: see a fifty one year old woman naked. You just

2200
01:48:59,400 --> 01:49:02,439
Speaker 2: we don't put the on TV. We decide women are

2201
01:49:02,479 --> 01:49:07,240
Speaker 2: no longer fuckable, their bodies are no longer whatever. In

2202
01:49:07,280 --> 01:49:09,600
Speaker 2: Hollywood at to say twenty seven or whatever, it's like

2203
01:49:09,880 --> 01:49:11,920
Speaker 2: it's like, well, why would anyone want to have sex

2204
01:49:11,960 --> 01:49:12,280
Speaker 2: with that?

2205
01:49:12,320 --> 01:49:14,800
Speaker 3: You know? So I think like women that age just

2206
01:49:14,880 --> 01:49:16,799
Speaker 3: die off and you're not attractive anymore.

2207
01:49:16,920 --> 01:49:19,559
Speaker 2: And we're not watching a woman that appears to have

2208
01:49:19,600 --> 01:49:22,439
Speaker 2: a whole lot of a lot of body, like oh,

2209
01:49:22,439 --> 01:49:25,160
Speaker 2: she needs to have twelve surgeries just so you know,

2210
01:49:25,280 --> 01:49:27,599
Speaker 2: she could look like, you know, put together or whatever.

2211
01:49:27,640 --> 01:49:31,160
Speaker 2: Like she just looked like a woman who she's like

2212
01:49:31,200 --> 01:49:34,599
Speaker 2: a fifty one year old, fine ass black woman. And

2213
01:49:35,479 --> 01:49:40,600
Speaker 2: for it's weird, but in these moments, that's revolutionary considering

2214
01:49:41,160 --> 01:49:45,240
Speaker 2: how much we put that down and how much that is,

2215
01:49:45,400 --> 01:49:47,679
Speaker 2: Like just being a regular fifty one year old woman

2216
01:49:47,760 --> 01:49:51,160
Speaker 2: of any type is already seen as like yeah, but

2217
01:49:51,280 --> 01:49:54,680
Speaker 2: we just never seen that before, that's all it was. So,

2218
01:49:56,120 --> 01:49:59,200
Speaker 2: And like I said, you know, I didn't. I didn't

2219
01:49:59,240 --> 01:50:01,800
Speaker 2: see that coming. And it wasn't really supposed to be like,

2220
01:50:01,840 --> 01:50:04,680
Speaker 2: it wasn't anything sexual about it, like to be like.

2221
01:50:04,640 --> 01:50:07,120
Speaker 1: I make these jokes on the show, but obviously you know,

2222
01:50:08,400 --> 01:50:10,880
Speaker 1: it wasn't anything like. This wasn't like a sex scene.

2223
01:50:10,920 --> 01:50:12,680
Speaker 2: This is just like, this is a fifty one year

2224
01:50:12,680 --> 01:50:14,680
Speaker 2: old naked woman, Okay.

2225
01:50:16,240 --> 01:50:17,400
Speaker 1: And so yeah it was.

2226
01:50:17,560 --> 01:50:20,479
Speaker 2: It was she Now there's some stuff that happens later

2227
01:50:20,479 --> 01:50:22,360
Speaker 2: when she gets sexy, but I'm just saying so.

2228
01:50:22,360 --> 01:50:23,000
Speaker 1: So then.

2229
01:50:25,320 --> 01:50:31,720
Speaker 2: She she comes to she's looking around this thing, she's

2230
01:50:31,720 --> 01:50:35,639
Speaker 2: trying to figure out what's going on, and she hits

2231
01:50:35,720 --> 01:50:39,599
Speaker 2: an invisible force field when she's walking around the room.

2232
01:50:39,640 --> 01:50:42,080
Speaker 2: Which this is why I was like, the last time

2233
01:50:42,080 --> 01:50:46,599
Speaker 2: we ran into invisible force field, it was magical. This

2234
01:50:46,720 --> 01:50:50,680
Speaker 2: time it's science. Yes, it's space science, which might as

2235
01:50:50,680 --> 01:50:53,080
Speaker 2: well be fucking magic to our brains. Come on home,

2236
01:50:53,120 --> 01:50:55,240
Speaker 2: we don't know how this shit works. And that's when

2237
01:50:55,280 --> 01:50:59,200
Speaker 2: the eight foot tall woman wearing yes, wearing the same

2238
01:50:59,240 --> 01:51:03,400
Speaker 2: spacesuit from earlier, but this time her head is out

2239
01:51:03,439 --> 01:51:05,639
Speaker 2: of the suit and she got a big ass fro

2240
01:51:05,800 --> 01:51:08,360
Speaker 2: and she will like garn It from Steven Universe.

2241
01:51:08,520 --> 01:51:10,120
Speaker 3: Come on, like her fro.

2242
01:51:11,000 --> 01:51:12,320
Speaker 1: She had a soul trade fro.

2243
01:51:12,320 --> 01:51:16,160
Speaker 3: Come he stole gyms. That's why I thought I was

2244
01:51:16,200 --> 01:51:18,800
Speaker 3: going here girl.

2245
01:51:20,080 --> 01:51:28,280
Speaker 2: I was like, I was honestly, I was like, is

2246
01:51:28,360 --> 01:51:31,519
Speaker 2: this a planet of solange aliens? Okay? The solange? Do

2247
01:51:31,600 --> 01:51:36,559
Speaker 2: the fashions for these aliens? Because they felt very solangeous okay?

2248
01:51:36,640 --> 01:51:39,360
Speaker 3: And I was here for it. Like the hair, I

2249
01:51:39,439 --> 01:51:43,360
Speaker 3: was like, Oh, we're going all in, let's go right.

2250
01:51:43,840 --> 01:51:46,920
Speaker 2: So I was like, what kind of alien is this?

2251
01:51:48,720 --> 01:51:52,800
Speaker 2: And what is going on in the future, because you

2252
01:51:52,800 --> 01:51:56,920
Speaker 2: know Hippolytis from nineteen fifty and this woman had the

2253
01:51:57,040 --> 01:51:58,519
Speaker 2: natural that went all.

2254
01:51:58,320 --> 01:52:01,519
Speaker 1: The way around her head, a helmet like a like an.

2255
01:52:01,479 --> 01:52:05,639
Speaker 2: Afro helmet, and she's like.

2256
01:52:07,560 --> 01:52:07,800
Speaker 3: Uh.

2257
01:52:07,880 --> 01:52:11,360
Speaker 2: And then I had to look up in the cast

2258
01:52:11,479 --> 01:52:14,080
Speaker 2: list character list when I was looking up Infro for

2259
01:52:14,120 --> 01:52:16,400
Speaker 2: the show, because I don't think they ever say her name,

2260
01:52:17,479 --> 01:52:23,599
Speaker 2: but the character's name is Sarafina or beyond say and

2261
01:52:24,120 --> 01:52:26,920
Speaker 2: say is see common e s t like the French

2262
01:52:26,960 --> 01:52:33,000
Speaker 2: word like celve, so it's beyonce, but selve means uh

2263
01:52:33,160 --> 01:52:36,760
Speaker 2: it is what it is, and said means it is

2264
01:52:36,880 --> 01:52:42,080
Speaker 2: so beyond what is? I guess maybe beyond beyond I

2265
01:52:42,360 --> 01:52:48,080
Speaker 2: something like that. And so she's like, Hippolytis.

2266
01:52:47,479 --> 01:52:51,080
Speaker 1: Like I got questions? Okay, where am I?

2267
01:52:51,160 --> 01:52:53,360
Speaker 3: What are these things? Are my arm not questions?

2268
01:52:53,360 --> 01:52:54,760
Speaker 1: Which makes who are you?

2269
01:52:54,840 --> 01:52:55,559
Speaker 3: What are you? And the.

2270
01:52:57,160 --> 01:53:01,320
Speaker 2: Seraphina just goes, I am and she's you can't keep

2271
01:53:01,320 --> 01:53:03,400
Speaker 2: me here, and it's like you're not in the prison, Yeah,

2272
01:53:03,439 --> 01:53:04,360
Speaker 2: you ain't in prison.

2273
01:53:04,439 --> 01:53:07,640
Speaker 3: But then she closes the door and leaves. She'd have like,

2274
01:53:07,680 --> 01:53:08,400
Speaker 3: you ain't locked up.

2275
01:53:08,439 --> 01:53:10,639
Speaker 2: I hope you know this, but but she can't open

2276
01:53:10,680 --> 01:53:15,160
Speaker 2: the door, so she starts banging on the doors, you know, like,

2277
01:53:15,200 --> 01:53:16,720
Speaker 2: I still got more questions.

2278
01:53:17,640 --> 01:53:19,000
Speaker 1: You know what you're doing with your hair?

2279
01:53:19,800 --> 01:53:19,840
Speaker 3: Do?

2280
01:53:19,920 --> 01:53:23,800
Speaker 2: Y'all got keep it? Y'all got Hawaiian Shulky technology. Come on,

2281
01:53:24,080 --> 01:53:26,599
Speaker 2: you gotta is that a shade butter teleportation ring?

2282
01:53:26,680 --> 01:53:27,599
Speaker 1: That's what is this?

2283
01:53:27,680 --> 01:53:30,200
Speaker 3: Will my hair just be like yours? I'll never have

2284
01:53:30,240 --> 01:53:31,160
Speaker 3: to mostionalize it again.

2285
01:53:32,600 --> 01:53:34,160
Speaker 1: Come on, you can't just do me like this.

2286
01:53:35,880 --> 01:53:40,920
Speaker 2: And so then uh uh, Seraphena leaves the door closed

2287
01:53:40,920 --> 01:53:41,280
Speaker 2: behind her.

2288
01:53:41,360 --> 01:53:42,479
Speaker 1: Hippolyta can't open it.

2289
01:53:42,520 --> 01:53:44,679
Speaker 2: She bangs on the door till her hands and wrist

2290
01:53:44,720 --> 01:53:48,680
Speaker 2: start bleeding, and then she lays on the ground for

2291
01:53:48,760 --> 01:53:50,960
Speaker 2: a time, and there's like the purple stuff coming out

2292
01:53:51,000 --> 01:53:53,799
Speaker 2: of her wrist for a second, and then she starts

2293
01:53:53,800 --> 01:53:57,080
Speaker 2: asking all these questions and and it's all just like,

2294
01:53:57,200 --> 01:53:59,960
Speaker 2: you know, beautiful mind just you know, is this a ship?

2295
01:54:00,600 --> 01:54:03,360
Speaker 3: I went want another planet? The gravity feels a little lighter,

2296
01:54:03,360 --> 01:54:06,559
Speaker 3: but not Mars light and I and it's one of

2297
01:54:06,560 --> 01:54:09,960
Speaker 3: those things where you kind of see this all the time,

2298
01:54:10,000 --> 01:54:14,040
Speaker 3: but it's it. It was beautiful to see a black

2299
01:54:14,040 --> 01:54:17,439
Speaker 3: woman sit in the room, confused and ask all these

2300
01:54:17,479 --> 01:54:21,360
Speaker 3: scientific questions that you see white people get abducted, chupped

2301
01:54:21,360 --> 01:54:23,240
Speaker 3: in the room and they do this too. They sitting

2302
01:54:23,240 --> 01:54:25,320
Speaker 3: there and they're walking around, they're trying to figure it out.

2303
01:54:25,360 --> 01:54:30,240
Speaker 3: And like, I've never seen anything where we're actually locked

2304
01:54:30,240 --> 01:54:32,520
Speaker 3: in the room, particularly even even a black woman locked

2305
01:54:32,520 --> 01:54:35,879
Speaker 3: in the room and particularly asking like these same questions,

2306
01:54:35,920 --> 01:54:38,200
Speaker 3: trying to figure it out, having her mind tick being

2307
01:54:38,360 --> 01:54:40,120
Speaker 3: challenged to me.

2308
01:54:40,200 --> 01:54:43,120
Speaker 2: I mean, I've seen that before every time I watch

2309
01:54:43,200 --> 01:54:46,200
Speaker 2: Love and Hipop and Stevie Jill cheat on me me.

2310
01:54:46,680 --> 01:54:48,920
Speaker 2: She's been in the room, confused, asking a whole lot

2311
01:54:48,920 --> 01:54:51,920
Speaker 2: of questions. But she's trying to get scientific, you know,

2312
01:54:52,200 --> 01:54:54,120
Speaker 2: so we've seen this a lot.

2313
01:54:54,240 --> 01:54:56,960
Speaker 3: No, she knows she's she's not this is not the same.

2314
01:54:57,040 --> 01:55:00,920
Speaker 3: She's not on another planet. Universe, Solar System agree, she'd

2315
01:55:00,960 --> 01:55:02,040
Speaker 3: be on another universe.

2316
01:55:03,080 --> 01:55:04,680
Speaker 2: You never watched Love of Hip Hop, so you don't

2317
01:55:04,720 --> 01:55:09,000
Speaker 2: know I have. Okay, well I'm just saying, but nah,

2318
01:55:09,000 --> 01:55:11,440
Speaker 2: it was cool to see like a black woman, a

2319
01:55:11,480 --> 01:55:13,840
Speaker 2: brilliant black woman, putting it together.

2320
01:55:15,000 --> 01:55:16,960
Speaker 1: And so yeah, she is like putting it together.

2321
01:55:17,000 --> 01:55:21,120
Speaker 2: And she's like, you know, the gravity feels different amount

2322
01:55:21,160 --> 01:55:22,880
Speaker 2: a ship and on another planet.

2323
01:55:25,120 --> 01:55:27,080
Speaker 1: She was like, well when my dad say, we know that.

2324
01:55:27,120 --> 01:55:29,800
Speaker 2: She talks to her father still and he's the one

2325
01:55:29,800 --> 01:55:31,680
Speaker 2: that put her on the.

2326
01:55:31,680 --> 01:55:35,440
Speaker 3: Path to always encouraging her no matter what she no

2327
01:55:35,480 --> 01:55:38,440
Speaker 3: matter what she does. He's always in the background, like

2328
01:55:38,480 --> 01:55:39,160
Speaker 3: you got a girl.

2329
01:55:39,720 --> 01:55:43,840
Speaker 2: Yeah, she said, Gustap me warned of gravity ships in

2330
01:55:43,880 --> 01:55:44,480
Speaker 2: the future.

2331
01:55:45,320 --> 01:55:46,360
Speaker 1: I had to go look up him.

2332
01:55:46,400 --> 01:55:49,680
Speaker 3: He's like a German fucking theoretical physicist.

2333
01:55:50,160 --> 01:55:52,400
Speaker 2: I couldn't even understand the ship on his wiki page,

2334
01:55:52,440 --> 01:55:53,440
Speaker 2: that's how smart he was.

2335
01:55:54,280 --> 01:55:55,680
Speaker 3: They named like a cradle on the Moon.

2336
01:55:55,720 --> 01:55:58,960
Speaker 2: After this, niggah, she figures out the ship has plates

2337
01:55:58,960 --> 01:56:02,600
Speaker 2: that work on some or are like sixty four numbers

2338
01:56:02,640 --> 01:56:05,320
Speaker 2: setting type thing, Like it's just all shit. I'm too

2339
01:56:05,320 --> 01:56:08,000
Speaker 2: smart to know and I mean, I'm not smart enough

2340
01:56:08,000 --> 01:56:11,280
Speaker 2: to know. And so meanwhile the numbers at the bottom

2341
01:56:11,320 --> 01:56:14,320
Speaker 2: of the screen are passing, and that's when it's like, oh,

2342
01:56:14,400 --> 01:56:18,040
Speaker 2: this isn't just location, it's time. So it's like she's

2343
01:56:18,080 --> 01:56:19,840
Speaker 2: been stuck in here for a certain amount of time.

2344
01:56:20,240 --> 01:56:23,720
Speaker 2: She starts figuring shit out, and she eventually figures out

2345
01:56:23,880 --> 01:56:26,920
Speaker 2: she can remove the panels on some things, and she

2346
01:56:27,000 --> 01:56:29,880
Speaker 2: removes a panel by the door, up plug some wires,

2347
01:56:30,360 --> 01:56:33,600
Speaker 2: opening the door. But then fucking gard It comes back,

2348
01:56:35,080 --> 01:56:39,760
Speaker 2: shoots up with an invisible force gauntlet, sending Hippolyta spiraling.

2349
01:56:39,320 --> 01:56:41,280
Speaker 1: To the floor all the way across the room.

2350
01:56:41,600 --> 01:56:44,240
Speaker 3: And then I'm glad she was in a chrystal gym.

2351
01:56:44,280 --> 01:56:47,600
Speaker 2: She might a split right crack her gym and then

2352
01:56:47,680 --> 01:56:50,880
Speaker 2: she grabs she grabs a weapon. Hippolidia grabs a weapon

2353
01:56:50,880 --> 01:56:56,480
Speaker 2: and like charger, and then Serafina uses her gauntlet to

2354
01:56:56,520 --> 01:56:58,960
Speaker 2: then hold her in place with an invisible force field,

2355
01:56:59,440 --> 01:57:02,840
Speaker 2: and she's like, hippo lot just like let me go,

2356
01:57:03,360 --> 01:57:05,400
Speaker 2: And the one was like, you are not in the prison,

2357
01:57:06,040 --> 01:57:08,800
Speaker 2: where do you want to be? Name yourself a hippo

2358
01:57:08,800 --> 01:57:10,960
Speaker 2: Lotta at this point has been in there so long

2359
01:57:11,320 --> 01:57:14,680
Speaker 2: by herself. She goes, she's just been driven crazy and

2360
01:57:14,760 --> 01:57:18,720
Speaker 2: she just starts laughing like name, Like what the fuck

2361
01:57:18,800 --> 01:57:19,760
Speaker 2: are you talking about?

2362
01:57:20,120 --> 01:57:20,840
Speaker 1: And she was like.

2363
01:57:22,440 --> 01:57:24,200
Speaker 3: Name yourself, name yourself.

2364
01:57:24,200 --> 01:57:24,680
Speaker 1: Who are you?

2365
01:57:24,800 --> 01:57:26,520
Speaker 3: Name yourself? Name yourself, over.

2366
01:57:26,360 --> 01:57:28,560
Speaker 2: And over and then Hippo Lota gets so frustrated she

2367
01:57:28,600 --> 01:57:30,800
Speaker 2: just goes, I want to be dancing on stage apparents

2368
01:57:30,840 --> 01:57:35,240
Speaker 2: with Josephine Baker, and then suddenly she's traveling through space

2369
01:57:36,080 --> 01:57:38,920
Speaker 2: and she pops up in a course line as a

2370
01:57:38,960 --> 01:57:42,480
Speaker 2: backup dancer for Josephine Baker. She was not ready and

2371
01:57:42,600 --> 01:57:45,440
Speaker 2: she is all out of sync and dancing badly.

2372
01:57:45,360 --> 01:57:48,160
Speaker 3: Making everybody around her mad. They're like, pitch, getl stemp.

2373
01:57:48,000 --> 01:57:51,840
Speaker 2: Right now, here's what's interesting that used to be a

2374
01:57:51,880 --> 01:57:54,440
Speaker 2: common thing in course line.

2375
01:57:55,160 --> 01:57:56,760
Speaker 1: It's actually like part of a show.

2376
01:57:57,400 --> 01:57:59,560
Speaker 2: Like what you do is you have one girl who

2377
01:57:59,600 --> 01:58:03,560
Speaker 2: looks out of sync, like she can't dance. She's terrible,

2378
01:58:03,920 --> 01:58:07,080
Speaker 2: she's uncoordinated. And then later when they bring the chorus

2379
01:58:07,080 --> 01:58:10,320
Speaker 2: line out for encore or another number, she's not just

2380
01:58:10,520 --> 01:58:13,560
Speaker 2: dancing in sync with everybody because you know, the artist

2381
01:58:13,600 --> 01:58:15,040
Speaker 2: has noticed that this nigga can't dance.

2382
01:58:15,800 --> 01:58:17,360
Speaker 3: She then becomes the.

2383
01:58:17,240 --> 01:58:21,240
Speaker 2: Best dancer and that's actually how Josephine Baker got her start,

2384
01:58:21,680 --> 01:58:24,880
Speaker 2: wow right in real life. So it was kind of

2385
01:58:24,920 --> 01:58:27,200
Speaker 2: like a wink wink, nudge nudge to the audience, like, oh,

2386
01:58:27,240 --> 01:58:30,480
Speaker 2: look at this trope play out, and Hippolyta is the one.

2387
01:58:30,560 --> 01:58:33,200
Speaker 2: But instead of it being fake, it really became like

2388
01:58:33,320 --> 01:58:35,800
Speaker 2: kind of her story, like she didn't become Josephine Baker,

2389
01:58:35,840 --> 01:58:36,920
Speaker 2: but she really.

2390
01:58:37,040 --> 01:58:38,120
Speaker 3: It really was like.

2391
01:58:38,080 --> 01:58:40,440
Speaker 2: And then she got better, you know, but yeah, she's

2392
01:58:40,480 --> 01:58:42,400
Speaker 2: really out of sync. But and then half of us

2393
01:58:42,400 --> 01:58:44,600
Speaker 2: because she's all struck because she's.

2394
01:58:44,440 --> 01:58:46,680
Speaker 1: Like, what is happening? I can't believe this is happening.

2395
01:58:47,240 --> 01:58:51,200
Speaker 2: And when they like ladies and gentlemen, Josephine Baker and

2396
01:58:51,240 --> 01:58:56,000
Speaker 2: when she comes out like Hippolyta is more of a

2397
01:58:56,040 --> 01:58:57,400
Speaker 2: fan than a dancer.

2398
01:58:57,440 --> 01:59:00,600
Speaker 3: Yes, and it was hilarious. Everybody else is like holding

2399
01:59:00,600 --> 01:59:04,080
Speaker 3: their polls and like let's go, and Hippoline like me

2400
01:59:04,200 --> 01:59:07,800
Speaker 3: looking at me and say, oh my gosh, se y'all say.

2401
01:59:07,880 --> 01:59:11,520
Speaker 2: She looked like me trying to do them TikTok dances

2402
01:59:11,560 --> 01:59:14,600
Speaker 2: like come on uh, And then Josephine was out there

2403
01:59:14,600 --> 01:59:16,880
Speaker 2: talking and shit, she was basically Josephine.

2404
01:59:16,400 --> 01:59:19,520
Speaker 3: The Stallion like, come on, she was out there, Josephine B.

2405
01:59:19,720 --> 01:59:21,480
Speaker 1: Joseph B. She was out there.

2406
01:59:22,520 --> 01:59:25,160
Speaker 2: Just that was the only thing the audience that they

2407
01:59:25,160 --> 01:59:27,200
Speaker 2: could have changed about this episode because they went with

2408
01:59:28,000 --> 01:59:31,320
Speaker 2: stylistic choices for the for some of the music. But

2409
01:59:31,400 --> 01:59:33,120
Speaker 2: I feel like they missed a chance to play like

2410
01:59:33,200 --> 01:59:36,160
Speaker 2: wop right here, okay, like this could have been you

2411
01:59:36,200 --> 01:59:37,920
Speaker 2: know what I mean, Like this could have been another

2412
01:59:38,480 --> 01:59:42,680
Speaker 2: hip hop moment like Josephine Baker but knew what current

2413
01:59:42,760 --> 01:59:43,760
Speaker 2: music underneath it.

2414
01:59:44,000 --> 01:59:47,320
Speaker 3: Yeah, And it's also one of those things where for Hippolyta,

2415
01:59:47,720 --> 01:59:50,040
Speaker 3: you know, she didn't expect to be on stage, so

2416
01:59:50,080 --> 01:59:53,600
Speaker 3: the whole transition was like what's what's happening? Like what's

2417
01:59:53,640 --> 01:59:55,080
Speaker 3: going on and shit like that.

2418
01:59:55,600 --> 02:00:00,000
Speaker 2: So then she dances terribly and then she sucks up

2419
02:00:00,080 --> 02:00:03,760
Speaker 2: the last part of the number because everybody takes off

2420
02:00:03,760 --> 02:00:06,720
Speaker 2: their tops to show their titties, and which is also

2421
02:00:06,760 --> 02:00:08,960
Speaker 2: funny to me because I'm just like man before porn.

2422
02:00:09,800 --> 02:00:12,680
Speaker 2: This this was their porn, This was their stripping. Those

2423
02:00:12,720 --> 02:00:14,560
Speaker 2: men had to hold those memories in their mind, go

2424
02:00:14,600 --> 02:00:15,400
Speaker 2: home and jack off.

2425
02:00:16,240 --> 02:00:18,120
Speaker 3: But then she.

2426
02:00:18,200 --> 02:00:20,280
Speaker 2: Doesn't take her top off, everybody else does, and then

2427
02:00:20,280 --> 02:00:22,200
Speaker 2: when they get backstage, the French dances are.

2428
02:00:22,040 --> 02:00:26,080
Speaker 1: Like stupid up. Maybe Cunshy was hot, yeah, just enough.

2429
02:00:26,120 --> 02:00:28,160
Speaker 2: American girls come in all this shit and they just

2430
02:00:28,160 --> 02:00:31,840
Speaker 2: freaking the fuck out on her. And then Josephine Baker

2431
02:00:31,880 --> 02:00:34,280
Speaker 2: comes up to her and it's like nice to her.

2432
02:00:34,400 --> 02:00:36,880
Speaker 3: She's like, this isn't America. You got it, loosen up.

2433
02:00:37,200 --> 02:00:38,920
Speaker 2: And then she shows let me show you the dance

2434
02:00:39,000 --> 02:00:41,400
Speaker 2: number one more time, but you can't be out there bullshit.

2435
02:00:41,000 --> 02:00:43,240
Speaker 3: And tomorrow and then she's like okay, you know.

2436
02:00:43,440 --> 02:00:45,800
Speaker 2: She shows her and then she goes into her her

2437
02:00:47,200 --> 02:00:51,280
Speaker 2: quarters for dressing room and closes the door, and Hippotta

2438
02:00:51,360 --> 02:00:52,840
Speaker 2: was so in the trance it's like she thought she.

2439
02:00:52,800 --> 02:00:54,640
Speaker 3: Was going in there too, No ma'am.

2440
02:00:55,760 --> 02:00:59,360
Speaker 2: But we cut back to montage and we see Hippolytta

2441
02:00:59,400 --> 02:01:04,520
Speaker 2: got the fuck in. Uh, Cleopatra, Patti label Wig, come on, she.

2442
02:01:04,800 --> 02:01:07,040
Speaker 3: All you need? What is that? The Moulin Rouge. That's

2443
02:01:07,040 --> 02:01:07,440
Speaker 3: all you need.

2444
02:01:08,200 --> 02:01:10,800
Speaker 2: That's what they played. They played the Moulin Rouge. And

2445
02:01:10,800 --> 02:01:13,520
Speaker 2: then there's a montage. There's a montage to the Mulin

2446
02:01:13,640 --> 02:01:16,480
Speaker 2: Rouge and they showing her dancing and now all the

2447
02:01:16,520 --> 02:01:17,560
Speaker 2: backup dances like.

2448
02:01:17,560 --> 02:01:20,080
Speaker 1: Yeah, girl, get it.

2449
02:01:20,520 --> 02:01:24,280
Speaker 2: And then we see her, Josephine Baker making out with

2450
02:01:24,320 --> 02:01:28,440
Speaker 2: a woman because of the thing that the thing is

2451
02:01:28,440 --> 02:01:31,720
Speaker 2: that Josephine Baker in addition to being this black woman

2452
02:01:32,400 --> 02:01:36,960
Speaker 2: who found more like many entertainers found way more freedom

2453
02:01:37,000 --> 02:01:37,920
Speaker 2: in France.

2454
02:01:38,000 --> 02:01:39,959
Speaker 3: Than America because of the racism.

2455
02:01:40,080 --> 02:01:44,560
Speaker 2: Correct, But in addition to that, she was bisexual at

2456
02:01:44,640 --> 02:01:48,400
Speaker 2: least that's the you know, that's what people say. And

2457
02:01:48,440 --> 02:01:50,960
Speaker 2: so there was more of an atmosphere where she could

2458
02:01:50,960 --> 02:01:55,160
Speaker 2: be freer there. And so we see her like making

2459
02:01:55,160 --> 02:01:56,760
Speaker 2: out with a woman a couple of times.

2460
02:01:58,040 --> 02:02:01,600
Speaker 1: And uh, I think Hipolta did a bumper cocaine at

2461
02:02:01,640 --> 02:02:02,040
Speaker 1: one point.

2462
02:02:02,160 --> 02:02:04,720
Speaker 3: She did. She was having a good time.

2463
02:02:06,000 --> 02:02:10,280
Speaker 2: Freda Carlos there, who's this artist that many people know

2464
02:02:10,480 --> 02:02:15,040
Speaker 2: is the artists with the real strong, unirial, uh feminist icon.

2465
02:02:16,440 --> 02:02:19,160
Speaker 2: And she gave a toast nights like that she was

2466
02:02:19,200 --> 02:02:22,600
Speaker 2: what she said now, she said what she said, Oh,

2467
02:02:22,720 --> 02:02:25,880
Speaker 2: here's to the girls like us who know when to

2468
02:02:25,960 --> 02:02:29,480
Speaker 2: create and when to destroy. Salute and then everybody was toasting.

2469
02:02:29,800 --> 02:02:33,080
Speaker 2: And it's a very like queer experience in the back,

2470
02:02:33,160 --> 02:02:36,720
Speaker 2: like the like the men looked like they were queer,

2471
02:02:36,880 --> 02:02:40,280
Speaker 2: like they were gay. The women look like you know,

2472
02:02:40,360 --> 02:02:43,040
Speaker 2: the women were hooking up with each other, all this stuff.

2473
02:02:43,520 --> 02:02:47,800
Speaker 2: It just seemed like a more freer sexually and obviously

2474
02:02:47,960 --> 02:02:51,680
Speaker 2: drugs and fun and shit too atmosphere than anything Hippolyta

2475
02:02:51,760 --> 02:02:53,560
Speaker 2: had experienced in America.

2476
02:02:53,840 --> 02:02:58,200
Speaker 3: Yes, and you could tell that she was freer, like

2477
02:02:58,200 --> 02:03:00,920
Speaker 3: like you could tell she was like, oh okay, like

2478
02:03:01,280 --> 02:03:03,360
Speaker 3: I don't have to be because initially she was very

2479
02:03:03,440 --> 02:03:06,840
Speaker 3: uptight and tense, like I don't belong here, what is

2480
02:03:06,880 --> 02:03:07,480
Speaker 3: happening here?

2481
02:03:08,040 --> 02:03:12,480
Speaker 2: Very prudish and so you don't have to worry about

2482
02:03:12,480 --> 02:03:14,320
Speaker 2: the judgment, and you didn't have to worry about some

2483
02:03:14,400 --> 02:03:19,360
Speaker 2: white people coming in ruining shit. So it was just cool, man.

2484
02:03:19,480 --> 02:03:22,160
Speaker 2: And so they were having such a good time back there.

2485
02:03:22,640 --> 02:03:28,840
Speaker 1: And Josephine comes over and as for a light for

2486
02:03:28,920 --> 02:03:32,160
Speaker 1: a cigarette, and Hippota hands her candle to light it,

2487
02:03:32,240 --> 02:03:35,440
Speaker 1: and then Hippoloti notices like something's.

2488
02:03:35,120 --> 02:03:37,720
Speaker 2: Off, like you look, you look like something's wrong tonight.

2489
02:03:38,360 --> 02:03:42,360
Speaker 2: And she was like Josephine Baker's like nights like this,

2490
02:03:42,520 --> 02:03:45,600
Speaker 2: I burn so bright. I feel like a star. And

2491
02:03:45,680 --> 02:03:48,560
Speaker 2: Hippolota is like, you are a star, and she's like, no, Sherry,

2492
02:03:48,680 --> 02:03:51,160
Speaker 2: not like a movie star. Anyone could be that me.

2493
02:03:51,320 --> 02:03:54,640
Speaker 2: I feel like the stars in the black of space, magnificent,

2494
02:03:54,840 --> 02:03:56,720
Speaker 2: ancient and already extinguished.

2495
02:03:56,880 --> 02:03:59,240
Speaker 1: I was like, god damn, and.

2496
02:03:59,200 --> 02:04:00,880
Speaker 2: She was like most of the girls never noticed when

2497
02:04:00,920 --> 02:04:03,520
Speaker 2: I get like this, you know just where to look.

2498
02:04:03,840 --> 02:04:07,320
Speaker 2: You found that same thing yourself having't you? And Hippolyta,

2499
02:04:07,480 --> 02:04:09,120
Speaker 2: and so what I think she's saying is like that

2500
02:04:10,480 --> 02:04:15,400
Speaker 2: the she's she's feeling melancholy right now, and it's that

2501
02:04:15,520 --> 02:04:20,000
Speaker 2: thing where she's feeling like, you know, tired, like my

2502
02:04:20,080 --> 02:04:22,960
Speaker 2: time's already expired, like I'm old and all this shit,

2503
02:04:23,600 --> 02:04:29,640
Speaker 2: and Hippolyta is like being here in France only shots

2504
02:04:29,680 --> 02:04:35,920
Speaker 2: of light on that old, dead feeling, and Josephine's like,

2505
02:04:35,960 --> 02:04:37,440
Speaker 2: they don't call it the City of Lights.

2506
02:04:37,200 --> 02:04:41,040
Speaker 3: For nothing, and.

2507
02:04:41,800 --> 02:04:46,400
Speaker 2: She's go, Hippolyta goes now that I'm tasting it freedom

2508
02:04:46,520 --> 02:04:47,680
Speaker 2: like I've never known before.

2509
02:04:48,280 --> 02:04:50,520
Speaker 1: I see what I was robbed up back there all

2510
02:04:50,600 --> 02:04:51,080
Speaker 1: those years.

2511
02:04:51,120 --> 02:04:53,040
Speaker 2: I thought I had everything I ever wanted, only to

2512
02:04:53,080 --> 02:04:55,960
Speaker 2: come here and discover all that I ever was was

2513
02:04:55,960 --> 02:04:59,080
Speaker 2: exactly the exact kind of Negro white folks wanted me

2514
02:04:59,120 --> 02:05:02,080
Speaker 2: to be. I feel like they just found a smart

2515
02:05:02,080 --> 02:05:04,800
Speaker 2: way to lynch me without me noticing the news.

2516
02:05:05,480 --> 02:05:09,800
Speaker 3: Yeah, and that was very deep, and I might be

2517
02:05:09,960 --> 02:05:12,000
Speaker 3: going deeper with this comment, but the way her and

2518
02:05:12,040 --> 02:05:13,960
Speaker 3: Josephine looked at each other, it wouldn't surprised me if

2519
02:05:13,960 --> 02:05:16,280
Speaker 3: they had slept together some period of time while she

2520
02:05:16,400 --> 02:05:16,760
Speaker 3: was there.

2521
02:05:17,240 --> 02:05:19,760
Speaker 2: Yeah, it did feel like a lot of the montage

2522
02:05:20,160 --> 02:05:22,360
Speaker 2: like they never fully went there. And I do think

2523
02:05:22,400 --> 02:05:24,160
Speaker 2: this is a show that typically does go there. I

2524
02:05:24,200 --> 02:05:26,400
Speaker 2: don't think they do a whole lot of we just

2525
02:05:26,400 --> 02:05:28,720
Speaker 2: gonna beat around the bush. I think if I really

2526
02:05:28,760 --> 02:05:30,880
Speaker 2: do feel like if she was sleeping with women and stuff,

2527
02:05:30,920 --> 02:05:33,040
Speaker 2: they might have even just shown her in bed in

2528
02:05:33,080 --> 02:05:34,720
Speaker 2: that montage a couple of times, because I don't think

2529
02:05:34,760 --> 02:05:38,040
Speaker 2: the show was afraid of that. But it was something

2530
02:05:38,080 --> 02:05:41,640
Speaker 2: about the intimacy because that was like not just with Josephine,

2531
02:05:41,640 --> 02:05:44,680
Speaker 2: but there were other women when she like touched the

2532
02:05:44,720 --> 02:05:47,280
Speaker 2: woman's cheek when she would walk up to her. There

2533
02:05:47,360 --> 02:05:49,560
Speaker 2: was a man who, like I said, he looked like

2534
02:05:49,600 --> 02:05:52,440
Speaker 2: he probably was gay, who was the bartender. But then

2535
02:05:52,480 --> 02:05:55,160
Speaker 2: she like leaned into kind of like flirtatiously looked at

2536
02:05:55,240 --> 02:05:55,800
Speaker 2: him and stuff.

2537
02:05:56,080 --> 02:05:57,880
Speaker 1: It just felt like she was more open.

2538
02:05:57,680 --> 02:05:59,960
Speaker 2: And free and not judged, you know what I mean,

2539
02:06:00,080 --> 02:06:03,920
Speaker 2: And it's safe and felt safe like like like I

2540
02:06:03,920 --> 02:06:06,480
Speaker 2: don't know, like like I wasn't picking up like it

2541
02:06:06,520 --> 02:06:08,800
Speaker 2: felt like she was giving off sex uppeal, but it

2542
02:06:08,840 --> 02:06:12,240
Speaker 2: wasn't necessarily sex, if you know what I'm saying.

2543
02:06:12,320 --> 02:06:15,280
Speaker 3: Okay, it was more like for the first time, I

2544
02:06:15,360 --> 02:06:20,360
Speaker 3: am free, Like I am able to walk around and

2545
02:06:20,560 --> 02:06:24,040
Speaker 3: just soak up the atmosphere. I'm able to walk around

2546
02:06:24,080 --> 02:06:27,080
Speaker 3: and literally do what I want to, unchallenge and not

2547
02:06:27,200 --> 02:06:29,640
Speaker 3: have to consider other people or other things.

2548
02:06:29,720 --> 02:06:32,200
Speaker 2: Yeah, it didn't because it didn't seem because we I mean,

2549
02:06:32,320 --> 02:06:36,280
Speaker 2: we know that we saw Joseph making out with women

2550
02:06:36,320 --> 02:06:37,920
Speaker 2: and shit. But I really do think if it was

2551
02:06:38,000 --> 02:06:39,640
Speaker 2: just that simple, they would have put it in there,

2552
02:06:40,160 --> 02:06:42,880
Speaker 2: because I don't think it was necessarily a sexual thing

2553
02:06:42,880 --> 02:06:45,720
Speaker 2: that she wanted out of that situation, and it felt

2554
02:06:45,800 --> 02:06:50,240
Speaker 2: like she went there to be free, yeah, and whatever

2555
02:06:50,280 --> 02:06:54,680
Speaker 2: that freedom entailed the same way, like yeah, I just yeah,

2556
02:06:54,760 --> 02:06:57,160
Speaker 2: so I didn't but not saying you're wrong or anything,

2557
02:06:57,200 --> 02:06:58,720
Speaker 2: because it could have really been that and I just

2558
02:06:58,720 --> 02:07:02,160
Speaker 2: didn't pick it up, but it just felt like I'm free.

2559
02:07:02,480 --> 02:07:06,200
Speaker 3: Yeah. And also you could tell that you was like, oh,

2560
02:07:06,240 --> 02:07:10,600
Speaker 3: she's literally getting in quote unquote touch with herself, like going, okay,

2561
02:07:10,720 --> 02:07:15,960
Speaker 3: this is the real me, like because hippolatas not cocaine,

2562
02:07:16,240 --> 02:07:19,520
Speaker 3: is not the hippo lotta before Hippolda moving around and

2563
02:07:19,640 --> 02:07:23,120
Speaker 3: dancing and you know her outfits. It's all like she's

2564
02:07:23,560 --> 02:07:28,440
Speaker 3: quote unquote became a completely different person. But her her

2565
02:07:28,480 --> 02:07:31,960
Speaker 3: bars at the end was like I realized something like

2566
02:07:32,640 --> 02:07:35,120
Speaker 3: this shit right here was stolen from me, Like I

2567
02:07:35,160 --> 02:07:37,400
Speaker 3: could have been so much more.

2568
02:07:37,920 --> 02:07:40,080
Speaker 2: Yeah, it's almost that thing where you see your potential

2569
02:07:40,120 --> 02:07:43,560
Speaker 2: and you go, fuck, this is what I was not

2570
02:07:43,720 --> 02:07:46,440
Speaker 2: allowed to have, Like I almost was better off not

2571
02:07:46,760 --> 02:07:50,240
Speaker 2: experiencing this, And every moment I experienced this makes me

2572
02:07:50,280 --> 02:07:53,000
Speaker 2: look back at my old self, like what the fuck

2573
02:07:53,280 --> 02:07:53,560
Speaker 2: you know?

2574
02:07:54,160 --> 02:07:54,720
Speaker 3: And why?

2575
02:07:55,720 --> 02:07:58,600
Speaker 1: And then Justsephin goes, doesn't it just make you angry?

2576
02:07:58,960 --> 02:08:02,800
Speaker 2: And then she goes fear sometimes I just I want

2577
02:08:02,840 --> 02:08:06,800
Speaker 2: to kill white folks and it's not just them. I

2578
02:08:06,840 --> 02:08:10,560
Speaker 2: hate me, hate me for letting them make me feel small,

2579
02:08:11,280 --> 02:08:15,200
Speaker 2: and I hate and then uh, just fin goes, who.

2580
02:08:15,120 --> 02:08:17,720
Speaker 3: Else do you hate? So? Uh?

2581
02:08:17,760 --> 02:08:19,800
Speaker 2: And then she didn't finish that, and she said something

2582
02:08:19,840 --> 02:08:21,800
Speaker 2: is Hippota, what you're gonna do with all that anger?

2583
02:08:22,240 --> 02:08:25,480
Speaker 3: And then so when she goes, I am Hippolyta.

2584
02:08:26,400 --> 02:08:30,560
Speaker 1: And then she's transported out of there to Africa.

2585
02:08:31,520 --> 02:08:38,840
Speaker 3: Yes, and that right there, This whole episode had me.

2586
02:08:40,280 --> 02:08:42,840
Speaker 3: I was over there in my own little world, almost

2587
02:08:42,880 --> 02:08:48,960
Speaker 3: in like tears at certain times just to see. It's

2588
02:08:49,000 --> 02:08:52,080
Speaker 3: almost like Hippolytta was speaking to a lot of black

2589
02:08:52,200 --> 02:08:58,000
Speaker 3: little girls and black adults, you know, and just saying like, hey,

2590
02:08:58,560 --> 02:09:03,320
Speaker 3: shit got stole from me. Like I had all these ambitions,

2591
02:09:03,360 --> 02:09:06,320
Speaker 3: I had all these dreams, I had all these things

2592
02:09:06,360 --> 02:09:09,320
Speaker 3: that I wanted to do. All of a sudden, sexism

2593
02:09:09,360 --> 02:09:11,920
Speaker 3: stepped in and racism stepped in all of a sudden.

2594
02:09:12,560 --> 02:09:14,400
Speaker 3: You know, I turned into a wife I never wanted

2595
02:09:14,400 --> 02:09:16,800
Speaker 3: to turn into. I turned into a mother I never

2596
02:09:17,120 --> 02:09:19,640
Speaker 3: dreamed about or may not even want to turn into.

2597
02:09:19,840 --> 02:09:22,640
Speaker 3: You know, like all these things were ripped out of

2598
02:09:22,680 --> 02:09:26,080
Speaker 3: my hands, and I'm upset at myself for allowing these

2599
02:09:26,120 --> 02:09:31,040
Speaker 3: things to be taken away from me, and a lot

2600
02:09:31,640 --> 02:09:35,360
Speaker 3: of women is like it is slowly stolen from you.

2601
02:09:35,720 --> 02:09:38,520
Speaker 3: It is slowly ripped away. You know. It's like one

2602
02:09:38,520 --> 02:09:40,240
Speaker 3: of those things where you look up and you're like,

2603
02:09:40,280 --> 02:09:42,760
Speaker 3: oh my gosh, how did I end up here? You know,

2604
02:09:42,800 --> 02:09:46,520
Speaker 3: when you're you know, eighteen nineteen and forty, those are

2605
02:09:46,640 --> 02:09:48,440
Speaker 3: that's a lot of years that pass, and a lot

2606
02:09:48,480 --> 02:09:51,200
Speaker 3: of shit can change during that period of time, good, bad,

2607
02:09:51,240 --> 02:09:54,000
Speaker 3: and indifferent. And it's one of those things where, for

2608
02:09:54,040 --> 02:09:56,640
Speaker 3: the first time ever, she got to literally reflect on

2609
02:09:56,680 --> 02:10:01,200
Speaker 3: her life and her choices and her decisions. And that's

2610
02:10:01,240 --> 02:10:04,680
Speaker 3: something that women rarely get to do. You know, men

2611
02:10:04,720 --> 02:10:06,200
Speaker 3: are allowed to be free, They're allowed to go do

2612
02:10:06,240 --> 02:10:07,920
Speaker 3: these things and not tied down the family. They're not

2613
02:10:08,000 --> 02:10:10,200
Speaker 3: tied down the children, at at least the ones that

2614
02:10:10,280 --> 02:10:12,760
Speaker 3: choose to stay do because they want to, not because

2615
02:10:12,760 --> 02:10:15,280
Speaker 3: they obligated too, because society tells men, you can just

2616
02:10:15,280 --> 02:10:17,120
Speaker 3: go away and be free and do whatever fuck you

2617
02:10:17,160 --> 02:10:20,080
Speaker 3: want to. But women have this added pressure of being

2618
02:10:20,080 --> 02:10:24,560
Speaker 3: a mother, being a wife, being everything to everybody, and

2619
02:10:24,680 --> 02:10:28,120
Speaker 3: me myself and I don't fucking matter. Everybody comes first

2620
02:10:28,120 --> 02:10:30,080
Speaker 3: for me, and so I think this was one of

2621
02:10:30,120 --> 02:10:31,720
Speaker 3: the first times in her life where she was like,

2622
02:10:31,760 --> 02:10:33,760
Speaker 3: oh no, no, no, no, I can put me first. I

2623
02:10:33,800 --> 02:10:35,800
Speaker 3: can go fuck them kids, fuck that man. I could

2624
02:10:35,800 --> 02:10:38,480
Speaker 3: put me first, and oh my gosh, this is what

2625
02:10:38,520 --> 02:10:42,080
Speaker 3: my life will be if I literally centered it around myself.

2626
02:10:42,280 --> 02:10:46,160
Speaker 3: But for women, it's considered selfish to put your life first.

2627
02:10:46,200 --> 02:10:49,640
Speaker 3: It's considered selfish. To not want to be married, not

2628
02:10:49,680 --> 02:10:51,960
Speaker 3: want to attach yourself to a man, not one of

2629
02:10:52,000 --> 02:10:55,160
Speaker 3: these things, you know, to become doctor, you know, because

2630
02:10:55,160 --> 02:10:58,480
Speaker 3: back then, to become a doctor, lawyer, an astronaut, a

2631
02:10:58,600 --> 02:11:01,880
Speaker 3: scientist was frowned upon. Because all of a sudden, it's.

2632
02:11:01,760 --> 02:11:03,600
Speaker 1: Like it wasn't it wasn't frown upon.

2633
02:11:03,640 --> 02:11:06,280
Speaker 2: You couldn't do it. Yeah, you literally women could not

2634
02:11:06,360 --> 02:11:07,400
Speaker 2: do those things right.

2635
02:11:07,440 --> 02:11:09,520
Speaker 3: You literally couldn't do it, no matter if you were

2636
02:11:09,560 --> 02:11:12,200
Speaker 3: qualified for it or not. You weren't accepted to the schools,

2637
02:11:12,240 --> 02:11:15,520
Speaker 3: you just know. So her thing was like, oh my gosh,

2638
02:11:15,560 --> 02:11:18,440
Speaker 3: for the first time ever, I'm realizing that these things

2639
02:11:18,480 --> 02:11:20,400
Speaker 3: were stolen from me. And I didn't realize it, and

2640
02:11:20,440 --> 02:11:22,880
Speaker 3: then I did. You know, it's one of those things

2641
02:11:22,920 --> 02:11:25,360
Speaker 3: where I allowed it to Like I'm mad at me

2642
02:11:25,400 --> 02:11:28,880
Speaker 3: for allowing it to happen to me and not retaking

2643
02:11:28,880 --> 02:11:31,400
Speaker 3: control of my life like I should have many years ago.

2644
02:11:31,760 --> 02:11:33,760
Speaker 2: Yeah, like it was stolen from me, But I was

2645
02:11:33,800 --> 02:11:36,440
Speaker 2: in on the heights too, Like I helped them steal

2646
02:11:36,480 --> 02:11:39,360
Speaker 2: the shit from me, and I feel complicit, and I

2647
02:11:39,360 --> 02:11:42,880
Speaker 2: think that's where part of the anger comes from. And then,

2648
02:11:43,120 --> 02:11:49,640
Speaker 2: you know, dealing with racism and sexism in America, Like, Uh,

2649
02:11:49,680 --> 02:11:51,640
Speaker 2: the thing I keep coming back to is just how

2650
02:11:51,680 --> 02:11:56,440
Speaker 2: many fucking brilliant minds were just wasted because of American

2651
02:11:56,560 --> 02:12:00,160
Speaker 2: racism and sexism because people put these lets.

2652
02:12:00,080 --> 02:12:05,640
Speaker 1: Miss on people. So in this in this new vision,

2653
02:12:05,680 --> 02:12:07,160
Speaker 1: when she she or new.

2654
02:12:07,560 --> 02:12:13,160
Speaker 2: Planet reality wherever she goes to, she is now fighting

2655
02:12:13,560 --> 02:12:14,520
Speaker 2: as a warrior.

2656
02:12:14,560 --> 02:12:23,000
Speaker 1: She's getting trained and she uh is yelling.

2657
02:12:23,360 --> 02:12:24,560
Speaker 3: You know, a hippolata.

2658
02:12:25,000 --> 02:12:27,400
Speaker 2: It's like, ah, so when she shows up, she got

2659
02:12:27,400 --> 02:12:30,520
Speaker 2: this warrior garb on, She's got a fucking sword in

2660
02:12:30,560 --> 02:12:35,120
Speaker 2: her hand, and uh, this woman named Nawi who is

2661
02:12:35,160 --> 02:12:38,440
Speaker 2: training her how to fight, is like, all that screaming

2662
02:12:38,520 --> 02:12:41,040
Speaker 2: will not save you. You're not making a baby. You're

2663
02:12:41,040 --> 02:12:43,840
Speaker 2: in a fucking fight. Hippolyttis swings on her and she

2664
02:12:43,920 --> 02:12:47,880
Speaker 2: catches the hands. Okay, she is not ready for the smoke.

2665
02:12:48,160 --> 02:12:50,120
Speaker 3: I was like, she got a bright mind, but I

2666
02:12:50,160 --> 02:12:51,560
Speaker 3: was like, oh, she don't know how to fight.

2667
02:12:51,640 --> 02:12:54,920
Speaker 2: So and then now he gives a speech uh and says,

2668
02:12:54,960 --> 02:12:57,440
Speaker 2: you are here because you did not believe them your

2669
02:12:57,440 --> 02:12:57,960
Speaker 2: whole life.

2670
02:12:57,960 --> 02:12:59,080
Speaker 3: They said that you were free.

2671
02:12:59,160 --> 02:13:01,240
Speaker 2: And when they said that you were free, they meant

2672
02:13:01,360 --> 02:13:03,720
Speaker 2: you were free to cook their food, free to raise

2673
02:13:03,760 --> 02:13:04,840
Speaker 2: their children.

2674
02:13:06,160 --> 02:13:07,200
Speaker 3: Free to work for them.

2675
02:13:07,320 --> 02:13:10,040
Speaker 2: They even lied to you, had told you you were

2676
02:13:10,040 --> 02:13:11,280
Speaker 2: free to run the world, but.

2677
02:13:11,200 --> 02:13:12,320
Speaker 3: It's still their world.

2678
02:13:12,640 --> 02:13:15,839
Speaker 2: You are here because you knew that all they offered

2679
02:13:15,960 --> 02:13:19,640
Speaker 2: was the freedom that are well kept slave could ask for. Now,

2680
02:13:19,760 --> 02:13:22,200
Speaker 2: can I tell you what true freedom is? You have

2681
02:13:22,320 --> 02:13:24,880
Speaker 2: to go find that for yourself. But and meanwhile, the

2682
02:13:24,920 --> 02:13:27,640
Speaker 2: whole time, hippolytis on the ground because she didn't got

2683
02:13:27,640 --> 02:13:29,000
Speaker 2: to ask, and then she like try to get a

2684
02:13:29,040 --> 02:13:30,520
Speaker 2: sword and swing at it. She just like hit her

2685
02:13:30,560 --> 02:13:33,440
Speaker 2: ass again, so she like, stay your ass in the grounds.

2686
02:13:33,440 --> 02:13:36,760
Speaker 2: Giving a speech, she said, you had to go find

2687
02:13:36,760 --> 02:13:38,920
Speaker 2: that for yourself, but today you are still afraid to

2688
02:13:39,000 --> 02:13:39,560
Speaker 2: go looking.

2689
02:13:40,240 --> 02:13:41,879
Speaker 1: But what I now.

2690
02:13:42,480 --> 02:13:45,560
Speaker 2: Would do is strip away that fear one blow at

2691
02:13:45,560 --> 02:13:48,600
Speaker 2: a time. Now get the fuck up and raise your sword.

2692
02:13:48,960 --> 02:13:51,440
Speaker 2: And I was like, God, damn this speech. Come on,

2693
02:13:51,520 --> 02:13:54,360
Speaker 2: I'm ready to go fucking tackle somebody like ray lewis right.

2694
02:13:54,400 --> 02:13:58,280
Speaker 3: And it's amazing because you know, during this time too,

2695
02:13:58,360 --> 02:14:00,720
Speaker 3: is one of those things where, like I said, before

2696
02:14:00,840 --> 02:14:03,520
Speaker 3: these speeches were were it was speaking to everybody, but

2697
02:14:03,560 --> 02:14:05,440
Speaker 3: I know, particularly me being as a black woman. It's

2698
02:14:05,440 --> 02:14:07,560
Speaker 3: one of those things where it was like, yeah, it's

2699
02:14:07,600 --> 02:14:12,120
Speaker 3: a challenge, you know. That's that's that trap. You know.

2700
02:14:12,320 --> 02:14:14,880
Speaker 3: They make you think that this is what you want

2701
02:14:14,920 --> 02:14:17,320
Speaker 3: in life, but this may not be your true freedom,

2702
02:14:17,920 --> 02:14:21,160
Speaker 3: and you know, I don't know what your true freedom is,

2703
02:14:21,320 --> 02:14:24,440
Speaker 3: you know. And it's one of those things to where

2704
02:14:24,880 --> 02:14:28,320
Speaker 3: I was like, oh, she getting ready to learn how

2705
02:14:28,360 --> 02:14:32,000
Speaker 3: to fight, and it's more of a of a fight,

2706
02:14:32,080 --> 02:14:35,200
Speaker 3: like have a fighting quote unquote spirit, you know, being

2707
02:14:35,280 --> 02:14:38,400
Speaker 3: able to not back down, being able to take a punch,

2708
02:14:38,440 --> 02:14:41,240
Speaker 3: take a flow and get back up, you know, which

2709
02:14:41,240 --> 02:14:43,520
Speaker 3: black women have to do all the time. But it's

2710
02:14:43,520 --> 02:14:46,080
Speaker 3: one of those things where you know, but when you

2711
02:14:46,120 --> 02:14:48,760
Speaker 3: get back up, do you have the proper weapons to

2712
02:14:48,840 --> 02:14:51,840
Speaker 3: actually attack and truly defeat the thing that you're trying

2713
02:14:51,880 --> 02:14:56,560
Speaker 3: to overcome? And it takes a lot of getting hurt.

2714
02:14:56,600 --> 02:14:58,480
Speaker 3: It takes a lot of pain, takes a lot of blood,

2715
02:14:58,560 --> 02:15:00,640
Speaker 3: you know, and everybody is a willing to do that

2716
02:15:00,680 --> 02:15:02,360
Speaker 3: to get to the other side. Yeah.

2717
02:15:02,400 --> 02:15:06,040
Speaker 2: Well she also asked, like I mean because she remember

2718
02:15:06,120 --> 02:15:08,920
Speaker 2: she said she wanted to kill white people and then

2719
02:15:08,960 --> 02:15:12,720
Speaker 2: she went to this world as her next wish. So

2720
02:15:12,760 --> 02:15:15,800
Speaker 2: it made me think like she was gonna live out

2721
02:15:15,840 --> 02:15:20,320
Speaker 2: that fantasy of killing these white people. But everything in

2722
02:15:20,360 --> 02:15:23,880
Speaker 2: that speech that was said could apply to men, yes,

2723
02:15:24,200 --> 02:15:27,160
Speaker 2: like there wasn't anything else specifically for white people, like

2724
02:15:27,200 --> 02:15:29,880
Speaker 2: you could also be like, and that's how men treat

2725
02:15:29,960 --> 02:15:30,720
Speaker 2: women as well.

2726
02:15:31,200 --> 02:15:33,280
Speaker 1: I expect you to raise these kids.

2727
02:15:33,520 --> 02:15:37,560
Speaker 2: You're still gonna be my slave essentially, and I'm gonna

2728
02:15:37,600 --> 02:15:40,240
Speaker 2: call that freedom, you know. So it felt very much

2729
02:15:40,400 --> 02:15:43,720
Speaker 2: like that intersection of oppression. It wasn't just to one

2730
02:15:43,760 --> 02:15:49,440
Speaker 2: specific thing. But she So she gives that speech and

2731
02:15:49,520 --> 02:15:52,200
Speaker 2: then we get a training matage. Everything is set, rocky

2732
02:15:52,200 --> 02:15:56,440
Speaker 2: playing and it's just her fighting, fighting these battles and

2733
02:15:56,600 --> 02:15:59,000
Speaker 2: training against Nawi and now we just whooping her ass

2734
02:15:59,040 --> 02:16:01,200
Speaker 2: in every kind of way, and then she eventually gets

2735
02:16:01,200 --> 02:16:02,680
Speaker 2: a little bit better, a little bit better, and then

2736
02:16:02,720 --> 02:16:06,200
Speaker 2: finally one time she defeats Nawi in battle. Of course,

2737
02:16:06,240 --> 02:16:08,960
Speaker 2: she doesn't kill her, just just training. And then Nawia

2738
02:16:09,040 --> 02:16:11,040
Speaker 2: gives her the nod of like you pass the class.

2739
02:16:11,120 --> 02:16:16,640
Speaker 2: And then she goes to the matriarch of the of

2740
02:16:16,680 --> 02:16:20,080
Speaker 2: the group and it's all women. It's all women in

2741
02:16:20,120 --> 02:16:24,200
Speaker 2: this and so oh so I looked up the name

2742
02:16:24,680 --> 02:16:26,520
Speaker 2: Nawi because.

2743
02:16:26,480 --> 02:16:28,240
Speaker 3: Once again this show.

2744
02:16:30,200 --> 02:16:33,959
Speaker 1: And it appears to be You're not gonna believe this, Karen,

2745
02:16:34,000 --> 02:16:37,000
Speaker 1: I hope appears to be related to some actual real history.

2746
02:16:38,760 --> 02:16:40,000
Speaker 3: Apparently there was.

2747
02:16:42,080 --> 02:16:47,160
Speaker 2: There was a group of women called the Dahomie Amazons

2748
02:16:47,240 --> 02:16:51,640
Speaker 2: and they were all female military regiment of the Kingdom

2749
02:16:51,640 --> 02:16:54,200
Speaker 2: of Dahomie. I hope I'm saying that right in the

2750
02:16:54,200 --> 02:16:57,720
Speaker 2: present day Republic of Benin is what they It lasted

2751
02:16:57,800 --> 02:17:02,680
Speaker 2: until nineteen oh four and the last living remaining, the

2752
02:17:02,760 --> 02:17:06,520
Speaker 2: Homie Amazon, was now named Naui.

2753
02:17:07,040 --> 02:17:07,640
Speaker 3: Wow.

2754
02:17:07,800 --> 02:17:12,080
Speaker 2: So it could have been inspired by that. But yeah,

2755
02:17:12,080 --> 02:17:16,560
Speaker 2: there was these women soldiers that with your ass and shit.

2756
02:17:17,640 --> 02:17:20,000
Speaker 2: They I think they fought against the French, if I'm

2757
02:17:20,000 --> 02:17:26,119
Speaker 2: not mistaken. Yeah, first Franco Dahamian War, Second Franco Dahamian War.

2758
02:17:26,200 --> 02:17:27,640
Speaker 1: So yeah, they fought against the French.

2759
02:17:30,680 --> 02:17:33,920
Speaker 2: So it was like that battle and shit may have

2760
02:17:34,000 --> 02:17:36,120
Speaker 2: been to some extent based on something real.

2761
02:17:38,959 --> 02:17:43,280
Speaker 3: Yeah. Yeah. She died the at over the age of

2762
02:17:43,280 --> 02:17:43,800
Speaker 3: one hundred.

2763
02:17:44,640 --> 02:17:44,959
Speaker 1: Wow.

2764
02:17:45,080 --> 02:17:46,439
Speaker 3: She lived alife.

2765
02:17:46,120 --> 02:17:49,640
Speaker 2: Eighteen They said she died in nineteen seventy nine, age

2766
02:17:49,640 --> 02:17:57,000
Speaker 2: well over one hundred. So yeah, she that's crazy. She

2767
02:17:57,080 --> 02:17:59,480
Speaker 2: claimed that fought the French in eighteen ninety two.

2768
02:18:00,640 --> 02:18:01,280
Speaker 3: Holy shit.

2769
02:18:02,959 --> 02:18:07,400
Speaker 1: But yeah, so she does this training, she gets a

2770
02:18:07,400 --> 02:18:11,560
Speaker 1: golden helmet, she gets this armor and all this stuff.

2771
02:18:11,800 --> 02:18:12,679
Speaker 3: And.

2772
02:18:13,920 --> 02:18:18,160
Speaker 2: She then leaves a contingent of black Amazonian warriors into

2773
02:18:18,200 --> 02:18:20,640
Speaker 2: battle against a bunch of white men who I think

2774
02:18:20,680 --> 02:18:24,080
Speaker 2: were the French, although I've heard, I've heard and seen

2775
02:18:24,160 --> 02:18:25,200
Speaker 2: people say they thought it was.

2776
02:18:25,200 --> 02:18:29,720
Speaker 3: The Confederates, like Confederate soldiers or something.

2777
02:18:30,360 --> 02:18:34,120
Speaker 2: I mean, in this world spanning, universe spanning thing, I

2778
02:18:34,120 --> 02:18:34,880
Speaker 2: guess it could be.

2779
02:18:34,920 --> 02:18:36,200
Speaker 1: But I thought they were the French.

2780
02:18:37,560 --> 02:18:40,880
Speaker 2: And so they fight the first like faction of these

2781
02:18:40,920 --> 02:18:43,640
Speaker 2: French troops, and they whooped their motherfucking ass.

2782
02:18:43,959 --> 02:18:48,120
Speaker 1: It was like nobody, like, none of the women got killed.

2783
02:18:48,680 --> 02:18:49,920
Speaker 3: They was pure rage.

2784
02:18:50,160 --> 02:18:51,320
Speaker 1: And some of the French.

2785
02:18:51,040 --> 02:18:54,200
Speaker 2: Had guns, and I was like, y'all, niggas really should

2786
02:18:54,200 --> 02:18:54,959
Speaker 2: have used them guns.

2787
02:18:55,000 --> 02:18:56,000
Speaker 3: I don't know what y'all.

2788
02:18:56,200 --> 02:18:57,840
Speaker 2: I don't know if y'all was like, it's just some women,

2789
02:18:57,959 --> 02:19:02,279
Speaker 2: but the bad move homeboy, because y'all caught the l Yeah.

2790
02:19:02,080 --> 02:19:04,240
Speaker 3: Because years ago, you know, they had did they had

2791
02:19:04,280 --> 02:19:06,080
Speaker 3: the muskets, the ones you have to load up and

2792
02:19:06,120 --> 02:19:07,199
Speaker 3: it takes forever.

2793
02:19:07,400 --> 02:19:10,760
Speaker 2: Right, So I don't know. Maybe they were we can't

2794
02:19:10,800 --> 02:19:14,440
Speaker 2: wait bullets, Okay, Yeah. Blue Main Group says they deafinitly

2795
02:19:14,600 --> 02:19:18,039
Speaker 2: were Confederates, So maybe that's what they were. I don't know, dog.

2796
02:19:19,400 --> 02:19:21,640
Speaker 2: I had to watch it again, but because it didn't

2797
02:19:21,720 --> 02:19:23,240
Speaker 2: like they had no I don't know.

2798
02:19:23,840 --> 02:19:24,120
Speaker 3: Uh.

2799
02:19:24,160 --> 02:19:26,039
Speaker 1: Anyway, they whooped the white It was like, we're just.

2800
02:19:26,040 --> 02:19:29,000
Speaker 3: Gonna intimidate you with these guns. We don't need bullets. Yeah,

2801
02:19:29,160 --> 02:19:31,119
Speaker 3: they whooped their motherfucking ass. Dog.

2802
02:19:31,280 --> 02:19:35,760
Speaker 1: They fucked them white men all the way up. So

2803
02:19:36,480 --> 02:19:38,240
Speaker 1: I hope y'all fight.

2804
02:19:38,640 --> 02:19:40,560
Speaker 2: I hope you' all right, because I'm the one who

2805
02:19:40,600 --> 02:19:42,039
Speaker 2: gets the emails when y'all wrong.

2806
02:19:42,520 --> 02:19:42,640
Speaker 3: Uh.

2807
02:19:42,760 --> 02:19:44,360
Speaker 2: That's why I was trying to leave it open, end

2808
02:19:44,400 --> 02:19:47,240
Speaker 2: it because I couldn't tell. Uh, they fucked them white

2809
02:19:47,240 --> 02:19:48,600
Speaker 2: men's up, okay.

2810
02:19:49,120 --> 02:19:50,920
Speaker 3: Uh. And then she.

2811
02:19:50,920 --> 02:19:55,360
Speaker 2: Gave a speech, and she kind of did some uh

2812
02:19:55,800 --> 02:19:58,160
Speaker 2: did some of the same speech that now we gave.

2813
02:19:58,760 --> 02:20:00,600
Speaker 2: We are here because we did not leave them when

2814
02:20:00,600 --> 02:20:02,400
Speaker 2: they told us our age is not ladylike.

2815
02:20:02,520 --> 02:20:03,720
Speaker 3: We did not believe them.

2816
02:20:03,720 --> 02:20:05,200
Speaker 1: When they said our violence goes too far.

2817
02:20:05,240 --> 02:20:07,720
Speaker 2: We did not believe them when they said the hatred

2818
02:20:07,760 --> 02:20:11,200
Speaker 2: we feel for our enemies is not godlike. That they Uh,

2819
02:20:13,280 --> 02:20:18,200
Speaker 2: we didn't oh that that to women like us because

2820
02:20:18,200 --> 02:20:20,160
Speaker 2: they know what Oh they say that to women like us,

2821
02:20:20,160 --> 02:20:22,360
Speaker 2: because they know what happens when we are free, free

2822
02:20:22,400 --> 02:20:24,800
Speaker 2: to hate when we when we must, free to kill

2823
02:20:24,840 --> 02:20:27,360
Speaker 2: when we must, free to bring destruction when we must.

2824
02:20:27,400 --> 02:20:29,640
Speaker 1: That is our freedom. This is our prayer.

2825
02:20:29,720 --> 02:20:31,760
Speaker 2: No matter what they think of us after we grind

2826
02:20:31,800 --> 02:20:36,000
Speaker 2: them into dust, this is our love. And then she

2827
02:20:36,160 --> 02:20:39,200
Speaker 2: dropped the sword like it was the mic and took

2828
02:20:39,240 --> 02:20:41,840
Speaker 2: off her helmet. The rest of the army rushed at her,

2829
02:20:42,160 --> 02:20:46,320
Speaker 2: and then she said, I am Hippolyta, George's wife and

2830
02:20:45,840 --> 02:20:47,560
Speaker 2: went on to the next stop.

2831
02:20:47,920 --> 02:20:52,640
Speaker 3: Yes, and before we move on, something that I loved

2832
02:20:53,000 --> 02:20:56,840
Speaker 3: about this scene was defected. It was so violent and

2833
02:20:56,879 --> 02:21:00,560
Speaker 3: it was so bloody, and Hippolytta was fun people up,

2834
02:21:00,600 --> 02:21:04,840
Speaker 3: like chopping hands off, kicking them, and she was looking sweet. Okay,

2835
02:21:04,879 --> 02:21:06,519
Speaker 3: and you know I love.

2836
02:21:06,400 --> 02:21:11,360
Speaker 2: Me some fight choreography that isn't just ninety eight pound

2837
02:21:11,400 --> 02:21:13,720
Speaker 2: people fighting each other. No offense to my ninety eight

2838
02:21:13,760 --> 02:21:15,280
Speaker 2: pound people, but y'all overrepresent it.

2839
02:21:15,760 --> 02:21:19,560
Speaker 1: I love me. Watch what's my show?

2840
02:21:21,320 --> 02:21:21,840
Speaker 3: Oh my god?

2841
02:21:21,840 --> 02:21:23,120
Speaker 2: Why am I drawing a blank? This is one of

2842
02:21:23,160 --> 02:21:26,480
Speaker 2: the best shows of all time. It came on amc H.

2843
02:21:27,280 --> 02:21:31,440
Speaker 2: It was a karate fighting Into the bad Lands, Well,

2844
02:21:31,480 --> 02:21:34,520
Speaker 2: y'all watch Into the bad Lance is on Netflix. Everybody

2845
02:21:34,560 --> 02:21:38,680
Speaker 2: watch it for excellent, Like every kind of body can

2846
02:21:38,680 --> 02:21:41,360
Speaker 2: whoop your ass if you know what you're doing type

2847
02:21:41,400 --> 02:21:43,680
Speaker 2: of court fight choreography. Everyone could get in on it.

2848
02:21:43,920 --> 02:21:46,000
Speaker 2: So yeah, it was dope seeing these black women do it.

2849
02:21:46,000 --> 02:21:48,800
Speaker 2: But once again, same way, you were like, man, we're

2850
02:21:48,800 --> 02:21:51,040
Speaker 2: not use seeing a fifty one year old naked black women.

2851
02:21:51,320 --> 02:21:53,240
Speaker 2: Blah blah, We're not use seeing a fifty one year

2852
02:21:53,240 --> 02:21:56,240
Speaker 2: old black women whoop people ass and cut their hands

2853
02:21:56,280 --> 02:21:57,120
Speaker 2: off of swords.

2854
02:21:57,240 --> 02:22:02,680
Speaker 3: Yes, And it was one of those things where when

2855
02:22:02,720 --> 02:22:05,080
Speaker 3: I seen it, I was like, I would watch this

2856
02:22:05,320 --> 02:22:07,480
Speaker 3: is a fucking series. It would show you know how

2857
02:22:07,520 --> 02:22:09,880
Speaker 3: to be having all them season shows where you're falling

2858
02:22:09,959 --> 02:22:13,440
Speaker 3: a random white dude around fucking shit up that. Yes,

2859
02:22:13,560 --> 02:22:15,440
Speaker 3: I was like, I would watch this where it's a

2860
02:22:15,480 --> 02:22:18,360
Speaker 3: black woman like I like, motherfuckers, I'm all in, Like

2861
02:22:18,440 --> 02:22:20,440
Speaker 3: you got me as an audience, I would watch that.

2862
02:22:20,520 --> 02:22:24,640
Speaker 3: And it was also for me. It was beautiful to

2863
02:22:24,680 --> 02:22:26,600
Speaker 3: watchington fuck shit up. It was beautiful to watch to

2864
02:22:26,680 --> 02:22:28,880
Speaker 3: be violent. It was beautiful to watch and be bloody,

2865
02:22:29,200 --> 02:22:31,959
Speaker 3: you know, because that's like the opposite of what they

2866
02:22:32,000 --> 02:22:34,480
Speaker 3: teach women. They teach women you don't want to fight,

2867
02:22:34,520 --> 02:22:36,000
Speaker 3: you don't want to get bloody. You don't want to

2868
02:22:36,040 --> 02:22:37,960
Speaker 3: get nasty. You don't want to go low. You don't

2869
02:22:37,959 --> 02:22:39,720
Speaker 3: want to you don't want to show your rage, you

2870
02:22:39,720 --> 02:22:42,360
Speaker 3: don't want to show your anger, Like how dare you

2871
02:22:42,520 --> 02:22:46,160
Speaker 3: be unwomanlike? And I love this scene because it was like,

2872
02:22:46,400 --> 02:22:49,440
Speaker 3: fuck you, I'm mad, I'm angry, My anger is valid.

2873
02:22:49,440 --> 02:22:52,080
Speaker 3: There's nothing wrong with me being angry, and I'm gonna

2874
02:22:52,120 --> 02:22:54,440
Speaker 3: fuck shit up and it's not a goddamn thing you

2875
02:22:54,480 --> 02:22:55,920
Speaker 3: can do about it.

2876
02:22:56,640 --> 02:22:59,080
Speaker 2: Yeah, it was funny because they played like some rock

2877
02:22:59,120 --> 02:23:01,560
Speaker 2: and roll music, which, you know, nothing wrong with rock

2878
02:23:01,600 --> 02:23:04,080
Speaker 2: and roll music or whatever, and it was very much

2879
02:23:04,120 --> 02:23:07,080
Speaker 2: like almost like she gave like a brave heart speech

2880
02:23:07,080 --> 02:23:09,400
Speaker 2: at the end and stuff. But I really would have

2881
02:23:09,480 --> 02:23:13,680
Speaker 2: liked them to play like don't hurt yourself that Beyonce song.

2882
02:23:14,360 --> 02:23:15,359
Speaker 1: I feel like that would.

2883
02:23:15,120 --> 02:23:19,520
Speaker 2: Have been fucking perfect for that fight scene. But maybe

2884
02:23:19,520 --> 02:23:21,199
Speaker 2: they was like it's gonna be too corny or whatever,

2885
02:23:21,240 --> 02:23:21,640
Speaker 2: But I.

2886
02:23:21,560 --> 02:23:22,920
Speaker 1: Mean, lean into it. You.

2887
02:23:23,080 --> 02:23:26,880
Speaker 2: It's a fucking galaxy spanning adventure. It's black women in

2888
02:23:26,879 --> 02:23:29,760
Speaker 2: formation whooping these white men's ass. It was I don't

2889
02:23:29,800 --> 02:23:32,039
Speaker 2: know it would have hit different from me, but yeah,

2890
02:23:32,080 --> 02:23:35,320
Speaker 2: so the last she makes another jump again. This time

2891
02:23:35,800 --> 02:23:38,880
Speaker 2: when she jumps, she's actually in bed with George the

2892
02:23:38,959 --> 02:23:43,119
Speaker 2: day before he left for Ardam.

2893
02:23:41,760 --> 02:23:47,039
Speaker 1: So it's kind of that same scene. And this is why,

2894
02:23:47,920 --> 02:23:48,840
Speaker 1: this is why.

2895
02:23:48,640 --> 02:23:50,880
Speaker 2: I did not like the criticism that said it had

2896
02:23:50,959 --> 02:23:54,320
Speaker 2: bad story accounting, because it's moments like this.

2897
02:23:54,680 --> 02:23:57,760
Speaker 1: You thought of that from day one, you know what

2898
02:23:57,800 --> 02:23:58,119
Speaker 1: I'm saying.

2899
02:23:58,200 --> 02:24:00,879
Speaker 2: There were seven episodes in they took us back to

2900
02:24:00,959 --> 02:24:02,200
Speaker 2: a scene from episode one.

2901
02:24:02,879 --> 02:24:04,760
Speaker 1: This is not sloppy storytelling.

2902
02:24:05,440 --> 02:24:07,280
Speaker 2: They knew they were coming back to this moment and

2903
02:24:07,280 --> 02:24:08,640
Speaker 2: gonna play it completely different.

2904
02:24:09,520 --> 02:24:12,080
Speaker 3: So for me, it's funny.

2905
02:24:12,120 --> 02:24:16,760
Speaker 2: You were talking about the battle scene and the you know,

2906
02:24:16,800 --> 02:24:18,360
Speaker 2: the dance and stuff, but this was the one for

2907
02:24:18,440 --> 02:24:20,440
Speaker 2: me that I was like, like.

2908
02:24:20,400 --> 02:24:25,600
Speaker 1: This one made me feel emotional. She so she she's

2909
02:24:25,640 --> 02:24:29,000
Speaker 1: in bed with George and it's the day before he

2910
02:24:29,040 --> 02:24:31,119
Speaker 1: goes to Artum. And then she gets up and they

2911
02:24:31,440 --> 02:24:33,400
Speaker 1: once again do that great thing where they fast forward.

2912
02:24:33,400 --> 02:24:36,400
Speaker 1: They don't show you the whole conversation, but she's basically

2913
02:24:36,400 --> 02:24:39,120
Speaker 1: told him the whole story of her multiverse travels, everything

2914
02:24:39,160 --> 02:24:43,840
Speaker 1: that's happened, and he believes her immediately, which I'm like,

2915
02:24:44,040 --> 02:24:44,720
Speaker 1: husband of the year.

2916
02:24:44,760 --> 02:24:48,440
Speaker 3: Okay, it's not beyond any human being.

2917
02:24:48,640 --> 02:24:50,120
Speaker 2: If your wife wake you up in the middle of

2918
02:24:50,160 --> 02:24:52,240
Speaker 2: the morning, especially when you thought she was gonna get

2919
02:24:52,240 --> 02:24:55,240
Speaker 2: some okay, and you wake up, Ah, everybody forgets that

2920
02:24:55,280 --> 02:24:59,600
Speaker 2: they was fucking in that scene, and instead she tells

2921
02:24:59,600 --> 02:25:02,560
Speaker 2: you about her multi universe travel and multi world theory

2922
02:25:03,120 --> 02:25:05,879
Speaker 2: and how all this stuff is having.

2923
02:25:05,920 --> 02:25:08,040
Speaker 1: She probably told him he got killed and shit, so

2924
02:25:08,120 --> 02:25:11,960
Speaker 1: he he was sitting there in gross like, tell me up.

2925
02:25:12,400 --> 02:25:12,680
Speaker 3: Yes.

2926
02:25:13,080 --> 02:25:15,080
Speaker 2: I was like, oh, maybe this is a fair tale world.

2927
02:25:15,120 --> 02:25:18,400
Speaker 2: Maybe she just believes, but but yeah.

2928
02:25:18,320 --> 02:25:18,560
Speaker 3: So.

2929
02:25:20,560 --> 02:25:25,000
Speaker 2: She was like, if like I believe I'm in a

2930
02:25:25,040 --> 02:25:31,360
Speaker 2: world where I can name myself anything. And he's like, well,

2931
02:25:31,360 --> 02:25:33,879
Speaker 2: am I really here right now? And she was like,

2932
02:25:33,920 --> 02:25:37,400
Speaker 2: I don't know, but it feels real. And he's like,

2933
02:25:37,480 --> 02:25:40,199
Speaker 2: after all your adventures, after all you saw, you still

2934
02:25:40,280 --> 02:25:42,840
Speaker 2: name yourself, my wife, And she was laying there with

2935
02:25:42,879 --> 02:25:45,320
Speaker 2: her head on his chest and you could see it

2936
02:25:46,280 --> 02:25:51,120
Speaker 2: dawn on her, like why did I come back to

2937
02:25:51,320 --> 02:25:56,320
Speaker 2: this right like like everything else was about freedoms and

2938
02:25:56,360 --> 02:25:59,840
Speaker 2: slaying my dragons and getting out of these boxes and

2939
02:26:00,280 --> 02:26:04,560
Speaker 2: experiencing this this this power, and then I came back

2940
02:26:04,600 --> 02:26:08,080
Speaker 2: to where I feel small in this place with my husband.

2941
02:26:08,120 --> 02:26:11,160
Speaker 2: It's not saying, and it's not the typical like feel

2942
02:26:11,200 --> 02:26:14,080
Speaker 2: small that people see on TV, or the man is

2943
02:26:14,120 --> 02:26:17,080
Speaker 2: a dick, he's abusive, he's you know, we know George

2944
02:26:17,080 --> 02:26:22,760
Speaker 2: to be a very nice, decent man, very uh loving

2945
02:26:22,879 --> 02:26:25,760
Speaker 2: and all this stuff, you know, other than you know,

2946
02:26:25,959 --> 02:26:28,920
Speaker 2: having tick, having this baby out of way, like, but

2947
02:26:28,959 --> 02:26:31,000
Speaker 2: other than that, we know him to be.

2948
02:26:31,000 --> 02:26:32,600
Speaker 3: A good dude, a good husband.

2949
02:26:33,000 --> 02:26:35,800
Speaker 2: So normally, when you have like a dragon, you're gonna

2950
02:26:35,800 --> 02:26:39,520
Speaker 2: slay the you know, it's his evilness, it's you know,

2951
02:26:39,520 --> 02:26:43,280
Speaker 2: it's Lawrence Fishburne as Ike Turner, you know, And in

2952
02:26:43,320 --> 02:26:45,879
Speaker 2: this case it wasn't that, but that little thing of

2953
02:26:45,959 --> 02:26:50,039
Speaker 2: him going so you like, you could have named yourself anything.

2954
02:26:50,040 --> 02:26:53,480
Speaker 2: You name yourself my wife. And it's like she sabotaged

2955
02:26:53,480 --> 02:26:55,880
Speaker 2: herself in a sect. For a second, she sits up

2956
02:26:56,400 --> 02:26:59,640
Speaker 2: and kind of looks at him, almost suspiciously, and also

2957
02:26:59,720 --> 02:27:02,800
Speaker 2: like she thinking, and she says, I think now I

2958
02:27:02,800 --> 02:27:05,360
Speaker 2: can name this thing that's been eating at me quiet,

2959
02:27:05,480 --> 02:27:09,520
Speaker 2: so quiet. Sometimes I think I was tired, sad or

2960
02:27:09,840 --> 02:27:12,680
Speaker 2: missing you when you were out on the road, but rather,

2961
02:27:12,879 --> 02:27:16,959
Speaker 2: but really I was angry, so angry because for so

2962
02:27:17,160 --> 02:27:20,039
Speaker 2: much of my life I've been shrinking and when I

2963
02:27:20,120 --> 02:27:21,920
Speaker 2: was a kid, I thought I was big enough to

2964
02:27:21,959 --> 02:27:24,600
Speaker 2: have every right to name something out of this world.

2965
02:27:25,160 --> 02:27:27,680
Speaker 2: And then I started shrinking myself. And that goes back

2966
02:27:27,720 --> 02:27:31,360
Speaker 2: to what she told d how she hadn't been the

2967
02:27:31,360 --> 02:27:35,480
Speaker 2: one that actually named that comment, but they did.

2968
02:27:35,640 --> 02:27:37,280
Speaker 1: They didn't give her credit. They gave it to a

2969
02:27:37,280 --> 02:27:38,080
Speaker 1: little white girl.

2970
02:27:38,360 --> 02:27:40,280
Speaker 2: And she says, you should have fought that, mommy, And

2971
02:27:40,320 --> 02:27:44,520
Speaker 2: she was like, well, you and I know, and that's

2972
02:27:44,560 --> 02:27:48,080
Speaker 2: good enough. And she's like, my mama named that, you know,

2973
02:27:48,200 --> 02:27:53,160
Speaker 2: And so that's like, so since that moment when she

2974
02:27:53,280 --> 02:27:56,720
Speaker 2: was a fucking kid, a brilliant kid, apparently one of

2975
02:27:56,720 --> 02:27:59,879
Speaker 2: the smartest people in the fucking world, if not the universe.

2976
02:28:00,600 --> 02:28:05,800
Speaker 2: She was so fucking smart and so brilliant, and from

2977
02:28:05,879 --> 02:28:09,840
Speaker 2: that moment she was deterred off of the path of

2978
02:28:10,360 --> 02:28:11,840
Speaker 2: exploring the boundaries of her.

2979
02:28:11,680 --> 02:28:15,119
Speaker 3: Brilliance and instead retreated with it and got.

2980
02:28:14,959 --> 02:28:20,320
Speaker 2: Smaller and smaller and smaller and smaller every day. And

2981
02:28:20,360 --> 02:28:22,320
Speaker 2: so she says, by the time I met you, I

2982
02:28:22,320 --> 02:28:25,520
Speaker 2: had already gotten so small. And I thought you knew

2983
02:28:25,720 --> 02:28:28,280
Speaker 2: how big I wanted to be. I thought you saw me,

2984
02:28:28,640 --> 02:28:30,680
Speaker 2: but you just stood by and let me shrink myself.

2985
02:28:30,760 --> 02:28:33,680
Speaker 3: More for you and then.

2986
02:28:34,800 --> 02:28:38,240
Speaker 2: He And that's interesting too, an interesting way to put it,

2987
02:28:38,320 --> 02:28:41,879
Speaker 2: because you know, if he didn't know her from then

2988
02:28:42,160 --> 02:28:44,960
Speaker 2: it's not necessarily that he would know how to fix that.

2989
02:28:45,680 --> 02:28:49,039
Speaker 2: And if she didn't really accept that that was wrong,

2990
02:28:49,120 --> 02:28:51,680
Speaker 2: it's not necessarily like he would just come in and

2991
02:28:51,680 --> 02:28:53,840
Speaker 2: be like, oh, automatically blah blah blah. And of course

2992
02:28:53,879 --> 02:28:57,520
Speaker 2: he's a black man in the nineteen fifties going out

2993
02:28:57,560 --> 02:29:00,000
Speaker 2: on these trips and almost dying a few times a shit,

2994
02:29:00,160 --> 02:29:02,680
Speaker 2: So I can see how his idea of protecting her

2995
02:29:02,720 --> 02:29:04,400
Speaker 2: would be, like, well, the best thing I can do

2996
02:29:04,480 --> 02:29:08,560
Speaker 2: is set you up a life where I'm on this road.

2997
02:29:08,760 --> 02:29:11,240
Speaker 1: But I'm but like, you're part.

2998
02:29:11,040 --> 02:29:11,760
Speaker 3: Of the business.

2999
02:29:12,080 --> 02:29:14,280
Speaker 2: You ain't got to worry about, you know, nothing for

3000
02:29:15,240 --> 02:29:17,800
Speaker 2: food and taking care of your kid and all this shit.

3001
02:29:17,879 --> 02:29:18,480
Speaker 3: But at the.

3002
02:29:18,440 --> 02:29:21,280
Speaker 2: Same time, what if she had ambitions bigger than that,

3003
02:29:22,520 --> 02:29:24,600
Speaker 2: you know, and I understand the danger of racism in

3004
02:29:24,600 --> 02:29:24,960
Speaker 2: the road.

3005
02:29:25,360 --> 02:29:28,279
Speaker 3: Definitely a good reason.

3006
02:29:28,360 --> 02:29:30,959
Speaker 2: Like I'm not like, it's not he's this evil person,

3007
02:29:31,360 --> 02:29:33,600
Speaker 2: but it's sometimes the hardest monster to kill is not

3008
02:29:34,520 --> 02:29:37,200
Speaker 2: the it's not just the demon that's trying to kill you.

3009
02:29:39,040 --> 02:29:41,400
Speaker 2: So yeah, So then he asked why she didn't tell

3010
02:29:41,440 --> 02:29:44,080
Speaker 2: him she felt this way. She said, I tried, and

3011
02:29:44,200 --> 02:29:46,480
Speaker 2: I always tried. You had to know that, you had

3012
02:29:46,480 --> 02:29:50,360
Speaker 2: to see that, and he says, deep down inside, he

3013
02:29:50,440 --> 02:29:54,959
Speaker 2: always knew that was a discoverer in her. And this

3014
02:29:55,080 --> 02:29:57,720
Speaker 2: nigga leaned up out of bed and was like, you

3015
02:29:57,800 --> 02:30:01,480
Speaker 2: know what, You're right and I was like, damn, you

3016
02:30:01,520 --> 02:30:04,840
Speaker 2: know because normally make people be into now like nah,

3017
02:30:04,879 --> 02:30:07,960
Speaker 2: fuck that, nah bitch, I'll be doing everything for your ass,

3018
02:30:08,040 --> 02:30:08,920
Speaker 2: and this is what I like.

3019
02:30:08,959 --> 02:30:10,960
Speaker 1: He was like, He was like, you're right.

3020
02:30:11,000 --> 02:30:14,880
Speaker 2: I'll let you helped you shrink so that we could

3021
02:30:14,879 --> 02:30:16,520
Speaker 2: have a family, so I could go and do what

3022
02:30:16,560 --> 02:30:18,680
Speaker 2: I had to do and know that you were safe

3023
02:30:18,680 --> 02:30:20,840
Speaker 2: and hun waiting for me. I'm so sorry. I see

3024
02:30:20,959 --> 02:30:23,920
Speaker 2: now what that cost you. And then he came to

3025
02:30:23,959 --> 02:30:26,800
Speaker 2: the edge of the bed and said I see you now,

3026
02:30:27,120 --> 02:30:29,920
Speaker 2: Hippolyta Freeman, and I want you to be as big

3027
02:30:29,959 --> 02:30:32,240
Speaker 2: as you can be. And then she was like, I

3028
02:30:32,280 --> 02:30:35,240
Speaker 2: am Hippolyta discoverer. And then they she put her hand

3029
02:30:35,280 --> 02:30:38,320
Speaker 2: out this time, and then that purple thing from her

3030
02:30:38,320 --> 02:30:40,720
Speaker 2: wrist started going around his wrist too, and then they

3031
02:30:40,800 --> 02:30:42,959
Speaker 2: warped out to another dimension.

3032
02:30:43,120 --> 02:30:47,840
Speaker 3: Yes, and this was very, very beautiful because it was

3033
02:30:47,920 --> 02:30:53,120
Speaker 3: one of the things to where it was accountability on

3034
02:30:53,160 --> 02:30:57,080
Speaker 3: his part. And it was also one of those things

3035
02:30:57,080 --> 02:31:00,240
Speaker 3: for me, like you said, when you're fighting things, first

3036
02:31:00,280 --> 02:31:02,160
Speaker 3: few fights was more of the hammer, like I'm just

3037
02:31:02,200 --> 02:31:04,320
Speaker 3: gonna boo boo boo boo boom. But this one was

3038
02:31:04,360 --> 02:31:06,800
Speaker 3: more like a surgeon, like, you know, like you have

3039
02:31:06,920 --> 02:31:08,600
Speaker 3: to get to the heart of the matter, you have

3040
02:31:08,720 --> 02:31:12,280
Speaker 3: to get to the root calls and in order to

3041
02:31:12,360 --> 02:31:14,120
Speaker 3: fix it. And it was some of those things where

3042
02:31:14,120 --> 02:31:16,120
Speaker 3: she had all these symptoms and you know, you ignore

3043
02:31:16,160 --> 02:31:18,480
Speaker 3: the symptoms, you get sicker. And it was one of

3044
02:31:18,480 --> 02:31:21,480
Speaker 3: those things where she ignored the symptoms, he ignored the symptoms.

3045
02:31:21,640 --> 02:31:24,039
Speaker 3: She just shrunk. And it was one of these things

3046
02:31:24,040 --> 02:31:26,920
Speaker 3: where for a lot, like I said, it was more

3047
02:31:27,000 --> 02:31:28,960
Speaker 3: that you just speaking to women, and particularly black women.

3048
02:31:29,040 --> 02:31:31,400
Speaker 3: Black women shrink themselves all the time. They shrink themselves

3049
02:31:31,440 --> 02:31:34,360
Speaker 3: when they walk into a room, even around men. You know,

3050
02:31:34,600 --> 02:31:37,320
Speaker 3: they you know, quote unquote men. I don't want allow woman.

3051
02:31:37,400 --> 02:31:39,000
Speaker 3: I don't want to bossy woman. I don't want to

3052
02:31:39,000 --> 02:31:40,880
Speaker 3: bet you woman. I don't want a woman with a pinion.

3053
02:31:40,879 --> 02:31:43,120
Speaker 3: I want a woman, you know, to to be obedient

3054
02:31:43,200 --> 02:31:45,960
Speaker 3: all this other stupid bullshit, you know, versus just allowing

3055
02:31:45,959 --> 02:31:48,279
Speaker 3: that woman to quote unquote be herself, you know, because

3056
02:31:48,280 --> 02:31:51,400
Speaker 3: you're afraid she's gonna quote unquote challenge your manhood and

3057
02:31:51,440 --> 02:31:53,119
Speaker 3: in some type of way when a lot of times

3058
02:31:53,200 --> 02:31:55,440
Speaker 3: it makes you a better man, but men don't actually

3059
02:31:55,440 --> 02:31:58,680
Speaker 3: see their manhood being challenged by their mate or their

3060
02:31:58,680 --> 02:32:01,480
Speaker 3: significant other as making them a better human being. Is

3061
02:32:01,520 --> 02:32:03,720
Speaker 3: almost like I got all the answers, I know everything,

3062
02:32:03,760 --> 02:32:07,480
Speaker 3: How dare you versus she might conceive a potential in

3063
02:32:07,600 --> 02:32:10,800
Speaker 3: you to help you grow also, so it actually benefits everybody,

3064
02:32:10,800 --> 02:32:13,120
Speaker 3: but everybody doesn't look at it like that. And it's

3065
02:32:13,120 --> 02:32:20,160
Speaker 3: also one of those things too, to where George gave

3066
02:32:20,200 --> 02:32:22,520
Speaker 3: the apology that a lot of women wish they would

3067
02:32:22,520 --> 02:32:25,640
Speaker 3: have had from men they left to you know, like

3068
02:32:25,720 --> 02:32:28,840
Speaker 3: a lot of women are hurt and they're damaged and

3069
02:32:28,959 --> 02:32:33,160
Speaker 3: they feel betrayed, and you know, that's an apology that

3070
02:32:33,200 --> 02:32:36,039
Speaker 3: they will never get. And and it's okay if you

3071
02:32:36,080 --> 02:32:38,680
Speaker 3: never get the apology, because you know, sometimes you have

3072
02:32:38,720 --> 02:32:41,080
Speaker 3: to close that door and move on. Sometimes you have

3073
02:32:41,160 --> 02:32:43,560
Speaker 3: to forgive them for the apology that you will never

3074
02:32:43,840 --> 02:32:47,560
Speaker 3: get and in order to move on. Sometimes and so

3075
02:32:48,280 --> 02:32:51,960
Speaker 3: I do appreciate that he acknowledged it, because you know, sometimes,

3076
02:32:52,000 --> 02:32:55,560
Speaker 3: like you said, you get that that resistant, that that

3077
02:32:55,640 --> 02:32:58,840
Speaker 3: ego part, which is a human thing to fight against

3078
02:32:58,879 --> 02:33:00,800
Speaker 3: you telling me that I'm how dare you tell me

3079
02:33:00,840 --> 02:33:04,039
Speaker 3: I'm wrong? I'm right? You know, And that's also goes

3080
02:33:04,040 --> 02:33:11,560
Speaker 3: into the patriarchy when men talk that from straight men.

3081
02:33:11,600 --> 02:33:14,120
Speaker 3: I taught very young that you're right, you're right, your

3082
02:33:14,160 --> 02:33:16,440
Speaker 3: opinions right, Everything you do is valid. There's nothing you

3083
02:33:16,480 --> 02:33:18,200
Speaker 3: do is wrong. You could be as quote unquote as

3084
02:33:18,240 --> 02:33:19,920
Speaker 3: big as you want to be, even though there's still

3085
02:33:19,920 --> 02:33:22,560
Speaker 3: some restrictions for black men, but you can quote unquote

3086
02:33:22,560 --> 02:33:23,920
Speaker 3: be as big as you want to be. That's why

3087
02:33:23,959 --> 02:33:26,960
Speaker 3: they've been accepted into things way before women were ever

3088
02:33:27,080 --> 02:33:29,480
Speaker 3: accepted into things, because one of the things where you're man,

3089
02:33:29,480 --> 02:33:30,800
Speaker 3: you could be as big as you want to be.

3090
02:33:31,280 --> 02:33:35,600
Speaker 3: And so I'm glad that we've seen this because this

3091
02:33:35,760 --> 02:33:40,160
Speaker 3: was actually a closure for her that she finally got

3092
02:33:40,200 --> 02:33:43,520
Speaker 3: in her life because you know, in her quote unquote

3093
02:33:44,040 --> 02:33:47,400
Speaker 3: space area of time wherever that is, she never got

3094
02:33:47,400 --> 02:33:48,039
Speaker 3: this conversation.

3095
02:33:48,920 --> 02:33:52,720
Speaker 2: And you know, partially because she didn't ever commit to

3096
02:33:53,600 --> 02:33:57,320
Speaker 2: being uncomfortable in this conversation. You know what I mean, like,

3097
02:33:57,800 --> 02:34:00,920
Speaker 2: because that's another thing that happens too, is you wait

3098
02:34:00,959 --> 02:34:03,879
Speaker 2: on someone to rescue rescue you, and you wait on

3099
02:34:03,920 --> 02:34:06,520
Speaker 2: somebody to fucking be a mind reader or to like

3100
02:34:07,360 --> 02:34:09,959
Speaker 2: put you in the uncomfortable situation where you have to

3101
02:34:10,120 --> 02:34:14,039
Speaker 2: confess to us. And George, by all accounts, seems like.

3102
02:34:14,000 --> 02:34:14,840
Speaker 1: A good dude.

3103
02:34:14,879 --> 02:34:18,400
Speaker 2: Like I know that the binary of how we look

3104
02:34:18,440 --> 02:34:20,840
Speaker 2: at people is very much good bad, you know, good

3105
02:34:20,959 --> 02:34:24,480
Speaker 2: or bad. And it's like, not, he was good, but

3106
02:34:24,560 --> 02:34:27,400
Speaker 2: he was good in a way that was not gonna

3107
02:34:27,440 --> 02:34:31,680
Speaker 2: ever help her reach her potential. And of course nineteen

3108
02:34:31,760 --> 02:34:37,360
Speaker 2: fifty segregated, sexist, patriarchal America, because we get all these

3109
02:34:37,400 --> 02:34:40,160
Speaker 2: signals right from your church to your schools, to your.

3110
02:34:40,080 --> 02:34:43,280
Speaker 1: Institutions, even when it came to voting. You know, like

3111
02:34:43,400 --> 02:34:46,280
Speaker 1: everything is like man over woman, man over woman, man

3112
02:34:46,320 --> 02:34:46,720
Speaker 1: over woman.

3113
02:34:46,800 --> 02:34:49,360
Speaker 2: A good man is a man that protects his woman.

3114
02:34:49,600 --> 02:34:52,200
Speaker 2: A good man is a provider for his woman. It's

3115
02:34:52,280 --> 02:34:56,560
Speaker 2: never like the idea of equality in partnership is still

3116
02:34:56,680 --> 02:34:59,039
Speaker 2: something we don't have today, you know what I mean,

3117
02:34:59,160 --> 02:35:05,560
Speaker 2: Like uh Ada b Wells and uh I forget her

3118
02:35:05,680 --> 02:35:07,520
Speaker 2: husband's name off top of my head for the moment.

3119
02:35:07,560 --> 02:35:11,880
Speaker 2: But like that nigga was essentially like a vanguard man,

3120
02:35:12,400 --> 02:35:15,039
Speaker 2: uh feminist, you know what I mean.

3121
02:35:14,879 --> 02:35:17,560
Speaker 1: To be, Like, yes, my wife is. You might know

3122
02:35:17,640 --> 02:35:21,320
Speaker 1: her as the anti lynching activist that sometimes she got

3123
02:35:21,320 --> 02:35:23,160
Speaker 1: to go off without the kids and fucking get to

3124
02:35:23,160 --> 02:35:24,520
Speaker 1: the bottom of who killed this.

3125
02:35:24,600 --> 02:35:26,960
Speaker 3: Back Like yeah, yeah, that's yeah, you're like, I don't

3126
02:35:27,000 --> 02:35:28,520
Speaker 3: mind being at home with the kids. Like I'm cool

3127
02:35:28,560 --> 02:35:30,440
Speaker 3: with that. I don't mind y'all not know who I am.

3128
02:35:30,480 --> 02:35:31,600
Speaker 3: And my wife is more famous.

3129
02:35:31,640 --> 02:35:33,320
Speaker 1: But me right, he's an activist too.

3130
02:35:33,520 --> 02:35:36,080
Speaker 2: But we don't talk about this nigga like but but

3131
02:35:36,160 --> 02:35:38,520
Speaker 2: the but the idea of being that kind of man

3132
02:35:38,680 --> 02:35:40,800
Speaker 2: at that period of time, it wasn't no man like

3133
02:35:40,840 --> 02:35:43,520
Speaker 2: that really if most of the men was like sit

3134
02:35:43,600 --> 02:35:47,120
Speaker 2: your ass down and or I love you, but you know,

3135
02:35:47,200 --> 02:35:48,720
Speaker 2: now it's time for you to have all the babies

3136
02:35:48,720 --> 02:35:49,600
Speaker 2: to stay home, you know.

3137
02:35:50,440 --> 02:35:52,560
Speaker 3: Yeah. And it's also one thing I kind of see

3138
02:35:52,560 --> 02:35:54,240
Speaker 3: them talking about chat room and I didn't really think

3139
02:35:54,280 --> 02:35:58,199
Speaker 3: about this. I think that, Uh, even with the trip

3140
02:35:58,560 --> 02:36:00,960
Speaker 3: with Letty and Tick, do you seem kind of a

3141
02:36:01,000 --> 02:36:03,600
Speaker 3: shift because initially he wouldn't even let her drive.

3142
02:36:04,200 --> 02:36:08,120
Speaker 2: Letty taught him it was okay to take her on

3143
02:36:08,160 --> 02:36:10,840
Speaker 2: the road to take Hippolyte on the road. It was

3144
02:36:10,879 --> 02:36:13,520
Speaker 2: after Letty saved them that he called Hippolyta and was like,

3145
02:36:13,680 --> 02:36:15,520
Speaker 2: you can come on the road next time. Maybe we

3146
02:36:15,560 --> 02:36:17,400
Speaker 2: should make the next one together, you.

3147
02:36:17,320 --> 02:36:17,879
Speaker 1: Know what I'm saying.

3148
02:36:17,920 --> 02:36:21,959
Speaker 2: So, like, clearly it's not that George was purposely in

3149
02:36:22,000 --> 02:36:24,280
Speaker 2: his mind holding her back, which is but in a

3150
02:36:24,320 --> 02:36:27,840
Speaker 2: way it's almost sadder. It's more tragic, you know what

3151
02:36:27,879 --> 02:36:32,039
Speaker 2: I mean, because she never took the risk with this

3152
02:36:32,120 --> 02:36:33,959
Speaker 2: dude that would have supported her.

3153
02:36:34,800 --> 02:36:35,480
Speaker 3: You know what I mean.

3154
02:36:35,560 --> 02:36:37,760
Speaker 1: So because like the thing I see in these things

3155
02:36:37,879 --> 02:36:38,959
Speaker 1: is not lessons.

3156
02:36:39,480 --> 02:36:41,879
Speaker 2: Each one of these realities felt like it was of

3157
02:36:41,920 --> 02:36:44,760
Speaker 2: her own, creating this own world where she everything she

3158
02:36:44,879 --> 02:36:47,960
Speaker 2: wanted to happen happened, everything went the way she would

3159
02:36:48,000 --> 02:36:50,120
Speaker 2: have liked it to go to a certain extent, But

3160
02:36:51,680 --> 02:36:53,520
Speaker 2: it felt like with this one it was the most

3161
02:36:53,520 --> 02:36:55,640
Speaker 2: plausible because it's the closest to what her life was like,

3162
02:36:56,520 --> 02:36:59,120
Speaker 2: and the essence of George was still there. It didn't

3163
02:36:59,120 --> 02:37:01,320
Speaker 2: feel like this was so foreign version of George that

3164
02:37:01,400 --> 02:37:04,160
Speaker 2: was the perfect husband who understood everything. It felt like

3165
02:37:05,240 --> 02:37:08,080
Speaker 2: this is just a conversation I was afraid to have.

3166
02:37:08,600 --> 02:37:11,440
Speaker 2: I never really called you to the carpet and said, no,

3167
02:37:11,640 --> 02:37:14,760
Speaker 2: I really do mean this, like this is not just

3168
02:37:14,840 --> 02:37:17,880
Speaker 2: something I want you to go Yeah yeah yeah, like

3169
02:37:18,160 --> 02:37:19,760
Speaker 2: I like she like, I guarantee you.

3170
02:37:19,840 --> 02:37:22,600
Speaker 3: He never knew she was angry. No, he didn't. And

3171
02:37:22,720 --> 02:37:25,440
Speaker 3: I do think that he because of his personality, he

3172
02:37:25,480 --> 02:37:27,080
Speaker 3: would have been understanding.

3173
02:37:26,760 --> 02:37:27,600
Speaker 1: Because he gave a fuck.

3174
02:37:27,600 --> 02:37:30,520
Speaker 2: He was And it's not like to pat him on

3175
02:37:30,520 --> 02:37:32,440
Speaker 2: the back, like, wow, you supposed to give a fuck.

3176
02:37:32,760 --> 02:37:37,400
Speaker 2: But it's like if I'm not a mind reader, So

3177
02:37:37,440 --> 02:37:40,480
Speaker 2: if I don't know, I don't know, you know what

3178
02:37:40,480 --> 02:37:43,320
Speaker 2: I mean? And I think that's another thing. It's another

3179
02:37:43,400 --> 02:37:45,959
Speaker 2: thing that's messed up about the way we look at love.

3180
02:37:46,040 --> 02:37:48,400
Speaker 2: We look at love on some like it's the one

3181
02:37:48,440 --> 02:37:51,560
Speaker 2: person that just knows when you need to scratch your nose,

3182
02:37:51,680 --> 02:37:54,680
Speaker 2: and it's like that's no communication is part of it.

3183
02:37:54,760 --> 02:37:59,360
Speaker 2: So if they don't fucking know you're resenting them for

3184
02:37:59,440 --> 02:38:01,280
Speaker 2: some shit that it might not really be a problem

3185
02:38:01,320 --> 02:38:02,519
Speaker 2: if they knew.

3186
02:38:02,480 --> 02:38:03,400
Speaker 1: Yes, you know what I mean.

3187
02:38:03,400 --> 02:38:07,000
Speaker 3: There's a lot in relationships, and relationships go sour for

3188
02:38:07,120 --> 02:38:10,600
Speaker 3: everybody involved sometimes because you have people with these pent

3189
02:38:10,720 --> 02:38:13,480
Speaker 3: up feelings and these emotions and they never express it.

3190
02:38:13,840 --> 02:38:16,400
Speaker 3: So if you want to have children and your partner don't,

3191
02:38:16,400 --> 02:38:18,520
Speaker 3: and y'all have children, you resent them and you never

3192
02:38:18,520 --> 02:38:20,640
Speaker 3: bring it up. You know what, you end up being

3193
02:38:20,640 --> 02:38:23,000
Speaker 3: mad to kids. You're not resenting them for forcing you

3194
02:38:23,040 --> 02:38:25,440
Speaker 3: to be in a situation versus having a conversation with them,

3195
02:38:25,520 --> 02:38:27,680
Speaker 3: because you don't having a conversation with them might mean

3196
02:38:27,760 --> 02:38:31,120
Speaker 3: that you might have to leave, you know, if they're

3197
02:38:31,200 --> 02:38:33,520
Speaker 3: gun hole about having kids, you know, like, you know

3198
02:38:33,560 --> 02:38:35,480
Speaker 3: what I'm not to make, Let's move on. But those

3199
02:38:35,480 --> 02:38:38,520
Speaker 3: are decisions that are very scary and very difficult for

3200
02:38:38,520 --> 02:38:40,640
Speaker 3: people to make. So it's easier for a lot of

3201
02:38:40,640 --> 02:38:42,320
Speaker 3: people just to go along, to get along, and then

3202
02:38:42,440 --> 02:38:45,280
Speaker 3: resent because you just go along in life. That's what

3203
02:38:45,360 --> 02:38:46,560
Speaker 3: we've been taught, you know what I mean.

3204
02:38:46,600 --> 02:38:49,640
Speaker 2: I remember when we talked about not having kids, and

3205
02:38:50,520 --> 02:38:52,360
Speaker 2: you have brought that up. We had never really talked

3206
02:38:52,360 --> 02:38:55,560
Speaker 2: about it before, and I think the assumption was like, well,

3207
02:38:55,680 --> 02:38:57,600
Speaker 2: at some point, you just have to have kids, because

3208
02:38:57,600 --> 02:38:59,520
Speaker 2: that's what the fuck you do, And you was like,

3209
02:38:59,600 --> 02:39:02,040
Speaker 2: I don't want do that, and I'm like, you know

3210
02:39:02,080 --> 02:39:04,840
Speaker 2: what I mean, Like because but if you would have

3211
02:39:04,879 --> 02:39:07,560
Speaker 2: never had that conversation, we might have had some kids

3212
02:39:07,600 --> 02:39:11,600
Speaker 2: that now you resent because your life took a different path.

3213
02:39:11,640 --> 02:39:14,120
Speaker 2: Even when you love them, you're still looking at opportunities

3214
02:39:14,160 --> 02:39:16,760
Speaker 2: you didn't get. You're looking at things you wanted to

3215
02:39:16,800 --> 02:39:19,120
Speaker 2: do that never get done, you know what I mean.

3216
02:39:19,200 --> 02:39:23,320
Speaker 3: So it's just I think those are tough situations.

3217
02:39:23,320 --> 02:39:26,480
Speaker 2: It's easy to talk about the easy shit, but there's

3218
02:39:26,480 --> 02:39:28,760
Speaker 2: a tough situation. So to me, this was the one

3219
02:39:28,800 --> 02:39:32,560
Speaker 2: that hit the closest to like, yo, that is real

3220
02:39:32,680 --> 02:39:36,240
Speaker 2: and scary, like scary in a way that killing French

3221
02:39:36,600 --> 02:39:40,360
Speaker 2: or Confederate fictional white man as an Amazon is not,

3222
02:39:40,440 --> 02:39:42,480
Speaker 2: because it's so far away from what you do in

3223
02:39:42,520 --> 02:39:43,160
Speaker 2: real life.

3224
02:39:43,320 --> 02:39:46,240
Speaker 3: Yes, And it's also you know, one of the things

3225
02:39:46,320 --> 02:39:50,800
Speaker 3: too to where uh, because it's something we never talked about,

3226
02:39:50,800 --> 02:39:52,840
Speaker 3: which a lot of people don't talk about children prior

3227
02:39:52,879 --> 02:39:57,160
Speaker 3: to having them. It's one of those things where even

3228
02:39:57,280 --> 02:40:00,280
Speaker 3: after you know we made the decision, people would asks

3229
02:40:00,400 --> 02:40:02,680
Speaker 3: me up because, like I said, the patriarchy, you know,

3230
02:40:02,959 --> 02:40:04,240
Speaker 3: when I'd be like, I don't want how kids, they

3231
02:40:04,280 --> 02:40:05,560
Speaker 3: were like, how do your husban feel about it? I'm

3232
02:40:05,640 --> 02:40:08,920
Speaker 3: like and and and it's and it's funny though a

3233
02:40:08,920 --> 02:40:11,040
Speaker 3: lot of times, depending on who I'm around, people look

3234
02:40:11,040 --> 02:40:13,680
Speaker 3: at me like I'm almost too free, you know, because

3235
02:40:13,720 --> 02:40:15,160
Speaker 3: a lot of times when they'd be like what her

3236
02:40:15,240 --> 02:40:18,760
Speaker 3: husband think, I like, I decided that I don't want

3237
02:40:18,760 --> 02:40:20,879
Speaker 3: to how kids like That's why I like, who gets

3238
02:40:20,879 --> 02:40:22,879
Speaker 3: a fucking with probable he thinks? You know, even even

3239
02:40:23,000 --> 02:40:25,520
Speaker 3: simple things like dyeing my hair or cutting my hair.

3240
02:40:25,879 --> 02:40:28,720
Speaker 3: I'll come in, you know, brand new, and people be like, uh,

3241
02:40:28,760 --> 02:40:30,400
Speaker 3: your husband let you come my house and my husband

3242
02:40:30,440 --> 02:40:32,280
Speaker 3: let me do shit? What are you talking about? And

3243
02:40:32,360 --> 02:40:35,360
Speaker 3: I was like, oh, oh yeah, Karen, you are quote

3244
02:40:35,400 --> 02:40:38,600
Speaker 3: unquote freer. And I honestly think that I'm gonna tell

3245
02:40:38,600 --> 02:40:40,520
Speaker 3: you right now. That's why some people call into the

3246
02:40:40,520 --> 02:40:42,680
Speaker 3: show wanting you to quote unquote rain me in and

3247
02:40:42,680 --> 02:40:45,520
Speaker 3: and correct me and quote unquote put me in my place.

3248
02:40:45,560 --> 02:40:48,000
Speaker 3: And how dare you have this outspoken woman that you

3249
02:40:48,080 --> 02:40:51,160
Speaker 3: allow to to to be flawed and fuck up and

3250
02:40:51,160 --> 02:40:53,520
Speaker 3: and and and be all over the place, and you,

3251
02:40:53,600 --> 02:40:56,560
Speaker 3: quote unquote as a man, you accountable and responsible. And

3252
02:40:56,600 --> 02:40:58,920
Speaker 3: it's one of those things where you know, I could

3253
02:40:58,959 --> 02:41:01,520
Speaker 3: see George, you know, getting to the place where he

3254
02:41:01,600 --> 02:41:04,760
Speaker 3: just wanted to quote unquote protect, but also in protecting,

3255
02:41:04,840 --> 02:41:07,200
Speaker 3: you can also hurt the people you're protecting. If you

3256
02:41:07,200 --> 02:41:08,880
Speaker 3: don't know how to property protect them when you don't

3257
02:41:08,920 --> 02:41:09,760
Speaker 3: know what the needs are.

3258
02:41:10,000 --> 02:41:12,640
Speaker 1: Yeah, and also like they have to communicate that.

3259
02:41:12,959 --> 02:41:16,000
Speaker 2: But and then also like it's not even flaws or

3260
02:41:16,000 --> 02:41:19,240
Speaker 2: fuck up, it's that's what freedom is. You make choices

3261
02:41:19,280 --> 02:41:21,520
Speaker 2: that don't have shit to do with me, right, you

3262
02:41:21,560 --> 02:41:23,960
Speaker 2: know what I mean. That's what freedom isn't you know.

3263
02:41:24,040 --> 02:41:26,800
Speaker 2: It's not like you're being mean or something like I'm

3264
02:41:26,800 --> 02:41:28,920
Speaker 2: gonna change my head cause fuck you, nigga. Like it's

3265
02:41:28,959 --> 02:41:32,320
Speaker 2: just I like brown, I like blonde, Like they don't

3266
02:41:32,360 --> 02:41:34,160
Speaker 2: have nothing to do, Like who the fucking mind to

3267
02:41:34,240 --> 02:41:34,680
Speaker 2: be coming home?

3268
02:41:34,800 --> 02:41:36,800
Speaker 3: Like wow, for real blonde?

3269
02:41:37,360 --> 02:41:39,320
Speaker 2: You know, But I think it's just But that's what

3270
02:41:39,360 --> 02:41:42,400
Speaker 2: I'm saying. It's twenty twenty, right, this is nineteen fifty.

3271
02:41:42,440 --> 02:41:46,080
Speaker 2: So I try to have some reference and some level

3272
02:41:46,120 --> 02:41:47,440
Speaker 2: of context for these characters.

3273
02:41:47,440 --> 02:41:49,920
Speaker 1: You know, I'll see people mad that tick said the effort.

3274
02:41:50,000 --> 02:41:53,400
Speaker 2: It's nineteen fucking fifty, y'all say that, now, you know

3275
02:41:53,480 --> 02:41:53,880
Speaker 2: what I mean.

3276
02:41:53,920 --> 02:41:55,400
Speaker 3: It's nineteen fifty.

3277
02:41:55,920 --> 02:41:58,760
Speaker 1: They putting that in rap songs today, twenty twenty.

3278
02:41:59,240 --> 02:42:01,400
Speaker 2: So you have to have a little bit of context

3279
02:42:01,400 --> 02:42:04,840
Speaker 2: for like the morality of these people, because what happens

3280
02:42:04,959 --> 02:42:07,240
Speaker 2: is we have fallen for the hook line and singer,

3281
02:42:07,280 --> 02:42:10,359
Speaker 2: for these fucking writers' rooms that just write.

3282
02:42:10,120 --> 02:42:11,760
Speaker 3: Perfect people in these fucking scripts.

3283
02:42:11,760 --> 02:42:15,440
Speaker 2: And you're like, yeah, in nineteen twenty he understood the

3284
02:42:15,520 --> 02:42:18,280
Speaker 2: Klan what's bad even though he was in the South,

3285
02:42:18,400 --> 02:42:19,520
Speaker 2: his daddy was in the Klan.

3286
02:42:20,040 --> 02:42:23,000
Speaker 3: It's like, that's not the average person. People don't even

3287
02:42:23,120 --> 02:42:23,840
Speaker 3: understand today.

3288
02:42:23,920 --> 02:42:26,360
Speaker 2: So it's like, why are we holding that against a

3289
02:42:26,400 --> 02:42:30,160
Speaker 2: fucking fictional script that we know is trying to give

3290
02:42:30,200 --> 02:42:32,519
Speaker 2: you some levels of like these were real.

3291
02:42:32,200 --> 02:42:34,680
Speaker 3: Issues and you need to give the characters somewhere to go.

3292
02:42:35,480 --> 02:42:39,760
Speaker 2: Perfect characters are kind of you know, boring, Yes, they are,

3293
02:42:39,920 --> 02:42:42,960
Speaker 2: Like that's why they always people like these anti hero

3294
02:42:43,320 --> 02:42:45,560
Speaker 2: shows and shit, because when you have that kind of

3295
02:42:45,600 --> 02:42:47,280
Speaker 2: flawed character that has a place to.

3296
02:42:47,280 --> 02:42:49,920
Speaker 3: Go with it, it makes it more compelling. Yeah, and

3297
02:42:50,160 --> 02:42:51,879
Speaker 3: all the side. Like I said, it's one of those

3298
02:42:51,879 --> 02:42:54,320
Speaker 3: things people complain, but you would be fucking livid. You

3299
02:42:54,320 --> 02:42:57,560
Speaker 3: would go these same people complain it's boring, it's boring.

3300
02:42:57,680 --> 02:42:59,920
Speaker 3: They're perfect. They're not They're not flawed.

3301
02:43:00,440 --> 02:43:03,200
Speaker 2: Like I think people are flinching up because I think

3302
02:43:03,240 --> 02:43:08,120
Speaker 2: they're gonna either have Hippolyta or Ruby. Maybe both kind

3303
02:43:08,120 --> 02:43:10,959
Speaker 2: of be obstacles, if not villains to some of the

3304
02:43:11,000 --> 02:43:13,640
Speaker 2: things that taken Letty want to do. And I know

3305
02:43:13,640 --> 02:43:14,880
Speaker 2: people are gonna be like, I don't want to have

3306
02:43:14,920 --> 02:43:17,160
Speaker 2: to root against these women's Like, but you have to

3307
02:43:17,160 --> 02:43:19,920
Speaker 2: do's one everyone to show just about as black let's

3308
02:43:20,080 --> 02:43:22,360
Speaker 2: you have to give the character somewhere to go, yes,

3309
02:43:22,440 --> 02:43:22,760
Speaker 2: you do.

3310
02:43:22,879 --> 02:43:24,840
Speaker 1: They can't start at ten.

3311
02:43:25,040 --> 02:43:27,840
Speaker 2: They gotta start somewhere in the middle and work their

3312
02:43:27,879 --> 02:43:30,039
Speaker 2: way into good, bad, whatever.

3313
02:43:30,160 --> 02:43:33,360
Speaker 3: Yeah, And there's also one of those things where for

3314
02:43:33,440 --> 02:43:37,000
Speaker 3: a lot of people, even though people complain about why

3315
02:43:37,000 --> 02:43:40,000
Speaker 3: the black people always gotta be villains, Okay, everybody black,

3316
02:43:40,040 --> 02:43:41,879
Speaker 3: so guess what, they're gonna be a villain. So you

3317
02:43:42,000 --> 02:43:44,280
Speaker 3: still complaining about the black pencil being a villain. But

3318
02:43:45,440 --> 02:43:48,080
Speaker 3: we're playing all the roles. So since we're playing all

3319
02:43:48,120 --> 02:43:50,199
Speaker 3: the roles, a black person is gonna be a villain.

3320
02:43:50,640 --> 02:43:52,920
Speaker 3: And that's just part of the storyline. But I think

3321
02:43:52,959 --> 02:43:57,880
Speaker 3: it's just something about us, you know, the the the

3322
02:43:57,879 --> 02:44:00,720
Speaker 3: the way we feel about society and the political correctness

3323
02:44:00,760 --> 02:44:03,039
Speaker 3: noticed stuff to make us feel like, oh my gosh,

3324
02:44:03,080 --> 02:44:05,680
Speaker 3: a black person is doing something wrong or doing something

3325
02:44:05,920 --> 02:44:10,800
Speaker 3: out of character, or they're evil but in reality that's niggas,

3326
02:44:10,840 --> 02:44:12,680
Speaker 3: like like that's us. We're all over the place in

3327
02:44:12,720 --> 02:44:16,360
Speaker 3: real reality too, but you know when it's presented in TV,

3328
02:44:16,480 --> 02:44:19,160
Speaker 3: we have all these rules and regulations that we tried

3329
02:44:19,200 --> 02:44:21,240
Speaker 3: to put on things, that we want you to shrink

3330
02:44:21,280 --> 02:44:23,879
Speaker 3: things into a nice little neat package when they're just

3331
02:44:23,920 --> 02:44:26,200
Speaker 3: trying to tell us a story. All right.

3332
02:44:26,280 --> 02:44:29,440
Speaker 2: So they arrived this time on like a farm, like

3333
02:44:29,600 --> 02:44:35,920
Speaker 2: just a planet that has aliens on it. Now, Hippolyta

3334
02:44:36,120 --> 02:44:41,439
Speaker 2: is dressed exactly like the main protagonists in these comics,

3335
02:44:41,440 --> 02:44:42,440
Speaker 2: Arinthia Blue.

3336
02:44:42,600 --> 02:44:44,240
Speaker 1: She has a blue wig.

3337
02:44:44,800 --> 02:44:47,640
Speaker 2: She got the space like the nineteen fifties version of

3338
02:44:47,680 --> 02:44:51,760
Speaker 2: the future space bubble helmet. It was a She took

3339
02:44:51,840 --> 02:44:54,480
Speaker 2: George with her, he had a wig, he had a cape.

3340
02:44:54,520 --> 02:44:57,240
Speaker 1: I mean, they were bouncing around talking.

3341
02:44:56,920 --> 02:45:00,640
Speaker 2: To aliens and and it was that wasn't like some

3342
02:45:00,680 --> 02:45:02,720
Speaker 2: space adventure where there was killing people and stuff. It

3343
02:45:02,760 --> 02:45:06,039
Speaker 2: was really these you know these Remember her protagonist goes

3344
02:45:06,040 --> 02:45:10,040
Speaker 2: around fixing people's like space phones and shit like like

3345
02:45:10,040 --> 02:45:11,800
Speaker 2: like it was just doing that, just this, and she

3346
02:45:11,920 --> 02:45:17,240
Speaker 2: was this discoverer. And I love that the idealized version

3347
02:45:17,280 --> 02:45:21,920
Speaker 2: of herself in this universe was the's wildest dream and

3348
02:45:22,000 --> 02:45:23,480
Speaker 2: it was adorable like that.

3349
02:45:23,600 --> 02:45:25,960
Speaker 1: Was so how can you not love this show?

3350
02:45:26,080 --> 02:45:29,920
Speaker 4: Just go from place to place and meeting and and

3351
02:45:30,320 --> 02:45:32,720
Speaker 4: and just doing all the shit you see white people

3352
02:45:32,760 --> 02:45:36,480
Speaker 4: do when they go to these planets, just speaking, that's.

3353
02:45:36,320 --> 02:45:38,560
Speaker 2: Not what they do, Okay, when they go to these planets,

3354
02:45:38,720 --> 02:45:43,160
Speaker 2: they start touching vagina, snakes, trying to take betraying each other, androids,

3355
02:45:43,240 --> 02:45:48,279
Speaker 2: eat people. These were a nice hole some black adventures, Karen, sir, These.

3356
02:45:48,080 --> 02:45:50,640
Speaker 3: Are the visions that they think would happen, but they

3357
02:45:50,720 --> 02:45:53,680
Speaker 3: end up turning wrong. But she because we black, we

3358
02:45:53,760 --> 02:45:56,160
Speaker 3: choose in the safe planets where things won't fucking bite

3359
02:45:56,200 --> 02:45:57,360
Speaker 3: you and eat you and shit, I.

3360
02:45:57,320 --> 02:45:59,480
Speaker 2: Think I think white people show up to colonize, Karen,

3361
02:45:59,520 --> 02:46:00,480
Speaker 2: I don't even think that.

3362
02:46:00,640 --> 02:46:02,400
Speaker 3: I don't. We don't colonize.

3363
02:46:03,760 --> 02:46:07,840
Speaker 2: That's we were showing up to visit. Okay, the recipes.

3364
02:46:07,920 --> 02:46:10,160
Speaker 2: You need some help with your cell phone tower.

3365
02:46:10,240 --> 02:46:12,040
Speaker 1: Let me hook you up, like that's what she was

3366
02:46:12,080 --> 02:46:12,760
Speaker 1: showing up to do.

3367
02:46:13,120 --> 02:46:14,760
Speaker 2: White people would have sewn up and been like this

3368
02:46:14,879 --> 02:46:17,560
Speaker 2: my cell phone tower, when I put this flag on it,

3369
02:46:17,600 --> 02:46:19,199
Speaker 2: this mine, get off my land.

3370
02:46:19,280 --> 02:46:20,120
Speaker 3: It ain't nothing you can do.

3371
02:46:21,680 --> 02:46:24,039
Speaker 2: Race, y'all better get off to the other side of Mars.

3372
02:46:25,320 --> 02:46:27,480
Speaker 2: This Mars Johnson, now this mine.

3373
02:46:27,560 --> 02:46:30,000
Speaker 3: You better get on to the dark side of the moon.

3374
02:46:30,160 --> 02:46:33,680
Speaker 2: They was having nice, wholesome black people adventures. They was

3375
02:46:34,040 --> 02:46:38,199
Speaker 2: so then they played like a clip from Son Raw,

3376
02:46:38,440 --> 02:46:40,680
Speaker 2: who I believe was a musician, who said that they

3377
02:46:40,680 --> 02:46:43,280
Speaker 2: were not from the planet Earth. They were an alien.

3378
02:46:44,440 --> 02:46:46,720
Speaker 2: But the quote was I'm not real. I'm just like you.

3379
02:46:46,720 --> 02:46:48,039
Speaker 2: You don't exist in this society.

3380
02:46:48,520 --> 02:46:51,320
Speaker 3: If you did, your people wouldn't be seeking equal rights.

3381
02:46:51,400 --> 02:46:52,120
Speaker 3: You're not real.

3382
02:46:52,280 --> 02:46:55,680
Speaker 2: If you were, you'd have some status among the nations

3383
02:46:55,720 --> 02:46:58,200
Speaker 2: of the world. So we are both myths. I do

3384
02:46:58,320 --> 02:47:00,160
Speaker 2: not come to you as a reality. I can to

3385
02:47:00,200 --> 02:47:03,360
Speaker 2: you as the myth, because that is what black people are.

3386
02:47:03,640 --> 02:47:04,119
Speaker 3: Myths.

3387
02:47:04,400 --> 02:47:07,120
Speaker 1: I come I came from a dream that the black

3388
02:47:07,160 --> 02:47:10,200
Speaker 1: man dream long ago. I'm actually a present sense to

3389
02:47:10,240 --> 02:47:11,520
Speaker 1: you by your ancestors.

3390
02:47:11,720 --> 02:47:13,800
Speaker 2: I'm gonna be here until I pick out some of

3391
02:47:13,840 --> 02:47:14,959
Speaker 2: you to take back with me.

3392
02:47:15,560 --> 02:47:17,680
Speaker 3: Because he's like I said, he believed he was an alien.

3393
02:47:19,200 --> 02:47:24,920
Speaker 2: Uh So she sees the Serafina. In her last version

3394
02:47:24,959 --> 02:47:28,160
Speaker 2: of this vision, she teleports out the space and now

3395
02:47:28,200 --> 02:47:35,240
Speaker 2: she's talking to Serafina aka Beyond Seth and Seraphina is

3396
02:47:35,320 --> 02:47:38,880
Speaker 2: like she's got this long, glowing, flowing thing. It's like

3397
02:47:38,959 --> 02:47:42,439
Speaker 2: the solars. It's all beautiful and bright and like colorful.

3398
02:47:42,920 --> 02:47:46,720
Speaker 2: And she's talking to Hippolyta, and she says, now that

3399
02:47:46,760 --> 02:47:49,600
Speaker 2: you've named yourself, we can fully integrate you into our society.

3400
02:47:49,680 --> 02:47:52,400
Speaker 2: You no longer need the devices on your wrist. And

3401
02:47:52,560 --> 02:47:56,119
Speaker 2: she Hippolyta says, to change permanent, and she said, and

3402
02:47:56,240 --> 02:47:59,400
Speaker 2: uh sarah Fina says yes. And Hippolyta says, if I

3403
02:47:59,440 --> 02:48:01,879
Speaker 2: don't change, can I go back through that portal that

3404
02:48:01,959 --> 02:48:06,520
Speaker 2: brought me here back home? And she says, yes, we

3405
02:48:06,560 --> 02:48:10,480
Speaker 2: can send you back to your earth. And then Hippolyta says,

3406
02:48:10,560 --> 02:48:13,640
Speaker 2: home feels like the wrong word. How can I fit

3407
02:48:13,760 --> 02:48:18,760
Speaker 2: in everything that I am now into that place that Hippolyta,

3408
02:48:18,959 --> 02:48:23,640
Speaker 2: she was so small, but d she needs me. And

3409
02:48:24,720 --> 02:48:26,840
Speaker 2: we never see her say like.

3410
02:48:26,879 --> 02:48:30,720
Speaker 3: I'm going back home. But the assumption here is she must.

3411
02:48:30,480 --> 02:48:31,199
Speaker 1: Have gone back home.

3412
02:48:31,400 --> 02:48:33,240
Speaker 3: I don't think she's going back, so you think she's

3413
02:48:33,320 --> 02:48:37,000
Speaker 3: leaving dyehever. But I think she returned, but I don't

3414
02:48:37,040 --> 02:48:40,680
Speaker 3: think that she's going quickly go back. I think she's

3415
02:48:40,680 --> 02:48:42,800
Speaker 3: going to do join because and this is just me

3416
02:48:43,360 --> 02:48:47,520
Speaker 3: because it's and also I and this shot was so beautiful.

3417
02:48:48,040 --> 02:48:52,760
Speaker 3: I loved the spiral solar system that was going around

3418
02:48:52,800 --> 02:48:56,480
Speaker 3: her while she was floating. It was like her outfit

3419
02:48:56,680 --> 02:48:58,720
Speaker 3: had like this spiral that was going around had like

3420
02:48:58,760 --> 02:49:01,080
Speaker 3: these planets on it. It was absolutely gorgeous.

3421
02:49:01,160 --> 02:49:04,720
Speaker 2: That was the costume that dro Yeah. Yeah, it's on

3422
02:49:04,720 --> 02:49:07,160
Speaker 2: the cover that magazine, on the cover of the comic book.

3423
02:49:07,560 --> 02:49:09,640
Speaker 3: But yes, go ahead. You don't think she's coming back, No,

3424
02:49:09,800 --> 02:49:13,120
Speaker 3: I don't think she is. Uh. I think that uh

3425
02:49:14,320 --> 02:49:18,080
Speaker 3: she will quote unquote pop back up uh at some

3426
02:49:18,160 --> 02:49:22,240
Speaker 3: period of time and kind of explain to thee and

3427
02:49:23,120 --> 02:49:26,119
Speaker 3: disappear because I think that she meant what she said,

3428
02:49:26,120 --> 02:49:26,880
Speaker 3: but she was too big.

3429
02:49:27,200 --> 02:49:27,640
Speaker 1: And I don't.

3430
02:49:27,920 --> 02:49:29,880
Speaker 2: Do you think the actress is off the show too then,

3431
02:49:30,560 --> 02:49:32,439
Speaker 2: because if she Okay.

3432
02:49:32,280 --> 02:49:34,200
Speaker 3: No, I don't think the actress off the show. I

3433
02:49:34,240 --> 02:49:36,840
Speaker 3: do think that she will quote unquote return, but I

3434
02:49:36,879 --> 02:49:38,720
Speaker 3: think that it would be something where she kind of

3435
02:49:38,760 --> 02:49:40,800
Speaker 3: pop in and out like like this is my prediction,

3436
02:49:40,879 --> 02:49:43,199
Speaker 3: where you know she'll show up at a certain times,

3437
02:49:43,200 --> 02:49:48,240
Speaker 3: She'll she'll uh uh show up and speak to ticking them.

3438
02:49:48,280 --> 02:49:50,200
Speaker 3: I can see her her doing things with tick and

3439
02:49:50,280 --> 02:49:54,439
Speaker 3: Letty to actually prepare them for whatever they have next

3440
02:49:55,160 --> 02:49:57,400
Speaker 3: on their adventures. Like, no, I don't see her disappearing

3441
02:49:57,480 --> 02:49:59,600
Speaker 3: or anything. I can see her having a conversation with them,

3442
02:49:59,640 --> 02:50:04,240
Speaker 3: but I don't think that she will actually uh go

3443
02:50:04,320 --> 02:50:06,240
Speaker 3: back as far as I'm here to quote unquote stay

3444
02:50:06,280 --> 02:50:09,720
Speaker 3: forever now, okay. Uh.

3445
02:50:10,000 --> 02:50:12,440
Speaker 2: Personally, I just can't see them doing that to this

3446
02:50:12,520 --> 02:50:15,279
Speaker 2: character because I think people will have a much harder time.

3447
02:50:15,400 --> 02:50:17,640
Speaker 3: Seeing her as a good person.

3448
02:50:18,040 --> 02:50:20,560
Speaker 2: And she left her child back on Earth with no

3449
02:50:20,680 --> 02:50:23,879
Speaker 2: father to like, all right, D, you got this, I'm

3450
02:50:23,879 --> 02:50:27,720
Speaker 2: gonna go, Like unless they do some Rick and Morty

3451
02:50:27,720 --> 02:50:30,640
Speaker 2: clone shit like they did where Beth Mail went to

3452
02:50:30,680 --> 02:50:32,920
Speaker 2: space but another Beth stay to help.

3453
02:50:32,800 --> 02:50:33,400
Speaker 3: With the kids.

3454
02:50:33,440 --> 02:50:35,959
Speaker 1: So it was like, it's not that bad.

3455
02:50:37,160 --> 02:50:41,840
Speaker 2: But they if they fucking if D, if she if

3456
02:50:41,920 --> 02:50:43,760
Speaker 2: D is on her own and her mama just show

3457
02:50:43,840 --> 02:50:45,880
Speaker 2: up on birthdays and ship, it's gonna be a problem

3458
02:50:45,920 --> 02:50:48,320
Speaker 2: for a lot of fans yet, you know, and.

3459
02:50:49,040 --> 02:50:54,640
Speaker 3: And for me, Uh, I could see her actually bringing

3460
02:50:54,720 --> 02:50:57,280
Speaker 3: D with her too, like going, I go back, but

3461
02:50:57,440 --> 02:50:59,040
Speaker 3: only if I can bring my daughter with me, Like

3462
02:50:59,040 --> 02:51:00,440
Speaker 3: I could see her doing something that well.

3463
02:51:00,480 --> 02:51:03,400
Speaker 2: From the previews for next week, like these gonna be

3464
02:51:03,480 --> 02:51:06,320
Speaker 2: around in these next episodes, because it was like the

3465
02:51:06,360 --> 02:51:07,560
Speaker 2: previews for the next three weeks.

3466
02:51:07,640 --> 02:51:09,480
Speaker 3: Yeah. Because yeah. Because also one of the things, we

3467
02:51:09,480 --> 02:51:11,959
Speaker 3: don't know how long she been gone, like like like

3468
02:51:12,160 --> 02:51:15,040
Speaker 3: how how how time has been moving on Earth. It

3469
02:51:15,120 --> 02:51:16,840
Speaker 3: may be different from how time is moved.

3470
02:51:16,879 --> 02:51:18,760
Speaker 1: It could be we never know of this show for

3471
02:51:18,800 --> 02:51:19,440
Speaker 1: where she is.

3472
02:51:19,360 --> 02:51:22,880
Speaker 3: So she literally might be somewhere in the quote unquote future.

3473
02:51:23,160 --> 02:51:25,800
Speaker 3: You're like literally in the future of the time on Earth.

3474
02:51:26,320 --> 02:51:29,080
Speaker 3: So it's like, because we don't know, because they they

3475
02:51:29,120 --> 02:51:31,000
Speaker 3: mess with time and space and all that stuff. It

3476
02:51:31,040 --> 02:51:31,480
Speaker 3: could be.

3477
02:51:31,640 --> 02:51:33,760
Speaker 2: But my assumption would be that if they return her,

3478
02:51:33,800 --> 02:51:35,680
Speaker 2: they're gonna return her to about when she left.

3479
02:51:35,760 --> 02:51:39,199
Speaker 1: I don't think I like, so anyway you think.

3480
02:51:39,080 --> 02:51:40,959
Speaker 2: She's not coming back. I think she is coming back.

3481
02:51:41,000 --> 02:51:42,480
Speaker 2: I think she's coming back to stay. I think she's

3482
02:51:42,480 --> 02:51:45,760
Speaker 2: gonna keep all this knowledge that she retained, which would

3483
02:51:45,800 --> 02:51:48,280
Speaker 2: then change the character just as much like it would

3484
02:51:48,680 --> 02:51:51,760
Speaker 2: like because one Anienia Ellis got to be on the show.

3485
02:51:51,879 --> 02:51:55,879
Speaker 3: It can't be no hop in, pop in and out.

3486
02:51:56,040 --> 02:51:58,040
Speaker 2: Like after we went on this space far and time

3487
02:51:58,080 --> 02:52:00,520
Speaker 2: traveling adventure, this character is much more interest in it

3488
02:52:00,560 --> 02:52:03,840
Speaker 2: ever before. And so now I want to see how

3489
02:52:03,840 --> 02:52:06,800
Speaker 2: her new perspective has changed the decision she makes, how

3490
02:52:06,840 --> 02:52:10,199
Speaker 2: it rocks the boats, if she gets ambitious and for power,

3491
02:52:10,240 --> 02:52:13,800
Speaker 2: if she if she wants to get involved, yeah, if

3492
02:52:13,800 --> 02:52:15,840
Speaker 2: she can become a resource for them, if she wants

3493
02:52:15,879 --> 02:52:18,920
Speaker 2: to be involved in and all this other stuff.

3494
02:52:18,959 --> 02:52:19,640
Speaker 3: So I would.

3495
02:52:19,680 --> 02:52:23,000
Speaker 2: I really do hope the character comes back, and I

3496
02:52:23,040 --> 02:52:26,360
Speaker 2: really do hope that she's back to like to stay,

3497
02:52:26,440 --> 02:52:29,080
Speaker 2: but to make some changes, because the other thing I

3498
02:52:29,120 --> 02:52:33,200
Speaker 2: think about is what who is she now that she

3499
02:52:33,400 --> 02:52:36,800
Speaker 2: feels like? I know I was interrupted, I know I

3500
02:52:36,840 --> 02:52:40,000
Speaker 2: shrank down. I'm coming back and I'm about.

3501
02:52:39,800 --> 02:52:42,800
Speaker 1: To fucking step into this world the bad bitch that

3502
02:52:42,879 --> 02:52:43,880
Speaker 1: I just learned I am.

3503
02:52:44,120 --> 02:52:48,160
Speaker 3: Yeah, and if she, if she does go back, she

3504
02:52:48,240 --> 02:52:50,160
Speaker 3: will never be that old person again. So I can

3505
02:52:50,200 --> 02:52:52,880
Speaker 3: see her having a completely different personality, completely looking a

3506
02:52:53,160 --> 02:52:55,760
Speaker 3: different outlook on life. I could see her pushing it,

3507
02:52:55,879 --> 02:52:59,360
Speaker 3: encouraging her daughter to do all types of shit, you know.

3508
02:53:01,160 --> 02:53:05,480
Speaker 3: And also, like I say, I could see you know

3509
02:53:05,800 --> 02:53:09,080
Speaker 3: where she I can say, I can see what she

3510
02:53:09,920 --> 02:53:14,240
Speaker 3: maybe becomes this this thing that's able to do these

3511
02:53:14,280 --> 02:53:17,560
Speaker 3: things and still remain on earth, like almost like you

3512
02:53:17,720 --> 02:53:18,240
Speaker 3: get both.

3513
02:53:18,400 --> 02:53:21,640
Speaker 2: The other thing though, I need her, like because I

3514
02:53:21,680 --> 02:53:25,800
Speaker 2: think her and knows adventures and stuff that's a different

3515
02:53:25,800 --> 02:53:28,640
Speaker 2: type of wish fulfillment. And obviously the show going on

3516
02:53:28,760 --> 02:53:30,400
Speaker 2: she then you make a weekly show out of just that.

3517
02:53:30,520 --> 02:53:33,800
Speaker 2: But I think there's something about her coming back and

3518
02:53:33,920 --> 02:53:37,120
Speaker 2: changing who she is and what she means to people.

3519
02:53:38,160 --> 02:53:41,119
Speaker 2: She's she's so smart, she could be a resource for them, Yes,

3520
02:53:41,400 --> 02:53:41,760
Speaker 2: like for.

3521
02:53:41,760 --> 02:53:43,680
Speaker 3: The whole family, you know what I mean.

3522
02:53:43,720 --> 02:53:46,039
Speaker 2: And I think D is gonna be in danger because

3523
02:53:46,040 --> 02:53:47,720
Speaker 2: we're about to get to the end. I just don't

3524
02:53:47,720 --> 02:53:52,720
Speaker 2: see anyway that she can we can leave the like

3525
02:53:52,720 --> 02:53:56,560
Speaker 2: like that. Like, but so she does say, you know,

3526
02:53:56,720 --> 02:54:01,640
Speaker 2: basically D needs her. So back at the portal, we

3527
02:54:01,680 --> 02:54:02,840
Speaker 2: expected her to pop out.

3528
02:54:02,959 --> 02:54:04,560
Speaker 1: Tick pops out instead.

3529
02:54:04,360 --> 02:54:06,920
Speaker 3: And we have no idea where he went. And my

3530
02:54:07,080 --> 02:54:09,880
Speaker 3: theory is he was the opening credits. He went to

3531
02:54:09,920 --> 02:54:13,880
Speaker 3: the opening credits, you know, the opening credits where they're

3532
02:54:13,920 --> 02:54:16,560
Speaker 3: fighting and the lady demand comes. I mean, the lady

3533
02:54:16,600 --> 02:54:20,080
Speaker 3: calmed down, and like, my thing is that I think

3534
02:54:20,120 --> 02:54:25,760
Speaker 3: that where he went was literally the opening credits open

3535
02:54:25,840 --> 02:54:27,600
Speaker 3: his scene from the first episode.

3536
02:54:27,760 --> 02:54:31,080
Speaker 2: Oh okay, yeah, maybe I don't know. So you listen

3537
02:54:31,160 --> 02:54:35,040
Speaker 2: Karen putting those shots this week. Okay, this episode. Okay,

3538
02:54:35,440 --> 02:54:37,800
Speaker 2: like she gonna definitely get the claim she was right

3539
02:54:37,800 --> 02:54:39,560
Speaker 2: about something because she took all the shots.

3540
02:54:39,600 --> 02:54:41,760
Speaker 1: I'm not even keeping track of what's wrong. I'm gonna

3541
02:54:41,800 --> 02:54:42,400
Speaker 1: let y'all do that.

3542
02:54:43,000 --> 02:54:43,760
Speaker 3: I don't know what's right.

3543
02:54:43,879 --> 02:54:45,640
Speaker 1: I'm I'm not keeping up with none of this.

3544
02:54:46,280 --> 02:54:48,680
Speaker 3: I am just guessing that he comes where he went.

3545
02:54:48,879 --> 02:54:52,680
Speaker 2: So he comes through the portal and he was holding

3546
02:54:52,680 --> 02:54:55,600
Speaker 2: a copy of the book love Craft Country by George Freeman,

3547
02:54:55,920 --> 02:54:57,720
Speaker 2: which I'm like, this ship done got something better.

3548
02:54:57,840 --> 02:54:59,480
Speaker 1: I don't even know what this is.

3549
02:55:00,600 --> 02:55:03,120
Speaker 2: Did this nigga write the book for the movie, for

3550
02:55:03,200 --> 02:55:05,320
Speaker 2: the show, for the TV? I don't know what the

3551
02:55:05,320 --> 02:55:07,760
Speaker 2: fuck is in that book? Did George write a book?

3552
02:55:07,760 --> 02:55:09,680
Speaker 2: I know he wrote that guy book, but what the

3553
02:55:09,680 --> 02:55:10,440
Speaker 2: fuck is this shit?

3554
02:55:10,560 --> 02:55:14,200
Speaker 1: I was completely like, my like, my brain just imploded

3555
02:55:14,240 --> 02:55:16,760
Speaker 1: on hisself. Was like, we'll consider this in another episode

3556
02:55:17,440 --> 02:55:18,720
Speaker 1: because I definitely.

3557
02:55:18,360 --> 02:55:20,360
Speaker 3: Do not know the level, like what's happen in here?

3558
02:55:20,840 --> 02:55:24,280
Speaker 2: So then sirens are going off, and at first I

3559
02:55:24,280 --> 02:55:27,400
Speaker 2: thought there were signs because the machine malfunction, but nope,

3560
02:55:27,720 --> 02:55:30,800
Speaker 2: sounded like the cops and they was getting close, and

3561
02:55:30,840 --> 02:55:33,200
Speaker 2: so he tried to do a real quick clean everything

3562
02:55:33,360 --> 02:55:39,440
Speaker 2: up and and he tried to first activate the machine

3563
02:55:39,480 --> 02:55:42,280
Speaker 2: again because it broke in the portal closed. But this

3564
02:55:42,560 --> 02:55:48,120
Speaker 2: his look compared to Hippolyta and her motherfucking beautiful mind

3565
02:55:48,200 --> 02:55:50,520
Speaker 2: notebook and shit, this nigga was like an eight with

3566
02:55:50,600 --> 02:55:51,360
Speaker 2: a fucking hammer.

3567
02:55:51,400 --> 02:55:54,600
Speaker 1: He was just beating me like a motherfucker like me.

3568
02:55:54,920 --> 02:55:57,720
Speaker 2: He was beating that shit like Madden cheated him in

3569
02:55:57,760 --> 02:56:01,039
Speaker 2: the fourth quarter. And he fucking threw control against the wall.

3570
02:56:01,080 --> 02:56:03,360
Speaker 2: He was take like a fucking caveman.

3571
02:56:03,440 --> 02:56:05,440
Speaker 1: He was like, oh fucking bad.

3572
02:56:05,640 --> 02:56:08,560
Speaker 3: It's like like, damn, nigga, just sucking the machine up.

3573
02:56:08,600 --> 02:56:09,720
Speaker 1: There's no way you helping.

3574
02:56:10,320 --> 02:56:10,560
Speaker 3: You're not.

3575
02:56:10,959 --> 02:56:12,440
Speaker 1: So then I believe he grabs like.

3576
02:56:12,440 --> 02:56:13,720
Speaker 3: The key out of the machine.

3577
02:56:14,000 --> 02:56:17,600
Speaker 1: He got pockets and he grabs her pocketbook and he white.

3578
02:56:17,840 --> 02:56:21,119
Speaker 2: He like wiped something down and then he ran out,

3579
02:56:21,320 --> 02:56:24,360
Speaker 2: but maybe in the gun or something, yes, I don't know.

3580
02:56:24,400 --> 02:56:27,600
Speaker 2: He wiped something down. But then it's the uh as

3581
02:56:27,600 --> 02:56:31,080
Speaker 2: the police sers got closer and closer, he runs out,

3582
02:56:31,320 --> 02:56:34,160
Speaker 2: but the camera pans over to the dead cop that

3583
02:56:34,560 --> 02:56:39,880
Speaker 2: Hippolytis shot and the's comic book is laying in his blood.

3584
02:56:40,600 --> 02:56:42,640
Speaker 3: We heard that her man.

3585
02:56:42,760 --> 02:56:47,120
Speaker 2: I was like, oh, they keep in mind, keep in mind, y'all,

3586
02:56:47,360 --> 02:56:50,200
Speaker 2: Karen doesn't want her to come back. Okay, so de

3587
02:56:50,600 --> 02:56:53,560
Speaker 2: gonna have the cops on her ass.

3588
02:56:54,000 --> 02:56:56,480
Speaker 1: Black woman Carris versus.

3589
02:56:56,520 --> 02:57:00,280
Speaker 3: I want to say them kids now, y'all know why

3590
02:57:00,320 --> 02:57:03,320
Speaker 3: we didn't have kids, Okay out, I want her to

3591
02:57:03,360 --> 02:57:05,480
Speaker 3: be like, you know what, you know what. I ain't

3592
02:57:05,480 --> 02:57:07,280
Speaker 3: got there with no racism. I ain't got there with

3593
02:57:07,320 --> 02:57:10,360
Speaker 3: no sexism. I can do what the funk I want to.

3594
02:57:10,680 --> 02:57:12,879
Speaker 1: Karen would have left me alone, like irid Evin at

3595
02:57:12,879 --> 02:57:13,720
Speaker 1: Tyler Perry.

3596
02:57:13,480 --> 02:57:15,280
Speaker 3: Movie, like I ain't never going back.

3597
02:57:15,360 --> 02:57:17,600
Speaker 1: She would have just dipped on me and our children

3598
02:57:17,720 --> 02:57:20,680
Speaker 1: just for some quote unquote freedom, because apparently her freedom

3599
02:57:20,720 --> 02:57:24,560
Speaker 1: looking like like man freedom like future. It's not gonna

3600
02:57:24,560 --> 02:57:27,680
Speaker 1: be no futuristic black woman freedom where everybody is equaling together.

3601
02:57:27,840 --> 02:57:30,520
Speaker 1: We know it's gonna be what white people have, but

3602
02:57:30,640 --> 02:57:33,560
Speaker 1: Karen don'ta have it. That's not freedom.

3603
02:57:33,800 --> 02:57:36,640
Speaker 3: Okay. That's another thing I liked about this, though.

3604
02:57:36,800 --> 02:57:40,560
Speaker 2: Hippolyte had taking George with her felt like now that

3605
02:57:40,640 --> 02:57:44,520
Speaker 2: you see me, because it wasn't like a revenge, It

3606
02:57:44,560 --> 02:57:46,040
Speaker 2: wasn't like because fuck men.

3607
02:57:46,160 --> 02:57:49,119
Speaker 1: It was like, now that you see me, you finally

3608
02:57:49,120 --> 02:57:49,440
Speaker 1: see me.

3609
02:57:50,360 --> 02:57:54,640
Speaker 2: Now we come together and as as equals. It wasn't

3610
02:57:54,959 --> 02:57:57,400
Speaker 2: a revenge like against the white people.

3611
02:57:57,240 --> 02:57:59,680
Speaker 1: And shit like that, so I thought that was beautiful.

3612
02:58:00,000 --> 02:58:01,680
Speaker 1: What are you looking forward to next week other than

3613
02:58:01,760 --> 02:58:02,520
Speaker 1: D getting killed?

3614
02:58:02,560 --> 02:58:08,320
Speaker 3: Because I wanted to see her with her futuristic afro

3615
02:58:08,400 --> 02:58:10,440
Speaker 3: and her glowing ass body. I want to see her

3616
02:58:10,480 --> 02:58:16,120
Speaker 3: turn into a crystal gym. But I'm looking forward to

3617
02:58:16,600 --> 02:58:20,840
Speaker 3: Paul D. I'm looking forward to seeing what happens with her,

3618
02:58:21,320 --> 02:58:23,120
Speaker 3: And it looked like she's gonna be on her own,

3619
02:58:24,120 --> 02:58:26,800
Speaker 3: and so that's gonna be very interesting. I think that

3620
02:58:27,520 --> 02:58:30,000
Speaker 3: she gonna find out that she has some type of power,

3621
02:58:30,240 --> 02:58:32,800
Speaker 3: you know, while while she's trying to run and some

3622
02:58:32,840 --> 02:58:35,440
Speaker 3: ship like that, because she's in tune with something. So

3623
02:58:35,480 --> 02:58:39,760
Speaker 3: it's gonna be interesting to see what happens. And I'm

3624
02:58:39,840 --> 02:58:43,760
Speaker 3: interested to see an episode that focuses on her as

3625
02:58:44,200 --> 02:58:46,200
Speaker 3: her as a character, because we know she's kind of

3626
02:58:46,240 --> 02:58:48,440
Speaker 3: been in the background, but no, this is her as

3627
02:58:48,480 --> 02:58:51,520
Speaker 3: We're going to follow this child. So I'm looking forward

3628
02:58:51,560 --> 02:58:56,200
Speaker 3: to seeing his actress exercise her acting chops.

3629
02:58:56,879 --> 02:59:02,440
Speaker 2: Yeah, because I'm seeing said she gonna be okay, uh,

3630
02:59:02,600 --> 02:59:04,720
Speaker 2: I seen the motherfucking previews.

3631
02:59:06,520 --> 02:59:08,600
Speaker 3: Were going back to her. I was scared of ship.

3632
02:59:08,640 --> 02:59:09,240
Speaker 3: Them cops was.

3633
02:59:09,280 --> 02:59:11,560
Speaker 2: Running up on de She was on that bike with

3634
02:59:11,640 --> 02:59:14,560
Speaker 2: her odds all big, riding fastest ship like people was

3635
02:59:14,680 --> 02:59:15,280
Speaker 2: chasing her.

3636
02:59:15,879 --> 02:59:17,320
Speaker 3: Man, I'm scared as fuck, dog.

3637
02:59:17,320 --> 02:59:19,000
Speaker 2: I don't want nothing to have, no little girl man

3638
02:59:19,240 --> 02:59:21,320
Speaker 2: like she needs some people looking out for her.

3639
02:59:21,360 --> 02:59:23,000
Speaker 3: Ain't nobody else looking out for her?

3640
02:59:23,120 --> 02:59:29,440
Speaker 2: Letty in fucking uh letty it uh my uh tic

3641
02:59:29,840 --> 02:59:32,400
Speaker 2: off trying to find fucking pages of a book. Ruby

3642
02:59:32,440 --> 02:59:35,680
Speaker 2: worried about getting power and drinking formulas and fucking white

3643
02:59:35,680 --> 02:59:38,760
Speaker 2: man woman and the ship like, ain't my trials is

3644
02:59:39,360 --> 02:59:41,520
Speaker 2: worried about you know him? And Sammy's trying to stay

3645
02:59:41,560 --> 02:59:42,080
Speaker 2: in the closet.

3646
02:59:42,360 --> 02:59:44,160
Speaker 3: Who the fuck gonna look at the df.

3647
02:59:44,000 --> 02:59:47,720
Speaker 2: MoMA don't come back like these people are not prepared

3648
02:59:47,720 --> 02:59:49,160
Speaker 2: to be good role models.

3649
02:59:48,879 --> 02:59:49,960
Speaker 3: Or take care of this little girl.

3650
02:59:50,640 --> 02:59:52,800
Speaker 1: Y're gonna sucking around Christina gonna be rolling up on

3651
02:59:52,879 --> 02:59:53,440
Speaker 1: her and ship.

3652
02:59:53,640 --> 02:59:55,280
Speaker 3: Oh that's gonna be a motherfucking problem.

3653
02:59:55,360 --> 02:59:56,320
Speaker 1: I hope my thing.

3654
02:59:56,400 --> 02:59:58,240
Speaker 2: I hope she comes back, and I hope she gets

3655
02:59:58,240 --> 03:00:00,800
Speaker 2: some of her powers. It would be double if she could,

3656
03:00:01,040 --> 03:00:04,480
Speaker 2: like if she kept that Amazon Warrior training, you know,

3657
03:00:05,360 --> 03:00:06,920
Speaker 2: like I just would like to see her be a

3658
03:00:07,040 --> 03:00:10,879
Speaker 2: different like her, but different when she comes back.

3659
03:00:11,480 --> 03:00:14,680
Speaker 3: But like this, if she comes back, I do think

3660
03:00:14,840 --> 03:00:17,480
Speaker 3: that she's gonna be a badass. I think she's gonna

3661
03:00:17,480 --> 03:00:21,400
Speaker 3: surprise people because all that ship she went through its

3662
03:00:21,480 --> 03:00:25,280
Speaker 3: embedded in her. And so next time she getting a situation,

3663
03:00:25,400 --> 03:00:27,760
Speaker 3: they're gonna look around and she gonna be John wicking

3664
03:00:27,840 --> 03:00:28,160
Speaker 3: on people.

3665
03:00:28,200 --> 03:00:30,400
Speaker 2: And she's gonna be fucking because before she before she

3666
03:00:30,440 --> 03:00:33,720
Speaker 2: even got trained, she killed a cop. Okay, her mama

3667
03:00:33,720 --> 03:00:36,720
Speaker 2: ain't no joke. I want go back on the show. Okay,

3668
03:00:37,520 --> 03:00:39,879
Speaker 2: Like I don't. I don't want her just float off

3669
03:00:39,920 --> 03:00:43,480
Speaker 2: the motherfucking they the David Bowie's face and we did

3670
03:00:43,560 --> 03:00:44,680
Speaker 2: never see her ass again.

3671
03:00:44,879 --> 03:00:49,879
Speaker 3: You think they gonna be uh training her like rajagu

3672
03:00:49,959 --> 03:00:52,880
Speaker 3: did a Batman son. They gonna be doing like underground ship.

3673
03:00:52,920 --> 03:00:54,959
Speaker 3: But she goes like this is the way. You know,

3674
03:00:55,000 --> 03:00:56,360
Speaker 3: I got to show you the dark eye. So you

3675
03:00:56,440 --> 03:00:58,560
Speaker 3: go ahead, fuck these people up, white people up.

3676
03:00:58,640 --> 03:01:00,240
Speaker 2: I want her mama to give her that train and

3677
03:01:01,560 --> 03:01:04,400
Speaker 2: for her to be like yelling, you know, yelling at

3678
03:01:04,400 --> 03:01:07,960
Speaker 2: her like you know we this is I love. And

3679
03:01:08,000 --> 03:01:09,880
Speaker 2: then like do you hear killing people too?

3680
03:01:09,959 --> 03:01:11,879
Speaker 1: Like come on, I'm just I'm just saying, y'all, it's

3681
03:01:11,879 --> 03:01:12,560
Speaker 1: a dangerous world.

3682
03:01:12,560 --> 03:01:13,320
Speaker 3: I can't have it.

3683
03:01:13,680 --> 03:01:15,760
Speaker 2: It's the only person on the show that truly loves

3684
03:01:15,800 --> 03:01:19,360
Speaker 2: black children, and especially little black girls. You know, I

3685
03:01:19,400 --> 03:01:22,560
Speaker 2: support black women, but I support little black kids too,

3686
03:01:22,720 --> 03:01:23,560
Speaker 2: and I want to see them.

3687
03:01:23,879 --> 03:01:26,280
Speaker 3: I can see her Mama been like bitches, I'm tired.

3688
03:01:26,400 --> 03:01:29,840
Speaker 3: I'm tired of holding the way of the world. I'm

3689
03:01:29,959 --> 03:01:33,600
Speaker 3: tired of holding up everybody's pain and hurt. Y'all know

3690
03:01:33,680 --> 03:01:34,840
Speaker 3: what I'm putting.

3691
03:01:34,520 --> 03:01:37,080
Speaker 2: Me first, Yeah, exactly, Like I said, it's the only

3692
03:01:37,120 --> 03:01:40,680
Speaker 2: one on the show that really supports black children. I'm

3693
03:01:40,680 --> 03:01:44,640
Speaker 2: fine with that. I find being the only person to

3694
03:01:44,720 --> 03:01:47,480
Speaker 2: do that as fine as you. Between you and Justin,

3695
03:01:47,560 --> 03:01:49,279
Speaker 2: someone someone.

3696
03:01:49,000 --> 03:01:51,160
Speaker 1: Here got to support the black children and give a

3697
03:01:51,160 --> 03:01:54,520
Speaker 1: fuck somebody and George is me and George.

3698
03:01:54,760 --> 03:01:58,800
Speaker 3: Y'all on two niggas a gall right, because I'm like,

3699
03:01:59,720 --> 03:02:01,240
Speaker 3: I got to worry about racism.

3700
03:02:01,400 --> 03:02:04,440
Speaker 2: I swear to God, I really would love for your

3701
03:02:04,560 --> 03:02:07,920
Speaker 2: version to happen, just to see how quickly you niggas

3702
03:02:07,920 --> 03:02:10,520
Speaker 2: turn on her, because y'all, y'all will go from I.

3703
03:02:10,520 --> 03:02:13,320
Speaker 1: Love this character like bitch, that's your daughter.

3704
03:02:13,560 --> 03:02:17,960
Speaker 3: You will be so mad. I want you want to

3705
03:02:17,959 --> 03:02:20,039
Speaker 3: be to wear burn. That's why I'm like, listen, I.

3706
03:02:20,000 --> 03:02:21,840
Speaker 2: Want to I want her to say it like you

3707
03:02:21,920 --> 03:02:23,440
Speaker 2: said it too. I don't want it to be no

3708
03:02:23,560 --> 03:02:24,600
Speaker 2: nice black women freedom.

3709
03:02:24,600 --> 03:02:24,760
Speaker 3: Shit.

3710
03:02:24,800 --> 03:02:27,160
Speaker 2: I wanted to be like, fuck them kids. I wanted

3711
03:02:27,160 --> 03:02:31,960
Speaker 2: to be just like America. Fuck my daughter, fuck them kids. Okay, yeah,

3712
03:02:32,040 --> 03:02:32,560
Speaker 2: I'm free.

3713
03:02:32,720 --> 03:02:36,360
Speaker 3: Everybody y'all would turn on this woman so fast. Negro yes,

3714
03:02:36,680 --> 03:02:40,199
Speaker 3: because no matter what you say, you you actually put

3715
03:02:40,320 --> 03:02:42,280
Speaker 3: putting her back in the smart in the box. You

3716
03:02:42,320 --> 03:02:43,960
Speaker 3: want to be free us, she says, she want to

3717
03:02:43,959 --> 03:02:45,959
Speaker 3: be friend y'all. Niggas like, no, no, you can be

3718
03:02:45,959 --> 03:02:48,240
Speaker 3: free up into the kids. Now, you got you got

3719
03:02:48,240 --> 03:02:50,720
Speaker 3: to stay for the kids. All right.

3720
03:02:51,240 --> 03:02:52,840
Speaker 1: That's why George is on the road every week.

3721
03:02:52,879 --> 03:02:53,480
Speaker 3: All Right, y'all.

3722
03:02:58,400 --> 03:03:01,280
Speaker 2: Georgie's like, I'm gonna be free then, Okay, she crazy.

3723
03:03:01,360 --> 03:03:03,160
Speaker 2: I don't want to tell y'all she'd be.

3724
03:03:03,080 --> 03:03:06,360
Speaker 1: Trying to lead d every week. All right, y'all, we'll

3725
03:03:06,400 --> 03:03:10,000
Speaker 1: be back. We'll be back Saturday. Until then, I love you.