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Speaker 1: Ho ho, Hold on a second, Gang, I know you're

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Speaker 1: excited to hear this episode, but we have some news

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Speaker 1: and it's a little bittersweet. This will be the last

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Speaker 1: new recorded Hollywood Handbook episode for this year, the calendar

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Speaker 1: year of twenty twenty three. Hayes and I are taking

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Speaker 1: a much deserved vacation. You broke our spirits.

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Speaker 2: You bloodsucking freaks.

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Speaker 1: The feed will not be barren. It will actually still

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Speaker 1: be producing content for you, but it will be previously

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Speaker 1: paywalled premium content, things like some of our favorite pro

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Speaker 1: versions that hadn't been released through the course of the year.

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Speaker 2: Much better than anything that we would have done. After

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Speaker 2: you've gotten through with us.

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Speaker 3: Yeah, after what you've done.

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Speaker 1: And also, we are putting all three seasons of Masterclass

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Speaker 1: up on a free feed available to all. So if

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Speaker 1: you just never pulled the trigger to try it out, congratulations.

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Speaker 3: You win.

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Speaker 1: You waited me out. Finally, I want you to hear it.

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Speaker 1: I'm proud of these seasons. We're going to be putting

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Speaker 1: up one episode from season one that had been Paywaalden

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Speaker 1: the main feed at some point, and then Kevin, I'm

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Speaker 1: sure we'll provide you with a link to the rest,

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Speaker 1: So relive the majesty and wonder all over again if

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Speaker 1: you've heard it before, If you do, pay I know

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Speaker 1: it feels like you're being punished, but in fact we

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Speaker 1: are the ones who have been punished, and we must.

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Speaker 2: The song. I'm gonna put it in post.

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Speaker 1: This song is gonna be in post post.

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Speaker 4: We ever get to hear the song again.

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Speaker 1: Yeah, Kevin, do we never get to hear the song again?

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Speaker 1: One day will be added live to I guess. I

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Speaker 1: guess what you're telling me to is you don't listen

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Speaker 1: to the episode that you only hear the song when

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Speaker 1: you are here for a recording.

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Speaker 4: Yeah. Yeah, only thing I look forward to because.

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Speaker 1: The listeners, that's the only thing is the song. Now

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Speaker 1: what I'm talking or does this song?

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Speaker 2: It's probably over by now.

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Speaker 1: It's over now. Okay, so it's happened you missed?

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Speaker 2: Yeah, it's done.

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Speaker 3: Yeah.

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Speaker 2: And what I'm hearing, I guess is clear coming like

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Speaker 2: after everything, after after everything, the journey, immediately making demands

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Speaker 2: like still coming from a place of like how can

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Speaker 2: I this is why out of this experience?

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Speaker 4: Okay, well I want to just because obviously like we do.

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Speaker 2: I want to, I want I want, I want me

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Speaker 2: and it's so.

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Speaker 3: I'm going to be a different we want, we want.

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Speaker 2: So perfect brought we got to previously. And I knew

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Speaker 2: you were going to say.

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Speaker 1: Tony Hall did come on once before five or six

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Speaker 1: years Tony.

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Speaker 4: Who emailed you about being on the show previously?

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Speaker 1: My other I but who else had emailed you in

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Speaker 1: between to no response?

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Speaker 3: My other two?

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Speaker 4: Okay, I don't want to do I don't want to like.

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Speaker 4: Here's the thing. Unlike Mackenzie, I'm like Mary. I'm like Jason.

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Speaker 4: I actually really care about his name. Okay, and I

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Speaker 4: want like I brought him here because he is a

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Speaker 4: He's a good, good person. He's a great person to

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Speaker 4: work with. I think that he can help us sort

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Speaker 4: of like sort of like shelve the animosity that we've

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Speaker 4: had in the past.

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Speaker 1: Started. May I make an observation? Yeah, Tony heel.

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Speaker 4: Oh my god, Tony, I do that a lot, Actually

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Speaker 4: you do.

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Speaker 3: I'm brought into situations to bring reconciliation. I can see

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Speaker 3: if I was an actrow had been a therapist.

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Speaker 5: For sure.

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Speaker 3: I enjoy hearing both sides and being the mediator.

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Speaker 1: Okay, uh, I guess to me, it's not really a

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Speaker 1: both sides thing.

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Speaker 2: I'm not trying to do like you know where Number one,

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Speaker 2: it's it's it's our show. Oh uh. Number two, we

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Speaker 2: we have actual work to do today. You know.

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Speaker 1: We have we have a property that is basically an

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Speaker 1: untapped gold mine. Uh, and we have entrusted it to Cleo,

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Speaker 1: which was very exciting at first and is initially that

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Speaker 1: was the talk. Yeah, I mean, is that still something

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Speaker 1: you're open to?

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Speaker 4: Yeah? Yeah, I mean I'm here, so.

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Speaker 3: Would you mind sharing me? I don't As a therapist,

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Speaker 3: I don't. I'm a blank slate, so I don't really

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Speaker 3: know a lot about the project you're talking about.

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Speaker 1: Uh at this point, I don't either, I'll be honest,

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Speaker 1: because it's been through so many.

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Speaker 3: Fucking uh sorry.

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Speaker 2: There have been a lot of drafts. I still care

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Speaker 2: about draft is. I'm so fucking stupid. I still actually

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Speaker 2: care about this project.

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Speaker 1: That's where that's I guess that's why I'm mad.

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Speaker 2: I'm mad at myself to see it come to life.

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Speaker 2: And that's on me. Yeah, cool, my fault. Fool me once? Uh,

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Speaker 2: jaoem fool me what it's the sixth time? I guess, Like,

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Speaker 2: just it's all there's a lot of shame that I

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Speaker 2: have to unpack.

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Speaker 1: Because I still want to see it and I want

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Speaker 1: people to have it. Like this is such a stressful

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Speaker 1: time for so many people, the holidays.

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Speaker 3: What's special about it for you?

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Speaker 1: I guess when I was growing up, I felt like

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Speaker 1: there were all these Christmas movies that were this kind

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Speaker 1: of like prepackage, like prescribed version of what the holiday

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Speaker 1: season was, and none of it reflected me my experience

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Speaker 1: with my friends, and I thought, Wow, we can really

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Speaker 1: break the mold and reach out to the outcasts, the weirdos,

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Speaker 1: you know, the people like us, the outsiders, the artists,

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Speaker 1: the renegades. Yeah.

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Speaker 3: Yeah, and how do you see that manifesting your freaks?

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Speaker 2: That's what they say.

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Speaker 1: It's like, yeah, we are, yeah, we are freaks. We're

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Speaker 1: proud of comic com you know what I mean, Like

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Speaker 1: stuff for like real true weirdos that like don't fit

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Speaker 1: in anywhere else and like that have something for that.

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Speaker 1: Your holiday movie you're talking about it's about Santa.

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Speaker 3: Yeah, it's about so it's about Santa.

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Speaker 4: Yeah yeah, lot at his heart it's about love, just

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Speaker 4: like at our.

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Speaker 1: Our well it's heart, it's about Santa as well.

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Speaker 4: It's about Santa's heart.

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Speaker 1: It's about love at Santa, love.

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Speaker 4: Ant Sanna, not love or Santa.

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Speaker 3: Is it called Santa?

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Speaker 2: It is?

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Speaker 3: It is? It's Would you consider Santa one of those freaks?

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Speaker 1: You tell me, Tony, I mean, what's your perceptions? Got

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Speaker 1: He's he's completely isolated, right, He's in the North Pole.

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Speaker 1: He has this entire community of elves, elves, doesn't he

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Speaker 1: and our elves people you think are traditionally embraced by uh,

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Speaker 1: you know, typical society.

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Speaker 3: So he's kind of like a Willie Wonka of Christmas.

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Speaker 1: Yeah, I mean we're not trying to we're not trying

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Speaker 1: to compete with Walk.

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Speaker 2: Yeah, exactly. We're not trying to like hold those next

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Speaker 2: to each other. And we need this to kind of

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Speaker 2: be its own thing, because if we.

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Speaker 1: Don't want to be the shitty version of Walk, we're

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Speaker 1: just gonna go. We'd like to be the good version

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Speaker 1: of Oh yeah, yeah, yeah, it's ideally.

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Speaker 3: Yeah, do you mind do you mind talking a little bit?

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Speaker 3: I know you've talked about there, but what is the

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Speaker 3: main tension between you guys we're regarding Love and Santa?

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Speaker 4: Yeah, I would love to hear your side of it.

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Speaker 1: Okay, Okay, l like a commitmental lack of professionalism. Uh

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Speaker 1: just like a total dearth of uh uh ideas.

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Speaker 2: And when there are ideas, they are uh like so toxic,

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Speaker 2: so detrimental to the project. Everything that has been brought

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Speaker 2: to it has been not just unproductive, but like actually dangerous. Yes,

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Speaker 2: it is this swamp.

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Speaker 1: The swamp, in fact, is the primary concern that I

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Speaker 1: have now because as you know, we've lost a lot of.

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Speaker 4: A lot of crew members. But guess what, the swamp

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Speaker 4: has gone. The swamp it like, we don't know what

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Speaker 4: happened to it. The swamp is gone.

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Speaker 1: That was not your choice. That was not you act

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Speaker 1: like you decided to move off of the swamp. You

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Speaker 1: in fact held on for dear life to the swamp idea,

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Speaker 1: to the detriment of crew members, cast members, family men.

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Speaker 3: Have you already has this already been shot?

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Speaker 1: Were not in a usable Yeah.

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Speaker 4: Yeah, we've definitely. We've started filming a lot and there's.

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Speaker 1: A strap footage, there's it's in flux and it's sort

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Speaker 1: of an out.

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Speaker 2: The way we do it. We let.

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Speaker 1: Yeah, exactly, we put the bones together and we let

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Speaker 1: everybody bring there in the swamp. In the swamp, it.

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Speaker 4: Was it was Big Loaden who was coming out of

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Speaker 4: the swamp like as a giant.

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Speaker 2: He's a giant, you're tight like, yeah, like a kind of.

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Speaker 4: Because he is so large.

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Speaker 1: Yeah, that's a great name.

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Speaker 2: The ocean he landed in like a trench that had

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Speaker 2: some kind of property.

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Speaker 1: Yeah, yeah, chemical or it's not like a magical it's

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Speaker 1: not supernatural necessarily.

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Speaker 2: We know, it's really know less about what's down there

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Speaker 2: at the bottom of the earth ocean than we do

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Speaker 2: that what's ten billion light years away in outer space.

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Speaker 3: He's kind of the So just for clarity, was he

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Speaker 3: the rival to Santa?

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Speaker 1: I don't know if we ever drolled down they even met?

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Speaker 4: Yeah, yeah, no, they don't share any screen time Santa.

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Speaker 2: Uh yeah, Big Line is too big to really like have.

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Speaker 3: What was his purpose in the story of Santa?

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Speaker 2: Gosh, you want to I want to, like, we can

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Speaker 2: have you kind of figure that, you know.

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Speaker 3: Yeah, I'd loved you know, I've considered also a very

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Speaker 3: creative therapist, So I'd love to give some contributions if

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Speaker 3: that's so cool. I do think there probably needs to

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Speaker 3: be some tension in the story. Is there another tension

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Speaker 3: you guys show we thought we.

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Speaker 1: Were hoping that.

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Speaker 2: Going to Carson's house for Christmas this.

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Speaker 1: Year, they will not do it. Every year we go

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Speaker 1: to Carson's and uh and.

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Speaker 2: This year, every year it happens, and it's his rules,

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Speaker 2: and it's his where the highway.

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Speaker 4: It's his Christmas? No more?

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Speaker 1: Yeah, no, it's it's not Carson's Christmas.

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Speaker 3: Like here, is Carson the lead child?

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Speaker 1: Yeah?

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Speaker 3: Sort of? Wait is Carson lead like child we're talking about?

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Speaker 1: Is there a child?

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Speaker 3: I see?

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Speaker 1: Okay, so when you talk about carsonten to be like

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Speaker 1: with kids, right, yeah, so when you say Carson and

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Speaker 1: the you mentioned a gang, it.

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Speaker 2: Starts caught up on the whole Carson's house. We're actually

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Speaker 2: not going.

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Speaker 1: Yeah, actually yeah, you'll be relieved to hear this. You

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Speaker 1: don't need to know a lot about Carson because we're

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Speaker 1: not going to his house this year. If you want

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Speaker 1: to come to our thing, actually we're cool enough, then

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Speaker 1: I would be like, yeah, dude, like come, do you

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Speaker 1: mind me? It's like, let go here, I'm gonna switch

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Speaker 1: to you if you don't, would you mind describing what

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Speaker 1: you excite you about the project?

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Speaker 6: Okay?

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Speaker 4: Can I go back to just something that John said?

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Speaker 4: And then like I want to I really want to act.

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Speaker 2: Is everything. This is everything, okay, but it's always doubling back.

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Speaker 2: It's always I go back to this other thing.

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Speaker 4: Well, it's just that you're so you're allowed to say

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Speaker 4: something I'm not.

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Speaker 3: Okay, Yeah, I would. I would just like to hear

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Speaker 3: your your perspective, not necessarily a response to his comment.

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Speaker 4: It's more okay than I.

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Speaker 3: Have, just mainly like, okay, will never happen perspective, what

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Speaker 3: about you even your ex Can we talk about your excitement.

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Speaker 4: I'm excited about about my perspective.

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Speaker 3: You're excited about your perspective to his comment? Is that

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Speaker 3: right then?

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Speaker 4: But it ties in, it ties into what I'm excited

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Speaker 4: about about the project. So okay, Sean says something that

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Speaker 4: is that is like implying that like I, you know,

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Speaker 4: like I just come here and I destroy everything.

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Speaker 1: But he's not. I just love hearing.

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Speaker 3: I'm just gonna put a pause on you for just

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Speaker 3: a second. I just want to hear let her finish.

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Speaker 4: Something that I feel like Sean and Hayes do not acknowledge,

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Speaker 4: is that I they they email me, well, Kevin emails

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Speaker 4: me because they won't speak to me when we're not

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Speaker 4: on the podcast discussion. So I get the email. They're like, hey,

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Speaker 4: the boys want you to come in, and I say, yes, absolutely,

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Speaker 4: what time? But I'm there. I'm here, I am right,

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Speaker 4: Like I am offering myself, I'm offering my creativity, I'm

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Speaker 4: offering my pause.

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Speaker 1: Just let me know when I'm on pause.

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Speaker 4: He already said he would. He already said he would,

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Speaker 4: So I don't think you need to check in about it, okay,

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Speaker 4: because I'm actually talking for once.

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Speaker 3: Yeah, I'll let you know I'm talking about I actually

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Speaker 3: really will let you know. Thank you.

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Speaker 2: I appreciate that.

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Speaker 1: And I can hear honesty in his voice, and it's

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Speaker 1: so refreshed.

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Speaker 2: It's so refreshing. It's exactly what I can't talk.

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Speaker 4: You're just talking so much.

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Speaker 2: Eye dropper of honesty. And because, okay, great, I.

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Speaker 4: Don't even know what I guess what I'm excited about,

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Speaker 4: Like I guess what I'm excited about about the project

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Speaker 4: is like we do always go to like they do

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Speaker 4: every year, we go to Carsons. And like the fact

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Speaker 4: that we would get a movie, to make a movie

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Speaker 4: where we're not going to Carsons. It just feels so

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Speaker 4: liberating and like.

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Speaker 3: Other movies that have gone to Carson.

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Speaker 4: I feel like every movie and everything, even if it's

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Speaker 4: not literally, you all have.

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Speaker 3: A connection to Carson. Somehow, this.

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Speaker 1: Not anymore anymore.

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Speaker 3: I kind of a broad question to maybe find the excitement.

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Speaker 3: Maybe each of you could describe how you see the

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Speaker 3: poster of this project, like how you want other people

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Speaker 3: to have that first impression view of this project. What

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Speaker 3: does who's on the poster? What does Santa and Love

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Speaker 3: look like on the poster. I'm gonna start with you.

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Speaker 2: You know how a lot of them are outside the theater.

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Speaker 3: The posters, Yeah huh.

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Speaker 2: I'm thinking like when you're yet the at the urinal, Okay,

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Speaker 2: you really gotta look well, they really gotta look dot

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Speaker 2: first of all, like you're supposed to just like focus

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Speaker 2: on your own stuff, right, So like you're luck so

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Speaker 2: we have an audience, yeah right, that's totally captured in

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Speaker 2: terms of like where their eyes are going. So if

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Speaker 2: we just kind of mash the poster in there.

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Speaker 3: Again, it feels like you're taking someone out of the

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Speaker 3: equation of this discussion. There's there's not a urinal in

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Speaker 3: her world. But I think in what you're saying, why.

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Speaker 1: Sorry, how do you know that you're right you're right.

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Speaker 3: So maybe maybe maybe you could include maybe you could

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Speaker 3: say urinal and stall.

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Speaker 2: In my in my perfect world, we are all using

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Speaker 2: a trough. Wow, the same all of humanity. Okay, it's

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Speaker 2: getting to use the same.

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Speaker 3: That'd be interesting.

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Speaker 2: There's ice in it. There's movie posters.

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Speaker 3: I do enjoy utiful movies. Yes, ice sculpture movie poster.

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Speaker 1: Yes, again, that's how I would like them to look at.

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Speaker 1: So I hear your placement, I don't hear the description

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Speaker 1: of the ice. Laden's eye right, big Lodden, So big

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Speaker 1: Lodden would be a focus of the poster.

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Speaker 2: He's so big. I don't know I would, I mean,

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Speaker 2: keep him out of it. Really, at this point he's

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Speaker 2: gotten so big.

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Speaker 4: Okay, I think the entire background maybe.

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Speaker 1: Be all in his belly. You don't even realize like that,

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Speaker 1: you know what I mean. It's all on big one belly.

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Speaker 4: So it's like Santa by the pool, oh deed on

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Speaker 4: the post maybe for Tony.

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Speaker 1: I mean, I think it happens in the first couple

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Speaker 1: of minutes of the movie.

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Speaker 3: Yeah, yeah, wow, okay, I'm it's good to get some

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Speaker 3: facts about the story. So Santa ods in the.

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Speaker 4: Beginning, it's Okay, he's okay, okay, but he does.

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Speaker 1: He dies, but he's not like, he's not grotesque, he's

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Speaker 1: not like fucked up looking like he's sort of a

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Speaker 1: beautiful He's a beautiful corpse.

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Speaker 3: Right, Yeah, he's a beautiful corpse.

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Speaker 1: And then has some ways she's gonna shoot that, And honestly,

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Speaker 1: that's somewhere where the storyboards are stunning.

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Speaker 3: And I really do.

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Speaker 1: Actually than you realized, because it did feel like an

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Speaker 1: unfulfilled promise, especially in the swamp when everything looked like.

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Speaker 4: Sh uh, that was the cameras didn't function properly because

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Speaker 4: of whatever was coming out of the swamp messed with

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Speaker 4: you go ahead. I felt, you know, it's so sad

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Speaker 4: is I really felt like.

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Speaker 3: If you could just pause that noise while she's talking.

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Speaker 2: Okay, well he's actually trying to here it.

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Speaker 3: Actually or do you have a treat in there?

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Speaker 2: There's a treat in there?

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Speaker 3: Yes, do you see it?

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Speaker 1: You may, but i'd have to unpause the noise.

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Speaker 3: You can, I am paused the.

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Speaker 2: Noise on that, okay for a treat? Hell?

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Speaker 3: Is that a ted Lasso biscuit? This is a ted

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Speaker 3: Lasso biscuit?

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Speaker 2: Wow.

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Speaker 1: Inspired by the unconventional soccer coach.

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Speaker 2: And so if we if we could have our own

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Speaker 2: little snack from out of this, I totally think, like

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Speaker 2: I still think that's what that is.

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Speaker 1: Not eleven Santa. You know people will be saying, maybe

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Speaker 1: not a biscuit, but you see whatever aianed you are like,

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Speaker 1: do you.

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Speaker 3: I worked with her once?

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Speaker 1: Okay, but you don't know something new. This is even

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Speaker 1: better than dead biscuits, something like this in the movie

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Speaker 1: is she in?

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Speaker 3: It could be that.

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Speaker 1: I'm asking you get her in it, eat the thing,

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Speaker 1: so the snack we create, Yeah, I like, but I

357
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Speaker 1: feel crazy now, did I know? I'm trying to wrap

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Speaker 1: my head around Santa Odin in the beginning, Yeah, and

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Speaker 1: then getting to a snack, and it's hard not to

360
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Speaker 1: it's hard.

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Speaker 3: To think of a health.

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Speaker 1: Because he didn't mean anything.

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Speaker 2: That's the hero's journey.

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Speaker 4: Well, Sama's been working hard all year, like he's been

365
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Speaker 4: making the toys, he's been keeping the list, and he

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Speaker 4: deserves d Well, it's more that like he he's not

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Speaker 4: taking care of himself. Santa's not taking care of himself

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Speaker 4: at all. And then Christmas happens, he delivers all the

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Speaker 4: toys he's exhausted, he tries to just like go on

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Speaker 4: a vacation to kind of unwind after how much he's

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Speaker 4: been working. And like originally he was going to we

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Speaker 4: had to deal with swim and he went to a pool.

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Speaker 4: And that's where we call it.

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Speaker 2: Am Like.

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Speaker 1: There we can call it when I say something just

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Speaker 1: that may inspire And I'm not trying to get us

377
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Speaker 1: off track. Swim pleas not just pools anymore.

378
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Speaker 3: What I've never even heard of the simple what what

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Speaker 3: do you?

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Speaker 4: I mean, we burned that bridge, but I'm still curious and.

381
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Speaker 2: I wondered about I see you still like you're you're

382
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Speaker 2: out here working, like you're doing stuff and like the

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Speaker 2: old industry were really like it's kind of all swimbly

384
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Speaker 2: now like we do this for a lot and like

385
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Speaker 2: for like the art of it, but it's all swiming.

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Speaker 3: So what combination of two words is swim plea? I

387
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Speaker 3: get swim?

388
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Speaker 4: What's please swim easily?

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Speaker 3: Okay, swim?

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Speaker 1: Please swim and please swim and swim easily?

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Speaker 2: Please Yeah, swim And you might and it's possible that

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Speaker 2: you might wear a swim suit that's a little.

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Speaker 3: That would be a swunk like swim trunks swunk.

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Speaker 2: Yeah, now I wear skimpy little swunk.

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Speaker 3: Okay, so do you Okay?

396
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Speaker 4: So that that's the that's the backstory for Sanna he

397
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Speaker 4: o D's And how we get how Carson fits in

398
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Speaker 4: there is kind of unclear how Big Laden got there.

399
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Speaker 4: I don't remember. I do remember Hayes. He's very strict

400
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Speaker 4: because the denim he wears.

401
00:20:36,640 --> 00:20:40,359
Speaker 2: So raw, it's raw salvage, and so if it touches water,

402
00:20:41,960 --> 00:20:47,240
Speaker 2: it becomes effectively stone, and so I will I will

403
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Speaker 2: be sinking and nothing.

404
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Speaker 3: The water becomes stone.

405
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Speaker 2: They become so long, the g the raw denim becomes

406
00:20:54,680 --> 00:20:57,520
Speaker 2: so long logged that.

407
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Speaker 3: If we went back to Carson, can someone describe Carson

408
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Speaker 3: to me?

409
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Speaker 1: Yeah, he's a guy who has a house that we're

410
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Speaker 1: not going to for Christmas this year. Mhm, that's all

411
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Speaker 1: you gotta know.

412
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Speaker 2: Or he's a girl maybe, or it's a girl.

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Speaker 1: We don't we didn't like, we never settle on a

414
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Speaker 1: gender for Carson.

415
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Speaker 3: We're not going there.

416
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Speaker 4: Yeah, yeah, well, because we never meet Carson, they are

417
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Speaker 4: just someone we.

418
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Speaker 1: Talk about, right, unless you're pitching like yeah.

419
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Speaker 3: On Carson.

420
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Speaker 1: It's like, do you have a take on Carson?

421
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Speaker 4: Do you want to are you interested in the be.

422
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Speaker 2: All these characters like big Lot, and you asked what

423
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Speaker 2: his purpose was, and I was like, he's got the

424
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Speaker 2: freaking hook in his cheek. Oh yeah, I know.

425
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Speaker 3: Yeah, I don't know. My gut feels like what we're

426
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Speaker 3: what I'm hearing is even as much as you don't

427
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Speaker 3: want to be a part of Carson, I feel like

428
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Speaker 3: Carson enters the conversation a lot, which I wonder.

429
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Speaker 1: If Carson right.

430
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Speaker 3: So I just think, subconsciously, my Carson might want to

431
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Speaker 3: be the central figure of this character, and you're just

432
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Speaker 3: it's almost like on Project Runaway, where they always say

433
00:22:06,240 --> 00:22:09,320
Speaker 3: just let the fabrics speak for itself, like you want

434
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Speaker 3: you're trying to make something else always say that they do.

435
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Speaker 3: But I'm wondering if Carson needs to be the self

436
00:22:13,920 --> 00:22:17,080
Speaker 3: effector but your subconscious is pushing it away. Maybe I'm

437
00:22:17,080 --> 00:22:17,960
Speaker 3: just putting it out there.

438
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Speaker 4: I mean, I feel like if we had an actor

439
00:22:20,400 --> 00:22:24,440
Speaker 4: who really inspired us, that was interested in the role

440
00:22:24,520 --> 00:22:26,639
Speaker 4: of Carson, yeah we could.

441
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Speaker 1: Okay, I'm certainly open to uh reconfiguring the movie around

442
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Speaker 1: a character whose sole purpose was to not exist prior Yeah.

443
00:22:35,320 --> 00:22:36,720
Speaker 4: Yeah, I mean, we've got.

444
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Speaker 3: Out who have you gone on to.

445
00:22:40,840 --> 00:22:44,360
Speaker 2: A handful of of some names.

446
00:22:44,880 --> 00:22:46,440
Speaker 3: Obviously, I'd like to pitch myself.

447
00:22:46,640 --> 00:22:48,160
Speaker 4: Okay, okay, I'm.

448
00:22:48,080 --> 00:22:50,880
Speaker 3: Gonna take the therapist act hat off. I'm gonna put on,

449
00:22:51,200 --> 00:22:57,600
Speaker 3: actually take off the hat pack hat. Okay, okay, and

450
00:22:57,640 --> 00:23:00,920
Speaker 3: I'm gonna say that I think I love the darkness,

451
00:23:00,960 --> 00:23:03,920
Speaker 3: I love the realness, and I think you're absolutely right.

452
00:23:03,920 --> 00:23:06,400
Speaker 3: There needs to be so much more authenticity in the holidays.

453
00:23:07,400 --> 00:23:10,080
Speaker 3: I don't understand Big Loden, but I do know there's

454
00:23:10,080 --> 00:23:12,200
Speaker 3: a darkness there, and I think we all have darkness

455
00:23:12,200 --> 00:23:16,040
Speaker 3: in our holidays. There's even a lament ceremony at church

456
00:23:16,080 --> 00:23:19,480
Speaker 3: sometimes for people lamenting the holidays. I think that's necessary.

457
00:23:20,240 --> 00:23:22,280
Speaker 3: Santa O Ding, I have a lot of questions about,

458
00:23:22,359 --> 00:23:24,400
Speaker 3: but I think there's always a story there.

459
00:23:24,440 --> 00:23:27,640
Speaker 4: Well, it takes too much drugs.

460
00:23:26,640 --> 00:23:31,680
Speaker 3: Right, He takes a lot of drugs much. It could

461
00:23:31,720 --> 00:23:35,800
Speaker 3: be like painkillers. It doesn't necessarily have to be recreational drugs.

462
00:23:35,840 --> 00:23:37,520
Speaker 3: It could be painkills, like he does have a very

463
00:23:37,560 --> 00:23:38,040
Speaker 3: active life.

464
00:23:38,119 --> 00:23:40,960
Speaker 1: Well, what I was thinking, as we do touch on this,

465
00:23:41,080 --> 00:23:44,359
Speaker 1: is that swim plea's not just pools anymore, and you

466
00:23:44,440 --> 00:23:49,719
Speaker 1: actually can use it to reserve a pickleball court. Really,

467
00:23:49,840 --> 00:23:57,280
Speaker 1: so maybe Carson or Big loten Is is just fucking

468
00:23:57,359 --> 00:24:02,280
Speaker 1: up Santa, just pickling his ass, just absolutely trashing his ass,

469
00:24:02,560 --> 00:24:07,160
Speaker 1: tattooing him with fucking little swipple ball mark, and and

470
00:24:07,240 --> 00:24:14,119
Speaker 1: Santa decides to fight back tessosterone, hgh. You know whatever

471
00:24:14,119 --> 00:24:16,000
Speaker 1: the Marvel cocktail is. I don't know if you've done

472
00:24:16,040 --> 00:24:18,880
Speaker 1: one of those, but like they put him on a system, right,

473
00:24:19,760 --> 00:24:22,600
Speaker 1: and uh, and it's getting bigger, so you have to

474
00:24:22,800 --> 00:24:26,800
Speaker 1: big Santa, Big Santa and Big Laden right like they're

475
00:24:26,840 --> 00:24:31,399
Speaker 1: like going at it, and then he just takes it

476
00:24:31,520 --> 00:24:34,040
Speaker 1: one step too fun fun, and then I mean this

477
00:24:34,119 --> 00:24:36,199
Speaker 1: would probably fight to what we had pictured, was this

478
00:24:36,280 --> 00:24:38,760
Speaker 1: sort of pristine I think he should, you.

479
00:24:38,720 --> 00:24:42,720
Speaker 4: Know, essentially explode Santa.

480
00:24:42,920 --> 00:24:44,640
Speaker 3: Santa.

481
00:24:45,280 --> 00:24:47,879
Speaker 1: I well, I was talking about Santa.

482
00:24:48,920 --> 00:24:51,360
Speaker 2: I just want to re anchor this conversation in honesty.

483
00:24:51,440 --> 00:24:54,679
Speaker 2: I I really appreciated that for you before. But you

484
00:24:54,840 --> 00:24:58,640
Speaker 2: coming in here and saying that you haven't been doing hgh,

485
00:24:58,760 --> 00:25:01,760
Speaker 2: andro like that you know that you aren't on.

486
00:25:02,359 --> 00:25:04,000
Speaker 1: That you're not mid cycle.

487
00:25:04,880 --> 00:25:06,560
Speaker 3: That turned the corner that kind of.

488
00:25:07,040 --> 00:25:10,040
Speaker 2: But I immediately, like that just hit my ear, like

489
00:25:10,680 --> 00:25:12,840
Speaker 2: how this yes, how exactly?

490
00:25:13,560 --> 00:25:15,399
Speaker 3: I mean I can speak to that that most of

491
00:25:15,440 --> 00:25:19,560
Speaker 3: my characters are pretty emasculated and don't need that stuff. Okay,

492
00:25:21,200 --> 00:25:23,760
Speaker 3: but I'm ready for a change. I'm ready to get

493
00:25:23,800 --> 00:25:27,280
Speaker 3: away from you know, the beaten down underdog and maybe

494
00:25:27,320 --> 00:25:28,880
Speaker 3: be a little bit of the positive hero.

495
00:25:29,200 --> 00:25:29,520
Speaker 2: Okay.

496
00:25:29,760 --> 00:25:33,160
Speaker 4: So does this mean okay, does this mean that you

497
00:25:33,200 --> 00:25:37,480
Speaker 4: want to play Santa No, or you still want to

498
00:25:37,480 --> 00:25:40,320
Speaker 4: be Carson, or that you just wanted the story Santa

499
00:25:40,359 --> 00:25:43,840
Speaker 4: big laden, But really Carson is still because like maybe.

500
00:25:43,600 --> 00:25:46,119
Speaker 2: We should be like getting the hat back, getting the

501
00:25:46,160 --> 00:25:46,640
Speaker 2: hat back half.

502
00:25:47,040 --> 00:25:54,800
Speaker 1: Okay, so we're thinking Carson walks around to five, you know, just.

503
00:25:54,960 --> 00:25:56,600
Speaker 3: Raw raw, muscle muscle.

504
00:25:56,880 --> 00:25:58,760
Speaker 2: Okay, Country Strong? Yeah?

505
00:25:59,560 --> 00:26:02,600
Speaker 3: Yeah, is there a song associated with the movie. It

506
00:26:02,680 --> 00:26:04,240
Speaker 3: sounds like, I mean, I think you could bring like

507
00:26:04,280 --> 00:26:04,919
Speaker 3: a Tumar.

508
00:26:04,680 --> 00:26:07,639
Speaker 2: Cross situation this song. Yes, if we could.

509
00:26:08,920 --> 00:26:10,920
Speaker 3: Country Strong like Santa Strong.

510
00:26:11,119 --> 00:26:12,280
Speaker 1: You've got the chomps for it.

511
00:26:12,400 --> 00:26:15,280
Speaker 3: Yeah, Santa Strong, so strong as good. We got the

512
00:26:15,280 --> 00:26:15,800
Speaker 3: tools here.

513
00:26:15,960 --> 00:26:19,879
Speaker 2: Tim mcgrov, of course, famous for his collaborations with UH,

514
00:26:20,200 --> 00:26:24,800
Speaker 2: with Faith Hell, Carrie Underwood, Where like where can we

515
00:26:24,840 --> 00:26:27,240
Speaker 2: take this for the like for twenty twenty three? You

516
00:26:27,240 --> 00:26:27,600
Speaker 2: know what I mean?

517
00:26:27,680 --> 00:26:29,360
Speaker 3: This is like well twenty twenty four.

518
00:26:30,480 --> 00:26:36,919
Speaker 1: Well, this is yeah the question film. Yeah, that's why. Yeah,

519
00:26:36,920 --> 00:26:39,080
Speaker 1: that's part of why you feel so much tension between

520
00:26:39,119 --> 00:26:40,960
Speaker 1: us because we are behind schedule.

521
00:26:41,119 --> 00:26:43,800
Speaker 3: Yeah, it's December ninth, and this is you're hoping to

522
00:26:43,840 --> 00:26:45,320
Speaker 3: release this on Christmas Day.

523
00:26:45,400 --> 00:26:48,119
Speaker 1: Clear believes that some of the swamp footage is how eligible.

524
00:26:49,359 --> 00:26:51,840
Speaker 4: As soon as we can get it out of Quarantine,

525
00:26:51,920 --> 00:26:53,439
Speaker 4: we'll be able to take a look and see what

526
00:26:53,480 --> 00:26:55,720
Speaker 4: we have. But that you know, that's going to be

527
00:26:55,760 --> 00:26:57,919
Speaker 4: down to the wire, so we need to definitely.

528
00:26:57,760 --> 00:26:59,000
Speaker 3: How much footage do you have?

529
00:26:59,080 --> 00:27:01,960
Speaker 1: Would you say quarantine is the name of her dog?

530
00:27:04,200 --> 00:27:09,600
Speaker 1: My dog ate, my homework situation dog ate, the fucking card,

531
00:27:09,920 --> 00:27:10,840
Speaker 1: the digital card.

532
00:27:14,000 --> 00:27:15,920
Speaker 4: I'm just gonna let I'm not gonna I'm not gonna

533
00:27:15,960 --> 00:27:16,560
Speaker 4: engage with it.

534
00:27:17,160 --> 00:27:22,359
Speaker 3: Thinking there's a big lodding in the room.

535
00:27:22,600 --> 00:27:23,720
Speaker 1: I wish I.

536
00:27:23,960 --> 00:27:28,600
Speaker 3: Knew what that meant. Denial, Please keep talking.

537
00:27:30,640 --> 00:27:33,400
Speaker 4: So we have I mean, we probably have maybe six

538
00:27:33,480 --> 00:27:35,840
Speaker 4: or seven minutes of footage. This has to be a

539
00:27:35,920 --> 00:27:40,040
Speaker 4: future like film, so we need to film between now.

540
00:27:40,440 --> 00:27:42,720
Speaker 4: And why do they ask us to come in on

541
00:27:42,760 --> 00:27:44,600
Speaker 4: December ninth when the movie used to come out by

542
00:27:44,640 --> 00:27:46,000
Speaker 4: December twenty fifth. I don't know.

543
00:27:46,880 --> 00:27:49,080
Speaker 1: I mean, that's what we don't need to worry about.

544
00:27:48,880 --> 00:27:53,040
Speaker 2: That other like we've had so much runway, We've had

545
00:27:53,119 --> 00:27:54,919
Speaker 2: so many other holidays that we tried to do.

546
00:27:55,200 --> 00:27:58,280
Speaker 4: Oh I know, I watched as like Labor Day went by,

547
00:27:58,520 --> 00:28:02,560
Speaker 4: no call from you, Halloween went by, no Thanksgiving went by,

548
00:28:03,240 --> 00:28:03,679
Speaker 4: and then.

549
00:28:03,600 --> 00:28:10,359
Speaker 2: Suddenly very curious energy for a director needing to be directids.

550
00:28:11,720 --> 00:28:15,920
Speaker 3: Was it? Like I wonder Patricks? And then was in St.

551
00:28:15,920 --> 00:28:19,119
Speaker 2: Patrick's that was? That was incarnation of it?

552
00:28:19,160 --> 00:28:20,080
Speaker 3: And then like the Easter.

553
00:28:21,560 --> 00:28:23,240
Speaker 4: We had, well we had a new We tried for

554
00:28:23,320 --> 00:28:24,800
Speaker 4: New Year's we tried.

555
00:28:24,480 --> 00:28:25,679
Speaker 2: For Father's Day.

556
00:28:26,119 --> 00:28:27,720
Speaker 4: Father's Day was the last one.

557
00:28:27,840 --> 00:28:32,239
Speaker 3: Father's Day could have been good Father Christmas? And they

558
00:28:32,280 --> 00:28:35,119
Speaker 3: were always pushing you to get it on those holidays

559
00:28:35,119 --> 00:28:38,760
Speaker 3: and can I pitch? Was it this tension that kept

560
00:28:38,800 --> 00:28:39,600
Speaker 3: it from happening?

561
00:28:40,960 --> 00:28:41,960
Speaker 4: Yeah, didn't help.

562
00:28:42,560 --> 00:28:44,640
Speaker 2: Sorry, and no money.

563
00:28:44,640 --> 00:28:47,200
Speaker 3: You know what else didn't know? Cleah?

564
00:28:47,600 --> 00:28:52,200
Speaker 1: Yeah. Tim McGraw is a song called Live Like You

565
00:28:52,240 --> 00:28:52,800
Speaker 1: Are Dying.

566
00:28:52,840 --> 00:28:54,960
Speaker 2: It kind of sounds like Santa.

567
00:28:56,920 --> 00:28:58,440
Speaker 3: Okay, still like Santa Strong.

568
00:28:59,280 --> 00:29:02,360
Speaker 2: I like Strong go to be the name of the

569
00:29:02,400 --> 00:29:06,400
Speaker 2: song instead of Tim McGraw and faith hell.

570
00:29:06,600 --> 00:29:07,440
Speaker 3: I think he's right there.

571
00:29:07,680 --> 00:29:09,600
Speaker 2: Tim McGrath and Benny Hill.

572
00:29:10,680 --> 00:29:12,120
Speaker 3: Oh I thought he was dead.

573
00:29:12,800 --> 00:29:14,640
Speaker 2: Well we I mean, we don't have to like get

574
00:29:14,640 --> 00:29:17,160
Speaker 2: Benny Hill. And like his most famous song is like

575
00:29:17,280 --> 00:29:22,280
Speaker 2: mostly instrumental anyone. So imagine Tim McGraw laying that down

576
00:29:23,560 --> 00:29:26,280
Speaker 2: and it's his voice and it goes where. I love

577
00:29:26,320 --> 00:29:28,880
Speaker 2: saying that a marriage the same person every.

578
00:29:28,840 --> 00:29:36,200
Speaker 3: Day that it kind of and it feels fits kind

579
00:29:36,200 --> 00:29:39,120
Speaker 3: of like an elve energy, an elf energy.

580
00:29:40,480 --> 00:29:43,920
Speaker 2: I mean, yeah, but don't like, like don't tell Tim

581
00:29:44,080 --> 00:29:48,560
Speaker 2: Tim like where's lifts and stuff? Like you know, Oh yeah,

582
00:29:48,760 --> 00:29:50,800
Speaker 2: he likes to be referred to as like a big boy,

583
00:29:50,880 --> 00:29:51,760
Speaker 2: like a very big boy.

584
00:29:52,240 --> 00:29:56,600
Speaker 3: Yeah, it's gonna be hard to keep that from him.

585
00:29:56,760 --> 00:29:58,320
Speaker 3: I have a hard time not saying.

586
00:29:58,080 --> 00:30:00,480
Speaker 2: Speaking of I mean, I just want to speaking of

587
00:30:00,720 --> 00:30:03,080
Speaker 2: the big lot in the room. Was wearing the same

588
00:30:03,160 --> 00:30:05,760
Speaker 2: boots as me, kind of at least very similar.

589
00:30:09,640 --> 00:30:13,760
Speaker 4: Cosation, Like I'm wearing boots like your same color sweatshirt

590
00:30:13,760 --> 00:30:17,280
Speaker 4: as Sean. Like I'm really trying to connect with you guys,

591
00:30:17,320 --> 00:30:19,920
Speaker 4: like I want to, and that's why I'm here. Like

592
00:30:20,760 --> 00:30:24,160
Speaker 4: I I'll say I love you and I'm in love

593
00:30:24,200 --> 00:30:26,040
Speaker 4: with you and I want us to.

594
00:30:26,440 --> 00:30:29,200
Speaker 1: Can I just pause this is so manipulative. You said

595
00:30:29,320 --> 00:30:32,800
Speaker 1: I love you and I'm in love with you? Is

596
00:30:32,840 --> 00:30:35,600
Speaker 1: there a difference between the two, I mean I hear

597
00:30:35,640 --> 00:30:39,840
Speaker 1: an immediate difference. Are there romantic feelings over there and

598
00:30:39,920 --> 00:30:41,920
Speaker 1: here it's more of just like a friendly.

599
00:30:41,640 --> 00:30:45,240
Speaker 2: Love this it's not a one and one so like

600
00:30:47,880 --> 00:30:49,920
Speaker 2: this is the energy we try to bring as well.

601
00:30:49,960 --> 00:30:51,160
Speaker 2: And this is where I feel like.

602
00:30:51,440 --> 00:30:54,440
Speaker 1: She's never like how we know manipulative? I mean that

603
00:30:54,560 --> 00:30:55,240
Speaker 1: is how we know.

604
00:30:56,040 --> 00:30:58,760
Speaker 4: So whenever I whenever I try to express my feelings

605
00:30:58,760 --> 00:31:00,600
Speaker 4: for you, guys, I'm being manipulative.

606
00:31:01,960 --> 00:31:02,160
Speaker 3: Wow.

607
00:31:02,480 --> 00:31:04,800
Speaker 4: How can I express how I feel about you, how

608
00:31:04,840 --> 00:31:06,800
Speaker 4: I feel about love and Santa? And have you guys

609
00:31:06,840 --> 00:31:08,600
Speaker 4: believe it? What can I do?

610
00:31:10,280 --> 00:31:12,360
Speaker 2: Like a if you did like a? Do you know

611
00:31:12,400 --> 00:31:13,640
Speaker 2: who senior wincesses?

612
00:31:15,000 --> 00:31:15,240
Speaker 4: No?

613
00:31:15,360 --> 00:31:16,320
Speaker 3: I don't know who that is?

614
00:31:18,360 --> 00:31:20,640
Speaker 2: He like you make your fist like this, you can

615
00:31:20,760 --> 00:31:21,840
Speaker 2: make it talk like that.

616
00:31:22,520 --> 00:31:24,560
Speaker 3: It looks he looks like he's talking.

617
00:31:24,720 --> 00:31:26,960
Speaker 2: Yeah, and he used to do kind of an accent

618
00:31:27,000 --> 00:31:27,760
Speaker 2: that I don't think.

619
00:31:28,360 --> 00:31:30,280
Speaker 4: I'm not going to do it. I'm not going to

620
00:31:30,360 --> 00:31:32,360
Speaker 4: do any kind of accent just to be safe.

621
00:31:33,320 --> 00:31:33,840
Speaker 5: Strong.

622
00:31:35,280 --> 00:31:39,280
Speaker 2: Yes, yes, that could be amazing. And so maybe we

623
00:31:39,320 --> 00:31:41,360
Speaker 2: don't even need strong.

624
00:31:44,000 --> 00:31:47,440
Speaker 1: Ah, I feel like this is this is maybe a

625
00:31:47,440 --> 00:31:50,000
Speaker 1: crutch for me, but you could be faith Hale.

626
00:31:50,960 --> 00:31:54,920
Speaker 3: Oh damn, I feel like this is the first nugget

627
00:31:54,920 --> 00:31:57,760
Speaker 3: of the whole conversation. So too, we found the first

628
00:31:57,760 --> 00:32:01,360
Speaker 3: thing we have had to interrupt meet again it.

629
00:32:01,440 --> 00:32:05,840
Speaker 1: But yeah, it would have been tough to go. No,

630
00:32:05,920 --> 00:32:10,520
Speaker 1: I know, I know, just like as I think about

631
00:32:10,600 --> 00:32:13,520
Speaker 1: Santa Strong and we've been talking about these like country things,

632
00:32:13,560 --> 00:32:16,640
Speaker 1: I think just because it came off Country Strong while you're.

633
00:32:16,480 --> 00:32:17,760
Speaker 3: Talking, I just want you to hear the power of

634
00:32:17,800 --> 00:32:24,640
Speaker 3: that keep talking, keep talking to just keep just keep talking.

635
00:32:24,800 --> 00:32:26,600
Speaker 3: I want you to hear the power of what can

636
00:32:26,640 --> 00:32:32,560
Speaker 3: happen when you're telling. When you're talking, keep talking.

637
00:32:33,360 --> 00:32:40,760
Speaker 1: So we've been speaking seeing it's stress and along in

638
00:32:40,840 --> 00:32:42,200
Speaker 1: this one particular way.

639
00:32:42,480 --> 00:32:49,080
Speaker 3: Roden in the sky.

640
00:32:50,280 --> 00:32:56,560
Speaker 1: H think that I don't know at this present, Wow,

641
00:32:56,760 --> 00:33:06,360
Speaker 1: they fall. We may want to down chilling as more

642
00:33:06,400 --> 00:33:09,520
Speaker 1: of a parody of the Sublime song The Wrong Way,

643
00:33:09,560 --> 00:33:11,120
Speaker 1: but it's called Santa Strong Way.

644
00:33:11,240 --> 00:33:13,200
Speaker 3: I just like to make a point that nobody was

645
00:33:13,240 --> 00:33:15,480
Speaker 3: listening to what he was saying. Everybody was listening.

646
00:33:15,280 --> 00:33:17,520
Speaker 1: Everyone was hearing the songs to the song.

647
00:33:17,800 --> 00:33:20,600
Speaker 2: Yeah, that's right.

648
00:33:21,000 --> 00:33:21,480
Speaker 4: Beautiful.

649
00:33:21,600 --> 00:33:24,480
Speaker 3: Thanks that that was really powerful. I'm glad I came.

650
00:33:30,040 --> 00:33:32,160
Speaker 2: Okay, we have we have the song.

651
00:33:32,360 --> 00:33:36,600
Speaker 4: Yeah, locked in that's huge, we have something to play

652
00:33:36,760 --> 00:33:37,280
Speaker 4: the trailer.

653
00:33:38,320 --> 00:33:40,960
Speaker 1: Do you have Do you have a version of that?

654
00:33:40,960 --> 00:33:42,720
Speaker 4: That would be a really good end credits song.

655
00:33:43,040 --> 00:33:46,040
Speaker 1: Just there was Yeah, well that's I think it's like, yeah,

656
00:33:47,200 --> 00:33:49,080
Speaker 1: there's no end credits.

657
00:33:49,120 --> 00:33:51,960
Speaker 4: Is what you said end credits? Yeah, his song, because

658
00:33:52,000 --> 00:33:53,560
Speaker 4: it's gonna the end of the movie is going to

659
00:33:53,600 --> 00:33:56,920
Speaker 4: feel really like kind of like uplifting and exciting.

660
00:33:57,960 --> 00:34:01,840
Speaker 1: Pasts whatever it's saying about Santa, right, Yeah, is this

661
00:34:01,880 --> 00:34:03,920
Speaker 1: a song you've already sung? No?

662
00:34:04,400 --> 00:34:05,960
Speaker 3: Oh, would you mind doing a piece?

663
00:34:06,000 --> 00:34:08,600
Speaker 1: He would never sing a song, but he's already sung before.

664
00:34:08,760 --> 00:34:09,680
Speaker 2: No once he's.

665
00:34:09,480 --> 00:34:11,759
Speaker 4: Sung it, so we need to know, like.

666
00:34:12,040 --> 00:34:13,160
Speaker 2: It's out, it's in the world.

667
00:34:13,320 --> 00:34:15,319
Speaker 1: It was a little bit like this. It would start

668
00:34:15,360 --> 00:34:18,440
Speaker 1: a little bit like this, two hundred years old. He

669
00:34:18,520 --> 00:34:21,320
Speaker 1: was flying through the cold and he's about to ode,

670
00:34:21,520 --> 00:34:24,359
Speaker 1: saying a strong way, and it would be sort of

671
00:34:24,400 --> 00:34:27,640
Speaker 1: that like he's and I assume saying it's two hundred.

672
00:34:27,480 --> 00:34:30,680
Speaker 2: Years two hundred Yeah, yeah, he's older than that. Okay, Well,

673
00:34:30,680 --> 00:34:36,080
Speaker 2: since we started this projects probably like million years old. Yeah,

674
00:34:36,560 --> 00:34:39,920
Speaker 2: that's true. We just can't put dates in anything, like

675
00:34:40,080 --> 00:34:42,960
Speaker 2: we can't have a release date. The poster cannot have

676
00:34:43,040 --> 00:34:43,759
Speaker 2: a release date.

677
00:34:44,280 --> 00:34:45,719
Speaker 3: Are you all producers?

678
00:34:47,520 --> 00:34:51,759
Speaker 4: This has been we haven't produced anything, but I think

679
00:34:51,800 --> 00:34:54,000
Speaker 4: that's the idea. I think that we would like to

680
00:34:54,040 --> 00:34:55,160
Speaker 4: all produce something.

681
00:34:55,280 --> 00:34:58,120
Speaker 1: We wear a lot of hats, not just hat pat hats.

682
00:34:58,640 --> 00:35:01,560
Speaker 1: I think we've been producing, we've been writing, we've been

683
00:35:01,960 --> 00:35:02,880
Speaker 1: theoretically directed.

684
00:35:02,960 --> 00:35:05,040
Speaker 3: Have you broken down the points and all that stuff

685
00:35:05,080 --> 00:35:08,320
Speaker 3: of kind of like the where when it was released?

686
00:35:08,320 --> 00:35:09,640
Speaker 3: How much money you make and stuff?

687
00:35:10,520 --> 00:35:14,440
Speaker 1: We're antiducers, that's antiducers.

688
00:35:14,520 --> 00:35:15,399
Speaker 2: That's just what we are.

689
00:35:16,320 --> 00:35:17,799
Speaker 3: Con conducers.

690
00:35:17,840 --> 00:35:19,839
Speaker 1: We're conducers at this point.

691
00:35:19,880 --> 00:35:21,000
Speaker 3: We're conducers.

692
00:35:21,480 --> 00:35:24,200
Speaker 1: And in terms of the points, let's just say none

693
00:35:24,239 --> 00:35:26,320
Speaker 1: of us are going to be winning at midnight anytime

694
00:35:26,400 --> 00:35:29,640
Speaker 1: soon because we we we've been getting true.

695
00:35:29,800 --> 00:35:34,799
Speaker 3: What did you do on there on at midnight? Up?

696
00:35:35,040 --> 00:35:37,360
Speaker 3: I don't think I did you guys work on ad midnight?

697
00:35:38,360 --> 00:35:38,480
Speaker 6: Uh?

698
00:35:39,400 --> 00:35:40,479
Speaker 2: I wouldn't say it was work?

699
00:35:41,560 --> 00:35:44,520
Speaker 3: Okay, do what you love and you'll never work a

700
00:35:44,600 --> 00:35:48,800
Speaker 3: day in your life. So all right, this studio you're true,

701
00:35:49,440 --> 00:35:51,400
Speaker 3: This studio you're talking about so somebody is getting all

702
00:35:51,440 --> 00:35:53,759
Speaker 3: the points, and that's the that's the same pressure that

703
00:35:53,800 --> 00:35:56,879
Speaker 3: you're getting to release it before Christmas. Whoever's whoever has

704
00:35:56,920 --> 00:35:57,200
Speaker 3: all the.

705
00:35:57,120 --> 00:36:00,719
Speaker 4: Points, they right, they have all the points. They want

706
00:36:00,800 --> 00:36:04,000
Speaker 4: us to release it on Christmas.

707
00:36:04,320 --> 00:36:05,600
Speaker 3: Gosh, and a lot of pressure.

708
00:36:07,160 --> 00:36:08,160
Speaker 1: That's no kidding.

709
00:36:08,760 --> 00:36:11,040
Speaker 4: And I'm sure everybody's eager to go back to finding

710
00:36:11,080 --> 00:36:14,240
Speaker 4: out how I can be tell you how I feel

711
00:36:14,239 --> 00:36:19,640
Speaker 4: without being manipulative. I think it's probably everybody's still thinking

712
00:36:19,640 --> 00:36:20,840
Speaker 4: about that, and I want us to be able to

713
00:36:21,600 --> 00:36:24,080
Speaker 4: on that because I can feel that it's been things

714
00:36:24,120 --> 00:36:26,800
Speaker 4: have really been flowing in a way that I feel.

715
00:36:26,760 --> 00:36:30,880
Speaker 2: Well, I did answer that and it led to something

716
00:36:30,960 --> 00:36:33,959
Speaker 2: really creative and you didn't hear it, but that doesn't

717
00:36:33,960 --> 00:36:34,919
Speaker 2: mean I didn't say it.

718
00:36:35,160 --> 00:36:39,200
Speaker 4: I gave you.

719
00:36:39,320 --> 00:36:41,800
Speaker 2: Yeah, that's how you can tell me how you feel.

720
00:36:42,800 --> 00:36:45,839
Speaker 2: A sharpie would like if if you're really selling it

721
00:36:46,400 --> 00:36:48,800
Speaker 2: a sharpie with like, you know, giving it a little

722
00:36:49,600 --> 00:36:51,919
Speaker 2: as a like identity.

723
00:36:52,360 --> 00:36:55,520
Speaker 1: We haven't forgotten. Yes, you know, as a train actor,

724
00:36:57,840 --> 00:37:01,480
Speaker 1: your face is used to deceit and so we need

725
00:37:01,520 --> 00:37:04,120
Speaker 1: to remove that from the equation. And Hayes has found

726
00:37:04,160 --> 00:37:07,239
Speaker 1: something of an ingenious man. Yeah, can I see your wedding.

727
00:37:08,719 --> 00:37:09,560
Speaker 3: Can you take it off?

728
00:37:10,520 --> 00:37:11,840
Speaker 2: Comes off real?

729
00:37:13,960 --> 00:37:15,960
Speaker 3: Just would you mind putting your hand up like that?

730
00:37:17,200 --> 00:37:17,359
Speaker 2: Here?

731
00:37:17,440 --> 00:37:19,640
Speaker 1: Let me help if you want to speak, if you're

732
00:37:19,719 --> 00:37:22,239
Speaker 1: if the only way you're gonna hear is for her

733
00:37:22,280 --> 00:37:24,680
Speaker 1: to speak through seniors Winston is that his name?

734
00:37:24,760 --> 00:37:28,440
Speaker 3: When winds? I'm gonna if you can put your hand.

735
00:37:28,320 --> 00:37:30,800
Speaker 2: Up, good, seniord like he was Wedday.

736
00:37:31,000 --> 00:37:32,279
Speaker 3: Yeah, and I'm gonna do this.

737
00:37:32,520 --> 00:37:36,040
Speaker 1: I am put this thing on Netflix. Jenna, we get

738
00:37:36,160 --> 00:37:39,560
Speaker 1: so it's Osama big, Yes, it's senior Wednesday.

739
00:37:39,800 --> 00:37:49,000
Speaker 2: Yes, Okay, okay, okay, wow you want to say hey, Sean,

740
00:37:49,760 --> 00:37:54,200
Speaker 2: would remember I was having a conversation about the accent.

741
00:37:56,560 --> 00:37:58,160
Speaker 2: I remember us coming out on But.

742
00:38:00,000 --> 00:38:02,239
Speaker 1: I'm having a hard tony. It looks uncomfortable. It looks

743
00:38:02,280 --> 00:38:05,680
Speaker 1: a little tenuous, is it?

744
00:38:06,320 --> 00:38:08,640
Speaker 3: No? I'm no'm I want this to I want this

745
00:38:08,640 --> 00:38:12,239
Speaker 3: to happen because this I know. I just need you

746
00:38:12,280 --> 00:38:13,400
Speaker 3: to have a little more clarity.

747
00:38:13,680 --> 00:38:15,400
Speaker 1: I know it's difficult, but I just am not feeling

748
00:38:15,480 --> 00:38:17,200
Speaker 1: connected to this pause.

749
00:38:20,239 --> 00:38:26,280
Speaker 5: And the eyebrow goes sure, Hello, I love you.

750
00:38:28,239 --> 00:38:28,799
Speaker 3: Do you hear what?

751
00:38:29,520 --> 00:38:31,440
Speaker 5: I'm in love with you?

752
00:38:31,920 --> 00:38:35,040
Speaker 3: I thought you were Okay, yeah, do you hear that?

753
00:38:36,480 --> 00:38:40,960
Speaker 2: I heard the first part. Yeah, I didn't hear the

754
00:38:41,000 --> 00:38:41,560
Speaker 2: second name.

755
00:38:42,239 --> 00:38:42,600
Speaker 4: The names.

756
00:38:42,640 --> 00:38:44,719
Speaker 2: I want to get it all clean. I just want

757
00:38:44,719 --> 00:38:45,720
Speaker 2: to get the whole thing.

758
00:38:45,640 --> 00:38:49,560
Speaker 4: Clean with the names. Are you have the names? We

759
00:38:49,600 --> 00:38:50,279
Speaker 4: already have the name.

760
00:38:50,360 --> 00:38:52,719
Speaker 1: I think we have the names, and now I just need.

761
00:38:52,880 --> 00:38:57,160
Speaker 5: I love you and I'm in love with you.

762
00:38:58,600 --> 00:39:02,080
Speaker 2: So wow, And and you know I'm also technically married

763
00:39:02,120 --> 00:39:02,440
Speaker 2: to this.

764
00:39:02,640 --> 00:39:04,760
Speaker 3: I am detecting a bit of an accent honestly.

765
00:39:05,800 --> 00:39:08,760
Speaker 1: Oh again, it's fine.

766
00:39:08,840 --> 00:39:10,640
Speaker 3: I know it's fine. It's fine.

767
00:39:10,719 --> 00:39:13,160
Speaker 1: I like it. I think we should be allowed to

768
00:39:13,239 --> 00:39:13,440
Speaker 1: do it.

769
00:39:13,520 --> 00:39:15,680
Speaker 3: Now. What would you like to say over there?

770
00:39:16,040 --> 00:39:16,120
Speaker 6: Me?

771
00:39:17,040 --> 00:39:20,239
Speaker 3: Oh, what would sir Winston? Sir Winston would like to

772
00:39:20,280 --> 00:39:22,520
Speaker 3: say to our other friend Sean?

773
00:39:23,920 --> 00:39:29,080
Speaker 5: I love you too and in love w's you?

774
00:39:29,800 --> 00:39:30,120
Speaker 3: Okay?

775
00:39:30,480 --> 00:39:33,200
Speaker 1: So I'm second and my wedding ring is not involved?

776
00:39:36,719 --> 00:39:39,040
Speaker 3: Well, would you like your wedding ring to be involved?

777
00:39:39,239 --> 00:39:40,480
Speaker 1: It's just what I asked for.

778
00:39:40,800 --> 00:39:41,399
Speaker 2: I don't know why.

779
00:39:41,480 --> 00:39:43,000
Speaker 3: I don't remember you asking for that, but.

780
00:39:42,960 --> 00:39:46,560
Speaker 4: Please, I mean, maybe in that.

781
00:39:49,480 --> 00:39:49,800
Speaker 2: Beard.

782
00:39:50,160 --> 00:39:57,919
Speaker 5: Yeah, yeah, it's really nice, Sean, and I love you

783
00:39:58,800 --> 00:40:01,480
Speaker 5: and I'm in love with you.

784
00:40:03,200 --> 00:40:08,960
Speaker 2: Wow, so much. Thank you for saying that. You're obviously

785
00:40:09,600 --> 00:40:12,359
Speaker 2: really kind. Really it came a long way to do this.

786
00:40:17,200 --> 00:40:20,440
Speaker 2: Uh feels really special to hear you say that, and

787
00:40:20,800 --> 00:40:22,799
Speaker 2: I'm in love. I think with the idea of you.

788
00:40:25,160 --> 00:40:33,600
Speaker 6: That's okay, all right, Well if I love is love?

789
00:40:35,640 --> 00:40:39,400
Speaker 1: Wow, I finally get my hand means.

790
00:40:41,280 --> 00:40:46,319
Speaker 2: What is what? When people say that until this, this

791
00:40:46,400 --> 00:40:48,440
Speaker 2: has been the moment I was like, sure, I guess,

792
00:40:48,480 --> 00:40:52,480
Speaker 2: but what the do that? Okay? But like what now?

793
00:40:52,520 --> 00:40:55,120
Speaker 1: I finally now love is love? Like from now on

794
00:40:55,280 --> 00:40:56,200
Speaker 1: will resonate with me.

795
00:40:57,800 --> 00:40:59,839
Speaker 3: I want you all to watch this really quick. Okay

796
00:41:00,360 --> 00:41:03,400
Speaker 3: mm hmmm, you you want to watch this? Watch this?

797
00:41:03,400 --> 00:41:05,560
Speaker 3: This is how beautiful this is going to just separate?

798
00:41:05,600 --> 00:41:11,440
Speaker 4: Watch wow.

799
00:41:11,920 --> 00:41:15,840
Speaker 2: Okay, now all our rings are pretty similar.

800
00:41:26,920 --> 00:41:27,960
Speaker 3: Just give me one second.

801
00:41:28,480 --> 00:41:31,040
Speaker 1: But I think that means like, you know, and then

802
00:41:31,080 --> 00:41:31,880
Speaker 1: who cares?

803
00:41:32,000 --> 00:41:32,600
Speaker 2: You know what I mean?

804
00:41:32,880 --> 00:41:34,680
Speaker 3: Any of yours engraved? By chance?

805
00:41:36,560 --> 00:41:39,719
Speaker 2: Mine is not. Mine is not engraved. I believe love

806
00:41:39,800 --> 00:41:41,359
Speaker 2: is love, so I don't mine.

807
00:41:41,480 --> 00:41:42,840
Speaker 3: Mine is not engraved either.

808
00:41:43,560 --> 00:41:47,640
Speaker 1: I'd like to just simplify this. Mine is not engraved.

809
00:41:49,040 --> 00:41:53,360
Speaker 2: Yet that makes it easy, Like it's yours, It doesn't matter.

810
00:41:54,080 --> 00:41:55,239
Speaker 3: I think it is it.

811
00:41:55,680 --> 00:41:57,399
Speaker 4: Hold on, does that feel right?

812
00:41:57,520 --> 00:42:00,799
Speaker 3: This is mine? Because yours is thinner and you move

813
00:42:00,840 --> 00:42:04,719
Speaker 3: yourself for center. I'll have to ask my wife and

814
00:42:04,840 --> 00:42:06,879
Speaker 3: mine was a little more scratch. Does that feel right?

815
00:42:08,600 --> 00:42:14,960
Speaker 3: Or we're connected? I think this is mine.

816
00:42:15,120 --> 00:42:16,000
Speaker 2: That's really nice.

817
00:42:16,360 --> 00:42:16,920
Speaker 3: Crazy.

818
00:42:17,400 --> 00:42:19,680
Speaker 1: Uh, you'll find out when you get in your car

819
00:42:19,760 --> 00:42:21,800
Speaker 1: and you just naturally drive home to your wife.

820
00:42:22,320 --> 00:42:25,239
Speaker 2: That's right. Ring'll tell you you put your ring on

821
00:42:25,320 --> 00:42:26,120
Speaker 2: the wheel.

822
00:42:28,560 --> 00:42:31,000
Speaker 3: You're supposed to be or you get home and she goes,

823
00:42:31,120 --> 00:42:32,279
Speaker 3: is that Tony Hale's ring?

824
00:42:37,040 --> 00:42:37,200
Speaker 2: Uh?

825
00:42:37,600 --> 00:42:41,399
Speaker 1: Location, that's all, that's all we I think.

826
00:42:41,440 --> 00:42:44,400
Speaker 2: Once we have the song, like you were saying, like

827
00:42:44,840 --> 00:42:47,560
Speaker 2: feel the power of when someone's talking while the song

828
00:42:47,760 --> 00:42:50,479
Speaker 2: is it is being sung, it doesn't matter. No one's

829
00:42:50,480 --> 00:42:53,440
Speaker 2: gonna hear what is actually happening in the movie because

830
00:42:53,480 --> 00:42:54,520
Speaker 2: we have this song.

831
00:42:54,400 --> 00:42:56,200
Speaker 1: Going the whole time.

832
00:42:57,120 --> 00:43:01,040
Speaker 2: But we do need to figure out just like where

833
00:43:01,120 --> 00:43:04,720
Speaker 2: to visuals, Yes, where to just like set up the camera.

834
00:43:04,760 --> 00:43:06,440
Speaker 2: It doesn't matter what's on there. We just need a

835
00:43:06,440 --> 00:43:08,120
Speaker 2: location where to set it up where it will not

836
00:43:08,280 --> 00:43:13,080
Speaker 2: be consumed. Uh what about the tars sucked into the earth,

837
00:43:13,239 --> 00:43:16,359
Speaker 2: so not not that like that that's a place where

838
00:43:16,360 --> 00:43:16,879
Speaker 2: it would be.

839
00:43:17,080 --> 00:43:20,240
Speaker 4: It's too it's also too similar with the to the swamp,

840
00:43:20,320 --> 00:43:21,960
Speaker 4: So I don't want it like we want to have

841
00:43:22,000 --> 00:43:24,440
Speaker 4: like a sort of like the training.

842
00:43:24,920 --> 00:43:27,440
Speaker 2: Swamp, and that's what we're fine. We're running into the

843
00:43:27,480 --> 00:43:31,720
Speaker 2: same problem where basically every place that we consider will

844
00:43:32,080 --> 00:43:37,160
Speaker 2: suck all of the crew and the equipment in into itself.

845
00:43:37,880 --> 00:43:40,680
Speaker 2: Wow wow Yeah, Okay.

846
00:43:40,360 --> 00:43:42,320
Speaker 1: Tar pets are where the rap party's at, so we

847
00:43:42,400 --> 00:43:43,799
Speaker 1: don't want to double up there.

848
00:43:44,040 --> 00:43:48,080
Speaker 2: Yeah, so that's okay if like once we're once we're shot.

849
00:43:48,200 --> 00:43:49,160
Speaker 2: I honestly would.

850
00:43:49,120 --> 00:43:51,959
Speaker 1: Love I'd like everyone to sink into the I would

851
00:43:51,960 --> 00:43:55,440
Speaker 1: love for being everyone else. That would just make it

852
00:43:55,520 --> 00:43:55,759
Speaker 1: just a.

853
00:43:55,840 --> 00:44:00,319
Speaker 3: Clean sweet props toever like came up with the wrap

854
00:44:00,360 --> 00:44:01,399
Speaker 3: party there, that's staying on.

855
00:44:01,400 --> 00:44:07,799
Speaker 2: The thank you prop Kevin job than Kevin's props. We're

856
00:44:07,840 --> 00:44:09,440
Speaker 2: over budget for that, by the way, I gotta let

857
00:44:09,480 --> 00:44:12,000
Speaker 2: you guys know, oh man budget for the rap party,

858
00:44:12,080 --> 00:44:13,320
Speaker 2: Yeah significantly.

859
00:44:13,760 --> 00:44:14,799
Speaker 3: What about a wrap coat?

860
00:44:16,440 --> 00:44:17,040
Speaker 1: Like a gift?

861
00:44:17,160 --> 00:44:19,399
Speaker 3: I love to talk about rap gifts before the job

862
00:44:19,480 --> 00:44:20,240
Speaker 3: is even finished.

863
00:44:20,800 --> 00:44:25,320
Speaker 4: That's true. We have we've we've had as.

864
00:44:24,160 --> 00:44:26,960
Speaker 2: Like get to the end and be like, oh, we

865
00:44:27,040 --> 00:44:29,799
Speaker 2: got to get something. There's no rap gift and it's

866
00:44:29,840 --> 00:44:30,560
Speaker 2: a it's a movie.

867
00:44:30,600 --> 00:44:35,080
Speaker 4: But presence, I mean, is it like hats.

868
00:44:35,440 --> 00:44:40,320
Speaker 3: It feels a little self promotional Christmas for Christmas movie

869
00:44:40,800 --> 00:44:42,359
Speaker 3: rap gift gift wrap?

870
00:44:43,600 --> 00:44:48,640
Speaker 1: Oh, I like that? Is that clever? It's loving saying

871
00:44:48,719 --> 00:44:53,480
Speaker 1: a gift wrap that we and we uh and we

872
00:44:53,920 --> 00:44:59,640
Speaker 1: wrap it in the in itself? Is that something special?

873
00:45:00,520 --> 00:45:02,839
Speaker 1: Everyone to feel part of it and then they are

874
00:45:02,920 --> 00:45:05,480
Speaker 1: giving you know, it's the spirit, it's giving you give

875
00:45:05,520 --> 00:45:06,440
Speaker 1: it to every you know.

876
00:45:06,840 --> 00:45:09,279
Speaker 2: Always the poster, we didn't actually figure out what was

877
00:45:09,320 --> 00:45:11,319
Speaker 2: on there, sounded like big lot and was the big

878
00:45:12,000 --> 00:45:14,160
Speaker 2: definitely gonna have be we wearing.

879
00:45:13,880 --> 00:45:15,680
Speaker 1: A love and Santa shirt or something there.

880
00:45:15,680 --> 00:45:18,160
Speaker 3: I also see a lot of these families getting gifts

881
00:45:18,160 --> 00:45:21,960
Speaker 3: with like a Santa odeing on the wrapping paper. That

882
00:45:22,000 --> 00:45:25,000
Speaker 3: would be pretty powerful to their kids. Yeah, depending on

883
00:45:25,040 --> 00:45:26,759
Speaker 3: the style of O D we decided to do.

884
00:45:28,000 --> 00:45:31,520
Speaker 4: Is there a way we could have uh us driving

885
00:45:31,920 --> 00:45:34,960
Speaker 4: like a like driving away from Carson's house?

886
00:45:36,840 --> 00:45:40,400
Speaker 1: Is there driving away? Oh?

887
00:45:40,560 --> 00:45:43,120
Speaker 3: Well, you excuse me, as the producers driving away is

888
00:45:43,160 --> 00:45:43,920
Speaker 3: from the cars.

889
00:45:43,920 --> 00:45:46,080
Speaker 4: Carson we got we got away from car.

890
00:45:46,520 --> 00:45:48,880
Speaker 2: Wait wait car, sorry, I think it's yeah, clear that

891
00:45:48,960 --> 00:45:52,319
Speaker 2: that's actually really good idea. Let's let's set set up

892
00:45:52,360 --> 00:45:54,680
Speaker 2: the shoe and we'll do the shoe and all you'll

893
00:45:54,719 --> 00:45:57,680
Speaker 2: have to do is get in your car and just

894
00:45:57,719 --> 00:45:58,719
Speaker 2: start driving away and.

895
00:45:58,680 --> 00:46:02,080
Speaker 1: We will we we will be shooting, Like, don't worry, we.

896
00:46:02,000 --> 00:46:04,440
Speaker 2: Will be filming, filming it. We will be filming the

897
00:46:04,440 --> 00:46:06,799
Speaker 2: whole thing. But this is really important that we that

898
00:46:06,880 --> 00:46:09,880
Speaker 2: we get this right. We're going to that's all you

899
00:46:09,920 --> 00:46:13,040
Speaker 2: need to do. Yeah, and so like, just focus on

900
00:46:13,080 --> 00:46:14,680
Speaker 2: that aspect of your character.

901
00:46:15,360 --> 00:46:17,080
Speaker 3: You are you in the movie.

902
00:46:17,480 --> 00:46:20,879
Speaker 4: I mean I wasn't until now it's your head.

903
00:46:20,920 --> 00:46:22,120
Speaker 3: Will be filming.

904
00:46:22,360 --> 00:46:25,640
Speaker 4: Yeah, well, but then you'll cut and then you'll tell

905
00:46:25,680 --> 00:46:26,439
Speaker 4: me when to come back.

906
00:46:27,239 --> 00:46:31,359
Speaker 2: We will. Yes, we're gonna need a lot of this. Uh,

907
00:46:31,680 --> 00:46:35,359
Speaker 2: and so like don't wait for the exactly.

908
00:46:35,000 --> 00:46:36,640
Speaker 3: And we're not gonna have to get room tone.

909
00:46:37,680 --> 00:46:40,319
Speaker 1: So we're gonna have to roll on it for a while.

910
00:46:40,040 --> 00:46:44,200
Speaker 2: After and don't turn around. Do not turn around, because

911
00:46:44,200 --> 00:46:45,040
Speaker 2: that will ruin.

912
00:46:44,840 --> 00:46:48,280
Speaker 1: The whole We'll have to throw out yeah, oh.

913
00:46:52,320 --> 00:46:54,520
Speaker 2: Big, oh.

914
00:46:56,719 --> 00:46:59,640
Speaker 4: Wait a minute, is this a musical? I feel like

915
00:46:59,840 --> 00:47:00,399
Speaker 4: we all.

916
00:47:01,480 --> 00:47:04,280
Speaker 1: Have our songs starting to feel like the only.

917
00:47:04,160 --> 00:47:08,319
Speaker 3: Thing Big laddens and down, Big laddens and down.

918
00:47:08,680 --> 00:47:11,960
Speaker 1: Oh it isn't what big.

919
00:47:12,200 --> 00:47:14,320
Speaker 3: I think Christina Baranski would do a great job with

920
00:47:14,440 --> 00:47:14,839
Speaker 3: that song.

921
00:47:15,080 --> 00:47:16,200
Speaker 2: She would she.

922
00:47:16,920 --> 00:47:20,920
Speaker 3: Would big laddens in town all she.

923
00:47:20,880 --> 00:47:30,480
Speaker 1: Would be s l E I age. I'd never have

924
00:47:30,880 --> 00:47:35,400
Speaker 1: I've never felt that good about anything. No, I've been sad.