WEBVTT - Episode 446 w/ John Legend

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<v Speaker 1>He is drinks chests, motherfucking podcast. He's a legendary queens rapper.

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<v Speaker 1>He ain't agreed that your boy in O r E.

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<v Speaker 1>He's a Miami hip hop pioneer. What ups d J

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<v Speaker 1>e f N? Together they drink it up with some

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<v Speaker 1>of the biggest players you me and the most.

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<v Speaker 2>Professional unprofessional podcast and your.

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<v Speaker 1>Number one source for drunk drinks.

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<v Speaker 3>D is New year c That's it's time for drink champs,

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<v Speaker 3>drink up?

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<v Speaker 1>Mother would it could be hoping He's winter should be

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<v Speaker 1>it's your boy in O R E? What up is

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<v Speaker 1>d J e f N?

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<v Speaker 2>This is mina tepic crazy have you have gonna make something?

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<v Speaker 1>And when we started, when we started the show, we.

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<v Speaker 2>Said we wanted to interview legends. Yes, man here as

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<v Speaker 2>a legend. This man is an icon. He's the only

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<v Speaker 2>person I know what an e guy and even know

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<v Speaker 2>what the fucking e goot was I dropped out a

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<v Speaker 2>seventh grade.

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<v Speaker 1>God damn it, it's mo fucker E got is he?

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<v Speaker 2>NAACP Awards nominated at least thirty forty nine a thousand times,

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<v Speaker 2>thirteen goddamn Grammys.

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<v Speaker 1>This motherfucker is a legend on a legend and his

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<v Speaker 1>name is a legend. And in case you don't know

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<v Speaker 1>who we talking about, we talked about the one, the

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<v Speaker 1>only dampeccable. Yes, you can take a quack before me.

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<v Speaker 1>You beat me to the blest of intro. I like

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<v Speaker 1>to hear. Man, So what's going on which brings you

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<v Speaker 1>to Miami?

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<v Speaker 3>Man?

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<v Speaker 1>I came to see y'all. Oh, I just fix the

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<v Speaker 1>fucking up.

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<v Speaker 4>I was in New York doing press and they were like,

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<v Speaker 4>do you want to come down to Miami and do

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<v Speaker 4>drink champs?

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<v Speaker 1>And yes. I was like, it's about time. Yes, yeah. Yeah.

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<v Speaker 2>So recently you letting your skills and you sang for

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<v Speaker 2>the fire department, but now it's not a normal fire department.

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<v Speaker 2>This was a fire department that was sent prison.

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<v Speaker 1>Yeah. So I wasn't there to sing.

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<v Speaker 4>I was just there to highlight what they're doing, to

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<v Speaker 4>thank them because these guys they're currently incarcerated and they

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<v Speaker 4>volunteer for this program to fight fires in California, which

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<v Speaker 4>California has a lot of fires, and so they're going

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<v Speaker 4>they train, they go hike up the mountains, go back

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<v Speaker 4>up and back and forth and up and back and forth,

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<v Speaker 4>and it's a crazy training program. But they grow so

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<v Speaker 4>much through it and they end up getting time taking

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<v Speaker 4>off of their term in prison and it improves their

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<v Speaker 4>lives a lot. But we wanted to highlight what they

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<v Speaker 4>do them and thank them, and also advocate that they

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<v Speaker 4>get paid better, that the conditions are still better for them,

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<v Speaker 4>and they get more opportunities after they leave prison so

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<v Speaker 4>they can actually work as firefighters and they leave and

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<v Speaker 4>other things like that. So I was there just to

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<v Speaker 4>talk with them. I sat there just building with them

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<v Speaker 4>for like an hour, and then at the end I

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<v Speaker 4>sang like a versus ordinary people and everybody's like John

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<v Speaker 4>Legend just went and sang ordinary people to the fire

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<v Speaker 4>like that was all I was doing there. I went

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<v Speaker 4>there to talk to them, highlight them, thanked them, advocate

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<v Speaker 4>for them, and they were asking me questions at the

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<v Speaker 4>end about my life and getting advice from me. And

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<v Speaker 4>then at the end they were like, John, what you

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<v Speaker 4>sing for it? So I sang a little ordinary people.

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<v Speaker 1>Some of the top of people in the world love

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<v Speaker 1>R and B. That's a fact. Yes, thugs love R

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<v Speaker 1>and B. That's so.

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<v Speaker 2>Let me ask you something to me. You are hamanitarian,

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<v Speaker 2>you're a people person. How did you develop that like

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<v Speaker 2>type of you know what I mean, like you put

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<v Speaker 2>people before you, like from outside of looking at this inside.

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<v Speaker 4>Well, I always thought that I wanted to be an artist.

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<v Speaker 4>I always thought I wanted to sing for a living,

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<v Speaker 4>but also always thought that the greatest artists that I

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<v Speaker 4>looked up to were the ones that gave back.

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<v Speaker 1>And if you look at Stevie.

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<v Speaker 4>Sidney Poitier, mam and Gay, Sidney Poitier, Paul Robson, Nina Simone,

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<v Speaker 4>Aretha Franklin, Harry Belafonte, all of these artists, they were

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<v Speaker 4>successful as artists. They were huge artists, sold a lot

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<v Speaker 4>of records, so a lot of concert tickets, and then

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<v Speaker 4>they were also funneling money to doctor King to make

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<v Speaker 4>sure that the movement was going forward.

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<v Speaker 1>They would fly and meet him.

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<v Speaker 4>At these at these marches and bail him out of jail.

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<v Speaker 4>And so I always looked at being an artist as

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<v Speaker 4>partly not just being an artist for myself, but using

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<v Speaker 4>the platform to give back and to be humanitarian.

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<v Speaker 2>I mean, I'm gonna give straight to it. It was

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<v Speaker 2>like Trump was your nemesis.

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<v Speaker 3>I feel like he's NICs nemesis.

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<v Speaker 1>They're not mine because.

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<v Speaker 2>He ran against Hillary Hillary side. Yeah, he ran against Kamala. Yeah,

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<v Speaker 2>and he was on commona side against body. Now was

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<v Speaker 2>on Biden's side. You know, if Trump is running, there's

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<v Speaker 2>a good chance I'll be against him.

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<v Speaker 1>Do you I think he follows you on Twitter secretly? Well,

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<v Speaker 1>I'm not on Twitter anymore? Okay, good? Yeah, all right,

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<v Speaker 1>come on Twitter. It's not good. It's gone. It disappears.

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<v Speaker 2>Whenever I'm having too much of a good day, I just.

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<v Speaker 1>Go on black Twitter. I just have to broke. You

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<v Speaker 1>got to get base, Yeah, base only Fans's son retired.

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<v Speaker 1>He has a fan base. He started. It's a black owned.

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<v Speaker 1>There's a couple other ones that are, but.

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<v Speaker 3>All of them are kind of smaller than Twitter used

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<v Speaker 3>to be.

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<v Speaker 4>And then a lot of people left Twitter. I left Twitter,

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<v Speaker 4>and I think a lot of people are gone from it,

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<v Speaker 4>so there's not really one place where everybody is. I

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<v Speaker 4>do most of my communicating on ig but even that,

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<v Speaker 4>I don't really do as much of what I used

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<v Speaker 4>to do on Twitter.

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<v Speaker 2>Right, Yeah, But you think you think Trump separly follows

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<v Speaker 2>you on I G Well, I would.

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<v Speaker 1>Say he was.

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<v Speaker 4>He's like the only time he really acknowledged us when

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<v Speaker 4>he was president.

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<v Speaker 1>The first time I.

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<v Speaker 4>Did this criminal justice reform event at.

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<v Speaker 1>Sing Sing in New York.

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<v Speaker 4>And yeah, so we went up there to the prison

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<v Speaker 4>and we're meeting with the inmates and we're just having

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<v Speaker 4>a conversation about reform and everything that we work on.

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<v Speaker 4>And for some reason, on a Sunday night, the President

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<v Speaker 4>of the United States was watching the show and he

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<v Speaker 4>was mad that we didn't say enough about him, give

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<v Speaker 4>him enough credit because he passed one criminal justice reform

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<v Speaker 4>bill and he was upset and so he was like

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<v Speaker 4>that boring singer John Legend and his filthy mouthed wife, Christy.

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<v Speaker 4>Christy wasn't even there, so I don't know why she

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<v Speaker 4>catches stress, But I'm like, why are you watching the show?

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<v Speaker 4>You like you're the president, Like, don't you have something

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<v Speaker 4>better to do? But no, he likes he likes to

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<v Speaker 4>watch cable news. I don't know what he's doing on Twitter,

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<v Speaker 4>but I think he's on his own app. He got

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<v Speaker 4>his own that now he has his own, Yeah he did.

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<v Speaker 1>I'll be seeing him on ex a lot, well his

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<v Speaker 1>boy on it now. So yeah, like like I'm.

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<v Speaker 2>Sorry to get political, because I'm gonna go. I'm gonna

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<v Speaker 2>going We'll talk about everything. But but his it's crazy

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<v Speaker 2>right years ago recipe of IRV Gotti years ago, IRV Gotti,

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<v Speaker 2>J Prince Sug and I forget who's the other It

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<v Speaker 2>was one of other Prince Sug Sugar Gotti was there

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<v Speaker 2>somebody else.

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<v Speaker 1>I hold, don't think they're Dang Dang. I believe Dave.

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<v Speaker 2>Yeah, huh yeah, I believe Dame was down and these

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<v Speaker 2>were these powerful black men that was getting together. People

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<v Speaker 2>automatically said, this is a Illuminati right now, right now,

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<v Speaker 2>in our face. They met in private just because they

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<v Speaker 2>couldn't get get it together. And from what I heard,

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<v Speaker 2>but you seeing Eli must with Dan a white uh

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<v Speaker 2>huh woof Joe Rogan in your fucking face and a

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<v Speaker 2>meeting in public, bark Zuckerberg. He used, he was down

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<v Speaker 2>with a Democrat and he does twitched over, he doesn't

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<v Speaker 2>change his watches and everything.

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<v Speaker 1>Yeah, he went over to that other side. Well, I

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<v Speaker 1>think they saw what Elon was able to do.

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<v Speaker 4>He was able to donate over two hundred million dollars

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<v Speaker 4>to the campaign, and he basically bought a presidency. So

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<v Speaker 4>he bought the right to ride shotgun with Trump and

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<v Speaker 4>be his co president. And so now he's running through

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<v Speaker 4>the government doing what he wants to do because he

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<v Speaker 4>bought the right. You shouldn't be able to buy the

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<v Speaker 4>right to do that, but he did it out and ope,

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<v Speaker 4>and he bought it. And Trump is letting him be

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<v Speaker 4>co president with him.

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<v Speaker 1>Because what's the thing you just said.

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<v Speaker 2>That's a different Twitter, Isaac Hayeson.

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<v Speaker 4>That one's called fan Base, But there's a Blue Sky,

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<v Speaker 4>there's true Blue Sky is another new one.

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<v Speaker 1>Threads is part of Instagram. I know, I know.

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<v Speaker 3>You can invest in fan base too, like apen source

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<v Speaker 3>where you can invest in it.

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<v Speaker 1>Absolutely, yeah, yeah, so what if we all got together.

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<v Speaker 1>That's that's what Isaac's trying to do.

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<v Speaker 4>He's trying to do that's what But there's a couple

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<v Speaker 4>others that are trying to do it as well, and

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<v Speaker 4>it's just, uh, what was the other one? There was

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<v Speaker 4>another black owned one. I can't think of the name now,

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<v Speaker 4>but goddamn, everybody's trying. But it's hard because you got

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<v Speaker 4>to get everybody in the same place for it to work,

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<v Speaker 4>you know, because they don't have the same energy that

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<v Speaker 4>Twitter had at the beginning. Because everybody's not in the

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<v Speaker 4>same place.

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<v Speaker 2>I think the reason why I like Twitter to take

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<v Speaker 2>the truth is because like when, like I said.

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<v Speaker 1>When I'm having a good day, they will humble me.

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<v Speaker 1>That's the worst humanity, you know.

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<v Speaker 2>I could post the most positive things in the world

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<v Speaker 2>and somebody black, somebody.

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<v Speaker 1>Yes.

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<v Speaker 2>And by the way, it works for me because I'm like,

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<v Speaker 2>all right, cool, it keeps you humble.

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<v Speaker 1>I'm off my high horse. You want to be like,

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<v Speaker 1>fuck you right, bular, that's what you want to The

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<v Speaker 1>ig comments are the same, though, is kind of nice

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<v Speaker 1>to me.

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<v Speaker 2>I heard you say something about that. I'm gonna get

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<v Speaker 2>to that. But when you was fifteen, you wrote an

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<v Speaker 2>essay of exactly who you was going to be you

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<v Speaker 2>grew up.

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<v Speaker 1>So I wrote an essay.

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<v Speaker 4>This was like a Black History Month essay comp Titian

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<v Speaker 4>McDonald's was the sponsor, and one of my teachers is like, John,

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<v Speaker 4>you should enter this. You would be good. And so

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<v Speaker 4>the question was just how you plan to make Black history?

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<v Speaker 4>And so I said, I'm going to be a famous artist.

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<v Speaker 4>I'm gonna be a famous singer, and then I'm gonna

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<v Speaker 4>use my success as a platform to help my people

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<v Speaker 4>to stand up for what's right, stand up for justice.

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<v Speaker 1>And that's what I've been doing. Wow, since I manifest

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<v Speaker 1>and manifested. I know you did that.

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<v Speaker 2>I know you did that for school, But do you

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<v Speaker 2>recommend that kids that age fourteen, fifteen sixty years years

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<v Speaker 2>old write an essay not the cebrity in school. Sure,

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<v Speaker 2>I write an essay of who they should be in

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<v Speaker 2>that in the next fifteen years.

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<v Speaker 4>Absolutely, start setting intentions for yourself at that age, and

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<v Speaker 4>you know, we as parents can start encouraging them to

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<v Speaker 4>think about that.

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<v Speaker 1>You know, I don't ask my eight year old what.

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<v Speaker 4>She really wants to be when she grows up, Like

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<v Speaker 4>we say it, but we don't really know that they

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<v Speaker 4>know what they want to be yet. But I think

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<v Speaker 4>once they getting those teen years like start, you have

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<v Speaker 4>them set intentions for what they want to do in life.

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<v Speaker 4>And when you set those intentions, you start to put

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<v Speaker 4>yourself in that path.

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<v Speaker 1>To do it. And I think that's what I was

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<v Speaker 1>thinking and that's what I started doing. Yeah. I did

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<v Speaker 1>a vision board with my six year old this year.

0:11:15.880 --> 0:11:18.160
<v Speaker 1>My wife. You know what a vision board? Ye, same thing.

0:11:18.200 --> 0:11:20.240
<v Speaker 3>It's like manifesting, but you know it's a kid level.

0:11:20.280 --> 0:11:21.880
<v Speaker 3>But you start doing little things like that with them,

0:11:22.040 --> 0:11:22.960
<v Speaker 3>they start to understand.

0:11:23.240 --> 0:11:26.560
<v Speaker 4>Yeah, and once you say it, it makes you want

0:11:26.559 --> 0:11:28.439
<v Speaker 4>to work to it too, you know. And so I

0:11:28.480 --> 0:11:29.240
<v Speaker 4>think it's a good thing.

0:11:29.720 --> 0:11:33.440
<v Speaker 1>And you would you were what they call a prodigy, Yeah,

0:11:33.559 --> 0:11:35.600
<v Speaker 1>a child producty. Yeah, I skipped a couple of grades.

0:11:35.679 --> 0:11:38.679
<v Speaker 4>So I graduated high school when I was sixteen, graduated

0:11:38.679 --> 0:11:40.199
<v Speaker 4>college from houses.

0:11:40.440 --> 0:11:45.400
<v Speaker 1>Yeah. Yeah. They literally called me Doogie high school.

0:11:45.520 --> 0:11:47.120
<v Speaker 4>So I get to high school, I'm twelve years old.

0:11:47.160 --> 0:11:49.880
<v Speaker 4>Everybody else is fourteen. They start calling me Doogie. And

0:11:50.920 --> 0:11:52.800
<v Speaker 4>but you know, I was a nerdy little kid. I

0:11:52.880 --> 0:11:57.480
<v Speaker 4>wanted to read everything, do everything, sing everything, and went

0:11:57.480 --> 0:11:59.319
<v Speaker 4>to Ivy League college afterwards.

0:11:59.520 --> 0:12:02.920
<v Speaker 2>And yeah, yeah, I watched you on OPRAH when you

0:12:03.000 --> 0:12:05.720
<v Speaker 2>went to your your old block.

0:12:06.280 --> 0:12:07.280
<v Speaker 1>I was literally cold.

0:12:08.080 --> 0:12:09.760
<v Speaker 2>I was like, oh my god, you have so much

0:12:09.800 --> 0:12:13.400
<v Speaker 2>snow there ray for Ohio. Man, do you still fun

0:12:13.520 --> 0:12:14.960
<v Speaker 2>with the snow? I can't funk with the snow.

0:12:14.960 --> 0:12:17.079
<v Speaker 1>I'm good with it. You're good with it? Yeah, fun

0:12:17.160 --> 0:12:20.600
<v Speaker 1>with this too, it's snow. I was just in New York.

0:12:21.679 --> 0:12:23.240
<v Speaker 1>I love New York. You're from New York. Yes, I

0:12:23.480 --> 0:12:27.880
<v Speaker 1>don't go there too? May I mean I heard it

0:12:28.040 --> 0:12:28.640
<v Speaker 1>right not to go.

0:12:28.760 --> 0:12:30.280
<v Speaker 2>There, Like I earned the right not to be Like

0:12:31.120 --> 0:12:33.439
<v Speaker 2>I literally kept rewinding your ship and I was like,

0:12:33.520 --> 0:12:35.559
<v Speaker 2>oh my god, I'm so cold, like I can't see

0:12:35.600 --> 0:12:36.760
<v Speaker 2>you fun with snow.

0:12:38.040 --> 0:12:41.760
<v Speaker 1>Miami right here. I grew up in Ohio. I live

0:12:41.800 --> 0:12:43.719
<v Speaker 1>in l A now. But when I go to the

0:12:43.800 --> 0:12:45.920
<v Speaker 1>snow like, I enjoy it. So you missed the snow.

0:12:46.000 --> 0:12:49.400
<v Speaker 4>Sometimes we intentionally will go somewhere cold for like Christmas,

0:12:49.440 --> 0:12:49.760
<v Speaker 4>because I.

0:12:49.800 --> 0:12:53.360
<v Speaker 3>Want that Christmas snow feeling. You know, it makes me

0:12:53.400 --> 0:12:54.920
<v Speaker 3>feel at home, not me now, he.

0:12:54.960 --> 0:12:59.679
<v Speaker 1>Said, I see you tracking through it, and ship did you?

0:12:59.800 --> 0:13:01.920
<v Speaker 1>Did you you watch the Grammys recently? I was there.

0:13:04.440 --> 0:13:06.679
<v Speaker 4>Yeah, so I just played piano. So if you if

0:13:06.720 --> 0:13:08.360
<v Speaker 4>you miss me, I don't blame you. I was just

0:13:08.400 --> 0:13:10.000
<v Speaker 4>playing a piano. We were supporting the.

0:13:11.559 --> 0:13:13.200
<v Speaker 1>Band DAWs Dows.

0:13:13.920 --> 0:13:15.959
<v Speaker 4>Their lead singer and their drummer were with us on

0:13:16.200 --> 0:13:19.319
<v Speaker 4>stage and they performed I Love La and it was

0:13:19.360 --> 0:13:22.040
<v Speaker 4>a whole tribute to La to open the show. And

0:13:22.160 --> 0:13:24.959
<v Speaker 4>they lost their homes literally, the lead singer and the

0:13:25.080 --> 0:13:28.199
<v Speaker 4>drummer lost their home. Their family was from there too.

0:13:28.440 --> 0:13:31.120
<v Speaker 4>They lost home, and they lost a lot of their

0:13:31.200 --> 0:13:34.400
<v Speaker 4>studio and music equipment. So they lost a lot, and

0:13:34.520 --> 0:13:36.599
<v Speaker 4>so the recording the Academy, we have a lot of

0:13:36.840 --> 0:13:39.160
<v Speaker 4>you know, folks that live in l A and we

0:13:39.240 --> 0:13:41.720
<v Speaker 4>wanted to show love to all those musicians that lost something.

0:13:41.800 --> 0:13:45.120
<v Speaker 4>And so Dawes was the lead performance of the show,

0:13:45.200 --> 0:13:47.240
<v Speaker 4>and they had a bunch of us other artists come

0:13:47.280 --> 0:13:50.240
<v Speaker 4>and support them and play. I played piano, Brittany Howard

0:13:50.280 --> 0:13:54.480
<v Speaker 4>from the Alabama Shaks played guitar, Brad Paisley played guitar,

0:13:54.800 --> 0:13:55.920
<v Speaker 4>Saint Vincent played.

0:13:55.679 --> 0:13:58.720
<v Speaker 1>The keys, Cheryl Crowe played the bass, and then we.

0:13:58.840 --> 0:14:01.240
<v Speaker 4>Just supported this band that had lost so much in

0:14:01.280 --> 0:14:01.600
<v Speaker 4>the fire.

0:14:02.000 --> 0:14:03.920
<v Speaker 3>They did a lot of fundraising during that whole Yeah,

0:14:04.000 --> 0:14:05.520
<v Speaker 3>they raised like twenty five million dollars.

0:14:05.600 --> 0:14:08.560
<v Speaker 4>Money really gets oh yeah, well twenty five million dollars

0:14:08.679 --> 0:14:10.760
<v Speaker 4>raised and it's going to go to help a lot

0:14:10.800 --> 0:14:13.319
<v Speaker 4>of people. And you know, Music Cares is a part

0:14:13.360 --> 0:14:15.880
<v Speaker 4>of the Recording Academy too, and Music Cares is basically

0:14:16.559 --> 0:14:19.400
<v Speaker 4>the music community supporting each other because not all of us,

0:14:19.640 --> 0:14:23.280
<v Speaker 4>you know, we're not all millionaires. A lot of our musicians,

0:14:23.360 --> 0:14:25.840
<v Speaker 4>like they fall on hard times. They're dealing with addiction

0:14:26.080 --> 0:14:28.640
<v Speaker 4>and dealing with loss, something's happening in their lives.

0:14:28.600 --> 0:14:29.320
<v Speaker 1>And they need help.

0:14:29.440 --> 0:14:32.720
<v Speaker 4>So Music Care supports them all throughout the year every year.

0:14:33.840 --> 0:14:36.600
<v Speaker 2>So let me ask you right in Miami, they got

0:14:36.640 --> 0:14:39.840
<v Speaker 2>this scheme that they do right when it rains scheme.

0:14:40.200 --> 0:14:42.440
<v Speaker 1>Yeah, that's what I'll be doing out here. I'm watching y'all.

0:14:42.840 --> 0:14:44.920
<v Speaker 1>But they're talking about like we all to deal with climate,

0:14:45.520 --> 0:14:45.880
<v Speaker 1>like when it.

0:14:46.000 --> 0:14:49.040
<v Speaker 2>Rains, they'll let they'll let their car get flooded or

0:14:49.080 --> 0:14:50.680
<v Speaker 2>whatever and then they'll claim it.

0:14:50.960 --> 0:14:54.000
<v Speaker 1>Oh you talk about it from yeah yeah yeah, So

0:14:56.280 --> 0:14:58.160
<v Speaker 1>hey man, I know the'se gots.

0:14:58.920 --> 0:15:03.960
<v Speaker 2>I know people right, but but in their assurance, it's

0:15:04.000 --> 0:15:06.960
<v Speaker 2>a difference between hurricane insurance and flood insurance.

0:15:07.840 --> 0:15:09.920
<v Speaker 1>So is that a difference? And there's fire insurances.

0:15:10.280 --> 0:15:14.000
<v Speaker 2>That's because because a friend of minee uh left his

0:15:14.120 --> 0:15:17.320
<v Speaker 2>car out in a hurricane and he had he didn't

0:15:17.320 --> 0:15:20.520
<v Speaker 2>have flood insurance. So they said that it wasn't calls

0:15:20.560 --> 0:15:23.840
<v Speaker 2>from a hurricane, it was called from the hef his car.

0:15:24.440 --> 0:15:26.680
<v Speaker 1>Yeah, he tried to be slipped. He should have checked

0:15:26.760 --> 0:15:29.760
<v Speaker 1>his policy before Miami schemers.

0:15:30.080 --> 0:15:33.120
<v Speaker 4>Insurance companies their job is to find a way to

0:15:33.240 --> 0:15:36.280
<v Speaker 4>not pay like that's that's their job.

0:15:36.560 --> 0:15:38.360
<v Speaker 1>So you gotta check the fine print.

0:15:38.400 --> 0:15:41.160
<v Speaker 4>You got to check everything with insurance, health insurance, everything.

0:15:41.520 --> 0:15:44.680
<v Speaker 2>Their job is the final reason to not pay that.

0:15:45.040 --> 0:15:47.400
<v Speaker 2>So what these California flyers. Do you think people were

0:15:47.520 --> 0:15:48.480
<v Speaker 2>insured fire?

0:15:48.960 --> 0:15:50.400
<v Speaker 1>What did they have to Hell, I think a lot

0:15:50.440 --> 0:15:50.920
<v Speaker 1>of them were.

0:15:51.120 --> 0:15:55.880
<v Speaker 4>But even if you are, they only ensure the actual home,

0:15:56.120 --> 0:16:01.440
<v Speaker 4>so it's a land. So see, it's always the loophole,

0:16:01.560 --> 0:16:04.960
<v Speaker 4>So definitely so, But theoretically it makes sense because if

0:16:05.080 --> 0:16:08.560
<v Speaker 4>you lose your home, you still own the property and

0:16:09.040 --> 0:16:12.000
<v Speaker 4>you can build it back, so they'll reimburse you for

0:16:12.080 --> 0:16:15.240
<v Speaker 4>building it back, but they won't buy the land from you,

0:16:15.880 --> 0:16:18.560
<v Speaker 4>So it basically requires you to stay there or sell

0:16:18.600 --> 0:16:22.480
<v Speaker 4>the land to somebody else to really make your money back.

0:16:22.840 --> 0:16:25.440
<v Speaker 1>And I heard a lot of people lost their policies.

0:16:25.640 --> 0:16:26.520
<v Speaker 1>They were canceled before.

0:16:26.600 --> 0:16:28.880
<v Speaker 4>Yes, so some of them got canceled before, and maybe

0:16:28.920 --> 0:16:31.160
<v Speaker 4>they didn't check their mail, they didn't notice that they

0:16:31.280 --> 0:16:34.560
<v Speaker 4>got canceled, and so they find out after the fire they.

0:16:34.440 --> 0:16:36.600
<v Speaker 3>Don't have a policy, which is crazy, and then all

0:16:36.600 --> 0:16:37.240
<v Speaker 3>the conspiracy.

0:16:38.360 --> 0:16:40.640
<v Speaker 4>Yeah, and the thing is what's going to happen more

0:16:40.680 --> 0:16:44.000
<v Speaker 4>and more in Florida, in California and all these places.

0:16:44.080 --> 0:16:46.440
<v Speaker 4>It's going to be hard to ensure a house and

0:16:46.520 --> 0:16:47.600
<v Speaker 4>so a lot of people are not going to be

0:16:47.640 --> 0:16:48.320
<v Speaker 4>able to buy a house.

0:16:49.200 --> 0:16:50.520
<v Speaker 1>And it's not because the mortgage.

0:16:50.640 --> 0:16:52.960
<v Speaker 4>It's going to be because they can't afford the mortgage

0:16:53.040 --> 0:16:53.720
<v Speaker 4>and the insurance.

0:16:53.840 --> 0:17:00.520
<v Speaker 1>Right, Yeah, so you're in the fire, right, I'm not there,

0:17:01.960 --> 0:17:03.880
<v Speaker 1>but you got one bottle of water. Let me tell you,

0:17:05.160 --> 0:17:09.760
<v Speaker 1>Let me tell you, Let me tell you, Let me

0:17:09.840 --> 0:17:10.040
<v Speaker 1>tell you.

0:17:10.080 --> 0:17:10.159
<v Speaker 3>How.

0:17:10.520 --> 0:17:14.160
<v Speaker 4>How we how we experienced the fire. Like we landed

0:17:15.119 --> 0:17:18.240
<v Speaker 4>on January seventh. We had just been on family vacation.

0:17:18.440 --> 0:17:21.000
<v Speaker 4>We heard, oh, there's a fire in the Powersades. We

0:17:21.080 --> 0:17:23.600
<v Speaker 4>didn't know it was going to be huge. With normal, Yeah,

0:17:24.119 --> 0:17:25.280
<v Speaker 4>we have fires all the time.

0:17:25.280 --> 0:17:29.480
<v Speaker 3>In that area, especially Malibus.

0:17:30.080 --> 0:17:31.400
<v Speaker 1>Malibu is my favorite place. Yeah.

0:17:31.520 --> 0:17:33.639
<v Speaker 4>So Malibu is right around the corner from the Powasades,

0:17:33.680 --> 0:17:35.639
<v Speaker 4>and Malibu gets a lot of fires. Palsaids is not

0:17:35.680 --> 0:17:39.000
<v Speaker 4>as much. But so we land and we see smoke

0:17:39.720 --> 0:17:41.000
<v Speaker 4>pluming from that area.

0:17:41.359 --> 0:17:44.040
<v Speaker 1>You think it was we I was like, it's no,

0:17:44.119 --> 0:17:51.080
<v Speaker 1>right here, and we literally saw the flame.

0:17:51.200 --> 0:17:53.400
<v Speaker 4>Usually when there's fires in l A, I don't see

0:17:53.440 --> 0:17:55.800
<v Speaker 4>the flame, Like I see the smoke coming from it,

0:17:55.840 --> 0:17:57.520
<v Speaker 4>but I don't see the flame. But I'm looking in

0:17:57.560 --> 0:17:59.879
<v Speaker 4>the hills and I'm like, oh, that's an actual flame.

0:18:01.119 --> 0:18:03.800
<v Speaker 4>And so we're driving back to our houses in Beverly Hills.

0:18:03.800 --> 0:18:04.800
<v Speaker 1>So it's between.

0:18:06.080 --> 0:18:10.040
<v Speaker 4>The Pasadena fires and the Malibu fires, Palastates fires, and.

0:18:10.440 --> 0:18:12.520
<v Speaker 1>We're like, should we leave, should we get out of here?

0:18:12.640 --> 0:18:15.800
<v Speaker 4>And we never ended up in an evacuation zone, but

0:18:17.000 --> 0:18:20.320
<v Speaker 4>when there was a fire in the Hollywood Hills that

0:18:20.760 --> 0:18:22.639
<v Speaker 4>fell a little too close for comfort, so we were like,

0:18:22.760 --> 0:18:24.760
<v Speaker 4>we're getting out of here, so we left. We went

0:18:24.800 --> 0:18:26.920
<v Speaker 4>down to San Diego for like a week, and then

0:18:26.920 --> 0:18:29.200
<v Speaker 4>we came back home after a week.

0:18:29.600 --> 0:18:32.240
<v Speaker 1>So we didn't lose anything.

0:18:32.960 --> 0:18:36.399
<v Speaker 4>Some of our very good friends lost their home and

0:18:36.920 --> 0:18:39.720
<v Speaker 4>had relatives lose their homes, and a lot of people

0:18:39.840 --> 0:18:41.000
<v Speaker 4>just it just got wiped.

0:18:40.720 --> 0:18:42.440
<v Speaker 1>Out and it all happened. Most of it happened in

0:18:42.520 --> 0:18:43.120
<v Speaker 1>that first.

0:18:43.200 --> 0:18:45.520
<v Speaker 3>Day or two because if you looked at the video,

0:18:46.240 --> 0:18:48.639
<v Speaker 3>it was a hurricane.

0:18:48.240 --> 0:18:48.879
<v Speaker 1>Of the wind.

0:18:49.359 --> 0:18:52.080
<v Speaker 4>The wind was blowing as fast as it blows down

0:18:52.119 --> 0:18:55.000
<v Speaker 4>here during a hurricane. It was eighty one hundred miles

0:18:55.040 --> 0:18:57.480
<v Speaker 4>an hours tornadoes in that mo Yeah, it was literally

0:18:57.600 --> 0:19:00.600
<v Speaker 4>whipping the fire around, and it like it looked like

0:19:01.560 --> 0:19:04.760
<v Speaker 4>like a movie, like it couldn't be real, and it

0:19:04.920 --> 0:19:08.680
<v Speaker 4>was insane, and it took over entire areas really fast,

0:19:09.320 --> 0:19:11.000
<v Speaker 4>and I never seen anything like.

0:19:11.200 --> 0:19:13.760
<v Speaker 1>The tragedy was crazy. I hang out with a lot

0:19:13.800 --> 0:19:16.720
<v Speaker 1>of conspiracy theorists. Yeah, I don't believe. Some of my

0:19:16.800 --> 0:19:20.639
<v Speaker 1>family I don't believe. I love to listen, I mean

0:19:20.720 --> 0:19:22.119
<v Speaker 1>some of these things. And somebody.

0:19:23.359 --> 0:19:26.880
<v Speaker 2>Conspiracy theorists of mines said to me that these were

0:19:27.119 --> 0:19:28.280
<v Speaker 2>caused by the way.

0:19:28.640 --> 0:19:31.800
<v Speaker 1>This is not me, This was not me.

0:19:32.600 --> 0:19:35.159
<v Speaker 2>This was caused to the areas of the rich so

0:19:35.320 --> 0:19:37.240
<v Speaker 2>that they could rebuild l A and have this smart

0:19:37.720 --> 0:19:37.879
<v Speaker 2>l A.

0:19:39.560 --> 0:19:42.080
<v Speaker 1>That's what that's what he thinks, right, what do you

0:19:42.160 --> 0:19:42.520
<v Speaker 1>think of that?

0:19:43.080 --> 0:19:44.960
<v Speaker 2>No, because they said the fires didn't come to the hood,

0:19:45.040 --> 0:19:46.639
<v Speaker 2>is that true or the fires did hit that well,

0:19:46.640 --> 0:19:49.119
<v Speaker 2>it hit a black neighborhood, hit a black outa Dina

0:19:49.960 --> 0:19:50.639
<v Speaker 2>so Auta.

0:19:50.760 --> 0:19:54.679
<v Speaker 1>Dina was one of the first neighborhoods in Los Angeles

0:19:54.720 --> 0:19:58.679
<v Speaker 1>that allowed black people to actually live there. I didn't I.

0:19:58.720 --> 0:20:02.879
<v Speaker 2>Didn't know about this, uh until until the fires. Like

0:20:03.240 --> 0:20:05.800
<v Speaker 2>I didn't know this area, this is Altadena is not

0:20:05.960 --> 0:20:09.600
<v Speaker 2>really close to like a lot of portions of LA

0:20:09.760 --> 0:20:12.480
<v Speaker 2>that's like kind of far northeast near Pasadena.

0:20:12.800 --> 0:20:15.800
<v Speaker 1>But there was a black neighborhood there.

0:20:15.720 --> 0:20:17.840
<v Speaker 4>And a lot of the folks there are like middle class,

0:20:18.000 --> 0:20:22.720
<v Speaker 4>working class, so not everybody was like Hollywood celebrities, but

0:20:22.880 --> 0:20:27.560
<v Speaker 4>the Palisades. That's an expensive area, Malibu, extremely expensive. These

0:20:27.600 --> 0:20:29.639
<v Speaker 4>are like some of these are like fifty million, seventy

0:20:29.680 --> 0:20:33.800
<v Speaker 4>five million dollar homes and so definitely a lot.

0:20:33.680 --> 0:20:37.040
<v Speaker 1>Of rich people got hit. But I have a hard

0:20:37.080 --> 0:20:40.040
<v Speaker 1>time believing that somebody intentionally did that. Did it to

0:20:40.080 --> 0:20:42.760
<v Speaker 1>Bill smart La, What does that mean?

0:20:43.040 --> 0:20:45.400
<v Speaker 3>They're saying the same thing, the same conspiracy that happened

0:20:45.440 --> 0:20:47.560
<v Speaker 3>in Malway. They said it's a laser that hit to

0:20:47.680 --> 0:20:48.640
<v Speaker 3>take that property over.

0:20:48.800 --> 0:20:55.720
<v Speaker 1>Yeah, I just hear that. I'm always SKEPTI I'm always skeptical.

0:20:55.880 --> 0:20:58.520
<v Speaker 3>I always feel like usually the most obvious explanation is

0:20:58.560 --> 0:20:59.320
<v Speaker 3>the real explanation.

0:21:00.119 --> 0:21:04.200
<v Speaker 1>But I could be wrong. Sometimes it was probably caused

0:21:04.320 --> 0:21:06.320
<v Speaker 1>man made, which the fires.

0:21:06.080 --> 0:21:09.399
<v Speaker 4>Happened accidentally, yeah, or even sometimes it's on purpose. But

0:21:09.760 --> 0:21:13.760
<v Speaker 4>the wind and the dryness just accelerated everything. We hadn't

0:21:13.800 --> 0:21:18.160
<v Speaker 4>had rain since like last fall rain Soulls of California,

0:21:18.359 --> 0:21:18.600
<v Speaker 4>that's what.

0:21:22.359 --> 0:21:25.840
<v Speaker 1>But we literally we normally would have like they said.

0:21:25.680 --> 0:21:28.000
<v Speaker 4>Five or six inches between October first and when the

0:21:28.040 --> 0:21:32.320
<v Speaker 4>fires happened, we had point one six inch, So that

0:21:32.920 --> 0:21:35.240
<v Speaker 4>on its own was an accelerant. And then the wind

0:21:35.680 --> 0:21:38.160
<v Speaker 4>was something we almost never see. The Santa Ana winds

0:21:38.200 --> 0:21:41.159
<v Speaker 4>at that wind at that speed, So you out there,

0:21:41.200 --> 0:21:43.800
<v Speaker 4>you combine the speed of the wind and the dryness.

0:21:43.880 --> 0:21:46.280
<v Speaker 4>That's why it happened. Were you out there we landed,

0:21:46.440 --> 0:21:47.359
<v Speaker 4>you know after it started.

0:21:47.520 --> 0:21:47.760
<v Speaker 3>Wow.

0:21:47.920 --> 0:21:48.080
<v Speaker 1>Yeah.

0:21:48.720 --> 0:21:51.520
<v Speaker 4>But we never were in the fire, so we didn't

0:21:51.560 --> 0:21:53.720
<v Speaker 4>see it up close and personal. But close friends of

0:21:53.760 --> 0:21:56.760
<v Speaker 4>ours were and uh, you know they lost their homes.

0:21:56.800 --> 0:21:59.159
<v Speaker 4>They didn't make you evacuate. No, we were not in

0:21:59.240 --> 0:22:02.200
<v Speaker 4>evacuation zone. We were like between evacuation zones. But we

0:22:02.320 --> 0:22:03.199
<v Speaker 4>left anyway, just for.

0:22:03.440 --> 0:22:05.159
<v Speaker 1>A little bit. There's people that lost everything.

0:22:05.480 --> 0:22:08.680
<v Speaker 2>Be honest, I thought New Yorkers was stubborn until I

0:22:08.760 --> 0:22:09.520
<v Speaker 2>moved to Miami.

0:22:10.119 --> 0:22:13.560
<v Speaker 1>They won't move for the hurricane. You're like, hurricane is

0:22:13.680 --> 0:22:17.040
<v Speaker 1>going to kill everybody. They don't really tell everyone is

0:22:17.080 --> 0:22:19.800
<v Speaker 1>gonna die in Miami. They were like, it's okay, I

0:22:19.880 --> 0:22:24.760
<v Speaker 1>guess sawtcula go to home. People in public about to

0:22:24.760 --> 0:22:27.879
<v Speaker 1>get you, and then the ship goes out with listen, yo,

0:22:28.080 --> 0:22:29.679
<v Speaker 1>but y'all take it. You'll take it too far. Soon

0:22:29.720 --> 0:22:30.520
<v Speaker 1>as it's a hurricane.

0:22:30.560 --> 0:22:34.879
<v Speaker 2>They rack up hurricane party hurricane parties.

0:22:35.040 --> 0:22:38.399
<v Speaker 1>The nigga store is gone. They're used to it here many.

0:22:39.520 --> 0:22:43.040
<v Speaker 2>Now I'm gonna be honest with you, John Legend, you

0:22:43.119 --> 0:22:44.479
<v Speaker 2>look like you never had a bad day.

0:22:46.840 --> 0:22:48.560
<v Speaker 1>I'm gonna be honest. I'm a little jealous. Man.

0:22:48.720 --> 0:22:53.200
<v Speaker 2>I look at you, and you look stressed. Fucking you

0:22:53.320 --> 0:22:56.800
<v Speaker 2>look like nothing you have had bad days.

0:22:56.880 --> 0:23:00.760
<v Speaker 4>But I would say I am probably one of the

0:23:00.840 --> 0:23:03.200
<v Speaker 4>most kind of, like even killed people you'll ever meet.

0:23:03.320 --> 0:23:05.080
<v Speaker 1>I don't have a lot of I don't get really

0:23:05.160 --> 0:23:10.600
<v Speaker 1>angry very often. I am as chill as you think.

0:23:15.480 --> 0:23:19.040
<v Speaker 4>And he compares me, song compares me to Seinfeld because

0:23:19.240 --> 0:23:20.600
<v Speaker 4>there's this episode of Seinfeld.

0:23:20.640 --> 0:23:22.040
<v Speaker 1>Show me the episode I'm ready for it.

0:23:22.119 --> 0:23:25.119
<v Speaker 4>Where they say everything always evens out for Jerry.

0:23:25.160 --> 0:23:25.880
<v Speaker 1>Oh yeah, because.

0:23:27.960 --> 0:23:39.680
<v Speaker 4>Yeah, Son always called me Seinfeld because he's like, everything

0:23:39.720 --> 0:23:42.640
<v Speaker 4>always evens out for you. Man, you got something happened,

0:23:43.280 --> 0:23:46.280
<v Speaker 4>something some for some reason, it just always evens out.

0:23:46.359 --> 0:23:52.920
<v Speaker 1>So I don't know, Oh my god, oh my god.

0:23:53.000 --> 0:23:55.840
<v Speaker 2>Hang out with you, then that's that's my that's you

0:23:56.400 --> 0:23:57.880
<v Speaker 2>watched Kirby Enthusiasm.

0:23:57.560 --> 0:23:58.119
<v Speaker 1>Yes, I love it.

0:23:58.160 --> 0:24:00.639
<v Speaker 2>Oh that's my favorite ship. I love shows a lot.

0:24:00.640 --> 0:24:03.680
<v Speaker 2>I've seen every episode. Okay, yeah, which one you will pick?

0:24:03.760 --> 0:24:06.320
<v Speaker 2>Curb or or side fel.

0:24:06.520 --> 0:24:09.920
<v Speaker 1>Or Curb Curb? I mean too Yeah, most people would

0:24:09.960 --> 0:24:14.840
<v Speaker 1>say I can love. I'm sorry, man. I love Larry David. Man,

0:24:14.920 --> 0:24:17.600
<v Speaker 1>I'm love I love them. I love so much.

0:24:17.600 --> 0:24:19.159
<v Speaker 2>I don't want to meet him because if I meet

0:24:19.240 --> 0:24:21.280
<v Speaker 2>him and he'd be like, hey, what the fuck, I'm like, oh.

0:24:21.440 --> 0:24:24.800
<v Speaker 4>Man, his whole persona is that he probably wouldn't be

0:24:24.880 --> 0:24:27.200
<v Speaker 4>nice to you when you met him, and so you're like,

0:24:27.320 --> 0:24:28.960
<v Speaker 4>maybe that is being.

0:24:28.840 --> 0:24:30.399
<v Speaker 1>Nice being not nice to Like.

0:24:30.520 --> 0:24:32.959
<v Speaker 2>I was like, it's this restaurant called Club I mean

0:24:33.160 --> 0:24:37.560
<v Speaker 2>Hotel COASTI is in Paris. Yeah, very nasty people like

0:24:38.760 --> 0:24:41.760
<v Speaker 2>they're like a little French root the French Route. And

0:24:41.840 --> 0:24:44.080
<v Speaker 2>one time I went there on my birthday and they

0:24:44.119 --> 0:24:46.200
<v Speaker 2>were nice to me, and I would say, this is

0:24:46.240 --> 0:24:52.639
<v Speaker 2>not what I paid for. You're like to me, they

0:24:52.680 --> 0:24:54.520
<v Speaker 2>got a cigarette when I used to smoke cigarettes and

0:24:54.560 --> 0:24:55.879
<v Speaker 2>have a cigarettes section all that.

0:24:55.960 --> 0:24:57.320
<v Speaker 1>And it was nice to me. One time I didn't

0:24:57.359 --> 0:25:01.760
<v Speaker 1>like it. Yeah. Yeah, I was on Larry David show.

0:25:01.800 --> 0:25:02.040
<v Speaker 5>I was.

0:25:02.480 --> 0:25:05.000
<v Speaker 3>I did a guest of parents on he was. He

0:25:05.160 --> 0:25:08.800
<v Speaker 3>was nice then, and but I hung out mostly with Jeff.

0:25:08.800 --> 0:25:13.520
<v Speaker 2>And uh Susie yeah yeah yeah yeah, the lady with

0:25:13.600 --> 0:25:15.040
<v Speaker 2>the bad mouth and the manager.

0:25:15.200 --> 0:25:17.920
<v Speaker 1>Yes. So so what episode was this? This was the

0:25:18.200 --> 0:25:20.840
<v Speaker 1>bot Mitzvah. I was singing at the bat Mitzvah for

0:25:20.920 --> 0:25:23.600
<v Speaker 1>their daughter. Uh and uh.

0:25:24.160 --> 0:25:26.159
<v Speaker 4>The conceit of the show was that I was one

0:25:26.200 --> 0:25:28.879
<v Speaker 4>of Jeff's clients and he got me to sing at

0:25:28.880 --> 0:25:29.520
<v Speaker 4>the bat Mitzvah.

0:25:29.560 --> 0:25:31.240
<v Speaker 1>So I sang a song there. This is early, like

0:25:31.880 --> 0:25:34.600
<v Speaker 1>six early in my career. But that was cool.

0:25:34.840 --> 0:25:36.200
<v Speaker 3>And I just sat there and talked to Jeff and

0:25:36.240 --> 0:25:37.960
<v Speaker 3>Susie the whole time, and they had me cracking up.

0:25:38.400 --> 0:25:40.720
<v Speaker 2>Like, yeah, they were funny, Okay, yeah, they were really funny.

0:25:40.840 --> 0:25:42.920
<v Speaker 2>Now you also got to do a movie with the

0:25:43.160 --> 0:25:46.760
<v Speaker 2>late great Bernie Mack. Yes, so man, Yeah, you know,

0:25:46.920 --> 0:25:49.840
<v Speaker 2>you know one of the best lines I ever heard

0:25:49.960 --> 0:25:52.240
<v Speaker 2>in the world is in that movie when Bernie Mack

0:25:52.359 --> 0:25:56.760
<v Speaker 2>moves into the old folks home behind and Mike f says,

0:25:57.000 --> 0:25:58.480
<v Speaker 2>you know, because now you can spend some time with

0:25:58.560 --> 0:26:00.760
<v Speaker 2>the kids, and Bernie Mack looks to him with all

0:26:00.840 --> 0:26:01.439
<v Speaker 2>honesty and.

0:26:01.480 --> 0:26:07.640
<v Speaker 1>Says, that's an iconic line. That line has been used

0:26:07.960 --> 0:26:11.880
<v Speaker 1>since then. But how was me and Bertie Mack?

0:26:11.960 --> 0:26:12.080
<v Speaker 2>Oh?

0:26:12.160 --> 0:26:13.879
<v Speaker 1>Man, he was funny too in person.

0:26:13.960 --> 0:26:16.440
<v Speaker 4>You know some comedians they're not funny in person because

0:26:16.440 --> 0:26:19.080
<v Speaker 4>they they it's like they're saving it for the stage.

0:26:18.760 --> 0:26:19.800
<v Speaker 1>Because he's himself.

0:26:19.840 --> 0:26:22.080
<v Speaker 4>You can sell Yeah, I have another it's like they're

0:26:22.119 --> 0:26:24.359
<v Speaker 4>saving it for the stage. But Bernie was really funny

0:26:24.400 --> 0:26:27.600
<v Speaker 4>in person. Jeff and Susie were very funny in person.

0:26:27.680 --> 0:26:30.040
<v Speaker 4>And then some people they like they clam up and

0:26:30.080 --> 0:26:31.639
<v Speaker 4>they don't give you no jokes until you see him

0:26:31.680 --> 0:26:32.080
<v Speaker 4>on stage.

0:26:32.720 --> 0:26:36.480
<v Speaker 1>Yeah, you never met Prince. Yeah, I met Prince. I

0:26:36.600 --> 0:26:40.359
<v Speaker 1>met Prince of Future. I didn't. I didn't know whatever

0:26:40.359 --> 0:26:40.760
<v Speaker 1>the story.

0:26:41.440 --> 0:26:49.680
<v Speaker 2>Let's put my seatbelt. That's kind of like I was

0:26:49.680 --> 0:26:51.880
<v Speaker 2>about to ask you did he float? Did he float?

0:26:51.880 --> 0:26:52.480
<v Speaker 2>When you met him?

0:26:53.760 --> 0:26:57.160
<v Speaker 1>I was starstruck. This is one of the first big

0:26:57.280 --> 0:27:01.000
<v Speaker 1>celebrities I met that I really like, truly was starstruck

0:27:01.080 --> 0:27:04.320
<v Speaker 1>when I met him. As out Prince on no ass out,

0:27:04.480 --> 0:27:12.600
<v Speaker 1>his ass was in. I'm sorry. He was close. So

0:27:12.800 --> 0:27:15.200
<v Speaker 1>at the time he was signed to the same label

0:27:15.240 --> 0:27:15.520
<v Speaker 1>I was.

0:27:15.560 --> 0:27:19.320
<v Speaker 4>He was at Columbia Sony Urban and we had the

0:27:19.359 --> 0:27:22.840
<v Speaker 4>same exact Lisa Ellis and he was doing a concert

0:27:23.320 --> 0:27:28.000
<v Speaker 4>at MSG and Lisa was like, you want to come

0:27:28.000 --> 0:27:30.760
<v Speaker 4>see friends. I was like yeah, so and then he

0:27:30.800 --> 0:27:36.160
<v Speaker 4>did an after party at bb King's and he he Princess,

0:27:36.440 --> 0:27:39.159
<v Speaker 4>the craziest musician because he'll do the whole show and

0:27:39.240 --> 0:27:40.760
<v Speaker 4>then go play the after party.

0:27:41.359 --> 0:27:41.479
<v Speaker 2>Uh.

0:27:41.960 --> 0:27:44.800
<v Speaker 1>He he would do a three hour show and then

0:27:44.880 --> 0:27:46.000
<v Speaker 1>go play at the after party.

0:27:46.320 --> 0:27:49.280
<v Speaker 4>I've never seen anybody that just loved playing music and

0:27:49.720 --> 0:27:52.280
<v Speaker 4>kept playing music, kept playing music like he did.

0:27:52.520 --> 0:27:54.520
<v Speaker 1>And it was amazing seeing him.

0:27:55.119 --> 0:27:56.600
<v Speaker 4>The first time I met him, he was just like,

0:27:56.720 --> 0:27:58.879
<v Speaker 4>you know, he was on that protect your rights, make

0:27:58.920 --> 0:27:59.520
<v Speaker 4>sure you get.

0:27:59.400 --> 0:28:01.119
<v Speaker 1>Your master's black when you can all that.

0:28:01.600 --> 0:28:04.520
<v Speaker 4>And then the next time I saw him, he had

0:28:04.720 --> 0:28:06.440
<v Speaker 4>one of those after parties that he had after the

0:28:06.520 --> 0:28:09.879
<v Speaker 4>Grammys or the Oscars in l A. And uh it

0:28:10.000 --> 0:28:12.720
<v Speaker 4>was a jam session and a bunch of artists were

0:28:12.760 --> 0:28:13.760
<v Speaker 4>there and I got up.

0:28:13.720 --> 0:28:16.840
<v Speaker 1>On stage and jam with him, and STEVEE was there,

0:28:17.119 --> 0:28:22.200
<v Speaker 1>and uh it was fun. Man, God damn me. Before

0:28:22.200 --> 0:28:26.040
<v Speaker 1>I get to the Eguy, Michael Jackson met Micah.

0:28:26.119 --> 0:28:28.320
<v Speaker 4>Yeah, I met Mike. I met Mike, and Bahrain put

0:28:28.480 --> 0:28:31.200
<v Speaker 4>back on my hand weird. So this is where he

0:28:31.359 --> 0:28:31.760
<v Speaker 4>was living.

0:28:32.200 --> 0:28:35.040
<v Speaker 3>So he was dealing with all his you know, legal things,

0:28:35.240 --> 0:28:38.280
<v Speaker 3>and uh, he was living in Bahrain for a while.

0:28:38.720 --> 0:28:40.800
<v Speaker 1>Over in the Middle East. It's in the Middle East.

0:28:40.800 --> 0:28:44.239
<v Speaker 4>It's overbody like Saudi Arabia and uh, and uh they

0:28:44.280 --> 0:28:47.760
<v Speaker 4>were having an F one uh event over there, and

0:28:48.040 --> 0:28:51.080
<v Speaker 4>they had like a celebrity invitational and they were like

0:28:51.440 --> 0:28:53.200
<v Speaker 4>just trying to get celebrities to come to the F

0:28:53.320 --> 0:28:55.360
<v Speaker 4>one and I was a new celebrity. I was like, yeah,

0:28:55.360 --> 0:28:58.240
<v Speaker 4>I'll go to Bahrain on whatever. I heard Michael Jackson,

0:28:58.640 --> 0:28:59.960
<v Speaker 4>we might get to meet Michael Jackson.

0:29:00.560 --> 0:29:04.360
<v Speaker 1>And then, uh, the Crown Prince has a dinner.

0:29:05.600 --> 0:29:08.800
<v Speaker 4>At one of his homes and Michael Jackson just walks

0:29:08.880 --> 0:29:11.880
<v Speaker 4>in and I sit there and it was like a

0:29:12.000 --> 0:29:15.760
<v Speaker 4>few like round tables, and I'm sitting at the round

0:29:15.920 --> 0:29:17.240
<v Speaker 4>table where Mike's.

0:29:16.960 --> 0:29:20.640
<v Speaker 3>Sitting and We're all just sitting there talking, talking about

0:29:20.760 --> 0:29:24.800
<v Speaker 3>music whatever. You don't remember the subject we talked.

0:29:24.960 --> 0:29:27.840
<v Speaker 1>We talked about We talked about music, we talked about

0:29:28.200 --> 0:29:30.840
<v Speaker 1>you know, life. I don't know. Is it true about

0:29:30.840 --> 0:29:31.200
<v Speaker 1>his voice?

0:29:31.240 --> 0:29:33.760
<v Speaker 3>He said that he when he were normal, Yeah, he

0:29:33.880 --> 0:29:35.760
<v Speaker 3>just he doesn't have the same high pitched voice.

0:29:36.200 --> 0:29:39.480
<v Speaker 1>It was still pretty. It wasn't deep, Nah, it wasn't deep.

0:29:39.520 --> 0:29:42.080
<v Speaker 1>It was you know, walking night.

0:29:43.920 --> 0:29:45.840
<v Speaker 2>You know, the pictures with Michael Jackson would have grip

0:29:46.480 --> 0:29:48.760
<v Speaker 2>stories about him not created. He fought all kinds of

0:29:49.760 --> 0:29:50.760
<v Speaker 2>Mike get crazy.

0:29:52.920 --> 0:29:57.040
<v Speaker 1>I'm glad I don't hear a lot of conspiracies. They're fun.

0:29:57.720 --> 0:30:05.080
<v Speaker 1>Am I here the debunk Conspiracy Factor fiction with John.

0:30:09.360 --> 0:30:11.400
<v Speaker 2>So John leszend. We want you to know, man, our

0:30:11.440 --> 0:30:13.040
<v Speaker 2>show is about giving people the flowers.

0:30:13.160 --> 0:30:16.840
<v Speaker 1>Appreciate you. I love the show, but we want to

0:30:16.880 --> 0:30:23.840
<v Speaker 1>give you your flowers. Thank you, thank you, thank you.

0:30:23.880 --> 0:30:26.520
<v Speaker 3>For it matches my wine bottles too. You know this

0:30:26.600 --> 0:30:29.640
<v Speaker 3>is my l B E wine and it matches perfect.

0:30:29.720 --> 0:30:31.800
<v Speaker 2>So it's not love, it's l v E. Yeah, we

0:30:31.880 --> 0:30:34.200
<v Speaker 2>call LB, but it's been calling it love too. You

0:30:34.240 --> 0:30:35.400
<v Speaker 2>can call love to all right?

0:30:35.440 --> 0:30:40.440
<v Speaker 1>Cool? You ever drink Whispering Angel? Yeah, this Whispering Angel killer,

0:30:40.600 --> 0:30:42.440
<v Speaker 1>it's better. You know what I'm saying. It's the killer.

0:30:42.480 --> 0:30:49.520
<v Speaker 1>It's the killer, the killer Whisper better better than LV.

0:30:50.160 --> 0:30:53.000
<v Speaker 1>I've tried it plenty of times and and ours is

0:30:53.080 --> 0:30:56.960
<v Speaker 1>better than their. Yes, fact, Just to say, what did

0:30:57.000 --> 0:31:00.280
<v Speaker 1>you drink Whispering Age? Drying France? I've drank like the

0:31:00.400 --> 0:31:08.920
<v Speaker 1>Hampton's France Rich Rich in France. I try to do French,

0:31:09.040 --> 0:31:12.560
<v Speaker 1>you know brands out there, but now we're doing LV.

0:31:12.840 --> 0:31:15.560
<v Speaker 4>Man, that's the only one we're doing. Ours is French too, though,

0:31:15.640 --> 0:31:16.920
<v Speaker 4>What do you drink in France?

0:31:16.960 --> 0:31:17.320
<v Speaker 1>What does it?

0:31:18.720 --> 0:31:22.720
<v Speaker 3>Well, I drink a lot of Burgundy wines. So my

0:31:22.880 --> 0:31:25.200
<v Speaker 3>partner in this wine is a Frenchman. His name is

0:31:25.240 --> 0:31:25.560
<v Speaker 3>Jean ch.

0:31:27.120 --> 0:31:32.520
<v Speaker 1>Rich money to hold.

0:31:32.600 --> 0:31:34.800
<v Speaker 4>So he grew up in Burgundy in France, and so

0:31:34.960 --> 0:31:37.000
<v Speaker 4>his family has been making wine forever and so.

0:31:37.560 --> 0:31:40.440
<v Speaker 2>So he's my he's my connect in France. So how

0:31:40.480 --> 0:31:42.320
<v Speaker 2>did you come up with the wines? Let's talk about that. Yeah,

0:31:42.320 --> 0:31:44.640
<v Speaker 2>that's a cabernet. Yeah, that's a cabernet. We got a rose.

0:31:44.760 --> 0:31:47.040
<v Speaker 4>We got a sparkling rose. We got a sparkling white.

0:31:47.360 --> 0:31:52.680
<v Speaker 4>We got uh, chardonnay, sauvignon blanc. We got a nice range.

0:31:52.840 --> 0:31:56.480
<v Speaker 1>No, uh, we do have a small run of pinoa,

0:31:56.600 --> 0:32:02.880
<v Speaker 1>not a lot of you know, it's just right now. No, great, ye.

0:32:03.280 --> 0:32:05.240
<v Speaker 2>So look, we're gonna want to splain them in the

0:32:05.320 --> 0:32:06.160
<v Speaker 2>rules quick time.

0:32:06.160 --> 0:32:08.840
<v Speaker 1>You got right? Are you ready? You got you gotta

0:32:09.480 --> 0:32:13.920
<v Speaker 1>ask him what he would like to drink? Please? What

0:32:14.040 --> 0:32:20.280
<v Speaker 1>we got? Yeah, I'll do shots? Yeah, I take mins chilled?

0:32:20.880 --> 0:32:22.800
<v Speaker 1>All right, remind me of rules of again. Let's go.

0:32:22.880 --> 0:32:25.480
<v Speaker 3>So we're gonna give you two choices. This is to

0:32:25.560 --> 0:32:27.920
<v Speaker 3>bring up any stories you got with anybody. But if

0:32:27.960 --> 0:32:31.680
<v Speaker 3>you pick one, we don't drink, don't pick drink. Okay,

0:32:31.920 --> 0:32:33.560
<v Speaker 3>so you say, but I just got to commit one

0:32:33.600 --> 0:32:36.600
<v Speaker 3>way that h we drink with you got there?

0:32:36.680 --> 0:32:40.120
<v Speaker 2>Yeah yeah, we haven't we having fun, so I gotta

0:32:40.160 --> 0:32:43.240
<v Speaker 2>set it off off Okay, Yeah, this is not waiting

0:32:43.240 --> 0:32:43.800
<v Speaker 2>for my shots.

0:32:44.000 --> 0:32:49.760
<v Speaker 1>Okay, yeah, yeah, Okay, I think I said I like this.

0:32:51.840 --> 0:32:53.600
<v Speaker 1>You're ready with the shots coming?

0:32:53.880 --> 0:33:01.080
<v Speaker 2>Okay, Chris Brown or Asha, I'm gonna say Usher, okay

0:33:01.200 --> 0:33:04.360
<v Speaker 2>because the roller skates, because.

0:33:04.080 --> 0:33:07.560
<v Speaker 4>Of the rollers, both of them are like supremely talented.

0:33:08.280 --> 0:33:11.880
<v Speaker 4>But I was on tour with Usher. Me and Kanye

0:33:12.000 --> 0:33:15.360
<v Speaker 4>were opening for Usher. This is like, this is the

0:33:15.440 --> 0:33:19.479
<v Speaker 4>Confessions era Usher. So this is right after College Dropout

0:33:19.560 --> 0:33:22.400
<v Speaker 4>came out and right before Get Lifted my album came out,

0:33:22.960 --> 0:33:25.920
<v Speaker 4>and Usher's, you know, on top of the world, eight

0:33:26.000 --> 0:33:31.320
<v Speaker 4>million albums sold, and he's touring arenas for Confessions.

0:33:31.160 --> 0:33:33.440
<v Speaker 1>And we're opening for him. So I'm seeing the work

0:33:33.480 --> 0:33:36.640
<v Speaker 1>he's putting in every day getting the show right. And

0:33:37.800 --> 0:33:38.800
<v Speaker 1>I see that same.

0:33:38.760 --> 0:33:42.200
<v Speaker 4>Level of work ethic and effort and then just pure

0:33:42.320 --> 0:33:44.880
<v Speaker 4>talent from him still twenty years later.

0:33:45.320 --> 0:33:47.480
<v Speaker 2>So I'm a Usher fan for life. You don't go

0:33:47.600 --> 0:33:49.680
<v Speaker 2>to take a shot because you're right picked. But let

0:33:49.720 --> 0:33:53.040
<v Speaker 2>me ask you a question. This is off catalog. Your

0:33:53.120 --> 0:33:55.720
<v Speaker 2>lady asks you to go to Usher concert. Huh and

0:33:55.920 --> 0:33:56.880
<v Speaker 2>Usher comes over.

0:33:59.280 --> 0:34:09.919
<v Speaker 1>Like Kiki, Yeah, ushers out here ruining relationship ship and strawberries.

0:34:12.600 --> 0:34:15.960
<v Speaker 1>He sees, your lady, are you getting is John Legend? Well,

0:34:16.000 --> 0:34:19.080
<v Speaker 1>the thing is I slow danced with women on my stage.

0:34:24.160 --> 0:34:26.759
<v Speaker 1>I understand the guy. I respect the game. You know,

0:34:27.760 --> 0:34:31.560
<v Speaker 1>he's like a show business business show business. It's cool,

0:34:31.600 --> 0:34:35.120
<v Speaker 1>but it's cool. She's not coming up volunteering her.

0:34:35.239 --> 0:34:41.600
<v Speaker 2>But I respect the game because he literally ruined short

0:34:41.680 --> 0:34:42.440
<v Speaker 2>these relationships.

0:34:43.400 --> 0:34:46.600
<v Speaker 1>Oh boy, he left like he one girl.

0:34:48.000 --> 0:34:51.520
<v Speaker 4>It was Keky's baby's father. And uh they weren't married,

0:34:51.560 --> 0:34:55.439
<v Speaker 4>but you know he he wasn't happy. She was having

0:34:55.440 --> 0:34:56.040
<v Speaker 4>too much fun.

0:34:57.080 --> 0:34:58.839
<v Speaker 1>Who side was you on? He was you on his side?

0:34:59.400 --> 0:34:59.919
<v Speaker 1>Unher soide?

0:35:00.040 --> 0:35:03.440
<v Speaker 2>He like, oh Swiss bell swims.

0:35:03.480 --> 0:35:05.440
<v Speaker 1>I said, what up? I just saw him Sunday, But

0:35:05.680 --> 0:35:10.759
<v Speaker 1>uh listen, Uh like, I say, you got it. That's

0:35:10.840 --> 0:35:11.120
<v Speaker 1>the game.

0:35:11.200 --> 0:35:13.439
<v Speaker 4>It's a show man like he did it in front

0:35:13.440 --> 0:35:15.680
<v Speaker 4>of everybody. She was sneaking up to his hotel room.

0:35:15.760 --> 0:35:18.439
<v Speaker 4>It's like in front of everybody. This is fine, it's good.

0:35:19.560 --> 0:35:27.719
<v Speaker 1>Your arm b Niggs don't leave your girl. He a

0:35:27.840 --> 0:35:32.680
<v Speaker 1>song Sidney Poitier or Harry Belafonte.

0:35:34.480 --> 0:35:36.680
<v Speaker 4>I gotta go with my guy Harry, because I was

0:35:36.760 --> 0:35:39.480
<v Speaker 4>close with him before he passed away. I didn't really

0:35:39.680 --> 0:35:42.120
<v Speaker 4>I met mister Partier, but I spent a lot of

0:35:42.160 --> 0:35:43.919
<v Speaker 4>time in mister Bellafonte.

0:35:43.760 --> 0:35:46.080
<v Speaker 1>And him both missed up. Yeah.

0:35:46.880 --> 0:35:50.680
<v Speaker 4>Uh, we really called him mister b and like he

0:35:50.960 --> 0:35:53.600
<v Speaker 4>was the example of how to be an activist and

0:35:53.680 --> 0:35:58.160
<v Speaker 4>an artist. And uh he took a lot of classy dudes. Yeah,

0:35:58.600 --> 0:36:02.480
<v Speaker 4>a classy like extremely talented, and he was the biggest

0:36:02.520 --> 0:36:05.520
<v Speaker 4>selling artist of his era. Like when he was big,

0:36:05.880 --> 0:36:09.160
<v Speaker 4>he was bigger than everybody. And so for him to

0:36:10.000 --> 0:36:12.200
<v Speaker 4>take that and then put it on the line so

0:36:12.280 --> 0:36:12.760
<v Speaker 4>he could.

0:36:12.719 --> 0:36:16.080
<v Speaker 2>Support doctor King and do what everything he did, Like

0:36:16.320 --> 0:36:17.399
<v Speaker 2>I always look up to him.

0:36:18.680 --> 0:36:22.759
<v Speaker 1>He picked. Yeah, Okay, Patti LaBelle or Tina Turner.

0:36:24.880 --> 0:36:29.800
<v Speaker 4>Miss Patty that's right, Yeah, I mean Tina was extremely talented.

0:36:29.840 --> 0:36:32.200
<v Speaker 3>But I just like Miss Patty's music more. It's like

0:36:32.520 --> 0:36:33.680
<v Speaker 3>more more of my speed.

0:36:33.760 --> 0:36:37.160
<v Speaker 1>Yeah. And I love to drink yeah, and I love

0:36:37.200 --> 0:36:41.520
<v Speaker 1>Miss Patty. She came on drinking chance for her own glass. Yes,

0:36:42.560 --> 0:36:46.279
<v Speaker 1>when you spent time with her, she's so real so real. Yeah,

0:36:46.560 --> 0:36:49.560
<v Speaker 1>like I love her, I really love her. Jada kiss

0:36:49.760 --> 0:36:52.799
<v Speaker 1>or Nas, I'm ready to drink.

0:36:53.239 --> 0:36:56.680
<v Speaker 4>I'm gonna say this is that this is not easy. Actually,

0:36:59.040 --> 0:37:04.320
<v Speaker 4>I'm gonna say Nas, Okay, we ain't drinking at all today, Okay,

0:37:04.440 --> 0:37:04.680
<v Speaker 4>this one.

0:37:04.719 --> 0:37:06.279
<v Speaker 3>I've done records with both of them, and I love

0:37:06.360 --> 0:37:06.879
<v Speaker 3>both of them.

0:37:07.400 --> 0:37:10.439
<v Speaker 4>I think I just like NAS's voice just a little better,

0:37:10.640 --> 0:37:13.480
<v Speaker 4>like this, his flow and his voice just a little better.

0:37:13.520 --> 0:37:17.279
<v Speaker 2>But Shade is incredible, y'all all you Nas, all of

0:37:17.360 --> 0:37:18.680
<v Speaker 2>y'all go to light skin karate class.

0:37:19.520 --> 0:37:24.080
<v Speaker 1>I know, I know about y'all. I know about meeting meaning.

0:37:26.600 --> 0:37:40.160
<v Speaker 1>You can't drink out Franklin or Nina Simon. I might

0:37:40.320 --> 0:37:42.319
<v Speaker 1>drink on this, man. I don't know if I could pick.

0:37:44.160 --> 0:37:46.160
<v Speaker 1>These are two of my favorites of all time.

0:37:46.760 --> 0:37:52.200
<v Speaker 4>Uh, I'm gonna say, Nina Simon, Oh you don't drink shot,

0:37:52.239 --> 0:37:53.080
<v Speaker 4>don't take a shot.

0:37:53.120 --> 0:37:55.760
<v Speaker 1>I take a shot for these are the smallest shots.

0:37:56.480 --> 0:37:58.440
<v Speaker 1>Usually it's a lot of shots. It's a long game.

0:37:58.600 --> 0:38:00.279
<v Speaker 1>We didn't think. We didn't think. We thought she was

0:38:00.320 --> 0:38:02.600
<v Speaker 1>going to be like very well correct. Don't know, man,

0:38:02.640 --> 0:38:04.759
<v Speaker 1>I'm telling you my truth. He saying that shit was

0:38:04.800 --> 0:38:08.600
<v Speaker 1>hot as hell, yeah, you want it Whitney Houston or

0:38:08.600 --> 0:38:12.840
<v Speaker 1>Amy Winehouse Whitney. That was easy. I should take a

0:38:12.880 --> 0:38:15.319
<v Speaker 1>shot for knowing that I love Amy though I love

0:38:15.400 --> 0:38:19.520
<v Speaker 1>her music. I met her. I met Amy when she

0:38:19.760 --> 0:38:22.160
<v Speaker 1>was brand like when that Back.

0:38:22.040 --> 0:38:24.080
<v Speaker 4>To Black album, So she had already had another album

0:38:24.120 --> 0:38:26.319
<v Speaker 4>that didn't really pop, and then the Back to Black

0:38:26.360 --> 0:38:28.160
<v Speaker 4>album was about to come out, and I was on

0:38:28.640 --> 0:38:31.200
<v Speaker 4>later with Jules Holland, which is a British show which

0:38:31.280 --> 0:38:34.440
<v Speaker 4>I love. And the show is just different artists in

0:38:34.560 --> 0:38:36.880
<v Speaker 4>like the round, and so one band will play and

0:38:36.920 --> 0:38:38.480
<v Speaker 4>then another band will play, and then the other band

0:38:38.520 --> 0:38:40.759
<v Speaker 4>all play and they're all five or six bands in

0:38:40.880 --> 0:38:44.239
<v Speaker 4>this room together in this big studio in London, and

0:38:45.200 --> 0:38:48.200
<v Speaker 4>Amy and I were both on the set, and so

0:38:48.360 --> 0:38:51.120
<v Speaker 4>she had a couple of her songs, she did Rehab

0:38:51.239 --> 0:38:52.399
<v Speaker 4>and something else from.

0:38:52.320 --> 0:38:53.480
<v Speaker 1>That album, and then I.

0:38:53.520 --> 0:38:55.960
<v Speaker 4>Did a couple songs from my second album, and she

0:38:56.080 --> 0:38:58.160
<v Speaker 4>walked up to me like like she was a brand

0:38:58.200 --> 0:39:00.880
<v Speaker 4>new writers, like handing me her a demo and handing

0:39:00.960 --> 0:39:04.120
<v Speaker 4>me Back to Black, which ended up, you know, taking

0:39:04.200 --> 0:39:07.120
<v Speaker 4>over the world right after that, but at that point

0:39:07.239 --> 0:39:09.040
<v Speaker 4>it hadn't done that yet and it was about to.

0:39:09.719 --> 0:39:13.959
<v Speaker 2>But that's when I first met him. Wow, yeah, Sam

0:39:14.080 --> 0:39:18.879
<v Speaker 2>Cook or Teddy Pintograph mm hmmm taking a shot.

0:39:21.120 --> 0:39:26.879
<v Speaker 1>It's not easy. I'm gonna say Teddy just because there's

0:39:27.120 --> 0:39:30.800
<v Speaker 1>just more jams that I love, you know. Yeah, you

0:39:30.840 --> 0:39:33.680
<v Speaker 1>see look at Teddy Pograd. Baby, that's a Philly man.

0:39:33.719 --> 0:39:33.880
<v Speaker 5>You know.

0:39:33.960 --> 0:39:37.000
<v Speaker 1>He uh fly Eagles Fly? Is this gonna air after

0:39:37.040 --> 0:39:37.719
<v Speaker 1>the super Bowl? Yeah?

0:39:37.719 --> 0:39:39.520
<v Speaker 3>This would be at the super Bowl. Yeah, you knows

0:39:39.600 --> 0:39:41.920
<v Speaker 3>what happened. I'm over the Chiefs.

0:39:42.160 --> 0:39:42.320
<v Speaker 2>You know.

0:39:42.440 --> 0:39:44.480
<v Speaker 1>If I got to choose, you patched him my home cousin.

0:39:48.560 --> 0:39:57.600
<v Speaker 4>I got family look more like Jayleen Hurston. But I

0:39:57.680 --> 0:40:00.200
<v Speaker 4>went to scoring Philly. I went to you, that's right. Yeah,

0:40:00.200 --> 0:40:04.080
<v Speaker 4>so I got you know, yeah, I got love for Philly.

0:40:04.239 --> 0:40:07.200
<v Speaker 1>Okay, Jesus man, Philly. Get to the kig on like

0:40:07.239 --> 0:40:13.920
<v Speaker 1>that Biggie or Big L Biggie. I never was like

0:40:15.000 --> 0:40:18.600
<v Speaker 1>completely into Big L like, but I was definitely into Biggie. Okay,

0:40:20.000 --> 0:40:25.400
<v Speaker 1>DJ College or DJ Drama. I gotta go with College man.

0:40:25.440 --> 0:40:30.040
<v Speaker 4>I did like twenty records with College and legendary record

0:40:30.040 --> 0:40:32.719
<v Speaker 4>with niy Hustle exactly believe that was his last video

0:40:33.120 --> 0:40:36.520
<v Speaker 4>and to take it all the way back, we did

0:40:36.560 --> 0:40:41.000
<v Speaker 4>a record with good music me a consequence. We did

0:40:41.040 --> 0:40:43.760
<v Speaker 4>a record called Grammy Family with Collein.

0:40:43.960 --> 0:40:44.720
<v Speaker 1>That's a big record.

0:40:44.920 --> 0:40:47.239
<v Speaker 4>That was like when that was the early days when

0:40:47.280 --> 0:40:52.520
<v Speaker 4>Colin first started making those compilation albums, and uh, he

0:40:52.600 --> 0:40:55.279
<v Speaker 4>didn't win a Grammy. Colin didn't win a Grammy until

0:40:55.320 --> 0:40:58.439
<v Speaker 4>we wanted together with Nipsey for Hire.

0:40:58.760 --> 0:40:59.280
<v Speaker 1>Oh wow.

0:41:00.040 --> 0:41:02.239
<v Speaker 4>It was called the Grammy Fan and the early record

0:41:02.360 --> 0:41:04.840
<v Speaker 4>was called Grammy Family. But years later we wanted his

0:41:04.960 --> 0:41:05.840
<v Speaker 4>first Grammy together.

0:41:06.360 --> 0:41:12.600
<v Speaker 2>I needed this is any criteria you want Yay or Pharrell? Mhmm,

0:41:13.800 --> 0:41:17.560
<v Speaker 2>I say Yay, Okay, yeah right.

0:41:22.680 --> 0:41:27.080
<v Speaker 3>I just started working with Pharrell recently, yeah, on music.

0:41:27.800 --> 0:41:29.759
<v Speaker 3>So we stepped in the studio and we started working

0:41:29.800 --> 0:41:31.399
<v Speaker 3>on some new music. First time working together.

0:41:31.760 --> 0:41:33.320
<v Speaker 1>We'd only done a couple of songs together.

0:41:33.400 --> 0:41:35.640
<v Speaker 4>Okay, but you know, obviously Yay and I have done

0:41:35.760 --> 0:41:39.120
<v Speaker 4>a thousand records together, and I'm truly a fan of

0:41:39.239 --> 0:41:41.960
<v Speaker 4>Yay as a producer and an artist over the years too.

0:41:42.040 --> 0:41:43.520
<v Speaker 1>So, but I love both of them.

0:41:44.040 --> 0:41:46.800
<v Speaker 4>I mean, just think how influential both of them have

0:41:46.880 --> 0:41:49.480
<v Speaker 4>been to all of our culture, not just what we

0:41:49.600 --> 0:41:51.120
<v Speaker 4>listened to, what we wear everything.

0:41:51.320 --> 0:41:54.359
<v Speaker 2>It sounds like we're taking a shot, no, he picked

0:41:54.440 --> 0:41:56.560
<v Speaker 2>a okay, okay, okay, so like we're taking it like a.

0:41:56.760 --> 0:41:56.960
<v Speaker 3>Like a.

0:41:58.800 --> 0:42:05.960
<v Speaker 1>Honorable shot. Let's mean you take a shot and oh

0:42:06.040 --> 0:42:13.040
<v Speaker 1>ship okay, yes, La or Miami. Mm hmm.

0:42:15.280 --> 0:42:20.400
<v Speaker 4>Well I live in l A, and I think Miami.

0:42:20.719 --> 0:42:24.239
<v Speaker 4>I enjoy partying here more than I do l A.

0:42:25.160 --> 0:42:26.840
<v Speaker 1>But I live in LA. It's like, you know, my

0:42:26.960 --> 0:42:29.759
<v Speaker 1>kids go to school there, l A.

0:42:32.280 --> 0:42:35.680
<v Speaker 4>Like you want to say, Miami's more Miami's more fun

0:42:35.760 --> 0:42:38.120
<v Speaker 4>in doses, and then La.

0:42:38.480 --> 0:42:39.120
<v Speaker 1>Is where I stay.

0:42:40.120 --> 0:42:44.920
<v Speaker 2>Okay, it's all you, this is me sein fell a

0:42:45.040 --> 0:42:49.600
<v Speaker 2>Kirby enthusiasm. We've established this curb. Yeah, yes, but let's

0:42:49.600 --> 0:42:50.560
<v Speaker 2>explain to the people why.

0:42:50.920 --> 0:42:53.640
<v Speaker 4>Well, I think the fact that on HBO gives it

0:42:53.760 --> 0:42:56.400
<v Speaker 4>more leeway to like say all the jokes, you know,

0:42:56.880 --> 0:42:59.200
<v Speaker 4>say all the funks they want to say, and everything else.

0:42:59.680 --> 0:43:03.920
<v Speaker 4>But also I think us getting to know Larry, who

0:43:04.040 --> 0:43:08.160
<v Speaker 4>was the creator of exactly, I think that was a revelation.

0:43:08.360 --> 0:43:11.160
<v Speaker 4>So I think that's what makes kurb better is his

0:43:11.600 --> 0:43:15.239
<v Speaker 4>his personality. Because George was always a really funny part

0:43:15.280 --> 0:43:16.480
<v Speaker 4>of Seinfeld anyway.

0:43:16.560 --> 0:43:20.360
<v Speaker 3>But having the real George, having Larry there is.

0:43:20.440 --> 0:43:22.759
<v Speaker 1>Like it makes it better, all right.

0:43:23.239 --> 0:43:25.120
<v Speaker 2>Now I want to ask you what is your favorite

0:43:25.120 --> 0:43:28.800
<v Speaker 2>Seinfeld episode and what is your favorite curb episode?

0:43:29.040 --> 0:43:31.239
<v Speaker 1>Now this is this is not with drink Chance, but

0:43:31.840 --> 0:43:33.960
<v Speaker 1>one in one. I don't know, that's a good one.

0:43:34.120 --> 0:43:38.680
<v Speaker 4>I like the one where they're doing the contests in Seinfeld.

0:43:38.760 --> 0:43:41.000
<v Speaker 4>That's a good one where they're like seeing who's going

0:43:41.120 --> 0:43:41.719
<v Speaker 4>jack off first?

0:43:41.960 --> 0:43:49.840
<v Speaker 1>Oh yeah, come out you were JBS? Move is Kramer?

0:43:50.000 --> 0:43:52.000
<v Speaker 1>And yeah like that?

0:43:52.160 --> 0:43:56.160
<v Speaker 2>Yes, he's like the black you went with the episode? Yes,

0:43:57.280 --> 0:44:06.719
<v Speaker 2>se felt it's called the con. Now that's your favorite curve?

0:44:07.680 --> 0:44:13.360
<v Speaker 1>My favorite curve? Oh, man, I gotta think about that.

0:44:19.239 --> 0:44:22.000
<v Speaker 1>I don't know, I really have to think about it.

0:44:22.200 --> 0:44:25.160
<v Speaker 2>You know what my favorite curve when they he hired

0:44:25.160 --> 0:44:27.600
<v Speaker 2>the people to be Christians in front.

0:44:27.400 --> 0:44:33.440
<v Speaker 1>Of down and the Nativity said, because you know he's Jewish,

0:44:33.480 --> 0:44:35.920
<v Speaker 1>so he hired Christian, but his wife is Christian. His

0:44:36.000 --> 0:44:39.080
<v Speaker 1>wife is Christian Christian, and I think he didn't feed

0:44:39.160 --> 0:44:44.200
<v Speaker 1>them or something wrong. So that's my favorite. If you

0:44:44.239 --> 0:44:47.640
<v Speaker 1>think about it, we'll come back to yes. The next one.

0:44:48.440 --> 0:44:49.640
<v Speaker 1>Swiss Beachs are Timberland.

0:44:51.560 --> 0:44:55.560
<v Speaker 3>I'm gonna say Tim, it's fucked up because I know

0:44:55.600 --> 0:44:58.880
<v Speaker 3>all these people very well, so.

0:44:58.880 --> 0:45:03.200
<v Speaker 1>I'm gonna see yes, I'll say Tim.

0:45:03.920 --> 0:45:08.279
<v Speaker 4>Honestly, there's more Tim records that I'm like, are some

0:45:08.400 --> 0:45:11.040
<v Speaker 4>of the greatest records of all time? That then I

0:45:11.239 --> 0:45:13.600
<v Speaker 4>think of Swiss, But I love a bunch of Swiss

0:45:13.640 --> 0:45:17.520
<v Speaker 4>records too. But I'm gonna say Tim. Okay, Most Deaf

0:45:17.680 --> 0:45:22.280
<v Speaker 4>or to Live, Most Deaf or Black Dog Black Dot Okay.

0:45:22.920 --> 0:45:27.920
<v Speaker 4>I just think if Most was still giving us material

0:45:28.960 --> 0:45:32.520
<v Speaker 4>then it would be closer. But I think because Black

0:45:32.560 --> 0:45:36.880
<v Speaker 4>Dot has been so prolific, h and consistent and prolific.

0:45:37.239 --> 0:45:39.920
<v Speaker 1>Uh, you got to show up? Is this show biz? Man?

0:45:40.120 --> 0:45:44.040
<v Speaker 4>If you show up and you're making records, then like, uh,

0:45:44.560 --> 0:45:46.480
<v Speaker 4>there's there's points.

0:45:46.360 --> 0:45:49.400
<v Speaker 1>For that, you know, like the montaue to show up? Okay,

0:45:50.120 --> 0:45:51.120
<v Speaker 1>analog of digital?

0:45:54.440 --> 0:45:58.160
<v Speaker 4>Well, we we run everything through analog before we put

0:45:58.200 --> 0:45:58.800
<v Speaker 4>it on digital.

0:45:59.360 --> 0:46:01.480
<v Speaker 1>To this day, we run it through the tape. Really.

0:46:01.680 --> 0:46:04.040
<v Speaker 4>Yeah, when I make a record, we run it through

0:46:04.080 --> 0:46:05.240
<v Speaker 4>the tape first and then.

0:46:05.360 --> 0:46:08.239
<v Speaker 1>Put it to digital. We say tape you meet real, Yeah,

0:46:08.560 --> 0:46:10.960
<v Speaker 1>get the out of school, Yeah yo, let me make

0:46:11.000 --> 0:46:18.840
<v Speaker 1>some noise. You know. Cartel said that yesterday too on

0:46:18.960 --> 0:46:22.799
<v Speaker 1>the rail Oh ship. Yeah, you can run into tape

0:46:22.920 --> 0:46:25.640
<v Speaker 1>before you put it on digital. Oh man, So there's

0:46:25.640 --> 0:46:27.920
<v Speaker 1>best of both. It just gives it that flavor. That

0:46:28.080 --> 0:46:30.800
<v Speaker 1>home you picked that digital. I'm goinging analog.

0:46:31.840 --> 0:46:32.040
<v Speaker 3>Thank you.

0:46:32.200 --> 0:46:36.839
<v Speaker 2>That's not going all the time. Marvin Gay or Al Green, Marvin, Damn,

0:46:36.880 --> 0:46:37.600
<v Speaker 2>It's easy.

0:46:37.800 --> 0:46:40.840
<v Speaker 1>I was flying through this. I'm just willing to commit.

0:46:41.000 --> 0:46:43.560
<v Speaker 4>You know, I'm gonna make it, even if I like

0:46:43.600 --> 0:46:45.600
<v Speaker 4>I might have second thoughts later, I'm gonna decide, you know,

0:46:48.680 --> 0:46:54.800
<v Speaker 4>Dre or Quincy Jones. Oh, it's like apples and oranges.

0:46:55.360 --> 0:47:01.080
<v Speaker 4>But I'm gonna say Quincy just the range of probably musicianship,

0:47:01.280 --> 0:47:05.480
<v Speaker 4>you know, because you think about Quincy's career. He was

0:47:05.600 --> 0:47:09.759
<v Speaker 4>producing and arranging and composing for Frank Sinatra and Ray

0:47:09.880 --> 0:47:14.719
<v Speaker 4>Charles in the fifties and sixties, and then giving us

0:47:14.800 --> 0:47:19.640
<v Speaker 4>Thriller in the eighties, and to me and everybody else

0:47:19.719 --> 0:47:21.359
<v Speaker 4>and all the R and B artists he produced over

0:47:21.400 --> 0:47:25.840
<v Speaker 4>the years. Nancy Sinatra, he did everything, so just the breadth.

0:47:25.640 --> 0:47:27.920
<v Speaker 1>Of work he was able to do. Yeahgazine, heay, he.

0:47:28.000 --> 0:47:32.960
<v Speaker 3>Produced a fresh Prince of bel air, roots, color purple.

0:47:34.440 --> 0:47:37.480
<v Speaker 1>He just gave us everything. Yeah, thanks one.

0:47:40.360 --> 0:47:45.040
<v Speaker 4>Get lifted or my favorite dream, get lifted. It's a

0:47:45.080 --> 0:47:53.759
<v Speaker 4>good segue. Let's promote get listed. Twenty years so this

0:47:53.880 --> 0:47:56.640
<v Speaker 4>is the twentieth anniversary. It gets listed right now. And

0:47:56.760 --> 0:48:00.120
<v Speaker 4>we just did the luxe edition of the album with

0:48:00.360 --> 0:48:03.360
<v Speaker 4>the original album first, but then a whole extra album,

0:48:03.600 --> 0:48:05.560
<v Speaker 4>the whole I did it all over, Yeah, a whole

0:48:05.560 --> 0:48:08.279
<v Speaker 4>extra album of remixes. So I did The Ordinary People

0:48:08.320 --> 0:48:09.880
<v Speaker 4>with Thames, the APPROB version.

0:48:10.280 --> 0:48:14.200
<v Speaker 3>I did Approb version of Refuge with Semi.

0:48:15.120 --> 0:48:17.200
<v Speaker 4>Both of them are from Nigeria. And then I did

0:48:17.600 --> 0:48:20.080
<v Speaker 4>a couple of hip hop remixes. I did Black Thought

0:48:20.120 --> 0:48:22.680
<v Speaker 4>on used to Love You with ninth Wonder I'm making

0:48:22.719 --> 0:48:27.560
<v Speaker 4>the B and then uh You making the ninth d Yeah,

0:48:27.880 --> 0:48:31.640
<v Speaker 4>and then on Let's Get Lifted Again, I had Killer

0:48:31.719 --> 0:48:35.040
<v Speaker 4>Mike and Lil Wayne each do a verse and uh

0:48:35.320 --> 0:48:38.400
<v Speaker 4>So the remixes are dope, but we have the original

0:48:38.480 --> 0:48:40.600
<v Speaker 4>versions first, and then at the end of the album.

0:48:40.480 --> 0:48:44.640
<v Speaker 1>You can listen to the remixes. M that's fine, m

0:48:44.760 --> 0:48:46.120
<v Speaker 1>J or Prince.

0:48:49.000 --> 0:48:57.160
<v Speaker 3>Childhood. Tell this is a shot A you got four

0:48:57.200 --> 0:48:59.080
<v Speaker 3>shots us to do four times at least.

0:48:59.000 --> 0:49:03.640
<v Speaker 1>I'm gonna say both MJ.

0:49:06.239 --> 0:49:09.400
<v Speaker 2>If I'm just going record for record, like the songs

0:49:09.400 --> 0:49:11.040
<v Speaker 2>that had the most impact in.

0:49:11.080 --> 0:49:16.120
<v Speaker 1>My life, I feel like MJ had more. They say,

0:49:16.200 --> 0:49:23.600
<v Speaker 1>they say MJ is just as famous as Jesus.

0:49:24.680 --> 0:49:28.480
<v Speaker 4>Do you believe that now at his peak, at his peak, yeah,

0:49:28.680 --> 0:49:31.520
<v Speaker 4>I'm sure, yeah, yes, but if you ask a kid now,

0:49:31.680 --> 0:49:35.080
<v Speaker 4>like I don't know, but during that time, he was everything.

0:49:35.200 --> 0:49:39.400
<v Speaker 4>Like the first like merch I ever had was a

0:49:40.440 --> 0:49:42.960
<v Speaker 4>Michael Jackson Thriller folder for school.

0:49:43.760 --> 0:49:48.520
<v Speaker 1>Zipper jacket. Yeah, zip jacket too. You look like you

0:49:48.600 --> 0:49:52.520
<v Speaker 1>had to go. Yeah, so you definitely had.

0:49:52.680 --> 0:49:54.879
<v Speaker 4>I was born in seventy eight, so I was born

0:49:54.920 --> 0:49:57.480
<v Speaker 4>in seventy eight, so my first time going to school

0:49:57.600 --> 0:49:59.480
<v Speaker 4>was like mid eighties, and like.

0:50:00.040 --> 0:50:02.799
<v Speaker 1>That was everything when Thriller, when that video came out.

0:50:03.719 --> 0:50:06.879
<v Speaker 4>My parents were very religious, so Prince they like thought

0:50:06.920 --> 0:50:09.479
<v Speaker 4>Prince was a little too like uh crazy, a little

0:50:09.520 --> 0:50:13.600
<v Speaker 4>too wild he was. Yeah, so he was like forbidden

0:50:13.719 --> 0:50:16.200
<v Speaker 4>through at the house for a while. But MJ, you know,

0:50:16.360 --> 0:50:17.120
<v Speaker 4>we could get away with that.

0:50:17.200 --> 0:50:19.960
<v Speaker 3>That's just great because both of them had very religious families. Yeah,

0:50:20.000 --> 0:50:23.880
<v Speaker 3>and Prince was very religious. Yea, Prince became even more religious.

0:50:24.040 --> 0:50:26.520
<v Speaker 3>I think it was Jehoah's witness. Our Seventh Day venis

0:50:26.920 --> 0:50:31.000
<v Speaker 3>one of Stevie Wonder or Smokey Robinson, Stevie you know.

0:50:31.360 --> 0:50:33.560
<v Speaker 3>Snoop Dogg said that Stevie wants face thoms him.

0:50:35.280 --> 0:50:43.839
<v Speaker 1>Yeah, Steevie facetimes, what's just the one that Georgie Clinton.

0:50:43.920 --> 0:50:46.040
<v Speaker 1>Jorine Clinton said that he saw him across the busy street.

0:50:48.280 --> 0:50:54.440
<v Speaker 3>Everybody's got everybody got Stevie. Give everybody. Everybody's got Stevie's

0:50:54.480 --> 0:50:54.920
<v Speaker 3>not blind.

0:50:55.000 --> 0:50:55.400
<v Speaker 1>Stories.

0:50:56.920 --> 0:51:00.239
<v Speaker 2>Shaq said he seen he seen Stevie getting the elevator, said,

0:51:00.400 --> 0:51:01.480
<v Speaker 2>what's up, Diesel.

0:51:04.640 --> 0:51:09.640
<v Speaker 1>Black. I don't remember that bar, but we need to No, I.

0:51:09.680 --> 0:51:12.800
<v Speaker 3>Mean, everybody's got him. Like, but I went to his studio.

0:51:13.440 --> 0:51:15.880
<v Speaker 2>You've seen him rolling up and he was just walking

0:51:15.960 --> 0:51:18.200
<v Speaker 2>around like like he was seeing everything.

0:51:18.400 --> 0:51:21.520
<v Speaker 1>But it was also his studio, so so like he's

0:51:22.520 --> 0:51:27.000
<v Speaker 1>he's been there a lot. He walking around.

0:51:28.440 --> 0:51:31.640
<v Speaker 3>He's literally blind, but he's actually not one hundred percent

0:51:31.719 --> 0:51:32.719
<v Speaker 3>blind because I don't know.

0:51:33.080 --> 0:51:37.239
<v Speaker 1>I don't know. I never asked. I never had when

0:51:39.480 --> 0:51:40.120
<v Speaker 1>I never asked.

0:51:40.400 --> 0:51:44.160
<v Speaker 3>Because men, the stories are crazy. Stevie family calling him like.

0:51:46.239 --> 0:51:49.040
<v Speaker 2>We spoke about him almost every but he likes to

0:51:49.080 --> 0:51:51.640
<v Speaker 2>make jokes about it too, Like he makes blind jokes

0:51:51.719 --> 0:51:52.239
<v Speaker 2>all the time.

0:51:52.520 --> 0:51:55.200
<v Speaker 1>He has blind jokes all the time. He'll just say

0:51:55.280 --> 0:51:57.440
<v Speaker 1>like yeah, I'll drive over there, I'll see you when

0:51:57.440 --> 0:52:02.520
<v Speaker 1>I like he'll drive over because Oprah board him with

0:52:02.600 --> 0:52:05.280
<v Speaker 1>may back. He said he was gonna I'm dropping exactly.

0:52:05.360 --> 0:52:07.239
<v Speaker 1>He says it all the time, though he'll joke about

0:52:07.239 --> 0:52:07.719
<v Speaker 1>it all the time.

0:52:08.239 --> 0:52:09.680
<v Speaker 2>We would love to have him one, but I've never

0:52:09.800 --> 0:52:14.560
<v Speaker 2>asked him. Stevie, be real with me, are you really blind?

0:52:15.920 --> 0:52:19.279
<v Speaker 1>You're pulling? You know what's crazy. Like most blind people,

0:52:19.360 --> 0:52:21.719
<v Speaker 1>they feel your face to see how you you look.

0:52:21.880 --> 0:52:25.600
<v Speaker 2>I've never seen Steve. Steve touch anybody's face. I've never

0:52:25.640 --> 0:52:28.359
<v Speaker 2>seen I'm just being I love. I mean, you see

0:52:28.520 --> 0:52:30.480
<v Speaker 2>him as a famous person. He's had someone next to

0:52:30.520 --> 0:52:31.399
<v Speaker 2>me like you're about to see.

0:52:31.760 --> 0:52:36.400
<v Speaker 1>Yeah, he's always got somebody next to her. All right.

0:52:37.040 --> 0:52:43.759
<v Speaker 4>If I'm betting, I'm betting he's blind. Okay, okay, Uh,

0:52:44.600 --> 0:52:49.840
<v Speaker 4>Brothers of the Parliament, Isaacs. Just more records that you

0:52:49.880 --> 0:52:50.759
<v Speaker 4>know resonate with me.

0:52:51.400 --> 0:52:54.200
<v Speaker 3>Tony Tony Tony or BBD Tony Tony.

0:52:54.040 --> 0:52:56.320
<v Speaker 1>Tony, same answer, More records that resonate me.

0:52:56.680 --> 0:52:59.080
<v Speaker 3>I mean, I'm I'm close with Raphael too, and he's

0:52:59.080 --> 0:53:00.440
<v Speaker 3>produced a couple of my albums.

0:53:00.520 --> 0:53:01.840
<v Speaker 1>And uh and.

0:53:02.200 --> 0:53:06.239
<v Speaker 4>Raphael sadiqu the you know, lead singer and one of

0:53:06.280 --> 0:53:08.000
<v Speaker 4>the great producers. He's just one Album of the Year

0:53:08.080 --> 0:53:11.160
<v Speaker 4>with with Beyonce for the country album. Uh, he was

0:53:11.280 --> 0:53:12.920
<v Speaker 4>part of that, and he's part of that and part

0:53:12.960 --> 0:53:16.360
<v Speaker 4>of renaissance, and he's a part of everything like that.

0:53:16.480 --> 0:53:22.160
<v Speaker 4>You don't even know, like di'angelo Lady Untitled by di'angelo,

0:53:22.280 --> 0:53:24.040
<v Speaker 4>like some of the great R and B records of

0:53:24.080 --> 0:53:25.160
<v Speaker 4>all time, he's behind.

0:53:25.440 --> 0:53:27.440
<v Speaker 1>And then all those Tony Tony records.

0:53:27.120 --> 0:53:31.640
<v Speaker 2>Are amazing too, great new addition or BBD No, No

0:53:31.840 --> 0:53:36.440
<v Speaker 2>Jackson five, Jackson five, my bad Jackson Fine, Okay, it's

0:53:36.480 --> 0:53:37.320
<v Speaker 2>the guys from Boston.

0:53:37.640 --> 0:53:42.600
<v Speaker 1>He's mad Tony, Tony Tony or BBD. I know we

0:53:42.680 --> 0:53:49.279
<v Speaker 1>did that one. We did that one. Hmm. I'm gonna

0:53:49.280 --> 0:53:53.440
<v Speaker 1>say Rion Alicia is my friend too.

0:53:54.320 --> 0:53:57.239
<v Speaker 4>But as a fan just listening, I probably listened to

0:53:57.360 --> 0:54:01.000
<v Speaker 4>Rihanna Moore and again more records that I'm like in

0:54:01.120 --> 0:54:01.919
<v Speaker 4>love with of hers.

0:54:02.480 --> 0:54:05.640
<v Speaker 3>Yeah, y'all got a couples b something you just swiss

0:54:05.719 --> 0:54:09.200
<v Speaker 3>And no, man, I don't really love both of them. Man,

0:54:09.400 --> 0:54:12.640
<v Speaker 3>I truly love both of them. They're like wonderful people.

0:54:13.360 --> 0:54:15.480
<v Speaker 3>I'm just speaking as like a as a as a

0:54:15.880 --> 0:54:16.799
<v Speaker 3>non biased man.

0:54:17.000 --> 0:54:23.600
<v Speaker 1>And they both drink chancelortle. Oh soul man coming to America. Oh,

0:54:23.680 --> 0:54:26.359
<v Speaker 1>coming to America. This is coming into America too. They

0:54:26.400 --> 0:54:30.040
<v Speaker 1>put yes, oh coming to America too. Wow, so man,

0:54:30.120 --> 0:54:35.120
<v Speaker 1>we'll good it to so man. Both movies.

0:54:35.920 --> 0:54:38.920
<v Speaker 3>Those are both Malcolm Lee movies because you SWI Okay,

0:54:39.040 --> 0:54:43.240
<v Speaker 3>oh shot, that's my guy, Malcolm Lee. He just texted

0:54:43.280 --> 0:54:43.719
<v Speaker 3>me this week.

0:54:46.080 --> 0:54:48.280
<v Speaker 1>All right. This last question they get back in the interviews,

0:54:49.600 --> 0:54:54.160
<v Speaker 1>loyalty or respect? Mm hmm.

0:54:55.239 --> 0:55:05.360
<v Speaker 4>I'm gonna say that's a good question, m respect. And

0:55:05.480 --> 0:55:09.759
<v Speaker 4>the reason why I will say I think I think

0:55:09.840 --> 0:55:14.400
<v Speaker 4>we should want respect more than we want loyalty from people,

0:55:14.680 --> 0:55:20.600
<v Speaker 4>just because, first of all, respect will come with loyalty anyway, but.

0:55:23.440 --> 0:55:24.040
<v Speaker 1>I want.

0:55:26.360 --> 0:55:30.320
<v Speaker 4>Sometimes loyalty can bleed over into being blind loyalty and

0:55:33.200 --> 0:55:35.920
<v Speaker 4>people not telling you what you don't want to hear, etcetera, etcetera.

0:55:36.080 --> 0:55:41.240
<v Speaker 4>So like yes, man, yeah, so I would rather have respect. Okay,

0:55:42.520 --> 0:55:48.279
<v Speaker 4>this makes noise for that, John Legend. I'm gonna tell

0:55:48.280 --> 0:55:50.279
<v Speaker 4>you something. I'm not sure if anybody ever told you this.

0:55:52.160 --> 0:55:53.360
<v Speaker 4>I think you should run for president.

0:55:54.800 --> 0:55:57.360
<v Speaker 1>No, someone has told me that before a few times,

0:55:57.440 --> 0:56:03.520
<v Speaker 1>but I don't think I have put coporations. Look you, honestly,

0:56:03.600 --> 0:56:04.680
<v Speaker 1>I love California.

0:56:04.760 --> 0:56:08.640
<v Speaker 4>I love being involved in everything, and I'll stay involved,

0:56:08.719 --> 0:56:12.280
<v Speaker 4>but I just feel like I would not enjoy running

0:56:12.400 --> 0:56:15.920
<v Speaker 4>for it or being at Let's let's say you.

0:56:17.440 --> 0:56:20.080
<v Speaker 2>Let's just say you you did like you woke up

0:56:20.120 --> 0:56:25.000
<v Speaker 2>the next day tomorrow and I'm tomorrow, I'm gona run

0:56:25.040 --> 0:56:27.520
<v Speaker 2>for president. Who would be your vice president?

0:56:27.520 --> 0:56:28.880
<v Speaker 1>Who would you? I don't know?

0:56:32.560 --> 0:56:33.200
<v Speaker 3>She got real?

0:56:37.000 --> 0:56:38.480
<v Speaker 1>So seriously, who who? Who you pick?

0:56:38.640 --> 0:56:39.719
<v Speaker 3>Who? Right now?

0:56:39.760 --> 0:56:43.960
<v Speaker 2>Like tomorrow, I don't know now, I don't know loaded

0:56:44.360 --> 0:56:49.239
<v Speaker 2>would it be dope if you was to pick Barack? Yo?

0:56:49.400 --> 0:56:55.440
<v Speaker 1>I just feel like backs my man pronounced it, Barack

0:56:55.520 --> 0:57:00.479
<v Speaker 1>Obama Obama? Sure would that would that'd be crazy? John

0:57:00.560 --> 0:57:02.680
<v Speaker 1>legend run of a fucking president?

0:57:02.920 --> 0:57:03.120
<v Speaker 3>Yeah?

0:57:03.239 --> 0:57:05.480
<v Speaker 2>And Borack come out he quit walking or something like.

0:57:05.520 --> 0:57:06.759
<v Speaker 2>You know what I'm saying, like he do something like

0:57:07.160 --> 0:57:07.759
<v Speaker 2>coming out to be.

0:57:10.920 --> 0:57:12.400
<v Speaker 1>You know, I'm not bad. You know, I'm going over

0:57:12.440 --> 0:57:19.919
<v Speaker 1>to place. I'm excited. I'm excited. Lexic kids, Who would

0:57:19.920 --> 0:57:23.120
<v Speaker 1>you pick? Who would you pick? You know?

0:57:24.280 --> 0:57:27.160
<v Speaker 4>I feel like it shouldn't be a celebrity, No, no, no, whatever.

0:57:27.360 --> 0:57:29.640
<v Speaker 4>If it's going to be me, it shouldn't be a

0:57:29.720 --> 0:57:32.440
<v Speaker 4>celebrity that it should be a politician. Yeah, that may

0:57:32.480 --> 0:57:35.640
<v Speaker 4>be so so let's get wild. Let's George Clinton or somebody.

0:57:37.840 --> 0:57:41.200
<v Speaker 1>I'm just just your choice. I'm sorry.

0:57:41.520 --> 0:57:50.680
<v Speaker 3>Uh, Kerrie Washington, she's an actor, okay, yeah, playing president

0:57:50.800 --> 0:57:51.880
<v Speaker 3>she was a scandal.

0:57:51.960 --> 0:57:55.040
<v Speaker 1>She was a scandal. Okay. Well the thing about Carrie

0:57:55.400 --> 0:57:56.200
<v Speaker 1>is I've seen her.

0:57:56.280 --> 0:58:00.200
<v Speaker 4>Behind the scenes and she's like really politically aware, and

0:58:00.280 --> 0:58:04.960
<v Speaker 4>she's really great at organizing and motivating people, and she

0:58:05.040 --> 0:58:07.720
<v Speaker 4>would be amazing and she's a great communicator.

0:58:07.800 --> 0:58:11.480
<v Speaker 1>Okay, I thought that through. You can give him. I'm

0:58:11.520 --> 0:58:13.840
<v Speaker 1>thinking for I think he's gonna pick for real. You

0:58:13.880 --> 0:58:15.360
<v Speaker 1>wanted to make the best beats for the way out?

0:58:19.600 --> 0:58:24.480
<v Speaker 2>This should be being wrong, yes, okay, all right, twenty nineteen.

0:58:25.320 --> 0:58:26.600
<v Speaker 2>How many haters did you get?

0:58:26.760 --> 0:58:32.680
<v Speaker 1>Of course of this cover? So many see now this

0:58:32.880 --> 0:58:33.400
<v Speaker 1>is this is.

0:58:33.440 --> 0:58:37.240
<v Speaker 4>When if I was on Twitter. I was on Twitter

0:58:37.360 --> 0:58:40.800
<v Speaker 4>back then, and I made an intentional choice to not

0:58:41.280 --> 0:58:41.959
<v Speaker 4>check my Twitter.

0:58:42.080 --> 0:58:44.160
<v Speaker 1>It wasn't on black Twitter when this game. I did

0:58:44.240 --> 0:58:47.760
<v Speaker 1>not check my Twitter when that cover came out. It

0:58:47.840 --> 0:58:49.680
<v Speaker 1>was gonna be because I knew it's not gonna be

0:58:49.800 --> 0:58:54.400
<v Speaker 1>nice because there's no win situation for you.

0:58:54.520 --> 0:58:57.000
<v Speaker 3>Becuzin some people are like, hey, great, but most people

0:58:57.040 --> 0:58:58.400
<v Speaker 3>are gonna be like fuck him.

0:58:58.480 --> 0:59:01.120
<v Speaker 4>Somebody else should have won. And then and then they

0:59:01.240 --> 0:59:04.080
<v Speaker 4>let all the other people that should have won. So

0:59:04.080 --> 0:59:05.120
<v Speaker 4>I'm like, fuck, y'all, I'm not.

0:59:05.200 --> 0:59:10.000
<v Speaker 1>Reading your tweets, but how did they call you for

0:59:10.120 --> 0:59:10.640
<v Speaker 1>this couple?

0:59:11.120 --> 0:59:15.120
<v Speaker 3>My publicist called me and they're they're like, we got

0:59:15.200 --> 0:59:15.760
<v Speaker 3>big news.

0:59:16.160 --> 0:59:18.960
<v Speaker 2>John, Let's take a shot for you. That's not a

0:59:19.040 --> 0:59:21.360
<v Speaker 2>part of the show. I was just taking a shot

0:59:22.120 --> 0:59:23.600
<v Speaker 2>the sexiest man alive.

0:59:24.320 --> 0:59:25.400
<v Speaker 1>Jesus Holy Ship.

0:59:26.200 --> 0:59:28.960
<v Speaker 4>They said we got big news, and I was like really,

0:59:30.800 --> 0:59:33.800
<v Speaker 4>And I was already thinking like, oh man, I'm gonna

0:59:33.800 --> 0:59:34.640
<v Speaker 4>get so much ship for this.

0:59:35.200 --> 0:59:37.440
<v Speaker 1>But I was like, all right, let's do it. And

0:59:37.560 --> 0:59:39.240
<v Speaker 1>so then they set up the photo shoot. They did

0:59:39.280 --> 0:59:39.680
<v Speaker 1>the whole thing.

0:59:40.160 --> 0:59:42.320
<v Speaker 2>Did that at our house, and you know you did

0:59:42.360 --> 0:59:44.720
<v Speaker 2>the photo shoot. Yeah, the help come to me. Did

0:59:44.760 --> 0:59:47.480
<v Speaker 2>you charge you for that? We usually do charge like

0:59:47.520 --> 0:59:58.720
<v Speaker 2>a location field. Goddamn, you gotta double it. We gotta

0:59:58.760 --> 1:00:01.160
<v Speaker 2>talk about EGOT. Yeah, all right, listen, I'm gonna be

1:00:01.160 --> 1:00:04.720
<v Speaker 2>honest with you. You're probably the only EGOT Award winner

1:00:04.880 --> 1:00:06.479
<v Speaker 2>I'm ever gonna meet, not life.

1:00:07.040 --> 1:00:10.280
<v Speaker 1>Well, you could meet Jennifer Hudson. You can bet Jennifer

1:00:10.640 --> 1:00:13.000
<v Speaker 1>she is now. She might not have been when you

1:00:13.120 --> 1:00:14.680
<v Speaker 1>met definitely.

1:00:14.360 --> 1:00:19.480
<v Speaker 4>The first here on Drink Champs, and then whoopee Whoopy

1:00:19.560 --> 1:00:21.080
<v Speaker 4>was the first black person to become a EG.

1:00:21.280 --> 1:00:21.880
<v Speaker 1>I was the second.

1:00:21.960 --> 1:00:24.560
<v Speaker 4>I was the first black man, and then Jay Hudd

1:00:24.720 --> 1:00:26.560
<v Speaker 4>and now Viola also is.

1:00:26.520 --> 1:00:30.000
<v Speaker 1>An E guy Davis, Yes, okay, so all right, let's

1:00:30.000 --> 1:00:30.960
<v Speaker 1>explain to mother fuckers.

1:00:31.520 --> 1:00:43.760
<v Speaker 2>So he got it's an Emmy, a Grammy, yeah, Oscar? Yeah,

1:00:44.840 --> 1:00:45.920
<v Speaker 2>and I forgot what the last one?

1:00:48.360 --> 1:00:48.640
<v Speaker 1>Tony?

1:00:48.680 --> 1:00:49.040
<v Speaker 3>Did you say?

1:00:49.960 --> 1:00:59.919
<v Speaker 1>What is? That's Broadway? Broadway, That's what we produced, were

1:01:00.320 --> 1:01:00.640
<v Speaker 1>to play.

1:01:01.440 --> 1:01:05.120
<v Speaker 4>We produced a play called Jitney and it won a Tony, and.

1:01:05.200 --> 1:01:06.240
<v Speaker 1>So that's my tea.

1:01:08.000 --> 1:01:14.640
<v Speaker 3>That's awesome, man, congratulations, So which one did you get?

1:01:14.680 --> 1:01:16.160
<v Speaker 1>First? The Grammys?

1:01:16.320 --> 1:01:20.240
<v Speaker 4>So my first Grammys were three Grammys for my debut

1:01:20.280 --> 1:01:22.960
<v Speaker 4>album Get Lifted twenty year anniversary this year, goddamn.

1:01:24.280 --> 1:01:25.600
<v Speaker 1>Oh.

1:01:26.320 --> 1:01:29.040
<v Speaker 4>So I won Best New Artist, Best R and B Album,

1:01:29.280 --> 1:01:31.560
<v Speaker 4>and Best R and B Male Vocal Performance for that

1:01:31.760 --> 1:01:35.600
<v Speaker 4>album and for Ordinary People. And then since then I've

1:01:35.600 --> 1:01:42.360
<v Speaker 4>won thirteen Grammys. Thirteen and then I won an Oscar

1:01:42.520 --> 1:01:44.240
<v Speaker 4>for Glory with Common.

1:01:44.880 --> 1:01:47.160
<v Speaker 1>We wrote that for Selma, and then.

1:01:48.120 --> 1:01:52.400
<v Speaker 4>After that I won the Tony for Jitney, which is

1:01:52.440 --> 1:01:54.480
<v Speaker 4>a play written by August Wilson, and we produced a

1:01:54.600 --> 1:01:57.280
<v Speaker 4>revival of it and we won Best Revival on Broadway

1:01:57.720 --> 1:02:03.360
<v Speaker 4>and then only needed the Emmy, and NBC called me

1:02:03.440 --> 1:02:06.000
<v Speaker 4>up and asked me to start as Jesus Christ in

1:02:06.200 --> 1:02:11.080
<v Speaker 4>Jesus Christ Superstar Live production that they did for NBC and.

1:02:12.840 --> 1:02:13.280
<v Speaker 1>That play.

1:02:13.440 --> 1:02:16.600
<v Speaker 4>That musical was written by Andrew, Lloyd Weber and Tim

1:02:16.760 --> 1:02:19.560
<v Speaker 4>Rice and they all three of us only needed an

1:02:19.600 --> 1:02:24.480
<v Speaker 4>Emmy to get the egot, and we all wanted at

1:02:24.520 --> 1:02:25.200
<v Speaker 4>the same time.

1:02:26.080 --> 1:02:27.920
<v Speaker 1>When we won Best Live Music.

1:02:30.840 --> 1:02:32.560
<v Speaker 3>Is there a point where you're getting closer, You're like,

1:02:32.800 --> 1:02:35.200
<v Speaker 3>now you're shooting for You're like this.

1:02:35.520 --> 1:02:37.560
<v Speaker 4>My team knew that all I needed was an Emmy,

1:02:37.640 --> 1:02:40.280
<v Speaker 4>and they're like, and I have a production company and

1:02:40.320 --> 1:02:42.680
<v Speaker 4>we produced TV and film, so like, if anything we

1:02:42.800 --> 1:02:45.200
<v Speaker 4>produced would get an Emmy, then I would have an egot.

1:02:45.240 --> 1:02:46.880
<v Speaker 4>So they're like, man, we're gonna get you this egot.

1:02:47.120 --> 1:02:50.880
<v Speaker 3>So so we produced Jesus Christ Superstar Live.

1:02:50.760 --> 1:02:51.520
<v Speaker 1>And it won the Emmy.

1:02:51.640 --> 1:02:54.000
<v Speaker 2>So yeah, well, I'm gonna tall you well for first

1:02:54.040 --> 1:02:56.840
<v Speaker 2>of us to make some noise for that. Well, I'm

1:02:56.840 --> 1:02:59.960
<v Speaker 2>gonna tell you something. Uh, you know, I'm an artist first,

1:03:01.040 --> 1:03:04.120
<v Speaker 2>and I believe in I'm pro artist, super pro artist.

1:03:04.280 --> 1:03:07.480
<v Speaker 1>Right, So we've been doing this nine years, nine years,

1:03:07.960 --> 1:03:09.040
<v Speaker 1>eight years, nine years.

1:03:09.560 --> 1:03:13.880
<v Speaker 2>I was like nine years, nine years, right, and due

1:03:13.920 --> 1:03:17.400
<v Speaker 2>these nine years, no one has ever sent us a writer.

1:03:18.880 --> 1:03:22.320
<v Speaker 1>You are the only one who's sitting there. I was

1:03:22.560 --> 1:03:28.920
<v Speaker 1>so happy the artist in me. I was like, he

1:03:29.200 --> 1:03:33.280
<v Speaker 1>has to send us a writer. It's funny because I

1:03:33.280 --> 1:03:34.880
<v Speaker 1>haven't even been to the dressing room, so I don't

1:03:34.880 --> 1:03:39.120
<v Speaker 1>even know if I have a rider. I was.

1:03:40.960 --> 1:03:44.400
<v Speaker 2>The artist in me because I cool, this is this

1:03:44.440 --> 1:03:46.880
<v Speaker 2>is one thing, right, And I lost money on you too.

1:03:47.240 --> 1:03:49.720
<v Speaker 1>I bet he was gonna be on time. We always bet.

1:03:49.960 --> 1:03:50.120
<v Speaker 3>This is.

1:03:50.240 --> 1:03:53.200
<v Speaker 1>This is how I was there two oh nine, No, no,

1:03:53.320 --> 1:03:56.240
<v Speaker 1>you said too, or nine you came here two and sixteen? Yes,

1:03:56.360 --> 1:03:56.920
<v Speaker 1>I lost.

1:03:58.800 --> 1:04:03.280
<v Speaker 2>Literally bet and I I bet my mind. I was like, no, miss,

1:04:03.600 --> 1:04:05.680
<v Speaker 2>I'll called you miss the legend. I was like, the

1:04:05.800 --> 1:04:07.600
<v Speaker 2>legend will be on time, and he's gonna be on

1:04:16.000 --> 1:04:20.480
<v Speaker 2>But holy molyam those were saying before saying that he

1:04:20.600 --> 1:04:20.880
<v Speaker 2>was late.

1:04:21.760 --> 1:04:24.240
<v Speaker 1>The writer, the writer that ship touched me.

1:04:24.720 --> 1:04:26.840
<v Speaker 4>I was a writer because we got like small riders

1:04:26.880 --> 1:04:29.880
<v Speaker 4>and then big specifically purple grapes in there that.

1:04:32.680 --> 1:04:41.080
<v Speaker 1>I like, I like, I love that we just have

1:04:41.240 --> 1:04:41.400
<v Speaker 1>like that.

1:04:41.640 --> 1:04:44.200
<v Speaker 4>We have like the streamlined version and then I got

1:04:44.240 --> 1:04:46.120
<v Speaker 4>the full version for the show and everything.

1:04:46.720 --> 1:04:49.560
<v Speaker 1>So let me tell you, I apologize, I love it.

1:04:49.920 --> 1:04:53.760
<v Speaker 1>Do not apologize. That is dope. Your team is dope.

1:04:55.200 --> 1:04:59.000
<v Speaker 1>Let me let me just tell you something. Sorry. I

1:04:59.160 --> 1:04:59.920
<v Speaker 1>was going to go to.

1:05:01.920 --> 1:05:05.920
<v Speaker 2>I was on tour in Japan, right and every city

1:05:06.000 --> 1:05:07.880
<v Speaker 2>that I went to, the promoter was like, he just

1:05:07.960 --> 1:05:10.720
<v Speaker 2>kept hugging me because my writer was just like Hennessy

1:05:10.840 --> 1:05:11.080
<v Speaker 2>at the.

1:05:11.120 --> 1:05:15.200
<v Speaker 1>Time, blunt and maybe kid like I had. I had

1:05:15.240 --> 1:05:16.960
<v Speaker 1>no fruit, I had no water.

1:05:17.040 --> 1:05:18.840
<v Speaker 2>And he was And I said to him, I had

1:05:18.880 --> 1:05:20.480
<v Speaker 2>like a twenty four city tour with him, So I

1:05:20.560 --> 1:05:22.480
<v Speaker 2>was like, Yo, why do you keep hugging me every

1:05:22.560 --> 1:05:24.440
<v Speaker 2>time that I go in the dressing room?

1:05:24.520 --> 1:05:26.440
<v Speaker 1>He was like, because I just had l L.

1:05:28.120 --> 1:05:32.160
<v Speaker 2>Do you imagine what l El's writer was in Japan?

1:05:32.520 --> 1:05:36.960
<v Speaker 2>He wanted green apples. I don't even think green apples

1:05:37.040 --> 1:05:38.280
<v Speaker 2>go past He's ghost.

1:05:38.360 --> 1:05:40.720
<v Speaker 1>So he was just happy. How he was just happy,

1:05:40.800 --> 1:05:44.520
<v Speaker 1>how simple you're I was? And I didn't so this

1:05:44.680 --> 1:05:48.560
<v Speaker 1>whole nine years. You know, he's Hollywood. You know I

1:05:48.720 --> 1:05:50.680
<v Speaker 1>believe only one of yell skittles.

1:05:51.600 --> 1:05:54.640
<v Speaker 3>He wanted to open up everything that was all violator

1:05:55.080 --> 1:05:57.680
<v Speaker 3>old bout of the end. I booked you out here

1:05:57.760 --> 1:05:59.520
<v Speaker 3>for the first time and I got your writer.

1:06:00.080 --> 1:06:00.520
<v Speaker 1>It was crazy.

1:06:00.560 --> 1:06:04.080
<v Speaker 3>You had like to two palettes of snapples or something

1:06:04.520 --> 1:06:08.480
<v Speaker 3>crazy like gon ship.

1:06:08.600 --> 1:06:11.440
<v Speaker 2>Dude, By the way, do you make your own writer?

1:06:11.520 --> 1:06:14.240
<v Speaker 2>Because I don't make my writer. I have input.

1:06:14.360 --> 1:06:19.919
<v Speaker 4>Yeah, okay, I'll like like when I don't like where

1:06:20.000 --> 1:06:22.400
<v Speaker 4>we are with it, like because maybe like I wanted

1:06:22.440 --> 1:06:24.360
<v Speaker 4>this two years ago, but I want it now, then I'll.

1:06:24.280 --> 1:06:26.080
<v Speaker 1>Go back and go through it and edit it.

1:06:26.440 --> 1:06:28.000
<v Speaker 4>So the last tour we went on, I went through

1:06:28.040 --> 1:06:30.840
<v Speaker 4>and edited it and I haven't had to say anything

1:06:30.920 --> 1:06:31.320
<v Speaker 4>since then.

1:06:31.760 --> 1:06:33.720
<v Speaker 2>You know what should have We should do a documentary

1:06:34.800 --> 1:06:39.000
<v Speaker 2>music people ride us? Yeah, because different people like different ship.

1:06:39.320 --> 1:06:42.560
<v Speaker 3>They revolt, they they listen to my writer. Unfortunately, when

1:06:42.560 --> 1:06:43.880
<v Speaker 3>I got the what's the drink?

1:06:43.920 --> 1:06:48.360
<v Speaker 1>I got you're drinking fireball? This is like a frat boy.

1:06:54.600 --> 1:06:54.760
<v Speaker 3>To me.

1:06:54.960 --> 1:06:59.080
<v Speaker 1>Here's your writer, oh ship? I went on from there.

1:07:00.160 --> 1:07:02.520
<v Speaker 2>By the way, I'm sorry to switch the subjects up,

1:07:02.760 --> 1:07:05.000
<v Speaker 2>but if if, if God came to you right now,

1:07:05.880 --> 1:07:08.480
<v Speaker 2>and God says John Legend, I need you to make

1:07:08.600 --> 1:07:12.760
<v Speaker 2>one record to save humanity, and you got one feature

1:07:13.720 --> 1:07:20.440
<v Speaker 2>and you got one producer dead or alive, the feature

1:07:20.680 --> 1:07:22.160
<v Speaker 2>and the producer dead or live.

1:07:22.280 --> 1:07:23.160
<v Speaker 1>You got one record.

1:07:23.320 --> 1:07:25.720
<v Speaker 2>This record that you make John Legend is going to

1:07:25.800 --> 1:07:28.720
<v Speaker 2>save humanity and put people on motherfucking.

1:07:28.240 --> 1:07:33.880
<v Speaker 1>Mars to live. Yeah. Yeah. He said, you don't want

1:07:33.880 --> 1:07:39.200
<v Speaker 1>to work with Elon Mark. I don't believe nobody. I

1:07:39.320 --> 1:07:41.800
<v Speaker 1>haven't worked with that. I love that. I shouted out

1:07:41.840 --> 1:07:43.240
<v Speaker 1>today Timberland.

1:07:44.240 --> 1:07:47.760
<v Speaker 2>Tim, you can have a feature if you want, dad

1:07:48.040 --> 1:07:50.959
<v Speaker 2>or live. We're talking like a singer or a rapper,

1:07:51.240 --> 1:07:51.960
<v Speaker 2>whatever you want.

1:07:52.160 --> 1:07:55.000
<v Speaker 3>This is John Legend, world's doing with a banjo.

1:07:56.000 --> 1:07:59.800
<v Speaker 4>Uh, let's do Tim tim Bow and hove. I was

1:07:59.880 --> 1:08:01.600
<v Speaker 4>just listening to Dirt off your shoulder in the car.

1:08:02.880 --> 1:08:08.440
<v Speaker 1>Crazy record. Yeah nasty. I just saw a video of

1:08:08.840 --> 1:08:12.840
<v Speaker 1>the first moment he showed whole that Tim eat the banana.

1:08:12.920 --> 1:08:20.720
<v Speaker 1>It was awkward, but it was it was banana in

1:08:20.800 --> 1:08:26.840
<v Speaker 1>his mouth. He just held it. What do you like more,

1:08:26.960 --> 1:08:35.479
<v Speaker 1>performing or making the record? I like to make the record, man, hmm.

1:08:35.640 --> 1:08:36.280
<v Speaker 1>I love both.

1:08:37.640 --> 1:08:43.479
<v Speaker 4>I'm gonna say my favorite part is writing writing. Yes,

1:08:43.920 --> 1:08:46.559
<v Speaker 4>for other people, writing for myself, but I.

1:08:46.600 --> 1:08:47.559
<v Speaker 1>Mean for other people too.

1:08:47.600 --> 1:08:52.439
<v Speaker 3>But I love starting with nothing and ending the day

1:08:52.520 --> 1:08:54.320
<v Speaker 3>with something new that could change my life.

1:08:54.400 --> 1:08:55.320
<v Speaker 1>That that's a.

1:08:55.320 --> 1:09:00.160
<v Speaker 4>Special It's like, Hey, that didn't exist before today and

1:09:00.240 --> 1:09:03.040
<v Speaker 4>we made it, and it's amazing. You always think it's

1:09:03.040 --> 1:09:05.759
<v Speaker 4>amazing for the first day, and it's not always amazing,

1:09:06.000 --> 1:09:10.840
<v Speaker 4>but that feeling, there's nothing like him. Right, Okay, let's

1:09:10.880 --> 1:09:12.960
<v Speaker 4>take it back to the beginning. How did we start.

1:09:13.840 --> 1:09:16.120
<v Speaker 4>So I grew up in Ohio. Grew up in a

1:09:16.760 --> 1:09:21.880
<v Speaker 4>small city called Springfield. And uh my family is very

1:09:22.000 --> 1:09:25.320
<v Speaker 4>next with Dave Chappelle and that right, So if he

1:09:25.520 --> 1:09:26.400
<v Speaker 4>was on SNL, he was.

1:09:26.400 --> 1:09:29.760
<v Speaker 1>Talking about my hometown the other day because.

1:09:29.640 --> 1:09:32.920
<v Speaker 4>The whole eating Yeah, the Haitians are there and and

1:09:33.280 --> 1:09:36.360
<v Speaker 4>uh so Trump was making up shit about them on.

1:09:36.680 --> 1:09:38.400
<v Speaker 1>On the debate stage.

1:09:38.720 --> 1:09:40.320
<v Speaker 4>But that was my city. That's where I grew up.

1:09:40.720 --> 1:09:43.360
<v Speaker 4>So I grew up in Springfield, Ohio. My family is

1:09:43.439 --> 1:09:46.839
<v Speaker 4>very involved in the church. So my grandpa was the pastor,

1:09:47.040 --> 1:09:50.879
<v Speaker 4>my grandmother was the organist, my mom was the choir director.

1:09:51.200 --> 1:09:53.519
<v Speaker 4>So I just grew up around people who made gospel

1:09:53.600 --> 1:09:57.200
<v Speaker 4>music all the time. And so I piano at the house,

1:09:57.320 --> 1:10:00.120
<v Speaker 4>drums at the house, and before the piano hit for

1:10:00.240 --> 1:10:05.320
<v Speaker 4>you all right, yeah, but yeah, I just grew up

1:10:05.320 --> 1:10:08.519
<v Speaker 4>around music all the time, especially in church, and I

1:10:08.560 --> 1:10:11.760
<v Speaker 4>always loved it. I always wanted to sing, just grew

1:10:11.840 --> 1:10:14.200
<v Speaker 4>up around people who loved it too, and they encouraged me.

1:10:14.280 --> 1:10:17.599
<v Speaker 4>I took piano lessons when I was four, started singing.

1:10:17.400 --> 1:10:20.320
<v Speaker 1>In church choir when I was seven, and you know,

1:10:20.400 --> 1:10:22.920
<v Speaker 1>it's been my life. God damn it, you love it.

1:10:23.160 --> 1:10:23.640
<v Speaker 1>I love it.

1:10:24.000 --> 1:10:27.120
<v Speaker 3>But you said, you said you're celebrating your debut album,

1:10:27.160 --> 1:10:30.559
<v Speaker 3>but you had music that you had albums before this independently, all.

1:10:30.680 --> 1:10:32.559
<v Speaker 1>Independent albums, A couple of them.

1:10:33.040 --> 1:10:35.320
<v Speaker 4>They basically were like demos that I was, you know,

1:10:35.680 --> 1:10:38.240
<v Speaker 4>trying to get signed with, but I was also selling

1:10:38.240 --> 1:10:39.720
<v Speaker 4>them at my shows, so I would play.

1:10:39.800 --> 1:10:41.679
<v Speaker 1>I was living in New York, and I was working

1:10:41.960 --> 1:10:42.160
<v Speaker 1>in the.

1:10:42.240 --> 1:10:45.559
<v Speaker 3>Daytime as a consultant, so like this very like white

1:10:45.640 --> 1:10:47.640
<v Speaker 3>collar job in.

1:10:47.680 --> 1:10:49.240
<v Speaker 1>The business world, corporate world.

1:10:49.560 --> 1:10:51.479
<v Speaker 4>But at night I was trying to get signed, and

1:10:51.520 --> 1:10:53.320
<v Speaker 4>I would play gigs around New York, so I would

1:10:53.320 --> 1:10:57.000
<v Speaker 4>sell my little demos at the shows. And so that

1:10:57.280 --> 1:10:59.559
<v Speaker 4>I graduated college in ninety nine, moved to New York

1:10:59.600 --> 1:11:02.760
<v Speaker 4>in two, and I got signed in four and Get

1:11:02.840 --> 1:11:05.400
<v Speaker 4>Lifted came out four, So I had like those four

1:11:05.520 --> 1:11:08.040
<v Speaker 4>or five years out of school where I was just

1:11:08.120 --> 1:11:09.960
<v Speaker 4>trying to get signed, but also working.

1:11:09.800 --> 1:11:11.720
<v Speaker 1>A day job. That's when I met Ya.

1:11:11.960 --> 1:11:14.600
<v Speaker 4>That's when I met a lot of the people that

1:11:14.720 --> 1:11:17.599
<v Speaker 4>I wrote the first album with was during that time.

1:11:17.920 --> 1:11:19.920
<v Speaker 2>Okay, we're gonna get back to that. But is this

1:11:20.200 --> 1:11:23.360
<v Speaker 2>true that you have to eat a rotesttery chicken meal

1:11:23.439 --> 1:11:24.200
<v Speaker 2>before every.

1:11:24.200 --> 1:11:26.599
<v Speaker 4>That's in my show writer, that wasn't in this right,

1:11:29.640 --> 1:11:33.160
<v Speaker 4>that's in my constant. I don't need the whole chicken,

1:11:33.200 --> 1:11:34.320
<v Speaker 4>but I ordered half a chicken.

1:11:34.400 --> 1:11:35.559
<v Speaker 1>Okay, why.

1:11:36.320 --> 1:11:40.960
<v Speaker 3>I just like the feel of it. Boston Market. It's

1:11:41.000 --> 1:11:45.479
<v Speaker 3>Boston Market. The market, yeah, okay, Boston Market too. Was

1:11:45.520 --> 1:11:48.160
<v Speaker 3>it called Boston Boston Market used to be called Boston Chicken.

1:11:49.200 --> 1:11:51.639
<v Speaker 4>It started as Boston Chicken, then it became Boston Market

1:11:51.680 --> 1:11:52.200
<v Speaker 4>because that's.

1:11:52.280 --> 1:11:54.000
<v Speaker 1>That's how the chicken. I've been to Boston. I've never

1:11:54.040 --> 1:11:55.040
<v Speaker 1>seen that chicken in Boston.

1:11:56.400 --> 1:11:59.400
<v Speaker 2>I'm just asking, like anybody else has That's a good question,

1:12:00.160 --> 1:12:02.840
<v Speaker 2>like I've never seen that chicken start in Boston. That

1:12:02.960 --> 1:12:05.559
<v Speaker 2>sounds from that's the reason why. But have you ever

1:12:05.680 --> 1:12:07.639
<v Speaker 2>had that Boston Market chicken in Boston?

1:12:08.880 --> 1:12:14.880
<v Speaker 1>Ok? I love the market. He's serious about it, so

1:12:15.000 --> 1:12:19.080
<v Speaker 1>we established you don't get mad. I'm very very mellow guy.

1:12:19.200 --> 1:12:23.960
<v Speaker 1>It's rarely do I lose my cool. I got to

1:12:23.960 --> 1:12:24.840
<v Speaker 1>ask you this straight up.

1:12:26.280 --> 1:12:29.160
<v Speaker 2>We had Kanye on this app on it I saw

1:12:29.520 --> 1:12:33.760
<v Speaker 2>and we had two different we had two different different episodes. Yes,

1:12:34.000 --> 1:12:37.200
<v Speaker 2>and this is this is your according to your words,

1:12:37.720 --> 1:12:40.080
<v Speaker 2>as you're saying, this is like your mentor somebody that

1:12:40.160 --> 1:12:42.800
<v Speaker 2>you looked up, somebody that puts you on. We made

1:12:43.680 --> 1:12:46.360
<v Speaker 2>a lot of great music together, and we came we

1:12:46.479 --> 1:12:47.400
<v Speaker 2>came up together.

1:12:47.560 --> 1:12:54.040
<v Speaker 1>Right, Sometimes does it disturb you, Oh, how did you feel?

1:12:54.160 --> 1:12:54.200
<v Speaker 3>Like?

1:12:55.160 --> 1:12:59.120
<v Speaker 1>Oh? Absolutely disturbs me some of the things he says.

1:12:59.560 --> 1:13:02.800
<v Speaker 3>And and I'm not as just serve for me because

1:13:02.840 --> 1:13:04.000
<v Speaker 3>what he said about me, I think.

1:13:04.960 --> 1:13:08.720
<v Speaker 4>I'm like, obviously it was a good thing for him

1:13:08.800 --> 1:13:11.519
<v Speaker 4>and for me that he signed me. I wasn't worried

1:13:11.560 --> 1:13:14.040
<v Speaker 4>about the literal words that he said. I didn't take

1:13:14.080 --> 1:13:16.160
<v Speaker 4>it personally. But I just feel like a lot of

1:13:16.200 --> 1:13:20.000
<v Speaker 4>times he seems to be going through ship and and

1:13:21.080 --> 1:13:22.640
<v Speaker 4>every once in a while we'll get, you.

1:13:22.680 --> 1:13:27.719
<v Speaker 3>Know, these flurries of outbursts from him, and it's sad.

1:13:27.800 --> 1:13:27.920
<v Speaker 1>Man.

1:13:28.160 --> 1:13:30.040
<v Speaker 2>I don't love seeing it. Man, I don't love seeing

1:13:30.040 --> 1:13:33.280
<v Speaker 2>it for him because you know him, like, yeah, like

1:13:33.640 --> 1:13:36.880
<v Speaker 2>these people to most people, and I don't want to

1:13:37.000 --> 1:13:40.000
<v Speaker 2>stay on this. I'll get you know, you know, well

1:13:40.439 --> 1:13:42.280
<v Speaker 2>most people it's entertainment.

1:13:41.960 --> 1:13:44.479
<v Speaker 4>Right, yeah, And it's like, but that's your that's your brother,

1:13:44.640 --> 1:13:47.479
<v Speaker 4>and it is outrageous, and sometimes it's funny, like and

1:13:47.600 --> 1:13:49.360
<v Speaker 4>some of my friends will like, you know, text me

1:13:49.520 --> 1:13:52.720
<v Speaker 4>hear what Kanye said. Yeah, I'm like yeah, but like

1:13:52.800 --> 1:13:55.200
<v Speaker 4>part of it's sad, you know, it's sad seeing it.

1:13:55.560 --> 1:14:00.800
<v Speaker 4>And I still look at him as one of the

1:14:00.880 --> 1:14:03.960
<v Speaker 4>most important artists that we've ever had, and I still

1:14:04.120 --> 1:14:08.800
<v Speaker 4>like some of his music is just like truly incredible, groundbreaking,

1:14:09.280 --> 1:14:13.720
<v Speaker 4>world changing and still holds up now and and I

1:14:13.920 --> 1:14:15.439
<v Speaker 4>just feel like it's a shame that.

1:14:17.160 --> 1:14:20.000
<v Speaker 1>That it gets clouded by all the other shit.

1:14:21.880 --> 1:14:26.439
<v Speaker 3>God bless man, because to go more to the musical

1:14:26.479 --> 1:14:29.240
<v Speaker 3>side of it, like yeah, that journey that when you

1:14:29.360 --> 1:14:31.760
<v Speaker 3>guys connected in the beginning, but was that like how

1:14:32.200 --> 1:14:34.640
<v Speaker 3>so what stage of his career and for you, like, what.

1:14:34.760 --> 1:14:37.000
<v Speaker 1>Was that whole that was good music? Correct? Yeah, So

1:14:37.160 --> 1:14:39.160
<v Speaker 1>it didn't even exist good music. It didn't exist when

1:14:39.200 --> 1:14:42.200
<v Speaker 1>we met. So I'm a new artist.

1:14:42.680 --> 1:14:44.920
<v Speaker 4>I'm, like I said, working by day as a management

1:14:45.000 --> 1:14:48.280
<v Speaker 4>consultant in New York, one of my roommates I went

1:14:48.320 --> 1:14:51.680
<v Speaker 4>to college with. His name is Devo, and Devo had

1:14:51.720 --> 1:14:54.439
<v Speaker 4>a cousin from Chicago that was about to move to

1:14:55.280 --> 1:14:58.799
<v Speaker 4>the area and his name was Kanye West. So Devo

1:15:00.200 --> 1:15:03.240
<v Speaker 4>he's not known neither, no, but he had just started

1:15:03.280 --> 1:15:07.280
<v Speaker 4>working Jay and Dame and all them at Rockefeller and

1:15:08.640 --> 1:15:12.800
<v Speaker 4>he had just him and just Blaze basically did the

1:15:12.840 --> 1:15:13.479
<v Speaker 4>whole blueprint.

1:15:13.560 --> 1:15:14.280
<v Speaker 1>That's right. That's right.

1:15:14.400 --> 1:15:19.479
<v Speaker 4>So when I met Kanye was May of two thousand,

1:15:19.600 --> 1:15:22.120
<v Speaker 4>or like late spring or early summer in two thousand

1:15:22.120 --> 1:15:24.799
<v Speaker 4>and one. And I remember because it was at Jimmy's

1:15:24.840 --> 1:15:29.559
<v Speaker 4>Uptown and I recorded that show at Jimmy's Uptown and Harlem, Yeah,

1:15:29.680 --> 1:15:30.320
<v Speaker 4>Jimmy's Uptown.

1:15:30.640 --> 1:15:34.160
<v Speaker 1>Yeah, We're gonna stab somebody.

1:15:34.800 --> 1:15:38.920
<v Speaker 4>So I'm doing a show there and we recorded it

1:15:39.120 --> 1:15:42.160
<v Speaker 4>and we actually put out a live record to my

1:15:42.280 --> 1:15:44.800
<v Speaker 4>fans of that recording. So that's why I knew when

1:15:44.840 --> 1:15:47.519
<v Speaker 4>I met him, was because it was that day that

1:15:47.640 --> 1:15:48.720
<v Speaker 4>we record the show, and.

1:15:51.080 --> 1:15:52.679
<v Speaker 1>My roommates like, you gotta meet my cousin.

1:15:52.720 --> 1:15:56.520
<v Speaker 4>He just moved to New York and he's producing for Rockefeller,

1:15:59.000 --> 1:16:01.960
<v Speaker 4>and we met and then we started working together a

1:16:02.000 --> 1:16:05.080
<v Speaker 4>few months later. He was working on his demo and

1:16:05.400 --> 1:16:07.040
<v Speaker 4>he was trying to get signed as a rapper, but

1:16:07.080 --> 1:16:07.640
<v Speaker 4>everybody was like.

1:16:07.920 --> 1:16:09.400
<v Speaker 1>Yeah, you keep that serious.

1:16:09.479 --> 1:16:13.160
<v Speaker 2>Yeah, because not me for a second, because Farrell always

1:16:13.280 --> 1:16:18.840
<v Speaker 2>downplays when when like when me and Pharrell, Farrell was

1:16:18.920 --> 1:16:21.479
<v Speaker 2>cocky as ship, even as a person that was coming

1:16:21.560 --> 1:16:23.240
<v Speaker 2>up was Kanye Kky.

1:16:23.320 --> 1:16:26.240
<v Speaker 1>Yeah he was cocky. Yeah cool is Susan right.

1:16:26.439 --> 1:16:28.760
<v Speaker 4>He's not the same as he was back then, but

1:16:28.800 --> 1:16:30.799
<v Speaker 4>he was. He's always like had.

1:16:30.640 --> 1:16:33.599
<v Speaker 1>A strong say yeah all.

1:16:33.560 --> 1:16:36.120
<v Speaker 2>Right, yeah, yeah, was like he's so humble now I'm like,

1:16:36.160 --> 1:16:37.320
<v Speaker 2>none of the motherfucker I remember.

1:16:38.439 --> 1:16:40.320
<v Speaker 3>But when the guy told you my cousin, did you

1:16:40.320 --> 1:16:41.519
<v Speaker 3>already know about his production?

1:16:41.760 --> 1:16:42.960
<v Speaker 1>No, it wasn't out yet.

1:16:43.600 --> 1:16:46.040
<v Speaker 2>So the Bluebird came out nine eleven, remember nine eleven,

1:16:46.439 --> 1:16:48.880
<v Speaker 2>on the day of nine eleven, and that's that's yeah,

1:16:48.880 --> 1:16:50.840
<v Speaker 2>he's debut as a productor that.

1:16:50.960 --> 1:16:53.040
<v Speaker 1>Was his first big moment as a producer.

1:16:53.120 --> 1:16:56.920
<v Speaker 4>So yeah, which was a single before the album came out,

1:16:57.439 --> 1:17:00.320
<v Speaker 4>and then he had a few cuts on the album

1:17:00.680 --> 1:17:02.400
<v Speaker 4>and then Blaze did the other side, so it was

1:17:02.479 --> 1:17:05.320
<v Speaker 4>just like both of them were the album basically, so

1:17:05.439 --> 1:17:10.080
<v Speaker 4>that soul sample sound was the whole blueprint sound and yay,

1:17:10.479 --> 1:17:12.599
<v Speaker 4>and just Blaze did the whole thing basically, and he's

1:17:12.640 --> 1:17:15.680
<v Speaker 4>telling you this and you believe him, Like I'm like,

1:17:15.960 --> 1:17:16.599
<v Speaker 4>let's meet him.

1:17:16.920 --> 1:17:19.200
<v Speaker 3>Like at this point, it's like I'm trying to get

1:17:19.280 --> 1:17:20.880
<v Speaker 3>signed too, and I'm like, let's try it.

1:17:21.040 --> 1:17:23.760
<v Speaker 1>You know, like I don't know him, but we'll see.

1:17:24.080 --> 1:17:25.920
<v Speaker 2>And you never know what hip hop producers because some

1:17:26.040 --> 1:17:29.760
<v Speaker 2>aren't musical enough because they're more like being driven and

1:17:30.280 --> 1:17:32.280
<v Speaker 2>you know, I'm an R and B artist, some more soulful,

1:17:32.360 --> 1:17:35.760
<v Speaker 2>so I want somebody that still has some musical underpinnings.

1:17:36.200 --> 1:17:39.080
<v Speaker 2>And the good thing about Yay was he he was

1:17:39.200 --> 1:17:42.080
<v Speaker 2>using all the soul samples and the music was very soulful.

1:17:42.479 --> 1:17:44.560
<v Speaker 2>So it was like the perfect blend of soul and

1:17:44.680 --> 1:17:47.000
<v Speaker 2>hip hop for us to work together. So we start

1:17:47.040 --> 1:17:49.800
<v Speaker 2>working together, like late two thousand and one, early two

1:17:49.840 --> 1:17:53.080
<v Speaker 2>thousand and two, he gets in an accident.

1:17:54.880 --> 1:17:58.400
<v Speaker 3>You met before that before the accident, and I think

1:17:58.439 --> 1:18:00.479
<v Speaker 3>he was signed by the time he had that SID But.

1:18:02.680 --> 1:18:06.519
<v Speaker 4>Damn and m Our impression was they signed him just

1:18:06.600 --> 1:18:09.320
<v Speaker 4>so they could keep him in house for Beef, yes,

1:18:10.840 --> 1:18:13.560
<v Speaker 4>not because they really thought he was going to be successful.

1:18:13.720 --> 1:18:15.439
<v Speaker 4>We saw artists who were so much.

1:18:15.320 --> 1:18:21.639
<v Speaker 2>You Meydan Sie like the crew, so we got this, yeah,

1:18:21.920 --> 1:18:22.479
<v Speaker 2>the whole crew.

1:18:22.640 --> 1:18:25.400
<v Speaker 3>Yeah, so we and I started to get to know

1:18:25.560 --> 1:18:27.960
<v Speaker 3>them later. But you know, Devo was working with him,

1:18:28.040 --> 1:18:31.040
<v Speaker 3>my roommate. He was like basically running his production company.

1:18:31.560 --> 1:18:35.400
<v Speaker 3>And so you know, Kanye really believed in himself as

1:18:35.439 --> 1:18:35.920
<v Speaker 3>a solo.

1:18:35.800 --> 1:18:38.600
<v Speaker 4>Artist, and a lot of his team did, but I

1:18:38.800 --> 1:18:41.000
<v Speaker 4>felt and a lot of us felt like Rockefeller didn't.

1:18:41.240 --> 1:18:43.200
<v Speaker 1>So he gets an accident. Can I tell you real

1:18:43.280 --> 1:18:44.559
<v Speaker 1>question to add to the story.

1:18:44.840 --> 1:18:47.320
<v Speaker 3>I was working for Deaf Jam at the time, and

1:18:47.760 --> 1:18:50.080
<v Speaker 3>they weren't pushing him as an artist. He went and

1:18:50.280 --> 1:18:52.679
<v Speaker 3>sent he got the list of all the street teams,

1:18:53.160 --> 1:18:55.840
<v Speaker 3>sent the white labels of his singles hustling, and started

1:18:55.880 --> 1:18:59.320
<v Speaker 3>a conference call with himself and all the street teams. So, yeah,

1:18:59.320 --> 1:19:03.120
<v Speaker 3>we're pushing this like himself. Yes, outside of the infrastructure

1:19:03.160 --> 1:19:03.599
<v Speaker 3>of the label.

1:19:03.840 --> 1:19:06.440
<v Speaker 4>He was so entrepreneurial. He put out his own mixtape

1:19:07.760 --> 1:19:12.920
<v Speaker 4>and he got an accident and made through the wire.

1:19:14.160 --> 1:19:15.960
<v Speaker 4>And then he started just camping because he got an

1:19:15.960 --> 1:19:18.840
<v Speaker 4>accident in La. So he started just camping out at

1:19:18.880 --> 1:19:22.120
<v Speaker 4>the w and Westwood in l A. Yeah, And so

1:19:22.240 --> 1:19:23.920
<v Speaker 4>I would go out there from New York whenever I

1:19:24.000 --> 1:19:26.840
<v Speaker 4>had time, and we would work on College Dropout with him,

1:19:27.080 --> 1:19:29.479
<v Speaker 4>and I wrote used to love you out there, uh,

1:19:29.680 --> 1:19:32.920
<v Speaker 4>and some of my songs forget Lifted. And that's when

1:19:32.960 --> 1:19:36.280
<v Speaker 4>I started to see after the accident this new sense

1:19:36.400 --> 1:19:40.400
<v Speaker 4>of like this man is on a mission. And it

1:19:40.560 --> 1:19:43.000
<v Speaker 4>started with Through the Wire, but then I heard Jesus

1:19:43.120 --> 1:19:45.400
<v Speaker 4>Walks and all these other records. I'm like, yo, this

1:19:45.560 --> 1:19:49.320
<v Speaker 4>is gonna be And I played piano on Lauren Hill's Miseducation,

1:19:49.760 --> 1:19:52.160
<v Speaker 4>So what what what to so.

1:19:52.560 --> 1:19:54.120
<v Speaker 1>You put on the whole.

1:19:54.320 --> 1:19:57.479
<v Speaker 4>I played piano on Everything Is Everything on Lauren Hill's album,

1:19:57.560 --> 1:19:59.439
<v Speaker 4>and I said to ya when.

1:19:59.280 --> 1:20:01.080
<v Speaker 1>I was listening to g Walks, I was like, I

1:20:01.160 --> 1:20:02.479
<v Speaker 1>feel like I was part.

1:20:02.320 --> 1:20:04.800
<v Speaker 4>Of one album that changed the world in ninety eight

1:20:05.280 --> 1:20:07.000
<v Speaker 4>and this is album is about to do the same

1:20:07.080 --> 1:20:08.240
<v Speaker 4>thing in two thousand and four.

1:20:09.560 --> 1:20:12.320
<v Speaker 1>And you got credit for Laurence Hill. Yeah, I feel

1:20:12.320 --> 1:20:17.120
<v Speaker 1>like John Stevens, Yeah I Stevens. Yeah, you know that's wild,

1:20:17.680 --> 1:20:22.080
<v Speaker 1>that's crazy, because how did you go the Let's just

1:20:22.160 --> 1:20:22.880
<v Speaker 1>finish this right?

1:20:23.120 --> 1:20:27.320
<v Speaker 4>So anyway, that time was crazy because we're all out

1:20:27.720 --> 1:20:31.439
<v Speaker 4>in la We're meeting up with him, he's recovering from

1:20:31.439 --> 1:20:33.519
<v Speaker 4>the accident, but he's got this new sense of purpose

1:20:34.240 --> 1:20:36.479
<v Speaker 4>and uh, he's making the best music of his.

1:20:36.560 --> 1:20:40.519
<v Speaker 1>Life up to that point, and it just felt like the.

1:20:40.600 --> 1:20:43.000
<v Speaker 4>Momentum was was there and it was going to be

1:20:43.040 --> 1:20:47.360
<v Speaker 4>a big, special album and it was sure was Yeah, but.

1:20:47.400 --> 1:20:50.560
<v Speaker 2>How about the Grammy family, Like, yeah, you had the

1:20:50.640 --> 1:20:51.960
<v Speaker 2>whole industry shook up?

1:20:52.120 --> 1:20:54.439
<v Speaker 1>Yeah, every Monday at one point or we.

1:20:54.479 --> 1:20:57.880
<v Speaker 2>Were doing the Good Fridays Friday my bad, I said,

1:20:57.920 --> 1:21:01.800
<v Speaker 2>Monday's lets you know how much I'll be drinking? Like

1:21:02.960 --> 1:21:05.599
<v Speaker 2>was that something that y'all all got together and said

1:21:05.920 --> 1:21:07.479
<v Speaker 2>we're gonna fuck up the industry?

1:21:08.800 --> 1:21:12.120
<v Speaker 1>I think sometimes YA just gets in that like creative

1:21:12.360 --> 1:21:15.720
<v Speaker 1>like uh, like that just.

1:21:15.840 --> 1:21:18.920
<v Speaker 4>Extra excitement and he's ready to like he's just got

1:21:18.960 --> 1:21:20.320
<v Speaker 4>all these ideas and he just wants to.

1:21:20.280 --> 1:21:21.960
<v Speaker 1>Get him out and he's like, that's just good Fridays.

1:21:22.120 --> 1:21:22.640
<v Speaker 1>That was the time.

1:21:22.760 --> 1:21:25.160
<v Speaker 4>He's like everybody at the studio needs to wear a

1:21:25.520 --> 1:21:27.800
<v Speaker 4>suit and tie, and so everybody was dressing like there

1:21:27.880 --> 1:21:29.559
<v Speaker 4>was in Reservoir Dogs.

1:21:29.360 --> 1:21:32.519
<v Speaker 1>At the studio. They called it the Rose with Era.

1:21:32.680 --> 1:21:33.479
<v Speaker 1>It was like a whole thing.

1:21:33.680 --> 1:21:36.439
<v Speaker 3>So sometimes he's just beyond one and he's like that's

1:21:36.520 --> 1:21:37.559
<v Speaker 3>his thing at that time.

1:21:37.479 --> 1:21:38.280
<v Speaker 1>And that's what he be on.

1:21:39.160 --> 1:21:43.000
<v Speaker 2>That's yeah, God damn, I wish y'all good into the studio.

1:21:43.880 --> 1:21:45.320
<v Speaker 2>Well a goddamn reservoir dog.

1:21:47.600 --> 1:21:51.360
<v Speaker 1>Oh jesus. He called it the Rosewood era.

1:21:52.720 --> 1:21:56.160
<v Speaker 3>So then you get so so now getting into your project,

1:21:56.400 --> 1:21:59.080
<v Speaker 3>transitioning from his Yeah, So it was all happening at

1:21:59.120 --> 1:22:02.040
<v Speaker 3>the same time though, so uh, we were working on

1:22:02.400 --> 1:22:04.040
<v Speaker 3>like used to Love You and some of the joints

1:22:04.080 --> 1:22:07.120
<v Speaker 3>from Get Lifted during the same time that we're working

1:22:07.200 --> 1:22:09.559
<v Speaker 3>on College Dropping Really at the same time.

1:22:09.640 --> 1:22:10.800
<v Speaker 1>It was all happened at the same time.

1:22:10.840 --> 1:22:12.599
<v Speaker 4>We're both trying to get I was trying to get

1:22:12.680 --> 1:22:16.320
<v Speaker 4>signed after he had already gotten signed to Rockefeller, and

1:22:16.680 --> 1:22:20.600
<v Speaker 4>I eventually signed to Good Music and my roommate was

1:22:20.680 --> 1:22:22.679
<v Speaker 4>running the label for him, so I was basically signed

1:22:22.720 --> 1:22:23.880
<v Speaker 4>to my roommate's.

1:22:23.560 --> 1:22:26.479
<v Speaker 1>Label with his cousin.

1:22:26.800 --> 1:22:31.960
<v Speaker 4>And eventually after College Dropout came out, that was when

1:22:32.040 --> 1:22:33.040
<v Speaker 4>the industry really.

1:22:32.880 --> 1:22:35.559
<v Speaker 1>Started to be like, okay, we fucked with the whole crew.

1:22:35.960 --> 1:22:38.680
<v Speaker 4>So before that, we took the same music to all

1:22:38.680 --> 1:22:40.840
<v Speaker 4>the labels and they turned us down or they gave

1:22:40.920 --> 1:22:44.960
<v Speaker 4>us a low offer. And when College Dropout came out,

1:22:45.840 --> 1:22:47.240
<v Speaker 4>everybody changed their tune.

1:22:47.280 --> 1:22:49.679
<v Speaker 3>We had a bidding war and I signed with Columbia.

1:22:50.439 --> 1:22:54.400
<v Speaker 3>And who was the crew at the time? You consequence GLC,

1:22:54.920 --> 1:22:57.520
<v Speaker 3>don C. I mean those are the artists. Me consequence

1:22:57.920 --> 1:23:01.120
<v Speaker 3>GLC and ya that those are the artists. But then

1:23:01.200 --> 1:23:03.880
<v Speaker 3>don ce John Monopoly. The whole crew was you know,

1:23:04.160 --> 1:23:07.120
<v Speaker 3>we were touring together, we're opening for us, sure together.

1:23:08.080 --> 1:23:12.760
<v Speaker 1>Uh that was the crew? Crazy, man? Did you ever think?

1:23:14.120 --> 1:23:16.360
<v Speaker 1>Because yeah, I was like almost like the modern day

1:23:16.400 --> 1:23:17.719
<v Speaker 1>Wu Tang clan right.

1:23:18.840 --> 1:23:22.280
<v Speaker 2>Like like but not exactly okay, but with different like

1:23:22.360 --> 1:23:23.559
<v Speaker 2>you know, you had to push.

1:23:23.360 --> 1:23:26.960
<v Speaker 1>Your te you had consequence, Yeah, you had you. You

1:23:27.040 --> 1:23:29.360
<v Speaker 1>had kick cutting Sean Big Sean.

1:23:29.640 --> 1:23:32.360
<v Speaker 3>Like during that during that Good Friday's time, that was

1:23:32.400 --> 1:23:33.960
<v Speaker 3>a like latt Roster was crazy.

1:23:34.120 --> 1:23:36.600
<v Speaker 2>I'm not gonna be honest as an industry person, we

1:23:36.680 --> 1:23:39.519
<v Speaker 2>were scared of that Friday. You did not like it,

1:23:41.280 --> 1:23:43.719
<v Speaker 2>Like I'm not gonna say I'm not fucking making.

1:23:43.560 --> 1:23:44.479
<v Speaker 1>Music no more so.

1:23:44.760 --> 1:23:47.639
<v Speaker 4>Yeah said the records like click and some of those

1:23:47.680 --> 1:23:48.799
<v Speaker 4>records were insane.

1:23:49.120 --> 1:23:51.200
<v Speaker 1>Yeah, Like we were mad at y'all. We were like

1:23:51.320 --> 1:23:54.640
<v Speaker 1>why why did y'all want to just blogging? Yeah? It

1:23:54.760 --> 1:23:55.160
<v Speaker 1>was wow.

1:23:55.439 --> 1:23:59.120
<v Speaker 4>And then right around that time, right after that time,

1:24:01.760 --> 1:24:04.240
<v Speaker 4>Jay and Kanye start working on Watching the Throne, like

1:24:04.600 --> 1:24:08.200
<v Speaker 4>probably this is the one, this is the main Washington, Yeah,

1:24:08.320 --> 1:24:08.760
<v Speaker 4>the only one.

1:24:08.840 --> 1:24:09.040
<v Speaker 1>Yeah.

1:24:09.360 --> 1:24:13.920
<v Speaker 4>So this is around twenty twelve, twenty thirteen, he's he's

1:24:14.000 --> 1:24:15.840
<v Speaker 4>up in the Mercer. They talk about the song the

1:24:15.920 --> 1:24:18.280
<v Speaker 4>Mercer Hotel in New York.

1:24:18.760 --> 1:24:21.800
<v Speaker 1>And I'll tell you something about car Let's let you know.

1:24:23.360 --> 1:24:26.000
<v Speaker 4>So they were literally they were literally in the Mercer

1:24:26.120 --> 1:24:29.200
<v Speaker 4>Hotel and he just brought his studio equipment in there

1:24:29.400 --> 1:24:31.960
<v Speaker 4>and was making Watch the Throne with Jay and then

1:24:32.000 --> 1:24:34.599
<v Speaker 4>we made Love in the Future, my album that came

1:24:34.640 --> 1:24:39.720
<v Speaker 4>out in twenty thirteen, in that same hotel, and so

1:24:39.880 --> 1:24:41.439
<v Speaker 4>all of me was on that. I didn't do that

1:24:41.479 --> 1:24:44.799
<v Speaker 4>one with Yay, but Yay produced the whole like executive

1:24:44.800 --> 1:24:45.639
<v Speaker 4>produced the whole album.

1:24:46.200 --> 1:24:48.080
<v Speaker 1>And that was another crazy time.

1:24:48.439 --> 1:24:52.400
<v Speaker 4>So there's been these times when Yay's really on like

1:24:52.439 --> 1:24:56.840
<v Speaker 4>a creative tear and producing some of the best music

1:24:57.439 --> 1:24:59.360
<v Speaker 4>of that era. It was incredible.

1:25:00.680 --> 1:25:02.760
<v Speaker 1>Again, like I said it earlier, I feel like you

1:25:02.880 --> 1:25:03.840
<v Speaker 1>never had a bad day.

1:25:05.160 --> 1:25:08.120
<v Speaker 2>I just feel it because I just feel like you're

1:25:08.120 --> 1:25:11.280
<v Speaker 2>a positive person, which is really really, really really dope

1:25:11.320 --> 1:25:14.200
<v Speaker 2>to see in this day and time, because there's a

1:25:14.280 --> 1:25:15.920
<v Speaker 2>lot of negative shit going on?

1:25:16.240 --> 1:25:18.559
<v Speaker 1>Yeah, is there anything that you regret?

1:25:21.400 --> 1:25:23.519
<v Speaker 4>I mean, I have regrets all the I mean there's

1:25:23.680 --> 1:25:25.720
<v Speaker 4>things I would do differently now, But.

1:25:26.160 --> 1:25:29.800
<v Speaker 1>I honestly, I don't think about regrets because.

1:25:32.080 --> 1:25:36.679
<v Speaker 4>I feel like everything that happened happened, and I wouldn't

1:25:36.720 --> 1:25:39.160
<v Speaker 4>be here if all of it didn't happen, like the

1:25:39.240 --> 1:25:42.240
<v Speaker 4>good and the bad. Like, I just feel like all

1:25:42.320 --> 1:25:44.360
<v Speaker 4>of it brought me to where I am, and I

1:25:44.479 --> 1:25:47.519
<v Speaker 4>love where I am, and I learned from everything.

1:25:49.040 --> 1:25:53.800
<v Speaker 1>Goddamn, that was the most people, John leg I gotta

1:25:53.840 --> 1:25:57.880
<v Speaker 1>ask you, do you we want time? I only got

1:25:57.920 --> 1:26:01.439
<v Speaker 1>a little bit right here, all right. I'm not trying

1:26:01.439 --> 1:26:02.240
<v Speaker 1>to get rid of it yet.

1:26:02.479 --> 1:26:09.120
<v Speaker 5>I'm yeah, I'm coming out with Forwards. He's coming out

1:26:09.120 --> 1:26:12.479
<v Speaker 5>with the Great You. I got like ten Grays down here.

1:26:12.880 --> 1:26:14.360
<v Speaker 5>He's coming up with the Virgins. Where can make it

1:26:14.560 --> 1:26:15.120
<v Speaker 5>be it grayer?

1:26:16.600 --> 1:26:18.360
<v Speaker 1>Yeah? Okay.

1:26:19.360 --> 1:26:24.040
<v Speaker 2>One of the most beautiful records in the world, all

1:26:24.120 --> 1:26:28.679
<v Speaker 2>over the world, not New York, not America, ordinary people,

1:26:29.200 --> 1:26:30.120
<v Speaker 2>Thank you, thank you.

1:26:30.320 --> 1:26:34.760
<v Speaker 1>One of the most like listeners in the world. Thank you.

1:26:36.520 --> 1:26:40.160
<v Speaker 4>How did you make it so? That started with Will

1:26:40.240 --> 1:26:44.000
<v Speaker 4>I Am and the Black Eyed Peas? So I had

1:26:44.040 --> 1:26:47.599
<v Speaker 4>the same manager as them David Sonenberg.

1:26:47.840 --> 1:26:54.639
<v Speaker 1>And we when he signed me, he was like, I'd

1:26:54.680 --> 1:26:55.760
<v Speaker 1>love to get you in with Will.

1:26:55.800 --> 1:26:57.519
<v Speaker 3>I am from the Black Eyed Peas and at the time,

1:26:57.600 --> 1:26:59.960
<v Speaker 3>it was before they really blew up with Fergie and everything,

1:27:00.000 --> 1:27:03.120
<v Speaker 3>and they were still like an underground group pree Ferki Yeah. So,

1:27:04.560 --> 1:27:09.040
<v Speaker 3>but he was always a dope producer. And so I

1:27:09.120 --> 1:27:14.280
<v Speaker 3>went out to La the first time and we wrote she.

1:27:14.360 --> 1:27:14.960
<v Speaker 1>Don't Have to Know.

1:27:16.120 --> 1:27:19.400
<v Speaker 4>We wrote something for a compilation album that Will was doing,

1:27:19.960 --> 1:27:22.720
<v Speaker 4>and then Will really liked writing with me. I wrote

1:27:22.720 --> 1:27:25.559
<v Speaker 4>a hook for the Black Eyed Peas, and then after

1:27:25.680 --> 1:27:30.160
<v Speaker 4>I got signed, it was like the summer two thousand

1:27:30.160 --> 1:27:32.760
<v Speaker 4>and four. I just gotten signed in May and he

1:27:32.960 --> 1:27:34.200
<v Speaker 4>was in New York and he was like, can you

1:27:34.280 --> 1:27:36.600
<v Speaker 4>come by Hit Factory when we used to have Hit Factory.

1:27:36.320 --> 1:27:37.519
<v Speaker 1>In New York? Remember that and.

1:27:39.240 --> 1:27:41.960
<v Speaker 4>Fifty seven Street, Yeah, right around there. And then so

1:27:42.120 --> 1:27:45.519
<v Speaker 4>he was in the studio and he was like, can

1:27:45.600 --> 1:27:47.920
<v Speaker 4>you just write some hooks for us? I love writing

1:27:47.960 --> 1:27:49.519
<v Speaker 4>with you. So he would just play beats and I

1:27:49.520 --> 1:27:52.000
<v Speaker 4>would just see what hook I could come up with, and.

1:27:52.120 --> 1:27:55.560
<v Speaker 1>I came up with wid and the repeat pople to

1:27:55.720 --> 1:27:56.120
<v Speaker 1>a beat.

1:27:57.520 --> 1:28:00.439
<v Speaker 4>So it wasn't like stripped down piano ballot like it

1:28:00.680 --> 1:28:01.799
<v Speaker 4>was on my album.

1:28:01.880 --> 1:28:05.080
<v Speaker 1>It was to a B and it was going to

1:28:05.120 --> 1:28:07.599
<v Speaker 1>be a hip hop song for the Black Eyed Piece

1:28:08.840 --> 1:28:11.600
<v Speaker 1>with me on the hook that mind, thinking of the

1:28:11.680 --> 1:28:12.240
<v Speaker 1>Black Eyed Piece.

1:28:12.360 --> 1:28:14.760
<v Speaker 4>I wrote the chorus just listening to the music and

1:28:14.840 --> 1:28:19.800
<v Speaker 4>seeing what I recorded it that night, just the hook.

1:28:20.800 --> 1:28:23.920
<v Speaker 4>And then a few days later I'm like, well, you

1:28:24.000 --> 1:28:25.880
<v Speaker 4>can keep every other idea I wrote, but I want

1:28:25.880 --> 1:28:29.280
<v Speaker 4>to keep ordinary people for myself, and he was like, okay,

1:28:29.560 --> 1:28:30.120
<v Speaker 4>no problem.

1:28:30.240 --> 1:28:33.240
<v Speaker 3>I was like, I'll let you produce it, no problem. Like,

1:28:33.720 --> 1:28:35.040
<v Speaker 3>but I feel like it'll be a better R and

1:28:35.160 --> 1:28:37.320
<v Speaker 3>B song than like a pop hip hop song.

1:28:38.000 --> 1:28:41.640
<v Speaker 2>And I started messing with it on tour. I went

1:28:41.720 --> 1:28:44.519
<v Speaker 2>on a European tour with Kanye, and every.

1:28:44.439 --> 1:28:48.759
<v Speaker 4>Soundtrack, every soundcheck, I would write more of the verses

1:28:48.840 --> 1:28:52.519
<v Speaker 4>to ordinate people. And so I basically wrote the chorus

1:28:52.680 --> 1:28:55.800
<v Speaker 4>in the studio with Will and the verses on the

1:28:55.920 --> 1:29:01.240
<v Speaker 4>road with Ya. And I recorded a demo back in

1:29:01.439 --> 1:29:05.840
<v Speaker 4>La on just piano, and I played it for everybody

1:29:06.040 --> 1:29:07.680
<v Speaker 4>and I was like, yeah, Will I Am is going

1:29:07.720 --> 1:29:10.920
<v Speaker 4>to produce it, blah blah blah, and everybody's like, don't

1:29:10.960 --> 1:29:13.800
<v Speaker 4>fuck with that. Leave it alone and so we ended

1:29:13.920 --> 1:29:18.240
<v Speaker 4>up leaving it stripped down, just vocal piano, and.

1:29:19.000 --> 1:29:19.920
<v Speaker 1>That's how it came out.

1:29:20.240 --> 1:29:24.519
<v Speaker 4>And back then, remember the samplers you used to get

1:29:24.560 --> 1:29:28.680
<v Speaker 4>at DJ, so they would hand out the samplers and

1:29:29.240 --> 1:29:30.960
<v Speaker 4>it was my first single, Used to Love You with

1:29:31.080 --> 1:29:35.560
<v Speaker 4>the Halla haa la Halla, and then three snippets of

1:29:35.680 --> 1:29:37.840
<v Speaker 4>other tracks from the album, and then it ended with

1:29:37.960 --> 1:29:39.679
<v Speaker 4>a full version of Ordinary People.

1:29:40.160 --> 1:29:42.320
<v Speaker 1>So this is, you know, late two thousand and four.

1:29:42.320 --> 1:29:47.120
<v Speaker 4>I'm out on the road with USHERINGA from August to October.

1:29:47.479 --> 1:29:50.040
<v Speaker 4>Used to Love You came out during that time, and

1:29:50.120 --> 1:29:52.680
<v Speaker 4>we're promoting it at every stop on the Usher tour.

1:29:52.760 --> 1:29:55.920
<v Speaker 4>I'm going to do radio and we're giving them the

1:29:56.000 --> 1:29:59.840
<v Speaker 4>sampler and in Chicago they were like, yeah, used to

1:30:00.200 --> 1:30:03.519
<v Speaker 4>he was cool, but they just decided at w g

1:30:03.640 --> 1:30:05.559
<v Speaker 4>C I they were going to start playing. They made

1:30:05.640 --> 1:30:07.840
<v Speaker 4>that the single ordinary People, and they made it to

1:30:07.920 --> 1:30:12.080
<v Speaker 4>single by it blowing up in Chicago first and then

1:30:12.920 --> 1:30:13.519
<v Speaker 4>took over.

1:30:16.640 --> 1:30:18.519
<v Speaker 1>Because a lot of people thought you was from Chicago.

1:30:18.800 --> 1:30:22.200
<v Speaker 4>Yeah, yeah, because ya and everybody, But I grew up

1:30:22.240 --> 1:30:25.080
<v Speaker 4>in Ohio, but uh never lived in Chicago, but you know,

1:30:25.160 --> 1:30:28.479
<v Speaker 4>I love Chicago. But yeah, but they really claimed me

1:30:28.560 --> 1:30:31.240
<v Speaker 4>as their own too, just because of the Yea connection

1:30:31.479 --> 1:30:34.560
<v Speaker 4>and and uh and they were the first ones that

1:30:34.840 --> 1:30:37.519
<v Speaker 4>loved Ordinary People and Yay loved it so much that

1:30:37.640 --> 1:30:39.680
<v Speaker 4>he wanted to direct the video. So he ended up

1:30:39.720 --> 1:30:41.920
<v Speaker 4>directing the Ordinary People video. So if you look at it,

1:30:42.600 --> 1:30:43.800
<v Speaker 4>that's him, that's his work.

1:30:44.160 --> 1:30:46.400
<v Speaker 1>Did we'll ever get upset that he couldn't produce it? No,

1:30:46.560 --> 1:30:51.760
<v Speaker 1>he got some publishing. Really, yeah, he got some publishing,

1:30:52.000 --> 1:30:54.639
<v Speaker 1>and uh, you know I wound up producing it. Yeah.

1:30:54.800 --> 1:30:57.560
<v Speaker 4>Well, he knew that it was better that way, like

1:30:57.720 --> 1:31:00.559
<v Speaker 4>stripped down it just it made more impact that way,

1:31:00.760 --> 1:31:02.599
<v Speaker 4>and you got to think about like what was coming

1:31:02.640 --> 1:31:04.200
<v Speaker 4>out in R and B at that time. There's nothing

1:31:04.280 --> 1:31:07.439
<v Speaker 4>else like just like that striped down pan Alicia a

1:31:07.479 --> 1:31:10.600
<v Speaker 4>little bit, but not even uh, it was just it

1:31:10.680 --> 1:31:13.080
<v Speaker 4>stood out from the radio and so like a caapella.

1:31:13.240 --> 1:31:16.920
<v Speaker 1>Yeah yeah, but do you think you're an ordinary person?

1:31:19.800 --> 1:31:23.920
<v Speaker 1>I mean, what does that even mean? You know what

1:31:24.040 --> 1:31:27.800
<v Speaker 1>I'm asking they here's the writer, Here's what I think,

1:31:28.000 --> 1:31:30.000
<v Speaker 1>what you mean, Here's what I think.

1:31:30.320 --> 1:31:30.680
<v Speaker 3>I think.

1:31:32.120 --> 1:31:33.640
<v Speaker 4>When I wrote the song, I was thinking about my

1:31:33.840 --> 1:31:39.760
<v Speaker 4>parents because they had gotten divorced, then back together, then

1:31:40.080 --> 1:31:43.360
<v Speaker 4>divorced again right before my second my first album was

1:31:43.360 --> 1:31:45.800
<v Speaker 4>about to come out, and so I'm writing and thinking, like,

1:31:46.120 --> 1:31:48.400
<v Speaker 4>you know, we don't know which way to go, and.

1:31:49.880 --> 1:31:52.000
<v Speaker 1>So I'm writing it based on their situation.

1:31:53.360 --> 1:31:56.240
<v Speaker 4>But the bottom line is, I think, no matter if

1:31:56.240 --> 1:31:59.280
<v Speaker 4>you're rich or poor, celebrity or not, like, everybody goes

1:31:59.320 --> 1:32:00.640
<v Speaker 4>through shitting the relationships.

1:32:00.800 --> 1:32:09.439
<v Speaker 3>And in that sense, yes, I'm an ordinary person. I

1:32:09.680 --> 1:32:11.240
<v Speaker 3>love that answer, but you're not.

1:32:14.760 --> 1:32:17.280
<v Speaker 1>There's a lot of extraordinary things about my life. Yes.

1:32:18.960 --> 1:32:19.679
<v Speaker 1>Do you think.

1:32:23.240 --> 1:32:26.400
<v Speaker 2>So many people say overnight success right right? That shit

1:32:26.439 --> 1:32:30.599
<v Speaker 2>doesn't exist. It almost never happens that way. It never happened.

1:32:30.680 --> 1:32:34.599
<v Speaker 1>Yeah, But do you think that you fast forwarded from

1:32:35.520 --> 1:32:39.440
<v Speaker 1>that child prodigy to superstarter?

1:32:41.040 --> 1:32:42.840
<v Speaker 2>Well, it didn't feel like fast forward to me because

1:32:42.840 --> 1:32:44.679
<v Speaker 2>I'm like working at days, y'all work.

1:32:45.000 --> 1:32:46.280
<v Speaker 1>Asking for the people out there.

1:32:46.760 --> 1:32:49.280
<v Speaker 4>I'm like, I'm like, and I didn't get signed until

1:32:49.280 --> 1:32:51.439
<v Speaker 4>I was twenty five, So it wasn't like I was,

1:32:52.120 --> 1:32:53.840
<v Speaker 4>you know, getting signed like some of these artists gets

1:32:53.840 --> 1:32:58.439
<v Speaker 4>signed when they're eighteen, nineteen, fourteen, fifteen, And you know,

1:32:59.080 --> 1:33:01.160
<v Speaker 4>back then, I thought I was ready. You know, when

1:33:01.160 --> 1:33:03.320
<v Speaker 4>I was fourteen, I was like singing the talent shows.

1:33:03.360 --> 1:33:05.320
<v Speaker 4>I'm like, why is somebody signing to me now, But

1:33:05.400 --> 1:33:07.519
<v Speaker 4>I didn't even know what went into getting signed, you know,

1:33:08.120 --> 1:33:10.840
<v Speaker 4>what went into being a real artist, not just a singer.

1:33:11.720 --> 1:33:13.280
<v Speaker 4>You know, I'm on the voice now and I'm always

1:33:13.320 --> 1:33:15.519
<v Speaker 4>like trying to advise these guys on what it means

1:33:15.520 --> 1:33:17.439
<v Speaker 4>to actually be an artist and not just somebody who

1:33:17.479 --> 1:33:20.200
<v Speaker 4>can sing. But I didn't know that back then.

1:33:20.560 --> 1:33:22.200
<v Speaker 1>So you have to grow, you have to learn.

1:33:22.400 --> 1:33:24.880
<v Speaker 4>And I thought I was ready then, but I wasn't

1:33:24.920 --> 1:33:27.720
<v Speaker 4>ready until my mid twenties, and then you know, it

1:33:27.840 --> 1:33:30.760
<v Speaker 4>was time, goddamn. And the you know, the cool thing

1:33:30.880 --> 1:33:33.000
<v Speaker 4>not to interrupt your plause, but the cool thing was

1:33:33.320 --> 1:33:35.639
<v Speaker 4>I keep bringing it up, but bringing it up being

1:33:35.760 --> 1:33:38.640
<v Speaker 4>with you a during that time, he became famous like

1:33:39.200 --> 1:33:40.240
<v Speaker 4>a year before I did.

1:33:40.320 --> 1:33:42.320
<v Speaker 1>So it was almost like I got to you saw it,

1:33:42.600 --> 1:33:43.000
<v Speaker 1>watch it.

1:33:44.560 --> 1:33:48.120
<v Speaker 4>While he was experiencing, and I was right there, and

1:33:48.880 --> 1:33:51.160
<v Speaker 4>it made it easier for me to transition into being

1:33:51.240 --> 1:33:51.800
<v Speaker 4>the front guy.

1:33:52.800 --> 1:33:54.160
<v Speaker 3>What I was going to say is, do you think

1:33:54.240 --> 1:33:59.200
<v Speaker 3>that that process, which is a time frame now with

1:33:59.320 --> 1:34:02.519
<v Speaker 3>the internet, like you said, these kids are making themselves

1:34:02.600 --> 1:34:06.040
<v Speaker 3>viral and getting deals eighteen or younger, do you think

1:34:06.080 --> 1:34:08.240
<v Speaker 3>that process takes away from their careers.

1:34:08.320 --> 1:34:10.760
<v Speaker 4>Well, I think I've said this before and I really

1:34:10.840 --> 1:34:13.600
<v Speaker 4>believe it that it's hard to be sustainable if you

1:34:13.720 --> 1:34:16.479
<v Speaker 4>haven't done like the prep work early on, like doing

1:34:16.560 --> 1:34:18.920
<v Speaker 4>shows like when nobody's there, like quote.

1:34:18.760 --> 1:34:22.320
<v Speaker 1>Unquote development, yes, yeah, exactly, development, whether you develop yourself

1:34:22.400 --> 1:34:24.720
<v Speaker 1>or you're in a part of a real artist plot, like.

1:34:24.800 --> 1:34:26.640
<v Speaker 4>Doing a show in front of fifty people before you

1:34:26.760 --> 1:34:28.599
<v Speaker 4>have to do one in front of fifteen thousand people.

1:34:28.720 --> 1:34:29.840
<v Speaker 1>Like having that.

1:34:31.479 --> 1:34:37.200
<v Speaker 4>Just foundation of performing and and building your career experience,

1:34:37.320 --> 1:34:40.680
<v Speaker 4>building your story, building your experiences. It doesn't mean you

1:34:40.720 --> 1:34:42.680
<v Speaker 4>can't make dope music then, but it's hard to do

1:34:42.880 --> 1:34:46.439
<v Speaker 4>everything right if you haven't spent some time preparing and

1:34:46.520 --> 1:34:48.360
<v Speaker 4>I really think performing.

1:34:48.400 --> 1:34:51.120
<v Speaker 3>Practicing as a performer. You just look at like we

1:34:51.240 --> 1:34:52.280
<v Speaker 3>talked about Usher.

1:34:52.439 --> 1:34:55.240
<v Speaker 4>And even Chris Brown and Beyonce and like some of

1:34:55.280 --> 1:34:57.599
<v Speaker 4>these artists, especially ones they have to dance and sing.

1:34:58.160 --> 1:35:01.920
<v Speaker 1>It's like like the level of time you have.

1:35:02.000 --> 1:35:04.880
<v Speaker 4>To put in in the studio, in the dance studio,

1:35:05.000 --> 1:35:07.519
<v Speaker 4>working on the coreera for getting every little thing right,

1:35:08.160 --> 1:35:11.120
<v Speaker 4>and a lot of that they did before they were famous.

1:35:11.160 --> 1:35:14.559
<v Speaker 4>They were like they were like developing that muscle before

1:35:14.600 --> 1:35:17.519
<v Speaker 4>they were famous, and that's why they're still here. Like,

1:35:18.000 --> 1:35:21.559
<v Speaker 4>that's why Usher did the Super Bowl, you know, over

1:35:21.680 --> 1:35:27.680
<v Speaker 4>twenty years after he debuted, because he made himself sustainable

1:35:27.720 --> 1:35:28.839
<v Speaker 4>by putting in the work.

1:35:28.840 --> 1:35:32.080
<v Speaker 1>Of preparation and the reps that he needed to put in.

1:35:32.560 --> 1:35:34.280
<v Speaker 1>And you got to do it.

1:35:34.479 --> 1:35:37.080
<v Speaker 4>And if you don't, if you're not prepared when you

1:35:37.520 --> 1:35:41.040
<v Speaker 4>have that TikTok hit or that viral sensation, then it

1:35:41.120 --> 1:35:43.400
<v Speaker 4>could be fleeting and not sustainable disposable.

1:35:43.479 --> 1:35:46.439
<v Speaker 2>Yeah, exactly how was it speaking about the Super Bowl

1:35:46.600 --> 1:35:49.120
<v Speaker 2>when you got that phone call in twenty fifteen to

1:35:49.280 --> 1:35:50.760
<v Speaker 2>perform at the Super Bowl out?

1:35:51.400 --> 1:35:53.599
<v Speaker 1>That was dope. Man. I was at the Detroit one.

1:35:53.720 --> 1:35:55.640
<v Speaker 2>I forget which one that was, but I did want

1:35:55.760 --> 1:35:56.960
<v Speaker 2>Roger Goodell'll call you.

1:35:57.920 --> 1:36:01.040
<v Speaker 1>Roger did not call you.

1:36:01.120 --> 1:36:03.160
<v Speaker 3>They always call my agent, you know. I never't talked

1:36:03.160 --> 1:36:07.040
<v Speaker 3>to anybody. It's like they get to my agent eventually,

1:36:07.120 --> 1:36:08.080
<v Speaker 3>and they get to me eventually.

1:36:08.200 --> 1:36:10.080
<v Speaker 2>Get all right, So where you at somebody and they

1:36:10.160 --> 1:36:12.400
<v Speaker 2>call you and they say they want you to perform

1:36:12.479 --> 1:36:13.000
<v Speaker 2>for Super Bowl.

1:36:14.800 --> 1:36:18.000
<v Speaker 1>I don't remember, Honestly, I don't really remember that. Like

1:36:18.080 --> 1:36:21.280
<v Speaker 1>it's so dope, you don't know, But I never like headline.

1:36:20.840 --> 1:36:23.000
<v Speaker 4>Like the halftime at the super Bowl. I liked it

1:36:23.160 --> 1:36:26.200
<v Speaker 4>like a pre I did God Bless America one year

1:36:26.280 --> 1:36:28.360
<v Speaker 4>and then I did a pre performance on that. So

1:36:28.400 --> 1:36:32.160
<v Speaker 4>I've never had like the the that prime big for us,

1:36:32.200 --> 1:36:37.639
<v Speaker 4>sir down it was it Usher or you know, Kendrick

1:36:37.800 --> 1:36:40.280
<v Speaker 4>or whatever. You know, it's not that that halftime spot.

1:36:40.560 --> 1:36:43.240
<v Speaker 2>Okay, So let me ask you they call you next year,

1:36:43.560 --> 1:36:47.120
<v Speaker 2>twenty twenty six, John Legend headline.

1:36:48.200 --> 1:36:50.920
<v Speaker 4>You know, I honestly, I don't think it's great for

1:36:51.080 --> 1:36:55.760
<v Speaker 4>artists that are more like if like most of my

1:36:55.880 --> 1:36:58.040
<v Speaker 4>hits are ballads. So it's like, I feel like it's

1:36:58.080 --> 1:36:59.920
<v Speaker 4>better if you got a lot of up tempo hits

1:37:00.120 --> 1:37:00.840
<v Speaker 4>for the super Bowl.

1:37:01.840 --> 1:37:03.840
<v Speaker 1>It just feels more right. You got that. I got

1:37:03.880 --> 1:37:07.560
<v Speaker 1>a little little little something. Yeah, yeah, you will do it.

1:37:07.640 --> 1:37:10.960
<v Speaker 1>I can see you halftime show. It could be done,

1:37:11.400 --> 1:37:14.720
<v Speaker 1>all right. So if super Bowl calls you twenty six,

1:37:16.760 --> 1:37:19.400
<v Speaker 1>what is your your playlist? My set list?

1:37:20.160 --> 1:37:22.120
<v Speaker 4>You know, I'll mix it up, do some up tempos,

1:37:22.200 --> 1:37:26.719
<v Speaker 4>some slows, so we'll do green light, we'll do ordinated people,

1:37:26.840 --> 1:37:27.600
<v Speaker 4>We'll do all of.

1:37:27.680 --> 1:37:34.439
<v Speaker 1>Me probably like love me now, you know, I don't know.

1:37:34.479 --> 1:37:35.320
<v Speaker 1>I have to think about it.

1:37:36.600 --> 1:37:39.360
<v Speaker 2>Some features, like some of the you bring along as

1:37:39.360 --> 1:37:41.880
<v Speaker 2>I've guessed it on like Grammar Family, bring it up

1:37:41.960 --> 1:37:43.439
<v Speaker 2>some Yeah, we'll figure it out.

1:37:43.680 --> 1:37:44.080
<v Speaker 1>I don't know.

1:37:45.240 --> 1:37:47.880
<v Speaker 2>Yeah, we'll definite had some collapse. It's just on the

1:37:47.920 --> 1:37:50.320
<v Speaker 2>top of one artist. Will you Did you bring up.

1:37:53.840 --> 1:37:54.680
<v Speaker 1>A snooper? Rick?

1:37:54.960 --> 1:37:56.920
<v Speaker 3>Yeah, that'll be good, Rick Ross. We got a bunch

1:37:56.920 --> 1:37:57.720
<v Speaker 3>of Doubt records together.

1:37:57.800 --> 1:37:59.080
<v Speaker 1>Yeah, yeah, yeah do.

1:38:00.479 --> 1:38:02.720
<v Speaker 3>I was making playlists of like different collabs, and I

1:38:02.800 --> 1:38:04.800
<v Speaker 3>made a whole playlist just of me and Rick because

1:38:04.800 --> 1:38:08.840
<v Speaker 3>it was like ten songs Justice League, right. I think

1:38:08.880 --> 1:38:10.679
<v Speaker 3>it started with college and then.

1:38:12.680 --> 1:38:17.280
<v Speaker 4>No, probably call it because colleg was his exec at

1:38:17.320 --> 1:38:23.439
<v Speaker 4>Deaf Jam South right earlier. Yes, so, so I don't

1:38:23.439 --> 1:38:25.360
<v Speaker 4>know what came first, but green Light came out and

1:38:25.439 --> 1:38:27.560
<v Speaker 4>he did like a remix that I heard and I

1:38:27.600 --> 1:38:28.519
<v Speaker 4>didn't even know him yet.

1:38:28.479 --> 1:38:31.000
<v Speaker 2>Like a mixtape joint, Yeah, mixtape joint of green Light

1:38:31.320 --> 1:38:32.599
<v Speaker 2>where he was rhyming on him.

1:38:33.160 --> 1:38:35.240
<v Speaker 4>And then not long after that he reached out to

1:38:35.360 --> 1:38:38.080
<v Speaker 4>us about Magnificent, But I think it was through Collin.

1:38:39.640 --> 1:38:42.600
<v Speaker 1>You know, what's one of your favorite places to perform? Uh,

1:38:42.880 --> 1:38:45.640
<v Speaker 1>South Africa? Love it? I love Johannesberger.

1:38:46.000 --> 1:38:53.120
<v Speaker 4>Yeah, crazy crowds there, Soul South Korea. Crazy crowds in Korea. Yeah,

1:38:54.000 --> 1:38:58.840
<v Speaker 4>I love like London and Amsterdam a lot. In the US,

1:38:58.960 --> 1:39:04.560
<v Speaker 4>I love DC area, Atlanta area, Miami's cool. It's like

1:39:05.160 --> 1:39:08.120
<v Speaker 4>i'd say, my best audiences are a no, no, no,

1:39:08.560 --> 1:39:09.719
<v Speaker 4>I'm not I'm not sure.

1:39:09.840 --> 1:39:10.559
<v Speaker 1>I'm just being honest.

1:39:10.920 --> 1:39:13.880
<v Speaker 3>My best audience is a DC area, Atlanta area, in

1:39:14.000 --> 1:39:17.000
<v Speaker 3>Chicago area, I would say so, and the Bay Area

1:39:17.560 --> 1:39:18.760
<v Speaker 3>in the Bank think a lot.

1:39:18.800 --> 1:39:22.680
<v Speaker 1>You describe the blackest cities, yeah, the world? Yeah, you know,

1:39:22.880 --> 1:39:24.160
<v Speaker 1>let's make some noise. Yea.

1:39:26.680 --> 1:39:31.960
<v Speaker 2>So my my wife, my wife, she's here, she's Latina. Right,

1:39:32.880 --> 1:39:36.559
<v Speaker 2>do you get like any type of thing for your

1:39:36.600 --> 1:39:38.320
<v Speaker 2>wife not being a black woman?

1:39:40.800 --> 1:39:43.240
<v Speaker 4>Not really, But you know, I think when we first

1:39:43.280 --> 1:39:45.599
<v Speaker 4>started dating we probably got some. But we've been together

1:39:45.640 --> 1:39:49.599
<v Speaker 4>for so long. Everybody's like, yeah, yeah, of course that. Yeah,

1:39:49.600 --> 1:39:51.479
<v Speaker 4>we've been together since six.

1:39:51.680 --> 1:39:53.679
<v Speaker 1>So what do they call that? Interracial data?

1:39:53.880 --> 1:39:56.679
<v Speaker 4>Yeah, we're in the racial So my wife is half

1:39:56.760 --> 1:40:01.440
<v Speaker 4>Asian and half white and then I'm black, So interracial.

1:40:01.680 --> 1:40:05.760
<v Speaker 1>Yeah, inter racial. Do we make a noise? Let's take

1:40:05.800 --> 1:40:17.120
<v Speaker 1>it block kids in confused? Now, this motherfucker were all

1:40:17.200 --> 1:40:21.280
<v Speaker 1>type of racist? Are we're human? Is your wife like

1:40:21.400 --> 1:40:25.800
<v Speaker 1>light skin? Latine my head. Yeah, so your kids will

1:40:25.840 --> 1:40:27.800
<v Speaker 1>be like in between, we got kids.

1:40:35.080 --> 1:40:37.040
<v Speaker 4>My kids are actually the exact same color as me,

1:40:38.560 --> 1:40:42.439
<v Speaker 4>but they just got you know, less kinky hair down.

1:40:42.600 --> 1:40:47.840
<v Speaker 1>Now got there's a little more waving. Okay, no wave, Grace, no,

1:40:48.040 --> 1:40:53.840
<v Speaker 1>no way, grace no no King of the Moon girl girl,

1:40:55.120 --> 1:40:57.520
<v Speaker 1>what place have you performed.

1:40:57.120 --> 1:40:59.920
<v Speaker 3>As country wise that you were? You just were like,

1:41:00.120 --> 1:41:02.280
<v Speaker 3>this is wild that I'm even here in this country,

1:41:02.320 --> 1:41:03.559
<v Speaker 3>that they that I have fans here.

1:41:04.320 --> 1:41:06.040
<v Speaker 4>Well, the first time I went to South Africa, it

1:41:06.120 --> 1:41:08.320
<v Speaker 4>was right at the beginning of my career, and you

1:41:08.400 --> 1:41:10.800
<v Speaker 4>don't really know how you're going to do internationally when

1:41:11.080 --> 1:41:14.200
<v Speaker 4>at the beginning and I went there and I was like,

1:41:14.400 --> 1:41:16.920
<v Speaker 4>I couldn't believe how much love I had there and

1:41:17.040 --> 1:41:18.400
<v Speaker 4>everybody knew every song.

1:41:19.400 --> 1:41:20.080
<v Speaker 1>That was amazing.

1:41:20.160 --> 1:41:22.040
<v Speaker 4>But then going to Asia, going to places where they

1:41:22.040 --> 1:41:25.479
<v Speaker 4>don't speak English, non English speaking, Yeah, so you go

1:41:25.560 --> 1:41:28.960
<v Speaker 4>to Japan, and you go to Italy, you go to Spain,

1:41:29.120 --> 1:41:31.040
<v Speaker 4>you know, all these different places where people don't even

1:41:31.080 --> 1:41:33.280
<v Speaker 4>speak the language that you're singing in and then they

1:41:33.320 --> 1:41:36.920
<v Speaker 4>sing the songs back to you. It feels pretty much. Yeah,

1:41:37.520 --> 1:41:39.160
<v Speaker 4>I was just there last year and how.

1:41:39.200 --> 1:41:39.519
<v Speaker 3>Was that was?

1:41:39.640 --> 1:41:39.840
<v Speaker 1>Dover.

1:41:40.080 --> 1:41:42.040
<v Speaker 2>Yeah, I was into it. We had a good time.

1:41:42.320 --> 1:41:46.639
<v Speaker 2>I'll probably go back. And you got engaged in where

1:41:48.320 --> 1:41:51.599
<v Speaker 2>in the Maldives and then you got married at lake

1:41:51.640 --> 1:41:52.880
<v Speaker 2>Como in Italy.

1:41:58.439 --> 1:42:02.200
<v Speaker 1>That's my place. I love. You've been to Maldives soon?

1:42:02.439 --> 1:42:04.920
<v Speaker 1>Of course? Oh yes, sir, yes, sir, yes, sir. I

1:42:04.920 --> 1:42:05.479
<v Speaker 1>ain't gonna lie.

1:42:05.560 --> 1:42:08.320
<v Speaker 2>Me and my wife turned up just us, yeah, because god,

1:42:08.400 --> 1:42:08.800
<v Speaker 2>we didn't go.

1:42:09.000 --> 1:42:10.080
<v Speaker 1>And you went with other people.

1:42:10.320 --> 1:42:13.080
<v Speaker 4>Well, when we got engaged, it was just the two

1:42:13.160 --> 1:42:15.400
<v Speaker 4>of us. We didn't have kids or anything. So we

1:42:15.720 --> 1:42:20.080
<v Speaker 4>in the Maldives. Yeah, and so that was twenty eleven.

1:42:20.520 --> 1:42:23.320
<v Speaker 1>Uh. And then we had already been to Lake.

1:42:23.240 --> 1:42:26.680
<v Speaker 4>Como as a couple just dating, and it's like the

1:42:26.800 --> 1:42:28.720
<v Speaker 4>most beautiful romantic place.

1:42:28.600 --> 1:42:31.120
<v Speaker 1>You could go. You feel like you're in heaven. And

1:42:31.200 --> 1:42:33.879
<v Speaker 1>then the little boats. Yeah, we're in a little boats,

1:42:34.040 --> 1:42:36.720
<v Speaker 1>you know, going on dates on a boat. You know,

1:42:36.840 --> 1:42:44.439
<v Speaker 1>it's like life is good. That's my staff. I always say.

1:42:44.520 --> 1:42:47.320
<v Speaker 4>We fell in love at lake Como, and so we

1:42:47.439 --> 1:42:50.120
<v Speaker 4>decided we would get married there, and so we got

1:42:50.200 --> 1:42:54.400
<v Speaker 4>married there in twenty thirteen, and we shot the All

1:42:54.479 --> 1:42:56.240
<v Speaker 4>of Me video there too, So if you look at

1:42:56.280 --> 1:42:59.120
<v Speaker 4>the video, double dipped yeah, so the whole So it

1:42:59.200 --> 1:43:01.000
<v Speaker 4>was like I got to expend some of the trip.

1:43:06.439 --> 1:43:09.720
<v Speaker 4>But the craziest thing about the video is it was directed.

1:43:09.400 --> 1:43:11.480
<v Speaker 1>By this guy named Nobille Elderkin.

1:43:11.160 --> 1:43:14.880
<v Speaker 4>And he's the guy that is the reason why Christian

1:43:14.880 --> 1:43:18.200
<v Speaker 4>and I met because he was the director of the

1:43:18.400 --> 1:43:22.880
<v Speaker 4>very first video where we met, and Christian and I

1:43:23.000 --> 1:43:26.040
<v Speaker 4>started dating after we met on the video set, and

1:43:27.120 --> 1:43:30.000
<v Speaker 4>so this guy is responsible for us meeting and he

1:43:30.080 --> 1:43:31.600
<v Speaker 4>ended up directing the video for all of.

1:43:31.640 --> 1:43:36.240
<v Speaker 2>Me, you know, seven years later. And did he directed

1:43:37.240 --> 1:43:41.080
<v Speaker 2>the proposal? No, we didn't shoot that. We didn't shoot that.

1:43:41.160 --> 1:43:44.200
<v Speaker 1>That was just that was just us. That was just us.

1:43:45.840 --> 1:43:53.280
<v Speaker 1>I mean it's a very famous yea, a very famous guy.

1:43:55.040 --> 1:43:57.400
<v Speaker 1>So how was your proposal? What did you do? So?

1:43:57.840 --> 1:43:59.920
<v Speaker 1>You you're a very smooth guy. I want to compare you.

1:44:00.840 --> 1:44:01.120
<v Speaker 1>I was.

1:44:01.400 --> 1:44:04.479
<v Speaker 4>It was like a few months I decided I was

1:44:04.520 --> 1:44:05.960
<v Speaker 4>going to do it, and I decided I was going

1:44:06.000 --> 1:44:10.920
<v Speaker 4>to do it on this trip, and I started getting

1:44:10.920 --> 1:44:12.840
<v Speaker 4>the ring together and everything, and I have this little

1:44:14.000 --> 1:44:17.120
<v Speaker 4>package trying to disguise the ring in my bag in

1:44:17.240 --> 1:44:20.360
<v Speaker 4>case she like saw it in my bag. And so

1:44:21.000 --> 1:44:25.320
<v Speaker 4>I had this nondescript just envelope with the ring package

1:44:25.360 --> 1:44:28.280
<v Speaker 4>in there, and so I'm just trying to make sure

1:44:28.320 --> 1:44:31.240
<v Speaker 4>she don't see it so I can actually propose in

1:44:31.400 --> 1:44:33.080
<v Speaker 4>the moment, you know where I want to do it.

1:44:33.720 --> 1:44:36.400
<v Speaker 4>And we're flying to the Maldi's and back then you

1:44:36.520 --> 1:44:40.600
<v Speaker 4>had to fly through Colombo, Sri Lanka, but now you

1:44:40.640 --> 1:44:41.800
<v Speaker 4>can fly direct to Malee.

1:44:41.960 --> 1:44:46.320
<v Speaker 1>But before we flowed to the Dubai, spent a day

1:44:46.320 --> 1:44:47.679
<v Speaker 1>at Duba and then to Malee.

1:44:48.080 --> 1:44:52.679
<v Speaker 4>But back then you had to go somewhere Dubai, then

1:44:52.760 --> 1:44:58.679
<v Speaker 4>to Sri Lanka and then it's horrible times. But nowadays

1:44:58.760 --> 1:45:00.280
<v Speaker 4>you can go straight to Malee from the Bye.

1:45:00.479 --> 1:45:01.360
<v Speaker 1>So that's what we do now.

1:45:01.560 --> 1:45:07.360
<v Speaker 3>Anyway, we're going through the airport and they're rifling.

1:45:07.000 --> 1:45:09.680
<v Speaker 1>Through my bag. I'm like, y'all better not open this

1:45:09.880 --> 1:45:11.639
<v Speaker 1>fucking ring man. Wait wait customs.

1:45:11.920 --> 1:45:15.880
<v Speaker 2>Yeah, you know the people can't say basically wipeople right there.

1:45:16.000 --> 1:45:19.120
<v Speaker 1>Yeah, but this cer over in they about to blow

1:45:19.160 --> 1:45:21.920
<v Speaker 1>you up. Yeah. So they're going through, going through, going through,

1:45:22.200 --> 1:45:24.000
<v Speaker 1>and they were just about.

1:45:23.760 --> 1:45:26.840
<v Speaker 4>To open that envelope. But God must have spoke to him.

1:45:26.720 --> 1:45:31.160
<v Speaker 3>And said not now, son, right right right, right, right

1:45:31.280 --> 1:45:34.240
<v Speaker 3>right right, because he didn't open up the envelope.

1:45:34.520 --> 1:45:37.679
<v Speaker 2>And I got to propose on the beach in the Maldives.

1:45:37.720 --> 1:45:41.880
<v Speaker 2>So it was for like Christmas Eve dinner on the

1:45:41.960 --> 1:45:43.000
<v Speaker 2>beach in the Maldives.

1:45:43.160 --> 1:45:52.880
<v Speaker 1>One two three. We're about to have dessert.

1:45:52.720 --> 1:45:55.000
<v Speaker 2>And I tell the you know, a way to bring

1:45:55.080 --> 1:45:58.040
<v Speaker 2>out the ring with dessert, and he brings it out

1:45:58.080 --> 1:46:01.519
<v Speaker 2>in a little tray and then she sees it starts

1:46:01.600 --> 1:46:06.799
<v Speaker 2>crying and she said, yes, that's similar to my proposal.

1:46:07.000 --> 1:46:12.960
<v Speaker 1>But you just did it in about these no, no, no,

1:46:13.160 --> 1:46:20.400
<v Speaker 1>let me about you old so okay, all these she

1:46:20.520 --> 1:46:23.800
<v Speaker 1>says yes. She says yes obviously, and then we go.

1:46:24.160 --> 1:46:25.760
<v Speaker 3>Then we go over to Thailand because her mom and

1:46:25.880 --> 1:46:27.360
<v Speaker 3>dad were living in Thailand at the time.

1:46:27.439 --> 1:46:31.479
<v Speaker 4>Her mom's tie and uh. And then we show them

1:46:31.560 --> 1:46:34.519
<v Speaker 4>the ring. Uh when we land at the airport and

1:46:34.560 --> 1:46:36.920
<v Speaker 4>they're like ah. And her mom didn't really get it.

1:46:37.160 --> 1:46:39.799
<v Speaker 4>She was like, Okay, that's a nice ring. It's pretty

1:46:39.960 --> 1:46:40.639
<v Speaker 4>was the first.

1:46:42.960 --> 1:46:46.120
<v Speaker 1>I doubt it. She lived in Bangkok, you know, it's

1:46:46.720 --> 1:46:49.800
<v Speaker 1>kind of Bangkok. Him the bank, the bankok, and they

1:46:49.920 --> 1:46:56.280
<v Speaker 1>lived Yeah. And then and they lived in America. Yeah.

1:46:56.320 --> 1:46:58.840
<v Speaker 1>So Christy was Christy was born in the Internet.

1:46:58.880 --> 1:46:59.000
<v Speaker 3>You know.

1:46:59.400 --> 1:47:02.640
<v Speaker 4>Christy was about Christie was born in America and her

1:47:02.720 --> 1:47:05.559
<v Speaker 4>dad was born and raised in America and he met

1:47:05.640 --> 1:47:05.920
<v Speaker 4>her mom.

1:47:06.640 --> 1:47:07.840
<v Speaker 1>Her mom over there, but.

1:47:08.120 --> 1:47:10.320
<v Speaker 3>Then they lived in America for a long time, but

1:47:10.400 --> 1:47:11.960
<v Speaker 3>then they moved back to Thailand, and that's when I

1:47:12.000 --> 1:47:13.479
<v Speaker 3>met them, when they had moved back to Thailand.

1:47:13.880 --> 1:47:20.800
<v Speaker 1>Yeah, you like Thailand. Yeah, it's beautiful, beautiful back then,

1:47:21.080 --> 1:47:23.960
<v Speaker 1>I don't think I think they stopped I think they

1:47:24.000 --> 1:47:27.280
<v Speaker 1>stopped it. I think that's legal. Yeah, I think it was.

1:47:28.880 --> 1:47:29.759
<v Speaker 1>If you do some crazy.

1:47:30.400 --> 1:47:37.240
<v Speaker 4>Singapore, Singapore, Singapore America, Singapore.

1:47:37.320 --> 1:47:38.479
<v Speaker 1>Singapore is really strict.

1:47:38.560 --> 1:47:43.000
<v Speaker 3>Yeah, Singapore is like you can't shoot gum and yeah,

1:47:43.240 --> 1:47:43.960
<v Speaker 3>it's very clean.

1:47:44.360 --> 1:47:47.240
<v Speaker 4>It's very clean. Well, Singapore is beautiful, but it's it's

1:47:47.280 --> 1:47:47.920
<v Speaker 4>definitely strict.

1:47:48.160 --> 1:47:51.439
<v Speaker 2>I went to Singapore one time, and this is the

1:47:51.560 --> 1:47:55.559
<v Speaker 2>time where the whole economy was tobacco, and I had

1:47:55.600 --> 1:47:57.439
<v Speaker 2>two carts a new Ports.

1:47:57.439 --> 1:47:59.439
<v Speaker 1>I used to smoke, and they pulled me over like

1:47:59.520 --> 1:48:04.360
<v Speaker 1>I had like you got buy her, you got buy it? Yeah, yeah,

1:48:04.680 --> 1:48:06.479
<v Speaker 1>they this is how crazy it was.

1:48:06.720 --> 1:48:08.840
<v Speaker 2>They made me throw out the cigarettes and then they

1:48:08.880 --> 1:48:12.840
<v Speaker 2>made me buy their cigarettes in customs and I bought it,

1:48:12.920 --> 1:48:17.080
<v Speaker 2>like I I definitely did it. You got to buy

1:48:17.080 --> 1:48:21.479
<v Speaker 2>a little what's your favorite country. The performer, well, South Africa,

1:48:21.920 --> 1:48:28.519
<v Speaker 2>Korea said, I love playing in Amsterdam and London, and yeah,

1:48:28.560 --> 1:48:29.360
<v Speaker 2>those are my favorites.

1:48:30.680 --> 1:48:32.000
<v Speaker 1>I have a couple of times.

1:48:32.960 --> 1:48:35.800
<v Speaker 3>It was before it got crazy experience. Yeah, it was

1:48:35.880 --> 1:48:37.240
<v Speaker 3>before it got crazy lately, like.

1:48:37.280 --> 1:48:39.880
<v Speaker 1>With the war and everything. But uh, I was there.

1:48:40.240 --> 1:48:41.240
<v Speaker 1>It was like for a birthday.

1:48:41.320 --> 1:48:43.320
<v Speaker 4>It was like a private birthday party or something and

1:48:43.800 --> 1:48:46.439
<v Speaker 4>some you know them guys with the big money, they

1:48:46.479 --> 1:48:48.160
<v Speaker 4>want somebody to come and sing their birthday party.

1:48:48.640 --> 1:48:52.719
<v Speaker 2>It was in Moscow. Yeah, at like a theater. It's beautiful,

1:48:53.520 --> 1:48:58.160
<v Speaker 2>beautiful cities. Yeah, she's the Louis Properties. I've been just

1:48:58.240 --> 1:49:00.240
<v Speaker 2>about everywhere. There's a very few places I have been.

1:49:00.320 --> 1:49:05.280
<v Speaker 2>But yeah, you performed a kow not kouw.

1:49:05.560 --> 1:49:14.880
<v Speaker 1>But I played Dubai, Abu Dhabi, Saudi Arabia, Lebanon, a

1:49:14.960 --> 1:49:19.160
<v Speaker 1>bunch of Middle Eastern places. Yeah. Yeah, Morocco, like I

1:49:19.439 --> 1:49:23.080
<v Speaker 1>just take a shot. But for him performing every yes, worldwide,

1:49:25.240 --> 1:49:28.680
<v Speaker 1>shots are gone. Here we go yeah shot yeah, yeah,

1:49:28.680 --> 1:49:30.880
<v Speaker 1>because we like if we don't want you, we don't

1:49:30.880 --> 1:49:33.200
<v Speaker 1>want to. Yeah, we want you to catch a flight

1:49:33.280 --> 1:49:37.880
<v Speaker 1>you know. Yeah yeous.

1:49:39.400 --> 1:49:45.200
<v Speaker 2>So anything in your whole career, right, yeah, beautiful lovely career,

1:49:45.360 --> 1:49:47.880
<v Speaker 2>beautiful wife, beautiful children, beautiful everything.

1:49:47.880 --> 1:49:53.360
<v Speaker 1>Apparently, never have a bad day, according to listen, being honest.

1:49:53.120 --> 1:49:56.040
<v Speaker 2>I'm spreading the rumor you leave here. It might it

1:49:56.120 --> 1:49:59.200
<v Speaker 2>might read John Legend never has a bad joy. It

1:49:59.320 --> 1:50:01.519
<v Speaker 2>might just read that I just mean. But by the way,

1:50:03.400 --> 1:50:05.040
<v Speaker 2>this is one of my friends, right, this is this

1:50:05.200 --> 1:50:09.280
<v Speaker 2>is my friend Sonny d b T. He's never had

1:50:09.320 --> 1:50:09.840
<v Speaker 2>a bad day.

1:50:09.920 --> 1:50:12.640
<v Speaker 1>I hate him. I love that for you in a

1:50:12.760 --> 1:50:13.160
<v Speaker 1>good way.

1:50:13.439 --> 1:50:15.200
<v Speaker 3>He never had a bad day, and Haiti is the

1:50:15.600 --> 1:50:16.640
<v Speaker 3>source of everything.

1:50:16.760 --> 1:50:18.519
<v Speaker 1>In a good way, like in a good way, like

1:50:18.680 --> 1:50:19.160
<v Speaker 1>he like.

1:50:19.920 --> 1:50:22.800
<v Speaker 2>If ever I'm having a bad day, I call him

1:50:23.040 --> 1:50:26.400
<v Speaker 2>and he'll be He'll he'll simply say some foul ship,

1:50:26.520 --> 1:50:29.880
<v Speaker 2>like shut the fuck up, let's go outside on this

1:50:30.120 --> 1:50:34.200
<v Speaker 2>and we'll have a great day. Yes, I cherished people

1:50:34.280 --> 1:50:38.000
<v Speaker 2>like that. Yeah, is that who you are? Can I

1:50:38.080 --> 1:50:39.400
<v Speaker 2>call you on a bad day and you'd be like,

1:50:39.560 --> 1:50:39.920
<v Speaker 2>shut up?

1:50:40.000 --> 1:50:42.880
<v Speaker 1>Nigga trying to find him bright side, trying to find

1:50:42.920 --> 1:50:45.479
<v Speaker 1>the right side for you, man, trying to find find

1:50:45.560 --> 1:50:47.920
<v Speaker 1>the right side for you. He wants you to start

1:50:47.960 --> 1:50:51.439
<v Speaker 1>a hot line. I got to be his friend, John Legend,

1:50:51.520 --> 1:50:53.760
<v Speaker 1>never have a bad day, never have a bad day.

1:50:57.880 --> 1:51:01.759
<v Speaker 3>Back in the when they first started doing the voice

1:51:02.800 --> 1:51:05.479
<v Speaker 3>activated assistant for Google.

1:51:06.479 --> 1:51:07.640
<v Speaker 1>They made me the voice of it.

1:51:07.760 --> 1:51:10.479
<v Speaker 4>So really I had to literally go to the studio

1:51:10.520 --> 1:51:12.920
<v Speaker 4>and just record myself saying all kinds.

1:51:12.720 --> 1:51:17.160
<v Speaker 1>Of words Jillian things, excuse me, check though. Yeah. It

1:51:17.240 --> 1:51:19.920
<v Speaker 1>was a good check but it was a lot of work.

1:51:19.960 --> 1:51:22.240
<v Speaker 3>It was like literally ten days in the studio of

1:51:22.439 --> 1:51:24.000
<v Speaker 3>like six to eight hour days.

1:51:23.880 --> 1:51:26.680
<v Speaker 1>Of just reading things. Does that still exists now?

1:51:26.760 --> 1:51:29.599
<v Speaker 4>It was like a one year promotion, so you could

1:51:29.960 --> 1:51:32.360
<v Speaker 4>if you have one of those Google Home things, you

1:51:32.439 --> 1:51:34.200
<v Speaker 4>would have my voice on it for a year and

1:51:34.280 --> 1:51:35.160
<v Speaker 4>then you was like Siri.

1:51:35.600 --> 1:51:38.360
<v Speaker 1>Yeah, I was like Siri for Google, I would buy

1:51:41.160 --> 1:51:47.880
<v Speaker 1>all Have you done more things like that in the

1:51:47.920 --> 1:51:51.240
<v Speaker 1>tech space, I've done a lot of stuff. Yeah.

1:51:51.479 --> 1:51:53.800
<v Speaker 3>Well we worked with them on their AI project too,

1:51:53.920 --> 1:51:57.720
<v Speaker 3>Google's too. So one thing that I'm curious about in

1:51:57.800 --> 1:52:00.439
<v Speaker 3>the R and B space in terms of related to

1:52:00.640 --> 1:52:02.880
<v Speaker 3>hip hop space. Yeah, so, you know, in the hip

1:52:02.880 --> 1:52:06.000
<v Speaker 3>hop space generationally, we're looking at the differences in the sound.

1:52:06.320 --> 1:52:07.680
<v Speaker 1>Uh huh. Do you see that in the R and

1:52:07.760 --> 1:52:08.479
<v Speaker 1>B space as well?

1:52:09.120 --> 1:52:11.040
<v Speaker 4>But I think a lot of R and B artists

1:52:11.080 --> 1:52:13.960
<v Speaker 4>still like hold on to some of the classic sounds,

1:52:14.000 --> 1:52:16.120
<v Speaker 4>but they're always like. But the thing is R and

1:52:16.200 --> 1:52:18.080
<v Speaker 4>B and hip hop are so close, Like we work

1:52:18.160 --> 1:52:21.040
<v Speaker 4>with a lot of the same producers, and so a

1:52:21.080 --> 1:52:23.200
<v Speaker 4>lot of things that are happening in hip hop, we're

1:52:23.280 --> 1:52:25.320
<v Speaker 4>doing it as well. But there's still a lot of

1:52:25.400 --> 1:52:27.120
<v Speaker 4>R and B artists. I think that like the classic

1:52:27.200 --> 1:52:27.599
<v Speaker 4>sounds too.

1:52:27.800 --> 1:52:29.920
<v Speaker 3>Do you ever feel like you are hip hop just

1:52:30.760 --> 1:52:32.439
<v Speaker 3>by the nature of how you came up?

1:52:32.560 --> 1:52:34.599
<v Speaker 4>I feel I'm so connected to hip hop. I feel

1:52:34.600 --> 1:52:37.719
<v Speaker 4>like I've made so many hip hop records. I literally

1:52:37.880 --> 1:52:40.080
<v Speaker 4>was going through because we're doing some promotions for my

1:52:40.120 --> 1:52:43.800
<v Speaker 4>anniversary of Get Lifted, and I was going through all

1:52:43.840 --> 1:52:45.719
<v Speaker 4>the hip hop collapse I have and making a playlist

1:52:46.240 --> 1:52:48.599
<v Speaker 4>and it's massive, Like the list, it's crazy.

1:52:48.720 --> 1:52:51.360
<v Speaker 1>So yeah, hip hop is so core to my.

1:52:52.360 --> 1:52:55.160
<v Speaker 3>Career and my musical identity and everything.

1:52:55.400 --> 1:52:56.679
<v Speaker 1>So it's John Legend rapped.

1:52:57.680 --> 1:53:01.360
<v Speaker 4>I have go back and list listen to a record

1:53:01.439 --> 1:53:05.680
<v Speaker 4>with Consequence. He wrote the rapskay and.

1:53:07.240 --> 1:53:10.960
<v Speaker 3>He like produced my session, but I did rap with him.

1:53:10.880 --> 1:53:11.320
<v Speaker 2>On the song.

1:53:11.600 --> 1:53:14.720
<v Speaker 1>Did you enjoy that experience? I did. I feel like

1:53:14.720 --> 1:53:17.040
<v Speaker 1>I'd be better at it now, like I just have

1:53:17.200 --> 1:53:20.240
<v Speaker 1>more understanding of whatever.

1:53:20.360 --> 1:53:22.680
<v Speaker 2>So you've not and I've been writing raps actually for

1:53:22.800 --> 1:53:23.599
<v Speaker 2>a Broadway show.

1:53:24.240 --> 1:53:30.080
<v Speaker 1>Really yeah, writing raps? Yeah, he rhymed. Well, he's talking.

1:53:29.880 --> 1:53:31.800
<v Speaker 4>About how hip hop is so important to my career,

1:53:31.840 --> 1:53:33.240
<v Speaker 4>and I was talking about how many times I've been

1:53:33.280 --> 1:53:35.800
<v Speaker 4>on hip hop records the whole life, my whole career.

1:53:36.240 --> 1:53:37.920
<v Speaker 1>But he was like, have you ever rapped?

1:53:37.960 --> 1:53:40.559
<v Speaker 4>And I said, I did one record with Consequence where

1:53:40.600 --> 1:53:41.080
<v Speaker 4>he wrote the.

1:53:41.120 --> 1:53:42.000
<v Speaker 1>Raps and I did him.

1:53:43.200 --> 1:53:47.040
<v Speaker 4>But I've actually been writing raps for Broadway for a show.

1:53:47.080 --> 1:53:47.479
<v Speaker 1>I'm writing.

1:53:47.800 --> 1:53:52.720
<v Speaker 2>Oh, that's fine. What's your relationship with Consequence? He hit me,

1:53:53.360 --> 1:53:55.479
<v Speaker 2>like a couple of weeks ago. I love Yeah, Like

1:53:55.560 --> 1:53:56.840
<v Speaker 2>I don't. I don't talk to him a lot, but

1:53:57.280 --> 1:54:00.200
<v Speaker 2>all love. We were like in the early day, he's

1:54:00.240 --> 1:54:01.400
<v Speaker 2>a tour and we were roommates.

1:54:01.800 --> 1:54:05.880
<v Speaker 3>Like uh so, so he'd have uh you know when

1:54:05.920 --> 1:54:07.840
<v Speaker 3>you when you have a broke artist and you just

1:54:07.920 --> 1:54:10.800
<v Speaker 3>on tour support, like everybody got double up, so you

1:54:11.040 --> 1:54:12.200
<v Speaker 3>sleep in the double rooms.

1:54:12.439 --> 1:54:14.960
<v Speaker 4>He's in one bed, I'm in the other. So Console

1:54:15.080 --> 1:54:20.920
<v Speaker 4>was my roommate. Who was these other people that's on

1:54:21.000 --> 1:54:24.400
<v Speaker 4>the tour? Consequence you GLC, don c.

1:54:26.360 --> 1:54:31.839
<v Speaker 2>Yay, Monopoly monop would come out a lot really really.

1:54:31.680 --> 1:54:34.680
<v Speaker 1>Dough doing tour buses or not. We were on tour buses.

1:54:35.080 --> 1:54:37.760
<v Speaker 1>Those are rigorous. Yeah, those tour buses are. I like

1:54:37.840 --> 1:54:38.440
<v Speaker 1>tour buses.

1:54:38.920 --> 1:54:42.400
<v Speaker 3>Man, Well I get the start bus now, yeah, I

1:54:42.440 --> 1:54:44.760
<v Speaker 3>get to stop goodse I got the bed, I got

1:54:44.800 --> 1:54:46.680
<v Speaker 3>the actual everybody else is.

1:54:46.680 --> 1:54:49.440
<v Speaker 1>In bunks and then you're in a nice bed. Yeah.

1:54:50.160 --> 1:54:53.240
<v Speaker 2>But I don't mind it because as a singer, you

1:54:53.320 --> 1:54:56.640
<v Speaker 2>don't love being up and down in the uh because

1:54:56.720 --> 1:54:59.000
<v Speaker 2>the air yeah mess with your vocal.

1:54:59.040 --> 1:55:01.920
<v Speaker 4>You just get dry and going up and down all

1:55:01.960 --> 1:55:06.360
<v Speaker 4>the time for shows, and so it's easier for just

1:55:06.400 --> 1:55:06.600
<v Speaker 4>to be.

1:55:06.640 --> 1:55:09.400
<v Speaker 1>On the bus. You know why I love good music.

1:55:09.640 --> 1:55:10.560
<v Speaker 1>I'ma be honest with you.

1:55:13.000 --> 1:55:14.560
<v Speaker 2>I came up in an arrow where we had to

1:55:14.640 --> 1:55:19.040
<v Speaker 2>be gangster, right, and we had to keep up that gangster.

1:55:19.440 --> 1:55:22.680
<v Speaker 2>If you not gangster for one week, there's someone who

1:55:22.720 --> 1:55:26.440
<v Speaker 2>will come and try to take that slot that same week.

1:55:26.640 --> 1:55:27.880
<v Speaker 1>Just you're just trying to chill.

1:55:31.000 --> 1:55:36.160
<v Speaker 2>I got introduced to a person named for Real. His

1:55:36.320 --> 1:55:39.920
<v Speaker 2>first lines he ever said to me was I don't

1:55:39.960 --> 1:55:43.200
<v Speaker 2>have a gangster bone in my body. At the time,

1:55:45.360 --> 1:55:48.840
<v Speaker 2>I could have been like this egotistic maniac and been

1:55:48.920 --> 1:55:52.840
<v Speaker 2>like what because he had on a medium shirt. I

1:55:52.920 --> 1:55:55.640
<v Speaker 2>had on a five acts right, So this is the

1:55:55.760 --> 1:55:59.840
<v Speaker 2>time of Fox, right, No, I know, and I chose

1:56:00.080 --> 1:56:03.200
<v Speaker 2>to believe in that movement. Yeah, I chose to believe.

1:56:03.240 --> 1:56:04.600
<v Speaker 2>I was like, fuck that you don't have to be.

1:56:04.920 --> 1:56:07.360
<v Speaker 2>But if Pharrell knew how to make gangster beats for y'all,

1:56:07.880 --> 1:56:13.040
<v Speaker 2>you know, and me and Pharrell made all this. But

1:56:13.800 --> 1:56:18.840
<v Speaker 2>to me, I always remember those first words they said

1:56:18.880 --> 1:56:21.720
<v Speaker 2>to me, and then it trickled down to good music, right.

1:56:22.960 --> 1:56:26.320
<v Speaker 2>And I always loved y'all because that's what y'all represented.

1:56:26.920 --> 1:56:33.920
<v Speaker 2>Represent the gangster part of life, yeah, represented the I

1:56:33.960 --> 1:56:37.200
<v Speaker 2>don't want to the ordinary people part of life.

1:56:37.320 --> 1:56:37.520
<v Speaker 3>Yeah.

1:56:37.600 --> 1:56:39.240
<v Speaker 1>And most people aren't gangsters, you know.

1:56:39.600 --> 1:56:44.240
<v Speaker 4>And so and you know the thing about us being

1:56:44.280 --> 1:56:49.600
<v Speaker 4>attracted to artists that describe that life, It is attractive

1:56:49.600 --> 1:56:51.840
<v Speaker 4>because it's just like you want to watch Scarface or

1:56:51.880 --> 1:56:52.600
<v Speaker 4>you want to watch.

1:56:52.800 --> 1:56:54.360
<v Speaker 1>Like you want to watch Against the movie.

1:56:54.280 --> 1:56:56.600
<v Speaker 4>And so there's something appealing about that even if you

1:56:56.720 --> 1:56:59.400
<v Speaker 4>haven't lived that life, like you're fascinated by that life.

1:56:59.600 --> 1:57:01.640
<v Speaker 4>And so I see why people love gangst the rap.

1:57:02.000 --> 1:57:05.320
<v Speaker 4>But it also helped Kanye stand out when he was

1:57:05.400 --> 1:57:08.360
<v Speaker 4>like we're in the polos and talking about dropping out

1:57:08.400 --> 1:57:11.480
<v Speaker 4>of college. When he was on the same label with

1:57:12.040 --> 1:57:15.360
<v Speaker 4>guys rapping about Dylan Coke, it was like it made

1:57:15.440 --> 1:57:17.360
<v Speaker 4>him stand out, you know, And I'm giving it to

1:57:17.520 --> 1:57:20.560
<v Speaker 4>y'all in its entirety. It just because it was all

1:57:20.680 --> 1:57:23.600
<v Speaker 4>of y'all like yeah, like I mean, but I wasn't rapping,

1:57:23.680 --> 1:57:24.680
<v Speaker 4>so like I didn't.

1:57:24.480 --> 1:57:26.760
<v Speaker 1>Have to be gast it was I was singing, but

1:57:26.840 --> 1:57:30.040
<v Speaker 1>you were singing. That was the outfit.

1:57:31.000 --> 1:57:32.920
<v Speaker 4>But I didn't have to be gangster though, But as

1:57:32.960 --> 1:57:35.040
<v Speaker 4>a rapper, that was a bold thing to do to

1:57:35.200 --> 1:57:37.560
<v Speaker 4>like not to be the only non I was very.

1:57:37.520 --> 1:57:40.600
<v Speaker 1>Gangster, Yeah, Kanye, to be that way, it's bold, it's authentic.

1:57:40.720 --> 1:57:46.240
<v Speaker 1>Yeah yeah, And now we have a whole genre of

1:57:47.600 --> 1:57:50.440
<v Speaker 1>that music. But then we have a whole genre of

1:57:50.880 --> 1:57:53.600
<v Speaker 1>dead music. Jesus Christmas.

1:57:54.400 --> 1:57:59.240
<v Speaker 2>These people rhyme about killing people, and it's crazy because

1:57:59.400 --> 1:58:02.920
<v Speaker 2>I'm un quote against the wrapping and I listen to

1:58:03.000 --> 1:58:04.000
<v Speaker 2>this ship like, oh.

1:58:06.040 --> 1:58:08.000
<v Speaker 3>No, but you're saying it wrong because you guys, you

1:58:08.080 --> 1:58:10.840
<v Speaker 3>guys are rhyming about killing people in a way, the

1:58:11.440 --> 1:58:14.120
<v Speaker 3>kids are literally rhyming about killing people for.

1:58:14.320 --> 1:58:17.760
<v Speaker 1>Real, like you talking about like, yeah, we don't about

1:58:17.840 --> 1:58:22.680
<v Speaker 1>drill is mostly in New York, right, it's all over it. Yeah,

1:58:22.800 --> 1:58:24.040
<v Speaker 1>you know, I'm saying, where did that start?

1:58:24.360 --> 1:58:28.160
<v Speaker 3>Chicago's gets Chicago gets yeah, gets gets.

1:58:27.960 --> 1:58:32.200
<v Speaker 1>Scort starts, I think really and London.

1:58:32.800 --> 1:58:35.640
<v Speaker 3>Yeah, London, like there's there's city, Like New York has

1:58:35.680 --> 1:58:37.200
<v Speaker 3>its own version that's.

1:58:37.080 --> 1:58:40.360
<v Speaker 2>Drill and then yeah London, Like I'm so gree Like

1:58:40.720 --> 1:58:43.200
<v Speaker 2>one day I was just like I hit some really

1:58:43.360 --> 1:58:43.840
<v Speaker 2>talk about it.

1:58:44.280 --> 1:58:52.440
<v Speaker 1>That's drill. I mean, but I think that's that was

1:58:52.720 --> 1:58:54.720
<v Speaker 1>for New York. But I even think it's changed so

1:58:54.880 --> 1:58:55.480
<v Speaker 1>much from them.

1:58:56.160 --> 1:58:59.280
<v Speaker 3>It's gotten so much, like where they really like because

1:58:59.280 --> 1:59:02.040
<v Speaker 3>they're using souli media with the music to really like

1:59:03.040 --> 1:59:05.879
<v Speaker 3>this is what I'm really doing, but they're like outing themselves.

1:59:05.920 --> 1:59:06.760
<v Speaker 1>It's just wild.

1:59:06.880 --> 1:59:09.200
<v Speaker 4>It's it's what what do you think about the whole

1:59:09.480 --> 1:59:12.640
<v Speaker 4>movement to not hold like a record against the person,

1:59:12.840 --> 1:59:17.640
<v Speaker 4>Like like how with the uh in the case you

1:59:17.720 --> 1:59:20.320
<v Speaker 4>can't like quote the lyrics it blurs the lines.

1:59:21.280 --> 1:59:21.840
<v Speaker 1>Complicated.

1:59:22.040 --> 1:59:26.560
<v Speaker 3>Yeah, it's really complicated, man, Like I really think that

1:59:26.640 --> 1:59:30.120
<v Speaker 3>that art should be separated, yeah, from the judicial system in.

1:59:30.160 --> 1:59:33.640
<v Speaker 1>That sense, Yeah, you could should be just can't be charged.

1:59:34.480 --> 1:59:36.960
<v Speaker 1>I agree. Like, also, like what the fuck I believe?

1:59:37.160 --> 1:59:39.440
<v Speaker 1>I believe you shouldn't. You shouldn't be able to hold

1:59:39.520 --> 1:59:40.720
<v Speaker 1>someone's song against them.

1:59:40.880 --> 1:59:43.040
<v Speaker 4>You got to have real evidence that they did something,

1:59:43.680 --> 1:59:46.440
<v Speaker 4>not just that they rapped about something hard.

1:59:46.520 --> 1:59:51.720
<v Speaker 1>That Nigga killed nineteen for sure, exactly sure, so he

1:59:51.920 --> 1:59:56.760
<v Speaker 1>really didn't that's the problem. But Rus, that is not that.

1:59:57.240 --> 1:59:59.400
<v Speaker 4>But the point is, it's not enough proof to say

1:59:59.440 --> 2:00:01.680
<v Speaker 4>someone made art about killing somebody.

2:00:01.760 --> 2:00:03.440
<v Speaker 1>You have to be able to prove they actually did it,

2:00:03.560 --> 2:00:04.760
<v Speaker 1>absolutely absolutely.

2:00:04.840 --> 2:00:07.960
<v Speaker 2>Because I remember you being against the stopping chriss, Yeah,

2:00:08.080 --> 2:00:09.320
<v Speaker 2>he was fully against the stopping.

2:00:09.560 --> 2:00:12.720
<v Speaker 4>Now I'm generally like trying to find ways to make

2:00:13.080 --> 2:00:16.160
<v Speaker 4>everything more just for us, you know, And so I

2:00:16.240 --> 2:00:18.760
<v Speaker 4>don't like the idea of them holding songs against us.

2:00:19.720 --> 2:00:21.800
<v Speaker 4>I don't like the idea of stopping frisk. I don't

2:00:21.880 --> 2:00:24.240
<v Speaker 4>like the idea of illegal searches in general. And I'm

2:00:24.320 --> 2:00:26.760
<v Speaker 4>just always going to be on the side of standing

2:00:26.840 --> 2:00:28.120
<v Speaker 4>up for us and not locking a.

2:00:28.120 --> 2:00:29.920
<v Speaker 1>Bunch of us up. That's why are we running for

2:00:30.000 --> 2:00:38.920
<v Speaker 1>president twenty twenty? Excellent? But I don't know what God does.

2:00:42.520 --> 2:00:45.720
<v Speaker 2>How long you live down here, mem I'm going on

2:00:45.880 --> 2:00:47.400
<v Speaker 2>like seventeen years.

2:00:47.560 --> 2:00:50.000
<v Speaker 3>Yeah, you never going back? You said, I don't want

2:00:50.040 --> 2:00:52.080
<v Speaker 3>no more snow. No, I don't want to sound.

2:00:53.600 --> 2:00:55.480
<v Speaker 1>You like the snows. I'm good with it.

2:00:55.720 --> 2:00:59.360
<v Speaker 2>No, it's filming the fuck Korean Kareem is here, that's

2:00:59.400 --> 2:00:59.920
<v Speaker 2>what jamake.

2:01:00.280 --> 2:01:04.920
<v Speaker 1>He don't stop working. Yes, yeah, you got eight jobs,

2:01:06.040 --> 2:01:08.640
<v Speaker 1>but you do. I don't like the cold.

2:01:08.760 --> 2:01:12.320
<v Speaker 2>I'm sorry, Like that is that different people from I'm

2:01:12.360 --> 2:01:16.840
<v Speaker 2>Puerto Rican, but they're black? Okay, yeah, so yeah, I don't.

2:01:16.880 --> 2:01:20.080
<v Speaker 2>I don't think any side of my side wants to

2:01:20.320 --> 2:01:23.960
<v Speaker 2>reside wants to the cold, Like like why, like how

2:01:24.880 --> 2:01:27.840
<v Speaker 2>I put it in my whole time in New York.

2:01:28.680 --> 2:01:31.280
<v Speaker 2>Then I moved to New Jersey. I did all the

2:01:31.520 --> 2:01:35.920
<v Speaker 2>like walking with my tams in the snow, and now

2:01:36.120 --> 2:01:37.080
<v Speaker 2>like Louis Tims.

2:01:37.280 --> 2:01:39.160
<v Speaker 1>So it's like a little different. You don't want him

2:01:39.160 --> 2:01:41.840
<v Speaker 1>to get up, Like why can't I just be like

2:01:42.400 --> 2:01:46.240
<v Speaker 1>who I am now? Like funk that I deserve the

2:01:46.400 --> 2:01:50.000
<v Speaker 1>right to where Louis tim. That's right, I deserve the right.

2:01:50.920 --> 2:01:53.080
<v Speaker 1>God damn it. And you said you're working before. What

2:01:53.240 --> 2:01:55.640
<v Speaker 1>are y'all doing? We just started working on the album.

2:01:56.080 --> 2:01:57.320
<v Speaker 1>We never a whole album.

2:01:57.720 --> 2:02:00.800
<v Speaker 4>We never done like a whole big thing together. He

2:02:01.000 --> 2:02:02.800
<v Speaker 4>just did a couple of songs with me years ago.

2:02:03.600 --> 2:02:05.080
<v Speaker 4>And he just called me up in De Simmer. It

2:02:05.200 --> 2:02:08.120
<v Speaker 4>was like, uh, I really am inspired. Like I've been

2:02:08.160 --> 2:02:11.560
<v Speaker 4>thinking about your music and my vision for it. I

2:02:11.600 --> 2:02:14.640
<v Speaker 4>feel like we should just get in and see what happens. Wait,

2:02:14.640 --> 2:02:16.560
<v Speaker 4>he hit you out the blue saying this out the blue.

2:02:16.640 --> 2:02:19.600
<v Speaker 1>That's that's type of it makes sense, makes sense.

2:02:20.560 --> 2:02:20.680
<v Speaker 5>You know.

2:02:20.800 --> 2:02:23.080
<v Speaker 4>He's so creative and he gets inspired and and so

2:02:23.280 --> 2:02:25.000
<v Speaker 4>I've been over to Paris to work with them, and

2:02:25.360 --> 2:02:26.840
<v Speaker 4>we're gonna do it again in March.

2:02:27.680 --> 2:02:29.160
<v Speaker 1>Mm hmm, So we'll see what happens.

2:02:29.240 --> 2:02:33.240
<v Speaker 2>That's your next album, yeah, I mean well, yeah to

2:02:33.360 --> 2:02:36.800
<v Speaker 2>the people that your next album is fully produced Buffalo.

2:02:36.960 --> 2:02:39.400
<v Speaker 2>I'm not gonna say fully produced, yeah, I'm just gonna

2:02:39.400 --> 2:02:40.480
<v Speaker 2>say executive produce.

2:02:40.600 --> 2:02:42.680
<v Speaker 1>Yeah. I'm saying we're getting in and he's gonna ep

2:02:42.800 --> 2:02:50.680
<v Speaker 1>the record. So that's exact. H What is something that

2:02:54.280 --> 2:02:57.080
<v Speaker 1>you did back then you wish you could have did

2:02:58.080 --> 2:03:01.600
<v Speaker 1>right now? Like back then.

2:03:01.800 --> 2:03:05.440
<v Speaker 2>I'll give you an example example. My friend of mine

2:03:05.520 --> 2:03:09.840
<v Speaker 2>is named Tata. I have this number one record. It's

2:03:09.880 --> 2:03:18.680
<v Speaker 2>called Equal Man. I'm I'm Latino, I'm all over thet.

2:03:17.640 --> 2:03:18.800
<v Speaker 1>Comes all over the place.

2:03:19.080 --> 2:03:21.520
<v Speaker 2>Tata comes to me and says, I want a girl

2:03:21.880 --> 2:03:26.800
<v Speaker 2>to do a remix to this record. This is Jay,

2:03:27.360 --> 2:03:29.720
<v Speaker 2>absolutely yes, and he says, I want to go to

2:03:29.800 --> 2:03:31.360
<v Speaker 2>do a remix to this record, and I got to

2:03:31.680 --> 2:03:32.440
<v Speaker 2>just listen to me.

2:03:35.160 --> 2:03:37.200
<v Speaker 1>Somewhat. I don't want to say I said no. I

2:03:37.240 --> 2:03:40.480
<v Speaker 1>didn't say no. But when they asked me the payment,

2:03:40.560 --> 2:03:43.960
<v Speaker 1>it was like it's fifteen grand and I was like, Oh,

2:03:45.200 --> 2:03:50.760
<v Speaker 1>this woman wind up being Rihanna. Oh make this mistake

2:03:50.840 --> 2:03:53.720
<v Speaker 1>of my whole correct I don't have one like that that.

2:03:53.960 --> 2:03:56.400
<v Speaker 1>They don't have one. I don't no, I don't have one.

2:03:56.480 --> 2:03:58.880
<v Speaker 4>That was like, John, we want you to feature with

2:03:59.000 --> 2:04:00.440
<v Speaker 4>this of that artists, and then they went on to

2:04:00.480 --> 2:04:03.440
<v Speaker 4>blow up when I said no, I haven't done that honestly.

2:04:03.600 --> 2:04:09.120
<v Speaker 1>So if you've never said no to somebody that I'm

2:04:09.160 --> 2:04:11.240
<v Speaker 1>trying to think of something. I can't think of anything.

2:04:11.280 --> 2:04:14.320
<v Speaker 1>That means you say yes to everybody. No. It means

2:04:14.440 --> 2:04:16.040
<v Speaker 1>what I say no to I don't regret.

2:04:19.600 --> 2:04:22.160
<v Speaker 3>You know, I said yes a lot, because you know,

2:04:22.200 --> 2:04:23.440
<v Speaker 3>I got a lot of collapse out there.

2:04:23.520 --> 2:04:26.840
<v Speaker 4>But I definitely said no to something. But it didn't

2:04:26.840 --> 2:04:28.720
<v Speaker 4>come back to bite me, honestly, because not for nothing

2:04:28.760 --> 2:04:29.960
<v Speaker 4>Sonny did. He's got a record.

2:04:33.320 --> 2:04:36.240
<v Speaker 1>I'll tell you a funny story had Nas on here? Yeah,

2:04:36.360 --> 2:04:38.120
<v Speaker 1>it was my brother and Nas.

2:04:38.360 --> 2:04:40.440
<v Speaker 2>So I said to Nas, I said, because I feel

2:04:40.480 --> 2:04:42.000
<v Speaker 2>like the same way I feel about you, that.

2:04:42.040 --> 2:04:43.720
<v Speaker 1>You have a bad day in your life.

2:04:44.080 --> 2:04:46.520
<v Speaker 2>I feel like Nas, no one would tell Nas no,

2:04:46.880 --> 2:04:48.920
<v Speaker 2>Like I've been to the club with Nas and all

2:04:48.960 --> 2:04:49.760
<v Speaker 2>these gangsters.

2:04:50.640 --> 2:04:54.520
<v Speaker 1>Everybody knows and they see Naves to go. He's royalty.

2:04:56.080 --> 2:04:59.400
<v Speaker 1>I love royalty. But I asked now, I said, Yo,

2:05:00.200 --> 2:05:01.520
<v Speaker 1>anybody ever told you no?

2:05:02.360 --> 2:05:04.360
<v Speaker 2>And now I was like maybe no. And then I

2:05:04.480 --> 2:05:06.640
<v Speaker 2>was like, nah, nah, someone told you no. And then

2:05:06.720 --> 2:05:10.800
<v Speaker 2>he said Prince, Okay, there you go. And then I said,

2:05:10.920 --> 2:05:11.960
<v Speaker 2>why did Prince tell you?

2:05:12.120 --> 2:05:15.000
<v Speaker 1>Know? You know what Prince told Nas? No? He said,

2:05:15.040 --> 2:05:17.000
<v Speaker 1>do you own your masters? Yeah?

2:05:17.520 --> 2:05:19.520
<v Speaker 2>And now I said, I told him I don't own

2:05:19.720 --> 2:05:22.680
<v Speaker 2>my masters. He said, well, get back with me when

2:05:22.720 --> 2:05:23.680
<v Speaker 2>you do own your masters.

2:05:23.760 --> 2:05:26.960
<v Speaker 1>Yeah. So now just part to that too, where he

2:05:26.960 --> 2:05:28.520
<v Speaker 1>said I don't want to put them through colleges on

2:05:29.840 --> 2:05:31.400
<v Speaker 1>like put your kids through college.

2:05:31.960 --> 2:05:33.880
<v Speaker 3>I don't want to put the ekids college.

2:05:33.960 --> 2:05:37.840
<v Speaker 1>Yeah. I want to ask you this question again. Has

2:05:37.880 --> 2:05:40.520
<v Speaker 1>it any ever been anybody in front of them on you.

2:05:41.280 --> 2:05:43.720
<v Speaker 4>Front of them and like said no to me? Oh yeah,

2:05:43.960 --> 2:05:46.600
<v Speaker 4>there's been a artists that passed on. Like I'll reach

2:05:46.680 --> 2:05:49.240
<v Speaker 4>out and ask for somebody to feature on the record

2:05:49.720 --> 2:05:52.120
<v Speaker 4>and they'll pass, and they'll pass for different reasons. Like

2:05:53.000 --> 2:05:56.440
<v Speaker 4>sometimes I think with rap, especially if you want an

2:05:56.560 --> 2:05:58.800
<v Speaker 4>MC to get on a record, they really have to

2:05:58.920 --> 2:06:02.160
<v Speaker 4>hear that be and feel in spite of the right Yeah,

2:06:02.480 --> 2:06:06.160
<v Speaker 4>hit themselves on it. And sometimes they don't, and and

2:06:06.440 --> 2:06:08.960
<v Speaker 4>it's fine, give me a sample. I don't take it personally,

2:06:09.240 --> 2:06:13.960
<v Speaker 4>give me a sample who's passed. I mean, Andre just

2:06:14.080 --> 2:06:18.800
<v Speaker 4>passed on something three but like recently passed on everything, so.

2:06:20.840 --> 2:06:25.560
<v Speaker 1>You could even play. They were like, the guy that

2:06:25.680 --> 2:06:27.560
<v Speaker 1>I go through is a good friend of both.

2:06:27.400 --> 2:06:28.720
<v Speaker 3>Of ours, and he was like, if you have to

2:06:28.720 --> 2:06:30.400
<v Speaker 3>play flute, he might have done it, but.

2:06:31.680 --> 2:06:32.280
<v Speaker 1>You should.

2:06:33.760 --> 2:06:36.280
<v Speaker 4>Because it was a beautiful way. It was for the remix.

2:06:36.320 --> 2:06:39.200
<v Speaker 4>It was for the remixes. It was the one remix

2:06:39.320 --> 2:06:39.920
<v Speaker 4>on the remix.

2:06:40.360 --> 2:06:42.400
<v Speaker 1>It was one of the remixes that we did it

2:06:42.560 --> 2:06:43.400
<v Speaker 1>for the Get Lifted.

2:06:44.360 --> 2:06:47.040
<v Speaker 2>Adrey rapping more bro and he was like, if you

2:06:47.080 --> 2:06:48.720
<v Speaker 2>have them to play flute, he might say yes, but

2:06:48.840 --> 2:06:51.800
<v Speaker 2>you know, Andre be on what he's on at that time,

2:06:52.120 --> 2:06:54.560
<v Speaker 2>and if he ain't on, good shot.

2:06:55.040 --> 2:06:57.000
<v Speaker 1>And saying no, because we should have we should have

2:06:57.040 --> 2:06:59.560
<v Speaker 1>dot it. I don't be mad at it.

2:06:59.640 --> 2:07:01.720
<v Speaker 2>I'm like, Okay, you're not in the right place to

2:07:01.800 --> 2:07:03.800
<v Speaker 2>do it, you know, but you got a record with Andre,

2:07:04.200 --> 2:07:11.960
<v Speaker 2>but also Limpsey battle you I did Andre's record, yes,

2:07:12.600 --> 2:07:14.320
<v Speaker 2>but yes, we did green Light together.

2:07:14.400 --> 2:07:16.440
<v Speaker 1>That was our you know single we did together. We

2:07:16.520 --> 2:07:17.040
<v Speaker 1>did the video.

2:07:17.760 --> 2:07:19.400
<v Speaker 3>He really helped come up with the concept for the

2:07:19.480 --> 2:07:20.720
<v Speaker 3>video too, and uh.

2:07:21.160 --> 2:07:24.280
<v Speaker 4>It was incredible working with him for that. And then uh,

2:07:24.600 --> 2:07:27.560
<v Speaker 4>when Christy was co hosting lip Sync Battle with l

2:07:27.760 --> 2:07:31.640
<v Speaker 4>l Uh, I came on and did hey, y'all do

2:07:33.440 --> 2:07:36.480
<v Speaker 4>with a full wig and everything? It was something lip

2:07:36.600 --> 2:07:37.400
<v Speaker 4>sync was a time.

2:07:38.240 --> 2:07:48.840
<v Speaker 2>Yes, goddamn it, who's your favorite? Wrapper alls on Jay? Yeah,

2:07:49.560 --> 2:07:50.240
<v Speaker 2>I say Jay?

2:07:50.440 --> 2:07:55.400
<v Speaker 3>And then uh, I feel like Kendrick is almost there now.

2:07:55.640 --> 2:07:59.960
<v Speaker 3>Like it's like I was talking to Charlemagne like probably

2:08:00.200 --> 2:08:01.040
<v Speaker 3>two years ago.

2:08:01.560 --> 2:08:04.160
<v Speaker 4>And we were still like, are we putting him in

2:08:04.160 --> 2:08:07.880
<v Speaker 4>the top five already? Because he's younger than everybody else? Yep,

2:08:08.120 --> 2:08:08.280
<v Speaker 4>he was.

2:08:08.600 --> 2:08:09.680
<v Speaker 1>Well, we were discussing it.

2:08:09.880 --> 2:08:12.360
<v Speaker 4>We were discussing it because he was younger than everybody

2:08:12.400 --> 2:08:14.200
<v Speaker 4>else that normally you would put in there.

2:08:15.040 --> 2:08:17.160
<v Speaker 1>And I was like, at this point, you got to

2:08:17.160 --> 2:08:18.360
<v Speaker 1>put him there prolific.

2:08:18.640 --> 2:08:18.880
<v Speaker 3>Yeah.

2:08:19.080 --> 2:08:21.200
<v Speaker 1>Two years ago he was wait, yeah, and I was like,

2:08:21.440 --> 2:08:22.480
<v Speaker 1>at this point, you already got.

2:08:22.480 --> 2:08:24.200
<v Speaker 4>To put him there because and he never lets you

2:08:24.280 --> 2:08:26.760
<v Speaker 4>down because all the records are dope, the singles are dope,

2:08:26.840 --> 2:08:27.920
<v Speaker 4>and the videos are dope.

2:08:28.000 --> 2:08:31.880
<v Speaker 1>Different. Yeah, the videos are crazy. His shows are crazy. Like,

2:08:32.160 --> 2:08:35.040
<v Speaker 1>you got to put him right up there. Who's your

2:08:35.040 --> 2:08:36.120
<v Speaker 1>favorite R and B singer?

2:08:37.920 --> 2:08:44.320
<v Speaker 2>Stevie Steve, Steve seeing Stevie or no, Steven Steve, He's

2:08:44.360 --> 2:08:45.840
<v Speaker 2>always He's always.

2:08:51.360 --> 2:08:52.520
<v Speaker 1>Your favorite jazz.

2:08:53.280 --> 2:08:57.360
<v Speaker 2>I'm not super into jazz. Truthfully, you look you look

2:08:57.400 --> 2:09:00.280
<v Speaker 2>like a jazz player. I'm gonna be honest, and didn't

2:09:01.120 --> 2:09:04.000
<v Speaker 2>look like on the flu. I'm not like deep into it.

2:09:04.360 --> 2:09:06.480
<v Speaker 4>I'm more like, you know, I know some Miles Davis

2:09:06.560 --> 2:09:10.120
<v Speaker 4>records from John Coltrane, some like you know, like the

2:09:10.240 --> 2:09:13.640
<v Speaker 4>older singers like uh, you know Louis and Ella and uh,

2:09:14.040 --> 2:09:15.840
<v Speaker 4>I listen to some of that, but I'm not like

2:09:16.040 --> 2:09:17.760
<v Speaker 4>deeply into jazz zz.

2:09:18.560 --> 2:09:18.840
<v Speaker 1>Damn.

2:09:19.800 --> 2:09:25.800
<v Speaker 3>Who's your favorite jazz artists? Louis Armstrong, Yes, right, you

2:09:25.880 --> 2:09:26.680
<v Speaker 3>know the man?

2:09:27.120 --> 2:09:29.600
<v Speaker 1>And I like to singing boy. I like to singing well.

2:09:31.160 --> 2:09:33.920
<v Speaker 1>I like the ratty singing boys too, like he was dope.

2:09:34.080 --> 2:09:45.200
<v Speaker 2>Who's your favorite reggae artist Boo Nice Month, whom.

2:09:43.480 --> 2:09:45.120
<v Speaker 3>I've done a couple of records of Boo I love,

2:09:45.880 --> 2:09:46.440
<v Speaker 3>I said.

2:09:46.240 --> 2:09:50.280
<v Speaker 4>Reggae dance? Who's your favorite dance hall? Okay, so bo

2:09:50.680 --> 2:09:53.320
<v Speaker 4>dance hall? Yes, all right, we're being more specific. Yes,

2:09:53.840 --> 2:10:00.560
<v Speaker 4>just go back to Rake. Reggae Bob Marley, you made

2:10:00.560 --> 2:10:04.280
<v Speaker 4>records with I have a couple of records of the

2:10:04.320 --> 2:10:06.960
<v Speaker 4>first one we did together was on my Evolver albums

2:10:07.000 --> 2:10:08.760
<v Speaker 4>called Can't Be My Lover and.

2:10:10.440 --> 2:10:13.160
<v Speaker 1>Yeah, and then I've been on a couple of his projects.

2:10:14.800 --> 2:10:20.440
<v Speaker 1>He's the weast Papa Cheese. Yeah, yeah, yeah.

2:10:22.480 --> 2:10:26.040
<v Speaker 3>Reggae doesn't take or world Jamaican Today.

2:10:26.600 --> 2:10:31.640
<v Speaker 1>M hm. Who's your favorite reggae throne artists? Regged throne?

2:10:32.520 --> 2:10:37.800
<v Speaker 1>Have you dabbled in that? No? Do we count Bad Bunny?

2:10:37.880 --> 2:10:40.200
<v Speaker 1>Is he regu? I think so. I think I'm not

2:10:40.400 --> 2:10:43.000
<v Speaker 1>very well versed, so I'm not. I mean, yeah, you

2:10:43.040 --> 2:10:47.600
<v Speaker 1>don't count what's your favorite reg I love Bad Bunny,

2:10:47.840 --> 2:10:51.120
<v Speaker 1>but I don't know very well honest And he got conscious. Yeah,

2:10:51.200 --> 2:10:57.120
<v Speaker 1>he got like he stands up for Puerto Rico because listen,

2:10:57.160 --> 2:10:58.960
<v Speaker 1>I ain't gonna lie to you. He said, it might

2:10:59.000 --> 2:11:00.640
<v Speaker 1>be a porter going up for the weekends.

2:11:02.120 --> 2:11:05.000
<v Speaker 3>He stands up for Puerto Rico. Like, he's very political

2:11:06.120 --> 2:11:08.320
<v Speaker 3>and his music is crazy damn.

2:11:08.440 --> 2:11:11.080
<v Speaker 1>So you will collab with bad Bunny? Absolutely love to

2:11:12.440 --> 2:11:16.200
<v Speaker 1>Would that be your go to feature? Uh life? I

2:11:16.280 --> 2:11:19.480
<v Speaker 1>had a record artist? Yeah, I mean Latin America. And

2:11:19.680 --> 2:11:22.680
<v Speaker 1>for the time, I've worked with like singers in Latin America.

2:11:22.800 --> 2:11:26.280
<v Speaker 3>So I worked with like one Is and uh Sebastian

2:11:27.520 --> 2:11:31.200
<v Speaker 3>and uh like you got the Noel from.

2:11:33.360 --> 2:11:39.120
<v Speaker 1>Uh who else? I haven't done a record with would

2:11:41.280 --> 2:11:43.200
<v Speaker 1>and uh Yeah, I've worked with a few Latin.

2:11:43.080 --> 2:11:46.080
<v Speaker 4>Artists over the years, but singers, I have really done

2:11:46.080 --> 2:11:47.560
<v Speaker 4>your record good?

2:11:48.120 --> 2:11:53.000
<v Speaker 1>Now his his is where we gotta go? Who's your

2:11:53.080 --> 2:12:01.320
<v Speaker 1>favorite dancehall artists? We kind we said, oka reggae artists.

2:12:01.360 --> 2:12:03.600
<v Speaker 1>I'm saying he's going to happen. He's going through, he said,

2:12:05.200 --> 2:12:12.200
<v Speaker 1>sucking up. Who's your favorite car? Who's your favorite DJ?

2:12:12.360 --> 2:12:18.280
<v Speaker 1>How about that DJ? If you're getting married, Maldi's who?

2:12:18.560 --> 2:12:22.120
<v Speaker 4>Well, you know, we played my last big party jig Capri.

2:12:23.600 --> 2:12:27.000
<v Speaker 4>I went back, absolutely, I went back, you know, and he.

2:12:27.480 --> 2:12:31.040
<v Speaker 1>It was amazing, honestly, and biz MARKI played our wedding.

2:12:31.520 --> 2:12:36.000
<v Speaker 1>Well that was so vapis he played a vabis No

2:12:36.080 --> 2:12:39.200
<v Speaker 1>he DJ bro DJ. Sure, he did a couple of it.

2:12:39.360 --> 2:12:41.480
<v Speaker 1>He usually with DJ song and performing a little bit

2:12:41.520 --> 2:12:42.200
<v Speaker 1>a couple, just.

2:12:42.200 --> 2:12:45.520
<v Speaker 4>A couple, but mainly he's just playing records and uh and.

2:12:45.840 --> 2:12:48.320
<v Speaker 1>Just the party was going the whole night. So that

2:12:48.480 --> 2:12:49.920
<v Speaker 1>was twenty thirteen and.

2:12:49.960 --> 2:12:53.280
<v Speaker 4>Then we and then we did our tenth anniversary in

2:12:53.320 --> 2:12:57.960
<v Speaker 4>twenty twenty three and Bis Markey was no longer with us,

2:12:58.040 --> 2:13:01.600
<v Speaker 4>but k Capri came and kickza want that party ever?

2:13:01.720 --> 2:13:01.880
<v Speaker 5>Do it?

2:13:02.520 --> 2:13:04.000
<v Speaker 1>Crazy? You anymore?

2:13:04.040 --> 2:13:07.000
<v Speaker 4>Jonnres And I'll tell you why I wanted him, because

2:13:07.040 --> 2:13:09.280
<v Speaker 4>I had been talking about this college party I went

2:13:09.320 --> 2:13:10.720
<v Speaker 4>to when I was in school. This is in like

2:13:10.840 --> 2:13:13.440
<v Speaker 4>ninety six, and I was like, I've never seen a

2:13:13.520 --> 2:13:16.960
<v Speaker 4>party like so turned for so long, Like he just

2:13:17.040 --> 2:13:20.520
<v Speaker 4>had the party on eleven the whole night and it was.

2:13:20.600 --> 2:13:23.240
<v Speaker 3>Ca Capri and I was like my brother. I was like,

2:13:23.360 --> 2:13:27.280
<v Speaker 3>let's get him back. And so that was I sat

2:13:27.360 --> 2:13:32.200
<v Speaker 3>to him, no more, Genres, no, no, who's your favorite whistler?

2:13:34.160 --> 2:13:36.320
<v Speaker 1>We're gonna keep it. Oh, this's writing.

2:13:38.160 --> 2:13:43.280
<v Speaker 2>Because you have one of the best beautiful family stories, right,

2:13:44.760 --> 2:13:46.960
<v Speaker 2>But you know it started out it's.

2:13:46.920 --> 2:13:49.640
<v Speaker 1>Like real fighting there was there was fighting in there.

2:13:49.720 --> 2:13:55.600
<v Speaker 1>Where is this going out? Because you picked out a model.

2:13:57.360 --> 2:14:00.680
<v Speaker 1>It was like, I like her, had to come to

2:14:00.760 --> 2:14:03.400
<v Speaker 1>the yea. So she she was in the video with me.

2:14:03.560 --> 2:14:07.440
<v Speaker 1>And then that's how we met. Yeah, and the is history.

2:14:07.480 --> 2:14:11.880
<v Speaker 1>See a lot of people listen, a lot of people

2:14:11.920 --> 2:14:15.640
<v Speaker 1>want to build up Oh I don't you ask. It

2:14:15.760 --> 2:14:18.720
<v Speaker 1>started out with the b what you said, Yeah, I'm

2:14:18.760 --> 2:14:24.520
<v Speaker 1>going to build up mom his wife. First day they

2:14:24.960 --> 2:14:26.800
<v Speaker 1>kicked it off, and they kicked off.

2:14:26.880 --> 2:14:30.240
<v Speaker 4>He said, if you hear me, yeah right, And now

2:14:30.360 --> 2:14:34.760
<v Speaker 4>y'all eighteen years we met eighteen years ago ago.

2:14:37.160 --> 2:14:40.800
<v Speaker 1>We got four kids. Four kids, yeah, yeah, yeah.

2:14:42.760 --> 2:14:45.280
<v Speaker 3>Four kids, the oldest ones eight and the youngest ones

2:14:45.520 --> 2:14:46.960
<v Speaker 3>one and a half. Wow.

2:14:48.200 --> 2:14:50.600
<v Speaker 1>So director came to you and showed you a picture.

2:14:50.720 --> 2:14:53.840
<v Speaker 4>Yeah, you said I'm in I was all right, what

2:14:54.440 --> 2:14:57.880
<v Speaker 4>And then we just had good chemistry and had a

2:14:57.960 --> 2:15:01.280
<v Speaker 4>show later that night, and then we hung out after

2:15:01.360 --> 2:15:02.840
<v Speaker 4>that and we've been hanging out ever since.

2:15:03.960 --> 2:15:05.480
<v Speaker 1>God damn understatement.

2:15:06.240 --> 2:15:18.080
<v Speaker 2>And you became a great father listen some years later. Yo, man,

2:15:18.160 --> 2:15:19.760
<v Speaker 2>I just want to be honest with you.

2:15:19.920 --> 2:15:20.080
<v Speaker 1>Man.

2:15:20.440 --> 2:15:23.800
<v Speaker 2>I really really respect your legacy. I really respect what

2:15:23.920 --> 2:15:26.800
<v Speaker 2>you're doing. I really respect how you represent for black people.

2:15:26.960 --> 2:15:30.920
<v Speaker 2>Every time there's a there's a there's a moment. I

2:15:31.080 --> 2:15:33.040
<v Speaker 2>know that John Legend is going to be there. I

2:15:33.120 --> 2:15:35.440
<v Speaker 2>know that you you'll be there in the forest fires.

2:15:35.480 --> 2:15:37.480
<v Speaker 2>I know that you'll be there during COVID. I know

2:15:37.560 --> 2:15:38.240
<v Speaker 2>that you'll be there.

2:15:38.840 --> 2:15:41.200
<v Speaker 1>And that ship is just like a beautiful thing to me.

2:15:41.520 --> 2:15:41.800
<v Speaker 1>Thank you.

2:15:41.960 --> 2:15:45.680
<v Speaker 2>You know what I'm saying, Like, because I want to watch,

2:15:45.960 --> 2:15:49.280
<v Speaker 2>but I don't maybe not be there, like, but I

2:15:49.400 --> 2:15:50.920
<v Speaker 2>want to watch still, like I want to be like,

2:15:51.040 --> 2:15:53.680
<v Speaker 2>oh ship, that ship is nice and you.

2:15:53.800 --> 2:16:01.520
<v Speaker 1>Be holding it down don Lemon style. Okay, new one. Okay,

2:16:07.640 --> 2:16:15.200
<v Speaker 1>So what are we talking about? I don't know. I'm

2:16:15.200 --> 2:16:20.680
<v Speaker 1>a reporter now, So so what hold on? Going back

2:16:20.720 --> 2:16:21.280
<v Speaker 1>to the fires?

2:16:21.400 --> 2:16:23.080
<v Speaker 3>Is there anything before you get out of here that

2:16:23.560 --> 2:16:27.240
<v Speaker 3>any true things that people could donate to that are

2:16:27.320 --> 2:16:28.600
<v Speaker 3>actually impacting and helping.

2:16:28.920 --> 2:16:31.840
<v Speaker 1>Well, there's a bunch of charities that are doing great work.

2:16:32.200 --> 2:16:34.320
<v Speaker 4>We always work with Baby the Baby a lot, and

2:16:34.520 --> 2:16:37.880
<v Speaker 4>because they help parents that have kids and need supplies

2:16:37.920 --> 2:16:39.800
<v Speaker 4>for their kids. A lot of people got displaced to

2:16:39.879 --> 2:16:42.760
<v Speaker 4>have kids, so Baby to Baby is great. Of course

2:16:42.800 --> 2:16:46.680
<v Speaker 4>the Red Cross is helping. Yeah, those are a couple

2:16:46.800 --> 2:16:49.840
<v Speaker 4>that we've donated to and helped out. But I would say,

2:16:49.879 --> 2:16:52.040
<v Speaker 4>baby the Baby, that one's close to our heart and

2:16:52.080 --> 2:16:54.160
<v Speaker 4>we've raised money for them a lot over the years.

2:16:54.280 --> 2:16:56.680
<v Speaker 3>Any any artists that you know that personally have been

2:16:56.720 --> 2:17:01.480
<v Speaker 3>impacted are artists you don't like in the hip hop world.

2:17:01.560 --> 2:17:03.959
<v Speaker 3>Mad Lib he lost Yes, I saw.

2:17:03.959 --> 2:17:09.879
<v Speaker 1>That concerts and Ico she lost her place. And then.

2:17:11.840 --> 2:17:13.760
<v Speaker 4>The guys we sang with on the opening of the

2:17:13.800 --> 2:17:16.760
<v Speaker 4>Grammys that was a band, uh, a rock band, indie

2:17:16.800 --> 2:17:20.920
<v Speaker 4>band called DAWs and they grew up in that area

2:17:20.959 --> 2:17:24.720
<v Speaker 4>in Altadena and they lost everything. Their parents lost their

2:17:24.720 --> 2:17:28.640
<v Speaker 4>home in the studio and the instruments, everything, So a

2:17:28.720 --> 2:17:31.840
<v Speaker 4>lot of people lost a lot. It's crazy because when

2:17:31.840 --> 2:17:34.120
<v Speaker 4>you go to La unless you're in those areas, you

2:17:34.160 --> 2:17:37.600
<v Speaker 4>don't even see it because everything else looks completely normal.

2:17:38.280 --> 2:17:39.680
<v Speaker 1>But when you go to those areas, they look like

2:17:40.959 --> 2:17:44.080
<v Speaker 1>a war zone. They're like, I don't, we don't see that.

2:17:44.240 --> 2:17:46.520
<v Speaker 4>Yeah, it's like a war zone in those specific areas,

2:17:46.560 --> 2:17:47.800
<v Speaker 4>and then everywhere else looks normal.

2:17:48.040 --> 2:17:52.160
<v Speaker 1>It's crazy though, it's surreal. Yeah. Well so, I mean,

2:17:53.000 --> 2:17:56.680
<v Speaker 1>all right, this this is one meme percent all me.

2:17:58.720 --> 2:17:59.960
<v Speaker 1>That's gonna be impactful.

2:18:00.400 --> 2:18:05.080
<v Speaker 2>Of course, because you were really Trump's nemesis, right, let's

2:18:05.080 --> 2:18:09.959
<v Speaker 2>suppost didn't work this Trump says, I want to meet

2:18:10.000 --> 2:18:17.040
<v Speaker 2>with John in the middle of Central Park. Why because

2:18:17.080 --> 2:18:17.920
<v Speaker 2>let me be in New York.

2:18:19.160 --> 2:18:19.879
<v Speaker 1>Why you hating?

2:18:21.640 --> 2:18:24.080
<v Speaker 4>Honestly, I would meet with him with no cameras and

2:18:24.280 --> 2:18:27.080
<v Speaker 4>no like this is like I would. I would meet

2:18:27.320 --> 2:18:29.480
<v Speaker 4>just like on some could I influence him because I

2:18:29.520 --> 2:18:33.280
<v Speaker 4>feel like he's very easy, Like I think people people

2:18:33.360 --> 2:18:34.480
<v Speaker 4>getting his ear, I feel like.

2:18:34.840 --> 2:18:37.800
<v Speaker 1>They can convince him of things, and so I.

2:18:37.800 --> 2:18:41.720
<v Speaker 4>Would deal with no cameras and just try to use

2:18:41.760 --> 2:18:42.760
<v Speaker 4>whatever influence I had.

2:18:42.840 --> 2:18:45.440
<v Speaker 1>But I doubt it would be useful, but it would

2:18:45.440 --> 2:18:47.640
<v Speaker 1>be worth a shot. Why not? But let me ask you,

2:18:47.680 --> 2:18:51.400
<v Speaker 1>I'm gonna keep it real. Are you gonna have jokes?

2:18:53.800 --> 2:18:57.640
<v Speaker 2>You gotta have jokes, you gotta call him arms Asian arm.

2:18:57.760 --> 2:18:59.920
<v Speaker 2>You're gonna do something to bring yourself up.

2:19:00.240 --> 2:19:02.000
<v Speaker 1>I'd be like, I'm not boring as singer with the

2:19:02.040 --> 2:19:02.680
<v Speaker 1>Filthy Mountain.

2:19:05.400 --> 2:19:08.880
<v Speaker 4>I don't know, but honestly, I believe like anybody can

2:19:08.920 --> 2:19:11.200
<v Speaker 4>be talked to, and you don't need to do it

2:19:11.360 --> 2:19:13.680
<v Speaker 4>for like a photo op.

2:19:13.959 --> 2:19:17.640
<v Speaker 1>Do it like actually trying to accomplish something, and he knows.

2:19:17.520 --> 2:19:19.600
<v Speaker 3>And everybody should be talked to, like, if he's in

2:19:19.800 --> 2:19:22.840
<v Speaker 3>a position, especially if they're in power, you should talk

2:19:22.879 --> 2:19:23.160
<v Speaker 3>to them.

2:19:24.000 --> 2:19:27.560
<v Speaker 1>But you would meet it. I mean, it's not on

2:19:27.640 --> 2:19:33.520
<v Speaker 1>the table, But yes, I think it's plausible. I think so. Yeah.

2:19:35.000 --> 2:19:37.760
<v Speaker 4>I think I just think he needs someone in his

2:19:37.879 --> 2:19:41.200
<v Speaker 4>ear telling him something other than what Elon and all

2:19:41.240 --> 2:19:42.280
<v Speaker 4>these other guys are telling him.

2:19:42.360 --> 2:19:43.720
<v Speaker 1>So if that needs to be.

2:19:43.800 --> 2:19:47.800
<v Speaker 2>Me, fine, Okay, So let's let's talk about for a second.

2:19:49.120 --> 2:19:51.480
<v Speaker 2>Why did you change your name from John Stevens to

2:19:51.640 --> 2:19:53.000
<v Speaker 2>John So the.

2:19:53.080 --> 2:19:55.200
<v Speaker 4>First person to call me John Legend was a guy

2:19:55.320 --> 2:19:58.640
<v Speaker 4>named Jay Ivy, and he just started calling me the Legend.

2:19:58.720 --> 2:20:01.160
<v Speaker 4>Jay Ivy's a spoken word ARTI. If you listen back

2:20:01.240 --> 2:20:04.959
<v Speaker 4>to Never Let Me Down on the College Dropout, he's

2:20:05.120 --> 2:20:05.440
<v Speaker 4>doing the.

2:20:05.440 --> 2:20:08.720
<v Speaker 3>Spoken word piece on it. He's from Chicago, and I

2:20:08.840 --> 2:20:10.920
<v Speaker 3>met him when we were working on the College Dropout

2:20:10.959 --> 2:20:13.200
<v Speaker 3>album and he just heard everything I was doing in

2:20:13.280 --> 2:20:13.640
<v Speaker 3>the studio.

2:20:13.680 --> 2:20:14.280
<v Speaker 1>I was singing on.

2:20:14.320 --> 2:20:16.760
<v Speaker 2>Everything, playing on everything, and you just started calling me

2:20:16.840 --> 2:20:20.640
<v Speaker 2>the legend. And our whole crew just started calling me

2:20:20.720 --> 2:20:21.560
<v Speaker 2>John Legend.

2:20:21.440 --> 2:20:25.039
<v Speaker 4>Not long after that, and I had to decide whether

2:20:25.120 --> 2:20:27.320
<v Speaker 4>or not I would actually use it as a stage

2:20:27.400 --> 2:20:31.320
<v Speaker 4>name or just you know, just a nickname among our friends, and.

2:20:31.400 --> 2:20:33.640
<v Speaker 1>I decided I will use it. I was like, fuck it.

2:20:33.760 --> 2:20:38.600
<v Speaker 4>You know, this is like, this is announcing my presence.

2:20:38.640 --> 2:20:40.520
<v Speaker 4>I'm gonna say I'm John Legend.

2:20:41.000 --> 2:20:44.960
<v Speaker 1>And what was ever a thought of the of it

2:20:45.080 --> 2:20:48.400
<v Speaker 1>sounding like John Lennon. It started to come up later.

2:20:48.879 --> 2:20:49.400
<v Speaker 1>It's funny.

2:20:49.600 --> 2:20:51.520
<v Speaker 4>Some people was like, hey, it's John Lennon, which is

2:20:51.600 --> 2:20:54.040
<v Speaker 4>kind of dope. Yeah, it's fine. And then some of

2:20:54.240 --> 2:20:57.840
<v Speaker 4>John Lennon's fans call him John Legend. I learned that later. Yeah,

2:20:58.320 --> 2:21:00.200
<v Speaker 4>but I didn't know that before. But I had to

2:21:00.320 --> 2:21:04.920
<v Speaker 4>check on their trademark and trademark that could infringe.

2:21:05.200 --> 2:21:06.000
<v Speaker 1>I had to check on it.

2:21:06.160 --> 2:21:10.600
<v Speaker 4>So we found out that once I got signed a

2:21:10.720 --> 2:21:13.000
<v Speaker 4>mass Sony and all the lawyers, you know they're about

2:21:13.040 --> 2:21:15.160
<v Speaker 4>to get my album ready and make sure the clearances

2:21:15.160 --> 2:21:17.880
<v Speaker 4>are right, they're like, we need to make sure we

2:21:18.000 --> 2:21:22.800
<v Speaker 4>trademark John Legend as your stage name. So they go

2:21:22.920 --> 2:21:26.680
<v Speaker 4>out and look for other John Legends. And it wasn't

2:21:26.720 --> 2:21:30.760
<v Speaker 4>an issue with the John Lennon, uh, you know, leg Estate.

2:21:31.320 --> 2:21:35.039
<v Speaker 4>But there's this porn producer named Johnny Legend.

2:21:36.959 --> 2:21:44.400
<v Speaker 1>Legends. So there's a porn producer, but he also made music.

2:21:44.560 --> 2:21:49.879
<v Speaker 4>So because he made music. Yeah, we had to clear

2:21:49.959 --> 2:21:52.520
<v Speaker 4>it with him for me to use the name. And

2:21:52.840 --> 2:21:56.680
<v Speaker 4>so we found him and my manager was like trying

2:21:56.680 --> 2:21:57.959
<v Speaker 4>to be chill about it. He didn't want to make

2:21:58.000 --> 2:22:01.000
<v Speaker 4>it seem like this big new artist on this Yeah.

2:22:01.200 --> 2:22:03.199
<v Speaker 4>He wanted to seem like we were just some poor

2:22:03.520 --> 2:22:06.400
<v Speaker 4>kid from Ohio. And so he was like, yeah, I

2:22:06.600 --> 2:22:09.200
<v Speaker 4>have this artist and he goes by John Legend, and

2:22:09.360 --> 2:22:11.840
<v Speaker 4>we don't want any trouble, just want to negotiate a

2:22:11.959 --> 2:22:15.199
<v Speaker 4>mutually non exclusive deal with the guy owned the name Legend.

2:22:15.560 --> 2:22:19.520
<v Speaker 4>He was Johnny Legend, Johnny and he was a musician.

2:22:19.680 --> 2:22:23.160
<v Speaker 4>So if he had a record at a store.

2:22:23.360 --> 2:22:27.280
<v Speaker 1>And I had one at the store, he could be like, yo, confusing, Yeah,

2:22:27.320 --> 2:22:30.880
<v Speaker 1>there could be a suit. Yeah, that's confusing. So we

2:22:31.040 --> 2:22:33.000
<v Speaker 1>had to find him and he agreed.

2:22:34.600 --> 2:22:38.720
<v Speaker 4>We gave him I think ten thousand dollars, which I

2:22:38.760 --> 2:22:40.560
<v Speaker 4>think was a very affordable bargain.

2:22:42.200 --> 2:22:44.200
<v Speaker 1>Yeah for him, it's probably good. Yeah, and he was

2:22:44.360 --> 2:22:47.440
<v Speaker 1>like yeah, so he signed the deal.

2:22:47.520 --> 2:22:50.680
<v Speaker 4>He was Johnny Legend, I'm John Legend, and he went

2:22:50.800 --> 2:22:53.560
<v Speaker 4>sue me and I wouldn't sue him. So you kind

2:22:53.600 --> 2:22:59.280
<v Speaker 4>of popping in the porn world too, Yeah, you know

2:22:59.440 --> 2:23:01.480
<v Speaker 4>you made it. You know you made it when fake

2:23:01.600 --> 2:23:05.600
<v Speaker 4>dudes are you, you know, use your name. So my

2:23:05.760 --> 2:23:08.440
<v Speaker 4>friend sent me. I don't know how you found it.

2:23:10.200 --> 2:23:12.160
<v Speaker 1>You found this as a poor star that goes.

2:23:12.080 --> 2:23:14.800
<v Speaker 4>By John the Legend and it's like a light stined

2:23:14.879 --> 2:23:20.160
<v Speaker 4>dude with a beard like trying to look like, yes,

2:23:20.959 --> 2:23:21.840
<v Speaker 4>you know you made it when you.

2:23:21.879 --> 2:23:27.359
<v Speaker 1>Got a poor knockoff star and he's cocking and saying ordinary.

2:23:40.080 --> 2:23:44.040
<v Speaker 2>John Lezard, Man, I really appreciate you man for coming

2:23:44.160 --> 2:23:46.000
<v Speaker 2>out and just hanging with us.

2:23:46.160 --> 2:23:48.959
<v Speaker 1>Yeah, man, because this is what I've been looking forward

2:23:49.000 --> 2:23:53.520
<v Speaker 1>to it. Yeah, yeah, we were scared. Well you know

2:23:53.640 --> 2:23:54.160
<v Speaker 1>what happened.

2:23:54.360 --> 2:23:56.320
<v Speaker 4>You know last time my friend was on the show

2:23:56.560 --> 2:23:59.840
<v Speaker 4>and it wasn't great, But I figured I should come

2:23:59.879 --> 2:24:00.800
<v Speaker 4>on at some point.

2:24:01.280 --> 2:24:07.680
<v Speaker 1>Yes, and uh, either have our own conversations. This is

2:24:07.680 --> 2:24:08.640
<v Speaker 1>the first, not the last.

2:24:09.080 --> 2:24:12.320
<v Speaker 2>Yeah, if you want to promote pink socks, I'm in

2:24:12.560 --> 2:24:13.240
<v Speaker 2>pink socks.

2:24:13.760 --> 2:24:15.600
<v Speaker 1>We got the pink rose though from l v E.

2:24:16.040 --> 2:24:21.200
<v Speaker 4>Yeah yeah, l l v E because just Love Love

2:24:21.240 --> 2:24:25.039
<v Speaker 4>Love Love LB stands for Legend Vineyard Exclusive.

2:24:25.160 --> 2:24:28.240
<v Speaker 1>There it is there, it is say it again. Legend

2:24:28.440 --> 2:24:32.879
<v Speaker 1>Vineyard Exclusive, Legend Vineyard l v SO short for love too.

2:24:33.360 --> 2:24:36.280
<v Speaker 1>That's right, that's what Noy is calling. I love love. Yeah,

2:24:36.920 --> 2:24:40.240
<v Speaker 1>I love love you, love love. I love love you,

2:24:40.320 --> 2:24:43.080
<v Speaker 1>love love you. I love being married. I love love.

2:24:43.760 --> 2:24:47.080
<v Speaker 1>I'm happily married, happily happy to be a dad. Love

2:24:47.160 --> 2:24:50.960
<v Speaker 1>it all. It's good. Why why don't people praise that?

2:24:51.480 --> 2:24:55.959
<v Speaker 1>Like from friend Swiss called me earlier great dad. Loves

2:24:56.040 --> 2:24:58.160
<v Speaker 1>being great dad, and I love yeah.

2:24:58.320 --> 2:25:02.720
<v Speaker 2>At lasta keys, Wow, we don't like focused on bigging

2:25:03.360 --> 2:25:05.640
<v Speaker 2>that part of hip hop.

2:25:06.400 --> 2:25:08.840
<v Speaker 1>I love it. You know, we don't. I think we're

2:25:08.879 --> 2:25:12.039
<v Speaker 1>starting to, don't know. I think we're maturing more. Let

2:25:12.080 --> 2:25:12.680
<v Speaker 1>me tell you something.

2:25:13.200 --> 2:25:17.800
<v Speaker 2>Swiss and at Leasta being at the Grammys was great, right,

2:25:17.959 --> 2:25:20.760
<v Speaker 2>But if Swiss would have been with another bitch at

2:25:20.800 --> 2:25:25.280
<v Speaker 2>the Grammys, thatsh it would have been top line whatever.

2:25:25.640 --> 2:25:27.000
<v Speaker 1>But him's being a lawyer.

2:25:27.280 --> 2:25:30.880
<v Speaker 3>But if it's God, yeah, if you're married consistently, why

2:25:30.959 --> 2:25:31.840
<v Speaker 3>would that be anything.

2:25:31.920 --> 2:25:35.879
<v Speaker 2>It's not news, it's not news. But I think we celebrate.

2:25:36.640 --> 2:25:38.440
<v Speaker 2>You know, we said we should, we said, we said,

2:25:38.480 --> 2:25:41.520
<v Speaker 2>we said, picked that up. Like the thing about it, like,

2:25:41.760 --> 2:25:46.200
<v Speaker 2>I'm looking at Jay and his wife Beyonce. Yeah, I

2:25:46.320 --> 2:25:48.520
<v Speaker 2>mean that's my friend, so I'm.

2:25:48.400 --> 2:25:49.080
<v Speaker 1>Looking at him.

2:25:49.560 --> 2:25:52.800
<v Speaker 2>But I'm saying, why are we not bigging that up more?

2:25:53.560 --> 2:25:56.600
<v Speaker 2>I think they're celebrated as a couple. Yeah, I'm not

2:25:56.800 --> 2:25:58.800
<v Speaker 2>looking at you and your wife. Now, why do we

2:25:58.920 --> 2:25:59.960
<v Speaker 2>not bigging it up more?

2:26:00.080 --> 2:26:06.440
<v Speaker 4>I think they're celebrated. I feel like not in pop culture. Well,

2:26:06.640 --> 2:26:09.080
<v Speaker 4>the thing is, people like news and they like controversy.

2:26:09.200 --> 2:26:12.119
<v Speaker 4>So people were excited when they saw Jay and Solange

2:26:12.160 --> 2:26:14.880
<v Speaker 4>and the Elevator because it was controversy.

2:26:14.320 --> 2:26:17.000
<v Speaker 1>You know what I'm saying too, And so I feel like,

2:26:18.400 --> 2:26:19.119
<v Speaker 1>so I really.

2:26:19.000 --> 2:26:22.480
<v Speaker 4>Think like it's not exciting when it's just bliss and

2:26:22.560 --> 2:26:23.240
<v Speaker 4>it's love.

2:26:23.520 --> 2:26:26.280
<v Speaker 1>And so people get more excited for the controversy side.

2:26:26.400 --> 2:26:28.960
<v Speaker 3>And the flip is it shouldn't be extraordinary for a

2:26:29.000 --> 2:26:30.240
<v Speaker 3>couple to be together a long time.

2:26:30.640 --> 2:26:32.200
<v Speaker 1>That should not be an extraordinary thing.

2:26:32.320 --> 2:26:35.480
<v Speaker 4>And the thing is with artists, especially with hip hop,

2:26:35.640 --> 2:26:38.000
<v Speaker 4>like a lot of our biggest stars currently, like in

2:26:38.080 --> 2:26:40.760
<v Speaker 4>the moment, are young, and they're not in that phase

2:26:40.800 --> 2:26:43.160
<v Speaker 4>of life, right, They're not like they're in the datings. Yeah,

2:26:43.160 --> 2:26:45.320
<v Speaker 4>they're they're in a bachelor phase of their life.

2:26:45.520 --> 2:26:45.880
<v Speaker 1>Bachelor.

2:26:47.080 --> 2:26:47.280
<v Speaker 3>Yeah.

2:26:47.959 --> 2:26:50.600
<v Speaker 4>But then but then by by the time their legend

2:26:50.640 --> 2:26:53.720
<v Speaker 4>status like Jay, then they should and have kids.

2:26:53.800 --> 2:27:00.280
<v Speaker 2>Yeah, Yeah, but this because in our community, the just

2:27:00.480 --> 2:27:03.480
<v Speaker 2>promoted so much of you not having a fault. Now

2:27:03.560 --> 2:27:07.640
<v Speaker 2>you've got John Legend with his beautiful wife, you got

2:27:07.760 --> 2:27:10.560
<v Speaker 2>Jay with his beautiful wife, you got Swiss Beats with

2:27:10.640 --> 2:27:14.760
<v Speaker 2>his beautiful Why are we not saying yo, black man,

2:27:15.240 --> 2:27:17.680
<v Speaker 2>black all, all Latino man.

2:27:17.840 --> 2:27:22.119
<v Speaker 1>Whatever. Let's let's just let's focus on that part. Yeah,

2:27:22.560 --> 2:27:23.160
<v Speaker 1>you know what's on that.

2:27:23.440 --> 2:27:25.440
<v Speaker 4>You know, one of the myths about us is that

2:27:25.600 --> 2:27:28.760
<v Speaker 4>we aren't as present as fathers. We're actually more present

2:27:28.879 --> 2:27:34.240
<v Speaker 4>as fathers. The statistics statistics are that we are Actually

2:27:34.680 --> 2:27:38.200
<v Speaker 4>we spend more time with our kids than white fathers do.

2:27:39.160 --> 2:27:47.760
<v Speaker 4>We're more present, and so and so, like that's never told.

2:27:47.840 --> 2:27:50.160
<v Speaker 4>That story is really never told. There is not told enough.

2:27:50.400 --> 2:27:54.600
<v Speaker 4>But that's right. Like Black fatherhood is wonderful and we

2:27:54.760 --> 2:27:56.400
<v Speaker 4>are really good fathers.

2:27:56.120 --> 2:27:58.360
<v Speaker 1>And we know that means to be present for our kids.

2:27:58.760 --> 2:28:01.200
<v Speaker 4>And even if you're not married read to the mother

2:28:01.280 --> 2:28:03.199
<v Speaker 4>of your child, you can still be a great father.

2:28:03.720 --> 2:28:06.800
<v Speaker 1>And and so I see that example all the time.

2:28:06.920 --> 2:28:08.240
<v Speaker 1>Like I have people, I have.

2:28:10.160 --> 2:28:12.320
<v Speaker 4>Friends in my life who are really great fathers that

2:28:12.400 --> 2:28:15.240
<v Speaker 4>may not be married to the mother the child, but

2:28:15.320 --> 2:28:18.640
<v Speaker 4>they still make sure they're there for everything. Yeah, Like,

2:28:18.800 --> 2:28:21.320
<v Speaker 4>and I was raised around great fathers. My dad's a

2:28:21.360 --> 2:28:23.240
<v Speaker 4>great one. He was a single dad for us for

2:28:23.280 --> 2:28:26.400
<v Speaker 4>a while. My uncles all of them like really great fathers.

2:28:26.400 --> 2:28:28.920
<v Speaker 4>So I'm just I'm like, that's my example. It's like

2:28:29.040 --> 2:28:32.480
<v Speaker 4>I've seen great fatherhood and it's not everybody's example. But

2:28:32.640 --> 2:28:35.720
<v Speaker 4>the bottom line is, even when we're not married, black

2:28:35.800 --> 2:28:38.720
<v Speaker 4>fathers are very present in general, and we.

2:28:38.800 --> 2:28:43.800
<v Speaker 3>Got to celebrate it. Yeah, take a shot for the

2:28:44.800 --> 2:28:45.480
<v Speaker 3>black fathers.

2:28:45.520 --> 2:28:47.959
<v Speaker 1>Here. We got black father. Yes, he has a.

2:28:52.800 --> 2:28:56.680
<v Speaker 2>Let's take a shot to fatherhood, fathershood.

2:28:58.520 --> 2:29:02.840
<v Speaker 1>I might seem like a priest though, isn't it, John Legend?

2:29:02.879 --> 2:29:06.560
<v Speaker 1>What is? What do you see yourself trying to accomplish?

2:29:06.640 --> 2:29:06.760
<v Speaker 3>Now?

2:29:06.800 --> 2:29:08.840
<v Speaker 1>With all the things you've accomplished.

2:29:08.400 --> 2:29:10.520
<v Speaker 4>Well, there's a couple of things I'm doing that are new.

2:29:10.760 --> 2:29:12.520
<v Speaker 4>I told you before I'm writing for Broadway.

2:29:12.600 --> 2:29:15.400
<v Speaker 3>That's the first time I've ever done that, and neither

2:29:15.400 --> 2:29:17.320
<v Speaker 3>of the shows out even though you got the Tony already,

2:29:17.640 --> 2:29:20.440
<v Speaker 3>I was producing, but I didn't write. I'm writing music

2:29:20.520 --> 2:29:24.400
<v Speaker 3>for musical two musicals, so that these two shows are

2:29:24.440 --> 2:29:27.560
<v Speaker 3>the first time I've ever done that. And then then

2:29:27.560 --> 2:29:29.600
<v Speaker 3>I'm always just trying to tap myself as an artist,

2:29:29.720 --> 2:29:31.960
<v Speaker 3>like next album needs to be better than the last album,

2:29:32.160 --> 2:29:34.000
<v Speaker 3>Like every time, that's my goal.

2:29:34.520 --> 2:29:36.480
<v Speaker 1>So that'll be my goal with this next album.

2:29:36.560 --> 2:29:40.480
<v Speaker 4>What about acting, it's not a goal honestly if it

2:29:40.720 --> 2:29:43.760
<v Speaker 4>works out and it's the right thing at the right time.

2:29:44.240 --> 2:29:51.440
<v Speaker 4>But honestly, like you're kind of like starting from the

2:29:51.560 --> 2:29:56.600
<v Speaker 4>bottom as an actor because you're like, because I get what,

2:29:56.720 --> 2:29:59.040
<v Speaker 4>I get to go sing somewhere and I sing for

2:29:59.120 --> 2:30:00.400
<v Speaker 4>an hour, you know, Oh, do.

2:30:00.440 --> 2:30:01.600
<v Speaker 1>You feel like it's starting over?

2:30:01.840 --> 2:30:04.440
<v Speaker 4>Yeah, I'm not going to get that for being in

2:30:04.520 --> 2:30:07.200
<v Speaker 4>a film and it's going to take six weeks of

2:30:07.280 --> 2:30:07.680
<v Speaker 4>my time.

2:30:08.440 --> 2:30:11.480
<v Speaker 1>It does, and it's like is that worth it? Most

2:30:11.520 --> 2:30:12.080
<v Speaker 1>of the time it's not.

2:30:13.040 --> 2:30:16.400
<v Speaker 2>I feel like Common is the positive blueprint, Yeah, because.

2:30:16.200 --> 2:30:19.040
<v Speaker 1>If you build long enough, then it can be worth it.

2:30:19.160 --> 2:30:20.680
<v Speaker 1>But you got to be able to put that time

2:30:20.720 --> 2:30:23.320
<v Speaker 1>in because Common has been building that acting career for

2:30:23.400 --> 2:30:25.240
<v Speaker 1>a long time. You can't just PLoP in and be

2:30:25.400 --> 2:30:28.360
<v Speaker 1>like I want, you know, ten million to show up

2:30:28.400 --> 2:30:30.240
<v Speaker 1>for this film, right Like, you just can't do it.

2:30:30.760 --> 2:30:32.320
<v Speaker 3>And so it's like, do I want to put in

2:30:32.360 --> 2:30:34.879
<v Speaker 3>all that time to build up my price in there

2:30:34.920 --> 2:30:37.560
<v Speaker 3>when I've already built up my price as a singer.

2:30:38.120 --> 2:30:41.680
<v Speaker 1>I rather just can't make money. Yeah, and I love making.

2:30:41.600 --> 2:30:44.440
<v Speaker 3>Music, right, But okay, so I know we joked about

2:30:44.480 --> 2:30:45.320
<v Speaker 3>the political realm.

2:30:45.879 --> 2:30:49.600
<v Speaker 1>Do you really ever see yourself? I don't, and people

2:30:49.760 --> 2:30:50.520
<v Speaker 1>do advocate.

2:30:51.200 --> 2:30:53.680
<v Speaker 3>Yeah, absolutely, and I will continue to And people ask

2:30:53.720 --> 2:30:54.840
<v Speaker 3>me all the time if I ever want to run

2:30:54.879 --> 2:30:55.480
<v Speaker 3>for office, and I.

2:30:55.879 --> 2:30:58.480
<v Speaker 1>Still don't believe I ever will, and I don't believe i'll.

2:30:58.320 --> 2:31:00.280
<v Speaker 3>Ever want to. If I change my mind, and then

2:31:00.320 --> 2:31:02.119
<v Speaker 3>I'll change my mind, but I don't. I don't think

2:31:02.160 --> 2:31:02.480
<v Speaker 3>I will.

2:31:04.879 --> 2:31:07.280
<v Speaker 1>I don't think he will either. Nor are you gonna run,

2:31:07.320 --> 2:31:12.080
<v Speaker 1>profess No, I'm running for offers you. I'm gonna be

2:31:12.120 --> 2:31:15.240
<v Speaker 1>honest with you. If you run for office, I'll be

2:31:15.400 --> 2:31:16.879
<v Speaker 1>like you know, the guys with the.

2:31:16.920 --> 2:31:30.119
<v Speaker 2>Helmets security January sixth, niggah, my Hitchman, BECAUSEA be honest.

2:31:32.120 --> 2:31:32.480
<v Speaker 1>I don't be.

2:31:33.560 --> 2:31:39.600
<v Speaker 2>No, you will mind me of a rock in the

2:31:39.720 --> 2:31:45.080
<v Speaker 2>most beautifulest way it is. And I spoke to Killer Mike.

2:31:45.320 --> 2:31:48.600
<v Speaker 1>Yeah. I love killing Mike, right, I love Mike. Kill

2:31:48.640 --> 2:31:51.760
<v Speaker 1>him Mike man. But I feel like Killer Mike should

2:31:51.800 --> 2:31:55.320
<v Speaker 1>be mayor of Atlanta. He could do it. I feel

2:31:55.360 --> 2:31:58.160
<v Speaker 1>like he might run. I feel like he should do it.

2:31:58.360 --> 2:32:03.000
<v Speaker 2>I feel like he should do it unapologetically. I feel

2:32:03.040 --> 2:32:05.760
<v Speaker 2>like he shoul to do it eating peanuts like me.

2:32:07.360 --> 2:32:09.480
<v Speaker 1>What up in his real self? Yeah?

2:32:09.680 --> 2:32:12.440
<v Speaker 4>Yeah, well he cares a lot about lances and put

2:32:12.440 --> 2:32:13.480
<v Speaker 4>it that way. I don't know if he every wants

2:32:13.520 --> 2:32:16.039
<v Speaker 4>to run for office, but he's I feel like he's

2:32:16.120 --> 2:32:20.000
<v Speaker 4>great at knowing what the people want in his city,

2:32:20.120 --> 2:32:22.920
<v Speaker 4>and he loves his city. He advocates for his city,

2:32:22.959 --> 2:32:23.560
<v Speaker 4>advocates for.

2:32:25.200 --> 2:32:28.280
<v Speaker 3>Our community, like having our own businesses and own property

2:32:28.320 --> 2:32:31.080
<v Speaker 3>or on wealth. And uh, he's a great man.

2:32:32.000 --> 2:32:35.520
<v Speaker 1>But you you never thought about running for president when

2:32:35.520 --> 2:32:37.760
<v Speaker 1>I was a kid. I didn't since I've been in

2:32:37.840 --> 2:32:40.240
<v Speaker 1>an adult I love my life.

2:32:40.280 --> 2:32:42.760
<v Speaker 3>I love what I get to do now, and I

2:32:42.800 --> 2:32:45.800
<v Speaker 3>don't think I would enjoy being president. Wow, I just

2:32:45.879 --> 2:32:48.800
<v Speaker 3>don't think I would. You know what, Actually, we got

2:32:48.879 --> 2:32:50.879
<v Speaker 3>to shut out his papa, Keith is running for office,

2:32:50.920 --> 2:32:56.199
<v Speaker 3>right commissioner shout out to from out here. Yeah, he's

2:32:56.240 --> 2:32:59.360
<v Speaker 3>a radio personality. He's been influential out here in the

2:32:59.440 --> 2:33:00.920
<v Speaker 3>community and now he's.

2:33:00.920 --> 2:33:03.360
<v Speaker 4>I respect anybody that puts himself out there. My friend

2:33:03.520 --> 2:33:06.280
<v Speaker 4>Hill Harper, he ran for you don't want to he

2:33:06.360 --> 2:33:08.039
<v Speaker 4>ran for Senate in Michigan.

2:33:08.320 --> 2:33:10.400
<v Speaker 3>I was like, man, it's just stressful. He didn't win

2:33:10.520 --> 2:33:13.320
<v Speaker 3>the primary, and it's like you put yourself out there,

2:33:13.480 --> 2:33:16.320
<v Speaker 3>they come at you. Yeah, and it's like into those I'm.

2:33:16.240 --> 2:33:18.960
<v Speaker 1>Like, I already put myself out there enough and I

2:33:19.080 --> 2:33:20.080
<v Speaker 1>get enough ship for it.

2:33:20.160 --> 2:33:22.080
<v Speaker 4>And I'm like, I don't want to like actually run,

2:33:22.520 --> 2:33:25.520
<v Speaker 4>but imagine you and dlugy.

2:33:27.240 --> 2:33:35.040
<v Speaker 1>Dl DL's instagram be going. You know you wouldn't one?

2:33:37.280 --> 2:33:39.960
<v Speaker 1>Why give up? Give up on this lot of questions.

2:33:40.760 --> 2:33:43.720
<v Speaker 1>I'm just asking because to me, I will one job.

2:33:43.959 --> 2:33:47.040
<v Speaker 1>I want to go pisical ends to be a fucking

2:33:47.120 --> 2:33:49.920
<v Speaker 1>president like me. This is me. I guess the personal

2:33:49.959 --> 2:33:52.520
<v Speaker 1>open you can look at me out I got I believe.

2:33:52.840 --> 2:33:55.880
<v Speaker 1>I believe in you that much? Did I feel like

2:33:56.000 --> 2:33:59.400
<v Speaker 1>you can be the president? But why why? Why?

2:33:59.480 --> 2:34:03.000
<v Speaker 2>Why can't we have our own community, support our own community.

2:34:03.200 --> 2:34:07.959
<v Speaker 1>I appreciate it. I appreciate because you know why use

2:34:08.000 --> 2:34:13.640
<v Speaker 1>against Trump every every Yeah? So why not have you? Yeah,

2:34:14.560 --> 2:34:19.960
<v Speaker 1>I take a shot. It ain't even got nothing to

2:34:20.040 --> 2:34:26.600
<v Speaker 1>do with it. But why why why wouldn't you wouldn't you? Well?

2:34:26.640 --> 2:34:29.240
<v Speaker 1>We got here, Oh thank you, Sam? Yeah, here we go.

2:34:29.760 --> 2:34:33.320
<v Speaker 2>Okay, I'm gonna take something cash. He's in the writer,

2:34:36.959 --> 2:34:38.520
<v Speaker 2>but why wouldn't you want for possident.

2:34:39.400 --> 2:34:41.920
<v Speaker 4>I just feel like it's so much negativity and like

2:34:42.000 --> 2:34:43.200
<v Speaker 4>where's the positive side?

2:34:44.720 --> 2:34:49.520
<v Speaker 1>And there's music. Music is now when you're.

2:34:49.320 --> 2:34:53.039
<v Speaker 4>A musician, there's not a whole party organized to bring

2:34:53.160 --> 2:34:58.320
<v Speaker 4>you down like all the other R and B cats

2:34:58.680 --> 2:35:02.440
<v Speaker 4>don't have like organized party trying to destroy my career.

2:35:05.480 --> 2:35:08.600
<v Speaker 4>Like user fans aren't like outside my door with picking

2:35:08.640 --> 2:35:15.800
<v Speaker 4>signs like fuck John Legend. It might be, but like

2:35:15.959 --> 2:35:18.800
<v Speaker 4>if you run for office, like there's like literally half

2:35:18.879 --> 2:35:21.960
<v Speaker 4>the country hates you or they're being told to hate you,

2:35:22.400 --> 2:35:24.679
<v Speaker 4>and I'm like, I'm not interested in that feeling.

2:35:26.760 --> 2:35:30.840
<v Speaker 1>But we interested in your ideology. I get it. I

2:35:30.959 --> 2:35:35.480
<v Speaker 1>get it. We will leave with John Legend believes I

2:35:35.560 --> 2:35:38.200
<v Speaker 1>get it. And I appreciate black people to say, you

2:35:38.360 --> 2:35:41.280
<v Speaker 1>know what, we need you? Yeah, we need you. We

2:35:41.400 --> 2:35:43.560
<v Speaker 1>want to get behind well.

2:35:44.480 --> 2:35:47.800
<v Speaker 3>Crazy, I want to get behind you, Paulsey taking me

2:35:47.879 --> 2:35:51.480
<v Speaker 3>back two thousand and four but the pause days.

2:35:51.680 --> 2:35:55.280
<v Speaker 2>But we need we need somebody in that office that

2:35:55.560 --> 2:35:58.720
<v Speaker 2>we can identify, would relate to because we can see

2:35:59.280 --> 2:36:00.160
<v Speaker 2>you don't think that's you.

2:36:01.760 --> 2:36:04.360
<v Speaker 4>I hope Wes Moore runs for president. And there's some

2:36:04.480 --> 2:36:06.480
<v Speaker 4>great people that we can look up to. Let's let's

2:36:06.600 --> 2:36:11.080
<v Speaker 4>so Wes Moore. He's a governor of Maryland. Brother, very accomplished, veteran,

2:36:12.200 --> 2:36:16.840
<v Speaker 4>amazing speaker. Okay, beautiful wife. You know he can do it,

2:36:17.480 --> 2:36:19.640
<v Speaker 4>and I think he's he's already governor of Maryland.

2:36:19.680 --> 2:36:24.080
<v Speaker 1>He could do it. So I'll support them. So are

2:36:24.120 --> 2:36:28.640
<v Speaker 1>we We're putting on money to him. Who knows.

2:36:28.760 --> 2:36:31.880
<v Speaker 2>We'll see, we'll see, we'll see if he runs. But

2:36:32.000 --> 2:36:33.480
<v Speaker 2>he could, and I think he'd do a good job.

2:36:37.560 --> 2:36:43.119
<v Speaker 2>I'm looking at everybody here. What's his name, Wes Moore,

2:36:43.520 --> 2:36:47.720
<v Speaker 2>Wes Moore. But if we could pick Wes Moore, we

2:36:47.959 --> 2:36:54.160
<v Speaker 2>could pick John Legend. That's our next running candidate for

2:36:54.280 --> 2:36:56.400
<v Speaker 2>the president of the United States. Look at this nigga.

2:36:57.400 --> 2:37:05.879
<v Speaker 1>This nigga is Obama's because it Okay, I appreciate it, nor,

2:37:06.120 --> 2:37:06.480
<v Speaker 1>I really do.

2:37:06.600 --> 2:37:06.760
<v Speaker 5>I do.

2:37:06.920 --> 2:37:09.680
<v Speaker 1>I appreciate what you're doing. Right now, you get an endorsement, right,

2:37:14.280 --> 2:37:17.000
<v Speaker 1>love and respect. I did no. No, you know why

2:37:17.640 --> 2:37:18.560
<v Speaker 1>because I trust you.

2:37:20.520 --> 2:37:25.760
<v Speaker 2>The thing about it is, we're voting for the American President.

2:37:25.959 --> 2:37:27.840
<v Speaker 2>You want to trust him. I want to trust the person.

2:37:28.720 --> 2:37:33.280
<v Speaker 2>I'm gonna be honest with you me and that you

2:37:33.360 --> 2:37:36.280
<v Speaker 2>know I'm brown. Trust you all right?

2:37:37.160 --> 2:37:40.720
<v Speaker 1>Well, I appreciate it. I pretty much on you. I'm

2:37:40.760 --> 2:37:44.400
<v Speaker 1>so sorry because you know it's all good. But but

2:37:44.640 --> 2:37:52.040
<v Speaker 1>why not, because you know why? The one thing that

2:37:52.120 --> 2:37:55.400
<v Speaker 1>we got to give Trump is he just outrageous. Yeah,

2:37:55.440 --> 2:37:58.520
<v Speaker 1>you don't give a fuck. So why wouldn't you, Why

2:37:58.560 --> 2:38:03.240
<v Speaker 1>wouldn't you be up? They be like this man himself

2:38:03.320 --> 2:38:08.880
<v Speaker 1>holds down. I don't know, I don't know this is president.

2:38:09.800 --> 2:38:11.600
<v Speaker 1>I don't want to. I want to.

2:38:15.840 --> 2:38:21.720
<v Speaker 2>I'm gonna be honest that John John John legends resident.

2:38:22.040 --> 2:38:27.640
<v Speaker 1>You gotta be writer. If you John let the president.

2:38:28.200 --> 2:38:32.120
<v Speaker 1>How many of us is rooting voting for John? I

2:38:32.200 --> 2:38:38.440
<v Speaker 1>make some No, I'm gonna be honest. I'm just sorry.

2:38:39.240 --> 2:38:42.240
<v Speaker 1>We believe in you. Curls is right, I feel it.

2:38:42.400 --> 2:38:45.160
<v Speaker 1>I feel it. The girls he's gonna be secretary of State.

2:38:46.120 --> 2:38:48.280
<v Speaker 2>I'm gonna be something else, Like I'm gonna be like

2:38:48.480 --> 2:38:50.440
<v Speaker 2>what else, drinker of the drink?

2:38:50.480 --> 2:38:51.200
<v Speaker 1>Girls stink up.

2:38:51.360 --> 2:38:55.520
<v Speaker 2>I don't think think we're gonna make some new position.

2:38:56.720 --> 2:39:00.520
<v Speaker 2>I'm playing around, But in real reality, I was thought

2:39:00.560 --> 2:39:04.840
<v Speaker 2>about that. He's not with it because because look at me,

2:39:04.879 --> 2:39:05.240
<v Speaker 2>look at me.

2:39:05.240 --> 2:39:08.400
<v Speaker 1>I'm looking at you. He's look at me, look at me,

2:39:08.440 --> 2:39:11.080
<v Speaker 1>look at you. I have no beef for Trump. Right,

2:39:11.280 --> 2:39:14.080
<v Speaker 1>but if I was to put you and Trump in

2:39:14.160 --> 2:39:19.920
<v Speaker 1>a spelling bee, I'm picking you. Yeah, I would win.

2:39:21.560 --> 2:39:24.840
<v Speaker 2>If I'm picking you and Trump against like like, uh

2:39:26.480 --> 2:39:28.440
<v Speaker 2>of course we're a puzzle. I'm picking you.

2:39:29.000 --> 2:39:37.520
<v Speaker 1>Jeopardy Yeah yeah yeah, travel so so so why wouldn't

2:39:37.520 --> 2:39:42.680
<v Speaker 1>you try to lead off monopoly a little bit? Why

2:39:42.720 --> 2:39:47.600
<v Speaker 1>would you? I just don't feel like I would enjoy it. Yeah,

2:39:47.840 --> 2:39:52.160
<v Speaker 1>it's wonderful man, running or being in office. I don't

2:39:52.160 --> 2:39:57.440
<v Speaker 1>think I would enjoy either. One very just one. Yeah.

2:39:57.560 --> 2:40:00.880
<v Speaker 1>I'm sorry because I believe mean you so much. I know,

2:40:01.000 --> 2:40:03.240
<v Speaker 1>I feel it. I feel it, I feel it. He's

2:40:03.360 --> 2:40:06.640
<v Speaker 1>your campaign, I'm your number one thing. I know, I

2:40:06.760 --> 2:40:08.959
<v Speaker 1>feel it. I feel if you feel like that next

2:40:09.000 --> 2:40:12.680
<v Speaker 1>to year, Okay, I'll hit you, please hit me. Yeah,

2:40:12.720 --> 2:40:18.840
<v Speaker 1>I'm gonna be like that. The John Legend man. Thank

2:40:18.879 --> 2:40:21.600
<v Speaker 1>you so much, man, thank you. I had such a

2:40:21.680 --> 2:40:29.600
<v Speaker 1>good time. What say it out? I say, I'll talk

2:40:29.640 --> 2:40:36.120
<v Speaker 1>about let's go make some money? Yeah, get it now.

2:40:36.560 --> 2:40:38.560
<v Speaker 2>I'm truly I'm glad I got to come by and

2:40:38.640 --> 2:40:40.360
<v Speaker 2>see y'all. I've been wanting to do it for a minute.

2:40:40.600 --> 2:40:42.800
<v Speaker 4>And I'm glad we got to come and celebrate the

2:40:42.840 --> 2:40:45.160
<v Speaker 4>twentieth anniversary because I'm just grateful.

2:40:45.360 --> 2:40:47.120
<v Speaker 2>And you know, I told you all these stories of

2:40:47.240 --> 2:40:50.120
<v Speaker 2>like us on the come up, and like I think

2:40:50.200 --> 2:40:52.040
<v Speaker 2>back on all of that when I listen to that

2:40:52.160 --> 2:40:55.440
<v Speaker 2>music from Get Lifted, and I'm just grateful for everything

2:40:55.480 --> 2:41:01.760
<v Speaker 2>to happen. Yeah, good John, thank you so much, thank you.

2:41:03.040 --> 2:41:05.560
<v Speaker 2>I ain't gonna lie. You're the only nigga that ever

2:41:05.760 --> 2:41:06.400
<v Speaker 2>ordered beef.

2:41:06.280 --> 2:41:12.360
<v Speaker 1>Jerky turkey, turkey, turkey jack turkey. Yeah no, no, don't

2:41:12.360 --> 2:41:14.640
<v Speaker 1>say that. That's in my that's in my rider too,

2:41:14.959 --> 2:41:17.960
<v Speaker 1>because you know with turkey. Come on, I don't eat beef.

2:41:17.959 --> 2:41:20.040
<v Speaker 1>I don't eat you sure that's turkey.

2:41:20.160 --> 2:41:28.400
<v Speaker 3>I swear to god, you ain't gonna be able to

2:41:28.440 --> 2:41:30.039
<v Speaker 3>tell because it smelled the same.

2:41:31.680 --> 2:41:34.120
<v Speaker 1>Already, Bro, somebody went to the grocery store in here.

2:41:34.320 --> 2:41:38.200
<v Speaker 1>They got it. Are you ready? You ate it already?

2:41:39.800 --> 2:41:43.200
<v Speaker 1>You had a dinner with a shot though, and then

2:41:43.240 --> 2:41:46.000
<v Speaker 1>we out of here. I appreciate you, y'all. Man, what

2:41:46.080 --> 2:41:53.959
<v Speaker 1>a pleasure. You gotta let him go. We drink Champs.

2:42:00.440 --> 2:42:02.480
<v Speaker 1>Drink Champs is a drink Champs LLC.

2:42:02.680 --> 2:42:06.200
<v Speaker 3>Production hosts and executive producers n O r E and

2:42:06.360 --> 2:42:10.640
<v Speaker 3>dj e FN. Listen to Drink Champs on Apple Podcast,

2:42:10.879 --> 2:42:16.000
<v Speaker 3>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

2:42:16.040 --> 2:42:18.560
<v Speaker 3>for joining us for another episode of Drink Champs hosted

2:42:18.600 --> 2:42:21.240
<v Speaker 3>by Yours Truly, dj e FN and n O r E.

2:42:21.720 --> 2:42:23.800
<v Speaker 3>Please make sure to follow us on all our socials

2:42:24.040 --> 2:42:27.200
<v Speaker 3>That's at drink Champs across all platforms at the Real

2:42:27.280 --> 2:42:31.440
<v Speaker 3>Noriagon ig at Noriega on Twitter, mine is at Who's

2:42:31.480 --> 2:42:34.920
<v Speaker 3>Crazy on ig at dj e f N on Twitter,

2:42:35.280 --> 2:42:37.840
<v Speaker 3>and most importantly, stay up to date with the latest releases,

2:42:38.240 --> 2:42:41.400
<v Speaker 3>news and merch by going to drink Champs dot com