1 00:00:01,760 --> 00:00:04,359 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:10,560 Speaker 2: And Kevin An iHeartRadio podcast. Welcome to You, and that's 3 00:00:10,600 --> 00:00:17,000 Speaker 2: what you really miss podcast. Mister Shoe. We got him. 4 00:00:17,000 --> 00:00:19,160 Speaker 2: He's here. We finally got him. He's here, he's here, 5 00:00:19,400 --> 00:00:22,680 Speaker 2: locked and loaded. We have a long talk and it's great. 6 00:00:23,400 --> 00:00:25,279 Speaker 2: It was just so nice to catch up. You know. 7 00:00:26,400 --> 00:00:29,240 Speaker 2: That's the best part of this, isn't it, of course 8 00:00:30,240 --> 00:00:34,479 Speaker 2: a reunion. It is genuinely like I got you, now 9 00:00:34,600 --> 00:00:37,120 Speaker 2: get You've got you in my grasp just a FaceTime 10 00:00:37,200 --> 00:00:40,560 Speaker 2: and then we're recording it exactly a really great interview. Really, 11 00:00:40,720 --> 00:00:44,080 Speaker 2: I'm honest and wonderful. So we'll let you just listen 12 00:00:44,080 --> 00:00:45,760 Speaker 2: to it now and you don't have to listen to 13 00:00:45,800 --> 00:00:50,120 Speaker 2: our voices anymore. Well, kind of hi, friends, it's good 14 00:00:50,120 --> 00:00:50,680 Speaker 2: to see you. 15 00:00:50,880 --> 00:00:52,120 Speaker 1: It's so good to see you. 16 00:00:52,120 --> 00:00:55,640 Speaker 2: You know, you look wealthy. I'm looking at you. You 17 00:00:55,680 --> 00:00:58,680 Speaker 2: look rested, and I feel like and you look rested. 18 00:00:58,840 --> 00:01:01,280 Speaker 2: You look that's like wealth You look good. 19 00:01:02,240 --> 00:01:05,319 Speaker 1: Yeah good, I like that, you know. I feel I 20 00:01:05,360 --> 00:01:09,200 Speaker 1: don't feel yeah, I do feel wealthy. I feel rested. 21 00:01:09,200 --> 00:01:12,040 Speaker 1: I don't know about rested, but like my heart is happy. 22 00:01:13,200 --> 00:01:19,320 Speaker 1: I my family's great. Yeah, I feel really, really good. 23 00:01:19,560 --> 00:01:20,600 Speaker 1: So thank you for noticing. 24 00:01:21,000 --> 00:01:22,440 Speaker 2: Well, it's so nice to see you. Thank you for 25 00:01:23,640 --> 00:01:24,760 Speaker 2: hanging with us clowns. 26 00:01:25,000 --> 00:01:26,640 Speaker 1: Thanks for inviting me. I didn't even invited me. I 27 00:01:26,880 --> 00:01:29,039 Speaker 1: was gonna say, like, it's about timey inviting, but you 28 00:01:29,040 --> 00:01:30,840 Speaker 1: have invited me before and I. 29 00:01:30,880 --> 00:01:33,959 Speaker 2: Just have a few times. No, that's okay. It's hard 30 00:01:34,040 --> 00:01:36,840 Speaker 2: to get a hold of you, but you always respond, 31 00:01:36,840 --> 00:01:40,399 Speaker 2: which is so nice. And before we get into the 32 00:01:40,440 --> 00:01:44,840 Speaker 2: glee of it all, you're doing Chicago in Japan and 33 00:01:45,040 --> 00:01:48,040 Speaker 2: did the whole announcement in Japanese, which was mind blowing. 34 00:01:50,080 --> 00:01:52,120 Speaker 2: It was really impressive. I saw it. I was like, oh, 35 00:01:52,120 --> 00:01:55,880 Speaker 2: of course he did. Like I was shocked, and also 36 00:01:55,920 --> 00:01:58,080 Speaker 2: it was zero person shocked. At the same time, I 37 00:01:58,120 --> 00:02:00,559 Speaker 2: was like, if anybody can figure this out. 38 00:02:01,080 --> 00:02:04,200 Speaker 1: Uh, you know, I thought to make a bigger impact 39 00:02:04,320 --> 00:02:07,120 Speaker 1: in terms of ticket sales, especially when like you're in 40 00:02:07,200 --> 00:02:10,880 Speaker 1: a culture that they do speak English a lot there, 41 00:02:10,919 --> 00:02:14,119 Speaker 1: but there's you know, a predominant probably most of them 42 00:02:14,280 --> 00:02:19,040 Speaker 1: don't speak English. So yeah, I wanted to speak to 43 00:02:19,040 --> 00:02:21,600 Speaker 1: the people. So I called my friend Charlie Okumura who 44 00:02:21,600 --> 00:02:24,160 Speaker 1: lives in Tokyo, and him and his wife kind of 45 00:02:24,320 --> 00:02:26,040 Speaker 1: put I said what I wanted to say, and they 46 00:02:26,120 --> 00:02:27,960 Speaker 1: kind of like put it together for me. I sent 47 00:02:28,000 --> 00:02:31,280 Speaker 1: it back to them and they're like, no, this is 48 00:02:31,280 --> 00:02:33,639 Speaker 1: what you can. They basically gave me work for a word, 49 00:02:33,720 --> 00:02:36,400 Speaker 1: like how to pronounce it and stuff, and so it. 50 00:02:36,400 --> 00:02:39,280 Speaker 2: Was very convincing. I feel I thought you were going 51 00:02:39,320 --> 00:02:41,160 Speaker 2: to say like, oh, yeah, I've been learning, I've been 52 00:02:41,200 --> 00:02:43,639 Speaker 2: learning the language, and like I've been working on it, 53 00:02:43,639 --> 00:02:47,000 Speaker 2: because it was very good. I mean from what I 54 00:02:47,680 --> 00:02:51,120 Speaker 2: the little we know, but well, yeah, I mean but awesome. 55 00:02:50,840 --> 00:02:53,679 Speaker 1: Yeah, thank you. I mean, you know, I love language, 56 00:02:54,200 --> 00:02:56,320 Speaker 1: you know, doing that light in the Piazza show on Broadway, 57 00:02:56,400 --> 00:02:58,760 Speaker 1: like how to speak how to speak Italian. I just 58 00:02:58,880 --> 00:03:02,560 Speaker 1: love immerse myself in language is such a beautiful challenge. 59 00:03:04,120 --> 00:03:06,560 Speaker 1: But then you get to challenge yourself in trouble when 60 00:03:06,560 --> 00:03:09,840 Speaker 1: you actually have a good accent and you start can 61 00:03:09,880 --> 00:03:12,840 Speaker 1: speak a few words. Then people just start like talking 62 00:03:12,880 --> 00:03:16,840 Speaker 1: to you like yes, sorry, sorry, Oh. 63 00:03:17,480 --> 00:03:19,160 Speaker 2: Have you spent a lot of time in Japan before? 64 00:03:19,760 --> 00:03:22,359 Speaker 1: Yes, I have. Actually I do a lot of concerts 65 00:03:22,360 --> 00:03:27,400 Speaker 1: in Japan. Yeah, it's been. It's it's a lovely market 66 00:03:27,440 --> 00:03:29,280 Speaker 1: for me, I think for all of us. I think, 67 00:03:29,480 --> 00:03:31,799 Speaker 1: you know, Glee was well, very well received over there, 68 00:03:32,360 --> 00:03:35,640 Speaker 1: so you know, that opened up a lot of places 69 00:03:35,640 --> 00:03:39,320 Speaker 1: to go and to perform. So I'm gonna be doing 70 00:03:39,560 --> 00:03:43,320 Speaker 1: that show. And for me, that show is kind of 71 00:03:45,040 --> 00:03:47,640 Speaker 1: to see where I'm at in terms of live performances again, 72 00:03:47,680 --> 00:03:52,800 Speaker 1: because it's been a while and since twenty fifteen. Yeah, 73 00:03:53,120 --> 00:03:55,640 Speaker 1: and so for me, it's just to kind of say, like, Okay, 74 00:03:55,720 --> 00:03:57,520 Speaker 1: you know, I wanted to give myself a big break 75 00:03:57,760 --> 00:04:00,880 Speaker 1: to you know, be there for this, you know, pivotal 76 00:04:00,920 --> 00:04:04,520 Speaker 1: time in my children's lives. But for right now, I 77 00:04:04,560 --> 00:04:07,120 Speaker 1: feel this call to go back to the stage, and 78 00:04:07,160 --> 00:04:09,000 Speaker 1: I just don't want to jump right into a Broadway 79 00:04:09,000 --> 00:04:11,240 Speaker 1: show and be like, oh, this is a lot. So 80 00:04:11,280 --> 00:04:12,600 Speaker 1: I thought it would be a good, like kind of 81 00:04:13,640 --> 00:04:16,840 Speaker 1: stepping stone to yeah, see how I feel about it. 82 00:04:16,920 --> 00:04:19,000 Speaker 2: I have a feeling we know what that's going to 83 00:04:19,040 --> 00:04:21,640 Speaker 2: be for you, but I do. I do love it. 84 00:04:21,680 --> 00:04:26,760 Speaker 2: But it's smart. It's a smart move. But that's awesome. 85 00:04:26,800 --> 00:04:30,200 Speaker 2: It's very exciting. Okay, mister Shoe, it's been a while 86 00:04:30,240 --> 00:04:32,760 Speaker 2: and everybody's been asking for you, and so we just 87 00:04:32,880 --> 00:04:35,039 Speaker 2: I think we have to talk about Glee. 88 00:04:35,200 --> 00:04:37,640 Speaker 1: Okay. I just want to preface this my memory is horrible, 89 00:04:37,720 --> 00:04:40,760 Speaker 1: and you might spark some memories. I'll be like, oh 90 00:04:40,839 --> 00:04:45,000 Speaker 1: yeah and stuff, but yeah, yeah, I am. I'm really 91 00:04:45,040 --> 00:04:47,080 Speaker 1: interested to where this conversation is going to go. 92 00:04:47,200 --> 00:04:52,680 Speaker 2: So you know, yes, I think it's important for everyone listening, 93 00:04:52,680 --> 00:04:55,479 Speaker 2: mostly for us because our memories are also not good. 94 00:04:55,839 --> 00:04:57,120 Speaker 2: So it makes me feel seen. 95 00:04:59,240 --> 00:05:02,200 Speaker 1: You talk about this all the time, you know, and yeah, 96 00:05:02,240 --> 00:05:03,120 Speaker 1: I'm sure. 97 00:05:04,040 --> 00:05:07,360 Speaker 2: We're reminded, but it's it's so don't feel bad if 98 00:05:07,360 --> 00:05:11,120 Speaker 2: you don't remember things because we do not I won't. Yeah, Okay, 99 00:05:12,920 --> 00:05:15,640 Speaker 2: we're watching things like that. We're into season three now 100 00:05:16,120 --> 00:05:18,200 Speaker 2: and there have been full scenes for the first time 101 00:05:18,200 --> 00:05:21,440 Speaker 2: where like I am speaking or singing and I have 102 00:05:21,520 --> 00:05:25,240 Speaker 2: no recollection of being there zero and it is. 103 00:05:25,400 --> 00:05:27,839 Speaker 1: I saw when that started kicking in for sure. 104 00:05:28,080 --> 00:05:30,800 Speaker 2: Yeah, like every day is the same. We don't know 105 00:05:30,839 --> 00:05:35,280 Speaker 2: what's going on anymore, and you're just like shooting once 106 00:05:35,440 --> 00:05:39,400 Speaker 2: like yeah, yes, yes, have you watched any Glee since 107 00:05:39,400 --> 00:05:40,560 Speaker 2: you since we finished? 108 00:05:40,560 --> 00:05:41,159 Speaker 1: Oh I haven't. 109 00:05:42,000 --> 00:05:42,440 Speaker 2: Wow. 110 00:05:42,600 --> 00:05:47,159 Speaker 1: Yeah, I'm still triggered by don't Believing though for sure 111 00:05:47,839 --> 00:05:53,040 Speaker 1: forever since the end of time? Uh No, but I haven't. 112 00:05:53,080 --> 00:05:56,400 Speaker 1: I'm actually waiting my son, Reveel, who's six years old 113 00:05:56,400 --> 00:06:02,720 Speaker 1: now having the experience of seeing me being recognized in him, 114 00:06:02,839 --> 00:06:08,400 Speaker 1: kind of knowing me as a famous person. It's so weird. 115 00:06:08,400 --> 00:06:10,279 Speaker 1: It's so I mean, I hate it. I hate it 116 00:06:10,320 --> 00:06:12,520 Speaker 1: because it's like, you know, I want you to love 117 00:06:12,520 --> 00:06:14,160 Speaker 1: me for me as as your papa. You know, I 118 00:06:14,279 --> 00:06:16,440 Speaker 1: don't want you to be influenced by any these and 119 00:06:16,440 --> 00:06:17,840 Speaker 1: that's kind of like why I wanted to get out 120 00:06:17,839 --> 00:06:21,159 Speaker 1: of Los Angeles as well. So it's it's it's weird 121 00:06:21,360 --> 00:06:24,880 Speaker 1: kind of navigating that as a parent. But it's still, 122 00:06:24,960 --> 00:06:27,040 Speaker 1: you know, as you all know, it's probably it's still 123 00:06:27,640 --> 00:06:32,120 Speaker 1: very much a part of people's stores and upbringings and 124 00:06:32,480 --> 00:06:33,480 Speaker 1: the zeitgeist and all that. 125 00:06:33,800 --> 00:06:36,400 Speaker 2: Are you recognized a lot more? Because I feel like 126 00:06:36,400 --> 00:06:39,800 Speaker 2: when I leave LA, I'm recognized way more than I 127 00:06:39,839 --> 00:06:41,880 Speaker 2: am with in LA. People actually come up to me. 128 00:06:41,920 --> 00:06:44,480 Speaker 2: Here everyone's you know, sort of jaded or used to 129 00:06:44,520 --> 00:06:46,839 Speaker 2: seeing people who are on TV, So like, does it 130 00:06:46,880 --> 00:06:48,280 Speaker 2: happen I feel like it must happen to you a 131 00:06:48,320 --> 00:06:49,159 Speaker 2: lot more there. 132 00:06:50,600 --> 00:06:54,120 Speaker 1: Where I live, it it actually doesn't. Everyone's very respectful. 133 00:06:54,400 --> 00:06:59,520 Speaker 1: I can see like the acknowledgment of it, but rarely 134 00:06:59,560 --> 00:07:01,680 Speaker 1: do the people come up and say anything to me. 135 00:07:01,960 --> 00:07:06,120 Speaker 1: It's usually the most I get it is overseas. H. 136 00:07:06,520 --> 00:07:09,159 Speaker 1: I don't know what that is, but yeah, it's it's 137 00:07:09,160 --> 00:07:13,920 Speaker 1: mostly overseas, but here like small town. It's cool. 138 00:07:15,040 --> 00:07:20,880 Speaker 2: That's nice. Now, I can't remember we watched the pilot 139 00:07:21,000 --> 00:07:26,800 Speaker 2: together back in the day. You we came over Lee 140 00:07:26,880 --> 00:07:29,480 Speaker 2: and I and we all watched it together in between 141 00:07:29,760 --> 00:07:33,800 Speaker 2: waiting to be picked up and shooting the pilot. Can 142 00:07:33,880 --> 00:07:39,920 Speaker 2: you remember, though, you guys are watched shooters. Yeah, but 143 00:07:40,080 --> 00:07:44,000 Speaker 2: I can't remember. Did you have what was your audition 144 00:07:44,160 --> 00:07:47,720 Speaker 2: process like or did you just get offered? 145 00:07:48,400 --> 00:07:50,560 Speaker 1: No? I definitely didn't get offered the role. So my 146 00:07:50,600 --> 00:07:57,920 Speaker 1: audition process was just a regular audition. I was doing 147 00:07:59,720 --> 00:08:04,400 Speaker 1: so specific on Broadway at the time, and I just 148 00:08:04,440 --> 00:08:07,680 Speaker 1: got an audition. I went in the room to put 149 00:08:07,720 --> 00:08:09,760 Speaker 1: myself on tape, and so they would send all the 150 00:08:09,760 --> 00:08:12,880 Speaker 1: tapes to LA and I sang on the straight relive 151 00:08:12,920 --> 00:08:17,440 Speaker 1: of course, my go to song, and then I did 152 00:08:17,600 --> 00:08:24,160 Speaker 1: the scenes and from there, I you know, Ryan and 153 00:08:24,240 --> 00:08:27,320 Speaker 1: Brad and Ian and some other producers. They came to 154 00:08:27,520 --> 00:08:30,520 Speaker 1: New York to have like the New York audition. I 155 00:08:30,600 --> 00:08:32,960 Speaker 1: think I was doing a play called Naked Girl in 156 00:08:32,960 --> 00:08:36,400 Speaker 1: the Appian way and it was this. The woman playing 157 00:08:36,440 --> 00:08:41,240 Speaker 1: my mother in the show was this brilliant actress named 158 00:08:41,320 --> 00:08:44,400 Speaker 1: Joe Clayburg and she was nominated for oscars and stuff 159 00:08:44,400 --> 00:08:46,600 Speaker 1: back in the day, but she took a long hiatus 160 00:08:47,040 --> 00:08:49,240 Speaker 1: to raise her kids. I don't know if you know 161 00:08:49,320 --> 00:08:54,719 Speaker 1: Lily Rabe is one of her daughter. She's a she's phenomenal. 162 00:08:54,760 --> 00:08:58,720 Speaker 1: She's she's passed now, but she's She was someone who 163 00:08:58,800 --> 00:09:01,240 Speaker 1: was like really like the figure of my life. But 164 00:09:01,280 --> 00:09:04,319 Speaker 1: she had worked closely. I forget what she and Ran did, 165 00:09:05,200 --> 00:09:10,000 Speaker 1: but I can't even she said the story, but she said, 166 00:09:10,080 --> 00:09:13,199 Speaker 1: when you go into the audition, just flirt with Ryan. 167 00:09:13,760 --> 00:09:18,280 Speaker 1: I was like, what me, And She's like, you know, 168 00:09:18,480 --> 00:09:21,880 Speaker 1: just just just flirt, just just be you, just be flirty. 169 00:09:21,960 --> 00:09:24,200 Speaker 1: And so that was my like going in. I just 170 00:09:24,240 --> 00:09:26,360 Speaker 1: felt like I'm just gonna, like, you know, just like 171 00:09:26,400 --> 00:09:29,760 Speaker 1: give him compliments, you know, and stuff and it and 172 00:09:29,800 --> 00:09:32,920 Speaker 1: it totally worked. He was like he was just like 173 00:09:33,000 --> 00:09:36,560 Speaker 1: loving what I was doing. Uh yeah, he was like 174 00:09:36,640 --> 00:09:41,120 Speaker 1: I remember one thing, he complimented my shoes. He was 175 00:09:41,160 --> 00:09:44,480 Speaker 1: really my shoes, like we're like these motorcycle boots or something. 176 00:09:44,880 --> 00:09:45,240 Speaker 2: And we know. 177 00:09:45,240 --> 00:09:46,480 Speaker 1: Of course, when I said, oh, those are. 178 00:09:46,440 --> 00:09:47,400 Speaker 2: That's a big compliment. 179 00:09:47,880 --> 00:09:51,200 Speaker 1: Yeah. I don't think he's ever called me on anything 180 00:09:51,200 --> 00:09:55,280 Speaker 1: else in my life, but but the boots were a 181 00:09:55,320 --> 00:09:56,760 Speaker 1: big part of it. 182 00:09:57,000 --> 00:09:58,560 Speaker 2: Okay, So yeah. 183 00:09:58,600 --> 00:10:02,120 Speaker 1: And then from that AUDI, I had a really good 184 00:10:02,280 --> 00:10:07,600 Speaker 1: feeling about about it, and they flew me. I think 185 00:10:07,600 --> 00:10:09,240 Speaker 1: I was the only one that flew in from New 186 00:10:09,320 --> 00:10:16,199 Speaker 1: York for this for the network test. And I remember 187 00:10:16,240 --> 00:10:20,680 Speaker 1: before I went into the room, you know, I kind 188 00:10:20,679 --> 00:10:23,160 Speaker 1: of my agent was kind of saying that I was 189 00:10:23,200 --> 00:10:25,719 Speaker 1: the guy, but you never want to know that at 190 00:10:25,720 --> 00:10:30,160 Speaker 1: the time. It's some pressure on you. But Ryan came 191 00:10:30,440 --> 00:10:32,840 Speaker 1: and had a conversation with me before I tested, and 192 00:10:32,880 --> 00:10:36,200 Speaker 1: he said, this is yours to lose. He's like, he's like, 193 00:10:37,040 --> 00:10:39,679 Speaker 1: we all want you, but this is yours to lose. 194 00:10:39,720 --> 00:10:42,360 Speaker 1: And I don't know if that was exactly the exact phrasing, 195 00:10:42,360 --> 00:10:44,520 Speaker 1: but that I was the guy. 196 00:10:44,960 --> 00:10:46,880 Speaker 2: Just don't get up because we want you to yea. 197 00:10:49,120 --> 00:10:53,719 Speaker 1: And I I believe I was shaking, but I I, 198 00:10:53,760 --> 00:10:59,160 Speaker 1: you know, I have a lot of obviously live performance experience, 199 00:10:59,320 --> 00:11:01,679 Speaker 1: so I went in there. I felt pretty good about it, 200 00:11:02,520 --> 00:11:04,760 Speaker 1: and uh, but it been in my head. I kind 201 00:11:04,760 --> 00:11:07,480 Speaker 1: of I remember saying, I bet you he's saying this 202 00:11:07,559 --> 00:11:09,400 Speaker 1: to every person who's auditioned for this part. And I 203 00:11:09,400 --> 00:11:10,880 Speaker 1: think there was two other guys in there as well. 204 00:11:11,559 --> 00:11:14,679 Speaker 1: But that's how I tricked myself to be he's just smart. 205 00:11:16,000 --> 00:11:16,280 Speaker 2: Smart. 206 00:11:16,800 --> 00:11:20,880 Speaker 1: But yeah, then I auditioned, I went, oh, oh, so 207 00:11:21,360 --> 00:11:23,160 Speaker 1: you know, I think you know the story. But between 208 00:11:23,600 --> 00:11:27,240 Speaker 1: my first audition and that network test, I learned how 209 00:11:27,240 --> 00:11:30,240 Speaker 1: to play some over the rainbow in the mm hm 210 00:11:30,400 --> 00:11:32,679 Speaker 1: that was that was kind of like my new audition song. 211 00:11:32,920 --> 00:11:35,599 Speaker 1: Uh and and of course that didn't help them. My 212 00:11:35,640 --> 00:11:37,720 Speaker 1: fingers were like cold, my oh. 213 00:11:37,800 --> 00:11:43,120 Speaker 2: God, that was another challenge to it. Yeah. 214 00:11:43,240 --> 00:11:45,880 Speaker 1: I didn't really set myself up but but but it 215 00:11:45,960 --> 00:11:47,120 Speaker 1: was but it was right and then I went down 216 00:11:47,120 --> 00:11:50,240 Speaker 1: I remember going down the parking garage at I think 217 00:11:50,240 --> 00:11:52,920 Speaker 1: it was at Disney the Words where the uh the 218 00:11:53,000 --> 00:11:55,600 Speaker 1: test was and then uh my agent called me and 219 00:11:55,640 --> 00:11:56,880 Speaker 1: I got it like right away. 220 00:11:58,160 --> 00:11:59,319 Speaker 2: Whoa that was quick? 221 00:12:00,240 --> 00:12:02,360 Speaker 1: Yeah, thank god. It was like the waiting is that. 222 00:12:03,600 --> 00:12:05,760 Speaker 2: I think mine took like two hours to hear and 223 00:12:05,840 --> 00:12:10,400 Speaker 2: it was two hours it was. Yeah, mine was like 224 00:12:10,440 --> 00:12:13,480 Speaker 2: ten minutes because they had to get in touch with 225 00:12:13,559 --> 00:12:15,280 Speaker 2: the other person to tell them they didn't get it. 226 00:12:15,360 --> 00:12:20,839 Speaker 2: First I was with him. I was with him, Yeah, 227 00:12:20,880 --> 00:12:24,079 Speaker 2: with the other person, yes, because we were all flying 228 00:12:24,120 --> 00:12:29,320 Speaker 2: back to New York. So who it was, I'll text 229 00:12:29,360 --> 00:12:35,320 Speaker 2: you right now. Yeah. What's crazy is is he's so 230 00:12:35,320 --> 00:12:39,840 Speaker 2: so talented. I'm sure working so much more chalm like 231 00:12:39,960 --> 00:12:43,280 Speaker 2: it was. It was a full because now he's like 232 00:12:43,360 --> 00:12:47,920 Speaker 2: doing he's got his own journey exactly, exactly. Yeah, he's 233 00:12:47,920 --> 00:12:50,840 Speaker 2: got his own journey. Okay, okay, okay. 234 00:12:51,240 --> 00:12:51,440 Speaker 3: Yeah. 235 00:12:51,440 --> 00:12:55,120 Speaker 1: So that was that was basically it. And then uh 236 00:12:55,160 --> 00:12:57,040 Speaker 1: and then there was like a while to wait until 237 00:12:57,080 --> 00:12:59,160 Speaker 1: we actually started shooting it, and I remember it was 238 00:12:59,200 --> 00:13:01,520 Speaker 1: it was challenging for me because yeah, I wasn't South 239 00:13:01,559 --> 00:13:03,640 Speaker 1: Pacific and I had to get out of the show. 240 00:13:03,720 --> 00:13:06,439 Speaker 1: I had to ask the producers to let me out 241 00:13:06,440 --> 00:13:08,559 Speaker 1: to the show to shoot the pilt, which was a month. 242 00:13:10,320 --> 00:13:11,479 Speaker 2: And that's amazing. 243 00:13:12,160 --> 00:13:16,000 Speaker 1: It was amazing, you know, Lincoln Center, they were so incresible. 244 00:13:15,600 --> 00:13:18,319 Speaker 2: So nice, I got it. Some people have never let 245 00:13:18,400 --> 00:13:20,959 Speaker 2: you out though, Like I was also in Spring Awakening 246 00:13:21,000 --> 00:13:24,040 Speaker 2: at the time, and thankfully Jim Carnahan, who cast it, 247 00:13:24,120 --> 00:13:27,080 Speaker 2: was casting Spring on this side, so or it was 248 00:13:27,440 --> 00:13:31,520 Speaker 2: like so they were all includes about it. But that's 249 00:13:31,679 --> 00:13:35,319 Speaker 2: lucky us. Few you also were, you were twenty nine 250 00:13:35,360 --> 00:13:37,000 Speaker 2: when you got it because you turned thirty right at 251 00:13:37,120 --> 00:13:39,319 Speaker 2: like the last day, the last day of the pilot, 252 00:13:39,440 --> 00:13:43,079 Speaker 2: which is crazy to think you're basically right where we 253 00:13:43,160 --> 00:13:46,680 Speaker 2: are now, Like that is mind blowing. Like I don't 254 00:13:46,760 --> 00:13:53,040 Speaker 2: know I was twenty, but you because I think you 255 00:13:53,120 --> 00:13:56,880 Speaker 2: played our teacher. I automatically looked at you like you 256 00:13:56,920 --> 00:14:00,480 Speaker 2: were like you were, yes, like you were at least 257 00:14:00,480 --> 00:14:03,640 Speaker 2: twenty years older than me, right, not that like we 258 00:14:03,720 --> 00:14:07,040 Speaker 2: all treat each other as equals, like we're all around 259 00:14:07,080 --> 00:14:10,600 Speaker 2: the same age. But it felt like I looked up 260 00:14:10,640 --> 00:14:12,120 Speaker 2: to you in that way, like you and you are 261 00:14:12,120 --> 00:14:15,560 Speaker 2: my elder. I have to like follow you. That's crazy. 262 00:14:15,640 --> 00:14:18,080 Speaker 2: I'm five years older now than you were when you 263 00:14:18,400 --> 00:14:23,040 Speaker 2: started the show. I huh, I'm going to go. You 264 00:14:23,080 --> 00:14:23,880 Speaker 2: guys carry on. 265 00:14:25,080 --> 00:14:27,160 Speaker 1: Well that makes you feel better. I'm fifteen years older 266 00:14:27,160 --> 00:14:27,680 Speaker 1: than that day. 267 00:14:27,760 --> 00:14:34,720 Speaker 2: So look at you. You got a family smashing it. 268 00:14:42,800 --> 00:14:47,840 Speaker 2: We had Ryan on this show and he said that 269 00:14:48,720 --> 00:14:52,960 Speaker 2: the role of mister Shoe was originally written with Justin Turner. 270 00:14:56,000 --> 00:14:56,840 Speaker 2: Did you know that? 271 00:14:57,360 --> 00:14:58,800 Speaker 1: I didn't know that. No, I never knew that piece 272 00:14:58,800 --> 00:14:59,320 Speaker 1: of information. 273 00:14:59,360 --> 00:15:02,560 Speaker 2: So we all found that up together. Yeah, yeah, did 274 00:15:02,600 --> 00:15:03,600 Speaker 2: you think that was true? 275 00:15:03,840 --> 00:15:06,160 Speaker 1: Or was that like like he wanted to like to get. 276 00:15:05,960 --> 00:15:10,680 Speaker 2: The reverse engineered that Maybe no, but I would believe that. 277 00:15:10,760 --> 00:15:12,800 Speaker 1: I mean, he was hot at the time. But how 278 00:15:12,840 --> 00:15:14,280 Speaker 1: old was he? Well, yeah, I guess he and I 279 00:15:14,280 --> 00:15:16,400 Speaker 1: are kind of He's like a couple of years younger 280 00:15:16,440 --> 00:15:16,640 Speaker 1: than me. 281 00:15:16,840 --> 00:15:21,480 Speaker 2: But yeah, but and look, you guys are like, you know, 282 00:15:22,280 --> 00:15:26,240 Speaker 2: similar types. Like it would make you know, but I 283 00:15:26,240 --> 00:15:29,960 Speaker 2: think the move to like not go with Justin Timberlake 284 00:15:30,120 --> 00:15:33,000 Speaker 2: was like or else Clee would have never been what 285 00:15:33,120 --> 00:15:33,600 Speaker 2: it is. 286 00:15:33,800 --> 00:15:34,040 Speaker 1: You know. 287 00:15:34,400 --> 00:15:35,560 Speaker 2: That's that's a great point. 288 00:15:35,360 --> 00:15:37,480 Speaker 1: In Jenna, like because it was you know, the show 289 00:15:37,680 --> 00:15:39,640 Speaker 1: was because nobody knew who any of us were. 290 00:15:39,880 --> 00:15:43,680 Speaker 2: Yeah, yeah, yeah, you had just In there would have 291 00:15:43,720 --> 00:15:46,320 Speaker 2: been like the Justin show, you know, It's just it 292 00:15:46,360 --> 00:15:47,840 Speaker 2: would have been a totally different vibe. 293 00:15:47,840 --> 00:15:50,080 Speaker 1: And then to think about like what we went through 294 00:15:50,120 --> 00:15:52,880 Speaker 1: on that show and how the trajectory of his career 295 00:15:52,880 --> 00:15:54,720 Speaker 1: would have changed, like we would we wouldn't have known 296 00:15:54,760 --> 00:15:58,200 Speaker 1: the Justin we know today been able to put out 297 00:15:58,200 --> 00:15:58,960 Speaker 1: all you. 298 00:15:58,880 --> 00:16:03,520 Speaker 2: Know You're So album. So that's interesting too, right, Lucky 299 00:16:03,560 --> 00:16:06,440 Speaker 2: for us it was, you you know, like it would 300 00:16:06,440 --> 00:16:08,360 Speaker 2: have been such a different I can't imagine the show 301 00:16:08,400 --> 00:16:10,880 Speaker 2: without anybody that was I'm sure everybody says that when 302 00:16:10,880 --> 00:16:13,760 Speaker 2: they do their projects or whatever, but like it all 303 00:16:13,920 --> 00:16:17,320 Speaker 2: just we know it worked. Like you can't go back 304 00:16:17,360 --> 00:16:18,680 Speaker 2: and be like, oh, what if this person did like 305 00:16:18,680 --> 00:16:22,280 Speaker 2: well and it worked exactly became like phenomenon that I 306 00:16:22,320 --> 00:16:25,240 Speaker 2: did with all of those pieces that were in it, 307 00:16:25,400 --> 00:16:28,600 Speaker 2: and if one person was not there, especially you, you 308 00:16:28,680 --> 00:16:31,720 Speaker 2: were like the anchor of that whole. Yeah, I mean 309 00:16:32,360 --> 00:16:34,400 Speaker 2: in so many ways, like it went beyond just you 310 00:16:34,480 --> 00:16:38,720 Speaker 2: being mister Shoe. It was like you were the sort 311 00:16:38,760 --> 00:16:40,880 Speaker 2: of like adult in the room. To us. 312 00:16:41,680 --> 00:16:46,320 Speaker 1: Always say that because I, you know, knowing what I 313 00:16:46,360 --> 00:16:49,160 Speaker 1: know now about television and like being number one on 314 00:16:49,200 --> 00:16:52,200 Speaker 1: the call sheet and like the leadership role that you 315 00:16:52,240 --> 00:16:55,680 Speaker 1: would want that person to have. I feel like I 316 00:16:55,920 --> 00:17:00,240 Speaker 1: let people down because I didn't I didn't know any 317 00:17:00,280 --> 00:17:02,120 Speaker 1: of that stuff back then and I didn't know what 318 00:17:02,560 --> 00:17:05,119 Speaker 1: it meant to be. But at the same time, like 319 00:17:05,800 --> 00:17:09,280 Speaker 1: there was so many egos in that in that you 320 00:17:09,280 --> 00:17:13,760 Speaker 1: know world that I don't feel like stepping in and 321 00:17:13,800 --> 00:17:17,560 Speaker 1: trying to lead the company in a positive way would 322 00:17:17,600 --> 00:17:21,320 Speaker 1: have been very beneficial to anyone, because you know, there 323 00:17:21,359 --> 00:17:25,480 Speaker 1: they were like fighting back against that. But but yeah, 324 00:17:25,600 --> 00:17:28,000 Speaker 1: I think if I was going into this now, I 325 00:17:28,240 --> 00:17:30,400 Speaker 1: think I would have done things a little differently. 326 00:17:30,840 --> 00:17:35,440 Speaker 2: Yeah, but I don't think you. I mean I didn't 327 00:17:35,440 --> 00:17:40,280 Speaker 2: feel it down by you. And also because you were 328 00:17:40,320 --> 00:17:42,959 Speaker 2: in the adult role, which was a little bit different, 329 00:17:43,080 --> 00:17:46,280 Speaker 2: like within the group, like Corey did take on that 330 00:17:47,040 --> 00:17:50,800 Speaker 2: role in a way where you were kind of seen 331 00:17:51,880 --> 00:17:56,280 Speaker 2: as like the adult and kind of like a father figure, 332 00:17:56,320 --> 00:17:59,040 Speaker 2: if you will. I mean, it's weird to say that 333 00:17:59,119 --> 00:18:02,200 Speaker 2: now because we know we're all like similar, very close 334 00:18:02,240 --> 00:18:05,240 Speaker 2: in age, but you know, like a father figure and age, 335 00:18:05,640 --> 00:18:09,679 Speaker 2: and you kind of had your like your own trajectory 336 00:18:09,720 --> 00:18:12,159 Speaker 2: and journey on the show, and then you know, we 337 00:18:12,440 --> 00:18:15,120 Speaker 2: had us on the other side of the room and 338 00:18:15,200 --> 00:18:19,480 Speaker 2: we're going through a completely similar and yet different experience, 339 00:18:19,600 --> 00:18:22,600 Speaker 2: And so I think you're right, like it maybe not 340 00:18:22,800 --> 00:18:25,000 Speaker 2: would have not been beneficial in a way that was 341 00:18:25,040 --> 00:18:27,199 Speaker 2: like is he preaching at us? Is he talking? You know, 342 00:18:27,280 --> 00:18:31,680 Speaker 2: like there was some inequality that kind of Corey had 343 00:18:31,720 --> 00:18:35,400 Speaker 2: with us that also helps in him leading by example 344 00:18:35,440 --> 00:18:39,040 Speaker 2: and leading in the ways that he did. But I 345 00:18:39,119 --> 00:18:41,000 Speaker 2: felt like you're still a leader when you stepped in 346 00:18:41,000 --> 00:18:43,960 Speaker 2: the room, like there was an energy that like we 347 00:18:44,040 --> 00:18:47,880 Speaker 2: looked to you on an off screen But I'm just curious, 348 00:18:47,960 --> 00:18:52,280 Speaker 2: like looking back on your experience now the show and 349 00:18:52,560 --> 00:18:56,320 Speaker 2: being the adult, like what was that like for you 350 00:18:56,600 --> 00:18:59,560 Speaker 2: And do you have different reflections on it now being 351 00:18:59,600 --> 00:19:00,960 Speaker 2: so from it. 352 00:19:02,840 --> 00:19:04,960 Speaker 1: On being the adult in the show or just being 353 00:19:04,960 --> 00:19:05,720 Speaker 1: on the show in general. 354 00:19:05,760 --> 00:19:08,960 Speaker 2: I think being on the show in general, well, it's. 355 00:19:08,800 --> 00:19:11,920 Speaker 1: Interesting, like like spitball. And since we're talking about this, 356 00:19:12,040 --> 00:19:17,919 Speaker 1: I felt like in the beginning and the way the 357 00:19:17,960 --> 00:19:22,000 Speaker 1: show was kind of pitched to me was that it 358 00:19:22,200 --> 00:19:26,760 Speaker 1: was it was kind of mister Schuster's journey and like 359 00:19:26,760 --> 00:19:28,680 Speaker 1: like it was like in the first few seasons, it 360 00:19:28,720 --> 00:19:31,479 Speaker 1: was it was a lot more adults, you know, and 361 00:19:31,520 --> 00:19:34,879 Speaker 1: then the shows the show changed to be something else. 362 00:19:37,040 --> 00:19:41,760 Speaker 1: But for me, I felt like I wanted to be 363 00:19:41,800 --> 00:19:45,840 Speaker 1: involved with with everyone, and you know, we all would 364 00:19:45,880 --> 00:19:48,080 Speaker 1: sit in video village. We all had like you know, 365 00:19:48,080 --> 00:19:50,959 Speaker 1: it was a million cast chairs all the time. But 366 00:19:51,040 --> 00:19:56,679 Speaker 1: then slowly, I just I'm kind of like I'm an 367 00:19:56,680 --> 00:20:00,160 Speaker 1: only child. I like my alone time. I slowly, as 368 00:20:00,160 --> 00:20:04,959 Speaker 1: you all know, started like to to distance myself from 369 00:20:05,119 --> 00:20:07,560 Speaker 1: the kids, and you know, I would always be in 370 00:20:07,600 --> 00:20:10,159 Speaker 1: mister Shoe's office and that's where you are, like in 371 00:20:10,240 --> 00:20:12,639 Speaker 1: my own kind of space. And I was also you know, 372 00:20:12,760 --> 00:20:14,840 Speaker 1: I was trying to do other stuff. I mean, like Chris, 373 00:20:14,880 --> 00:20:17,760 Speaker 1: you know, he was writing books and books while he 374 00:20:17,800 --> 00:20:23,280 Speaker 1: was doing there. I was going off every like two weekends, 375 00:20:23,320 --> 00:20:27,159 Speaker 1: like going off doing my solo concerts, and you know, 376 00:20:27,520 --> 00:20:32,600 Speaker 1: it was I don't know, I was just stressed. God that, like, 377 00:20:32,680 --> 00:20:34,960 Speaker 1: our bodies are not designed to go through that kind 378 00:20:34,960 --> 00:20:37,320 Speaker 1: of pressure. I mean, we had a full time job, 379 00:20:37,760 --> 00:20:40,400 Speaker 1: more than a full time job, and then our job 380 00:20:40,520 --> 00:20:43,240 Speaker 1: was promoting the show, and on top of that, trying 381 00:20:43,240 --> 00:20:45,200 Speaker 1: to get one foot in front of the other and 382 00:20:45,320 --> 00:20:48,879 Speaker 1: your your own reality and your own life and you know, 383 00:20:49,880 --> 00:20:53,800 Speaker 1: your relationship with yourself, with your friends, those are kind 384 00:20:53,800 --> 00:20:56,240 Speaker 1: of and then you know, going off and do these 385 00:20:56,240 --> 00:20:59,920 Speaker 1: concerts on the weekend, and then I don't know, I 386 00:21:00,920 --> 00:21:04,960 Speaker 1: all the energy, the positive energy that was put into 387 00:21:05,320 --> 00:21:08,639 Speaker 1: us from that show was so beautiful, and I wanted 388 00:21:08,680 --> 00:21:11,560 Speaker 1: to give that back to the people because I so 389 00:21:11,640 --> 00:21:15,080 Speaker 1: appreciated like them and fans and wanted to kind of 390 00:21:15,119 --> 00:21:17,199 Speaker 1: live in that and to be you know, filled with 391 00:21:17,200 --> 00:21:20,680 Speaker 1: gratitude for that. But I don't know, And then there 392 00:21:20,720 --> 00:21:22,520 Speaker 1: was all this other stuff too, you have, like these 393 00:21:22,560 --> 00:21:25,760 Speaker 1: news speeds coming out like bashing the way you're playing 394 00:21:25,760 --> 00:21:28,760 Speaker 1: your character, or you know, people trying to tear you down, 395 00:21:29,040 --> 00:21:32,080 Speaker 1: and you know, that got interesting, and I found myself 396 00:21:32,160 --> 00:21:37,159 Speaker 1: like building this armor, you know, and trying. 397 00:21:36,920 --> 00:21:38,040 Speaker 3: To to. 398 00:21:39,600 --> 00:21:42,600 Speaker 1: But not but trying to protect myself and not completely 399 00:21:42,600 --> 00:21:46,159 Speaker 1: shutting out my friends and family and everyone, and and 400 00:21:46,280 --> 00:21:48,959 Speaker 1: all of this has had a huge impact on my life. Oh, 401 00:21:49,520 --> 00:21:53,320 Speaker 1: some super high highs, but also some really devastating lows. 402 00:21:53,880 --> 00:21:55,840 Speaker 1: I mean, something I'd never really talked about but on 403 00:21:55,920 --> 00:21:59,080 Speaker 1: the show was like I really like was so stressed, 404 00:21:59,119 --> 00:22:01,960 Speaker 1: like broke into like the craziest psoriasis. 405 00:22:02,359 --> 00:22:05,800 Speaker 2: That I know, but it was it was like I 406 00:22:05,800 --> 00:22:08,720 Speaker 2: didn't know who Wow, Yeah, I. 407 00:22:08,720 --> 00:22:13,919 Speaker 1: Think it was just everything building up and and for 408 00:22:14,040 --> 00:22:16,719 Speaker 1: me that was just like the physical manifestation of just 409 00:22:16,760 --> 00:22:20,840 Speaker 1: like what I was feeling I think inside. And it 410 00:22:20,880 --> 00:22:22,920 Speaker 1: got to the point. I remember there was a few 411 00:22:22,960 --> 00:22:27,520 Speaker 1: episodes in particular, like I remember watching it back at 412 00:22:27,520 --> 00:22:29,840 Speaker 1: the time and being like, oh my god, like they 413 00:22:29,840 --> 00:22:32,439 Speaker 1: had to do so much. I remember, because it was 414 00:22:32,480 --> 00:22:34,760 Speaker 1: like the siris was everywhere in my body but my 415 00:22:34,840 --> 00:22:37,639 Speaker 1: face was okay, but then it slowly started coming to 416 00:22:37,720 --> 00:22:40,960 Speaker 1: my ears and then on my eyelids, and then Kelly Mitchell, 417 00:22:41,400 --> 00:22:44,560 Speaker 1: the makeup artist. You know, she she did her best 418 00:22:44,600 --> 00:22:46,960 Speaker 1: to like cover it up, but at the end of 419 00:22:47,000 --> 00:22:48,760 Speaker 1: every day she had to take it all off and 420 00:22:48,840 --> 00:22:54,320 Speaker 1: like skin would come off the backup so painful and 421 00:22:54,480 --> 00:22:56,560 Speaker 1: oh gos it makes me like get emotional. It was 422 00:22:56,600 --> 00:23:01,560 Speaker 1: just it was like, so, yeah, it was really challenging. Wow, 423 00:23:03,680 --> 00:23:06,960 Speaker 1: Like it was like I loved the experience and I 424 00:23:06,960 --> 00:23:09,080 Speaker 1: appreciate it for what it was, but it was it was. 425 00:23:09,960 --> 00:23:11,760 Speaker 1: It was really challenging. It was hard to put our 426 00:23:11,800 --> 00:23:14,480 Speaker 1: bodies through, you know, sixteen hours a day and then 427 00:23:14,720 --> 00:23:16,000 Speaker 1: you know all the other stuff we had to do 428 00:23:16,080 --> 00:23:18,240 Speaker 1: on top of it. And not like woe is me 429 00:23:18,359 --> 00:23:22,679 Speaker 1: because it was so totally big opportunity, but but yeah, 430 00:23:22,720 --> 00:23:24,840 Speaker 1: we were all there. It was it was like it 431 00:23:24,920 --> 00:23:26,359 Speaker 1: was like a war. You know. 432 00:23:26,520 --> 00:23:29,880 Speaker 2: I think that's something like I never thought about from 433 00:23:29,960 --> 00:23:32,560 Speaker 2: your perspective, even though we are like not too far 434 00:23:32,600 --> 00:23:36,320 Speaker 2: off in age for me to you at least that 435 00:23:36,560 --> 00:23:39,719 Speaker 2: decade of lived experience and like you have worked a lot, 436 00:23:39,760 --> 00:23:43,280 Speaker 2: you've been on stage, you are able to view the 437 00:23:43,359 --> 00:23:46,639 Speaker 2: success or like what it means, the value of it, 438 00:23:46,760 --> 00:23:50,440 Speaker 2: the pressure of being number one on the call sheet. 439 00:23:50,720 --> 00:23:54,760 Speaker 2: I your perspective was probably so much different than ours 440 00:23:54,760 --> 00:23:56,399 Speaker 2: in a way because we were sort of like these 441 00:23:56,440 --> 00:23:59,520 Speaker 2: asshole kids who were like, this show is super successful, 442 00:23:59,560 --> 00:24:03,240 Speaker 2: we're all super famous, and like this is hard. Where 443 00:24:04,000 --> 00:24:08,200 Speaker 2: you saying like you did sort of like create those 444 00:24:09,400 --> 00:24:12,160 Speaker 2: you created that alone time, that actual space for yourself 445 00:24:12,800 --> 00:24:14,840 Speaker 2: to try to like get your head right to also 446 00:24:14,920 --> 00:24:18,080 Speaker 2: then capitalize on what's happening on the weekends and going 447 00:24:18,119 --> 00:24:23,560 Speaker 2: to these concerts. It's such like a thirties mindset of 448 00:24:24,720 --> 00:24:27,199 Speaker 2: let me value this experience for what it is and 449 00:24:27,320 --> 00:24:31,840 Speaker 2: also the meaningfulness of it, retain and like take on 450 00:24:31,960 --> 00:24:34,119 Speaker 2: that responsibility of the mantle of what this is and 451 00:24:34,160 --> 00:24:35,879 Speaker 2: what it means to me and what it means to people. 452 00:24:36,720 --> 00:24:41,400 Speaker 2: And I don't think that was something that we necessarily 453 00:24:42,119 --> 00:24:43,560 Speaker 2: I think we did to an extent to the best 454 00:24:43,600 --> 00:24:47,920 Speaker 2: of our abilities. But hearing you say that, I do 455 00:24:47,960 --> 00:24:53,280 Speaker 2: think you probably understood it in such I don't know, 456 00:24:53,320 --> 00:24:56,160 Speaker 2: a deeper way than we were able to at the time. 457 00:24:56,600 --> 00:25:00,960 Speaker 2: And like seeing that come out through like the psoriasis, 458 00:25:01,119 --> 00:25:04,119 Speaker 2: and we're because you're always like this, if anyone knows you, 459 00:25:04,119 --> 00:25:08,840 Speaker 2: you're always so calm, so chill, and it's like nothing's 460 00:25:08,840 --> 00:25:12,639 Speaker 2: affecting you. But at the end of the day, like 461 00:25:13,200 --> 00:25:15,960 Speaker 2: you are at the top of the sheet and like 462 00:25:16,160 --> 00:25:21,080 Speaker 2: this is it became this gigantic, gigantic thing. So of course, 463 00:25:21,280 --> 00:25:23,359 Speaker 2: and like to get any to get a job period 464 00:25:23,720 --> 00:25:26,800 Speaker 2: in the entertaining business is like a great thing. It's hard, 465 00:25:27,680 --> 00:25:30,919 Speaker 2: and then you like you end up on this you 466 00:25:30,960 --> 00:25:34,040 Speaker 2: get the job, You get the job, and like you 467 00:25:34,080 --> 00:25:36,359 Speaker 2: get the part on the job, and it's like you 468 00:25:36,400 --> 00:25:38,840 Speaker 2: originally knew like the show was supposed to be like 469 00:25:39,000 --> 00:25:44,840 Speaker 2: Will's Journey, So it's no wonder that that happened and 470 00:25:44,840 --> 00:25:48,280 Speaker 2: that like you felt that. It's just you know, it's 471 00:25:48,320 --> 00:25:50,240 Speaker 2: interesting to have to look back and like, of course 472 00:25:50,240 --> 00:25:53,840 Speaker 2: I didn't think about what your experience was, like you, 473 00:25:54,760 --> 00:25:55,399 Speaker 2: it's interesting you. 474 00:25:55,440 --> 00:25:58,240 Speaker 1: Say that stuff that have hearing you say that brings 475 00:25:58,280 --> 00:26:04,320 Speaker 1: up some other things for me, just like I A, yeah, yeah, 476 00:26:04,320 --> 00:26:08,040 Speaker 1: Like I love the first two seasons because I felt 477 00:26:08,040 --> 00:26:09,359 Speaker 1: like I had so much stuff. I felt like I 478 00:26:09,400 --> 00:26:12,920 Speaker 1: had so much, like just juicy stuff to like get 479 00:26:13,000 --> 00:26:15,439 Speaker 1: like sick my teeth into as an actor, as a singer, 480 00:26:15,960 --> 00:26:20,320 Speaker 1: and then and then uh, then the other seasons it 481 00:26:20,440 --> 00:26:24,520 Speaker 1: kind of became like I was the exposition of the show. Like, 482 00:26:24,840 --> 00:26:26,400 Speaker 1: this is what the show is going to be about 483 00:26:26,440 --> 00:26:28,919 Speaker 1: this episode, and this is what we're going to do. Everyone, 484 00:26:29,080 --> 00:26:30,960 Speaker 1: like in my big speech I have in the beginning. 485 00:26:30,960 --> 00:26:32,879 Speaker 2: We used to laugh about those because you'd come in 486 00:26:32,960 --> 00:26:36,159 Speaker 2: it would have a huge dialogue about nothing. 487 00:26:37,160 --> 00:26:41,040 Speaker 1: It could be like connect to it. I was awful 488 00:26:41,040 --> 00:26:44,879 Speaker 1: at memorizing it because I no connection to it. And 489 00:26:44,920 --> 00:26:47,959 Speaker 1: then all of you were just not paying attention at 490 00:26:48,000 --> 00:26:52,639 Speaker 1: all and maybe not everyone's stuff. 491 00:26:52,640 --> 00:26:54,200 Speaker 2: And I just like, yeah, it was. 492 00:26:54,359 --> 00:26:58,840 Speaker 1: It was challenging. It was really challenging. Yeah, yeah, yeah, 493 00:26:58,880 --> 00:27:00,720 Speaker 1: And and and I don't I don't know if you 494 00:27:01,000 --> 00:27:03,639 Speaker 1: two know this, but I I actually was trying to 495 00:27:03,640 --> 00:27:12,480 Speaker 1: get off the show really yeah. In season five, I 496 00:27:10,320 --> 00:27:14,640 Speaker 1: h I asked to be like, be off the show 497 00:27:14,640 --> 00:27:18,520 Speaker 1: because I was just like I'm I'm I'm no longer 498 00:27:18,560 --> 00:27:22,480 Speaker 1: being like used and like you know, yeah in the 499 00:27:22,520 --> 00:27:25,280 Speaker 1: way I wanted to and and no disrespect to the show, 500 00:27:25,280 --> 00:27:26,520 Speaker 1: but I was just like, I was just like I 501 00:27:26,640 --> 00:27:28,600 Speaker 1: I And also we are at a height. I was like, 502 00:27:28,640 --> 00:27:30,119 Speaker 1: maybe if I get off the show, I can go 503 00:27:30,160 --> 00:27:34,239 Speaker 1: do something else to a movie or and they they 504 00:27:34,280 --> 00:27:38,000 Speaker 1: agreed to let me off the show, and then Corey 505 00:27:38,160 --> 00:27:42,639 Speaker 1: passed and then they said they couldn't do it because 506 00:27:42,680 --> 00:27:45,960 Speaker 1: you know, the two main guys on the show. 507 00:27:45,760 --> 00:27:46,440 Speaker 2: Of course. 508 00:27:46,640 --> 00:27:53,120 Speaker 1: Oh wow, So yeah, it was it was interesting, interesting time. 509 00:27:54,400 --> 00:27:55,520 Speaker 2: How did that affect you? 510 00:27:55,960 --> 00:27:58,840 Speaker 1: I obviously I understood. I was like, yeah, I get it, 511 00:27:59,119 --> 00:28:00,520 Speaker 1: and you. 512 00:28:00,520 --> 00:28:01,040 Speaker 2: Know, trying to. 513 00:28:02,600 --> 00:28:09,920 Speaker 1: To reconcile my own you know, wants and selfish needs 514 00:28:10,400 --> 00:28:14,280 Speaker 1: with the grief of losing an amazing friend. You know, 515 00:28:14,320 --> 00:28:17,359 Speaker 1: there's a lot of just mixed emotions and stuff. But 516 00:28:17,359 --> 00:28:20,240 Speaker 1: but I'm a professional. I showed up, I didn't get 517 00:28:20,280 --> 00:28:24,160 Speaker 1: my job, and it was a good pancrease. 518 00:28:24,200 --> 00:28:31,320 Speaker 2: So yeah, I think I think we all felt that 519 00:28:31,320 --> 00:28:33,919 Speaker 2: way at some point in our not that you know, 520 00:28:33,920 --> 00:28:35,720 Speaker 2: we were number one on the call sheet and you know, 521 00:28:35,720 --> 00:28:38,120 Speaker 2: we're told this this story is about you. You know, 522 00:28:38,160 --> 00:28:42,280 Speaker 2: this show is your journey, but like we all felt underutilized, 523 00:28:42,320 --> 00:28:46,600 Speaker 2: I think at some point in this show, because exactly 524 00:28:46,960 --> 00:28:51,040 Speaker 2: there's a lot of a lot of please there's a 525 00:28:51,080 --> 00:28:53,800 Speaker 2: lot of storylines, there's a lot of Yeah, there was 526 00:28:53,840 --> 00:28:58,640 Speaker 2: a lot of stuff to do, and. 527 00:28:58,720 --> 00:29:00,520 Speaker 1: I think I think I took it or so like 528 00:29:00,600 --> 00:29:04,160 Speaker 1: I was bad and that's why my storyline kind of went. 529 00:29:05,000 --> 00:29:06,880 Speaker 1: But then I look at the demographic of the what 530 00:29:06,920 --> 00:29:08,680 Speaker 1: the show ended up being. You know, it's like, you know, 531 00:29:08,720 --> 00:29:09,800 Speaker 1: they don't want to see mister shoots. 532 00:29:09,800 --> 00:29:14,200 Speaker 2: I want to see so I mean, right, right, is 533 00:29:14,240 --> 00:29:16,320 Speaker 2: that why you secretly have held a grudge against me 534 00:29:16,360 --> 00:29:18,040 Speaker 2: because I started rapping more than you did. 535 00:29:20,440 --> 00:29:24,480 Speaker 1: Didn't even I would pass that torch happily. You know. 536 00:29:24,680 --> 00:29:28,000 Speaker 2: It was like no, no, please, no, I can't do this, 537 00:29:30,200 --> 00:29:32,560 Speaker 2: Like why do we have to wrap? We are not rappers. 538 00:29:32,720 --> 00:29:36,720 Speaker 2: This is you were the two last rappers of the crew, 539 00:29:37,200 --> 00:29:39,320 Speaker 2: which is saying a lot. 540 00:29:39,560 --> 00:29:41,120 Speaker 1: I thought it was a one off for me. I 541 00:29:41,160 --> 00:29:42,960 Speaker 1: was like, okay, great, you know me too. 542 00:29:43,840 --> 00:29:47,320 Speaker 2: They're like, oh, you guys could do it. Though. It's 543 00:29:47,400 --> 00:29:49,800 Speaker 2: like sometimes that is a thing there was sometimes you 544 00:29:49,840 --> 00:29:51,920 Speaker 2: didn't want to show things you could sort of do 545 00:29:52,840 --> 00:29:55,280 Speaker 2: because they would just have you do it all the time. 546 00:29:55,640 --> 00:29:59,200 Speaker 2: That's right, Like this is something I can do behind 547 00:29:59,200 --> 00:30:02,640 Speaker 2: the scenes to make people laugh, but this is something 548 00:30:02,720 --> 00:30:04,200 Speaker 2: I need to do in front of millions of people. 549 00:30:07,480 --> 00:30:09,600 Speaker 1: This would be a special talent on my resume that 550 00:30:09,720 --> 00:30:10,840 Speaker 1: I never wanted to use. 551 00:30:11,360 --> 00:30:14,640 Speaker 2: Absolutely, And I also maybe lied about yes exactly, don't 552 00:30:14,720 --> 00:30:19,280 Speaker 2: make me do exactly hulu hooping. 553 00:30:19,320 --> 00:30:20,200 Speaker 1: Oh yeah, I definitely. 554 00:30:20,760 --> 00:30:33,080 Speaker 2: Yeah. There was the one episode where you did you 555 00:30:33,120 --> 00:30:38,160 Speaker 2: pulled out every tool, you did thong song and you 556 00:30:38,200 --> 00:30:40,920 Speaker 2: were break like you were sliding around. I remember seeing 557 00:30:40,920 --> 00:30:44,760 Speaker 2: you that episode where like Emma is talking about getting 558 00:30:44,760 --> 00:30:50,000 Speaker 2: married and you're helping her and you rapped, you sang, 559 00:30:50,360 --> 00:30:53,960 Speaker 2: you did eighteen different styles of dance. You swing, swing, 560 00:30:54,080 --> 00:30:57,320 Speaker 2: danced with with Jane you did. It was like the 561 00:30:57,360 --> 00:30:59,600 Speaker 2: craziest episode. We were like where was Matt this whole 562 00:30:59,640 --> 00:31:03,280 Speaker 2: episode and you were like in the rehearsal studio because 563 00:31:03,480 --> 00:31:07,280 Speaker 2: you literally were in every number doing something different, like like, oh, 564 00:31:07,560 --> 00:31:10,640 Speaker 2: Matt can do everything, so we're just gonna have to 565 00:31:10,680 --> 00:31:13,800 Speaker 2: do everything in this one episode, which which. 566 00:31:13,560 --> 00:31:15,200 Speaker 1: Was I think worked out for me because I think 567 00:31:15,200 --> 00:31:20,000 Speaker 1: that was my submission episode for These in Golden Globes, 568 00:31:20,040 --> 00:31:21,840 Speaker 1: which I got nominated for, so I think that. 569 00:31:21,840 --> 00:31:25,440 Speaker 2: Was worked right. It works right well. You were being 570 00:31:25,520 --> 00:31:27,840 Speaker 2: utilized and you could show all the different things that 571 00:31:27,920 --> 00:31:31,160 Speaker 2: you could do, and that was so cool and really yeah, 572 00:31:31,280 --> 00:31:37,520 Speaker 2: really awesome. Do you feel like the armor Do you 573 00:31:37,560 --> 00:31:40,120 Speaker 2: feel like the armor that you put up that you 574 00:31:40,240 --> 00:31:47,880 Speaker 2: created during Glee? I feel I feel that. Do you 575 00:31:48,720 --> 00:31:54,440 Speaker 2: have you had like corrective experiences in the industry. Do 576 00:31:54,480 --> 00:31:57,920 Speaker 2: you feel like you have corrected that or do you 577 00:31:57,960 --> 00:32:00,440 Speaker 2: feel like you've taken that with you and feel more guarded, 578 00:32:00,640 --> 00:32:03,080 Speaker 2: Like what is that like for you now? 579 00:32:04,120 --> 00:32:08,360 Speaker 1: I think I've just recently, in the last couple of years, 580 00:32:08,640 --> 00:32:11,960 Speaker 1: kind of come on the other side of that. And 581 00:32:12,960 --> 00:32:16,040 Speaker 1: I think it's thanks to you know, talking to professionals 582 00:32:16,120 --> 00:32:23,960 Speaker 1: and doing the work and on myself and finding because 583 00:32:24,000 --> 00:32:26,440 Speaker 1: I think the insecurity has come from a place of 584 00:32:27,560 --> 00:32:31,640 Speaker 1: not enoughness, not feeling like enough. I feel a lot 585 00:32:31,720 --> 00:32:35,240 Speaker 1: more self love than I've felt in a long time, 586 00:32:35,520 --> 00:32:42,720 Speaker 1: and you know, I feel and also just just experiencing, 587 00:32:43,160 --> 00:32:46,360 Speaker 1: you know, how people come up to you and you 588 00:32:46,360 --> 00:32:49,280 Speaker 1: know this is a big moment for those people, and 589 00:32:49,360 --> 00:32:52,680 Speaker 1: it's almost easier to just be like yeah and just 590 00:32:52,800 --> 00:32:57,400 Speaker 1: go with it, be nice and cordial for like a 591 00:32:57,440 --> 00:32:59,760 Speaker 1: couple of seconds, and then be on your way. And 592 00:32:59,800 --> 00:33:02,440 Speaker 1: then instead of being like, oh no, I don't really 593 00:33:02,440 --> 00:33:06,040 Speaker 1: feel like taking a picture, and then they feel bad 594 00:33:06,040 --> 00:33:09,200 Speaker 1: about the experience, you feel bad about the experience. So 595 00:33:09,280 --> 00:33:12,000 Speaker 1: it's just I think, just going through life and learning 596 00:33:12,160 --> 00:33:15,720 Speaker 1: what it's all about. But yeah, I think I think 597 00:33:15,720 --> 00:33:21,320 Speaker 1: the armor has definitely gone down. But also with the 598 00:33:21,440 --> 00:33:26,320 Speaker 1: armor going down, I'm more of a realist about the 599 00:33:26,400 --> 00:33:31,400 Speaker 1: situations that I'm putting myself into and knowing what to expect, 600 00:33:31,480 --> 00:33:35,400 Speaker 1: because you know, I've been in since situations where I 601 00:33:35,480 --> 00:33:40,000 Speaker 1: just didn't think things through and and it turned out 602 00:33:40,520 --> 00:33:44,120 Speaker 1: bad for me. So I think I just need need 603 00:33:44,160 --> 00:33:47,000 Speaker 1: to go into situations a little more prepared for what 604 00:33:47,120 --> 00:33:49,120 Speaker 1: I'm walking into. And I think that goes the same 605 00:33:49,160 --> 00:33:51,440 Speaker 1: thing in life. But I think I do that a 606 00:33:51,440 --> 00:33:51,880 Speaker 1: lot more. 607 00:33:52,160 --> 00:33:54,360 Speaker 2: You also got to do two really cool things. You 608 00:33:54,440 --> 00:33:56,680 Speaker 2: got to sing one of your own songs on the 609 00:33:56,720 --> 00:34:00,840 Speaker 2: show and you got to direct. How are bost of 610 00:34:00,840 --> 00:34:02,240 Speaker 2: those experiences for you? Yeah? 611 00:34:03,120 --> 00:34:06,240 Speaker 1: Wow, Well, singing one of my own songs on the 612 00:34:06,240 --> 00:34:12,759 Speaker 1: show was really cool, like a really just great experience. 613 00:34:13,000 --> 00:34:16,480 Speaker 1: I was just so you know, tied to the music 614 00:34:16,560 --> 00:34:19,160 Speaker 1: I was creating for myself and and and it just 615 00:34:19,200 --> 00:34:21,759 Speaker 1: also testament too because you know, that's the song was 616 00:34:21,800 --> 00:34:28,160 Speaker 1: so personal to me. But the brilliance of the writers 617 00:34:28,200 --> 00:34:31,399 Speaker 1: and how they just incorporated any song into the show 618 00:34:32,280 --> 00:34:36,399 Speaker 1: when it's your song, You're like, oh wow, yeah like that, 619 00:34:36,640 --> 00:34:37,880 Speaker 1: you know, it was it was, it was, It was 620 00:34:37,920 --> 00:34:45,560 Speaker 1: really interesting, and directing was a phenomenal opportunity and what 621 00:34:45,640 --> 00:34:52,080 Speaker 1: a great experience. And I I think I became a 622 00:34:52,080 --> 00:34:58,000 Speaker 1: better actor and a better uh better teammate overall in 623 00:34:58,080 --> 00:35:02,319 Speaker 1: terms of how everything runs and how every cog in 624 00:35:02,360 --> 00:35:05,399 Speaker 1: the machine, every department has its own kind of thing, 625 00:35:05,480 --> 00:35:07,439 Speaker 1: and I had I got to connect with all these 626 00:35:07,440 --> 00:35:11,080 Speaker 1: different departments and and seeing and especially our show because 627 00:35:11,160 --> 00:35:16,200 Speaker 1: everything was so last minute. Seeing the professionalism of people 628 00:35:16,560 --> 00:35:20,160 Speaker 1: like when they're under the under pressure like that was 629 00:35:20,600 --> 00:35:23,120 Speaker 1: really incredible to see. I wish I had the full 630 00:35:23,160 --> 00:35:25,640 Speaker 1: experience of it, because you know, a typical director will 631 00:35:25,680 --> 00:35:29,280 Speaker 1: go in and have like at least a week to prep. 632 00:35:31,440 --> 00:35:35,520 Speaker 1: On our show, we didn't get They're not starring, you know, right, no, 633 00:35:35,600 --> 00:35:37,400 Speaker 1: But then you know a lot of people didn't didn't 634 00:35:37,440 --> 00:35:40,080 Speaker 1: get the scripts until like the day of shooting, so 635 00:35:40,239 --> 00:35:45,040 Speaker 1: there was no prep telling it. But the advantage I had, Yeah, 636 00:35:45,080 --> 00:35:48,840 Speaker 1: the advantage I had was I knew all the crew. Everyone, 637 00:35:48,880 --> 00:35:51,680 Speaker 1: I had my back. I felt so supportive even with 638 00:35:51,719 --> 00:35:54,400 Speaker 1: the cast, like everyone was just like, how can we 639 00:35:54,440 --> 00:35:58,480 Speaker 1: help you win? And and yeah, I learned a lot 640 00:35:58,520 --> 00:36:06,600 Speaker 1: about just also writing and because one of the main 641 00:36:06,920 --> 00:36:11,680 Speaker 1: are the biggest takeaways was from Ryan when we had 642 00:36:11,719 --> 00:36:16,719 Speaker 1: a meeting before and he said, uh, the biggest part 643 00:36:16,719 --> 00:36:20,400 Speaker 1: of directing is the transition from the end of a 644 00:36:20,480 --> 00:36:24,640 Speaker 1: scene to the beginning of the next scene and how 645 00:36:24,680 --> 00:36:27,440 Speaker 1: you tie those two together. And that has been just 646 00:36:27,480 --> 00:36:30,360 Speaker 1: like instrumental in even just acting of how I do it. 647 00:36:30,480 --> 00:36:33,799 Speaker 1: And I'm doing some writing and stuff these days, so 648 00:36:34,239 --> 00:36:38,400 Speaker 1: that like just little kidments have really carried through from 649 00:36:38,280 --> 00:36:41,000 Speaker 1: the experience. I don't know if I'd want to do 650 00:36:41,080 --> 00:36:45,120 Speaker 1: it again. I don't know if I was like I 651 00:36:45,680 --> 00:36:47,799 Speaker 1: want to be, if I really was going to be 652 00:36:48,280 --> 00:36:51,640 Speaker 1: invested in directing, I would want to, you know, learn 653 00:36:51,680 --> 00:36:54,920 Speaker 1: the lenses and learn the angles, and I want to 654 00:36:54,960 --> 00:36:55,880 Speaker 1: be Alfonso. You know. 655 00:36:56,160 --> 00:36:59,200 Speaker 2: Yeah, So but. 656 00:36:59,200 --> 00:37:01,719 Speaker 1: That's that's like a whole nother lifetime of you know, 657 00:37:01,760 --> 00:37:02,200 Speaker 1: in the world. 658 00:37:02,440 --> 00:37:05,000 Speaker 2: Totally yes, Yeah, but you were. I mean, we just 659 00:37:05,040 --> 00:37:08,440 Speaker 2: watched that episode one. It was great, and there were 660 00:37:08,800 --> 00:37:12,840 Speaker 2: you can also see like your stamp on it, or 661 00:37:12,920 --> 00:37:15,960 Speaker 2: there were some extra like pushions and whips of like 662 00:37:16,080 --> 00:37:18,680 Speaker 2: really funny shit and shot in a way that hadn't 663 00:37:18,680 --> 00:37:22,920 Speaker 2: been done before on the show. And then do you think, Yeah, 664 00:37:22,960 --> 00:37:27,080 Speaker 2: And I've had that conversation with my friends who are 665 00:37:27,080 --> 00:37:29,600 Speaker 2: directors too about if I get asked if I want 666 00:37:29,640 --> 00:37:32,319 Speaker 2: to direct, and I see the exact same thing, you 667 00:37:32,400 --> 00:37:35,919 Speaker 2: just said, however, you pick all that shit up along 668 00:37:35,960 --> 00:37:39,080 Speaker 2: the way, right, and you surround yourself with people who 669 00:37:39,200 --> 00:37:41,040 Speaker 2: do know what they're doing, and if you have like 670 00:37:41,120 --> 00:37:44,719 Speaker 2: the vision for it, and all that is to say 671 00:37:44,719 --> 00:37:47,319 Speaker 2: that if you you know, don't stop yourself if you 672 00:37:47,320 --> 00:37:48,759 Speaker 2: want to keep doing it, because I think you were 673 00:37:48,840 --> 00:37:51,440 Speaker 2: naturally quite good at it, and. 674 00:37:52,880 --> 00:38:00,279 Speaker 1: I think like anything we saw, yeah, like you see, 675 00:38:00,440 --> 00:38:03,600 Speaker 1: like we saw enough bad directors and we saw enough 676 00:38:03,600 --> 00:38:06,719 Speaker 1: great director to be for me to feel like, oh 677 00:38:06,719 --> 00:38:08,239 Speaker 1: I can I can at least be in the middle 678 00:38:08,239 --> 00:38:08,759 Speaker 1: of somewhere, you know. 679 00:38:08,840 --> 00:38:11,120 Speaker 2: Yeah, So I felt. 680 00:38:10,840 --> 00:38:14,759 Speaker 1: Confident in that and yeah, and like I don't I 681 00:38:14,760 --> 00:38:17,480 Speaker 1: don't want to like to my own horn as a director, 682 00:38:17,520 --> 00:38:19,560 Speaker 1: Like there was a lot of hand holding in. 683 00:38:19,480 --> 00:38:24,200 Speaker 2: That experience, I mean, a perfect place to do that. Yeah, yeah, 684 00:38:24,640 --> 00:38:24,840 Speaker 2: it was. 685 00:38:25,480 --> 00:38:28,920 Speaker 1: That's why I wanted to do it right. It felt 686 00:38:28,960 --> 00:38:34,319 Speaker 1: like my back totally. Yeah. But I feel though for 687 00:38:35,200 --> 00:38:38,920 Speaker 1: those guest directors that just go into procedural shows and Okay, 688 00:38:39,440 --> 00:38:41,520 Speaker 1: here's everyone who knows each other so well, and. 689 00:38:43,280 --> 00:38:46,160 Speaker 2: You're supposed to be the captain of the ship. Yet 690 00:38:46,560 --> 00:38:49,360 Speaker 2: you're coming into some on somebody else's ship, you're driving 691 00:38:49,400 --> 00:38:52,040 Speaker 2: somebody else's ship. Basically, you don't know. 692 00:38:51,960 --> 00:38:54,200 Speaker 1: Mister Shuster, you don't know like how I was directed 693 00:38:54,239 --> 00:38:54,520 Speaker 1: to do. 694 00:38:54,520 --> 00:38:59,040 Speaker 2: This thing exactly. Yeah. Yeah, A good guest director is 695 00:38:59,120 --> 00:39:01,840 Speaker 2: it's a very It's a specific skill as a director 696 00:39:02,200 --> 00:39:06,640 Speaker 2: to come in to somebody else's house and be collaborative 697 00:39:06,719 --> 00:39:11,719 Speaker 2: yet still be a leader. Yes, walk that tightrope. I 698 00:39:11,760 --> 00:39:14,160 Speaker 2: am in charge, but I'm also respectful of what I 699 00:39:14,160 --> 00:39:17,600 Speaker 2: don't know, and like you all who are here every day, 700 00:39:18,360 --> 00:39:22,480 Speaker 2: like that seems like an unwinnable feat. But we we, 701 00:39:22,760 --> 00:39:25,520 Speaker 2: like you said, we worked with some great directors who 702 00:39:25,520 --> 00:39:28,120 Speaker 2: were amazing at that. It's amazing to see. 703 00:39:29,040 --> 00:39:31,600 Speaker 1: Yeah, And I don't know if we were the easiest 704 00:39:31,640 --> 00:39:32,040 Speaker 1: cast to. 705 00:39:33,080 --> 00:39:36,919 Speaker 2: Oh, I'm sure we were not. It's a really nice 706 00:39:36,960 --> 00:39:38,680 Speaker 2: way of putting it, Maddie. And there were a lot 707 00:39:38,719 --> 00:39:43,120 Speaker 2: of us, and you're adding musical numbers on top of it. 708 00:39:43,239 --> 00:39:45,560 Speaker 2: I mean, they remember our names. That's like a win 709 00:39:45,719 --> 00:39:47,839 Speaker 2: right there. It's like they called us by our name, 710 00:39:47,840 --> 00:39:50,840 Speaker 2: our first name. That's a lot of people most of 711 00:39:50,880 --> 00:39:59,359 Speaker 2: the time, remember oh gosh, oh my gosh. Ah. Yeah, 712 00:39:59,600 --> 00:40:04,640 Speaker 2: where the this is? After season two when you said 713 00:40:04,640 --> 00:40:10,560 Speaker 2: that you're the adult storyline seemed to dwindle in comparison 714 00:40:10,600 --> 00:40:15,440 Speaker 2: to Actually, so we got questions from fans, and Hitchcock 715 00:40:16,000 --> 00:40:18,640 Speaker 2: brought in and he said, how do you feel when 716 00:40:18,920 --> 00:40:21,760 Speaker 2: many of the adult actors on Lee were not featured 717 00:40:21,760 --> 00:40:25,760 Speaker 2: as much? So as his question, that's my own how 718 00:40:26,280 --> 00:40:31,480 Speaker 2: when that actually started to happen in real time? Like, 719 00:40:31,560 --> 00:40:36,359 Speaker 2: could you tell there was sort of this shift? Yeah? 720 00:40:36,360 --> 00:40:39,759 Speaker 1: Absolutely, there was definitely a drop off. I mean it 721 00:40:40,080 --> 00:40:46,680 Speaker 1: was you know, I felt, like I said before, I 722 00:40:46,920 --> 00:40:49,799 Speaker 1: felt like, is it something I'm doing that I'm not. 723 00:40:50,120 --> 00:40:55,000 Speaker 1: I'm not showing up and and giving the performances that 724 00:40:55,000 --> 00:40:59,719 Speaker 1: that are worthy of me having more scenes. But I 725 00:40:59,800 --> 00:41:01,799 Speaker 1: knew the audience of the show, and I knew where 726 00:41:01,800 --> 00:41:06,000 Speaker 1: the ship was kind of being directed and and tailored to. 727 00:41:06,239 --> 00:41:11,600 Speaker 1: So that was really short lived. But honestly, I I 728 00:41:11,680 --> 00:41:15,880 Speaker 1: appreciated the time off. I had a lot more time myself, 729 00:41:15,920 --> 00:41:19,200 Speaker 1: So I was like not mad at it. Right, it 730 00:41:19,239 --> 00:41:23,480 Speaker 1: was I feel like Glee had its top or its 731 00:41:23,520 --> 00:41:27,200 Speaker 1: explosion into the into the world, and then slowly I 732 00:41:27,200 --> 00:41:30,040 Speaker 1: think it started to come down off off its you know, 733 00:41:30,880 --> 00:41:31,640 Speaker 1: away from the sun. 734 00:41:32,239 --> 00:41:34,800 Speaker 2: And there's a direct correlation. There was less mad and 735 00:41:34,800 --> 00:41:37,560 Speaker 2: there was less success. So maybe that's maybe that's what 736 00:41:37,640 --> 00:41:38,120 Speaker 2: it was. 737 00:41:39,080 --> 00:41:45,000 Speaker 1: No comment on that one, but no. But I honestly 738 00:41:45,280 --> 00:41:48,960 Speaker 1: and that was like when my relationship with my now 739 00:41:49,000 --> 00:41:54,040 Speaker 1: wife started to kind of intensify. And so for me, 740 00:41:54,120 --> 00:41:57,120 Speaker 1: it was it was like the perfect storm was like great. 741 00:41:56,920 --> 00:42:00,360 Speaker 2: Timing and right, yeah, it's not bad at it. 742 00:42:00,200 --> 00:42:01,920 Speaker 1: And I was able to go off and do like 743 00:42:02,000 --> 00:42:05,640 Speaker 1: more gigs and I even I think I did a 744 00:42:05,719 --> 00:42:06,640 Speaker 1: movie in there somewhere. 745 00:42:06,840 --> 00:42:12,919 Speaker 2: Yeah, so it was you did. Yeah, you're expecting that's right. 746 00:42:13,600 --> 00:42:16,960 Speaker 2: It's funny because for people who don't know, like, you know, 747 00:42:17,080 --> 00:42:20,000 Speaker 2: those musical numbers they take like seven hours, you know, 748 00:42:20,239 --> 00:42:22,560 Speaker 2: on a good day, like it's a seven hour formula. 749 00:42:22,760 --> 00:42:25,680 Speaker 2: You shoot it, and all the different camera angles are 750 00:42:25,800 --> 00:42:31,600 Speaker 2: pretty you know, set in their ways. But when Matt 751 00:42:31,640 --> 00:42:34,880 Speaker 2: was not in the numbers and doing the mister shooting 752 00:42:34,880 --> 00:42:37,560 Speaker 2: where he's sitting in the back of the auditorium watching, 753 00:42:38,280 --> 00:42:41,239 Speaker 2: they would call you in, you know, to get ready 754 00:42:41,400 --> 00:42:45,160 Speaker 2: and to come in and you know, shoot your stuff. 755 00:42:45,239 --> 00:42:47,480 Speaker 2: And sometimes we'd be behind the ca you know, in 756 00:42:47,480 --> 00:42:51,480 Speaker 2: front of the camera onto you and sometimes we'd be like, oh, 757 00:42:51,520 --> 00:42:54,200 Speaker 2: Matt's here, he's in his trailer, he's been here for 758 00:42:54,200 --> 00:42:59,440 Speaker 2: seven hours, and you just be waiting. Yeah, that is brutal. 759 00:43:00,560 --> 00:43:02,680 Speaker 2: Did you just learn like, oh, I mean, like we 760 00:43:02,760 --> 00:43:04,759 Speaker 2: all kind of knew, You're like, this might be a 761 00:43:04,800 --> 00:43:08,040 Speaker 2: really long day. I don't need to be here. How 762 00:43:08,040 --> 00:43:18,840 Speaker 2: did you fill your time making albums or not? Right? 763 00:43:19,800 --> 00:43:20,560 Speaker 2: Oh my god? 764 00:43:22,520 --> 00:43:24,000 Speaker 1: How did I fill my time? 765 00:43:24,320 --> 00:43:33,520 Speaker 4: I don't just I just I became a good napper. 766 00:43:33,560 --> 00:43:35,239 Speaker 1: I'm not an Apple at all, but I came and 767 00:43:35,280 --> 00:43:41,319 Speaker 1: became a good napper on that show. I think I 768 00:43:41,360 --> 00:43:44,440 Speaker 1: was playing I was playing music. I had my in 769 00:43:44,480 --> 00:43:47,120 Speaker 1: there and I was I was like, that's when I 770 00:43:47,200 --> 00:43:50,759 Speaker 1: really started to kind of get into that instrument. I'm 771 00:43:50,800 --> 00:43:52,480 Speaker 1: looking back, I was like, oh gosh, I wish I 772 00:43:52,480 --> 00:43:54,760 Speaker 1: had filled my time was so much more productive. Like Chris. 773 00:43:54,960 --> 00:43:56,920 Speaker 1: I'm so envious of Chris, like the way he just 774 00:43:57,000 --> 00:44:00,319 Speaker 1: kind of did his back there. But I I do 775 00:44:00,360 --> 00:44:04,080 Speaker 1: have to say, I'll tell you my longest time waiting 776 00:44:04,120 --> 00:44:09,520 Speaker 1: in the trailer room. Oh god, eighteen hours. 777 00:44:09,680 --> 00:44:13,520 Speaker 2: No, I gotta leave it. Wait, Can I guess the episode? 778 00:44:13,880 --> 00:44:14,080 Speaker 1: Yep? 779 00:44:16,440 --> 00:44:17,320 Speaker 2: Was it Super Bowl? 780 00:44:18,120 --> 00:44:18,400 Speaker 4: Yep? 781 00:44:19,719 --> 00:44:23,080 Speaker 1: In Long Beach? You're student stuff in the field and 782 00:44:23,120 --> 00:44:27,200 Speaker 1: stuff all day. I waited eighteen hours and then they said, oh, 783 00:44:27,200 --> 00:44:30,319 Speaker 1: we don't need you. No, I did it didn't even 784 00:44:30,440 --> 00:44:31,279 Speaker 1: use me. 785 00:44:33,320 --> 00:44:39,359 Speaker 2: Oh my god, Oh my god. I think there were 786 00:44:39,440 --> 00:44:43,040 Speaker 2: a lot of times like to what Jenna was saying that, 787 00:44:43,600 --> 00:44:46,040 Speaker 2: I think he was probably waiting not seven hours, but 788 00:44:46,120 --> 00:44:49,640 Speaker 2: like twelve on the regular because we'd see you, probably 789 00:44:49,680 --> 00:44:52,279 Speaker 2: for blocking in the morning, and if we had two 790 00:44:52,520 --> 00:44:55,000 Speaker 2: musical numbers or there was like another seat, like you'd 791 00:44:55,000 --> 00:44:56,320 Speaker 2: only see at the beginning of it and at the 792 00:44:56,400 --> 00:44:59,000 Speaker 2: end of it, and they like, have you go away, 793 00:45:00,080 --> 00:45:01,680 Speaker 2: and then it would be a full day would happen? 794 00:45:02,560 --> 00:45:06,759 Speaker 1: Yeah, Well, I became better at asking to Lee because 795 00:45:06,760 --> 00:45:10,239 Speaker 1: I didn't live very far from the studio, so I 796 00:45:10,280 --> 00:45:14,120 Speaker 1: was like you just I'm you know, five miles away. 797 00:45:14,320 --> 00:45:15,640 Speaker 1: Just give me a head like an hour heads up, 798 00:45:15,680 --> 00:45:16,439 Speaker 1: and I'll be back. 799 00:45:16,840 --> 00:45:19,239 Speaker 2: That is nice to Eventually we built that rapport with 800 00:45:19,760 --> 00:45:22,040 Speaker 2: the eighties and things trusted that we could come back. 801 00:45:23,080 --> 00:45:27,120 Speaker 2: Some of us, yes, yes, not the ones who transfer 802 00:45:27,200 --> 00:45:28,719 Speaker 2: how to go pick up because they slept through their 803 00:45:28,719 --> 00:45:31,600 Speaker 2: alarm in the morning. Did that ever happen to either 804 00:45:31,640 --> 00:45:39,000 Speaker 2: of you? No, No, it never happened to me. It 805 00:45:39,040 --> 00:45:49,000 Speaker 2: was always such a huge fear of mine. Though. Okay, 806 00:45:49,040 --> 00:45:51,480 Speaker 2: so we've been rewatching the show, and like you and 807 00:45:51,520 --> 00:45:54,759 Speaker 2: Sue in those first three seasons are just it is 808 00:45:54,920 --> 00:45:58,640 Speaker 2: pure communic goal that I mean, all of it. But 809 00:45:58,880 --> 00:46:02,440 Speaker 2: I think we have to talk about you your experience 810 00:46:02,520 --> 00:46:08,000 Speaker 2: working with Jane, because you guys have such incredible chemistry. 811 00:46:08,200 --> 00:46:11,920 Speaker 2: The you're so far on the end of you know, 812 00:46:11,960 --> 00:46:14,960 Speaker 2: the spectrum, on each end of the scale, like it 813 00:46:15,400 --> 00:46:18,600 Speaker 2: really it just works so beautifully. But tell us about 814 00:46:18,640 --> 00:46:20,799 Speaker 2: working with Jane And how did you not laugh like 815 00:46:21,000 --> 00:46:23,640 Speaker 2: all the time? Did you just get used to it? 816 00:46:23,800 --> 00:46:25,600 Speaker 2: Comedic legend makes you think. 817 00:46:25,480 --> 00:46:28,600 Speaker 1: I did laugh all the time. I was laughing. I 818 00:46:28,719 --> 00:46:31,520 Speaker 1: ruined so many times because I'm not old. 819 00:46:31,440 --> 00:46:36,080 Speaker 2: Together, Okay, okay, good to know I was laughing like. 820 00:46:36,040 --> 00:46:43,919 Speaker 1: All of the Yeah, she was a godsend, Like I mean, 821 00:46:44,040 --> 00:46:47,400 Speaker 1: just like we became like really really close on that show, 822 00:46:47,560 --> 00:46:50,399 Speaker 1: and we still we don't talk as much, but like 823 00:46:51,080 --> 00:46:53,279 Speaker 1: we still you know, communicate every now and then. And 824 00:46:53,440 --> 00:46:57,799 Speaker 1: I just I love that woman. And and for me, 825 00:46:58,600 --> 00:47:01,800 Speaker 1: as you guys like looked at me as the adult 826 00:47:02,040 --> 00:47:04,560 Speaker 1: and you know, the kind of that figure she was 827 00:47:04,560 --> 00:47:07,480 Speaker 1: that for me, and she was that person I was like, oh, 828 00:47:07,520 --> 00:47:10,000 Speaker 1: I need to like look up to her and see 829 00:47:10,000 --> 00:47:15,640 Speaker 1: what she's doing and and and yeah, so I I 830 00:47:15,640 --> 00:47:21,640 Speaker 1: I loved working with her, and I don't know what 831 00:47:21,800 --> 00:47:24,480 Speaker 1: it was, but I made it my mission because I 832 00:47:24,520 --> 00:47:27,600 Speaker 1: was always, you know, looking up takes and laughing. It 833 00:47:27,719 --> 00:47:30,640 Speaker 1: was my mission to make her do that in a scene. 834 00:47:31,160 --> 00:47:34,279 Speaker 1: And finally, I don't know which what episode was or anything, 835 00:47:34,320 --> 00:47:36,839 Speaker 1: but it finally happened and she and I broke her 836 00:47:37,280 --> 00:47:39,960 Speaker 1: and I was like, yes, I'm so proud of myself. 837 00:47:40,200 --> 00:47:42,240 Speaker 1: It was like such a moment of like a complishment. 838 00:47:42,320 --> 00:47:49,560 Speaker 5: I was just like, yes, yeah, wow, but like there's 839 00:47:49,600 --> 00:47:52,359 Speaker 5: a deep love for that woman, and uh, and I 840 00:47:52,400 --> 00:47:54,640 Speaker 5: know she feels it too, Like we we just really 841 00:47:54,680 --> 00:47:55,840 Speaker 5: respected each other. 842 00:47:55,800 --> 00:48:00,040 Speaker 1: And yeah, we became really tight on the show, and 843 00:48:00,080 --> 00:48:04,719 Speaker 1: it was one of those things where you know, we 844 00:48:04,760 --> 00:48:08,960 Speaker 1: would hang out outside of the show, going to dinner 845 00:48:09,040 --> 00:48:14,359 Speaker 1: with her, and I wanted to ask her a lot. 846 00:48:14,440 --> 00:48:16,400 Speaker 1: I feel like I asked her more questions than I 847 00:48:16,440 --> 00:48:19,680 Speaker 1: did anyone else. I'm just curious about her journey, and 848 00:48:19,719 --> 00:48:22,320 Speaker 1: you know, she's very self deprecating and just like doesn't 849 00:48:22,360 --> 00:48:27,359 Speaker 1: think she's as amazing as she is, but she's. Yeah, 850 00:48:27,360 --> 00:48:30,040 Speaker 1: she's someone I really look up to and have learned 851 00:48:30,080 --> 00:48:32,080 Speaker 1: a lot in my life from her. 852 00:48:33,280 --> 00:48:36,120 Speaker 2: I remember one of our first scenes with her because 853 00:48:36,360 --> 00:48:38,080 Speaker 2: we did not get to work with her, especially in 854 00:48:38,080 --> 00:48:41,239 Speaker 2: the beginning, very often. And after that scene, I was 855 00:48:41,280 --> 00:48:45,520 Speaker 2: so it was like a terror because I didn't want 856 00:48:45,560 --> 00:48:49,360 Speaker 2: to like this comedic legend. Yeah, I didn't want to 857 00:48:49,360 --> 00:48:50,759 Speaker 2: miss it the scene and the other half was like, 858 00:48:50,880 --> 00:48:53,120 Speaker 2: oh my god, I'm on the edge of bursting out 859 00:48:53,160 --> 00:48:56,560 Speaker 2: with laughter this entire time. Yes, And my only thought 860 00:48:56,640 --> 00:48:59,040 Speaker 2: walking away from that was, how does Matt do this 861 00:48:59,520 --> 00:49:03,040 Speaker 2: every day? Like every day all of your scenes. It's like, 862 00:49:03,080 --> 00:49:07,680 Speaker 2: how does he do this? I am intimidated and I 863 00:49:07,719 --> 00:49:10,520 Speaker 2: want to burst on the scenes with laughter all at once. Yeah, 864 00:49:11,080 --> 00:49:14,720 Speaker 2: And there were those episodes were filled with you guys 865 00:49:15,080 --> 00:49:18,279 Speaker 2: where she would be saying the most asinine shit, like 866 00:49:19,320 --> 00:49:21,920 Speaker 2: would go off the rails, and you guys would be 867 00:49:21,920 --> 00:49:25,280 Speaker 2: at each other's throats like this is the best thing ever. 868 00:49:26,239 --> 00:49:27,960 Speaker 2: And I don't know how you get through any scenes. 869 00:49:28,320 --> 00:49:30,440 Speaker 1: I think it, you know, I'm just recalling now. It 870 00:49:30,480 --> 00:49:34,160 Speaker 1: did get easier for me because I knew her so 871 00:49:34,280 --> 00:49:36,240 Speaker 1: well and I knew how she would say the lines. 872 00:49:36,239 --> 00:49:36,759 Speaker 1: I knew how she. 873 00:49:36,760 --> 00:49:41,839 Speaker 4: Would deliver it because Jane Hading and some rhythm. I mean, yeah, 874 00:49:41,880 --> 00:49:44,120 Speaker 4: she's a rhythm, but you know, obviously she does go 875 00:49:44,239 --> 00:49:48,840 Speaker 4: off that rhythm. She's not like just some like but 876 00:49:49,960 --> 00:49:51,960 Speaker 4: and then that's when she did that. That's when it 877 00:49:52,000 --> 00:49:53,640 Speaker 4: would get me because I was expecting something else. 878 00:49:53,680 --> 00:49:56,839 Speaker 1: But and this is not good for me to say 879 00:49:56,840 --> 00:49:59,719 Speaker 1: as an actor, because I was expecting her to say it. 880 00:50:00,040 --> 00:50:01,800 Speaker 1: No actor was saying. I was just there listening. 881 00:50:02,080 --> 00:50:06,600 Speaker 2: But after one hundred episodes and kind of had to do. 882 00:50:06,640 --> 00:50:10,319 Speaker 1: I think you protect the take. Yes, I start doing 883 00:50:10,360 --> 00:50:12,480 Speaker 1: that because I didn't want to keep ruining the takes. 884 00:50:12,560 --> 00:50:16,200 Speaker 1: So I did start to develop her rhythm inside of 885 00:50:16,239 --> 00:50:18,799 Speaker 1: my head to prepare myself to not laugh. 886 00:50:18,920 --> 00:50:21,560 Speaker 2: No, that's a good that, that's a really you have 887 00:50:21,640 --> 00:50:25,520 Speaker 2: to there has to be some mechanism, yes, otherwise how 888 00:50:25,560 --> 00:50:27,239 Speaker 2: do you get anything done? You can kill someone with 889 00:50:27,320 --> 00:50:29,880 Speaker 2: just a look. That is the funniest shit I've seen today. 890 00:50:30,440 --> 00:50:33,520 Speaker 1: I get the intimidation thing, though there was for a 891 00:50:33,560 --> 00:50:36,560 Speaker 1: while I was really intimidated by her. But it works 892 00:50:36,560 --> 00:50:38,000 Speaker 1: because that's her character. 893 00:50:37,719 --> 00:50:42,200 Speaker 2: Obviously, right, which is also hilarious because she is like 894 00:50:42,360 --> 00:50:44,400 Speaker 2: the softest, nicest. 895 00:50:46,600 --> 00:50:48,839 Speaker 1: I don't think anyone in Hollywood has a bad thing 896 00:50:48,840 --> 00:50:49,799 Speaker 1: to say about Jane Lynn. 897 00:50:49,920 --> 00:50:51,759 Speaker 2: No, there's no way. And that's the reason why she 898 00:50:51,880 --> 00:50:55,360 Speaker 2: has eighty jobs at once always, that's right, that's right. 899 00:50:55,320 --> 00:50:56,520 Speaker 1: She'll say, I'm never working. 900 00:50:57,400 --> 00:51:02,360 Speaker 2: Yeah, it's okay, Shane. Sure, and she takes care of 901 00:51:02,360 --> 00:51:07,000 Speaker 2: all those animals. This sweet sweet lady, sweet sweet human. 902 00:51:07,360 --> 00:51:09,200 Speaker 2: Should we do some of these fan questions? There were 903 00:51:09,360 --> 00:51:11,959 Speaker 2: a lot of questions for you, Matt, oh boy. Okay, 904 00:51:12,280 --> 00:51:15,680 Speaker 2: we obviously are not going through the hundreds of questions. 905 00:51:15,800 --> 00:51:18,800 Speaker 2: Here's one. At what point did the hair jokes stop 906 00:51:18,840 --> 00:51:22,120 Speaker 2: feeling like jokes? 907 00:51:23,120 --> 00:51:23,319 Speaker 3: Uh? 908 00:51:23,800 --> 00:51:29,879 Speaker 1: Pretty early on? You know, it's funny. I've had such 909 00:51:29,880 --> 00:51:32,120 Speaker 1: a journey with in my own life with my hair. 910 00:51:33,360 --> 00:51:36,880 Speaker 1: My hair used to be stick straight and blonde, like 911 00:51:37,000 --> 00:51:40,480 Speaker 1: super blonde, stick straight, And when I went through puberty, 912 00:51:40,480 --> 00:51:42,400 Speaker 1: that's when it started curling up. So I didn't know 913 00:51:42,560 --> 00:51:45,279 Speaker 1: what to do with it. And for years I was 914 00:51:45,320 --> 00:51:48,080 Speaker 1: just like trying to like manage these curls that just 915 00:51:48,160 --> 00:51:49,960 Speaker 1: came out of nowhere, and I hate I used to 916 00:51:49,960 --> 00:51:57,520 Speaker 1: wear depth gel jelly, yeah, like hold your hair, and 917 00:51:57,560 --> 00:52:00,520 Speaker 1: then I I got into lubraderm like the body. 918 00:52:01,040 --> 00:52:01,839 Speaker 2: I'll never forget that. 919 00:52:02,040 --> 00:52:07,759 Speaker 1: Yeah, yeah, that was kind of my thing. Yeah, but 920 00:52:08,920 --> 00:52:12,160 Speaker 1: it never really bothered me, because you know, I love 921 00:52:12,200 --> 00:52:13,839 Speaker 1: my hair. I think it was more Ryan Than because 922 00:52:13,840 --> 00:52:15,759 Speaker 1: he didn't have hair. He was just kind of like 923 00:52:16,080 --> 00:52:21,120 Speaker 1: keep going. He would say that he was very jealous 924 00:52:21,160 --> 00:52:21,600 Speaker 1: of my hair. 925 00:52:21,840 --> 00:52:24,440 Speaker 2: Yes, yes, yeah, you did have great hairy He was 926 00:52:24,440 --> 00:52:28,799 Speaker 2: just playing at you. He's saying, here you go, Maddie. 927 00:52:28,560 --> 00:52:34,120 Speaker 1: I think there's a little contempt there from from Ryan. 928 00:52:34,840 --> 00:52:37,840 Speaker 1: But but I don't think it ever lost. It's it 929 00:52:37,920 --> 00:52:40,040 Speaker 1: might have lost. It's like kind of luster with the 930 00:52:40,080 --> 00:52:41,399 Speaker 1: audience because there was a. 931 00:52:41,400 --> 00:52:43,719 Speaker 2: Lot of hair jokes. I never got one of my fa. 932 00:52:44,000 --> 00:52:47,960 Speaker 1: They say they were always fucking hilarious though, so I was. 933 00:52:48,440 --> 00:52:49,000 Speaker 1: It was great. 934 00:52:49,200 --> 00:52:51,000 Speaker 2: I was like, where is Ian coming up with this? 935 00:52:51,160 --> 00:52:55,720 Speaker 2: It's like, get out your thesaurus of hair jokes. Truly. Also, 936 00:52:55,760 --> 00:52:58,240 Speaker 2: the funny thing was it was like your hair always 937 00:52:58,239 --> 00:53:01,080 Speaker 2: looked nice, Like she'd say this crazy stems, like his 938 00:53:01,160 --> 00:53:05,920 Speaker 2: hair looks normal, perfect, And yeah, I like that. She 939 00:53:06,040 --> 00:53:09,000 Speaker 2: hated it so much, but there was something wrong, Yes, 940 00:53:09,000 --> 00:53:12,279 Speaker 2: exactly she was. If you actually had bad hair and 941 00:53:12,280 --> 00:53:13,759 Speaker 2: then they were picking on it, it would have been 942 00:53:15,239 --> 00:53:19,040 Speaker 2: that wouldn't have been funny, though exactly exactly someone wanted 943 00:53:19,160 --> 00:53:21,640 Speaker 2: someone just wrote anything about working with Jama. 944 00:53:23,640 --> 00:53:29,480 Speaker 1: I mean how long you got exactly? Uh, just the 945 00:53:29,480 --> 00:53:40,360 Speaker 1: the kindest, most open hearted, beautiful and respectful not only actor, 946 00:53:40,400 --> 00:53:43,719 Speaker 1: but just human being. I think I know she is 947 00:53:44,000 --> 00:53:47,880 Speaker 1: just she wears her heart er sleeve. She's so thoughtful, 948 00:53:48,040 --> 00:53:53,400 Speaker 1: she cares about the work, she cares about the person 949 00:53:53,440 --> 00:54:00,279 Speaker 1: she's working with, and she is just you know, Honestly, 950 00:54:00,320 --> 00:54:02,600 Speaker 1: if I if I missed one person from that show 951 00:54:02,640 --> 00:54:05,399 Speaker 1: the most, it would probably be her. Like I don't 952 00:54:05,480 --> 00:54:09,479 Speaker 1: keep in touch with her very often, but I yeah, 953 00:54:09,560 --> 00:54:12,480 Speaker 1: I loved working with her. Every time I saw that 954 00:54:12,520 --> 00:54:15,520 Speaker 1: we had seen together. I think I put more attention 955 00:54:15,640 --> 00:54:17,560 Speaker 1: into those scenes because I know I knew that she 956 00:54:17,600 --> 00:54:20,960 Speaker 1: would always show up, and I really wanted to make 957 00:54:21,000 --> 00:54:25,799 Speaker 1: those scenes just as dynamic and as strong as as 958 00:54:25,840 --> 00:54:29,680 Speaker 1: can be because she I mean, she comes off as 959 00:54:30,120 --> 00:54:31,520 Speaker 1: a little you know on the show, like a little 960 00:54:31,520 --> 00:54:34,719 Speaker 1: ditzy little but she is. She was so present and 961 00:54:34,800 --> 00:54:38,360 Speaker 1: so in character and so just like she would just 962 00:54:38,440 --> 00:54:40,520 Speaker 1: give it every time. So I felt like I had 963 00:54:40,560 --> 00:54:45,200 Speaker 1: a really solid co partner to work off of. 964 00:54:45,320 --> 00:54:48,520 Speaker 2: So she made it look so effortless. 965 00:54:49,280 --> 00:54:51,240 Speaker 1: People talked to her every. 966 00:54:51,080 --> 00:54:53,520 Speaker 2: Now and then, Yeah, because I'm obsessed with her, like 967 00:54:53,600 --> 00:54:56,680 Speaker 2: she's an excuse to see her. Two funny as people 968 00:54:56,680 --> 00:55:01,120 Speaker 2: I've ever met she's yeah, yeah, it's like you wouldn't 969 00:55:01,120 --> 00:55:09,799 Speaker 2: necessarily think it's exactly she says some crazy shit, but 970 00:55:09,880 --> 00:55:11,880 Speaker 2: you're right. She's really sweet and it makes for a 971 00:55:11,920 --> 00:55:14,120 Speaker 2: really good actor and a good scene partner because she's 972 00:55:14,160 --> 00:55:17,200 Speaker 2: so giving, she's you know, and she she brings out 973 00:55:17,239 --> 00:55:20,839 Speaker 2: the best in everybody, so you could definitely tell like 974 00:55:20,960 --> 00:55:23,719 Speaker 2: rewatching those scenes. I think the adult scenes stick out 975 00:55:23,719 --> 00:55:25,719 Speaker 2: to us more now because you know, back in the 976 00:55:25,800 --> 00:55:27,480 Speaker 2: day you're watching like, oh, what did we do and 977 00:55:27,520 --> 00:55:30,960 Speaker 2: what clowning were we doing in this number? And you 978 00:55:31,000 --> 00:55:34,160 Speaker 2: know you're watching yourself. But to rewatch it through the 979 00:55:34,239 --> 00:55:37,439 Speaker 2: lens of in the space and time that we've had, 980 00:55:37,840 --> 00:55:41,200 Speaker 2: you're like, oh, wow, I get it, Like it was 981 00:55:41,280 --> 00:55:46,040 Speaker 2: really it's really profound and different and exciting for us 982 00:55:46,120 --> 00:55:46,839 Speaker 2: to watch it now. 983 00:55:47,480 --> 00:55:50,520 Speaker 1: You're making me want to go back and start watching it. 984 00:55:51,040 --> 00:55:53,279 Speaker 2: I know. I mean those first few seasons too were 985 00:55:53,360 --> 00:55:56,799 Speaker 2: just like it's it's really really great and the work 986 00:55:56,840 --> 00:56:00,840 Speaker 2: is really really good. Everybody really was giving it, So 987 00:56:01,880 --> 00:56:02,600 Speaker 2: let us know if you do. 988 00:56:04,280 --> 00:56:04,640 Speaker 1: I will. 989 00:56:05,280 --> 00:56:07,480 Speaker 2: Somebody asked, what do you miss the most about playing Will? 990 00:56:10,840 --> 00:56:16,279 Speaker 1: Jeez? I know there's there's been like a lot of 991 00:56:16,840 --> 00:56:21,080 Speaker 1: backlash for that character, you know, in terms of of 992 00:56:21,480 --> 00:56:24,280 Speaker 1: his proximity to the students and all this stuff. 993 00:56:24,280 --> 00:56:28,600 Speaker 2: And of course that's a different time, no. 994 00:56:28,840 --> 00:56:31,440 Speaker 1: But I I I think at the time it did 995 00:56:31,520 --> 00:56:35,600 Speaker 1: take that personally. But yeah, so you're I'm an actor 996 00:56:35,640 --> 00:56:39,160 Speaker 1: showing up, saying my lines and being directed in a 997 00:56:39,160 --> 00:56:42,880 Speaker 1: way in a certain way. So I didn't like what 998 00:56:43,080 --> 00:56:47,280 Speaker 1: the character became, I guess. But for me, I think 999 00:56:47,440 --> 00:56:52,839 Speaker 1: the thing I loved most about Will, what I think 1000 00:56:53,120 --> 00:56:59,520 Speaker 1: was his proximity to to the kids. Because for me, personally, 1001 00:56:59,719 --> 00:57:03,760 Speaker 1: I had like great mentors in my life and people 1002 00:57:03,800 --> 00:57:07,480 Speaker 1: that I just really you know, I knew them personally, 1003 00:57:07,480 --> 00:57:10,680 Speaker 1: like I knew their their kids. I went to their 1004 00:57:10,719 --> 00:57:13,640 Speaker 1: kids baptisms and all these these things, and they were 1005 00:57:13,680 --> 00:57:16,080 Speaker 1: just like really just I was really involved in their 1006 00:57:16,080 --> 00:57:20,360 Speaker 1: lives and them in mind. And I feel like that 1007 00:57:21,000 --> 00:57:26,080 Speaker 1: was Will Shuster, you know, even just cared so much. Yeah, 1008 00:57:26,360 --> 00:57:28,680 Speaker 1: out a a lens of twenty twenty four, where we are, 1009 00:57:29,120 --> 00:57:31,520 Speaker 1: I'm sure I'm like I said, I don't remember show 1010 00:57:31,560 --> 00:57:33,000 Speaker 1: that well, but I'm sure some of this stuff was 1011 00:57:33,000 --> 00:57:41,400 Speaker 1: a little probably creepy. But yeah, I come from a 1012 00:57:41,440 --> 00:57:44,919 Speaker 1: time where, you know, having mentors meant so much. 1013 00:57:45,200 --> 00:57:46,720 Speaker 2: Yeah, really. 1014 00:57:47,400 --> 00:57:49,960 Speaker 1: I was really proud of that, of being a mentor, 1015 00:57:50,320 --> 00:57:52,040 Speaker 1: and I think in the beginning I really wanted to 1016 00:57:52,080 --> 00:57:55,440 Speaker 1: be a mentor to all of you as well in 1017 00:57:55,480 --> 00:58:02,680 Speaker 1: real life until I got scared. Oh but yeah, so 1018 00:58:02,800 --> 00:58:07,280 Speaker 1: I uh yeah, I think the mentorship role was something 1019 00:58:07,280 --> 00:58:08,200 Speaker 1: that I really connected to. 1020 00:58:08,440 --> 00:58:11,320 Speaker 2: Yeah, I hear that. Do you your favorite guest star? 1021 00:58:12,440 --> 00:58:14,040 Speaker 1: Oh that's a really tough one. 1022 00:58:14,160 --> 00:58:14,400 Speaker 2: Yeah. 1023 00:58:15,040 --> 00:58:17,560 Speaker 1: I think GP for me would would be my favorite. 1024 00:58:17,560 --> 00:58:22,000 Speaker 1: Gwyneth Paltrow. Yeah, I just loved her. 1025 00:58:22,240 --> 00:58:24,640 Speaker 2: You guys are great together. Yeah. It was really good. 1026 00:58:25,080 --> 00:58:27,360 Speaker 1: But I mean I have so like, Okay, Kristen would 1027 00:58:27,400 --> 00:58:33,560 Speaker 1: be the top. Ye yeah, you know, yeah, I was 1028 00:58:33,640 --> 00:58:35,680 Speaker 1: really lucky with guest stars. I feel like I really 1029 00:58:35,800 --> 00:58:39,480 Speaker 1: got to like have some great scenes with with guest stars. 1030 00:58:40,000 --> 00:58:42,040 Speaker 2: Yes, and yeah, you got to do all of this 1031 00:58:42,120 --> 00:58:44,320 Speaker 2: stuff with the guest stars. Well, somebody asked about dream On. 1032 00:58:44,440 --> 00:58:46,880 Speaker 2: It's like, you know Neil Patrick too, Like you guys, 1033 00:58:47,440 --> 00:58:49,880 Speaker 2: it's like unreal, so good. 1034 00:58:50,400 --> 00:58:54,720 Speaker 1: That was fun. I just remember him. He was like 1035 00:58:54,800 --> 00:58:56,080 Speaker 1: hosting the Emmys that year. 1036 00:58:56,160 --> 00:58:58,360 Speaker 2: He was so like, what am I doing? It was 1037 00:58:58,360 --> 00:59:01,240 Speaker 2: so any hosts like the Oscars the night before or something. 1038 00:59:01,360 --> 00:59:05,880 Speaker 2: He did the Oscars yeh was it the Oscars. It 1039 00:59:05,960 --> 00:59:08,360 Speaker 2: was Oscars Emmys and we all went to the parties 1040 00:59:08,400 --> 00:59:10,280 Speaker 2: and then we showed up to work the next day. 1041 00:59:10,800 --> 00:59:15,200 Speaker 2: He's like glowing and we're all like, oh, he has 1042 00:59:15,240 --> 00:59:17,480 Speaker 2: like monologues and he's like, I'm not going to get. 1043 00:59:17,320 --> 00:59:20,360 Speaker 1: This sorry, sorry guys in advance. 1044 00:59:20,840 --> 00:59:22,360 Speaker 2: And then he won an Emmy. He's like, remember when 1045 00:59:22,360 --> 00:59:23,360 Speaker 2: I didn't remember my life? 1046 00:59:24,320 --> 00:59:26,400 Speaker 1: That's why I'm getting emmything because he won the Emmy 1047 00:59:26,400 --> 00:59:27,040 Speaker 1: for that episode. 1048 00:59:28,160 --> 00:59:31,080 Speaker 2: Yeah, oh my gosh, he. 1049 00:59:31,120 --> 00:59:33,480 Speaker 1: Was so great at it. And yeah, that that number 1050 00:59:33,480 --> 00:59:39,920 Speaker 1: in particular was one of the highlights. But also like 1051 00:59:39,920 --> 00:59:42,800 Speaker 1: like Jama was is just like one of those giving 1052 00:59:42,880 --> 00:59:46,000 Speaker 1: people and just and we have gone on to like 1053 00:59:46,040 --> 00:59:50,040 Speaker 1: have just an amazing friendship. And you know now she's 1054 00:59:50,080 --> 00:59:51,360 Speaker 1: married to Brad and like. 1055 00:59:51,440 --> 00:59:56,120 Speaker 2: Yeah, we love them. Yes, so yeah, it's great. Now 1056 00:59:56,120 --> 01:00:04,640 Speaker 2: she's family. She's family forever. Okay, so we ask everybody 1057 01:00:04,960 --> 01:00:06,760 Speaker 2: at the end of the episode, Oh. 1058 01:00:06,760 --> 01:00:08,720 Speaker 1: Geez, one of these questions. Okay, here we go. 1059 01:00:09,520 --> 01:00:14,080 Speaker 2: We're a self health podcast. No, I'm kidding, we should 1060 01:00:14,080 --> 01:00:18,840 Speaker 2: not be giving advice. No, what is the feeling that 1061 01:00:19,040 --> 01:00:20,960 Speaker 2: Glee leaves you with. 1062 01:00:22,680 --> 01:00:23,760 Speaker 1: Connections going out? 1063 01:00:23,800 --> 01:00:36,760 Speaker 3: So I'm dead. 1064 01:00:41,520 --> 01:00:46,400 Speaker 1: It is so mixed. I don't have a single answer 1065 01:00:46,440 --> 01:00:49,840 Speaker 1: for that question. Like I said, it was the highest 1066 01:00:49,840 --> 01:00:53,800 Speaker 1: of highs and the lowest of lows. But when I 1067 01:00:53,880 --> 01:01:00,520 Speaker 1: look back at it, and I'm so proud. I'm proud 1068 01:01:00,560 --> 01:01:04,080 Speaker 1: of the impact that we had in society. I'm proud 1069 01:01:04,120 --> 01:01:08,080 Speaker 1: of all the things that we did for so many 1070 01:01:08,160 --> 01:01:16,840 Speaker 1: communities that were underserved or underrepresented. The show opened people's 1071 01:01:16,880 --> 01:01:25,560 Speaker 1: eyes to diversity, to people who weren't the status quo, 1072 01:01:25,640 --> 01:01:29,840 Speaker 1: who looked different, who acted different, and and I feel 1073 01:01:29,920 --> 01:01:32,960 Speaker 1: like it was the beginning of such a revolution. And 1074 01:01:33,200 --> 01:01:38,560 Speaker 1: for me, that is so beautiful to have been at 1075 01:01:38,600 --> 01:01:45,840 Speaker 1: the kind of nucleus of that whole, you know thing. 1076 01:01:46,280 --> 01:01:51,040 Speaker 1: So I can't look back and be you know, I 1077 01:01:51,080 --> 01:01:54,760 Speaker 1: can complain about being overworked and you know, blah blah 1078 01:01:54,880 --> 01:01:57,720 Speaker 1: blah blah blah blah blah. But just like the impact, 1079 01:01:59,080 --> 01:02:02,000 Speaker 1: that's the thing that will will stand the test of time. 1080 01:02:02,360 --> 01:02:06,160 Speaker 1: And for me, I think that is that's a beautiful thing. 1081 01:02:06,200 --> 01:02:10,000 Speaker 1: Because most shows, most TV shows do not have an impact. 1082 01:02:10,000 --> 01:02:13,800 Speaker 1: They're they're binge worthy, they're fun, they're you know, you 1083 01:02:14,240 --> 01:02:18,640 Speaker 1: might learn something, But there's there are a few and 1084 01:02:18,720 --> 01:02:22,400 Speaker 1: far between shows that have like a cultural impact and 1085 01:02:22,440 --> 01:02:26,880 Speaker 1: a societal people. So yeah, I love, I love being 1086 01:02:26,880 --> 01:02:27,960 Speaker 1: a part of that legacy. 1087 01:02:28,160 --> 01:02:33,600 Speaker 2: Beautiful, well said. Thank you for taking the time to 1088 01:02:33,680 --> 01:02:38,920 Speaker 2: chat with us. This is it was just a podcast. No, no, no, 1089 01:02:38,920 --> 01:02:42,000 Speaker 2: don't worry about it. Don't worry about it. If you 1090 01:02:42,000 --> 01:02:43,280 Speaker 2: see anything on line, it's a lie. 1091 01:02:43,480 --> 01:02:50,560 Speaker 1: Oh I can't wait wait to see what sound bites kids. 1092 01:02:52,360 --> 01:02:56,440 Speaker 1: Thank you for having me and whatever. Glad we just 1093 01:02:57,120 --> 01:02:58,080 Speaker 1: to catch up. 1094 01:02:58,400 --> 01:03:00,440 Speaker 2: Yeah, I'm so good to see you. Thank you for 1095 01:03:00,720 --> 01:03:04,080 Speaker 2: spending so much time with us. It's very sweet of you. Pleasure, 1096 01:03:04,200 --> 01:03:04,720 Speaker 2: Thank you. 1097 01:03:04,960 --> 01:03:05,120 Speaker 1: Love. 1098 01:03:05,240 --> 01:03:06,439 Speaker 2: Yeah, let me too. 1099 01:03:06,720 --> 01:03:07,080 Speaker 1: Bye. 1100 01:03:08,280 --> 01:03:13,160 Speaker 2: Wow. Matt Mattie mo Mattie Morrison, mister shoot himself. You know, 1101 01:03:13,280 --> 01:03:16,680 Speaker 2: what a joy, what a joy. He's a kind he's 1102 01:03:16,720 --> 01:03:20,680 Speaker 2: a kind, soul calm. So yeah, it was very enlightening 1103 01:03:20,720 --> 01:03:24,520 Speaker 2: to hear his his experience and for him to be 1104 01:03:24,600 --> 01:03:27,560 Speaker 2: so honest about it, you know, because I think we 1105 01:03:27,680 --> 01:03:32,040 Speaker 2: kind of, like he said, we separated around season four, 1106 01:03:32,200 --> 01:03:34,280 Speaker 2: five six, like we didn't really see that much of 1107 01:03:34,360 --> 01:03:40,040 Speaker 2: Matt and so you know, it was like we didn't 1108 01:03:40,120 --> 01:03:42,360 Speaker 2: we didn't get the insights like we used to. We 1109 01:03:42,400 --> 01:03:44,320 Speaker 2: didn't you know, we didn't get him as much and 1110 01:03:44,360 --> 01:03:46,840 Speaker 2: I think we were so bogged down in our day 1111 01:03:46,880 --> 01:03:51,040 Speaker 2: to day that we weren't. It wasn't like we had 1112 01:03:51,080 --> 01:03:54,720 Speaker 2: time to even like hang out with him outside of work. Yeah, 1113 01:03:55,200 --> 01:03:57,800 Speaker 2: you'rest we were hanging out with whoever we were with 1114 01:03:57,880 --> 01:04:01,760 Speaker 2: shooting well, I'm so grateful for Maddie to come and 1115 01:04:02,280 --> 01:04:04,800 Speaker 2: share his experience. And I hope you guys can show 1116 01:04:04,800 --> 01:04:07,040 Speaker 2: the episode and remember when you're talking about Shoe that 1117 01:04:07,240 --> 01:04:11,880 Speaker 2: Matt is not Shoe. You don't hate Maddie. People don't, 1118 01:04:11,880 --> 01:04:15,960 Speaker 2: though we can, but just just to be safe, you know, 1119 01:04:17,240 --> 01:04:19,760 Speaker 2: people are very good about separating the two. I just 1120 01:04:19,800 --> 01:04:25,360 Speaker 2: want to state it. Thank you, Matt Morrison, our mister 1121 01:04:25,400 --> 01:04:30,720 Speaker 2: Shoe forever for joining us and that's what you really missed. 1122 01:04:31,080 --> 01:04:34,200 Speaker 2: Thanks for listening and follow us on Instagram at and 1123 01:04:34,280 --> 01:04:36,520 Speaker 2: that's what you really miss pod. Make sure to write 1124 01:04:36,560 --> 01:04:38,800 Speaker 2: us a review and leave us five stars. See you 1125 01:04:38,880 --> 01:04:39,280 Speaker 2: next time