1 00:00:10,440 --> 00:00:14,160 Speaker 1: You're listening to the second and final part of Unexplained, 2 00:00:14,400 --> 00:00:26,279 Speaker 1: season seven, episode twenty, The Haunting of Hannath Hall. I 3 00:00:26,400 --> 00:00:31,560 Speaker 1: thought we might begin with a seance, says Tony. The 4 00:00:31,640 --> 00:00:34,400 Speaker 1: group is gathered in the living room of Hannath Hall 5 00:00:35,000 --> 00:00:39,400 Speaker 1: around a small dining table. The occupants of the house, 6 00:00:39,880 --> 00:00:45,400 Speaker 1: Audrey and Derek Page and Audrey's mother Rose, Local journalist 7 00:00:45,520 --> 00:00:50,720 Speaker 1: Anthony Wilmot and his acquaintances mister Perryman and mister Trumpus, 8 00:00:51,520 --> 00:00:56,240 Speaker 1: and three members of the Cambridge University Society of Psychical 9 00:00:56,320 --> 00:01:04,720 Speaker 1: Research Investigation Teamwell David Murray and Michael Brotherton have all 10 00:01:04,800 --> 00:01:09,360 Speaker 1: taken a seat. The fourth member of the team, Alan Gold, 11 00:01:09,840 --> 00:01:15,120 Speaker 1: has been tasked with keeping watch upstairs. A ripple of 12 00:01:15,160 --> 00:01:19,680 Speaker 1: excitement circles the room as Tony takes a set of 13 00:01:19,800 --> 00:01:24,319 Speaker 1: cards from his pocket, the letters of the alphabet numbers 14 00:01:24,480 --> 00:01:29,240 Speaker 1: zero to nine and the words yes and no, and 15 00:01:29,319 --> 00:01:32,400 Speaker 1: lays them out in a wide circle on the table. 16 00:01:33,280 --> 00:01:36,800 Speaker 1: Then he takes a wineglass from a nearby cabinet and 17 00:01:36,959 --> 00:01:40,360 Speaker 1: places it upside down in the middle of the cards. 18 00:01:41,440 --> 00:01:44,000 Speaker 1: I take it you're all familiar with the wijab boards, 19 00:01:44,120 --> 00:01:49,480 Speaker 1: he says. They all nod enthusiastically and draw closer together. 20 00:01:50,800 --> 00:01:54,400 Speaker 1: Tony takes a candle from the mantelpiece and places it 21 00:01:54,480 --> 00:01:58,120 Speaker 1: on the table. He lights it with a single strike 22 00:01:58,200 --> 00:02:04,120 Speaker 1: of a match. Upstairs, in a dimly lit corridor, Alan 23 00:02:04,360 --> 00:02:08,920 Speaker 1: closes the door to Bedroom A, the haunted bedroom, and 24 00:02:09,040 --> 00:02:13,440 Speaker 1: positions a small table just outside it with a thermometer 25 00:02:13,680 --> 00:02:18,359 Speaker 1: placed on top. Remarks the reading as sixty degrees fahrenheit 26 00:02:18,560 --> 00:02:23,959 Speaker 1: in his note book, then heads back downstairs. All set, 27 00:02:24,160 --> 00:02:28,720 Speaker 1: he says to Tony, poking his head into the living room. Great, 28 00:02:29,040 --> 00:02:34,560 Speaker 1: says Tony, Let's begin, Derek, would you mind turning off 29 00:02:34,600 --> 00:02:39,760 Speaker 1: the lights? Derek Julie obliges, then returns to his seat 30 00:02:40,160 --> 00:02:44,000 Speaker 1: as Alan clicks on his torch and heads back upstairs. 31 00:02:45,440 --> 00:02:49,760 Speaker 1: With everyone now seated in darkness save for the yellow, 32 00:02:49,880 --> 00:02:53,200 Speaker 1: flickering light of the candle and the dying embers of 33 00:02:53,280 --> 00:02:58,360 Speaker 1: a fire, Tony instructs everyone to place their fingers on 34 00:02:58,520 --> 00:03:04,680 Speaker 1: top of the upturned glass. Is there anybody there? Asks Tony. 35 00:03:05,880 --> 00:03:11,200 Speaker 1: There is no response. A scattering of nervous laughter breaks out. 36 00:03:12,120 --> 00:03:15,760 Speaker 1: Tony waits for it to die down before asking again, 37 00:03:17,240 --> 00:03:26,119 Speaker 1: is there anybody there? Look, it's moving, says Rose. Everyone 38 00:03:26,360 --> 00:03:30,120 Speaker 1: fixes their attention to the glass that is now clearly 39 00:03:30,240 --> 00:03:41,760 Speaker 1: moving over the table. Alan stands in pitch black at 40 00:03:41,760 --> 00:03:45,160 Speaker 1: the top of the stairs. At the far end of 41 00:03:45,200 --> 00:03:48,680 Speaker 1: the hallway is the door to Bedroom A, which he 42 00:03:48,760 --> 00:03:52,600 Speaker 1: can't quite make out in the darkness. He tries to 43 00:03:52,680 --> 00:03:56,440 Speaker 1: ignore the gasps coming up from the kitchen. When he 44 00:03:56,440 --> 00:04:03,119 Speaker 1: hears a loud snap. It sounded like it came from 45 00:04:03,160 --> 00:04:06,800 Speaker 1: the other end of the hallway. He flicks on the 46 00:04:06,880 --> 00:04:11,400 Speaker 1: torch and points it into the darkness, surprised to see 47 00:04:11,440 --> 00:04:15,400 Speaker 1: that the door to Bedroom A is now slightly ajar 48 00:04:16,760 --> 00:04:20,479 Speaker 1: A little unsettled, he holds the light steady on the 49 00:04:20,520 --> 00:04:24,120 Speaker 1: gap in the doorway, but sees no sign of movement. 50 00:04:25,320 --> 00:04:30,560 Speaker 1: Slowly he makes his way down the corridor. He stops 51 00:04:30,600 --> 00:04:34,240 Speaker 1: outside the children's bedroom and takes a quick look in sight. 52 00:04:35,360 --> 00:04:40,320 Speaker 1: Both the children are fast asleep in their beds. Continuing on, 53 00:04:40,960 --> 00:04:46,279 Speaker 1: he soon reaches Bedroom A. He shines the torchlight through 54 00:04:46,320 --> 00:04:49,400 Speaker 1: the gap in the door and cocks his head to 55 00:04:49,520 --> 00:04:56,039 Speaker 1: listen for any sound coming from inside. Is there anybody there, 56 00:04:56,680 --> 00:05:01,880 Speaker 1: repeats Tony back in the living room. Wilmot lets out 57 00:05:01,880 --> 00:05:05,760 Speaker 1: a gasp as the glass begins to shift across the 58 00:05:05,839 --> 00:05:11,719 Speaker 1: surface of the table. It stops just in front of 59 00:05:11,760 --> 00:05:16,320 Speaker 1: the cart labeled Yes. Now, come on, who's doing that? 60 00:05:16,640 --> 00:05:19,920 Speaker 1: He says a little peeved. Well, it could be any 61 00:05:19,960 --> 00:05:24,159 Speaker 1: of us, says Tony. Well it isn't me. I'm hardly 62 00:05:24,240 --> 00:05:29,599 Speaker 1: touching it, look says Derrick. Sh We need to concentrate, 63 00:05:29,960 --> 00:05:34,080 Speaker 1: says Audrey. Thank you, Audrey, you'd like to ask the 64 00:05:34,160 --> 00:05:39,640 Speaker 1: next question, says Tony. Audrey looks at him nervously and 65 00:05:39,839 --> 00:05:47,039 Speaker 1: pauses for effect before finally asking who are you back 66 00:05:47,120 --> 00:05:50,960 Speaker 1: up stairs? Having heard no repeat of the snapping sound, 67 00:05:51,480 --> 00:05:54,760 Speaker 1: Allan returns to the middle of the hallway and turns 68 00:05:54,800 --> 00:06:00,520 Speaker 1: off the torch. He feels the temperature drop suddenly. Then 69 00:06:00,960 --> 00:06:05,000 Speaker 1: from the direction of the stairs, he hears the unmistakable 70 00:06:05,160 --> 00:06:17,800 Speaker 1: sound of footsteps climbing up toward him. T says Tony, 71 00:06:18,279 --> 00:06:23,040 Speaker 1: as the glass continues its way around the alphabet, and 72 00:06:24,520 --> 00:06:31,159 Speaker 1: h Hannath? Was that Hannath? The others watching stun silence 73 00:06:31,680 --> 00:06:37,720 Speaker 1: as the glass moves back towards the Yes cart back upstairs, 74 00:06:38,240 --> 00:06:43,080 Speaker 1: the sound of footsteps. It's getting louder. Alan keeps the 75 00:06:43,120 --> 00:06:46,320 Speaker 1: torch pointed at the top of the stairs as he 76 00:06:46,400 --> 00:06:51,279 Speaker 1: makes his way toward them. Finally, there he shines the 77 00:06:51,360 --> 00:07:04,200 Speaker 1: light towards the bottom. The stairwell is completely empty. The 78 00:07:04,320 --> 00:07:08,240 Speaker 1: seance is brought to a close, and the cu spr 79 00:07:08,400 --> 00:07:13,440 Speaker 1: team retire to the lounge to discuss their findings. Alan 80 00:07:13,600 --> 00:07:16,760 Speaker 1: fills them in on the sounds he heard upstairs, but 81 00:07:16,920 --> 00:07:20,040 Speaker 1: theorizes that they were a little more than the creakings 82 00:07:20,080 --> 00:07:24,600 Speaker 1: of an old house. In return, the others discuss the 83 00:07:24,640 --> 00:07:29,680 Speaker 1: weija session. They speculate that either Wilmot or his friends 84 00:07:29,760 --> 00:07:35,320 Speaker 1: Perryman and Trumpus were responsible for moving the glass. After 85 00:07:35,400 --> 00:07:39,000 Speaker 1: a quick break for tea and sandwiches, Tony and Alan 86 00:07:39,160 --> 00:07:44,320 Speaker 1: head off to begin observations in Bedroom A, while David 87 00:07:44,360 --> 00:07:48,920 Speaker 1: and Michael initiate another seance with everyone else so they 88 00:07:48,920 --> 00:07:52,200 Speaker 1: can keep an eye on them. It's just gone one 89 00:07:52,360 --> 00:07:56,240 Speaker 1: thirty am when, with the others back round the table, 90 00:07:56,880 --> 00:08:00,400 Speaker 1: Tony and Alan switch on their torches and make their 91 00:08:00,440 --> 00:08:05,360 Speaker 1: way toward Bedroom A. As they passed the children's room, 92 00:08:05,720 --> 00:08:10,200 Speaker 1: Tony checks inside and confirms that both are still fast 93 00:08:10,240 --> 00:08:14,320 Speaker 1: asleep in their beds. When they arrive at the door 94 00:08:14,400 --> 00:08:18,840 Speaker 1: to Bedroom A, Alan checks the thermometer he left outside 95 00:08:18,880 --> 00:08:23,080 Speaker 1: the room. He's surprised to find that the mercury has 96 00:08:23,160 --> 00:08:27,640 Speaker 1: dropped a full ten degrees. As the distant sound of 97 00:08:27,720 --> 00:08:31,760 Speaker 1: voices bubble up from the kitchen, The two men push 98 00:08:31,840 --> 00:08:36,920 Speaker 1: open the door to the bedroom and head inside. Back 99 00:08:36,920 --> 00:08:40,320 Speaker 1: in the living room, Michael lays out the Weija cards 100 00:08:40,360 --> 00:08:44,040 Speaker 1: once more and places the wineglass back in the center. 101 00:08:45,559 --> 00:08:49,320 Speaker 1: David lights the candle and switches off the lights before 102 00:08:49,360 --> 00:08:53,080 Speaker 1: returning to the table. Let's see what we can get 103 00:08:53,120 --> 00:08:56,680 Speaker 1: this time, says Michael, placing his finger on top of 104 00:08:56,720 --> 00:09:01,040 Speaker 1: the glass as the others do the same. A sudden 105 00:09:01,160 --> 00:09:05,920 Speaker 1: hush descends and all eyes fix on the empty vessel. 106 00:09:07,679 --> 00:09:14,280 Speaker 1: Is there anybody there? Asks David. Upstairs, Alan and Tony 107 00:09:14,520 --> 00:09:18,440 Speaker 1: point their torches around. The room is exactly as it 108 00:09:18,800 --> 00:09:23,240 Speaker 1: was from their earlier inspection. After making sure that there 109 00:09:23,320 --> 00:09:26,800 Speaker 1: is nobody else hiding in the room with them, Alan 110 00:09:27,000 --> 00:09:31,400 Speaker 1: closes the door and bolts it shut. They each take 111 00:09:31,440 --> 00:09:34,760 Speaker 1: a seat on one of the mattresses on the floor, Then, 112 00:09:35,320 --> 00:09:38,720 Speaker 1: facing each other, they connect the soles of their feet 113 00:09:39,160 --> 00:09:42,360 Speaker 1: to make sure that neither is trying to hoax the other. 114 00:09:43,760 --> 00:09:47,240 Speaker 1: Alan lays a blanket over them both as a second 115 00:09:47,360 --> 00:09:52,800 Speaker 1: precautionary measure. With both settled into place, they switch off 116 00:09:52,920 --> 00:10:09,000 Speaker 1: their torches, plunging themselves into complete and utter darkness. Perhaps 117 00:10:09,000 --> 00:10:13,120 Speaker 1: it's gone for the night, says a despondent Derek. The 118 00:10:13,200 --> 00:10:16,720 Speaker 1: group take a collective breath and take their fingers away 119 00:10:16,760 --> 00:10:20,640 Speaker 1: from the glass, which hasn't moved an inch since they started. 120 00:10:21,760 --> 00:10:27,080 Speaker 1: Michael suggests that Rose try the next question. Rose pauses 121 00:10:27,160 --> 00:10:33,080 Speaker 1: for a moment before asking, is there anybody there? For 122 00:10:33,160 --> 00:10:40,080 Speaker 1: a moment, there is nothing, But then, almost imperceptibly, at first, 123 00:10:40,800 --> 00:10:47,440 Speaker 1: the glass starts to move. What was that, says Tony, 124 00:10:47,760 --> 00:10:51,800 Speaker 1: throwing torchlight into the corner of the room. Alan does 125 00:10:51,840 --> 00:10:55,880 Speaker 1: the same. Forget it, it was nothing. He nearly gave 126 00:10:55,920 --> 00:11:02,960 Speaker 1: me a heart attack, says Alan. No wait over there, listen, 127 00:11:03,480 --> 00:11:08,760 Speaker 1: says Tony again, more urgent now, Alleyan quickly turns his 128 00:11:08,880 --> 00:11:12,720 Speaker 1: torch back on and sweeps it around the room. No, 129 00:11:13,200 --> 00:11:19,760 Speaker 1: keep it off, just listen. Can you confirm that your 130 00:11:19,840 --> 00:11:24,880 Speaker 1: name is Hannath? Asks Rose. The group watches and raped 131 00:11:25,280 --> 00:11:29,040 Speaker 1: as the glass slides across the table to the yes 132 00:11:29,160 --> 00:11:35,080 Speaker 1: cart before returning to the center of the circle. Why 133 00:11:35,160 --> 00:11:39,560 Speaker 1: are you here? The glass moves quicker now from one 134 00:11:39,640 --> 00:11:43,000 Speaker 1: letter to the other as it hastily spells out the 135 00:11:43,040 --> 00:11:49,400 Speaker 1: words looking for someone. Rose looks nervously to her daughter. 136 00:11:50,679 --> 00:11:54,920 Speaker 1: Who are you looking for? She asks, but the glass 137 00:11:55,160 --> 00:11:59,280 Speaker 1: doesn't move. Will you give us a sign of your presence? 138 00:12:00,679 --> 00:12:05,840 Speaker 1: After a moment's pause, the glass moves again to the 139 00:12:06,000 --> 00:12:12,480 Speaker 1: yes card. There. Did you hear it? Just to your left, 140 00:12:13,080 --> 00:12:19,160 Speaker 1: says Tony excitedly. It comes again, clear and unmistakable. This 141 00:12:19,320 --> 00:12:26,680 Speaker 1: time three knocks on the floor just to Allan's left. 142 00:12:28,320 --> 00:12:37,120 Speaker 1: Good God, Hello, Can you knock again? Three times? I 143 00:12:37,160 --> 00:12:42,080 Speaker 1: don't believe it, says Allan, before adding hurriedly, knock once 144 00:12:42,160 --> 00:12:53,920 Speaker 1: for yes and two knocks for no. Do you understand? 145 00:12:56,040 --> 00:12:58,240 Speaker 1: You don't really think it's going to be able to 146 00:12:58,240 --> 00:13:03,440 Speaker 1: make its presence known? Do you? Says Audrey. Try something else, 147 00:13:04,000 --> 00:13:10,559 Speaker 1: insists Derrick. Where are you now? Asks Rose Again. The 148 00:13:10,640 --> 00:13:16,000 Speaker 1: glass begins to move, but slower, this time, much more deliberate. 149 00:13:17,320 --> 00:13:21,520 Speaker 1: It stops beside the letter G, then moves left to 150 00:13:21,640 --> 00:13:25,640 Speaker 1: the letter E, then back to H, and around the 151 00:13:25,760 --> 00:13:31,040 Speaker 1: circle until the word gehenna is spelt out and the 152 00:13:31,120 --> 00:13:37,160 Speaker 1: glass returns to the center of the circle. Ger hennah 153 00:13:38,040 --> 00:13:41,959 Speaker 1: Is that what it said? That's not a word. It 154 00:13:42,040 --> 00:13:46,560 Speaker 1: must be a mistake. Try it again, says Wilmot. Wait, 155 00:13:47,320 --> 00:13:51,319 Speaker 1: nobody knows that word, says David, looking across at all 156 00:13:51,360 --> 00:13:56,160 Speaker 1: the bemused faces, He takes his finger suddenly from the glass. 157 00:13:57,280 --> 00:14:01,600 Speaker 1: What is it? Asks Rose. I'm not sure I should 158 00:14:02,360 --> 00:14:08,120 Speaker 1: just tell us, insists Wilmot. It's a Hebrew word. It 159 00:14:08,200 --> 00:14:11,240 Speaker 1: means valley of Hinnham. It's a place just south of 160 00:14:11,320 --> 00:14:15,520 Speaker 1: Mount Zion in Jerusalem. It's where the kings of Judah 161 00:14:15,679 --> 00:14:20,120 Speaker 1: said to have sacrificed their children. They burned them alive. 162 00:14:21,280 --> 00:14:28,840 Speaker 1: But what, says Wilmot, It's also another word for hell? 163 00:14:32,120 --> 00:14:39,120 Speaker 1: Are you a male? Asks Tony. Back upstairs, comes the 164 00:14:39,160 --> 00:14:46,080 Speaker 1: reply did you die in the house? Did you die? 165 00:14:46,240 --> 00:14:56,080 Speaker 1: And natural death? Back downstairs, the group, thoroughly unsettled by 166 00:14:56,200 --> 00:15:00,160 Speaker 1: David's revelation, bring the seance to an abrupt end, and 167 00:15:01,160 --> 00:15:04,600 Speaker 1: Perryman and Trumpers decide to call it a night, and 168 00:15:04,640 --> 00:15:08,400 Speaker 1: despite Wilmot's please for them to stay a while longer, 169 00:15:08,840 --> 00:15:14,120 Speaker 1: he eventually agrees to join them in heading home. Wilmot 170 00:15:14,160 --> 00:15:18,640 Speaker 1: is disappointed that he won't see Tony and Alan before leaving, 171 00:15:19,200 --> 00:15:22,280 Speaker 1: but David promises to be in touch as soon as 172 00:15:22,280 --> 00:15:27,160 Speaker 1: they have their reports written up. Soon after, the three 173 00:15:27,280 --> 00:15:39,560 Speaker 1: friends head off back to Wisbeach with the others gone, 174 00:15:39,920 --> 00:15:43,600 Speaker 1: Michael and David head upstairs to inform Alan and Tony 175 00:15:43,960 --> 00:15:47,080 Speaker 1: that Wilmot and his friends have left. When they hear 176 00:15:47,160 --> 00:15:53,080 Speaker 1: the sound of knocking coming from inside Bedroom A. It 177 00:15:53,200 --> 00:15:59,200 Speaker 1: seems to be responding to Tony and Alan's questions. Allan 178 00:15:59,400 --> 00:16:02,440 Speaker 1: explains from behind the door that they've just spent the 179 00:16:02,560 --> 00:16:07,120 Speaker 1: last ten minutes communicating with some kind of female entity 180 00:16:07,680 --> 00:16:11,160 Speaker 1: claiming to have been murdered in the house in nineteen 181 00:16:11,200 --> 00:16:16,800 Speaker 1: oh six. Allan suggests David and Michael head to the washroom, 182 00:16:17,200 --> 00:16:20,120 Speaker 1: the room below them, to make sure no one is 183 00:16:20,200 --> 00:16:24,760 Speaker 1: making the noises from there. Before they leave, The pair 184 00:16:24,840 --> 00:16:28,240 Speaker 1: make a trap outside the bedroom by tying a length 185 00:16:28,280 --> 00:16:32,880 Speaker 1: of string around two music stands in case anyone plans 186 00:16:32,920 --> 00:16:38,200 Speaker 1: to sneak around in the corridor while they're gone. Back downstairs, 187 00:16:38,760 --> 00:16:41,680 Speaker 1: the pages are sitting in the living room as Michael 188 00:16:41,760 --> 00:16:46,160 Speaker 1: and David continue through into the washroom beyond which they 189 00:16:46,200 --> 00:16:52,320 Speaker 1: find completely empty. Back inside Bedroom A, the knocks are 190 00:16:52,320 --> 00:16:57,680 Speaker 1: growing louder and more insistent as Tony and Allan continue 191 00:16:57,760 --> 00:17:01,960 Speaker 1: to quiz the apparent entity. How old were you when 192 00:17:02,040 --> 00:17:06,439 Speaker 1: you die? Asks Allan. There is a pause before a 193 00:17:06,560 --> 00:17:11,760 Speaker 1: loud bang, bang bang. The bangs ring out from opposite 194 00:17:11,840 --> 00:17:15,679 Speaker 1: sides of the room. Each bang gets closer to Tony, 195 00:17:16,080 --> 00:17:21,200 Speaker 1: until finally a fourth wraps against the brass bedstand beside 196 00:17:21,200 --> 00:17:26,200 Speaker 1: his head. Tony launches himself from the mattress. Why don't 197 00:17:26,200 --> 00:17:30,960 Speaker 1: we check on the others downstairs? Equally unnerved, Alan is 198 00:17:31,040 --> 00:17:34,199 Speaker 1: only too happy to take a break. He grabs his 199 00:17:34,320 --> 00:17:37,199 Speaker 1: torch from the bed and hurriedly makes his way to 200 00:17:37,280 --> 00:17:41,000 Speaker 1: the door. At the sound of yet another loud knock, 201 00:17:41,960 --> 00:17:46,200 Speaker 1: Alan flings the door open and charges straight into David 202 00:17:46,280 --> 00:17:50,000 Speaker 1: and Michael's trap, bringing the stands clattering to the floor 203 00:17:50,520 --> 00:17:55,159 Speaker 1: and sending him stumbling back into the bedroom. With Tony 204 00:17:55,200 --> 00:17:58,399 Speaker 1: close behind. The pair are forced back for a moment 205 00:17:58,760 --> 00:18:03,520 Speaker 1: when they hear a strange rumbling from inside. Tony points 206 00:18:03,560 --> 00:18:07,000 Speaker 1: to the torch just in time to catch one of 207 00:18:07,040 --> 00:18:11,320 Speaker 1: the chairs seemingly being flung through the air and onto 208 00:18:11,359 --> 00:18:15,920 Speaker 1: the mattress where he'd just been sitting. A stunned Tony 209 00:18:16,359 --> 00:18:20,199 Speaker 1: holds the now stilled chair in a beam of torchlight. 210 00:18:21,240 --> 00:18:25,800 Speaker 1: He stares at it for what seems like ours. Satisfied 211 00:18:25,840 --> 00:18:29,240 Speaker 1: it won't move again, he picks it up and places 212 00:18:29,280 --> 00:18:32,960 Speaker 1: it back on the pile of boxes. A moment later, 213 00:18:33,440 --> 00:18:36,840 Speaker 1: it falls back down onto the floor, making both men 214 00:18:37,040 --> 00:18:41,840 Speaker 1: jump again. Cursing himself, Tony picks it up one more 215 00:18:41,880 --> 00:18:47,120 Speaker 1: time and places it firmly back onto the boxes. Tony's 216 00:18:47,160 --> 00:18:50,119 Speaker 1: had a chair thrown at him, and we're getting clear messages, 217 00:18:50,440 --> 00:18:55,560 Speaker 1: says Alan, running into the washroom, the adrenaline coursing almost 218 00:18:55,680 --> 00:18:59,919 Speaker 1: visibly through him. Michael and David agreed to keep one 219 00:19:00,440 --> 00:19:05,080 Speaker 1: the family as Alan and Tony, having gathered themselves, returned 220 00:19:05,160 --> 00:19:19,480 Speaker 1: to Bedroom A to finish their questioning. Stepping back into 221 00:19:19,480 --> 00:19:23,680 Speaker 1: the bedroom, Tony gasps when he catches sight of another 222 00:19:23,800 --> 00:19:26,520 Speaker 1: chair that seems to have been placed on the floor, 223 00:19:26,840 --> 00:19:30,560 Speaker 1: blocking the path from the door, while a cardboard box 224 00:19:30,960 --> 00:19:35,119 Speaker 1: is now sitting on one of the mattresses under turret. 225 00:19:35,760 --> 00:19:38,840 Speaker 1: The men move the items to the side and return 226 00:19:38,960 --> 00:19:43,800 Speaker 1: to their makeshift beds to begin their questions anew. They 227 00:19:43,880 --> 00:19:48,160 Speaker 1: start by asking how old the apparent entity was when 228 00:19:48,200 --> 00:19:54,159 Speaker 1: she died. Downstairs, David and Michael hear a commotion in 229 00:19:54,200 --> 00:19:58,280 Speaker 1: the living room. David heads through to find that Anthony 230 00:19:58,320 --> 00:20:01,840 Speaker 1: Wilmot and his two friends have returned to the house. 231 00:20:02,920 --> 00:20:06,400 Speaker 1: Wilmot explains that their car broke down half a mile 232 00:20:06,440 --> 00:20:09,879 Speaker 1: away so they came back, hoping to get a lift 233 00:20:09,920 --> 00:20:13,760 Speaker 1: into Wisbeach, with the family having filled them in on 234 00:20:13,840 --> 00:20:17,480 Speaker 1: the events of the last few minutes. Wilmot asks if 235 00:20:17,480 --> 00:20:21,480 Speaker 1: they can be of any assistance, but David declines the offer. 236 00:20:22,640 --> 00:20:25,840 Speaker 1: Derek suggests he drives the three men back to their homes, 237 00:20:26,200 --> 00:20:31,000 Speaker 1: and just after two am they head off together. Michael, 238 00:20:31,520 --> 00:20:35,359 Speaker 1: suspicious of whether Wilmot and his friends had ever truly 239 00:20:35,440 --> 00:20:38,480 Speaker 1: left the house at all, watches them in the car 240 00:20:38,880 --> 00:20:42,600 Speaker 1: as it drives off the property and disappears into the night. 241 00:20:44,600 --> 00:20:49,960 Speaker 1: Back upstairs, Tony and Allen continued their questions. What month 242 00:20:50,119 --> 00:20:56,320 Speaker 1: did you die? Asks Tony. Eleven knocks come back in reply, 243 00:20:57,760 --> 00:21:03,320 Speaker 1: and what day was that? Again the knocks come. They 244 00:21:03,359 --> 00:21:06,359 Speaker 1: seem to emerge from a space just to the right 245 00:21:06,440 --> 00:21:10,960 Speaker 1: of Tony, but as the knocks continue, now up to fourteen, 246 00:21:11,680 --> 00:21:16,159 Speaker 1: they begin slowly again to draw nearer to him. In 247 00:21:16,200 --> 00:21:19,680 Speaker 1: a panic, he shines his torch at the spot, bringing 248 00:21:19,720 --> 00:21:23,639 Speaker 1: the knox to an abrupt stop, much to Allan's frustration. 249 00:21:24,480 --> 00:21:28,639 Speaker 1: They're getting too close, says Tony. He takes a moment 250 00:21:28,760 --> 00:21:32,520 Speaker 1: to recompose himself before switching the light off again and 251 00:21:32,600 --> 00:21:38,600 Speaker 1: repeating the question The knocks return almost instantly and stop 252 00:21:38,720 --> 00:21:46,680 Speaker 1: at eighteen eighteenth of November nineteen o six. Is that correct? 253 00:21:47,160 --> 00:21:51,440 Speaker 1: Comes the reply? To make sure that neither of fabricating 254 00:21:51,480 --> 00:21:55,640 Speaker 1: the exchanges, Tony suggests to Allan that they hold hands 255 00:21:55,680 --> 00:21:59,280 Speaker 1: for the next question. Now, with the soles of their 256 00:21:59,280 --> 00:22:04,399 Speaker 1: feet ganteed against each other's and their hands clasped tightly together, 257 00:22:05,080 --> 00:22:11,879 Speaker 1: Tony asks again, are you still there? Comes the reply? 258 00:22:19,080 --> 00:22:23,359 Speaker 1: With only Rose and Audrey left downstairs, Michael remains in 259 00:22:23,400 --> 00:22:27,280 Speaker 1: the living room to keep watch over Rose, while David 260 00:22:27,320 --> 00:22:30,919 Speaker 1: and Audrey, who's eager to hear the noises for herself, 261 00:22:31,520 --> 00:22:35,439 Speaker 1: move into the washroom to listen from underneath the bedroom a. 262 00:22:36,760 --> 00:22:39,840 Speaker 1: For the next twenty minutes, the pair stand in the 263 00:22:39,880 --> 00:22:45,160 Speaker 1: pitch black together, listening silently as Tony and Alan can 264 00:22:45,200 --> 00:22:49,440 Speaker 1: be heard from above. Each time they ask a question, 265 00:22:50,080 --> 00:22:56,040 Speaker 1: the knocks come back without fail. At two forty five am, 266 00:22:56,320 --> 00:23:00,280 Speaker 1: the wraps finally begin to peter out, with Tony and 267 00:23:00,320 --> 00:23:04,960 Speaker 1: Alan concluding that the apparent entities age at death was 268 00:23:05,000 --> 00:23:09,480 Speaker 1: either thirty eight or eighty three. The men from the 269 00:23:09,560 --> 00:23:15,560 Speaker 1: cusbr take a break. An hour later, with Derek now 270 00:23:15,600 --> 00:23:22,200 Speaker 1: having returned, the men restart their investigation with David keen 271 00:23:22,280 --> 00:23:26,960 Speaker 1: to experience the haunted bedroom first hand. Michael agrees to 272 00:23:27,040 --> 00:23:31,320 Speaker 1: keep the Pages and Rows company downstairs, while the other 273 00:23:31,400 --> 00:23:36,480 Speaker 1: three head back up to Bedroom A, with Alan leading 274 00:23:36,480 --> 00:23:42,359 Speaker 1: the way. The men once again pause outside the children's bedroom. Inside, 275 00:23:42,960 --> 00:23:46,199 Speaker 1: the young boy and girl are still fast asleep in 276 00:23:46,240 --> 00:23:50,280 Speaker 1: their beds. Alan shines his torch toward the end of 277 00:23:50,320 --> 00:23:54,720 Speaker 1: the corridor and gives a start. The door to Bedroom 278 00:23:54,760 --> 00:24:00,440 Speaker 1: A is slightly a jar. What is it? Asks Tony? 279 00:24:01,640 --> 00:24:05,880 Speaker 1: I close that when we came downstairs. The men look 280 00:24:05,960 --> 00:24:11,040 Speaker 1: to each other, then cautiously head toward the room. Alan 281 00:24:11,160 --> 00:24:15,199 Speaker 1: leads the other two inside. Tony has just shut the 282 00:24:15,280 --> 00:24:19,040 Speaker 1: door behind them when a strange metallic clattering is heard. 283 00:24:20,119 --> 00:24:23,800 Speaker 1: He swiftly points his torch towards the internal bolt lock, 284 00:24:24,240 --> 00:24:28,080 Speaker 1: where a large brass fork has been thoroughly jammed in 285 00:24:28,160 --> 00:24:33,120 Speaker 1: its place, locking them inside. The men flash their torches 286 00:24:33,160 --> 00:24:36,680 Speaker 1: about the room, but find no one else there with them, 287 00:24:37,280 --> 00:24:42,560 Speaker 1: and all is still and silent. Taking a breath, Tony 288 00:24:42,640 --> 00:24:45,600 Speaker 1: removes the fork from the lock and places it to 289 00:24:45,640 --> 00:24:49,720 Speaker 1: the side. The men take a seat on the mattress 290 00:24:49,760 --> 00:24:53,960 Speaker 1: nearest the middle of the room, arranging themselves in a circle. 291 00:24:54,359 --> 00:24:58,200 Speaker 1: They plant their feet one against each other, and once 292 00:24:58,240 --> 00:25:03,280 Speaker 1: again switch off their talk watches. In the darkness, they 293 00:25:03,320 --> 00:25:07,959 Speaker 1: reach out and take hold of each other's hands. Is 294 00:25:08,040 --> 00:25:13,439 Speaker 1: anybody there, asks Tony. For a moment, there is nothing 295 00:25:13,560 --> 00:25:19,840 Speaker 1: but silence. Then something very gentle, like a soft rustling, 296 00:25:20,040 --> 00:25:25,639 Speaker 1: is heard. As they listen further, the noise intensifies until 297 00:25:25,680 --> 00:25:32,199 Speaker 1: it sounds like scratching an animal, suggests Allen, but Tony 298 00:25:32,440 --> 00:25:37,600 Speaker 1: isn't so sure. He listens more intently, now focusing his 299 00:25:37,720 --> 00:25:41,560 Speaker 1: mind on nothing but the sound coming from somewhere out 300 00:25:41,600 --> 00:25:45,399 Speaker 1: of the dark to his right. As he stares toward 301 00:25:45,480 --> 00:25:49,080 Speaker 1: the back wall, it feels as though that same dark 302 00:25:49,400 --> 00:25:53,760 Speaker 1: is collapsing into itself, and then it is pulling him 303 00:25:53,800 --> 00:26:00,240 Speaker 1: in from somewhere far away. A cold breeze drifts through 304 00:26:00,280 --> 00:26:05,800 Speaker 1: the room. Suddenly, David and Alan sent something tugging at 305 00:26:05,800 --> 00:26:12,000 Speaker 1: their hands. Tony's body has gone limp. Go away, go away, 306 00:26:12,640 --> 00:26:18,000 Speaker 1: he shouts, startling himself awake, before leaning forward suddenly with 307 00:26:18,119 --> 00:26:28,520 Speaker 1: his head in his hands. I must have fallen asleep. 308 00:26:29,200 --> 00:26:33,119 Speaker 1: Alan quickly feels for Tony's wrist and finds his pulse 309 00:26:33,240 --> 00:26:38,679 Speaker 1: racing at over two beats a second. What happened. Something 310 00:26:38,760 --> 00:26:42,280 Speaker 1: was attacking me a horse. I think all I could 311 00:26:42,320 --> 00:26:46,439 Speaker 1: see were the hoofs kicking down onto my head. It 312 00:26:46,600 --> 00:26:50,480 Speaker 1: was just as Derek's mother had experienced during her brief 313 00:26:50,520 --> 00:26:54,560 Speaker 1: stay in the same room. Alan and David wait a 314 00:26:54,600 --> 00:26:58,640 Speaker 1: moment for Tony to calm. When he assures them he's 315 00:26:58,680 --> 00:27:04,000 Speaker 1: okay to continue, the three men begin again. For more 316 00:27:04,040 --> 00:27:07,439 Speaker 1: than an hour, they sit holding hands in the dark, 317 00:27:07,960 --> 00:27:12,520 Speaker 1: asking questions into the air, but there are no more replies. 318 00:27:13,840 --> 00:27:18,199 Speaker 1: At five a m Tony, Allan and David decide to 319 00:27:18,240 --> 00:27:22,240 Speaker 1: call it a night. They gather their things and make 320 00:27:22,280 --> 00:27:26,159 Speaker 1: their way downstairs for a final cup of tea and 321 00:27:26,280 --> 00:27:31,600 Speaker 1: another debrief. When Tony shows the brass fork to Audrey, 322 00:27:31,840 --> 00:27:36,000 Speaker 1: Derrick and Rose, each claims to have never seen it before. 323 00:27:37,400 --> 00:27:41,040 Speaker 1: A short time later, the men of the Cambridge University 324 00:27:41,520 --> 00:27:46,119 Speaker 1: Society for Psychical Research thank the Pages and Rose for 325 00:27:46,200 --> 00:27:49,280 Speaker 1: their time and make their way back to the car. 326 00:27:50,560 --> 00:27:54,080 Speaker 1: It is still dark outside. As Tony pulls out to 327 00:27:54,119 --> 00:27:57,680 Speaker 1: the end of the driveway. He takes in the looming 328 00:27:57,720 --> 00:28:03,320 Speaker 1: presence of Hanneth Hall last time before slowly easing out 329 00:28:03,400 --> 00:28:08,640 Speaker 1: into the road and heading off into the distance. None 330 00:28:08,680 --> 00:28:12,639 Speaker 1: of the cu spr team will ever be entirely sure 331 00:28:13,200 --> 00:28:17,879 Speaker 1: quite what it was they'd experienced that night. As they 332 00:28:17,920 --> 00:28:21,520 Speaker 1: make their way south, it isn't long before the waterways, 333 00:28:22,119 --> 00:28:26,760 Speaker 1: vast open skies, and plowed black earths of the fens 334 00:28:27,080 --> 00:28:31,879 Speaker 1: are replaced by more familiar and solid surrounds. As they 335 00:28:31,920 --> 00:28:35,800 Speaker 1: cross the border into the city of Cambridge, a pale 336 00:28:35,920 --> 00:28:40,560 Speaker 1: winter sun is just creeping up over the horizon, while 337 00:28:40,600 --> 00:28:44,680 Speaker 1: in the sky above the stars have all but dissolved 338 00:28:44,760 --> 00:28:50,320 Speaker 1: into daylight. Over the next two years, Tony Cornell and 339 00:28:50,520 --> 00:28:54,000 Speaker 1: Alan Goud return to Hannith Hall on at least ten 340 00:28:54,160 --> 00:28:59,040 Speaker 1: further occasions, although no audio or visual proof of the 341 00:28:59,080 --> 00:29:03,720 Speaker 1: apparent Poultic guysed activity was ever recorded. Of the eight 342 00:29:03,840 --> 00:29:09,080 Speaker 1: hundred cases of supposed paranormal activity that Tony would eventually 343 00:29:09,120 --> 00:29:13,120 Speaker 1: go on to investigate, he only considered a handful to 344 00:29:13,200 --> 00:29:16,160 Speaker 1: be as genuine as you might ever hope to find. 345 00:29:17,240 --> 00:29:28,320 Speaker 1: Hannath Hall was one of them. This episode was written 346 00:29:28,400 --> 00:29:32,880 Speaker 1: by Richard McLain Smith unexplained as an Avy Club Productions 347 00:29:32,960 --> 00:29:37,520 Speaker 1: podcast created by Richard McClain Smith. All other elements of 348 00:29:37,560 --> 00:29:40,960 Speaker 1: the podcast, including the music, are also produced by me. 349 00:29:41,240 --> 00:29:46,320 Speaker 1: Richard McClain Smith. Unexplained The book and audiobook, with stories 350 00:29:46,400 --> 00:29:49,280 Speaker 1: never before featured on the show, is now available to 351 00:29:49,360 --> 00:29:54,720 Speaker 1: buy worldwide. You can purchase from Amazon, Barnes and Noble, Waterstones, 352 00:29:54,760 --> 00:29:58,560 Speaker 1: and other bookstores. Please subscribe to and rate the show 353 00:29:58,880 --> 00:30:01,800 Speaker 1: wherever you get your pog, and feel free to get 354 00:30:01,800 --> 00:30:05,240 Speaker 1: in touch with any thoughts or ideas regarding the stories 355 00:30:05,280 --> 00:30:08,040 Speaker 1: you've heard on the show. Perhaps you have an explanation 356 00:30:08,120 --> 00:30:10,720 Speaker 1: of your own you'd like to share. You can find 357 00:30:10,760 --> 00:30:14,280 Speaker 1: out more at Unexplained podcast dot com and reach us 358 00:30:14,280 --> 00:30:19,120 Speaker 1: online through Twitter at Unexplained Pod and Facebook at Facebook 359 00:30:19,160 --> 00:30:22,320 Speaker 1: dot com, Forward Slash Unexplained Podcast