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Speaker 1: Blake, wake up, You're time to get it off your

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Speaker 1: chat with your mad blas. We want to hear from

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Speaker 1: you on the breakfast blob. Hello, who's that? This is

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Speaker 1: a collar from Sugarland calling from Sugarland. All right, why

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Speaker 1: are you mad this morning? Mamma? I'm mad at this

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Speaker 1: morning because the hospital that I used to work at

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Speaker 1: in the medical center is shut down. So when the

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Speaker 1: hospital shut down, all of these other hospitals in the

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Speaker 1: surrounding areas and other places knew that the hospital shut down,

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Speaker 1: and they knew he was gonna own these jobs. So

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Speaker 1: when we all flock over there at the clock for

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Speaker 1: these jobs, they are like underpaying us like seven to

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Speaker 1: eight dollars because they know we need the jobs. But

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Speaker 1: that's why I'm there. I feel like we're getting pimped.

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Speaker 1: You are being pimp we are exactly. So, I mean, yeah,

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Speaker 1: you can go find other jobs chew enough, but I

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Speaker 1: mean you just think you come from one job. You

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Speaker 1: got to accept the first thing that comes to you

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Speaker 1: because it's better than nothing, and on impordity not going

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Speaker 1: to pay you what you were getting. So that's why

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Speaker 1: i'm this morning. When you're gonna when you're gonna finally

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Speaker 1: accept being a hole because you're so when you stop. Hello,

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Speaker 1: who's this y'all? What's going on? Then? What's up? You matter?

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Speaker 1: You bust this morning? I'm blessed this morning. Don right

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Speaker 1: you blast? Tell us why? Yo? I just want to

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Speaker 1: get a blessed shout out to my girl. Man, it's

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Speaker 1: Glorisia out of Brooklyn. You know what I mean. Sheep

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Speaker 1: me off this morning like a can of butter min

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Speaker 1: bits kiss this morning, three in the morning. Just want

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Speaker 1: to say I'm blessed to her. Shout to her. Man.

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Speaker 1: We're from Atlanta. Mane, did you just say she me off?

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Speaker 1: I think he definitely said that. I think you meant

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Speaker 1: to say you sit off. Well, she fit me off.

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Speaker 1: Get it off your chest eight hundred five eight five

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Speaker 1: one oh five one. If you're upset you need the vent,

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Speaker 1: you could call us, or if you feel blessed, hit

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Speaker 1: us up. It's the breakfast cloak the morning, the breakfast club,

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Speaker 1: pick up the mother mother phone and die. This is

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Speaker 1: your time to get it off your chest. So you're man,

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Speaker 1: we want to hear from you on the breakfast club.

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Speaker 1: But he better have the same energy. Hey, Jasmine, I'm

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Speaker 1: actually kind of man at you? Oh why are you

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Speaker 1: mad at me? What I do? Um? So you and

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Speaker 1: get shouting me out on your podcast? Okay. UM. As

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Speaker 1: far as trying to give me some information, I'm still

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Speaker 1: kind of waiting for that information. DJ Envy. You don't

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Speaker 1: know what you're talking about. I don't know what you you

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Speaker 1: talking about? What? All right? So I wrote you about

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Speaker 1: my mom and an incident that happened to me when

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Speaker 1: I was seventh to fourteen, and you said that you

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Speaker 1: were going to try and get me some information to

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Speaker 1: speak to young women. Okay, yeah, you know what. My

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Speaker 1: wife has all the information DMA. All right, DMA now,

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Speaker 1: and I'll make sure she goes to her DM and

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Speaker 1: answer that. All right, thank you so much. All right,

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Speaker 1: I'm sorry about that. Hello. Who this me? What's up? Bro?

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Speaker 1: What you blessed? It? You mad this morning? Bro? Oh no,

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Speaker 1: I'm told y'all. Well, I'm blussed, man, I'm because it's

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Speaker 1: another beautiful day above ground is to go to this

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Speaker 1: job that I love you eagarate me and charlott Man

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Speaker 1: is a new black doctor shus Man give them with

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Speaker 1: dropping back to black doctor talking about Jolo may here

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Speaker 1: like book any books. Let's get a brother some pop

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Speaker 1: pool kids book. Many may let him go. I'll give

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Speaker 1: you a pop kids book of not coloring books for

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Speaker 1: the culture man, the coaches out here buying books. We

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Speaker 1: got people buying lining up to buy books like they're

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Speaker 1: buying Joindans and yeasys man we are. They're trying to

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Speaker 1: empower and enlighten people. Okay, line that? What up? Yo?

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Speaker 1: What up? Do you they heavy? Now? What's your a

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Speaker 1: k A? Bro pretty toes, sir, pretty tolls? Okay, okay,

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Speaker 1: that about. I didn't know girls was into that. I

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Speaker 1: got a lot of guilts into that. You actually laughed

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Speaker 1: at my name when I came see your book son

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Speaker 1: in la oh, I do remember you starve Pretty Tolls.

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Speaker 1: I had to sign your books? Are pretty? Told you right?

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Speaker 1: And you said, yeah, listen, he bought a copy of

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Speaker 1: my book, Black Privilege. I can care less what his

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Speaker 1: name was. Why why that's why? Is that why? You mad?

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Speaker 1: Just wanted he made fun of your name? Yeah, i'e

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Speaker 1: him mad at that. I've been calling for a while.

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Speaker 1: I could never get through. But I actually want to

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Speaker 1: call a prince to get some boar. So you too, Okay?

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Speaker 1: Did did you enjoy the book sir, I'm reading through it. No,

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Speaker 1: I'm on the chapter say after your dream There you go,

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Speaker 1: so listen. I want you to get works. God wants

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Speaker 1: you to read this chapter right now. The name of

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Speaker 1: that chapter is after your Dreams. Therefore, we don't want

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Speaker 1: to hear you wrap this morning. Have a blessed day, sir,

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Speaker 1: Pretty hurry up. All right, let's say all right, I'm

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Speaker 1: sir Pretty Toad. Pretty toes were pretty on those bars. Listen.

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Speaker 1: The whole principle in my book, After Your Dreams is

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Speaker 1: about after your dreams. If they not your dreams, okay,

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Speaker 1: and that don't sound like rap should be your dreams. Hi,

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Speaker 1: my name is Pretty Toad. Get it off your chest.

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Speaker 1: Eight hundred and five eight five one oh five one.

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Speaker 1: If you're upset you need to vent, you can hear

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Speaker 1: us up, or if you feel blessed, call us up

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Speaker 1: right now. It's the Breakfast Club. Good morning, the Breakfast Club,

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Speaker 1: Well bad moves more. Everybody is DJ Envy Angela, Yee, Charlomagne,

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Speaker 1: the guy. We are to Breakfast Club. We got some

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Speaker 1: special guests in the building, Black Peas. You know what

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Speaker 1: I always wanted to talk to y'all about man, because

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Speaker 1: I don't think people discussed it enough. You guys were

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Speaker 1: really signed with Easy back in the day. Yeah, I

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Speaker 1: was signed U Ruthless. Yeah, signed Ruthless of ninety two

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Speaker 1: when when Drey left, um ice Cube obviously left and

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Speaker 1: um he was going around La just getting like a

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Speaker 1: bunch of battle MC's to be a part of his

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Speaker 1: writing squad, and and uh Me and Apple were signed

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Speaker 1: there for ninety two to ninety five when pass away

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Speaker 1: as a group, Yeah, a different name. It was the

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Speaker 1: name of the group. It was called at band Clan,

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Speaker 1: at band Clan. Yes, still for a tribe on the nation.

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Speaker 1: I mean that's always interesting because people see black Out

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Speaker 1: Peas and they think pop group, pop records, but you

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Speaker 1: know they don't think, like Ruthless is hip hop hip hop? Right? Yeah?

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Speaker 1: So Easy Easy was a big inspiration as far as

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Speaker 1: like his business sense and the things he signed, and

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Speaker 1: he was more than just a rapper, he was an entrepreneur.

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Speaker 1: Signed everything from Bone Thugs to Blood Abraham to app

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Speaker 1: band claim like why would he want us in the stable?

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Speaker 1: Why would he go out and see to find, you know,

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Speaker 1: to fill different niches and and voids and culture. So

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Speaker 1: at the time in ninety two Jiggable Planets and all

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Speaker 1: those folks were like, we're big, this is before farsight,

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Speaker 1: and uh we were. We were there on roofless. So

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Speaker 1: he just really just expanded, you know, our perspective on

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Speaker 1: like what get it means? How did he signy? Where

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Speaker 1: did he find you? So I was I was a

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Speaker 1: club in Hollywood called Ballistics, and you know I was

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Speaker 1: just battle, just one of those backpack battle rappers. And

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Speaker 1: that's how we got signed or no demo, just freestyle.

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Speaker 1: There's no gangster records of Apple and will I am like,

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Speaker 1: hey no, but you know what we were good like

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Speaker 1: Easy's gangster functions and have us performed and it was

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Speaker 1: like the most awkward thing. How was that? That was

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Speaker 1: just like yeah, you know we were like we had

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Speaker 1: like old school like the suits, we cut off the

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Speaker 1: sleeves and you know what I mean, we were like

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Speaker 1: three thrift store shopping and it would be a like

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Speaker 1: Easy East functions and yeah, he would just be like yo, freestyle, freestyle, freestyle,

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Speaker 1: and so we would just you know, battle battle guys

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Speaker 1: the group. Yeah, so I was part of the family

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Speaker 1: called Grassroots. Um. You know there's mcs B boys, musicians poets. Yeah,

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Speaker 1: and we met each other at Ballistics. So it's all

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Speaker 1: these different crews from you know Exhibit to Robin Thick

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Speaker 1: to Leonardo DiCaprio, all these kids. We were teenagers at

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Speaker 1: the time and not to date myself, but we were

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Speaker 1: teenagers and we were just loving hip hop culture. So

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Speaker 1: we I met Will and Apple back then and we

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Speaker 1: created this family. And at the time, it was like,

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Speaker 1: you know, we were just trying to do whatever we

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Speaker 1: could to get our name out there and just continue

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Speaker 1: to tvolve as a mcson and songwriters. Yeah, the hip

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Speaker 1: and to us, hip hop is like it's multidimensional. So

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Speaker 1: you know, we do a poor job celebrating the successes

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Speaker 1: and all the different variations of hip hop. So hip

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Speaker 1: hop as an industry, you know, I think could be

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Speaker 1: a lot bigger than it is. When I mean bigger,

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Speaker 1: I'm talking about like billions and billions of dollars bigger.

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Speaker 1: So the first Facebook, first MySpace was okay player, So

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Speaker 1: we forget all those things, like you know from Kid

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Speaker 1: and Play and MC hammer, those are that's hip hop.

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Speaker 1: Those are TV shows. But as an industry, we we

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Speaker 1: we say, ah, that ain't hip hop, Like hip hop

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Speaker 1: ain't pop. Actually, hip hop is the most popular thing

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Speaker 1: on the planet. So how why do we set you know,

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Speaker 1: segregated and segmented and all these things like this, you know,

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Speaker 1: prison rap is the only thing we consider hip hop

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Speaker 1: when actuality. That's like a setup in my eyes, as

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Speaker 1: a setup for how we how we progress as people,

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Speaker 1: you know, all different, all the different versions of hip

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Speaker 1: hop as hip hop? To me, do you feel like

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Speaker 1: you had to prove yourself because you was such a

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Speaker 1: big hip pop act that you have to prove yourself

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Speaker 1: to the quote unquote hip hop realist and hip hop lyricists. No,

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Speaker 1: you don't do that. That's uh recipe for failure if

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Speaker 1: you ask me. Yeah, you know y. I mean although

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Speaker 1: I love it right, you know, real recognize is real.

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Speaker 1: So you know, I'll produce and and do beats, right

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Speaker 1: hooks and getting the studio chop it up and see

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Speaker 1: the ghost riders battle their ghostwriters. I know, all the

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Speaker 1: different things. So from that, like as far as your career,

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Speaker 1: that that sabotage for yourself, as far as like always

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Speaker 1: trying to get that stamp of approval from folks. But

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Speaker 1: we had to prove ourselves to the record companies because

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Speaker 1: you know, we were inspired by like Tribe book It

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Speaker 1: Down and in LA was predominantly like gangs to music.

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Speaker 1: You know, we shop our our demos and stuff, and

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Speaker 1: it's like, oh, I don't know, it just kind of

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Speaker 1: like on the le is it tangible? And we had

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Speaker 1: to like prove ourselves and just kept on doing shows

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Speaker 1: all over LA. And not only that, I mean App

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Speaker 1: came from the Philippines, so Filippino and black. You know,

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Speaker 1: we're much English, so you don't know that much English.

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Speaker 1: And here I am a Native American Mexican kid from

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Speaker 1: from East LA. And Will came from the Project. So

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Speaker 1: we came together for the love of hip hop, Bboying

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Speaker 1: MC and Graffiti DJ, and we encompassed that. No matter

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Speaker 1: what color was, it was, the frequency was hip hop.

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Speaker 1: I want to go back to something Will said because

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Speaker 1: it really makes a lot of sense. Man. I do

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Speaker 1: feel like we cannibalize each other a lot in hip hop,

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Speaker 1: Like when you denounce a hamm or denounce a kid

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Speaker 1: and play like anybody that was successful in the day.

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Speaker 1: It seemed like we would denounce yeah, which which kind

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Speaker 1: of you know, it's thightful the genre. The John could

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Speaker 1: have been way bigger a long time ago. I think,

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Speaker 1: you know, I think it was planned that way. The

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Speaker 1: trickery is down even to the things that we celebrated

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Speaker 1: to call our own. So as soon as like something,

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Speaker 1: it's like a parent and hating their successful child. And

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Speaker 1: you know, um, that's just all part of the conditioning

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Speaker 1: as us as a people. That's why I say you

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Speaker 1: gotta salute Easy because he saw that, he saw that, No,

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Speaker 1: it could be bigger. We can't scratch the john. Yeah, Easy,

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Speaker 1: thank you for you know. And then a little Easy, Um,

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Speaker 1: appreciate your father so much. She you know, really inspired

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Speaker 1: me as as a businessman. And then and then going

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Speaker 1: from there to Jimmy would just the path from drave,

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Speaker 1: dre and easy to us. From Easy to Jimmy is

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Speaker 1: is uh? I don't know that to me, Searing Deputs,

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Speaker 1: do you have any conspiracy theories on Easiest death? Since

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Speaker 1: I mean I every every birthday from ninety two ninety

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Speaker 1: three ninety four ninety five he would call me on

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Speaker 1: my birthday and we would go to Monty's which is

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Speaker 1: right off of Canoga. So the first Calabasas guy was easy.

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Speaker 1: You know. So all these rappers that live out in

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Speaker 1: Calabasas Easy started all that, and so birthday March eighteenth,

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Speaker 1: nineteen ninety five, he's like, Yo, I'm I'm in the hospital.

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Speaker 1: I got broncotis. I'll be out in a couple of days.

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Speaker 1: I have my theories on on on it, but I

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Speaker 1: don't I think he was administered. I don't think he

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Speaker 1: had that. Oh you think somebody uh chected it in them. Yeah,

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Speaker 1: he's such an unstone hero. That's why I like to

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Speaker 1: get as much Easier. Everybody nobody discussed as Easy like

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Speaker 1: they should as much as Easy was. If Easy was

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Speaker 1: still alive, hip hop or heroes that we have now

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Speaker 1: wouldn't be around because Tupac one one in the past.

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Speaker 1: Tupac didn't the past, Binkie won in the past. So

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Speaker 1: those two guys cats still being in the game, you know,

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Speaker 1: the giants today wouldn't be the giants today. All right,

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Speaker 1: we got more with Black Eyed Peas when we come back,

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Speaker 1: don't move. It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 1: J Envy Angela yee. Charlomagne, the guy we all the

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Speaker 1: Breakfast Club, black Eye pieces in the building. Charlomagne. I've

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Speaker 1: always liked y'all group because it represents what America could

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Speaker 1: be as far as like diversity, because like three different

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Speaker 1: people from three totally different background how the hell do

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Speaker 1: y'all get together? Like? Yeah, back quick synapses. So I

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Speaker 1: was adopted for the Philippines and my adoptive father was

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Speaker 1: roommate with Will's uncle. My uncle's roommate. What you're there?

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Speaker 1: Oh yeah, oh yes, was homeless and uh and Apple,

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Speaker 1: Apple's dad. You know those programs just twenty five cents

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Speaker 1: to day will help feed this child. Yeah, Apple was

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Speaker 1: one of those kids. You actually got that money. I

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Speaker 1: never donated because I anything, y'all really got. Yeah, and

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Speaker 1: you get, you know, you receive the support and then

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Speaker 1: you you take a photo of all the items and

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Speaker 1: tuition feast for school, and you get to write a

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Speaker 1: thank you letter and uh, what kind of food was it? No,

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Speaker 1: So they give you like twenty dollars a month and

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Speaker 1: then you buy your own food and then you take

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Speaker 1: a photo and receives and then you were submitted to

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Speaker 1: the foundation. Yeah, so he comes from one of those programs.

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Speaker 1: And then my mom and the projects was like the

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Speaker 1: mom that took care of everybody's kids. So when my

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Speaker 1: uncle was like at a low point, he's Apple's dad.

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Speaker 1: Mister Hudgins is like this, like angel dude, right, So

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Speaker 1: I don't know who does that. Sponsors a child meets

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Speaker 1: a stranger, let him stay in the house until he

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Speaker 1: gets stable, brings the sun, Like yo, I'm gonna bring

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Speaker 1: my son to America so he could have a better

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Speaker 1: opportunity for education. My uncle's like, I know somebody that

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Speaker 1: could take care of your son while you enroll him

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Speaker 1: in the school. That person was my mom. So from

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Speaker 1: that point, like, dude didn't know you know, English, And

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Speaker 1: then the projects. It was like around the time when

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Speaker 1: you're sixteen, when you know the big homies you know,

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Speaker 1: is you know, tossing stuff to the little homies to

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Speaker 1: hold and ladies and gentlemen drugs. So I was, you know,

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Speaker 1: it was it was around that time and my mom

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Speaker 1: was strick. So I hung out with Apple and he

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Speaker 1: didn't know English, and hip hop was the thing that

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Speaker 1: we're dancing and battling folks. Was was the thing that

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Speaker 1: we had in common. Wow, did you listen to hipp

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Speaker 1: in the Philippines at all? Yeah? So I'm from a village.

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Speaker 1: And then when I went to school in the city

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Speaker 1: and started uh discovering like h jj fad and w

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Speaker 1: A and break dancing wow, and uh, you know nobody

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Speaker 1: really knows, but I'm like legally blind and one right now,

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Speaker 1: huh close enough. After ten feet I'd be like, like

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Speaker 1: the app is conceded her at clubs. She was like,

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Speaker 1: it's mean through you, like, oh yeah blind and the

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Speaker 1: original Yeah yeah, So what do they all decide to

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Speaker 1: put a female in the book. So we always had

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Speaker 1: a girl in the crew, so whether it was Macy Gray,

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Speaker 1: Um or Estero, Yeah, So we would tour La and

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Speaker 1: when she was coming up, we were coming up at

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Speaker 1: the same time, and it was Black Eyed Peas. The

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Speaker 1: building was like black Eyed Peas, Ozomotley, Macy Gray. That

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Speaker 1: was like, you know who would be touring the colleges

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Speaker 1: or you know different like bar circuits and our whole

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Speaker 1: vision want to like own California. Like if we can't

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Speaker 1: own California colleges, then we should just give up. And

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Speaker 1: and and Macy Gray was a part of that, was

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Speaker 1: part of that circuit with us Ozomotley, black Eyed Peas,

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Speaker 1: Macy Gray. And so she was down doing hooks with us,

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Speaker 1: singing songs, writing songs with us. Then we had this

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Speaker 1: girl name Astero weekends, like the original Canadian thing, so

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Speaker 1: we would go to Canada rop with like Astero back

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Speaker 1: this like ninety uh seven, ninety eight, ninety nine, and

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Speaker 1: then two thousand and we were rocking heavily with uh

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Speaker 1: and through the whole thing. There was this girl named

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Speaker 1: Kim Hill that was like in the with the Peas

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Speaker 1: toured with the piece. She was part of that song

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Speaker 1: joints and jams in the video. And then um so

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Speaker 1: she was when I always associate as being the first

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Speaker 1: woman in Black Eyed Peas, so we always had we

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Speaker 1: always had girls in the crew. And then um um.

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Speaker 1: We have met Fergie and Nicole in the same day

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Speaker 1: at some like radios um concert like you know, like

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Speaker 1: the Wango Tangos, those big things. And yeah, so we

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Speaker 1: met her in the say she was in a group

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Speaker 1: called Eden's Crush. Fergie was in a girl group called

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Speaker 1: Wild Orchid, and we met him backstage and up the coin.

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Speaker 1: So so we just met at the same time, and

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Speaker 1: so I started, you know, working on music because they

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Speaker 1: both wanted to go solo. So I started I did

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Speaker 1: Fergie's like demo package what she called it. And I

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Speaker 1: was gonna help her shop and uh, I took it

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Speaker 1: to Puffy, I took it to Farrell, and then Jimmy

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Speaker 1: walks in as I'm playing the music for Farrell and

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Speaker 1: he was like, come over here. You know, it's hard

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Speaker 1: to sell the girls music. You know, there's too many

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Speaker 1: girls in the industry. We can't We're having a hard

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Speaker 1: time with either artists we have on the label. Why

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Speaker 1: don't you you know, I'm just seeing defined one that

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Speaker 1: sounds like, why don't you put her in the group

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Speaker 1: and sign it to your label? I was like, I

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Speaker 1: don't have a label. It was like now you dude, Wow, Wow,

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Speaker 1: that's interesting. So Nicole wasn't technically gonna be a replacement

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Speaker 1: for Fergie. That was like kind of like an original

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Speaker 1: thing that was gonna happen anyway. Maybe. So the thing

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Speaker 1: was we had before we met. So in that meeting

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Speaker 1: with Nicole and Fergie in Minnesota in two thousand and

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Speaker 1: two January, we were like, yo, Nicole, you should rock

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Speaker 1: with us. She was she would had a boyfriend is

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Speaker 1: due named Nick Hacks and three eleven and he was

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Speaker 1: like no, wow. She was like, well, my boyfriend doesn't

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Speaker 1: want me to let me join the group. Yeah, who's

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Speaker 1: gonna send a girl on a you know, on touring

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Speaker 1: with a bus to dudes he worried about you'd been

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Speaker 1: worried about Jimmy. Jimmy, so so the we don't know

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Speaker 1: anything about yeah, so so we uh so that didn't happen.

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Speaker 1: And then Fergie was like just always coming to the studio.

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Speaker 1: One thing about ferg like she would just always come

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Speaker 1: to the studio and and be there with us. While

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Speaker 1: we were doing Elephant, it was it was done, the

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Speaker 1: record was finished. When Jimmy was like, put her in

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Speaker 1: the group, I'm like, Jimmy, the records finished, we're done.

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Speaker 1: It was like figure it out, call me letter and

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Speaker 1: now was that? So we had to figure it out,

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Speaker 1: like yo, guys, what we're gonna do with this opportunity here?

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Speaker 1: You know. And at the time, you know, Steve Stout

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Speaker 1: was ahead of black music at Interscope. So Steve Stout

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Speaker 1: would be like, you know, will problem with you is

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Speaker 1: you're a selfish rapper. I'm like what remember this? He

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00:20:12,520 --> 00:20:14,720
Speaker 1: was like, problem with you? You're a selfish rapper. I

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Speaker 1: was like, but I don't smoke weeding you want me

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Speaker 1: to say? Because the song was like smoke, smoke machines

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Speaker 1: and laser rais. He's like, what the is the smoke

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Speaker 1: machine and what the is laser raised? I'm like, you know,

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Speaker 1: the smoke machine in the club. He was like, listen,

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Speaker 1: you should say smoking trees and getting paid stout, but

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Speaker 1: I don't smoke. That's your problem. You're fucking selfish. You

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Speaker 1: only think that could have applied to him too, because

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Speaker 1: he was only thinking about what he knew. So every time.

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Speaker 1: I love stout at the time. So I was like, yo, Jimmy, like,

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Speaker 1: can you put us over here with Ron Fair? He

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Speaker 1: was like, he was like, well, what the does Ron

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Speaker 1: Fair know about hip hop? I was like nothing, And

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Speaker 1: that's the point. I'd rather be over here with somebody

385
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Speaker 1: who's not gonna stifle us in a form of hip

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00:21:05,359 --> 00:21:08,800
Speaker 1: hop and not you know, see all the other versions.

387
00:21:09,040 --> 00:21:11,800
Speaker 1: Maybe the other versions ain't selling right now, but that

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00:21:11,840 --> 00:21:14,480
Speaker 1: doesn't mean that you know, it's gonna stay that way forever.

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00:21:14,680 --> 00:21:18,359
Speaker 1: Vision rather go over here with Rob Fair, all right,

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00:21:18,440 --> 00:21:19,920
Speaker 1: if that's what you want to do. So we went

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Speaker 1: from Interscope to A and M and with it. With

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Speaker 1: then we had like freedom to express in flex and

393
00:21:26,920 --> 00:21:28,960
Speaker 1: just dream as big as possible. All Right, we got

394
00:21:29,000 --> 00:21:31,120
Speaker 1: more with Black Eyed Peas. When we come back, it's

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Speaker 1: a breakfast club. Good Morning. Somebody is DJ Envy Angela,

396
00:21:34,960 --> 00:21:37,400
Speaker 1: yee Chelamine the guy. We all the breakfast Club Black

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Speaker 1: Eyed Peas in the building. Now, you guys did a

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00:21:39,640 --> 00:21:42,040
Speaker 1: new comic book and Fergie said she would love to

399
00:21:42,040 --> 00:21:44,399
Speaker 1: be a part of it. But oh yeah, so natural

400
00:21:44,480 --> 00:21:47,159
Speaker 1: the song we wrote that m We've been writing that

401
00:21:47,320 --> 00:21:50,560
Speaker 1: for the past five years. The whole the thesis of

402
00:21:50,600 --> 00:21:53,680
Speaker 1: the of the story is you know, takes place in

403
00:21:53,760 --> 00:21:58,080
Speaker 1: nineteen eighty hip hop is bubbling out. The Bronx and

404
00:21:58,960 --> 00:22:01,520
Speaker 1: the star of the of of of the world that

405
00:22:01,560 --> 00:22:04,480
Speaker 1: we built is zulu X and the blast Masters. They

406
00:22:04,520 --> 00:22:07,960
Speaker 1: travel into lay they they they run into crypts and Bloods.

407
00:22:08,160 --> 00:22:11,320
Speaker 1: They realize their feuding on where they're selling a certain

408
00:22:11,359 --> 00:22:14,080
Speaker 1: type of drug and they're trying to get the crypts

409
00:22:14,080 --> 00:22:16,159
Speaker 1: and the bloods to stop selling it because it's turning,

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00:22:16,520 --> 00:22:20,240
Speaker 1: you know, the community into you know, zombies. So what

411
00:22:20,280 --> 00:22:22,879
Speaker 1: we did was we over exaggerated on on crackheads to

412
00:22:23,000 --> 00:22:26,719
Speaker 1: zombies um by by borrowing from things that actually happened.

413
00:22:26,880 --> 00:22:29,040
Speaker 1: So in doing that we had to go took care

414
00:22:29,119 --> 00:22:31,639
Speaker 1: arrests and ask care arrests for his blessing to call

415
00:22:31,720 --> 00:22:35,280
Speaker 1: them the crew the blast masters. Um. So when they

416
00:22:35,320 --> 00:22:38,119
Speaker 1: when when they get to uh you know you know

417
00:22:38,160 --> 00:22:40,119
Speaker 1: that that that thickness with the bloods and the crypts

418
00:22:40,119 --> 00:22:43,560
Speaker 1: and asking them to cease to stop selling this drug. Um,

419
00:22:43,600 --> 00:22:45,639
Speaker 1: they asked who the supplier was, and they realized that

420
00:22:45,680 --> 00:22:49,000
Speaker 1: it's a shape shifting alien who had who has been

421
00:22:49,320 --> 00:22:53,080
Speaker 1: you know, divisive and uh in the in the African

422
00:22:53,119 --> 00:22:59,320
Speaker 1: American community from slavery, the white man killing, killing the

423
00:22:59,400 --> 00:23:02,000
Speaker 1: Martin Malcolm X and and taking a part of the

424
00:23:02,359 --> 00:23:05,159
Speaker 1: Black Panther party and now it's on its way to

425
00:23:05,600 --> 00:23:10,119
Speaker 1: uh the poison hip hop community, and and and and

426
00:23:10,119 --> 00:23:12,240
Speaker 1: in the book, it's amazing. There's this section in the

427
00:23:12,240 --> 00:23:14,600
Speaker 1: book where he was like, and this time the black

428
00:23:14,640 --> 00:23:21,840
Speaker 1: man would enslave themselves. UM. So it's it's an amazing Um.

429
00:23:21,880 --> 00:23:25,399
Speaker 1: You know, it pulls on what's actually going on in

430
00:23:25,560 --> 00:23:29,040
Speaker 1: in the world. Um, but then like you know, heightens

431
00:23:29,040 --> 00:23:33,600
Speaker 1: it with like awesome you know myth egyptology. I love

432
00:23:33,640 --> 00:23:36,200
Speaker 1: the fact that the messaging too, because messaging is is

433
00:23:36,320 --> 00:23:39,120
Speaker 1: very important. Like you y'all are delivering messages through your

434
00:23:39,240 --> 00:23:41,160
Speaker 1: art right and like, you know, where is the love?

435
00:23:41,280 --> 00:23:42,840
Speaker 1: You know, I look around and this climate and ask

436
00:23:42,920 --> 00:23:44,679
Speaker 1: myself that constantly. You know, what, what do you think

437
00:23:44,720 --> 00:23:46,800
Speaker 1: can be done to make people feel more love in

438
00:23:46,880 --> 00:23:50,160
Speaker 1: this climate? Yeah? So the word thing is like with

439
00:23:50,200 --> 00:23:52,959
Speaker 1: all the things that are happening right now, there's not

440
00:23:53,040 --> 00:23:57,159
Speaker 1: that many artists so that are you know, speaking on

441
00:23:57,320 --> 00:24:00,760
Speaker 1: the time, So the very few given the amount of

442
00:24:00,760 --> 00:24:04,359
Speaker 1: people that have access to be able to reach right so,

443
00:24:04,400 --> 00:24:07,680
Speaker 1: everyone has the ability to put stuff in SoundCloud and YouTube,

444
00:24:08,480 --> 00:24:12,359
Speaker 1: but it seems as if like those types of messages,

445
00:24:12,400 --> 00:24:15,120
Speaker 1: those types of songs don't work, and they don't work

446
00:24:15,160 --> 00:24:20,719
Speaker 1: on purpose. Um. And so you know, to Kendrick Lamars,

447
00:24:20,800 --> 00:24:24,440
Speaker 1: thank you, j Coles, thank you for for for for

448
00:24:24,440 --> 00:24:27,720
Speaker 1: for doing your part and for for y'alls generation. But

449
00:24:28,200 --> 00:24:30,960
Speaker 1: if this was an era, it would be like the fifties.

450
00:24:31,280 --> 00:24:33,480
Speaker 1: So the fifties and the forties, they didn't really talk

451
00:24:33,520 --> 00:24:36,320
Speaker 1: about the war and the times. It was whay baba,

452
00:24:36,359 --> 00:24:39,080
Speaker 1: bluh blaba and bamboo tooty fruity. There was little a

453
00:24:39,080 --> 00:24:42,760
Speaker 1: whole bunch of little Richard, little Walker. Um, so you're

454
00:24:42,800 --> 00:24:45,359
Speaker 1: not getting no more by the way, he said, little Richard,

455
00:24:45,440 --> 00:24:47,920
Speaker 1: I don't even know that. Yeah, do any of you

456
00:24:47,920 --> 00:24:53,040
Speaker 1: a couple of days ago, he's happy. Yeah, so you

457
00:24:53,040 --> 00:24:55,800
Speaker 1: know so. But but love, like love, for some reason,

458
00:24:55,840 --> 00:24:59,119
Speaker 1: it's like a weak thing when really it's the strongest thing, right.

459
00:24:59,119 --> 00:25:02,320
Speaker 1: So so we just do our part. And this book

460
00:25:02,440 --> 00:25:04,919
Speaker 1: right here is like to us love. It's like a

461
00:25:04,960 --> 00:25:08,360
Speaker 1: different way of saying. Uh, you know, writing writing those

462
00:25:08,359 --> 00:25:12,000
Speaker 1: types of records. You said the music is designed that way.

463
00:25:12,040 --> 00:25:14,440
Speaker 1: It's designed not the work like the positive music. What

464
00:25:14,760 --> 00:25:20,080
Speaker 1: do you what do you think that is? Um? Uh?

465
00:25:20,720 --> 00:25:23,840
Speaker 1: I really, I really think there is like a higher

466
00:25:23,880 --> 00:25:30,879
Speaker 1: working on a frequency level to keep us chasing nothing. Nothing,

467
00:25:31,440 --> 00:25:34,320
Speaker 1: Nothing is worth money, right writing songs like don't get

468
00:25:34,320 --> 00:25:36,439
Speaker 1: me wrong, we wrote songs like Boom Boom. Power really

469
00:25:36,480 --> 00:25:39,080
Speaker 1: ain't about nothing like that. I'm not saying that everything

470
00:25:39,080 --> 00:25:41,760
Speaker 1: that we do is super conscious. That's not that's not real.

471
00:25:42,280 --> 00:25:48,440
Speaker 1: But for some reason, nothing pays, and substance is risky,

472
00:25:49,000 --> 00:25:53,680
Speaker 1: and substance is hard to get over. Substance is uh,

473
00:25:53,760 --> 00:25:57,960
Speaker 1: you know, people ain't really spitting substance. A lot of

474
00:25:58,000 --> 00:25:59,639
Speaker 1: people say, what's cold? Gegter. I've had a lot to

475
00:25:59,640 --> 00:26:01,240
Speaker 1: do with that though, because if you look at what

476
00:26:01,520 --> 00:26:03,479
Speaker 1: the East Coast was doing at that time, you know,

477
00:26:03,840 --> 00:26:06,040
Speaker 1: you know, the public enemy's charist one the records like

478
00:26:06,080 --> 00:26:08,680
Speaker 1: self destruction, and then you had the West Coast come

479
00:26:08,720 --> 00:26:12,879
Speaker 1: with the gangster I mean just to Uhwa had especially

480
00:26:12,920 --> 00:26:15,040
Speaker 1: self So I mean that was kind of like the

481
00:26:15,600 --> 00:26:19,359
Speaker 1: no but but but yeah, yeah, okay, you're talking about that.

482
00:26:19,560 --> 00:26:21,679
Speaker 1: So there's there's a part of defining ones. When Jimmy

483
00:26:21,760 --> 00:26:24,760
Speaker 1: was like, I don't know if I'm protecting free speech

484
00:26:25,560 --> 00:26:29,479
Speaker 1: or supporting homage, that part of the documentary was like

485
00:26:30,160 --> 00:26:33,760
Speaker 1: so happy spoke on that because in reality, it's like

486
00:26:34,359 --> 00:26:38,600
Speaker 1: prison commercials. And if you think of like you know,

487
00:26:38,640 --> 00:26:41,879
Speaker 1: who owns prisons, they're they're privatized. You could own the prison.

488
00:26:42,520 --> 00:26:44,040
Speaker 1: And if you think of the folks that are like

489
00:26:44,080 --> 00:26:48,120
Speaker 1: occupying prisons, it's like blacks and Latins. The Black Eye Peace.

490
00:26:48,600 --> 00:26:56,439
Speaker 1: Basically you can take us the book at Amazon now

491
00:26:56,560 --> 00:27:01,920
Speaker 1: it's on Amazon, and Natives now they can say that

492
00:27:02,080 --> 00:27:05,280
Speaker 1: the jail because they get comments in jail down too, right,

493
00:27:05,880 --> 00:27:07,600
Speaker 1: So you think that is a committed to track On

494
00:27:07,640 --> 00:27:09,359
Speaker 1: always spoke on that. He spoke on that there was

495
00:27:09,400 --> 00:27:13,560
Speaker 1: a correlation between the private prison industry in the record

496
00:27:13,640 --> 00:27:19,080
Speaker 1: labels purposely dumb down the black and brown community and

497
00:27:19,119 --> 00:27:23,080
Speaker 1: make them gravitate towards discrete life through music. I believe

498
00:27:23,119 --> 00:27:26,920
Speaker 1: that's true, making it to where we just disconnect ourselves

499
00:27:27,440 --> 00:27:32,320
Speaker 1: from anything that you know that obviously looks different than that.

500
00:27:32,960 --> 00:27:36,439
Speaker 1: So the fact that hip hop in its popular sense

501
00:27:36,720 --> 00:27:39,119
Speaker 1: doesn't see black eye pieces hip hop that was designed.

502
00:27:40,520 --> 00:27:45,000
Speaker 1: You know that that's by design. But we appreciate you, guys. Man,

503
00:27:45,040 --> 00:27:47,640
Speaker 1: I can talk to them forever. Man, we got so Yes,

504
00:27:47,720 --> 00:27:50,800
Speaker 1: Apple pick it up right now. Yes, salute the Apple suit,

505
00:27:50,840 --> 00:27:56,119
Speaker 1: the taboo suit, to which cleft John the black eye piece. Appreciate, appreciate.

506
00:27:56,119 --> 00:28:06,520
Speaker 1: You think Charlote ain't gonna jump, gonna do like a

507
00:28:06,600 --> 00:28:12,239
Speaker 1: low blow. I say, it's what he's gonna say. They

508
00:28:12,320 --> 00:28:14,480
Speaker 1: call him. Remember when they called you white Cliff? So

509
00:28:14,560 --> 00:28:17,320
Speaker 1: check this stock one time they used to call him

510
00:28:17,320 --> 00:28:20,439
Speaker 1: white Cliff ever since our first tour nineteen ninety eight

511
00:28:20,480 --> 00:28:23,000
Speaker 1: smoking groups. So my head was like the day that

512
00:28:23,040 --> 00:28:27,280
Speaker 1: they called white Cliff. Will I made it right. So anyways,

513
00:28:27,320 --> 00:28:30,880
Speaker 1: make a long story short. You know it's two thousand

514
00:28:30,880 --> 00:28:35,280
Speaker 1: and fifteen. I'm in New York. We're doing uh Central

515
00:28:35,280 --> 00:28:38,920
Speaker 1: Park and uh white clifs like your will. I mean,

516
00:28:38,960 --> 00:28:41,080
Speaker 1: she used to my daughter and she was like, oh,

517
00:28:41,280 --> 00:28:42,520
Speaker 1: I can't take a picture of my ch I was like,

518
00:28:42,520 --> 00:28:45,760
Speaker 1: of course, black clip. And so the daughter says, dad,

519
00:28:45,840 --> 00:28:59,080
Speaker 1: you do the black boy? Like yeah, the black guy

520
00:28:58,240 --> 00:29:07,040
Speaker 1: the break first Club wanting everybody is DJ Envy, Angela Yee, Charlomne,

521
00:29:07,080 --> 00:29:08,640
Speaker 1: the guy we all the breakfast club. We got a

522
00:29:08,640 --> 00:29:10,920
Speaker 1: special guest in the building down. Hold on. I'm super

523
00:29:10,960 --> 00:29:13,760
Speaker 1: excited for this one. Yes, because my girl Sissa is here.

524
00:29:13,920 --> 00:29:23,800
Speaker 1: The side chick zig zags. First of all, the whole album,

525
00:29:24,240 --> 00:29:27,840
Speaker 1: just a lot of the album. First of all, have

526
00:29:27,960 --> 00:29:31,600
Speaker 1: you never had a side check? Of course had a few.

527
00:29:32,000 --> 00:29:35,360
Speaker 1: Also did she know that? Yes? Okay, that's a different thing.

528
00:29:35,880 --> 00:29:38,360
Speaker 1: Don't know. Did they all know they were side check

529
00:29:38,640 --> 00:29:41,320
Speaker 1: your mar Yeah? Now, but you're talking about a lot

530
00:29:41,320 --> 00:29:44,800
Speaker 1: of long But you know, I listened to the album

531
00:29:44,840 --> 00:29:47,600
Speaker 1: and I feel like the album represents for the girl

532
00:29:47,680 --> 00:29:51,200
Speaker 1: who was dating a guy who has another girl. But

533
00:29:51,400 --> 00:29:54,320
Speaker 1: like most side chicks do, they catch feelings and they

534
00:29:54,360 --> 00:29:56,880
Speaker 1: want to be the main girl. Weekend, the weekend, the

535
00:29:56,920 --> 00:29:59,640
Speaker 1: weekends on there. Yeah, what I don't remember the names

536
00:29:59,640 --> 00:30:01,920
Speaker 1: of it. That's the only one. Oh, it seems like

537
00:30:01,960 --> 00:30:03,920
Speaker 1: it's more than that. And it seems like you're connected

538
00:30:03,920 --> 00:30:09,120
Speaker 1: to that because that's the light. Yeah, I'm not gonna

539
00:30:09,120 --> 00:30:11,880
Speaker 1: lie to the weekend. It's a standout song on there though,

540
00:30:12,480 --> 00:30:14,560
Speaker 1: like I really did. I was listening to it and

541
00:30:14,560 --> 00:30:16,520
Speaker 1: I really loved it, and I was tweeting about it,

542
00:30:16,560 --> 00:30:18,640
Speaker 1: and now I'm doing a side chick playlist for title

543
00:30:18,760 --> 00:30:23,040
Speaker 1: because of the song. But what I'm actually saying the

544
00:30:23,080 --> 00:30:26,080
Speaker 1: song is my man is your man? Like we all

545
00:30:26,080 --> 00:30:28,480
Speaker 1: share the same dudes saying that I'm aware, I don't care.

546
00:30:28,960 --> 00:30:31,200
Speaker 1: I don't need to be his girl, not even saying

547
00:30:31,240 --> 00:30:32,920
Speaker 1: that you're his girls, saying none of us are his girl.

548
00:30:33,240 --> 00:30:35,080
Speaker 1: All of us are just out here trying to get

549
00:30:35,120 --> 00:30:37,760
Speaker 1: different things for different reasons. And my particular reason is

550
00:30:38,120 --> 00:30:39,560
Speaker 1: just get here and do what you said you was

551
00:30:39,600 --> 00:30:43,400
Speaker 1: gonna do Friday and Saturday on this particular song right

552
00:30:43,800 --> 00:30:46,360
Speaker 1: all weekends unless particular it is that the best part

553
00:30:46,360 --> 00:30:48,320
Speaker 1: of the week. I think it's like taking the power

554
00:30:48,320 --> 00:30:51,560
Speaker 1: back because it's like women just are supposed to do

555
00:30:51,600 --> 00:30:54,120
Speaker 1: something with like cry and feel weird and like oh

556
00:30:54,120 --> 00:30:56,600
Speaker 1: my god, like I don't have no like he's not

557
00:30:56,640 --> 00:30:58,760
Speaker 1: my man. I have Steff, which just it doesn't matter.

558
00:30:58,960 --> 00:31:01,640
Speaker 1: Just enjoy your life. It's almost important to you if

559
00:31:01,640 --> 00:31:02,760
Speaker 1: you want to kick it with them, A kick it

560
00:31:02,760 --> 00:31:05,080
Speaker 1: with them if you don't move on, like it's not

561
00:31:05,120 --> 00:31:06,400
Speaker 1: a big it doesn't have to be a thing. So

562
00:31:06,520 --> 00:31:09,240
Speaker 1: it's not about pickings being swim out here. When it

563
00:31:09,240 --> 00:31:11,960
Speaker 1: comes to men, it's just about comfortability. It's just about

564
00:31:11,960 --> 00:31:14,800
Speaker 1: like being confident in yourself because if you I think

565
00:31:15,040 --> 00:31:18,360
Speaker 1: most men don't tell women you're not my only one.

566
00:31:18,480 --> 00:31:19,960
Speaker 1: Oh no, that's how you get in trouble. You gotta

567
00:31:19,960 --> 00:31:23,160
Speaker 1: be honest from uptown. I think you have a rare

568
00:31:23,240 --> 00:31:26,960
Speaker 1: knack f honesty. I think most men do not possess that,

569
00:31:27,000 --> 00:31:28,840
Speaker 1: not even most men, just human beings in general. Like

570
00:31:29,280 --> 00:31:31,640
Speaker 1: I would be scared and nervous to admit the things

571
00:31:31,680 --> 00:31:34,200
Speaker 1: that I feel out loud, maybe in a one on

572
00:31:34,200 --> 00:31:37,600
Speaker 1: one room like with a dude, but on wax it's

573
00:31:37,640 --> 00:31:39,720
Speaker 1: a lot different. Like I can come clean about all

574
00:31:39,800 --> 00:31:41,320
Speaker 1: kinds of things. So I don't know, it's like a

575
00:31:41,480 --> 00:31:43,880
Speaker 1: men kind of have I don't ask, don't tell policy.

576
00:31:45,000 --> 00:31:49,120
Speaker 1: You don't ask them. You know, I'm saying if you

577
00:31:49,160 --> 00:31:51,840
Speaker 1: don't ask them a specific question, they're not going to

578
00:31:52,040 --> 00:31:54,480
Speaker 1: volunteer information. I'm telling you off top, I got a

579
00:31:54,520 --> 00:31:56,400
Speaker 1: woman I've been on my Woman in nineteen years. I'm

580
00:31:56,440 --> 00:32:00,000
Speaker 1: letting you know from the start. I mean us too. Yeah,

581
00:32:00,160 --> 00:32:01,760
Speaker 1: I'm letting you go from the beginning. I feel like

582
00:32:02,120 --> 00:32:04,320
Speaker 1: like for certain people, like people would be like, well,

583
00:32:04,320 --> 00:32:05,760
Speaker 1: you didn't ask him if he had kids, You didn't

584
00:32:05,760 --> 00:32:11,120
Speaker 1: ask him if he was married. Kids, just don't tell you.

585
00:32:11,160 --> 00:32:12,560
Speaker 1: Have you ever had a guy not tell you he

586
00:32:12,600 --> 00:32:14,800
Speaker 1: had kids or not tell you little kid? Don't feel

587
00:32:14,840 --> 00:32:18,560
Speaker 1: like I I have dated enough kids with kids. I've

588
00:32:18,600 --> 00:32:22,880
Speaker 1: maybe dated like one dude with kids, and I don't know,

589
00:32:22,960 --> 00:32:25,800
Speaker 1: like it was very I love kids, so I'm not

590
00:32:25,960 --> 00:32:27,480
Speaker 1: the person that you have to hide kids round. I'm

591
00:32:27,480 --> 00:32:29,959
Speaker 1: always just like let's all play, like, let's all go somewhere.

592
00:32:30,000 --> 00:32:32,920
Speaker 1: But I don't know, No, after this album, right, I

593
00:32:32,960 --> 00:32:36,160
Speaker 1: listened to album, I felt like you needed a hug. Like, no,

594
00:32:37,160 --> 00:32:43,160
Speaker 1: I feel like you got so much, you know, I

595
00:32:48,360 --> 00:32:53,320
Speaker 1: I'm exasperated. No, I just it's really just I never

596
00:32:53,360 --> 00:32:56,440
Speaker 1: really talked about like relationships in a direct way. I'm

597
00:32:56,800 --> 00:32:59,560
Speaker 1: we used to be very metaphorical, very figurative, very like

598
00:33:00,160 --> 00:33:01,880
Speaker 1: kind of scared, like to talk about the way I

599
00:33:01,960 --> 00:33:04,120
Speaker 1: felt in a literal way, like very directly. And I

600
00:33:04,160 --> 00:33:07,080
Speaker 1: think all these relationships I'm talking about are over, so

601
00:33:07,240 --> 00:33:08,640
Speaker 1: like you needed to man for approval because in some

602
00:33:08,680 --> 00:33:10,360
Speaker 1: of the songs it felt like you were looking for

603
00:33:10,560 --> 00:33:14,800
Speaker 1: approval as to say, my ass looks bigger. You know, yeah,

604
00:33:15,240 --> 00:33:17,680
Speaker 1: I think all women are. It's I think from the

605
00:33:17,720 --> 00:33:19,680
Speaker 1: person that it's like, it's weird. You could be this

606
00:33:20,160 --> 00:33:23,800
Speaker 1: hell confident person. But if the one person that you

607
00:33:23,880 --> 00:33:26,760
Speaker 1: want to find you beautiful it doesn't find you beautiful.

608
00:33:27,200 --> 00:33:29,440
Speaker 1: It kind of doesn't mean anything, Like it just negained

609
00:33:29,600 --> 00:33:31,400
Speaker 1: all these things even though all these things are still true,

610
00:33:31,400 --> 00:33:34,520
Speaker 1: Like they're still beautiful, you're still narly. Like I've been thick,

611
00:33:34,600 --> 00:33:38,120
Speaker 1: I've been then, I've had ass, I've lost ass, and

612
00:33:38,160 --> 00:33:42,520
Speaker 1: I felt like insecure in the process of losing weight

613
00:33:43,040 --> 00:33:46,719
Speaker 1: and losing booty, but like you love me and you're

614
00:33:46,760 --> 00:33:48,280
Speaker 1: my friends, so I'm like, glide to me for today

615
00:33:48,280 --> 00:33:49,880
Speaker 1: and then tomorrow you can complain and be like, okay,

616
00:33:49,880 --> 00:33:51,880
Speaker 1: we'll Did you have a guy that was like all

617
00:33:51,920 --> 00:33:55,120
Speaker 1: into you when you was like bigger and yeah, it's

618
00:33:55,120 --> 00:33:56,680
Speaker 1: like he was kind of making you feel bad about

619
00:33:56,720 --> 00:33:58,760
Speaker 1: being bigger, but when you lost the weight, he's still

620
00:33:58,800 --> 00:34:01,360
Speaker 1: tried to like play mind game. No, no, I actually,

621
00:34:01,720 --> 00:34:05,080
Speaker 1: uh I am blessed to have dealt with real news.

622
00:34:05,200 --> 00:34:07,480
Speaker 1: That's crazy. Like when I was bigger, I was actually

623
00:34:07,520 --> 00:34:09,680
Speaker 1: mad at my man because it didn't tell me. Yeah,

624
00:34:09,680 --> 00:34:11,520
Speaker 1: how did you miss that? Like, but it's more so

625
00:34:11,880 --> 00:34:14,839
Speaker 1: he loved you regardless, and that was the key. And

626
00:34:14,880 --> 00:34:17,280
Speaker 1: I think it's much so the way you see yourself,

627
00:34:17,320 --> 00:34:18,640
Speaker 1: because you know, we don't see the world as it

628
00:34:18,719 --> 00:34:21,359
Speaker 1: is received as we are. So I felt that I

629
00:34:21,400 --> 00:34:24,440
Speaker 1: felt ugly, I felt undeserving, so I would look for

630
00:34:24,520 --> 00:34:27,759
Speaker 1: things and like probably like dig in places that there

631
00:34:27,800 --> 00:34:29,759
Speaker 1: weren't any things to be, you know, to be dug.

632
00:34:30,080 --> 00:34:34,560
Speaker 1: So what happened to him? The record song on the

633
00:34:34,600 --> 00:34:37,279
Speaker 1: album is about that guy. I know all of them.

634
00:34:37,400 --> 00:34:40,719
Speaker 1: First of all, it's the album's dope. Thank you, No,

635
00:34:40,800 --> 00:34:43,560
Speaker 1: it's really dope. But you keep repeating, do you even

636
00:34:43,600 --> 00:34:46,000
Speaker 1: know I'm alive? Yeah? It sounds like you're trying to

637
00:34:46,000 --> 00:34:49,479
Speaker 1: get someone's attention. Yeah. Well, so I feel like over

638
00:34:49,520 --> 00:34:52,200
Speaker 1: the last four years I haven't been just doing music.

639
00:34:52,320 --> 00:34:57,440
Speaker 1: I've been bearing friends, family like bearing family members, bearing weight.

640
00:34:57,680 --> 00:34:59,680
Speaker 1: The way I feel about myself, the way I feel

641
00:34:59,719 --> 00:35:01,480
Speaker 1: about the world, the where I feel about God, the

642
00:35:01,480 --> 00:35:05,520
Speaker 1: way I process information, Like I don't know I felt

643
00:35:05,520 --> 00:35:08,319
Speaker 1: like trapped in myself and around my friends and then

644
00:35:08,360 --> 00:35:11,719
Speaker 1: around like guys like I just I couldn't explain it.

645
00:35:11,719 --> 00:35:13,520
Speaker 1: It was weird. It was like I felt very invisible

646
00:35:13,560 --> 00:35:15,359
Speaker 1: around the very many people. So that's why you said,

647
00:35:15,360 --> 00:35:16,759
Speaker 1: do you even know my lives? So you're talking to

648
00:35:16,880 --> 00:35:18,680
Speaker 1: a whole bunch of people. Most of the album is

649
00:35:18,760 --> 00:35:20,640
Speaker 1: me talking to me, like if I'm singing from the

650
00:35:20,680 --> 00:35:23,520
Speaker 1: girlfriend and from the other perspective, like I've been a

651
00:35:23,560 --> 00:35:25,040
Speaker 1: girlfriend that didn't know and I've been a girl that

652
00:35:25,080 --> 00:35:27,520
Speaker 1: didn't know that you had a girlfriend. So it's like,

653
00:35:28,400 --> 00:35:31,200
Speaker 1: I don't know. It's like you just got to sing

654
00:35:31,239 --> 00:35:34,120
Speaker 1: from different points of view, like from your where your

655
00:35:34,160 --> 00:35:37,640
Speaker 1: mind is a different experiences you exactly like the pop

656
00:35:37,680 --> 00:35:39,719
Speaker 1: dog entertainment have anything to do with that which you're

657
00:35:39,719 --> 00:35:42,160
Speaker 1: feeling like you're not alive because they wouldn't give you

658
00:35:42,200 --> 00:35:45,480
Speaker 1: a release date. Oh my god? No, Okay, So ye

659
00:35:46,120 --> 00:35:47,480
Speaker 1: wake up one day and kind of bug out on

660
00:35:47,520 --> 00:35:51,040
Speaker 1: him just a little bit. Did what happened? Did she

661
00:35:51,160 --> 00:35:52,839
Speaker 1: just woke up one day and was like, I don't

662
00:35:52,840 --> 00:35:54,520
Speaker 1: know if you said you wanted off the label? Are you? Like?

663
00:35:54,520 --> 00:35:58,719
Speaker 1: When's my album coming out? It was nintime, but you

664
00:35:58,800 --> 00:36:04,120
Speaker 1: know I was conscious I made I made a decision

665
00:36:04,560 --> 00:36:08,360
Speaker 1: you regret that drove you to that. Um, I'm just

666
00:36:08,480 --> 00:36:11,160
Speaker 1: hella childish and I think when I just get caught up,

667
00:36:11,719 --> 00:36:14,640
Speaker 1: like depending on what it is like, I don't know,

668
00:36:14,719 --> 00:36:18,080
Speaker 1: Like I just felt very overwhelmed. I felt like the pressure.

669
00:36:18,960 --> 00:36:21,240
Speaker 1: It's like halfway through. I felt like people were expecting

670
00:36:21,320 --> 00:36:23,480
Speaker 1: something from me, and that was awesome to day. I

671
00:36:23,719 --> 00:36:26,680
Speaker 1: U I watched somebody like pass Away for the first time.

672
00:36:26,680 --> 00:36:29,759
Speaker 1: It was really crazy. I was hello emotional, I was

673
00:36:29,800 --> 00:36:32,960
Speaker 1: hello over it. And then I'm also a scorpio, which

674
00:36:32,960 --> 00:36:35,200
Speaker 1: should just like just add that who called you first

675
00:36:35,239 --> 00:36:36,520
Speaker 1: after you put that out there? Who was the first

676
00:36:36,560 --> 00:36:38,560
Speaker 1: call that you got? That's how I think nobody even

677
00:36:38,600 --> 00:36:41,080
Speaker 1: called me because I think they were just like they

678
00:36:41,120 --> 00:36:46,719
Speaker 1: were like, I'm like, but altoth like if she is

679
00:36:46,760 --> 00:36:49,080
Speaker 1: she wold, like is she okay? Or I think everybody

680
00:36:49,080 --> 00:36:50,480
Speaker 1: just assumed that I was wild and I was gonna

681
00:36:50,480 --> 00:36:54,200
Speaker 1: be fine. But I thought, of course top like all

682
00:36:54,280 --> 00:36:57,239
Speaker 1: side of the obvious, like top, I spoke to die,

683
00:36:57,400 --> 00:37:00,839
Speaker 1: I spoke to Punch that night and that I don't know.

684
00:37:00,920 --> 00:37:04,000
Speaker 1: I think they didn't even say anything. They just listened

685
00:37:04,040 --> 00:37:06,320
Speaker 1: to me and that's all you need some time somebody

686
00:37:06,320 --> 00:37:08,759
Speaker 1: to listen. Yeah, we got more with Scissor when we

687
00:37:08,800 --> 00:37:10,719
Speaker 1: come back. We got to talk the album some more.

688
00:37:10,880 --> 00:37:14,319
Speaker 1: Her catching her boyfriend having an orgy and did she

689
00:37:14,400 --> 00:37:16,160
Speaker 1: cheap back on him. We'll find out about all that

690
00:37:16,200 --> 00:37:18,000
Speaker 1: when we come back. Keep a lockets to Breakfast Club.

691
00:37:18,040 --> 00:37:22,719
Speaker 1: Good morning morning. Everybody is DJ envi Angela Yee, Charlomagne

692
00:37:22,760 --> 00:37:25,760
Speaker 1: the guy. We all the Breakfast Club. We have Scissor

693
00:37:25,840 --> 00:37:28,040
Speaker 1: in the building. Of course, she signed to t d E.

694
00:37:28,320 --> 00:37:30,520
Speaker 1: Now ye. Now think about when you first signed to

695
00:37:30,640 --> 00:37:33,040
Speaker 1: T d E and how you are now. Yeah, it

696
00:37:33,239 --> 00:37:36,080
Speaker 1: was a lot of artist development for you. So what

697
00:37:36,160 --> 00:37:39,360
Speaker 1: does artist development actually mean? I mean it means that

698
00:37:39,960 --> 00:37:41,440
Speaker 1: you put out you put out it. I really don't know.

699
00:37:41,400 --> 00:37:42,920
Speaker 1: If I always want to know, I can ask you

700
00:37:42,960 --> 00:37:45,400
Speaker 1: because it's right, you know, because like even just the

701
00:37:45,400 --> 00:37:47,360
Speaker 1: way that you dress, the way that you present yourself,

702
00:37:47,360 --> 00:37:49,960
Speaker 1: the confidence that you have, just even your music from

703
00:37:49,960 --> 00:37:52,319
Speaker 1: early on, and how I progressed to now you being

704
00:37:52,360 --> 00:37:55,000
Speaker 1: able to open up and be honest about your experiences,

705
00:37:55,520 --> 00:37:57,759
Speaker 1: like at this table with y'all. I just thought that

706
00:37:57,800 --> 00:37:59,920
Speaker 1: was but I don't know. I just didn't. I don't know,

707
00:38:00,400 --> 00:38:02,920
Speaker 1: but that's artists development, even just writing for other people.

708
00:38:03,080 --> 00:38:04,799
Speaker 1: I don't agree with that. Yeah, I think you just

709
00:38:05,120 --> 00:38:07,440
Speaker 1: think you just grow as a human being. Yeah, I

710
00:38:07,440 --> 00:38:09,399
Speaker 1: don't think. I don't think anybody at TV could teach

711
00:38:09,400 --> 00:38:11,799
Speaker 1: you how to be No, no no, no, not that they

712
00:38:11,800 --> 00:38:14,439
Speaker 1: teach you. But I think sometimes people want to sign

713
00:38:14,440 --> 00:38:16,239
Speaker 1: people there they're ready to put out right now, they

714
00:38:16,239 --> 00:38:18,680
Speaker 1: already have everything ready. And for you, it was more

715
00:38:18,719 --> 00:38:21,239
Speaker 1: like you discovering yourself and people need time to do

716
00:38:21,280 --> 00:38:23,560
Speaker 1: that and it is time to grow. I commend my

717
00:38:23,640 --> 00:38:25,560
Speaker 1: label because they didn't know that I needed time to

718
00:38:25,600 --> 00:38:28,120
Speaker 1: do that. And even when I gained weight and lost

719
00:38:28,120 --> 00:38:32,600
Speaker 1: weight and stopped lotioning and started lotioning one like it's

720
00:38:32,760 --> 00:38:34,560
Speaker 1: to call my hair. I'm not coming my hair. I'm

721
00:38:34,600 --> 00:38:36,759
Speaker 1: getting braceists. I'm not getting bracists. Like just went through mad,

722
00:38:36,760 --> 00:38:39,560
Speaker 1: different phases of wild and out like being me, and

723
00:38:39,600 --> 00:38:41,920
Speaker 1: I think they just supported me every time. I'm not

724
00:38:41,920 --> 00:38:43,919
Speaker 1: giving you a release they needed if you're an ashy woman.

725
00:38:46,680 --> 00:38:49,240
Speaker 1: But a girl cannot be sitting in the studio as crazy.

726
00:38:49,400 --> 00:38:52,880
Speaker 1: Now she exfoliates and she does a little bit what

727
00:38:52,960 --> 00:38:57,080
Speaker 1: means you not want to use. But I don't want

728
00:38:56,760 --> 00:39:00,200
Speaker 1: to like it looks like an extra five whole minute

729
00:39:01,120 --> 00:39:03,200
Speaker 1: if well, I now used body oil and him boil

730
00:39:03,239 --> 00:39:06,040
Speaker 1: and coconut oil and lots of oils and shape, but

731
00:39:06,040 --> 00:39:08,759
Speaker 1: but not still not every day like I can't. It's

732
00:39:08,760 --> 00:39:10,200
Speaker 1: still like a tad like I tell you like five

733
00:39:10,200 --> 00:39:12,399
Speaker 1: whole minutes to get your whole body because it first

734
00:39:12,400 --> 00:39:14,319
Speaker 1: of all, okay, this is funny if you think about

735
00:39:14,400 --> 00:39:16,000
Speaker 1: humectans in the way that those work. You got a

736
00:39:16,040 --> 00:39:18,600
Speaker 1: lotion while you wet so that you like keep the

737
00:39:18,640 --> 00:39:20,520
Speaker 1: moisture in. It looks like now I gotta air dry,

738
00:39:20,640 --> 00:39:22,440
Speaker 1: and it's like this is now fifteen minutes into my

739
00:39:22,719 --> 00:39:25,680
Speaker 1: I gotta go. So now I'm not lotioning from a woman.

740
00:39:25,719 --> 00:39:26,840
Speaker 1: You know, women have to take a little bit of

741
00:39:26,840 --> 00:39:30,680
Speaker 1: extra time already. No, No, if I was fifteen minutes late,

742
00:39:31,239 --> 00:39:33,680
Speaker 1: you would you would say, all right, do you take

743
00:39:33,680 --> 00:39:37,279
Speaker 1: the time to put lotion on your elbow time. Let's

744
00:39:37,440 --> 00:39:38,960
Speaker 1: let's talk about this sound of this album. You said

745
00:39:38,960 --> 00:39:41,200
Speaker 1: you change the sound of this album, and listen to you, am,

746
00:39:41,200 --> 00:39:44,319
Speaker 1: there's nothing like this album out that I've heard in

747
00:39:44,360 --> 00:39:46,520
Speaker 1: a while. So why did you what makes you change

748
00:39:46,520 --> 00:39:49,279
Speaker 1: the sound of the album, and why I don't think

749
00:39:49,280 --> 00:39:52,160
Speaker 1: I consciously changed the sound. I think I just didn't

750
00:39:52,239 --> 00:39:54,319
Speaker 1: know what my son was. Like. I didn't know who

751
00:39:54,360 --> 00:39:56,440
Speaker 1: I was, or what I wanted to make sonically, or

752
00:39:56,440 --> 00:39:57,880
Speaker 1: what I was trying to achieve, or what I was

753
00:39:57,920 --> 00:40:01,560
Speaker 1: attracted to sonically. Like I think music was like a

754
00:40:01,600 --> 00:40:03,840
Speaker 1: separate entity and I was just over here being me.

755
00:40:04,080 --> 00:40:05,680
Speaker 1: But I didn't know how to conjoin the two or

756
00:40:05,719 --> 00:40:08,560
Speaker 1: like merge me into the way that I process music.

757
00:40:08,680 --> 00:40:11,279
Speaker 1: So when you turn down all the reverb and all

758
00:40:11,320 --> 00:40:13,879
Speaker 1: the plugins and all the stacks and all these things,

759
00:40:13,960 --> 00:40:16,480
Speaker 1: like you left just with your boys and your thoughts,

760
00:40:16,600 --> 00:40:18,200
Speaker 1: and then now you kind of have to say something.

761
00:40:18,280 --> 00:40:20,000
Speaker 1: You don't have to say anything, but you have to

762
00:40:20,000 --> 00:40:22,920
Speaker 1: meet it. So the easiest thing to say is the truth.

763
00:40:24,080 --> 00:40:27,840
Speaker 1: On Supermodel, you said you said you've been secretly banging

764
00:40:27,880 --> 00:40:32,040
Speaker 1: your dudes Homeboy interview. That was supposed to first of all,

765
00:40:32,080 --> 00:40:33,560
Speaker 1: I supposed to go through all these songs in a

766
00:40:33,680 --> 00:40:37,839
Speaker 1: very tender, safe place space, and now I feel I

767
00:40:37,840 --> 00:40:42,080
Speaker 1: feel attacked. I did not. I didn't come up with

768
00:40:42,120 --> 00:40:45,279
Speaker 1: any any explanations. I respect the honesty, I respect the

769
00:40:45,280 --> 00:40:49,320
Speaker 1: truth I wrote. But you said you've been secretly banging

770
00:40:49,360 --> 00:40:56,359
Speaker 1: your dudes. Yeah, boys, And was it happened once? I hope?

771
00:40:56,400 --> 00:40:58,200
Speaker 1: So tell you got to tell this story. He had

772
00:40:58,239 --> 00:41:01,280
Speaker 1: an orgy in Vegas. His man's called me and told

773
00:41:01,280 --> 00:41:04,480
Speaker 1: me so that they were having I don't know his

774
00:41:04,560 --> 00:41:07,399
Speaker 1: man was hating on him as much as his man

775
00:41:07,480 --> 00:41:09,520
Speaker 1: was comfortable with me, like I was friends with his friends.

776
00:41:09,520 --> 00:41:11,920
Speaker 1: Like his friends were like my son. That's so they

777
00:41:12,000 --> 00:41:13,719
Speaker 1: so they felt like but they told me on something

778
00:41:13,760 --> 00:41:15,799
Speaker 1: like to say, his friends like your son. Yes, it

779
00:41:15,840 --> 00:41:17,400
Speaker 1: was like an accident because you know it was like

780
00:41:17,440 --> 00:41:20,120
Speaker 1: if you like, if I'm nurturing right, hold on now,

781
00:41:20,320 --> 00:41:25,320
Speaker 1: So your your man's homeboy called you to tell you

782
00:41:25,360 --> 00:41:27,000
Speaker 1: that your man was having it, but it ain't come

783
00:41:27,000 --> 00:41:30,960
Speaker 1: out like that, and you rewarded him with no, no, no, boy,

784
00:41:34,160 --> 00:41:37,080
Speaker 1: he was doing that. I did not sleep with the

785
00:41:37,120 --> 00:41:40,600
Speaker 1: boy that told me to snitch, right, Okay, he's fair.

786
00:41:40,640 --> 00:41:44,440
Speaker 1: You shouldn't trust him in hinds, I'm pretty sure I

787
00:41:44,480 --> 00:41:46,680
Speaker 1: can't trust any of them. And he told on them

788
00:41:46,760 --> 00:41:49,080
Speaker 1: you can. You can't of them who sleep that's kind

789
00:41:49,120 --> 00:41:52,600
Speaker 1: of the bottom. Like that's so it was his boy

790
00:41:52,960 --> 00:41:55,000
Speaker 1: that I just like a boy that I liked and

791
00:41:55,080 --> 00:41:57,040
Speaker 1: I've been seeing and we had like been kind of

792
00:41:57,040 --> 00:41:59,959
Speaker 1: talking and like I wasn't giving him any play because

793
00:42:00,000 --> 00:42:03,400
Speaker 1: I liked my boyfriend and I should. I wanted him

794
00:42:03,440 --> 00:42:05,040
Speaker 1: to like me, and then he just didn't. On the

795
00:42:05,120 --> 00:42:08,200
Speaker 1: Vountain's Day, he like aimed me with a value. It

796
00:42:08,239 --> 00:42:10,560
Speaker 1: was crazy. He aimed me, didn't call me, didn't text me.

797
00:42:10,560 --> 00:42:13,399
Speaker 1: He aimed me on top of the orgy phone call.

798
00:42:15,080 --> 00:42:19,080
Speaker 1: So I'm just like you was aim anymore. It was crazy. Well,

799
00:42:19,080 --> 00:42:21,560
Speaker 1: this was back then. This is all old. Yeah, of

800
00:42:21,560 --> 00:42:24,160
Speaker 1: course you don't get a man back like that, though

801
00:42:24,480 --> 00:42:27,400
Speaker 1: you can't. I'm no matter. It wasn't intentional. It was

802
00:42:27,480 --> 00:42:31,920
Speaker 1: just now if the song is more intentional than the action, right,

803
00:42:31,960 --> 00:42:34,839
Speaker 1: you were songs on time exactly. I was mad as

804
00:42:34,880 --> 00:42:38,680
Speaker 1: hell on some score, butios quite long ago. I would

805
00:42:38,840 --> 00:42:42,000
Speaker 1: never wish that on me. Did you tell the guy? No?

806
00:42:42,040 --> 00:42:46,480
Speaker 1: But y'all just did so not out. First of all,

807
00:42:46,800 --> 00:42:49,000
Speaker 1: most of the people that I've dated are so arrogant.

808
00:42:49,000 --> 00:42:51,000
Speaker 1: They would never even assume that this is about them.

809
00:42:51,040 --> 00:42:53,560
Speaker 1: They'd be like, it wants to be about No, they're

810
00:42:53,600 --> 00:42:57,040
Speaker 1: still arrogant. They're gone. No, absolutely not. They'd be like,

811
00:42:57,080 --> 00:42:58,640
Speaker 1: I know Jay's not gonna make it. She would never

812
00:42:58,640 --> 00:43:00,359
Speaker 1: trip on me like that or whatever. How the dude

813
00:43:00,360 --> 00:43:02,759
Speaker 1: who smashed on Valentine? They definitely gonna say, so he's

814
00:43:02,800 --> 00:43:07,360
Speaker 1: the most arrogant. He'll be like who that? Like, I wonder,

815
00:43:08,080 --> 00:43:11,160
Speaker 1: it's definitely And that's I'm sure I was a orgual

816
00:43:11,239 --> 00:43:12,640
Speaker 1: what he called us in here? Your man is here

817
00:43:12,680 --> 00:43:14,919
Speaker 1: doing an orgy? Like, how was that? Oh? My god?

818
00:43:15,840 --> 00:43:18,600
Speaker 1: It was so it had it slipped out. It was

819
00:43:18,640 --> 00:43:21,640
Speaker 1: an accident, that's not slipped out. I think he was

820
00:43:21,680 --> 00:43:23,960
Speaker 1: definitely on something as well. So he was in a

821
00:43:24,040 --> 00:43:26,440
Speaker 1: very good mood and that's how that happened. And I

822
00:43:26,520 --> 00:43:33,239
Speaker 1: was like, oh, it's crazy, so crazy time. Have you

823
00:43:33,280 --> 00:43:39,680
Speaker 1: ever cheated you're talking about the album? Yes, oh no, yes,

824
00:43:39,760 --> 00:43:43,280
Speaker 1: But I feel like if a dude is not cheating

825
00:43:43,280 --> 00:43:46,719
Speaker 1: you as his girl, if he's who knows, if he's

826
00:43:46,719 --> 00:43:49,120
Speaker 1: claiming you in every circle, if he's having orgies, who

827
00:43:49,160 --> 00:43:51,680
Speaker 1: knows if he's having or who knows if he's even

828
00:43:51,719 --> 00:43:53,440
Speaker 1: considering you in the same way that you're seeing him

829
00:43:53,440 --> 00:43:55,480
Speaker 1: as a man who like, you're not his girl in

830
00:43:55,480 --> 00:43:58,120
Speaker 1: his brain? So did I cheat on anyone? Because you

831
00:43:58,120 --> 00:44:02,239
Speaker 1: didn't have a just looks you were trying to You

832
00:44:02,239 --> 00:44:04,279
Speaker 1: told everyone you didn't have a girl. Ain't you told

833
00:44:04,320 --> 00:44:06,120
Speaker 1: me you didn't have a girl. No, No, that's your

834
00:44:06,120 --> 00:44:14,880
Speaker 1: guilt talking again. I was talking to you. I would

835
00:44:14,880 --> 00:44:23,760
Speaker 1: never have you seeing somebody now, huh um um um

836
00:44:23,880 --> 00:44:27,960
Speaker 1: for to think of this album. No lord, no, no,

837
00:44:28,080 --> 00:44:32,040
Speaker 1: I uh. I was trying to explain what my seeing

838
00:44:32,239 --> 00:44:36,240
Speaker 1: someone situation. I'm learning about myself. I'm learning about and honestly,

839
00:44:36,280 --> 00:44:37,560
Speaker 1: I think I was in a lot of these unhealthy

840
00:44:37,560 --> 00:44:39,920
Speaker 1: relationships because I didn't have enough self love, like built

841
00:44:40,000 --> 00:44:44,719
Speaker 1: up so and I found when I fixed the way

842
00:44:44,760 --> 00:44:47,560
Speaker 1: I felt a boy myself, like, these situations didn't happened

843
00:44:47,560 --> 00:44:49,520
Speaker 1: to me anymore. Like I haven't dealt with a trife

844
00:44:49,600 --> 00:44:54,200
Speaker 1: dude and so long like and so long, and I'm

845
00:44:54,200 --> 00:44:56,880
Speaker 1: super blessed and grateful for that. But I don't know.

846
00:44:56,960 --> 00:44:58,919
Speaker 1: I'm just chilling. You can't trust guys at this point

847
00:44:58,920 --> 00:45:01,759
Speaker 1: in your in your career. After sexy Now you don't

848
00:45:01,800 --> 00:45:03,960
Speaker 1: got all sexy and glow up on him. You got

849
00:45:03,960 --> 00:45:05,959
Speaker 1: an album coming out. People know you're about to blow

850
00:45:06,440 --> 00:45:08,600
Speaker 1: somebody out here gonna try to trap you. I cannot,

851
00:45:09,560 --> 00:45:13,400
Speaker 1: I simply cannot. Now. I like a you say that

852
00:45:13,480 --> 00:45:18,239
Speaker 1: somebody at that I listen, I like, um, you were

853
00:45:18,320 --> 00:45:21,279
Speaker 1: classy for like forty minutes, and I was like, wow,

854
00:45:21,280 --> 00:45:24,480
Speaker 1: this is so long. All we got more with siss

855
00:45:24,560 --> 00:45:26,640
Speaker 1: when we come back, don't move. It's the breakfast Club.

856
00:45:26,640 --> 00:45:32,800
Speaker 1: Good morning, the breakfast Club. We are the breakfast Club.

857
00:45:33,120 --> 00:45:35,959
Speaker 1: We have Scissor in the build. And of course she's

858
00:45:35,960 --> 00:45:39,080
Speaker 1: signed to tde Home of Kendrick Lamar and Schoolboy Q.

859
00:45:39,360 --> 00:45:43,520
Speaker 1: Now Charlemagne. If it stopped wearing your job after nine eleven, Um,

860
00:45:44,480 --> 00:45:47,919
Speaker 1: that is semi true. Yes, I read that somewhere. No, yeah,

861
00:45:47,920 --> 00:45:52,240
Speaker 1: so um. My parents my mother's Christian and my father's Muslim.

862
00:45:52,600 --> 00:45:56,200
Speaker 1: So I would wear my job whenever. My mom was

863
00:45:56,320 --> 00:45:59,640
Speaker 1: very supportive, Like I went to Muslim prep school on Fridays,

864
00:45:59,680 --> 00:46:02,479
Speaker 1: I went to you with my dad, and I felt

865
00:46:02,520 --> 00:46:05,759
Speaker 1: very My dad kind of ran my household, so that's

866
00:46:05,800 --> 00:46:07,399
Speaker 1: just kind of the way everybody went. But I still

867
00:46:07,400 --> 00:46:09,839
Speaker 1: would go to church my mom every other Sunday or

868
00:46:09,960 --> 00:46:13,319
Speaker 1: et cetera, because my dad is understanding and a human being.

869
00:46:13,840 --> 00:46:15,520
Speaker 1: I don't know when nine to eleven happened, and it

870
00:46:15,560 --> 00:46:19,880
Speaker 1: was just like like kids were very like yeah, and

871
00:46:19,880 --> 00:46:21,640
Speaker 1: they were very sure about the way that they felt

872
00:46:21,960 --> 00:46:25,239
Speaker 1: about me, or about the religion or about Islam. Or

873
00:46:25,280 --> 00:46:28,160
Speaker 1: like the idea, and as kids, they thought it was

874
00:46:28,160 --> 00:46:30,560
Speaker 1: like a very separate thing, like you don't believe in God,

875
00:46:30,680 --> 00:46:33,120
Speaker 1: you believe in a lie when like the exact literally

876
00:46:33,120 --> 00:46:35,600
Speaker 1: the translation, like it just means God, it's another word.

877
00:46:36,000 --> 00:46:39,640
Speaker 1: It pains me to see all this like Islamophobia growing

878
00:46:39,680 --> 00:46:44,879
Speaker 1: and like snowballing and all the bandwagoning because I know

879
00:46:45,280 --> 00:46:47,680
Speaker 1: the damnage that I can really cause and where that

880
00:46:47,719 --> 00:46:49,799
Speaker 1: comes from, and comes from a place of ignorance and fear.

881
00:46:49,880 --> 00:46:52,880
Speaker 1: Now I'm a place of I don't even know. You know,

882
00:46:53,080 --> 00:46:55,680
Speaker 1: nobody wants to be that hateful or that, but nobody

883
00:46:55,680 --> 00:46:57,799
Speaker 1: wants to be that scared either. So it's just like,

884
00:46:58,840 --> 00:47:00,319
Speaker 1: I don't know, it did affect you in a way

885
00:47:00,320 --> 00:47:02,799
Speaker 1: because he was kind of choosing, like I guess, fear

886
00:47:03,040 --> 00:47:06,760
Speaker 1: or faith. Yeah, yes, a lot of things. It's weird,

887
00:47:06,800 --> 00:47:09,120
Speaker 1: like religion when you're young versus religion when you're older.

888
00:47:09,160 --> 00:47:11,399
Speaker 1: It's shaped by your parents, the relationship with the church,

889
00:47:11,440 --> 00:47:13,480
Speaker 1: the people in the church, et cetera. Like and when

890
00:47:13,480 --> 00:47:16,400
Speaker 1: I say church, I mean any denomination as a congregation.

891
00:47:16,920 --> 00:47:18,799
Speaker 1: It took me a long time to like fall out

892
00:47:18,840 --> 00:47:22,480
Speaker 1: of fear and like kind of fall into faith. But

893
00:47:22,560 --> 00:47:25,719
Speaker 1: it's weird. I got into Christianity afterwards to learn, and

894
00:47:25,760 --> 00:47:28,520
Speaker 1: not because I was afraid of Islam, but just because

895
00:47:29,760 --> 00:47:31,800
Speaker 1: I spent like a lot of my childhood running from

896
00:47:32,160 --> 00:47:36,880
Speaker 1: like the issues with my dad and that represented Islam

897
00:47:36,920 --> 00:47:39,520
Speaker 1: at the time for me, and plus nine eleven plus

898
00:47:39,520 --> 00:47:40,719
Speaker 1: everything else, which is like, I guy, just want to

899
00:47:40,719 --> 00:47:45,040
Speaker 1: try something else, Like I just want to Like my

900
00:47:45,120 --> 00:47:48,320
Speaker 1: dad is very stern. My dad is very stern, and

901
00:47:48,400 --> 00:47:51,240
Speaker 1: he's very He doesn't mince words and he doesn't renig

902
00:47:51,560 --> 00:47:57,279
Speaker 1: on things that he says, and sometimes, you know, I

903
00:47:57,280 --> 00:47:59,120
Speaker 1: don't know. I think my dad was just growing at

904
00:47:59,120 --> 00:48:01,120
Speaker 1: the same my parents were growing at the same time

905
00:48:01,160 --> 00:48:03,719
Speaker 1: that I was growing, and I'm sure they wanted more

906
00:48:03,800 --> 00:48:06,839
Speaker 1: for me. Initially they were afraid that I wouldn't have enough,

907
00:48:07,200 --> 00:48:09,759
Speaker 1: or that I wouldn't be enough. And I don't know.

908
00:48:09,800 --> 00:48:12,319
Speaker 1: I think my dad was just I get it. I

909
00:48:12,360 --> 00:48:14,799
Speaker 1: get it he was really going hard on some whole

910
00:48:14,800 --> 00:48:18,520
Speaker 1: other ship. But I'm not afraid of anything. Didn't want

911
00:48:18,560 --> 00:48:20,799
Speaker 1: you in the music industry. Then it wasn't the music

912
00:48:20,880 --> 00:48:22,680
Speaker 1: industry that he didn't want. It was more so he

913
00:48:22,719 --> 00:48:24,759
Speaker 1: wanted me to do something one my life, and he

914
00:48:24,840 --> 00:48:27,360
Speaker 1: felt like he wasn't sure if being in music was

915
00:48:27,400 --> 00:48:31,280
Speaker 1: like doing something with my life. But but now he is. Yeah,

916
00:48:31,320 --> 00:48:35,319
Speaker 1: he's down, he's so and he calls me and like

917
00:48:35,320 --> 00:48:37,040
Speaker 1: thank you on me mad when here the whole album now,

918
00:48:40,400 --> 00:48:46,360
Speaker 1: like I'm singing about me and from my perspective and everything.

919
00:48:46,520 --> 00:48:47,800
Speaker 1: You think they're gonna talk to you about it and

920
00:48:47,880 --> 00:48:49,719
Speaker 1: ask you questions since you said your mom never really

921
00:48:49,760 --> 00:48:52,520
Speaker 1: addressed certain things about relationship. That's funny. My mom is

922
00:48:52,640 --> 00:48:54,040
Speaker 1: now Like when I do, I do talk to her

923
00:48:54,040 --> 00:48:56,319
Speaker 1: about like men and the way I feel now, and

924
00:48:56,400 --> 00:49:01,319
Speaker 1: she's very like she wants me to be patient and

925
00:49:01,360 --> 00:49:05,120
Speaker 1: like be loving and understanding, but also like not taking

926
00:49:05,160 --> 00:49:08,960
Speaker 1: the control. Yeah, what's that mean? When I first think

927
00:49:09,000 --> 00:49:11,880
Speaker 1: about control, like the computer key, I think about sneaking

928
00:49:11,920 --> 00:49:14,919
Speaker 1: up into my parents added to wait for the dialogue

929
00:49:15,000 --> 00:49:17,520
Speaker 1: to like work, even though I'm banned from the phone

930
00:49:17,560 --> 00:49:19,800
Speaker 1: and banned from the computer. Like it might be thirty sister,

931
00:49:19,920 --> 00:49:30,160
Speaker 1: you make a lot of old Oh you might if

932
00:49:30,200 --> 00:49:34,279
Speaker 1: I was literally there's Twitter and aim and into all

933
00:49:34,320 --> 00:49:36,600
Speaker 1: that came in the same of my lifetime. So like

934
00:49:36,600 --> 00:49:40,040
Speaker 1: I would here before Twitter, I was here before real internet,

935
00:49:40,080 --> 00:49:43,480
Speaker 1: like before it was like a whole Worldwide Web and

936
00:49:43,840 --> 00:49:46,439
Speaker 1: she was at the time. Oh yeah, but I wasn't

937
00:49:46,440 --> 00:49:49,000
Speaker 1: just on Juno and like googling random things like that's

938
00:49:49,000 --> 00:49:50,400
Speaker 1: what any of us were doing on the internet back then.

939
00:49:50,440 --> 00:49:52,480
Speaker 1: It's not to look at like, let me just google

940
00:49:52,480 --> 00:49:58,759
Speaker 1: what else is? Look like? What's that that you can

941
00:49:58,840 --> 00:50:00,719
Speaker 1: ride around in that little van and just walk up

942
00:50:00,719 --> 00:50:06,719
Speaker 1: to random girls and try to get them to have sex? Right, No,

943
00:50:12,360 --> 00:50:15,600
Speaker 1: roll up in a creepy van and ask women girls

944
00:50:15,640 --> 00:50:25,800
Speaker 1: in Okay, I'm sorry, Okay, that's all. Control is a concept.

945
00:50:25,840 --> 00:50:28,680
Speaker 1: It's just I've just lacked control in my whole life,

946
00:50:28,719 --> 00:50:30,839
Speaker 1: and I think I've craved it my whole life, and

947
00:50:31,200 --> 00:50:33,319
Speaker 1: I couldn't really arrive at it. And now I'm not

948
00:50:33,440 --> 00:50:36,920
Speaker 1: really looking to arrive at it anymore. I'm just happy

949
00:50:36,920 --> 00:50:39,359
Speaker 1: to be present and there's no susting control anyway. She's

950
00:50:39,360 --> 00:50:42,880
Speaker 1: a concept, it's a word. It's a fantasy. And but

951
00:50:42,920 --> 00:50:45,800
Speaker 1: if you focus on controlling, like the way you feel

952
00:50:46,000 --> 00:50:48,600
Speaker 1: in the now and what you do with it now,

953
00:50:49,200 --> 00:50:52,640
Speaker 1: I feel like it leads to having true control in

954
00:50:52,680 --> 00:50:55,080
Speaker 1: the future. We like watching you figure it out that

955
00:50:55,160 --> 00:50:58,600
Speaker 1: I'm really dope. I'm not just saying that. It's really

956
00:50:59,040 --> 00:51:02,319
Speaker 1: it's a really good up. We appreciate you should be

957
00:51:02,320 --> 00:51:06,840
Speaker 1: proud of yourself. Here we got yes, all right, this scissor,

958
00:51:07,440 --> 00:51:13,960
Speaker 1: it's the Breakfast Club. Good morning, It's time for Donkey

959
00:51:14,000 --> 00:51:18,680
Speaker 1: of the Day, Democrat. So being Dunkey of the day

960
00:51:19,280 --> 00:51:20,800
Speaker 1: a little bit of a mixed up, so like a

961
00:51:20,880 --> 00:51:28,520
Speaker 1: Donkey o the day. Now I've been called a lot

962
00:51:28,520 --> 00:51:30,560
Speaker 1: of my twenty three years that Donkey of the Day

963
00:51:30,640 --> 00:51:37,080
Speaker 1: is a new wife. Now the Breakfast Club is in

964
00:51:37,160 --> 00:51:39,160
Speaker 1: eighty plus markets in one hundred and fifty country, so

965
00:51:39,200 --> 00:51:40,799
Speaker 1: we have a lot of new listeners who probably don't

966
00:51:40,800 --> 00:51:43,279
Speaker 1: even know who Charlomagne the God is. So use my

967
00:51:43,400 --> 00:51:47,280
Speaker 1: time off to catch up on some of my past work. Okay, okay,

968
00:51:47,320 --> 00:51:49,359
Speaker 1: if you knew here, I do a segment every day

969
00:51:49,400 --> 00:51:51,759
Speaker 1: called Donkey of the Day donkey as in jackass, and

970
00:51:51,760 --> 00:51:53,560
Speaker 1: that's when I give someone the credit they deserve for

971
00:51:53,640 --> 00:51:56,000
Speaker 1: being stupid. So if you've never heard of it, this

972
00:51:56,080 --> 00:51:57,760
Speaker 1: is new to you. But if you are a regular listener,

973
00:51:57,800 --> 00:52:00,040
Speaker 1: then this is an oldiep but goody because it's the

974
00:52:00,120 --> 00:52:02,359
Speaker 1: best of the Donkey of the Day. Donkey to Day

975
00:52:02,440 --> 00:52:04,400
Speaker 1: goes to she now West Coast, you know she now

976
00:52:04,440 --> 00:52:07,400
Speaker 1: West Coast and I had a little encounter earlier this

977
00:52:07,480 --> 00:52:10,640
Speaker 1: year on MTV's Ridiculousness. Let's hear it in case you're

978
00:52:10,640 --> 00:52:13,200
Speaker 1: not familiar. My only strategy is just can tell the truth.

979
00:52:13,239 --> 00:52:15,719
Speaker 1: It's like, whatever I said about you, I'm gonna say

980
00:52:15,760 --> 00:52:17,719
Speaker 1: to you, and I'm gonna continue to say it to

981
00:52:17,840 --> 00:52:20,560
Speaker 1: your regards. How say something doesn't make it the truth.

982
00:52:20,680 --> 00:52:26,600
Speaker 1: I told her she was whack wrapping one time. Okay,

983
00:52:26,719 --> 00:52:32,960
Speaker 1: good for the good people that said no. Well, Little Way,

984
00:52:33,080 --> 00:52:35,080
Speaker 1: who close signed Drank and Nicki Minaj is the same

985
00:52:35,080 --> 00:52:36,799
Speaker 1: person who co signed me. I want to be et

986
00:52:36,920 --> 00:52:39,080
Speaker 1: Award with Young Money. I got song called French Montana

987
00:52:39,239 --> 00:52:44,319
Speaker 1: YG Tie Dollar side snoop Dog, I want mind You,

988
00:52:44,400 --> 00:52:47,560
Speaker 1: I don't snoop Dog. After getting into a verbal argument

989
00:52:47,600 --> 00:52:50,279
Speaker 1: with him because he respected me so much, after I

990
00:52:50,320 --> 00:52:52,359
Speaker 1: spoke my Monta, he still came back into the song

991
00:52:52,400 --> 00:52:59,000
Speaker 1: water talking with your hands. Track record bron Sorry, Okay,

992
00:52:59,560 --> 00:53:07,640
Speaker 1: it's funny today because musical track record show people always

993
00:53:07,680 --> 00:53:09,520
Speaker 1: like to say Wayne found Nikki and Drake, but they

994
00:53:09,520 --> 00:53:12,680
Speaker 1: always leave out a little twist and Tiger. Chanelle is hilarious,

995
00:53:13,080 --> 00:53:15,719
Speaker 1: bless her little heart. The thing about Chanelle West Coast

996
00:53:15,800 --> 00:53:18,680
Speaker 1: is that She's always talking about this imaginary resume she has.

997
00:53:19,000 --> 00:53:21,279
Speaker 1: She's always talking about this track record. She's like the

998
00:53:21,320 --> 00:53:23,680
Speaker 1: side chick who claims she's the main chick. But when

999
00:53:23,719 --> 00:53:25,560
Speaker 1: you ask the guys about it that she claims to

1000
00:53:25,560 --> 00:53:28,480
Speaker 1: be with, they don't claim like that. Now on Loving

1001
00:53:28,560 --> 00:53:30,800
Speaker 1: Hip Hop Hollywood, Chelle west Coast is trying to convince

1002
00:53:30,800 --> 00:53:33,520
Speaker 1: a producer name A One to do something that no

1003
00:53:33,640 --> 00:53:36,480
Speaker 1: producer really wants to do, and that's recording music with her.

1004
00:53:37,080 --> 00:53:39,239
Speaker 1: Chanelle west Coast has to produce a A One about

1005
00:53:39,280 --> 00:53:41,920
Speaker 1: helping her make some mayonnaise music. Yes, Chanelle wanted to

1006
00:53:41,960 --> 00:53:44,080
Speaker 1: know if A One is interested in helping her provide

1007
00:53:44,080 --> 00:53:46,960
Speaker 1: a soundtrack for her unseasoned chicken breast, and A One

1008
00:53:47,040 --> 00:53:48,759
Speaker 1: had to remind her that back in the day, when

1009
00:53:48,760 --> 00:53:51,239
Speaker 1: I wanted to work with you, you played me, oh, yes,

1010
00:53:51,360 --> 00:53:54,120
Speaker 1: we've heard this tell before. Back then you didn't want me.

1011
00:53:54,200 --> 00:53:55,799
Speaker 1: Now I'm a hot day all on me. That's what

1012
00:53:55,840 --> 00:53:58,280
Speaker 1: happened with Chanelle and A One on Loving Hip Hop Hollywood.

1013
00:53:58,320 --> 00:54:00,560
Speaker 1: Can we hear a bit of this? Please and sing?

1014
00:54:00,600 --> 00:54:03,719
Speaker 1: And I really liked the definitely linked up just so

1015
00:54:03,840 --> 00:54:05,680
Speaker 1: you could get familiar like I was with Little Wayne

1016
00:54:05,800 --> 00:54:07,799
Speaker 1: young money like I sat and played all my music

1017
00:54:07,840 --> 00:54:10,240
Speaker 1: for Little Wayne and I have songs with French Montana,

1018
00:54:10,280 --> 00:54:15,480
Speaker 1: Snoop Be Real Tie all the side. Yeah, you could

1019
00:54:15,520 --> 00:54:19,680
Speaker 1: ask them. I meant you before. Um, I wasn't as high.

1020
00:54:20,280 --> 00:54:22,839
Speaker 1: I was in session with French Montana. You know, I'm like, yo,

1021
00:54:22,880 --> 00:54:25,440
Speaker 1: we should work and you had a chaise one. I

1022
00:54:25,480 --> 00:54:27,719
Speaker 1: don't know. You probably never looked at me, but I

1023
00:54:27,760 --> 00:54:31,640
Speaker 1: was trying to work with you. Disclaim me. You know,

1024
00:54:31,719 --> 00:54:36,040
Speaker 1: I hope the best for you. I can't work. I

1025
00:54:36,120 --> 00:54:38,640
Speaker 1: dropped on a clues bomb for a one, damnit right.

1026
00:54:40,360 --> 00:54:42,760
Speaker 1: That's why you got to treat everyone with respect, because

1027
00:54:42,800 --> 00:54:45,040
Speaker 1: you never know who's gonna be who. Okay. Basically a

1028
00:54:45,200 --> 00:54:47,399
Speaker 1: one told the Delhi owner to hold the man eates

1029
00:54:47,840 --> 00:54:50,360
Speaker 1: now when the mail that Inchanel West Coach wasn't allowed

1030
00:54:50,360 --> 00:54:53,040
Speaker 1: on a one sandwich. When she got introduced to a

1031
00:54:53,120 --> 00:54:55,319
Speaker 1: tribe called Curve, not only did she start running down

1032
00:54:55,360 --> 00:54:57,680
Speaker 1: her track record, it was interesting to see how she

1033
00:54:57,880 --> 00:55:00,440
Speaker 1: took me telling her that she was whacked. Charn Us,

1034
00:55:00,480 --> 00:55:04,480
Speaker 1: you don't like if you know mine track? Charlot Mayne

1035
00:55:04,560 --> 00:55:06,759
Speaker 1: said it right, Oh no, I had to tell him

1036
00:55:06,800 --> 00:55:08,600
Speaker 1: what it was. Charlm Mayne also has went out some

1037
00:55:08,640 --> 00:55:11,839
Speaker 1: of the biggest rappers in history. So I'm I'm up

1038
00:55:11,880 --> 00:55:18,800
Speaker 1: there with Kanye and breaking everybody else. Charlot Mayne and

1039
00:55:18,880 --> 00:55:21,000
Speaker 1: just in Channel West Coast, you're just putting me up

1040
00:55:21,000 --> 00:55:24,240
Speaker 1: in the caliber of the mother. This int Wow, that's

1041
00:55:24,440 --> 00:55:27,920
Speaker 1: very ambitious. That's dope, Chanelle West Coast things. Because I

1042
00:55:27,960 --> 00:55:30,440
Speaker 1: have called out Drake and Kanye before that, since I

1043
00:55:30,480 --> 00:55:33,520
Speaker 1: called her whack as well, she's on that level. First

1044
00:55:33,520 --> 00:55:35,359
Speaker 1: of all, even though Drake has never been my cup

1045
00:55:35,400 --> 00:55:37,600
Speaker 1: of green tea, I've always said he was an extremely

1046
00:55:37,600 --> 00:55:41,360
Speaker 1: talented individual. Just because I called Kanye West Kanye Kardashian,

1047
00:55:41,400 --> 00:55:43,120
Speaker 1: and I think he's in the sunken places, not me,

1048
00:55:43,160 --> 00:55:46,560
Speaker 1: and I am not a fan. Kanye wasn't a musical legend. You, Chanel,

1049
00:55:46,719 --> 00:55:48,680
Speaker 1: are none of these things. All right. Let's be clear

1050
00:55:48,719 --> 00:55:51,319
Speaker 1: on that. There are four types of delusionals delusions in

1051
00:55:51,320 --> 00:55:54,600
Speaker 1: this world, all right. You got bizarre delusions, non bizarre delusions,

1052
00:55:55,200 --> 00:55:58,880
Speaker 1: mood congruent delusions, mood neutral delusions. I would say, Chanel,

1053
00:55:58,960 --> 00:56:02,040
Speaker 1: you fall under the bizarre delusions category. Somebody asked me

1054
00:56:02,080 --> 00:56:07,000
Speaker 1: what bizarre delusions are. Nobody's gonna ask me Bizarre delusions

1055
00:56:07,000 --> 00:56:11,360
Speaker 1: are considered extremely odd, highly implausible, and inappropriate based on

1056
00:56:11,400 --> 00:56:15,200
Speaker 1: the person's culture and life experiences. Okay, an example of

1057
00:56:15,200 --> 00:56:18,200
Speaker 1: a bizarre delusion would be the belief that an alien

1058
00:56:18,239 --> 00:56:21,719
Speaker 1: performed surgery and replaced all your blood with kool aid

1059
00:56:21,880 --> 00:56:25,319
Speaker 1: without leaving the star. Okay, are Chanelle West Coast thinking

1060
00:56:25,400 --> 00:56:27,839
Speaker 1: she's on the same level is draking Kanye West? Because

1061
00:56:27,920 --> 00:56:30,840
Speaker 1: Charlemagne has so called this all of them. I have

1062
00:56:30,920 --> 00:56:33,920
Speaker 1: been very specific about any reason why I wasn't feeling

1063
00:56:33,960 --> 00:56:37,440
Speaker 1: drinking Kanye about something. But those guys are extremely talented,

1064
00:56:37,840 --> 00:56:40,080
Speaker 1: just like what you, Chanelle. I think you're a lovely person,

1065
00:56:40,120 --> 00:56:42,880
Speaker 1: but you're just a whack artist. Okay. I think Donald

1066
00:56:42,880 --> 00:56:44,840
Speaker 1: Trump is whack, and I've said that he's whack a

1067
00:56:44,920 --> 00:56:47,200
Speaker 1: bunch of times on this radio. But that don't make

1068
00:56:47,239 --> 00:56:49,680
Speaker 1: you the president, doesn't, Chanelle, doesn't make you one of

1069
00:56:49,680 --> 00:56:51,839
Speaker 1: the highest politicians in the world, does it? Just because

1070
00:56:51,840 --> 00:56:55,240
Speaker 1: I just you and Donald Trump? Chanelle, you're a whack rapper. Okay.

1071
00:56:55,280 --> 00:56:57,080
Speaker 1: You have done music with all of those people. You

1072
00:56:57,200 --> 00:56:59,759
Speaker 1: got this long track record and it's gotten you absolutely

1073
00:56:59,800 --> 00:57:03,080
Speaker 1: know you have every musical cheat cold known the man,

1074
00:57:03,400 --> 00:57:05,719
Speaker 1: and you keep failing and you know what they say,

1075
00:57:05,880 --> 00:57:10,040
Speaker 1: when all else fails, there's always delusion. You know, don't

1076
00:57:10,080 --> 00:57:12,640
Speaker 1: go chasing Texas Peak. Stick to the helmets and the

1077
00:57:12,640 --> 00:57:15,920
Speaker 1: miracle whip that you're used to please gives you now

1078
00:57:16,000 --> 00:57:23,040
Speaker 1: West Coast the biggest hull body and CDJ mzy Angela Yee,

1079
00:57:23,160 --> 00:57:25,520
Speaker 1: Charlomagne the guy. We are the breakfast Club. We got

1080
00:57:25,520 --> 00:57:28,360
Speaker 1: a special guest in the buildings all the way from Dallas, Texas.

1081
00:57:28,520 --> 00:57:34,160
Speaker 1: Yah fifty two fifty two ya. How you doing? What's

1082
00:57:34,160 --> 00:57:36,520
Speaker 1: going on? What's happening? Brother? And trying to get to

1083
00:57:36,600 --> 00:57:38,840
Speaker 1: the business now listen, trying to bring old people back.

1084
00:57:38,840 --> 00:57:41,400
Speaker 1: That's what I'm doing. People never left. They don't even

1085
00:57:41,440 --> 00:57:44,400
Speaker 1: know they're here. They ain't getting no respects there are now.

1086
00:57:44,840 --> 00:57:47,560
Speaker 1: Like I tell people, don't just respect me, now go

1087
00:57:47,600 --> 00:57:49,560
Speaker 1: respect the other old catch. She was just respect them

1088
00:57:49,600 --> 00:57:51,360
Speaker 1: back in the day before I started this. Why do

1089
00:57:51,400 --> 00:57:53,439
Speaker 1: you think they don't respect old people. I know they don't.

1090
00:57:53,480 --> 00:57:54,840
Speaker 1: I live in the city. I know they don't. They

1091
00:57:55,040 --> 00:57:56,760
Speaker 1: they're not hit them across the street no more. They're

1092
00:57:56,800 --> 00:58:00,440
Speaker 1: not doing all that. You ain't hell no that them

1093
00:58:00,480 --> 00:58:02,240
Speaker 1: down in the street. They're not helping them. They're not

1094
00:58:02,320 --> 00:58:05,280
Speaker 1: doing all that. They still make fun old cast they

1095
00:58:05,280 --> 00:58:07,480
Speaker 1: shoot shots at me. But man, I love life and

1096
00:58:07,520 --> 00:58:12,120
Speaker 1: I'm so confident. I love it as a rapper. I'm

1097
00:58:12,120 --> 00:58:15,640
Speaker 1: an entertainment. Entertainment, am a dj able. When I started

1098
00:58:15,640 --> 00:58:17,640
Speaker 1: to rap, that means I gotta start talking. They gotta

1099
00:58:17,680 --> 00:58:21,920
Speaker 1: start saying my issues. Now, you're not that old. Ain't

1100
00:58:21,920 --> 00:58:24,760
Speaker 1: even old? They say, I'm old. I saw I'm fifty three.

1101
00:58:24,800 --> 00:58:27,360
Speaker 1: Now you can't even get free pancakes. That the eye

1102
00:58:27,400 --> 00:58:30,440
Speaker 1: off yet. No, this kills me because I gotta have that.

1103
00:58:32,400 --> 00:58:34,640
Speaker 1: But you know, I just I mean the respect level

1104
00:58:34,680 --> 00:58:37,160
Speaker 1: went up. Yeah, it's more of it's more of just

1105
00:58:37,360 --> 00:58:39,760
Speaker 1: a cat rapping over It's more than that. It's a

1106
00:58:39,800 --> 00:58:42,040
Speaker 1: way they're saying. You ain't never too old to do.

1107
00:58:42,920 --> 00:58:44,840
Speaker 1: You ain't got to look a certain way. You ain't

1108
00:58:44,840 --> 00:58:47,160
Speaker 1: gotta get fixed. If I wouldn't ever old, my Matthew,

1109
00:58:47,200 --> 00:58:49,320
Speaker 1: I would have never known about it. So Chela Mayne

1110
00:58:49,320 --> 00:58:51,160
Speaker 1: has told many people up here that they were too

1111
00:58:51,160 --> 00:58:56,640
Speaker 1: old to pursue a career. And uh, ain't you no more?

1112
00:58:56,800 --> 00:58:59,320
Speaker 1: That ain't you no more. It's more than just I mean,

1113
00:58:59,360 --> 00:59:01,720
Speaker 1: I'm bigger than just me wrapping over beat. I can

1114
00:59:01,800 --> 00:59:03,840
Speaker 1: do that all damn like they said out here, I'm

1115
00:59:03,960 --> 00:59:06,320
Speaker 1: nice son, give us some bars right now? Fifty two?

1116
00:59:06,320 --> 00:59:09,600
Speaker 1: Why because you're a round with I ain't no rasper

1117
00:59:09,840 --> 00:59:11,800
Speaker 1: entertain them, but I entertain you're trying to beat on

1118
00:59:11,840 --> 00:59:16,480
Speaker 1: the woman's freestyle. I coppella. I'm telling just to pay attention,

1119
00:59:16,560 --> 00:59:18,959
Speaker 1: like got this bard slinching them need to mention. See

1120
00:59:18,960 --> 00:59:21,080
Speaker 1: I'm locking them up and sensing them sex, and I'm

1121
00:59:21,160 --> 00:59:25,000
Speaker 1: asking them questions them distressing and taking my listens. I'm

1122
00:59:25,040 --> 00:59:27,640
Speaker 1: a chief and ring of the hard mors and old body,

1123
00:59:27,680 --> 00:59:31,000
Speaker 1: and here got really no harbor kipping cars of fantasy

1124
00:59:31,040 --> 00:59:33,400
Speaker 1: at the barn, tipping toe to the two lists because

1125
00:59:33,400 --> 00:59:37,280
Speaker 1: we having fun, y'all, that's nothing. That ain't even nothing,

1126
00:59:37,360 --> 00:59:39,720
Speaker 1: though I'm nicer than that on a beat. That's you

1127
00:59:39,760 --> 00:59:43,640
Speaker 1: know you asked me to rapping. I don't know what cousins.

1128
00:59:43,640 --> 00:59:45,680
Speaker 1: It's my nephew. He acts like this all the time,

1129
00:59:46,600 --> 00:59:49,280
Speaker 1: My nephew. All y'all left you if you under fifty

1130
00:59:49,320 --> 00:59:51,280
Speaker 1: three years old. Angel was a woman, so she can't

1131
00:59:51,320 --> 00:59:54,520
Speaker 1: ask my niece right there? So what about you get

1132
00:59:54,600 --> 00:59:58,120
Speaker 1: with the water names. I didn't have no lame fifty

1133
00:59:58,120 --> 01:00:01,000
Speaker 1: two SAPs. I'm fifty two years old, and then I

1134
01:00:01,040 --> 01:00:03,320
Speaker 1: did the little pressure thing on the back porch. I just,

1135
01:00:03,520 --> 01:00:05,280
Speaker 1: you know, I just felt like this this is a

1136
01:00:05,360 --> 01:00:08,520
Speaker 1: pressure beat. I'm gonna call the pressure. And this cat

1137
01:00:08,800 --> 01:00:12,040
Speaker 1: came on this page with old Fidgy two Savage got

1138
01:00:12,040 --> 01:00:18,160
Speaker 1: a new song, got called Harvel Pressure. So I got it,

1139
01:00:18,400 --> 01:00:21,080
Speaker 1: and then I ain't gonna lie as nails like then,

1140
01:00:21,240 --> 01:00:23,280
Speaker 1: I'm DJ Sway because I'm a DJ. That's why I'm

1141
01:00:23,320 --> 01:00:25,560
Speaker 1: a hottest DJ, and ain't gonna lie stunning. That's what

1142
01:00:25,600 --> 01:00:30,360
Speaker 1: the I'm the hottest DJA. I wanted people to watch

1143
01:00:30,400 --> 01:00:33,800
Speaker 1: the voy that made them. They knowing them, they ain't

1144
01:00:33,800 --> 01:00:36,160
Speaker 1: gonna lie to hell. No, I'm J Swaye. That's my name.

1145
01:00:36,200 --> 01:00:38,840
Speaker 1: Then my cousin says, no, hold up. Look they got

1146
01:00:38,920 --> 01:00:41,600
Speaker 1: half stag Figgey two Savage everywhere. So I was like,

1147
01:00:42,760 --> 01:00:44,840
Speaker 1: that's my name. You know what I'm saying. I mean,

1148
01:00:44,880 --> 01:00:47,080
Speaker 1: I got a wrong with it. And then I looked

1149
01:00:47,080 --> 01:00:49,480
Speaker 1: at it differently as my I ain't gonna say fans

1150
01:00:49,480 --> 01:00:51,320
Speaker 1: because I don't like to wear a fans because I

1151
01:00:51,800 --> 01:00:54,560
Speaker 1: peeter fans. So they y'all my supporters. I looked at

1152
01:00:54,600 --> 01:00:57,560
Speaker 1: them and I said this might work, and then I

1153
01:00:57,600 --> 01:01:00,720
Speaker 1: thought about him, and they were you know him, I said, noah,

1154
01:01:00,960 --> 01:01:03,880
Speaker 1: nah man and man, look at this page is all professional.

1155
01:01:04,280 --> 01:01:06,360
Speaker 1: Now he stuck my jetto ass in between all this

1156
01:01:06,520 --> 01:01:10,240
Speaker 1: Professionals didn't have to do that, right. So he's seen something.

1157
01:01:10,240 --> 01:01:12,480
Speaker 1: He's saying, it's entering. No, it's more than incident. God

1158
01:01:12,560 --> 01:01:15,480
Speaker 1: damn it. It's it's art. Because when I put it together,

1159
01:01:15,600 --> 01:01:17,520
Speaker 1: drop a track on it. I mean, I'm good. But

1160
01:01:17,560 --> 01:01:20,640
Speaker 1: you know this man gave me that name. I appreciate it.

1161
01:01:20,680 --> 01:01:22,920
Speaker 1: So I ran with it because all my coming through

1162
01:01:23,000 --> 01:01:25,400
Speaker 1: FIDGIT was saving thought of to go for me page.

1163
01:01:25,520 --> 01:01:27,680
Speaker 1: Before you get into that, let's talk about your teeth

1164
01:01:27,720 --> 01:01:30,800
Speaker 1: for a second, and let's get into lack thereof know

1165
01:01:30,800 --> 01:01:35,800
Speaker 1: what I'm saying. So what happened to your teeth? He

1166
01:01:36,960 --> 01:01:46,840
Speaker 1: thank you? I got more than my parents, okay. I

1167
01:01:46,880 --> 01:01:51,240
Speaker 1: had money, thank you from projects? Your parents from projects? Okay.

1168
01:01:51,280 --> 01:01:54,520
Speaker 1: Then they got together and they had first ain't never hand,

1169
01:01:54,520 --> 01:01:56,680
Speaker 1: no daddy first. Oh you know what that is? I

1170
01:01:56,680 --> 01:01:58,840
Speaker 1: would ever say that in the house. Daddy was out

1171
01:01:58,840 --> 01:02:02,480
Speaker 1: of my boat. We don't have we didn't have that,

1172
01:02:02,720 --> 01:02:05,200
Speaker 1: we didn't have Christmas. So you you, you, you was

1173
01:02:05,240 --> 01:02:08,560
Speaker 1: gifted with all that privilege. Ain't never no gifted. I

1174
01:02:08,600 --> 01:02:11,840
Speaker 1: don't believe in privilege. That's bullish gifted as somebody handing

1175
01:02:11,840 --> 01:02:14,200
Speaker 1: you something that's just that's what you call privilege. That

1176
01:02:14,280 --> 01:02:16,959
Speaker 1: ain't privilege. If my daddy had money, they handed it down.

1177
01:02:17,000 --> 01:02:19,760
Speaker 1: You ain't done. So I ain't giving you no credit

1178
01:02:19,800 --> 01:02:22,560
Speaker 1: for that. I get traded. That that comes from what

1179
01:02:22,600 --> 01:02:25,000
Speaker 1: they call the mud. What I'm saying, that's that's what

1180
01:02:25,120 --> 01:02:27,640
Speaker 1: a credit I get them credit. I don't trip on

1181
01:02:27,640 --> 01:02:29,760
Speaker 1: those silver spoon because I had a dirty fot you

1182
01:02:29,800 --> 01:02:32,480
Speaker 1: feel me? So that's what they looking about me is

1183
01:02:32,520 --> 01:02:34,840
Speaker 1: I'm real, ain't no faith. I didn't wait to get

1184
01:02:34,920 --> 01:02:36,560
Speaker 1: my grill done to come on the show. I hadn't

1185
01:02:36,560 --> 01:02:39,880
Speaker 1: wait to get my grill done the start talking closed mouth.

1186
01:02:39,920 --> 01:02:43,840
Speaker 1: Ain't getting let alone fed? How much these probably one

1187
01:02:43,880 --> 01:02:46,480
Speaker 1: hundred thousand? And what I hear that's real money. You're

1188
01:02:46,520 --> 01:02:50,040
Speaker 1: a card of me. Got that bag? Know this thing

1189
01:02:50,600 --> 01:02:53,160
Speaker 1: and it ain't I read searched the part. Ain't actually

1190
01:02:53,200 --> 01:02:55,800
Speaker 1: I get my gold funny Pace for like forty thousand

1191
01:02:56,000 --> 01:02:58,720
Speaker 1: because I'm not. I'm not greedy. I don't ever want

1192
01:02:58,720 --> 01:03:00,080
Speaker 1: to be rich. I don't want to be hung. We

1193
01:03:00,120 --> 01:03:02,520
Speaker 1: saw him super humble. You feel me, let me read

1194
01:03:02,560 --> 01:03:05,520
Speaker 1: the summary for the go fund me fund that you

1195
01:03:05,560 --> 01:03:12,720
Speaker 1: can't see, can't take take off. I can do that.

1196
01:03:14,800 --> 01:03:17,200
Speaker 1: She'll choot myself, be the local and get it back

1197
01:03:17,200 --> 01:03:19,760
Speaker 1: to me. And she was playing out serious. She said,

1198
01:03:19,800 --> 01:03:23,160
Speaker 1: I would chew your steak up for you and give

1199
01:03:23,200 --> 01:03:26,520
Speaker 1: it to you, and if it's not chewed up enough,

1200
01:03:26,560 --> 01:03:28,439
Speaker 1: then you can give it back. I thought you was married.

1201
01:03:28,440 --> 01:03:32,800
Speaker 1: You should matter, said the girls to me as miss Savage.

1202
01:03:33,520 --> 01:03:39,400
Speaker 1: But then she say, missus happens, couple of picks. That's over.

1203
01:03:39,560 --> 01:03:41,960
Speaker 1: You know how I go. We got more with fifty

1204
01:03:41,960 --> 01:03:44,200
Speaker 1: two Savage. When we come back to don't Move. It's

1205
01:03:44,200 --> 01:03:48,040
Speaker 1: the breakfast club morning more than everybody is DJ Envy

1206
01:03:48,200 --> 01:03:51,160
Speaker 1: angela Ye, Charlomagne the guy. We are the breakfast club.

1207
01:03:51,160 --> 01:03:54,920
Speaker 1: We got fifty two Savage in the building. Now, Charlomagne,

1208
01:03:55,000 --> 01:03:57,240
Speaker 1: you don't think you do all for groupies. No, you

1209
01:03:57,240 --> 01:04:00,280
Speaker 1: know what I'm saying, taking baggart Now, I'm still good,

1210
01:04:00,360 --> 01:04:06,200
Speaker 1: I'm still nice, man. Ask somebody, all right, get back

1211
01:04:06,200 --> 01:04:10,480
Speaker 1: to go fund me. Okay, Jay right, that's one of

1212
01:04:10,560 --> 01:04:14,320
Speaker 1: my business partners. Read its raising money for fifty two

1213
01:04:14,360 --> 01:04:17,520
Speaker 1: Savage a ka DJ s Wade fifty a new set

1214
01:04:17,560 --> 01:04:21,880
Speaker 1: of thief, A new set of tief. His career has

1215
01:04:21,880 --> 01:04:23,720
Speaker 1: been moving at a fast pace, and he was first

1216
01:04:23,760 --> 01:04:27,520
Speaker 1: recognized onlining online as a rapping grandpa. He is glad

1217
01:04:27,560 --> 01:04:29,080
Speaker 1: that he has shown people that you can be any

1218
01:04:29,160 --> 01:04:31,240
Speaker 1: age or look different and still live your dream. The

1219
01:04:31,400 --> 01:04:33,120
Speaker 1: role model that he has become for the children to

1220
01:04:33,240 --> 01:04:35,720
Speaker 1: young adults has been enjoying him overall, but his missing

1221
01:04:35,760 --> 01:04:38,280
Speaker 1: tief still causes people to focus on his appearance instead

1222
01:04:38,320 --> 01:04:40,520
Speaker 1: of his talent. You think so, No, I know so,

1223
01:04:41,280 --> 01:04:43,320
Speaker 1: and then I don't trip on it. But it's the truth.

1224
01:04:43,840 --> 01:04:46,200
Speaker 1: You know. I gotta go with the troop or anything else.

1225
01:04:46,320 --> 01:04:47,800
Speaker 1: Look at you. That's the first thing you see. How

1226
01:04:47,920 --> 01:04:49,760
Speaker 1: you doing? Baby? He's so created. What's the first thing

1227
01:04:49,800 --> 01:04:52,439
Speaker 1: you see? I see you? Yeah, I seen the change.

1228
01:04:52,600 --> 01:05:00,240
Speaker 1: That's bulls women, mother, y'all go from shoes all way

1229
01:05:00,320 --> 01:05:04,440
Speaker 1: up the first they're blinding. Okay, I hear what's next.

1230
01:05:04,480 --> 01:05:07,560
Speaker 1: You ain't handle teeth, thank you, but not from you

1231
01:05:07,680 --> 01:05:09,440
Speaker 1: up your mouth. They're lying to you. You know you

1232
01:05:09,480 --> 01:05:11,240
Speaker 1: know what they're lying to. You know you ain't got

1233
01:05:11,280 --> 01:05:17,640
Speaker 1: no teeth to see what? But I do? I do.

1234
01:05:17,720 --> 01:05:20,720
Speaker 1: Look at people's finger nails and their teeth when the

1235
01:05:20,800 --> 01:05:24,320
Speaker 1: first really okay to be honest, yeah, we can do

1236
01:05:24,400 --> 01:05:27,000
Speaker 1: the for me. But look first, I don't give a

1237
01:05:27,400 --> 01:05:29,760
Speaker 1: because I'm gonna eat regardless. I'm gonna still do what

1238
01:05:29,880 --> 01:05:32,919
Speaker 1: I'm gonna do regardless. All it takes is you wanting

1239
01:05:32,960 --> 01:05:34,920
Speaker 1: to be you got a man up and do that.

1240
01:05:35,160 --> 01:05:36,640
Speaker 1: If this was stopping me, what I'd be at the

1241
01:05:36,680 --> 01:05:39,360
Speaker 1: breakfast club with no breakfast what I'm being there five

1242
01:05:39,400 --> 01:05:41,000
Speaker 1: if I want on top of my game. No, it's

1243
01:05:41,080 --> 01:05:42,680
Speaker 1: rather you won't even let me come on your show

1244
01:05:43,000 --> 01:05:44,760
Speaker 1: because you say they ain't good enough. I watch this,

1245
01:05:45,080 --> 01:05:47,240
Speaker 1: I know I don't go Snoop. You gotta record with

1246
01:05:47,240 --> 01:05:49,960
Speaker 1: Snoop Dog. That's the thing, And that's what makes me

1247
01:05:50,040 --> 01:05:53,480
Speaker 1: know something's going on because I'm not I'm not contacting them,

1248
01:05:54,040 --> 01:05:56,440
Speaker 1: they contacting me. I've seen you're a mic app Snoop.

1249
01:05:56,920 --> 01:05:59,160
Speaker 1: Same thing, Mike. What made me get that mic? It's

1250
01:05:59,360 --> 01:06:01,840
Speaker 1: like my Big Mama song? You got a big Girl.

1251
01:06:02,200 --> 01:06:04,160
Speaker 1: I want to get on that. Yeah, I ain't really finished.

1252
01:06:04,160 --> 01:06:06,960
Speaker 1: It was a little bit of that. I'm the type

1253
01:06:06,960 --> 01:06:10,439
Speaker 1: of dude that will be with Big Mama. Hey. I'm like, hey, yeah,

1254
01:06:11,200 --> 01:06:16,600
Speaker 1: the Big Mama Because big Mama cooked something. And that's

1255
01:06:16,640 --> 01:06:20,400
Speaker 1: the kind of bro that that's a real horse, see

1256
01:06:20,440 --> 01:06:25,720
Speaker 1: what I'm saying. So that's why the thing you think

1257
01:06:26,000 --> 01:06:28,959
Speaker 1: you was here, but that's New York and our little

1258
01:06:29,000 --> 01:06:31,120
Speaker 1: New You ain't gonna lie food. I've been outside last

1259
01:06:31,160 --> 01:06:34,480
Speaker 1: night's ciphering with on the block. Thirty four in the morning.

1260
01:06:38,360 --> 01:06:43,240
Speaker 1: What time I was going to get a snack? I

1261
01:06:43,400 --> 01:06:49,600
Speaker 1: soft cookies, cookies, so we're cipher on the block. I

1262
01:06:49,720 --> 01:06:53,600
Speaker 1: know you had a boy the more. Sorry, so everything

1263
01:06:53,760 --> 01:06:56,439
Speaker 1: from club every now I can. I can eat anything. Okay,

1264
01:06:56,680 --> 01:07:03,320
Speaker 1: it's just with thecision. Take my time something goddamn Harry,

1265
01:07:03,520 --> 01:07:06,720
Speaker 1: give me to the hospital. Please get to go fund me,

1266
01:07:06,840 --> 01:07:09,360
Speaker 1: then go for me to read off up what I'm

1267
01:07:09,360 --> 01:07:12,720
Speaker 1: trying to tell you. That bits pointed up and I

1268
01:07:12,840 --> 01:07:17,400
Speaker 1: come down. Come on, man, I think my that's oh yeah,

1269
01:07:17,440 --> 01:07:19,800
Speaker 1: I picked that back. That's the main reason I won't

1270
01:07:19,800 --> 01:07:23,080
Speaker 1: s went to the hospital. Chips to go to the

1271
01:07:23,120 --> 01:07:27,760
Speaker 1: hospital because now and read and I can't explain it.

1272
01:07:27,960 --> 01:07:30,240
Speaker 1: It makes me nervous shaking it. To go for me

1273
01:07:30,240 --> 01:07:33,480
Speaker 1: and give you I don't know how to read. Told on,

1274
01:07:33,560 --> 01:07:37,840
Speaker 1: hold on, I'm gonna post it. That's gonna go fund

1275
01:07:37,880 --> 01:07:40,800
Speaker 1: me dot com friends, Now as you while you quiet

1276
01:07:40,880 --> 01:07:45,600
Speaker 1: your ass, gonna post it day right now? You're lying,

1277
01:07:46,000 --> 01:07:53,280
Speaker 1: I answered, grus so I knew it a Why that

1278
01:07:53,440 --> 01:07:55,920
Speaker 1: can't be? So who you who you thought this girl was?

1279
01:07:56,040 --> 01:07:59,840
Speaker 1: Everybody who thought Angela was somebody? Oh huh yeah her

1280
01:08:00,120 --> 01:08:09,040
Speaker 1: by in my bad take my hands back to tell us, man,

1281
01:08:11,880 --> 01:08:15,640
Speaker 1: do you have grand hits? Hell? Yeah? How many? Fifteen?

1282
01:08:15,880 --> 01:08:17,479
Speaker 1: What did they think? What do they think of your

1283
01:08:18,320 --> 01:08:21,800
Speaker 1: Some of them like stop stop savage, they want to

1284
01:08:21,840 --> 01:08:23,840
Speaker 1: turn back into Papa. Yeah, oh some of them thing.

1285
01:08:24,280 --> 01:08:26,320
Speaker 1: But the rest of late like this, I mean, I'm

1286
01:08:26,360 --> 01:08:28,760
Speaker 1: soaking it in and I really, I really this really

1287
01:08:28,800 --> 01:08:31,200
Speaker 1: hadn't really hit me. All. This what they call fame,

1288
01:08:31,240 --> 01:08:33,599
Speaker 1: but I always been famous that I need. I want

1289
01:08:33,640 --> 01:08:36,200
Speaker 1: the bag the fame. Don't mean you want to rest.

1290
01:08:36,520 --> 01:08:38,720
Speaker 1: We started talking to you like, I mean, I want

1291
01:08:38,760 --> 01:08:42,320
Speaker 1: to deal somewhere TV stuff. That's that, Mike. We got

1292
01:08:42,400 --> 01:08:46,080
Speaker 1: some ruins so at the stay tuned well. The gofund

1293
01:08:46,160 --> 01:08:50,200
Speaker 1: me is gofund me dot com, slash Savage, new set

1294
01:08:50,280 --> 01:08:53,400
Speaker 1: of t fund okayfty two Savage, new set of fifty

1295
01:08:53,439 --> 01:08:57,360
Speaker 1: two Savage, new set of Okay y'all go donate right

1296
01:08:57,400 --> 01:09:00,519
Speaker 1: now we're gonna get fifty two Savage details stand up,

1297
01:09:00,600 --> 01:09:04,679
Speaker 1: hope he no loss, min mego he gonna pour fold.

1298
01:09:05,280 --> 01:09:08,479
Speaker 1: I mean your did strow. I'm about to lay the gold,

1299
01:09:09,040 --> 01:09:11,519
Speaker 1: but just can't take no more because I thought you

1300
01:09:11,680 --> 01:09:14,000
Speaker 1: was a whole. I mean on top of my floor

1301
01:09:14,600 --> 01:09:17,639
Speaker 1: when I'll be sliding deep horn o Lord on top

1302
01:09:17,680 --> 01:09:20,559
Speaker 1: of the game with Savage being the streets. I'm about

1303
01:09:20,560 --> 01:09:22,840
Speaker 1: to run up in creek. Okay, didn't know how I

1304
01:09:22,920 --> 01:09:26,519
Speaker 1: see I'm running the stable friest your hord's the flavor

1305
01:09:26,520 --> 01:09:29,680
Speaker 1: of the week. Chola man Man gold chain Man had

1306
01:09:29,720 --> 01:09:33,080
Speaker 1: to plug the o G fifty two saves far from average.

1307
01:09:33,320 --> 01:09:38,600
Speaker 1: I smashed to be hot save on the show man.

1308
01:09:38,680 --> 01:09:41,000
Speaker 1: Y'all know what it is to follow you fifty two.

1309
01:09:41,080 --> 01:09:44,880
Speaker 1: Please follow me at DJ Swade fifty that's it's w

1310
01:09:45,160 --> 01:09:49,200
Speaker 1: A D E. Swade like that Doctor material D Wade

1311
01:09:49,360 --> 01:09:52,479
Speaker 1: first day Way at djade fifty go find dot com

1312
01:09:52,800 --> 01:09:56,200
Speaker 1: flash fifty two Savage, you set a fund fifty two Savage, Yes,

1313
01:09:56,360 --> 01:10:03,040
Speaker 1: Stave for joining us up or day the Breakfast Morning.

1314
01:10:03,080 --> 01:10:06,720
Speaker 1: Everybody is DJ Envy Angela Yee, Charlemagne the guy. We

1315
01:10:06,800 --> 01:10:09,080
Speaker 1: are the Breakfast Club. We have some special guests with

1316
01:10:09,200 --> 01:10:11,160
Speaker 1: us in the building. This is such a beautiful thing. Man,

1317
01:10:11,360 --> 01:10:13,840
Speaker 1: we had this, uh, this young old man fifty two

1318
01:10:13,920 --> 01:10:17,160
Speaker 1: Savage stay with up fifty two and then my guy

1319
01:10:17,600 --> 01:10:21,120
Speaker 1: Daniel Rubinstein. I was connected with him through mister flawless

1320
01:10:21,160 --> 01:10:24,880
Speaker 1: and lawless and Daniel Rubinstein is a man of his word.

1321
01:10:25,200 --> 01:10:27,360
Speaker 1: A few weeks later they both were sitting here and

1322
01:10:27,439 --> 01:10:33,160
Speaker 1: fifty two Savage got thirty two teeth. Swag is different,

1323
01:10:37,880 --> 01:10:40,240
Speaker 1: doctor Rubinstein a long time. So I've done this from

1324
01:10:41,680 --> 01:10:44,240
Speaker 1: fifty two Savage steak. Can he eat everything? Is he

1325
01:10:44,400 --> 01:10:46,320
Speaker 1: fully good to do whatever he needs to do. It's

1326
01:10:46,360 --> 01:10:48,479
Speaker 1: like anything else when you get something new, it takes

1327
01:10:48,520 --> 01:10:50,800
Speaker 1: a little bit of practice, but once he gets the

1328
01:10:50,840 --> 01:10:52,880
Speaker 1: hang of it, he could eat anything. Basically, Howard, was

1329
01:10:52,920 --> 01:10:54,360
Speaker 1: the procedure putting these teeth? And did you have to

1330
01:10:54,439 --> 01:10:56,040
Speaker 1: knock out this three teeth or the teeth in night?

1331
01:10:56,320 --> 01:10:59,560
Speaker 1: I didn't. Actually his four and a half four and

1332
01:10:59,560 --> 01:11:01,600
Speaker 1: a half were and a half teeth, so um, and

1333
01:11:01,760 --> 01:11:05,519
Speaker 1: I actually incorporated his teeth with the whole procedure, and

1334
01:11:05,720 --> 01:11:07,840
Speaker 1: I didn't take them out because actually I used them

1335
01:11:07,840 --> 01:11:11,400
Speaker 1: as anchors to hold everything together. So lessing in disguise, Yeah,

1336
01:11:11,800 --> 01:11:14,080
Speaker 1: tell me how this all happened, and explain what kind

1337
01:11:14,080 --> 01:11:15,400
Speaker 1: of teeth these are, because I know you said they

1338
01:11:15,439 --> 01:11:18,120
Speaker 1: were different procedures that you could do to give him

1339
01:11:18,160 --> 01:11:20,360
Speaker 1: his teeth. So what procedure did you do? Okay, so

1340
01:11:20,800 --> 01:11:22,559
Speaker 1: you know having four and a half teeth, you could

1341
01:11:22,600 --> 01:11:27,960
Speaker 1: do that sounds so crazy. You could do a massive

1342
01:11:28,000 --> 01:11:30,840
Speaker 1: surgery place implants, takes six months to heal, then another

1343
01:11:30,880 --> 01:11:33,080
Speaker 1: six months to do it. It could be over a year,

1344
01:11:33,120 --> 01:11:34,840
Speaker 1: a year and a half. I was like, I want

1345
01:11:34,880 --> 01:11:37,200
Speaker 1: a gentleman to go out today with a smile that's

1346
01:11:37,240 --> 01:11:39,720
Speaker 1: gonna last for a long long time. Correct. So I

1347
01:11:40,240 --> 01:11:42,360
Speaker 1: used my noggin and I spoke to my team and

1348
01:11:42,439 --> 01:11:44,479
Speaker 1: I was like, what can we do? And we decided

1349
01:11:44,560 --> 01:11:47,439
Speaker 1: to use his actual healthy four and a half teeth

1350
01:11:47,840 --> 01:11:51,800
Speaker 1: as anchors for the whole smile makeover. And basically that's

1351
01:11:51,840 --> 01:11:55,120
Speaker 1: holding everything together and it's nice and tighten there and

1352
01:11:55,680 --> 01:11:59,600
Speaker 1: I'm never going to take Oh. It took roughly like

1353
01:12:00,120 --> 01:12:03,080
Speaker 1: eight to ten hours. No, it wasn't eight to ten

1354
01:12:03,160 --> 01:12:06,320
Speaker 1: hours consecutive. It was we did a little work pause.

1355
01:12:06,479 --> 01:12:09,040
Speaker 1: We had to have some my lap technicians work on it,

1356
01:12:09,240 --> 01:12:11,519
Speaker 1: come back working a little bit more. So it was

1357
01:12:11,560 --> 01:12:14,320
Speaker 1: basically like four to six appointments all in one shot,

1358
01:12:14,439 --> 01:12:16,120
Speaker 1: and you did it in your office. In my office,

1359
01:12:16,320 --> 01:12:17,800
Speaker 1: A lot of people said that it would be you know,

1360
01:12:17,880 --> 01:12:19,400
Speaker 1: your dentist, or he would have to go to an

1361
01:12:19,479 --> 01:12:22,559
Speaker 1: oral surgeon. But that has to be carefu. I brought

1362
01:12:22,600 --> 01:12:26,160
Speaker 1: everyone to my office, got a time. I made it happen.

1363
01:12:26,280 --> 01:12:29,360
Speaker 1: How do you feel? Fifty two? Good? All, I'm fine.

1364
01:12:29,560 --> 01:12:31,240
Speaker 1: Have you always had when the last time you had

1365
01:12:31,240 --> 01:12:34,160
Speaker 1: all your teeth in your mouth? I can't remember? Probably, uh,

1366
01:12:34,840 --> 01:12:37,600
Speaker 1: sixteen seventeen eighteen. How did you lose them? To begin with,

1367
01:12:37,880 --> 01:12:40,080
Speaker 1: let's not taking all I head etan can is going

1368
01:12:40,120 --> 01:12:43,720
Speaker 1: to sleep with now ladies in myth and that oh no,

1369
01:12:43,840 --> 01:12:47,599
Speaker 1: I hated him. It was associated dent with pain. Absolutely

1370
01:12:47,640 --> 01:12:50,599
Speaker 1: you don't right now, I don't, but I'm learning. Did

1371
01:12:50,640 --> 01:12:55,080
Speaker 1: you have to? How did that? I gave him a

1372
01:12:55,160 --> 01:12:57,880
Speaker 1: little overcame, but no, not really. I mean I knew

1373
01:12:57,880 --> 01:13:00,519
Speaker 1: exactly where I needed to touch this teeth, and I

1374
01:13:00,600 --> 01:13:03,080
Speaker 1: knew that some areas are not going to feel anything,

1375
01:13:03,120 --> 01:13:05,360
Speaker 1: and he did really really well. Have you to talk

1376
01:13:05,360 --> 01:13:07,280
Speaker 1: about maintenance after the fact, because he didn't know how

1377
01:13:07,280 --> 01:13:09,040
Speaker 1: to take care of his teeth before. We don't want

1378
01:13:09,080 --> 01:13:11,920
Speaker 1: him to look. So they gave me a hole talking

1379
01:13:11,920 --> 01:13:14,680
Speaker 1: about talk. So I used to have a half. I

1380
01:13:14,880 --> 01:13:17,800
Speaker 1: ain't had that time and I'm finish, but he gave

1381
01:13:17,840 --> 01:13:22,720
Speaker 1: me this time a whole pegs the toothpaste last meeting

1382
01:13:22,880 --> 01:13:26,040
Speaker 1: less than the Europe So hey, now you're about just

1383
01:13:26,080 --> 01:13:29,400
Speaker 1: to see Now you gotta start hang out with saving

1384
01:13:29,439 --> 01:13:32,760
Speaker 1: money at first. Now Charloman was asking about maintaining how

1385
01:13:32,840 --> 01:13:35,120
Speaker 1: how does he maintain his grill? Now? Okay, so you

1386
01:13:35,200 --> 01:13:37,160
Speaker 1: know many of us are off for thirty two teeth.

1387
01:13:37,520 --> 01:13:39,800
Speaker 1: Then we started losing it throughout life. So right now,

1388
01:13:40,000 --> 01:13:41,880
Speaker 1: fifty two Savage has four and a half teeth in

1389
01:13:41,920 --> 01:13:44,400
Speaker 1: his mouth, and those are the most important teeth in

1390
01:13:44,479 --> 01:13:47,120
Speaker 1: his mouth because that's what's going to hold everything together.

1391
01:13:47,280 --> 01:13:50,360
Speaker 1: So the way you maintain it, you gotta brush, floss,

1392
01:13:50,640 --> 01:13:52,840
Speaker 1: use mouth rents. Just really keep an eye on those

1393
01:13:52,840 --> 01:13:54,960
Speaker 1: four and a half teeth. Fifty two. You cannot clean

1394
01:13:55,040 --> 01:13:57,240
Speaker 1: your jury more than you clean your teeth. Okay, they're

1395
01:13:57,240 --> 01:13:59,400
Speaker 1: gonna see this first. Well I gotta do this first. Look,

1396
01:13:59,439 --> 01:14:01,160
Speaker 1: how my mom, what's the first thing you're gonna do

1397
01:14:01,200 --> 01:14:04,560
Speaker 1: when you get back to Dallas? Take things out? So

1398
01:14:04,680 --> 01:14:06,400
Speaker 1: he could take the teeth out. Yeah, I'm trying to

1399
01:14:06,439 --> 01:14:08,519
Speaker 1: get used to him. So he's making me. He's making

1400
01:14:08,560 --> 01:14:12,080
Speaker 1: me where man keep him in now, he won't have

1401
01:14:12,120 --> 01:14:13,880
Speaker 1: any problem with the teeth just falling out here in

1402
01:14:13,880 --> 01:14:15,840
Speaker 1: the club, DJ and Or. That's what I told him.

1403
01:14:15,880 --> 01:14:17,760
Speaker 1: I said, I don't own nothing that moves when I

1404
01:14:17,920 --> 01:14:19,840
Speaker 1: moved right, So he was like, Okay, I'll take critics

1405
01:14:19,880 --> 01:14:22,800
Speaker 1: and the teeth will stay in because we're using his

1406
01:14:23,000 --> 01:14:26,160
Speaker 1: actual teeth as anchors. And I mean his vone is

1407
01:14:26,200 --> 01:14:29,360
Speaker 1: so strong, even though he had so much, So you

1408
01:14:29,400 --> 01:14:32,960
Speaker 1: gotta Paul that day. Jesus christ bone is so strong.

1409
01:14:33,680 --> 01:14:38,920
Speaker 1: What the hell? No coming? That was gonna hold up

1410
01:14:39,000 --> 01:14:41,760
Speaker 1: really well, really well. Now, if somebody wanted to do

1411
01:14:41,880 --> 01:14:43,960
Speaker 1: this procedure and pay for it, how much would it?

1412
01:14:44,000 --> 01:14:47,280
Speaker 1: Course ball Park pay for it? You don't know? We do?

1413
01:14:47,560 --> 01:14:49,120
Speaker 1: You know? Do we do? We didn't get the money,

1414
01:14:49,200 --> 01:14:52,040
Speaker 1: let's go fund me. They don't know nothing. How much

1415
01:14:52,040 --> 01:14:54,160
Speaker 1: would it have? Of course Ballpark because we did it.

1416
01:14:54,240 --> 01:14:56,439
Speaker 1: Also one day I brought the whole team. I mean,

1417
01:14:56,720 --> 01:15:00,160
Speaker 1: it could arrange between fifteen and twenty five. Goodness, she

1418
01:15:00,320 --> 01:15:03,160
Speaker 1: is Merry Christmas. It's worth it, though, it's worth it,

1419
01:15:03,240 --> 01:15:08,160
Speaker 1: definitely worth I got a percentage on it now. But

1420
01:15:08,320 --> 01:15:10,880
Speaker 1: I'm blessed though. I mean, that's what you're sharing. That's true.

1421
01:15:11,120 --> 01:15:13,000
Speaker 1: I asked you that. He was like, no, the change.

1422
01:15:13,040 --> 01:15:14,759
Speaker 1: I was like, no, I did not say the change.

1423
01:15:15,240 --> 01:15:19,680
Speaker 1: Do I need to rewind? I told him, asked somebody, no,

1424
01:15:20,120 --> 01:15:24,960
Speaker 1: DJ DJ. You said, yeah, that's really that's the reason

1425
01:15:25,040 --> 01:15:27,479
Speaker 1: why I want to because people noticed this and won't

1426
01:15:27,479 --> 01:15:29,720
Speaker 1: give me a chance to see my talents just for

1427
01:15:29,840 --> 01:15:31,559
Speaker 1: the hater. That's why I got Yeah. Now they can

1428
01:15:31,640 --> 01:15:33,360
Speaker 1: can't get it for me. They can't talk negative about

1429
01:15:33,400 --> 01:15:34,800
Speaker 1: you now. They can't, but they can't. They gonna do that.

1430
01:15:35,880 --> 01:15:39,120
Speaker 1: They just can't use this, but they still will. Was

1431
01:15:39,160 --> 01:15:42,240
Speaker 1: paid for it, you know how brothers do what on

1432
01:15:42,320 --> 01:15:43,640
Speaker 1: that girl? For me? They were like, well, you got

1433
01:15:43,680 --> 01:15:45,519
Speaker 1: all them chains, why can't he just pay? Well? How

1434
01:15:45,600 --> 01:15:47,720
Speaker 1: was I was flying before the teeth? So when I

1435
01:15:48,040 --> 01:15:51,679
Speaker 1: thought away my most, you fly away my stuff thought

1436
01:15:51,880 --> 01:15:53,920
Speaker 1: because I ain't got teeth now I'm still be clean.

1437
01:15:54,280 --> 01:15:56,200
Speaker 1: You gotta have some mess to look at too. Something

1438
01:15:56,720 --> 01:15:59,479
Speaker 1: as sensory up now, what you were saying like one

1439
01:15:59,479 --> 01:16:02,080
Speaker 1: of the biggest things that you could changing his total

1440
01:16:02,120 --> 01:16:04,880
Speaker 1: face fifty two savage faces that the lower portion of

1441
01:16:04,960 --> 01:16:07,760
Speaker 1: the face. If you don't have teeth, it kind of collapses, right,

1442
01:16:07,800 --> 01:16:10,120
Speaker 1: and it makes you look a lot older. So when you,

1443
01:16:10,360 --> 01:16:12,880
Speaker 1: you know, put in teeth properly, it will build up

1444
01:16:12,920 --> 01:16:14,519
Speaker 1: that part of the mouth and it makes you look

1445
01:16:14,560 --> 01:16:16,280
Speaker 1: so much younger. And that's why all these comments that

1446
01:16:16,320 --> 01:16:18,240
Speaker 1: he's getting, like, man, you look like you're twenty five

1447
01:16:18,320 --> 01:16:20,479
Speaker 1: years old, now thirty five years old. They're lying there,

1448
01:16:20,520 --> 01:16:23,040
Speaker 1: definitely lying. I'm gonna say, early forties. Somebody want to

1449
01:16:23,120 --> 01:16:29,760
Speaker 1: ride away, gonna lying, boy, don't fall five. You're trying

1450
01:16:29,800 --> 01:16:35,040
Speaker 1: to get in my pocket. I pushed the button on that.

1451
01:16:35,240 --> 01:16:37,960
Speaker 1: But I love man from New York. I gonna be honest. Man,

1452
01:16:37,960 --> 01:16:40,120
Speaker 1: I went to West Coast, I went to Atlanta. I

1453
01:16:40,200 --> 01:16:42,200
Speaker 1: mean a lot of places. When I came to New York,

1454
01:16:42,240 --> 01:16:44,040
Speaker 1: I was like, damn, I knew York. I can't. Never

1455
01:16:44,120 --> 01:16:45,960
Speaker 1: had a good rapport with the South, So I want

1456
01:16:45,960 --> 01:16:48,679
Speaker 1: to us gonna be but the East Coast man, stay

1457
01:16:48,800 --> 01:16:50,320
Speaker 1: up all the way up, and a lot of want

1458
01:16:50,320 --> 01:16:52,880
Speaker 1: to do is just say, I really appreciate it. I

1459
01:16:53,000 --> 01:16:56,040
Speaker 1: really didn't expect it. I didn't expect this much. I

1460
01:16:56,160 --> 01:16:57,880
Speaker 1: spect maybe, but well, you get on, so I don't mind.

1461
01:16:57,880 --> 01:17:00,200
Speaker 1: Felt because we've been talking or whatever. But that's far

1462
01:17:00,200 --> 01:17:01,960
Speaker 1: as I thought it would go. But for them to

1463
01:17:02,000 --> 01:17:04,439
Speaker 1: step up and do this for me, it's probably the

1464
01:17:04,479 --> 01:17:07,519
Speaker 1: first time I actually faded the turn because I didn't

1465
01:17:07,560 --> 01:17:10,080
Speaker 1: expect it, right. It came out of left field, and

1466
01:17:10,200 --> 01:17:13,280
Speaker 1: I was like, oh, man, so with them, Well, I'm

1467
01:17:13,280 --> 01:17:15,760
Speaker 1: from South Carolina, so my hospitality a little different, man,

1468
01:17:15,840 --> 01:17:18,479
Speaker 1: But you know, salute the doctor. Real hospitality got me up.

1469
01:17:18,840 --> 01:17:21,120
Speaker 1: All love my brother. Salute to doctor Rubinstein, you know,

1470
01:17:21,280 --> 01:17:23,640
Speaker 1: like for him, but him spend his money on this,

1471
01:17:24,720 --> 01:17:26,200
Speaker 1: but not only that, he took a day out of

1472
01:17:26,280 --> 01:17:30,360
Speaker 1: his practice where he hadn't had patience and even many

1473
01:17:30,439 --> 01:17:32,320
Speaker 1: different things. And it makes his team effort and it

1474
01:17:32,479 --> 01:17:35,160
Speaker 1: is appreciation your team. Man. By myself, I wouldn't be

1475
01:17:35,200 --> 01:17:37,200
Speaker 1: able to achieve this. I mean my whole squad. They

1476
01:17:37,280 --> 01:17:39,880
Speaker 1: worked so hard and the energy is very similar to mine,

1477
01:17:39,920 --> 01:17:42,240
Speaker 1: and they're all my right hands, and they really do

1478
01:17:42,360 --> 01:17:44,040
Speaker 1: it for the bottom of their hearts. So I think,

1479
01:17:44,240 --> 01:17:45,760
Speaker 1: you know, I love what I do and I'm very

1480
01:17:45,800 --> 01:17:47,960
Speaker 1: blessed that I was able to help him and whoever

1481
01:17:48,040 --> 01:17:50,320
Speaker 1: else I can. And your practice is benson Hurst Dental

1482
01:17:50,360 --> 01:17:52,160
Speaker 1: in Brooklyn, right, Yeah, what can people get in touch

1483
01:17:52,200 --> 01:17:54,439
Speaker 1: with you if they if they want to. Instagram is cool,

1484
01:17:54,479 --> 01:17:58,960
Speaker 1: okay with Instagram? D are underscore Rubinstein? Are you b

1485
01:17:59,520 --> 01:18:02,680
Speaker 1: I N s H T E I N you the

1486
01:18:02,800 --> 01:18:04,880
Speaker 1: kids as well? I work with some kids. Sure, there's

1487
01:18:04,920 --> 01:18:06,680
Speaker 1: not going to last you go here from doctor Rubinstein. THO,

1488
01:18:06,680 --> 01:18:08,479
Speaker 1: We're gonna have him up here a lot, just talking

1489
01:18:08,520 --> 01:18:11,120
Speaker 1: about teeth and whatnot. And we gotta get doctor Rubinstein

1490
01:18:11,200 --> 01:18:13,320
Speaker 1: on TV. He's too handsome not to be on television.

1491
01:18:13,400 --> 01:18:15,000
Speaker 1: You guys are amazing. Thank you for having me. Really

1492
01:18:15,000 --> 01:18:16,960
Speaker 1: appreciate that you shot you shooting your shot over. It's

1493
01:18:17,000 --> 01:18:19,519
Speaker 1: my guy right there. Well listen, Ronald applause and fifty

1494
01:18:19,560 --> 01:18:22,519
Speaker 1: two salvage man drop the two Bob for fifty two

1495
01:18:22,880 --> 01:18:26,400
Speaker 1: and doctor Rubenstein. Thank you guys, Thank you manys again, man,

1496
01:18:26,479 --> 01:18:28,000
Speaker 1: thank you so very much for coming up here and

1497
01:18:28,360 --> 01:18:30,960
Speaker 1: enjoy the team. Bay. Why was fatboy call? You? Try

1498
01:18:31,000 --> 01:18:32,800
Speaker 1: to call the man? I've just seen fatboy running around.

1499
01:18:32,880 --> 01:18:37,920
Speaker 1: He's sleeping. He fell to sleep, boy, tap boy? What

1500
01:18:38,000 --> 01:18:41,360
Speaker 1: are you doing? Fat boy fell to sleep? Flatboy? What up?

1501
01:18:41,439 --> 01:18:44,680
Speaker 1: My brother said? I got no breakfast for your fan

1502
01:18:44,760 --> 01:18:49,439
Speaker 1: boys already? How are you, mister generous? What's happening, mister generously,

1503
01:18:49,840 --> 01:18:54,320
Speaker 1: what's up? I love you foys, he said, what's up?

1504
01:18:54,400 --> 01:18:56,439
Speaker 1: Where I what's up? People? Man? I love y'all. Man,

1505
01:18:56,520 --> 01:18:59,440
Speaker 1: I appreciate y'all. Shout out to the Breathash Club, Charlottemagne,

1506
01:18:59,479 --> 01:19:02,719
Speaker 1: d And and Joliere all beautiful. Shout out to the doctor.

1507
01:19:02,760 --> 01:19:05,120
Speaker 1: Know what I'm saying. One of the first times I

1508
01:19:05,200 --> 01:19:08,560
Speaker 1: heard of Doctor Rubenstein was two Fat Boys Instagram. Of

1509
01:19:08,640 --> 01:19:11,200
Speaker 1: course you get my teeth right, this is my doctor.

1510
01:19:11,320 --> 01:19:12,960
Speaker 1: You get my teeth like you MAKEE sure I'm good.

1511
01:19:13,200 --> 01:19:16,160
Speaker 1: And now we got fifty two good. So thank doctor Rubenstein,

1512
01:19:16,280 --> 01:19:21,160
Speaker 1: helping the culture a long time. Yeah, you know, it's

1513
01:19:21,160 --> 01:19:22,200
Speaker 1: the Breakfast Club. The Lord