WEBVTT - The Toy Department with Elise Hart Kipness

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<v Speaker 1>Welcome to Good Game with Sarah Spain, where it's two

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<v Speaker 1>weeks until Christmas. Have you bought all your friends and

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<v Speaker 1>family women's sports inspired books yet?

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<v Speaker 2>Well, You're in luck. Keep listening.

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<v Speaker 1>It's Wednesday, December eleventh, and today we chat with former

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<v Speaker 1>television sports reporter turned mystery and suspense novelist Elise Heart Kipness.

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<v Speaker 1>She tells about the transition from locker rooms to book editors' offices,

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<v Speaker 1>how her work as a crime reporter influences her writing,

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<v Speaker 1>and her latest book, Dangerous Play, which sees fictional reporter

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<v Speaker 1>Kate Green on assignment covering the US soccer team at

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<v Speaker 1>the Olympics when a murder occurs. Plus, we'll share a

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<v Speaker 1>handful of other Good Game with Sarah Spain approved books

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<v Speaker 1>that are sure to make great presents this holiday season.

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<v Speaker 1>It's all coming up right after this welcome back slices

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<v Speaker 1>Miche has your need to know today, Take it away, Misha.

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<v Speaker 3>Thank you, Thank you, Sarah Beck again, so Ludacris said,

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<v Speaker 3>right anyway. In college soccer, UNC is back on top.

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<v Speaker 3>The tar Heels won the program's first national title since

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<v Speaker 3>twenty twelve with a one nil win over Wake Forest

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<v Speaker 3>on Monday, night, Sophomore Olivia Thomas scored the game winner

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<v Speaker 3>on a free kick in the sixty second minute. And

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<v Speaker 3>listen to this stat Of the forty three NCAA women's

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<v Speaker 3>soccer titles ever awarded, UNC now owns twenty two. That's

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<v Speaker 3>fifty one percent. No other women's college soccer program has

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<v Speaker 3>more than four. In WNBA News, Indiana Fever guard Caitlin

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<v Speaker 3>Clark has been named Time Magazine's Athlete of the Year.

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<v Speaker 3>A quick refresher on a few of the things Clark

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<v Speaker 3>accomplished in twenty twenty four, because it's been a long year.

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<v Speaker 3>She became the top scorer in NCAA Division One women's

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<v Speaker 3>basketball history and led Iowa to a second straight national

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<v Speaker 3>championship appearance. She was the number one pick in the

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<v Speaker 3>WNBA draft, set a new single season rookie scoring record,

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<v Speaker 3>set the league's single season record for assists, and so

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<v Speaker 3>much more en route to earning Rookie of the Year honors.

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<v Speaker 3>In Sean Gregory's story on her, Clark reflected on the

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<v Speaker 3>incredible career she's had already, the difference between college hoops

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<v Speaker 3>and the pros, and on the ways white privilege has

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<v Speaker 3>impacted her stardom.

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<v Speaker 2>She told Time.

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<v Speaker 3>Quote, I want to say I've earned every single thing,

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<v Speaker 3>but as a white person, there is privilege. A lot

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<v Speaker 3>of those players in the league that have been really

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<v Speaker 3>good have been black players. This league has kind of

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<v Speaker 3>been built on them.

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<v Speaker 2>The more we can.

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<v Speaker 3>Appreciate that highlight that talk about that and then continue

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<v Speaker 3>to have brands and companies invest in those players that

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<v Speaker 3>have made this league incredible, I think it's very important.

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<v Speaker 3>I have to continue to try to change that. The

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<v Speaker 3>more we can elevate black women, that's going to be

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<v Speaker 3>a beautiful thing. End quote. We'll link to the Time

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<v Speaker 3>cover and story in our show notes to college hoops

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<v Speaker 3>number eighteen Iowa State in number twenty one, Iowa meet

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<v Speaker 3>tonight as part of the Iowa Korn Syhawk series, which

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<v Speaker 3>is sponsored by Iowa's Corn Farmers. That game tips off

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<v Speaker 3>at nine pm Eastern on FS one. Do y'all remember

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<v Speaker 3>corn Kid? I hope he got free tickets to that game.

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<v Speaker 3>He is the most prominent spokesperson for Coorn that I

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<v Speaker 3>know of it. Also in college hoops, Tennessee is back

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<v Speaker 3>in the AP top twenty five after a win over

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<v Speaker 3>Iowa last weekend. The Lady Balls fell out of the

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<v Speaker 3>national rankings back in November twenty twenty three, and their

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<v Speaker 3>twenty two week absence from the poll was the program's

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<v Speaker 3>longest drought in the forty eight year history of the

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<v Speaker 3>women's basketball rankings to the NWSL. Angel City has fired

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<v Speaker 3>head coach Becky Tweed after the club finished the twenty

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<v Speaker 3>twenty four season in twelfth place with a seven to win,

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<v Speaker 3>thirteen loss and six draw record. First assistant Aleiri Earnshaw

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<v Speaker 3>will serve as interim head coach until a new head

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<v Speaker 3>coach is hired. And finally, the US women's national soccer

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<v Speaker 3>team announced that it will host Brazil for two friendlies

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<v Speaker 3>in California. A rematch of last summer's Olympic gold medal game.

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<v Speaker 3>Game number one is scheduled for April fifth at SOFI

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<v Speaker 3>Stadium in Inglewood, and game number two is on April

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<v Speaker 3>eighth at PayPal Park in San Jose.

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<v Speaker 1>Thanks me, we got to take a quick break when

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<v Speaker 1>we come back. Crafting a murder With Elise heart Kipness

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<v Speaker 1>joining us now, She's a former television sports reporter turned

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<v Speaker 1>mystery and suspense writer. In addition to reporting for Fox

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<v Speaker 1>Sports Network, Elise was a reporter at New York's WNBCTV

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<v Speaker 1>News twelve, Long Island, and the Associated Press. A graduate

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<v Speaker 1>of Brown University and a super fan of coffee ice cream.

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<v Speaker 1>The first two books in her Kate Green fictional thriller series,

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<v Speaker 1>Lights Out and Dangerous Play, are available now.

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<v Speaker 2>The next book, Close Call, will be released.

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<v Speaker 1>In October of twenty twenty five. It's Elise Heart Kipness. Elise,

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<v Speaker 1>thanks for joining us.

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<v Speaker 4>Oh, thank you for having me. It's so great to

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<v Speaker 4>be here.

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<v Speaker 1>I want you to take us back to your sports

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<v Speaker 1>reporting days. How did you first get into that?

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<v Speaker 4>It was such a roundabout way. I had been covering

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<v Speaker 4>news for a while and I had the opportunity to

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<v Speaker 4>cover the NBA lockout of nineteen ninety eight. It gives

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<v Speaker 4>you an idea how old I am. And I went

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<v Speaker 4>and I covered it. You know, it was like a

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<v Speaker 4>news story but also a sports story, and it was

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<v Speaker 4>it was I hate to say this poor lockout, but

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<v Speaker 4>it was great. I'm going to say it was great

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<v Speaker 4>because I have been covering murders and crashes like the

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<v Speaker 4>Flight eight hundred crash and trials of serial killers, and

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<v Speaker 4>I covered the monoc Lewinsky grand jury hearing, and it

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<v Speaker 4>was just like, like covering something like the Lockout was

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<v Speaker 4>very interesting, but it didn't have the same stakes in

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<v Speaker 4>my mind. And then I got to cover sports, like

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<v Speaker 4>we just hit it off, and covering games was so fun.

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<v Speaker 4>It was just exciting and very adrenaline rushing, you know.

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<v Speaker 4>But it was also a nice break from like the

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<v Speaker 4>gloom and doom of what I covered in news.

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<v Speaker 2>I mean, one thousand percent.

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<v Speaker 1>I watch a lot of people who are really deep

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<v Speaker 1>into very serious news or even reactions of nightly news,

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<v Speaker 1>where so much of it is really sad and really hard,

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<v Speaker 1>and so I'm always glad I get to be in

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<v Speaker 1>the toy department, even when the toy department can get

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<v Speaker 1>serious at times too.

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<v Speaker 2>I did look at on your website.

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<v Speaker 1>There's some great old photos and shots of you at

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<v Speaker 1>a whole bunch of different sporting events.

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<v Speaker 2>So you did a good job of making the rounds

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<v Speaker 2>and getting to lots of fun stuff.

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<v Speaker 1>So how did you decide to make the transition from

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<v Speaker 1>reporting to writing fiction.

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<v Speaker 4>When my first son was born, I made a decision

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<v Speaker 4>not to keep traveling. I was covering things like a

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<v Speaker 4>month at a time. So I went to Florida for

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<v Speaker 4>spring training for a month, and I cover March Madness

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<v Speaker 4>for a month. I always got lucky and got assigned

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<v Speaker 4>to Duke, which was a super fun highlight of my career.

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<v Speaker 4>Me and a couple of other people were the East

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<v Speaker 4>Coast bureau for Fox Sports Network, so we were traveling

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<v Speaker 4>all the time, and I just decided it was time

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<v Speaker 4>to stop or take a break. And then about five

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<v Speaker 4>years later, of all the things that I missed, I

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<v Speaker 4>actually found I missed writing the most, which really surprised me,

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<v Speaker 4>because you know, even though we write our own stuff,

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<v Speaker 4>it's like one page, and you don't really feel like

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<v Speaker 4>that in your brain is the most primary part of

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<v Speaker 4>your job. It's one aspect, but it's not the thing.

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<v Speaker 4>And I thought I would miss the adrenaline. I thought

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<v Speaker 4>I might miss going to the locker rooms or you know,

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<v Speaker 4>the interviews or any of it. But I missed writing.

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<v Speaker 4>And I started to take classes because I only knew

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<v Speaker 4>how to write one page. And the first draft of

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<v Speaker 4>my book was so bad. I wrote it as a

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<v Speaker 4>reporter and I wrote the who want where? When? Why

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<v Speaker 4>write no suspense? It is so boring? And then I

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<v Speaker 4>just learned, and I mean one of the benefits, as

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<v Speaker 4>you know, you would know it's it's like I didn't

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<v Speaker 4>have to do my hair, I didn't have to put

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<v Speaker 4>makeup on. I could sit in my bed and.

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<v Speaker 2>Write and make your own schedule those things.

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<v Speaker 4>Yes, yes, And actually don't you find like you're more

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<v Speaker 4>of a late night person, yes, than a morning person

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<v Speaker 4>because you're covering games and it's like really late. So

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<v Speaker 4>I've never gotten over the like sleeping in part, but

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<v Speaker 4>I just do it on my own schedule. My commute

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<v Speaker 4>is much shorter.

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<v Speaker 1>You and I were chatting about me trying to finish

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<v Speaker 1>my first book. I'm impressed by your prolific efforts in

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<v Speaker 1>the last couple of years, continuing to churn them out.

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<v Speaker 2>But yeah, it is.

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<v Speaker 1>It's a very different workflow, and so if you are

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<v Speaker 1>very disciplined and good at keeping yourself on track, it's

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<v Speaker 1>great to be able to say, Okay, well, this day

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<v Speaker 1>something came up, I'm going to go do that instead,

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<v Speaker 1>and then the next day I'm.

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<v Speaker 2>Going to get back to writing. You know.

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<v Speaker 1>It is a transition though, like you just said, both

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<v Speaker 1>in the approach to the work but also in the

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<v Speaker 1>actual writing. You also were a crime reporter, like you said,

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<v Speaker 1>So is that how you decided I'm going to take

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<v Speaker 1>my interest or background in that into writing thrillers as

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<v Speaker 1>opposed to some other type of fiction.

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<v Speaker 4>Yes, but I didn't realize it at the time. What

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<v Speaker 4>happened was I just liked reading thrillers. So the decision

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<v Speaker 4>to write a sports a sports reporter as the main

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<v Speaker 4>character is logical, but I didn't really consider the deep

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<v Speaker 4>reason why I went into thrillers. And then I was

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<v Speaker 4>listening This is a year after or six months after

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<v Speaker 4>my first book came out, and I was listening to

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<v Speaker 4>Lisa Unger, who's a big suspense author, talk, and she

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<v Speaker 4>said she writes thrillers to get like the darkness out

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<v Speaker 4>of her, to purge. And it was like one of

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<v Speaker 4>those aha moments, because I'm like, that's what I'm doing.

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<v Speaker 4>I mean, I remember my mom saying to me when

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<v Speaker 4>I was covering I think it was specifically when I

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<v Speaker 4>was covering Flight eight hundred and I was out there

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<v Speaker 4>for a month, and my mom said, you were always depressed.

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<v Speaker 4>You know, your days are so full of tragedy. You know,

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<v Speaker 4>as a reporter, whatever's happening, it's not happening to you,

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<v Speaker 4>So you almost feel guilty if you're upset about about

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<v Speaker 4>it because it's someone else's tragedy, but you still have

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<v Speaker 4>the emotions of what's going on. So it's a very

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<v Speaker 4>weird thing, like awkward, uncomfortable. But I think it really

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<v Speaker 4>is me processing all this stuff that I saw back then.

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<v Speaker 1>It's interesting how for you writing about it releases it.

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<v Speaker 1>And for me when I work on things like that,

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<v Speaker 1>I like I internalize them and it's very hard for

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<v Speaker 1>me to like get out of that funk. So I'm

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<v Speaker 1>glad you found this outlet. You've written about this reporter

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<v Speaker 1>Kate Green. This is your main character and the most

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<v Speaker 1>recent book called Dangerous Play. She's on assignment covering the

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<v Speaker 1>US women's national soccer team at the Olympics and then

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<v Speaker 1>a famous designer and old friend is found dead in

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<v Speaker 1>the locker room.

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<v Speaker 2>How did you come up with this premise?

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<v Speaker 4>This book was so much fun to write because Kate

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<v Speaker 4>is also a soccer Olympic soccer gold medalist. I like

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<v Speaker 4>to say Kate is a way cooler version of me.

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<v Speaker 4>So I mean, we're both TV sports reporters, but she's

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<v Speaker 4>an Olympics soccer gold medalist. I'm a soccer mom, which

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<v Speaker 4>I am. You know I made her tall, you can't tell,

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<v Speaker 4>but I'm five feet zero inches, so every interview I've

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<v Speaker 4>ever done, I stand on a milk crate. So then

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<v Speaker 4>with dangerous play. My son used to play at the

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<v Speaker 4>NYCFC Soccer Academy and they would play at Yande Stadium.

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<v Speaker 4>They would play soccer, and he plays D one soccer now,

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<v Speaker 4>So this was a chance to merge from an observation

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<v Speaker 4>place as a reporter who covered sports and covered soccer

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<v Speaker 4>a bit, and also what I experienced with my son

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<v Speaker 4>and more specifically his friends on the girls teams who

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<v Speaker 4>had gone through the youth academies and national teams, and

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<v Speaker 4>I really wanted to dive into what it's like to

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<v Speaker 4>have pressure as a youth athlete. Now, my plot is fiction,

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<v Speaker 4>but I did interview these women who who described the

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<v Speaker 4>way people are chosen from the youth camps and the

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<v Speaker 4>national camps to make it to the teams. You know,

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<v Speaker 4>based on things that they told me, Yeah, it's pretty brutal.

0:12:16.440 --> 0:12:20.000
<v Speaker 4>So it was something I really wanted to explore. And

0:12:20.000 --> 0:12:23.000
<v Speaker 4>then you know, I just fanned girl over Yankee Stadium

0:12:23.040 --> 0:12:26.880
<v Speaker 4>all the time because I cover so much baseball there

0:12:27.360 --> 0:12:30.760
<v Speaker 4>and I just couldn't think of a better like spot

0:12:30.880 --> 0:12:33.480
<v Speaker 4>to set a book. It's just like you kind of

0:12:33.520 --> 0:12:36.240
<v Speaker 4>can't believe you're there on the field and in the

0:12:36.320 --> 0:12:37.839
<v Speaker 4>dugout and hanging out there.

0:12:38.160 --> 0:12:38.400
<v Speaker 2>Yeah.

0:12:38.440 --> 0:12:40.280
<v Speaker 1>I mean it sounds like you're using your background in

0:12:40.360 --> 0:12:43.640
<v Speaker 1>journalism to inform the backbone of the book, to make

0:12:43.679 --> 0:12:47.280
<v Speaker 1>sure it fits with reality, and it uses the elements

0:12:48.080 --> 0:12:50.520
<v Speaker 1>of real life, and then you get to create a

0:12:50.520 --> 0:12:52.680
<v Speaker 1>little fiction on top of it. Do you ever find

0:12:52.720 --> 0:12:56.200
<v Speaker 1>yourself veering back toward the truth and then saying, no,

0:12:56.240 --> 0:12:58.240
<v Speaker 1>I don't have to I don't have to make it real.

0:12:58.280 --> 0:13:00.520
<v Speaker 2>This is fiction. I can bend it and I can

0:13:00.559 --> 0:13:02.120
<v Speaker 2>move it in whatever direction I want.

0:13:02.400 --> 0:13:04.840
<v Speaker 4>Yeah, that's such a great question, and I think I

0:13:04.880 --> 0:13:08.320
<v Speaker 4>did that more with book one, The Lights Out. You know,

0:13:08.360 --> 0:13:11.640
<v Speaker 4>when you're learning to ski and your natural reaction is

0:13:11.679 --> 0:13:14.960
<v Speaker 4>to kind of lean back against like what the right

0:13:15.040 --> 0:13:17.400
<v Speaker 4>move is, You're supposed to lean into it. And I

0:13:17.480 --> 0:13:20.720
<v Speaker 4>think and that's a very common mistake, I guess, is

0:13:20.720 --> 0:13:27.000
<v Speaker 4>the right word or tendency for beginning fiction authors that

0:13:27.520 --> 0:13:32.880
<v Speaker 4>you veer away from making things more dramatic and kind

0:13:32.880 --> 0:13:37.120
<v Speaker 4>of blowing things up. So, yes, that was something that

0:13:37.679 --> 0:13:40.880
<v Speaker 4>was edited and re edited with the first book, but

0:13:40.920 --> 0:13:42.920
<v Speaker 4>then with the second I kind of learned to lean

0:13:43.080 --> 0:13:46.000
<v Speaker 4>into my writing skis in a different way. And just

0:13:46.040 --> 0:13:47.760
<v Speaker 4>so you don't feel bad about how long your book

0:13:47.840 --> 0:13:50.040
<v Speaker 4>is taking you. I mean my first book took me

0:13:50.640 --> 0:13:54.400
<v Speaker 4>like eight years. Like it takes a while because you're

0:13:54.480 --> 0:13:57.679
<v Speaker 4>learning new skills and then once you get them, you're

0:13:57.720 --> 0:13:59.320
<v Speaker 4>building on top of it.

0:13:58.800 --> 0:14:01.960
<v Speaker 2>So you're thank you, thank you.

0:14:02.720 --> 0:14:04.960
<v Speaker 1>This current book, Dangerous Play, is a follow up to

0:14:05.080 --> 0:14:08.959
<v Speaker 1>lights Out, which also features reporter Kate Green character I

0:14:09.040 --> 0:14:11.319
<v Speaker 1>right on your website. It's being developed into film or

0:14:11.360 --> 0:14:12.840
<v Speaker 1>maybe TV by a major studio.

0:14:12.880 --> 0:14:14.559
<v Speaker 2>Can you tell us about that process?

0:14:14.840 --> 0:14:19.000
<v Speaker 4>What I'm allowed to share is that it's for television.

0:14:19.360 --> 0:14:23.720
<v Speaker 4>Film agents came to my agent before Lights Out even

0:14:23.760 --> 0:14:26.640
<v Speaker 4>came out. It was kind of like I couldn't believe it.

0:14:26.880 --> 0:14:29.520
<v Speaker 4>I was so excited and then and then it's just

0:14:29.560 --> 0:14:32.800
<v Speaker 4>sort of snowballed in a very very happy way to

0:14:33.920 --> 0:14:37.720
<v Speaker 4>get to this studio. And you know, we signed papers

0:14:38.000 --> 0:14:40.480
<v Speaker 4>very excited a month ago or something. Yeah, it's exciting,

0:14:40.560 --> 0:14:41.560
<v Speaker 4>it's really exciting.

0:14:42.000 --> 0:14:45.200
<v Speaker 2>Do you have any stranger specific writing quirks or habits.

0:14:45.760 --> 0:14:49.000
<v Speaker 4>What you were talking about? Coffee, ice cream? I am

0:14:49.160 --> 0:14:54.240
<v Speaker 4>never ever without coffee. I mean, I'm I'm so addicted

0:14:54.240 --> 0:14:57.760
<v Speaker 4>to coffee. I think most reporters are. Do you drink coffee?

0:14:57.960 --> 0:14:58.400
<v Speaker 2>I do.

0:14:58.520 --> 0:15:01.200
<v Speaker 1>I try not to be addicted, in waves of being

0:15:01.240 --> 0:15:04.040
<v Speaker 1>able to only go a couple times a week, and

0:15:04.080 --> 0:15:06.000
<v Speaker 1>then other stretches where it's every day.

0:15:06.600 --> 0:15:11.360
<v Speaker 4>Yeah, I am a coffee coffee person. If I start

0:15:11.400 --> 0:15:14.120
<v Speaker 4>in the morning, I always have a better writing day

0:15:14.640 --> 0:15:17.520
<v Speaker 4>than I do in the afternoon. I do write in

0:15:17.600 --> 0:15:20.640
<v Speaker 4>bed a lot. I guess nothing specific, like nothing like

0:15:21.360 --> 0:15:23.720
<v Speaker 4>you know, candles on or things like that.

0:15:23.760 --> 0:15:25.400
<v Speaker 2>Writing in bed is very quirky to me.

0:15:25.600 --> 0:15:28.280
<v Speaker 1>But also that you mentioned earlier you are not a

0:15:28.320 --> 0:15:31.320
<v Speaker 1>former professional athlete, which is probably how your body allows

0:15:31.320 --> 0:15:34.320
<v Speaker 1>you to treat it like garbage, because my body would

0:15:34.320 --> 0:15:37.480
<v Speaker 1>never write in bed without me like hobbling my way

0:15:37.520 --> 0:15:39.480
<v Speaker 1>out of there with like my bad back and.

0:15:39.480 --> 0:15:42.200
<v Speaker 2>My neck hurting. And Okay, do you still live on

0:15:42.240 --> 0:15:42.640
<v Speaker 2>a farm.

0:15:42.720 --> 0:15:45.680
<v Speaker 1>Sometimes I read about at least splitting times with a farm,

0:15:45.680 --> 0:15:47.160
<v Speaker 1>and this is my dream later in life.

0:15:47.200 --> 0:15:48.720
<v Speaker 2>So what animals are we talking here?

0:15:48.960 --> 0:15:52.440
<v Speaker 4>Okay, so our farm has narrowed, but I do have

0:15:52.520 --> 0:15:55.320
<v Speaker 4>to tell you about my farm. My husband, who's an

0:15:55.400 --> 0:15:59.160
<v Speaker 4>attorney and in real estate, really should have been a

0:15:59.240 --> 0:16:03.160
<v Speaker 4>vet and wanted to be a farmer. So we live

0:16:03.200 --> 0:16:06.520
<v Speaker 4>on not what you would think as farmland. We live

0:16:06.560 --> 0:16:10.360
<v Speaker 4>in Connecticut. But all of a sudden he's like, we're

0:16:10.400 --> 0:16:13.000
<v Speaker 4>having a farm. So it starts with chickens, then it

0:16:13.040 --> 0:16:17.160
<v Speaker 4>goes to goats, and then we ended up and this

0:16:17.200 --> 0:16:19.680
<v Speaker 4>is a funny story. We ended up with pigs.

0:16:20.160 --> 0:16:22.400
<v Speaker 2>Yes, but he knew.

0:16:22.000 --> 0:16:25.200
<v Speaker 4>That I wouldn't be quite on board with the pigs,

0:16:25.760 --> 0:16:29.280
<v Speaker 4>so he got up the pigs. And it's like behind

0:16:29.360 --> 0:16:31.240
<v Speaker 4>a house where I don't look. I look this way,

0:16:31.320 --> 0:16:34.000
<v Speaker 4>like when I get engaged in what I'm doing, I

0:16:34.120 --> 0:16:37.760
<v Speaker 4>don't really focus on anything else. There was a bet

0:16:37.840 --> 0:16:40.400
<v Speaker 4>going in the soccer carpool about how many days it

0:16:40.400 --> 0:16:43.240
<v Speaker 4>would take me to notice the pigs. It took me

0:16:43.400 --> 0:16:44.040
<v Speaker 4>ten days.

0:16:44.400 --> 0:16:48.080
<v Speaker 1>Oh my gosh, amazing by the way pigs, pigs get

0:16:48.080 --> 0:16:51.480
<v Speaker 1>a bad rap. Pigs are smarter than like toddlers and dogs,

0:16:51.960 --> 0:16:55.040
<v Speaker 1>and they're wonderful creatures. They like mud because if they

0:16:55.080 --> 0:16:58.640
<v Speaker 1>aren't being handled well and they aren't being kept moist,

0:16:58.280 --> 0:17:01.480
<v Speaker 1>it's like uncomfortable for them. So they don't actually want

0:17:01.480 --> 0:17:03.680
<v Speaker 1>to be dirty. They're just trying to like suit their

0:17:03.720 --> 0:17:06.080
<v Speaker 1>skin when they get all muddy. So like people always

0:17:06.080 --> 0:17:08.480
<v Speaker 1>think of pigs in a bad way. But I'm definitely

0:17:08.480 --> 0:17:09.639
<v Speaker 1>gonna have pigs on my farm.

0:17:09.920 --> 0:17:11.240
<v Speaker 4>So what kind of farm do you want?

0:17:12.240 --> 0:17:14.560
<v Speaker 1>I mean, yeah, just like I want all the animals,

0:17:14.560 --> 0:17:16.680
<v Speaker 1>but I also need horses and a couple of donkeys

0:17:16.720 --> 0:17:19.840
<v Speaker 1>and some chickens and maybe like an alpaca or a

0:17:19.920 --> 0:17:22.640
<v Speaker 1>lama that I can use for like people to come visit.

0:17:22.680 --> 0:17:26.000
<v Speaker 1>I'm still it's in the future, although the way the

0:17:26.000 --> 0:17:28.080
<v Speaker 1>world is going, it might be sooner rather than later.

0:17:28.280 --> 0:17:30.680
<v Speaker 1>All right, last question for you, Elise, other than your

0:17:30.800 --> 0:17:33.680
<v Speaker 1>brilliant work, what is the best thriller you've ever read?

0:17:33.720 --> 0:17:36.000
<v Speaker 1>Because I'm hoping that over the holidays I'm actually gonna

0:17:36.040 --> 0:17:38.399
<v Speaker 1>have some time to sit and read, and so I

0:17:38.440 --> 0:17:39.640
<v Speaker 1>need some suggestions.

0:17:39.680 --> 0:17:40.879
<v Speaker 2>Best thriller you've ever read?

0:17:41.359 --> 0:17:46.119
<v Speaker 4>My favorite thriller these days is Sarah Pekinon and Greer Hendrix,

0:17:46.760 --> 0:17:49.760
<v Speaker 4>The Wife between Us. Okay, really good.

0:17:50.560 --> 0:17:53.359
<v Speaker 1>We look forward to the time to read it and

0:17:53.440 --> 0:17:56.119
<v Speaker 1>your books as well. Thank you so much for hopping

0:17:56.119 --> 0:17:57.479
<v Speaker 1>on with us a lease, We appreciate it.

0:17:57.880 --> 0:17:58.879
<v Speaker 4>Thank you for having me.

0:18:01.280 --> 0:18:03.480
<v Speaker 1>Thanks again to Elise for joining us when we get

0:18:03.520 --> 0:18:05.520
<v Speaker 1>back from break, a whole new batch of books to

0:18:05.560 --> 0:18:10.560
<v Speaker 1>add to that unwieldy stack. On your bedside table just me. Sorry,

0:18:10.560 --> 0:18:23.399
<v Speaker 1>Marie Condo, welcome back. We love that you're listening, but

0:18:23.440 --> 0:18:25.040
<v Speaker 1>we want you to get in the game every day too.

0:18:25.080 --> 0:18:27.159
<v Speaker 1>So here's our good game play of the day, and

0:18:27.200 --> 0:18:29.879
<v Speaker 1>it's a fun one. Just consider buying a few of

0:18:29.880 --> 0:18:31.840
<v Speaker 1>the books that we've featured here on Good Game with

0:18:31.880 --> 0:18:35.000
<v Speaker 1>Sarah Spain. Buying a women's sports book supports not just

0:18:35.080 --> 0:18:36.920
<v Speaker 1>the author, but it helps give the folks in your

0:18:36.920 --> 0:18:40.240
<v Speaker 1>life the gift of knowledge about athletes, teams, and women's

0:18:40.240 --> 0:18:41.040
<v Speaker 1>sports history.

0:18:41.280 --> 0:18:42.320
<v Speaker 2>So write these down.

0:18:42.920 --> 0:18:45.000
<v Speaker 1>Hail Mary, The Rise and Fall of the National Women's

0:18:45.000 --> 0:18:47.840
<v Speaker 1>Football League by Britney Dela Creta and Lindsay dark Angelo,

0:18:48.440 --> 0:18:51.719
<v Speaker 1>Locker Room Talk by Melissa Lutkey, and Dangerous Play by

0:18:51.720 --> 0:18:55.159
<v Speaker 1>Elise Heart Kipness. Few other books we've mentioned also include

0:18:55.200 --> 0:18:58.399
<v Speaker 1>Standing Tall, The ce Vivian Stringer Memoir, and The National

0:18:58.400 --> 0:19:01.480
<v Speaker 1>Team by Caitlin Murray. Now, please buy these books at

0:19:01.520 --> 0:19:04.119
<v Speaker 1>a local bookstore, or at least order from a local

0:19:04.160 --> 0:19:07.280
<v Speaker 1>spot like the legendary Powells Books in Portland or Semi

0:19:07.320 --> 0:19:11.240
<v Speaker 1>Colon Books, Chicago's largest black woman owned bookstore. Amazon is

0:19:11.400 --> 0:19:13.399
<v Speaker 1>not a cute place you can go settle in with

0:19:13.440 --> 0:19:15.800
<v Speaker 1>a coffee in a book and lose yourself. It doesn't

0:19:15.840 --> 0:19:19.000
<v Speaker 1>have a counter with adorable bookmarks and stickers and knickknacks

0:19:19.000 --> 0:19:22.560
<v Speaker 1>that make perfect present toppers. There's no cozy kids section

0:19:22.720 --> 0:19:26.639
<v Speaker 1>with cardboard cutouts of beloved characters and little pillows strewn

0:19:26.680 --> 0:19:30.000
<v Speaker 1>about for reading and lounging. Those shop around the corner

0:19:30.000 --> 0:19:33.440
<v Speaker 1>type bookstores will not exist anymore if you don't buy

0:19:33.480 --> 0:19:37.719
<v Speaker 1>stuff from them. So go there and shop, or at

0:19:37.760 --> 0:19:39.720
<v Speaker 1>least go to their website if you're not willing to

0:19:39.800 --> 0:19:42.479
<v Speaker 1>leave the house. You know we always love to hear

0:19:42.520 --> 0:19:44.240
<v Speaker 1>from you, so hit us up on email, good game

0:19:44.280 --> 0:19:46.840
<v Speaker 1>at Wondermedia neetwork dot com, or leave us a voicemail

0:19:46.840 --> 0:19:49.120
<v Speaker 1>at eight seven two two oh four at fifty seventy,

0:19:49.600 --> 0:19:53.919
<v Speaker 1>and don't forget to subscribe. Rate and review slices. It's easy.

0:19:54.040 --> 0:19:59.840
<v Speaker 1>Watch pawcrastinating rating five out of five Boops and Snugs review.

0:20:00.400 --> 0:20:03.000
<v Speaker 1>Can we really be expected to be productive on late

0:20:03.040 --> 0:20:05.800
<v Speaker 1>winter afternoons when the weather dips below thirty and darkness

0:20:05.840 --> 0:20:11.960
<v Speaker 1>arrives before four pm? Of course, not Pauw crastinating snuggling

0:20:11.960 --> 0:20:14.080
<v Speaker 1>with your dogs or cats on the couch instead of

0:20:14.240 --> 0:20:16.520
<v Speaker 1>I don't know tackling your to do list or responding

0:20:16.520 --> 0:20:20.439
<v Speaker 1>to your boss's email. It's not just allowed, it's recommended.

0:20:21.040 --> 0:20:23.879
<v Speaker 2>Work can wait. Those boots and snugs can't.

0:20:24.480 --> 0:20:27.960
<v Speaker 1>See not that hard. Subscribe rate and review. Thanks for listening.

0:20:28.000 --> 0:20:31.159
<v Speaker 1>We'll see you tomorrow. Good game, Elise, Good game, My

0:20:31.280 --> 0:20:35.719
<v Speaker 1>little snugglebugs, Fletch Banks and Indie Few. Not enough hours

0:20:35.720 --> 0:20:38.000
<v Speaker 1>in the day to read all the books in our pile.

0:20:39.880 --> 0:20:42.240
<v Speaker 1>Good Game with Sarah Spain is an iHeart women's sports

0:20:42.240 --> 0:20:45.240
<v Speaker 1>production in partnership with Deep Blue Sports and Entertainment. You

0:20:45.280 --> 0:20:47.960
<v Speaker 1>can find us on the iHeartRadio app, Apple Podcasts, or

0:20:47.960 --> 0:20:51.320
<v Speaker 1>wherever you get your podcasts. Production by Wonder Media Network,

0:20:51.440 --> 0:20:54.520
<v Speaker 1>our producers are Alex Azzie and Misha Jones. Our executive

0:20:54.520 --> 0:20:58.240
<v Speaker 1>producers are Christina Everett, Jesse Katz, Jenny Kaplan, and Emily Rudder.

0:20:58.520 --> 0:21:01.679
<v Speaker 1>Our editors are Emily Rudder, Britney Martinez, Grace Lynch, and

0:21:01.760 --> 0:21:05.119
<v Speaker 1>Lindsay Craterwell. Production assistant from Lucy Jones and I'm your

0:21:05.119 --> 0:21:06.119
<v Speaker 1>Host Sarah Spain