1 00:00:00,720 --> 00:00:03,280 Speaker 1: Welcome to Good Game with Sarah Spain, where it's two 2 00:00:03,320 --> 00:00:05,920 Speaker 1: weeks until Christmas. Have you bought all your friends and 3 00:00:06,000 --> 00:00:08,319 Speaker 1: family women's sports inspired books yet? 4 00:00:08,880 --> 00:00:10,399 Speaker 2: Well, You're in luck. Keep listening. 5 00:00:10,720 --> 00:00:13,280 Speaker 1: It's Wednesday, December eleventh, and today we chat with former 6 00:00:13,320 --> 00:00:17,960 Speaker 1: television sports reporter turned mystery and suspense novelist Elise Heart Kipness. 7 00:00:18,320 --> 00:00:21,800 Speaker 1: She tells about the transition from locker rooms to book editors' offices, 8 00:00:22,079 --> 00:00:24,760 Speaker 1: how her work as a crime reporter influences her writing, 9 00:00:25,079 --> 00:00:28,200 Speaker 1: and her latest book, Dangerous Play, which sees fictional reporter 10 00:00:28,280 --> 00:00:30,960 Speaker 1: Kate Green on assignment covering the US soccer team at 11 00:00:30,960 --> 00:00:34,199 Speaker 1: the Olympics when a murder occurs. Plus, we'll share a 12 00:00:34,200 --> 00:00:36,960 Speaker 1: handful of other Good Game with Sarah Spain approved books 13 00:00:37,000 --> 00:00:39,400 Speaker 1: that are sure to make great presents this holiday season. 14 00:00:39,720 --> 00:00:51,960 Speaker 1: It's all coming up right after this welcome back slices 15 00:00:52,159 --> 00:00:58,560 Speaker 1: Miche has your need to know today, Take it away, Misha. 16 00:00:56,960 --> 00:01:00,880 Speaker 3: Thank you, Thank you, Sarah Beck again, so Ludacris said, 17 00:01:00,920 --> 00:01:05,600 Speaker 3: right anyway. In college soccer, UNC is back on top. 18 00:01:05,720 --> 00:01:08,440 Speaker 3: The tar Heels won the program's first national title since 19 00:01:08,480 --> 00:01:11,240 Speaker 3: twenty twelve with a one nil win over Wake Forest 20 00:01:11,280 --> 00:01:14,640 Speaker 3: on Monday, night, Sophomore Olivia Thomas scored the game winner 21 00:01:14,680 --> 00:01:17,000 Speaker 3: on a free kick in the sixty second minute. And 22 00:01:17,480 --> 00:01:20,479 Speaker 3: listen to this stat Of the forty three NCAA women's 23 00:01:20,480 --> 00:01:25,000 Speaker 3: soccer titles ever awarded, UNC now owns twenty two. That's 24 00:01:25,040 --> 00:01:28,640 Speaker 3: fifty one percent. No other women's college soccer program has 25 00:01:28,680 --> 00:01:33,240 Speaker 3: more than four. In WNBA News, Indiana Fever guard Caitlin 26 00:01:33,280 --> 00:01:36,360 Speaker 3: Clark has been named Time Magazine's Athlete of the Year. 27 00:01:36,760 --> 00:01:38,800 Speaker 3: A quick refresher on a few of the things Clark 28 00:01:38,800 --> 00:01:41,520 Speaker 3: accomplished in twenty twenty four, because it's been a long year. 29 00:01:41,880 --> 00:01:44,679 Speaker 3: She became the top scorer in NCAA Division One women's 30 00:01:44,720 --> 00:01:47,960 Speaker 3: basketball history and led Iowa to a second straight national 31 00:01:48,000 --> 00:01:50,600 Speaker 3: championship appearance. She was the number one pick in the 32 00:01:50,640 --> 00:01:54,000 Speaker 3: WNBA draft, set a new single season rookie scoring record, 33 00:01:54,320 --> 00:01:57,000 Speaker 3: set the league's single season record for assists, and so 34 00:01:57,200 --> 00:01:59,800 Speaker 3: much more en route to earning Rookie of the Year honors. 35 00:02:00,280 --> 00:02:03,120 Speaker 3: In Sean Gregory's story on her, Clark reflected on the 36 00:02:03,160 --> 00:02:06,680 Speaker 3: incredible career she's had already, the difference between college hoops 37 00:02:06,680 --> 00:02:09,720 Speaker 3: and the pros, and on the ways white privilege has 38 00:02:09,760 --> 00:02:10,800 Speaker 3: impacted her stardom. 39 00:02:11,280 --> 00:02:12,000 Speaker 2: She told Time. 40 00:02:12,280 --> 00:02:15,000 Speaker 3: Quote, I want to say I've earned every single thing, 41 00:02:15,120 --> 00:02:17,760 Speaker 3: but as a white person, there is privilege. A lot 42 00:02:17,760 --> 00:02:19,560 Speaker 3: of those players in the league that have been really 43 00:02:19,600 --> 00:02:22,040 Speaker 3: good have been black players. This league has kind of 44 00:02:22,040 --> 00:02:23,160 Speaker 3: been built on them. 45 00:02:23,400 --> 00:02:24,120 Speaker 2: The more we can. 46 00:02:23,960 --> 00:02:27,600 Speaker 3: Appreciate that highlight that talk about that and then continue 47 00:02:27,600 --> 00:02:30,000 Speaker 3: to have brands and companies invest in those players that 48 00:02:30,040 --> 00:02:32,679 Speaker 3: have made this league incredible, I think it's very important. 49 00:02:32,919 --> 00:02:35,280 Speaker 3: I have to continue to try to change that. The 50 00:02:35,280 --> 00:02:37,640 Speaker 3: more we can elevate black women, that's going to be 51 00:02:37,639 --> 00:02:40,640 Speaker 3: a beautiful thing. End quote. We'll link to the Time 52 00:02:40,680 --> 00:02:44,040 Speaker 3: cover and story in our show notes to college hoops 53 00:02:44,320 --> 00:02:47,399 Speaker 3: number eighteen Iowa State in number twenty one, Iowa meet 54 00:02:47,440 --> 00:02:50,640 Speaker 3: tonight as part of the Iowa Korn Syhawk series, which 55 00:02:50,680 --> 00:02:53,880 Speaker 3: is sponsored by Iowa's Corn Farmers. That game tips off 56 00:02:53,919 --> 00:02:56,799 Speaker 3: at nine pm Eastern on FS one. Do y'all remember 57 00:02:56,840 --> 00:02:59,680 Speaker 3: corn Kid? I hope he got free tickets to that game. 58 00:03:00,200 --> 00:03:02,800 Speaker 3: He is the most prominent spokesperson for Coorn that I 59 00:03:02,840 --> 00:03:07,400 Speaker 3: know of it. Also in college hoops, Tennessee is back 60 00:03:07,440 --> 00:03:09,839 Speaker 3: in the AP top twenty five after a win over 61 00:03:09,880 --> 00:03:12,720 Speaker 3: Iowa last weekend. The Lady Balls fell out of the 62 00:03:12,800 --> 00:03:15,560 Speaker 3: national rankings back in November twenty twenty three, and their 63 00:03:15,560 --> 00:03:17,960 Speaker 3: twenty two week absence from the poll was the program's 64 00:03:18,000 --> 00:03:20,240 Speaker 3: longest drought in the forty eight year history of the 65 00:03:20,240 --> 00:03:25,400 Speaker 3: women's basketball rankings to the NWSL. Angel City has fired 66 00:03:25,440 --> 00:03:27,960 Speaker 3: head coach Becky Tweed after the club finished the twenty 67 00:03:28,000 --> 00:03:30,919 Speaker 3: twenty four season in twelfth place with a seven to win, 68 00:03:31,240 --> 00:03:35,520 Speaker 3: thirteen loss and six draw record. First assistant Aleiri Earnshaw 69 00:03:35,600 --> 00:03:37,680 Speaker 3: will serve as interim head coach until a new head 70 00:03:37,680 --> 00:03:41,680 Speaker 3: coach is hired. And finally, the US women's national soccer 71 00:03:41,720 --> 00:03:44,200 Speaker 3: team announced that it will host Brazil for two friendlies 72 00:03:44,200 --> 00:03:47,880 Speaker 3: in California. A rematch of last summer's Olympic gold medal game. 73 00:03:48,280 --> 00:03:50,920 Speaker 3: Game number one is scheduled for April fifth at SOFI 74 00:03:51,000 --> 00:03:53,760 Speaker 3: Stadium in Inglewood, and game number two is on April 75 00:03:53,760 --> 00:03:55,600 Speaker 3: eighth at PayPal Park in San Jose. 76 00:03:58,080 --> 00:04:00,440 Speaker 1: Thanks me, we got to take a quick break when 77 00:04:00,440 --> 00:04:03,760 Speaker 1: we come back. Crafting a murder With Elise heart Kipness 78 00:04:11,880 --> 00:04:14,840 Speaker 1: joining us now, She's a former television sports reporter turned 79 00:04:14,960 --> 00:04:18,279 Speaker 1: mystery and suspense writer. In addition to reporting for Fox 80 00:04:18,320 --> 00:04:21,880 Speaker 1: Sports Network, Elise was a reporter at New York's WNBCTV 81 00:04:22,240 --> 00:04:24,920 Speaker 1: News twelve, Long Island, and the Associated Press. A graduate 82 00:04:24,920 --> 00:04:27,799 Speaker 1: of Brown University and a super fan of coffee ice cream. 83 00:04:28,040 --> 00:04:31,360 Speaker 1: The first two books in her Kate Green fictional thriller series, 84 00:04:31,480 --> 00:04:34,320 Speaker 1: Lights Out and Dangerous Play, are available now. 85 00:04:34,400 --> 00:04:36,440 Speaker 2: The next book, Close Call, will be released. 86 00:04:36,200 --> 00:04:40,000 Speaker 1: In October of twenty twenty five. It's Elise Heart Kipness. Elise, 87 00:04:40,040 --> 00:04:40,920 Speaker 1: thanks for joining us. 88 00:04:41,360 --> 00:04:43,400 Speaker 4: Oh, thank you for having me. It's so great to 89 00:04:43,400 --> 00:04:43,880 Speaker 4: be here. 90 00:04:44,480 --> 00:04:46,280 Speaker 1: I want you to take us back to your sports 91 00:04:46,320 --> 00:04:48,080 Speaker 1: reporting days. How did you first get into that? 92 00:04:48,800 --> 00:04:52,480 Speaker 4: It was such a roundabout way. I had been covering 93 00:04:52,960 --> 00:04:56,520 Speaker 4: news for a while and I had the opportunity to 94 00:04:56,600 --> 00:05:00,320 Speaker 4: cover the NBA lockout of nineteen ninety eight. It gives 95 00:05:00,320 --> 00:05:03,320 Speaker 4: you an idea how old I am. And I went 96 00:05:03,440 --> 00:05:05,680 Speaker 4: and I covered it. You know, it was like a 97 00:05:05,760 --> 00:05:09,160 Speaker 4: news story but also a sports story, and it was 98 00:05:09,360 --> 00:05:12,040 Speaker 4: it was I hate to say this poor lockout, but 99 00:05:12,080 --> 00:05:14,279 Speaker 4: it was great. I'm going to say it was great 100 00:05:14,400 --> 00:05:20,479 Speaker 4: because I have been covering murders and crashes like the 101 00:05:20,520 --> 00:05:23,880 Speaker 4: Flight eight hundred crash and trials of serial killers, and 102 00:05:23,920 --> 00:05:26,440 Speaker 4: I covered the monoc Lewinsky grand jury hearing, and it 103 00:05:26,480 --> 00:05:30,840 Speaker 4: was just like, like covering something like the Lockout was 104 00:05:31,000 --> 00:05:34,560 Speaker 4: very interesting, but it didn't have the same stakes in 105 00:05:34,560 --> 00:05:37,120 Speaker 4: my mind. And then I got to cover sports, like 106 00:05:37,160 --> 00:05:42,640 Speaker 4: we just hit it off, and covering games was so fun. 107 00:05:42,800 --> 00:05:48,800 Speaker 4: It was just exciting and very adrenaline rushing, you know. 108 00:05:49,000 --> 00:05:52,360 Speaker 4: But it was also a nice break from like the 109 00:05:52,360 --> 00:05:55,880 Speaker 4: gloom and doom of what I covered in news. 110 00:05:56,320 --> 00:05:57,800 Speaker 2: I mean, one thousand percent. 111 00:05:57,960 --> 00:06:01,000 Speaker 1: I watch a lot of people who are really deep 112 00:06:01,080 --> 00:06:04,640 Speaker 1: into very serious news or even reactions of nightly news, 113 00:06:04,680 --> 00:06:07,159 Speaker 1: where so much of it is really sad and really hard, 114 00:06:07,600 --> 00:06:09,359 Speaker 1: and so I'm always glad I get to be in 115 00:06:09,360 --> 00:06:11,680 Speaker 1: the toy department, even when the toy department can get 116 00:06:11,720 --> 00:06:12,840 Speaker 1: serious at times too. 117 00:06:13,880 --> 00:06:15,440 Speaker 2: I did look at on your website. 118 00:06:15,440 --> 00:06:17,919 Speaker 1: There's some great old photos and shots of you at 119 00:06:18,120 --> 00:06:19,680 Speaker 1: a whole bunch of different sporting events. 120 00:06:19,720 --> 00:06:21,240 Speaker 2: So you did a good job of making the rounds 121 00:06:21,279 --> 00:06:22,640 Speaker 2: and getting to lots of fun stuff. 122 00:06:22,920 --> 00:06:25,360 Speaker 1: So how did you decide to make the transition from 123 00:06:25,400 --> 00:06:26,800 Speaker 1: reporting to writing fiction. 124 00:06:27,320 --> 00:06:31,160 Speaker 4: When my first son was born, I made a decision 125 00:06:31,600 --> 00:06:34,600 Speaker 4: not to keep traveling. I was covering things like a 126 00:06:34,640 --> 00:06:37,320 Speaker 4: month at a time. So I went to Florida for 127 00:06:37,360 --> 00:06:40,840 Speaker 4: spring training for a month, and I cover March Madness 128 00:06:40,880 --> 00:06:43,280 Speaker 4: for a month. I always got lucky and got assigned 129 00:06:43,279 --> 00:06:46,520 Speaker 4: to Duke, which was a super fun highlight of my career. 130 00:06:47,040 --> 00:06:48,800 Speaker 4: Me and a couple of other people were the East 131 00:06:48,839 --> 00:06:52,240 Speaker 4: Coast bureau for Fox Sports Network, so we were traveling 132 00:06:52,279 --> 00:06:55,159 Speaker 4: all the time, and I just decided it was time 133 00:06:55,240 --> 00:06:59,680 Speaker 4: to stop or take a break. And then about five 134 00:06:59,760 --> 00:07:03,560 Speaker 4: years later, of all the things that I missed, I 135 00:07:03,640 --> 00:07:06,919 Speaker 4: actually found I missed writing the most, which really surprised me, 136 00:07:07,000 --> 00:07:09,520 Speaker 4: because you know, even though we write our own stuff, 137 00:07:09,640 --> 00:07:13,720 Speaker 4: it's like one page, and you don't really feel like 138 00:07:14,480 --> 00:07:17,280 Speaker 4: that in your brain is the most primary part of 139 00:07:17,320 --> 00:07:20,360 Speaker 4: your job. It's one aspect, but it's not the thing. 140 00:07:20,880 --> 00:07:23,560 Speaker 4: And I thought I would miss the adrenaline. I thought 141 00:07:23,560 --> 00:07:26,200 Speaker 4: I might miss going to the locker rooms or you know, 142 00:07:26,280 --> 00:07:29,360 Speaker 4: the interviews or any of it. But I missed writing. 143 00:07:29,880 --> 00:07:33,520 Speaker 4: And I started to take classes because I only knew 144 00:07:33,560 --> 00:07:37,200 Speaker 4: how to write one page. And the first draft of 145 00:07:37,240 --> 00:07:39,360 Speaker 4: my book was so bad. I wrote it as a 146 00:07:39,400 --> 00:07:41,840 Speaker 4: reporter and I wrote the who want where? When? Why 147 00:07:42,160 --> 00:07:46,880 Speaker 4: write no suspense? It is so boring? And then I 148 00:07:47,000 --> 00:07:50,680 Speaker 4: just learned, and I mean one of the benefits, as 149 00:07:51,160 --> 00:07:53,640 Speaker 4: you know, you would know it's it's like I didn't 150 00:07:53,680 --> 00:07:55,320 Speaker 4: have to do my hair, I didn't have to put 151 00:07:55,400 --> 00:07:57,440 Speaker 4: makeup on. I could sit in my bed and. 152 00:07:57,360 --> 00:08:00,640 Speaker 2: Write and make your own schedule those things. 153 00:08:00,720 --> 00:08:03,720 Speaker 4: Yes, yes, And actually don't you find like you're more 154 00:08:03,720 --> 00:08:06,520 Speaker 4: of a late night person, yes, than a morning person 155 00:08:06,560 --> 00:08:09,480 Speaker 4: because you're covering games and it's like really late. So 156 00:08:09,840 --> 00:08:13,040 Speaker 4: I've never gotten over the like sleeping in part, but 157 00:08:13,120 --> 00:08:16,360 Speaker 4: I just do it on my own schedule. My commute 158 00:08:16,400 --> 00:08:17,040 Speaker 4: is much shorter. 159 00:08:17,640 --> 00:08:19,520 Speaker 1: You and I were chatting about me trying to finish 160 00:08:19,520 --> 00:08:23,040 Speaker 1: my first book. I'm impressed by your prolific efforts in 161 00:08:23,040 --> 00:08:24,960 Speaker 1: the last couple of years, continuing to churn them out. 162 00:08:25,000 --> 00:08:25,520 Speaker 2: But yeah, it is. 163 00:08:25,600 --> 00:08:27,920 Speaker 1: It's a very different workflow, and so if you are 164 00:08:28,080 --> 00:08:30,640 Speaker 1: very disciplined and good at keeping yourself on track, it's 165 00:08:30,680 --> 00:08:32,480 Speaker 1: great to be able to say, Okay, well, this day 166 00:08:32,520 --> 00:08:34,200 Speaker 1: something came up, I'm going to go do that instead, 167 00:08:34,200 --> 00:08:35,000 Speaker 1: and then the next day I'm. 168 00:08:34,880 --> 00:08:36,760 Speaker 2: Going to get back to writing. You know. 169 00:08:36,840 --> 00:08:39,280 Speaker 1: It is a transition though, like you just said, both 170 00:08:39,320 --> 00:08:41,160 Speaker 1: in the approach to the work but also in the 171 00:08:41,200 --> 00:08:45,959 Speaker 1: actual writing. You also were a crime reporter, like you said, 172 00:08:46,080 --> 00:08:48,760 Speaker 1: So is that how you decided I'm going to take 173 00:08:48,800 --> 00:08:51,640 Speaker 1: my interest or background in that into writing thrillers as 174 00:08:51,640 --> 00:08:54,120 Speaker 1: opposed to some other type of fiction. 175 00:08:55,080 --> 00:08:57,760 Speaker 4: Yes, but I didn't realize it at the time. What 176 00:08:57,960 --> 00:09:03,320 Speaker 4: happened was I just liked reading thrillers. So the decision 177 00:09:03,360 --> 00:09:05,760 Speaker 4: to write a sports a sports reporter as the main 178 00:09:05,840 --> 00:09:10,240 Speaker 4: character is logical, but I didn't really consider the deep 179 00:09:10,280 --> 00:09:13,360 Speaker 4: reason why I went into thrillers. And then I was 180 00:09:13,480 --> 00:09:16,240 Speaker 4: listening This is a year after or six months after 181 00:09:16,280 --> 00:09:18,320 Speaker 4: my first book came out, and I was listening to 182 00:09:18,960 --> 00:09:23,640 Speaker 4: Lisa Unger, who's a big suspense author, talk, and she 183 00:09:23,720 --> 00:09:27,920 Speaker 4: said she writes thrillers to get like the darkness out 184 00:09:27,920 --> 00:09:30,080 Speaker 4: of her, to purge. And it was like one of 185 00:09:30,120 --> 00:09:33,520 Speaker 4: those aha moments, because I'm like, that's what I'm doing. 186 00:09:33,679 --> 00:09:36,600 Speaker 4: I mean, I remember my mom saying to me when 187 00:09:36,600 --> 00:09:38,320 Speaker 4: I was covering I think it was specifically when I 188 00:09:38,360 --> 00:09:41,280 Speaker 4: was covering Flight eight hundred and I was out there 189 00:09:41,280 --> 00:09:45,599 Speaker 4: for a month, and my mom said, you were always depressed. 190 00:09:46,120 --> 00:09:49,760 Speaker 4: You know, your days are so full of tragedy. You know, 191 00:09:49,920 --> 00:09:53,920 Speaker 4: as a reporter, whatever's happening, it's not happening to you, 192 00:09:54,720 --> 00:10:00,240 Speaker 4: So you almost feel guilty if you're upset about about 193 00:10:00,240 --> 00:10:04,760 Speaker 4: it because it's someone else's tragedy, but you still have 194 00:10:04,800 --> 00:10:07,080 Speaker 4: the emotions of what's going on. So it's a very 195 00:10:07,800 --> 00:10:11,559 Speaker 4: weird thing, like awkward, uncomfortable. But I think it really 196 00:10:11,640 --> 00:10:15,400 Speaker 4: is me processing all this stuff that I saw back then. 197 00:10:15,880 --> 00:10:19,040 Speaker 1: It's interesting how for you writing about it releases it. 198 00:10:19,559 --> 00:10:21,760 Speaker 1: And for me when I work on things like that, 199 00:10:21,840 --> 00:10:24,360 Speaker 1: I like I internalize them and it's very hard for 200 00:10:24,400 --> 00:10:26,160 Speaker 1: me to like get out of that funk. So I'm 201 00:10:26,200 --> 00:10:29,800 Speaker 1: glad you found this outlet. You've written about this reporter 202 00:10:30,000 --> 00:10:33,440 Speaker 1: Kate Green. This is your main character and the most 203 00:10:33,480 --> 00:10:36,360 Speaker 1: recent book called Dangerous Play. She's on assignment covering the 204 00:10:36,440 --> 00:10:38,640 Speaker 1: US women's national soccer team at the Olympics and then 205 00:10:38,640 --> 00:10:41,360 Speaker 1: a famous designer and old friend is found dead in 206 00:10:41,440 --> 00:10:42,200 Speaker 1: the locker room. 207 00:10:42,640 --> 00:10:44,240 Speaker 2: How did you come up with this premise? 208 00:10:45,000 --> 00:10:48,280 Speaker 4: This book was so much fun to write because Kate 209 00:10:48,600 --> 00:10:52,560 Speaker 4: is also a soccer Olympic soccer gold medalist. I like 210 00:10:52,600 --> 00:10:54,640 Speaker 4: to say Kate is a way cooler version of me. 211 00:10:54,800 --> 00:10:59,160 Speaker 4: So I mean, we're both TV sports reporters, but she's 212 00:10:59,320 --> 00:11:04,120 Speaker 4: an Olympics soccer gold medalist. I'm a soccer mom, which 213 00:11:04,160 --> 00:11:09,000 Speaker 4: I am. You know I made her tall, you can't tell, 214 00:11:09,000 --> 00:11:11,920 Speaker 4: but I'm five feet zero inches, so every interview I've 215 00:11:11,960 --> 00:11:14,760 Speaker 4: ever done, I stand on a milk crate. So then 216 00:11:14,760 --> 00:11:18,079 Speaker 4: with dangerous play. My son used to play at the 217 00:11:18,200 --> 00:11:21,480 Speaker 4: NYCFC Soccer Academy and they would play at Yande Stadium. 218 00:11:21,520 --> 00:11:23,680 Speaker 4: They would play soccer, and he plays D one soccer now, 219 00:11:23,760 --> 00:11:28,000 Speaker 4: So this was a chance to merge from an observation 220 00:11:28,720 --> 00:11:32,800 Speaker 4: place as a reporter who covered sports and covered soccer 221 00:11:32,880 --> 00:11:36,280 Speaker 4: a bit, and also what I experienced with my son 222 00:11:36,679 --> 00:11:41,680 Speaker 4: and more specifically his friends on the girls teams who 223 00:11:42,200 --> 00:11:46,760 Speaker 4: had gone through the youth academies and national teams, and 224 00:11:46,840 --> 00:11:52,160 Speaker 4: I really wanted to dive into what it's like to 225 00:11:52,360 --> 00:11:58,480 Speaker 4: have pressure as a youth athlete. Now, my plot is fiction, 226 00:11:59,120 --> 00:12:04,640 Speaker 4: but I did interview these women who who described the 227 00:12:04,679 --> 00:12:08,040 Speaker 4: way people are chosen from the youth camps and the 228 00:12:08,120 --> 00:12:10,800 Speaker 4: national camps to make it to the teams. You know, 229 00:12:10,920 --> 00:12:15,240 Speaker 4: based on things that they told me, Yeah, it's pretty brutal. 230 00:12:16,440 --> 00:12:20,000 Speaker 4: So it was something I really wanted to explore. And 231 00:12:20,000 --> 00:12:23,000 Speaker 4: then you know, I just fanned girl over Yankee Stadium 232 00:12:23,040 --> 00:12:26,880 Speaker 4: all the time because I cover so much baseball there 233 00:12:27,360 --> 00:12:30,760 Speaker 4: and I just couldn't think of a better like spot 234 00:12:30,880 --> 00:12:33,480 Speaker 4: to set a book. It's just like you kind of 235 00:12:33,520 --> 00:12:36,240 Speaker 4: can't believe you're there on the field and in the 236 00:12:36,320 --> 00:12:37,839 Speaker 4: dugout and hanging out there. 237 00:12:38,160 --> 00:12:38,400 Speaker 2: Yeah. 238 00:12:38,440 --> 00:12:40,280 Speaker 1: I mean it sounds like you're using your background in 239 00:12:40,360 --> 00:12:43,640 Speaker 1: journalism to inform the backbone of the book, to make 240 00:12:43,679 --> 00:12:47,280 Speaker 1: sure it fits with reality, and it uses the elements 241 00:12:48,080 --> 00:12:50,520 Speaker 1: of real life, and then you get to create a 242 00:12:50,520 --> 00:12:52,680 Speaker 1: little fiction on top of it. Do you ever find 243 00:12:52,720 --> 00:12:56,200 Speaker 1: yourself veering back toward the truth and then saying, no, 244 00:12:56,240 --> 00:12:58,240 Speaker 1: I don't have to I don't have to make it real. 245 00:12:58,280 --> 00:13:00,520 Speaker 2: This is fiction. I can bend it and I can 246 00:13:00,559 --> 00:13:02,120 Speaker 2: move it in whatever direction I want. 247 00:13:02,400 --> 00:13:04,840 Speaker 4: Yeah, that's such a great question, and I think I 248 00:13:04,880 --> 00:13:08,320 Speaker 4: did that more with book one, The Lights Out. You know, 249 00:13:08,360 --> 00:13:11,640 Speaker 4: when you're learning to ski and your natural reaction is 250 00:13:11,679 --> 00:13:14,960 Speaker 4: to kind of lean back against like what the right 251 00:13:15,040 --> 00:13:17,400 Speaker 4: move is, You're supposed to lean into it. And I 252 00:13:17,480 --> 00:13:20,720 Speaker 4: think and that's a very common mistake, I guess, is 253 00:13:20,720 --> 00:13:27,000 Speaker 4: the right word or tendency for beginning fiction authors that 254 00:13:27,520 --> 00:13:32,880 Speaker 4: you veer away from making things more dramatic and kind 255 00:13:32,880 --> 00:13:37,120 Speaker 4: of blowing things up. So, yes, that was something that 256 00:13:37,679 --> 00:13:40,880 Speaker 4: was edited and re edited with the first book, but 257 00:13:40,920 --> 00:13:42,920 Speaker 4: then with the second I kind of learned to lean 258 00:13:43,080 --> 00:13:46,000 Speaker 4: into my writing skis in a different way. And just 259 00:13:46,040 --> 00:13:47,760 Speaker 4: so you don't feel bad about how long your book 260 00:13:47,840 --> 00:13:50,040 Speaker 4: is taking you. I mean my first book took me 261 00:13:50,640 --> 00:13:54,400 Speaker 4: like eight years. Like it takes a while because you're 262 00:13:54,480 --> 00:13:57,679 Speaker 4: learning new skills and then once you get them, you're 263 00:13:57,720 --> 00:13:59,320 Speaker 4: building on top of it. 264 00:13:58,800 --> 00:14:01,960 Speaker 2: So you're thank you, thank you. 265 00:14:02,720 --> 00:14:04,960 Speaker 1: This current book, Dangerous Play, is a follow up to 266 00:14:05,080 --> 00:14:08,959 Speaker 1: lights Out, which also features reporter Kate Green character I 267 00:14:09,040 --> 00:14:11,319 Speaker 1: right on your website. It's being developed into film or 268 00:14:11,360 --> 00:14:12,840 Speaker 1: maybe TV by a major studio. 269 00:14:12,880 --> 00:14:14,559 Speaker 2: Can you tell us about that process? 270 00:14:14,840 --> 00:14:19,000 Speaker 4: What I'm allowed to share is that it's for television. 271 00:14:19,360 --> 00:14:23,720 Speaker 4: Film agents came to my agent before Lights Out even 272 00:14:23,760 --> 00:14:26,640 Speaker 4: came out. It was kind of like I couldn't believe it. 273 00:14:26,880 --> 00:14:29,520 Speaker 4: I was so excited and then and then it's just 274 00:14:29,560 --> 00:14:32,800 Speaker 4: sort of snowballed in a very very happy way to 275 00:14:33,920 --> 00:14:37,720 Speaker 4: get to this studio. And you know, we signed papers 276 00:14:38,000 --> 00:14:40,480 Speaker 4: very excited a month ago or something. Yeah, it's exciting, 277 00:14:40,560 --> 00:14:41,560 Speaker 4: it's really exciting. 278 00:14:42,000 --> 00:14:45,200 Speaker 2: Do you have any stranger specific writing quirks or habits. 279 00:14:45,760 --> 00:14:49,000 Speaker 4: What you were talking about? Coffee, ice cream? I am 280 00:14:49,160 --> 00:14:54,240 Speaker 4: never ever without coffee. I mean, I'm I'm so addicted 281 00:14:54,240 --> 00:14:57,760 Speaker 4: to coffee. I think most reporters are. Do you drink coffee? 282 00:14:57,960 --> 00:14:58,400 Speaker 2: I do. 283 00:14:58,520 --> 00:15:01,200 Speaker 1: I try not to be addicted, in waves of being 284 00:15:01,240 --> 00:15:04,040 Speaker 1: able to only go a couple times a week, and 285 00:15:04,080 --> 00:15:06,000 Speaker 1: then other stretches where it's every day. 286 00:15:06,600 --> 00:15:11,360 Speaker 4: Yeah, I am a coffee coffee person. If I start 287 00:15:11,400 --> 00:15:14,120 Speaker 4: in the morning, I always have a better writing day 288 00:15:14,640 --> 00:15:17,520 Speaker 4: than I do in the afternoon. I do write in 289 00:15:17,600 --> 00:15:20,640 Speaker 4: bed a lot. I guess nothing specific, like nothing like 290 00:15:21,360 --> 00:15:23,720 Speaker 4: you know, candles on or things like that. 291 00:15:23,760 --> 00:15:25,400 Speaker 2: Writing in bed is very quirky to me. 292 00:15:25,600 --> 00:15:28,280 Speaker 1: But also that you mentioned earlier you are not a 293 00:15:28,320 --> 00:15:31,320 Speaker 1: former professional athlete, which is probably how your body allows 294 00:15:31,320 --> 00:15:34,320 Speaker 1: you to treat it like garbage, because my body would 295 00:15:34,320 --> 00:15:37,480 Speaker 1: never write in bed without me like hobbling my way 296 00:15:37,520 --> 00:15:39,480 Speaker 1: out of there with like my bad back and. 297 00:15:39,480 --> 00:15:42,200 Speaker 2: My neck hurting. And Okay, do you still live on 298 00:15:42,240 --> 00:15:42,640 Speaker 2: a farm. 299 00:15:42,720 --> 00:15:45,680 Speaker 1: Sometimes I read about at least splitting times with a farm, 300 00:15:45,680 --> 00:15:47,160 Speaker 1: and this is my dream later in life. 301 00:15:47,200 --> 00:15:48,720 Speaker 2: So what animals are we talking here? 302 00:15:48,960 --> 00:15:52,440 Speaker 4: Okay, so our farm has narrowed, but I do have 303 00:15:52,520 --> 00:15:55,320 Speaker 4: to tell you about my farm. My husband, who's an 304 00:15:55,400 --> 00:15:59,160 Speaker 4: attorney and in real estate, really should have been a 305 00:15:59,240 --> 00:16:03,160 Speaker 4: vet and wanted to be a farmer. So we live 306 00:16:03,200 --> 00:16:06,520 Speaker 4: on not what you would think as farmland. We live 307 00:16:06,560 --> 00:16:10,360 Speaker 4: in Connecticut. But all of a sudden he's like, we're 308 00:16:10,400 --> 00:16:13,000 Speaker 4: having a farm. So it starts with chickens, then it 309 00:16:13,040 --> 00:16:17,160 Speaker 4: goes to goats, and then we ended up and this 310 00:16:17,200 --> 00:16:19,680 Speaker 4: is a funny story. We ended up with pigs. 311 00:16:20,160 --> 00:16:22,400 Speaker 2: Yes, but he knew. 312 00:16:22,000 --> 00:16:25,200 Speaker 4: That I wouldn't be quite on board with the pigs, 313 00:16:25,760 --> 00:16:29,280 Speaker 4: so he got up the pigs. And it's like behind 314 00:16:29,360 --> 00:16:31,240 Speaker 4: a house where I don't look. I look this way, 315 00:16:31,320 --> 00:16:34,000 Speaker 4: like when I get engaged in what I'm doing, I 316 00:16:34,120 --> 00:16:37,760 Speaker 4: don't really focus on anything else. There was a bet 317 00:16:37,840 --> 00:16:40,400 Speaker 4: going in the soccer carpool about how many days it 318 00:16:40,400 --> 00:16:43,240 Speaker 4: would take me to notice the pigs. It took me 319 00:16:43,400 --> 00:16:44,040 Speaker 4: ten days. 320 00:16:44,400 --> 00:16:48,080 Speaker 1: Oh my gosh, amazing by the way pigs, pigs get 321 00:16:48,080 --> 00:16:51,480 Speaker 1: a bad rap. Pigs are smarter than like toddlers and dogs, 322 00:16:51,960 --> 00:16:55,040 Speaker 1: and they're wonderful creatures. They like mud because if they 323 00:16:55,080 --> 00:16:58,640 Speaker 1: aren't being handled well and they aren't being kept moist, 324 00:16:58,280 --> 00:17:01,480 Speaker 1: it's like uncomfortable for them. So they don't actually want 325 00:17:01,480 --> 00:17:03,680 Speaker 1: to be dirty. They're just trying to like suit their 326 00:17:03,720 --> 00:17:06,080 Speaker 1: skin when they get all muddy. So like people always 327 00:17:06,080 --> 00:17:08,480 Speaker 1: think of pigs in a bad way. But I'm definitely 328 00:17:08,480 --> 00:17:09,639 Speaker 1: gonna have pigs on my farm. 329 00:17:09,920 --> 00:17:11,240 Speaker 4: So what kind of farm do you want? 330 00:17:12,240 --> 00:17:14,560 Speaker 1: I mean, yeah, just like I want all the animals, 331 00:17:14,560 --> 00:17:16,680 Speaker 1: but I also need horses and a couple of donkeys 332 00:17:16,720 --> 00:17:19,840 Speaker 1: and some chickens and maybe like an alpaca or a 333 00:17:19,920 --> 00:17:22,640 Speaker 1: lama that I can use for like people to come visit. 334 00:17:22,680 --> 00:17:26,000 Speaker 1: I'm still it's in the future, although the way the 335 00:17:26,000 --> 00:17:28,080 Speaker 1: world is going, it might be sooner rather than later. 336 00:17:28,280 --> 00:17:30,680 Speaker 1: All right, last question for you, Elise, other than your 337 00:17:30,800 --> 00:17:33,680 Speaker 1: brilliant work, what is the best thriller you've ever read? 338 00:17:33,720 --> 00:17:36,000 Speaker 1: Because I'm hoping that over the holidays I'm actually gonna 339 00:17:36,040 --> 00:17:38,399 Speaker 1: have some time to sit and read, and so I 340 00:17:38,440 --> 00:17:39,640 Speaker 1: need some suggestions. 341 00:17:39,680 --> 00:17:40,879 Speaker 2: Best thriller you've ever read? 342 00:17:41,359 --> 00:17:46,119 Speaker 4: My favorite thriller these days is Sarah Pekinon and Greer Hendrix, 343 00:17:46,760 --> 00:17:49,760 Speaker 4: The Wife between Us. Okay, really good. 344 00:17:50,560 --> 00:17:53,359 Speaker 1: We look forward to the time to read it and 345 00:17:53,440 --> 00:17:56,119 Speaker 1: your books as well. Thank you so much for hopping 346 00:17:56,119 --> 00:17:57,479 Speaker 1: on with us a lease, We appreciate it. 347 00:17:57,880 --> 00:17:58,879 Speaker 4: Thank you for having me. 348 00:18:01,280 --> 00:18:03,480 Speaker 1: Thanks again to Elise for joining us when we get 349 00:18:03,520 --> 00:18:05,520 Speaker 1: back from break, a whole new batch of books to 350 00:18:05,560 --> 00:18:10,560 Speaker 1: add to that unwieldy stack. On your bedside table just me. Sorry, 351 00:18:10,560 --> 00:18:23,399 Speaker 1: Marie Condo, welcome back. We love that you're listening, but 352 00:18:23,440 --> 00:18:25,040 Speaker 1: we want you to get in the game every day too. 353 00:18:25,080 --> 00:18:27,159 Speaker 1: So here's our good game play of the day, and 354 00:18:27,200 --> 00:18:29,879 Speaker 1: it's a fun one. Just consider buying a few of 355 00:18:29,880 --> 00:18:31,840 Speaker 1: the books that we've featured here on Good Game with 356 00:18:31,880 --> 00:18:35,000 Speaker 1: Sarah Spain. Buying a women's sports book supports not just 357 00:18:35,080 --> 00:18:36,920 Speaker 1: the author, but it helps give the folks in your 358 00:18:36,920 --> 00:18:40,240 Speaker 1: life the gift of knowledge about athletes, teams, and women's 359 00:18:40,240 --> 00:18:41,040 Speaker 1: sports history. 360 00:18:41,280 --> 00:18:42,320 Speaker 2: So write these down. 361 00:18:42,920 --> 00:18:45,000 Speaker 1: Hail Mary, The Rise and Fall of the National Women's 362 00:18:45,000 --> 00:18:47,840 Speaker 1: Football League by Britney Dela Creta and Lindsay dark Angelo, 363 00:18:48,440 --> 00:18:51,719 Speaker 1: Locker Room Talk by Melissa Lutkey, and Dangerous Play by 364 00:18:51,720 --> 00:18:55,159 Speaker 1: Elise Heart Kipness. Few other books we've mentioned also include 365 00:18:55,200 --> 00:18:58,399 Speaker 1: Standing Tall, The ce Vivian Stringer Memoir, and The National 366 00:18:58,400 --> 00:19:01,480 Speaker 1: Team by Caitlin Murray. Now, please buy these books at 367 00:19:01,520 --> 00:19:04,119 Speaker 1: a local bookstore, or at least order from a local 368 00:19:04,160 --> 00:19:07,280 Speaker 1: spot like the legendary Powells Books in Portland or Semi 369 00:19:07,320 --> 00:19:11,240 Speaker 1: Colon Books, Chicago's largest black woman owned bookstore. Amazon is 370 00:19:11,400 --> 00:19:13,399 Speaker 1: not a cute place you can go settle in with 371 00:19:13,440 --> 00:19:15,800 Speaker 1: a coffee in a book and lose yourself. It doesn't 372 00:19:15,840 --> 00:19:19,000 Speaker 1: have a counter with adorable bookmarks and stickers and knickknacks 373 00:19:19,000 --> 00:19:22,560 Speaker 1: that make perfect present toppers. There's no cozy kids section 374 00:19:22,720 --> 00:19:26,639 Speaker 1: with cardboard cutouts of beloved characters and little pillows strewn 375 00:19:26,680 --> 00:19:30,000 Speaker 1: about for reading and lounging. Those shop around the corner 376 00:19:30,000 --> 00:19:33,440 Speaker 1: type bookstores will not exist anymore if you don't buy 377 00:19:33,480 --> 00:19:37,719 Speaker 1: stuff from them. So go there and shop, or at 378 00:19:37,760 --> 00:19:39,720 Speaker 1: least go to their website if you're not willing to 379 00:19:39,800 --> 00:19:42,479 Speaker 1: leave the house. You know we always love to hear 380 00:19:42,520 --> 00:19:44,240 Speaker 1: from you, so hit us up on email, good game 381 00:19:44,280 --> 00:19:46,840 Speaker 1: at Wondermedia neetwork dot com, or leave us a voicemail 382 00:19:46,840 --> 00:19:49,120 Speaker 1: at eight seven two two oh four at fifty seventy, 383 00:19:49,600 --> 00:19:53,919 Speaker 1: and don't forget to subscribe. Rate and review slices. It's easy. 384 00:19:54,040 --> 00:19:59,840 Speaker 1: Watch pawcrastinating rating five out of five Boops and Snugs review. 385 00:20:00,400 --> 00:20:03,000 Speaker 1: Can we really be expected to be productive on late 386 00:20:03,040 --> 00:20:05,800 Speaker 1: winter afternoons when the weather dips below thirty and darkness 387 00:20:05,840 --> 00:20:11,960 Speaker 1: arrives before four pm? Of course, not Pauw crastinating snuggling 388 00:20:11,960 --> 00:20:14,080 Speaker 1: with your dogs or cats on the couch instead of 389 00:20:14,240 --> 00:20:16,520 Speaker 1: I don't know tackling your to do list or responding 390 00:20:16,520 --> 00:20:20,439 Speaker 1: to your boss's email. It's not just allowed, it's recommended. 391 00:20:21,040 --> 00:20:23,879 Speaker 2: Work can wait. Those boots and snugs can't. 392 00:20:24,480 --> 00:20:27,960 Speaker 1: See not that hard. Subscribe rate and review. Thanks for listening. 393 00:20:28,000 --> 00:20:31,159 Speaker 1: We'll see you tomorrow. Good game, Elise, Good game, My 394 00:20:31,280 --> 00:20:35,719 Speaker 1: little snugglebugs, Fletch Banks and Indie Few. Not enough hours 395 00:20:35,720 --> 00:20:38,000 Speaker 1: in the day to read all the books in our pile. 396 00:20:39,880 --> 00:20:42,240 Speaker 1: Good Game with Sarah Spain is an iHeart women's sports 397 00:20:42,240 --> 00:20:45,240 Speaker 1: production in partnership with Deep Blue Sports and Entertainment. You 398 00:20:45,280 --> 00:20:47,960 Speaker 1: can find us on the iHeartRadio app, Apple Podcasts, or 399 00:20:47,960 --> 00:20:51,320 Speaker 1: wherever you get your podcasts. Production by Wonder Media Network, 400 00:20:51,440 --> 00:20:54,520 Speaker 1: our producers are Alex Azzie and Misha Jones. Our executive 401 00:20:54,520 --> 00:20:58,240 Speaker 1: producers are Christina Everett, Jesse Katz, Jenny Kaplan, and Emily Rudder. 402 00:20:58,520 --> 00:21:01,679 Speaker 1: Our editors are Emily Rudder, Britney Martinez, Grace Lynch, and 403 00:21:01,760 --> 00:21:05,119 Speaker 1: Lindsay Craterwell. Production assistant from Lucy Jones and I'm your 404 00:21:05,119 --> 00:21:06,119 Speaker 1: Host Sarah Spain