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Speaker 1: Do you guys remember the summer between season three and

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Speaker 1: season four, like the summer of nineteen ninety six, remember

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Speaker 1: what you did?

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Speaker 2: Absolutely it was. It was a fantastic summer. Yeah. It

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Speaker 2: was one of the most memorable summers of my life.

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Speaker 2: It was wow, just incredible. Yeah. I So when we

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Speaker 2: finished our show, and I still was in school because

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Speaker 2: we usually finished like in March, right right February, March

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Speaker 2: somewhere around there, And so I ended up going to

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Speaker 2: I was dating Rachel and she was doing a movie

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Speaker 2: in Rome and her studio teacher was Wesley who we

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Speaker 2: had on our show. Yeah, so I went to Rome.

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Speaker 2: I ended up there for like six weeks with two

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Speaker 2: different trips. I went there for like three weeks, and

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Speaker 2: she had like she it was making this movie that

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Speaker 2: it did come out, but it didn't. It wasn't a

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Speaker 2: hit at all. It was called Eighteenth Angel and it

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Speaker 2: was like a like a horror thriller religious thing set

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Speaker 2: in Italy. Yeah, and so she was there for a

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Speaker 2: whole this whole chunk of time. But they put her up,

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Speaker 2: her and her mom and Wesley in this giant villa.

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Speaker 2: So I got to hang out of this villa in Rome,

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Speaker 2: and I spent like six weeks in Rome like just

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Speaker 2: doing chemistry with Wesley, like I still had to do

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Speaker 2: homework and stuff chemist school, but it was so oh

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Speaker 2: my god, it was so much fun. Like I discovered,

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Speaker 2: you know, like espresso, and I just I just fell

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Speaker 2: in love with Italy and it was incredible. And then

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Speaker 2: I also one of those trips, I flew back from

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Speaker 2: Italy and it was traveling by myself too at sixteen,

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Speaker 2: like I just loved it was like my you know,

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Speaker 2: I'm I'm an adult now, which is crazy to think about.

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Speaker 2: But I also flew to Scotland and met up with

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Speaker 2: my dad and my grandfather who my grandfather must have

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Speaker 2: been close to eighty at that point, and the three

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Speaker 2: of us hiked all over Scotland. We drove around and

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Speaker 2: we went to different day hikes, and our our main

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Speaker 2: thing was like we would go to uh waterfalls, we'd

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Speaker 2: find waterfalls and we do these day hikes and it

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Speaker 2: was amazing, Like I look think back on it now,

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Speaker 2: my my grandfather had never been to Scotland. We have,

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Speaker 2: you know, we're our families from Scotland way back, and

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Speaker 2: so like my grandfather always just one of the dippest

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Speaker 2: toes in lock Loman. So we have like a photograph

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Speaker 2: of us like taking our shoes off and dipping our

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Speaker 2: toes in Loch Loman. And I love Scotland. And the

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Speaker 2: best part is I took my dad and my grand

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Speaker 2: my grandfather to see I had heard about this movie

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Speaker 2: train Spot. It was only released in Scotland at that time, geez, so.

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Speaker 3: I took the family movie.

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Speaker 2: Oh my god. They could not have been more horrified,

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Speaker 2: Like I think my dad was kind of like, you know,

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Speaker 2: for my dad it was like the drug use. For

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Speaker 2: my grandfather it was what are they saying? Because it

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Speaker 2: couldn't understand a single word. And then also there was

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Speaker 2: like literal uh smeared all over one of the characters

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Speaker 2: in the you know, I mean, it's like one of

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Speaker 2: the most in your face aggressive films. So we walked

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Speaker 2: out of that theater and it was like the generational

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Speaker 2: divide because for me, that movie changed my life. Like

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Speaker 2: I was like, I don't I don't really love it now,

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Speaker 2: but at the time, I was like, this is the

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Speaker 2: greatest film ever made. This is the greatest film director ever.

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Speaker 2: I will follow Ewin McGregor anywhere. I was just like

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Speaker 2: I was changed forever from that I.

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Speaker 1: Saw Trainspotting in the theater with you one of those times.

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Speaker 2: Yeah, sure, yeah, because I was like I was a

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Speaker 2: proselytizer for transport, like yeah, it was the ultimate nineties,

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Speaker 2: like like oh, it was just perfect. And so it

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Speaker 2: was so funny to like, you know, be in Scotland

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Speaker 2: and be like, I've heard about it. And the reason

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Speaker 2: I had heard about it is because I they had

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Speaker 2: done a you know, obviously there was the book, but

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Speaker 2: they had done a play of Trainspotting too, And David

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Speaker 2: Combs had told me about it when we were in

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Speaker 2: England whatever a year or two before this, and he

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Speaker 2: was he we had tried to get tickets and couldn't

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Speaker 2: and he had told me, he was like, this is

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Speaker 2: this is a really important cultural thing, this this train Spotting,

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Speaker 2: and he already knew like he was, so he had

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Speaker 2: his finger on the pulse. And so that when I

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Speaker 2: was in Scotland with my I was like, Trainspotting, I've

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Speaker 2: heard about this, Let's go this movie. Oh biggest, Yeah.

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Speaker 1: That's a that's a that's a rough one. Will What

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Speaker 1: about you? What was the summer like for you?

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Speaker 3: You know, I knew you were going to ask this question,

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Speaker 3: and the years get a little muddled and jumbled, but

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Speaker 3: I'm pretty sure this is the year that I filmed

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Speaker 3: did a film called Trojan War with with Love Hewett

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Speaker 3: before we were dating, and I'm pretty And it was

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Speaker 3: like forty five straight nights of shooting because of the.

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Speaker 2: Whole nights and so you had to wear the same

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Speaker 2: wardrobe wardrobe and.

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Speaker 3: Like in on the second day, you know, I my

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Speaker 3: character is supposed to get soaking wet, like hit with

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Speaker 3: with with a hose, a fire hose, and then have

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Speaker 3: flower dumped on them. So they had to recreate that

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Speaker 3: every night for you know, two weeks, where I'd have

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Speaker 3: to get doused with water and then they'd put the

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Speaker 3: flower back on me. This was just constant. So it

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Speaker 3: was a rough shoot, but I had a ton a

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Speaker 3: ton of fun. It was my first big, like you know,

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Speaker 3: Warner Brothers movie. It was yeah, it was so it

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Speaker 3: was a lot of fun just getting to experience that

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Speaker 3: kind of level of being in a film.

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Speaker 2: That was a big movie.

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Speaker 3: Man.

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Speaker 2: I remembered, like I wanted that part so bad. We

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Speaker 2: all auditioned for it, remember, remember, and then we all

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Speaker 2: met at that one party. It was. It was just

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Speaker 2: the three of us, and we're like, one of us

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Speaker 2: is going to get this movie, and you guys both ended.

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Speaker 3: Up in it, right, Yeah, And then Jess and I

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Speaker 3: were both in it. That was directed by George Wong,

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Speaker 3: who did Swimming with Sharks with Frank Whalley, which is

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Speaker 3: a brilliant film. And George is still a good friend

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Speaker 3: of mine, talk to him all the time. So yeah,

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Speaker 3: we have so many horrible Trojan War you know. They

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Speaker 3: Warner Brothers finally decided to release it. They released it

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Speaker 3: in like one theater for one weekend in Boulder, Colorado.

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Speaker 3: George and I flew there to go see it. We're

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Speaker 3: the only people in the theater for the first screening

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Speaker 3: of it ever that the marquee was misspelled it says

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Speaker 3: Trojan Wars. And then the second screening was that night

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Speaker 3: at seven o'clock, three girls who were probably in their

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Speaker 3: late teens early twenties walked in and sat down and

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Speaker 3: we were like, oh, okay, perfect example to see if

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Speaker 3: this is if anyone's gonna like this movie or not.

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Speaker 3: So we went and sat right behind them in this

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Speaker 3: empty theater. I think there was one couple that was

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Speaker 3: way too old to be there. That obviously walked into

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Speaker 3: the wrong theater. These three girls and then George and

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Speaker 3: I behind them, they are silent the entire film. It

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Speaker 3: ends nothing, and the one girl turns to her friends

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Speaker 3: and says, I'm so sorry, I owe you five dollars. Oh,

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Speaker 3: and that George and I we had the rest. We

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Speaker 3: were supposed to say that the rest of the weekend

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Speaker 3: and go to the rest of the screenings again by ourselves.

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Speaker 3: We just found the closest bar and then flew home

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Speaker 3: the next day. Yeah, So that that was my experience between.

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Speaker 2: The glamorous Life of Holly.

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Speaker 3: It was, but I really met Love. She and I

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Speaker 3: had met before that, but we really got to spend

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Speaker 3: a lot of time when we were doing the movie,

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Speaker 3: and we fell for each other and we started dating

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Speaker 3: shortly after that. So between my dating Love, who was

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Speaker 3: like my first love of my life when I was

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Speaker 3: seventeen eight whatever it was nineteen years old. Yeah, and

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Speaker 3: meeting George, who was still a very good friend of mine,

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Speaker 3: it was. It was a wonderful experience all the way around.

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Speaker 2: Wow, that's incredible, Danielle.

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Speaker 3: What'd you do?

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Speaker 1: We went to Hawaii? Yeah, the you know, little Hawaiian family.

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Speaker 1: We went to our Hawaii family drink and yeah, I

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Speaker 1: got I got ten. I probably drank a lot of

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Speaker 1: coffee beans. I went to the mall, the Topanga Mall

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Speaker 1: a lot with my friends and yeah.

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Speaker 3: Wait, you were going to the Tapanga mall even back

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Speaker 3: in the day. Yeah, I guess that's right. That was

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Speaker 3: your mall.

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Speaker 1: That was my Mompanga mall. Is that the Tanga mall

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Speaker 1: every weekend? Your mall still my mall. It's my mall.

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Speaker 1: It's my mall. I own it and I love it.

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Speaker 1: I've been going to the Topanga Mall for thirty thirty

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Speaker 1: two years.

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Speaker 2: That's amazing that you should be the.

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Speaker 1: Like spokesperson face yeah how my face.

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Speaker 2: Your face on a billboard and be like come on down.

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Speaker 1: You know, listen Westfield, if you're listening, there's the mall,

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Speaker 1: the Topanga Mall. I should be the pa. It's I

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Speaker 1: go there all the time. Guys. We have a whole

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Speaker 1: we have a whole new intro told intro let's but

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Speaker 1: let's talk about it. Is when people think of the

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Speaker 1: Boy Meets World intro, is this the one they think of?

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Speaker 2: Oh God, I hope not. I hope not to No, no,

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Speaker 2: because I think what happened when the aired on Disney Channel.

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Speaker 2: They put they just put the final the final opening

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Speaker 2: credits before every episode.

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Speaker 3: Really like season one, it's it's the Dustle.

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Speaker 2: They're pretty sure that they settled on what they perceived

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Speaker 2: as the best. Maybe I'm wrong. I don't know. For

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Speaker 2: some reason, I thought that this got edited out. No

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Speaker 2: Jensen saying they use this one.

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Speaker 1: Yeah, I think this is That's what I'm saying. I

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Speaker 1: think this is the one most people think of when

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Speaker 1: they think of Boy Meets World and they imagine the open,

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Speaker 1: this is the one they think of.

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Speaker 3: Do you remember this shoot, Danielle? Oh? Yeah, me too?

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Speaker 2: Why did you have Danielle not me?

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Speaker 3: Because A you left for part of it, which is

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Speaker 3: why you're not in one of the scenes.

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Speaker 2: But I remember it.

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Speaker 3: And B because this is the first opening title sequence

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Speaker 3: where Danielle is clearly now part of the shop.

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Speaker 1: Of the show. Yeah. I remember this. Yeah, I remember

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Speaker 1: this shoot. I remember Rider being miserable, miserable.

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Speaker 3: I was miserable, yes, And you were miser and curious Ye?

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Speaker 3: Why you were?

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Speaker 2: It was a weekend, No, you know, I had something

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Speaker 2: going on, and and and we they said I had

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Speaker 2: to stay for it, and we like negotiated, Like I

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Speaker 2: remember it was like, okay, I must have had something

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Speaker 2: going on. I don't remember what it was like, either

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Speaker 2: it was another job or something was happening that they

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Speaker 2: were like, you have to be here for these hours

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Speaker 2: off Saturday, and I was like, no, I have this

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Speaker 2: other thing to do. What was it that's so interesting?

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Speaker 3: Did McCracken shoot this? It was McCracken, wasn't It was McCracken,

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Speaker 3: but it was.

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Speaker 2: It was a nightmare. I remember it not being fun,

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Speaker 2: but it was maybe just my attitude.

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Speaker 3: I was gonna say it probably a lot more fun.

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Speaker 3: If one of us wasn't miserable all day long, it

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Speaker 3: probably would have been better shooting.

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Speaker 1: I do remember it being an uncomfortable day and like

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Speaker 1: everyone you know, in one of those days we've talked

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Speaker 1: about it before, where these things that you think would

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Speaker 1: be really fun, like we get to do this extra

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Speaker 1: thing like do a Happy Holidays promo or shoot the

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Speaker 1: new opening intros, and it sounds like great, this this

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Speaker 1: where a well oiled machine of a cast. We've got

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Speaker 1: established directors, we all like each other. It would be fun,

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Speaker 1: but it's not for some reason, it feels very high

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Speaker 1: pressure and the stakes feel very high, and everyone is stressed,

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Speaker 1: and yet all you're really doing is sitting on a

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Speaker 1: car and a green screen.

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Speaker 3: We also knew it was lame, lame, we knew.

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Speaker 2: I remember thinking like this, it doesn't make sense, and

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Speaker 2: like no kracking bless him, trying to get us energetic

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Speaker 2: and happy about doing what we thought was really stupid. Like, yeah,

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Speaker 2: they should have asked us, like what would make cool

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Speaker 2: opening credits or whatever. I bet you we would have

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Speaker 2: pitched some things that would have been simpler, easier. It's also,

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Speaker 2: you know, the transition from multi camera to single camera,

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Speaker 2: like you're doing some camera shoots on these days, which

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Speaker 2: we didn't realize like that takes more works. And so

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Speaker 2: I think we felt put out because we're not doing

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Speaker 2: what we normally do, which is shut up and we

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Speaker 2: do a play and it's easy. They have to like

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Speaker 2: do multiple passes from different angles, and I think we

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Speaker 2: had a jib this day. That's how we get the

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Speaker 2: car to make it look like it's moving, because they

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Speaker 2: just brought the car to the stage, parked in front

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Speaker 2: of a green screen and just move the camera around it.

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Speaker 2: So it was more like a sing like it was

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Speaker 2: just like a photo shoot.

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Speaker 3: But they would always and they're always like I remember

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Speaker 3: them being like, all right, now look in the rear

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Speaker 3: view mirrors. Okay, now look look to the side. All right,

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Speaker 3: now you're going to see the parents.

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Speaker 1: And I'll do a mini recap of the new open.

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Speaker 1: We see Corey running down the stairs and we've got

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Speaker 1: a new theme song that somewhere it's like somewhere between

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Speaker 1: the Beach Boys, like wipe Out and Fast Elevator music. Yes,

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Speaker 1: it's terrible, So Cory, he's running down the stairs. He

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Speaker 1: opens the door to see Tapega sitting on a convertible

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Speaker 1: being driven by Eric, waving him over. And I think

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Speaker 1: by that point you were gone, right, we had.

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Speaker 2: You're not there?

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Speaker 1: They Panga and Eric, and then Corey jumps into the car,

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Speaker 1: and then we reveal that Sean is also sitting there,

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Speaker 1: and you are sitting on the passenger door, which is

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Speaker 1: wildly dangerous.

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Speaker 2: No, this is safe, and we're moving like we're encouraging

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Speaker 2: kids to This is really take their lives into their

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Speaker 2: own hands.

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Speaker 1: The gang then drives through a green screen of what

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Speaker 1: could only be the Field of Dreams, while past scenes

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Speaker 1: from previous episodes of the show appear on the car

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Speaker 1: and in the sky. We see the Corey and Shawn handshake,

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Speaker 1: the old cartoon where the Boy Meets the World, Morgan

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Speaker 1: Matthew's laughing, a weird scene I do not remember at all,

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Speaker 1: where Corey and Topanga and Sean are like in a

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Speaker 1: band together.

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Speaker 3: It was weird.

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Speaker 1: I don't know.

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Speaker 3: Yes, there's a weird shot.

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Speaker 1: I'm in the middle, Corey's over here and you're here

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Speaker 1: and it's like you're holding a guitar and we're all

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Speaker 1: like dancing and singing together. That's from a scene that

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Speaker 1: hasn't aired yet.

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Speaker 2: I was gonna say, this is just coming up.

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Speaker 1: Maybe it's a season four episode and they put it

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Speaker 1: in there. I don't know, but I don't remember it

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Speaker 1: at all. And Eric is driving the car and hardly

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Speaker 1: looking at the road very so there's times.

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Speaker 3: I'm not I'm just sitting on the back and it's like,

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Speaker 3: who's steering the damn car? Terrible forget seat belts, at

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Speaker 3: least sit in the car.

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Speaker 1: We also see Amy and Allan hugging in the side

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Speaker 1: view mirror, Corey and Sean doing the gasp, and finally,

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Speaker 1: a new logo so that is our new opening.

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Speaker 2: And do you guys remember I tweeted about this when

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Speaker 2: it happened at the time. Do you guys remember the

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Speaker 2: Rebecca Black Friday video?

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Speaker 1: Of course I do. I remember that very well.

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Speaker 4: It was this.

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Speaker 2: It was basically looked like this. That's what I remember

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Speaker 2: watching the Rebecca Black video and being like, why does

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Speaker 2: this feel familiar? Oh, because it's the boy meets World opening.

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Speaker 2: It's like that bad green screen.

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Speaker 3: It's just like, is Rebecca Black a musician?

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Speaker 1: Yes, she's a musician. She's had a resurgence.

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Speaker 2: It was actually kind of crueled in retrospect, it was like, yeah,

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Speaker 2: it was like this. It went viral because she had

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Speaker 2: it used to be and there was there were companies

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Speaker 2: that you could pay to have a music video made

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Speaker 2: for you, basically like if you were an aspiring music person, okay, singer,

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Speaker 2: and so her people or family or her I don't

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Speaker 2: know herself had paid for her to be in this video.

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Speaker 2: But they did is they shot like green screen stuff

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Speaker 2: and then inserted a singer into the video and and

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Speaker 2: hers went viral because it was just considered bad because

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Speaker 2: it was so cheap.

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Speaker 1: It was a song about Friday and being ready for

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Speaker 1: the weekend. And I will tell you Rebecca Black is

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Speaker 1: the reason Jensen and I are married.

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Speaker 2: What huh?

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Speaker 1: Yeah, So, Rebecca Black's mother was a vet and she

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Speaker 1: since retired and she lives in Orange County. Rebecca, I think,

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Speaker 1: is from Orange County. Her family is and her mother

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Speaker 1: is the vet who put our dogs down. So she like,

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Speaker 1: when Anna passed away, Rebecca bla Black's mother came to

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Speaker 1: our home and put on a down for me. And

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Speaker 1: it came up one night when she was at our

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Speaker 1: house killing a dog that her daughter was Rebecca Black,

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Speaker 1: and I was like, oh my gosh, yes and no, man,

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Speaker 1: how what has that experience been like for her? So

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Speaker 1: cut to years later, Jensen has Rebecca Black on his

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Speaker 1: podcast to talk about her experience with the Friday Song

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Speaker 1: and I see that, and Jensen and I have been

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Speaker 1: friends since high school, but in and out of each

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Speaker 1: other's life. So I messaged him and said, I know

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Speaker 1: Rebecca's mom and that's how we started talking and dating

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Speaker 1: and now are married. So I can thank Rebecca Black

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Speaker 1: for my children. Anyway, Welcome to pod Meets World. I'm

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Speaker 1: Danielle Fischel.

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Speaker 3: I'm rather or strong, and I'm Wilfredell.

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Speaker 1: Are you listening to our podcast right now and you

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Speaker 1: live in Dallas or Austin, Texas, then do we have

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Speaker 1: news for you.

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Speaker 3: We are bringing pod Meats World Life to you to

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Speaker 3: ring in the new year with many, many layers.

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Speaker 2: We'll be at the Majestic Theater in Dallas on January

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Speaker 2: eleventh and then the storied Paramount Theater in Austin on

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Speaker 2: January twelfth, and tickets are still available.

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Speaker 1: We'll be telling new stories, interacting with fans.

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Speaker 2: Even meeting and greeting some of you, and judging a

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Speaker 2: costume contest where the winner gets a legit nineties Boy

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Speaker 2: meets World shooting script signed by us, So come dressed up.

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Speaker 1: We're winding down the tour and we want.

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Speaker 3: To see you again January eleventh at the Majestic in

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Speaker 3: Dallas and January twelfth at the Paramount in Austin. Tickets

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Speaker 3: are available now at Podmeets Worldshow dot com.

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Speaker 1: So today we are recapping season four, episode one, You

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Speaker 1: Can Go Home Again. It originally aired September twentieth, nineteen

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Speaker 1: ninety six. The synopsis Corey is counting down the days

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Speaker 1: until he gets home from the summer road trip with

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Speaker 1: his brother, but Eric isn't quite as excited to return

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Speaker 1: to Philadelphia. After meeting a girl at a diner, Eric

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Speaker 1: thinks small town living might be more his speed. Directed

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Speaker 1: by Jeff McCracken, It was written by Mark Bluttman and

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Speaker 1: Howard Buskang. Right back for season four? Right were they

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Speaker 1: left off in season three? Did these two ever get

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Speaker 1: to sleep? No, my dear goodness. So guest starring Lindsay

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Speaker 1: Ridgeway as Morgan Matthews. But this will be the last

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Speaker 1: time I mentioned her here because I'm just consider her

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Speaker 1: going to be considering her a part of the main

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Speaker 1: cast from here on out. It also guest stars Dick

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Speaker 1: Van Patten of eight Is Enough Fame. He appears as

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Speaker 1: Amish farmer you may also recognize him from Spaceballs, and

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Speaker 1: then Phil leads as Phil. This is so yes. This

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Speaker 1: is one of three appearances for Phil on Boy Meets World,

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Speaker 1: a very famous character actor best known for Rosemary's Baby,

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Speaker 1: Beach's Ghost, Three's Company, The Larry Sanders Show, and two

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Speaker 1: shows that will help you realize his connection to Boy

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Speaker 1: Meets World, Happy Days and The Monkeys. Yeah So listen

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Speaker 1: to this. Also, Leeds was blacklisted during the McCarthy era

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Speaker 1: after pleading the fifth when examined by the house.

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Speaker 3: Wow, I didn't know that. Yeah, I just know. He

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Speaker 3: said the same joke every single time he came to

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Speaker 3: the table read yeah or was that, Oh, you don't

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Speaker 3: remember that. He'd stand up, we'd send and they go

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Speaker 3: and Phil leads and he'd stand up and go, thank you.

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Speaker 3: I just like to say, of all the shows I've

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Speaker 3: been on, this is by far the most recent. And

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Speaker 3: then he'd sit down. He did it every time, and

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Speaker 3: every time.

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Speaker 2: He was so funny.

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Speaker 1: My gosh. Guest starring Marissa Ryan as Irene, who you

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Speaker 1: might recognize as Elizabeth from the TV show Major Dad,

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Speaker 1: or as Abby in the two thousand and one cult

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Speaker 1: classic comedy Wet Hot American Summer, and then Matt Landers

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Speaker 1: as Graham, another character actor who's run in the eighties

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Speaker 1: includes roles in Diehard, Brewsters, Millions, forty eight Hours, Commando,

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Speaker 1: and Jumping Back.

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Speaker 3: I knew I recognize him everything fun.

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Speaker 2: Yeah, one of those faces. You look at it, you're like, oh, yeah,

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Speaker 2: that guy.

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Speaker 3: Both those guys were in everything.

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Speaker 2: Yes.

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Speaker 1: He unfortunately passed away in twenty fifteen at the age

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Speaker 1: of sixty two. And then we have Charles Noland as

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Speaker 1: Garrett who has an unforgettable face that you have to

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Speaker 1: remember as Ron Paxton in Wayne's World, but he's also

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Speaker 1: been in many movies and TV shows including Old School,

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Speaker 1: Bubble Boy, Blow, a dozen Er episodes and forty three

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Speaker 1: episodes of The West Wing. And then we have Joe

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Speaker 1: Toppy Tppe as German tourist Number one. Couldn't find any

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Speaker 1: information about him and also worth noting here, no mister

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Speaker 1: Turner in this episode. No the tides they are a changing.

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Speaker 2: So yeah, so now they've reduced Tony two a handsol

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Speaker 2: episode reoccurring.

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Speaker 3: Yeah, I guess.

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Speaker 1: So, so do you guys want to talk about your

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Speaker 1: overall feelings of the episode?

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Speaker 2: This was a weird one to see because I had

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Speaker 2: never seen any of the yogurt cup stuff. Like, even

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Speaker 2: though I've never seen any of the other episodes, I

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Speaker 2: had seen rehearsals throughout the ape for everything, so there's

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Speaker 2: like some sort of memory, but this is like there's

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Speaker 2: no visual memory at all of the sad of these

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Speaker 2: yogurt stuff. So that was it was so weird. It

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Speaker 2: just felt weird, like it felt it was jarring. I mean,

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Speaker 2: it's it's a great rusty episode and a great deal episode.

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Speaker 2: I love that entire storyline, and I love the way

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Speaker 2: it comes around. I don't love the a storyline at all,

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Speaker 2: but you know, but.

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Speaker 3: I disagree entirely. I loved everything about this episode. I

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Speaker 3: think it's a great way to start season four. It's

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Speaker 3: by far the best performance I've had in the entire

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Speaker 3: run of Boybet's World. I loved this episode all the way.

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Speaker 3: Wow yep wow. I loved everything about it. I love

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Speaker 3: how they're setting up Eric and Alan both going like

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Speaker 3: trying to find themselves. They their they're lost there. I

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Speaker 3: love Corey kind of being the brother trying to get

437
00:20:55,520 --> 00:20:59,000
Speaker 3: I love being afraid to go home. I loved everything

438
00:20:59,000 --> 00:21:01,000
Speaker 3: about this episode. I love the guest stars, I love

439
00:21:01,040 --> 00:21:01,880
Speaker 3: the weirdness.

440
00:21:02,040 --> 00:21:05,000
Speaker 2: But you're saying that this is your your best performance.

441
00:21:04,560 --> 00:21:07,320
Speaker 3: By far, by far, the best performance I've had.

442
00:21:07,440 --> 00:21:09,280
Speaker 2: That's so interesting because to me, it's good, but it's

443
00:21:09,320 --> 00:21:12,200
Speaker 2: it's less comedic, right, like right, that's what I funny.

444
00:21:12,480 --> 00:21:15,560
Speaker 3: I felt I was more natural in this. I didn't

445
00:21:15,560 --> 00:21:18,159
Speaker 3: feel like I was pushing anything. I felt like I

446
00:21:18,200 --> 00:21:20,919
Speaker 3: was actually acting. I loved everything. I felt that I

447
00:21:20,960 --> 00:21:22,639
Speaker 3: was playing layers like. I loved everything.

448
00:21:22,640 --> 00:21:24,679
Speaker 2: That's so funny, man, because I guarantee you, if you

449
00:21:25,240 --> 00:21:27,760
Speaker 2: most of your fans or are fans of the show,

450
00:21:28,359 --> 00:21:30,840
Speaker 2: would would never rank this as what you're talking maybe

451
00:21:30,880 --> 00:21:32,840
Speaker 2: because because you're so you know, because they come to

452
00:21:33,040 --> 00:21:35,520
Speaker 2: love you for your comedy. Sure, that's like what you're

453
00:21:35,560 --> 00:21:39,040
Speaker 2: known for, especially as Eric is like the like the

454
00:21:39,560 --> 00:21:41,600
Speaker 2: the huge amount of laughs that you can get out

455
00:21:41,600 --> 00:21:43,720
Speaker 2: of like a scene, like a single scene, like you

456
00:21:43,840 --> 00:21:46,199
Speaker 2: just cram so many laughs in. And this is not

457
00:21:46,320 --> 00:21:48,280
Speaker 2: one of those episodes. So I bet you this ranks.

458
00:21:48,520 --> 00:21:50,240
Speaker 2: I don't think this is like top five for most

459
00:21:50,280 --> 00:21:50,679
Speaker 2: of your.

460
00:21:50,560 --> 00:21:53,080
Speaker 3: Fans, and I think a lot of that. I think

461
00:21:53,119 --> 00:21:55,320
Speaker 3: that's why I'm pretty sure I did Trojan War because

462
00:21:55,440 --> 00:21:57,359
Speaker 3: Trojan War had a lot of dramatic moments in it,

463
00:21:57,520 --> 00:22:00,760
Speaker 3: and I think I was coming off of that and

464
00:22:00,840 --> 00:22:03,520
Speaker 3: so it was, yeah, that kind of bled into it.

465
00:22:03,560 --> 00:22:06,679
Speaker 3: But I loved it myself. I did. I loved shooting it.

466
00:22:06,720 --> 00:22:08,239
Speaker 3: Ben and I had a ton of fun shooting it.

467
00:22:08,800 --> 00:22:11,439
Speaker 3: I thought the guest stars were great. Marissa Ryan, she

468
00:22:11,480 --> 00:22:13,040
Speaker 3: and I got along really really well. I thought she

469
00:22:13,160 --> 00:22:16,960
Speaker 3: was fantastic. Phil leads again seeing himping Daniel.

470
00:22:17,920 --> 00:22:21,120
Speaker 1: I really I really liked it. I liked a lot

471
00:22:21,160 --> 00:22:25,440
Speaker 1: about it. I will say I I actually didn't love

472
00:22:25,520 --> 00:22:29,520
Speaker 1: the way Alan's storyline tied into Eric's storyline, and will

473
00:22:29,720 --> 00:22:33,840
Speaker 1: and we'll talk about why. Okay, yeah, and I have

474
00:22:33,960 --> 00:22:36,359
Speaker 1: like and I haven't, and I just I think for me,

475
00:22:36,920 --> 00:22:39,760
Speaker 1: I think there could have been one tiny, little tweak

476
00:22:39,840 --> 00:22:41,880
Speaker 1: that would have made me like it a little bit more.

477
00:22:43,119 --> 00:22:45,600
Speaker 1: But I did overall love the episode, and I liked

478
00:22:45,640 --> 00:22:48,280
Speaker 1: that again, this was this was very much Eric meets World.

479
00:22:48,359 --> 00:22:51,200
Speaker 1: We had a full season three where Sean was really

480
00:22:51,280 --> 00:22:54,879
Speaker 1: the driving force. I'm thrilled that we got an Eric's

481
00:22:54,880 --> 00:22:58,880
Speaker 1: storyline that's the a storyline. I do agree with writer

482
00:22:59,119 --> 00:23:02,120
Speaker 1: that I wish when we get these storylines for Eric,

483
00:23:02,200 --> 00:23:04,359
Speaker 1: I feel like there has to be a better happy

484
00:23:04,440 --> 00:23:07,360
Speaker 1: medium between him having some more serious stuff and him

485
00:23:07,359 --> 00:23:09,960
Speaker 1: still being able to use those incredible comedy chops that

486
00:23:10,000 --> 00:23:13,520
Speaker 1: he had. I feel like they gave the comedy to

487
00:23:13,600 --> 00:23:17,199
Speaker 1: others about to Ben, which is great too, but you know,

488
00:23:17,560 --> 00:23:19,760
Speaker 1: he he also still had to play it a little

489
00:23:19,800 --> 00:23:23,199
Speaker 1: more dramatic because it was more more about note like

490
00:23:23,280 --> 00:23:25,520
Speaker 1: him being upset and feeling like he had to talk

491
00:23:25,600 --> 00:23:28,000
Speaker 1: you back into going instead of just being nervous Cory.

492
00:23:28,280 --> 00:23:31,240
Speaker 1: But overall I loved the episode. I love the guest stars.

493
00:23:31,280 --> 00:23:33,840
Speaker 1: I think it went really I think the props are

494
00:23:34,119 --> 00:23:37,240
Speaker 1: the set design like so much of it so fun.

495
00:23:37,520 --> 00:23:40,080
Speaker 2: A lot of money on this episode. I started season

496
00:23:40,160 --> 00:23:41,160
Speaker 2: four with a bang, or.

497
00:23:41,080 --> 00:23:46,760
Speaker 3: Like, let's go Griffith Park. So that's the park, Griffith Park.

498
00:23:47,600 --> 00:23:49,119
Speaker 2: Even just looking out the window, I knew it was

499
00:23:49,119 --> 00:23:50,800
Speaker 2: Grindth Park because you guys keep going on the same

500
00:23:50,880 --> 00:23:54,000
Speaker 2: road that all the time.

501
00:23:56,359 --> 00:23:59,000
Speaker 1: So to jump into our recap, we are in Eric's car,

502
00:23:59,040 --> 00:24:02,000
Speaker 1: which is filled with junk. Corey is recording a message

503
00:24:02,000 --> 00:24:04,160
Speaker 1: for Tapanga's. He and Eric are finishing up their summer

504
00:24:04,200 --> 00:24:06,639
Speaker 1: road trip. Corey states he's making his last entry to

505
00:24:06,640 --> 00:24:09,720
Speaker 1: the travelog because my road buddy is becoming ornery. Eric

506
00:24:09,760 --> 00:24:11,840
Speaker 1: swipes the tape recorder out of Corey's hand and says

507
00:24:11,880 --> 00:24:13,639
Speaker 1: he's happy now because he doesn't have to listen to

508
00:24:13,680 --> 00:24:16,639
Speaker 1: corey yammer about life on the road anymore. And here's

509
00:24:16,680 --> 00:24:20,240
Speaker 1: the road now. He throws the tape recorder out the window.

510
00:24:20,960 --> 00:24:23,760
Speaker 1: Corey pulls out tape recorder seventeen and says, the golden

511
00:24:23,840 --> 00:24:26,320
Speaker 1: rays of the sunset remind me of the golden highlights

512
00:24:26,320 --> 00:24:29,000
Speaker 1: in your beautiful hair. Eric yells at Corey, telling him

513
00:24:29,000 --> 00:24:32,280
Speaker 1: he's insane for comparing everything they've seen to Tapanga. You've

514
00:24:32,320 --> 00:24:35,639
Speaker 1: tapeged me to death man, which should I thought sounded

515
00:24:35,680 --> 00:24:45,159
Speaker 1: like a Feenie line they would. Corey is sad to

516
00:24:45,200 --> 00:24:47,840
Speaker 1: see this trip end, but Eric says it's far from ending,

517
00:24:47,880 --> 00:24:50,000
Speaker 1: even though they are only three hours from home. They're

518
00:24:50,119 --> 00:24:54,120
Speaker 1: entering Pottstown, home of the world's largest yogurt cup. And

519
00:24:54,240 --> 00:24:57,879
Speaker 1: that is one of my favorite like props I've ever seen.

520
00:24:58,000 --> 00:25:02,320
Speaker 1: I love it. I love the logo killer billboard. Eric

521
00:25:02,480 --> 00:25:05,800
Speaker 1: screeches and whips right into town and we see maybe

522
00:25:05,800 --> 00:25:11,000
Speaker 1: boy meets world's first ever action movie sequence, that little stunt.

523
00:25:10,760 --> 00:25:13,680
Speaker 2: Driving yet but then it cuts back into the car

524
00:25:13,720 --> 00:25:15,600
Speaker 2: and you're on the exact same stretch of road you were,

525
00:25:16,680 --> 00:25:19,080
Speaker 2: totally car like, no one's moved in the car, like

526
00:25:19,119 --> 00:25:21,600
Speaker 2: it hasn't been a shock to skid out like that.

527
00:25:21,960 --> 00:25:25,920
Speaker 3: Something also obviously happened with my sound, because from this

528
00:25:26,000 --> 00:25:31,480
Speaker 3: point on, I'm dubbed Ben wasn't but I'm dumb. Yes, yes,

529
00:25:31,600 --> 00:25:36,920
Speaker 3: dubbed Danielle, but uh yeah, so Ben's Ben's audio is fine,

530
00:25:37,040 --> 00:25:39,600
Speaker 3: but mine is completely yep.

531
00:25:39,760 --> 00:25:41,840
Speaker 1: I didn't notice it either. I also didn't notice the

532
00:25:41,880 --> 00:25:44,359
Speaker 1: being on the same stretch of road, so I was

533
00:25:44,400 --> 00:25:50,199
Speaker 1: the perfect audience for this. So Corey tells Eric they

534
00:25:50,200 --> 00:25:52,280
Speaker 1: have to go home because he's run out of clean underwear.

535
00:25:52,480 --> 00:25:54,760
Speaker 1: Eric admits he's also ran out of clean underwear about

536
00:25:54,760 --> 00:25:57,000
Speaker 1: a week ago, and Corey points out that he's also

537
00:25:57,119 --> 00:25:59,520
Speaker 1: run out of pants. Corey els I want to go home,

538
00:25:59,560 --> 00:26:02,040
Speaker 1: and Eric looks down at Corey's bear legs and screams,

539
00:26:02,119 --> 00:26:05,399
Speaker 1: I want you in pants and pants. I feel like

540
00:26:05,480 --> 00:26:08,520
Speaker 1: this was kind of an adult, an adult opening for

541
00:26:08,600 --> 00:26:10,960
Speaker 1: season four. If there's still on.

542
00:26:10,880 --> 00:26:14,240
Speaker 3: The on the road of adult about what.

543
00:26:14,720 --> 00:26:18,960
Speaker 1: He's pantsless and Eric's looking down at his sprots.

544
00:26:18,560 --> 00:26:22,120
Speaker 2: That's that's that's like a It felt very Looney tunesy

545
00:26:22,280 --> 00:26:26,159
Speaker 2: gaggy like. It felt like childish gag like under pants.

546
00:26:26,160 --> 00:26:28,920
Speaker 2: You know, it's like he's wearing underpants.

547
00:26:28,640 --> 00:26:30,040
Speaker 3: But he's not. Apparently he's not.

548
00:26:31,640 --> 00:26:34,520
Speaker 1: He's naked. It's what he said, that's my point. He

549
00:26:34,640 --> 00:26:36,959
Speaker 1: ran out of underwear, and he said. You may have

550
00:26:37,000 --> 00:26:37,680
Speaker 1: also read.

551
00:26:38,200 --> 00:26:41,680
Speaker 2: Underwear and Will says, I'm wearing dirty underwear and it's

552
00:26:41,720 --> 00:26:43,520
Speaker 2: I'm sitting pretty or no. I guess the idea is

553
00:26:43,520 --> 00:26:45,440
Speaker 2: that Will's going commando.

554
00:26:45,800 --> 00:26:49,720
Speaker 1: Will's going commando, I don't think Ben. Ben then says,

555
00:26:49,920 --> 00:26:52,359
Speaker 1: I've also you may have also noticed I've run out

556
00:26:52,359 --> 00:26:53,359
Speaker 1: of pants, so.

557
00:26:53,240 --> 00:26:55,720
Speaker 3: He's he's got the junk out. That's what I think

558
00:26:56,080 --> 00:26:56,280
Speaker 3: it is.

559
00:26:56,320 --> 00:26:58,320
Speaker 2: I was like, oh, that's okay, fine, I don't want

560
00:26:58,320 --> 00:27:00,960
Speaker 2: to think about that in your head now, my friend.

561
00:27:01,600 --> 00:27:04,159
Speaker 1: I was like, this is an interesting open for seasons.

562
00:27:04,400 --> 00:27:07,040
Speaker 2: I totally just sue. I just was imagining like polka

563
00:27:07,080 --> 00:27:12,040
Speaker 2: dot underpants, you know, like really cartoony. I think, yeah, so,

564
00:27:12,280 --> 00:27:14,000
Speaker 2: and then you're right, that is kind of weird.

565
00:27:14,720 --> 00:27:17,399
Speaker 1: We're in Potstown. Eric and Corey arrive at the world's

566
00:27:17,480 --> 00:27:21,359
Speaker 1: largest yogurt cup. I mean, this large yogurt cup is

567
00:27:21,400 --> 00:27:24,520
Speaker 1: now my new favorite prop. It just they keep popping themselves.

568
00:27:24,520 --> 00:27:27,080
Speaker 2: So how did they do this? Like they do build

569
00:27:27,480 --> 00:27:29,480
Speaker 2: I mean that spoon alone is like.

570
00:27:29,400 --> 00:27:30,439
Speaker 3: The giant pink spoon.

571
00:27:30,760 --> 00:27:33,000
Speaker 2: It's so much work. Yeah, I mean, and you know

572
00:27:33,080 --> 00:27:36,400
Speaker 2: that this like Michael and Bloodman and buskeg just being like, well,

573
00:27:36,680 --> 00:27:39,600
Speaker 2: what do the giant yogurt cup? It's like the most

574
00:27:39,760 --> 00:27:42,840
Speaker 2: boy meets World like joke, and then like, well we

575
00:27:42,920 --> 00:27:46,040
Speaker 2: have to build it. Oh my god, so great.

576
00:27:47,200 --> 00:27:49,440
Speaker 1: I mean, what a step up from the shady melon,

577
00:27:49,560 --> 00:27:49,880
Speaker 1: you know.

578
00:27:50,400 --> 00:27:55,920
Speaker 3: Yeah, really, now we've got the giant thing. Yeah, yeah, awesome.

579
00:27:56,040 --> 00:27:59,400
Speaker 2: But this is a classic situation where the A storyline

580
00:27:59,840 --> 00:28:02,640
Speaker 2: is you know, pushing the limits of the sitcom form,

581
00:28:02,720 --> 00:28:05,600
Speaker 2: like in terms of the the props and the sets

582
00:28:05,680 --> 00:28:07,840
Speaker 2: and the we're gonna leave that, and then the B

583
00:28:08,000 --> 00:28:11,480
Speaker 2: storyline is such a straight play, like it's literally like

584
00:28:11,680 --> 00:28:15,000
Speaker 2: Alan and Amy sitting on couches, sitting on the outside.

585
00:28:15,040 --> 00:28:18,920
Speaker 2: It's like very much like no bells and whistles, no frills,

586
00:28:18,960 --> 00:28:22,600
Speaker 2: it's just like straight up play theatrical sitcoms form. And

587
00:28:22,640 --> 00:28:24,760
Speaker 2: it's you know, it's usually you have to balance those

588
00:28:24,760 --> 00:28:27,440
Speaker 2: things because you put so much production energy and time

589
00:28:27,560 --> 00:28:30,320
Speaker 2: into doing all the single camera work and night shoot.

590
00:28:30,359 --> 00:28:34,520
Speaker 2: We have an exterior night shoot, might Yeah.

591
00:28:35,480 --> 00:28:39,240
Speaker 1: So Corey has bought some new pants with yogurt logos

592
00:28:39,320 --> 00:28:41,080
Speaker 1: on them, and he says, let me tell you, one

593
00:28:41,160 --> 00:28:45,560
Speaker 1: size does not fit all, but they actually look like pretty.

594
00:28:45,280 --> 00:28:47,080
Speaker 3: Well perfectly perfectly.

595
00:28:47,440 --> 00:28:51,280
Speaker 1: Also, I did the research. Potstown is a real city,

596
00:28:51,320 --> 00:28:53,880
Speaker 1: it's a real place, but they are not the home

597
00:28:53,880 --> 00:28:56,040
Speaker 1: of the world's largest yogurt cup. Unfortunately.

598
00:28:56,120 --> 00:28:58,680
Speaker 2: No, that's the world's largest yogurt cut because.

599
00:28:58,440 --> 00:29:00,760
Speaker 3: No, I'm kidding. Punk Satani is the the groundhog.

600
00:29:00,960 --> 00:29:03,680
Speaker 2: Yes, maybe we should make the world's largest yogurt cup.

601
00:29:03,760 --> 00:29:05,920
Speaker 1: Well, I do think we should make the world's largest

602
00:29:06,000 --> 00:29:06,560
Speaker 1: yogurt cup.

603
00:29:08,920 --> 00:29:13,080
Speaker 2: I mean like by building this, did we actually make

604
00:29:13,120 --> 00:29:15,960
Speaker 2: the world's largest actually make the world? Like why didn't

605
00:29:16,000 --> 00:29:17,880
Speaker 2: we call the Guinness Book a world rid its?

606
00:29:17,880 --> 00:29:20,840
Speaker 3: Like my question would be what would what would make

607
00:29:20,880 --> 00:29:24,000
Speaker 3: it a yogurt cup which you actually have to Yeah,

608
00:29:24,000 --> 00:29:25,200
Speaker 3: I think you have to fill.

609
00:29:24,960 --> 00:29:28,960
Speaker 2: It to do like a giant foil opening and.

610
00:29:28,920 --> 00:29:32,840
Speaker 3: Then when what do you really sat peel giant and

611
00:29:32,880 --> 00:29:34,560
Speaker 3: it just says to the bottom, sorry, this cup is

612
00:29:34,600 --> 00:29:36,120
Speaker 3: not a winner. Like wait a minute, we were doing

613
00:29:36,120 --> 00:29:36,800
Speaker 3: a contest too.

614
00:29:36,880 --> 00:29:44,400
Speaker 2: What the helicopter to like hook into this foil and.

615
00:29:42,200 --> 00:29:44,440
Speaker 1: Then a thousand people have to lick the foil?

616
00:29:44,520 --> 00:29:46,360
Speaker 3: List Yes, can you imagine the fruit at the bottom

617
00:29:46,440 --> 00:29:48,200
Speaker 3: trying to turn that from the bottom of the butt?

618
00:29:48,240 --> 00:29:48,560
Speaker 3: Hold on?

619
00:29:48,840 --> 00:29:52,840
Speaker 2: But then there's sprinkles, So is it like frozen sprinkles?

620
00:29:53,080 --> 00:29:57,080
Speaker 2: Maybe they don't put sprinkles on regular yogurt, so maybe

621
00:29:57,080 --> 00:29:58,840
Speaker 2: it wouldn't have can would just be.

622
00:29:58,800 --> 00:30:01,560
Speaker 1: Like fun fact I put sprinkles on my my kids

623
00:30:01,640 --> 00:30:05,480
Speaker 1: yogurt every single morning. Well on outhers. Keaton doesn't like sprinkles.

624
00:30:05,360 --> 00:30:07,840
Speaker 3: But sprinkles, multi colored sprinkles.

625
00:30:07,880 --> 00:30:09,680
Speaker 1: Well, right now we have Christmas sprinkles.

626
00:30:10,080 --> 00:30:13,200
Speaker 3: Okay, did you grow up calling them sprinkles by the way, yes,

627
00:30:13,320 --> 00:30:16,000
Speaker 3: of course, because that's a regional thing. Well, growing up

628
00:30:16,000 --> 00:30:18,080
Speaker 3: in back East are called Jimmy's or shots.

629
00:30:18,200 --> 00:30:20,360
Speaker 1: Oh right, Well to Pega calls hers jimmy's.

630
00:30:20,480 --> 00:30:21,120
Speaker 3: See there you go.

631
00:30:22,000 --> 00:30:26,360
Speaker 2: That's okay, Wow, Connecticut, what did they call them?

632
00:30:26,400 --> 00:30:29,280
Speaker 3: You have to like there are shots or Jimmy's exactly.

633
00:30:29,360 --> 00:30:30,480
Speaker 3: It's like what you call a sandwich?

634
00:30:30,520 --> 00:30:33,400
Speaker 2: Did you grow wasn't just thrown onto your what was it?

635
00:30:33,480 --> 00:30:40,000
Speaker 3: Big? What did you call sandwiches where you were growing up?

636
00:30:40,000 --> 00:30:44,280
Speaker 3: Big long sandwiches? Here we're called what oes just sandwich?

637
00:30:44,320 --> 00:30:44,600
Speaker 2: That's it?

638
00:30:45,120 --> 00:30:47,560
Speaker 3: You call them? No hogies. Is in the middle of

639
00:30:47,600 --> 00:30:48,920
Speaker 3: the country, we call them grinders.

640
00:30:49,200 --> 00:30:51,360
Speaker 1: Oh we call or subs a sub sandwich.

641
00:30:51,400 --> 00:30:54,680
Speaker 3: It's a sub here, yes, I think, yeah, they're grinders.

642
00:30:54,240 --> 00:30:57,320
Speaker 1: Back subway or gotcha dan?

643
00:30:57,960 --> 00:30:58,880
Speaker 2: That makes no sense to me.

644
00:30:59,120 --> 00:31:00,240
Speaker 1: Grinders in line making.

645
00:31:00,280 --> 00:31:02,200
Speaker 3: It still can't.

646
00:31:02,080 --> 00:31:24,280
Speaker 4: Stop olviuson grinders, polcus grinders, Navy.

647
00:31:16,440 --> 00:31:18,360
Speaker 1: Corey wants to go home, but Eric points out that

648
00:31:18,360 --> 00:31:21,000
Speaker 1: there's a whole schedule of events. Corey pleads with Eric

649
00:31:21,040 --> 00:31:23,160
Speaker 1: that he doesn't want to be there after dark. Eric

650
00:31:23,200 --> 00:31:25,840
Speaker 1: takes out his camera and makes Corey pose say big

651
00:31:25,880 --> 00:31:30,080
Speaker 1: pink spoon, and then we start a bunch of very

652
00:31:30,160 --> 00:31:33,800
Speaker 1: quick scenes, So many very quick scenes in this episode.

653
00:31:34,360 --> 00:31:36,440
Speaker 2: There were a lot of very weird transitions.

654
00:31:36,640 --> 00:31:38,360
Speaker 3: Yeah, yeah, the transitions weren't great.

655
00:31:38,440 --> 00:31:41,360
Speaker 2: That's that's true, And like, I also just don't Yeah,

656
00:31:41,560 --> 00:31:43,320
Speaker 2: we'll get to like some of the word. But but

657
00:31:43,360 --> 00:31:46,160
Speaker 2: the next scene is Matthews or Matthews right, Yes, did

658
00:31:46,200 --> 00:31:49,280
Speaker 2: you guys notice the music? No, Like, oh, I think

659
00:31:49,280 --> 00:31:51,360
Speaker 2: it's our I think that. I don't know. The music

660
00:31:51,400 --> 00:31:53,400
Speaker 2: seemed really intense to me, and I'm not sure if

661
00:31:53,440 --> 00:31:56,600
Speaker 2: it was just loud or different, like they've taken basically

662
00:31:56,640 --> 00:31:59,720
Speaker 2: the the theme music for the new season, but it

663
00:31:59,760 --> 00:32:03,600
Speaker 2: was like some rock and guitar like very well. I

664
00:32:03,600 --> 00:32:04,800
Speaker 2: was like, Jesuz, calm down.

665
00:32:05,080 --> 00:32:08,160
Speaker 1: Yeah, yeah, I think it's a I think it's a

666
00:32:08,240 --> 00:32:09,840
Speaker 1: riff on the theme. I think they're playing with the

667
00:32:10,280 --> 00:32:12,560
Speaker 1: US there. So then we're in the Matthew's house. Alan

668
00:32:12,600 --> 00:32:14,680
Speaker 1: and Amy are dressed up for Alan to receive the

669
00:32:14,720 --> 00:32:17,760
Speaker 1: Grocery Store Manager of the Year award. Amy is proud

670
00:32:17,760 --> 00:32:21,040
Speaker 1: of him, and Alan is underplaying the achievement to Panga,

671
00:32:21,480 --> 00:32:25,720
Speaker 1: my hair is so long and the wrong. The Great

672
00:32:25,880 --> 00:32:29,360
Speaker 1: Bang grow out is almost complete. You can tell they're

673
00:32:29,680 --> 00:32:31,360
Speaker 1: off to the side. They're pushed out of the way.

674
00:32:31,800 --> 00:32:33,920
Speaker 3: You always say this about or you have said this

675
00:32:34,000 --> 00:32:36,160
Speaker 3: about us, and it doesn't sound creepy, So hopefully it

676
00:32:36,160 --> 00:32:38,400
Speaker 3: doesn't sound creepy when I say it back. But smoke

677
00:32:38,480 --> 00:32:40,040
Speaker 3: showed to Panga.

678
00:32:39,640 --> 00:32:47,320
Speaker 1: Right, I know, very good. We're entering the season of

679
00:32:47,840 --> 00:32:48,800
Speaker 1: Danielle is peaked.

680
00:32:49,040 --> 00:32:51,280
Speaker 3: Okay, Season four is.

681
00:32:51,240 --> 00:32:55,560
Speaker 1: The just it doesn't get any better than this. Sixteen

682
00:32:55,640 --> 00:32:59,120
Speaker 1: year old Danielle fifteen fifteen, sixteen year old Danielle is

683
00:32:59,320 --> 00:33:04,120
Speaker 1: just peaked here. It's all after this. So and Sean,

684
00:33:04,160 --> 00:33:07,240
Speaker 1: who's dressed very swingers. Yeah, he's barging through the front

685
00:33:07,240 --> 00:33:11,480
Speaker 1: door asking yep, asking if Corey is coming back yet.

686
00:33:11,520 --> 00:33:13,720
Speaker 1: He is, He's not there yet. So Tpang asks if

687
00:33:13,760 --> 00:33:15,600
Speaker 1: they can wait, and mister Matthew says, well, they're on

688
00:33:15,640 --> 00:33:18,120
Speaker 1: their way out. Sean ignores him and says he's going

689
00:33:18,160 --> 00:33:20,480
Speaker 1: to take a bath. Alan prefers that his friend's son

690
00:33:20,760 --> 00:33:22,920
Speaker 1: that his son's friends don't bathe in his home while

691
00:33:22,960 --> 00:33:25,760
Speaker 1: he's not there or ever. Sean asks, still in a

692
00:33:25,760 --> 00:33:28,120
Speaker 1: bad mood, mister m and Amy asks what he's talking about,

693
00:33:28,160 --> 00:33:31,280
Speaker 1: mister m what is happening?

694
00:33:31,840 --> 00:33:33,320
Speaker 2: The second that came out of my mouth, I was.

695
00:33:33,320 --> 00:33:35,720
Speaker 3: Like, what, that's not even happy days? That's even more

696
00:33:36,160 --> 00:33:36,840
Speaker 3: leave it to beaver.

697
00:33:36,960 --> 00:33:40,800
Speaker 5: That's wing on the show yet, So I don't.

698
00:33:40,960 --> 00:33:42,960
Speaker 2: It just felt weird like hearing it, it was.

699
00:33:42,960 --> 00:33:47,160
Speaker 3: Like, what, No, you also have your your high earring

700
00:33:47,360 --> 00:33:53,920
Speaker 3: earring thing a cartilage pierce yep, which which I had

701
00:33:53,960 --> 00:33:54,680
Speaker 3: never noticed before.

702
00:33:54,720 --> 00:33:58,960
Speaker 2: It's like I got a car, I was got an apartment,

703
00:33:59,000 --> 00:34:03,320
Speaker 2: and I got an ear pier sing here yeah, big season,

704
00:34:03,720 --> 00:34:07,160
Speaker 2: I'm a full on grass. You're looking at grown up rider.

705
00:34:07,280 --> 00:34:07,560
Speaker 1: This is.

706
00:34:09,080 --> 00:34:10,480
Speaker 2: The most mature I've ever been.

707
00:34:10,880 --> 00:34:12,440
Speaker 1: Did you not have to ask permission?

708
00:34:12,560 --> 00:34:12,600
Speaker 4: Like?

709
00:34:12,680 --> 00:34:14,880
Speaker 1: Were you just did you just get a piercing and

710
00:34:14,960 --> 00:34:15,920
Speaker 1: no one mentioned it to you?

711
00:34:16,200 --> 00:34:20,440
Speaker 2: Or yeah, yeah I did it multiple times because it

712
00:34:20,520 --> 00:34:22,480
Speaker 2: filled in, like I had to take it out for

713
00:34:22,640 --> 00:34:24,400
Speaker 2: something for a job, I guess, and then it filled in,

714
00:34:24,480 --> 00:34:26,680
Speaker 2: So I definitely had it pierced like two or three times?

715
00:34:27,880 --> 00:34:29,239
Speaker 2: Is it I tak it the first time, I just

716
00:34:29,280 --> 00:34:31,480
Speaker 2: did it the mall with a well, I'm I think

717
00:34:31,520 --> 00:34:33,080
Speaker 2: I don't know if I could still get something through it.

718
00:34:33,120 --> 00:34:34,800
Speaker 2: The last time I did it was for a movie

719
00:34:34,920 --> 00:34:38,160
Speaker 2: I did in two thousand and like four or five.

720
00:34:38,280 --> 00:34:40,040
Speaker 2: I put something through and it's still I still had

721
00:34:40,040 --> 00:34:40,319
Speaker 2: a hold.

722
00:34:40,440 --> 00:34:41,799
Speaker 1: I'll bring an airing for you to put through.

723
00:34:42,040 --> 00:34:42,640
Speaker 2: We're going to try that.

724
00:34:43,000 --> 00:34:45,480
Speaker 1: Yeah, to try that right at a live show or something.

725
00:34:47,760 --> 00:34:55,759
Speaker 3: So Amy scream it closed, it closed, Danie'll be like that.

726
00:34:55,880 --> 00:34:56,319
Speaker 3: We'll get it through.

727
00:34:56,320 --> 00:34:58,759
Speaker 2: Don't worry, but pierce me on stage. We'll just get

728
00:34:59,520 --> 00:35:03,840
Speaker 2: I'll do it, bars, I'll.

729
00:35:02,400 --> 00:35:03,400
Speaker 3: Get one done. There you go.

730
00:35:03,960 --> 00:35:05,920
Speaker 1: So Sean begins to tell the story of when he

731
00:35:05,960 --> 00:35:07,920
Speaker 1: and his father were getting their samples at the grocery

732
00:35:07,960 --> 00:35:10,239
Speaker 1: store and Alan cuts them off sticking toothpicks and our

733
00:35:10,280 --> 00:35:14,719
Speaker 1: sausages does not make them free samples. That Sean is

734
00:35:14,760 --> 00:35:19,560
Speaker 1: offended and says, we'll just take our business elsewhere. So funny,

735
00:35:20,080 --> 00:35:24,120
Speaker 1: you're great, And that is weird a little bit, but yeah, yeah,

736
00:35:24,120 --> 00:35:24,520
Speaker 1: it's cute.

737
00:35:24,560 --> 00:35:26,800
Speaker 2: I want I'm wearing in the next scene, I know.

738
00:35:27,080 --> 00:35:27,319
Speaker 6: Yeah.

739
00:35:28,280 --> 00:35:29,960
Speaker 1: So then we're in the gift store for the world's

740
00:35:30,040 --> 00:35:32,480
Speaker 1: largest yogurt cup, Corey is trying on a huge red

741
00:35:32,600 --> 00:35:35,239
Speaker 1: hat with yogurt cups around the brim, and wow, the

742
00:35:35,320 --> 00:35:36,400
Speaker 1: prop department was.

743
00:35:36,640 --> 00:35:40,520
Speaker 3: Busy this week, a budget already this season.

744
00:35:40,440 --> 00:35:41,640
Speaker 1: I mean, some really good work.

745
00:35:41,680 --> 00:35:44,320
Speaker 2: The whole glasses that Ben's wearing, like, we are so

746
00:35:44,520 --> 00:35:46,240
Speaker 2: many prop guys, so many.

747
00:35:47,680 --> 00:35:49,680
Speaker 1: And the whole gift shop is filled with stuff so

748
00:35:49,840 --> 00:35:51,040
Speaker 1: like they filled it with something.

749
00:35:51,640 --> 00:35:51,680
Speaker 3: So.

750
00:35:52,200 --> 00:35:54,520
Speaker 1: Eric is flirting with the young female cashier, and she

751
00:35:54,600 --> 00:35:57,439
Speaker 1: asks why a young man who's crossed state lines would

752
00:35:57,480 --> 00:35:59,560
Speaker 1: be keen to chat up a small town girl like her.

753
00:36:00,239 --> 00:36:02,319
Speaker 1: Eric says his experience on the road doesn't make him

754
00:36:02,320 --> 00:36:04,560
Speaker 1: any better than her. His friends would say he's simple.

755
00:36:04,960 --> 00:36:09,360
Speaker 1: Corey nearby jumps in like string. The clerk says she collects.

756
00:36:09,080 --> 00:36:10,400
Speaker 3: Strings, He collects string.

757
00:36:10,800 --> 00:36:13,080
Speaker 1: So funny, and Corey says, well, then you guys are

758
00:36:13,160 --> 00:36:16,160
Speaker 1: perfect for each other. She says, if he doesn't have

759
00:36:16,280 --> 00:36:19,560
Speaker 1: to take hitchhiker boy home, which I thought was a

760
00:36:19,640 --> 00:36:21,759
Speaker 1: funny little thing to call him, But also I guess

761
00:36:21,800 --> 00:36:24,160
Speaker 1: we missed the whole back story of him telling.

762
00:36:23,960 --> 00:36:26,080
Speaker 3: Her so he was a hitchhiker something. Yeah, I thought

763
00:36:26,120 --> 00:36:26,520
Speaker 3: the same thing.

764
00:36:26,560 --> 00:36:28,920
Speaker 1: They must have cut some scene so if she doesn't

765
00:36:28,960 --> 00:36:30,400
Speaker 1: have to take hitch if he doesn't have to take

766
00:36:30,480 --> 00:36:33,799
Speaker 1: Hitchhiker boy home, they should drive five minutes up to Berlick, Pennsylvania.

767
00:36:34,040 --> 00:36:36,080
Speaker 1: When Eric asks to hear more about this new town,

768
00:36:36,160 --> 00:36:38,440
Speaker 1: Corey and her jack's let me guess it's home of

769
00:36:38,640 --> 00:36:42,360
Speaker 1: the and he's expecting to hear about this this town's

770
00:36:42,440 --> 00:36:45,440
Speaker 1: dumb claim to fame, but she finishes his sentence with

771
00:36:45,800 --> 00:36:50,080
Speaker 1: world's largest yogurt cup. Cory says, wait a second. Realizing

772
00:36:50,200 --> 00:36:53,920
Speaker 1: this is a con Eric turns around, leave my girlfriend alone.

773
00:36:54,480 --> 00:36:56,759
Speaker 1: Corey announces he's going to the Parade of Sprinkles while

774
00:36:56,880 --> 00:36:59,280
Speaker 1: Eric and the clerk set their date for eight pm.

775
00:37:00,080 --> 00:37:03,040
Speaker 1: These are all very fast scenes, Yeah they are.

776
00:37:03,480 --> 00:37:07,560
Speaker 2: Would you guys notice the like southern accent that she's doing. Yeah,

777
00:37:09,760 --> 00:37:12,320
Speaker 2: it doesn't make sense like her and the guys do

778
00:37:12,680 --> 00:37:15,440
Speaker 2: slip into it too, And I'm like, are we still Pennsylvania?

779
00:37:15,680 --> 00:37:17,120
Speaker 2: This doesn't this doesn't seem right.

780
00:37:18,560 --> 00:37:21,160
Speaker 3: It can sound Brooklyn, Pennsylvania can sound southern.

781
00:37:21,320 --> 00:37:23,279
Speaker 2: But I think that that points to, you know, one

782
00:37:23,320 --> 00:37:26,200
Speaker 2: of my problems with this episode, which is that that cartoonish,

783
00:37:26,719 --> 00:37:31,239
Speaker 2: I would say, kind of condescending uh representation of these

784
00:37:31,680 --> 00:37:34,520
Speaker 2: characters in this town. Like it's really weird, Like it's

785
00:37:34,680 --> 00:37:37,280
Speaker 2: I under I like the arc, like I like the idea,

786
00:37:37,400 --> 00:37:39,920
Speaker 2: like oh, Eric wants to avoid going home, and like

787
00:37:40,200 --> 00:37:43,680
Speaker 2: if I abstract the story, I love it. And but

788
00:37:44,480 --> 00:37:49,600
Speaker 2: they're like the characterization is like really really superficial and

789
00:37:49,760 --> 00:37:52,759
Speaker 2: like cranked up, and like I don't know, it would

790
00:37:52,760 --> 00:37:54,879
Speaker 2: have been better to be more subtle. Like it's like, yeah,

791
00:37:55,040 --> 00:37:57,880
Speaker 2: it's just just so dismissive of these three characters, you know,

792
00:37:57,960 --> 00:38:00,120
Speaker 2: her and the two guys. I don't know, I'm s

793
00:38:00,120 --> 00:38:01,520
Speaker 2: bum me out. I was like, could have been a

794
00:38:01,560 --> 00:38:03,520
Speaker 2: more clever version of this, Like there's a there's a

795
00:38:03,560 --> 00:38:07,080
Speaker 2: good version of that story, but like like there're just

796
00:38:07,239 --> 00:38:10,239
Speaker 2: some hicks out here in the you're so smart Eric,

797
00:38:10,560 --> 00:38:11,880
Speaker 2: like just stop, Like no.

798
00:38:13,600 --> 00:38:15,200
Speaker 3: I like that. I thought that was the point. Is

799
00:38:15,280 --> 00:38:18,800
Speaker 3: it's kind of like any town, USA that's been forgotten

800
00:38:18,920 --> 00:38:22,680
Speaker 3: by everything, and you get that kind of the everything

801
00:38:22,719 --> 00:38:25,680
Speaker 3: else was so subtle that it is kind of nice

802
00:38:25,719 --> 00:38:27,759
Speaker 3: to just kind of have the cartooninis. Frankly, I thought

803
00:38:27,800 --> 00:38:29,920
Speaker 3: that the phil Leads, I mean, it's like one crazy

804
00:38:30,040 --> 00:38:31,000
Speaker 3: character in a small town.

805
00:38:31,040 --> 00:38:33,279
Speaker 2: Next time you see like phil Leads is funny, Like

806
00:38:33,400 --> 00:38:35,600
Speaker 2: that's a good bit like he's stuck there because he's

807
00:38:37,920 --> 00:38:40,880
Speaker 2: like that's and he's he himself is kind of funny

808
00:38:40,920 --> 00:38:43,760
Speaker 2: and smart and witty, like the other characters are reduced

809
00:38:43,800 --> 00:38:45,640
Speaker 2: to stereotypes, right.

810
00:38:45,760 --> 00:38:47,960
Speaker 1: I do agree that her when she said, let me

811
00:38:48,040 --> 00:38:50,000
Speaker 1: introduce you to her friends, I would have loved for

812
00:38:50,080 --> 00:38:52,520
Speaker 1: her friends to have been just as interesting as she

813
00:38:52,920 --> 00:38:55,759
Speaker 1: was like that, you know, she could have had kind

814
00:38:55,840 --> 00:38:58,799
Speaker 1: of normal friends. I do agree that the oh, Eric,

815
00:38:58,880 --> 00:39:02,560
Speaker 1: you talk so smart, it is like, oh my god, what.

816
00:39:04,680 --> 00:39:05,120
Speaker 2: That would be.

817
00:39:05,560 --> 00:39:06,040
Speaker 1: It's twice.

818
00:39:06,160 --> 00:39:09,319
Speaker 3: It's those two guys at the bar. There's the two

819
00:39:09,400 --> 00:39:11,480
Speaker 3: guys from groundhog Day. Those are the two guys he

820
00:39:11,520 --> 00:39:14,920
Speaker 3: gets into the car within groundhog Day. The same two characters,

821
00:39:15,000 --> 00:39:16,600
Speaker 3: that's all. They're the two guys that are always at

822
00:39:16,640 --> 00:39:18,560
Speaker 3: the bar, but they can't show that they're at the

823
00:39:18,600 --> 00:39:21,239
Speaker 3: bar drinking obviously, so they're the two guys that are

824
00:39:21,320 --> 00:39:24,440
Speaker 3: there at the pie bar. It's exactly the same characters there.

825
00:39:24,520 --> 00:39:27,440
Speaker 2: But the whole point of Groundhog's Day is that he

826
00:39:27,640 --> 00:39:29,840
Speaker 2: judges those people and then comes around.

827
00:39:30,800 --> 00:39:33,160
Speaker 3: Them over a thousand of course, but that's not what

828
00:39:33,239 --> 00:39:35,560
Speaker 3: the story is about. The story isn't about learning the

829
00:39:35,680 --> 00:39:39,560
Speaker 3: value of the town. The story is about wanting to

830
00:39:39,600 --> 00:39:42,840
Speaker 3: be anywhere but home. So it's not about these characters.

831
00:39:43,600 --> 00:39:45,960
Speaker 3: But that's the point. Is the superficiality, I think is

832
00:39:46,080 --> 00:39:48,200
Speaker 3: the point is he doesn't want to get It's not

833
00:39:48,280 --> 00:39:50,160
Speaker 3: about it's like I'm gonna stay here because these are

834
00:39:50,200 --> 00:39:51,919
Speaker 3: my people. It's like, well, you don't know these people

835
00:39:51,960 --> 00:39:54,560
Speaker 3: at all. So it's just about being too scared to

836
00:39:54,560 --> 00:39:56,160
Speaker 3: go home and be with the people that you're supposed

837
00:39:56,160 --> 00:39:58,320
Speaker 3: to be with, right, So I don't think they're supposed

838
00:39:58,320 --> 00:39:59,320
Speaker 3: to remain problem.

839
00:39:59,440 --> 00:40:02,240
Speaker 2: And that's what I'm say is not great. Like again,

840
00:40:02,360 --> 00:40:04,960
Speaker 2: if you're going to introduce and use stereotypes, I think

841
00:40:05,000 --> 00:40:06,520
Speaker 2: there's a way to again with them.

842
00:40:06,680 --> 00:40:09,960
Speaker 3: Well and stereotype you're talking about just the dumb hmall.

843
00:40:09,680 --> 00:40:12,520
Speaker 2: Town hicks yea, like the whole like the country bumpkin

844
00:40:12,640 --> 00:40:15,279
Speaker 2: hick who doesn't understand like that is a stereotype and

845
00:40:15,360 --> 00:40:15,920
Speaker 2: they lean into.

846
00:40:16,440 --> 00:40:19,400
Speaker 3: I don't think they make them a great way that stupid.

847
00:40:19,520 --> 00:40:21,440
Speaker 3: I think it's just the idea of it's like we've

848
00:40:21,480 --> 00:40:23,120
Speaker 3: got to I mean.

849
00:40:23,200 --> 00:40:24,960
Speaker 2: Your voice and it makes me feel smart?

850
00:40:25,360 --> 00:40:28,960
Speaker 3: Well yeah, what does that mean? I gets the best

851
00:40:29,080 --> 00:40:32,440
Speaker 3: line is she developed like why what? Like she the

852
00:40:32,640 --> 00:40:35,200
Speaker 3: guess they're very quick guest cast that did three scenes.

853
00:40:35,200 --> 00:40:38,399
Speaker 3: They're not overly developed characters. It's not and they never

854
00:40:38,520 --> 00:40:42,839
Speaker 3: will be. They're characters that Eric drives into town meet

855
00:40:42,920 --> 00:40:45,080
Speaker 3: superficially says, I'm not even going to get to know

856
00:40:45,160 --> 00:40:47,000
Speaker 3: these people, but if I stay, I'll get to know

857
00:40:47,080 --> 00:40:49,640
Speaker 3: them because I'm too scared to go home. And it's

858
00:40:49,760 --> 00:40:53,560
Speaker 3: their funny, random bar characters that you again, it's it's

859
00:40:53,640 --> 00:40:56,400
Speaker 3: the character that Tapanga met in the pool bar with

860
00:40:56,520 --> 00:40:58,920
Speaker 3: the big hair, in the fight that that she she

861
00:40:59,080 --> 00:41:01,839
Speaker 3: had with the girl you were there. You can't get

862
00:41:01,880 --> 00:41:04,400
Speaker 3: in depth with these characters. They're there for nine lines.

863
00:41:04,800 --> 00:41:07,160
Speaker 1: One of my one of my issues with the episode

864
00:41:07,320 --> 00:41:10,000
Speaker 1: was just that I actually felt bad when Eric had

865
00:41:10,040 --> 00:41:11,759
Speaker 1: to leave at the end. There was a part of

866
00:41:11,840 --> 00:41:16,839
Speaker 1: me that was, like, I like her, she actually really

867
00:41:16,880 --> 00:41:21,400
Speaker 1: seems connected to him, and he could actually really like

868
00:41:21,880 --> 00:41:24,480
Speaker 1: like living here, he could he could maybe the maybe

869
00:41:24,560 --> 00:41:27,600
Speaker 1: and and And that's me feeling bad with them having

870
00:41:27,880 --> 00:41:32,200
Speaker 1: zero character development and only stereotypes. If they did make

871
00:41:32,280 --> 00:41:35,560
Speaker 1: it more subtle, I feel like the audience would have

872
00:41:35,600 --> 00:41:38,400
Speaker 1: been like Alan's in the wrong, you know what I mean.

873
00:41:38,440 --> 00:41:40,840
Speaker 1: And they didn't want that. They want the audience to

874
00:41:40,920 --> 00:41:46,040
Speaker 1: feel like, no, Eric, don't stay, go back home, and I,

875
00:41:46,760 --> 00:41:49,080
Speaker 1: even with very little character development, kind of was like,

876
00:41:49,320 --> 00:41:50,360
Speaker 1: maybe he should stay.

877
00:41:51,239 --> 00:41:53,839
Speaker 2: So I wonder how we're supposed to laugh at these

878
00:41:53,920 --> 00:41:56,240
Speaker 2: people like we're not supposed to take them seriously.

879
00:41:57,440 --> 00:41:59,600
Speaker 3: That's the points.

880
00:41:59,760 --> 00:42:02,320
Speaker 2: Were supposed to laugh at them like that is. And

881
00:42:02,440 --> 00:42:03,960
Speaker 2: that's like, to me a little bit of a bummer,

882
00:42:04,200 --> 00:42:07,040
Speaker 2: you know. I was also thinking this episode is echoed

883
00:42:07,239 --> 00:42:10,440
Speaker 2: so much like in three Seasons or whenever, when I

884
00:42:10,520 --> 00:42:12,360
Speaker 2: go on a road trip, we do almost the exact

885
00:42:12,400 --> 00:42:14,880
Speaker 2: same thing where you meet, where you meet the band, right,

886
00:42:16,960 --> 00:42:19,160
Speaker 2: I believe that. I think the whole storyline there is

887
00:42:19,200 --> 00:42:21,480
Speaker 2: that Corey's trying to get me to leave. It's so funny.

888
00:42:21,520 --> 00:42:23,200
Speaker 2: I never knew that we had like basically done the

889
00:42:23,239 --> 00:42:25,759
Speaker 2: same storyline twice. We do this a lot.

890
00:42:25,880 --> 00:42:28,760
Speaker 1: I mean again, I have an episode about a towny.

891
00:42:29,520 --> 00:42:31,600
Speaker 3: We also have an episode about Eric with a little

892
00:42:31,680 --> 00:42:33,800
Speaker 3: kid before the whole Tommy thing. I mean, there's a

893
00:42:33,840 --> 00:42:35,960
Speaker 3: whole they you know, there's another little kid, the kid

894
00:42:36,000 --> 00:42:38,520
Speaker 3: who started liar liar. We did an episode or two

895
00:42:38,640 --> 00:42:41,080
Speaker 3: with that kid. If Eric's gonna be his older brother,

896
00:42:41,200 --> 00:42:43,880
Speaker 3: and then they do a whole Tommy thing too, so

897
00:42:44,239 --> 00:42:47,279
Speaker 3: they started to really repeat storylines quite a bit.

898
00:42:47,400 --> 00:42:49,759
Speaker 2: Yeah, well, yeah, sense I mean I think that there's

899
00:42:49,800 --> 00:42:52,840
Speaker 2: ways in which Echoeight is really good story you know,

900
00:42:53,680 --> 00:42:55,680
Speaker 2: foreshadow something and then you develop it later.

901
00:42:55,840 --> 00:42:59,560
Speaker 1: But yeah, So then we're in Pottstown. Corey shuffles through

902
00:42:59,600 --> 00:43:02,720
Speaker 1: a crowd of spectators, including our stand in, Matt Kirkwood.

903
00:43:02,760 --> 00:43:05,080
Speaker 1: Did you guys see he was it? Matt?

904
00:43:05,160 --> 00:43:06,319
Speaker 3: I couldn't tell, was it Matt?

905
00:43:06,400 --> 00:43:10,040
Speaker 1: Okay, Okay, they're all wearing goggles. The host announces men

906
00:43:10,120 --> 00:43:13,560
Speaker 1: and women in multiple different languages, welcome to the internationally

907
00:43:13,640 --> 00:43:16,760
Speaker 1: renowned Parade of Sprinkles. One man with an accent yells,

908
00:43:16,840 --> 00:43:20,080
Speaker 1: oh they are beautiful. Looking into the sky, Corey asks

909
00:43:20,080 --> 00:43:23,520
Speaker 1: why everyone is wearing goggles, and then tons of sprinkles

910
00:43:23,640 --> 00:43:24,399
Speaker 1: drop from the sky.

911
00:43:25,040 --> 00:43:28,400
Speaker 2: Art department working so hard, so hard to clean this up, Like,

912
00:43:28,480 --> 00:43:30,120
Speaker 2: how many takes did they do? I want to know.

913
00:43:30,200 --> 00:43:32,560
Speaker 3: It's probably they just dropped it all in the grass, exactly.

914
00:43:33,640 --> 00:43:34,520
Speaker 1: They didn't do anything.

915
00:43:36,360 --> 00:43:38,319
Speaker 2: We can go park.

916
00:43:40,480 --> 00:43:42,960
Speaker 1: Yeah, if there were ever tons of dead birds in

917
00:43:43,040 --> 00:43:45,920
Speaker 1: Griffith Park, check the Sprinkle episode.

918
00:43:45,480 --> 00:43:48,200
Speaker 3: Of John Sprinkle episode of the Boy Meets World.

919
00:43:49,560 --> 00:43:51,360
Speaker 2: So really, this what you're saying is that they should

920
00:43:51,360 --> 00:43:53,279
Speaker 2: have been called Jimmy's in this because that's what they

921
00:43:53,320 --> 00:43:54,840
Speaker 2: called them. Yea in Pennsylvania.

922
00:43:54,840 --> 00:43:56,920
Speaker 3: I don't know what they are in Pennsylvania, but I guess.

923
00:44:00,080 --> 00:44:01,280
Speaker 1: For Jimmy's shots.

924
00:44:01,360 --> 00:44:05,160
Speaker 2: Ye So Jimmy's perod Yeah, it doesn't have the same ring, doesn't.

925
00:44:04,960 --> 00:44:08,240
Speaker 3: It doesn't know the sprinkle dash, spring dust Jimmy doesn't

926
00:44:08,280 --> 00:44:09,040
Speaker 3: sound as good.

927
00:44:09,120 --> 00:44:12,719
Speaker 1: Parade of Jimmy's. Corey covers his eyes as they fall

928
00:44:12,800 --> 00:44:16,480
Speaker 1: while screaming my eyes. How so this parade happens once

929
00:44:16,520 --> 00:44:16,839
Speaker 1: a day?

930
00:44:17,200 --> 00:44:17,239
Speaker 3: Is?

931
00:44:17,960 --> 00:44:20,120
Speaker 2: Why is this fus on people? And what are they

932
00:44:20,160 --> 00:44:23,719
Speaker 2: looking at? I want to see what is throwing? Areaking it?

933
00:44:23,840 --> 00:44:25,000
Speaker 3: Do they just come from the sky?

934
00:44:25,320 --> 00:44:26,480
Speaker 2: Like what happens?

935
00:44:26,560 --> 00:44:29,200
Speaker 3: So random clouds is over once a day?

936
00:44:30,160 --> 00:44:31,520
Speaker 2: This is one of those things that like if I

937
00:44:31,680 --> 00:44:33,440
Speaker 2: was directing, I would have a really hard time.

938
00:44:34,200 --> 00:44:37,120
Speaker 1: I don't under none of this mast coming from How

939
00:44:37,160 --> 00:44:39,239
Speaker 1: can they're above the camera? Who's dropping them?

940
00:44:39,400 --> 00:44:41,040
Speaker 2: These are the conversations I would have on gold Meats

941
00:44:41,040 --> 00:44:42,160
Speaker 2: World all the time.

942
00:44:42,120 --> 00:44:44,799
Speaker 3: And Michael would be like, would be like it happened,

943
00:44:44,960 --> 00:44:45,279
Speaker 3: just do it.

944
00:44:45,320 --> 00:44:45,800
Speaker 2: It's funny.

945
00:44:45,800 --> 00:44:47,080
Speaker 1: See what do you see? What's on the baby?

946
00:44:47,160 --> 00:44:47,279
Speaker 3: Right.

947
00:44:47,400 --> 00:44:50,640
Speaker 2: Ma'm not saying he's right, he's wrong, but I couldn't

948
00:44:50,680 --> 00:44:53,239
Speaker 2: do it. I am not the director who can handle that,

949
00:44:53,400 --> 00:44:55,279
Speaker 2: Like I have to wrap my Like, what is there

950
00:44:55,320 --> 00:44:58,239
Speaker 2: a magical sprinkles cloud? Is there some dude with a sack?

951
00:44:58,400 --> 00:45:00,200
Speaker 2: Like what am I looking at? If I don't see it,

952
00:45:00,560 --> 00:45:03,200
Speaker 2: I don't like it. I want explanation, I want logic.

953
00:45:03,360 --> 00:45:03,920
Speaker 2: Oh my god, it.

954
00:45:03,920 --> 00:45:05,960
Speaker 3: Should have been a Dosh sprinkle cannon where it's just

955
00:45:06,080 --> 00:45:07,000
Speaker 3: fired into the crowd.

956
00:45:07,440 --> 00:45:07,920
Speaker 2: That's funny.

957
00:45:08,040 --> 00:45:11,759
Speaker 1: That's funny and and would work for writers. So then

958
00:45:11,760 --> 00:45:13,560
Speaker 1: he can figure out the best way to shoot the

959
00:45:13,600 --> 00:45:15,040
Speaker 1: sprinkles coming out of the cannon.

960
00:45:15,360 --> 00:45:16,680
Speaker 2: Yes, yeah, my god.

961
00:45:17,239 --> 00:45:19,320
Speaker 1: So then we're back in the Matthews home. Alan and

962
00:45:19,400 --> 00:45:21,600
Speaker 1: Amy walk into their living room with Alan carrying his

963
00:45:21,719 --> 00:45:24,440
Speaker 1: grocery award, which is a gold shopping cart which.

964
00:45:25,000 --> 00:45:28,359
Speaker 2: Production design is awesome. Somebody had made like they had

965
00:45:28,400 --> 00:45:30,440
Speaker 2: to build this thing, and I was like, I want that,

966
00:45:31,000 --> 00:45:31,840
Speaker 2: I want that.

967
00:45:32,400 --> 00:45:36,280
Speaker 1: I want got our department maybe they were all summer,

968
00:45:36,680 --> 00:45:38,319
Speaker 1: they worked all summer for the most.

969
00:45:39,320 --> 00:45:41,040
Speaker 2: We have to get somebody from our art department on

970
00:45:41,320 --> 00:45:45,400
Speaker 2: the podcast because it was so good, like, especially now

971
00:45:45,440 --> 00:45:47,640
Speaker 2: that we've seen this episode, like let's find one of

972
00:45:47,680 --> 00:45:50,120
Speaker 2: those guys. I mean Mark Papson, but he was props

973
00:45:50,520 --> 00:45:52,880
Speaker 2: and it was David Glazer, right, was he it was

974
00:45:52,920 --> 00:45:56,279
Speaker 2: Glazers or did he come? I think he was. I

975
00:45:56,320 --> 00:46:01,560
Speaker 2: think I think Glazers all set in your Yeah, yeah,

976
00:46:01,560 --> 00:46:02,879
Speaker 2: but I don't think he was just props. I think

977
00:46:02,920 --> 00:46:05,880
Speaker 2: he was our wasn't he? I think he was our production?

978
00:46:07,239 --> 00:46:07,439
Speaker 4: Yeah?

979
00:46:07,560 --> 00:46:22,560
Speaker 1: Okay, Well I'll find out. So Amy repeats how proud

980
00:46:22,600 --> 00:46:24,359
Speaker 1: she is. She walks over to the fireplace and puts

981
00:46:24,360 --> 00:46:27,320
Speaker 1: the award on the shelf, and she says, kind of whispery,

982
00:46:27,719 --> 00:46:29,760
Speaker 1: Alan doesn't seem.

983
00:46:29,600 --> 00:46:33,120
Speaker 3: Did you see what they did? What they obviously didn't

984
00:46:33,120 --> 00:46:35,759
Speaker 3: want to reshoot the family photo, so they just moved

985
00:46:35,800 --> 00:46:37,040
Speaker 3: the plant in front of Lily.

986
00:46:37,160 --> 00:46:38,240
Speaker 1: Oh, there's a plant.

987
00:46:39,000 --> 00:46:40,200
Speaker 2: You could see the whole.

988
00:46:40,080 --> 00:46:42,480
Speaker 3: Family, and then there's just a plant in front of

989
00:46:42,520 --> 00:46:45,080
Speaker 3: Lily's face because they obviously didn't want to shoot it.

990
00:46:45,520 --> 00:46:48,359
Speaker 2: Was hystericals like oh man, and yet we made mill

991
00:46:48,400 --> 00:46:51,360
Speaker 2: cartons it said missing her picture. So the art depardmer

992
00:46:51,400 --> 00:46:53,440
Speaker 2: took the time to have an ind joke just for us,

993
00:46:54,200 --> 00:46:56,280
Speaker 2: but not the time to redo the photo shoot.

994
00:46:56,400 --> 00:47:01,280
Speaker 3: Well, they just I've heard her face with a plant

995
00:47:01,320 --> 00:47:02,319
Speaker 3: and kept the saying talking to me.

996
00:47:02,320 --> 00:47:05,080
Speaker 1: About a photo shoot. They very easily on a tape night,

997
00:47:05,120 --> 00:47:07,680
Speaker 1: when everyone's already in hair and makeup and you have

998
00:47:07,960 --> 00:47:10,440
Speaker 1: a green screen just like.

999
00:47:10,520 --> 00:47:11,160
Speaker 3: A family photo.

1000
00:47:11,320 --> 00:47:13,520
Speaker 1: Sure I have a new family photo and say they

1001
00:47:13,560 --> 00:47:15,640
Speaker 1: had a new photo shoot done it. It seems pretty

1002
00:47:15,640 --> 00:47:18,960
Speaker 1: funny locked her with a plant anyway. Alan doesn't seem

1003
00:47:19,040 --> 00:47:22,600
Speaker 1: so celebratory. He grabs the little shopping cart and size

1004
00:47:22,719 --> 00:47:24,759
Speaker 1: He's been in the grocery business for twenty years. He's

1005
00:47:24,800 --> 00:47:27,640
Speaker 1: reached the pinnacle of his profession. He walks over to

1006
00:47:27,640 --> 00:47:29,480
Speaker 1: the couch and sits down, and Amy sits next to

1007
00:47:29,560 --> 00:47:32,600
Speaker 1: him and questions why he isn't happy tonight. Alan explains

1008
00:47:32,640 --> 00:47:34,120
Speaker 1: how he got a job in the grocery store to

1009
00:47:34,160 --> 00:47:36,120
Speaker 1: figure out what he really wanted to do in his life,

1010
00:47:36,160 --> 00:47:39,200
Speaker 1: and now, twenty seven years later, he's won the realization

1011
00:47:39,320 --> 00:47:42,239
Speaker 1: that he is Alan Matthews forty two years old, and.

1012
00:47:42,360 --> 00:47:46,400
Speaker 3: He is a forty two forty two He's had forty

1013
00:47:46,600 --> 00:47:50,040
Speaker 3: two my age, my age five years younger than me.

1014
00:47:50,800 --> 00:47:53,040
Speaker 1: Yep, I've got a four year old and a two

1015
00:47:53,120 --> 00:47:56,279
Speaker 1: year old. And Alan Matthews has Eric, who's graduated from

1016
00:47:56,360 --> 00:47:58,839
Speaker 1: high school and has taken the summer to maybe move

1017
00:47:58,880 --> 00:47:59,880
Speaker 1: to a small town.

1018
00:47:59,760 --> 00:48:02,440
Speaker 3: So two that I felt that when he said it,

1019
00:48:02,680 --> 00:48:03,400
Speaker 3: that hurt me.

1020
00:48:04,200 --> 00:48:06,239
Speaker 1: Amy asks Alan if he wants to quit his job,

1021
00:48:06,320 --> 00:48:08,239
Speaker 1: and he responds with I just want to take a

1022
00:48:08,320 --> 00:48:11,239
Speaker 1: hot bath, and then Sean struts down the stingers in

1023
00:48:11,280 --> 00:48:12,759
Speaker 1: a robe and says, you don't want to go in there,

1024
00:48:12,800 --> 00:48:16,239
Speaker 1: it's disgusting, and he heads toward the front door. Alan

1025
00:48:16,320 --> 00:48:18,000
Speaker 1: asks if he can at least have his robe back,

1026
00:48:18,320 --> 00:48:21,920
Speaker 1: but Sean says he's naked under there, which is like

1027
00:48:22,000 --> 00:48:22,560
Speaker 1: the third.

1028
00:48:24,040 --> 00:48:27,400
Speaker 3: Yeah, yeah, naked under the naked underneath the cloath, but

1029
00:48:27,440 --> 00:48:29,600
Speaker 3: it's also you're naked underneath the clothes you're wearing.

1030
00:48:29,920 --> 00:48:34,520
Speaker 1: Who isn't Yeah, if that's a joke from remember Ingrid,

1031
00:48:34,600 --> 00:48:36,919
Speaker 1: I when we did the Ingrid, it was like, yeah,

1032
00:48:38,640 --> 00:48:39,560
Speaker 1: I think it's a funny joke.

1033
00:48:40,120 --> 00:48:42,200
Speaker 2: It's weird that the audience wants to see an under

1034
00:48:42,360 --> 00:48:43,840
Speaker 2: I don't get I.

1035
00:48:43,880 --> 00:48:44,279
Speaker 1: Don't love it.

1036
00:48:44,520 --> 00:48:46,520
Speaker 3: Well, it's also fifteen year old girls that I'll want

1037
00:48:46,520 --> 00:48:46,840
Speaker 3: to see you.

1038
00:48:47,200 --> 00:48:49,400
Speaker 1: I guess they just I guess they're just reacting with

1039
00:48:49,480 --> 00:48:52,520
Speaker 1: the word sex. That's weird.

1040
00:48:52,600 --> 00:48:53,799
Speaker 3: Of course I did not.

1041
00:48:53,960 --> 00:48:55,719
Speaker 1: Enjoy it, So Alan tells him he can keep the

1042
00:48:55,840 --> 00:48:58,239
Speaker 1: robe and Sean leaves. Then we're in the in a

1043
00:48:58,320 --> 00:49:00,120
Speaker 1: motel room in the middle of nowhere, corn.

1044
00:49:01,520 --> 00:49:02,040
Speaker 2: Everywhere.

1045
00:49:02,360 --> 00:49:05,480
Speaker 1: Budget Baby season four. They gave us some funny yeah.

1046
00:49:06,160 --> 00:49:09,480
Speaker 1: Uh so they are still three hours from home so far.

1047
00:49:09,520 --> 00:49:13,359
Speaker 1: The set designers are Season four's MVP. Cory is laying

1048
00:49:13,440 --> 00:49:15,560
Speaker 1: on one of the yellow beds, complaining about the state

1049
00:49:15,600 --> 00:49:18,800
Speaker 1: of this dirty hotel room, wearing pink sunglasses made of

1050
00:49:18,960 --> 00:49:22,000
Speaker 1: yogurt spoons, and he doesn't want to be there. It's gross.

1051
00:49:22,320 --> 00:49:24,839
Speaker 1: Eric presses a button which makes the bed vibrating. Corey

1052
00:49:24,880 --> 00:49:28,400
Speaker 1: says he feels a little better now, Yeah, that's.

1053
00:49:29,200 --> 00:49:30,840
Speaker 3: Have you ever Have you guys ever done that? Have

1054
00:49:30,840 --> 00:49:32,680
Speaker 3: you ever been in a motel room with the vibrating bed?

1055
00:49:33,360 --> 00:49:35,440
Speaker 3: And I don't know why I have the same thing

1056
00:49:35,520 --> 00:49:37,160
Speaker 3: of the same thing. I know I've done it, and

1057
00:49:37,239 --> 00:49:37,879
Speaker 3: I don't know why.

1058
00:49:38,080 --> 00:49:39,800
Speaker 1: And I don't know why. I feel like maybe we

1059
00:49:39,920 --> 00:49:42,359
Speaker 1: used to do family reunions in San Luis Obispo because

1060
00:49:42,360 --> 00:49:43,960
Speaker 1: I had family in San Francisco and we were in

1061
00:49:44,120 --> 00:49:45,400
Speaker 1: a lot of us were in Orange County, so we

1062
00:49:45,520 --> 00:49:47,799
Speaker 1: used to meet halfway. And I feel like in one

1063
00:49:47,840 --> 00:49:51,480
Speaker 1: of those the hotel rooms, I mean, we passed the

1064
00:49:51,520 --> 00:49:54,759
Speaker 1: Madonna in which is incredible, but uh, we never stayed there.

1065
00:49:54,880 --> 00:49:57,480
Speaker 1: So yeah, I don't know I have but I don't

1066
00:49:57,520 --> 00:49:57,759
Speaker 1: know why.

1067
00:49:58,200 --> 00:50:00,360
Speaker 2: I guess I have two. I definitely have a memory

1068
00:50:00,400 --> 00:50:02,560
Speaker 2: of being like, what's the point of this, Like being

1069
00:50:02,640 --> 00:50:06,080
Speaker 2: on a bed vibrating and being like okay, okay, right, okay,

1070
00:50:07,040 --> 00:50:08,880
Speaker 2: but so how do you think our team did it?

1071
00:50:09,000 --> 00:50:10,719
Speaker 2: Did they actually have a vibrating bed or do you

1072
00:50:10,760 --> 00:50:13,640
Speaker 2: think there's like people behind it pushing Corey around on

1073
00:50:13,719 --> 00:50:13,960
Speaker 2: the bed.

1074
00:50:14,880 --> 00:50:16,439
Speaker 1: I think they probably hooked it up to something that's

1075
00:50:16,440 --> 00:50:17,680
Speaker 1: making it vibrate, you.

1076
00:50:17,760 --> 00:50:21,040
Speaker 2: Think, but when, but that's the sounder.

1077
00:50:22,040 --> 00:50:24,239
Speaker 3: So I have a feeling they must sticks under the

1078
00:50:24,280 --> 00:50:26,759
Speaker 3: bed and they're probably doing like yeah, but that you.

1079
00:50:26,800 --> 00:50:28,680
Speaker 2: Have to figure that out. Maybe through the wall underneath

1080
00:50:28,719 --> 00:50:30,360
Speaker 2: Ben there's like because you know that.

1081
00:50:30,520 --> 00:50:32,240
Speaker 3: I'll bet you what it is. He's backed up against

1082
00:50:32,280 --> 00:50:33,640
Speaker 3: the wall. I bet you there's like a thing of

1083
00:50:33,760 --> 00:50:35,680
Speaker 3: paddle through the back of the wall, and they like yeah,

1084
00:50:36,880 --> 00:50:38,480
Speaker 3: on the back of that, like jumping up and down.

1085
00:50:38,920 --> 00:50:39,520
Speaker 3: I'll bet you're right.

1086
00:50:39,600 --> 00:50:42,040
Speaker 1: That's how he also probably learned how to scuba and

1087
00:50:42,239 --> 00:50:45,359
Speaker 1: learned how to talk to the dolphins and really, yeah,

1088
00:50:45,360 --> 00:50:46,960
Speaker 1: I bet they spent I bet they spent some time.

1089
00:50:47,080 --> 00:50:49,759
Speaker 3: Really, we're coming back to this, really, I want to

1090
00:50:49,800 --> 00:50:51,320
Speaker 3: tell the real story about why you're in the motel

1091
00:50:51,360 --> 00:50:52,480
Speaker 3: with the shaking bed Danielle.

1092
00:50:54,040 --> 00:50:55,920
Speaker 1: Corey explains he's been a good brother on this rip.

1093
00:50:56,040 --> 00:50:58,839
Speaker 1: He doesn't know why Eric is doing this. Eric says

1094
00:50:58,840 --> 00:51:01,080
Speaker 1: he isn't ready for the summer to and I noticed

1095
00:51:01,120 --> 00:51:04,520
Speaker 1: here that Will has his shirt only buttoned the very bottom.

1096
00:51:04,680 --> 00:51:07,279
Speaker 3: Just one, just one, I want the big V.

1097
00:51:08,480 --> 00:51:11,520
Speaker 1: Cory says he has a girlfriend, his best friend in school,

1098
00:51:11,600 --> 00:51:13,600
Speaker 1: waiting for him back at home, and Eric says, yeah,

1099
00:51:13,680 --> 00:51:16,319
Speaker 1: you do, must be nice. Eric admits he has nothing

1100
00:51:16,360 --> 00:51:18,160
Speaker 1: to go back home to. Then there's a knock at

1101
00:51:18,200 --> 00:51:20,719
Speaker 1: the door and it's Eric's date. Corey asks Eric, so

1102
00:51:20,840 --> 00:51:23,919
Speaker 1: what are you saying, and Eric replies he isn't going home.

1103
00:51:24,440 --> 00:51:26,600
Speaker 1: Eric turns around and leaves the room with Irene.

1104
00:51:26,960 --> 00:51:29,120
Speaker 2: And do you guys notice like how awkward it is

1105
00:51:29,160 --> 00:51:31,759
Speaker 2: that she like immediately enters the room she just walks.

1106
00:51:33,400 --> 00:51:35,640
Speaker 2: It was because there's no like it was clearly just

1107
00:51:35,680 --> 00:51:38,040
Speaker 2: an issue, like she would have been too deep in

1108
00:51:38,160 --> 00:51:38,480
Speaker 2: the set.

1109
00:51:38,560 --> 00:51:40,800
Speaker 1: It was like there's just walking nothing behind it. No

1110
00:51:40,960 --> 00:51:43,400
Speaker 1: human does that, No there's nothing behind it, so they

1111
00:51:43,440 --> 00:51:46,120
Speaker 1: couldn't shoot out the hallway because there is no hallway there,

1112
00:51:46,160 --> 00:51:46,879
Speaker 1: so they were just there.

1113
00:51:47,000 --> 00:51:49,520
Speaker 2: Is I notice in the next scene. No, I noticed

1114
00:51:49,520 --> 00:51:51,399
Speaker 2: in the next scene there is a little bit of depth.

1115
00:51:51,480 --> 00:51:53,600
Speaker 2: I think it's just so awkward. It's only like one

1116
00:51:53,640 --> 00:51:55,759
Speaker 2: foot that if you if she was standing there, it

1117
00:51:55,800 --> 00:51:58,960
Speaker 2: would have been weird. Weird that. Yeah, so they went

1118
00:51:59,040 --> 00:52:00,680
Speaker 2: with the option of just and you know that was

1119
00:52:00,680 --> 00:52:03,640
Speaker 2: like mccrackenba like, just just walk in. Yeah, it feels

1120
00:52:03,719 --> 00:52:04,240
Speaker 2: so awkward.

1121
00:52:04,600 --> 00:52:06,919
Speaker 3: One thing I did like about the dynamic that they're

1122
00:52:06,920 --> 00:52:09,279
Speaker 3: doing with Eric and Corey is this easily could have

1123
00:52:09,320 --> 00:52:11,799
Speaker 3: slipped into Corey saying something like you know, I've got

1124
00:52:11,840 --> 00:52:13,440
Speaker 3: a girlfriend to go home, and then Eric being like, yeah,

1125
00:52:13,480 --> 00:52:15,279
Speaker 3: it must be not and them getting into a fight right,

1126
00:52:15,480 --> 00:52:17,480
Speaker 3: like something where it's like a little snippy, But instead

1127
00:52:17,480 --> 00:52:18,960
Speaker 3: he's like, I didn't mean it. He's like, no, I know,

1128
00:52:19,000 --> 00:52:20,400
Speaker 3: you didn't mean it, like it was I know. It

1129
00:52:20,520 --> 00:52:22,960
Speaker 3: wasn't about them fighting at all, which you could easily

1130
00:52:23,040 --> 00:52:24,480
Speaker 3: slip into. And I like that it was like, no,

1131
00:52:24,600 --> 00:52:25,200
Speaker 3: it's not your fault.

1132
00:52:25,239 --> 00:52:25,359
Speaker 2: Man.

1133
00:52:25,560 --> 00:52:27,960
Speaker 1: It does seem like they did a really nice job

1134
00:52:28,120 --> 00:52:30,800
Speaker 1: of showing that this these two months you guys have

1135
00:52:30,880 --> 00:52:33,200
Speaker 1: spent together have actually made you bloser.

1136
00:52:33,520 --> 00:52:34,160
Speaker 3: I like that too.

1137
00:52:35,080 --> 00:52:37,279
Speaker 1: There was a there was a real relationship there now

1138
00:52:37,400 --> 00:52:42,600
Speaker 1: where there's apologies exchanged and there are less little jabs

1139
00:52:42,680 --> 00:52:43,920
Speaker 1: and more real dialogue.

1140
00:52:44,080 --> 00:52:45,160
Speaker 3: Yes, I liked that a lot.

1141
00:52:45,280 --> 00:52:47,520
Speaker 2: Transition between these scenes is one of the weirdest things.

1142
00:52:47,640 --> 00:52:49,759
Speaker 1: Okay, you come in with your red shirt and you

1143
00:52:50,000 --> 00:52:52,520
Speaker 1: change your sweater, so what have very real?

1144
00:52:52,600 --> 00:52:54,920
Speaker 2: You stayed the night? You stay the night with the scroll.

1145
00:52:55,040 --> 00:52:58,399
Speaker 1: I think it's you've been out all night because Ben

1146
00:52:58,600 --> 00:53:00,400
Speaker 1: is brushing his teeth, and.

1147
00:53:00,440 --> 00:53:02,440
Speaker 2: So you change and leave again exactly.

1148
00:53:02,520 --> 00:53:06,239
Speaker 3: So like I think they're saying in a way, Eric's Eric.

1149
00:53:07,200 --> 00:53:08,520
Speaker 2: Eric slept with her at her house?

1150
00:53:08,760 --> 00:53:11,000
Speaker 3: Yes, right, I think that's what it's saying, is Eric

1151
00:53:11,120 --> 00:53:15,200
Speaker 3: slept with her, right, Yeah, I think that's I think

1152
00:53:15,280 --> 00:53:18,160
Speaker 3: they did that on purpose to kind of allude to

1153
00:53:18,239 --> 00:53:21,040
Speaker 3: the fact that he spent the night and they were intimate.

1154
00:53:21,080 --> 00:53:22,759
Speaker 2: That would be mine, right, because then you're referring to

1155
00:53:22,800 --> 00:53:24,880
Speaker 2: her as your girlfriend. Like the next scene. Yeah, and

1156
00:53:24,920 --> 00:53:25,480
Speaker 2: I remember, but.

1157
00:53:25,600 --> 00:53:27,560
Speaker 1: She doesn't change her clothes. I guess because she doesn't.

1158
00:53:27,600 --> 00:53:29,239
Speaker 1: She didn't go back to her house. She just went

1159
00:53:29,360 --> 00:53:31,960
Speaker 1: out with you, well, no, I guess where you spent

1160
00:53:32,040 --> 00:53:33,600
Speaker 1: the night there. Why is she in the same outfit?

1161
00:53:34,280 --> 00:53:35,640
Speaker 3: Is it her work outfit or is she in the

1162
00:53:35,719 --> 00:53:36,480
Speaker 3: regular outfit?

1163
00:53:36,560 --> 00:53:36,840
Speaker 2: I don't know.

1164
00:53:36,920 --> 00:53:38,880
Speaker 1: I'm not sure I should have paid more attention, but

1165
00:53:38,960 --> 00:53:42,040
Speaker 1: I don't know. So Eric arrives, I was.

1166
00:53:42,040 --> 00:53:43,919
Speaker 3: I was looking at your shirt, my one button shirt.

1167
00:53:44,280 --> 00:53:46,040
Speaker 1: Eric arrives back in his room and Corey is hoping

1168
00:53:46,080 --> 00:53:47,960
Speaker 1: he has come to his senses. Eric says he has,

1169
00:53:48,080 --> 00:53:50,160
Speaker 1: and that this place is great. It's got irene, it's

1170
00:53:50,200 --> 00:53:52,399
Speaker 1: got soup, it's got pie. Why would I ever leave?

1171
00:53:53,239 --> 00:53:55,680
Speaker 1: Corey says this isn't his home. Eric says he's found

1172
00:53:55,719 --> 00:53:58,399
Speaker 1: happiness here, and Corey says, no, you just pulled off

1173
00:53:58,440 --> 00:54:01,400
Speaker 1: the road. Corey reminded his brother that their parents are

1174
00:54:01,400 --> 00:54:03,040
Speaker 1: waiting and they owe it to them for at least

1175
00:54:03,120 --> 00:54:05,200
Speaker 1: one of them to make it back home. Eric tells

1176
00:54:05,280 --> 00:54:07,439
Speaker 1: Corey he can take the bus. Cory says he's taking

1177
00:54:07,480 --> 00:54:08,920
Speaker 1: the car, and he lunges for the keys and he

1178
00:54:09,040 --> 00:54:11,480
Speaker 1: runs out of the motel room. Eric chases after him again.

1179
00:54:11,520 --> 00:54:15,120
Speaker 1: Fast little scene. Then we're into the gift shop, which

1180
00:54:15,200 --> 00:54:18,640
Speaker 1: is also now revealed to be a full diner with

1181
00:54:18,840 --> 00:54:22,200
Speaker 1: seating yeah, Eric is yelling at him, saying he can't drive.

1182
00:54:22,600 --> 00:54:24,560
Speaker 1: Cory says, what's the worst that could happen? I crash

1183
00:54:24,600 --> 00:54:28,320
Speaker 1: into the world's largest slurpy. Irene arrives and is surprised

1184
00:54:28,400 --> 00:54:30,680
Speaker 1: to see Eric is still there. She figured she wasn't

1185
00:54:30,680 --> 00:54:32,640
Speaker 1: going to see him again because he would have found

1186
00:54:32,680 --> 00:54:36,480
Speaker 1: someone more interesting. Eric says he finds her very interesting,

1187
00:54:36,640 --> 00:54:37,600
Speaker 1: and she thinks, m the.

1188
00:54:37,640 --> 00:54:40,759
Speaker 3: Night with that, And I think that's you do. I

1189
00:54:40,840 --> 00:54:44,040
Speaker 3: think that's exactly the point. Like I've slept with guys

1190
00:54:44,040 --> 00:54:45,080
Speaker 3: before and they just take off.

1191
00:54:45,120 --> 00:54:47,720
Speaker 1: I think that's exactly what they were saying exactly, especially

1192
00:54:47,760 --> 00:54:49,680
Speaker 1: in her So don't keep living with guys.

1193
00:54:49,719 --> 00:54:53,080
Speaker 2: I read, gosh, don't do it, don't fall prey to this.

1194
00:54:53,320 --> 00:54:57,400
Speaker 3: Trap has a very colorful past. We're not going to

1195
00:54:57,440 --> 00:54:57,880
Speaker 3: get into it.

1196
00:54:57,960 --> 00:55:00,600
Speaker 1: But let's say, Irene, I want to go to Pop's

1197
00:55:00,640 --> 00:55:04,880
Speaker 1: town and she's.

1198
00:55:03,000 --> 00:55:03,560
Speaker 3: A great actor.

1199
00:55:03,719 --> 00:55:06,279
Speaker 1: Yeah, So Eric says he finds her very interesting, and

1200
00:55:06,400 --> 00:55:08,640
Speaker 1: she thanks him and says that makes her happy. She

1201
00:55:08,760 --> 00:55:10,880
Speaker 1: asks Eric if he wants to say hi to her friends,

1202
00:55:10,920 --> 00:55:13,359
Speaker 1: and she says the little hitchhiker boy is more than

1203
00:55:13,400 --> 00:55:16,319
Speaker 1: welcome to join us, while pointing at Corey. But Corey says,

1204
00:55:16,520 --> 00:55:18,960
Speaker 1: this is where the little hitchhiker boy says goodbye, and

1205
00:55:19,080 --> 00:55:21,360
Speaker 1: he says he'll be the one driving through the cornfield.

1206
00:55:22,040 --> 00:55:24,080
Speaker 1: Eric asks to at least check if Corey has the

1207
00:55:24,160 --> 00:55:26,319
Speaker 1: right keys. So Corey holds out the keys to show

1208
00:55:26,360 --> 00:55:28,120
Speaker 1: him and Eric easily grabs them to shove him in

1209
00:55:28,200 --> 00:55:31,560
Speaker 1: his pocket. Eric says, what a moron, with an absolutely

1210
00:55:31,640 --> 00:55:32,520
Speaker 1: incredible read.

1211
00:55:33,040 --> 00:55:37,840
Speaker 3: Thank you. I also going back to the motel room scene,

1212
00:55:37,880 --> 00:55:40,800
Speaker 3: did you notice that when I get dressed, for some reason,

1213
00:55:40,840 --> 00:55:43,440
Speaker 3: I put on which I can only describe as a

1214
00:55:43,560 --> 00:55:48,560
Speaker 3: pair of tap shoes really like these black patent leather

1215
00:55:48,960 --> 00:55:53,960
Speaker 3: shiny shoes that it looked like that shoes maybe, but.

1216
00:55:54,560 --> 00:55:57,120
Speaker 2: They're all black. I think Sarah putting us in like

1217
00:55:57,280 --> 00:55:58,760
Speaker 2: bollet shoes, something.

1218
00:55:58,680 --> 00:56:00,400
Speaker 3: Like hipster, but it did it looked like I was like, well,

1219
00:56:00,400 --> 00:56:01,640
Speaker 3: I'm going out for tap tonight.

1220
00:56:01,800 --> 00:56:05,920
Speaker 2: So actually, was Sarah still the Sarah still wardrobe designer?

1221
00:56:06,040 --> 00:56:09,160
Speaker 3: I don't think so season four with Yang by this

1222
00:56:09,239 --> 00:56:11,239
Speaker 3: point or did we have a transitional one?

1223
00:56:11,920 --> 00:56:12,040
Speaker 4: Oh?

1224
00:56:12,120 --> 00:56:16,200
Speaker 3: No, remember we had who was the guy who did?

1225
00:56:17,120 --> 00:56:19,040
Speaker 3: We always talked to him because he was in the rock.

1226
00:56:19,160 --> 00:56:24,080
Speaker 3: He was he was Sean, he was he was he

1227
00:56:24,320 --> 00:56:27,560
Speaker 3: was okay, So did he work with with her? Then

1228
00:56:27,640 --> 00:56:36,880
Speaker 3: he might have been Sarah's assistant, Hans Hans because his

1229
00:56:37,040 --> 00:56:39,440
Speaker 3: lines in the Rock is the guy he steals the

1230
00:56:40,040 --> 00:56:42,600
Speaker 3: this is and he dinks, thanks the scratches and I

1231
00:56:42,680 --> 00:56:46,239
Speaker 3: have your ass. Yeah that was that was Yeah, Yeah,

1232
00:56:46,640 --> 00:56:47,320
Speaker 3: it was Hans.

1233
00:56:47,640 --> 00:56:49,480
Speaker 2: And he had just been he had been Shawn who

1234
00:56:49,640 --> 00:56:51,360
Speaker 2: he had been Sean Connery's like costumer.

1235
00:56:51,719 --> 00:56:53,839
Speaker 3: Yeah, he was like his and so they put him

1236
00:56:53,840 --> 00:56:54,960
Speaker 3: in the movie. He was He was the one who

1237
00:56:55,040 --> 00:56:58,160
Speaker 3: dressed Jan Connory. Yeah. I can't think his name was Hans,

1238
00:56:58,680 --> 00:56:58,840
Speaker 3: and so.

1239
00:56:59,239 --> 00:57:01,880
Speaker 2: His name and he Yeah, I don't know what he

1240
00:57:01,960 --> 00:57:03,680
Speaker 2: was at KTLA, So it might have been this season,

1241
00:57:04,160 --> 00:57:06,000
Speaker 2: but I don't think he was the head of wardrobe

1242
00:57:06,840 --> 00:57:09,200
Speaker 2: and somebody else. There was a woman and him, but

1243
00:57:09,280 --> 00:57:11,640
Speaker 2: I don't remember who it was. I don't Maybe in

1244
00:57:11,719 --> 00:57:13,719
Speaker 2: my mind it's still Sarah, but maybe not. I don't know.

1245
00:57:14,160 --> 00:57:14,719
Speaker 2: We should look at it.

1246
00:57:14,920 --> 00:57:17,560
Speaker 3: You're right, yeah, figure out you're right, Yeah, you're right,

1247
00:57:18,720 --> 00:57:20,280
Speaker 3: Like damn, we'll never knows.

1248
00:57:21,720 --> 00:57:25,640
Speaker 1: If only there was a database, only there was an

1249
00:57:25,760 --> 00:57:27,560
Speaker 1: internet movie and.

1250
00:57:27,880 --> 00:57:29,880
Speaker 2: Ye yeah, yeah, a place.

1251
00:57:30,480 --> 00:57:31,880
Speaker 3: It's a good idea to put it, put a mark

1252
00:57:31,960 --> 00:57:32,520
Speaker 3: on that we can.

1253
00:57:32,560 --> 00:57:36,400
Speaker 1: Rank and when we invent the time machine starter.

1254
00:57:37,400 --> 00:57:38,000
Speaker 2: Great idea.

1255
00:57:38,120 --> 00:57:40,320
Speaker 1: So Corey says he can take the keys, but you

1256
00:57:40,400 --> 00:57:42,680
Speaker 1: can't take my freedom, just like Brave Heart.

1257
00:57:43,720 --> 00:57:46,800
Speaker 2: Brave Heart was big, big Scotland was big, guys.

1258
00:57:47,120 --> 00:57:49,400
Speaker 1: Yeah, ninety six and he runs out the door.

1259
00:57:49,840 --> 00:57:53,720
Speaker 2: We quoted Braveheart all all the time time.

1260
00:57:54,040 --> 00:57:57,840
Speaker 1: And I never have seen it and was like, oh gosh.

1261
00:57:58,800 --> 00:58:01,480
Speaker 1: Irene tells Eric not to worry. No one in town

1262
00:58:01,520 --> 00:58:03,760
Speaker 1: will pick him up. Eric asks why, and she tells

1263
00:58:03,800 --> 00:58:06,080
Speaker 1: them everyone in town is right here. Irene looks at

1264
00:58:06,160 --> 00:58:07,800
Speaker 1: Eric and leans in to kiss him. He asks what

1265
00:58:07,920 --> 00:58:10,120
Speaker 1: that was for, and she replies that he treats her

1266
00:58:10,200 --> 00:58:12,640
Speaker 1: like no one has before. He looks into her eyes.

1267
00:58:13,240 --> 00:58:16,600
Speaker 1: She tells Eric his voice sounds really smart, which makes

1268
00:58:16,640 --> 00:58:17,560
Speaker 1: her feel special.

1269
00:58:18,920 --> 00:58:22,400
Speaker 6: What. I don't know what that is the craziest line

1270
00:58:22,400 --> 00:58:25,440
Speaker 6: I've ever heard. And I can see the like the

1271
00:58:25,600 --> 00:58:28,520
Speaker 6: pretzeling that our writers are trying to eat her like, well,

1272
00:58:28,640 --> 00:58:30,760
Speaker 6: the point she has to like him because he's smart,

1273
00:58:31,280 --> 00:58:33,480
Speaker 6: right right, So we're just gonna say, but he's not

1274
00:58:33,520 --> 00:58:36,840
Speaker 6: actually saying anything smart. So you just sound of your

1275
00:58:36,960 --> 00:58:38,520
Speaker 6: voice makes me feel smart.

1276
00:58:38,560 --> 00:58:40,959
Speaker 1: I'm like, what, yeah, No, that's not what She says,

1277
00:58:41,280 --> 00:58:44,920
Speaker 1: your voice sounds smart, and that makes me feel special.

1278
00:58:45,440 --> 00:58:45,760
Speaker 2: Gotcha?

1279
00:58:46,440 --> 00:58:49,480
Speaker 1: Okay, she says, Okay, that's what she says. Because a

1280
00:58:49,560 --> 00:58:53,640
Speaker 1: smart voice, she is special, right because he likes her,

1281
00:58:54,640 --> 00:58:58,960
Speaker 1: it sounds okay. Here we go. Here were the costume designers.

1282
00:58:59,200 --> 00:59:02,480
Speaker 1: Tom Brown did twenty two episodes from ninety three to

1283
00:59:02,600 --> 00:59:07,840
Speaker 1: ninety four, Sarah Markowitz and Julie Yang. So Julie So

1284
00:59:09,640 --> 00:59:11,720
Speaker 1: that's all. That's that's all that's listed.

1285
00:59:11,960 --> 00:59:14,520
Speaker 2: All right, So it must have been either still Sarah.

1286
00:59:14,960 --> 00:59:15,880
Speaker 2: It's probably still Sarah.

1287
00:59:15,960 --> 00:59:18,120
Speaker 3: She must think Sarah only did two or three two

1288
00:59:18,200 --> 00:59:20,640
Speaker 3: and three. Yeah, she's what she said, she only did

1289
00:59:20,680 --> 00:59:21,320
Speaker 3: two seasons.

1290
00:59:21,520 --> 00:59:23,520
Speaker 1: Yeah, and and she did not come back for the

1291
00:59:23,600 --> 00:59:28,120
Speaker 1: beginning of a season. Yeah. I think we're into Julie. Okay. So,

1292
00:59:29,040 --> 00:59:32,560
Speaker 1: but she kisses him again. They seem happy. I ship them.

1293
00:59:32,880 --> 00:59:34,800
Speaker 1: Eric and Irene belong together.

1294
00:59:35,920 --> 00:59:38,520
Speaker 2: I think there's chemistry between these two actors for sure.

1295
00:59:38,920 --> 00:59:39,080
Speaker 4: Yeah.

1296
00:59:39,080 --> 00:59:41,520
Speaker 2: I do not think that there is any character given

1297
00:59:41,560 --> 00:59:42,960
Speaker 2: to Irene at all.

1298
00:59:43,080 --> 00:59:43,240
Speaker 1: Yeah.

1299
00:59:44,080 --> 00:59:46,120
Speaker 2: Could have. They could have been smart, and I look

1300
00:59:46,200 --> 00:59:49,760
Speaker 2: up to Eric as smart, like that's the the extent

1301
00:59:49,840 --> 00:59:50,360
Speaker 2: of her character.

1302
00:59:50,680 --> 00:59:52,360
Speaker 3: They could have. They could have, but Eric decided to

1303
00:59:52,400 --> 00:59:54,440
Speaker 3: go to Pembroke instead of staying with her.

1304
00:59:55,160 --> 01:00:00,920
Speaker 1: So yeah, Sad said, okay, so okay, there are lots

1305
01:00:00,960 --> 01:00:06,080
Speaker 1: of okay, so much information here. Hans George Struhar was

1306
01:00:06,440 --> 01:00:09,600
Speaker 1: the key costumer, it says in only one episode in

1307
01:00:09,720 --> 01:00:14,280
Speaker 1: nineteen ninety six, okay. And then there's Anna or Anna

1308
01:00:14,560 --> 01:00:17,960
Speaker 1: Shaeffer who was a key costumer for it says only

1309
01:00:18,000 --> 01:00:20,160
Speaker 1: one episode in nineteen ninety seven, so that would be

1310
01:00:20,200 --> 01:00:23,840
Speaker 1: around this time. Okay, Yeah, remember Anna or Anna Shaeffer.

1311
01:00:24,280 --> 01:00:29,840
Speaker 1: And then Deborah Curtis a set costumer unknown episodes. Elaine

1312
01:00:29,960 --> 01:00:37,280
Speaker 1: Down I know Elaine Victoria Skinner was a costumer unknown episodes.

1313
01:00:37,720 --> 01:00:43,120
Speaker 1: Ellen Allen a costume manufacturing four person who was in

1314
01:00:43,200 --> 01:00:46,760
Speaker 1: forty forty two episodes nineteen ninety six to nineteen ninety eight.

1315
01:00:46,880 --> 01:00:50,280
Speaker 2: She would have been like seamstress, like making exactly justin.

1316
01:00:51,200 --> 01:00:55,440
Speaker 1: And then Genie Sturgeon additional costumer and she was in

1317
01:00:55,520 --> 01:00:57,040
Speaker 1: one episode for nineteen ninety six.

1318
01:00:57,840 --> 01:00:59,760
Speaker 2: Yeah, I think it could have one episode. They just

1319
01:00:59,800 --> 01:01:01,960
Speaker 2: didn't get credit for a lot. They were probably hired

1320
01:01:02,040 --> 01:01:05,080
Speaker 2: on like a freelance basis. Yeah, because you'd need customers,

1321
01:01:05,120 --> 01:01:07,800
Speaker 2: which are the people like just helping organize where the

1322
01:01:07,880 --> 01:01:10,360
Speaker 2: clothes are and like getting them into the right actors.

1323
01:01:10,480 --> 01:01:12,880
Speaker 2: Dressing rooms are on the set, those quick change rooms.

1324
01:01:13,080 --> 01:01:16,680
Speaker 1: And I've definitely noticed that on IMDb, number of episodes

1325
01:01:16,880 --> 01:01:19,360
Speaker 1: is oftentimes wrong. It'll it'll be wrong for the amount

1326
01:01:19,400 --> 01:01:21,720
Speaker 1: of episodes I've directed as well, So I don't think

1327
01:01:21,720 --> 01:01:23,200
Speaker 1: we pay any attention to that. So it could have

1328
01:01:23,280 --> 01:01:26,160
Speaker 1: been Anna or Anna. It could have been Hans, it

1329
01:01:26,200 --> 01:01:29,560
Speaker 1: could have been Deborah Curtis, could have been any of

1330
01:01:29,640 --> 01:01:42,560
Speaker 1: those people. So then we're back at the Matthew's house.

1331
01:01:42,600 --> 01:01:44,640
Speaker 1: Amy and Allan are sitting on the couch outside. So

1332
01:01:44,800 --> 01:01:46,720
Speaker 1: nice to see them somewhere else other than the kitchen

1333
01:01:46,960 --> 01:01:49,840
Speaker 1: yep Alan tells him she is ready to listen whenever

1334
01:01:49,880 --> 01:01:51,920
Speaker 1: he wants to open up, and he abruptly says, I

1335
01:01:52,040 --> 01:01:54,840
Speaker 1: blame you. Amy is surprised what he says. He only

1336
01:01:54,920 --> 01:01:56,680
Speaker 1: kept the job to take her of the care of

1337
01:01:56,760 --> 01:01:59,440
Speaker 1: her and the and the and the She finishes his

1338
01:01:59,520 --> 01:02:02,720
Speaker 1: sentences the kids. Alan says he was just a bag

1339
01:02:02,800 --> 01:02:04,960
Speaker 1: boy who didn't have sense enough to leave, and now

1340
01:02:05,200 --> 01:02:06,919
Speaker 1: that's what he is for the rest of his life.

1341
01:02:07,320 --> 01:02:09,000
Speaker 1: Amy tells him that what he does for a living

1342
01:02:09,080 --> 01:02:11,600
Speaker 1: isn't mostly what he is. Alan asks what he is?

1343
01:02:11,720 --> 01:02:13,800
Speaker 1: Mostly then she says Alan is a person.

1344
01:02:13,920 --> 01:02:17,480
Speaker 2: She just take yeah a moment like, first of all,

1345
01:02:17,520 --> 01:02:20,439
Speaker 2: I just love this scene. I love au sceing too,

1346
01:02:21,160 --> 01:02:23,919
Speaker 2: like great actors do a great world placing and Bill

1347
01:02:24,000 --> 01:02:26,640
Speaker 2: coming in, and then the payoff with with Rusty with

1348
01:02:27,040 --> 01:02:30,320
Speaker 2: Will later is just spectacular. The writing is so good

1349
01:02:30,560 --> 01:02:35,000
Speaker 2: and the acting is top notch and pinpoint. I want

1350
01:02:35,000 --> 01:02:37,000
Speaker 2: to pinpoint that line that you just reference where he

1351
01:02:37,080 --> 01:02:41,960
Speaker 2: says what am I? Mostly because Rusty's performance is so layered.

1352
01:02:42,360 --> 01:02:45,840
Speaker 2: He's doing this like, well then what am I? Mostly

1353
01:02:45,960 --> 01:02:51,320
Speaker 2: like asking this rhetorical question with this like exaggerated, exasperated performance,

1354
01:02:51,600 --> 01:02:54,400
Speaker 2: and then you look at his eyes and he looks

1355
01:02:54,440 --> 01:02:57,440
Speaker 2: at her and you can see vulnerability and he actually

1356
01:02:57,600 --> 01:03:00,920
Speaker 2: needs the answer, and it's like, oh God. The layers

1357
01:03:01,000 --> 01:03:03,320
Speaker 2: to like he's trying to be like he doesn't care,

1358
01:03:03,520 --> 01:03:05,520
Speaker 2: and then he just gives this look and you're like,

1359
01:03:05,840 --> 01:03:07,960
Speaker 2: oh god, this is like killing him and he needs

1360
01:03:08,000 --> 01:03:11,440
Speaker 2: her to actually answer. It is good. It's just so

1361
01:03:12,240 --> 01:03:16,360
Speaker 2: such solid, subtle acting, still funny, still like obvious in

1362
01:03:16,400 --> 01:03:19,040
Speaker 2: the way that you know television and comedy needs to

1363
01:03:19,080 --> 01:03:22,320
Speaker 2: be obvious, but then subtle and layered and just real God.

1364
01:03:22,520 --> 01:03:25,640
Speaker 1: So good, really really beautiful. I did too, and I could.

1365
01:03:25,800 --> 01:03:27,160
Speaker 1: I saw those tears in his eyes too.

1366
01:03:27,480 --> 01:03:30,600
Speaker 3: Feeni being Feenie, but still with adults like he's not

1367
01:03:30,720 --> 01:03:31,560
Speaker 3: he's he's not being.

1368
01:03:33,640 --> 01:03:34,600
Speaker 2: When we get to Bill, I can.

1369
01:03:36,400 --> 01:03:36,680
Speaker 3: Get it.

1370
01:03:37,440 --> 01:03:39,720
Speaker 1: Alan asks what he is Mostly then she says Alan

1371
01:03:39,840 --> 01:03:41,840
Speaker 1: is the person she loves a whole lot, and she

1372
01:03:41,960 --> 01:03:44,280
Speaker 1: wants him to be happy. She rests her head on

1373
01:03:44,400 --> 01:03:46,760
Speaker 1: his shoulder as Alan says he is not happy for

1374
01:03:46,920 --> 01:03:50,640
Speaker 1: settling for what he is. And then Feenie walks outside

1375
01:03:50,680 --> 01:03:52,960
Speaker 1: from his house and admires the same sky they're looking at.

1376
01:03:53,240 --> 01:03:55,479
Speaker 1: He opens the gate, walks through their yard and sits

1377
01:03:55,560 --> 01:03:57,000
Speaker 1: on the couch right next to them.

1378
01:03:57,000 --> 01:04:02,840
Speaker 2: Gets like three laughs with no line. Yep, this is Bill's.

1379
01:04:03,080 --> 01:04:06,400
Speaker 2: This is probably Bill's greatest like theater moment on Boyman's

1380
01:04:06,400 --> 01:04:09,360
Speaker 2: World so far Ya, he just gets to own the stage,

1381
01:04:09,720 --> 01:04:12,560
Speaker 2: play the physical, and he plays it real. He makes

1382
01:04:12,600 --> 01:04:15,200
Speaker 2: it real. You're like, you believe every one of these beats,

1383
01:04:15,360 --> 01:04:19,360
Speaker 2: but it's it's hysterical. And then he's great so himself.

1384
01:04:19,240 --> 01:04:22,440
Speaker 1: To the sea so it's down, and then says, what

1385
01:04:22,560 --> 01:04:23,560
Speaker 1: the hell are we looking at?

1386
01:04:23,720 --> 01:04:23,880
Speaker 3: Oh?

1387
01:04:24,080 --> 01:04:26,560
Speaker 1: Look, I thought very edgy use of the word hell

1388
01:04:26,640 --> 01:04:27,160
Speaker 1: on boy.

1389
01:04:27,400 --> 01:04:29,920
Speaker 2: So we've have two naked jokes, two pantless kids jokes.

1390
01:04:30,560 --> 01:04:32,760
Speaker 3: Yeah, hell hell are we looking at Yeah?

1391
01:04:33,920 --> 01:04:37,360
Speaker 1: And then Alan asks George, do you hate your job

1392
01:04:37,520 --> 01:04:39,880
Speaker 1: or what? George says no, The only job he ever

1393
01:04:39,960 --> 01:04:42,040
Speaker 1: hated was that horrible job he had being a bad

1394
01:04:42,120 --> 01:04:44,360
Speaker 1: boy at the supermarket, and thank god he got out

1395
01:04:44,360 --> 01:04:47,320
Speaker 1: of that. Amy figures out that Phoenie has been listening

1396
01:04:47,360 --> 01:04:51,440
Speaker 1: to their conversation. Phoene says voices Carrie. Alan asks him

1397
01:04:51,480 --> 01:04:53,560
Speaker 1: more seriously if he enjoys getting up every morning as

1398
01:04:53,600 --> 01:04:55,600
Speaker 1: a teacher. Phoene says that it would be easy to

1399
01:04:55,640 --> 01:04:57,800
Speaker 1: say that over the last thirty eight years he's loved

1400
01:04:57,840 --> 01:05:01,120
Speaker 1: molding thousands of young minds. The truth is he teaches

1401
01:05:01,280 --> 01:05:04,440
Speaker 1: because he likes it and it's fun for him. Alan

1402
01:05:04,520 --> 01:05:06,160
Speaker 1: wants to know what he would do if it stopped

1403
01:05:06,200 --> 01:05:08,120
Speaker 1: being fun, and Poenie says he would look to his

1404
01:05:08,200 --> 01:05:10,680
Speaker 1: family and friends for support to find something new.

1405
01:05:11,160 --> 01:05:15,600
Speaker 2: So before right before this, Bill gets up and walks around. Yeah,

1406
01:05:15,640 --> 01:05:17,920
Speaker 2: and this is one of those moments that I watched,

1407
01:05:18,000 --> 01:05:23,200
Speaker 2: and that is that is to me classic sitcom and

1408
01:05:23,520 --> 01:05:28,840
Speaker 2: or theater blocking, which is an insanely unnatural move for

1409
01:05:28,960 --> 01:05:31,000
Speaker 2: a human to make, Like nobody in the right mind

1410
01:05:31,040 --> 01:05:35,160
Speaker 2: would get up, walk around where two other people are sitting,

1411
01:05:35,520 --> 01:05:38,880
Speaker 2: come stand next to them and face outward. And Bill

1412
01:05:38,960 --> 01:05:41,680
Speaker 2: makes it effortless, and people don't understand, Like when you

1413
01:05:41,720 --> 01:05:46,160
Speaker 2: talk about like technical acting, like physical blocking, the ability

1414
01:05:46,280 --> 01:05:48,960
Speaker 2: to do a move, it's like dancing. It's like, this

1415
01:05:49,120 --> 01:05:53,200
Speaker 2: is a very unusual inhuman way to move that Bill

1416
01:05:53,280 --> 01:05:56,240
Speaker 2: does this, He transitions all that, and yet you believe it.

1417
01:05:56,400 --> 01:05:58,200
Speaker 2: There's no doubt in your mind that it feels natural.

1418
01:05:58,360 --> 01:06:01,240
Speaker 2: He owns it. And it's like, oh, I just watched

1419
01:06:01,280 --> 01:06:02,760
Speaker 2: that move and I was like, how is he pulling

1420
01:06:02,840 --> 01:06:05,000
Speaker 2: this off? This is because otherwise the three of them

1421
01:06:05,040 --> 01:06:07,880
Speaker 2: were just sitting on the chair, it wouldn't have a dynamic.

1422
01:06:08,080 --> 01:06:10,560
Speaker 2: It would just the whole energy of the scene would sit.

1423
01:06:10,920 --> 01:06:12,880
Speaker 2: But instead, you know, and that's one of those things

1424
01:06:12,960 --> 01:06:15,120
Speaker 2: like when you're directing actors, you'd be like, we got

1425
01:06:15,200 --> 01:06:16,760
Speaker 2: to break this up, We got to, you know, create

1426
01:06:16,800 --> 01:06:18,960
Speaker 2: a new beat here do some actors will often not

1427
01:06:19,120 --> 01:06:21,120
Speaker 2: be able to do what Bill does because but he

1428
01:06:21,320 --> 01:06:23,400
Speaker 2: just does it, and you know, he just naturally did it.

1429
01:06:23,480 --> 01:06:25,280
Speaker 2: Nobody even had to direct him, I'm sure, but like,

1430
01:06:25,760 --> 01:06:28,760
Speaker 2: it's that kind of acting beat that Bill Daniel's just

1431
01:06:29,520 --> 01:06:30,040
Speaker 2: had his.

1432
01:06:30,120 --> 01:06:33,920
Speaker 3: But it's also getting Feenie up. It was once again

1433
01:06:34,840 --> 01:06:37,360
Speaker 3: two children sitting up in depth.

1434
01:06:37,360 --> 01:06:40,000
Speaker 2: In the sense of authority. I mean, he was the teacher.

1435
01:06:40,280 --> 01:06:41,800
Speaker 3: It was just so good.

1436
01:06:42,360 --> 01:06:44,520
Speaker 2: And he's still able to face the camera right because

1437
01:06:44,800 --> 01:06:46,600
Speaker 2: because of course the natural thing to do would be

1438
01:06:46,640 --> 01:06:48,640
Speaker 2: to stand up and turn it five people, but then

1439
01:06:48,680 --> 01:06:50,360
Speaker 2: his back would be the camera. So there's a lot

1440
01:06:50,440 --> 01:06:53,080
Speaker 2: of artificiality to what he has to do in that beat,

1441
01:06:53,320 --> 01:06:56,160
Speaker 2: and Bill just nails. Yeah.

1442
01:06:56,480 --> 01:06:58,760
Speaker 1: So Alan thanks him and tells Foenie that he taught

1443
01:06:58,800 --> 01:07:01,840
Speaker 1: him something tonight. George excitedly replies, and it was fun

1444
01:07:01,960 --> 01:07:04,760
Speaker 1: for me. Alan and Amy snuggle on the couch and

1445
01:07:04,840 --> 01:07:07,120
Speaker 1: it's so nice again to see them out of the

1446
01:07:07,200 --> 01:07:09,280
Speaker 1: kitchen doing exactly what we love to see them do,

1447
01:07:09,360 --> 01:07:12,200
Speaker 1: which is just have real conversation about their nights.

1448
01:07:12,440 --> 01:07:14,840
Speaker 2: And I'm glad that I feel like they probably the

1449
01:07:14,920 --> 01:07:18,440
Speaker 2: writers realized like they hadn't serviced Alan and Amy for

1450
01:07:18,800 --> 01:07:21,000
Speaker 2: most of season three, so this is nice to return

1451
01:07:21,040 --> 01:07:23,320
Speaker 2: to season four with, like, let's give them their own

1452
01:07:23,360 --> 01:07:24,480
Speaker 2: storyline and their own beats.

1453
01:07:24,520 --> 01:07:24,880
Speaker 5: I love it.

1454
01:07:25,320 --> 01:07:26,240
Speaker 1: Yeah, very cool.

1455
01:07:26,560 --> 01:07:29,320
Speaker 3: Back to parents being parents, I'm sorry, and the vulnerability

1456
01:07:29,360 --> 01:07:33,080
Speaker 3: of adults, and it was all just so good. I

1457
01:07:33,200 --> 01:07:33,520
Speaker 3: love that.

1458
01:07:34,000 --> 01:07:36,400
Speaker 1: And then we're on the side of the road. Corey

1459
01:07:36,520 --> 01:07:38,720
Speaker 1: is frustrated and walking alongside the side of the road,

1460
01:07:38,800 --> 01:07:41,480
Speaker 1: questioning who would possibly pick him up in rural Pennsylvania,

1461
01:07:41,720 --> 01:07:44,120
Speaker 1: And just then a horse carriage pulls up and an

1462
01:07:44,160 --> 01:07:48,600
Speaker 1: Amish man asks where he is going. It is so

1463
01:07:49,720 --> 01:07:51,040
Speaker 1: so strange, Corey.

1464
01:07:51,160 --> 01:07:53,960
Speaker 3: The how much part makes sense because of rural Pennsylvania.

1465
01:07:54,200 --> 01:07:56,560
Speaker 1: Yeah, but why do you need it?

1466
01:07:57,240 --> 01:07:59,440
Speaker 3: It's like, just just thought it was fun in there.

1467
01:08:00,040 --> 01:08:01,200
Speaker 3: It was so random.

1468
01:08:01,360 --> 01:08:03,360
Speaker 2: I wonder if there was some connection to him that

1469
01:08:03,440 --> 01:08:05,360
Speaker 2: they wanted to get him on our show, or they

1470
01:08:05,480 --> 01:08:07,400
Speaker 2: just were like or if they wrote the scene just

1471
01:08:07,600 --> 01:08:10,640
Speaker 2: a meeting comic relief. I don't know.

1472
01:08:11,440 --> 01:08:12,040
Speaker 4: Was hard like that.

1473
01:08:12,160 --> 01:08:14,200
Speaker 2: It doesn't play, It doesn't carry through in any way.

1474
01:08:14,400 --> 01:08:16,080
Speaker 2: I'm not for sure Corey was going to get on

1475
01:08:16,240 --> 01:08:20,240
Speaker 2: the thing or And then there's a scene was his Decision.

1476
01:08:20,240 --> 01:08:23,639
Speaker 3: Season seven where Jack and Eric are Amish and dressed

1477
01:08:23,680 --> 01:08:25,720
Speaker 3: like people, and the thing so again, another one that

1478
01:08:25,840 --> 01:08:26,639
Speaker 3: they repeat again.

1479
01:08:27,760 --> 01:08:29,920
Speaker 1: So Corey says he's going to Philadelphia. The man on

1480
01:08:29,960 --> 01:08:32,400
Speaker 1: the horse played by famous person Dick van Patten says

1481
01:08:32,479 --> 01:08:36,040
Speaker 1: he is going to that farmhouse there, and he points

1482
01:08:36,080 --> 01:08:39,160
Speaker 1: down the road. Corey again says he is going to Philadelphia.

1483
01:08:39,280 --> 01:08:42,000
Speaker 1: The man responds again saying he is going to that

1484
01:08:42,200 --> 01:08:46,880
Speaker 1: farmhouse there. This exchange happens maybe three more times. I

1485
01:08:46,960 --> 01:08:49,200
Speaker 1: have decided to condense it because I do not want

1486
01:08:49,240 --> 01:08:51,479
Speaker 1: to bore you. In the end, Corey says he would

1487
01:08:51,560 --> 01:08:53,600
Speaker 1: rather wait for someone else, someone with a mode of

1488
01:08:53,640 --> 01:08:57,320
Speaker 1: transportation that has combustion. The Amish farmer explains that his

1489
01:08:57,439 --> 01:08:59,840
Speaker 1: intent was just and his heart was pure, and as

1490
01:08:59,880 --> 01:09:02,120
Speaker 1: he leaves, Cory says, that also does.

1491
01:09:02,120 --> 01:09:04,479
Speaker 2: Be no good. It's a good line.

1492
01:09:04,520 --> 01:09:10,479
Speaker 1: I mean, it's funny, very funny, weird, and I actually

1493
01:09:10,560 --> 01:09:13,799
Speaker 1: think they the runner of that farmhouse there. It's funny.

1494
01:09:13,960 --> 01:09:17,280
Speaker 1: I just don't know. I don't It's very random.

1495
01:09:17,640 --> 01:09:21,320
Speaker 2: Yep, it's yeah, it's I I wonder if there was

1496
01:09:21,360 --> 01:09:24,800
Speaker 2: a draft of the script where this affected Corey or

1497
01:09:24,960 --> 01:09:26,960
Speaker 2: Eric in some way, where there was a decision made.

1498
01:09:27,280 --> 01:09:29,679
Speaker 2: But as it is, like, this is the thing you cut,

1499
01:09:30,200 --> 01:09:32,719
Speaker 2: Like when you're writing a script, if it doesn't propel

1500
01:09:32,760 --> 01:09:34,400
Speaker 2: the story for it, if it doesn't change any of

1501
01:09:34,439 --> 01:09:36,400
Speaker 2: the characters, you cut it. Even if it has some

1502
01:09:36,479 --> 01:09:37,280
Speaker 2: funny bits.

1503
01:09:37,160 --> 01:09:39,880
Speaker 1: But they kept it in so when Corey does come back,

1504
01:09:40,200 --> 01:09:42,120
Speaker 1: he very Eric very easily could have been like, what

1505
01:09:42,240 --> 01:09:43,960
Speaker 1: are you doing back here? And Corey could have said

1506
01:09:44,000 --> 01:09:45,960
Speaker 1: the only person who tried you know, a horror an

1507
01:09:45,960 --> 01:09:47,519
Speaker 1: almish man on it.

1508
01:09:47,840 --> 01:09:50,879
Speaker 3: Yeah, that's it, that's it, you explained, or just a line.

1509
01:09:50,800 --> 01:09:53,120
Speaker 2: Like like you know what if the guy had said, like,

1510
01:09:53,400 --> 01:09:55,920
Speaker 2: you know you you walk that way and then you

1511
01:09:56,000 --> 01:09:57,800
Speaker 2: always end up back where you start, some sort of

1512
01:09:57,880 --> 01:10:00,439
Speaker 2: like line that isn't wise. But then Corey aches as

1513
01:10:00,479 --> 01:10:03,000
Speaker 2: wisdom and becomes like a fortune cookie, like I am

1514
01:10:03,080 --> 01:10:04,720
Speaker 2: going to go back and get my brother back, you

1515
01:10:04,760 --> 01:10:07,800
Speaker 2: know something, somehow to propel it change. Yes, it's so.

1516
01:10:08,080 --> 01:10:12,200
Speaker 2: And to be fair, like, you know, Woman's World is

1517
01:10:13,040 --> 01:10:17,240
Speaker 2: great specifically because we never have a scene that's just

1518
01:10:17,320 --> 01:10:19,840
Speaker 2: for jokes. We usually we always propel our story. Our

1519
01:10:19,880 --> 01:10:23,040
Speaker 2: writers are so good at knowing that you always have

1520
01:10:23,080 --> 01:10:25,679
Speaker 2: a scene propeller story forward. So this is like kind

1521
01:10:25,720 --> 01:10:28,519
Speaker 2: of the only time I've seen like just for jokes,

1522
01:10:28,960 --> 01:10:31,680
Speaker 2: no plot change, no character change, and it's you know,

1523
01:10:31,840 --> 01:10:33,600
Speaker 2: that's fine. I guess there must have.

1524
01:10:33,720 --> 01:10:35,519
Speaker 1: I bet I would be shocked if there's not some

1525
01:10:35,760 --> 01:10:40,519
Speaker 1: Dick Van Patten connection and some of the there was

1526
01:10:40,600 --> 01:10:43,200
Speaker 1: a different version of this script where these people came

1527
01:10:43,280 --> 01:10:46,560
Speaker 1: in more and and it tied in somehow I don't know,

1528
01:10:46,680 --> 01:10:48,080
Speaker 1: but we're back at the diners slash wait.

1529
01:10:48,160 --> 01:10:49,920
Speaker 3: I have a I have a quick question. Do you

1530
01:10:50,080 --> 01:10:54,280
Speaker 3: think other than Florida, where it was obviously travel, do

1531
01:10:54,360 --> 01:10:57,160
Speaker 3: you think this is to date the most expensive episode

1532
01:10:57,160 --> 01:10:59,640
Speaker 3: of Boy Meets World that we'd ever done. We've got

1533
01:11:00,080 --> 01:11:04,360
Speaker 3: whole new sets, Dick van Patten shooting outside the giant

1534
01:11:04,479 --> 01:11:05,080
Speaker 3: yogurt cup.

1535
01:11:05,840 --> 01:11:08,240
Speaker 2: The only other one would be the Thrilla and Philip

1536
01:11:08,360 --> 01:11:10,120
Speaker 2: just because of the sheer number of guest stars, right,

1537
01:11:10,160 --> 01:11:13,080
Speaker 2: you writ everybody there, But even this one has a

1538
01:11:13,120 --> 01:11:16,120
Speaker 2: whole bunch of guests like has Yes, this one has

1539
01:11:16,200 --> 01:11:19,840
Speaker 2: like eight guest stars speaking roles, and then three new

1540
01:11:19,920 --> 01:11:21,440
Speaker 2: sets exteriors.

1541
01:11:21,640 --> 01:11:24,000
Speaker 3: You're right, Sprinkles falling car.

1542
01:11:24,479 --> 01:11:27,320
Speaker 2: The priciest episode. This is the most.

1543
01:11:27,200 --> 01:11:29,679
Speaker 3: Expensive episode we've done so far. I have to imagine

1544
01:11:29,680 --> 01:11:31,360
Speaker 3: except for everyone.

1545
01:11:31,160 --> 01:11:35,920
Speaker 1: To Florida, everyone except you save network by not flying you.

1546
01:11:36,400 --> 01:11:39,400
Speaker 2: True, but the network was basically like your numbers have

1547
01:11:40,040 --> 01:11:42,400
Speaker 2: earned like a splashy episode.

1548
01:11:42,160 --> 01:11:44,000
Speaker 3: Right, so this has to be the best. So I

1549
01:11:44,120 --> 01:11:45,240
Speaker 3: was thinking the whole time, I was like, this has

1550
01:11:45,280 --> 01:11:47,040
Speaker 3: got to be the most expensive episode we've done.

1551
01:11:48,960 --> 01:11:50,960
Speaker 1: So Eric is sitting at a table with Irene and

1552
01:11:51,040 --> 01:11:53,760
Speaker 1: her old slightly red neck friends while eating a bowl

1553
01:11:53,800 --> 01:11:55,760
Speaker 1: of soup. He looks up and says, that is the

1554
01:11:55,840 --> 01:11:58,639
Speaker 1: best piece soup he has ever had. Irene reaches behind

1555
01:11:58,640 --> 01:12:00,840
Speaker 1: the counter and pulls out a slice of She says,

1556
01:12:00,880 --> 01:12:02,640
Speaker 1: the soup draws you in, but the pie is what

1557
01:12:02,800 --> 01:12:05,479
Speaker 1: keeps you here forever. And just then we reveal a

1558
01:12:05,720 --> 01:12:09,840
Speaker 1: very old man. Phil leads. He says, it's true, I

1559
01:12:10,040 --> 01:12:15,600
Speaker 1: was only three hours from home. Very funny joke. I

1560
01:12:15,760 --> 01:12:18,680
Speaker 1: laughed very hard and loud when that joke came out.

1561
01:12:18,720 --> 01:12:21,400
Speaker 1: When it was like Eric sitting next to this guy

1562
01:12:21,520 --> 01:12:24,040
Speaker 1: and they were in the exact same situation. Here's Phil

1563
01:12:24,200 --> 01:12:27,960
Speaker 1: and here's Eric. You could see his future yep, just he.

1564
01:12:27,960 --> 01:12:31,760
Speaker 2: Know, he's just he's just such such a old guy.

1565
01:12:31,920 --> 01:12:34,519
Speaker 2: Looks like it's just like that, you know. The joke

1566
01:12:34,680 --> 01:12:37,360
Speaker 2: is that there is an old man here. Yeah, he

1567
01:12:37,400 --> 01:12:40,760
Speaker 2: has been here since he was IC's age. It's so

1568
01:12:41,320 --> 01:12:43,720
Speaker 2: it's just a visual joke and he doesn't have to Oh,

1569
01:12:43,840 --> 01:12:44,160
Speaker 2: I love it.

1570
01:12:44,280 --> 01:12:44,880
Speaker 1: It's so good.

1571
01:12:45,200 --> 01:12:47,280
Speaker 2: He's great and then him and Ben later at the

1572
01:12:47,320 --> 01:12:47,840
Speaker 2: giant Pie.

1573
01:12:48,080 --> 01:12:52,080
Speaker 1: Oh, the giant pie don't even get started. So funny.

1574
01:12:52,400 --> 01:12:55,520
Speaker 1: So Eric takes a bite and he's blown away. It's delicious.

1575
01:12:55,600 --> 01:13:00,360
Speaker 1: What kind is this? A friend of Irene responds with pie. Says,

1576
01:13:00,400 --> 01:13:02,759
Speaker 1: with pie like this, people must be lining up. Another

1577
01:13:02,800 --> 01:13:05,080
Speaker 1: friend reveals that actually they might have to close up.

1578
01:13:05,479 --> 01:13:07,679
Speaker 1: Eric is shocked, and he asks Irene if this is true.

1579
01:13:07,960 --> 01:13:10,120
Speaker 1: Irene says, ever since they built, ever since they built

1580
01:13:10,120 --> 01:13:12,960
Speaker 1: the new highway, people just pass by town. Eric tells

1581
01:13:13,000 --> 01:13:15,320
Speaker 1: her they wouldn't if they knew about their pie and soup.

1582
01:13:15,640 --> 01:13:17,160
Speaker 1: He comes up with a plan to get people to

1583
01:13:17,240 --> 01:13:19,480
Speaker 1: come in by putting up signs on the highway advertising

1584
01:13:19,520 --> 01:13:22,320
Speaker 1: their pie, updating drivers every mile on how close they are,

1585
01:13:22,400 --> 01:13:25,000
Speaker 1: hundred miles away, ninety eight miles away, et cetera. A

1586
01:13:25,040 --> 01:13:28,719
Speaker 1: friend is confused, it's pie because you're talking about Chili.

1587
01:13:29,640 --> 01:13:32,720
Speaker 1: Irene loves the idea. Irene's friend stands up and tells

1588
01:13:32,840 --> 01:13:34,880
Speaker 1: Eric that even though a smart man like himself probably

1589
01:13:34,920 --> 01:13:37,040
Speaker 1: feels more at home in the big city, a guy

1590
01:13:37,200 --> 01:13:39,160
Speaker 1: like you would do pretty well in a town like ours.

1591
01:13:39,400 --> 01:13:42,559
Speaker 1: And this is where especially the double top, the double

1592
01:13:42,680 --> 01:13:45,640
Speaker 1: time of being like, hey, you're a smart guy. To me,

1593
01:13:45,840 --> 01:13:47,920
Speaker 1: the whole thing, that part does feel like we don't

1594
01:13:47,960 --> 01:13:50,760
Speaker 1: have many smart people here. Yeah, whereas like you got it,

1595
01:13:51,560 --> 01:13:54,639
Speaker 1: they it could have because it is true that Eric

1596
01:13:54,720 --> 01:13:58,200
Speaker 1: could be a great marketing guy. So it could have

1597
01:13:58,240 --> 01:14:01,559
Speaker 1: been that. It's like, wow, you know what, we've never

1598
01:14:01,720 --> 01:14:05,080
Speaker 1: thought about that. We've only relied on our small town

1599
01:14:05,200 --> 01:14:07,640
Speaker 1: keeping us afloat. But if we could draw people in,

1600
01:14:08,320 --> 01:14:11,040
Speaker 1: that would help. You know, Eric, you could open a

1601
01:14:11,160 --> 01:14:14,360
Speaker 1: marketing firm here instead of it being like you know.

1602
01:14:14,560 --> 01:14:15,960
Speaker 2: Or you could be our guy. You could be our

1603
01:14:16,000 --> 01:14:19,880
Speaker 2: pitch guy exactly. Could totally fits Eric. Yeah, her personality

1604
01:14:20,000 --> 01:14:21,880
Speaker 2: is so engaging, it's exciting to be around.

1605
01:14:21,960 --> 01:14:24,560
Speaker 3: Yeah. Whatever, Here's the thing I didn't get that that

1606
01:14:24,680 --> 01:14:27,559
Speaker 3: made me think about it was for a small town,

1607
01:14:28,520 --> 01:14:31,479
Speaker 3: the giant yogurt cup, there was like thirty people outside

1608
01:14:31,520 --> 01:14:33,479
Speaker 3: of the yogurt cut there. There's a lot of people there.

1609
01:14:33,560 --> 01:14:35,360
Speaker 2: I mean, sprinkle parades every day.

1610
01:14:35,280 --> 01:14:37,600
Speaker 3: The sprinkle parades every day, you've got the you know,

1611
01:14:37,800 --> 01:14:40,320
Speaker 3: it's the Obviously the diner wasn't packed, but for a

1612
01:14:40,400 --> 01:14:44,120
Speaker 3: small town, that sprinkle parade, right there was pretty good revenue. Right,

1613
01:14:44,400 --> 01:14:47,240
Speaker 3: Bringing the Germans in, bringing money exactly.

1614
01:14:48,880 --> 01:14:52,280
Speaker 1: So Eric responds by saying maybe he will stay for

1615
01:14:52,400 --> 01:14:54,679
Speaker 1: a while, And just as he figures this out, Corey

1616
01:14:54,760 --> 01:14:57,240
Speaker 1: walks into the diner behind him, Ory calls Eric over

1617
01:14:57,360 --> 01:14:59,720
Speaker 1: in questions if he could really be happy here. Eric

1618
01:14:59,760 --> 01:15:03,000
Speaker 1: says he already is. People here make him feel really important.

1619
01:15:03,160 --> 01:15:05,599
Speaker 1: Back home, he's just a loser who didn't get into college,

1620
01:15:06,040 --> 01:15:08,439
Speaker 1: and here, he whispers, he could be king.

1621
01:15:08,880 --> 01:15:12,200
Speaker 2: Be king of that line, I love, and I love.

1622
01:15:13,040 --> 01:15:15,160
Speaker 2: What I liked about that is that there's an awareness

1623
01:15:15,240 --> 01:15:17,680
Speaker 2: of like Eric, there's the only line that does it

1624
01:15:17,720 --> 01:15:21,080
Speaker 2: where Eric is maybe kind of manipulated in this situation. Yeah,

1625
01:15:21,200 --> 01:15:22,920
Speaker 2: I think that's a more clever way to go, where

1626
01:15:23,080 --> 01:15:26,080
Speaker 2: Eric's like, Okay, okay, I'm going to like insert myself

1627
01:15:26,120 --> 01:15:28,800
Speaker 2: into a position where I have authority or knowledge that

1628
01:15:29,040 --> 01:15:29,200
Speaker 2: you know.

1629
01:15:29,760 --> 01:15:31,000
Speaker 4: Uh, but.

1630
01:15:32,640 --> 01:15:35,280
Speaker 2: Does it make sense that Ben would be Prince No? No,

1631
01:15:35,400 --> 01:15:37,280
Speaker 2: of course no, I thought. I thought, of course, not

1632
01:15:37,439 --> 01:15:39,800
Speaker 2: Duke of Sprinkles would have been better. Yeah, or like,

1633
01:15:40,760 --> 01:15:42,920
Speaker 2: but Prince. I immediately was like, but you're not his,

1634
01:15:43,120 --> 01:15:43,880
Speaker 2: You're not his son.

1635
01:15:47,160 --> 01:15:49,439
Speaker 3: I know the lineage is off.

1636
01:15:52,280 --> 01:15:57,200
Speaker 1: Monarchy works, Although hold on a second. If let's say,

1637
01:15:57,360 --> 01:16:00,439
Speaker 1: with uh, Prince William and harre right, if he would

1638
01:16:00,439 --> 01:16:02,800
Speaker 1: be a brother, still would be a prince, right, So

1639
01:16:02,960 --> 01:16:03,719
Speaker 1: is he still a prince?

1640
01:16:04,439 --> 01:16:07,160
Speaker 3: He's no, he's duke. He's Duke of York, isn't he?

1641
01:16:07,960 --> 01:16:08,240
Speaker 2: I think?

1642
01:16:08,400 --> 01:16:10,640
Speaker 3: The Duke of the King, and then that he has

1643
01:16:10,680 --> 01:16:12,600
Speaker 3: a son, he becomes the Duke of Wales and the

1644
01:16:12,720 --> 01:16:14,160
Speaker 3: next son becomes the Duke of York.

1645
01:16:15,240 --> 01:16:16,519
Speaker 1: Duke would have been I literally.

1646
01:16:16,360 --> 01:16:18,160
Speaker 3: Just watched King's speech last night and I think that's

1647
01:16:18,200 --> 01:16:18,880
Speaker 3: what they were was.

1648
01:16:19,400 --> 01:16:21,479
Speaker 2: But so the idea is that like you and Corey

1649
01:16:21,520 --> 01:16:24,200
Speaker 2: would have both been princes, that he would have been

1650
01:16:24,280 --> 01:16:26,280
Speaker 2: named king and he would still be.

1651
01:16:26,560 --> 01:16:29,280
Speaker 1: Still currently a prince because his brother isn't currently king.

1652
01:16:31,080 --> 01:16:32,120
Speaker 3: Or we're just thinking too much.

1653
01:16:33,600 --> 01:16:37,839
Speaker 2: The second joke, okay, the second Eric does become king.

1654
01:16:38,120 --> 01:16:40,720
Speaker 1: Right, then Corey, he would no longer be prince, right,

1655
01:16:40,800 --> 01:16:41,080
Speaker 1: He'd be.

1656
01:16:41,120 --> 01:16:44,160
Speaker 2: D Duke of Sles, which is funny.

1657
01:16:44,320 --> 01:16:47,080
Speaker 3: Yeah, if not funnier. Dukea Sprinkles.

1658
01:16:48,920 --> 01:16:51,800
Speaker 1: Sounds everyone knows it. Cory says he will tell Mom

1659
01:16:51,840 --> 01:16:54,040
Speaker 1: and Dad about Eric and knows they will be so proud.

1660
01:16:54,160 --> 01:16:56,680
Speaker 1: Cory says, he is the Prince of sprinkle Land, but

1661
01:16:56,760 --> 01:16:58,439
Speaker 1: we now know would be funnier if he was actually

1662
01:16:58,439 --> 01:17:01,040
Speaker 1: the duke, and he picks up the payphone to dial

1663
01:17:01,120 --> 01:17:03,880
Speaker 1: home while Eric announces soup and pie for everyone on

1664
01:17:04,120 --> 01:17:06,640
Speaker 1: him the new guy. And then we're still in the

1665
01:17:06,680 --> 01:17:09,040
Speaker 1: diner and Potstown. Corey is seated at the counter trying

1666
01:17:09,080 --> 01:17:11,639
Speaker 1: the pie. He's got a giant napkin in his shirt.

1667
01:17:12,240 --> 01:17:15,800
Speaker 1: He's also impressed. This is good pie. Phil leads. The

1668
01:17:15,840 --> 01:17:18,559
Speaker 1: old man next to him says, I was three hours

1669
01:17:18,600 --> 01:17:19,120
Speaker 1: from home.

1670
01:17:19,600 --> 01:17:19,720
Speaker 2: Now.

1671
01:17:19,760 --> 01:17:22,040
Speaker 1: We have seen this before on Boy Meets World. If

1672
01:17:22,080 --> 01:17:26,680
Speaker 1: a joke works once and it's funny, just the same joke.

1673
01:17:26,479 --> 01:17:30,360
Speaker 3: In that farmhouse over there, see.

1674
01:17:30,200 --> 01:17:36,519
Speaker 1: If you can kill it, So this time I think

1675
01:17:36,560 --> 01:17:38,640
Speaker 1: it's still funny. Alan shows up to the diner and

1676
01:17:38,720 --> 01:17:40,920
Speaker 1: Corey says, don't eat the pie. You will never leave.

1677
01:17:41,360 --> 01:17:43,479
Speaker 1: Alan asks where Eric is, and Corey points in the

1678
01:17:43,520 --> 01:17:46,400
Speaker 1: direction of his Royal Highness he's holding court over there.

1679
01:17:46,760 --> 01:17:48,640
Speaker 1: Alan walks up to Eric seated at a table with

1680
01:17:48,720 --> 01:17:51,880
Speaker 1: Irene and her friends. They're still eating pie at this diner. Again.

1681
01:17:52,240 --> 01:17:54,880
Speaker 1: How many pies? How many pieces of pie? Is okay

1682
01:17:55,000 --> 01:17:57,400
Speaker 1: in one day? Because is this Thanksgiving?

1683
01:17:57,600 --> 01:18:00,960
Speaker 2: I usually, sir Yogurt.

1684
01:18:01,120 --> 01:18:02,320
Speaker 3: This is a yogurt town.

1685
01:18:02,600 --> 01:18:06,040
Speaker 2: This is you are just like this is the town.

1686
01:18:06,520 --> 01:18:09,200
Speaker 1: Is this for sprinkles? Is it for yogurt? Is it

1687
01:18:09,360 --> 01:18:10,679
Speaker 1: for pie? Or soup?

1688
01:18:10,880 --> 01:18:11,120
Speaker 3: Soup?

1689
01:18:11,360 --> 01:18:13,519
Speaker 1: Is what are you known for?

1690
01:18:13,840 --> 01:18:17,160
Speaker 3: That's your problem is you're not known for one thing. Oh,

1691
01:18:18,560 --> 01:18:22,599
Speaker 3: oh my god, this is this is a yogurt town.

1692
01:18:23,720 --> 01:18:26,000
Speaker 2: This is the episode. I'll never forget Michael coming up

1693
01:18:26,000 --> 01:18:27,800
Speaker 2: to me one time telling me a joke. It's just like,

1694
01:18:28,120 --> 01:18:29,840
Speaker 2: did you hear about the the old man who went

1695
01:18:29,880 --> 01:18:33,920
Speaker 2: to Vegas Like no, like I prostitute came up to

1696
01:18:33,960 --> 01:18:37,320
Speaker 2: him and said, Hey, do you want some super sex?

1697
01:18:37,560 --> 01:18:43,800
Speaker 2: And he said soup. That's a Michael Jacob's joke.

1698
01:18:44,400 --> 01:18:48,840
Speaker 1: Michael Jacobs jokes, Wow, I don't think that joke does

1699
01:18:49,000 --> 01:18:59,920
Speaker 1: him any justice. So Eric is surprised to love love soup.

1700
01:19:00,120 --> 01:19:03,160
Speaker 1: Who So Eric is surprised to see his dad and

1701
01:19:03,240 --> 01:19:06,120
Speaker 1: he introduces him to his new friends and Irene. Alan

1702
01:19:06,200 --> 01:19:08,439
Speaker 1: is disappointed in what's going on here. Eric says he

1703
01:19:08,520 --> 01:19:10,120
Speaker 1: was gonna call him in the morning to inform them

1704
01:19:10,160 --> 01:19:12,519
Speaker 1: of his plans. Alan tells Eric he will be getting

1705
01:19:12,560 --> 01:19:15,160
Speaker 1: in his car and following him home. Eric says he

1706
01:19:15,160 --> 01:19:18,120
Speaker 1: would rather stay. Alan says they should probably talk in private,

1707
01:19:18,280 --> 01:19:22,720
Speaker 1: so they move to a booth three feet away directly

1708
01:19:22,840 --> 01:19:28,000
Speaker 1: behind them, and notice what Phoene said earlier in this episode,

1709
01:19:28,600 --> 01:19:32,280
Speaker 1: voices Carrie, m m, but the camera pans to Corey

1710
01:19:32,360 --> 01:19:36,840
Speaker 1: and the old man sharing a huge hie. Corey, in

1711
01:19:36,960 --> 01:19:39,640
Speaker 1: between bites, asks if a guy like him could have

1712
01:19:39,680 --> 01:19:41,680
Speaker 1: a lot of opportunity in this town, and the man

1713
01:19:41,760 --> 01:19:44,479
Speaker 1: thinks about it and says, wow, I could use a nurse.

1714
01:19:48,280 --> 01:19:49,600
Speaker 3: Oh, Phil, I love it.

1715
01:19:50,040 --> 01:19:52,080
Speaker 1: I love it. You want me to tell my phil

1716
01:19:52,120 --> 01:19:53,880
Speaker 1: Leads joke, I mean, not my phill Leads joke, my

1717
01:19:53,880 --> 01:19:54,519
Speaker 1: phill lead story.

1718
01:19:55,080 --> 01:19:56,000
Speaker 3: What's your phill lead story?

1719
01:19:56,000 --> 01:19:56,519
Speaker 2: You have another one.

1720
01:19:57,720 --> 01:20:00,200
Speaker 1: It's the only one. It's not from this episode. It's

1721
01:20:00,240 --> 01:20:03,360
Speaker 1: from another episode that Phil does. I think this Joe episode.

1722
01:20:04,000 --> 01:20:05,280
Speaker 1: He didn't say it to me. He said it's to Ben,

1723
01:20:05,360 --> 01:20:07,000
Speaker 1: but he said it right in front of me. Oh

1724
01:20:07,120 --> 01:20:10,560
Speaker 1: that's a way in a way that like I just

1725
01:20:11,080 --> 01:20:14,280
Speaker 1: heard it. But he's standing there next to Ben and

1726
01:20:14,360 --> 01:20:17,680
Speaker 1: he's looking at me, and he goes, wah, look at her.

1727
01:20:18,640 --> 01:20:27,160
Speaker 1: I'd like to gnash on her broccoli, just the most disgusting.

1728
01:20:28,400 --> 01:20:36,800
Speaker 1: Like I was maybe sixteen, maybe seventeen, and Jeff, he's

1729
01:20:37,120 --> 01:20:38,640
Speaker 1: a hundred and like.

1730
01:20:41,640 --> 01:20:46,519
Speaker 3: Ill, I'm sorry, instantly goes to in his head. What's

1731
01:20:46,640 --> 01:20:51,080
Speaker 3: your broccoli? That's what. I don't know where it is.

1732
01:20:51,360 --> 01:20:53,280
Speaker 3: I don't know where we're going with this.

1733
01:20:53,680 --> 01:20:55,960
Speaker 1: I don't know, but it's like, it's so gross. The

1734
01:20:56,080 --> 01:20:59,760
Speaker 1: broccoli is such a gross analogy for whatever he's thinking of.

1735
01:21:02,439 --> 01:21:04,720
Speaker 2: This goes so well with the old man's super sex joke.

1736
01:21:04,760 --> 01:21:09,040
Speaker 1: I mean, we had to keep it together. It's all there.

1737
01:21:09,439 --> 01:21:11,800
Speaker 3: Exactly did you, Danielle? I was just watching your face.

1738
01:21:11,880 --> 01:21:13,360
Speaker 3: Did you throw up in your mouth a little bit?

1739
01:21:13,439 --> 01:21:13,720
Speaker 1: I did?

1740
01:21:15,040 --> 01:21:18,080
Speaker 2: I mean you weren't proud. You were like, oh, now

1741
01:21:18,160 --> 01:21:22,240
Speaker 2: I know you wants to.

1742
01:21:22,840 --> 01:21:23,479
Speaker 3: It's a notch.

1743
01:21:26,520 --> 01:21:31,200
Speaker 1: So yeah. Back at the booth, Alan and Eric, Alan

1744
01:21:31,280 --> 01:21:33,479
Speaker 1: asks Eric to tell him what this is really about.

1745
01:21:33,720 --> 01:21:36,160
Speaker 1: Eric thinks he won't understand, but Alan says try him.

1746
01:21:36,479 --> 01:21:38,439
Speaker 1: Eric sees no point in going back home. He's been

1747
01:21:38,479 --> 01:21:40,320
Speaker 1: going to school his whole life, and yet he didn't

1748
01:21:40,360 --> 01:21:42,920
Speaker 1: get into college. Everything he has done up until now

1749
01:21:42,960 --> 01:21:44,880
Speaker 1: has been a waste, and it's too late to change

1750
01:21:44,880 --> 01:21:48,160
Speaker 1: who he is. And this is actually something Alan understands

1751
01:21:48,280 --> 01:21:51,040
Speaker 1: very well. It's very easy to find someplace that's comfortable

1752
01:21:51,080 --> 01:21:53,639
Speaker 1: and just stay there. Eric says he could settle into

1753
01:21:53,680 --> 01:21:55,760
Speaker 1: a place like this, and Alan interrupts to say, that's

1754
01:21:55,840 --> 01:21:59,080
Speaker 1: all he will be doing, just settling. He'll spend years

1755
01:21:59,200 --> 01:22:01,200
Speaker 1: trying to convince him self he loves it, and eventually

1756
01:22:01,240 --> 01:22:03,720
Speaker 1: he'll realize all he did was settle, and you will

1757
01:22:03,760 --> 01:22:07,599
Speaker 1: not like yourself. Eric says, I don't like myself now, Dad,

1758
01:22:08,360 --> 01:22:10,280
Speaker 1: Alan says he can come home to the support of

1759
01:22:10,360 --> 01:22:12,760
Speaker 1: his family and friends and they will help him find

1760
01:22:12,800 --> 01:22:13,599
Speaker 1: what he really wants.

1761
01:22:14,040 --> 01:22:18,679
Speaker 2: Eric. This the transmission from Foene to to Eric.

1762
01:22:19,080 --> 01:22:19,360
Speaker 3: Love it.

1763
01:22:19,760 --> 01:22:21,479
Speaker 2: I love that the audience is in on it in

1764
01:22:21,560 --> 01:22:25,240
Speaker 2: a way that like now that Alan's the authority. He

1765
01:22:25,360 --> 01:22:28,360
Speaker 2: obviously wasn't the authority, you know, ten minutes ago. And

1766
01:22:28,439 --> 01:22:31,200
Speaker 2: I just love that that we have an insight into

1767
01:22:31,280 --> 01:22:33,400
Speaker 2: that and so we get to sort of feel like

1768
01:22:33,479 --> 01:22:36,400
Speaker 2: we're I don't it's so it's so such good writing.

1769
01:22:36,439 --> 01:22:37,799
Speaker 2: This scene just makes me so happy.

1770
01:22:38,040 --> 01:22:43,360
Speaker 3: Also, the perfect just it so shows and lays out

1771
01:22:43,560 --> 01:22:46,719
Speaker 3: one generation teaching the next generation teaching the next generation.

1772
01:22:46,880 --> 01:22:48,080
Speaker 2: Yeah, it's so good.

1773
01:22:48,160 --> 01:22:49,200
Speaker 3: Great, Oh, I love it.

1774
01:22:49,280 --> 01:22:51,519
Speaker 2: Love it everything about the scene except the fact that

1775
01:22:51,840 --> 01:22:54,760
Speaker 2: the female character gets absolutely nothing right.

1776
01:22:54,880 --> 01:22:55,320
Speaker 4: She got.

1777
01:22:58,920 --> 01:23:02,519
Speaker 2: For Eric. Eric's change just that's that's her job. I

1778
01:23:02,720 --> 01:23:03,000
Speaker 2: got it.

1779
01:23:03,160 --> 01:23:04,240
Speaker 3: She got a wave.

1780
01:23:05,479 --> 01:23:08,000
Speaker 1: Eric admits he's afraid to go home, and Alan says,

1781
01:23:08,280 --> 01:23:10,840
Speaker 1: you never have to be afraid to go home. Eric

1782
01:23:10,920 --> 01:23:13,000
Speaker 1: asks how he's so sure, and Corey walks up to

1783
01:23:13,080 --> 01:23:16,200
Speaker 1: say because he's dad. Alan takes a moment and says, yeah,

1784
01:23:16,600 --> 01:23:19,479
Speaker 1: that's mostly what I am and I and I cried,

1785
01:23:19,720 --> 01:23:24,519
Speaker 1: I did I cried. Alan says, let's go. Cory and

1786
01:23:24,720 --> 01:23:26,280
Speaker 1: Eric make their way to the door, but before he

1787
01:23:26,320 --> 01:23:28,439
Speaker 1: walks out, Eric looks over his shoulder to see his

1788
01:23:28,640 --> 01:23:29,559
Speaker 1: pie making love.

1789
01:23:29,439 --> 01:23:32,400
Speaker 2: And fight for him, marine, fight for him to stay.

1790
01:23:33,000 --> 01:23:36,720
Speaker 1: She's legend in her own time. She knows this. She

1791
01:23:36,880 --> 01:23:39,240
Speaker 1: knows this, This has happened to her before she meets

1792
01:23:39,320 --> 01:23:44,839
Speaker 1: these smart driving through Pottstown guys. She waves, he waves,

1793
01:23:45,320 --> 01:23:49,400
Speaker 1: and she knows that yet another man has left her

1794
01:23:49,439 --> 01:23:51,559
Speaker 1: to die on the side of the road with Phil Leeds,

1795
01:23:51,760 --> 01:23:54,800
Speaker 1: who was begging for a nurse. Eric smiles back and

1796
01:23:58,240 --> 01:24:01,920
Speaker 1: maybe he tells her, Oh.

1797
01:24:01,960 --> 01:24:03,479
Speaker 2: The Ballad of Irene, what's happening?

1798
01:24:04,000 --> 01:24:08,679
Speaker 1: Let's I love the scene, and I love the beat

1799
01:24:08,760 --> 01:24:11,200
Speaker 1: with Eric, and I love Alan, and I love the

1800
01:24:11,280 --> 01:24:16,560
Speaker 1: transference of Feenie knowledge. But also there is truth to

1801
01:24:16,640 --> 01:24:20,519
Speaker 1: the fact that Eric doesn't have a whole lot to

1802
01:24:20,640 --> 01:24:24,320
Speaker 1: go back to and when he was there, no one

1803
01:24:24,560 --> 01:24:28,200
Speaker 1: was doing anything to help guide him or support him

1804
01:24:29,080 --> 01:24:31,080
Speaker 1: in any way. There As a matter of fact, when

1805
01:24:31,120 --> 01:24:35,560
Speaker 1: he fell into something he loved, like the Internship, his

1806
01:24:35,760 --> 01:24:38,600
Speaker 1: dad also had a huge thing to say about that.

1807
01:24:39,360 --> 01:24:47,000
Speaker 1: And there is also sometimes a negative like parents stopping

1808
01:24:47,120 --> 01:24:50,240
Speaker 1: you from making the same mistake I made for myself.

1809
01:24:50,360 --> 01:24:54,760
Speaker 1: That becomes me like a parent living vicariously through their kid.

1810
01:24:54,880 --> 01:24:57,400
Speaker 1: And maybe this wouldn't have been such a horrible thing

1811
01:24:57,520 --> 01:24:59,920
Speaker 1: for Eric, So I was left with a little bit

1812
01:25:00,080 --> 01:25:01,200
Speaker 1: of sadness.

1813
01:25:01,360 --> 01:25:01,439
Speaker 3: Like.

1814
01:25:03,960 --> 01:25:06,400
Speaker 1: I don't know, I both want. I both loved the

1815
01:25:06,439 --> 01:25:09,200
Speaker 1: way it worked out and also was a little sad

1816
01:25:09,320 --> 01:25:12,280
Speaker 1: for what could have been had Eric trusted his instinct

1817
01:25:12,320 --> 01:25:12,800
Speaker 1: a little more.

1818
01:25:13,040 --> 01:25:16,040
Speaker 3: Looking back, I would love, as much as I would

1819
01:25:16,080 --> 01:25:19,080
Speaker 3: love loved to Panga to go to Yale instead of

1820
01:25:19,160 --> 01:25:22,639
Speaker 3: being with Corey. I would also love Eric not getting

1821
01:25:22,680 --> 01:25:26,200
Speaker 3: into college and doing something else with his life to

1822
01:25:26,320 --> 01:25:28,040
Speaker 3: show that you don't need to go to a four

1823
01:25:28,160 --> 01:25:31,240
Speaker 3: year school totally to have a decent life like you

1824
01:25:31,360 --> 01:25:33,840
Speaker 3: could have. You could have easily made him something a

1825
01:25:33,920 --> 01:25:38,040
Speaker 3: plumber and electrician, whatever you wanted to where he was thriving.

1826
01:25:38,240 --> 01:25:41,280
Speaker 2: I think our show has a college bias. It like

1827
01:25:41,320 --> 01:25:44,120
Speaker 2: our show. I think boy Me's world is very which

1828
01:25:44,360 --> 01:25:46,880
Speaker 2: you know, I think I think maybe America had a

1829
01:25:47,000 --> 01:25:47,880
Speaker 2: college bias and then.

1830
01:25:48,040 --> 01:25:51,479
Speaker 3: Totally not just the nineties, it was for years before

1831
01:25:51,560 --> 01:25:52,519
Speaker 3: that that was go.

1832
01:25:53,080 --> 01:25:54,760
Speaker 2: Yeah, I think it's it's less so now though I

1833
01:25:54,800 --> 01:25:56,200
Speaker 2: think people recognize, yes, but.

1834
01:25:56,320 --> 01:25:58,600
Speaker 3: Which is good because it's not necessary.

1835
01:25:58,680 --> 01:25:59,000
Speaker 4: But it was.

1836
01:25:59,080 --> 01:26:01,120
Speaker 3: I remember that was in my family where I was gonna,

1837
01:26:01,160 --> 01:26:02,880
Speaker 3: you know, I'm like, I'm on the show, I'm doing

1838
01:26:02,880 --> 01:26:04,320
Speaker 3: all this stuff. I'm not going to college, and my

1839
01:26:04,360 --> 01:26:05,840
Speaker 3: mom to this day is st lucky you going back

1840
01:26:05,880 --> 01:26:09,599
Speaker 3: to college. Like, Mom, I'm fifty, I'm good at this point.

1841
01:26:10,200 --> 01:26:11,120
Speaker 2: You can get your degree.

1842
01:26:11,360 --> 01:26:13,200
Speaker 3: It's a you'll be.

1843
01:26:24,840 --> 01:26:26,800
Speaker 1: And we're in the tag in the Matthews living room

1844
01:26:26,880 --> 01:26:31,920
Speaker 1: to Panga, it was very tan from my Hawaiian secation. Yeah,

1845
01:26:32,360 --> 01:26:34,840
Speaker 1: I also love the little like sixties number I've got

1846
01:26:34,920 --> 01:26:37,599
Speaker 1: going on, like the orange dress and the white platform

1847
01:26:37,720 --> 01:26:39,880
Speaker 1: shoes and I don't know, it's such a cool look.

1848
01:26:40,760 --> 01:26:42,920
Speaker 2: Yeah, you do look good, but I don't. I wouldn't

1849
01:26:43,240 --> 01:26:43,839
Speaker 2: on your broccoli.

1850
01:26:45,479 --> 01:26:49,760
Speaker 1: No one invited you to, No one invited.

1851
01:26:51,000 --> 01:26:53,400
Speaker 3: Not. I don't know why this would matter, but broccoli

1852
01:26:53,479 --> 01:26:54,560
Speaker 3: makes me gassy.

1853
01:26:56,040 --> 01:26:58,559
Speaker 2: Right, another reason to not. I'm just saying.

1854
01:26:58,840 --> 01:27:05,679
Speaker 5: I'm just saying we're gonna becasting will Phil leeds face

1855
01:27:05,760 --> 01:27:10,000
Speaker 5: and poor young Danielle looking around being flaps.

1856
01:27:11,520 --> 01:27:12,600
Speaker 1: I want to stund talking about it.

1857
01:27:12,640 --> 01:27:12,920
Speaker 3: Forget.

1858
01:27:12,960 --> 01:27:15,360
Speaker 1: I told the story to keep that in.

1859
01:27:15,479 --> 01:27:16,040
Speaker 2: It's too good.

1860
01:27:16,160 --> 01:27:16,720
Speaker 1: I'm gotting it.

1861
01:27:17,120 --> 01:27:20,120
Speaker 2: There's no reason to cut it, he said, I don't ever.

1862
01:27:20,080 --> 01:27:22,360
Speaker 1: Want to hear it again. He's dead. Maybe it.

1863
01:27:23,840 --> 01:27:25,600
Speaker 2: Well he said it. He can should live by his

1864
01:27:25,720 --> 01:27:29,080
Speaker 2: own actions and his own words and die by them too.

1865
01:27:29,800 --> 01:27:30,120
Speaker 3: You know what.

1866
01:27:30,200 --> 01:27:31,560
Speaker 1: He probably said it because he was like, I'm a

1867
01:27:31,680 --> 01:27:32,840
Speaker 1: hundred what are they gonna do?

1868
01:27:33,240 --> 01:27:34,840
Speaker 2: It comes down to I'm gonna talk about this after

1869
01:27:34,880 --> 01:27:35,839
Speaker 2: I'm gone, and I don't.

1870
01:27:35,720 --> 01:27:37,280
Speaker 1: Get and I don't give a crap.

1871
01:27:38,520 --> 01:27:53,840
Speaker 2: You two earn down to should p l is d

1872
01:27:54,040 --> 01:27:54,360
Speaker 2: t in.

1873
01:27:56,880 --> 01:27:58,920
Speaker 3: I think we've gone off the rail now.

1874
01:27:58,960 --> 01:28:00,880
Speaker 2: We can't cut it because it's it's too damn funny.

1875
01:28:01,120 --> 01:28:03,440
Speaker 2: It's too damn funny. There's no way you're cutting.

1876
01:28:03,240 --> 01:28:10,200
Speaker 1: This, okay. So Topanga and Sean are seen in the kitchen.

1877
01:28:10,280 --> 01:28:12,439
Speaker 1: Morgan walks down the stairs saying she told Corey that

1878
01:28:12,520 --> 01:28:15,960
Speaker 1: Amy made blueberry pancakes. Amy says she didn't make blueberry pancakes,

1879
01:28:16,000 --> 01:28:17,800
Speaker 1: and Morgan says, whatever, he should be happy. We let

1880
01:28:17,880 --> 01:28:21,760
Speaker 1: him live here. It's a funny line. H Morgan looks

1881
01:28:21,800 --> 01:28:23,720
Speaker 1: at Topanga and asks, are you and Corey going to kiss?

1882
01:28:23,760 --> 01:28:26,200
Speaker 1: And Tapega says that's very personal. We shouldn't talk about it.

1883
01:28:26,439 --> 01:28:29,360
Speaker 1: Morgan says, come on, we're girls, which makes Tapanga immediately

1884
01:28:29,439 --> 01:28:32,479
Speaker 1: say right on the lips. Sean says Corey isn't gonna

1885
01:28:32,479 --> 01:28:34,200
Speaker 1: have time for that. He isn't gonna even gonna know

1886
01:28:34,240 --> 01:28:36,439
Speaker 1: that Topanga exists. He's been gone for two months. They

1887
01:28:36,520 --> 01:28:38,200
Speaker 1: have a lot to catch up on his best friends.

1888
01:28:38,560 --> 01:28:40,519
Speaker 1: Corey walks down the stairs, throws his hands up and

1889
01:28:40,640 --> 01:28:42,960
Speaker 1: yells Sean's name. Shawn is thrilled to see his pal

1890
01:28:43,040 --> 01:28:45,400
Speaker 1: and also throws his arms up to embrace, but Corey

1891
01:28:45,520 --> 01:28:48,240
Speaker 1: ducks under him and grabs Tapanga. They immediately start to

1892
01:28:48,280 --> 01:28:51,240
Speaker 1: make out a lot. Corey asks questions to Sean while

1893
01:28:51,280 --> 01:28:54,200
Speaker 1: also kissing Topanga, and Sean answers him. He says he

1894
01:28:54,240 --> 01:28:56,680
Speaker 1: had a great summer, confirming they're still best friends, and

1895
01:28:56,760 --> 01:28:59,240
Speaker 1: Sean says, see, I told you, acting like this was

1896
01:28:59,320 --> 01:29:01,360
Speaker 1: the catching up he said was so important to Corey

1897
01:29:01,640 --> 01:29:03,719
Speaker 1: than Sean yells, hey, I'm talking to you and slaps

1898
01:29:03,800 --> 01:29:07,799
Speaker 1: Topanga on the arm, And that's our episode.

1899
01:29:09,200 --> 01:29:12,400
Speaker 2: Good start to season four. I'm sorry, is this the first,

1900
01:29:12,520 --> 01:29:16,080
Speaker 2: like Corey choosing between Sewan and Tapanga moment? We're gonna

1901
01:29:16,080 --> 01:29:16,560
Speaker 2: do a lot of this.

1902
01:29:17,120 --> 01:29:20,519
Speaker 1: It becomes a whole show thing. Yeah, this might be

1903
01:29:20,560 --> 01:29:21,360
Speaker 1: the first one.

1904
01:29:21,720 --> 01:29:24,880
Speaker 2: Yeah, yeah, wow, that's interesting. That's and and he chooses

1905
01:29:24,920 --> 01:29:26,760
Speaker 2: to Panga, which is interesting. I feel like on Girl

1906
01:29:26,800 --> 01:29:29,760
Speaker 2: Meets World, the big joke was that he always chooses Sean,

1907
01:29:29,960 --> 01:29:31,519
Speaker 2: right right, that's fine.

1908
01:29:31,880 --> 01:29:36,120
Speaker 1: We'll see so. And you know, we've talked about wanting

1909
01:29:36,160 --> 01:29:39,320
Speaker 1: there to be more of a camaraderie between Shawn and Tapanga.

1910
01:29:39,439 --> 01:29:42,000
Speaker 1: And even though this is about which one of us

1911
01:29:42,080 --> 01:29:45,639
Speaker 1: is more important, us being there together and it feeling

1912
01:29:45,760 --> 01:29:47,880
Speaker 1: like we had had a part of our summer together

1913
01:29:48,600 --> 01:29:51,240
Speaker 1: while waiting for Corey and you hitting me on the

1914
01:29:51,360 --> 01:29:54,680
Speaker 1: arm playfully made me feel a little like the way

1915
01:29:54,760 --> 01:29:57,519
Speaker 1: the montage did about Corey and Tapanga. It was almost

1916
01:29:57,600 --> 01:29:59,960
Speaker 1: like a little mini montage for Topanga and Sean were

1917
01:30:00,000 --> 01:30:02,760
Speaker 1: I was like, they are friends. They they have some

1918
01:30:03,000 --> 01:30:05,840
Speaker 1: sort of of base friendship, which which I enjoyed.

1919
01:30:05,880 --> 01:30:07,200
Speaker 2: Yeah, and I think they had to because you are

1920
01:30:07,200 --> 01:30:08,880
Speaker 2: now a regular and you're gonna be every episode. So

1921
01:30:08,920 --> 01:30:11,600
Speaker 2: I think they're starting the season strong by being like,

1922
01:30:11,920 --> 01:30:14,200
Speaker 2: this is a this is our our trio, this is

1923
01:30:14,280 --> 01:30:14,960
Speaker 2: our team group.

1924
01:30:15,040 --> 01:30:19,400
Speaker 1: You know, yeah exactly. So thank you all for joining us.

1925
01:30:19,520 --> 01:30:21,840
Speaker 1: Please join us for our next recap, which will be

1926
01:30:22,000 --> 01:30:25,840
Speaker 1: episode season four, episode two, Wait till you Hear it, guys,

1927
01:30:26,560 --> 01:30:28,960
Speaker 1: air Today, Goon Tomorrow.

1928
01:30:29,240 --> 01:30:33,240
Speaker 3: Hairpisode Ready to cut you were?

1929
01:30:33,400 --> 01:30:35,439
Speaker 1: I was ready to comele that was the summer then

1930
01:30:35,520 --> 01:30:37,639
Speaker 1: that I kept asking and Michael said, let me write

1931
01:30:37,640 --> 01:30:39,479
Speaker 1: an episode about it. So I had to wait my

1932
01:30:39,600 --> 01:30:43,200
Speaker 1: whole summer. Yeah, so there we go. It originally aired

1933
01:30:43,240 --> 01:30:46,360
Speaker 1: September twenty seventh, nineteen ninety six. Uh, thank you all

1934
01:30:46,400 --> 01:30:48,040
Speaker 1: for joining us. As always, you can follow us on

1935
01:30:48,120 --> 01:30:50,280
Speaker 1: Instagram pod Meets World Show. You can send us your

1936
01:30:50,320 --> 01:30:53,160
Speaker 1: emails podmeets World Show at gmail dot com and we

1937
01:30:53,320 --> 01:30:54,559
Speaker 1: have merch not.

1938
01:30:54,920 --> 01:30:55,960
Speaker 2: That merch.

1939
01:30:57,439 --> 01:31:01,720
Speaker 1: Pod Meets Worldshow dot com and will send us out.

1940
01:31:02,280 --> 01:31:06,320
Speaker 3: We love you all. Pod dismissed. Podmets World is nheart

1941
01:31:06,400 --> 01:31:10,160
Speaker 3: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder Strong.

1942
01:31:10,520 --> 01:31:14,040
Speaker 3: Executive producers Jensen Carp and Amy Sugarman, Executive in charge

1943
01:31:14,040 --> 01:31:18,479
Speaker 3: of production, Danielle Romo, producer and editor, Tara Sudbaksch producer,

1944
01:31:18,600 --> 01:31:21,800
Speaker 3: Maddy Moore engineer and Boy Meets World superfan Easton Allen.

1945
01:31:22,000 --> 01:31:24,160
Speaker 3: Our theme song is by Kyle Morton of Typhoon and

1946
01:31:24,240 --> 01:31:26,639
Speaker 3: you can follow us on Instagram at Podmeats World Show

1947
01:31:26,920 --> 01:31:29,680
Speaker 3: or email us at Podmeats Worldshow at gmail dot com