WEBVTT - Let It Be ("Tina in the Sky" S5 EP 2)

0:00:01.800 --> 0:00:05.200
<v Speaker 1>And that's what you really missed with Jenna and Kevin

0:00:05.519 --> 0:00:10.760
<v Speaker 1>An iHeartRadio podcast.

0:00:09.600 --> 0:00:13.440
<v Speaker 2>Welcome to You, and That's what you really miss Podcast

0:00:13.920 --> 0:00:15.600
<v Speaker 2>Beatles Part two.

0:00:17.760 --> 0:00:19.880
<v Speaker 1>Jenna, this is your time, this is your moment in

0:00:19.920 --> 0:00:22.520
<v Speaker 1>the sun. You have an episode named after you. I

0:00:22.600 --> 0:00:25.760
<v Speaker 1>know that was huge. You deserve it.

0:00:26.320 --> 0:00:28.640
<v Speaker 2>Thanks, you know. When it showed up on our doorstep,

0:00:28.960 --> 0:00:32.600
<v Speaker 2>I remember being like drawn to the floor. I was like,

0:00:32.840 --> 0:00:34.160
<v Speaker 2>what is this?

0:00:35.360 --> 0:00:36.160
<v Speaker 1>Very exciting?

0:00:36.880 --> 0:00:41.120
<v Speaker 2>I was very honored to have a tribute episode as

0:00:41.159 --> 0:00:44.760
<v Speaker 2>big as the Beatles and have a feature if you will.

0:00:45.760 --> 0:00:48.880
<v Speaker 2>This is season five episode two, Tina in the Sky

0:00:49.040 --> 0:00:49.880
<v Speaker 2>with Diamonds.

0:00:50.240 --> 0:00:54.160
<v Speaker 1>That's right. Ugh, it's wild. It's sort of like a

0:00:54.240 --> 0:00:58.760
<v Speaker 1>Tina's great as hits. It's like they have built up,

0:00:58.800 --> 0:01:03.160
<v Speaker 1>the writers have built up these things with Tina over

0:01:03.280 --> 0:01:06.520
<v Speaker 1>four seasons. You're gonna sort of get to go through

0:01:06.520 --> 0:01:09.840
<v Speaker 1>all of them in this episode. Score to some of

0:01:09.880 --> 0:01:13.160
<v Speaker 1>the most famous music of all time, right right.

0:01:13.800 --> 0:01:16.880
<v Speaker 2>I have lots of fun memories from this episode and

0:01:17.000 --> 0:01:19.680
<v Speaker 2>it sticks out much more in my mind than the

0:01:19.680 --> 0:01:23.720
<v Speaker 2>first one, part one of Fiel's season five episode one.

0:01:24.280 --> 0:01:27.800
<v Speaker 1>This episode originally aired October third, twenty thirteen.

0:01:28.600 --> 0:01:30.040
<v Speaker 2>Wrecking Ball was still number one.

0:01:30.520 --> 0:01:32.520
<v Speaker 1>Yes, thank god, I know.

0:01:32.760 --> 0:01:34.520
<v Speaker 2>And there's a different movie, Clottie with a Chance of

0:01:34.560 --> 0:01:37.039
<v Speaker 2>me Balls the sequel. I haven't seen either.

0:01:37.800 --> 0:01:40.319
<v Speaker 1>I saw the first one. It looks fun.

0:01:40.800 --> 0:01:42.759
<v Speaker 2>You know what, I'll probably revisit this at some point

0:01:42.959 --> 0:01:44.200
<v Speaker 2>with my kids.

0:01:44.959 --> 0:01:45.880
<v Speaker 1>Kids plural.

0:01:47.880 --> 0:01:51.240
<v Speaker 2>That's terrifying. That means I'm actually old.

0:01:53.120 --> 0:01:57.640
<v Speaker 1>Look on your face, that s just escape your mouth

0:01:57.680 --> 0:01:58.800
<v Speaker 1>and you didn't know what to do.

0:01:59.120 --> 0:02:00.720
<v Speaker 2>I think it's the first time I've ever heard I

0:02:00.760 --> 0:02:02.160
<v Speaker 2>said it, and I heard it out loud.

0:02:03.200 --> 0:02:07.800
<v Speaker 1>Why does that feel so real? Like I've seen you pregnant,

0:02:08.000 --> 0:02:10.840
<v Speaker 1>oh my gosh, physically pregnant a couple of weeks ago.

0:02:11.160 --> 0:02:13.359
<v Speaker 1>But you were saying kids plural.

0:02:13.520 --> 0:02:15.960
<v Speaker 2>Well, it's like it's like Heather, it's hard to even

0:02:16.200 --> 0:02:19.520
<v Speaker 2>comprehend that she has two grown kids now, Like it's

0:02:19.680 --> 0:02:24.040
<v Speaker 2>very weird. Yeah, it's a very hard concept to wrap

0:02:24.080 --> 0:02:25.760
<v Speaker 2>my head around, like two children.

0:02:26.200 --> 0:02:28.000
<v Speaker 1>I just can't believe it.

0:02:28.240 --> 0:02:33.800
<v Speaker 2>Okay, anyway, sorry, wow, oh god.

0:02:34.120 --> 0:02:40.519
<v Speaker 1>I got like nervous. It's not real. It's not real, okay.

0:02:40.600 --> 0:02:41.160
<v Speaker 1>Glee News.

0:02:41.160 --> 0:02:44.560
<v Speaker 2>This week October first, Glee the complete fourth season was

0:02:44.600 --> 0:02:47.200
<v Speaker 2>released SUNDYVD, featuring all twenty two episodes of season four

0:02:47.240 --> 0:02:49.600
<v Speaker 2>on six six discs, remember that.

0:02:50.160 --> 0:02:54.600
<v Speaker 1>Jesus, Oh my god. So this episode was directed and

0:02:54.720 --> 0:02:57.640
<v Speaker 1>written by the one only Ian Brittan. Here we are

0:02:57.880 --> 0:03:02.840
<v Speaker 1>again keeping it in the fan. We have an iconic

0:03:03.160 --> 0:03:09.240
<v Speaker 1>guest star coming on the show. Demi Levado makes her

0:03:09.240 --> 0:03:10.000
<v Speaker 1>first appearance.

0:03:10.240 --> 0:03:13.840
<v Speaker 2>Well, and also, Kevin, you go way back with Demi,

0:03:13.960 --> 0:03:17.440
<v Speaker 2>so like, this was something so crazy for you. I

0:03:17.480 --> 0:03:19.680
<v Speaker 2>know you had mentioned in an episode earlier, like she

0:03:19.800 --> 0:03:23.639
<v Speaker 2>texted you and was like, I texted her, Oh, you

0:03:23.680 --> 0:03:25.600
<v Speaker 2>texted her because she.

0:03:25.440 --> 0:03:28.480
<v Speaker 1>Didn't let me know she was meeting with Ryan and Kelly.

0:03:28.880 --> 0:03:32.200
<v Speaker 1>Being a good friend he is, ratted them out to me.

0:03:34.280 --> 0:03:36.760
<v Speaker 2>Well, she's great in this and I love them together

0:03:37.280 --> 0:03:38.640
<v Speaker 2>and we love Demi.

0:03:39.600 --> 0:03:42.000
<v Speaker 1>Yeah, Demi is great. I've known Demi since she was

0:03:42.120 --> 0:03:45.880
<v Speaker 1>nine years old, and it was just very surreal to

0:03:46.040 --> 0:03:49.480
<v Speaker 1>have her around and on set and like get to

0:03:49.480 --> 0:03:51.440
<v Speaker 1>hang out with her and just be like, Hey, this

0:03:51.520 --> 0:03:55.360
<v Speaker 1>is my old friend Demi who still live with me

0:03:56.000 --> 0:03:58.920
<v Speaker 1>when she first came to California and has become a

0:03:58.960 --> 0:04:02.920
<v Speaker 1>worldwide superstar. Do you remember watching this episode. I remember

0:04:03.720 --> 0:04:08.320
<v Speaker 1>Demi came to the screening at lunch this episode aired. Yes,

0:04:08.760 --> 0:04:12.720
<v Speaker 1>oh fun, I don't remember that. I remember looking over

0:04:12.760 --> 0:04:15.280
<v Speaker 1>at her when Here Comes the Sun was going on,

0:04:16.200 --> 0:04:20.159
<v Speaker 1>and I was like, oh my, because Demi's vibrato is

0:04:20.200 --> 0:04:25.480
<v Speaker 1>one of my favorite things in the world. Her voice period,

0:04:25.560 --> 0:04:29.599
<v Speaker 1>her voice is so dumb, and I just remember, like

0:04:29.600 --> 0:04:32.920
<v Speaker 1>her verbrado's in like full force and here comes the

0:04:33.000 --> 0:04:35.960
<v Speaker 1>Sun in all the best ways. I just remembering, Demmy,

0:04:36.040 --> 0:04:38.680
<v Speaker 1>what is wrong with you that your verbrato is so good?

0:04:38.680 --> 0:04:41.360
<v Speaker 1>And she was so humble and like no, no, no.

0:04:41.440 --> 0:04:45.120
<v Speaker 1>I was like, no, girl, yes, this is good. You

0:04:45.160 --> 0:04:48.240
<v Speaker 1>are so good. So excited for more Demi and a

0:04:48.240 --> 0:04:53.119
<v Speaker 1>good actor. Oh yeah great. Also her documentary is great.

0:04:53.760 --> 0:04:57.560
<v Speaker 3>Yeah, she's just like stupidly talented and yeah, and you

0:04:57.640 --> 0:05:00.520
<v Speaker 3>said that from the beginning, like when you we're like

0:05:00.600 --> 0:05:04.360
<v Speaker 3>she's people like even she's underrated a little bit, Yeah

0:05:04.360 --> 0:05:07.120
<v Speaker 3>in some ways, And I think like this was the

0:05:07.920 --> 0:05:11.080
<v Speaker 3>that's the perfect person to have on this type of show.

0:05:11.160 --> 0:05:18.080
<v Speaker 2>She's like the ultimately guest star ultimate too. Yeah, like

0:05:18.200 --> 0:05:19.400
<v Speaker 2>really fits the vibe.

0:05:19.640 --> 0:05:21.400
<v Speaker 1>Like watching it, I was like, it feels like she's

0:05:21.440 --> 0:05:24.560
<v Speaker 1>been there this whole time, hanging out on set. It

0:05:24.640 --> 0:05:27.880
<v Speaker 1>also is like I know her and Iyad like would

0:05:27.960 --> 0:05:32.920
<v Speaker 1>absolutely get along. It was like very much like we're

0:05:32.960 --> 0:05:35.240
<v Speaker 1>gonna have this is a good time. And I think

0:05:35.279 --> 0:05:36.680
<v Speaker 1>it was a big deal for her to be playing

0:05:36.760 --> 0:05:40.520
<v Speaker 1>lesbian on TV. They share a kiss in this episode,

0:05:40.760 --> 0:05:43.640
<v Speaker 1>like it was Yeah, I think it was a really

0:05:43.720 --> 0:05:47.520
<v Speaker 1>monumental and like lucky for us that she, you know,

0:05:47.600 --> 0:05:49.520
<v Speaker 1>came on the show. And I don't know how it happened.

0:05:49.839 --> 0:05:52.480
<v Speaker 1>We have to try to get her on here to ask, like, yeah,

0:05:52.680 --> 0:05:53.680
<v Speaker 1>synthesis of all of that.

0:05:53.760 --> 0:06:00.400
<v Speaker 2>But another guest star was also Phoebe Stroll who plays

0:06:00.440 --> 0:06:03.839
<v Speaker 2>Penny Owen, who is a friend of mine who we

0:06:04.000 --> 0:06:07.560
<v Speaker 2>all did Spring Awakening with. So Phoebe is great. Her

0:06:07.680 --> 0:06:11.080
<v Speaker 2>dog Penny, who's this cute little Pomeranian who I'm not

0:06:11.120 --> 0:06:14.080
<v Speaker 2>sure is around anymore. But I thought that was funny

0:06:14.080 --> 0:06:17.719
<v Speaker 2>that her character name was Penny. It was lovely to

0:06:17.760 --> 0:06:21.560
<v Speaker 2>have her, and she's great and she was always one

0:06:21.640 --> 0:06:24.960
<v Speaker 2>of the best actresses in the show in Spring Wakening,

0:06:25.040 --> 0:06:27.760
<v Speaker 2>so obviously and she did you know, she was in

0:06:27.800 --> 0:06:30.880
<v Speaker 2>Pitch Perfect and all these great little cameos and things,

0:06:30.880 --> 0:06:32.359
<v Speaker 2>and she's wonderful, So.

0:06:32.200 --> 0:06:34.279
<v Speaker 1>That was great. It was so cool also to like

0:06:34.320 --> 0:06:39.240
<v Speaker 1>see her on the show where we met most of

0:06:39.279 --> 0:06:42.440
<v Speaker 1>all the Spring Awakening people really early on in the

0:06:42.440 --> 0:06:47.640
<v Speaker 1>process for some reason, right right, Yes, they were around

0:06:47.680 --> 0:06:50.720
<v Speaker 1>their visiting la I don't know. Yeah, yeah, And so

0:06:50.800 --> 0:06:52.680
<v Speaker 1>it was really nice because she was just one of

0:06:52.680 --> 0:06:53.599
<v Speaker 1>the nicest humans.

0:06:53.839 --> 0:06:56.120
<v Speaker 2>Well, hopefully we'll get her on the show as well

0:06:56.240 --> 0:06:58.880
<v Speaker 2>so we can talk about it. I forgot like her.

0:06:59.000 --> 0:07:02.480
<v Speaker 2>He you know, big relationship with Sam. It's so cute.

0:07:02.920 --> 0:07:08.400
<v Speaker 1>It's so cute and really again, like Corn has chemistry

0:07:08.400 --> 0:07:15.800
<v Speaker 1>with She's so extremely charming. Yeah, she's and like really

0:07:15.800 --> 0:07:18.400
<v Speaker 1>good at playing not that bright.

0:07:19.120 --> 0:07:23.240
<v Speaker 2>Yes, totally, and she's very smart, that's the thing. And

0:07:23.280 --> 0:07:25.960
<v Speaker 2>we also get a lot of Pamela chan this this

0:07:26.040 --> 0:07:29.960
<v Speaker 2>week is DOTTIEKSATORI who sweet Dottie. I'm so sorry. It

0:07:30.120 --> 0:07:34.840
<v Speaker 2>just feels so bad. Tina just is a tyrant and

0:07:35.120 --> 0:07:36.280
<v Speaker 2>treats her like crap.

0:07:36.600 --> 0:07:39.800
<v Speaker 1>It's all right, Dotty gets her revenge this week. She does.

0:07:40.000 --> 0:07:46.440
<v Speaker 1>She does uh okay. The music in this episode it's good,

0:07:46.720 --> 0:07:51.360
<v Speaker 1>it's very good. Yeah. We have get Back performed by

0:07:51.400 --> 0:07:52.440
<v Speaker 1>Curt and Rachel.

0:07:53.840 --> 0:07:56.240
<v Speaker 2>Something performer Sam which you can write her.

0:07:57.040 --> 0:08:00.680
<v Speaker 1>Here Comes the Sun by Danny and Sam, Tanna.

0:08:01.080 --> 0:08:03.960
<v Speaker 2>Sergeant Pepper's the Only Hearts Club band by Jake Marley

0:08:04.000 --> 0:08:06.040
<v Speaker 2>Ryder and Unique at prom.

0:08:05.640 --> 0:08:08.920
<v Speaker 1>Hey Jude by the new directions and then it beat

0:08:09.520 --> 0:08:14.520
<v Speaker 1>by the directions as well. Do you remember this is

0:08:14.520 --> 0:08:17.680
<v Speaker 1>like Thriller two point zero for me? So let it be?

0:08:17.880 --> 0:08:20.840
<v Speaker 1>Was my audition song for Glee, right, I have a

0:08:20.880 --> 0:08:26.920
<v Speaker 1>tattooed on my body, simpley. I wasn't really singing in

0:08:27.000 --> 0:08:31.880
<v Speaker 1>it when we first got the first breakdown of the song,

0:08:33.400 --> 0:08:40.920
<v Speaker 1>and I was like, excuse me, really, yes, I was like, hey, guys,

0:08:41.320 --> 0:08:42.880
<v Speaker 1>so I don't know if you remember this, but remember

0:08:42.880 --> 0:08:45.400
<v Speaker 1>when I sang the song in the audition. It would

0:08:45.400 --> 0:08:48.360
<v Speaker 1>really be a lot to me. I could just sing

0:08:48.480 --> 0:08:53.160
<v Speaker 1>something on this song. And so they did me a

0:08:53.240 --> 0:08:56.360
<v Speaker 1>solid and they threw me. They changed it, okay, And

0:08:56.480 --> 0:08:59.760
<v Speaker 1>you and I have sung that song many times together

0:09:00.240 --> 0:09:04.240
<v Speaker 1>events around the world. Yeah, And so that always has

0:09:04.240 --> 0:09:07.520
<v Speaker 1>like a special place for us and special meaning because

0:09:07.520 --> 0:09:09.319
<v Speaker 1>we did that song before it was on the show,

0:09:10.760 --> 0:09:15.959
<v Speaker 1>and it was just like his song is ingrained into

0:09:16.040 --> 0:09:20.240
<v Speaker 1>like the DNA of the behind the scenes DNA of

0:09:20.280 --> 0:09:22.800
<v Speaker 1>Glee for us, and like, can can we be on

0:09:22.880 --> 0:09:24.480
<v Speaker 1>it together? Hey? You guys please?

0:09:25.280 --> 0:09:27.400
<v Speaker 2>And then there's a really a song called Revolution that's

0:09:27.400 --> 0:09:29.480
<v Speaker 2>performed by Tina, which is another song that she doesn't

0:09:29.480 --> 0:09:31.120
<v Speaker 2>get to sing the whole thing, and no there was

0:09:31.120 --> 0:09:33.360
<v Speaker 2>not a full recording, and no I didn't get to

0:09:33.360 --> 0:09:33.920
<v Speaker 2>do the whole thing.

0:09:35.800 --> 0:09:38.439
<v Speaker 1>And did you hate that? Because as a viewer it

0:09:38.480 --> 0:09:40.120
<v Speaker 1>was so satisfying.

0:09:41.360 --> 0:09:46.640
<v Speaker 2>I actually didn't care because I had so much else

0:09:46.679 --> 0:09:47.640
<v Speaker 2>in this episode.

0:09:48.200 --> 0:09:50.040
<v Speaker 1>It felt like a part of the plot.

0:09:50.679 --> 0:09:54.120
<v Speaker 2>It didn't feel like being short getting the short out

0:09:54.160 --> 0:09:55.560
<v Speaker 2>of the stick again like.

0:09:57.240 --> 0:10:00.480
<v Speaker 1>A whole episode. This is this is a cake.

0:10:00.559 --> 0:10:03.160
<v Speaker 2>I love this and also it's not one of my

0:10:03.400 --> 0:10:07.400
<v Speaker 2>favorite Beatles songs, to be honest, And I was like

0:10:07.520 --> 0:10:10.920
<v Speaker 2>great in and out of the studio in probably fifteen minutes.

0:10:11.720 --> 0:10:18.080
<v Speaker 2>So it was fine. But I appreciate the support it

0:10:18.120 --> 0:10:21.840
<v Speaker 2>was and I'm glad it was satisfying because it did

0:10:21.880 --> 0:10:25.920
<v Speaker 2>its job. It had to happen in order for us

0:10:25.960 --> 0:10:28.480
<v Speaker 2>to get to hey Jude and let that work.

0:10:28.679 --> 0:10:28.920
<v Speaker 4>You know.

0:10:29.559 --> 0:10:33.320
<v Speaker 1>It's just there's not a lot of characters who have

0:10:33.679 --> 0:10:36.959
<v Speaker 1>a running joke, like a standing joke for now five

0:10:37.040 --> 0:10:40.640
<v Speaker 1>seasons totally, and so it's really nice that they just

0:10:40.800 --> 0:10:41.960
<v Speaker 1>keep leaning into it.

0:10:42.040 --> 0:10:42.319
<v Speaker 3>Now.

0:10:42.800 --> 0:10:46.360
<v Speaker 2>Yeah, yeah, yeah, it's her thing. Joys will always be

0:10:46.400 --> 0:10:56.760
<v Speaker 2>her thing, though there's a lot of fun facts. So

0:10:56.800 --> 0:10:59.240
<v Speaker 2>this is the third time that the second episode of

0:10:59.280 --> 0:11:01.440
<v Speaker 2>the season is a t the first being Brittany Britney,

0:11:01.520 --> 0:11:03.960
<v Speaker 2>second being Britney two point oh.

0:11:04.000 --> 0:11:07.120
<v Speaker 1>This is the second time glea hastributed an artist or

0:11:07.160 --> 0:11:09.800
<v Speaker 1>band twice in separate episodes. The first time was the

0:11:10.240 --> 0:11:13.200
<v Speaker 1>aforementioned Britney Spears tributes with Brittany Britney and Britney two

0:11:13.200 --> 0:11:13.560
<v Speaker 1>point zero.

0:11:13.840 --> 0:11:16.600
<v Speaker 2>Of course, this is also the second time the Glee

0:11:16.600 --> 0:11:19.839
<v Speaker 2>has done two tributes consecutively, the first being Saturday Night

0:11:19.840 --> 0:11:21.960
<v Speaker 2>Gleaver and Dance with Somebody.

0:11:22.400 --> 0:11:25.240
<v Speaker 1>This episode marks a debut of Jimmy Levado.

0:11:27.440 --> 0:11:29.360
<v Speaker 2>This is a third episode where all the members of

0:11:29.440 --> 0:11:33.520
<v Speaker 2>New Direction present in the episode have a solo versus

0:11:33.520 --> 0:11:35.520
<v Speaker 2>the pilot, and the second is Britney two point oh.

0:11:35.520 --> 0:11:41.720
<v Speaker 1>Wow. Wow Wow, I love that fun fact. Wow Wow.

0:11:41.800 --> 0:11:45.000
<v Speaker 1>Much of the confrontation between Kitty and Brie Overtina's campaign

0:11:45.080 --> 0:11:48.599
<v Speaker 1>for prom queen was loosely paraphrased from a University of

0:11:48.640 --> 0:11:52.439
<v Speaker 1>Maryland sorority girls real email marant to her sisters about

0:11:52.480 --> 0:11:55.760
<v Speaker 1>their contact during Greek Week, which went viral after being

0:11:55.840 --> 0:12:00.000
<v Speaker 1>leaked on social media. What I didn't know that?

0:12:00.360 --> 0:12:03.400
<v Speaker 2>And then Tina's prom queen slushie moment is inspired of

0:12:03.400 --> 0:12:07.040
<v Speaker 2>course by the nineteen seventy six horror movie Carrie.

0:12:06.679 --> 0:12:10.400
<v Speaker 1>Which just announced is being made into a limited series.

0:12:10.840 --> 0:12:15.960
<v Speaker 1>Really yeah, Phoebe Stroll, as we said, who plays Penny,

0:12:15.960 --> 0:12:19.520
<v Speaker 1>wasn't Spring Awakening? Just like Jenna, Leah and Jonathan.

0:12:20.520 --> 0:12:22.720
<v Speaker 2>This is the second prom to have the senior class

0:12:22.720 --> 0:12:24.800
<v Speaker 2>president as a candidate for prom.

0:12:24.880 --> 0:12:28.440
<v Speaker 1>King. Melissa and Peter Fraschinelli were both in Supergirl on

0:12:28.440 --> 0:12:30.400
<v Speaker 1>the CW and Kevin.

0:12:30.120 --> 0:12:32.559
<v Speaker 2>Auditioned Forgley with Let it Be, of Course and sings

0:12:32.600 --> 0:12:36.120
<v Speaker 2>it in this episode after some advocating for himself.

0:12:36.480 --> 0:12:39.160
<v Speaker 1>And it's still it's either my mom or my dad's

0:12:39.200 --> 0:12:41.360
<v Speaker 1>ring tone. Still, it's really embarrassing.

0:12:41.400 --> 0:12:46.160
<v Speaker 2>You're like you singing it. Yes, my dad does that sometimes.

0:12:46.160 --> 0:12:47.760
<v Speaker 2>I don't know if he still does. But I'm glad

0:12:47.760 --> 0:12:48.760
<v Speaker 2>that I don't hear it.

0:12:49.160 --> 0:12:52.680
<v Speaker 1>Oh God, that's so I know. I get it. It's cringe. Okay,

0:12:52.679 --> 0:12:55.800
<v Speaker 1>are you ready for the submarine? I'm ready. The summary's

0:12:55.840 --> 0:12:59.320
<v Speaker 1>got longer. As Beatlemania continues at McKinley, it's time for

0:12:59.360 --> 0:13:02.440
<v Speaker 1>the students to for prom Queen and King. When Tina

0:13:02.480 --> 0:13:05.960
<v Speaker 1>receives a nomination, she takes on a fierce attitude that's

0:13:06.000 --> 0:13:10.960
<v Speaker 1>putting it nicely that alienates her biggest supporters. Meanwhile, Rachel

0:13:10.960 --> 0:13:13.560
<v Speaker 1>adjusts to a new attitude of her own, and she

0:13:13.679 --> 0:13:16.960
<v Speaker 1>and Santana work at a Broadway diner to make ends meet.

0:13:17.559 --> 0:13:21.520
<v Speaker 2>Also, the fact that everybody still is behind Tina and

0:13:21.559 --> 0:13:24.760
<v Speaker 2>supportive of her when she's acting like that really says

0:13:24.760 --> 0:13:29.760
<v Speaker 2>a lot about you guys, because I was like, what

0:13:29.960 --> 0:13:31.000
<v Speaker 2>is wrong with me?

0:13:33.160 --> 0:13:36.720
<v Speaker 1>I think everybody acknowledges that Tina gets shit on has

0:13:36.800 --> 0:13:39.280
<v Speaker 1>for a long time. I was like, you know what,

0:13:39.760 --> 0:13:42.360
<v Speaker 1>just give it to her. The context here makes sense

0:13:42.880 --> 0:13:45.679
<v Speaker 1>of she's acting in a little wild we get it.

0:13:46.280 --> 0:13:49.440
<v Speaker 1>We gotta love her. Yeah, this is who she is.

0:13:49.480 --> 0:13:52.439
<v Speaker 1>If you don't love me at my worst, than he

0:13:52.720 --> 0:13:55.760
<v Speaker 1>dund and screw off, don't deserve me at my best.

0:13:55.840 --> 0:13:59.480
<v Speaker 1>So yeah, yeah, for sure. You know all right, where

0:13:59.480 --> 0:13:59.760
<v Speaker 1>do we be?

0:14:00.679 --> 0:14:00.920
<v Speaker 2>Well?

0:14:01.400 --> 0:14:07.679
<v Speaker 1>Prom is here? Yeah, sue now as interim principal announces

0:14:07.679 --> 0:14:11.920
<v Speaker 1>they're having a Brundle prom, which the setup of the

0:14:12.000 --> 0:14:13.840
<v Speaker 1>joke to where people in the choir room are like

0:14:15.679 --> 0:14:17.720
<v Speaker 1>a couple of things. One, you guys, why are their

0:14:17.720 --> 0:14:25.000
<v Speaker 1>announcements during Yeah, we're not. It's an after school program

0:14:25.160 --> 0:14:28.200
<v Speaker 1>we've established, But I don't think they were aware of

0:14:28.200 --> 0:14:31.720
<v Speaker 1>that anyway, and then the joke of like what the

0:14:31.760 --> 0:14:35.600
<v Speaker 1>reference was from, like going around in the glee club.

0:14:35.640 --> 0:14:37.240
<v Speaker 1>It's like, that's been a couple of times now where

0:14:37.240 --> 0:14:41.040
<v Speaker 1>there's been references to like eighties seventies TV shows or movies,

0:14:41.400 --> 0:14:44.600
<v Speaker 1>and we have to explain it because the kids, the

0:14:44.680 --> 0:14:47.560
<v Speaker 1>kids don't get it. Yeah, yeah, for sure, and by

0:14:47.640 --> 0:14:52.120
<v Speaker 1>kids that mean me silver. Yes. So we get nominees.

0:14:52.120 --> 0:14:56.200
<v Speaker 1>The prom king nominees are playing Muhammad Omar Aladians Dinner Brett,

0:14:56.920 --> 0:15:00.880
<v Speaker 1>and prom Queen nominees are Kiddy, Amy Ryan and Jordan

0:15:00.960 --> 0:15:02.760
<v Speaker 1>Stern and Tina.

0:15:03.560 --> 0:15:06.920
<v Speaker 2>Oh my god, shocker, that's hard to believe that she

0:15:07.000 --> 0:15:10.760
<v Speaker 2>got the nomination. But okay, maybe Dottie was, you know,

0:15:11.000 --> 0:15:14.280
<v Speaker 2>fixing the votes. Yeah, yeah, yeah, she's throwing ballots in there.

0:15:14.520 --> 0:15:18.800
<v Speaker 2>And then last week in Beale's Part one where the

0:15:18.880 --> 0:15:21.560
<v Speaker 2>boys performed for Tina to like get her out of

0:15:21.560 --> 0:15:26.600
<v Speaker 2>her bitter, lonely stupor Sam, she picked Sam to go

0:15:26.640 --> 0:15:28.960
<v Speaker 2>as her prom date and Sam's like, awesome, well, then

0:15:29.040 --> 0:15:31.200
<v Speaker 2>I have a chance at prom king and I'll go

0:15:31.280 --> 0:15:35.960
<v Speaker 2>with Tina. And then Tina, which again just acting out

0:15:36.000 --> 0:15:39.800
<v Speaker 2>of whack, drops Sam as a date and decides to

0:15:39.840 --> 0:15:44.600
<v Speaker 2>go with a group of single gals to like win

0:15:44.680 --> 0:15:48.600
<v Speaker 2>over the Wallflower vote. So she's like once again poo

0:15:48.640 --> 0:15:50.880
<v Speaker 2>pooing on her friends who are supporting her.

0:15:51.160 --> 0:15:54.560
<v Speaker 1>But we do know as an audience viewer audience member

0:15:55.440 --> 0:15:58.240
<v Speaker 1>that Sam also wished he was going with someone. He

0:15:58.400 --> 0:16:01.720
<v Speaker 1>actually had to cry Sean because it's his last prom,

0:16:03.160 --> 0:16:08.240
<v Speaker 1>so we know that he actually was hoping to not

0:16:08.360 --> 0:16:09.160
<v Speaker 1>go with Tina.

0:16:09.760 --> 0:16:12.240
<v Speaker 2>Right, He's like, I didn't even think she was hot anyway,

0:16:12.360 --> 0:16:13.720
<v Speaker 2>So like, why am I going with her? I was

0:16:13.760 --> 0:16:16.000
<v Speaker 2>just really nice. It works out for everybody.

0:16:16.280 --> 0:16:19.840
<v Speaker 1>Yeah, you're both being a little awful and that's fine.

0:16:20.080 --> 0:16:23.920
<v Speaker 1>Yeah whatever, that's gleat. Also, like who are both of

0:16:23.960 --> 0:16:26.760
<v Speaker 1>you to turn down? You're both hot, Like why are

0:16:26.800 --> 0:16:27.840
<v Speaker 1>you turning each other down?

0:16:28.960 --> 0:16:33.040
<v Speaker 2>Don't worry, there's an epic hookup that's coming between Tina

0:16:33.040 --> 0:16:35.920
<v Speaker 2>and Sam that we will talk about. That is the

0:16:35.960 --> 0:16:39.640
<v Speaker 2>most disgusting thing that Kork still plays to this day

0:16:39.960 --> 0:16:45.040
<v Speaker 2>in front of my husband. It's disgusting. It's actually disgusting.

0:16:45.440 --> 0:16:50.160
<v Speaker 2>I was laughing and throwing up through it. It's absolutely jarring.

0:16:50.520 --> 0:16:51.880
<v Speaker 2>Don't worry, we'll get there.

0:16:52.120 --> 0:16:54.360
<v Speaker 1>Wait, he plays it in front of David No.

0:16:54.320 --> 0:16:55.760
<v Speaker 2>I don't think he's ever played in front of David,

0:16:55.800 --> 0:16:58.240
<v Speaker 2>but he plays it whenever he gets a chance, like

0:16:58.280 --> 0:17:00.640
<v Speaker 2>whenever I see him, he like holds it up on

0:17:00.640 --> 0:17:05.320
<v Speaker 2>his phone like remember this, And of course I brained

0:17:05.359 --> 0:17:09.359
<v Speaker 2>in my brain forever. Although that was a really fun episode,

0:17:09.760 --> 0:17:13.800
<v Speaker 2>but that part was gnarly early.

0:17:13.720 --> 0:17:17.480
<v Speaker 1>He sent me, I think at the video of Video

0:17:17.560 --> 0:17:20.120
<v Speaker 1>Village of like a take of you guys making out,

0:17:20.320 --> 0:17:22.879
<v Speaker 1>and it was like the gnarliest one was so gross.

0:17:23.280 --> 0:17:28.760
<v Speaker 2>Oh God, Okay, let's talk about Sam for a second.

0:17:29.280 --> 0:17:32.000
<v Speaker 1>Sam is not nominated for prompt King, but was excited

0:17:32.600 --> 0:17:35.320
<v Speaker 1>because I'm going with someone who's nominated for promp Queen you,

0:17:35.600 --> 0:17:41.520
<v Speaker 1>but then promptly gets dumped. But then super Vaxer Sue Sylvester,

0:17:41.640 --> 0:17:44.639
<v Speaker 1>which I felt like knowing what happened in the world

0:17:45.240 --> 0:17:49.000
<v Speaker 1>shortly after the show was off the air, surprising that

0:17:49.040 --> 0:17:51.240
<v Speaker 1>Sue was into vaccines because it sort of seems like

0:17:51.280 --> 0:17:57.040
<v Speaker 1>something she wouldn't be into, and Sam's the first one.

0:17:57.160 --> 0:18:00.680
<v Speaker 1>She wants everyone to get vaccinated. And Sam goes to

0:18:00.760 --> 0:18:05.640
<v Speaker 1>the nurse's office and meets Penny Penny Owens, sweet sweet,

0:18:06.240 --> 0:18:15.320
<v Speaker 1>stupid nurse. She was. She's a college sophomore yeah.

0:18:14.160 --> 0:18:17.719
<v Speaker 2>And she's like an intern exit like just there. And

0:18:17.800 --> 0:18:22.159
<v Speaker 2>she mixed up the vaccination or the shot and the

0:18:22.720 --> 0:18:25.959
<v Speaker 2>urine sample, so she shot the eurin in somebody and

0:18:26.040 --> 0:18:29.280
<v Speaker 2>so it's not been great for her. And you know what,

0:18:29.400 --> 0:18:32.240
<v Speaker 2>this is the perfect match for Sam.

0:18:32.560 --> 0:18:34.800
<v Speaker 1>It really is. They are like two.

0:18:34.920 --> 0:18:39.280
<v Speaker 2>Meetings of the minds that like make sense. So Sam

0:18:39.400 --> 0:18:43.320
<v Speaker 2>essentially figures out ways and excuses to go see Penny

0:18:43.440 --> 0:18:48.520
<v Speaker 2>at all times. Like he bites himself and pretends it's

0:18:48.520 --> 0:18:51.320
<v Speaker 2>a snake bite and is it you and Blaine that

0:18:51.400 --> 0:18:55.399
<v Speaker 2>are like, is that a human bite? And then he

0:18:55.760 --> 0:18:58.560
<v Speaker 2>like what else did he go for his hangnail? To

0:18:58.600 --> 0:19:03.119
<v Speaker 2>get abandoned for his hangnail? But they're very cute and

0:19:03.119 --> 0:19:07.600
<v Speaker 2>it's very charming and uh and and Penny gets Penny

0:19:07.640 --> 0:19:12.840
<v Speaker 2>gets fired by Sue, and so Sam convinces Sue not

0:19:12.960 --> 0:19:13.720
<v Speaker 2>to fire her.

0:19:14.280 --> 0:19:16.040
<v Speaker 1>My only wish is that we got to work with

0:19:16.040 --> 0:19:16.600
<v Speaker 1>Phoebe Moore.

0:19:17.359 --> 0:19:19.320
<v Speaker 2>No, I know, I feel like we hung out with

0:19:19.359 --> 0:19:21.320
<v Speaker 2>her a lot, though, like I remember hanging out with

0:19:21.320 --> 0:19:24.359
<v Speaker 2>Phoebe on set a lot. Maybe it was like around

0:19:24.359 --> 0:19:26.720
<v Speaker 2>the prom time, because we did prom for a couple

0:19:26.760 --> 0:19:29.080
<v Speaker 2>of days. We did prom for a couple of days,

0:19:29.119 --> 0:19:32.520
<v Speaker 2>And normally with Eric Stultz doing prompt it's usually like

0:19:32.680 --> 0:19:35.359
<v Speaker 2>one day. But I feel like we did prom for

0:19:35.400 --> 0:19:37.480
<v Speaker 2>a couple of days this time, don't you agree?

0:19:37.760 --> 0:19:38.000
<v Speaker 1>Yes?

0:19:38.280 --> 0:19:41.200
<v Speaker 2>Okay, okay. There was a lot at problem That's why.

0:19:41.280 --> 0:19:43.400
<v Speaker 2>Also it wasn't just like it was like a lot

0:19:43.440 --> 0:19:44.520
<v Speaker 2>at prom.

0:19:44.400 --> 0:19:46.879
<v Speaker 1>And there was a lot of pieces where some of

0:19:46.920 --> 0:19:50.240
<v Speaker 1>the past proms it's like you film the number, like

0:19:50.280 --> 0:19:53.360
<v Speaker 1>Sergeant's Sergeant Pepper's on the Heart Club band like that

0:19:53.440 --> 0:19:55.800
<v Speaker 1>was sort of like traditional prom, like you film a number,

0:19:56.320 --> 0:19:59.560
<v Speaker 1>but there's like half a number later on here. And

0:19:59.560 --> 0:20:03.200
<v Speaker 1>then there's all the Phoebean chord stuff and prom king

0:20:03.280 --> 0:20:07.440
<v Speaker 1>prom queen stuff and the whole setup with the slushy.

0:20:07.920 --> 0:20:10.360
<v Speaker 1>So there's all these different pieces that are added on

0:20:11.160 --> 0:20:14.760
<v Speaker 1>that we don't normally have. Yes, And also I think

0:20:14.800 --> 0:20:18.160
<v Speaker 1>this was Ian's first prom to direct. Yes Yes, which

0:20:18.560 --> 0:20:21.200
<v Speaker 1>I think there's also like probably some sort of learning curve.

0:20:21.280 --> 0:20:24.160
<v Speaker 1>There are big days, really big days.

0:20:24.760 --> 0:20:27.600
<v Speaker 2>Eric Stultz was known for like always making his days

0:20:27.760 --> 0:20:31.920
<v Speaker 2>always like two three takes. Ian was a longer take

0:20:32.080 --> 0:20:34.960
<v Speaker 2>kind of guy a director. He liked more takes, he

0:20:35.080 --> 0:20:38.359
<v Speaker 2>liked more options. He also was like giving rewrites and

0:20:38.400 --> 0:20:39.120
<v Speaker 2>things because he.

0:20:39.119 --> 0:20:40.280
<v Speaker 1>Could, you know what I mean?

0:20:40.359 --> 0:20:42.119
<v Speaker 2>So it was a little bit of a different vibe.

0:20:42.720 --> 0:20:46.280
<v Speaker 2>Prom definitely took a little bit longer. I often get

0:20:46.320 --> 0:20:50.359
<v Speaker 2>Ian for Tina's big episodes. You really do like props.

0:20:50.040 --> 0:20:54.480
<v Speaker 1>Was Ian and this is Ian? It's great.

0:20:54.520 --> 0:20:57.040
<v Speaker 2>I love working with Ian, so of course, like what

0:20:57.080 --> 0:20:58.800
<v Speaker 2>did I love that?

0:20:58.840 --> 0:21:02.399
<v Speaker 1>I mean? Also like who knows you better than like Brad,

0:21:02.440 --> 0:21:05.280
<v Speaker 1>Ryan or Ian? Especially Ian, like we hung out again

0:21:05.359 --> 0:21:07.680
<v Speaker 1>all the time. When you're working with someone like that,

0:21:09.680 --> 0:21:14.080
<v Speaker 1>is there do you think there's like a subconscious freedom

0:21:14.480 --> 0:21:17.600
<v Speaker 1>or like trust and knowing like we know him well

0:21:17.600 --> 0:21:21.720
<v Speaker 1>outside of work and coming into work. He's obviously helped

0:21:21.760 --> 0:21:24.119
<v Speaker 1>create these characters in the beginning, Like is there a

0:21:24.160 --> 0:21:29.240
<v Speaker 1>sort of like I don't know, play trust there that

0:21:29.480 --> 0:21:31.320
<v Speaker 1>you may not have with other directors.

0:21:31.560 --> 0:21:35.879
<v Speaker 2>Yes, inherently, Well, it's different because Eric Stilts, like with

0:21:35.880 --> 0:21:38.400
<v Speaker 2>the director like Eric Stilts, who becomes familiar, who knows

0:21:38.440 --> 0:21:42.439
<v Speaker 2>us really well but hasn't written the characters, there's a

0:21:42.480 --> 0:21:47.800
<v Speaker 2>freedom that you're figuring it out together almost, whereas there's

0:21:48.880 --> 0:21:51.360
<v Speaker 2>a different kind of freedom with Ian, Brad and Ryan,

0:21:51.880 --> 0:21:54.920
<v Speaker 2>where like with Ryan's like go to twelve, you go

0:21:54.960 --> 0:21:57.120
<v Speaker 2>to twelve and you trust him because.

0:21:56.920 --> 0:21:57.640
<v Speaker 1>It's gonna work.

0:21:58.040 --> 0:22:02.720
<v Speaker 2>Right with Ian and Brad, they also know these characters

0:22:02.760 --> 0:22:06.000
<v Speaker 2>as well as you do, so there's a different kind

0:22:06.000 --> 0:22:09.080
<v Speaker 2>of It's like it's just gonna work. You have to

0:22:09.119 --> 0:22:12.720
<v Speaker 2>trust me, and I do. Like, uh, there's a different

0:22:12.800 --> 0:22:15.560
<v Speaker 2>kind of trust because they know the characters well and

0:22:15.600 --> 0:22:18.280
<v Speaker 2>sometimes better that you're like, okay, great, like I know

0:22:18.359 --> 0:22:19.000
<v Speaker 2>it's gonna work.

0:22:19.080 --> 0:22:22.600
<v Speaker 1>Don't work. It's like a different box to play in, Like, yes,

0:22:23.640 --> 0:22:26.879
<v Speaker 1>it's nice to have parameters, like you know, the confines

0:22:26.880 --> 0:22:29.800
<v Speaker 1>in which you can play. But yeah, I think you're

0:22:29.880 --> 0:22:32.919
<v Speaker 1>like working with someone like Stults, there's one box and

0:22:32.960 --> 0:22:35.880
<v Speaker 1>working with the other three different box but you're still

0:22:35.920 --> 0:22:40.600
<v Speaker 1>in a box which totally big. It's a big box

0:22:41.560 --> 0:22:43.760
<v Speaker 1>with a lot of freedom. Yeah, I'm saying boxes like

0:22:44.200 --> 0:22:47.439
<v Speaker 1>as a compliment, like yes, yes, there is no box.

0:22:47.480 --> 0:22:50.200
<v Speaker 1>You have no direction, nowhere to go. That's a scary

0:22:50.280 --> 0:22:50.840
<v Speaker 1>place to be.

0:22:50.960 --> 0:22:55.200
<v Speaker 2>Yes, you don't want no no boundaries and Sam seeing

0:22:55.320 --> 0:22:56.640
<v Speaker 2>something and it's.

0:22:56.440 --> 0:22:59.680
<v Speaker 1>So good and it's so funny in the spotlight.

0:22:59.840 --> 0:23:04.399
<v Speaker 2>And the Heimlich maneuver, and then also was this this

0:23:04.480 --> 0:23:07.760
<v Speaker 2>is the episode where Chord does his Denzel impression?

0:23:07.880 --> 0:23:08.120
<v Speaker 1>Right?

0:23:09.320 --> 0:23:13.600
<v Speaker 2>How is this this one or last episode that it's

0:23:13.600 --> 0:23:14.000
<v Speaker 2>this one.

0:23:14.200 --> 0:23:19.359
<v Speaker 1>Yeah, and it's it is. I forgot about this impression.

0:23:19.760 --> 0:23:21.520
<v Speaker 1>I did too, because this is not what he does,

0:23:21.840 --> 0:23:24.000
<v Speaker 1>and it's very good. Often, it's so good.

0:23:24.560 --> 0:23:27.600
<v Speaker 2>And I almost took a screen video of me watching

0:23:27.640 --> 0:23:31.120
<v Speaker 2>the show to send a chord because it's so good.

0:23:31.440 --> 0:23:35.800
<v Speaker 2>It's so funny. Why is he so good at that texting?

0:23:35.960 --> 0:23:36.320
<v Speaker 1>Right now?

0:23:36.520 --> 0:23:42.520
<v Speaker 2>It's really good, sweet sweet chord. Gosh, it's such a

0:23:42.600 --> 0:23:47.760
<v Speaker 2>joy to watch him on screen. And he's so free.

0:23:48.040 --> 0:23:50.120
<v Speaker 2>If you will, this is our word of the episode.

0:23:50.160 --> 0:23:51.640
<v Speaker 2>He's very free.

0:23:52.000 --> 0:23:54.480
<v Speaker 1>I noticed that this season, and I don't know if

0:23:54.520 --> 0:23:59.479
<v Speaker 1>it's because of what's going on in I r L right,

0:24:00.480 --> 0:24:05.560
<v Speaker 1>but there is this sort of like punchiness to him

0:24:05.640 --> 0:24:09.320
<v Speaker 1>the past, these first two episodes so far, where like

0:24:09.440 --> 0:24:13.200
<v Speaker 1>he's really going for it. Yes, and I love it.

0:24:13.440 --> 0:24:17.119
<v Speaker 2>Yeah, No, no, for sure. And also maybe it's his

0:24:17.200 --> 0:24:19.280
<v Speaker 2>hair because he's it's growing.

0:24:21.920 --> 0:24:25.960
<v Speaker 1>It works. I like it. I'm into it. Yeah, I'm

0:24:26.240 --> 0:24:28.600
<v Speaker 1>I don't know. I don't know.

0:24:29.480 --> 0:24:33.920
<v Speaker 2>I like his hair shorter, but it's okay, I'll take

0:24:33.960 --> 0:24:36.320
<v Speaker 2>it. It's going to go away at some point.

0:24:39.320 --> 0:24:39.960
<v Speaker 1>Is this the one?

0:24:40.119 --> 0:24:42.119
<v Speaker 2>Is this the season where he does the Christmas Mouse

0:24:42.560 --> 0:24:44.719
<v Speaker 2>and that his hair is this long. I think so

0:24:45.480 --> 0:24:48.479
<v Speaker 2>Christmas Mouse, I think so all these things are like

0:24:48.720 --> 0:24:49.840
<v Speaker 2>ingrained in my mind's text.

0:24:50.160 --> 0:24:53.640
<v Speaker 1>And he's like, when did you hear it?

0:24:53.840 --> 0:24:56.160
<v Speaker 2>Oh my god, you do it on the show. Cord

0:24:56.440 --> 0:24:59.840
<v Speaker 2>See always have really bad memory. No, he also had

0:24:59.880 --> 0:25:01.960
<v Speaker 2>to to learn and like come up with so many

0:25:02.000 --> 0:25:05.600
<v Speaker 2>different impressions. Well, that's one of the funny things he

0:25:05.640 --> 0:25:08.520
<v Speaker 2>would say, is like they just write in these impressions,

0:25:08.560 --> 0:25:10.720
<v Speaker 2>but they're not ones that like we're in his bag

0:25:10.760 --> 0:25:13.520
<v Speaker 2>of tricks necessarily, but like he's still good at it.

0:25:13.680 --> 0:25:16.040
<v Speaker 2>He still can do them. It's so impressive. I think

0:25:16.200 --> 0:25:19.159
<v Speaker 2>now I now do impressions like this. It's why I

0:25:19.160 --> 0:25:20.919
<v Speaker 2>always thought he was gonna end up on SNL at

0:25:20.960 --> 0:25:23.960
<v Speaker 2>some point, because like, his impressions are so good. But

0:25:24.680 --> 0:25:27.760
<v Speaker 2>I mean, obviously there's a bigger skill to SNL than

0:25:27.920 --> 0:25:31.879
<v Speaker 2>just impressions, but some people are just Chord is one

0:25:31.920 --> 0:25:35.240
<v Speaker 2>of the best impressionists I've ever met. Yeah, and then

0:25:35.280 --> 0:25:40.680
<v Speaker 2>they dance and it's cute and they're charming at prom

0:25:40.720 --> 0:25:42.200
<v Speaker 2>and we love them and we.

0:25:42.200 --> 0:25:54.880
<v Speaker 1>Just love Phoebe Stroll and Cordover Street. I do think,

0:25:54.960 --> 0:25:56.640
<v Speaker 1>you know, we were saying last episode it really felt

0:25:56.680 --> 0:26:01.760
<v Speaker 1>like the songs were determining everything else. This one feels

0:26:03.119 --> 0:26:05.840
<v Speaker 1>less like that, Yes, more plot driven, and so like

0:26:05.920 --> 0:26:09.320
<v Speaker 1>when something comes up, it feels really nice and it

0:26:09.320 --> 0:26:12.720
<v Speaker 1>feels really sweet that Like, also, how do we feel

0:26:12.760 --> 0:26:16.040
<v Speaker 1>about a student having a crush on.

0:26:17.160 --> 0:26:21.080
<v Speaker 2>I feel like because she's an intern and she's as

0:26:21.200 --> 0:26:23.359
<v Speaker 2>almost as young as he is. Like there, she's a

0:26:23.359 --> 0:26:25.600
<v Speaker 2>sophomore in college and he's a senior in high school.

0:26:25.840 --> 0:26:28.480
<v Speaker 1>Like yeah, and they don't do anything like nefarious.

0:26:28.800 --> 0:26:30.840
<v Speaker 2>Yeah, no, no, I think it's totally fine.

0:26:31.520 --> 0:26:34.280
<v Speaker 1>Yeah, because to me, I was like, this works really well. Fine,

0:26:34.320 --> 0:26:35.840
<v Speaker 1>I'm not sure that's okay.

0:26:36.160 --> 0:26:38.840
<v Speaker 2>Yeah, yeah, I didn't. I didn't see any issues with that.

0:26:39.840 --> 0:26:44.399
<v Speaker 2>All right, So Santana and Rachel are still working at

0:26:44.440 --> 0:26:50.000
<v Speaker 2>the diner, and now Kurt, oh, I know Kurt Kurt,

0:26:50.400 --> 0:26:53.000
<v Speaker 2>which I love. I do love it. They're all there.

0:26:53.480 --> 0:26:55.639
<v Speaker 1>You just put them in there, you know, yeah, like

0:26:55.720 --> 0:26:58.719
<v Speaker 1>why not? And it makes sense too, Like I buy it.

0:26:58.960 --> 0:27:01.399
<v Speaker 2>Yeah, the only jobs. You're like, how do you afford

0:27:01.400 --> 0:27:03.560
<v Speaker 2>the very large permit? And they do.

0:27:03.680 --> 0:27:08.359
<v Speaker 1>Curt and Rachel do get back very cute, nia, very cute,

0:27:09.160 --> 0:27:09.920
<v Speaker 1>very very cute.

0:27:10.520 --> 0:27:14.760
<v Speaker 2>More importantly, though, there's a there's a love of a

0:27:14.800 --> 0:27:20.240
<v Speaker 2>budding love story happening at the diner with somebody new.

0:27:20.720 --> 0:27:25.560
<v Speaker 2>And then there's also Santana's Gotten a commercial.

0:27:26.119 --> 0:27:33.120
<v Speaker 1>Oh my god, I had forgotten about this that Sean

0:27:33.200 --> 0:27:38.359
<v Speaker 1>said it was in this episode. But it's so good though.

0:27:38.520 --> 0:27:42.000
<v Speaker 1>It's so good. I remember seeing Ian today after they

0:27:42.040 --> 0:27:44.320
<v Speaker 1>shot it, uh huh and talking to it and he

0:27:44.440 --> 0:27:45.760
<v Speaker 1>was like, it's so good.

0:27:46.080 --> 0:27:50.760
<v Speaker 2>He showed yes, well, they shot it on the lot,

0:27:51.080 --> 0:27:53.400
<v Speaker 2>like all the front of her house with the bubbles

0:27:53.520 --> 0:27:56.800
<v Speaker 2>is actually like on Paramount in the front of the offices,

0:27:57.680 --> 0:27:58.680
<v Speaker 2>and it is so.

0:28:00.200 --> 0:28:00.440
<v Speaker 1>Good.

0:28:00.560 --> 0:28:06.000
<v Speaker 2>She can make anything work. She truly makes anything work.

0:28:05.920 --> 0:28:08.679
<v Speaker 1>Like she's almost too good in it.

0:28:08.680 --> 0:28:14.159
<v Speaker 2>It's so funny in the yard and the muffin being like,

0:28:14.240 --> 0:28:16.480
<v Speaker 2>I like east in my what is at least in my.

0:28:18.280 --> 0:28:21.720
<v Speaker 1>Bagel not in my muffin? And the beating of bagel?

0:28:22.040 --> 0:28:24.040
<v Speaker 1>Are you kidding? Of the episode?

0:28:24.160 --> 0:28:26.320
<v Speaker 2>I was actually shocked that that made it in.

0:28:28.320 --> 0:28:31.160
<v Speaker 1>It was exactly our brand of humor, like in real

0:28:31.200 --> 0:28:33.600
<v Speaker 1>life with Ian and everybody, like that was exactly And

0:28:33.720 --> 0:28:35.639
<v Speaker 1>I think that's also the like the tone of the

0:28:35.640 --> 0:28:38.560
<v Speaker 1>show when it started like that is sort of like

0:28:38.600 --> 0:28:41.880
<v Speaker 1>the cutting like yeah, we're gonna say some wild ship

0:28:41.960 --> 0:28:45.440
<v Speaker 1>on the show, and I just as good as like

0:28:45.560 --> 0:28:50.760
<v Speaker 1>Nya is at being a dramatic actor. The comedy. The

0:28:50.800 --> 0:28:52.320
<v Speaker 1>comedy is just as good.

0:28:53.320 --> 0:28:57.120
<v Speaker 2>And it's so unassuming and and she throws it away,

0:28:57.200 --> 0:28:58.800
<v Speaker 2>but it's so good you can't miss it.

0:28:59.560 --> 0:29:03.080
<v Speaker 1>No, she's perfect the balance of like you're saying these

0:29:03.120 --> 0:29:05.320
<v Speaker 1>crazy things, but you're not giving into it, like you're

0:29:05.360 --> 0:29:08.600
<v Speaker 1>not letting the craziness dictate, like look, how crazy I'm

0:29:08.720 --> 0:29:09.680
<v Speaker 1>being right.

0:29:09.680 --> 0:29:11.920
<v Speaker 2>Right, She's just doing it. Oh God, she's so.

0:29:11.840 --> 0:29:13.640
<v Speaker 1>Good in real life. Do you remember she also had

0:29:13.640 --> 0:29:16.520
<v Speaker 1>like a proactive commercial and she also had an eminem

0:29:16.560 --> 0:29:20.200
<v Speaker 1>super Bowl commercial going on, So it was like she

0:29:20.240 --> 0:29:22.520
<v Speaker 1>had been doing this in real life, getting these endorsement

0:29:22.560 --> 0:29:26.320
<v Speaker 1>deals and get her on the show. Yeah yeah, yeah,

0:29:26.360 --> 0:29:28.200
<v Speaker 1>yeah exactly, and it was just like, yeah, she's the

0:29:28.280 --> 0:29:31.440
<v Speaker 1>queen of like walking around and saying and selling.

0:29:31.920 --> 0:29:34.920
<v Speaker 2>And she'll like shamelessly like we'll just do it.

0:29:35.240 --> 0:29:35.720
<v Speaker 1>So good.

0:29:36.120 --> 0:29:40.880
<v Speaker 2>So Santana tells Rachel that she's gotten commercial, and Rachel

0:29:41.240 --> 0:29:43.640
<v Speaker 2>has assumed that she has not gotten Funny Girl at

0:29:43.640 --> 0:29:47.720
<v Speaker 2>this point, and so is reading backstage and looking for

0:29:47.760 --> 0:29:51.960
<v Speaker 2>all these crazy auditions and is is definitely jealous of

0:29:52.040 --> 0:29:54.680
<v Speaker 2>Santana's U Sister commercial, even though she says she's not,

0:29:54.880 --> 0:29:59.960
<v Speaker 2>she's very happy. I have to say, like, for how

0:30:00.000 --> 0:30:04.600
<v Speaker 2>Oh Green and New they are obviously Rachel's very talented

0:30:04.680 --> 0:30:07.800
<v Speaker 2>and auditioning for Broadway already and getting to final callbacks.

0:30:07.840 --> 0:30:11.480
<v Speaker 2>Like all the things that she said and named like

0:30:11.560 --> 0:30:16.680
<v Speaker 2>community theater and like regional theater. I'm like, girl, this

0:30:16.760 --> 0:30:22.160
<v Speaker 2>is the real life. That's where the difference of Glee came,

0:30:22.360 --> 0:30:25.840
<v Speaker 2>where like the reality was so detached from what was

0:30:25.880 --> 0:30:30.360
<v Speaker 2>happening in the industry, because if you read backstage, you're like,

0:30:30.400 --> 0:30:36.960
<v Speaker 2>people are auditioning out of college for cruise lines, Disney shows,

0:30:37.080 --> 0:30:42.320
<v Speaker 2>amusement parks, anything to like get equity your equity card,

0:30:42.720 --> 0:30:45.560
<v Speaker 2>and so she's naming these things and I'm like, girl,

0:30:45.720 --> 0:30:50.000
<v Speaker 2>you gotta calm down, like this this is actually what

0:30:50.040 --> 0:30:53.120
<v Speaker 2>you should be auditioning for at this point. But again,

0:30:53.440 --> 0:30:59.400
<v Speaker 2>it is suspension of disbelief and a satire, so to

0:30:59.440 --> 0:31:01.360
<v Speaker 2>be fair, but I thought that was funny.

0:31:01.800 --> 0:31:04.560
<v Speaker 1>It's because like all of us believe she's good enough

0:31:04.600 --> 0:31:08.320
<v Speaker 1>to be doing that as a t but it's like Corl, yeah,

0:31:08.360 --> 0:31:09.920
<v Speaker 1>come on, and so it's fine.

0:31:09.960 --> 0:31:14.520
<v Speaker 2>But yeah, but then Rachel is like very supportive and

0:31:14.560 --> 0:31:18.440
<v Speaker 2>see Santana and Danny, who Demi plays, is this like

0:31:18.520 --> 0:31:21.840
<v Speaker 2>budding romance and Santana is very nervous and we like

0:31:22.000 --> 0:31:24.080
<v Speaker 2>never hear see her like that, which I kind of

0:31:24.120 --> 0:31:27.000
<v Speaker 2>love to see this side of her and how like

0:31:27.920 --> 0:31:31.640
<v Speaker 2>not like insecure she is about it or like flustered

0:31:31.920 --> 0:31:37.400
<v Speaker 2>she gets and again so good, like I believed her

0:31:37.560 --> 0:31:38.120
<v Speaker 2>every moment.

0:31:39.440 --> 0:31:42.760
<v Speaker 1>It's the introduction to Danny. I sort of giggled because

0:31:42.840 --> 0:31:45.040
<v Speaker 1>like this is how they're doing it. It's just a

0:31:45.080 --> 0:31:48.480
<v Speaker 1>look before a scene even starts. It's just a look

0:31:48.560 --> 0:31:53.080
<v Speaker 1>between them. I was like, sold, Yeah, how good do

0:31:53.120 --> 0:31:56.760
<v Speaker 1>you both have to be? Yeah that they sold by

0:31:56.760 --> 0:32:02.320
<v Speaker 1>the entire basic like courtship and a look. Yep, yep, agreed,

0:32:02.800 --> 0:32:04.520
<v Speaker 1>And it was just sort of like flabber gas of

0:32:04.600 --> 0:32:05.920
<v Speaker 1>like oh, Demi just showed up and I was like,

0:32:05.960 --> 0:32:07.360
<v Speaker 1>I'm going to give you this look.

0:32:07.480 --> 0:32:11.360
<v Speaker 2>Into it so and I feel like I missed it before,

0:32:11.640 --> 0:32:13.800
<v Speaker 2>like in when it was happening, like I loved Demi

0:32:13.840 --> 0:32:15.720
<v Speaker 2>and I was so happy to have her on the show,

0:32:15.800 --> 0:32:18.680
<v Speaker 2>but like I feel like I missed that and I

0:32:18.680 --> 0:32:20.760
<v Speaker 2>don't know what the fans feel like or you you

0:32:20.760 --> 0:32:22.800
<v Speaker 2>guys have to tell us like how you feel about

0:32:23.160 --> 0:32:26.120
<v Speaker 2>the Danny because obviously we know you love Brittany and

0:32:26.160 --> 0:32:29.760
<v Speaker 2>we know we love Britanna, but like, what a great

0:32:30.400 --> 0:32:32.400
<v Speaker 2>chemistry these two had together.

0:32:32.800 --> 0:32:34.960
<v Speaker 1>It feels more grown up, It feels different like it.

0:32:35.440 --> 0:32:38.400
<v Speaker 1>I feel like the relationship between Santanna and Brittany feels

0:32:38.400 --> 0:32:41.160
<v Speaker 1>like it's very much its own separate entity, where some

0:32:41.200 --> 0:32:43.880
<v Speaker 1>of the other relationships in the show you sort of

0:32:43.920 --> 0:32:47.600
<v Speaker 1>feel like there's reboundy things happening a lot of the time,

0:32:48.360 --> 0:32:50.800
<v Speaker 1>where it's like might be falling into the same pattern.

0:32:51.360 --> 0:32:55.440
<v Speaker 1>I feel like there's some time Britney and this feels

0:32:55.480 --> 0:32:59.400
<v Speaker 1>like growth. It feels mature, even that their first lines

0:32:59.440 --> 0:33:03.560
<v Speaker 1>like Santana and a sort of like softly like making

0:33:03.560 --> 0:33:05.920
<v Speaker 1>fun of Danny about her name and being a lesbian

0:33:06.640 --> 0:33:08.800
<v Speaker 1>yeah yeah, yeah yeah, and then her giving it right

0:33:08.840 --> 0:33:12.800
<v Speaker 1>back yes, and like you said, like to see like

0:33:13.040 --> 0:33:16.440
<v Speaker 1>Santana sort of be thrown a little bit by somebody else.

0:33:16.800 --> 0:33:20.520
<v Speaker 1>Yea was really nice. Here Comes the Sun is so good.

0:33:21.520 --> 0:33:24.479
<v Speaker 1>I was so excited for it. I think it is

0:33:24.520 --> 0:33:29.080
<v Speaker 1>my single favorite Beatles cover. We do really, yes.

0:33:28.960 --> 0:33:31.600
<v Speaker 2>Not even think it is, No, Yeah, for sure, it's

0:33:31.600 --> 0:33:36.920
<v Speaker 2>definitely up there for me. And it's it's so calming,

0:33:37.440 --> 0:33:40.120
<v Speaker 2>Like I felt so calm watching.

0:33:39.800 --> 0:33:45.280
<v Speaker 5>It, really lovely, the tone of it, the whole setup

0:33:45.320 --> 0:33:48.120
<v Speaker 5>of it is nice, and it's so silly, like waiting

0:33:48.160 --> 0:33:50.000
<v Speaker 5>for the sun to rise.

0:33:51.520 --> 0:33:56.320
<v Speaker 1>Yeah, but it was so good. It was so sweet

0:33:56.440 --> 0:34:00.440
<v Speaker 1>and you actually see the sun fill the dying and

0:34:00.840 --> 0:34:03.440
<v Speaker 1>they go on this like little walk here. I can't

0:34:03.680 --> 0:34:10.520
<v Speaker 1>down like most other people that would be scorny.

0:34:11.760 --> 0:34:15.879
<v Speaker 2>Yes, and you just rarely get a moment to breathingly

0:34:16.160 --> 0:34:19.160
<v Speaker 2>like that with a song like that, Like I just

0:34:19.280 --> 0:34:22.680
<v Speaker 2>felt like, oh, how sweet is this?

0:34:22.680 --> 0:34:27.200
<v Speaker 1>This is so nice. I don't know you, and it

0:34:27.320 --> 0:34:30.880
<v Speaker 1>still felt all like earned, like it all happened so

0:34:30.960 --> 0:34:34.200
<v Speaker 1>quickly between the two of them. Yeah, but they were.

0:34:34.040 --> 0:34:36.759
<v Speaker 2>Like walking home together, like that's the way it's you

0:34:36.800 --> 0:34:37.400
<v Speaker 2>get courted.

0:34:37.560 --> 0:34:40.640
<v Speaker 1>But they're selling everything every moment. They're both just like

0:34:40.960 --> 0:34:44.879
<v Speaker 1>there in it. And it's like even later on during

0:34:44.960 --> 0:34:49.719
<v Speaker 1>Let it Be, where Demmy's over at the loft hanging out,

0:34:50.480 --> 0:34:53.279
<v Speaker 1>she doesn't sing in it, but she's even like right,

0:34:53.640 --> 0:35:00.399
<v Speaker 1>she's I'm just very very impressed, but yeah, here comes

0:35:00.440 --> 0:35:04.720
<v Speaker 1>the sun on repeat. Their voices together are a dream.

0:35:05.280 --> 0:35:08.680
<v Speaker 1>Oh Like, as a fan of both of them just

0:35:08.760 --> 0:35:10.920
<v Speaker 1>a huge dream to have their voices together on one

0:35:10.960 --> 0:35:14.400
<v Speaker 1>of my favorite Beatle songs, and it's yeah, yeah, what

0:35:14.480 --> 0:35:18.200
<v Speaker 1>a beautiful number. Beautiful the arrangement. Shout out to the

0:35:18.239 --> 0:35:20.120
<v Speaker 1>music department. I'm sorry, but the arrangement of that was

0:35:20.160 --> 0:35:24.960
<v Speaker 1>so nice. It really was the harmonies, like just you

0:35:25.040 --> 0:35:26.879
<v Speaker 1>really did it, really really did it.

0:35:27.280 --> 0:35:30.359
<v Speaker 2>And then also Rachel, So Peter Rashally comes back and

0:35:30.480 --> 0:35:36.279
<v Speaker 2>he tells Rachel that she gets the role, and funny girl, I.

0:35:36.239 --> 0:35:37.360
<v Speaker 1>Had goosebumps watching this.

0:35:38.680 --> 0:35:43.160
<v Speaker 2>Yeah, it's it. I actually forgot what was going to have,

0:35:44.000 --> 0:35:48.920
<v Speaker 2>so did you. I was thrilled. And then and Santana

0:35:48.880 --> 0:35:51.719
<v Speaker 2>and gird are there and it's and the Hole diners clapping,

0:35:51.800 --> 0:35:55.440
<v Speaker 2>and it's very very very cute and very exciting.

0:35:56.040 --> 0:35:59.560
<v Speaker 1>And it also just felt like all those people presumably

0:35:59.640 --> 0:36:02.640
<v Speaker 1>working there, I want to be on Broadway and so

0:36:02.960 --> 0:36:05.680
<v Speaker 1>to have her own get something. It's and I have

0:36:05.719 --> 0:36:08.080
<v Speaker 1>everybody celebrating, and she's like, I can't wait to take

0:36:08.080 --> 0:36:12.839
<v Speaker 1>this outfit off. It was really really just sweet and

0:36:13.400 --> 0:36:16.680
<v Speaker 1>really really like I felt as all of us being

0:36:16.680 --> 0:36:19.440
<v Speaker 1>performers in real life, it's like, oh, yeah we win,

0:36:19.600 --> 0:36:23.479
<v Speaker 1>so yes we experience that, Yeah for sure.

0:36:24.080 --> 0:36:26.400
<v Speaker 2>And it's just funny that then she goes on to

0:36:26.480 --> 0:36:30.840
<v Speaker 2>do it right in real life. It is the perfect

0:36:30.880 --> 0:36:31.480
<v Speaker 2>it is her role.

0:36:40.920 --> 0:36:43.720
<v Speaker 1>So back at Brundle Bram, Tina.

0:36:44.000 --> 0:36:47.759
<v Speaker 2>Gets is she she went gets it. She wins shockingly,

0:36:48.360 --> 0:36:51.439
<v Speaker 2>but everybody has supported her. Everybody was going to vote

0:36:51.440 --> 0:36:56.000
<v Speaker 2>for her except for and Kitty was actually she wanted

0:36:56.040 --> 0:36:57.279
<v Speaker 2>to take all those posters down.

0:36:57.360 --> 0:36:59.240
<v Speaker 1>It wasn't her who did that. It was Bree.

0:37:01.200 --> 0:37:05.120
<v Speaker 2>Her face on Milivium one's body, and Tina got mad

0:37:05.160 --> 0:37:07.879
<v Speaker 2>at her and she was like, I didn't do this,

0:37:07.960 --> 0:37:09.719
<v Speaker 2>I don't even want this. I still support you, And

0:37:09.719 --> 0:37:15.600
<v Speaker 2>everybody gets medicidie. Tina still wins, and Stone or Brett wins.

0:37:15.880 --> 0:37:19.880
<v Speaker 2>And there's this whole plot happening behind the scenes where

0:37:20.480 --> 0:37:27.640
<v Speaker 2>Bree is getting Dottie Kasatori to help her with this.

0:37:29.320 --> 0:37:35.359
<v Speaker 1>Whole what do you call it? Mass this like, well,

0:37:35.480 --> 0:37:38.000
<v Speaker 1>this is a big scheme. It's yes, thank you. I

0:37:38.080 --> 0:37:40.400
<v Speaker 1>want to make her win. She needs to win so

0:37:40.440 --> 0:37:42.160
<v Speaker 1>they can then carry her.

0:37:42.880 --> 0:37:46.719
<v Speaker 2>Right right, and and then Dottie is going to be

0:37:46.719 --> 0:37:50.719
<v Speaker 2>the one to pull the the slushy and help and

0:37:50.760 --> 0:37:52.200
<v Speaker 2>they're going to make her a cheerio.

0:37:51.960 --> 0:37:53.320
<v Speaker 1>Because of it.

0:37:53.520 --> 0:37:58.600
<v Speaker 2>Oh, Dottie just gets roped up in the madness.

0:37:58.800 --> 0:38:04.680
<v Speaker 1>It's really funny that bre now has the It's like

0:38:04.760 --> 0:38:10.800
<v Speaker 1>the reformation of the had Cheerios, where Quinn had crazy

0:38:10.840 --> 0:38:14.080
<v Speaker 1>monologues and then it became Santana had crazy monologues, and

0:38:14.080 --> 0:38:16.879
<v Speaker 1>then Kitties had crazy monologues for a full season. Now

0:38:17.200 --> 0:38:20.200
<v Speaker 1>and now it's Bray and now it's Bree. I guess

0:38:20.200 --> 0:38:22.680
<v Speaker 1>that one was the Bree one was you know, ripped

0:38:22.680 --> 0:38:28.160
<v Speaker 1>from that ripped from the headlines. Yeah, which it's crazy.

0:38:29.840 --> 0:38:30.760
<v Speaker 1>That was crazy.

0:38:34.160 --> 0:38:42.880
<v Speaker 2>Anyway, they're at prom, Tina wins, Dottie pulls the rope,

0:38:43.480 --> 0:38:48.240
<v Speaker 2>Kitty sees it all happening, and Tina gets slushied and

0:38:48.520 --> 0:38:52.080
<v Speaker 2>Allah carry and it's red slushy so it looks like blood.

0:38:52.719 --> 0:39:00.000
<v Speaker 1>So can you break down how that felt? How many

0:39:00.120 --> 0:39:01.040
<v Speaker 1>times you had to do it?

0:39:01.440 --> 0:39:04.000
<v Speaker 2>Okay, we did it twice. We really didn't want to

0:39:04.000 --> 0:39:08.280
<v Speaker 2>do it again because obviously it's prom makeup, prom hair.

0:39:08.960 --> 0:39:16.239
<v Speaker 2>It's a really hard reset. Now you have been slushied,

0:39:17.320 --> 0:39:21.760
<v Speaker 2>I would say, the most other than this bucket of slushy.

0:39:24.680 --> 0:39:27.200
<v Speaker 2>But it was coming at your face very close and

0:39:27.200 --> 0:39:28.560
<v Speaker 2>close impact, right.

0:39:28.520 --> 0:39:29.799
<v Speaker 1>So you felt it.

0:39:29.800 --> 0:39:34.080
<v Speaker 2>This came over bird's eye over my head into my dress,

0:39:34.320 --> 0:39:37.439
<v Speaker 2>down my dress, so my dress was sleeveless and there's

0:39:37.520 --> 0:39:38.520
<v Speaker 2>like space.

0:39:38.160 --> 0:39:41.480
<v Speaker 1>And so on my head. Oh my god.

0:39:41.880 --> 0:39:44.240
<v Speaker 2>And I had to be like just in the right position.

0:39:45.239 --> 0:39:46.759
<v Speaker 2>And then they actually.

0:39:46.440 --> 0:39:49.960
<v Speaker 1>Just dumped it on me off screen. Yeah, they couldn't

0:39:50.000 --> 0:39:52.240
<v Speaker 1>take any chances of it. Yeah, and the bucket hitting

0:39:52.239 --> 0:39:53.080
<v Speaker 1>the target.

0:39:55.400 --> 0:39:57.520
<v Speaker 2>And then I had you know what, that wasn't even

0:39:57.560 --> 0:40:03.799
<v Speaker 2>the worst part. It was really cold. It was the

0:40:03.920 --> 0:40:08.480
<v Speaker 2>moments after so because it goes into slow mo, because

0:40:08.560 --> 0:40:10.200
<v Speaker 2>Brett has to get hit on the head with the

0:40:10.239 --> 0:40:14.359
<v Speaker 2>bucket because there's this whole heckling thing and airing laughing.

0:40:15.080 --> 0:40:17.919
<v Speaker 2>I had to stay in it on screen. So usually

0:40:17.960 --> 0:40:20.680
<v Speaker 2>when you get slushy, right, they slushy you and then

0:40:20.719 --> 0:40:22.640
<v Speaker 2>they call cut and you have to stay still and

0:40:22.640 --> 0:40:24.200
<v Speaker 2>they take the picture and then you go and you

0:40:24.280 --> 0:40:26.120
<v Speaker 2>dry off and either you do it again or you're

0:40:26.160 --> 0:40:29.600
<v Speaker 2>done this. I had to stay there for like what

0:40:29.800 --> 0:40:35.239
<v Speaker 2>felt like minutes and also stay in character, and I'm

0:40:35.400 --> 0:40:42.320
<v Speaker 2>just in shock. My mouth is wide opened, I'm breathing,

0:40:42.520 --> 0:40:45.880
<v Speaker 2>I'm like, what how do I stay in character? And

0:40:45.920 --> 0:40:48.200
<v Speaker 2>it wasn't that hard because like, of course you're just

0:40:48.360 --> 0:40:49.960
<v Speaker 2>covered in cold slash.

0:40:49.960 --> 0:40:51.600
<v Speaker 1>You're like, oh no, I'm actually cold. It's fine.

0:40:51.800 --> 0:40:54.239
<v Speaker 2>Yeah, this is awful. This is actually awful. But yeah,

0:40:54.280 --> 0:40:56.440
<v Speaker 2>we had to do it again, so I had to

0:40:56.480 --> 0:40:59.120
<v Speaker 2>go and reset you amazing.

0:40:59.600 --> 0:41:00.200
<v Speaker 1>I don't know.

0:41:00.680 --> 0:41:02.600
<v Speaker 2>I think Ian wanted to just get it one more

0:41:02.640 --> 0:41:10.680
<v Speaker 2>time and murder. It was worse the second time. I

0:41:10.680 --> 0:41:14.040
<v Speaker 2>remember that, and it was like a lot of slushy.

0:41:14.680 --> 0:41:18.319
<v Speaker 1>It was like a lot. Yeah, I think it was

0:41:18.440 --> 0:41:23.319
<v Speaker 1>probably more than a half a bucket. Yeah, it was

0:41:23.640 --> 0:41:24.120
<v Speaker 1>a lot.

0:41:24.600 --> 0:41:28.000
<v Speaker 2>And then they had to recreate it for the choir room,

0:41:28.040 --> 0:41:30.879
<v Speaker 2>which sucked too. So basically they kept me in it

0:41:32.120 --> 0:41:34.480
<v Speaker 2>to get into the choir room where we do the

0:41:34.520 --> 0:41:38.000
<v Speaker 2>scene where she's like I'm going home. So you don't

0:41:38.000 --> 0:41:40.400
<v Speaker 2>get to just get out of it. You're just sticky

0:41:40.520 --> 0:41:44.120
<v Speaker 2>and it's late. How did they like readdress you for

0:41:44.920 --> 0:41:49.680
<v Speaker 2>the choir room scene, the pink dress or the black dress?

0:41:50.560 --> 0:41:53.479
<v Speaker 2>Like after your slush het getting you like fake slusheet again,

0:41:53.520 --> 0:41:56.879
<v Speaker 2>how does that they put it on my head? They

0:41:56.920 --> 0:42:02.560
<v Speaker 2>get actual slushy. Yeah, yeah, and we left a lot

0:42:02.600 --> 0:42:05.480
<v Speaker 2>of it. I believe we actually moved right after that

0:42:05.680 --> 0:42:11.200
<v Speaker 2>and went and did the that scene really because it

0:42:11.280 --> 0:42:13.959
<v Speaker 2>was really late. I remember being there really really late,

0:42:14.600 --> 0:42:19.960
<v Speaker 2>and it was all like steady and handheld cams.

0:42:19.840 --> 0:42:20.520
<v Speaker 1>Which is faster.

0:42:21.719 --> 0:42:26.560
<v Speaker 2>Yeah, I think part of it we did, but I

0:42:26.600 --> 0:42:29.040
<v Speaker 2>do remember them having to refresh it.

0:42:30.680 --> 0:42:31.640
<v Speaker 1>And like putting it.

0:42:31.680 --> 0:42:35.560
<v Speaker 2>They were matching, like the slushy on my face and

0:42:35.640 --> 0:42:39.439
<v Speaker 2>like down down my nose and down my shirt and

0:42:39.520 --> 0:42:42.200
<v Speaker 2>like just having to sit there, and I remember being

0:42:42.280 --> 0:42:46.040
<v Speaker 2>like really miserable, which led to like what I had

0:42:46.320 --> 0:42:48.960
<v Speaker 2>to do anyway in the scene. So it was fine,

0:42:49.000 --> 0:42:53.920
<v Speaker 2>but it's so sticky. It was so gross. It was

0:42:54.040 --> 0:42:57.719
<v Speaker 2>so gross. And that dress is really big, so I

0:42:57.760 --> 0:43:00.279
<v Speaker 2>don't know if you remember Kevin, but it's like a

0:43:00.320 --> 0:43:03.840
<v Speaker 2>little dress underneath, and then the big skirt was a

0:43:03.920 --> 0:43:06.600
<v Speaker 2>velcrow skirt, so I had the skirt on the.

0:43:08.160 --> 0:43:09.160
<v Speaker 1>Yeah, you had to put it on.

0:43:10.600 --> 0:43:12.879
<v Speaker 2>I'm glad I could take it off in between because

0:43:12.920 --> 0:43:16.600
<v Speaker 2>it's just it was really heavy. But uh yeah, that

0:43:16.680 --> 0:43:19.600
<v Speaker 2>part too. So it's just like lugging a dress around

0:43:20.600 --> 0:43:24.480
<v Speaker 2>incomplete slushy. It was freezing cold, it was sticky, it

0:43:24.600 --> 0:43:28.920
<v Speaker 2>was nasty. It was so nasty. It's like, even when

0:43:28.920 --> 0:43:33.640
<v Speaker 2>you get your episode, there's still thrown into a fountain,

0:43:34.000 --> 0:43:38.320
<v Speaker 2>soaking wet, hitting my head underwater, a getting a bucket

0:43:38.400 --> 0:43:39.680
<v Speaker 2>of slushy on my head.

0:43:40.280 --> 0:43:43.000
<v Speaker 1>You know what. I think it goes to your point

0:43:43.080 --> 0:43:45.759
<v Speaker 1>of like all her friends are started putting up with

0:43:45.800 --> 0:43:50.400
<v Speaker 1>her like wild behavior. Yeah, but it's like, yeah, but

0:43:50.440 --> 0:43:52.600
<v Speaker 1>the story always gets you back in the end, doesn't

0:43:52.560 --> 0:43:56.400
<v Speaker 1>it Totally Like no one suffers from instant karma more

0:43:56.440 --> 0:44:01.920
<v Speaker 1>than Tina. That's so true. It's really bad. It was

0:44:01.960 --> 0:44:04.520
<v Speaker 1>really bad. She always forgets, she doesn't live and learn,

0:44:04.960 --> 0:44:05.640
<v Speaker 1>she's just living.

0:44:06.040 --> 0:44:08.880
<v Speaker 2>But the scene when everybody's there and rallies around her,

0:44:08.920 --> 0:44:12.600
<v Speaker 2>it is so sweet. And I just I remember it

0:44:12.680 --> 0:44:15.520
<v Speaker 2>being really late and like just wanting to get it done.

0:44:15.760 --> 0:44:19.160
<v Speaker 2>It was really late. I think it was after Prom, Kevin,

0:44:19.480 --> 0:44:22.680
<v Speaker 2>because that's crazy. It was like everybody was just like

0:44:24.719 --> 0:44:26.000
<v Speaker 2>in like a stupor.

0:44:26.600 --> 0:44:30.000
<v Speaker 1>The thing is to the high school where we shot

0:44:30.080 --> 0:44:33.040
<v Speaker 1>Prom was not far from Paramount. That's why we shot there.

0:44:33.080 --> 0:44:36.160
<v Speaker 1>It was very close. Actually yeah, but you still have

0:44:36.239 --> 0:44:41.360
<v Speaker 1>to do a full company move right, Trucks and trucks

0:44:41.440 --> 0:44:45.120
<v Speaker 1>and trucks of equipment. All of US crew and cast

0:44:45.160 --> 0:44:51.080
<v Speaker 1>had to be loaded into vans transported back, which takes hours. Disgusting, disgusting,

0:44:51.160 --> 0:44:53.319
<v Speaker 1>So it's not like you'd got in a van and

0:44:53.320 --> 0:44:56.040
<v Speaker 1>then you were there in five minutes and started shooting. Right,

0:44:56.600 --> 0:44:58.320
<v Speaker 1>So if that's what we did, then you were sitting

0:44:58.320 --> 0:45:00.839
<v Speaker 1>in it for hours. Right, You're right.

0:45:00.880 --> 0:45:02.960
<v Speaker 2>We did have to move, so I couldn't have been

0:45:03.719 --> 0:45:06.399
<v Speaker 2>it could leant shoot. It was a leanine shoot, that's

0:45:06.440 --> 0:45:07.120
<v Speaker 2>all I remember.

0:45:07.320 --> 0:45:10.040
<v Speaker 1>But they could have sent part of the crew over

0:45:10.120 --> 0:45:13.680
<v Speaker 1>to set up totally. That's right, That's right. You know,

0:45:13.719 --> 0:45:17.080
<v Speaker 1>you could have done that because it was a much

0:45:17.120 --> 0:45:21.000
<v Speaker 1>smaller you could like b camera go over enough to.

0:45:20.960 --> 0:45:25.000
<v Speaker 2>Do like Dolly's and things like that. But then you

0:45:25.040 --> 0:45:27.520
<v Speaker 2>do a number. Then we were doing Jude, so there

0:45:27.640 --> 0:45:29.799
<v Speaker 2>was a changeover at some point. I think maybe it

0:45:29.840 --> 0:45:33.480
<v Speaker 2>was two days because hey Jude. Also we had to

0:45:33.480 --> 0:45:35.960
<v Speaker 2>do in the hallway and they had to change Tina

0:45:36.080 --> 0:45:38.759
<v Speaker 2>and like it just it was like a lot of

0:45:38.760 --> 0:45:42.440
<v Speaker 2>moving parts to that that choir room scene.

0:45:42.600 --> 0:45:45.319
<v Speaker 1>What a cool number though, I mean obviously, like what

0:45:45.400 --> 0:45:48.319
<v Speaker 1>an incredible song, and then all of you sounded so

0:45:48.400 --> 0:45:48.880
<v Speaker 1>good on it.

0:45:49.920 --> 0:45:51.719
<v Speaker 2>Yeah, I thought, I mean, darn sounded great. I thought

0:45:51.719 --> 0:45:55.640
<v Speaker 2>it was. I thought it was a nice way to

0:45:55.680 --> 0:45:58.000
<v Speaker 2>do a number, like in different way of like cleaning

0:45:58.000 --> 0:46:00.880
<v Speaker 2>her up or just just different like vignette of moments

0:46:03.239 --> 0:46:05.880
<v Speaker 2>and like cleaning Tina up and it's just really sweet.

0:46:05.960 --> 0:46:08.879
<v Speaker 2>And I I just liked the watching the Glee club

0:46:08.920 --> 0:46:14.040
<v Speaker 2>come together like that, Yeah, Kitty's redemption arc. Hey, you

0:46:14.080 --> 0:46:18.239
<v Speaker 2>know she's gotta give it because her dress awful to

0:46:18.400 --> 0:46:23.799
<v Speaker 2>you and to Tina. But I also shout out to

0:46:23.840 --> 0:46:27.919
<v Speaker 2>Bechtoven for her scream when she sees the slushy come

0:46:28.000 --> 0:46:34.239
<v Speaker 2>down on the stage. I cackled. It's very funny. It

0:46:34.320 --> 0:46:37.960
<v Speaker 2>was very funny.

0:46:38.160 --> 0:46:41.879
<v Speaker 1>It's really conny. The amount of like anticipation it was

0:46:42.520 --> 0:46:45.680
<v Speaker 1>in slow moved for so long, like that moment takes

0:46:45.719 --> 0:46:48.480
<v Speaker 1>her so long to put it together on the screen.

0:46:49.320 --> 0:46:53.600
<v Speaker 1>I just want to yell, come on, go over there

0:46:53.640 --> 0:46:55.799
<v Speaker 1>and like push her out of the way, right, but

0:46:55.840 --> 0:47:00.720
<v Speaker 1>then it would have gotten on her anyway.

0:47:01.040 --> 0:47:03.400
<v Speaker 2>That was fun, It was really it was actually like

0:47:03.520 --> 0:47:07.080
<v Speaker 2>in theory, it was a horrible moment to shoot, but

0:47:07.239 --> 0:47:09.880
<v Speaker 2>like the whole thing was like, what a nice arc

0:47:09.960 --> 0:47:15.800
<v Speaker 2>for Tina. And I was so grateful for that episode.

0:47:15.800 --> 0:47:18.359
<v Speaker 2>I really am, Like, I love props. I think it's

0:47:18.360 --> 0:47:20.839
<v Speaker 2>one of the most fun episodes we've were done as

0:47:20.880 --> 0:47:24.279
<v Speaker 2>a whole a group, But like for Tina, this one,

0:47:24.320 --> 0:47:26.240
<v Speaker 2>I'm just like so grateful for.

0:47:26.600 --> 0:47:31.080
<v Speaker 1>This is more of like a real substantial story for her. Yeah. Yeah,

0:47:31.280 --> 0:47:34.720
<v Speaker 1>props was like a good bit. Totally, yeah, totally.

0:47:35.440 --> 0:47:38.480
<v Speaker 2>Tita comes out and she she redeems herself and she

0:47:38.640 --> 0:47:44.239
<v Speaker 2>accept for her queen's status, and then we cut to

0:47:44.320 --> 0:47:46.480
<v Speaker 2>the whole Rachel Santana thing and then we all do

0:47:46.719 --> 0:47:47.040
<v Speaker 2>Let It.

0:47:47.000 --> 0:47:48.839
<v Speaker 1>Be, which was really fun. And I'm so glad that

0:47:48.880 --> 0:47:50.960
<v Speaker 1>you advocated for yourself, that you were able to sing

0:47:51.120 --> 0:47:52.800
<v Speaker 1>that song, and that we were able to do that together.

0:47:53.600 --> 0:47:55.839
<v Speaker 1>I was so upset and I would have been really

0:47:55.960 --> 0:47:59.480
<v Speaker 1>upset if I didn't get to it fair enough. I

0:47:59.520 --> 0:48:02.200
<v Speaker 1>would have which is so like I'm like, who am I?

0:48:03.320 --> 0:48:05.320
<v Speaker 2>You know, here's the thing that ro When Adam Anders

0:48:05.320 --> 0:48:07.120
<v Speaker 2>came on the show, he had said, like, you know,

0:48:07.520 --> 0:48:09.120
<v Speaker 2>part of it was like having to just read the

0:48:09.120 --> 0:48:11.400
<v Speaker 2>script and guess at your best guess in it, like

0:48:11.440 --> 0:48:16.839
<v Speaker 2>who fits in that moment? And to be fair, like

0:48:17.160 --> 0:48:19.839
<v Speaker 2>Artie stuff was more in the part one than Part

0:48:19.880 --> 0:48:23.240
<v Speaker 2>two of the Beatles, so of course it didn't fully

0:48:23.280 --> 0:48:25.040
<v Speaker 2>make sense. But they're like, yeah, of course Kevin can

0:48:25.080 --> 0:48:26.640
<v Speaker 2>sing on this song, Like why wouldn't he sing on

0:48:26.640 --> 0:48:26.919
<v Speaker 2>the song?

0:48:27.080 --> 0:48:31.319
<v Speaker 1>You know? The music department always had my back like

0:48:31.400 --> 0:48:34.279
<v Speaker 1>they would they knew what I liked and they would

0:48:34.320 --> 0:48:37.920
<v Speaker 1>always but the final say wasn't usually up to them, right,

0:48:38.120 --> 0:48:41.000
<v Speaker 1>and so they would go off of like what Ryan

0:48:41.040 --> 0:48:43.240
<v Speaker 1>would say or the writers, and so if it didn't

0:48:43.320 --> 0:48:46.400
<v Speaker 1>really make a difference, like there's some extra verses or

0:48:46.440 --> 0:48:48.480
<v Speaker 1>ad libs that I can throw me on and like, sure,

0:48:48.600 --> 0:48:50.960
<v Speaker 1>I have nothing to do with the story. Great, So

0:48:51.080 --> 0:48:53.319
<v Speaker 1>I love it. You sounded great by the way on

0:48:53.400 --> 0:48:59.040
<v Speaker 1>all these songs. Oh thanks the voice I don't is saying.

0:49:00.200 --> 0:49:02.560
<v Speaker 2>It's funny because I don't feel like it was more

0:49:02.600 --> 0:49:04.319
<v Speaker 2>of a singing episode for Tina. I feel like it

0:49:04.360 --> 0:49:07.480
<v Speaker 2>was more of an acting episode for Tina. You were

0:49:07.480 --> 0:49:09.680
<v Speaker 2>just doing a lot of everything. Yeah, this is a

0:49:09.680 --> 0:49:10.600
<v Speaker 2>big episode for two.

0:49:10.560 --> 0:49:13.000
<v Speaker 1>But I think like because the musical numbers were sort

0:49:13.040 --> 0:49:15.560
<v Speaker 1>of montages, right.

0:49:15.800 --> 0:49:18.640
<v Speaker 2>Right, I don't want to just to sing Beatles songs.

0:49:19.280 --> 0:49:21.040
<v Speaker 2>There are some tributes that I was like, I would

0:49:21.080 --> 0:49:23.000
<v Speaker 2>have loved sing a Britney song. I would have loved

0:49:23.000 --> 0:49:25.480
<v Speaker 2>to sing you know more on But like when you

0:49:25.480 --> 0:49:28.800
<v Speaker 2>get a Beatles episode, a little loss to complain about.

0:49:29.600 --> 0:49:32.680
<v Speaker 1>Definely, you know, unless you're me and then you complain

0:49:34.920 --> 0:49:39.879
<v Speaker 1>I only had two songs last tisone. Okay, let's let's

0:49:40.000 --> 0:49:42.240
<v Speaker 1>that's the episode. That's Tina in the Sky of Diamonds.

0:49:42.480 --> 0:49:45.720
<v Speaker 1>I liked this episode so much more than last episode. Yeah,

0:49:45.960 --> 0:49:49.080
<v Speaker 1>I did too, even though I had a lot more

0:49:49.160 --> 0:49:49.800
<v Speaker 1>last episode.

0:49:49.800 --> 0:49:53.200
<v Speaker 4>I think this episode just was so much better. There's

0:49:53.280 --> 0:49:57.440
<v Speaker 4>just it was focused. It was a focused episode. Here,

0:49:57.560 --> 0:50:02.000
<v Speaker 4>let's cread some of the performances, So get back curtain Rachel.

0:50:03.320 --> 0:50:08.680
<v Speaker 2>B plus B plus. Yeah, something Here Comes the Sun

0:50:08.880 --> 0:50:12.360
<v Speaker 2>A plus plus, A plus plus. Sergeant Pepper's Only Hearts

0:50:12.400 --> 0:50:16.240
<v Speaker 2>club band very fun, B plus plus, very solid. Those

0:50:16.560 --> 0:50:20.560
<v Speaker 2>outfits were great. By the way, everybody sounds great. They

0:50:20.560 --> 0:50:24.240
<v Speaker 2>look like they're having a lot of fun. Yes, shout

0:50:24.239 --> 0:50:24.719
<v Speaker 2>out to.

0:50:26.440 --> 0:50:29.960
<v Speaker 1>The new kids, minus Kitty, because they haven't had a

0:50:29.960 --> 0:50:33.080
<v Speaker 1>lot to do these first two episodes, and it's a

0:50:33.080 --> 0:50:36.480
<v Speaker 1>thankless job as someone. Yeah, we know that, both of us.

0:50:36.640 --> 0:50:40.719
<v Speaker 1>We know. I know, you just got to do it. Yeah,

0:50:40.760 --> 0:50:42.800
<v Speaker 1>and like you show up. I mean, obviously that's what

0:50:42.800 --> 0:50:44.960
<v Speaker 1>you're hired for. You're getting paid to do this. But

0:50:45.120 --> 0:50:48.080
<v Speaker 1>like you know, you've heard from people we've had on

0:50:48.080 --> 0:50:49.920
<v Speaker 1>the show where it's like you always felt like, oh,

0:50:50.239 --> 0:50:52.239
<v Speaker 1>I want to show more of what I can do.

0:50:52.400 --> 0:50:55.080
<v Speaker 1>And yeah, it's just and they to be fair, at

0:50:55.080 --> 0:50:57.920
<v Speaker 1>the four they really did, Oh my god. And I

0:50:57.920 --> 0:50:59.680
<v Speaker 1>feel like they were there, like we were with them

0:50:59.719 --> 0:51:01.879
<v Speaker 1>the whole old time and like drive my car and

0:51:01.960 --> 0:51:04.880
<v Speaker 1>like the Carnival and then like day Jude and the

0:51:04.920 --> 0:51:07.239
<v Speaker 1>whole thing, Like it felt like they were a part

0:51:07.280 --> 0:51:09.640
<v Speaker 1>of it so much because we were with them so much.

0:51:09.760 --> 0:51:12.200
<v Speaker 1>They're just so good. I'm just big fans, and I

0:51:12.320 --> 0:51:16.320
<v Speaker 1>like seeing Alex and listening together and that's and Sergeant

0:51:16.360 --> 0:51:18.400
<v Speaker 1>Pepper's is just so satisfying.

0:51:18.760 --> 0:51:28.400
<v Speaker 2>Yes, hey, Jude, let it be a yeah, solid solid.

0:51:28.120 --> 0:51:31.440
<v Speaker 1>What was to deal with the costumes and let it

0:51:31.480 --> 0:51:35.680
<v Speaker 1>be like sixties?

0:51:37.280 --> 0:51:39.480
<v Speaker 2>Yeah, I think we were going for the sixties look

0:51:39.680 --> 0:51:41.920
<v Speaker 2>that it was more of the time period than anything.

0:51:41.920 --> 0:51:43.640
<v Speaker 1>Little jarring, was it.

0:51:44.120 --> 0:51:45.960
<v Speaker 2>I kind of loved the way everybody looked.

0:51:46.520 --> 0:51:48.440
<v Speaker 1>I think everybody looked great.

0:51:48.840 --> 0:51:59.160
<v Speaker 6>But yeah, yeah for sure, Yeah, yeah, okay, you're ready

0:51:59.160 --> 0:52:00.880
<v Speaker 6>for some TARTI takes.

0:52:01.239 --> 0:52:07.840
<v Speaker 1>Let's do it cringe moments. I am Jenna. You refer

0:52:07.920 --> 0:52:11.480
<v Speaker 1>to Asian just about by every character, but also.

0:52:11.360 --> 0:52:15.560
<v Speaker 2>Free referring to Tina as Kim she.

0:52:17.280 --> 0:52:17.600
<v Speaker 1>Girl.

0:52:19.760 --> 0:52:24.160
<v Speaker 2>I was like, oh it was that whole speech was

0:52:24.200 --> 0:52:31.399
<v Speaker 2>like there was wild Wilde's bres.

0:52:31.080 --> 0:52:34.640
<v Speaker 1>A little terrifying, so bad. Yeah, that was a lot.

0:52:34.840 --> 0:52:38.319
<v Speaker 1>Oh wait, speaking of I do want to point out

0:52:38.360 --> 0:52:40.680
<v Speaker 1>I loved the moment at the end of this episode

0:52:41.160 --> 0:52:46.040
<v Speaker 1>where Nini coach Ross brings brit into Sue's office, the

0:52:46.080 --> 0:52:50.040
<v Speaker 1>principal's office, and it's like, look, she did a great,

0:52:50.480 --> 0:52:58.359
<v Speaker 1>horrible prank, but she does need to be suspended it. Yes, yeah,

0:52:58.400 --> 0:53:02.359
<v Speaker 1>it's crazy. Also, how Sue refers to her is also

0:53:02.520 --> 0:53:04.319
<v Speaker 1>just wow.

0:53:04.480 --> 0:53:10.799
<v Speaker 2>Too much, It's all too much just dance move. There

0:53:10.840 --> 0:53:13.440
<v Speaker 2>wasn't a lot of dancing in this No, there wasn't

0:53:13.480 --> 0:53:14.759
<v Speaker 2>a lot of dancing Like was.

0:53:14.760 --> 0:53:17.560
<v Speaker 1>Get back like were they sort of like doing? They

0:53:17.560 --> 0:53:18.440
<v Speaker 1>were moving the most.

0:53:20.080 --> 0:53:22.560
<v Speaker 2>They were moving the most out of all of our

0:53:22.920 --> 0:53:25.440
<v Speaker 2>our dance our musical members this this episode.

0:53:26.160 --> 0:53:29.520
<v Speaker 1>You know, shout out to the new kids during Sergeant Peppers. Yes,

0:53:29.640 --> 0:53:33.320
<v Speaker 1>fair enough, that was moving. There might have been loosely

0:53:33.760 --> 0:53:39.560
<v Speaker 1>in that choreograph, but they were moving. Uh, best song.

0:53:40.840 --> 0:53:48.200
<v Speaker 2>And here comes the Sun, best rids rop the used

0:53:48.239 --> 0:53:52.080
<v Speaker 2>to stat obviously.

0:53:52.800 --> 0:53:54.640
<v Speaker 1>And the bucket.

0:53:55.000 --> 0:53:57.480
<v Speaker 2>Yeah the bucket, I mean Stone of Brett. I also

0:53:57.600 --> 0:54:03.800
<v Speaker 2>notable for the prop is her majesty poster board that

0:54:03.960 --> 0:54:06.799
<v Speaker 2>they that Dottie was wearing. They gave me that. I

0:54:06.840 --> 0:54:07.400
<v Speaker 2>had that at my.

0:54:07.440 --> 0:54:09.680
<v Speaker 1>House for a while really and then I got rid

0:54:09.719 --> 0:54:11.880
<v Speaker 1>of it. Jenna, speaking of things we had at our

0:54:11.920 --> 0:54:16.759
<v Speaker 1>house for a long time. A little bit ago, I

0:54:16.840 --> 0:54:21.600
<v Speaker 1>went on Elvis Durant show, That's right Morning show, and

0:54:22.360 --> 0:54:26.319
<v Speaker 1>I don't know you avid listeners out there. We had

0:54:26.320 --> 0:54:31.480
<v Speaker 1>a giveaway for Snacks miss two years ago, which included

0:54:31.600 --> 0:54:35.920
<v Speaker 1>a chalkboard with us drawn onto it, and at Elvis

0:54:36.000 --> 0:54:38.400
<v Speaker 1>Durant show, they reminded me that that was from a

0:54:38.480 --> 0:54:41.560
<v Speaker 1>Z one hundred event in New York really early on,

0:54:42.360 --> 0:54:46.480
<v Speaker 1>and they all were like, it got stolen. We don't

0:54:46.520 --> 0:54:50.239
<v Speaker 1>know where it went. And I was like, we have it.

0:54:50.520 --> 0:54:54.400
<v Speaker 1>What I was like Fox, They probably didn't realize Fox

0:54:54.440 --> 0:54:58.360
<v Speaker 1>had probably like asked for it from the radio station

0:54:58.480 --> 0:55:01.279
<v Speaker 1>they had given it to them, like they remembered it.

0:55:01.440 --> 0:55:04.000
<v Speaker 1>And they were like, remember that chalkboard I got stolen.

0:55:04.120 --> 0:55:07.040
<v Speaker 1>I was like, no, it was sitting in my garage

0:55:06.600 --> 0:55:12.120
<v Speaker 1>for decades. Were they shocked? Yeah, kind of like I

0:55:12.200 --> 0:55:15.319
<v Speaker 1>know exactly what you're talking about me because Jenna and

0:55:15.320 --> 0:55:15.839
<v Speaker 1>I were like, we.

0:55:15.800 --> 0:55:17.880
<v Speaker 2>Got to get rid of this. You're like, Jenna, this

0:55:17.960 --> 0:55:23.000
<v Speaker 2>has got to go that's best line the entire Yeast

0:55:23.000 --> 0:55:25.640
<v Speaker 2>of Stack commercial. Yes, hands down.

0:55:26.160 --> 0:55:30.040
<v Speaker 1>But particularly what we were saying, is I like yeast

0:55:30.040 --> 0:55:37.080
<v Speaker 1>in my bagel, not in my muffin. Jenna. That's so

0:55:37.239 --> 0:55:38.640
<v Speaker 1>good performance, MVP.

0:55:38.880 --> 0:55:39.040
<v Speaker 3>Is you.

0:55:39.400 --> 0:55:43.640
<v Speaker 2>There's no my God about it. Thank you, thank you,

0:55:43.719 --> 0:55:45.839
<v Speaker 2>thank you. I appreciate it. I would like to give

0:55:45.880 --> 0:55:50.520
<v Speaker 2>a shot as a little side brushout out to Sam Cord.

0:55:50.760 --> 0:55:51.480
<v Speaker 2>I thought he was great.

0:55:52.320 --> 0:55:56.280
<v Speaker 1>He was, okay, you ready for ship we found on TikTok. Ready,

0:55:58.200 --> 0:56:01.040
<v Speaker 1>I did not know this exists. I still don't eat.

0:56:01.080 --> 0:56:03.719
<v Speaker 1>I need to do some more investigating as someone who

0:56:03.719 --> 0:56:08.640
<v Speaker 1>grew up playing the Sims, love the Sims. Okay. There

0:56:08.719 --> 0:56:12.920
<v Speaker 1>was a four minute clip on Gabby Herman twenty one's

0:56:13.239 --> 0:56:21.120
<v Speaker 1>or Gabby Herman five on TikTok about Glee Sims and

0:56:21.160 --> 0:56:25.239
<v Speaker 1>it is like all these somebody creates this storylines. It's

0:56:25.320 --> 0:56:31.440
<v Speaker 1>all of us. This is crazy. They like us. I

0:56:31.480 --> 0:56:35.799
<v Speaker 1>don't get it. Oh my god. Like I'm very confused

0:56:35.880 --> 0:56:42.759
<v Speaker 1>about Will Schuster looks like a beautiful lady. I am

0:56:42.800 --> 0:56:47.240
<v Speaker 1>just so confused. Entirely made up like storylines and songs

0:56:47.280 --> 0:56:54.880
<v Speaker 1>and things, and this is ridiculous. It's very very weird.

0:56:55.800 --> 0:56:59.879
<v Speaker 2>Okay, all right, do more investigating. But Gabby Herman, thank

0:56:59.920 --> 0:57:00.920
<v Speaker 2>you for posting.

0:57:01.200 --> 0:57:02.839
<v Speaker 1>Was there like a special edition? Was there like an

0:57:02.880 --> 0:57:06.439
<v Speaker 1>expansion pack for Glee? Like what was the deal? Because

0:57:06.440 --> 0:57:11.000
<v Speaker 1>they're also like not speaking Similish, the sim language there speaking.

0:57:11.000 --> 0:57:12.960
<v Speaker 2>I don't know about sim life, So you got to

0:57:12.960 --> 0:57:14.239
<v Speaker 2>figure this out because I don't know.

0:57:14.239 --> 0:57:19.840
<v Speaker 1>I like to talk so much. I I'm just so confused.

0:57:19.840 --> 0:57:22.959
<v Speaker 1>And I also feel like I missed out on something. Yeah, yeah,

0:57:23.080 --> 0:57:25.919
<v Speaker 1>I get that. But it's great and I very much

0:57:26.080 --> 0:57:27.040
<v Speaker 1>enjoyed watching this.

0:57:27.600 --> 0:57:31.400
<v Speaker 2>Well, thanks for posting. And that is the end of

0:57:31.400 --> 0:57:37.280
<v Speaker 2>our Beatles run. And next week we have a special episode.

0:57:38.120 --> 0:57:43.000
<v Speaker 2>We will not be recapping the Quarterback for some obvious reasons.

0:57:43.240 --> 0:57:45.280
<v Speaker 2>We will get into it, but we do have an

0:57:45.280 --> 0:57:48.880
<v Speaker 2>episode for you and it will be special. So I

0:57:48.920 --> 0:57:52.160
<v Speaker 2>hope you tune in. And that's what we did.

0:57:52.400 --> 0:57:55.800
<v Speaker 1>See you. Thanks for listening and follow us on Instagram

0:57:56.120 --> 0:57:58.520
<v Speaker 1>at and that's what you really miss pod. Make sure

0:57:58.520 --> 0:58:00.640
<v Speaker 1>to write us a review and leave us five stars.

0:58:00.840 --> 0:58:01.520
<v Speaker 1>See you next time.