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Speaker 1: And that's what you really missed with Jenna and Kevin

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Speaker 1: An iHeartRadio podcast.

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Speaker 2: Welcome to You, and That's what you really miss Podcast

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Speaker 2: Beatles Part two.

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Speaker 1: Jenna, this is your time, this is your moment in

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Speaker 1: the sun. You have an episode named after you. I

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Speaker 1: know that was huge. You deserve it.

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Speaker 2: Thanks, you know. When it showed up on our doorstep,

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Speaker 2: I remember being like drawn to the floor. I was like,

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Speaker 2: what is this?

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Speaker 1: Very exciting?

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Speaker 2: I was very honored to have a tribute episode as

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Speaker 2: big as the Beatles and have a feature if you will.

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Speaker 2: This is season five episode two, Tina in the Sky

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Speaker 2: with Diamonds.

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Speaker 1: That's right. Ugh, it's wild. It's sort of like a

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Speaker 1: Tina's great as hits. It's like they have built up,

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Speaker 1: the writers have built up these things with Tina over

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Speaker 1: four seasons. You're gonna sort of get to go through

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Speaker 1: all of them in this episode. Score to some of

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Speaker 1: the most famous music of all time, right right.

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Speaker 2: I have lots of fun memories from this episode and

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Speaker 2: it sticks out much more in my mind than the

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Speaker 2: first one, part one of Fiel's season five episode one.

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Speaker 1: This episode originally aired October third, twenty thirteen.

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Speaker 2: Wrecking Ball was still number one.

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Speaker 1: Yes, thank god, I know.

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Speaker 2: And there's a different movie, Clottie with a Chance of

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Speaker 2: me Balls the sequel. I haven't seen either.

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Speaker 1: I saw the first one. It looks fun.

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Speaker 2: You know what, I'll probably revisit this at some point

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Speaker 2: with my kids.

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Speaker 1: Kids plural.

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Speaker 2: That's terrifying. That means I'm actually old.

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Speaker 1: Look on your face, that s just escape your mouth

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Speaker 1: and you didn't know what to do.

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Speaker 2: I think it's the first time I've ever heard I

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Speaker 2: said it, and I heard it out loud.

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Speaker 1: Why does that feel so real? Like I've seen you pregnant,

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Speaker 1: oh my gosh, physically pregnant a couple of weeks ago.

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Speaker 1: But you were saying kids plural.

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Speaker 2: Well, it's like it's like Heather, it's hard to even

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Speaker 2: comprehend that she has two grown kids now, Like it's

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Speaker 2: very weird. Yeah, it's a very hard concept to wrap

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Speaker 2: my head around, like two children.

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Speaker 1: I just can't believe it.

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Speaker 2: Okay, anyway, sorry, wow, oh god.

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Speaker 1: I got like nervous. It's not real. It's not real, okay.

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Speaker 1: Glee News.

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Speaker 2: This week October first, Glee the complete fourth season was

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Speaker 2: released SUNDYVD, featuring all twenty two episodes of season four

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Speaker 2: on six six discs, remember that.

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Speaker 1: Jesus, Oh my god. So this episode was directed and

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Speaker 1: written by the one only Ian Brittan. Here we are

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Speaker 1: again keeping it in the fan. We have an iconic

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Speaker 1: guest star coming on the show. Demi Levado makes her

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Speaker 1: first appearance.

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Speaker 2: Well, and also, Kevin, you go way back with Demi,

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Speaker 2: so like, this was something so crazy for you. I

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Speaker 2: know you had mentioned in an episode earlier, like she

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Speaker 2: texted you and was like, I texted her, Oh, you

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Speaker 2: texted her because she.

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Speaker 1: Didn't let me know she was meeting with Ryan and Kelly.

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Speaker 1: Being a good friend he is, ratted them out to me.

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Speaker 2: Well, she's great in this and I love them together

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Speaker 2: and we love Demi.

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Speaker 1: Yeah, Demi is great. I've known Demi since she was

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Speaker 1: nine years old, and it was just very surreal to

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Speaker 1: have her around and on set and like get to

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Speaker 1: hang out with her and just be like, Hey, this

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Speaker 1: is my old friend Demi who still live with me

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Speaker 1: when she first came to California and has become a

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Speaker 1: worldwide superstar. Do you remember watching this episode. I remember

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Speaker 1: Demi came to the screening at lunch this episode aired. Yes,

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Speaker 1: oh fun, I don't remember that. I remember looking over

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Speaker 1: at her when Here Comes the Sun was going on,

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Speaker 1: and I was like, oh my, because Demi's vibrato is

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Speaker 1: one of my favorite things in the world. Her voice period,

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Speaker 1: her voice is so dumb, and I just remember, like

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Speaker 1: her verbrado's in like full force and here comes the

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Speaker 1: Sun in all the best ways. I just remembering, Demmy,

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Speaker 1: what is wrong with you that your verbrato is so good?

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Speaker 1: And she was so humble and like no, no, no.

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Speaker 1: I was like, no, girl, yes, this is good. You

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Speaker 1: are so good. So excited for more Demi and a

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Speaker 1: good actor. Oh yeah great. Also her documentary is great.

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Speaker 3: Yeah, she's just like stupidly talented and yeah, and you

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Speaker 3: said that from the beginning, like when you we're like

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Speaker 3: she's people like even she's underrated a little bit, Yeah

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Speaker 3: in some ways, And I think like this was the

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Speaker 3: that's the perfect person to have on this type of show.

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Speaker 2: She's like the ultimately guest star ultimate too. Yeah, like

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Speaker 2: really fits the vibe.

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Speaker 1: Like watching it, I was like, it feels like she's

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Speaker 1: been there this whole time, hanging out on set. It

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Speaker 1: also is like I know her and Iyad like would

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Speaker 1: absolutely get along. It was like very much like we're

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Speaker 1: gonna have this is a good time. And I think

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Speaker 1: it was a big deal for her to be playing

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Speaker 1: lesbian on TV. They share a kiss in this episode,

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Speaker 1: like it was Yeah, I think it was a really

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Speaker 1: monumental and like lucky for us that she, you know,

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Speaker 1: came on the show. And I don't know how it happened.

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Speaker 1: We have to try to get her on here to ask, like, yeah,

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Speaker 1: synthesis of all of that.

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Speaker 2: But another guest star was also Phoebe Stroll who plays

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Speaker 2: Penny Owen, who is a friend of mine who we

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Speaker 2: all did Spring Awakening with. So Phoebe is great. Her

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Speaker 2: dog Penny, who's this cute little Pomeranian who I'm not

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Speaker 2: sure is around anymore. But I thought that was funny

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Speaker 2: that her character name was Penny. It was lovely to

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Speaker 2: have her, and she's great and she was always one

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Speaker 2: of the best actresses in the show in Spring Wakening,

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Speaker 2: so obviously and she did you know, she was in

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Speaker 2: Pitch Perfect and all these great little cameos and things,

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Speaker 2: and she's wonderful, So.

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Speaker 1: That was great. It was so cool also to like

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Speaker 1: see her on the show where we met most of

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Speaker 1: all the Spring Awakening people really early on in the

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Speaker 1: process for some reason, right right, Yes, they were around

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Speaker 1: their visiting la I don't know. Yeah, yeah, And so

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Speaker 1: it was really nice because she was just one of

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Speaker 1: the nicest humans.

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Speaker 2: Well, hopefully we'll get her on the show as well

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Speaker 2: so we can talk about it. I forgot like her.

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Speaker 2: He you know, big relationship with Sam. It's so cute.

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Speaker 1: It's so cute and really again, like Corn has chemistry

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Speaker 1: with She's so extremely charming. Yeah, she's and like really

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Speaker 1: good at playing not that bright.

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Speaker 2: Yes, totally, and she's very smart, that's the thing. And

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Speaker 2: we also get a lot of Pamela chan this this

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Speaker 2: week is DOTTIEKSATORI who sweet Dottie. I'm so sorry. It

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Speaker 2: just feels so bad. Tina just is a tyrant and

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Speaker 2: treats her like crap.

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Speaker 1: It's all right, Dotty gets her revenge this week. She does.

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Speaker 1: She does uh okay. The music in this episode it's good,

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Speaker 1: it's very good. Yeah. We have get Back performed by

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Speaker 1: Curt and Rachel.

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Speaker 2: Something performer Sam which you can write her.

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Speaker 1: Here Comes the Sun by Danny and Sam, Tanna.

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Speaker 2: Sergeant Pepper's the Only Hearts Club band by Jake Marley

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Speaker 2: Ryder and Unique at prom.

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Speaker 1: Hey Jude by the new directions and then it beat

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Speaker 1: by the directions as well. Do you remember this is

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Speaker 1: like Thriller two point zero for me? So let it be?

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Speaker 1: Was my audition song for Glee, right, I have a

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Speaker 1: tattooed on my body, simpley. I wasn't really singing in

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Speaker 1: it when we first got the first breakdown of the song,

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Speaker 1: and I was like, excuse me, really, yes, I was like, hey, guys,

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Speaker 1: so I don't know if you remember this, but remember

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Speaker 1: when I sang the song in the audition. It would

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Speaker 1: really be a lot to me. I could just sing

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Speaker 1: something on this song. And so they did me a

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Speaker 1: solid and they threw me. They changed it, okay, And

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Speaker 1: you and I have sung that song many times together

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Speaker 1: events around the world. Yeah, And so that always has

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Speaker 1: like a special place for us and special meaning because

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Speaker 1: we did that song before it was on the show,

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Speaker 1: and it was just like his song is ingrained into

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Speaker 1: like the DNA of the behind the scenes DNA of

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Speaker 1: Glee for us, and like, can can we be on

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Speaker 1: it together? Hey? You guys please?

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Speaker 2: And then there's a really a song called Revolution that's

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Speaker 2: performed by Tina, which is another song that she doesn't

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Speaker 2: get to sing the whole thing, and no there was

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Speaker 2: not a full recording, and no I didn't get to

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Speaker 2: do the whole thing.

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Speaker 1: And did you hate that? Because as a viewer it

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Speaker 1: was so satisfying.

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Speaker 2: I actually didn't care because I had so much else

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Speaker 2: in this episode.

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Speaker 1: It felt like a part of the plot.

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Speaker 2: It didn't feel like being short getting the short out

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Speaker 2: of the stick again like.

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Speaker 1: A whole episode. This is this is a cake.

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Speaker 2: I love this and also it's not one of my

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Speaker 2: favorite Beatles songs, to be honest, And I was like

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Speaker 2: great in and out of the studio in probably fifteen minutes.

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Speaker 2: So it was fine. But I appreciate the support it

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Speaker 2: was and I'm glad it was satisfying because it did

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Speaker 2: its job. It had to happen in order for us

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Speaker 2: to get to hey Jude and let that work.

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Speaker 4: You know.

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Speaker 1: It's just there's not a lot of characters who have

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Speaker 1: a running joke, like a standing joke for now five

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Speaker 1: seasons totally, and so it's really nice that they just

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Speaker 1: keep leaning into it.

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Speaker 3: Now.

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Speaker 2: Yeah, yeah, yeah, it's her thing. Joys will always be

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Speaker 2: her thing, though there's a lot of fun facts. So

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Speaker 2: this is the third time that the second episode of

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Speaker 2: the season is a t the first being Brittany Britney,

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Speaker 2: second being Britney two point oh.

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Speaker 1: This is the second time glea hastributed an artist or

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Speaker 1: band twice in separate episodes. The first time was the

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Speaker 1: aforementioned Britney Spears tributes with Brittany Britney and Britney two

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Speaker 1: point zero.

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Speaker 2: Of course, this is also the second time the Glee

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Speaker 2: has done two tributes consecutively, the first being Saturday Night

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Speaker 2: Gleaver and Dance with Somebody.

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Speaker 1: This episode marks a debut of Jimmy Levado.

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Speaker 2: This is a third episode where all the members of

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Speaker 2: New Direction present in the episode have a solo versus

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Speaker 2: the pilot, and the second is Britney two point oh.

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Speaker 1: Wow. Wow Wow, I love that fun fact. Wow Wow.

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Speaker 1: Much of the confrontation between Kitty and Brie Overtina's campaign

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Speaker 1: for prom queen was loosely paraphrased from a University of

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Speaker 1: Maryland sorority girls real email marant to her sisters about

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Speaker 1: their contact during Greek Week, which went viral after being

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Speaker 1: leaked on social media. What I didn't know that?

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Speaker 2: And then Tina's prom queen slushie moment is inspired of

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Speaker 2: course by the nineteen seventy six horror movie Carrie.

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Speaker 1: Which just announced is being made into a limited series.

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Speaker 1: Really yeah, Phoebe Stroll, as we said, who plays Penny,

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Speaker 1: wasn't Spring Awakening? Just like Jenna, Leah and Jonathan.

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Speaker 2: This is the second prom to have the senior class

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Speaker 2: president as a candidate for prom.

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Speaker 1: King. Melissa and Peter Fraschinelli were both in Supergirl on

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Speaker 1: the CW and Kevin.

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Speaker 2: Auditioned Forgley with Let it Be, of Course and sings

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Speaker 2: it in this episode after some advocating for himself.

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Speaker 1: And it's still it's either my mom or my dad's

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Speaker 1: ring tone. Still, it's really embarrassing.

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Speaker 2: You're like you singing it. Yes, my dad does that sometimes.

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Speaker 2: I don't know if he still does. But I'm glad

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Speaker 2: that I don't hear it.

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Speaker 1: Oh God, that's so I know. I get it. It's cringe. Okay,

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Speaker 1: are you ready for the submarine? I'm ready. The summary's

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Speaker 1: got longer. As Beatlemania continues at McKinley, it's time for

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Speaker 1: the students to for prom Queen and King. When Tina

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Speaker 1: receives a nomination, she takes on a fierce attitude that's

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Speaker 1: putting it nicely that alienates her biggest supporters. Meanwhile, Rachel

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Speaker 1: adjusts to a new attitude of her own, and she

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Speaker 1: and Santana work at a Broadway diner to make ends meet.

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Speaker 2: Also, the fact that everybody still is behind Tina and

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Speaker 2: supportive of her when she's acting like that really says

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Speaker 2: a lot about you guys, because I was like, what

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Speaker 2: is wrong with me?

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Speaker 1: I think everybody acknowledges that Tina gets shit on has

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Speaker 1: for a long time. I was like, you know what,

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Speaker 1: just give it to her. The context here makes sense

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Speaker 1: of she's acting in a little wild we get it.

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Speaker 1: We gotta love her. Yeah, this is who she is.

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Speaker 1: If you don't love me at my worst, than he

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Speaker 1: dund and screw off, don't deserve me at my best.

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Speaker 1: So yeah, yeah, for sure. You know all right, where

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Speaker 1: do we be?

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Speaker 2: Well?

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Speaker 1: Prom is here? Yeah, sue now as interim principal announces

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Speaker 1: they're having a Brundle prom, which the setup of the

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Speaker 1: joke to where people in the choir room are like

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Speaker 1: a couple of things. One, you guys, why are their

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Speaker 1: announcements during Yeah, we're not. It's an after school program

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Speaker 1: we've established, But I don't think they were aware of

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Speaker 1: that anyway, and then the joke of like what the

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Speaker 1: reference was from, like going around in the glee club.

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Speaker 1: It's like, that's been a couple of times now where

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Speaker 1: there's been references to like eighties seventies TV shows or movies,

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Speaker 1: and we have to explain it because the kids, the

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Speaker 1: kids don't get it. Yeah, yeah, for sure, and by

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Speaker 1: kids that mean me silver. Yes. So we get nominees.

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Speaker 1: The prom king nominees are playing Muhammad Omar Aladians Dinner Brett,

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Speaker 1: and prom Queen nominees are Kiddy, Amy Ryan and Jordan

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Speaker 1: Stern and Tina.

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Speaker 2: Oh my god, shocker, that's hard to believe that she

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Speaker 2: got the nomination. But okay, maybe Dottie was, you know,

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Speaker 2: fixing the votes. Yeah, yeah, yeah, she's throwing ballots in there.

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Speaker 2: And then last week in Beale's Part one where the

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Speaker 2: boys performed for Tina to like get her out of

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Speaker 2: her bitter, lonely stupor Sam, she picked Sam to go

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Speaker 2: as her prom date and Sam's like, awesome, well, then

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Speaker 2: I have a chance at prom king and I'll go

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Speaker 2: with Tina. And then Tina, which again just acting out

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Speaker 2: of whack, drops Sam as a date and decides to

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Speaker 2: go with a group of single gals to like win

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Speaker 2: over the Wallflower vote. So she's like once again poo

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Speaker 2: pooing on her friends who are supporting her.

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Speaker 1: But we do know as an audience viewer audience member

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Speaker 1: that Sam also wished he was going with someone. He

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Speaker 1: actually had to cry Sean because it's his last prom,

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Speaker 1: so we know that he actually was hoping to not

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Speaker 1: go with Tina.

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Speaker 2: Right, He's like, I didn't even think she was hot anyway,

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Speaker 2: So like, why am I going with her? I was

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Speaker 2: just really nice. It works out for everybody.

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Speaker 1: Yeah, you're both being a little awful and that's fine.

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Speaker 1: Yeah whatever, that's gleat. Also, like who are both of

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Speaker 1: you to turn down? You're both hot, Like why are

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Speaker 1: you turning each other down?

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Speaker 2: Don't worry, there's an epic hookup that's coming between Tina

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Speaker 2: and Sam that we will talk about. That is the

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Speaker 2: most disgusting thing that Kork still plays to this day

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Speaker 2: in front of my husband. It's disgusting. It's actually disgusting.

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Speaker 2: I was laughing and throwing up through it. It's absolutely jarring.

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Speaker 2: Don't worry, we'll get there.

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Speaker 1: Wait, he plays it in front of David No.

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Speaker 2: I don't think he's ever played in front of David,

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Speaker 2: but he plays it whenever he gets a chance, like

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Speaker 2: whenever I see him, he like holds it up on

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Speaker 2: his phone like remember this, And of course I brained

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Speaker 2: in my brain forever. Although that was a really fun episode,

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Speaker 2: but that part was gnarly early.

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Speaker 1: He sent me, I think at the video of Video

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Speaker 1: Village of like a take of you guys making out,

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Speaker 1: and it was like the gnarliest one was so gross.

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Speaker 2: Oh God, Okay, let's talk about Sam for a second.

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Speaker 1: Sam is not nominated for prompt King, but was excited

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Speaker 1: because I'm going with someone who's nominated for promp Queen you,

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Speaker 1: but then promptly gets dumped. But then super Vaxer Sue Sylvester,

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Speaker 1: which I felt like knowing what happened in the world

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Speaker 1: shortly after the show was off the air, surprising that

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Speaker 1: Sue was into vaccines because it sort of seems like

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Speaker 1: something she wouldn't be into, and Sam's the first one.

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Speaker 1: She wants everyone to get vaccinated. And Sam goes to

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Speaker 1: the nurse's office and meets Penny Penny Owens, sweet sweet,

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Speaker 1: stupid nurse. She was. She's a college sophomore yeah.

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Speaker 2: And she's like an intern exit like just there. And

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Speaker 2: she mixed up the vaccination or the shot and the

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Speaker 2: urine sample, so she shot the eurin in somebody and

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Speaker 2: so it's not been great for her. And you know what,

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Speaker 2: this is the perfect match for Sam.

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Speaker 1: It really is. They are like two.

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Speaker 2: Meetings of the minds that like make sense. So Sam

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Speaker 2: essentially figures out ways and excuses to go see Penny

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Speaker 2: at all times. Like he bites himself and pretends it's

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Speaker 2: a snake bite and is it you and Blaine that

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Speaker 2: are like, is that a human bite? And then he

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Speaker 2: like what else did he go for his hangnail? To

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Speaker 2: get abandoned for his hangnail? But they're very cute and

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Speaker 2: it's very charming and uh and and Penny gets Penny

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Speaker 2: gets fired by Sue, and so Sam convinces Sue not

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Speaker 2: to fire her.

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Speaker 1: My only wish is that we got to work with

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Speaker 1: Phoebe Moore.

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Speaker 2: No, I know, I feel like we hung out with

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Speaker 2: her a lot, though, like I remember hanging out with

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Speaker 2: Phoebe on set a lot. Maybe it was like around

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Speaker 2: the prom time, because we did prom for a couple

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Speaker 2: of days. We did prom for a couple of days,

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Speaker 2: And normally with Eric Stultz doing prompt it's usually like

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Speaker 2: one day. But I feel like we did prom for

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Speaker 2: a couple of days this time, don't you agree?

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Speaker 1: Yes?

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Speaker 2: Okay, okay. There was a lot at problem That's why.

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Speaker 2: Also it wasn't just like it was like a lot

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Speaker 2: at prom.

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Speaker 1: And there was a lot of pieces where some of

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Speaker 1: the past proms it's like you film the number, like

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Speaker 1: Sergeant's Sergeant Pepper's on the Heart Club band like that

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Speaker 1: was sort of like traditional prom, like you film a number,

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Speaker 1: but there's like half a number later on here. And

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Speaker 1: then there's all the Phoebean chord stuff and prom king

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Speaker 1: prom queen stuff and the whole setup with the slushy.

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Speaker 1: So there's all these different pieces that are added on

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Speaker 1: that we don't normally have. Yes, And also I think

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Speaker 1: this was Ian's first prom to direct. Yes Yes, which

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Speaker 1: I think there's also like probably some sort of learning curve.

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Speaker 1: There are big days, really big days.

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Speaker 2: Eric Stultz was known for like always making his days

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Speaker 2: always like two three takes. Ian was a longer take

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Speaker 2: kind of guy a director. He liked more takes, he

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Speaker 2: liked more options. He also was like giving rewrites and

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Speaker 2: things because he.

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Speaker 1: Could, you know what I mean?

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Speaker 2: So it was a little bit of a different vibe.

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Speaker 2: Prom definitely took a little bit longer. I often get

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Speaker 2: Ian for Tina's big episodes. You really do like props.

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Speaker 1: Was Ian and this is Ian? It's great.

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Speaker 2: I love working with Ian, so of course, like what

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Speaker 2: did I love that?

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Speaker 1: I mean? Also like who knows you better than like Brad,

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Speaker 1: Ryan or Ian? Especially Ian, like we hung out again

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Speaker 1: all the time. When you're working with someone like that,

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Speaker 1: is there do you think there's like a subconscious freedom

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Speaker 1: or like trust and knowing like we know him well

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Speaker 1: outside of work and coming into work. He's obviously helped

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Speaker 1: create these characters in the beginning, Like is there a

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Speaker 1: sort of like I don't know, play trust there that

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Speaker 1: you may not have with other directors.

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Speaker 2: Yes, inherently, Well, it's different because Eric Stilts, like with

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Speaker 2: the director like Eric Stilts, who becomes familiar, who knows

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Speaker 2: us really well but hasn't written the characters, there's a

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Speaker 2: freedom that you're figuring it out together almost, whereas there's

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Speaker 2: a different kind of freedom with Ian, Brad and Ryan,

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Speaker 2: where like with Ryan's like go to twelve, you go

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Speaker 2: to twelve and you trust him because.

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Speaker 1: It's gonna work.

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Speaker 2: Right with Ian and Brad, they also know these characters

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Speaker 2: as well as you do, so there's a different kind

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Speaker 2: of It's like it's just gonna work. You have to

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Speaker 2: trust me, and I do. Like, uh, there's a different

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Speaker 2: kind of trust because they know the characters well and

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Speaker 2: sometimes better that you're like, okay, great, like I know

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Speaker 2: it's gonna work.

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Speaker 1: Don't work. It's like a different box to play in, Like, yes,

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Speaker 1: it's nice to have parameters, like you know, the confines

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Speaker 1: in which you can play. But yeah, I think you're

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Speaker 1: like working with someone like Stults, there's one box and

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Speaker 1: working with the other three different box but you're still

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Speaker 1: in a box which totally big. It's a big box

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Speaker 1: with a lot of freedom. Yeah, I'm saying boxes like

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Speaker 1: as a compliment, like yes, yes, there is no box.

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Speaker 1: You have no direction, nowhere to go. That's a scary

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Speaker 1: place to be.

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Speaker 2: Yes, you don't want no no boundaries and Sam seeing

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Speaker 2: something and it's.

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Speaker 1: So good and it's so funny in the spotlight.

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Speaker 2: And the Heimlich maneuver, and then also was this this

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Speaker 2: is the episode where Chord does his Denzel impression?

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Speaker 1: Right?

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Speaker 2: How is this this one or last episode that it's

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Speaker 2: this one.

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Speaker 1: Yeah, and it's it is. I forgot about this impression.

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Speaker 1: I did too, because this is not what he does,

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Speaker 1: and it's very good. Often, it's so good.

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Speaker 2: And I almost took a screen video of me watching

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Speaker 2: the show to send a chord because it's so good.

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Speaker 2: It's so funny. Why is he so good at that texting?

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Speaker 1: Right now?

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Speaker 2: It's really good, sweet sweet chord. Gosh, it's such a

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Speaker 2: joy to watch him on screen. And he's so free.

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Speaker 2: If you will, this is our word of the episode.

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Speaker 2: He's very free.

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Speaker 1: I noticed that this season, and I don't know if

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Speaker 1: it's because of what's going on in I r L right,

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Speaker 1: but there is this sort of like punchiness to him

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Speaker 1: the past, these first two episodes so far, where like

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Speaker 1: he's really going for it. Yes, and I love it.

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Speaker 2: Yeah, No, no, for sure. And also maybe it's his

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Speaker 2: hair because he's it's growing.

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Speaker 1: It works. I like it. I'm into it. Yeah, I'm

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Speaker 1: I don't know. I don't know.

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Speaker 2: I like his hair shorter, but it's okay, I'll take

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Speaker 2: it. It's going to go away at some point.

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Speaker 1: Is this the one?

436
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Speaker 2: Is this the season where he does the Christmas Mouse

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Speaker 2: and that his hair is this long. I think so

438
00:24:45,480 --> 00:24:48,479
Speaker 2: Christmas Mouse, I think so all these things are like

439
00:24:48,720 --> 00:24:49,840
Speaker 2: ingrained in my mind's text.

440
00:24:50,160 --> 00:24:53,640
Speaker 1: And he's like, when did you hear it?

441
00:24:53,840 --> 00:24:56,160
Speaker 2: Oh my god, you do it on the show. Cord

442
00:24:56,440 --> 00:24:59,840
Speaker 2: See always have really bad memory. No, he also had

443
00:24:59,880 --> 00:25:01,960
Speaker 2: to to learn and like come up with so many

444
00:25:02,000 --> 00:25:05,600
Speaker 2: different impressions. Well, that's one of the funny things he

445
00:25:05,640 --> 00:25:08,520
Speaker 2: would say, is like they just write in these impressions,

446
00:25:08,560 --> 00:25:10,720
Speaker 2: but they're not ones that like we're in his bag

447
00:25:10,760 --> 00:25:13,520
Speaker 2: of tricks necessarily, but like he's still good at it.

448
00:25:13,680 --> 00:25:16,040
Speaker 2: He still can do them. It's so impressive. I think

449
00:25:16,200 --> 00:25:19,159
Speaker 2: now I now do impressions like this. It's why I

450
00:25:19,160 --> 00:25:20,919
Speaker 2: always thought he was gonna end up on SNL at

451
00:25:20,960 --> 00:25:23,960
Speaker 2: some point, because like, his impressions are so good. But

452
00:25:24,680 --> 00:25:27,760
Speaker 2: I mean, obviously there's a bigger skill to SNL than

453
00:25:27,920 --> 00:25:31,879
Speaker 2: just impressions, but some people are just Chord is one

454
00:25:31,920 --> 00:25:35,240
Speaker 2: of the best impressionists I've ever met. Yeah, and then

455
00:25:35,280 --> 00:25:40,680
Speaker 2: they dance and it's cute and they're charming at prom

456
00:25:40,720 --> 00:25:42,200
Speaker 2: and we love them and we.

457
00:25:42,200 --> 00:25:54,880
Speaker 1: Just love Phoebe Stroll and Cordover Street. I do think,

458
00:25:54,960 --> 00:25:56,640
Speaker 1: you know, we were saying last episode it really felt

459
00:25:56,680 --> 00:26:01,760
Speaker 1: like the songs were determining everything else. This one feels

460
00:26:03,119 --> 00:26:05,840
Speaker 1: less like that, Yes, more plot driven, and so like

461
00:26:05,920 --> 00:26:09,320
Speaker 1: when something comes up, it feels really nice and it

462
00:26:09,320 --> 00:26:12,720
Speaker 1: feels really sweet that Like, also, how do we feel

463
00:26:12,760 --> 00:26:16,040
Speaker 1: about a student having a crush on.

464
00:26:17,160 --> 00:26:21,080
Speaker 2: I feel like because she's an intern and she's as

465
00:26:21,200 --> 00:26:23,359
Speaker 2: almost as young as he is. Like there, she's a

466
00:26:23,359 --> 00:26:25,600
Speaker 2: sophomore in college and he's a senior in high school.

467
00:26:25,840 --> 00:26:28,480
Speaker 1: Like yeah, and they don't do anything like nefarious.

468
00:26:28,800 --> 00:26:30,840
Speaker 2: Yeah, no, no, I think it's totally fine.

469
00:26:31,520 --> 00:26:34,280
Speaker 1: Yeah, because to me, I was like, this works really well. Fine,

470
00:26:34,320 --> 00:26:35,840
Speaker 1: I'm not sure that's okay.

471
00:26:36,160 --> 00:26:38,840
Speaker 2: Yeah, yeah, I didn't. I didn't see any issues with that.

472
00:26:39,840 --> 00:26:44,399
Speaker 2: All right, So Santana and Rachel are still working at

473
00:26:44,440 --> 00:26:50,000
Speaker 2: the diner, and now Kurt, oh, I know Kurt Kurt,

474
00:26:50,400 --> 00:26:53,000
Speaker 2: which I love. I do love it. They're all there.

475
00:26:53,480 --> 00:26:55,639
Speaker 1: You just put them in there, you know, yeah, like

476
00:26:55,720 --> 00:26:58,719
Speaker 1: why not? And it makes sense too, Like I buy it.

477
00:26:58,960 --> 00:27:01,399
Speaker 2: Yeah, the only jobs. You're like, how do you afford

478
00:27:01,400 --> 00:27:03,560
Speaker 2: the very large permit? And they do.

479
00:27:03,680 --> 00:27:08,359
Speaker 1: Curt and Rachel do get back very cute, nia, very cute,

480
00:27:09,160 --> 00:27:09,920
Speaker 1: very very cute.

481
00:27:10,520 --> 00:27:14,760
Speaker 2: More importantly, though, there's a there's a love of a

482
00:27:14,800 --> 00:27:20,240
Speaker 2: budding love story happening at the diner with somebody new.

483
00:27:20,720 --> 00:27:25,560
Speaker 2: And then there's also Santana's Gotten a commercial.

484
00:27:26,119 --> 00:27:33,120
Speaker 1: Oh my god, I had forgotten about this that Sean

485
00:27:33,200 --> 00:27:38,359
Speaker 1: said it was in this episode. But it's so good though.

486
00:27:38,520 --> 00:27:42,000
Speaker 1: It's so good. I remember seeing Ian today after they

487
00:27:42,040 --> 00:27:44,320
Speaker 1: shot it, uh huh and talking to it and he

488
00:27:44,440 --> 00:27:45,760
Speaker 1: was like, it's so good.

489
00:27:46,080 --> 00:27:50,760
Speaker 2: He showed yes, well, they shot it on the lot,

490
00:27:51,080 --> 00:27:53,400
Speaker 2: like all the front of her house with the bubbles

491
00:27:53,520 --> 00:27:56,800
Speaker 2: is actually like on Paramount in the front of the offices,

492
00:27:57,680 --> 00:27:58,680
Speaker 2: and it is so.

493
00:28:00,200 --> 00:28:00,440
Speaker 1: Good.

494
00:28:00,560 --> 00:28:06,000
Speaker 2: She can make anything work. She truly makes anything work.

495
00:28:05,920 --> 00:28:08,679
Speaker 1: Like she's almost too good in it.

496
00:28:08,680 --> 00:28:14,159
Speaker 2: It's so funny in the yard and the muffin being like,

497
00:28:14,240 --> 00:28:16,480
Speaker 2: I like east in my what is at least in my.

498
00:28:18,280 --> 00:28:21,720
Speaker 1: Bagel not in my muffin? And the beating of bagel?

499
00:28:22,040 --> 00:28:24,040
Speaker 1: Are you kidding? Of the episode?

500
00:28:24,160 --> 00:28:26,320
Speaker 2: I was actually shocked that that made it in.

501
00:28:28,320 --> 00:28:31,160
Speaker 1: It was exactly our brand of humor, like in real

502
00:28:31,200 --> 00:28:33,600
Speaker 1: life with Ian and everybody, like that was exactly And

503
00:28:33,720 --> 00:28:35,639
Speaker 1: I think that's also the like the tone of the

504
00:28:35,640 --> 00:28:38,560
Speaker 1: show when it started like that is sort of like

505
00:28:38,600 --> 00:28:41,880
Speaker 1: the cutting like yeah, we're gonna say some wild ship

506
00:28:41,960 --> 00:28:45,440
Speaker 1: on the show, and I just as good as like

507
00:28:45,560 --> 00:28:50,760
Speaker 1: Nya is at being a dramatic actor. The comedy. The

508
00:28:50,800 --> 00:28:52,320
Speaker 1: comedy is just as good.

509
00:28:53,320 --> 00:28:57,120
Speaker 2: And it's so unassuming and and she throws it away,

510
00:28:57,200 --> 00:28:58,800
Speaker 2: but it's so good you can't miss it.

511
00:28:59,560 --> 00:29:03,080
Speaker 1: No, she's perfect the balance of like you're saying these

512
00:29:03,120 --> 00:29:05,320
Speaker 1: crazy things, but you're not giving into it, like you're

513
00:29:05,360 --> 00:29:08,600
Speaker 1: not letting the craziness dictate, like look, how crazy I'm

514
00:29:08,720 --> 00:29:09,680
Speaker 1: being right.

515
00:29:09,680 --> 00:29:11,920
Speaker 2: Right, She's just doing it. Oh God, she's so.

516
00:29:11,840 --> 00:29:13,640
Speaker 1: Good in real life. Do you remember she also had

517
00:29:13,640 --> 00:29:16,520
Speaker 1: like a proactive commercial and she also had an eminem

518
00:29:16,560 --> 00:29:20,200
Speaker 1: super Bowl commercial going on, So it was like she

519
00:29:20,240 --> 00:29:22,520
Speaker 1: had been doing this in real life, getting these endorsement

520
00:29:22,560 --> 00:29:26,320
Speaker 1: deals and get her on the show. Yeah yeah, yeah,

521
00:29:26,360 --> 00:29:28,200
Speaker 1: yeah exactly, and it was just like, yeah, she's the

522
00:29:28,280 --> 00:29:31,440
Speaker 1: queen of like walking around and saying and selling.

523
00:29:31,920 --> 00:29:34,920
Speaker 2: And she'll like shamelessly like we'll just do it.

524
00:29:35,240 --> 00:29:35,720
Speaker 1: So good.

525
00:29:36,120 --> 00:29:40,880
Speaker 2: So Santana tells Rachel that she's gotten commercial, and Rachel

526
00:29:41,240 --> 00:29:43,640
Speaker 2: has assumed that she has not gotten Funny Girl at

527
00:29:43,640 --> 00:29:47,720
Speaker 2: this point, and so is reading backstage and looking for

528
00:29:47,760 --> 00:29:51,960
Speaker 2: all these crazy auditions and is is definitely jealous of

529
00:29:52,040 --> 00:29:54,680
Speaker 2: Santana's U Sister commercial, even though she says she's not,

530
00:29:54,880 --> 00:29:59,960
Speaker 2: she's very happy. I have to say, like, for how

531
00:30:00,000 --> 00:30:04,600
Speaker 2: Oh Green and New they are obviously Rachel's very talented

532
00:30:04,680 --> 00:30:07,800
Speaker 2: and auditioning for Broadway already and getting to final callbacks.

533
00:30:07,840 --> 00:30:11,480
Speaker 2: Like all the things that she said and named like

534
00:30:11,560 --> 00:30:16,680
Speaker 2: community theater and like regional theater. I'm like, girl, this

535
00:30:16,760 --> 00:30:22,160
Speaker 2: is the real life. That's where the difference of Glee came,

536
00:30:22,360 --> 00:30:25,840
Speaker 2: where like the reality was so detached from what was

537
00:30:25,880 --> 00:30:30,360
Speaker 2: happening in the industry, because if you read backstage, you're like,

538
00:30:30,400 --> 00:30:36,960
Speaker 2: people are auditioning out of college for cruise lines, Disney shows,

539
00:30:37,080 --> 00:30:42,320
Speaker 2: amusement parks, anything to like get equity your equity card,

540
00:30:42,720 --> 00:30:45,560
Speaker 2: and so she's naming these things and I'm like, girl,

541
00:30:45,720 --> 00:30:50,000
Speaker 2: you gotta calm down, like this this is actually what

542
00:30:50,040 --> 00:30:53,120
Speaker 2: you should be auditioning for at this point. But again,

543
00:30:53,440 --> 00:30:59,400
Speaker 2: it is suspension of disbelief and a satire, so to

544
00:30:59,440 --> 00:31:01,360
Speaker 2: be fair, but I thought that was funny.

545
00:31:01,800 --> 00:31:04,560
Speaker 1: It's because like all of us believe she's good enough

546
00:31:04,600 --> 00:31:08,320
Speaker 1: to be doing that as a t but it's like Corl, yeah,

547
00:31:08,360 --> 00:31:09,920
Speaker 1: come on, and so it's fine.

548
00:31:09,960 --> 00:31:14,520
Speaker 2: But yeah, but then Rachel is like very supportive and

549
00:31:14,560 --> 00:31:18,440
Speaker 2: see Santana and Danny, who Demi plays, is this like

550
00:31:18,520 --> 00:31:21,840
Speaker 2: budding romance and Santana is very nervous and we like

551
00:31:22,000 --> 00:31:24,080
Speaker 2: never hear see her like that, which I kind of

552
00:31:24,120 --> 00:31:27,000
Speaker 2: love to see this side of her and how like

553
00:31:27,920 --> 00:31:31,640
Speaker 2: not like insecure she is about it or like flustered

554
00:31:31,920 --> 00:31:37,400
Speaker 2: she gets and again so good, like I believed her

555
00:31:37,560 --> 00:31:38,120
Speaker 2: every moment.

556
00:31:39,440 --> 00:31:42,760
Speaker 1: It's the introduction to Danny. I sort of giggled because

557
00:31:42,840 --> 00:31:45,040
Speaker 1: like this is how they're doing it. It's just a

558
00:31:45,080 --> 00:31:48,480
Speaker 1: look before a scene even starts. It's just a look

559
00:31:48,560 --> 00:31:53,080
Speaker 1: between them. I was like, sold, Yeah, how good do

560
00:31:53,120 --> 00:31:56,760
Speaker 1: you both have to be? Yeah that they sold by

561
00:31:56,760 --> 00:32:02,320
Speaker 1: the entire basic like courtship and a look. Yep, yep, agreed,

562
00:32:02,800 --> 00:32:04,520
Speaker 1: And it was just sort of like flabber gas of

563
00:32:04,600 --> 00:32:05,920
Speaker 1: like oh, Demi just showed up and I was like,

564
00:32:05,960 --> 00:32:07,360
Speaker 1: I'm going to give you this look.

565
00:32:07,480 --> 00:32:11,360
Speaker 2: Into it so and I feel like I missed it before,

566
00:32:11,640 --> 00:32:13,800
Speaker 2: like in when it was happening, like I loved Demi

567
00:32:13,840 --> 00:32:15,720
Speaker 2: and I was so happy to have her on the show,

568
00:32:15,800 --> 00:32:18,680
Speaker 2: but like I feel like I missed that and I

569
00:32:18,680 --> 00:32:20,760
Speaker 2: don't know what the fans feel like or you you

570
00:32:20,760 --> 00:32:22,800
Speaker 2: guys have to tell us like how you feel about

571
00:32:23,160 --> 00:32:26,120
Speaker 2: the Danny because obviously we know you love Brittany and

572
00:32:26,160 --> 00:32:29,760
Speaker 2: we know we love Britanna, but like, what a great

573
00:32:30,400 --> 00:32:32,400
Speaker 2: chemistry these two had together.

574
00:32:32,800 --> 00:32:34,960
Speaker 1: It feels more grown up, It feels different like it.

575
00:32:35,440 --> 00:32:38,400
Speaker 1: I feel like the relationship between Santanna and Brittany feels

576
00:32:38,400 --> 00:32:41,160
Speaker 1: like it's very much its own separate entity, where some

577
00:32:41,200 --> 00:32:43,880
Speaker 1: of the other relationships in the show you sort of

578
00:32:43,920 --> 00:32:47,600
Speaker 1: feel like there's reboundy things happening a lot of the time,

579
00:32:48,360 --> 00:32:50,800
Speaker 1: where it's like might be falling into the same pattern.

580
00:32:51,360 --> 00:32:55,440
Speaker 1: I feel like there's some time Britney and this feels

581
00:32:55,480 --> 00:32:59,400
Speaker 1: like growth. It feels mature, even that their first lines

582
00:32:59,440 --> 00:33:03,560
Speaker 1: like Santana and a sort of like softly like making

583
00:33:03,560 --> 00:33:05,920
Speaker 1: fun of Danny about her name and being a lesbian

584
00:33:06,640 --> 00:33:08,800
Speaker 1: yeah yeah, yeah yeah, and then her giving it right

585
00:33:08,840 --> 00:33:12,800
Speaker 1: back yes, and like you said, like to see like

586
00:33:13,040 --> 00:33:16,440
Speaker 1: Santana sort of be thrown a little bit by somebody else.

587
00:33:16,800 --> 00:33:20,520
Speaker 1: Yea was really nice. Here Comes the Sun is so good.

588
00:33:21,520 --> 00:33:24,479
Speaker 1: I was so excited for it. I think it is

589
00:33:24,520 --> 00:33:29,080
Speaker 1: my single favorite Beatles cover. We do really, yes.

590
00:33:28,960 --> 00:33:31,600
Speaker 2: Not even think it is, No, Yeah, for sure, it's

591
00:33:31,600 --> 00:33:36,920
Speaker 2: definitely up there for me. And it's it's so calming,

592
00:33:37,440 --> 00:33:40,120
Speaker 2: Like I felt so calm watching.

593
00:33:39,800 --> 00:33:45,280
Speaker 5: It, really lovely, the tone of it, the whole setup

594
00:33:45,320 --> 00:33:48,120
Speaker 5: of it is nice, and it's so silly, like waiting

595
00:33:48,160 --> 00:33:50,000
Speaker 5: for the sun to rise.

596
00:33:51,520 --> 00:33:56,320
Speaker 1: Yeah, but it was so good. It was so sweet

597
00:33:56,440 --> 00:34:00,440
Speaker 1: and you actually see the sun fill the dying and

598
00:34:00,840 --> 00:34:03,440
Speaker 1: they go on this like little walk here. I can't

599
00:34:03,680 --> 00:34:10,520
Speaker 1: down like most other people that would be scorny.

600
00:34:11,760 --> 00:34:15,879
Speaker 2: Yes, and you just rarely get a moment to breathingly

601
00:34:16,160 --> 00:34:19,160
Speaker 2: like that with a song like that, Like I just

602
00:34:19,280 --> 00:34:22,680
Speaker 2: felt like, oh, how sweet is this?

603
00:34:22,680 --> 00:34:27,200
Speaker 1: This is so nice. I don't know you, and it

604
00:34:27,320 --> 00:34:30,880
Speaker 1: still felt all like earned, like it all happened so

605
00:34:30,960 --> 00:34:34,200
Speaker 1: quickly between the two of them. Yeah, but they were.

606
00:34:34,040 --> 00:34:36,759
Speaker 2: Like walking home together, like that's the way it's you

607
00:34:36,800 --> 00:34:37,400
Speaker 2: get courted.

608
00:34:37,560 --> 00:34:40,640
Speaker 1: But they're selling everything every moment. They're both just like

609
00:34:40,960 --> 00:34:44,879
Speaker 1: there in it. And it's like even later on during

610
00:34:44,960 --> 00:34:49,719
Speaker 1: Let it Be, where Demmy's over at the loft hanging out,

611
00:34:50,480 --> 00:34:53,279
Speaker 1: she doesn't sing in it, but she's even like right,

612
00:34:53,640 --> 00:35:00,399
Speaker 1: she's I'm just very very impressed, but yeah, here comes

613
00:35:00,440 --> 00:35:04,720
Speaker 1: the sun on repeat. Their voices together are a dream.

614
00:35:05,280 --> 00:35:08,680
Speaker 1: Oh Like, as a fan of both of them just

615
00:35:08,760 --> 00:35:10,920
Speaker 1: a huge dream to have their voices together on one

616
00:35:10,960 --> 00:35:14,400
Speaker 1: of my favorite Beatle songs, and it's yeah, yeah, what

617
00:35:14,480 --> 00:35:18,200
Speaker 1: a beautiful number. Beautiful the arrangement. Shout out to the

618
00:35:18,239 --> 00:35:20,120
Speaker 1: music department. I'm sorry, but the arrangement of that was

619
00:35:20,160 --> 00:35:24,960
Speaker 1: so nice. It really was the harmonies, like just you

620
00:35:25,040 --> 00:35:26,879
Speaker 1: really did it, really really did it.

621
00:35:27,280 --> 00:35:30,359
Speaker 2: And then also Rachel, So Peter Rashally comes back and

622
00:35:30,480 --> 00:35:36,279
Speaker 2: he tells Rachel that she gets the role, and funny girl, I.

623
00:35:36,239 --> 00:35:37,360
Speaker 1: Had goosebumps watching this.

624
00:35:38,680 --> 00:35:43,160
Speaker 2: Yeah, it's it. I actually forgot what was going to have,

625
00:35:44,000 --> 00:35:48,920
Speaker 2: so did you. I was thrilled. And then and Santana

626
00:35:48,880 --> 00:35:51,719
Speaker 2: and gird are there and it's and the Hole diners clapping,

627
00:35:51,800 --> 00:35:55,440
Speaker 2: and it's very very very cute and very exciting.

628
00:35:56,040 --> 00:35:59,560
Speaker 1: And it also just felt like all those people presumably

629
00:35:59,640 --> 00:36:02,640
Speaker 1: working there, I want to be on Broadway and so

630
00:36:02,960 --> 00:36:05,680
Speaker 1: to have her own get something. It's and I have

631
00:36:05,719 --> 00:36:08,080
Speaker 1: everybody celebrating, and she's like, I can't wait to take

632
00:36:08,080 --> 00:36:12,839
Speaker 1: this outfit off. It was really really just sweet and

633
00:36:13,400 --> 00:36:16,680
Speaker 1: really really like I felt as all of us being

634
00:36:16,680 --> 00:36:19,440
Speaker 1: performers in real life, it's like, oh, yeah we win,

635
00:36:19,600 --> 00:36:23,479
Speaker 1: so yes we experience that, Yeah for sure.

636
00:36:24,080 --> 00:36:26,400
Speaker 2: And it's just funny that then she goes on to

637
00:36:26,480 --> 00:36:30,840
Speaker 2: do it right in real life. It is the perfect

638
00:36:30,880 --> 00:36:31,480
Speaker 2: it is her role.

639
00:36:40,920 --> 00:36:43,720
Speaker 1: So back at Brundle Bram, Tina.

640
00:36:44,000 --> 00:36:47,759
Speaker 2: Gets is she she went gets it. She wins shockingly,

641
00:36:48,360 --> 00:36:51,439
Speaker 2: but everybody has supported her. Everybody was going to vote

642
00:36:51,440 --> 00:36:56,000
Speaker 2: for her except for and Kitty was actually she wanted

643
00:36:56,040 --> 00:36:57,279
Speaker 2: to take all those posters down.

644
00:36:57,360 --> 00:36:59,240
Speaker 1: It wasn't her who did that. It was Bree.

645
00:37:01,200 --> 00:37:05,120
Speaker 2: Her face on Milivium one's body, and Tina got mad

646
00:37:05,160 --> 00:37:07,879
Speaker 2: at her and she was like, I didn't do this,

647
00:37:07,960 --> 00:37:09,719
Speaker 2: I don't even want this. I still support you, And

648
00:37:09,719 --> 00:37:15,600
Speaker 2: everybody gets medicidie. Tina still wins, and Stone or Brett wins.

649
00:37:15,880 --> 00:37:19,880
Speaker 2: And there's this whole plot happening behind the scenes where

650
00:37:20,480 --> 00:37:27,640
Speaker 2: Bree is getting Dottie Kasatori to help her with this.

651
00:37:29,320 --> 00:37:35,359
Speaker 1: Whole what do you call it? Mass this like, well,

652
00:37:35,480 --> 00:37:38,000
Speaker 1: this is a big scheme. It's yes, thank you. I

653
00:37:38,080 --> 00:37:40,400
Speaker 1: want to make her win. She needs to win so

654
00:37:40,440 --> 00:37:42,160
Speaker 1: they can then carry her.

655
00:37:42,880 --> 00:37:46,719
Speaker 2: Right right, and and then Dottie is going to be

656
00:37:46,719 --> 00:37:50,719
Speaker 2: the one to pull the the slushy and help and

657
00:37:50,760 --> 00:37:52,200
Speaker 2: they're going to make her a cheerio.

658
00:37:51,960 --> 00:37:53,320
Speaker 1: Because of it.

659
00:37:53,520 --> 00:37:58,600
Speaker 2: Oh, Dottie just gets roped up in the madness.

660
00:37:58,800 --> 00:38:04,680
Speaker 1: It's really funny that bre now has the It's like

661
00:38:04,760 --> 00:38:10,800
Speaker 1: the reformation of the had Cheerios, where Quinn had crazy

662
00:38:10,840 --> 00:38:14,080
Speaker 1: monologues and then it became Santana had crazy monologues, and

663
00:38:14,080 --> 00:38:16,879
Speaker 1: then Kitties had crazy monologues for a full season. Now

664
00:38:17,200 --> 00:38:20,200
Speaker 1: and now it's Bray and now it's Bree. I guess

665
00:38:20,200 --> 00:38:22,680
Speaker 1: that one was the Bree one was you know, ripped

666
00:38:22,680 --> 00:38:28,160
Speaker 1: from that ripped from the headlines. Yeah, which it's crazy.

667
00:38:29,840 --> 00:38:30,760
Speaker 1: That was crazy.

668
00:38:34,160 --> 00:38:42,880
Speaker 2: Anyway, they're at prom, Tina wins, Dottie pulls the rope,

669
00:38:43,480 --> 00:38:48,240
Speaker 2: Kitty sees it all happening, and Tina gets slushied and

670
00:38:48,520 --> 00:38:52,080
Speaker 2: Allah carry and it's red slushy so it looks like blood.

671
00:38:52,719 --> 00:39:00,000
Speaker 1: So can you break down how that felt? How many

672
00:39:00,120 --> 00:39:01,040
Speaker 1: times you had to do it?

673
00:39:01,440 --> 00:39:04,000
Speaker 2: Okay, we did it twice. We really didn't want to

674
00:39:04,000 --> 00:39:08,280
Speaker 2: do it again because obviously it's prom makeup, prom hair.

675
00:39:08,960 --> 00:39:16,239
Speaker 2: It's a really hard reset. Now you have been slushied,

676
00:39:17,320 --> 00:39:21,760
Speaker 2: I would say, the most other than this bucket of slushy.

677
00:39:24,680 --> 00:39:27,200
Speaker 2: But it was coming at your face very close and

678
00:39:27,200 --> 00:39:28,560
Speaker 2: close impact, right.

679
00:39:28,520 --> 00:39:29,799
Speaker 1: So you felt it.

680
00:39:29,800 --> 00:39:34,080
Speaker 2: This came over bird's eye over my head into my dress,

681
00:39:34,320 --> 00:39:37,439
Speaker 2: down my dress, so my dress was sleeveless and there's

682
00:39:37,520 --> 00:39:38,520
Speaker 2: like space.

683
00:39:38,160 --> 00:39:41,480
Speaker 1: And so on my head. Oh my god.

684
00:39:41,880 --> 00:39:44,240
Speaker 2: And I had to be like just in the right position.

685
00:39:45,239 --> 00:39:46,759
Speaker 2: And then they actually.

686
00:39:46,440 --> 00:39:49,960
Speaker 1: Just dumped it on me off screen. Yeah, they couldn't

687
00:39:50,000 --> 00:39:52,240
Speaker 1: take any chances of it. Yeah, and the bucket hitting

688
00:39:52,239 --> 00:39:53,080
Speaker 1: the target.

689
00:39:55,400 --> 00:39:57,520
Speaker 2: And then I had you know what, that wasn't even

690
00:39:57,560 --> 00:40:03,799
Speaker 2: the worst part. It was really cold. It was the

691
00:40:03,920 --> 00:40:08,480
Speaker 2: moments after so because it goes into slow mo, because

692
00:40:08,560 --> 00:40:10,200
Speaker 2: Brett has to get hit on the head with the

693
00:40:10,239 --> 00:40:14,359
Speaker 2: bucket because there's this whole heckling thing and airing laughing.

694
00:40:15,080 --> 00:40:17,919
Speaker 2: I had to stay in it on screen. So usually

695
00:40:17,960 --> 00:40:20,680
Speaker 2: when you get slushy, right, they slushy you and then

696
00:40:20,719 --> 00:40:22,640
Speaker 2: they call cut and you have to stay still and

697
00:40:22,640 --> 00:40:24,200
Speaker 2: they take the picture and then you go and you

698
00:40:24,280 --> 00:40:26,120
Speaker 2: dry off and either you do it again or you're

699
00:40:26,160 --> 00:40:29,600
Speaker 2: done this. I had to stay there for like what

700
00:40:29,800 --> 00:40:35,239
Speaker 2: felt like minutes and also stay in character, and I'm

701
00:40:35,400 --> 00:40:42,320
Speaker 2: just in shock. My mouth is wide opened, I'm breathing,

702
00:40:42,520 --> 00:40:45,880
Speaker 2: I'm like, what how do I stay in character? And

703
00:40:45,920 --> 00:40:48,200
Speaker 2: it wasn't that hard because like, of course you're just

704
00:40:48,360 --> 00:40:49,960
Speaker 2: covered in cold slash.

705
00:40:49,960 --> 00:40:51,600
Speaker 1: You're like, oh no, I'm actually cold. It's fine.

706
00:40:51,800 --> 00:40:54,239
Speaker 2: Yeah, this is awful. This is actually awful. But yeah,

707
00:40:54,280 --> 00:40:56,440
Speaker 2: we had to do it again, so I had to

708
00:40:56,480 --> 00:40:59,120
Speaker 2: go and reset you amazing.

709
00:40:59,600 --> 00:41:00,200
Speaker 1: I don't know.

710
00:41:00,680 --> 00:41:02,600
Speaker 2: I think Ian wanted to just get it one more

711
00:41:02,640 --> 00:41:10,680
Speaker 2: time and murder. It was worse the second time. I

712
00:41:10,680 --> 00:41:14,040
Speaker 2: remember that, and it was like a lot of slushy.

713
00:41:14,680 --> 00:41:18,319
Speaker 1: It was like a lot. Yeah, I think it was

714
00:41:18,440 --> 00:41:23,319
Speaker 1: probably more than a half a bucket. Yeah, it was

715
00:41:23,640 --> 00:41:24,120
Speaker 1: a lot.

716
00:41:24,600 --> 00:41:28,000
Speaker 2: And then they had to recreate it for the choir room,

717
00:41:28,040 --> 00:41:30,879
Speaker 2: which sucked too. So basically they kept me in it

718
00:41:32,120 --> 00:41:34,480
Speaker 2: to get into the choir room where we do the

719
00:41:34,520 --> 00:41:38,000
Speaker 2: scene where she's like I'm going home. So you don't

720
00:41:38,000 --> 00:41:40,400
Speaker 2: get to just get out of it. You're just sticky

721
00:41:40,520 --> 00:41:44,120
Speaker 2: and it's late. How did they like readdress you for

722
00:41:44,920 --> 00:41:49,680
Speaker 2: the choir room scene, the pink dress or the black dress?

723
00:41:50,560 --> 00:41:53,479
Speaker 2: Like after your slush het getting you like fake slusheet again,

724
00:41:53,520 --> 00:41:56,879
Speaker 2: how does that they put it on my head? They

725
00:41:56,920 --> 00:42:02,560
Speaker 2: get actual slushy. Yeah, yeah, and we left a lot

726
00:42:02,600 --> 00:42:05,480
Speaker 2: of it. I believe we actually moved right after that

727
00:42:05,680 --> 00:42:11,200
Speaker 2: and went and did the that scene really because it

728
00:42:11,280 --> 00:42:13,959
Speaker 2: was really late. I remember being there really really late,

729
00:42:14,600 --> 00:42:19,960
Speaker 2: and it was all like steady and handheld cams.

730
00:42:19,840 --> 00:42:20,520
Speaker 1: Which is faster.

731
00:42:21,719 --> 00:42:26,560
Speaker 2: Yeah, I think part of it we did, but I

732
00:42:26,600 --> 00:42:29,040
Speaker 2: do remember them having to refresh it.

733
00:42:30,680 --> 00:42:31,640
Speaker 1: And like putting it.

734
00:42:31,680 --> 00:42:35,560
Speaker 2: They were matching, like the slushy on my face and

735
00:42:35,640 --> 00:42:39,439
Speaker 2: like down down my nose and down my shirt and

736
00:42:39,520 --> 00:42:42,200
Speaker 2: like just having to sit there, and I remember being

737
00:42:42,280 --> 00:42:46,040
Speaker 2: like really miserable, which led to like what I had

738
00:42:46,320 --> 00:42:48,960
Speaker 2: to do anyway in the scene. So it was fine,

739
00:42:49,000 --> 00:42:53,920
Speaker 2: but it's so sticky. It was so gross. It was

740
00:42:54,040 --> 00:42:57,719
Speaker 2: so gross. And that dress is really big, so I

741
00:42:57,760 --> 00:43:00,279
Speaker 2: don't know if you remember Kevin, but it's like a

742
00:43:00,320 --> 00:43:03,840
Speaker 2: little dress underneath, and then the big skirt was a

743
00:43:03,920 --> 00:43:06,600
Speaker 2: velcrow skirt, so I had the skirt on the.

744
00:43:08,160 --> 00:43:09,160
Speaker 1: Yeah, you had to put it on.

745
00:43:10,600 --> 00:43:12,879
Speaker 2: I'm glad I could take it off in between because

746
00:43:12,920 --> 00:43:16,600
Speaker 2: it's just it was really heavy. But uh yeah, that

747
00:43:16,680 --> 00:43:19,600
Speaker 2: part too. So it's just like lugging a dress around

748
00:43:20,600 --> 00:43:24,480
Speaker 2: incomplete slushy. It was freezing cold, it was sticky, it

749
00:43:24,600 --> 00:43:28,920
Speaker 2: was nasty. It was so nasty. It's like, even when

750
00:43:28,920 --> 00:43:33,640
Speaker 2: you get your episode, there's still thrown into a fountain,

751
00:43:34,000 --> 00:43:38,320
Speaker 2: soaking wet, hitting my head underwater, a getting a bucket

752
00:43:38,400 --> 00:43:39,680
Speaker 2: of slushy on my head.

753
00:43:40,280 --> 00:43:43,000
Speaker 1: You know what. I think it goes to your point

754
00:43:43,080 --> 00:43:45,759
Speaker 1: of like all her friends are started putting up with

755
00:43:45,800 --> 00:43:50,400
Speaker 1: her like wild behavior. Yeah, but it's like, yeah, but

756
00:43:50,440 --> 00:43:52,600
Speaker 1: the story always gets you back in the end, doesn't

757
00:43:52,560 --> 00:43:56,400
Speaker 1: it Totally Like no one suffers from instant karma more

758
00:43:56,440 --> 00:44:01,920
Speaker 1: than Tina. That's so true. It's really bad. It was

759
00:44:01,960 --> 00:44:04,520
Speaker 1: really bad. She always forgets, she doesn't live and learn,

760
00:44:04,960 --> 00:44:05,640
Speaker 1: she's just living.

761
00:44:06,040 --> 00:44:08,880
Speaker 2: But the scene when everybody's there and rallies around her,

762
00:44:08,920 --> 00:44:12,600
Speaker 2: it is so sweet. And I just I remember it

763
00:44:12,680 --> 00:44:15,520
Speaker 2: being really late and like just wanting to get it done.

764
00:44:15,760 --> 00:44:19,160
Speaker 2: It was really late. I think it was after Prom, Kevin,

765
00:44:19,480 --> 00:44:22,680
Speaker 2: because that's crazy. It was like everybody was just like

766
00:44:24,719 --> 00:44:26,000
Speaker 2: in like a stupor.

767
00:44:26,600 --> 00:44:30,000
Speaker 1: The thing is to the high school where we shot

768
00:44:30,080 --> 00:44:33,040
Speaker 1: Prom was not far from Paramount. That's why we shot there.

769
00:44:33,080 --> 00:44:36,160
Speaker 1: It was very close. Actually yeah, but you still have

770
00:44:36,239 --> 00:44:41,360
Speaker 1: to do a full company move right, Trucks and trucks

771
00:44:41,440 --> 00:44:45,120
Speaker 1: and trucks of equipment. All of US crew and cast

772
00:44:45,160 --> 00:44:51,080
Speaker 1: had to be loaded into vans transported back, which takes hours. Disgusting, disgusting,

773
00:44:51,160 --> 00:44:53,319
Speaker 1: So it's not like you'd got in a van and

774
00:44:53,320 --> 00:44:56,040
Speaker 1: then you were there in five minutes and started shooting. Right,

775
00:44:56,600 --> 00:44:58,320
Speaker 1: So if that's what we did, then you were sitting

776
00:44:58,320 --> 00:45:00,839
Speaker 1: in it for hours. Right, You're right.

777
00:45:00,880 --> 00:45:02,960
Speaker 2: We did have to move, so I couldn't have been

778
00:45:03,719 --> 00:45:06,399
Speaker 2: it could leant shoot. It was a leanine shoot, that's

779
00:45:06,440 --> 00:45:07,120
Speaker 2: all I remember.

780
00:45:07,320 --> 00:45:10,040
Speaker 1: But they could have sent part of the crew over

781
00:45:10,120 --> 00:45:13,680
Speaker 1: to set up totally. That's right, That's right. You know,

782
00:45:13,719 --> 00:45:17,080
Speaker 1: you could have done that because it was a much

783
00:45:17,120 --> 00:45:21,000
Speaker 1: smaller you could like b camera go over enough to.

784
00:45:20,960 --> 00:45:25,000
Speaker 2: Do like Dolly's and things like that. But then you

785
00:45:25,040 --> 00:45:27,520
Speaker 2: do a number. Then we were doing Jude, so there

786
00:45:27,640 --> 00:45:29,799
Speaker 2: was a changeover at some point. I think maybe it

787
00:45:29,840 --> 00:45:33,480
Speaker 2: was two days because hey Jude. Also we had to

788
00:45:33,480 --> 00:45:35,960
Speaker 2: do in the hallway and they had to change Tina

789
00:45:36,080 --> 00:45:38,759
Speaker 2: and like it just it was like a lot of

790
00:45:38,760 --> 00:45:42,440
Speaker 2: moving parts to that that choir room scene.

791
00:45:42,600 --> 00:45:45,319
Speaker 1: What a cool number though, I mean obviously, like what

792
00:45:45,400 --> 00:45:48,319
Speaker 1: an incredible song, and then all of you sounded so

793
00:45:48,400 --> 00:45:48,880
Speaker 1: good on it.

794
00:45:49,920 --> 00:45:51,719
Speaker 2: Yeah, I thought, I mean, darn sounded great. I thought

795
00:45:51,719 --> 00:45:55,640
Speaker 2: it was. I thought it was a nice way to

796
00:45:55,680 --> 00:45:58,000
Speaker 2: do a number, like in different way of like cleaning

797
00:45:58,000 --> 00:46:00,880
Speaker 2: her up or just just different like vignette of moments

798
00:46:03,239 --> 00:46:05,880
Speaker 2: and like cleaning Tina up and it's just really sweet.

799
00:46:05,960 --> 00:46:08,879
Speaker 2: And I I just liked the watching the Glee club

800
00:46:08,920 --> 00:46:14,040
Speaker 2: come together like that, Yeah, Kitty's redemption arc. Hey, you

801
00:46:14,080 --> 00:46:18,239
Speaker 2: know she's gotta give it because her dress awful to

802
00:46:18,400 --> 00:46:23,799
Speaker 2: you and to Tina. But I also shout out to

803
00:46:23,840 --> 00:46:27,919
Speaker 2: Bechtoven for her scream when she sees the slushy come

804
00:46:28,000 --> 00:46:34,239
Speaker 2: down on the stage. I cackled. It's very funny. It

805
00:46:34,320 --> 00:46:37,960
Speaker 2: was very funny.

806
00:46:38,160 --> 00:46:41,879
Speaker 1: It's really conny. The amount of like anticipation it was

807
00:46:42,520 --> 00:46:45,680
Speaker 1: in slow moved for so long, like that moment takes

808
00:46:45,719 --> 00:46:48,480
Speaker 1: her so long to put it together on the screen.

809
00:46:49,320 --> 00:46:53,600
Speaker 1: I just want to yell, come on, go over there

810
00:46:53,640 --> 00:46:55,799
Speaker 1: and like push her out of the way, right, but

811
00:46:55,840 --> 00:47:00,720
Speaker 1: then it would have gotten on her anyway.

812
00:47:01,040 --> 00:47:03,400
Speaker 2: That was fun, It was really it was actually like

813
00:47:03,520 --> 00:47:07,080
Speaker 2: in theory, it was a horrible moment to shoot, but

814
00:47:07,239 --> 00:47:09,880
Speaker 2: like the whole thing was like, what a nice arc

815
00:47:09,960 --> 00:47:15,800
Speaker 2: for Tina. And I was so grateful for that episode.

816
00:47:15,800 --> 00:47:18,359
Speaker 2: I really am, Like, I love props. I think it's

817
00:47:18,360 --> 00:47:20,839
Speaker 2: one of the most fun episodes we've were done as

818
00:47:20,880 --> 00:47:24,279
Speaker 2: a whole a group, But like for Tina, this one,

819
00:47:24,320 --> 00:47:26,240
Speaker 2: I'm just like so grateful for.

820
00:47:26,600 --> 00:47:31,080
Speaker 1: This is more of like a real substantial story for her. Yeah. Yeah,

821
00:47:31,280 --> 00:47:34,720
Speaker 1: props was like a good bit. Totally, yeah, totally.

822
00:47:35,440 --> 00:47:38,480
Speaker 2: Tita comes out and she she redeems herself and she

823
00:47:38,640 --> 00:47:44,239
Speaker 2: accept for her queen's status, and then we cut to

824
00:47:44,320 --> 00:47:46,480
Speaker 2: the whole Rachel Santana thing and then we all do

825
00:47:46,719 --> 00:47:47,040
Speaker 2: Let It.

826
00:47:47,000 --> 00:47:48,839
Speaker 1: Be, which was really fun. And I'm so glad that

827
00:47:48,880 --> 00:47:50,960
Speaker 1: you advocated for yourself, that you were able to sing

828
00:47:51,120 --> 00:47:52,800
Speaker 1: that song, and that we were able to do that together.

829
00:47:53,600 --> 00:47:55,839
Speaker 1: I was so upset and I would have been really

830
00:47:55,960 --> 00:47:59,480
Speaker 1: upset if I didn't get to it fair enough. I

831
00:47:59,520 --> 00:48:02,200
Speaker 1: would have which is so like I'm like, who am I?

832
00:48:03,320 --> 00:48:05,320
Speaker 2: You know, here's the thing that ro When Adam Anders

833
00:48:05,320 --> 00:48:07,120
Speaker 2: came on the show, he had said, like, you know,

834
00:48:07,520 --> 00:48:09,120
Speaker 2: part of it was like having to just read the

835
00:48:09,120 --> 00:48:11,400
Speaker 2: script and guess at your best guess in it, like

836
00:48:11,440 --> 00:48:16,839
Speaker 2: who fits in that moment? And to be fair, like

837
00:48:17,160 --> 00:48:19,839
Speaker 2: Artie stuff was more in the part one than Part

838
00:48:19,880 --> 00:48:23,240
Speaker 2: two of the Beatles, so of course it didn't fully

839
00:48:23,280 --> 00:48:25,040
Speaker 2: make sense. But they're like, yeah, of course Kevin can

840
00:48:25,080 --> 00:48:26,640
Speaker 2: sing on this song, Like why wouldn't he sing on

841
00:48:26,640 --> 00:48:26,919
Speaker 2: the song?

842
00:48:27,080 --> 00:48:31,319
Speaker 1: You know? The music department always had my back like

843
00:48:31,400 --> 00:48:34,279
Speaker 1: they would they knew what I liked and they would

844
00:48:34,320 --> 00:48:37,920
Speaker 1: always but the final say wasn't usually up to them, right,

845
00:48:38,120 --> 00:48:41,000
Speaker 1: and so they would go off of like what Ryan

846
00:48:41,040 --> 00:48:43,240
Speaker 1: would say or the writers, and so if it didn't

847
00:48:43,320 --> 00:48:46,400
Speaker 1: really make a difference, like there's some extra verses or

848
00:48:46,440 --> 00:48:48,480
Speaker 1: ad libs that I can throw me on and like, sure,

849
00:48:48,600 --> 00:48:50,960
Speaker 1: I have nothing to do with the story. Great, So

850
00:48:51,080 --> 00:48:53,319
Speaker 1: I love it. You sounded great by the way on

851
00:48:53,400 --> 00:48:59,040
Speaker 1: all these songs. Oh thanks the voice I don't is saying.

852
00:49:00,200 --> 00:49:02,560
Speaker 2: It's funny because I don't feel like it was more

853
00:49:02,600 --> 00:49:04,319
Speaker 2: of a singing episode for Tina. I feel like it

854
00:49:04,360 --> 00:49:07,480
Speaker 2: was more of an acting episode for Tina. You were

855
00:49:07,480 --> 00:49:09,680
Speaker 2: just doing a lot of everything. Yeah, this is a

856
00:49:09,680 --> 00:49:10,600
Speaker 2: big episode for two.

857
00:49:10,560 --> 00:49:13,000
Speaker 1: But I think like because the musical numbers were sort

858
00:49:13,040 --> 00:49:15,560
Speaker 1: of montages, right.

859
00:49:15,800 --> 00:49:18,640
Speaker 2: Right, I don't want to just to sing Beatles songs.

860
00:49:19,280 --> 00:49:21,040
Speaker 2: There are some tributes that I was like, I would

861
00:49:21,080 --> 00:49:23,000
Speaker 2: have loved sing a Britney song. I would have loved

862
00:49:23,000 --> 00:49:25,480
Speaker 2: to sing you know more on But like when you

863
00:49:25,480 --> 00:49:28,800
Speaker 2: get a Beatles episode, a little loss to complain about.

864
00:49:29,600 --> 00:49:32,680
Speaker 1: Definely, you know, unless you're me and then you complain

865
00:49:34,920 --> 00:49:39,879
Speaker 1: I only had two songs last tisone. Okay, let's let's

866
00:49:40,000 --> 00:49:42,240
Speaker 1: that's the episode. That's Tina in the Sky of Diamonds.

867
00:49:42,480 --> 00:49:45,720
Speaker 1: I liked this episode so much more than last episode. Yeah,

868
00:49:45,960 --> 00:49:49,080
Speaker 1: I did too, even though I had a lot more

869
00:49:49,160 --> 00:49:49,800
Speaker 1: last episode.

870
00:49:49,800 --> 00:49:53,200
Speaker 4: I think this episode just was so much better. There's

871
00:49:53,280 --> 00:49:57,440
Speaker 4: just it was focused. It was a focused episode. Here,

872
00:49:57,560 --> 00:50:02,000
Speaker 4: let's cread some of the performances, So get back curtain Rachel.

873
00:50:03,320 --> 00:50:08,680
Speaker 2: B plus B plus. Yeah, something Here Comes the Sun

874
00:50:08,880 --> 00:50:12,360
Speaker 2: A plus plus, A plus plus. Sergeant Pepper's Only Hearts

875
00:50:12,400 --> 00:50:16,240
Speaker 2: club band very fun, B plus plus, very solid. Those

876
00:50:16,560 --> 00:50:20,560
Speaker 2: outfits were great. By the way, everybody sounds great. They

877
00:50:20,560 --> 00:50:24,240
Speaker 2: look like they're having a lot of fun. Yes, shout

878
00:50:24,239 --> 00:50:24,719
Speaker 2: out to.

879
00:50:26,440 --> 00:50:29,960
Speaker 1: The new kids, minus Kitty, because they haven't had a

880
00:50:29,960 --> 00:50:33,080
Speaker 1: lot to do these first two episodes, and it's a

881
00:50:33,080 --> 00:50:36,480
Speaker 1: thankless job as someone. Yeah, we know that, both of us.

882
00:50:36,640 --> 00:50:40,719
Speaker 1: We know. I know, you just got to do it. Yeah,

883
00:50:40,760 --> 00:50:42,800
Speaker 1: and like you show up. I mean, obviously that's what

884
00:50:42,800 --> 00:50:44,960
Speaker 1: you're hired for. You're getting paid to do this. But

885
00:50:45,120 --> 00:50:48,080
Speaker 1: like you know, you've heard from people we've had on

886
00:50:48,080 --> 00:50:49,920
Speaker 1: the show where it's like you always felt like, oh,

887
00:50:50,239 --> 00:50:52,239
Speaker 1: I want to show more of what I can do.

888
00:50:52,400 --> 00:50:55,080
Speaker 1: And yeah, it's just and they to be fair, at

889
00:50:55,080 --> 00:50:57,920
Speaker 1: the four they really did, Oh my god. And I

890
00:50:57,920 --> 00:50:59,680
Speaker 1: feel like they were there, like we were with them

891
00:50:59,719 --> 00:51:01,879
Speaker 1: the whole old time and like drive my car and

892
00:51:01,960 --> 00:51:04,880
Speaker 1: like the Carnival and then like day Jude and the

893
00:51:04,920 --> 00:51:07,239
Speaker 1: whole thing, Like it felt like they were a part

894
00:51:07,280 --> 00:51:09,640
Speaker 1: of it so much because we were with them so much.

895
00:51:09,760 --> 00:51:12,200
Speaker 1: They're just so good. I'm just big fans, and I

896
00:51:12,320 --> 00:51:16,320
Speaker 1: like seeing Alex and listening together and that's and Sergeant

897
00:51:16,360 --> 00:51:18,400
Speaker 1: Pepper's is just so satisfying.

898
00:51:18,760 --> 00:51:28,400
Speaker 2: Yes, hey, Jude, let it be a yeah, solid solid.

899
00:51:28,120 --> 00:51:31,440
Speaker 1: What was to deal with the costumes and let it

900
00:51:31,480 --> 00:51:35,680
Speaker 1: be like sixties?

901
00:51:37,280 --> 00:51:39,480
Speaker 2: Yeah, I think we were going for the sixties look

902
00:51:39,680 --> 00:51:41,920
Speaker 2: that it was more of the time period than anything.

903
00:51:41,920 --> 00:51:43,640
Speaker 1: Little jarring, was it.

904
00:51:44,120 --> 00:51:45,960
Speaker 2: I kind of loved the way everybody looked.

905
00:51:46,520 --> 00:51:48,440
Speaker 1: I think everybody looked great.

906
00:51:48,840 --> 00:51:59,160
Speaker 6: But yeah, yeah for sure, Yeah, yeah, okay, you're ready

907
00:51:59,160 --> 00:52:00,880
Speaker 6: for some TARTI takes.

908
00:52:01,239 --> 00:52:07,840
Speaker 1: Let's do it cringe moments. I am Jenna. You refer

909
00:52:07,920 --> 00:52:11,480
Speaker 1: to Asian just about by every character, but also.

910
00:52:11,360 --> 00:52:15,560
Speaker 2: Free referring to Tina as Kim she.

911
00:52:17,280 --> 00:52:17,600
Speaker 1: Girl.

912
00:52:19,760 --> 00:52:24,160
Speaker 2: I was like, oh it was that whole speech was

913
00:52:24,200 --> 00:52:31,399
Speaker 2: like there was wild Wilde's bres.

914
00:52:31,080 --> 00:52:34,640
Speaker 1: A little terrifying, so bad. Yeah, that was a lot.

915
00:52:34,840 --> 00:52:38,319
Speaker 1: Oh wait, speaking of I do want to point out

916
00:52:38,360 --> 00:52:40,680
Speaker 1: I loved the moment at the end of this episode

917
00:52:41,160 --> 00:52:46,040
Speaker 1: where Nini coach Ross brings brit into Sue's office, the

918
00:52:46,080 --> 00:52:50,040
Speaker 1: principal's office, and it's like, look, she did a great,

919
00:52:50,480 --> 00:52:58,359
Speaker 1: horrible prank, but she does need to be suspended it. Yes, yeah,

920
00:52:58,400 --> 00:53:02,359
Speaker 1: it's crazy. Also, how Sue refers to her is also

921
00:53:02,520 --> 00:53:04,319
Speaker 1: just wow.

922
00:53:04,480 --> 00:53:10,799
Speaker 2: Too much, It's all too much just dance move. There

923
00:53:10,840 --> 00:53:13,440
Speaker 2: wasn't a lot of dancing in this No, there wasn't

924
00:53:13,480 --> 00:53:14,759
Speaker 2: a lot of dancing Like was.

925
00:53:14,760 --> 00:53:17,560
Speaker 1: Get back like were they sort of like doing? They

926
00:53:17,560 --> 00:53:18,440
Speaker 1: were moving the most.

927
00:53:20,080 --> 00:53:22,560
Speaker 2: They were moving the most out of all of our

928
00:53:22,920 --> 00:53:25,440
Speaker 2: our dance our musical members this this episode.

929
00:53:26,160 --> 00:53:29,520
Speaker 1: You know, shout out to the new kids during Sergeant Peppers. Yes,

930
00:53:29,640 --> 00:53:33,320
Speaker 1: fair enough, that was moving. There might have been loosely

931
00:53:33,760 --> 00:53:39,560
Speaker 1: in that choreograph, but they were moving. Uh, best song.

932
00:53:40,840 --> 00:53:48,200
Speaker 2: And here comes the Sun, best rids rop the used

933
00:53:48,239 --> 00:53:52,080
Speaker 2: to stat obviously.

934
00:53:52,800 --> 00:53:54,640
Speaker 1: And the bucket.

935
00:53:55,000 --> 00:53:57,480
Speaker 2: Yeah the bucket, I mean Stone of Brett. I also

936
00:53:57,600 --> 00:54:03,800
Speaker 2: notable for the prop is her majesty poster board that

937
00:54:03,960 --> 00:54:06,799
Speaker 2: they that Dottie was wearing. They gave me that. I

938
00:54:06,840 --> 00:54:07,400
Speaker 2: had that at my.

939
00:54:07,440 --> 00:54:09,680
Speaker 1: House for a while really and then I got rid

940
00:54:09,719 --> 00:54:11,880
Speaker 1: of it. Jenna, speaking of things we had at our

941
00:54:11,920 --> 00:54:16,759
Speaker 1: house for a long time. A little bit ago, I

942
00:54:16,840 --> 00:54:21,600
Speaker 1: went on Elvis Durant show, That's right Morning show, and

943
00:54:22,360 --> 00:54:26,319
Speaker 1: I don't know you avid listeners out there. We had

944
00:54:26,320 --> 00:54:31,480
Speaker 1: a giveaway for Snacks miss two years ago, which included

945
00:54:31,600 --> 00:54:35,920
Speaker 1: a chalkboard with us drawn onto it, and at Elvis

946
00:54:36,000 --> 00:54:38,400
Speaker 1: Durant show, they reminded me that that was from a

947
00:54:38,480 --> 00:54:41,560
Speaker 1: Z one hundred event in New York really early on,

948
00:54:42,360 --> 00:54:46,480
Speaker 1: and they all were like, it got stolen. We don't

949
00:54:46,520 --> 00:54:50,239
Speaker 1: know where it went. And I was like, we have it.

950
00:54:50,520 --> 00:54:54,400
Speaker 1: What I was like Fox, They probably didn't realize Fox

951
00:54:54,440 --> 00:54:58,360
Speaker 1: had probably like asked for it from the radio station

952
00:54:58,480 --> 00:55:01,279
Speaker 1: they had given it to them, like they remembered it.

953
00:55:01,440 --> 00:55:04,000
Speaker 1: And they were like, remember that chalkboard I got stolen.

954
00:55:04,120 --> 00:55:07,040
Speaker 1: I was like, no, it was sitting in my garage

955
00:55:06,600 --> 00:55:12,120
Speaker 1: for decades. Were they shocked? Yeah, kind of like I

956
00:55:12,200 --> 00:55:15,319
Speaker 1: know exactly what you're talking about me because Jenna and

957
00:55:15,320 --> 00:55:15,839
Speaker 1: I were like, we.

958
00:55:15,800 --> 00:55:17,880
Speaker 2: Got to get rid of this. You're like, Jenna, this

959
00:55:17,960 --> 00:55:23,000
Speaker 2: has got to go that's best line the entire Yeast

960
00:55:23,000 --> 00:55:25,640
Speaker 2: of Stack commercial. Yes, hands down.

961
00:55:26,160 --> 00:55:30,040
Speaker 1: But particularly what we were saying, is I like yeast

962
00:55:30,040 --> 00:55:37,080
Speaker 1: in my bagel, not in my muffin. Jenna. That's so

963
00:55:37,239 --> 00:55:38,640
Speaker 1: good performance, MVP.

964
00:55:38,880 --> 00:55:39,040
Speaker 3: Is you.

965
00:55:39,400 --> 00:55:43,640
Speaker 2: There's no my God about it. Thank you, thank you,

966
00:55:43,719 --> 00:55:45,839
Speaker 2: thank you. I appreciate it. I would like to give

967
00:55:45,880 --> 00:55:50,520
Speaker 2: a shot as a little side brushout out to Sam Cord.

968
00:55:50,760 --> 00:55:51,480
Speaker 2: I thought he was great.

969
00:55:52,320 --> 00:55:56,280
Speaker 1: He was, okay, you ready for ship we found on TikTok. Ready,

970
00:55:58,200 --> 00:56:01,040
Speaker 1: I did not know this exists. I still don't eat.

971
00:56:01,080 --> 00:56:03,719
Speaker 1: I need to do some more investigating as someone who

972
00:56:03,719 --> 00:56:08,640
Speaker 1: grew up playing the Sims, love the Sims. Okay. There

973
00:56:08,719 --> 00:56:12,920
Speaker 1: was a four minute clip on Gabby Herman twenty one's

974
00:56:13,239 --> 00:56:21,120
Speaker 1: or Gabby Herman five on TikTok about Glee Sims and

975
00:56:21,160 --> 00:56:25,239
Speaker 1: it is like all these somebody creates this storylines. It's

976
00:56:25,320 --> 00:56:31,440
Speaker 1: all of us. This is crazy. They like us. I

977
00:56:31,480 --> 00:56:35,799
Speaker 1: don't get it. Oh my god. Like I'm very confused

978
00:56:35,880 --> 00:56:42,759
Speaker 1: about Will Schuster looks like a beautiful lady. I am

979
00:56:42,800 --> 00:56:47,240
Speaker 1: just so confused. Entirely made up like storylines and songs

980
00:56:47,280 --> 00:56:54,880
Speaker 1: and things, and this is ridiculous. It's very very weird.

981
00:56:55,800 --> 00:56:59,879
Speaker 2: Okay, all right, do more investigating. But Gabby Herman, thank

982
00:56:59,920 --> 00:57:00,920
Speaker 2: you for posting.

983
00:57:01,200 --> 00:57:02,839
Speaker 1: Was there like a special edition? Was there like an

984
00:57:02,880 --> 00:57:06,439
Speaker 1: expansion pack for Glee? Like what was the deal? Because

985
00:57:06,440 --> 00:57:11,000
Speaker 1: they're also like not speaking Similish, the sim language there speaking.

986
00:57:11,000 --> 00:57:12,960
Speaker 2: I don't know about sim life, So you got to

987
00:57:12,960 --> 00:57:14,239
Speaker 2: figure this out because I don't know.

988
00:57:14,239 --> 00:57:19,840
Speaker 1: I like to talk so much. I I'm just so confused.

989
00:57:19,840 --> 00:57:22,959
Speaker 1: And I also feel like I missed out on something. Yeah, yeah,

990
00:57:23,080 --> 00:57:25,919
Speaker 1: I get that. But it's great and I very much

991
00:57:26,080 --> 00:57:27,040
Speaker 1: enjoyed watching this.

992
00:57:27,600 --> 00:57:31,400
Speaker 2: Well, thanks for posting. And that is the end of

993
00:57:31,400 --> 00:57:37,280
Speaker 2: our Beatles run. And next week we have a special episode.

994
00:57:38,120 --> 00:57:43,000
Speaker 2: We will not be recapping the Quarterback for some obvious reasons.

995
00:57:43,240 --> 00:57:45,280
Speaker 2: We will get into it, but we do have an

996
00:57:45,280 --> 00:57:48,880
Speaker 2: episode for you and it will be special. So I

997
00:57:48,920 --> 00:57:52,160
Speaker 2: hope you tune in. And that's what we did.

998
00:57:52,400 --> 00:57:55,800
Speaker 1: See you. Thanks for listening and follow us on Instagram

999
00:57:56,120 --> 00:57:58,520
Speaker 1: at and that's what you really miss pod. Make sure

1000
00:57:58,520 --> 00:58:00,640
Speaker 1: to write us a review and leave us five stars.

1001
00:58:00,840 --> 00:58:01,520
Speaker 1: See you next time.