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Speaker 1: Why do you want so concerned you have a furrowed brow.

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Speaker 1: Turn that furrowed brow upside down. She was an American

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Speaker 1: girl raised on promises who fire real talk, yo. So

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Speaker 1: I don't know how we're gonna cover all that I

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Speaker 1: have to say in this episode. Plus have the genius

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Speaker 1: guests that we have, the one and only Sarah Chalk.

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Speaker 1: We have so much to cover. Season three begins right now. Yeah,

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Speaker 1: season three, Welcome everybody, Welcome. Made three. We made it

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Speaker 1: to season three. This is going so fast. We're gonna

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Speaker 1: be done with this show too soon. I know my

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Speaker 1: heart needs to re up. Well, no, I heart's clearly

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Speaker 1: gonna reup. I mean, I don't know where my fucking

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Speaker 1: gift basket is, but I think it's pretty clear they're

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Speaker 1: gonna re up. But um but um but I mean,

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Speaker 1: you know, someone wrote me on my social media that like,

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Speaker 1: if you guys keep going at this rate, you'll be

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Speaker 1: done in this many weeks, and I was like, oh shit,

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Speaker 1: that's kind of fast. Well that's a great thing about

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Speaker 1: what we're gonna do. When we're at a Scrubs episodes.

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Speaker 1: I think we could keep going with watching movies or

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Speaker 1: or or like pads of favorite TV shows or something.

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Speaker 1: I like that idea. That sounds great. I mean, what's

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Speaker 1: gonna happen, obviously, is eventually the world to reopen and

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Speaker 1: we'll be going back to doing what we do for

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Speaker 1: a living, acting and directing, and maybe we'll slow down

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Speaker 1: and do one a week instead of two week. I'm

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Speaker 1: just speculating. Listen, man, anything's possible. That's the beauty of

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Speaker 1: that's the beauty of this podcast. It's called Fake Doctors,

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Speaker 1: Real Friends. It's not necessarily called the Scrubs rewatch Show. Yeah,

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Speaker 1: that's just smart. That was smart. We could have called

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Speaker 1: it the Scrubs rewatch Show and then it just would

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Speaker 1: have been that. Right. No, but that's not what this is.

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Speaker 1: This is a This is a tale of two fake

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Speaker 1: doctors who are actual friends, real friends. Yeah. So you know,

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Speaker 1: we could take this on to something else. Maybe we

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Speaker 1: watch other doctors shows. I'd preferably do I want to

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Speaker 1: do that. I do. No. I want to say since

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Speaker 1: we talk so much about movies, and I do think

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Speaker 1: that the listeners like the discussion of pop culture and

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Speaker 1: episodes of TV, we could literally go, Okay, this week

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Speaker 1: we're doing back to the Future. This week we're doing

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Speaker 1: an episode of What's Happening, Like we could just I

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Speaker 1: think we could just like pick whether it's a TV

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Speaker 1: episode or a movie, and like that's the topic of

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Speaker 1: discussion that week. I would love I would love to

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Speaker 1: do the Back to the Future one. Now, could we

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Speaker 1: do that? No, we already did. We already did La Land,

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Speaker 1: although I think when we switched to this mode, we'll

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Speaker 1: have to do a more in depth La La Land.

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Speaker 1: I can't go way deeper with my La Land. You know,

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Speaker 1: we turned a lot of people onto Lala Land. I

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Speaker 1: had a lot of people on my feeds being like,

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Speaker 1: you know, I never actually watched it, and I did,

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Speaker 1: thank you so much. I'm crying my eyes out. Really, yeah,

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Speaker 1: I would think that people would just be pissed off

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Speaker 1: at the end of La La Land. I don't necessarily

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Speaker 1: think people would be. I didn't think people would be

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Speaker 1: crying and stuff. I cried my eyes out at the

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Speaker 1: end La, and you didn't. We was sad you cried

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Speaker 1: at the end of La I'm a big sucker for

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Speaker 1: love that cannot be if you strategically and do a

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Speaker 1: good job in your script of setting up two people.

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Speaker 1: I'm dying to be together and then you throw at

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Speaker 1: me that they can't be together. I mean, even if

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Speaker 1: like we always we've not always we've used the example

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Speaker 1: of Whoopee being separated from her sister in color Purple,

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Speaker 1: Oh my gosh, or or or feel the dreams, the

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Speaker 1: father having the catch, but he's got to go back

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Speaker 1: to the field. Like you give me, You give me

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Speaker 1: two people that love each other and they can't be together.

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Speaker 1: I'm fucking done. I hear that out of Africa. Come on, buddy,

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Speaker 1: Bridges of Madison County, Come on home, buddy. When she

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Speaker 1: reaches for that handle and her hand is shaken, come own, buddy.

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Speaker 1: Spoilers which she's about to commit infidelity and she's about

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Speaker 1: to cheat on her husband. So come my own, buddy.

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Speaker 1: Are you watching um Raised by Wolves Us? No? Is

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Speaker 1: that the Mowgli story of Tarzan? No, it's Jungle Book

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Speaker 1: in Tarzan in one reverence. No, it's it's Ridley Scott, dude,

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Speaker 1: and it's sci fi. So I know you'll love it.

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Speaker 1: And it's really good. Joel, you must be watching this,

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Speaker 1: Hi freaking love it was there you go. I don't

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Speaker 1: want to it's cool. I think you really like it,

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Speaker 1: Donald because it's like sci fi. It's all the stuff.

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Speaker 1: Really Scott's been exploring with the Alien franchise for the

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Speaker 1: past couple of years, and what I'm really interested it's

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Speaker 1: like the story of a mother and son. Mostly Ridley

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Speaker 1: Scott's son takes over the series after episode three, so

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Speaker 1: really Scott directs the first three episodes. Yeah is it, Jake?

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Speaker 1: I think, so look it up. He's got a few songs.

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Speaker 1: I'm actually I'm actually represented by the Ridley Scott's company

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Speaker 1: as a commercial director. And um, oh, a little bit

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Speaker 1: of trivia for you. When we cut my short film

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Speaker 1: that I made with Alicia Silverstone and Florence Pew, the

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Speaker 1: one that you wall should go watch if you haven't

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Speaker 1: watched it called In the Time It Takes to Get There. Um,

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Speaker 1: that was in the whole edit suite where they cut

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Speaker 1: this show. So they like loaned us one of their

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Speaker 1: bays and for like a few days and we cut

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Speaker 1: our short in there, and I didn't know what it was.

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Speaker 1: It was like, oh, yeah, we're we're gearing up to

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Speaker 1: cut this epic series called Raised by Wolves. And I

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Speaker 1: was like, I don't know what that is. Now I'm

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Speaker 1: and now I'm watching it and it's so good. I

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Speaker 1: was like, oh shit, I was cutting on their avids.

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Speaker 1: So there you go. Donald, You'll love It's the Spaceships.

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Speaker 1: There's androids. Oh that's the one where like the Android

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Speaker 1: is like got a bunch of kids and it's yes, yes, yes,

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Speaker 1: it's really good. Luke Scott, oh yeah, well Jake Scott's

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Speaker 1: also a really amazing director. But Donald, you'll love it.

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Speaker 1: Um should we talk about Peloton? Did you spend today?

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Speaker 1: I did not spend today. I'm gonna did. You could

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Speaker 1: probably tell by how sweaty I am. Are you gonna

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Speaker 1: try this woman? Leanne Haynesby? She's my favorite right now?

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Speaker 1: I'm telling you try Cody's. I did try Cody. I

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Speaker 1: didn't try Cody. Did you laugh your ass off? He's funny,

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Speaker 1: but he's a little he has I love how you

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Speaker 1: all have catchphrases. Cody. Cody has some catch phrases, right.

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Speaker 1: He says some shit that's like they're all trying to

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Speaker 1: find there. What you're talking about, willis what was coded?

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Speaker 1: What God? He said one phrase over and again. But

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Speaker 1: Liane's is done and dusted because she's British and I

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Speaker 1: didn't know that was done and she goes, okay, okay,

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Speaker 1: sit back down. That section's over done and dusted, and

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Speaker 1: I didn't. I was like, did she make the shit up?

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Speaker 1: And then I asked Florence, It's like, is that like

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Speaker 1: a British expression? She's like, yeah, don and dusted. I

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Speaker 1: never heard dunn and dusted before don and dusted. Do

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Speaker 1: you know what my favorite British saying is bits and bobs?

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Speaker 1: What is that? Penis and balls? No bits and bobs? Like,

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Speaker 1: just like bits and bobs doesn't refer to penis and balls,

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Speaker 1: Why would it refer to penis and ball? I don't know.

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Speaker 1: Penis is willing forgot, for fuck's sake, just stop talking

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Speaker 1: about willis. Sorry anyway. Yeah, so I want to incorporate

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Speaker 1: I might even try it in this podcast, the expression

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Speaker 1: don and dusted. Okay, dude, I'm getting skinny though, Dude.

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Speaker 1: I just want you to know I'm pushing myself. You're

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Speaker 1: looking good. I'm not gonna lie you're looking good. Man.

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Speaker 1: I'm kinda wait, I'm gonna I'm gonna not not ready

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Speaker 1: to reveal my my abs yet because it's only been

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Speaker 1: a week, but I'm I'm going hardcore. I can't wait

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Speaker 1: for the Abberville as Health like everybody and that's my goal. Hey,

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Speaker 1: speaking of cover of men's Health, did you see Ryan

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Speaker 1: Reynolds on Twitter? What you didn't see that? Oh my god?

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Speaker 1: Oh he's been blowing us up all morning. He wants

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Speaker 1: to come on the show. He's like, go check Twitter

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Speaker 1: right now, No on your phone? Not do you have

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Speaker 1: Twitter on your phone? Yeah? He missed. He missed his opportunity. Man,

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Speaker 1: it's really we're not gonna The funny thing is, what

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Speaker 1: are you gonna We don't have an episode? We just

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Speaker 1: do it. He's gonna be like our first, like episode. Yeah,

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Speaker 1: he's gonna be our first, just like shooting this ship

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Speaker 1: with a r on a very special episode. Doctor's real friend.

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Speaker 1: He don't be funny to get episode, ever, be funny

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Speaker 1: to get get up to watch an episode he has

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Speaker 1: nothing to do with. And he's like, a right, Ryan,

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Speaker 1: you're gonna wait in on three zero two? Right? What

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Speaker 1: do you think about this one? Er? So wait? Hold up?

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Speaker 1: He liked he Somebody obviously reached out to him and

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Speaker 1: was like, why did you diss a fake doctor? No? No,

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Speaker 1: I was very tactful when I when I posted I

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Speaker 1: made thee I meane a joke saying right today on

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Speaker 1: the podcast, Ryan Reynolds asterisk and then put on the

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Speaker 1: asterisk is a great actor we talk about and um,

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Speaker 1: people really reply to that. I'm sure people. I know

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Speaker 1: people were tagging and left and right and uh. And

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Speaker 1: then today he responded like I want to be on

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Speaker 1: this show. Like and then everyone started weighing in and

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Speaker 1: he was like and I was like, we love you, Ryan,

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Speaker 1: bring gin and he's like, I'll bring what are you

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Speaker 1: write you like, I'll bring empty bottles and all the

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Speaker 1: gin that's already in my body or something. But like

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Speaker 1: he's already. He's like he's uh, he's common. He wants

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Speaker 1: to come on the show. Okay, that's why do you

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Speaker 1: have that face on? Why do you have that face on?

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Speaker 1: It's like you're like pouting? Are you? Are you? Are

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Speaker 1: you pouting? Oh? You me? Yeah, you don't seem excited

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Speaker 1: that Ryan wants to come on the show. Of a sudden, No,

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Speaker 1: I smoke that's sativa today, So like you can't get

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Speaker 1: high and come to work. I'm not high. I just

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Speaker 1: said smoke that. I just said I smoked that sid today.

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Speaker 1: We are so opposite. I'm like, I like did the

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Speaker 1: peloton and chugged the red Bull, and Donald's like like

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Speaker 1: fucking sitting bong hits in his living room. Come, mom, buddy,

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Speaker 1: this is work. I can't these people. I can't do

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Speaker 1: bong hits in the living room. I got the kids

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Speaker 1: in the living room. All right, Well whatever in your

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Speaker 1: garden sit? I got a little escaped deck. Oh yeah, um,

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Speaker 1: all right, well everyone, should we get into the show.

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Speaker 1: We have a lot to talk about. We have to

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Speaker 1: bring in Sarah's Sarah here, Sarah's here, bring her in. See,

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Speaker 1: let's see everybody if she can figure out of her tech.

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Speaker 1: Oh jesus, she's on her iPad. That's always a bad sign.

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Speaker 1: Remember one. Remember she had music playing one time? Yes,

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Speaker 1: but she could only hear it, right, we couldn't hear it. Yeah,

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Speaker 1: she's always Let's see everybody, let's see listeners. If Sarah

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Speaker 1: Shawk can join a zoom call without issue? So far,

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Speaker 1: so far enough, we've got We've got Sarah's iPad is

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Speaker 1: connecting to Uh that's soundproofing. Oh she doesn't know. Oh

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Speaker 1: she's got fancy soundproofing, probably because of Rick and Morney

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Speaker 1: or something. There she is. What happened? Did I do

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Speaker 1: it for the work you did. It seems are recording?

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Speaker 1: Are you recording? Oh boy, for real, these guys, you're

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Speaker 1: not even oh god, oh god, there's gonna be oh

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Speaker 1: my god situation already. And then and then what happened

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Speaker 1: the dogs ate my other dog and my dad. This

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Speaker 1: was actually a dog ate my homework situation. I was

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Speaker 1: so prepared and I watched the episode and I couldn't

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Speaker 1: find my sheets, and I was like, fuck twe o'clock

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Speaker 1: where I wears everything I wrote down? And so I

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Speaker 1: retraced my steps and look where I found it. The

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Speaker 1: wind had blown it in between the decks. And it's like,

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Speaker 1: oh my gosh, so so how much you care about

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Speaker 1: Sarah's holding up Sarah's holding up a paper that looks

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Speaker 1: like it's been through the washing machine. This is the

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Speaker 1: most But I'm glad the audience is seeing this, because

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Speaker 1: this is what every single morning of we ever saw.

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Speaker 1: Sarah was like, you guys, you're not going to believe this.

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Speaker 1: The notes that I made of the show fell in

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Speaker 1: the gutter, and then just as I was reaching for it,

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Speaker 1: a raccoon picked it up and ran off with it.

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Speaker 1: And then I chased the racco going down that I

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Speaker 1: actually prepared, and that time code three point five two.

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Speaker 1: Kelso made a great face, Sarah, it looks like you

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Speaker 1: have a fancy sound booth, but is that a makeshift

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Speaker 1: thing because you do Rick and Morty another fun voice

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Speaker 1: over work. So I can't remember if I told you

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Speaker 1: guys this story, but I um when I first the

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Speaker 1: pandemic hit and I was recording cartoons, and I was

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Speaker 1: grabbing every duvet and pillow on the bottom bunk bed

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Speaker 1: and making like a sound cocoon for as you know,

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Speaker 1: good acoustics as we could get. At that point, we

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Speaker 1: were just kind of doing pickups and it was fine.

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Speaker 1: And then they wanted better sound quality. So I took

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Speaker 1: seven moving blankets and duct taped them to my four

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Speaker 1: year old's play tent and I would like crawling there.

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Speaker 1: And then so then I I did like this deep

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Speaker 1: dive into building my own sound booth, and I learned

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Speaker 1: more about like green glue and clips and bass traps

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Speaker 1: and like than I could ever want to know. And

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Speaker 1: so then finally I decided to just order like a

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Speaker 1: proper vocal booth from Oregon and it was shipped up

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Speaker 1: in a crate and then we had to assemble it,

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Speaker 1: so I like the real deal. Wow, it's big, Sarah.

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Speaker 1: I like that you got it from Oregon. It's big, guys.

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Speaker 1: Sarah has like a legit professional audio. It's about time, though, Sarah,

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Speaker 1: because I feel like you do a lot of awesome

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Speaker 1: vo work. And I can understand that people were probably like,

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Speaker 1: all right, come on, Sarah, well, especially since you guys

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Speaker 1: all know how technologically inclined I am. Yes, our listeners

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Speaker 1: have all heard in act, I'm before this one. I'm like,

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Speaker 1: I'm going to have I'm going to have everything ready,

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Speaker 1: and I at the last minute I was like, oh,

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Speaker 1: they prefer earbuds, not you know, headphones, and I thought

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Speaker 1: I was so organized, and then I went to go

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Speaker 1: grab my papers and I was saying, well, I'm so

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Speaker 1: glad you're here, Sarah, going to see you. We miss you,

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Speaker 1: and I'm so glad you're here for this one because um,

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Speaker 1: it's just an incredible Elliott episode and um we've been

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Speaker 1: talking so much and this isn't just to blow smoke.

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Speaker 1: And I know you probably don't listen to the podcast,

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Speaker 1: but we are not men of lip service. Let's keep

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Speaker 1: it on. Oh I spent nine years I know I

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Speaker 1: know if we know you're not, but like, no, but Sarah,

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Speaker 1: even though it's and this is coming from the bottom

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Speaker 1: of my heart, Donald and I are watching these episodes,

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Speaker 1: and almost every episode we're like, holy shit, I wasn't

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Speaker 1: paying enough attention to how good Sarah is in this show.

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Speaker 1: That is so nice and so um not true. I

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Speaker 1: find the beginning episodes very difficult for me to watch

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Speaker 1: because I'm so bad. I feel so much. As this

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Speaker 1: show went along, I feel like, great, I think you're

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Speaker 1: so funny Sarah your comic. I think I was so

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Speaker 1: in my own bubble and trying to do a good

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Speaker 1: job my own thing. And of course I noticed occasionally

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Speaker 1: when I thought you were being funny or or or

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Speaker 1: your dramatic work was great. But now I'm just sitting

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Speaker 1: here twenty years later watching and Donald and I are

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Speaker 1: both like, holy shit, Sarah is funny as hell, and

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Speaker 1: of course you're dramatic stuff too, But but you're just

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Speaker 1: high hilarious. Well for the dramatic stuff. I've got my

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Speaker 1: Josh Raid and the iPod you know play soundtrack. Remember

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Speaker 1: I used to go with my iPods and have my

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Speaker 1: crime playlist. I think that's a good too. Move for

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Speaker 1: a lot of people putting on the sad music winter.

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Speaker 1: Are you gonna say Donald and you find as hell? Girl?

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Speaker 1: Holy shit? Oh there it is there. It is talk.

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Speaker 1: We just watched the episode where you when you're naughty

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Speaker 1: nurse outfit making out with Donald and that got us

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Speaker 1: all riled up. Oh my god, I remember that day,

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Speaker 1: and it was like, you know, when you're on a

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Speaker 1: show and you are somebody's love interests from the beginning,

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Speaker 1: and you kind of meet and you're already kissing, But

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Speaker 1: it's so different from when like you become such good

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Speaker 1: friends with somebody and you're just buddies, and then all

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Speaker 1: of a sudden, it's like and now you will be

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Speaker 1: on all fours, crawling on top of them, and you'll

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Speaker 1: be wearing very little clothing, right. Zach was like, Zach

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Speaker 1: kept asking me. He was like, wait a second, and

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Speaker 1: you didn't get like excited, And I was like, dude,

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Speaker 1: at this point, we were hanging out so much and

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Speaker 1: we were so tight as friends that it was like, Yo,

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Speaker 1: it's like I'm kissing my sister, dude. And then oh

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Speaker 1: my god. But when you look at the scene, it

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Speaker 1: looks really good, like we had good chemistry, good chemistry,

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Speaker 1: you're jealous. I'm not gonna lie. I can't lie and

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Speaker 1: tell you I will and jealous I twenty years later,

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Speaker 1: I was like, get your fucking hands. I love it. Wait,

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Speaker 1: we never we never counted in, Sarah. And since since

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Speaker 1: you're you're our favorite Canadian, Ryan Reynolds is going to

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Speaker 1: be coming on the program, so he's gonna be our

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Speaker 1: second favorite Canadian. But since you're our first favorite Canadian,

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Speaker 1: I thought, wait, wait, wait, Tom Cavanaugh also Tom Kavanaugh

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Speaker 1: also okay, okay, I can't believe, are you? And then

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Speaker 1: we're gonna have Michael Jay Fox, I hope, so that

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Speaker 1: the top he might just play Sarah. No, no, no,

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Speaker 1: if he's Sarah Michael J. Sarah. But I think Michael J.

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Speaker 1: Fox might briefly maybe he's for the week, move Sarah down. No, no,

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Speaker 1: it would be Sarah Michael J. Fox. Okay, Tom Cavanaugh

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Speaker 1: and then Ryanka And when Ryan comes on, Donald and

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Speaker 1: Ryan I've done the exact saint that scene I just

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Speaker 1: did with Donald like on all fours, cryling on top

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Speaker 1: of him. Also, I've done with Ryans So really that

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Speaker 1: could be discussed to do that or we have done it.

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Speaker 1: You have, I have, I have what what was that?

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Speaker 1: I don't if you guys remember when we were I

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Speaker 1: can't remember Canadian porn? Sorry, did you do Canadian porn?

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Speaker 1: You know? It was? It was? It was. There's a

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Speaker 1: lot of here work here now. It didn't used to

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Speaker 1: be that way. Uma, So Ryan, right, I don't know

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Speaker 1: if you guys remember, take what we could get, you know,

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Speaker 1: Ryan and I, Ryan and I were young. We had

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Speaker 1: to take what Canadian work we could get. Canadian is

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Speaker 1: something you hear a lot about. But okay, it's very tame,

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Speaker 1: very justly. They politely kiss each other totally all right

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Speaker 1: before we count in, Sarah tell us the story you mounted,

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Speaker 1: Ryan Reynolds. So, I don't know if you guys remember.

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Speaker 1: I can't remember what season it was on Scrubs, but

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Speaker 1: I remember I was. I was like, oh man, I

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Speaker 1: gotta put on braun underwear and for this movie. And

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Speaker 1: there's pretty much my only couple scenes in the movie,

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Speaker 1: and one or two of them were in like just

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Speaker 1: pull brown underwear, like push Ryan realms on the bed,

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Speaker 1: crawl on top of them, much like the Donald scene.

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Speaker 1: And so so I was like trying to do I

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Speaker 1: think I asked you, Zach, you had that amazing delivery

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Speaker 1: food service that was like super healthy, and so I

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Speaker 1: tried doing that and I was like trying to be

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Speaker 1: all healthy. What happened? And what was the scene you

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Speaker 1: mounted him? Was awkward? Was there chemistry like there was

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Speaker 1: between you and Donald when your naughty outfit halls? Yeah?

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Speaker 1: So I was, I was. I think I got there

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Speaker 1: to say. And my first scene was that scene with Ryan.

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Speaker 1: So it was kind of like, Hi, nice to meet

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Speaker 1: you again, kind of because we'd known each other through

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Speaker 1: friends when we were younger, but I didn't know him

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Speaker 1: well at all. And yeah, that was literally the first

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Speaker 1: scene as I like a garter and heels and like this,

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Speaker 1: what movie is this? How can watch this movie is?

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Speaker 1: Let's say, I wanted to quickly watch it this evening. Uh.

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Speaker 1: It is directed by Marcos Siega, starring Ryan Reynolds and

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Speaker 1: Emily Mortimer and the name of it is coming to me.

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Speaker 1: I'll count us in. You guys will go to break.

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Speaker 1: I'll thank you about it, all right, hold on and Sarah,

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Speaker 1: you will now count us in. Got girl? This is

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Speaker 1: we only bestow this uncertain people's French or English by body,

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Speaker 1: I mean we're in Canada with French, do French, French, French? Thanks?

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Speaker 1: He said, would you like how would you would you

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Speaker 1: stories about show we made about a bunch of docs

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Speaker 1: and nurses? Said stories? So dadoo around here are yadoo

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Speaker 1: around here? Are m Sarah's So? What was the movie called?

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Speaker 1: Joel helped you out? Joel helped me out? Thank you Joel?

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Speaker 1: Chaos theory? Chaos theory? All right, everyone, this is this

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Speaker 1: is obviously before he like blew up and became like

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Speaker 1: the Ryan Reynolds that he is today. Was he already

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Speaker 1: ripped in stuff like that? Donald wants to know if

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Speaker 1: Donald wants to know if you had a chance to

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Speaker 1: see the abs live in person? Were they doe and

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Speaker 1: was where they glistening? Where they or was he like

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Speaker 1: ripped enough to be a character in magic? Mike? I mean,

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Speaker 1: I just he was ripped. I just remember being ripped.

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Speaker 1: I don't know the degrees of rippage that you guys

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Speaker 1: are referring to, but well, you know, Sarah, you were,

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Speaker 1: you were on top of them. I'm sure you know

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Speaker 1: that they were. I feel bad that you were coming

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Speaker 1: from me being your love interest and then uh and

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Speaker 1: then going to Ryan Reynolds with his abs and had

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Speaker 1: to come back to Mike Joey physic. Anyway, this episode,

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Speaker 1: I really I have to say the first shot of me,

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Speaker 1: I instantly saw that I had a little little foopa happening.

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Speaker 1: I had a little bit and that is one of

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Speaker 1: my favorite shots in the episode. I mean, when you're dancing,

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Speaker 1: it fucking kills me. Okay, too far, we're going too fast.

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Speaker 1: We're going too fast. Let's just do the recap real

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Speaker 1: quick so we can get this out of the way.

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Speaker 1: All right, hold on, I don't have my phone, Dan,

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Speaker 1: I need you to time no problem. And yes, I

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Speaker 1: have been listening to the podcast. I am behind, but

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Speaker 1: I haven't listening and I do nobody nobody else say

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Speaker 1: I did hear you ask Scarlett your hands about Ryan

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Speaker 1: Reynolds apps, so I know that that happens. Yes, all right,

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Speaker 1: here we go. All right, you ready, ready, it's forty

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Speaker 1: seven seconds now, forty seven seconds. Ready go. Season three

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Speaker 1: begins with a pal Doctor Cox punches Doctor Kelso in

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Speaker 1: the nose. Things in the hospital seem to go back

405
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Speaker 1: to normal. Well, there are a few changes. JD stopped

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Speaker 1: using moose when when the progression of change doesn't move

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Speaker 1: fast enough some people take matters into their own hands

408
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Speaker 1: and try to help change with its pace. Unfortunately, change

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Speaker 1: is stubborn as fuck and moves at its own speed.

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Speaker 1: It's like it likes to take its time. Change is

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Speaker 1: so slow that things always seem to be the same. Okay,

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Speaker 1: change is so slow, things always seem to be the same.

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Speaker 1: Thirty nine seconds, Thank you Donald for that beautiful summation

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Speaker 1: of the themes. My first impression was what the hell

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Speaker 1: did I do during this hiatus? Because I have a belly,

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Speaker 1: my hair is too long, I seem a little fat

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Speaker 1: in my face, like I've been over indulging in alcohol. Um.

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Speaker 1: That was my first impression of myself. What did you

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Speaker 1: guys think when you first saw your season three selves?

420
00:22:27,840 --> 00:22:30,120
Speaker 1: When I first saw you, I was like, oh shit,

421
00:22:30,600 --> 00:22:34,639
Speaker 1: this is the season. Zach came back comfortable, he came back.

422
00:22:35,320 --> 00:22:37,919
Speaker 1: He came back. But it's true he went away that

423
00:22:38,040 --> 00:22:41,000
Speaker 1: summer and sincerely was like, you know, hey, I'm the

424
00:22:41,040 --> 00:22:42,760
Speaker 1: star of a hit show and I'm gonna be on

425
00:22:42,840 --> 00:22:48,159
Speaker 1: Thursday nights and he ate some freaking ice creamed. I

426
00:22:48,160 --> 00:22:50,840
Speaker 1: looked a little chubby. I don't like that. But see, see,

427
00:22:50,840 --> 00:22:52,639
Speaker 1: when you guys say that you don't blow smoke and

428
00:22:52,800 --> 00:22:54,600
Speaker 1: you yeah, I mean you, you mean it, you can

429
00:22:54,640 --> 00:22:57,080
Speaker 1: tell it like it is. No, we don't, we don't,

430
00:22:57,080 --> 00:22:58,840
Speaker 1: we don't. We don't mince words here. I want him

431
00:22:58,840 --> 00:23:00,199
Speaker 1: to be honest with you. I tell him, and he

432
00:23:00,240 --> 00:23:03,000
Speaker 1: looks a little Tubbins. Will you tell me that all

433
00:23:03,040 --> 00:23:11,320
Speaker 1: the time? Tubbins? I like it sounded like it sounded

434
00:23:11,400 --> 00:23:16,320
Speaker 1: like Mary Poppins with Tubbins for paper. And I remember

435
00:23:17,040 --> 00:23:19,000
Speaker 1: your own set of wings. What's up? You know what?

436
00:23:19,040 --> 00:23:20,800
Speaker 1: I remember? We were? We were, We were a bonafid

437
00:23:20,880 --> 00:23:22,680
Speaker 1: hit at this point. Season two was our was our

438
00:23:22,920 --> 00:23:26,000
Speaker 1: was our biggest season ever. And I have to look

439
00:23:26,080 --> 00:23:28,199
Speaker 1: up when I did that, Htus. I'm sure I may

440
00:23:28,240 --> 00:23:29,880
Speaker 1: have made a movie. He was Last Kiss or something.

441
00:23:29,880 --> 00:23:33,520
Speaker 1: I don't know, but I came back a little Tubbins. No,

442
00:23:33,640 --> 00:23:35,240
Speaker 1: I think it's garden I think at this time it's

443
00:23:35,240 --> 00:23:37,960
Speaker 1: Garden State. I think Garden State had come out. You're right,

444
00:23:38,080 --> 00:23:40,719
Speaker 1: I jumping timeline, and no, it didn't come out. I

445
00:23:40,760 --> 00:23:43,879
Speaker 1: think I probably shot Gardens. That it had to be

446
00:23:43,960 --> 00:23:45,960
Speaker 1: this year that you shot Garden State because the year

447
00:23:46,000 --> 00:23:49,719
Speaker 1: before you had just sold it and everything like that.

448
00:23:49,760 --> 00:23:52,439
Speaker 1: So this is the right, right, right, the year before

449
00:23:52,520 --> 00:23:55,200
Speaker 1: I had done Shakespeare in the Park in New York,

450
00:23:55,280 --> 00:23:57,520
Speaker 1: and then I had set it up with Natalie and

451
00:23:57,600 --> 00:23:59,080
Speaker 1: this would have been one year later is when I

452
00:23:59,160 --> 00:24:01,639
Speaker 1: probably made the movie. Sorry I'm bad with time like that,

453
00:24:01,680 --> 00:24:03,600
Speaker 1: but you're probably right. So anyway, I come back. I

454
00:24:03,640 --> 00:24:05,800
Speaker 1: remember that we were we all three of us, were

455
00:24:05,880 --> 00:24:07,199
Speaker 1: kind of like, the show is such a hit. Are

456
00:24:07,240 --> 00:24:10,000
Speaker 1: we gonna get a little pay raise? Because you know

457
00:24:10,040 --> 00:24:12,639
Speaker 1: that sometimes happens. After two years, we had heard that

458
00:24:12,640 --> 00:24:14,960
Speaker 1: the Willing Grace cast had all been given boxers. Do

459
00:24:15,000 --> 00:24:17,159
Speaker 1: you remember that this was like when the Porsche boxer

460
00:24:17,480 --> 00:24:21,000
Speaker 1: was a boxer. Yeah, it just it just come out

461
00:24:21,040 --> 00:24:23,399
Speaker 1: and they had given all four of the leads of

462
00:24:23,440 --> 00:24:26,680
Speaker 1: Willing craz boxers. And we were like, oh shit, we'll

463
00:24:26,760 --> 00:24:29,400
Speaker 1: be gonna get what's going on. And we didn't get anything.

464
00:24:29,600 --> 00:24:33,119
Speaker 1: And then the first episode opened with you Too the song,

465
00:24:33,480 --> 00:24:35,440
Speaker 1: and I never turned to Donald being like, I guess

466
00:24:35,480 --> 00:24:42,800
Speaker 1: that's where our raised. Oh my god, that you two song.

467
00:24:43,000 --> 00:24:44,760
Speaker 1: I mean, just hearing it in this episode, like does

468
00:24:44,800 --> 00:24:46,520
Speaker 1: it bring you guys right back to the pilot. I

469
00:24:46,560 --> 00:24:49,520
Speaker 1: can't hear that song without it like being twenty four

470
00:24:49,560 --> 00:24:52,320
Speaker 1: again and shooting that pilot why did we play the

471
00:24:52,320 --> 00:24:55,760
Speaker 1: song a lot that was in the pilot was in

472
00:24:55,800 --> 00:24:58,360
Speaker 1: the pilot episode when Dandald Joel am I correct, Yeah,

473
00:24:58,359 --> 00:24:59,840
Speaker 1: I think so. It wasn't when you walk in this

474
00:25:00,119 --> 00:25:03,240
Speaker 1: like the song. I think in the pilot up probably is,

475
00:25:05,000 --> 00:25:06,960
Speaker 1: unless it was that we try to put it in

476
00:25:07,000 --> 00:25:08,600
Speaker 1: and then when we it was just in the pre

477
00:25:08,720 --> 00:25:10,360
Speaker 1: cut and when we aired we didn't get it till

478
00:25:10,359 --> 00:25:12,040
Speaker 1: three years later, but I think we had it in there,

479
00:25:12,240 --> 00:25:14,520
Speaker 1: and I just remember that it was very expensive, and

480
00:25:14,560 --> 00:25:17,280
Speaker 1: I think we were told at the time, like someone

481
00:25:17,359 --> 00:25:18,960
Speaker 1: was like, you're not gonna believe how much we spent

482
00:25:19,000 --> 00:25:22,240
Speaker 1: on getting that you two song, and we were all like, great,

483
00:25:22,840 --> 00:25:26,040
Speaker 1: that sounds great, gonna be really good because you know,

484
00:25:26,040 --> 00:25:29,240
Speaker 1: because Bono needs a new house. Right, Oh my god?

485
00:25:29,760 --> 00:25:33,280
Speaker 1: Did did you guys? Was that the year that you

486
00:25:33,359 --> 00:25:35,520
Speaker 1: got your new car? Speaking of Boxer as it wasn't

487
00:25:35,520 --> 00:25:37,399
Speaker 1: a Boxer, but when you went from your ZDR Porsche

488
00:25:37,520 --> 00:25:40,520
Speaker 1: and Bill put the license plate on, No, I didn't

489
00:25:40,520 --> 00:25:43,520
Speaker 1: go right to I didn't get that cocky. I got

490
00:25:43,600 --> 00:25:45,400
Speaker 1: I got a three fifty Z the year that the

491
00:25:45,440 --> 00:25:48,960
Speaker 1: three Nissan three fifty Z came out. My father's fanciest

492
00:25:49,000 --> 00:25:51,600
Speaker 1: sports car was a Nissan two eighties EX and I

493
00:25:51,640 --> 00:25:53,600
Speaker 1: thought it was the coolest car. It was the first

494
00:25:53,600 --> 00:25:55,600
Speaker 1: one of the first cars where that would talk, that

495
00:25:55,720 --> 00:25:57,560
Speaker 1: is to say, like if you left your lights on,

496
00:25:57,600 --> 00:25:59,600
Speaker 1: it would be like, your lights are on. And I

497
00:25:59,640 --> 00:26:01,919
Speaker 1: was like, holy shit, we have night Rider. We have

498
00:26:02,000 --> 00:26:04,720
Speaker 1: fucking night Rider. And I would talk to it. I

499
00:26:04,760 --> 00:26:06,680
Speaker 1: would talk to it. I would sit, my dad would

500
00:26:06,680 --> 00:26:09,560
Speaker 1: be inside obviously, like I wouldn't have the keys, but

501
00:26:09,600 --> 00:26:11,920
Speaker 1: I would like open the door and like flip the

502
00:26:12,000 --> 00:26:15,000
Speaker 1: lights on it and I'd be like, hey, kid, and

503
00:26:15,040 --> 00:26:16,879
Speaker 1: everything okay with the car, and it would be like

504
00:26:16,920 --> 00:26:19,199
Speaker 1: your lights are own. I're like, thank you, kid, And

505
00:26:19,240 --> 00:26:21,960
Speaker 1: I was just in heaven. So I always loved Nissan

506
00:26:22,080 --> 00:26:24,159
Speaker 1: sports cars. And then Nissan Kim came out with a

507
00:26:24,240 --> 00:26:27,439
Speaker 1: three fifty Z and I was so excited. And I

508
00:26:27,440 --> 00:26:29,719
Speaker 1: actually my car that I bought for five grand when

509
00:26:29,720 --> 00:26:31,720
Speaker 1: I moved to La my parents lowe me money was

510
00:26:31,760 --> 00:26:36,960
Speaker 1: a Nissan two forty SX super used barely, you know,

511
00:26:37,000 --> 00:26:39,080
Speaker 1: I fixed it up so it was fine. And then

512
00:26:39,119 --> 00:26:41,080
Speaker 1: when I got to when I got scrub and there

513
00:26:41,080 --> 00:26:45,160
Speaker 1: was a bus boy who worked at the French Vietnamese

514
00:26:45,240 --> 00:26:47,240
Speaker 1: restaurant with me and we barely spoke English. I don't

515
00:26:47,240 --> 00:26:49,800
Speaker 1: know any Spanish, but we were like best friends. And

516
00:26:50,000 --> 00:26:54,199
Speaker 1: he loved my Nissan two forty SX. And when I

517
00:26:54,240 --> 00:26:56,840
Speaker 1: got Scrubs and then I bought the Z, I gave

518
00:26:56,920 --> 00:26:59,879
Speaker 1: him the car for like a dollar because you have

519
00:26:59,880 --> 00:27:02,040
Speaker 1: to like do some money exchange or something, so he

520
00:27:02,160 --> 00:27:04,280
Speaker 1: like he got the car for a buck and it

521
00:27:04,320 --> 00:27:07,200
Speaker 1: was pretty cool moment. And so yes, my first fancy

522
00:27:07,240 --> 00:27:09,760
Speaker 1: car with Scrubs was that I didn't get to portion

523
00:27:09,800 --> 00:27:11,840
Speaker 1: until I made a little more money. Hold on, I

524
00:27:11,840 --> 00:27:15,640
Speaker 1: remember what happened. You bought the Z and everybody clowned

525
00:27:15,720 --> 00:27:19,840
Speaker 1: you for buying one person one person clown, one personal

526
00:27:19,920 --> 00:27:25,840
Speaker 1: who is that? One person? You? You? Okay? You also

527
00:27:26,440 --> 00:27:28,800
Speaker 1: but also Bill who put TV doc on your license

528
00:27:28,800 --> 00:27:30,439
Speaker 1: plate and then he didn't tell you that he was

529
00:27:30,440 --> 00:27:31,919
Speaker 1: doing that. I don't know if you've discussed this on

530
00:27:31,920 --> 00:27:33,480
Speaker 1: the podcast, or maybe you want to cut this out

531
00:27:33,480 --> 00:27:37,440
Speaker 1: because it's too We don't don't cut we don't cut

532
00:27:37,440 --> 00:27:42,120
Speaker 1: embarrassing things out, Sarah, Bill had the prop Department, unbeknownst

533
00:27:42,160 --> 00:27:45,879
Speaker 1: to me, put a California license plate on my new

534
00:27:45,920 --> 00:27:49,320
Speaker 1: car that said TV DOC and I didn't know about

535
00:27:49,320 --> 00:27:51,399
Speaker 1: it or see it, and I was driving around fu

536
00:27:51,760 --> 00:27:55,520
Speaker 1: La how long? For how long? Like like a week

537
00:27:55,600 --> 00:27:57,960
Speaker 1: with a flashy sports car with TV doc I want

538
00:27:57,960 --> 00:28:02,280
Speaker 1: to so embarrassed. That inspired me when I was working

539
00:28:02,359 --> 00:28:04,520
Speaker 1: on a show called Mad Love with Jason Biggs and

540
00:28:04,560 --> 00:28:06,560
Speaker 1: Tyler Leabine and we were rapping the next day and

541
00:28:06,600 --> 00:28:08,400
Speaker 1: I thought what would be a fun thing to do

542
00:28:09,000 --> 00:28:11,840
Speaker 1: for the cast? And Judy Grew was on him. She

543
00:28:11,880 --> 00:28:14,840
Speaker 1: was like, I can't do it to Judy because she

544
00:28:14,840 --> 00:28:17,880
Speaker 1: wouldn't have loved it. So I asked the props department,

545
00:28:17,920 --> 00:28:20,320
Speaker 1: who are always so amazing, like in twenty four hours,

546
00:28:20,320 --> 00:28:22,920
Speaker 1: I was like, can you get me two license plates?

547
00:28:23,359 --> 00:28:25,280
Speaker 1: And so they made me these license plates and they

548
00:28:25,320 --> 00:28:27,320
Speaker 1: TechEd them down to make them look old, and I

549
00:28:27,320 --> 00:28:28,959
Speaker 1: was like, what would be the douciest things that they

550
00:28:28,960 --> 00:28:33,480
Speaker 1: could be driving around with? So for Biggs, I did

551
00:28:33,560 --> 00:28:35,879
Speaker 1: bi gg S and the S was a dollar sign.

552
00:28:39,520 --> 00:28:43,120
Speaker 1: For Tyler Labine, I just did like actin ACTI n

553
00:28:43,160 --> 00:28:47,360
Speaker 1: apostrophe at acting for my fellow. And I've known Tyler

554
00:28:47,400 --> 00:28:49,120
Speaker 1: since we were sixteen. We were in a robin Hood

555
00:28:49,240 --> 00:28:52,560
Speaker 1: takeoff with Joshua Jackson, josh Jackson and Devin Sawa when

556
00:28:52,560 --> 00:28:56,560
Speaker 1: we were like fifteen. So all you Canadian kids stick together. Man,

557
00:28:56,720 --> 00:28:59,240
Speaker 1: there's a whole Canadian community up there. There's only like

558
00:28:59,440 --> 00:29:01,680
Speaker 1: fourteen of them. They all know each other. No, there's

559
00:29:01,760 --> 00:29:04,920
Speaker 1: no way more than that. Dude. I used to think

560
00:29:04,960 --> 00:29:08,880
Speaker 1: like you, Zach. I used to think like you. But no, no, no,

561
00:29:09,160 --> 00:29:12,240
Speaker 1: I learned when I did I did a French Canadian

562
00:29:12,280 --> 00:29:15,960
Speaker 1: film in Montreal, and I learned that there's a whole

563
00:29:16,000 --> 00:29:21,680
Speaker 1: community of French Canadian stars that watch French Canadian cinema

564
00:29:22,000 --> 00:29:24,200
Speaker 1: like they have their own star system. Because when I

565
00:29:24,200 --> 00:29:26,560
Speaker 1: did the movie, there's amazing actress I worked with. She

566
00:29:26,760 --> 00:29:30,520
Speaker 1: was like a big star in Montreal. And interestingly enough,

567
00:29:30,600 --> 00:29:34,360
Speaker 1: I said, oh, these movies must must transfer over to France,

568
00:29:34,400 --> 00:29:36,720
Speaker 1: and they said no, they really. They rarely ever become

569
00:29:36,760 --> 00:29:40,160
Speaker 1: popular in France. It's like just this community. They have

570
00:29:40,240 --> 00:29:43,960
Speaker 1: their own like movie stars. So what I want to

571
00:29:43,960 --> 00:29:48,680
Speaker 1: see it. It's called The High Cost of Living. It's

572
00:29:48,680 --> 00:29:53,160
Speaker 1: a super super, super good but also sad movie. It's

573
00:29:53,160 --> 00:29:55,680
Speaker 1: the movie I made with Debor Chow. We've spoken about

574
00:29:55,680 --> 00:29:58,200
Speaker 1: Deborah Chow on this podcast. She's become one of the

575
00:29:58,240 --> 00:30:00,640
Speaker 1: hottest directors in town. She's one of the directors of

576
00:30:00,680 --> 00:30:07,200
Speaker 1: Mandalorian and she's directing UM the obi Wan TV show. Anyway.

577
00:30:07,720 --> 00:30:11,400
Speaker 1: Her first feature that she wrote and directed UM was

578
00:30:11,400 --> 00:30:13,800
Speaker 1: was there and it was called The High Cost of Living,

579
00:30:13,800 --> 00:30:16,280
Speaker 1: which I was going to say. The reason I would

580
00:30:16,320 --> 00:30:20,720
Speaker 1: imagine the reason why I wouldn't translate or in France

581
00:30:20,800 --> 00:30:25,640
Speaker 1: in France is because it's two different. French's close enough.

582
00:30:25,760 --> 00:30:28,360
Speaker 1: I mean, you can sound like this different, right, Sara,

583
00:30:28,400 --> 00:30:30,240
Speaker 1: you wouldn't know better than us. That sounds like you

584
00:30:30,240 --> 00:30:34,160
Speaker 1: can understand each other. That's like saying Haitians and montreal

585
00:30:34,200 --> 00:30:37,200
Speaker 1: people speak the same. French Man, it's a different I

586
00:30:37,200 --> 00:30:39,200
Speaker 1: don't think it's that different. Let's ask the people, the

587
00:30:39,200 --> 00:30:42,320
Speaker 1: person who's fluent, Sarah, is it that different? I mean,

588
00:30:42,360 --> 00:30:44,440
Speaker 1: they definitely are different. I feel like there's sort of

589
00:30:44,480 --> 00:30:50,600
Speaker 1: like a definitely people from France would like to definitely

590
00:30:50,680 --> 00:30:52,520
Speaker 1: think so like when I go to France and I'm

591
00:30:52,560 --> 00:30:56,080
Speaker 1: so excited to speak French at the markets and um,

592
00:30:57,080 --> 00:30:59,520
Speaker 1: I was learned speaking you know, all my my teachers

593
00:30:59,520 --> 00:31:11,000
Speaker 1: growing for friend Canadian Hello, Lola still good radio. They

594
00:31:11,080 --> 00:31:14,440
Speaker 1: Comedian radio the radio because it would be like chatting

595
00:31:14,440 --> 00:31:20,560
Speaker 1: all the time. I don't even know what she said,

596
00:31:20,600 --> 00:31:25,000
Speaker 1: but it shifted but that's French Canadian right there. That's

597
00:31:25,040 --> 00:31:29,320
Speaker 1: French Canadian. That's right now, Sarah, as I recall what

598
00:31:29,360 --> 00:31:32,720
Speaker 1: they no, it's a big difference between that and freaking

599
00:31:33,120 --> 00:31:36,160
Speaker 1: regular French. She just said it was different, but Donald

600
00:31:36,280 --> 00:31:38,240
Speaker 1: saying they can barely understand each other. You can go

601
00:31:38,320 --> 00:31:39,760
Speaker 1: there and they think you have an accent, but they

602
00:31:39,800 --> 00:31:44,080
Speaker 1: understand you. I mean, they were the words all the same. Yeah,

603
00:31:44,120 --> 00:31:46,080
Speaker 1: I just say, that's it real hard though. It's like,

604
00:31:49,680 --> 00:31:52,320
Speaker 1: it's like you're saying it like that instead of plus

605
00:31:52,320 --> 00:31:57,760
Speaker 1: some motherfucker, because that comes up all the time. Fish.

606
00:31:57,920 --> 00:32:03,080
Speaker 1: It's seat of being like it's stead of being like less.

607
00:32:05,400 --> 00:32:07,680
Speaker 1: I feel like they said we like this, Sarah, wet,

608
00:32:07,800 --> 00:32:15,680
Speaker 1: they go wet. What I remember is that they're going, um,

609
00:32:15,720 --> 00:32:18,320
Speaker 1: so sorry. Joel has told us that that song didn't

610
00:32:18,320 --> 00:32:20,320
Speaker 1: make the pilot, Sarah, So maybe it was in the cut.

611
00:32:20,520 --> 00:32:22,000
Speaker 1: You heard it in the cut, and it probably was

612
00:32:22,000 --> 00:32:23,840
Speaker 1: too expensive. I have to ask Bill now because I

613
00:32:23,840 --> 00:32:25,080
Speaker 1: don't know if I'm making that up, but I thought

614
00:32:25,080 --> 00:32:26,600
Speaker 1: it was in the cut of the pilot. But yeah,

615
00:32:26,600 --> 00:32:29,200
Speaker 1: maybe we had to wait till season three for our

616
00:32:29,240 --> 00:32:33,920
Speaker 1: boxer money to go to. Bill doesn't do the ask

617
00:32:34,080 --> 00:32:37,680
Speaker 1: Bill section. No, he does. You misunderstood Donald. It's not

618
00:32:37,720 --> 00:32:40,240
Speaker 1: that he was giving up doing the segment. He said

619
00:32:40,280 --> 00:32:43,200
Speaker 1: he just wanted to be more proactive in his contributions.

620
00:32:43,400 --> 00:32:46,239
Speaker 1: Isn't that right, Joel? Yes, that is correct. Okay, Can

621
00:32:46,280 --> 00:32:48,920
Speaker 1: we let's get back to the show. Okay, But I

622
00:32:48,960 --> 00:32:50,720
Speaker 1: just have so much to talk about. How about that

623
00:32:50,920 --> 00:32:54,640
Speaker 1: news article about us that was Sarah did you see that?

624
00:32:54,840 --> 00:32:57,880
Speaker 1: I saw it and I read it and congratulations and

625
00:32:58,000 --> 00:33:02,880
Speaker 1: I agree, and I mean just the just the like

626
00:33:03,080 --> 00:33:06,920
Speaker 1: in headline. Yeah, it was like the podcast of Quarantine.

627
00:33:06,960 --> 00:33:11,120
Speaker 1: How how Fake Doctor's Real Friends became the hit podcast

628
00:33:11,160 --> 00:33:14,160
Speaker 1: of Quarantine. Everybody, if you haven't seen it. E News

629
00:33:14,200 --> 00:33:18,040
Speaker 1: says that we're all amazing, and we agree, and it

630
00:33:18,080 --> 00:33:21,840
Speaker 1: is such a it's such a beautiful relief in the

631
00:33:21,840 --> 00:33:24,800
Speaker 1: midst of all of the shit. Like I find there

632
00:33:24,840 --> 00:33:28,120
Speaker 1: have been stressful moments obviously over the past seven months,

633
00:33:28,200 --> 00:33:30,720
Speaker 1: when someone gets sick and you're like, oh good now

634
00:33:30,720 --> 00:33:33,560
Speaker 1: that every symptoms on the docket. There's not really a

635
00:33:33,560 --> 00:33:36,040
Speaker 1: moment of relief if you're sick of wondering is is

636
00:33:36,080 --> 00:33:39,960
Speaker 1: it is? It's not it? And I have played I

637
00:33:40,000 --> 00:33:41,720
Speaker 1: remember one time I was really stressed. I played it

638
00:33:41,760 --> 00:33:43,480
Speaker 1: and it was you guys and Neil Flynn and I

639
00:33:43,560 --> 00:33:46,320
Speaker 1: laughed my ass off, and it does it just like

640
00:33:46,400 --> 00:33:49,640
Speaker 1: takes you out of all of the things. It's it's

641
00:33:49,680 --> 00:33:52,120
Speaker 1: so great. You know what takes me out of you

642
00:33:52,160 --> 00:33:54,080
Speaker 1: know what takes me out of thinking about shit too,

643
00:33:54,240 --> 00:33:57,880
Speaker 1: is watching you on vacation with your family, Sarah, and

644
00:33:58,000 --> 00:34:00,680
Speaker 1: you trying to the motor boat with the motor boat

645
00:34:01,000 --> 00:34:06,160
Speaker 1: trying to get the motor out of the water that, Sarah,

646
00:34:06,200 --> 00:34:09,600
Speaker 1: will you explain First of all, you should follow Sarah

647
00:34:09,680 --> 00:34:13,720
Speaker 1: Chalk on the social media, but oh my god, what

648
00:34:14,000 --> 00:34:15,759
Speaker 1: was going on with this with this video? Can you

649
00:34:15,760 --> 00:34:19,759
Speaker 1: explain to people that didn't see hilarious? So it's a

650
00:34:19,840 --> 00:34:22,320
Speaker 1: long video of my butt trying to pull up a motor.

651
00:34:22,440 --> 00:34:26,319
Speaker 1: I I'm just trying to So the motor is very

652
00:34:26,400 --> 00:34:31,960
Speaker 1: heavy and for some reason, why are you trying to

653
00:34:32,000 --> 00:34:35,960
Speaker 1: pull the what do they call those motors? The it's outboard.

654
00:34:35,960 --> 00:34:37,719
Speaker 1: Why are you trying to pull the outboard motor out

655
00:34:37,719 --> 00:34:40,200
Speaker 1: of the water. Because so it's an outboard motor, it's

656
00:34:40,239 --> 00:34:43,879
Speaker 1: like a twenty five or something, which is the horsepower,

657
00:34:44,040 --> 00:34:46,160
Speaker 1: and it's big and it's heavy, and it's on the

658
00:34:46,200 --> 00:34:49,160
Speaker 1: back of a tin boat, and so basically when you

659
00:34:49,239 --> 00:34:51,279
Speaker 1: beat it, you can't leave the outboard down or the

660
00:34:51,320 --> 00:34:55,879
Speaker 1: prop will get totally damaged. It just tilt up. So

661
00:34:55,960 --> 00:34:59,200
Speaker 1: this is a skill that my sisters have learned. Um

662
00:34:59,280 --> 00:35:02,120
Speaker 1: and because I lived in la and I just for

663
00:35:02,760 --> 00:35:05,400
Speaker 1: seventeen years, whatever, I just there's some skills I was missing.

664
00:35:05,440 --> 00:35:07,239
Speaker 1: So this summer I was like, I'm learning to drive

665
00:35:07,280 --> 00:35:09,040
Speaker 1: the boat. I'm learning to pull out the motor. The

666
00:35:09,080 --> 00:35:11,120
Speaker 1: motor is very hard, so you pull in, you got

667
00:35:11,120 --> 00:35:12,799
Speaker 1: to kind of time it out that you you know,

668
00:35:12,920 --> 00:35:15,279
Speaker 1: kill the motor, and then as you're coming into the beach,

669
00:35:15,280 --> 00:35:16,759
Speaker 1: you don' want to kill it two earlier you'll be

670
00:35:16,840 --> 00:35:19,320
Speaker 1: out to see and then you have to quickly grab

671
00:35:19,360 --> 00:35:20,640
Speaker 1: it and pull it up. But there's a way that

672
00:35:20,680 --> 00:35:22,640
Speaker 1: you can kind of like push down on the handle

673
00:35:22,800 --> 00:35:25,920
Speaker 1: to give yourself some you know, umph to get that

674
00:35:26,040 --> 00:35:28,919
Speaker 1: motor out. And I didn't know that I was doing

675
00:35:28,960 --> 00:35:32,400
Speaker 1: it till Piper, my sister, had videoed me trying for

676
00:35:32,440 --> 00:35:35,759
Speaker 1: about fifteen minutes to pull this motor out, and then

677
00:35:35,800 --> 00:35:38,880
Speaker 1: she played it back for me afterwards, and finally I

678
00:35:39,160 --> 00:35:40,880
Speaker 1: got up. I did bail and have a couple of

679
00:35:40,920 --> 00:35:43,480
Speaker 1: scrubs esque pratfalls. But what I didn't notice so I

680
00:35:43,480 --> 00:35:45,640
Speaker 1: watched it back, was every time I've always tried to

681
00:35:45,680 --> 00:35:53,880
Speaker 1: pull up that motor, I make the jd um and

682
00:35:54,040 --> 00:35:56,520
Speaker 1: it just like for summer. It was so funny watching

683
00:35:56,600 --> 00:35:58,680
Speaker 1: you try and pull an outboard motor out. I mean

684
00:35:58,920 --> 00:36:01,000
Speaker 1: it was like it was it was like watching an

685
00:36:01,040 --> 00:36:03,200
Speaker 1: episode of Three's Company. It was just I wish it

686
00:36:03,280 --> 00:36:09,600
Speaker 1: was set to music. It's just I mean, I can't.

687
00:36:09,760 --> 00:36:14,000
Speaker 1: I'm gotten telling you. It's heavy. It's heavy. I pictured

688
00:36:14,080 --> 00:36:18,399
Speaker 1: this is how you get around in Canada twenty five Yeah,

689
00:36:18,480 --> 00:36:21,000
Speaker 1: just in your little ten twenty boat with your twenty

690
00:36:21,000 --> 00:36:25,280
Speaker 1: five horse power. Speaking of Canada, are you guys watching

691
00:36:25,320 --> 00:36:30,239
Speaker 1: the show called the vale on um Hbo Max. It's

692
00:36:30,400 --> 00:36:32,960
Speaker 1: so good. I haven't seen it. I've heard it's so

693
00:36:33,000 --> 00:36:35,360
Speaker 1: great and we can discuss it at our next reunion.

694
00:36:35,400 --> 00:36:39,399
Speaker 1: I've heard it's amazing. I'm just behind y'all watching way

695
00:36:39,480 --> 00:36:42,239
Speaker 1: too much television. Man. It's like y'all need to get

696
00:36:42,320 --> 00:36:47,759
Speaker 1: some get them kid some kids something kids and kids.

697
00:36:47,760 --> 00:36:50,919
Speaker 1: You'll never watch television again? Well, Donald, what, I don't

698
00:36:50,920 --> 00:36:52,919
Speaker 1: watch that much TV. I watched TV. We watched TV

699
00:36:53,040 --> 00:36:54,719
Speaker 1: like for a few hours after Bark are you got

700
00:36:54,719 --> 00:36:56,839
Speaker 1: a new show every day? It's like, Yo, have you

701
00:36:56,840 --> 00:37:02,200
Speaker 1: guys watched the Perception? Well you watch You're you don't

702
00:37:02,239 --> 00:37:05,839
Speaker 1: watch it sounds TV after you have dinner, like like

703
00:37:05,920 --> 00:37:08,879
Speaker 1: many do we do. We we try and get into

704
00:37:08,920 --> 00:37:14,040
Speaker 1: a few good shows betwixt dinner and bedtime. Yeah, I don't.

705
00:37:14,280 --> 00:37:16,799
Speaker 1: I don't have the I don't do that. I get

706
00:37:16,800 --> 00:37:19,400
Speaker 1: to watch, I watch a little bit of sports. Then

707
00:37:19,719 --> 00:37:22,399
Speaker 1: then I you know, that's it. I go to bed.

708
00:37:22,719 --> 00:37:24,600
Speaker 1: I think that you're I think that you're unique in

709
00:37:24,600 --> 00:37:27,319
Speaker 1: that area. I think, especially during quarantine, there's there's a

710
00:37:27,320 --> 00:37:31,040
Speaker 1: lot of brilliant television right now to consume. Anyway, the

711
00:37:31,520 --> 00:37:34,880
Speaker 1: October and October, and I'm very excited for October. Anyway,

712
00:37:34,920 --> 00:37:37,120
Speaker 1: The Vow on HBO Max. I highly recommend you check

713
00:37:37,120 --> 00:37:40,240
Speaker 1: it out. It's really fucked up and very well told,

714
00:37:40,360 --> 00:37:43,080
Speaker 1: and it's about a cult and a lot of it

715
00:37:43,120 --> 00:37:46,520
Speaker 1: takes place in Vancouver. That's why I brought it up. Sarah.

716
00:37:46,560 --> 00:37:48,879
Speaker 1: I'm so glad you didn't get recruited into this sex

717
00:37:48,960 --> 00:37:52,560
Speaker 1: cult because they pulled in a lot of actors. It's real.

718
00:37:52,600 --> 00:37:55,920
Speaker 1: It's a real Is it based on nexium? Yes, it

719
00:37:56,040 --> 00:38:00,680
Speaker 1: is nexium. It is No, it's a documentary, Sarah. They're

720
00:38:00,719 --> 00:38:04,640
Speaker 1: they're They're showing all these beautiful young Canadian actresses that

721
00:38:04,719 --> 00:38:06,520
Speaker 1: got recruited into this thing, and I'm like, I'm so

722
00:38:06,560 --> 00:38:10,600
Speaker 1: glad they didn't get my Sarah. It is I feel

723
00:38:10,600 --> 00:38:12,359
Speaker 1: like it went it went down. I think like right

724
00:38:12,400 --> 00:38:15,080
Speaker 1: after I moved to la If, I'm right, Alison mac right,

725
00:38:15,120 --> 00:38:17,560
Speaker 1: she's the one that she becomes like one of the

726
00:38:17,600 --> 00:38:21,000
Speaker 1: fucking leaders of the ship. Branding them I listened to

727
00:38:21,040 --> 00:38:24,560
Speaker 1: I haven't watched that Boilers, but they brand boilers. They

728
00:38:24,600 --> 00:38:27,759
Speaker 1: brand them vagina adjacent. Yes, they brand them next to

729
00:38:27,800 --> 00:38:30,400
Speaker 1: the vaginas. Sarah, you're ruining the show. I just have

730
00:38:30,440 --> 00:38:33,240
Speaker 1: a couple more things. I'm sorry. I'm sorry. I'm sorry.

731
00:38:33,239 --> 00:38:37,200
Speaker 1: What is the name of this show. It's called The Vow.

732
00:38:37,280 --> 00:38:39,840
Speaker 1: It's on HBO Max. It is so fucked up, Daniel,

733
00:38:39,880 --> 00:38:42,359
Speaker 1: you watching it? Let me write down. Let me write

734
00:38:42,400 --> 00:38:45,520
Speaker 1: this and watch it. I'm so Sarah. Did anyone ever

735
00:38:45,560 --> 00:38:46,880
Speaker 1: come up to you and be like, I have a

736
00:38:46,960 --> 00:38:50,160
Speaker 1: really wonderful class. I want to take you to let

737
00:38:50,200 --> 00:38:51,960
Speaker 1: me show Let me just show you my branding. Oh

738
00:38:52,000 --> 00:38:55,200
Speaker 1: my god, she's she's lifting up her shirt. She's branded

739
00:38:55,239 --> 00:38:58,479
Speaker 1: everybody she's branded, and right at that moment, the lad

740
00:38:58,640 --> 00:39:00,520
Speaker 1: Lightning package went out. There we go, I don't mean

741
00:39:00,520 --> 00:39:02,280
Speaker 1: to make a joke out on everybody. It is really

742
00:39:02,320 --> 00:39:06,000
Speaker 1: fucked up, but you just can't believe it. You're watching

743
00:39:06,040 --> 00:39:08,000
Speaker 1: it with your jaw on the floor of this. It's

744
00:39:08,280 --> 00:39:10,319
Speaker 1: not only is it such a fucked up story, but

745
00:39:10,360 --> 00:39:13,319
Speaker 1: the documentarians did a really amazing job telling it. Because

746
00:39:13,320 --> 00:39:16,080
Speaker 1: you're just like, holy shit, I wonder if it's the

747
00:39:16,120 --> 00:39:18,480
Speaker 1: same documentarians that did they so they did a podcast

748
00:39:18,480 --> 00:39:21,560
Speaker 1: which I've listened to all the episodes about Nexium. I

749
00:39:21,600 --> 00:39:23,239
Speaker 1: think it was on the CBC a couple of years ago.

750
00:39:23,320 --> 00:39:26,040
Speaker 1: We don't talk about other podcasts. Yeah, I get that.

751
00:39:26,080 --> 00:39:29,320
Speaker 1: I just realized as it was coming out of my mouth, guys,

752
00:39:29,480 --> 00:39:33,680
Speaker 1: listen to my mouth, and I realized that it might

753
00:39:33,719 --> 00:39:38,239
Speaker 1: be a competitor. Um No. I was wearing my starting

754
00:39:38,320 --> 00:39:40,680
Speaker 1: my tu and I just broke in my garberator. All

755
00:39:40,680 --> 00:39:44,720
Speaker 1: of a sudden, I pulled out of the parcade. Sarah

756
00:39:44,760 --> 00:39:47,960
Speaker 1: say the most Canadian sentence you can. I think that

757
00:39:48,040 --> 00:39:49,960
Speaker 1: was it. That involved two which is your hat, your garberde,

758
00:39:49,960 --> 00:39:51,520
Speaker 1: which is our garbage spools in your parkade, which is

759
00:39:51,520 --> 00:39:57,920
Speaker 1: a parking structure, and then you say Suri suriy and

760
00:39:57,960 --> 00:39:59,959
Speaker 1: then you say, I'm just off to have you guys,

761
00:40:00,000 --> 00:40:07,319
Speaker 1: anyone seem like Gilda tuk No, what's that? What? Yeah?

762
00:40:07,320 --> 00:40:08,960
Speaker 1: It was it was a It was a yes, a

763
00:40:09,000 --> 00:40:11,080
Speaker 1: movie that we were forced to watch in French class

764
00:40:11,120 --> 00:40:13,719
Speaker 1: every year growing up. Um, all right, Donald, you on

765
00:40:13,760 --> 00:40:15,200
Speaker 1: your phone right now? What the fuck are you doing.

766
00:40:15,840 --> 00:40:17,680
Speaker 1: I'm waiting to get into the show. You guys are

767
00:40:18,000 --> 00:40:19,680
Speaker 1: so you've checked out of the show. You're still on

768
00:40:19,680 --> 00:40:26,600
Speaker 1: your phone. I'm not really social media looking at animation

769
00:40:26,719 --> 00:40:29,879
Speaker 1: videos on YouTube right now. I'm not big anymore. Dude.

770
00:40:29,920 --> 00:40:32,840
Speaker 1: That ship was fucking like a half an hour or

771
00:40:32,840 --> 00:40:34,839
Speaker 1: a time. Did you say, oh, you got a high

772
00:40:34,840 --> 00:40:36,600
Speaker 1: a half hour ago and you're not still high? What

773
00:40:36,600 --> 00:40:39,400
Speaker 1: has we've been we've been doing We've been doing the

774
00:40:39,440 --> 00:40:41,239
Speaker 1: show for over a half an hour, so it can't

775
00:40:41,280 --> 00:40:43,640
Speaker 1: be a half hour ago. Wait, I didn't know that, Donald,

776
00:40:43,640 --> 00:40:46,279
Speaker 1: I missed the beginning. Yeah he's high. We've lost that.

777
00:40:47,320 --> 00:40:50,879
Speaker 1: I didn't know that. I underneath the death. By the way, Sarah,

778
00:40:50,920 --> 00:40:53,120
Speaker 1: it's a prefet analogy. We all came back for season

779
00:40:53,160 --> 00:40:56,440
Speaker 1: three feeling ourselves. I got a little Tommy phoning it in.

780
00:40:56,800 --> 00:40:59,680
Speaker 1: I'm cocky. Donald comes into season three the podcast Big

781
00:41:00,160 --> 00:41:04,799
Speaker 1: in his phone. Listen, hold on, time out, Time out,

782
00:41:04,840 --> 00:41:08,680
Speaker 1: time out, Buddy, listen, I am not high right now. Okay,

783
00:41:08,719 --> 00:41:11,319
Speaker 1: so let's kay. I am worn off. It's worn off.

784
00:41:11,360 --> 00:41:13,960
Speaker 1: It's completely worn off. I am. I need some of

785
00:41:13,960 --> 00:41:16,399
Speaker 1: this quick wear off weed because if I get high,

786
00:41:16,440 --> 00:41:19,799
Speaker 1: it's been hours. It's been about it's been hours. My

787
00:41:19,840 --> 00:41:21,680
Speaker 1: point is it should be one of our products, Quick

788
00:41:21,719 --> 00:41:24,520
Speaker 1: wear off weed, by fake doctrines, real friends. Oh my god,

789
00:41:24,520 --> 00:41:27,279
Speaker 1: we make so much money. You can be, you can be,

790
00:41:27,360 --> 00:41:29,640
Speaker 1: you can be high, but it lasts, it goes away

791
00:41:29,680 --> 00:41:33,040
Speaker 1: after a half hour. All right, all right, let's show.

792
00:41:34,160 --> 00:41:36,600
Speaker 1: Thank you, all right, thank you. Forty three minutes in,

793
00:41:36,719 --> 00:41:41,200
Speaker 1: we've finally gotten to this. Okay, So we talked about

794
00:41:41,239 --> 00:41:43,800
Speaker 1: your hair already. We talked about your weight and everything

795
00:41:43,840 --> 00:41:48,520
Speaker 1: like that, right, George Michael in the beginning. Yeah, so

796
00:41:48,680 --> 00:41:51,360
Speaker 1: what's the difference. You can you can sing, George Michael,

797
00:41:51,680 --> 00:41:54,799
Speaker 1: and as long as it's not the actual music and

798
00:41:54,880 --> 00:41:57,200
Speaker 1: George Michael singing and doesn't cost any money. But if

799
00:41:57,239 --> 00:41:59,160
Speaker 1: you know, I'm sure too. We had three songs in

800
00:41:59,200 --> 00:42:01,200
Speaker 1: this episode. This is how much Bill was feeling our

801
00:42:01,200 --> 00:42:05,880
Speaker 1: budget after on season two. Uh, Tom, Petty, George, Michael,

802
00:42:06,040 --> 00:42:10,000
Speaker 1: you two. I imagine it's a very expensive song. I

803
00:42:10,000 --> 00:42:12,960
Speaker 1: think we shot probably half the half the show's music

804
00:42:13,000 --> 00:42:16,919
Speaker 1: budget in the first episode. But um, but uh yeah,

805
00:42:16,960 --> 00:42:19,880
Speaker 1: So I'm dancing and Donald says, what's the rule about

806
00:42:20,080 --> 00:42:23,360
Speaker 1: white boys dancing in public? And I go, not allowed

807
00:42:23,440 --> 00:42:28,640
Speaker 1: unless you're gay. And then this amazing guy comes in

808
00:42:29,000 --> 00:42:31,680
Speaker 1: and dances like crazy and does this move and we

809
00:42:31,760 --> 00:42:38,040
Speaker 1: go Morning Stephen, which we then name our dog, our

810
00:42:38,120 --> 00:42:44,480
Speaker 1: second dog. Um. But the funniest right off the bat,

811
00:42:44,520 --> 00:42:46,759
Speaker 1: would you like if I could touch your body? No,

812
00:42:46,920 --> 00:42:52,080
Speaker 1: not you, sir? Yeah, if I could touch your body,

813
00:42:52,239 --> 00:42:57,200
Speaker 1: not you, sir. And then okay, let's get let's get

814
00:42:57,239 --> 00:43:00,439
Speaker 1: to the basketball game. Smack talk Yeah, the small talking

815
00:43:01,239 --> 00:43:07,280
Speaker 1: Oma Butler Omoja, I want to say, right, Omoja Butler? Yeah,

816
00:43:07,520 --> 00:43:10,680
Speaker 1: uh it has probably that's that joke made me laugh,

817
00:43:10,880 --> 00:43:12,799
Speaker 1: probably the hardest out of all of the jokes in

818
00:43:12,840 --> 00:43:16,160
Speaker 1: the show, where he's like, I'm gonna toast you so

819
00:43:16,200 --> 00:43:20,280
Speaker 1: bad your mother is not gonna recognize you. And you go, oh, yeah,

820
00:43:20,320 --> 00:43:24,640
Speaker 1: well I heard just just have started drinking again. And

821
00:43:24,800 --> 00:43:29,759
Speaker 1: then you're like the true and he starts crying, ay right,

822
00:43:29,760 --> 00:43:32,239
Speaker 1: and then you go, oh, it's not supposed to be true. Yeah,

823
00:43:33,120 --> 00:43:36,279
Speaker 1: you like let it all out. Yeah yeah, you go

824
00:43:36,360 --> 00:43:38,759
Speaker 1: like let him flow or something. And then yeah, and

825
00:43:39,280 --> 00:43:42,040
Speaker 1: it's just your delivery. Yeah, well I heard your sister

826
00:43:42,120 --> 00:43:49,239
Speaker 1: started drinking again. And I love that j D doesn't

827
00:43:49,239 --> 00:43:50,920
Speaker 1: not a smack talk. He's like, oh, it's it's not

828
00:43:50,960 --> 00:43:55,839
Speaker 1: supposed to be true. And then also, this is this

829
00:43:55,920 --> 00:43:58,680
Speaker 1: is the episode that Frick started. Yeah, two forty three,

830
00:43:58,719 --> 00:44:03,120
Speaker 1: everybody a mom are first Frick? What's the genesis of Frick?

831
00:44:04,200 --> 00:44:06,640
Speaker 1: I wish I remembered. I don't remember. I don't know.

832
00:44:07,320 --> 00:44:08,719
Speaker 1: I don't remember. I don't know if it was me

833
00:44:08,800 --> 00:44:12,319
Speaker 1: your bill and then it then it developed went to

834
00:44:12,520 --> 00:44:14,560
Speaker 1: double frick, and then frick on a stick with a brick.

835
00:44:16,120 --> 00:44:19,840
Speaker 1: It was frick, double frick, frick on a stick on

836
00:44:19,840 --> 00:44:23,279
Speaker 1: a stick, stick with a brick. It became one of

837
00:44:23,360 --> 00:44:25,640
Speaker 1: Sarah's catchphrases. She finally got her what you're talking about?

838
00:44:25,640 --> 00:44:29,000
Speaker 1: Willis say, I got it? In season three Season season three,

839
00:44:29,040 --> 00:44:31,160
Speaker 1: she got her frick. I didn't get a box there,

840
00:44:31,160 --> 00:44:35,080
Speaker 1: but I got a frick. Yeah, but I did. I

841
00:44:35,120 --> 00:44:37,719
Speaker 1: did get that pink cashmere Juicy jogger set that I

842
00:44:37,719 --> 00:44:39,520
Speaker 1: wore in that frick scene. I remember they let me

843
00:44:39,560 --> 00:44:43,080
Speaker 1: take that home. Oh yeah, girl. Do you remember Juicy Ya?

844
00:44:43,280 --> 00:44:52,319
Speaker 1: Do you remember Juicy Juicy Cashmere? Yeah, man, Juicy with

845
00:44:52,360 --> 00:44:55,040
Speaker 1: the gym everybody had and it was sweatsuits. It was

846
00:44:55,080 --> 00:44:59,040
Speaker 1: a bunch of sweatsuits and everybody was paying three hundred

847
00:44:59,040 --> 00:45:04,839
Speaker 1: dollars for sweatsuit. Yeah, Juicy, they figured it out, Juicy. Um.

848
00:45:05,440 --> 00:45:07,680
Speaker 1: So you know, frick comes from you can't You know?

849
00:45:07,800 --> 00:45:10,279
Speaker 1: On TV shows and network you're always trying to work

850
00:45:10,280 --> 00:45:13,880
Speaker 1: around places where you'd actually curse. Some shows like do

851
00:45:13,960 --> 00:45:17,120
Speaker 1: It and Beep It, which which I guess is easier

852
00:45:17,160 --> 00:45:19,840
Speaker 1: if you're more documentary style, like like The Office or

853
00:45:20,400 --> 00:45:25,200
Speaker 1: Modern Family or something. Um, some shows the Good Place

854
00:45:25,400 --> 00:45:29,719
Speaker 1: very creatively made it fork because they were in like

855
00:45:29,840 --> 00:45:34,160
Speaker 1: this supposedly in this like heaven type setting where where

856
00:45:34,160 --> 00:45:37,160
Speaker 1: it just automatically changes all your curses to better words.

857
00:45:37,719 --> 00:45:40,840
Speaker 1: But so so frick allowed Sarah to say fuck without

858
00:45:40,840 --> 00:45:44,080
Speaker 1: saying fuck. There's one more there's one more place that

859
00:45:44,160 --> 00:45:47,520
Speaker 1: they changed the word and so you wouldn't say fucking.

860
00:45:47,560 --> 00:45:51,120
Speaker 1: That was Battlestar Galactica and they said frak And that

861
00:45:51,320 --> 00:45:54,799
Speaker 1: became are you frakin kidding me? Are you frakin kidding me?

862
00:45:54,920 --> 00:45:56,920
Speaker 1: Right now? But that they never explained it, or they

863
00:45:56,920 --> 00:45:58,719
Speaker 1: just just did it. They just did it for the

864
00:45:58,760 --> 00:46:01,160
Speaker 1: whole the whole run of the show. It would be like,

865
00:46:01,160 --> 00:46:04,239
Speaker 1: what the frack are you talking about? Oh, frack, I'm

866
00:46:04,280 --> 00:46:07,839
Speaker 1: gonna frack you up. You can say friggin um, which

867
00:46:07,880 --> 00:46:11,680
Speaker 1: I always thought was it, which was a comfortable alternative. Yeah,

868
00:46:11,680 --> 00:46:13,920
Speaker 1: but some people don't like friggin It doesn't have the

869
00:46:13,920 --> 00:46:18,040
Speaker 1: power that fuck has or frick or frick. You need

870
00:46:18,080 --> 00:46:20,600
Speaker 1: the k, you need the k frick. You know that

871
00:46:20,880 --> 00:46:25,359
Speaker 1: to make a movie PG thirteen, Uh, you're allowed one

872
00:46:25,480 --> 00:46:28,320
Speaker 1: fuck in a PG thirteen movie, and it can't be

873
00:46:28,360 --> 00:46:30,600
Speaker 1: as sexual. Fuck. You can't be like, oh I want

874
00:46:30,600 --> 00:46:33,520
Speaker 1: to fuck her, but you can be like what the fuck?

875
00:46:34,239 --> 00:46:37,640
Speaker 1: Oh I didn't know old trivia for you. So you

876
00:46:37,640 --> 00:46:39,640
Speaker 1: have to pick your fuck if you're if you're directing

877
00:46:39,640 --> 00:46:41,600
Speaker 1: a PG thirteen movie, they're like, all right, pick your fuck,

878
00:46:41,640 --> 00:46:44,120
Speaker 1: what do you want? And then next rating you can

879
00:46:44,120 --> 00:46:49,120
Speaker 1: do are you consider what you want? Yeah? Okay, so

880
00:46:49,200 --> 00:46:51,440
Speaker 1: there's some sorry, go ahead, go ahead ahead. I'm trying

881
00:46:51,440 --> 00:46:56,040
Speaker 1: to think of the other Oh. PG thirteen rules. They

882
00:46:56,080 --> 00:47:00,359
Speaker 1: probably changed there used to be like um obviously sex um,

883
00:47:00,480 --> 00:47:03,200
Speaker 1: there were some other other ones forgot drug use. Maybe

884
00:47:03,239 --> 00:47:07,000
Speaker 1: I don't know. All right, go ahead, Donald, Uh, Kelso's

885
00:47:07,040 --> 00:47:09,799
Speaker 1: nose squeaks the entire episode. Before we get to Kelso's nose.

886
00:47:09,800 --> 00:47:11,719
Speaker 1: What about Sarah losing her car door? I mean that

887
00:47:11,760 --> 00:47:16,440
Speaker 1: was hilarious. Further and then carrying it around the hospital

888
00:47:16,440 --> 00:47:18,800
Speaker 1: with me, so doesn't get stolen. Now, this is something

889
00:47:18,840 --> 00:47:23,600
Speaker 1: that this is something that goes on. This joke continues

890
00:47:23,640 --> 00:47:26,840
Speaker 1: through other episodes because you you later on have like

891
00:47:26,880 --> 00:47:30,960
Speaker 1: a taxicab door, like a yellow on your car and

892
00:47:31,000 --> 00:47:33,600
Speaker 1: everything like that. So this is a joke that continues

893
00:47:33,960 --> 00:47:35,880
Speaker 1: with your brand new card. Am I right? Or am

894
00:47:35,880 --> 00:47:38,920
Speaker 1: I wrong? Yeah? That's right. I forgot about that. I

895
00:47:38,920 --> 00:47:41,040
Speaker 1: think that's right. Yeah she did. She didn't get the

896
00:47:41,080 --> 00:47:43,560
Speaker 1: matching colored door. She just got it was the same

897
00:47:43,600 --> 00:47:49,759
Speaker 1: door of her car, but it was yellow. Um. Yeah,

898
00:47:49,920 --> 00:47:53,040
Speaker 1: so that I thought that was very funny. Um And

899
00:47:53,080 --> 00:47:56,000
Speaker 1: then yeah, so sorry, Donald, go to go to Kelso's

900
00:47:56,000 --> 00:47:58,560
Speaker 1: squeaky nose, which is very funny for the whole episode.

901
00:47:58,920 --> 00:48:02,520
Speaker 1: Kelso has a squeaking because of the punch he received

902
00:48:02,560 --> 00:48:06,440
Speaker 1: from doctor Cox and that shit is left. Yo. Every

903
00:48:06,480 --> 00:48:10,200
Speaker 1: time Ken would uh inhale, it would squeak. It's only

904
00:48:10,200 --> 00:48:12,040
Speaker 1: on the inhale. Though it's not on the exhale, It's

905
00:48:12,040 --> 00:48:17,239
Speaker 1: only on the inhale. So every time inhale. I love

906
00:48:17,239 --> 00:48:19,520
Speaker 1: how people hate him so much that even though the

907
00:48:19,600 --> 00:48:24,120
Speaker 1: room was packed, He's like, miraculously no one was. Sorry, Sammy,

908
00:48:25,560 --> 00:48:30,919
Speaker 1: Sammy in the background going like ceting now my dive

909
00:48:31,040 --> 00:48:33,799
Speaker 1: under the gurney. I replated it a few times because

910
00:48:33,800 --> 00:48:36,640
Speaker 1: I thought it was a cowboy switch scene. I couldn't

911
00:48:36,680 --> 00:48:40,000
Speaker 1: figure out if it was or not. I watched Was

912
00:48:40,040 --> 00:48:41,960
Speaker 1: that a cowboy switch? I feel like it was. I

913
00:48:42,000 --> 00:48:45,560
Speaker 1: feel like you came running up in the hallway and

914
00:48:46,160 --> 00:48:47,759
Speaker 1: from the back, then it was cowboy switch and then

915
00:48:47,800 --> 00:48:50,280
Speaker 1: you popped up. I know, but it was so seamless.

916
00:48:50,360 --> 00:48:53,080
Speaker 1: That good. That so for those of you who don't

917
00:48:53,080 --> 00:48:56,319
Speaker 1: remember a cowboy switches when the actor who's not a

918
00:48:56,320 --> 00:49:00,319
Speaker 1: stuntman is hiding and the stuntman does something in saying

919
00:49:00,440 --> 00:49:02,640
Speaker 1: and then kind of goes off camera and then the

920
00:49:02,640 --> 00:49:06,439
Speaker 1: real actor plops up. So JD does this insane sort

921
00:49:06,480 --> 00:49:09,160
Speaker 1: of slide under a gurney and then I pop up.

922
00:49:09,400 --> 00:49:11,959
Speaker 1: I'm pretty I'm like, I'm pretty sure it's a cowboy switch,

923
00:49:12,000 --> 00:49:14,480
Speaker 1: but man, it is seamless. You cannot tell. It's so

924
00:49:14,800 --> 00:49:17,919
Speaker 1: like the timing of me coming up was so brazy.

925
00:49:18,480 --> 00:49:20,920
Speaker 1: It's over. And I mean, you did always, for the

926
00:49:20,960 --> 00:49:23,800
Speaker 1: most part, try your own falls always, so it's very pausible.

927
00:49:24,080 --> 00:49:25,560
Speaker 1: I did. I did. I did a lot of them.

928
00:49:25,600 --> 00:49:27,759
Speaker 1: But when when when when you know the thing about

929
00:49:27,800 --> 00:49:30,920
Speaker 1: a stunt man is there is when there's a real chance, like, okay,

930
00:49:30,960 --> 00:49:33,399
Speaker 1: you could get hurt doing this one, like like when

931
00:49:33,400 --> 00:49:36,799
Speaker 1: I exit the room that's clearly at it takes a

932
00:49:36,880 --> 00:49:39,680
Speaker 1: really hard fall on the gurney tipping over. So you

933
00:49:39,680 --> 00:49:43,560
Speaker 1: don't want your actors breaking anything because then you can't

934
00:49:43,560 --> 00:49:47,080
Speaker 1: fucking make the show. So a lot of these actors, also,

935
00:49:47,120 --> 00:49:50,600
Speaker 1: stunt people often don't get paid well. They get like

936
00:49:50,680 --> 00:49:53,560
Speaker 1: one rate to show up, but then often they won't

937
00:49:53,680 --> 00:49:57,040
Speaker 1: get more money unless they do the thing. So sometimes

938
00:49:57,080 --> 00:49:58,960
Speaker 1: I feel for stunt people who are like, oh, come on,

939
00:49:59,200 --> 00:50:01,120
Speaker 1: I know you want to show off and do it yourself,

940
00:50:01,120 --> 00:50:04,279
Speaker 1: but let me fucking do this stunt and right, and

941
00:50:04,320 --> 00:50:06,560
Speaker 1: so I often tried to do them. But but but

942
00:50:06,719 --> 00:50:08,680
Speaker 1: some of them were I could like break a hand.

943
00:50:08,880 --> 00:50:11,440
Speaker 1: They were like, no, you're not doing that. I would still,

944
00:50:11,480 --> 00:50:13,920
Speaker 1: even not doing my own stunts. Come once a season

945
00:50:14,040 --> 00:50:17,239
Speaker 1: two scrubs on crutches with having torn the ligaments in

946
00:50:17,320 --> 00:50:19,600
Speaker 1: my left ankle. I think it was about once a year,

947
00:50:19,800 --> 00:50:23,000
Speaker 1: and I'd be like, Randall, I'm so sorry. So they

948
00:50:23,000 --> 00:50:25,840
Speaker 1: would like they would have me like standing behind beside

949
00:50:25,880 --> 00:50:27,920
Speaker 1: the bed and standing in a lot of scenes and

950
00:50:28,000 --> 00:50:30,919
Speaker 1: not walking. How many times did you get injured making

951
00:50:30,920 --> 00:50:33,640
Speaker 1: this show? I feel like it was it was always

952
00:50:33,640 --> 00:50:35,520
Speaker 1: my ankle, and it was never doing anything fabulous. I

953
00:50:35,560 --> 00:50:36,840
Speaker 1: would come to send people like how'd you do it?

954
00:50:36,840 --> 00:50:39,160
Speaker 1: And I'd be like, I was walking Lola, and I

955
00:50:39,280 --> 00:50:41,759
Speaker 1: ripped on a pine gun on the sidewalk, and then

956
00:50:42,040 --> 00:50:44,239
Speaker 1: it was yeah, it was. It was basically the first

957
00:50:44,280 --> 00:50:46,719
Speaker 1: time I did it. I was in college and my

958
00:50:46,800 --> 00:50:49,279
Speaker 1: leg was crossed and my foot fell asleep, and I

959
00:50:49,320 --> 00:50:51,160
Speaker 1: was in like a five hundred personal lecture hall and

960
00:50:51,200 --> 00:50:53,440
Speaker 1: I got up to ask the professor question and I

961
00:50:53,480 --> 00:50:55,960
Speaker 1: went down like I went over my ankle. I rolled

962
00:50:55,960 --> 00:50:57,840
Speaker 1: my ankle and it swole up to the size of

963
00:50:57,840 --> 00:51:00,600
Speaker 1: a grapefruit and they X rayed it. And I was

964
00:51:00,719 --> 00:51:04,000
Speaker 1: nineteen years old, and I had a growth plate that

965
00:51:04,040 --> 00:51:06,080
Speaker 1: hadn't closed because I haven't finished growing, but they thought

966
00:51:06,080 --> 00:51:07,799
Speaker 1: it was a hairline fracture, so by mistake put me

967
00:51:07,800 --> 00:51:09,960
Speaker 1: into a plaster cast up to my knee and I

968
00:51:10,000 --> 00:51:11,960
Speaker 1: went to go film an episode of The Rosanne Show

969
00:51:11,960 --> 00:51:14,160
Speaker 1: and she was like. Roseanne was like, it doesn't make

970
00:51:14,160 --> 00:51:16,080
Speaker 1: sense you would have that. Get that taken off, and

971
00:51:16,120 --> 00:51:18,640
Speaker 1: so I did, even though like that's like a kid

972
00:51:18,760 --> 00:51:22,719
Speaker 1: who has like you know, a potentially like I don't

973
00:51:22,719 --> 00:51:25,400
Speaker 1: even what's wrong take that cast. So they asked me

974
00:51:25,400 --> 00:51:26,719
Speaker 1: to take the cast off, so I did, and the

975
00:51:26,760 --> 00:51:29,720
Speaker 1: doctor down there was like, you're it's actually a blessing

976
00:51:29,760 --> 00:51:31,759
Speaker 1: in disguise, because this is like a growth plate that

977
00:51:31,760 --> 00:51:33,960
Speaker 1: hasn't closed. It's not a hairline fracture. If it's not broken.

978
00:51:34,320 --> 00:51:36,200
Speaker 1: You just sprained it really badly, and that's why it

979
00:51:36,239 --> 00:51:40,719
Speaker 1: swole up so much. So's coldness actually helped you. It

980
00:51:40,760 --> 00:51:42,600
Speaker 1: was it was such a it was a gift, man,

981
00:51:42,800 --> 00:51:44,839
Speaker 1: it's all for you. I want to tell everyone about

982
00:51:44,880 --> 00:51:48,319
Speaker 1: Lola Sarah's seven thousand dollar dog and we'll explain it

983
00:51:48,480 --> 00:52:01,759
Speaker 1: right after these were and we're bad bad, come Mack,

984
00:52:01,880 --> 00:52:03,200
Speaker 1: I know I'm allowed to join him on that. I

985
00:52:03,239 --> 00:52:06,800
Speaker 1: just was inspired you're just not allowed to read the

986
00:52:07,200 --> 00:52:16,040
Speaker 1: producer notes as you would call. Oh right, okay, hold on, Donald, No,

987
00:52:16,080 --> 00:52:23,240
Speaker 1: but you're not hot, You're not hig at all. Right, Sarah,

988
00:52:23,320 --> 00:52:25,960
Speaker 1: tell everyone who's listening about your seven thousand dollar dog.

989
00:52:26,000 --> 00:52:28,879
Speaker 1: And before you judge everyone, No, she didn't go buy

990
00:52:29,000 --> 00:52:33,200
Speaker 1: some boutique, fancy expensive that was. That was a big

991
00:52:33,239 --> 00:52:35,799
Speaker 1: evening for us too. What what was the evening? What

992
00:52:35,800 --> 00:52:38,240
Speaker 1: were we doing? Where were It was a charity, sarady.

993
00:52:38,239 --> 00:52:40,799
Speaker 1: You remember what the cause was. It was the Help Group.

994
00:52:40,840 --> 00:52:43,279
Speaker 1: It was for autism with children with autism, and it

995
00:52:43,400 --> 00:52:46,320
Speaker 1: was um, Jeff Zucker, who was the boss at NBC.

996
00:52:46,600 --> 00:52:49,319
Speaker 1: Well you remember that Donald infamously gave the noogie two

997
00:52:49,400 --> 00:52:53,600
Speaker 1: that our first part, Please Donald, No, please Donald. Uh.

998
00:52:53,640 --> 00:52:56,000
Speaker 1: So we were there and we were excited. I think

999
00:52:56,000 --> 00:52:59,600
Speaker 1: it was like season two, um, and season one or

1000
00:52:59,600 --> 00:53:01,920
Speaker 1: season two, and we went and Jeff Zucker was our

1001
00:53:01,960 --> 00:53:04,400
Speaker 1: boss and the night was to honor him and his

1002
00:53:04,480 --> 00:53:06,920
Speaker 1: contribution to the Help Group as well. And so there

1003
00:53:06,960 --> 00:53:09,759
Speaker 1: was this little chocolate lab that they were having as

1004
00:53:09,800 --> 00:53:12,960
Speaker 1: part of the auction to raise money, and I really

1005
00:53:13,000 --> 00:53:15,440
Speaker 1: just paused there, pause there. Did they have one dog

1006
00:53:15,560 --> 00:53:18,560
Speaker 1: or several? It was just one. All right. So I

1007
00:53:18,560 --> 00:53:20,880
Speaker 1: recall it was an auction obviously to raise money for

1008
00:53:20,880 --> 00:53:25,360
Speaker 1: for autism, and they geniusly brought in this puppy that

1009
00:53:25,480 --> 00:53:27,960
Speaker 1: was the cutest chocolate lab puppy you've ever seen. It

1010
00:53:28,040 --> 00:53:31,200
Speaker 1: was like tiny, fit in your palm, in your hands,

1011
00:53:31,800 --> 00:53:33,839
Speaker 1: and it was probably I don't know, I'm guessing ten

1012
00:53:33,880 --> 00:53:37,399
Speaker 1: weeks old. And the idea was, you know, we're gonna

1013
00:53:37,440 --> 00:53:39,480
Speaker 1: get They wanted everyone, and then you got everyone like

1014
00:53:39,520 --> 00:53:41,600
Speaker 1: buzzed on alcohol, and then the idea is like, all right,

1015
00:53:41,800 --> 00:53:44,040
Speaker 1: who's you guys are gonna bid on who gets to

1016
00:53:44,080 --> 00:53:47,240
Speaker 1: take home this dog? And they brought they brought her around,

1017
00:53:47,600 --> 00:53:50,200
Speaker 1: like you're saying to like to get everybody super excited.

1018
00:53:50,200 --> 00:53:52,760
Speaker 1: It brought her around. I was holding her, this little

1019
00:53:53,120 --> 00:53:55,439
Speaker 1: chocolate brown nugget. She was yeah, she was like tiny,

1020
00:53:55,520 --> 00:53:57,840
Speaker 1: she's ten weeks old. And I was wearing a chocolate

1021
00:53:57,880 --> 00:53:59,960
Speaker 1: brown dress. I remember it was my was my bride's

1022
00:54:00,040 --> 00:54:07,120
Speaker 1: made stress from my sister's wedding. And so I'm falling

1023
00:54:07,160 --> 00:54:09,760
Speaker 1: in love with this dog. And then the bidding starts

1024
00:54:09,760 --> 00:54:11,560
Speaker 1: in the room and I'm bidding on her, and the

1025
00:54:11,600 --> 00:54:13,799
Speaker 1: whole I fall over. The soul's rest from everyone's going crazy,

1026
00:54:13,800 --> 00:54:15,399
Speaker 1: everyone's bidding on it, and so finally I just gave

1027
00:54:15,480 --> 00:54:18,799
Speaker 1: up because it was insane. It got too high. And

1028
00:54:18,800 --> 00:54:21,000
Speaker 1: then the whole cast on the table, you guys all

1029
00:54:21,000 --> 00:54:23,520
Speaker 1: whispered to each other. And then when the bidding came

1030
00:54:23,600 --> 00:54:25,640
Speaker 1: to write before the ending, you all like stood up

1031
00:54:25,640 --> 00:54:28,000
Speaker 1: and put your arms up and and got her for me,

1032
00:54:28,080 --> 00:54:32,520
Speaker 1: and and we all split the costacus each a thousand dollars. Wait,

1033
00:54:33,000 --> 00:54:34,600
Speaker 1: how long? How long did it take for me to

1034
00:54:34,840 --> 00:54:37,279
Speaker 1: pay you the thousand dollars? Did you ever pay? I

1035
00:54:37,320 --> 00:54:40,960
Speaker 1: did pay her? Okay, how long? I don't remember her.

1036
00:54:41,480 --> 00:54:43,800
Speaker 1: I don't remember. Buddy just was the most sweetest, thoughtful,

1037
00:54:43,880 --> 00:54:47,760
Speaker 1: touching thing ever. And she obviously like became her scrubs

1038
00:54:47,760 --> 00:54:50,400
Speaker 1: mascot and came to scrubs to work every day. And

1039
00:54:50,440 --> 00:54:52,879
Speaker 1: I loved her so much. She was very I think

1040
00:54:52,880 --> 00:54:58,520
Speaker 1: I paid for Lola like season eight or nine. Finally

1041
00:54:58,640 --> 00:55:00,520
Speaker 1: gave the money. In life, I remember, and whenever we

1042
00:55:00,560 --> 00:55:03,279
Speaker 1: had group things the chippen on, like crew gifts or

1043
00:55:03,400 --> 00:55:06,480
Speaker 1: or or getting getting something for the crew, or in

1044
00:55:06,520 --> 00:55:09,840
Speaker 1: this case giving money to charity for Sarah's dog, Johnny

1045
00:55:09,840 --> 00:55:11,600
Speaker 1: C would pay you like an hour later he'd be

1046
00:55:11,600 --> 00:55:14,880
Speaker 1: like fast money makes fast friends. That was one of

1047
00:55:14,920 --> 00:55:17,400
Speaker 1: his Johnny seism would be like fast money makes fast friends.

1048
00:55:17,640 --> 00:55:20,160
Speaker 1: And then John was the polar opposite. Donald would be

1049
00:55:20,239 --> 00:55:22,319
Speaker 1: like eight years later, he'd be like, Yo, did I

1050
00:55:22,360 --> 00:55:29,000
Speaker 1: ever pay you for the dog? And then I remember

1051
00:55:29,080 --> 00:55:30,719
Speaker 1: I was the one who I was so disorganized. I

1052
00:55:30,760 --> 00:55:33,600
Speaker 1: just would never cash the check. And Ken would be like, Sarah,

1053
00:55:33,760 --> 00:55:39,720
Speaker 1: you haven't cashed the check yet. I hate those people. So, Lola,

1054
00:55:40,120 --> 00:55:41,799
Speaker 1: when you went into Sarah's dressing room, I know we

1055
00:55:41,800 --> 00:55:44,120
Speaker 1: brought this up another time, but it was like the

1056
00:55:44,400 --> 00:55:46,040
Speaker 1: It was like if you've ever seen the show Hoarders,

1057
00:55:46,600 --> 00:55:48,880
Speaker 1: it was like that, but worse. It was like it

1058
00:55:48,960 --> 00:55:51,399
Speaker 1: was sort of bios. There was like a soup. There

1059
00:55:51,480 --> 00:55:54,040
Speaker 1: was like an open soup can from two seasons ago

1060
00:55:54,200 --> 00:55:59,719
Speaker 1: and like like looked like exploded. It kind of is like,

1061
00:55:59,760 --> 00:56:02,600
Speaker 1: as if is that this pages of notes was my

1062
00:56:02,680 --> 00:56:04,759
Speaker 1: dressing room, right, because if if this kind of like

1063
00:56:04,920 --> 00:56:08,680
Speaker 1: raining not so Ken Jenkins is trying to manage his

1064
00:56:08,800 --> 00:56:10,800
Speaker 1: check book and Sarah just throws a check for a

1065
00:56:10,840 --> 00:56:14,480
Speaker 1: thousand dollars in there somewhere can of soup from two

1066
00:56:14,520 --> 00:56:16,840
Speaker 1: seasons ago. Is true, But my nickname was Super breakfast

1067
00:56:16,840 --> 00:56:18,279
Speaker 1: because I would always have soup all the time, and

1068
00:56:18,320 --> 00:56:22,080
Speaker 1: you guys be like, oh, soup for breakfast for breakfast.

1069
00:56:22,640 --> 00:56:24,279
Speaker 1: I love I love soups. I mean I have my

1070
00:56:25,080 --> 00:56:27,080
Speaker 1: hot tea right now. There's always something hot in my hands.

1071
00:56:27,120 --> 00:56:29,839
Speaker 1: It's like either soup or tea or Yeah. But that's guys,

1072
00:56:29,840 --> 00:56:32,799
Speaker 1: you run cold. That's only that's the run cold. A

1073
00:56:32,880 --> 00:56:38,680
Speaker 1: bad circulation. She was fourteen. Oh she died. Lola died.

1074
00:56:38,800 --> 00:56:41,920
Speaker 1: She did she literally she was fourteen years old. That's

1075
00:56:41,960 --> 00:56:44,440
Speaker 1: pretty dumn good for a lab it was. It's been

1076
00:56:44,480 --> 00:56:49,200
Speaker 1: over fourteen years, I guess. Holy shit, Wow, it's it's

1077
00:56:49,200 --> 00:56:55,719
Speaker 1: been twenty one. Yeah. Um yo. This is the first

1078
00:56:55,719 --> 00:57:02,239
Speaker 1: episode that I that orange Google Googo, So I think

1079
00:57:02,280 --> 00:57:04,200
Speaker 1: this came from um. Like this was at the height

1080
00:57:04,200 --> 00:57:07,960
Speaker 1: of the jamba juice craze, um, which I don't used

1081
00:57:07,960 --> 00:57:10,000
Speaker 1: to drink. I don't drink anymore because someone told me

1082
00:57:10,040 --> 00:57:12,080
Speaker 1: that there's like so much sugar in them and why

1083
00:57:12,120 --> 00:57:18,240
Speaker 1: are you drinking jomba juice? But um Sarah Sarah, Wait everybody, Oh,

1084
00:57:18,240 --> 00:57:22,560
Speaker 1: I'm laughing at everyone. Um wait a second, Oh Jesus,

1085
00:57:24,000 --> 00:57:27,600
Speaker 1: is this the grease to Face episode? No, it's not. Yes,

1086
00:57:27,640 --> 00:57:31,000
Speaker 1: this is no, it's not did you watch the episode?

1087
00:57:31,120 --> 00:57:34,480
Speaker 1: But then no, I did, come on, man, this is

1088
00:57:34,960 --> 00:57:37,640
Speaker 1: We don't say grease to face on the show because

1089
00:57:37,680 --> 00:57:39,880
Speaker 1: the grease to face episode was when Sarah had to

1090
00:57:39,880 --> 00:57:42,560
Speaker 1: come in looking like, like really distressed and bad. She

1091
00:57:42,600 --> 00:57:44,360
Speaker 1: doesn't have that moment. She comes in with a makeover.

1092
00:57:44,440 --> 00:57:46,720
Speaker 1: She never has a moment where she looks bad. Well,

1093
00:57:46,720 --> 00:57:49,560
Speaker 1: they did give her playing Jane hair this episode, like

1094
00:57:49,640 --> 00:57:53,600
Speaker 1: everything is accented for the reveal at the end. There's

1095
00:57:53,640 --> 00:57:55,520
Speaker 1: no moment where she was supposed to look sweaty and

1096
00:57:55,560 --> 00:57:58,120
Speaker 1: we we teased her saying, come on, look worse than that.

1097
00:57:58,280 --> 00:58:00,400
Speaker 1: But there's no moment in this episode or she like

1098
00:58:00,440 --> 00:58:02,400
Speaker 1: was supposed to look particularly bad. And I want to

1099
00:58:02,400 --> 00:58:04,440
Speaker 1: hear your thoughts on your makeover, big makeover in this

1100
00:58:04,920 --> 00:58:06,680
Speaker 1: I want to know what your thoughts are run on

1101
00:58:06,760 --> 00:58:13,479
Speaker 1: this dramatic, choppy Bob m Janitor. I still like fight

1102
00:58:15,080 --> 00:58:17,520
Speaker 1: what That's one of the greatest scenes in the episode.

1103
00:58:17,560 --> 00:58:20,080
Speaker 1: I'll let you answer the question that scene. I wrote

1104
00:58:20,080 --> 00:58:22,200
Speaker 1: that down. I really want to talk about the Elliott

1105
00:58:22,240 --> 00:58:24,120
Speaker 1: and Janitor. We're gonna get into that, but I just

1106
00:58:24,120 --> 00:58:25,960
Speaker 1: want to know what in the macro what did you

1107
00:58:25,960 --> 00:58:27,640
Speaker 1: think of this big makeover, because it's always a lot

1108
00:58:27,640 --> 00:58:29,200
Speaker 1: of pressure when they're like, oh my god, that's a

1109
00:58:29,280 --> 00:58:32,439
Speaker 1: character makeover and you todd as hell, don't get me wrong,

1110
00:58:32,520 --> 00:58:34,920
Speaker 1: coming in and your eye makeup and your bob. But

1111
00:58:35,000 --> 00:58:36,480
Speaker 1: I just like, I don't know, I guess I just

1112
00:58:36,520 --> 00:58:39,160
Speaker 1: liked you with your little you know, your your before hair.

1113
00:58:40,080 --> 00:58:42,480
Speaker 1: I mean, I remember being I remember at the time

1114
00:58:42,880 --> 00:58:45,760
Speaker 1: being very excited about it because like I remember that

1115
00:58:46,040 --> 00:58:48,160
Speaker 1: they had me leave at lunch and I raced over

1116
00:58:48,240 --> 00:58:50,080
Speaker 1: town and this guy in Beverly Hills cut and then

1117
00:58:50,080 --> 00:58:53,960
Speaker 1: had me race back and and I got to wear

1118
00:58:54,040 --> 00:58:56,880
Speaker 1: my first pair of True Religion jeans, which was very

1119
00:58:56,920 --> 00:59:02,560
Speaker 1: exciting to me, and that was like a fancy brand

1120
00:59:02,600 --> 00:59:06,400
Speaker 1: at the time, I think, very fancy and um, and

1121
00:59:06,440 --> 00:59:09,800
Speaker 1: then Darla Albright are awesome makeup artists put all this

1122
00:59:09,840 --> 00:59:14,439
Speaker 1: like smoky eye makeup on me, and I remember having

1123
00:59:14,480 --> 00:59:18,120
Speaker 1: fun and enjoying it at the time, and looking back,

1124
00:59:18,880 --> 00:59:21,440
Speaker 1: I mean, I just, yeah, I guess I feel like,

1125
00:59:22,280 --> 00:59:24,800
Speaker 1: you know, there was a line in one of the

1126
00:59:24,840 --> 00:59:28,800
Speaker 1: episodes when Bill liked to put truisms into our dialogue

1127
00:59:28,800 --> 00:59:33,640
Speaker 1: that was short hair gives me pig face, and so yeah,

1128
00:59:33,680 --> 00:59:35,440
Speaker 1: so that sometimes. I always sometimes I feel like with

1129
00:59:35,440 --> 00:59:36,920
Speaker 1: short hair gives me pig face. I don't think you

1130
00:59:38,880 --> 00:59:41,520
Speaker 1: looked beautiful. You looked got Don't get me wrong. I

1131
00:59:41,600 --> 00:59:44,960
Speaker 1: just maybe I'm just not into Bob's is a personal thing.

1132
00:59:45,000 --> 00:59:46,160
Speaker 1: I don't know. I mean, don't get me wrong, it

1133
00:59:46,240 --> 00:59:50,120
Speaker 1: looked gorgeous, but I, oh, I am. I just today

1134
00:59:50,280 --> 00:59:53,400
Speaker 1: my Amazons like now with your with your with your

1135
00:59:53,440 --> 00:59:56,960
Speaker 1: like your dreadlock hair. It really looks amazing. I think

1136
00:59:57,240 --> 00:59:59,680
Speaker 1: Danil and Joe Hell can weigh in. It's pretty fancy.

1137
00:59:59,760 --> 01:00:02,960
Speaker 1: So I just you know, we're in a pandemic, and um,

1138
01:00:03,000 --> 01:00:05,320
Speaker 1: I ordered hair cutting scissors from Amazon, and I just

1139
01:00:05,400 --> 01:00:07,240
Speaker 1: was overly excited, and so I just tried to cut

1140
01:00:07,280 --> 01:00:09,600
Speaker 1: my own hair this morning. And I literally like have

1141
01:00:09,720 --> 01:00:11,600
Speaker 1: only had one person who lives in LA when I've

1142
01:00:11,600 --> 01:00:13,320
Speaker 1: gone back for recordings or whatever, I've had to got

1143
01:00:13,320 --> 01:00:15,440
Speaker 1: my hair. And so I just kind of was like,

1144
01:00:15,520 --> 01:00:17,640
Speaker 1: I think Gregory goes something like this, and he does this.

1145
01:00:17,960 --> 01:00:19,840
Speaker 1: And then my niece was like on YouTube, if you

1146
01:00:19,880 --> 01:00:21,520
Speaker 1: just put your hair in a ponytail and then you

1147
01:00:21,600 --> 01:00:24,760
Speaker 1: just like kind of cut the top kind of so

1148
01:00:24,880 --> 01:00:27,439
Speaker 1: that I did it. I don't know, I don't see

1149
01:00:27,440 --> 01:00:29,200
Speaker 1: when we'll see it's dry now, so I don't know.

1150
01:00:29,200 --> 01:00:30,880
Speaker 1: I haven't take it. We'll see it looks a little

1151
01:00:30,920 --> 01:00:34,200
Speaker 1: bit longer on. If that fails, you can always get

1152
01:00:34,240 --> 01:00:37,440
Speaker 1: the dude the proverb the one cut that works for everybody.

1153
01:00:37,720 --> 01:00:40,000
Speaker 1: You get a bowl and you put it over your

1154
01:00:40,000 --> 01:00:42,439
Speaker 1: head and you just cut on the outline of a bowl.

1155
01:00:43,080 --> 01:00:45,040
Speaker 1: I didn't know this trick. So if I'm not happy

1156
01:00:45,080 --> 01:00:49,680
Speaker 1: with this, it's called the mo the mo from the

1157
01:00:49,680 --> 01:00:53,760
Speaker 1: Three Stooges. The mo the mo. Okay, Donald, If I'm

1158
01:00:53,800 --> 01:00:56,160
Speaker 1: not pleased with the results when this dry is, I'm

1159
01:00:56,160 --> 01:01:01,520
Speaker 1: going to do that. When Ted turns to Carl and says,

1160
01:01:01,560 --> 01:01:05,400
Speaker 1: so you're engaged to that surgeon guy, she goes yeah,

1161
01:01:05,400 --> 01:01:09,080
Speaker 1: he goes, is it serious? Serious? No? We swing yes.

1162
01:01:09,840 --> 01:01:14,640
Speaker 1: So so Ted first hit on Sarah last episode because

1163
01:01:15,200 --> 01:01:17,040
Speaker 1: Sarah and then last episode you were crying and he's

1164
01:01:17,080 --> 01:01:19,320
Speaker 1: kind of like want to get a drink and uh.

1165
01:01:19,360 --> 01:01:21,800
Speaker 1: And in this episode he's trying the Carla angle. He's

1166
01:01:21,840 --> 01:01:26,240
Speaker 1: just really he's really clutching at straws here. He looked

1167
01:01:26,280 --> 01:01:29,760
Speaker 1: so beautiful in this episode. By the way, Yeah she did.

1168
01:01:30,120 --> 01:01:32,320
Speaker 1: How about when she she goes to seduce the uh,

1169
01:01:32,840 --> 01:01:35,280
Speaker 1: or at least blackmail the doctor that she hooked up with,

1170
01:01:35,320 --> 01:01:37,200
Speaker 1: and you're waiting out the outside and she kind she

1171
01:01:37,240 --> 01:01:39,040
Speaker 1: comes out and she lowers her top like she just

1172
01:01:39,080 --> 01:01:43,800
Speaker 1: hooked up with him. Yeahs, Like, how is that funny?

1173
01:01:44,200 --> 01:01:46,160
Speaker 1: Let's get to the Elliott and the janitor in the

1174
01:01:46,200 --> 01:01:49,880
Speaker 1: men's room. Yeah, so funny. This is the first time

1175
01:01:49,880 --> 01:01:52,640
Speaker 1: we established that because we don't know his name, that

1176
01:01:53,160 --> 01:01:55,680
Speaker 1: Elliott decided she's going to call him janitor and it's

1177
01:01:55,680 --> 01:01:59,640
Speaker 1: always high pitched, and he got more in my high

1178
01:01:59,640 --> 01:02:01,960
Speaker 1: pitched by the episode, Like this was the first one

1179
01:02:02,000 --> 01:02:04,040
Speaker 1: that we did that, and then by season eight it

1180
01:02:04,120 --> 01:02:09,400
Speaker 1: was like just Hire and I and sometimes we would

1181
01:02:09,400 --> 01:02:12,160
Speaker 1: do takes where it was not even audible and be

1182
01:02:12,200 --> 01:02:13,880
Speaker 1: like they're probably never going to use this, but how

1183
01:02:14,360 --> 01:02:19,360
Speaker 1: high can we possibly? I love that the janitor doesn't

1184
01:02:19,360 --> 01:02:21,200
Speaker 1: even flinch. He's just like, yeah, as though you said

1185
01:02:21,240 --> 01:02:23,920
Speaker 1: his name, yeah, yeah, Oh my god, Neil in this scene.

1186
01:02:23,920 --> 01:02:26,320
Speaker 1: For some reason, some things like this scene I remember

1187
01:02:26,400 --> 01:02:28,920
Speaker 1: like we shot it yesterday. It feels like so recent.

1188
01:02:28,960 --> 01:02:32,600
Speaker 1: I don't know why. Um and oh my god, he

1189
01:02:32,760 --> 01:02:35,360
Speaker 1: made me laughed so hard when he's talking about my

1190
01:02:35,480 --> 01:02:38,080
Speaker 1: grandmother that was actually my mother and my mother, my

1191
01:02:38,120 --> 01:02:40,520
Speaker 1: sister who was my mom, my grandmother thought she was

1192
01:02:40,520 --> 01:02:42,160
Speaker 1: my mother, My sister was my mom, and my brother

1193
01:02:42,280 --> 01:02:46,960
Speaker 1: dad dad. Not just that when you well, when you

1194
01:02:47,000 --> 01:02:48,800
Speaker 1: say to him and you're like, you're like, you know,

1195
01:02:48,960 --> 01:02:51,840
Speaker 1: and my life's turned pretty much turned upside down. Do

1196
01:02:51,840 --> 01:02:57,080
Speaker 1: you ever feel like that he goes, nah, because I'm

1197
01:02:57,120 --> 01:03:06,520
Speaker 1: a winner. Just just the fact that the janitor, the

1198
01:03:06,640 --> 01:03:10,160
Speaker 1: janitor of the hospital's reply is no, because I'm a wit.

1199
01:03:11,200 --> 01:03:13,480
Speaker 1: I wonder if, like I wonder if the janitor with

1200
01:03:13,680 --> 01:03:15,200
Speaker 1: you know, because we never know when he's telling the

1201
01:03:15,200 --> 01:03:18,040
Speaker 1: truth or when he's lying, if maybe because he fancies

1202
01:03:18,200 --> 01:03:20,920
Speaker 1: Sarah that he is telling the truth, Like we have

1203
01:03:20,960 --> 01:03:23,880
Speaker 1: no idea when he says this brother dad, if any

1204
01:03:23,920 --> 01:03:26,280
Speaker 1: of it's true and he's if he's just a fucking

1205
01:03:26,320 --> 01:03:31,360
Speaker 1: total liar. I feel like with Sarah, maybe maybe with

1206
01:03:31,400 --> 01:03:34,560
Speaker 1: Elliott he was like, you know, truthful. I mean, I'm

1207
01:03:34,600 --> 01:03:37,280
Speaker 1: just thinking that for the first time. Well, I don't

1208
01:03:37,280 --> 01:03:40,960
Speaker 1: know what to think he was. I like to think

1209
01:03:41,000 --> 01:03:42,560
Speaker 1: a lot of this is a lot of what the

1210
01:03:42,640 --> 01:03:46,520
Speaker 1: janitor tells us is true, like when he brings out

1211
01:03:46,520 --> 01:03:51,680
Speaker 1: the cage h at Turk and Carla's baby shower, when

1212
01:03:51,760 --> 01:03:54,560
Speaker 1: he brings out the cage for the baby is because

1213
01:03:54,800 --> 01:03:59,320
Speaker 1: he had one when he was a kid when they

1214
01:03:59,440 --> 01:04:01,720
Speaker 1: wanted to you know what I mean. But we never know,

1215
01:04:01,840 --> 01:04:03,480
Speaker 1: you know, unless you're cutting to his house, like when

1216
01:04:03,520 --> 01:04:06,040
Speaker 1: he has a squirrel army and you actually see the

1217
01:04:06,120 --> 01:04:10,200
Speaker 1: squirrel army. You know, you just never know. It's so

1218
01:04:10,280 --> 01:04:12,040
Speaker 1: fun to watch Neil in these scenes though, because he

1219
01:04:12,040 --> 01:04:15,840
Speaker 1: always throws in like obviously the dialogue and um, you

1220
01:04:15,880 --> 01:04:18,040
Speaker 1: know how the writers would write or whatever Neil says,

1221
01:04:18,080 --> 01:04:20,080
Speaker 1: and he would come up with something insanely funny on

1222
01:04:20,120 --> 01:04:23,160
Speaker 1: the spot. Um. But like even the stuff he does,

1223
01:04:23,200 --> 01:04:25,040
Speaker 1: like on this scene where he just like is talking

1224
01:04:25,080 --> 01:04:28,000
Speaker 1: to me and he randomly smells the urinal cake just

1225
01:04:28,200 --> 01:04:35,200
Speaker 1: like in the middle of the line it's a good year.

1226
01:04:36,880 --> 01:04:40,520
Speaker 1: I laughed out loud. When when you see Scott Fully

1227
01:04:40,560 --> 01:04:45,520
Speaker 1: in the smoothie place and uh, he says, I thought

1228
01:04:45,560 --> 01:04:47,760
Speaker 1: you hanted this place because the time you got sick

1229
01:04:47,840 --> 01:04:50,040
Speaker 1: here and you go you remember that and he goes,

1230
01:04:50,520 --> 01:04:55,560
Speaker 1: you got sick on my face. He's so dry. He's

1231
01:04:56,520 --> 01:04:59,320
Speaker 1: is the master. I think Scott Fully is coming on

1232
01:05:00,240 --> 01:05:05,240
Speaker 1: next episode because yeah, yeah, that's the Sea World episode

1233
01:05:05,560 --> 01:05:10,040
Speaker 1: and I and he's down. But because that's when dolphin

1234
01:05:10,600 --> 01:05:15,840
Speaker 1: but but um but sarah, uh. He was your scene partner,

1235
01:05:15,880 --> 01:05:18,200
Speaker 1: so you can speak to this even better. But god,

1236
01:05:18,320 --> 01:05:21,720
Speaker 1: no one delivers a straight man line like that guy

1237
01:05:21,880 --> 01:05:25,560
Speaker 1: just you got sick on my face. And he he

1238
01:05:25,640 --> 01:05:29,680
Speaker 1: doesn't break ever, Yeah, it doesn't break, doesn't break, no

1239
01:05:29,720 --> 01:05:32,080
Speaker 1: matter what, he just doesn't break. He doesn't break, doesn't

1240
01:05:32,080 --> 01:05:36,680
Speaker 1: crack up. Yeah, oh my god, all over the floor.

1241
01:05:37,320 --> 01:05:40,360
Speaker 1: And then in front of his new hot girlfriend and

1242
01:05:40,440 --> 01:05:46,640
Speaker 1: you're like, and he goes, it's okay, it happens. That

1243
01:05:46,760 --> 01:05:49,000
Speaker 1: is really funny. So you think, you're like, oh my god,

1244
01:05:49,280 --> 01:05:51,800
Speaker 1: this is Sean, this is fate. And then in walks

1245
01:05:51,800 --> 01:05:53,960
Speaker 1: like the pretty new girlfriend and you just look at it.

1246
01:05:54,080 --> 01:05:56,160
Speaker 1: Take one look at her, and you bugle on the floor.

1247
01:05:59,000 --> 01:06:02,000
Speaker 1: You know. I found it really interesting that they After that,

1248
01:06:02,040 --> 01:06:05,120
Speaker 1: they go outside with the two of them, with Sean

1249
01:06:05,280 --> 01:06:07,720
Speaker 1: and this new girlfriend for the dialogue, so that you

1250
01:06:07,800 --> 01:06:11,200
Speaker 1: understand that he still kind of has feelings for Elliott.

1251
01:06:11,280 --> 01:06:13,080
Speaker 1: But he has to tell her that he has the

1252
01:06:13,160 --> 01:06:16,520
Speaker 1: smoothies on her roof or she's gonna be driving in

1253
01:06:16,560 --> 01:06:18,600
Speaker 1: traffic and hit the brakes and that's going to scare

1254
01:06:18,640 --> 01:06:19,960
Speaker 1: the shit out of her, and he knows it's going

1255
01:06:20,000 --> 01:06:22,360
Speaker 1: to cause an accident, so he gives the Elliott you

1256
01:06:22,440 --> 01:06:25,280
Speaker 1: left the smoothies on your roof. She smashes on the

1257
01:06:25,320 --> 01:06:27,760
Speaker 1: brake like they're meant for each other, they're perfect for

1258
01:06:27,800 --> 01:06:31,800
Speaker 1: each other, and then ansog all over the and then

1259
01:06:31,800 --> 01:06:36,360
Speaker 1: you lose the other door with the That was fucking hilarious.

1260
01:06:36,440 --> 01:06:40,439
Speaker 1: I laughed, Yeah, I laughed at Sara. You're very funny, Sarah.

1261
01:06:40,560 --> 01:06:44,720
Speaker 1: Sarah's cool guy, Like try Sarah Elliot's mustering everything she

1262
01:06:44,840 --> 01:06:47,080
Speaker 1: can to look cute and cool in front of the

1263
01:06:47,200 --> 01:06:54,360
Speaker 1: new girlfriend. She does like with no door and the

1264
01:06:54,480 --> 01:06:58,480
Speaker 1: smoothies on her roof, double frin and then and then

1265
01:06:58,720 --> 01:07:01,880
Speaker 1: like scoff only delivery. When we're in that scene with

1266
01:07:01,920 --> 01:07:05,680
Speaker 1: the with the smoothies and I give some random, long

1267
01:07:05,720 --> 01:07:07,760
Speaker 1: explanation of some dream that I have and he's like, yeah,

1268
01:07:07,800 --> 01:07:13,600
Speaker 1: I'm doing about the same too. Yeah, he's so funny.

1269
01:07:13,160 --> 01:07:15,760
Speaker 1: He's we gotta do a show with him, like when

1270
01:07:15,800 --> 01:07:19,320
Speaker 1: we make our Space Janitor TV show. Um, whatever the

1271
01:07:19,400 --> 01:07:21,720
Speaker 1: next thing is, we gotta we gotta pob Scott. I

1272
01:07:21,760 --> 01:07:26,840
Speaker 1: want to do something with Scott Foley. Nobody so funny.

1273
01:07:27,200 --> 01:07:28,800
Speaker 1: What do you want to do with Scott Foy, Buddy,

1274
01:07:28,880 --> 01:07:30,280
Speaker 1: I know we should we should go to break, We

1275
01:07:30,280 --> 01:07:32,040
Speaker 1: should go to break, we should go to break. Do

1276
01:07:32,080 --> 01:07:33,280
Speaker 1: we need to go to break too? Well? And what

1277
01:07:33,280 --> 01:07:35,520
Speaker 1: about the guest? We have a gu guess this here

1278
01:07:35,640 --> 01:07:38,280
Speaker 1: we can but so with Sarah Chalk here, it's so exciting.

1279
01:07:38,320 --> 01:07:41,240
Speaker 1: We have so much to talk about. All right, we're

1280
01:07:41,240 --> 01:07:43,480
Speaker 1: gonna go to break, guys, and we come back. Not

1281
01:07:43,520 --> 01:07:46,560
Speaker 1: only are we gonna have more of America's favorite Canadian

1282
01:07:46,680 --> 01:07:49,560
Speaker 1: Sarah Chalk, we are going to have a guest. And

1283
01:07:49,640 --> 01:07:53,320
Speaker 1: it's very hard to top last episodes guests, Joel, because

1284
01:07:53,720 --> 01:07:56,120
Speaker 1: people really really love the guy who had sex at

1285
01:07:56,120 --> 01:07:58,560
Speaker 1: a funeral while sitting on a toilet. Um. So I

1286
01:07:59,000 --> 01:08:03,480
Speaker 1: hope that this guest can top that. We'll be right back.

1287
01:08:10,480 --> 01:08:13,200
Speaker 1: All right, here we go, everybody. We're back. We're back,

1288
01:08:13,240 --> 01:08:16,439
Speaker 1: We're back. We're back with the delightful Sarah Chalk, the

1289
01:08:16,600 --> 01:08:21,439
Speaker 1: wonderful Sarah Chalk, the glorious. And here is Adam Burger. Hi, Adam,

1290
01:08:22,600 --> 01:08:27,519
Speaker 1: Adam Burger. You got a full house today, you got

1291
01:08:27,520 --> 01:08:31,720
Speaker 1: a full house. You got three interns, the King and

1292
01:08:32,479 --> 01:08:36,160
Speaker 1: oh my gosh, Hi guys, Hi man, welcome to the program.

1293
01:08:36,200 --> 01:08:39,000
Speaker 1: Fake doctor's real friends. We really appreciate you being here.

1294
01:08:39,200 --> 01:08:42,360
Speaker 1: You must be an extraordinary guest because we had such

1295
01:08:42,840 --> 01:08:45,200
Speaker 1: a memorable guest in the last episode that Joelle has

1296
01:08:45,240 --> 01:08:48,200
Speaker 1: really upped her game, and I know she wouldn't follow

1297
01:08:48,280 --> 01:08:50,920
Speaker 1: last week's sex on a toilet at a funeral with

1298
01:08:51,040 --> 01:08:55,240
Speaker 1: someone who wasn't worthy of following. That was the story

1299
01:08:55,280 --> 01:08:59,000
Speaker 1: that you wrote in to get on the show. Yeah. So, um,

1300
01:08:59,360 --> 01:09:03,439
Speaker 1: I too musical theater at a an arts high school

1301
01:09:03,479 --> 01:09:10,840
Speaker 1: here and I've been a Scrub super fan since it aired.

1302
01:09:11,080 --> 01:09:13,040
Speaker 1: I'm your guys's age, I'm forty five and I've been

1303
01:09:13,080 --> 01:09:16,719
Speaker 1: watching it since it aired. And in two thousand and eight,

1304
01:09:17,680 --> 01:09:20,759
Speaker 1: my class, my advanced class of high schoolers, we decided

1305
01:09:20,800 --> 01:09:25,880
Speaker 1: to do the Scrubs musical episode. Oh my god. What?

1306
01:09:26,520 --> 01:09:29,000
Speaker 1: And so I was obviously I knew the episode really,

1307
01:09:29,000 --> 01:09:31,719
Speaker 1: really well, and I didn't, you know, being a teacher,

1308
01:09:31,760 --> 01:09:34,960
Speaker 1: I'm very cognizant of you know, rights and royalties and stuff.

1309
01:09:34,960 --> 01:09:36,960
Speaker 1: And I'm like, well, I don't want to even work

1310
01:09:36,960 --> 01:09:39,960
Speaker 1: on this if I don't have permission. So I sought

1311
01:09:40,000 --> 01:09:43,479
Speaker 1: out Jeff Marks, who's one of the composers of the songs,

1312
01:09:43,520 --> 01:09:45,400
Speaker 1: and he didn't have a new Queue as well, and

1313
01:09:45,520 --> 01:09:48,320
Speaker 1: I found his website and I emailed him and he

1314
01:09:48,360 --> 01:09:50,240
Speaker 1: I didn't really expect to hear back, but he wrote

1315
01:09:50,280 --> 01:09:54,479
Speaker 1: me a very long email, very friendly, basically saying, you know,

1316
01:09:54,520 --> 01:09:58,280
Speaker 1: I didn't write everything. Deborah Fordham was the episode writer,

1317
01:09:58,439 --> 01:10:00,680
Speaker 1: and she wrote a lot of the stuff too, but

1318
01:10:00,800 --> 01:10:02,559
Speaker 1: she said, you know, he said, you're not charging for it,

1319
01:10:02,560 --> 01:10:04,599
Speaker 1: are you? And I said, well, no, I'm it's just

1320
01:10:04,640 --> 01:10:06,479
Speaker 1: like a class project that we're doing. He said, then

1321
01:10:06,479 --> 01:10:08,280
Speaker 1: don't worry about it. Nobody's going to carry So we

1322
01:10:08,280 --> 01:10:12,000
Speaker 1: didn't even publish the music from it or anything. So

1323
01:10:12,120 --> 01:10:14,800
Speaker 1: I'm a pianist and a musician, and I arranged all

1324
01:10:14,880 --> 01:10:17,920
Speaker 1: the songs. Oh my god, Fought under the Stack just

1325
01:10:18,000 --> 01:10:20,479
Speaker 1: so happened to have like the exact right students that year,

1326
01:10:20,560 --> 01:10:23,600
Speaker 1: like the right demographics to do that too. And I'm like,

1327
01:10:23,640 --> 01:10:25,559
Speaker 1: I don't know if you guys know scrubs, but I'm

1328
01:10:26,040 --> 01:10:28,599
Speaker 1: obsessed with it. We're gonna do this really weird project.

1329
01:10:28,880 --> 01:10:32,200
Speaker 1: And I cast it from the class and we presented it, uh,

1330
01:10:32,800 --> 01:10:35,240
Speaker 1: just for some like as a class assignment. People came

1331
01:10:35,240 --> 01:10:39,160
Speaker 1: in to watch and it was a number killed the

1332
01:10:39,200 --> 01:10:44,120
Speaker 1: most though, oh gosh, probably guy Love that's I mean,

1333
01:10:44,160 --> 01:10:46,840
Speaker 1: I love class. Did you have to censor You're the

1334
01:10:46,880 --> 01:10:50,639
Speaker 1: only man who's ever been inside of me? No? We lucky.

1335
01:10:50,720 --> 01:10:52,840
Speaker 1: I'm very very lucky that I work at an art

1336
01:10:52,920 --> 01:10:55,320
Speaker 1: school where we could push the boundaries pretty well. I

1337
01:10:55,320 --> 01:10:57,760
Speaker 1: don't have anybody really watching over my shoulder to to

1338
01:10:57,760 --> 01:11:00,599
Speaker 1: censor me on stuff we've done some like g shows

1339
01:11:00,640 --> 01:11:03,479
Speaker 1: and stuff. I imagine this. I imagine the teenager probably

1340
01:11:03,479 --> 01:11:10,000
Speaker 1: didn't hold up his fist, though I would. I would

1341
01:11:10,040 --> 01:11:12,320
Speaker 1: have thought that the number that killed would have been

1342
01:11:12,400 --> 01:11:15,519
Speaker 1: the Pooh song. But that's just me like that was

1343
01:11:15,560 --> 01:11:17,679
Speaker 1: a hard one to make it as funny, I think,

1344
01:11:17,720 --> 01:11:20,320
Speaker 1: because you know we're on a stage. We didn't. It

1345
01:11:20,360 --> 01:11:22,479
Speaker 1: was very hard to stage a TV show on a

1346
01:11:23,320 --> 01:11:25,479
Speaker 1: on a theatrical stage, so it was a lot of

1347
01:11:25,479 --> 01:11:27,200
Speaker 1: the humor I think was lost in that. But you know,

1348
01:11:27,240 --> 01:11:30,080
Speaker 1: seeing two guys up there singing ky, well, that's so great.

1349
01:11:30,120 --> 01:11:34,520
Speaker 1: You know there is there is a Scrubs musical in development,

1350
01:11:34,800 --> 01:11:37,519
Speaker 1: a real one. Oh I didn't. I don't even know

1351
01:11:37,520 --> 01:11:39,959
Speaker 1: if I'm supposed to say that, but I'll ask. I'm

1352
01:11:40,000 --> 01:11:43,680
Speaker 1: sure I can say that. Randall Winston, who we've had

1353
01:11:43,720 --> 01:11:46,400
Speaker 1: on the show when was one of our main producers,

1354
01:11:46,400 --> 01:11:49,720
Speaker 1: our line producer. I think he was taking the lead

1355
01:11:49,760 --> 01:11:53,200
Speaker 1: on developing a Broadway musical, taking some of the songs

1356
01:11:53,280 --> 01:11:55,559
Speaker 1: from the from the Scrubs Musical episode. And then of

1357
01:11:55,600 --> 01:11:57,479
Speaker 1: course that's not enough to build a two and a

1358
01:11:57,520 --> 01:11:59,760
Speaker 1: half hour show around. So then you know, and of

1359
01:11:59,760 --> 01:12:02,720
Speaker 1: course you know, figuring out what the story of it

1360
01:12:02,760 --> 01:12:04,080
Speaker 1: would be. But I know that it was in the

1361
01:12:04,120 --> 01:12:06,320
Speaker 1: works for those of you who interested in that. Oh

1362
01:12:06,360 --> 01:12:09,040
Speaker 1: my gosh, that's wild. You could take so many of

1363
01:12:09,080 --> 01:12:13,519
Speaker 1: the stories and then turn them into the Scrubs musical.

1364
01:12:13,680 --> 01:12:16,960
Speaker 1: Like the story of the story where we sang I'm

1365
01:12:17,000 --> 01:12:19,559
Speaker 1: waiting for my real life to begin. We could add

1366
01:12:19,600 --> 01:12:21,920
Speaker 1: that in there. We could you could add you could

1367
01:12:21,920 --> 01:12:26,200
Speaker 1: add so many moments where we where we sang into

1368
01:12:26,800 --> 01:12:29,040
Speaker 1: the musical. Also, I think I think it would be cool.

1369
01:12:29,120 --> 01:12:32,599
Speaker 1: Is JD going into fantasy in a musical world set.

1370
01:12:32,600 --> 01:12:34,519
Speaker 1: It could be so fun because you got so much

1371
01:12:34,560 --> 01:12:38,040
Speaker 1: cool stuff with set design numbers, everything like that. Yeah, Yeah,

1372
01:12:38,040 --> 01:12:40,519
Speaker 1: I like that. Yeah, um, well that's cool. And I'm

1373
01:12:40,560 --> 01:12:44,440
Speaker 1: so glad that you seem like a really fun teacher. Adam.

1374
01:12:43,960 --> 01:12:46,800
Speaker 1: I went to a high school where a public high

1375
01:12:46,800 --> 01:12:50,559
Speaker 1: school in New Jersey um Columbia High School in Maplewood,

1376
01:12:50,560 --> 01:12:53,559
Speaker 1: New Jersey, and it wasn't cool to be in place.

1377
01:12:53,840 --> 01:12:57,280
Speaker 1: And I did have a great drama teacher who I

1378
01:12:57,320 --> 01:12:58,760
Speaker 1: liked a lot, but I, you know, I was a

1379
01:12:58,800 --> 01:13:00,680
Speaker 1: self conscious team and I was doing all of this,

1380
01:13:00,920 --> 01:13:03,800
Speaker 1: all of my theater stuff outside of school. I was

1381
01:13:03,840 --> 01:13:07,080
Speaker 1: going with theater camp, I was doing, you know, participating

1382
01:13:07,080 --> 01:13:09,719
Speaker 1: in sort of community theater stuff. But I was too

1383
01:13:09,880 --> 01:13:14,400
Speaker 1: self conscious. I regret to be in the school plays.

1384
01:13:14,560 --> 01:13:16,519
Speaker 1: And so I know, you're at an art school, so

1385
01:13:16,560 --> 01:13:19,760
Speaker 1: it's it's a different world. But I just loved I

1386
01:13:19,800 --> 01:13:22,040
Speaker 1: love it when I hear about great teachers like you

1387
01:13:22,120 --> 01:13:25,960
Speaker 1: who are inspiring kids to perform. Well, I'm really lucky because,

1388
01:13:26,320 --> 01:13:27,720
Speaker 1: you know, like I said, we get to do some

1389
01:13:27,760 --> 01:13:30,200
Speaker 1: really cool stuff there. I really try to think outside

1390
01:13:30,200 --> 01:13:32,320
Speaker 1: the box and do do weird stuff that no other

1391
01:13:32,360 --> 01:13:34,679
Speaker 1: school would do, so that we don't have that problem

1392
01:13:34,720 --> 01:13:36,920
Speaker 1: of like students only wanting to go out and do

1393
01:13:36,960 --> 01:13:39,719
Speaker 1: community theater stuff that they want to do our shows

1394
01:13:39,720 --> 01:13:41,679
Speaker 1: every year. So we've, like I said, we've been able

1395
01:13:41,720 --> 01:13:44,479
Speaker 1: to do some really cool edgy things over the years

1396
01:13:44,520 --> 01:13:47,680
Speaker 1: without really anybody intervening. And you know, one of the

1397
01:13:47,680 --> 01:13:49,800
Speaker 1: things we pride ourselves on as a school is that,

1398
01:13:50,280 --> 01:13:53,120
Speaker 1: you know, the whole student body are kind of the outcasts.

1399
01:13:53,160 --> 01:13:55,720
Speaker 1: You know, they're kind of you know, the coolest kid

1400
01:13:55,760 --> 01:13:57,720
Speaker 1: at our school is you know, might be the star

1401
01:13:57,840 --> 01:14:00,840
Speaker 1: of the musical instead of the star of the football team.

1402
01:14:00,920 --> 01:14:04,040
Speaker 1: That's why. That's why I flourished in theater camp. That's

1403
01:14:04,080 --> 01:14:06,920
Speaker 1: why I was like, oh, because I was like, I

1404
01:14:07,000 --> 01:14:08,760
Speaker 1: was good at being in plays, so I was like

1405
01:14:08,800 --> 01:14:12,120
Speaker 1: the cool kid. I was like, finally, I want to

1406
01:14:12,160 --> 01:14:14,800
Speaker 1: go back in time and come to your high school. Adam. Oh,

1407
01:14:15,320 --> 01:14:19,400
Speaker 1: I get that a lot, Sarah, Do you do plays?

1408
01:14:19,520 --> 01:14:21,120
Speaker 1: I mean, I know you were a kid actor, you

1409
01:14:21,120 --> 01:14:23,439
Speaker 1: were working, But did you participate in any school plays?

1410
01:14:24,360 --> 01:14:26,559
Speaker 1: I did? We actually, um did get to do really

1411
01:14:26,640 --> 01:14:28,680
Speaker 1: pretty cool musicals at our high school. And I was

1412
01:14:28,720 --> 01:14:32,760
Speaker 1: an Annie and they didn't. They didn't seem to mind

1413
01:14:32,800 --> 01:14:36,040
Speaker 1: that I was tone deaf unlike some other Yeah. But

1414
01:14:36,200 --> 01:14:40,160
Speaker 1: you got rhythm. Though. You can dance. We've seen you dance.

1415
01:14:40,720 --> 01:14:44,240
Speaker 1: All You're dancing turns very sexual quickly. Can you dance

1416
01:14:44,320 --> 01:14:47,160
Speaker 1: in a non provocative manner? I can't do the robot

1417
01:14:47,200 --> 01:14:51,240
Speaker 1: that's a very non productive provocative That's true. That is true.

1418
01:14:51,400 --> 01:14:57,280
Speaker 1: Sarah always starts off. It's always like and root the

1419
01:14:57,560 --> 01:15:05,720
Speaker 1: roo booty. I've known Sarah for twenty years, and when

1420
01:15:05,760 --> 01:15:08,600
Speaker 1: she starts dancing, it's about five seconds before there's like

1421
01:15:08,800 --> 01:15:13,680
Speaker 1: acid like backing up and oops, I dropped something that

1422
01:15:13,760 --> 01:15:17,559
Speaker 1: just comes from my like grade twelve parent teacher. I mean,

1423
01:15:17,640 --> 01:15:19,639
Speaker 1: I'm grad parent of a night where we all did

1424
01:15:19,640 --> 01:15:22,120
Speaker 1: babies go Back. It just sort of like it just

1425
01:15:22,240 --> 01:15:25,559
Speaker 1: comes just kind of feel like if Sarah had TikTok,

1426
01:15:25,640 --> 01:15:28,120
Speaker 1: Like if we were all teenagers with TikTok, she'd be

1427
01:15:28,160 --> 01:15:30,320
Speaker 1: one of those people doing like the provocative TikTok. She

1428
01:15:30,360 --> 01:15:32,160
Speaker 1: would be doing the savage She'd be like, I'm a

1429
01:15:32,240 --> 01:15:38,720
Speaker 1: savage snackyo, Okay, okay. One of my favorite I was

1430
01:15:38,760 --> 01:15:40,960
Speaker 1: born at the wrong time, guys. One of my favorite

1431
01:15:41,000 --> 01:15:43,960
Speaker 1: things from the from the series is the clip show

1432
01:15:44,000 --> 01:15:47,280
Speaker 1: where they do the entire runner of all you guys

1433
01:15:47,439 --> 01:15:49,840
Speaker 1: dancing in different episode. I mean, everybody on that show.

1434
01:15:49,880 --> 01:15:51,960
Speaker 1: I don't remember that having we did have a clip show.

1435
01:15:52,000 --> 01:15:54,400
Speaker 1: I've never seen the clip show, but I know we

1436
01:15:54,439 --> 01:15:56,639
Speaker 1: had one. I only know because the thing that's great

1437
01:15:56,640 --> 01:15:58,160
Speaker 1: about a clip show is I think you still get

1438
01:15:58,200 --> 01:16:03,360
Speaker 1: paid for an episode, but we don't work, you guys

1439
01:16:03,760 --> 01:16:06,960
Speaker 1: dot They did a runner of dances. They did a

1440
01:16:07,040 --> 01:16:09,760
Speaker 1: runner of like I think they did a runner of, um,

1441
01:16:09,960 --> 01:16:12,840
Speaker 1: you crashing into things, and they did I think they

1442
01:16:12,840 --> 01:16:16,040
Speaker 1: did a runner of Doctor Cox's insults too. I'm not sure,

1443
01:16:16,040 --> 01:16:19,280
Speaker 1: but they was, Yeah, it's funny. Well, Sarah and Donald

1444
01:16:19,360 --> 01:16:21,200
Speaker 1: did most of the dancing, because the two of them

1445
01:16:21,200 --> 01:16:24,040
Speaker 1: are very very good dancers. I'm good at running into

1446
01:16:24,040 --> 01:16:27,080
Speaker 1: stuff and falling on our stuff. I wish I could sing.

1447
01:16:27,200 --> 01:16:29,639
Speaker 1: I loved it. And I was in musicals as a kid.

1448
01:16:29,720 --> 01:16:33,080
Speaker 1: My sister and I went to UM, a musical theater

1449
01:16:33,520 --> 01:16:38,200
Speaker 1: kind of school outside of school, and UM we auditioned

1450
01:16:38,240 --> 01:16:41,120
Speaker 1: for it and they called and they said to my sister,

1451
01:16:41,240 --> 01:16:42,760
Speaker 1: we love you and we want you to be the lead.

1452
01:16:42,800 --> 01:16:45,400
Speaker 1: And they said, she said, what about Sarah And they

1453
01:16:45,439 --> 01:16:48,719
Speaker 1: were like, yeah, no, we don't want her. And so

1454
01:16:49,120 --> 01:16:51,000
Speaker 1: she said, okay that I'm not I'm not going to

1455
01:16:51,080 --> 01:16:52,800
Speaker 1: do it, and she hung up and they called back

1456
01:16:52,840 --> 01:16:55,120
Speaker 1: five minutes later and they were like, okay, we really

1457
01:16:55,120 --> 01:16:56,679
Speaker 1: want you, so we're going to take your little sister

1458
01:16:56,680 --> 01:16:59,160
Speaker 1: as well. So Natasha was the lead and she was

1459
01:16:59,200 --> 01:17:03,080
Speaker 1: wearing this like turquoise shiny thing with this long blonde hair,

1460
01:17:03,280 --> 01:17:05,720
Speaker 1: and I was one of three tigers at the back

1461
01:17:05,800 --> 01:17:08,559
Speaker 1: that was wearing um all black, and I had a

1462
01:17:08,560 --> 01:17:11,320
Speaker 1: tiger mask and we were just like in the background,

1463
01:17:11,360 --> 01:17:13,120
Speaker 1: kind of side to side with our clause didn't have

1464
01:17:13,160 --> 01:17:14,800
Speaker 1: any lines, and I was in heaven. I was like,

1465
01:17:14,840 --> 01:17:19,960
Speaker 1: I'm on it. I wanted so badly that could get

1466
01:17:20,000 --> 01:17:22,080
Speaker 1: to New York to see Bullets over Broadway when it

1467
01:17:22,160 --> 01:17:24,960
Speaker 1: was because I'm a huge Woody Allen fan, I'm a

1468
01:17:25,040 --> 01:17:26,960
Speaker 1: huge Scrubs fan. I just was. And of course my

1469
01:17:27,000 --> 01:17:30,799
Speaker 1: celebrity crush is Betsy Wolf. Wow, that's a good celebrity

1470
01:17:30,800 --> 01:17:32,840
Speaker 1: crush to have. I know, I saw her in Last

1471
01:17:32,840 --> 01:17:35,280
Speaker 1: five Years and I me too a second stage right,

1472
01:17:35,400 --> 01:17:37,920
Speaker 1: maybe we were there the same night. Oh my god.

1473
01:17:38,160 --> 01:17:40,080
Speaker 1: You can listen to that album if you like musicals.

1474
01:17:40,479 --> 01:17:43,200
Speaker 1: It's a wonderful show called Last five Years and there's

1475
01:17:43,200 --> 01:17:47,960
Speaker 1: a recording of Betsy Wolf and it um, I'm Bullets

1476
01:17:47,960 --> 01:17:49,600
Speaker 1: over Broadway was one of the most you know, I

1477
01:17:49,680 --> 01:17:51,920
Speaker 1: was a theater geek kid, as as we're discussing, I

1478
01:17:51,920 --> 01:17:55,559
Speaker 1: went to theater camp and I did plays out of

1479
01:17:55,600 --> 01:17:59,960
Speaker 1: college and off Broadway. But being in a full blow

1480
01:18:00,000 --> 01:18:03,280
Speaker 1: own like big budget musical with a twenty five piece orchestra.

1481
01:18:03,439 --> 01:18:07,040
Speaker 1: I literally my entrance was literally rising through the stage

1482
01:18:07,080 --> 01:18:10,439
Speaker 1: playing a ukulele. It was such a surreal it was

1483
01:18:10,479 --> 01:18:14,920
Speaker 1: like a total kid dream, fruition, bucket list thing happened,

1484
01:18:15,640 --> 01:18:18,200
Speaker 1: and I want to do it again one day. It

1485
01:18:18,240 --> 01:18:20,439
Speaker 1: was just it was just too much fun. Did you

1486
01:18:20,439 --> 01:18:22,400
Speaker 1: ever mess up coming up on the stage when you

1487
01:18:22,439 --> 01:18:28,320
Speaker 1: were coming up playing nicket song? Did you ever come ain't? Well,

1488
01:18:28,640 --> 01:18:31,400
Speaker 1: it's a couple of things. First of all, if for

1489
01:18:31,560 --> 01:18:33,960
Speaker 1: most of you who didn't see the show, the show

1490
01:18:34,080 --> 01:18:37,360
Speaker 1: is happening and it begins with another number and then

1491
01:18:37,400 --> 01:18:40,439
Speaker 1: I enter rising. So I would go down underneath the

1492
01:18:40,479 --> 01:18:44,599
Speaker 1: stage before the show because I was nervous as hell,

1493
01:18:45,120 --> 01:18:47,519
Speaker 1: and every show, no matter how many we did, and

1494
01:18:47,640 --> 01:18:49,639
Speaker 1: I'd say hello to the conductor and sort of waved

1495
01:18:49,640 --> 01:18:51,960
Speaker 1: to the orchestra because they were down there, and then

1496
01:18:51,960 --> 01:18:53,720
Speaker 1: I'd go over to where my lift was and I

1497
01:18:53,880 --> 01:18:55,600
Speaker 1: sort of talked to the crew guys and shoot the

1498
01:18:55,600 --> 01:18:58,800
Speaker 1: ship and then a light goes on, which means the

1499
01:18:58,840 --> 01:19:01,320
Speaker 1: lift is about to go. And I would always get

1500
01:19:01,360 --> 01:19:04,160
Speaker 1: so nervous because you don't it's such a crazy way

1501
01:19:04,200 --> 01:19:06,559
Speaker 1: to enter the stage. Most of the times in a normal,

1502
01:19:07,320 --> 01:19:09,680
Speaker 1: normal budget world, you're just entering from the wings of

1503
01:19:09,680 --> 01:19:11,400
Speaker 1: the stage. But here we are at a big budget

1504
01:19:11,479 --> 01:19:13,679
Speaker 1: musical show and the light goes off and I'm riding

1505
01:19:13,720 --> 01:19:15,680
Speaker 1: and I start rising and then you just see like

1506
01:19:16,080 --> 01:19:18,960
Speaker 1: twenty five hundred people watching you. And so, of course

1507
01:19:19,000 --> 01:19:20,560
Speaker 1: there were times when I would totally fuck up the

1508
01:19:20,600 --> 01:19:22,680
Speaker 1: ukulele because I'm not a musician, but I learned to

1509
01:19:22,680 --> 01:19:25,320
Speaker 1: play this one song on the ukulele. What I later

1510
01:19:25,400 --> 01:19:28,479
Speaker 1: learned was there was a guy in the orchestra pit

1511
01:19:28,840 --> 01:19:33,000
Speaker 1: who was also playing the ukulele and defending how not

1512
01:19:33,120 --> 01:19:34,920
Speaker 1: how much I was sucking. They would kind of bring

1513
01:19:35,000 --> 01:19:39,040
Speaker 1: up his mixer or enronment, Like if I was really

1514
01:19:39,040 --> 01:19:41,080
Speaker 1: fucking off that day, they would just bring up the

1515
01:19:41,200 --> 01:19:47,960
Speaker 1: orchestra pit ukulele's Donald. Did you ever do theater high school?

1516
01:19:48,240 --> 01:19:50,400
Speaker 1: I did high school theater. Well, not high school. I

1517
01:19:50,439 --> 01:19:52,280
Speaker 1: went to the professional childrens school, So everybody that I

1518
01:19:52,320 --> 01:19:55,120
Speaker 1: went to school with was like already on Broadway and

1519
01:19:55,200 --> 01:19:56,880
Speaker 1: doing shit like that, So we didn't really have a

1520
01:19:56,920 --> 01:19:59,800
Speaker 1: theater wow at the school. But yeah, you know, when

1521
01:19:59,800 --> 01:20:02,720
Speaker 1: I graduated, I did shows with a theater for a

1522
01:20:02,840 --> 01:20:07,960
Speaker 1: new audience. I did shows off off off Broadway, Off Broadway,

1523
01:20:08,200 --> 01:20:11,040
Speaker 1: I did show. There was a I grew up in

1524
01:20:11,120 --> 01:20:14,000
Speaker 1: Hell's Kitchen, New York, and on forty second between ninth

1525
01:20:14,000 --> 01:20:16,800
Speaker 1: and tenth Avenue, there was this whole theater comp like

1526
01:20:16,960 --> 01:20:19,200
Speaker 1: this theater thing called Theater Row, and it was a

1527
01:20:19,240 --> 01:20:22,800
Speaker 1: bunch of different Yeah that was there too, but it

1528
01:20:22,840 --> 01:20:26,160
Speaker 1: was a bunch of different, uh, play playhouses and stuff

1529
01:20:26,200 --> 01:20:27,800
Speaker 1: like that. It's no longer there now there's like a

1530
01:20:28,400 --> 01:20:32,120
Speaker 1: building and stuff like that with tenants and stuff. But

1531
01:20:32,160 --> 01:20:34,040
Speaker 1: I remember when I was a kid, I'd be like,

1532
01:20:34,080 --> 01:20:35,960
Speaker 1: one day, I'm gonna do a show there. I wound

1533
01:20:36,040 --> 01:20:37,680
Speaker 1: up doing two shows there, you know what I mean.

1534
01:20:37,760 --> 01:20:40,240
Speaker 1: Like it was It's one of those things where if

1535
01:20:40,240 --> 01:20:42,679
Speaker 1: you grew up in New York City like I did,

1536
01:20:42,840 --> 01:20:45,719
Speaker 1: and you weren't doing plays, then you weren't really trying

1537
01:20:45,720 --> 01:20:47,880
Speaker 1: to be an actor because that was all that was there,

1538
01:20:48,040 --> 01:20:49,920
Speaker 1: you know what I mean, That was all you know.

1539
01:20:49,960 --> 01:20:53,720
Speaker 1: It was either that or it was the one you

1540
01:20:53,800 --> 01:20:56,040
Speaker 1: might get lucky and get on a New York undercover.

1541
01:20:56,400 --> 01:20:59,760
Speaker 1: But for that, they were like two thousand people auditioning

1542
01:20:59,800 --> 01:21:03,840
Speaker 1: for one line, you know what I mean. So, yeah,

1543
01:21:03,920 --> 01:21:05,559
Speaker 1: did I do plays? I did quite a few plays.

1544
01:21:05,600 --> 01:21:07,360
Speaker 1: I came up in a theater. My parents were a

1545
01:21:07,360 --> 01:21:09,559
Speaker 1: part of the National Black Theater in Harlem, and so

1546
01:21:10,600 --> 01:21:12,559
Speaker 1: instead of a babysitter, I used to have to sit

1547
01:21:12,920 --> 01:21:17,320
Speaker 1: in the audience with, you know, while my parents performed

1548
01:21:17,439 --> 01:21:21,080
Speaker 1: on stage. And I remember one of the actors started

1549
01:21:21,080 --> 01:21:24,479
Speaker 1: complaining because, you know, put me in an audience with

1550
01:21:24,520 --> 01:21:26,960
Speaker 1: a bunch of people. I'm part of the show. Now,

1551
01:21:26,960 --> 01:21:28,240
Speaker 1: I don't give a fuck what you said, you know

1552
01:21:28,280 --> 01:21:31,519
Speaker 1: what I mean. It started off, It started the first night,

1553
01:21:31,560 --> 01:21:33,160
Speaker 1: I was fine, But once it got to the point

1554
01:21:33,200 --> 01:21:35,040
Speaker 1: where I was there every night, I was like, oh,

1555
01:21:35,120 --> 01:21:38,960
Speaker 1: I'm in this ship too, baby. I can't imagine you

1556
01:21:39,240 --> 01:21:42,040
Speaker 1: like sitting there quietly. That's not the time. It was impossible.

1557
01:21:42,439 --> 01:21:44,559
Speaker 1: Like I would get involved, Like I would get up

1558
01:21:44,560 --> 01:21:47,800
Speaker 1: out of my chair and help the actors, and you know,

1559
01:21:47,960 --> 01:21:50,160
Speaker 1: like at one point they would sit me down next

1560
01:21:50,200 --> 01:21:52,000
Speaker 1: to one of the actors in the show and I'd

1561
01:21:52,040 --> 01:21:54,519
Speaker 1: be having a conversation with the actor while the show

1562
01:21:54,640 --> 01:21:56,960
Speaker 1: was going on. And one time he missed his queue

1563
01:21:57,280 --> 01:21:59,240
Speaker 1: because he was fucking with me, and he got in

1564
01:21:59,280 --> 01:22:02,000
Speaker 1: trouble for that. Like at that point I knew right

1565
01:22:02,040 --> 01:22:03,400
Speaker 1: then and there, and I was very young, I was

1566
01:22:03,439 --> 01:22:06,240
Speaker 1: like five, four or five. I knew right then and

1567
01:22:06,240 --> 01:22:07,559
Speaker 1: now I was like, I'm going to be an actor, dude,

1568
01:22:07,560 --> 01:22:10,040
Speaker 1: this is this is If it wasn't four plays, I

1569
01:22:10,040 --> 01:22:11,400
Speaker 1: wouldn't be an actor, you know what I mean. I

1570
01:22:11,479 --> 01:22:13,720
Speaker 1: knew right then and there this is the life I

1571
01:22:13,760 --> 01:22:15,599
Speaker 1: want to live. I want to be able to do

1572
01:22:15,640 --> 01:22:18,760
Speaker 1: this because one I have a lot of fun and

1573
01:22:18,880 --> 01:22:23,040
Speaker 1: two this doesn't seem as hard as everybody says it is.

1574
01:22:23,360 --> 01:22:26,800
Speaker 1: And you know, well, I mean, in fairness to yourself,

1575
01:22:26,920 --> 01:22:30,400
Speaker 1: it seemed that way to you because you had your

1576
01:22:30,400 --> 01:22:33,960
Speaker 1: parents were doing it. You had a natural instinct for it.

1577
01:22:33,520 --> 01:22:37,519
Speaker 1: You know. It's well, that, of course is nature nurture you.

1578
01:22:37,520 --> 01:22:40,400
Speaker 1: You then nurtured that ability, but you obviously had it

1579
01:22:40,439 --> 01:22:42,519
Speaker 1: in you as a child. Right well. You know, some

1580
01:22:42,560 --> 01:22:45,160
Speaker 1: people are I honestly believe that some people are born.

1581
01:22:45,360 --> 01:22:49,639
Speaker 1: Everybody's born to do what they do. Some people find

1582
01:22:49,680 --> 01:22:52,479
Speaker 1: what they do later on, some people find what they

1583
01:22:52,520 --> 01:22:55,360
Speaker 1: do early on. But you're born to do what you do,

1584
01:22:55,680 --> 01:22:57,240
Speaker 1: you know what I mean, whether it is to be

1585
01:22:57,360 --> 01:22:59,679
Speaker 1: an actor, whether it is to be a politician, whether

1586
01:22:59,680 --> 01:23:03,719
Speaker 1: it is to be whatever. You're given a certain set

1587
01:23:03,760 --> 01:23:07,439
Speaker 1: of skills. It just sound like Liam Neeson. I have

1588
01:23:07,479 --> 01:23:12,520
Speaker 1: a certain set of skills. Some some people are assassins, right,

1589
01:23:12,880 --> 01:23:14,559
Speaker 1: but no. But I feel like you're given a certain

1590
01:23:14,600 --> 01:23:17,280
Speaker 1: set of skills and it's up to you to take

1591
01:23:17,320 --> 01:23:18,920
Speaker 1: it as far as you want to go with it,

1592
01:23:19,000 --> 01:23:22,080
Speaker 1: you know what I mean. Uh, Sometimes the gift that

1593
01:23:22,160 --> 01:23:24,640
Speaker 1: you have isn't the gift that you want, you know

1594
01:23:24,640 --> 01:23:26,439
Speaker 1: what I mean, And you have to come to grips

1595
01:23:26,479 --> 01:23:29,439
Speaker 1: with that. And that's usually what happens. But for the

1596
01:23:29,479 --> 01:23:32,639
Speaker 1: most people, some people aren't blessed enough to know what

1597
01:23:32,760 --> 01:23:36,120
Speaker 1: their passion and thing is for a long time. I

1598
01:23:36,120 --> 01:23:39,839
Speaker 1: mean you were, You were so blessed because it happened

1599
01:23:39,880 --> 01:23:41,960
Speaker 1: to be the thing that your parents were exposing you too.

1600
01:23:42,240 --> 01:23:43,920
Speaker 1: I was the same way. My father, you know, was

1601
01:23:43,960 --> 01:23:46,920
Speaker 1: doing community theater as his hobby, and I kind of

1602
01:23:46,960 --> 01:23:49,280
Speaker 1: like was like, this is a job you can have,

1603
01:23:49,560 --> 01:23:52,240
Speaker 1: Like this is something you can do. But I mean,

1604
01:23:52,520 --> 01:23:54,120
Speaker 1: there's so many people and I feel for them. I

1605
01:23:54,160 --> 01:23:55,880
Speaker 1: mean I talk to college kids or getting out of

1606
01:23:55,880 --> 01:23:59,040
Speaker 1: college and they still haven't found like their thing, and

1607
01:23:59,040 --> 01:24:01,679
Speaker 1: they haven't they haven't opped into something that excites them.

1608
01:24:01,760 --> 01:24:04,840
Speaker 1: And so I always feel really really blessed and lucky

1609
01:24:04,880 --> 01:24:07,360
Speaker 1: that I was at a young age, exposed to something

1610
01:24:07,400 --> 01:24:10,320
Speaker 1: that so lit me up. Adam, do you have a

1611
01:24:10,400 --> 01:24:13,439
Speaker 1: question for us? I do. I have got a million

1612
01:24:13,479 --> 01:24:15,360
Speaker 1: of them, but I'll start with We'll pick one because

1613
01:24:15,360 --> 01:24:18,959
Speaker 1: we're running very long today, because you know, the Canadian

1614
01:24:19,080 --> 01:24:25,680
Speaker 1: is a little you know, I'm so excited to So

1615
01:24:25,800 --> 01:24:29,200
Speaker 1: my question is this, uh, I my all time favorite

1616
01:24:29,200 --> 01:24:31,839
Speaker 1: episode of Scrubs and probably my all time favorite episode

1617
01:24:31,840 --> 01:24:34,120
Speaker 1: of any television. So it is the series eight finale,

1618
01:24:34,400 --> 01:24:38,559
Speaker 1: which is just a perfect, perfect episode of television for

1619
01:24:38,720 --> 01:24:41,000
Speaker 1: US fans. For the way that it repted up Adam,

1620
01:24:41,080 --> 01:24:43,600
Speaker 1: I wrote it. I wrote it, Adam, thank you. I

1621
01:24:43,640 --> 01:24:47,760
Speaker 1: don't think that's frue. It was interrupting, bim, it was

1622
01:24:47,800 --> 01:24:51,720
Speaker 1: interrupting film. But my question is, you know what what

1623
01:24:51,800 --> 01:24:54,200
Speaker 1: other shows I wanted to hear from all all of you?

1624
01:24:54,360 --> 01:24:57,759
Speaker 1: What what other shows in your you know, in fandom

1625
01:24:57,800 --> 01:25:01,160
Speaker 1: that you that you've enjoyed. Do you feel like the finale? Absolutely,

1626
01:25:01,160 --> 01:25:03,759
Speaker 1: I'll go first. I'll go first. I call first season

1627
01:25:05,160 --> 01:25:08,240
Speaker 1: for attack. In the history of television, and as Donald

1628
01:25:09,000 --> 01:25:11,440
Speaker 1: seemed to be dissing me for early in the broadcast,

1629
01:25:11,560 --> 01:25:14,160
Speaker 1: I have watched a lot of television and in the

1630
01:25:14,240 --> 01:25:19,439
Speaker 1: history of television. There is no contender for best series

1631
01:25:19,520 --> 01:25:26,519
Speaker 1: finale ever. Don't at me, don't Joel, don't frown. Six

1632
01:25:26,560 --> 01:25:36,080
Speaker 1: feet under? Yeah, there Applauseau'll turn your key, I will,

1633
01:25:36,240 --> 01:25:38,840
Speaker 1: I will. I will turn my key only because I've

1634
01:25:38,840 --> 01:25:41,320
Speaker 1: only seen the last episode of six feet Under. No,

1635
01:25:41,439 --> 01:25:45,519
Speaker 1: are you serious? Are you serious? I'm dead serious? That

1636
01:25:45,560 --> 01:25:53,000
Speaker 1: was a pretty is the only one. But then you've learned, Sarah,

1637
01:25:53,040 --> 01:25:54,600
Speaker 1: the same thing with Breaking Back. We learned that he

1638
01:25:54,640 --> 01:25:57,800
Speaker 1: only watches finales. Somebody else goes six feet Under if

1639
01:25:57,800 --> 01:26:00,240
Speaker 1: you haven't watched it as an incredible show and the

1640
01:26:00,640 --> 01:26:03,800
Speaker 1: finale is just a masterpiece. Sarah, you want to go,

1641
01:26:04,720 --> 01:26:06,519
Speaker 1: I want to go. I agree with that. I thought

1642
01:26:06,560 --> 01:26:12,439
Speaker 1: six ft underd was bonkers. I feel like The Office,

1643
01:26:13,080 --> 01:26:18,360
Speaker 1: both British and American versions had incredible finales. Er was

1644
01:26:18,400 --> 01:26:20,200
Speaker 1: a million years ago, but I remember thinking that one

1645
01:26:20,280 --> 01:26:26,240
Speaker 1: was awesome and and I agree with you, Adam. The

1646
01:26:26,520 --> 01:26:28,680
Speaker 1: Scrubs final was one of my favorite Scrubs episodes that

1647
01:26:28,720 --> 01:26:31,280
Speaker 1: we got to do. It was so cool for us

1648
01:26:31,720 --> 01:26:35,880
Speaker 1: to get to make that episode because Bill had this

1649
01:26:35,920 --> 01:26:39,320
Speaker 1: really cool idea of having every person who would ever

1650
01:26:39,400 --> 01:26:41,800
Speaker 1: guest star on the show come back, So like that day.

1651
01:26:42,040 --> 01:26:45,479
Speaker 1: Everybody was so emotional anyways, because it was the last

1652
01:26:45,520 --> 01:26:49,320
Speaker 1: episode and then to have every guest star and then

1653
01:26:49,400 --> 01:26:51,240
Speaker 1: Zach walks down that whole way and we got to

1654
01:26:51,240 --> 01:26:53,800
Speaker 1: go down while we're filming that scene, and like just

1655
01:26:53,840 --> 01:26:56,640
Speaker 1: see everybody lined up from the past eight years, and

1656
01:26:57,000 --> 01:26:58,760
Speaker 1: you know, there's a couple people that couldn't make it,

1657
01:26:58,840 --> 01:27:01,120
Speaker 1: but for the most part, I mean, all those people

1658
01:27:01,160 --> 01:27:03,120
Speaker 1: made an effort to get there, and people flew in

1659
01:27:03,200 --> 01:27:05,040
Speaker 1: from New York and from wherever they were living or

1660
01:27:05,040 --> 01:27:09,920
Speaker 1: shooting at the time, and it was so special. It's

1661
01:27:10,000 --> 01:27:12,519
Speaker 1: very emotional. And I don't know if you know the trivia, Adam,

1662
01:27:12,520 --> 01:27:15,719
Speaker 1: but it's but it's Bill Lawrence playing Lejanitor who pulls

1663
01:27:15,760 --> 01:27:21,759
Speaker 1: down the sheet. Hum, well you go, okay, Joel, go ahead,

1664
01:27:21,840 --> 01:27:25,240
Speaker 1: favorite Sarah. Sarah changed it, morphed it and started making

1665
01:27:25,280 --> 01:27:28,720
Speaker 1: it five or six. So Joel the game is when

1666
01:27:28,760 --> 01:27:31,320
Speaker 1: he says, best finale, what's the thing that pops to

1667
01:27:31,400 --> 01:27:32,760
Speaker 1: your brain? Because that's what happened to me with six

1668
01:27:32,800 --> 01:27:38,559
Speaker 1: feet under Boardwalk Empire Watch. I think it's five seasons

1669
01:27:38,640 --> 01:27:41,800
Speaker 1: of it. It's so concise. In the final scene, it's

1670
01:27:41,920 --> 01:27:45,639
Speaker 1: like heart like the whole thing. The whole shows about

1671
01:27:45,680 --> 01:27:48,000
Speaker 1: being in the twenties, and right at the very final scene,

1672
01:27:48,040 --> 01:27:51,960
Speaker 1: there's the introduction of like Nickelodeon, which is an early

1673
01:27:52,120 --> 01:27:54,840
Speaker 1: movie thing that you could like, hey, nicol and watch

1674
01:27:54,840 --> 01:27:57,479
Speaker 1: a movie and it's like very small or whatever, and

1675
01:27:57,520 --> 01:28:00,160
Speaker 1: it like totally changes the game for this old who

1676
01:28:00,200 --> 01:28:02,639
Speaker 1: thought he would never see anything new. And then there's

1677
01:28:02,720 --> 01:28:04,599
Speaker 1: I will tell you what it is, but no spoilers please.

1678
01:28:05,439 --> 01:28:08,640
Speaker 1: It's so freaking good. MARYN. Scorsesey produced it. It's like

1679
01:28:09,040 --> 01:28:11,920
Speaker 1: mid two thousands from Martin Scorsesey directed the pilot as well.

1680
01:28:12,160 --> 01:28:14,759
Speaker 1: Yes he did. He should definitely such a good series.

1681
01:28:14,800 --> 01:28:16,920
Speaker 1: But the finale is really good. I will give no

1682
01:28:16,960 --> 01:28:19,120
Speaker 1: spoilers for six Feet under Fine, other than to say

1683
01:28:19,360 --> 01:28:20,880
Speaker 1: that you got to listen to the sea a song

1684
01:28:21,000 --> 01:28:26,120
Speaker 1: Breathe Me because it's a holy shit. Is that a

1685
01:28:26,120 --> 01:28:29,960
Speaker 1: great song? Okay? Dan'l go um the one that instantly

1686
01:28:30,000 --> 01:28:35,000
Speaker 1: pop into my head as the sopranos. Oh yes, okay. Now,

1687
01:28:35,040 --> 01:28:37,960
Speaker 1: there was a lot of talk about people having interpretations.

1688
01:28:37,960 --> 01:28:41,400
Speaker 1: Do you have your interpretation? I mean, I think that's

1689
01:28:41,520 --> 01:28:43,880
Speaker 1: kind of the goal. That was the goal. I think

1690
01:28:44,560 --> 01:28:46,840
Speaker 1: it was David Chase, right, David Chase is the Yeah,

1691
01:28:46,840 --> 01:28:49,639
Speaker 1: so David Chase, that's what he wanted to have happened,

1692
01:28:49,720 --> 01:28:52,040
Speaker 1: kind of live with the ending of Lala Land, with

1693
01:28:52,120 --> 01:28:56,160
Speaker 1: the twisttop at inception. You want to defy the convention

1694
01:28:56,200 --> 01:28:58,519
Speaker 1: of putting a very concise, nice bow on it and

1695
01:28:58,560 --> 01:29:02,559
Speaker 1: allow people to heap the story just in their heads

1696
01:29:02,600 --> 01:29:07,240
Speaker 1: for so long. And I'm certainly of the people who think, again,

1697
01:29:07,320 --> 01:29:10,080
Speaker 1: no spoilers, but I think the ending is relatively clear.

1698
01:29:10,560 --> 01:29:13,519
Speaker 1: I think we all know what happened, but I like

1699
01:29:13,800 --> 01:29:16,519
Speaker 1: that that is left to left to the imagination. And

1700
01:29:16,560 --> 01:29:19,880
Speaker 1: I will also never forget watching the finale with my

1701
01:29:19,920 --> 01:29:23,920
Speaker 1: father being downstairs. We were both just like gripping the couch,

1702
01:29:24,000 --> 01:29:26,439
Speaker 1: counting down the minutes, being like, this show is going

1703
01:29:26,479 --> 01:29:28,519
Speaker 1: to be over shortly, this show is going to be

1704
01:29:28,520 --> 01:29:32,200
Speaker 1: over shortly, like what's going to happen? And then in

1705
01:29:32,320 --> 01:29:35,320
Speaker 1: those that final minute of whatever, the show is trying

1706
01:29:35,360 --> 01:29:37,120
Speaker 1: not to spoiler both of us just like I think

1707
01:29:37,120 --> 01:29:39,360
Speaker 1: you can spoil the I mean, yeah, I guess the

1708
01:29:39,439 --> 01:29:43,240
Speaker 1: ending doesn't happen, but it just cut. It just cuts,

1709
01:29:43,680 --> 01:29:48,600
Speaker 1: hard cut, don't stop, hard cut for thirty seconds of

1710
01:29:48,720 --> 01:29:51,040
Speaker 1: just black screen, and both of me my dad are

1711
01:29:51,080 --> 01:29:59,160
Speaker 1: just like, do the cable go out. I love a

1712
01:29:59,160 --> 01:30:02,519
Speaker 1: hard cut to black. Don't fade out your show, love it? Yeah,

1713
01:30:02,640 --> 01:30:04,880
Speaker 1: produce the whole thing. Uh No, I mean I'm just

1714
01:30:04,920 --> 01:30:07,800
Speaker 1: a sucker, whether it's whether it's theater or or or

1715
01:30:07,920 --> 01:30:10,040
Speaker 1: or film and TV. I don't like a fade like

1716
01:30:10,200 --> 01:30:12,559
Speaker 1: blackout or hard guts of black like and that shit.

1717
01:30:12,720 --> 01:30:15,400
Speaker 1: Feel you. Um. Now, I'm gonna be cynical and say

1718
01:30:15,760 --> 01:30:20,680
Speaker 1: the reason I think he's alive is, uh, there's no

1719
01:30:20,760 --> 01:30:24,240
Speaker 1: way that they didn't have plans to make films. Eventually, Unfortunately,

1720
01:30:24,280 --> 01:30:28,040
Speaker 1: James Gandelfini died in real life. But I don't think

1721
01:30:28,040 --> 01:30:31,920
Speaker 1: there's any scenario where they didn't daydream about making films.

1722
01:30:32,400 --> 01:30:34,760
Speaker 1: So I'm just I'm just gonna throw that out there.

1723
01:30:34,960 --> 01:30:37,720
Speaker 1: I totally can't tell you something. I totally accept that

1724
01:30:37,880 --> 01:30:41,200
Speaker 1: as a like, but you know how it really goes

1725
01:30:41,320 --> 01:30:44,240
Speaker 1: kind of studio thing like with um, when people were

1726
01:30:44,240 --> 01:30:47,400
Speaker 1: talking about Avengers and how like are they really dead?

1727
01:30:47,640 --> 01:30:49,920
Speaker 1: Like are they really gone? People like, no, they're not gone.

1728
01:30:49,920 --> 01:30:52,479
Speaker 1: They have more movie deals like obviously Spider Man's not

1729
01:30:52,479 --> 01:30:54,519
Speaker 1: gone blah blah blah. I mean, you know obviously that

1730
01:30:54,640 --> 01:30:57,439
Speaker 1: changes now too because of you know, you know, r

1731
01:30:57,479 --> 01:30:59,920
Speaker 1: I P. Chadwick, But like, I think it's very reason

1732
01:31:00,240 --> 01:31:01,680
Speaker 1: to look at that and say, you think they were

1733
01:31:01,720 --> 01:31:03,479
Speaker 1: really going to end the show there. You think they

1734
01:31:03,479 --> 01:31:05,760
Speaker 1: were really gonna end it there, whether or not the

1735
01:31:05,800 --> 01:31:08,280
Speaker 1: movie deals coming afterwards would have been prequels or whatever.

1736
01:31:08,280 --> 01:31:10,240
Speaker 1: Blah blah blah. I think that's totally fair. But I

1737
01:31:10,280 --> 01:31:12,960
Speaker 1: still love that finale for this exact reason that we're

1738
01:31:12,960 --> 01:31:24,000
Speaker 1: talking about it. All right, Donald, you're up. I'm embarrassed

1739
01:31:24,080 --> 01:31:26,920
Speaker 1: by my shows because you guys, don't you guys, I

1740
01:31:26,960 --> 01:31:29,080
Speaker 1: don't watch the same type of television shows you watch.

1741
01:31:29,200 --> 01:31:33,000
Speaker 1: But my favorite, my favorite finale so far. Wow, in

1742
01:31:33,120 --> 01:31:38,439
Speaker 1: television shows, that's tough. That's tough for me. I'm sorry.

1743
01:31:39,160 --> 01:31:41,479
Speaker 1: You can could be sports like the last game of

1744
01:31:41,520 --> 01:31:46,080
Speaker 1: the Knicks. I'll tell you what, in terms of television moments,

1745
01:31:46,160 --> 01:31:48,880
Speaker 1: those are some of the greatest of all time. Any yeah,

1746
01:31:48,880 --> 01:31:51,960
Speaker 1: any any any last second show seven buzzer beaters are

1747
01:31:52,000 --> 01:31:55,120
Speaker 1: just like you can't be particular game seven buzzer beater

1748
01:31:55,200 --> 01:31:58,080
Speaker 1: you like, Donald, No, no, no, no, no. I I

1749
01:31:58,320 --> 01:32:01,280
Speaker 1: you know, I'm one of those cats who is really

1750
01:32:01,680 --> 01:32:06,080
Speaker 1: heavily into a certain genre, and so I'm sure my

1751
01:32:06,240 --> 01:32:11,479
Speaker 1: favorite episode finale has got to be like The Rebels.

1752
01:32:11,640 --> 01:32:15,519
Speaker 1: The Rebels finale was pretty dope actually, and yeah, Joel agrees,

1753
01:32:15,640 --> 01:32:19,360
Speaker 1: she gotta woo and uh, now that Clone Wars has

1754
01:32:19,360 --> 01:32:21,479
Speaker 1: come to a finale, I like that finale. That was

1755
01:32:21,520 --> 01:32:24,600
Speaker 1: pretty good too. Uh. But yeah, you don't have to

1756
01:32:24,600 --> 01:32:29,000
Speaker 1: be embarrassed that it's animation. You seem like you're like, well,

1757
01:32:29,040 --> 01:32:30,559
Speaker 1: you guys are all sitting here, like you guys are

1758
01:32:30,600 --> 01:32:33,640
Speaker 1: sitting here like six feet under and the Sopranos and

1759
01:32:33,720 --> 01:32:36,200
Speaker 1: oh god, Boardwalk Empire. Oh, and let me tell you

1760
01:32:36,240 --> 01:32:38,920
Speaker 1: something that's Scrubs finale. And then I come up and

1761
01:32:38,960 --> 01:32:45,720
Speaker 1: I'm like, the rated for teenest shows. Well, you don't

1762
01:32:45,760 --> 01:32:48,559
Speaker 1: want you You've said you don't want so much narrative TV.

1763
01:32:48,720 --> 01:32:51,519
Speaker 1: So there you go. There's I don't, I don't. All right,

1764
01:32:51,560 --> 01:32:55,040
Speaker 1: it's time for America and Canada's favorite segment. Sarah. You

1765
01:32:55,040 --> 01:32:57,680
Speaker 1: haven't participated in this yet, so we're really gonna need

1766
01:32:57,720 --> 01:32:59,679
Speaker 1: you to represent You're gonna need to represent your nation.

1767
01:33:01,720 --> 01:33:07,960
Speaker 1: It's time to fish your life, all right, Adam. We've

1768
01:33:07,960 --> 01:33:10,479
Speaker 1: helped a lot of people here, um, and by a

1769
01:33:10,520 --> 01:33:18,360
Speaker 1: lot we mean no one but anywhere we have helped people, um, no, no,

1770
01:33:18,880 --> 01:33:21,400
Speaker 1: but I but I have heard you know what I

1771
01:33:21,400 --> 01:33:25,880
Speaker 1: have heard. I've heard people say on my social media, Um, hey,

1772
01:33:25,920 --> 01:33:28,240
Speaker 1: that advice you gave so and so actually really helped

1773
01:33:28,240 --> 01:33:31,639
Speaker 1: me with something like the whiteboard stuff or our stuff

1774
01:33:31,640 --> 01:33:35,000
Speaker 1: about trying to lose weight, or even even helping um

1775
01:33:35,080 --> 01:33:38,240
Speaker 1: last week's last episode's guy with issue with his kids.

1776
01:33:38,240 --> 01:33:41,280
Speaker 1: So I don't I don't know, maybe not, but this

1777
01:33:41,360 --> 01:33:44,000
Speaker 1: goes to so many people across the world. I like

1778
01:33:44,120 --> 01:33:48,120
Speaker 1: to think that something we say might register with a

1779
01:33:48,160 --> 01:33:51,080
Speaker 1: few people and they go, oh, maybe I will try that.

1780
01:33:52,200 --> 01:33:57,040
Speaker 1: So Adam, Adam, you're up. Okay, So the you know,

1781
01:33:57,080 --> 01:34:00,439
Speaker 1: the last six months have been crazy for everybody, and uh,

1782
01:34:00,880 --> 01:34:04,479
Speaker 1: you know, I had two really fantastic jobs in the arts.

1783
01:34:04,479 --> 01:34:07,920
Speaker 1: Are so lucky to do exactly what I want to do. Uh,

1784
01:34:07,960 --> 01:34:11,120
Speaker 1: And you know, uh, I've got a great wife and

1785
01:34:11,200 --> 01:34:13,679
Speaker 1: three little boys and just everything is you know great,

1786
01:34:13,760 --> 01:34:15,920
Speaker 1: and then the pandemic hits and the theater that I

1787
01:34:15,920 --> 01:34:19,000
Speaker 1: work at shut down, and my classroom is gone, and

1788
01:34:19,040 --> 01:34:22,360
Speaker 1: I'm doing it online and all of my little boys

1789
01:34:22,360 --> 01:34:26,360
Speaker 1: are doing their schooling online and um, it's just you know,

1790
01:34:26,479 --> 01:34:29,120
Speaker 1: I'm I'm in perfectly good headspace, you know, I know

1791
01:34:29,120 --> 01:34:30,880
Speaker 1: there's people suffering a lot more than me who are

1792
01:34:30,920 --> 01:34:35,400
Speaker 1: not getting paid or who are not you know, uh,

1793
01:34:35,400 --> 01:34:37,320
Speaker 1: they have you know, they have severe mental health issues

1794
01:34:37,360 --> 01:34:40,040
Speaker 1: because of this. But what But it is very tough

1795
01:34:40,080 --> 01:34:43,040
Speaker 1: and I've never in my life kind of experienced these

1796
01:34:43,520 --> 01:34:46,160
Speaker 1: moments of like, oh my gosh, I can't you know,

1797
01:34:46,240 --> 01:34:49,840
Speaker 1: keep it together? What is what is anybody's advice for

1798
01:34:49,920 --> 01:34:53,880
Speaker 1: just staying? Saying? Uh, with the country being where it

1799
01:34:54,000 --> 01:34:59,080
Speaker 1: is right now, and uh, no end in sight? As

1800
01:35:00,040 --> 01:35:03,080
Speaker 1: I have three of nine, the my oldest just for nine,

1801
01:35:03,120 --> 01:35:04,519
Speaker 1: and I have a five year old and a three

1802
01:35:04,600 --> 01:35:08,040
Speaker 1: year old. Wow, you guys have your hands full. I

1803
01:35:08,080 --> 01:35:14,559
Speaker 1: mean to be at home all day. Everybody's home yep. Sarah,

1804
01:35:14,560 --> 01:35:16,720
Speaker 1: do you have any advice for? Um? What do you?

1805
01:35:16,720 --> 01:35:18,160
Speaker 1: What do you do? Well? I think the best name

1806
01:35:18,160 --> 01:35:20,880
Speaker 1: of advice is to say what works for you. So, Sarah,

1807
01:35:20,880 --> 01:35:23,439
Speaker 1: you've been in a very similar situation she for a while.

1808
01:35:23,479 --> 01:35:24,800
Speaker 1: I don't know if you're still doing it. She was

1809
01:35:24,880 --> 01:35:28,600
Speaker 1: cohabitating with her sister and their kids. So how do

1810
01:35:28,680 --> 01:35:31,920
Speaker 1: you stay, seeing Sarah with all the mayhem of COVID

1811
01:35:32,000 --> 01:35:36,160
Speaker 1: and having to help your kids with homeschooling and all that. Well,

1812
01:35:36,200 --> 01:35:37,519
Speaker 1: I don't know. I don't know if you would say

1813
01:35:37,520 --> 01:35:39,080
Speaker 1: I'm staying saying. I mean, I just cut my own

1814
01:35:39,200 --> 01:35:42,400
Speaker 1: hair my scissors that arrived in the mail, So that's debatable.

1815
01:35:42,560 --> 01:35:45,040
Speaker 1: But um, I think I think the best advice I

1816
01:35:45,120 --> 01:35:48,160
Speaker 1: was given, and it's really hard to take the advice

1817
01:35:48,479 --> 01:35:50,960
Speaker 1: is just take it day by day, because I that

1818
01:35:51,080 --> 01:35:53,320
Speaker 1: you can do that's totally doable. It's when you go,

1819
01:35:53,400 --> 01:35:55,679
Speaker 1: like I find myself bargain hills. I'm going, oh, yeah,

1820
01:35:55,680 --> 01:35:57,679
Speaker 1: I can fully do this for six months. Okay, okay, fine, fine,

1821
01:35:57,680 --> 01:35:58,720
Speaker 1: I can do it for a year, but just not

1822
01:35:58,760 --> 01:36:01,479
Speaker 1: too Okay, two years, but that's fucking it, not a

1823
01:36:01,560 --> 01:36:03,479
Speaker 1: day more. And so I think, like, if there's a

1824
01:36:03,520 --> 01:36:06,840
Speaker 1: way to try and find ways to stay in the

1825
01:36:06,880 --> 01:36:09,880
Speaker 1: moment in the day, only what's in front of you

1826
01:36:10,640 --> 01:36:13,880
Speaker 1: that has helped. I think, like, especially with kids. I

1827
01:36:13,920 --> 01:36:15,800
Speaker 1: mean we I have a ten year old and a

1828
01:36:15,800 --> 01:36:22,719
Speaker 1: four year old and I am officially homeschooling them, which

1829
01:36:22,760 --> 01:36:26,240
Speaker 1: is brand spank and new. I've never done that before,

1830
01:36:26,280 --> 01:36:28,479
Speaker 1: and we made the decision to do that. The schools

1831
01:36:28,479 --> 01:36:31,320
Speaker 1: haven't have opened up here now, but we're keeping them

1832
01:36:31,360 --> 01:36:35,040
Speaker 1: home so that everyone can stay safe and healthy, and

1833
01:36:36,160 --> 01:36:40,120
Speaker 1: so One thing that we found that's really cool that

1834
01:36:40,160 --> 01:36:42,719
Speaker 1: someone recommended to me is something called outschool dot com

1835
01:36:42,760 --> 01:36:44,639
Speaker 1: and you can go on there and do like anything

1836
01:36:44,680 --> 01:36:46,280
Speaker 1: your kids are interested in, Like if you just need

1837
01:36:46,320 --> 01:36:48,439
Speaker 1: a break, it's like sign language class or like sketching

1838
01:36:48,800 --> 01:36:51,400
Speaker 1: DC or a debate class where you debate like Marvel

1839
01:36:51,520 --> 01:36:55,320
Speaker 1: versus DC characters. And so we're doing that. Another thing

1840
01:36:55,320 --> 01:36:58,840
Speaker 1: we're doing is trying to like farm out a few things,

1841
01:36:58,880 --> 01:37:01,280
Speaker 1: so like, you know, have my uncle Portland and do

1842
01:37:01,320 --> 01:37:04,599
Speaker 1: a class on something. Um, I can come and teach

1843
01:37:04,600 --> 01:37:07,760
Speaker 1: a class on something, Sarah. Yeah, I'm you're just you're

1844
01:37:07,800 --> 01:37:10,760
Speaker 1: gonna be doing that. Yeah, I'm taking hit me. I'm

1845
01:37:10,800 --> 01:37:15,320
Speaker 1: hitting up on that now. And Danel and Joel and

1846
01:37:15,360 --> 01:37:17,559
Speaker 1: Donald I'm gonna need a class. Also, I'm gonna I'm gonna,

1847
01:37:17,560 --> 01:37:20,479
Speaker 1: I'm gonna I'm gonna respect I'm gonna respectfully decline and

1848
01:37:20,560 --> 01:37:23,759
Speaker 1: say I don't kids. I know you do, but Donald,

1849
01:37:23,800 --> 01:37:27,200
Speaker 1: you need to teach us to stop motion animation yourself. Amazing.

1850
01:37:27,400 --> 01:37:31,000
Speaker 1: I appreciate that. I appreciate that, but I'm gonna respectfully decline.

1851
01:37:31,040 --> 01:37:33,360
Speaker 1: I don't want to teach nobody else's kids but my own.

1852
01:37:33,479 --> 01:37:35,519
Speaker 1: Right now, I shouldn't I shouldn't we have to teach

1853
01:37:35,600 --> 01:37:37,360
Speaker 1: my own kids right now, to be honest with you,

1854
01:37:37,560 --> 01:37:39,080
Speaker 1: but I'm helping with them. Well, I'm just you know

1855
01:37:39,120 --> 01:37:40,960
Speaker 1: what I want to Donald? How are you want? Why

1856
01:37:40,960 --> 01:37:42,599
Speaker 1: don't you? Why don't you go and say? First of all,

1857
01:37:42,880 --> 01:37:44,360
Speaker 1: first of all, I want to give a shout out

1858
01:37:44,360 --> 01:37:47,240
Speaker 1: to all the teachers out there to be and all

1859
01:37:47,600 --> 01:37:50,960
Speaker 1: with all respect and all kidding aside, let's give a

1860
01:37:50,960 --> 01:37:52,479
Speaker 1: shout out to all the teachers out there who are

1861
01:37:52,520 --> 01:37:56,000
Speaker 1: actually teaching their kids online and teaching their kids. The

1862
01:37:56,080 --> 01:37:58,720
Speaker 1: teachers that are actually going into schools and teaching there

1863
01:37:59,000 --> 01:38:01,559
Speaker 1: and teaching students there too, Let's give a shout out

1864
01:38:01,560 --> 01:38:03,800
Speaker 1: to them, because you're absolutely right. You are on the

1865
01:38:03,840 --> 01:38:07,519
Speaker 1: front lines and you are doing work that is very important.

1866
01:38:07,560 --> 01:38:11,599
Speaker 1: You are teaching tomorrow's leaders, and you're doing it with

1867
01:38:12,360 --> 01:38:15,360
Speaker 1: a fucking really bad handicap, you know what I mean.

1868
01:38:15,400 --> 01:38:17,599
Speaker 1: And so shout out to all of you out there

1869
01:38:17,600 --> 01:38:21,439
Speaker 1: who are doing it. What are we doing to stay safe?

1870
01:38:21,640 --> 01:38:25,240
Speaker 1: And I mean to stay sane, To stay sane one

1871
01:38:25,360 --> 01:38:31,200
Speaker 1: stay safe too. That's really difficult, you know. Living we

1872
01:38:31,240 --> 01:38:35,000
Speaker 1: live in the valley and in the Sherman Oaks area,

1873
01:38:35,200 --> 01:38:40,200
Speaker 1: and you know, Los Angeles was hit really hard with COVID,

1874
01:38:40,400 --> 01:38:43,240
Speaker 1: and you know, for a really long time, I kept

1875
01:38:43,240 --> 01:38:45,439
Speaker 1: the kids inside and all we did was watch television

1876
01:38:45,439 --> 01:38:48,559
Speaker 1: and stuff like that, and that really wasn't that wasn't

1877
01:38:48,560 --> 01:38:51,519
Speaker 1: an ideal thing for us to do. But recently we've

1878
01:38:51,800 --> 01:38:55,200
Speaker 1: found ways to go to parks. We've potted with a

1879
01:38:55,200 --> 01:38:57,559
Speaker 1: couple of families, so the kids have friends to go

1880
01:38:57,600 --> 01:39:01,479
Speaker 1: play with and stuff. And the way for us to

1881
01:39:01,600 --> 01:39:04,600
Speaker 1: stay safe is try to be as normal as possible

1882
01:39:05,000 --> 01:39:09,519
Speaker 1: in these abnormal times, uh, without crossing the line and

1883
01:39:09,600 --> 01:39:13,960
Speaker 1: being uh and and and and not being safe. So

1884
01:39:14,160 --> 01:39:16,080
Speaker 1: that's how we For example, I see you know on

1885
01:39:16,120 --> 01:39:19,080
Speaker 1: your Instagram, you got your kids into golf, um, which

1886
01:39:19,160 --> 01:39:22,320
Speaker 1: is something you like and they like. So that's like

1887
01:39:22,560 --> 01:39:24,839
Speaker 1: a thing you can do outside of the house together

1888
01:39:25,160 --> 01:39:27,439
Speaker 1: as a group, that's fun for everybody. That's something you

1889
01:39:27,479 --> 01:39:29,800
Speaker 1: do right right. Well, yeah, I mean there are very

1890
01:39:29,800 --> 01:39:32,720
Speaker 1: few sports that you can do where there's no contact

1891
01:39:32,800 --> 01:39:35,960
Speaker 1: or your or the or or you can socially distance.

1892
01:39:36,439 --> 01:39:39,240
Speaker 1: And so as a family, yeah, we got into golf.

1893
01:39:39,680 --> 01:39:42,080
Speaker 1: We go over to Zach's house when he's not home,

1894
01:39:42,080 --> 01:39:46,160
Speaker 1: and we swim, you know what I mean. But it's tough, Adam.

1895
01:39:46,200 --> 01:39:48,120
Speaker 1: I'm gonna be honest with you, man. This is a

1896
01:39:48,240 --> 01:39:49,840
Speaker 1: This is one of those things where it's like where

1897
01:39:49,880 --> 01:39:52,200
Speaker 1: you can find your happiness and where you can find

1898
01:39:52,200 --> 01:39:54,920
Speaker 1: your joy. You grab onto it and you freaking hold

1899
01:39:54,920 --> 01:39:57,200
Speaker 1: it tight and you and you and you live in

1900
01:39:57,240 --> 01:40:01,040
Speaker 1: that space until this is over, because it's not like

1901
01:40:01,120 --> 01:40:02,840
Speaker 1: that we can go outside and just do whatever the

1902
01:40:03,160 --> 01:40:06,000
Speaker 1: heck we want right now. That's not something we can do.

1903
01:40:06,080 --> 01:40:07,800
Speaker 1: I like that you didn't curse because he's a teacher.

1904
01:40:07,840 --> 01:40:11,840
Speaker 1: That was really cute. My respect did coming. Yeah, he

1905
01:40:11,920 --> 01:40:13,720
Speaker 1: was like, first of all, when do you ever not curse?

1906
01:40:13,800 --> 01:40:17,280
Speaker 1: But because he's like a high school teacher, like, heck, heck. Um.

1907
01:40:17,880 --> 01:40:20,000
Speaker 1: I'm gonna Adam, I'm gonna say something that might be

1908
01:40:20,040 --> 01:40:22,720
Speaker 1: tricky for tricky few because you have kids and um,

1909
01:40:23,720 --> 01:40:27,240
Speaker 1: and that is that meditation has really helped me. There's

1910
01:40:27,240 --> 01:40:30,720
Speaker 1: a lot of different apps that are out there. I'm

1911
01:40:30,720 --> 01:40:33,760
Speaker 1: just gonna shout out headspace because that's the one that's

1912
01:40:33,800 --> 01:40:36,840
Speaker 1: worked for me. And if you're listening and you go,

1913
01:40:36,920 --> 01:40:38,600
Speaker 1: I'm not gonna fucking meditate, What the hell is he

1914
01:40:38,680 --> 01:40:43,519
Speaker 1: talking about? UM? I guarantee you that if you all

1915
01:40:43,560 --> 01:40:45,599
Speaker 1: you need to do is find twenty minutes. They actually

1916
01:40:45,600 --> 01:40:47,439
Speaker 1: even have shorter ones if you can only find ten

1917
01:40:47,560 --> 01:40:50,840
Speaker 1: or fifteen. But I think twenty minutes is what I've noticed.

1918
01:40:50,840 --> 01:40:53,519
Speaker 1: I get the most out of it. So I know, Adam,

1919
01:40:53,520 --> 01:40:55,400
Speaker 1: I respect I don't have kids. I know it's tricky.

1920
01:40:55,439 --> 01:40:57,360
Speaker 1: But if you can have your wife kick over for

1921
01:40:57,439 --> 01:41:00,200
Speaker 1: twenty minutes and you go hide, even in your carver,

1922
01:41:00,240 --> 01:41:01,880
Speaker 1: you can get your bedroom wherever you can be and

1923
01:41:02,000 --> 01:41:04,760
Speaker 1: just sit and listen to this app. And they have

1924
01:41:04,800 --> 01:41:07,960
Speaker 1: different programs. It can be for anxiety, it can be

1925
01:41:08,000 --> 01:41:11,640
Speaker 1: for insomnia, it can be for relationships. They have like

1926
01:41:11,720 --> 01:41:16,400
Speaker 1: the theme theme packs, and I have found when I

1927
01:41:16,520 --> 01:41:19,679
Speaker 1: do that every day twenty minutes in the morning, it

1928
01:41:19,720 --> 01:41:23,160
Speaker 1: really does keep my anxiety and my stress levels lower.

1929
01:41:23,200 --> 01:41:26,439
Speaker 1: It's it's noticeable. And if you do try this, don't

1930
01:41:26,439 --> 01:41:28,200
Speaker 1: go try it once and go, oh, my brain was

1931
01:41:28,200 --> 01:41:30,960
Speaker 1: wandering all over the place. Fuck that thing. No, Like anything,

1932
01:41:30,960 --> 01:41:33,160
Speaker 1: it takes practice. It's like you're not gonna go and

1933
01:41:33,200 --> 01:41:35,080
Speaker 1: try and play golf with day one and suck, and

1934
01:41:35,520 --> 01:41:38,960
Speaker 1: it takes practice to but little by little your mind

1935
01:41:39,000 --> 01:41:42,000
Speaker 1: does quiet and then ultimately you're kind of sitting there

1936
01:41:42,200 --> 01:41:43,920
Speaker 1: and of course it wanders a little bit, but you

1937
01:41:43,960 --> 01:41:46,000
Speaker 1: bring it back and you focus on your breath, and

1938
01:41:46,120 --> 01:41:49,559
Speaker 1: it's it's it's made a noticeable difference in my life.

1939
01:41:50,479 --> 01:41:53,880
Speaker 1: So there you go. You're welcome, Adam. You're welcome, Adam.

1940
01:41:53,920 --> 01:41:59,520
Speaker 1: You're welcome. Thunderous applause for us, Dan, thunder applause fix Adam,

1941
01:41:59,560 --> 01:42:01,400
Speaker 1: Thank you so much. Thank you for being an educator,

1942
01:42:01,479 --> 01:42:05,280
Speaker 1: thank you for thank you for being there for young

1943
01:42:05,360 --> 01:42:08,800
Speaker 1: people and for inspiring them. And I'm sure the kids

1944
01:42:08,840 --> 01:42:11,040
Speaker 1: don't tell you enough, even though you might have nice kids.

1945
01:42:11,040 --> 01:42:13,679
Speaker 1: But I hope the kids, I hope that you get

1946
01:42:13,880 --> 01:42:16,200
Speaker 1: that you're making a difference in their lives. Well, if

1947
01:42:16,240 --> 01:42:18,360
Speaker 1: I could say one more thing, I hope you guys

1948
01:42:18,439 --> 01:42:21,120
Speaker 1: understand how important in your podcast is. I mean, I

1949
01:42:22,320 --> 01:42:25,000
Speaker 1: this came about almost right as COVID started, as you know,

1950
01:42:25,080 --> 01:42:28,960
Speaker 1: and I've started taking walks in the morning before the

1951
01:42:29,000 --> 01:42:30,800
Speaker 1: kids are up, just to you know, get a little

1952
01:42:30,800 --> 01:42:33,000
Speaker 1: bit of exercise and just to get out of the house.

1953
01:42:33,120 --> 01:42:34,840
Speaker 1: And so I've been taking walks and I listened to

1954
01:42:34,920 --> 01:42:38,720
Speaker 1: the podcast, and I never really understood the expression that

1955
01:42:38,880 --> 01:42:41,320
Speaker 1: something brings a smile to your face. I always thought

1956
01:42:41,360 --> 01:42:46,160
Speaker 1: it was kind of a metaphor. But when your podcast

1957
01:42:46,200 --> 01:42:48,720
Speaker 1: comes on and that theme song kicks in and like

1958
01:42:48,880 --> 01:42:51,920
Speaker 1: a smile comes to my face. I don't even realize

1959
01:42:51,960 --> 01:42:55,120
Speaker 1: that I wasn't smiling until it happens. It's it's like

1960
01:42:55,200 --> 01:42:58,400
Speaker 1: pavlov It it comes up and Bam, I'm smiling on

1961
01:42:58,479 --> 01:43:04,360
Speaker 1: my walk. Everything go times so happy right now, and

1962
01:43:04,439 --> 01:43:07,320
Speaker 1: that makes us so happy. And you know, e E News,

1963
01:43:07,360 --> 01:43:10,439
Speaker 1: the very fancy entertainment station, agrees with you. I don't

1964
01:43:10,439 --> 01:43:12,439
Speaker 1: know if you said that you heard that we were

1965
01:43:12,479 --> 01:43:15,960
Speaker 1: a very very popular podcast. No, but thank you. I

1966
01:43:15,960 --> 01:43:17,720
Speaker 1: have to confess to you that you know, Donald and

1967
01:43:17,760 --> 01:43:20,679
Speaker 1: I and Joelle and Daniell we listen to the episode

1968
01:43:20,680 --> 01:43:22,760
Speaker 1: back and make edits, and so I sometimes listen to

1969
01:43:22,760 --> 01:43:25,479
Speaker 1: it while I'm walking my dog, and I've seen people,

1970
01:43:25,680 --> 01:43:28,559
Speaker 1: um right on our social media is like, oh my god,

1971
01:43:28,560 --> 01:43:30,680
Speaker 1: I'm laughing out loud so hard. People are looking at me.

1972
01:43:31,040 --> 01:43:32,920
Speaker 1: And there's times where I'm listening to the to our

1973
01:43:32,920 --> 01:43:35,320
Speaker 1: early version of the draft before we edit it. I'm

1974
01:43:35,400 --> 01:43:37,599
Speaker 1: and I'm walking my dog and I'm sitting there fucking

1975
01:43:37,680 --> 01:43:40,479
Speaker 1: laughing out loud at us. And I know that's shameless

1976
01:43:40,479 --> 01:43:43,080
Speaker 1: because I'm laughing at us, but anyway, it makes me

1977
01:43:43,120 --> 01:43:45,080
Speaker 1: so happy to hear that it's making a difference in

1978
01:43:45,080 --> 01:43:48,720
Speaker 1: people's lives. So thank you, Adam, and we're going to

1979
01:43:48,840 --> 01:43:51,120
Speaker 1: let you go now, but thank you so much for

1980
01:43:51,120 --> 01:43:55,720
Speaker 1: coming on the show. Thank you, Hi guys, thank you,

1981
01:43:56,000 --> 01:43:58,479
Speaker 1: thanks so much being well. Oh, Joel, that was such

1982
01:43:58,479 --> 01:44:00,880
Speaker 1: a wonderful guest in a different way because no, he

1983
01:44:00,960 --> 01:44:03,400
Speaker 1: wasn't banging on a tarlet at a funeral. Good, but

1984
01:44:03,600 --> 01:44:05,960
Speaker 1: he was a wonderful teacher who inspires the youth of

1985
01:44:06,320 --> 01:44:12,040
Speaker 1: the youth, inspires the youth. Your musical, Yeah, that's really

1986
01:44:12,080 --> 01:44:14,080
Speaker 1: that's really cool. And the fact that he like wrote

1987
01:44:14,080 --> 01:44:15,840
Speaker 1: the music to it and figured it all out on

1988
01:44:15,880 --> 01:44:18,639
Speaker 1: the piano because that didn't exist, that's so cool. Let's

1989
01:44:18,680 --> 01:44:21,400
Speaker 1: talk about first of all, Laddie the X ray tech

1990
01:44:22,600 --> 01:44:26,400
Speaker 1: to the Caribbean. He's compared to the Caribbean. He's the

1991
01:44:26,439 --> 01:44:28,760
Speaker 1: one that hangs out with the dude whose eye keeps

1992
01:44:28,800 --> 01:44:33,519
Speaker 1: popping out. He's true. Yeah, it's true. When Sean Whalen, Joel,

1993
01:44:33,520 --> 01:44:36,320
Speaker 1: will you double check out? Do you know where I

1994
01:44:36,320 --> 01:44:38,280
Speaker 1: know Sean Whalen from? This is a really good piece

1995
01:44:38,280 --> 01:44:42,479
Speaker 1: of trivia. Do you remember one of the best ads

1996
01:44:42,520 --> 01:44:45,439
Speaker 1: of the of the last however, many years when the

1997
01:44:45,479 --> 01:44:49,599
Speaker 1: guys had too much peanut butter. And he's like they

1998
01:44:49,680 --> 01:44:52,560
Speaker 1: call him from the radio show and he's got his

1999
01:44:52,320 --> 01:44:57,320
Speaker 1: his his room is surrounded with trivia and memorabilia about

2000
01:44:57,360 --> 01:45:03,600
Speaker 1: Aaron Burr and they and and the radio show is

2001
01:45:03,640 --> 01:45:07,479
Speaker 1: calling him and they go they go, um for for

2002
01:45:07,600 --> 01:45:11,639
Speaker 1: one thousand dollars? Who is the man who shot Alexander Hamilton?

2003
01:45:12,000 --> 01:45:14,200
Speaker 1: And he's like his moment to shine because it's like

2004
01:45:14,200 --> 01:45:17,120
Speaker 1: his whole life is dedicated to Aaron Burr. And he

2005
01:45:17,200 --> 01:45:22,720
Speaker 1: and he calls and just eating Peterburg and they're like,

2006
01:45:22,760 --> 01:45:25,160
Speaker 1: we're sorry, sir, we're gonna have to let you go anyway.

2007
01:45:25,280 --> 01:45:28,040
Speaker 1: Hilarious ad. You can watch it on YouTube. That was

2008
01:45:28,280 --> 01:45:34,360
Speaker 1: Sean Whalen. Was he also in Pirates? Um, Joel, Yeah,

2009
01:45:34,439 --> 01:45:38,240
Speaker 1: I'm pretty sure that's him, but it's sorry Sean Whalen

2010
01:45:38,400 --> 01:45:45,599
Speaker 1: spelled different w h A L E N like a whale, Okay, Laddie.

2011
01:45:45,880 --> 01:45:48,840
Speaker 1: And then of course the my machines guy, My machines,

2012
01:45:49,120 --> 01:45:53,040
Speaker 1: My machines, machines. We loved it. He's very funny and

2013
01:45:53,160 --> 01:45:57,040
Speaker 1: um and that was a funny bit. And then um, Sarah,

2014
01:45:57,160 --> 01:46:01,200
Speaker 1: I love the montage of you getting you know, tearing

2015
01:46:01,200 --> 01:46:04,519
Speaker 1: your your your kitten post off the wall and then

2016
01:46:04,520 --> 01:46:10,040
Speaker 1: then putting your back up and putting back up up,

2017
01:46:12,360 --> 01:46:14,880
Speaker 1: like I'll destroy my room, but that's like one step

2018
01:46:14,920 --> 01:46:17,840
Speaker 1: too far. But no, not only the cat poster back up,

2019
01:46:18,040 --> 01:46:19,920
Speaker 1: but you're destroyed it. You like ripped it up and

2020
01:46:19,920 --> 01:46:22,200
Speaker 1: then you tape it with like black duct tape and

2021
01:46:22,280 --> 01:46:26,519
Speaker 1: ship like put it back up. I love that. That's

2022
01:46:26,520 --> 01:46:29,280
Speaker 1: like Elliot's room. Yeah, I know your room was so

2023
01:46:29,439 --> 01:46:32,679
Speaker 1: bubble gummy girl, I know it just hugging a Teddy Bear.

2024
01:46:34,000 --> 01:46:35,680
Speaker 1: Where did you get the money from the half all

2025
01:46:35,680 --> 01:46:37,839
Speaker 1: of that when your parents cut you off and stuff? Remember,

2026
01:46:38,080 --> 01:46:40,040
Speaker 1: like all of a sudden, I feel like that's from

2027
01:46:40,040 --> 01:46:41,920
Speaker 1: when they had me back still on I was still

2028
01:46:41,960 --> 01:46:44,599
Speaker 1: on the That's like it's like frozen in time. It's

2029
01:46:44,640 --> 01:46:48,000
Speaker 1: like Elliot's things from when she was twelve, right, all

2030
01:46:48,000 --> 01:46:50,000
Speaker 1: of the all of the Yeah, yeah, I guess you

2031
01:46:50,040 --> 01:46:52,160
Speaker 1: took all of her chatch keys from her, from her

2032
01:46:52,240 --> 01:46:55,840
Speaker 1: youth she got cut off. Well that was that was

2033
01:46:55,880 --> 01:46:58,479
Speaker 1: really fun. And it's cut to Tom petty American girl

2034
01:46:58,960 --> 01:47:08,040
Speaker 1: and raised on promises. Yeah, nobody would finally get her

2035
01:47:08,080 --> 01:47:12,240
Speaker 1: hot sexy scrubs chick entrance down the hallway, the classic

2036
01:47:12,600 --> 01:47:19,759
Speaker 1: from the feed up smoky smoke SloMo um, and then um,

2037
01:47:19,840 --> 01:47:21,680
Speaker 1: how about alone? I thought. Another funny thing that made

2038
01:47:21,680 --> 01:47:24,960
Speaker 1: me laugh was when um, when everyone's you know, everyone's

2039
01:47:25,040 --> 01:47:26,599
Speaker 1: kind of just doing their own thing because they can

2040
01:47:26,600 --> 01:47:28,799
Speaker 1: tell when Kelsel is coming because it was nose squeak,

2041
01:47:29,320 --> 01:47:32,120
Speaker 1: and and now now Cox has fixed the nose squeak,

2042
01:47:32,160 --> 01:47:34,920
Speaker 1: but they don't know, and they cut everyone just being lazy,

2043
01:47:35,000 --> 01:47:43,880
Speaker 1: and the janitor is giving a lomo. I didn't know

2044
01:47:43,960 --> 01:47:47,000
Speaker 1: until this moment that the janitor and and uh and

2045
01:47:47,240 --> 01:47:54,639
Speaker 1: there's Roberts were close enough giving her the choppy chop chop.

2046
01:47:56,720 --> 01:47:58,679
Speaker 1: Or when Alma says to me, I'm going for advice,

2047
01:47:58,680 --> 01:48:03,120
Speaker 1: and she goes, it's also because you're very white. Why

2048
01:48:03,120 --> 01:48:06,000
Speaker 1: do you call me marshmallows it because I'm soft and

2049
01:48:06,160 --> 01:48:09,160
Speaker 1: sensitive or something. She goes, sure, it's also because you're

2050
01:48:09,520 --> 01:48:16,200
Speaker 1: very white. Um. And then Shan comes in at the end.

2051
01:48:16,479 --> 01:48:25,000
Speaker 1: Oh heartbreaking, and you're like, damn, damn, I didn't I

2052
01:48:25,040 --> 01:48:29,880
Speaker 1: didn't see, like I didn't see. I'm at the point

2053
01:48:29,920 --> 01:48:32,840
Speaker 1: now where I don't see j D and Elliott getting

2054
01:48:32,880 --> 01:48:34,640
Speaker 1: together though on the show, even though I know what

2055
01:48:34,680 --> 01:48:37,920
Speaker 1: happens at the end, it feels like at this point

2056
01:48:37,960 --> 01:48:40,479
Speaker 1: in the show that the two of them getting together

2057
01:48:40,960 --> 01:48:43,800
Speaker 1: isn't isn't a possibility? They don't, they don't. They're not

2058
01:48:43,800 --> 01:48:46,080
Speaker 1: on the same page anymore. So at the end when

2059
01:48:46,080 --> 01:48:49,280
Speaker 1: Sean when he says to her, you look beautiful, and

2060
01:48:49,320 --> 01:48:51,920
Speaker 1: then Sean steps out, I didn't see that coming. I

2061
01:48:51,920 --> 01:48:56,120
Speaker 1: didn't see JD reacting to her the way he reacted,

2062
01:48:56,400 --> 01:48:58,599
Speaker 1: and I knew Sean would come back, but I didn't

2063
01:48:58,600 --> 01:49:01,960
Speaker 1: see that happening. Well. I mean, it's interesting because not

2064
01:49:01,960 --> 01:49:04,639
Speaker 1: only is is Jad attracted to Elliott a new obviously

2065
01:49:04,680 --> 01:49:07,400
Speaker 1: because she's done, she looks great and she's done this makeover,

2066
01:49:07,439 --> 01:49:09,880
Speaker 1: but it's also because he's he's turned on by seeing

2067
01:49:09,920 --> 01:49:13,000
Speaker 1: her be a badass so finally fucking being tough and

2068
01:49:13,080 --> 01:49:15,960
Speaker 1: standing up for herself. And he's like, holy shit, this

2069
01:49:16,040 --> 01:49:19,040
Speaker 1: is this is this is a new woman. Who's this woman?

2070
01:49:19,080 --> 01:49:21,599
Speaker 1: I'm intrigued And all of a sudden, fucking Scott Foley

2071
01:49:22,240 --> 01:49:27,120
Speaker 1: nobody cares sweater? Yeah when did nobody cares? Shan come in?

2072
01:49:27,960 --> 01:49:31,040
Speaker 1: It's in his first episode that he nobody cares when

2073
01:49:31,040 --> 01:49:33,559
Speaker 1: we're at this, Yeah, is that when we're at the

2074
01:49:33,760 --> 01:49:38,360
Speaker 1: uh where where where are we? When you say that, no,

2075
01:49:38,439 --> 01:49:42,240
Speaker 1: it's his very first episode. He's in Nobody. I forgot

2076
01:49:42,240 --> 01:49:44,680
Speaker 1: when by we just to clarify something, Um, the My

2077
01:49:44,880 --> 01:49:49,240
Speaker 1: Machines guy is Lee Aharnberg. That's the guy who's in Pirates. Um,

2078
01:49:49,280 --> 01:49:52,439
Speaker 1: I was talking about Sean Whalen and that's the Aaron

2079
01:49:52,479 --> 01:49:56,120
Speaker 1: Burr commercial guy who plays Laddie, who's a different X

2080
01:49:56,200 --> 01:49:58,040
Speaker 1: ray tech. He's the one I lie on top of

2081
01:49:58,200 --> 01:50:01,559
Speaker 1: naked because he wants to get an X ray that

2082
01:50:01,640 --> 01:50:04,400
Speaker 1: looks like he's X ray to sign he's twin. That

2083
01:50:05,360 --> 01:50:11,800
Speaker 1: guy is hilarious. He's in so many commercials. Yeah, yeah, yeah, everything. Yeah,

2084
01:50:11,920 --> 01:50:14,760
Speaker 1: absolutely a lot of commercials. Okay, but Lee Ahronberg is

2085
01:50:14,800 --> 01:50:17,960
Speaker 1: the one you're thinking of who's in Pirates. Another funny

2086
01:50:17,960 --> 01:50:19,840
Speaker 1: moment is Johnny C when he's like with the prison

2087
01:50:19,880 --> 01:50:21,599
Speaker 1: inmates and he's asking him to keep the photo of

2088
01:50:21,640 --> 01:50:24,360
Speaker 1: his son soppy. But I never said, why is Johnny

2089
01:50:24,320 --> 01:50:29,400
Speaker 1: showing people pictures of his son? And would he not

2090
01:50:29,439 --> 01:50:30,800
Speaker 1: only did he bring the picture, he has it out

2091
01:50:30,840 --> 01:50:33,639
Speaker 1: like he's he's showing every prisoner he's getting a physical too.

2092
01:50:35,640 --> 01:50:37,519
Speaker 1: Is his kid? I do have to say, I got

2093
01:50:37,640 --> 01:50:41,360
Speaker 1: um goosebumps when when we finally figure out that it's

2094
01:50:41,400 --> 01:50:45,639
Speaker 1: familial Mediterranean fever. Yeah, I'm such a sucker for those

2095
01:50:45,680 --> 01:50:49,400
Speaker 1: moments where where we as young doctors go Eureka, we

2096
01:50:49,479 --> 01:50:51,960
Speaker 1: got it, like we figured it out. Like I mean,

2097
01:50:52,000 --> 01:50:55,479
Speaker 1: it's funny, I'm watching us, but I gave myself goose bumps.

2098
01:50:55,760 --> 01:50:57,840
Speaker 1: I love the fact that doctor Cox takes the credit

2099
01:50:57,880 --> 01:51:00,720
Speaker 1: for it at the end too. Yeah, yeah, it was

2100
01:51:00,760 --> 01:51:03,840
Speaker 1: phasing says it was all you guys. Yeah, right after

2101
01:51:03,920 --> 01:51:08,040
Speaker 1: he says that shit. But um, yeah, I didn't understand.

2102
01:51:08,040 --> 01:51:10,800
Speaker 1: That's the one thing I didn't understand the whole episode.

2103
01:51:10,800 --> 01:51:16,679
Speaker 1: He's telling you not to rely on him, but he's

2104
01:51:16,720 --> 01:51:20,519
Speaker 1: relying on us. The whole episode. He's saying to us,

2105
01:51:20,880 --> 01:51:22,800
Speaker 1: don't rely on me. I'm not going to be here

2106
01:51:22,800 --> 01:51:25,360
Speaker 1: for you all the time. Don't rely on me. But

2107
01:51:25,439 --> 01:51:28,160
Speaker 1: he's relying on us to come up with this diagnosis

2108
01:51:28,439 --> 01:51:29,960
Speaker 1: so that he can go into the room at the

2109
01:51:30,040 --> 01:51:32,280
Speaker 1: end and take all of the credit for it. Well.

2110
01:51:32,320 --> 01:51:34,439
Speaker 1: I think maybe that's sort of what Bill's doing in

2111
01:51:34,479 --> 01:51:36,760
Speaker 1: the writing in season three, is like it's going to

2112
01:51:36,840 --> 01:51:39,920
Speaker 1: start being a tip for tat ying Yang if you

2113
01:51:40,000 --> 01:51:42,679
Speaker 1: will situation where there's gonna be times where we're helping

2114
01:51:42,760 --> 01:51:44,320
Speaker 1: him look good and he's going, of course, going to

2115
01:51:44,360 --> 01:51:46,880
Speaker 1: be saving our asses still and we're getting we're getting

2116
01:51:46,880 --> 01:51:49,719
Speaker 1: a little more experience where we can become a little

2117
01:51:49,720 --> 01:51:51,800
Speaker 1: more closer to being his peer. Or he doesn't have

2118
01:51:51,880 --> 01:51:53,920
Speaker 1: the time. I mean, he's got so much on his plate,

2119
01:51:53,960 --> 01:51:55,559
Speaker 1: and he kind of, you know, he's still keep in mind,

2120
01:51:55,560 --> 01:51:58,760
Speaker 1: he's still even though he's aggressive and confrontational, he's still

2121
01:51:58,760 --> 01:52:01,200
Speaker 1: our teacher. So he's like, you guys got to do

2122
01:52:01,200 --> 01:52:03,160
Speaker 1: the work. You guys got to stay late and figure

2123
01:52:03,160 --> 01:52:05,840
Speaker 1: it out. And then of course he he you know,

2124
01:52:05,920 --> 01:52:08,519
Speaker 1: gives them love good work. That was a good get.

2125
01:52:09,240 --> 01:52:11,040
Speaker 1: And then he goes and takes credit for it because

2126
01:52:11,080 --> 01:52:13,200
Speaker 1: that's him, you know, right, because it's his And then

2127
01:52:13,200 --> 01:52:14,920
Speaker 1: he's the big cheese. Did we ever go? Do we

2128
01:52:14,960 --> 01:52:17,320
Speaker 1: ever recap that? Like one of the funniest parts of

2129
01:52:17,360 --> 01:52:18,679
Speaker 1: this show is when you go in at the beginning

2130
01:52:18,720 --> 01:52:19,960
Speaker 1: and you're like, I know everybody so well, I know

2131
01:52:20,000 --> 01:52:22,400
Speaker 1: what they're gonna say, and then you're like replacing Donald's

2132
01:52:22,400 --> 01:52:25,160
Speaker 1: and tchooties and and Johnny sees dialogue, you put your

2133
01:52:25,200 --> 01:52:29,559
Speaker 1: earbuds in. I love that part Johnny, thank you, sir.

2134
01:52:29,680 --> 01:52:32,000
Speaker 1: What's that? He did a good Johnny? He did a

2135
01:52:32,000 --> 01:52:36,040
Speaker 1: good Johnny. You honor me. I'm sorry to steal Dan's

2136
01:52:36,080 --> 01:52:37,760
Speaker 1: what you're talking about Willis again, but I really like

2137
01:52:38,120 --> 01:52:40,200
Speaker 1: take it. You honor me by taking it. I'm gonna

2138
01:52:40,200 --> 01:52:42,200
Speaker 1: take it down. I want to use it on the

2139
01:52:42,200 --> 01:52:43,880
Speaker 1: podcast that much, but I'm gonna start using it in

2140
01:52:43,880 --> 01:52:46,360
Speaker 1: my real life because brother, I hope you do. Um

2141
01:52:46,400 --> 01:52:49,000
Speaker 1: do I honor you by taking it? Most certainly? Okay,

2142
01:52:49,360 --> 01:52:51,960
Speaker 1: listen were deserving of special Donald and I have a

2143
01:52:52,000 --> 01:52:55,839
Speaker 1: special announcement just so y'all know who are listening. Because

2144
01:52:55,880 --> 01:52:59,200
Speaker 1: the DMVs are all closed and or I think most

2145
01:52:59,240 --> 01:53:02,200
Speaker 1: of them are a lot of them Marum and other reasons.

2146
01:53:02,240 --> 01:53:06,480
Speaker 1: Because of COVID, voter registration is very far down, apparently

2147
01:53:06,840 --> 01:53:09,559
Speaker 1: over two million down from what it normally is in

2148
01:53:09,560 --> 01:53:13,240
Speaker 1: a presidential year. So Donald and I are teaming up

2149
01:53:13,320 --> 01:53:17,080
Speaker 1: with a cause called Headcount. Now, what I want you

2150
01:53:17,160 --> 01:53:20,559
Speaker 1: to do is want you when this podcast is over,

2151
01:53:20,600 --> 01:53:22,200
Speaker 1: you can go to our social media is where we

2152
01:53:22,240 --> 01:53:26,439
Speaker 1: will have links to this. But if you don't want

2153
01:53:26,479 --> 01:53:28,479
Speaker 1: to go to social media, or you're not on social media,

2154
01:53:28,760 --> 01:53:34,679
Speaker 1: you can go to headcount dot org backslash Zach and Donald,

2155
01:53:35,000 --> 01:53:38,160
Speaker 1: Now what's going to happen? You are going to register

2156
01:53:38,520 --> 01:53:43,920
Speaker 1: or just check your registration. If fifteen hundred of you

2157
01:53:43,960 --> 01:53:48,519
Speaker 1: do this, drum roll Dan, A little drum roll there,

2158
01:53:48,560 --> 01:53:49,720
Speaker 1: I'll do it with my mouth. Let me do it

2159
01:53:49,720 --> 01:53:58,880
Speaker 1: in my mouth. But this action is either registring for

2160
01:53:58,920 --> 01:54:03,479
Speaker 1: the first time. Sorry, sorry, thank you, either registering for

2161
01:54:03,479 --> 01:54:06,200
Speaker 1: the first time, or just checking that you are in

2162
01:54:06,240 --> 01:54:08,720
Speaker 1: fact registered because a lot of people get purged every year.

2163
01:54:09,240 --> 01:54:11,880
Speaker 1: Fifteen hundred of you do it, Donald and I will

2164
01:54:11,920 --> 01:54:14,640
Speaker 1: do a video where we teach you how to make

2165
01:54:14,680 --> 01:54:21,000
Speaker 1: an apple tini yo, and then we will drink said

2166
01:54:21,080 --> 01:54:25,400
Speaker 1: apple tinis. You don't even like apple? What's that? I

2167
01:54:25,479 --> 01:54:27,720
Speaker 1: thought you didn't even like I don't even like it.

2168
01:54:27,920 --> 01:54:32,400
Speaker 1: I don't mind vodka, but I will drink them for America. Wait,

2169
01:54:32,400 --> 01:54:34,520
Speaker 1: hold up, I think we should make a like a

2170
01:54:34,680 --> 01:54:37,720
Speaker 1: real apple tini, though not the generic where you get

2171
01:54:37,760 --> 01:54:41,440
Speaker 1: the freakings the puckers and you just pour the puckers

2172
01:54:41,560 --> 01:54:43,680
Speaker 1: into the to the Okay, what do you want to

2173
01:54:43,680 --> 01:54:46,280
Speaker 1: get gourmet? I want to I think we should get

2174
01:54:46,480 --> 01:54:49,880
Speaker 1: freaking straight up mixologists on this bad boy. Well, we

2175
01:54:49,920 --> 01:54:53,760
Speaker 1: have Flow, who's a chef. She can help us with that. Okay.

2176
01:54:53,800 --> 01:54:56,040
Speaker 1: She she knows how to mix drinks too. Oh yeah,

2177
01:54:56,080 --> 01:54:58,080
Speaker 1: does she ever? Let me tell you something, you guys.

2178
01:54:58,120 --> 01:55:01,280
Speaker 1: I got inspired by Flow actually because she did one

2179
01:55:01,280 --> 01:55:04,840
Speaker 1: of these. And she said to her followers on Insta

2180
01:55:04,920 --> 01:55:09,040
Speaker 1: and Twitter, if five hundred of you register or check

2181
01:55:09,080 --> 01:55:11,760
Speaker 1: your registration, I'll cook a Sunday roast, which is a

2182
01:55:11,760 --> 01:55:16,840
Speaker 1: big traditional British meal. She registered seventy five hundred people.

2183
01:55:17,120 --> 01:55:20,880
Speaker 1: Damn what? And you guys, I'm competitive and I need

2184
01:55:20,920 --> 01:55:24,080
Speaker 1: you to help me beat my girlfriend. Okay, So all

2185
01:55:24,160 --> 01:55:27,240
Speaker 1: Donald and I are asking is for fifteen hundred. If

2186
01:55:27,240 --> 01:55:29,040
Speaker 1: it ends up being more than that, then that will

2187
01:55:29,080 --> 01:55:31,160
Speaker 1: be great and we'll all feel wonderful about it. This

2188
01:55:31,320 --> 01:55:34,120
Speaker 1: is non partisan, so don't get your panties in a bunch.

2189
01:55:34,640 --> 01:55:37,320
Speaker 1: This is just trying to get people to register, okay,

2190
01:55:37,440 --> 01:55:39,200
Speaker 1: and trying to tell people to vote, right, don't get

2191
01:55:39,280 --> 01:55:41,920
Speaker 1: don't get all political with this bullshit and be like,

2192
01:55:41,960 --> 01:55:44,320
Speaker 1: you guys are so political. No, we just want you

2193
01:55:44,360 --> 01:55:46,640
Speaker 1: to vote. We want you to vote, We want you

2194
01:55:46,680 --> 01:55:50,600
Speaker 1: to vote. Seven. It's just sec dude, it's your American right.

2195
01:55:51,000 --> 01:55:53,680
Speaker 1: So go now. Okay, if you're listening to this wherever

2196
01:55:53,760 --> 01:55:56,320
Speaker 1: you are. You're gonna either go to our social media

2197
01:55:56,360 --> 01:55:59,120
Speaker 1: on Instagram or Twitter or Facebook if that's easiest for you.

2198
01:55:59,440 --> 01:56:04,360
Speaker 1: If not, go to headcount dot org, backslash Zach and Donald.

2199
01:56:04,560 --> 01:56:06,840
Speaker 1: Don't do this somewhere else because we want credit for

2200
01:56:06,920 --> 01:56:11,160
Speaker 1: you checking your status or registering. We want credit. I

2201
01:56:11,280 --> 01:56:14,360
Speaker 1: did it just now, super easy. Okay, thank you, Daniel,

2202
01:56:15,120 --> 01:56:19,240
Speaker 1: We have one, GOTCHADU. We are a halfway there. Well, no,

2203
01:56:19,400 --> 01:56:25,040
Speaker 1: we are, we are. We're not there. What's the address again,

2204
01:56:25,520 --> 01:56:29,960
Speaker 1: headcount dot org, backslash Zach and Donald, or if it's

2205
01:56:30,000 --> 01:56:32,720
Speaker 1: easier for you, go to our social media's on Instagram.

2206
01:56:32,760 --> 01:56:36,680
Speaker 1: It'll be in our bios on Twitter. I we'll both

2207
01:56:36,680 --> 01:56:40,240
Speaker 1: be tweeting it out. And please help us beat all.

2208
01:56:40,400 --> 01:56:42,440
Speaker 1: Samuel Jackson did it. We want to beat him to

2209
01:56:43,240 --> 01:56:46,240
Speaker 1: Josh Gad just did it. So we are going to

2210
01:56:47,200 --> 01:56:50,480
Speaker 1: teach you how to make an apple teeny that's just

2211
01:56:50,560 --> 01:56:52,760
Speaker 1: the most perfect one. And then he and I, because

2212
01:56:52,760 --> 01:56:54,440
Speaker 1: we're in the same pod at this point, we can

2213
01:56:54,480 --> 01:56:58,360
Speaker 1: be together and share a cocktail. Okay, we're gonna share

2214
01:56:59,040 --> 01:57:05,960
Speaker 1: cock tails. It sounded dirty, no matter, Look, dude, we

2215
01:57:06,040 --> 01:57:08,560
Speaker 1: are going to share. Listen to me again. I'll make it.

2216
01:57:08,600 --> 01:57:10,960
Speaker 1: I'll make it even more sexual. We are going to

2217
01:57:11,120 --> 01:57:23,480
Speaker 1: share some cock tails. I am so excited to share

2218
01:57:23,960 --> 01:57:31,120
Speaker 1: some cock tails. I cannot wait to just have some

2219
01:57:31,200 --> 01:57:37,480
Speaker 1: of your cock tails. All right, Sorry, Joel's getting schemed out.

2220
01:57:37,520 --> 01:57:40,720
Speaker 1: You know what's gonna you know it's gonna taste great

2221
01:57:40,800 --> 01:57:51,240
Speaker 1: going down my throat your cock tails, Joel. I think

2222
01:57:51,240 --> 01:57:53,840
Speaker 1: they could just keep doing this for another forty five minutes.

2223
01:57:53,880 --> 01:57:59,880
Speaker 1: I don't think you're laughing, so don't tease. I don't three.

2224
01:58:00,880 --> 01:58:03,000
Speaker 1: I know this episode nine and a half hours. We

2225
01:58:03,040 --> 01:58:06,000
Speaker 1: haven't signed Happy Birthday to Joel yet. Oh. Also, it's

2226
01:58:06,080 --> 01:58:09,200
Speaker 1: Joel's birthday? Is it today? Different? Next October one? So

2227
01:58:09,320 --> 01:58:12,360
Speaker 1: a week from yesterday? Okay, and Donald, we have to

2228
01:58:12,360 --> 01:58:14,480
Speaker 1: talk about Joel's present. And also we never got Daniel

2229
01:58:14,520 --> 01:58:17,360
Speaker 1: in president, so we need to get stop that. You know,

2230
01:58:17,480 --> 01:58:20,760
Speaker 1: I reminded myself when I was looking online, wells present.

2231
01:58:22,520 --> 01:58:27,240
Speaker 1: We can totally give them some cock tale tale? How about?

2232
01:58:27,560 --> 01:58:32,040
Speaker 1: How about? I don't feel comfortable making this joke with Joel.

2233
01:58:32,080 --> 01:58:34,240
Speaker 1: It's an approvent, but Dan, I will give you so

2234
01:58:34,320 --> 01:58:41,120
Speaker 1: much cock tale. All right, we gotta go. We love you, everybody,

2235
01:58:41,480 --> 01:58:43,960
Speaker 1: Please do the head count thing. I want to crush everyone.

2236
01:58:44,120 --> 01:58:47,440
Speaker 1: I want Sam Jackson to say to his publicist, holy shit,

2237
01:58:48,040 --> 01:58:54,080
Speaker 1: Samaxons say, holy shit, all these motherfucker's. Okay, good head

2238
01:58:54,120 --> 01:58:59,480
Speaker 1: count slow. I'm sure it's higher than that, but I

2239
01:58:59,520 --> 01:59:01,440
Speaker 1: would love to be able to say, ha ha flow

2240
01:59:01,480 --> 01:59:04,280
Speaker 1: we did seven five oh one. But I'm not aiming

2241
01:59:04,280 --> 01:59:06,240
Speaker 1: that high. That's that's that's that might be too high.

2242
01:59:06,240 --> 01:59:08,320
Speaker 1: But let's all I want for now is fifteen. You

2243
01:59:08,360 --> 01:59:10,880
Speaker 1: get the prize of the video of cocktails. If you

2244
01:59:10,920 --> 01:59:13,840
Speaker 1: do fifteen, fifteen hundred of you, check your registration or

2245
01:59:13,840 --> 01:59:16,240
Speaker 1: register for the first time. Come on, everybody, I want

2246
01:59:16,240 --> 01:59:17,840
Speaker 1: to do it. I want to try and do my

2247
01:59:17,880 --> 01:59:23,440
Speaker 1: Sam Jackson one more time. How did these motherfucker's beat me? No,

2248
01:59:23,720 --> 01:59:26,800
Speaker 1: it's better, yes, yes, I like No, I'm not kach.

2249
01:59:26,920 --> 01:59:30,680
Speaker 1: I just don't dig on swine. This is a tasty burger,

2250
01:59:32,400 --> 01:59:36,640
Speaker 1: great scene. Um all right, head count Dot org backslash,

2251
01:59:37,000 --> 01:59:43,760
Speaker 1: Sack and Donald, We love you all about show we

2252
01:59:44,160 --> 01:59:47,680
Speaker 1: made about a bunch of dots. Nurses