1 00:00:04,440 --> 00:00:05,960 Speaker 1: Plan. 2 00:00:08,360 --> 00:00:11,320 Speaker 2: Hi, my name Van Henica Sanchez. The episode that really 3 00:00:11,600 --> 00:00:14,880 Speaker 2: shoot me and touched me the most was Suave season two, 4 00:00:14,920 --> 00:00:19,160 Speaker 2: episode five, where Swave is crashing out about his car 5 00:00:19,360 --> 00:00:24,240 Speaker 2: and just the helplessness I felt listening to that episode, 6 00:00:24,480 --> 00:00:28,160 Speaker 2: both from Swabi and Maria really really touched me. Anyway, 7 00:00:28,600 --> 00:00:30,440 Speaker 2: I think about it all the time. Thank you so 8 00:00:30,520 --> 00:00:32,159 Speaker 2: much for the show and everything that you do. 9 00:00:33,120 --> 00:00:36,520 Speaker 3: Ah, this is my eighties one moon. My favorite episode 10 00:00:36,560 --> 00:00:39,440 Speaker 3: of this full year was Coming to Colombia, Columbian America 11 00:00:39,479 --> 00:00:42,440 Speaker 3: and returns to the Motherland. I thought it was great. 12 00:00:42,479 --> 00:00:46,120 Speaker 3: I actually I am Colomian too and had a similar 13 00:00:46,479 --> 00:00:50,600 Speaker 3: story than Tasha. It was very special to hear someone 14 00:00:50,640 --> 00:00:54,560 Speaker 3: with a similar story and just to recognize myself in 15 00:00:54,640 --> 00:00:59,400 Speaker 3: her story. Uh Andasha for an amazing story, and thank 16 00:00:59,440 --> 00:01:00,880 Speaker 3: you for everything you guys do. 17 00:01:01,200 --> 00:01:11,080 Speaker 4: By dear listener. 18 00:01:11,520 --> 00:01:13,200 Speaker 5: Always at the end of the year, I'm like, wait, 19 00:01:13,240 --> 00:01:16,320 Speaker 5: how did this happen? How did we finish a year? 20 00:01:16,520 --> 00:01:19,920 Speaker 5: But we have finished the year. We are coming up 21 00:01:19,959 --> 00:01:23,000 Speaker 5: on the end of twenty twenty five, and what a 22 00:01:23,080 --> 00:01:28,280 Speaker 5: year it has been. It has been a challenging year 23 00:01:28,520 --> 00:01:34,840 Speaker 5: for our democracy at large, for journalism, but it's specifically 24 00:01:34,880 --> 00:01:38,520 Speaker 5: been a very challenging year if you are Latino, Latina, 25 00:01:38,640 --> 00:01:41,880 Speaker 5: LATINX or Latine in the United States of America in 26 00:01:42,000 --> 00:01:46,679 Speaker 5: terms of public media, very specifically, like the attacks have 27 00:01:47,600 --> 00:01:51,800 Speaker 5: come to fruition right, the loss of funding for public 28 00:01:51,840 --> 00:01:55,800 Speaker 5: television and for public radio across the country. 29 00:01:56,080 --> 00:01:57,080 Speaker 4: It's real. 30 00:01:57,640 --> 00:02:02,160 Speaker 5: Futro media was born years ago. In the year twenty ten. 31 00:02:02,280 --> 00:02:07,400 Speaker 5: There were also a lot of economic challenges, political challenges, 32 00:02:07,800 --> 00:02:18,240 Speaker 5: business challenges, and that's when we launched. We have learned 33 00:02:18,520 --> 00:02:21,040 Speaker 5: that it is a bit of a roller coaster to 34 00:02:21,360 --> 00:02:26,919 Speaker 5: run an independent, small nonprofit newsroom founded by a Latina 35 00:02:27,160 --> 00:02:33,480 Speaker 5: Mexican immigrant. But the thing is, we understand challenges and 36 00:02:34,040 --> 00:02:34,919 Speaker 5: we face them. 37 00:02:35,160 --> 00:02:35,919 Speaker 4: We don't give up. 38 00:02:36,720 --> 00:02:38,560 Speaker 5: You know, in a moment like this, we go back, 39 00:02:39,200 --> 00:02:41,960 Speaker 5: we look at what we have accomplished in a year. 40 00:02:42,480 --> 00:02:46,880 Speaker 5: It has been a lot. So we want to share 41 00:02:46,960 --> 00:02:49,720 Speaker 5: some of this because you know, we're doing it every week. 42 00:02:49,760 --> 00:02:52,720 Speaker 4: Every week, every week we're turning a show. These are 43 00:02:52,720 --> 00:02:54,200 Speaker 4: the moments when we're able to kind. 44 00:02:54,040 --> 00:02:57,119 Speaker 5: Of take a pause and say, wow, we really did 45 00:02:57,120 --> 00:02:59,280 Speaker 5: something extraordinary in twenty twenty five, and we want to 46 00:02:59,320 --> 00:03:03,440 Speaker 5: bring you along for the ride. We obviously were documenting 47 00:03:04,120 --> 00:03:08,960 Speaker 5: the first year of a second Trump presidency, one that 48 00:03:09,080 --> 00:03:12,560 Speaker 5: came into power with many Latino and Latina voters. 49 00:03:12,919 --> 00:03:16,080 Speaker 6: While majority of Latinos voted for Kamala Harris, Trump was 50 00:03:16,080 --> 00:03:19,400 Speaker 6: backed by a record forty six percent of Latino voters, 51 00:03:19,639 --> 00:03:23,400 Speaker 6: even gaining support in Democratic strongholds like New York City. 52 00:03:24,000 --> 00:03:27,120 Speaker 5: And of course, at Dudo Studios, I had this dream 53 00:03:27,160 --> 00:03:30,919 Speaker 5: of doing a podcast about Suave and I never gave 54 00:03:31,000 --> 00:03:35,040 Speaker 5: up that dream, and we formed a team and they 55 00:03:35,080 --> 00:03:39,320 Speaker 5: delivered a story that, of course won us a Pulitzer Prize. 56 00:03:39,440 --> 00:03:41,840 Speaker 4: For our audience, it's important for them to know that 57 00:03:41,920 --> 00:03:45,040 Speaker 4: you are one of two Latinas in history. 58 00:03:44,720 --> 00:03:46,880 Speaker 7: To win a Pulitzer and you did it out of 59 00:03:46,920 --> 00:03:48,640 Speaker 7: an organization that you founded. 60 00:03:48,960 --> 00:03:54,240 Speaker 5: And in twenty twenty five we released season two of Swave. 61 00:03:55,880 --> 00:03:59,640 Speaker 8: It's been seven years since David Luis Suave Gonzalez was 62 00:03:59,680 --> 00:04:03,760 Speaker 8: really from prison after being sentenced to serve life without 63 00:04:03,840 --> 00:04:05,440 Speaker 8: Paul as a teenager. 64 00:04:05,800 --> 00:04:10,320 Speaker 5: A profound feat of journalism, but oh my god, really 65 00:04:10,440 --> 00:04:15,680 Speaker 5: telenovela based on fact, so important to follow the life 66 00:04:15,720 --> 00:04:19,320 Speaker 5: of somebody who spent thirty one years behind bars. We 67 00:04:19,960 --> 00:04:24,480 Speaker 5: pride ourselves in what we have done, but always looking 68 00:04:24,560 --> 00:04:28,040 Speaker 5: to the next story. What's the next big podcast, We're 69 00:04:28,080 --> 00:04:31,679 Speaker 5: going to do, what's the next investigation, What's the next 70 00:04:31,720 --> 00:04:35,920 Speaker 5: big get, what is the next Yeah, celebrity that. 71 00:04:35,880 --> 00:04:37,640 Speaker 4: We're going to do an interview that is going. 72 00:04:37,640 --> 00:04:41,800 Speaker 5: To rock people's boats because we talk about things differently 73 00:04:41,800 --> 00:04:45,160 Speaker 5: at Futuro Media. And to meet the moment we made 74 00:04:45,240 --> 00:04:49,239 Speaker 5: a big splash, we decided to launch our own subscription service, 75 00:04:49,720 --> 00:04:54,039 Speaker 5: asking you to become effectively part of our team by 76 00:04:54,080 --> 00:04:57,560 Speaker 5: subscribing to us on a monthly basis with Futuro Plus 77 00:04:57,600 --> 00:05:01,839 Speaker 5: and all of that. To say that we're celebrating fifteen 78 00:05:01,920 --> 00:05:10,240 Speaker 5: years this notion of getting to celebrate the Kinze. So 79 00:05:10,320 --> 00:05:13,560 Speaker 5: if you're like, what is she talking about? In Latin America, 80 00:05:14,120 --> 00:05:17,520 Speaker 5: you celebrate turning fifteen years old, it's like a sweet sixteen, 81 00:05:17,680 --> 00:05:21,279 Speaker 5: but in Latin America it's the sweet fifteen. It's called 82 00:05:21,320 --> 00:05:26,640 Speaker 5: the King Sanieta, and so we are celebrating our big 83 00:05:26,839 --> 00:05:30,880 Speaker 5: King Seneta. And what we do at Futuro is that 84 00:05:30,880 --> 00:05:34,400 Speaker 5: we dream big. So we want you to be a 85 00:05:34,480 --> 00:05:38,200 Speaker 5: part of a big dream, which is to meet the 86 00:05:38,279 --> 00:05:41,679 Speaker 5: Kinze by raising one hundred and fifty thousand dollars. 87 00:05:42,120 --> 00:05:43,440 Speaker 4: Yeah, that's a big number. 88 00:05:43,920 --> 00:05:47,520 Speaker 5: What's important to us is not every single amount, but 89 00:05:47,600 --> 00:05:51,080 Speaker 5: the fact that every single person is making the decision 90 00:05:51,720 --> 00:05:54,239 Speaker 5: to celebrate us to be part of our kings. 91 00:05:55,200 --> 00:05:57,280 Speaker 4: We gotta reach for the sky, right. 92 00:05:58,120 --> 00:06:03,200 Speaker 5: But we also have something that's manageable as well, which 93 00:06:03,240 --> 00:06:08,040 Speaker 5: is we want one hundred new donors. So one hundred 94 00:06:08,040 --> 00:06:10,960 Speaker 5: of you who have never donated, who are like you 95 00:06:11,000 --> 00:06:13,479 Speaker 5: know what, I think, this is a year. So come 96 00:06:13,480 --> 00:06:17,040 Speaker 5: on now, a hundred of you become a new donor 97 00:06:17,120 --> 00:06:18,000 Speaker 5: to Food Doudo Media. 98 00:06:18,080 --> 00:06:19,720 Speaker 4: You are going to feel so good about it. 99 00:06:29,520 --> 00:06:32,160 Speaker 5: So there are a lot of things that I love 100 00:06:32,200 --> 00:06:37,160 Speaker 5: about Foot Douo Media. I mean so many things, but 101 00:06:37,320 --> 00:06:40,159 Speaker 5: one of the things that I appreciate is being able 102 00:06:40,240 --> 00:06:45,720 Speaker 5: to work with incredible colleagues who have like a commitment 103 00:06:45,839 --> 00:06:51,400 Speaker 5: to the field of journalism and also great storytelling and 104 00:06:51,640 --> 00:06:53,720 Speaker 5: who are just great. 105 00:06:53,640 --> 00:06:55,320 Speaker 4: Humans in the newsroom. 106 00:06:56,040 --> 00:07:00,000 Speaker 5: So joining me to talk about things that have happened 107 00:07:00,080 --> 00:07:03,800 Speaker 5: a Futuro are the managing editor of Latino USA, the 108 00:07:03,800 --> 00:07:06,080 Speaker 5: one and only Fernanda echavari E. 109 00:07:08,760 --> 00:07:11,360 Speaker 4: So nice to be here with you, So happy to have. 110 00:07:11,400 --> 00:07:13,360 Speaker 5: This moment because we never actually get a chance to 111 00:07:13,360 --> 00:07:16,080 Speaker 5: sit down and talk like this, and the executive editor 112 00:07:16,160 --> 00:07:20,320 Speaker 5: of Futuro Studios, our very own Marie Garcia, MG, what's up? 113 00:07:20,360 --> 00:07:20,760 Speaker 4: What's up? 114 00:07:20,920 --> 00:07:25,000 Speaker 9: Hi? Maria, so excited to be in conversation with you all. 115 00:07:25,200 --> 00:07:29,240 Speaker 5: So one of the things that happened this year is 116 00:07:29,240 --> 00:07:33,200 Speaker 5: that Fernande Chavari made a jump from Futuro Studios to 117 00:07:33,240 --> 00:07:37,600 Speaker 5: come work with us as the managing editor at Latino USA. 118 00:07:37,880 --> 00:07:41,040 Speaker 5: This is where Fernande started her career at Futuro Media 119 00:07:41,080 --> 00:07:45,480 Speaker 5: in twenty fifteen, was at Latino USA and it's been 120 00:07:45,520 --> 00:07:48,160 Speaker 5: such a joy. She left Futuro to go work at 121 00:07:48,200 --> 00:07:50,520 Speaker 5: Mother Jones and then we were lucky enough to have 122 00:07:50,560 --> 00:07:54,320 Speaker 5: her comeback. And Fernanda came to me at one point 123 00:07:55,000 --> 00:07:58,560 Speaker 5: at the height of the Ice assault, when many of us, 124 00:07:58,600 --> 00:08:02,200 Speaker 5: including journalists, were like, how do we cover this story 125 00:08:02,800 --> 00:08:05,760 Speaker 5: in the best way? And you said, We're going on 126 00:08:05,800 --> 00:08:10,600 Speaker 5: the ground to la We're going on the ground to Chicago, 127 00:08:11,560 --> 00:08:13,560 Speaker 5: We're going to go to Mexico City to talk to 128 00:08:13,600 --> 00:08:15,960 Speaker 5: the president. We're going to do a takeout about what 129 00:08:16,040 --> 00:08:18,280 Speaker 5: this all means. And I remember like, oh my god, 130 00:08:18,280 --> 00:08:22,640 Speaker 5: this sounds huge, Fernanda, excellent reporting. Tell us a little 131 00:08:22,640 --> 00:08:24,920 Speaker 5: bit about why you, as a managing and editor, were like, 132 00:08:25,840 --> 00:08:27,240 Speaker 5: we have to do this story and we have to 133 00:08:27,240 --> 00:08:28,960 Speaker 5: do it like this with a lot of travel. 134 00:08:29,880 --> 00:08:32,959 Speaker 10: Well, first, thank you for such wonderful words, Maria. And 135 00:08:33,280 --> 00:08:36,040 Speaker 10: as you said, Latino, USA is where I started at Futuro. 136 00:08:36,440 --> 00:08:40,480 Speaker 10: So after all these years, this twenty twenty five felt 137 00:08:40,520 --> 00:08:43,520 Speaker 10: like the year to really be in a weekly show 138 00:08:43,600 --> 00:08:56,280 Speaker 10: where we are covering everything that's going on. Our trips 139 00:08:56,320 --> 00:09:00,280 Speaker 10: are not glamorous. We're not leisurely taking time in a 140 00:09:00,360 --> 00:09:02,160 Speaker 10: city to figure out what we're going to do next. 141 00:09:02,240 --> 00:09:04,640 Speaker 10: We got interviews lined up, but we're also super nimble, 142 00:09:04,720 --> 00:09:07,040 Speaker 10: so if something happens, if we meet somebody, if we're like, 143 00:09:07,120 --> 00:09:09,120 Speaker 10: this is actually the route we need to go, we 144 00:09:09,240 --> 00:09:11,679 Speaker 10: do it. But you also said this is a priority. 145 00:09:12,120 --> 00:09:13,840 Speaker 10: So yes, I came to you. I said I want 146 00:09:13,840 --> 00:09:15,520 Speaker 10: to do this, we should do this. But you also 147 00:09:15,559 --> 00:09:17,520 Speaker 10: said I want to do this, we should do this, 148 00:09:17,640 --> 00:09:19,360 Speaker 10: So we were on the same page from the start. 149 00:09:21,600 --> 00:09:24,640 Speaker 10: We all wanted to say, Okay, yes, there's a lot 150 00:09:24,640 --> 00:09:26,880 Speaker 10: that's been going on, let's take a moment and let's 151 00:09:26,920 --> 00:09:29,800 Speaker 10: make an episode that will be the one thing you're 152 00:09:29,800 --> 00:09:33,000 Speaker 10: going to listen to understand not just the policies, not 153 00:09:33,120 --> 00:09:36,360 Speaker 10: just the newest this or that, but how this is 154 00:09:36,400 --> 00:09:40,480 Speaker 10: affecting people deeply in their everyday lives and their mental 155 00:09:40,520 --> 00:09:42,440 Speaker 10: health in the way. That also the way that the 156 00:09:42,480 --> 00:09:45,679 Speaker 10: Mexican president is responding to this. So we really wanted 157 00:09:45,720 --> 00:09:49,120 Speaker 10: to present something that if you listen to these forty 158 00:09:49,240 --> 00:09:51,760 Speaker 10: something minutes, you're going to get all of that. I 159 00:09:51,760 --> 00:09:54,760 Speaker 10: think Maria and I talked about this at one point. 160 00:09:55,240 --> 00:09:56,120 Speaker 3: This is us. 161 00:09:56,000 --> 00:09:58,280 Speaker 10: Leaving our market in history. What were you doing in 162 00:09:58,280 --> 00:10:01,920 Speaker 10: this moment in twenty twenty five when this what's happening. This, 163 00:10:01,920 --> 00:10:02,760 Speaker 10: this is what we're doing. 164 00:10:02,800 --> 00:10:03,840 Speaker 7: This is what we choose to do. 165 00:10:09,040 --> 00:10:11,240 Speaker 5: But none that there is a lot to celebrate about 166 00:10:11,320 --> 00:10:14,839 Speaker 5: Latino Usay. The hits keep on coming. Not only did 167 00:10:14,840 --> 00:10:19,679 Speaker 5: we win extraordinary awards, we have done a lot of 168 00:10:20,280 --> 00:10:23,840 Speaker 5: viral moments now because of our interviews. What stands out 169 00:10:24,000 --> 00:10:28,199 Speaker 5: about what we just did in twenty twenty five and 170 00:10:28,240 --> 00:10:30,360 Speaker 5: what you're thinking about for twenty twenty six. 171 00:10:30,840 --> 00:10:32,680 Speaker 10: So I have to say, when it comes to having 172 00:10:32,679 --> 00:10:35,360 Speaker 10: some viral moments, I have to start with the most recent, 173 00:10:35,520 --> 00:10:38,640 Speaker 10: which is Oscar Isaac. We had been trying to do 174 00:10:38,679 --> 00:10:41,079 Speaker 10: the interview with him. I had been in communication with 175 00:10:41,120 --> 00:10:43,360 Speaker 10: his people at Netflix and trying to get something. At 176 00:10:43,360 --> 00:10:46,840 Speaker 10: first it was We're gonna have Oscar Isaac ngiyemol doro 177 00:10:46,920 --> 00:10:48,079 Speaker 10: juntos like together. 178 00:10:48,679 --> 00:10:50,440 Speaker 4: I was like, what are you kidding me? 179 00:10:50,520 --> 00:10:53,160 Speaker 10: Can we please make this happen? It did not happen, 180 00:10:53,760 --> 00:10:57,640 Speaker 10: but we got an entire hour of forty five minutes 181 00:10:57,720 --> 00:11:00,920 Speaker 10: with the Oscar Isaac and obviously people like him as 182 00:11:01,000 --> 00:11:04,079 Speaker 10: much as we at Latino USA like him because there'etting 183 00:11:04,160 --> 00:11:06,640 Speaker 10: it's getting a lot of attention online on social media. 184 00:11:07,440 --> 00:11:11,400 Speaker 5: We contributed to every facet of this country, from the 185 00:11:11,440 --> 00:11:15,760 Speaker 5: top to the bottom, in every field where the backbone 186 00:11:15,920 --> 00:11:16,880 Speaker 5: of this country. 187 00:11:17,360 --> 00:11:18,880 Speaker 10: And then this is sort of the book end of 188 00:11:19,160 --> 00:11:20,800 Speaker 10: how we're ending the year. But you look back at 189 00:11:20,800 --> 00:11:23,040 Speaker 10: the beginning of the year and we had. 190 00:11:23,280 --> 00:11:29,439 Speaker 11: Aoc understand that America's immigration force and our community of immigrants, 191 00:11:29,480 --> 00:11:33,280 Speaker 11: including and especially the millions of undocumented people in this 192 00:11:33,360 --> 00:11:36,960 Speaker 11: country are why America has prospered. 193 00:11:37,480 --> 00:11:41,920 Speaker 10: We've had Judy Reyison, We've had Anthony Romero from the ACLU, 194 00:11:42,440 --> 00:11:46,840 Speaker 10: we have had musicians like Buscabuyah, we had Louis Guzman. 195 00:11:47,000 --> 00:11:49,079 Speaker 10: Like I'm just I'm looking. I'm literally turning to the 196 00:11:49,160 --> 00:11:51,640 Speaker 10: right looking at the list to see all the interviews 197 00:11:51,679 --> 00:11:52,080 Speaker 10: with reached. 198 00:11:52,080 --> 00:11:54,800 Speaker 4: This one also went viral, Louise Guzman. 199 00:11:55,120 --> 00:11:59,040 Speaker 5: Yes, that faced that voice viral moment for us. 200 00:11:58,960 --> 00:11:59,960 Speaker 1: And these problems. 201 00:12:00,120 --> 00:12:03,840 Speaker 11: Ticians need to understand that we mean something and not 202 00:12:04,000 --> 00:12:06,400 Speaker 11: saving us for the last second to try to help 203 00:12:06,440 --> 00:12:07,320 Speaker 11: the thinking shit. 204 00:12:07,920 --> 00:12:10,040 Speaker 5: But based on the journalism, which is what we love. 205 00:12:10,120 --> 00:12:13,880 Speaker 5: It's not based on a clique thing. It's based on journalism, 206 00:12:14,040 --> 00:12:15,960 Speaker 5: on what he answered to in the interview. 207 00:12:16,080 --> 00:12:18,319 Speaker 10: A lot of times, yes, people will reach out to 208 00:12:18,400 --> 00:12:20,440 Speaker 10: us and say so and so is doing promotion for 209 00:12:20,520 --> 00:12:23,880 Speaker 10: their next film or their next TV show. But our 210 00:12:23,920 --> 00:12:26,440 Speaker 10: interviews here and again, if you're listening to this, you 211 00:12:26,480 --> 00:12:29,520 Speaker 10: already know they're not just fifteen minute interviews about the 212 00:12:30,400 --> 00:12:33,040 Speaker 10: role you're playing, the character that you're playing, and what 213 00:12:33,120 --> 00:12:35,520 Speaker 10: this movie is about. Our one on ones with you, Maria, 214 00:12:35,640 --> 00:12:39,560 Speaker 10: are interviews that really go deep with the person. Yes, 215 00:12:39,559 --> 00:12:42,960 Speaker 10: it's celebrity, but it's also it's story. It's hard, it's politics, 216 00:12:43,360 --> 00:12:47,080 Speaker 10: it's news, it's fun, it's connection. 217 00:12:50,160 --> 00:12:52,960 Speaker 4: When I was little, I actually years later I realized 218 00:12:52,960 --> 00:12:53,480 Speaker 4: what happened. 219 00:12:53,520 --> 00:12:55,800 Speaker 7: I'd been gay bash everything. 220 00:12:55,840 --> 00:12:58,240 Speaker 6: We are everything that I am as an Afro Latina, 221 00:12:58,280 --> 00:13:00,640 Speaker 6: as an actor, as a middle aged woman, mother of 222 00:13:00,679 --> 00:13:04,960 Speaker 6: a queer kid, creative, everything that I am is being threatened. 223 00:13:12,559 --> 00:13:14,280 Speaker 10: You know, when I look back at twenty twenty five, 224 00:13:14,320 --> 00:13:17,880 Speaker 10: we have had such wonderful moments of connection with our audience. 225 00:13:18,480 --> 00:13:21,240 Speaker 10: Be it the narrative stories that we tell, and we've 226 00:13:21,280 --> 00:13:24,640 Speaker 10: done a lot of investigative work. We've done narrative work, 227 00:13:24,679 --> 00:13:26,640 Speaker 10: we've done deeply personal work. 228 00:13:26,679 --> 00:13:30,000 Speaker 7: Also, the Department of Homeland Security and other state and 229 00:13:30,080 --> 00:13:33,800 Speaker 7: local agencies have used tattoos and other items to help 230 00:13:33,840 --> 00:13:37,840 Speaker 7: determine if someone documented or not is a gang member. 231 00:13:38,240 --> 00:13:40,040 Speaker 4: Right, a ceel. 232 00:13:44,000 --> 00:13:46,520 Speaker 5: But the fear of what could happen to my baby 233 00:13:47,200 --> 00:13:48,760 Speaker 5: is just too much. 234 00:13:49,480 --> 00:13:54,480 Speaker 1: My childhood embodied the diaspora school years in the States, 235 00:13:55,120 --> 00:13:59,000 Speaker 1: but these long, delicious summers in Panama, and at the 236 00:13:59,080 --> 00:14:02,480 Speaker 1: end of each summer, a dread formed in me and 237 00:14:02,520 --> 00:14:08,240 Speaker 1: I'd cry all the way back to the States. 238 00:14:08,280 --> 00:14:10,760 Speaker 10: And I just I'm so proud of twenty twenty five 239 00:14:10,840 --> 00:14:15,040 Speaker 10: cultural analysis that's really fun and rowdy. I mean, Love Island, 240 00:14:15,160 --> 00:14:18,760 Speaker 10: Emilia Perees the film. Like when you think about the 241 00:14:19,040 --> 00:14:20,880 Speaker 10: cultural roundtables that we've had. 242 00:14:24,240 --> 00:14:25,800 Speaker 1: Especially in this current. 243 00:14:27,800 --> 00:14:28,360 Speaker 7: We need this. 244 00:14:28,400 --> 00:14:29,680 Speaker 12: We need a Latino to win. 245 00:14:30,120 --> 00:14:33,960 Speaker 6: During the press conference for Emilia Petes, Jacodiat said, I 246 00:14:34,000 --> 00:14:38,000 Speaker 6: didn't even know that Selena did not speak Spanish. 247 00:14:38,040 --> 00:14:39,880 Speaker 10: This is what our life is like. You know, when 248 00:14:39,880 --> 00:14:42,640 Speaker 10: I look back at twenty twenty five, my life is 249 00:14:42,680 --> 00:14:45,400 Speaker 10: not just all fun. My life is not just all seriousness, 250 00:14:45,440 --> 00:14:48,680 Speaker 10: and it's not just all suffering or politics. It's it's 251 00:14:48,880 --> 00:14:51,640 Speaker 10: a combination of all of it. And I think that's 252 00:14:51,680 --> 00:14:54,440 Speaker 10: the idea for twenty twenty six is to continue with connection, 253 00:14:55,040 --> 00:14:58,680 Speaker 10: to keep Latino USA listeners informed up to speed on 254 00:14:58,680 --> 00:15:00,920 Speaker 10: what's going on in the world around them, but to 255 00:15:00,960 --> 00:15:03,760 Speaker 10: do it in a way that is going deeper every 256 00:15:03,800 --> 00:15:04,400 Speaker 10: single time. 257 00:15:04,800 --> 00:15:07,640 Speaker 5: A lot of the work that we've done is really emotional, 258 00:15:07,640 --> 00:15:10,600 Speaker 5: but I think that there's a value to that in 259 00:15:10,640 --> 00:15:13,840 Speaker 5: the journalism that we do. Getting into an immigrant detention 260 00:15:14,000 --> 00:15:18,320 Speaker 5: camp in Aurora, Colorado to interview Jenet Dizguerra, the first 261 00:15:19,480 --> 00:15:23,600 Speaker 5: immigrant to tell me that she considers herself a political prisoner, 262 00:15:24,280 --> 00:15:25,440 Speaker 5: this was huge. 263 00:15:25,680 --> 00:15:28,240 Speaker 10: I think at the center of it is collaboration. We 264 00:15:28,280 --> 00:15:32,160 Speaker 10: worked with a freelancer who had been working on stories 265 00:15:32,320 --> 00:15:36,240 Speaker 10: for US for Latino USA, and she said, I think 266 00:15:36,480 --> 00:15:39,640 Speaker 10: I can get us into the detention facility. And you know, 267 00:15:39,720 --> 00:15:41,320 Speaker 10: since this is a little bit more of a behind 268 00:15:41,320 --> 00:15:46,800 Speaker 10: the scenes conversation, there is something different now about access 269 00:15:46,960 --> 00:15:50,160 Speaker 10: to these places. In fact, Maria, when you and I 270 00:15:50,520 --> 00:15:54,400 Speaker 10: first met in twenty fifteen, it was there was a 271 00:15:54,440 --> 00:15:57,840 Speaker 10: detention center that you had just toured and that I 272 00:15:58,000 --> 00:16:01,400 Speaker 10: visited when we met, it was a lot less difficult 273 00:16:01,680 --> 00:16:04,640 Speaker 10: to get into these places. Now it is nearly impossible. 274 00:16:04,680 --> 00:16:06,280 Speaker 10: So the fact that we were able to put you 275 00:16:06,320 --> 00:16:10,600 Speaker 10: there with a camera because you know, yes, we do audio, 276 00:16:10,680 --> 00:16:13,400 Speaker 10: but we understand the power of the visual medium. So 277 00:16:13,520 --> 00:16:16,720 Speaker 10: being able to get there on like a super quick 278 00:16:16,760 --> 00:16:20,000 Speaker 10: notice from Ice, get inside and then hear a woman 279 00:16:20,080 --> 00:16:23,880 Speaker 10: say I am a political prisoner inside a detention facility 280 00:16:24,000 --> 00:16:26,400 Speaker 10: is unlike anything I thought I was going to hear, and. 281 00:16:26,440 --> 00:16:31,920 Speaker 5: Beteven disinko stamos retro sedendo tanto signos. 282 00:16:31,520 --> 00:16:35,720 Speaker 9: Adres comodomo roombo ada. 283 00:16:36,240 --> 00:16:39,240 Speaker 10: We've done many collaborations. We did a collaboration with NPR 284 00:16:39,800 --> 00:16:41,160 Speaker 10: with NPRS embedded. 285 00:16:41,840 --> 00:16:44,280 Speaker 7: We just started hearing that patients were taking. 286 00:16:44,160 --> 00:16:48,600 Speaker 1: Some pillssan you can have a safe abortion and you 287 00:16:48,720 --> 00:16:49,680 Speaker 1: can do it at home. 288 00:16:50,960 --> 00:16:52,960 Speaker 4: This is the story of that discovery. 289 00:16:53,480 --> 00:16:57,360 Speaker 10: We're doing a collaboration with the Marshall Project, an extremely 290 00:16:57,480 --> 00:17:01,880 Speaker 10: reputable organization for journalism criminal justice, and we did the 291 00:17:01,960 --> 00:17:04,720 Speaker 10: partnership with cal matters, and it's a time I think 292 00:17:05,160 --> 00:17:08,520 Speaker 10: now more important than ever to work with the resources 293 00:17:08,600 --> 00:17:10,719 Speaker 10: you have and pair up with other people who are 294 00:17:10,800 --> 00:17:13,159 Speaker 10: also wanting to do the same work you're doing to 295 00:17:13,320 --> 00:17:17,560 Speaker 10: reach more listeners, more viewers, more readers. People don't say 296 00:17:17,640 --> 00:17:19,560 Speaker 10: to what is it two heads, two brains? 297 00:17:19,600 --> 00:17:19,879 Speaker 7: What is it? 298 00:17:19,960 --> 00:17:20,320 Speaker 2: In English? 299 00:17:20,359 --> 00:17:22,000 Speaker 10: Two heads are better than one, two brains are better 300 00:17:22,080 --> 00:17:24,240 Speaker 10: than one. So I'm really big on collaborations and I'm 301 00:17:24,240 --> 00:17:26,040 Speaker 10: really glad that we were able to do that this year. 302 00:17:31,600 --> 00:17:33,439 Speaker 5: And it shows a lot about how Futuro is being 303 00:17:33,520 --> 00:17:37,320 Speaker 5: nimble like we are feeling the squeeze, we collaborate. 304 00:17:37,480 --> 00:17:38,080 Speaker 4: That's one way. 305 00:17:38,400 --> 00:17:41,520 Speaker 5: Another way is to turn to individual donors get a 306 00:17:41,560 --> 00:17:47,800 Speaker 5: lot of foundation support. We need individual donors. Dear listener, 307 00:17:48,200 --> 00:17:51,000 Speaker 5: obviously you're thinking, wow, I really do need to dig 308 00:17:51,080 --> 00:17:53,119 Speaker 5: in a little bit deeper and make a gift at 309 00:17:53,160 --> 00:17:56,479 Speaker 5: the end of the year for Futuro, because because they 310 00:17:56,560 --> 00:17:59,280 Speaker 5: need it, because I believe in you, because you want 311 00:17:59,320 --> 00:18:00,800 Speaker 5: to support the world that we're doing. 312 00:18:01,400 --> 00:18:03,800 Speaker 4: And I know all of us are feeling the economic tightness. 313 00:18:04,359 --> 00:18:06,080 Speaker 4: But what matters is that you give. 314 00:18:06,600 --> 00:18:11,280 Speaker 5: But then what we really love is a monthly gift 315 00:18:12,119 --> 00:18:16,000 Speaker 5: so you can do whatever five, ten, fifteen, twenty five, 316 00:18:16,040 --> 00:18:19,439 Speaker 5: one hundred dollars a month. I'm a monthly giver because 317 00:18:19,480 --> 00:18:22,840 Speaker 5: that way I know it's taken care of. I know 318 00:18:23,040 --> 00:18:26,000 Speaker 5: that I did my my good deed for the month. 319 00:18:26,400 --> 00:18:27,199 Speaker 5: So consider that. 320 00:18:37,119 --> 00:18:37,320 Speaker 4: Now. 321 00:18:37,760 --> 00:18:42,240 Speaker 5: As you know, at Futuro, we also have our Futuro Studios. 322 00:18:43,119 --> 00:18:48,639 Speaker 5: Futuro Studios has done exemplary work across the years, but 323 00:18:48,840 --> 00:18:51,800 Speaker 5: this year was also very special. Marie I Gottacia, what 324 00:18:51,920 --> 00:18:55,280 Speaker 5: do you want our viewers' listeners to know about what 325 00:18:55,800 --> 00:18:58,600 Speaker 5: was beautiful in twenty twenty five from Futuro Studios. 326 00:18:59,240 --> 00:19:01,920 Speaker 9: Thanks for those words, somebody at It's so fun to 327 00:19:02,040 --> 00:19:05,680 Speaker 9: be in conversation with you and Fanda, and I just 328 00:19:05,760 --> 00:19:09,400 Speaker 9: want to say, first of all, like congratulations on an 329 00:19:09,520 --> 00:19:14,040 Speaker 9: amazing year for Latino USA. You know, I've always believed 330 00:19:14,119 --> 00:19:20,080 Speaker 9: that Latino USA holds such a unique space in the landscape, 331 00:19:20,480 --> 00:19:24,320 Speaker 9: not just of news but also of culture. We're being 332 00:19:24,440 --> 00:19:30,160 Speaker 9: incredibly transparent about the position that we are covering these 333 00:19:30,200 --> 00:19:33,720 Speaker 9: stories from, which is a position that cares about our communities, 334 00:19:33,800 --> 00:19:37,879 Speaker 9: is invested in our communities. We are from these communities 335 00:19:38,000 --> 00:19:40,840 Speaker 9: that we are covering, and we're not afraid to own 336 00:19:40,920 --> 00:19:42,800 Speaker 9: that and to say that and to say that like 337 00:19:43,000 --> 00:19:46,480 Speaker 9: we care deeply about the people we are covering, and 338 00:19:47,040 --> 00:19:51,200 Speaker 9: that first and foremost we uphold their humanity. So I 339 00:19:51,280 --> 00:19:53,480 Speaker 9: just want to shout you all out for all the 340 00:19:53,560 --> 00:19:57,640 Speaker 9: work you're doing at Latino USA and you know, at studios. 341 00:19:58,440 --> 00:20:00,159 Speaker 9: One of the highlights that I want to start with 342 00:20:00,400 --> 00:20:04,840 Speaker 9: is of course our release of Suave Season two, that 343 00:20:05,040 --> 00:20:09,159 Speaker 9: you have been working on and gestating for like the 344 00:20:09,320 --> 00:20:12,240 Speaker 9: last you know, two decades of your life with this 345 00:20:12,440 --> 00:20:17,840 Speaker 9: incredibly special relationship with Suave Gonzalez. And season one was 346 00:20:18,000 --> 00:20:23,159 Speaker 9: all about Sauave's journey to be released from prison, and 347 00:20:23,400 --> 00:20:27,200 Speaker 9: you know, most journalism organizations would cover up until that point, right, 348 00:20:27,320 --> 00:20:33,760 Speaker 9: and that would be the end of the story. What 349 00:20:33,960 --> 00:20:38,399 Speaker 9: I loved about us and your vision for this, Maria, 350 00:20:39,240 --> 00:20:43,760 Speaker 9: is that season two is all about the quiet evolution 351 00:20:44,200 --> 00:20:48,480 Speaker 9: of Suave and frankly like you and your relationship with 352 00:20:48,560 --> 00:20:52,840 Speaker 9: Suave after he came out of prison. And so season 353 00:20:53,000 --> 00:20:56,680 Speaker 9: one is very much an external plot, right, like what 354 00:20:56,920 --> 00:21:01,160 Speaker 9: is happening in suaves life leading up to getting out 355 00:21:01,160 --> 00:21:05,080 Speaker 9: of prison, et cetera. But season two is so internal. 356 00:21:05,760 --> 00:21:11,120 Speaker 9: It really is about Savi's internal life and the way 357 00:21:11,800 --> 00:21:15,720 Speaker 9: he may or may not at times feel incarcerated from within, 358 00:21:16,640 --> 00:21:22,159 Speaker 9: and your very singular relationship and friendship with him, and 359 00:21:22,320 --> 00:21:25,080 Speaker 9: how it evolves, how nuanced it is, how layered and 360 00:21:25,240 --> 00:21:29,280 Speaker 9: complicated it is. And I think we see a very 361 00:21:29,600 --> 00:21:34,080 Speaker 9: raw Save in season two, and we see a very 362 00:21:34,320 --> 00:21:36,960 Speaker 9: raw Maria as well. In season two. 363 00:21:38,040 --> 00:21:39,720 Speaker 4: You remember when you were like, are you sure you 364 00:21:39,800 --> 00:21:41,240 Speaker 4: want to have that piece of tape? 365 00:21:41,240 --> 00:21:44,200 Speaker 5: And I was like, yeah, it's okay if I don't 366 00:21:44,240 --> 00:21:47,960 Speaker 5: look okay, because that's honesty. That's the transparency. That's what 367 00:21:48,160 --> 00:21:50,919 Speaker 5: journalism and journalists do, right, we're honest. 368 00:21:51,080 --> 00:21:58,440 Speaker 9: I mean that literally is radical transparency, right, the fact 369 00:21:58,480 --> 00:22:04,320 Speaker 9: that you went there, and it's true verite documentary work, 370 00:22:04,480 --> 00:22:08,119 Speaker 9: where like we're getting these quiet moments between you and 371 00:22:08,240 --> 00:22:11,680 Speaker 9: Suave where you two almost forget that you're being recorded, 372 00:22:12,359 --> 00:22:16,720 Speaker 9: and there's fights in there, there's some bickering in there, 373 00:22:16,880 --> 00:22:21,280 Speaker 9: there's also like some reckoning in there, but there's also 374 00:22:21,480 --> 00:22:26,200 Speaker 9: like this beautiful bond above all else, like you and 375 00:22:26,400 --> 00:22:31,080 Speaker 9: him will always occupy a very specific space in each 376 00:22:31,119 --> 00:22:40,440 Speaker 9: other's lives. I really loved the role of spirituality that 377 00:22:41,080 --> 00:22:45,480 Speaker 9: the podcast highlights in your relationship with Suave. In his 378 00:22:45,800 --> 00:22:49,600 Speaker 9: own spiritual evolution. We see him go back to Puerto 379 00:22:49,720 --> 00:22:54,280 Speaker 9: Rico and there are this beautiful, beautiful scene with you 380 00:22:54,480 --> 00:22:57,720 Speaker 9: and him and Julieta, the senior producer who has also 381 00:22:58,400 --> 00:23:01,080 Speaker 9: been on this journey with you and hosts did this season. 382 00:23:01,840 --> 00:23:05,840 Speaker 8: All the challenges small and large in Swabi's life received 383 00:23:06,720 --> 00:23:10,159 Speaker 8: here he is a survivor receiving a blessing in a 384 00:23:10,240 --> 00:23:14,960 Speaker 8: place where the waters meet for a single moment home. 385 00:23:17,960 --> 00:23:21,159 Speaker 9: I felt so moved by that, and I felt like 386 00:23:21,280 --> 00:23:25,440 Speaker 9: there was just this like Catharsis of the season, and 387 00:23:26,720 --> 00:23:29,680 Speaker 9: there was this moment where I was listening to it 388 00:23:29,800 --> 00:23:33,240 Speaker 9: and I was like, I'm so grateful to work in 389 00:23:33,359 --> 00:23:41,159 Speaker 9: a place that does not see like hardcore investigative journalism 390 00:23:42,160 --> 00:23:46,720 Speaker 9: as if it's inherently in opposition or in competition to 391 00:23:47,920 --> 00:23:53,119 Speaker 9: storytelling that is spiritual, that has heart, that is soft, 392 00:23:53,320 --> 00:23:56,560 Speaker 9: that is human, and that we see that we can 393 00:23:56,640 --> 00:24:01,879 Speaker 9: do both. We can be hardcore, fact based investigative journalists, 394 00:24:01,920 --> 00:24:04,959 Speaker 9: because Suave is that right. Save also has a lot 395 00:24:05,000 --> 00:24:08,080 Speaker 9: of investigative elements, but we can also show up as 396 00:24:08,119 --> 00:24:11,200 Speaker 9: our full selves and what is our full selves? Like 397 00:24:11,359 --> 00:24:14,680 Speaker 9: we are Latina women who grew up with these spiritual 398 00:24:14,760 --> 00:24:18,680 Speaker 9: practices and like we bring all of ourselves to our work. 399 00:24:19,400 --> 00:24:23,320 Speaker 9: That's why I'm so grateful to Futuro and for our 400 00:24:23,400 --> 00:24:26,359 Speaker 9: listeners out there, as I just want to tell you, 401 00:24:26,520 --> 00:24:30,040 Speaker 9: that's rare. It's rare to get storytelling like this, for 402 00:24:30,160 --> 00:24:33,040 Speaker 9: this to exist in the landscape of news right now, 403 00:24:33,640 --> 00:24:37,320 Speaker 9: a place that does not sacrifice the rigor the excellence 404 00:24:37,359 --> 00:24:43,199 Speaker 9: of hardcore reporting, but also make space for the human, 405 00:24:43,720 --> 00:24:47,000 Speaker 9: for the spiritual, you know, for the fully raw. 406 00:24:47,640 --> 00:24:48,159 Speaker 8: It's just so. 407 00:24:48,280 --> 00:24:51,160 Speaker 9: Special, and that's why I'm so grateful for Futudo. 408 00:24:51,960 --> 00:24:54,399 Speaker 5: It's the way, like we decide that we're going to 409 00:24:54,480 --> 00:25:02,960 Speaker 5: change the definition of investigative journalism. One of my favorite 410 00:25:02,960 --> 00:25:05,080 Speaker 5: things at Futuro Studios was able to. 411 00:25:05,160 --> 00:25:06,680 Speaker 4: Do in twenty twenty five. 412 00:25:07,280 --> 00:25:10,320 Speaker 5: Oh my God, I love Loud the History of Reggaeton 413 00:25:10,440 --> 00:25:13,480 Speaker 5: with Evie Queen. There is big news about Loud in 414 00:25:13,520 --> 00:25:14,360 Speaker 5: twenty twenty. 415 00:25:14,200 --> 00:25:19,720 Speaker 9: Five, a huge news, Madia, something we had been working 416 00:25:19,800 --> 00:25:22,280 Speaker 9: on for quite some time, you know. So when Loud 417 00:25:22,480 --> 00:25:26,080 Speaker 9: was released a few years ago, it became like an 418 00:25:26,400 --> 00:25:33,440 Speaker 9: instant classic, specifically even in university classrooms. Every semester we 419 00:25:33,480 --> 00:25:38,160 Speaker 9: would get dozens and dozens of emails from university professor saying, oh, 420 00:25:38,200 --> 00:25:42,560 Speaker 9: I'm teaching Loud in my university course, and it was 421 00:25:42,680 --> 00:25:46,439 Speaker 9: really neat to see that. But as you know, Loud 422 00:25:46,840 --> 00:25:49,399 Speaker 9: is a podcast about the history of Regaton, so it 423 00:25:49,440 --> 00:25:52,200 Speaker 9: has a lot of music, and when it was released, 424 00:25:52,760 --> 00:25:55,800 Speaker 9: the licensing for the music was only for a few years, 425 00:25:55,920 --> 00:25:59,840 Speaker 9: and so that expired, and so our partner that we 426 00:26:00,080 --> 00:26:04,240 Speaker 9: released Loud with Spotify removed Loud from all streaming services, 427 00:26:04,680 --> 00:26:08,600 Speaker 9: and so suddenly we got so many emails. There was 428 00:26:08,640 --> 00:26:13,240 Speaker 9: even a petition online of people saying like, bring Loud back, 429 00:26:13,440 --> 00:26:16,040 Speaker 9: Why is it gone? And so we thought, how can 430 00:26:16,160 --> 00:26:19,360 Speaker 9: we bring this back. We worked for a long time 431 00:26:19,480 --> 00:26:24,200 Speaker 9: with Spotify to bring back the show and work and 432 00:26:24,320 --> 00:26:28,120 Speaker 9: resolve the music issue, and so we have already we're seeing, 433 00:26:28,280 --> 00:26:32,520 Speaker 9: like you know, people celebrating it's back in like university courses. 434 00:26:39,040 --> 00:26:43,359 Speaker 9: People love to hear Evie Queen, but she's the host 435 00:26:43,440 --> 00:26:48,120 Speaker 9: of that show and people love her voice, Like who 436 00:26:48,240 --> 00:26:51,880 Speaker 9: better right to tell the history of than who was there? 437 00:26:52,080 --> 00:26:52,840 Speaker 9: La Medametra. 438 00:27:02,000 --> 00:27:04,040 Speaker 12: You could say that was the day that Erik Quinn 439 00:27:04,119 --> 00:27:08,879 Speaker 12: was born. Frinan Mente, I was at that place that 440 00:27:09,000 --> 00:27:12,720 Speaker 12: I know, I blow all alone for comso Cara that 441 00:27:12,840 --> 00:27:18,480 Speaker 12: made me Laine and made me a household name. 442 00:27:20,320 --> 00:27:23,280 Speaker 9: And so we love to have iv Queen's voice back 443 00:27:23,440 --> 00:27:26,920 Speaker 9: on Spotify with Loud and the show we're working on. 444 00:27:27,080 --> 00:27:29,040 Speaker 9: One of the shows working on for twenty twenty six 445 00:27:29,400 --> 00:27:32,800 Speaker 9: is very much similar Vibe. It's not about Reaton, but 446 00:27:32,920 --> 00:27:36,560 Speaker 9: it's very similar to the history of a very specific 447 00:27:36,760 --> 00:27:41,639 Speaker 9: Latino music genre told by somebody who also has an 448 00:27:41,720 --> 00:27:43,959 Speaker 9: unforgettable voice. So that's going to be exciting. 449 00:27:44,280 --> 00:27:48,400 Speaker 5: Oh my god, start guessing it's gonna be big. There's 450 00:27:48,560 --> 00:27:51,199 Speaker 5: a lot to celebrate in terms of what's coming up 451 00:27:51,320 --> 00:27:54,200 Speaker 5: as well for twenty twenty six. Another reason why people 452 00:27:54,280 --> 00:27:57,000 Speaker 5: might be like, got to support Fortudo. We love what 453 00:27:57,080 --> 00:27:58,880 Speaker 5: they do, we love what studios does. 454 00:27:59,240 --> 00:28:03,359 Speaker 9: We are gonna have an extraordinary year next year. La 455 00:28:03,480 --> 00:28:06,560 Speaker 9: Brega season three is returning. This is our show all 456 00:28:06,600 --> 00:28:11,200 Speaker 9: about Puerto Rican identity, Puerto Rican storytelling. Talk about a 457 00:28:11,359 --> 00:28:13,880 Speaker 9: kind of show that like you're not gonna get anywhere else. 458 00:28:14,240 --> 00:28:17,119 Speaker 9: We're so excited. This season three is going to be 459 00:28:17,160 --> 00:28:21,600 Speaker 9: all about gampionis e gampionas people championing Puerto Rico in 460 00:28:21,640 --> 00:28:25,960 Speaker 9: different ways, not just in sports. So we're very excited. 461 00:28:26,160 --> 00:28:30,360 Speaker 9: It's beautiful it's beautiful, it's inspiring, it's artful. 462 00:28:30,760 --> 00:28:31,680 Speaker 4: Oh, I cannot wait. 463 00:28:32,359 --> 00:28:33,479 Speaker 10: When when does it come out? 464 00:28:33,560 --> 00:28:33,879 Speaker 1: Maria? 465 00:28:34,040 --> 00:28:37,080 Speaker 9: We'll allowance a launch date very soon. We're also going 466 00:28:37,160 --> 00:28:40,200 Speaker 9: to launch another big show that's all about big cultural 467 00:28:40,280 --> 00:28:43,040 Speaker 9: moments of the past and of the present, the kind 468 00:28:43,080 --> 00:28:47,000 Speaker 9: of like prestige, beautiful, high quality storytelling that you love 469 00:28:47,040 --> 00:28:50,120 Speaker 9: from Fududo Studios. And it's going to be a weekly show, 470 00:28:50,160 --> 00:28:52,800 Speaker 9: a weekly storytelling show. So we just have a lot 471 00:28:52,880 --> 00:28:56,800 Speaker 9: going on, and it's all thanks to the working at 472 00:28:56,840 --> 00:28:59,600 Speaker 9: such a unique place as Fududo and the listeners who 473 00:28:59,680 --> 00:29:03,240 Speaker 9: really support us and keeping us, keeping us here. 474 00:29:11,640 --> 00:29:14,320 Speaker 5: You've both talked about the uniqueness of the kind of 475 00:29:14,560 --> 00:29:18,400 Speaker 5: newsroom that we have created for those people who are like, 476 00:29:19,080 --> 00:29:22,960 Speaker 5: why exactly is Futuro so special? Why is it so 477 00:29:23,120 --> 00:29:24,000 Speaker 5: special for you? 478 00:29:24,200 --> 00:29:28,160 Speaker 10: Fernanda, if you've been listening up until this point, you 479 00:29:28,320 --> 00:29:31,080 Speaker 10: already have heard us talk about why it's so special. Right, 480 00:29:31,440 --> 00:29:34,400 Speaker 10: It's so special because we can start the year interviewing 481 00:29:35,080 --> 00:29:38,080 Speaker 10: AOC and ended with Oscar Isaac, because we can have 482 00:29:38,240 --> 00:29:41,960 Speaker 10: a story that we have a producer, Renald Loans Junior, 483 00:29:42,680 --> 00:29:46,480 Speaker 10: go to Central America and then take time working on 484 00:29:46,560 --> 00:29:50,840 Speaker 10: this narrative, investigative, deeply reported story. And then we can 485 00:29:50,920 --> 00:29:54,240 Speaker 10: also at the same time do a story in three days. 486 00:29:54,880 --> 00:29:57,080 Speaker 10: And I mean we talked about really at the center 487 00:29:57,160 --> 00:30:00,800 Speaker 10: of it is it's journalism with heart and it's rather transparency. 488 00:30:01,040 --> 00:30:04,080 Speaker 10: I think those are really two of our guiding principles here. 489 00:30:04,560 --> 00:30:06,520 Speaker 10: One of the things that I feel very grateful for 490 00:30:06,880 --> 00:30:09,360 Speaker 10: is that here there is no oh, is this a 491 00:30:09,480 --> 00:30:12,400 Speaker 10: news piece or is this a culture piece? Is this 492 00:30:12,520 --> 00:30:14,360 Speaker 10: a news show or a culture show? 493 00:30:14,760 --> 00:30:15,440 Speaker 11: Like, we don't have. 494 00:30:15,680 --> 00:30:19,000 Speaker 10: Those definitions that would limit you, and that would frankly 495 00:30:19,800 --> 00:30:22,360 Speaker 10: diminish the work that goes into everything that we put 496 00:30:22,400 --> 00:30:24,760 Speaker 10: out and the value in talking about things that are 497 00:30:24,840 --> 00:30:28,240 Speaker 10: not just news. So I think that there is balance here, 498 00:30:28,600 --> 00:30:31,320 Speaker 10: there is a shared sense of purpose. 499 00:30:32,000 --> 00:30:36,800 Speaker 5: I think at Futuro, Maria Garcia some thoughts about why 500 00:30:36,920 --> 00:30:38,120 Speaker 5: Futuro is so special. 501 00:30:38,440 --> 00:30:40,880 Speaker 9: Well, to me, Madia really comes down to this idea 502 00:30:41,200 --> 00:30:50,840 Speaker 9: of radical transparency. There is no such thing as coming 503 00:30:50,960 --> 00:30:54,320 Speaker 9: to a story as a journalist from a place of nowhere. 504 00:30:54,760 --> 00:30:58,560 Speaker 9: You come to the story with the place in the 505 00:30:58,680 --> 00:31:01,920 Speaker 9: world that you occupy and the lenses that brings you. So, 506 00:31:02,040 --> 00:31:05,480 Speaker 9: for example, with me, I come to every story as 507 00:31:05,920 --> 00:31:13,240 Speaker 9: a Mexican immigrant, first generation front risa daughter of Guarences. 508 00:31:13,840 --> 00:31:15,640 Speaker 9: That is my lens through which I see the world. 509 00:31:15,760 --> 00:31:17,760 Speaker 9: One of my lenses the first queer woman in my 510 00:31:17,840 --> 00:31:20,000 Speaker 9: family to come out. And I think there are many 511 00:31:20,240 --> 00:31:25,040 Speaker 9: journalistic institutions that would say take off those lenses because 512 00:31:25,080 --> 00:31:31,479 Speaker 9: they might make you biased and try to come at 513 00:31:31,520 --> 00:31:34,920 Speaker 9: the story as if you're just dropped into the world 514 00:31:35,280 --> 00:31:39,640 Speaker 9: with no prior experience, with no prior context, and just 515 00:31:39,720 --> 00:31:43,720 Speaker 9: look at it completely fresh, which is one impossible and 516 00:31:43,840 --> 00:31:47,840 Speaker 9: two intellectually and morally dishonest. But there's still this idea 517 00:31:47,880 --> 00:31:51,200 Speaker 9: in journalism that's somehow you're supposed to do that. And 518 00:31:52,160 --> 00:31:55,560 Speaker 9: what I love about Fuduo is that Fudua reframes that 519 00:31:55,720 --> 00:32:00,520 Speaker 9: and says, no, come with your context. Come with your lenses, 520 00:32:00,600 --> 00:32:04,880 Speaker 9: because that is expertise that we need, That is context 521 00:32:05,000 --> 00:32:10,320 Speaker 9: that we need. There can be some objectivity to your process. 522 00:32:10,720 --> 00:32:16,120 Speaker 9: There are standards to reporting, to interviewing, to fact checking, 523 00:32:16,440 --> 00:32:20,720 Speaker 9: to researching, to writing to editing that you can implement 524 00:32:21,040 --> 00:32:26,280 Speaker 9: in the process to make it sound journalistically. And so 525 00:32:26,600 --> 00:32:28,880 Speaker 9: that's what I'm proud of, is that we bring both 526 00:32:28,920 --> 00:32:32,600 Speaker 9: the radical transparency and the cultural expertise that we have 527 00:32:33,120 --> 00:32:39,479 Speaker 9: as human beings plus the super rigorous process to our 528 00:32:39,560 --> 00:32:43,120 Speaker 9: work and to me, it's like the best of both worlds. 529 00:32:53,200 --> 00:32:57,880 Speaker 5: So we are celebrating fifteen years of futuro media. When 530 00:32:57,920 --> 00:33:00,400 Speaker 5: I founded footdu Media, you know, I would like, Okay, 531 00:33:00,440 --> 00:33:02,240 Speaker 5: I'm just gonna do this. I was like, oh my god, please, 532 00:33:02,320 --> 00:33:04,800 Speaker 5: let's just make it to three years. Well we have 533 00:33:04,920 --> 00:33:09,840 Speaker 5: made it to fifteen. So we are celebrating our king Sangnetra. Yes, 534 00:33:10,440 --> 00:33:13,000 Speaker 5: there there will be celebrations. 535 00:33:13,600 --> 00:33:15,880 Speaker 9: Are we gonna Are we gonna dance the valves, the 536 00:33:16,000 --> 00:33:17,040 Speaker 9: Chaian bulls. 537 00:33:16,880 --> 00:33:18,680 Speaker 4: We're gonna dance the chat. 538 00:33:21,080 --> 00:33:26,240 Speaker 3: Dress, those dress, those. 539 00:33:26,160 --> 00:33:45,480 Speaker 5: Dress, Fidananda. Before we wrap, just tell me real briefly, 540 00:33:45,560 --> 00:33:46,840 Speaker 5: what was your king signete like? 541 00:33:47,400 --> 00:33:51,680 Speaker 4: I didn't have one? A he You were like, no, boy, 542 00:33:51,840 --> 00:33:53,000 Speaker 4: I don't want to wear the dress. 543 00:33:53,320 --> 00:33:56,600 Speaker 9: No, no, it's too long of a story. 544 00:33:56,840 --> 00:33:59,200 Speaker 5: But now we can because the listeners will be like, 545 00:33:59,240 --> 00:34:02,200 Speaker 5: we really want to hear the story. Marie Gotcia, did 546 00:34:02,280 --> 00:34:03,280 Speaker 5: you have a king Sennetra? 547 00:34:04,080 --> 00:34:04,440 Speaker 3: I did it. 548 00:34:04,640 --> 00:34:06,960 Speaker 9: My parents gave me a choice between a king Signetra 549 00:34:07,120 --> 00:34:08,640 Speaker 9: and a trip to Los Angeles. 550 00:34:09,320 --> 00:34:10,200 Speaker 2: I was in LA. 551 00:34:13,680 --> 00:34:16,279 Speaker 5: And you know what, I also didn't have a king 552 00:34:16,320 --> 00:34:19,920 Speaker 5: Tagnetta because the only Kingtannetas that I had reference to 553 00:34:20,640 --> 00:34:26,480 Speaker 5: were my pumas in Mexico, and they had the quintaniras, 554 00:34:26,920 --> 00:34:30,200 Speaker 5: the coming down the stairs, you know, getting the country club, 555 00:34:30,719 --> 00:34:33,000 Speaker 5: the big dress, the chiam milan is the whole thing. 556 00:34:33,640 --> 00:34:35,400 Speaker 4: And I was like, that's just not me. 557 00:34:36,080 --> 00:34:39,400 Speaker 5: And all of my teenage American friends would be like, 558 00:34:39,480 --> 00:34:42,239 Speaker 5: are you crazy if I was to do that? But 559 00:34:43,560 --> 00:34:48,240 Speaker 5: never say never, because Futuro Media is celebrating our King Sennetra. 560 00:34:48,840 --> 00:34:50,759 Speaker 4: There will be dresses. That's all we're gonna say. 561 00:34:51,480 --> 00:34:56,560 Speaker 5: Nanda Echavari, Managing editor of Latino USA, Marie Gracia, Executive 562 00:34:56,680 --> 00:34:59,719 Speaker 5: editor of Futuro Studios, thank you so much for being 563 00:34:59,760 --> 00:35:03,920 Speaker 5: my colleagues, for delivering excellence work that you do with 564 00:35:04,080 --> 00:35:07,400 Speaker 5: joy and commitment and professionalism. I couldn't be more honored 565 00:35:07,800 --> 00:35:10,000 Speaker 5: that both of you are part of the senior leadership 566 00:35:10,040 --> 00:35:11,920 Speaker 5: of Full Duro Media, which I was gonna. 567 00:35:11,719 --> 00:35:13,279 Speaker 10: Ask, yes, thank you so much. 568 00:35:13,520 --> 00:35:14,320 Speaker 9: Thank you Media. 569 00:35:34,760 --> 00:35:37,360 Speaker 5: So a lot of celebrating, a lot of things to 570 00:35:37,440 --> 00:35:40,520 Speaker 5: look forward to, a lot of things to be thankful for. 571 00:35:41,560 --> 00:35:45,120 Speaker 5: So because today is Giving Tuesday, this is the time 572 00:35:45,239 --> 00:35:49,440 Speaker 5: to do it. It's a moment to actually unlock radical generosity. 573 00:35:50,040 --> 00:35:53,120 Speaker 5: And if you give between now and December thirty, first, 574 00:35:53,880 --> 00:35:56,839 Speaker 5: your gift is doubled by newsmatch. 575 00:35:57,600 --> 00:35:58,080 Speaker 4: I love this. 576 00:35:58,440 --> 00:36:00,320 Speaker 5: It's when I love to give because I know that 577 00:36:00,400 --> 00:36:03,440 Speaker 5: I'm going to be matched. So if it's five, it's 578 00:36:03,520 --> 00:36:05,880 Speaker 5: now ten. If you're giving twenty, it's now forty. If 579 00:36:05,920 --> 00:36:08,920 Speaker 5: you're giving one hundred, it's now two hundred. If you're 580 00:36:08,960 --> 00:36:13,920 Speaker 5: giving five hundred, it's one thousand dollars. So remember you 581 00:36:14,000 --> 00:36:20,120 Speaker 5: can give at fultudomediagroup dot org slash donate and you 582 00:36:20,200 --> 00:36:21,959 Speaker 5: know what we are going to be doing some merch, 583 00:36:22,280 --> 00:36:26,479 Speaker 5: So keep your eyes out and more than anything, enjoy 584 00:36:26,560 --> 00:36:32,680 Speaker 5: your families, Enjoy the love around you. Enjoy great journalism, storytelling, 585 00:36:32,800 --> 00:36:35,120 Speaker 5: reporting that you can have on the background while you're 586 00:36:35,200 --> 00:36:38,400 Speaker 5: celebrating and being with your family. Always have us on 587 00:36:38,560 --> 00:36:39,120 Speaker 5: the background. 588 00:36:39,280 --> 00:36:42,480 Speaker 4: We love that. And remember, as always and now more 589 00:36:42,560 --> 00:36:44,120 Speaker 4: than ever, not do I Yes 590 00:36:50,200 --> 00:36:50,480 Speaker 1: Plus