1
00:00:03,920 --> 00:00:06,480
Speaker 1: So house rules like pretty basic. Sean just wants me

2
00:00:06,480 --> 00:00:07,280
Speaker 1: to like run.

3
00:00:07,160 --> 00:00:08,920
Speaker 2: Through okay, just like the basic.

4
00:00:08,640 --> 00:00:13,039
Speaker 1: Stuff like like have fun for sure apps like make

5
00:00:13,080 --> 00:00:18,439
Speaker 1: a mess, go crazy, but do like clean up afterwards.

6
00:00:18,480 --> 00:00:21,480
Speaker 1: Like it's kind of like a leave no trace uh

7
00:00:22,040 --> 00:00:28,080
Speaker 1: policy here. You can flush anything, okay. It's not one

8
00:00:28,080 --> 00:00:31,080
Speaker 1: of those places that's like weird about like what you

9
00:00:31,120 --> 00:00:34,840
Speaker 1: don't flush this type of whatever? Flush whatever you want,

10
00:00:34,960 --> 00:00:38,839
Speaker 1: just like let him know. He has been playing around

11
00:00:38,840 --> 00:00:42,280
Speaker 1: with like what what what what you can flush okay,

12
00:00:42,320 --> 00:00:45,360
Speaker 1: and so he will want to know just itemize it,

13
00:00:45,440 --> 00:00:45,960
Speaker 1: you know, and.

14
00:00:45,880 --> 00:00:48,360
Speaker 3: There's there's a sorry his voice, not okay.

15
00:00:48,600 --> 00:00:50,839
Speaker 1: Dry there's a dry race board in there, and so

16
00:00:50,920 --> 00:00:55,120
Speaker 1: like don't flush that, but like like you can't. You

17
00:00:55,160 --> 00:00:57,600
Speaker 1: can't flush it, but I guess like get a new one.

18
00:00:57,560 --> 00:00:59,240
Speaker 2: Okay, And then it sort of has to start the

19
00:00:59,240 --> 00:01:02,320
Speaker 2: research over because it's like it's gone at that point.

20
00:01:02,760 --> 00:01:05,080
Speaker 1: I guess. Then do a voice note for what was

21
00:01:05,120 --> 00:01:10,039
Speaker 1: on the board, create it, but then add the ad

22
00:01:10,120 --> 00:01:10,920
Speaker 1: dry erase board.

23
00:01:11,000 --> 00:01:12,960
Speaker 3: Gotcha. You don't have like an Amazon wish list or

24
00:01:13,000 --> 00:01:14,760
Speaker 3: something like that. We could just click or do we

25
00:01:14,800 --> 00:01:16,400
Speaker 3: have to physically go on person and grab them?

26
00:01:16,480 --> 00:01:19,360
Speaker 1: He does have an Amazon wish. I mean, like yes,

27
00:01:19,480 --> 00:01:22,360
Speaker 1: but that's all stuff that like he will want to

28
00:01:22,400 --> 00:01:26,039
Speaker 1: be flushed, ok, gotcha, like stuff that he's been kind

29
00:01:26,040 --> 00:01:28,560
Speaker 1: of curious about whether it'll go down.

30
00:01:28,680 --> 00:01:32,080
Speaker 2: And is this like a continuation kind of of like

31
00:01:32,120 --> 00:01:34,399
Speaker 2: the will it blend sort of thing or is it

32
00:01:34,520 --> 00:01:36,560
Speaker 2: just like his own sort of separate.

33
00:01:36,319 --> 00:01:39,960
Speaker 1: He doesn't know about that. He doesn't know about any

34
00:01:40,000 --> 00:01:46,080
Speaker 1: any shows or movies or anything. Okay, this, uh, he

35
00:01:46,080 --> 00:01:49,000
Speaker 1: he just wants to see what stuff flow.

36
00:01:49,040 --> 00:01:50,680
Speaker 3: But I think that's like a TikTok. Is that off

37
00:01:50,680 --> 00:01:52,680
Speaker 3: the table as well, sort of for knowledge base?

38
00:01:53,880 --> 00:01:56,680
Speaker 1: I I don't think, like, I don't think this is

39
00:01:56,800 --> 00:02:00,920
Speaker 1: for anything else other than it's like very and he

40
00:02:00,960 --> 00:02:04,040
Speaker 1: doesn't want anyone to be there when he's doing it,

41
00:02:04,080 --> 00:02:06,000
Speaker 1: you know, and so like and he gets like shy

42
00:02:06,040 --> 00:02:07,560
Speaker 1: if there's other people in there with him.

43
00:02:07,600 --> 00:02:08,919
Speaker 2: Oh well yeah, he's so shy.

44
00:02:09,200 --> 00:02:10,960
Speaker 3: Yeah copy, I haven't met him, so this is good

45
00:02:10,960 --> 00:02:11,120
Speaker 3: to know.

46
00:02:11,680 --> 00:02:14,800
Speaker 1: And yeah, and he said you weren't going to yeah, okay, So.

47
00:02:15,160 --> 00:02:17,040
Speaker 3: I was curious. I thought I saw him leaving, but

48
00:02:17,040 --> 00:02:18,960
Speaker 3: I haven't seen him in person, so I wasn't sure

49
00:02:19,040 --> 00:02:19,680
Speaker 3: if it was.

50
00:02:19,680 --> 00:02:20,840
Speaker 4: Like he did leave.

51
00:02:21,440 --> 00:02:25,640
Speaker 1: He and it's not you, it's it is you in

52
00:02:25,680 --> 00:02:26,000
Speaker 1: a way.

53
00:02:26,160 --> 00:02:27,799
Speaker 2: But like that's hard to hear.

54
00:02:27,960 --> 00:02:33,720
Speaker 1: He has for me made. He said he wouldn't be

55
00:02:33,720 --> 00:02:35,760
Speaker 1: able to keep his New Year's resolution if you were

56
00:02:35,800 --> 00:02:41,280
Speaker 1: here today, which is a commitment to non violence and that,

57
00:02:41,360 --> 00:02:43,359
Speaker 1: but that is it's more of a mad thing.

58
00:02:43,600 --> 00:02:45,600
Speaker 3: Yeah, they ask for clarification on that.

59
00:02:46,880 --> 00:02:50,000
Speaker 1: There's just this sense that you are like like having

60
00:02:50,080 --> 00:02:54,640
Speaker 1: performed with Okay, So the way it works with Sean

61
00:02:54,720 --> 00:02:58,800
Speaker 1: and Matt is gotcha, it's on site. It's it's on site,

62
00:02:58,800 --> 00:03:02,680
Speaker 1: but it's never mad. That is like essentially the victim.

63
00:03:02,760 --> 00:03:05,639
Speaker 1: It's it's whoever is next in Shawn's life? You know

64
00:03:05,680 --> 00:03:06,119
Speaker 1: what I mean?

65
00:03:06,240 --> 00:03:10,399
Speaker 3: I see it's like six degrees of Kevin Baker. Yeah,

66
00:03:10,760 --> 00:03:11,360
Speaker 3: it follows.

67
00:03:11,440 --> 00:03:13,760
Speaker 1: It's like builds up and builds up and then it's

68
00:03:13,760 --> 00:03:18,200
Speaker 1: whoever uh it like lays eyes on next, is like

69
00:03:18,680 --> 00:03:22,280
Speaker 1: is he puts him on the map? How he thinks

70
00:03:22,280 --> 00:03:27,440
Speaker 1: of it? And so that that commitment that like this

71
00:03:27,600 --> 00:03:29,920
Speaker 1: year is very powerful.

72
00:03:30,000 --> 00:03:31,680
Speaker 3: So this New Year's Resolution is coming to an end.

73
00:03:31,720 --> 00:03:33,120
Speaker 3: It's not sort of like an early start.

74
00:03:34,639 --> 00:03:39,240
Speaker 1: No, it's like he basically he feels like the interaction

75
00:03:39,360 --> 00:03:43,800
Speaker 1: with Matt today would potentially carry over his his violence,

76
00:03:44,120 --> 00:03:47,520
Speaker 1: the spree he would go on into into the new year.

77
00:03:47,640 --> 00:03:48,920
Speaker 3: I understand the last time.

78
00:03:49,360 --> 00:03:52,760
Speaker 2: And this was tough because I was I was in

79
00:03:52,880 --> 00:03:55,560
Speaker 2: Shawn's presence this year. Yeah, and I was here with

80
00:03:55,600 --> 00:03:58,840
Speaker 2: Waisaki actually, and he it's.

81
00:03:59,520 --> 00:04:01,880
Speaker 1: I mean, like, you know, like we know he's like

82
00:04:01,920 --> 00:04:05,040
Speaker 1: a well known enough yeah. Yeah, but I don't think

83
00:04:05,120 --> 00:04:07,840
Speaker 1: like everyone here is like, oh, Waisaki is, like, he's awesome.

84
00:04:07,840 --> 00:04:10,000
Speaker 1: I like him. Yeah, Like I don't think we're just

85
00:04:10,000 --> 00:04:12,120
Speaker 1: like dropping Sakiah like him.

86
00:04:12,160 --> 00:04:15,440
Speaker 2: We all he's awesome at minimum like him.

87
00:04:15,560 --> 00:04:18,800
Speaker 1: Yeah, sure, but I don't, you know, I just like,

88
00:04:18,920 --> 00:04:22,960
Speaker 1: let let let's explain to Jacob Jacob Waisaki who he

89
00:04:23,120 --> 00:04:23,719
Speaker 1: is and stuff.

90
00:04:23,800 --> 00:04:26,000
Speaker 4: Yeah, he's an improviser, comedian, actor.

91
00:04:25,920 --> 00:04:29,640
Speaker 1: Improv man. Yeah, it's it's crazy, it's crazy.

92
00:04:29,760 --> 00:04:31,520
Speaker 2: It's kind of crazy right now.

93
00:04:31,960 --> 00:04:34,640
Speaker 3: I mean this kind of depends personally.

94
00:04:34,960 --> 00:04:36,799
Speaker 1: Talk about that a little more.

95
00:04:37,000 --> 00:04:37,200
Speaker 2: Well.

96
00:04:37,279 --> 00:04:41,479
Speaker 3: I honestly always do improv, mostly as an acting exercise.

97
00:04:41,960 --> 00:04:46,320
Speaker 3: So I think personally for me, it's about uh, it's

98
00:04:46,320 --> 00:04:48,920
Speaker 3: like an onion. It's unveiling truth, right, and so at

99
00:04:48,920 --> 00:04:51,040
Speaker 3: its core, this is the new vibe.

100
00:04:52,240 --> 00:04:55,000
Speaker 1: It's just different from when I was I was coming up.

101
00:04:55,120 --> 00:04:55,960
Speaker 3: What were you guys doing?

102
00:04:56,839 --> 00:04:58,120
Speaker 1: We would get in like.

103
00:04:58,320 --> 00:04:59,400
Speaker 3: When was that the seventies?

104
00:05:00,320 --> 00:05:05,159
Speaker 1: So we yeah, it's the nineteen ninety seventies.

105
00:05:05,600 --> 00:05:08,200
Speaker 3: Hold out, thanks very much, that's so crazy.

106
00:05:08,200 --> 00:05:10,640
Speaker 1: I was like three, I no, I mean, and it

107
00:05:10,680 --> 00:05:12,960
Speaker 1: is generational, right, and I understand, like I like, you

108
00:05:13,320 --> 00:05:15,560
Speaker 1: make room for new ways of doing things, and basically

109
00:05:15,560 --> 00:05:16,679
Speaker 1: so the way I see.

110
00:05:16,520 --> 00:05:18,000
Speaker 3: It as thank you for making a lot of room

111
00:05:18,040 --> 00:05:18,599
Speaker 3: for us too.

112
00:05:18,960 --> 00:05:19,120
Speaker 1: No.

113
00:05:19,240 --> 00:05:21,680
Speaker 3: Absolutely, I didn't even know you did improv Actually.

114
00:05:21,320 --> 00:05:23,080
Speaker 1: That is what And I was doing it for you

115
00:05:23,160 --> 00:05:25,560
Speaker 1: at the time, and I knew I was doing that. Yeah,

116
00:05:25,560 --> 00:05:27,640
Speaker 1: Like I was very very conscious of what I was

117
00:05:27,720 --> 00:05:33,640
Speaker 1: leaving for the next generation. And we were like we

118
00:05:33,680 --> 00:05:35,680
Speaker 1: thought of it like it was a job, right. We

119
00:05:35,680 --> 00:05:38,080
Speaker 1: were very like lunch pale about it. We were like

120
00:05:38,160 --> 00:05:40,800
Speaker 1: going down in the mines. We had like our little

121
00:05:40,839 --> 00:05:43,919
Speaker 1: like shot sandwiches or like yeah, we were like sitting

122
00:05:43,920 --> 00:05:48,040
Speaker 1: out on the beam just howking sandwiches. But we didn't

123
00:05:48,040 --> 00:05:51,120
Speaker 1: give a shit about the money, right, yeah. Right, And

124
00:05:51,200 --> 00:05:55,680
Speaker 1: so then like honestly, then Matt shows up, right, and

125
00:05:55,760 --> 00:05:58,000
Speaker 1: he sees, well there we can agree. Yeah.

126
00:05:58,320 --> 00:06:01,080
Speaker 3: Right, at some point Matt shows up, it's undenied.

127
00:06:01,200 --> 00:06:05,120
Speaker 2: There was improv, there was, there's improv now, and there

128
00:06:05,160 --> 00:06:08,200
Speaker 2: was improv before. But we can all agree that at

129
00:06:08,200 --> 00:06:09,120
Speaker 2: certain point he was.

130
00:06:09,160 --> 00:06:12,719
Speaker 1: There, improv was not happening. Yeah, like he killed it. Yes,

131
00:06:12,800 --> 00:06:18,200
Speaker 1: he's straight up like in attempting to commercialize it. Yeah,

132
00:06:18,240 --> 00:06:22,680
Speaker 1: way he did. Yes with uh, I mean like there

133
00:06:22,760 --> 00:06:25,320
Speaker 1: was his idea he called it improv all over the place.

134
00:06:25,480 --> 00:06:27,320
Speaker 2: Yeah, yeah, which is.

135
00:06:27,320 --> 00:06:29,760
Speaker 1: Like very reminisce. I guess he thought that like improv

136
00:06:29,800 --> 00:06:31,800
Speaker 1: everywhere is like an East Coast thing that only that

137
00:06:31,839 --> 00:06:33,479
Speaker 1: West Coast people wouldn't know. But I thought it was

138
00:06:34,160 --> 00:06:35,960
Speaker 1: this idea called improv all over.

139
00:06:35,839 --> 00:06:40,039
Speaker 3: The place theater teams like theater sports, a straight rip

140
00:06:40,040 --> 00:06:41,719
Speaker 3: of theater sports and theater teams.

141
00:06:41,920 --> 00:06:44,599
Speaker 2: Yeah. No, I I was always just I did. I

142
00:06:44,640 --> 00:06:46,520
Speaker 2: don't want to spend any time in court, so I

143
00:06:46,560 --> 00:06:48,320
Speaker 2: was just really trying to find a way to sort

144
00:06:48,320 --> 00:06:51,800
Speaker 2: of like making my own thing. But reminiscent enough, you know,

145
00:06:52,000 --> 00:06:54,000
Speaker 2: I could have gone all the way and called it,

146
00:06:54,240 --> 00:06:57,599
Speaker 2: you know, not improv everywhere, in improv everywhere parody or

147
00:06:57,640 --> 00:06:59,720
Speaker 2: something like that. If I was really trying to.

148
00:07:00,240 --> 00:07:02,240
Speaker 3: What also feels like improv nowhere was right there?

149
00:07:02,720 --> 00:07:06,320
Speaker 1: Yeah yeah, no, fuck.

150
00:07:08,600 --> 00:07:11,560
Speaker 4: Yeah, I had any Okay, I don't.

151
00:07:11,600 --> 00:07:11,920
Speaker 2: I can't.

152
00:07:12,440 --> 00:07:17,320
Speaker 1: That's that's all like like it's all about making money, no,

153
00:07:18,480 --> 00:07:21,480
Speaker 1: like way of actually doing so. No.

154
00:07:21,680 --> 00:07:24,040
Speaker 2: I remember going into I had a general at one

155
00:07:24,080 --> 00:07:27,960
Speaker 2: point and I walked into, uh this office, and I

156
00:07:28,000 --> 00:07:32,160
Speaker 2: wrote improv on a whiteboard and then I wrote an

157
00:07:32,360 --> 00:07:36,160
Speaker 2: S after the end of it, and then two lines

158
00:07:36,160 --> 00:07:37,560
Speaker 2: through it to make it a dollar sign.

159
00:07:37,720 --> 00:07:38,560
Speaker 4: That was kind of my big thing.

160
00:07:38,640 --> 00:07:40,160
Speaker 3: Is that how grmos used to work when you were

161
00:07:40,160 --> 00:07:41,440
Speaker 3: doing generals back in the day.

162
00:07:42,000 --> 00:07:46,080
Speaker 1: We so like when I go in, it's specific, you

163
00:07:46,160 --> 00:07:46,680
Speaker 1: know what I mean?

164
00:07:47,000 --> 00:07:47,720
Speaker 3: What do you mean by that?

165
00:07:47,880 --> 00:07:50,400
Speaker 1: There's an agenda and I have a like I have

166
00:07:50,760 --> 00:07:53,360
Speaker 1: aw like it's not I'm not just here to talk,

167
00:07:53,480 --> 00:07:53,960
Speaker 1: you know what I.

168
00:07:53,840 --> 00:07:55,200
Speaker 2: Mean, it's not general at all.

169
00:07:55,320 --> 00:07:57,000
Speaker 1: Like I actually have a really good idea.

170
00:07:57,200 --> 00:08:00,000
Speaker 4: Yes yeah, they say to Hayes, do you want to

171
00:08:00,040 --> 00:08:00,400
Speaker 4: come in.

172
00:08:00,360 --> 00:08:01,520
Speaker 1: For a specific Yes?

173
00:08:01,760 --> 00:08:03,760
Speaker 4: Yeah, yeah, that's cool.

174
00:08:03,560 --> 00:08:08,960
Speaker 1: And yeah my idea was a show about.

175
00:08:07,920 --> 00:08:08,880
Speaker 4: Six friends hanging out.

176
00:08:09,200 --> 00:08:13,240
Speaker 1: Six friends, but they're all like Disney characters, famous characters,

177
00:08:13,600 --> 00:08:16,280
Speaker 1: and so instead it's like and it's the main ones too,

178
00:08:16,360 --> 00:08:18,720
Speaker 1: It's not like.

179
00:08:17,880 --> 00:08:22,720
Speaker 3: Like sister yeah, yeah, Sea.

180
00:08:22,760 --> 00:08:28,240
Speaker 1: Is that the name of the sister's friend. Yeah, guest friend. Right. No,

181
00:08:28,320 --> 00:08:34,280
Speaker 1: it's like Mickey Mouse, Minnie Mouse, Donald Duck, Goofy, Daisy Duck, Goofy, Pluto,

182
00:08:34,400 --> 00:08:35,600
Speaker 1: the straight up main.

183
00:08:35,559 --> 00:08:38,679
Speaker 3: The main main six, like the clubhouse.

184
00:08:38,840 --> 00:08:41,480
Speaker 1: Yeah, sort of like a club but like it's but

185
00:08:41,600 --> 00:08:43,960
Speaker 1: it isn't the very friends like adult at you know,

186
00:08:44,120 --> 00:08:47,240
Speaker 1: like it's like it's for our generation, grown up. But

187
00:08:47,360 --> 00:08:49,319
Speaker 1: these characters that we love their growing up with.

188
00:08:49,520 --> 00:08:51,599
Speaker 2: Mickey has a job kind of you know, like a

189
00:08:52,400 --> 00:08:53,880
Speaker 2: he he goes to.

190
00:08:53,880 --> 00:08:56,240
Speaker 1: Work kind of yeah, you know what you want. But

191
00:08:56,320 --> 00:08:57,560
Speaker 1: it's like gig economies.

192
00:08:57,920 --> 00:09:00,360
Speaker 2: Yeah, yeah, that's what did they say say?

193
00:09:01,120 --> 00:09:04,720
Speaker 1: They said this freaking kicks ass.

194
00:09:04,840 --> 00:09:05,679
Speaker 2: Yeah, they liked it.

195
00:09:05,800 --> 00:09:07,760
Speaker 1: Yeah, they were like, this is awesome.

196
00:09:07,800 --> 00:09:09,439
Speaker 3: When was this meeting? That's incredible?

197
00:09:09,800 --> 00:09:11,880
Speaker 1: When was this meeting? Yeah it was nineteen ninety seven.

198
00:09:11,960 --> 00:09:14,960
Speaker 2: Oh great, Okay, so it never came friends.

199
00:09:15,080 --> 00:09:18,680
Speaker 1: Friends was happening, like the time, but.

200
00:09:18,920 --> 00:09:21,040
Speaker 3: I feel like that probably would have been the time

201
00:09:21,080 --> 00:09:23,400
Speaker 3: to sell something like that. And I'm being honest because

202
00:09:23,440 --> 00:09:24,920
Speaker 3: I feel like after that, it was like a thing

203
00:09:24,960 --> 00:09:26,480
Speaker 3: after thing after thing where they're like, how do we

204
00:09:26,520 --> 00:09:28,320
Speaker 3: recreate friends? How do we recreate friends? And it feels

205
00:09:28,320 --> 00:09:29,480
Speaker 3: like that would have been the time for.

206
00:09:29,440 --> 00:09:32,040
Speaker 1: It exactly, and it was, but it was never with

207
00:09:32,160 --> 00:09:36,600
Speaker 1: like characters that we actually that are really famous. It's

208
00:09:36,679 --> 00:09:39,960
Speaker 1: like already make like like the work is done.

209
00:09:40,280 --> 00:09:42,360
Speaker 2: Do you think it's true that the Drake song No

210
00:09:42,440 --> 00:09:46,000
Speaker 2: New Friends sort of put the kaibash on like any

211
00:09:46,400 --> 00:09:48,280
Speaker 2: type of like Friends reboot or like cause we don't

212
00:09:48,280 --> 00:09:50,120
Speaker 2: really see that kind of show anymore.

213
00:09:50,160 --> 00:09:51,920
Speaker 1: No one's saying, I guess, like, how's that song go?

214
00:09:52,480 --> 00:09:54,160
Speaker 1: He's like kind and again it's like it's like the

215
00:09:54,200 --> 00:09:57,280
Speaker 1: Waisaki thing instead of just like bringing up like here's

216
00:09:57,320 --> 00:09:59,360
Speaker 1: a song, like how how does it go?

217
00:10:00,040 --> 00:10:00,199
Speaker 4: See?

218
00:10:00,200 --> 00:10:03,319
Speaker 2: And this is the type of thing that like sef

219
00:10:03,400 --> 00:10:06,720
Speaker 2: Sean was here. I don't know how it goes. But

220
00:10:06,800 --> 00:10:10,400
Speaker 2: Sean would back me up and probably say I think

221
00:10:10,400 --> 00:10:11,280
Speaker 2: that's what happened.

222
00:10:12,760 --> 00:10:15,920
Speaker 1: You think Sean? You think Sean would he'd back you up?

223
00:10:15,960 --> 00:10:16,280
Speaker 1: All right?

224
00:10:16,360 --> 00:10:23,080
Speaker 2: I think Sean would back me up at the very least.

225
00:10:20,960 --> 00:10:23,320
Speaker 1: He backed you up, yes, and right in the wall

226
00:10:23,720 --> 00:10:28,000
Speaker 1: arm arm bar. Actually he'd use his four leg, yeah,

227
00:10:28,240 --> 00:10:29,199
Speaker 1: insaid his form.

228
00:10:29,280 --> 00:10:32,280
Speaker 4: Okay, yeah, it's like he's kind of bored arm stock.

229
00:10:32,160 --> 00:10:34,240
Speaker 1: That's stronger, so he would pick up his leg.

230
00:10:34,440 --> 00:10:35,480
Speaker 2: He didn't skip leg day.

231
00:10:35,520 --> 00:10:38,439
Speaker 1: Yeah, put it under your neck, and yes, he'd back

232
00:10:38,480 --> 00:10:38,680
Speaker 1: you up.

233
00:10:38,880 --> 00:10:40,160
Speaker 3: This makes me a little bit worried for you that

234
00:10:40,200 --> 00:10:42,200
Speaker 3: you'd rather have somebody come in and beat the ship

235
00:10:42,240 --> 00:10:44,119
Speaker 3: out of you just to have somebody.

236
00:10:44,280 --> 00:10:47,400
Speaker 2: I guess you gotta you gotta take him where you

237
00:10:47,440 --> 00:10:49,160
Speaker 2: can get him, I guess. And you know it's tough

238
00:10:49,200 --> 00:10:52,720
Speaker 2: that he's gonna absolutely, uh you know, wallop my my

239
00:10:52,760 --> 00:10:54,840
Speaker 2: little ass and uh, you know, just beat me.

240
00:10:54,920 --> 00:10:57,720
Speaker 4: But at least he understands he gets Drake.

241
00:10:57,760 --> 00:11:02,800
Speaker 1: At least I want to refocus attention to Vic a

242
00:11:02,800 --> 00:11:07,280
Speaker 1: little bit, Vic Michaels or you don't do Vic Michaels.

243
00:11:07,120 --> 00:11:10,240
Speaker 3: Well I do Michaelis because that's my name, changed it. Yeah, Okay,

244
00:11:10,960 --> 00:11:12,480
Speaker 3: I think for Hollywood they said.

245
00:11:12,400 --> 00:11:17,400
Speaker 1: Store, we're leaving that. So basically my understanding is sure

246
00:11:17,640 --> 00:11:25,160
Speaker 1: they said to you art is art is pipe cleaner.

247
00:11:25,400 --> 00:11:27,480
Speaker 3: Yeah, well that makes sense that that's your understanding. I

248
00:11:27,520 --> 00:11:31,600
Speaker 3: think for me, like Michaels, mostly is about that little

249
00:11:31,679 --> 00:11:35,240
Speaker 3: room where they do uh sort of displays on like

250
00:11:35,480 --> 00:11:38,199
Speaker 3: how to knit a little dog and things like that

251
00:11:39,320 --> 00:11:41,600
Speaker 3: and little birthday parties and things.

252
00:11:41,800 --> 00:11:44,360
Speaker 1: Don't show it to everyone, but yeah.

253
00:11:44,200 --> 00:11:45,400
Speaker 3: I think people don't realize.

254
00:11:45,120 --> 00:11:47,800
Speaker 1: It be come back in check out this.

255
00:11:48,440 --> 00:11:50,200
Speaker 3: Yes, and that is really I think at the end

256
00:11:50,200 --> 00:11:53,280
Speaker 3: of the day, where the money is. Yeah, so I

257
00:11:53,320 --> 00:11:55,599
Speaker 3: think for me, that is what I think when I

258
00:11:55,640 --> 00:11:57,439
Speaker 3: think of Michael's and I don't want to be associated

259
00:11:57,440 --> 00:12:00,720
Speaker 3: with that. Yeah. Yeah, you know, I think it's like

260
00:12:00,760 --> 00:12:02,400
Speaker 3: one of those things where it's like people don't want

261
00:12:02,400 --> 00:12:04,880
Speaker 3: to be held down by the sins of their parents, right,

262
00:12:05,120 --> 00:12:06,400
Speaker 3: And I don't want to be held down by the

263
00:12:06,440 --> 00:12:10,240
Speaker 3: sins of a corporation that doesn't necessarily hold my values anymore.

264
00:12:11,360 --> 00:12:17,080
Speaker 1: Yeah, and and so you you it's new generation, right,

265
00:12:17,120 --> 00:12:20,200
Speaker 1: it's a new generation of improv Yeah, you all are

266
00:12:20,280 --> 00:12:23,600
Speaker 1: right too. It's just sort of like planting seeds in

267
00:12:23,640 --> 00:12:27,720
Speaker 1: the ashes of what Matt did really because that that's

268
00:12:27,760 --> 00:12:32,560
Speaker 1: so that's fertile soil, right, like and it's supposed to burn. Yeah,

269
00:12:32,720 --> 00:12:35,400
Speaker 1: it's like the it's like the shop are all. Yeah,

270
00:12:35,640 --> 00:12:39,640
Speaker 1: every seven years somebody comes.

271
00:12:39,679 --> 00:12:41,400
Speaker 3: Like torches it so bad they sort of.

272
00:12:42,960 --> 00:12:44,880
Speaker 1: Everything that lives. Yeah.

273
00:12:44,960 --> 00:12:47,600
Speaker 3: Yeah, it was so bad that they decided to close

274
00:12:47,640 --> 00:12:49,600
Speaker 3: down one of the main hubs you see, the Sunset,

275
00:12:49,600 --> 00:12:51,520
Speaker 3: which is a big theater in LA and they said

276
00:12:51,520 --> 00:12:53,920
Speaker 3: we need to start over. We need to sort of

277
00:12:53,960 --> 00:12:56,959
Speaker 3: clear the map out of the era here. Yeah, and

278
00:12:57,040 --> 00:12:59,840
Speaker 3: so I think what was your question?

279
00:13:01,160 --> 00:13:03,120
Speaker 2: I guess I heard it got to New York too,

280
00:13:03,920 --> 00:13:06,280
Speaker 2: bringing it all down act my acts here.

281
00:13:07,760 --> 00:13:11,080
Speaker 4: Shut it down to New York as well, your acts. Yeah, my, my, my, ye,

282
00:13:11,280 --> 00:13:11,880
Speaker 4: my antics.

283
00:13:12,480 --> 00:13:16,000
Speaker 3: Yeah, I've heard that. I think that feels that rings true.

284
00:13:16,480 --> 00:13:19,480
Speaker 1: I guess part of my intention was getting everyone in

285
00:13:19,520 --> 00:13:25,559
Speaker 1: here to try and bring back some of what was

286
00:13:25,559 --> 00:13:28,640
Speaker 1: was lost, but not all. Like we're not trying to

287
00:13:28,960 --> 00:13:31,440
Speaker 1: just like restore, like just go back to the old thing.

288
00:13:31,960 --> 00:13:35,920
Speaker 1: We can't, like we have to build something new. And

289
00:13:35,960 --> 00:13:42,520
Speaker 1: who better to do that but the OG sure, the

290
00:13:42,640 --> 00:13:50,199
Speaker 1: new g and the guy who ruined everything's a point

291
00:13:50,480 --> 00:13:51,840
Speaker 1: destroyed it. Yeah.

292
00:13:51,920 --> 00:13:55,040
Speaker 3: I think that that's a really wonderful perspective to have

293
00:13:55,080 --> 00:13:56,760
Speaker 3: on that. And so I guess my question is, like,

294
00:13:56,880 --> 00:14:00,160
Speaker 3: moving forward, did you have any ideas of what it's

295
00:14:00,200 --> 00:14:00,760
Speaker 3: going to look like?

296
00:14:01,040 --> 00:14:02,440
Speaker 1: Yeah, I have some really funny ideas.

297
00:14:02,559 --> 00:14:05,240
Speaker 3: Actually, I'm open to it. I'm sort of locked in

298
00:14:05,280 --> 00:14:07,680
Speaker 3: at a lot of places I'm performing like what like seven, eight,

299
00:14:07,800 --> 00:14:09,400
Speaker 3: nine times a week. How many nights a week are

300
00:14:09,400 --> 00:14:10,280
Speaker 3: you performing right now?

301
00:14:11,679 --> 00:14:13,760
Speaker 1: Nights? That's so interesting that you think you could only

302
00:14:13,760 --> 00:14:22,160
Speaker 1: perform at night. I prefer every single morning, okay, because

303
00:14:22,160 --> 00:14:24,080
Speaker 1: that's when the that's when the most of the cars

304
00:14:24,120 --> 00:14:26,440
Speaker 1: are on the road, right, right, that's when like everyone's

305
00:14:26,480 --> 00:14:29,400
Speaker 1: going to work, and like that's when people like need

306
00:14:29,480 --> 00:14:32,160
Speaker 1: a boost. And also that's when they have the most

307
00:14:32,320 --> 00:14:36,640
Speaker 1: change in their cup holder, right because like they're spending

308
00:14:36,640 --> 00:14:37,960
Speaker 1: it over the course of the day.

309
00:14:37,920 --> 00:14:41,720
Speaker 2: They're tossing change out, yes, for the performers out on

310
00:14:41,760 --> 00:14:44,400
Speaker 2: the road, you know, and it's it's, uh, you got

311
00:14:44,400 --> 00:14:45,520
Speaker 2: to get in there early if you want to get

312
00:14:45,560 --> 00:14:46,240
Speaker 2: the good change.

313
00:14:46,360 --> 00:14:47,720
Speaker 4: Yes, yeahs it's true.

314
00:14:48,160 --> 00:14:51,560
Speaker 1: I'm doing when they're stopped at the at the light

315
00:14:53,400 --> 00:14:57,400
Speaker 1: and I yeah, and that extends.

316
00:14:57,480 --> 00:14:59,960
Speaker 2: It's just so interesting that that's time how you're doing

317
00:15:00,440 --> 00:15:04,320
Speaker 2: zo because I had a similar that was that was

318
00:15:04,320 --> 00:15:07,800
Speaker 2: my complete thesis for improvo all over the place. Was

319
00:15:07,840 --> 00:15:09,240
Speaker 2: we got to get out there, we got to get

320
00:15:09,240 --> 00:15:11,280
Speaker 2: there on the roads. We're gonna get these pennies and

321
00:15:11,320 --> 00:15:14,000
Speaker 2: guess what they add up. Yes, end of the day,

322
00:15:15,680 --> 00:15:17,040
Speaker 2: we're making like three or four bucks.

323
00:15:17,040 --> 00:15:17,640
Speaker 4: It's pretty nice.

324
00:15:17,640 --> 00:15:19,640
Speaker 3: It's not nothing, yeah, but not enough to put into

325
00:15:19,640 --> 00:15:20,400
Speaker 3: a coin strong.

326
00:15:20,280 --> 00:15:21,760
Speaker 1: No, they don't.

327
00:15:22,280 --> 00:15:26,920
Speaker 2: Yeah, that's the fee. The fee you're walking myy with

328
00:15:26,960 --> 00:15:30,160
Speaker 2: one fift gift card. Really you can if you if

329
00:15:30,200 --> 00:15:34,240
Speaker 2: you convert any Coinstar monies into a gift card.

330
00:15:34,560 --> 00:15:37,360
Speaker 4: The fee is I think a lot less or none.

331
00:15:37,960 --> 00:15:39,400
Speaker 3: Oh, that's actually a really good tip.

332
00:15:39,560 --> 00:15:41,800
Speaker 2: Yeah, you get a gift card. You know, you can

333
00:15:41,880 --> 00:15:44,440
Speaker 2: go to Panera Bread, you can go to uh, you know,

334
00:15:44,560 --> 00:15:45,960
Speaker 2: Aldi or whatever it is.

335
00:15:46,200 --> 00:15:48,520
Speaker 1: You know. Yeah, and that was your big partnership for

336
00:15:48,560 --> 00:15:51,960
Speaker 1: improvo all over the place. Huh was was was Panera Bread?

337
00:15:52,120 --> 00:15:52,800
Speaker 2: Yeah? Panera?

338
00:15:53,160 --> 00:15:57,600
Speaker 4: Yeah, and uh, you know, we had a bit of

339
00:15:57,880 --> 00:15:59,080
Speaker 4: a complication recently.

340
00:15:59,240 --> 00:16:01,280
Speaker 3: But yeah, well I heard you pitched you doing all

341
00:16:01,320 --> 00:16:03,240
Speaker 3: those new different kinds of macaroni and cheese.

342
00:16:03,440 --> 00:16:05,960
Speaker 1: We did the new Max, we did the new see this.

343
00:16:06,120 --> 00:16:09,160
Speaker 1: But what was improv about that? I guess is my question?

344
00:16:09,320 --> 00:16:11,280
Speaker 3: Or I guess I think that was everybody's question. And

345
00:16:11,400 --> 00:16:14,120
Speaker 3: I was reading the forums. People didn't really understand.

346
00:16:14,240 --> 00:16:17,680
Speaker 1: I think a lot of really like a flash mob

347
00:16:17,800 --> 00:16:20,440
Speaker 1: element to it. So you like pitching new kinds of

348
00:16:20,520 --> 00:16:21,520
Speaker 1: macaroni and cheese.

349
00:16:21,600 --> 00:16:22,760
Speaker 3: And I will say it seemed to be a big

350
00:16:22,840 --> 00:16:25,520
Speaker 3: tipping point for the company where all of a sudden, yeah, no,

351
00:16:25,800 --> 00:16:27,680
Speaker 3: it started to go pretty downhill.

352
00:16:27,360 --> 00:16:30,960
Speaker 2: Start pretty downhill, and they became less known for their

353
00:16:31,040 --> 00:16:33,720
Speaker 2: bread and more for some of their other items.

354
00:16:33,760 --> 00:16:37,920
Speaker 4: But like what, oh, you know, soup.

355
00:16:39,200 --> 00:16:40,840
Speaker 1: Okay, so they had this.

356
00:16:41,600 --> 00:16:44,120
Speaker 2: I did have this idea for this crazy lemonade that

357
00:16:44,280 --> 00:16:49,200
Speaker 2: they had a hard time with pretty recently. But it

358
00:16:49,360 --> 00:16:52,240
Speaker 2: was pretty good when I tried it. But the I

359
00:16:52,320 --> 00:16:53,800
Speaker 2: got in there in the mac, in the mac and

360
00:16:53,880 --> 00:16:58,400
Speaker 2: cheese space, I got in there, and you're probably thinking

361
00:16:58,480 --> 00:17:02,960
Speaker 2: I came in with like a lit of ideas or something, right, not.

362
00:17:03,200 --> 00:17:03,760
Speaker 1: So I was.

363
00:17:03,880 --> 00:17:04,760
Speaker 2: I was making that.

364
00:17:05,040 --> 00:17:07,200
Speaker 4: I was making all that ship up and they ate

365
00:17:07,280 --> 00:17:07,560
Speaker 4: it up.

366
00:17:08,040 --> 00:17:11,200
Speaker 2: They loved it. They put bacon in the mac and

367
00:17:11,280 --> 00:17:14,720
Speaker 2: cheese they put Yeah, they had a broccoli cheddar mac

368
00:17:14,760 --> 00:17:17,560
Speaker 2: and cheese. They ate it up, and I said, guy,

369
00:17:17,640 --> 00:17:21,359
Speaker 2: save something for everybody. Yeah, they got so hungry when

370
00:17:21,400 --> 00:17:23,840
Speaker 2: I was talking and they I was like, guys, you

371
00:17:23,880 --> 00:17:25,919
Speaker 2: gotta put this on the FOT. No, they couldn't sell

372
00:17:25,920 --> 00:17:27,480
Speaker 2: because they ate it all They ate it all up,

373
00:17:27,480 --> 00:17:29,160
Speaker 2: and they said it was really really good.

374
00:17:29,800 --> 00:17:31,920
Speaker 4: They liked they liked what I was working with a

375
00:17:32,000 --> 00:17:33,120
Speaker 4: white cheddar mac kind.

376
00:17:33,040 --> 00:17:34,760
Speaker 3: Of sounding like that's actually maybe where one of your

377
00:17:34,840 --> 00:17:35,600
Speaker 3: talents lies.

378
00:17:36,560 --> 00:17:39,760
Speaker 4: Yeah, and like coming up with like crazy foods.

379
00:17:39,800 --> 00:17:40,520
Speaker 2: That's probably sure.

380
00:17:41,160 --> 00:17:44,440
Speaker 1: When you say one of your talents, are we sure?

381
00:17:45,480 --> 00:17:49,240
Speaker 1: Are are we just sure? I mean one of the

382
00:17:49,400 --> 00:17:54,080
Speaker 1: talents implies something multiple, which is like there there there

383
00:17:54,280 --> 00:17:57,160
Speaker 1: might there are is at least one other one.

384
00:17:58,000 --> 00:18:00,400
Speaker 3: I bet we could find one other one. Do your

385
00:18:00,440 --> 00:18:00,960
Speaker 3: parents like you?

386
00:18:01,200 --> 00:18:04,000
Speaker 2: Yeah, I'm a hit with my parents and others as well,

387
00:18:04,080 --> 00:18:06,600
Speaker 2: every too. Yes, that's pretty good.

388
00:18:06,880 --> 00:18:09,720
Speaker 1: Yeah. Then would say you're a hit with me too, Yeah,

389
00:18:09,760 --> 00:18:11,360
Speaker 1: and then you start slapping yeah.

390
00:18:11,600 --> 00:18:14,280
Speaker 3: Yeah, and it would be very funny, to be fair,

391
00:18:14,760 --> 00:18:16,040
Speaker 3: it'd be funny. Yeah.

392
00:18:21,880 --> 00:18:24,080
Speaker 1: So we need what do we need? Like, we need

393
00:18:24,160 --> 00:18:26,840
Speaker 1: a new we do need a new space, like I

394
00:18:26,880 --> 00:18:28,600
Speaker 1: mean you're doing like seven eight nights.

395
00:18:28,400 --> 00:18:32,080
Speaker 3: A week, like where you're doing sort of like like

396
00:18:32,400 --> 00:18:35,560
Speaker 3: where are you like every morning? So for me, I

397
00:18:35,720 --> 00:18:38,399
Speaker 3: think I really think about it in terms of and

398
00:18:38,480 --> 00:18:40,399
Speaker 3: sort of in this new way of stop me. If

399
00:18:40,440 --> 00:18:42,760
Speaker 3: this gets confusing for you at any point, if.

400
00:18:42,600 --> 00:18:47,359
Speaker 1: You get will not if you will be continuing for

401
00:18:47,800 --> 00:18:52,000
Speaker 1: for the rest of both of our sweating, So like

402
00:18:52,080 --> 00:18:55,560
Speaker 1: you're getting like sweat that is that is not from confusion,

403
00:18:56,200 --> 00:18:59,159
Speaker 1: that's from like my body is able like because my

404
00:18:59,359 --> 00:19:03,960
Speaker 1: brain is like so well rested from not being confused.

405
00:19:04,080 --> 00:19:06,520
Speaker 1: My body is able to run that much. Don't able

406
00:19:06,560 --> 00:19:09,040
Speaker 1: to get exercise. I mean I am able to be

407
00:19:09,160 --> 00:19:12,240
Speaker 1: in here because that like the mind is so registering

408
00:19:12,320 --> 00:19:16,679
Speaker 1: what's happen. You're doing mental gymnastic quivering every single muscle

409
00:19:16,920 --> 00:19:18,240
Speaker 1: like that's that's what I'm able.

410
00:19:18,280 --> 00:19:20,000
Speaker 3: I don't know if this happens in general when people

411
00:19:20,040 --> 00:19:22,440
Speaker 3: get older. But you're talking so much and like none

412
00:19:22,480 --> 00:19:23,560
Speaker 3: of it is making sense.

413
00:19:24,359 --> 00:19:26,080
Speaker 2: So you're on your David Byrne area.

414
00:19:26,160 --> 00:19:28,919
Speaker 3: You're not saying like any words that like make sense together.

415
00:19:28,960 --> 00:19:31,520
Speaker 1: But that's what I'm saying. You don't under like. So

416
00:19:31,640 --> 00:19:32,919
Speaker 1: it's you're the one that's confused.

417
00:19:32,960 --> 00:19:33,880
Speaker 3: Can we get this water?

418
00:19:34,119 --> 00:19:36,240
Speaker 1: You know what I mean? I do not. I do

419
00:19:36,400 --> 00:19:38,640
Speaker 1: not ever have water.

420
00:19:39,080 --> 00:19:40,480
Speaker 4: You don't drink water at all at all.

421
00:19:40,680 --> 00:19:43,560
Speaker 1: No, I don't have it. I don't just not drink it.

422
00:19:43,680 --> 00:19:46,000
Speaker 1: I don't have it. So you're like the dose ekis guy,

423
00:19:46,080 --> 00:19:49,160
Speaker 1: I don't have any of that. Yes, you stay thirsty, Yes,

424
00:19:49,440 --> 00:19:54,280
Speaker 1: you just drink alcohol. So he doesn't just drink alcohol.

425
00:19:54,440 --> 00:19:56,360
Speaker 4: He's like he just doesn't drink anything.

426
00:19:56,560 --> 00:20:00,960
Speaker 1: Yeah, mm, so finish your finish your story. I was

427
00:20:01,040 --> 00:20:03,760
Speaker 1: just like, don't do not, don't worry about me.

428
00:20:04,040 --> 00:20:06,920
Speaker 3: Okay, great, yeah, well you know, if you want to

429
00:20:06,960 --> 00:20:08,280
Speaker 3: interrupt me again, I guess that's fine.

430
00:20:08,320 --> 00:20:10,359
Speaker 1: I actually do know, so you get it.

431
00:20:10,880 --> 00:20:13,040
Speaker 3: So you get it, I do, right, Okay, So for me,

432
00:20:13,200 --> 00:20:14,800
Speaker 3: what it grew so much?

433
00:20:15,680 --> 00:20:16,960
Speaker 1: Like it's growing over the course.

434
00:20:17,119 --> 00:20:18,959
Speaker 3: You think it's because of how humid your body has been,

435
00:20:19,040 --> 00:20:20,000
Speaker 3: so it's sort of well, I.

436
00:20:20,040 --> 00:20:22,119
Speaker 1: Think it is like an energy that we can create.

437
00:20:22,280 --> 00:20:24,560
Speaker 2: Yeah, right, Like is that an Audrey too when we

438
00:20:24,640 --> 00:20:25,359
Speaker 2: got over there.

439
00:20:25,600 --> 00:20:29,879
Speaker 1: An Audrey an Audrey to an Audrey tattoo Audrey to

440
00:20:30,720 --> 00:20:33,760
Speaker 1: her name is Audrey. Her name is Audrey tattoo. Her

441
00:20:33,840 --> 00:20:35,000
Speaker 1: name is not Audrey too.

442
00:20:35,160 --> 00:20:38,159
Speaker 2: Okay, No, I think it's happening where sort of his

443
00:20:38,240 --> 00:20:40,800
Speaker 2: brain is going. I think so yeah, yeah, Audrey Tattoo

444
00:20:40,920 --> 00:20:43,000
Speaker 2: from Little Store of Scaries.

445
00:20:43,119 --> 00:20:44,840
Speaker 1: Yeah yeah, Audrey Tattoos.

446
00:20:44,960 --> 00:20:45,760
Speaker 3: You should write that down.

447
00:20:45,880 --> 00:20:50,960
Speaker 2: Actually scares you, Like, so what.

448
00:20:51,200 --> 00:20:55,720
Speaker 1: Like to dismiss what Audrey Tattoo brought us? Like that

449
00:20:55,920 --> 00:20:58,520
Speaker 1: like the magic she injected in the world where like

450
00:20:58,720 --> 00:21:01,520
Speaker 1: every little thing we're seeing, like things that seemed very

451
00:21:01,640 --> 00:21:06,879
Speaker 1: normal into Astrian now are like little little characters.

452
00:21:07,960 --> 00:21:09,639
Speaker 3: Well, if you don't mind me sort of using that

453
00:21:09,840 --> 00:21:12,239
Speaker 3: to loop back into what I'm doing and where I'm

454
00:21:12,240 --> 00:21:15,960
Speaker 3: performing for improv because I think that actually really inspired.

455
00:21:16,960 --> 00:21:18,520
Speaker 3: That is like sort of the crux of what I'm

456
00:21:18,560 --> 00:21:21,520
Speaker 3: doing these days in the improv spaces I like to

457
00:21:21,600 --> 00:21:27,240
Speaker 3: call it. It's sort of like, uh, what is performance?

458
00:21:27,320 --> 00:21:28,399
Speaker 3: I think is the big question?

459
00:21:29,080 --> 00:21:29,800
Speaker 2: What is the state?

460
00:21:30,200 --> 00:21:33,399
Speaker 1: Are the theaters? Like? What are the actual theaters?

461
00:21:33,760 --> 00:21:36,760
Speaker 3: I think the better question is what is not a theater?

462
00:21:37,280 --> 00:21:37,600
Speaker 1: Okay?

463
00:21:38,760 --> 00:21:41,520
Speaker 3: You know what I'm saying, Like, yes, am I performing

464
00:21:41,560 --> 00:21:46,480
Speaker 3: in a traditional space? Sometimes have I auditioned for teams

465
00:21:46,560 --> 00:21:49,159
Speaker 3: to be on sort of like a more regular like

466
00:21:50,200 --> 00:21:51,639
Speaker 3: traditional like.

467
00:21:51,720 --> 00:21:54,480
Speaker 1: And the dress like like is there a cross street?

468
00:21:54,760 --> 00:21:55,480
Speaker 3: Absolutely?

469
00:21:55,800 --> 00:21:56,720
Speaker 1: Okay, what is it?

470
00:21:57,600 --> 00:22:00,760
Speaker 3: The cross street would be sort of like, uh, you know,

471
00:22:01,000 --> 00:22:04,560
Speaker 3: like one road in another road, right, and then I

472
00:22:04,720 --> 00:22:07,280
Speaker 3: am sort of in the middle there and it just

473
00:22:07,400 --> 00:22:07,800
Speaker 3: is ever.

474
00:22:07,720 --> 00:22:10,320
Speaker 1: Evolving the middle. You're in the middle of the of.

475
00:22:10,400 --> 00:22:13,520
Speaker 3: The of the cross Sometimes I think for me it

476
00:22:14,000 --> 00:22:16,120
Speaker 3: is like what is performance?

477
00:22:16,320 --> 00:22:18,960
Speaker 1: Very similar to my work? Who is? But that's what

478
00:22:19,040 --> 00:22:20,879
Speaker 1: I knew I was doing, Like I knew like that

479
00:22:21,080 --> 00:22:24,080
Speaker 1: was the entire intention you. I was paving the way

480
00:22:24,119 --> 00:22:25,880
Speaker 1: for other people. But that's literally well, here's.

481
00:22:25,680 --> 00:22:27,400
Speaker 3: What I'll say, is like your performances a start.

482
00:22:28,240 --> 00:22:31,000
Speaker 1: What you're saying is, here's what I'll say. Basically, I'll say.

483
00:22:30,920 --> 00:22:33,439
Speaker 3: And then what I'm saying is listen because I'm flipping

484
00:22:33,480 --> 00:22:35,520
Speaker 3: it in reverse. And then it's for me to say

485
00:22:35,720 --> 00:22:38,680
Speaker 3: right because for me, it's like there is no you

486
00:22:38,760 --> 00:22:40,960
Speaker 3: have a starting to end to your performance, right rush

487
00:22:41,000 --> 00:22:43,800
Speaker 3: hour to end a rush hour, and for me it's

488
00:22:43,920 --> 00:22:47,280
Speaker 3: like it's it doesn't stop. I think that's it. It's

489
00:22:47,320 --> 00:22:50,080
Speaker 3: part of grind culture, right where it's like you got

490
00:22:50,200 --> 00:22:52,080
Speaker 3: to keep working, you got to take the money where

491
00:22:52,119 --> 00:22:54,119
Speaker 3: you can get it. And if you are always improvising,

492
00:22:54,200 --> 00:22:57,480
Speaker 3: every single dollar you make in your entire life comes

493
00:22:57,520 --> 00:23:02,440
Speaker 3: from improv Right. When I'm working at a restaurant, that's

494
00:23:02,520 --> 00:23:05,520
Speaker 3: me improvising, and I'm making money improvising. That is my

495
00:23:06,080 --> 00:23:08,399
Speaker 3: five to six o'clock show that I'm doing. You know

496
00:23:08,480 --> 00:23:09,000
Speaker 3: what I'm saying.

497
00:23:09,200 --> 00:23:11,359
Speaker 1: Right, So it does sound like we are going to

498
00:23:11,440 --> 00:23:12,200
Speaker 1: need a new space.

499
00:23:12,600 --> 00:23:14,480
Speaker 3: Yeah, that actually I think would be great. It'd be

500
00:23:14,560 --> 00:23:17,360
Speaker 3: nice to have sort of like a regular a regular

501
00:23:17,440 --> 00:23:19,119
Speaker 3: home as I want to refer to it.

502
00:23:19,520 --> 00:23:24,159
Speaker 1: Okay, and you see, like I think that model that

503
00:23:24,359 --> 00:23:29,880
Speaker 1: brand is toxic. Paying people straight up did not work yes, yeah,

504
00:23:30,320 --> 00:23:33,480
Speaker 1: we like we need to we need to walk that back.

505
00:23:33,720 --> 00:23:36,679
Speaker 2: I just different hedge funds should get involved.

506
00:23:36,760 --> 00:23:37,080
Speaker 1: I think.

507
00:23:37,400 --> 00:23:40,840
Speaker 2: I think it's instead of the one that it currently is. Like,

508
00:23:40,920 --> 00:23:42,320
Speaker 2: let's get one of the big boys in there.

509
00:23:42,440 --> 00:23:44,680
Speaker 3: How about oops, all hedge funds, Oops, all hedge fun

510
00:23:45,480 --> 00:23:49,359
Speaker 3: there's one performer and then eight hedge funds sort of

511
00:23:49,440 --> 00:23:50,800
Speaker 3: that take nightly blocks.

512
00:23:50,920 --> 00:23:54,800
Speaker 2: Yeah that's cool. Get Halliburton on on like Thursdays or something, right,

513
00:23:55,000 --> 00:23:55,640
Speaker 2: that'd be fun.

514
00:23:55,880 --> 00:23:59,200
Speaker 4: Yeah, Yeah, that's cool. I'm interested. Yeah, that's that's like

515
00:23:59,720 --> 00:24:02,680
Speaker 4: it's an idea, right, it's at least an idea.

516
00:24:02,840 --> 00:24:04,600
Speaker 3: Well, we can make the hedge fund sort of compete

517
00:24:04,640 --> 00:24:06,399
Speaker 3: for spots on nights. I think would be.

518
00:24:06,480 --> 00:24:09,320
Speaker 2: Fun to fund the evening audition hedge fund.

519
00:24:09,440 --> 00:24:10,000
Speaker 4: That's interesting.

520
00:24:10,080 --> 00:24:11,840
Speaker 2: I sort of turn it on them a little bit.

521
00:24:12,080 --> 00:24:12,560
Speaker 2: Yeah yeah.

522
00:24:13,160 --> 00:24:17,960
Speaker 1: Commercial retail like like retail is doing okay, residential is

523
00:24:18,000 --> 00:24:22,119
Speaker 1: doing okay. Commercial like downtown business districts like this is

524
00:24:22,160 --> 00:24:25,600
Speaker 1: where I think the opportunity is potentially m M and

525
00:24:25,800 --> 00:24:28,480
Speaker 1: every one of these like big high rises like is

526
00:24:29,040 --> 00:24:31,040
Speaker 1: you know, like no one wants to go to work anymore.

527
00:24:31,280 --> 00:24:37,080
Speaker 1: Everyone is Yeah, everyone is like w FH. Still a

528
00:24:37,240 --> 00:24:38,720
Speaker 1: dog a dog.

529
00:24:39,160 --> 00:24:40,760
Speaker 2: Yeah yeah, I.

530
00:24:40,800 --> 00:24:43,119
Speaker 4: Mean a meeting right now. Actually I'm at Trader joke.

531
00:24:43,160 --> 00:24:47,960
Speaker 1: Yes, yeah, yeah, And so how can we take advantage

532
00:24:48,000 --> 00:24:51,680
Speaker 1: of this opportunity for fire purposes? Every one of these

533
00:24:51,720 --> 00:24:57,520
Speaker 1: buildings needs a stairwell. Oh interesting, the stairwells are like

534
00:24:58,359 --> 00:25:02,840
Speaker 1: pretty like underutiliz because like no one wants to like

535
00:25:02,960 --> 00:25:05,080
Speaker 1: nobody wants to work anymore. Everyone got a dog. Everyone

536
00:25:05,119 --> 00:25:07,760
Speaker 1: got a dog, and like the dog like dogs can

537
00:25:07,800 --> 00:25:08,680
Speaker 1: go upstairs.

538
00:25:08,359 --> 00:25:12,600
Speaker 4: But not down, so like yeah, no they cannot go down,

539
00:25:12,760 --> 00:25:13,399
Speaker 4: and so and.

540
00:25:13,560 --> 00:25:16,239
Speaker 1: All these like all these kids, like the dog has

541
00:25:16,320 --> 00:25:19,680
Speaker 1: to come to work because it's like medicine, Like the

542
00:25:19,760 --> 00:25:25,399
Speaker 1: dog is technically medicine prescribed. So I'm wonder like we

543
00:25:25,480 --> 00:25:27,320
Speaker 1: would have to figure out ways to work it into

544
00:25:27,440 --> 00:25:33,320
Speaker 1: the performance. But finding ways to make stairs like a

545
00:25:33,520 --> 00:25:37,000
Speaker 1: huge part of what we're doing. And I'm already thinking

546
00:25:37,080 --> 00:25:39,760
Speaker 1: like Austin pat Well, So the thing with Austin Powers,

547
00:25:40,800 --> 00:25:43,520
Speaker 1: what Austin Powers was missing with sort of a brand

548
00:25:43,560 --> 00:25:49,000
Speaker 1: of performance that he created was he was like going

549
00:25:49,119 --> 00:25:50,720
Speaker 1: up and down like that was his thing.

550
00:25:50,840 --> 00:25:52,760
Speaker 3: I'm thinking exactly what you're he would go he.

551
00:25:52,760 --> 00:25:54,920
Speaker 1: Would go behind the couch and he would like be

552
00:25:55,040 --> 00:25:56,960
Speaker 1: going downstairs yes, you know what I mean.

553
00:25:57,040 --> 00:25:59,440
Speaker 2: That is kind of like if you had to really

554
00:25:59,520 --> 00:26:02,200
Speaker 2: dilute it's empowers to his base thing.

555
00:26:03,359 --> 00:26:05,840
Speaker 1: And that was ninety seven. Yeah right, yeah, that's what

556
00:26:05,960 --> 00:26:08,199
Speaker 1: we were all pulling off of was awesome powers. Being

557
00:26:08,280 --> 00:26:08,960
Speaker 1: behind the couch.

558
00:26:09,080 --> 00:26:11,919
Speaker 3: I'm just going to have to believe you going downstairs.

559
00:26:12,119 --> 00:26:13,680
Speaker 3: You are going to have to believe me because here's

560
00:26:13,800 --> 00:26:15,119
Speaker 3: I just like, I don't really have a lot of

561
00:26:15,160 --> 00:26:17,359
Speaker 3: memories from that time. They're so young.

562
00:26:17,600 --> 00:26:21,320
Speaker 1: Yeah, no, you have to believe literally everything that I

563
00:26:22,240 --> 00:26:23,000
Speaker 1: that I'm saying.

564
00:26:22,760 --> 00:26:23,440
Speaker 5: To believe men.

565
00:26:23,760 --> 00:26:25,040
Speaker 2: You have to believe men.

566
00:26:25,359 --> 00:26:27,359
Speaker 3: Yes, yeah, you do keep shouting that at me.

567
00:26:27,560 --> 00:26:33,240
Speaker 1: Yes, what if they were actually staring are you? Okay,

568
00:26:33,440 --> 00:26:34,840
Speaker 1: it's my question. You know what I mean?

569
00:26:35,600 --> 00:26:37,200
Speaker 2: The behind the couch?

570
00:26:37,920 --> 00:26:40,640
Speaker 1: Well no, I mean so like like that's.

571
00:26:40,760 --> 00:26:43,880
Speaker 3: Well well wait wait no, that is what he's saying.

572
00:26:43,920 --> 00:26:46,880
Speaker 1: I think, wait a second, I think this actually could work.

573
00:26:46,960 --> 00:26:50,000
Speaker 1: So we put the couch there, yeah, next to the

574
00:26:50,160 --> 00:26:53,600
Speaker 1: like the stairs stare have the audience on like a

575
00:26:53,800 --> 00:26:59,800
Speaker 1: riser on the lower landing, so they're seeing us go

576
00:27:00,160 --> 00:27:02,399
Speaker 1: up and downstairs behind the couch, but there are actually

577
00:27:02,520 --> 00:27:03,080
Speaker 1: stairs back.

578
00:27:03,119 --> 00:27:05,080
Speaker 3: So we're talking about creating a full performance space in

579
00:27:05,400 --> 00:27:09,080
Speaker 3: sort of like a vertical in a vertical situation. And

580
00:27:09,320 --> 00:27:11,080
Speaker 3: you know what, I think that that translates really well.

581
00:27:11,119 --> 00:27:12,320
Speaker 3: I don't know if you're going to know this, so

582
00:27:12,520 --> 00:27:13,920
Speaker 3: stick with me for a second. A lot of people

583
00:27:13,960 --> 00:27:15,919
Speaker 3: watch videos on their phones in sort of a vertical

584
00:27:16,119 --> 00:27:18,760
Speaker 3: landscape right now, and so we're really just translating that

585
00:27:19,320 --> 00:27:23,399
Speaker 3: from the phone, from the audio visual medium to a

586
00:27:23,600 --> 00:27:26,520
Speaker 3: physical medium. That's really interesting.

587
00:27:26,800 --> 00:27:29,359
Speaker 1: Gravity could be a huge factor in a way that

588
00:27:29,640 --> 00:27:34,439
Speaker 1: it's like very rarely is no gravity and a lot

589
00:27:34,480 --> 00:27:35,760
Speaker 1: of the shows that I'm seeing.

590
00:27:35,800 --> 00:27:38,800
Speaker 2: Gravity could be really big in this in this space,

591
00:27:38,880 --> 00:27:39,680
Speaker 2: I think that's real good.

592
00:27:39,720 --> 00:27:41,680
Speaker 3: Sure, can I ask what shows you've been seeing recently?

593
00:27:42,680 --> 00:27:48,280
Speaker 1: So I saw a show that was it was called

594
00:27:49,040 --> 00:27:54,840
Speaker 1: Outer Space Show. And like at this show, like everyone

595
00:27:54,960 --> 00:27:57,800
Speaker 1: is pretending to be and it's fake, right, It's like

596
00:27:57,920 --> 00:28:00,320
Speaker 1: it's pretend it's christ yes, but like.

597
00:28:01,400 --> 00:28:03,320
Speaker 2: That's how it should be. You should be going up

598
00:28:03,359 --> 00:28:06,160
Speaker 2: on stage and just like playing pretend. That's how supposed

599
00:28:06,200 --> 00:28:06,679
Speaker 2: to feel.

600
00:28:07,040 --> 00:28:10,600
Speaker 1: And people like they get someone from the audience to

601
00:28:10,760 --> 00:28:14,600
Speaker 1: tell like their their craziest story or like even just

602
00:28:14,640 --> 00:28:17,680
Speaker 1: a normal story of like like the most amazing trip

603
00:28:17,720 --> 00:28:18,720
Speaker 1: that they had the outer space.

604
00:28:18,960 --> 00:28:21,960
Speaker 3: So we're getting somebody on stage and they're either telling

605
00:28:22,040 --> 00:28:24,760
Speaker 3: their craziest story or they're just normal everything.

606
00:28:25,600 --> 00:28:26,320
Speaker 2: Who's got a story?

607
00:28:26,480 --> 00:28:27,320
Speaker 4: Crazy or normal?

608
00:28:27,359 --> 00:28:28,160
Speaker 2: Anybody raised their.

609
00:28:28,280 --> 00:28:30,240
Speaker 1: Yes, yeah, but so they like but they can make

610
00:28:30,320 --> 00:28:31,840
Speaker 1: something out of anything, you know what I mean, Like

611
00:28:31,920 --> 00:28:35,919
Speaker 1: that's that's Unfortunately, no one had gone to outer space,

612
00:28:36,680 --> 00:28:38,480
Speaker 1: and so no one was able to get up and

613
00:28:38,600 --> 00:28:41,280
Speaker 1: provide like a story to So like.

614
00:28:41,440 --> 00:28:43,720
Speaker 2: The one day Richard Branson shows up, they're going to

615
00:28:43,760 --> 00:28:46,840
Speaker 2: be so excited because he's been there before, but he's.

616
00:28:46,680 --> 00:28:48,560
Speaker 3: Not gonna want to tire like he's there to like

617
00:28:48,640 --> 00:28:49,200
Speaker 3: he's too shy.

618
00:28:49,560 --> 00:28:52,880
Speaker 1: Yes, he's notoriously shy, and he's there to kind of

619
00:28:53,080 --> 00:28:56,680
Speaker 1: learn how to engage with you, like going to shows

620
00:28:57,560 --> 00:29:01,120
Speaker 1: like like studying that how to well.

621
00:29:01,200 --> 00:29:02,560
Speaker 3: And so this was actually a big point that I

622
00:29:02,600 --> 00:29:05,720
Speaker 3: wanted to bring up. I think the biggest obstacle to

623
00:29:06,400 --> 00:29:09,120
Speaker 3: performing these days is training the audience how to watch

624
00:29:09,360 --> 00:29:12,080
Speaker 3: the show. Yes, and so I actually think that we

625
00:29:12,200 --> 00:29:14,160
Speaker 3: need some sort of licensing to allow people to come

626
00:29:14,200 --> 00:29:15,640
Speaker 3: into the audience. I think is going to be the

627
00:29:15,800 --> 00:29:18,000
Speaker 3: next sort of step. People are used to like oh

628
00:29:18,120 --> 00:29:19,680
Speaker 3: like two minute clips on my phone or whatever, and

629
00:29:19,720 --> 00:29:21,760
Speaker 3: they're not used to sitting in the audience or watching

630
00:29:22,040 --> 00:29:23,120
Speaker 3: something and.

631
00:29:23,240 --> 00:29:26,840
Speaker 1: What if So this is interesting, Maybe the problem wasn't

632
00:29:26,920 --> 00:29:30,280
Speaker 1: just paying performers, like maybe the audience needed to be

633
00:29:30,360 --> 00:29:33,840
Speaker 1: paid as well. Yes, because they are like if we're

634
00:29:33,880 --> 00:29:36,920
Speaker 1: trying to train them up, we're having them to do work.

635
00:29:36,800 --> 00:29:39,560
Speaker 3: Their wh they got dogs. It's like they don't understand

636
00:29:39,600 --> 00:29:41,560
Speaker 3: what it's like to actually like sit in a crowd

637
00:29:41,720 --> 00:29:44,480
Speaker 3: and like not be like making coffee at the same time,

638
00:29:44,560 --> 00:29:45,440
Speaker 3: you know what I'm saying.

639
00:29:45,960 --> 00:29:48,480
Speaker 1: That's labor, Like we need them to contribute their labor

640
00:29:48,640 --> 00:29:52,000
Speaker 1: for this, yes, Like like yes, if we want to

641
00:29:52,080 --> 00:29:53,360
Speaker 1: get something, we have to give something.

642
00:29:53,480 --> 00:29:55,520
Speaker 2: I know a lot of people who have said to

643
00:29:55,600 --> 00:29:58,840
Speaker 2: me out loud, you couldn't pay me to watch improv?

644
00:29:59,040 --> 00:30:00,200
Speaker 1: Yes, And it's like, well what if?

645
00:30:00,280 --> 00:30:02,160
Speaker 2: And I'm like, actually, what if there was actually money though,

646
00:30:02,480 --> 00:30:03,520
Speaker 2: if we actually could.

647
00:30:03,520 --> 00:30:06,920
Speaker 1: Yeah, but they just said that you couldn't.

648
00:30:07,560 --> 00:30:10,800
Speaker 2: But they haven't seen the money. They haven't seen they

649
00:30:10,840 --> 00:30:14,680
Speaker 2: haven't seen the money. Yeah, you haven't seen the money.

650
00:30:15,440 --> 00:30:16,080
Speaker 3: What are you doing.

651
00:30:16,560 --> 00:30:18,440
Speaker 2: I'm just saying if we had the money and showed

652
00:30:18,480 --> 00:30:20,560
Speaker 2: it to them, they might actually take the money and

653
00:30:20,640 --> 00:30:21,959
Speaker 2: get paid to watch improv.

654
00:30:22,320 --> 00:30:26,920
Speaker 3: Yeah, yeah, I mean it's a thought still, like, so

655
00:30:27,040 --> 00:30:27,280
Speaker 3: we have.

656
00:30:27,400 --> 00:30:31,200
Speaker 1: The space, we have a stairwell, it's vertical, there's gravity.

657
00:30:31,800 --> 00:30:34,880
Speaker 1: It can be like sort of flipping between like what

658
00:30:35,120 --> 00:30:37,960
Speaker 1: like the landing and like you go down to a

659
00:30:38,000 --> 00:30:42,200
Speaker 1: different landing. They're on a rise. I'm just trying to

660
00:30:42,200 --> 00:30:43,840
Speaker 1: figure out how the audience is going to be able

661
00:30:43,880 --> 00:30:46,360
Speaker 1: to track what's going on as we're moving up and downstairs,

662
00:30:46,440 --> 00:30:50,120
Speaker 1: Like how they're going to be able to see where

663
00:30:50,120 --> 00:30:55,080
Speaker 1: they're going to be. Maybe they are okay, at the

664
00:30:55,320 --> 00:31:00,720
Speaker 1: very top of the stairwell, sure, facing down, you know

665
00:31:00,760 --> 00:31:05,520
Speaker 1: what I mean, So they're strapped in. Yeah, so now

666
00:31:05,600 --> 00:31:11,200
Speaker 1: they can see the entire perscenium right like they like

667
00:31:11,320 --> 00:31:12,400
Speaker 1: they can see the whole thing.

668
00:31:12,640 --> 00:31:14,600
Speaker 3: Yeah, well it's going to be a perscinium.

669
00:31:14,240 --> 00:31:17,920
Speaker 1: Arch I think, Okay, we'll have to get an arch

670
00:31:18,000 --> 00:31:21,880
Speaker 1: in there. Yeah. My my biggest concern now is if

671
00:31:21,920 --> 00:31:22,640
Speaker 1: they throw.

672
00:31:22,520 --> 00:31:28,080
Speaker 3: Up and tower terror style movement from.

673
00:31:28,080 --> 00:31:32,280
Speaker 1: I mean even just like lying face that like strapped

674
00:31:32,320 --> 00:31:34,760
Speaker 1: in sure, and it might not have anything to do

675
00:31:34,840 --> 00:31:36,840
Speaker 1: with like, it might just be something else that's it

676
00:31:36,880 --> 00:31:40,840
Speaker 1: might be, you know, and so they could throw up

677
00:31:42,360 --> 00:31:44,240
Speaker 1: and that that's going to go all down on.

678
00:31:45,880 --> 00:31:45,920
Speaker 2: Me.

679
00:31:46,240 --> 00:31:48,440
Speaker 3: Like, you know, like the performers, well, and maybe this

680
00:31:48,600 --> 00:31:51,120
Speaker 3: is my style. Maybe this is not something that they

681
00:31:51,160 --> 00:31:52,760
Speaker 3: were doing in your day because there's no cell phones,

682
00:31:52,760 --> 00:31:54,000
Speaker 3: but like you know, when a cell phone goes off

683
00:31:54,040 --> 00:31:55,680
Speaker 3: in the audience or something like that, it's that idea

684
00:31:55,680 --> 00:31:57,600
Speaker 3: of like use it. And so for me, I'm like,

685
00:31:57,880 --> 00:32:00,200
Speaker 3: the throw up is not just somebody being sick. It's

686
00:32:00,200 --> 00:32:02,760
Speaker 3: a gift actually that we're getting. His performer is how

687
00:32:02,800 --> 00:32:04,360
Speaker 3: do we use that in the art?

688
00:32:04,520 --> 00:32:06,240
Speaker 1: Right? I guess you would want to bring a box

689
00:32:06,400 --> 00:32:07,760
Speaker 1: or something so you could catch it.

690
00:32:08,120 --> 00:32:10,040
Speaker 3: Maybe if that's sort of where the scene is going.

691
00:32:10,120 --> 00:32:12,200
Speaker 3: You know, maybe I'm moving and then I sort of

692
00:32:12,240 --> 00:32:14,239
Speaker 3: moved the box over and it catches the throw up.

693
00:32:14,400 --> 00:32:16,520
Speaker 3: And then all of a sudden, Oh there's weight to

694
00:32:16,640 --> 00:32:17,160
Speaker 3: that box?

695
00:32:17,800 --> 00:32:17,960
Speaker 1: Is it?

696
00:32:18,120 --> 00:32:19,880
Speaker 3: Is it just physical weight? Or can I put some

697
00:32:19,960 --> 00:32:21,160
Speaker 3: emotional weight into that too?

698
00:32:21,240 --> 00:32:24,360
Speaker 4: And you know, I say something like this box is

699
00:32:24,400 --> 00:32:24,720
Speaker 4: so heavy?

700
00:32:24,800 --> 00:32:25,200
Speaker 1: What happens?

701
00:32:25,200 --> 00:32:25,960
Speaker 4: So we throw up in this?

702
00:32:26,160 --> 00:32:28,760
Speaker 2: And then everybody sort of like gets there in on

703
00:32:28,880 --> 00:32:30,800
Speaker 2: it too, because they know that somebody threw up.

704
00:32:30,880 --> 00:32:34,240
Speaker 1: Well, they already saw that. They already knew that what happened.

705
00:32:34,280 --> 00:32:35,440
Speaker 4: Somebody threw up in this box?

706
00:32:35,520 --> 00:32:41,560
Speaker 1: I think right, but is that so I guess all

707
00:32:41,600 --> 00:32:44,520
Speaker 1: the different things you could do, that is what happened,

708
00:32:44,560 --> 00:32:47,080
Speaker 1: Like that is actually what happened, and everyone did already

709
00:32:47,200 --> 00:32:47,960
Speaker 1: see that, but.

710
00:32:48,000 --> 00:32:49,760
Speaker 2: Then they could laugh at it because they like, people

711
00:32:49,960 --> 00:32:52,840
Speaker 2: like this is the thing that like, I think we're

712
00:32:52,880 --> 00:32:54,840
Speaker 2: all just coming at this from a slightly different angle.

713
00:32:55,200 --> 00:32:57,880
Speaker 2: People like to laugh at stuff that they know. There

714
00:32:57,880 --> 00:33:00,840
Speaker 2: are so many comedians that just like say stuff and

715
00:33:00,880 --> 00:33:02,800
Speaker 2: they're like, I know what that is actually, and I'm

716
00:33:02,840 --> 00:33:05,840
Speaker 2: gonna laugh because I know what that is, okay, right.

717
00:33:06,080 --> 00:33:08,040
Speaker 2: They just like don't even have any jokes. They kind

718
00:33:08,080 --> 00:33:08,959
Speaker 2: of just say stuff.

719
00:33:09,160 --> 00:33:11,360
Speaker 3: So I think maybe what you're what would be good

720
00:33:11,400 --> 00:33:14,120
Speaker 3: for you is like narrating audio books, because then it's

721
00:33:14,160 --> 00:33:16,160
Speaker 3: like you're physically reading a book and it says that

722
00:33:16,280 --> 00:33:18,400
Speaker 3: exactly and then you're just repeating it. It sounds like

723
00:33:18,440 --> 00:33:20,000
Speaker 3: maybe you would think that was the funniest thing in

724
00:33:20,040 --> 00:33:20,360
Speaker 3: the world.

725
00:33:20,440 --> 00:33:23,160
Speaker 2: I mean, I'd like to hear it at the very least.

726
00:33:23,240 --> 00:33:27,080
Speaker 1: But you know, it's it's literally the opposite of what

727
00:33:27,920 --> 00:33:29,360
Speaker 1: of what you would be there to do.

728
00:33:29,600 --> 00:33:30,120
Speaker 2: I guess.

729
00:33:31,640 --> 00:33:33,959
Speaker 1: You're you are I supposed to be saying everyone else

730
00:33:34,080 --> 00:33:34,880
Speaker 1: is supposed.

731
00:33:34,520 --> 00:33:36,520
Speaker 4: To be hearing it, but the doing the doing of

732
00:33:36,640 --> 00:33:37,200
Speaker 4: it isn't.

733
00:33:37,400 --> 00:33:41,960
Speaker 1: So you want someone to record the audio book, I'm.

734
00:33:41,840 --> 00:33:47,480
Speaker 3: Saying, Okay, here's what I'm thinking. Matt has a copy

735
00:33:47,560 --> 00:33:50,200
Speaker 3: of the book he's reading along as somebody is recording

736
00:33:50,800 --> 00:33:53,600
Speaker 3: the audio for the Yeah, that's that's sort of what

737
00:33:53,680 --> 00:33:54,560
Speaker 3: I was thinking.

738
00:33:54,640 --> 00:33:56,080
Speaker 2: You might say, that's so funny.

739
00:33:56,440 --> 00:33:58,360
Speaker 1: Now I'm sort of concerned, like do you know what

740
00:33:58,440 --> 00:33:59,200
Speaker 1: an audiobook is?

741
00:34:00,200 --> 00:34:02,120
Speaker 3: Yes, okay, I'm just checking.

742
00:34:02,160 --> 00:34:05,640
Speaker 2: It's not on vinyl, No, it's on the reels.

743
00:34:05,720 --> 00:34:07,760
Speaker 3: I wanted to check because I would say, you look

744
00:34:07,840 --> 00:34:09,800
Speaker 3: like my grandpa, but that feels really unfriend of my grandpa.

745
00:34:09,880 --> 00:34:11,440
Speaker 3: He's in such good shape.

746
00:34:11,480 --> 00:34:12,239
Speaker 2: Your grandpa's hot.

747
00:34:12,400 --> 00:34:14,680
Speaker 3: Thank you for saying that, Grandpa.

748
00:34:16,200 --> 00:34:19,920
Speaker 1: We had so many other grandpas, but most of them

749
00:34:20,080 --> 00:34:26,160
Speaker 1: were ugly. Like, yeah, that was kind of the idea, right, was.

750
00:34:26,600 --> 00:34:28,960
Speaker 3: Like, well, that's where the comedic and I don't want

751
00:34:28,960 --> 00:34:30,719
Speaker 3: to step on you here, but that is where I

752
00:34:30,840 --> 00:34:33,480
Speaker 3: think for me, when I'm constructing a joke, that is

753
00:34:33,520 --> 00:34:35,920
Speaker 3: where the comedy comes from, is right, Like it's like, oh,

754
00:34:37,120 --> 00:34:38,960
Speaker 3: you know, Cidy's new boyfriend is coming, and then you

755
00:34:39,040 --> 00:34:43,360
Speaker 3: get like an ugly grandpa. Yahya, right, and it's just

756
00:34:43,440 --> 00:34:47,040
Speaker 3: like it just is funny. That just is undeniably funny.

757
00:34:47,160 --> 00:34:49,600
Speaker 4: You know, somebody, your grandpa's so ugly.

758
00:34:49,640 --> 00:34:51,720
Speaker 1: They're saying it, your grandpa is not funny.

759
00:34:52,560 --> 00:34:54,480
Speaker 3: No, no, no, no, no, he is not funny at all.

760
00:34:54,719 --> 00:34:56,879
Speaker 3: He is so rich, right, yeah?

761
00:34:57,560 --> 00:34:58,160
Speaker 1: From crafts.

762
00:34:58,560 --> 00:34:59,480
Speaker 3: Yeah, from the old dog.

763
00:34:59,600 --> 00:34:59,759
Speaker 4: Yeah.

764
00:34:59,760 --> 00:35:01,760
Speaker 3: I don't I want to talk about that anymore. Actually,

765
00:35:01,960 --> 00:35:03,759
Speaker 3: I sort of feel like I've now come past that

766
00:35:03,800 --> 00:35:06,520
Speaker 3: and I've created a name for myself which is different

767
00:35:06,560 --> 00:35:10,680
Speaker 3: from Michael's, and I want to build upon that. So

768
00:35:10,719 --> 00:35:12,600
Speaker 3: if you have any questions about me as a person

769
00:35:12,680 --> 00:35:14,560
Speaker 3: that are non craft related, I would love to answer it.

770
00:35:14,640 --> 00:35:16,760
Speaker 1: I had a lot, I did ask them already.

771
00:35:17,120 --> 00:35:19,359
Speaker 4: Okay, you're done with all the questions, all.

772
00:35:19,320 --> 00:35:22,080
Speaker 1: The questions about it from not the crafts. I have

773
00:35:22,160 --> 00:35:25,600
Speaker 1: a lot more questions about the crafts, right, Okay, if.

774
00:35:25,480 --> 00:35:26,640
Speaker 3: You need to get them out of your system, I

775
00:35:26,680 --> 00:35:29,319
Speaker 3: will give you two craft questions, which I will answer

776
00:35:29,400 --> 00:35:30,640
Speaker 3: with yes or no answers.

777
00:35:31,239 --> 00:35:35,440
Speaker 1: Okay, I'm getting stuck, and I do want to address

778
00:35:35,480 --> 00:35:37,480
Speaker 1: this before we get too far into the planning. So

779
00:35:37,600 --> 00:35:39,760
Speaker 1: this is in the Stereowell, we talked about what happens

780
00:35:39,760 --> 00:35:41,560
Speaker 1: if you throw up you catch in a box, and

781
00:35:41,640 --> 00:35:42,759
Speaker 1: you say, what happens.

782
00:35:42,520 --> 00:35:43,480
Speaker 3: When I threw up in this?

783
00:35:46,120 --> 00:35:49,239
Speaker 1: Now, I guess I'm concerned with people fully falling off,

784
00:35:49,560 --> 00:35:53,200
Speaker 1: like people fully like detaching from like.

785
00:35:53,400 --> 00:35:55,279
Speaker 3: Oh, well, here's what I'll say. I'm not going to

786
00:35:55,320 --> 00:35:58,799
Speaker 3: say how I know this, But if you use really

787
00:35:58,880 --> 00:36:02,960
Speaker 3: strong glue sticks better? Okay, So like if we use

788
00:36:02,960 --> 00:36:04,600
Speaker 3: straps and we use really strong glue, and I'm not

789
00:36:04,640 --> 00:36:05,880
Speaker 3: really going to get into how I know.

790
00:36:06,000 --> 00:36:07,399
Speaker 1: That their glued on there?

791
00:36:07,600 --> 00:36:10,560
Speaker 3: Yeah, if we like use a really strong glue and

792
00:36:10,680 --> 00:36:14,680
Speaker 3: a really sturdy sort of like poster board, yeah, that's

793
00:36:14,760 --> 00:36:15,560
Speaker 3: not going anywhere.

794
00:36:16,320 --> 00:36:18,040
Speaker 1: What's attached to the poster board though?

795
00:36:18,160 --> 00:36:18,600
Speaker 3: The person?

796
00:36:19,000 --> 00:36:20,960
Speaker 1: Okay, but how do you attach them with? More? So,

797
00:36:21,040 --> 00:36:23,360
Speaker 1: it's glue, poster board, glue.

798
00:36:24,239 --> 00:36:33,040
Speaker 3: You're not listening to me at all. It's glue, it's

799
00:36:33,160 --> 00:36:33,839
Speaker 3: poster board.

800
00:36:34,480 --> 00:36:40,560
Speaker 1: Okay, so far that is exactly what I said here.

801
00:36:40,760 --> 00:36:44,000
Speaker 3: Okay, here's what it is. Posterboard, poster board we've got

802
00:36:44,360 --> 00:36:48,320
Speaker 3: attached to whatever sort of structure with glue. Then we

803
00:36:48,480 --> 00:36:51,399
Speaker 3: have the straps which we are gluing the straps down

804
00:36:51,480 --> 00:36:51,839
Speaker 3: to the post.

805
00:36:52,080 --> 00:36:53,960
Speaker 1: I can see why you're getting upset because this is

806
00:36:54,120 --> 00:36:57,600
Speaker 1: literally like your family's legacy that like, you cannot.

807
00:36:58,400 --> 00:37:01,320
Speaker 3: I don't want to talk about that, but you have to.

808
00:37:01,760 --> 00:37:02,440
Speaker 1: I don't have to.

809
00:37:02,560 --> 00:37:04,719
Speaker 3: Actually, here's what I'm saying. It's like I'm saying, I

810
00:37:04,760 --> 00:37:06,040
Speaker 3: don't know how I know it. I could know that

811
00:37:06,120 --> 00:37:08,920
Speaker 3: from some other way. I'm just saying I could know

812
00:37:09,000 --> 00:37:12,360
Speaker 3: it from another another source, and so maybe there's some

813
00:37:12,600 --> 00:37:14,320
Speaker 3: like there's some other way that I would know that.

814
00:37:14,520 --> 00:37:17,000
Speaker 3: So then we're cluing the straps down, and then we

815
00:37:17,080 --> 00:37:18,840
Speaker 3: are tying the people with the.

816
00:37:18,880 --> 00:37:21,080
Speaker 1: Straps tying the people.

817
00:37:21,239 --> 00:37:23,439
Speaker 3: Were gluing the people to the poster board, that would

818
00:37:23,480 --> 00:37:26,520
Speaker 3: be insane. We're tying them in with the glued straps,

819
00:37:26,560 --> 00:37:29,120
Speaker 3: the straps to the poster board because then we're not

820
00:37:29,160 --> 00:37:30,759
Speaker 3: having to get a new poster board every time we

821
00:37:30,800 --> 00:37:31,800
Speaker 3: have a new audience come in.

822
00:37:32,239 --> 00:37:36,880
Speaker 1: Okay, but what if they felt like the knots are

823
00:37:37,000 --> 00:37:38,600
Speaker 1: so good? If what if? What if?

824
00:37:38,680 --> 00:37:40,240
Speaker 3: What if the world ended tomorrow?

825
00:37:40,880 --> 00:37:41,200
Speaker 1: Okay?

826
00:37:43,400 --> 00:37:45,200
Speaker 3: You know what I'm saying. It's just like we can't live.

827
00:37:45,080 --> 00:37:47,600
Speaker 1: Our lives in fear of stuff like that, so they

828
00:37:47,680 --> 00:37:48,920
Speaker 1: might fall out and we just.

829
00:37:50,960 --> 00:37:54,399
Speaker 3: I mean, maybe I don't know. What if you leave

830
00:37:54,520 --> 00:37:56,840
Speaker 3: here today and there's a ticket on your car because

831
00:37:56,840 --> 00:37:58,320
Speaker 3: somebody moved it so that way they could park in

832
00:37:58,400 --> 00:38:00,439
Speaker 3: one of the spots here. You know what I'm saying,

833
00:38:00,520 --> 00:38:01,080
Speaker 3: Like it just.

834
00:38:01,200 --> 00:38:07,200
Speaker 1: Is somebody moved my car in what if? And that's

835
00:38:07,239 --> 00:38:11,000
Speaker 1: the equivalent of someone fully detaching. But like the like

836
00:38:11,120 --> 00:38:13,480
Speaker 1: the knots untying.

837
00:38:13,040 --> 00:38:14,880
Speaker 2: It's we don't know.

838
00:38:16,120 --> 00:38:19,759
Speaker 1: We don't know the center hole of a stairwell.

839
00:38:19,920 --> 00:38:22,960
Speaker 3: I feel like we have so many problems and then

840
00:38:23,080 --> 00:38:24,600
Speaker 3: what if they do fall into the scene, what do

841
00:38:24,680 --> 00:38:25,360
Speaker 3: we do we use it?

842
00:38:25,640 --> 00:38:27,040
Speaker 1: We have a we have that box.

843
00:38:27,440 --> 00:38:30,279
Speaker 3: Yeah, you know what I'm saying, do not want to

844
00:38:30,320 --> 00:38:32,880
Speaker 3: fall in that box. We just don't know, is what

845
00:38:33,000 --> 00:38:35,919
Speaker 3: I'm saying. We have no idea to know what would

846
00:38:35,960 --> 00:38:38,320
Speaker 3: happen with that, and so planning for something that we

847
00:38:38,400 --> 00:38:40,239
Speaker 3: don't even know is going to happen. I mean, like

848
00:38:40,320 --> 00:38:42,880
Speaker 3: what is what is acting? What is improv but reacting

849
00:38:43,200 --> 00:38:43,840
Speaker 3: to something.

850
00:38:43,640 --> 00:38:44,400
Speaker 1: That's happening.

851
00:38:45,800 --> 00:38:48,719
Speaker 2: Instead of straps? If it's like human pyramid, what do

852
00:38:48,760 --> 00:38:51,839
Speaker 2: you mean so like people like you know, maybe get

853
00:38:51,880 --> 00:38:54,200
Speaker 2: like ten people on the bottom and then like eight

854
00:38:54,320 --> 00:38:58,000
Speaker 2: people on top of them pyramid style, maybe then six

855
00:38:58,120 --> 00:38:59,560
Speaker 2: on top of them then.

856
00:39:00,080 --> 00:39:00,880
Speaker 1: Had the stairwell.

857
00:39:00,960 --> 00:39:03,440
Speaker 2: I just don't like, Oh, I forgot about the stairwell

858
00:39:03,520 --> 00:39:06,080
Speaker 2: part of it. What if the sting on each stair thing,

859
00:39:06,920 --> 00:39:09,200
Speaker 2: what they're sitting on each stair that way they're not

860
00:39:09,400 --> 00:39:10,400
Speaker 2: there's no danger.

861
00:39:10,239 --> 00:39:11,440
Speaker 1: But where am I gonna go?

862
00:39:11,680 --> 00:39:13,800
Speaker 2: Then you're all you're all up and down those fuckers.

863
00:39:13,840 --> 00:39:15,359
Speaker 2: You're just kind of like you're on You're on your

864
00:39:15,440 --> 00:39:16,000
Speaker 2: joker ship.

865
00:39:16,320 --> 00:39:18,480
Speaker 1: You're sort of doing But is that how you do?

866
00:39:18,800 --> 00:39:21,320
Speaker 1: Like when you did a show at that used to

867
00:39:21,400 --> 00:39:25,240
Speaker 1: be Sunset before you I will big TNT plunger.

868
00:39:25,520 --> 00:39:28,920
Speaker 2: Yeah, that's my My style is a little less. There's

869
00:39:28,960 --> 00:39:30,920
Speaker 2: a little less movement. There's a little less.

870
00:39:30,800 --> 00:39:33,560
Speaker 1: So you are a less movement. Okay, so where are

871
00:39:33,640 --> 00:39:34,200
Speaker 1: you going to be?

872
00:39:34,320 --> 00:39:37,000
Speaker 2: I'll probably be smack dabs center of the stage, maybe

873
00:39:37,360 --> 00:39:38,560
Speaker 2: a little too far back.

874
00:39:38,800 --> 00:39:42,080
Speaker 1: I don't think you're understanding just like the the physics

875
00:39:42,160 --> 00:39:44,239
Speaker 1: of this at all. And now I sort of feel like,

876
00:39:44,760 --> 00:39:49,320
Speaker 1: I mean VIC talking like, yeah, what do you imagine?

877
00:39:49,320 --> 00:39:50,839
Speaker 1: How do you imagine this is set up?

878
00:39:51,640 --> 00:39:54,440
Speaker 2: Well, I'm just like so used to I I'm so

879
00:39:54,680 --> 00:39:56,960
Speaker 2: used to just performing in the one in the one space,

880
00:39:57,320 --> 00:39:59,240
Speaker 2: so it's hard for me to visualize.

881
00:40:00,160 --> 00:40:04,600
Speaker 1: Okay, so over the place is just I don't know

882
00:40:04,600 --> 00:40:05,560
Speaker 1: if you were the guy.

883
00:40:06,160 --> 00:40:08,640
Speaker 2: Yeah, yeah, No. It was tough because we didn't kind

884
00:40:08,680 --> 00:40:10,239
Speaker 2: of do it in the same spot all the time,

885
00:40:10,880 --> 00:40:12,759
Speaker 2: and people were like, this is actually not all over

886
00:40:12,800 --> 00:40:14,160
Speaker 2: the place, it's this one place.

887
00:40:14,480 --> 00:40:15,760
Speaker 1: Often well after.

888
00:40:15,600 --> 00:40:18,480
Speaker 3: The reviews, it feels like people would specifically avoid those places.

889
00:40:18,600 --> 00:40:21,240
Speaker 2: Well, and this is the thing. They The most common

890
00:40:21,320 --> 00:40:24,960
Speaker 2: review that we got was, yeah, the improv was all

891
00:40:25,000 --> 00:40:27,359
Speaker 2: over the place. They were not making any sense at all.

892
00:40:28,080 --> 00:40:30,360
Speaker 2: They were all in like sort of different scenes. It

893
00:40:30,800 --> 00:40:32,600
Speaker 2: felt like, which was you.

894
00:40:32,640 --> 00:40:35,080
Speaker 1: Know, who else did it? I mean it was me,

895
00:40:35,400 --> 00:40:36,680
Speaker 1: you know, you got other people.

896
00:40:36,800 --> 00:40:41,000
Speaker 2: It was me, it was my soake, it was distant,

897
00:40:41,400 --> 00:40:44,279
Speaker 2: it was you know, Montoya, it was all these all

898
00:40:44,360 --> 00:40:46,880
Speaker 2: all the classics. Sure, okay, all.

899
00:40:48,320 --> 00:40:48,760
Speaker 1: The classics.

900
00:40:49,360 --> 00:40:52,640
Speaker 4: Yeah, but you know only one white guy.

901
00:40:55,239 --> 00:40:57,680
Speaker 2: That's we got to give it up.

902
00:40:58,400 --> 00:40:59,200
Speaker 4: That's not nothing.

903
00:40:59,560 --> 00:41:01,719
Speaker 3: Can I a question? Because I feel like we've really

904
00:41:01,840 --> 00:41:03,600
Speaker 3: nailed down the who, and I feel like we've really

905
00:41:03,800 --> 00:41:05,680
Speaker 3: nailed down the wear, But I don't think we've really

906
00:41:05,760 --> 00:41:09,319
Speaker 3: nailed down like the the what, Like what are these

907
00:41:09,360 --> 00:41:11,879
Speaker 3: sets gonna look like? Because I feel like we come

908
00:41:11,960 --> 00:41:16,200
Speaker 3: from like three very different sort of eras of performance,

909
00:41:16,280 --> 00:41:18,120
Speaker 3: and so I my fear is that we come on

910
00:41:18,239 --> 00:41:21,359
Speaker 3: stage and sort of I'm giving Shakespeare and you two

911
00:41:21,440 --> 00:41:22,640
Speaker 3: are doing whatever you're doing.

912
00:41:23,400 --> 00:41:26,920
Speaker 4: Yeah, but different, not the same kind of thing, but different.

913
00:41:26,640 --> 00:41:33,520
Speaker 1: Different things different, but but not Shakespeare either. Yeah. I mean, so, well,

914
00:41:33,560 --> 00:41:37,560
Speaker 1: there's the performance style. There's also like how we account

915
00:41:37,640 --> 00:41:40,800
Speaker 1: for the fact that it's like the for the verticality.

916
00:41:40,200 --> 00:41:42,000
Speaker 3: Of it, you know what I mean, what are we

917
00:41:42,080 --> 00:41:45,240
Speaker 3: talking space wise? Do we think are we like the stairs?

918
00:41:45,880 --> 00:41:46,080
Speaker 2: Sure?

919
00:41:47,040 --> 00:41:49,120
Speaker 3: Sure, but I'm talking like length? Are we thinking like

920
00:41:49,200 --> 00:41:53,120
Speaker 3: it's like a four four by four a four by four?

921
00:41:54,000 --> 00:41:54,200
Speaker 2: Yeah?

922
00:41:54,320 --> 00:41:57,200
Speaker 3: Like four people, four people? Why had four people tall

923
00:41:57,800 --> 00:41:58,520
Speaker 3: for the stairwell?

924
00:41:58,600 --> 00:41:58,640
Speaker 2: Like?

925
00:41:58,719 --> 00:42:01,319
Speaker 3: What is the what is the f A call dimensions

926
00:42:01,560 --> 00:42:02,520
Speaker 3: for the stairwell?

927
00:42:04,360 --> 00:42:07,080
Speaker 1: Well? I mean Matt is pitching that people are sitting

928
00:42:07,120 --> 00:42:08,680
Speaker 1: on everything. I do want to be able to like

929
00:42:08,800 --> 00:42:11,520
Speaker 1: pack people into this, right, I want to sell that

930
00:42:11,840 --> 00:42:12,600
Speaker 1: energy is just.

931
00:42:12,680 --> 00:42:15,279
Speaker 2: So you can really feel that you can use that

932
00:42:15,480 --> 00:42:17,040
Speaker 2: it tells you into the next sort.

933
00:42:16,840 --> 00:42:19,359
Speaker 1: Of and then well, I guess that we are paying them,

934
00:42:19,480 --> 00:42:21,680
Speaker 1: so maybe we don't want that many people to be there.

935
00:42:21,719 --> 00:42:25,600
Speaker 2: Actually that's a really good idea. The fewer people we

936
00:42:25,680 --> 00:42:27,640
Speaker 2: can pay, the more money that we're going to that

937
00:42:27,800 --> 00:42:28,480
Speaker 2: we're baking.

938
00:42:28,800 --> 00:42:31,800
Speaker 3: Yeah, yeah, so you just maybe audition some really good laughers.

939
00:42:33,160 --> 00:42:34,840
Speaker 3: Let me paying people. I feel like maybe we do

940
00:42:34,960 --> 00:42:36,640
Speaker 3: have a right to sort of audition people to come

941
00:42:36,680 --> 00:42:38,800
Speaker 3: on in and see what they're how they're going to respond.

942
00:42:39,840 --> 00:42:42,480
Speaker 1: Yeah, we could do, and we might as well get

943
00:42:42,480 --> 00:42:46,319
Speaker 1: out of it. Like Kevin is gonna wanna Kevin?

944
00:42:46,360 --> 00:42:47,600
Speaker 2: Can we hear the laugh real quick?

945
00:42:47,719 --> 00:42:50,000
Speaker 1: Well, let's like let's you know, let's give him a second,

946
00:42:50,120 --> 00:42:56,279
Speaker 1: because like, it's so what he'll want to do. He'll

947
00:42:56,280 --> 00:42:59,920
Speaker 1: show up to the audition and like I want to

948
00:43:00,040 --> 00:43:02,799
Speaker 1: be a nonymous, like he wants to win on merit. Yeah,

949
00:43:03,160 --> 00:43:07,160
Speaker 1: so he's gonna give a fake name. He's gonna give cartelt. Yeah,

950
00:43:07,560 --> 00:43:10,000
Speaker 1: it's not gonna be that. No, No, it's gonna be

951
00:43:10,080 --> 00:43:13,920
Speaker 1: something very different, Okay, and his height is going to

952
00:43:14,000 --> 00:43:16,080
Speaker 1: be like different as well, Like I.

953
00:43:16,440 --> 00:43:17,960
Speaker 2: Like, how's he gonna account for that. It's gonna be

954
00:43:18,040 --> 00:43:20,520
Speaker 2: like on stilts or he's gonna be smaller. It's a

955
00:43:20,600 --> 00:43:23,200
Speaker 2: self tapekay, Okay, it's a self tape.

956
00:43:23,040 --> 00:43:25,719
Speaker 3: Yes, which is crazy because we're only holding in person auditions,

957
00:43:25,920 --> 00:43:27,319
Speaker 3: so that means that his agent's gonna have to reach

958
00:43:27,360 --> 00:43:30,840
Speaker 3: out and be like hey, let's say, you know, Smevin

959
00:43:30,960 --> 00:43:33,400
Speaker 3: isn't here today, like you know, whatever it well, but

960
00:43:33,520 --> 00:43:35,600
Speaker 3: whatever it ends up being, and it's gonna be like

961
00:43:35,680 --> 00:43:37,800
Speaker 3: so we just thought we'd send it a tape anyway,

962
00:43:37,880 --> 00:43:38,680
Speaker 3: like that sort of a thing.

963
00:43:38,880 --> 00:43:42,480
Speaker 2: Yes, tough, yes, okay, But also let's just get this

964
00:43:42,560 --> 00:43:44,719
Speaker 2: out of the way real quick. It's not gonna be

965
00:43:44,800 --> 00:43:47,120
Speaker 2: what I said. It's not gonna be what Vic said, Hayes,

966
00:43:47,200 --> 00:43:48,120
Speaker 2: what's his name gonna be?

967
00:43:48,320 --> 00:43:50,399
Speaker 1: And well he's gonna like he's gonna do He's gonna

968
00:43:50,440 --> 00:43:53,600
Speaker 1: do it now like I'm not gonna tell you what

969
00:43:53,719 --> 00:43:57,480
Speaker 1: it is, but I do know. Uh. And so it's

970
00:43:57,719 --> 00:43:59,319
Speaker 1: one of those things where like he wants to get

971
00:43:59,360 --> 00:44:02,600
Speaker 1: it on mayor it, but he wants to get it right,

972
00:44:02,719 --> 00:44:04,560
Speaker 1: you know what I mean. So it doesn't like he

973
00:44:04,640 --> 00:44:07,640
Speaker 1: wants us to be like, oh my god, yeah Kevin exactly.

974
00:44:07,760 --> 00:44:10,440
Speaker 1: So it's not so much on merit that necessarily that

975
00:44:10,560 --> 00:44:13,160
Speaker 1: he doesn't like take advantage.

976
00:44:12,640 --> 00:44:14,400
Speaker 3: Of Where does that leave you do we have to

977
00:44:14,680 --> 00:44:17,000
Speaker 3: hire him? Okay?

978
00:44:17,840 --> 00:44:19,160
Speaker 1: Yeah, we're gonna have to hire him.

979
00:44:19,239 --> 00:44:21,000
Speaker 3: So at that point we might as well just have

980
00:44:21,040 --> 00:44:21,920
Speaker 3: a good attitude about it.

981
00:44:22,040 --> 00:44:24,319
Speaker 1: Is what I'm here, Okay, Yes, okay, I mean we're

982
00:44:24,360 --> 00:44:26,680
Speaker 1: going to need like basically by hiring him, like we're

983
00:44:26,760 --> 00:44:28,439
Speaker 1: hiring his dad, we're going to need his dad.

984
00:44:28,960 --> 00:44:30,480
Speaker 2: Do you think we're gonna need his dad too?

985
00:44:30,719 --> 00:44:32,880
Speaker 1: Yes? Okay, Well I'll be one thing is this is

986
00:44:33,080 --> 00:44:36,080
Speaker 1: you know Bartel of insurance here like based on the

987
00:44:36,160 --> 00:44:38,000
Speaker 1: number of people I know, we're just like taking it

988
00:44:38,040 --> 00:44:39,640
Speaker 1: as it comes. But people are going to be falling.

989
00:44:39,760 --> 00:44:42,839
Speaker 1: I can already like from to get his dad on board,

990
00:44:42,920 --> 00:44:44,600
Speaker 1: just sort of. People are going to be falling down

991
00:44:44,880 --> 00:44:47,480
Speaker 1: down the middle hole of the stairs falling.

992
00:44:48,120 --> 00:44:49,759
Speaker 3: Not a single person is going to fall again. If

993
00:44:49,760 --> 00:44:51,560
Speaker 3: they do fall, that's a gift that we use in

994
00:44:51,640 --> 00:44:52,000
Speaker 3: the scene.

995
00:44:52,080 --> 00:44:54,560
Speaker 1: Okay, but like so so people.

996
00:44:54,840 --> 00:44:57,440
Speaker 3: They either don't fall all or it's.

997
00:44:57,560 --> 00:44:58,880
Speaker 4: Explain that to the auditors.

998
00:45:00,160 --> 00:45:01,280
Speaker 3: I'd happily explain.

999
00:45:01,320 --> 00:45:03,839
Speaker 2: That's very nice.

1000
00:45:04,719 --> 00:45:08,200
Speaker 1: So Kevin go like, if you want to do your tape.

1001
00:45:09,840 --> 00:45:15,040
Speaker 5: Hi, my name is p Turr. I'm seven to one

1002
00:45:16,000 --> 00:45:22,280
Speaker 5: Virgil and here's my laugh. Somebody say something funny?

1003
00:45:22,320 --> 00:45:22,560
Speaker 1: Please?

1004
00:45:23,520 --> 00:45:24,880
Speaker 4: What somebody throw up in this box?

1005
00:45:25,000 --> 00:45:31,759
Speaker 3: Not you, Matt, thank yeah you're you're you're the guest

1006
00:45:31,840 --> 00:45:34,960
Speaker 3: going okay, yeah, so for me, well what is funny?

1007
00:45:35,120 --> 00:45:36,200
Speaker 3: So I think at the end of the day. I'd

1008
00:45:36,239 --> 00:45:37,920
Speaker 3: sort of start by telling a story and I'd be like,

1009
00:45:39,239 --> 00:45:44,880
Speaker 3: so my family immigrated to the United States sort of

1010
00:45:44,960 --> 00:45:53,000
Speaker 3: in the Okay.

1011
00:45:49,960 --> 00:45:52,240
Speaker 1: So you're gonna be in the show. Okay, you cannot

1012
00:45:52,360 --> 00:45:54,080
Speaker 1: be Okay, cannot laughing.

1013
00:45:54,239 --> 00:45:56,200
Speaker 2: Sorry, I'm in my fallin era and.

1014
00:45:56,280 --> 00:45:58,200
Speaker 1: There's so much dust.

1015
00:45:58,280 --> 00:46:01,520
Speaker 4: It was such a dusty I did the cinnamon challenge.

1016
00:46:02,000 --> 00:46:03,759
Speaker 3: Yeah, I was gonna say, it sounds a lot like

1017
00:46:03,880 --> 00:46:09,280
Speaker 3: cinnamon brooms. Yeah, yeah, kind of went you said, cinnamon challenge,

1018
00:46:09,280 --> 00:46:10,480
Speaker 3: But did you eat cinnamon brooms?

1019
00:46:12,120 --> 00:46:14,560
Speaker 1: Is supposed to be powder powder, it's not supposed to

1020
00:46:14,560 --> 00:46:15,680
Speaker 1: be eating a I thought it.

1021
00:46:15,760 --> 00:46:17,759
Speaker 2: Was just eat as much cinnamon stuff as you could.

1022
00:46:18,800 --> 00:46:20,160
Speaker 3: What other cinnamon stuff did you eat?

1023
00:46:20,320 --> 00:46:21,600
Speaker 2: Give me father, for I have sin.

1024
00:46:23,480 --> 00:46:23,640
Speaker 1: Sin?

1025
00:46:23,920 --> 00:46:28,840
Speaker 3: Like that's really good. So that's something funny. Do you

1026
00:46:28,880 --> 00:46:30,920
Speaker 3: have something there for yourself?

1027
00:46:31,040 --> 00:46:33,080
Speaker 2: You say that again, Matt, forgive me father, for I

1028
00:46:33,160 --> 00:46:33,680
Speaker 2: have sinned.

1029
00:46:37,920 --> 00:46:41,000
Speaker 1: No, we don't what and I know you did it?

1030
00:46:41,160 --> 00:46:44,200
Speaker 1: Like we don't. We don't want people saying, oh, no,

1031
00:46:44,600 --> 00:46:46,200
Speaker 1: am I allowed to give a note during the show.

1032
00:46:46,400 --> 00:46:48,680
Speaker 3: Yeah, just do it a little better, maybe, yeah.

1033
00:46:49,239 --> 00:46:52,439
Speaker 1: And maybe something more affirmative and real.

1034
00:46:53,120 --> 00:46:56,840
Speaker 2: Yeah, maybe something like I know that's right, and the

1035
00:46:56,960 --> 00:46:57,759
Speaker 2: name should.

1036
00:46:57,920 --> 00:47:02,719
Speaker 1: Like he's like like like Peter Griffin. It's like it's

1037
00:47:02,800 --> 00:47:03,759
Speaker 1: like a funny name.

1038
00:47:03,960 --> 00:47:04,160
Speaker 2: Yeah.

1039
00:47:04,680 --> 00:47:07,160
Speaker 1: Yeah, he thinks that's what's funny about him is that

1040
00:47:07,280 --> 00:47:08,880
Speaker 1: his name is like Peter Griffin.

1041
00:47:09,000 --> 00:47:09,160
Speaker 2: Yeah.

1042
00:47:09,200 --> 00:47:10,759
Speaker 3: So maybe let's take it back from the top and

1043
00:47:10,920 --> 00:47:13,359
Speaker 3: just like normal name. You're just a normal guy.

1044
00:47:15,160 --> 00:47:19,080
Speaker 5: My name is Griff in seven to.

1045
00:47:20,600 --> 00:47:21,680
Speaker 2: A Cherrys.

1046
00:47:22,760 --> 00:47:25,239
Speaker 5: Mac, you say the line forgive.

1047
00:47:24,960 --> 00:47:26,320
Speaker 4: Me Father for I have sinned?

1048
00:47:29,200 --> 00:47:31,719
Speaker 1: Okay, the oh I missed that, I missed the Oh

1049
00:47:32,560 --> 00:47:34,600
Speaker 1: so I think it should be like oh yeah, like

1050
00:47:34,760 --> 00:47:35,799
Speaker 1: oh yes, oh yeah.

1051
00:47:35,920 --> 00:47:37,800
Speaker 3: Can we get just like a And also, just to clarify,

1052
00:47:38,520 --> 00:47:41,879
Speaker 3: is griff the first name and in the last name?

1053
00:47:42,840 --> 00:47:43,800
Speaker 1: That's right? Okay?

1054
00:47:44,600 --> 00:47:45,759
Speaker 2: Could you maybe do it like.

1055
00:47:47,400 --> 00:47:49,080
Speaker 4: At the end of the Entourage song.

1056
00:47:50,440 --> 00:47:54,800
Speaker 1: Okay, he hasn't said, I just wanted. He hasn't seen Entourage.

1057
00:47:54,840 --> 00:47:57,359
Speaker 1: He doesn't know like they will agree to whatever you say.

1058
00:47:57,440 --> 00:47:59,239
Speaker 1: But what this is going to be is not what

1059
00:47:59,360 --> 00:48:01,239
Speaker 1: I'm not gonna be like the Entourage song.

1060
00:48:01,360 --> 00:48:03,800
Speaker 2: Okay, okay, Yeah.

1061
00:48:04,719 --> 00:48:05,200
Speaker 1: My name is.

1062
00:48:06,960 --> 00:48:10,200
Speaker 5: Low is seven three.

1063
00:48:11,840 --> 00:48:12,400
Speaker 1: Grim and I.

1064
00:48:14,640 --> 00:48:17,239
Speaker 2: Mac you say the line please forgive me father for

1065
00:48:17,360 --> 00:48:21,640
Speaker 2: I have sin Oh yeah, it was kind of close

1066
00:48:21,760 --> 00:48:21,960
Speaker 2: it was.

1067
00:48:22,080 --> 00:48:24,279
Speaker 1: It was it was closer than I thought it would be.

1068
00:48:24,480 --> 00:48:26,080
Speaker 3: Sure, and for a life record of the self tape,

1069
00:48:26,239 --> 00:48:27,680
Speaker 3: I'm just gonna put this out there. I don't think

1070
00:48:27,680 --> 00:48:28,839
Speaker 3: we needed a new name every time.

1071
00:48:30,200 --> 00:48:35,320
Speaker 1: What was your favorite? I think yeah, I think low Yeah, yeah.

1072
00:48:35,280 --> 00:48:36,360
Speaker 2: Probably was my favorite.

1073
00:48:36,400 --> 00:48:39,279
Speaker 3: If I had to pick one, O good, So I

1074
00:48:39,320 --> 00:48:41,480
Speaker 3: guess you got it. Congratulations?

1075
00:48:42,400 --> 00:48:43,440
Speaker 5: Well ours do you need me?

1076
00:48:43,880 --> 00:48:47,360
Speaker 2: I don't do mornings, okay, Well this would be a

1077
00:48:47,520 --> 00:48:48,160
Speaker 2: huge problem.

1078
00:48:49,680 --> 00:48:52,400
Speaker 1: No, I mean, I like, like, I think this is

1079
00:48:52,480 --> 00:48:56,239
Speaker 1: mostly a night because in the mornings, people like some

1080
00:48:56,400 --> 00:48:59,160
Speaker 1: people do go to work, yeah, some you know, yeah,

1081
00:49:00,239 --> 00:49:01,839
Speaker 1: like people are going to be going up and down

1082
00:49:01,880 --> 00:49:03,960
Speaker 1: the stairs at that time, so like we should probably

1083
00:49:04,040 --> 00:49:05,120
Speaker 1: do it at night. Yeah.

1084
00:49:05,360 --> 00:49:07,160
Speaker 3: Well, do you have any specifics on the books or

1085
00:49:07,239 --> 00:49:10,400
Speaker 3: is there going to be like a time when you're available?

1086
00:49:10,840 --> 00:49:12,520
Speaker 3: Is that mostly what you do these days? Specifics?

1087
00:49:13,200 --> 00:49:16,560
Speaker 1: I mean, but it's the holidays, you know, the holidays

1088
00:49:16,560 --> 00:49:24,439
Speaker 1: are dry and then it's I'm okay st Patrick's Yeah, Easter,

1089
00:49:24,800 --> 00:49:25,520
Speaker 1: like Easter.

1090
00:49:25,680 --> 00:49:28,560
Speaker 4: Is bone Valentine's Day?

1091
00:49:29,640 --> 00:49:36,000
Speaker 1: Yeah? Are you skip that this year? No? Why? Because

1092
00:49:36,320 --> 00:49:37,040
Speaker 1: I'm not in love?

1093
00:49:42,400 --> 00:49:43,240
Speaker 3: I'm really sorry.

1094
00:49:43,400 --> 00:49:46,359
Speaker 1: That sucks. Yeah, it sucks so bad. Yeah, I hate

1095
00:49:46,440 --> 00:49:50,520
Speaker 1: not being your love. Yeah that sucks.

1096
00:49:51,280 --> 00:49:55,040
Speaker 5: Well, I get sleepy eyes after six, so of four

1097
00:49:55,120 --> 00:49:57,240
Speaker 5: to five fifteen is my sweet spot.

1098
00:49:58,120 --> 00:50:00,239
Speaker 1: He rubs his and that it's game because like he

1099
00:50:00,360 --> 00:50:03,040
Speaker 1: rubs his eyes. Yeah, no, I've heard stuff all over.

1100
00:50:03,320 --> 00:50:05,440
Speaker 2: He's got stuff all over. He's always saying, I want

1101
00:50:05,520 --> 00:50:07,359
Speaker 2: to go Mimi's Yeat's really crazy.

1102
00:50:07,400 --> 00:50:08,759
Speaker 3: And if I'm being honest, we need to keep that

1103
00:50:08,880 --> 00:50:12,360
Speaker 3: poster board dry because as soon as we get a

1104
00:50:12,400 --> 00:50:14,759
Speaker 3: little soggy in the poster board, I mean like it's

1105
00:50:14,880 --> 00:50:17,319
Speaker 3: nobody's going to fall. But if people were going to fall, Yeah,

1106
00:50:17,520 --> 00:50:20,080
Speaker 3: that would be the situation in which I think people

1107
00:50:20,080 --> 00:50:21,040
Speaker 3: are going to start draping it.

1108
00:50:21,080 --> 00:50:23,000
Speaker 1: Will it will start to erode.

1109
00:50:23,200 --> 00:50:25,120
Speaker 3: And yeah, well it's like, you know, you get a

1110
00:50:25,160 --> 00:50:27,360
Speaker 3: piece of paper, soggy anything like that, and obviously this

1111
00:50:27,440 --> 00:50:29,680
Speaker 3: is shurdier than a piece of paper, but you know,

1112
00:50:29,960 --> 00:50:33,280
Speaker 3: not that much dirty. Well, you know, it kind of depends.

1113
00:50:34,000 --> 00:50:35,279
Speaker 2: Okay, So are we are we.

1114
00:50:35,400 --> 00:50:36,200
Speaker 4: Married to the.

1115
00:50:37,719 --> 00:50:39,920
Speaker 2: The idea that like the input that we're going to

1116
00:50:39,960 --> 00:50:42,840
Speaker 2: get for the shows is a story about when they

1117
00:50:42,880 --> 00:50:44,000
Speaker 2: went to space or is.

1118
00:50:44,040 --> 00:50:46,800
Speaker 4: That No, that was a show that that was a

1119
00:50:46,960 --> 00:50:48,000
Speaker 4: bad bad idea.

1120
00:50:48,160 --> 00:50:51,600
Speaker 1: Okay, yeah, so like I think we go the other

1121
00:50:51,719 --> 00:50:54,400
Speaker 1: way and make it as accessible as possible to people.

1122
00:50:55,000 --> 00:50:57,520
Speaker 3: Story what ground story?

1123
00:50:57,760 --> 00:50:59,920
Speaker 1: Yeah, yes, the story about being on the ground.

1124
00:51:00,360 --> 00:51:04,000
Speaker 2: Yeah, that's because everybody has something right where they've been

1125
00:51:04,040 --> 00:51:04,480
Speaker 2: on the ground.

1126
00:51:04,600 --> 00:51:08,840
Speaker 1: Yes, except this particular show. So yeah, it's like they

1127
00:51:09,280 --> 00:51:11,680
Speaker 1: be hanging that. I mean, they're like completely not on

1128
00:51:11,760 --> 00:51:13,920
Speaker 1: the ground in this case. And that will save the

1129
00:51:13,960 --> 00:51:15,480
Speaker 1: thing that I've seen a lot of these shows where

1130
00:51:15,520 --> 00:51:17,440
Speaker 1: people will come up and talk about when they were

1131
00:51:17,480 --> 00:51:20,319
Speaker 1: in the audience at that show. Okay, yeah, like okay,

1132
00:51:20,480 --> 00:51:22,680
Speaker 1: well this just happened. There has to be something that

1133
00:51:22,760 --> 00:51:25,920
Speaker 1: you can reach back and and talk about and you remember,

1134
00:51:26,120 --> 00:51:28,440
Speaker 1: this can't be the most important.

1135
00:51:29,200 --> 00:51:33,440
Speaker 2: I've been in situations like that where your instinct as

1136
00:51:33,480 --> 00:51:38,480
Speaker 2: a as a performer it's to sort of like get

1137
00:51:38,560 --> 00:51:42,160
Speaker 2: that information and then sort of lightly make fun of

1138
00:51:42,239 --> 00:51:45,440
Speaker 2: them for being like, like, that's not a story. Do

1139
00:51:45,520 --> 00:51:49,000
Speaker 2: you think everybody's gonna like that? And I'll tell you something.

1140
00:51:49,680 --> 00:51:52,480
Speaker 2: They don't like that at all. They don't not like

1141
00:51:52,640 --> 00:51:54,839
Speaker 2: it if you're mean to them a little bit.

1142
00:51:55,000 --> 00:51:56,600
Speaker 3: Yeah, they can't take it.

1143
00:51:56,920 --> 00:51:59,799
Speaker 2: Because everybody that loves improv I'll go ahead and say

1144
00:51:59,800 --> 00:52:02,799
Speaker 2: it is soft. They're all soft. They're not ready to hear.

1145
00:52:02,880 --> 00:52:04,960
Speaker 2: They don't want to hear the truth back at them,

1146
00:52:05,200 --> 00:52:07,319
Speaker 2: you know what I mean. And it's it's it's it's

1147
00:52:07,440 --> 00:52:10,000
Speaker 2: kind of a tough space to perform because that's where

1148
00:52:10,080 --> 00:52:11,680
Speaker 2: I feel like you can really hold up the mirror

1149
00:52:11,760 --> 00:52:17,120
Speaker 2: to society because you're performing these these truths right, And

1150
00:52:17,320 --> 00:52:20,120
Speaker 2: it's kind of it's tough because you want to be

1151
00:52:20,160 --> 00:52:23,560
Speaker 2: able to showcase even the you know, the nitty gritty, not.

1152
00:52:23,680 --> 00:52:26,960
Speaker 3: Just the Here's what's so interesting about like both of

1153
00:52:27,040 --> 00:52:29,560
Speaker 3: your generations and improblem like one the past and one

1154
00:52:29,640 --> 00:52:31,800
Speaker 3: like the way way past. It to me is like

1155
00:52:32,960 --> 00:52:35,560
Speaker 3: now we don't even do suggestions or anything like, so

1156
00:52:35,680 --> 00:52:38,319
Speaker 3: it's like so interesting to hear. Like for us now

1157
00:52:38,600 --> 00:52:40,200
Speaker 3: we sort of like come up with ideas and we

1158
00:52:40,320 --> 00:52:44,239
Speaker 3: just sort of like write them down, pass them out

1159
00:52:44,480 --> 00:52:45,759
Speaker 3: and so we all sort of like are on the

1160
00:52:45,800 --> 00:52:48,320
Speaker 3: same page already and know what we're doing anything. For me,

1161
00:52:48,680 --> 00:52:51,680
Speaker 3: it just is like much more cohesive improv.

1162
00:52:51,440 --> 00:52:54,800
Speaker 1: So when the audience is talking choices, aren't reacting to

1163
00:52:54,880 --> 00:52:55,560
Speaker 1: them at all.

1164
00:52:55,680 --> 00:52:58,360
Speaker 3: Well, we've given them what to say, so we go

1165
00:52:58,440 --> 00:52:59,799
Speaker 3: to an audience for them to.

1166
00:52:59,800 --> 00:53:04,400
Speaker 1: Say yes, you gave them a suggestion. Well they're getting paid.

1167
00:53:04,719 --> 00:53:06,360
Speaker 3: Yeah, yeah, yeah, so I think, you know, it's like

1168
00:53:06,440 --> 00:53:08,080
Speaker 3: and we're not getting paid, so it's like we might

1169
00:53:08,080 --> 00:53:10,719
Speaker 3: as well be getting what we wanted. It's a service. Yeah,

1170
00:53:10,719 --> 00:53:14,080
Speaker 3: So I think for me, I found that you're welcome.

1171
00:53:14,320 --> 00:53:16,800
Speaker 1: Thank you, he said, thank you.

1172
00:53:18,280 --> 00:53:20,359
Speaker 3: You sort of had an air of it. Well I didn't.

1173
00:53:20,360 --> 00:53:22,800
Speaker 3: I wasn't expecting thank you from you because I assume

1174
00:53:22,840 --> 00:53:26,120
Speaker 3: you served in the war because of drafting.

1175
00:53:25,920 --> 00:53:26,560
Speaker 4: World War One.

1176
00:53:27,440 --> 00:53:31,560
Speaker 3: Yeah, so thank you for your service at drafting.

1177
00:53:31,800 --> 00:53:34,640
Speaker 1: Yeah, trench foot That's what I was like, why am

1178
00:53:34,680 --> 00:53:38,160
Speaker 1: I here? And they were like, because of drafting, I

1179
00:53:38,239 --> 00:53:41,200
Speaker 1: did get trench foot, which is my foot got shot off,

1180
00:53:43,880 --> 00:53:45,719
Speaker 1: So we'll get one more. Yeah.

1181
00:53:45,760 --> 00:53:48,040
Speaker 5: What if you what if you have an opener that's

1182
00:53:48,120 --> 00:53:50,840
Speaker 5: like more mean to the audience, so kind of a

1183
00:53:50,920 --> 00:53:53,239
Speaker 5: bad cop, good cop. Okay, this is not So you

1184
00:53:53,320 --> 00:53:58,600
Speaker 5: have a hypothetical opener comes in is really crass, shocks

1185
00:53:58,640 --> 00:54:00,759
Speaker 5: the audience, and then you guys come out and they're

1186
00:54:00,840 --> 00:54:03,319
Speaker 5: like these are sweeties and.

1187
00:54:03,440 --> 00:54:05,520
Speaker 1: Nice to us. Well, you're going to be saying oh

1188
00:54:05,680 --> 00:54:06,920
Speaker 1: yeah to the opener.

1189
00:54:07,160 --> 00:54:11,000
Speaker 5: So well, I'm kind of dual doing multiple roles. I'm

1190
00:54:11,000 --> 00:54:11,840
Speaker 5: also a director.

1191
00:54:12,080 --> 00:54:14,200
Speaker 2: You're on your clumps in your clump ship right now.

1192
00:54:14,360 --> 00:54:18,640
Speaker 5: My clump's back. I'm doing crafty be.

1193
00:54:19,160 --> 00:54:21,480
Speaker 3: A drawer full of wigs that you're pulling out right now.

1194
00:54:21,680 --> 00:54:23,720
Speaker 3: So we're sort of married to that idea.

1195
00:54:24,360 --> 00:54:26,719
Speaker 5: Yeah, we're we're absolutely married to it.

1196
00:54:26,800 --> 00:54:29,840
Speaker 2: I might have to say, we're paying him so we

1197
00:54:29,920 --> 00:54:32,759
Speaker 2: don't have to pay you know, the six other people

1198
00:54:32,840 --> 00:54:34,040
Speaker 2: he's going to be as well.

1199
00:54:34,400 --> 00:54:37,440
Speaker 4: That's like saving us money actually to cost We just

1200
00:54:37,600 --> 00:54:40,359
Speaker 4: pay him. You just pay him for being the one

1201
00:54:40,480 --> 00:54:41,080
Speaker 4: to everyone.

1202
00:54:41,400 --> 00:54:45,840
Speaker 2: Yeah, that's like who we actually.

1203
00:54:45,680 --> 00:54:51,680
Speaker 1: Want because the wigs are like it's it's going to

1204
00:54:51,760 --> 00:54:52,560
Speaker 1: cause more health.

1205
00:54:52,680 --> 00:54:53,719
Speaker 3: Okay, here's.

1206
00:54:55,239 --> 00:54:55,600
Speaker 1: Needs.

1207
00:54:56,040 --> 00:54:59,040
Speaker 3: I don't want to say, how are why don't ask me?

1208
00:55:00,040 --> 00:55:05,000
Speaker 3: But I have like a little bit a family money, okay,

1209
00:55:06,480 --> 00:55:08,200
Speaker 3: that I could maybe put towards this show.

1210
00:55:08,320 --> 00:55:10,160
Speaker 4: I have two questions that I cannot ask.

1211
00:55:11,360 --> 00:55:11,839
Speaker 1: Don't ask.

1212
00:55:11,880 --> 00:55:14,000
Speaker 3: I'm not interested in answering, and I won't unless you

1213
00:55:14,160 --> 00:55:15,400
Speaker 3: have two questions in which.

1214
00:55:15,320 --> 00:55:18,840
Speaker 1: Case building and so like that. That that would that

1215
00:55:18,880 --> 00:55:20,600
Speaker 1: would be huge and that would be amazing to not

1216
00:55:20,760 --> 00:55:21,040
Speaker 1: have to.

1217
00:55:21,600 --> 00:55:23,279
Speaker 3: Well, that's what I'm saying, that we can maybe hire

1218
00:55:23,360 --> 00:55:27,240
Speaker 3: somebody real because I find that like when Bartel's insurance

1219
00:55:27,280 --> 00:55:27,719
Speaker 3: shows up.

1220
00:55:28,480 --> 00:55:30,799
Speaker 1: That's when people start getting hurt. Is that true.

1221
00:55:31,560 --> 00:55:35,200
Speaker 5: We're gonna need an escalator, and it is fast.

1222
00:55:38,960 --> 00:55:40,480
Speaker 3: We're gonna need a fast escalator.

1223
00:55:40,560 --> 00:55:42,480
Speaker 1: Is that what he just said, that's what he said. Yeah,

1224
00:55:42,600 --> 00:55:42,919
Speaker 1: I don't.

1225
00:55:43,239 --> 00:55:44,879
Speaker 3: Well, then we're gonna have to I mean, then we're

1226
00:55:44,880 --> 00:55:47,279
Speaker 3: doing like a demo and a rebuild, and that's gonna

1227
00:55:47,280 --> 00:55:48,839
Speaker 3: take so long before we can mount the show.

1228
00:55:49,040 --> 00:55:53,200
Speaker 1: Yes, unless we had a little bit of family, a

1229
00:55:53,239 --> 00:55:53,560
Speaker 1: little bit.

1230
00:55:53,600 --> 00:55:55,960
Speaker 3: And again, you cannot ask questions unless you want to

1231
00:55:55,960 --> 00:55:57,520
Speaker 3: ask two of them, and they have to be yes,

1232
00:55:57,760 --> 00:55:58,440
Speaker 3: no questions.

1233
00:56:01,320 --> 00:56:03,200
Speaker 4: How much of the money is now?

1234
00:56:06,840 --> 00:56:07,520
Speaker 3: One more question?

1235
00:56:11,040 --> 00:56:12,240
Speaker 4: Is it America or Canadian?

1236
00:56:16,239 --> 00:56:17,880
Speaker 1: Whoa Hollywood Hamberg