WEBVTT - Part One: Alan Lomax: How to Record Everything and Mostly Make the World Better in the Process

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Hello, and welcome to cool People who had cool stuff.

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<v Speaker 2>You're a weekly reminder that there's cool stuff happening, and

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<v Speaker 2>it's often done by cool people. Although also it's your

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<v Speaker 2>weekly reminder that people who seem really cool when you

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<v Speaker 2>tell really short versions of their story, actually it become

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<v Speaker 2>very complicated and real when you tell the longer versions

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<v Speaker 2>of their story. Because nobody's perfect except our guest today

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<v Speaker 2>and our producer today, Bridget Todd.

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<v Speaker 1>Hi, how are you?

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<v Speaker 3>Hi? Margaret?

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<v Speaker 4>I like this idea that I'm perfect, you know what,

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<v Speaker 4>I'm not going to push back.

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<v Speaker 3>I am.

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<v Speaker 1>Yeah, No, that's what I'm saying. And also perfect is

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<v Speaker 1>Sophie our producer. Hi, Sophie, Hi, I am perfect. Bridget.

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<v Speaker 1>You are the host of a podcast as a shameful

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<v Speaker 1>thing to be.

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<v Speaker 3>It is just a dirtbag podcaster life, you know.

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<v Speaker 1>Well, yeah, you are the host of There Are No

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<v Speaker 1>Girls on the Internet, which is a podcast that people

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<v Speaker 1>can listen to, except it just took a break. Maybe

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<v Speaker 1>what's going on?

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<v Speaker 4>Yeah, we are taken in brief pause, but will be

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<v Speaker 4>real soon. Folks'll check it out if you're interested in

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<v Speaker 4>the intersection of identity and technology and social media and

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<v Speaker 4>some of the wormiest little pieces of dung on the

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<v Speaker 4>Internet and what they're up to you to make our

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<v Speaker 4>lives miserable.

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<v Speaker 3>Come check us out.

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<v Speaker 1>You also have a book that's about to come out.

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<v Speaker 3>That is right.

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<v Speaker 4>Thank you for asking about the book. It is an

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<v Speaker 4>audiobook with Simon and Schuster called Love at First Prompt

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<v Speaker 4>AI and the Future of Intimacy, and it's all about

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<v Speaker 4>folks who have intimate connections with AI.

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<v Speaker 1>Okay, the two things that are interesting me about that immediately. One,

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<v Speaker 1>I've never heard of an audio only book.

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<v Speaker 4>I had not heard of it before making one either,

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<v Speaker 4>So it is not a physical book. It is audio

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<v Speaker 4>only for now. Somebody was like, oh, can you sign

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<v Speaker 4>it for me? And I thought, well, would that be

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<v Speaker 4>a voice note?

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<v Speaker 1>Yeah, like a postcard? Like interesting? I mean I listened to, honestly,

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<v Speaker 1>everything I'm not reading for work, I listened to audio

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<v Speaker 1>books for so it actually makes perfect sense to me.

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<v Speaker 1>Although I'm like, if I ever had to listen to

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<v Speaker 1>it for work, I'd be really sad because then I

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<v Speaker 1>have to listen to it, whereas I read very quickly

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<v Speaker 1>for work. But when we were talking about this book

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<v Speaker 1>before we started recording, you are presenting it in like

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<v Speaker 1>kind of a more complicated way. I'm going to rudely

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<v Speaker 1>guess most of the people who are listening are anti AI,

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<v Speaker 1>and your whole thing is that we should shame people

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<v Speaker 1>who are lonely by being really mad at them and

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<v Speaker 1>not blaming structural problems. Is that the basis of.

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<v Speaker 4>Your book basically, yes, only the opposite. Oh right, yeah,

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<v Speaker 4>I mean, I don't think I'm giving anything away, no

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<v Speaker 4>spoilers and saying that I'm not the most pro AI

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<v Speaker 4>person out there. But the reality is a whole host

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<v Speaker 4>of growing people are using AI for intimacy, whether that's

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<v Speaker 4>you know, platonic connection, romantic connection, a lot of sexual

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<v Speaker 4>connection through things like erotic role play.

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<v Speaker 3>And I feel that.

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<v Speaker 4>So much of the conversation about these people is demonizing

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<v Speaker 4>and shaming.

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<v Speaker 1>Right, look at these losers your insults.

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<v Speaker 4>Yeah, look at these pathetic losers who are getting their

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<v Speaker 4>jollys off to an AI girlfriend or AI porn or.

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<v Speaker 3>What have you.

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<v Speaker 4>I totally get that stance. But we're so busy gawking

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<v Speaker 4>and finger pointing at the individual that the sam Altmans

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<v Speaker 4>and the Elon Musks and the Mark Zuckerberg's of the

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<v Speaker 4>world are like great, keep making fun of what you

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<v Speaker 4>see as these pathetic losers will go continue to commodify

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<v Speaker 4>and make money from, you know, people who might be

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<v Speaker 4>vulnerable and the most intimate parts of what it means

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<v Speaker 4>to be a human. And so I really want to

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<v Speaker 4>shift the conversation away from just gawking at individuals and

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<v Speaker 4>really put our scrutiny where I feel it belongs on

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<v Speaker 4>AI companies and the people who run them, and how

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<v Speaker 4>they are not really being good stewards of the increasingly

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<v Speaker 4>intimate human spaces that they are trying to make money from.

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<v Speaker 1>I appreciate that because I think when I imagine lonely people,

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<v Speaker 1>I don't really imagine people who are like afraid of

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<v Speaker 1>being made fun of. They probably hate being made fun of,

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<v Speaker 1>like more likely to be kind of used to it,

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<v Speaker 1>and like it doesn't seem like a very useful If

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<v Speaker 1>mockery is ever a socially useful thing, it's only useful

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<v Speaker 1>when it is presented in an upward fashion, you know,

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<v Speaker 1>like mock the king, not the peasant, even if the

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<v Speaker 1>peasant has a wayfoo. Why I don't know how to

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<v Speaker 1>pronounce this A pillow that is a person you know,

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<v Speaker 1>like you still don't mock them for like, and maybe

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<v Speaker 1>I'm like overly empathy empathetic, but I'm like when people

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<v Speaker 1>are like, this person married their pillow, and I'm like,

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<v Speaker 1>I don't want to make fun of them. I feel

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<v Speaker 1>sorry for them, and maybe that's just as bad to them.

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<v Speaker 4>But so that's such an insightful point, and I think

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<v Speaker 4>it really tells us a lot about what's going on

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<v Speaker 4>when we talk about people who are having intimacy with AI.

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<v Speaker 4>The people who have intimacy with AI, they actually from

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<v Speaker 4>doing the research on the book, they can tell us

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<v Speaker 4>a lot about what the impacts are from people who

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<v Speaker 4>are in kind of increasingly intimate connections with AI. And

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<v Speaker 4>even if you're somebody who was like, oh, I would

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<v Speaker 4>never be friends with AI, I would never, you know,

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<v Speaker 4>want to have sex with AI?

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<v Speaker 3>What have you? I would put myself in that camp.

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<v Speaker 4>Tech leaders like Mark Zuckerberg has been super clear that

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<v Speaker 4>the future that he is designing is one where he

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<v Speaker 4>thinks all of us, everybody listening, will want to have

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<v Speaker 4>intimate AI connections. Now, whether that's true for you or not,

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<v Speaker 4>that is the future that tech leaders have invested in

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<v Speaker 4>and are busy building. And so I think it would

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<v Speaker 4>be wove us to talk to the people who are

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<v Speaker 4>currently having connection with AI in this way, listen to

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<v Speaker 4>what they're saying, and sort of take away like, Okay,

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<v Speaker 4>well what does this mean for the rest of us?

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<v Speaker 4>But I think that when we're making fun of.

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<v Speaker 3>Them and shaming them, we're actually not learning from them.

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<v Speaker 4>We're not hearing what they say. And I guess for me,

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<v Speaker 4>I'm just a curious cat. Like it's really tempting to

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<v Speaker 4>shut these conversations down through things like, you know, looking

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<v Speaker 4>down on them and making fun of them. I get it,

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<v Speaker 4>but you don't learn when you're not being curious. And

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<v Speaker 4>so I really tried to approach this conversation from a

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<v Speaker 4>really a place of curiosity.

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<v Speaker 1>I am really excited to listen to this now. I

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<v Speaker 1>admit if I just read the tagline, I'm like, Heydai,

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<v Speaker 1>why would I read this? But you just answered that right,

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<v Speaker 1>and like, because I spend a lot of my time

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<v Speaker 1>thinking about Like, but I love gadgets. I am obsessed

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<v Speaker 1>with gadgets. I learned how to program in CUE Basic

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<v Speaker 1>longer ago than a lot of the people listening to

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<v Speaker 1>this were alive.

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<v Speaker 3>It's such a nerd and I love it. So much, Margaret.

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<v Speaker 1>But now I'm like age verification, I'm done. I'm like, nope,

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<v Speaker 1>I don't want the government that should have nothing to

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<v Speaker 1>I've become a grouchy old lady on a rocking chair

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<v Speaker 1>in Appalachia kind of literally, and now just like, no

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<v Speaker 1>get away from me. I never want to have a

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<v Speaker 1>conversation with a chatbot. Every time I do, it's because

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<v Speaker 1>I'm angrily trying to deal with customer service.

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<v Speaker 3>Yep.

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<v Speaker 1>And I even have mastered this is really important to

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<v Speaker 1>our topic. It's completely unrelated to our topic. I've even

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<v Speaker 1>kind of mastered the art of when I'm a human

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<v Speaker 1>that I'm talking to in customer service and I'm very mad.

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<v Speaker 1>I've gotten very good at being like, I am incredibly

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<v Speaker 1>frustrated and not at you as a person. I recognize

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<v Speaker 1>that you're doing your job. I am incredibly upset about

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<v Speaker 1>the what's happening right now. But you can't do that

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<v Speaker 1>with an AI. They have taken away my one skill,

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<v Speaker 1>which was getting mad at people without getting mad at them,

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<v Speaker 1>and I don't know what to do anymore.

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<v Speaker 4>I'm so glad that you brought that up, because so like,

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<v Speaker 4>even if you're somebody who you're like I avoid AI

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<v Speaker 4>like the plague. There are times when you find yourself

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<v Speaker 4>interacting with AI kind of against your will, and there

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<v Speaker 4>are all these insidious, sneaky little ways that they design

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<v Speaker 4>it to try to mimic intimacy, even when you are

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<v Speaker 4>having what is essentially like a non consensual connection with AI,

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<v Speaker 4>where when you're like, hey, Exminity Comcast, my internet is out.

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<v Speaker 4>It's a problem, and their AI chatbot is like, oh,

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<v Speaker 4>that must be so frustrating for you. I really hear

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<v Speaker 4>what you're saying that that's so frustrating. Let me help you.

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<v Speaker 4>I'm like, don't try to empathize with me.

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<v Speaker 3>You're not a humane I'm so mad sneak intimacy into

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<v Speaker 3>this interaction.

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<v Speaker 1>Oh no, this is such an important point because I

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<v Speaker 1>think about the other main interaction I have with AI

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<v Speaker 1>is that I don't have a publicly available email, kind

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<v Speaker 1>of by design because macgrassy old lady lives in, has

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<v Speaker 1>a rocking chair and a shotgun. So it really just

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<v Speaker 1>everyone's just stay away. I love people, but anyway people

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<v Speaker 1>have figured out I assume if you ask an AI

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<v Speaker 1>how to reach me, you get one of my publishers,

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<v Speaker 1>And so I get these emails forwarded to me all

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<v Speaker 1>the time that are people being like, hey, I really

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<v Speaker 1>loved your book, and I particularly loved the themes of

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<v Speaker 1>the following comma, the following comma and the following I

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<v Speaker 1>also really like how the characters experienced as the following

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<v Speaker 1>comma and the following and comma the following And we're

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<v Speaker 1>trying to reach you to do X y Z. I

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<v Speaker 1>don't even know what the scam is, but I've like,

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<v Speaker 1>stop trying to appeal to me, to be like, I

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<v Speaker 1>understand your book, so you should talk to me.

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<v Speaker 3>I get those every five seconds.

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<v Speaker 1>Oh my god, that's probably just your life.

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<v Speaker 3>People trying to get booked on things.

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<v Speaker 4>Yeah, and it's like, you know the person. First of all,

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<v Speaker 4>you can tell it's written by aie. It's in personal,

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<v Speaker 4>but it's written in such a way that it is

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<v Speaker 4>meant to appeal to your like flattery. Like I'm super

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<v Speaker 4>so I shouldn't even say this on my podcast, but

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<v Speaker 4>I'm super susceptible to flattery. Somebody gives me a compliment,

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<v Speaker 4>I'm like, oh, thank you for noticing. Well, you're so observant.

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<v Speaker 1>Well, it's because you're empathic that you're susceptible. To flattery.

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<v Speaker 1>That's what I've always You're very good at that.

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<v Speaker 4>Thank you, Margaret. Oh wow, you're so insightful, Thanks Margaret.

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<v Speaker 4>But like it's these AI generated please are meant to

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<v Speaker 4>appeal to these like human qualities about us, you know,

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<v Speaker 4>our ego are, you know, susceptibility to flattery, things like that. Yeah,

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<v Speaker 4>but like once we put on our critical hats, we

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<v Speaker 4>can see how empty and hollow they actually are. And

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<v Speaker 4>so it's not like you're actually booking the person who

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<v Speaker 4>sends you this email that's clearly AI generated. Oh I

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<v Speaker 4>really liked X, Y and Z from your book. Yeah,

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<v Speaker 4>but you know, I guess I would argue that companies

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<v Speaker 4>know this, and they design, you know, AI to speak

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<v Speaker 4>in this way to appeal to us in these ways

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<v Speaker 4>that are playing on what I would argue you are

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<v Speaker 4>the sort of human qualities that we all have. And

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<v Speaker 4>I guess I just think, you know, even though I

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<v Speaker 4>have a tech podcast, I consider myself a bit of

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<v Speaker 4>a luttite, not in the sense that I don't like.

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<v Speaker 3>Technology, I really do.

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<v Speaker 4>I want to ask questions about who is benefiting from technology, right.

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<v Speaker 3>Like that's what the lunites were all about.

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<v Speaker 1>Yeah, yeah, yeah, No, they were like they wanted to

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<v Speaker 1>be able to make stuff in a cottage instead of

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<v Speaker 1>a factory. This is very reasonable. If they had succeeded,

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<v Speaker 1>everyone's life would be better. There probably wouldn't have been

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<v Speaker 1>a fucking British empire, like to the same degree. Like anyway,

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<v Speaker 1>But I believe that by the end of this episode

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<v Speaker 1>we will find a way to tie in that conversation

0:10:45.240 --> 0:10:50.319
<v Speaker 1>to this topic. But this topic is entirely different. Bridget

0:10:50.679 --> 0:10:54.560
<v Speaker 1>Have you ever heard of music? I think I have

0:10:54.720 --> 0:10:57.200
<v Speaker 1>heard a little bit of music. Yeah, okay, what about

0:10:57.200 --> 0:10:58.040
<v Speaker 1>American music?

0:10:58.840 --> 0:11:01.400
<v Speaker 3>I am a little bit familiar. Americans make music?

0:11:01.480 --> 0:11:05.480
<v Speaker 1>Sure, yeah, yeah, Well, whether you know it or not,

0:11:06.320 --> 0:11:09.520
<v Speaker 1>your world has been shaped by a sickly white communist

0:11:09.520 --> 0:11:13.840
<v Speaker 1>from Texas named Alan Lomax. You ever heard of Alan Lomax?

0:11:14.520 --> 0:11:17.800
<v Speaker 3>I have heard of Alan Lomax? What am I thinking of?

0:11:18.040 --> 0:11:19.280
<v Speaker 3>Oh Brother, We're Out Thou?

0:11:19.640 --> 0:11:21.000
<v Speaker 1>Wait? Is he in that or something?

0:11:21.440 --> 0:11:21.880
<v Speaker 3>I think?

0:11:21.960 --> 0:11:24.679
<v Speaker 1>I think that's absolutely what his time period is.

0:11:25.080 --> 0:11:25.960
<v Speaker 3>Fact check this.

0:11:26.320 --> 0:11:28.560
<v Speaker 1>Yeah, I is he the guy who records them in

0:11:28.559 --> 0:11:29.000
<v Speaker 1>that movie?

0:11:29.400 --> 0:11:31.520
<v Speaker 4>I sound like such a nerd, but I have the

0:11:31.600 --> 0:11:34.320
<v Speaker 4>soundtrack on CD to Oh Brother, We're Out Thou.

0:11:34.200 --> 0:11:35.720
<v Speaker 3>And it kind of slaps, So don't come for me.

0:11:35.800 --> 0:11:36.960
<v Speaker 1>Yeah, no, no, that's good music.

0:11:37.120 --> 0:11:39.560
<v Speaker 3>He is involved in it, like his legacy is involved

0:11:39.559 --> 0:11:40.800
<v Speaker 3>in that. Sound correct, That.

0:11:40.840 --> 0:11:44.520
<v Speaker 1>Is what we will be talking about today. Oh brother,

0:11:44.559 --> 0:11:47.600
<v Speaker 1>where art thou? Sinners? And there's one other movie that

0:11:47.679 --> 0:11:49.240
<v Speaker 1>I was like thinking about while I was reading all

0:11:49.280 --> 0:11:50.559
<v Speaker 1>this that I was like, Oh, this is just that,

0:11:51.000 --> 0:11:52.440
<v Speaker 1>Like this is just what this is about.

0:11:52.640 --> 0:11:53.800
<v Speaker 3>I'm so fucking excited.

0:11:53.960 --> 0:11:56.080
<v Speaker 1>And actually Sinners is even the most what it's about,

0:11:56.080 --> 0:12:00.800
<v Speaker 1>because it's also about this is a story that into

0:12:01.520 --> 0:12:06.080
<v Speaker 1>colonization and racism and recording and what is and isn't

0:12:06.120 --> 0:12:10.360
<v Speaker 1>our folk heritage as like people, and there's so much

0:12:10.360 --> 0:12:11.520
<v Speaker 1>in this story.

0:12:11.520 --> 0:12:13.920
<v Speaker 4>Did you pick this specifically because you thought it would

0:12:13.920 --> 0:12:14.320
<v Speaker 4>be my shit?

0:12:14.360 --> 0:12:15.240
<v Speaker 3>Because it very much is.

0:12:15.240 --> 0:12:17.280
<v Speaker 1>My Oh I'm very excited it's your shit. No. What

0:12:17.400 --> 0:12:20.120
<v Speaker 1>happened was this was going to be last week's episode,

0:12:20.640 --> 0:12:24.720
<v Speaker 1>and then I learned what Alan Lomax's dad did to

0:12:24.840 --> 0:12:29.040
<v Speaker 1>led Belly Huddy Ledbetter, which was do him real fucking dirty,

0:12:29.480 --> 0:12:32.240
<v Speaker 1>and so I had to switch. And last week I

0:12:32.520 --> 0:12:36.679
<v Speaker 1>just recorded about Huddy Led Better, but I couldn't get

0:12:36.679 --> 0:12:38.200
<v Speaker 1>out of my head, and I thought you might be

0:12:38.280 --> 0:12:40.040
<v Speaker 1>into this, so I'm very excited.

0:12:40.240 --> 0:12:42.640
<v Speaker 3>You thought right, Magpie.

0:12:42.880 --> 0:12:48.120
<v Speaker 1>So Alan Lomax did more than probably anybody in history

0:12:48.559 --> 0:12:50.520
<v Speaker 1>anywhere in the world that I'm aware of. Whenever I

0:12:50.559 --> 0:12:53.120
<v Speaker 1>say statements like that, I'm probably wrong. Did more than

0:12:53.160 --> 0:12:57.360
<v Speaker 1>anyone in history to record folk music, the music of people,

0:12:58.320 --> 0:13:00.880
<v Speaker 1>the people people. I don't know what you're capitalizing or

0:13:00.880 --> 0:13:03.000
<v Speaker 1>putting the on front of it, however you do it.

0:13:03.440 --> 0:13:07.720
<v Speaker 1>He was there across cultures and continents. Without him, people

0:13:07.760 --> 0:13:10.160
<v Speaker 1>have made clear there would be no rock and roll.

0:13:10.600 --> 0:13:14.120
<v Speaker 1>It's likely that without him an awful lot of blues,

0:13:14.280 --> 0:13:17.680
<v Speaker 1>jazz and work songs would have simply died away. Also,

0:13:17.760 --> 0:13:21.520
<v Speaker 1>a lot of like traditional voodoo music would possibly be gone.

0:13:21.559 --> 0:13:23.559
<v Speaker 1>And it depends on how you know robust the oral

0:13:23.600 --> 0:13:26.839
<v Speaker 1>tradition would be. But there's so many genres where we

0:13:26.920 --> 0:13:31.079
<v Speaker 1>barely have any of their music. Anything that Helen Lomax

0:13:31.160 --> 0:13:36.600
<v Speaker 1>showed up and cared about we know the songs also

0:13:37.760 --> 0:13:39.760
<v Speaker 1>left out of the story always this is his wife Elizabeth,

0:13:39.800 --> 0:13:41.880
<v Speaker 1>who did all of that work alongside him for twelve

0:13:41.920 --> 0:13:44.640
<v Speaker 1>years and has been more or less written out of history,

0:13:44.679 --> 0:13:47.719
<v Speaker 1>which is you're making your I'm not surprised face.

0:13:48.760 --> 0:13:53.000
<v Speaker 4>I'm disappointed in myself, because that's always the story. Of course,

0:13:53.040 --> 0:13:55.840
<v Speaker 4>there's a woman somewhere who didn't get her due, who

0:13:55.880 --> 0:13:56.920
<v Speaker 4>was very involved.

0:13:56.960 --> 0:13:58.360
<v Speaker 3>And I'm a.

0:13:58.320 --> 0:14:01.200
<v Speaker 4>Little bit familiar with Lomax's work, but it never even

0:14:01.200 --> 0:14:04.120
<v Speaker 4>occurred to me to think, like, well, was there a

0:14:04.160 --> 0:14:06.280
<v Speaker 4>woman in the mix who is the reason why his

0:14:06.440 --> 0:14:08.959
<v Speaker 4>work is, you know, has the status that it does.

0:14:09.480 --> 0:14:12.000
<v Speaker 1>I like, I can say that they were married for

0:14:12.000 --> 0:14:15.240
<v Speaker 1>twelve years, and they were traveling doing that work together

0:14:15.360 --> 0:14:18.439
<v Speaker 1>most of that time. And he went on to continue

0:14:18.440 --> 0:14:20.160
<v Speaker 1>to do it for decades and decades, and she went

0:14:20.200 --> 0:14:22.200
<v Speaker 1>on to have a different career. So he's a little

0:14:22.200 --> 0:14:24.720
<v Speaker 1>bit more of the driving force, but she did twelve

0:14:24.760 --> 0:14:27.800
<v Speaker 1>years of this work, which is a lot of time,

0:14:28.640 --> 0:14:34.480
<v Speaker 1>and like thousands of songs, you know, and they recorded

0:14:35.000 --> 0:14:38.800
<v Speaker 1>thousands and thousands of folk musicians, the overwhelming majority of

0:14:38.800 --> 0:14:42.080
<v Speaker 1>whom never saw any commercial success. So just like recording

0:14:42.080 --> 0:14:46.640
<v Speaker 1>these songs, and it's a remarkably American story, and it's

0:14:46.640 --> 0:14:49.160
<v Speaker 1>a story about how people came together to tell the

0:14:49.160 --> 0:14:52.960
<v Speaker 1>American story. And because it's the American story, it's like

0:14:53.720 --> 0:14:57.120
<v Speaker 1>cut through with racism and colonialism the whole goddamn time

0:14:57.720 --> 0:15:02.680
<v Speaker 1>in ways that I wish it was, but it is because,

0:15:03.560 --> 0:15:06.320
<v Speaker 1>unfortunately for all of us, the story of Alan Lomax

0:15:06.360 --> 0:15:09.160
<v Speaker 1>begins with his father who did this work before him,

0:15:09.520 --> 0:15:14.800
<v Speaker 1>named John Lomax. John Lomax, the technical word for him

0:15:15.080 --> 0:15:17.040
<v Speaker 1>was that he was a racist, colonizing piece of shit,

0:15:17.640 --> 0:15:22.400
<v Speaker 1>and he even came across a sort of progressive on

0:15:22.560 --> 0:15:26.760
<v Speaker 1>racist US at his time. But he's like, we have

0:15:26.880 --> 0:15:29.440
<v Speaker 1>his letters to his wife. He's just a racist. He's

0:15:29.480 --> 0:15:34.800
<v Speaker 1>a horrible fucking racist, and like it's just left out

0:15:34.800 --> 0:15:37.920
<v Speaker 1>of the histories. I found one book, it's about Howey

0:15:38.000 --> 0:15:40.800
<v Speaker 1>Ledbetter that talks about all of this, and it completely

0:15:40.880 --> 0:15:44.440
<v Speaker 1>disrupted everything. Like I was saying, I realized that a

0:15:44.520 --> 0:15:48.520
<v Speaker 1>small detour around Howdy Ledbetter needed to become an entire

0:15:48.560 --> 0:15:51.880
<v Speaker 1>two episodes, So last week we covered Hotty Ledbetter, better

0:15:51.920 --> 0:15:54.080
<v Speaker 1>known by his stage name Led Belly, one of the

0:15:54.080 --> 0:15:57.240
<v Speaker 1>finest blues musicians the world has ever seen. Led Belly

0:15:57.320 --> 0:16:00.440
<v Speaker 1>persevered through just about everything. He was pretty big into

0:16:01.000 --> 0:16:03.280
<v Speaker 1>self defense, so he went to jail a lot because

0:16:03.320 --> 0:16:06.520
<v Speaker 1>it was a rough time to be a black Southern

0:16:06.560 --> 0:16:09.680
<v Speaker 1>man who's into self defense in the Jim Crow South.

0:16:10.120 --> 0:16:13.480
<v Speaker 1>He went to prison a lot. For anyone who didn't

0:16:13.480 --> 0:16:16.280
<v Speaker 1>listen last week the first time hatt he led better

0:16:16.320 --> 0:16:18.480
<v Speaker 1>got out of prison. He did it by just breaking

0:16:18.520 --> 0:16:21.760
<v Speaker 1>out he was on a chain gang. And this is, oh, brother,

0:16:21.800 --> 0:16:23.840
<v Speaker 1>we're art that moment in my mind. But I have

0:16:23.880 --> 0:16:25.680
<v Speaker 1>to sell the same anecdote I told last time, which

0:16:25.680 --> 0:16:27.560
<v Speaker 1>is that my grandfather was also on a chain gang

0:16:27.720 --> 0:16:30.600
<v Speaker 1>in the nineteen thirties. He stole a car and then

0:16:30.600 --> 0:16:32.720
<v Speaker 1>he didn't snitch out the people he stole a car with.

0:16:33.440 --> 0:16:35.920
<v Speaker 1>And my family presents this. I never talked about my

0:16:35.920 --> 0:16:37.840
<v Speaker 1>family on here. What am I doing? My family presents

0:16:37.880 --> 0:16:41.640
<v Speaker 1>this as this like really wholesome story about how he

0:16:41.680 --> 0:16:45.080
<v Speaker 1>takes responsibility for his crimes. And I'm like, n because

0:16:45.080 --> 0:16:45.760
<v Speaker 1>he's no snitch.

0:16:46.360 --> 0:16:49.640
<v Speaker 4>Yeah, is that like your family legacy is like we

0:16:49.720 --> 0:16:50.360
<v Speaker 4>don't snitch.

0:16:50.480 --> 0:16:50.600
<v Speaker 3>No.

0:16:51.640 --> 0:16:53.400
<v Speaker 1>They take the wrong answer out of it, because like

0:16:53.480 --> 0:16:55.360
<v Speaker 1>they see his like hobo days as kind of this

0:16:55.480 --> 0:16:58.720
<v Speaker 1>like quaint aside and like focus more on his later work, right,

0:16:58.920 --> 0:17:02.560
<v Speaker 1>and whereas I'm like, I've written freight trains. I want

0:17:02.600 --> 0:17:04.240
<v Speaker 1>to talk to my grant. I can't or I can't

0:17:04.480 --> 0:17:06.639
<v Speaker 1>only but he's dead, so it's a different version of

0:17:06.680 --> 0:17:09.399
<v Speaker 1>talking anyway. Whatever. As soon as I found out I

0:17:09.400 --> 0:17:11.400
<v Speaker 1>worked a changgang. I have no idea for how long.

0:17:12.760 --> 0:17:16.920
<v Speaker 1>Whenever I read about changangs, I get really excited. Led

0:17:16.920 --> 0:17:19.560
<v Speaker 1>Belly decided he didn't want to work on a chain gang,

0:17:19.840 --> 0:17:21.600
<v Speaker 1>so they burned a hole in the floor of the

0:17:21.600 --> 0:17:26.080
<v Speaker 1>wooden wagon and they just left and had no brother

0:17:26.119 --> 0:17:29.040
<v Speaker 1>were at that Probably he changed his name. The second

0:17:29.080 --> 0:17:31.240
<v Speaker 1>time he was in prison, he literally sang his Way

0:17:31.280 --> 0:17:33.600
<v Speaker 1>to Freedom because the governor would come by and like

0:17:33.720 --> 0:17:35.919
<v Speaker 1>check on the prisons, and he wrote a song that

0:17:36.040 --> 0:17:38.960
<v Speaker 1>was like, oh, Governor, you should this is totally not

0:17:39.000 --> 0:17:41.960
<v Speaker 1>the melody. You should release me. It would be the

0:17:42.040 --> 0:17:44.399
<v Speaker 1>Christian thing to do.

0:17:44.440 --> 0:17:47.640
<v Speaker 4>You know how convincing of a song. That song had

0:17:47.680 --> 0:17:49.440
<v Speaker 4>to have slapped where it's like, all right, let.

0:17:49.440 --> 0:17:51.919
<v Speaker 1>Him go now. They're actually are recordings and it's completely

0:17:51.920 --> 0:17:53.600
<v Speaker 1>different than the way I just sang it. This man

0:17:53.760 --> 0:17:55.760
<v Speaker 1>was called the King of the twelve string Guitar, which

0:17:55.840 --> 0:17:57.760
<v Speaker 1>is actually interesting. He learned it. It was a Mexican

0:17:57.800 --> 0:18:00.720
<v Speaker 1>instrument when he learned it in Dallas. So he sings

0:18:00.760 --> 0:18:02.960
<v Speaker 1>his way to freedom. The third time he's in prison,

0:18:03.680 --> 0:18:07.560
<v Speaker 1>he had the fortune and misfortune to meet John fucking Lomax.

0:18:08.640 --> 0:18:11.240
<v Speaker 1>John Lomax didn't get him out of prison, but took

0:18:11.320 --> 0:18:15.600
<v Speaker 1>credit for getting him out of prison. Haddy Ledbetter jailhouse

0:18:15.720 --> 0:18:20.120
<v Speaker 1>lawyered himself out of prison by successfully connecting bureaucratic dots

0:18:20.160 --> 0:18:23.560
<v Speaker 1>between Texas and Louisiana while imprisoned in the South in

0:18:23.640 --> 0:18:28.280
<v Speaker 1>the nineteen thirties. Wow, and got himself out of prison.

0:18:29.359 --> 0:18:34.600
<v Speaker 1>But John Lomax takes all the credit. After that, Huddy

0:18:34.680 --> 0:18:41.240
<v Speaker 1>Ledbetter became the unpaid servant for John Lomax. And along

0:18:41.320 --> 0:18:43.680
<v Speaker 1>the way to introduce a little bit, or we'll go

0:18:43.760 --> 0:18:47.280
<v Speaker 1>back and start with Alan's story. Alan's seventeen and with

0:18:47.480 --> 0:18:50.320
<v Speaker 1>his dad when all this happens. So some of Alan's

0:18:50.560 --> 0:18:56.359
<v Speaker 1>formative moments of doing this work is this exploiting black

0:18:56.440 --> 0:18:59.720
<v Speaker 1>man who just got out of prison. So once again,

0:19:00.520 --> 0:19:02.520
<v Speaker 1>howe he Ledbetter had to find his way to freedom.

0:19:02.640 --> 0:19:04.840
<v Speaker 1>It's not in prison, but he's trapped in this like

0:19:04.920 --> 0:19:07.080
<v Speaker 1>really messed up contract where he's only getting a third

0:19:07.119 --> 0:19:09.720
<v Speaker 1>of the money that he's producing. It's like almost like

0:19:10.280 --> 0:19:14.040
<v Speaker 1>a model for like exploitative like how the music industry

0:19:14.080 --> 0:19:14.600
<v Speaker 1>works today.

0:19:14.720 --> 0:19:17.200
<v Speaker 4>You know, I was gonna say, it doesn't sound that

0:19:17.440 --> 0:19:20.480
<v Speaker 4>different from my friends who are recording artists or musicians

0:19:20.600 --> 0:19:24.280
<v Speaker 4>or entertainers. What they describe today, and it does come

0:19:24.400 --> 0:19:28.280
<v Speaker 4>feel like a modern day colonialistic situation where it's like, Okay,

0:19:28.359 --> 0:19:30.359
<v Speaker 4>so I do all the work, you get all the

0:19:30.440 --> 0:19:31.880
<v Speaker 4>money and credit and that's.

0:19:31.760 --> 0:19:34.760
<v Speaker 1>That and also the fucking copyright. And that was actually

0:19:34.800 --> 0:19:36.560
<v Speaker 1>the thing because like I always sort of knew that

0:19:36.680 --> 0:19:40.280
<v Speaker 1>record deals are often real bad, and like book deals

0:19:40.280 --> 0:19:43.480
<v Speaker 1>are complicated because they're like often a similar low percentage

0:19:43.520 --> 0:19:45.640
<v Speaker 1>of your work, but you usually still kind of own

0:19:45.720 --> 0:19:48.240
<v Speaker 1>the work, and the contract is like more likely to

0:19:48.520 --> 0:19:50.719
<v Speaker 1>have a like if we stop publishing this, you get

0:19:50.760 --> 0:19:54.560
<v Speaker 1>your rights back. Like the book industry is bad, the

0:19:54.640 --> 0:19:57.080
<v Speaker 1>music industry is worse. And it was so interesting to

0:19:57.160 --> 0:20:00.680
<v Speaker 1>be like I can draw the connection. John his parents

0:20:00.840 --> 0:20:04.480
<v Speaker 1>owned people, and they called themselves like everyone refers to

0:20:04.480 --> 0:20:06.800
<v Speaker 1>them as basically bootstrapping their way up, and it's like

0:20:06.960 --> 0:20:08.560
<v Speaker 1>left out that the reason that they did that is

0:20:08.560 --> 0:20:10.840
<v Speaker 1>because they fucking owned a bunch of families of people,

0:20:10.920 --> 0:20:11.960
<v Speaker 1>you know, because they're fucking.

0:20:12.040 --> 0:20:14.880
<v Speaker 3>Strapping via owning enslaved people.

0:20:15.000 --> 0:20:18.359
<v Speaker 4>Yeah, you know, like an owning essentially like enslaving people

0:20:18.600 --> 0:20:19.520
<v Speaker 4>and taking their money.

0:20:19.800 --> 0:20:20.000
<v Speaker 3>Yeah.

0:20:20.080 --> 0:20:22.320
<v Speaker 4>Yeah, it's like, oh, we're making our own way yeah,

0:20:22.520 --> 0:20:23.920
<v Speaker 4>through very fucked up mes.

0:20:24.119 --> 0:20:26.680
<v Speaker 1>Yeah, left out of that basically every story. But so

0:20:26.840 --> 0:20:31.639
<v Speaker 1>it's like I can draw a direct line to the

0:20:32.280 --> 0:20:35.200
<v Speaker 1>music industry through that and how they you know. And

0:20:35.320 --> 0:20:37.800
<v Speaker 1>so he's going around when John is going around to

0:20:37.880 --> 0:20:40.720
<v Speaker 1>the South, he's going around and he's collecting folk songs

0:20:40.920 --> 0:20:46.280
<v Speaker 1>and copywriting them like and not paying the musicians. And

0:20:46.440 --> 0:20:49.000
<v Speaker 1>that's like the race. It's like a race between all

0:20:49.040 --> 0:20:52.200
<v Speaker 1>these folk song collectors. So this is why I was like,

0:20:52.320 --> 0:20:54.800
<v Speaker 1>I can't cover Alan Lomax yet. What if Alan Lomax

0:20:54.880 --> 0:20:57.440
<v Speaker 1>is a piece of shit? He's not. He's actually really cool.

0:20:57.560 --> 0:20:59.840
<v Speaker 1>He's genuinely a cool guy. But he grew up in

0:21:00.080 --> 0:21:03.440
<v Speaker 1>this horrible industry of exploitation, you know.

0:21:04.200 --> 0:21:06.040
<v Speaker 3>Can I ask a question? Yeah, I don't want to

0:21:06.480 --> 0:21:08.520
<v Speaker 3>jump ahead, yea, And I don't know.

0:21:08.600 --> 0:21:12.200
<v Speaker 4>The answer to this is cutting out the ownership and

0:21:12.520 --> 0:21:16.760
<v Speaker 4>profit and copyright, you know, of the people who are

0:21:16.760 --> 0:21:17.800
<v Speaker 4>actually making the thing.

0:21:18.200 --> 0:21:20.919
<v Speaker 3>Do you think that is intentional, like we.

0:21:21.040 --> 0:21:24.320
<v Speaker 4>Are taking the product from other people and benefiting ourselves

0:21:24.560 --> 0:21:26.960
<v Speaker 4>or is it more sort of like it's just like

0:21:27.080 --> 0:21:28.800
<v Speaker 4>not how people thought about it at the time. At

0:21:28.840 --> 0:21:32.040
<v Speaker 4>the time, it's like, why would these people expect ownership

0:21:32.160 --> 0:21:34.320
<v Speaker 4>or a profit from this thing that they are creating.

0:21:34.400 --> 0:21:35.080
<v Speaker 3>Do you know what I'm asking?

0:21:35.240 --> 0:21:38.200
<v Speaker 1>Yeah, no, totally. And what's interesting is I think the

0:21:38.320 --> 0:21:44.160
<v Speaker 1>answer is literally in the colonization of say Africa. I've

0:21:44.200 --> 0:21:46.480
<v Speaker 1>been listening to Behind the Bastard. It's like a terrible person.

0:21:46.840 --> 0:21:50.080
<v Speaker 1>And same the recent episodes about Zimbabwe when it had

0:21:50.080 --> 0:21:52.960
<v Speaker 1>a worse name, about how British people were like, look

0:21:53.000 --> 0:21:56.639
<v Speaker 1>at this empty land. It's not being used. I am

0:21:56.760 --> 0:21:59.560
<v Speaker 1>going to be the one to do something with this.

0:22:00.119 --> 0:22:04.399
<v Speaker 1>I think it's that they literally don't see ownership or

0:22:04.520 --> 0:22:09.920
<v Speaker 1>value produced by especially black people, but also just poor

0:22:09.960 --> 0:22:12.440
<v Speaker 1>people in general. Because they're also doing this to hillbilly music,

0:22:12.480 --> 0:22:15.400
<v Speaker 1>which is funny because black people weren't allowed to play

0:22:15.400 --> 0:22:17.600
<v Speaker 1>it if they became commercially successful. Same with cowboy songs.

0:22:17.640 --> 0:22:20.400
<v Speaker 1>Black people like Huddy Ledbetter was literally a cowboy from

0:22:20.440 --> 0:22:22.440
<v Speaker 1>Texas and he wasn't allowed to play cowboy songs when

0:22:22.440 --> 0:22:25.080
<v Speaker 1>he got big, you know, because that's white people music.

0:22:25.160 --> 0:22:29.720
<v Speaker 1>He can't do that. But still overall, largely a racial

0:22:29.760 --> 0:22:32.200
<v Speaker 1>component to this, and I think it's colonization. I think

0:22:32.240 --> 0:22:36.560
<v Speaker 1>it's literally believing this is empty land. Okay, this is

0:22:36.600 --> 0:22:38.520
<v Speaker 1>the best comparison I can come up with, and it's

0:22:38.560 --> 0:22:41.480
<v Speaker 1>a weird one. Until I came out as trans I

0:22:41.560 --> 0:22:43.520
<v Speaker 1>didn't know what size I was as a person, I

0:22:43.600 --> 0:22:46.640
<v Speaker 1>had dysphoria. I would look in the mirror and see

0:22:46.720 --> 0:22:52.040
<v Speaker 1>something different than everyone else saw, right. I think that

0:22:52.240 --> 0:22:58.040
<v Speaker 1>white colonists are essentially insane. I'm not defending them. They're

0:22:58.040 --> 0:23:00.359
<v Speaker 1>still criminally liable. They can't use it as a defense

0:23:00.400 --> 0:23:04.400
<v Speaker 1>in court. But I think they genuinely were like, look

0:23:04.440 --> 0:23:07.119
<v Speaker 1>at this empty land. Yeah, and you're like you're literally

0:23:07.240 --> 0:23:10.200
<v Speaker 1>talking to a man in English about ownership of the

0:23:10.320 --> 0:23:13.160
<v Speaker 1>land and buying it from him, and yet you don't

0:23:13.320 --> 0:23:16.480
<v Speaker 1>see what's happening. That's my best guess ay.

0:23:16.680 --> 0:23:19.120
<v Speaker 3>Almost in a kind of dysmorphia where you just can't

0:23:19.240 --> 0:23:21.080
<v Speaker 3>see what's actually there.

0:23:21.320 --> 0:23:21.520
<v Speaker 1>Yeah.

0:23:22.400 --> 0:23:22.880
<v Speaker 3>Interesting.

0:23:23.440 --> 0:23:25.119
<v Speaker 1>I don't even think that they were like, I mean,

0:23:25.160 --> 0:23:27.480
<v Speaker 1>they were profit motivated, but like not like fuck, yeah,

0:23:27.480 --> 0:23:29.040
<v Speaker 1>I'm gonna go exploit people today.

0:23:29.240 --> 0:23:29.440
<v Speaker 3>You know.

0:23:30.040 --> 0:23:32.800
<v Speaker 1>They were like I'm just gonna go collect the fruits

0:23:32.840 --> 0:23:35.439
<v Speaker 1>of the wild and like, honestly, like when I talk

0:23:35.480 --> 0:23:37.760
<v Speaker 1>about led Belly in the last episodes, like he wasn't

0:23:37.760 --> 0:23:40.600
<v Speaker 1>even a circus act. He was a zoo act, you know,

0:23:41.119 --> 0:23:44.080
<v Speaker 1>until he took charge found white lawyers who helped him

0:23:44.080 --> 0:23:46.160
<v Speaker 1>get out of the contract, and he like fucking broke

0:23:46.240 --> 0:23:48.879
<v Speaker 1>free and then had a career and then became a

0:23:49.400 --> 0:23:52.520
<v Speaker 1>leftist labor singer and wrote anti fascist songs and was

0:23:52.600 --> 0:23:55.040
<v Speaker 1>cool as fuck. But the last time he went to prison.

0:23:55.800 --> 0:23:58.320
<v Speaker 1>Alan Lomax dropped out of grad school to help raise

0:23:58.400 --> 0:24:01.160
<v Speaker 1>money to help get him out. So that was when

0:24:01.200 --> 0:24:04.800
<v Speaker 1>I was like, all right, Alix is cool.

0:24:06.119 --> 0:24:08.640
<v Speaker 3>That's pretty cool. That's first of all, as a grad

0:24:08.720 --> 0:24:11.399
<v Speaker 3>school dropout. Dropping out of grad school's pretty cool just

0:24:11.560 --> 0:24:13.760
<v Speaker 3>in general, but that's specifically very cool.

0:24:14.760 --> 0:24:18.159
<v Speaker 1>Years later, students would ask advice, and he often was like,

0:24:18.280 --> 0:24:19.040
<v Speaker 1>drop out of school.

0:24:19.760 --> 0:24:22.359
<v Speaker 3>It's great advice. I've give that advice to anybody.

0:24:22.520 --> 0:24:23.880
<v Speaker 1>I'm also a college drop out.

0:24:23.920 --> 0:24:26.000
<v Speaker 4>Yet wouldn't you repeat that advice? If somebody was like,

0:24:26.040 --> 0:24:27.880
<v Speaker 4>I'm in grad school and it sucks, I have no money,

0:24:27.920 --> 0:24:29.840
<v Speaker 4>what should I do? It's like, how have you considered

0:24:29.920 --> 0:24:30.480
<v Speaker 4>dropping out?

0:24:30.600 --> 0:24:32.639
<v Speaker 1>I remember giving me to talk out of college, and

0:24:32.720 --> 0:24:35.760
<v Speaker 1>this like person raised their hand, They're like I remember

0:24:35.800 --> 0:24:38.399
<v Speaker 1>they like asked me how to handle certain things with college,

0:24:38.440 --> 0:24:41.760
<v Speaker 1>and I was just like, look, I dropped out. Like

0:24:41.960 --> 0:24:43.480
<v Speaker 1>now your school's paying me to talk to you. I

0:24:43.520 --> 0:24:46.680
<v Speaker 1>don't know what to tell you I'm not encouraging that

0:24:46.800 --> 0:24:48.919
<v Speaker 1>one way or the other. Everyone's conditions are very different

0:24:48.920 --> 0:24:51.040
<v Speaker 1>from each other. But do you know what I can

0:24:51.440 --> 0:24:55.160
<v Speaker 1>wholeheartedly recommend because I have personally added none of lay

0:24:55.200 --> 0:24:58.040
<v Speaker 1>it on me the products and services that support this

0:24:58.160 --> 0:24:59.840
<v Speaker 1>podcast of which I have no knowledge.

0:25:00.200 --> 0:25:02.359
<v Speaker 4>It will never not pack me up. How y'all do

0:25:02.800 --> 0:25:05.119
<v Speaker 4>your ad breaks. It is my favorite fucking thing in

0:25:05.160 --> 0:25:05.560
<v Speaker 4>the world.

0:25:05.800 --> 0:25:09.280
<v Speaker 1>I think they secretly know that anti advertising is still advertising,

0:25:09.560 --> 0:25:12.720
<v Speaker 1>that's my best guess. Or they just don't listen, but

0:25:12.840 --> 0:25:19.840
<v Speaker 1>you should listen or not here they are enter back.

0:25:21.480 --> 0:25:24.720
<v Speaker 1>So this week I am mad at my sources. I

0:25:24.800 --> 0:25:26.879
<v Speaker 1>am particularly mad. I have never talked shit on a

0:25:26.920 --> 0:25:29.640
<v Speaker 1>specific source book before on the four or five years

0:25:29.680 --> 0:25:31.560
<v Speaker 1>of been doing this show. I am mad at the

0:25:31.600 --> 0:25:34.320
<v Speaker 1>biography Alan Lomax, the man who Recorded the World by

0:25:34.440 --> 0:25:38.480
<v Speaker 1>John Zwd from twenty ten, because twenty ten is way

0:25:38.600 --> 0:25:41.640
<v Speaker 1>too recent of a book to have such wild either

0:25:41.760 --> 0:25:46.679
<v Speaker 1>apology of racism that's either conscious or just sure didn't

0:25:46.960 --> 0:25:50.959
<v Speaker 1>look deep. Because this is a book about Alan Lomax.

0:25:51.000 --> 0:25:52.960
<v Speaker 1>It's the book about Alan Lomax that I can find,

0:25:53.000 --> 0:25:54.560
<v Speaker 1>and so it's my main source for a lot of

0:25:54.600 --> 0:25:59.280
<v Speaker 1>this stuff. But because one of the most important things

0:25:59.359 --> 0:26:02.240
<v Speaker 1>in Alan's early life and one of the main things

0:26:02.280 --> 0:26:04.200
<v Speaker 1>that this book starts off talking about. This book just

0:26:04.240 --> 0:26:07.280
<v Speaker 1>basically like gives the like John Lomax in his family

0:26:07.320 --> 0:26:09.840
<v Speaker 1>bootstrap themselves, and here he is like off trying to

0:26:09.920 --> 0:26:12.720
<v Speaker 1>care about people and doesn't mention any of the like

0:26:13.560 --> 0:26:16.040
<v Speaker 1>it's just defending the contract that he traps. Howe he

0:26:16.080 --> 0:26:18.480
<v Speaker 1>ledbetter and over and over and over again, even when

0:26:18.560 --> 0:26:21.520
<v Speaker 1>like no one's asking, you know, it's like going out

0:26:21.560 --> 0:26:23.600
<v Speaker 1>of the way to be like instead of saying something

0:26:23.640 --> 0:26:25.480
<v Speaker 1>that might be fucked up and then defending it, it

0:26:25.600 --> 0:26:26.720
<v Speaker 1>starts off by defending it.

0:26:27.720 --> 0:26:27.879
<v Speaker 4>You know.

0:26:29.480 --> 0:26:32.080
<v Speaker 1>It frames made to work morning till night as an

0:26:32.160 --> 0:26:35.000
<v Speaker 1>unpaid servant as didn't charge him rent.

0:26:35.560 --> 0:26:39.200
<v Speaker 3>Ah, and like, oh, like isn't that great for him?

0:26:39.280 --> 0:26:40.280
<v Speaker 3>What a bargain? Right?

0:26:40.840 --> 0:26:43.600
<v Speaker 1>Like literally, this man when they bring up I think

0:26:43.680 --> 0:26:46.480
<v Speaker 1>Martha is her name, Huddy's wife to come stay with

0:26:46.480 --> 0:26:48.960
<v Speaker 1>them in Connecticut while they're recording up from Texas or

0:26:49.000 --> 0:26:51.520
<v Speaker 1>maybe Louisiana. It's been a moment. They're like, all right,

0:26:51.520 --> 0:26:53.800
<v Speaker 1>we're gonna let your you know, girlfriend come up here

0:26:53.800 --> 0:26:57.880
<v Speaker 1>and you get married. And it's presented as like reuniting

0:26:57.960 --> 0:27:02.200
<v Speaker 1>the two. Literally, John Lomax was writing letters to his

0:27:02.280 --> 0:27:04.520
<v Speaker 1>wife that were like, helly, and now I have two

0:27:04.600 --> 0:27:10.639
<v Speaker 1>one paid servants like that being left out. I'm not

0:27:10.760 --> 0:27:14.440
<v Speaker 1>a big lies biomission, girl, That's a fucking lie biomission.

0:27:15.480 --> 0:27:18.399
<v Speaker 1>And it completely leaves out how they wrote a racist

0:27:18.440 --> 0:27:21.040
<v Speaker 1>caricature of Ledbetter and then claimed that Ledbetter wrote it

0:27:21.119 --> 0:27:22.720
<v Speaker 1>and then didn't give him any of the money for it,

0:27:23.320 --> 0:27:26.639
<v Speaker 1>and it's just it's disinfuriating. I was so mad that

0:27:26.680 --> 0:27:28.400
<v Speaker 1>I almost didn't do this episode, and then I kept

0:27:28.440 --> 0:27:30.399
<v Speaker 1>reading and I was like, goddamn, Alan Lomax is actually

0:27:30.400 --> 0:27:32.320
<v Speaker 1>really cool. His dad's a piece of shit. But I

0:27:32.400 --> 0:27:35.000
<v Speaker 1>don't trust my source, so maybe he was also a

0:27:35.040 --> 0:27:37.399
<v Speaker 1>piece of shit, and it's just not fucking mentioned. But

0:27:37.520 --> 0:27:39.200
<v Speaker 1>I do have a lot of counterfactual I have a

0:27:39.240 --> 0:27:41.160
<v Speaker 1>lot of like Alan Lomax being really cool.

0:27:41.200 --> 0:27:41.680
<v Speaker 3>Okay, good.

0:27:42.280 --> 0:27:47.159
<v Speaker 1>That is my long aside. I believe Alan Lomax was

0:27:47.240 --> 0:27:52.240
<v Speaker 1>nothing like his father, and this story is maybe essential

0:27:52.280 --> 0:27:55.199
<v Speaker 1>for understanding the construction of folk identity in America, an

0:27:55.200 --> 0:27:59.560
<v Speaker 1>America's conception of its own music and literature. But Alan

0:27:59.640 --> 0:28:03.840
<v Speaker 1>Lomack thirty minutes into our episode, that's actually honestly faster

0:28:04.000 --> 0:28:08.520
<v Speaker 1>than sometimes for this show. Alan Lomax was born on

0:28:08.680 --> 0:28:11.680
<v Speaker 1>January thirty first, in the Year of Our Lord, nineteen fifteen,

0:28:11.840 --> 0:28:14.920
<v Speaker 1>in Austin, Texas. I believe he was the third child,

0:28:15.040 --> 0:28:17.920
<v Speaker 1>and he was a sickly kid. He had asthma and earaches,

0:28:17.960 --> 0:28:20.320
<v Speaker 1>and he struggled to put on weight. And this is

0:28:20.400 --> 0:28:21.960
<v Speaker 1>going to follow him his whole life, that he just

0:28:22.160 --> 0:28:25.280
<v Speaker 1>is a kind of likes getting sick. It's like a hobby.

0:28:27.320 --> 0:28:30.040
<v Speaker 1>Their parents were overachievers who wanted their kids to be

0:28:30.119 --> 0:28:33.960
<v Speaker 1>overachievers too, and all their kids were ranked against each other,

0:28:34.400 --> 0:28:37.440
<v Speaker 1>like whenever a kid started reading, they were like, oh, well,

0:28:37.680 --> 0:28:39.720
<v Speaker 1>Susie started reading at three and a half, what are

0:28:39.720 --> 0:28:42.240
<v Speaker 1>you fucking doing at three and nine months, you fucking

0:28:42.360 --> 0:28:45.440
<v Speaker 1>lazy asshole, you know. And they were all taught to

0:28:45.560 --> 0:28:48.600
<v Speaker 1>sing and do math and just do all the overachiever shit,

0:28:49.160 --> 0:28:51.560
<v Speaker 1>and they like would have been in competitive soccer leagues

0:28:51.560 --> 0:28:53.880
<v Speaker 1>one hundred years later, but instead he's actually gonna end

0:28:53.920 --> 0:28:55.840
<v Speaker 1>up being forced to play football even though he's a tiny,

0:28:55.880 --> 0:28:59.920
<v Speaker 1>sickly child. Alan was pretty direct about how he felt

0:29:00.000 --> 0:29:02.840
<v Speaker 1>about this period in his life. Quote, I was given

0:29:02.880 --> 0:29:05.880
<v Speaker 1>an absurd notion of my capacities. I don't know how

0:29:05.920 --> 0:29:08.800
<v Speaker 1>I survived. I was pushed ahead of my class although

0:29:08.840 --> 0:29:13.040
<v Speaker 1>I wasn't brighter than anybody else, that made me like him.

0:29:13.080 --> 0:29:16.000
<v Speaker 1>I was just like, oh, I like this guy. Alan

0:29:16.120 --> 0:29:18.720
<v Speaker 1>grew up in a household that believed his own legend

0:29:18.840 --> 0:29:21.239
<v Speaker 1>that there were all these like you know, bootstrappers who

0:29:21.480 --> 0:29:24.200
<v Speaker 1>you know, would successfully get into Harvard and shit like that,

0:29:24.800 --> 0:29:29.720
<v Speaker 1>and they demanded greatness of their kids. Alan got perfect grades,

0:29:30.040 --> 0:29:32.320
<v Speaker 1>but he missed class because he was sick all the time.

0:29:32.880 --> 0:29:35.560
<v Speaker 1>He went to the fanciest private school with tiny classes,

0:29:35.920 --> 0:29:38.760
<v Speaker 1>but he could never truly impress his father despite getting

0:29:38.840 --> 0:29:41.360
<v Speaker 1>all a's, because he wasn't a real Texas man's man.

0:29:42.480 --> 0:29:44.360
<v Speaker 1>So he was signed up for football and he was

0:29:44.400 --> 0:29:46.760
<v Speaker 1>shipped off during the summer to work on ranches that

0:29:46.840 --> 0:29:49.440
<v Speaker 1>would like, you know, build him up or whatever he

0:29:49.560 --> 0:29:52.600
<v Speaker 1>laid around sick, take him man, Yeah, yeah, exactly. He

0:29:52.640 --> 0:29:54.120
<v Speaker 1>would just go to the ranches and then be like

0:29:54.280 --> 0:29:56.800
<v Speaker 1>deathly ill in a ranch instead of at home, you know.

0:29:57.520 --> 0:30:00.440
<v Speaker 1>And at one point he's at this ranch, he sends

0:30:00.520 --> 0:30:02.560
<v Speaker 1>letters home to his family. He's probably fourteen or something

0:30:02.600 --> 0:30:05.200
<v Speaker 1>at this point, because he goes off to school at fifteen,

0:30:05.720 --> 0:30:09.040
<v Speaker 1>So he writes letters home to his family and he's like,

0:30:09.160 --> 0:30:11.040
<v Speaker 1>I'm so sick that I think I'm going to die

0:30:11.080 --> 0:30:13.320
<v Speaker 1>and I've made peace with it. And his dad wrote

0:30:13.360 --> 0:30:16.640
<v Speaker 1>him back, and of course did naturally the one thing

0:30:16.680 --> 0:30:19.480
<v Speaker 1>a father should do in the circumstance, which is chastise

0:30:19.560 --> 0:30:22.440
<v Speaker 1>him for making spelling mistakes in the letter and tell

0:30:22.520 --> 0:30:24.560
<v Speaker 1>him that he should be proofreading his letters before he

0:30:24.680 --> 0:30:25.120
<v Speaker 1>sends them.

0:30:26.160 --> 0:30:28.560
<v Speaker 3>His dad is a real son of a bitch. Yeah.

0:30:28.840 --> 0:30:31.040
<v Speaker 1>No, it's just absolute fucking nightmare.

0:30:31.120 --> 0:30:31.280
<v Speaker 2>Man.

0:30:31.760 --> 0:30:34.160
<v Speaker 1>He's going to be woven into way too much of

0:30:34.240 --> 0:30:38.280
<v Speaker 1>this story. His other older brother, John Junior, used to

0:30:38.280 --> 0:30:39.880
<v Speaker 1>beat him up all the time, and their parents ignored

0:30:39.880 --> 0:30:43.160
<v Speaker 1>it because they figure it it's sort itself out. Ironically,

0:30:43.760 --> 0:30:46.560
<v Speaker 1>Alan is going to end up his dad's favorite, despite

0:30:46.640 --> 0:30:50.400
<v Speaker 1>having screaming matches about politics their entire lives.

0:30:51.480 --> 0:30:52.160
<v Speaker 3>I know that game.

0:30:52.680 --> 0:30:56.360
<v Speaker 1>Possibly Dad is going Possibly, I've read two versions of this.

0:30:56.880 --> 0:30:58.960
<v Speaker 1>Dad is going to turn him into the FBI for

0:30:59.080 --> 0:31:05.520
<v Speaker 1>being a communist. But they're still the favorite.

0:31:12.440 --> 0:31:14.560
<v Speaker 4>What are the other siblings like where it's like, yeah,

0:31:14.560 --> 0:31:17.400
<v Speaker 4>I turned him into the FBI, but so I can better.

0:31:17.840 --> 0:31:20.520
<v Speaker 1>It's because they both do the same work with folklore.

0:31:22.240 --> 0:31:25.960
<v Speaker 1>I think I don't know, or like maybe dad knows

0:31:26.040 --> 0:31:28.120
<v Speaker 1>that Dad's a piece of shit, and it's just like

0:31:28.800 --> 0:31:29.240
<v Speaker 1>I don't know.

0:31:30.320 --> 0:31:31.920
<v Speaker 4>Maybe it's like a I don't know, if you watched

0:31:31.960 --> 0:31:33.600
<v Speaker 4>the show Succession, maybe.

0:31:33.440 --> 0:31:36.320
<v Speaker 1>It's sort of like I got you what is it?

0:31:37.000 --> 0:31:38.920
<v Speaker 3>You know, where it's like we don't get.

0:31:38.840 --> 0:31:41.520
<v Speaker 4>Along, but I have a begrudging respect for the fact

0:31:41.520 --> 0:31:44.240
<v Speaker 4>that you like go out on your own and you try. Yeah,

0:31:44.280 --> 0:31:46.400
<v Speaker 4>maybe it's like that a little bit of a roy

0:31:46.520 --> 0:31:47.760
<v Speaker 4>family dynamic.

0:31:47.640 --> 0:31:51.160
<v Speaker 1>Like when Kendall like exposes his dad and his dad

0:31:51.520 --> 0:31:52.760
<v Speaker 1>like secretly smile.

0:31:53.000 --> 0:31:54.720
<v Speaker 3>Yeah, he's kind of into it because it's like, well,

0:31:54.840 --> 0:31:57.080
<v Speaker 3>we don't get along, but I respect that you're like

0:31:57.200 --> 0:31:57.880
<v Speaker 3>taking a shot.

0:31:58.280 --> 0:32:00.000
<v Speaker 1>I love you, but you're not serious.

0:32:00.000 --> 0:32:00.680
<v Speaker 3>Where's people?

0:32:03.680 --> 0:32:06.440
<v Speaker 1>I actually think that is happening. And because even his

0:32:06.560 --> 0:32:08.160
<v Speaker 1>whole life, Allan is going to be like I hate

0:32:08.160 --> 0:32:11.480
<v Speaker 1>my father's politics. My father has done terrible things, but

0:32:11.600 --> 0:32:14.360
<v Speaker 1>also he kind of refuses to be like fuck by dad.

0:32:14.520 --> 0:32:17.760
<v Speaker 1>He's always a little bit like but I understand and

0:32:17.840 --> 0:32:20.720
<v Speaker 1>respect him. It's kind of an interesting dynamic, and like,

0:32:21.320 --> 0:32:24.400
<v Speaker 1>I don't know, if I had a piece of shit kid,

0:32:24.520 --> 0:32:26.040
<v Speaker 1>like I don't know, it'd be so hard, right, like

0:32:26.080 --> 0:32:27.200
<v Speaker 1>what have you had a kid in there? A piece

0:32:27.200 --> 0:32:29.080
<v Speaker 1>of shit? Like what do you even do? I don't

0:32:29.160 --> 0:32:32.520
<v Speaker 1>know anyway, so I have some respect for the respect

0:32:32.560 --> 0:32:36.320
<v Speaker 1>for dad. At like fourteen or fifteen, he goes off

0:32:36.320 --> 0:32:38.920
<v Speaker 1>to a finishing school in Connecticut on a full scholarship

0:32:38.960 --> 0:32:41.080
<v Speaker 1>and he's off to New England to become a fancy person.

0:32:41.520 --> 0:32:43.960
<v Speaker 1>But he doesn't have any money, like spending money, and

0:32:44.160 --> 0:32:46.880
<v Speaker 1>his family pretty genuinely didn't have any spending money for

0:32:47.000 --> 0:32:50.160
<v Speaker 1>him either. Dad was usually working for this or that university,

0:32:50.240 --> 0:32:52.640
<v Speaker 1>but was unemployed a lot, and his work as a

0:32:52.720 --> 0:32:56.480
<v Speaker 1>folklorist was often ignored. It's worth knowing that his dad's history.

0:32:56.840 --> 0:32:59.640
<v Speaker 1>His dad loves cowboy songs and he wants it to

0:32:59.680 --> 0:33:03.360
<v Speaker 1>be taken seriously in academia, and most people kind of

0:33:03.440 --> 0:33:06.640
<v Speaker 1>just laugh at him about it. And so that's kind

0:33:06.680 --> 0:33:08.440
<v Speaker 1>of why he started breaking into being like, well, what

0:33:08.520 --> 0:33:11.720
<v Speaker 1>if I record black people instead? And people are like, oh,

0:33:11.800 --> 0:33:14.000
<v Speaker 1>that sells people like the race music as it was

0:33:14.080 --> 0:33:16.320
<v Speaker 1>called at the time, which is funny because like we

0:33:16.440 --> 0:33:18.160
<v Speaker 1>call it like race music as if we're like so

0:33:18.280 --> 0:33:21.360
<v Speaker 1>much more enlightened now, but like, yeah, it's the same

0:33:21.520 --> 0:33:26.040
<v Speaker 1>concept truly can we sell this to white people?

0:33:26.960 --> 0:33:30.000
<v Speaker 4>All of this sounds like it's so like, you know,

0:33:30.200 --> 0:33:33.160
<v Speaker 4>back in the old days. It is actually very much

0:33:33.320 --> 0:33:36.480
<v Speaker 4>still around. The legacy of all this is like very contemporary.

0:33:37.600 --> 0:33:39.160
<v Speaker 1>I mean, fuck, I don't know how it works about

0:33:39.200 --> 0:33:41.680
<v Speaker 1>people like walking around and finding people like freestyling on

0:33:41.720 --> 0:33:43.320
<v Speaker 1>the street and then just being like, I'm gonna make

0:33:43.360 --> 0:33:46.440
<v Speaker 1>you a stock kid, you know, stick with me.

0:33:46.560 --> 0:33:47.440
<v Speaker 3>It goes straight to the town.

0:33:47.520 --> 0:33:52.440
<v Speaker 1>Yeah, I do still run across people getting absolutely screwed

0:33:52.480 --> 0:33:53.400
<v Speaker 1>by producers over that.

0:33:53.560 --> 0:33:53.720
<v Speaker 3>You know.

0:33:55.120 --> 0:33:57.880
<v Speaker 1>So young Alan, he's in Connecticut and he wants to

0:33:57.960 --> 0:34:00.720
<v Speaker 1>go on a date, so he asks his parents for

0:34:00.840 --> 0:34:03.960
<v Speaker 1>money to quote that book Alan Lomax, the manner recorded

0:34:04.000 --> 0:34:07.320
<v Speaker 1>the world quote. His mother wrote a thirteen page letter

0:34:07.440 --> 0:34:09.120
<v Speaker 1>that listed each of his cousins who had been a

0:34:09.160 --> 0:34:12.359
<v Speaker 1>failure because of some girl or another and contrasted them

0:34:12.400 --> 0:34:15.200
<v Speaker 1>with those like his older brother, who had succeeded because

0:34:15.200 --> 0:34:17.120
<v Speaker 1>of their single minded devotion to their work.

0:34:20.880 --> 0:34:24.400
<v Speaker 4>It's like Rick and Morty style, like, don't think about girls,

0:34:24.480 --> 0:34:27.399
<v Speaker 4>just focus on side and then you know it'll yeah,

0:34:27.920 --> 0:34:29.800
<v Speaker 4>it'll just confuse you and distract you.

0:34:31.040 --> 0:34:35.000
<v Speaker 1>But Alan Lomax's clever as shit. This is like nineteen thirty,

0:34:35.040 --> 0:34:37.960
<v Speaker 1>he's doing this. He writes back, basically, look, if you

0:34:38.000 --> 0:34:40.319
<v Speaker 1>don't give me money to date this girl, I've been

0:34:40.360 --> 0:34:45.200
<v Speaker 1>looking at boys a lot lately. Boys are kind of cute,

0:34:45.239 --> 0:34:53.640
<v Speaker 1>am I right? Car, Yeah, he's already turning out very

0:34:53.680 --> 0:34:56.600
<v Speaker 1>differently from his father. He spends his freshman year of

0:34:56.680 --> 0:34:59.880
<v Speaker 1>college at the University of Texas, and he resigns from

0:34:59.880 --> 0:35:03.279
<v Speaker 1>the school paper because he wants to publish. Okay, the

0:35:03.400 --> 0:35:08.080
<v Speaker 1>pope says birth control is bad. Here's an encyclical about it,

0:35:08.680 --> 0:35:11.520
<v Speaker 1>and so Alan writes a birth control is good, Fuck you,

0:35:11.640 --> 0:35:15.000
<v Speaker 1>mister pope, and the school won't publish it. So he's like,

0:35:15.280 --> 0:35:18.200
<v Speaker 1>then I quit. You won't listen to my pro birth

0:35:18.200 --> 0:35:21.200
<v Speaker 1>control arguments, I'm fucking out of here. And his friend

0:35:21.239 --> 0:35:23.839
<v Speaker 1>group was radical as fuck, including a guy who later

0:35:23.960 --> 0:35:26.920
<v Speaker 1>became the lawyer who wrote the arguments used to desegregate

0:35:27.000 --> 0:35:29.640
<v Speaker 1>schools in Brown versus the Board of Education. And then

0:35:29.680 --> 0:35:31.040
<v Speaker 1>there are a whole bunch of other names that were

0:35:31.080 --> 0:35:32.759
<v Speaker 1>listed that I was like, oh, I should look up.

0:35:33.120 --> 0:35:36.120
<v Speaker 1>That's too many rabbit holes. A lot of his friends

0:35:36.160 --> 0:35:38.479
<v Speaker 1>went on to go do civil rights shit in pretty

0:35:38.520 --> 0:35:42.040
<v Speaker 1>cool ways. He was born to be a Bohemian, but

0:35:42.160 --> 0:35:44.719
<v Speaker 1>not actually from Bohemia, because that's actually Bohemi is like

0:35:44.840 --> 0:35:47.879
<v Speaker 1>in Bohemian as a concept, it's like an early Orientalism.

0:35:48.000 --> 0:35:50.719
<v Speaker 1>Well it's about the same time as regular Orientalism, but

0:35:50.880 --> 0:35:53.319
<v Speaker 1>like Bohemia is a place. It's in eastern Europe. It's

0:35:53.320 --> 0:35:55.799
<v Speaker 1>like part of the Czech Republic now, right, But being

0:35:55.840 --> 0:35:58.840
<v Speaker 1>a Bohemian is like I am exotic and different, you know,

0:36:00.640 --> 0:36:02.680
<v Speaker 1>and we like let that one be, which is fine.

0:36:02.719 --> 0:36:05.720
<v Speaker 1>I don't believe that Bohemians are ethnically oppressed, but anyway,

0:36:06.000 --> 0:36:07.920
<v Speaker 1>he's born to be a Bohemian by the style of

0:36:08.000 --> 0:36:10.840
<v Speaker 1>the time in the nineteen and thirties in America, he

0:36:11.000 --> 0:36:13.719
<v Speaker 1>risks expulsion to go to a black music venue, like

0:36:13.800 --> 0:36:15.799
<v Speaker 1>if a school finds out he's like going to where

0:36:15.840 --> 0:36:17.759
<v Speaker 1>black people hang out, he can get expelled. He does

0:36:17.840 --> 0:36:22.920
<v Speaker 1>it anyway, and his second year of college, his family

0:36:23.000 --> 0:36:25.480
<v Speaker 1>manages to get him into Harvard on a scholarship to

0:36:25.560 --> 0:36:29.360
<v Speaker 1>study philosophy. He goes there. He keeps a goldfish in

0:36:29.440 --> 0:36:31.960
<v Speaker 1>a rat as pets I think, in his dorm room.

0:36:33.000 --> 0:36:35.359
<v Speaker 1>He doesn't really make a lot of friends because all

0:36:35.400 --> 0:36:38.200
<v Speaker 1>of his classmates are pretentious conservative assholes.

0:36:37.800 --> 0:36:39.800
<v Speaker 3>And also the pet rat probably didn't know. Hello.

0:36:40.480 --> 0:36:43.040
<v Speaker 1>Yeah, No, he's a weird kid. He is absolutely a

0:36:43.080 --> 0:36:43.560
<v Speaker 1>weird kid.

0:36:44.120 --> 0:36:45.160
<v Speaker 3>Hygiene my guy.

0:36:45.560 --> 0:36:45.799
<v Speaker 1>Yeah.

0:36:46.480 --> 0:36:47.200
<v Speaker 3>And he wrote his.

0:36:47.280 --> 0:36:51.000
<v Speaker 1>Dad constantly, and his dad wanted letters about Harvard life,

0:36:51.080 --> 0:36:53.440
<v Speaker 1>being like, ah, I want to live through you, Like

0:36:53.600 --> 0:36:56.319
<v Speaker 1>what are you doing? What amazing learnings are you doing?

0:36:56.719 --> 0:37:01.680
<v Speaker 1>And Alan sends him letters about communism, and he sends

0:37:01.719 --> 0:37:05.320
<v Speaker 1>his dad letters about communism with a capital C that

0:37:05.480 --> 0:37:07.160
<v Speaker 1>has flames coming out of it.

0:37:07.920 --> 0:37:11.360
<v Speaker 3>Oh my god, this is big f you, dad, energy,

0:37:11.640 --> 0:37:12.400
<v Speaker 3>which I'm here for.

0:37:13.120 --> 0:37:16.160
<v Speaker 1>But it's also like he's like, Dad, I've discovered the

0:37:16.239 --> 0:37:21.719
<v Speaker 1>most amazing thing you know. And Dad is having a

0:37:21.800 --> 0:37:24.520
<v Speaker 1>hard time. He keeps losing his job, his health is declining,

0:37:24.520 --> 0:37:28.080
<v Speaker 1>and his wife, Alan's mom dies and so he gets

0:37:28.160 --> 0:37:30.640
<v Speaker 1>a lot out of corresponding with his weird communist son.

0:37:31.040 --> 0:37:32.799
<v Speaker 1>So he's like writing these letters that are like you're

0:37:32.840 --> 0:37:35.000
<v Speaker 1>my only human connection. Tell me about what's happening. And

0:37:35.120 --> 0:37:38.480
<v Speaker 1>he's kids like have you ever heard of from each

0:37:38.480 --> 0:37:41.719
<v Speaker 1>according to ability, to each according to need?

0:37:44.320 --> 0:37:46.879
<v Speaker 3>I've drawing it with flames around.

0:37:46.600 --> 0:37:49.640
<v Speaker 1>It for you. Here's the stucy esa or the coolest

0:37:49.760 --> 0:37:53.440
<v Speaker 1>or whatever. I love it. It was just like a

0:37:53.560 --> 0:37:56.439
<v Speaker 1>no one ever changes the moment to learn that he's drying. Yes,

0:37:56.680 --> 0:37:58.799
<v Speaker 1>communism flames come out.

0:37:58.880 --> 0:38:02.880
<v Speaker 3>It's up also sid iconic reference.

0:38:05.040 --> 0:38:06.840
<v Speaker 1>I think now they're caught it coolest. But when I

0:38:06.920 --> 0:38:12.080
<v Speaker 1>was in school, there's a Stuss and so he doesn't

0:38:12.280 --> 0:38:14.840
<v Speaker 1>like Harvard and he writes and he's like, Dad, let

0:38:14.920 --> 0:38:17.160
<v Speaker 1>me just like go around and collect music with you. Instead,

0:38:17.680 --> 0:38:19.840
<v Speaker 1>he wants to go to the coal miner strike in

0:38:19.920 --> 0:38:22.520
<v Speaker 1>Kentucky because that's where all the writers go to get

0:38:22.520 --> 0:38:25.360
<v Speaker 1>it arrested, because there's no real free speech in America.

0:38:25.400 --> 0:38:27.719
<v Speaker 1>And if you go right like pretty like famous people

0:38:27.760 --> 0:38:29.440
<v Speaker 1>were going there to cover it, and we're getting interested

0:38:29.480 --> 0:38:32.520
<v Speaker 1>for covering it. But he also is like he's a

0:38:32.560 --> 0:38:34.480
<v Speaker 1>Sessi communist. So he's like, Dad, no, wait, I have

0:38:34.600 --> 0:38:36.720
<v Speaker 1>new idea. You should put me on a ship somewhere

0:38:36.760 --> 0:38:38.759
<v Speaker 1>in like the South Pacific, and I'm going to learn

0:38:38.800 --> 0:38:41.240
<v Speaker 1>how to do stuff with my hands, be a sailor,

0:38:41.760 --> 0:38:44.759
<v Speaker 1>you know which, like I don't know. I mean, I

0:38:44.840 --> 0:38:46.520
<v Speaker 1>also want to learn that, but I actually don't want

0:38:46.560 --> 0:38:50.319
<v Speaker 1>to do it in that style. And he's watching all

0:38:50.360 --> 0:38:53.000
<v Speaker 1>these Soviet films which glorified the good worker and put

0:38:53.080 --> 0:38:55.680
<v Speaker 1>down the intellectual and he knows that, despite being somewhat

0:38:55.719 --> 0:38:57.360
<v Speaker 1>a poor text, and he's probably made fun of a

0:38:57.440 --> 0:39:01.360
<v Speaker 1>lot for this, he is certainly the bourgeoisie. And I

0:39:01.640 --> 0:39:03.839
<v Speaker 1>almost spelled that word correctly when I wrote it into

0:39:03.920 --> 0:39:07.680
<v Speaker 1>my script, but I did not. I get to write.

0:39:07.680 --> 0:39:11.920
<v Speaker 1>About half the time, he gets himself arrested for protesting

0:39:11.960 --> 0:39:15.640
<v Speaker 1>the deportation of a Polish labor organizer, which surprised him

0:39:15.680 --> 0:39:17.440
<v Speaker 1>because he hadn't actually broken the law. He had just

0:39:17.680 --> 0:39:20.040
<v Speaker 1>spoken at a rally. So this was kind of his

0:39:20.200 --> 0:39:22.680
<v Speaker 1>like Pikachu shock face that, like he's like, wait, but

0:39:22.800 --> 0:39:26.360
<v Speaker 1>it's gonna happen to me, Like, hold on, I'm not

0:39:26.440 --> 0:39:29.000
<v Speaker 1>a poor Polish worker or a Kentuckian minor, or like

0:39:29.040 --> 0:39:30.200
<v Speaker 1>a black person from the South.

0:39:31.760 --> 0:39:33.560
<v Speaker 3>Do they know of my affiliation with Harvard?

0:39:33.680 --> 0:39:33.839
<v Speaker 2>Yeah?

0:39:34.160 --> 0:39:36.560
<v Speaker 1>Well, fortunately the dean of Harvard bailed him out.

0:39:37.200 --> 0:39:37.640
<v Speaker 3>Oh good.

0:39:43.000 --> 0:39:45.480
<v Speaker 1>He only makes it one year at Harvard. Money is

0:39:45.560 --> 0:39:47.920
<v Speaker 1>tight and his grades are shit because he's too distracted

0:39:47.960 --> 0:39:51.680
<v Speaker 1>trying to be a Bohemian communist. And I'm not a

0:39:51.760 --> 0:39:53.720
<v Speaker 1>communist at least not in the capital c with flaming

0:39:53.760 --> 0:39:56.320
<v Speaker 1>letters kind of way. But honestly, this is still relatable

0:39:56.360 --> 0:39:59.319
<v Speaker 1>to my art school dropout self and he heads back

0:39:59.320 --> 0:40:03.000
<v Speaker 1>to the University of Texas. But school was never going

0:40:03.080 --> 0:40:05.520
<v Speaker 1>to be where this man excelled. He is much better

0:40:05.600 --> 0:40:07.680
<v Speaker 1>on the road doing the work he was born to do,

0:40:07.920 --> 0:40:11.560
<v Speaker 1>which is record people's songs. He starts doing that during

0:40:11.640 --> 0:40:13.680
<v Speaker 1>his next summer break, when he is all of seventeen

0:40:13.760 --> 0:40:16.000
<v Speaker 1>years old. But do you know who else gets a break?

0:40:17.280 --> 0:40:20.080
<v Speaker 1>Tell me, we get a very short break, and you,

0:40:20.280 --> 0:40:23.080
<v Speaker 1>the listener, get either a short or long break, depending

0:40:23.160 --> 0:40:25.600
<v Speaker 1>on whether or not you've discovered the skip Ford thirty

0:40:25.640 --> 0:40:32.480
<v Speaker 1>seconds button. Here's a bunch of ads, and we're back.

0:40:33.680 --> 0:40:33.919
<v Speaker 3>See.

0:40:34.360 --> 0:40:36.800
<v Speaker 1>His dad had sold a book to McMillan, which is

0:40:36.880 --> 0:40:39.200
<v Speaker 1>funny to me because I have also sold books to McMillan,

0:40:40.520 --> 0:40:43.000
<v Speaker 1>saying that he would travel around the country recording and

0:40:43.080 --> 0:40:46.960
<v Speaker 1>transcribing an anthology of American folk music, and the Library

0:40:47.000 --> 0:40:49.400
<v Speaker 1>of Congress signed off on them working in a volunteer

0:40:49.520 --> 0:40:52.759
<v Speaker 1>capacity on the project, which gives them like cred right,

0:40:53.000 --> 0:40:56.759
<v Speaker 1>They're like, oh, we're working for McMillan and also the

0:40:57.080 --> 0:41:00.919
<v Speaker 1>Library of Congress. So nineteen thirty two, father and son

0:41:01.000 --> 0:41:04.400
<v Speaker 1>drove around the country, camping as they went and recording,

0:41:05.080 --> 0:41:06.880
<v Speaker 1>and the timeline's a bit blurry to me, does this

0:41:06.960 --> 0:41:09.120
<v Speaker 1>a couple summers in a row. I might acidently conflate

0:41:09.200 --> 0:41:13.239
<v Speaker 1>some stuff. John is out there doing colonialism. He doesn't

0:41:13.280 --> 0:41:14.960
<v Speaker 1>see it that way. He sees himself as a serious

0:41:14.960 --> 0:41:18.120
<v Speaker 1>academic researcher. But he records people's music and then copyrights

0:41:18.120 --> 0:41:22.239
<v Speaker 1>it and sells it. Alan learns there's something more to

0:41:22.440 --> 0:41:26.400
<v Speaker 1>it right away. That first summer they recorded a singer

0:41:26.520 --> 0:41:30.120
<v Speaker 1>named Blue, who sang the song stagger Lee, which I

0:41:30.239 --> 0:41:34.040
<v Speaker 1>first heard with Nick Cave's stagger Lee because I learned

0:41:34.040 --> 0:41:37.000
<v Speaker 1>it once a white Australian man saying it, and since

0:41:37.080 --> 0:41:40.239
<v Speaker 1>Blue knew he was being recorded, Blue said on the

0:41:40.280 --> 0:41:44.080
<v Speaker 1>recording quote, now, mister President, you just don't know how

0:41:44.160 --> 0:41:47.400
<v Speaker 1>bad they're treating us folks down here. I'm singing to you,

0:41:47.640 --> 0:41:49.759
<v Speaker 1>and I'm talking to you. So I hope you will

0:41:49.800 --> 0:41:52.280
<v Speaker 1>come down here and do something for us poor folks

0:41:52.320 --> 0:41:57.320
<v Speaker 1>in Texas. And so Alan heard in this the realization

0:41:57.440 --> 0:42:01.080
<v Speaker 1>that folk recording could be part of social change, part

0:42:01.120 --> 0:42:04.440
<v Speaker 1>of bringing people's voices directly to people with less mediation.

0:42:05.719 --> 0:42:09.239
<v Speaker 1>But most people straight up wouldn't sing for these two

0:42:09.640 --> 0:42:13.440
<v Speaker 1>white dudes, two white men driving around a car offering

0:42:13.520 --> 0:42:16.160
<v Speaker 1>to record them and not paying them any money, no

0:42:16.360 --> 0:42:20.960
<v Speaker 1>thank you. And one biographer was like that I read

0:42:21.000 --> 0:42:22.840
<v Speaker 1>about this was like, yeah, that makes sense. People they

0:42:22.880 --> 0:42:25.840
<v Speaker 1>want to be exploited. Well, the other one was like,

0:42:26.120 --> 0:42:30.359
<v Speaker 1>I'm paraphrasing rudely here. Those silly superstitious savages. They didn't

0:42:30.400 --> 0:42:32.480
<v Speaker 1>use that word, but they meant it. Didn't know what

0:42:32.640 --> 0:42:36.160
<v Speaker 1>recording was all about. You're gonna make money on this,

0:42:36.239 --> 0:42:36.920
<v Speaker 1>And I'm fucking not.

0:42:37.440 --> 0:42:40.120
<v Speaker 4>Like, yeah, I'm glad to hear this, because I do

0:42:40.320 --> 0:42:43.600
<v Speaker 4>think there's this attitude. I don't know, it just reminds

0:42:43.800 --> 0:42:48.319
<v Speaker 4>me of how much savvy and asiency these folks actually had,

0:42:48.440 --> 0:42:50.560
<v Speaker 4>because it's so easy to think of these folks as

0:42:50.680 --> 0:42:54.920
<v Speaker 4>like not having savviness and agency and like them being like, oh,

0:42:54.960 --> 0:42:57.719
<v Speaker 4>you want to record me and take my voice and

0:42:57.800 --> 0:43:00.799
<v Speaker 4>I get no money, no thank you, continue about your way,

0:43:00.920 --> 0:43:04.480
<v Speaker 4>like it's a good reminder that these folks were pretty.

0:43:04.200 --> 0:43:07.200
<v Speaker 1>Savvy and like no one ever like they're traveling around

0:43:07.239 --> 0:43:10.680
<v Speaker 1>with incredibly expensive equipment, no one's ever like robbing them.

0:43:10.800 --> 0:43:14.040
<v Speaker 1>People are just like which I straight up wouldn't be

0:43:14.040 --> 0:43:17.480
<v Speaker 1>mad if they did, honestly, but like everyone's just like not,

0:43:17.480 --> 0:43:20.000
<v Speaker 1>I don't want anything to do with that one performer

0:43:20.040 --> 0:43:23.400
<v Speaker 1>who didn't record put it clearly, it's like, look, if

0:43:23.440 --> 0:43:25.480
<v Speaker 1>I record with you, actually this ties into AI in

0:43:25.520 --> 0:43:28.279
<v Speaker 1>an interesting way. If I record with you, even if

0:43:28.320 --> 0:43:30.759
<v Speaker 1>you pay me, who's going to hire me to play

0:43:30.800 --> 0:43:33.719
<v Speaker 1>their bar anymore? If they can just put on a

0:43:33.840 --> 0:43:34.440
<v Speaker 1>record of me.

0:43:35.480 --> 0:43:37.760
<v Speaker 3>Margaret as a voice professional.

0:43:37.880 --> 0:43:38.040
<v Speaker 1>Huh.

0:43:38.760 --> 0:43:42.240
<v Speaker 4>I am having these same conversations today in twenty twenty

0:43:42.360 --> 0:43:45.200
<v Speaker 4>six that this person that you just quoted was having

0:43:45.360 --> 0:43:48.640
<v Speaker 4>back then. Not a damn thing change, my friends, not

0:43:48.760 --> 0:43:49.840
<v Speaker 4>a damn thing change.

0:43:51.360 --> 0:43:53.400
<v Speaker 1>And when they do find people who are willing to record,

0:43:54.120 --> 0:43:57.280
<v Speaker 1>people are willing to record spirituals but not secular songs,

0:43:57.400 --> 0:43:59.880
<v Speaker 1>not the sinful songs to use a way that they

0:44:00.040 --> 0:44:02.920
<v Speaker 1>are sometimes called sometimes by the black folks and definitely

0:44:03.000 --> 0:44:05.319
<v Speaker 1>by people trying to sell them to white folks, by

0:44:05.360 --> 0:44:07.280
<v Speaker 1>white people trying to sell the songs who call them sinful.

0:44:07.800 --> 0:44:10.359
<v Speaker 1>But people know they're not supposed to play those songs

0:44:10.360 --> 0:44:12.120
<v Speaker 1>in mixed company, so they're not going to play it

0:44:12.160 --> 0:44:15.520
<v Speaker 1>on a recording, so they're not getting the real authentic stuff,

0:44:16.040 --> 0:44:21.160
<v Speaker 1>you know. And the whole time that they're driving around

0:44:21.320 --> 0:44:23.719
<v Speaker 1>the South with five hundred pounds of recording equipment in

0:44:23.719 --> 0:44:26.680
<v Speaker 1>the trunk literally two seventy five pound batteries. It's fucking

0:44:27.280 --> 0:44:30.040
<v Speaker 1>wild because it's the two of them. They're just arguing

0:44:30.040 --> 0:44:32.560
<v Speaker 1>about politics and about racism and like whether what they're

0:44:32.600 --> 0:44:35.440
<v Speaker 1>doing is racism, and about prisons because they're also been

0:44:35.520 --> 0:44:38.160
<v Speaker 1>going to prisons and recording people there, you know, which

0:44:38.239 --> 0:44:40.320
<v Speaker 1>is funny because they're like, oh, I know, who was

0:44:40.440 --> 0:44:43.640
<v Speaker 1>willing to sing for me, someone who is literally incarcerated

0:44:43.719 --> 0:44:44.359
<v Speaker 1>and not free?

0:44:47.360 --> 0:44:50.719
<v Speaker 3>I would I gotta say, though, I I want to

0:44:50.760 --> 0:44:54.320
<v Speaker 3>be a fly on the dashboard of conversation. I know

0:44:55.040 --> 0:44:56.080
<v Speaker 3>this would be a good movie.

0:44:56.600 --> 0:44:59.600
<v Speaker 1>It really would. God yeah, Like, especially once they have

0:44:59.680 --> 0:45:04.279
<v Speaker 1>led back are like yeah. And eventually they find Hote

0:45:04.280 --> 0:45:06.040
<v Speaker 1>he led better in prison, and Huddy is smart and

0:45:06.080 --> 0:45:08.319
<v Speaker 1>he realizes these two white guys might be his ticket out.

0:45:08.680 --> 0:45:11.200
<v Speaker 1>He actually, you know, had done the jailhouse lawyery and

0:45:11.239 --> 0:45:13.360
<v Speaker 1>to secure his own freedom, but that hadn't really gone

0:45:13.440 --> 0:45:16.320
<v Speaker 1>through yet, and so he's like, one, I'm going to

0:45:16.400 --> 0:45:19.040
<v Speaker 1>record and he sings that same song, the like hey Governor,

0:45:19.160 --> 0:45:21.000
<v Speaker 1>let me go song. He's like, you got to give

0:45:21.040 --> 0:45:22.800
<v Speaker 1>this to the governor. And it's unclear whether or not

0:45:22.840 --> 0:45:24.600
<v Speaker 1>they ever do, but it's not what gets him out,

0:45:25.000 --> 0:45:28.279
<v Speaker 1>but he's like, these two white guys might get me

0:45:28.360 --> 0:45:30.360
<v Speaker 1>to New York. They might be my ticket to a

0:45:30.440 --> 0:45:33.239
<v Speaker 1>real career once I get myself out of here. So

0:45:33.320 --> 0:45:35.319
<v Speaker 1>when he gets out, they spend a couple months driving

0:45:35.360 --> 0:45:37.960
<v Speaker 1>around the South, the three of them, and in last

0:45:37.960 --> 0:45:39.920
<v Speaker 1>week's episodes they get into it in detail, but basically

0:45:39.960 --> 0:45:42.759
<v Speaker 1>they didn't pay him a dime, they expected him to

0:45:42.880 --> 0:45:45.799
<v Speaker 1>be their servant and also literally didn't let him leave

0:45:45.840 --> 0:45:48.880
<v Speaker 1>when he wanted to. Alan is seventeen and probably doesn't

0:45:48.880 --> 0:45:51.840
<v Speaker 1>have a lot of agency in this, but whatever, Like

0:45:52.000 --> 0:45:54.320
<v Speaker 1>he's like, yeah, kind of shitty. Will you let me

0:45:54.360 --> 0:45:56.759
<v Speaker 1>go home? Can you give me bus fare or let

0:45:56.840 --> 0:45:59.719
<v Speaker 1>me borrow the car or drive me back? And they're like,

0:45:59.760 --> 0:46:03.760
<v Speaker 1>ahh he'll get over it, you know. Yeah. John Lomax

0:46:03.840 --> 0:46:06.240
<v Speaker 1>got Pikachu shock face when he found out that Huddy

0:46:06.360 --> 0:46:08.160
<v Speaker 1>wasn't actually grateful and wanted to get out of the

0:46:08.200 --> 0:46:11.799
<v Speaker 1>exploited of contract. But Alan really looked up to Houdey

0:46:12.000 --> 0:46:15.879
<v Speaker 1>and the two eventually became friends, and eventually they became

0:46:15.960 --> 0:46:18.160
<v Speaker 1>part of the same New York City leftist folk music

0:46:18.239 --> 0:46:21.279
<v Speaker 1>scene that churned out about half the shit that became

0:46:21.360 --> 0:46:25.800
<v Speaker 1>popular music of like just fucking every genre. And that

0:46:27.040 --> 0:46:28.480
<v Speaker 1>is where we're gonna leave the story for now.

0:46:29.360 --> 0:46:32.120
<v Speaker 3>WHOA, you could not have picked a story that I

0:46:32.239 --> 0:46:36.719
<v Speaker 3>am more invested in. I'm on the edge of my seat.

0:46:36.800 --> 0:46:37.000
<v Speaker 4>Mark.

0:46:37.480 --> 0:46:39.799
<v Speaker 1>It's fun when I get to do related topics two

0:46:39.840 --> 0:46:41.239
<v Speaker 1>weeks in a row, because then I get to be

0:46:41.360 --> 0:46:44.000
<v Speaker 1>like extra obsessed with it and extra insufferable to everybody

0:46:44.040 --> 0:46:47.120
<v Speaker 1>that is around me physically. But like, I kind of

0:46:47.239 --> 0:46:49.799
<v Speaker 1>love the episodes that I have to rewrite so many

0:46:49.920 --> 0:46:52.920
<v Speaker 1>times because I flip flop on how I feel about

0:46:52.920 --> 0:46:55.759
<v Speaker 1>all of it because of some great reveal somewhere along

0:46:55.880 --> 0:46:57.919
<v Speaker 1>the way. Although what was interesting is that the great

0:46:57.960 --> 0:47:00.279
<v Speaker 1>reveal here was that, like, Allan's actually pretty fucking chill.

0:47:01.280 --> 0:47:03.839
<v Speaker 3>Yeah. I was waiting. I was like, is Alan going

0:47:03.920 --> 0:47:06.279
<v Speaker 3>to be a jerk? This whole time?

0:47:06.280 --> 0:47:08.400
<v Speaker 4>I've been listening to the Oh Brother, We're out that soundstrack,

0:47:08.440 --> 0:47:10.120
<v Speaker 4>and it's like, oh, actually he's not a cool guy.

0:47:10.400 --> 0:47:12.200
<v Speaker 4>I'm happy to know that isn't really the case.

0:47:12.440 --> 0:47:13.560
<v Speaker 1>Yeah, I wouldn't date him.

0:47:15.120 --> 0:47:17.279
<v Speaker 4>Well, that's the threshold. You talk about a lot of

0:47:17.320 --> 0:47:20.680
<v Speaker 4>cool people, some of them I would date. Wendy Carlos

0:47:20.840 --> 0:47:21.160
<v Speaker 4>call me.

0:47:21.200 --> 0:47:27.320
<v Speaker 1>If I think although okay, some people's problem is that

0:47:27.360 --> 0:47:29.880
<v Speaker 1>they're terrible to the people that they date. And some

0:47:29.960 --> 0:47:33.560
<v Speaker 1>people's problem is that polyamory hadn't hit yet. Yes, Yes,

0:47:33.920 --> 0:47:38.680
<v Speaker 1>and Honey Ledbetter and Alan Lomax polyamory hadn't hit yet. Wow,

0:47:39.040 --> 0:47:41.880
<v Speaker 1>they would have been fine. They would have been perfectly responsible.

0:47:41.920 --> 0:47:43.320
<v Speaker 1>I think, I don't know.

0:47:44.040 --> 0:47:44.480
<v Speaker 3>I like that.

0:47:44.600 --> 0:47:50.359
<v Speaker 1>I think yeah. I like to imagine emotional responsibility can

0:47:50.400 --> 0:47:51.600
<v Speaker 1>look like a lot of things and a lot of

0:47:51.600 --> 0:47:55.640
<v Speaker 1>different types of relationships. Anyway, if people want to hear

0:47:56.320 --> 0:47:59.560
<v Speaker 1>things that you're excited about. Besides this, is there a

0:47:59.600 --> 0:48:00.560
<v Speaker 1>podcast they can listen to?

0:48:01.719 --> 0:48:04.440
<v Speaker 4>There certainly is. You can listen to my podcast on

0:48:04.680 --> 0:48:06.840
<v Speaker 4>iHeart called there Are No Girls on the Internet, and

0:48:06.880 --> 0:48:09.239
<v Speaker 4>you can check out my audiobook which is available on

0:48:09.440 --> 0:48:12.799
<v Speaker 4>July fourteenth, called Love at First prompt at Love Atfirsthprompt

0:48:12.840 --> 0:48:13.279
<v Speaker 4>dot AI.

0:48:13.640 --> 0:48:15.719
<v Speaker 1>And I'm really proud of myself for not making the

0:48:15.800 --> 0:48:17.560
<v Speaker 1>joke I've made. I think every time you've been in

0:48:17.640 --> 0:48:20.759
<v Speaker 1>a guest, which is that we're proving otherwise there are

0:48:20.840 --> 0:48:23.080
<v Speaker 1>girls on the Internet. But I didn't make that joke.

0:48:23.200 --> 0:48:27.480
<v Speaker 3>So you keep I apprecia takes a joke, keep making

0:48:27.560 --> 0:48:29.080
<v Speaker 3>it all right?

0:48:29.200 --> 0:48:31.800
<v Speaker 1>Well, we will see you all on whatever day of

0:48:31.800 --> 0:48:41.520
<v Speaker 1>the other episode comes out Wednesday. Woo Cool People Who

0:48:41.600 --> 0:48:44.080
<v Speaker 1>Did Cool Stuff is a production of pool Zone Media.

0:48:44.480 --> 0:48:47.280
<v Speaker 1>The more podcasts and pool Zone Media, visit our website

0:48:47.440 --> 0:48:50.200
<v Speaker 1>rule zonemedia dot com, or check us out on I

0:48:50.400 --> 0:48:53.920
<v Speaker 1>Heard Radio, appp A Podcasts, or wherever you get your podcasts.