WEBVTT - Debbie Reynolds and Robert Osborne

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<v Speaker 1>Hi'm Alec Baldwin and you're listening to Here's the thing,

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<v Speaker 1>my chance to talk with artists, policymakers and performers, to

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<v Speaker 1>hear their stories. What inspired their creations, what decisions changed

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<v Speaker 1>their careers, what relationships influenced their work. Well, I never

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<v Speaker 1>thought about me being in show business. I was a fan,

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<v Speaker 1>didn't watch TV, and I loved the movies. My guests

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<v Speaker 1>today both worked in film and TV during the Golden

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<v Speaker 1>Age of Hollywood. Robert Osborne began his career acting, but

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<v Speaker 1>his fascination with show business, drama on and off the

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<v Speaker 1>set led to a very different job, one he seems

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<v Speaker 1>to have been made for. Hi. I'm Robert Osborne, and

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<v Speaker 1>our Jimmy Cagney tribute continues now with Jimmy and this

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<v Speaker 1>is the Third Man. Osborne has been host of Turner

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<v Speaker 1>Classic Movies for almost two decades. His knowledge of the

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<v Speaker 1>film industry is encyclopedic, and he will tell you it's

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<v Speaker 1>rare when a movie comes along and inspires a whole

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<v Speaker 1>generation of actors, singers and directors. Just sing Singing in

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<v Speaker 1>the Rain is one of those movies. It also transformed

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<v Speaker 1>the life of its leading lady, Debbie Reynolds my first

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<v Speaker 1>guest this Hour. Reynolds was just a twenty year old

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<v Speaker 1>actress under contract at MGM, but after her performance in

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<v Speaker 1>that iconic film, she was destined to become a star.

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<v Speaker 1>Some of the highlights of Reynolds's career include Tammy in

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<v Speaker 1>Tammy and The Bachelor, with a song that reached number

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<v Speaker 1>one on the Billboard Charts, I have a cotton Woods

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<v Speaker 1>Whispering Able Jimmy jim ted Love. Reynolds was nominated for

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<v Speaker 1>an Academy Award for her leading role in The Unsinkable

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<v Speaker 1>Molly Brown and received a Tony nomination for her Broadway

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<v Speaker 1>debut in the musical Irene. Debbie Reynolds was born in

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<v Speaker 1>Texas and raised in Burbank, California, but after her career

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<v Speaker 1>took off, the small town girl found herself living in

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<v Speaker 1>a universe occupied by the biggest stars of her time.

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<v Speaker 1>Right across the street was Jimmy Stewart and Lucille Ball,

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<v Speaker 1>and everybody was on that one street. It was like,

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<v Speaker 1>let's have a party every night. George Burns and Eddie

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<v Speaker 1>Cannor lived on one block, so I would drive over

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<v Speaker 1>there because that street was more fun than my phone.

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<v Speaker 1>There was a lot of fun to be had back then.

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<v Speaker 1>This was still the golden age of Hollywood, but it

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<v Speaker 1>was also the studio system where executives bought and sold

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<v Speaker 1>actors like property. Although a parny to Reynolds, it had

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<v Speaker 1>its upside too. When we were under contract, most of us,

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<v Speaker 1>Shirley McClain and Elizabeth Theater were at MGM, and everything

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<v Speaker 1>was done for us, you know, the makeup of hair.

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<v Speaker 1>It sent cars for us. We were very spoiled. We

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<v Speaker 1>didn't kind of know what to do when they dropped everybody,

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<v Speaker 1>like when television came in. You remember what year around

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<v Speaker 1>there was. The end of the studio system kind of

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<v Speaker 1>died as you get into the fifties. It is slowly

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<v Speaker 1>died a death. You know. It was like interesting to

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<v Speaker 1>watch it was. I didn't realize it was the end,

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<v Speaker 1>you know, I didn't know that it was that you

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<v Speaker 1>didn't know what the change meant. Well, I was a

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<v Speaker 1>young girl, so I didn't And I wasn't an intellectual.

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<v Speaker 1>I wasn't educated. I'm from Burbank, Burbank and originally from

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<v Speaker 1>You want to be a gym teacher, that's me, you

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<v Speaker 1>know what I always aim high me too. I love, Jim,

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<v Speaker 1>you know I love. I wanted to be a lifeguard

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<v Speaker 1>son girls. Well yeah, swim, yes, Well, I was never

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<v Speaker 1>that ambitious. I wanted to be a gymnast. I wanted

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<v Speaker 1>to work on the bars and Entropedes work. I loved

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<v Speaker 1>all that stuff as a young girl in Burbank. And

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<v Speaker 1>you're athletic, no doubt. What's the first thing that happened

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<v Speaker 1>that says show business to you? Well, I never thought

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<v Speaker 1>about me being in show business. I was a fan

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<v Speaker 1>and I would go to the movies because my mother

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<v Speaker 1>let me. But no one else in our church was

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<v Speaker 1>allowed to go to films because movie stars were all

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<v Speaker 1>evil creatures, just dreadful. My mother let me go to films.

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<v Speaker 1>His mother was very religious, very my family said my dad.

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<v Speaker 1>My father used to say, no, no, no, I'm not

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<v Speaker 1>going to go to church with you. I've told you

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<v Speaker 1>that I'm not going to go because all those good

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<v Speaker 1>people will be killed. If I walked down, the roof

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<v Speaker 1>would fall in. And he was always teasing my mother

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<v Speaker 1>by asking what church did you go to? Churches and Nazarene,

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<v Speaker 1>which is like hard shell Baptist, kind of like your

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<v Speaker 1>mom was a heart. She was a Texan She was

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<v Speaker 1>a Texan Texan Baptist. She was tough and strict and

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<v Speaker 1>there were so many rules. How many kids in the family.

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<v Speaker 1>Just my brother and I were in the family. And

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<v Speaker 1>then my mother discovered what's your brother's name? Bill? And

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<v Speaker 1>do you know who Bill is? To me? You don't know.

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<v Speaker 1>Do you know that Billy Reynolds was my makeup artist

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<v Speaker 1>on nuts Landing for a year? Oh my gosh, was

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<v Speaker 1>he your brother? Billy isn't He was my makeup artist

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<v Speaker 1>and he's one of the people that helped me survived

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<v Speaker 1>that experience because those three broads from the Joan Colins

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<v Speaker 1>School where they were having the makeup put on with

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<v Speaker 1>a trowel every day. I'd have federally funded programs to

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<v Speaker 1>pay for the makeup for them. Billy Reynolds would turn

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<v Speaker 1>to me and he'd sit there and say, you know,

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<v Speaker 1>did you bring a book with you? We're in a

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<v Speaker 1>be here for a while. These girls are three hours

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<v Speaker 1>in the chair. And then he told me that he

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<v Speaker 1>was Elvis's makeup artist. Yes, And you know that every

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<v Speaker 1>time he mentioned Elvis, he didn't mention it a lot

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<v Speaker 1>because he was very shy, very shy. He mentioned Elvis

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<v Speaker 1>once or twice, and he started to cry. He would

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<v Speaker 1>turn away from me and hid to say. He said

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<v Speaker 1>to me, almost was the greatest man I ever worked with. Well,

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<v Speaker 1>the other used to play Elvis used to tease him

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<v Speaker 1>a lot and put snakes down his pants, and popcorn

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<v Speaker 1>and pop pop popcorn and put it in his drawers.

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<v Speaker 1>You know, they used to kid my brother. They used

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<v Speaker 1>to just pick on him kind of, but he didn't care.

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<v Speaker 1>My brother was a baseball player, really man's man. He

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<v Speaker 1>lives men in my house with me. Will you give

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<v Speaker 1>him my love? I don't even know if he'll remember me.

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<v Speaker 1>She Oh, he remembers everything. He just doesn't talk about it.

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<v Speaker 1>You know some men that are like almost reclusive, but

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<v Speaker 1>not really, because underneath all of that is a great

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<v Speaker 1>sense of where I adore my brother. I think our

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<v Speaker 1>life was rather tedious and hard because we didn't have

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<v Speaker 1>any money. I mean, my dad made two hundred a month.

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<v Speaker 1>Now that's better than nothing, but it's still also advised

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<v Speaker 1>very little. So our life was a little bit meager.

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<v Speaker 1>You know, we never had a Christmas tree. We never

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<v Speaker 1>had so when the opportunity came along for you to

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<v Speaker 1>get into the business, and I'm from the same school. Actually,

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<v Speaker 1>I'm wondering where you was enticed by and where you

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<v Speaker 1>was thrilled by as much about making money to help

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<v Speaker 1>your family as you were about your own glory. Well,

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<v Speaker 1>mostly I thought it was a joke that I won

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<v Speaker 1>this contest, and then all of a sudden, I'm in movies.

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<v Speaker 1>The silliest thing I was the contest. It was a

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<v Speaker 1>Miss Burrbank, Mrs Burbank. Don't don't, don't, don't downplay that.

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<v Speaker 1>No change my whole life and made my whole life

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<v Speaker 1>wonderful and marvels travel all over the world and meet

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<v Speaker 1>all these fabulous interesting people and see different countries. So

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<v Speaker 1>I'm very proud to say I was Miss Burbank and

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<v Speaker 1>had a hole in my bathing suit and there my

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<v Speaker 1>rear end was hanging out, and I didn't have shoes,

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<v Speaker 1>high heel shoes, so I had I'm very grateful for

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<v Speaker 1>stumbling in the show business step to Miss Burbank. What happened?

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<v Speaker 1>They took me to Warner Brothers and made a little

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<v Speaker 1>screen test and asked me why I wanted to be

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<v Speaker 1>a movie star. So of course I told him I

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<v Speaker 1>didn't want to. And after they laughed and they said

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<v Speaker 1>of course you do. I said, no, I don't. I

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<v Speaker 1>don't really. I mean, this is just fun. You're just

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<v Speaker 1>this is your kidding around, right. I was very square

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<v Speaker 1>and my family were very virginal, you know, very go

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<v Speaker 1>to church Wednesday, Friday, Saturday, Sunday. You're glad they were square.

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<v Speaker 1>I'm grateful for that kind of upbringing throughout your career.

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<v Speaker 1>And I'm not just saying this, I mean I wouldn't

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<v Speaker 1>waste your time of mind. You know, you're a gorgeous woman,

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<v Speaker 1>and everybody thinks of you and think of you being

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<v Speaker 1>three things beautiful and talented, but also being very straight laced.

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<v Speaker 1>I mean your career with something where there's a kind

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<v Speaker 1>of a in the sensuality quote and there's any of

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<v Speaker 1>a gardener over here. It's kind of working that whole thing.

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<v Speaker 1>And then there's you, who you didn't work that whole thing.

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<v Speaker 1>Did you find that that was something that was because

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<v Speaker 1>of your childho your upbringing. I just grew up that way,

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<v Speaker 1>so I thought that's the way everybody was until after

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<v Speaker 1>three husbands. Now I realized that ass totally wrong. Concept

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<v Speaker 1>unlucky and love unlucky. What else happens when you're unlucky

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<v Speaker 1>and I just made it up. You just wrote that

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<v Speaker 1>just for you. Okay, well we should record you later.

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<v Speaker 1>Good morning, We've danced the whole night through. Good morning,

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<v Speaker 1>good morning to you, and you and you and you're

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<v Speaker 1>good morning, good morning. It's great to stay in Blake.

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<v Speaker 1>Good morning, good morning to you. What fun you see?

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<v Speaker 1>I can't sing to save my life. If you put

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<v Speaker 1>a gun to my head and said saying you almost

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<v Speaker 1>sang on, when did you know you could sing? When

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<v Speaker 1>did you know you? When did you realize you could?

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<v Speaker 1>Just started singing like other a pole? So what you're saying,

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<v Speaker 1>you started by doing mimicry. I started mimic McDonald's I've

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<v Speaker 1>never tried and the ricks. She's a soprano, but I

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<v Speaker 1>would do the alto and ethel Mermon anybody with a

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<v Speaker 1>big voice, you know, I'd always do their voices. Because

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<v Speaker 1>I I enjoy comedy, comedies everything. I love vaudeville, that's

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<v Speaker 1>my favorite thing. I enjoy drama somebody else doing it,

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<v Speaker 1>I personally don't want to do it Debbie Reynolds, because

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<v Speaker 1>it's so serious. It makes me sad, it takes me

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<v Speaker 1>where it goes, and so I don't accept any parts

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<v Speaker 1>that are devastating, because I don't want to be unhappy

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<v Speaker 1>in my life. I'll just live my life. Is that's

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<v Speaker 1>tough enough, So I don't need any parts that make

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<v Speaker 1>me miserable. So when you're at Warners and you say

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<v Speaker 1>to them I don't want to be an actress and

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<v Speaker 1>they do the screen test, what happens there that you

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<v Speaker 1>wind up banking over to mgm Well, what happens is

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<v Speaker 1>they send me to a meeting and so they all

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<v Speaker 1>Gene Kelly in the room and Mr Mayer says, here, Jean,

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<v Speaker 1>this is a new girl that you're going to have

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<v Speaker 1>as you're leading lady. And I'm seventeen, and but I

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<v Speaker 1>had never danced before, I'd never acted before, nothing, nothing, person,

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<v Speaker 1>just a girl's scout. So there was a Jene Kelly

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<v Speaker 1>a movie. So I couldn't believe the whole scene. I mean,

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<v Speaker 1>I just thought the whole thing was silly. I really

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<v Speaker 1>thought it was silly. So Mr Kelly said, can you

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<v Speaker 1>do a time step? I said, oh, oh, yes, I

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<v Speaker 1>learned that a girl scout cap. So he said to

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<v Speaker 1>do time step. So I did a little awful time step.

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<v Speaker 1>Then he said, can you do a MAXI Ford, and

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<v Speaker 1>I said I don't have a car. Well, obviously that

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<v Speaker 1>was the wrong answer. He looked at Mr Mayor and

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<v Speaker 1>he said, you're kidding me, boss, and Mr Mayer said, no,

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<v Speaker 1>I'm not getting you meeting you. This is this is

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<v Speaker 1>the leading lady. And that was it. He was stuck

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<v Speaker 1>with me, poor thing. Can you imagine Jane Kelly and

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<v Speaker 1>these guys were assuming me, like like many of the

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<v Speaker 1>actors I know today, they're pretty no nonsense people when

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<v Speaker 1>it comes to the quality of their their product, and

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<v Speaker 1>they're very hard. But Gene Kelly, of course the most

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<v Speaker 1>brilliant dancer. Jean said, all right, I'll take her. I

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<v Speaker 1>can I can fix her. I can fix it up

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<v Speaker 1>because she's right for the part. The acting bar but

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<v Speaker 1>a Stare taught you too. He helped me. I was

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<v Speaker 1>trying to learn everything, like with Donald run up the

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<v Speaker 1>wall and flip backwards. I mean, I knew I was

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<v Speaker 1>a flip, but you know, I had to learn how.

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<v Speaker 1>I wanted to learn everything, and then I'd be crying

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<v Speaker 1>under the piano. One day a pair of legs go

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<v Speaker 1>by and I'm some crying away and the legs say,

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<v Speaker 1>who is that under the piano? Who is crying. So

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<v Speaker 1>I said, I'm sorry, I'm sorry. It's just me, Debbie.

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<v Speaker 1>So it was fred is stare. He said, Debbie, get out,

0:12:51.240 --> 0:12:53.640
<v Speaker 1>get out from underneath. They pulled me out and he said,

0:12:53.679 --> 0:12:56.120
<v Speaker 1>now you come and watch me with hers. I never

0:12:56.320 --> 0:13:01.120
<v Speaker 1>allow anybody. He always had a guard at the security guard.

0:13:01.400 --> 0:13:04.040
<v Speaker 1>No one was ever allowed. But he let me watch

0:13:04.600 --> 0:13:07.800
<v Speaker 1>and for maybe over forty minutes, and his face turned

0:13:07.840 --> 0:13:11.520
<v Speaker 1>already just used a cane and a drum after about

0:13:11.559 --> 0:13:14.160
<v Speaker 1>half an hour, and his face turning red. And he's

0:13:14.240 --> 0:13:17.320
<v Speaker 1>doing brilliant work. Of course, he looked over at me, says, now,

0:13:17.600 --> 0:13:20.680
<v Speaker 1>Debbie wants you to go back in there, stop crying

0:13:21.600 --> 0:13:24.319
<v Speaker 1>and be great. In order to be a great dancer,

0:13:24.600 --> 0:13:27.599
<v Speaker 1>you have to practically kill yourself. This is what it

0:13:27.679 --> 0:13:30.679
<v Speaker 1>takes to be a great dancer. Now running there, just

0:13:30.840 --> 0:13:34.520
<v Speaker 1>running there, Shut up and do what help you? Oh? Yes,

0:13:35.400 --> 0:13:38.120
<v Speaker 1>I just felt like I was a big sissy, and

0:13:38.200 --> 0:13:40.280
<v Speaker 1>I don't like to be a big sissy. In those

0:13:40.400 --> 0:13:43.440
<v Speaker 1>days or any other day. When you you finished the movie,

0:13:44.320 --> 0:13:45.880
<v Speaker 1>when it was done, how did you feel when it

0:13:46.040 --> 0:13:49.320
<v Speaker 1>was over? I think you you've learned a great deal.

0:13:49.840 --> 0:13:53.120
<v Speaker 1>Either that or you already quit because in order to

0:13:53.280 --> 0:13:57.280
<v Speaker 1>keep up with these great talents, you had to devote

0:13:57.320 --> 0:13:59.520
<v Speaker 1>yourself totally. I didn't go home. I slept in my

0:13:59.640 --> 0:14:02.480
<v Speaker 1>dress room. We didn't have a Saturday off, we only

0:14:02.520 --> 0:14:06.120
<v Speaker 1>had Sunday off. And that practice all the time. And

0:14:06.400 --> 0:14:09.080
<v Speaker 1>I don't think I changed at all. I just learned

0:14:09.120 --> 0:14:12.319
<v Speaker 1>how to apply myself. And what about people's perception of you?

0:14:12.480 --> 0:14:14.360
<v Speaker 1>That must have changed. The picture came out what year,

0:14:15.400 --> 0:14:19.480
<v Speaker 1>I don't remember what year, in ninety two, something like that,

0:14:20.000 --> 0:14:23.600
<v Speaker 1>you're a movie star now, correct, Well I was popular.

0:14:24.040 --> 0:14:28.720
<v Speaker 1>They couldn't believe a young girl had gotten that far

0:14:29.360 --> 0:14:35.160
<v Speaker 1>and no talent, no no experience. So I was newsworthy.

0:14:35.520 --> 0:14:38.560
<v Speaker 1>But in those days we had movie magazines and they'd

0:14:38.640 --> 0:14:41.600
<v Speaker 1>write all kinds of stories for free. You know, the

0:14:41.760 --> 0:14:45.600
<v Speaker 1>studios would give It was the golden era. So what

0:14:45.720 --> 0:14:47.280
<v Speaker 1>kind of story did they write about you? Then? When

0:14:47.280 --> 0:14:49.560
<v Speaker 1>you're only seventeen eighteen years old? What do they make

0:14:49.600 --> 0:14:52.960
<v Speaker 1>it up? You know, they'd give a little party. They'd

0:14:53.000 --> 0:14:55.520
<v Speaker 1>give a party. They had Rock Hudson going out with

0:14:55.560 --> 0:14:57.880
<v Speaker 1>his secretary. You know, Rock didn't want to go out

0:14:57.920 --> 0:15:02.080
<v Speaker 1>with this secretary. It was Paul. Yes, that's John, Sam

0:15:02.240 --> 0:15:04.480
<v Speaker 1>and Joe. What's the next picture you did. After Singing

0:15:04.480 --> 0:15:08.480
<v Speaker 1>in the Ring, After Singing in the Rain, I did

0:15:08.600 --> 0:15:12.360
<v Speaker 1>How the West was One with every star you've ever

0:15:12.600 --> 0:15:14.440
<v Speaker 1>heard about. The first movie I ever saw in the

0:15:14.520 --> 0:15:18.000
<v Speaker 1>movie theater, My Life Ever was a wonderful picture. Spencer

0:15:18.080 --> 0:15:21.840
<v Speaker 1>Tracy narrated the whole thing starting You'll Never See Again,

0:15:22.640 --> 0:15:26.640
<v Speaker 1>and John Wayne was in that everybody. It took two

0:15:26.760 --> 0:15:29.720
<v Speaker 1>years to make that picture. I started out playing a

0:15:29.800 --> 0:15:32.200
<v Speaker 1>sixteen year old and ended up a ninety year old,

0:15:32.640 --> 0:15:39.600
<v Speaker 1>so it felt like my life. I worked very hard

0:15:39.720 --> 0:15:42.640
<v Speaker 1>on that picture, and Henry Hathaway was the director, and

0:15:42.720 --> 0:15:46.960
<v Speaker 1>he was really tough and very hard on everybody. You know,

0:15:47.160 --> 0:15:50.600
<v Speaker 1>it's not very kind of actors, but we were all

0:15:50.840 --> 0:15:55.840
<v Speaker 1>a little bit stupid and employees slow. He thought it

0:15:55.960 --> 0:15:59.520
<v Speaker 1>was slow. So he I had heard this about him.

0:15:59.640 --> 0:16:02.160
<v Speaker 1>You know, he was a very tough director. So when

0:16:02.200 --> 0:16:04.600
<v Speaker 1>he came over to Fox Studio where I was making

0:16:04.600 --> 0:16:08.440
<v Speaker 1>another film with Andy Griffith, I said to him, he

0:16:08.560 --> 0:16:10.720
<v Speaker 1>wanted me to do it the first part of it,

0:16:10.920 --> 0:16:13.600
<v Speaker 1>How the West Was On. I said, well, sir, the

0:16:13.760 --> 0:16:16.680
<v Speaker 1>truth of it is that I've heard really such bad

0:16:16.760 --> 0:16:19.440
<v Speaker 1>things about you. I don't want to work with you.

0:16:20.320 --> 0:16:22.920
<v Speaker 1>So I just stared at me, said, what the is that? What?

0:16:23.560 --> 0:16:26.600
<v Speaker 1>He's cussed like crazy? Oh? Yeah, cuss, he said, you

0:16:26.720 --> 0:16:31.600
<v Speaker 1>little snot nose it little? Oh yes, he attacked you aggressive.

0:16:31.640 --> 0:16:33.960
<v Speaker 1>He bawled me out. He just said, you have no

0:16:34.120 --> 0:16:37.080
<v Speaker 1>right to say that I'm boss here, that I cuss

0:16:37.120 --> 0:16:39.160
<v Speaker 1>and all that. I said, well, what are you doing now?

0:16:39.320 --> 0:16:41.400
<v Speaker 1>For goodness sake, what do you think You're yelling at me?

0:16:41.520 --> 0:16:45.880
<v Speaker 1>For the commissary there are people staring at everything. I said,

0:16:46.200 --> 0:16:48.160
<v Speaker 1>this is why I would never work for you, because

0:16:48.200 --> 0:16:50.960
<v Speaker 1>I don't want to be miserable. So I turned it down.

0:16:51.160 --> 0:16:53.720
<v Speaker 1>And then he wouldn't let me turn it down. He said, no,

0:16:54.000 --> 0:16:55.760
<v Speaker 1>you're going to do it, and he talked to the

0:16:56.080 --> 0:17:00.160
<v Speaker 1>president of Fox and MGM, which owned my contract. They

0:17:00.240 --> 0:17:01.960
<v Speaker 1>said I had to do it, So I had to

0:17:02.080 --> 0:17:10.680
<v Speaker 1>do it. There's a one missing where I'll build you

0:17:10.920 --> 0:17:18.040
<v Speaker 1>a home in the mid So back then, you signed

0:17:18.080 --> 0:17:23.560
<v Speaker 1>those contracts and people, I think the the distance that

0:17:23.680 --> 0:17:26.440
<v Speaker 1>the studio system has now, which we seated so far

0:17:27.400 --> 0:17:30.840
<v Speaker 1>for audiences today, they don't understand that notion that you

0:17:30.920 --> 0:17:33.480
<v Speaker 1>signed a contract and you didn't get to pick the films.

0:17:33.520 --> 0:17:37.480
<v Speaker 1>You were in your own It's like a bondage is

0:17:37.640 --> 0:17:41.280
<v Speaker 1>indentured servitude. That's exactly. How did the picture go with him? Was?

0:17:41.320 --> 0:17:43.040
<v Speaker 1>He was? He was? He? Well, I went on. I

0:17:43.320 --> 0:17:46.080
<v Speaker 1>did the first section is the one that I was

0:17:46.160 --> 0:17:49.719
<v Speaker 1>signed for, and went on location and he said, all right,

0:17:49.880 --> 0:17:52.880
<v Speaker 1>walk over there. I said, where am I walking? To sir?

0:17:53.440 --> 0:17:55.920
<v Speaker 1>You just walk where, I said, pointing to I said,

0:17:55.960 --> 0:17:58.040
<v Speaker 1>I have to understand where Why am I walking? What

0:17:58.160 --> 0:18:00.359
<v Speaker 1>am I saying? He said, no, you're Oh, you just

0:18:00.440 --> 0:18:02.440
<v Speaker 1>do what I say. I said, this is what I

0:18:02.640 --> 0:18:04.639
<v Speaker 1>told you that day we had the lunch that you

0:18:04.720 --> 0:18:07.239
<v Speaker 1>were going to be rude and terrible to work with then.

0:18:07.359 --> 0:18:10.560
<v Speaker 1>So I'm going to go lie down to rest. He said, no,

0:18:10.640 --> 0:18:12.840
<v Speaker 1>you're not. You're going to walk over there and you're

0:18:12.840 --> 0:18:15.320
<v Speaker 1>going to shut up. I said, no, I'm not. I'm

0:18:15.359 --> 0:18:18.480
<v Speaker 1>going to faint because you've upset me too much. So

0:18:18.600 --> 0:18:22.359
<v Speaker 1>I fainted, and what happened. I love this. I'm gonna

0:18:22.440 --> 0:18:23.800
<v Speaker 1>do that one. I'm going to do that now. You

0:18:23.880 --> 0:18:25.760
<v Speaker 1>just pass out when I need a director like I'm

0:18:25.760 --> 0:18:29.000
<v Speaker 1>gonna faint. Oh my god, you've upset me some boom

0:18:29.200 --> 0:18:31.639
<v Speaker 1>boom fall. Just fall down. Just let him kick you.

0:18:31.720 --> 0:18:33.960
<v Speaker 1>It doesn't matter. So laid down so if you're lame dude,

0:18:33.960 --> 0:18:35.320
<v Speaker 1>half awake, come up and kick you did he kind

0:18:35.320 --> 0:18:38.520
<v Speaker 1>of poke you with his boot. He poked me. He

0:18:38.680 --> 0:18:42.200
<v Speaker 1>poked me with a boot. Seriously, No, you know this foot.

0:18:42.320 --> 0:18:44.480
<v Speaker 1>You know he poked me because you wake up your

0:18:44.480 --> 0:18:48.280
<v Speaker 1>silly some what you cussing kidding me? I wouldn't open

0:18:48.320 --> 0:18:50.720
<v Speaker 1>my eyes at all because I was just in my mind.

0:18:50.760 --> 0:18:53.280
<v Speaker 1>I said, just stay here all day, just say they

0:18:53.320 --> 0:18:55.639
<v Speaker 1>can't wake make you wake up. So they put some

0:18:56.040 --> 0:19:01.040
<v Speaker 1>that chlora what's that stuff under ether under your nose. Yeah,

0:19:01.080 --> 0:19:03.960
<v Speaker 1>well I didn't still wake up. I just breathed really

0:19:04.040 --> 0:19:07.480
<v Speaker 1>deeply like yoga. You know, no, I was doing this

0:19:07.640 --> 0:19:11.560
<v Speaker 1>iron vading breathing of smelling souls. That's how obstinate you were.

0:19:11.720 --> 0:19:14.360
<v Speaker 1>I was not going to wake up. He couldn't get

0:19:14.400 --> 0:19:16.879
<v Speaker 1>me up. Was the conclusion with this what happened, I'm

0:19:16.920 --> 0:19:19.120
<v Speaker 1>assuming because you're here, you eventually got up. He walked

0:19:19.160 --> 0:19:21.320
<v Speaker 1>away from it, and he said, she's faking. I know

0:19:21.480 --> 0:19:24.320
<v Speaker 1>she's faking, and I'm gonna kill a little kid. And

0:19:24.960 --> 0:19:28.560
<v Speaker 1>then he became amused by it because he thought he

0:19:29.040 --> 0:19:31.639
<v Speaker 1>knew I was faking, but I wasn't going to wake up,

0:19:31.680 --> 0:19:33.600
<v Speaker 1>and he kind of respected you a little bit. I

0:19:33.720 --> 0:19:36.240
<v Speaker 1>wasn't going awake. He knew I wouldn't do it. I

0:19:36.440 --> 0:19:39.520
<v Speaker 1>was a lot like Hathaway say, so you really aren't

0:19:39.560 --> 0:19:44.600
<v Speaker 1>this wholesome that Nazarine from Burnbank. You're with me, you

0:19:44.680 --> 0:19:47.800
<v Speaker 1>can feel like trouble day trouble, but no, I just

0:19:47.920 --> 0:19:53.920
<v Speaker 1>get very wilful. I'm aries, I'm born April Fool's Day.

0:19:54.640 --> 0:19:58.680
<v Speaker 1>Who's a director that you loved? I really loved all

0:19:58.800 --> 0:20:03.359
<v Speaker 1>the directors. I loved Hathaway too. I became very dear

0:20:03.440 --> 0:20:09.840
<v Speaker 1>friends and visited together areas are you're in areas and

0:20:10.160 --> 0:20:12.520
<v Speaker 1>I'm not big on astrology, but people who are areas there,

0:20:12.560 --> 0:20:14.280
<v Speaker 1>we say they love to bury the hatchet and have

0:20:14.440 --> 0:20:17.040
<v Speaker 1>people get along. And even though you can have a

0:20:17.080 --> 0:20:19.040
<v Speaker 1>bad temper and you can have grudges against people, they

0:20:19.040 --> 0:20:21.320
<v Speaker 1>don't laugh. You just speak up right. You're kind of

0:20:21.440 --> 0:20:23.920
<v Speaker 1>rigorously honest if we if you will, but for you,

0:20:24.480 --> 0:20:26.840
<v Speaker 1>you buried the hatchet with Hathaway and he became a friend.

0:20:27.280 --> 0:20:29.600
<v Speaker 1>You're someone that doesn't like the hold of grudge with people. No,

0:20:29.800 --> 0:20:32.440
<v Speaker 1>I don't, but I'm rather like an elephant. I I

0:20:32.640 --> 0:20:39.080
<v Speaker 1>remember everything. And Debbie Reynolds has had her share of

0:20:39.240 --> 0:20:43.000
<v Speaker 1>hatchets to Bury. In nineteen fifty five, she married singer

0:20:43.160 --> 0:20:46.160
<v Speaker 1>Eddie Fisher. It was the show business wedding of the year.

0:20:46.760 --> 0:20:50.280
<v Speaker 1>Four years later, Fisher famously left Reynolds for her best friend,

0:20:50.600 --> 0:20:54.600
<v Speaker 1>Elizabeth Taylor, whose husband had recently died in an airplane accident,

0:20:55.160 --> 0:20:57.399
<v Speaker 1>but she patched things up with Elizabeth the years later.

0:20:57.720 --> 0:21:00.159
<v Speaker 1>They had known each other since they were kids. You know,

0:21:00.200 --> 0:21:01.680
<v Speaker 1>when a man wants to go, he wants to go,

0:21:01.840 --> 0:21:05.720
<v Speaker 1>he goes. I've learned that that certainly, So of course

0:21:05.800 --> 0:21:08.959
<v Speaker 1>I forgave her years after that, because she she forgave her.

0:21:09.040 --> 0:21:13.040
<v Speaker 1>So Marriages two and three were less public, but no

0:21:13.200 --> 0:21:17.120
<v Speaker 1>less painful for Reynolds. Now she's sworn off that institution.

0:21:17.760 --> 0:21:20.120
<v Speaker 1>In a minute, she'll talk about her relationship with her daughter,

0:21:20.400 --> 0:21:26.240
<v Speaker 1>actress Carrie Fisher. I'm Alec Baldwin, and here's the thing.

0:21:26.760 --> 0:21:30.520
<v Speaker 1>Take a listen to our archive more in depth conversations

0:21:30.600 --> 0:21:35.440
<v Speaker 1>with artists, policymakers and directors like Judd Apatow. I need

0:21:35.760 --> 0:21:39.800
<v Speaker 1>constant approval of my writing as I'm doing it, so

0:21:40.040 --> 0:21:46.720
<v Speaker 1>I will show people the first scene, the first ten pages. Anybody,

0:21:48.080 --> 0:21:51.240
<v Speaker 1>listen to more of my conversation with judd apataw at,

0:21:51.320 --> 0:21:59.639
<v Speaker 1>here's the thing, dot Org. This is Alec Baldwin. My

0:22:00.240 --> 0:22:04.400
<v Speaker 1>is Debbie Reynolds. In six she played Albert Brooks mother

0:22:04.600 --> 0:22:08.120
<v Speaker 1>in his film Mother. It was her first starring role

0:22:08.480 --> 0:22:14.399
<v Speaker 1>in over twenty five years. The other one is he

0:22:14.520 --> 0:22:17.320
<v Speaker 1>staying with me for a while. In real life, Debbie

0:22:17.440 --> 0:22:20.639
<v Speaker 1>is mother to Carry Fisher, who introduced Debbie to her

0:22:20.720 --> 0:22:24.320
<v Speaker 1>friend Albert Brooks. Carrie Fisher is of course a star

0:22:24.480 --> 0:22:28.399
<v Speaker 1>in her own right. Her solo show Wishful Drinking discusses

0:22:28.440 --> 0:22:32.159
<v Speaker 1>her battles with drugs, alcohol, manic depression, and being the

0:22:32.320 --> 0:22:37.919
<v Speaker 1>child of Hollywood royalty. It's poignant and hilarious. Having waited

0:22:38.080 --> 0:22:41.320
<v Speaker 1>my entire life to get an award for something, you know, anything,

0:22:41.400 --> 0:22:44.240
<v Speaker 1>I don't care. All right, fine, not acting, but what

0:22:44.400 --> 0:22:47.880
<v Speaker 1>about like a tiny one for writing? I now get

0:22:47.960 --> 0:22:52.480
<v Speaker 1>awards all the time for being mentally ill. I am

0:22:52.560 --> 0:22:55.600
<v Speaker 1>apparently very good at it, and I get honored for

0:22:55.720 --> 0:23:00.400
<v Speaker 1>it regularly. So she is so funny. Oh, yes, she's idiot.

0:23:01.080 --> 0:23:04.280
<v Speaker 1>She's a brilliant. The children were really little. I was

0:23:04.440 --> 0:23:06.880
<v Speaker 1>very worried about my health. I was on the road

0:23:07.000 --> 0:23:10.240
<v Speaker 1>and I was just working like mad in Vaudeville, and

0:23:10.680 --> 0:23:14.560
<v Speaker 1>I was concerned and the children were very small, and

0:23:14.840 --> 0:23:17.960
<v Speaker 1>I called up Jeane Dixon, who was a prophet and

0:23:18.119 --> 0:23:20.159
<v Speaker 1>lived in Washington, and I mean she did you know

0:23:20.520 --> 0:23:23.480
<v Speaker 1>she did with the government and all kinds of and

0:23:23.600 --> 0:23:26.600
<v Speaker 1>she was it was the truth. She was sensational. Gave

0:23:26.640 --> 0:23:29.000
<v Speaker 1>me an appointment and I sat down and she told

0:23:29.040 --> 0:23:32.800
<v Speaker 1>me exactly what my children have become and everything that happened.

0:23:33.040 --> 0:23:35.159
<v Speaker 1>She told me I was married to Harry Carl at

0:23:35.200 --> 0:23:37.320
<v Speaker 1>the time. She said, when you go home, you're going

0:23:37.400 --> 0:23:39.680
<v Speaker 1>to have to face the divorce, and he has taken

0:23:39.680 --> 0:23:42.240
<v Speaker 1>all of your money. When you go home, you will

0:23:42.320 --> 0:23:45.320
<v Speaker 1>find that out, so you don't know anything about it.

0:23:45.480 --> 0:23:48.080
<v Speaker 1>I said, well, no, I I let him take care

0:23:48.119 --> 0:23:51.480
<v Speaker 1>of the money. She said, well he is. Carrie was

0:23:51.560 --> 0:23:55.080
<v Speaker 1>going to be in white robes and sand on a stage.

0:23:55.600 --> 0:23:59.720
<v Speaker 1>Astrologer Jane Dixon, Jane Dixon, who is very world famous.

0:24:00.320 --> 0:24:05.240
<v Speaker 1>Did she predict Kennedy's assassination as well? She predicted everything. Yes, Kennedy,

0:24:05.520 --> 0:24:09.359
<v Speaker 1>Robert Kennedy and Jack Kennedy. Yes, you wrote in your

0:24:09.359 --> 0:24:11.679
<v Speaker 1>book that you're unlucky in love? Why were you unlucky

0:24:11.720 --> 0:24:13.760
<v Speaker 1>in love? What do you mean because I'm just too

0:24:13.840 --> 0:24:17.240
<v Speaker 1>old fashioned, you know. Well, of course I picked the

0:24:17.320 --> 0:24:20.800
<v Speaker 1>wrong man, but that's because I am easy. You know,

0:24:20.800 --> 0:24:23.960
<v Speaker 1>I'm easy. I don't ever argue. I mean, you need

0:24:24.040 --> 0:24:26.440
<v Speaker 1>the money here, you take it? Oh you need that? Well?

0:24:26.480 --> 0:24:29.359
<v Speaker 1>Do you trust people? Well, I'm very trusting. How was

0:24:29.480 --> 0:24:31.760
<v Speaker 1>Carrie like you? And how it was Carrie like Eddie?

0:24:31.800 --> 0:24:35.679
<v Speaker 1>Can you see the lines that? Well, Carrie was born

0:24:36.480 --> 0:24:39.600
<v Speaker 1>with Eddie as the father, and he was on speed.

0:24:40.280 --> 0:24:44.080
<v Speaker 1>So Carrie was born was manic, depressive, bipolar. So she

0:24:44.200 --> 0:24:46.600
<v Speaker 1>will have that for the rest of her life. And

0:24:46.640 --> 0:24:50.800
<v Speaker 1>it's a dread disease. Got that from him, Yes, from Eddie.

0:24:51.359 --> 0:24:54.760
<v Speaker 1>It was very sweet of him. Carrie has an illness

0:24:54.960 --> 0:24:58.600
<v Speaker 1>that is a severe problem over the whole world, and

0:24:58.760 --> 0:25:01.640
<v Speaker 1>they do not have any answers for you. She's taking

0:25:01.760 --> 0:25:06.080
<v Speaker 1>shock of treatments right now and it's the family's pain.

0:25:06.640 --> 0:25:09.320
<v Speaker 1>We all have it because we so want carry to

0:25:09.480 --> 0:25:12.120
<v Speaker 1>be well, and that's what we pray for all the time.

0:25:12.520 --> 0:25:17.119
<v Speaker 1>And she's so funny. Her daughter is divine and she

0:25:17.240 --> 0:25:20.359
<v Speaker 1>goes to school here in New York and she's the

0:25:20.440 --> 0:25:26.240
<v Speaker 1>most beautiful young smart, really smart, and she's taking accounting.

0:25:26.320 --> 0:25:30.360
<v Speaker 1>So I think we'll be all right, those things will

0:25:30.400 --> 0:25:34.320
<v Speaker 1>come to me for about money. And Carrie's going to

0:25:34.440 --> 0:25:38.399
<v Speaker 1>be fine. She's brilliant and she's a great writer. Get

0:25:38.440 --> 0:25:51.960
<v Speaker 1>from you, from me, what did she get? Laughter? If

0:25:52.000 --> 0:25:55.320
<v Speaker 1>you could give people laughter, that would be the ideal thing.

0:25:55.960 --> 0:25:57.840
<v Speaker 1>I know this is going to sound really cliched and

0:25:58.000 --> 0:26:01.960
<v Speaker 1>kind of silly, but you know, you come from such

0:26:02.000 --> 0:26:06.200
<v Speaker 1>a great era of movie stardom. Your name means something.

0:26:06.280 --> 0:26:08.320
<v Speaker 1>When you say someone's name, you kind of go okay.

0:26:08.880 --> 0:26:11.240
<v Speaker 1>But your name, you say a certain kind of a film.

0:26:11.280 --> 0:26:14.280
<v Speaker 1>People automatically think, like the big Golden age of Hollywood

0:26:14.400 --> 0:26:16.760
<v Speaker 1>musicals and you and Kelly and all these movies and

0:26:16.880 --> 0:26:20.280
<v Speaker 1>Unsinkable Molly Brown and all these great films. Even though

0:26:20.320 --> 0:26:23.440
<v Speaker 1>people don't realize that you stopped making films. I wrote

0:26:23.480 --> 0:26:26.399
<v Speaker 1>this down. You stopped making films by and large and

0:26:26.520 --> 0:26:30.359
<v Speaker 1>around What's the Matter with Helen in seventy one, and

0:26:30.400 --> 0:26:36.280
<v Speaker 1>then from nineteen seventy one to six, according to your biography,

0:26:36.480 --> 0:26:39.880
<v Speaker 1>most of what you do is voiceovers or retrospective releases

0:26:39.920 --> 0:26:42.080
<v Speaker 1>like that's entertainment. You know. You don't work a lot

0:26:42.240 --> 0:26:44.680
<v Speaker 1>during that period in films. I just do nightclubs, I

0:26:45.160 --> 0:26:48.640
<v Speaker 1>work theater. I would do a club act over forty

0:26:48.720 --> 0:26:52.000
<v Speaker 1>two weeks a year. I would every day. Where would

0:26:52.000 --> 0:26:58.440
<v Speaker 1>you go? Everywhere? Colorado to the country, Sex is, Yes, Australia, England.

0:26:59.160 --> 0:27:03.920
<v Speaker 1>I did five a day in England. So came a

0:27:04.040 --> 0:27:07.360
<v Speaker 1>vaudevillion for twenty years to make a living from my children.

0:27:07.840 --> 0:27:10.600
<v Speaker 1>And then and then you go and do the movie

0:27:10.640 --> 0:27:13.800
<v Speaker 1>with Albert Brooks? Yes, I did. Mother. Did he convince

0:27:13.840 --> 0:27:16.200
<v Speaker 1>you to do that movie? No, Carrie called me, she's

0:27:16.240 --> 0:27:19.240
<v Speaker 1>a mother. I read a script Albert Brooks, who they

0:27:19.280 --> 0:27:22.280
<v Speaker 1>were very good friends, did, and it's so funny. You

0:27:22.359 --> 0:27:24.639
<v Speaker 1>have to do it. I said, well, you know, nobody

0:27:24.680 --> 0:27:27.120
<v Speaker 1>wants me for movies anymore. Dear. She said, well, mother,

0:27:27.200 --> 0:27:29.480
<v Speaker 1>I want you to fly up here. I was in

0:27:29.640 --> 0:27:32.239
<v Speaker 1>Vegas and I owned a little hotel and I had

0:27:32.280 --> 0:27:34.760
<v Speaker 1>a nightclub and I was happy as a hog in heaven.

0:27:35.320 --> 0:27:37.560
<v Speaker 1>So she said, well, no, I don't care, mother, you

0:27:37.640 --> 0:27:39.960
<v Speaker 1>have to fly. So I flew in and I met

0:27:40.040 --> 0:27:42.960
<v Speaker 1>Albert and I read a scene for him and he

0:27:43.119 --> 0:27:46.800
<v Speaker 1>said to me, you've got it. And I said, what

0:27:46.880 --> 0:27:49.720
<v Speaker 1>does that mean, Albert? He said, well, you've got it.

0:27:49.880 --> 0:27:52.480
<v Speaker 1>You you've got the part. I said, Albert, I have

0:27:52.600 --> 0:27:56.239
<v Speaker 1>to meet the director oh, I am the director. Debby. Oh,

0:27:56.359 --> 0:27:59.240
<v Speaker 1>I didn't know Albert, and I said, because you know

0:27:59.400 --> 0:28:01.800
<v Speaker 1>I know him since he's a young boy. And then

0:28:02.240 --> 0:28:04.680
<v Speaker 1>I said, well you have to see the producer, then, dear,

0:28:04.960 --> 0:28:08.280
<v Speaker 1>you can't just suddenly hired Debby. Well, I, yes I can.

0:28:08.680 --> 0:28:12.200
<v Speaker 1>I'm the producer. I'm the producer, I'm the director. I

0:28:12.400 --> 0:28:17.320
<v Speaker 1>wrote it. And yes, you're going to do I said, Albert,

0:28:17.880 --> 0:28:21.040
<v Speaker 1>you'll get into trouble. He said, no, you really are

0:28:21.080 --> 0:28:23.520
<v Speaker 1>going to get it now because you're bossing me. So

0:28:23.920 --> 0:28:26.440
<v Speaker 1>now you're just like my mother. So you've got the

0:28:26.520 --> 0:28:32.760
<v Speaker 1>partner shore. Can you eat lamb chops? What the hell

0:28:32.880 --> 0:28:34.920
<v Speaker 1>is a lamb? It's meat. I told you I don't

0:28:34.920 --> 0:28:37.960
<v Speaker 1>eat it. That's not a cow. I didn't know if

0:28:37.960 --> 0:28:40.200
<v Speaker 1>it was the animal. You were siding with the whole thing.

0:28:41.160 --> 0:28:45.920
<v Speaker 1>It's open, wasn't she Albert was very sweet. He wanted

0:28:45.960 --> 0:28:48.360
<v Speaker 1>Doris today, but she just wouldn't do it because she

0:28:48.400 --> 0:28:51.120
<v Speaker 1>would have been terrific. But as we all know, Doris

0:28:51.200 --> 0:28:54.640
<v Speaker 1>doesn't want to go back on the screen. And I

0:28:54.760 --> 0:28:56.760
<v Speaker 1>didn't want it because I was in Vegas and I

0:28:56.880 --> 0:28:59.640
<v Speaker 1>was running my hotel. I'm happy, I did. I think

0:29:00.080 --> 0:29:01.600
<v Speaker 1>a lot of films on a lot of TV shows

0:29:01.600 --> 0:29:06.280
<v Speaker 1>since then, Will and Grace, Where did you play? Well,

0:29:06.440 --> 0:29:09.520
<v Speaker 1>what do you mean? I played Grace's mother. You're Grace's

0:29:09.600 --> 0:29:14.240
<v Speaker 1>mom Adler. Her name was Adler and so as she

0:29:14.440 --> 0:29:17.080
<v Speaker 1>sang a lot did impressions. It was a lot of

0:29:17.120 --> 0:29:20.680
<v Speaker 1>fun to do. And you have you stopped the club actor?

0:29:20.720 --> 0:29:22.440
<v Speaker 1>You're still doing that? You still I still do my

0:29:22.520 --> 0:29:25.840
<v Speaker 1>club act. I've been under the weather for about four months,

0:29:25.920 --> 0:29:28.920
<v Speaker 1>so I've been kind of taking it easy and getting

0:29:29.000 --> 0:29:34.560
<v Speaker 1>my health contest. And you look fantastic. Well, you look gorgeous.

0:29:34.560 --> 0:29:38.240
<v Speaker 1>You give me me my birthday party. You look beautiful.

0:29:38.680 --> 0:29:41.120
<v Speaker 1>Thank you, dear, And I wish you all happened is

0:29:41.280 --> 0:29:44.360
<v Speaker 1>with your new wife and a baby. Your life is

0:29:44.440 --> 0:29:47.320
<v Speaker 1>all ahead of you. I love my baby so much.

0:29:47.400 --> 0:29:49.960
<v Speaker 1>And even though they're all grown in your age, practically,

0:29:50.680 --> 0:29:54.000
<v Speaker 1>you know, there's nothing like it. It's just so special.

0:29:54.080 --> 0:29:56.880
<v Speaker 1>I'm really looking forward, you know when I think of

0:29:57.000 --> 0:29:59.120
<v Speaker 1>you and you being part of that, you know, great

0:29:59.360 --> 0:30:03.000
<v Speaker 1>era of studio filmmaking. Do you ever watch your stuff

0:30:03.040 --> 0:30:04.760
<v Speaker 1>that you did? You ever go back and watch those films?

0:30:04.800 --> 0:30:08.000
<v Speaker 1>You don't bother? Well, some of the films I watch

0:30:08.080 --> 0:30:11.960
<v Speaker 1>everybody else's films Bettie Davis, so I loved her in

0:30:12.080 --> 0:30:14.920
<v Speaker 1>Katherine Hepburna. When you watch a movie, you watch a

0:30:14.960 --> 0:30:17.920
<v Speaker 1>movie from back then. Oh, yes, I only watch all movies.

0:30:18.040 --> 0:30:19.640
<v Speaker 1>You don't go to see You don't exactly, So you

0:30:19.680 --> 0:30:22.960
<v Speaker 1>don't go see movies today, not really don't. Not even

0:30:23.000 --> 0:30:26.720
<v Speaker 1>screeners from the Academy or DVDs at home. If someone

0:30:26.760 --> 0:30:29.800
<v Speaker 1>tells me it's really wonderful, I'll go, Like Titanic, you'd

0:30:29.840 --> 0:30:33.880
<v Speaker 1>watch or something. No, I did go to see You've

0:30:33.920 --> 0:30:40.040
<v Speaker 1>been there. No, I did that movie. So I just

0:30:40.240 --> 0:30:43.240
<v Speaker 1>did a film with It was about Liberaci Behind the

0:30:43.440 --> 0:30:50.240
<v Speaker 1>Candelabra Michael Douglas. Michael Douglas and played Mrs Liberaci because

0:30:50.400 --> 0:30:53.200
<v Speaker 1>I like to do dialection and I knew Mrs Liberaci

0:30:53.480 --> 0:30:56.480
<v Speaker 1>and I knew Lee. We were working a now very

0:30:56.600 --> 0:31:00.640
<v Speaker 1>good friend. Yes, we were really dear friend. Ends and

0:31:00.760 --> 0:31:02.760
<v Speaker 1>you know, he's called me up after the show and

0:31:02.920 --> 0:31:06.479
<v Speaker 1>we go out together and say, were white all white

0:31:06.920 --> 0:31:10.600
<v Speaker 1>Danby and your jewelry And then he'd arrived in the

0:31:10.720 --> 0:31:14.160
<v Speaker 1>limousine with the chauffeur's hat on and he drive me.

0:31:14.680 --> 0:31:18.280
<v Speaker 1>I mean, he was so much fun. I lovedly Broach.

0:31:18.320 --> 0:31:21.240
<v Speaker 1>She was great so I did his mother. How was

0:31:21.320 --> 0:31:23.600
<v Speaker 1>Soderberg to work with? Did you like Soderberg? Oh, he

0:31:23.720 --> 0:31:26.560
<v Speaker 1>was wonderful. The director was wonderful, great director. I just

0:31:26.680 --> 0:31:30.800
<v Speaker 1>had a little part, you know, and she had antsy,

0:31:30.920 --> 0:31:34.840
<v Speaker 1>she was she was the Only thing hard is dialected

0:31:35.040 --> 0:31:37.680
<v Speaker 1>to be real and to have to do doone when

0:31:37.720 --> 0:31:41.040
<v Speaker 1>you're doing their dialect is polish, and so you have

0:31:41.160 --> 0:31:44.480
<v Speaker 1>to talk like really the real little one and to

0:31:44.840 --> 0:31:49.760
<v Speaker 1>be unbelievable. Because I am very good at dialects, I

0:31:49.920 --> 0:31:52.240
<v Speaker 1>love to do them. You know what's amazing to me,

0:31:53.000 --> 0:31:55.920
<v Speaker 1>is you still enjoy doing this? Yes, even though this

0:31:56.040 --> 0:31:58.480
<v Speaker 1>is something that you came into almost accidentally. You know,

0:31:58.560 --> 0:32:00.560
<v Speaker 1>you won the contest and you would over to Warner

0:32:00.600 --> 0:32:03.440
<v Speaker 1>Brothers said we want you to be in the movie business,

0:32:03.480 --> 0:32:05.840
<v Speaker 1>and you laughed when they said that. And yet here

0:32:05.960 --> 0:32:08.760
<v Speaker 1>you are when you were sixteen years old and now

0:32:08.840 --> 0:32:12.640
<v Speaker 1>you're eighty one years old, sixty five years later. You

0:32:12.760 --> 0:32:16.440
<v Speaker 1>still enjoy doing this, don't you. Absolutely? If you're blessed

0:32:16.600 --> 0:32:20.080
<v Speaker 1>enough to be able to have something to do that

0:32:20.280 --> 0:32:24.400
<v Speaker 1>you love besides marriages, I mean, that's the only thing

0:32:24.480 --> 0:32:27.520
<v Speaker 1>that's been a disappointment to me in my life. Honey,

0:32:27.600 --> 0:32:29.320
<v Speaker 1>You're looking at the man you should have married here.

0:32:29.520 --> 0:32:32.520
<v Speaker 1>It's me here, I am. I wouldn't have stolen your money,

0:32:32.840 --> 0:32:34.760
<v Speaker 1>will you? And I would be home right now watching

0:32:34.840 --> 0:32:37.800
<v Speaker 1>turn of classic movies, eating popcorn. I'll be giving you

0:32:37.880 --> 0:32:42.440
<v Speaker 1>a foot, rub. I have a wonderful life, I really do.

0:32:42.640 --> 0:32:45.280
<v Speaker 1>God bless everybody. I really am very But you're another

0:32:45.360 --> 0:32:47.320
<v Speaker 1>thing you have and you don't have to confirm us.

0:32:47.520 --> 0:32:49.040
<v Speaker 1>But I bet you I know another thing you have,

0:32:49.160 --> 0:32:53.640
<v Speaker 1>which is when you meet people you're fans. I bet

0:32:53.680 --> 0:32:55.560
<v Speaker 1>you they just love you. They're my friends. Are not

0:32:55.680 --> 0:32:58.440
<v Speaker 1>my fans. You know, everybody I meet, I just feel

0:32:58.520 --> 0:33:02.440
<v Speaker 1>like I know them six five years and they they

0:33:02.680 --> 0:33:06.040
<v Speaker 1>made me, they gave me my work, and they stay

0:33:06.160 --> 0:33:08.520
<v Speaker 1>by me all these years. You know, I work in

0:33:08.720 --> 0:33:11.160
<v Speaker 1>Vegas all the time, and I work in Loughlin, which

0:33:11.200 --> 0:33:16.640
<v Speaker 1>is called is invad right, Yeah, anywhere there's a job

0:33:16.800 --> 0:33:18.920
<v Speaker 1>I work. You enjoy doing it live that way? How

0:33:19.000 --> 0:33:21.400
<v Speaker 1>long is your show? Sure? The whole act of our

0:33:21.520 --> 0:33:23.800
<v Speaker 1>half hour and a half an hour and a half.

0:33:24.160 --> 0:33:26.080
<v Speaker 1>I do a lot of comedy. Well, I mean I

0:33:26.200 --> 0:33:29.640
<v Speaker 1>try to make it funny. Let me end with this.

0:33:30.760 --> 0:33:33.520
<v Speaker 1>Acting for me is very strange. Now I'm kind of

0:33:33.560 --> 0:33:34.800
<v Speaker 1>done with it, and I mean, I don't think I

0:33:34.840 --> 0:33:37.400
<v Speaker 1>want to do it much longer. And the world has

0:33:37.480 --> 0:33:39.640
<v Speaker 1>changed now, as you well know, it's very different. The

0:33:39.720 --> 0:33:44.360
<v Speaker 1>way is that your phone? I think it is your phone?

0:33:47.160 --> 0:33:57.360
<v Speaker 1>Where is my Isn't that odd? Yeah? Where's Oh? What

0:33:57.440 --> 0:34:01.560
<v Speaker 1>you're listening to now is Debbie Reynolds taking her it's

0:34:01.640 --> 0:34:04.080
<v Speaker 1>my son, I'll bet you Patty Reynolds is now taking

0:34:04.080 --> 0:34:06.960
<v Speaker 1>out all the kucham on her little asia. But I don't.

0:34:07.000 --> 0:34:10.080
<v Speaker 1>I can't find you can't find them. Let's find it there,

0:34:10.120 --> 0:34:12.960
<v Speaker 1>it is there, it is well, and this is this

0:34:13.120 --> 0:34:16.240
<v Speaker 1>is how my son was born, nine pounds three ounces.

0:34:16.280 --> 0:34:19.879
<v Speaker 1>Took a long time to get it out. I was hello,

0:34:22.680 --> 0:34:29.120
<v Speaker 1>good heavens, that's hard to find. Can you say it again? Hello?

0:34:29.600 --> 0:34:32.360
<v Speaker 1>Did I get you too late? That's the story of

0:34:32.440 --> 0:34:34.799
<v Speaker 1>my life, isn't it? Must be a man? Well, I'm

0:34:34.840 --> 0:34:37.720
<v Speaker 1>going to hang up now. I'm visiting with Alec Baldwin.

0:34:38.000 --> 0:34:40.680
<v Speaker 1>He's a big star. Yes, he lives in New York.

0:34:41.000 --> 0:34:43.520
<v Speaker 1>Just got married again, a young girl. They always pick

0:34:43.600 --> 0:34:47.880
<v Speaker 1>him younger. Yeah, I'm might as that's one thing that

0:34:47.960 --> 0:34:51.640
<v Speaker 1>hasn't changed. Yeah, then nothing has changed. I wanted to

0:34:51.760 --> 0:34:54.919
<v Speaker 1>say I'd love to work with you one day. I'd

0:34:54.960 --> 0:34:57.160
<v Speaker 1>love anytime. I'd love to work with you one day.

0:34:57.560 --> 0:34:59.640
<v Speaker 1>If there's a movie and there's a partner of for

0:34:59.719 --> 0:35:02.600
<v Speaker 1>you to play my crazy aunt, will you come in there?

0:35:02.640 --> 0:35:04.880
<v Speaker 1>Would be fun to do the crazy ant or the

0:35:05.080 --> 0:35:08.640
<v Speaker 1>street lady or anybody you like that. I like to

0:35:08.760 --> 0:35:13.520
<v Speaker 1>do characters where I could faint. Debbie Reynolds's latest book

0:35:13.920 --> 0:35:17.520
<v Speaker 1>is Unsinkable, and she has a huge collection of Hollywood

0:35:17.560 --> 0:35:20.879
<v Speaker 1>memorabilia that you too can have a piece of. I'm

0:35:21.040 --> 0:35:24.360
<v Speaker 1>selling an online. So if Debbie Reynolds, Debbie mill studio

0:35:24.440 --> 0:35:27.239
<v Speaker 1>store dot com, Debbie Reynolds Studio store dot com, You're

0:35:28.400 --> 0:35:31.320
<v Speaker 1>of wonderful things, I'm going to go buy something on there. Okay,

0:35:31.440 --> 0:35:36.399
<v Speaker 1>Chaplin's Aunt, how about that? Coming up My next guest

0:35:36.520 --> 0:35:40.560
<v Speaker 1>film historian Robert Osborne, who had this to say about

0:35:40.719 --> 0:35:43.040
<v Speaker 1>Debbie Reynolds in the minute she came on the screen.

0:35:43.120 --> 0:35:46.239
<v Speaker 1>It's a very young girl. She was so adorable, so bright,

0:35:46.480 --> 0:35:49.759
<v Speaker 1>so comfortable on camera. But I think I admire the

0:35:49.840 --> 0:35:53.799
<v Speaker 1>most about her, though, is her survival instincts. Even when

0:35:53.880 --> 0:35:57.239
<v Speaker 1>she wasn't so popular anymore, She's stuck in there and

0:35:57.400 --> 0:36:00.200
<v Speaker 1>she's still forged ahead and still kept this career going,

0:36:00.680 --> 0:36:04.760
<v Speaker 1>and she truly is unsinkable. Film historian and Turner Classic

0:36:04.800 --> 0:36:12.600
<v Speaker 1>Movies host Robert Osbourne. After this, I'm Alec Baldwin and

0:36:12.680 --> 0:36:15.160
<v Speaker 1>you're listening to Here's the Thing. The next film in

0:36:15.200 --> 0:36:18.040
<v Speaker 1>our Oscar marathon saluting nominees and winners in the category

0:36:18.080 --> 0:36:20.680
<v Speaker 1>of best Screenplay is one of the real biggias from

0:36:20.719 --> 0:36:23.680
<v Speaker 1>that banner of film year of nineteen nine. It's Wuthering

0:36:23.760 --> 0:36:27.200
<v Speaker 1>Heights from Robert Osborne has been hosting Turner Classic Movies

0:36:27.600 --> 0:36:30.840
<v Speaker 1>for almost two decades. I was lucky enough to guest

0:36:30.880 --> 0:36:33.480
<v Speaker 1>host the show with him for three of those years. Now,

0:36:33.600 --> 0:36:35.560
<v Speaker 1>something you may not know about the Third Man is

0:36:35.600 --> 0:36:38.520
<v Speaker 1>there were actually two versions of this film. No one

0:36:38.719 --> 0:36:42.040
<v Speaker 1>knows more about movies than Robert. He's the master of

0:36:42.120 --> 0:36:45.600
<v Speaker 1>the relevant anecdote. He serves as an ambassador to a

0:36:45.719 --> 0:36:48.600
<v Speaker 1>bygone era that he's helped make more popular than ever.

0:36:56.160 --> 0:37:00.480
<v Speaker 1>In Osbourne's own story, the players are legendary, the backdrop

0:37:00.600 --> 0:37:03.040
<v Speaker 1>his epic, and the plot twists will make you say

0:37:03.239 --> 0:37:07.840
<v Speaker 1>that could only happen in the movies. We opened in Colfax, Washington,

0:37:08.280 --> 0:37:11.239
<v Speaker 1>just west of the Rockies, a world away from Hollywood.

0:37:12.080 --> 0:37:14.279
<v Speaker 1>I grew up in a small town where I went

0:37:14.320 --> 0:37:16.080
<v Speaker 1>to the movies a lot and fell in love with

0:37:16.120 --> 0:37:18.880
<v Speaker 1>all these people also fell in love with the movie business,

0:37:19.000 --> 0:37:21.279
<v Speaker 1>so all I saw were actors on the screen. So

0:37:21.360 --> 0:37:23.080
<v Speaker 1>I thought, well, that's what I have to be if

0:37:23.080 --> 0:37:24.480
<v Speaker 1>I want to be a part of the movie business.

0:37:29.120 --> 0:37:31.520
<v Speaker 1>He headed to Los Angeles, where he met an agent

0:37:31.560 --> 0:37:34.040
<v Speaker 1>who took him to Fox, where he signed a six

0:37:34.120 --> 0:37:37.560
<v Speaker 1>month contract and was cast in a television show. The

0:37:37.640 --> 0:37:40.480
<v Speaker 1>TV show finished and he went to the casting director

0:37:40.560 --> 0:37:43.719
<v Speaker 1>to thank him for the work. The casting director suggested

0:37:43.760 --> 0:37:47.840
<v Speaker 1>that he contact Lucille Ball's office. Lucy herself picked up

0:37:47.880 --> 0:37:51.200
<v Speaker 1>the phone and invited him over. She said, let's watch

0:37:51.280 --> 0:37:54.800
<v Speaker 1>your screen tests. Now, Lucy was somebody that the minute

0:37:55.320 --> 0:37:58.719
<v Speaker 1>she wanted something, she did it. So when it was over,

0:38:00.080 --> 0:38:02.000
<v Speaker 1>he didn't really say anything. She's just thanked me for

0:38:02.080 --> 0:38:04.560
<v Speaker 1>coming by, and I thought, well, she wasn't that impressed,

0:38:04.600 --> 0:38:05.960
<v Speaker 1>but at least I got to spend some time with

0:38:06.040 --> 0:38:09.600
<v Speaker 1>Lucille Ball. Okay, like a week later, a message comes

0:38:09.680 --> 0:38:15.759
<v Speaker 1>on my voice, Uh, you're answering. Absolutely answering service called

0:38:15.800 --> 0:38:19.120
<v Speaker 1>Lucille Ball's office right away. Here's the number. Hello Lebray

0:38:19.360 --> 0:38:23.640
<v Speaker 1>nine two, calling this answer phone. Yes, I called the number,

0:38:23.719 --> 0:38:25.640
<v Speaker 1>and the second he said, well, Lucille Ball wants you

0:38:25.719 --> 0:38:28.520
<v Speaker 1>to come to dinner on Friday night if you're available,

0:38:28.600 --> 0:38:32.320
<v Speaker 1>and meet DESI. I thought, well, that's interesting. So I

0:38:32.480 --> 0:38:35.760
<v Speaker 1>go to Lucy's house at Friday night. There's no Desi,

0:38:36.200 --> 0:38:41.919
<v Speaker 1>but there's Lucy. There's Janet Gayner, there's Joseph Cotton, there's

0:38:42.000 --> 0:38:46.880
<v Speaker 1>Kay Thompson, Chuck Walters, Charles Walters, the director Roger Eden's,

0:38:47.440 --> 0:38:49.880
<v Speaker 1>and a couple of other people, and her sister Cleo

0:38:50.160 --> 0:38:52.440
<v Speaker 1>who was actually her cousin but raised as her sister,

0:38:52.960 --> 0:38:56.720
<v Speaker 1>and me. After the dinner and they were all chatting

0:38:56.800 --> 0:39:00.520
<v Speaker 1>and laughing and all of that drinking. Not Lucy wasn't

0:39:00.520 --> 0:39:03.360
<v Speaker 1>no drinker at that point. She she learned how to

0:39:03.440 --> 0:39:05.560
<v Speaker 1>drink a little bit later on, but not at that point.

0:39:05.960 --> 0:39:09.360
<v Speaker 1>So we went in the living room and where was

0:39:09.400 --> 0:39:14.840
<v Speaker 1>the house on Roxbury right next door to Jack Benny exactly,

0:39:15.280 --> 0:39:17.279
<v Speaker 1>and just down the street from Ira gersh one and

0:39:17.320 --> 0:39:23.280
<v Speaker 1>around the corner from Cety. Map with you. So anyway,

0:39:23.440 --> 0:39:26.400
<v Speaker 1>after dinner we went in the living room. She pushes

0:39:26.480 --> 0:39:29.480
<v Speaker 1>the button and the painting goes up, puts an the button,

0:39:29.560 --> 0:39:32.560
<v Speaker 1>the screen comes down, and I'm thinking, did you ever

0:39:32.680 --> 0:39:34.279
<v Speaker 1>believe that you would ever be? And then I thought, no,

0:39:34.320 --> 0:39:35.719
<v Speaker 1>wait a minute, I always knew I was going to

0:39:35.800 --> 0:39:40.200
<v Speaker 1>be here. I remember that thought. I first started to

0:39:40.280 --> 0:39:43.360
<v Speaker 1>say automatically, did you ever think God this and that

0:39:43.480 --> 0:39:45.880
<v Speaker 1>was the beginning for you? Yeah? And I thought no,

0:39:46.400 --> 0:39:48.040
<v Speaker 1>I always knew I was going to be with people

0:39:48.120 --> 0:39:51.359
<v Speaker 1>like this. And I relaxed. Then I really relaxed as

0:39:51.360 --> 0:39:54.399
<v Speaker 1>I thought, no, this is where you're supposed to people. Yeah,

0:39:54.480 --> 0:39:56.640
<v Speaker 1>and do you when you love? This is where I'm

0:39:56.640 --> 0:39:59.600
<v Speaker 1>supposed to be where? What movie do you remember? Funny Face,

0:39:59.719 --> 0:40:05.640
<v Speaker 1>which was which was about three years old? That what? No,

0:40:05.800 --> 0:40:08.520
<v Speaker 1>But what was great about it was there's a part

0:40:08.600 --> 0:40:11.120
<v Speaker 1>in Funny Face when Kate Thompson and Andre Heppurn get

0:40:11.160 --> 0:40:12.719
<v Speaker 1>up and do a number called on how to Be

0:40:12.960 --> 0:40:16.120
<v Speaker 1>Lovely Together. Kay Thompson got up by the screen and

0:40:16.200 --> 0:40:18.560
<v Speaker 1>did the numbers. So and it was, you know, fun

0:40:18.719 --> 0:40:22.000
<v Speaker 1>watch the movie. The movie was over, everybody starts to go,

0:40:22.480 --> 0:40:25.040
<v Speaker 1>so I think, well, I'm supposed to go to I

0:40:25.120 --> 0:40:28.160
<v Speaker 1>still don't know quite why I'm here, and it certainly wasn't.

0:40:28.200 --> 0:40:30.440
<v Speaker 1>Lucy was saying, you know, stay around a little boy

0:40:30.880 --> 0:40:33.400
<v Speaker 1>or anything like that. Wasn't that. So we got to

0:40:33.480 --> 0:40:35.640
<v Speaker 1>the front door. I was thanking Lucy for the evening.

0:40:35.719 --> 0:40:37.480
<v Speaker 1>She said, well, have you signed the papers yet? And

0:40:37.560 --> 0:40:40.680
<v Speaker 1>I said, put papers. I want you another contract. And

0:40:41.360 --> 0:40:47.279
<v Speaker 1>I said, well, nobody's ever mentioned we're doing business, yes,

0:40:47.360 --> 0:40:51.120
<v Speaker 1>you idiot, nobody's ever mentioned anything about a contract or anything.

0:40:51.160 --> 0:40:54.560
<v Speaker 1>And she said give them the address tomorrow and signed

0:40:54.560 --> 0:41:00.239
<v Speaker 1>the paper anyone, So I was under contract. Then Todesku

0:41:00.680 --> 0:41:03.560
<v Speaker 1>didn't pay us much money at all, but it was

0:41:03.640 --> 0:41:05.960
<v Speaker 1>like a masterclass for me. That's when I first met

0:41:06.040 --> 0:41:08.520
<v Speaker 1>Bettie Davis. Bettie Davis came to l A in a

0:41:08.560 --> 0:41:11.560
<v Speaker 1>play called The World of Carl Sandberg. So she took

0:41:11.640 --> 0:41:13.640
<v Speaker 1>us to the play and then took us backstage afterwards

0:41:13.719 --> 0:41:16.359
<v Speaker 1>to meet Betty Davis and Vivian Lee. Came a duel

0:41:16.400 --> 0:41:20.240
<v Speaker 1>of angels, and so she went backstage and settled it vivianly.

0:41:20.280 --> 0:41:22.719
<v Speaker 1>It took us with her. Anytime there was somebody like that,

0:41:22.840 --> 0:41:26.759
<v Speaker 1>Noel Coward or Marlena Dietrich, she would take us there

0:41:27.239 --> 0:41:29.719
<v Speaker 1>pick up the tabs because again she knew she wasn't

0:41:29.760 --> 0:41:32.439
<v Speaker 1>paying enough money to keep for us to be able

0:41:32.440 --> 0:41:35.239
<v Speaker 1>to do that. So we got this terrific education and

0:41:35.360 --> 0:41:38.960
<v Speaker 1>she also now Desi at this point was womanizing. He

0:41:39.120 --> 0:41:43.960
<v Speaker 1>wasn't around much. So she would get movies that we

0:41:44.120 --> 0:41:46.239
<v Speaker 1>wanted to see her hadn't seen because they weren't that

0:41:46.360 --> 0:41:48.799
<v Speaker 1>accessible in those days, and run them at her house.

0:41:49.480 --> 0:41:52.600
<v Speaker 1>Or she would show us I love Lucy's show. She'd

0:41:52.640 --> 0:41:55.800
<v Speaker 1>done bad ones and show us why they didn't work,

0:41:56.160 --> 0:41:57.960
<v Speaker 1>then show us a good one and why it did work.

0:41:59.640 --> 0:42:01.680
<v Speaker 1>She all. So, the first day any of us were

0:42:01.719 --> 0:42:04.600
<v Speaker 1>in a contract there and we first met, she arrived,

0:42:04.640 --> 0:42:07.840
<v Speaker 1>she's just gone to a bank and she got twelve

0:42:08.360 --> 0:42:11.840
<v Speaker 1>savings accounts that she opened, put like fifty dollars in,

0:42:12.560 --> 0:42:14.600
<v Speaker 1>and she gave us in each of our names, gave

0:42:14.680 --> 0:42:17.200
<v Speaker 1>us the books, and she said, every week you have

0:42:17.320 --> 0:42:19.719
<v Speaker 1>to put something away. And we were, as I say,

0:42:19.800 --> 0:42:22.680
<v Speaker 1>making very little money, and say, Lucy, you know we

0:42:22.800 --> 0:42:25.840
<v Speaker 1>don't barely enough to to live on. She said, it

0:42:25.920 --> 0:42:29.200
<v Speaker 1>can be only five dollars, but every week put something away.

0:42:29.400 --> 0:42:33.000
<v Speaker 1>You won't miss it. It'll add up. Very maternal, and

0:42:33.080 --> 0:42:35.880
<v Speaker 1>she said, no matter what the thing you must do

0:42:36.719 --> 0:42:38.680
<v Speaker 1>is have enough money that you don't have to make

0:42:38.719 --> 0:42:43.480
<v Speaker 1>decisions based on money. For a kid from Colfax, Washington,

0:42:43.600 --> 0:42:46.120
<v Speaker 1>this was just invaluable. I've been to college, but I

0:42:46.239 --> 0:42:48.959
<v Speaker 1>never had these kind of life lessons. In the course

0:42:49.000 --> 0:42:51.440
<v Speaker 1>of it, she meant, my folks, and she got to

0:42:51.520 --> 0:42:54.719
<v Speaker 1>know me. She said to me early on, you can

0:42:54.760 --> 0:42:57.680
<v Speaker 1>do this as an actor. But she said, and I

0:42:57.760 --> 0:42:59.640
<v Speaker 1>think you could do well, but it's not gonna make

0:42:59.680 --> 0:43:02.320
<v Speaker 1>you half babe. This is not the right line of

0:43:02.400 --> 0:43:05.680
<v Speaker 1>work for you. And she said, you love old films,

0:43:05.800 --> 0:43:08.680
<v Speaker 1>you love history, you love everything about the business. And

0:43:08.800 --> 0:43:12.200
<v Speaker 1>you're a journalist and major in college. We have enough actors.

0:43:12.280 --> 0:43:14.840
<v Speaker 1>You should write about movies. And the first thing you

0:43:14.880 --> 0:43:17.040
<v Speaker 1>should do is write a book. She said. It doesn't

0:43:17.080 --> 0:43:18.520
<v Speaker 1>even have to be a good book, but find a

0:43:18.560 --> 0:43:21.920
<v Speaker 1>subject about the movies that nobody's done and write a

0:43:21.920 --> 0:43:25.279
<v Speaker 1>book about it. And I said why, She said, if

0:43:25.320 --> 0:43:27.400
<v Speaker 1>you write a book, it shows you have the discipline

0:43:27.400 --> 0:43:29.680
<v Speaker 1>to sit down and do that. Yes, I did. What

0:43:30.080 --> 0:43:31.840
<v Speaker 1>it was a book about the oscars? Is this the

0:43:31.840 --> 0:43:34.640
<v Speaker 1>book right here? Oh my god? Yeah, academy words the

0:43:34.719 --> 0:43:41.760
<v Speaker 1>listeners to know that stunned expression. Yes, indeed, a copy

0:43:41.840 --> 0:43:46.279
<v Speaker 1>of the book. Yeah, and that is amazing. Yes, there

0:43:46.440 --> 0:43:49.200
<v Speaker 1>he was. Do you think you clearly make a choice

0:43:49.239 --> 0:43:51.640
<v Speaker 1>at this point in your life made for you well.

0:43:51.800 --> 0:43:54.239
<v Speaker 1>The choice was kind of made for me because I

0:43:54.440 --> 0:43:56.759
<v Speaker 1>was not getting parts like Night mus Fall that I

0:43:56.880 --> 0:43:58.759
<v Speaker 1>love doing. And I did a soap opera for a

0:43:58.840 --> 0:44:01.800
<v Speaker 1>couple of years called The Young Married's. I was always

0:44:01.840 --> 0:44:04.920
<v Speaker 1>in a suit with the tie and with a briefcase,

0:44:05.280 --> 0:44:08.000
<v Speaker 1>helping the plot along. But it wasn't interesting, and I

0:44:08.160 --> 0:44:11.440
<v Speaker 1>wasn't interesting. Did a lot of commercials. I thought, you know,

0:44:11.480 --> 0:44:13.200
<v Speaker 1>if this is the best I can do at this point,

0:44:13.600 --> 0:44:15.879
<v Speaker 1>I gotta get out of this altogether, because I would

0:44:15.960 --> 0:44:19.319
<v Speaker 1>look at a part and I think George Bopard could

0:44:19.320 --> 0:44:21.800
<v Speaker 1>do this so much better than I can, or Tony

0:44:21.880 --> 0:44:24.480
<v Speaker 1>Perkins would be great in this. He fell out of love. Yeah,

0:44:24.840 --> 0:44:30.040
<v Speaker 1>and I was on stage struck an example. Instead, Robert

0:44:30.120 --> 0:44:33.000
<v Speaker 1>decided to pursue a career as a writer in Hollywood,

0:44:33.480 --> 0:44:36.399
<v Speaker 1>and he continued to land himself in right time, Right

0:44:36.480 --> 0:44:40.799
<v Speaker 1>place situations. He interviewed actress Olivia to have aland, who

0:44:40.920 --> 0:44:43.280
<v Speaker 1>later called on him to escort her to a tribute

0:44:43.520 --> 0:44:47.400
<v Speaker 1>to Betty Davis. Being friendly with the Haviland led to

0:44:47.480 --> 0:44:50.840
<v Speaker 1>an appearance on the Dinah Shore Show. There, he confronted

0:44:50.920 --> 0:44:55.000
<v Speaker 1>a furious Shelly Winters about her false Academy award nomination

0:44:55.040 --> 0:44:59.840
<v Speaker 1>to claim people took note that Robert Osborne knew his stuff.

0:45:00.960 --> 0:45:03.759
<v Speaker 1>He met with Teach Wilkerson Miles, the publisher of The

0:45:03.840 --> 0:45:07.680
<v Speaker 1>Hollywood Reporter, but the interview fell flat. One day, an

0:45:07.719 --> 0:45:10.520
<v Speaker 1>old friend who worked at the Reporter called. She had

0:45:10.560 --> 0:45:13.200
<v Speaker 1>a plan to get him in, but Robert Osborne still

0:45:13.239 --> 0:45:16.040
<v Speaker 1>had a day job and I said, well, I'm working

0:45:16.440 --> 0:45:19.200
<v Speaker 1>in the box office of the Greek Theater. And she said, well,

0:45:19.239 --> 0:45:22.040
<v Speaker 1>can you get off for this two week period? Thank Grant,

0:45:22.040 --> 0:45:26.120
<v Speaker 1>who writes the main column Rambling Reporter, is staying in

0:45:26.200 --> 0:45:29.239
<v Speaker 1>vacation and they've asked me to write the column for him.

0:45:29.760 --> 0:45:32.080
<v Speaker 1>And she said, I'll tell them I will, and then

0:45:32.160 --> 0:45:33.960
<v Speaker 1>at the last minute I'll tell him I can't for

0:45:34.080 --> 0:45:36.920
<v Speaker 1>some reason. I'll recommend you do it. They'll have to

0:45:36.960 --> 0:45:39.640
<v Speaker 1>get somebody to do it. This is your life story. Well,

0:45:39.760 --> 0:45:43.439
<v Speaker 1>there's a lot of struggle in there beforehand, but once

0:45:43.480 --> 0:45:47.080
<v Speaker 1>it started, it started going, it really started. But this

0:45:47.160 --> 0:45:49.920
<v Speaker 1>is a great opportunity for you. Yeah, so I got

0:45:50.000 --> 0:45:52.800
<v Speaker 1>called in. I had stories ready, I've been doing it

0:45:52.880 --> 0:45:55.640
<v Speaker 1>for about three days. I'm gonna call from teaching Wilkerson

0:45:55.719 --> 0:45:58.719
<v Speaker 1>Miles and she said, do you work for us? And

0:45:58.840 --> 0:46:01.520
<v Speaker 1>I said, no, I don't, but I'm just coming in

0:46:01.600 --> 0:46:03.759
<v Speaker 1>to help out. She said, would you like to work

0:46:03.880 --> 0:46:06.960
<v Speaker 1>for us? And I said yes I would. She said, well,

0:46:06.960 --> 0:46:10.040
<v Speaker 1>you've got a job. It's lu come up here now.

0:46:10.480 --> 0:46:13.600
<v Speaker 1>So I showed up for work. She was not around.

0:46:13.719 --> 0:46:16.200
<v Speaker 1>She was on some trip. The editors said, well, I

0:46:16.239 --> 0:46:18.480
<v Speaker 1>don't have any room for you in here, so just

0:46:18.920 --> 0:46:21.960
<v Speaker 1>kind of wander around and get to know the paper.

0:46:22.280 --> 0:46:25.000
<v Speaker 1>When she comes back, we'll ask her what she plans

0:46:25.040 --> 0:46:27.960
<v Speaker 1>for you to do. Just before she came back, Marjorie,

0:46:28.440 --> 0:46:31.840
<v Speaker 1>who wrote a column called on Location where you go

0:46:32.000 --> 0:46:34.880
<v Speaker 1>visit film sets for the paper. She got in a

0:46:34.960 --> 0:46:38.320
<v Speaker 1>fight at the paper and she quit. And when she

0:46:38.440 --> 0:46:40.520
<v Speaker 1>was going out the door, they said, what are we

0:46:40.560 --> 0:46:43.560
<v Speaker 1>gonna do your columns? Do you have to have a

0:46:43.640 --> 0:46:46.600
<v Speaker 1>column for tomorrow? She said, have Osborne do it. He's

0:46:46.600 --> 0:46:48.879
<v Speaker 1>not doing any anything around. Isn't it amazing how people

0:46:48.920 --> 0:46:51.720
<v Speaker 1>who don't know these kinds of businesses, like the newspaper business,

0:46:52.120 --> 0:46:54.719
<v Speaker 1>how it's really true? How do you become the drama critic? Yeah,

0:46:54.960 --> 0:46:57.960
<v Speaker 1>you're writing the gardening column and the drama critic drops

0:46:58.000 --> 0:47:00.440
<v Speaker 1>dead at his typewriter, and like Osborne get over here

0:47:00.480 --> 0:47:03.279
<v Speaker 1>and and so that's exactly what's right here. So all

0:47:03.320 --> 0:47:05.880
<v Speaker 1>of a sudden, I wasn't writing for the in the

0:47:06.160 --> 0:47:09.359
<v Speaker 1>editorial department. I had a column. How do you feel

0:47:09.360 --> 0:47:12.520
<v Speaker 1>about that? I loved it, except I don't think I

0:47:12.600 --> 0:47:14.040
<v Speaker 1>was very good at it because I'll tell you what,

0:47:14.600 --> 0:47:17.880
<v Speaker 1>it really is supposed to be a gossip column, or

0:47:18.080 --> 0:47:23.320
<v Speaker 1>at least have inside dirt. And I never felt comfortable

0:47:23.360 --> 0:47:26.040
<v Speaker 1>intruding upon people to want to keep a secret, because

0:47:26.040 --> 0:47:29.200
<v Speaker 1>I think secrets are important to have. You're very discreet.

0:47:29.840 --> 0:47:32.600
<v Speaker 1>I've been around you many, many hours, and you're never seen.

0:47:32.760 --> 0:47:34.600
<v Speaker 1>So there's a story that so and so to me,

0:47:34.640 --> 0:47:37.560
<v Speaker 1>and you never get into that, and so that was

0:47:37.640 --> 0:47:42.480
<v Speaker 1>problematic for you, and writing that it's like, you know,

0:47:42.560 --> 0:47:45.560
<v Speaker 1>it's it's so. I'd worked for during one period during

0:47:45.640 --> 0:47:48.440
<v Speaker 1>for a PR firm, and for a while Rock Hudson

0:47:48.560 --> 0:47:50.239
<v Speaker 1>was a client of ours, so I knew him well,

0:47:50.800 --> 0:47:53.680
<v Speaker 1>and so I knew when he got AIDS that he

0:47:53.760 --> 0:47:58.399
<v Speaker 1>had AIDS, but I would not write about that. At

0:47:58.440 --> 0:48:00.920
<v Speaker 1>that time, I was also doing the evening news because

0:48:00.960 --> 0:48:04.239
<v Speaker 1>all TV stations at one point had entertainment reporters. The

0:48:04.360 --> 0:48:07.040
<v Speaker 1>Lady Who a wonderful lady, Marsha Brandwyn, who was the

0:48:07.480 --> 0:48:09.440
<v Speaker 1>kind of news head there, and I got in a

0:48:09.480 --> 0:48:12.320
<v Speaker 1>big argument that she knew I knew about Rock Hudson,

0:48:12.520 --> 0:48:14.399
<v Speaker 1>and she said You've got to go on the air

0:48:14.480 --> 0:48:17.200
<v Speaker 1>with that, and I said, no, he doesn't want that. Know,

0:48:17.760 --> 0:48:19.960
<v Speaker 1>this is a very sick man. I said, if it

0:48:20.080 --> 0:48:23.080
<v Speaker 1>was the president that affects all of us in this country,

0:48:23.440 --> 0:48:26.600
<v Speaker 1>he's an actor. So I wasn't that good at that.

0:48:27.200 --> 0:48:29.000
<v Speaker 1>I mean, I think I wrote a lively column and

0:48:29.080 --> 0:48:31.040
<v Speaker 1>an interesting one. How long did you write the column

0:48:31.120 --> 0:48:35.799
<v Speaker 1>for Oh Boy? For about twenty years? So you're doing

0:48:35.880 --> 0:48:38.520
<v Speaker 1>the Reporter. It's twenty years at the Reporter? And then okay.

0:48:38.800 --> 0:48:41.560
<v Speaker 1>Then the CBS morning program in New York asked me

0:48:42.040 --> 0:48:44.960
<v Speaker 1>if I do entertainment reports at night in Los Angeles

0:48:45.120 --> 0:48:47.680
<v Speaker 1>that could be put on the air on a new

0:48:47.920 --> 0:48:50.680
<v Speaker 1>CBS morning program and the next day. I'd always wanted

0:48:50.680 --> 0:48:52.799
<v Speaker 1>to live in New York, so I said, what if

0:48:52.840 --> 0:48:54.759
<v Speaker 1>I did them live in New York. The minute I

0:48:54.840 --> 0:48:56.919
<v Speaker 1>got to New York, I thought, I can't ever go back.

0:48:57.440 --> 0:49:00.160
<v Speaker 1>What about New York? Appealed to some more serious to know.

0:49:00.320 --> 0:49:02.080
<v Speaker 1>Every time I was in New York, I felt alive.

0:49:02.200 --> 0:49:05.400
<v Speaker 1>I saw people reading books and I saw there was

0:49:05.440 --> 0:49:10.520
<v Speaker 1>so much activity going on. Yes, and it was also cars,

0:49:10.640 --> 0:49:13.160
<v Speaker 1>and you only you had to drive to get anywhere

0:49:13.200 --> 0:49:14.680
<v Speaker 1>on the New York. You're on the street, you run

0:49:14.719 --> 0:49:16.359
<v Speaker 1>into somebody and you go have a drink with them.

0:49:16.800 --> 0:49:19.560
<v Speaker 1>I mean, I loved all that. That's when Dorothy Lamore

0:49:19.640 --> 0:49:22.680
<v Speaker 1>came to town and she said, look, they're honoring Jimmy Stewart.

0:49:22.920 --> 0:49:25.080
<v Speaker 1>I'm gonna come back for two days. Why don't you

0:49:25.719 --> 0:49:28.320
<v Speaker 1>take me to the Jimmy Stewart Thing. I have the

0:49:28.360 --> 0:49:30.600
<v Speaker 1>tickets and everything, and then we'll finally have that dinner

0:49:30.680 --> 0:49:34.440
<v Speaker 1>the next night. So I said, where would you like

0:49:34.520 --> 0:49:37.319
<v Speaker 1>to have the dinner and she said, well at one

0:49:37.640 --> 0:49:40.400
<v Speaker 1>when I was a star. That's about the only place

0:49:40.640 --> 0:49:42.960
<v Speaker 1>that's still in New York. That was around when when

0:49:43.040 --> 0:49:45.200
<v Speaker 1>I used to come to New York. So I took

0:49:45.200 --> 0:49:47.520
<v Speaker 1>out the Jimmy Stewart thing and that night she said, look,

0:49:47.560 --> 0:49:50.840
<v Speaker 1>I got a problem. I'm doing some promotional work for AMC,

0:49:51.640 --> 0:49:53.960
<v Speaker 1>and the people at AMC want to take me to dinner.

0:49:54.000 --> 0:49:55.160
<v Speaker 1>And the only night I can do it is the

0:49:55.239 --> 0:49:57.120
<v Speaker 1>night we were going to go to twenty one? Would

0:49:57.160 --> 0:50:00.520
<v Speaker 1>you mind if very nice guy Brad Siegel and a

0:50:00.640 --> 0:50:04.319
<v Speaker 1>publicity guy with him, Jim Weiss, if they joined us,

0:50:04.400 --> 0:50:06.319
<v Speaker 1>and I said no, not at all. And we all

0:50:06.440 --> 0:50:08.800
<v Speaker 1>just sat around and at her favorite table and we

0:50:08.960 --> 0:50:12.080
<v Speaker 1>talked and told stories and all of that. And soon

0:50:12.120 --> 0:50:14.080
<v Speaker 1>after Brad called me and he said, you know a

0:50:14.120 --> 0:50:16.560
<v Speaker 1>lot about movies and I said, yeah, I guess I do.

0:50:17.320 --> 0:50:19.719
<v Speaker 1>And he said, well, we're going to get rid of

0:50:19.760 --> 0:50:21.719
<v Speaker 1>our afternoon guy at AMC. I'd love you to come

0:50:21.760 --> 0:50:24.239
<v Speaker 1>and be the afternoon guy. This was a big deal

0:50:24.640 --> 0:50:27.719
<v Speaker 1>and I thought it's perfect for me. Everything was negotiations

0:50:27.800 --> 0:50:30.200
<v Speaker 1>were underway. All of a sudden he called. He said,

0:50:30.600 --> 0:50:32.960
<v Speaker 1>I'm I'm not going to be here. I'm leaving. I'm

0:50:33.000 --> 0:50:35.279
<v Speaker 1>gonna go work for Ted Turner in Atlanta. And I

0:50:35.360 --> 0:50:37.680
<v Speaker 1>was really disappointed because I like Brad's siegal a lot.

0:50:38.360 --> 0:50:41.279
<v Speaker 1>And uh. A couple of months went by and then

0:50:41.360 --> 0:50:43.120
<v Speaker 1>he called and he said, Hey, have you signed with

0:50:43.320 --> 0:50:45.680
<v Speaker 1>the AMC thing yet? And I thought he was badgering

0:50:45.719 --> 0:50:47.480
<v Speaker 1>me to and I said no, no, but I got

0:50:47.560 --> 0:50:50.000
<v Speaker 1>the papers all do He said, well don't. Ted's gonna

0:50:50.040 --> 0:50:52.000
<v Speaker 1>start his own movie channel and I want you to

0:50:52.080 --> 0:50:54.480
<v Speaker 1>be the head guy. He said, I just want to

0:50:54.560 --> 0:50:58.279
<v Speaker 1>tell you if you come with TCM, you'll start with

0:50:58.360 --> 0:51:01.560
<v Speaker 1>only six million viewers. If you go with am C,

0:51:01.760 --> 0:51:04.719
<v Speaker 1>you'll have sixty million. If you come with t c M,

0:51:04.719 --> 0:51:06.399
<v Speaker 1>you're gonna have to come to Atlanta at least once

0:51:06.440 --> 0:51:09.000
<v Speaker 1>a month. If you go with a m C, you

0:51:09.040 --> 0:51:12.560
<v Speaker 1>can work in New York. But the library, he said,

0:51:12.600 --> 0:51:14.040
<v Speaker 1>if you come with t c M, you're gonna have

0:51:14.120 --> 0:51:17.960
<v Speaker 1>the MGM Library, the Archaeo Library, the Warner Brothers Library,

0:51:18.320 --> 0:51:21.320
<v Speaker 1>and all of that. And so there was really no choice.

0:51:21.719 --> 0:51:27.360
<v Speaker 1>They launched TCM. You as of that vehicle. Now, I

0:51:27.400 --> 0:51:29.279
<v Speaker 1>want to go back to something you said, which is

0:51:29.320 --> 0:51:32.440
<v Speaker 1>that you saw that film business had changed, and you

0:51:32.520 --> 0:51:34.279
<v Speaker 1>were in those rooms with those people and you were

0:51:34.320 --> 0:51:37.800
<v Speaker 1>their friend, and then realism came. What was a movie

0:51:37.880 --> 0:51:39.520
<v Speaker 1>you saw at that period that you said to myself,

0:51:39.560 --> 0:51:42.680
<v Speaker 1>my god, the movies have changed. Well, Easy Rider. I

0:51:42.840 --> 0:51:47.040
<v Speaker 1>happen to be in London, a place I never went

0:51:47.160 --> 0:51:49.239
<v Speaker 1>to very often, but I happened to be at the

0:51:49.320 --> 0:51:52.080
<v Speaker 1>Royal Court Theater. In the row in front of me

0:51:52.200 --> 0:51:54.800
<v Speaker 1>was Dennis Hopper, who had just come back from I

0:51:54.880 --> 0:51:58.839
<v Speaker 1>believe the can Film Festival where they showed Easy Rider

0:51:58.960 --> 0:52:01.000
<v Speaker 1>and it won some award, or maybe it was the

0:52:01.080 --> 0:52:04.040
<v Speaker 1>Venice film test whatever, and they were talking about it,

0:52:04.200 --> 0:52:07.560
<v Speaker 1>and I thought the way the papers were writing about that,

0:52:07.840 --> 0:52:11.640
<v Speaker 1>I thought, this is something very strange that that movie

0:52:12.120 --> 0:52:16.360
<v Speaker 1>about a couple of motorcycle guys on cycles and no stoking,

0:52:16.400 --> 0:52:19.239
<v Speaker 1>a lot of grass stories and no plot. You know,

0:52:19.360 --> 0:52:22.560
<v Speaker 1>this is this is really a seminal change. I think

0:52:22.640 --> 0:52:24.000
<v Speaker 1>that was a big turning. Do you think that the

0:52:24.160 --> 0:52:26.759
<v Speaker 1>Vietnam War was responsible for that change? I think I

0:52:26.840 --> 0:52:30.360
<v Speaker 1>think Kennedy being assassinated changing has changed the world. That

0:52:30.520 --> 0:52:34.320
<v Speaker 1>shot changed everything about America and made a cynical and

0:52:34.440 --> 0:52:38.520
<v Speaker 1>made people discontent angry. You know, for me, when I

0:52:38.680 --> 0:52:40.399
<v Speaker 1>was young, there was a man who when you saw

0:52:40.520 --> 0:52:43.880
<v Speaker 1>this man on TV, he was the movie business, and

0:52:43.960 --> 0:52:47.000
<v Speaker 1>that was Walt Disney. And to me, you are the

0:52:47.080 --> 0:52:49.920
<v Speaker 1>Walt Disney of your generation. You come on TV and

0:52:50.000 --> 0:52:52.600
<v Speaker 1>right away people because you have become so synonymous. I mean,

0:52:52.640 --> 0:52:55.960
<v Speaker 1>people just love you, they love your show, and you

0:52:56.320 --> 0:52:58.759
<v Speaker 1>mean the movie business. To do you sense that when

0:52:58.800 --> 0:53:00.680
<v Speaker 1>you're out of the street with people. I get a

0:53:00.760 --> 0:53:03.200
<v Speaker 1>sense of that, but I honestly don't see it. Who

0:53:03.239 --> 0:53:04.759
<v Speaker 1>do you think you're talking to when you talk to

0:53:04.840 --> 0:53:07.680
<v Speaker 1>the camera when you do the three people? I talked

0:53:07.719 --> 0:53:10.919
<v Speaker 1>to my aunt who lives on a farm who loves

0:53:11.000 --> 0:53:13.479
<v Speaker 1>old movies but doesn't know much about him. I can't

0:53:13.520 --> 0:53:17.440
<v Speaker 1>say Berta Lucci without explaining that he's a director. I

0:53:17.480 --> 0:53:21.120
<v Speaker 1>also talked to a guy that is now a young man,

0:53:21.280 --> 0:53:23.920
<v Speaker 1>but he was in his early twenties worked for the

0:53:23.960 --> 0:53:26.800
<v Speaker 1>Hollywood Reporter. That called me one time and said, you know,

0:53:26.880 --> 0:53:28.600
<v Speaker 1>I just saw this great movie the other night. I

0:53:28.719 --> 0:53:30.520
<v Speaker 1>was wondering if the lady in it made any of

0:53:30.560 --> 0:53:32.160
<v Speaker 1>the movies. I'd like to see some of those movies.

0:53:32.200 --> 0:53:34.640
<v Speaker 1>And I said, well, what's that was the movie? Said

0:53:34.640 --> 0:53:36.600
<v Speaker 1>I didn't get the name of it. Well, who's the actors?

0:53:36.640 --> 0:53:38.719
<v Speaker 1>I don't know what her name was. Will describe the

0:53:38.760 --> 0:53:41.040
<v Speaker 1>movie to me. He described it and it was gilded

0:53:41.120 --> 0:53:44.000
<v Speaker 1>with three to Hayworth. He's interested in movies. He wants

0:53:44.040 --> 0:53:46.520
<v Speaker 1>to learn about movies and all of that. And I'm

0:53:46.520 --> 0:53:48.600
<v Speaker 1>also talking to a friend of mine who died recently,

0:53:48.840 --> 0:53:52.160
<v Speaker 1>called Robert Rosterman in Chicago, who knows as much about

0:53:52.200 --> 0:53:56.040
<v Speaker 1>movies as any of us know. And he worked for

0:53:56.160 --> 0:54:00.399
<v Speaker 1>years as a booker for twenty century Fox. Kind yeah,

0:54:00.480 --> 0:54:03.560
<v Speaker 1>but he was a dedicated movie fan. But I want

0:54:03.600 --> 0:54:06.400
<v Speaker 1>to say something in each introduction, that's also going to

0:54:07.040 --> 0:54:09.400
<v Speaker 1>be news to him. So I tried to gear it

0:54:09.520 --> 0:54:12.799
<v Speaker 1>for those three people, my aunt and my friend John

0:54:13.120 --> 0:54:18.480
<v Speaker 1>and Robert Rostherin to cover all basses. Robert Osborne is

0:54:18.560 --> 0:54:21.720
<v Speaker 1>eight one. Last year, I went to a book party

0:54:21.800 --> 0:54:25.760
<v Speaker 1>for Keith Richards. I found myself seated directly opposite Richards

0:54:26.120 --> 0:54:28.759
<v Speaker 1>and his wife, Patty Hanson. The long story short as

0:54:28.800 --> 0:54:31.480
<v Speaker 1>Patty Hanson says, we just so love you, Alec, we

0:54:31.719 --> 0:54:34.520
<v Speaker 1>love you on that TV show, and I thought, oh

0:54:34.600 --> 0:54:36.719
<v Speaker 1>good God, to go. Patty Hanson to Keith Richards, don't

0:54:36.719 --> 0:54:39.640
<v Speaker 1>watch thirty Rock. This is preposterous. She's just being so polite,

0:54:40.760 --> 0:54:42.960
<v Speaker 1>and she says, what's that show? She says, it's Keith,

0:54:43.040 --> 0:54:45.680
<v Speaker 1>that show we watch every week. We watched and Keith

0:54:45.800 --> 0:54:48.839
<v Speaker 1>Richards looks at the Eagles. We watch you on turn

0:54:48.920 --> 0:54:53.880
<v Speaker 1>a Classic Movies Man every weekend. It was so fantastic.

0:54:54.360 --> 0:54:58.920
<v Speaker 1>We love that show. And I thought Osbourne has staged

0:54:58.960 --> 0:55:05.799
<v Speaker 1>me again. M take a listen to our archive more

0:55:06.040 --> 0:55:11.000
<v Speaker 1>in depth conversations with artists, performers, and policymakers like Martin Horn,

0:55:11.520 --> 0:55:15.440
<v Speaker 1>former head of New York City's Department of Corrections and Probation.

0:55:15.719 --> 0:55:17.960
<v Speaker 1>I would legalize drugs across the board. You would really

0:55:18.000 --> 0:55:23.120
<v Speaker 1>legalize which draft all of them? You would legalize all drugs. Yes,

0:55:23.400 --> 0:55:27.040
<v Speaker 1>that's a pretty well stunned well, I wouldn't say that.

0:55:27.480 --> 0:55:29.720
<v Speaker 1>I wouldn't say that while I worked for a governor

0:55:29.840 --> 0:55:32.640
<v Speaker 1>or a mayor. Learn more about the impact of the

0:55:32.719 --> 0:55:35.600
<v Speaker 1>drug war from Martin Horn and David Simon of The

0:55:35.680 --> 0:55:44.120
<v Speaker 1>Wire and Here's the Thing dot Org. This is Alec Baldwin.

0:55:44.680 --> 0:55:47.600
<v Speaker 1>Here's the Thing is produced by Emily Boutine and Kathy

0:55:47.680 --> 0:55:52.480
<v Speaker 1>Russo with Chris Bannon, Jim Briggs, ed Herbstman, Melanie Hoops,

0:55:52.640 --> 0:55:57.759
<v Speaker 1>Monica Hopkins, Trey k Sharon Mashehe and Louekowski. Thanks to

0:55:57.920 --> 0:56:02.400
<v Speaker 1>Larry Josephson and the Radio O Foundation. I'm Alec Baldwin

0:56:02.600 --> 0:56:08.399
<v Speaker 1>and you're listening to Here's the Thing. Oh,