WEBVTT - Black Music Month QLS Classic: Biz Markie

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<v Speaker 1>Questlove Supreme is a production of iHeartRadio. This classic episode

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<v Speaker 1>was produced by the team at Pandora.

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<v Speaker 2>What's Up, Everybody, It's Sugar Steve from Team Supreme. June

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<v Speaker 2>marks Black Music Month. We often speak about it on

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<v Speaker 2>Questlove Supreme and we've had some of the legends responsible

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<v Speaker 2>for the recognition on the show. Every day this June,

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<v Speaker 2>we are running a different episode from the QLs archives

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<v Speaker 2>to honor the tradition and intent of Black Music Month.

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<v Speaker 2>This week we are focusing on some of the great

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<v Speaker 2>hip hop conversations that ULS catalog. Our leader Questlove has

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<v Speaker 2>a new book out called hip Hop Is History. Check

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<v Speaker 2>it out at questlove dot com. This is a conversation

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<v Speaker 2>with the late Bizmarquis that first aired in the summer

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<v Speaker 2>of twenty seventeen. The Biz may he rest in peace

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<v Speaker 2>or bring a brand of authentic but funny hip hop

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<v Speaker 2>to so many audiences?

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<v Speaker 3>Supreme Supremo role called Suprema sun So Supreme role called

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<v Speaker 3>Supreme Supreme role called Supreme Supreme Roll.

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<v Speaker 4>So Bob Jeames Bellis, Marty gri Biz claims the song

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<v Speaker 4>yeah Survey sas.

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<v Speaker 5>Yeah Sure, Supreme role called Supreme.

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<v Speaker 4>So Supreme role, Call my name is Fante.

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<v Speaker 6>Yeah, I like to bawl, Yeah, because my house is

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<v Speaker 6>the average square.

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<v Speaker 5>Mall Supreme Supreme role called Suprema So Supreme role called.

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<v Speaker 7>My name is Sugar with bizmar Key. Yeah, and this

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<v Speaker 7>is roll call. Yeah, nobody beats me.

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<v Speaker 5>Supreme Upprema, roll called Suprema Son Son Supremo.

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<v Speaker 8>Roll called Bill.

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<v Speaker 9>Yeah, rahaps to do yea shout out to bismarcky. Yeah,

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<v Speaker 9>men in black two roll call Suprema.

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<v Speaker 5>Son Supremo, roll call Suprema Son Supremo roll loost Bill.

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<v Speaker 10>I am yeah, not a Republican. I just wanted to say, yeah,

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<v Speaker 10>fuck GILBERTL.

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<v Speaker 6>Sullivan Supreme roll call, Suprema So Supreme roll call.

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<v Speaker 11>It's slight.

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<v Speaker 8>Yeah.

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<v Speaker 11>Yeah about this paper. Yeah, y'all better watch out. Yeah,

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<v Speaker 11>y'all get them.

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<v Speaker 8>Supreme landing on time, So Supreme. There was turbulus in

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<v Speaker 8>the middle.

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<v Speaker 4>Vers Son Supremo roll called.

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<v Speaker 8>I am the Amazon. Yeah, I'm with the Sugars. Yeah.

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<v Speaker 8>And what I do, Yeah, I'm picking good.

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<v Speaker 5>Supremo roll Supremo, Supreme Suprema Supremo, roll call, Suprema Supremo

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<v Speaker 5>roll call.

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<v Speaker 8>Yeah.

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<v Speaker 4>Wow, Ladies and gentlemen, welcome to another edition of Quest

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<v Speaker 4>Love Supreme only on Pandora. I am Quest Love with

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<v Speaker 4>me Team Supreme. We got a fun tig alow in

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<v Speaker 4>the place. Uh, tik tig. I gotta go old school

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<v Speaker 4>with the names. What with the double names? Oh yeah, Ti, Yeah,

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<v Speaker 4>take Ti.

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<v Speaker 8>And then that's really cool cool. We gotta unpaid Bill.

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<v Speaker 4>How you doing, man, I'm great, You're great, fucking excited,

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<v Speaker 4>you're fucking excited. Markey is here, of course, of course

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<v Speaker 4>he is, Sugar Steve. You're doing better.

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<v Speaker 8>I'm great, man, I'm great. How great are you? Average?

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<v Speaker 7>Grade medium?

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<v Speaker 8>Medium, extra medium?

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<v Speaker 4>And we got Boss Bill in the place to be

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<v Speaker 4>How you doing? And uh liyah ak Margaret and our

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<v Speaker 4>guest today, ladies and gentlemen, is probably probably next to

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<v Speaker 4>ll cool J, one of the timeless figures in hip

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<v Speaker 4>hop culture that has transcended decades.

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<v Speaker 8>Uh. It's never going.

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<v Speaker 4>Stale always uh, you know, around doing stuff and it's

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<v Speaker 4>I mean, you can call him a pioneer, you can

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<v Speaker 4>call him an innovator, you can call him a pop

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<v Speaker 4>culture collector, historian. Uh, you could call him everything. But

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<v Speaker 4>most importantly, you got a bollicle the diabolical. Welcome to

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<v Speaker 4>Chluss loves abree Yeah.

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<v Speaker 8>Crash, what's up? What's up with you? Know?

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<v Speaker 12>Glad, I'm glad I'm here with you.

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<v Speaker 4>So Biz, I don't ever recall you doing an in

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<v Speaker 4>depth interview ever. Like it's like we all know you,

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<v Speaker 4>You're ubiquitous, You're everywhere, but I don't know if we

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<v Speaker 4>really know your story. I'm into the to the level

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<v Speaker 4>that we should know it. But I do know that

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<v Speaker 4>everyone that speaks of you that I work with, and

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<v Speaker 4>I've worked with, everyone has the highest level of respect

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<v Speaker 4>for your you know, your your contribution and and and

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<v Speaker 4>all your knowledge of hip hop. So thank you for

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<v Speaker 4>for doing the show with us today.

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<v Speaker 8>Oh come on, you know I couldn't let it turn

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<v Speaker 8>it down? All right?

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<v Speaker 4>So before we start your story, we we got to

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<v Speaker 4>get to the elephant in the room. Just admitted business.

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<v Speaker 4>There is no bellis mind there?

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<v Speaker 8>Wait?

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<v Speaker 12>Business?

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<v Speaker 8>Can I explain?

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<v Speaker 4>Wait before we like, do you know?

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<v Speaker 8>Okay?

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<v Speaker 4>See I always have to ask like you first and

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<v Speaker 4>then I know the public now, but wait, let me explain,

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<v Speaker 4>Let me explain the premise of it. This has inadvertently

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<v Speaker 4>created uh pop culture collectors in all of us. I'll

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<v Speaker 4>say that the very first person that I've ever heard

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<v Speaker 4>of buying out factories, uh, buying additional houses for their

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<v Speaker 4>collections of be it toys, dolls, board games, uh, clothes,

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<v Speaker 4>old videotapes, old movies, records, forty fives old machine like

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<v Speaker 4>the basically what my house is now, like about the

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<v Speaker 4>black version of the forty year old version, all your crap, yes,

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<v Speaker 4>for yes, all the stuff that we've had, the rummings

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<v Speaker 4>through business, business.

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<v Speaker 7>To the reason that you're the reason he has eighteen

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<v Speaker 7>storage units right now pretty much.

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<v Speaker 4>But I mean there's a bunch of us.

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<v Speaker 8>But the thing is is that it.

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<v Speaker 4>Starts with it starts with Biz claiming that there's a

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<v Speaker 4>record out there that we all turned the earth over

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<v Speaker 4>for it and never seem to find, and only Bizz

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<v Speaker 4>quote has it.

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<v Speaker 8>So yes, now, everyone, you record, you're recorder. You recorded records,

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<v Speaker 8>right of course, Now when you went to master it.

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<v Speaker 8>Have you ever had a record that was mastered that

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<v Speaker 8>you didn't want because it was it was the wrong

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<v Speaker 8>sound or something wasn't right.

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<v Speaker 4>Yes, yeah, I've you know what, Yes, Okay, there's an

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<v Speaker 4>original version of Michael Jackson's Off the Wall that does

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<v Speaker 4>not have the handclaps and rock with you that I

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<v Speaker 4>later found out that.

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<v Speaker 8>Was now they got to make the music the same way. Okay,

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<v Speaker 8>where it's no it's no bells, it's just the drums.

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<v Speaker 4>With the shakers. Okay, we scrapped that.

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<v Speaker 8>There was only there was only thirty five. There was

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<v Speaker 8>only thirty five to fifty put out of make the music.

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<v Speaker 8>It was EP. Okay, some people got it. But the

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<v Speaker 8>thing is, I'm trying to tell you the original EP,

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<v Speaker 8>the original EP with the black and white Coca Cola.

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<v Speaker 8>But there's two different ones. Okay, there's one with the

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<v Speaker 8>with the Isaac Hay's and there's one that's don't got

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<v Speaker 8>the Isaac case and I got Isaac Hays in the

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<v Speaker 8>middle with with the with the hook, the version that's

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<v Speaker 8>on the record now with the Madi Grad. I don't

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<v Speaker 8>know where I got it from. I'm not a snitch.

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<v Speaker 4>It's thirty years later.

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<v Speaker 8>You know you're not no no, no, no no on

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<v Speaker 8>your record dealer is listen to me? Listen what was saying? Yes?

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<v Speaker 12>So the MAIGHTI Grad? Since everybody know Madi.

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<v Speaker 8>Grad a live record, it is, yes, Maighty Guard is

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<v Speaker 8>a live record. You can hear the people talk play

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<v Speaker 8>on Mighty gra mad Gud you can hear the people

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<v Speaker 8>talking in the background.

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<v Speaker 4>Well that I assume asking Bob James that was the

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<v Speaker 4>sound effects of a bunch of animals.

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<v Speaker 8>And back in the day, Bob James and all of them,

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<v Speaker 8>I was. It was finally when I place. Wait, a

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<v Speaker 8>lot of musicians back then, don't remember. You're gonna tell

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<v Speaker 8>me you get right, you get splotched right now. He

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<v Speaker 8>couldnt sing Family of Fair the way he's singing you right,

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<v Speaker 8>I don't know.

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<v Speaker 12>Listen to me. I don't know how many of them out.

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<v Speaker 8>Listen to me. I don't know how many of them

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<v Speaker 8>are out. But when I got it, I had it

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<v Speaker 8>since the nineties. It's like an acetate, okay, okay, So

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<v Speaker 8>when I got it and I battled this dude name

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<v Speaker 8>top Speed in Indianapolis. No top Speed, you know, Okay,

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<v Speaker 8>when I put it on, then everybody started talking about it.

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<v Speaker 4>So you're saying, all right, just to let just let.

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<v Speaker 8>Mark mark redon marg.

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<v Speaker 4>I feel like I had twelve rounds, I know.

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<v Speaker 8>And there's twelve Like a lot of people don't think

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<v Speaker 8>there's twelve inches of Mardi Gras one sided. They do,

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<v Speaker 8>got Mardi Gras twelve inches real on ct I one sided.

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<v Speaker 8>My man Supreme the Rock from Seattle got him. I

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<v Speaker 8>got him, A couple of us got him. I'm just

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<v Speaker 8>letting you know, all right.

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<v Speaker 4>I'm gonna play you. You would know it as the

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<v Speaker 4>Peter Piper bells, one of the things you do so basically.

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<v Speaker 4>Now Biz claims he has a version of Marti Grau

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<v Speaker 4>without the bells and it just the drums, thus sending

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<v Speaker 4>us into a fineinancial tail spin. I put off Brodick. No,

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<v Speaker 4>it's for real, like I joke about it. But you know,

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<v Speaker 4>it's when when you get in this industry, football players,

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<v Speaker 4>sports people, the first the first person besides yourself that

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<v Speaker 4>you treat for is your mama. In my never ending

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<v Speaker 4>bid to find this record and acquiring all the other records,

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<v Speaker 4>well I can't find well I'll take these.

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<v Speaker 8>I'll take these. I'll take these. I'll take one record.

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<v Speaker 4>I know I put off by my mama's house, but

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<v Speaker 4>to search.

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<v Speaker 8>It's one record. I'm a person that has one of

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<v Speaker 8>the most extensive record collections that you ever will see.

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<v Speaker 8>I know how many records you got that you never

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<v Speaker 8>seen people with?

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<v Speaker 4>Probably got fourteen.

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<v Speaker 12>No, you got no, no, no.

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<v Speaker 8>I've talked about how many records that you bought that

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<v Speaker 8>you never seen nobody else with.

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<v Speaker 4>I know for a fact that I have fourteen one

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<v Speaker 4>of ones, like something that no one else will have

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<v Speaker 4>but me.

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<v Speaker 8>I got like at least I know you got a

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<v Speaker 8>I got like at least two three thousand. I never

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<v Speaker 8>seen nobody. I never see nobody puss. Right, that's like

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<v Speaker 8>when people when I came out at the park with

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<v Speaker 8>my SL seven hundred.

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<v Speaker 4>Yes I'm from I got you. Look.

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<v Speaker 12>Look as soon as.

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<v Speaker 8>I've been you've been saying, father, I'm sighting with them.

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<v Speaker 8>These are old man I'm fighting with Do you want

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<v Speaker 8>me to do? I can't make them do something.

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<v Speaker 7>It sounds like he has he said as it sounds

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<v Speaker 7>like it's a test pressing.

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<v Speaker 8>What happened is it's a mistake. You know how if

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<v Speaker 8>you listening something and something you don't hear, and then

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<v Speaker 8>you go back and do it over. Come on, you know,

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<v Speaker 8>come on, I have no I have no reason to

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<v Speaker 8>lie about one record.

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<v Speaker 4>I'm just saying, well, since we're talking about it, we

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<v Speaker 4>might as well do a special dish and not business. Yes,

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<v Speaker 4>the one time only a busy guess. So since you

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<v Speaker 4>the record master, we do this thing where we have

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<v Speaker 4>producers on the show identify songs now, normally with Tip

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<v Speaker 4>and Primo and I've done Snares or just but with you,

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<v Speaker 4>I'm we're doing the doctorate degree course on this. I'm

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<v Speaker 4>gonna give you not even half a second, Biz, not

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<v Speaker 4>even not even half a second. Looks it's like this

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<v Speaker 4>is easy, and I'm doing stabs. I'm not even doing

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<v Speaker 4>Snares kicks or high hats. I'm doing stabs.

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<v Speaker 8>Biz.

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<v Speaker 4>What is the song?

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<v Speaker 8>Oh that's that's some engine number nine.

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<v Speaker 4>I'll play it again. Nope, yes, yeah, uh.

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<v Speaker 8>I hear that the the the bongos. I can't I

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<v Speaker 8>know the record? I just.

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<v Speaker 4>All right, oh outside even count.

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<v Speaker 8>First of all, all the DJs used to play play

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<v Speaker 8>south Side Movement on forty five.

0:14:12.080 --> 0:14:14.600
<v Speaker 4>Okay, we'll get it plus record and plus give me

0:14:14.720 --> 0:14:16.319
<v Speaker 4>give me a story about the recordse I know you

0:14:16.400 --> 0:14:18.120
<v Speaker 4>have some weird story about well.

0:14:18.280 --> 0:14:23.040
<v Speaker 8>First of all, back in eighty one or eighty, they

0:14:23.120 --> 0:14:25.880
<v Speaker 8>used to have a record store called Downstairs Records. Yes,

0:14:26.240 --> 0:14:29.720
<v Speaker 8>I've heard it on forty second Street and eighth downstairs

0:14:30.120 --> 0:14:33.200
<v Speaker 8>sn Roy l Roy used to be. It used to

0:14:33.240 --> 0:14:35.560
<v Speaker 8>be like a thing. It used to be thing right here,

0:14:35.880 --> 0:14:38.240
<v Speaker 8>He used to stand on aside the records on the wall.

0:14:39.240 --> 0:14:45.000
<v Speaker 8>That album went for like ten dollars just.

0:14:44.920 --> 0:14:47.520
<v Speaker 4>The single loan or know the hour the album that

0:14:47.520 --> 0:14:51.240
<v Speaker 4>it came from, and it said moving on it. Okay,

0:14:51.600 --> 0:14:53.240
<v Speaker 4>I mean, I know, Wait what do you mean still

0:14:53.240 --> 0:14:55.360
<v Speaker 4>there Steve record in the subway?

0:14:55.440 --> 0:14:58.240
<v Speaker 8>Right? Yeah, that's not it's not it's a different one.

0:14:58.360 --> 0:15:01.040
<v Speaker 8>Oh okay, okay, that was after a while, it moved

0:15:01.880 --> 0:15:04.960
<v Speaker 8>up it moved upstairs, then it moved to forty third Street.

0:15:05.680 --> 0:15:11.320
<v Speaker 4>All right, here's your second one. Biz mm hmmm, whoa

0:15:12.400 --> 0:15:12.880
<v Speaker 4>mm hmmm.

0:15:14.120 --> 0:15:18.880
<v Speaker 8>I can't do it. That's too short. M hm. So

0:15:19.000 --> 0:15:29.760
<v Speaker 8>when it's all done, all right, come on, man, come on,

0:15:32.000 --> 0:15:38.600
<v Speaker 8>let's breakthrough truck Turner and any breakthrough stories breakthrough. First

0:15:38.640 --> 0:15:46.400
<v Speaker 8>time I heard breakthrough was Vambada and Jazzie Jay was

0:15:46.440 --> 0:15:51.440
<v Speaker 8>cutting it in the park where Uh Bronx Bronx River

0:15:51.600 --> 0:15:54.800
<v Speaker 8>Bronx River a Zoo Nation Anniversary.

0:15:55.240 --> 0:15:57.800
<v Speaker 4>Okay, this is your third record.

0:15:59.760 --> 0:16:08.560
<v Speaker 8>Oh I know what that is.

0:16:08.960 --> 0:16:12.680
<v Speaker 4>I know what it is.

0:16:14.440 --> 0:16:16.000
<v Speaker 8>I know the record. I can't think of it right now,

0:16:16.000 --> 0:16:17.000
<v Speaker 8>I know the record?

0:16:17.440 --> 0:16:17.800
<v Speaker 4>All right?

0:16:19.920 --> 0:16:23.760
<v Speaker 8>Uh bad White, no, no, no, maybe that's how bouncing

0:16:24.200 --> 0:16:30.080
<v Speaker 8>Bouncy La Stutch yourself off out a details of.

0:16:32.200 --> 0:16:35.120
<v Speaker 12>The first time I got the first first time I got.

0:16:35.400 --> 0:16:39.800
<v Speaker 8>The Bouncy Bouncy Lady albums was from King Carroll, who

0:16:39.920 --> 0:16:43.360
<v Speaker 8>was a record store because downstairs, I mean, uh Flash

0:16:43.480 --> 0:16:46.880
<v Speaker 8>was cutting it one time and it sold out a downstairs,

0:16:46.920 --> 0:16:48.920
<v Speaker 8>so I had to go down the street to King

0:16:49.000 --> 0:16:54.000
<v Speaker 8>Carroll on forty third, I mean forty second between seventh

0:16:54.040 --> 0:16:54.480
<v Speaker 8>and six.

0:16:54.600 --> 0:16:59.080
<v Speaker 4>So I'm assuming that all the records that I initially

0:16:59.120 --> 0:17:04.439
<v Speaker 4>first acquired on the Ultimate Beats and Breaks compilations you

0:17:04.560 --> 0:17:11.320
<v Speaker 4>got firsthand because you were first generation witnessing Flashing on. Okay, cool,

0:17:11.560 --> 0:17:16.240
<v Speaker 4>all right, here's your fourth record, Come.

0:17:16.080 --> 0:17:18.760
<v Speaker 8>On, that's Get Out of My Life woman, Lee Dors.

0:17:19.080 --> 0:17:20.119
<v Speaker 4>Were you the first to use that?

0:17:23.440 --> 0:17:23.600
<v Speaker 8>Day?

0:17:23.640 --> 0:17:26.040
<v Speaker 12>Last Soul used their first, but they used the fast.

0:17:28.040 --> 0:17:31.800
<v Speaker 8>And I know you bad. That's right, that's right, that's right,

0:17:31.920 --> 0:17:32.320
<v Speaker 8>that's right.

0:17:32.359 --> 0:17:34.800
<v Speaker 4>Okay, so they used it for the baseball joint on.

0:17:35.840 --> 0:17:38.000
<v Speaker 8>Yeah, but just a freak album.

0:17:38.200 --> 0:17:42.240
<v Speaker 4>That album. All right, here's your last record, buz in

0:17:42.359 --> 0:17:43.080
<v Speaker 4>Round one.

0:17:45.080 --> 0:17:45.600
<v Speaker 8>Of business.

0:17:45.600 --> 0:17:56.440
<v Speaker 4>You guessed it sounds like a Q tip record. I'll

0:17:56.960 --> 0:18:04.679
<v Speaker 4>I'll do a little pre roll for you. This is

0:18:04.720 --> 0:18:07.200
<v Speaker 4>so easy. I'm picking the easiest breaks of all time.

0:18:09.680 --> 0:18:15.040
<v Speaker 4>Oh wow wow, okay, yeah, Superman Love everybody text.

0:18:16.600 --> 0:18:18.560
<v Speaker 8>But the thing is I never looked at Superman Love

0:18:18.600 --> 0:18:24.560
<v Speaker 8>as a break really, so it was not. The intro

0:18:24.760 --> 0:18:26.000
<v Speaker 8>was never rhymed over, and.

0:18:26.720 --> 0:18:27.520
<v Speaker 4>That wasn't a break.

0:18:27.880 --> 0:18:30.160
<v Speaker 8>Really, breaks is like scratching.

0:18:31.400 --> 0:18:34.840
<v Speaker 4>I can't so stuff between one hundred and ten bpms

0:18:34.880 --> 0:18:36.000
<v Speaker 4>and faster, you.

0:18:35.960 --> 0:18:38.200
<v Speaker 8>Know, I mean, I don't know about the speed. I'm

0:18:38.240 --> 0:18:40.720
<v Speaker 8>just saying. Records that you know.

0:18:40.880 --> 0:18:43.720
<v Speaker 4>Had naked drums, right, naked drums.

0:18:43.400 --> 0:18:47.359
<v Speaker 8>You had to have like mighty guad nautilists, you know

0:18:47.359 --> 0:18:51.480
<v Speaker 8>what I mean. Pe Life you got that right, Yeah,

0:18:51.760 --> 0:18:52.680
<v Speaker 8>of course I have that.

0:18:52.680 --> 0:18:56.320
<v Speaker 4>That was around one of BIZ and we'll come with

0:18:56.359 --> 0:18:59.200
<v Speaker 4>a part two later. All right, So, Biz, where were

0:18:59.240 --> 0:18:59.800
<v Speaker 4>you born?

0:19:01.119 --> 0:19:04.040
<v Speaker 8>I was born in Harlem and Colonial Projects.

0:19:04.600 --> 0:19:05.640
<v Speaker 4>You're from Harlem.

0:19:06.080 --> 0:19:08.080
<v Speaker 8>Then I moved away when I was ten to Long

0:19:08.080 --> 0:19:12.199
<v Speaker 8>Island and I grew up in Long Island, I was,

0:19:12.320 --> 0:19:15.879
<v Speaker 8>I mean, I lived in patriog You know, so you

0:19:16.560 --> 0:19:21.480
<v Speaker 8>because I've heard Jersey and her Brooklyn, Jersey, I feel.

0:19:21.280 --> 0:19:22.359
<v Speaker 4>Like you lived everywhere.

0:19:22.600 --> 0:19:29.800
<v Speaker 8>No, I moved to Jersey after records. I stayed with

0:19:29.840 --> 0:19:32.600
<v Speaker 8>my sister a little in Brooklyn in like eighty three,

0:19:33.359 --> 0:19:36.520
<v Speaker 8>and then eighty four is when I met Marley and them. Okay,

0:19:36.560 --> 0:19:37.320
<v Speaker 8>and then.

0:19:40.560 --> 0:19:43.840
<v Speaker 4>So what I mean, did you aspire to be a

0:19:43.920 --> 0:19:44.760
<v Speaker 4>DJ at first?

0:19:44.880 --> 0:19:45.199
<v Speaker 8>Or like?

0:19:45.280 --> 0:19:48.439
<v Speaker 4>What was I told I had to make records? I

0:19:48.440 --> 0:19:51.439
<v Speaker 4>got bored with rap to why records? Like you had

0:19:51.440 --> 0:19:52.720
<v Speaker 4>a father that was a collector?

0:19:52.800 --> 0:19:52.879
<v Speaker 8>Or?

0:19:52.920 --> 0:19:54.480
<v Speaker 4>You like, how did you use to.

0:19:54.400 --> 0:19:57.080
<v Speaker 8>Play with Cold Traine? And then back in the day, Wow,

0:19:57.200 --> 0:20:00.840
<v Speaker 8>you're a jazz kid. Life used to play. My pops

0:20:00.880 --> 0:20:04.640
<v Speaker 8>used to play with you know, back in the back

0:20:04.680 --> 0:20:09.760
<v Speaker 8>in the sixties and fifties. So but I know, I'm

0:20:09.840 --> 0:20:12.960
<v Speaker 8>just a I was just a collector. I started collecting.

0:20:13.400 --> 0:20:21.480
<v Speaker 8>My first forty five was Ben Okay. So then when

0:20:21.720 --> 0:20:25.000
<v Speaker 8>when hip hop came out? Like my man when I

0:20:25.040 --> 0:20:27.400
<v Speaker 8>was in Long Island in seventy eight, my man bought

0:20:27.400 --> 0:20:29.680
<v Speaker 8>an El Brother's tape out, you know, grant with a theater.

0:20:30.680 --> 0:20:33.120
<v Speaker 8>So I got bit by the bug after that. What's

0:20:33.119 --> 0:20:37.520
<v Speaker 8>your dad's name? So Royal Hall. Yeah, he played saxophone.

0:20:37.760 --> 0:20:42.080
<v Speaker 4>Steve's resident jazz Fetish.

0:20:42.400 --> 0:20:45.679
<v Speaker 8>I'm gonna tell you another person father that used to

0:20:45.680 --> 0:20:49.320
<v Speaker 8>play in the clubs jazz and stuff, Martin Sheen.

0:20:50.800 --> 0:20:53.640
<v Speaker 4>V Martin she President, Martin she.

0:20:56.480 --> 0:21:01.119
<v Speaker 8>Wow. Back in the day, I mean, that's my postuma,

0:21:01.840 --> 0:21:04.520
<v Speaker 8>because back then you could go to them things in

0:21:04.600 --> 0:21:08.480
<v Speaker 8>Manhattan little clubs and playing uh you know what I mean,

0:21:09.080 --> 0:21:16.640
<v Speaker 8>his father or him him? Oh wow, oh wow, that's

0:21:16.640 --> 0:21:18.800
<v Speaker 8>about here, about in his early thousands right now.

0:21:24.920 --> 0:21:27.440
<v Speaker 4>No, but wow, I never knew what did he play?

0:21:28.280 --> 0:21:29.520
<v Speaker 8>He said. No, I'm just telling you.

0:21:29.640 --> 0:21:32.959
<v Speaker 4>He told me. Oh, you don't know what instrument he played, piano.

0:21:33.040 --> 0:21:37.760
<v Speaker 8>I just know he played or he was dead anyway

0:21:38.280 --> 0:21:42.080
<v Speaker 8>from my mom. Don't lie about that. I'm gonna bring

0:21:42.119 --> 0:21:42.719
<v Speaker 8>his name up.

0:21:43.480 --> 0:21:46.120
<v Speaker 4>You know, it's it's it's it's rather random to bring

0:21:46.160 --> 0:21:49.360
<v Speaker 4>it up. So it look everything you tell me, I'm

0:21:49.359 --> 0:21:52.760
<v Speaker 4>taking for your word. Biz, I'm just saying I just

0:21:52.880 --> 0:21:57.440
<v Speaker 4>never found the money record. But I digress anyway.

0:21:57.560 --> 0:21:59.640
<v Speaker 8>So I never found turntables either.

0:22:02.119 --> 0:22:04.520
<v Speaker 10>We've seen the evidence of the turntables. It could be

0:22:04.520 --> 0:22:06.760
<v Speaker 10>photoshop though true the turn.

0:22:08.320 --> 0:22:11.120
<v Speaker 4>Oh so Biz has a pair of techniques that only

0:22:11.160 --> 0:22:15.719
<v Speaker 4>play forty fives? Oh wow, yeah, I mean ill, but

0:22:15.760 --> 0:22:18.480
<v Speaker 4>no one else can get them. But Biz, why they wait?

0:22:18.600 --> 0:22:21.640
<v Speaker 4>Why is that I'm skipping all over your timeline? Why

0:22:21.680 --> 0:22:23.959
<v Speaker 4>do you have these? First of all, what happened when

0:22:24.080 --> 0:22:25.160
<v Speaker 4>the techniques make these?

0:22:25.640 --> 0:22:30.160
<v Speaker 8>Yeah, technique, what happened was back in the day before,

0:22:31.160 --> 0:22:31.960
<v Speaker 8>like eighty eight.

0:22:33.200 --> 0:22:34.000
<v Speaker 4>You've had these since?

0:22:34.240 --> 0:22:39.080
<v Speaker 8>Oh no, I'm telling your story. Back in the day before.

0:22:40.040 --> 0:22:41.840
<v Speaker 8>They were going to put them out like in the eighties,

0:22:42.359 --> 0:22:46.280
<v Speaker 8>but then the CD boom came and everything, so they

0:22:46.320 --> 0:22:48.320
<v Speaker 8>scrapped them.

0:22:48.520 --> 0:22:50.480
<v Speaker 4>And what these are just in the factory.

0:22:50.600 --> 0:22:52.760
<v Speaker 8>Like So when I went out to Japan to do

0:22:53.119 --> 0:22:59.040
<v Speaker 8>Yo Gabba Gabba, damn, I started having you got somebody

0:22:59.119 --> 0:23:02.359
<v Speaker 8>great grandson and then your gaba gap is the kids.

0:23:02.640 --> 0:23:05.240
<v Speaker 8>I'm hanging with them. So hey, they brought me to

0:23:05.280 --> 0:23:10.159
<v Speaker 8>the factory and I saw so many turntables that was incredible. Wow.

0:23:10.280 --> 0:23:12.600
<v Speaker 8>So I saw them and they was in the corner.

0:23:12.640 --> 0:23:14.720
<v Speaker 8>So I made a lot of trades for that.

0:23:15.440 --> 0:23:17.119
<v Speaker 4>All right, Before I go back to your timeline, I

0:23:17.200 --> 0:23:22.080
<v Speaker 4>might as well go there, biz. Okay, your house of

0:23:22.160 --> 0:23:23.719
<v Speaker 4>records are on fire.

0:23:25.400 --> 0:23:26.639
<v Speaker 8>Knock on the wood your.

0:23:26.520 --> 0:23:30.480
<v Speaker 4>House of okay, well, knock on wood whatever. Your house

0:23:30.480 --> 0:23:36.280
<v Speaker 4>of records are on fire. Okay, what five records are

0:23:36.320 --> 0:23:37.800
<v Speaker 4>you going to save?

0:23:41.080 --> 0:23:42.560
<v Speaker 8>I mean one of them is bartigraphs.

0:23:46.840 --> 0:23:52.600
<v Speaker 4>Which five records from your burning house on fire? Are

0:23:52.640 --> 0:23:53.280
<v Speaker 4>you going to save?

0:23:56.960 --> 0:24:02.800
<v Speaker 8>My devotion live forty five to who? Yeah?

0:24:03.000 --> 0:24:11.160
<v Speaker 4>Wait, there's a forty five of devotion on from Gratitude live, Yeah,

0:24:11.200 --> 0:24:11.840
<v Speaker 4>from Gratitude.

0:24:11.840 --> 0:24:12.600
<v Speaker 12>Tap your hands.

0:24:13.280 --> 0:24:17.800
<v Speaker 4>That's on forty five. Yeah, Jesus Christ. Okay, your house

0:24:17.840 --> 0:24:23.080
<v Speaker 4>is burning. By the way, this is sounds cent of fire,

0:24:25.720 --> 0:24:26.800
<v Speaker 4>burning house on fire.

0:24:27.320 --> 0:24:29.960
<v Speaker 12>My team plays are cool on forty five.

0:24:31.160 --> 0:24:33.399
<v Speaker 4>There's a tea plays cool forty five.

0:24:33.840 --> 0:24:36.800
<v Speaker 8>Are these promo cops? Like? Are they promo copies? Google it?

0:24:36.880 --> 0:24:38.480
<v Speaker 8>You got it right there? Team plays cool.

0:24:38.480 --> 0:24:39.679
<v Speaker 4>I'm looking I'm looking them up.

0:24:39.680 --> 0:24:40.320
<v Speaker 8>I'm looking them up.

0:24:40.359 --> 0:24:42.919
<v Speaker 7>Are these like white label promo promo copies or regular?

0:24:43.320 --> 0:24:46.359
<v Speaker 8>I got one? That is is an EP? It's on

0:24:46.480 --> 0:24:47.760
<v Speaker 8>Tape Car Records.

0:24:48.320 --> 0:24:55.639
<v Speaker 4>Tape Car Records, look it up EP. I gonna be

0:24:55.640 --> 0:24:59.240
<v Speaker 4>lit this episode.

0:25:00.080 --> 0:25:01.080
<v Speaker 12>About when when?

0:25:01.200 --> 0:25:03.119
<v Speaker 8>When he pull it up, I want I want to

0:25:03.320 --> 0:25:09.679
<v Speaker 8>apology ahead, dude, go ahead, buzz I'm believing that.

0:25:10.080 --> 0:25:13.760
<v Speaker 10>Wait wait wait wait, here's he plays a cool forty

0:25:13.800 --> 0:25:16.040
<v Speaker 10>five from the UK. Oh no, from Turkey.

0:25:16.080 --> 0:25:21.440
<v Speaker 9>Excuse me, I tell you your Turkey there too, so

0:25:21.560 --> 0:25:22.120
<v Speaker 9>go ahead.

0:25:28.080 --> 0:25:31.880
<v Speaker 4>Oh I gotta find that's your fire.

0:25:32.600 --> 0:25:33.240
<v Speaker 8>That's my fire?

0:25:33.960 --> 0:25:36.480
<v Speaker 12>Well all right, the rest gonna burn.

0:25:38.960 --> 0:25:40.960
<v Speaker 4>Business as many records you've got.

0:25:40.840 --> 0:25:45.440
<v Speaker 8>Like, I can't it's too plays Muhammad. I leave forty five.

0:25:46.480 --> 0:25:50.880
<v Speaker 4>Okay, I've seen, Yes, I've seen that one. Yes, I've

0:25:50.880 --> 0:25:51.560
<v Speaker 4>seen that.

0:25:52.840 --> 0:25:53.600
<v Speaker 12>Because it's signed.

0:25:54.440 --> 0:26:04.840
<v Speaker 8>Uh, I can't think of that now. Damn. There's too

0:26:04.840 --> 0:26:05.760
<v Speaker 8>many records.

0:26:06.520 --> 0:26:09.199
<v Speaker 7>You're like, you're like forty fives more than more than LPs.

0:26:09.240 --> 0:26:12.159
<v Speaker 8>Your forty fives got the reason I started DJing with

0:26:12.240 --> 0:26:18.679
<v Speaker 8>forty fivest all these records, milk, they.

0:26:18.560 --> 0:26:21.520
<v Speaker 4>Had its time. What about your other artifacts?

0:26:21.600 --> 0:26:23.800
<v Speaker 12>What you didn't say that, you just said record.

0:26:24.760 --> 0:26:29.199
<v Speaker 4>So now, Biz, your house, your your artifacts house is burning.

0:26:29.640 --> 0:26:33.359
<v Speaker 8>What are you saving? I'm taking my two pair of

0:26:33.520 --> 0:26:36.760
<v Speaker 8>SL seven hundreds, one with the curve on, one with

0:26:36.800 --> 0:26:40.480
<v Speaker 8>the straight arm. I'm taking my Flashes beat box that

0:26:40.560 --> 0:26:41.080
<v Speaker 8>he gave me.

0:26:41.600 --> 0:26:45.800
<v Speaker 4>Oh you own a beat box? Yes, yeah, he gave

0:26:45.880 --> 0:26:46.560
<v Speaker 4>that to you.

0:26:46.680 --> 0:26:47.080
<v Speaker 8>Yeah.

0:26:47.480 --> 0:26:50.560
<v Speaker 12>Fuck, he gave me the name I got it.

0:26:53.320 --> 0:26:57.800
<v Speaker 8>Biz, Can you reveal what that drumming scene is? Biz?

0:26:58.800 --> 0:27:00.000
<v Speaker 4>Look, I want you.

0:27:00.119 --> 0:27:01.320
<v Speaker 12>I can't keep from the world.

0:27:01.560 --> 0:27:05.600
<v Speaker 4>I want you and Pete Rock. But Business, what you

0:27:05.680 --> 0:27:08.320
<v Speaker 4>gotta understand is you've seen and this is the fire

0:27:08.359 --> 0:27:08.879
<v Speaker 4>still burning.

0:27:10.800 --> 0:27:12.399
<v Speaker 12>But you want to how you want to know?

0:27:12.600 --> 0:27:14.600
<v Speaker 8>How you want to stop me from getting my stuff?

0:27:14.720 --> 0:27:18.480
<v Speaker 8>As you got the fire burning, I'm setting the fire.

0:27:18.280 --> 0:27:19.920
<v Speaker 4>And to help you save it at the same time.

0:27:19.960 --> 0:27:20.320
<v Speaker 8>Biz.

0:27:20.560 --> 0:27:23.360
<v Speaker 4>But wait, this is what I'm saying now. I can

0:27:23.480 --> 0:27:28.600
<v Speaker 4>see back in eight boards. I can see back in

0:27:28.720 --> 0:27:33.080
<v Speaker 4>eighty eighty nine ninety when it was a breathless race

0:27:33.119 --> 0:27:36.160
<v Speaker 4>to the finish to find some illshit and.

0:27:36.040 --> 0:27:38.639
<v Speaker 8>Then recreate some But this started from eighty one to

0:27:38.680 --> 0:27:41.000
<v Speaker 8>eighty two. So I'm older than y'all, so I know.

0:27:41.080 --> 0:27:45.800
<v Speaker 4>But listen, here's the point now. But we can agree

0:27:45.880 --> 0:27:50.680
<v Speaker 4>that you utilized it to its n degree between the

0:27:50.800 --> 0:27:56.520
<v Speaker 4>late eighties and the mid arts, either by sampling, making records,

0:27:56.840 --> 0:27:59.920
<v Speaker 4>or playing it for us in concert as a DJ.

0:28:00.480 --> 0:28:04.639
<v Speaker 4>So what I'm saying is you do acknowledge in twenty

0:28:04.720 --> 0:28:08.640
<v Speaker 4>seventeen there is a somewhat of a drought going on

0:28:08.920 --> 0:28:11.360
<v Speaker 4>in hip hop culture as you know it now. I'm

0:28:11.359 --> 0:28:14.240
<v Speaker 4>not saying that everything should stay the same, nothing else

0:28:14.240 --> 0:28:17.600
<v Speaker 4>to change. Yes, I love the the you know, the

0:28:17.640 --> 0:28:26.320
<v Speaker 4>evolution of musical culture. But I would almost rather someone

0:28:26.359 --> 0:28:30.920
<v Speaker 4>that's listening to this program search for that flash drum

0:28:30.960 --> 0:28:32.399
<v Speaker 4>machine so they can.

0:28:32.280 --> 0:28:33.040
<v Speaker 8>Go out and make some.

0:28:35.720 --> 0:28:39.880
<v Speaker 4>Why you and Bete are the most secretive people, But

0:28:40.360 --> 0:28:41.320
<v Speaker 4>how are we secret?

0:28:41.360 --> 0:28:45.280
<v Speaker 8>Because we got something we want everybody to have. I

0:28:45.360 --> 0:28:46.680
<v Speaker 8>have a definition of seapop.

0:28:47.400 --> 0:28:50.960
<v Speaker 4>I know what makes you, we know what makes you unique.

0:28:51.040 --> 0:28:53.520
<v Speaker 4>But when you want after, okay.

0:28:53.440 --> 0:28:56.520
<v Speaker 8>We don't tell everybody everything you got, I do. No,

0:28:56.600 --> 0:28:57.720
<v Speaker 8>I don't share.

0:28:57.800 --> 0:28:58.320
<v Speaker 12>I know you.

0:28:58.600 --> 0:29:00.800
<v Speaker 8>I'm not talking about share an m P three F

0:29:01.040 --> 0:29:04.320
<v Speaker 8>take people, I'm not talking about m P three five.

0:29:04.440 --> 0:29:12.000
<v Speaker 4>Look mic f come on, I'm saying, my son, I'm

0:29:12.000 --> 0:29:14.760
<v Speaker 4>staying this record though, I'm staying this.

0:29:14.720 --> 0:29:15.280
<v Speaker 8>For the record.

0:29:15.880 --> 0:29:19.160
<v Speaker 4>I understand that I've taken about I've taken about maybe

0:29:19.200 --> 0:29:24.560
<v Speaker 4>two hundred people in my lifetime, record shopping being shopping, Like,

0:29:24.840 --> 0:29:26.400
<v Speaker 4>why keep it alltimate?

0:29:26.600 --> 0:29:31.400
<v Speaker 8>No? I just took like two thousand, three thousand, all right?

0:29:31.680 --> 0:29:35.800
<v Speaker 8>Just saw, Hey you got.

0:29:35.640 --> 0:29:37.720
<v Speaker 12>A Jogi, Jeff, you gass cash?

0:29:37.800 --> 0:29:38.080
<v Speaker 8>Money?

0:29:38.080 --> 0:29:40.040
<v Speaker 4>Can I ask on flash gags?

0:29:40.120 --> 0:29:43.040
<v Speaker 8>Vaughn? You got your boy?

0:29:43.080 --> 0:29:44.400
<v Speaker 4>Why shot?

0:29:47.080 --> 0:29:47.320
<v Speaker 8>Yeah?

0:29:47.400 --> 0:29:51.280
<v Speaker 4>We can't reach it. We can't reach Primo wanted me

0:29:51.320 --> 0:29:54.640
<v Speaker 4>to call him on the show. My man, I know what, son,

0:29:54.840 --> 0:29:57.280
<v Speaker 4>He told me all the questions to ask you.

0:29:57.320 --> 0:29:58.600
<v Speaker 8>But I'm just saying.

0:29:58.920 --> 0:30:01.160
<v Speaker 11>That he just share it with you and then it'll

0:30:01.200 --> 0:30:03.240
<v Speaker 11>be cool for me.

0:30:03.520 --> 0:30:07.720
<v Speaker 8>But I can't tell you. I can't let the world

0:30:08.320 --> 0:30:08.880
<v Speaker 8>some secret.

0:30:09.000 --> 0:30:09.680
<v Speaker 4>You can't just.

0:30:13.160 --> 0:30:15.720
<v Speaker 8>Is it more important? Is it more.

0:30:15.640 --> 0:30:18.760
<v Speaker 4>Important for you to make your unique mark on the world,

0:30:19.040 --> 0:30:22.960
<v Speaker 4>or is it more important that on your dying day,

0:30:23.000 --> 0:30:28.440
<v Speaker 4>your deathbed, that you know that there's ten biz marquis

0:30:28.800 --> 0:30:30.840
<v Speaker 4>like disciples that are.

0:30:30.720 --> 0:30:31.360
<v Speaker 8>Going to die.

0:30:38.320 --> 0:30:42.080
<v Speaker 12>I'm kidding, You're gonna be yours? Could you put it?

0:30:46.560 --> 0:30:46.920
<v Speaker 8>All right?

0:30:50.040 --> 0:30:53.800
<v Speaker 12>Just go back to Harlem's.

0:30:55.720 --> 0:30:58.840
<v Speaker 10>His house burning down, You got him dying, He's still

0:30:58.880 --> 0:30:59.560
<v Speaker 10>not giving it up?

0:31:00.360 --> 0:31:04.480
<v Speaker 8>What alright? Being flashy like Oh, I thought you was

0:31:04.600 --> 0:31:09.680
<v Speaker 8>gonna tell nobody. God, it'd be like that Twilight Zone

0:31:09.920 --> 0:31:12.160
<v Speaker 8>when that lady said I want that dude said to

0:31:12.200 --> 0:31:15.520
<v Speaker 8>the lady, don't never tell nobody or the Devil's gonna coming.

0:31:17.880 --> 0:31:31.720
<v Speaker 13>Maybe did not tell you? Alright, alright, alright? So in Harlem, when.

0:31:31.560 --> 0:31:34.040
<v Speaker 4>Did you first started collect You got your first record

0:31:34.040 --> 0:31:35.720
<v Speaker 4>when you was what the forty five?

0:31:35.800 --> 0:31:39.080
<v Speaker 8>It wasn't it wasn't hip hop. I just got yeah, Ben.

0:31:38.960 --> 0:31:41.760
<v Speaker 4>You gotta start somewhere. So when did the bug hit

0:31:41.840 --> 0:31:46.320
<v Speaker 4>you that yo? I was it DJing first or was

0:31:46.320 --> 0:31:50.160
<v Speaker 4>it mc and or box? All right, now I know you.

0:31:51.120 --> 0:31:57.000
<v Speaker 4>I want you to set the record straight on the

0:31:57.520 --> 0:32:03.600
<v Speaker 4>who was the first cat that you heard? Or are

0:32:03.720 --> 0:32:07.600
<v Speaker 4>you that first cat? Who's the first cat to go

0:32:07.720 --> 0:32:10.200
<v Speaker 4>on record to say, this is the beat box.

0:32:11.720 --> 0:32:15.720
<v Speaker 8>The first, the first one I heard besides me, Yes,

0:32:15.880 --> 0:32:20.480
<v Speaker 8>with Dougie. So doug is the original human beat box. Yeah,

0:32:20.560 --> 0:32:21.600
<v Speaker 8>that's the first one I ever.

0:32:21.720 --> 0:32:24.040
<v Speaker 4>So where does Buffy fall in line of Buffy? He

0:32:24.120 --> 0:32:24.840
<v Speaker 4>was just the first to.

0:32:24.800 --> 0:32:28.000
<v Speaker 8>Get to everybody's from different places.

0:32:28.200 --> 0:32:29.320
<v Speaker 12>Buffy was from Brooklyn.

0:32:29.760 --> 0:32:34.040
<v Speaker 8>That's why me and a Dougie and Buffy never sound

0:32:34.080 --> 0:32:37.760
<v Speaker 8>the same. Is from different places, so you would never

0:32:37.800 --> 0:32:41.080
<v Speaker 8>know I'm fromand I'm from Patrick, I'm from like you

0:32:41.200 --> 0:32:47.640
<v Speaker 8>from Philly, I'm from like country Hockens. You don't even

0:32:47.800 --> 0:32:52.320
<v Speaker 8>you don't even count that in Philly's son. I'm like

0:32:52.360 --> 0:32:58.120
<v Speaker 8>from Hershey, Pennsylvania. I don't even count. Keep it real, all.

0:32:58.120 --> 0:33:02.880
<v Speaker 4>Right, but I'm just saying that, you're so. At what

0:33:03.000 --> 0:33:06.840
<v Speaker 4>point did New York start to do this cross cultural

0:33:07.280 --> 0:33:12.040
<v Speaker 4>colonization where a queen's cap We'll go to Brooklyn with

0:33:12.080 --> 0:33:15.640
<v Speaker 4>no beef, and Brooklyn would come to Long Island and

0:33:16.120 --> 0:33:18.440
<v Speaker 4>well the way outside the parents moving.

0:33:18.680 --> 0:33:22.720
<v Speaker 8>Okay, the way I started, uh back in eighty two,

0:33:23.920 --> 0:33:26.040
<v Speaker 8>I was handing out fliers for Mike and Dave, you know,

0:33:26.080 --> 0:33:29.440
<v Speaker 8>Mike and Davis. No, Mike and Dave had they had

0:33:29.440 --> 0:33:33.040
<v Speaker 8>a label, but they had cruise like the Crash Crew. Okay,

0:33:33.680 --> 0:33:38.920
<v Speaker 8>Master Dawn, Boogie Boys, Dougie, Rob Bass, all of us

0:33:38.920 --> 0:33:42.320
<v Speaker 8>started Fat Man's School. All of us started from under them.

0:33:43.240 --> 0:33:45.160
<v Speaker 8>They used to hand We used to you know, you

0:33:45.200 --> 0:33:47.720
<v Speaker 8>want to be on they be an artist? Yeah, they

0:33:47.760 --> 0:33:49.840
<v Speaker 8>do all. They was like one of the big promoters.

0:33:49.920 --> 0:33:52.520
<v Speaker 8>So we had a I used to hand our fliers

0:33:52.560 --> 0:33:55.360
<v Speaker 8>for them, and then I just watched and learned and

0:33:55.480 --> 0:33:56.200
<v Speaker 8>learned and learned.

0:33:56.760 --> 0:33:59.920
<v Speaker 4>So is this where the basis of vapors verse came in?

0:34:00.200 --> 0:34:04.640
<v Speaker 8>To play with the basis of the vapors verse came in?

0:34:04.800 --> 0:34:08.040
<v Speaker 8>Is I was on my block and the kids down

0:34:08.120 --> 0:34:11.640
<v Speaker 8>the block had a crew. I wanted to be in

0:34:11.719 --> 0:34:14.279
<v Speaker 8>the crew, but I always had to be and my

0:34:14.360 --> 0:34:16.279
<v Speaker 8>parents were strict, so I had to be in when

0:34:16.320 --> 0:34:19.239
<v Speaker 8>the light was out. So I always asked cand I

0:34:19.280 --> 0:34:22.040
<v Speaker 8>be down. And since I wasn't the cool cat and

0:34:22.080 --> 0:34:26.520
<v Speaker 8>I wasn't smoking and I wasn't drinking, no, you.

0:34:26.520 --> 0:34:27.160
<v Speaker 4>Can't be down.

0:34:27.239 --> 0:34:29.719
<v Speaker 8>So I went back into the lab and try to

0:34:29.719 --> 0:34:32.760
<v Speaker 8>get his best at best I can, and doing that,

0:34:32.840 --> 0:34:36.600
<v Speaker 8>my time came vapors.

0:34:36.840 --> 0:34:40.799
<v Speaker 4>He made the vapor effects ladies in Jon't so I'm

0:34:40.880 --> 0:34:45.840
<v Speaker 4>noticing the pattern that all musical savants and and and

0:34:46.360 --> 0:34:51.640
<v Speaker 4>icons are either legacy kids of parents that were musicians

0:34:52.880 --> 0:34:56.120
<v Speaker 4>or people that had to follow Richard pryor heavy ass home.

0:34:56.560 --> 0:34:57.919
<v Speaker 8>Parents in the street lights.

0:34:57.920 --> 0:35:01.320
<v Speaker 4>Come on street light, Yeah no, no, no messing around.

0:35:01.480 --> 0:35:06.680
<v Speaker 4>So under under that crew, were you d j M

0:35:06.800 --> 0:35:09.160
<v Speaker 4>first or or you said you were be boxing first?

0:35:09.400 --> 0:35:11.960
<v Speaker 8>Be boxing and rapper like I used to snap on people.

0:35:12.520 --> 0:35:15.440
<v Speaker 8>I was always a funny guy, like shitty Shannati. Your

0:35:15.480 --> 0:35:19.000
<v Speaker 8>nose is snotty. Every time I see you, you're begging somebody.

0:35:19.040 --> 0:35:21.640
<v Speaker 8>But if you're egging, you're begging, and your humming, you're bumming.

0:35:21.840 --> 0:35:27.080
<v Speaker 8>Good God, oldmighty. I hate to see you coming my

0:35:27.280 --> 0:35:29.280
<v Speaker 8>drop moment, Biz, markeyla and gentlemen.

0:35:30.880 --> 0:35:36.759
<v Speaker 4>Actually, Premiere just hit me, he said, ask Biz, between

0:35:37.040 --> 0:35:42.400
<v Speaker 4>you and Big Sugar from Gangstar, who would win the

0:35:42.440 --> 0:35:43.360
<v Speaker 4>snapping contest?

0:35:43.360 --> 0:35:43.799
<v Speaker 8>Come on?

0:35:44.239 --> 0:35:48.560
<v Speaker 14>He saw what I did to him, and then Prima

0:35:48.680 --> 0:35:52.600
<v Speaker 14>also followed up that if this says now, you know

0:35:52.680 --> 0:36:04.440
<v Speaker 14>how I do tell Biz he's lying, He asked prem.

0:36:04.320 --> 0:36:07.280
<v Speaker 8>I said, uh, I said something something something something something,

0:36:07.600 --> 0:36:09.640
<v Speaker 8>and then I told him I told uh Big Sugar

0:36:09.680 --> 0:36:11.360
<v Speaker 8>he had a hip hop starter kid.

0:36:11.160 --> 0:36:16.600
<v Speaker 4>On them with being n XL.

0:36:17.360 --> 0:36:20.920
<v Speaker 8>He said that, yeah, any and I was on tour

0:36:20.960 --> 0:36:24.040
<v Speaker 8>with Gangstar Rest in Peace, you know. Yeah, we was

0:36:24.080 --> 0:36:26.440
<v Speaker 8>on tour in Japan and.

0:36:26.080 --> 0:36:30.080
<v Speaker 4>He told he told me that, and then you proceeded

0:36:30.120 --> 0:36:35.520
<v Speaker 4>to stay. He said that the most amazing thing of

0:36:35.560 --> 0:36:38.759
<v Speaker 4>that Japan tour was the fact that you were the

0:36:38.760 --> 0:36:43.560
<v Speaker 4>first cat that he saw ben shopping and then you

0:36:43.719 --> 0:36:49.839
<v Speaker 4>somehow managed to have the promoter paid for all your

0:36:49.880 --> 0:36:53.160
<v Speaker 4>shipment back to the state, and that the shipment was

0:36:53.280 --> 0:37:02.480
<v Speaker 4>actually more than the records. Wait talk about the van now, see,

0:37:02.600 --> 0:37:06.160
<v Speaker 4>and I hate this whole like my generation and when

0:37:06.200 --> 0:37:08.279
<v Speaker 4>cat's be like, hey, what's up o G because I

0:37:08.280 --> 0:37:10.240
<v Speaker 4>feel like we're all all the same hip hop generation.

0:37:10.360 --> 0:37:12.919
<v Speaker 4>But I'm just saying that, it's like for when all right,

0:37:12.960 --> 0:37:16.879
<v Speaker 4>So for my layer of hip hop, DJ Premier's van

0:37:17.640 --> 0:37:21.520
<v Speaker 4>was like the be all end all van to test

0:37:21.560 --> 0:37:23.640
<v Speaker 4>your music. I'm gonna get to you, bus, I'm gonna

0:37:23.680 --> 0:37:25.640
<v Speaker 4>give you the credit. Biz looking at it. This got

0:37:25.680 --> 0:37:28.000
<v Speaker 4>his guns out a ray like give me credit.

0:37:31.280 --> 0:37:31.480
<v Speaker 8>I was.

0:37:31.719 --> 0:37:33.160
<v Speaker 12>I can tell you a story about that though.

0:37:33.560 --> 0:37:37.319
<v Speaker 4>But yes, when Premiere told me, yo, dog, this was

0:37:37.360 --> 0:37:38.560
<v Speaker 4>the first cat I saw.

0:37:39.280 --> 0:37:44.160
<v Speaker 8>MPV, Yes V, Well, can I tell your story. Yes,

0:37:44.239 --> 0:37:48.840
<v Speaker 8>tell me, well, can I put the fireside chat? We

0:37:48.920 --> 0:37:53.520
<v Speaker 8>got yes, And now they had some my boys from uptown.

0:37:53.920 --> 0:37:57.440
<v Speaker 8>And I think y'all saw the movie payd to Full. Yes. Well,

0:37:57.800 --> 0:37:59.520
<v Speaker 8>I used to hang with a Z. I used to

0:37:59.520 --> 0:38:01.880
<v Speaker 8>hang out Poe. I used to hang with rich Porter.

0:38:02.360 --> 0:38:06.440
<v Speaker 8>Rich Porter was one of the flyest dudes known to

0:38:06.600 --> 0:38:11.000
<v Speaker 8>man to this date. Okay, right, So he had an

0:38:11.120 --> 0:38:15.640
<v Speaker 8>MPV first, right, I said, Yo, man, what is that?

0:38:15.760 --> 0:38:17.600
<v Speaker 8>Blah blah blah. So I sat in there with him.

0:38:17.800 --> 0:38:20.560
<v Speaker 8>We talked for about an hour half an hour. The

0:38:20.560 --> 0:38:22.640
<v Speaker 8>next day I went to got two of them. I

0:38:22.680 --> 0:38:32.480
<v Speaker 8>got I got a expensive I had money had you? Okay? Right?

0:38:32.560 --> 0:38:32.759
<v Speaker 7>Right?

0:38:32.880 --> 0:38:33.120
<v Speaker 8>Right?

0:38:33.239 --> 0:38:38.000
<v Speaker 7>So I'm sorry, what'ts an MPV? Oh it's a.

0:38:37.239 --> 0:38:39.960
<v Speaker 8>Multi purpose family? So what I did?

0:38:40.120 --> 0:38:41.719
<v Speaker 4>I'm glad you asked that because if I already asked

0:38:41.719 --> 0:38:44.279
<v Speaker 4>that business bill would have been like google it.

0:38:44.520 --> 0:38:50.120
<v Speaker 8>Right. So so I got B one and I got

0:38:51.040 --> 0:38:53.799
<v Speaker 8>cool V a blue one. So but with minds, I

0:38:53.840 --> 0:38:57.359
<v Speaker 8>put like twelve thousand of system in there. You got

0:38:57.440 --> 0:39:00.600
<v Speaker 8>thinking eighty nine. That's a lot out of money.

0:39:00.680 --> 0:39:02.360
<v Speaker 4>Why didn't get a jeep like everyone else?

0:39:02.800 --> 0:39:04.520
<v Speaker 8>I want to get it to be different.

0:39:04.880 --> 0:39:08.319
<v Speaker 4>Okay, so it's it's like a cool ass Socca pop then.

0:39:08.680 --> 0:39:10.960
<v Speaker 11>But I had everything in it, but it had an

0:39:11.080 --> 0:39:12.800
<v Speaker 11>error when like cool dudes used to drive.

0:39:14.600 --> 0:39:18.759
<v Speaker 12>I had that casette, everything in it.

0:39:19.000 --> 0:39:20.960
<v Speaker 8>I never heard of a player in a car.

0:39:22.400 --> 0:39:29.200
<v Speaker 4>Google that only because Primo had one that I believe

0:39:29.239 --> 0:39:31.719
<v Speaker 4>this story because yeah.

0:39:31.840 --> 0:39:34.120
<v Speaker 8>So at the time, I mean I used to see

0:39:34.120 --> 0:39:38.400
<v Speaker 8>Primo blah blah blah blah, and he saw my joint.

0:39:38.719 --> 0:39:40.640
<v Speaker 8>He got one, but then he got one with deep

0:39:40.680 --> 0:39:46.960
<v Speaker 8>dish rims. And I say, yore because I had black,

0:39:47.440 --> 0:39:51.120
<v Speaker 8>I had black and chrome BBS's and he had the

0:39:51.200 --> 0:39:52.120
<v Speaker 8>deep dish joints.

0:39:52.160 --> 0:40:02.160
<v Speaker 4>I said, yo. All right. So from be boxing and

0:40:02.200 --> 0:40:04.480
<v Speaker 4>I'm always gonna go back in time, So from be

0:40:04.640 --> 0:40:09.520
<v Speaker 4>boxing too to DJ SO rap next.

0:40:09.960 --> 0:40:11.760
<v Speaker 8>Yeah, because I had to make records.

0:40:12.360 --> 0:40:14.319
<v Speaker 4>But when I first heard of you was Deth fresh

0:40:14.320 --> 0:40:16.120
<v Speaker 4>school with Roxanne be boxing.

0:40:16.200 --> 0:40:16.520
<v Speaker 8>Yeah.

0:40:16.560 --> 0:40:18.719
<v Speaker 4>So how did the whole Philly connection with Pop Art

0:40:18.719 --> 0:40:21.080
<v Speaker 4>Records and Lawrence Goodman and all that happened?

0:40:21.200 --> 0:40:26.000
<v Speaker 8>What happened was Shante made Roxannes revenge. Okay, so Tyrone

0:40:26.000 --> 0:40:29.080
<v Speaker 8>Williams and Marley and them hooked up with Lawrence Goodman

0:40:29.080 --> 0:40:29.399
<v Speaker 8>in them.

0:40:29.760 --> 0:40:36.200
<v Speaker 4>Okay, Lawrence Goodman the maybe yeah.

0:40:35.640 --> 0:40:37.239
<v Speaker 12>Yeah, he was a tough dude. He was tough to

0:40:37.400 --> 0:40:38.000
<v Speaker 12>him and his brother.

0:40:38.400 --> 0:40:41.319
<v Speaker 4>So was there ever a nice guy in the music

0:40:41.440 --> 0:40:45.120
<v Speaker 4>industry like all the black guys if we put Lawrence

0:40:45.160 --> 0:40:49.239
<v Speaker 4>Goodman should knight, Uh, all of them.

0:40:49.239 --> 0:40:51.080
<v Speaker 8>Was cool with me. But I'm just saying. And then

0:40:51.440 --> 0:40:53.359
<v Speaker 8>at the time, I wanted to make a record bad,

0:40:53.440 --> 0:40:57.200
<v Speaker 8>so I got on with Chante and my thing, my fame,

0:40:57.320 --> 0:41:00.600
<v Speaker 8>my claim to fame was the tape from be from

0:41:00.680 --> 0:41:05.040
<v Speaker 8>Roseland with Chin That's yes, it's it's then I got

0:41:05.080 --> 0:41:07.359
<v Speaker 8>Then I made the record with Chante, and then I

0:41:07.400 --> 0:41:10.200
<v Speaker 8>was begging Lawrence Goodman, Yo, I want to make a record.

0:41:10.200 --> 0:41:11.399
<v Speaker 8>Blah blah blah blah blah blah.

0:41:11.400 --> 0:41:13.480
<v Speaker 4>What was the de Chante record? What year was that?

0:41:13.640 --> 0:41:16.520
<v Speaker 8>Eighty five? Yeah?

0:41:16.560 --> 0:41:18.960
<v Speaker 4>So wait they used to play that Roseland tape on

0:41:19.040 --> 0:41:19.960
<v Speaker 4>radio up here or.

0:41:20.080 --> 0:41:24.960
<v Speaker 8>Yeah what mister Magic World World Permit Permire All right?

0:41:25.200 --> 0:41:28.319
<v Speaker 4>Who who is that? A World premire permit? That's him, right,

0:41:28.360 --> 0:41:31.279
<v Speaker 4>that's him? Yeah, Okay, do you have an original copy

0:41:31.280 --> 0:41:37.040
<v Speaker 4>of that world I actually doz Yes, I would love

0:41:37.080 --> 0:41:40.560
<v Speaker 4>to get sharing his Karen, I would.

0:41:40.360 --> 0:41:42.040
<v Speaker 8>Share that with you, but I'm not telling you the

0:41:42.120 --> 0:41:47.160
<v Speaker 8>name of the what I'm finding that drum to see

0:41:47.440 --> 0:41:51.120
<v Speaker 8>one way or another? All right, this way, I'll bring

0:41:51.160 --> 0:41:53.440
<v Speaker 8>it out. I'll let you see it you now, if

0:41:53.440 --> 0:41:57.400
<v Speaker 8>you get the name of it, i'll show you brand.

0:41:57.440 --> 0:41:59.440
<v Speaker 8>I show you it, but I can't tell you in

0:41:59.520 --> 0:42:01.680
<v Speaker 8>your faith and on the air.

0:42:01.760 --> 0:42:03.640
<v Speaker 4>Okay, I get it, I get it, I get it.

0:42:03.960 --> 0:42:05.160
<v Speaker 8>I get it anyway.

0:42:05.360 --> 0:42:08.200
<v Speaker 4>So yeah, so based on that, actually, wait, can I

0:42:08.200 --> 0:42:11.400
<v Speaker 4>play that for a second, the Live routine with Biz

0:42:12.400 --> 0:42:14.520
<v Speaker 4>You got it? This is yes, this is Live Routine

0:42:14.520 --> 0:42:16.280
<v Speaker 4>with Bizmarky by mc shann.

0:42:16.440 --> 0:42:19.040
<v Speaker 8>Oh yeah, okay, we're ready to rout you ready shan

0:42:21.760 --> 0:42:25.440
<v Speaker 8>started off and tell them who we are. I want to,

0:42:25.680 --> 0:42:28.960
<v Speaker 8>I want to, I want to. I want to.

0:42:30.640 --> 0:42:35.000
<v Speaker 15>I like to introduce myself, my namic, bizmar keep you

0:42:36.080 --> 0:42:42.880
<v Speaker 15>and that's MC champion and Molly mob and missing a

0:42:42.960 --> 0:42:49.320
<v Speaker 15>medic can't pick spot top and my mac Flordia.

0:42:50.480 --> 0:42:55.040
<v Speaker 8>And my seat am I mac Harmony.

0:42:56.239 --> 0:42:59.799
<v Speaker 4>And Sun Bram. So we're gonna do.

0:42:59.760 --> 0:43:01.319
<v Speaker 8>A litt I like.

0:43:05.280 --> 0:43:20.319
<v Speaker 4>Simple Okay, I have a question, Bis, and you're b

0:43:20.320 --> 0:43:26.280
<v Speaker 4>boxing technique because you're definitely. While while it is most

0:43:26.320 --> 0:43:32.480
<v Speaker 4>b boxes, their kick and their snare both had the

0:43:32.520 --> 0:43:38.760
<v Speaker 4>same range you're like in your mind, are you playing

0:43:38.800 --> 0:43:41.319
<v Speaker 4>a rim shot? Like what like I know for like

0:43:41.640 --> 0:43:42.319
<v Speaker 4>for you going to be.

0:43:43.080 --> 0:43:45.759
<v Speaker 8>Or shot and my bass is different my bas is

0:43:45.800 --> 0:43:50.799
<v Speaker 8>Like so you were hum with the B box huh?

0:43:51.040 --> 0:43:53.319
<v Speaker 4>You you were hum with your your your kick jump

0:43:53.320 --> 0:43:54.319
<v Speaker 4>to give it extra.

0:43:54.520 --> 0:43:56.120
<v Speaker 8>You know how you want to give it that extra

0:43:56.200 --> 0:44:00.960
<v Speaker 8>sound like right, So I was looking at it. I

0:44:01.000 --> 0:44:02.719
<v Speaker 8>was looking at it as an eight a weight, so

0:44:02.960 --> 0:44:04.640
<v Speaker 8>you know how the eight awight got.

0:44:06.600 --> 0:44:09.160
<v Speaker 4>But what I'm saying is at least with with with

0:44:09.320 --> 0:44:12.440
<v Speaker 4>the human bet Box from the Fat Boys. I always

0:44:12.480 --> 0:44:16.080
<v Speaker 4>heard him and Ducky for that part emulating and Piece

0:44:16.120 --> 0:44:21.920
<v Speaker 4>the President. So when b boxes do they're doing, what

0:44:22.480 --> 0:44:25.400
<v Speaker 4>is the beat? What is the break in your head

0:44:25.680 --> 0:44:28.080
<v Speaker 4>that you're emulating when you're.

0:44:28.320 --> 0:44:30.880
<v Speaker 8>I'm trying to get as close to the record as possible.

0:44:31.080 --> 0:44:33.000
<v Speaker 4>Which record though, what's the record in your head that

0:44:33.040 --> 0:44:33.839
<v Speaker 4>you're emulating?

0:44:34.120 --> 0:44:35.600
<v Speaker 8>Which record? Because you don't do.

0:44:35.880 --> 0:44:37.799
<v Speaker 4>In Piece of President like breaks you do like.

0:44:39.960 --> 0:44:40.680
<v Speaker 8>No, I go, I W.

0:44:44.000 --> 0:44:46.800
<v Speaker 4>I rarely hear you do that break. So I'm saying,

0:44:46.880 --> 0:44:48.920
<v Speaker 4>and plus you're the first bat boxer I know that

0:44:49.000 --> 0:44:50.759
<v Speaker 4>rhymed and be boxed at the same time.

0:44:50.840 --> 0:44:52.680
<v Speaker 12>That was I wanted to be different, So.

0:44:54.120 --> 0:45:00.719
<v Speaker 4>You are different, let me know. So okay, So when

0:45:00.760 --> 0:45:04.560
<v Speaker 4>deaf Resh Crew came out, and this this was an

0:45:04.600 --> 0:45:10.279
<v Speaker 4>era where hip hop was still quasi regional, that in

0:45:10.320 --> 0:45:13.719
<v Speaker 4>school you could bite some ship and claim credit for

0:45:13.760 --> 0:45:17.399
<v Speaker 4>it and live with it. Now, I think I got

0:45:17.440 --> 0:45:24.680
<v Speaker 4>away with that meow mix, so all the white kids

0:45:24.680 --> 0:45:27.719
<v Speaker 4>in school thought I was the ship. Like me, I'm

0:45:27.760 --> 0:45:30.680
<v Speaker 4>mixed like that was always the thing, like And then

0:45:30.840 --> 0:45:34.480
<v Speaker 4>like maybe seven weeks later, then I got busted and

0:45:34.600 --> 0:45:36.439
<v Speaker 4>was like, all right, you know this, it's my key,

0:45:36.920 --> 0:45:41.480
<v Speaker 4>But like, how how you know?

0:45:41.560 --> 0:45:41.759
<v Speaker 8>What?

0:45:42.239 --> 0:45:45.120
<v Speaker 4>At what point do you do? You transfer to rapping

0:45:45.200 --> 0:45:50.320
<v Speaker 4>and getting with Marley, And.

0:45:49.080 --> 0:45:51.600
<v Speaker 8>At that time I was with them, so I was

0:45:51.719 --> 0:45:56.680
<v Speaker 8>keeping quiet as a rapper. I'm just happy to be down.

0:45:58.280 --> 0:46:01.400
<v Speaker 8>So once they gave me my chance to make a record,

0:46:02.719 --> 0:46:04.280
<v Speaker 8>already already had records written.

0:46:04.440 --> 0:46:07.080
<v Speaker 4>And why does everyone start off as a DJ in

0:46:07.160 --> 0:46:09.600
<v Speaker 4>this crew? Like even Cain started out as a DJ.

0:46:10.320 --> 0:46:15.040
<v Speaker 8>Well, Caine started out as as my partner rhyming because

0:46:15.080 --> 0:46:17.719
<v Speaker 8>I had to show him. I had to show him

0:46:17.719 --> 0:46:21.560
<v Speaker 8>stage presence. I showed him different styles, I showed him

0:46:21.600 --> 0:46:26.680
<v Speaker 8>how to be on stage. You know, if there's something wrong,

0:46:27.239 --> 0:46:30.080
<v Speaker 8>you know, to go to the next rhyme. It's like

0:46:30.120 --> 0:46:34.319
<v Speaker 8>you drumming, right, if you break a stick, you know

0:46:34.400 --> 0:46:39.760
<v Speaker 8>to go to you know, to go to the next

0:46:40.360 --> 0:46:42.960
<v Speaker 8>you know, to go to the next stick? Yeah, how

0:46:43.000 --> 0:46:43.640
<v Speaker 8>to keep it moving?

0:46:44.320 --> 0:46:46.160
<v Speaker 4>So where do you where do you get your experience from?

0:46:46.239 --> 0:46:49.520
<v Speaker 4>Because you know, you grew up in the era where

0:46:49.640 --> 0:46:52.360
<v Speaker 4>I mean now it's even harder because it's like, unless

0:46:52.800 --> 0:46:56.640
<v Speaker 4>your YouTube song has ten million views, it's really hard

0:46:56.680 --> 0:47:02.640
<v Speaker 4>to capture people's attentions us. Your songs just larger than life,

0:47:02.680 --> 0:47:07.040
<v Speaker 4>Whereas back then you had to have actual, genuine talent and.

0:47:06.960 --> 0:47:08.040
<v Speaker 8>You had to be witty.

0:47:08.960 --> 0:47:10.840
<v Speaker 4>Right, So what what was it like going on in

0:47:10.880 --> 0:47:13.560
<v Speaker 4>these states? Like what if you were whack? What would happen?

0:47:16.160 --> 0:47:18.160
<v Speaker 12>No, Hamburger is everything at you?

0:47:18.760 --> 0:47:24.000
<v Speaker 4>I seen why Hamburgers.

0:47:25.840 --> 0:47:28.920
<v Speaker 8>Everything. I'm gonna tell you. It was the time we

0:47:29.040 --> 0:47:31.080
<v Speaker 8>was on tour. I was on tour with Salt Pepper,

0:47:31.200 --> 0:47:34.799
<v Speaker 8>Fat Fat boys. Everybody. They had this lady trying to

0:47:34.840 --> 0:47:41.560
<v Speaker 8>be do another rendition of I Ney Love. Oh no,

0:47:41.719 --> 0:47:44.920
<v Speaker 8>where what territory? We was in North Carolina? Greensboro.

0:47:45.400 --> 0:47:47.719
<v Speaker 4>Wow, they hit away all down?

0:47:47.920 --> 0:47:53.279
<v Speaker 8>Everything changed? Yes and stand up?

0:47:55.560 --> 0:47:56.360
<v Speaker 4>Are you proud of this?

0:47:57.080 --> 0:47:57.239
<v Speaker 8>Yeah?

0:47:57.239 --> 0:47:58.400
<v Speaker 4>That's by all the times where I grew up.

0:47:58.400 --> 0:47:59.160
<v Speaker 8>I grew up greens Boro.

0:47:59.280 --> 0:48:01.040
<v Speaker 4>Yeah, I know that, but you're.

0:48:00.480 --> 0:48:02.760
<v Speaker 8>Proud of Did you ever throw a hammerger an.

0:48:06.920 --> 0:48:07.040
<v Speaker 4>Them?

0:48:07.040 --> 0:48:17.040
<v Speaker 8>Absolutely? Yep, I'm proud. Wait Queensborough, that's where my family.

0:48:17.560 --> 0:48:18.880
<v Speaker 8>Are you serious, dude?

0:48:19.120 --> 0:48:22.880
<v Speaker 4>Like grandparents have like nineteen brothers and sisters?

0:48:22.920 --> 0:48:25.600
<v Speaker 8>Yes? Oh god? What's your family last?

0:48:26.760 --> 0:48:33.520
<v Speaker 9>Please tell investigate ancestry dot com. Let's get on it.

0:48:37.960 --> 0:48:38.120
<v Speaker 8>Wait.

0:48:38.200 --> 0:48:42.759
<v Speaker 4>Speaking of North Carolina. Uh, In the fifth anniversary of

0:48:42.920 --> 0:48:46.839
<v Speaker 4>the Source magazine, there's a story they're kind of doing,

0:48:46.880 --> 0:48:49.440
<v Speaker 4>like an oral history of like just hip hop tales,

0:48:50.520 --> 0:48:54.040
<v Speaker 4>and I forget who it was, but there was an

0:48:54.080 --> 0:48:59.880
<v Speaker 4>incident in North Carolina where your record collection save somebody

0:49:00.080 --> 0:49:02.320
<v Speaker 4>from y'all getting shot up or something.

0:49:02.640 --> 0:49:03.600
<v Speaker 12>Yeah, not me.

0:49:05.320 --> 0:49:06.000
<v Speaker 4>I was in the room.

0:49:06.239 --> 0:49:07.040
<v Speaker 12>But check this out.

0:49:08.680 --> 0:49:12.200
<v Speaker 4>My man gave my fireside check. Hit the introduction, now

0:49:13.520 --> 0:49:14.800
<v Speaker 4>you ready, yes, hit it?

0:49:15.120 --> 0:49:17.719
<v Speaker 8>Okay? Now, my man Jeff and them there was in

0:49:17.800 --> 0:49:20.160
<v Speaker 8>the car. What happened was hot Dog that used to

0:49:20.200 --> 0:49:21.280
<v Speaker 8>be down with Chuck Rock.

0:49:21.160 --> 0:49:22.239
<v Speaker 4>I'm rocking the round.

0:49:22.400 --> 0:49:24.640
<v Speaker 8>Yes, well, they were trying to talk to these girls.

0:49:25.480 --> 0:49:27.399
<v Speaker 8>They were trying to talk to these girls, and right

0:49:27.800 --> 0:49:31.080
<v Speaker 8>something happened cop blocking I mean something happened. I think

0:49:31.200 --> 0:49:34.359
<v Speaker 8>once one of the dancers hit a girl. The girl,

0:49:34.920 --> 0:49:38.680
<v Speaker 8>the girl's boyfriends came up or something. It was my

0:49:38.760 --> 0:49:42.719
<v Speaker 8>man Jeff right here, Shante. All of them was in

0:49:42.800 --> 0:49:43.040
<v Speaker 8>the car.

0:49:43.480 --> 0:49:44.680
<v Speaker 4>But you know, I mean you.

0:49:44.880 --> 0:49:48.720
<v Speaker 8>DJ so you know when you pack your pack, Yes.

0:49:48.760 --> 0:49:50.200
<v Speaker 12>You know that long case.

0:49:50.600 --> 0:49:54.400
<v Speaker 8>Yes, I had a long case of twelve inches, but

0:49:54.600 --> 0:49:57.560
<v Speaker 8>I packed it them packed in them packed it well,

0:49:57.560 --> 0:50:00.520
<v Speaker 8>you almost can't even take it. Record the luggage.

0:50:01.680 --> 0:50:03.640
<v Speaker 4>If y'all in North Carolina, where's the luggage?

0:50:03.719 --> 0:50:06.480
<v Speaker 8>If all, it's on the bus. We're coming from the show.

0:50:06.800 --> 0:50:10.279
<v Speaker 4>So you have a bus. There's a bus and a car.

0:50:10.440 --> 0:50:13.520
<v Speaker 8>To know, the car is the runner that brings you

0:50:13.640 --> 0:50:16.400
<v Speaker 8>back to the hotel. I see, I see, Okay, So

0:50:17.239 --> 0:50:21.400
<v Speaker 8>they running and they to all these these country dudes

0:50:21.440 --> 0:50:29.160
<v Speaker 8>came out and my records was behind them and it

0:50:29.280 --> 0:50:30.360
<v Speaker 8>was like a station wagon.

0:50:30.719 --> 0:50:34.600
<v Speaker 4>Yeah, and it just didn't go through and all the

0:50:34.640 --> 0:50:38.520
<v Speaker 4>bullets bullets, the record got damaged.

0:50:39.239 --> 0:50:40.920
<v Speaker 8>Something in the way you make me feel with the

0:50:41.000 --> 0:50:45.280
<v Speaker 8>acapella feeling.

0:50:45.320 --> 0:50:49.840
<v Speaker 12>All right, gap band, we yeah trouble.

0:50:49.880 --> 0:50:51.840
<v Speaker 4>Did you just did you just ask me where the

0:50:51.920 --> 0:50:52.359
<v Speaker 4>records are?

0:50:52.440 --> 0:51:00.239
<v Speaker 8>Right? You got exactly you got twelve inches right, No,

0:51:00.480 --> 0:51:04.000
<v Speaker 8>come on, viz. No, they got them with the Chinese

0:51:04.080 --> 0:51:04.919
<v Speaker 8>chicken on the other side.

0:51:05.040 --> 0:51:08.040
<v Speaker 4>Yes, okay, I've seen those, but those are like reprints.

0:51:08.280 --> 0:51:13.320
<v Speaker 8>No, no, no, there they were reprints, but these was

0:51:13.400 --> 0:51:17.400
<v Speaker 8>the ones that was hard to find. These only downstairs

0:51:17.480 --> 0:51:20.000
<v Speaker 8>had them at the time. Okay, from back in the day.

0:51:20.000 --> 0:51:21.200
<v Speaker 8>They wasn't selling them no more.

0:51:21.360 --> 0:51:24.200
<v Speaker 4>Okay, okay, that was a fireside chat.

0:51:24.239 --> 0:51:24.640
<v Speaker 8>There wasn't.

0:51:25.160 --> 0:51:27.080
<v Speaker 12>There wasn't breaks and beat joints.

0:51:27.280 --> 0:51:30.440
<v Speaker 16>Okay, all right, the ones on Tough City right, No,

0:51:31.120 --> 0:51:32.320
<v Speaker 16>this is before Tough Sitting.

0:51:32.360 --> 0:51:37.799
<v Speaker 8>Okay. This is when they had They had the big

0:51:37.920 --> 0:51:40.400
<v Speaker 8>beat with the coolest back on the other side, the

0:51:40.560 --> 0:51:42.400
<v Speaker 8>green ones. Then they had the.

0:51:43.360 --> 0:51:44.680
<v Speaker 4>The Bozomigo ones.

0:51:44.719 --> 0:51:49.400
<v Speaker 8>They had the Bozogo records. No, I know they reprints,

0:51:49.480 --> 0:51:52.760
<v Speaker 8>but they ain't the Tough City joints from now, okay,

0:51:53.000 --> 0:51:54.399
<v Speaker 8>these are the ones from eighty one.

0:51:54.800 --> 0:51:56.920
<v Speaker 4>Yes, okay, I've had a few of those. Okay, I

0:51:57.000 --> 0:51:59.560
<v Speaker 4>get it. Yes, I didn't get it in Pizza President though,

0:51:59.600 --> 0:52:05.080
<v Speaker 4>but I have a few from those labels. So as

0:52:05.120 --> 0:52:10.840
<v Speaker 4>far as your album is concerned, like, how do you

0:52:11.160 --> 0:52:14.040
<v Speaker 4>what's what's the deal with the production? Was it just

0:52:14.080 --> 0:52:17.640
<v Speaker 4>strictly were you handing Marley these records? Did you not

0:52:17.760 --> 0:52:18.960
<v Speaker 4>an operated drum machine?

0:52:19.080 --> 0:52:21.960
<v Speaker 8>Did you? Okay, let me say, in the beginning days

0:52:23.120 --> 0:52:26.480
<v Speaker 8>like to make the music and stuff, Marley was master

0:52:27.239 --> 0:52:30.920
<v Speaker 8>the way he did. Uh Eric Beef president and all that.

0:52:31.239 --> 0:52:37.560
<v Speaker 8>He's by far the best now as I'm learning from him.

0:52:38.360 --> 0:52:41.480
<v Speaker 8>I got a twelve hundred. I think I was like

0:52:41.560 --> 0:52:43.920
<v Speaker 8>one of the first with a twelve hundred. Twelve hundred

0:52:44.040 --> 0:52:47.400
<v Speaker 8>or twelve twelve hundred. He had a twelve damn okay,

0:52:48.320 --> 0:52:50.800
<v Speaker 8>I got a twelve hundred from the dude from it

0:52:51.320 --> 0:52:55.759
<v Speaker 8>or akai one of right, So he first gave it

0:52:55.800 --> 0:52:57.960
<v Speaker 8>to me. So I came over with Marley ouse and

0:52:58.080 --> 0:53:01.120
<v Speaker 8>Marlly said, well what is that? That's what all sudden

0:53:01.160 --> 0:53:02.880
<v Speaker 8>Marley hold my doing for two weeks. He didn't want

0:53:02.920 --> 0:53:07.279
<v Speaker 8>to give it back, so we did. You know, I

0:53:07.760 --> 0:53:10.880
<v Speaker 8>usually I always look look for the crew records. So

0:53:11.000 --> 0:53:15.040
<v Speaker 8>I looked for kine, I looked for breaks. So what

0:53:15.239 --> 0:53:20.760
<v Speaker 8>I did was I hand Marley the records. He hooked

0:53:20.760 --> 0:53:22.800
<v Speaker 8>it up. I told him I want this, this, that.

0:53:23.320 --> 0:53:26.520
<v Speaker 8>Then after a while I started doing production myself. So

0:53:26.920 --> 0:53:29.880
<v Speaker 8>that's why I on the second album, I just did everything.

0:53:29.960 --> 0:53:34.920
<v Speaker 4>And so how did you separate from Marlee, Like, how

0:53:34.960 --> 0:53:37.239
<v Speaker 4>did you feel about the situation with Marley's stepping the

0:53:37.239 --> 0:53:38.320
<v Speaker 4>way and going to Uptown?

0:53:38.400 --> 0:53:43.239
<v Speaker 8>And no, Uptown was before Uptown was before us. But

0:53:43.360 --> 0:53:46.600
<v Speaker 8>I thought in eighty nine, male Marley just did one

0:53:46.640 --> 0:53:48.520
<v Speaker 8>record on that It wasn't there wasn't a separation.

0:53:48.800 --> 0:53:49.640
<v Speaker 4>Which record did he do?

0:53:49.840 --> 0:53:53.400
<v Speaker 8>The uptowns kicking it and stuff? He always did? He

0:53:53.520 --> 0:53:57.080
<v Speaker 8>always did. He did heavy d he did yeah, but

0:53:57.120 --> 0:53:59.640
<v Speaker 8>he always did random stuff to get you know, extra.

0:53:59.719 --> 0:54:03.359
<v Speaker 4>You know, Marley was Marley, so you know he didn't

0:54:03.360 --> 0:54:06.120
<v Speaker 4>he work on the Diabolical album, the second album.

0:54:06.440 --> 0:54:09.239
<v Speaker 8>I wanted to do my own album? Did he?

0:54:09.360 --> 0:54:10.600
<v Speaker 4>So he did nothing on that record?

0:54:10.719 --> 0:54:13.359
<v Speaker 8>Or I wanted to do my own album? He I mean,

0:54:13.480 --> 0:54:17.200
<v Speaker 8>he flew, he flew. Uh, you got what I did

0:54:17.600 --> 0:54:20.120
<v Speaker 8>vocal to the second thing. But I did everything myself.

0:54:21.040 --> 0:54:21.759
<v Speaker 4>So how did you?

0:54:22.400 --> 0:54:26.880
<v Speaker 8>A COOLVI did too? Okay, So how did you fall into.

0:54:28.560 --> 0:54:31.399
<v Speaker 4>That song? I mean, that song is probably the most

0:54:31.560 --> 0:54:36.719
<v Speaker 4>timeless song. That song will never die probably, you know,

0:54:37.000 --> 0:54:40.719
<v Speaker 4>when all said and done, and you know they're going

0:54:40.800 --> 0:54:43.680
<v Speaker 4>to do the Library of Congress, like five most important

0:54:43.800 --> 0:54:48.359
<v Speaker 4>hip hop songs. I'm certain that just a Friend will

0:54:48.400 --> 0:54:53.640
<v Speaker 4>be at least considered in the top ten, like whatever,

0:54:53.880 --> 0:54:54.520
<v Speaker 4>like the What.

0:54:54.600 --> 0:54:57.239
<v Speaker 8>Happened with that record was I was at a house

0:54:57.360 --> 0:55:01.399
<v Speaker 8>party in eighty two, right, so I'm hearing this dude

0:55:06.560 --> 0:55:13.080
<v Speaker 8>what I'm thinking, it's going, we don't name. So I'm

0:55:13.120 --> 0:55:15.080
<v Speaker 8>here to dude. I blew out that record, I said,

0:55:15.160 --> 0:55:18.520
<v Speaker 8>so I couldn't. The dude left the party and I

0:55:18.640 --> 0:55:21.520
<v Speaker 8>never found the name of the record. So I'm looking

0:55:21.600 --> 0:55:24.879
<v Speaker 8>and looking. I never found the record. So I told

0:55:25.000 --> 0:55:27.360
<v Speaker 8>Coovie and Big Daddy Can. I said, Yo, if I

0:55:27.600 --> 0:55:35.719
<v Speaker 8>find this record, boom boom, we on name, Yo, I'm

0:55:35.760 --> 0:55:46.280
<v Speaker 8>going plattinm we on knee along. So I was hanging

0:55:46.320 --> 0:55:49.560
<v Speaker 8>with Theodore. Theodore door brought me to Danny Dan's house.

0:55:50.360 --> 0:55:53.480
<v Speaker 8>So Danny, I'm you know, Danny cutting breaks, Danny Danny

0:55:53.520 --> 0:55:55.480
<v Speaker 8>beat man, he cutting breaks. All of a sudden, he

0:55:55.560 --> 0:56:00.279
<v Speaker 8>throw that record on boom. I grabbed the phone, yelling

0:56:00.360 --> 0:56:10.400
<v Speaker 8>me and that man again. Yeah right, So I drove

0:56:10.600 --> 0:56:15.240
<v Speaker 8>over to his house. Right, I traded him Barbara Streiss

0:56:15.280 --> 0:56:16.080
<v Speaker 8>saying album.

0:56:16.360 --> 0:56:20.880
<v Speaker 4>Wait wait wait wait wait wait what.

0:56:21.840 --> 0:56:23.600
<v Speaker 8>A birth of all?

0:56:23.680 --> 0:56:25.799
<v Speaker 12>Do you know the album that Barbara Ston got the break?

0:56:28.080 --> 0:56:32.239
<v Speaker 4>I mean, I know she didn't use there's there's no

0:56:32.480 --> 0:56:36.640
<v Speaker 4>she has a cover used me on seventeen b oh damn. Okay,

0:56:37.040 --> 0:56:46.200
<v Speaker 4>remember the song we worked side Beyonce wanted to cover this. Yeah,

0:56:46.320 --> 0:56:51.000
<v Speaker 4>like Beyonce and Barbara streisand we're going to do duet

0:56:51.080 --> 0:56:53.920
<v Speaker 4>with each other of Queen Bee and I produced it.

0:56:54.160 --> 0:56:56.839
<v Speaker 11>But then Real has a song called Queen Bee.

0:56:57.200 --> 0:56:58.080
<v Speaker 8>Yeah, tell me that be.

0:56:58.160 --> 0:56:59.040
<v Speaker 15>There it is?

0:56:59.560 --> 0:57:03.799
<v Speaker 4>Yeah, she she she did like a few funk joints,

0:57:03.960 --> 0:57:05.480
<v Speaker 4>like seventy three seventy four.

0:57:05.360 --> 0:57:07.440
<v Speaker 12>That was from the Stars Born movie, right, so this

0:57:07.520 --> 0:57:08.759
<v Speaker 12>is what this would happen in the movie.

0:57:09.080 --> 0:57:09.279
<v Speaker 4>Yeah.

0:57:09.560 --> 0:57:13.839
<v Speaker 8>So I knew that he didn't know that record, right,

0:57:14.000 --> 0:57:16.000
<v Speaker 8>so I went over there and traded him. So you know,

0:57:16.160 --> 0:57:18.360
<v Speaker 8>somebody he gave it a forty five. It's a dollar

0:57:18.440 --> 0:57:19.040
<v Speaker 8>forty five.

0:57:19.600 --> 0:57:20.480
<v Speaker 4>He getting an album?

0:57:21.200 --> 0:57:26.400
<v Speaker 8>Yeah, but stress hand break. You understand hip hop if

0:57:26.400 --> 0:57:29.880
<v Speaker 8>you don't know something, So it would have been cool

0:57:30.120 --> 0:57:33.560
<v Speaker 8>just to were you using it for the purpose of

0:57:33.600 --> 0:57:36.160
<v Speaker 8>sampling it or you just wanted to have that record.

0:57:36.400 --> 0:57:37.960
<v Speaker 8>I wanted that record. I knew I was gonna make

0:57:37.960 --> 0:57:38.800
<v Speaker 8>a record off it, right.

0:57:38.760 --> 0:57:41.480
<v Speaker 4>So you couldn't just borrow the record or YO made

0:57:41.480 --> 0:57:42.760
<v Speaker 4>me get set copy of that record.

0:57:43.240 --> 0:57:48.640
<v Speaker 8>Not in hip hop trade. I did not know that trade. Okay,

0:57:49.600 --> 0:57:53.280
<v Speaker 8>So here's what happened. So a couple of weeks later, I'm,

0:57:53.320 --> 0:57:55.480
<v Speaker 8>you know, because we started to be friends. So I'm

0:57:55.520 --> 0:58:02.240
<v Speaker 8>hanging with him. So he plays Freddy Scott. I said,

0:58:02.640 --> 0:58:05.320
<v Speaker 8>I like that joint. So he said, yo, man, I

0:58:05.320 --> 0:58:07.600
<v Speaker 8>don't got no more. So I gave him two hundred

0:58:07.640 --> 0:58:11.240
<v Speaker 8>dollars for the forty five what but look but.

0:58:12.720 --> 0:58:15.360
<v Speaker 4>He made it back so loved.

0:58:15.600 --> 0:58:19.200
<v Speaker 8>You gotta understand two hundred dollars at that time, I'm

0:58:19.240 --> 0:58:22.160
<v Speaker 8>making because I just came off tour with vapors and

0:58:22.240 --> 0:58:28.320
<v Speaker 8>all that. So I traded him two hundred dollars. That's

0:58:28.320 --> 0:58:31.880
<v Speaker 8>a lot of money. You think you got over right along?

0:58:31.960 --> 0:58:34.240
<v Speaker 8>So is this Dan Dan? We're talking about Dan.

0:58:34.720 --> 0:58:37.400
<v Speaker 4>So when Dan Dan's watching you on TV raps and

0:58:37.520 --> 0:58:40.920
<v Speaker 4>watching the Heineken commercial.

0:58:41.000 --> 0:58:43.760
<v Speaker 8>Then to beat Man, yeah, is he like, yo, those

0:58:43.800 --> 0:58:44.480
<v Speaker 8>are my record?

0:58:44.640 --> 0:58:45.120
<v Speaker 12>Like right?

0:58:45.200 --> 0:58:47.480
<v Speaker 8>So what happened was I went to my mom's house.

0:58:48.040 --> 0:58:49.920
<v Speaker 8>You know, usually after tour, so you know, you go

0:58:50.040 --> 0:58:53.160
<v Speaker 8>home see your family. So I'm sitting in my old

0:58:53.440 --> 0:58:59.120
<v Speaker 8>bed back in the day joint bunk bed joint. Yeah,

0:59:00.000 --> 0:59:02.200
<v Speaker 8>So I'm sitting in there and I just wrote, I

0:59:02.320 --> 0:59:05.280
<v Speaker 8>wrote uh, just a front in like fifteen minutes. So

0:59:05.680 --> 0:59:07.479
<v Speaker 8>when we went to the studio to do it, because

0:59:07.480 --> 0:59:10.680
<v Speaker 8>we're doing the second album, I tried to match up

0:59:11.680 --> 0:59:16.360
<v Speaker 8>the Lee Dorsey and just throw the uh Freddy Scott

0:59:16.440 --> 0:59:19.960
<v Speaker 8>on top. But since the drum your drummer, you know

0:59:20.040 --> 0:59:22.240
<v Speaker 8>how a drummer plays too fast and to do it

0:59:22.360 --> 0:59:24.280
<v Speaker 8>and it wouldn't match. So we tried to put it

0:59:24.320 --> 0:59:27.840
<v Speaker 8>through the pumasan. If anybody remember a pumasan.

0:59:27.960 --> 0:59:32.440
<v Speaker 11>Me huh, first stumped the room.

0:59:33.040 --> 0:59:35.560
<v Speaker 8>Pumasan is something that you put in and you put

0:59:35.600 --> 0:59:37.280
<v Speaker 8>the records in so it could match, and then.

0:59:37.320 --> 0:59:40.280
<v Speaker 4>Oh, okay, I think something.

0:59:40.400 --> 0:59:42.240
<v Speaker 8>Yeah, I didn't know what it was called. Yes, we

0:59:42.440 --> 0:59:45.400
<v Speaker 8>use it. It wouldn't match. So what I did I

0:59:45.440 --> 0:59:50.680
<v Speaker 8>had to do named Shane Faber and he helped me play.

0:59:51.240 --> 0:59:54.080
<v Speaker 8>He played and we I said no. So I sat

0:59:54.120 --> 0:59:56.800
<v Speaker 8>there for like from twelve to eight until he got

0:59:56.840 --> 0:59:58.760
<v Speaker 8>the right piano sound. You know how you're on a

0:59:59.200 --> 1:00:02.320
<v Speaker 8>keyboard and the right and the piano don't sound right.

1:00:02.680 --> 1:00:05.880
<v Speaker 4>I was just gonna say, because you don't use that

1:00:06.160 --> 1:00:09.840
<v Speaker 4>record in the on just a friend, that's the actual

1:00:09.880 --> 1:00:10.640
<v Speaker 4>piano piano.

1:00:10.800 --> 1:00:12.680
<v Speaker 8>So all of a sudden I'm telling him what to do,

1:00:13.080 --> 1:00:17.960
<v Speaker 8>but he wanted to be jazzy. Don't do what I'm

1:00:18.000 --> 1:00:22.200
<v Speaker 8>telling you what to do. Well, do they know it's up? No, son,

1:00:22.760 --> 1:00:25.720
<v Speaker 8>play it like you hear it? So I'm sitting there,

1:00:25.800 --> 1:00:27.000
<v Speaker 8>well time out to see you.

1:00:27.080 --> 1:00:32.240
<v Speaker 4>That sound familiar? Uh yeah, OK, so you know it's

1:00:33.040 --> 1:00:33.400
<v Speaker 4>the roots.

1:00:33.520 --> 1:00:36.520
<v Speaker 8>Good look he's trying to get. I'm like, no. So

1:00:36.920 --> 1:00:41.360
<v Speaker 8>it's like seven fifty nine in the morning. I feel

1:00:41.480 --> 1:00:47.120
<v Speaker 8>like Gucci bags on them all saiden he found the

1:00:47.280 --> 1:00:49.320
<v Speaker 8>right piano bang.

1:00:49.480 --> 1:00:53.240
<v Speaker 11>Bang boo boom, bang bang bang boom.

1:00:54.200 --> 1:00:56.640
<v Speaker 8>So I did it one pass and then we looped it.

1:00:58.160 --> 1:00:59.000
<v Speaker 8>So I'm sorry.

1:00:59.160 --> 1:01:04.280
<v Speaker 4>So and now the fireside chat, So who are the

1:01:04.400 --> 1:01:05.000
<v Speaker 4>lyrics about?

1:01:05.000 --> 1:01:06.920
<v Speaker 7>Who's the friend? Is that the guy who sold you

1:01:07.000 --> 1:01:08.680
<v Speaker 7>the record? Because he had what you need?

1:01:11.400 --> 1:01:11.840
<v Speaker 8>The video?

1:01:12.920 --> 1:01:14.600
<v Speaker 12>I'm not uncle preaches.

1:01:18.800 --> 1:01:22.160
<v Speaker 4>Now Tip says that Q Tip says that there was

1:01:22.200 --> 1:01:24.840
<v Speaker 4>an original version of Just a Friend Speed.

1:01:25.040 --> 1:01:26.680
<v Speaker 12>There was the q Tip.

1:01:27.200 --> 1:01:29.800
<v Speaker 8>It was q Tip. All of them was doing Buddy,

1:01:29.840 --> 1:01:32.160
<v Speaker 8>and they were doing Buddy before I came into the

1:01:32.200 --> 1:01:34.480
<v Speaker 8>studio and he he he was there.

1:01:34.520 --> 1:01:38.360
<v Speaker 12>When I sung it to them, they bugged out, but.

1:01:38.800 --> 1:01:41.560
<v Speaker 4>They said the girl you must be on speed? Yeah,

1:01:41.600 --> 1:01:44.880
<v Speaker 4>and they were like, yo, like change it and do

1:01:45.040 --> 1:01:49.440
<v Speaker 4>the original. I did the radio okay, okay, it got

1:01:49.480 --> 1:01:50.560
<v Speaker 4>a hair weave, and.

1:01:52.600 --> 1:01:56.000
<v Speaker 8>It is just a wait.

1:01:56.440 --> 1:01:58.919
<v Speaker 4>Before I get to your next record, I gotta ask.

1:01:59.360 --> 1:02:08.520
<v Speaker 4>So your ad libs are probably, I mean, next to

1:02:09.360 --> 1:02:13.680
<v Speaker 4>Lottie Dotty. I don't think I've ever heard sampled a

1:02:13.840 --> 1:02:18.760
<v Speaker 4>more sampled ad lib. Like, what are your general feelings

1:02:19.720 --> 1:02:22.240
<v Speaker 4>when you heard the main ingredient.

1:02:21.960 --> 1:02:26.880
<v Speaker 8>By Pete Rock? But Pete cool anyway, I know?

1:02:27.120 --> 1:02:33.840
<v Speaker 4>But yeah, yeah, like how do you generally feel? I mean,

1:02:34.920 --> 1:02:38.160
<v Speaker 4>are you from the school of okay, Well, rappers can't

1:02:39.520 --> 1:02:42.360
<v Speaker 4>call out or see other rappers for sampling their joints.

1:02:43.680 --> 1:02:45.720
<v Speaker 8>Me and Pete was cool, so I wasn't thinking about that.

1:02:45.960 --> 1:02:53.800
<v Speaker 4>Okay, So now with alone again naturally tell us this story.

1:02:53.920 --> 1:02:57.080
<v Speaker 8>Man, here's what happened with a timeout.

1:02:57.800 --> 1:03:02.200
<v Speaker 9>Bill gives the now Fireside chatting number seventy five with Bismarcky.

1:03:02.600 --> 1:03:04.959
<v Speaker 8>What happened was, I did the record with a loan again.

1:03:06.240 --> 1:03:09.720
<v Speaker 8>We got a verbal agreement from him, but my record

1:03:09.800 --> 1:03:13.480
<v Speaker 8>company tyroneing them. They I guess the people call back

1:03:13.560 --> 1:03:18.080
<v Speaker 8>up and they cursed Gilbo selvnder them out said we're

1:03:18.080 --> 1:03:22.560
<v Speaker 8>gonna use it anyway. Wait, what why would they do that?

1:03:22.960 --> 1:03:24.440
<v Speaker 8>I don't know, because here's what I used to do.

1:03:24.800 --> 1:03:28.360
<v Speaker 8>When it came to samples. I would make, say, say,

1:03:28.360 --> 1:03:33.200
<v Speaker 8>if the record got thirteen songs, I would make thirty

1:03:33.320 --> 1:03:38.800
<v Speaker 8>nine tapes of every record that I use and we'll

1:03:38.920 --> 1:03:45.640
<v Speaker 8>clear them through regions. At the time, it was we

1:03:45.720 --> 1:03:48.280
<v Speaker 8>got a verbal agreement, but they didn't get up. They

1:03:48.360 --> 1:03:50.560
<v Speaker 8>didn't get a what you call him agreement, so they

1:03:50.600 --> 1:03:52.080
<v Speaker 8>put the record out any.

1:03:51.960 --> 1:03:57.600
<v Speaker 4>Suda that's creaty. Wait, you will clear your own set.

1:03:57.480 --> 1:04:00.240
<v Speaker 8>Like I would. I would set it up and then

1:04:00.560 --> 1:04:03.360
<v Speaker 8>the office clears like I would have to record.

1:04:03.920 --> 1:04:07.600
<v Speaker 4>Remember at the time, it was not CDs, it was cassettes, right,

1:04:07.880 --> 1:04:10.920
<v Speaker 4>And I mean just in general, like, why do you

1:04:11.000 --> 1:04:12.280
<v Speaker 4>think they were so resistant to.

1:04:13.360 --> 1:04:17.360
<v Speaker 8>Because tyre on them cursed him out. Man. I mean,

1:04:17.560 --> 1:04:19.760
<v Speaker 8>I don't want to say what they were doing. But

1:04:19.960 --> 1:04:23.760
<v Speaker 8>you know what was fly T?

1:04:23.840 --> 1:04:27.280
<v Speaker 4>I like, because that's you know, I mean he was.

1:04:27.320 --> 1:04:30.480
<v Speaker 4>He was a key figure in the hip hop Patson

1:04:30.600 --> 1:04:32.800
<v Speaker 4>that you don't pantheon, that you just don't.

1:04:33.000 --> 1:04:38.640
<v Speaker 8>Fly Tie was great in the beginning, okay, great manager, great,

1:04:39.080 --> 1:04:41.560
<v Speaker 8>but when the money and stuff came along, that's when

1:04:41.880 --> 1:04:42.160
<v Speaker 8>what was.

1:04:42.200 --> 1:04:44.480
<v Speaker 4>His connection, Like why did y'all choose him? Was he

1:04:44.680 --> 1:04:48.080
<v Speaker 4>Marley's guy or he was Magic's guy? We all came

1:04:48.160 --> 1:04:52.600
<v Speaker 4>through magic and that that that just reminds me of something.

1:04:53.680 --> 1:04:56.520
<v Speaker 4>BDP would routinely shot you, shout you out.

1:04:56.920 --> 1:04:58.000
<v Speaker 8>I was cool with everybody.

1:04:58.080 --> 1:05:01.960
<v Speaker 4>You were like, what's not favorite nations of Switzerland? Yeah?

1:05:02.040 --> 1:05:03.960
<v Speaker 8>Yeah, the Pope?

1:05:04.880 --> 1:05:05.120
<v Speaker 5>Wow?

1:05:05.520 --> 1:05:07.800
<v Speaker 12>So the pope grew up together?

1:05:07.920 --> 1:05:09.440
<v Speaker 8>So so how would.

1:05:11.240 --> 1:05:14.680
<v Speaker 4>How did your crew feel with you being neutral with

1:05:14.840 --> 1:05:18.240
<v Speaker 4>both sides and how do they feel when seeing you?

1:05:18.360 --> 1:05:20.800
<v Speaker 4>And like, yo, we ain't talking about you were just

1:05:20.840 --> 1:05:21.560
<v Speaker 4>talking about magic.

1:05:21.680 --> 1:05:24.160
<v Speaker 8>They wouldn't they wouldn't talk because what happened with the

1:05:24.240 --> 1:05:29.160
<v Speaker 8>magic situation? Care wrest of them had a rec called

1:05:29.240 --> 1:05:34.360
<v Speaker 8>twelve forty one. Success is the word. They came in

1:05:34.560 --> 1:05:37.280
<v Speaker 8>and tried because if you if you get your record

1:05:37.320 --> 1:05:40.120
<v Speaker 8>play on Magic, your record means a lot. At the time,

1:05:40.680 --> 1:05:44.920
<v Speaker 8>he was like the hip hop Frankie Crocker. So they

1:05:45.000 --> 1:05:49.920
<v Speaker 8>came in the studio and they let Christenham let them

1:05:49.960 --> 1:05:55.680
<v Speaker 8>hear the demo of twelve forty one, and the record

1:05:55.760 --> 1:05:58.960
<v Speaker 8>wasn't good, and you know magic in them. You know

1:05:59.120 --> 1:06:02.720
<v Speaker 8>at that time, if anybody know from the eighties, I

1:06:02.840 --> 1:06:05.960
<v Speaker 8>was getting high time you in the studio, and you

1:06:06.040 --> 1:06:09.840
<v Speaker 8>know they laughed them out, so I guess they went.

1:06:10.040 --> 1:06:13.160
<v Speaker 8>They left with the tail between their legs and then

1:06:13.160 --> 1:06:14.520
<v Speaker 8>they went and wrote South.

1:06:14.360 --> 1:06:17.400
<v Speaker 4>Bronx and all that. So the record was I thought

1:06:17.400 --> 1:06:18.000
<v Speaker 4>it was Evans.

1:06:19.040 --> 1:06:21.320
<v Speaker 8>I thought it was success. Success is the word? Can

1:06:21.360 --> 1:06:21.680
<v Speaker 8>we play?

1:06:21.760 --> 1:06:23.520
<v Speaker 4>Have you guys ever heard? I think we played it

1:06:23.600 --> 1:06:24.240
<v Speaker 4>on on the mall.

1:06:24.360 --> 1:06:25.920
<v Speaker 8>Ye we did the wrong It was we did advance.

1:06:26.120 --> 1:06:26.920
<v Speaker 8>Oh we did advance.

1:06:26.920 --> 1:06:30.920
<v Speaker 4>Okay, yeah, because I'm gonna play like three seconds of

1:06:31.320 --> 1:06:40.520
<v Speaker 4>successes the word you can hear what got pre pre beady?

1:06:43.320 --> 1:06:44.560
<v Speaker 8>So there's a pink Foy slamp.

1:06:52.440 --> 1:06:53.400
<v Speaker 12>It's bed nice.

1:06:59.840 --> 1:07:00.280
<v Speaker 8>On start.

1:07:00.360 --> 1:07:03.640
<v Speaker 4>Yeah, this is a great radio movie.

1:07:05.880 --> 1:07:07.080
<v Speaker 11>It's about eighty degrees.

1:07:06.960 --> 1:07:20.560
<v Speaker 4>Outside traffic on the g w B. Wait, Charis Woman's

1:07:20.600 --> 1:07:26.280
<v Speaker 4>on some jazzy Jeffers. Yeah, that's got to take the way.

1:07:30.160 --> 1:07:31.360
<v Speaker 4>I love thy pebbles.

1:07:31.520 --> 1:07:32.000
<v Speaker 8>You're going to.

1:07:32.400 --> 1:07:38.400
<v Speaker 4>Wrap my rapt prier put the mare in the train,

1:07:39.000 --> 1:07:40.800
<v Speaker 4>but my raples. What you want to do?

1:07:41.640 --> 1:07:45.600
<v Speaker 8>Oh my god, Paris too the wow big.

1:07:50.120 --> 1:07:54.080
<v Speaker 4>Now you know more music about the sock mother Soucker.

1:07:54.200 --> 1:07:57.080
<v Speaker 8>Now I'm not felling magic.

1:07:57.120 --> 1:08:00.480
<v Speaker 12>Get them listening to this ski you up and anything.

1:08:07.240 --> 1:08:12.040
<v Speaker 8>I've held all of them there, So listen to that.

1:08:12.480 --> 1:08:15.920
<v Speaker 8>What would you do quest if you was magic in

1:08:16.000 --> 1:08:16.559
<v Speaker 8>them right there?

1:08:17.200 --> 1:08:21.559
<v Speaker 4>Yeah, they got to go come on, Wow, I feel

1:08:21.640 --> 1:08:26.439
<v Speaker 4>like Chris O's But yeah, the state some flowers for

1:08:27.160 --> 1:08:32.000
<v Speaker 4>this of them, because that's what made him. That's crazy.

1:08:32.200 --> 1:08:38.000
<v Speaker 4>I've had this record for ten years and never heard

1:08:38.200 --> 1:08:39.479
<v Speaker 4>this first time I'm listening to it.

1:08:40.000 --> 1:08:40.760
<v Speaker 8>There's a reason for that.

1:08:45.160 --> 1:08:46.479
<v Speaker 4>I can't hear what I said.

1:08:46.560 --> 1:08:49.840
<v Speaker 7>Yeah, I'm on a lot of drug medication right now

1:08:49.920 --> 1:08:51.719
<v Speaker 7>from but did I hear Gilligan's Island?

1:08:53.080 --> 1:08:53.479
<v Speaker 8>Just checking?

1:08:53.520 --> 1:08:57.280
<v Speaker 4>But at that time, everybody was doing routines like the

1:08:57.400 --> 1:09:00.560
<v Speaker 4>Fat Boys enforcing these did it to find effect? Do

1:09:00.640 --> 1:09:03.479
<v Speaker 4>you remember that the Fat Boys meet the Force?

1:09:03.479 --> 1:09:05.200
<v Speaker 8>Someome dan O?

1:09:05.439 --> 1:09:14.840
<v Speaker 4>No, that Shi was a hitting Philly Philly.

1:09:16.479 --> 1:09:19.360
<v Speaker 8>Philly gave me my start. I love Philly Dancing on air.

1:09:19.439 --> 1:09:23.160
<v Speaker 8>But that record wasn't the yo.

1:09:23.400 --> 1:09:28.560
<v Speaker 4>I gotta say, wait, the siety the Garrett episode. I

1:09:28.640 --> 1:09:30.639
<v Speaker 4>said that that Facts of Life episode was the first

1:09:30.640 --> 1:09:34.519
<v Speaker 4>thing I recorded on the VCR Biz Marquee on Dancing

1:09:34.560 --> 1:09:37.240
<v Speaker 4>on the Air where Roxannehante was the second thing I

1:09:37.439 --> 1:09:41.360
<v Speaker 4>recorded im doing the bus dance. Yeah, you were you

1:09:41.479 --> 1:09:48.120
<v Speaker 4>were past going going past your recording career, you've also

1:09:48.360 --> 1:09:52.920
<v Speaker 4>managed to you know, do crazy collaborations throughout your time.

1:09:53.600 --> 1:09:53.760
<v Speaker 8>Yeah.

1:09:53.760 --> 1:09:56.960
<v Speaker 4>I was going to say that you co signing and

1:09:57.080 --> 1:10:02.599
<v Speaker 4>sticking with the Beast Boys, especially when most UH people

1:10:02.680 --> 1:10:06.880
<v Speaker 4>were kind of indifferent to the genius that is Paul's

1:10:06.880 --> 1:10:10.519
<v Speaker 4>boutique and check your head and all that stuff. Yeah,

1:10:10.520 --> 1:10:12.200
<v Speaker 4>I was going to say that you co sign from

1:10:12.400 --> 1:10:15.400
<v Speaker 4>Hart and like that that made a difference to them,

1:10:15.479 --> 1:10:19.640
<v Speaker 4>and they always always always spoke of you in the

1:10:19.720 --> 1:10:21.920
<v Speaker 4>highest regard. When I red tour with them, What was that?

1:10:22.120 --> 1:10:23.400
<v Speaker 4>What was that period like when you.

1:10:23.479 --> 1:10:28.559
<v Speaker 8>Were is what happened? I think they sued rustling them

1:10:28.720 --> 1:10:32.080
<v Speaker 8>and won. And I think it was at a time

1:10:32.120 --> 1:10:34.040
<v Speaker 8>when I guess they were trying to at the time

1:10:34.120 --> 1:10:37.080
<v Speaker 8>people try to black ball people, and at the time

1:10:37.840 --> 1:10:41.360
<v Speaker 8>they I looked at them as brothers. I steal records

1:10:41.360 --> 1:10:44.120
<v Speaker 8>from them. They steal from me and you know, you

1:10:44.200 --> 1:10:49.400
<v Speaker 8>know records. When did you first meet them? I met them?

1:10:51.600 --> 1:10:57.360
<v Speaker 8>Remember D from What's the TV? We went over there,

1:10:57.760 --> 1:11:01.160
<v Speaker 8>went over to the studio. I mean, I knew episode.

1:11:01.200 --> 1:11:03.280
<v Speaker 8>That's the first time you met him? No, I think

1:11:03.280 --> 1:11:05.240
<v Speaker 8>I met him a little bit before, but we wasn't

1:11:05.680 --> 1:11:07.680
<v Speaker 8>hanging okay, you know what I mean. You know you

1:11:07.800 --> 1:11:14.960
<v Speaker 8>meet Yoda, so Bull your tribe, Wow and the BC Boys.

1:11:15.000 --> 1:11:17.600
<v Speaker 8>It was me and the BC Boys versus Bull. He

1:11:17.680 --> 1:11:18.800
<v Speaker 8>was playing basketball right.

1:11:21.560 --> 1:11:25.200
<v Speaker 4>Time out Bill hit it and now another episode of

1:11:25.360 --> 1:11:26.320
<v Speaker 4>what had happened was.

1:11:28.360 --> 1:11:30.240
<v Speaker 8>All right, good, now some.

1:11:30.640 --> 1:11:36.280
<v Speaker 4>Big jiga, the real big.

1:11:36.600 --> 1:11:40.479
<v Speaker 8>So we playing. So we're playing, you know, basketball, I'm

1:11:40.600 --> 1:11:45.439
<v Speaker 8>filing people everything like. So after we got done, we're

1:11:45.479 --> 1:11:49.040
<v Speaker 8>playing the Mark Marky Mark, that was down with him.

1:11:49.320 --> 1:11:55.760
<v Speaker 8>We're playing the piano, so Mark keyboard. It's not just

1:11:55.880 --> 1:11:57.439
<v Speaker 8>like you. It's a whole bunch of people thinking right,

1:11:57.840 --> 1:11:58.920
<v Speaker 8>but you're you're the conduit.

1:11:59.800 --> 1:11:59.920
<v Speaker 11>Right.

1:12:00.160 --> 1:12:04.560
<v Speaker 8>So he played records from when I grew up. So

1:12:04.680 --> 1:12:10.720
<v Speaker 8>he's playing like jab was a fool from And I'm

1:12:10.800 --> 1:12:14.600
<v Speaker 8>singing every single record that they playing, you know what

1:12:14.640 --> 1:12:21.479
<v Speaker 8>I mean, like a Magan wold Man use a yeah

1:12:21.840 --> 1:12:25.040
<v Speaker 8>so la. So I'm singing blah blah blah. All sudden

1:12:25.320 --> 1:12:30.360
<v Speaker 8>he started playing Benny and the Jets Toe to To.

1:12:32.320 --> 1:12:36.160
<v Speaker 8>I started singing it, y'all. We was there for like hours,

1:12:37.600 --> 1:12:41.120
<v Speaker 8>Do it again, do it again? Then they put it out.

1:12:41.880 --> 1:12:42.400
<v Speaker 4>Yeah, I got that.

1:12:42.560 --> 1:12:42.920
<v Speaker 12>I got that.

1:12:43.560 --> 1:12:47.719
<v Speaker 4>That's that would be one of my fire five I purchased.

1:12:50.439 --> 1:12:54.640
<v Speaker 4>I purchased twenty copies of that Grand Royal Whitties magazine

1:12:55.400 --> 1:12:59.080
<v Speaker 4>with your floppy record in it. So and then that's

1:12:59.080 --> 1:13:01.360
<v Speaker 4>why I started okay instead of here.

1:13:02.240 --> 1:13:05.439
<v Speaker 8>So so what happened was, you know, after that, we

1:13:05.600 --> 1:13:08.280
<v Speaker 8>just started just playing with stuff and I would just

1:13:08.360 --> 1:13:10.960
<v Speaker 8>come out there, hang with them, stay with them, and

1:13:11.120 --> 1:13:13.880
<v Speaker 8>we just started doing just magical stuff. Like I would

1:13:13.880 --> 1:13:15.920
<v Speaker 8>be at my house and I heard something because I

1:13:16.000 --> 1:13:17.360
<v Speaker 8>used to like Ted Nugent.

1:13:17.320 --> 1:13:19.120
<v Speaker 4>You know, yeah, I was gonna say, how that tech

1:13:19.200 --> 1:13:21.519
<v Speaker 4>Nugent collaboration happened? Was that separate?

1:13:21.800 --> 1:13:22.360
<v Speaker 12>That was separate?

1:13:22.400 --> 1:13:26.200
<v Speaker 8>I just think Jesus. I called them from the phone, right,

1:13:26.960 --> 1:13:29.320
<v Speaker 8>and I said, Joe, I got something for you. It's

1:13:29.400 --> 1:13:32.000
<v Speaker 8>like y'all getting out of jail or something, right, So

1:13:32.120 --> 1:13:34.160
<v Speaker 8>I got something for you and he said play it.

1:13:34.240 --> 1:13:36.639
<v Speaker 8>So I threw the record on and I said, et

1:13:38.840 --> 1:13:49.160
<v Speaker 8>damn dumb man, y'all. I played that for like eight hours. Yo.

1:13:49.720 --> 1:13:52.240
<v Speaker 8>I said this is for you, Yo, Pichon want to

1:13:52.280 --> 1:13:54.360
<v Speaker 8>give you this, And I said, nah, we come on, man,

1:13:54.400 --> 1:13:56.920
<v Speaker 8>we're cool, come on, don't worry about it. After that,

1:13:57.040 --> 1:14:00.600
<v Speaker 8>we started just doing different things. Do Brad dude do.

1:14:01.000 --> 1:14:02.840
<v Speaker 8>So then they just took me on tour with them.

1:14:03.200 --> 1:14:05.280
<v Speaker 8>So it's like I was like Billy.

1:14:05.120 --> 1:14:09.880
<v Speaker 4>Preston, you were Billy Preston to their fee, so you.

1:14:09.920 --> 1:14:13.040
<v Speaker 8>Know, and then they showed for them. They showed me

1:14:13.320 --> 1:14:17.240
<v Speaker 8>a lot of things. I didn't know how to conduct business,

1:14:17.960 --> 1:14:21.400
<v Speaker 8>how to save for a rainy day, how to whatever,

1:14:21.439 --> 1:14:22.840
<v Speaker 8>you know what I mean. And plus I used to

1:14:22.880 --> 1:14:26.639
<v Speaker 8>take them sneaky shopping. I took them to a store

1:14:26.760 --> 1:14:30.680
<v Speaker 8>and knew had every old school sneaker, but at the

1:14:30.760 --> 1:14:35.120
<v Speaker 8>time it was great closed down and every procads everything

1:14:35.240 --> 1:14:35.880
<v Speaker 8>was that dollar.

1:14:36.479 --> 1:14:41.200
<v Speaker 4>Oh my god, wow, so their fashion shiit comes.

1:14:41.240 --> 1:14:44.719
<v Speaker 8>We backed up, but we backed up a big truck MPV.

1:14:46.200 --> 1:14:47.479
<v Speaker 8>I used to bring them they I used to bring

1:14:47.520 --> 1:14:49.679
<v Speaker 8>them to jew Man. I used to bring them different spots.

1:14:50.280 --> 1:14:51.519
<v Speaker 8>But then they used to bring me stuff.

1:14:51.560 --> 1:14:51.680
<v Speaker 11>You know.

1:14:51.760 --> 1:14:53.040
<v Speaker 8>We used to it was like brotherhood.

1:14:58.080 --> 1:15:00.280
<v Speaker 6>During the coach tilling years, were you actually making money

1:15:00.360 --> 1:15:02.240
<v Speaker 6>off the records like royalties or was it mainly just

1:15:02.280 --> 1:15:02.759
<v Speaker 6>to a bunny.

1:15:03.520 --> 1:15:08.000
<v Speaker 8>I was making money off the records because I was recording,

1:15:08.320 --> 1:15:12.000
<v Speaker 8>and since I used to record in the house, you

1:15:12.120 --> 1:15:15.720
<v Speaker 8>didn't really have to need that much money to use it.

1:15:15.720 --> 1:15:19.200
<v Speaker 8>As a budget like I would get my budget, said

1:15:19.240 --> 1:15:22.760
<v Speaker 8>my budget to be three or five hundred recording the house,

1:15:22.800 --> 1:15:26.320
<v Speaker 8>I just gotta pay my engineer, pay cooov give him.

1:15:27.840 --> 1:15:31.200
<v Speaker 4>Oh in house, I'm thinking of like a label studio.

1:15:31.680 --> 1:15:32.880
<v Speaker 8>It's in my house.

1:15:32.960 --> 1:15:36.479
<v Speaker 4>So so wait, so you recorded a lot of going

1:15:36.600 --> 1:15:38.840
<v Speaker 4>off in home equipment.

1:15:38.520 --> 1:15:41.600
<v Speaker 12>Going off or like a lot of that was on

1:15:41.720 --> 1:15:42.160
<v Speaker 12>four track.

1:15:42.280 --> 1:15:42.880
<v Speaker 8>Marley did that.

1:15:44.280 --> 1:15:48.760
<v Speaker 4>So for Diabolical every house I was about to say,

1:15:48.920 --> 1:15:54.439
<v Speaker 4>Monthfoot's vocal sounds like you were in a bathroom or nah.

1:15:54.640 --> 1:15:57.920
<v Speaker 4>I could tell like natural but natural reverb sound versus

1:15:58.240 --> 1:16:01.880
<v Speaker 4>process reverb sound. Did you record muffoot in the house?

1:16:02.360 --> 1:16:03.240
<v Speaker 4>What room your kitchen?

1:16:03.479 --> 1:16:06.120
<v Speaker 8>No? Downstairs, the basement? I need a haircut. That was

1:16:06.120 --> 1:16:08.880
<v Speaker 8>at the house too. That was grip Wow, all that

1:16:09.000 --> 1:16:10.080
<v Speaker 8>was done at Coovie's house.

1:16:11.840 --> 1:16:13.519
<v Speaker 4>Biz And who was this engineer?

1:16:14.040 --> 1:16:21.000
<v Speaker 8>Sorry? Doc? But at first at first we had we

1:16:21.120 --> 1:16:25.720
<v Speaker 8>had Shane, but then we went to Paul C. I

1:16:25.840 --> 1:16:27.560
<v Speaker 8>think Paul C.

1:16:27.800 --> 1:16:28.920
<v Speaker 4>Give me Paul C stories.

1:16:29.400 --> 1:16:34.439
<v Speaker 8>Paul C was one of the greatest engineers. You know

1:16:34.479 --> 1:16:40.360
<v Speaker 8>how you're a drama No, let's listen. Yes, but the

1:16:40.479 --> 1:16:42.719
<v Speaker 8>thing is, you know how you listen to He didn't

1:16:42.800 --> 1:16:45.360
<v Speaker 8>listen to the pads. He would do it on the

1:16:45.960 --> 1:16:49.040
<v Speaker 8>numbers and then hit the button and the record to

1:16:49.120 --> 1:16:54.000
<v Speaker 8>be done. Really, he was at the best.

1:16:54.120 --> 1:16:55.760
<v Speaker 4>I didn't even think you worked with I was gonna

1:16:55.760 --> 1:16:57.760
<v Speaker 4>ask you, did you know Paul C? I skipped I

1:16:57.840 --> 1:16:59.800
<v Speaker 4>skipped Latin Cord of Stories and.

1:17:04.760 --> 1:17:10.040
<v Speaker 8>You look no engineered, Kim. I traded Paul C.

1:17:10.640 --> 1:17:14.160
<v Speaker 4>He he worked on your records, Yeah, my second album.

1:17:14.360 --> 1:17:22.400
<v Speaker 8>I did not know that, he he he. I traded

1:17:22.439 --> 1:17:28.799
<v Speaker 8>him Coolest Back Albums sealed.

1:17:29.760 --> 1:17:34.240
<v Speaker 4>There's a funk in corporated sealed copy of Coolest Back

1:17:34.880 --> 1:17:36.240
<v Speaker 4>that's not reissued from.

1:17:36.560 --> 1:17:41.120
<v Speaker 8>Real damn that whenever we if I come, I'll bring

1:17:41.200 --> 1:17:42.000
<v Speaker 8>you one. I'll give you one.

1:17:42.880 --> 1:17:44.840
<v Speaker 4>Okay, So I get that and what else?

1:17:45.479 --> 1:17:45.800
<v Speaker 8>Keep going?

1:17:46.360 --> 1:17:48.120
<v Speaker 12>Let's so I traded him.

1:17:48.160 --> 1:17:51.000
<v Speaker 8>I traded him Coolest Back Albums, right, and he traded

1:17:51.040 --> 1:17:53.559
<v Speaker 8>me Hercules right? Okay?

1:17:53.680 --> 1:18:00.160
<v Speaker 4>Hercules Aaron Nevil's just translation. Steve paul C was the

1:18:00.439 --> 1:18:06.840
<v Speaker 4>U of the mid eighties to late eighties, but the

1:18:07.240 --> 1:18:09.840
<v Speaker 4>cool white engineer that hung around a lot of black dudes.

1:18:09.880 --> 1:18:11.080
<v Speaker 8>Nobody was better than him.

1:18:11.120 --> 1:18:14.240
<v Speaker 7>On a twelve hundred that that collected, he sounds more

1:18:14.320 --> 1:18:14.920
<v Speaker 7>talented than me.

1:18:15.000 --> 1:18:18.920
<v Speaker 8>Actually, there's to be nobody better than him. Rest the

1:18:19.000 --> 1:18:21.400
<v Speaker 8>Beech he was nobody bad. I mean.

1:18:22.880 --> 1:18:25.880
<v Speaker 4>Company passed away. When did he pass away? He passed

1:18:25.960 --> 1:18:27.879
<v Speaker 4>away because I know he's on the back.

1:18:27.720 --> 1:18:30.120
<v Speaker 8>Of what the rhythm hit him. I think that's why

1:18:30.840 --> 1:18:33.200
<v Speaker 8>rest r ip he. I think he passed away in

1:18:33.280 --> 1:18:35.479
<v Speaker 8>eighty nine. I think I was the last one he

1:18:35.680 --> 1:18:39.760
<v Speaker 8>was recording with. Something happened. I mean, I tell you.

1:18:39.800 --> 1:18:42.479
<v Speaker 4>Off, Oh, it's like some be I thought it was like,

1:18:42.560 --> 1:18:44.080
<v Speaker 4>you know what, he didn't have no beef.

1:18:44.720 --> 1:18:47.960
<v Speaker 8>It was just the point of people could looking for somebody.

1:18:48.560 --> 1:18:54.960
<v Speaker 4>Oh, man, ship one place a long time. We work

1:18:55.000 --> 1:19:03.200
<v Speaker 4>at thirty Rock. We're saying safe man, I did not

1:19:03.320 --> 1:19:05.120
<v Speaker 4>know you worked with the great Paul cy.

1:19:06.680 --> 1:19:06.920
<v Speaker 8>Damn.

1:19:07.320 --> 1:19:10.680
<v Speaker 4>So he was just like what was it about his

1:19:10.880 --> 1:19:15.000
<v Speaker 4>production technique? Was the fact that he's shop stuff.

1:19:14.960 --> 1:19:18.599
<v Speaker 8>Put his way. You know how. I think we played

1:19:19.000 --> 1:19:22.200
<v Speaker 8>at the House of Blues. Remember I was I was

1:19:22.240 --> 1:19:24.760
<v Speaker 8>sick at the time we played the house. I lost

1:19:24.760 --> 1:19:28.040
<v Speaker 8>my voice. You remember when you did Mardi Gras. Yeah,

1:19:29.680 --> 1:19:32.559
<v Speaker 8>you know how you have the funk? He just had

1:19:32.680 --> 1:19:36.960
<v Speaker 8>that funk. Was he a musician? He was something?

1:19:38.000 --> 1:19:40.040
<v Speaker 12>He was everything son, he was everything.

1:19:41.040 --> 1:19:45.000
<v Speaker 8>So how you do see Paul see you see laws professor,

1:19:45.360 --> 1:19:52.600
<v Speaker 8>Professor Policy Production. That's with Paul mcs paulsy mccasty.

1:19:53.320 --> 1:19:56.800
<v Speaker 4>Incredible son dous he got any other stories like I

1:19:57.080 --> 1:19:58.000
<v Speaker 4>feel like there's.

1:19:58.280 --> 1:19:59.760
<v Speaker 8>Go ahead to ask whatever you want.

1:20:00.320 --> 1:20:04.200
<v Speaker 9>And now tails from the Latin Quarter. We have been

1:20:04.280 --> 1:20:06.559
<v Speaker 9>in the Latin Quarter that everybody comes on the show

1:20:06.600 --> 1:20:09.240
<v Speaker 9>delivers a Latin Quarter story. You might as well, bis

1:20:10.280 --> 1:20:11.200
<v Speaker 9>what's your best one.

1:20:12.439 --> 1:20:18.200
<v Speaker 8>Best one Latin Quarter k r rest Battle of Melle mel.

1:20:19.240 --> 1:20:25.439
<v Speaker 4>Everyone has yeah, from like five different someone talked about people. No, no, no, no,

1:20:25.520 --> 1:20:25.760
<v Speaker 4>no no.

1:20:26.360 --> 1:20:30.920
<v Speaker 8>My best story is cash money coming to Latin Quarter

1:20:31.640 --> 1:20:35.599
<v Speaker 8>and and killing it here. I'm gonna tell you what happened.

1:20:36.360 --> 1:20:40.680
<v Speaker 8>Paradise has this Paradise has this Phelas suit on. He

1:20:40.800 --> 1:20:46.360
<v Speaker 8>had I think he wore like seventeen consecutive weeks, and

1:20:46.479 --> 1:20:49.720
<v Speaker 8>he had a big ass silver rope right you know

1:20:50.120 --> 1:20:52.400
<v Speaker 8>when you win. So they got a big ass silver

1:20:52.520 --> 1:20:56.559
<v Speaker 8>rope right to check it out. So he said, Yo,

1:20:56.680 --> 1:20:59.639
<v Speaker 8>this guy says he's just he's better than Jazzy Jeff

1:20:59.720 --> 1:21:02.880
<v Speaker 8>and blah blah blah blah blah. Here is cash money.

1:21:03.160 --> 1:21:05.720
<v Speaker 8>He set up that you set him up like a

1:21:06.280 --> 1:21:07.040
<v Speaker 8>five heart beat.

1:21:07.280 --> 1:21:12.360
<v Speaker 4>Heart beat and they better than their temptations put together.

1:21:12.560 --> 1:21:15.200
<v Speaker 4>But thegether, we should see the right.

1:21:15.920 --> 1:21:21.400
<v Speaker 8>So so they bowing, they bowing. They cast money at first, No,

1:21:22.000 --> 1:21:28.599
<v Speaker 8>this cast money by himself? What so cast started? What uh?

1:21:28.840 --> 1:21:30.320
<v Speaker 12>And with a piece of president.

1:21:32.920 --> 1:21:35.000
<v Speaker 4>He started doing top billing.

1:21:35.520 --> 1:21:39.639
<v Speaker 8>What just too? I'm looking like So after a while

1:21:40.280 --> 1:21:43.760
<v Speaker 8>I already knew cash money because hanging Philly, Yo, he

1:21:43.920 --> 1:21:47.840
<v Speaker 8>burnt it down so bad everybody wanted to hang with him.

1:21:50.520 --> 1:21:53.200
<v Speaker 8>He was like that kid on the block that the

1:21:53.320 --> 1:21:57.320
<v Speaker 8>only kid that had HBO or atari And you'll be

1:21:57.400 --> 1:22:00.240
<v Speaker 8>asking your mother, did you stay over there? And I

1:22:00.400 --> 1:22:04.760
<v Speaker 8>go with you? I go with Derek House and he

1:22:04.880 --> 1:22:06.719
<v Speaker 8>burned it down. That was That was one of my best.

1:22:06.880 --> 1:22:12.360
<v Speaker 8>And another another story was when when people used to

1:22:12.360 --> 1:22:18.280
<v Speaker 8>get robbed. Okay, what what?

1:22:18.600 --> 1:22:18.640
<v Speaker 6>What?

1:22:18.960 --> 1:22:20.040
<v Speaker 8>What is your uh?

1:22:20.960 --> 1:22:25.800
<v Speaker 4>Haitian Jack story? Jack was cool with me, but I

1:22:25.960 --> 1:22:29.040
<v Speaker 4>hear that the folk lord for those who don't know,

1:22:29.120 --> 1:22:31.080
<v Speaker 4>I hear that Haitian Jack was the guy that has

1:22:31.160 --> 1:22:36.360
<v Speaker 4>the most collections of hip hop gold chains.

1:22:37.040 --> 1:22:40.120
<v Speaker 8>And it's a lot of them like that you have Jack, But.

1:22:40.160 --> 1:22:43.400
<v Speaker 4>I heard Jack has like you know, he has rock

1:22:43.479 --> 1:22:46.240
<v Speaker 4>kmsty and it's slick Rick. And I heard that he

1:22:46.360 --> 1:22:50.920
<v Speaker 4>had about to say that, Okay, he was rick.

1:22:51.439 --> 1:22:52.080
<v Speaker 12>Rick or bust you.

1:22:53.200 --> 1:22:56.799
<v Speaker 8>We know this. I was there when that shootout happened

1:22:57.320 --> 1:23:02.360
<v Speaker 8>in the Bronx at the Castle. Hit me world is bomb.

1:23:04.600 --> 1:23:06.559
<v Speaker 4>And you got wait what happened?

1:23:06.720 --> 1:23:10.560
<v Speaker 8>Here's what happened. They were outside of the Castle. I

1:23:10.640 --> 1:23:12.599
<v Speaker 8>think he had an argument with what's the castle?

1:23:13.000 --> 1:23:13.559
<v Speaker 4>The Castle?

1:23:13.840 --> 1:23:15.920
<v Speaker 8>You know, the Castle was a club in the Bronx,

1:23:17.320 --> 1:23:19.840
<v Speaker 8>and I think he was with some guys and I

1:23:19.880 --> 1:23:21.759
<v Speaker 8>don't know if they were trying to rob him or whatever,

1:23:22.240 --> 1:23:28.479
<v Speaker 8>but they were just shooting across from car to car.

1:23:30.720 --> 1:23:34.200
<v Speaker 4>So wait, you're in this era and you know you

1:23:34.400 --> 1:23:36.679
<v Speaker 4>just castle him into the gum like at no point

1:23:37.040 --> 1:23:39.519
<v Speaker 4>is it just with you? Is it like they haven't

1:23:39.520 --> 1:23:40.600
<v Speaker 4>a shootout or.

1:23:40.680 --> 1:23:41.200
<v Speaker 8>Is just like.

1:23:49.000 --> 1:23:51.600
<v Speaker 4>Actually, to be honest with you, viz when you on

1:23:51.720 --> 1:23:53.759
<v Speaker 4>the show, I actually came up with the sound effect

1:23:53.800 --> 1:23:55.320
<v Speaker 4>just for you or.

1:23:58.200 --> 1:24:02.400
<v Speaker 12>The yo what they were busting?

1:24:02.560 --> 1:24:08.240
<v Speaker 8>Like my man Ralphie got shot in his eye like

1:24:08.479 --> 1:24:11.800
<v Speaker 8>this now on damn.

1:24:13.200 --> 1:24:13.400
<v Speaker 4>Wow.

1:24:14.680 --> 1:24:16.120
<v Speaker 8>They had a lot of They had a lot of

1:24:16.240 --> 1:24:18.400
<v Speaker 8>They had a lot of good fights that in quarters though.

1:24:19.360 --> 1:24:22.840
<v Speaker 8>You they had this dude coming from Connecticut. He was muscle,

1:24:23.720 --> 1:24:28.479
<v Speaker 8>had a tank, he's gonna start talking dancing with dudes

1:24:28.520 --> 1:24:32.400
<v Speaker 8>from Brooklyn Girls and everything. He's not worried all sudden

1:24:32.479 --> 1:24:48.680
<v Speaker 8>that record came on. They got on him like they

1:24:48.800 --> 1:24:52.840
<v Speaker 8>got him, like Bee, I wonder how much money could

1:24:52.840 --> 1:24:57.760
<v Speaker 8>you get? One of the probably got you saying that

1:24:58.640 --> 1:25:03.840
<v Speaker 8>whenever what comes on you, it was time to keep

1:25:03.880 --> 1:25:12.240
<v Speaker 8>by uh uh Funky by Ultimate net Wow really sets

1:25:12.360 --> 1:25:12.720
<v Speaker 8>them three.

1:25:15.400 --> 1:25:16.559
<v Speaker 7>So you just knew.

1:25:16.439 --> 1:25:19.800
<v Speaker 4>Instantly that when those records come on, like somebody Jane

1:25:21.960 --> 1:25:23.000
<v Speaker 4>trying to get you for your Jane.

1:25:23.080 --> 1:25:24.320
<v Speaker 8>No, I stang with them.

1:25:24.960 --> 1:25:25.800
<v Speaker 12>I used to get them in.

1:25:27.760 --> 1:25:30.439
<v Speaker 8>So your approach was befriend them or but I was

1:25:30.520 --> 1:25:34.280
<v Speaker 8>friends with them before records. So yeah, so I'm you know,

1:25:34.320 --> 1:25:36.439
<v Speaker 8>I'm with them. I used to borrow money off them

1:25:36.520 --> 1:25:40.320
<v Speaker 8>from stuff like the real fifty cent, the real fifty cent,

1:25:41.240 --> 1:25:45.000
<v Speaker 8>the real fifty cent from Brooklyn. She stick up am

1:25:45.040 --> 1:25:48.640
<v Speaker 8>the car in the daytime and all that. I mean,

1:25:48.800 --> 1:25:52.000
<v Speaker 8>And you weren't afraid of if we friends. I mean,

1:25:52.040 --> 1:25:56.920
<v Speaker 8>you got people around your way that's gangster friends. You

1:25:56.960 --> 1:25:58.439
<v Speaker 8>don't have people that's gangster that you.

1:25:59.400 --> 1:26:05.280
<v Speaker 4>Yes, I put it on the show. Yeah I'm talking

1:26:05.320 --> 1:26:06.640
<v Speaker 4>about these are real gangs. I know.

1:26:08.240 --> 1:26:08.800
<v Speaker 8>It's just my.

1:26:11.680 --> 1:26:16.960
<v Speaker 12>People what they toes out with timberlands and stuff on.

1:26:18.720 --> 1:26:22.919
<v Speaker 8>This was real gangsters, supreme, All of them was real gangsters.

1:26:25.200 --> 1:26:29.080
<v Speaker 4>So wait, can I ask how many uh uh Dapper

1:26:29.160 --> 1:26:33.320
<v Speaker 4>Dan outfits do you have? And what was the copying

1:26:33.520 --> 1:26:36.400
<v Speaker 4>adopt a Dapper Dan outfit? How long would it take

1:26:36.520 --> 1:26:40.200
<v Speaker 4>from measuring to here's your outfit?

1:26:40.360 --> 1:26:44.639
<v Speaker 8>Well, I used to hang with that, so about half

1:26:46.320 --> 1:26:50.600
<v Speaker 8>half a year, half half a half hour? Wait? What what?

1:26:53.240 --> 1:26:55.320
<v Speaker 12>I'm sorry, I gotta bring them. I gotta bring them.

1:26:55.320 --> 1:26:56.200
<v Speaker 4>I can call them right now.

1:26:56.560 --> 1:26:57.599
<v Speaker 8>No I haven't. Haven't.

1:26:57.680 --> 1:26:59.000
<v Speaker 4>I have a dapper damn jacket.

1:26:59.040 --> 1:27:02.120
<v Speaker 8>He made me one. But but it takes a half hour.

1:27:02.160 --> 1:27:03.800
<v Speaker 8>I'm thinking you said measurements?

1:27:04.360 --> 1:27:05.960
<v Speaker 16>No, but like how long would it take from like

1:27:06.840 --> 1:27:10.040
<v Speaker 16>how long would it take from to make it to Wow?

1:27:10.280 --> 1:27:14.519
<v Speaker 4>Because even googling you, you have some ill dapper Dan stuff.

1:27:14.560 --> 1:27:16.679
<v Speaker 4>I've never seen nobody you know got.

1:27:18.280 --> 1:27:20.439
<v Speaker 8>Up. I used to sit out there. I was out

1:27:20.479 --> 1:27:24.360
<v Speaker 8>there when Mitch Green got punched by Mike Mitch Blood.

1:27:25.720 --> 1:27:28.320
<v Speaker 12>I was sitting right there with my what dapping them?

1:27:29.160 --> 1:27:31.160
<v Speaker 8>You were there when sending what It was.

1:27:31.200 --> 1:27:32.080
<v Speaker 12>Early in the morning.

1:27:32.360 --> 1:27:40.360
<v Speaker 4>Bow, So Michigan fores out there? You know, I know

1:27:40.400 --> 1:27:43.680
<v Speaker 4>who is you know who's dapper damn like.

1:27:45.160 --> 1:27:47.320
<v Speaker 11>Exactly design all the outfits with the m c M,

1:27:47.400 --> 1:27:51.679
<v Speaker 11>the findy and ain't know about for everybody.

1:27:52.080 --> 1:27:55.040
<v Speaker 8>You do me pajamas and everything I've seen.

1:27:56.400 --> 1:28:00.200
<v Speaker 4>I feel like you have more crazier dapper dance up.

1:28:00.240 --> 1:28:02.759
<v Speaker 4>And where is that stuff now? Is it in the storage?

1:28:03.520 --> 1:28:05.320
<v Speaker 4>It's next to that beat machine that you can't see.

1:28:06.880 --> 1:28:11.240
<v Speaker 4>Where do you keep your Where do you keep your artifacts?

1:28:11.600 --> 1:28:13.080
<v Speaker 4>Who preserves your artifacts?

1:28:13.680 --> 1:28:15.280
<v Speaker 8>I play with them most of the time.

1:28:16.439 --> 1:28:18.280
<v Speaker 4>Oh so you actually collect your artifacts?

1:28:18.520 --> 1:28:23.599
<v Speaker 8>I touched my joints and all my Johnny Lightning cars,

1:28:23.720 --> 1:28:25.160
<v Speaker 8>my AFX everything.

1:28:25.240 --> 1:28:27.040
<v Speaker 11>But does that in a different place than the throwbacks

1:28:27.080 --> 1:28:28.920
<v Speaker 11>because you got different collections of different things.

1:28:28.920 --> 1:28:31.120
<v Speaker 8>Because I got my house next to me and then

1:28:31.160 --> 1:28:35.240
<v Speaker 8>I got my house. This is Marylands? When did you

1:28:35.280 --> 1:28:37.679
<v Speaker 8>move to Maryland ninety four?

1:28:39.760 --> 1:28:39.920
<v Speaker 4>Wait?

1:28:40.000 --> 1:28:41.240
<v Speaker 8>What part of not Baltimore?

1:28:41.479 --> 1:28:41.519
<v Speaker 10>No?

1:28:41.800 --> 1:28:42.240
<v Speaker 8>Hell no?

1:28:43.240 --> 1:28:44.360
<v Speaker 12>I mean I love Baltimore.

1:28:44.479 --> 1:28:48.519
<v Speaker 8>But boye okay, I have a question, biz.

1:28:49.280 --> 1:28:52.080
<v Speaker 4>It's a little off topic, but every topic.

1:28:52.840 --> 1:28:56.840
<v Speaker 7>What's what's your favorite record store in New York or

1:28:57.120 --> 1:28:59.160
<v Speaker 7>and and also like what's your favorite record store in

1:28:59.240 --> 1:28:59.559
<v Speaker 7>the world.

1:29:01.200 --> 1:29:03.799
<v Speaker 8>There's like a couple they used to have a store

1:29:03.880 --> 1:29:06.080
<v Speaker 8>in Phoenix called Prickly Pair.

1:29:07.520 --> 1:29:12.840
<v Speaker 4>Okay, and they had a one record Finders in La.

1:29:14.479 --> 1:29:17.559
<v Speaker 4>Do you on latch mount for the amount of records

1:29:17.640 --> 1:29:21.960
<v Speaker 4>you own? Is it now just to the point where

1:29:22.000 --> 1:29:23.479
<v Speaker 4>it's like I own them?

1:29:24.520 --> 1:29:24.920
<v Speaker 8>Or for you?

1:29:25.400 --> 1:29:28.360
<v Speaker 4>Is it like, yo, I'm gonna make some of the

1:29:28.439 --> 1:29:29.519
<v Speaker 4>funkiest records ever.

1:29:29.920 --> 1:29:30.320
<v Speaker 8>Or is it.

1:29:31.800 --> 1:29:33.040
<v Speaker 4>Trade off to something else?

1:29:33.439 --> 1:29:33.840
<v Speaker 8>Or is it.

1:29:35.360 --> 1:29:39.560
<v Speaker 4>You just want to live and listen to It's like you, like,

1:29:39.680 --> 1:29:42.120
<v Speaker 4>do you utilize the stuff you collect?

1:29:42.200 --> 1:29:42.360
<v Speaker 8>Now?

1:29:42.720 --> 1:29:47.080
<v Speaker 4>I'll admit maybe in the past ten years I've just

1:29:47.200 --> 1:29:51.120
<v Speaker 4>been collecting and collecting and hoarding without even It's to

1:29:51.200 --> 1:29:52.839
<v Speaker 4>the point now where I won't even open.

1:29:52.720 --> 1:29:56.640
<v Speaker 8>The boxes that get shipped to my spots because I

1:29:56.760 --> 1:30:00.200
<v Speaker 8>look through some stuff to make sure they're in there. Now,

1:30:00.320 --> 1:30:03.080
<v Speaker 8>you might buy something and it's from across seas and

1:30:03.120 --> 1:30:04.719
<v Speaker 8>you get it and it might be a brick in there.

1:30:07.160 --> 1:30:11.040
<v Speaker 12>To make sure things is in there. So Iday with

1:30:11.120 --> 1:30:12.639
<v Speaker 12>my forty five, So you know what I mean?

1:30:13.160 --> 1:30:17.880
<v Speaker 7>So are you are you more infatuated with the record

1:30:18.080 --> 1:30:19.559
<v Speaker 7>or the music that's on the record?

1:30:19.720 --> 1:30:20.280
<v Speaker 8>You know what I mean?

1:30:20.439 --> 1:30:23.280
<v Speaker 7>Like, as do you collect the records because of your

1:30:23.320 --> 1:30:25.840
<v Speaker 7>love for all the you know, the artwork and this

1:30:25.960 --> 1:30:27.439
<v Speaker 7>that and the other thing, or the music that's on.

1:30:27.479 --> 1:30:28.320
<v Speaker 4>It, the sound.

1:30:29.760 --> 1:30:31.760
<v Speaker 8>You know, if you buy an album that you've never seen,

1:30:31.880 --> 1:30:33.839
<v Speaker 8>like you got white Orange?

1:30:36.880 --> 1:30:41.080
<v Speaker 4>No, what's white orange album? Look it up? Loving this ship?

1:30:42.200 --> 1:30:42.680
<v Speaker 8>Look it up?

1:30:43.040 --> 1:30:45.880
<v Speaker 4>I just I mean, I could have told you from

1:30:45.920 --> 1:30:49.360
<v Speaker 4>the gatelight Hea that he will name like twenty things

1:30:49.479 --> 1:30:51.120
<v Speaker 4>that I will automatically have it.

1:30:51.880 --> 1:30:53.760
<v Speaker 8>No to look look it up right now?

1:30:53.840 --> 1:30:54.519
<v Speaker 12>You know, I'm not mad.

1:30:54.840 --> 1:30:57.479
<v Speaker 8>It should be an album sweets jes fusing group. Yeah,

1:30:57.520 --> 1:30:59.559
<v Speaker 8>it should be a it should be a white orange

1:30:59.640 --> 1:31:00.519
<v Speaker 8>on it. What is it?

1:31:00.640 --> 1:31:02.080
<v Speaker 11>The sweetest jazz fusion group?

1:31:03.000 --> 1:31:04.680
<v Speaker 4>Maybe let me see the coming let me see the

1:31:04.880 --> 1:31:05.439
<v Speaker 4>white orange.

1:31:08.120 --> 1:31:12.240
<v Speaker 8>It's a white orange, yeah I do. I've never seen that. Shit?

1:31:12.280 --> 1:31:15.960
<v Speaker 8>What year is that? From? Nineteen eighty? All right? So

1:31:16.080 --> 1:31:18.760
<v Speaker 8>what about it? I just like the way they play

1:31:18.840 --> 1:31:22.120
<v Speaker 8>on it. They play different than anybody else. The sounds

1:31:22.280 --> 1:31:22.960
<v Speaker 8>is incredible.

1:31:23.360 --> 1:31:24.960
<v Speaker 4>Hook me up, biz, I got you.

1:31:25.840 --> 1:31:29.280
<v Speaker 8>I'm giving you, I'm dropping jewels, I'm giving you names.

1:31:32.640 --> 1:31:33.800
<v Speaker 8>I didn't never know what that is.

1:31:34.120 --> 1:31:36.120
<v Speaker 11>So at this point, you got every record that you want, though, right?

1:31:36.240 --> 1:31:38.559
<v Speaker 8>Is it one? Right now? I mean, you can never

1:31:38.680 --> 1:31:41.880
<v Speaker 8>have every record you want, but I'm close. I'm like

1:31:42.000 --> 1:31:45.599
<v Speaker 8>ninety nine point nine. What are you? What you're looking

1:31:45.680 --> 1:31:49.080
<v Speaker 8>for that you do not have? Like? What do you?

1:31:49.240 --> 1:31:55.800
<v Speaker 8>What's your holy grail? I gotta get this record. It's

1:31:55.840 --> 1:32:02.000
<v Speaker 8>a forty five. It's the Sony Walkman commercial on forty five?

1:32:02.920 --> 1:32:04.080
<v Speaker 4>What I got one?

1:32:04.400 --> 1:32:05.519
<v Speaker 8>I'm just looking for another one.

1:32:07.080 --> 1:32:09.680
<v Speaker 4>You notice this is probably the episode of Question of

1:32:09.880 --> 1:32:12.600
<v Speaker 4>Suprea that I've done the least sound effects on. It

1:32:12.760 --> 1:32:16.400
<v Speaker 4>just stumps even me to even what are you looking for?

1:32:17.640 --> 1:32:19.519
<v Speaker 4>I don't know what I'm looking for? You know what, Biz,

1:32:19.720 --> 1:32:24.800
<v Speaker 4>I'd be honest with you. I think I'm satisfied you guys.

1:32:25.000 --> 1:32:27.960
<v Speaker 4>You guys are slowly trying to lure me into this

1:32:28.160 --> 1:32:35.040
<v Speaker 4>forty five hole that I get. I think I understand it.

1:32:36.960 --> 1:32:39.080
<v Speaker 4>But if I'm honest, I think I'm trying to resist it.

1:32:39.960 --> 1:32:41.479
<v Speaker 4>What's your name? Is trying to pull me into it?

1:32:42.160 --> 1:32:42.639
<v Speaker 8>Natasha?

1:32:43.120 --> 1:32:47.639
<v Speaker 4>Yeah, Natasha Diggs is really trying to lure me into

1:32:47.840 --> 1:32:53.080
<v Speaker 4>this forty five uh sunk in place that I don't

1:32:53.120 --> 1:32:55.200
<v Speaker 4>know if I Because the thing is that when I

1:32:55.439 --> 1:33:00.599
<v Speaker 4>when I commit to when I when I commit to collecting,

1:33:01.240 --> 1:33:04.800
<v Speaker 4>I go super hard on it. And I think I'm

1:33:04.800 --> 1:33:07.680
<v Speaker 4>at the place now where I'm like, I'm satisfied. But

1:33:07.920 --> 1:33:10.240
<v Speaker 4>but but but the thing is now I do I

1:33:10.360 --> 1:33:12.519
<v Speaker 4>do multi tracks? Multi tracks?

1:33:13.360 --> 1:33:13.920
<v Speaker 8>We all did.

1:33:13.960 --> 1:33:20.360
<v Speaker 4>Remember, That's why I'm going to talk to you this over.

1:33:24.200 --> 1:33:25.800
<v Speaker 12>I just want to mixes. I don't care about all

1:33:25.880 --> 1:33:26.400
<v Speaker 12>those stuff.

1:33:26.840 --> 1:33:28.600
<v Speaker 4>Look, I'm just saying, what are you.

1:33:28.600 --> 1:33:30.200
<v Speaker 11>Trying to get? Is the trade going on?

1:33:30.520 --> 1:33:32.439
<v Speaker 4>We don't know about you?

1:33:32.800 --> 1:33:35.160
<v Speaker 8>Come on, we always The thing is, ever since I

1:33:35.400 --> 1:33:37.800
<v Speaker 8>known quest, we always talked about this. Here's the thing.

1:33:38.840 --> 1:33:43.719
<v Speaker 4>Here's the thing. What one item can you talk about

1:33:43.880 --> 1:33:46.400
<v Speaker 4>that you know that you're not allowed to talk about

1:33:46.520 --> 1:33:47.160
<v Speaker 4>as far as.

1:33:47.120 --> 1:33:55.360
<v Speaker 8>You owning something? I mean, I see that's the thing. You.

1:33:56.240 --> 1:33:59.960
<v Speaker 4>I feel like there's basic level, basic pedestrian level collecting

1:34:00.439 --> 1:34:04.040
<v Speaker 4>like Funky Jummer forty five or some real super obvious.

1:34:05.000 --> 1:34:06.440
<v Speaker 8>Then there's.

1:34:08.520 --> 1:34:09.679
<v Speaker 12>Multi drives you told about record.

1:34:09.680 --> 1:34:12.360
<v Speaker 4>No, No, I'm just saying in general, like people have

1:34:12.960 --> 1:34:16.680
<v Speaker 4>general pedestrian collective stuff that's you know, fair, you know

1:34:17.439 --> 1:34:21.240
<v Speaker 4>everyone has. And then there's advanced level stuff that you

1:34:21.360 --> 1:34:24.120
<v Speaker 4>know that you might have to go to this particular

1:34:24.240 --> 1:34:28.519
<v Speaker 4>country to get this specific mix. And then there's the

1:34:29.600 --> 1:34:34.720
<v Speaker 4>third rail level of like you know, you have some

1:34:34.880 --> 1:34:37.400
<v Speaker 4>ship that someone gave you in secret, but you can't

1:34:37.520 --> 1:34:42.759
<v Speaker 4>share with the world ever, and it's like, Frank, Mmmm,

1:34:44.400 --> 1:34:44.760
<v Speaker 4>you got that?

1:34:54.600 --> 1:35:05.000
<v Speaker 8>Which which joint? Which joint? Before I let go multi

1:35:05.080 --> 1:35:06.840
<v Speaker 8>tracks for his sons?

1:35:09.760 --> 1:35:12.080
<v Speaker 4>Does he own his own multi tracks?

1:35:13.560 --> 1:35:25.120
<v Speaker 8>BC Boys was at Capital in the nineties. I mean,

1:35:25.200 --> 1:35:30.719
<v Speaker 8>but that's that's another story for I keep going. Another

1:35:30.840 --> 1:35:35.479
<v Speaker 8>thing I got from somebody, it's between us or wait,

1:35:35.520 --> 1:35:37.760
<v Speaker 8>we're on the air. I know you're saying out here they.

1:35:37.760 --> 1:35:38.360
<v Speaker 4>Can't find it.

1:35:39.040 --> 1:35:40.559
<v Speaker 12>Bluesing Pants forty five?

1:35:41.760 --> 1:35:43.439
<v Speaker 8>Really, no such thing.

1:35:44.160 --> 1:35:48.320
<v Speaker 4>I'll show you the picture. Wait, what country? What country?

1:35:48.560 --> 1:35:50.760
<v Speaker 8>It don't matter what country is direct, it's not an

1:35:50.800 --> 1:35:54.080
<v Speaker 8>American person, it don't matter. It's the record. Okay, Blues

1:35:54.120 --> 1:35:54.439
<v Speaker 8>and Pants?

1:35:54.479 --> 1:35:54.800
<v Speaker 3>What is this?

1:35:59.840 --> 1:36:00.479
<v Speaker 4>Not minutes?

1:36:00.560 --> 1:36:01.280
<v Speaker 8>I never knew there was.

1:36:01.479 --> 1:36:03.680
<v Speaker 4>It was a single, damn.

1:36:06.840 --> 1:36:11.240
<v Speaker 8>Quest You still have the same number, right you? Picture

1:36:12.040 --> 1:36:17.519
<v Speaker 8>hit biz ladies and gentlemen. This was another episode picture.

1:36:19.320 --> 1:36:22.200
<v Speaker 8>Do you have like every ct I record? He will say,

1:36:22.280 --> 1:36:24.240
<v Speaker 8>yeah them, Yeah, got most of them.

1:36:24.280 --> 1:36:26.840
<v Speaker 7>There's one that's sort of the holy grail CTI record

1:36:26.880 --> 1:36:27.760
<v Speaker 7>that I'm trying to find.

1:36:28.720 --> 1:36:30.680
<v Speaker 4>He's going to say, yeah, he's never going to see it.

1:36:30.720 --> 1:36:33.720
<v Speaker 7>It's called It's called stone Bone by J and K and.

1:36:35.600 --> 1:36:37.920
<v Speaker 8>My Stuff. I got two trombone player. Guys.

1:36:38.200 --> 1:36:41.280
<v Speaker 7>Uh, it's like, yeah, I think it was Japan only

1:36:41.400 --> 1:36:41.679
<v Speaker 7>or something.

1:36:41.960 --> 1:36:46.679
<v Speaker 8>You got Doom, David Matthews, I got you got doom? Yeah,

1:36:48.000 --> 1:36:52.840
<v Speaker 8>Bob Jason World forty five, you got on one side.

1:36:53.760 --> 1:36:54.559
<v Speaker 8>I have a tenant.

1:36:55.120 --> 1:37:00.680
<v Speaker 4>I have a tenants of nautilusts uh like not a

1:37:00.720 --> 1:37:03.680
<v Speaker 4>twelve inch but a tendancy tendency. I think I have

1:37:03.760 --> 1:37:06.559
<v Speaker 4>a tenants of Nautilus uh five.

1:37:07.720 --> 1:37:10.120
<v Speaker 9>For those listening, this is like the Okay Corral standoff

1:37:10.160 --> 1:37:16.840
<v Speaker 9>of record, like they're staring. There's so much amazing that another.

1:37:16.600 --> 1:37:28.439
<v Speaker 4>One real real Yet to brag on anything I had, Honey,

1:37:28.479 --> 1:37:29.720
<v Speaker 4>buys you anything right now?

1:37:29.800 --> 1:37:38.639
<v Speaker 8>But asley clip a real, real, real label. Oh, non

1:37:39.000 --> 1:37:41.320
<v Speaker 8>Chuck Brown, I got it from Chuck brod used lived

1:37:41.360 --> 1:37:43.080
<v Speaker 8>down the block for me before he passed.

1:37:48.560 --> 1:37:49.840
<v Speaker 4>Non Sussex record.

1:37:50.240 --> 1:37:51.799
<v Speaker 12>Non, No, that's sauce.

1:37:55.080 --> 1:37:58.639
<v Speaker 4>I have Ale Roads clip when they were on a sauce.

1:38:00.520 --> 1:38:06.320
<v Speaker 8>No, you bet you at thousand dollars sauce. No, you're right.

1:38:06.400 --> 1:38:09.800
<v Speaker 8>You watched the made Source. I made a mistake. Its

1:38:09.840 --> 1:38:10.599
<v Speaker 8>on s Yeah.

1:38:11.240 --> 1:38:14.720
<v Speaker 4>Clarence Atabel, Yes, I don't have the forty five.

1:38:15.160 --> 1:38:19.080
<v Speaker 8>I don't believe you know. I'm so exactly.

1:38:19.960 --> 1:38:23.200
<v Speaker 4>You're wait paid in full break just.

1:38:23.240 --> 1:38:28.400
<v Speaker 12>So I gotta see even better. I gotta see even better.

1:38:30.479 --> 1:38:33.840
<v Speaker 8>You like it too, on a real twelve and forty five?

1:38:34.200 --> 1:38:39.920
<v Speaker 8>What biz? No?

1:38:40.160 --> 1:38:41.000
<v Speaker 12>No, I'm I know.

1:38:41.200 --> 1:38:41.680
<v Speaker 8>Look it up.

1:38:42.360 --> 1:38:46.400
<v Speaker 12>I know twelve minutes right now, look it up right now.

1:38:46.760 --> 1:38:49.160
<v Speaker 8>This is I'm yo. You like it too, straight up?

1:38:50.120 --> 1:38:53.360
<v Speaker 4>Look up for you. If they got a picture listening

1:38:53.720 --> 1:38:56.759
<v Speaker 4>and hearing me stumped and all this ship, it's awesome,

1:38:56.840 --> 1:38:57.840
<v Speaker 4>all this kryptonite.

1:38:58.520 --> 1:39:00.240
<v Speaker 8>I'm gonna tell you. Look it up. Let me tell

1:39:00.320 --> 1:39:02.400
<v Speaker 8>y'all something twelve inch.

1:39:02.479 --> 1:39:05.040
<v Speaker 4>I gotta get my powers back from Germany. We're gonna

1:39:05.040 --> 1:39:10.120
<v Speaker 4>do round two from there. This is I'm gonna get

1:39:10.120 --> 1:39:10.639
<v Speaker 4>my power back.

1:39:10.640 --> 1:39:13.400
<v Speaker 8>Heldo, SI making it up.

1:39:13.479 --> 1:39:16.800
<v Speaker 16>No, it's a real from Germany. Come on, son, okay, biz,

1:39:17.160 --> 1:39:17.479
<v Speaker 16>what's this?

1:39:19.240 --> 1:39:19.880
<v Speaker 8>Oh that's easy.

1:39:20.000 --> 1:39:21.800
<v Speaker 12>I'm going to make it real fun up for you,

1:39:22.120 --> 1:39:24.599
<v Speaker 12>all right, And I got forty five.

1:39:30.040 --> 1:39:31.320
<v Speaker 8>This is not mister mean.

1:39:32.360 --> 1:39:42.080
<v Speaker 4>Foster Silvers, mister Montain, huh uh, I know what it is,

1:39:42.160 --> 1:39:42.599
<v Speaker 4>but I can't.

1:39:43.640 --> 1:39:44.880
<v Speaker 8>H uh.

1:39:48.840 --> 1:39:54.200
<v Speaker 4>Come, Oh, let's walking all right. That's if there's a will,

1:39:54.400 --> 1:40:03.439
<v Speaker 4>there's a way by Don Coved Okay, all right, next yeah,

1:40:04.680 --> 1:40:11.840
<v Speaker 4>Oh that's yeah, okay, I forgot that. I see. At

1:40:11.960 --> 1:40:13.680
<v Speaker 4>first I was going to pick the song you thought

1:40:13.720 --> 1:40:15.360
<v Speaker 4>I was gonna do, and I was like, no, never

1:40:15.680 --> 1:40:17.160
<v Speaker 4>got me with that. You got let me find that

1:40:17.240 --> 1:40:20.679
<v Speaker 4>same a living. Another song is singing in the morning,

1:40:21.320 --> 1:40:27.400
<v Speaker 4>Singing in the morning. That's funky. Oh sing in the morning.

1:40:27.920 --> 1:40:32.680
<v Speaker 4>All right, I'll do one humble bred Oh. Wait, and

1:40:32.840 --> 1:40:36.080
<v Speaker 4>now a humble Brad. I think it is basically it's

1:40:36.120 --> 1:40:40.640
<v Speaker 4>quest now I'm not even going to play for it.

1:40:41.760 --> 1:40:47.320
<v Speaker 8>This. Do you have funky worm stems?

1:40:49.080 --> 1:40:50.160
<v Speaker 4>Do I got a funky worm?

1:40:50.320 --> 1:40:55.200
<v Speaker 8>I think I do the stems, my little fucker punk

1:40:56.400 --> 1:40:56.960
<v Speaker 8>the stems.

1:40:57.040 --> 1:40:58.880
<v Speaker 4>I think I got funky Ohio players.

1:40:59.120 --> 1:41:02.599
<v Speaker 8>Yes, I think I do. I gotta love, I think

1:41:02.600 --> 1:41:05.400
<v Speaker 8>I do. I think that's everybody got that. I think No,

1:41:09.000 --> 1:41:14.120
<v Speaker 8>I think about the real I think boys had that first.

1:41:14.920 --> 1:41:18.640
<v Speaker 4>It's like a sult mine, right, you guys have a

1:41:18.720 --> 1:41:21.280
<v Speaker 4>special relationship with Armand and his son.

1:41:21.600 --> 1:41:22.599
<v Speaker 8>Look about.

1:41:25.800 --> 1:41:28.120
<v Speaker 4>No, not the forty five with the with the with

1:41:28.320 --> 1:41:34.160
<v Speaker 4>the defensive. Yes, you're talking about the rare forty five

1:41:34.200 --> 1:41:37.120
<v Speaker 4>where they put you trying to play smart on I

1:41:37.160 --> 1:41:39.559
<v Speaker 4>hate when they do that. Wait one of the one

1:41:39.600 --> 1:41:42.800
<v Speaker 4>of the side note Dylan side note. One of one

1:41:42.840 --> 1:41:46.160
<v Speaker 4>of the one of the greatest games of of of

1:41:46.640 --> 1:41:50.840
<v Speaker 4>who's on first between Dylan and I was when we

1:41:50.960 --> 1:41:53.520
<v Speaker 4>were clearing UH the samples.

1:41:53.120 --> 1:41:53.519
<v Speaker 8>For the Light.

1:41:55.120 --> 1:41:57.000
<v Speaker 4>He tried to say funky one. He's like and funky

1:41:57.040 --> 1:41:59.160
<v Speaker 4>warmed by how players. I'm like, that's not funky worm.

1:41:59.240 --> 1:42:01.400
<v Speaker 4>He's like, yeah, it's fun I'm like, that's not funky worm.

1:42:01.479 --> 1:42:02.719
<v Speaker 4>That's you're getting to be too smart.

1:42:03.120 --> 1:42:05.720
<v Speaker 8>And then they got too different. Both of them got

1:42:05.760 --> 1:42:08.040
<v Speaker 8>the break on the right, but sound and break.

1:42:08.400 --> 1:42:11.680
<v Speaker 4>Dylan didn't realize that at the time. So when I

1:42:11.760 --> 1:42:13.840
<v Speaker 4>finally got to Detroit and he played the forty five

1:42:13.960 --> 1:42:16.240
<v Speaker 4>for me like we were short of, like, yo, I

1:42:16.360 --> 1:42:18.080
<v Speaker 4>bet you five hundred dollars, and then he played it.

1:42:18.479 --> 1:42:19.400
<v Speaker 4>I was like, holy shit.

1:42:19.479 --> 1:42:22.760
<v Speaker 8>And then both of them got them right. So Troy

1:42:22.840 --> 1:42:27.160
<v Speaker 8>Emeralds and UH and Ohio, but that's just same soundings.

1:42:27.240 --> 1:42:29.880
<v Speaker 4>But I still consider that, you know, Detroit Emeralds and

1:42:29.960 --> 1:42:30.600
<v Speaker 4>not you know.

1:42:31.040 --> 1:42:33.760
<v Speaker 8>Nah, the two different records. Yeah, but they took it

1:42:33.800 --> 1:42:36.160
<v Speaker 8>from Detroit Emeralds. I don't know who they took it from.

1:42:36.240 --> 1:42:38.760
<v Speaker 8>I know it's on the record, but when you listen

1:42:38.840 --> 1:42:42.200
<v Speaker 8>to Detroit Emeralds break it still this way. Yeah, yeah,

1:42:42.320 --> 1:42:45.519
<v Speaker 8>they just took it anyway. This is your last one?

1:42:48.840 --> 1:42:50.680
<v Speaker 4>Really are you now?

1:42:53.280 --> 1:42:56.599
<v Speaker 8>I say ship that's mel Mellow right on. Yeah, that's

1:42:56.600 --> 1:42:57.640
<v Speaker 8>a distinctive.

1:42:57.200 --> 1:42:59.920
<v Speaker 11>Base suicide because I think I thought I had known that.

1:43:00.040 --> 1:43:04.160
<v Speaker 4>The only one didn't say anything. Next, Yes, this is

1:43:04.439 --> 1:43:05.360
<v Speaker 4>I'm sorry, I'll play the.

1:43:08.040 --> 1:43:08.360
<v Speaker 8>Mellow.

1:43:10.040 --> 1:43:24.479
<v Speaker 4>Next is that he sounds like, yeah, I don't know,

1:43:27.720 --> 1:43:33.040
<v Speaker 4>oh wow, more steams than his orchestra from it's called

1:43:33.080 --> 1:43:36.280
<v Speaker 4>the Long Wait. Yeah, I think it's I think it's

1:43:36.320 --> 1:43:42.439
<v Speaker 4>part of the Hawaii five soundtrack. There's your last one? Biz, Oh,

1:43:42.520 --> 1:43:43.840
<v Speaker 4>I know what that is? That's uh.

1:43:44.640 --> 1:43:46.439
<v Speaker 8>I got the I got the record, I got the

1:43:46.520 --> 1:43:48.519
<v Speaker 8>forty five, I got the album.

1:43:48.760 --> 1:43:49.360
<v Speaker 12>I got the album.

1:43:52.360 --> 1:43:53.240
<v Speaker 8>Yeah, Jay z.

1:43:54.720 --> 1:44:00.360
<v Speaker 4>Eddie Henderson inside you? Is there any question of we

1:44:00.439 --> 1:44:04.920
<v Speaker 4>could just play who got? What's fun?

1:44:05.120 --> 1:44:06.000
<v Speaker 8>Do we learned anything?

1:44:06.560 --> 1:44:09.920
<v Speaker 4>Listen, let's just fast forward to the end. What did

1:44:09.960 --> 1:44:10.559
<v Speaker 4>you learn today?

1:44:10.760 --> 1:44:10.960
<v Speaker 8>Man?

1:44:11.360 --> 1:44:13.599
<v Speaker 4>Because we didn't learn something, we gotta ask business.

1:44:13.640 --> 1:44:14.800
<v Speaker 8>We gotta do the second go around.

1:44:14.960 --> 1:44:15.800
<v Speaker 4>Man, What do you learn?

1:44:15.960 --> 1:44:20.080
<v Speaker 6>Is like dude, like he's like the master collector of

1:44:20.200 --> 1:44:23.080
<v Speaker 6>like everybody, and like any record that you want to

1:44:23.160 --> 1:44:23.439
<v Speaker 6>know is.

1:44:23.439 --> 1:44:23.840
<v Speaker 8>Like you got.

1:44:24.240 --> 1:44:26.920
<v Speaker 4>I feel like there's a question that we're forgetting to ask.

1:44:26.960 --> 1:44:30.760
<v Speaker 4>It's gonna be like Captain obvious. Once, Oh okay, I

1:44:32.040 --> 1:44:33.320
<v Speaker 4>found out I've got to ask.

1:44:33.200 --> 1:44:34.599
<v Speaker 8>About Yo Gabba Gabba. But go ahead.

1:44:34.760 --> 1:44:35.400
<v Speaker 4>What did you learn?

1:44:36.479 --> 1:44:38.120
<v Speaker 9>I learned that I could listen to Big Markey talk

1:44:38.200 --> 1:44:41.880
<v Speaker 9>for many hours and I'm totally with matter of fact,

1:44:41.880 --> 1:44:44.240
<v Speaker 9>while were added, give let's talk about children's music.

1:44:45.080 --> 1:44:48.160
<v Speaker 4>I know about that, and so the same. So yeah,

1:44:48.200 --> 1:44:50.680
<v Speaker 4>how did you how did you get involved with the

1:44:50.800 --> 1:44:51.920
<v Speaker 4>Yo Gabba Gabba camp?

1:44:52.560 --> 1:44:53.920
<v Speaker 12>What happened with Yo Gabba Gabba?

1:44:54.320 --> 1:44:56.559
<v Speaker 8>They asked me to come in to do the dancing dance,

1:44:57.160 --> 1:44:59.400
<v Speaker 8>but the night before I dj in l A and

1:44:59.520 --> 1:45:02.120
<v Speaker 8>you know you standing up for like five six hours

1:45:02.960 --> 1:45:07.240
<v Speaker 8>you tied. So I was lazy, and so I just said, Yo, Christians,

1:45:07.240 --> 1:45:11.200
<v Speaker 8>while I make them, why don't teach the kids how

1:45:11.240 --> 1:45:14.479
<v Speaker 8>to do the beat box? I named it biz Beata

1:45:14.520 --> 1:45:16.479
<v Speaker 8>today and then we did it. They put that on

1:45:16.600 --> 1:45:20.200
<v Speaker 8>the on the pilot and then they got an old

1:45:20.200 --> 1:45:22.360
<v Speaker 8>woman response and they put me down.

1:45:24.040 --> 1:45:27.080
<v Speaker 4>Are they still actively shooting stuff for it? They and

1:45:27.200 --> 1:45:28.720
<v Speaker 4>they arguing with.

1:45:30.000 --> 1:45:33.720
<v Speaker 11>Because earlier about your Gabba Gabba getting you all the way,

1:45:33.800 --> 1:45:35.360
<v Speaker 11>well not getting you to Japan. But getting you to

1:45:35.400 --> 1:45:37.920
<v Speaker 11>the techniques to get the special turn in.

1:45:38.040 --> 1:45:42.080
<v Speaker 8>Because anybody wants to give make their kids happy.

1:45:42.160 --> 1:45:43.280
<v Speaker 11>That's what I was going to ask you. How many

1:45:43.439 --> 1:45:45.920
<v Speaker 11>opportunities has that opened up for you in a different ways?

1:45:45.960 --> 1:45:47.639
<v Speaker 11>You never would have thought being on the Kids show

1:45:48.120 --> 1:45:49.080
<v Speaker 11>opened up this door.

1:45:54.880 --> 1:45:58.160
<v Speaker 4>I think she meant more career goals and kids knowing

1:45:58.240 --> 1:46:02.000
<v Speaker 4>you're not just I always play with kids.

1:46:02.040 --> 1:46:04.639
<v Speaker 6>I love kids anyway, Yeah, I always just even sitting

1:46:04.640 --> 1:46:07.040
<v Speaker 6>there listening to you talk like you're a walking like

1:46:07.200 --> 1:46:09.960
<v Speaker 6>cartoon characters that have you ever done any of that

1:46:10.160 --> 1:46:11.000
<v Speaker 6>or had any opportunities?

1:46:11.040 --> 1:46:16.479
<v Speaker 8>I did Strangebob once. I did a couple of things,

1:46:17.600 --> 1:46:19.880
<v Speaker 8>but you know, I'm musically driven.

1:46:19.960 --> 1:46:21.760
<v Speaker 4>So what was it like doing Men in Breack? Like?

1:46:22.280 --> 1:46:26.599
<v Speaker 4>I saw the premiere screening of it, and I'll say

1:46:26.640 --> 1:46:30.960
<v Speaker 4>that you got a bigger response than Michael Jackson he did,

1:46:31.439 --> 1:46:33.680
<v Speaker 4>because when Michael Jackson was shocked, like, oh he hit it,

1:46:34.280 --> 1:46:36.240
<v Speaker 4>But when they saw Bizz like, the whole audience was

1:46:36.439 --> 1:46:37.439
<v Speaker 4>whoa Like you know.

1:46:37.560 --> 1:46:42.639
<v Speaker 8>Like what happened was Jeff wasn't going out with Will

1:46:42.920 --> 1:46:46.600
<v Speaker 8>at the time, and he was doing all the albums

1:46:46.720 --> 1:46:50.800
<v Speaker 8>and Hidden Beaches right right, So Jeff said Jeff and

1:46:50.840 --> 1:46:54.320
<v Speaker 8>Will said, Yo, why don't you be DJ? So I

1:46:54.400 --> 1:46:58.679
<v Speaker 8>started going out with Will, so I was hanging around.

1:46:58.800 --> 1:47:01.559
<v Speaker 8>I hung around the set one time and Tommy Lee

1:47:01.640 --> 1:47:03.280
<v Speaker 8>and said, Yo, why don't you get your man to

1:47:03.320 --> 1:47:07.160
<v Speaker 8>do the B box and you'all talk together and that'll

1:47:07.200 --> 1:47:10.559
<v Speaker 8>be a scene. Wow damn, I said, thank you, Will.

1:47:12.360 --> 1:47:13.360
<v Speaker 8>They're the greatest.

1:47:14.520 --> 1:47:16.520
<v Speaker 12>Jeff is the greatest.

1:47:17.479 --> 1:47:18.120
<v Speaker 8>I love him.

1:47:18.320 --> 1:47:19.040
<v Speaker 12>That's my brother.

1:47:19.120 --> 1:47:22.800
<v Speaker 11>I take a bullet from what's the craziest evolution you've seen?

1:47:22.840 --> 1:47:24.320
<v Speaker 11>Because a lot of the folks that you came up with,

1:47:24.560 --> 1:47:28.000
<v Speaker 11>just like you, evolve crazy like. But like looking at Will, Jeff,

1:47:28.680 --> 1:47:30.920
<v Speaker 11>looking at so many Latifa, like whoever you looked at

1:47:30.960 --> 1:47:34.120
<v Speaker 11>and went like shit, I just would have never but

1:47:34.400 --> 1:47:35.000
<v Speaker 11>just dope.

1:47:35.280 --> 1:47:40.479
<v Speaker 8>Flash just that, I mean, just think of the records

1:47:40.520 --> 1:47:44.120
<v Speaker 8>he found. Would hip hop be like that if he

1:47:44.280 --> 1:47:49.760
<v Speaker 8>wasn't here? True? Not even I mean Bam Bodies, Bamboda

1:47:50.600 --> 1:47:53.280
<v Speaker 8>did or did or but Flash.

1:47:53.680 --> 1:47:55.920
<v Speaker 4>So flashes at the top of the pinnacle for you.

1:47:56.160 --> 1:47:57.600
<v Speaker 4>As far as Flash.

1:48:00.080 --> 1:48:04.120
<v Speaker 8>The El Brothers, just think about it. We all eating

1:48:04.360 --> 1:48:05.960
<v Speaker 8>I mean, you play.

1:48:07.800 --> 1:48:14.280
<v Speaker 4>I'm just saying, wait, you mentioned the Ol Brothers. What

1:48:14.600 --> 1:48:18.439
<v Speaker 4>crew from back in the day? Who I mean, who's

1:48:18.479 --> 1:48:22.600
<v Speaker 4>the ultramatenetic from back of the day that are like

1:48:22.720 --> 1:48:26.760
<v Speaker 4>pioneers that will not get the dude credit. I'm talking

1:48:27.120 --> 1:48:29.519
<v Speaker 4>from the original Eric. So you always hear about he

1:48:29.680 --> 1:48:33.360
<v Speaker 4>Cold Chuss Brothers and the Funky four plus one, like

1:48:33.400 --> 1:48:35.679
<v Speaker 4>they always named these crew, But who's that one crew

1:48:35.760 --> 1:48:40.920
<v Speaker 4>that had like ill routines, ill techniques that didn't get

1:48:40.960 --> 1:48:44.200
<v Speaker 4>there just Dan.

1:48:42.840 --> 1:48:45.920
<v Speaker 8>Even though they had records Master Dawn crash crew.

1:48:48.520 --> 1:48:53.400
<v Speaker 4>I had boilers Dog, but I forgot them first round ever,

1:48:53.520 --> 1:48:55.600
<v Speaker 4>bit I hate that. I'm not a room see be

1:48:55.680 --> 1:48:58.800
<v Speaker 4>like first Round. All my cities first round.

1:48:58.800 --> 1:49:06.760
<v Speaker 8>I've ever been that first speed rap? Talk about it

1:49:06.800 --> 1:49:10.040
<v Speaker 8>if I can think about it. Oh yeah, the crash

1:49:10.240 --> 1:49:14.400
<v Speaker 8>is three too. Yeah, it's just the point of I'm

1:49:14.479 --> 1:49:17.360
<v Speaker 8>just happy to still be alive to watch what's going on.

1:49:18.880 --> 1:49:23.040
<v Speaker 8>Come on, you're the roots but you biz no, no,

1:49:23.160 --> 1:49:25.479
<v Speaker 8>no this listen one to get ready tell you you

1:49:25.840 --> 1:49:29.400
<v Speaker 8>DJ did the White House? Listen forget?

1:49:29.439 --> 1:49:33.280
<v Speaker 4>I mean forget later. Yeah the first time. Wait, this

1:49:33.360 --> 1:49:38.120
<v Speaker 4>is a funny story for you. So we're at I

1:49:38.240 --> 1:49:41.439
<v Speaker 4>forget what event it was that was? No, no, no,

1:49:41.720 --> 1:49:45.840
<v Speaker 4>the first time I went to the White House correspondence dinner. Oh, yeah,

1:49:45.960 --> 1:49:49.880
<v Speaker 4>and I was begging to be the DJ, and they

1:49:49.920 --> 1:49:51.479
<v Speaker 4>were like, no, we can't because you know, we got

1:49:51.520 --> 1:49:56.200
<v Speaker 4>biz And I was like, come on, man, so business spinning.

1:49:56.880 --> 1:49:58.840
<v Speaker 4>And he puts his record on I never heard before

1:49:59.840 --> 1:50:03.360
<v Speaker 4>I and as a DJ, and I'm looking and suddenly

1:50:03.439 --> 1:50:06.360
<v Speaker 4>he puts this record on and I swear it's like

1:50:06.680 --> 1:50:08.760
<v Speaker 4>you remember the scene. I'm giving an old reference, but

1:50:08.840 --> 1:50:10.960
<v Speaker 4>this is the only way I could describe it. You know,

1:50:11.040 --> 1:50:13.200
<v Speaker 4>it was like three o'clock and the brown Hornet comes on.

1:50:13.479 --> 1:50:13.840
<v Speaker 8>And like.

1:50:15.360 --> 1:50:18.559
<v Speaker 4>All of them, but you know, you remember, I'll explain

1:50:18.600 --> 1:50:22.280
<v Speaker 4>that every everyone just stopped what they were doing and

1:50:22.520 --> 1:50:26.719
<v Speaker 4>instantly ran to the dance floor to start doing the wobble.

1:50:30.240 --> 1:50:34.280
<v Speaker 4>But it was like Rachel maddowt it was like the

1:50:34.360 --> 1:50:39.880
<v Speaker 4>white wobble, like white people do, like stop and I

1:50:40.000 --> 1:50:42.680
<v Speaker 4>didn't know it, even like Torrey was like leading this

1:50:42.880 --> 1:50:46.479
<v Speaker 4>line and I never heard the record before. I'm like, wait,

1:50:46.800 --> 1:50:50.160
<v Speaker 4>what's this and vin Bis looking like you never heard

1:50:50.200 --> 1:50:50.959
<v Speaker 4>of the wobble?

1:50:53.160 --> 1:50:54.639
<v Speaker 11>You had never heard of the okay, right.

1:50:55.360 --> 1:50:57.640
<v Speaker 4>It was like maybe maybe two months old, and not

1:50:57.920 --> 1:51:05.600
<v Speaker 4>just wasn't on it, but I was. I was like

1:51:06.520 --> 1:51:09.000
<v Speaker 4>d C ship or whatever, because at the rate war

1:51:09.120 --> 1:51:12.639
<v Speaker 4>to knew the dance, and I was like, damn, I'm

1:51:12.800 --> 1:51:14.599
<v Speaker 4>funked up in the game because the wobble.

1:51:14.760 --> 1:51:20.200
<v Speaker 6>It goes every fan reunion, every wedding reception, a Cuban shuffle.

1:51:20.280 --> 1:51:23.559
<v Speaker 8>Yeah, those lying that like black folks, I.

1:51:23.560 --> 1:51:25.120
<v Speaker 11>Mean, you're right, start south and Midwest.

1:51:26.080 --> 1:51:29.880
<v Speaker 4>But I was just that the attendees of the White

1:51:29.920 --> 1:51:34.640
<v Speaker 4>House correspondence like not only knew the dance, but like,

1:51:35.400 --> 1:51:37.520
<v Speaker 4>because wait to do today everything.

1:51:38.200 --> 1:51:41.200
<v Speaker 8>It's so nice to be I'll be right back.

1:51:44.640 --> 1:51:46.240
<v Speaker 4>That was That was That was a crazy moment.

1:51:46.800 --> 1:51:50.120
<v Speaker 11>You cut off business compliment. I just worry about notice compliments.

1:51:50.360 --> 1:51:58.160
<v Speaker 7>You want to hear compliments, compliment what you learn I

1:51:58.280 --> 1:52:00.600
<v Speaker 7>learned that he's better than you.

1:52:03.560 --> 1:52:04.200
<v Speaker 4>Pretty much.

1:52:05.640 --> 1:52:08.120
<v Speaker 8>A lot of ways, sug.

1:52:12.000 --> 1:52:17.519
<v Speaker 7>I have one more question, though, there's this Crieff like a.

1:52:17.560 --> 1:52:27.320
<v Speaker 4>Lot hold on. Yeah, wait, ladies, Steve Stevens he said under.

1:52:28.960 --> 1:52:31.600
<v Speaker 12>The Louis, yeah you have that.

1:52:32.400 --> 1:52:36.479
<v Speaker 8>You have Wait did you say to two or true?

1:52:36.520 --> 1:52:37.000
<v Speaker 8>What do you say?

1:52:41.520 --> 1:52:45.120
<v Speaker 7>The Bob James joint came in came in that too, right, Okay.

1:52:45.160 --> 1:52:48.280
<v Speaker 7>I've been scouring, like even.

1:52:48.080 --> 1:52:49.800
<v Speaker 8>I couldn't find that for Steve, and I've been looking

1:52:49.840 --> 1:52:51.519
<v Speaker 8>for Yeah, it's very like.

1:52:52.280 --> 1:52:54.080
<v Speaker 4>First of all, not a lot of people know about it.

1:52:54.080 --> 1:52:56.160
<v Speaker 7>And second of all, they must have made like ten

1:52:56.200 --> 1:52:58.439
<v Speaker 7>of them or some ship because they're they're not around.

1:52:58.680 --> 1:53:00.360
<v Speaker 8>Like you can't find you got I think we had

1:53:00.360 --> 1:53:02.719
<v Speaker 8>twenty seventeen. A lot of things ain't.

1:53:02.479 --> 1:53:03.080
<v Speaker 12>Gonna be around.

1:53:03.360 --> 1:53:04.200
<v Speaker 4>Yeah, but you can't.

1:53:04.520 --> 1:53:07.560
<v Speaker 8>It's not it's not. You gotta think if you was

1:53:07.680 --> 1:53:11.160
<v Speaker 8>shopping for records in the eighties in the nineties, everything

1:53:11.280 --> 1:53:11.679
<v Speaker 8>was around.

1:53:11.800 --> 1:53:14.920
<v Speaker 7>This came out in eight is when, but it was

1:53:15.120 --> 1:53:17.760
<v Speaker 7>it was a promotional thing where like I got it.

1:53:17.800 --> 1:53:23.920
<v Speaker 8>From Iole, from rat I stole it from BLS because

1:53:23.920 --> 1:53:26.280
<v Speaker 8>they had w w r L and b LS update

1:53:26.800 --> 1:53:30.240
<v Speaker 8>what I say say so not w b LS. I

1:53:30.360 --> 1:53:30.600
<v Speaker 8>love it.

1:53:30.760 --> 1:53:33.400
<v Speaker 7>You just took it from a radio station, both of them.

1:53:33.600 --> 1:53:34.439
<v Speaker 7>From the radio station.

1:53:34.600 --> 1:53:38.120
<v Speaker 4>Steve hasn't been as excited ever, you know. And it's funny.

1:53:38.360 --> 1:53:43.400
<v Speaker 4>There's always in every hip hop producer's story, there's a.

1:53:43.439 --> 1:53:45.880
<v Speaker 7>Straight hold on a second, can we trade something?

1:53:45.960 --> 1:53:52.639
<v Speaker 4>There's my phone? Take this, it's first born. There's always

1:53:52.640 --> 1:53:56.000
<v Speaker 4>a radio station that you rated all them colleges that

1:53:56.120 --> 1:54:01.200
<v Speaker 4>they always has that one intern that I was super

1:54:01.320 --> 1:54:04.559
<v Speaker 4>nice too. That was just like I don't care about

1:54:04.600 --> 1:54:05.920
<v Speaker 4>these records, you can go through them.

1:54:05.880 --> 1:54:10.800
<v Speaker 8>And that's time to get the records eighty. Because it

1:54:10.920 --> 1:54:14.519
<v Speaker 8>was the transition period to the season. I was wow.

1:54:15.240 --> 1:54:24.800
<v Speaker 4>I was like, yeah, let's I mean, Steve has been

1:54:24.840 --> 1:54:29.439
<v Speaker 4>in quite a pain for this episode, but the second

1:54:29.640 --> 1:54:34.720
<v Speaker 4>for his whole life. The second that Bissan mentioned that briefcase,

1:54:35.600 --> 1:54:41.280
<v Speaker 4>it was like, Lazard, you remember another old reference when

1:54:41.400 --> 1:54:43.760
<v Speaker 4>Warning McFly came to life once his parents kissed at

1:54:43.800 --> 1:54:52.840
<v Speaker 4>the champ angel and he started playing. That was the

1:54:53.120 --> 1:54:55.440
<v Speaker 4>all right, boss, Bill, what did you learn? You learned

1:54:55.480 --> 1:54:57.880
<v Speaker 4>that this episode is going a half hour overboard?

1:54:59.080 --> 1:55:00.360
<v Speaker 8>I looked too long. No no, no, no, no, no

1:55:00.360 --> 1:55:00.440
<v Speaker 8>no no.

1:55:01.520 --> 1:55:03.400
<v Speaker 10>I kind of want to co sign with Steve said,

1:55:03.400 --> 1:55:06.040
<v Speaker 10>I've been shopping record for records with you. I think

1:55:06.040 --> 1:55:09.240
<v Speaker 10>I want to go with BIZ next. Okay, yeah, that's

1:55:09.320 --> 1:55:12.680
<v Speaker 10>that's the case. Do you still go records out?

1:55:12.800 --> 1:55:13.800
<v Speaker 8>Let me see it? Nah?

1:55:14.840 --> 1:55:19.160
<v Speaker 11>Exactly, it's he said, he got ninety nine everything that

1:55:19.240 --> 1:55:19.800
<v Speaker 11>he wants.

1:55:20.040 --> 1:55:23.480
<v Speaker 8>Right, Okay, come on, quest even if you come out

1:55:23.480 --> 1:55:26.320
<v Speaker 8>and make a case to DJ withold what records you

1:55:26.440 --> 1:55:28.400
<v Speaker 8>really looking forward that you got to find? Right now?

1:55:29.520 --> 1:55:32.000
<v Speaker 4>I'm telling you, Biz, I think I'm satisfied.

1:55:32.840 --> 1:55:35.720
<v Speaker 8>I I'm good, A good.

1:55:35.880 --> 1:55:38.160
<v Speaker 4>Yes I have. I have about one hundred thousand records,

1:55:38.400 --> 1:55:41.600
<v Speaker 4>and I'll say that of those hundred thousands, I know

1:55:41.840 --> 1:55:46.560
<v Speaker 4>that at least a good nine hundred are like ultra

1:55:46.800 --> 1:55:48.920
<v Speaker 4>ultra special. I mean the rest is like, you know,

1:55:49.280 --> 1:55:54.560
<v Speaker 4>do I really need all the high energy records from Motown? Now?

1:55:56.040 --> 1:55:58.120
<v Speaker 4>Do I need like dance all night by the Parts?

1:55:58.560 --> 1:56:01.080
<v Speaker 8>No? On? People? Do you got to show enough?

1:56:03.120 --> 1:56:05.640
<v Speaker 4>I know I have every People record ever you got?

1:56:12.080 --> 1:56:12.240
<v Speaker 8>Yeah?

1:56:12.400 --> 1:56:13.480
<v Speaker 4>Oh sweet, signed in the wicket?

1:56:13.560 --> 1:56:14.200
<v Speaker 8>You got forty five?

1:56:14.400 --> 1:56:18.120
<v Speaker 4>Show up, dude, you got the forty five justin Timberlake Joint?

1:56:18.160 --> 1:56:19.120
<v Speaker 11>Do you have the forty five?

1:56:20.680 --> 1:56:22.160
<v Speaker 8>I own it? How do I own it?

1:56:25.560 --> 1:56:28.840
<v Speaker 4>I do not have a forty five? I think, No,

1:56:29.160 --> 1:56:31.120
<v Speaker 4>there's not a record I know I own show.

1:56:33.120 --> 1:56:33.360
<v Speaker 8>Once.

1:56:33.640 --> 1:56:36.760
<v Speaker 4>Justin told me that record for Suiting, Time, Suit and Tie.

1:56:36.880 --> 1:56:38.120
<v Speaker 12>I knew the record when I heard it.

1:56:39.280 --> 1:56:42.240
<v Speaker 8>Yes, I own that record. I don't know which configuration

1:56:42.360 --> 1:56:44.240
<v Speaker 8>I own it. I got to forty five, but I

1:56:44.360 --> 1:56:48.200
<v Speaker 8>know I know people. One is the purple people.

1:56:48.720 --> 1:56:51.080
<v Speaker 4>There's a wait, there's a white there's a white label.

1:56:51.480 --> 1:56:55.600
<v Speaker 8>Yeah, I do own one. Jesus, did I just tell

1:56:55.600 --> 1:56:58.000
<v Speaker 8>you read and they got a purple didn't hear the

1:56:58.040 --> 1:56:58.360
<v Speaker 8>red one.

1:56:58.640 --> 1:57:01.360
<v Speaker 4>Yes, I know I have a white label, sure enough,

1:57:01.760 --> 1:57:05.200
<v Speaker 4>but also you know I cheat because I know Alan leit.

1:57:05.320 --> 1:57:09.240
<v Speaker 4>So literally, he's just give me all this, James Brown

1:57:09.320 --> 1:57:09.520
<v Speaker 4>over it.

1:57:09.680 --> 1:57:14.120
<v Speaker 8>Just do you got Champ? You know Champs? I have

1:57:14.240 --> 1:57:19.800
<v Speaker 8>that on the album. I don't have a Atlantic Records, No,

1:57:23.160 --> 1:57:29.840
<v Speaker 8>Steven still man, we are all very very disappointed. Man.

1:57:31.480 --> 1:57:31.880
<v Speaker 8>I learned.

1:57:32.000 --> 1:57:34.000
<v Speaker 11>I learned that a mind has never been polluted by

1:57:34.040 --> 1:57:37.640
<v Speaker 11>weed is a powerful thing. And this is your memory

1:57:37.760 --> 1:57:41.120
<v Speaker 11>is like fucking remarkable. I hope there's no book biz.

1:57:41.960 --> 1:57:44.520
<v Speaker 8>They want me to do a book, but what was wrong?

1:57:44.760 --> 1:57:47.760
<v Speaker 8>I'm still singing, so you know I ain't no Unsung yet.

1:57:48.000 --> 1:57:50.440
<v Speaker 11>You gotta do it, Unsung, write a book. People a

1:57:50.480 --> 1:57:52.240
<v Speaker 11>lot Russell write books like every two years.

1:57:52.400 --> 1:57:57.400
<v Speaker 12>So one thing, go ahead, question you got this back?

1:57:57.520 --> 1:58:01.720
<v Speaker 8>Then if you get money and you go to a

1:58:01.800 --> 1:58:04.320
<v Speaker 8>record shop and you get him, you get him A fifty.

1:58:04.760 --> 1:58:07.880
<v Speaker 8>Didn't let you look through anything. Take you to the back,

1:58:08.280 --> 1:58:11.320
<v Speaker 8>They take you, take you to go underneath. Okay, what

1:58:11.520 --> 1:58:15.320
<v Speaker 8>your way? I knew voalshively, you know that right fucking real? Yes,

1:58:15.560 --> 1:58:17.040
<v Speaker 8>he's let me go in the basement, go to his

1:58:17.160 --> 1:58:17.920
<v Speaker 8>house and everything.

1:58:18.120 --> 1:58:21.840
<v Speaker 4>I would never get past the letter d Voal Shively

1:58:22.000 --> 1:58:23.520
<v Speaker 4>is the guy that was like mean to us, and

1:58:23.640 --> 1:58:25.280
<v Speaker 4>then he found out who my dad was.

1:58:25.360 --> 1:58:28.960
<v Speaker 8>It was like, welcome to my store, offer me a job.

1:58:29.280 --> 1:58:33.440
<v Speaker 8>Now I don't want it, all right, So all right,

1:58:33.480 --> 1:58:35.800
<v Speaker 8>this is what I'm proposing, and this is what you

1:58:35.880 --> 1:58:37.520
<v Speaker 8>don't know biz. All right.

1:58:37.680 --> 1:58:41.880
<v Speaker 4>So I'll say for the last four months, me and

1:58:42.080 --> 1:58:47.120
<v Speaker 4>practically all the heavyweights and hip hop production, from Pete

1:58:47.160 --> 1:58:53.240
<v Speaker 4>to Primo to j Cole to Ninth Wonder to just Blaze.

1:58:52.920 --> 1:58:55.880
<v Speaker 8>To uh forgetting people.

1:58:57.560 --> 1:59:03.800
<v Speaker 4>Not nots to Fortain. Yeah, Harrison, J Harrison is, stro Elliott, everyone,

1:59:03.920 --> 1:59:08.000
<v Speaker 4>Jeremy Ellis, Everybody's in this. This tip Swiss beats.

1:59:08.640 --> 1:59:08.960
<v Speaker 8>All right.

1:59:09.080 --> 1:59:13.760
<v Speaker 4>So I started a thread and we dubbed ourselves. We're

1:59:13.840 --> 1:59:17.200
<v Speaker 4>like a brotherhood of nineteen cats, and we dubbed ourselves.

1:59:17.640 --> 1:59:25.800
<v Speaker 4>Asked Vaughan got here, No, literally the the yes, besides

1:59:26.120 --> 1:59:30.080
<v Speaker 4>we can catch it. Yes, yes, Peanut butter Wolf is

1:59:30.120 --> 1:59:32.640
<v Speaker 4>talking right now. Literally, I'm on with like all twenty

1:59:32.720 --> 1:59:36.640
<v Speaker 4>two of them with asked one. Wait, okay, he says,

1:59:37.160 --> 1:59:41.480
<v Speaker 4>oh wow, okay, this is the last question I'm gonna

1:59:41.480 --> 1:59:48.320
<v Speaker 4>ask you. They I'm proposing a special BIZ episode of

1:59:48.760 --> 1:59:54.800
<v Speaker 4>of Ofquest Love Supreme, in which if I can coordinate

1:59:55.320 --> 1:59:58.560
<v Speaker 4>the twelve ask one East Coast members to do the

1:59:58.640 --> 2:00:04.200
<v Speaker 4>show where they literally lee grill Biz on story because

2:00:04.240 --> 2:00:06.320
<v Speaker 4>they're still like and I'm telling him like yo, he

2:00:06.440 --> 2:00:09.560
<v Speaker 4>really does as it's forty five. Okay, here's your final story.

2:00:09.640 --> 2:00:09.880
<v Speaker 8>Biz.

2:00:11.280 --> 2:00:13.360
<v Speaker 4>You have to ask business from Rashott Smith.

2:00:22.760 --> 2:00:24.640
<v Speaker 8>I know the story. I know this story. Wait, let

2:00:24.720 --> 2:00:26.840
<v Speaker 8>me read it. Let me read you gotta actually read

2:00:26.880 --> 2:00:27.280
<v Speaker 8>it though.

2:00:27.280 --> 2:00:31.760
<v Speaker 4>Yes, mother, I'm my own goddamn radio self.

2:00:32.120 --> 2:00:32.440
<v Speaker 8>All right.

2:00:33.840 --> 2:00:36.680
<v Speaker 4>Rushott Smith says, you have to ask Biz about the

2:00:36.800 --> 2:00:42.080
<v Speaker 4>luth Evanrels Madison Square Garden story on now he got

2:00:42.160 --> 2:00:45.840
<v Speaker 4>a beat from Luthor to come to beatbox for on

2:00:46.080 --> 2:00:48.120
<v Speaker 4>stage at the garden. True or false?

2:00:48.560 --> 2:00:53.480
<v Speaker 8>True? That was when I had just a front out

2:00:55.360 --> 2:01:00.960
<v Speaker 8>and we was both represented by BURTA. Dell Ah So

2:01:01.120 --> 2:01:06.000
<v Speaker 8>Burke Padell was the one that asked me, you go

2:01:06.160 --> 2:01:07.800
<v Speaker 8>get up there. You know, if you get up there

2:01:07.840 --> 2:01:09.760
<v Speaker 8>with Luther, you know you get some of his fans

2:01:09.840 --> 2:01:11.920
<v Speaker 8>and this and that. Would you do?

2:01:12.120 --> 2:01:13.560
<v Speaker 11>Did you I do something together?

2:01:14.600 --> 2:01:24.680
<v Speaker 8>I just did Ladies and Jent. Look that up.

2:01:24.760 --> 2:01:27.120
<v Speaker 12>If you I can't look at it, I mean I'm

2:01:27.160 --> 2:01:28.760
<v Speaker 12>saying look and see if that be.

2:01:29.080 --> 2:01:33.640
<v Speaker 8>And Luther van jos was both represented by Burke Padell

2:01:35.320 --> 2:01:38.360
<v Speaker 8>I or you looking at it right now? Now he

2:01:38.480 --> 2:01:39.640
<v Speaker 8>was in accounting right, Bert was.

2:01:43.120 --> 2:01:48.720
<v Speaker 4>Okay, but if I can organize and ask one session.

2:01:48.720 --> 2:01:49.960
<v Speaker 8>Yeah, take them all on.

2:01:52.160 --> 2:01:53.520
<v Speaker 4>I want to see you pull off this.

2:01:53.880 --> 2:01:55.680
<v Speaker 11>I got this, got get him on video statings you

2:01:55.720 --> 2:01:58.720
<v Speaker 11>can put in the group. I'll take all y'all motherfuckers.

2:01:59.320 --> 2:02:00.720
<v Speaker 12>And I put them on. I get in the group.

2:02:00.760 --> 2:02:00.920
<v Speaker 8>Two.

2:02:02.160 --> 2:02:04.400
<v Speaker 11>Oh my god, you ain't got to work to he's

2:02:04.400 --> 2:02:05.600
<v Speaker 11>got to work to get in the group.

2:02:06.200 --> 2:02:08.880
<v Speaker 4>I mean, you can only hold twenty two people, and

2:02:09.120 --> 2:02:17.560
<v Speaker 4>we accidentally had to boot Diplot off the supposedly anyway,

2:02:17.640 --> 2:02:20.400
<v Speaker 4>all right, so I have you a video right now.

2:02:21.560 --> 2:02:23.920
<v Speaker 4>So you're saying to the Askan crew that they're allowed

2:02:23.920 --> 2:02:24.880
<v Speaker 4>to come and grill you.

2:02:25.280 --> 2:02:28.680
<v Speaker 8>Whenever you want to. I'm gonna grow you up back too.

2:02:32.080 --> 2:02:37.080
<v Speaker 8>Don't leave your feelings at the door. I'll tell you

2:02:37.240 --> 2:02:42.760
<v Speaker 8>got a hip hop starter. So Rush, I got stories

2:02:42.800 --> 2:02:46.560
<v Speaker 8>about him too, And I remember when Q Tip used

2:02:46.560 --> 2:02:48.720
<v Speaker 8>to be in high school at Mary Bertram, I know

2:02:48.880 --> 2:02:49.200
<v Speaker 8>all that.

2:02:49.400 --> 2:02:49.760
<v Speaker 4>All right.

2:02:50.800 --> 2:02:52.680
<v Speaker 8>Anyway, it's gonna be like the Battle of Oil. See

2:02:53.880 --> 2:02:55.480
<v Speaker 8>this is all ladies and gentlemen.

2:02:55.600 --> 2:03:01.520
<v Speaker 4>This is a very special, special special special episode of

2:03:01.960 --> 2:03:05.960
<v Speaker 4>Business Markey's Quest Love Supreme only on vandor on behalf

2:03:06.000 --> 2:03:10.800
<v Speaker 4>of Sugar Steve and uh Fan Tigelow and Boss Bill.

2:03:11.560 --> 2:03:14.080
<v Speaker 8>And You're going to have business on Sesame Street one day.

2:03:14.200 --> 2:03:18.080
<v Speaker 4>Yeah, yeah, he's He's the new Joe Roposo right there.

2:03:18.520 --> 2:03:20.640
<v Speaker 8>Yes, I said the street.

2:03:22.000 --> 2:03:24.480
<v Speaker 4>This is part of our new idea. Five people, I did.

2:03:24.560 --> 2:03:25.320
<v Speaker 8>This is all right?

2:03:25.440 --> 2:03:31.560
<v Speaker 4>All right, business down and uh, I'm Phil, I'm I'm sorry.

2:03:31.760 --> 2:03:33.400
<v Speaker 4>Well you're paid, Yeah, well paid.

2:03:35.560 --> 2:03:39.600
<v Speaker 8>And Martin he did. Yes, you did awesome.

2:03:39.640 --> 2:03:43.960
<v Speaker 4>Bus fantastic, thank you, thank you for your time.

2:03:45.720 --> 2:03:46.680
<v Speaker 12>Yes, you did awesome.

2:03:46.760 --> 2:03:49.480
<v Speaker 4>And just to watch us away from our sins off

2:03:49.520 --> 2:03:55.400
<v Speaker 4>this dude one, I wait, thank you man, I appreciate you,

2:03:55.840 --> 2:03:56.200
<v Speaker 4>all right.

2:04:00.040 --> 2:04:03.680
<v Speaker 1>What's Love Supreme is a production of iHeartRadio. This classic

2:04:03.720 --> 2:04:06.480
<v Speaker 1>episode was produced by the team at Pandora.

2:04:09.600 --> 2:04:14.000
<v Speaker 4>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

2:04:14.480 --> 2:04:16.160
<v Speaker 4>or wherever you listen to your favorite shows.