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Speaker 1: Questlove Supreme is a production of iHeartRadio. This classic episode

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Speaker 1: was produced by the team at Pandora.

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Speaker 2: What's Up, Everybody, It's Sugar Steve from Team Supreme. June

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Speaker 2: marks Black Music Month. We often speak about it on

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Speaker 2: Questlove Supreme and we've had some of the legends responsible

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Speaker 2: for the recognition on the show. Every day this June,

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Speaker 2: we are running a different episode from the QLs archives

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Speaker 2: to honor the tradition and intent of Black Music Month.

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Speaker 2: This week we are focusing on some of the great

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Speaker 2: hip hop conversations that ULS catalog. Our leader Questlove has

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Speaker 2: a new book out called hip Hop Is History. Check

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Speaker 2: it out at questlove dot com. This is a conversation

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Speaker 2: with the late Bizmarquis that first aired in the summer

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Speaker 2: of twenty seventeen. The Biz may he rest in peace

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Speaker 2: or bring a brand of authentic but funny hip hop

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Speaker 2: to so many audiences?

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Speaker 3: Supreme Supremo role called Suprema sun So Supreme role called

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Speaker 3: Supreme Supreme role called Supreme Supreme Roll.

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Speaker 4: So Bob Jeames Bellis, Marty gri Biz claims the song

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Speaker 4: yeah Survey sas.

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Speaker 5: Yeah Sure, Supreme role called Supreme.

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Speaker 4: So Supreme role, Call my name is Fante.

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Speaker 6: Yeah, I like to bawl, Yeah, because my house is

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Speaker 6: the average square.

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Speaker 5: Mall Supreme Supreme role called Suprema So Supreme role called.

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Speaker 7: My name is Sugar with bizmar Key. Yeah, and this

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Speaker 7: is roll call. Yeah, nobody beats me.

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Speaker 5: Supreme Upprema, roll called Suprema Son Son Supremo.

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Speaker 8: Roll called Bill.

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Speaker 9: Yeah, rahaps to do yea shout out to bismarcky. Yeah,

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Speaker 9: men in black two roll call Suprema.

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Speaker 5: Son Supremo, roll call Suprema Son Supremo roll loost Bill.

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Speaker 10: I am yeah, not a Republican. I just wanted to say, yeah,

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Speaker 10: fuck GILBERTL.

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Speaker 6: Sullivan Supreme roll call, Suprema So Supreme roll call.

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Speaker 11: It's slight.

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Speaker 8: Yeah.

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Speaker 11: Yeah about this paper. Yeah, y'all better watch out. Yeah,

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Speaker 11: y'all get them.

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Speaker 8: Supreme landing on time, So Supreme. There was turbulus in

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Speaker 8: the middle.

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Speaker 4: Vers Son Supremo roll called.

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Speaker 8: I am the Amazon. Yeah, I'm with the Sugars. Yeah.

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Speaker 8: And what I do, Yeah, I'm picking good.

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Speaker 5: Supremo roll Supremo, Supreme Suprema Supremo, roll call, Suprema Supremo

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Speaker 5: roll call.

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Speaker 8: Yeah.

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Speaker 4: Wow, Ladies and gentlemen, welcome to another edition of Quest

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Speaker 4: Love Supreme only on Pandora. I am Quest Love with

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Speaker 4: me Team Supreme. We got a fun tig alow in

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Speaker 4: the place. Uh, tik tig. I gotta go old school

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Speaker 4: with the names. What with the double names? Oh yeah, Ti, Yeah,

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Speaker 4: take Ti.

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Speaker 8: And then that's really cool cool. We gotta unpaid Bill.

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Speaker 4: How you doing, man, I'm great, You're great, fucking excited,

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Speaker 4: you're fucking excited. Markey is here, of course, of course

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Speaker 4: he is, Sugar Steve. You're doing better.

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Speaker 8: I'm great, man, I'm great. How great are you? Average?

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Speaker 7: Grade medium?

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Speaker 8: Medium, extra medium?

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Speaker 4: And we got Boss Bill in the place to be

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Speaker 4: How you doing? And uh liyah ak Margaret and our

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Speaker 4: guest today, ladies and gentlemen, is probably probably next to

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Speaker 4: ll cool J, one of the timeless figures in hip

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Speaker 4: hop culture that has transcended decades.

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Speaker 8: Uh. It's never going.

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Speaker 4: Stale always uh, you know, around doing stuff and it's

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Speaker 4: I mean, you can call him a pioneer, you can

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Speaker 4: call him an innovator, you can call him a pop

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Speaker 4: culture collector, historian. Uh, you could call him everything. But

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Speaker 4: most importantly, you got a bollicle the diabolical. Welcome to

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Speaker 4: Chluss loves abree Yeah.

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Speaker 8: Crash, what's up? What's up with you? Know?

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Speaker 12: Glad, I'm glad I'm here with you.

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Speaker 4: So Biz, I don't ever recall you doing an in

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Speaker 4: depth interview ever. Like it's like we all know you,

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Speaker 4: You're ubiquitous, You're everywhere, but I don't know if we

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Speaker 4: really know your story. I'm into the to the level

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Speaker 4: that we should know it. But I do know that

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Speaker 4: everyone that speaks of you that I work with, and

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Speaker 4: I've worked with, everyone has the highest level of respect

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Speaker 4: for your you know, your your contribution and and and

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Speaker 4: all your knowledge of hip hop. So thank you for

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Speaker 4: for doing the show with us today.

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Speaker 8: Oh come on, you know I couldn't let it turn

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Speaker 8: it down? All right?

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Speaker 4: So before we start your story, we we got to

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Speaker 4: get to the elephant in the room. Just admitted business.

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Speaker 4: There is no bellis mind there?

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Speaker 8: Wait?

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Speaker 12: Business?

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Speaker 8: Can I explain?

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Speaker 4: Wait before we like, do you know?

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Speaker 8: Okay?

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Speaker 4: See I always have to ask like you first and

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Speaker 4: then I know the public now, but wait, let me explain,

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Speaker 4: Let me explain the premise of it. This has inadvertently

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Speaker 4: created uh pop culture collectors in all of us. I'll

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Speaker 4: say that the very first person that I've ever heard

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Speaker 4: of buying out factories, uh, buying additional houses for their

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Speaker 4: collections of be it toys, dolls, board games, uh, clothes,

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Speaker 4: old videotapes, old movies, records, forty fives old machine like

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Speaker 4: the basically what my house is now, like about the

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Speaker 4: black version of the forty year old version, all your crap, yes,

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Speaker 4: for yes, all the stuff that we've had, the rummings

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Speaker 4: through business, business.

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Speaker 7: To the reason that you're the reason he has eighteen

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Speaker 7: storage units right now pretty much.

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Speaker 4: But I mean there's a bunch of us.

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Speaker 8: But the thing is is that it.

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Speaker 4: Starts with it starts with Biz claiming that there's a

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Speaker 4: record out there that we all turned the earth over

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Speaker 4: for it and never seem to find, and only Bizz

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Speaker 4: quote has it.

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Speaker 8: So yes, now, everyone, you record, you're recorder. You recorded records,

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Speaker 8: right of course, Now when you went to master it.

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Speaker 8: Have you ever had a record that was mastered that

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Speaker 8: you didn't want because it was it was the wrong

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Speaker 8: sound or something wasn't right.

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Speaker 4: Yes, yeah, I've you know what, Yes, Okay, there's an

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Speaker 4: original version of Michael Jackson's Off the Wall that does

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Speaker 4: not have the handclaps and rock with you that I

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Speaker 4: later found out that.

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Speaker 8: Was now they got to make the music the same way. Okay,

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Speaker 8: where it's no it's no bells, it's just the drums.

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Speaker 4: With the shakers. Okay, we scrapped that.

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Speaker 8: There was only there was only thirty five. There was

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Speaker 8: only thirty five to fifty put out of make the music.

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Speaker 8: It was EP. Okay, some people got it. But the

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Speaker 8: thing is, I'm trying to tell you the original EP,

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Speaker 8: the original EP with the black and white Coca Cola.

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Speaker 8: But there's two different ones. Okay, there's one with the

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Speaker 8: with the Isaac Hay's and there's one that's don't got

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Speaker 8: the Isaac case and I got Isaac Hays in the

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Speaker 8: middle with with the with the hook, the version that's

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Speaker 8: on the record now with the Madi Grad. I don't

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Speaker 8: know where I got it from. I'm not a snitch.

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Speaker 4: It's thirty years later.

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Speaker 8: You know you're not no no, no, no no on

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Speaker 8: your record dealer is listen to me? Listen what was saying? Yes?

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Speaker 12: So the MAIGHTI Grad? Since everybody know Madi.

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Speaker 8: Grad a live record, it is, yes, Maighty Guard is

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Speaker 8: a live record. You can hear the people talk play

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Speaker 8: on Mighty gra mad Gud you can hear the people

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Speaker 8: talking in the background.

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Speaker 4: Well that I assume asking Bob James that was the

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Speaker 4: sound effects of a bunch of animals.

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Speaker 8: And back in the day, Bob James and all of them,

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Speaker 8: I was. It was finally when I place. Wait, a

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Speaker 8: lot of musicians back then, don't remember. You're gonna tell

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Speaker 8: me you get right, you get splotched right now. He

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Speaker 8: couldnt sing Family of Fair the way he's singing you right,

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Speaker 8: I don't know.

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Speaker 12: Listen to me. I don't know how many of them out.

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Speaker 8: Listen to me. I don't know how many of them

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Speaker 8: are out. But when I got it, I had it

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Speaker 8: since the nineties. It's like an acetate, okay, okay, So

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Speaker 8: when I got it and I battled this dude name

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Speaker 8: top Speed in Indianapolis. No top Speed, you know, Okay,

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Speaker 8: when I put it on, then everybody started talking about it.

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Speaker 4: So you're saying, all right, just to let just let.

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Speaker 8: Mark mark redon marg.

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Speaker 4: I feel like I had twelve rounds, I know.

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Speaker 8: And there's twelve Like a lot of people don't think

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Speaker 8: there's twelve inches of Mardi Gras one sided. They do,

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Speaker 8: got Mardi Gras twelve inches real on ct I one sided.

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Speaker 8: My man Supreme the Rock from Seattle got him. I

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Speaker 8: got him, A couple of us got him. I'm just

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Speaker 8: letting you know, all right.

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Speaker 4: I'm gonna play you. You would know it as the

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Speaker 4: Peter Piper bells, one of the things you do so basically.

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Speaker 4: Now Biz claims he has a version of Marti Grau

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Speaker 4: without the bells and it just the drums, thus sending

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Speaker 4: us into a fineinancial tail spin. I put off Brodick. No,

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Speaker 4: it's for real, like I joke about it. But you know,

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Speaker 4: it's when when you get in this industry, football players,

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Speaker 4: sports people, the first the first person besides yourself that

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Speaker 4: you treat for is your mama. In my never ending

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Speaker 4: bid to find this record and acquiring all the other records,

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Speaker 4: well I can't find well I'll take these.

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Speaker 8: I'll take these. I'll take these. I'll take one record.

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Speaker 4: I know I put off by my mama's house, but

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Speaker 4: to search.

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Speaker 8: It's one record. I'm a person that has one of

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Speaker 8: the most extensive record collections that you ever will see.

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Speaker 8: I know how many records you got that you never

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Speaker 8: seen people with?

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Speaker 4: Probably got fourteen.

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Speaker 12: No, you got no, no, no.

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Speaker 8: I've talked about how many records that you bought that

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Speaker 8: you never seen nobody else with.

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Speaker 4: I know for a fact that I have fourteen one

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Speaker 4: of ones, like something that no one else will have

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Speaker 4: but me.

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Speaker 8: I got like at least I know you got a

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Speaker 8: I got like at least two three thousand. I never

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Speaker 8: seen nobody. I never see nobody puss. Right, that's like

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Speaker 8: when people when I came out at the park with

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Speaker 8: my SL seven hundred.

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Speaker 4: Yes I'm from I got you. Look.

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Speaker 12: Look as soon as.

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Speaker 8: I've been you've been saying, father, I'm sighting with them.

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Speaker 8: These are old man I'm fighting with Do you want

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Speaker 8: me to do? I can't make them do something.

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Speaker 7: It sounds like he has he said as it sounds

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Speaker 7: like it's a test pressing.

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Speaker 8: What happened is it's a mistake. You know how if

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Speaker 8: you listening something and something you don't hear, and then

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Speaker 8: you go back and do it over. Come on, you know,

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Speaker 8: come on, I have no I have no reason to

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Speaker 8: lie about one record.

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Speaker 4: I'm just saying, well, since we're talking about it, we

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Speaker 4: might as well do a special dish and not business. Yes,

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Speaker 4: the one time only a busy guess. So since you

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Speaker 4: the record master, we do this thing where we have

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Speaker 4: producers on the show identify songs now, normally with Tip

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Speaker 4: and Primo and I've done Snares or just but with you,

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Speaker 4: I'm we're doing the doctorate degree course on this. I'm

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Speaker 4: gonna give you not even half a second, Biz, not

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Speaker 4: even not even half a second. Looks it's like this

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Speaker 4: is easy, and I'm doing stabs. I'm not even doing

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Speaker 4: Snares kicks or high hats. I'm doing stabs.

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Speaker 8: Biz.

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Speaker 4: What is the song?

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Speaker 8: Oh that's that's some engine number nine.

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Speaker 4: I'll play it again. Nope, yes, yeah, uh.

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Speaker 8: I hear that the the the bongos. I can't I

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Speaker 8: know the record? I just.

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Speaker 4: All right, oh outside even count.

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Speaker 8: First of all, all the DJs used to play play

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Speaker 8: south Side Movement on forty five.

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Speaker 4: Okay, we'll get it plus record and plus give me

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Speaker 4: give me a story about the recordse I know you

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Speaker 4: have some weird story about well.

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Speaker 8: First of all, back in eighty one or eighty, they

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Speaker 8: used to have a record store called Downstairs Records. Yes,

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Speaker 8: I've heard it on forty second Street and eighth downstairs

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Speaker 8: sn Roy l Roy used to be. It used to

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Speaker 8: be like a thing. It used to be thing right here,

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Speaker 8: He used to stand on aside the records on the wall.

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Speaker 8: That album went for like ten dollars just.

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Speaker 4: The single loan or know the hour the album that

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Speaker 4: it came from, and it said moving on it. Okay,

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Speaker 4: I mean, I know, Wait what do you mean still

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Speaker 4: there Steve record in the subway?

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Speaker 8: Right? Yeah, that's not it's not it's a different one.

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Speaker 8: Oh okay, okay, that was after a while, it moved

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Speaker 8: up it moved upstairs, then it moved to forty third Street.

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Speaker 4: All right, here's your second one. Biz mm hmmm, whoa

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Speaker 4: mm hmmm.

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Speaker 8: I can't do it. That's too short. M hm. So

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Speaker 8: when it's all done, all right, come on, man, come on,

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Speaker 8: let's breakthrough truck Turner and any breakthrough stories breakthrough. First

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Speaker 8: time I heard breakthrough was Vambada and Jazzie Jay was

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Speaker 8: cutting it in the park where Uh Bronx Bronx River

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Speaker 8: Bronx River a Zoo Nation Anniversary.

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Speaker 4: Okay, this is your third record.

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Speaker 8: Oh I know what that is.

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00:16:08,960 --> 00:16:12,680
Speaker 4: I know what it is.

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00:16:14,440 --> 00:16:16,000
Speaker 8: I know the record. I can't think of it right now,

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00:16:16,000 --> 00:16:17,000
Speaker 8: I know the record?

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Speaker 4: All right?

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00:16:19,920 --> 00:16:23,760
Speaker 8: Uh bad White, no, no, no, maybe that's how bouncing

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00:16:24,200 --> 00:16:30,080
Speaker 8: Bouncy La Stutch yourself off out a details of.

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Speaker 12: The first time I got the first first time I got.

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Speaker 8: The Bouncy Bouncy Lady albums was from King Carroll, who

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Speaker 8: was a record store because downstairs, I mean, uh Flash

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Speaker 8: was cutting it one time and it sold out a downstairs,

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Speaker 8: so I had to go down the street to King

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Speaker 8: Carroll on forty third, I mean forty second between seventh

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Speaker 8: and six.

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Speaker 4: So I'm assuming that all the records that I initially

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Speaker 4: first acquired on the Ultimate Beats and Breaks compilations you

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Speaker 4: got firsthand because you were first generation witnessing Flashing on. Okay, cool,

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Speaker 4: all right, here's your fourth record, Come.

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Speaker 8: On, that's Get Out of My Life woman, Lee Dors.

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Speaker 4: Were you the first to use that?

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Speaker 8: Day?

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Speaker 12: Last Soul used their first, but they used the fast.

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Speaker 8: And I know you bad. That's right, that's right, that's right,

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Speaker 8: that's right.

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Speaker 4: Okay, so they used it for the baseball joint on.

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Speaker 8: Yeah, but just a freak album.

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Speaker 4: That album. All right, here's your last record, buz in

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Speaker 4: Round one.

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Speaker 8: Of business.

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Speaker 4: You guessed it sounds like a Q tip record. I'll

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00:17:56,960 --> 00:18:04,679
Speaker 4: I'll do a little pre roll for you. This is

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Speaker 4: so easy. I'm picking the easiest breaks of all time.

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Speaker 4: Oh wow wow, okay, yeah, Superman Love everybody text.

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Speaker 8: But the thing is I never looked at Superman Love

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Speaker 8: as a break really, so it was not. The intro

293
00:18:24,760 --> 00:18:26,000
Speaker 8: was never rhymed over, and.

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Speaker 4: That wasn't a break.

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Speaker 8: Really, breaks is like scratching.

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Speaker 4: I can't so stuff between one hundred and ten bpms

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Speaker 4: and faster, you.

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Speaker 8: Know, I mean, I don't know about the speed. I'm

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Speaker 8: just saying. Records that you know.

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00:18:40,880 --> 00:18:43,720
Speaker 4: Had naked drums, right, naked drums.

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Speaker 8: You had to have like mighty guad nautilists, you know

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Speaker 8: what I mean. Pe Life you got that right, Yeah,

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00:18:51,760 --> 00:18:52,680
Speaker 8: of course I have that.

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Speaker 4: That was around one of BIZ and we'll come with

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Speaker 4: a part two later. All right, So, Biz, where were

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00:18:59,240 --> 00:18:59,800
Speaker 4: you born?

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00:19:01,119 --> 00:19:04,040
Speaker 8: I was born in Harlem and Colonial Projects.

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00:19:04,600 --> 00:19:05,640
Speaker 4: You're from Harlem.

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00:19:06,080 --> 00:19:08,080
Speaker 8: Then I moved away when I was ten to Long

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Speaker 8: Island and I grew up in Long Island, I was,

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Speaker 8: I mean, I lived in patriog You know, so you

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00:19:16,560 --> 00:19:21,480
Speaker 8: because I've heard Jersey and her Brooklyn, Jersey, I feel.

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Speaker 4: Like you lived everywhere.

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Speaker 8: No, I moved to Jersey after records. I stayed with

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00:19:29,840 --> 00:19:32,600
Speaker 8: my sister a little in Brooklyn in like eighty three,

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00:19:33,359 --> 00:19:36,520
Speaker 8: and then eighty four is when I met Marley and them. Okay,

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00:19:36,560 --> 00:19:37,320
Speaker 8: and then.

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Speaker 4: So what I mean, did you aspire to be a

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Speaker 4: DJ at first?

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Speaker 8: Or like?

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Speaker 4: What was I told I had to make records? I

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00:19:48,440 --> 00:19:51,439
Speaker 4: got bored with rap to why records? Like you had

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00:19:51,440 --> 00:19:52,720
Speaker 4: a father that was a collector?

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00:19:52,800 --> 00:19:52,879
Speaker 8: Or?

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00:19:52,920 --> 00:19:54,480
Speaker 4: You like, how did you use to.

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Speaker 8: Play with Cold Traine? And then back in the day, Wow,

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Speaker 8: you're a jazz kid. Life used to play. My pops

328
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Speaker 8: used to play with you know, back in the back

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Speaker 8: in the sixties and fifties. So but I know, I'm

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00:20:09,840 --> 00:20:12,960
Speaker 8: just a I was just a collector. I started collecting.

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Speaker 8: My first forty five was Ben Okay. So then when

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00:20:21,720 --> 00:20:25,000
Speaker 8: when hip hop came out? Like my man when I

333
00:20:25,040 --> 00:20:27,400
Speaker 8: was in Long Island in seventy eight, my man bought

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00:20:27,400 --> 00:20:29,680
Speaker 8: an El Brother's tape out, you know, grant with a theater.

335
00:20:30,680 --> 00:20:33,120
Speaker 8: So I got bit by the bug after that. What's

336
00:20:33,119 --> 00:20:37,520
Speaker 8: your dad's name? So Royal Hall. Yeah, he played saxophone.

337
00:20:37,760 --> 00:20:42,080
Speaker 4: Steve's resident jazz Fetish.

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00:20:42,400 --> 00:20:45,679
Speaker 8: I'm gonna tell you another person father that used to

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00:20:45,680 --> 00:20:49,320
Speaker 8: play in the clubs jazz and stuff, Martin Sheen.

340
00:20:50,800 --> 00:20:53,640
Speaker 4: V Martin she President, Martin she.

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Speaker 8: Wow. Back in the day, I mean, that's my postuma,

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00:21:01,840 --> 00:21:04,520
Speaker 8: because back then you could go to them things in

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00:21:04,600 --> 00:21:08,480
Speaker 8: Manhattan little clubs and playing uh you know what I mean,

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00:21:09,080 --> 00:21:16,640
Speaker 8: his father or him him? Oh wow, oh wow, that's

345
00:21:16,640 --> 00:21:18,800
Speaker 8: about here, about in his early thousands right now.

346
00:21:24,920 --> 00:21:27,440
Speaker 4: No, but wow, I never knew what did he play?

347
00:21:28,280 --> 00:21:29,520
Speaker 8: He said. No, I'm just telling you.

348
00:21:29,640 --> 00:21:32,959
Speaker 4: He told me. Oh, you don't know what instrument he played, piano.

349
00:21:33,040 --> 00:21:37,760
Speaker 8: I just know he played or he was dead anyway

350
00:21:38,280 --> 00:21:42,080
Speaker 8: from my mom. Don't lie about that. I'm gonna bring

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00:21:42,119 --> 00:21:42,719
Speaker 8: his name up.

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00:21:43,480 --> 00:21:46,120
Speaker 4: You know, it's it's it's it's rather random to bring

353
00:21:46,160 --> 00:21:49,360
Speaker 4: it up. So it look everything you tell me, I'm

354
00:21:49,359 --> 00:21:52,760
Speaker 4: taking for your word. Biz, I'm just saying I just

355
00:21:52,880 --> 00:21:57,440
Speaker 4: never found the money record. But I digress anyway.

356
00:21:57,560 --> 00:21:59,640
Speaker 8: So I never found turntables either.

357
00:22:02,119 --> 00:22:04,520
Speaker 10: We've seen the evidence of the turntables. It could be

358
00:22:04,520 --> 00:22:06,760
Speaker 10: photoshop though true the turn.

359
00:22:08,320 --> 00:22:11,120
Speaker 4: Oh so Biz has a pair of techniques that only

360
00:22:11,160 --> 00:22:15,719
Speaker 4: play forty fives? Oh wow, yeah, I mean ill, but

361
00:22:15,760 --> 00:22:18,480
Speaker 4: no one else can get them. But Biz, why they wait?

362
00:22:18,600 --> 00:22:21,640
Speaker 4: Why is that I'm skipping all over your timeline? Why

363
00:22:21,680 --> 00:22:23,959
Speaker 4: do you have these? First of all, what happened when

364
00:22:24,080 --> 00:22:25,160
Speaker 4: the techniques make these?

365
00:22:25,640 --> 00:22:30,160
Speaker 8: Yeah, technique, what happened was back in the day before,

366
00:22:31,160 --> 00:22:31,960
Speaker 8: like eighty eight.

367
00:22:33,200 --> 00:22:34,000
Speaker 4: You've had these since?

368
00:22:34,240 --> 00:22:39,080
Speaker 8: Oh no, I'm telling your story. Back in the day before.

369
00:22:40,040 --> 00:22:41,840
Speaker 8: They were going to put them out like in the eighties,

370
00:22:42,359 --> 00:22:46,280
Speaker 8: but then the CD boom came and everything, so they

371
00:22:46,320 --> 00:22:48,320
Speaker 8: scrapped them.

372
00:22:48,520 --> 00:22:50,480
Speaker 4: And what these are just in the factory.

373
00:22:50,600 --> 00:22:52,760
Speaker 8: Like So when I went out to Japan to do

374
00:22:53,119 --> 00:22:59,040
Speaker 8: Yo Gabba Gabba, damn, I started having you got somebody

375
00:22:59,119 --> 00:23:02,359
Speaker 8: great grandson and then your gaba gap is the kids.

376
00:23:02,640 --> 00:23:05,240
Speaker 8: I'm hanging with them. So hey, they brought me to

377
00:23:05,280 --> 00:23:10,159
Speaker 8: the factory and I saw so many turntables that was incredible. Wow.

378
00:23:10,280 --> 00:23:12,600
Speaker 8: So I saw them and they was in the corner.

379
00:23:12,640 --> 00:23:14,720
Speaker 8: So I made a lot of trades for that.

380
00:23:15,440 --> 00:23:17,119
Speaker 4: All right, Before I go back to your timeline, I

381
00:23:17,200 --> 00:23:22,080
Speaker 4: might as well go there, biz. Okay, your house of

382
00:23:22,160 --> 00:23:23,719
Speaker 4: records are on fire.

383
00:23:25,400 --> 00:23:26,639
Speaker 8: Knock on the wood your.

384
00:23:26,520 --> 00:23:30,480
Speaker 4: House of okay, well, knock on wood whatever. Your house

385
00:23:30,480 --> 00:23:36,280
Speaker 4: of records are on fire. Okay, what five records are

386
00:23:36,320 --> 00:23:37,800
Speaker 4: you going to save?

387
00:23:41,080 --> 00:23:42,560
Speaker 8: I mean one of them is bartigraphs.

388
00:23:46,840 --> 00:23:52,600
Speaker 4: Which five records from your burning house on fire? Are

389
00:23:52,640 --> 00:23:53,280
Speaker 4: you going to save?

390
00:23:56,960 --> 00:24:02,800
Speaker 8: My devotion live forty five to who? Yeah?

391
00:24:03,000 --> 00:24:11,160
Speaker 4: Wait, there's a forty five of devotion on from Gratitude live, Yeah,

392
00:24:11,200 --> 00:24:11,840
Speaker 4: from Gratitude.

393
00:24:11,840 --> 00:24:12,600
Speaker 12: Tap your hands.

394
00:24:13,280 --> 00:24:17,800
Speaker 4: That's on forty five. Yeah, Jesus Christ. Okay, your house

395
00:24:17,840 --> 00:24:23,080
Speaker 4: is burning. By the way, this is sounds cent of fire,

396
00:24:25,720 --> 00:24:26,800
Speaker 4: burning house on fire.

397
00:24:27,320 --> 00:24:29,960
Speaker 12: My team plays are cool on forty five.

398
00:24:31,160 --> 00:24:33,399
Speaker 4: There's a tea plays cool forty five.

399
00:24:33,840 --> 00:24:36,800
Speaker 8: Are these promo cops? Like? Are they promo copies? Google it?

400
00:24:36,880 --> 00:24:38,480
Speaker 8: You got it right there? Team plays cool.

401
00:24:38,480 --> 00:24:39,679
Speaker 4: I'm looking I'm looking them up.

402
00:24:39,680 --> 00:24:40,320
Speaker 8: I'm looking them up.

403
00:24:40,359 --> 00:24:42,919
Speaker 7: Are these like white label promo promo copies or regular?

404
00:24:43,320 --> 00:24:46,359
Speaker 8: I got one? That is is an EP? It's on

405
00:24:46,480 --> 00:24:47,760
Speaker 8: Tape Car Records.

406
00:24:48,320 --> 00:24:55,639
Speaker 4: Tape Car Records, look it up EP. I gonna be

407
00:24:55,640 --> 00:24:59,240
Speaker 4: lit this episode.

408
00:25:00,080 --> 00:25:01,080
Speaker 12: About when when?

409
00:25:01,200 --> 00:25:03,119
Speaker 8: When he pull it up, I want I want to

410
00:25:03,320 --> 00:25:09,679
Speaker 8: apology ahead, dude, go ahead, buzz I'm believing that.

411
00:25:10,080 --> 00:25:13,760
Speaker 10: Wait wait wait wait, here's he plays a cool forty

412
00:25:13,800 --> 00:25:16,040
Speaker 10: five from the UK. Oh no, from Turkey.

413
00:25:16,080 --> 00:25:21,440
Speaker 9: Excuse me, I tell you your Turkey there too, so

414
00:25:21,560 --> 00:25:22,120
Speaker 9: go ahead.

415
00:25:28,080 --> 00:25:31,880
Speaker 4: Oh I gotta find that's your fire.

416
00:25:32,600 --> 00:25:33,240
Speaker 8: That's my fire?

417
00:25:33,960 --> 00:25:36,480
Speaker 12: Well all right, the rest gonna burn.

418
00:25:38,960 --> 00:25:40,960
Speaker 4: Business as many records you've got.

419
00:25:40,840 --> 00:25:45,440
Speaker 8: Like, I can't it's too plays Muhammad. I leave forty five.

420
00:25:46,480 --> 00:25:50,880
Speaker 4: Okay, I've seen, Yes, I've seen that one. Yes, I've

421
00:25:50,880 --> 00:25:51,560
Speaker 4: seen that.

422
00:25:52,840 --> 00:25:53,600
Speaker 12: Because it's signed.

423
00:25:54,440 --> 00:26:04,840
Speaker 8: Uh, I can't think of that now. Damn. There's too

424
00:26:04,840 --> 00:26:05,760
Speaker 8: many records.

425
00:26:06,520 --> 00:26:09,199
Speaker 7: You're like, you're like forty fives more than more than LPs.

426
00:26:09,240 --> 00:26:12,159
Speaker 8: Your forty fives got the reason I started DJing with

427
00:26:12,240 --> 00:26:18,679
Speaker 8: forty fivest all these records, milk, they.

428
00:26:18,560 --> 00:26:21,520
Speaker 4: Had its time. What about your other artifacts?

429
00:26:21,600 --> 00:26:23,800
Speaker 12: What you didn't say that, you just said record.

430
00:26:24,760 --> 00:26:29,199
Speaker 4: So now, Biz, your house, your your artifacts house is burning.

431
00:26:29,640 --> 00:26:33,359
Speaker 8: What are you saving? I'm taking my two pair of

432
00:26:33,520 --> 00:26:36,760
Speaker 8: SL seven hundreds, one with the curve on, one with

433
00:26:36,800 --> 00:26:40,480
Speaker 8: the straight arm. I'm taking my Flashes beat box that

434
00:26:40,560 --> 00:26:41,080
Speaker 8: he gave me.

435
00:26:41,600 --> 00:26:45,800
Speaker 4: Oh you own a beat box? Yes, yeah, he gave

436
00:26:45,880 --> 00:26:46,560
Speaker 4: that to you.

437
00:26:46,680 --> 00:26:47,080
Speaker 8: Yeah.

438
00:26:47,480 --> 00:26:50,560
Speaker 12: Fuck, he gave me the name I got it.

439
00:26:53,320 --> 00:26:57,800
Speaker 8: Biz, Can you reveal what that drumming scene is? Biz?

440
00:26:58,800 --> 00:27:00,000
Speaker 4: Look, I want you.

441
00:27:00,119 --> 00:27:01,320
Speaker 12: I can't keep from the world.

442
00:27:01,560 --> 00:27:05,600
Speaker 4: I want you and Pete Rock. But Business, what you

443
00:27:05,680 --> 00:27:08,320
Speaker 4: gotta understand is you've seen and this is the fire

444
00:27:08,359 --> 00:27:08,879
Speaker 4: still burning.

445
00:27:10,800 --> 00:27:12,399
Speaker 12: But you want to how you want to know?

446
00:27:12,600 --> 00:27:14,600
Speaker 8: How you want to stop me from getting my stuff?

447
00:27:14,720 --> 00:27:18,480
Speaker 8: As you got the fire burning, I'm setting the fire.

448
00:27:18,280 --> 00:27:19,920
Speaker 4: And to help you save it at the same time.

449
00:27:19,960 --> 00:27:20,320
Speaker 8: Biz.

450
00:27:20,560 --> 00:27:23,360
Speaker 4: But wait, this is what I'm saying now. I can

451
00:27:23,480 --> 00:27:28,600
Speaker 4: see back in eight boards. I can see back in

452
00:27:28,720 --> 00:27:33,080
Speaker 4: eighty eighty nine ninety when it was a breathless race

453
00:27:33,119 --> 00:27:36,160
Speaker 4: to the finish to find some illshit and.

454
00:27:36,040 --> 00:27:38,639
Speaker 8: Then recreate some But this started from eighty one to

455
00:27:38,680 --> 00:27:41,000
Speaker 8: eighty two. So I'm older than y'all, so I know.

456
00:27:41,080 --> 00:27:45,800
Speaker 4: But listen, here's the point now. But we can agree

457
00:27:45,880 --> 00:27:50,680
Speaker 4: that you utilized it to its n degree between the

458
00:27:50,800 --> 00:27:56,520
Speaker 4: late eighties and the mid arts, either by sampling, making records,

459
00:27:56,840 --> 00:27:59,920
Speaker 4: or playing it for us in concert as a DJ.

460
00:28:00,480 --> 00:28:04,639
Speaker 4: So what I'm saying is you do acknowledge in twenty

461
00:28:04,720 --> 00:28:08,640
Speaker 4: seventeen there is a somewhat of a drought going on

462
00:28:08,920 --> 00:28:11,360
Speaker 4: in hip hop culture as you know it now. I'm

463
00:28:11,359 --> 00:28:14,240
Speaker 4: not saying that everything should stay the same, nothing else

464
00:28:14,240 --> 00:28:17,600
Speaker 4: to change. Yes, I love the the you know, the

465
00:28:17,640 --> 00:28:26,320
Speaker 4: evolution of musical culture. But I would almost rather someone

466
00:28:26,359 --> 00:28:30,920
Speaker 4: that's listening to this program search for that flash drum

467
00:28:30,960 --> 00:28:32,399
Speaker 4: machine so they can.

468
00:28:32,280 --> 00:28:33,040
Speaker 8: Go out and make some.

469
00:28:35,720 --> 00:28:39,880
Speaker 4: Why you and Bete are the most secretive people, But

470
00:28:40,360 --> 00:28:41,320
Speaker 4: how are we secret?

471
00:28:41,360 --> 00:28:45,280
Speaker 8: Because we got something we want everybody to have. I

472
00:28:45,360 --> 00:28:46,680
Speaker 8: have a definition of seapop.

473
00:28:47,400 --> 00:28:50,960
Speaker 4: I know what makes you, we know what makes you unique.

474
00:28:51,040 --> 00:28:53,520
Speaker 4: But when you want after, okay.

475
00:28:53,440 --> 00:28:56,520
Speaker 8: We don't tell everybody everything you got, I do. No,

476
00:28:56,600 --> 00:28:57,720
Speaker 8: I don't share.

477
00:28:57,800 --> 00:28:58,320
Speaker 12: I know you.

478
00:28:58,600 --> 00:29:00,800
Speaker 8: I'm not talking about share an m P three F

479
00:29:01,040 --> 00:29:04,320
Speaker 8: take people, I'm not talking about m P three five.

480
00:29:04,440 --> 00:29:12,000
Speaker 4: Look mic f come on, I'm saying, my son, I'm

481
00:29:12,000 --> 00:29:14,760
Speaker 4: staying this record though, I'm staying this.

482
00:29:14,720 --> 00:29:15,280
Speaker 8: For the record.

483
00:29:15,880 --> 00:29:19,160
Speaker 4: I understand that I've taken about I've taken about maybe

484
00:29:19,200 --> 00:29:24,560
Speaker 4: two hundred people in my lifetime, record shopping being shopping, Like,

485
00:29:24,840 --> 00:29:26,400
Speaker 4: why keep it alltimate?

486
00:29:26,600 --> 00:29:31,400
Speaker 8: No? I just took like two thousand, three thousand, all right?

487
00:29:31,680 --> 00:29:35,800
Speaker 8: Just saw, Hey you got.

488
00:29:35,640 --> 00:29:37,720
Speaker 12: A Jogi, Jeff, you gass cash?

489
00:29:37,800 --> 00:29:38,080
Speaker 8: Money?

490
00:29:38,080 --> 00:29:40,040
Speaker 4: Can I ask on flash gags?

491
00:29:40,120 --> 00:29:43,040
Speaker 8: Vaughn? You got your boy?

492
00:29:43,080 --> 00:29:44,400
Speaker 4: Why shot?

493
00:29:47,080 --> 00:29:47,320
Speaker 8: Yeah?

494
00:29:47,400 --> 00:29:51,280
Speaker 4: We can't reach it. We can't reach Primo wanted me

495
00:29:51,320 --> 00:29:54,640
Speaker 4: to call him on the show. My man, I know what, son,

496
00:29:54,840 --> 00:29:57,280
Speaker 4: He told me all the questions to ask you.

497
00:29:57,320 --> 00:29:58,600
Speaker 8: But I'm just saying.

498
00:29:58,920 --> 00:30:01,160
Speaker 11: That he just share it with you and then it'll

499
00:30:01,200 --> 00:30:03,240
Speaker 11: be cool for me.

500
00:30:03,520 --> 00:30:07,720
Speaker 8: But I can't tell you. I can't let the world

501
00:30:08,320 --> 00:30:08,880
Speaker 8: some secret.

502
00:30:09,000 --> 00:30:09,680
Speaker 4: You can't just.

503
00:30:13,160 --> 00:30:15,720
Speaker 8: Is it more important? Is it more.

504
00:30:15,640 --> 00:30:18,760
Speaker 4: Important for you to make your unique mark on the world,

505
00:30:19,040 --> 00:30:22,960
Speaker 4: or is it more important that on your dying day,

506
00:30:23,000 --> 00:30:28,440
Speaker 4: your deathbed, that you know that there's ten biz marquis

507
00:30:28,800 --> 00:30:30,840
Speaker 4: like disciples that are.

508
00:30:30,720 --> 00:30:31,360
Speaker 8: Going to die.

509
00:30:38,320 --> 00:30:42,080
Speaker 12: I'm kidding, You're gonna be yours? Could you put it?

510
00:30:46,560 --> 00:30:46,920
Speaker 8: All right?

511
00:30:50,040 --> 00:30:53,800
Speaker 12: Just go back to Harlem's.

512
00:30:55,720 --> 00:30:58,840
Speaker 10: His house burning down, You got him dying, He's still

513
00:30:58,880 --> 00:30:59,560
Speaker 10: not giving it up?

514
00:31:00,360 --> 00:31:04,480
Speaker 8: What alright? Being flashy like Oh, I thought you was

515
00:31:04,600 --> 00:31:09,680
Speaker 8: gonna tell nobody. God, it'd be like that Twilight Zone

516
00:31:09,920 --> 00:31:12,160
Speaker 8: when that lady said I want that dude said to

517
00:31:12,200 --> 00:31:15,520
Speaker 8: the lady, don't never tell nobody or the Devil's gonna coming.

518
00:31:17,880 --> 00:31:31,720
Speaker 13: Maybe did not tell you? Alright, alright, alright? So in Harlem, when.

519
00:31:31,560 --> 00:31:34,040
Speaker 4: Did you first started collect You got your first record

520
00:31:34,040 --> 00:31:35,720
Speaker 4: when you was what the forty five?

521
00:31:35,800 --> 00:31:39,080
Speaker 8: It wasn't it wasn't hip hop. I just got yeah, Ben.

522
00:31:38,960 --> 00:31:41,760
Speaker 4: You gotta start somewhere. So when did the bug hit

523
00:31:41,840 --> 00:31:46,320
Speaker 4: you that yo? I was it DJing first or was

524
00:31:46,320 --> 00:31:50,160
Speaker 4: it mc and or box? All right, now I know you.

525
00:31:51,120 --> 00:31:57,000
Speaker 4: I want you to set the record straight on the

526
00:31:57,520 --> 00:32:03,600
Speaker 4: who was the first cat that you heard? Or are

527
00:32:03,720 --> 00:32:07,600
Speaker 4: you that first cat? Who's the first cat to go

528
00:32:07,720 --> 00:32:10,200
Speaker 4: on record to say, this is the beat box.

529
00:32:11,720 --> 00:32:15,720
Speaker 8: The first, the first one I heard besides me, Yes,

530
00:32:15,880 --> 00:32:20,480
Speaker 8: with Dougie. So doug is the original human beat box. Yeah,

531
00:32:20,560 --> 00:32:21,600
Speaker 8: that's the first one I ever.

532
00:32:21,720 --> 00:32:24,040
Speaker 4: So where does Buffy fall in line of Buffy? He

533
00:32:24,120 --> 00:32:24,840
Speaker 4: was just the first to.

534
00:32:24,800 --> 00:32:28,000
Speaker 8: Get to everybody's from different places.

535
00:32:28,200 --> 00:32:29,320
Speaker 12: Buffy was from Brooklyn.

536
00:32:29,760 --> 00:32:34,040
Speaker 8: That's why me and a Dougie and Buffy never sound

537
00:32:34,080 --> 00:32:37,760
Speaker 8: the same. Is from different places, so you would never

538
00:32:37,800 --> 00:32:41,080
Speaker 8: know I'm fromand I'm from Patrick, I'm from like you

539
00:32:41,200 --> 00:32:47,640
Speaker 8: from Philly, I'm from like country Hockens. You don't even

540
00:32:47,800 --> 00:32:52,320
Speaker 8: you don't even count that in Philly's son. I'm like

541
00:32:52,360 --> 00:32:58,120
Speaker 8: from Hershey, Pennsylvania. I don't even count. Keep it real, all.

542
00:32:58,120 --> 00:33:02,880
Speaker 4: Right, but I'm just saying that, you're so. At what

543
00:33:03,000 --> 00:33:06,840
Speaker 4: point did New York start to do this cross cultural

544
00:33:07,280 --> 00:33:12,040
Speaker 4: colonization where a queen's cap We'll go to Brooklyn with

545
00:33:12,080 --> 00:33:15,640
Speaker 4: no beef, and Brooklyn would come to Long Island and

546
00:33:16,120 --> 00:33:18,440
Speaker 4: well the way outside the parents moving.

547
00:33:18,680 --> 00:33:22,720
Speaker 8: Okay, the way I started, uh back in eighty two,

548
00:33:23,920 --> 00:33:26,040
Speaker 8: I was handing out fliers for Mike and Dave, you know,

549
00:33:26,080 --> 00:33:29,440
Speaker 8: Mike and Davis. No, Mike and Dave had they had

550
00:33:29,440 --> 00:33:33,040
Speaker 8: a label, but they had cruise like the Crash Crew. Okay,

551
00:33:33,680 --> 00:33:38,920
Speaker 8: Master Dawn, Boogie Boys, Dougie, Rob Bass, all of us

552
00:33:38,920 --> 00:33:42,320
Speaker 8: started Fat Man's School. All of us started from under them.

553
00:33:43,240 --> 00:33:45,160
Speaker 8: They used to hand We used to you know, you

554
00:33:45,200 --> 00:33:47,720
Speaker 8: want to be on they be an artist? Yeah, they

555
00:33:47,760 --> 00:33:49,840
Speaker 8: do all. They was like one of the big promoters.

556
00:33:49,920 --> 00:33:52,520
Speaker 8: So we had a I used to hand our fliers

557
00:33:52,560 --> 00:33:55,360
Speaker 8: for them, and then I just watched and learned and

558
00:33:55,480 --> 00:33:56,200
Speaker 8: learned and learned.

559
00:33:56,760 --> 00:33:59,920
Speaker 4: So is this where the basis of vapors verse came in?

560
00:34:00,200 --> 00:34:04,640
Speaker 8: To play with the basis of the vapors verse came in?

561
00:34:04,800 --> 00:34:08,040
Speaker 8: Is I was on my block and the kids down

562
00:34:08,120 --> 00:34:11,640
Speaker 8: the block had a crew. I wanted to be in

563
00:34:11,719 --> 00:34:14,279
Speaker 8: the crew, but I always had to be and my

564
00:34:14,360 --> 00:34:16,279
Speaker 8: parents were strict, so I had to be in when

565
00:34:16,320 --> 00:34:19,239
Speaker 8: the light was out. So I always asked cand I

566
00:34:19,280 --> 00:34:22,040
Speaker 8: be down. And since I wasn't the cool cat and

567
00:34:22,080 --> 00:34:26,520
Speaker 8: I wasn't smoking and I wasn't drinking, no, you.

568
00:34:26,520 --> 00:34:27,160
Speaker 4: Can't be down.

569
00:34:27,239 --> 00:34:29,719
Speaker 8: So I went back into the lab and try to

570
00:34:29,719 --> 00:34:32,760
Speaker 8: get his best at best I can, and doing that,

571
00:34:32,840 --> 00:34:36,600
Speaker 8: my time came vapors.

572
00:34:36,840 --> 00:34:40,799
Speaker 4: He made the vapor effects ladies in Jon't so I'm

573
00:34:40,880 --> 00:34:45,840
Speaker 4: noticing the pattern that all musical savants and and and

574
00:34:46,360 --> 00:34:51,640
Speaker 4: icons are either legacy kids of parents that were musicians

575
00:34:52,880 --> 00:34:56,120
Speaker 4: or people that had to follow Richard pryor heavy ass home.

576
00:34:56,560 --> 00:34:57,919
Speaker 8: Parents in the street lights.

577
00:34:57,920 --> 00:35:01,320
Speaker 4: Come on street light, Yeah no, no, no messing around.

578
00:35:01,480 --> 00:35:06,680
Speaker 4: So under under that crew, were you d j M

579
00:35:06,800 --> 00:35:09,160
Speaker 4: first or or you said you were be boxing first?

580
00:35:09,400 --> 00:35:11,960
Speaker 8: Be boxing and rapper like I used to snap on people.

581
00:35:12,520 --> 00:35:15,440
Speaker 8: I was always a funny guy, like shitty Shannati. Your

582
00:35:15,480 --> 00:35:19,000
Speaker 8: nose is snotty. Every time I see you, you're begging somebody.

583
00:35:19,040 --> 00:35:21,640
Speaker 8: But if you're egging, you're begging, and your humming, you're bumming.

584
00:35:21,840 --> 00:35:27,080
Speaker 8: Good God, oldmighty. I hate to see you coming my

585
00:35:27,280 --> 00:35:29,280
Speaker 8: drop moment, Biz, markeyla and gentlemen.

586
00:35:30,880 --> 00:35:36,759
Speaker 4: Actually, Premiere just hit me, he said, ask Biz, between

587
00:35:37,040 --> 00:35:42,400
Speaker 4: you and Big Sugar from Gangstar, who would win the

588
00:35:42,440 --> 00:35:43,360
Speaker 4: snapping contest?

589
00:35:43,360 --> 00:35:43,799
Speaker 8: Come on?

590
00:35:44,239 --> 00:35:48,560
Speaker 14: He saw what I did to him, and then Prima

591
00:35:48,680 --> 00:35:52,600
Speaker 14: also followed up that if this says now, you know

592
00:35:52,680 --> 00:36:04,440
Speaker 14: how I do tell Biz he's lying, He asked prem.

593
00:36:04,320 --> 00:36:07,280
Speaker 8: I said, uh, I said something something something something something,

594
00:36:07,600 --> 00:36:09,640
Speaker 8: and then I told him I told uh Big Sugar

595
00:36:09,680 --> 00:36:11,360
Speaker 8: he had a hip hop starter kid.

596
00:36:11,160 --> 00:36:16,600
Speaker 4: On them with being n XL.

597
00:36:17,360 --> 00:36:20,920
Speaker 8: He said that, yeah, any and I was on tour

598
00:36:20,960 --> 00:36:24,040
Speaker 8: with Gangstar Rest in Peace, you know. Yeah, we was

599
00:36:24,080 --> 00:36:26,440
Speaker 8: on tour in Japan and.

600
00:36:26,080 --> 00:36:30,080
Speaker 4: He told he told me that, and then you proceeded

601
00:36:30,120 --> 00:36:35,520
Speaker 4: to stay. He said that the most amazing thing of

602
00:36:35,560 --> 00:36:38,759
Speaker 4: that Japan tour was the fact that you were the

603
00:36:38,760 --> 00:36:43,560
Speaker 4: first cat that he saw ben shopping and then you

604
00:36:43,719 --> 00:36:49,839
Speaker 4: somehow managed to have the promoter paid for all your

605
00:36:49,880 --> 00:36:53,160
Speaker 4: shipment back to the state, and that the shipment was

606
00:36:53,280 --> 00:37:02,480
Speaker 4: actually more than the records. Wait talk about the van now, see,

607
00:37:02,600 --> 00:37:06,160
Speaker 4: and I hate this whole like my generation and when

608
00:37:06,200 --> 00:37:08,279
Speaker 4: cat's be like, hey, what's up o G because I

609
00:37:08,280 --> 00:37:10,240
Speaker 4: feel like we're all all the same hip hop generation.

610
00:37:10,360 --> 00:37:12,919
Speaker 4: But I'm just saying that, it's like for when all right,

611
00:37:12,960 --> 00:37:16,879
Speaker 4: So for my layer of hip hop, DJ Premier's van

612
00:37:17,640 --> 00:37:21,520
Speaker 4: was like the be all end all van to test

613
00:37:21,560 --> 00:37:23,640
Speaker 4: your music. I'm gonna get to you, bus, I'm gonna

614
00:37:23,680 --> 00:37:25,640
Speaker 4: give you the credit. Biz looking at it. This got

615
00:37:25,680 --> 00:37:28,000
Speaker 4: his guns out a ray like give me credit.

616
00:37:31,280 --> 00:37:31,480
Speaker 8: I was.

617
00:37:31,719 --> 00:37:33,160
Speaker 12: I can tell you a story about that though.

618
00:37:33,560 --> 00:37:37,319
Speaker 4: But yes, when Premiere told me, yo, dog, this was

619
00:37:37,360 --> 00:37:38,560
Speaker 4: the first cat I saw.

620
00:37:39,280 --> 00:37:44,160
Speaker 8: MPV, Yes V, Well, can I tell your story. Yes,

621
00:37:44,239 --> 00:37:48,840
Speaker 8: tell me, well, can I put the fireside chat? We

622
00:37:48,920 --> 00:37:53,520
Speaker 8: got yes, And now they had some my boys from uptown.

623
00:37:53,920 --> 00:37:57,440
Speaker 8: And I think y'all saw the movie payd to Full. Yes. Well,

624
00:37:57,800 --> 00:37:59,520
Speaker 8: I used to hang with a Z. I used to

625
00:37:59,520 --> 00:38:01,880
Speaker 8: hang out Poe. I used to hang with rich Porter.

626
00:38:02,360 --> 00:38:06,440
Speaker 8: Rich Porter was one of the flyest dudes known to

627
00:38:06,600 --> 00:38:11,000
Speaker 8: man to this date. Okay, right, So he had an

628
00:38:11,120 --> 00:38:15,640
Speaker 8: MPV first, right, I said, Yo, man, what is that?

629
00:38:15,760 --> 00:38:17,600
Speaker 8: Blah blah blah. So I sat in there with him.

630
00:38:17,800 --> 00:38:20,560
Speaker 8: We talked for about an hour half an hour. The

631
00:38:20,560 --> 00:38:22,640
Speaker 8: next day I went to got two of them. I

632
00:38:22,680 --> 00:38:32,480
Speaker 8: got I got a expensive I had money had you? Okay? Right?

633
00:38:32,560 --> 00:38:32,759
Speaker 7: Right?

634
00:38:32,880 --> 00:38:33,120
Speaker 8: Right?

635
00:38:33,239 --> 00:38:38,000
Speaker 7: So I'm sorry, what'ts an MPV? Oh it's a.

636
00:38:37,239 --> 00:38:39,960
Speaker 8: Multi purpose family? So what I did?

637
00:38:40,120 --> 00:38:41,719
Speaker 4: I'm glad you asked that because if I already asked

638
00:38:41,719 --> 00:38:44,279
Speaker 4: that business bill would have been like google it.

639
00:38:44,520 --> 00:38:50,120
Speaker 8: Right. So so I got B one and I got

640
00:38:51,040 --> 00:38:53,799
Speaker 8: cool V a blue one. So but with minds, I

641
00:38:53,840 --> 00:38:57,359
Speaker 8: put like twelve thousand of system in there. You got

642
00:38:57,440 --> 00:39:00,600
Speaker 8: thinking eighty nine. That's a lot out of money.

643
00:39:00,680 --> 00:39:02,360
Speaker 4: Why didn't get a jeep like everyone else?

644
00:39:02,800 --> 00:39:04,520
Speaker 8: I want to get it to be different.

645
00:39:04,880 --> 00:39:08,319
Speaker 4: Okay, so it's it's like a cool ass Socca pop then.

646
00:39:08,680 --> 00:39:10,960
Speaker 11: But I had everything in it, but it had an

647
00:39:11,080 --> 00:39:12,800
Speaker 11: error when like cool dudes used to drive.

648
00:39:14,600 --> 00:39:18,759
Speaker 12: I had that casette, everything in it.

649
00:39:19,000 --> 00:39:20,960
Speaker 8: I never heard of a player in a car.

650
00:39:22,400 --> 00:39:29,200
Speaker 4: Google that only because Primo had one that I believe

651
00:39:29,239 --> 00:39:31,719
Speaker 4: this story because yeah.

652
00:39:31,840 --> 00:39:34,120
Speaker 8: So at the time, I mean I used to see

653
00:39:34,120 --> 00:39:38,400
Speaker 8: Primo blah blah blah blah, and he saw my joint.

654
00:39:38,719 --> 00:39:40,640
Speaker 8: He got one, but then he got one with deep

655
00:39:40,680 --> 00:39:46,960
Speaker 8: dish rims. And I say, yore because I had black,

656
00:39:47,440 --> 00:39:51,120
Speaker 8: I had black and chrome BBS's and he had the

657
00:39:51,200 --> 00:39:52,120
Speaker 8: deep dish joints.

658
00:39:52,160 --> 00:40:02,160
Speaker 4: I said, yo. All right. So from be boxing and

659
00:40:02,200 --> 00:40:04,480
Speaker 4: I'm always gonna go back in time, So from be

660
00:40:04,640 --> 00:40:09,520
Speaker 4: boxing too to DJ SO rap next.

661
00:40:09,960 --> 00:40:11,760
Speaker 8: Yeah, because I had to make records.

662
00:40:12,360 --> 00:40:14,319
Speaker 4: But when I first heard of you was Deth fresh

663
00:40:14,320 --> 00:40:16,120
Speaker 4: school with Roxanne be boxing.

664
00:40:16,200 --> 00:40:16,520
Speaker 8: Yeah.

665
00:40:16,560 --> 00:40:18,719
Speaker 4: So how did the whole Philly connection with Pop Art

666
00:40:18,719 --> 00:40:21,080
Speaker 4: Records and Lawrence Goodman and all that happened?

667
00:40:21,200 --> 00:40:26,000
Speaker 8: What happened was Shante made Roxannes revenge. Okay, so Tyrone

668
00:40:26,000 --> 00:40:29,080
Speaker 8: Williams and Marley and them hooked up with Lawrence Goodman

669
00:40:29,080 --> 00:40:29,399
Speaker 8: in them.

670
00:40:29,760 --> 00:40:36,200
Speaker 4: Okay, Lawrence Goodman the maybe yeah.

671
00:40:35,640 --> 00:40:37,239
Speaker 12: Yeah, he was a tough dude. He was tough to

672
00:40:37,400 --> 00:40:38,000
Speaker 12: him and his brother.

673
00:40:38,400 --> 00:40:41,319
Speaker 4: So was there ever a nice guy in the music

674
00:40:41,440 --> 00:40:45,120
Speaker 4: industry like all the black guys if we put Lawrence

675
00:40:45,160 --> 00:40:49,239
Speaker 4: Goodman should knight, Uh, all of them.

676
00:40:49,239 --> 00:40:51,080
Speaker 8: Was cool with me. But I'm just saying. And then

677
00:40:51,440 --> 00:40:53,359
Speaker 8: at the time, I wanted to make a record bad,

678
00:40:53,440 --> 00:40:57,200
Speaker 8: so I got on with Chante and my thing, my fame,

679
00:40:57,320 --> 00:41:00,600
Speaker 8: my claim to fame was the tape from be from

680
00:41:00,680 --> 00:41:05,040
Speaker 8: Roseland with Chin That's yes, it's it's then I got

681
00:41:05,080 --> 00:41:07,359
Speaker 8: Then I made the record with Chante, and then I

682
00:41:07,400 --> 00:41:10,200
Speaker 8: was begging Lawrence Goodman, Yo, I want to make a record.

683
00:41:10,200 --> 00:41:11,399
Speaker 8: Blah blah blah blah blah blah.

684
00:41:11,400 --> 00:41:13,480
Speaker 4: What was the de Chante record? What year was that?

685
00:41:13,640 --> 00:41:16,520
Speaker 8: Eighty five? Yeah?

686
00:41:16,560 --> 00:41:18,960
Speaker 4: So wait they used to play that Roseland tape on

687
00:41:19,040 --> 00:41:19,960
Speaker 4: radio up here or.

688
00:41:20,080 --> 00:41:24,960
Speaker 8: Yeah what mister Magic World World Permit Permire All right?

689
00:41:25,200 --> 00:41:28,319
Speaker 4: Who who is that? A World premire permit? That's him, right,

690
00:41:28,360 --> 00:41:31,279
Speaker 4: that's him? Yeah, Okay, do you have an original copy

691
00:41:31,280 --> 00:41:37,040
Speaker 4: of that world I actually doz Yes, I would love

692
00:41:37,080 --> 00:41:40,560
Speaker 4: to get sharing his Karen, I would.

693
00:41:40,360 --> 00:41:42,040
Speaker 8: Share that with you, but I'm not telling you the

694
00:41:42,120 --> 00:41:47,160
Speaker 8: name of the what I'm finding that drum to see

695
00:41:47,440 --> 00:41:51,120
Speaker 8: one way or another? All right, this way, I'll bring

696
00:41:51,160 --> 00:41:53,440
Speaker 8: it out. I'll let you see it you now, if

697
00:41:53,440 --> 00:41:57,400
Speaker 8: you get the name of it, i'll show you brand.

698
00:41:57,440 --> 00:41:59,440
Speaker 8: I show you it, but I can't tell you in

699
00:41:59,520 --> 00:42:01,680
Speaker 8: your faith and on the air.

700
00:42:01,760 --> 00:42:03,640
Speaker 4: Okay, I get it, I get it, I get it.

701
00:42:03,960 --> 00:42:05,160
Speaker 8: I get it anyway.

702
00:42:05,360 --> 00:42:08,200
Speaker 4: So yeah, so based on that, actually, wait, can I

703
00:42:08,200 --> 00:42:11,400
Speaker 4: play that for a second, the Live routine with Biz

704
00:42:12,400 --> 00:42:14,520
Speaker 4: You got it? This is yes, this is Live Routine

705
00:42:14,520 --> 00:42:16,280
Speaker 4: with Bizmarky by mc shann.

706
00:42:16,440 --> 00:42:19,040
Speaker 8: Oh yeah, okay, we're ready to rout you ready shan

707
00:42:21,760 --> 00:42:25,440
Speaker 8: started off and tell them who we are. I want to,

708
00:42:25,680 --> 00:42:28,960
Speaker 8: I want to, I want to. I want to.

709
00:42:30,640 --> 00:42:35,000
Speaker 15: I like to introduce myself, my namic, bizmar keep you

710
00:42:36,080 --> 00:42:42,880
Speaker 15: and that's MC champion and Molly mob and missing a

711
00:42:42,960 --> 00:42:49,320
Speaker 15: medic can't pick spot top and my mac Flordia.

712
00:42:50,480 --> 00:42:55,040
Speaker 8: And my seat am I mac Harmony.

713
00:42:56,239 --> 00:42:59,799
Speaker 4: And Sun Bram. So we're gonna do.

714
00:42:59,760 --> 00:43:01,319
Speaker 8: A litt I like.

715
00:43:05,280 --> 00:43:20,319
Speaker 4: Simple Okay, I have a question, Bis, and you're b

716
00:43:20,320 --> 00:43:26,280
Speaker 4: boxing technique because you're definitely. While while it is most

717
00:43:26,320 --> 00:43:32,480
Speaker 4: b boxes, their kick and their snare both had the

718
00:43:32,520 --> 00:43:38,760
Speaker 4: same range you're like in your mind, are you playing

719
00:43:38,800 --> 00:43:41,319
Speaker 4: a rim shot? Like what like I know for like

720
00:43:41,640 --> 00:43:42,319
Speaker 4: for you going to be.

721
00:43:43,080 --> 00:43:45,759
Speaker 8: Or shot and my bass is different my bas is

722
00:43:45,800 --> 00:43:50,799
Speaker 8: Like so you were hum with the B box huh?

723
00:43:51,040 --> 00:43:53,319
Speaker 4: You you were hum with your your your kick jump

724
00:43:53,320 --> 00:43:54,319
Speaker 4: to give it extra.

725
00:43:54,520 --> 00:43:56,120
Speaker 8: You know how you want to give it that extra

726
00:43:56,200 --> 00:44:00,960
Speaker 8: sound like right, So I was looking at it. I

727
00:44:01,000 --> 00:44:02,719
Speaker 8: was looking at it as an eight a weight, so

728
00:44:02,960 --> 00:44:04,640
Speaker 8: you know how the eight awight got.

729
00:44:06,600 --> 00:44:09,160
Speaker 4: But what I'm saying is at least with with with

730
00:44:09,320 --> 00:44:12,440
Speaker 4: the human bet Box from the Fat Boys. I always

731
00:44:12,480 --> 00:44:16,080
Speaker 4: heard him and Ducky for that part emulating and Piece

732
00:44:16,120 --> 00:44:21,920
Speaker 4: the President. So when b boxes do they're doing, what

733
00:44:22,480 --> 00:44:25,400
Speaker 4: is the beat? What is the break in your head

734
00:44:25,680 --> 00:44:28,080
Speaker 4: that you're emulating when you're.

735
00:44:28,320 --> 00:44:30,880
Speaker 8: I'm trying to get as close to the record as possible.

736
00:44:31,080 --> 00:44:33,000
Speaker 4: Which record though, what's the record in your head that

737
00:44:33,040 --> 00:44:33,839
Speaker 4: you're emulating?

738
00:44:34,120 --> 00:44:35,600
Speaker 8: Which record? Because you don't do.

739
00:44:35,880 --> 00:44:37,799
Speaker 4: In Piece of President like breaks you do like.

740
00:44:39,960 --> 00:44:40,680
Speaker 8: No, I go, I W.

741
00:44:44,000 --> 00:44:46,800
Speaker 4: I rarely hear you do that break. So I'm saying,

742
00:44:46,880 --> 00:44:48,920
Speaker 4: and plus you're the first bat boxer I know that

743
00:44:49,000 --> 00:44:50,759
Speaker 4: rhymed and be boxed at the same time.

744
00:44:50,840 --> 00:44:52,680
Speaker 12: That was I wanted to be different, So.

745
00:44:54,120 --> 00:45:00,719
Speaker 4: You are different, let me know. So okay, So when

746
00:45:00,760 --> 00:45:04,560
Speaker 4: deaf Resh Crew came out, and this this was an

747
00:45:04,600 --> 00:45:10,279
Speaker 4: era where hip hop was still quasi regional, that in

748
00:45:10,320 --> 00:45:13,719
Speaker 4: school you could bite some ship and claim credit for

749
00:45:13,760 --> 00:45:17,399
Speaker 4: it and live with it. Now, I think I got

750
00:45:17,440 --> 00:45:24,680
Speaker 4: away with that meow mix, so all the white kids

751
00:45:24,680 --> 00:45:27,719
Speaker 4: in school thought I was the ship. Like me, I'm

752
00:45:27,760 --> 00:45:30,680
Speaker 4: mixed like that was always the thing, like And then

753
00:45:30,840 --> 00:45:34,480
Speaker 4: like maybe seven weeks later, then I got busted and

754
00:45:34,600 --> 00:45:36,439
Speaker 4: was like, all right, you know this, it's my key,

755
00:45:36,920 --> 00:45:41,480
Speaker 4: But like, how how you know?

756
00:45:41,560 --> 00:45:41,759
Speaker 8: What?

757
00:45:42,239 --> 00:45:45,120
Speaker 4: At what point do you do? You transfer to rapping

758
00:45:45,200 --> 00:45:50,320
Speaker 4: and getting with Marley, And.

759
00:45:49,080 --> 00:45:51,600
Speaker 8: At that time I was with them, so I was

760
00:45:51,719 --> 00:45:56,680
Speaker 8: keeping quiet as a rapper. I'm just happy to be down.

761
00:45:58,280 --> 00:46:01,400
Speaker 8: So once they gave me my chance to make a record,

762
00:46:02,719 --> 00:46:04,280
Speaker 8: already already had records written.

763
00:46:04,440 --> 00:46:07,080
Speaker 4: And why does everyone start off as a DJ in

764
00:46:07,160 --> 00:46:09,600
Speaker 4: this crew? Like even Cain started out as a DJ.

765
00:46:10,320 --> 00:46:15,040
Speaker 8: Well, Caine started out as as my partner rhyming because

766
00:46:15,080 --> 00:46:17,719
Speaker 8: I had to show him. I had to show him

767
00:46:17,719 --> 00:46:21,560
Speaker 8: stage presence. I showed him different styles, I showed him

768
00:46:21,600 --> 00:46:26,680
Speaker 8: how to be on stage. You know, if there's something wrong,

769
00:46:27,239 --> 00:46:30,080
Speaker 8: you know, to go to the next rhyme. It's like

770
00:46:30,120 --> 00:46:34,319
Speaker 8: you drumming, right, if you break a stick, you know

771
00:46:34,400 --> 00:46:39,760
Speaker 8: to go to you know, to go to the next

772
00:46:40,360 --> 00:46:42,960
Speaker 8: you know, to go to the next stick? Yeah, how

773
00:46:43,000 --> 00:46:43,640
Speaker 8: to keep it moving?

774
00:46:44,320 --> 00:46:46,160
Speaker 4: So where do you where do you get your experience from?

775
00:46:46,239 --> 00:46:49,520
Speaker 4: Because you know, you grew up in the era where

776
00:46:49,640 --> 00:46:52,360
Speaker 4: I mean now it's even harder because it's like, unless

777
00:46:52,800 --> 00:46:56,640
Speaker 4: your YouTube song has ten million views, it's really hard

778
00:46:56,680 --> 00:47:02,640
Speaker 4: to capture people's attentions us. Your songs just larger than life,

779
00:47:02,680 --> 00:47:07,040
Speaker 4: Whereas back then you had to have actual, genuine talent and.

780
00:47:06,960 --> 00:47:08,040
Speaker 8: You had to be witty.

781
00:47:08,960 --> 00:47:10,840
Speaker 4: Right, So what what was it like going on in

782
00:47:10,880 --> 00:47:13,560
Speaker 4: these states? Like what if you were whack? What would happen?

783
00:47:16,160 --> 00:47:18,160
Speaker 12: No, Hamburger is everything at you?

784
00:47:18,760 --> 00:47:24,000
Speaker 4: I seen why Hamburgers.

785
00:47:25,840 --> 00:47:28,920
Speaker 8: Everything. I'm gonna tell you. It was the time we

786
00:47:29,040 --> 00:47:31,080
Speaker 8: was on tour. I was on tour with Salt Pepper,

787
00:47:31,200 --> 00:47:34,799
Speaker 8: Fat Fat boys. Everybody. They had this lady trying to

788
00:47:34,840 --> 00:47:41,560
Speaker 8: be do another rendition of I Ney Love. Oh no,

789
00:47:41,719 --> 00:47:44,920
Speaker 8: where what territory? We was in North Carolina? Greensboro.

790
00:47:45,400 --> 00:47:47,719
Speaker 4: Wow, they hit away all down?

791
00:47:47,920 --> 00:47:53,279
Speaker 8: Everything changed? Yes and stand up?

792
00:47:55,560 --> 00:47:56,360
Speaker 4: Are you proud of this?

793
00:47:57,080 --> 00:47:57,239
Speaker 8: Yeah?

794
00:47:57,239 --> 00:47:58,400
Speaker 4: That's by all the times where I grew up.

795
00:47:58,400 --> 00:47:59,160
Speaker 8: I grew up greens Boro.

796
00:47:59,280 --> 00:48:01,040
Speaker 4: Yeah, I know that, but you're.

797
00:48:00,480 --> 00:48:02,760
Speaker 8: Proud of Did you ever throw a hammerger an.

798
00:48:06,920 --> 00:48:07,040
Speaker 4: Them?

799
00:48:07,040 --> 00:48:17,040
Speaker 8: Absolutely? Yep, I'm proud. Wait Queensborough, that's where my family.

800
00:48:17,560 --> 00:48:18,880
Speaker 8: Are you serious, dude?

801
00:48:19,120 --> 00:48:22,880
Speaker 4: Like grandparents have like nineteen brothers and sisters?

802
00:48:22,920 --> 00:48:25,600
Speaker 8: Yes? Oh god? What's your family last?

803
00:48:26,760 --> 00:48:33,520
Speaker 9: Please tell investigate ancestry dot com. Let's get on it.

804
00:48:37,960 --> 00:48:38,120
Speaker 8: Wait.

805
00:48:38,200 --> 00:48:42,759
Speaker 4: Speaking of North Carolina. Uh, In the fifth anniversary of

806
00:48:42,920 --> 00:48:46,839
Speaker 4: the Source magazine, there's a story they're kind of doing,

807
00:48:46,880 --> 00:48:49,440
Speaker 4: like an oral history of like just hip hop tales,

808
00:48:50,520 --> 00:48:54,040
Speaker 4: and I forget who it was, but there was an

809
00:48:54,080 --> 00:48:59,880
Speaker 4: incident in North Carolina where your record collection save somebody

810
00:49:00,080 --> 00:49:02,320
Speaker 4: from y'all getting shot up or something.

811
00:49:02,640 --> 00:49:03,600
Speaker 12: Yeah, not me.

812
00:49:05,320 --> 00:49:06,000
Speaker 4: I was in the room.

813
00:49:06,239 --> 00:49:07,040
Speaker 12: But check this out.

814
00:49:08,680 --> 00:49:12,200
Speaker 4: My man gave my fireside check. Hit the introduction, now

815
00:49:13,520 --> 00:49:14,800
Speaker 4: you ready, yes, hit it?

816
00:49:15,120 --> 00:49:17,719
Speaker 8: Okay? Now, my man Jeff and them there was in

817
00:49:17,800 --> 00:49:20,160
Speaker 8: the car. What happened was hot Dog that used to

818
00:49:20,200 --> 00:49:21,280
Speaker 8: be down with Chuck Rock.

819
00:49:21,160 --> 00:49:22,239
Speaker 4: I'm rocking the round.

820
00:49:22,400 --> 00:49:24,640
Speaker 8: Yes, well, they were trying to talk to these girls.

821
00:49:25,480 --> 00:49:27,399
Speaker 8: They were trying to talk to these girls, and right

822
00:49:27,800 --> 00:49:31,080
Speaker 8: something happened cop blocking I mean something happened. I think

823
00:49:31,200 --> 00:49:34,359
Speaker 8: once one of the dancers hit a girl. The girl,

824
00:49:34,920 --> 00:49:38,680
Speaker 8: the girl's boyfriends came up or something. It was my

825
00:49:38,760 --> 00:49:42,719
Speaker 8: man Jeff right here, Shante. All of them was in

826
00:49:42,800 --> 00:49:43,040
Speaker 8: the car.

827
00:49:43,480 --> 00:49:44,680
Speaker 4: But you know, I mean you.

828
00:49:44,880 --> 00:49:48,720
Speaker 8: DJ so you know when you pack your pack, Yes.

829
00:49:48,760 --> 00:49:50,200
Speaker 12: You know that long case.

830
00:49:50,600 --> 00:49:54,400
Speaker 8: Yes, I had a long case of twelve inches, but

831
00:49:54,600 --> 00:49:57,560
Speaker 8: I packed it them packed in them packed it well,

832
00:49:57,560 --> 00:50:00,520
Speaker 8: you almost can't even take it. Record the luggage.

833
00:50:01,680 --> 00:50:03,640
Speaker 4: If y'all in North Carolina, where's the luggage?

834
00:50:03,719 --> 00:50:06,480
Speaker 8: If all, it's on the bus. We're coming from the show.

835
00:50:06,800 --> 00:50:10,279
Speaker 4: So you have a bus. There's a bus and a car.

836
00:50:10,440 --> 00:50:13,520
Speaker 8: To know, the car is the runner that brings you

837
00:50:13,640 --> 00:50:16,400
Speaker 8: back to the hotel. I see, I see, Okay, So

838
00:50:17,239 --> 00:50:21,400
Speaker 8: they running and they to all these these country dudes

839
00:50:21,440 --> 00:50:29,160
Speaker 8: came out and my records was behind them and it

840
00:50:29,280 --> 00:50:30,360
Speaker 8: was like a station wagon.

841
00:50:30,719 --> 00:50:34,600
Speaker 4: Yeah, and it just didn't go through and all the

842
00:50:34,640 --> 00:50:38,520
Speaker 4: bullets bullets, the record got damaged.

843
00:50:39,239 --> 00:50:40,920
Speaker 8: Something in the way you make me feel with the

844
00:50:41,000 --> 00:50:45,280
Speaker 8: acapella feeling.

845
00:50:45,320 --> 00:50:49,840
Speaker 12: All right, gap band, we yeah trouble.

846
00:50:49,880 --> 00:50:51,840
Speaker 4: Did you just did you just ask me where the

847
00:50:51,920 --> 00:50:52,359
Speaker 4: records are?

848
00:50:52,440 --> 00:51:00,239
Speaker 8: Right? You got exactly you got twelve inches right, No,

849
00:51:00,480 --> 00:51:04,000
Speaker 8: come on, viz. No, they got them with the Chinese

850
00:51:04,080 --> 00:51:04,919
Speaker 8: chicken on the other side.

851
00:51:05,040 --> 00:51:08,040
Speaker 4: Yes, okay, I've seen those, but those are like reprints.

852
00:51:08,280 --> 00:51:13,320
Speaker 8: No, no, no, there they were reprints, but these was

853
00:51:13,400 --> 00:51:17,400
Speaker 8: the ones that was hard to find. These only downstairs

854
00:51:17,480 --> 00:51:20,000
Speaker 8: had them at the time. Okay, from back in the day.

855
00:51:20,000 --> 00:51:21,200
Speaker 8: They wasn't selling them no more.

856
00:51:21,360 --> 00:51:24,200
Speaker 4: Okay, okay, that was a fireside chat.

857
00:51:24,239 --> 00:51:24,640
Speaker 8: There wasn't.

858
00:51:25,160 --> 00:51:27,080
Speaker 12: There wasn't breaks and beat joints.

859
00:51:27,280 --> 00:51:30,440
Speaker 16: Okay, all right, the ones on Tough City right, No,

860
00:51:31,120 --> 00:51:32,320
Speaker 16: this is before Tough Sitting.

861
00:51:32,360 --> 00:51:37,799
Speaker 8: Okay. This is when they had They had the big

862
00:51:37,920 --> 00:51:40,400
Speaker 8: beat with the coolest back on the other side, the

863
00:51:40,560 --> 00:51:42,400
Speaker 8: green ones. Then they had the.

864
00:51:43,360 --> 00:51:44,680
Speaker 4: The Bozomigo ones.

865
00:51:44,719 --> 00:51:49,400
Speaker 8: They had the Bozogo records. No, I know they reprints,

866
00:51:49,480 --> 00:51:52,760
Speaker 8: but they ain't the Tough City joints from now, okay,

867
00:51:53,000 --> 00:51:54,399
Speaker 8: these are the ones from eighty one.

868
00:51:54,800 --> 00:51:56,920
Speaker 4: Yes, okay, I've had a few of those. Okay, I

869
00:51:57,000 --> 00:51:59,560
Speaker 4: get it. Yes, I didn't get it in Pizza President though,

870
00:51:59,600 --> 00:52:05,080
Speaker 4: but I have a few from those labels. So as

871
00:52:05,120 --> 00:52:10,840
Speaker 4: far as your album is concerned, like, how do you

872
00:52:11,160 --> 00:52:14,040
Speaker 4: what's what's the deal with the production? Was it just

873
00:52:14,080 --> 00:52:17,640
Speaker 4: strictly were you handing Marley these records? Did you not

874
00:52:17,760 --> 00:52:18,960
Speaker 4: an operated drum machine?

875
00:52:19,080 --> 00:52:21,960
Speaker 8: Did you? Okay, let me say, in the beginning days

876
00:52:23,120 --> 00:52:26,480
Speaker 8: like to make the music and stuff, Marley was master

877
00:52:27,239 --> 00:52:30,920
Speaker 8: the way he did. Uh Eric Beef president and all that.

878
00:52:31,239 --> 00:52:37,560
Speaker 8: He's by far the best now as I'm learning from him.

879
00:52:38,360 --> 00:52:41,480
Speaker 8: I got a twelve hundred. I think I was like

880
00:52:41,560 --> 00:52:43,920
Speaker 8: one of the first with a twelve hundred. Twelve hundred

881
00:52:44,040 --> 00:52:47,400
Speaker 8: or twelve twelve hundred. He had a twelve damn okay,

882
00:52:48,320 --> 00:52:50,800
Speaker 8: I got a twelve hundred from the dude from it

883
00:52:51,320 --> 00:52:55,759
Speaker 8: or akai one of right, So he first gave it

884
00:52:55,800 --> 00:52:57,960
Speaker 8: to me. So I came over with Marley ouse and

885
00:52:58,080 --> 00:53:01,120
Speaker 8: Marlly said, well what is that? That's what all sudden

886
00:53:01,160 --> 00:53:02,880
Speaker 8: Marley hold my doing for two weeks. He didn't want

887
00:53:02,920 --> 00:53:07,279
Speaker 8: to give it back, so we did. You know, I

888
00:53:07,760 --> 00:53:10,880
Speaker 8: usually I always look look for the crew records. So

889
00:53:11,000 --> 00:53:15,040
Speaker 8: I looked for kine, I looked for breaks. So what

890
00:53:15,239 --> 00:53:20,760
Speaker 8: I did was I hand Marley the records. He hooked

891
00:53:20,760 --> 00:53:22,800
Speaker 8: it up. I told him I want this, this, that.

892
00:53:23,320 --> 00:53:26,520
Speaker 8: Then after a while I started doing production myself. So

893
00:53:26,920 --> 00:53:29,880
Speaker 8: that's why I on the second album, I just did everything.

894
00:53:29,960 --> 00:53:34,920
Speaker 4: And so how did you separate from Marlee, Like, how

895
00:53:34,960 --> 00:53:37,239
Speaker 4: did you feel about the situation with Marley's stepping the

896
00:53:37,239 --> 00:53:38,320
Speaker 4: way and going to Uptown?

897
00:53:38,400 --> 00:53:43,239
Speaker 8: And no, Uptown was before Uptown was before us. But

898
00:53:43,360 --> 00:53:46,600
Speaker 8: I thought in eighty nine, male Marley just did one

899
00:53:46,640 --> 00:53:48,520
Speaker 8: record on that It wasn't there wasn't a separation.

900
00:53:48,800 --> 00:53:49,640
Speaker 4: Which record did he do?

901
00:53:49,840 --> 00:53:53,400
Speaker 8: The uptowns kicking it and stuff? He always did? He

902
00:53:53,520 --> 00:53:57,080
Speaker 8: always did. He did heavy d he did yeah, but

903
00:53:57,120 --> 00:53:59,640
Speaker 8: he always did random stuff to get you know, extra.

904
00:53:59,719 --> 00:54:03,359
Speaker 4: You know, Marley was Marley, so you know he didn't

905
00:54:03,360 --> 00:54:06,120
Speaker 4: he work on the Diabolical album, the second album.

906
00:54:06,440 --> 00:54:09,239
Speaker 8: I wanted to do my own album? Did he?

907
00:54:09,360 --> 00:54:10,600
Speaker 4: So he did nothing on that record?

908
00:54:10,719 --> 00:54:13,359
Speaker 8: Or I wanted to do my own album? He I mean,

909
00:54:13,480 --> 00:54:17,200
Speaker 8: he flew, he flew. Uh, you got what I did

910
00:54:17,600 --> 00:54:20,120
Speaker 8: vocal to the second thing. But I did everything myself.

911
00:54:21,040 --> 00:54:21,759
Speaker 4: So how did you?

912
00:54:22,400 --> 00:54:26,880
Speaker 8: A COOLVI did too? Okay, So how did you fall into.

913
00:54:28,560 --> 00:54:31,399
Speaker 4: That song? I mean, that song is probably the most

914
00:54:31,560 --> 00:54:36,719
Speaker 4: timeless song. That song will never die probably, you know,

915
00:54:37,000 --> 00:54:40,719
Speaker 4: when all said and done, and you know they're going

916
00:54:40,800 --> 00:54:43,680
Speaker 4: to do the Library of Congress, like five most important

917
00:54:43,800 --> 00:54:48,359
Speaker 4: hip hop songs. I'm certain that just a Friend will

918
00:54:48,400 --> 00:54:53,640
Speaker 4: be at least considered in the top ten, like whatever,

919
00:54:53,880 --> 00:54:54,520
Speaker 4: like the What.

920
00:54:54,600 --> 00:54:57,239
Speaker 8: Happened with that record was I was at a house

921
00:54:57,360 --> 00:55:01,399
Speaker 8: party in eighty two, right, so I'm hearing this dude

922
00:55:06,560 --> 00:55:13,080
Speaker 8: what I'm thinking, it's going, we don't name. So I'm

923
00:55:13,120 --> 00:55:15,080
Speaker 8: here to dude. I blew out that record, I said,

924
00:55:15,160 --> 00:55:18,520
Speaker 8: so I couldn't. The dude left the party and I

925
00:55:18,640 --> 00:55:21,520
Speaker 8: never found the name of the record. So I'm looking

926
00:55:21,600 --> 00:55:24,879
Speaker 8: and looking. I never found the record. So I told

927
00:55:25,000 --> 00:55:27,360
Speaker 8: Coovie and Big Daddy Can. I said, Yo, if I

928
00:55:27,600 --> 00:55:35,719
Speaker 8: find this record, boom boom, we on name, Yo, I'm

929
00:55:35,760 --> 00:55:46,280
Speaker 8: going plattinm we on knee along. So I was hanging

930
00:55:46,320 --> 00:55:49,560
Speaker 8: with Theodore. Theodore door brought me to Danny Dan's house.

931
00:55:50,360 --> 00:55:53,480
Speaker 8: So Danny, I'm you know, Danny cutting breaks, Danny Danny

932
00:55:53,520 --> 00:55:55,480
Speaker 8: beat man, he cutting breaks. All of a sudden, he

933
00:55:55,560 --> 00:56:00,279
Speaker 8: throw that record on boom. I grabbed the phone, yelling

934
00:56:00,360 --> 00:56:10,400
Speaker 8: me and that man again. Yeah right, So I drove

935
00:56:10,600 --> 00:56:15,240
Speaker 8: over to his house. Right, I traded him Barbara Streiss

936
00:56:15,280 --> 00:56:16,080
Speaker 8: saying album.

937
00:56:16,360 --> 00:56:20,880
Speaker 4: Wait wait wait wait wait wait what.

938
00:56:21,840 --> 00:56:23,600
Speaker 8: A birth of all?

939
00:56:23,680 --> 00:56:25,799
Speaker 12: Do you know the album that Barbara Ston got the break?

940
00:56:28,080 --> 00:56:32,239
Speaker 4: I mean, I know she didn't use there's there's no

941
00:56:32,480 --> 00:56:36,640
Speaker 4: she has a cover used me on seventeen b oh damn. Okay,

942
00:56:37,040 --> 00:56:46,200
Speaker 4: remember the song we worked side Beyonce wanted to cover this. Yeah,

943
00:56:46,320 --> 00:56:51,000
Speaker 4: like Beyonce and Barbara streisand we're going to do duet

944
00:56:51,080 --> 00:56:53,920
Speaker 4: with each other of Queen Bee and I produced it.

945
00:56:54,160 --> 00:56:56,839
Speaker 11: But then Real has a song called Queen Bee.

946
00:56:57,200 --> 00:56:58,080
Speaker 8: Yeah, tell me that be.

947
00:56:58,160 --> 00:56:59,040
Speaker 15: There it is?

948
00:56:59,560 --> 00:57:03,799
Speaker 4: Yeah, she she she did like a few funk joints,

949
00:57:03,960 --> 00:57:05,480
Speaker 4: like seventy three seventy four.

950
00:57:05,360 --> 00:57:07,440
Speaker 12: That was from the Stars Born movie, right, so this

951
00:57:07,520 --> 00:57:08,759
Speaker 12: is what this would happen in the movie.

952
00:57:09,080 --> 00:57:09,279
Speaker 4: Yeah.

953
00:57:09,560 --> 00:57:13,839
Speaker 8: So I knew that he didn't know that record, right,

954
00:57:14,000 --> 00:57:16,000
Speaker 8: so I went over there and traded him. So you know,

955
00:57:16,160 --> 00:57:18,360
Speaker 8: somebody he gave it a forty five. It's a dollar

956
00:57:18,440 --> 00:57:19,040
Speaker 8: forty five.

957
00:57:19,600 --> 00:57:20,480
Speaker 4: He getting an album?

958
00:57:21,200 --> 00:57:26,400
Speaker 8: Yeah, but stress hand break. You understand hip hop if

959
00:57:26,400 --> 00:57:29,880
Speaker 8: you don't know something, So it would have been cool

960
00:57:30,120 --> 00:57:33,560
Speaker 8: just to were you using it for the purpose of

961
00:57:33,600 --> 00:57:36,160
Speaker 8: sampling it or you just wanted to have that record.

962
00:57:36,400 --> 00:57:37,960
Speaker 8: I wanted that record. I knew I was gonna make

963
00:57:37,960 --> 00:57:38,800
Speaker 8: a record off it, right.

964
00:57:38,760 --> 00:57:41,480
Speaker 4: So you couldn't just borrow the record or YO made

965
00:57:41,480 --> 00:57:42,760
Speaker 4: me get set copy of that record.

966
00:57:43,240 --> 00:57:48,640
Speaker 8: Not in hip hop trade. I did not know that trade. Okay,

967
00:57:49,600 --> 00:57:53,280
Speaker 8: So here's what happened. So a couple of weeks later, I'm,

968
00:57:53,320 --> 00:57:55,480
Speaker 8: you know, because we started to be friends. So I'm

969
00:57:55,520 --> 00:58:02,240
Speaker 8: hanging with him. So he plays Freddy Scott. I said,

970
00:58:02,640 --> 00:58:05,320
Speaker 8: I like that joint. So he said, yo, man, I

971
00:58:05,320 --> 00:58:07,600
Speaker 8: don't got no more. So I gave him two hundred

972
00:58:07,640 --> 00:58:11,240
Speaker 8: dollars for the forty five what but look but.

973
00:58:12,720 --> 00:58:15,360
Speaker 4: He made it back so loved.

974
00:58:15,600 --> 00:58:19,200
Speaker 8: You gotta understand two hundred dollars at that time, I'm

975
00:58:19,240 --> 00:58:22,160
Speaker 8: making because I just came off tour with vapors and

976
00:58:22,240 --> 00:58:28,320
Speaker 8: all that. So I traded him two hundred dollars. That's

977
00:58:28,320 --> 00:58:31,880
Speaker 8: a lot of money. You think you got over right along?

978
00:58:31,960 --> 00:58:34,240
Speaker 8: So is this Dan Dan? We're talking about Dan.

979
00:58:34,720 --> 00:58:37,400
Speaker 4: So when Dan Dan's watching you on TV raps and

980
00:58:37,520 --> 00:58:40,920
Speaker 4: watching the Heineken commercial.

981
00:58:41,000 --> 00:58:43,760
Speaker 8: Then to beat Man, yeah, is he like, yo, those

982
00:58:43,800 --> 00:58:44,480
Speaker 8: are my record?

983
00:58:44,640 --> 00:58:45,120
Speaker 12: Like right?

984
00:58:45,200 --> 00:58:47,480
Speaker 8: So what happened was I went to my mom's house.

985
00:58:48,040 --> 00:58:49,920
Speaker 8: You know, usually after tour, so you know, you go

986
00:58:50,040 --> 00:58:53,160
Speaker 8: home see your family. So I'm sitting in my old

987
00:58:53,440 --> 00:58:59,120
Speaker 8: bed back in the day joint bunk bed joint. Yeah,

988
00:59:00,000 --> 00:59:02,200
Speaker 8: So I'm sitting in there and I just wrote, I

989
00:59:02,320 --> 00:59:05,280
Speaker 8: wrote uh, just a front in like fifteen minutes. So

990
00:59:05,680 --> 00:59:07,479
Speaker 8: when we went to the studio to do it, because

991
00:59:07,480 --> 00:59:10,680
Speaker 8: we're doing the second album, I tried to match up

992
00:59:11,680 --> 00:59:16,360
Speaker 8: the Lee Dorsey and just throw the uh Freddy Scott

993
00:59:16,440 --> 00:59:19,960
Speaker 8: on top. But since the drum your drummer, you know

994
00:59:20,040 --> 00:59:22,240
Speaker 8: how a drummer plays too fast and to do it

995
00:59:22,360 --> 00:59:24,280
Speaker 8: and it wouldn't match. So we tried to put it

996
00:59:24,320 --> 00:59:27,840
Speaker 8: through the pumasan. If anybody remember a pumasan.

997
00:59:27,960 --> 00:59:32,440
Speaker 11: Me huh, first stumped the room.

998
00:59:33,040 --> 00:59:35,560
Speaker 8: Pumasan is something that you put in and you put

999
00:59:35,600 --> 00:59:37,280
Speaker 8: the records in so it could match, and then.

1000
00:59:37,320 --> 00:59:40,280
Speaker 4: Oh, okay, I think something.

1001
00:59:40,400 --> 00:59:42,240
Speaker 8: Yeah, I didn't know what it was called. Yes, we

1002
00:59:42,440 --> 00:59:45,400
Speaker 8: use it. It wouldn't match. So what I did I

1003
00:59:45,440 --> 00:59:50,680
Speaker 8: had to do named Shane Faber and he helped me play.

1004
00:59:51,240 --> 00:59:54,080
Speaker 8: He played and we I said no. So I sat

1005
00:59:54,120 --> 00:59:56,800
Speaker 8: there for like from twelve to eight until he got

1006
00:59:56,840 --> 00:59:58,760
Speaker 8: the right piano sound. You know how you're on a

1007
00:59:59,200 --> 01:00:02,320
Speaker 8: keyboard and the right and the piano don't sound right.

1008
01:00:02,680 --> 01:00:05,880
Speaker 4: I was just gonna say, because you don't use that

1009
01:00:06,160 --> 01:00:09,840
Speaker 4: record in the on just a friend, that's the actual

1010
01:00:09,880 --> 01:00:10,640
Speaker 4: piano piano.

1011
01:00:10,800 --> 01:00:12,680
Speaker 8: So all of a sudden I'm telling him what to do,

1012
01:00:13,080 --> 01:00:17,960
Speaker 8: but he wanted to be jazzy. Don't do what I'm

1013
01:00:18,000 --> 01:00:22,200
Speaker 8: telling you what to do. Well, do they know it's up? No, son,

1014
01:00:22,760 --> 01:00:25,720
Speaker 8: play it like you hear it? So I'm sitting there,

1015
01:00:25,800 --> 01:00:27,000
Speaker 8: well time out to see you.

1016
01:00:27,080 --> 01:00:32,240
Speaker 4: That sound familiar? Uh yeah, OK, so you know it's

1017
01:00:33,040 --> 01:00:33,400
Speaker 4: the roots.

1018
01:00:33,520 --> 01:00:36,520
Speaker 8: Good look he's trying to get. I'm like, no. So

1019
01:00:36,920 --> 01:00:41,360
Speaker 8: it's like seven fifty nine in the morning. I feel

1020
01:00:41,480 --> 01:00:47,120
Speaker 8: like Gucci bags on them all saiden he found the

1021
01:00:47,280 --> 01:00:49,320
Speaker 8: right piano bang.

1022
01:00:49,480 --> 01:00:53,240
Speaker 11: Bang boo boom, bang bang bang boom.

1023
01:00:54,200 --> 01:00:56,640
Speaker 8: So I did it one pass and then we looped it.

1024
01:00:58,160 --> 01:00:59,000
Speaker 8: So I'm sorry.

1025
01:00:59,160 --> 01:01:04,280
Speaker 4: So and now the fireside chat, So who are the

1026
01:01:04,400 --> 01:01:05,000
Speaker 4: lyrics about?

1027
01:01:05,000 --> 01:01:06,920
Speaker 7: Who's the friend? Is that the guy who sold you

1028
01:01:07,000 --> 01:01:08,680
Speaker 7: the record? Because he had what you need?

1029
01:01:11,400 --> 01:01:11,840
Speaker 8: The video?

1030
01:01:12,920 --> 01:01:14,600
Speaker 12: I'm not uncle preaches.

1031
01:01:18,800 --> 01:01:22,160
Speaker 4: Now Tip says that Q Tip says that there was

1032
01:01:22,200 --> 01:01:24,840
Speaker 4: an original version of Just a Friend Speed.

1033
01:01:25,040 --> 01:01:26,680
Speaker 12: There was the q Tip.

1034
01:01:27,200 --> 01:01:29,800
Speaker 8: It was q Tip. All of them was doing Buddy,

1035
01:01:29,840 --> 01:01:32,160
Speaker 8: and they were doing Buddy before I came into the

1036
01:01:32,200 --> 01:01:34,480
Speaker 8: studio and he he he was there.

1037
01:01:34,520 --> 01:01:38,360
Speaker 12: When I sung it to them, they bugged out, but.

1038
01:01:38,800 --> 01:01:41,560
Speaker 4: They said the girl you must be on speed? Yeah,

1039
01:01:41,600 --> 01:01:44,880
Speaker 4: and they were like, yo, like change it and do

1040
01:01:45,040 --> 01:01:49,440
Speaker 4: the original. I did the radio okay, okay, it got

1041
01:01:49,480 --> 01:01:50,560
Speaker 4: a hair weave, and.

1042
01:01:52,600 --> 01:01:56,000
Speaker 8: It is just a wait.

1043
01:01:56,440 --> 01:01:58,919
Speaker 4: Before I get to your next record, I gotta ask.

1044
01:01:59,360 --> 01:02:08,520
Speaker 4: So your ad libs are probably, I mean, next to

1045
01:02:09,360 --> 01:02:13,680
Speaker 4: Lottie Dotty. I don't think I've ever heard sampled a

1046
01:02:13,840 --> 01:02:18,760
Speaker 4: more sampled ad lib. Like, what are your general feelings

1047
01:02:19,720 --> 01:02:22,240
Speaker 4: when you heard the main ingredient.

1048
01:02:21,960 --> 01:02:26,880
Speaker 8: By Pete Rock? But Pete cool anyway, I know?

1049
01:02:27,120 --> 01:02:33,840
Speaker 4: But yeah, yeah, like how do you generally feel? I mean,

1050
01:02:34,920 --> 01:02:38,160
Speaker 4: are you from the school of okay, Well, rappers can't

1051
01:02:39,520 --> 01:02:42,360
Speaker 4: call out or see other rappers for sampling their joints.

1052
01:02:43,680 --> 01:02:45,720
Speaker 8: Me and Pete was cool, so I wasn't thinking about that.

1053
01:02:45,960 --> 01:02:53,800
Speaker 4: Okay, So now with alone again naturally tell us this story.

1054
01:02:53,920 --> 01:02:57,080
Speaker 8: Man, here's what happened with a timeout.

1055
01:02:57,800 --> 01:03:02,200
Speaker 9: Bill gives the now Fireside chatting number seventy five with Bismarcky.

1056
01:03:02,600 --> 01:03:04,959
Speaker 8: What happened was, I did the record with a loan again.

1057
01:03:06,240 --> 01:03:09,720
Speaker 8: We got a verbal agreement from him, but my record

1058
01:03:09,800 --> 01:03:13,480
Speaker 8: company tyroneing them. They I guess the people call back

1059
01:03:13,560 --> 01:03:18,080
Speaker 8: up and they cursed Gilbo selvnder them out said we're

1060
01:03:18,080 --> 01:03:22,560
Speaker 8: gonna use it anyway. Wait, what why would they do that?

1061
01:03:22,960 --> 01:03:24,440
Speaker 8: I don't know, because here's what I used to do.

1062
01:03:24,800 --> 01:03:28,360
Speaker 8: When it came to samples. I would make, say, say,

1063
01:03:28,360 --> 01:03:33,200
Speaker 8: if the record got thirteen songs, I would make thirty

1064
01:03:33,320 --> 01:03:38,800
Speaker 8: nine tapes of every record that I use and we'll

1065
01:03:38,920 --> 01:03:45,640
Speaker 8: clear them through regions. At the time, it was we

1066
01:03:45,720 --> 01:03:48,280
Speaker 8: got a verbal agreement, but they didn't get up. They

1067
01:03:48,360 --> 01:03:50,560
Speaker 8: didn't get a what you call him agreement, so they

1068
01:03:50,600 --> 01:03:52,080
Speaker 8: put the record out any.

1069
01:03:51,960 --> 01:03:57,600
Speaker 4: Suda that's creaty. Wait, you will clear your own set.

1070
01:03:57,480 --> 01:04:00,240
Speaker 8: Like I would. I would set it up and then

1071
01:04:00,560 --> 01:04:03,360
Speaker 8: the office clears like I would have to record.

1072
01:04:03,920 --> 01:04:07,600
Speaker 4: Remember at the time, it was not CDs, it was cassettes, right,

1073
01:04:07,880 --> 01:04:10,920
Speaker 4: And I mean just in general, like, why do you

1074
01:04:11,000 --> 01:04:12,280
Speaker 4: think they were so resistant to.

1075
01:04:13,360 --> 01:04:17,360
Speaker 8: Because tyre on them cursed him out. Man. I mean,

1076
01:04:17,560 --> 01:04:19,760
Speaker 8: I don't want to say what they were doing. But

1077
01:04:19,960 --> 01:04:23,760
Speaker 8: you know what was fly T?

1078
01:04:23,840 --> 01:04:27,280
Speaker 4: I like, because that's you know, I mean he was.

1079
01:04:27,320 --> 01:04:30,480
Speaker 4: He was a key figure in the hip hop Patson

1080
01:04:30,600 --> 01:04:32,800
Speaker 4: that you don't pantheon, that you just don't.

1081
01:04:33,000 --> 01:04:38,640
Speaker 8: Fly Tie was great in the beginning, okay, great manager, great,

1082
01:04:39,080 --> 01:04:41,560
Speaker 8: but when the money and stuff came along, that's when

1083
01:04:41,880 --> 01:04:42,160
Speaker 8: what was.

1084
01:04:42,200 --> 01:04:44,480
Speaker 4: His connection, Like why did y'all choose him? Was he

1085
01:04:44,680 --> 01:04:48,080
Speaker 4: Marley's guy or he was Magic's guy? We all came

1086
01:04:48,160 --> 01:04:52,600
Speaker 4: through magic and that that that just reminds me of something.

1087
01:04:53,680 --> 01:04:56,520
Speaker 4: BDP would routinely shot you, shout you out.

1088
01:04:56,920 --> 01:04:58,000
Speaker 8: I was cool with everybody.

1089
01:04:58,080 --> 01:05:01,960
Speaker 4: You were like, what's not favorite nations of Switzerland? Yeah?

1090
01:05:02,040 --> 01:05:03,960
Speaker 8: Yeah, the Pope?

1091
01:05:04,880 --> 01:05:05,120
Speaker 5: Wow?

1092
01:05:05,520 --> 01:05:07,800
Speaker 12: So the pope grew up together?

1093
01:05:07,920 --> 01:05:09,440
Speaker 8: So so how would.

1094
01:05:11,240 --> 01:05:14,680
Speaker 4: How did your crew feel with you being neutral with

1095
01:05:14,840 --> 01:05:18,240
Speaker 4: both sides and how do they feel when seeing you?

1096
01:05:18,360 --> 01:05:20,800
Speaker 4: And like, yo, we ain't talking about you were just

1097
01:05:20,840 --> 01:05:21,560
Speaker 4: talking about magic.

1098
01:05:21,680 --> 01:05:24,160
Speaker 8: They wouldn't they wouldn't talk because what happened with the

1099
01:05:24,240 --> 01:05:29,160
Speaker 8: magic situation? Care wrest of them had a rec called

1100
01:05:29,240 --> 01:05:34,360
Speaker 8: twelve forty one. Success is the word. They came in

1101
01:05:34,560 --> 01:05:37,280
Speaker 8: and tried because if you if you get your record

1102
01:05:37,320 --> 01:05:40,120
Speaker 8: play on Magic, your record means a lot. At the time,

1103
01:05:40,680 --> 01:05:44,920
Speaker 8: he was like the hip hop Frankie Crocker. So they

1104
01:05:45,000 --> 01:05:49,920
Speaker 8: came in the studio and they let Christenham let them

1105
01:05:49,960 --> 01:05:55,680
Speaker 8: hear the demo of twelve forty one, and the record

1106
01:05:55,760 --> 01:05:58,960
Speaker 8: wasn't good, and you know magic in them. You know

1107
01:05:59,120 --> 01:06:02,720
Speaker 8: at that time, if anybody know from the eighties, I

1108
01:06:02,840 --> 01:06:05,960
Speaker 8: was getting high time you in the studio, and you

1109
01:06:06,040 --> 01:06:09,840
Speaker 8: know they laughed them out, so I guess they went.

1110
01:06:10,040 --> 01:06:13,160
Speaker 8: They left with the tail between their legs and then

1111
01:06:13,160 --> 01:06:14,520
Speaker 8: they went and wrote South.

1112
01:06:14,360 --> 01:06:17,400
Speaker 4: Bronx and all that. So the record was I thought

1113
01:06:17,400 --> 01:06:18,000
Speaker 4: it was Evans.

1114
01:06:19,040 --> 01:06:21,320
Speaker 8: I thought it was success. Success is the word? Can

1115
01:06:21,360 --> 01:06:21,680
Speaker 8: we play?

1116
01:06:21,760 --> 01:06:23,520
Speaker 4: Have you guys ever heard? I think we played it

1117
01:06:23,600 --> 01:06:24,240
Speaker 4: on on the mall.

1118
01:06:24,360 --> 01:06:25,920
Speaker 8: Ye we did the wrong It was we did advance.

1119
01:06:26,120 --> 01:06:26,920
Speaker 8: Oh we did advance.

1120
01:06:26,920 --> 01:06:30,920
Speaker 4: Okay, yeah, because I'm gonna play like three seconds of

1121
01:06:31,320 --> 01:06:40,520
Speaker 4: successes the word you can hear what got pre pre beady?

1122
01:06:43,320 --> 01:06:44,560
Speaker 8: So there's a pink Foy slamp.

1123
01:06:52,440 --> 01:06:53,400
Speaker 12: It's bed nice.

1124
01:06:59,840 --> 01:07:00,280
Speaker 8: On start.

1125
01:07:00,360 --> 01:07:03,640
Speaker 4: Yeah, this is a great radio movie.

1126
01:07:05,880 --> 01:07:07,080
Speaker 11: It's about eighty degrees.

1127
01:07:06,960 --> 01:07:20,560
Speaker 4: Outside traffic on the g w B. Wait, Charis Woman's

1128
01:07:20,600 --> 01:07:26,280
Speaker 4: on some jazzy Jeffers. Yeah, that's got to take the way.

1129
01:07:30,160 --> 01:07:31,360
Speaker 4: I love thy pebbles.

1130
01:07:31,520 --> 01:07:32,000
Speaker 8: You're going to.

1131
01:07:32,400 --> 01:07:38,400
Speaker 4: Wrap my rapt prier put the mare in the train,

1132
01:07:39,000 --> 01:07:40,800
Speaker 4: but my raples. What you want to do?

1133
01:07:41,640 --> 01:07:45,600
Speaker 8: Oh my god, Paris too the wow big.

1134
01:07:50,120 --> 01:07:54,080
Speaker 4: Now you know more music about the sock mother Soucker.

1135
01:07:54,200 --> 01:07:57,080
Speaker 8: Now I'm not felling magic.

1136
01:07:57,120 --> 01:08:00,480
Speaker 12: Get them listening to this ski you up and anything.

1137
01:08:07,240 --> 01:08:12,040
Speaker 8: I've held all of them there, So listen to that.

1138
01:08:12,480 --> 01:08:15,920
Speaker 8: What would you do quest if you was magic in

1139
01:08:16,000 --> 01:08:16,559
Speaker 8: them right there?

1140
01:08:17,200 --> 01:08:21,559
Speaker 4: Yeah, they got to go come on, Wow, I feel

1141
01:08:21,640 --> 01:08:26,439
Speaker 4: like Chris O's But yeah, the state some flowers for

1142
01:08:27,160 --> 01:08:32,000
Speaker 4: this of them, because that's what made him. That's crazy.

1143
01:08:32,200 --> 01:08:38,000
Speaker 4: I've had this record for ten years and never heard

1144
01:08:38,200 --> 01:08:39,479
Speaker 4: this first time I'm listening to it.

1145
01:08:40,000 --> 01:08:40,760
Speaker 8: There's a reason for that.

1146
01:08:45,160 --> 01:08:46,479
Speaker 4: I can't hear what I said.

1147
01:08:46,560 --> 01:08:49,840
Speaker 7: Yeah, I'm on a lot of drug medication right now

1148
01:08:49,920 --> 01:08:51,719
Speaker 7: from but did I hear Gilligan's Island?

1149
01:08:53,080 --> 01:08:53,479
Speaker 8: Just checking?

1150
01:08:53,520 --> 01:08:57,280
Speaker 4: But at that time, everybody was doing routines like the

1151
01:08:57,400 --> 01:09:00,560
Speaker 4: Fat Boys enforcing these did it to find effect? Do

1152
01:09:00,640 --> 01:09:03,479
Speaker 4: you remember that the Fat Boys meet the Force?

1153
01:09:03,479 --> 01:09:05,200
Speaker 8: Someome dan O?

1154
01:09:05,439 --> 01:09:14,840
Speaker 4: No, that Shi was a hitting Philly Philly.

1155
01:09:16,479 --> 01:09:19,360
Speaker 8: Philly gave me my start. I love Philly Dancing on air.

1156
01:09:19,439 --> 01:09:23,160
Speaker 8: But that record wasn't the yo.

1157
01:09:23,400 --> 01:09:28,560
Speaker 4: I gotta say, wait, the siety the Garrett episode. I

1158
01:09:28,640 --> 01:09:30,639
Speaker 4: said that that Facts of Life episode was the first

1159
01:09:30,640 --> 01:09:34,519
Speaker 4: thing I recorded on the VCR Biz Marquee on Dancing

1160
01:09:34,560 --> 01:09:37,240
Speaker 4: on the Air where Roxannehante was the second thing I

1161
01:09:37,439 --> 01:09:41,360
Speaker 4: recorded im doing the bus dance. Yeah, you were you

1162
01:09:41,479 --> 01:09:48,120
Speaker 4: were past going going past your recording career, you've also

1163
01:09:48,360 --> 01:09:52,920
Speaker 4: managed to you know, do crazy collaborations throughout your time.

1164
01:09:53,600 --> 01:09:53,760
Speaker 8: Yeah.

1165
01:09:53,760 --> 01:09:56,960
Speaker 4: I was going to say that you co signing and

1166
01:09:57,080 --> 01:10:02,599
Speaker 4: sticking with the Beast Boys, especially when most UH people

1167
01:10:02,680 --> 01:10:06,880
Speaker 4: were kind of indifferent to the genius that is Paul's

1168
01:10:06,880 --> 01:10:10,519
Speaker 4: boutique and check your head and all that stuff. Yeah,

1169
01:10:10,520 --> 01:10:12,200
Speaker 4: I was going to say that you co sign from

1170
01:10:12,400 --> 01:10:15,400
Speaker 4: Hart and like that that made a difference to them,

1171
01:10:15,479 --> 01:10:19,640
Speaker 4: and they always always always spoke of you in the

1172
01:10:19,720 --> 01:10:21,920
Speaker 4: highest regard. When I red tour with them, What was that?

1173
01:10:22,120 --> 01:10:23,400
Speaker 4: What was that period like when you.

1174
01:10:23,479 --> 01:10:28,559
Speaker 8: Were is what happened? I think they sued rustling them

1175
01:10:28,720 --> 01:10:32,080
Speaker 8: and won. And I think it was at a time

1176
01:10:32,120 --> 01:10:34,040
Speaker 8: when I guess they were trying to at the time

1177
01:10:34,120 --> 01:10:37,080
Speaker 8: people try to black ball people, and at the time

1178
01:10:37,840 --> 01:10:41,360
Speaker 8: they I looked at them as brothers. I steal records

1179
01:10:41,360 --> 01:10:44,120
Speaker 8: from them. They steal from me and you know, you

1180
01:10:44,200 --> 01:10:49,400
Speaker 8: know records. When did you first meet them? I met them?

1181
01:10:51,600 --> 01:10:57,360
Speaker 8: Remember D from What's the TV? We went over there,

1182
01:10:57,760 --> 01:11:01,160
Speaker 8: went over to the studio. I mean, I knew episode.

1183
01:11:01,200 --> 01:11:03,280
Speaker 8: That's the first time you met him? No, I think

1184
01:11:03,280 --> 01:11:05,240
Speaker 8: I met him a little bit before, but we wasn't

1185
01:11:05,680 --> 01:11:07,680
Speaker 8: hanging okay, you know what I mean. You know you

1186
01:11:07,800 --> 01:11:14,960
Speaker 8: meet Yoda, so Bull your tribe, Wow and the BC Boys.

1187
01:11:15,000 --> 01:11:17,600
Speaker 8: It was me and the BC Boys versus Bull. He

1188
01:11:17,680 --> 01:11:18,800
Speaker 8: was playing basketball right.

1189
01:11:21,560 --> 01:11:25,200
Speaker 4: Time out Bill hit it and now another episode of

1190
01:11:25,360 --> 01:11:26,320
Speaker 4: what had happened was.

1191
01:11:28,360 --> 01:11:30,240
Speaker 8: All right, good, now some.

1192
01:11:30,640 --> 01:11:36,280
Speaker 4: Big jiga, the real big.

1193
01:11:36,600 --> 01:11:40,479
Speaker 8: So we playing. So we're playing, you know, basketball, I'm

1194
01:11:40,600 --> 01:11:45,439
Speaker 8: filing people everything like. So after we got done, we're

1195
01:11:45,479 --> 01:11:49,040
Speaker 8: playing the Mark Marky Mark, that was down with him.

1196
01:11:49,320 --> 01:11:55,760
Speaker 8: We're playing the piano, so Mark keyboard. It's not just

1197
01:11:55,880 --> 01:11:57,439
Speaker 8: like you. It's a whole bunch of people thinking right,

1198
01:11:57,840 --> 01:11:58,920
Speaker 8: but you're you're the conduit.

1199
01:11:59,800 --> 01:11:59,920
Speaker 11: Right.

1200
01:12:00,160 --> 01:12:04,560
Speaker 8: So he played records from when I grew up. So

1201
01:12:04,680 --> 01:12:10,720
Speaker 8: he's playing like jab was a fool from And I'm

1202
01:12:10,800 --> 01:12:14,600
Speaker 8: singing every single record that they playing, you know what

1203
01:12:14,640 --> 01:12:21,479
Speaker 8: I mean, like a Magan wold Man use a yeah

1204
01:12:21,840 --> 01:12:25,040
Speaker 8: so la. So I'm singing blah blah blah. All sudden

1205
01:12:25,320 --> 01:12:30,360
Speaker 8: he started playing Benny and the Jets Toe to To.

1206
01:12:32,320 --> 01:12:36,160
Speaker 8: I started singing it, y'all. We was there for like hours,

1207
01:12:37,600 --> 01:12:41,120
Speaker 8: Do it again, do it again? Then they put it out.

1208
01:12:41,880 --> 01:12:42,400
Speaker 4: Yeah, I got that.

1209
01:12:42,560 --> 01:12:42,920
Speaker 12: I got that.

1210
01:12:43,560 --> 01:12:47,719
Speaker 4: That's that would be one of my fire five I purchased.

1211
01:12:50,439 --> 01:12:54,640
Speaker 4: I purchased twenty copies of that Grand Royal Whitties magazine

1212
01:12:55,400 --> 01:12:59,080
Speaker 4: with your floppy record in it. So and then that's

1213
01:12:59,080 --> 01:13:01,360
Speaker 4: why I started okay instead of here.

1214
01:13:02,240 --> 01:13:05,439
Speaker 8: So so what happened was, you know, after that, we

1215
01:13:05,600 --> 01:13:08,280
Speaker 8: just started just playing with stuff and I would just

1216
01:13:08,360 --> 01:13:10,960
Speaker 8: come out there, hang with them, stay with them, and

1217
01:13:11,120 --> 01:13:13,880
Speaker 8: we just started doing just magical stuff. Like I would

1218
01:13:13,880 --> 01:13:15,920
Speaker 8: be at my house and I heard something because I

1219
01:13:16,000 --> 01:13:17,360
Speaker 8: used to like Ted Nugent.

1220
01:13:17,320 --> 01:13:19,120
Speaker 4: You know, yeah, I was gonna say, how that tech

1221
01:13:19,200 --> 01:13:21,519
Speaker 4: Nugent collaboration happened? Was that separate?

1222
01:13:21,800 --> 01:13:22,360
Speaker 12: That was separate?

1223
01:13:22,400 --> 01:13:26,200
Speaker 8: I just think Jesus. I called them from the phone, right,

1224
01:13:26,960 --> 01:13:29,320
Speaker 8: and I said, Joe, I got something for you. It's

1225
01:13:29,400 --> 01:13:32,000
Speaker 8: like y'all getting out of jail or something, right, So

1226
01:13:32,120 --> 01:13:34,160
Speaker 8: I got something for you and he said play it.

1227
01:13:34,240 --> 01:13:36,639
Speaker 8: So I threw the record on and I said, et

1228
01:13:38,840 --> 01:13:49,160
Speaker 8: damn dumb man, y'all. I played that for like eight hours. Yo.

1229
01:13:49,720 --> 01:13:52,240
Speaker 8: I said this is for you, Yo, Pichon want to

1230
01:13:52,280 --> 01:13:54,360
Speaker 8: give you this, And I said, nah, we come on, man,

1231
01:13:54,400 --> 01:13:56,920
Speaker 8: we're cool, come on, don't worry about it. After that,

1232
01:13:57,040 --> 01:14:00,600
Speaker 8: we started just doing different things. Do Brad dude do.

1233
01:14:01,000 --> 01:14:02,840
Speaker 8: So then they just took me on tour with them.

1234
01:14:03,200 --> 01:14:05,280
Speaker 8: So it's like I was like Billy.

1235
01:14:05,120 --> 01:14:09,880
Speaker 4: Preston, you were Billy Preston to their fee, so you.

1236
01:14:09,920 --> 01:14:13,040
Speaker 8: Know, and then they showed for them. They showed me

1237
01:14:13,320 --> 01:14:17,240
Speaker 8: a lot of things. I didn't know how to conduct business,

1238
01:14:17,960 --> 01:14:21,400
Speaker 8: how to save for a rainy day, how to whatever,

1239
01:14:21,439 --> 01:14:22,840
Speaker 8: you know what I mean. And plus I used to

1240
01:14:22,880 --> 01:14:26,639
Speaker 8: take them sneaky shopping. I took them to a store

1241
01:14:26,760 --> 01:14:30,680
Speaker 8: and knew had every old school sneaker, but at the

1242
01:14:30,760 --> 01:14:35,120
Speaker 8: time it was great closed down and every procads everything

1243
01:14:35,240 --> 01:14:35,880
Speaker 8: was that dollar.

1244
01:14:36,479 --> 01:14:41,200
Speaker 4: Oh my god, wow, so their fashion shiit comes.

1245
01:14:41,240 --> 01:14:44,719
Speaker 8: We backed up, but we backed up a big truck MPV.

1246
01:14:46,200 --> 01:14:47,479
Speaker 8: I used to bring them they I used to bring

1247
01:14:47,520 --> 01:14:49,679
Speaker 8: them to jew Man. I used to bring them different spots.

1248
01:14:50,280 --> 01:14:51,519
Speaker 8: But then they used to bring me stuff.

1249
01:14:51,560 --> 01:14:51,680
Speaker 11: You know.

1250
01:14:51,760 --> 01:14:53,040
Speaker 8: We used to it was like brotherhood.

1251
01:14:58,080 --> 01:15:00,280
Speaker 6: During the coach tilling years, were you actually making money

1252
01:15:00,360 --> 01:15:02,240
Speaker 6: off the records like royalties or was it mainly just

1253
01:15:02,280 --> 01:15:02,759
Speaker 6: to a bunny.

1254
01:15:03,520 --> 01:15:08,000
Speaker 8: I was making money off the records because I was recording,

1255
01:15:08,320 --> 01:15:12,000
Speaker 8: and since I used to record in the house, you

1256
01:15:12,120 --> 01:15:15,720
Speaker 8: didn't really have to need that much money to use it.

1257
01:15:15,720 --> 01:15:19,200
Speaker 8: As a budget like I would get my budget, said

1258
01:15:19,240 --> 01:15:22,760
Speaker 8: my budget to be three or five hundred recording the house,

1259
01:15:22,800 --> 01:15:26,320
Speaker 8: I just gotta pay my engineer, pay cooov give him.

1260
01:15:27,840 --> 01:15:31,200
Speaker 4: Oh in house, I'm thinking of like a label studio.

1261
01:15:31,680 --> 01:15:32,880
Speaker 8: It's in my house.

1262
01:15:32,960 --> 01:15:36,479
Speaker 4: So so wait, so you recorded a lot of going

1263
01:15:36,600 --> 01:15:38,840
Speaker 4: off in home equipment.

1264
01:15:38,520 --> 01:15:41,600
Speaker 12: Going off or like a lot of that was on

1265
01:15:41,720 --> 01:15:42,160
Speaker 12: four track.

1266
01:15:42,280 --> 01:15:42,880
Speaker 8: Marley did that.

1267
01:15:44,280 --> 01:15:48,760
Speaker 4: So for Diabolical every house I was about to say,

1268
01:15:48,920 --> 01:15:54,439
Speaker 4: Monthfoot's vocal sounds like you were in a bathroom or nah.

1269
01:15:54,640 --> 01:15:57,920
Speaker 4: I could tell like natural but natural reverb sound versus

1270
01:15:58,240 --> 01:16:01,880
Speaker 4: process reverb sound. Did you record muffoot in the house?

1271
01:16:02,360 --> 01:16:03,240
Speaker 4: What room your kitchen?

1272
01:16:03,479 --> 01:16:06,120
Speaker 8: No? Downstairs, the basement? I need a haircut. That was

1273
01:16:06,120 --> 01:16:08,880
Speaker 8: at the house too. That was grip Wow, all that

1274
01:16:09,000 --> 01:16:10,080
Speaker 8: was done at Coovie's house.

1275
01:16:11,840 --> 01:16:13,519
Speaker 4: Biz And who was this engineer?

1276
01:16:14,040 --> 01:16:21,000
Speaker 8: Sorry? Doc? But at first at first we had we

1277
01:16:21,120 --> 01:16:25,720
Speaker 8: had Shane, but then we went to Paul C. I

1278
01:16:25,840 --> 01:16:27,560
Speaker 8: think Paul C.

1279
01:16:27,800 --> 01:16:28,920
Speaker 4: Give me Paul C stories.

1280
01:16:29,400 --> 01:16:34,439
Speaker 8: Paul C was one of the greatest engineers. You know

1281
01:16:34,479 --> 01:16:40,360
Speaker 8: how you're a drama No, let's listen. Yes, but the

1282
01:16:40,479 --> 01:16:42,719
Speaker 8: thing is, you know how you listen to He didn't

1283
01:16:42,800 --> 01:16:45,360
Speaker 8: listen to the pads. He would do it on the

1284
01:16:45,960 --> 01:16:49,040
Speaker 8: numbers and then hit the button and the record to

1285
01:16:49,120 --> 01:16:54,000
Speaker 8: be done. Really, he was at the best.

1286
01:16:54,120 --> 01:16:55,760
Speaker 4: I didn't even think you worked with I was gonna

1287
01:16:55,760 --> 01:16:57,760
Speaker 4: ask you, did you know Paul C? I skipped I

1288
01:16:57,840 --> 01:16:59,800
Speaker 4: skipped Latin Cord of Stories and.

1289
01:17:04,760 --> 01:17:10,040
Speaker 8: You look no engineered, Kim. I traded Paul C.

1290
01:17:10,640 --> 01:17:14,160
Speaker 4: He he worked on your records, Yeah, my second album.

1291
01:17:14,360 --> 01:17:22,400
Speaker 8: I did not know that, he he he. I traded

1292
01:17:22,439 --> 01:17:28,799
Speaker 8: him Coolest Back Albums sealed.

1293
01:17:29,760 --> 01:17:34,240
Speaker 4: There's a funk in corporated sealed copy of Coolest Back

1294
01:17:34,880 --> 01:17:36,240
Speaker 4: that's not reissued from.

1295
01:17:36,560 --> 01:17:41,120
Speaker 8: Real damn that whenever we if I come, I'll bring

1296
01:17:41,200 --> 01:17:42,000
Speaker 8: you one. I'll give you one.

1297
01:17:42,880 --> 01:17:44,840
Speaker 4: Okay, So I get that and what else?

1298
01:17:45,479 --> 01:17:45,800
Speaker 8: Keep going?

1299
01:17:46,360 --> 01:17:48,120
Speaker 12: Let's so I traded him.

1300
01:17:48,160 --> 01:17:51,000
Speaker 8: I traded him Coolest Back Albums, right, and he traded

1301
01:17:51,040 --> 01:17:53,559
Speaker 8: me Hercules right? Okay?

1302
01:17:53,680 --> 01:18:00,160
Speaker 4: Hercules Aaron Nevil's just translation. Steve paul C was the

1303
01:18:00,439 --> 01:18:06,840
Speaker 4: U of the mid eighties to late eighties, but the

1304
01:18:07,240 --> 01:18:09,840
Speaker 4: cool white engineer that hung around a lot of black dudes.

1305
01:18:09,880 --> 01:18:11,080
Speaker 8: Nobody was better than him.

1306
01:18:11,120 --> 01:18:14,240
Speaker 7: On a twelve hundred that that collected, he sounds more

1307
01:18:14,320 --> 01:18:14,920
Speaker 7: talented than me.

1308
01:18:15,000 --> 01:18:18,920
Speaker 8: Actually, there's to be nobody better than him. Rest the

1309
01:18:19,000 --> 01:18:21,400
Speaker 8: Beech he was nobody bad. I mean.

1310
01:18:22,880 --> 01:18:25,880
Speaker 4: Company passed away. When did he pass away? He passed

1311
01:18:25,960 --> 01:18:27,879
Speaker 4: away because I know he's on the back.

1312
01:18:27,720 --> 01:18:30,120
Speaker 8: Of what the rhythm hit him. I think that's why

1313
01:18:30,840 --> 01:18:33,200
Speaker 8: rest r ip he. I think he passed away in

1314
01:18:33,280 --> 01:18:35,479
Speaker 8: eighty nine. I think I was the last one he

1315
01:18:35,680 --> 01:18:39,760
Speaker 8: was recording with. Something happened. I mean, I tell you.

1316
01:18:39,800 --> 01:18:42,479
Speaker 4: Off, Oh, it's like some be I thought it was like,

1317
01:18:42,560 --> 01:18:44,080
Speaker 4: you know what, he didn't have no beef.

1318
01:18:44,720 --> 01:18:47,960
Speaker 8: It was just the point of people could looking for somebody.

1319
01:18:48,560 --> 01:18:54,960
Speaker 4: Oh, man, ship one place a long time. We work

1320
01:18:55,000 --> 01:19:03,200
Speaker 4: at thirty Rock. We're saying safe man, I did not

1321
01:19:03,320 --> 01:19:05,120
Speaker 4: know you worked with the great Paul cy.

1322
01:19:06,680 --> 01:19:06,920
Speaker 8: Damn.

1323
01:19:07,320 --> 01:19:10,680
Speaker 4: So he was just like what was it about his

1324
01:19:10,880 --> 01:19:15,000
Speaker 4: production technique? Was the fact that he's shop stuff.

1325
01:19:14,960 --> 01:19:18,599
Speaker 8: Put his way. You know how. I think we played

1326
01:19:19,000 --> 01:19:22,200
Speaker 8: at the House of Blues. Remember I was I was

1327
01:19:22,240 --> 01:19:24,760
Speaker 8: sick at the time we played the house. I lost

1328
01:19:24,760 --> 01:19:28,040
Speaker 8: my voice. You remember when you did Mardi Gras. Yeah,

1329
01:19:29,680 --> 01:19:32,559
Speaker 8: you know how you have the funk? He just had

1330
01:19:32,680 --> 01:19:36,960
Speaker 8: that funk. Was he a musician? He was something?

1331
01:19:38,000 --> 01:19:40,040
Speaker 12: He was everything son, he was everything.

1332
01:19:41,040 --> 01:19:45,000
Speaker 8: So how you do see Paul see you see laws professor,

1333
01:19:45,360 --> 01:19:52,600
Speaker 8: Professor Policy Production. That's with Paul mcs paulsy mccasty.

1334
01:19:53,320 --> 01:19:56,800
Speaker 4: Incredible son dous he got any other stories like I

1335
01:19:57,080 --> 01:19:58,000
Speaker 4: feel like there's.

1336
01:19:58,280 --> 01:19:59,760
Speaker 8: Go ahead to ask whatever you want.

1337
01:20:00,320 --> 01:20:04,200
Speaker 9: And now tails from the Latin Quarter. We have been

1338
01:20:04,280 --> 01:20:06,559
Speaker 9: in the Latin Quarter that everybody comes on the show

1339
01:20:06,600 --> 01:20:09,240
Speaker 9: delivers a Latin Quarter story. You might as well, bis

1340
01:20:10,280 --> 01:20:11,200
Speaker 9: what's your best one.

1341
01:20:12,439 --> 01:20:18,200
Speaker 8: Best one Latin Quarter k r rest Battle of Melle mel.

1342
01:20:19,240 --> 01:20:25,439
Speaker 4: Everyone has yeah, from like five different someone talked about people. No, no, no, no,

1343
01:20:25,520 --> 01:20:25,760
Speaker 4: no no.

1344
01:20:26,360 --> 01:20:30,920
Speaker 8: My best story is cash money coming to Latin Quarter

1345
01:20:31,640 --> 01:20:35,599
Speaker 8: and and killing it here. I'm gonna tell you what happened.

1346
01:20:36,360 --> 01:20:40,680
Speaker 8: Paradise has this Paradise has this Phelas suit on. He

1347
01:20:40,800 --> 01:20:46,360
Speaker 8: had I think he wore like seventeen consecutive weeks, and

1348
01:20:46,479 --> 01:20:49,720
Speaker 8: he had a big ass silver rope right you know

1349
01:20:50,120 --> 01:20:52,400
Speaker 8: when you win. So they got a big ass silver

1350
01:20:52,520 --> 01:20:56,559
Speaker 8: rope right to check it out. So he said, Yo,

1351
01:20:56,680 --> 01:20:59,639
Speaker 8: this guy says he's just he's better than Jazzy Jeff

1352
01:20:59,720 --> 01:21:02,880
Speaker 8: and blah blah blah blah blah. Here is cash money.

1353
01:21:03,160 --> 01:21:05,720
Speaker 8: He set up that you set him up like a

1354
01:21:06,280 --> 01:21:07,040
Speaker 8: five heart beat.

1355
01:21:07,280 --> 01:21:12,360
Speaker 4: Heart beat and they better than their temptations put together.

1356
01:21:12,560 --> 01:21:15,200
Speaker 4: But thegether, we should see the right.

1357
01:21:15,920 --> 01:21:21,400
Speaker 8: So so they bowing, they bowing. They cast money at first, No,

1358
01:21:22,000 --> 01:21:28,599
Speaker 8: this cast money by himself? What so cast started? What uh?

1359
01:21:28,840 --> 01:21:30,320
Speaker 12: And with a piece of president.

1360
01:21:32,920 --> 01:21:35,000
Speaker 4: He started doing top billing.

1361
01:21:35,520 --> 01:21:39,639
Speaker 8: What just too? I'm looking like So after a while

1362
01:21:40,280 --> 01:21:43,760
Speaker 8: I already knew cash money because hanging Philly, Yo, he

1363
01:21:43,920 --> 01:21:47,840
Speaker 8: burnt it down so bad everybody wanted to hang with him.

1364
01:21:50,520 --> 01:21:53,200
Speaker 8: He was like that kid on the block that the

1365
01:21:53,320 --> 01:21:57,320
Speaker 8: only kid that had HBO or atari And you'll be

1366
01:21:57,400 --> 01:22:00,240
Speaker 8: asking your mother, did you stay over there? And I

1367
01:22:00,400 --> 01:22:04,760
Speaker 8: go with you? I go with Derek House and he

1368
01:22:04,880 --> 01:22:06,719
Speaker 8: burned it down. That was That was one of my best.

1369
01:22:06,880 --> 01:22:12,360
Speaker 8: And another another story was when when people used to

1370
01:22:12,360 --> 01:22:18,280
Speaker 8: get robbed. Okay, what what?

1371
01:22:18,600 --> 01:22:18,640
Speaker 6: What?

1372
01:22:18,960 --> 01:22:20,040
Speaker 8: What is your uh?

1373
01:22:20,960 --> 01:22:25,800
Speaker 4: Haitian Jack story? Jack was cool with me, but I

1374
01:22:25,960 --> 01:22:29,040
Speaker 4: hear that the folk lord for those who don't know,

1375
01:22:29,120 --> 01:22:31,080
Speaker 4: I hear that Haitian Jack was the guy that has

1376
01:22:31,160 --> 01:22:36,360
Speaker 4: the most collections of hip hop gold chains.

1377
01:22:37,040 --> 01:22:40,120
Speaker 8: And it's a lot of them like that you have Jack, But.

1378
01:22:40,160 --> 01:22:43,400
Speaker 4: I heard Jack has like you know, he has rock

1379
01:22:43,479 --> 01:22:46,240
Speaker 4: kmsty and it's slick Rick. And I heard that he

1380
01:22:46,360 --> 01:22:50,920
Speaker 4: had about to say that, Okay, he was rick.

1381
01:22:51,439 --> 01:22:52,080
Speaker 12: Rick or bust you.

1382
01:22:53,200 --> 01:22:56,799
Speaker 8: We know this. I was there when that shootout happened

1383
01:22:57,320 --> 01:23:02,360
Speaker 8: in the Bronx at the Castle. Hit me world is bomb.

1384
01:23:04,600 --> 01:23:06,559
Speaker 4: And you got wait what happened?

1385
01:23:06,720 --> 01:23:10,560
Speaker 8: Here's what happened. They were outside of the Castle. I

1386
01:23:10,640 --> 01:23:12,599
Speaker 8: think he had an argument with what's the castle?

1387
01:23:13,000 --> 01:23:13,559
Speaker 4: The Castle?

1388
01:23:13,840 --> 01:23:15,920
Speaker 8: You know, the Castle was a club in the Bronx,

1389
01:23:17,320 --> 01:23:19,840
Speaker 8: and I think he was with some guys and I

1390
01:23:19,880 --> 01:23:21,759
Speaker 8: don't know if they were trying to rob him or whatever,

1391
01:23:22,240 --> 01:23:28,479
Speaker 8: but they were just shooting across from car to car.

1392
01:23:30,720 --> 01:23:34,200
Speaker 4: So wait, you're in this era and you know you

1393
01:23:34,400 --> 01:23:36,679
Speaker 4: just castle him into the gum like at no point

1394
01:23:37,040 --> 01:23:39,519
Speaker 4: is it just with you? Is it like they haven't

1395
01:23:39,520 --> 01:23:40,600
Speaker 4: a shootout or.

1396
01:23:40,680 --> 01:23:41,200
Speaker 8: Is just like.

1397
01:23:49,000 --> 01:23:51,600
Speaker 4: Actually, to be honest with you, viz when you on

1398
01:23:51,720 --> 01:23:53,759
Speaker 4: the show, I actually came up with the sound effect

1399
01:23:53,800 --> 01:23:55,320
Speaker 4: just for you or.

1400
01:23:58,200 --> 01:24:02,400
Speaker 12: The yo what they were busting?

1401
01:24:02,560 --> 01:24:08,240
Speaker 8: Like my man Ralphie got shot in his eye like

1402
01:24:08,479 --> 01:24:11,800
Speaker 8: this now on damn.

1403
01:24:13,200 --> 01:24:13,400
Speaker 4: Wow.

1404
01:24:14,680 --> 01:24:16,120
Speaker 8: They had a lot of They had a lot of

1405
01:24:16,240 --> 01:24:18,400
Speaker 8: They had a lot of good fights that in quarters though.

1406
01:24:19,360 --> 01:24:22,840
Speaker 8: You they had this dude coming from Connecticut. He was muscle,

1407
01:24:23,720 --> 01:24:28,479
Speaker 8: had a tank, he's gonna start talking dancing with dudes

1408
01:24:28,520 --> 01:24:32,400
Speaker 8: from Brooklyn Girls and everything. He's not worried all sudden

1409
01:24:32,479 --> 01:24:48,680
Speaker 8: that record came on. They got on him like they

1410
01:24:48,800 --> 01:24:52,840
Speaker 8: got him, like Bee, I wonder how much money could

1411
01:24:52,840 --> 01:24:57,760
Speaker 8: you get? One of the probably got you saying that

1412
01:24:58,640 --> 01:25:03,840
Speaker 8: whenever what comes on you, it was time to keep

1413
01:25:03,880 --> 01:25:12,240
Speaker 8: by uh uh Funky by Ultimate net Wow really sets

1414
01:25:12,360 --> 01:25:12,720
Speaker 8: them three.

1415
01:25:15,400 --> 01:25:16,559
Speaker 7: So you just knew.

1416
01:25:16,439 --> 01:25:19,800
Speaker 4: Instantly that when those records come on, like somebody Jane

1417
01:25:21,960 --> 01:25:23,000
Speaker 4: trying to get you for your Jane.

1418
01:25:23,080 --> 01:25:24,320
Speaker 8: No, I stang with them.

1419
01:25:24,960 --> 01:25:25,800
Speaker 12: I used to get them in.

1420
01:25:27,760 --> 01:25:30,439
Speaker 8: So your approach was befriend them or but I was

1421
01:25:30,520 --> 01:25:34,280
Speaker 8: friends with them before records. So yeah, so I'm you know,

1422
01:25:34,320 --> 01:25:36,439
Speaker 8: I'm with them. I used to borrow money off them

1423
01:25:36,520 --> 01:25:40,320
Speaker 8: from stuff like the real fifty cent, the real fifty cent,

1424
01:25:41,240 --> 01:25:45,000
Speaker 8: the real fifty cent from Brooklyn. She stick up am

1425
01:25:45,040 --> 01:25:48,640
Speaker 8: the car in the daytime and all that. I mean,

1426
01:25:48,800 --> 01:25:52,000
Speaker 8: And you weren't afraid of if we friends. I mean,

1427
01:25:52,040 --> 01:25:56,920
Speaker 8: you got people around your way that's gangster friends. You

1428
01:25:56,960 --> 01:25:58,439
Speaker 8: don't have people that's gangster that you.

1429
01:25:59,400 --> 01:26:05,280
Speaker 4: Yes, I put it on the show. Yeah I'm talking

1430
01:26:05,320 --> 01:26:06,640
Speaker 4: about these are real gangs. I know.

1431
01:26:08,240 --> 01:26:08,800
Speaker 8: It's just my.

1432
01:26:11,680 --> 01:26:16,960
Speaker 12: People what they toes out with timberlands and stuff on.

1433
01:26:18,720 --> 01:26:22,919
Speaker 8: This was real gangsters, supreme, All of them was real gangsters.

1434
01:26:25,200 --> 01:26:29,080
Speaker 4: So wait, can I ask how many uh uh Dapper

1435
01:26:29,160 --> 01:26:33,320
Speaker 4: Dan outfits do you have? And what was the copying

1436
01:26:33,520 --> 01:26:36,400
Speaker 4: adopt a Dapper Dan outfit? How long would it take

1437
01:26:36,520 --> 01:26:40,200
Speaker 4: from measuring to here's your outfit?

1438
01:26:40,360 --> 01:26:44,639
Speaker 8: Well, I used to hang with that, so about half

1439
01:26:46,320 --> 01:26:50,600
Speaker 8: half a year, half half a half hour? Wait? What what?

1440
01:26:53,240 --> 01:26:55,320
Speaker 12: I'm sorry, I gotta bring them. I gotta bring them.

1441
01:26:55,320 --> 01:26:56,200
Speaker 4: I can call them right now.

1442
01:26:56,560 --> 01:26:57,599
Speaker 8: No I haven't. Haven't.

1443
01:26:57,680 --> 01:26:59,000
Speaker 4: I have a dapper damn jacket.

1444
01:26:59,040 --> 01:27:02,120
Speaker 8: He made me one. But but it takes a half hour.

1445
01:27:02,160 --> 01:27:03,800
Speaker 8: I'm thinking you said measurements?

1446
01:27:04,360 --> 01:27:05,960
Speaker 16: No, but like how long would it take from like

1447
01:27:06,840 --> 01:27:10,040
Speaker 16: how long would it take from to make it to Wow?

1448
01:27:10,280 --> 01:27:14,519
Speaker 4: Because even googling you, you have some ill dapper Dan stuff.

1449
01:27:14,560 --> 01:27:16,679
Speaker 4: I've never seen nobody you know got.

1450
01:27:18,280 --> 01:27:20,439
Speaker 8: Up. I used to sit out there. I was out

1451
01:27:20,479 --> 01:27:24,360
Speaker 8: there when Mitch Green got punched by Mike Mitch Blood.

1452
01:27:25,720 --> 01:27:28,320
Speaker 12: I was sitting right there with my what dapping them?

1453
01:27:29,160 --> 01:27:31,160
Speaker 8: You were there when sending what It was.

1454
01:27:31,200 --> 01:27:32,080
Speaker 12: Early in the morning.

1455
01:27:32,360 --> 01:27:40,360
Speaker 4: Bow, So Michigan fores out there? You know, I know

1456
01:27:40,400 --> 01:27:43,680
Speaker 4: who is you know who's dapper damn like.

1457
01:27:45,160 --> 01:27:47,320
Speaker 11: Exactly design all the outfits with the m c M,

1458
01:27:47,400 --> 01:27:51,679
Speaker 11: the findy and ain't know about for everybody.

1459
01:27:52,080 --> 01:27:55,040
Speaker 8: You do me pajamas and everything I've seen.

1460
01:27:56,400 --> 01:28:00,200
Speaker 4: I feel like you have more crazier dapper dance up.

1461
01:28:00,240 --> 01:28:02,759
Speaker 4: And where is that stuff now? Is it in the storage?

1462
01:28:03,520 --> 01:28:05,320
Speaker 4: It's next to that beat machine that you can't see.

1463
01:28:06,880 --> 01:28:11,240
Speaker 4: Where do you keep your Where do you keep your artifacts?

1464
01:28:11,600 --> 01:28:13,080
Speaker 4: Who preserves your artifacts?

1465
01:28:13,680 --> 01:28:15,280
Speaker 8: I play with them most of the time.

1466
01:28:16,439 --> 01:28:18,280
Speaker 4: Oh so you actually collect your artifacts?

1467
01:28:18,520 --> 01:28:23,599
Speaker 8: I touched my joints and all my Johnny Lightning cars,

1468
01:28:23,720 --> 01:28:25,160
Speaker 8: my AFX everything.

1469
01:28:25,240 --> 01:28:27,040
Speaker 11: But does that in a different place than the throwbacks

1470
01:28:27,080 --> 01:28:28,920
Speaker 11: because you got different collections of different things.

1471
01:28:28,920 --> 01:28:31,120
Speaker 8: Because I got my house next to me and then

1472
01:28:31,160 --> 01:28:35,240
Speaker 8: I got my house. This is Marylands? When did you

1473
01:28:35,280 --> 01:28:37,679
Speaker 8: move to Maryland ninety four?

1474
01:28:39,760 --> 01:28:39,920
Speaker 4: Wait?

1475
01:28:40,000 --> 01:28:41,240
Speaker 8: What part of not Baltimore?

1476
01:28:41,479 --> 01:28:41,519
Speaker 10: No?

1477
01:28:41,800 --> 01:28:42,240
Speaker 8: Hell no?

1478
01:28:43,240 --> 01:28:44,360
Speaker 12: I mean I love Baltimore.

1479
01:28:44,479 --> 01:28:48,519
Speaker 8: But boye okay, I have a question, biz.

1480
01:28:49,280 --> 01:28:52,080
Speaker 4: It's a little off topic, but every topic.

1481
01:28:52,840 --> 01:28:56,840
Speaker 7: What's what's your favorite record store in New York or

1482
01:28:57,120 --> 01:28:59,160
Speaker 7: and and also like what's your favorite record store in

1483
01:28:59,240 --> 01:28:59,559
Speaker 7: the world.

1484
01:29:01,200 --> 01:29:03,799
Speaker 8: There's like a couple they used to have a store

1485
01:29:03,880 --> 01:29:06,080
Speaker 8: in Phoenix called Prickly Pair.

1486
01:29:07,520 --> 01:29:12,840
Speaker 4: Okay, and they had a one record Finders in La.

1487
01:29:14,479 --> 01:29:17,559
Speaker 4: Do you on latch mount for the amount of records

1488
01:29:17,640 --> 01:29:21,960
Speaker 4: you own? Is it now just to the point where

1489
01:29:22,000 --> 01:29:23,479
Speaker 4: it's like I own them?

1490
01:29:24,520 --> 01:29:24,920
Speaker 8: Or for you?

1491
01:29:25,400 --> 01:29:28,360
Speaker 4: Is it like, yo, I'm gonna make some of the

1492
01:29:28,439 --> 01:29:29,519
Speaker 4: funkiest records ever.

1493
01:29:29,920 --> 01:29:30,320
Speaker 8: Or is it.

1494
01:29:31,800 --> 01:29:33,040
Speaker 4: Trade off to something else?

1495
01:29:33,439 --> 01:29:33,840
Speaker 8: Or is it.

1496
01:29:35,360 --> 01:29:39,560
Speaker 4: You just want to live and listen to It's like you, like,

1497
01:29:39,680 --> 01:29:42,120
Speaker 4: do you utilize the stuff you collect?

1498
01:29:42,200 --> 01:29:42,360
Speaker 8: Now?

1499
01:29:42,720 --> 01:29:47,080
Speaker 4: I'll admit maybe in the past ten years I've just

1500
01:29:47,200 --> 01:29:51,120
Speaker 4: been collecting and collecting and hoarding without even It's to

1501
01:29:51,200 --> 01:29:52,839
Speaker 4: the point now where I won't even open.

1502
01:29:52,720 --> 01:29:56,640
Speaker 8: The boxes that get shipped to my spots because I

1503
01:29:56,760 --> 01:30:00,200
Speaker 8: look through some stuff to make sure they're in there. Now,

1504
01:30:00,320 --> 01:30:03,080
Speaker 8: you might buy something and it's from across seas and

1505
01:30:03,120 --> 01:30:04,719
Speaker 8: you get it and it might be a brick in there.

1506
01:30:07,160 --> 01:30:11,040
Speaker 12: To make sure things is in there. So Iday with

1507
01:30:11,120 --> 01:30:12,639
Speaker 12: my forty five, So you know what I mean?

1508
01:30:13,160 --> 01:30:17,880
Speaker 7: So are you are you more infatuated with the record

1509
01:30:18,080 --> 01:30:19,559
Speaker 7: or the music that's on the record?

1510
01:30:19,720 --> 01:30:20,280
Speaker 8: You know what I mean?

1511
01:30:20,439 --> 01:30:23,280
Speaker 7: Like, as do you collect the records because of your

1512
01:30:23,320 --> 01:30:25,840
Speaker 7: love for all the you know, the artwork and this

1513
01:30:25,960 --> 01:30:27,439
Speaker 7: that and the other thing, or the music that's on.

1514
01:30:27,479 --> 01:30:28,320
Speaker 4: It, the sound.

1515
01:30:29,760 --> 01:30:31,760
Speaker 8: You know, if you buy an album that you've never seen,

1516
01:30:31,880 --> 01:30:33,839
Speaker 8: like you got white Orange?

1517
01:30:36,880 --> 01:30:41,080
Speaker 4: No, what's white orange album? Look it up? Loving this ship?

1518
01:30:42,200 --> 01:30:42,680
Speaker 8: Look it up?

1519
01:30:43,040 --> 01:30:45,880
Speaker 4: I just I mean, I could have told you from

1520
01:30:45,920 --> 01:30:49,360
Speaker 4: the gatelight Hea that he will name like twenty things

1521
01:30:49,479 --> 01:30:51,120
Speaker 4: that I will automatically have it.

1522
01:30:51,880 --> 01:30:53,760
Speaker 8: No to look look it up right now?

1523
01:30:53,840 --> 01:30:54,519
Speaker 12: You know, I'm not mad.

1524
01:30:54,840 --> 01:30:57,479
Speaker 8: It should be an album sweets jes fusing group. Yeah,

1525
01:30:57,520 --> 01:30:59,559
Speaker 8: it should be a it should be a white orange

1526
01:30:59,640 --> 01:31:00,519
Speaker 8: on it. What is it?

1527
01:31:00,640 --> 01:31:02,080
Speaker 11: The sweetest jazz fusion group?

1528
01:31:03,000 --> 01:31:04,680
Speaker 4: Maybe let me see the coming let me see the

1529
01:31:04,880 --> 01:31:05,439
Speaker 4: white orange.

1530
01:31:08,120 --> 01:31:12,240
Speaker 8: It's a white orange, yeah I do. I've never seen that. Shit?

1531
01:31:12,280 --> 01:31:15,960
Speaker 8: What year is that? From? Nineteen eighty? All right? So

1532
01:31:16,080 --> 01:31:18,760
Speaker 8: what about it? I just like the way they play

1533
01:31:18,840 --> 01:31:22,120
Speaker 8: on it. They play different than anybody else. The sounds

1534
01:31:22,280 --> 01:31:22,960
Speaker 8: is incredible.

1535
01:31:23,360 --> 01:31:24,960
Speaker 4: Hook me up, biz, I got you.

1536
01:31:25,840 --> 01:31:29,280
Speaker 8: I'm giving you, I'm dropping jewels, I'm giving you names.

1537
01:31:32,640 --> 01:31:33,800
Speaker 8: I didn't never know what that is.

1538
01:31:34,120 --> 01:31:36,120
Speaker 11: So at this point, you got every record that you want, though, right?

1539
01:31:36,240 --> 01:31:38,559
Speaker 8: Is it one? Right now? I mean, you can never

1540
01:31:38,680 --> 01:31:41,880
Speaker 8: have every record you want, but I'm close. I'm like

1541
01:31:42,000 --> 01:31:45,599
Speaker 8: ninety nine point nine. What are you? What you're looking

1542
01:31:45,680 --> 01:31:49,080
Speaker 8: for that you do not have? Like? What do you?

1543
01:31:49,240 --> 01:31:55,800
Speaker 8: What's your holy grail? I gotta get this record. It's

1544
01:31:55,840 --> 01:32:02,000
Speaker 8: a forty five. It's the Sony Walkman commercial on forty five?

1545
01:32:02,920 --> 01:32:04,080
Speaker 4: What I got one?

1546
01:32:04,400 --> 01:32:05,519
Speaker 8: I'm just looking for another one.

1547
01:32:07,080 --> 01:32:09,680
Speaker 4: You notice this is probably the episode of Question of

1548
01:32:09,880 --> 01:32:12,600
Speaker 4: Suprea that I've done the least sound effects on. It

1549
01:32:12,760 --> 01:32:16,400
Speaker 4: just stumps even me to even what are you looking for?

1550
01:32:17,640 --> 01:32:19,519
Speaker 4: I don't know what I'm looking for? You know what, Biz,

1551
01:32:19,720 --> 01:32:24,800
Speaker 4: I'd be honest with you. I think I'm satisfied you guys.

1552
01:32:25,000 --> 01:32:27,960
Speaker 4: You guys are slowly trying to lure me into this

1553
01:32:28,160 --> 01:32:35,040
Speaker 4: forty five hole that I get. I think I understand it.

1554
01:32:36,960 --> 01:32:39,080
Speaker 4: But if I'm honest, I think I'm trying to resist it.

1555
01:32:39,960 --> 01:32:41,479
Speaker 4: What's your name? Is trying to pull me into it?

1556
01:32:42,160 --> 01:32:42,639
Speaker 8: Natasha?

1557
01:32:43,120 --> 01:32:47,639
Speaker 4: Yeah, Natasha Diggs is really trying to lure me into

1558
01:32:47,840 --> 01:32:53,080
Speaker 4: this forty five uh sunk in place that I don't

1559
01:32:53,120 --> 01:32:55,200
Speaker 4: know if I Because the thing is that when I

1560
01:32:55,439 --> 01:33:00,599
Speaker 4: when I commit to when I when I commit to collecting,

1561
01:33:01,240 --> 01:33:04,800
Speaker 4: I go super hard on it. And I think I'm

1562
01:33:04,800 --> 01:33:07,680
Speaker 4: at the place now where I'm like, I'm satisfied. But

1563
01:33:07,920 --> 01:33:10,240
Speaker 4: but but but the thing is now I do I

1564
01:33:10,360 --> 01:33:12,519
Speaker 4: do multi tracks? Multi tracks?

1565
01:33:13,360 --> 01:33:13,920
Speaker 8: We all did.

1566
01:33:13,960 --> 01:33:20,360
Speaker 4: Remember, That's why I'm going to talk to you this over.

1567
01:33:24,200 --> 01:33:25,800
Speaker 12: I just want to mixes. I don't care about all

1568
01:33:25,880 --> 01:33:26,400
Speaker 12: those stuff.

1569
01:33:26,840 --> 01:33:28,600
Speaker 4: Look, I'm just saying, what are you.

1570
01:33:28,600 --> 01:33:30,200
Speaker 11: Trying to get? Is the trade going on?

1571
01:33:30,520 --> 01:33:32,439
Speaker 4: We don't know about you?

1572
01:33:32,800 --> 01:33:35,160
Speaker 8: Come on, we always The thing is, ever since I

1573
01:33:35,400 --> 01:33:37,800
Speaker 8: known quest, we always talked about this. Here's the thing.

1574
01:33:38,840 --> 01:33:43,719
Speaker 4: Here's the thing. What one item can you talk about

1575
01:33:43,880 --> 01:33:46,400
Speaker 4: that you know that you're not allowed to talk about

1576
01:33:46,520 --> 01:33:47,160
Speaker 4: as far as.

1577
01:33:47,120 --> 01:33:55,360
Speaker 8: You owning something? I mean, I see that's the thing. You.

1578
01:33:56,240 --> 01:33:59,960
Speaker 4: I feel like there's basic level, basic pedestrian level collecting

1579
01:34:00,439 --> 01:34:04,040
Speaker 4: like Funky Jummer forty five or some real super obvious.

1580
01:34:05,000 --> 01:34:06,440
Speaker 8: Then there's.

1581
01:34:08,520 --> 01:34:09,679
Speaker 12: Multi drives you told about record.

1582
01:34:09,680 --> 01:34:12,360
Speaker 4: No, No, I'm just saying in general, like people have

1583
01:34:12,960 --> 01:34:16,680
Speaker 4: general pedestrian collective stuff that's you know, fair, you know

1584
01:34:17,439 --> 01:34:21,240
Speaker 4: everyone has. And then there's advanced level stuff that you

1585
01:34:21,360 --> 01:34:24,120
Speaker 4: know that you might have to go to this particular

1586
01:34:24,240 --> 01:34:28,519
Speaker 4: country to get this specific mix. And then there's the

1587
01:34:29,600 --> 01:34:34,720
Speaker 4: third rail level of like you know, you have some

1588
01:34:34,880 --> 01:34:37,400
Speaker 4: ship that someone gave you in secret, but you can't

1589
01:34:37,520 --> 01:34:42,759
Speaker 4: share with the world ever, and it's like, Frank, Mmmm,

1590
01:34:44,400 --> 01:34:44,760
Speaker 4: you got that?

1591
01:34:54,600 --> 01:35:05,000
Speaker 8: Which which joint? Which joint? Before I let go multi

1592
01:35:05,080 --> 01:35:06,840
Speaker 8: tracks for his sons?

1593
01:35:09,760 --> 01:35:12,080
Speaker 4: Does he own his own multi tracks?

1594
01:35:13,560 --> 01:35:25,120
Speaker 8: BC Boys was at Capital in the nineties. I mean,

1595
01:35:25,200 --> 01:35:30,719
Speaker 8: but that's that's another story for I keep going. Another

1596
01:35:30,840 --> 01:35:35,479
Speaker 8: thing I got from somebody, it's between us or wait,

1597
01:35:35,520 --> 01:35:37,760
Speaker 8: we're on the air. I know you're saying out here they.

1598
01:35:37,760 --> 01:35:38,360
Speaker 4: Can't find it.

1599
01:35:39,040 --> 01:35:40,559
Speaker 12: Bluesing Pants forty five?

1600
01:35:41,760 --> 01:35:43,439
Speaker 8: Really, no such thing.

1601
01:35:44,160 --> 01:35:48,320
Speaker 4: I'll show you the picture. Wait, what country? What country?

1602
01:35:48,560 --> 01:35:50,760
Speaker 8: It don't matter what country is direct, it's not an

1603
01:35:50,800 --> 01:35:54,080
Speaker 8: American person, it don't matter. It's the record. Okay, Blues

1604
01:35:54,120 --> 01:35:54,439
Speaker 8: and Pants?

1605
01:35:54,479 --> 01:35:54,800
Speaker 3: What is this?

1606
01:35:59,840 --> 01:36:00,479
Speaker 4: Not minutes?

1607
01:36:00,560 --> 01:36:01,280
Speaker 8: I never knew there was.

1608
01:36:01,479 --> 01:36:03,680
Speaker 4: It was a single, damn.

1609
01:36:06,840 --> 01:36:11,240
Speaker 8: Quest You still have the same number, right you? Picture

1610
01:36:12,040 --> 01:36:17,519
Speaker 8: hit biz ladies and gentlemen. This was another episode picture.

1611
01:36:19,320 --> 01:36:22,200
Speaker 8: Do you have like every ct I record? He will say,

1612
01:36:22,280 --> 01:36:24,240
Speaker 8: yeah them, Yeah, got most of them.

1613
01:36:24,280 --> 01:36:26,840
Speaker 7: There's one that's sort of the holy grail CTI record

1614
01:36:26,880 --> 01:36:27,760
Speaker 7: that I'm trying to find.

1615
01:36:28,720 --> 01:36:30,680
Speaker 4: He's going to say, yeah, he's never going to see it.

1616
01:36:30,720 --> 01:36:33,720
Speaker 7: It's called It's called stone Bone by J and K and.

1617
01:36:35,600 --> 01:36:37,920
Speaker 8: My Stuff. I got two trombone player. Guys.

1618
01:36:38,200 --> 01:36:41,280
Speaker 7: Uh, it's like, yeah, I think it was Japan only

1619
01:36:41,400 --> 01:36:41,679
Speaker 7: or something.

1620
01:36:41,960 --> 01:36:46,679
Speaker 8: You got Doom, David Matthews, I got you got doom? Yeah,

1621
01:36:48,000 --> 01:36:52,840
Speaker 8: Bob Jason World forty five, you got on one side.

1622
01:36:53,760 --> 01:36:54,559
Speaker 8: I have a tenant.

1623
01:36:55,120 --> 01:37:00,680
Speaker 4: I have a tenants of nautilusts uh like not a

1624
01:37:00,720 --> 01:37:03,680
Speaker 4: twelve inch but a tendancy tendency. I think I have

1625
01:37:03,760 --> 01:37:06,559
Speaker 4: a tenants of Nautilus uh five.

1626
01:37:07,720 --> 01:37:10,120
Speaker 9: For those listening, this is like the Okay Corral standoff

1627
01:37:10,160 --> 01:37:16,840
Speaker 9: of record, like they're staring. There's so much amazing that another.

1628
01:37:16,600 --> 01:37:28,439
Speaker 4: One real real Yet to brag on anything I had, Honey,

1629
01:37:28,479 --> 01:37:29,720
Speaker 4: buys you anything right now?

1630
01:37:29,800 --> 01:37:38,639
Speaker 8: But asley clip a real, real, real label. Oh, non

1631
01:37:39,000 --> 01:37:41,320
Speaker 8: Chuck Brown, I got it from Chuck brod used lived

1632
01:37:41,360 --> 01:37:43,080
Speaker 8: down the block for me before he passed.

1633
01:37:48,560 --> 01:37:49,840
Speaker 4: Non Sussex record.

1634
01:37:50,240 --> 01:37:51,799
Speaker 12: Non, No, that's sauce.

1635
01:37:55,080 --> 01:37:58,639
Speaker 4: I have Ale Roads clip when they were on a sauce.

1636
01:38:00,520 --> 01:38:06,320
Speaker 8: No, you bet you at thousand dollars sauce. No, you're right.

1637
01:38:06,400 --> 01:38:09,800
Speaker 8: You watched the made Source. I made a mistake. Its

1638
01:38:09,840 --> 01:38:10,599
Speaker 8: on s Yeah.

1639
01:38:11,240 --> 01:38:14,720
Speaker 4: Clarence Atabel, Yes, I don't have the forty five.

1640
01:38:15,160 --> 01:38:19,080
Speaker 8: I don't believe you know. I'm so exactly.

1641
01:38:19,960 --> 01:38:23,200
Speaker 4: You're wait paid in full break just.

1642
01:38:23,240 --> 01:38:28,400
Speaker 12: So I gotta see even better. I gotta see even better.

1643
01:38:30,479 --> 01:38:33,840
Speaker 8: You like it too, on a real twelve and forty five?

1644
01:38:34,200 --> 01:38:39,920
Speaker 8: What biz? No?

1645
01:38:40,160 --> 01:38:41,000
Speaker 12: No, I'm I know.

1646
01:38:41,200 --> 01:38:41,680
Speaker 8: Look it up.

1647
01:38:42,360 --> 01:38:46,400
Speaker 12: I know twelve minutes right now, look it up right now.

1648
01:38:46,760 --> 01:38:49,160
Speaker 8: This is I'm yo. You like it too, straight up?

1649
01:38:50,120 --> 01:38:53,360
Speaker 4: Look up for you. If they got a picture listening

1650
01:38:53,720 --> 01:38:56,759
Speaker 4: and hearing me stumped and all this ship, it's awesome,

1651
01:38:56,840 --> 01:38:57,840
Speaker 4: all this kryptonite.

1652
01:38:58,520 --> 01:39:00,240
Speaker 8: I'm gonna tell you. Look it up. Let me tell

1653
01:39:00,320 --> 01:39:02,400
Speaker 8: y'all something twelve inch.

1654
01:39:02,479 --> 01:39:05,040
Speaker 4: I gotta get my powers back from Germany. We're gonna

1655
01:39:05,040 --> 01:39:10,120
Speaker 4: do round two from there. This is I'm gonna get

1656
01:39:10,120 --> 01:39:10,639
Speaker 4: my power back.

1657
01:39:10,640 --> 01:39:13,400
Speaker 8: Heldo, SI making it up.

1658
01:39:13,479 --> 01:39:16,800
Speaker 16: No, it's a real from Germany. Come on, son, okay, biz,

1659
01:39:17,160 --> 01:39:17,479
Speaker 16: what's this?

1660
01:39:19,240 --> 01:39:19,880
Speaker 8: Oh that's easy.

1661
01:39:20,000 --> 01:39:21,800
Speaker 12: I'm going to make it real fun up for you,

1662
01:39:22,120 --> 01:39:24,599
Speaker 12: all right, And I got forty five.

1663
01:39:30,040 --> 01:39:31,320
Speaker 8: This is not mister mean.

1664
01:39:32,360 --> 01:39:42,080
Speaker 4: Foster Silvers, mister Montain, huh uh, I know what it is,

1665
01:39:42,160 --> 01:39:42,599
Speaker 4: but I can't.

1666
01:39:43,640 --> 01:39:44,880
Speaker 8: H uh.

1667
01:39:48,840 --> 01:39:54,200
Speaker 4: Come, Oh, let's walking all right. That's if there's a will,

1668
01:39:54,400 --> 01:40:03,439
Speaker 4: there's a way by Don Coved Okay, all right, next yeah,

1669
01:40:04,680 --> 01:40:11,840
Speaker 4: Oh that's yeah, okay, I forgot that. I see. At

1670
01:40:11,960 --> 01:40:13,680
Speaker 4: first I was going to pick the song you thought

1671
01:40:13,720 --> 01:40:15,360
Speaker 4: I was gonna do, and I was like, no, never

1672
01:40:15,680 --> 01:40:17,160
Speaker 4: got me with that. You got let me find that

1673
01:40:17,240 --> 01:40:20,679
Speaker 4: same a living. Another song is singing in the morning,

1674
01:40:21,320 --> 01:40:27,400
Speaker 4: Singing in the morning. That's funky. Oh sing in the morning.

1675
01:40:27,920 --> 01:40:32,680
Speaker 4: All right, I'll do one humble bred Oh. Wait, and

1676
01:40:32,840 --> 01:40:36,080
Speaker 4: now a humble Brad. I think it is basically it's

1677
01:40:36,120 --> 01:40:40,640
Speaker 4: quest now I'm not even going to play for it.

1678
01:40:41,760 --> 01:40:47,320
Speaker 8: This. Do you have funky worm stems?

1679
01:40:49,080 --> 01:40:50,160
Speaker 4: Do I got a funky worm?

1680
01:40:50,320 --> 01:40:55,200
Speaker 8: I think I do the stems, my little fucker punk

1681
01:40:56,400 --> 01:40:56,960
Speaker 8: the stems.

1682
01:40:57,040 --> 01:40:58,880
Speaker 4: I think I got funky Ohio players.

1683
01:40:59,120 --> 01:41:02,599
Speaker 8: Yes, I think I do. I gotta love, I think

1684
01:41:02,600 --> 01:41:05,400
Speaker 8: I do. I think that's everybody got that. I think No,

1685
01:41:09,000 --> 01:41:14,120
Speaker 8: I think about the real I think boys had that first.

1686
01:41:14,920 --> 01:41:18,640
Speaker 4: It's like a sult mine, right, you guys have a

1687
01:41:18,720 --> 01:41:21,280
Speaker 4: special relationship with Armand and his son.

1688
01:41:21,600 --> 01:41:22,599
Speaker 8: Look about.

1689
01:41:25,800 --> 01:41:28,120
Speaker 4: No, not the forty five with the with the with

1690
01:41:28,320 --> 01:41:34,160
Speaker 4: the defensive. Yes, you're talking about the rare forty five

1691
01:41:34,200 --> 01:41:37,120
Speaker 4: where they put you trying to play smart on I

1692
01:41:37,160 --> 01:41:39,559
Speaker 4: hate when they do that. Wait one of the one

1693
01:41:39,600 --> 01:41:42,800
Speaker 4: of the side note Dylan side note. One of one

1694
01:41:42,840 --> 01:41:46,160
Speaker 4: of the one of the greatest games of of of

1695
01:41:46,640 --> 01:41:50,840
Speaker 4: who's on first between Dylan and I was when we

1696
01:41:50,960 --> 01:41:53,520
Speaker 4: were clearing UH the samples.

1697
01:41:53,120 --> 01:41:53,519
Speaker 8: For the Light.

1698
01:41:55,120 --> 01:41:57,000
Speaker 4: He tried to say funky one. He's like and funky

1699
01:41:57,040 --> 01:41:59,160
Speaker 4: warmed by how players. I'm like, that's not funky worm.

1700
01:41:59,240 --> 01:42:01,400
Speaker 4: He's like, yeah, it's fun I'm like, that's not funky worm.

1701
01:42:01,479 --> 01:42:02,719
Speaker 4: That's you're getting to be too smart.

1702
01:42:03,120 --> 01:42:05,720
Speaker 8: And then they got too different. Both of them got

1703
01:42:05,760 --> 01:42:08,040
Speaker 8: the break on the right, but sound and break.

1704
01:42:08,400 --> 01:42:11,680
Speaker 4: Dylan didn't realize that at the time. So when I

1705
01:42:11,760 --> 01:42:13,840
Speaker 4: finally got to Detroit and he played the forty five

1706
01:42:13,960 --> 01:42:16,240
Speaker 4: for me like we were short of, like, yo, I

1707
01:42:16,360 --> 01:42:18,080
Speaker 4: bet you five hundred dollars, and then he played it.

1708
01:42:18,479 --> 01:42:19,400
Speaker 4: I was like, holy shit.

1709
01:42:19,479 --> 01:42:22,760
Speaker 8: And then both of them got them right. So Troy

1710
01:42:22,840 --> 01:42:27,160
Speaker 8: Emeralds and UH and Ohio, but that's just same soundings.

1711
01:42:27,240 --> 01:42:29,880
Speaker 4: But I still consider that, you know, Detroit Emeralds and

1712
01:42:29,960 --> 01:42:30,600
Speaker 4: not you know.

1713
01:42:31,040 --> 01:42:33,760
Speaker 8: Nah, the two different records. Yeah, but they took it

1714
01:42:33,800 --> 01:42:36,160
Speaker 8: from Detroit Emeralds. I don't know who they took it from.

1715
01:42:36,240 --> 01:42:38,760
Speaker 8: I know it's on the record, but when you listen

1716
01:42:38,840 --> 01:42:42,200
Speaker 8: to Detroit Emeralds break it still this way. Yeah, yeah,

1717
01:42:42,320 --> 01:42:45,519
Speaker 8: they just took it anyway. This is your last one?

1718
01:42:48,840 --> 01:42:50,680
Speaker 4: Really are you now?

1719
01:42:53,280 --> 01:42:56,599
Speaker 8: I say ship that's mel Mellow right on. Yeah, that's

1720
01:42:56,600 --> 01:42:57,640
Speaker 8: a distinctive.

1721
01:42:57,200 --> 01:42:59,920
Speaker 11: Base suicide because I think I thought I had known that.

1722
01:43:00,040 --> 01:43:04,160
Speaker 4: The only one didn't say anything. Next, Yes, this is

1723
01:43:04,439 --> 01:43:05,360
Speaker 4: I'm sorry, I'll play the.

1724
01:43:08,040 --> 01:43:08,360
Speaker 8: Mellow.

1725
01:43:10,040 --> 01:43:24,479
Speaker 4: Next is that he sounds like, yeah, I don't know,

1726
01:43:27,720 --> 01:43:33,040
Speaker 4: oh wow, more steams than his orchestra from it's called

1727
01:43:33,080 --> 01:43:36,280
Speaker 4: the Long Wait. Yeah, I think it's I think it's

1728
01:43:36,320 --> 01:43:42,439
Speaker 4: part of the Hawaii five soundtrack. There's your last one? Biz, Oh,

1729
01:43:42,520 --> 01:43:43,840
Speaker 4: I know what that is? That's uh.

1730
01:43:44,640 --> 01:43:46,439
Speaker 8: I got the I got the record, I got the

1731
01:43:46,520 --> 01:43:48,519
Speaker 8: forty five, I got the album.

1732
01:43:48,760 --> 01:43:49,360
Speaker 12: I got the album.

1733
01:43:52,360 --> 01:43:53,240
Speaker 8: Yeah, Jay z.

1734
01:43:54,720 --> 01:44:00,360
Speaker 4: Eddie Henderson inside you? Is there any question of we

1735
01:44:00,439 --> 01:44:04,920
Speaker 4: could just play who got? What's fun?

1736
01:44:05,120 --> 01:44:06,000
Speaker 8: Do we learned anything?

1737
01:44:06,560 --> 01:44:09,920
Speaker 4: Listen, let's just fast forward to the end. What did

1738
01:44:09,960 --> 01:44:10,559
Speaker 4: you learn today?

1739
01:44:10,760 --> 01:44:10,960
Speaker 8: Man?

1740
01:44:11,360 --> 01:44:13,599
Speaker 4: Because we didn't learn something, we gotta ask business.

1741
01:44:13,640 --> 01:44:14,800
Speaker 8: We gotta do the second go around.

1742
01:44:14,960 --> 01:44:15,800
Speaker 4: Man, What do you learn?

1743
01:44:15,960 --> 01:44:20,080
Speaker 6: Is like dude, like he's like the master collector of

1744
01:44:20,200 --> 01:44:23,080
Speaker 6: like everybody, and like any record that you want to

1745
01:44:23,160 --> 01:44:23,439
Speaker 6: know is.

1746
01:44:23,439 --> 01:44:23,840
Speaker 8: Like you got.

1747
01:44:24,240 --> 01:44:26,920
Speaker 4: I feel like there's a question that we're forgetting to ask.

1748
01:44:26,960 --> 01:44:30,760
Speaker 4: It's gonna be like Captain obvious. Once, Oh okay, I

1749
01:44:32,040 --> 01:44:33,320
Speaker 4: found out I've got to ask.

1750
01:44:33,200 --> 01:44:34,599
Speaker 8: About Yo Gabba Gabba. But go ahead.

1751
01:44:34,760 --> 01:44:35,400
Speaker 4: What did you learn?

1752
01:44:36,479 --> 01:44:38,120
Speaker 9: I learned that I could listen to Big Markey talk

1753
01:44:38,200 --> 01:44:41,880
Speaker 9: for many hours and I'm totally with matter of fact,

1754
01:44:41,880 --> 01:44:44,240
Speaker 9: while were added, give let's talk about children's music.

1755
01:44:45,080 --> 01:44:48,160
Speaker 4: I know about that, and so the same. So yeah,

1756
01:44:48,200 --> 01:44:50,680
Speaker 4: how did you how did you get involved with the

1757
01:44:50,800 --> 01:44:51,920
Speaker 4: Yo Gabba Gabba camp?

1758
01:44:52,560 --> 01:44:53,920
Speaker 12: What happened with Yo Gabba Gabba?

1759
01:44:54,320 --> 01:44:56,559
Speaker 8: They asked me to come in to do the dancing dance,

1760
01:44:57,160 --> 01:44:59,400
Speaker 8: but the night before I dj in l A and

1761
01:44:59,520 --> 01:45:02,120
Speaker 8: you know you standing up for like five six hours

1762
01:45:02,960 --> 01:45:07,240
Speaker 8: you tied. So I was lazy, and so I just said, Yo, Christians,

1763
01:45:07,240 --> 01:45:11,200
Speaker 8: while I make them, why don't teach the kids how

1764
01:45:11,240 --> 01:45:14,479
Speaker 8: to do the beat box? I named it biz Beata

1765
01:45:14,520 --> 01:45:16,479
Speaker 8: today and then we did it. They put that on

1766
01:45:16,600 --> 01:45:20,200
Speaker 8: the on the pilot and then they got an old

1767
01:45:20,200 --> 01:45:22,360
Speaker 8: woman response and they put me down.

1768
01:45:24,040 --> 01:45:27,080
Speaker 4: Are they still actively shooting stuff for it? They and

1769
01:45:27,200 --> 01:45:28,720
Speaker 4: they arguing with.

1770
01:45:30,000 --> 01:45:33,720
Speaker 11: Because earlier about your Gabba Gabba getting you all the way,

1771
01:45:33,800 --> 01:45:35,360
Speaker 11: well not getting you to Japan. But getting you to

1772
01:45:35,400 --> 01:45:37,920
Speaker 11: the techniques to get the special turn in.

1773
01:45:38,040 --> 01:45:42,080
Speaker 8: Because anybody wants to give make their kids happy.

1774
01:45:42,160 --> 01:45:43,280
Speaker 11: That's what I was going to ask you. How many

1775
01:45:43,439 --> 01:45:45,920
Speaker 11: opportunities has that opened up for you in a different ways?

1776
01:45:45,960 --> 01:45:47,639
Speaker 11: You never would have thought being on the Kids show

1777
01:45:48,120 --> 01:45:49,080
Speaker 11: opened up this door.

1778
01:45:54,880 --> 01:45:58,160
Speaker 4: I think she meant more career goals and kids knowing

1779
01:45:58,240 --> 01:46:02,000
Speaker 4: you're not just I always play with kids.

1780
01:46:02,040 --> 01:46:04,639
Speaker 6: I love kids anyway, Yeah, I always just even sitting

1781
01:46:04,640 --> 01:46:07,040
Speaker 6: there listening to you talk like you're a walking like

1782
01:46:07,200 --> 01:46:09,960
Speaker 6: cartoon characters that have you ever done any of that

1783
01:46:10,160 --> 01:46:11,000
Speaker 6: or had any opportunities?

1784
01:46:11,040 --> 01:46:16,479
Speaker 8: I did Strangebob once. I did a couple of things,

1785
01:46:17,600 --> 01:46:19,880
Speaker 8: but you know, I'm musically driven.

1786
01:46:19,960 --> 01:46:21,760
Speaker 4: So what was it like doing Men in Breack? Like?

1787
01:46:22,280 --> 01:46:26,599
Speaker 4: I saw the premiere screening of it, and I'll say

1788
01:46:26,640 --> 01:46:30,960
Speaker 4: that you got a bigger response than Michael Jackson he did,

1789
01:46:31,439 --> 01:46:33,680
Speaker 4: because when Michael Jackson was shocked, like, oh he hit it,

1790
01:46:34,280 --> 01:46:36,240
Speaker 4: But when they saw Bizz like, the whole audience was

1791
01:46:36,439 --> 01:46:37,439
Speaker 4: whoa Like you know.

1792
01:46:37,560 --> 01:46:42,639
Speaker 8: Like what happened was Jeff wasn't going out with Will

1793
01:46:42,920 --> 01:46:46,600
Speaker 8: at the time, and he was doing all the albums

1794
01:46:46,720 --> 01:46:50,800
Speaker 8: and Hidden Beaches right right, So Jeff said Jeff and

1795
01:46:50,840 --> 01:46:54,320
Speaker 8: Will said, Yo, why don't you be DJ? So I

1796
01:46:54,400 --> 01:46:58,679
Speaker 8: started going out with Will, so I was hanging around.

1797
01:46:58,800 --> 01:47:01,559
Speaker 8: I hung around the set one time and Tommy Lee

1798
01:47:01,640 --> 01:47:03,280
Speaker 8: and said, Yo, why don't you get your man to

1799
01:47:03,320 --> 01:47:07,160
Speaker 8: do the B box and you'all talk together and that'll

1800
01:47:07,200 --> 01:47:10,559
Speaker 8: be a scene. Wow damn, I said, thank you, Will.

1801
01:47:12,360 --> 01:47:13,360
Speaker 8: They're the greatest.

1802
01:47:14,520 --> 01:47:16,520
Speaker 12: Jeff is the greatest.

1803
01:47:17,479 --> 01:47:18,120
Speaker 8: I love him.

1804
01:47:18,320 --> 01:47:19,040
Speaker 12: That's my brother.

1805
01:47:19,120 --> 01:47:22,800
Speaker 11: I take a bullet from what's the craziest evolution you've seen?

1806
01:47:22,840 --> 01:47:24,320
Speaker 11: Because a lot of the folks that you came up with,

1807
01:47:24,560 --> 01:47:28,000
Speaker 11: just like you, evolve crazy like. But like looking at Will, Jeff,

1808
01:47:28,680 --> 01:47:30,920
Speaker 11: looking at so many Latifa, like whoever you looked at

1809
01:47:30,960 --> 01:47:34,120
Speaker 11: and went like shit, I just would have never but

1810
01:47:34,400 --> 01:47:35,000
Speaker 11: just dope.

1811
01:47:35,280 --> 01:47:40,479
Speaker 8: Flash just that, I mean, just think of the records

1812
01:47:40,520 --> 01:47:44,120
Speaker 8: he found. Would hip hop be like that if he

1813
01:47:44,280 --> 01:47:49,760
Speaker 8: wasn't here? True? Not even I mean Bam Bodies, Bamboda

1814
01:47:50,600 --> 01:47:53,280
Speaker 8: did or did or but Flash.

1815
01:47:53,680 --> 01:47:55,920
Speaker 4: So flashes at the top of the pinnacle for you.

1816
01:47:56,160 --> 01:47:57,600
Speaker 4: As far as Flash.

1817
01:48:00,080 --> 01:48:04,120
Speaker 8: The El Brothers, just think about it. We all eating

1818
01:48:04,360 --> 01:48:05,960
Speaker 8: I mean, you play.

1819
01:48:07,800 --> 01:48:14,280
Speaker 4: I'm just saying, wait, you mentioned the Ol Brothers. What

1820
01:48:14,600 --> 01:48:18,439
Speaker 4: crew from back in the day? Who I mean, who's

1821
01:48:18,479 --> 01:48:22,600
Speaker 4: the ultramatenetic from back of the day that are like

1822
01:48:22,720 --> 01:48:26,760
Speaker 4: pioneers that will not get the dude credit. I'm talking

1823
01:48:27,120 --> 01:48:29,519
Speaker 4: from the original Eric. So you always hear about he

1824
01:48:29,680 --> 01:48:33,360
Speaker 4: Cold Chuss Brothers and the Funky four plus one, like

1825
01:48:33,400 --> 01:48:35,679
Speaker 4: they always named these crew, But who's that one crew

1826
01:48:35,760 --> 01:48:40,920
Speaker 4: that had like ill routines, ill techniques that didn't get

1827
01:48:40,960 --> 01:48:44,200
Speaker 4: there just Dan.

1828
01:48:42,840 --> 01:48:45,920
Speaker 8: Even though they had records Master Dawn crash crew.

1829
01:48:48,520 --> 01:48:53,400
Speaker 4: I had boilers Dog, but I forgot them first round ever,

1830
01:48:53,520 --> 01:48:55,600
Speaker 4: bit I hate that. I'm not a room see be

1831
01:48:55,680 --> 01:48:58,800
Speaker 4: like first Round. All my cities first round.

1832
01:48:58,800 --> 01:49:06,760
Speaker 8: I've ever been that first speed rap? Talk about it

1833
01:49:06,800 --> 01:49:10,040
Speaker 8: if I can think about it. Oh yeah, the crash

1834
01:49:10,240 --> 01:49:14,400
Speaker 8: is three too. Yeah, it's just the point of I'm

1835
01:49:14,479 --> 01:49:17,360
Speaker 8: just happy to still be alive to watch what's going on.

1836
01:49:18,880 --> 01:49:23,040
Speaker 8: Come on, you're the roots but you biz no, no,

1837
01:49:23,160 --> 01:49:25,479
Speaker 8: no this listen one to get ready tell you you

1838
01:49:25,840 --> 01:49:29,400
Speaker 8: DJ did the White House? Listen forget?

1839
01:49:29,439 --> 01:49:33,280
Speaker 4: I mean forget later. Yeah the first time. Wait, this

1840
01:49:33,360 --> 01:49:38,120
Speaker 4: is a funny story for you. So we're at I

1841
01:49:38,240 --> 01:49:41,439
Speaker 4: forget what event it was that was? No, no, no,

1842
01:49:41,720 --> 01:49:45,840
Speaker 4: the first time I went to the White House correspondence dinner. Oh, yeah,

1843
01:49:45,960 --> 01:49:49,880
Speaker 4: and I was begging to be the DJ, and they

1844
01:49:49,920 --> 01:49:51,479
Speaker 4: were like, no, we can't because you know, we got

1845
01:49:51,520 --> 01:49:56,200
Speaker 4: biz And I was like, come on, man, so business spinning.

1846
01:49:56,880 --> 01:49:58,840
Speaker 4: And he puts his record on I never heard before

1847
01:49:59,840 --> 01:50:03,360
Speaker 4: I and as a DJ, and I'm looking and suddenly

1848
01:50:03,439 --> 01:50:06,360
Speaker 4: he puts this record on and I swear it's like

1849
01:50:06,680 --> 01:50:08,760
Speaker 4: you remember the scene. I'm giving an old reference, but

1850
01:50:08,840 --> 01:50:10,960
Speaker 4: this is the only way I could describe it. You know,

1851
01:50:11,040 --> 01:50:13,200
Speaker 4: it was like three o'clock and the brown Hornet comes on.

1852
01:50:13,479 --> 01:50:13,840
Speaker 8: And like.

1853
01:50:15,360 --> 01:50:18,559
Speaker 4: All of them, but you know, you remember, I'll explain

1854
01:50:18,600 --> 01:50:22,280
Speaker 4: that every everyone just stopped what they were doing and

1855
01:50:22,520 --> 01:50:26,719
Speaker 4: instantly ran to the dance floor to start doing the wobble.

1856
01:50:30,240 --> 01:50:34,280
Speaker 4: But it was like Rachel maddowt it was like the

1857
01:50:34,360 --> 01:50:39,880
Speaker 4: white wobble, like white people do, like stop and I

1858
01:50:40,000 --> 01:50:42,680
Speaker 4: didn't know it, even like Torrey was like leading this

1859
01:50:42,880 --> 01:50:46,479
Speaker 4: line and I never heard the record before. I'm like, wait,

1860
01:50:46,800 --> 01:50:50,160
Speaker 4: what's this and vin Bis looking like you never heard

1861
01:50:50,200 --> 01:50:50,959
Speaker 4: of the wobble?

1862
01:50:53,160 --> 01:50:54,639
Speaker 11: You had never heard of the okay, right.

1863
01:50:55,360 --> 01:50:57,640
Speaker 4: It was like maybe maybe two months old, and not

1864
01:50:57,920 --> 01:51:05,600
Speaker 4: just wasn't on it, but I was. I was like

1865
01:51:06,520 --> 01:51:09,000
Speaker 4: d C ship or whatever, because at the rate war

1866
01:51:09,120 --> 01:51:12,639
Speaker 4: to knew the dance, and I was like, damn, I'm

1867
01:51:12,800 --> 01:51:14,599
Speaker 4: funked up in the game because the wobble.

1868
01:51:14,760 --> 01:51:20,200
Speaker 6: It goes every fan reunion, every wedding reception, a Cuban shuffle.

1869
01:51:20,280 --> 01:51:23,559
Speaker 8: Yeah, those lying that like black folks, I.

1870
01:51:23,560 --> 01:51:25,120
Speaker 11: Mean, you're right, start south and Midwest.

1871
01:51:26,080 --> 01:51:29,880
Speaker 4: But I was just that the attendees of the White

1872
01:51:29,920 --> 01:51:34,640
Speaker 4: House correspondence like not only knew the dance, but like,

1873
01:51:35,400 --> 01:51:37,520
Speaker 4: because wait to do today everything.

1874
01:51:38,200 --> 01:51:41,200
Speaker 8: It's so nice to be I'll be right back.

1875
01:51:44,640 --> 01:51:46,240
Speaker 4: That was That was That was a crazy moment.

1876
01:51:46,800 --> 01:51:50,120
Speaker 11: You cut off business compliment. I just worry about notice compliments.

1877
01:51:50,360 --> 01:51:58,160
Speaker 7: You want to hear compliments, compliment what you learn I

1878
01:51:58,280 --> 01:52:00,600
Speaker 7: learned that he's better than you.

1879
01:52:03,560 --> 01:52:04,200
Speaker 4: Pretty much.

1880
01:52:05,640 --> 01:52:08,120
Speaker 8: A lot of ways, sug.

1881
01:52:12,000 --> 01:52:17,519
Speaker 7: I have one more question, though, there's this Crieff like a.

1882
01:52:17,560 --> 01:52:27,320
Speaker 4: Lot hold on. Yeah, wait, ladies, Steve Stevens he said under.

1883
01:52:28,960 --> 01:52:31,600
Speaker 12: The Louis, yeah you have that.

1884
01:52:32,400 --> 01:52:36,479
Speaker 8: You have Wait did you say to two or true?

1885
01:52:36,520 --> 01:52:37,000
Speaker 8: What do you say?

1886
01:52:41,520 --> 01:52:45,120
Speaker 7: The Bob James joint came in came in that too, right, Okay.

1887
01:52:45,160 --> 01:52:48,280
Speaker 7: I've been scouring, like even.

1888
01:52:48,080 --> 01:52:49,800
Speaker 8: I couldn't find that for Steve, and I've been looking

1889
01:52:49,840 --> 01:52:51,519
Speaker 8: for Yeah, it's very like.

1890
01:52:52,280 --> 01:52:54,080
Speaker 4: First of all, not a lot of people know about it.

1891
01:52:54,080 --> 01:52:56,160
Speaker 7: And second of all, they must have made like ten

1892
01:52:56,200 --> 01:52:58,439
Speaker 7: of them or some ship because they're they're not around.

1893
01:52:58,680 --> 01:53:00,360
Speaker 8: Like you can't find you got I think we had

1894
01:53:00,360 --> 01:53:02,719
Speaker 8: twenty seventeen. A lot of things ain't.

1895
01:53:02,479 --> 01:53:03,080
Speaker 12: Gonna be around.

1896
01:53:03,360 --> 01:53:04,200
Speaker 4: Yeah, but you can't.

1897
01:53:04,520 --> 01:53:07,560
Speaker 8: It's not it's not. You gotta think if you was

1898
01:53:07,680 --> 01:53:11,160
Speaker 8: shopping for records in the eighties in the nineties, everything

1899
01:53:11,280 --> 01:53:11,679
Speaker 8: was around.

1900
01:53:11,800 --> 01:53:14,920
Speaker 7: This came out in eight is when, but it was

1901
01:53:15,120 --> 01:53:17,760
Speaker 7: it was a promotional thing where like I got it.

1902
01:53:17,800 --> 01:53:23,920
Speaker 8: From Iole, from rat I stole it from BLS because

1903
01:53:23,920 --> 01:53:26,280
Speaker 8: they had w w r L and b LS update

1904
01:53:26,800 --> 01:53:30,240
Speaker 8: what I say say so not w b LS. I

1905
01:53:30,360 --> 01:53:30,600
Speaker 8: love it.

1906
01:53:30,760 --> 01:53:33,400
Speaker 7: You just took it from a radio station, both of them.

1907
01:53:33,600 --> 01:53:34,439
Speaker 7: From the radio station.

1908
01:53:34,600 --> 01:53:38,120
Speaker 4: Steve hasn't been as excited ever, you know. And it's funny.

1909
01:53:38,360 --> 01:53:43,400
Speaker 4: There's always in every hip hop producer's story, there's a.

1910
01:53:43,439 --> 01:53:45,880
Speaker 7: Straight hold on a second, can we trade something?

1911
01:53:45,960 --> 01:53:52,639
Speaker 4: There's my phone? Take this, it's first born. There's always

1912
01:53:52,640 --> 01:53:56,000
Speaker 4: a radio station that you rated all them colleges that

1913
01:53:56,120 --> 01:54:01,200
Speaker 4: they always has that one intern that I was super

1914
01:54:01,320 --> 01:54:04,559
Speaker 4: nice too. That was just like I don't care about

1915
01:54:04,600 --> 01:54:05,920
Speaker 4: these records, you can go through them.

1916
01:54:05,880 --> 01:54:10,800
Speaker 8: And that's time to get the records eighty. Because it

1917
01:54:10,920 --> 01:54:14,519
Speaker 8: was the transition period to the season. I was wow.

1918
01:54:15,240 --> 01:54:24,800
Speaker 4: I was like, yeah, let's I mean, Steve has been

1919
01:54:24,840 --> 01:54:29,439
Speaker 4: in quite a pain for this episode, but the second

1920
01:54:29,640 --> 01:54:34,720
Speaker 4: for his whole life. The second that Bissan mentioned that briefcase,

1921
01:54:35,600 --> 01:54:41,280
Speaker 4: it was like, Lazard, you remember another old reference when

1922
01:54:41,400 --> 01:54:43,760
Speaker 4: Warning McFly came to life once his parents kissed at

1923
01:54:43,800 --> 01:54:52,840
Speaker 4: the champ angel and he started playing. That was the

1924
01:54:53,120 --> 01:54:55,440
Speaker 4: all right, boss, Bill, what did you learn? You learned

1925
01:54:55,480 --> 01:54:57,880
Speaker 4: that this episode is going a half hour overboard?

1926
01:54:59,080 --> 01:55:00,360
Speaker 8: I looked too long. No no, no, no, no, no

1927
01:55:00,360 --> 01:55:00,440
Speaker 8: no no.

1928
01:55:01,520 --> 01:55:03,400
Speaker 10: I kind of want to co sign with Steve said,

1929
01:55:03,400 --> 01:55:06,040
Speaker 10: I've been shopping record for records with you. I think

1930
01:55:06,040 --> 01:55:09,240
Speaker 10: I want to go with BIZ next. Okay, yeah, that's

1931
01:55:09,320 --> 01:55:12,680
Speaker 10: that's the case. Do you still go records out?

1932
01:55:12,800 --> 01:55:13,800
Speaker 8: Let me see it? Nah?

1933
01:55:14,840 --> 01:55:19,160
Speaker 11: Exactly, it's he said, he got ninety nine everything that

1934
01:55:19,240 --> 01:55:19,800
Speaker 11: he wants.

1935
01:55:20,040 --> 01:55:23,480
Speaker 8: Right, Okay, come on, quest even if you come out

1936
01:55:23,480 --> 01:55:26,320
Speaker 8: and make a case to DJ withold what records you

1937
01:55:26,440 --> 01:55:28,400
Speaker 8: really looking forward that you got to find? Right now?

1938
01:55:29,520 --> 01:55:32,000
Speaker 4: I'm telling you, Biz, I think I'm satisfied.

1939
01:55:32,840 --> 01:55:35,720
Speaker 8: I I'm good, A good.

1940
01:55:35,880 --> 01:55:38,160
Speaker 4: Yes I have. I have about one hundred thousand records,

1941
01:55:38,400 --> 01:55:41,600
Speaker 4: and I'll say that of those hundred thousands, I know

1942
01:55:41,840 --> 01:55:46,560
Speaker 4: that at least a good nine hundred are like ultra

1943
01:55:46,800 --> 01:55:48,920
Speaker 4: ultra special. I mean the rest is like, you know,

1944
01:55:49,280 --> 01:55:54,560
Speaker 4: do I really need all the high energy records from Motown? Now?

1945
01:55:56,040 --> 01:55:58,120
Speaker 4: Do I need like dance all night by the Parts?

1946
01:55:58,560 --> 01:56:01,080
Speaker 8: No? On? People? Do you got to show enough?

1947
01:56:03,120 --> 01:56:05,640
Speaker 4: I know I have every People record ever you got?

1948
01:56:12,080 --> 01:56:12,240
Speaker 8: Yeah?

1949
01:56:12,400 --> 01:56:13,480
Speaker 4: Oh sweet, signed in the wicket?

1950
01:56:13,560 --> 01:56:14,200
Speaker 8: You got forty five?

1951
01:56:14,400 --> 01:56:18,120
Speaker 4: Show up, dude, you got the forty five justin Timberlake Joint?

1952
01:56:18,160 --> 01:56:19,120
Speaker 11: Do you have the forty five?

1953
01:56:20,680 --> 01:56:22,160
Speaker 8: I own it? How do I own it?

1954
01:56:25,560 --> 01:56:28,840
Speaker 4: I do not have a forty five? I think, No,

1955
01:56:29,160 --> 01:56:31,120
Speaker 4: there's not a record I know I own show.

1956
01:56:33,120 --> 01:56:33,360
Speaker 8: Once.

1957
01:56:33,640 --> 01:56:36,760
Speaker 4: Justin told me that record for Suiting, Time, Suit and Tie.

1958
01:56:36,880 --> 01:56:38,120
Speaker 12: I knew the record when I heard it.

1959
01:56:39,280 --> 01:56:42,240
Speaker 8: Yes, I own that record. I don't know which configuration

1960
01:56:42,360 --> 01:56:44,240
Speaker 8: I own it. I got to forty five, but I

1961
01:56:44,360 --> 01:56:48,200
Speaker 8: know I know people. One is the purple people.

1962
01:56:48,720 --> 01:56:51,080
Speaker 4: There's a wait, there's a white there's a white label.

1963
01:56:51,480 --> 01:56:55,600
Speaker 8: Yeah, I do own one. Jesus, did I just tell

1964
01:56:55,600 --> 01:56:58,000
Speaker 8: you read and they got a purple didn't hear the

1965
01:56:58,040 --> 01:56:58,360
Speaker 8: red one.

1966
01:56:58,640 --> 01:57:01,360
Speaker 4: Yes, I know I have a white label, sure enough,

1967
01:57:01,760 --> 01:57:05,200
Speaker 4: but also you know I cheat because I know Alan leit.

1968
01:57:05,320 --> 01:57:09,240
Speaker 4: So literally, he's just give me all this, James Brown

1969
01:57:09,320 --> 01:57:09,520
Speaker 4: over it.

1970
01:57:09,680 --> 01:57:14,120
Speaker 8: Just do you got Champ? You know Champs? I have

1971
01:57:14,240 --> 01:57:19,800
Speaker 8: that on the album. I don't have a Atlantic Records, No,

1972
01:57:23,160 --> 01:57:29,840
Speaker 8: Steven still man, we are all very very disappointed. Man.

1973
01:57:31,480 --> 01:57:31,880
Speaker 8: I learned.

1974
01:57:32,000 --> 01:57:34,000
Speaker 11: I learned that a mind has never been polluted by

1975
01:57:34,040 --> 01:57:37,640
Speaker 11: weed is a powerful thing. And this is your memory

1976
01:57:37,760 --> 01:57:41,120
Speaker 11: is like fucking remarkable. I hope there's no book biz.

1977
01:57:41,960 --> 01:57:44,520
Speaker 8: They want me to do a book, but what was wrong?

1978
01:57:44,760 --> 01:57:47,760
Speaker 8: I'm still singing, so you know I ain't no Unsung yet.

1979
01:57:48,000 --> 01:57:50,440
Speaker 11: You gotta do it, Unsung, write a book. People a

1980
01:57:50,480 --> 01:57:52,240
Speaker 11: lot Russell write books like every two years.

1981
01:57:52,400 --> 01:57:57,400
Speaker 12: So one thing, go ahead, question you got this back?

1982
01:57:57,520 --> 01:58:01,720
Speaker 8: Then if you get money and you go to a

1983
01:58:01,800 --> 01:58:04,320
Speaker 8: record shop and you get him, you get him A fifty.

1984
01:58:04,760 --> 01:58:07,880
Speaker 8: Didn't let you look through anything. Take you to the back,

1985
01:58:08,280 --> 01:58:11,320
Speaker 8: They take you, take you to go underneath. Okay, what

1986
01:58:11,520 --> 01:58:15,320
Speaker 8: your way? I knew voalshively, you know that right fucking real? Yes,

1987
01:58:15,560 --> 01:58:17,040
Speaker 8: he's let me go in the basement, go to his

1988
01:58:17,160 --> 01:58:17,920
Speaker 8: house and everything.

1989
01:58:18,120 --> 01:58:21,840
Speaker 4: I would never get past the letter d Voal Shively

1990
01:58:22,000 --> 01:58:23,520
Speaker 4: is the guy that was like mean to us, and

1991
01:58:23,640 --> 01:58:25,280
Speaker 4: then he found out who my dad was.

1992
01:58:25,360 --> 01:58:28,960
Speaker 8: It was like, welcome to my store, offer me a job.

1993
01:58:29,280 --> 01:58:33,440
Speaker 8: Now I don't want it, all right, So all right,

1994
01:58:33,480 --> 01:58:35,800
Speaker 8: this is what I'm proposing, and this is what you

1995
01:58:35,880 --> 01:58:37,520
Speaker 8: don't know biz. All right.

1996
01:58:37,680 --> 01:58:41,880
Speaker 4: So I'll say for the last four months, me and

1997
01:58:42,080 --> 01:58:47,120
Speaker 4: practically all the heavyweights and hip hop production, from Pete

1998
01:58:47,160 --> 01:58:53,240
Speaker 4: to Primo to j Cole to Ninth Wonder to just Blaze.

1999
01:58:52,920 --> 01:58:55,880
Speaker 8: To uh forgetting people.

2000
01:58:57,560 --> 01:59:03,800
Speaker 4: Not nots to Fortain. Yeah, Harrison, J Harrison is, stro Elliott, everyone,

2001
01:59:03,920 --> 01:59:08,000
Speaker 4: Jeremy Ellis, Everybody's in this. This tip Swiss beats.

2002
01:59:08,640 --> 01:59:08,960
Speaker 8: All right.

2003
01:59:09,080 --> 01:59:13,760
Speaker 4: So I started a thread and we dubbed ourselves. We're

2004
01:59:13,840 --> 01:59:17,200
Speaker 4: like a brotherhood of nineteen cats, and we dubbed ourselves.

2005
01:59:17,640 --> 01:59:25,800
Speaker 4: Asked Vaughan got here, No, literally the the yes, besides

2006
01:59:26,120 --> 01:59:30,080
Speaker 4: we can catch it. Yes, yes, Peanut butter Wolf is

2007
01:59:30,120 --> 01:59:32,640
Speaker 4: talking right now. Literally, I'm on with like all twenty

2008
01:59:32,720 --> 01:59:36,640
Speaker 4: two of them with asked one. Wait, okay, he says,

2009
01:59:37,160 --> 01:59:41,480
Speaker 4: oh wow, okay, this is the last question I'm gonna

2010
01:59:41,480 --> 01:59:48,320
Speaker 4: ask you. They I'm proposing a special BIZ episode of

2011
01:59:48,760 --> 01:59:54,800
Speaker 4: of Ofquest Love Supreme, in which if I can coordinate

2012
01:59:55,320 --> 01:59:58,560
Speaker 4: the twelve ask one East Coast members to do the

2013
01:59:58,640 --> 02:00:04,200
Speaker 4: show where they literally lee grill Biz on story because

2014
02:00:04,240 --> 02:00:06,320
Speaker 4: they're still like and I'm telling him like yo, he

2015
02:00:06,440 --> 02:00:09,560
Speaker 4: really does as it's forty five. Okay, here's your final story.

2016
02:00:09,640 --> 02:00:09,880
Speaker 8: Biz.

2017
02:00:11,280 --> 02:00:13,360
Speaker 4: You have to ask business from Rashott Smith.

2018
02:00:22,760 --> 02:00:24,640
Speaker 8: I know the story. I know this story. Wait, let

2019
02:00:24,720 --> 02:00:26,840
Speaker 8: me read it. Let me read you gotta actually read

2020
02:00:26,880 --> 02:00:27,280
Speaker 8: it though.

2021
02:00:27,280 --> 02:00:31,760
Speaker 4: Yes, mother, I'm my own goddamn radio self.

2022
02:00:32,120 --> 02:00:32,440
Speaker 8: All right.

2023
02:00:33,840 --> 02:00:36,680
Speaker 4: Rushott Smith says, you have to ask Biz about the

2024
02:00:36,800 --> 02:00:42,080
Speaker 4: luth Evanrels Madison Square Garden story on now he got

2025
02:00:42,160 --> 02:00:45,840
Speaker 4: a beat from Luthor to come to beatbox for on

2026
02:00:46,080 --> 02:00:48,120
Speaker 4: stage at the garden. True or false?

2027
02:00:48,560 --> 02:00:53,480
Speaker 8: True? That was when I had just a front out

2028
02:00:55,360 --> 02:01:00,960
Speaker 8: and we was both represented by BURTA. Dell Ah So

2029
02:01:01,120 --> 02:01:06,000
Speaker 8: Burke Padell was the one that asked me, you go

2030
02:01:06,160 --> 02:01:07,800
Speaker 8: get up there. You know, if you get up there

2031
02:01:07,840 --> 02:01:09,760
Speaker 8: with Luther, you know you get some of his fans

2032
02:01:09,840 --> 02:01:11,920
Speaker 8: and this and that. Would you do?

2033
02:01:12,120 --> 02:01:13,560
Speaker 11: Did you I do something together?

2034
02:01:14,600 --> 02:01:24,680
Speaker 8: I just did Ladies and Jent. Look that up.

2035
02:01:24,760 --> 02:01:27,120
Speaker 12: If you I can't look at it, I mean I'm

2036
02:01:27,160 --> 02:01:28,760
Speaker 12: saying look and see if that be.

2037
02:01:29,080 --> 02:01:33,640
Speaker 8: And Luther van jos was both represented by Burke Padell

2038
02:01:35,320 --> 02:01:38,360
Speaker 8: I or you looking at it right now? Now he

2039
02:01:38,480 --> 02:01:39,640
Speaker 8: was in accounting right, Bert was.

2040
02:01:43,120 --> 02:01:48,720
Speaker 4: Okay, but if I can organize and ask one session.

2041
02:01:48,720 --> 02:01:49,960
Speaker 8: Yeah, take them all on.

2042
02:01:52,160 --> 02:01:53,520
Speaker 4: I want to see you pull off this.

2043
02:01:53,880 --> 02:01:55,680
Speaker 11: I got this, got get him on video statings you

2044
02:01:55,720 --> 02:01:58,720
Speaker 11: can put in the group. I'll take all y'all motherfuckers.

2045
02:01:59,320 --> 02:02:00,720
Speaker 12: And I put them on. I get in the group.

2046
02:02:00,760 --> 02:02:00,920
Speaker 8: Two.

2047
02:02:02,160 --> 02:02:04,400
Speaker 11: Oh my god, you ain't got to work to he's

2048
02:02:04,400 --> 02:02:05,600
Speaker 11: got to work to get in the group.

2049
02:02:06,200 --> 02:02:08,880
Speaker 4: I mean, you can only hold twenty two people, and

2050
02:02:09,120 --> 02:02:17,560
Speaker 4: we accidentally had to boot Diplot off the supposedly anyway,

2051
02:02:17,640 --> 02:02:20,400
Speaker 4: all right, so I have you a video right now.

2052
02:02:21,560 --> 02:02:23,920
Speaker 4: So you're saying to the Askan crew that they're allowed

2053
02:02:23,920 --> 02:02:24,880
Speaker 4: to come and grill you.

2054
02:02:25,280 --> 02:02:28,680
Speaker 8: Whenever you want to. I'm gonna grow you up back too.

2055
02:02:32,080 --> 02:02:37,080
Speaker 8: Don't leave your feelings at the door. I'll tell you

2056
02:02:37,240 --> 02:02:42,760
Speaker 8: got a hip hop starter. So Rush, I got stories

2057
02:02:42,800 --> 02:02:46,560
Speaker 8: about him too, And I remember when Q Tip used

2058
02:02:46,560 --> 02:02:48,720
Speaker 8: to be in high school at Mary Bertram, I know

2059
02:02:48,880 --> 02:02:49,200
Speaker 8: all that.

2060
02:02:49,400 --> 02:02:49,760
Speaker 4: All right.

2061
02:02:50,800 --> 02:02:52,680
Speaker 8: Anyway, it's gonna be like the Battle of Oil. See

2062
02:02:53,880 --> 02:02:55,480
Speaker 8: this is all ladies and gentlemen.

2063
02:02:55,600 --> 02:03:01,520
Speaker 4: This is a very special, special special special episode of

2064
02:03:01,960 --> 02:03:05,960
Speaker 4: Business Markey's Quest Love Supreme only on vandor on behalf

2065
02:03:06,000 --> 02:03:10,800
Speaker 4: of Sugar Steve and uh Fan Tigelow and Boss Bill.

2066
02:03:11,560 --> 02:03:14,080
Speaker 8: And You're going to have business on Sesame Street one day.

2067
02:03:14,200 --> 02:03:18,080
Speaker 4: Yeah, yeah, he's He's the new Joe Roposo right there.

2068
02:03:18,520 --> 02:03:20,640
Speaker 8: Yes, I said the street.

2069
02:03:22,000 --> 02:03:24,480
Speaker 4: This is part of our new idea. Five people, I did.

2070
02:03:24,560 --> 02:03:25,320
Speaker 8: This is all right?

2071
02:03:25,440 --> 02:03:31,560
Speaker 4: All right, business down and uh, I'm Phil, I'm I'm sorry.

2072
02:03:31,760 --> 02:03:33,400
Speaker 4: Well you're paid, Yeah, well paid.

2073
02:03:35,560 --> 02:03:39,600
Speaker 8: And Martin he did. Yes, you did awesome.

2074
02:03:39,640 --> 02:03:43,960
Speaker 4: Bus fantastic, thank you, thank you for your time.

2075
02:03:45,720 --> 02:03:46,680
Speaker 12: Yes, you did awesome.

2076
02:03:46,760 --> 02:03:49,480
Speaker 4: And just to watch us away from our sins off

2077
02:03:49,520 --> 02:03:55,400
Speaker 4: this dude one, I wait, thank you man, I appreciate you,

2078
02:03:55,840 --> 02:03:56,200
Speaker 4: all right.

2079
02:04:00,040 --> 02:04:03,680
Speaker 1: What's Love Supreme is a production of iHeartRadio. This classic

2080
02:04:03,720 --> 02:04:06,480
Speaker 1: episode was produced by the team at Pandora.

2081
02:04:09,600 --> 02:04:14,000
Speaker 4: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

2082
02:04:14,480 --> 02:04:16,160
Speaker 4: or wherever you listen to your favorite shows.