1
00:00:01,680 --> 00:00:05,880
Speaker 1: Welcome to This Is Important, a production of I Heart Radio.

2
00:00:06,000 --> 00:00:09,640
Speaker 1: This show where we talk about what's obviously most critically

3
00:00:09,800 --> 00:00:15,000
Speaker 1: crucially important today. On This Is Important, bros whipping their

4
00:00:15,040 --> 00:00:18,479
Speaker 1: dicks out in hellicoptering it. I get my news on

5
00:00:18,560 --> 00:00:21,840
Speaker 1: porn Hub. Yeah, I wonder how quickly we could get

6
00:00:21,880 --> 00:00:30,479
Speaker 1: in gay porn. Durst sucked on my titty and here

7
00:00:30,480 --> 00:00:35,880
Speaker 1: we go. Oh boy, so fucking hot. I'm gouple of

8
00:00:36,000 --> 00:00:41,520
Speaker 1: deep breaths here, Oh a baseline right there, let's take

9
00:00:41,600 --> 00:00:44,320
Speaker 1: some deep press. Did you see the uh it was

10
00:00:44,360 --> 00:00:48,080
Speaker 1: like a high school uh sort of talent show or something,

11
00:00:48,560 --> 00:00:52,880
Speaker 1: and they did that riff and the school lost their

12
00:00:53,000 --> 00:00:58,680
Speaker 1: fucking mind. Like was it during like a marching band

13
00:00:58,680 --> 00:01:00,560
Speaker 1: thing or was it like a talent show. No, it

14
00:01:00,640 --> 00:01:02,680
Speaker 1: was like it was like a Pep rally or something,

15
00:01:02,800 --> 00:01:04,880
Speaker 1: and like the band was performing and then they just

16
00:01:04,920 --> 00:01:10,680
Speaker 1: go boom boom in the school. And what's dope is

17
00:01:10,720 --> 00:01:14,520
Speaker 1: that the teachers. You can't out yourself, you can't be like,

18
00:01:14,560 --> 00:01:16,600
Speaker 1: you can't do because then everyone's like, well, how do

19
00:01:16,600 --> 00:01:18,160
Speaker 1: you know what that is? I don't know, it's just

20
00:01:18,400 --> 00:01:20,920
Speaker 1: that parliament. But then one teacher or he might have

21
00:01:20,959 --> 00:01:24,120
Speaker 1: been the vice principal pulled his cock out. It was

22
00:01:24,160 --> 00:01:26,760
Speaker 1: like that, can we cut the commercial? Pulled his cock

23
00:01:26,800 --> 00:01:29,800
Speaker 1: own just started cranking down. This was on the video.

24
00:01:29,880 --> 00:01:33,440
Speaker 1: It was like a Pavlovian response. He just started uncontrollably.

25
00:01:33,560 --> 00:01:35,679
Speaker 1: He was like he couldn't help himself. He just heard

26
00:01:35,680 --> 00:01:48,040
Speaker 1: the noise and just started to cranking down. That's because,

27
00:01:48,080 --> 00:01:52,320
Speaker 1: as we've established, most teachers are generally just time trying

28
00:01:52,320 --> 00:02:01,000
Speaker 1: to students. What that's our education system? Yeah, that's established that. Well,

29
00:02:01,040 --> 00:02:03,680
Speaker 1: we've established. I mean this might have been when Kyle

30
00:02:03,840 --> 00:02:10,840
Speaker 1: was on his sabbatical, but yeah, hiatus. Yeah he was high.

31
00:02:10,440 --> 00:02:15,720
Speaker 1: As we've established that kids are too fucking sexy dudes,

32
00:02:15,800 --> 00:02:18,760
Speaker 1: and it's not these teachers fause they can't have themselves.

33
00:02:18,800 --> 00:02:20,680
Speaker 1: And Adam, can I give you a shout out because

34
00:02:20,720 --> 00:02:22,200
Speaker 1: you said it just kind of you said it a

35
00:02:22,240 --> 00:02:23,880
Speaker 1: little bit now and you said it before and I

36
00:02:23,880 --> 00:02:27,800
Speaker 1: can catch it. These kids are getting damn sexy. Is

37
00:02:27,919 --> 00:02:30,839
Speaker 1: from a sketch we did way back in the day.

38
00:02:30,880 --> 00:02:34,200
Speaker 1: It is it is what was that? Isn't it the

39
00:02:34,240 --> 00:02:39,000
Speaker 1: one sketch we did about a teacher cent affairs? Yes,

40
00:02:39,360 --> 00:02:42,240
Speaker 1: it was we did one. I played a student who

41
00:02:42,680 --> 00:02:45,600
Speaker 1: my teacher had sex with me because you were too

42
00:02:45,639 --> 00:02:47,960
Speaker 1: fucking sexy. But I was super stoked on it and

43
00:02:48,000 --> 00:02:50,320
Speaker 1: she was in prison. Well you know your teacher rape too,

44
00:02:50,560 --> 00:02:54,280
Speaker 1: because like well, statutory statutory, early, we did a lot

45
00:02:54,320 --> 00:02:57,360
Speaker 1: of fun rape comedy back in the day. This is

46
00:02:57,520 --> 00:03:00,240
Speaker 1: this is an interesting thing, but because it's like this

47
00:03:00,320 --> 00:03:02,760
Speaker 1: dude just scored with his teacher, but in the eyes

48
00:03:02,840 --> 00:03:06,280
Speaker 1: of the law, lady liberty, and he was like, yes,

49
00:03:06,400 --> 00:03:08,800
Speaker 1: she raped me, like I guess twenty times under the

50
00:03:08,800 --> 00:03:11,760
Speaker 1: bleachers and here she raped me there. He was all

51
00:03:11,840 --> 00:03:14,000
Speaker 1: choked on it. And then I played a cool gym

52
00:03:14,040 --> 00:03:17,840
Speaker 1: teacher with a thick stash. It really worked, that sash.

53
00:03:18,280 --> 00:03:21,960
Speaker 1: For all all that I could one mustache that we

54
00:03:22,080 --> 00:03:25,240
Speaker 1: kept reapplying to your face, and I bet we had

55
00:03:25,280 --> 00:03:28,320
Speaker 1: had only one mustache in our makeup box, right, I

56
00:03:28,360 --> 00:03:30,920
Speaker 1: had a few, maybe too. I think that was post

57
00:03:30,960 --> 00:03:34,040
Speaker 1: crossbows and mustaches, so I think we had like six

58
00:03:34,160 --> 00:03:36,600
Speaker 1: or seven. We used to have a tackle box, like

59
00:03:36,640 --> 00:03:41,320
Speaker 1: a fucking fishing tackle that had the mustaches in and

60
00:03:41,360 --> 00:03:45,560
Speaker 1: makeup any sort of props. I like, how Blake says

61
00:03:46,000 --> 00:03:48,640
Speaker 1: is that the mustache we kept applying on you like

62
00:03:48,760 --> 00:03:50,880
Speaker 1: you would just would hold you down and put it

63
00:03:50,880 --> 00:03:53,280
Speaker 1: on your face. Not again. I'll never do this character.

64
00:03:53,600 --> 00:03:57,240
Speaker 1: It's gonna be funny, trust us. Put it on Adam.

65
00:03:57,280 --> 00:04:00,360
Speaker 1: You're funnier with the mustache. Why the way that it

66
00:04:00,400 --> 00:04:03,720
Speaker 1: moves when you move your upper lip, it's hilarious. Yeah,

67
00:04:04,080 --> 00:04:06,360
Speaker 1: you had a lot of fun with that, which it was,

68
00:04:06,400 --> 00:04:08,080
Speaker 1: it is. You can do a lot. We can post

69
00:04:08,120 --> 00:04:10,880
Speaker 1: that big God. I really wish Adam would put in

70
00:04:10,920 --> 00:04:13,360
Speaker 1: a few years with a mustache, but he just refused.

71
00:04:13,400 --> 00:04:15,960
Speaker 1: What are you waiting for? Bro? We know, dude, I

72
00:04:16,000 --> 00:04:20,320
Speaker 1: can't puberty. I can't grow mustache. You have like a

73
00:04:20,320 --> 00:04:23,240
Speaker 1: pencil mustache. You've got a thick caterpillar on your upper lip.

74
00:04:23,320 --> 00:04:26,520
Speaker 1: I got nothing, but mine's whispy as funk. I look

75
00:04:26,600 --> 00:04:32,600
Speaker 1: like a nineteen twenties frenchman man. Yeah, you look like

76
00:04:32,680 --> 00:04:35,719
Speaker 1: the guy from the art the artist the dog. The

77
00:04:35,760 --> 00:04:38,680
Speaker 1: dog won thee with a little pencil thin with like

78
00:04:38,720 --> 00:04:41,560
Speaker 1: a little yeah the artist, Oh yeah, a little what's

79
00:04:41,600 --> 00:04:43,919
Speaker 1: what's that one director's name? What's that guy's name? He

80
00:04:43,960 --> 00:04:47,520
Speaker 1: has a really John Waters? Yeah, John Waters style? John?

81
00:04:47,800 --> 00:04:50,640
Speaker 1: Can we give flowers to John Waters? Well now he's

82
00:04:50,640 --> 00:04:56,120
Speaker 1: gonna die, You're right, that man suck him? Uh, Cereal

83
00:04:56,200 --> 00:04:58,880
Speaker 1: Mom isn't in my top ten greatest movies of all time.

84
00:04:59,880 --> 00:05:03,200
Speaker 1: We a Mom is his flick. People worship John Waters.

85
00:05:03,240 --> 00:05:05,720
Speaker 1: I'm not super deep on him to mean either, I

86
00:05:05,760 --> 00:05:08,760
Speaker 1: don't know much. He's amazing. He's like a Mayhem dude, right, Like,

87
00:05:08,800 --> 00:05:11,479
Speaker 1: he just likes to cause chaos, doesn't Like I feel

88
00:05:11,480 --> 00:05:13,120
Speaker 1: like I have a book by him that's just like

89
00:05:13,279 --> 00:05:17,080
Speaker 1: cause chaos. Yeah. Really Pink and Stuff, the original disrupter,

90
00:05:17,200 --> 00:05:20,640
Speaker 1: like Pink Flamingo is Yeah, insane. You watched it and

91
00:05:20,640 --> 00:05:23,839
Speaker 1: you're like, this is this is why I don't know it? Well? Yeah,

92
00:05:23,880 --> 00:05:26,080
Speaker 1: his whole thing. He's kind of like a Baltimore legend.

93
00:05:26,120 --> 00:05:27,960
Speaker 1: I heard he like just kind of hangs out. He's

94
00:05:27,960 --> 00:05:32,200
Speaker 1: a scenster, just supposedly like a cool, weird dude. I've

95
00:05:32,200 --> 00:05:34,800
Speaker 1: never been in a room with him. Uh the ripping

96
00:05:34,880 --> 00:05:39,880
Speaker 1: in the Terrant John Waters, he directed that clip. Yeah,

97
00:05:40,080 --> 00:05:44,200
Speaker 1: I've never been to Baltimore actually, but I've heard Baltimore

98
00:05:44,279 --> 00:05:47,200
Speaker 1: is like a pretty weird cool city. Yeah. I think

99
00:05:47,240 --> 00:05:50,039
Speaker 1: if you like are from there and you're down, it's

100
00:05:50,080 --> 00:05:52,320
Speaker 1: like you really fall in love with it. If you know,

101
00:05:52,400 --> 00:05:55,680
Speaker 1: like the cool alternative spots, it's not it feels like

102
00:05:55,720 --> 00:05:58,039
Speaker 1: it's kind of a dying city. And a lot of

103
00:05:58,080 --> 00:06:00,560
Speaker 1: times when cities like that are dying, they have a

104
00:06:00,600 --> 00:06:04,960
Speaker 1: really cool subculture like art community. Yeah, well yeah, that's

105
00:06:04,960 --> 00:06:07,680
Speaker 1: because housing gets really cheap. And then like artists move

106
00:06:07,760 --> 00:06:10,839
Speaker 1: in and they start throwing ship on the walls and

107
00:06:10,880 --> 00:06:16,320
Speaker 1: it's dope. Yeah. They start making artisanal doughnuts and everyone

108
00:06:16,400 --> 00:06:22,159
Speaker 1: loses their mind. Yeah yeah, and then the kids play

109
00:06:22,200 --> 00:06:24,600
Speaker 1: at the talent show and play the porn Hub theme

110
00:06:24,680 --> 00:06:29,840
Speaker 1: song and the crowd goes hit us with it. Blake

111
00:06:34,920 --> 00:06:37,280
Speaker 1: are huge, man. It is kind of tough to not

112
00:06:37,440 --> 00:06:40,039
Speaker 1: have a pavlov In response to that. Like when you

113
00:06:40,080 --> 00:06:43,640
Speaker 1: do hear that, it is rough, like you're like, well,

114
00:06:43,839 --> 00:06:47,000
Speaker 1: I that's what I hear normally when it's about to

115
00:06:47,040 --> 00:06:49,359
Speaker 1: go down. A lot of times they don't even watch

116
00:06:49,360 --> 00:06:51,560
Speaker 1: the videos. I'll just listen to that over and over

117
00:06:52,720 --> 00:06:57,080
Speaker 1: play that and just go to cranktown. Who's the porn

118
00:06:57,200 --> 00:07:00,360
Speaker 1: Hub house band? Who came up with that riff? That's

119
00:07:00,400 --> 00:07:02,960
Speaker 1: a garage band? You think, Yeah, I bet it's a catalog.

120
00:07:03,000 --> 00:07:05,720
Speaker 1: Maybe it's like a free noise that you can just snake.

121
00:07:05,960 --> 00:07:08,320
Speaker 1: You think, I bet it's a catalog Because a lot

122
00:07:08,320 --> 00:07:10,160
Speaker 1: of the whole thing, or you think somebody just made

123
00:07:10,200 --> 00:07:13,360
Speaker 1: it on garage band? Is there more than that riff?

124
00:07:13,400 --> 00:07:16,480
Speaker 1: I bet no. No, I'm saying like those are several instruments.

125
00:07:16,520 --> 00:07:19,120
Speaker 1: I'm saying, did someone just take a base and I'm

126
00:07:19,160 --> 00:07:22,320
Speaker 1: betting that it comes from a catalog and then uh,

127
00:07:22,360 --> 00:07:24,640
Speaker 1: and then they just used it. I bet you're right,

128
00:07:25,080 --> 00:07:27,160
Speaker 1: and then they just took it. That's like the same

129
00:07:27,200 --> 00:07:30,120
Speaker 1: with Always Sunny in Philadelphia. Their theme song is a

130
00:07:30,160 --> 00:07:33,200
Speaker 1: catalog song that you can get in because I remember

131
00:07:33,200 --> 00:07:35,120
Speaker 1: scrolling through catalogs when we used to make and be

132
00:07:35,160 --> 00:07:38,120
Speaker 1: like this is this is sunny, then this is free.

133
00:07:38,320 --> 00:07:41,200
Speaker 1: Really I didn't know that that's interesting. But so then

134
00:07:41,240 --> 00:07:44,280
Speaker 1: anybody can use it. Yeah, yeah, I mean, I don't

135
00:07:44,280 --> 00:07:46,760
Speaker 1: know what they've done since. Maybe in hindsight they went

136
00:07:46,880 --> 00:07:49,520
Speaker 1: back can bought it, But I don't. I don't know.

137
00:07:49,640 --> 00:07:51,680
Speaker 1: I think you could just use do you guys remember

138
00:07:51,680 --> 00:07:57,000
Speaker 1: when my mom remember Girls Gone Wild? Yeah, that's the

139
00:07:58,960 --> 00:08:01,920
Speaker 1: well I don't, I can't. I'm not getting that you

140
00:08:01,960 --> 00:08:04,480
Speaker 1: didn't play it for people. We'll post. We need to

141
00:08:04,480 --> 00:08:06,600
Speaker 1: find that The Girl's Gone Wild teep song was a

142
00:08:06,680 --> 00:08:13,119
Speaker 1: free noise, a free sound and steel drums kind of steel.

143
00:08:13,200 --> 00:08:16,600
Speaker 1: My mom just liked this song and it was her

144
00:08:16,680 --> 00:08:19,679
Speaker 1: ring tone for years. Well, hang on, hang on, because

145
00:08:19,680 --> 00:08:23,160
Speaker 1: I think you're wild stuff. The way you're describing just confusing.

146
00:08:23,400 --> 00:08:26,760
Speaker 1: You're you're saying your mom liked the Girl's Gone Wild song.

147
00:08:27,000 --> 00:08:29,520
Speaker 1: She didn't know was that song she picked that? No,

148
00:08:29,720 --> 00:08:32,120
Speaker 1: my mom's horny as fuck. You know, we know you

149
00:08:32,160 --> 00:08:35,000
Speaker 1: come from a long line of sluts. Mom was on

150
00:08:35,040 --> 00:08:37,440
Speaker 1: a mailing list where she had Jerry Springer too hot

151
00:08:37,520 --> 00:08:44,200
Speaker 1: for TV wrestling gig. She's a huge bum fights person. No,

152
00:08:44,360 --> 00:08:46,959
Speaker 1: my mom just heard it on her on like her

153
00:08:47,000 --> 00:08:50,480
Speaker 1: phone of free ring tones, and my mom's cheep didn't

154
00:08:50,480 --> 00:08:52,960
Speaker 1: want to buy a ring tone. I get it. And

155
00:08:53,000 --> 00:08:55,840
Speaker 1: she just liked that steel drum noise. It reminded her

156
00:08:55,880 --> 00:09:00,280
Speaker 1: of the Caribbean. There's a reason it's a hit. Then

157
00:09:00,400 --> 00:09:02,680
Speaker 1: she's but she would play you know, it was her

158
00:09:02,720 --> 00:09:05,000
Speaker 1: ring tones who would go off all the time, and

159
00:09:05,040 --> 00:09:07,640
Speaker 1: it was the Girl's Gone Wild theme song. I love.

160
00:09:07,720 --> 00:09:09,800
Speaker 1: And what's crazy now is that it's come full circle

161
00:09:09,800 --> 00:09:12,320
Speaker 1: because you and Joe France's vacation a lot together right

162
00:09:12,440 --> 00:09:19,200
Speaker 1: constantly commercial commercials, do you guys play pickleball together? Right

163
00:09:19,400 --> 00:09:22,880
Speaker 1: right to commercials. I gone wild with him. Yeah, I

164
00:09:22,920 --> 00:09:24,880
Speaker 1: finally picked up pickleball and didn't do it with my

165
00:09:24,920 --> 00:09:30,160
Speaker 1: homie cold pickle growing wild bro me and him get wild.

166
00:09:30,920 --> 00:09:35,480
Speaker 1: We've gone wild with us Bills Arian Uh, Jeremy Piven

167
00:09:35,520 --> 00:09:48,800
Speaker 1: and other local creeps. Girls gone Wild. That motherfucker was

168
00:09:48,880 --> 00:09:52,560
Speaker 1: just going to like colleges or small spring break towns

169
00:09:52,640 --> 00:09:54,160
Speaker 1: or whatever, and he's saying, Hey, get in this van

170
00:09:54,320 --> 00:09:56,520
Speaker 1: and I'm gonna film you in your like my t

171
00:09:56,640 --> 00:09:58,800
Speaker 1: shirts and stuff while you're black out drunk. It was

172
00:09:58,840 --> 00:10:02,200
Speaker 1: a very problem and it was mostly like titties. He

173
00:10:02,400 --> 00:10:07,079
Speaker 1: became a billionaire in like billion years billion with a

174
00:10:07,200 --> 00:10:12,480
Speaker 1: b homie billionaire. Well, sex cells, baby, what's weird about?

175
00:10:12,800 --> 00:10:16,240
Speaker 1: Because he went from those tapes to DVDs, which are

176
00:10:16,360 --> 00:10:20,480
Speaker 1: hyper inexpensive to publish and make and whatever, and he

177
00:10:20,520 --> 00:10:22,800
Speaker 1: had like orders were like if you were on for one,

178
00:10:23,240 --> 00:10:26,640
Speaker 1: you started getting them monthly. And college kids, it was

179
00:10:26,679 --> 00:10:28,839
Speaker 1: like the new Playboy magazine. When you moved out of

180
00:10:28,840 --> 00:10:31,720
Speaker 1: your parents place, you just got Girls Gone Wild to

181
00:10:31,760 --> 00:10:36,040
Speaker 1: the credit. So I'm queuing up Joe Francis net Worth. Well,

182
00:10:36,120 --> 00:10:37,880
Speaker 1: now he lost it all. He went to jail. Lad,

183
00:10:37,920 --> 00:10:42,680
Speaker 1: we're given, We're putting the spotlight back on Joe. Do

184
00:10:42,720 --> 00:10:45,600
Speaker 1: we want to guess how much he has now? Right

185
00:10:45,640 --> 00:10:50,160
Speaker 1: now he's in jail. But he was a billionaire. I'm saying,

186
00:10:51,520 --> 00:10:54,679
Speaker 1: I'm saying forty million. You're looking at the number. I'm not.

187
00:10:54,920 --> 00:11:01,559
Speaker 1: I haven't looked it up yet. I'm gonna say, Hunter Mill,

188
00:11:01,640 --> 00:11:03,319
Speaker 1: he was a billionaire. He went to high school with

189
00:11:03,360 --> 00:11:10,520
Speaker 1: our manager million whoa Yes, Blake was on Thank You,

190
00:11:10,720 --> 00:11:14,120
Speaker 1: Good Job. I know, I know Joe. So he was

191
00:11:14,200 --> 00:11:18,079
Speaker 1: a billionaire. I'm sorry, what was that? He was a billionaire? Really? No,

192
00:11:18,240 --> 00:11:20,800
Speaker 1: this is a question. I'm looking for it. There's no way, right,

193
00:11:21,000 --> 00:11:24,199
Speaker 1: I do not see anywhere where a billionaire. A billion

194
00:11:24,280 --> 00:11:26,839
Speaker 1: is a lot of money. It's a ton of money.

195
00:11:27,040 --> 00:11:30,240
Speaker 1: By the way, thank you, because sometimes I'm like, what

196
00:11:30,400 --> 00:11:32,800
Speaker 1: is a billion and it's a ton of money? How

197
00:11:32,840 --> 00:11:36,439
Speaker 1: many billionaires are on earth? Well there's a more now, right,

198
00:11:36,480 --> 00:11:38,520
Speaker 1: Like the Bell curve has gotten so that you can

199
00:11:38,559 --> 00:11:41,280
Speaker 1: achieve bill, you can achieve you can get to bill

200
00:11:41,480 --> 00:11:44,600
Speaker 1: much easy to be way unobtainable. But now it's not easy.

201
00:11:44,640 --> 00:11:48,440
Speaker 1: But it's crazy. Yeah, it's crazy. Ever since Homeboy made

202
00:11:48,440 --> 00:11:51,200
Speaker 1: that song and then crash, the jet skis want him

203
00:11:51,200 --> 00:11:53,959
Speaker 1: Gangham style want Oh, Shaun King, I want to be

204
00:11:54,000 --> 00:11:56,319
Speaker 1: a billionaire? So bad? Was that his song? Oh? Yeah,

205
00:11:56,360 --> 00:11:59,800
Speaker 1: I know that song? Is that him? You don't know

206
00:12:00,080 --> 00:12:04,880
Speaker 1: a billion I don't know that. Now I'm confusing the

207
00:12:05,000 --> 00:12:14,240
Speaker 1: suicidal suicidal. Oh dude, it's tough. I'm telling you, it's

208
00:12:14,240 --> 00:12:17,280
Speaker 1: super tough. Well, Joe Francis is kind of a hum

209
00:12:17,679 --> 00:12:22,280
Speaker 1: Adam Adam's deep diving. Stop juicing up, Joe Man. The

210
00:12:22,320 --> 00:12:27,199
Speaker 1: guy's scumbag. Yeah, he's scuzzard. He's a scuzzard, but he's

211
00:12:27,280 --> 00:12:29,760
Speaker 1: kind of sexy. You'd think he could get chicks without

212
00:12:29,880 --> 00:12:32,679
Speaker 1: luring them into his van for free T shirts and

213
00:12:32,800 --> 00:12:35,000
Speaker 1: glow sticks and ship But that was the business. That's

214
00:12:35,040 --> 00:12:36,880
Speaker 1: the thing. He was all about the B. Bro. He

215
00:12:37,040 --> 00:12:39,959
Speaker 1: was all about the B. He's chasing the fucking beat.

216
00:12:40,000 --> 00:12:42,000
Speaker 1: I don't know. I feel like our producers, I'm not

217
00:12:42,160 --> 00:12:44,000
Speaker 1: finding it. They need to dig in the crates and

218
00:12:44,120 --> 00:12:47,520
Speaker 1: find if he had ever had a billion dollars because

219
00:12:47,600 --> 00:12:50,000
Speaker 1: right now it's staying mill he was a billionaire. There's

220
00:12:50,040 --> 00:12:52,679
Speaker 1: no way does that change who he is? Yes, now

221
00:12:52,800 --> 00:12:57,319
Speaker 1: you want to kick it with him, No, it's not

222
00:12:57,440 --> 00:13:00,760
Speaker 1: about changing where I don't think he made that amount

223
00:13:00,800 --> 00:13:03,360
Speaker 1: of money off of that off of Girls. Come on,

224
00:13:03,440 --> 00:13:05,559
Speaker 1: I don't think so either. I don't think he kissed

225
00:13:05,559 --> 00:13:07,480
Speaker 1: a billion I think he made a lot of money,

226
00:13:07,760 --> 00:13:09,640
Speaker 1: But I think back then it was hard to be

227
00:13:09,720 --> 00:13:11,880
Speaker 1: a billionaire. There was only like fucking Bill Gates and

228
00:13:12,080 --> 00:13:15,599
Speaker 1: fucking like Joe Francis. Yes, Kim Kay just touched a

229
00:13:15,679 --> 00:13:19,720
Speaker 1: billion and she's infinitely more successful and famous. Hold up,

230
00:13:19,880 --> 00:13:26,160
Speaker 1: she only had one video. This dude had multiple. You're

231
00:13:26,160 --> 00:13:30,920
Speaker 1: saying Bill Gates had billion in two thousand three, so,

232
00:13:31,080 --> 00:13:33,760
Speaker 1: like people have been billionaires, but Bill Gates is an

233
00:13:34,880 --> 00:13:38,240
Speaker 1: like changed the world. Yeah, he's an exceptional human. Just

234
00:13:38,559 --> 00:13:47,040
Speaker 1: saying this guy changed the way we viewed. Joe Francis

235
00:13:47,240 --> 00:13:52,760
Speaker 1: was at the height of DVD explosion. So was Dave Chappelle. Yes, yes,

236
00:13:52,960 --> 00:13:54,240
Speaker 1: and he made a lot of money and that was

237
00:13:54,280 --> 00:13:59,280
Speaker 1: only on one show. This guy he didn't make a billion. Yes,

238
00:13:59,360 --> 00:14:03,079
Speaker 1: his titties were out. Well, he didn't own Comedy Central, right,

239
00:14:03,360 --> 00:14:06,320
Speaker 1: what are you talking about? He didn't own Viacom. Joe

240
00:14:06,400 --> 00:14:10,839
Speaker 1: Francis owns his own Viacom called Girls Gone Wild, played

241
00:14:10,880 --> 00:14:14,679
Speaker 1: the song Blake. I don't have this, I only have

242
00:14:14,960 --> 00:14:19,120
Speaker 1: the Born Hub So God damn it. He would drunkenly

243
00:14:19,280 --> 00:14:25,080
Speaker 1: let people fucking sign a release form and then it'd

244
00:14:25,080 --> 00:14:26,880
Speaker 1: be in it. He'd be covered, it'd be fine. He's

245
00:14:26,880 --> 00:14:29,520
Speaker 1: a scuzzer. Question isn't about whether or not he's a

246
00:14:29,520 --> 00:14:33,160
Speaker 1: scuz He's a scuzzard. We get it. He's a scuzzard

247
00:14:33,200 --> 00:14:37,960
Speaker 1: as a billion dollar scuzzard. Pretty sexy scuzzard. Though, Okay,

248
00:14:38,000 --> 00:14:40,760
Speaker 1: we got something here. I can't find evidence has ever

249
00:14:40,840 --> 00:14:44,200
Speaker 1: made a billion dollars. Okay, maybe the company made a

250
00:14:44,240 --> 00:14:46,520
Speaker 1: billion dollars. There's no way he made a billion dollars.

251
00:14:46,560 --> 00:14:49,240
Speaker 1: I bet my life on it. I'll sepacu right here

252
00:14:49,320 --> 00:14:52,000
Speaker 1: if I'm wrong. What if you just exploded? Wow, dude,

253
00:14:52,040 --> 00:14:56,920
Speaker 1: you would. Secure's no way he's a billionaire. There's no no.

254
00:14:57,120 --> 00:15:00,480
Speaker 1: He kind of looks like Johnny Brendon. No, but he

255
00:15:00,520 --> 00:15:04,000
Speaker 1: looks like Johnny Brendon. He looks like dam bos are

256
00:15:04,080 --> 00:15:05,720
Speaker 1: in a little bit. Yeah, it's a vibe. But yeah,

257
00:15:06,000 --> 00:15:13,520
Speaker 1: they're cut from the same predators need pre thank you, Blake,

258
00:15:13,720 --> 00:15:18,160
Speaker 1: Thank you Blake. Scuzzards, Yeah they're fucking scuzzards. Predator scuzzin.

259
00:15:19,080 --> 00:15:21,960
Speaker 1: Joe France is a thick neck jock. Yeah, he seems

260
00:15:22,040 --> 00:15:24,560
Speaker 1: like a dork. In this photo, he's pretty he looks

261
00:15:24,640 --> 00:15:27,440
Speaker 1: it looks now but like back, isn't a buzzard? Yeah,

262
00:15:27,480 --> 00:15:29,920
Speaker 1: they're fucking buzzard. Is a fucking predator to they eat

263
00:15:29,960 --> 00:15:33,440
Speaker 1: the dead? Don't they know? That's a scavenger, not a predator.

264
00:15:33,520 --> 00:15:37,880
Speaker 1: They're scavenger, Yes, a scavenger. So yeah, they're scavengers. He's

265
00:15:37,920 --> 00:15:42,520
Speaker 1: kind of scavenger. He finds, picks him over. I think

266
00:15:42,560 --> 00:15:44,800
Speaker 1: he nailed it. Were you guys ever, Did you guys

267
00:15:44,880 --> 00:15:47,760
Speaker 1: ever think like, oh, tonight, I'm gonna get probably super wasted,

268
00:15:47,800 --> 00:15:50,600
Speaker 1: and then tomorrow I'm gonna wake up and I'm gonna

269
00:15:50,600 --> 00:15:55,400
Speaker 1: beat in a fucking porn Why weren't there dudes gone mild?

270
00:15:55,520 --> 00:15:57,840
Speaker 1: Why weren't there just bros whipping their dicks out in

271
00:15:58,000 --> 00:16:02,600
Speaker 1: hellicoptering it? I guaran see you they were real Thursday?

272
00:16:03,760 --> 00:16:07,440
Speaker 1: Chance that in West Hollywood. The thing is is we

273
00:16:07,600 --> 00:16:11,480
Speaker 1: were there. We weren't cute enough to get asked, right.

274
00:16:11,800 --> 00:16:15,000
Speaker 1: It wasn't about being cute, it's just yeah, it was like,

275
00:16:15,080 --> 00:16:18,080
Speaker 1: are you gonna do it? It's about being cute? No, Yeah,

276
00:16:18,200 --> 00:16:20,880
Speaker 1: there's a hot standard for the people watching these videos. Dude.

277
00:16:21,040 --> 00:16:24,960
Speaker 1: We were walking around West Hollywood just at the time

278
00:16:26,120 --> 00:16:30,120
Speaker 1: that Guy's Gone Wild was definitely being filmed in West Hollywood,

279
00:16:30,560 --> 00:16:35,360
Speaker 1: and we were in those streets. Never were approached. Of course,

280
00:16:35,400 --> 00:16:37,120
Speaker 1: it's a thing. It's just they just aren't gonna pay

281
00:16:37,120 --> 00:16:40,400
Speaker 1: for ad space on commercial television because people were like,

282
00:16:40,440 --> 00:16:41,840
Speaker 1: you know, we don't want that. But if you go

283
00:16:41,960 --> 00:16:44,480
Speaker 1: to the store or you go online, I guarantee you

284
00:16:44,520 --> 00:16:48,360
Speaker 1: there was dudes Gone Wild, Blake, there's one percent possibility

285
00:16:48,480 --> 00:16:51,360
Speaker 1: that Guy's Gone Wild was a thing. I am saying

286
00:16:51,440 --> 00:16:53,640
Speaker 1: that it probably does. But I'm not saying we wouldn't

287
00:16:53,640 --> 00:16:55,480
Speaker 1: have made the cut. I'm not saying we're having like

288
00:16:55,560 --> 00:16:57,520
Speaker 1: a whole section dedicated to us, but we're in a

289
00:16:57,600 --> 00:16:59,920
Speaker 1: montage whipping our dicks out. Yeah, that's what I mean.

290
00:17:00,480 --> 00:17:03,560
Speaker 1: I'm saying we were there. Quick were in the place

291
00:17:03,680 --> 00:17:06,119
Speaker 1: that it was happening. We were in West Hollywood. We

292
00:17:06,200 --> 00:17:08,439
Speaker 1: were there every day we lived that We never had

293
00:17:08,480 --> 00:17:11,840
Speaker 1: our dicks out, We were never approached. We weren't And

294
00:17:11,960 --> 00:17:15,159
Speaker 1: if we were, you already know, I feel like on halliween,

295
00:17:15,920 --> 00:17:18,280
Speaker 1: we would have done it. You were, you feel that,

296
00:17:18,560 --> 00:17:22,080
Speaker 1: But it never happened, and they were there, they were

297
00:17:22,119 --> 00:17:25,040
Speaker 1: looking that the gay Joe Francis is were out there

298
00:17:25,160 --> 00:17:27,359
Speaker 1: scoping the scene, and they looked at you right in

299
00:17:27,440 --> 00:17:33,280
Speaker 1: the eyes and go, nah, we're gonna pass Adam. Do

300
00:17:33,359 --> 00:17:35,160
Speaker 1: you think that back then, if you were like looking

301
00:17:35,200 --> 00:17:36,800
Speaker 1: for it, you could have found it and just made

302
00:17:36,840 --> 00:17:39,399
Speaker 1: it happen. Oh yeah, it looking for it. If I

303
00:17:39,520 --> 00:17:41,879
Speaker 1: was looking to pull me into why I always was.

304
00:17:43,119 --> 00:17:47,119
Speaker 1: I know you were so so maybe not so, maybe not.

305
00:17:47,720 --> 00:17:50,920
Speaker 1: You could trip and fall on dick. Yeah, No, it's

306
00:17:50,960 --> 00:17:52,720
Speaker 1: not hard to get It's not hard to trip and

307
00:17:52,800 --> 00:17:56,400
Speaker 1: fall into the world of gay porno. That's not hard pornography.

308
00:17:56,520 --> 00:17:58,080
Speaker 1: How long do you think it would take you? All

309
00:17:58,119 --> 00:17:59,320
Speaker 1: you have to do is go to a gym in

310
00:17:59,480 --> 00:18:02,879
Speaker 1: l A tomorrow morning. You should do this tomorrow morning.

311
00:18:03,000 --> 00:18:05,280
Speaker 1: I bet Blake would have a harder time getting into

312
00:18:05,320 --> 00:18:08,200
Speaker 1: gay porno than he thinks he would. There's already a

313
00:18:08,320 --> 00:18:11,560
Speaker 1: dude named Blake Anderson in gay porn. I know because

314
00:18:11,600 --> 00:18:14,240
Speaker 1: it pops up on my Twitter. Yeah, exactly. That's a hurdle.

315
00:18:14,359 --> 00:18:16,840
Speaker 1: That's a hurdle. Every once in a while, people will

316
00:18:16,920 --> 00:18:20,679
Speaker 1: send me photos of me getting butt fucked. Uh, alright,

317
00:18:20,760 --> 00:18:25,440
Speaker 1: that our photoshop of like gay pornos that they've photoshop

318
00:18:25,600 --> 00:18:30,040
Speaker 1: like my face on rude uh, and every once in

319
00:18:30,040 --> 00:18:32,680
Speaker 1: a while I get those in the old d M s,

320
00:18:32,720 --> 00:18:35,680
Speaker 1: which is pretty pretty cool. And everybody listening at home,

321
00:18:35,880 --> 00:18:41,520
Speaker 1: we are entering minutes seventeen of this conversation. This is

322
00:18:41,600 --> 00:18:45,040
Speaker 1: important coming in. That's my bad. I should have saved

323
00:18:45,119 --> 00:18:47,399
Speaker 1: this for sixty nine. Let's look back around, called this

324
00:18:47,480 --> 00:18:53,240
Speaker 1: one sixty nine again? How about those rams? About the rams?

325
00:18:53,359 --> 00:18:58,040
Speaker 1: I had no couple of rams, but let's talk my rams.

326
00:18:59,320 --> 00:19:02,440
Speaker 1: I'll talk about AM's all day baby fullback. Yeah. I

327
00:19:02,480 --> 00:19:06,400
Speaker 1: wonder how quickly we could get in gay porn if

328
00:19:06,440 --> 00:19:08,600
Speaker 1: you set out tomorrow, Do you think you'd be doing

329
00:19:08,680 --> 00:19:12,439
Speaker 1: it within forty like doing it filming within forty eight hours? Well,

330
00:19:12,480 --> 00:19:14,480
Speaker 1: I think now because of the Internet, I would just

331
00:19:14,680 --> 00:19:18,040
Speaker 1: go and find gay porn producers and hit them up,

332
00:19:18,160 --> 00:19:20,280
Speaker 1: and then yes, I could in so forty eight hours,

333
00:19:20,320 --> 00:19:22,280
Speaker 1: And in forty eight hours I could be I mean,

334
00:19:22,359 --> 00:19:24,480
Speaker 1: you can get an audition, you can get a read.

335
00:19:25,119 --> 00:19:26,560
Speaker 1: Do you think you could be doing it in twenty

336
00:19:26,600 --> 00:19:29,040
Speaker 1: four hours? I bet I could do it this afternoon.

337
00:19:29,680 --> 00:19:34,719
Speaker 1: Do you think in seven hours? That's insane? Dude? Well,

338
00:19:34,800 --> 00:19:37,080
Speaker 1: I'm I'm like, I don't think if if I was

339
00:19:37,200 --> 00:19:39,800
Speaker 1: just a person, but I'm an actor that people were actors,

340
00:19:39,840 --> 00:19:42,399
Speaker 1: that people know a gay back. One producer would go,

341
00:19:42,520 --> 00:19:44,520
Speaker 1: oh funck yeff, come, I'll suck you right now and

342
00:19:44,600 --> 00:19:47,000
Speaker 1: film it. He would, he'd clean his slate for the things.

343
00:19:47,119 --> 00:19:49,200
Speaker 1: It's like, if you're like, dude, I'm I'm I'm on

344
00:19:49,320 --> 00:19:51,440
Speaker 1: the fucking edge and I need to go now. I

345
00:19:51,520 --> 00:19:55,240
Speaker 1: need it in the next two hours, film me because

346
00:19:55,359 --> 00:19:58,840
Speaker 1: this may pass. I'm hard now, but fucking film it.

347
00:19:59,080 --> 00:20:01,800
Speaker 1: I'm ready to shoot now, Jack, I'm ready to Jack.

348
00:20:03,440 --> 00:20:05,600
Speaker 1: I won't shoot you. I won't shoot you in this state,

349
00:20:06,080 --> 00:20:13,000
Speaker 1: miss state of California, exactly. Man. By the way, I

350
00:20:13,119 --> 00:20:15,480
Speaker 1: tried to talk about the rams. I think now, after

351
00:20:16,240 --> 00:20:19,160
Speaker 1: you know of being on in TV and movies and stuff, yes,

352
00:20:19,840 --> 00:20:23,720
Speaker 1: but I don't think before we were in TV and movies.

353
00:20:25,000 --> 00:20:27,280
Speaker 1: I think we would have had a harder go with it. Hey,

354
00:20:27,440 --> 00:20:30,080
Speaker 1: kind of a segue. Did you guys ever see that

355
00:20:30,400 --> 00:20:36,200
Speaker 1: documentary Tickled? What? Did you guys ever see the documentary Tickled? Yes? No?

356
00:20:36,680 --> 00:20:39,440
Speaker 1: Is that like a fetish thing? Nah? Kind of it

357
00:20:39,520 --> 00:20:42,960
Speaker 1: takes it takes some crazy. It's unbelievable. It's basically interviewing

358
00:20:43,000 --> 00:20:46,840
Speaker 1: these guys who replied to a Craigslist posting years ago,

359
00:20:47,160 --> 00:20:50,720
Speaker 1: where it was like outgoing, want to have fun, don't

360
00:20:50,760 --> 00:20:53,080
Speaker 1: mind having some of your clothes off, and these guys

361
00:20:53,119 --> 00:20:55,960
Speaker 1: are like, yeah whatever, I was like looking for cash

362
00:20:56,160 --> 00:20:58,400
Speaker 1: and I wait, you were no, no, no, I'm these

363
00:20:58,440 --> 00:21:01,840
Speaker 1: guys documentaries being like these people, I am not Um.

364
00:21:02,400 --> 00:21:04,000
Speaker 1: They responded and they showed up and it was like,

365
00:21:04,080 --> 00:21:07,320
Speaker 1: all right, so here's the deal. Uh, this is Mike, Mike,

366
00:21:07,440 --> 00:21:09,639
Speaker 1: this is whoever. You guys are gonna wrestle for a

367
00:21:09,680 --> 00:21:12,840
Speaker 1: little bit playfully, and then you're gonna start tickling each

368
00:21:12,880 --> 00:21:14,960
Speaker 1: other and I'm gonna film it. I think I saw

369
00:21:15,040 --> 00:21:16,840
Speaker 1: you in this just just like kid rock music video.

370
00:21:16,880 --> 00:21:21,200
Speaker 1: You that was real. We're posting that now. Um. And

371
00:21:21,400 --> 00:21:24,280
Speaker 1: so they were like yeah, okay, fuck it. And then

372
00:21:24,760 --> 00:21:27,199
Speaker 1: they had to fill out like payment information and they

373
00:21:27,240 --> 00:21:30,000
Speaker 1: had all this stuff, and so then the guy behind

374
00:21:30,240 --> 00:21:33,520
Speaker 1: the production that they who they never met, started like

375
00:21:33,680 --> 00:21:36,600
Speaker 1: extorting extorting them. He'd be like, let's do more, and

376
00:21:36,640 --> 00:21:40,000
Speaker 1: then they would do like nude tickling, and then they

377
00:21:40,040 --> 00:21:42,040
Speaker 1: would be like, we were social Security number. We know

378
00:21:42,119 --> 00:21:45,280
Speaker 1: your last job. If you don't do another video, we're

379
00:21:45,320 --> 00:21:48,480
Speaker 1: gonna tell everybody at Applebee's that you were doing naked

380
00:21:48,560 --> 00:21:53,480
Speaker 1: tickling videos and they were like emailing stuff and like, dude,

381
00:21:53,960 --> 00:21:58,520
Speaker 1: it gets crazy. It's an amazing documentary. It's a crazy

382
00:21:58,640 --> 00:22:00,840
Speaker 1: doc it's a really good and then they find out

383
00:22:00,880 --> 00:22:03,480
Speaker 1: who it was and it's just some kind of rich

384
00:22:03,560 --> 00:22:07,520
Speaker 1: guy who's got enough money to buy some dudes like trucks,

385
00:22:07,680 --> 00:22:09,680
Speaker 1: to have them like work for him, Like here's a

386
00:22:09,680 --> 00:22:12,440
Speaker 1: new pickup truck. Now go scout for boys, and like

387
00:22:12,640 --> 00:22:15,679
Speaker 1: he watches these videos. It's a whole power thing. It's awesome.

388
00:22:16,280 --> 00:22:19,280
Speaker 1: What a weird documentary because it feels like these guys

389
00:22:19,440 --> 00:22:21,800
Speaker 1: were getting blackmailed and they didn't want anyone to know

390
00:22:22,000 --> 00:22:26,120
Speaker 1: that they did these weird sort of homorotic tickling videos.

391
00:22:26,800 --> 00:22:29,119
Speaker 1: And then they made a whole documentary about how they

392
00:22:29,200 --> 00:22:32,720
Speaker 1: did these weird homorotic tickling videos. Yeah, but they're telling

393
00:22:32,800 --> 00:22:34,879
Speaker 1: their side of the story to the point of like

394
00:22:35,040 --> 00:22:38,680
Speaker 1: this is illegal and criminal and fucking horrid, and we

395
00:22:38,760 --> 00:22:41,760
Speaker 1: need to expose this person by all means necessary. It's

396
00:22:41,880 --> 00:22:45,120
Speaker 1: less embarrassing than it is something they want to clear

397
00:22:45,160 --> 00:22:48,320
Speaker 1: their names from. That makes sense that, Yeah, I guess

398
00:22:48,359 --> 00:22:51,600
Speaker 1: that's kind of with most documentaries. It's after all, the

399
00:22:51,680 --> 00:22:53,920
Speaker 1: smoke is cleared and they want to just like tell

400
00:22:54,000 --> 00:22:56,040
Speaker 1: their side of the story. But I feel like if

401
00:22:56,520 --> 00:22:58,840
Speaker 1: it must have came out before, like Twitter was super hot,

402
00:22:58,880 --> 00:23:01,360
Speaker 1: because now if a good comes out, that ship goes

403
00:23:01,480 --> 00:23:04,399
Speaker 1: mad viral. Everybody watched if that came out during the

404
00:23:04,480 --> 00:23:07,959
Speaker 1: beginning of the pandemic, people, yeah, we would have been

405
00:23:07,960 --> 00:23:12,359
Speaker 1: tickling each other for sure. It's so good and by

406
00:23:12,400 --> 00:23:14,439
Speaker 1: the way you watch it, and then you also are

407
00:23:14,520 --> 00:23:18,840
Speaker 1: like you were, well kind of the opposite. Uh, Like

408
00:23:19,240 --> 00:23:21,200
Speaker 1: I was gonna say, like, no, you never respond to

409
00:23:21,280 --> 00:23:24,240
Speaker 1: that still responded to and they're like kind of knew

410
00:23:24,280 --> 00:23:27,600
Speaker 1: what was up, Like don't don't go to the Craigslist

411
00:23:27,640 --> 00:23:30,359
Speaker 1: ad that says tickled with no clothes on. But it

412
00:23:30,520 --> 00:23:33,639
Speaker 1: got dark. These dudes were getting like their bosses were

413
00:23:33,640 --> 00:23:36,240
Speaker 1: getting emails, they were getting fired, their family were being

414
00:23:36,280 --> 00:23:40,199
Speaker 1: told all this stuff like suggestive photos are being put

415
00:23:40,280 --> 00:23:44,159
Speaker 1: out there. It fucking tickled My fancy came out in

416
00:23:44,200 --> 00:23:46,840
Speaker 1: two thousand sixteen. Do you remember what the first doorway

417
00:23:46,960 --> 00:23:49,800
Speaker 1: into it was? Like how much dough? What was the

418
00:23:49,920 --> 00:23:52,320
Speaker 1: trade for tickling? Like, what was it? Do you remember that?

419
00:23:52,440 --> 00:23:56,040
Speaker 1: A few hundred bucks? It sounds nice, but imagine dude,

420
00:23:56,040 --> 00:23:58,200
Speaker 1: back in the day when we were like really struggling

421
00:23:58,440 --> 00:24:01,160
Speaker 1: when Joe Francis was a billion If this is something

422
00:24:01,280 --> 00:24:03,359
Speaker 1: you were open to, and it was like, here's fo

423
00:24:04,600 --> 00:24:06,639
Speaker 1: that's a no brainer. If it was like, hey, we

424
00:24:06,760 --> 00:24:08,720
Speaker 1: need you to come and take all these girls, you'd

425
00:24:08,760 --> 00:24:10,760
Speaker 1: be like, that doesn't seem like a problem for me.

426
00:24:11,560 --> 00:24:14,639
Speaker 1: Um right right. Then it just turns it I wouldn't

427
00:24:14,640 --> 00:24:18,879
Speaker 1: show up to that. No, absolutely not. That sounds scary. Yes, Blake,

428
00:24:19,040 --> 00:24:22,520
Speaker 1: we were in red Code the Dictators. That's just National Lampoon.

429
00:24:22,800 --> 00:24:24,560
Speaker 1: There was no you tell me you guys didn't tickle,

430
00:24:24,720 --> 00:24:28,040
Speaker 1: but that was National Lampoon. That's a name you could

431
00:24:28,080 --> 00:24:32,280
Speaker 1: drink just as embarrassing things, uh that we were paid

432
00:24:32,359 --> 00:24:35,680
Speaker 1: less for. No, that is not on the same level.

433
00:24:36,400 --> 00:24:41,399
Speaker 1: That was National Lampoon. Dude, that is a reputable company. Okay,

434
00:24:41,600 --> 00:24:45,080
Speaker 1: that is That is Comedy Royalty. Of course, I'm gonna

435
00:24:45,080 --> 00:24:48,000
Speaker 1: be in one decade. Yeah, it was Comedy Royalty in

436
00:24:48,160 --> 00:24:51,480
Speaker 1: the eighties. How are we supposed to know it died out?

437
00:24:52,440 --> 00:24:54,840
Speaker 1: I didn't know. We were scraping the bottom of the barrel.

438
00:24:55,160 --> 00:24:57,720
Speaker 1: Go to a video rental store. I'm right there with you.

439
00:24:57,840 --> 00:24:59,879
Speaker 1: How are we supposed to know? They sold it? Didn't

440
00:25:00,160 --> 00:25:02,480
Speaker 1: like just using the name and because we went to

441
00:25:02,560 --> 00:25:06,080
Speaker 1: the owner's house. Yeah, but's true. What did that? What

442
00:25:06,119 --> 00:25:09,000
Speaker 1: does that mean? Right after right before he got arrested

443
00:25:09,560 --> 00:25:13,880
Speaker 1: for like tax evasion? National Lampoon the best National Lampoon

444
00:25:14,000 --> 00:25:17,920
Speaker 1: had a crazy, crazy story arc for sure, someone needs

445
00:25:17,960 --> 00:25:20,840
Speaker 1: to make a movie about that. Wait they did it?

446
00:25:21,280 --> 00:25:24,639
Speaker 1: Did they did? They go into the details in the

447
00:25:24,760 --> 00:25:27,320
Speaker 1: later years though, that's the more interesting ship. They made

448
00:25:27,359 --> 00:25:29,840
Speaker 1: it about the early years, right, like the birth. Yeah,

449
00:25:30,320 --> 00:25:33,160
Speaker 1: like that's fine. I want to know about the the scuzzards,

450
00:25:34,680 --> 00:25:40,280
Speaker 1: nationals scuzzards. So we all worked for National Lampoon, which

451
00:25:40,520 --> 00:25:43,200
Speaker 1: back in the day National Lampoon obviously was a huge

452
00:25:43,280 --> 00:25:48,840
Speaker 1: deal with Animal House and Vacation Francise Christmas Vacation movies?

453
00:25:48,960 --> 00:25:52,200
Speaker 1: Did you say Van Wilder? Wilder and Wilder kept him alive.

454
00:25:52,240 --> 00:25:54,640
Speaker 1: And then by the time we got around to them,

455
00:25:54,880 --> 00:25:58,240
Speaker 1: they were making movies called Ratco The Dictator's Son, and

456
00:25:59,040 --> 00:26:02,520
Speaker 1: and It's Me and Adam awesomest Maximus Awesome Isst Maximus?

457
00:26:02,600 --> 00:26:05,080
Speaker 1: That's right? We were also in that. Yeah, and it

458
00:26:05,240 --> 00:26:10,480
Speaker 1: was they were will bad, bad, bad bad movies. Dude,

459
00:26:10,640 --> 00:26:12,800
Speaker 1: it was bad. It was me and you in a

460
00:26:12,920 --> 00:26:17,920
Speaker 1: room with Dennis Haskins, Mr. Belding and oh god, it

461
00:26:18,080 --> 00:26:20,240
Speaker 1: was just it was uncomfortable. It was bad, and a

462
00:26:20,280 --> 00:26:24,119
Speaker 1: bunch of like porn stars who like had body odor issues.

463
00:26:24,359 --> 00:26:26,720
Speaker 1: It was yeah, oh god, it was bad, like guys

464
00:26:27,200 --> 00:26:35,000
Speaker 1: or women women, Yeah, and we tickled them. So no,

465
00:26:35,160 --> 00:26:38,000
Speaker 1: it was it was really really bad. So I get it. Well,

466
00:26:38,040 --> 00:26:39,920
Speaker 1: we were coming from a place of, like, we want

467
00:26:39,920 --> 00:26:43,320
Speaker 1: to do comedy and this used to be a respectable company,

468
00:26:43,760 --> 00:26:46,159
Speaker 1: you know, what makes people laugh, and we want to

469
00:26:47,119 --> 00:26:50,520
Speaker 1: get in the industry. Yeah, and so that's where we're

470
00:26:50,560 --> 00:26:53,160
Speaker 1: coming from. It wasn't just we're gonna make five dollars

471
00:26:53,240 --> 00:26:55,520
Speaker 1: and we're gonna, you know, take our shirts off and

472
00:26:55,600 --> 00:26:58,280
Speaker 1: tickle each other's nipples. Yeah. No, we thought we were

473
00:26:58,320 --> 00:27:01,959
Speaker 1: gonna gonna carry the porch lampoon. We thought we were

474
00:27:02,000 --> 00:27:08,240
Speaker 1: to the next fucking blue sheet. Yeah, yeah, can you

475
00:27:08,359 --> 00:27:11,199
Speaker 1: do what was it? The Lemming is specifically the rebirth

476
00:27:11,280 --> 00:27:13,520
Speaker 1: of the Lemmings, bro, And they had a great first

477
00:27:13,600 --> 00:27:15,400
Speaker 1: count what you guys are shipping on by the way,

478
00:27:15,760 --> 00:27:18,800
Speaker 1: you stuck around and we did the live sketch stuff

479
00:27:19,160 --> 00:27:24,200
Speaker 1: after those movies, right, No, I have a choice, dude, Yeah, yes, yeah,

480
00:27:24,680 --> 00:27:27,159
Speaker 1: was it after? I think it was all happening at

481
00:27:27,200 --> 00:27:29,560
Speaker 1: the same time. It was a big, like long like

482
00:27:29,680 --> 00:27:32,600
Speaker 1: maybe probably a year and a half two year run, right,

483
00:27:32,640 --> 00:27:35,280
Speaker 1: But all those things can't happen exactly the same time

484
00:27:35,480 --> 00:27:39,120
Speaker 1: two years, right, two year span with National lampoon maybe yeah,

485
00:27:39,240 --> 00:27:41,920
Speaker 1: maybe year and a half to two years. Yeah, dude,

486
00:27:41,960 --> 00:27:45,399
Speaker 1: remember Adam. We also did that fucking weird ass sketch

487
00:27:45,520 --> 00:27:48,119
Speaker 1: comedy thing that was called sevent d two Virgins, and

488
00:27:48,160 --> 00:27:51,720
Speaker 1: it was about these two like frat bros who basically

489
00:27:51,800 --> 00:27:53,560
Speaker 1: go to what they think is a frat but it's

490
00:27:53,600 --> 00:27:56,800
Speaker 1: a sleeper cell for terrorists and they like convinced us

491
00:27:56,960 --> 00:28:00,520
Speaker 1: and it went on like CNN and ship. It was

492
00:28:00,640 --> 00:28:04,600
Speaker 1: very viral. It made some noise the Drudge Report or whatever. Yeah,

493
00:28:04,720 --> 00:28:06,800
Speaker 1: it was crazy, and it was just like we were

494
00:28:06,880 --> 00:28:09,240
Speaker 1: just I don't know, just sucking saying yes to whatever.

495
00:28:09,400 --> 00:28:12,000
Speaker 1: But it was just it was a funny at least

496
00:28:12,040 --> 00:28:14,800
Speaker 1: a funny conceit. I mean, we spent a whole summer.

497
00:28:15,040 --> 00:28:18,000
Speaker 1: We spent the whole entire summer working on the fucking

498
00:28:18,600 --> 00:28:21,199
Speaker 1: See the fucking Live show. It was like a summer

499
00:28:21,320 --> 00:28:24,520
Speaker 1: of our lives and we got paid like three we said,

500
00:28:24,560 --> 00:28:27,000
Speaker 1: we got paid and gum and ship not my fault,

501
00:28:27,080 --> 00:28:28,880
Speaker 1: not my fault. We got paid and gum we talked

502
00:28:28,920 --> 00:28:31,439
Speaker 1: about it. Not my fault. Oh yeah right right right,

503
00:28:31,520 --> 00:28:35,040
Speaker 1: go girl energy, go girl energy. Yeah yeah, that's right.

504
00:28:35,760 --> 00:28:38,800
Speaker 1: So that's being said. I think maybe you know, I

505
00:28:38,880 --> 00:28:40,920
Speaker 1: don't know if he would have tickled each other, but

506
00:28:41,480 --> 00:28:43,640
Speaker 1: we we did do some things that I look back

507
00:28:43,680 --> 00:28:46,160
Speaker 1: and I'm like, job, buddy. I mean I tucked my

508
00:28:46,320 --> 00:28:49,719
Speaker 1: dick between my legs on stage. That's as that's as

509
00:28:49,760 --> 00:28:53,479
Speaker 1: close to tickling another persons. Uh, I was getting. I mean,

510
00:28:53,520 --> 00:28:55,440
Speaker 1: I've showed my butt hole and game over man. So

511
00:28:55,560 --> 00:28:57,959
Speaker 1: we've all done things. So what are we talking about here?

512
00:28:58,000 --> 00:29:00,240
Speaker 1: I'm actually proud of that. But you're proud that but

513
00:29:01,040 --> 00:29:06,200
Speaker 1: sucked on durst, sucked on my titty sucked. Yes, we

514
00:29:06,360 --> 00:29:09,760
Speaker 1: all do things. Goodbye. And by the way, Kyle blackmailed

515
00:29:09,760 --> 00:29:12,960
Speaker 1: me about it. I did, I did. I'm sorry about that.

516
00:29:14,320 --> 00:29:19,760
Speaker 1: See it happens, man. Oh. And then and then the

517
00:29:19,920 --> 00:29:24,720
Speaker 1: issue was the more it came out like they held

518
00:29:24,800 --> 00:29:27,840
Speaker 1: onto the movie for years. What movie are we talking about?

519
00:29:27,840 --> 00:29:29,920
Speaker 1: The seventy two Virgin? Because that was just a tray

520
00:29:30,040 --> 00:29:33,120
Speaker 1: rat No, I forget. I think it was ratco The

521
00:29:33,160 --> 00:29:36,720
Speaker 1: Dictator's Son, and then they held onto that forever, and

522
00:29:36,800 --> 00:29:41,000
Speaker 1: then it came out like right as Workaholics was coming out, Yeah, right,

523
00:29:41,080 --> 00:29:44,160
Speaker 1: and then they were pairing rat Code, the Dictator's Son

524
00:29:44,360 --> 00:29:48,800
Speaker 1: with Workaholics episodes on Comedy Central, like on Comedy By

525
00:29:48,840 --> 00:29:52,280
Speaker 1: the way, the main character in Ratco is Pedro from

526
00:29:52,400 --> 00:29:57,240
Speaker 1: Napoleon Dynamite. I don't know the actresses, Efron Ramirez, I believe, yes,

527
00:29:57,320 --> 00:30:00,040
Speaker 1: but he was the main he's Ratco. That's sick. I

528
00:30:00,080 --> 00:30:02,760
Speaker 1: don't think I've ever watched the movie. But maybe it's funny.

529
00:30:03,680 --> 00:30:05,960
Speaker 1: It's probably highly offense. I bet there's a chance that

530
00:30:06,160 --> 00:30:07,880
Speaker 1: you would think it's funny in a way that you

531
00:30:08,000 --> 00:30:13,000
Speaker 1: like bad stuff, you know what I mean? Comedy is offensive.

532
00:30:14,040 --> 00:30:17,560
Speaker 1: Blake made his favorite type of movie. Yeah, he hasn't

533
00:30:17,560 --> 00:30:20,960
Speaker 1: even watched it objectively. That I don't know. I don't

534
00:30:21,000 --> 00:30:22,920
Speaker 1: know if I have the patience for it anymore. I

535
00:30:22,960 --> 00:30:25,840
Speaker 1: don't know if I could sit down and just watch RATC. Yeah.

536
00:30:25,880 --> 00:30:28,720
Speaker 1: You're always so busy, like doing stuff, I am man,

537
00:30:29,720 --> 00:30:33,160
Speaker 1: and not watching stuff, like not always watching stuff. Yeah,

538
00:30:33,640 --> 00:30:38,720
Speaker 1: I listened to pods now, man, I don't name, bitch,

539
00:30:38,840 --> 00:30:44,960
Speaker 1: name five podcasts you listen to I want to, I

540
00:30:45,000 --> 00:30:47,200
Speaker 1: don't want to. I'm not trying to get free besides

541
00:30:47,240 --> 00:30:56,719
Speaker 1: this one, I'm not trying to get free press. Uh.

542
00:30:57,160 --> 00:31:00,480
Speaker 1: I watched the original Matrix last night, just watched it

543
00:31:00,520 --> 00:31:04,800
Speaker 1: to Matrix one the Goat. I realized I hadn't seen

544
00:31:04,880 --> 00:31:11,000
Speaker 1: that movie since I don't think I've ever watched it again.

545
00:31:11,000 --> 00:31:12,560
Speaker 1: I don't know if I have. You saw it in

546
00:31:12,600 --> 00:31:15,320
Speaker 1: the theater though, right, yeah, I saw it in the theater. Yeah.

547
00:31:15,920 --> 00:31:19,280
Speaker 1: The graphics for the most part, hold up, they're fucking off.

548
00:31:19,560 --> 00:31:21,840
Speaker 1: They're better than the graphics and the new one. Yeah,

549
00:31:22,280 --> 00:31:24,600
Speaker 1: you guys are talking about the visual effects, right, yes,

550
00:31:25,760 --> 00:31:28,600
Speaker 1: Terbo Graphics sixteen. Well that was fucking bullet time, bro. Yeah,

551
00:31:28,640 --> 00:31:30,280
Speaker 1: that ship was so do you know that was the

552
00:31:30,360 --> 00:31:33,360
Speaker 1: invention of bullet time that changed the goddamn game. The

553
00:31:33,480 --> 00:31:36,600
Speaker 1: only part that was kind of whack was when Agent

554
00:31:36,720 --> 00:31:42,160
Speaker 1: Smith kind of Mr. Anderson, he like explodes and then

555
00:31:42,280 --> 00:31:45,360
Speaker 1: his face comes past and he like it's like lightning

556
00:31:45,480 --> 00:31:47,920
Speaker 1: and then he kind of explodes. That looked a little cheesy,

557
00:31:48,040 --> 00:31:50,680
Speaker 1: but I would say everything else looked really cool. But

558
00:31:50,720 --> 00:31:54,280
Speaker 1: they could argue stylistic choice. The only thing that bothered

559
00:31:54,280 --> 00:31:56,880
Speaker 1: me was the mouth didn't when it like his mouth

560
00:31:56,960 --> 00:32:00,600
Speaker 1: closes shut or whatever like soups together. That's right. Why

561
00:32:00,600 --> 00:32:03,320
Speaker 1: does that happen like his mouth? Because in his mind

562
00:32:03,560 --> 00:32:05,920
Speaker 1: they did that, whereas if he knew it was a matrix,

563
00:32:05,960 --> 00:32:08,360
Speaker 1: he be like, fu you, this is not real, right,

564
00:32:09,160 --> 00:32:11,240
Speaker 1: he just they just erased the mouth, right, I haven't

565
00:32:11,280 --> 00:32:16,120
Speaker 1: seen it since his mouth starts to like me, okay, yeah,

566
00:32:16,280 --> 00:32:19,200
Speaker 1: it's like but it looks like bubblegum right, which, by

567
00:32:19,240 --> 00:32:20,600
Speaker 1: the way, Oh yeah, I kind of remember. It's like

568
00:32:20,640 --> 00:32:23,000
Speaker 1: straight would freaked me out if somebody went like this

569
00:32:23,240 --> 00:32:26,560
Speaker 1: and then my mouth turns gone, I'd be like, Okay,

570
00:32:26,600 --> 00:32:28,760
Speaker 1: I gotta go. I was just thinking, like, no, wonder

571
00:32:28,840 --> 00:32:32,200
Speaker 1: why that kind of spawned a generation of fucking weirdos

572
00:32:32,520 --> 00:32:35,560
Speaker 1: who thought like the Matrix was real because the soundtrack

573
00:32:35,640 --> 00:32:37,080
Speaker 1: was so sick, you know what I mean. You know

574
00:32:37,160 --> 00:32:39,320
Speaker 1: how like there was like a weird time where like

575
00:32:39,920 --> 00:32:42,920
Speaker 1: kids dressed and all black like their neo and the

576
00:32:43,000 --> 00:32:47,040
Speaker 1: trench cotem come off your kids, and they're like, no,

577
00:32:47,440 --> 00:32:50,000
Speaker 1: the matrix is real for sure. Red Pill, Blue Pill,

578
00:32:50,040 --> 00:32:52,720
Speaker 1: They're still like that. Yeah, like of course, because the

579
00:32:52,800 --> 00:32:55,280
Speaker 1: movie was fucking awesome. Yeah, He's red Pill is like

580
00:32:55,400 --> 00:32:58,120
Speaker 1: bigger than ever, but I think what it was like

581
00:32:58,400 --> 00:33:00,560
Speaker 1: a lot of that stuff was practical, right, like when

582
00:33:00,640 --> 00:33:02,400
Speaker 1: they were like running down the hallways, that's all like

583
00:33:02,520 --> 00:33:05,560
Speaker 1: wire work and ship it's not necessarily all c g I.

584
00:33:05,720 --> 00:33:08,240
Speaker 1: And like the and like the cameras. That spin around

585
00:33:08,360 --> 00:33:12,080
Speaker 1: was like a real like technology. That's the bullet time

586
00:33:12,520 --> 00:33:15,600
Speaker 1: bullet where they had a hundred cameras in a circle, right,

587
00:33:15,640 --> 00:33:19,360
Speaker 1: which is fucking cool. Yeah, well it's however many cameras

588
00:33:19,440 --> 00:33:21,640
Speaker 1: it was to do the three D sixty degrees and

589
00:33:21,680 --> 00:33:25,360
Speaker 1: then they would that's how they rotated three Yeah, dude.

590
00:33:25,560 --> 00:33:29,120
Speaker 1: For the Outlaws, I just had to do where you

591
00:33:29,360 --> 00:33:32,280
Speaker 1: step into like a booth. It's basically like a kind

592
00:33:32,280 --> 00:33:37,120
Speaker 1: of a giant phone booth, and then there's thousands of cameras. Well,

593
00:33:37,200 --> 00:33:39,040
Speaker 1: that's just so they can get your image and then

594
00:33:39,080 --> 00:33:42,000
Speaker 1: they can create a c g I like stunt person

595
00:33:42,360 --> 00:33:45,000
Speaker 1: version of you. Yes, stunt person so cool. And so

596
00:33:45,160 --> 00:33:47,440
Speaker 1: they like had me in all kinds of different positions

597
00:33:47,760 --> 00:33:51,600
Speaker 1: and then I'm spinning around and they just it was

598
00:33:51,640 --> 00:33:53,440
Speaker 1: really cool. That tech we would have used on like

599
00:33:53,600 --> 00:33:55,520
Speaker 1: the We would have used that tech on probably the

600
00:33:55,560 --> 00:33:59,440
Speaker 1: fucking the zipline sequencing game over man. But it wasn't

601
00:33:59,440 --> 00:34:01,360
Speaker 1: even there that point when we built that. You know,

602
00:34:01,880 --> 00:34:06,520
Speaker 1: really it's that new. It's new, those little trailers. I

603
00:34:06,600 --> 00:34:10,520
Speaker 1: think they're doing that as like, uh, insurance policy, because

604
00:34:10,680 --> 00:34:13,879
Speaker 1: I just did that for my fucking comedy the Um

605
00:34:14,200 --> 00:34:17,680
Speaker 1: about my Father de Nero comedy down in Mobile, which

606
00:34:17,719 --> 00:34:21,080
Speaker 1: I'm like, I play a game of tennis, and they

607
00:34:21,120 --> 00:34:22,480
Speaker 1: were like, well, we're just gonna get it, and I

608
00:34:22,520 --> 00:34:24,840
Speaker 1: think they could just paint you in later, Like they're like,

609
00:34:26,000 --> 00:34:28,239
Speaker 1: that's exactly right. They do a full body skin just

610
00:34:28,320 --> 00:34:29,880
Speaker 1: doing it anyway so that they don't have to do

611
00:34:30,040 --> 00:34:32,520
Speaker 1: as many reshoots. Yes, it's it's a way to put

612
00:34:32,680 --> 00:34:35,399
Speaker 1: you in the movie without you being there. Yeah, it's

613
00:34:35,400 --> 00:34:38,239
Speaker 1: a full body scan. Wait wait wait, wait, this is

614
00:34:38,320 --> 00:34:39,960
Speaker 1: just a tennis game or are you like pulling off

615
00:34:40,000 --> 00:34:43,319
Speaker 1: some like sick like diving or like what what it's

616
00:34:43,400 --> 00:34:45,880
Speaker 1: just a tennis game. But I think if they needed

617
00:34:45,960 --> 00:34:48,080
Speaker 1: to like reshoot it, they could shoot with somebody else

618
00:34:48,120 --> 00:34:51,520
Speaker 1: and then just paint my face on there. Yeah. Yeah,

619
00:34:51,640 --> 00:34:55,120
Speaker 1: we scan everybody in every outfit on shadows, like really

620
00:34:55,440 --> 00:34:57,920
Speaker 1: all the creatures, all the everything, so that you have

621
00:34:58,200 --> 00:35:00,720
Speaker 1: all the pieces of information that you need to post production,

622
00:35:00,840 --> 00:35:02,600
Speaker 1: so that then you can like you're not in a jam.

623
00:35:03,239 --> 00:35:05,279
Speaker 1: You can fucking put the shoulder in right there if

624
00:35:05,320 --> 00:35:09,680
Speaker 1: you wanted to. That's so interesting, is really weird. Well,

625
00:35:09,760 --> 00:35:12,560
Speaker 1: it also leads me to believe, like, thank god we

626
00:35:12,680 --> 00:35:17,640
Speaker 1: at least have the beginnings of careers right now, because

627
00:35:17,640 --> 00:35:20,440
Speaker 1: it'd be so hard to be like just a twenty

628
00:35:20,520 --> 00:35:22,719
Speaker 1: year old kid trying to get in the industry now,

629
00:35:22,840 --> 00:35:26,839
Speaker 1: because in five to ten years, they're just gonna go, well,

630
00:35:27,080 --> 00:35:30,520
Speaker 1: we're just gonna have young Tom Cruise and we're just

631
00:35:30,560 --> 00:35:32,759
Speaker 1: gonna paint him in to be the start of this movie.

632
00:35:32,760 --> 00:35:35,600
Speaker 1: I mean, we're close back. The dude's gone wild man Blake,

633
00:35:35,840 --> 00:35:38,080
Speaker 1: stop it. I'm gonna say yesterday. Yeah, you can still

634
00:35:38,239 --> 00:35:41,439
Speaker 1: tell though you can't have them act. It's not really good.

635
00:35:41,560 --> 00:35:43,400
Speaker 1: We just went down the road of doing like a

636
00:35:43,480 --> 00:35:47,680
Speaker 1: CG character in with other people. It's not really fully there.

637
00:35:47,719 --> 00:35:52,239
Speaker 1: But in ten years possibly, No, no, no, they're getting

638
00:35:52,239 --> 00:35:54,480
Speaker 1: away with little pieces the way. Aren't they doing like

639
00:35:54,520 --> 00:35:57,960
Speaker 1: a James Dean movie. Yes, they are, they are. They're doing. Uh.

640
00:35:58,360 --> 00:36:00,759
Speaker 1: They cast James Dean in a flex and I like

641
00:36:00,880 --> 00:36:03,080
Speaker 1: his sausages, don't get me wrong, I just don't know

642
00:36:03,160 --> 00:36:07,000
Speaker 1: if I wanted to science. That's her boy, Jimmy. I

643
00:36:07,120 --> 00:36:10,480
Speaker 1: think we may have like brushed up on it, like

644
00:36:10,840 --> 00:36:16,840
Speaker 1: a long, long, long time ago. But yes, no points

645
00:36:17,160 --> 00:36:21,560
Speaker 1: he didn't like giving him. The Matrix might have been

646
00:36:22,080 --> 00:36:29,000
Speaker 1: one of the greatest soundtracks ever, the shelves you score

647
00:36:29,200 --> 00:36:33,040
Speaker 1: or the soundtrack the soundtrack, bro was cool. You guys

648
00:36:33,080 --> 00:36:36,919
Speaker 1: are tripping. Name me one song, Okay, hang out Blake.

649
00:36:37,000 --> 00:36:39,680
Speaker 1: I listened to it last night. I watched the movie

650
00:36:40,520 --> 00:36:42,640
Speaker 1: the soundtrack to the Major, just watched it two weeks ago.

651
00:36:42,760 --> 00:36:48,160
Speaker 1: Meat Beat Manifesto, Rage against the Machine. They had Prodigy,

652
00:36:48,239 --> 00:36:50,960
Speaker 1: you know, but it was such, it was so of

653
00:36:51,160 --> 00:36:55,279
Speaker 1: the time. No, it still goes so hard, Yes it does,

654
00:36:55,440 --> 00:36:59,200
Speaker 1: but it feels like it's in the late nineties. No,

655
00:36:59,360 --> 00:37:02,080
Speaker 1: the Matrix sound track is still a vibe, dude. You

656
00:37:02,120 --> 00:37:06,400
Speaker 1: guys are absolutely crazy. I can name you several soundtracks

657
00:37:06,440 --> 00:37:11,279
Speaker 1: that are so much better, starting with the Crow soundtrack.

658
00:37:11,560 --> 00:37:14,880
Speaker 1: Crow is great. The Crow's Confused Double Day Matrix is

659
00:37:15,120 --> 00:37:17,600
Speaker 1: up there. It's a vibe. Hell yeah, it's not a

660
00:37:17,719 --> 00:37:20,759
Speaker 1: vibe that you might like, dude. Even the Matrix thing,

661
00:37:20,840 --> 00:37:25,279
Speaker 1: the bom do do do Do Do Do Do Do

662
00:37:25,320 --> 00:37:28,480
Speaker 1: Do Do Do Do do do that's the worst song

663
00:37:28,560 --> 00:37:31,239
Speaker 1: on the soundtrack, and that song is even sick. Isn't

664
00:37:31,239 --> 00:37:33,480
Speaker 1: that the Deaf Tones? No, they have a song on

665
00:37:33,640 --> 00:37:36,360
Speaker 1: it though. It's Chemical Brothers on there, right, But Blake,

666
00:37:36,440 --> 00:37:40,000
Speaker 1: You're not wrong, man, these two are these two are are?

667
00:37:40,640 --> 00:37:43,839
Speaker 1: They're tripping? You guys need to revisit. Well, no, I'm

668
00:37:43,920 --> 00:37:47,120
Speaker 1: just saying you're on, you're on some typical brother. I

669
00:37:47,200 --> 00:37:49,719
Speaker 1: watched it last night, and last night I was going, like,

670
00:37:50,360 --> 00:37:54,480
Speaker 1: I like everything about this movie except for the soundtrack. Yes,

671
00:37:55,160 --> 00:37:57,400
Speaker 1: I agree with you. That opening fight scene with Carrie

672
00:37:57,600 --> 00:38:01,080
Speaker 1: mosses off the research get ripping. I just was like, oh,

673
00:38:01,160 --> 00:38:04,359
Speaker 1: it's two of this time. They should have picked more

674
00:38:04,520 --> 00:38:08,239
Speaker 1: classic songs. Isn't that fucking cool? Though, that's cool? What's

675
00:38:08,280 --> 00:38:10,800
Speaker 1: wrong with that? That was right there? It's two of

676
00:38:11,080 --> 00:38:22,759
Speaker 1: this time? No, it's two of them that time, that time. Like, yeah,

677
00:38:23,239 --> 00:38:25,520
Speaker 1: that Blake has a special place in his heart because

678
00:38:25,560 --> 00:38:33,640
Speaker 1: that that fucking soundtrack scored all of our batches and

679
00:38:34,160 --> 00:38:37,840
Speaker 1: because it was sorry it was the end of his

680
00:38:38,000 --> 00:38:43,960
Speaker 1: favorite decade. We were coming into the millennium, scary time.

681
00:38:44,719 --> 00:38:48,280
Speaker 1: I mean, yeah, dude, it was Prodigy, it was Rob Zombie,

682
00:38:48,920 --> 00:38:56,280
Speaker 1: it was Romstein. Yes, you know all. It was Marilyn Manson.

683
00:38:56,560 --> 00:39:00,319
Speaker 1: It was too yes much the late nineties. By the way,

684
00:39:00,360 --> 00:39:03,360
Speaker 1: this is like what homeboys were like slang fools in

685
00:39:03,480 --> 00:39:06,040
Speaker 1: Columbine too. They were like, yeah, turn that, shut up.

686
00:39:06,040 --> 00:39:09,759
Speaker 1: I'm sorry, I'm sorry that the music evokes crazy aggressive

687
00:39:09,800 --> 00:39:13,839
Speaker 1: emotion because it's so well done. Like I'm sorry, I'm

688
00:39:13,840 --> 00:39:16,960
Speaker 1: sorry that it fuels the fire of aggression. Proven? Is

689
00:39:17,040 --> 00:39:22,239
Speaker 1: this proven? Yeah? Those kids when they became billionaires and

690
00:39:22,360 --> 00:39:29,080
Speaker 1: then they went to school allegedly allegedly with the six Sounds. Allegedly,

691
00:39:29,360 --> 00:39:31,239
Speaker 1: didn't they hack into like the p A system and

692
00:39:31,320 --> 00:39:33,880
Speaker 1: play Marilyn Manson while they were walking the halls to

693
00:39:33,960 --> 00:39:36,719
Speaker 1: shoot people? I think so, dude, I think I do

694
00:39:36,920 --> 00:39:39,400
Speaker 1: recall that. Oh yeah, Blake, and you just loved it,

695
00:39:39,560 --> 00:39:44,360
Speaker 1: didn't you? You just love Okay. Blake's favorite soundtrack is Columbine.

696
00:39:44,760 --> 00:39:48,160
Speaker 1: Come on, dude, that's not fair. That's just what I heard.

697
00:39:48,480 --> 00:39:52,480
Speaker 1: You just you just into something else. In Monster Magnet.

698
00:39:52,880 --> 00:39:55,279
Speaker 1: I listened to the Matrix soundtrack. I'm a good guy,

699
00:39:55,480 --> 00:39:57,759
Speaker 1: all right, and I think it still goes hard and

700
00:39:57,800 --> 00:39:59,400
Speaker 1: I'm not gonna about to put it on a p A.

701
00:39:59,560 --> 00:40:06,560
Speaker 1: It goes are, dude, It's still Fire, it's Man Mason,

702
00:40:07,239 --> 00:40:14,160
Speaker 1: it's Prodigy, it's Rob Zombie, it's Monster Magnet Manifesto, it's

703
00:40:14,280 --> 00:40:17,520
Speaker 1: Rage against the Machine. Dude, it's all sick dude, hive

704
00:40:17,680 --> 00:40:25,520
Speaker 1: ultrasonic sound judgment, judgment soundtracks better. You know what I'll

705
00:40:25,560 --> 00:40:28,520
Speaker 1: say this. I bet you the movie Hackers has a

706
00:40:28,560 --> 00:40:34,640
Speaker 1: better soundtrack. Okay, wait, similar, and I already know it's

707
00:40:34,680 --> 00:40:37,279
Speaker 1: gonna be better. I didn't know that's whatever they were

708
00:40:37,520 --> 00:40:41,000
Speaker 1: rollerblading too, I'm in I think sneaker Pimps were on there.

709
00:40:41,320 --> 00:40:45,560
Speaker 1: Six Underground. I love that song Orbital, but I think

710
00:40:45,600 --> 00:40:49,000
Speaker 1: that's Romeo and Juliet. Oh, don't that sounds like right?

711
00:40:49,040 --> 00:40:53,120
Speaker 1: The movies of this time leaned too hard in the

712
00:40:53,239 --> 00:40:56,759
Speaker 1: music of the time, and then that music didn't transcend.

713
00:40:57,160 --> 00:40:59,480
Speaker 1: I'm sorry that these movies were coming out during the

714
00:40:59,719 --> 00:41:04,720
Speaker 1: best music era. It's not their fault there of the time.

715
00:41:05,600 --> 00:41:08,920
Speaker 1: This this isn't the best The best music era is

716
00:41:09,000 --> 00:41:17,720
Speaker 1: puddle of mud and fuels. So you're so your favorite

717
00:41:17,760 --> 00:41:22,080
Speaker 1: soundtrack is like Orange County movie. What's your favorite movie soundtrack?

718
00:41:22,800 --> 00:41:30,360
Speaker 1: Probably with Godsmack. Blow is my favorite sound track, But

719
00:41:30,440 --> 00:41:32,800
Speaker 1: Blow is using like movie from the music from the

720
00:41:32,880 --> 00:41:38,239
Speaker 1: seventies that's of that time. Yeah, and they what they

721
00:41:38,280 --> 00:41:43,920
Speaker 1: do when they do classic like that, it's they hit now.

722
00:41:44,040 --> 00:41:47,279
Speaker 1: It's there the fucking Monster Magnet. No one's listening to

723
00:41:47,440 --> 00:41:50,480
Speaker 1: Monster Magnet anymore. But that's it. That. But but this

724
00:41:50,520 --> 00:41:52,200
Speaker 1: brings up a good point because what you're able to

725
00:41:52,280 --> 00:41:54,920
Speaker 1: do with a period piece is used hindsight, right, Like

726
00:41:56,200 --> 00:41:58,520
Speaker 1: I Love to Stand By Me soundtrack, they had the

727
00:41:58,600 --> 00:42:02,400
Speaker 1: hindsight to go, these are the real fucking hits um Matrix.

728
00:42:02,760 --> 00:42:07,080
Speaker 1: It was of that time. So they what they did,

729
00:42:07,200 --> 00:42:10,040
Speaker 1: they didn't have the wherewithal Togo. This is gonna be

730
00:42:10,120 --> 00:42:12,759
Speaker 1: good later. But guess what did the Crow soundtrack? It's

731
00:42:12,760 --> 00:42:16,239
Speaker 1: Sun mus better off, Bro. The Crow soundtrack is the

732
00:42:16,360 --> 00:42:18,880
Speaker 1: top ten soundtrack for sure track all time. And by

733
00:42:18,920 --> 00:42:23,920
Speaker 1: the way, what's uh, nobody? What's the fucking Jackie Chan

734
00:42:24,160 --> 00:42:28,759
Speaker 1: and Chris Tucker movies? Those soundstra bangers? Yes? Another you

735
00:42:28,800 --> 00:42:32,440
Speaker 1: know what else? You're talking computer movies? Right? Yeah? I know,

736
00:42:32,520 --> 00:42:35,840
Speaker 1: I just four games. I don't know about the soundtrack,

737
00:42:35,840 --> 00:42:38,440
Speaker 1: I guarantee you it's good. Dune or the Net? What

738
00:42:38,520 --> 00:42:43,920
Speaker 1: about the Net? Probably a great sount. What's the soundtrack to, bro?

739
00:42:44,600 --> 00:42:47,480
Speaker 1: What's the song from the Net? What is the main

740
00:42:47,640 --> 00:42:51,759
Speaker 1: song for like took us into soundtrack red disc or

741
00:42:51,800 --> 00:42:55,440
Speaker 1: blue disk. See that's also not fair. That's hindsight. What

742
00:42:56,800 --> 00:42:58,560
Speaker 1: what's red disc or blue disc? Is that how they

743
00:42:58,560 --> 00:43:00,239
Speaker 1: split it up? There was a red disk, get a

744
00:43:00,239 --> 00:43:01,680
Speaker 1: blue disc, and it was like I kind of I

745
00:43:01,800 --> 00:43:05,640
Speaker 1: believe it was chronological where the red disc was earlier

746
00:43:05,719 --> 00:43:09,200
Speaker 1: songs and the blue discs. But I feel like they

747
00:43:09,520 --> 00:43:12,640
Speaker 1: that the first disc was so hot that they dropped

748
00:43:12,680 --> 00:43:15,320
Speaker 1: a second disc on people. It was like the sales

749
00:43:15,440 --> 00:43:19,920
Speaker 1: double Doggie. That's a spensive, as movie mana spensive he had.

750
00:43:20,160 --> 00:43:26,279
Speaker 1: That's a spensive. I'm not a smart man. Ohne, cool dude,

751
00:43:27,800 --> 00:43:29,960
Speaker 1: I love that movie. I tried to look up on

752
00:43:30,080 --> 00:43:33,160
Speaker 1: iTunes a song from the net and it is just

753
00:43:33,320 --> 00:43:36,480
Speaker 1: not good. It's not coming up. It's not coming up.

754
00:43:36,719 --> 00:43:39,520
Speaker 1: It's like it doesn't exist. The greatest soundtrack of all time?

755
00:43:40,000 --> 00:43:42,960
Speaker 1: Like this is a confused no, no, no greatest sound

756
00:43:44,360 --> 00:43:48,319
Speaker 1: No harder they fall? What fun is that? It's harder

757
00:43:48,360 --> 00:43:53,600
Speaker 1: they fall? Just it's google it. It's the best. It's

758
00:43:53,640 --> 00:44:01,040
Speaker 1: like the wedding singer did Joe Francis produced or Austin Powers.

759
00:44:01,239 --> 00:44:04,680
Speaker 1: That's the only films I'm in that's a great sound track. Yes,

760
00:44:04,760 --> 00:44:09,040
Speaker 1: it did BBC one. Wait, Harder They Follow the movie

761
00:44:09,080 --> 00:44:15,759
Speaker 1: about like BBC three, Not not the No no no,

762
00:44:15,880 --> 00:44:19,040
Speaker 1: not the The Harder They Fall. It just came out

763
00:44:19,400 --> 00:44:22,080
Speaker 1: with Idri Salba. He's like a sad cowboy. Not that

764
00:44:22,280 --> 00:44:25,839
Speaker 1: not that movie. Wait what it's like a Jamaican Jimmy Yeah,

765
00:44:25,880 --> 00:44:28,600
Speaker 1: this is Jimmy Cliff. Jimmy Cliff. Yeah, isn't it. Oh?

766
00:44:28,680 --> 00:44:30,719
Speaker 1: I know this track. Isn't it called The Harder It's

767
00:44:30,719 --> 00:44:32,719
Speaker 1: a track, not a movie. It's a it's a song,

768
00:44:32,840 --> 00:44:36,719
Speaker 1: The Harder They Fall soundtrack. I know. I watched the

769
00:44:36,719 --> 00:44:39,319
Speaker 1: first thirty minutes and I think you're talking about ship.

770
00:44:39,440 --> 00:44:41,640
Speaker 1: What's it called? Not like Renegades or whatever. The Harder

771
00:44:41,719 --> 00:44:45,680
Speaker 1: They Come maybe is what the movies called and produce

772
00:44:45,800 --> 00:44:47,640
Speaker 1: that he did. This is what put him over the

773
00:44:48,000 --> 00:44:51,239
Speaker 1: edge of the Wait a minute, that was West Hollywood.

774
00:44:51,800 --> 00:44:55,920
Speaker 1: That was West Hollywood. That that was his follow up.

775
00:44:58,920 --> 00:45:05,520
Speaker 1: My mom has that to ring Town. Now it's into

776
00:45:05,719 --> 00:45:09,880
Speaker 1: the porn of The Harder They Come. Okay, so this

777
00:45:10,040 --> 00:45:11,960
Speaker 1: is like a just a like a reggae movie with

778
00:45:12,080 --> 00:45:14,080
Speaker 1: Jimmy Cliff and stuff. Yes, but you put on the

779
00:45:14,120 --> 00:45:16,040
Speaker 1: soundtrack and you're like, well, that's a good song. Oh,

780
00:45:16,080 --> 00:45:17,919
Speaker 1: that's a great song. Oh, this song is off the chain.

781
00:45:18,280 --> 00:45:21,360
Speaker 1: The harder they come. What's the what's that? Man? A

782
00:45:21,600 --> 00:45:24,200
Speaker 1: tibo would kill me. There's this reggae movie where it's

783
00:45:24,280 --> 00:45:27,239
Speaker 1: like all like the greatest, It's like the most legendary

784
00:45:27,640 --> 00:45:29,600
Speaker 1: reggae movie. This is it? I think this is it.

785
00:45:30,480 --> 00:45:33,680
Speaker 1: It's called like Rippers or something. Is it the Snoop line?

786
00:45:33,719 --> 00:45:37,879
Speaker 1: It's the Snoop Lion documentary. Right, it's a snoop isn't

787
00:45:37,920 --> 00:45:41,640
Speaker 1: it Snoop Lion? Yeah? When he like when he swore

788
00:45:41,680 --> 00:45:44,560
Speaker 1: off of rappers. You know what has a pretty good soundtrack.

789
00:45:44,920 --> 00:45:47,680
Speaker 1: The Beatles documentary that just came out had a pretty

790
00:45:47,719 --> 00:45:51,440
Speaker 1: good soundtrack. Yeah, you liked that. Oh, it's called Rockers. Rockers.

791
00:45:51,520 --> 00:45:54,200
Speaker 1: It's like one of the most legendary, like um Jamaican

792
00:45:54,280 --> 00:45:57,719
Speaker 1: like reggae movies ever. If you haven't seen Rockers, it's

793
00:45:57,760 --> 00:46:00,440
Speaker 1: like one of the coolest background movies just because everybody's

794
00:46:00,520 --> 00:46:03,640
Speaker 1: dressed insane. Have you seen it? Yeah? Yeah, Rockers Rocks.

795
00:46:03,760 --> 00:46:05,000
Speaker 1: I like how you're like, I don't know what it

796
00:46:05,120 --> 00:46:07,239
Speaker 1: is if you haven't seen it. No, I forgot the

797
00:46:07,320 --> 00:46:09,880
Speaker 1: title I thought was Rippers, is Rockers fair enough? But

798
00:46:09,960 --> 00:46:19,160
Speaker 1: it's like super super legendar or legendary. Uh, do we

799
00:46:19,280 --> 00:46:24,399
Speaker 1: have any tapebacks, giveaways, epic slams, Dead Ringers. I'll take

800
00:46:24,480 --> 00:46:27,440
Speaker 1: back the first seventeen minutes of the podcast today. I

801
00:46:27,560 --> 00:46:29,600
Speaker 1: just feel like the hot one. Maybe we'll cut that.

802
00:46:29,760 --> 00:46:32,680
Speaker 1: Absolutely not, dude, That's that's what the people want. By

803
00:46:32,680 --> 00:46:35,440
Speaker 1: the way, if I'm wrong about the billion dollars um

804
00:46:35,719 --> 00:46:40,799
Speaker 1: for Joe Francis, um, I don't care. Cool, that's right.

805
00:46:41,160 --> 00:46:43,360
Speaker 1: I did that. That's the proper way to be. It

806
00:46:43,440 --> 00:46:48,719
Speaker 1: doesn't it doesn't matter. I do think he made I

807
00:46:48,840 --> 00:46:51,879
Speaker 1: bet he made it over a hundred million dollars. Keep.

808
00:46:52,760 --> 00:46:54,759
Speaker 1: I feel like I read somewhere back in the day

809
00:46:54,800 --> 00:46:59,080
Speaker 1: that he was the first, like the fastest self made billionaire,

810
00:46:59,360 --> 00:47:03,359
Speaker 1: like it was that was the whole thing. Um. Then again,

811
00:47:03,400 --> 00:47:12,200
Speaker 1: I get my news on porn Hub running when I

812
00:47:12,360 --> 00:47:15,319
Speaker 1: when I'm not in the comments section, just letting people

813
00:47:15,360 --> 00:47:17,600
Speaker 1: know who everyone is. First of all, what kind of

814
00:47:17,800 --> 00:47:20,319
Speaker 1: I think about that often? I think about it so much.

815
00:47:20,400 --> 00:47:22,839
Speaker 1: I know where you're always thinking about it. It's all

816
00:47:22,920 --> 00:47:28,000
Speaker 1: I can think of. What is who is commenting on videos?

817
00:47:28,360 --> 00:47:32,080
Speaker 1: On porn video It's too much a moment. It's truly

818
00:47:32,160 --> 00:47:34,440
Speaker 1: the funny next time you're at porn Hub and you're

819
00:47:34,480 --> 00:47:38,160
Speaker 1: watching and you're enjoying before you leave. I don't know, man,

820
00:47:38,280 --> 00:47:41,560
Speaker 1: I don't know who does read the comments has got

821
00:47:41,640 --> 00:47:45,160
Speaker 1: a guilty look on his phone? Know who would take time?

822
00:47:46,400 --> 00:47:50,000
Speaker 1: That's weird to just like share a thought there, super

823
00:47:50,320 --> 00:47:53,560
Speaker 1: super weird. They're very helpful, the ones that are like man,

824
00:47:53,719 --> 00:47:56,720
Speaker 1: he really did that well, or like beautiful, Yeah, that's trippy.

825
00:47:57,440 --> 00:47:58,960
Speaker 1: But the ones where it's like her name is so

826
00:47:59,080 --> 00:48:00,960
Speaker 1: and so you're like, dude, thank you. It's like a

827
00:48:01,040 --> 00:48:03,040
Speaker 1: Yelp review, You're like, thank you. Cool. I know the

828
00:48:03,120 --> 00:48:05,800
Speaker 1: tacos they're gonna be good. Yeah, but it is, it is,

829
00:48:05,840 --> 00:48:08,480
Speaker 1: They're right. It is still very very strange. I know.

830
00:48:09,560 --> 00:48:12,799
Speaker 1: I posted one from the porno parody ven Come, which

831
00:48:12,880 --> 00:48:15,800
Speaker 1: was a port pornom parody of Venom, and it was

832
00:48:15,880 --> 00:48:23,279
Speaker 1: like somebody was like, like that's perfect, perfect, dude. It

833
00:48:23,440 --> 00:48:26,040
Speaker 1: had some great scenes because I don't think you know

834
00:48:26,120 --> 00:48:28,279
Speaker 1: how Venom has a really long tongue, so they had

835
00:48:28,400 --> 00:48:32,560
Speaker 1: like this whole life prosthetic tongue. It was. It was funny.

836
00:48:32,600 --> 00:48:36,759
Speaker 1: It's worth a watch. It's worth a watch. Yeah, but

837
00:48:36,920 --> 00:48:39,400
Speaker 1: the comments section to drop a comment on that one,

838
00:48:39,920 --> 00:48:42,840
Speaker 1: I might skip it all together, but cool. Uh. And

839
00:48:42,920 --> 00:48:45,239
Speaker 1: I would like to give Blake his flowers for really

840
00:48:45,320 --> 00:48:51,240
Speaker 1: sticking by the objectively bad soundtrack that is the Matrix soundtrack.

841
00:48:51,960 --> 00:48:58,680
Speaker 1: And he has for Monster Magnet and Real Quick Rob's

842
00:48:58,719 --> 00:49:03,120
Speaker 1: Ambi fucking kicks. But Adam, let's take his name. Well,

843
00:49:03,160 --> 00:49:08,200
Speaker 1: you know what, Rob Zombie, It's not my favorite type

844
00:49:08,239 --> 00:49:11,640
Speaker 1: of music. I don't think it's zombie kicks, ass White.

845
00:49:11,880 --> 00:49:13,319
Speaker 1: I like some of it. It's good to work out

846
00:49:14,120 --> 00:49:19,839
Speaker 1: Rob Zombie, Devil's Rejects soundtrack the okay, great movie. Um

847
00:49:20,440 --> 00:49:23,200
Speaker 1: so here's here's my question, Blake, and I'm with Adam

848
00:49:23,360 --> 00:49:25,920
Speaker 1: as far as this goes, unless you can name me

849
00:49:26,200 --> 00:49:29,360
Speaker 1: one song off the Matrix soundtracks. I don't know titles,

850
00:49:29,400 --> 00:49:33,080
Speaker 1: but I just told you everything goo, no one song

851
00:49:33,719 --> 00:49:40,520
Speaker 1: I didtra sonics in it and I take it back, Hey,

852
00:49:40,640 --> 00:49:45,279
Speaker 1: Blake Yould? And was this on the radio? None of

853
00:49:45,360 --> 00:49:46,960
Speaker 1: these were on the radio. There was one song that

854
00:49:47,040 --> 00:49:48,440
Speaker 1: might have been on the radio. Is the last song

855
00:49:48,480 --> 00:49:50,360
Speaker 1: in the movie Rage against the Machine where it's like

856
00:49:50,680 --> 00:49:58,319
Speaker 1: Bennett Nolif. Yes, the dumbest movie. It was a dumb moment,

857
00:49:58,400 --> 00:50:01,760
Speaker 1: but the song wasn't the problem. Rage against the Machine

858
00:50:02,200 --> 00:50:05,560
Speaker 1: Rock is the best song in the movie, and the

859
00:50:05,880 --> 00:50:08,480
Speaker 1: sound traded to the very end of the movie to

860
00:50:08,600 --> 00:50:12,880
Speaker 1: do every other song. I'm like, Oh, it's because Neo

861
00:50:13,000 --> 00:50:16,480
Speaker 1: has bad taste in music. I think Blake's frozen. That's funny.

862
00:50:16,719 --> 00:50:19,799
Speaker 1: I like that take. Look, I'm gonna use my time

863
00:50:19,880 --> 00:50:22,440
Speaker 1: to double down. I would like to use a double

864
00:50:22,520 --> 00:50:26,400
Speaker 1: down to continue to love the Double Barrel track. I

865
00:50:26,480 --> 00:50:29,799
Speaker 1: think it's one of the top ten greatest most influential

866
00:50:30,040 --> 00:50:34,319
Speaker 1: soundtracks ever. So I'm doubling down. I'm doubling I'll take

867
00:50:34,360 --> 00:50:36,200
Speaker 1: the time to pile on that double down with another

868
00:50:36,239 --> 00:50:38,239
Speaker 1: Dead Ringer to remind you guys that my son thought

869
00:50:38,280 --> 00:50:43,640
Speaker 1: I was Keanu Reeves. We're talking about it, by the way, Reeves,

870
00:50:44,000 --> 00:50:47,080
Speaker 1: I kind of forgot how fucking hot Kiana Reeves was.

871
00:50:47,360 --> 00:50:49,960
Speaker 1: Due looks just like your boy, That's what I'm taking

872
00:50:50,040 --> 00:50:53,800
Speaker 1: it was surran wrapped face like very thin. Yes, he

873
00:50:53,960 --> 00:50:57,320
Speaker 1: was just like he looks just like you're broke. You

874
00:50:57,440 --> 00:51:01,160
Speaker 1: look like him now as he's like melted into his body,

875
00:51:01,200 --> 00:51:04,239
Speaker 1: you look like dead Ringer, Like if he's dead, it

876
00:51:04,280 --> 00:51:08,520
Speaker 1: doesn't matter when fucking dead ringer Playboy. When he's dead,

877
00:51:08,600 --> 00:51:14,920
Speaker 1: you're a ringer exactly. And this was another episode, was

878
00:51:15,000 --> 00:51:27,719
Speaker 1: one of those episodes part Dan should do that by idiots,