1 00:00:03,040 --> 00:00:06,080 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,039 --> 00:00:12,320 Speaker 2: Hey, welcome to Stuff to Blow Your Mind listener Mail. 3 00:00:12,680 --> 00:00:15,400 Speaker 3: My name is Robert Lamb and I am Joe McCormick, 4 00:00:15,440 --> 00:00:18,680 Speaker 3: and it's Monday, so we are bringing you a listener 5 00:00:18,880 --> 00:00:21,239 Speaker 3: mail episode. This is the day of each week we 6 00:00:21,280 --> 00:00:23,479 Speaker 3: read back messages from the Stuff to Blow Your Mind 7 00:00:23,520 --> 00:00:27,280 Speaker 3: email address, which is contact at stuff to Blow your 8 00:00:27,400 --> 00:00:31,319 Speaker 3: Mind dot com. A little announcement for most of this week, 9 00:00:31,320 --> 00:00:34,080 Speaker 3: we are going to be running episodes from the Vault 10 00:00:34,360 --> 00:00:36,040 Speaker 3: because we're going to be out for a few days. 11 00:00:36,080 --> 00:00:39,000 Speaker 3: So Tuesday and Thursday's core episodes this week will be 12 00:00:39,080 --> 00:00:41,400 Speaker 3: Vault episodes, and we will have a Weird House Cinema 13 00:00:41,440 --> 00:00:44,560 Speaker 3: rewind for you on Friday. But today it is all 14 00:00:44,600 --> 00:00:48,000 Speaker 3: new listener mail messages. Let's see, rob Do you mind 15 00:00:48,080 --> 00:00:51,640 Speaker 3: if I jump right in with this message from Eden 16 00:00:51,800 --> 00:00:52,680 Speaker 3: via Facebook? 17 00:00:52,960 --> 00:00:53,880 Speaker 2: Yeah, let's have it. 18 00:00:54,440 --> 00:00:58,560 Speaker 3: So this is in response to our Anthology of Horror episode, 19 00:00:58,960 --> 00:01:04,600 Speaker 3: specifically my selection of a Kulchak the night Stalker story, 20 00:01:05,000 --> 00:01:10,000 Speaker 3: which concerned a type of Cajun bogeyman named Paramoufay, which 21 00:01:10,040 --> 00:01:13,679 Speaker 3: is a monster like a kind of plant based sasquatch. 22 00:01:13,720 --> 00:01:17,560 Speaker 3: It is covered head to toe in Spanish moss, and 23 00:01:17,680 --> 00:01:21,800 Speaker 3: Paramoufay in this episode would attack his victims by squeezing 24 00:01:21,840 --> 00:01:25,039 Speaker 3: them to death. Now I'm still not one hundred percent 25 00:01:25,160 --> 00:01:28,560 Speaker 3: certain on this, because there are some sources that make 26 00:01:28,600 --> 00:01:32,280 Speaker 3: claims to the contrary. But after pretty extensive digging, I 27 00:01:32,360 --> 00:01:36,800 Speaker 3: came to the conclusion that Paramoulfay is probably not a 28 00:01:36,840 --> 00:01:41,240 Speaker 3: real figure from organic Cajun folklore, but something invented by 29 00:01:41,280 --> 00:01:44,840 Speaker 3: the writers of the show, though based loosely on existing 30 00:01:44,880 --> 00:01:49,160 Speaker 3: monsters from Cajun folk tales, for example the rugaroo. Of course, 31 00:01:49,200 --> 00:01:51,360 Speaker 3: if you have any evidence to the contrary, if you 32 00:01:51,400 --> 00:01:55,120 Speaker 3: do know of authentic from the people Para Malfay stories, 33 00:01:55,160 --> 00:01:56,760 Speaker 3: please write in and let us know. I would love 34 00:01:56,800 --> 00:02:04,320 Speaker 3: to be corrected on that. Eden writes in at the 35 00:02:04,360 --> 00:02:09,520 Speaker 3: Facebook module to say, paramou Fay may be a television bogeyman, 36 00:02:09,800 --> 00:02:14,320 Speaker 3: but moss Man is a very real boogieman. Boogie spelled 37 00:02:14,360 --> 00:02:19,280 Speaker 3: bogie in this case, so Eden says, the late great 38 00:02:19,440 --> 00:02:22,440 Speaker 3: Steve nico is how I think you would pronounce it. 39 00:02:22,440 --> 00:02:27,280 Speaker 3: It's inn icaud, I think that'll be. Steve Nicode used 40 00:02:27,280 --> 00:02:30,359 Speaker 3: to dress head to toe in a costume of Spanish 41 00:02:30,440 --> 00:02:33,600 Speaker 3: moss and a pair of sunglasses and would show up 42 00:02:33,600 --> 00:02:36,760 Speaker 3: to Marti Gras parades and such a folk figure in 43 00:02:36,800 --> 00:02:39,560 Speaker 3: his own right while he was doing it. After that 44 00:02:39,600 --> 00:02:43,080 Speaker 3: episode of Colchak, the idea of a Spanish moss bodysuit 45 00:02:43,400 --> 00:02:46,880 Speaker 3: has surely occurred to many people independently throughout history. It 46 00:02:47,120 --> 00:02:50,640 Speaker 3: just begs to be a costume. In fact, moss Man 47 00:02:50,720 --> 00:02:53,480 Speaker 3: is the name most used for anyone who wears Spanish 48 00:02:53,520 --> 00:02:56,040 Speaker 3: moss as a costume. As far as I know, however, 49 00:02:56,240 --> 00:02:59,640 Speaker 3: Nico was the only one to complete the look with 50 00:02:59,720 --> 00:03:03,720 Speaker 3: air of sunglasses. Nicode died in two thousand and four, 51 00:03:03,880 --> 00:03:06,320 Speaker 3: and there is little trace of his moss Man on 52 00:03:06,360 --> 00:03:09,280 Speaker 3: the internet. I can't find a single photograph of the 53 00:03:09,320 --> 00:03:13,200 Speaker 3: man himself. But I submit these photos of my family's 54 00:03:13,280 --> 00:03:18,920 Speaker 3: Mossman poster and kids coloring worksheet. And this is some 55 00:03:19,000 --> 00:03:22,320 Speaker 3: kind of framed poster for a party event or something, 56 00:03:22,680 --> 00:03:25,280 Speaker 3: and it says moss Man and it shows a figure 57 00:03:25,400 --> 00:03:28,200 Speaker 3: covered in Spanish moss with sunglasses on. And then in 58 00:03:28,240 --> 00:03:32,000 Speaker 3: the background there's a convertible like a car that also 59 00:03:32,040 --> 00:03:34,360 Speaker 3: looks like it's covered in Spanish moss, with a bunch 60 00:03:34,360 --> 00:03:37,000 Speaker 3: of trees or something poking out of it, and an 61 00:03:37,080 --> 00:03:40,800 Speaker 3: alligator driving the car, and the text on the poster says, 62 00:03:40,920 --> 00:03:44,160 Speaker 3: Moss is boss the most partying dude you'll come across. 63 00:03:44,560 --> 00:03:46,600 Speaker 3: And also there's a page from a coloring book here 64 00:03:46,640 --> 00:03:48,840 Speaker 3: that seems to be a I don't know, some kind 65 00:03:48,840 --> 00:03:52,600 Speaker 3: of promotional item from the New Orleans Rhythm run nineteen 66 00:03:52,680 --> 00:03:55,640 Speaker 3: ninety three. Then Eden says, ps, you should do an 67 00:03:55,640 --> 00:03:59,040 Speaker 3: episode on Christmas witches. There are a lot of them, 68 00:03:59,080 --> 00:04:02,400 Speaker 3: and Louisiana as a creepy one. Oh, I hope I'm 69 00:04:02,400 --> 00:04:07,000 Speaker 3: saying this right, Madame grand Dewey. The nice version of 70 00:04:07,000 --> 00:04:10,680 Speaker 3: her has her using her long fingers to place gifts 71 00:04:10,680 --> 00:04:15,160 Speaker 3: into children's Christmas stockings. The scary version has her living 72 00:04:15,200 --> 00:04:17,880 Speaker 3: in the attic all year round, just waiting for children 73 00:04:17,920 --> 00:04:22,760 Speaker 3: to misbehave so she can snatch them with her long fingers. Wow, 74 00:04:22,800 --> 00:04:25,200 Speaker 3: I did not know about that one. That's really good. 75 00:04:25,240 --> 00:04:28,200 Speaker 3: So she never leaves. She's a crampus that never leaves 76 00:04:28,200 --> 00:04:29,640 Speaker 3: your house. She's always there. 77 00:04:30,320 --> 00:04:32,880 Speaker 2: She's like Gary Busey and that movie Hider in the 78 00:04:32,920 --> 00:04:35,359 Speaker 2: House where you have the secret Gary Busey living in 79 00:04:35,360 --> 00:04:35,839 Speaker 2: your attic. 80 00:04:36,880 --> 00:04:39,160 Speaker 3: Well, thank you, Eden, I had no idea about the 81 00:04:39,200 --> 00:04:42,279 Speaker 3: Moss Man. The Moss boss, the most partying dude you'll 82 00:04:42,279 --> 00:04:44,599 Speaker 3: come across this. This is all new to me and 83 00:04:44,680 --> 00:04:46,760 Speaker 3: I like his vibe. 84 00:04:47,000 --> 00:04:48,680 Speaker 2: Yeah, this is great. I mean this is one I 85 00:04:48,680 --> 00:04:50,400 Speaker 2: haven't been down to New Orleans in a couple of 86 00:04:50,480 --> 00:04:52,680 Speaker 2: years now, hopefully i'll go go back next year. But 87 00:04:53,600 --> 00:04:56,279 Speaker 2: I love all this, like local New Orleans culture stuff, 88 00:04:56,320 --> 00:04:57,640 Speaker 2: A lot of it, you know, tied up with Marty 89 00:04:57,680 --> 00:05:00,159 Speaker 2: Grass in a way that you know, it doesn't really 90 00:05:00,680 --> 00:05:04,240 Speaker 2: come through in the like the larger public conception of 91 00:05:04,320 --> 00:05:07,760 Speaker 2: Marti Gras, but you get like the early Marti Gras parades, 92 00:05:07,880 --> 00:05:09,840 Speaker 2: like the you know, the different crews putting on their 93 00:05:10,360 --> 00:05:13,400 Speaker 2: more localized parades that are often more political and you know, 94 00:05:13,440 --> 00:05:16,400 Speaker 2: focused on local politics. And then you have a lot 95 00:05:16,400 --> 00:05:17,920 Speaker 2: of other cool stuff like that. They always do a 96 00:05:17,960 --> 00:05:20,760 Speaker 2: big Crampus, or at least they did in recent years, 97 00:05:20,800 --> 00:05:22,880 Speaker 2: and I know that we actually heard from listeners who 98 00:05:22,880 --> 00:05:26,960 Speaker 2: were associated with it or participated in it. So yeah, 99 00:05:26,960 --> 00:05:28,760 Speaker 2: there's a lot of fun stuff that goes on down there, 100 00:05:29,120 --> 00:05:30,920 Speaker 2: all right. This next one comes to us from a Lurch. 101 00:05:35,920 --> 00:05:39,280 Speaker 2: Lurch says, good morning, gentlemen, listening to Search for Alien 102 00:05:39,320 --> 00:05:42,839 Speaker 2: Live with Doctor Frank. He references a TV show UFO 103 00:05:43,040 --> 00:05:46,680 Speaker 2: in a related Space nineteen ninety nine. UFO was a 104 00:05:46,720 --> 00:05:49,880 Speaker 2: short lived series produced by Gary Anderson, who also produced 105 00:05:49,880 --> 00:05:54,840 Speaker 2: Space nineteen ninety nine, Thunderbirds, Captain Scarlett Stingray, Fireball XL five, 106 00:05:54,880 --> 00:05:57,080 Speaker 2: and a host of other wonderful for weird house values 107 00:05:57,120 --> 00:06:01,840 Speaker 2: of wonderful shows, my favorite being Space Precinct. In some 108 00:06:01,880 --> 00:06:04,520 Speaker 2: shows the actors were human and others they were marionettes. 109 00:06:04,720 --> 00:06:07,760 Speaker 2: All of them featured beautiful, cheap model work. In my 110 00:06:07,839 --> 00:06:11,479 Speaker 2: biased estimation, it's well worth the time it would take 111 00:06:11,560 --> 00:06:16,320 Speaker 2: to Binge watch his entire library. Keep the gravy warm, lurch. 112 00:06:17,000 --> 00:06:19,120 Speaker 3: Oh, and Rob, you should probably do this next message 113 00:06:19,120 --> 00:06:21,919 Speaker 3: from Sean because it's on exactly the same subject in 114 00:06:21,960 --> 00:06:24,479 Speaker 3: response to yours, Adam Frank. 115 00:06:25,000 --> 00:06:27,599 Speaker 2: Yeah, Sean rides and it says, Hi, Rob love the interview, 116 00:06:27,640 --> 00:06:30,240 Speaker 2: but I cannot believe you've never seen the Gary Anderson 117 00:06:30,279 --> 00:06:33,719 Speaker 2: classic program UFO. Pretty hokey by today's standards, but I 118 00:06:33,760 --> 00:06:36,200 Speaker 2: think the show would suit your aesthetic. The funk is 119 00:06:36,200 --> 00:06:38,559 Speaker 2: strong in this one. There's a moon base of women 120 00:06:38,640 --> 00:06:41,760 Speaker 2: with purple wigs just because, a submarine full of buff 121 00:06:41,839 --> 00:06:44,640 Speaker 2: dudes and mess shirts. If you haven't, I implore you 122 00:06:44,680 --> 00:06:48,720 Speaker 2: as a longtime listener to check it out. Sean, all right, Yeah, 123 00:06:48,760 --> 00:06:51,080 Speaker 2: so UFO is a show that I do not think 124 00:06:51,120 --> 00:06:53,799 Speaker 2: I've ever seen anything. I don't think I've ever watched 125 00:06:53,800 --> 00:06:56,240 Speaker 2: any of it. I have watched Space nineteen ninety nine. 126 00:06:56,240 --> 00:06:58,919 Speaker 2: I'm familiar in passing with some of these other series. 127 00:06:59,440 --> 00:07:01,440 Speaker 2: But look into it. Looking at some of the stills, 128 00:07:01,520 --> 00:07:06,360 Speaker 2: I've definitely seen stills of these purple headed ladies before 129 00:07:06,640 --> 00:07:09,720 Speaker 2: Space Ladies, and it does look like it might be 130 00:07:09,720 --> 00:07:11,320 Speaker 2: a lot of fun. It also looks like maybe there 131 00:07:11,320 --> 00:07:14,880 Speaker 2: have been some like recuts into something like a film, 132 00:07:15,080 --> 00:07:17,160 Speaker 2: or maybe they made a UFO film at some point. 133 00:07:17,200 --> 00:07:19,600 Speaker 2: I'll have to poke around a little bit more. Maybe 134 00:07:19,600 --> 00:07:21,880 Speaker 2: there is something we could consider for weird House in 135 00:07:21,960 --> 00:07:22,480 Speaker 2: the future. 136 00:07:22,880 --> 00:07:26,640 Speaker 3: Oh, I had the wrong era in mind for some reason. 137 00:07:26,680 --> 00:07:29,000 Speaker 3: I was picturing this as a show like from the nineties, 138 00:07:29,000 --> 00:07:30,800 Speaker 3: but I just pulled it up. Yeah, the moon base 139 00:07:30,880 --> 00:07:33,520 Speaker 3: with the ladies with purple hair, this looks like sixties 140 00:07:33,600 --> 00:07:34,280 Speaker 3: or seventies. 141 00:07:34,960 --> 00:07:37,400 Speaker 2: Yeah. Ed Bishop, I believe, was the lead on it, 142 00:07:37,480 --> 00:07:39,480 Speaker 2: a lead actor, and he was in two thousand and 143 00:07:39,480 --> 00:07:42,360 Speaker 2: one A Space Oudus. He played the Lunar Shuttle captain. 144 00:07:43,320 --> 00:07:46,640 Speaker 3: Okay, why do all of the moon dwellers have purple hair. 145 00:07:47,320 --> 00:07:50,160 Speaker 3: Is there something about being on the moon gives you 146 00:07:50,200 --> 00:07:50,760 Speaker 3: purple hair? 147 00:07:50,920 --> 00:07:52,800 Speaker 2: I don't know. Why are they all gorgeous? I don't 148 00:07:52,840 --> 00:07:56,120 Speaker 2: know these things happen, especially in sixties science fiction. 149 00:07:56,800 --> 00:08:01,120 Speaker 3: Exposure to that moon radiation turns all original shades of 150 00:08:01,120 --> 00:08:01,720 Speaker 3: hair purple. 151 00:08:04,200 --> 00:08:07,160 Speaker 2: Well, thanks for the recommendation. Yeah, I'll have to check 152 00:08:07,200 --> 00:08:07,960 Speaker 2: this out at some point. 153 00:08:08,840 --> 00:08:11,600 Speaker 3: Okay. This next message is from Paul. It is in 154 00:08:11,640 --> 00:08:13,840 Speaker 3: response to an older episode of ours. I guess maybe 155 00:08:13,840 --> 00:08:16,160 Speaker 3: one that ran in the vault or something on the 156 00:08:16,360 --> 00:08:25,920 Speaker 3: three pupiled eye. Paul writes, Hi, there, longtime listener, first 157 00:08:25,960 --> 00:08:28,800 Speaker 3: time emailer. I've been catching up on the back catalog 158 00:08:28,840 --> 00:08:31,320 Speaker 3: of episodes, and I was certain that you'd mentioned something 159 00:08:31,320 --> 00:08:33,640 Speaker 3: in your episode about the three pupil die, but to 160 00:08:33,920 --> 00:08:37,800 Speaker 3: my shock, you didn't. When Lance Henrickson was cast as 161 00:08:37,840 --> 00:08:41,679 Speaker 3: the android Bishop in the movie Aliens, he had a 162 00:08:41,760 --> 00:08:45,400 Speaker 3: special set of contact lenses made to give him two 163 00:08:45,440 --> 00:08:49,120 Speaker 3: pupils in each eye, but James Cameron said he looked 164 00:08:49,320 --> 00:08:52,400 Speaker 3: just as ominous without the lenses, so they ended up 165 00:08:52,440 --> 00:08:56,520 Speaker 3: not being used. Love the podcast. Paul, Oh wow, I 166 00:08:56,679 --> 00:08:59,400 Speaker 3: was not aware of that, but that makes sense. The 167 00:08:59,480 --> 00:09:02,680 Speaker 3: land hit. Lance Hendrickson has a heck of a stare. 168 00:09:03,559 --> 00:09:06,040 Speaker 2: Yeah, yeah, it's a great presence. So I can understand, 169 00:09:06,080 --> 00:09:08,160 Speaker 2: you know, realizing, you know what, we're just gonna trust 170 00:09:08,440 --> 00:09:10,200 Speaker 2: we just to go with the actor on this one. 171 00:09:10,720 --> 00:09:12,880 Speaker 2: We don't actually need to mess with the eyes. So 172 00:09:13,120 --> 00:09:15,800 Speaker 2: I can imagine. It was a pretty cool looking effect 173 00:09:16,440 --> 00:09:18,520 Speaker 2: in its own way. But part of the appeal of 174 00:09:18,559 --> 00:09:22,280 Speaker 2: Bishop is that you grow to see his humanity, so 175 00:09:23,200 --> 00:09:27,040 Speaker 2: you know, yeah, any way you shake it, I feel 176 00:09:27,040 --> 00:09:28,040 Speaker 2: like that was the right decision. 177 00:09:28,640 --> 00:09:30,719 Speaker 3: That's a good point. Yeah, so in Aliens, you come 178 00:09:30,720 --> 00:09:33,360 Speaker 3: in biased against him because the android made by the 179 00:09:33,360 --> 00:09:36,400 Speaker 3: same company in the previous Alien movie was Ian Holme, 180 00:09:36,480 --> 00:09:38,640 Speaker 3: and he like goes nuts and tries to kill Ripley 181 00:09:38,640 --> 00:09:42,199 Speaker 3: to prevent her from what to prevent her from destroying 182 00:09:42,240 --> 00:09:45,640 Speaker 3: the alien or something, and so there's that whole thing. 183 00:09:46,720 --> 00:09:50,480 Speaker 3: But yeah, so you're expecting Bishop to be worse than 184 00:09:50,520 --> 00:09:53,040 Speaker 3: he is. He turns out to be quite helpful and sympathetic. 185 00:09:53,200 --> 00:09:55,080 Speaker 3: So maybe if he'd had two pupils it would have 186 00:09:55,080 --> 00:09:56,360 Speaker 3: been harder to sell that turn. 187 00:09:56,960 --> 00:10:00,079 Speaker 2: Yeah, all right, you know, we recently had some so 188 00:10:00,080 --> 00:10:02,640 Speaker 2: it's about crossbows. I'm gonna read one here. This one 189 00:10:03,440 --> 00:10:07,000 Speaker 2: was sent to us on discord. This is from Steve. 190 00:10:12,320 --> 00:10:16,160 Speaker 2: Steve writes, the Crossbow episodes were great fun. What about 191 00:10:16,160 --> 00:10:19,000 Speaker 2: Star Wars If a blaster like a gun is the 192 00:10:19,120 --> 00:10:23,280 Speaker 2: analogous weapon to the crossbow, and the lightsaber to the sword, 193 00:10:23,480 --> 00:10:26,880 Speaker 2: is the blaster bad Obi Wan obviously thought so in 194 00:10:26,920 --> 00:10:30,840 Speaker 2: his reference to a more civilized age of lightsaber combat. 195 00:10:31,080 --> 00:10:33,920 Speaker 2: Yet Han Solo is all about using blasters, as are 196 00:10:33,960 --> 00:10:37,280 Speaker 2: the majority of the Rebel soldiers. These are the kinds 197 00:10:37,280 --> 00:10:39,280 Speaker 2: of hair splitting questions to keep me up at night, 198 00:10:39,520 --> 00:10:42,720 Speaker 2: smiley face. Also, why did the Jedi never practice force 199 00:10:42,880 --> 00:10:46,320 Speaker 2: enhanced archery with lightsaber esque arrows? Steve? 200 00:10:47,040 --> 00:10:49,920 Speaker 3: Yeah, I mean, I think it does play into the 201 00:10:50,200 --> 00:10:55,320 Speaker 3: convention in storytelling that there's something more honest or virtuous 202 00:10:55,440 --> 00:10:59,560 Speaker 3: or noble about a sword or a handheld weapon, even 203 00:10:59,600 --> 00:11:02,280 Speaker 3: though we do see, Yeah, of course the rebel the 204 00:11:02,320 --> 00:11:05,040 Speaker 3: rebel soldiers have blasters and all that, and Han Solo 205 00:11:05,120 --> 00:11:07,280 Speaker 3: uses a blaster, and though he's kind of a scoundrel, 206 00:11:07,320 --> 00:11:11,480 Speaker 3: he's a good scoundrel. I guess. I guess the thing is, 207 00:11:12,040 --> 00:11:14,800 Speaker 3: there's like there's like two dimensions of distinction. One is 208 00:11:14,840 --> 00:11:17,120 Speaker 3: good and evil, and then the other is more sort 209 00:11:17,160 --> 00:11:20,520 Speaker 3: of like ground level fighter versus your night your elite. 210 00:11:20,600 --> 00:11:23,400 Speaker 3: You know that even the Jedi are called Knights, so 211 00:11:23,720 --> 00:11:27,080 Speaker 3: the elite good guys use the sabers, though I guess 212 00:11:27,120 --> 00:11:28,720 Speaker 3: the elite bad guys do as well. 213 00:11:29,080 --> 00:11:30,800 Speaker 2: Yeah, I mean, I guess. Obviously. One of the things 214 00:11:30,840 --> 00:11:33,360 Speaker 2: about Star Wars is it's a it's a cinematic mashup. 215 00:11:33,440 --> 00:11:37,160 Speaker 2: You've got elements of Knights and swashbuckler movies. You have 216 00:11:37,200 --> 00:11:40,880 Speaker 2: elements of war movies and elephant elements of the Western 217 00:11:41,200 --> 00:11:43,440 Speaker 2: among other things, all smashed together. And so you have 218 00:11:44,280 --> 00:11:50,280 Speaker 2: combating military ethics in all of this. But to lean 219 00:11:50,320 --> 00:11:54,120 Speaker 2: into the lower you know, it's like there is the 220 00:11:54,160 --> 00:11:56,440 Speaker 2: nobility of the Jedi and all. And it's not like 221 00:11:56,480 --> 00:12:00,800 Speaker 2: the Jedi don't do things at range. They use their 222 00:12:00,920 --> 00:12:03,960 Speaker 2: voices at range, they can use Jedi mind tricks at range, 223 00:12:04,040 --> 00:12:07,760 Speaker 2: they can use telekinesis at range. And if you are 224 00:12:07,800 --> 00:12:11,439 Speaker 2: a follower of the Dark Side, other abilities open themselves 225 00:12:11,520 --> 00:12:13,760 Speaker 2: up to you that they may be used at range, 226 00:12:14,040 --> 00:12:17,520 Speaker 2: including the lightsaber. Of course, Darth Vader throws his lightsaber 227 00:12:17,559 --> 00:12:19,480 Speaker 2: and has it come back to him. We see that 228 00:12:19,520 --> 00:12:22,240 Speaker 2: in his final battle with Luke Oh. 229 00:12:22,360 --> 00:12:24,160 Speaker 3: Does he I forgot about that. 230 00:12:24,480 --> 00:12:26,880 Speaker 2: Okay, yeah I didn't. I didn't really pick up on 231 00:12:26,920 --> 00:12:29,120 Speaker 2: it until my son and I started playing the Star 232 00:12:29,200 --> 00:12:32,640 Speaker 2: Wars war game where you have a card for saber throw, 233 00:12:33,080 --> 00:12:35,280 Speaker 2: and I was like, oh, yeah, saber throw and Darth 234 00:12:35,360 --> 00:12:37,440 Speaker 2: Vader's on the picture. And then we rewatched the film, 235 00:12:37,480 --> 00:12:39,760 Speaker 2: I'm like, oh, yeah, he totally throws his throws his 236 00:12:39,840 --> 00:12:41,840 Speaker 2: saber at one point during that battle. 237 00:12:42,240 --> 00:12:43,840 Speaker 3: That's weird that I forgot that happened. 238 00:12:44,360 --> 00:12:46,120 Speaker 2: Yeah, it's a solid battle, solid battle. 239 00:12:46,360 --> 00:12:49,400 Speaker 3: Here's my nerd brain working. I was thinking, wait, why 240 00:12:49,480 --> 00:12:51,920 Speaker 3: am I aware that you can throw a lightsaber? I 241 00:12:51,920 --> 00:12:56,160 Speaker 3: think I'm thinking about that from the Super Nintendo Super 242 00:12:56,200 --> 00:13:00,200 Speaker 3: Star Wars or Super Empire Strikes Back game where when 243 00:13:00,200 --> 00:13:03,000 Speaker 3: you're playing as Luke and you gain force powers later 244 00:13:03,040 --> 00:13:04,719 Speaker 3: in the game, one of them is that you can 245 00:13:04,960 --> 00:13:07,240 Speaker 3: throw your lightsaber and make it fly around the screen. 246 00:13:07,880 --> 00:13:10,120 Speaker 2: Yeah, it's become a staple of the video games, for sure. 247 00:13:10,200 --> 00:13:12,560 Speaker 2: You can still throw those sabers around in some of 248 00:13:12,720 --> 00:13:13,920 Speaker 2: the recent installments. 249 00:13:22,000 --> 00:13:23,679 Speaker 3: All right, would you like to do some weird house 250 00:13:23,679 --> 00:13:24,520 Speaker 3: cinema messages? 251 00:13:25,120 --> 00:13:26,000 Speaker 2: Sure? What do you got? 252 00:13:26,600 --> 00:13:30,120 Speaker 3: Let's see. Oh, here's one that we previously several episodes 253 00:13:30,160 --> 00:13:33,560 Speaker 3: back featured the ps from this message without the main body. 254 00:13:34,320 --> 00:13:37,080 Speaker 3: But this comes from Brian and it's in response to 255 00:13:37,679 --> 00:13:41,680 Speaker 3: the episode we did on Faster Pussycat Kill Kill. Brian says, 256 00:13:41,720 --> 00:13:44,400 Speaker 3: I was enjoying Faster Pussycat Kill Kill a few weeks 257 00:13:44,440 --> 00:13:46,880 Speaker 3: ago when I saw it on the feed and I 258 00:13:47,040 --> 00:13:52,200 Speaker 3: realized that I recognized Varla's voice. Varla is the main 259 00:13:52,559 --> 00:13:55,160 Speaker 3: character in the film, sort of the main villain, played 260 00:13:55,160 --> 00:13:59,600 Speaker 3: by the actress Tura Sitana, and she has, yeah, an 261 00:13:59,600 --> 00:14:03,080 Speaker 3: extra dreamly distinct voice and delivery style. She kind of 262 00:14:03,240 --> 00:14:07,440 Speaker 3: like just venomously spits out every line she says in 263 00:14:07,480 --> 00:14:11,720 Speaker 3: the movie, no matter how mundane A legend. Yeah, Well, 264 00:14:11,760 --> 00:14:14,240 Speaker 3: Brian goes on to say so he recognized Varla's voice. 265 00:14:14,280 --> 00:14:16,440 Speaker 3: He says it wasn't because I had seen the movie, 266 00:14:16,760 --> 00:14:19,760 Speaker 3: but because I grew up listening to White Zombie. Like 267 00:14:19,840 --> 00:14:22,360 Speaker 3: most metal loving teenagers who came of age in the 268 00:14:22,360 --> 00:14:24,960 Speaker 3: early nineties, I was a big fan and their major 269 00:14:25,040 --> 00:14:29,000 Speaker 3: label debut Las Sex or Cisto Devil Music Volume one, 270 00:14:29,440 --> 00:14:34,840 Speaker 3: Oh Oh, Rob Zombie and You and Your Title Selections 271 00:14:34,640 --> 00:14:39,640 Speaker 3: is filled with exploitation, horror and camp sound bites. Classics 272 00:14:39,880 --> 00:14:42,640 Speaker 3: like quote do you have to open graves to find 273 00:14:42,680 --> 00:14:46,120 Speaker 3: girls to fall in love with are so permanently fixed 274 00:14:46,120 --> 00:14:49,360 Speaker 3: in my brain they sometimes just fall out during conversation. 275 00:14:50,000 --> 00:14:52,560 Speaker 3: In the days before lyrics and audio were easy to 276 00:14:52,640 --> 00:14:56,160 Speaker 3: search and discover, we spent many fun weekends trading rumors 277 00:14:56,200 --> 00:15:00,240 Speaker 3: and stories about where these audio clips came from. And 278 00:15:00,280 --> 00:15:03,160 Speaker 3: then I think, as an example, like quote, my friend 279 00:15:03,200 --> 00:15:05,560 Speaker 3: told me there's a horror movie that his cousin saw 280 00:15:05,800 --> 00:15:09,600 Speaker 3: that contained the clips in thunder Kiss, and I think 281 00:15:09,640 --> 00:15:12,000 Speaker 3: that's one of the songs. Was like thunder Kiss sixty 282 00:15:12,000 --> 00:15:12,680 Speaker 3: five or something. 283 00:15:13,120 --> 00:15:13,760 Speaker 2: Yeah, that's the. 284 00:15:16,000 --> 00:15:19,040 Speaker 3: Yeah, yeah, yeah. This would lead us to search out 285 00:15:19,080 --> 00:15:22,080 Speaker 3: these movies and sparked an interesting classic horror that many 286 00:15:22,120 --> 00:15:24,480 Speaker 3: of us carry to this day. It's now common knowledge 287 00:15:24,480 --> 00:15:27,400 Speaker 3: that Rob Zombie grew up a fan of classic horror 288 00:15:27,440 --> 00:15:30,800 Speaker 3: and exploitation films, so there's not much mystery anymore. But 289 00:15:30,960 --> 00:15:34,520 Speaker 3: it's still fun to be watching something like Faster Pussycat 290 00:15:34,680 --> 00:15:37,520 Speaker 3: and be able to recite I never try anything, I 291 00:15:37,720 --> 00:15:41,000 Speaker 3: just do it as it comes on the screen. Thanks 292 00:15:41,040 --> 00:15:44,320 Speaker 3: for the trip down memory lane. Well yeah, I appreciate 293 00:15:44,400 --> 00:15:48,600 Speaker 3: this note. Brian. Whatever your full thoughts about Rob Zombie's 294 00:15:48,600 --> 00:15:51,560 Speaker 3: output as a filmmaker and musician. I think it's hard 295 00:15:51,600 --> 00:15:56,960 Speaker 3: to deny that his movie audio clips selection game is powerful. 296 00:15:57,800 --> 00:16:00,000 Speaker 2: Yeah. Yeah, And I really should have mentioned it because 297 00:16:00,120 --> 00:16:02,880 Speaker 2: is because I think, you know, I mean, I listened 298 00:16:02,880 --> 00:16:04,720 Speaker 2: to White Zombie and rob Zombie back in the day 299 00:16:04,760 --> 00:16:08,240 Speaker 2: as well, and there are a number of clips like 300 00:16:08,280 --> 00:16:10,520 Speaker 2: this that ultimately were my first exposure to some of 301 00:16:10,560 --> 00:16:12,880 Speaker 2: these movies. They just didn't know what the sound bites 302 00:16:12,920 --> 00:16:15,160 Speaker 2: were from. But I've always been a sucker for this, 303 00:16:15,320 --> 00:16:18,000 Speaker 2: whether you're dealing with metal, you know, whether you're dealing 304 00:16:18,040 --> 00:16:21,880 Speaker 2: with you know, a White Zombie or Electric Wizard, or 305 00:16:21,920 --> 00:16:26,600 Speaker 2: you're dealing with various DJs, you know, Depth Charge, DJ Food, 306 00:16:26,680 --> 00:16:30,720 Speaker 2: DJ Chiba, wax Factor, a lot of these guys, Pete Sasquatch, 307 00:16:31,000 --> 00:16:34,160 Speaker 2: you know, they I always love someone who doesn't just 308 00:16:34,240 --> 00:16:35,720 Speaker 2: you know, go in and get a few clips of 309 00:16:35,960 --> 00:16:38,560 Speaker 2: Kiple of easy clips. Anybody can sample Blade Runner and 310 00:16:38,600 --> 00:16:41,760 Speaker 2: it's great fun. I like the DJs and the musicians 311 00:16:41,800 --> 00:16:44,280 Speaker 2: who go deeper, you know, and they unearthed that little 312 00:16:44,320 --> 00:16:47,680 Speaker 2: sample that for the longest, especially before you know, the 313 00:16:47,960 --> 00:16:50,560 Speaker 2: resources were that robust online, you just had no idea 314 00:16:50,600 --> 00:16:52,560 Speaker 2: where they got it. They got it from another dimension 315 00:16:53,040 --> 00:16:55,440 Speaker 2: and within the texture of a song or a mix, 316 00:16:55,760 --> 00:16:57,360 Speaker 2: it takes on new energy and meaning. 317 00:16:58,000 --> 00:17:01,480 Speaker 3: It is one of the ways that like, the abundance 318 00:17:01,520 --> 00:17:04,800 Speaker 3: of information and media made available by the Internet has 319 00:17:04,880 --> 00:17:09,200 Speaker 3: made some other some types of experience is less special. 320 00:17:09,600 --> 00:17:11,639 Speaker 3: I think we've talked on the show before about how, like, 321 00:17:12,520 --> 00:17:15,280 Speaker 3: you know, the easy availability of any piece of music 322 00:17:15,320 --> 00:17:17,560 Speaker 3: you could want to listen to now sometimes makes it 323 00:17:17,600 --> 00:17:20,040 Speaker 3: feel less special when you discover a piece of music 324 00:17:20,080 --> 00:17:23,720 Speaker 3: you like and also like, even though I do appreciate 325 00:17:23,800 --> 00:17:26,280 Speaker 3: being able to look up where any clip of audio 326 00:17:26,400 --> 00:17:29,480 Speaker 3: comes from, in other cases, like I miss that mystery 327 00:17:29,520 --> 00:17:31,439 Speaker 3: of not being able to look that up and just 328 00:17:31,520 --> 00:17:33,440 Speaker 3: having it, Yeah, just be something out of the ether. 329 00:17:33,880 --> 00:17:35,760 Speaker 2: I think there are still some mysteries out there with 330 00:17:35,840 --> 00:17:38,880 Speaker 2: some samples, with maybe some of the less cataloged groups. 331 00:17:39,600 --> 00:17:42,200 Speaker 2: Occasionally I'll run across a sample and something and I'm like, wow, 332 00:17:42,240 --> 00:17:43,880 Speaker 2: I just I can't figure out what this is from 333 00:17:44,040 --> 00:17:47,800 Speaker 2: Good job, you found something obscure. All right, here's another 334 00:17:47,880 --> 00:17:51,600 Speaker 2: weird house cinema missive. This one comes to us from Richard. 335 00:17:56,600 --> 00:17:59,000 Speaker 2: Richard says, Hi, Robert and Joe, I have a couple 336 00:17:59,040 --> 00:18:02,520 Speaker 2: of suggestions for weird house cinema movies for your consideration. 337 00:18:03,119 --> 00:18:06,520 Speaker 2: The first is, and I hope I'm saying this correctly, 338 00:18:06,760 --> 00:18:09,439 Speaker 2: the title is R R R. Where am I supposed 339 00:18:09,440 --> 00:18:11,520 Speaker 2: to go? I don't know. 340 00:18:11,840 --> 00:18:13,119 Speaker 3: I think it's an acronym. 341 00:18:13,160 --> 00:18:16,560 Speaker 2: I think, okay, okay, because I've I have friends who 342 00:18:16,680 --> 00:18:19,199 Speaker 2: mentioned this one to me, but only over text, and 343 00:18:19,240 --> 00:18:20,800 Speaker 2: I don't think I've seen any media about it, so 344 00:18:20,840 --> 00:18:23,119 Speaker 2: I'm not sure how I'm supposed to tackle it anyway. 345 00:18:23,200 --> 00:18:27,159 Speaker 2: Rigid continues say larger than live action slash historical drama 346 00:18:27,160 --> 00:18:30,520 Speaker 2: slash musical Hollywood film written and directed by S. S. 347 00:18:30,680 --> 00:18:33,600 Speaker 2: Roja Mooley. I thought of it immediately when I was 348 00:18:33,720 --> 00:18:36,960 Speaker 2: listening to your episode on Piranha Mandir. I had the 349 00:18:36,960 --> 00:18:39,960 Speaker 2: good fortune of seeing R not once but twice in 350 00:18:40,000 --> 00:18:42,679 Speaker 2: the theater cranked up to full volume, and was absolutely 351 00:18:42,680 --> 00:18:47,080 Speaker 2: captivated by it. It's like a remix of Lawrence of Arabia, Indiana, Jones, 352 00:18:47,160 --> 00:18:50,959 Speaker 2: die Hard, and a capital F for family, fast and 353 00:18:51,000 --> 00:18:54,679 Speaker 2: furious Bromance. It's one of the greatest movie going experiences 354 00:18:54,760 --> 00:18:57,240 Speaker 2: of my life, and I highly recommend watching it, even 355 00:18:57,359 --> 00:18:59,040 Speaker 2: if you don't watch it for the show. 356 00:18:59,560 --> 00:19:02,120 Speaker 3: Oh, I'd be all four doing doing a Hollywood film 357 00:19:02,119 --> 00:19:03,720 Speaker 3: at some point, so yeah, that'd be great. 358 00:19:04,200 --> 00:19:05,879 Speaker 2: Yeah, everyone seemed to love this one. I think I 359 00:19:05,920 --> 00:19:08,560 Speaker 2: got a number of awards. I have friends who watched 360 00:19:08,560 --> 00:19:11,000 Speaker 2: it and really loved it. Uh you know, I've heard 361 00:19:11,119 --> 00:19:13,359 Speaker 2: I've heard praise from it for it from folks that 362 00:19:13,600 --> 00:19:16,600 Speaker 2: don't even watch a lot of films from India. So 363 00:19:16,720 --> 00:19:19,800 Speaker 2: it just seems to have like wide appeal. And I 364 00:19:19,840 --> 00:19:23,480 Speaker 2: want to say, there's somebody somebody of note. Uh uh 365 00:19:24,119 --> 00:19:26,000 Speaker 2: oh yeah, Ray Stevenson, isn't it. He plays like a 366 00:19:26,040 --> 00:19:29,440 Speaker 2: villain or something oh okay in one of his final performances, 367 00:19:29,480 --> 00:19:31,679 Speaker 2: So uh yeah, I'd be interested to check that one 368 00:19:31,720 --> 00:19:34,840 Speaker 2: out at some point. The second, he continues, is pure 369 00:19:34,840 --> 00:19:38,600 Speaker 2: weird house gold. The Happiness of the Kata Kurus from 370 00:19:38,640 --> 00:19:43,080 Speaker 2: extremely prolific Japanese filmmaker Takashi me E k a kind 371 00:19:43,160 --> 00:19:46,800 Speaker 2: of remake of the South South Korean movie The Quiet Family. 372 00:19:47,240 --> 00:19:49,480 Speaker 2: While he has a number of pictures that would fit 373 00:19:49,600 --> 00:19:52,880 Speaker 2: comfortably on the weird house list, Happiness of the Kata 374 00:19:52,960 --> 00:19:55,840 Speaker 2: Kurus is still one of my favorites. Part comedy, part horror, 375 00:19:55,880 --> 00:19:59,040 Speaker 2: part family drama, and with a healthy dose of musical 376 00:19:59,119 --> 00:20:02,560 Speaker 2: numbers and clamation scenes added in, it is fun. Highly 377 00:20:02,600 --> 00:20:06,240 Speaker 2: watchable and very weird. Thanks as always for the podcast. 378 00:20:06,240 --> 00:20:08,879 Speaker 2: I've been listening to you all for several years and 379 00:20:08,920 --> 00:20:11,920 Speaker 2: look forward to every iteration of the show throughout the week. 380 00:20:12,320 --> 00:20:15,240 Speaker 3: All the best, Richard, Well, Richard, thank you for the 381 00:20:15,280 --> 00:20:20,400 Speaker 3: recommendations and the kind words. Yes, I have. Somehow I've 382 00:20:20,480 --> 00:20:23,480 Speaker 3: never seen Happiness of the categories, but I've heard it. 383 00:20:23,480 --> 00:20:25,920 Speaker 3: It's been recommended to me. I feel like all my life, 384 00:20:25,960 --> 00:20:28,360 Speaker 3: since I was like a teenager, people have been saying, Joe, 385 00:20:28,400 --> 00:20:30,119 Speaker 3: You've got to see this movie, and for some reason, 386 00:20:30,160 --> 00:20:33,640 Speaker 3: I never have yet. But what I've always heard about 387 00:20:33,640 --> 00:20:36,720 Speaker 3: it is that it's great and it is super bizarre. 388 00:20:38,359 --> 00:20:41,640 Speaker 2: Yeah, I think I almost saw it several times. It's 389 00:20:41,640 --> 00:20:43,919 Speaker 2: one of those movies where it's long been on my 390 00:20:44,040 --> 00:20:46,840 Speaker 2: radar because I went through a phase where I did 391 00:20:46,880 --> 00:20:51,280 Speaker 2: watch several me e K films, though I tended at 392 00:20:51,280 --> 00:20:52,960 Speaker 2: the time, I was more into like, all right, give 393 00:20:53,000 --> 00:20:55,640 Speaker 2: me the give me the horror, give me the brutal 394 00:20:55,640 --> 00:20:59,800 Speaker 2: world of cinema. So I watched Audition, which is terrific 395 00:21:00,080 --> 00:21:04,720 Speaker 2: and very well crafted but also just very a very 396 00:21:04,800 --> 00:21:07,200 Speaker 2: rough watch in many respects. And I also watched It'sy 397 00:21:07,280 --> 00:21:10,400 Speaker 2: the Killer that was another one that you know, everybody 398 00:21:10,480 --> 00:21:13,440 Speaker 2: was into back in the day, and that one's hard 399 00:21:13,480 --> 00:21:16,640 Speaker 2: to watch in many places. But on the other hand, 400 00:21:16,680 --> 00:21:19,159 Speaker 2: I also remember watching his yokai film. It was The 401 00:21:19,200 --> 00:21:23,000 Speaker 2: Great Yo Kai War, which is a kind of goofy 402 00:21:23,160 --> 00:21:27,640 Speaker 2: family Yokai movie, and that was the one that opened 403 00:21:27,920 --> 00:21:29,760 Speaker 2: up my mind to the fact that, oh, yeah, this 404 00:21:29,840 --> 00:21:32,840 Speaker 2: is a this is a filmmaker that paints with more 405 00:21:32,920 --> 00:21:35,040 Speaker 2: than one color. You know, he has he has a 406 00:21:35,119 --> 00:21:40,320 Speaker 2: vast palette that he can use, and just international fans 407 00:21:40,359 --> 00:21:42,679 Speaker 2: don't necessarily realize everything that he offers. 408 00:21:43,160 --> 00:21:47,560 Speaker 3: Yeah, I'd be really interested in seeing more mek films 409 00:21:47,560 --> 00:21:52,040 Speaker 3: that don't involve just like high doses of awfulness and torture. Yeah. 410 00:21:52,119 --> 00:21:54,840 Speaker 2: Yeah, So maybe the happiness of the Kata Korus is 411 00:21:54,880 --> 00:21:57,160 Speaker 2: in our future, or we look at that Yokai film. 412 00:21:57,480 --> 00:21:59,960 Speaker 2: I'd be open to either one sounds great. I'm gay, 413 00:22:01,359 --> 00:22:03,399 Speaker 2: just probably not audition right, watch that one on the 414 00:22:03,480 --> 00:22:03,800 Speaker 2: out time. 415 00:22:03,880 --> 00:22:08,520 Speaker 3: Oh lord, okay, let's see. Should we wrap it up there? 416 00:22:09,200 --> 00:22:11,560 Speaker 2: Yeah, we'll go ahead and put a cap on it here. 417 00:22:12,080 --> 00:22:13,760 Speaker 2: But we'd love to hear from everyone out there if 418 00:22:13,760 --> 00:22:17,680 Speaker 2: you have thoughts about current future or past episodes of stuff. 419 00:22:17,720 --> 00:22:21,280 Speaker 2: Blow your mind, weird House, cinema, you name it. You 420 00:22:21,320 --> 00:22:23,480 Speaker 2: can reach out to us via email. We'll share that 421 00:22:23,520 --> 00:22:26,760 Speaker 2: in a second. We also mentioned in this episode that 422 00:22:26,800 --> 00:22:28,600 Speaker 2: somebody had reached out on Facebook. Well they did that 423 00:22:28,640 --> 00:22:30,840 Speaker 2: over the discussion module. That's our group. You can find 424 00:22:30,920 --> 00:22:33,200 Speaker 2: us there. You can also just follow us on Facebook 425 00:22:33,240 --> 00:22:38,000 Speaker 2: if you like. We're on Instagram. That's SDBYM podcast on Instagram. 426 00:22:38,400 --> 00:22:41,000 Speaker 2: And I also mentioned discord. If you would like access 427 00:22:41,000 --> 00:22:43,800 Speaker 2: to our discord server to interact with other fans and 428 00:22:43,840 --> 00:22:46,280 Speaker 2: other listeners, well you can just email us and we'll 429 00:22:46,320 --> 00:22:48,160 Speaker 2: send you the link so that you can join up there. 430 00:22:48,480 --> 00:22:52,440 Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway. 431 00:22:52,800 --> 00:22:54,280 Speaker 3: If you would like to get in touch with us 432 00:22:54,280 --> 00:22:56,680 Speaker 3: with feedback on this episode or any other, to suggest 433 00:22:56,840 --> 00:22:58,879 Speaker 3: topic for the future, or just to say hello, you 434 00:22:58,920 --> 00:23:01,479 Speaker 3: can email us at contact at stuff to Blow your 435 00:23:01,480 --> 00:23:09,399 Speaker 3: Mind dot com. 436 00:23:09,520 --> 00:23:12,480 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 437 00:23:12,560 --> 00:23:15,359 Speaker 1: more podcasts from My Heart Radio, visit the iHeartRadio app, 438 00:23:15,480 --> 00:23:18,240 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.