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Speaker 1: Today's show is pre recorded. Y'all know what time. I

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Speaker 1: don't know. Y'all have a sun giving them like the

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Speaker 1: million bucks things, and it's not true. Good Steve to mother,

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Speaker 1: I don't join joining me. You gotta use that turn

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Speaker 1: you you gotta turn to turn them out. Turn, you

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Speaker 1: got to turn them out. Then turn the water the

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Speaker 1: water got come come on your baby, huh. I shall

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Speaker 1: well a good morning everybody. You're listening to the voice,

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Speaker 1: come on dig me now, one and only Steve Harvey

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Speaker 1: got a radio show. Man, If if I had time

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Speaker 1: enough to tell the whole trip, the whole journey, and

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Speaker 1: y'all would be sitting up in there going okay to Steve,

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Speaker 1: are we gonna play the show this week? But man,

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Speaker 1: it's been a lot of amazing things has happened to

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Speaker 1: me over the years, and not all of them good.

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Speaker 1: It's been some amazingly bad things that have happened too.

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Speaker 1: But I just come on in the morning as a

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Speaker 1: reminder to everybody of the actual goodness of God, that

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Speaker 1: you know, man, that these mistakes that you're making, that

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Speaker 1: these setbacks that you keep having, that these falls that

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Speaker 1: keep occurring in your life, that they all are leading

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Speaker 1: you somewhere. If you just don't ever give up. That's

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Speaker 1: the key. You can never ever give up because you

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Speaker 1: don't know how the trip has been laid out for you.

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Speaker 1: You know, if somebody had told me years ago when

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Speaker 1: I had the dream of being on TV and then

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Speaker 1: I thought about being a one of one of the

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Speaker 1: best comedians I could be. You know, when I when

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Speaker 1: I started, if somebody had told me everything that was

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Speaker 1: gonna have to happen in order for me to get there,

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Speaker 1: I would have changed it. I would have I would

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Speaker 1: have said, Okay, well I ain't gonna be that. How

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Speaker 1: about this? See and no one can know all of

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Speaker 1: the events of their life ahead of time. You know,

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Speaker 1: it would be so nice, wouldn't it. You know, to

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Speaker 1: prepare for it, see it coming, be aware of the haters,

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Speaker 1: always knowing when the backstabbing moment is coming in your life,

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Speaker 1: always knowing when you're gonna get blindsided by the enemy.

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Speaker 1: We are really great to know that, wouldn't it. Well,

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Speaker 1: that's not how it works. So since no one knows

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Speaker 1: exactly the challenges and the pitfalls and the detours that's

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Speaker 1: going to be set them, it's it's it's imperative that

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Speaker 1: you just don't give up because see, knowing these things,

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Speaker 1: we as human beings by nature, would choose another route.

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Speaker 1: But it ain't the route God God for you, though.

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Speaker 1: See the route God God for you. If you if

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Speaker 1: you're trying to do the right thing, if you're doing

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Speaker 1: the best you can, if you ain't out here just

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Speaker 1: intentionally just messing over, folks, if you're using faith and

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Speaker 1: that's the belief in things that you cannot see. If

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Speaker 1: you have something on the inside of you to keep

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Speaker 1: saying there's got to be more to life than that,

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Speaker 1: then that's that's you. You, my friend, have a great chance.

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Speaker 1: And if you've ever had that feeling then gave up

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Speaker 1: on it, just get it back, Just ask for it back,

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Speaker 1: Just say, hey, man, I'm getting back to the way

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Speaker 1: I used to be because there's a change that's available

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Speaker 1: in your life. But you gotta take it. You gotta

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Speaker 1: take a shot at it. Folks. There's a chance for

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Speaker 1: you to get it right, but you gotta take a

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Speaker 1: shot at it. Folks. There's a chance for you to

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Speaker 1: turn this whole thing around with God's help, but you

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Speaker 1: gotta take a shot at it. You See, this decision

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Speaker 1: is yours. The decision to lay down and give up.

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Speaker 1: That's yours, it ain't. It just got too hard for me.

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Speaker 1: Life too much, man, life hard and too much for everybody.

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Speaker 1: What I gotta get you to see? My father used

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Speaker 1: to always tell me. He says, so best lessons in

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Speaker 1: life to burn your value and learn the most is

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Speaker 1: a bout lesson. I didn't quite understand that being young,

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Speaker 1: but I show got it now. Ain't no lesson like

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Speaker 1: a bout lesson, the one you pay for. Those are

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Speaker 1: the ones that hold to you, that stick to you,

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Speaker 1: that that that started turning you into who you're gonna be.

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Speaker 1: Those are the character builders. See, you got to be

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Speaker 1: forged to get to where you want to go in life.

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Speaker 1: So that's what the challenges and missteps is for. That's

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Speaker 1: what the failing is about. Now, I know you don't

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Speaker 1: like it. I didn't. I know you're not comfortable without

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Speaker 1: I wouldn't. I know you wish it was over sooner

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Speaker 1: than later. I always do. I always wanted to be

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Speaker 1: over sooner than later because the later manager seems like

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Speaker 1: it's so much I gotta go through. But let me

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Speaker 1: tell you something, man, if you can, if you can

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Speaker 1: forge your way through it, and understand that you are

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Speaker 1: forged in life. I don't know. I was on TBN

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Speaker 1: one time when I was doing one of my motivational speeches,

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Speaker 1: and I began to wonder about this experience I had.

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Speaker 1: It Ford Motor Company and my last job after the

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Speaker 1: auto industry started going down, my last job was in

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Speaker 1: the fountry and my job was to stand at the

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Speaker 1: end almost where the engines first come out of the furnace. See,

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Speaker 1: the engines are poured into a mold. It's hot, melted

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Speaker 1: down metal whatever they call it, lava or whatever. They

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Speaker 1: poured into a mole and it goes into this furnace

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Speaker 1: that's extremely hot. And my job was after the heat

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Speaker 1: was applied to the engine block, it would come through

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Speaker 1: and it would go through a hardening stage. But the

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Speaker 1: way it was hardening, they would cool it. Suddenly they

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Speaker 1: would flush it with water. It was just blast water

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Speaker 1: on it. But the fire and the high temperature is

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Speaker 1: what made the engine block solidified. It's because it's gotta

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Speaker 1: get real hot, get melted down first. Then it's got

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Speaker 1: to get poured into a mole. Then it's gotta be

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Speaker 1: pressure hit with water and all of this, and then

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Speaker 1: it could and it's real hot. Now it's still hot

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Speaker 1: even on this water been shutter. But when it comes

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Speaker 1: out the end of the side, there's a lot of

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Speaker 1: flashing in it. And flashing is a metal from that

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Speaker 1: didn't dripped through the cast molding on it, just like

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Speaker 1: flecks of extra pieces of metal. My job was to

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Speaker 1: hit this engine block in the front, which is huge,

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Speaker 1: heavy rubber mallet, knock all the flashing off the front,

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Speaker 1: and when it came around back to bam, hit it

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Speaker 1: real hard again on the backside. And that became the

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Speaker 1: core of what the car is. A car without a

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Speaker 1: great engine is nothing. It's just a pretty looking vehicle

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Speaker 1: over there. But if it can't do what it was

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Speaker 1: made to do because the engine block then cracked. So

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Speaker 1: you can have a car look real good, but if

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Speaker 1: it freezes an engine block crack your car, you can

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Speaker 1: it's over man. You gotta get a new block. The

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Speaker 1: block is the core. But in order for you for

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Speaker 1: the car to do what it's got to do, it's

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Speaker 1: got to have a strong engine in it. In order

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Speaker 1: for the engine to be strong, it's got to be

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Speaker 1: forged and steell, come through fire, get poured in a mole,

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Speaker 1: cooled off, heated, knocked around, beat on the front end,

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Speaker 1: beat on the back end. In order for it to

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Speaker 1: be what it's gonna be. The moul of the story, folks,

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Speaker 1: is you got to get forged in fire to be

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Speaker 1: what you gonna be. You got to get beat up,

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Speaker 1: you got to get pressure washed, you got to have

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Speaker 1: heat on you. You You gotta get melted down, you gotta

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Speaker 1: get poured into a mole. That's how you become who

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Speaker 1: you are. So the tough things that you're going through,

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Speaker 1: the difficult challenges and the setbacks. I know a brother

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Speaker 1: who went to prison, man, And the whole reason he

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Speaker 1: ended up going to prison because he was looking out

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Speaker 1: the loot window, looking out in the yard at him

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Speaker 1: working out. And then the next thing, you know, man,

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Speaker 1: this brother decided that he was gonna go out there

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Speaker 1: and work out. Well, guess what, he's one of the

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Speaker 1: top trainers in country today. You're listening show, ladies and gentlemen.

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Speaker 1: Undivided attention is all that's required here, nothing more. Uh

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Speaker 1: just not necessary to have good sense. Uh it's not

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Speaker 1: necessary to have common sense. Uh. Degrees or not needed,

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Speaker 1: um anything of any value. You just don't need it,

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Speaker 1: just just need you listening because this is the Steve

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Speaker 1: Harvey Morning Show. We need you to be open minded

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Speaker 1: and receptive to the foolishness that's about to go down.

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Speaker 1: Ladies and gentlemen, This is thus Steve Harvey Morning Show.

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Speaker 1: Make no mistake about it. Ain't no other one badder

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Speaker 1: than this hill. Let's get the stake start Sureley Strong, Hey,

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Speaker 1: Good morning, Steve. Kick it on over the caller for real.

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Speaker 1: Good morning, Steve, Hey, Chris, bring it on in to

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Speaker 1: the impressionable care junior space. Morning Uncle. I'm here, and

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Speaker 1: the ain't a foolishness, Ladies and gentlemen, Nephew, Tommy, I

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Speaker 1: love it. I love it, but no, that's how you started.

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Speaker 1: I love it. Let's go. Let's kick this morning off.

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Speaker 1: Yeah yeah, everything good? Yeah? How about with you? How

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Speaker 1: are you selling? I feel pretty good? Man? Feel pretty good? Um? Yeah,

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Speaker 1: I'm just like really really fine. You know, No, I

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Speaker 1: was just trying to think of how to describe it,

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Speaker 1: don't know. Let me ask you something, man, how often

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Speaker 1: you count your money? Though? Like once a week, once

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Speaker 1: they're two weeks, you go look at it and look

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Speaker 1: at your zero Did you hear what he said to him?

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Speaker 1: I don't ever do that. You don't never go look

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Speaker 1: at it like when you first okay, when you first

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Speaker 1: got it, did you go look at it? When is

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Speaker 1: it that it'll be where you can go see it

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Speaker 1: a viewing at least online? You know, you go pull

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Speaker 1: up your bank account. I thought you meant like look

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Speaker 1: at the actual money. Yeah, just put it up to

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Speaker 1: say okay, now I look at my bank accounts. You know. Well,

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Speaker 1: do you ever call down and say I want one

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Speaker 1: out this bank right now and then say I'm just playing. Well,

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Speaker 1: if you do, if you threaten me, I've done that before.

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Speaker 1: If you three, oh yeah, if you talk to me crazy, yo, yeah,

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Speaker 1: I throw you into something. Oh I won't get too

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Speaker 1: How many it brings trucks? Is that take all that?

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Speaker 1: I ain't never really had to do it, it said once,

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Speaker 1: And I ain't had that much, but I had enough

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Speaker 1: down there to be effective. So bank talk to me

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Speaker 1: crazy one time? Yeah, I just said, all right, no problem,

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Speaker 1: just let me have my money. You gotta have talk

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Speaker 1: to your manager. Let me talk to him. So I'll

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Speaker 1: be down the mall two thirty needed on in cash.

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Speaker 1: There's about six people in my house that evening. I'm

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Speaker 1: trying to get this together. Who said something to him?

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Speaker 1: We're gonna straighten us out right on who the hill.

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Speaker 1: It's the former employee here who made this mistake. I

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Speaker 1: said it correctly, the former employee here. Because you're done,

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Speaker 1: all right, listen, Yeah, coming up at thirty two after

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Speaker 1: the hour, more of this crazy ignorant show, Steve Harvey

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Speaker 1: Morning Show. Right after this, you're listening to Steve Harvey

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Speaker 1: Morning Show. All right, So Steve today, we're gonna start

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Speaker 1: off the show in a lighter note. Um, you know,

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Speaker 1: people still need your relationship and okay, still quarantined together. Okay,

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Speaker 1: but let me say this now, what since today I'm

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Speaker 1: gonna act a food I don't I don't know if

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Speaker 1: I can recommend advice I'm giving today, ready said goal,

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Speaker 1: don't even recommend it. This one's from Felicsa and Gary, Indiana.

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Speaker 1: She says, I'm twenty seven years old and I'm falling

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Speaker 1: in love with a forty six year old man. We

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Speaker 1: started hanging out a month ago and we're taking it slow.

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Speaker 1: My twenty seventh birthday was Friday, and we met for dinner.

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Speaker 1: He said he knows a man should never ask a

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Speaker 1: woman her age, but since it was my birthday. He

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Speaker 1: was curious. I told him I was twenty seven. This

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Speaker 1: man flipped out and said, he's glad we didn't have

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Speaker 1: sex because he has a daughter that's almost my age.

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Speaker 1: He thought I was at least thirty five because of

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Speaker 1: the way I carried myself. I'm so hurt because I

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Speaker 1: never had a problem with him being older. What does

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Speaker 1: my age matter? Why does my age matter? Don't you

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Speaker 1: don't have a problem with him being older. He got

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Speaker 1: the problem with you being younger. You know, let's just

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Speaker 1: talk about a couple of things. You know you said,

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Speaker 1: he said he thought you with thirty five? How you dressing?

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Speaker 1: What you got on? Got this man thinking you thirty five?

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Speaker 1: How is your half style? You have bangs? Ain't then

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Speaker 1: we're wrong with bangs? But do you have a bang?

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Speaker 1: And flip? There coming back? They're making a comeback? Are

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Speaker 1: your heels maximum two inch heels? I'm just saying there's

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Speaker 1: some things that would make him think you was old dirt.

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Speaker 1: I would if I were you, I would be a

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Speaker 1: little hurt. The hurtful thing is a man thinking you

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Speaker 1: much older than you really are. Let me at one

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Speaker 1: last question. Do you drink heavy? But if you twenty seven,

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Speaker 1: then look thirty five to the forty six year old.

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Speaker 1: That's all I'm saying. Next. All right, this is from

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Speaker 1: bad in Charlotte, North Carolina. She says, I've been dating

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Speaker 1: a man for three years, and I know he loves me,

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Speaker 1: but he doesn't trust me. Last year, he admitted to

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Speaker 1: putting a tracker on my phone and a camera in

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Speaker 1: my house when he suspected I was cheating. I have

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Speaker 1: a I have limited freedom, and he goes everywhere I go.

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Speaker 1: I love the attention, but sometimes I feel like he's

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Speaker 1: smothering me. My friends say, he's only going to get

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Speaker 1: crazier if we stay together. How can I get him

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Speaker 1: to relax and give me some space? Relax? He got

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Speaker 1: a tracker on your car and cameras in your phone.

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Speaker 1: You're gonna relax? That right where you gonna relax. You're

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Speaker 1: taking your clothes off. He watches you're in a bathroom,

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Speaker 1: he watches see you go to the stove. He watches.

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Speaker 1: Your friends are right, is only gonna get worse. He

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Speaker 1: gonna take you down to the vet and get that

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Speaker 1: little pillet put in you that you put in your dog.

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Speaker 1: You're gonna end up. Yeah, you're gonna mess around and

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Speaker 1: go outside and gonna have a visit fence and what

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Speaker 1: and the visit fence. Whereas when you walk over there

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Speaker 1: to the neighbor, then that shot hit you out. Yeah,

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Speaker 1: well she wants her space. How can she get him

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Speaker 1: to give her? It ain't no space. You got a

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Speaker 1: tracker and cameras. Yeah. Next, next he gonna buy you

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Speaker 1: one of them police bracelets and put it on your ankle. Yeah,

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Speaker 1: your friends are right, it's going to get worse. You

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Speaker 1: can't get him to relax. He's what's called insecure. Right,

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Speaker 1: we had one of them on this show. He can

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Speaker 1: did a whole movie about it, right, Right, Tommy, he's insecure.

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Speaker 1: But he doesn't go that even Tommy doesn't go this. No,

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Speaker 1: he don't go that far at all. Yeah, she needs

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Speaker 1: to get out. Don't don't make any serious future plans

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Speaker 1: with this guy. You're right, Steve. This one's from Michelle.

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Speaker 1: She's an iHeart radio app listener. Hey Michelle. She says,

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Speaker 1: I'm a forty five year old woman and I've been

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Speaker 1: married to a man child for six years. The quarantine

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Speaker 1: has brought out a side of him that I can't stand.

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Speaker 1: If things don't go his way. He pouts for days

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Speaker 1: if he wants to have sex and I'm not in

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Speaker 1: the mood. He was whole sex from me for days.

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Speaker 1: If I cook and it's not what he wants, he

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Speaker 1: leaves and picks up food. We always have to watch

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Speaker 1: the shows he picks. And I've been asking him to

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Speaker 1: clean up behind himself, and he always tells me if

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Speaker 1: I come help him cut the grass, he'll help me

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Speaker 1: clean up the house. How can I get him to

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Speaker 1: grow up? Really? The voice? Now leave him, it's over.

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Speaker 1: He's not going to change you something. Why would he

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Speaker 1: for six years? Yeah, well you know you want six

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Speaker 1: more years of is? Well, she's thinking it's the quarantine

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Speaker 1: Steve that's brought out the side of him. Well, you know,

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Speaker 1: quarantine can't bring out nothing that ain't there. Hello, you

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Speaker 1: don't develop nothing in quarantine. Now you're just in there

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Speaker 1: with yourself. You have been allowed to see more of

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Speaker 1: who he really is. Yeah, quarantine ain't bought out nothing.

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Speaker 1: It's just you got to sit there and see it

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Speaker 1: up close. Now he ain't at work. But after six

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Speaker 1: years keep in that way, you just couldn't see it

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Speaker 1: because y'all was busy quarantine, peeled back the curtain, baby.

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Speaker 1: A lot of neckd bananas walking around now, no skiing

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Speaker 1: on it? Yeah, praising. Why do they only have to

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Speaker 1: watch the shows he wants to watch? They only have

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Speaker 1: one TV? I mean, you know, and even if they did,

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Speaker 1: what I'm saying is that's selfish, right, that's crazy. You

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Speaker 1: know you probably want to watch TV with man together together. Okay,

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Speaker 1: what's listen. Divorce has is for reason. That's why they

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Speaker 1: got it. It's when you get it moments like this

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Speaker 1: and you realize you're married to a man child and

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Speaker 1: you just want the man. Uh huh he powder because

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Speaker 1: he don't have sex? Did he with whole sex from you?

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Speaker 1: We're playing this game at the house that is so childish.

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Speaker 1: All right, all right, we gotta get out of here.

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Speaker 1: Thank you, cello. You're listening to Steve Harvey Morning Show.

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Speaker 1: Right now. It is time for the nephew to step

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Speaker 1: in and run that prank back what you got for

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Speaker 1: his nest? All right, let's go, uh, don't leave this

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Speaker 1: house again. Let's go. Care dog. Hello, Yeah, I'm trying

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Speaker 1: to speak to Angel. Please listen, Angel, how you doing.

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Speaker 1: My name is Randy. I live in in the apartment

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Speaker 1: building that you live in. How you doing today? I'm

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Speaker 1: doing okay? Something wrong? Well, we got a little bit

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Speaker 1: of a problem. I know it's a lot going on

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Speaker 1: right now, you know, the with the virus and all,

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00:21:11,480 --> 00:21:14,960
Speaker 1: but it's been brought to my attention. I talked to

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Speaker 1: the doorman and he was telling me, you're the only

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Speaker 1: person i've really seen going in and out of the building.

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Speaker 1: Where exactly do you work? If you don't mind me asking,

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Speaker 1: miss angel, I actually do mind you asking. Can you

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Speaker 1: tell me why you're concerned about where I work and

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Speaker 1: where I'm going? Okay, so here's a deal. Like, you know,

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Speaker 1: we're all concerned about, you know, this whole virus thing.

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Speaker 1: I'm noticing you going in and out this building every day.

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Speaker 1: Every day you're going in and out, and I noticed that.

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Speaker 1: So I asked the door man about you, and he

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Speaker 1: said something about that you had to go to work

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Speaker 1: or you you know, you got one of those jobs

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Speaker 1: that you you gotta be there or something like that.

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Speaker 1: I don't know, but yes, I'm an essential worker. But wait,

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Speaker 1: so where did you get my number from? I asked

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Speaker 1: around to a few of the neighbors that live on

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Speaker 1: your floor and somebody. I just told him I was concerned.

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Speaker 1: I wanted to talk to you about it. So my

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00:22:12,240 --> 00:22:15,359
Speaker 1: problem is this, We're trying to keep this whole apartment

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Speaker 1: building safe, but you're going in and out of it.

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Speaker 1: Does not make it safe for us. You know, you

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Speaker 1: you kind of need to stay at home right now

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Speaker 1: until all of this is over. It. Are you telling

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Speaker 1: me what I need to do? Is that what I'm

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Speaker 1: telling you what you need to do in the safety

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Speaker 1: for the apartment building. That's what I'm saying. You don't

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Speaker 1: need to lead this. You don't need to lead a

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Speaker 1: house no more. Oh I am not throwing today. Listen,

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Speaker 1: unless you are going to tell me that you are

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Speaker 1: going to pay my rent and my bills and take

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Speaker 1: care of my daughter, you need to mind your do

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Speaker 1: in business. I can come and go as I did more.

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Speaker 1: Please now, you're not going to keep bringing it to see.

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Speaker 1: See that's what that's my problem. And see that's the

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00:22:56,720 --> 00:22:59,080
Speaker 1: attitude I don't like. See if you're coming in and

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Speaker 1: out of this build and bringing we don't know if

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00:23:01,560 --> 00:23:04,280
Speaker 1: you're bringing something in here or not. That's the problem

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Speaker 1: I have with this. And that's why I'm calling a

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Speaker 1: problem with with eating food every day because I work

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Speaker 1: in a grocery store. Do you have a problem with

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Speaker 1: making sure that the shelves are stocked? You work at

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Speaker 1: the grocery stow. I do work at the grocery store.

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Speaker 1: So you around all them people, and then you're coming

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Speaker 1: back to this apartment building, and I'm also around all

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Speaker 1: the food that you probably eat. What's your point? The

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Speaker 1: point let your hauls up in there eating cantuna from

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Speaker 1: two years ago, rice and beans. I'm pretty sure your

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Speaker 1: food came from the grocery store. So essential workers like

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Speaker 1: me are crucial to keep those stores open. Listen, listen,

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Speaker 1: I understand. But as far as you know, I'm I'm

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Speaker 1: I'm part of the team that that controls all the

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Speaker 1: people in the building. As far as the native, I think,

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Speaker 1: I think you misunderstand who you might think you are

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Speaker 1: to me, you know, boy, To me, you're just a neighbor.

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Speaker 1: You don't control anything. You don't control where I go,

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Speaker 1: who I go with, when I go, when I come.

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Speaker 1: You don't control any of that. So I don't know

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Speaker 1: what you think you might control. Let me say this

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Speaker 1: end of the day, you need to keep your ass

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Speaker 1: at home until this is over with that's it. That's

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Speaker 1: not You're gonna make a waiting for you. I'll be

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00:24:19,359 --> 00:24:21,320
Speaker 1: waiting for that check, for the rent and for my buildings.

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Speaker 1: So when you fly that underneath the door, I'll do

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Speaker 1: as you leave. I'm not coming, don't I'm not coming

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Speaker 1: nowhere neatly exactly. Let me say this here. If I

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Speaker 1: if I see you lead you building again, we're not

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Speaker 1: letting you back in. You are? Is this you have

385
00:24:43,000 --> 00:24:46,040
Speaker 1: lost your mind? Are you kidding me? No, I'm not

386
00:24:46,160 --> 00:24:49,560
Speaker 1: kidding you, because we see, see, see and see. This

387
00:24:49,640 --> 00:24:52,280
Speaker 1: is the attitude I don't like. Is somebody not taking

388
00:24:52,280 --> 00:24:55,800
Speaker 1: this serious? Attitude? You don't like? I pay rent here?

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00:24:55,960 --> 00:24:58,159
Speaker 1: I have always paid rent here, and me and my

390
00:24:58,240 --> 00:25:00,879
Speaker 1: daughter lived here, and we mind our business. You weren't

391
00:25:00,880 --> 00:25:03,200
Speaker 1: gonna tell me when I go income and when I'm

392
00:25:03,200 --> 00:25:05,359
Speaker 1: gonna get into my own apartment, get out of here?

393
00:25:05,400 --> 00:25:08,200
Speaker 1: What's wrong with you? Listen? I'm gonna say this to you.

394
00:25:08,400 --> 00:25:10,800
Speaker 1: If you're not gonna abide by what I'm telling you

395
00:25:10,920 --> 00:25:13,960
Speaker 1: that I'm you already know. Is you and your daughter

396
00:25:14,040 --> 00:25:18,679
Speaker 1: Christie up there? I would tell her, I don't. Are

397
00:25:18,720 --> 00:25:22,880
Speaker 1: you and your daughter Christy? What? What? Okay? I don't

398
00:25:22,880 --> 00:25:25,159
Speaker 1: know who you think you were talking to. But I

399
00:25:25,280 --> 00:25:27,840
Speaker 1: know you are not saying my daughter's name. You need

400
00:25:27,880 --> 00:25:31,120
Speaker 1: to mind your mother's business. Me and my child are

401
00:25:31,200 --> 00:25:34,240
Speaker 1: my business. You and whoever is your business need to

402
00:25:34,280 --> 00:25:37,440
Speaker 1: stay over there and leave me and my family alone.

403
00:25:37,520 --> 00:25:39,600
Speaker 1: I cannot believe you up in here talking about my kid.

404
00:25:39,640 --> 00:25:43,000
Speaker 1: Are you you losh your mind? You must to wash

405
00:25:43,040 --> 00:25:45,000
Speaker 1: your mind? What you need? Did you say you listen?

406
00:25:45,440 --> 00:25:49,359
Speaker 1: I didn't say what unit I lived in. I didn't

407
00:25:49,400 --> 00:25:51,800
Speaker 1: say that. Okay, Well go ahead and tell me because

408
00:25:51,800 --> 00:25:53,520
Speaker 1: you've got so much to say. You got such a

409
00:25:53,520 --> 00:25:55,800
Speaker 1: problem with my mother and attitude. Okay, Well we can

410
00:25:55,840 --> 00:26:00,320
Speaker 1: have conversations face to face. How about that what you

411
00:26:00,400 --> 00:26:02,760
Speaker 1: was at work the other day? I already talked to Christie.

412
00:26:02,960 --> 00:26:05,040
Speaker 1: I was at work. What I do you know my

413
00:26:05,119 --> 00:26:08,520
Speaker 1: work schedule because I see you when you leave. But

414
00:26:08,560 --> 00:26:10,600
Speaker 1: I talked, I talked to you. I talked to your

415
00:26:10,680 --> 00:26:15,480
Speaker 1: daughter Christie when you left the other day. Okay, all right,

416
00:26:15,560 --> 00:26:18,719
Speaker 1: so this is clearly a problem. You got me stuff

417
00:26:19,040 --> 00:26:21,440
Speaker 1: because you need to mind your business, and I don't

418
00:26:21,600 --> 00:26:25,480
Speaker 1: ed bur want to hear anything about you think anything

419
00:26:25,640 --> 00:26:29,520
Speaker 1: near my daughter. You clearly have a stuff. Okay, but

420
00:26:29,680 --> 00:26:32,639
Speaker 1: your daughter your daughter Christie is the one that told

421
00:26:32,680 --> 00:26:36,440
Speaker 1: me to call you. I am sorry what your daughter

422
00:26:36,520 --> 00:26:39,080
Speaker 1: Christie told me to call you. Matter of fact, she

423
00:26:39,200 --> 00:26:42,000
Speaker 1: told me to prank call you. This is Nephew Tommy

424
00:26:42,040 --> 00:26:44,760
Speaker 1: from the Steve Harvey Morty Show. Angel. You just got

425
00:26:44,800 --> 00:27:00,480
Speaker 1: pranked by your daughter Christie. Girl, Wait a minute, it's

426
00:27:00,480 --> 00:27:03,600
Speaker 1: a joke. Angel, It's a joke. Baby, Your daughter Christy

427
00:27:03,720 --> 00:27:06,879
Speaker 1: got me to prank you. Baby. M Okay, y'alling right

428
00:27:06,880 --> 00:27:13,680
Speaker 1: for this. I'm gonna get hurt. Oh okay, okay, okay,

429
00:27:15,960 --> 00:27:20,760
Speaker 1: this is not the time for this book. Are on

430
00:27:21,000 --> 00:27:26,159
Speaker 1: edge right now. I'm trying to I'm trying to loosen

431
00:27:26,280 --> 00:27:28,560
Speaker 1: up to age missus. Angel, That's all I'm trying to do.

432
00:27:28,600 --> 00:27:33,200
Speaker 1: I'm just trying to lose. Tell me twenty twenty, baby,

433
00:27:33,200 --> 00:27:35,159
Speaker 1: twenty twenty. What is the baddest and I mean the

434
00:27:35,200 --> 00:27:43,000
Speaker 1: baddest radio show in the land. Steve Harvey Show. All right,

435
00:27:43,040 --> 00:27:47,119
Speaker 1: thank you, coming up, I'm gonna come on more of

436
00:27:47,160 --> 00:27:50,120
Speaker 1: the Steve Harvey Morning Show coming up right after this.

437
00:27:50,680 --> 00:27:55,879
Speaker 1: You're listening to Steve Harvey Morning Show. All right, So

438
00:27:56,000 --> 00:27:58,800
Speaker 1: here's the question, guys, should we really ever blame the

439
00:27:58,920 --> 00:28:02,120
Speaker 1: other woman or or the other man. Now, every time

440
00:28:02,160 --> 00:28:05,280
Speaker 1: we hear that someone was left they were cheated on

441
00:28:05,359 --> 00:28:08,480
Speaker 1: with another man or woman, folks, always we always blame

442
00:28:08,560 --> 00:28:12,080
Speaker 1: the person. Uh, we always blame that person first. Then

443
00:28:12,160 --> 00:28:14,960
Speaker 1: they blame the significant other, the spouse. We always blame

444
00:28:14,960 --> 00:28:17,960
Speaker 1: the woman first. I mean, and that's down down through history.

445
00:28:18,080 --> 00:28:20,960
Speaker 1: So so the question is who really should get the blame.

446
00:28:21,920 --> 00:28:26,840
Speaker 1: I think there's enough blame to go around, quite frank, Yeah,

447
00:28:26,880 --> 00:28:30,320
Speaker 1: but you know this is crazy, but normally the woman

448
00:28:30,600 --> 00:28:33,240
Speaker 1: is always the blame. I mean when you think about it,

449
00:28:33,240 --> 00:28:37,840
Speaker 1: down through history, people mostly blame the woman. Yeah, yeah,

450
00:28:37,880 --> 00:28:40,160
Speaker 1: so the So then the question is like, okay, so

451
00:28:40,200 --> 00:28:44,440
Speaker 1: if you're in a relationship and you leave that relationship

452
00:28:44,480 --> 00:28:47,920
Speaker 1: to get with someone else, whole's fault is it? Is

453
00:28:47,920 --> 00:28:51,120
Speaker 1: it the new person's fault, you know, the woman's fault,

454
00:28:51,280 --> 00:28:54,360
Speaker 1: or is it the man's fault for leaving and hurting

455
00:28:54,760 --> 00:28:57,640
Speaker 1: his significant other? You mean, but what I mean, but

456
00:28:57,760 --> 00:29:00,680
Speaker 1: he had to have had you're saying, a relationship with

457
00:29:00,680 --> 00:29:04,280
Speaker 1: this other person before he left his significant other, right

458
00:29:04,360 --> 00:29:09,960
Speaker 1: yeah yeah, yeah, so he was cheating Yeah yeah the person. Well,

459
00:29:10,160 --> 00:29:15,520
Speaker 1: you know, look, whoever is in the supposed committed relationship

460
00:29:16,320 --> 00:29:20,800
Speaker 1: is to blame for breaking the commitment. That's you know, Look,

461
00:29:20,880 --> 00:29:24,560
Speaker 1: you're not You're not. Look, you can't blame the other person.

462
00:29:24,960 --> 00:29:28,800
Speaker 1: The other person ain't promised you nothing. The other other

463
00:29:28,840 --> 00:29:33,360
Speaker 1: person didn't take no vows. The other person didn't promise

464
00:29:33,400 --> 00:29:37,880
Speaker 1: you nothing. You'll directed anger should be at the person

465
00:29:38,040 --> 00:29:41,360
Speaker 1: who broke the commitment to you, who broke your trust.

466
00:29:42,120 --> 00:29:44,520
Speaker 1: That's your problem. Now you can feel now if you

467
00:29:44,640 --> 00:29:47,280
Speaker 1: see her, you're gonna have problem with her. Because she

468
00:29:47,400 --> 00:29:49,640
Speaker 1: knew that you were in a relationship. Why didn't she

469
00:29:49,720 --> 00:29:52,720
Speaker 1: leave you alone? That that's the other argument, you know

470
00:29:52,760 --> 00:29:54,880
Speaker 1: what I'm saying, that's the argument on the other side, Well,

471
00:29:54,920 --> 00:29:57,400
Speaker 1: she knew we were in a relationship, why was she

472
00:29:57,520 --> 00:29:59,440
Speaker 1: in it? And she already knew he had a girl

473
00:29:59,560 --> 00:30:02,480
Speaker 1: or vice? Why did he pursue it is the bigger question.

474
00:30:03,040 --> 00:30:06,080
Speaker 1: But because see, if it wasn't her, it would have

475
00:30:06,120 --> 00:30:08,920
Speaker 1: been somebody else. Because if he's in the pursue other

476
00:30:08,920 --> 00:30:12,560
Speaker 1: women's business, it doesn't matter that it's her. If it's

477
00:30:12,600 --> 00:30:15,440
Speaker 1: not her, it's gonna be somebody else. He pursued, right, yeah,

478
00:30:15,480 --> 00:30:18,600
Speaker 1: because he in the pursue game. But the women, so

479
00:30:19,280 --> 00:30:22,160
Speaker 1: most of the time, gets blamed, get blamed for that

480
00:30:22,200 --> 00:30:25,480
Speaker 1: women do. She knew we were in a relationship that

481
00:30:25,960 --> 00:30:28,400
Speaker 1: women don't usually blame the men off the men's cheat,

482
00:30:28,600 --> 00:30:31,800
Speaker 1: I mean after the fact. Yeah, but and they go

483
00:30:31,880 --> 00:30:33,800
Speaker 1: so far as to take the man back that is

484
00:30:33,880 --> 00:30:38,840
Speaker 1: cheated on. Yah. Yeah, but the woman is outcast. Yeah,

485
00:30:39,160 --> 00:30:43,920
Speaker 1: they threw with her. Yeah they're done. So you said,

486
00:30:44,000 --> 00:30:47,520
Speaker 1: blame the person that with the commitment. I agree with that. Yeah,

487
00:30:48,760 --> 00:30:51,240
Speaker 1: that's how it should pursue. That's how it should go.

488
00:30:51,320 --> 00:30:56,760
Speaker 1: But it doesn't often go that way. You're right though, Yeah,

489
00:30:57,360 --> 00:31:01,560
Speaker 1: Well I blame my best friend for breaking a breaking

490
00:31:01,640 --> 00:31:06,560
Speaker 1: up what relationship he dated? He ended up messing around

491
00:31:06,600 --> 00:31:09,240
Speaker 1: with my girlfriend long, long time ago, But I blame

492
00:31:09,400 --> 00:31:14,000
Speaker 1: his ass. I did. Junior. Well, don't don't say that.

493
00:31:14,080 --> 00:31:17,760
Speaker 1: Timing is everything's so personal on this show. I know

494
00:31:17,920 --> 00:31:19,840
Speaker 1: I'm trying, but he knows who it is to see

495
00:31:19,880 --> 00:31:23,360
Speaker 1: we comedian, that's how we we. We that jukes come

496
00:31:23,400 --> 00:31:31,920
Speaker 1: from this therapy, jumps that come from that highway. Yeah.

497
00:31:31,560 --> 00:31:34,640
Speaker 1: I come back and then I catch them kissing on

498
00:31:34,720 --> 00:31:37,520
Speaker 1: the couch, like, oh Tom, But they looked at me

499
00:31:37,600 --> 00:31:39,240
Speaker 1: like you're gonna put that in the kitchen. No, I'm

500
00:31:39,240 --> 00:31:45,440
Speaker 1: not gonna put that in the kitchen. Timing, you know,

501
00:31:45,320 --> 00:31:52,479
Speaker 1: you know, he looking like days timing, looking like, are

502
00:31:52,480 --> 00:31:54,160
Speaker 1: you gonna put that down right there? No? I just

503
00:31:54,160 --> 00:31:58,600
Speaker 1: caught you kissing my girl. Yeah, you went to the

504
00:31:58,640 --> 00:32:01,760
Speaker 1: store and something. Yeah, and you left them alone in

505
00:32:01,800 --> 00:32:05,000
Speaker 1: the house. Yeah, and you come but this is your boy,

506
00:32:05,200 --> 00:32:08,800
Speaker 1: did you come back? You dog? You don't ever say, oh, man,

507
00:32:08,800 --> 00:32:10,760
Speaker 1: you got to be kidding me. But he looked at

508
00:32:10,760 --> 00:32:13,720
Speaker 1: me and allays something, Man, what's up? Man? You're gonna

509
00:32:13,760 --> 00:32:15,360
Speaker 1: put that in the kitchen. Now you're leaving like you're

510
00:32:15,360 --> 00:32:16,960
Speaker 1: gonna put that in the kitchen, like the grace is

511
00:32:17,000 --> 00:32:21,360
Speaker 1: going in the kitchen right now, the cocacoa. If you

512
00:32:21,520 --> 00:32:23,600
Speaker 1: whip the ass back then, like I said, we wouldn't

513
00:32:23,640 --> 00:32:26,920
Speaker 1: be in comb Everything gets violence. That's how you get paid.

514
00:32:29,920 --> 00:32:33,480
Speaker 1: If I walk in to my house and my partner

515
00:32:33,560 --> 00:32:36,760
Speaker 1: kissing my girl on the couch, yeah, it's gonna be

516
00:32:36,800 --> 00:32:39,760
Speaker 1: some hell up in him, It's gonna be some real

517
00:32:39,800 --> 00:32:43,360
Speaker 1: hell up in him, because dog, my house dog, and

518
00:32:43,520 --> 00:32:46,160
Speaker 1: you think less of me. You don't even have enough

519
00:32:46,200 --> 00:32:49,200
Speaker 1: respect for me. You already disrespecting me with my girl,

520
00:32:49,240 --> 00:32:51,760
Speaker 1: and so is she disrespecting me with you. But you're

521
00:32:51,760 --> 00:32:55,040
Speaker 1: gonna come in my house like I ain't nothing. Oh

522
00:32:55,200 --> 00:32:59,680
Speaker 1: gnaw dog, I promise you me and your asses at wall.

523
00:33:00,400 --> 00:33:04,200
Speaker 1: But see, and that's normally what happens, Steve, that's normally

524
00:33:04,240 --> 00:33:08,400
Speaker 1: what happens. That's that's normally what happens. What you just said.

525
00:33:08,720 --> 00:33:12,360
Speaker 1: But earlier you said it's the responsibility of the one

526
00:33:12,400 --> 00:33:15,480
Speaker 1: who's in the commitment. Yeah, but see now if here

527
00:33:15,640 --> 00:33:21,760
Speaker 1: you see it and see exception, it's a double standard. No,

528
00:33:21,880 --> 00:33:24,000
Speaker 1: I get it, but I'm saying it ain't no double standard.

529
00:33:24,400 --> 00:33:27,640
Speaker 1: This is what Okay, go ahead, finish your thought. Now

530
00:33:27,680 --> 00:33:33,000
Speaker 1: I'm listening to me. Now we're in this here. But

531
00:33:33,200 --> 00:33:36,760
Speaker 1: now if you might do yeah, and I know you

532
00:33:37,360 --> 00:33:41,360
Speaker 1: see now we got to go into man code. Man

533
00:33:41,400 --> 00:33:45,040
Speaker 1: code is you don't do your boys. Girl. It's too

534
00:33:45,080 --> 00:33:48,800
Speaker 1: many women out here that's available. So now you over

535
00:33:48,880 --> 00:33:53,040
Speaker 1: here in mind. Then you in my house. Yeah, that's

536
00:33:53,040 --> 00:33:55,440
Speaker 1: what happened to care same thing. Why wasn't that my house?

537
00:33:55,720 --> 00:33:58,800
Speaker 1: It was her house? Yeah? Well, oh I was a comedian,

538
00:33:58,840 --> 00:34:01,920
Speaker 1: you know, I just thought I I went just for Shelton,

539
00:34:02,040 --> 00:34:04,920
Speaker 1: But it was your friend though. You don't you understand

540
00:34:05,080 --> 00:34:07,760
Speaker 1: we had to stay at plate and fush that's this

541
00:34:08,800 --> 00:34:14,440
Speaker 1: yere you where you girl. I love four places. When

542
00:34:14,480 --> 00:34:16,960
Speaker 1: I was homeless, man, I probably told about six girls

543
00:34:17,000 --> 00:34:20,399
Speaker 1: I was in and they believed you in leg because

544
00:34:20,400 --> 00:34:24,160
Speaker 1: I had to let me stay that I love you nice.

545
00:34:24,440 --> 00:34:26,759
Speaker 1: So they come home where I'll be cooking everything. You'll

546
00:34:26,760 --> 00:34:30,920
Speaker 1: be doing everything. Yeah, and just just just not that Junior.

547
00:34:30,920 --> 00:34:34,239
Speaker 1: We can steal with his he's still around you, all right,

548
00:34:34,400 --> 00:34:42,480
Speaker 1: all right in Houston. We gotta go. You're listening show

549
00:34:43,320 --> 00:34:45,640
Speaker 1: all right now, guys, it's time for something funny. So

550
00:34:45,920 --> 00:34:49,960
Speaker 1: Steve Jay, Tommy Junior, Uh, you're here, Explain this, Jake.

551
00:34:50,000 --> 00:34:53,200
Speaker 1: It's called awkward situation. Awkward situations. We've all been in

552
00:34:53,320 --> 00:34:56,279
Speaker 1: awkward situations. Set it up. I want the fellas to

553
00:34:56,360 --> 00:34:59,080
Speaker 1: add to it. Here one, here's the first one. You

554
00:34:59,160 --> 00:35:02,160
Speaker 1: with your boy, You and your boy riding you decide

555
00:35:02,160 --> 00:35:04,560
Speaker 1: to go pick up your girl. Now he won't get

556
00:35:04,600 --> 00:35:08,840
Speaker 1: in the back seat. He sits his ass in the middle. Awkward,

557
00:35:09,320 --> 00:35:13,680
Speaker 1: been there here in the middle of me and my girl? Yeah?

558
00:35:14,320 --> 00:35:17,920
Speaker 1: Is that what you? We gotta get him, but out

559
00:35:17,920 --> 00:35:21,640
Speaker 1: of the car, garth. He can't roll with us. He

560
00:35:21,719 --> 00:35:27,160
Speaker 1: screwed over. No, you ain't up under me? Do you

561
00:35:27,320 --> 00:35:35,280
Speaker 1: up under me? Why is your hands in your lap situation.

562
00:35:35,560 --> 00:35:41,759
Speaker 1: You and your girl upstairs getting busy, just making noise. Yeah,

563
00:35:42,400 --> 00:35:54,080
Speaker 1: you come downstairs. You thought her parents were gone. Words, Poppy,

564
00:35:54,200 --> 00:35:59,279
Speaker 1: still here your mama, but they're looking upside your head.

565
00:36:01,080 --> 00:36:07,520
Speaker 1: What you're doing? Our baby? What you doing? My baby?

566
00:36:08,280 --> 00:36:15,319
Speaker 1: My baby? Whoa? It'll never sound like I'm sorry? How

567
00:36:15,400 --> 00:36:19,799
Speaker 1: come you don't sound like that? Like what you got

568
00:36:19,840 --> 00:36:22,920
Speaker 1: you got? I'm just saying, if you see somebody like

569
00:36:23,000 --> 00:36:24,680
Speaker 1: that when you come back, said you see your mother?

570
00:36:24,719 --> 00:36:30,680
Speaker 1: And what can you really say? Missus? Smith? Lord thought

571
00:36:30,719 --> 00:36:38,000
Speaker 1: y'all was leaving? Hello, y'all being there. I ain't got

572
00:36:38,040 --> 00:36:41,680
Speaker 1: another one. There you go. You said something about somebody

573
00:36:41,760 --> 00:36:46,720
Speaker 1: you just talking major trash and you thought the phone

574
00:36:47,080 --> 00:36:56,600
Speaker 1: was off on you. Oh yeah, I haven't done that.

575
00:36:57,960 --> 00:37:01,720
Speaker 1: I have done that. I have forgotten to ain't up? God,

576
00:37:03,840 --> 00:37:06,759
Speaker 1: I got it. I got an awkward situation. Okay, what

577
00:37:07,160 --> 00:37:11,399
Speaker 1: you ever lost? Somebody ever come up to you really

578
00:37:11,520 --> 00:37:15,719
Speaker 1: upset and start crying. But they cried, but they got

579
00:37:15,840 --> 00:37:21,479
Speaker 1: bad breath. And you're trying to listen to him because

580
00:37:21,520 --> 00:37:25,719
Speaker 1: you know something wrong, but that breath is pushing you back. Hey,

581
00:37:26,400 --> 00:37:29,640
Speaker 1: and you gotta keep asking them what they say because

582
00:37:29,680 --> 00:37:42,080
Speaker 1: they crying and you're trying to get far away. Yeah, ha, Hey,

583
00:37:42,280 --> 00:37:46,000
Speaker 1: what's wrong man? Your breath can't be like that and

584
00:37:46,160 --> 00:37:51,880
Speaker 1: you cry with your mouth over. All right, we'll be

585
00:37:52,000 --> 00:37:54,879
Speaker 1: back with more of the Steve Harvey Morning Show right

586
00:37:54,960 --> 00:38:02,359
Speaker 1: after this. You're listening show, All right, Steve, go ahead, Well,

587
00:38:03,760 --> 00:38:11,760
Speaker 1: now what you about to him? It's pure comedic genius,

588
00:38:14,200 --> 00:38:18,960
Speaker 1: but I must lay a disclaimer. This is going to

589
00:38:19,080 --> 00:38:26,360
Speaker 1: be a little edgy. He's gonna ruffle a couple of feathers.

590
00:38:28,239 --> 00:38:30,520
Speaker 1: So I'm just letting you know this. This is Jay

591
00:38:30,560 --> 00:38:37,399
Speaker 1: Anthony Brown as you couldn't do it, and I kind

592
00:38:37,440 --> 00:38:40,080
Speaker 1: of got an idea. I don't know exactly what it is,

593
00:38:42,239 --> 00:38:46,520
Speaker 1: but I'm in supportive comedy. Yeah, but I'm saying we're

594
00:38:46,600 --> 00:38:50,680
Speaker 1: doing this with a disclaimer that no one can call

595
00:38:50,840 --> 00:38:53,320
Speaker 1: us and say nothing about it. I don't know exactly

596
00:38:53,400 --> 00:38:56,960
Speaker 1: what he gonna do, but he could ruffle some feathers.

597
00:38:57,400 --> 00:39:00,719
Speaker 1: Lady and gentlemen. Jay Anthony Brown, all right, what I'm

598
00:39:00,800 --> 00:39:04,480
Speaker 1: what I'm about to do right now? Every year, a

599
00:39:04,640 --> 00:39:08,680
Speaker 1: lot of people, good people you know, meaning good have

600
00:39:08,960 --> 00:39:14,719
Speaker 1: quanza parties. Now, yes, I don't think it's a lot

601
00:39:14,840 --> 00:39:18,919
Speaker 1: of people. You can go ahead, you must be trying

602
00:39:18,960 --> 00:39:21,960
Speaker 1: to build this jump up, and I'm trying to trying

603
00:39:22,000 --> 00:39:25,520
Speaker 1: to build up not a lot of quans. How about

604
00:39:25,560 --> 00:39:28,800
Speaker 1: to see people have a quanza party and don't a

605
00:39:28,880 --> 00:39:32,520
Speaker 1: lot of people come, and they wonder why people don't come?

606
00:39:33,040 --> 00:39:37,160
Speaker 1: From what I have? The suggestions to get more people

607
00:39:37,800 --> 00:39:43,200
Speaker 1: to your quanza party. Number one, offer a free die

608
00:39:43,320 --> 00:39:49,160
Speaker 1: she get to anybody who will show up, one size

609
00:39:49,360 --> 00:40:01,480
Speaker 1: fit all right, everybody that shows get your quanza party.

610
00:40:02,080 --> 00:40:05,520
Speaker 1: You get a free being piper. If you don't like me,

611
00:40:07,400 --> 00:40:13,600
Speaker 1: if you can't everybody don't like bellow, this one is

612
00:40:13,680 --> 00:40:17,320
Speaker 1: really good. This is really really good. If you have

613
00:40:17,520 --> 00:40:20,319
Speaker 1: a quanza party, Steve, you can demonstrate what I mean

614
00:40:20,400 --> 00:40:25,440
Speaker 1: by that. Do not have more than two philosophying brothers

615
00:40:25,680 --> 00:40:30,000
Speaker 1: or sisters at your party. Don't want you don't want

616
00:40:30,080 --> 00:40:32,600
Speaker 1: more than two in there. You don't want to, you know, brothers.

617
00:40:32,680 --> 00:40:36,239
Speaker 1: Let me say this about this time, this period that

618
00:40:36,440 --> 00:40:42,320
Speaker 1: we partake of, in this equestrious moment, yea history defiling

619
00:40:43,320 --> 00:40:49,160
Speaker 1: or the gratuitriusness and the barbarousness of what these holidays

620
00:40:49,400 --> 00:40:54,680
Speaker 1: are too. That's why we celebrate quanza. But I dare say, though, brother,

621
00:40:57,280 --> 00:41:01,960
Speaker 1: you don't want that we if we have compitulate the situation,

622
00:41:02,320 --> 00:41:07,200
Speaker 1: knowing that it is far regarically not a capability of

623
00:41:07,440 --> 00:41:13,560
Speaker 1: scientific split. Let let me interject some sensibility into this conversation.

624
00:41:15,280 --> 00:41:18,200
Speaker 1: You don't want a whole bunch of them at your party, Okay,

625
00:41:19,080 --> 00:41:23,960
Speaker 1: it tends up the mood. Number five, Easer, This is

626
00:41:24,120 --> 00:41:28,000
Speaker 1: very important, Easer. You know what he's up mean right,

627
00:41:28,680 --> 00:41:39,360
Speaker 1: he's up on the incense and sage. Okay, because the

628
00:41:39,520 --> 00:41:45,360
Speaker 1: black of my nose is burning. How about shoes that

629
00:41:45,560 --> 00:41:56,080
Speaker 1: like I got a headache, not my green taste? Like

630
00:41:56,320 --> 00:42:05,000
Speaker 1: safe number two? You want number seven? You want to

631
00:42:05,040 --> 00:42:08,120
Speaker 1: play something other than the Lion King. And this is

632
00:42:08,200 --> 00:42:12,520
Speaker 1: ben pointant. The African drummers don't have to play all

633
00:42:12,880 --> 00:42:21,120
Speaker 1: night long, Okay, they don't. Shirley and Last but night,

634
00:42:22,800 --> 00:42:26,680
Speaker 1: last night. Don't tell nobody it's a quis of party.

635
00:42:26,840 --> 00:42:31,400
Speaker 1: Just tell them. Okay, I have to tell him something

636
00:42:31,440 --> 00:42:36,360
Speaker 1: you got I'm having a bar I'm having a party,

637
00:42:38,600 --> 00:42:46,400
Speaker 1: all right. Listen, coming up, frank phone call that's coming

638
00:42:46,480 --> 00:42:56,200
Speaker 1: up right after compress spell like you're listening to coming

639
00:42:56,320 --> 00:42:58,480
Speaker 1: up at the top of the hour, right about four

640
00:42:58,560 --> 00:43:02,640
Speaker 1: minutes after. It's Today's Strawberry letter. Right now, the nephew

641
00:43:02,760 --> 00:43:05,480
Speaker 1: is here though. Yeah, with today's prank phone call, what

642
00:43:05,560 --> 00:43:07,600
Speaker 1: you got for us? Now, brand spanking new this one.

643
00:43:07,600 --> 00:43:11,319
Speaker 1: It's called cripper cast. Three people passed and they can

644
00:43:12,400 --> 00:43:15,560
Speaker 1: you know, the family might not have enough money falling

645
00:43:15,680 --> 00:43:20,000
Speaker 1: came just one can cripper can three people one case.

646
00:43:24,680 --> 00:43:29,680
Speaker 1: The concept this can work. Thanks money, take a listening.

647
00:43:31,840 --> 00:43:36,200
Speaker 1: Mortuary can help you. Hey, how are you doing? How

648
00:43:36,239 --> 00:43:38,160
Speaker 1: you Calvin? How you doing? My name is Brandon man

649
00:43:38,280 --> 00:43:44,360
Speaker 1: or Brandon Giles. Uh, I'm calling. We've got somebody that

650
00:43:45,760 --> 00:43:52,439
Speaker 1: has passed. Actually three people passed away. Yeah, I thank

651
00:43:52,480 --> 00:43:55,800
Speaker 1: you for that. Man. It was kind of expected, so

652
00:43:56,040 --> 00:43:58,400
Speaker 1: you know, it wasn't something that called us off guard.

653
00:43:59,040 --> 00:44:00,879
Speaker 1: But you know, but all all you know we're still

654
00:44:00,960 --> 00:44:04,520
Speaker 1: grieving about losing our loved ones. But but I wanted

655
00:44:04,560 --> 00:44:06,719
Speaker 1: to give you all a call. We're trying to um

656
00:44:07,640 --> 00:44:10,040
Speaker 1: pick a particular funeral home on who we want to

657
00:44:11,560 --> 00:44:15,440
Speaker 1: take care of the services. Yes, yes, sir, yes sir, okay,

658
00:44:15,800 --> 00:44:20,279
Speaker 1: we can definitely help you with that. And uh, once again,

659
00:44:20,320 --> 00:44:21,960
Speaker 1: I just want to to you know, just let you

660
00:44:22,120 --> 00:44:25,359
Speaker 1: know that we can pretty much do the whole game,

661
00:44:25,480 --> 00:44:28,239
Speaker 1: that we can make sure that you're need to taking

662
00:44:28,360 --> 00:44:31,880
Speaker 1: from you know, from from now on. UM, we're here

663
00:44:31,960 --> 00:44:35,040
Speaker 1: for you showing to get that out. What is your

664
00:44:35,080 --> 00:44:39,640
Speaker 1: main need? You said, three people? Sir, Yes, yes, yes,

665
00:44:41,360 --> 00:44:44,439
Speaker 1: I wanted to bring attention to you. Do you guys

666
00:44:44,520 --> 00:44:50,840
Speaker 1: customized casks? Yes, we get goal plating, uh, engraving. We

667
00:44:51,280 --> 00:44:53,520
Speaker 1: even have a new thing where we can put the

668
00:44:53,640 --> 00:44:56,560
Speaker 1: picture of the person on the outside like a semi

669
00:44:56,600 --> 00:45:00,680
Speaker 1: gloss coding last a couple of hours. I don't I

670
00:45:00,719 --> 00:45:03,319
Speaker 1: don't need that all no goal or nothing like that. Listen,

671
00:45:03,440 --> 00:45:06,359
Speaker 1: listen what I want to do. Is it any way

672
00:45:06,440 --> 00:45:10,400
Speaker 1: that you could maybe uh customize a casket that can

673
00:45:10,480 --> 00:45:16,640
Speaker 1: accommodate three people? Um? Uh yes, like we we can.

674
00:45:16,800 --> 00:45:23,640
Speaker 1: We can customize each individual casket for each individual. No, no, no, no, Calvin,

675
00:45:23,719 --> 00:45:25,680
Speaker 1: that didn't want to ask. What I'm saying is if

676
00:45:25,760 --> 00:45:28,040
Speaker 1: I want to like like I like I said, d

677
00:45:28,239 --> 00:45:31,319
Speaker 1: my could they was all close? You know, I don't

678
00:45:31,400 --> 00:45:33,360
Speaker 1: have a problem with all three of them being in

679
00:45:33,520 --> 00:45:39,600
Speaker 1: the same casket. I get you. Um uh you know,

680
00:45:39,680 --> 00:45:41,400
Speaker 1: to my knowledge is as far as I've been in

681
00:45:41,480 --> 00:45:45,880
Speaker 1: this business, I've never uh I'm not really sure we

682
00:45:45,960 --> 00:45:48,840
Speaker 1: can actually do that. I mean, I mean, I mean,

683
00:45:48,920 --> 00:45:50,480
Speaker 1: but what's the problem if we can get them all

684
00:45:50,560 --> 00:45:54,160
Speaker 1: in there and clab well, sir, I mean I think

685
00:45:54,200 --> 00:45:57,440
Speaker 1: that's a I don't even think if for one, it's

686
00:45:57,600 --> 00:46:01,200
Speaker 1: legal in this state or any state. Uh, three people

687
00:46:01,280 --> 00:46:06,160
Speaker 1: in one casket, um and ethics wise, I uh, that's

688
00:46:06,200 --> 00:46:09,840
Speaker 1: not really something that How can I say that? We

689
00:46:09,920 --> 00:46:14,040
Speaker 1: actually you know, but if you customizing a casket, Calvin,

690
00:46:14,120 --> 00:46:15,960
Speaker 1: then you ought to be able to put as many

691
00:46:16,040 --> 00:46:18,000
Speaker 1: people in there if you make it deep enough and

692
00:46:18,120 --> 00:46:20,200
Speaker 1: wide enough. Ought to be able to get three people

693
00:46:20,239 --> 00:46:25,279
Speaker 1: in there. Right. Well, the customization is is the outer

694
00:46:25,520 --> 00:46:28,880
Speaker 1: side of the casket and maybe you know some people

695
00:46:29,600 --> 00:46:32,400
Speaker 1: uh even put TV screens on the inside or some

696
00:46:32,600 --> 00:46:38,319
Speaker 1: of their their their loved ones, memorable mementos. We customize

697
00:46:38,360 --> 00:46:42,440
Speaker 1: it for that, you know, colorwise. So what about when

698
00:46:42,560 --> 00:46:45,399
Speaker 1: when is a person real big? Uh? You know, having

699
00:46:45,480 --> 00:46:47,840
Speaker 1: said person, you know you got to have a casket

700
00:46:47,840 --> 00:46:51,719
Speaker 1: that can accommodate them, right, yes, But okay, so so

701
00:46:51,800 --> 00:46:53,120
Speaker 1: you ought to be able to put you ought to

702
00:46:53,160 --> 00:46:55,719
Speaker 1: be able to put three people in one casket if

703
00:46:55,719 --> 00:46:58,800
Speaker 1: they can fit. If you put two one way in

704
00:46:58,920 --> 00:47:01,200
Speaker 1: one the other other way, then you ought to be

705
00:47:01,400 --> 00:47:04,000
Speaker 1: to have all three of them in there at one time. Um,

706
00:47:04,560 --> 00:47:06,920
Speaker 1: is there anybody else around you and your family that

707
00:47:07,000 --> 00:47:11,480
Speaker 1: can help talk with me about this. I'm talking right now.

708
00:47:12,200 --> 00:47:14,280
Speaker 1: I'm trying to get I'm trying to accommodate my cousins

709
00:47:14,320 --> 00:47:16,440
Speaker 1: and get them straight. And I'm asking you can we

710
00:47:16,600 --> 00:47:19,239
Speaker 1: get them in a casket that one casket that's can

711
00:47:19,280 --> 00:47:22,279
Speaker 1: accommodate three people if you put two pillars on money

712
00:47:22,320 --> 00:47:27,080
Speaker 1: in one pillars. That's not something we're really that ain't

713
00:47:27,960 --> 00:47:30,640
Speaker 1: just used to doing, Calvin. But I'm calling you telling

714
00:47:30,680 --> 00:47:35,000
Speaker 1: you that's the way I want this customize. Man. All right, brother, look, brother, brother,

715
00:47:35,280 --> 00:47:37,600
Speaker 1: just just chill out with customs, all right. So we're

716
00:47:37,640 --> 00:47:41,239
Speaker 1: trying to get three people. I have a standard plan.

717
00:47:42,040 --> 00:47:47,040
Speaker 1: It'll be a low end standard plan for three individual caskets.

718
00:47:48,080 --> 00:47:51,359
Speaker 1: We ain't gotta we all have enough money for three

719
00:47:51,520 --> 00:47:54,839
Speaker 1: individual caskets. I keep telling you that we got room

720
00:47:54,960 --> 00:47:58,880
Speaker 1: for one casket. We just need to big enough, man,

721
00:47:58,960 --> 00:48:00,879
Speaker 1: so you could get everybody in. Then close the dough.

722
00:48:01,800 --> 00:48:03,080
Speaker 1: I'm not gonna I'm not. I don't want to go

723
00:48:03,160 --> 00:48:04,920
Speaker 1: back and forth with you, sir. I know this is

724
00:48:04,960 --> 00:48:07,360
Speaker 1: a time. Then go. You ain't gotta go back and

725
00:48:07,440 --> 00:48:09,879
Speaker 1: forth with me. Building to our knees. I can bury

726
00:48:09,960 --> 00:48:14,200
Speaker 1: my family. I don't really know what to tell you, sir,

727
00:48:14,360 --> 00:48:16,239
Speaker 1: but I'm just really trying to help. I'm trying. Won't

728
00:48:16,239 --> 00:48:18,200
Speaker 1: you tell me you're gonna get three people in the

729
00:48:18,280 --> 00:48:23,120
Speaker 1: casket looking good. We cannot do that. You houling that. Man,

730
00:48:23,560 --> 00:48:26,520
Speaker 1: I'm the one going through bereathing. I understand that. But

731
00:48:26,640 --> 00:48:30,360
Speaker 1: you are, you're, you're, you're use the foul language. We

732
00:48:30,480 --> 00:48:34,200
Speaker 1: can't do it, brother, you hear me not, that's no

733
00:48:34,719 --> 00:48:40,000
Speaker 1: hold on my cousin them said they wanted to. No, sir, No,

734
00:48:40,640 --> 00:48:44,279
Speaker 1: we can't. Okay. Look I'm look, hey man, y'all gonna

735
00:48:44,360 --> 00:48:47,640
Speaker 1: bury these three people, and you gonna put all three

736
00:48:47,680 --> 00:48:50,839
Speaker 1: of them in the same damn casket. Man, two two

737
00:48:50,960 --> 00:48:54,239
Speaker 1: on one, one on one end and one on the other. One. Man, sir,

738
00:48:54,719 --> 00:48:58,279
Speaker 1: if you're drinking, just ain't nobody let me tell you something. Man,

739
00:48:58,360 --> 00:49:01,719
Speaker 1: let me say this to you. You ain't Calvin, right, Yes,

740
00:49:01,880 --> 00:49:04,440
Speaker 1: yes it is okay, So Calvin, Calvin, let me say

741
00:49:04,480 --> 00:49:08,040
Speaker 1: this to you. Either y'all gonna bury my cousins the

742
00:49:08,080 --> 00:49:10,640
Speaker 1: way I want it, or Calvin, you're gonna get your

743
00:49:11,640 --> 00:49:15,640
Speaker 1: whore you talking to ye? That's what's going now, now, nothing. Now.

744
00:49:15,680 --> 00:49:17,320
Speaker 1: That's it, right there, sir. I've been trying to be

745
00:49:17,360 --> 00:49:20,400
Speaker 1: as professional as I can. This whole conversation. It's as

746
00:49:20,520 --> 00:49:22,960
Speaker 1: crazy as it is, But now it ain't nothing crazy

747
00:49:22,960 --> 00:49:24,520
Speaker 1: about no, no, no, no no. I told you I

748
00:49:24,600 --> 00:49:26,480
Speaker 1: want you to bury my cousin. Come on down here.

749
00:49:26,520 --> 00:49:29,640
Speaker 1: I got someplace to put your body and your cousin's body.

750
00:49:29,719 --> 00:49:34,719
Speaker 1: How about that? Huh? Yeah? Because you know you don't

751
00:49:34,840 --> 00:49:39,120
Speaker 1: You don't sound too damn confident. You don't sound too confident, Calvin.

752
00:49:39,680 --> 00:49:41,719
Speaker 1: I'm gonna tell you right now. I'm gonna tell you

753
00:49:41,960 --> 00:49:45,160
Speaker 1: right now, this ain't the place and I'm not the

754
00:49:45,239 --> 00:49:47,680
Speaker 1: one you will be in the ground messing with us.

755
00:49:48,120 --> 00:49:51,200
Speaker 1: Matter of fact, if you come here, I'm gonna you up.

756
00:49:51,400 --> 00:49:54,880
Speaker 1: How about that? Okay, Calvin, Okay, Calvin, let me tell

757
00:49:54,920 --> 00:49:57,319
Speaker 1: you something, Calvin, me and Tommy gonna be down there

758
00:49:57,360 --> 00:50:01,640
Speaker 1: to day. Then I'm bringing Tommy with me. It's Tommy. Huh.

759
00:50:02,480 --> 00:50:05,000
Speaker 1: This is nephew tomt Me from the Steve Harvey Morning Show. Baby,

760
00:50:05,040 --> 00:50:11,840
Speaker 1: you just got prank, Calvin. Yeo, y'all have me to

761
00:50:11,840 --> 00:50:16,440
Speaker 1: whip somebody. Hell, y'all, I just want to put you

762
00:50:16,719 --> 00:50:21,040
Speaker 1: up to this Reginald that works to you. Yes, I'm gonna.

763
00:50:21,120 --> 00:50:24,160
Speaker 1: I'm gonna Reggie you bet watch with you drink, you

764
00:50:24,280 --> 00:50:30,040
Speaker 1: bet watch with your teeth. I'm on your to revenge. Man, Hey, Calvin,

765
00:50:30,120 --> 00:50:31,880
Speaker 1: give me this, man, what's the baddest and I mean

766
00:50:31,920 --> 00:50:35,040
Speaker 1: the baddest radio show in the land. Man, you know

767
00:50:35,160 --> 00:50:37,919
Speaker 1: it's nothing but the Steve Harvey Morning Show. Y'all, y'all

768
00:50:38,120 --> 00:50:41,480
Speaker 1: got got me, Ya got me, y'all ain't with me.

769
00:50:41,880 --> 00:50:45,520
Speaker 1: But I'm just like two bodies this boy, one body

770
00:50:45,600 --> 00:50:49,640
Speaker 1: this way, hand to foot, three different pillars, we work

771
00:50:49,719 --> 00:50:56,680
Speaker 1: that thing. Yeah, well, you're probably gonna need ten, Jay,

772
00:50:56,719 --> 00:51:00,439
Speaker 1: You're probably gonna get five on each side on rollers. Yeah,

773
00:51:02,680 --> 00:51:08,080
Speaker 1: but you saved some money, Jay, Darling like cat bunk

774
00:51:08,200 --> 00:51:12,040
Speaker 1: beds for three people. All right, I got a bad idea.

775
00:51:12,200 --> 00:51:19,080
Speaker 1: Go ahead, let me put them in their fold. Thank you. Nav.

776
00:51:19,239 --> 00:51:21,759
Speaker 1: Up next is my Strawberry letter for it today, the

777
00:51:21,800 --> 00:51:24,440
Speaker 1: Strawberry Letter. My man wants to share his goodies. We'll

778
00:51:24,440 --> 00:51:27,440
Speaker 1: get into it right after this. You're listening to the

779
00:51:27,600 --> 00:51:32,600
Speaker 1: Steve Harvey Morning Show. Time now for today's Strawberry Letter,

780
00:51:32,640 --> 00:51:36,720
Speaker 1: and listen if you need advice on relationships, on sex,

781
00:51:37,000 --> 00:51:41,480
Speaker 1: on parenting, on dating, on work, and more. Please submit

782
00:51:41,560 --> 00:51:45,200
Speaker 1: your Strawberry letter to Steve Harvey f M and click

783
00:51:45,480 --> 00:51:48,319
Speaker 1: submit Strawberry Letter. We could be reading your letter live

784
00:51:48,440 --> 00:51:50,080
Speaker 1: on the air, just like we're gonna read this one

785
00:51:50,200 --> 00:51:53,239
Speaker 1: right now. Buckle up, hold on tight. We got it

786
00:51:53,280 --> 00:51:56,600
Speaker 1: for you. Here it is Strawberry letter. Thank you, little Tommy,

787
00:51:57,000 --> 00:52:04,000
Speaker 1: I mean, thank you Tommy. Now, if you're propt, inside voice,

788
00:52:04,120 --> 00:52:13,480
Speaker 1: inside voice, inside voice, love you, love you, love you

789
00:52:14,000 --> 00:52:18,880
Speaker 1: all right. Subject to my man wants to share his goodies.

790
00:52:19,320 --> 00:52:22,880
Speaker 1: Dear Stephen Shirley. I am a twenty seven year old female,

791
00:52:23,040 --> 00:52:26,000
Speaker 1: and my man is slightly younger than I am. He's

792
00:52:26,000 --> 00:52:30,160
Speaker 1: an underwear model for several online magazines, and that's why

793
00:52:30,280 --> 00:52:33,440
Speaker 1: I fell for him. He has a really great body.

794
00:52:34,040 --> 00:52:37,320
Speaker 1: His modeling has been an issue in our relationship because

795
00:52:37,360 --> 00:52:40,720
Speaker 1: of all the raunchy comments he gets on social media.

796
00:52:41,200 --> 00:52:44,520
Speaker 1: He loves the attention. He says, it's all just for fun,

797
00:52:44,840 --> 00:52:47,400
Speaker 1: and he never responds to the women and men that

798
00:52:47,600 --> 00:52:50,959
Speaker 1: hit on him. The attention has really gone to his head.

799
00:52:51,280 --> 00:52:53,120
Speaker 1: And he told me that while he was on a

800
00:52:53,200 --> 00:52:56,839
Speaker 1: modeling gig last week, a producer approached him with an

801
00:52:56,920 --> 00:53:00,920
Speaker 1: offer to get into the porn industry. Now that he's

802
00:53:00,960 --> 00:53:03,480
Speaker 1: more confident in his body. He told me that he

803
00:53:03,600 --> 00:53:06,120
Speaker 1: wants to try it and that he wants me to

804
00:53:06,239 --> 00:53:08,960
Speaker 1: be okay with it because he could make a lot

805
00:53:09,080 --> 00:53:12,239
Speaker 1: of money. I told him, hell no, he was not

806
00:53:12,360 --> 00:53:14,880
Speaker 1: going to get paid to cheat on me. He keeps

807
00:53:14,920 --> 00:53:18,239
Speaker 1: telling me that it's not like that. He said the

808
00:53:18,360 --> 00:53:23,280
Speaker 1: sex is strictly business and there are no emotions involved.

809
00:53:23,760 --> 00:53:27,000
Speaker 1: He thinks I'm being selfish and have old school thinking,

810
00:53:27,120 --> 00:53:29,400
Speaker 1: and I should have an open mind about it. I

811
00:53:29,520 --> 00:53:31,880
Speaker 1: want to stand my ground with this because the modeling

812
00:53:32,040 --> 00:53:34,120
Speaker 1: was a big problem for us, so I know porn

813
00:53:34,480 --> 00:53:37,320
Speaker 1: will only make matters worse. And what do we do

814
00:53:37,680 --> 00:53:40,840
Speaker 1: if and when people start recognizing him? He said he

815
00:53:41,080 --> 00:53:44,279
Speaker 1: wouldn't be ashamed at all. I love him and could

816
00:53:44,280 --> 00:53:47,120
Speaker 1: see myself marrying him, but not if he's okay with

817
00:53:47,239 --> 00:53:49,960
Speaker 1: sleeping with other girls in front of a camera. I

818
00:53:50,160 --> 00:53:52,440
Speaker 1: asked him if the tables were turned and I got

819
00:53:52,520 --> 00:53:56,040
Speaker 1: an offer to do porn, would he mind this man

820
00:53:56,239 --> 00:53:58,800
Speaker 1: hit the roof and told me there is a big difference.

821
00:53:59,360 --> 00:54:02,000
Speaker 1: I don't play and on testing that theory because I

822
00:54:02,040 --> 00:54:04,279
Speaker 1: would never have sex with another man while I'm with

823
00:54:04,440 --> 00:54:07,840
Speaker 1: him on camera or not. I don't think this is normal.

824
00:54:08,000 --> 00:54:11,719
Speaker 1: Please help. Well, I absolutely one percent agree with you.

825
00:54:11,920 --> 00:54:14,319
Speaker 1: I don't think it's normal either, especially not for someone

826
00:54:14,360 --> 00:54:16,760
Speaker 1: who claims they care about you and how you feel.

827
00:54:17,440 --> 00:54:20,880
Speaker 1: And this bothers you so much, you know, seems like

828
00:54:20,960 --> 00:54:23,560
Speaker 1: he would take that into consideration. I mean, modeling is

829
00:54:23,640 --> 00:54:27,719
Speaker 1: one thing, but porn is something all together different. You're

830
00:54:27,800 --> 00:54:31,560
Speaker 1: having sex on camera with one or more partners. You're right,

831
00:54:31,680 --> 00:54:35,040
Speaker 1: the attention has gone to his head. You know. He

832
00:54:35,200 --> 00:54:38,759
Speaker 1: says that you know a producer approached him to get

833
00:54:38,840 --> 00:54:40,600
Speaker 1: into it, and he wants to try it because of

834
00:54:40,640 --> 00:54:44,040
Speaker 1: the money, and you don't like it. He says it's

835
00:54:44,040 --> 00:54:48,000
Speaker 1: strictly business and there are no emotions evolved involved. That

836
00:54:48,160 --> 00:54:50,200
Speaker 1: may be the case. I don't know, but I don't

837
00:54:50,200 --> 00:54:53,160
Speaker 1: see how that can be the case. You know that

838
00:54:53,320 --> 00:54:57,600
Speaker 1: he won't be into it some kind of way. You know,

839
00:54:57,719 --> 00:55:00,520
Speaker 1: you're thinking about marrying this guy. I don't think this

840
00:55:00,719 --> 00:55:03,960
Speaker 1: guy is marriage material, not where he is right now.

841
00:55:04,120 --> 00:55:07,160
Speaker 1: You're twenty seven, he's younger than you. He's interested in

842
00:55:07,320 --> 00:55:10,719
Speaker 1: doing porn for money. That's not what who you want

843
00:55:10,760 --> 00:55:13,160
Speaker 1: in a husband. You got to think about that. He

844
00:55:13,400 --> 00:55:17,480
Speaker 1: will be having sex on camera with one or more partners.

845
00:55:17,719 --> 00:55:26,279
Speaker 1: Okay at any given time. Uh huh, yeah exactly. How yeah,

846
00:55:28,200 --> 00:55:34,719
Speaker 1: Oh I'm worn out? Who what a day? But you know,

847
00:55:34,880 --> 00:55:36,960
Speaker 1: remember though, in the third sentence of the letter, you

848
00:55:37,080 --> 00:55:39,400
Speaker 1: said he was an underwear model with a great body,

849
00:55:39,440 --> 00:55:41,439
Speaker 1: and that's why you fell for him. So that's why

850
00:55:41,640 --> 00:55:44,120
Speaker 1: what a lot of other women are seeing too. And

851
00:55:44,360 --> 00:55:47,279
Speaker 1: he's into it. You said it yourself. The attention has

852
00:55:47,320 --> 00:55:50,040
Speaker 1: gone to his head. He's this guy is not marriage

853
00:55:50,120 --> 00:55:54,040
Speaker 1: material right now. He's definitely not that. So get marriage

854
00:55:54,120 --> 00:55:56,480
Speaker 1: off your mind. And if he does not change his

855
00:55:56,560 --> 00:56:00,640
Speaker 1: mind about doing porn, I think you need to do

856
00:56:00,800 --> 00:56:03,480
Speaker 1: away with this relationship. Get out of this relationship, because

857
00:56:03,719 --> 00:56:07,680
Speaker 1: I can see nothing but hurt from him in your future. Steve,

858
00:56:09,440 --> 00:56:11,799
Speaker 1: this letter is really ridiculous. I don't even see why

859
00:56:11,880 --> 00:56:14,359
Speaker 1: we why we're reading it. It don't make no damn

860
00:56:14,440 --> 00:56:17,759
Speaker 1: sense on no level. Nothing in here makes sense. You're

861
00:56:17,800 --> 00:56:23,000
Speaker 1: twenty seven, your man is slightly younger. He's an underwear model.

862
00:56:23,600 --> 00:56:30,920
Speaker 1: I said, you're done. Yeah, he modeled Drawlsdear, No, he

863
00:56:31,200 --> 00:56:35,640
Speaker 1: Drawls model, But you how heavy you want him to be?

864
00:56:38,239 --> 00:56:42,239
Speaker 1: Rich in the mind? You think this boy fittn't that

865
00:56:42,440 --> 00:56:47,719
Speaker 1: be he modeled Drawls he takes his shirt off and

866
00:56:47,840 --> 00:56:51,279
Speaker 1: pull it fans down and he standing now and act

867
00:56:51,400 --> 00:56:54,800
Speaker 1: like he ain't got drawls on. See, that's what the

868
00:56:55,080 --> 00:57:00,320
Speaker 1: key to underwear modeling is. As you're standing there in

869
00:57:00,560 --> 00:57:04,759
Speaker 1: your draws, it is to stand and pose like you

870
00:57:04,840 --> 00:57:09,279
Speaker 1: ain't got on draws. Bro, you gotta look like you

871
00:57:09,400 --> 00:57:13,720
Speaker 1: got on slacks or some Bermuda shots with some boat shoes.

872
00:57:17,160 --> 00:57:20,800
Speaker 1: What wa a minute, That's how they stand there and

873
00:57:20,920 --> 00:57:23,360
Speaker 1: look like they're on the top deck of a ship

874
00:57:23,920 --> 00:57:28,560
Speaker 1: going some damn well, one leg up, hand on their knee. Ye,

875
00:57:29,080 --> 00:57:33,000
Speaker 1: close your lens. Your nasty ass got them draws on? Okay,

876
00:57:34,720 --> 00:57:37,320
Speaker 1: and they read. And let me tell y'all something. I'm

877
00:57:37,360 --> 00:57:39,720
Speaker 1: tiring of these men with these good bodied models. That's

878
00:57:39,760 --> 00:57:42,920
Speaker 1: what I was gonna ask you. Y'all really need to

879
00:57:43,080 --> 00:57:48,640
Speaker 1: let out of shape models. Do these underwear man underwear ass?

880
00:57:48,720 --> 00:57:54,400
Speaker 1: Because hell, we buy underwear too, and we buy more

881
00:57:54,640 --> 00:58:00,280
Speaker 1: underwear the little fine ass dude draws. Elastics come out

882
00:58:01,200 --> 00:58:07,800
Speaker 1: way more often, holes tarring them way more often. We're

883
00:58:07,840 --> 00:58:10,320
Speaker 1: gonna have part two of Steve's response, and I'll answer

884
00:58:10,400 --> 00:58:15,720
Speaker 1: yours your question as well time some other time. Okay, subject,

885
00:58:15,840 --> 00:58:19,520
Speaker 1: my man wants to share his goodies. We'll be back

886
00:58:19,520 --> 00:58:22,520
Speaker 1: at twenty three after the hour. Right after this. You're listening,

887
00:58:25,280 --> 00:58:28,840
Speaker 1: all right, Steve, Let's recap today's strawberry letter. My man

888
00:58:29,080 --> 00:58:32,760
Speaker 1: wants to care goodies. This woman dating? Is she twenty seven?

889
00:58:32,840 --> 00:58:37,280
Speaker 1: Dating this young boy that's an underwear model? He model draws. Now,

890
00:58:37,320 --> 00:58:40,520
Speaker 1: all of a sudden he's modeling. Don't become an issue

891
00:58:41,360 --> 00:58:44,880
Speaker 1: because all of the raunchy comments he get on social media,

892
00:58:45,120 --> 00:58:47,760
Speaker 1: what you want to comments to be. He's standing in

893
00:58:47,920 --> 00:58:52,080
Speaker 1: his draws. That's raunchy as it is, so all the

894
00:58:52,200 --> 00:58:55,480
Speaker 1: comments he ge't gonna be raunchy. Ain't nobody looked in

895
00:58:55,640 --> 00:58:59,320
Speaker 1: him and say, wow, nice time? You know why they

896
00:58:59,320 --> 00:59:02,120
Speaker 1: ain't saying that he ain't got nothing new? Oh he

897
00:59:02,240 --> 00:59:06,640
Speaker 1: got on the draws. What sore? Let's just let me

898
00:59:06,720 --> 00:59:11,040
Speaker 1: do my lane, bother. You don't understand why. That's because

899
00:59:11,080 --> 00:59:13,439
Speaker 1: you know what what she tripped, what she thinks she had,

900
00:59:14,160 --> 00:59:17,440
Speaker 1: and she's gonna righteously. You ain't got nothing now. All

901
00:59:18,080 --> 00:59:21,040
Speaker 1: he loves the attention. He says, it's just for fun.

902
00:59:21,240 --> 00:59:23,200
Speaker 1: He don't never respond to the women and men that

903
00:59:23,400 --> 00:59:26,000
Speaker 1: hit on it. The attention had gone to his head.

904
00:59:26,640 --> 00:59:28,280
Speaker 1: He told me to why he was on the modeling

905
00:59:28,360 --> 00:59:32,440
Speaker 1: gig last week. A producer, A producer approach you. You

906
00:59:32,520 --> 00:59:39,000
Speaker 1: must have been in la A producer right there, everybody

907
00:59:39,040 --> 00:59:41,960
Speaker 1: out here, damn producer approach you with an offer for

908
00:59:42,080 --> 00:59:44,360
Speaker 1: him to get in the port. Then you already got

909
00:59:44,440 --> 00:59:47,280
Speaker 1: your draws. You just standing there? Ain't your draw now?

910
00:59:47,360 --> 00:59:53,600
Speaker 1: He wants to work with no damn drawls now because

911
00:59:53,640 --> 00:59:55,360
Speaker 1: once you get in the port or, you're gonna find

912
00:59:55,400 --> 00:59:57,480
Speaker 1: out you ain't the big ain't the big dog on

913
00:59:57,560 --> 00:59:59,840
Speaker 1: the block like you was when you had little draws. Come.

914
01:00:01,480 --> 01:00:03,439
Speaker 1: They're gonna have some boys come in that room, gonna

915
01:00:03,440 --> 01:00:11,840
Speaker 1: scare you. This man just into there looking like a

916
01:00:11,960 --> 01:00:16,080
Speaker 1: can of ass freshman. Oh, your little draws on. You

917
01:00:16,160 --> 01:00:19,240
Speaker 1: need to keep your drawls on the stick competition in

918
01:00:19,280 --> 01:00:22,959
Speaker 1: the pouring on movie. Now he's more confident with his body.

919
01:00:23,040 --> 01:00:25,880
Speaker 1: He told me he wants to try, and he wants

920
01:00:25,920 --> 01:00:27,520
Speaker 1: me to be okay with it because he could make

921
01:00:27,520 --> 01:00:30,000
Speaker 1: a lot of money, could make a lot of money.

922
01:00:30,000 --> 01:00:31,880
Speaker 1: Ain't a lot of money in Poe Man, and people

923
01:00:31,920 --> 01:00:37,680
Speaker 1: ain't rich. I just I told him, hell now, not

924
01:00:37,800 --> 01:00:40,040
Speaker 1: gonna be okay for him to get paid to cheat

925
01:00:40,120 --> 01:00:42,520
Speaker 1: on me. He keep telling me. It ain't like that

926
01:00:42,800 --> 01:00:45,320
Speaker 1: hit the key in the letter, he said, sex. It's

927
01:00:45,360 --> 01:00:49,360
Speaker 1: strictly bis. Wow, I agree. That's what it's always been.

928
01:00:50,360 --> 01:00:53,160
Speaker 1: Because I'm in here trying to take care of my

929
01:00:53,400 --> 01:00:57,760
Speaker 1: damn business. That's all it is. Yeah, boy, so that's

930
01:00:57,760 --> 01:00:59,760
Speaker 1: what you thought you could tell your lady. You gotta

931
01:00:59,760 --> 01:01:03,480
Speaker 1: be out your rabid mind, he said, ain't no emotions involved.

932
01:01:03,880 --> 01:01:07,000
Speaker 1: He thinks I'm being selfish and have some old school thinking.

933
01:01:08,240 --> 01:01:14,320
Speaker 1: They're called values, they're called hopes and dreams, and that's

934
01:01:14,400 --> 01:01:17,640
Speaker 1: not old fashioned. I should have an open mind about

935
01:01:17,640 --> 01:01:20,320
Speaker 1: it now. She said, I want to stand my ground

936
01:01:20,400 --> 01:01:23,680
Speaker 1: with this pawn stuff. Because she want to stand in

937
01:01:23,720 --> 01:01:26,040
Speaker 1: the ground because if Marlin is a big problem, she

938
01:01:26,240 --> 01:01:28,840
Speaker 1: no pawn gonna take it making words and it will

939
01:01:30,080 --> 01:01:33,040
Speaker 1: and what we do. And he said that it wouldn't

940
01:01:33,080 --> 01:01:35,439
Speaker 1: shame at all. I love him and I could see

941
01:01:35,520 --> 01:01:38,400
Speaker 1: myself married to him. Now. Sherley made a good point

942
01:01:38,520 --> 01:01:43,520
Speaker 1: right here. You see yourself, man, who this little boy

943
01:01:43,560 --> 01:01:45,800
Speaker 1: that's got these draws on? And now having the draws on,

944
01:01:45,960 --> 01:01:50,560
Speaker 1: it's too much. But the jars adn't got restrictive. Now

945
01:01:50,640 --> 01:01:54,640
Speaker 1: you want to be free. And then all of a

946
01:01:54,680 --> 01:01:56,560
Speaker 1: sudden now you want to sleep with a bunch of

947
01:01:56,640 --> 01:01:59,360
Speaker 1: people for money. So I already know you return to

948
01:01:59,480 --> 01:02:01,760
Speaker 1: some of these aunt your phone call because they dude

949
01:02:01,760 --> 01:02:04,600
Speaker 1: went to his head, lady, and if you know what

950
01:02:04,680 --> 01:02:07,360
Speaker 1: I mean, it didn't really really went to his head.

951
01:02:08,640 --> 01:02:10,920
Speaker 1: So now I asked him if the tables were turning,

952
01:02:10,920 --> 01:02:12,959
Speaker 1: and I got an offer to do point with his mind.

953
01:02:13,720 --> 01:02:17,000
Speaker 1: This man hit the roof, told me there's a big difference,

954
01:02:18,720 --> 01:02:21,240
Speaker 1: not when you explaining it to somebody. It's not a

955
01:02:21,320 --> 01:02:24,040
Speaker 1: big difference, soldier. I know what you're trying to say,

956
01:02:24,800 --> 01:02:28,800
Speaker 1: but it is. It is the same thing. I don't

957
01:02:28,880 --> 01:02:31,720
Speaker 1: plan on testing that theory because I would never have sex.

958
01:02:32,200 --> 01:02:34,920
Speaker 1: Here's where I know this, finn't get crazy. This relationship

959
01:02:35,080 --> 01:02:38,240
Speaker 1: is all. I would never have sex with another man

960
01:02:38,400 --> 01:02:43,880
Speaker 1: while I'm with him. So that's a good statement. That's

961
01:02:43,880 --> 01:02:47,520
Speaker 1: a fair statement that the system made. I would never

962
01:02:47,680 --> 01:02:51,600
Speaker 1: have sex with another man while I'm with him. But

963
01:02:51,720 --> 01:02:53,320
Speaker 1: if you can't your heads down there to shoot this

964
01:02:53,400 --> 01:02:55,560
Speaker 1: point or moving, I ain't down there with you where

965
01:02:55,640 --> 01:03:00,840
Speaker 1: you think I'm gonna be on camera or not. I

966
01:03:00,920 --> 01:03:03,360
Speaker 1: don't think it's normal. Please help, No, it's not normal,

967
01:03:04,000 --> 01:03:07,440
Speaker 1: and you stupid for sitting up here even entertaining this foolishness,

968
01:03:07,520 --> 01:03:09,480
Speaker 1: and it's time let him go so he can go

969
01:03:09,640 --> 01:03:11,640
Speaker 1: live his life, because he gonna go do the portough

970
01:03:11,880 --> 01:03:14,560
Speaker 1: You you better believe that because it duran to his head.

971
01:03:14,600 --> 01:03:16,600
Speaker 1: He think you pretty, I'm told women all the time

972
01:03:16,840 --> 01:03:20,520
Speaker 1: you retty court dating, he's pretty. Asked me get you

973
01:03:20,560 --> 01:03:24,760
Speaker 1: a nice, regular ass looking do to somebody that just

974
01:03:24,920 --> 01:03:28,360
Speaker 1: looks all right like who it's a good like all

975
01:03:28,520 --> 01:03:31,920
Speaker 1: us on this show. No, no, no, no, no, no, no,

976
01:03:32,080 --> 01:03:35,640
Speaker 1: hold on, no, you won't like everybody on this damn show.

977
01:03:35,720 --> 01:03:41,800
Speaker 1: I'm sorry, no, no, I'm sorry. No, you won't for

978
01:03:42,000 --> 01:03:46,280
Speaker 1: your birthday. You, I'm gonna have to go with team

979
01:03:46,480 --> 01:03:56,400
Speaker 1: Steve one ugly. Yeah you're not bossing, but you in

980
01:03:56,560 --> 01:04:08,040
Speaker 1: booty U Unie camp part you. But yeah, but you're

981
01:04:08,040 --> 01:04:14,160
Speaker 1: back of the elbow. I'm not gonna be tenda eye.

982
01:04:14,200 --> 01:04:19,200
Speaker 1: You're not tenda ay, Okay, Tom, You're not attracted at

983
01:04:19,280 --> 01:04:31,440
Speaker 1: all on your damn birthday. Listen, reality check. Hey, email

984
01:04:31,560 --> 01:04:34,360
Speaker 1: us your Instagram. That's your thoughts on Today's Strawberry Letter

985
01:04:34,440 --> 01:04:37,280
Speaker 1: at Steve Harvey FM, or you can check out the

986
01:04:37,400 --> 01:04:41,480
Speaker 1: Strawberry Letter podcast on demand. All Right, we'll be back

987
01:04:41,600 --> 01:04:44,400
Speaker 1: with more of the Steve Harvey Morning Show right after

988
01:04:46,160 --> 01:04:49,840
Speaker 1: you're listening to the Steve Harvey Morning Show. All right,

989
01:04:49,960 --> 01:04:53,000
Speaker 1: so Junior is here today with this is a comedy segment.

990
01:04:53,040 --> 01:04:56,240
Speaker 1: You call Junior when dead? What's that about? When did

991
01:04:56,440 --> 01:04:58,360
Speaker 1: you know? We've been seeing a lot of things that

992
01:04:58,360 --> 01:05:02,440
Speaker 1: have been happening, but you just don't know when it started. Like,

993
01:05:02,640 --> 01:05:07,320
Speaker 1: for example, when did kids getting lucky? You never go

994
01:05:07,440 --> 01:05:09,480
Speaker 1: to the floor and see this little baby in front

995
01:05:09,480 --> 01:05:12,680
Speaker 1: of you, when all my drawls was in the same

996
01:05:12,800 --> 01:05:17,120
Speaker 1: luggage with my grandmother, all my draws up against the brazil.

997
01:05:18,520 --> 01:05:22,680
Speaker 1: When the kids getting lucky? I don't know when it started?

998
01:05:25,040 --> 01:05:30,000
Speaker 1: When did people start wearing house shoes everywhere? I had church?

999
01:05:30,160 --> 01:05:32,840
Speaker 1: Somebody stepped out their house shoes to get to the altar.

1000
01:05:33,040 --> 01:05:35,240
Speaker 1: And now when you leave your shoes out here in

1001
01:05:35,360 --> 01:05:41,560
Speaker 1: church like that? When when did it happen? Like when

1002
01:05:41,640 --> 01:05:46,000
Speaker 1: did vegans get so outspoken? What do you mean you

1003
01:05:46,120 --> 01:05:48,480
Speaker 1: ain't never know who the hell wasn't vegan? That it

1004
01:05:48,640 --> 01:05:52,160
Speaker 1: upsetting by everybody? You can't eat, that it had a mother,

1005
01:05:52,520 --> 01:05:59,040
Speaker 1: I can't vegans? Is I mean? When did all this

1006
01:05:59,080 --> 01:06:02,960
Speaker 1: stuff starts me up? They speaking up? When did we

1007
01:06:03,080 --> 01:06:05,240
Speaker 1: just never mind just wearing ripped jeans. Remember used to

1008
01:06:05,280 --> 01:06:10,320
Speaker 1: get your ass your the jeans to? Why am I

1009
01:06:10,480 --> 01:06:15,400
Speaker 1: looking at the Wayne draws? Just when did that start?

1010
01:06:16,360 --> 01:06:18,920
Speaker 1: We just don't know when it happened. When people used

1011
01:06:18,920 --> 01:06:23,880
Speaker 1: to borrow money, Now they're cash shapping. Yeah, but dinner

1012
01:06:24,240 --> 01:06:26,480
Speaker 1: he did the ass? Remember I can our borrow? What

1013
01:06:26,520 --> 01:06:29,080
Speaker 1: was important? Yes, they don't do that, no more, they

1014
01:06:29,120 --> 01:06:31,120
Speaker 1: don't do none of that. When did big guys just

1015
01:06:31,240 --> 01:06:33,720
Speaker 1: start showing their stomach with no results? You know they don't.

1016
01:06:33,800 --> 01:06:36,480
Speaker 1: They don't care, no remorse. They just the stomach just

1017
01:06:36,640 --> 01:06:39,560
Speaker 1: out a matter of fact? When did women just start

1018
01:06:39,600 --> 01:06:44,919
Speaker 1: wearing their stomach? St When did all of this happened? When?

1019
01:06:45,240 --> 01:06:47,440
Speaker 1: When did white kids get comfortable with saying the N

1020
01:06:47,520 --> 01:06:51,040
Speaker 1: word to black kids? Where did that start? When did

1021
01:06:51,080 --> 01:06:54,560
Speaker 1: we start knocking our kids? When did that stop? N

1022
01:06:54,640 --> 01:06:57,440
Speaker 1: Because my nephew is sitting up here making fls at

1023
01:06:57,440 --> 01:06:59,080
Speaker 1: school and we ain't been in school a week. When

1024
01:06:59,160 --> 01:07:02,440
Speaker 1: did this start? Just when did it happen? We just

1025
01:07:02,560 --> 01:07:04,960
Speaker 1: don't know. We have to figure out when did that

1026
01:07:05,040 --> 01:07:10,960
Speaker 1: happened that we start thinking about it? This stuff stuff changed?

1027
01:07:11,440 --> 01:07:17,000
Speaker 1: M No, No, when did it happen? Wow, I'll tell

1028
01:07:17,040 --> 01:07:20,080
Speaker 1: your love profile. Okay, here's one that everybody knows. This

1029
01:07:20,200 --> 01:07:22,720
Speaker 1: something we don't even know when they started. But remember

1030
01:07:22,760 --> 01:07:25,000
Speaker 1: when when did when a jogging suit? Member? When when

1031
01:07:25,040 --> 01:07:28,760
Speaker 1: it meant you was going jogging? Oh yeah, not people

1032
01:07:28,800 --> 01:07:32,480
Speaker 1: wearing joggon sus a jogging? No, damn what you're talking

1033
01:07:32,480 --> 01:07:37,480
Speaker 1: about me? That used to mean something you got on

1034
01:07:37,560 --> 01:07:43,640
Speaker 1: the jogging suit. I can assume your ask what's going job? Na? Na? Na?

1035
01:07:43,800 --> 01:07:46,480
Speaker 1: You're asking drive throughs? You You ain't doing nothing. We're

1036
01:07:46,560 --> 01:07:51,760
Speaker 1: walking in it, sleeping right now. I just work now,

1037
01:07:52,040 --> 01:07:54,720
Speaker 1: I'm in one right now. All right, we'll be back

1038
01:07:54,840 --> 01:07:57,480
Speaker 1: with more of the Steve Harvey Morning Show right now.

1039
01:07:59,120 --> 01:08:05,680
Speaker 1: You're listening show? All right? So what's something you and

1040
01:08:05,840 --> 01:08:11,080
Speaker 1: your significant other can't do without getting into an argument? Steve?

1041
01:08:11,200 --> 01:08:15,160
Speaker 1: Here's an email from Jermaine, who's a loyal listener from Dallas. Uh.

1042
01:08:15,520 --> 01:08:18,719
Speaker 1: It says, Dear Steve, there are many things my wife

1043
01:08:18,760 --> 01:08:21,560
Speaker 1: and I love to do together, but one thing we

1044
01:08:21,800 --> 01:08:26,600
Speaker 1: cannot do together is to go grocery shopping. When I

1045
01:08:26,680 --> 01:08:29,160
Speaker 1: go to the store, I like to run in and

1046
01:08:29,439 --> 01:08:32,479
Speaker 1: out as fast as I can. When my wife goes

1047
01:08:32,560 --> 01:08:36,719
Speaker 1: grocery shopping, she likes to look and touch every item

1048
01:08:36,840 --> 01:08:39,839
Speaker 1: in the store, and it just leads us to arguing.

1049
01:08:40,439 --> 01:08:43,160
Speaker 1: So hey, morning crew, most of you all are married.

1050
01:08:43,240 --> 01:08:46,040
Speaker 1: I'm curious what do you guys in your spouse is

1051
01:08:46,600 --> 01:08:50,639
Speaker 1: avoid doing together because it always leads to an Argumentum,

1052
01:08:51,000 --> 01:08:54,040
Speaker 1: So again, Steve, that was from Jermaine and Dallas and

1053
01:08:54,120 --> 01:09:03,120
Speaker 1: we're gonna Yeah, we started with you, and I hope

1054
01:09:03,120 --> 01:09:04,960
Speaker 1: he goes. I hope it's long enough that we go

1055
01:09:05,120 --> 01:09:11,200
Speaker 1: to the break. Come on, we started with team Tea. Yeah,

1056
01:09:11,880 --> 01:09:14,280
Speaker 1: me and Margie. We can't sit down and watch no

1057
01:09:14,800 --> 01:09:21,719
Speaker 1: damn sporting ethan not now one. Oh, we're not fitting

1058
01:09:21,720 --> 01:09:24,360
Speaker 1: the argue about who are to win or nothing like that.

1059
01:09:25,080 --> 01:09:30,640
Speaker 1: She don't know a damn thing about no sports. She

1060
01:09:30,880 --> 01:09:34,599
Speaker 1: don't know none of the rules. I want to sit

1061
01:09:34,680 --> 01:09:38,639
Speaker 1: down and ask questions the whole damn time. I can't

1062
01:09:38,760 --> 01:09:42,000
Speaker 1: why you, Holly, because they scored what did they score

1063
01:09:42,240 --> 01:09:45,800
Speaker 1: a touchdown? How many points is that six? Why they

1064
01:09:45,960 --> 01:09:48,479
Speaker 1: got seven because they kicked the extra point? Why they

1065
01:09:48,600 --> 01:09:52,680
Speaker 1: kicked a point because they got a touchdown? Why they

1066
01:09:52,760 --> 01:09:55,320
Speaker 1: only got three because they kicked the field goal? How

1067
01:09:55,400 --> 01:09:58,200
Speaker 1: come they ain't get a touchdown because they didn't score

1068
01:09:58,280 --> 01:10:05,840
Speaker 1: to touchdown? Who you okay, baby, I was in here

1069
01:10:05,880 --> 01:10:07,800
Speaker 1: watching again. Oh so you don't want me to watch

1070
01:10:07,880 --> 01:10:10,400
Speaker 1: a game with you? I said this, I thought I

1071
01:10:10,520 --> 01:10:16,160
Speaker 1: said it under my bro. She heard that because she

1072
01:10:16,280 --> 01:10:21,760
Speaker 1: got mother hearing. All right, I'll tell you what mine is.

1073
01:10:22,120 --> 01:10:26,040
Speaker 1: But it's indirectly related to cooking, like when we go out.

1074
01:10:27,800 --> 01:10:30,000
Speaker 1: Like when we go out, like for instance, Sturday went

1075
01:10:30,040 --> 01:10:32,679
Speaker 1: out to my friends. They had they had a party,

1076
01:10:32,720 --> 01:10:36,360
Speaker 1: my girlfriend celebrated her birthday. Whenever we go out to

1077
01:10:36,520 --> 01:10:40,920
Speaker 1: a party to someone's house, Nesto piles his plate when

1078
01:10:40,960 --> 01:10:43,200
Speaker 1: he gets to the field. Yeah, why do you think

1079
01:10:43,280 --> 01:10:47,840
Speaker 1: he wouldn't embarrassing, But it's embarrassing to me. And he

1080
01:10:48,000 --> 01:10:54,000
Speaker 1: goes back for a second, and my girlfriends are like, oh, Nesto,

1081
01:10:54,240 --> 01:10:56,840
Speaker 1: go ahead. Their husband's man, come on, eat what you want.

1082
01:10:57,280 --> 01:10:59,840
Speaker 1: All the time that embarrasses me. So in the car

1083
01:11:00,200 --> 01:11:02,840
Speaker 1: it is an argument. It is an argument on the

1084
01:11:02,920 --> 01:11:07,880
Speaker 1: way home. And then he gonna bring home a plate.

1085
01:11:08,320 --> 01:11:12,800
Speaker 1: Come on, boy, it's on the back seat. Somebody got

1086
01:11:12,880 --> 01:11:15,519
Speaker 1: to keep your weight up. Hey, Shirley, it's on the

1087
01:11:15,640 --> 01:11:21,000
Speaker 1: back seat and it don't even move it's so heavy. Exactly, stick,

1088
01:11:21,760 --> 01:11:25,400
Speaker 1: exactly were you there? Exactly? This is every time we

1089
01:11:25,520 --> 01:11:28,000
Speaker 1: go to a party, so you just that damn hungry.

1090
01:11:28,040 --> 01:11:30,599
Speaker 1: You're gonna eat that much food? Baby, I'm just at

1091
01:11:30,640 --> 01:11:33,240
Speaker 1: the party. Everybody else's he You ain't got to eat

1092
01:11:33,280 --> 01:11:38,320
Speaker 1: that much damn food. Now, just shame all in here,

1093
01:11:38,400 --> 01:11:41,920
Speaker 1: all the food falling off your plate while you walk it. Yeah,

1094
01:11:42,000 --> 01:11:44,679
Speaker 1: and then everybody in the party, Come on, Nesto, it's okay,

1095
01:11:45,000 --> 01:11:49,599
Speaker 1: and so can get you some food. Comes eat. Then

1096
01:11:49,680 --> 01:11:54,160
Speaker 1: you sitting up that eating and crime, what does you climb? Yea,

1097
01:11:55,040 --> 01:11:59,559
Speaker 1: you got some meat? Yeah? What teens coming down your

1098
01:11:59,600 --> 01:12:05,800
Speaker 1: face because it's the moment he said, I don't need

1099
01:12:05,880 --> 01:12:14,240
Speaker 1: no season. Everybody's all around him, sick yourself. Oh man,

1100
01:12:14,760 --> 01:12:19,320
Speaker 1: all right, so that's mine anyway at the time, they

1101
01:12:19,439 --> 01:12:21,920
Speaker 1: don't make a pleat go take it to the house.

1102
01:12:22,240 --> 01:12:24,200
Speaker 1: They've become about surely on the radio all the time.

1103
01:12:24,720 --> 01:12:28,920
Speaker 1: Make self plate though they know I'm already in the car.

1104
01:12:30,920 --> 01:12:34,200
Speaker 1: Take the pot, nest off. We're good. You can bring

1105
01:12:34,280 --> 01:12:37,000
Speaker 1: him back later. Well time me you got out of it, dogg.

1106
01:12:40,240 --> 01:12:43,200
Speaker 1: Coming up more of today's trending stories on the Steve

1107
01:12:43,240 --> 01:12:45,320
Speaker 1: Harvey Morning Show. We'll be back in twenty minutes after

1108
01:12:45,400 --> 01:12:49,080
Speaker 1: the hour. Right after this, you're listening to Steve Harvey

1109
01:12:49,120 --> 01:12:54,040
Speaker 1: Morning Show. You know what, twenty twenty has been a

1110
01:12:54,160 --> 01:12:57,519
Speaker 1: rough year for everyone. I mean we're still here. Of course,

1111
01:12:57,600 --> 01:13:00,280
Speaker 1: we're still here, but it had some moments it really

1112
01:13:00,360 --> 01:13:03,720
Speaker 1: good and we got to talk about um just you know,

1113
01:13:04,000 --> 01:13:07,960
Speaker 1: how we turned negatives into positives? Junior, you had you

1114
01:13:08,080 --> 01:13:11,120
Speaker 1: had some How did you go rogue in twenty twenty?

1115
01:13:11,280 --> 01:13:13,280
Speaker 1: Tell us? You know, you know one thing I did.

1116
01:13:13,560 --> 01:13:16,000
Speaker 1: You know, I was in the house most of the

1117
01:13:16,120 --> 01:13:19,800
Speaker 1: year since March, you know, and that lonely feeling and stuff,

1118
01:13:19,840 --> 01:13:21,600
Speaker 1: you know, you get all that stuff. I would just

1119
01:13:21,760 --> 01:13:24,320
Speaker 1: really literally get in my truck and just drive around

1120
01:13:24,439 --> 01:13:27,280
Speaker 1: listen to some good music. It changed your whole mood.

1121
01:13:27,360 --> 01:13:28,880
Speaker 1: I mean, you don't have to just be in the house.

1122
01:13:28,920 --> 01:13:31,840
Speaker 1: You could be isolated, right man. You know. I thrown

1123
01:13:31,960 --> 01:13:33,640
Speaker 1: some Eyes of Brothers, then I jump over to some

1124
01:13:33,800 --> 01:13:35,760
Speaker 1: jay Z. Then I would go back and forth, you know,

1125
01:13:35,840 --> 01:13:39,639
Speaker 1: then put my Jodac on the Whole Jose album. You're

1126
01:13:39,640 --> 01:13:42,200
Speaker 1: supposed to start off with, Well, let me tell you something.

1127
01:13:42,520 --> 01:13:44,439
Speaker 1: This is what I learned. The Whole Jodes album, the

1128
01:13:44,479 --> 01:13:47,639
Speaker 1: first album it is. If you just get on twenty five,

1129
01:13:48,000 --> 01:13:50,920
Speaker 1: it is exactly all seventeen songs. Do you understand me

1130
01:13:51,320 --> 01:13:58,880
Speaker 1: just going around to exactly all seventeen songs? Go rogue baby. Yeah.

1131
01:13:59,040 --> 01:14:01,560
Speaker 1: So that's how you take a negative and make it

1132
01:14:01,640 --> 01:14:04,960
Speaker 1: a podcast. A lot of my rogue moments, I was like, yeah,

1133
01:14:05,000 --> 01:14:08,200
Speaker 1: I did this. Now I'm back in the house, you know. Okay, dude,

1134
01:14:08,240 --> 01:14:10,160
Speaker 1: I'm gonna i'mnna make me a rogue moment to do.

1135
01:14:10,600 --> 01:14:12,439
Speaker 1: I mean, Houston, I'm gonna do Beltway eight and see

1136
01:14:12,479 --> 01:14:15,080
Speaker 1: what I what? What album? Can I go? Album? For

1137
01:14:15,120 --> 01:14:18,760
Speaker 1: the album? Man, you won't need a series and college Yeah,

1138
01:14:18,800 --> 01:14:21,800
Speaker 1: an anthology dream you right, I'm gonna need a double

1139
01:14:21,840 --> 01:14:27,320
Speaker 1: album around the full five because it as the long. Yeah,

1140
01:14:27,360 --> 01:14:30,320
Speaker 1: it is all right, thank you guys. Coming up more

1141
01:14:30,439 --> 01:14:34,000
Speaker 1: of the Steve Harward Morning Show. Hold on row right

1142
01:14:34,040 --> 01:14:39,880
Speaker 1: after this a you're listening Steven Show. All right, now, guys,

1143
01:14:39,960 --> 01:14:44,320
Speaker 1: it's time for something funny. So Steve, Jay, Tommy Junior, uh,

1144
01:14:44,479 --> 01:14:48,240
Speaker 1: you're here, explain this, Jake. It's called awkward situation. Awkward situations.

1145
01:14:48,320 --> 01:14:50,840
Speaker 1: We've all been in awkward situations. I'll set it up.

1146
01:14:51,000 --> 01:14:53,200
Speaker 1: I want the fellas to add to it. Here. One

1147
01:14:53,320 --> 01:14:55,920
Speaker 1: here's the first one, you with your boy you and

1148
01:14:56,000 --> 01:14:59,040
Speaker 1: your boy ride you decide to go pick up your girl.

1149
01:14:59,600 --> 01:15:01,639
Speaker 1: Now he won't get in the back seat. He sits

1150
01:15:01,680 --> 01:15:06,439
Speaker 1: his ass in the middle, awkward and then here in

1151
01:15:06,479 --> 01:15:10,240
Speaker 1: the middle of me and my girl. Yeah, is that

1152
01:15:10,320 --> 01:15:13,400
Speaker 1: what you're just saying? That's not We gotta get him,

1153
01:15:13,400 --> 01:15:15,840
Speaker 1: but out of the car, garth. He can't roll with us. Man,

1154
01:15:17,400 --> 01:15:21,880
Speaker 1: he screwed over. I know you ain't up under me?

1155
01:15:22,040 --> 01:15:25,320
Speaker 1: Do you up under me? Why is your hands in

1156
01:15:25,400 --> 01:15:34,000
Speaker 1: your lamp? Situation? You and you girl upstairs getting busy,

1157
01:15:35,120 --> 01:15:40,160
Speaker 1: just making noise. Yeah, you come downstairs? You thought her

1158
01:15:40,240 --> 01:15:52,439
Speaker 1: parents were down? Word word poppy? Still here your mama?

1159
01:15:53,720 --> 01:15:58,120
Speaker 1: They looking upside your head? What you're doing? Our baby?

1160
01:16:02,080 --> 01:16:07,640
Speaker 1: What't you doing? My baby? My baby? Whoa dad? It

1161
01:16:07,680 --> 01:16:11,760
Speaker 1: will never sound like I'm sorry, I come you don't

1162
01:16:11,800 --> 01:16:16,800
Speaker 1: sound like that, like what you got you got. I'm

1163
01:16:16,840 --> 01:16:19,120
Speaker 1: just saying, if you see somebody like that when you

1164
01:16:19,200 --> 01:16:20,800
Speaker 1: come down and said you see your mother? And what

1165
01:16:20,880 --> 01:16:26,680
Speaker 1: can you really think? Missus? Smith? Lord? Why thought y'all

1166
01:16:26,760 --> 01:16:34,240
Speaker 1: was leaving? Hello, y'all been here, I ain't got another one?

1167
01:16:34,320 --> 01:16:37,760
Speaker 1: There you go? You said something about somebody You just

1168
01:16:38,000 --> 01:16:43,400
Speaker 1: talking major trash and you thought the phone was off

1169
01:16:43,640 --> 01:16:53,320
Speaker 1: on mute. Oh but yeah, I haven't done that. Yeah,

1170
01:16:53,760 --> 01:16:57,479
Speaker 1: I have done that. I have forgotten to hang up. God,

1171
01:16:59,600 --> 01:17:02,960
Speaker 1: I got I got an awkward situation. Okay, what you

1172
01:17:03,040 --> 01:17:07,559
Speaker 1: ever lost? Somebody ever come up to you really upset

1173
01:17:07,680 --> 01:17:11,840
Speaker 1: and start crying. But they cried, but they got bad

1174
01:17:12,000 --> 01:17:17,360
Speaker 1: breath and you're trying to listen to him because you

1175
01:17:17,439 --> 01:17:21,519
Speaker 1: know something wrong. But that breath is pushing you back. Hey,

1176
01:17:22,160 --> 01:17:25,400
Speaker 1: and you gotta keep asking on what they say because

1177
01:17:25,479 --> 01:17:37,880
Speaker 1: they crying and you're trying to get far away. Yeah, hey,

1178
01:17:37,960 --> 01:17:41,760
Speaker 1: that's wrong, man. Your breath can't be like that and

1179
01:17:41,960 --> 01:17:47,760
Speaker 1: you cry with your mouth over all right, thank you.

1180
01:17:48,080 --> 01:17:51,000
Speaker 1: We will be back with closing remarks from the one

1181
01:17:51,040 --> 01:17:53,800
Speaker 1: and only Steve Harvey right after this at forty nine,

1182
01:17:53,840 --> 01:17:59,360
Speaker 1: after you're listening show. All right, Steve, here we are

1183
01:17:59,439 --> 01:18:02,160
Speaker 1: our last. The break of the day was a good day.

1184
01:18:03,040 --> 01:18:05,679
Speaker 1: Y y Yeah, And we're not gonna take up any

1185
01:18:05,760 --> 01:18:09,200
Speaker 1: more time, Steve, because people have been waiting for today's

1186
01:18:09,240 --> 01:18:13,160
Speaker 1: closing remarks. You know, it's really something that I was

1187
01:18:14,400 --> 01:18:18,240
Speaker 1: thinking about, and it started with how I was assessed

1188
01:18:18,280 --> 01:18:20,560
Speaker 1: in my own life, and then as I began to

1189
01:18:21,040 --> 01:18:24,839
Speaker 1: assess it, I started thinking about of how many people's

1190
01:18:24,960 --> 01:18:29,320
Speaker 1: lives are running a parallel course to mine. I mean

1191
01:18:29,880 --> 01:18:35,400
Speaker 1: almost everybody. It really is almost the case for everybody.

1192
01:18:36,200 --> 01:18:39,040
Speaker 1: If you are a person that's seeking happiness or success,

1193
01:18:40,160 --> 01:18:42,720
Speaker 1: then you can relate to what I'm about to say

1194
01:18:42,840 --> 01:18:47,280
Speaker 1: to you, because all of us, all of you, myself included,

1195
01:18:47,600 --> 01:18:51,559
Speaker 1: have faced moments where it just didn't go the way

1196
01:18:51,640 --> 01:18:55,320
Speaker 1: we planned. It just didn't go the way we thought,

1197
01:18:56,120 --> 01:18:58,639
Speaker 1: and it showed didn't go the way we had hoped,

1198
01:18:59,520 --> 01:19:04,320
Speaker 1: but it went anyway. And it happened to me last year.

1199
01:19:04,640 --> 01:19:09,000
Speaker 1: A couple of things happened that I well, I had

1200
01:19:09,120 --> 01:19:11,920
Speaker 1: been forewarned of it, but I just I didn't know

1201
01:19:12,040 --> 01:19:15,400
Speaker 1: it really and then it happened. But like I've always

1202
01:19:15,439 --> 01:19:19,640
Speaker 1: said to you, all life is tempercent. What happens to

1203
01:19:19,720 --> 01:19:22,400
Speaker 1: you is ninety percent what you do about it. So

1204
01:19:22,720 --> 01:19:26,680
Speaker 1: as I had these doors closed in my face and

1205
01:19:27,640 --> 01:19:31,200
Speaker 1: I began to pray about it and talk to God

1206
01:19:31,280 --> 01:19:38,600
Speaker 1: about it, I also found myself being privy to what

1207
01:19:38,760 --> 01:19:42,400
Speaker 1: the haters were saying, and what the Internet was saying,

1208
01:19:42,479 --> 01:19:45,800
Speaker 1: and what so called friends of mine would go, Man,

1209
01:19:46,000 --> 01:19:49,240
Speaker 1: you all right, man, your show gone. You all right?

1210
01:19:49,320 --> 01:19:52,160
Speaker 1: You're gonna be okay, man, they say, they took that

1211
01:19:52,280 --> 01:19:54,800
Speaker 1: in a little big shots. They say, man, it's over. Man,

1212
01:19:54,920 --> 01:19:57,400
Speaker 1: you man, you man, You're gonna be all right through

1213
01:19:57,439 --> 01:20:02,600
Speaker 1: all this. Here here, that's what I realized, and I

1214
01:20:02,680 --> 01:20:07,000
Speaker 1: want to share with you. And you can run your life,

1215
01:20:07,160 --> 01:20:09,360
Speaker 1: and I'm sure you can relate to what I'm saying.

1216
01:20:10,439 --> 01:20:15,360
Speaker 1: Those people who are writing me off, those people who

1217
01:20:15,479 --> 01:20:19,679
Speaker 1: have written you off, those people who say you're finished,

1218
01:20:20,000 --> 01:20:22,960
Speaker 1: those people who think there's no way you can rise

1219
01:20:23,240 --> 01:20:31,120
Speaker 1: from this one, they got to know this, that this

1220
01:20:31,360 --> 01:20:36,760
Speaker 1: that we are living is a movie. And the thing

1221
01:20:36,840 --> 01:20:40,160
Speaker 1: about a movie, it has a beginning, it has a middle,

1222
01:20:40,560 --> 01:20:44,360
Speaker 1: and it has an end. But this movie called life

1223
01:20:44,439 --> 01:20:48,360
Speaker 1: that we are in, the only end to this movie

1224
01:20:48,880 --> 01:20:53,200
Speaker 1: is when our life is over. Untill our life is over,

1225
01:20:53,680 --> 01:20:58,559
Speaker 1: the movie is constantly being constructed. Now here's the beautiful

1226
01:20:58,600 --> 01:21:05,400
Speaker 1: thing about this movie. We end. This movie has only

1227
01:21:05,520 --> 01:21:10,880
Speaker 1: one writer. The script writer to this movie is God.

1228
01:21:12,000 --> 01:21:15,080
Speaker 1: He is the one who controls the script to your life.

1229
01:21:15,920 --> 01:21:21,479
Speaker 1: But here is the catch to it. You are the director. See,

1230
01:21:21,520 --> 01:21:25,200
Speaker 1: the director makes choices in a movie. The director decides

1231
01:21:25,560 --> 01:21:29,240
Speaker 1: what's the move, how, what's the tone, what's the flavor?

1232
01:21:29,680 --> 01:21:33,080
Speaker 1: How we're doing this, what's our motivation? When we're talking

1233
01:21:33,120 --> 01:21:36,160
Speaker 1: to the actors, we give them the motivation for Well,

1234
01:21:36,200 --> 01:21:38,080
Speaker 1: if you got a director that wants to give you

1235
01:21:38,439 --> 01:21:41,759
Speaker 1: the positive information, which you are, the director of the movie,

1236
01:21:42,240 --> 01:21:48,600
Speaker 1: what the script says, the pitfalls, the trials and the

1237
01:21:48,720 --> 01:21:52,280
Speaker 1: tribulations in the movie. What the script says. It's okay,

1238
01:21:52,680 --> 01:21:55,200
Speaker 1: it's just the ten percent that's happening to you. It's

1239
01:21:55,280 --> 01:21:57,800
Speaker 1: you got to do the ninety percent. You got to

1240
01:21:58,000 --> 01:22:01,640
Speaker 1: keep doing the movie. Because God is the architect and

1241
01:22:01,720 --> 01:22:05,479
Speaker 1: the author of this movie. Nobody else. The haters are

1242
01:22:05,720 --> 01:22:09,600
Speaker 1: merely movie critics. All their job is to do is

1243
01:22:09,720 --> 01:22:13,479
Speaker 1: one thing, find something to criticize about the movie. They

1244
01:22:13,560 --> 01:22:16,479
Speaker 1: don't even mention the good part to the movie. They

1245
01:22:16,520 --> 01:22:18,719
Speaker 1: ain't there for you when you win in in the movie.

1246
01:22:19,080 --> 01:22:21,200
Speaker 1: They're not there for you when things go well in

1247
01:22:21,280 --> 01:22:25,200
Speaker 1: your movie. They are there for one reason only to criticize.

1248
01:22:25,880 --> 01:22:29,120
Speaker 1: They are the movie critics. Why how else would they

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01:22:29,160 --> 01:22:32,040
Speaker 1: have a position if they wasn't the critic, what would

1250
01:22:32,080 --> 01:22:36,080
Speaker 1: they do? The critics job is to criticize, find something wrong.

1251
01:22:37,000 --> 01:22:40,439
Speaker 1: They're not the movie helpers. They're not the movie or

1252
01:22:40,560 --> 01:22:44,720
Speaker 1: goal getters. They the movie critics. That's all the hater

1253
01:22:45,080 --> 01:22:48,000
Speaker 1: is and they don't even write the good stuff. You

1254
01:22:48,200 --> 01:22:51,280
Speaker 1: got to keep doing the movie. My heavenly Father, your

1255
01:22:51,400 --> 01:22:55,320
Speaker 1: God is the writer of this movie. And in this

1256
01:22:55,600 --> 01:22:58,479
Speaker 1: movie there gonna be some evan flows. You gotta beginning,

1257
01:22:58,520 --> 01:23:00,840
Speaker 1: you gotta middle. All you got to do is keep

1258
01:23:00,960 --> 01:23:04,360
Speaker 1: doing the movie. You're the director. You have the choices.

1259
01:23:04,640 --> 01:23:08,120
Speaker 1: When you blow a scene, all you got to do

1260
01:23:08,280 --> 01:23:10,960
Speaker 1: is get with the writer, come up with the next script,

1261
01:23:11,360 --> 01:23:16,920
Speaker 1: rewrite the next scene. You can actually pray to the creator,

1262
01:23:17,240 --> 01:23:20,599
Speaker 1: who is the architect and the writer of this movie

1263
01:23:20,880 --> 01:23:24,760
Speaker 1: just called your life. You can either pray and get direction.

1264
01:23:25,280 --> 01:23:30,080
Speaker 1: You can pray and get consultation. You can pray against guidance,

1265
01:23:30,479 --> 01:23:33,560
Speaker 1: and you know how to direct the scene for the

1266
01:23:33,760 --> 01:23:36,960
Speaker 1: next one. Even if you blow a scene in a

1267
01:23:37,240 --> 01:23:40,320
Speaker 1: over all you got to do is keep watching the movie.

1268
01:23:42,320 --> 01:23:45,439
Speaker 1: Keep in mind, now, movie critics only have one job,

1269
01:23:45,760 --> 01:23:48,880
Speaker 1: that is to criticize. But what they got to do,

1270
01:23:49,000 --> 01:23:50,960
Speaker 1: and what they're gonna end up doing, is what everybody

1271
01:23:51,000 --> 01:23:53,519
Speaker 1: else is gonna be doing. Y'all. They're gonna keep watching

1272
01:23:53,640 --> 01:23:57,439
Speaker 1: the movie. You're gonna show up somewhere else in another scene.

1273
01:23:57,600 --> 01:24:00,639
Speaker 1: And what they're gonna say then all they get church

1274
01:24:00,680 --> 01:24:04,360
Speaker 1: Mouse quiet. Then don't they the critics of your movie,

1275
01:24:04,600 --> 01:24:07,840
Speaker 1: get real quiet when you shining, when God raise you

1276
01:24:07,960 --> 01:24:10,680
Speaker 1: up and show you out again, Why the critics at then?

1277
01:24:11,040 --> 01:24:14,200
Speaker 1: I ain't a Oh Lord, they church mouse quiet, Den.

1278
01:24:14,800 --> 01:24:17,840
Speaker 1: You got to keep watching the movie because the movie

1279
01:24:17,920 --> 01:24:22,599
Speaker 1: ain't over. Man. The writer of this movie is your

1280
01:24:22,680 --> 01:24:25,880
Speaker 1: heavenly father and you are the director. Don't where about

1281
01:24:25,920 --> 01:24:29,920
Speaker 1: them critics. Man, keep watching the movie. You might mess

1282
01:24:30,000 --> 01:24:32,720
Speaker 1: around in the next scene. You're looking real good. I

1283
01:24:32,880 --> 01:24:47,040
Speaker 1: know I have. For all Steve Harvey contests, no purchase necessary,

1284
01:24:47,120 --> 01:24:50,360
Speaker 1: void where prohibited. Participants must be legal US residents at

1285
01:24:50,439 --> 01:24:54,519
Speaker 1: least eighteen years old, unless otherwise stated. For complete contest rules,

1286
01:24:54,640 --> 01:24:59,080
Speaker 1: visit Steve Harvey FM dot com. You're listening Steve Harvey

1287
01:24:59,160 --> 01:24:59,719
Speaker 1: Morning Show.