1 00:00:00,040 --> 00:00:03,520 Speaker 1: Bootleg cap Podcast special guests in here representing Stockton. Man 2 00:00:03,680 --> 00:00:06,760 Speaker 1: NBNL is in the building. So you sold you. Thank 3 00:00:06,800 --> 00:00:10,200 Speaker 1: you for pulling up buddy for sure. Yeah. How's everything 4 00:00:10,200 --> 00:00:14,720 Speaker 1: in your world? Man? Good? Just been working, still focused? Yeah, 5 00:00:14,760 --> 00:00:18,840 Speaker 1: you feel like you're always working, bro? Yeah, yeah, trying 6 00:00:18,840 --> 00:00:21,800 Speaker 1: to get right. Do you feel like because I always 7 00:00:21,800 --> 00:00:23,640 Speaker 1: say this, man, I feel like Stockton is like kind 8 00:00:23,640 --> 00:00:27,800 Speaker 1: of like the hottest city in California in terms of 9 00:00:27,840 --> 00:00:29,560 Speaker 1: the hip hop scene and what's going on. And I 10 00:00:29,600 --> 00:00:32,760 Speaker 1: feel like it seems like like y'all finally kind of 11 00:00:32,760 --> 00:00:35,800 Speaker 1: getting some credit now. Do you feel that way? Yeah? Yeah, 12 00:00:35,880 --> 00:00:37,879 Speaker 1: for sure. There's definitely a lot of telling out there. 13 00:00:38,640 --> 00:00:40,960 Speaker 1: Everyone just starting to get hips. It's been like that 14 00:00:41,040 --> 00:00:42,760 Speaker 1: for a couple of years now. But yeah, it's dope 15 00:00:42,760 --> 00:00:44,760 Speaker 1: to see for sure. Yeah, I feel like you're kind 16 00:00:44,760 --> 00:00:46,720 Speaker 1: of when I think of Stockton, I think of you 17 00:00:46,760 --> 00:00:48,560 Speaker 1: and I think a Haiti baby like in terms of 18 00:00:48,600 --> 00:00:50,319 Speaker 1: like the last five years, Like you guys are kind 19 00:00:50,320 --> 00:00:54,640 Speaker 1: of like the two main dudes. That's fair to say. Yeah, 20 00:00:54,640 --> 00:00:56,920 Speaker 1: I think that's fair to say. For sure. What is 21 00:00:57,000 --> 00:00:59,200 Speaker 1: up playing? Look, I ain't trying to get into politics, 22 00:00:59,200 --> 00:01:00,640 Speaker 1: but it feels like there's just a lot of drama 23 00:01:00,880 --> 00:01:03,480 Speaker 1: in terms between the rappers out there, whether it's yourself 24 00:01:03,480 --> 00:01:05,319 Speaker 1: and the other guys, and you know, it just seems 25 00:01:05,319 --> 00:01:09,080 Speaker 1: like there's a lot of like not a lot of 26 00:01:09,120 --> 00:01:12,600 Speaker 1: people moving together out there. Yeah, definitely not. Is that 27 00:01:12,680 --> 00:01:17,920 Speaker 1: like this all politics driven? Yeah, definitely is just a 28 00:01:18,000 --> 00:01:21,880 Speaker 1: bunch of street shipping that that that you know, hinders 29 00:01:21,959 --> 00:01:25,399 Speaker 1: music for sure. I feel like LA that kind of 30 00:01:25,440 --> 00:01:28,760 Speaker 1: got in the way of l a kind of moving 31 00:01:29,360 --> 00:01:31,560 Speaker 1: because you know, there was a moment when LA was 32 00:01:31,640 --> 00:01:33,240 Speaker 1: kind of like cold, you know what I mean. I 33 00:01:33,240 --> 00:01:34,600 Speaker 1: feel like because a lot of the up and coming 34 00:01:34,680 --> 00:01:37,880 Speaker 1: artists out of LA that the politics, I guess, get 35 00:01:37,959 --> 00:01:39,320 Speaker 1: in the way of the music. Now. Stocked In is 36 00:01:39,360 --> 00:01:43,280 Speaker 1: a way different city. It's a very small place, so 37 00:01:43,880 --> 00:01:47,119 Speaker 1: it's definitely not the same dynamic because I'm sure when 38 00:01:47,160 --> 00:01:49,640 Speaker 1: shit happens it's stocked it it's it's very small. I've 39 00:01:49,640 --> 00:01:54,400 Speaker 1: been there, you know, small together. Yeah, it's a lot different, right, 40 00:01:54,840 --> 00:01:57,600 Speaker 1: But for you, like, do you think that there's any 41 00:01:58,520 --> 00:02:01,200 Speaker 1: like progress in the right direct or is it still 42 00:02:01,240 --> 00:02:03,040 Speaker 1: kind of like everyone's just kind of divided doing their 43 00:02:03,080 --> 00:02:12,840 Speaker 1: own thing. I mean, as of right now, people like 44 00:02:12,880 --> 00:02:15,840 Speaker 1: that ship though like like I feel that's what's driving 45 00:02:15,840 --> 00:02:18,359 Speaker 1: in like people like seeing that that beef and ship 46 00:02:18,400 --> 00:02:22,360 Speaker 1: and that drama and ship. Yeah, it's crazy because I 47 00:02:22,400 --> 00:02:24,520 Speaker 1: kind of feel like Stockton's kind of like the West 48 00:02:24,600 --> 00:02:28,160 Speaker 1: Coast like Jacksonville, kind of like Jacksonville's like rap scene 49 00:02:28,240 --> 00:02:30,400 Speaker 1: is like kind of driven by like the fucking beef ship, 50 00:02:30,480 --> 00:02:32,760 Speaker 1: and I feel the Stockton ship is kind of similar, 51 00:02:32,919 --> 00:02:34,760 Speaker 1: like it's just so much beef, and I feel like 52 00:02:34,760 --> 00:02:38,440 Speaker 1: it helps. It's not good for the human beings involved, 53 00:02:38,680 --> 00:02:40,600 Speaker 1: not that it helps with It helps with the with 54 00:02:40,639 --> 00:02:43,440 Speaker 1: the getting the streams up and numbers up, especially like 55 00:02:43,520 --> 00:02:46,600 Speaker 1: YouTube and stuff. It's like a given and take though, 56 00:02:46,720 --> 00:02:48,480 Speaker 1: because it's like if you lean into that ship, there's 57 00:02:48,520 --> 00:02:51,400 Speaker 1: like real life ramifications. Yeah yeah, for sure, we gotta 58 00:02:51,400 --> 00:02:55,960 Speaker 1: know what you signed up for. But yeah, that's that's 59 00:02:56,000 --> 00:02:58,280 Speaker 1: that's what people like right now. Do you feel like 60 00:02:58,280 --> 00:02:59,760 Speaker 1: you be leaning into that ship a little bit just 61 00:02:59,760 --> 00:03:03,240 Speaker 1: to kind to help the music or I mean I've 62 00:03:03,240 --> 00:03:06,679 Speaker 1: always been to type like whatever whatever be happening, I 63 00:03:06,919 --> 00:03:09,560 Speaker 1: just leave it out the music because I treat it 64 00:03:09,639 --> 00:03:12,480 Speaker 1: like two separate entities. You feel me like this is 65 00:03:12,480 --> 00:03:16,080 Speaker 1: really my job for like like business. You feel me 66 00:03:16,120 --> 00:03:18,560 Speaker 1: like I don't want to. It ain't it ain't. I 67 00:03:19,760 --> 00:03:21,960 Speaker 1: just I try to just do you like, look at 68 00:03:22,000 --> 00:03:24,799 Speaker 1: you professionally you feel me. Yeah. But and as far 69 00:03:24,840 --> 00:03:28,640 Speaker 1: as that, I'm just fun all that shit. F Yeah 70 00:03:28,680 --> 00:03:30,079 Speaker 1: for sure. Yeah. I mean there's been a lot of 71 00:03:30,080 --> 00:03:32,440 Speaker 1: guys losing their life out there too, man, Like you know, 72 00:03:32,760 --> 00:03:35,320 Speaker 1: like the like the slow van dude obviously rest in peace. 73 00:03:35,360 --> 00:03:36,840 Speaker 1: But there's a lot of a lot of dudes, is there. 74 00:03:37,880 --> 00:03:39,880 Speaker 1: I feel like I've heard a few people losing their 75 00:03:39,920 --> 00:03:42,400 Speaker 1: life out there. They're like I just followed the Fizzler, 76 00:03:42,440 --> 00:03:46,920 Speaker 1: bro theler just be keeping me in Yeah, for sure. 77 00:03:47,880 --> 00:03:50,040 Speaker 1: For you, because you're kind of like one of the 78 00:03:50,040 --> 00:03:52,920 Speaker 1: pioneers out there, I would say that you're probably in 79 00:03:53,000 --> 00:03:56,160 Speaker 1: terms of like catalog and like you know, being able 80 00:03:56,200 --> 00:03:59,880 Speaker 1: to tour and do certain ship, you're probably the most 81 00:04:00,000 --> 00:04:02,640 Speaker 1: successful guy at a Stockton. Do you feel any pressure 82 00:04:02,760 --> 00:04:06,040 Speaker 1: or any responsibility kind of being like the national face 83 00:04:06,080 --> 00:04:09,400 Speaker 1: of a city like that? Uh? Yeah, A little bit 84 00:04:09,440 --> 00:04:12,560 Speaker 1: better save time. It's just I really just be so 85 00:04:12,800 --> 00:04:17,520 Speaker 1: like worried about myself. Like I don't really care what what, how, 86 00:04:17,600 --> 00:04:19,800 Speaker 1: what people expect or you feel me think of me. 87 00:04:19,839 --> 00:04:22,960 Speaker 1: It's just I'm just so focused and dialed in on 88 00:04:22,960 --> 00:04:25,440 Speaker 1: on myself and try to like better myself. So whether 89 00:04:25,440 --> 00:04:29,760 Speaker 1: people look at that like as a as a you know, 90 00:04:29,839 --> 00:04:33,120 Speaker 1: a good representation, it's just it is what it is. 91 00:04:33,160 --> 00:04:35,560 Speaker 1: You feel me naturally, When do you feel like you 92 00:04:35,680 --> 00:04:39,960 Speaker 1: kind of like figured out how to like properly turn 93 00:04:40,040 --> 00:04:43,039 Speaker 1: the rap shit into a business and like really monetize 94 00:04:43,080 --> 00:04:47,159 Speaker 1: your fan base. Uh? I started I started looking at 95 00:04:47,200 --> 00:04:49,840 Speaker 1: the analytics everything, like where where where certain fans of 96 00:04:49,880 --> 00:04:54,200 Speaker 1: listening to music from? Uh, like top cities? Like what 97 00:04:54,320 --> 00:04:56,200 Speaker 1: type of Like I'm really looking at what type of 98 00:04:56,200 --> 00:04:59,080 Speaker 1: songs are streaming the most? You feel me like like 99 00:04:59,200 --> 00:05:02,040 Speaker 1: certain raps song just do good on YouTube, but then 100 00:05:02,120 --> 00:05:06,080 Speaker 1: like like a song as for the females like singing melodizing, 101 00:05:06,120 --> 00:05:09,120 Speaker 1: that's that's doing. He'll get on like like Spotify or something. 102 00:05:09,640 --> 00:05:11,359 Speaker 1: And I'm looking at it and it's like cities that 103 00:05:11,440 --> 00:05:14,520 Speaker 1: I never expected. So like like where like right now 104 00:05:14,560 --> 00:05:16,440 Speaker 1: on my Spotify list? Last time I looked at it, 105 00:05:16,640 --> 00:05:22,440 Speaker 1: I think top five. I think it was like Melbourne, Australia, London. 106 00:05:23,480 --> 00:05:27,640 Speaker 1: Uh there was like three out of country cities. Oh yeah, 107 00:05:27,640 --> 00:05:29,919 Speaker 1: and it'd be like it'd be like for songs like 108 00:05:30,480 --> 00:05:33,880 Speaker 1: like the singing songs you feel me. That's so crazy 109 00:05:33,920 --> 00:05:38,520 Speaker 1: to think, like Australia is really far crazy. So when 110 00:05:38,560 --> 00:05:39,960 Speaker 1: you see some ship like that, or you're like, damn, 111 00:05:39,960 --> 00:05:41,520 Speaker 1: maybe we should try to go do some shows out 112 00:05:41,560 --> 00:05:44,640 Speaker 1: there or run some ads out there, try to you know, 113 00:05:44,720 --> 00:05:46,920 Speaker 1: like like how do you take that information and like 114 00:05:47,360 --> 00:05:51,120 Speaker 1: how do you apply it to like what you're doing. Uh, yeah, 115 00:05:51,160 --> 00:05:52,920 Speaker 1: we try to. We try to do like try to 116 00:05:53,160 --> 00:05:57,520 Speaker 1: try to have ads reached towards towards that way. We 117 00:05:57,640 --> 00:05:59,680 Speaker 1: we were actually speaking to somebody from out there, like 118 00:06:00,200 --> 00:06:03,120 Speaker 1: a promoter, trying to get some shows together. But uh, 119 00:06:03,760 --> 00:06:06,120 Speaker 1: that's on hold right now, trying to put that together, 120 00:06:06,839 --> 00:06:09,800 Speaker 1: try to have a show in Canada. And then and 121 00:06:09,839 --> 00:06:11,800 Speaker 1: they didn't even let me in, which was weird because 122 00:06:11,800 --> 00:06:15,400 Speaker 1: they let me in in uh Toronto and Montreal. Is 123 00:06:15,440 --> 00:06:18,080 Speaker 1: it because of your record? Yeah? But but they did 124 00:06:18,080 --> 00:06:20,600 Speaker 1: me so greasy this time, like they looked up everything, 125 00:06:20,720 --> 00:06:23,920 Speaker 1: like Dyven broke it even get in. They was bringing 126 00:06:24,000 --> 00:06:26,440 Speaker 1: up stuff from like when he was fourteen. Really this 127 00:06:26,520 --> 00:06:30,240 Speaker 1: is crazy? Was this Vancouver? Yeah? Vancouver? Damn? So like 128 00:06:30,279 --> 00:06:31,960 Speaker 1: you how does it work? You get to the border, 129 00:06:32,160 --> 00:06:33,760 Speaker 1: So yeah, we get over there, we go through the 130 00:06:34,000 --> 00:06:37,760 Speaker 1: little Uh I forgot what it's called. Uh, what's it called? 131 00:06:37,800 --> 00:06:42,000 Speaker 1: When you go we go to TJ customs. Customs. Yeah, 132 00:06:42,040 --> 00:06:47,200 Speaker 1: so we were in customs. They see me whatever. I guess. 133 00:06:47,240 --> 00:06:48,560 Speaker 1: I guess I kind of throw them off with the 134 00:06:48,600 --> 00:06:52,599 Speaker 1: face tattoos and shit. They looked me up. I guess 135 00:06:52,640 --> 00:06:55,000 Speaker 1: the seen I was a rapper. Then they look up 136 00:06:55,040 --> 00:06:58,680 Speaker 1: everything else that's on the internet, the little indictment shit 137 00:06:58,760 --> 00:07:00,640 Speaker 1: and just the ship that was on like blogs and 138 00:07:00,640 --> 00:07:04,279 Speaker 1: all that shit. So all that pop up day on 139 00:07:04,360 --> 00:07:07,600 Speaker 1: everything on my on my two suitcases. I got two 140 00:07:07,680 --> 00:07:11,560 Speaker 1: bandana's on it, just to identify it, right, and you know, yeah, yeah, 141 00:07:11,600 --> 00:07:12,960 Speaker 1: you know what I'm saying it. But but they happened 142 00:07:13,000 --> 00:07:15,200 Speaker 1: to be blue. So they asked him, why why is 143 00:07:15,200 --> 00:07:16,960 Speaker 1: it blue. I'm like, that's the that's the first thing 144 00:07:16,960 --> 00:07:18,800 Speaker 1: I see and I just put it on there. But 145 00:07:19,760 --> 00:07:21,560 Speaker 1: they have they bring me to like a little room 146 00:07:21,560 --> 00:07:23,880 Speaker 1: in the back. They like, we gotta ask you a 147 00:07:23,920 --> 00:07:28,320 Speaker 1: couple of questions. I'm like, all right, whatever, fuck it, bro. 148 00:07:28,400 --> 00:07:32,040 Speaker 1: They have me in there for like eight hours, eight hours, bro, 149 00:07:32,240 --> 00:07:34,840 Speaker 1: just ask like like down there interrogating me just to 150 00:07:34,880 --> 00:07:36,800 Speaker 1: deny you, well, my whole my whole life, like asking 151 00:07:36,800 --> 00:07:40,320 Speaker 1: me about my whole life, like everything, Like, go back 152 00:07:40,320 --> 00:07:42,560 Speaker 1: to the waiting room. All right, there's a couple more 153 00:07:42,600 --> 00:07:44,680 Speaker 1: questions we gotta ask. Go back in there. For like 154 00:07:44,720 --> 00:07:47,680 Speaker 1: two hours, I go back to the waiting room. They 155 00:07:47,800 --> 00:07:50,320 Speaker 1: had me doing that back and forth and then and 156 00:07:50,360 --> 00:07:52,240 Speaker 1: then the day was coming to an end. There was 157 00:07:52,280 --> 00:07:56,600 Speaker 1: nobody else coming in. There was like, uh, based on 158 00:07:56,640 --> 00:07:58,280 Speaker 1: the information you gave us, we still got to do 159 00:07:58,360 --> 00:08:02,360 Speaker 1: some more research, like more stuff come up. So I'm like, damn. 160 00:08:02,600 --> 00:08:05,040 Speaker 1: They're like, uh, it might be a it might be 161 00:08:06,400 --> 00:08:10,120 Speaker 1: a legal issue now because you're they're trying to say 162 00:08:10,120 --> 00:08:11,960 Speaker 1: I was an active crip and you give me just 163 00:08:11,960 --> 00:08:14,160 Speaker 1: a little shit like that. Now now it's a legal issue. 164 00:08:14,160 --> 00:08:16,040 Speaker 1: And I'm like a legal issue, like like what are 165 00:08:16,040 --> 00:08:19,200 Speaker 1: you talking about? Instantly called I ictically called Matt, who's 166 00:08:19,200 --> 00:08:21,960 Speaker 1: a lawyer, and yeah, the lawyer and my real lawyer, 167 00:08:22,560 --> 00:08:26,840 Speaker 1: uh Mark, So I call them. They get in contact 168 00:08:26,880 --> 00:08:30,680 Speaker 1: with them, trying to see what's up. Mark and Matt 169 00:08:30,720 --> 00:08:33,439 Speaker 1: get ahold of the U the uh was it the 170 00:08:33,480 --> 00:08:36,440 Speaker 1: embassy or something like that, trying to talk to them. Uh. 171 00:08:36,920 --> 00:08:38,559 Speaker 1: They're like, you're gonna have to spend the night in 172 00:08:38,800 --> 00:08:42,319 Speaker 1: uh in custody so we could do more homework on you. 173 00:08:42,440 --> 00:08:45,480 Speaker 1: What the fuck? Yeah, to try to get into a country. Yeah, 174 00:08:45,480 --> 00:08:47,400 Speaker 1: I was like, fuck that, I gotta go. They're like, 175 00:08:47,440 --> 00:08:49,360 Speaker 1: you can't leave. There's no there's unless you can find 176 00:08:49,360 --> 00:08:51,000 Speaker 1: a flight. There's like, we'll give you an exception. If 177 00:08:51,000 --> 00:08:52,800 Speaker 1: you can find a flight to the US right now, 178 00:08:53,280 --> 00:08:55,200 Speaker 1: we'll let you leave. But they were like, there isn't 179 00:08:55,200 --> 00:08:56,880 Speaker 1: any though, so you're gonna have to spend the night 180 00:08:56,880 --> 00:09:00,560 Speaker 1: and it could possibly become a legal issue because you're organized. 181 00:09:00,920 --> 00:09:03,280 Speaker 1: What they said, gang member that's coming into the country 182 00:09:03,360 --> 00:09:06,120 Speaker 1: or something like that. So I'm looking, I'm like, give 183 00:09:06,120 --> 00:09:07,880 Speaker 1: me five minutes, bro, I'll find a flight right now. 184 00:09:08,080 --> 00:09:10,400 Speaker 1: So we're looking. I'm on the three way with man 185 00:09:10,400 --> 00:09:12,520 Speaker 1: and the lawyer and we're just trying to find a 186 00:09:12,520 --> 00:09:13,760 Speaker 1: flight to get U out of it. The first flight 187 00:09:13,760 --> 00:09:15,000 Speaker 1: I seen it was in New York, So I just 188 00:09:15,080 --> 00:09:17,040 Speaker 1: bought a ticket to New York got up out of there. 189 00:09:17,559 --> 00:09:20,720 Speaker 1: What I was there for so long? Yeah, just to 190 00:09:20,760 --> 00:09:23,080 Speaker 1: get it. So you were trying to drive, Like you 191 00:09:23,160 --> 00:09:25,040 Speaker 1: drove to the border or did you fly there? We flew. 192 00:09:25,160 --> 00:09:27,559 Speaker 1: So you fly into Vancouver to the airport and before 193 00:09:27,559 --> 00:09:30,679 Speaker 1: they let you into the country, they pretty much hit 194 00:09:30,720 --> 00:09:33,840 Speaker 1: you with the line of corners. Yeah. So when I 195 00:09:33,840 --> 00:09:36,800 Speaker 1: first went to Toronto, the dude kind of gave me 196 00:09:36,800 --> 00:09:38,960 Speaker 1: a little bit of issue. I got in contact with 197 00:09:38,960 --> 00:09:42,400 Speaker 1: my lawyer, Cunner, But but the dude was cool. So 198 00:09:42,440 --> 00:09:44,280 Speaker 1: what they were saying, they really depends on who's working 199 00:09:44,320 --> 00:09:47,280 Speaker 1: at the time. But I guess Vancouver more strict because 200 00:09:47,440 --> 00:09:51,720 Speaker 1: it's connected to California. You feel me, right, Damn, that's crazy. 201 00:09:52,040 --> 00:09:54,360 Speaker 1: So you just flew to New York. Yeah, I flew 202 00:09:54,440 --> 00:09:56,120 Speaker 1: to New York, spent the night over there and at 203 00:09:56,160 --> 00:09:58,640 Speaker 1: the flight pack, well, I was on a plane for 204 00:09:58,679 --> 00:10:01,160 Speaker 1: like a whole day. I was like a terrible twenty 205 00:10:01,200 --> 00:10:06,320 Speaker 1: four forty two hours terrible. Do you do you find that, like, 206 00:10:07,040 --> 00:10:09,960 Speaker 1: you know, some of your history, does it hinder the 207 00:10:10,000 --> 00:10:12,360 Speaker 1: way people look at you? Sometimes? Are some of your 208 00:10:12,360 --> 00:10:17,679 Speaker 1: opportunities ever outside of Canada? Yeah, I feel like it's sometimes. 209 00:10:19,000 --> 00:10:25,320 Speaker 1: Excuse me, uh yeah, I feel like it's sometimes. Yeah, 210 00:10:25,400 --> 00:10:27,200 Speaker 1: Like is it like because for you, I feel like 211 00:10:27,200 --> 00:10:29,000 Speaker 1: you've been kind of like leveling up in terms of 212 00:10:29,040 --> 00:10:30,800 Speaker 1: like I just noticed the way you move. You're moving 213 00:10:30,800 --> 00:10:33,000 Speaker 1: a lot different. You're moving more like a businessman. Like 214 00:10:34,960 --> 00:10:37,959 Speaker 1: it's gotta suck to kind of like you know, that 215 00:10:38,040 --> 00:10:40,360 Speaker 1: stigma just follow you around. I'm like, bro, I'm like 216 00:10:40,400 --> 00:10:44,680 Speaker 1: an artist who like I'm not some local rapper. Yeahs 217 00:10:44,720 --> 00:10:47,560 Speaker 1: not some gang member who who sucks at rapping And 218 00:10:47,600 --> 00:10:49,520 Speaker 1: I do this as a hobby, you know what I mean. Yeah, 219 00:10:49,600 --> 00:10:51,920 Speaker 1: I actually had I had a couple of talks with 220 00:10:51,960 --> 00:10:53,800 Speaker 1: a couple. I had a couple of sit downs with 221 00:10:53,840 --> 00:10:55,959 Speaker 1: some labels, like a couple of years ago, probably like 222 00:10:56,000 --> 00:10:59,640 Speaker 1: two years ago, and then they just they just look 223 00:10:59,679 --> 00:11:01,839 Speaker 1: at like, I don't know how we suposed to market him. 224 00:11:02,000 --> 00:11:05,000 Speaker 1: It's a Filipino dude who's a crip. Like, we don't 225 00:11:05,040 --> 00:11:07,760 Speaker 1: know how this's gonna fit with anything rap like, So 226 00:11:07,840 --> 00:11:12,240 Speaker 1: it's it's just all type of stuff. Yeah. You it's 227 00:11:12,240 --> 00:11:16,040 Speaker 1: funny because you and uh uh, you know, I feel 228 00:11:16,120 --> 00:11:20,199 Speaker 1: like there is kind of a I feel like hip 229 00:11:20,200 --> 00:11:24,200 Speaker 1: hop doesn't know how to figure out the West Coast 230 00:11:24,679 --> 00:11:26,880 Speaker 1: Asian gang member rap thing yet, even though you know, 231 00:11:27,480 --> 00:11:30,120 Speaker 1: people have gotten plaques, you know what I'm saying. Yeah, yeah, 232 00:11:30,160 --> 00:11:33,840 Speaker 1: for sure you gotta go plack yet uh not yet. 233 00:11:34,000 --> 00:11:36,959 Speaker 1: But I got one that's that's close to one of 234 00:11:37,040 --> 00:11:39,839 Speaker 1: my older songs, Feelings which been going up it look 235 00:11:39,880 --> 00:11:43,440 Speaker 1: crazy for some reason, just out of nowhere. Yeah, TikTok, 236 00:11:44,080 --> 00:11:45,240 Speaker 1: I don't know what it is. I don't even be 237 00:11:45,280 --> 00:11:47,320 Speaker 1: on TikTok, so I don't know it's crazy because like 238 00:11:47,360 --> 00:11:49,959 Speaker 1: you'll see a record like that's like three or four 239 00:11:50,000 --> 00:11:52,320 Speaker 1: years old, like just ye blow up, blowing up out 240 00:11:52,320 --> 00:11:55,280 Speaker 1: of nowhere, dude, it'd be like that's crazy even like 241 00:11:55,400 --> 00:11:57,560 Speaker 1: stupid young ship. Like it was dope to see him 242 00:11:57,600 --> 00:12:01,280 Speaker 1: get I mean get get U. I think Mando went 243 00:12:01,840 --> 00:12:05,880 Speaker 1: gold or platinum. I think it was platinum them. Yeah, 244 00:12:06,120 --> 00:12:09,199 Speaker 1: you guys did a tape together. Yeah, we did too, 245 00:12:09,920 --> 00:12:12,440 Speaker 1: yellow tape? Right, Yeah, did you guys do a yellow tape? 246 00:12:12,440 --> 00:12:16,000 Speaker 1: Part two? And I just missed it probably Yeah, yeah, 247 00:12:16,080 --> 00:12:19,040 Speaker 1: you guys running back for the trio. Uh, we've been 248 00:12:19,080 --> 00:12:21,680 Speaker 1: talking about it. Was that something you guys kind of 249 00:12:21,840 --> 00:12:24,360 Speaker 1: related on just kind of being Asians and like I 250 00:12:24,360 --> 00:12:28,760 Speaker 1: mean northern California, Southern California. Yeah, yeah, we just and uh, 251 00:12:29,400 --> 00:12:32,080 Speaker 1: when he knows he knows folks are stuck it out, 252 00:12:32,120 --> 00:12:35,160 Speaker 1: knew you feel me like and like some people from 253 00:12:35,160 --> 00:12:37,839 Speaker 1: his hill is instucked in and I knew some people 254 00:12:37,880 --> 00:12:39,640 Speaker 1: and he just kind of has to say the politics 255 00:12:39,640 --> 00:12:42,120 Speaker 1: between Asians from the South and the North are not 256 00:12:42,160 --> 00:12:45,440 Speaker 1: the same as like Mexicans, right or am I like 257 00:12:45,520 --> 00:12:48,640 Speaker 1: as because it feels like the gang ship if you're 258 00:12:48,679 --> 00:12:51,280 Speaker 1: if you're a Southern or Northerner and you're from like 259 00:12:51,360 --> 00:12:55,719 Speaker 1: the Mexican ship, it feels like I super divided the 260 00:12:55,760 --> 00:12:58,000 Speaker 1: way seem why, I think that's really only the North 261 00:12:58,000 --> 00:13:02,120 Speaker 1: Asian sireos for real, right, But but on the Asian tip, 262 00:13:02,120 --> 00:13:04,000 Speaker 1: it's not like that. It's not like that. It's really 263 00:13:04,000 --> 00:13:07,120 Speaker 1: it's really like where you're from. Thro Yeah, shout out 264 00:13:07,160 --> 00:13:09,440 Speaker 1: to the Filipinos are doing well right now? Man. You 265 00:13:09,440 --> 00:13:12,760 Speaker 1: know Nico Blitz my producer, he's my producer. Yeah, he's 266 00:13:12,800 --> 00:13:16,120 Speaker 1: like mister Filipino hip hop you know. Yeah? Yeah? Has 267 00:13:16,160 --> 00:13:18,400 Speaker 1: he done a mix of your songs yet on his 268 00:13:18,559 --> 00:13:22,439 Speaker 1: TikTok uh? You gotta press him for that. Maybe. I 269 00:13:22,480 --> 00:13:25,320 Speaker 1: don't know TikTok so, I don't know. I think I'll 270 00:13:25,360 --> 00:13:27,719 Speaker 1: see them one time. I'm not sure. Yeah, nah, he's 271 00:13:27,720 --> 00:13:30,480 Speaker 1: a big fan. 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Go if 316 00:15:54,400 --> 00:15:57,240 Speaker 1: you're in Vegas, pull up on them man, Hardean, Las Vegas. 317 00:15:57,360 --> 00:15:59,320 Speaker 1: Do you feel like, uh, Filipinos are coming up in 318 00:15:59,360 --> 00:16:06,239 Speaker 1: wrap right now, sweetiesh Filipino Pilo go Op dad yourself? Uh? Yeah, 319 00:16:06,560 --> 00:16:09,920 Speaker 1: but like they make different music though, you know what 320 00:16:09,880 --> 00:16:12,800 Speaker 1: I'm saying, or that I feel like it's like I 321 00:16:12,880 --> 00:16:16,800 Speaker 1: come from a from a different cloth. Yeah, like yeah, 322 00:16:16,880 --> 00:16:19,800 Speaker 1: different world. Yeah for real. Yeah, they're making like more 323 00:16:20,880 --> 00:16:24,240 Speaker 1: commercially palatable ship. You're making like gangster rap, you know 324 00:16:24,280 --> 00:16:27,600 Speaker 1: what I'm trying to do, that commercial ship. How's it 325 00:16:27,640 --> 00:16:29,800 Speaker 1: working on? Do you think your fans are like receptive 326 00:16:29,800 --> 00:16:33,120 Speaker 1: to that kind of ship? Uh? Some of them and 327 00:16:33,200 --> 00:16:35,160 Speaker 1: some of them not. But it's crazy because, like like 328 00:16:35,240 --> 00:16:39,400 Speaker 1: I was said, I pay attention to analytics, so like 329 00:16:39,440 --> 00:16:42,040 Speaker 1: my my more uppity like mainstream cell of songs that 330 00:16:42,160 --> 00:16:45,800 Speaker 1: do really good on streaming and but then but then 331 00:16:46,480 --> 00:16:48,720 Speaker 1: it's it's fans that want the you know, the old 332 00:16:48,760 --> 00:16:51,920 Speaker 1: type of music. But you just gotta balance it because 333 00:16:51,920 --> 00:16:53,840 Speaker 1: you can't please everybody, you feel me and you can't 334 00:16:53,880 --> 00:16:58,000 Speaker 1: box yourself. You gotta want to grow. Yeah do you? Uh? 335 00:16:58,400 --> 00:17:02,640 Speaker 1: I just saw Russ talked about how YouTube videos are 336 00:17:02,680 --> 00:17:08,000 Speaker 1: not music videos rather aren't as important as they once were. Uh, 337 00:17:08,040 --> 00:17:09,880 Speaker 1: and you have a lot of videos. Your your YouTube 338 00:17:09,880 --> 00:17:12,240 Speaker 1: following is pretty big. Do you feel like you're getting 339 00:17:12,280 --> 00:17:14,159 Speaker 1: the same like ROI that you used to get when 340 00:17:14,200 --> 00:17:21,439 Speaker 1: you're dropping music video? Uh? Yeah, but but I'm just 341 00:17:21,440 --> 00:17:24,679 Speaker 1: starting to like pay attention to that the different streaming services, 342 00:17:24,920 --> 00:17:28,720 Speaker 1: and it really is a different dynamic. Uh, different kind 343 00:17:28,720 --> 00:17:32,480 Speaker 1: of fans that that listen to different streaming stuff. So 344 00:17:33,600 --> 00:17:38,399 Speaker 1: like I've been noticing like on YouTube, they've been liking 345 00:17:38,400 --> 00:17:41,800 Speaker 1: more like the the more rapping rapping ship and the 346 00:17:41,920 --> 00:17:47,160 Speaker 1: streaming more more commercial stuff. Yeah yeah, because YouTube is free, 347 00:17:47,280 --> 00:17:48,919 Speaker 1: you know what I'm saying, and the streaming stuff is 348 00:17:49,320 --> 00:17:52,760 Speaker 1: it's probably more like older young adults or teenagers or 349 00:17:52,800 --> 00:17:55,120 Speaker 1: something who who who could pay for this streaming services? 350 00:17:55,200 --> 00:17:58,600 Speaker 1: The monthlies and stuff like you know, uh, talk about 351 00:17:58,600 --> 00:18:02,040 Speaker 1: the money boys, man, what's the what's what's the obviously 352 00:18:02,040 --> 00:18:06,920 Speaker 1: that your crew, what's the origins of of the money boys? Uh? Yeah, 353 00:18:06,920 --> 00:18:09,680 Speaker 1: it's just fem me. We're just brothers. We all came 354 00:18:09,680 --> 00:18:13,359 Speaker 1: from the same area. Uh, grew up off a street 355 00:18:14,840 --> 00:18:17,560 Speaker 1: and that was that. We really just it's just it's 356 00:18:17,600 --> 00:18:21,399 Speaker 1: just collective, just bros. Yeah. Do you feel like is 357 00:18:21,440 --> 00:18:23,359 Speaker 1: that like, what is this a label? Is it just 358 00:18:23,359 --> 00:18:26,000 Speaker 1: the crew? Uh? Label? I'm trying to make it a 359 00:18:26,080 --> 00:18:31,320 Speaker 1: label sign artists. Yeah. Do you feel like you you 360 00:18:31,359 --> 00:18:34,480 Speaker 1: could be a CEO? Man? That's that's That's what I'm 361 00:18:34,520 --> 00:18:40,880 Speaker 1: trying to try for sure. Man, who would you put 362 00:18:40,920 --> 00:18:43,360 Speaker 1: in like the top three or four artists? And Stockton 363 00:18:43,480 --> 00:18:52,520 Speaker 1: right now? Right now? Uh, i'd say to bros, I'm 364 00:18:52,840 --> 00:19:03,439 Speaker 1: fill supporting and bros so uh Joe, Maury Twye, Uh, 365 00:19:03,320 --> 00:19:06,480 Speaker 1: I got the homie be nice working. I'm just famous 366 00:19:06,680 --> 00:19:10,159 Speaker 1: supporting the bros. Shout out hate Baby just signed with Jeezy. 367 00:19:10,520 --> 00:19:12,439 Speaker 1: Shout out hate Baby though to doing the ship, he 368 00:19:12,480 --> 00:19:20,000 Speaker 1: just c Yeah another upcomings putty low. But yeah. You 369 00:19:20,040 --> 00:19:23,120 Speaker 1: know who's dope to is uh? Don Quez? Oh yeah, 370 00:19:23,119 --> 00:19:25,840 Speaker 1: he's dope too. He could wrap his ass off. Oh 371 00:19:25,920 --> 00:19:29,960 Speaker 1: yeah for sure. Now I fuck with Don Kasz. He's Filipino. Yeah, 372 00:19:30,000 --> 00:19:32,320 Speaker 1: y'all fuck with him heavy. Yeah. I just I just 373 00:19:32,320 --> 00:19:34,640 Speaker 1: mentioned I just mentioned the hommies feel I just mentioned 374 00:19:34,640 --> 00:19:36,359 Speaker 1: the hommies, but but yeah, there's a lot of tailling 375 00:19:36,400 --> 00:19:39,000 Speaker 1: out there. Yo, as a Filipino, did you ever eat 376 00:19:39,000 --> 00:19:42,159 Speaker 1: what's this ship called with the baby egg embryo? It 377 00:19:42,160 --> 00:19:46,120 Speaker 1: starts with a bee. But look have you had that? 378 00:19:46,480 --> 00:19:49,000 Speaker 1: I never ate this. You never tried it? Mm hmm, 379 00:19:50,080 --> 00:19:54,239 Speaker 1: why not all? It's just not my thing that that 380 00:19:54,280 --> 00:19:57,359 Speaker 1: thing was crazy. It's like it's like a half born 381 00:19:57,480 --> 00:20:01,080 Speaker 1: like chicken, right, like an embryo. So my mom be 382 00:20:01,119 --> 00:20:04,639 Speaker 1: eating that, right, so your mom eats it? Yeah, you 383 00:20:04,720 --> 00:20:08,359 Speaker 1: never tried it. Never tried. I think I did actually 384 00:20:08,640 --> 00:20:11,600 Speaker 1: like the soup, the part, like the yolk part, yeah, 385 00:20:11,720 --> 00:20:13,679 Speaker 1: like like, but you didn't take it. You didn't take 386 00:20:13,680 --> 00:20:16,399 Speaker 1: a bite of the chicken. I don't think. I don't know. 387 00:20:16,400 --> 00:20:17,960 Speaker 1: I don't know. The people I know who eat it 388 00:20:18,000 --> 00:20:20,200 Speaker 1: don't eat the actual embryo. They just drink the soup. 389 00:20:21,080 --> 00:20:24,840 Speaker 1: I don't know. Jesus, Yeah, that's the crazy. I love 390 00:20:25,160 --> 00:20:27,880 Speaker 1: beat On and everything. I love it. I love Filipino food. 391 00:20:27,920 --> 00:20:30,080 Speaker 1: But that's the one thing I can ever try. It 392 00:20:30,080 --> 00:20:32,119 Speaker 1: looks crazy like I love loop Yeah, I mean I 393 00:20:32,119 --> 00:20:34,919 Speaker 1: love I love Filipino food. There's this place in Daily City. 394 00:20:35,000 --> 00:20:38,560 Speaker 1: There's a casino, uh, and they have this Filipino diner 395 00:20:38,600 --> 00:20:40,679 Speaker 1: in there. Have you been to Daily City it's like 396 00:20:40,680 --> 00:20:42,359 Speaker 1: a little bit. Yeah, I've been. I've been a lot 397 00:20:42,400 --> 00:20:44,920 Speaker 1: of there's just like little there's a casino it's called 398 00:20:44,920 --> 00:20:47,280 Speaker 1: like the Lucky Something Casino and they got this Filipino 399 00:20:47,280 --> 00:20:49,040 Speaker 1: diner and that ship is fucking gas. But I can't 400 00:20:49,080 --> 00:20:51,920 Speaker 1: funk with the half born baby bird crazy. There's some 401 00:20:52,000 --> 00:20:55,480 Speaker 1: of them. Crack the egg open the biggest fuck. Have 402 00:20:55,560 --> 00:20:57,639 Speaker 1: you got to go developed? Have you been to the 403 00:20:57,640 --> 00:21:00,320 Speaker 1: Philippines yet to like perform or like, you know, I've 404 00:21:00,320 --> 00:21:02,360 Speaker 1: been there when I was a kid, Like I think 405 00:21:02,400 --> 00:21:05,240 Speaker 1: I was like like nine or something. I feel like 406 00:21:05,240 --> 00:21:06,720 Speaker 1: you got to pull up a shoot a video over there, man, 407 00:21:06,880 --> 00:21:09,520 Speaker 1: I want to just don't bring any drugs for shuw 408 00:21:09,760 --> 00:21:13,880 Speaker 1: getting killed the president, don't play over, no coming back. 409 00:21:14,080 --> 00:21:17,160 Speaker 1: I just watched the Netflix documentary about the Filipino prisons 410 00:21:17,200 --> 00:21:20,040 Speaker 1: and their most crowded prisons in the world. It's terrible. 411 00:21:20,480 --> 00:21:22,159 Speaker 1: It's just fools on top of each other. There's no 412 00:21:22,280 --> 00:21:26,040 Speaker 1: good smoking weed. Yeah, and that's for weed. It's wild. 413 00:21:26,320 --> 00:21:30,679 Speaker 1: It's crazy. Man. Do you feel like because you relocated 414 00:21:30,680 --> 00:21:34,159 Speaker 1: out of Stockton, Right, Yeah, I got I got two spots. 415 00:21:34,200 --> 00:21:36,400 Speaker 1: I got one that's out out the way, I got 416 00:21:36,400 --> 00:21:38,480 Speaker 1: a spot by the city. Do you feel like it's 417 00:21:38,560 --> 00:21:41,120 Speaker 1: kind of necessary for you to kind of make sure 418 00:21:41,560 --> 00:21:43,280 Speaker 1: to kind of I feel like I hate it when 419 00:21:43,320 --> 00:21:45,639 Speaker 1: I see like to go back. Yeah, it's like, bro, 420 00:21:45,680 --> 00:21:47,040 Speaker 1: I just don't. I just don't. I don't know if 421 00:21:47,080 --> 00:21:49,080 Speaker 1: it's necessary because you kind of put yourself in in 422 00:21:49,160 --> 00:21:51,240 Speaker 1: harm's way for no reason, just to say like, yeah, 423 00:21:51,240 --> 00:21:54,160 Speaker 1: I'm good over here, you know what I mean. Oh yeah, definitely, definitely. 424 00:21:54,240 --> 00:21:58,280 Speaker 1: That's why I hinder yourself to do something like you 425 00:21:58,280 --> 00:22:00,560 Speaker 1: can you can support from the distance. But but me, 426 00:22:00,640 --> 00:22:05,840 Speaker 1: really it's just it's just it's just more to it family, 427 00:22:05,920 --> 00:22:08,800 Speaker 1: and I'm trying to like, you know, uh looking and 428 00:22:08,840 --> 00:22:12,360 Speaker 1: opening some business and stuff out there. I actually invested 429 00:22:12,560 --> 00:22:17,800 Speaker 1: in with one of the homies on uh on the dispensary, 430 00:22:18,280 --> 00:22:21,640 Speaker 1: oh stuck there, but uh, more detail on that later, 431 00:22:21,640 --> 00:22:23,600 Speaker 1: but I went in on that, so we'll have a 432 00:22:24,000 --> 00:22:27,040 Speaker 1: dispensary open and stuck then. Uh, just some just some 433 00:22:27,040 --> 00:22:29,000 Speaker 1: stuff I'm trying to look into, like this restaurant, like 434 00:22:29,000 --> 00:22:32,399 Speaker 1: a family own restaurant, just just ship like that almost 435 00:22:32,480 --> 00:22:34,080 Speaker 1: like put the money back into the city. But they 436 00:22:34,080 --> 00:22:36,159 Speaker 1: don't mean you've got to be living there, you know 437 00:22:36,200 --> 00:22:39,919 Speaker 1: what I mean? Yeah, yeah, yeah, because you know the 438 00:22:39,920 --> 00:22:43,160 Speaker 1: biggest haters everybody got from where they're from. For sure, 439 00:22:43,840 --> 00:22:46,680 Speaker 1: you got you just gotta maneuver, right, Yeah, Would you 440 00:22:46,720 --> 00:22:49,200 Speaker 1: ever I was gonna say, because you've obviously been successfully 441 00:22:49,200 --> 00:22:51,760 Speaker 1: independent for a very long time, would you ever have 442 00:22:51,960 --> 00:22:54,960 Speaker 1: like that? You know, if you had the opportunity to 443 00:22:54,960 --> 00:22:58,840 Speaker 1: sign a major deal, would you ever consider it? Uh? Yeah, 444 00:22:58,920 --> 00:23:04,480 Speaker 1: definitely because at the end of the day, like if 445 00:23:04,480 --> 00:23:06,520 Speaker 1: the bad if the bag is right and the terms right, 446 00:23:06,880 --> 00:23:09,439 Speaker 1: like like why not you know what I'm saying, Like, 447 00:23:09,720 --> 00:23:11,439 Speaker 1: like I said, it depends on the terms though, if 448 00:23:11,480 --> 00:23:14,280 Speaker 1: it's like I will take everything that you currently own 449 00:23:14,400 --> 00:23:17,600 Speaker 1: type ship, or if it's just all strictly the new music, 450 00:23:17,720 --> 00:23:19,879 Speaker 1: or like I said, it depends on terms. Got to 451 00:23:19,920 --> 00:23:21,480 Speaker 1: be right. Yeah, the terms got to be right. Bag 452 00:23:21,560 --> 00:23:23,520 Speaker 1: gotta be right. Terms got to be right all that. Yeah, 453 00:23:23,520 --> 00:23:25,760 Speaker 1: because if you if you're smart, you just reinvest the 454 00:23:25,760 --> 00:23:28,199 Speaker 1: money or just you ain't like, just don't blow it, 455 00:23:28,240 --> 00:23:31,200 Speaker 1: you know what I'm saying. For sure, but uh, when's 456 00:23:31,240 --> 00:23:35,240 Speaker 1: the new album dropping? Uh? We don't have an exact 457 00:23:35,280 --> 00:23:37,960 Speaker 1: date yet, but we have I have an EP drop 458 00:23:37,960 --> 00:23:41,879 Speaker 1: in this month on the seventeenth. Uh, it's called Starting 459 00:23:41,880 --> 00:23:44,000 Speaker 1: in the South. That's just a lot sum hold over 460 00:23:44,040 --> 00:23:47,520 Speaker 1: the fans. How many records? Six six records? Any features 461 00:23:48,280 --> 00:23:53,719 Speaker 1: with OTF Duty Love Okay? And then yeah, and then 462 00:23:53,800 --> 00:23:58,040 Speaker 1: the album. I got some big features on there. I 463 00:23:58,040 --> 00:23:59,880 Speaker 1: ain't gonna say it. I can't say it right now 464 00:24:00,160 --> 00:24:03,400 Speaker 1: to be hot, but I got some big features on there. 465 00:24:03,440 --> 00:24:06,040 Speaker 1: When you say big, what do you mean by big? Big? 466 00:24:07,080 --> 00:24:11,399 Speaker 1: Some big features? Not the average? Not not average? How 467 00:24:11,480 --> 00:24:13,639 Speaker 1: you link up with with with the OTF guys with 468 00:24:13,720 --> 00:24:17,160 Speaker 1: Duty though, I just reached out. Did you like that? 469 00:24:17,160 --> 00:24:18,720 Speaker 1: That a future gotta pay for it? You guys just 470 00:24:18,800 --> 00:24:22,080 Speaker 1: kind of do the swapper reached It's crazy. I reached 471 00:24:22,080 --> 00:24:26,760 Speaker 1: out on uh Instagram and just went't about like that. 472 00:24:28,359 --> 00:24:31,320 Speaker 1: He just sent it over. We just chopping it up 473 00:24:31,680 --> 00:24:35,480 Speaker 1: and then uh, he had left Empire of a label 474 00:24:35,520 --> 00:24:38,280 Speaker 1: he is with right now, but had left the Empire, 475 00:24:38,320 --> 00:24:40,480 Speaker 1: so we had to get the lawyers involved and stuff 476 00:24:40,520 --> 00:24:43,399 Speaker 1: like that paperwork. It's a lot easier when everyone's on 477 00:24:43,440 --> 00:24:47,160 Speaker 1: Empire and you just like, yeah, we're on the same ship. Bruh, Yeah, yeah, 478 00:24:48,320 --> 00:24:51,879 Speaker 1: Uh so the so the album album's got some big features, 479 00:24:53,119 --> 00:24:58,240 Speaker 1: big features. What city are the big features from prob 480 00:24:58,400 --> 00:25:05,359 Speaker 1: like them self? Around that region? Memphis? Yeah, around now Regia. 481 00:25:07,800 --> 00:25:09,560 Speaker 1: I'm fishing right now, man, what do you want from me? 482 00:25:10,720 --> 00:25:14,040 Speaker 1: She gotta you got a song with? Uh? With Goorella coming. 483 00:25:14,760 --> 00:25:16,400 Speaker 1: I'm just I'm just pulling names out of my mouse. 484 00:25:16,520 --> 00:25:19,679 Speaker 1: I want to song with She's hard, broh. She's like 485 00:25:19,720 --> 00:25:21,760 Speaker 1: one of the only female rappers that I could like 486 00:25:21,960 --> 00:25:26,679 Speaker 1: fucking listen to and not be like like like like, bro, 487 00:25:26,760 --> 00:25:29,720 Speaker 1: I'm not bumping Sweetie in the car and I love Sweetie, 488 00:25:29,720 --> 00:25:32,000 Speaker 1: God bless her, but my wife is listening to Sweetie. 489 00:25:32,000 --> 00:25:34,120 Speaker 1: I'm not fucking listening to Sweetie. She's talking about fucking 490 00:25:34,200 --> 00:25:36,760 Speaker 1: dudes for Berkins, and shit, I can't relate to that. Ship. Yeah, 491 00:25:37,080 --> 00:25:39,280 Speaker 1: well really ship. She kind of sounds like a dude, 492 00:25:39,320 --> 00:25:42,960 Speaker 1: you know, so you can kind of like trick yourself 493 00:25:42,960 --> 00:25:45,400 Speaker 1: into being like, yeah, I feel you, bro, even though 494 00:25:45,440 --> 00:25:48,760 Speaker 1: she's a girl, you know, yeah, now she got Yeah. 495 00:25:48,840 --> 00:25:51,119 Speaker 1: Who's your like? Would you say your biggest influences are 496 00:25:51,160 --> 00:25:53,240 Speaker 1: just in general, man, when it comes to like rapping 497 00:25:54,440 --> 00:25:59,200 Speaker 1: in general. Uh, probably probably law Wayne or something like 498 00:25:59,400 --> 00:26:02,840 Speaker 1: Layne Wayne. Uh like a mix of Wayne and Nipsey 499 00:26:03,240 --> 00:26:06,800 Speaker 1: Wayne and Nip like Wayne style nip mindset. Did you 500 00:26:06,800 --> 00:26:09,480 Speaker 1: meet Nip when he was alive? Nah? Dudne it damn 501 00:26:10,720 --> 00:26:12,399 Speaker 1: He was a good dude. Hey, we gotta stop the 502 00:26:12,440 --> 00:26:14,240 Speaker 1: interview to tell you about our good folks at blue 503 00:26:14,320 --> 00:26:16,359 Speaker 1: Chew Baby. That's right. A lot of people keep asking 504 00:26:16,359 --> 00:26:18,719 Speaker 1: me does blue Choo work? Fuck? Yeah does? And if 505 00:26:18,760 --> 00:26:20,480 Speaker 1: you don't believe me, they'll give you a whole month 506 00:26:20,560 --> 00:26:22,640 Speaker 1: for free right now. 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Did 566 00:29:19,800 --> 00:29:24,480 Speaker 1: you see Little Wayne rolling loud? Uh? I just watched 567 00:29:24,520 --> 00:29:27,920 Speaker 1: it on YouTube. The sound guy was fucking up the 568 00:29:27,960 --> 00:29:32,760 Speaker 1: whole sundr atrocious. Man. What's your favorite Little Wayne album? Uh? 569 00:29:32,880 --> 00:29:38,000 Speaker 1: Carter two, Card two or three? Yeah, Carter two is 570 00:29:38,040 --> 00:29:40,160 Speaker 1: the right answer. But I also feel like, have you 571 00:29:40,200 --> 00:29:43,200 Speaker 1: listened to the Carter two recently? Uh? No, not recently, 572 00:29:43,320 --> 00:29:45,760 Speaker 1: be honest, I have to go bet. I actually feel 573 00:29:45,800 --> 00:29:47,240 Speaker 1: like the Carter two did in age as well as 574 00:29:47,240 --> 00:29:48,680 Speaker 1: we all think it did, because I listened to it 575 00:29:48,720 --> 00:29:52,960 Speaker 1: recently and I was like, h h, I don't think 576 00:29:52,960 --> 00:29:55,520 Speaker 1: this aged as well as I had hoped. I think, 577 00:29:55,600 --> 00:30:00,840 Speaker 1: I think, I think Carter three aged way better. Carter 578 00:30:00,960 --> 00:30:03,800 Speaker 1: four got beggers on there too, got some good singles. 579 00:30:04,080 --> 00:30:09,040 Speaker 1: Not the greatest album though, Yeah, Carter five forgettable awesome, awesome, 580 00:30:09,120 --> 00:30:13,680 Speaker 1: like awesome, like workplace ship on some word shape workplace ship, 581 00:30:13,760 --> 00:30:18,120 Speaker 1: Carter fully crazy not being mixtape wheezy though. Oh yeah, sure, 582 00:30:18,480 --> 00:30:21,600 Speaker 1: yeah yeah, Nip Nip was that guy though. Man shout 583 00:30:21,600 --> 00:30:23,640 Speaker 1: out to Nip. You feel like you kind of take 584 00:30:23,680 --> 00:30:24,880 Speaker 1: a lot of the ship from like, because you know, 585 00:30:24,920 --> 00:30:30,000 Speaker 1: Nipsey obviously business minded, you know, all about owning his 586 00:30:30,080 --> 00:30:33,200 Speaker 1: own ship, Like you're opening restaurants, you're the dispensary plays. 587 00:30:33,200 --> 00:30:35,800 Speaker 1: Gotta be big for you, man, Yeah, yeah, for sure 588 00:30:36,200 --> 00:30:40,080 Speaker 1: to be able to like legally sell weed in your city. Yeah, Like, 589 00:30:40,120 --> 00:30:43,160 Speaker 1: I'm just I'm just I'm just investor in it. But uh, 590 00:30:43,880 --> 00:30:46,360 Speaker 1: that's great. It's gonna be big for sure, Is it pretty? 591 00:30:46,440 --> 00:30:50,720 Speaker 1: Like is it a difficult business to get involved in? Uh? 592 00:30:51,520 --> 00:30:53,560 Speaker 1: I think there's a lot of paperwork behind it and 593 00:30:53,640 --> 00:30:55,840 Speaker 1: a lot of permits and a lot of gotta get 594 00:30:56,120 --> 00:30:58,440 Speaker 1: approved by the city and stuff like that. So you're 595 00:30:58,440 --> 00:31:00,960 Speaker 1: canna help curate the bud that gets so like you 596 00:31:01,000 --> 00:31:03,760 Speaker 1: got to get your own strain in that motherfucker. Yeah, 597 00:31:04,120 --> 00:31:06,800 Speaker 1: for surely, how do you not have a strain yet? 598 00:31:07,240 --> 00:31:09,320 Speaker 1: I don't know something I just never pursue. But everybody 599 00:31:09,320 --> 00:31:11,840 Speaker 1: telling me this every time, Bro, you will get it. 600 00:31:11,880 --> 00:31:15,720 Speaker 1: There's so many weed companies that will give you a strain, bro. 601 00:31:15,840 --> 00:31:19,640 Speaker 1: Everybody keeps telling me that, especially up North. Bro. Yeah, 602 00:31:20,200 --> 00:31:22,960 Speaker 1: just get a nice little royalty check every month. Yeah. 603 00:31:23,160 --> 00:31:26,640 Speaker 1: I just never. I just never was like really pressed 604 00:31:26,680 --> 00:31:28,560 Speaker 1: on it because I don't be smoking, so like I 605 00:31:28,640 --> 00:31:31,239 Speaker 1: just don't be thinking about that ship. Right. But but 606 00:31:31,320 --> 00:31:33,560 Speaker 1: now everybody be telling me that for shure, like I'll 607 00:31:33,600 --> 00:31:38,120 Speaker 1: be you don't smoke never, just always if not smoked. 608 00:31:38,760 --> 00:31:40,880 Speaker 1: I smoked before. It was just what made you quit. 609 00:31:41,880 --> 00:31:44,480 Speaker 1: I just don't like how it makes me feel. You 610 00:31:44,520 --> 00:31:48,240 Speaker 1: think you're more focused when you're not high, Yeah for sure? Yeah. 611 00:31:49,320 --> 00:31:51,240 Speaker 1: Have you I don't know, like I get I get 612 00:31:51,320 --> 00:31:55,120 Speaker 1: like super bad anxiety and like like paranoid, like I 613 00:31:55,120 --> 00:31:59,080 Speaker 1: get like we get weird. Have you ever had shrooms? Yeah? 614 00:31:59,440 --> 00:32:03,680 Speaker 1: Shoes or how that go? Uh? I was I was 615 00:32:03,760 --> 00:32:05,280 Speaker 1: like out the way when I when I when I 616 00:32:05,360 --> 00:32:08,000 Speaker 1: tried it the first time. That's how you're supposed to 617 00:32:08,000 --> 00:32:10,400 Speaker 1: do it is out there is out the way. But 618 00:32:11,480 --> 00:32:13,520 Speaker 1: I mean it was cool. Then it gets weird when 619 00:32:13,560 --> 00:32:15,840 Speaker 1: you start over. It just makes me overthink that's the 620 00:32:15,840 --> 00:32:17,640 Speaker 1: whole point of it. Sh Yeah, yeah, it just makes 621 00:32:17,640 --> 00:32:20,600 Speaker 1: you like unravel your brain and like, so you a 622 00:32:20,680 --> 00:32:23,560 Speaker 1: visual part though? Was cool? That shit crazy? Yeah? For sure? 623 00:32:23,640 --> 00:32:25,520 Speaker 1: Lights look all wild and ship? Did you like you 624 00:32:25,520 --> 00:32:28,160 Speaker 1: didn't like trip? Like, did you like see ship that 625 00:32:28,280 --> 00:32:31,840 Speaker 1: wasn't there? I was tripping for show. I forgot I 626 00:32:31,840 --> 00:32:33,960 Speaker 1: forgot where I was that I was. I was staring 627 00:32:34,000 --> 00:32:36,880 Speaker 1: down looking at the rocks like five minutes straight. Yeah, 628 00:32:37,400 --> 00:32:40,680 Speaker 1: what the fuck? But you but the rocks weren't like 629 00:32:41,240 --> 00:32:43,240 Speaker 1: they didn't like turn into like animals and like look 630 00:32:43,280 --> 00:32:45,480 Speaker 1: at you back or like, no, it was it was 631 00:32:45,520 --> 00:32:48,040 Speaker 1: doing something. It was like it was making shapes the 632 00:32:48,280 --> 00:32:52,480 Speaker 1: type of ship. Check you out, man, shrewming hard. Yes, 633 00:32:52,560 --> 00:32:55,400 Speaker 1: the shrooms are the new wave man, everyone. The shroom 634 00:32:55,440 --> 00:32:59,960 Speaker 1: truck is the what's it called the what's them called 635 00:33:00,640 --> 00:33:04,080 Speaker 1: shrime chocolates? They're gummies. I mean you're talking about that. 636 00:33:04,120 --> 00:33:09,440 Speaker 1: There's like brain chocolate bars. Yeah, yeah, everybody be off. 637 00:33:09,720 --> 00:33:12,240 Speaker 1: I gotta give you some gummies. I got the shroom 638 00:33:12,240 --> 00:33:15,600 Speaker 1: gummies for you. Oh, real my own ship. Yeah, we're 639 00:33:15,600 --> 00:33:18,080 Speaker 1: about to put you on manh Yeah, which you'll be 640 00:33:18,080 --> 00:33:21,000 Speaker 1: taking like like two pieces or something. It depends on 641 00:33:21,040 --> 00:33:23,640 Speaker 1: what kind of day you're trying to have. It depends 642 00:33:23,680 --> 00:33:25,080 Speaker 1: on if you want to look at rocks for five 643 00:33:25,080 --> 00:33:28,480 Speaker 1: minutes or not, or if you want to like be productive. 644 00:33:29,360 --> 00:33:31,280 Speaker 1: If you want to be productive, I do one or two. 645 00:33:31,320 --> 00:33:34,920 Speaker 1: But if you want to, like, you know, get serious, Yeah, 646 00:33:34,920 --> 00:33:37,520 Speaker 1: I just eat the whole fucking bag, man. But you 647 00:33:37,600 --> 00:33:40,440 Speaker 1: gotta be out the way. Yeah, yeah, you gotta be 648 00:33:40,440 --> 00:33:43,160 Speaker 1: out the way. When is the album coming out? Obviously 649 00:33:43,160 --> 00:33:46,760 Speaker 1: the mixtape or the epiece coming in on the seventeenth, right, Yeah, 650 00:33:47,040 --> 00:33:48,880 Speaker 1: So we're trying to trying to see if you get 651 00:33:48,880 --> 00:33:53,040 Speaker 1: it out by me or like no, like I said, 652 00:33:53,040 --> 00:33:54,880 Speaker 1: no day, I'm not too sure, but it just as 653 00:33:54,920 --> 00:33:56,360 Speaker 1: soon as I can. I just want to keep pushing 654 00:33:56,480 --> 00:33:59,560 Speaker 1: music out. Who's been the one artist or a person 655 00:33:59,560 --> 00:34:01,360 Speaker 1: that you've been a fan of that like kind of 656 00:34:02,080 --> 00:34:03,760 Speaker 1: reached out to you or you realized what was like 657 00:34:03,800 --> 00:34:05,240 Speaker 1: following what you were doing that kind of caught you 658 00:34:05,280 --> 00:34:13,120 Speaker 1: off guard. Uh. I can't even think of the top 659 00:34:13,120 --> 00:34:15,239 Speaker 1: of my head because I because oh p and b 660 00:34:15,400 --> 00:34:18,000 Speaker 1: Rock reached out one time. That's crazy on some random 661 00:34:18,040 --> 00:34:25,520 Speaker 1: man ship there. But yeah, he reached out, followed me 662 00:34:26,440 --> 00:34:28,799 Speaker 1: and the uh he was asking he asked He asked 663 00:34:28,800 --> 00:34:31,600 Speaker 1: me if I was signed? Are you trying to sign you? Yeah? 664 00:34:31,600 --> 00:34:34,880 Speaker 1: I think that's what it was, because the conversation was 665 00:34:34,880 --> 00:34:36,440 Speaker 1: going back and forth, and when I told him I 666 00:34:36,480 --> 00:34:38,719 Speaker 1: was I was signed, he kind of he kind of 667 00:34:38,719 --> 00:34:43,480 Speaker 1: fell back. Ah, yeah, that's kind of. I mean I 668 00:34:43,480 --> 00:34:45,879 Speaker 1: feel like that happens a lot. It's like, well, ship, 669 00:34:45,960 --> 00:34:47,719 Speaker 1: ain't I'm signed? But like, what's up? You feel like 670 00:34:47,840 --> 00:34:50,600 Speaker 1: with my ship, let's let's work? You know? Yeah? You 671 00:34:50,760 --> 00:34:58,320 Speaker 1: has that? Has any other artists trying to sign you? Uh? Not? 672 00:34:58,520 --> 00:35:02,360 Speaker 1: Not that I could think of, to be honest. Yeah. 673 00:35:03,160 --> 00:35:08,640 Speaker 1: Oh uh Young did early early on? Who young? Super young? 674 00:35:08,960 --> 00:35:15,759 Speaker 1: Oh stupid young early early on, like early in my career. Uh. 675 00:35:17,040 --> 00:35:19,920 Speaker 1: I told bro, I appreciate the opportunity. Bro. I was like, 676 00:35:20,080 --> 00:35:21,920 Speaker 1: I was in a mindset where I'm trying to build 677 00:35:21,960 --> 00:35:26,239 Speaker 1: your own ship. Yeah that's big man's What do you 678 00:35:26,280 --> 00:35:30,319 Speaker 1: think is the key to kind of stopping some of 679 00:35:30,360 --> 00:35:34,480 Speaker 1: this violence happening in Stockton? Or is it even possible? 680 00:35:35,280 --> 00:35:38,759 Speaker 1: Not possible? Do you think it's possible? I don't think 681 00:35:38,800 --> 00:35:44,360 Speaker 1: so like like once once once's and it ain't no 682 00:35:44,440 --> 00:35:46,400 Speaker 1: turning back. Once lives is lost, you feel me, no 683 00:35:46,480 --> 00:35:51,080 Speaker 1: matter who you is or what the circumstances is like 684 00:35:51,080 --> 00:35:54,560 Speaker 1: once people, once lives is going. It's it's just the 685 00:35:54,640 --> 00:35:59,640 Speaker 1: cycle of NonStop lives being lost because you don't think 686 00:35:59,680 --> 00:36:02,919 Speaker 1: it takes somebody coming in and being like, hey, people 687 00:36:02,960 --> 00:36:08,040 Speaker 1: who have been lost on both sides. Even if that 688 00:36:08,120 --> 00:36:11,759 Speaker 1: does work, it's gonna be somebody on what side you 689 00:36:11,800 --> 00:36:16,279 Speaker 1: feel me to to fuck it up? Yeah, that's fair man. 690 00:36:16,320 --> 00:36:20,360 Speaker 1: We'll listen, bro ep come in the seventeenth what's it 691 00:36:20,400 --> 00:36:23,640 Speaker 1: called again? It started in itself? Started in the South 692 00:36:23,840 --> 00:36:28,600 Speaker 1: album coming hopefully by May with big features. Big features. 693 00:36:29,120 --> 00:36:32,839 Speaker 1: Can't tell us who though, Give me some clues, man, 694 00:36:32,880 --> 00:36:36,000 Speaker 1: and then if I can guess, just give me two clues. 695 00:36:36,320 --> 00:36:38,920 Speaker 1: They could be the most generic clues ever. It's just 696 00:36:39,000 --> 00:36:43,560 Speaker 1: down South, all right, they need a second clue. Give 697 00:36:43,600 --> 00:36:47,719 Speaker 1: me a city. Don't just say down south. I'm just 698 00:36:47,920 --> 00:36:52,919 Speaker 1: between Atlanta and Memphis or probably I don't know. It's 699 00:36:52,920 --> 00:36:57,319 Speaker 1: a terrible clues giving me nothing. Well, look, I can't 700 00:36:57,360 --> 00:37:00,400 Speaker 1: wait to hear man. I appreciate you pulling up stream 701 00:37:00,640 --> 00:37:03,319 Speaker 1: this guy's whole catalog because he owns that ship. You 702 00:37:03,360 --> 00:37:05,399 Speaker 1: know what I'm saying, Where can they buy the merch? 703 00:37:06,800 --> 00:37:10,720 Speaker 1: Oh nbnail dot com, Marquee dot com, go buy some merch. 704 00:37:11,400 --> 00:37:13,279 Speaker 1: Tour soon you could be in the road doing any 705 00:37:13,280 --> 00:37:16,200 Speaker 1: show soon. I was on that tour when I when 706 00:37:16,200 --> 00:37:18,520 Speaker 1: I did London and stuff like that, the Little World tour. 707 00:37:18,640 --> 00:37:22,240 Speaker 1: But but it's it's kind of a whole because Canada ship, 708 00:37:23,200 --> 00:37:26,920 Speaker 1: Damn I had. I had three shows in uh Canada. 709 00:37:26,960 --> 00:37:29,440 Speaker 1: I had one in Toronto when Montreal and one to Vancouver. 710 00:37:29,960 --> 00:37:32,879 Speaker 1: Vancouver is supposed to kick it off, fucked up the bag, 711 00:37:33,400 --> 00:37:38,120 Speaker 1: fucked customs and then shows sold out, damn near sold out. 712 00:37:38,320 --> 00:37:40,399 Speaker 1: That's crazy. Bro. Well look I appreciate you pulling up. 713 00:37:40,880 --> 00:37:43,640 Speaker 1: Go follow the homie. You already know mbnail uh and 714 00:37:43,760 --> 00:37:45,880 Speaker 1: uh man. Keep keep doing your thing, Bro, you've been 715 00:37:45,920 --> 00:37:48,520 Speaker 1: killing it. Appreciate watching it for a while. So there 716 00:37:48,560 --> 00:37:50,000 Speaker 1: it is. Appreciate you