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Speaker 1: Hey discos, you can listen to an extended version of

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Speaker 1: this after party episode by becoming a member of Disgraceland

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Speaker 1: All Access. Just go to disgracelandpod dot com slash membership

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Speaker 1: for more details and to sign up. Hey guys, welcome

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Speaker 1: to Disgraceland, which is brought to you by Double Elvis.

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Speaker 1: This week we get a brand new episode on Garth

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Speaker 1: Brooks and the Disgrace Sland Feed. And for our all

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Speaker 1: Access members and our Patreon and Apple subscription fees, we

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Speaker 1: have episodes on Basquiacht Lane s Daly from Alison Chains

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Speaker 1: and Hunter S. Thompson plus more to come. So be

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Speaker 1: sure to make sure you're all signed up for the

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Speaker 1: all Access content either on Apple Podcasts or on Patreon

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Speaker 1: so that you can hear those new episodes and over

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Speaker 1: in the Shred with Shifty Feed, that's our show, hosted

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Speaker 1: by Chris Shifflett of The Foo Fighters. He's talking with

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Speaker 1: guitarist Brad Whitford from Aerosmith, so make sure you check

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Speaker 1: that out as well. Hey discos, need a little more

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Speaker 1: Disgraceland in your life, just to touch to get you through? Yeah,

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Speaker 1: me too. This is the pods that comes after the

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Speaker 1: podcast Welcome to Disgraceland the after Party. Welcome all Access

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Speaker 1: members to the Disgraceland Bonus episode, a little thing we

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Speaker 1: like to call the after Party. Welcome to the Disgraceland

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Speaker 1: Bonus episode, a little thing we like to call the

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Speaker 1: after Party. This is the show after the show, the

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Speaker 1: party after the party, the bridge to get you from

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Speaker 1: one full episode of Disgraceland to the other, the backyard

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Speaker 1: to dig into the dirt. On this episode, we are

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Speaker 1: talking about our new story on Garth Brooks, the sources

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Speaker 1: that we use for our Garth Brooks episode which helped

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Speaker 1: us uncover this crazy theory about the connection between Garth's

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Speaker 1: tour route and missing persons, and of course your voicemails, texts,

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Speaker 1: dms and more, and as always, a whole lot of rosie.

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Speaker 1: All right, this goes, let's get into it. Serial Killers,

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Speaker 1: Ed Kemper, Jeffrey Dahmer, Ted Bundy, Ed Geen, Richard Ramirez,

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Speaker 1: Garth Brooks. You know by now, of course, that I

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Speaker 1: am not serious. Garth Brooks is not a serial killer,

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Speaker 1: but a large portion of the Internet is obsessed with

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Speaker 1: the fact that he could be a serial killer, which

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Speaker 1: got me wondering about the public's ours. Really our obsession

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Speaker 1: with true crime. True crime, of course, is a big

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Speaker 1: part of what we do here. We have a broader definition,

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Speaker 1: the most sure, but still the world's fascination with serial killers.

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Speaker 1: In my own fascination with the criminal element, I've often

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Speaker 1: wondered where this comes from, Where this fascination comes from.

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Speaker 1: Why are we collectively obsessed with true crime serial killers

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Speaker 1: in particular bad people now obviously speak for the world

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Speaker 1: at large, but my thinking is that our collective obsession

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Speaker 1: with serial killers is derived in part from the fact

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Speaker 1: that these people, these murderers, they do the unthinkable, and

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Speaker 1: their actions they force us to think about these heinous acts,

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Speaker 1: and there's a visceral fear that goes along with putting

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Speaker 1: yourself in the shoes of the victims who do come

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Speaker 1: face to face with Garth Brooks excuse me, Ed Kemper

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Speaker 1: and the like. But when it comes to my obsession

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Speaker 1: with the criminal element at large, my fascination with the

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Speaker 1: musicians and artists of the world whose transgressions aren't just

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Speaker 1: minor sins but mortal sins, felonies, It's hard for me

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Speaker 1: to come up with an answer as to why I've

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Speaker 1: been so fascinated my whole life. Basically, since I started

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Speaker 1: reading novels in the sixth grade or thereabouts, I gravitated

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Speaker 1: towards crime. I still do, of course, It's hard for

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Speaker 1: me to create anything that isn't related to crime in

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Speaker 1: some way. Even when I was making music and punk bands,

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Speaker 1: hardcore bands, and later a singer songwriter, I often wrote

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Speaker 1: songs and the perspective of a criminal, and I obsessed

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Speaker 1: over murder ballads and old weird Americana, all the bad

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Speaker 1: bad men, all those stories that we covered in the

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Speaker 1: pig Pen episode of Disgrace Land. Of course, like most

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Speaker 1: of you, I'm nothing like these men. I live a

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Speaker 1: fairly conventional life. I live on a fairly normal looking street.

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Speaker 1: I wake up with similar hopes, dreams, aspirations and fears

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Speaker 1: as you all do. So then why am I currently

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Speaker 1: pouring myself into books about Boston's Chinatown drug dealers and

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Speaker 1: early twentieth century American anarchists and the Coke Field eighty

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Speaker 1: six mets instead of spending more time watching the Boston

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Speaker 1: Bruins in the playoffs and getting excited about my summer

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Speaker 1: break that's coming up. And I've been thinking about this

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Speaker 1: all morning knowing that I'm coming into the booth to

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Speaker 1: record this episode on the heels of this Garth Brooks

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Speaker 1: serial killer nonsense. I've been thinking about why, why, this

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Speaker 1: is why am I fascinated with crime, Truman Capote's In

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Speaker 1: Cold Blood, Mario Puzo's The god Father, Everything by James Elroy. Why.

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Speaker 1: Perhaps it has something to do with the line, the

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Speaker 1: line that Springsteen talks about on Nebraska quote, there's winners

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Speaker 1: and losers and don't get caught on the wrong side

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Speaker 1: of that line. Now, that lyric from that song Atlantic City,

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Speaker 1: it always resonated with me. And I'm not from New

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Speaker 1: Jersey or Philly. I knew no chicken men growing up,

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Speaker 1: but there was a universal element in that lyric, the

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Speaker 1: wrong side of that line. Like I said, I didn't

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Speaker 1: know any chicken men, but I knew plenty of guys

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Speaker 1: who ended up on the wrong side of that line,

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Speaker 1: and not just passing acquaintances, like the prison break party

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Speaker 1: I found myself at in high school with recently escaped felons,

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Speaker 1: where we watched news of their prison break on the

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Speaker 1: eleven o'clock news. The story that I told when I

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Speaker 1: went on my favorite murder. Now I didn't know those

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Speaker 1: guys really, but I was in their orbit. Of course.

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Speaker 1: The important part of what I'm trying to say, though,

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Speaker 1: is that I did know other guys who knew them well,

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Speaker 1: guys who crossed that line, and it was like, one

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Speaker 1: minute they're part of our lives, smoking grass, listening to music,

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Speaker 1: fucking off, and then they're robbing little old ladies coming

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Speaker 1: out of ATMs and being sent away to conquered MCI.

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Speaker 1: Crossing that line then and now it seems like a

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Speaker 1: very easy distance to traverse, And I think that's why

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Speaker 1: I'm so fascinated by it. That slip, that slip from

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Speaker 1: a normal life to a criminal life. It is not

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Speaker 1: that hard for some to make, especially if you grow

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Speaker 1: up poor, you grow up desperate, or you just don't

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Speaker 1: have options or imagination. I never lacked an imagination, and

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Speaker 1: neither do the millions of Internet trolls out there who

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Speaker 1: imagine Garth Brooks to be a serial killer. Is it

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Speaker 1: so hard to imagine, really, especially, like I said, when

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Speaker 1: that line is so easy to cross, I don't think so.

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Speaker 1: Which musicians other than Garth Brooks creep you out and

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Speaker 1: make you question their motives? Which rock stars, which country stars,

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Speaker 1: which hip hop stars any musicians at all? Which ones

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Speaker 1: fit the serial killer profile for you? If Snoop Dogg

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Speaker 1: a real life pimp, which he was, doesn't it stand

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Speaker 1: a reason that eminem could be stacking bodies. Let's have

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Speaker 1: some stupid fun and let me know which artist you'd

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Speaker 1: be least surprised to find out was a serial killer.

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Speaker 1: Six one seven nine oh six six six three eight.

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Speaker 1: Send me a text, leave me a voicemail. Six one

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Speaker 1: seven nine oh six six six three eight. Let me

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Speaker 1: know which musical artist you'd be least surprised to find

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Speaker 1: out was a serial killer. I'm gonna take a quick

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Speaker 1: break and I'll be back in a flash. All right,

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Speaker 1: Let's talk for a minute about the sources that we

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Speaker 1: used for this week's episode on Garth Brooks. First, when

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Speaker 1: it comes to the true story of Garth's unprecedented rise

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Speaker 1: to fame. I mean, if you're not a Garth Brooks fan,

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Speaker 1: you don't know much about him. Think he's one of

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Speaker 1: these commercial country artists who got famous and you know,

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Speaker 1: kind of dominated the charts for a while. There's so

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Speaker 1: much more to his rise to his fame, and most

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Speaker 1: of what we got from a book called The Garth Factor,

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Speaker 1: The Career behind Country's Biggest Boom by Patsy bail Cox.

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Speaker 1: Patsy rest in Peace helped write the autobiographies of artists

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Speaker 1: like Loretta Lynn, Tanya Tucker went on a Judd even

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Speaker 1: pat Benattar and she worked for Nashville based publicity firm

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Speaker 1: which handled pr for Capitol Records, where Garth was a

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Speaker 1: major artist. But if you've heard the episode, you know

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Speaker 1: that it's anything but a typical episode of Disgraceland. The inspiration,

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Speaker 1: of course, being this incredible joke started by comedian Tom

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Speaker 1: Segia and his wife Christina Christina Pazitski. If I'm saying

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Speaker 1: that wrong incorrectly, I apologize Christina to joke about Garth

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Speaker 1: being so weird and so awkward and so strange that

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Speaker 1: he maybe, just maybe was a serial killer. It's a

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Speaker 1: fucked up joke, I know, I get it, but it's hysterical.

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Speaker 1: It's incredibly compelling. A serial killer who struck while he toured,

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Speaker 1: evidenced by the number of people who went missing along

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Speaker 1: garth seemingly eternal touring route. We fully committed to this

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Speaker 1: joke by chasing down the data, and by that I

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Speaker 1: mean we looked at Garth's tour dates year after year,

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Speaker 1: painstakingly plotted each and every date against Missing Persons data

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Speaker 1: in each city where he performed. And I'm talking about

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Speaker 1: a lot of data, dates upon dates upon dates, cities

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Speaker 1: upon cities, year upon year. Most of the time this

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Speaker 1: research led to nothing, but sometimes it gave us something,

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Speaker 1: a nugget, a disappearance that he could easily tie to

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Speaker 1: Garth Brooks being in town. And in doing this leg work,

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Speaker 1: it helped us build this dramatic case that Tom Segura's

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Speaker 1: joke had legs for real. And it does, excuse me,

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Speaker 1: the joke does, at least, but the actual insinuation that

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Speaker 1: Garth is some kind of serial killer obviously is not true.

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Speaker 1: All right, don't come at me. You know that you

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Speaker 1: know I'm having fun here, and you know I understand

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Speaker 1: this is not a novel idea. This is Tom Segura's idea. Uh.

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Speaker 1: We just we like to think that we took it

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Speaker 1: somewhere else in the way we do things here. Disgrace him,

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Speaker 1: all right. A major source of inspiration, uh in making

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Speaker 1: this episode Michael Jackson's thriller video. Why do you know

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Speaker 1: we didn't include this in our list of sources on

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Speaker 1: the website because as I said, it's more a source

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Speaker 1: of inspiration than anything else. But the thriller video was

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Speaker 1: a major creative device for us and making this episode.

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Speaker 1: And if you think you know what it is, you

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Speaker 1: gotta let me know six one seven nine oh six

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Speaker 1: six six three eight voicemail and text. That's how you

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Speaker 1: get at me. Just like this person in the nine

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Speaker 1: to two.

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Speaker 2: To oh gratings at this grace Land, this is ever

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Speaker 2: more doll Low in the nine two oh re listening

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Speaker 2: to Public Enemy requesting rage against the machine.

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Speaker 1: All right, nine to two oh, thanks for the call.

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Speaker 1: Uh yeah, rage against the machine perhaps someday, someday. We

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Speaker 1: just did Public Enemy though, So it's going to be

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Speaker 1: a minute, but I dig it. All let's check in

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Speaker 1: with the five o eight here, answering the question we

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Speaker 1: had from last weeks after party, who the greatest folk singers,

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Speaker 1: folk musicians, folks songwriters, folk artists were and I and

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Speaker 1: I was talking about beyond just the genre, uh like

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Speaker 1: a you know, a guy with an acoustic guitar to

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Speaker 1: coffee house or playing Newport or something like that. And

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Speaker 1: I guess that last voicemail kind of hit on that

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Speaker 1: too with the rage against the machine requests. That's what

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Speaker 1: I'm talking about, artists that represent what's going on, uh

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Speaker 1: in their time and place. Let's check this one out

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Speaker 1: from the five O eight.

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Speaker 3: Jict Mike from the five oweight. I was just calling

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Speaker 3: in my verse to your question about who is the

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Speaker 3: greatest folk artist or singer, and I would say I

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Speaker 3: actually would go with the Oaks. First of all, Obviously

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Speaker 3: he was folks sing are in the sense of the genre,

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Speaker 3: but much unlike the you know, kind of watered down

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Speaker 3: folk of like his contemporaries like Ian and Celia or

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Speaker 3: like Gordon Bifer whoever, or Eric Anderson. You know, he

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Speaker 3: was really topical every single song. I guess you would say,

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Speaker 3: first and foremost who was a Vietnam protester? But he's

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Speaker 3: talking about everything if you want to look up more

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Speaker 3: about I mean, in addition to listening to his album's,

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Speaker 3: there's this great book I forget what's by, but it's

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Speaker 3: called Death of a Rebel. It's worth checking out anyway

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Speaker 3: of the show. Okay, rocker roll.

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Speaker 1: Thanks by Yeah, Mike, I hear you. And that's uh.

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Speaker 1: I gotta admit, though I don't know a lot about

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Speaker 1: phil Oaks, and now I'm interested, so I'm going to

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Speaker 1: check that out. I appreciate the call, and I'm hoping

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Speaker 1: to get into some some heavy folk with phil Oaks.

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Speaker 1: Let's see what we got here this one. Let's do

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Speaker 1: one more from the four.

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Speaker 2: One two yo brother, it's aid Dan Electro. Anyway, I'm

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Speaker 2: gonna I'm gonna get back to work a poculator.

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Speaker 1: Four one two. I played that voicemail because it's uh

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Speaker 1: fucking ridiculous. I have no idea what you're talking about

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Speaker 1: four one two. I don't know who you are. Are

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Speaker 1: you a friend of mine that I just don't recognize

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Speaker 1: your voice? And uh, the answer to a question that

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Speaker 1: I cannot recall seems to be Dan Electro, which is

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Speaker 1: a guitar of course. But you know, call back four

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Speaker 1: one two and let me know what the hell it

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Speaker 1: is you're talking about. Six one seven nine oh six

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Speaker 1: six six three eight hit me up voicemail and text.

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Speaker 1: Let's do a couple of texts here as well. While

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Speaker 1: I got you three to one oh rights and how

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Speaker 1: about Iced Teas band body Count? They deserve a shout

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Speaker 1: in any discussion about rap metal between Slayer Public Enemy.

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Speaker 1: Uh I think he means anthrax in public Enemy. Uh,

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Speaker 1: and you know what, you're right? Three one Oh. I

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Speaker 1: was gonna talk about body count, but I just there's

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Speaker 1: only so much you could talk about in that blurb,

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Speaker 1: all right? Seven to seven five rights, and hey Jake.

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Speaker 1: On the folk artist front, the gen X folk artist

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Speaker 1: is Todd Snyder. This one is actual folk music proper.

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Speaker 1: But he's on point and truly funny. He offers that

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Speaker 1: spoonful of sugar for the medicine he's edition out. Check

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Speaker 1: him out if you haven't. Good place to start is

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Speaker 1: his live album Near Truth and Hotel Rooms. But check

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Speaker 1: out songs for the Daily Planet for a dose of

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Speaker 1: early nineties what's going on vibes. Uh. You know, I've

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Speaker 1: I'm pretty sure have seen Todd Snyder before, perhaps played

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Speaker 1: with him in a galaxy far far away, however, you say,

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Speaker 1: And I but still I don't know his music that well.

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Speaker 1: And I think I was just reading about how Todd

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Speaker 1: Snyder was super critical of Garth Brooks, so that kind

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Speaker 1: of ties it all together here six one seven nine

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Speaker 1: oh six six six three eight voicemail and text hit

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Speaker 1: me up. Let me know. Answer to my question from

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Speaker 1: earlier in the a Bloc, which musician gives you the

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Speaker 1: most serial killer vibes? Or you can just hit me

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Speaker 1: up a butt anything, send me pictures of your dogs,

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Speaker 1: whatever you guys want to do. I love the dog picks.

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Speaker 1: Keep them coming. I'm gonna take a quick break. All right,

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Speaker 1: we are back. And did you know that not only

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Speaker 1: do we have this new episode out this week on

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Speaker 1: Garth Brooks that you can hear by going back into

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Speaker 1: your feed, we also have new episodes on basqu Yacht Lane,

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Speaker 1: Staley of Alice in Chains, and Hunter S. Thompson with

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Speaker 1: many more to come. But you haven't heard any of them.

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Speaker 1: Why not? Why? I'll tell you why. Because you're not

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Speaker 1: a member of Disgrace and All Access, which you must

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Speaker 1: now know Okay, you must now know about. All right,

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Speaker 1: it's it's you listen to this podcast. I talk about

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00:15:51,880 --> 00:15:55,040
Speaker 1: it constantly. It's simple. Disgrace and All Access gives you

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Speaker 1: exactly what you're getting now. But you get every episode

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Speaker 1: of Disgraceland that's a one hundred and seventy three episodes

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Speaker 1: in counting without ads. Okay, Plus you get bonus weekly

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Speaker 1: content like the extended version of this Here After Party

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00:16:09,440 --> 00:16:11,160
Speaker 1: that you're listening to right now and is about to

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Speaker 1: end for you. It's about to end, and you're gonna

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Speaker 1: have to just go back into your lives doing whatever

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Speaker 1: the hell it is you don't want to do. Or

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Speaker 1: or you can become an All Access member and you

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Speaker 1: can keep listening to this all Access episode bonus episode.

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Speaker 1: Excuse me, all right, and then on top of that,

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Speaker 1: you're gonna get the bonus full episodes every month like

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Speaker 1: the bask Yat episode I mentioned, Elaine Staley, The Hunter,

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Speaker 1: s Thompson, got more and more coming as well. All right.

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Speaker 1: All you have to do to get it all is

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Speaker 1: to go to Disgrace lampod dot com slash membership. It's

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Speaker 1: just five bucks a month. That's a dollar a week

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Speaker 1: even less. If you sign up for an annual membership.

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Speaker 1: You can sign up either via Apple Podcasts or Patreon.

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Speaker 1: But if you join Patreon you get the added perk

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Speaker 1: of me being in are always on chat with you,

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Speaker 1: talking about whatever the hell it is we're talking about

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Speaker 1: on pretty much a daily basis. So remember disgrace lampod

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Speaker 1: dot com slash membership sign up and getting even more

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Speaker 1: immerse Disgraceland experience. I'll be back in a flash. All right,

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Speaker 1: let's recap, shall we number one? There's more after party

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Speaker 1: to listen to right now. All you got to do

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00:17:21,080 --> 00:17:23,440
Speaker 1: is go to Disgrace lampod dot com slash membership and

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00:17:23,480 --> 00:17:25,359
Speaker 1: sign up to become an all access member. But if

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Speaker 1: that ain't your bag, then number two right now in

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Speaker 1: your feed, this week's brand new episode on Garth Brooks

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Speaker 1: number three coming tomorrow. A rewind episode on iced Ta

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Speaker 1: number four. Over in the bad Lands Feed. We've got

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Speaker 1: a brand new episode on Adrian Shelley number five. Next

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Speaker 1: week in the Disgrace Slam Feed, a brand new episode

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Speaker 1: on williams Burrow's number six. My number is six one

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Speaker 1: seven nine oh six six six three eight. Call me

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Speaker 1: on the telephone or text me number seven. Remember, no

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Speaker 1: one cares about the music you love more than you do,

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Speaker 1: and well that is a disgrace. Now my moment of

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Speaker 1: bliss an honor of this week's episode on Garth Brooks

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Speaker 1: me reading you the city directory from Tulsa, Oklahoma in

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Speaker 1: nineteen twenty two. Brooking Gus three one two South Denver Avenue,

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Speaker 1: Brookings Burt, Vice President Gibralt To Oil Company one four

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Speaker 1: one four South Carson Avenue, Brooklyn Hotel one O six

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Speaker 1: and a half South Boston Avenue, Brooklyn Oil and Gas

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Speaker 1: Company C. G. Taylor President, L. E. Little, Vice President

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Speaker 1: and Secretary L. E. Taylor three one nine Robinson Building,

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Speaker 1: Brooks Adele Jefferson School Rooms one two one one East

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Speaker 1: Fifth Place, Supply Brooks ALEX, Williams and Harvey five eleven

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Speaker 1: Csomber Gas office in warehouse two to one US First

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Speaker 1: one Secretary of three Supply Company, South Springs, Tonal's stout,

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Speaker 1: Quit talking and start mixing.

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Speaker 2: H