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Speaker 1: The volume. I saw a clip of Jermaine Duprie and

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Speaker 1: he was talking about the greatest, the greatest group ever

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Speaker 1: is new addition mm hmm, and he's absolutely right.

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Speaker 2: Did he give criteria? I'd never be mad at the

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Speaker 2: take what every new Edition being the greatest group?

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Speaker 3: Every artist that went solo the album went platinum.

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Speaker 1: Yeah, and when you say that, it's like you can't

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Speaker 1: argue that as great as the Jackson Now what Michael

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Speaker 1: did solo?

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Speaker 3: Obviously you know what I'm saying.

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Speaker 4: But but does that make them the greatest group when

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Speaker 4: y'all can all go solo and go platinum?

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Speaker 2: Well, belt would you consider that? So I mean solo, Yeah,

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Speaker 2: there's the three of them.

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Speaker 1: Yeah, I mean it's still they still broke off from

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Speaker 1: the group. That's what I'm saying. Yeah, Wait, Ralph platinum.

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Speaker 1: Wait his solo album is platinum.

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Speaker 5: But how long it took for it to go plast It.

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Speaker 1: Don't matter, it's platinum't know it don't Tweaker went platinum.

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Speaker 2: By the way, if you think about to tweet, your

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Speaker 2: new Edition are the same.

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Speaker 4: No, I'm just saying, like, like I hear you, but

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Speaker 4: like the Jackson five is the Jackson were.

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Speaker 3: Talking about the Arrow where it was album sales not streams, and.

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Speaker 2: Of course the Jackson five kids everything. I get that,

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Speaker 2: but you still have to put boys to men attach

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Speaker 2: New Audition like I mean, I get it, I do

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Speaker 2: get it, just saying.

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Speaker 1: JD makes a lot of sense with that take.

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Speaker 2: Yeah, I mean, that's one that I probably wouldn't argue.

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Speaker 2: You can argue it, but I'm not mad at to

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Speaker 2: take whatsoever.

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Speaker 1: I mean, I mean just now, but with some of

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Speaker 1: your favorite groups like that would rival.

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Speaker 2: I mean but even where jodses DNA starts with them too,

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Speaker 2: Like yeah, it's tough.

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Speaker 3: I'm just saying, man, he makes a lot of sense.

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Speaker 1: And I and I and I always I mean, New

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Speaker 1: Addition is one of my favorite groups ever before JD

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Speaker 1: even says this. But when you say the greatatest group

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Speaker 1: you're telling R and B, it's like, damn you would

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Speaker 1: or you would, you would, you would go to the

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Speaker 1: Jackson five. People say that's pop whatever whatever, But the

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Speaker 1: greatest group being New Addition, I'm not mad at that.

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Speaker 2: If you go remember remember if there's a pause there

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Speaker 2: pause it. Yeah, the Jackson five versus New Edition doesn't

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Speaker 2: even like like remotely compare Yeah, it's different.

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Speaker 4: You got Michael. We know what Little Michael did. Though.

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Speaker 1: Three here about thirty niggas. Michael Jackson is about thirty niggas.

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Speaker 1: But Randy rest in peace. You know the brothers that past,

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Speaker 1: Tito Jamaine like all, but they didn't they solo albums,

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Speaker 1: didn't didn't didn't do it.

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Speaker 5: Okay, so hear me out.

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Speaker 2: It'd be a good versus We're young new edition versus

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Speaker 2: Jackson five.

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Speaker 1: To be honest, hear me out.

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Speaker 4: And then that, and then there's that part of every

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Speaker 4: member of Destiny's Child has one platinum.

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Speaker 5: I'm just saying, if that's what we're saying.

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Speaker 2: The original, like the original Destiny Child or Michelle Kelly

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Speaker 2: and Beyonce Michelle Kelly, I mean, okay, I get that.

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Speaker 5: I'm just saying, but all.

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Speaker 3: Right, Michelle sol album went platinum.

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Speaker 4: Yeah, she did a gospeler, yes, and she's also on

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Speaker 4: Broadway killing just saying.

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Speaker 2: And not to take anything away from Destiny's Child. If

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Speaker 2: you go through l Bib, Devo, Bobby Brown solo, Ralph

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Speaker 2: tresvent Uh, Johnny like it just it's not close.

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Speaker 1: It's kind of not even your listen. Bobby Brown when

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Speaker 1: he went solo. See y'all too young to that shit

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Speaker 1: hit you. Bobby Brown's solo career. That shit hit like

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Speaker 1: an Adam Baum.

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Speaker 3: That nigga.

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Speaker 1: Bobby Brown was everywhere, every award show, every Billboard. The

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Speaker 1: nigga was in Ghostbusters like this. Bobby Brown was that nigga.

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Speaker 4: I'm not I'm not fighting you. I was just saying,

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Speaker 4: if we bring it, I just you know, do another equation.

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Speaker 3: No listen.

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Speaker 1: Destiny's Child obviously is one of the greatest groups for sure.

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Speaker 1: I mean, yo, what New Addition did though, Mabel Bill

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Speaker 1: doing when they went Bell Devote, did they thing It's

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Speaker 1: like and these niggas rap It was just like they

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Speaker 1: could do no wrong.

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Speaker 2: I don't want to throw what if in because that

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Speaker 2: doesn't really matter. Let's deal with with TLC. Had contracts

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Speaker 2: been what it was, and unfortunately everything that happened with

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Speaker 2: Left Eye like TLC, I think would have branched the

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Speaker 2: way New Addition did and would have went on to

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Speaker 2: be crazy in that regard, like their run was just

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Speaker 2: cut short because of bullshit plus unfortunately left eye passing.

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Speaker 1: But we're not gonna knock New Addition because it's happened

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Speaker 1: with TLC.

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Speaker 3: Personally we love I know.

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Speaker 2: New Addition is older, but New Addition is Wu tang

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Speaker 2: like they're Wu tang.

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Speaker 1: Yo and we're talking about from the early eighties. They

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Speaker 1: were children with hits early eighties, like, go back and

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Speaker 1: just do you do your history on New Addition to music.

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Speaker 1: I know that we got the show that came out

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Speaker 1: and everybody loved that, but like a lot of people

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Speaker 1: still don't know the music of New Addition from the start,

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Speaker 1: not just when they were young men. I'm talking about

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Speaker 1: when they were little kids. Go back to that and

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Speaker 1: just listen. It's incredible to create that they had and

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Speaker 1: there on tour next year. I would love this new

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Speaker 1: addition Boys to Men.

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Speaker 5: So you choose a new addition?

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Speaker 4: I was gonna say, are you choosing a new addition

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Speaker 4: over Boys to Men as a group, not their solo

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Speaker 4: chorist as a group Boys the Men shatalog over new

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Speaker 4: edition catalog?

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Speaker 3: Y'all might have to take new addition.

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Speaker 1: That's tough. I might have to take new addition because

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Speaker 1: of my I love Boys to Men. I might have

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Speaker 1: to take because of my age.

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Speaker 2: Boys to Men was a way bigger part of my life.

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Speaker 2: But going back to stuff and I don't know, man, like, yeah,

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Speaker 2: I think I.

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Speaker 1: Have to go new edition.

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Speaker 3: New addition is it? I'm telling you?

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Speaker 2: And it's funny. I know Boys to Men would say

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Speaker 2: new edition.

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Speaker 1: Yeah, we don't get boys to men without knowing, of

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Speaker 1: course you know what I'm saying. But I just like

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Speaker 1: we didn't feel the same way about you know, when

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Speaker 1: the guys went solo and to day thing. Even though

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Speaker 1: Sean and Wan, yeah, you know they had some some

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Speaker 1: good solo songs and things like that. But when you

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Speaker 1: talk about what Bobby Brown was able to do, what

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Speaker 1: Johnny Gill was able to do with Ralph Chessvan was

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Speaker 1: able to like it was, it's just no, it's no

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Speaker 1: comparing bro Okay.

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Speaker 4: So if I if I do just a quick little

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Speaker 4: verses real quick, y'all choose for me new addition. Can

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Speaker 4: you stand in the rain versus Boys the Men?

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Speaker 5: End of the Road?

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Speaker 1: Can you stand the ring song I'm taking of the run,

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Speaker 1: but but but can you stand the rain? Is like,

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Speaker 1: come on, man, I'm taking End of the Road is

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Speaker 1: a bigger song. Don't get it twisted like Boomerang soundtrack?

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Speaker 1: What that did for that soundtrack? Iconic iconic movie. Iconic

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Speaker 1: soundtrack legendary record. But can you Stand in the rain?

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Speaker 1: Like if you throw into the road on the party,

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Speaker 1: we had an R and B party throwing End of

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Speaker 1: the Road. Niggas are like, nah, this was that ship

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Speaker 1: you throwing? Can you stand the rain? Niggas just picking

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Speaker 1: up their phones like now I gotta call it dog,

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Speaker 1: I'm tripping. That's just it's just a different type of

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Speaker 1: feel when you hear can you Stand the Ring? That's

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Speaker 1: one of those.

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Speaker 2: If we were on drink Champs, I would drink. I

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Speaker 2: don't even know what to pick on.

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Speaker 1: That End of the Road is probably one of the

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Speaker 1: biggest songs in R and B history.

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Speaker 3: But can You Stay in the Rain?

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Speaker 2: Is that ship thought the songs that everyone knows every lyric.

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Speaker 4: Did he get to the and start doing that ship?

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Speaker 4: I don't know, Yeah, no, man, I don't know.

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Speaker 3: Can you Stand in the rain?

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Speaker 2: But when Ralph come in on can you Stand the Rain?

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Speaker 2: Like I think that match.

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Speaker 1: Johnny came in and said on a perfect day, I

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Speaker 1: said this, nigga, Johnny. They wasn't jacking Johnny when he

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Speaker 1: joined the group. They wasn't fucking with him. They was

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Speaker 1: kind of giving them ship Like, yo, you're trying to

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Speaker 1: take Bobby spot that and the third when that nigga

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Speaker 1: said I know that I can't call you. I said

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Speaker 1: this niggas in Bobby, who like this nigga? Johnny? That

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Speaker 1: was it. Can you Stand the Rain?

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Speaker 5: I Love?

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Speaker 1: I Love?

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Speaker 3: I sang end of the Road in fucking grade school like.

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Speaker 2: At a talent show. Yeah, that's definitely a go to

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Speaker 2: talent So I love Staying the Rain is kind of talent.

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Speaker 4: The ring Can you Stand the Ring as an old

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Speaker 4: talent show song, Okay, round two, round two, and.

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Speaker 2: They do the choreography to Kings in the Ring?

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Speaker 1: You Love You Love? What's the movie the best that today?

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Speaker 1: Best Man?

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Speaker 5: Holiday is like such a traumatic movie, but I watch

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Speaker 5: it every Christmas.

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Speaker 1: That movie I want this way to being a Christmas

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Speaker 1: must watch, I.

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Speaker 5: Think is already it's a Christmas must watch for me.

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Speaker 1: I don't know, I don't know. We're not putting it.

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Speaker 1: I mean, it's tough, but that's best Man. Best Man

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Speaker 1: too is best Man Holliday is definitely on the list.

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Speaker 4: Holiday might be better than the Best Man. Don't shoot Me,

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Speaker 4: Don't shoot me, Don't shoot me. Best Man Holliday might

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Speaker 4: be better than the Best.

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Speaker 1: Man I ain't gonna I know why. I don't see

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Speaker 1: why you say that. I get why you say that.

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Speaker 1: I'm not mad at that take. I get why you

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Speaker 1: say that. But it's definitely moving in that realm of

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Speaker 1: like when Christmas coming around, you gotta watch it. The

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Speaker 1: first die Hard movie for sure, got to watch Home Alone.

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Speaker 1: Best Man holiday might be in there.

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Speaker 2: Yeah, and the three you just named are so cryptic

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Speaker 2: in trauma. It's so funny that their holiday like this happened,

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Speaker 2: like thing is like really good about these Christmas?

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Speaker 3: Alright?

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Speaker 4: Second round, Second round, new edition. If it isn't love

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Speaker 4: boys to men, I'll make love to you.

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Speaker 1: I'll make love to you.

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Speaker 5: I'll make love to you.

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Speaker 3: If it is in love.

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Speaker 1: That's the age difference, I think.

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Speaker 4: Yeah, yeah, if it is in love, do I feel

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Speaker 4: this way?

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Speaker 1: It's just a different bot. It's a weird she stay

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Speaker 1: on my mind. And then the choreography they need that.

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Speaker 6: Y'all don't even y'all y'all just wasn't outside, man, y'all

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Speaker 6: wasn't outside.

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Speaker 2: We did, we did watch Avon Barksdale teach them the CHOREOGRAPHYVA.

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Speaker 1: But y'all wasn't there, man. When John that video is

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Speaker 1: ill Ralph had you pull up the video John Ralph

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Speaker 1: had the picts that went into the shoe. I don't

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Speaker 1: think that's a fair person.

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Speaker 4: If it's tough with the two groups, because New Audition

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Speaker 4: has more up tempo, and Boys of Men is more ballad.

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Speaker 2: Get that you know they don't even tell and Jodicy

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Speaker 2: is more of a versus sonically to me than New

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Speaker 2: Edition and Boys Men.

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Speaker 3: Well versus they would be performing. Correct.

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Speaker 2: Oh, then it's over. But the new edition wins every round?

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Speaker 1: What about? No, that's not what.

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Speaker 6: I wanted those, my mom, the woking side, with the

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Speaker 6: no socks, with the loafers.

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Speaker 1: I wanted to go outside with those.

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Speaker 4: All right, all right, up tempo crowd pleasers. Round three,

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Speaker 4: let's do New Edition. Mister telephone man, Yep, Boys to Men,

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Speaker 4: Motown Philly.

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Speaker 1: Mister tell mister telephone man.

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Speaker 4: Yeah, I would have to go miss Telephonia. But I

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Speaker 4: love Motown Philly. I love Motown Philly.

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Speaker 1: Mister telephone man, Hello, can I help you please? The

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Speaker 1: telephone man? Ain't y'all don't even have land lines? No

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Speaker 1: more wall. I think y'all don't don't even know what

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Speaker 1: it is to have a landline. And y'all don't y'all

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Speaker 1: don't know. Man, y'all don't know.

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Speaker 2: You weren't trying. That was actually very close to Ralph

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Speaker 2: impression right there. If you try that one more time

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Speaker 2: and try to sound like.

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Speaker 3: Ralph, no, I can't sound like bro Ralph voice is

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Speaker 3: too high, Okay.

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Speaker 1: And that's another thing. You kind of had it a

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Speaker 1: little bit. That's another thing. People don't look at that.

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Speaker 1: That was whole their whole thing was catered around trying

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Speaker 1: to sound like Jackson five. Yeah, for sure, Ralph was close.

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Speaker 1: He wasn't little Michael. I ain't gonna come on, we

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Speaker 1: ain't gona getting crazy. No one's saying that he wasn't

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Speaker 1: little Michael. But he was close. He was close. Candy

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Speaker 1: Rain like he was close. He was very close.

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Speaker 5: I'm bend knee, damn yo you are you are Josh.

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Speaker 2: It would be the most random songs that that just

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Speaker 2: make it just like h R, you're out his music,

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Speaker 2: tea whatsoever.

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Speaker 4: I'm Bendney boys to man again. This is a different vibe,

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Speaker 4: new edition. Cool it now, it's a different viobe.

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Speaker 1: Probably, Yeah, that's not that's just that's just a weird

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Speaker 1: two different vibes.

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Speaker 5: It's tough. New Edition Crucial versus Boys to Men, A

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Speaker 5: song for Mama.

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Speaker 1: New Audition Crucial versus song for Mama. Nah, you told

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Speaker 1: me anything and everything me. Always keep it inside. You

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Speaker 1: are the driving fortune.

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Speaker 3: I'm about to call my mama.

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Speaker 2: Hold on and R and B took that flow and

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Speaker 2: ran with it too. All right, Well, Marie, you also

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Speaker 2: have to add in solo ship because that versus if

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Speaker 2: you're in a like playing a bunch of lock ship

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Speaker 2: against against fab like, yeah, let's.

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Speaker 1: Get Bobby now, let's pull some body ship.

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Speaker 4: Let's get into Bobby, I said, as a group alone. Obviously,

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Speaker 4: if you start, if you allow single songs like if you.

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Speaker 2: If you do Bobby against the Boys to Men record

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Speaker 2: doesn't have to be solo boys.

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Speaker 4: That's not But again that's why I said to keep

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Speaker 4: it fair.

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Speaker 1: I'm saying, just it's not fair.

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Speaker 2: That's why we're saying new addition, is is it?

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Speaker 3: Yeah?

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Speaker 2: Because poison could be a bunch of boys and men records.

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Speaker 3: Yeah, that's the fact.

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Speaker 1: I'm just saying. Man JD he he got that one right.

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Speaker 1: When you first hear it, it's like huh. But then

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Speaker 1: when you start doing we're doing getting into the music.

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Speaker 1: Like really, it's a lot of groups that cannot fuck

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Speaker 1: with New Addition. That's why I'm excited that they're going

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Speaker 1: on to it, because I think this is gonna help solidify. Like, Yo,

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Speaker 1: this is the coldest group ever in R and B ever.

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Speaker 1: Like them, niggas had hits. They went decades with hits,

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Speaker 1: like they crossed from the eighties to the nineties to

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Speaker 1: the early two thousands, like with hit records.

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Speaker 2: Yeah, not even come on, you're throwing Johnny rub you

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Speaker 2: the right way, my ma.

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Speaker 5: Man mo.

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Speaker 1: When that came out, when he went solo with that,

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Speaker 1: it was like, Nah, these niggas are cheating.

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Speaker 2: I mean, everybody got a bomb the real verses I

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Speaker 2: wanted to do, which I know sounds laughable. But Young

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Speaker 2: Jackson five Verse, Young New Edition, I think New Addition

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Speaker 2: is hanging. I know that sounds kind of blasphemous. They

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Speaker 2: hanging just even I don't know if, I don't know

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Speaker 2: if they're gonna win, but Thorn Love, I know good versus.

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Speaker 3: I would pay to see.

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Speaker 2: That they would. They would hang.

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Speaker 3: Yeah, But once they start.

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Speaker 1: Getting into them, them them Deep Jackson five cuts, It's.

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Speaker 3: Like, yeah, man, just go ahead and leave Little Michael alone.

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Speaker 1: Y'all can't that little Michael was don't leave him alone

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Speaker 1: when he had when he got the fro and he

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Speaker 1: put that cowboy hat on.

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Speaker 3: I'll never forget the.

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Speaker 5: First time my boy had over a fro, crazy as fuck.

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Speaker 1: I can never forget the first time I saw that

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Speaker 1: on TV. Like I remember as a as a little kid,

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Speaker 1: seeing Michael Jackson as a little kid, Like I understand

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Speaker 1: how kids now that are born or like ename it

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Speaker 1: with Michael. It's like it's something about him when you

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Speaker 1: see him on TV as a kid, but you just

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Speaker 1: can't stop looking at him. Yeah, because kids that are

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Speaker 1: born now, Michael, Michael Jackson, mean, there were ten years,

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Speaker 1: probably no longer longer than that he died ship, like

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Speaker 1: sixteen years, sixteen oh.

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Speaker 5: Nine, I don't know. I thought it was five. You're

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Speaker 5: right he got oh nine.

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Speaker 2: Yeah, uh okay, Yeah, they'll hang. But I do take

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Speaker 2: back a lot of it. Yeah, little Michael too much

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Speaker 2: coming out. I mean, I want you back. As my

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Speaker 2: ship ABC goes out saying I'll be there, like, I

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Speaker 2: don't even know many songs that could beat that. Yeah,

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Speaker 2: never can say goodbye. You're a loving you, John.

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Speaker 1: I want to I want to put where you are you,

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Speaker 1: Who's loving you? I want to be where you Yeah, no,

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Speaker 1: I'm all right. Listen.

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Speaker 2: New edition is allowed, young new addition is allowed on

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Speaker 2: the stage with him, for sure.

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Speaker 1: But when Mike game was that with the hat Who's

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Speaker 1: Loving You and the edge seller bro Listen, man, y'all

341
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Speaker 1: don't even understand what this kid in the black household

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Speaker 1: that look at little Michael look at him?

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Speaker 5: Mm hmm?

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Speaker 1: What the fuck you just say? Yeah, that's how Bruno

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Speaker 1: Marris feels like.

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Speaker 5: It's may look mall is a name or now Ma's.

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Speaker 2: Like I wish performance ary performances.

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Speaker 1: I will never forget this, Like this was crazy.

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Speaker 4: He was perfect. He was absolutely perfect. That's a different

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Speaker 4: that's spiritual talent. That's a different type of you. Gotta

351
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Speaker 4: be born.

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Speaker 1: You were born.

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Speaker 5: God wanted you.

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Speaker 1: This was a chosen thing.

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Speaker 2: Yeah, despite all the work might put in, nah this

356
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Speaker 2: some shiit just lines up that you were just the

357
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Speaker 2: chosen one for everything.

358
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Speaker 4: Yeah, what you're listening to today?

359
00:16:27,720 --> 00:16:29,720
Speaker 5: A busy week. I listened to Summer.

360
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Speaker 1: Walker shout after Summer Walker finally over It, Yes, sir,

361
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Speaker 1: I don't know where I put that into over It

362
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Speaker 1: trilogy too.

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Speaker 3: Soon to even put it.

364
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Speaker 2: But I'm on the side that Summer Walker is three

365
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Speaker 2: for three, and I don't that's a tough thing to

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Speaker 2: say for artists, Like I think Summer's been around long

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Speaker 2: enough that we can start to have that conversation because

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Speaker 2: going three for three the way she has should be noted.

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Speaker 1: I like the record with her Lotto do Go Girl,

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Speaker 1: Okay on that right and record Yo? All right? So

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Speaker 1: that was the like the record.

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Speaker 2: Of course, you know, online's always being mixed reviews no

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Speaker 2: matter what the artist is for the most part. Yeah,

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Speaker 2: that was really like the only real negative critiques I

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Speaker 2: was seeing was Go Girl. But that's one of my

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Speaker 2: favorite records off the first few listens.

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Speaker 3: Killing that online. Yeah, I like that record.

378
00:17:21,359 --> 00:17:24,280
Speaker 2: It's doing well on TikTok, but like you know, Twitter,

379
00:17:24,440 --> 00:17:26,280
Speaker 2: Instagram and all that, people were saying that was the

380
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Speaker 2: one they didn't like.

381
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Speaker 4: It gives you either that's a song that you're either

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Speaker 4: going to absolutely love or absolutely hate. There's no in

383
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Speaker 4: between because it's a different type of song.

384
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Speaker 2: I mean, I do, I do have a take on it, though,

385
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Speaker 2: what's your take?

386
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Speaker 5: Sweetie?

387
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Speaker 2: I think Summer Walker washed two amazing rappers said she

388
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Speaker 2: had the best verse to me, I'm not a lot

389
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Speaker 2: of and Doje went off, but I was not shocked

390
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Speaker 2: because we know someone has a great pen, but I

391
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Speaker 2: didn't know she was going to clean up.

392
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Speaker 1: We had Bryson here a couple of months ago. Bryson,

393
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Speaker 1: you and someone just need to give it the project, yeah,

394
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Speaker 1: because they don't miss. Whenever they are featured on each

395
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Speaker 1: other's songs, they don't they don't miss. So we need

396
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Speaker 1: we need to summon Walker Bryce. Until the album, they

397
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Speaker 1: were just on tour with with Chris Hopefully. You know,

398
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Speaker 1: there was some conversations about doing some more records together

399
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Speaker 1: because when them two do a record, it's it's hard

400
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Speaker 1: not to.

401
00:18:21,000 --> 00:18:23,600
Speaker 2: Like it without That was one of my favorite places

402
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Speaker 2: in the album, going from the Situationships to to give

403
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Speaker 2: Me a Reason and listen, man, she down Situationships.

404
00:18:31,600 --> 00:18:34,320
Speaker 5: Now one eight hundred heartbreak. It's probably the best.

405
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Speaker 3: Would you like to expound on it?

406
00:18:35,359 --> 00:18:36,920
Speaker 1: Baby? Why did that song speak?

407
00:18:37,440 --> 00:18:40,200
Speaker 4: Because Anderson Pott went that might be first of the

408
00:18:40,280 --> 00:18:43,760
Speaker 4: year that he went crazy outside of twenty one Saba,

409
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Speaker 4: We'll getting to twenty one savage, cause twenty one Savage

410
00:18:45,720 --> 00:18:47,560
Speaker 4: that if you fuck my friends, I'm gonna give you

411
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Speaker 4: a stylis twins and I'm gonna bite that bitch that

412
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Speaker 4: do your makeup of bens.

413
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Speaker 1: Cock it cock it he ate.

414
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Speaker 5: He went crazy. When the record started.

415
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Speaker 2: I was like, all right, this is an interesting sound

416
00:19:00,280 --> 00:19:03,119
Speaker 2: to put Anderson on. And then the beat switched up

417
00:19:03,160 --> 00:19:06,760
Speaker 2: and the base came in, and then Anderson just got

418
00:19:06,800 --> 00:19:09,919
Speaker 2: off like that. That might be one of my favorite

419
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Speaker 2: verses of the year. That record is super far and

420
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Speaker 2: going down. Josh, he gave her like a sixty four. Yeah,

421
00:19:17,280 --> 00:19:21,560
Speaker 2: he went crazy. Keep going while he's looking for that.

422
00:19:21,640 --> 00:19:23,240
Speaker 2: I am now realizing how many words have.

423
00:19:25,280 --> 00:19:25,359
Speaker 1: You?

424
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Speaker 2: Never I was the city?

425
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Speaker 1: Why do I keep picking things that have Yeah? Yeah,

426
00:19:30,960 --> 00:19:33,400
Speaker 1: you never know today how many essays you got to say,

427
00:19:33,560 --> 00:19:36,159
Speaker 1: Oh my god, my teeth are killing me. Yeah, you're

428
00:19:36,200 --> 00:19:38,439
Speaker 1: a soldier for having him just done this morning and

429
00:19:38,520 --> 00:19:39,520
Speaker 1: getting on mic like that. Yeah.

430
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Speaker 2: I was supposed to do it a Friday, but I could

431
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Speaker 2: not get Amara out of the house on time, so

432
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Speaker 2: I moved it.

433
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Speaker 1: And I just wanted to get the shit over with

434
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Speaker 1: before holiday started.

435
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Speaker 2: But they assured me they third me sufferings.

436
00:19:53,920 --> 00:19:55,679
Speaker 1: Yo, could we get a spit garf for this MICU

437
00:19:56,560 --> 00:19:58,360
Speaker 1: because we're gonna need it he about to fuck that mic.

438
00:19:59,119 --> 00:20:01,800
Speaker 2: Should we bring up some some tongue twisters some examples

439
00:20:01,840 --> 00:20:03,760
Speaker 2: with says, yeah, give it a go, it, give it

440
00:20:03,800 --> 00:20:06,359
Speaker 2: a go, Roy, let me get you read let's go

441
00:20:06,520 --> 00:20:09,080
Speaker 2: When Patpoos does the sical slaughter.

442
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Speaker 3: No, we can't do that. I wouldn't even put you

443
00:20:10,800 --> 00:20:11,760
Speaker 3: through that type of torture today.

444
00:20:11,760 --> 00:20:14,160
Speaker 1: I wouldn't do that to you. Well yeah again while

445
00:20:14,200 --> 00:20:14,679
Speaker 1: he looks for that.

446
00:20:15,080 --> 00:20:18,639
Speaker 2: Uh. The Situationship record, which we've talked about on this

447
00:20:18,680 --> 00:20:22,680
Speaker 2: pod so much, those like three month relationships where they're

448
00:20:22,720 --> 00:20:25,280
Speaker 2: the best you just in love like she said that.

449
00:20:25,440 --> 00:20:29,520
Speaker 2: She said her Situationship Ecstasy has nothing on him, like

450
00:20:29,960 --> 00:20:30,720
Speaker 2: not even your man.

451
00:20:33,040 --> 00:20:33,680
Speaker 3: I like the album.

452
00:20:33,680 --> 00:20:35,520
Speaker 1: I gotta live with it more, though I was so

453
00:20:35,640 --> 00:20:37,240
Speaker 1: I was so caught up on a wild a project

454
00:20:37,240 --> 00:20:39,480
Speaker 1: that I didn't really like give the some of Walker

455
00:20:39,520 --> 00:20:41,840
Speaker 1: album as much attention that I usually do.

456
00:20:41,920 --> 00:20:43,399
Speaker 3: But I'm definitely gonna go back to it tonight.

457
00:20:43,480 --> 00:20:45,639
Speaker 5: It's different, it's a different sound for her. It's different

458
00:20:45,640 --> 00:20:46,760
Speaker 5: for multiple reasons.

459
00:20:48,000 --> 00:20:49,919
Speaker 4: I would say, out of the three, it will be

460
00:20:50,080 --> 00:20:52,560
Speaker 4: number three for me, which doesn't mean that it's not good.

461
00:20:52,640 --> 00:20:53,160
Speaker 5: It's still good.

462
00:20:53,200 --> 00:20:55,359
Speaker 4: It's just that I prefer the other two a little

463
00:20:55,359 --> 00:20:58,600
Speaker 4: bit more, just because I think I prefer production. I

464
00:20:58,720 --> 00:21:00,800
Speaker 4: want a little bit more, and I prefer the vulnerability

465
00:21:00,920 --> 00:21:02,240
Speaker 4: on another one a little bit more.

466
00:21:02,720 --> 00:21:05,000
Speaker 5: But this is this is good. She is definitely three

467
00:21:05,000 --> 00:21:05,320
Speaker 5: for three.

468
00:21:05,480 --> 00:21:05,680
Speaker 1: Yeah.

469
00:21:05,720 --> 00:21:07,479
Speaker 2: The other two are a little bit more concise too,

470
00:21:07,560 --> 00:21:10,400
Speaker 2: so this one's gonna take a while to fully digest.

471
00:21:10,720 --> 00:21:13,600
Speaker 2: I'm with you, though, Like the production is good on here,

472
00:21:14,320 --> 00:21:18,080
Speaker 2: but it's tough to beat the summer London.

473
00:21:19,400 --> 00:21:21,640
Speaker 1: Yeah, dull like when.

474
00:21:21,560 --> 00:21:24,160
Speaker 2: They were together, and especially when they hated each other,

475
00:21:24,240 --> 00:21:27,199
Speaker 2: like that duo is kind of unmatched. It worked, No,

476
00:21:27,240 --> 00:21:29,600
Speaker 2: it worked, It definitely worked. But I mean it's it's

477
00:21:29,600 --> 00:21:32,280
Speaker 2: still great production on it. When I first saw the

478
00:21:32,320 --> 00:21:35,880
Speaker 2: track list on Friday, I was a little nervous because

479
00:21:35,960 --> 00:21:40,840
Speaker 2: usually like heavy feature albums are not my personal taste.

480
00:21:41,119 --> 00:21:44,080
Speaker 2: Doesn't really feel super feature. Heavery like, you still get

481
00:21:44,200 --> 00:21:46,760
Speaker 2: a majority summer on it. Yeah, they're well placed, they

482
00:21:46,840 --> 00:21:50,679
Speaker 2: make sense, But I was nervous and I was like,

483
00:21:50,680 --> 00:21:53,600
Speaker 2: oh fuck, this is a lot of features, but I

484
00:21:53,680 --> 00:21:57,240
Speaker 2: think they nailed each one. Rob dreamrit scientists. I mean,

485
00:21:57,320 --> 00:21:58,760
Speaker 2: Demari's a song of the year for you or.

486
00:21:58,760 --> 00:21:59,400
Speaker 1: What you kyo?

487
00:22:00,080 --> 00:22:03,840
Speaker 2: I could have robbed you Hello fifty sample on the.

488
00:22:03,880 --> 00:22:05,760
Speaker 5: Niggas be so easy, niggas be going.

489
00:22:05,760 --> 00:22:07,480
Speaker 4: I could have put that bitch on my payroll and

490
00:22:07,520 --> 00:22:09,679
Speaker 4: had you robbed because you're so easy going.

491
00:22:09,720 --> 00:22:11,320
Speaker 5: Where dom I soul? You easy as fuck?

492
00:22:12,800 --> 00:22:14,280
Speaker 1: You feel like you want to expound a little more, baby,

493
00:22:14,320 --> 00:22:16,520
Speaker 1: then tell us why you feel such a personal connection

494
00:22:16,600 --> 00:22:17,119
Speaker 1: to that message.

495
00:22:17,119 --> 00:22:17,960
Speaker 5: No, I didn't say it was personal.

496
00:22:18,000 --> 00:22:21,800
Speaker 4: I'm just saying we've all been there and No. Definitely

497
00:22:21,800 --> 00:22:23,600
Speaker 4: definitely niggas that you could set up with a bad

498
00:22:23,640 --> 00:22:25,200
Speaker 4: bitch to get robbed because they just easy.

499
00:22:25,200 --> 00:22:28,640
Speaker 5: They're going shit is sad, think highly of yourself.

500
00:22:32,359 --> 00:22:34,359
Speaker 2: They just be having them at the crib, Like, just

501
00:22:34,359 --> 00:22:35,000
Speaker 2: come on over.

502
00:22:36,920 --> 00:22:39,120
Speaker 3: Baby, I can't fuck with the mass.

503
00:22:39,560 --> 00:22:42,399
Speaker 1: Just leave me up. I don't believe you at the

504
00:22:42,440 --> 00:22:46,400
Speaker 1: marriage is really crazy, all right, my bad baby, I'm sorry.

505
00:22:47,200 --> 00:22:49,960
Speaker 4: Yeah, but a lot of niggas be going. Sorry, y'all

506
00:22:50,160 --> 00:22:52,440
Speaker 4: you've been easy before. It's definitely a bitch that could

507
00:22:52,440 --> 00:22:53,840
Speaker 4: have set you up to get ribbed.

508
00:22:54,119 --> 00:22:55,919
Speaker 1: Robbed da, I mean it would It would have been

509
00:22:55,960 --> 00:22:58,840
Speaker 1: a bad night for somebody. But yeah, I'm sure it

510
00:22:58,880 --> 00:23:00,920
Speaker 1: was some nice white But but see the thing about

511
00:23:00,960 --> 00:23:04,119
Speaker 1: me is I feel when I'm slipping like I'll be

512
00:23:04,119 --> 00:23:06,040
Speaker 1: in the middle of the slip like I'm out of here.

513
00:23:06,560 --> 00:23:08,480
Speaker 1: I'm in here butt naked in the middle of her

514
00:23:08,520 --> 00:23:11,120
Speaker 1: house like this nigga blowing her lim I'm out of here,

515
00:23:11,240 --> 00:23:14,359
Speaker 1: Like you feel. Some niggas just be willing nearly laid up.

516
00:23:14,400 --> 00:23:17,280
Speaker 1: They Yeah, you're gonna have to You're gonna have to

517
00:23:17,440 --> 00:23:20,960
Speaker 1: really catch me slipping. But absolutely, I've been in situations

518
00:23:21,000 --> 00:23:24,760
Speaker 1: with women that definitely was not probably like safe. And

519
00:23:25,400 --> 00:23:27,639
Speaker 1: if you know, she was trying to have something happened

520
00:23:27,640 --> 00:23:29,960
Speaker 1: to me, it could have happened. Man, something would have

521
00:23:29,960 --> 00:23:31,760
Speaker 1: happened to him too, but something would have happened to

522
00:23:31,800 --> 00:23:32,320
Speaker 1: me obviously.

523
00:23:32,320 --> 00:23:33,399
Speaker 3: But yeah, definitely it was.

524
00:23:33,440 --> 00:23:35,320
Speaker 1: The thing is I get out of that ship as

525
00:23:35,320 --> 00:23:37,479
Speaker 1: soon as I feel it, like, no, I'm bugging, I'm

526
00:23:37,520 --> 00:23:37,960
Speaker 1: out of there.

527
00:23:38,400 --> 00:23:38,640
Speaker 3: Yeah.

528
00:23:38,720 --> 00:23:41,480
Speaker 2: When I think I told you the time that del

529
00:23:41,520 --> 00:23:43,199
Speaker 2: say wasn't a setup per se. But I went to

530
00:23:43,400 --> 00:23:48,080
Speaker 2: a woman's apartment that went to Dell State and her

531
00:23:48,080 --> 00:23:50,680
Speaker 2: boyfriend called and he was she was adding a local

532
00:23:50,760 --> 00:23:52,640
Speaker 2: like not somebody that was at them. Yeah, he was right,

533
00:23:52,720 --> 00:23:54,920
Speaker 2: he was down the block. Yeah, said what the fuck

534
00:23:54,960 --> 00:23:57,480
Speaker 2: you at the screen? She said, he's he's not gonna

535
00:23:57,520 --> 00:23:59,240
Speaker 2: come down. I said, I'm getting the fuck out of here,

536
00:23:59,280 --> 00:23:59,840
Speaker 2: like I never.

537
00:23:59,760 --> 00:24:01,560
Speaker 1: Want Why would girls be like, don't worry about him. No,

538
00:24:01,600 --> 00:24:05,520
Speaker 1: I'm worried about him, like you know you like but yeah,

539
00:24:05,840 --> 00:24:08,560
Speaker 1: he sounds like he's crazy about you. And I'm in

540
00:24:08,640 --> 00:24:11,080
Speaker 1: your house naked with the with the fridge door open,

541
00:24:11,160 --> 00:24:13,000
Speaker 1: like yeah, like getting the fun out of here. I'm

542
00:24:13,040 --> 00:24:14,359
Speaker 1: not here, which I don't have.

543
00:24:14,480 --> 00:24:16,080
Speaker 2: I don't have a lot of family in Delaware to

544
00:24:16,080 --> 00:24:18,960
Speaker 2: help me out in this situation. I'm just gonna run.

545
00:24:18,800 --> 00:24:19,800
Speaker 1: The fuck out of this apartment.

546
00:24:21,119 --> 00:24:26,400
Speaker 2: Critique wise, I wish Baby with Chris Brown was was longer,

547
00:24:27,000 --> 00:24:28,600
Speaker 2: Like just when I felt like it was ready to cook,

548
00:24:28,840 --> 00:24:33,040
Speaker 2: it was over. That record could have been like five

549
00:24:33,040 --> 00:24:36,080
Speaker 2: minutes to me. But I love that song.

550
00:24:37,560 --> 00:24:37,919
Speaker 3: I don't know.

551
00:24:38,040 --> 00:24:41,240
Speaker 2: I'm excited to live with this one. I know Demarus

552
00:24:41,280 --> 00:24:43,080
Speaker 2: is gonna be wilding at the hookah spot to a Baller,

553
00:24:44,119 --> 00:24:45,920
Speaker 2: which one was Baller. She's gonna have the windows open

554
00:24:45,960 --> 00:24:47,360
Speaker 2: in the car in the winter. I wasn't a fan

555
00:24:47,400 --> 00:24:50,920
Speaker 2: of Baller really, Okay, what did he like about it?

556
00:24:52,000 --> 00:24:52,439
Speaker 1: I don't know.

557
00:24:52,480 --> 00:24:54,800
Speaker 4: It just wasn't It was cool, but it wasn't like

558
00:24:55,720 --> 00:24:57,120
Speaker 4: for me, but it was it was cool.

559
00:24:57,119 --> 00:24:59,120
Speaker 5: It's a good song. Now, Don't make Me do it?

560
00:25:02,119 --> 00:25:03,480
Speaker 5: Don't make Me do it? Yeah, that one.

561
00:25:03,640 --> 00:25:06,679
Speaker 1: You care to talk about why that one? Want to

562
00:25:06,680 --> 00:25:09,840
Speaker 1: say that? Like that one specifically? You can't even talk

563
00:25:09,880 --> 00:25:13,080
Speaker 1: about that one specifically when a lyric breakdown do it?

564
00:25:13,160 --> 00:25:16,080
Speaker 4: But nah, No, it's it's a good album overall. No,

565
00:25:16,160 --> 00:25:19,399
Speaker 4: it's really good to the with the Beyonce sample.

566
00:25:20,320 --> 00:25:21,480
Speaker 1: Yeah, No, it was really.

567
00:25:21,320 --> 00:25:24,119
Speaker 2: Really good Chris Brown. They had a there was Mariah

568
00:25:24,160 --> 00:25:24,800
Speaker 2: sample on that right.

569
00:25:26,200 --> 00:25:27,119
Speaker 5: If I'm not I think so.

570
00:25:27,280 --> 00:25:31,080
Speaker 4: Yeah, Always be my baby, always baby, my baby sample

571
00:25:31,280 --> 00:25:33,800
Speaker 4: stitch me Up. The girls tend to love, are seeming

572
00:25:33,840 --> 00:25:35,679
Speaker 4: of love stitch me Up, which is basically just like

573
00:25:35,760 --> 00:25:38,320
Speaker 4: fix me, heal me, that sort of thing you like.

574
00:25:38,480 --> 00:25:41,520
Speaker 1: I told Cardy Stephone was ahead of his time with

575
00:25:41,560 --> 00:25:44,440
Speaker 1: to stitch Me Up. He told Cardy, let me.

576
00:25:44,359 --> 00:25:46,639
Speaker 5: Fix you, let me hear you.

577
00:25:51,280 --> 00:25:53,359
Speaker 2: Did you see the wile A clip? I believe it

578
00:25:53,359 --> 00:25:55,840
Speaker 2: was Breakfast Club right. He was talking to Charlotte Magne

579
00:25:55,880 --> 00:25:59,560
Speaker 2: and he said that he was talking to Cole and

580
00:25:59,640 --> 00:26:02,600
Speaker 2: Kendrick about you know, he has a child on the

581
00:26:02,640 --> 00:26:05,080
Speaker 2: way and talked about some of his problems and just

582
00:26:05,200 --> 00:26:07,360
Speaker 2: vent venting to the homies and then the next fucking day,

583
00:26:07,760 --> 00:26:09,680
Speaker 2: Jay Cole put out false profece.

584
00:26:11,200 --> 00:26:13,879
Speaker 1: Mm hmm, can we play the clip?

585
00:26:16,960 --> 00:26:20,879
Speaker 7: I remember I called Kendrick around that time. We talked

586
00:26:20,880 --> 00:26:24,640
Speaker 7: about like like we just had that was at that time,

587
00:26:25,280 --> 00:26:29,200
Speaker 7: and I remember like like getting ready to have my child,

588
00:26:29,280 --> 00:26:32,440
Speaker 7: I talked to Cold. That was probably only two times

589
00:26:32,440 --> 00:26:35,760
Speaker 7: I really leaned on the industry person, you know.

590
00:26:35,880 --> 00:26:35,960
Speaker 2: So.

591
00:26:37,240 --> 00:26:40,600
Speaker 7: But the crazy thing is falset prophets came up the

592
00:26:40,600 --> 00:26:44,320
Speaker 7: next day. I'll post came out this very next day after.

593
00:26:44,840 --> 00:26:47,240
Speaker 7: But I ain't take it, you know what I'm saying.

594
00:26:47,280 --> 00:26:51,199
Speaker 7: But I think the record was driving nah, But I

595
00:26:51,240 --> 00:26:51,439
Speaker 7: mean he.

596
00:26:51,480 --> 00:26:52,639
Speaker 3: Said it's not really about me.

597
00:26:52,720 --> 00:26:56,520
Speaker 7: But I mean, all I'm saying is that that's that's

598
00:26:56,560 --> 00:26:58,000
Speaker 7: my I love him, that's my brother.

599
00:26:58,160 --> 00:27:00,960
Speaker 3: Whatever. I just I mean, I I think I kind of.

600
00:27:02,000 --> 00:27:07,679
Speaker 7: Halted telling any industry for anything too deep like around

601
00:27:07,680 --> 00:27:09,199
Speaker 7: that time, like I just like, you know what, I

602
00:27:09,200 --> 00:27:12,080
Speaker 7: don't even I don't even want to think that they're

603
00:27:12,320 --> 00:27:14,280
Speaker 7: using this, like you know what I'm saying, So.

604
00:27:16,560 --> 00:27:19,760
Speaker 1: Nigga, what what didn't you understand? It sounds like he

605
00:27:19,800 --> 00:27:23,040
Speaker 1: was getting cut off. He's like saying, sorry, I ain't

606
00:27:23,040 --> 00:27:26,600
Speaker 1: want to you know say, mall, say what you're saying.

607
00:27:27,240 --> 00:27:30,000
Speaker 1: That was Nah, that's what I'm saying. You say what

608
00:27:30,040 --> 00:27:32,520
Speaker 1: you're saying that was whack. And as a result of that,

609
00:27:32,760 --> 00:27:34,880
Speaker 1: I don't really be talking to these rat niggas because

610
00:27:34,880 --> 00:27:37,920
Speaker 1: I don't know if they're using like personal conversations for content.

611
00:27:37,960 --> 00:27:40,000
Speaker 1: And that's what he was saying, but that's what he

612
00:27:40,119 --> 00:27:41,639
Speaker 1: that's what he wanted to say, but that ain't what

613
00:27:41,640 --> 00:27:41,960
Speaker 1: he said.

614
00:27:42,040 --> 00:27:45,440
Speaker 2: He said it though, like not as I don't.

615
00:27:46,040 --> 00:27:53,440
Speaker 1: He said it saying like that. No, no, no other

616
00:27:53,520 --> 00:27:55,880
Speaker 1: people because he used against me. But that's the thing

617
00:27:55,880 --> 00:27:58,720
Speaker 1: in this industry because while A is a nice guy

618
00:27:58,800 --> 00:28:00,800
Speaker 1: by nature, very nice guy, and then when you find

619
00:28:00,840 --> 00:28:03,520
Speaker 1: out that everybody ain't nice and everybody ain't the way

620
00:28:03,560 --> 00:28:06,159
Speaker 1: you are, then you get on these platforms and you

621
00:28:06,200 --> 00:28:07,359
Speaker 1: don't want to say it because you don't want to

622
00:28:07,359 --> 00:28:09,320
Speaker 1: seem like you're talking about nobody and not respect that

623
00:28:09,359 --> 00:28:12,080
Speaker 1: about Wyla. But sometimes you got to be like yo, listen, man,

624
00:28:12,160 --> 00:28:14,159
Speaker 1: Homie did some wax shit. And as a result of that,

625
00:28:14,200 --> 00:28:16,400
Speaker 1: I don't really be opening up to rappers and trying

626
00:28:16,400 --> 00:28:18,359
Speaker 1: to get too cool with these niggas because they move funny.

627
00:28:18,680 --> 00:28:20,480
Speaker 2: Just say that shit, but I'm not about first, so

628
00:28:20,480 --> 00:28:22,160
Speaker 2: I'm not gonna let you do that because the timeline

629
00:28:22,240 --> 00:28:24,199
Speaker 2: is is a little little off with this, and it

630
00:28:24,240 --> 00:28:27,480
Speaker 2: definitely was resolved. And I also think j Cole, out

631
00:28:27,520 --> 00:28:31,680
Speaker 2: of all the rappers, is probably just as equally nice

632
00:28:31,920 --> 00:28:35,040
Speaker 2: as a human being as l as Cole No knocking.

633
00:28:35,200 --> 00:28:37,560
Speaker 1: I'm just saying while A was sounding like he wanted

634
00:28:37,600 --> 00:28:39,320
Speaker 1: to say something, at the same time he didn't want

635
00:28:39,360 --> 00:28:39,880
Speaker 1: to say nothing.

636
00:28:40,040 --> 00:28:43,440
Speaker 2: Now if in fact, if in fact they had that

637
00:28:43,560 --> 00:28:48,240
Speaker 2: conversation on let's say the first and then false profits

638
00:28:48,320 --> 00:28:51,240
Speaker 2: dropped on the second, I have to give so much

639
00:28:51,320 --> 00:28:55,280
Speaker 2: credit to Cole felt in the creative team. The fact

640
00:28:55,280 --> 00:28:58,600
Speaker 2: that you could write that record and make Jamaica Avenue

641
00:28:58,600 --> 00:29:02,960
Speaker 2: into Willie Wanka chocolate factory video. Wow, what a turnover

642
00:29:03,040 --> 00:29:04,880
Speaker 2: to put it out. But I'm sure he's probably paraphrase.

643
00:29:04,880 --> 00:29:07,840
Speaker 2: I'm sure it came out shortly after. But then while

644
00:29:07,880 --> 00:29:10,600
Speaker 2: A put out Groundhog's Day, which I think is one

645
00:29:10,640 --> 00:29:12,280
Speaker 2: of the more underrated I don't think it's a diss

646
00:29:12,680 --> 00:29:15,680
Speaker 2: more underrated responses like it still has replay value to me,

647
00:29:15,800 --> 00:29:18,000
Speaker 2: I still love groundhog Day. And then they went to

648
00:29:18,080 --> 00:29:20,240
Speaker 2: the I think it was a North Carolina game the

649
00:29:20,280 --> 00:29:22,440
Speaker 2: next day, they were sitting courts out together like they

650
00:29:22,560 --> 00:29:23,719
Speaker 2: resolved the entire thing.

651
00:29:24,240 --> 00:29:26,320
Speaker 1: Yeah, and I don't think I'm not saying it's beef.

652
00:29:27,080 --> 00:29:28,240
Speaker 3: It's like, you know, what's wrap.

653
00:29:28,360 --> 00:29:30,720
Speaker 1: You can have a little friendly like fire, like a

654
00:29:30,800 --> 00:29:33,400
Speaker 1: friendly little like back and forth with dudes that you're

655
00:29:33,400 --> 00:29:33,920
Speaker 1: really cool with.

656
00:29:34,120 --> 00:29:35,960
Speaker 5: So, just to clarify, y'all are telling me that y'all

657
00:29:36,000 --> 00:29:37,400
Speaker 5: think false prophets. It's about wi.

658
00:29:37,680 --> 00:29:42,120
Speaker 2: Yeah, I think one versus about Kanye and one verse

659
00:29:42,160 --> 00:29:45,840
Speaker 2: about while A. What was the first version I'm trying

660
00:29:45,840 --> 00:29:46,400
Speaker 2: to remember.

661
00:29:46,440 --> 00:29:48,880
Speaker 1: Maybe d I'm just speaking to in this in this

662
00:29:49,000 --> 00:29:52,360
Speaker 1: clip that y'all just showed me while seemed like he

663
00:29:52,560 --> 00:29:54,360
Speaker 1: wanted to say something but that he didn't want to

664
00:29:54,720 --> 00:29:57,600
Speaker 1: because it's resolved. And no, I get it, I understand it.

665
00:29:57,640 --> 00:29:58,720
Speaker 3: But then don't speak on it.

666
00:29:59,400 --> 00:30:01,320
Speaker 1: That's what I'm saying. Wait, why not? You can still

667
00:30:01,320 --> 00:30:02,040
Speaker 1: speak about some shit.

668
00:30:02,360 --> 00:30:06,640
Speaker 4: The first verse being about Kanye makes sense, right? Second

669
00:30:06,760 --> 00:30:11,080
Speaker 4: verse is the one that you will say would be

670
00:30:11,080 --> 00:30:11,640
Speaker 4: about wallet.

671
00:30:13,040 --> 00:30:17,360
Speaker 2: Yeah, okay, absolutely, which I mean we we've covered when

672
00:30:17,400 --> 00:30:20,840
Speaker 2: it came out. Obviously, that was a big week on

673
00:30:21,000 --> 00:30:25,520
Speaker 2: Twitter of what Who's who? Were the verses about but yeah,

674
00:30:25,840 --> 00:30:30,280
Speaker 2: and if if Wally had a conversation with Cole, who

675
00:30:30,360 --> 00:30:32,280
Speaker 2: he was on tour with at the beginning of his career,

676
00:30:32,720 --> 00:30:34,800
Speaker 2: slept in the same tour bus, somebody that he probably

677
00:30:34,840 --> 00:30:37,960
Speaker 2: confide with, like not just some random stranger that also raps, Like,

678
00:30:38,160 --> 00:30:40,600
Speaker 2: I'm pretty sure they had spent a lot of time

679
00:30:41,040 --> 00:30:43,640
Speaker 2: together in a real way. Yeah, when they were on

680
00:30:43,960 --> 00:30:46,000
Speaker 2: I think it was a blueprint that three one whatever.

681
00:30:47,440 --> 00:30:50,600
Speaker 2: There's a footage of them in Denny's, like they they

682
00:30:50,720 --> 00:30:52,520
Speaker 2: lived together for a long time, they grew up together,

683
00:30:52,800 --> 00:30:57,040
Speaker 2: like that was their their college years more or less. Yeah,

684
00:30:57,040 --> 00:30:59,880
Speaker 2: I'm sure he said a lot of similar things to

685
00:31:00,120 --> 00:31:03,840
Speaker 2: him in this conversation, and Cole, having one of the

686
00:31:03,880 --> 00:31:08,400
Speaker 2: greatest pens ever, easily just put that on in rhyme

687
00:31:08,520 --> 00:31:09,960
Speaker 2: for him and while he was like, Yo, what the fuck,

688
00:31:10,000 --> 00:31:11,560
Speaker 2: I just had a conversation with you about all these

689
00:31:11,600 --> 00:31:12,200
Speaker 2: talking points.

690
00:31:13,160 --> 00:31:15,000
Speaker 3: Yeah, but that's what I'm saying. I don't think what

691
00:31:15,160 --> 00:31:16,080
Speaker 3: Cole did was wrong.

692
00:31:16,920 --> 00:31:20,600
Speaker 1: Like, you know, sometimes you draw inspiration from real life things,

693
00:31:20,640 --> 00:31:22,240
Speaker 1: And if you had a conversation with the close front

694
00:31:22,280 --> 00:31:24,520
Speaker 1: of yours and it inspired you to write a verse

695
00:31:24,640 --> 00:31:25,600
Speaker 1: like I like that.

696
00:31:25,720 --> 00:31:26,280
Speaker 3: I respect that.

697
00:31:26,360 --> 00:31:30,800
Speaker 1: I'm just saying, you know, with Wila, because wile A

698
00:31:31,080 --> 00:31:33,200
Speaker 1: is you know, we always give him as flowers. We

699
00:31:33,240 --> 00:31:35,800
Speaker 1: always say that he needs to be talked about more,

700
00:31:35,920 --> 00:31:38,640
Speaker 1: and you know, but in this clip, it just seemed

701
00:31:38,720 --> 00:31:41,280
Speaker 1: like he had something on his mind, on his heart

702
00:31:41,320 --> 00:31:43,520
Speaker 1: that he wanted to say, but then he didn't want

703
00:31:43,560 --> 00:31:45,440
Speaker 1: to say something that could be taken the wrong way

704
00:31:45,480 --> 00:31:47,040
Speaker 1: and things like that, like that's all I'm speaking to

705
00:31:47,240 --> 00:31:48,800
Speaker 1: is just like he sounded like he had something he

706
00:31:48,840 --> 00:31:50,840
Speaker 1: wanted to say, but at the same time he held

707
00:31:50,920 --> 00:31:52,280
Speaker 1: back and was like, nah, I don't want to say that.

708
00:31:52,920 --> 00:31:55,200
Speaker 2: Yeah, I mean, I guess this does go back to

709
00:31:55,400 --> 00:32:00,400
Speaker 2: conversations we've had just over the years. If if I

710
00:32:00,480 --> 00:32:02,840
Speaker 2: was Wiale when this came out, I would I would

711
00:32:02,920 --> 00:32:05,920
Speaker 2: feel a way now outside looking and thinking what I

712
00:32:06,040 --> 00:32:09,280
Speaker 2: know wile and Cole's relationship was at that time and

713
00:32:09,640 --> 00:32:11,320
Speaker 2: things I say to you you put on wax not.

714
00:32:11,520 --> 00:32:13,360
Speaker 2: I don't think this is a dys but it's like, damn,

715
00:32:13,400 --> 00:32:16,160
Speaker 2: you put our conversation in a song and didn't tell me.

716
00:32:16,560 --> 00:32:19,120
Speaker 2: Now if cold have been like yo tomorrow, if you're mad,

717
00:32:19,280 --> 00:32:20,280
Speaker 2: I totally understand it.

718
00:32:20,440 --> 00:32:22,320
Speaker 1: Here's the song. Just want to give you a heads up.

719
00:32:22,920 --> 00:32:25,560
Speaker 2: I would respect that more, but I don't know if

720
00:32:25,600 --> 00:32:28,120
Speaker 2: it's owed the older I've gotten, which we've talked about

721
00:32:28,200 --> 00:32:31,960
Speaker 2: multiple times friends even in the music industry that I

722
00:32:32,000 --> 00:32:35,360
Speaker 2: consider friends not associates. I still don't put as much

723
00:32:35,440 --> 00:32:38,200
Speaker 2: stake into it as I used to, of thinking that

724
00:32:38,280 --> 00:32:42,120
Speaker 2: they would owe me anything the way friends maybe you

725
00:32:42,200 --> 00:32:46,560
Speaker 2: grew up with or don't work with do so that happens.

726
00:32:46,600 --> 00:32:49,440
Speaker 2: So I see what Wile is saying now of like, yeah,

727
00:32:49,480 --> 00:32:51,920
Speaker 2: you can still talk about feel a way and it's

728
00:32:51,960 --> 00:32:54,200
Speaker 2: resolved and him and Cole are cool. They shift, they

729
00:32:54,240 --> 00:32:57,160
Speaker 2: put out a number one record together with the Vibrant

730
00:32:57,200 --> 00:33:01,680
Speaker 2: Thing sample like, but I'm still looking at it, like

731
00:33:02,080 --> 00:33:04,520
Speaker 2: now I know how to move with people.

732
00:33:04,360 --> 00:33:07,200
Speaker 1: I even thought were friends in the industry per se.

733
00:33:07,800 --> 00:33:10,320
Speaker 2: Yeah, I'm not just move or I don't have expectations

734
00:33:10,360 --> 00:33:12,320
Speaker 2: now if I say something, it could be used against me,

735
00:33:12,960 --> 00:33:14,440
Speaker 2: and that's in the quarter of hip hop.

736
00:33:14,480 --> 00:33:17,240
Speaker 4: In the court of hip hop, yes for sure. But okay,

737
00:33:17,400 --> 00:33:19,520
Speaker 4: not cold Caping. I swear because that needs to be

738
00:33:19,520 --> 00:33:19,960
Speaker 4: a friend.

739
00:33:21,240 --> 00:33:22,360
Speaker 1: Is a classic record, not Cole.

740
00:33:23,880 --> 00:33:24,880
Speaker 3: I didn't even see what you got.

741
00:33:24,840 --> 00:33:25,440
Speaker 5: On the cardigan.

742
00:33:25,600 --> 00:33:26,840
Speaker 3: Okay, that was a cape.

743
00:33:27,640 --> 00:33:32,080
Speaker 4: I don't know if I'm Wila, which I've never been

744
00:33:32,120 --> 00:33:34,160
Speaker 4: wil A. I've never been famous and talented and all

745
00:33:34,200 --> 00:33:35,960
Speaker 4: of these cool things. So I know, I don't know

746
00:33:36,120 --> 00:33:40,200
Speaker 4: if I'm Wila if I hear that verse, if I'm offended,

747
00:33:40,680 --> 00:33:43,160
Speaker 4: I don't, or if I feel like I was betrayed.

748
00:33:43,800 --> 00:33:44,480
Speaker 5: You see what I'm saying.

749
00:33:44,520 --> 00:33:47,240
Speaker 4: I don't know if I feel that way, because honestly,

750
00:33:47,400 --> 00:33:49,840
Speaker 4: that verse, the first verse can very obviously be set

751
00:33:49,920 --> 00:33:52,400
Speaker 4: up to be about Kanye, right, but the second verse

752
00:33:52,440 --> 00:33:54,920
Speaker 4: if him and Yla weren't friends, nobody would I don't

753
00:33:54,920 --> 00:33:57,320
Speaker 4: think people would assume that that verse was about Wila

754
00:33:57,440 --> 00:34:00,600
Speaker 4: because that fits. That's about so many rappers that are

755
00:34:00,680 --> 00:34:02,720
Speaker 4: doing well but maybe not as well as they feel

756
00:34:02,760 --> 00:34:04,760
Speaker 4: like they should be doing, or comparing, you know, drawing

757
00:34:04,800 --> 00:34:07,400
Speaker 4: comparisons to their peers or anything like that. You can

758
00:34:07,520 --> 00:34:11,000
Speaker 4: make that verse about so many people in the music industry.

759
00:34:11,320 --> 00:34:13,160
Speaker 4: So that's what I'm like that And even even so,

760
00:34:13,360 --> 00:34:15,560
Speaker 4: even if I did have that conversation with my friend,

761
00:34:16,480 --> 00:34:18,400
Speaker 4: I don't know if that's the same thing that my

762
00:34:18,560 --> 00:34:22,680
Speaker 4: friend told me in private, if it's the same the

763
00:34:22,760 --> 00:34:24,200
Speaker 4: advice that you give in the verse, If it's the

764
00:34:24,200 --> 00:34:26,600
Speaker 4: same advice that my friend gave me in private. I

765
00:34:26,680 --> 00:34:28,839
Speaker 4: don't know if I feel offended or if I feel

766
00:34:28,840 --> 00:34:30,799
Speaker 4: like I should have kept that to myself. For example, Roy,

767
00:34:30,880 --> 00:34:34,160
Speaker 4: you've used You've sent me lyrics that were like yo,

768
00:34:34,239 --> 00:34:35,879
Speaker 4: I draw I drew inspiration from.

769
00:34:35,800 --> 00:34:36,360
Speaker 5: You and Homie.

770
00:34:36,520 --> 00:34:40,040
Speaker 4: Remember, I can't be mad at you like you betrayed

771
00:34:40,080 --> 00:34:42,000
Speaker 4: me because I was honest about my love life and

772
00:34:42,080 --> 00:34:43,240
Speaker 4: you used it in a song.

773
00:34:43,280 --> 00:34:47,600
Speaker 5: Like that's even if you never sent it to me beforehand.

774
00:34:47,760 --> 00:34:50,120
Speaker 5: If I heard that, I'm like, hey, that's about yeah.

775
00:34:50,200 --> 00:34:53,279
Speaker 2: But that was very much more open ended than how

776
00:34:53,480 --> 00:34:57,279
Speaker 2: direct R and B opening R and B lyrics are

777
00:34:57,760 --> 00:35:00,960
Speaker 2: really for interpretation, Like they're not as specific as what

778
00:35:01,080 --> 00:35:05,160
Speaker 2: these rap verses are. And the way Cole masterfully put

779
00:35:05,200 --> 00:35:08,480
Speaker 2: this together, it made you want to guess who exactly

780
00:35:08,560 --> 00:35:10,680
Speaker 2: he was talking about the lyrics I sent you. Nobody

781
00:35:10,680 --> 00:35:13,239
Speaker 2: would sit there and go like, well, who exactly is

782
00:35:13,320 --> 00:35:15,239
Speaker 2: this about with all the clues that are in there.

783
00:35:15,920 --> 00:35:17,960
Speaker 2: But here here's the thing where I'm a hypocrite. In

784
00:35:18,040 --> 00:35:21,840
Speaker 2: this entire conversation. I've talked about personal stuff on this podcast,

785
00:35:21,880 --> 00:35:24,120
Speaker 2: whether it be significant others, whether it be my parents,

786
00:35:24,360 --> 00:35:27,160
Speaker 2: whether it be my family members, and I never asked

787
00:35:27,200 --> 00:35:30,440
Speaker 2: for permission, never even thought to give them a heads up.

788
00:35:30,480 --> 00:35:33,560
Speaker 1: Hey, I'm talking about this tomorrow. It's going out. So

789
00:35:33,640 --> 00:35:34,480
Speaker 1: I'm a hypocrite and.

790
00:35:34,920 --> 00:35:36,160
Speaker 5: We've got that way. We've all done that.

791
00:35:36,480 --> 00:35:39,200
Speaker 2: So it's not like I don't understand what Cole did.

792
00:35:39,719 --> 00:35:42,000
Speaker 2: I've done it way more than Cole has, so I

793
00:35:42,120 --> 00:35:45,480
Speaker 2: get it. But I understand why significant others, my family,

794
00:35:45,760 --> 00:35:47,719
Speaker 2: my parents have felt away the same way.

795
00:35:47,760 --> 00:35:48,799
Speaker 1: I think while they would too.

796
00:35:48,840 --> 00:35:51,480
Speaker 2: And on top of that, now everybody's in my mentions

797
00:35:52,320 --> 00:35:55,400
Speaker 2: and I already told you some of my anxieties with

798
00:35:55,520 --> 00:35:58,160
Speaker 2: this entire thing, and that very thing that you took

799
00:35:58,520 --> 00:36:01,600
Speaker 2: is now adding to my anxiety with all the fans.

800
00:36:01,400 --> 00:36:02,680
Speaker 1: In my mentions talking about the ship.

801
00:36:03,719 --> 00:36:06,319
Speaker 2: So I get it, and I but I think while

802
00:36:06,320 --> 00:36:09,360
Speaker 2: they handled if, I was talking about the past, because

803
00:36:09,360 --> 00:36:13,359
Speaker 2: they were reminiscing in that Breakfast Club interview about kind

804
00:36:13,400 --> 00:36:16,920
Speaker 2: of those four of Cole, Drake, Kendrick, wile A and

805
00:36:17,000 --> 00:36:19,839
Speaker 2: how they all started together. So talking about the ups

806
00:36:19,840 --> 00:36:21,680
Speaker 2: and downs, I don't think it's a bad thing. And

807
00:36:21,920 --> 00:36:24,680
Speaker 2: I'm sure while it is past the ship, but he

808
00:36:24,840 --> 00:36:27,680
Speaker 2: probably is, like I'm not I'm keeping some ship to

809
00:36:27,719 --> 00:36:30,839
Speaker 2: myself no matter who I think is a close association

810
00:36:31,360 --> 00:36:33,200
Speaker 2: in the industry with stuff.

811
00:36:33,440 --> 00:36:36,560
Speaker 1: No friends in the industry, my brothers and my brothers.

812
00:36:38,920 --> 00:36:39,959
Speaker 5: King of meat.

813
00:36:40,080 --> 00:36:40,760
Speaker 1: That's the fact.

814
00:36:41,880 --> 00:36:44,879
Speaker 2: But even then, like I don't even think anything that said.

815
00:36:45,520 --> 00:36:48,480
Speaker 3: Jams, y'all just jamming. Listen to what niggas be telling you.

816
00:36:48,560 --> 00:36:51,400
Speaker 2: I'm sorry, I didn't know what I was fine, you

817
00:36:51,480 --> 00:36:52,960
Speaker 2: fools listening to music and just skimming through it.

818
00:36:52,960 --> 00:36:54,160
Speaker 3: I mean, I'm sorry. I didn't mean to cut you

819
00:36:54,600 --> 00:36:54,920
Speaker 3: in the road.

820
00:36:54,920 --> 00:36:56,640
Speaker 5: I went, I went, I was a young angel, but

821
00:36:56,680 --> 00:36:57,880
Speaker 5: these niggas turned me evil.

822
00:37:01,040 --> 00:37:05,319
Speaker 1: That villain origin story is gonna be classic, I'm telling y'all,

823
00:37:05,400 --> 00:37:08,440
Speaker 1: right now, just that VILLAINOI. We're gonna look back and

824
00:37:08,600 --> 00:37:12,399
Speaker 1: like that's the moment it happened. I'm telling y'all. But anyway, Yeah,

825
00:37:12,400 --> 00:37:14,480
Speaker 1: while a shot out the while a great album, I'm

826
00:37:14,480 --> 00:37:16,040
Speaker 1: still bumping that, still listening to that.

827
00:37:16,719 --> 00:37:18,480
Speaker 3: Like it more and more every listen. I do like

828
00:37:18,520 --> 00:37:21,840
Speaker 3: the Summer Walker album too, So you've finally given it some.

829
00:37:22,400 --> 00:37:26,200
Speaker 1: Yeah, I've been spending that the last like Monday, and

830
00:37:26,239 --> 00:37:29,600
Speaker 1: then Tuesday I was like, okay, let me listen to

831
00:37:29,640 --> 00:37:31,520
Speaker 1: the something, let me see what she well, she really

832
00:37:31,600 --> 00:37:34,040
Speaker 1: gave us on this one did to the Mariah album

833
00:37:34,120 --> 00:37:36,560
Speaker 1: like I told you, I did. Oh, I've been told you.

834
00:37:36,600 --> 00:37:37,399
Speaker 3: I listened to that album.

835
00:37:37,400 --> 00:37:38,960
Speaker 5: I can't remember. We talk a lot in this podcast.

836
00:37:39,040 --> 00:37:40,520
Speaker 5: I forgot it. I forget a lot of things.

837
00:37:40,760 --> 00:37:42,560
Speaker 3: Yeah, now I listened to that, But I like the

838
00:37:42,560 --> 00:37:44,680
Speaker 3: Summer album. I'm I like to some album.

839
00:37:44,680 --> 00:37:46,120
Speaker 1: It's not it's very good.

840
00:37:47,360 --> 00:37:49,120
Speaker 5: Yet, all right.

841
00:37:49,239 --> 00:37:51,919
Speaker 8: So me and my sister have been debating on whether

842
00:37:52,000 --> 00:37:54,759
Speaker 8: it's okay for a woman to approach a man. She

843
00:37:55,000 --> 00:37:59,040
Speaker 8: says no, no matter the circumstance, the environment, the situation,

844
00:38:00,040 --> 00:38:03,200
Speaker 8: woman should never approach a man. And I think the opposite.

845
00:38:03,680 --> 00:38:05,960
Speaker 8: There's the saying, there's plenty of fish in the see,

846
00:38:06,320 --> 00:38:08,200
Speaker 8: but how do you expect to catch a fish if

847
00:38:08,200 --> 00:38:10,080
Speaker 8: you never go fishing, you know what I mean?

848
00:38:10,880 --> 00:38:11,160
Speaker 2: And so.

849
00:38:13,120 --> 00:38:17,560
Speaker 8: Whether even the club, a concert wherever, if you see

850
00:38:17,600 --> 00:38:19,640
Speaker 8: some you like, it's okay to give a little tap,

851
00:38:19,719 --> 00:38:21,040
Speaker 8: a little hey, yellttle, what's up?

852
00:38:21,160 --> 00:38:21,680
Speaker 1: I see you?

853
00:38:22,320 --> 00:38:22,480
Speaker 2: You know?

854
00:38:22,680 --> 00:38:25,239
Speaker 8: And you leave it at that lead the chase into

855
00:38:25,320 --> 00:38:27,839
Speaker 8: the man, lead the dates, whatever, I get'all that lead

856
00:38:27,920 --> 00:38:31,000
Speaker 8: that to the god. But as a woman, if you

857
00:38:31,080 --> 00:38:35,080
Speaker 8: see something that you like, why not go say how first? Baby?

858
00:38:35,160 --> 00:38:38,440
Speaker 8: D can you please chime in on whether if it's

859
00:38:38,520 --> 00:38:42,239
Speaker 8: cool or not and what situation would it not be cool.

860
00:38:42,800 --> 00:38:45,040
Speaker 8: I just want to diet this, so y'all, please let

861
00:38:45,120 --> 00:38:46,600
Speaker 8: me know appreciate y'all.

862
00:38:47,560 --> 00:38:50,799
Speaker 1: She's saw at the end of The Parker showman you talk,

863
00:38:51,440 --> 00:38:52,880
Speaker 1: she used to be like on an outro or The

864
00:38:52,920 --> 00:38:55,080
Speaker 1: Parker Show, they talk like, that's what you sound like.

865
00:38:55,160 --> 00:38:57,360
Speaker 1: It's like, are you reading that off your phone? She

866
00:38:57,360 --> 00:38:59,800
Speaker 1: sounds like a voice over. We're definitely reading that.

867
00:39:00,040 --> 00:39:00,759
Speaker 3: One percent.

868
00:39:00,800 --> 00:39:01,720
Speaker 1: She had that time delivery.

869
00:39:01,880 --> 00:39:04,520
Speaker 3: I liked it. No, no, I loved it. Like no,

870
00:39:04,600 --> 00:39:06,600
Speaker 3: I think it's cool for women to approaches a guy.

871
00:39:06,640 --> 00:39:07,200
Speaker 1: I think it's great.

872
00:39:07,280 --> 00:39:10,160
Speaker 3: Yeah, I don't think there's anything. Yeah, it's nothing. It's

873
00:39:10,200 --> 00:39:10,600
Speaker 3: nothing wrong.

874
00:39:10,640 --> 00:39:13,840
Speaker 1: I mean shit, nowadays I might have to niggas getting

875
00:39:13,840 --> 00:39:17,480
Speaker 1: canceled for everything. Harassment. I'm just I'm just saying. We

876
00:39:17,600 --> 00:39:19,680
Speaker 1: had a moment where it was like, yo, he was

877
00:39:19,680 --> 00:39:21,160
Speaker 1: flirting with me. It's like I just said, hello, Like

878
00:39:21,239 --> 00:39:24,200
Speaker 1: what you're talking about? Flirting with you? Like, so women

879
00:39:24,280 --> 00:39:28,000
Speaker 1: should I'm not gonna say approach men, but give the

880
00:39:28,120 --> 00:39:29,920
Speaker 1: hint that you're not mad if he comes over and

881
00:39:30,040 --> 00:39:31,759
Speaker 1: decides to talk to you, like kind of give that.

882
00:39:31,880 --> 00:39:33,920
Speaker 2: Give the reassurance that you're interested in is.

883
00:39:34,000 --> 00:39:36,120
Speaker 1: Give that woman that that energy was like okay, like

884
00:39:36,200 --> 00:39:38,600
Speaker 1: she keep looking at me, she's smiling at me, like okay, cool,

885
00:39:38,680 --> 00:39:41,200
Speaker 1: like I can go say hello and introduce myself, like

886
00:39:42,160 --> 00:39:44,080
Speaker 1: but you know, it is it is. It is a

887
00:39:44,239 --> 00:39:47,120
Speaker 1: moment where men walking up to women and just start

888
00:39:47,200 --> 00:39:49,799
Speaker 1: talking women would look at you like you're crazy, Like you.

889
00:39:49,840 --> 00:39:52,279
Speaker 2: Know, I also think it's great women are directing that

890
00:39:52,320 --> 00:39:55,560
Speaker 2: way because as men were terrible at realizing when we're

891
00:39:55,600 --> 00:39:58,480
Speaker 2: being flirted with as well. Yeah, there's been plenty of

892
00:39:58,560 --> 00:40:00,279
Speaker 2: times that I was like, you know, I was like

893
00:40:00,320 --> 00:40:02,400
Speaker 2: trying to flirt with you, like like I'm telling you

894
00:40:02,600 --> 00:40:03,840
Speaker 2: like I was like I didn't pick up on that

895
00:40:04,680 --> 00:40:05,040
Speaker 2: at all.

896
00:40:05,239 --> 00:40:06,800
Speaker 3: I thought you I thought you just needed direction.

897
00:40:07,600 --> 00:40:09,960
Speaker 1: I didn't know. I didn't know you were flirting with

898
00:40:10,040 --> 00:40:11,680
Speaker 1: directions to my house, Like I don't even know you

899
00:40:11,760 --> 00:40:14,480
Speaker 1: knew my name, like the yeah, I mean, but you know,

900
00:40:14,560 --> 00:40:15,560
Speaker 1: it's it's cool, I do.

901
00:40:15,800 --> 00:40:16,000
Speaker 8: I do.

902
00:40:16,320 --> 00:40:19,200
Speaker 1: Like when you know a woman is like flirting with

903
00:40:19,280 --> 00:40:21,000
Speaker 1: you or like initiative shot at you, it's like the

904
00:40:21,040 --> 00:40:23,799
Speaker 1: conversation could become cool because you can start like, oh,

905
00:40:24,000 --> 00:40:25,279
Speaker 1: you're trying to holler at me like you're trying to

906
00:40:25,280 --> 00:40:25,640
Speaker 1: what you're doing.

907
00:40:25,680 --> 00:40:27,759
Speaker 3: You flirt like I say it, like you flirting with me.

908
00:40:28,600 --> 00:40:30,520
Speaker 3: Well okay, let me let me see what your flirt game.

909
00:40:30,440 --> 00:40:33,600
Speaker 2: Is like like. But yes, the male ego is extremely fragile.

910
00:40:33,640 --> 00:40:37,399
Speaker 2: But but so is the female ego because I've seen

911
00:40:37,480 --> 00:40:40,000
Speaker 2: plenty of women that never wanted to be the one

912
00:40:40,080 --> 00:40:42,239
Speaker 2: to like shoot their shot, to reach out, and then

913
00:40:42,280 --> 00:40:46,080
Speaker 2: they try it, reluctantly try it, and then it doesn't

914
00:40:46,160 --> 00:40:49,880
Speaker 2: go the way that they thought. Yeah, men, we can

915
00:40:49,920 --> 00:40:52,080
Speaker 2: add a rejection because we had We get rejected all

916
00:40:52,120 --> 00:40:53,719
Speaker 2: the time part of our that's all we know.

917
00:40:53,800 --> 00:40:55,920
Speaker 1: It's rejection. Women are not.

918
00:40:56,000 --> 00:40:58,880
Speaker 2: Typically rejected, so when you put yourself out there, of

919
00:40:58,960 --> 00:41:02,319
Speaker 2: course not every man is. No matter who the woman

920
00:41:02,440 --> 00:41:05,279
Speaker 2: is going to always like you or not. So yeah,

921
00:41:05,320 --> 00:41:07,960
Speaker 2: they get hurt pretty easily when they get rejected.

922
00:41:08,480 --> 00:41:10,400
Speaker 1: What do y'all get rejected? How often you have you

923
00:41:10,520 --> 00:41:11,040
Speaker 1: been rejected?

924
00:41:11,080 --> 00:41:11,319
Speaker 3: Baby?

925
00:41:11,520 --> 00:41:14,200
Speaker 5: I've been rejected once or twice in life.

926
00:41:15,440 --> 00:41:17,320
Speaker 1: I've to say those numbers is crazy.

927
00:41:17,400 --> 00:41:20,640
Speaker 4: No, I mean like as a shot shooting, shooting my

928
00:41:20,680 --> 00:41:25,040
Speaker 4: shot with a guy, because I'm I do that not often,

929
00:41:25,120 --> 00:41:28,200
Speaker 4: but more often than the average woman. Because I learned

930
00:41:28,239 --> 00:41:31,280
Speaker 4: a long time ago. My my male friends, my brothers,

931
00:41:31,400 --> 00:41:33,600
Speaker 4: my dad would tell me that men were intimidated by

932
00:41:33,640 --> 00:41:36,520
Speaker 4: me because I wouldn't get approached as much. And I see, like,

933
00:41:36,600 --> 00:41:38,080
Speaker 4: am I ugly? Like why the fuck do I not

934
00:41:38,120 --> 00:41:39,400
Speaker 4: get approached? And they were always just like, no, you

935
00:41:39,480 --> 00:41:42,600
Speaker 4: have a very strong personality. And if I was not

936
00:41:42,840 --> 00:41:44,480
Speaker 4: like related to you and wanted to date you, I

937
00:41:44,480 --> 00:41:47,280
Speaker 4: would be terrified to approach you. I would be absolutely terrified.

938
00:41:47,640 --> 00:41:49,960
Speaker 4: And I learned what I would start shooting my shot

939
00:41:50,000 --> 00:41:51,560
Speaker 4: at men that oh they liked me too. They were

940
00:41:51,640 --> 00:41:53,200
Speaker 4: just afraid to say anything to me because they thought

941
00:41:53,239 --> 00:41:54,640
Speaker 4: that they were going to get like crushed. They thought

942
00:41:54,640 --> 00:41:56,320
Speaker 4: I was gonna be rude to them or something like that.

943
00:41:56,480 --> 00:41:58,239
Speaker 4: So I had to learn to be like yoh, what's up?

944
00:41:58,560 --> 00:42:00,440
Speaker 4: And I also like risen men up? It's mad fun.

945
00:42:00,560 --> 00:42:01,719
Speaker 5: It's like a game to me.

946
00:42:01,880 --> 00:42:02,560
Speaker 3: How are men?

947
00:42:02,920 --> 00:42:04,759
Speaker 2: Because it doesn't happen to us often, so we get

948
00:42:04,840 --> 00:42:09,600
Speaker 2: like yet, yeah, anytime Woe like flirts with a few times,

949
00:42:09,640 --> 00:42:11,480
Speaker 2: like yeah, it does make you feel better, not like

950
00:42:11,600 --> 00:42:13,279
Speaker 2: in an egotistical way, She's like, oh this is cool.

951
00:42:13,280 --> 00:42:14,040
Speaker 1: It doesn't happen a lot.

952
00:42:14,160 --> 00:42:16,000
Speaker 5: I'm a flyers. Fuck, what's up? When we're going out?

953
00:42:16,600 --> 00:42:18,600
Speaker 4: These are the day time hour I'll just like, I'll

954
00:42:18,640 --> 00:42:21,160
Speaker 4: DM you a picture of my calendar in circle todays

955
00:42:21,160 --> 00:42:22,000
Speaker 4: I'm free him then.

956
00:42:22,280 --> 00:42:23,880
Speaker 1: Nah, I see that's when I'm not fucking with you?

957
00:42:24,200 --> 00:42:25,919
Speaker 1: What you send me a calendar with circle?

958
00:42:26,000 --> 00:42:26,480
Speaker 3: I'm like, yo, who?

959
00:42:26,520 --> 00:42:29,000
Speaker 1: First of all, who are you a doctor? These are

960
00:42:29,040 --> 00:42:30,440
Speaker 1: the dates I'm free. I could fit you in on

961
00:42:30,520 --> 00:42:33,480
Speaker 1: the twelveth, No mean, joe in Now, I can fit

962
00:42:33,560 --> 00:42:33,719
Speaker 1: you in.

963
00:42:33,800 --> 00:42:34,239
Speaker 5: But what's up?

964
00:42:34,320 --> 00:42:37,040
Speaker 4: This is when I'm available to see you. Make it happen, niggas,

965
00:42:37,080 --> 00:42:37,560
Speaker 4: make it happen.

966
00:42:38,120 --> 00:42:39,799
Speaker 1: Nothing is better than when you're flirting with a girl

967
00:42:39,800 --> 00:42:43,640
Speaker 1: and your shit is working, like when your material is hitting.

968
00:42:44,480 --> 00:42:46,879
Speaker 1: That has to be when a comic is like he's

969
00:42:47,000 --> 00:42:49,440
Speaker 1: killing a room. It's the same feeling. It's the same

970
00:42:49,520 --> 00:42:53,839
Speaker 1: dopamine rhythm and motion like, oh my god, like shit work,

971
00:42:54,120 --> 00:42:56,120
Speaker 1: because then you start playing in your next like your

972
00:42:56,200 --> 00:42:58,960
Speaker 1: b move like if this one work, we out of

973
00:42:59,040 --> 00:43:00,480
Speaker 1: him asking for the check, we out.

974
00:43:01,000 --> 00:43:03,280
Speaker 3: That's the greatest feeling in the world.

975
00:43:03,680 --> 00:43:05,520
Speaker 1: When you know a woman is like digging you and

976
00:43:05,600 --> 00:43:09,080
Speaker 1: the conversation is like m and she's laughing. It's like, damn,

977
00:43:09,120 --> 00:43:11,160
Speaker 1: my material is landing tonight.

978
00:43:11,480 --> 00:43:14,319
Speaker 2: That one comment that puts it over the line. Are

979
00:43:14,320 --> 00:43:16,239
Speaker 2: we just flirting for the fuck of it? Or are

980
00:43:16,280 --> 00:43:19,640
Speaker 2: we flirting for a purpose? In that conversation, that's that's

981
00:43:19,680 --> 00:43:22,919
Speaker 2: when the dopamine hits, Like, oh nah, she really wants

982
00:43:22,960 --> 00:43:24,160
Speaker 2: to come through.

983
00:43:24,600 --> 00:43:26,359
Speaker 1: Yeah, but it's a new type of woman out here, Rory,

984
00:43:26,440 --> 00:43:29,640
Speaker 1: the woman that you have material lands with. And then

985
00:43:29,680 --> 00:43:31,360
Speaker 1: you're like, yeah, yeah, you think it's you know, everything

986
00:43:31,400 --> 00:43:33,560
Speaker 1: grooving and then she hit you with that question. So

987
00:43:33,600 --> 00:43:36,359
Speaker 1: what's your intentions with me? He just mad?

988
00:43:36,920 --> 00:43:38,600
Speaker 3: I don't know. I don't have an answer.

989
00:43:38,640 --> 00:43:41,400
Speaker 1: I don't I wasn't expecting the double team, like you

990
00:43:41,520 --> 00:43:45,359
Speaker 1: bought the Defender over. I wasn't expecting that intentions. Don't

991
00:43:45,400 --> 00:43:47,160
Speaker 1: ask me what my attentions on we just met.

992
00:43:47,600 --> 00:43:48,080
Speaker 3: I don't know.

993
00:43:48,400 --> 00:43:50,520
Speaker 1: I don't know what my attentions aver tonight. I don't

994
00:43:50,520 --> 00:43:52,000
Speaker 1: know where I'm going after this. I don't know.

995
00:43:52,120 --> 00:43:54,560
Speaker 4: Like, don't ask me my attentions with you. I don't

996
00:43:54,719 --> 00:43:57,239
Speaker 4: know you Like, that's I think that's weird. Don't ask me,

997
00:43:57,360 --> 00:43:58,960
Speaker 4: Like we just mad at the bar, So what's your

998
00:43:59,000 --> 00:43:59,600
Speaker 4: intentions with me?

999
00:43:59,680 --> 00:44:02,840
Speaker 1: That's yeah, Like what you mean with my intentions, because

1000
00:44:02,840 --> 00:44:04,760
Speaker 1: then if I'm being honest, I'm an asshole.

1001
00:44:05,000 --> 00:44:08,600
Speaker 2: Yeah, and this is why Demaris was saying we could

1002
00:44:08,600 --> 00:44:12,200
Speaker 2: get robbed so easily in the first night. No, No,

1003
00:44:12,360 --> 00:44:13,960
Speaker 2: she's coming to my house. I ain't going to our house.

1004
00:44:14,200 --> 00:44:17,239
Speaker 2: You coming to my crib. That's worse YEP show is.

1005
00:44:17,480 --> 00:44:20,759
Speaker 2: But I got exit bridge so bad ship. Put your

1006
00:44:20,880 --> 00:44:21,560
Speaker 2: ass right out?

1007
00:44:21,640 --> 00:44:22,920
Speaker 5: You wake up? Eight thing gone me.

1008
00:44:24,239 --> 00:44:27,319
Speaker 3: I'm willing to try. I'm willing to try.

1009
00:44:28,560 --> 00:44:28,920
Speaker 1: Is it worth?

1010
00:44:29,600 --> 00:44:34,360
Speaker 2: Is it worth some material items? The material items can

1011
00:44:34,440 --> 00:44:36,560
Speaker 2: be replaced going experiences.

1012
00:44:36,600 --> 00:44:39,120
Speaker 5: Can you steal that pearl necklace right off your neck after.

1013
00:44:38,960 --> 00:44:39,279
Speaker 3: I give it?

1014
00:44:39,360 --> 00:44:39,480
Speaker 6: One?

1015
00:44:40,600 --> 00:44:40,840
Speaker 2: Like that?

1016
00:44:41,760 --> 00:44:44,640
Speaker 1: That's called offense. So you thought the Defender coming over

1017
00:44:44,800 --> 00:44:47,560
Speaker 1: was gonna scare Rory? He just he just went before

1018
00:44:47,600 --> 00:44:51,520
Speaker 1: the double team got He just he just blewp ass

1019
00:44:51,600 --> 00:44:53,839
Speaker 1: to screen. You're like, yeah, I saw you coming.

1020
00:44:53,920 --> 00:44:56,640
Speaker 2: And if a woman came to my house and fleeced me,

1021
00:44:57,560 --> 00:44:59,160
Speaker 2: I would have to I'd call her and say, yo,

1022
00:44:59,160 --> 00:45:00,400
Speaker 2: you keep all that you're.

1023
00:45:00,280 --> 00:45:02,080
Speaker 1: Ill because if she got all my ship down, all

1024
00:45:02,120 --> 00:45:04,040
Speaker 1: them steps, you deserve it.

1025
00:45:04,480 --> 00:45:05,560
Speaker 3: What is she gonna take for me?

1026
00:45:06,040 --> 00:45:08,239
Speaker 1: I don't have cash in my crib. I don't have

1027
00:45:08,360 --> 00:45:10,920
Speaker 1: a bunch of jewelry. I don't have like you got.

1028
00:45:10,840 --> 00:45:12,120
Speaker 5: Jewelry, jewelry guns.

1029
00:45:12,640 --> 00:45:15,400
Speaker 1: Want to take my guns, like I ain't cool? Like

1030
00:45:16,040 --> 00:45:16,360
Speaker 1: then what.

1031
00:45:16,600 --> 00:45:18,919
Speaker 5: Jewelry and guns? That watch? She could get a little

1032
00:45:18,920 --> 00:45:20,319
Speaker 5: a nice little piece for that watch.

1033
00:45:20,600 --> 00:45:21,200
Speaker 3: She's gonna take it.

1034
00:45:21,239 --> 00:45:22,959
Speaker 1: It's gonna be on the nice thing like I'm gonna

1035
00:45:22,960 --> 00:45:24,920
Speaker 1: see her like I'm not gonna see my watches going

1036
00:45:24,960 --> 00:45:25,760
Speaker 1: before she leaves.

1037
00:45:27,760 --> 00:45:28,080
Speaker 5: You down?

1038
00:45:28,239 --> 00:45:31,360
Speaker 1: Put me down, Nah, that ain't happening. I ain't no

1039
00:45:31,480 --> 00:45:34,040
Speaker 1: young nigga like that'll happen to your young old niggas.

1040
00:45:34,080 --> 00:45:34,719
Speaker 1: Get put down.

1041
00:45:35,080 --> 00:45:37,839
Speaker 2: I mean, show on the screen. What's her app though?

1042
00:45:39,560 --> 00:45:40,480
Speaker 2: The deciding factor of.

1043
00:45:40,520 --> 00:45:41,480
Speaker 5: This, easy ass.

1044
00:45:41,800 --> 00:45:45,319
Speaker 1: I just want to see if it happened easy her

1045
00:45:45,320 --> 00:45:48,279
Speaker 1: eyes on her Instagram. That's all I could tell in

1046
00:45:48,360 --> 00:45:50,200
Speaker 1: her eyes if she if she could fleece me, I

1047
00:45:50,239 --> 00:45:52,680
Speaker 1: could tell she would definitely set me up if.

1048
00:45:52,640 --> 00:45:55,560
Speaker 2: You would let her just take me. Do with me

1049
00:45:55,680 --> 00:45:59,319
Speaker 2: as you will, okay, I mean will be worse if

1050
00:45:59,360 --> 00:46:01,120
Speaker 2: you like it that much. Said after she fleeced you,

1051
00:46:01,200 --> 00:46:02,759
Speaker 2: you still wanted the second day, you want to come.

1052
00:46:02,680 --> 00:46:05,000
Speaker 1: Back like, yo, you can leave it. I got another watch.

1053
00:46:06,040 --> 00:46:07,840
Speaker 1: I just got a new one. You couldn't find us

1054
00:46:07,840 --> 00:46:11,000
Speaker 1: on you missed this one. This is what I hit

1055
00:46:11,080 --> 00:46:12,279
Speaker 1: inside my sneaker box.

1056
00:46:12,560 --> 00:46:16,160
Speaker 2: Yeah, Lee, now you're doing treasure hunts with her.

1057
00:46:17,320 --> 00:46:19,279
Speaker 1: You'll never find it. But naked and house the way,

1058
00:46:19,320 --> 00:46:21,960
Speaker 1: you'll never find it. That's not couple building to me.

1059
00:46:22,040 --> 00:46:22,560
Speaker 3: Yeah that's.

1060
00:46:24,080 --> 00:46:24,239
Speaker 4: YO.

1061
00:46:24,520 --> 00:46:26,520
Speaker 1: Put the rolex box in the bed under the blanket.

1062
00:46:26,560 --> 00:46:31,560
Speaker 1: I guess that, come get it. Yeah, you can't play

1063
00:46:31,600 --> 00:46:33,640
Speaker 1: that game with me, baby d I'll have fake watches

1064
00:46:33,640 --> 00:46:35,320
Speaker 1: all over the house. Take all the kids. I wouldn't

1065
00:46:35,400 --> 00:46:38,000
Speaker 1: fake watches. I'll go right to the canal and go

1066
00:46:38,120 --> 00:46:40,440
Speaker 1: crazy with the rolies. Like, Yo, there's Shorty coming back.

1067
00:46:40,640 --> 00:46:42,839
Speaker 1: She gonna think she hit the jackpot. I'm in here

1068
00:46:42,960 --> 00:46:45,440
Speaker 1: snoring all kind of should take all that things. There

1069
00:46:45,520 --> 00:46:47,320
Speaker 1: was an arrow when that the roe. The fake rolies

1070
00:46:47,320 --> 00:46:50,279
Speaker 1: look better than the real ones. Still do absolutely still do?

1071
00:46:50,600 --> 00:46:50,920
Speaker 2: That was it?

1072
00:46:51,000 --> 00:46:51,760
Speaker 1: That's on voicemail.

1073
00:46:51,760 --> 00:46:53,239
Speaker 5: We had Hi.

1074
00:46:53,680 --> 00:46:55,160
Speaker 3: Well listen, we got through this episode.

1075
00:46:55,320 --> 00:46:56,959
Speaker 2: Well, I do want to know the matters quickly before

1076
00:46:56,960 --> 00:46:59,640
Speaker 2: we get out up fair. The two times you were rejected,

1077
00:47:00,280 --> 00:47:02,000
Speaker 2: what was like, I'm sure was more than too did

1078
00:47:02,040 --> 00:47:02,399
Speaker 2: you cross?

1079
00:47:02,600 --> 00:47:03,160
Speaker 5: I can remember?

1080
00:47:03,280 --> 00:47:03,920
Speaker 1: How did they make you?

1081
00:47:04,000 --> 00:47:04,120
Speaker 6: Well?

1082
00:47:04,160 --> 00:47:05,600
Speaker 1: First of all, what was your game, like like, how

1083
00:47:05,640 --> 00:47:07,560
Speaker 1: did you same calendar move?

1084
00:47:07,760 --> 00:47:11,080
Speaker 4: Or no, it was I had walked up to this

1085
00:47:11,160 --> 00:47:12,600
Speaker 4: guy at a party and I was like I think.

1086
00:47:12,719 --> 00:47:14,600
Speaker 4: I was like, you had a girlfriend, and he said,

1087
00:47:14,719 --> 00:47:15,560
Speaker 4: unfortunately I do.

1088
00:47:16,160 --> 00:47:17,480
Speaker 1: And I was like, that's not rejection.

1089
00:47:18,600 --> 00:47:20,520
Speaker 4: Yeah you were going, Yeah that was one time, and

1090
00:47:20,600 --> 00:47:24,440
Speaker 4: then that's not being rejected though, that is rejected. How

1091
00:47:24,560 --> 00:47:25,080
Speaker 4: is that rejection?

1092
00:47:26,600 --> 00:47:27,120
Speaker 5: He don't want me?

1093
00:47:27,200 --> 00:47:29,560
Speaker 2: He got a girlfriend, so you would have preferred if

1094
00:47:29,560 --> 00:47:30,920
Speaker 2: you had have been like, no, it's not about it.

1095
00:47:31,680 --> 00:47:34,080
Speaker 5: It's not a preference. I'm not saying that it was

1096
00:47:34,160 --> 00:47:36,880
Speaker 5: a that he hates me, but it was a rejection me.

1097
00:47:37,040 --> 00:47:41,160
Speaker 2: Rejection is where there would have been an actual opportunity

1098
00:47:41,360 --> 00:47:44,120
Speaker 2: to date. Like if you go if you go to

1099
00:47:44,200 --> 00:47:45,840
Speaker 2: a married woman and she's like, no, I'm married. I

1100
00:47:45,880 --> 00:47:47,880
Speaker 2: don't think she just rejected me. I think she's just married.

1101
00:47:48,280 --> 00:47:49,760
Speaker 5: Okay, that's your opinion.

1102
00:47:49,840 --> 00:47:52,279
Speaker 2: But rejection to me is a single person says I

1103
00:47:52,360 --> 00:47:53,080
Speaker 2: don't want to date you.

1104
00:47:53,680 --> 00:47:56,839
Speaker 5: Oh yeah, that's that's happened to me. From them, that's

1105
00:47:56,840 --> 00:47:57,320
Speaker 5: happened to me.

1106
00:47:57,920 --> 00:48:00,279
Speaker 3: It was a calendar line, wasn't it? A single person

1107
00:48:00,440 --> 00:48:01,160
Speaker 3: like turned you down?

1108
00:48:01,400 --> 00:48:03,799
Speaker 4: Yeah, I mean it's I'm not. I'm not everybody's cup

1109
00:48:03,800 --> 00:48:06,719
Speaker 4: of tea. I'm way too much for mini men. I

1110
00:48:06,840 --> 00:48:09,919
Speaker 4: am a lot of women. So a lot of people

1111
00:48:10,040 --> 00:48:13,520
Speaker 4: don't like strong personalities for more docile women.

1112
00:48:13,840 --> 00:48:18,320
Speaker 5: You know what why that's not true?

1113
00:48:21,760 --> 00:48:23,560
Speaker 4: Well, you don't like you don't like women with like

1114
00:48:23,640 --> 00:48:26,919
Speaker 4: personalities like mine. You prefer like more laid back, quiet women.

1115
00:48:27,160 --> 00:48:30,879
Speaker 3: Who told you that I've dated every type of woman?

1116
00:48:31,000 --> 00:48:31,400
Speaker 3: Baby there?

1117
00:48:31,760 --> 00:48:32,719
Speaker 5: Okay, well which ones did you?

1118
00:48:32,840 --> 00:48:35,399
Speaker 1: I've dated strong personalities, I've dated more laid back.

1119
00:48:35,480 --> 00:48:36,479
Speaker 5: Which ones did you prefer?

1120
00:48:38,760 --> 00:48:41,960
Speaker 1: It depends on honestly, Like looking back, it probably depending

1121
00:48:42,000 --> 00:48:44,600
Speaker 1: on where I was at, like in my life, like

1122
00:48:44,640 --> 00:48:47,480
Speaker 1: what my energy was like. I've always been laid back,

1123
00:48:47,520 --> 00:48:49,200
Speaker 1: but I had a time where I was definitely more

1124
00:48:49,360 --> 00:48:53,719
Speaker 1: like wild and just like obnoxious too. But now, I mean,

1125
00:48:56,200 --> 00:48:59,400
Speaker 1: strong personalities is probably something that I'm usually more attracted

1126
00:48:59,480 --> 00:49:00,239
Speaker 1: to because.

1127
00:49:00,160 --> 00:49:00,960
Speaker 3: I'm more laid back.

1128
00:49:01,320 --> 00:49:02,320
Speaker 5: Yeah, it's usually like that.

1129
00:49:02,560 --> 00:49:04,520
Speaker 1: And if this nigga put too much may on my sandwich,

1130
00:49:04,560 --> 00:49:06,759
Speaker 1: I'm not saying nothing, but you can you know what

1131
00:49:06,800 --> 00:49:08,680
Speaker 1: I'm saying, like that type of shit, like get this nigga,

1132
00:49:08,680 --> 00:49:09,960
Speaker 1: this nigga put mad may on my sandwich.

1133
00:49:09,960 --> 00:49:10,560
Speaker 3: I don't even want to go.

1134
00:49:10,760 --> 00:49:12,600
Speaker 4: Laid back men love me, but I will always go

1135
00:49:12,760 --> 00:49:16,640
Speaker 4: for like the men who had more personality, and they

1136
00:49:16,920 --> 00:49:18,040
Speaker 4: just be like, wait.

1137
00:49:17,920 --> 00:49:19,359
Speaker 3: But just because you laid back, don't mean you don't

1138
00:49:19,360 --> 00:49:20,160
Speaker 3: have no personality.

1139
00:49:20,280 --> 00:49:21,759
Speaker 4: No, not like that's not what I mean. But I

1140
00:49:21,880 --> 00:49:26,080
Speaker 4: mean like, like both of us can't be stars. I

1141
00:49:26,160 --> 00:49:28,520
Speaker 4: always say that there can't be two stars in a relationship.

1142
00:49:28,640 --> 00:49:31,759
Speaker 4: Somebody has to why not Jay Z Beyonce seemed to

1143
00:49:31,800 --> 00:49:34,279
Speaker 4: be very happy, Yes, but guess who took a step

1144
00:49:34,360 --> 00:49:36,920
Speaker 4: back to let the stars shine? Who is the star

1145
00:49:37,040 --> 00:49:41,480
Speaker 4: in that relationship? Personality they're both, they're both, they're both stars,

1146
00:49:41,560 --> 00:49:43,440
Speaker 4: but personality wise, who's the star?

1147
00:49:43,920 --> 00:49:47,640
Speaker 2: But Jay is laid back? Yeah, by nature even though

1148
00:49:47,680 --> 00:49:50,759
Speaker 2: he's a star, but he's a laid back person exactly. Yeah,

1149
00:49:50,800 --> 00:49:52,560
Speaker 2: but he's want to come that when he met.

1150
00:49:52,640 --> 00:49:54,239
Speaker 1: Trying to be a biggest start in Beyonce and in

1151
00:49:54,320 --> 00:49:57,400
Speaker 1: the relationship is fucking crazy out of relationship like that,

1152
00:49:57,520 --> 00:49:59,480
Speaker 1: I'm not even trying to be like, I ain't got

1153
00:49:59,520 --> 00:50:01,480
Speaker 1: nothing for that, Like that's all you.

1154
00:50:01,800 --> 00:50:05,640
Speaker 5: And then the woman is the star, and yeah, that's I.

1155
00:50:05,719 --> 00:50:08,040
Speaker 4: Agree, it should be like that, But there's also many

1156
00:50:08,120 --> 00:50:10,520
Speaker 4: relationships where the woman will take a back seat like

1157
00:50:10,600 --> 00:50:13,920
Speaker 4: they have like this big person bubbly personality of a man,

1158
00:50:14,040 --> 00:50:16,920
Speaker 4: and they'll be more more laid back. I think that

1159
00:50:17,000 --> 00:50:19,200
Speaker 4: it has to be a balance in that way. Yeah,

1160
00:50:19,600 --> 00:50:22,560
Speaker 4: ego wise as well, because when you got to two

1161
00:50:22,560 --> 00:50:25,640
Speaker 4: people who think the world revolves around them, it's tough

1162
00:50:25,680 --> 00:50:26,879
Speaker 4: to make a relationship work.

1163
00:50:27,160 --> 00:50:29,440
Speaker 2: So yeah, one person like that is tough to make

1164
00:50:29,440 --> 00:50:30,120
Speaker 2: a relationship out.

1165
00:50:30,640 --> 00:50:32,439
Speaker 5: Not exactly, there's relationships that function.

1166
00:50:32,600 --> 00:50:34,720
Speaker 4: Just find like that that you think the world revolves

1167
00:50:35,120 --> 00:50:38,360
Speaker 4: the world revolves around not literally where they're a selfish person,

1168
00:50:38,840 --> 00:50:41,319
Speaker 4: but they're just like they think the world revolves around them,

1169
00:50:41,400 --> 00:50:43,719
Speaker 4: and they have a partner willing to my longest relationship

1170
00:50:43,800 --> 00:50:45,440
Speaker 4: because I thought the world revolved around me and I

1171
00:50:45,520 --> 00:50:48,560
Speaker 4: had someone whose world also revolved around me. Now, granted

1172
00:50:48,760 --> 00:50:51,920
Speaker 4: we gave it pain in our relationship, but it was

1173
00:50:52,000 --> 00:50:53,920
Speaker 4: it's just a it's a different it's a different dynamic.

1174
00:50:53,920 --> 00:50:54,040
Speaker 1: Now.

1175
00:50:54,080 --> 00:50:54,640
Speaker 3: The trick is.

1176
00:50:56,400 --> 00:51:00,360
Speaker 1: To making a woman feel like the world revolves around her.

1177
00:51:00,480 --> 00:51:02,920
Speaker 1: But she definitely knows that you are to want to

1178
00:51:02,960 --> 00:51:07,720
Speaker 1: control m that's the chair women know like this nigga

1179
00:51:07,800 --> 00:51:09,320
Speaker 1: just letting me run them up and do what I

1180
00:51:09,360 --> 00:51:11,200
Speaker 1: want to do. But I know not to play with

1181
00:51:11,239 --> 00:51:13,880
Speaker 1: this nigga, like he ain, he ain't going for the bullshit.

1182
00:51:14,040 --> 00:51:17,160
Speaker 4: And there's also opposite dynamic with that as well, because

1183
00:51:17,200 --> 00:51:19,600
Speaker 4: I've had the opposite dynamic where it's like, okay, sweetheart,

1184
00:51:19,680 --> 00:51:23,160
Speaker 4: you you run it. Everything is you control everything. You

1185
00:51:23,239 --> 00:51:25,840
Speaker 4: appear to beat his body and everybody. But we know,

1186
00:51:26,280 --> 00:51:28,040
Speaker 4: we know, deep down, we know.

1187
00:51:28,600 --> 00:51:32,040
Speaker 2: Just said advice in a relationship, don't call your boyfriend

1188
00:51:32,160 --> 00:51:35,640
Speaker 2: a big man, because that's only condescending when you say it. Now,

1189
00:51:36,080 --> 00:51:39,440
Speaker 2: you got it, You got a big man, your girl serious,

1190
00:51:39,719 --> 00:51:40,839
Speaker 2: your girl called you big man.

1191
00:51:40,880 --> 00:51:41,560
Speaker 3: It's another nigga.

1192
00:51:42,239 --> 00:51:44,439
Speaker 5: There's something my mother used to say, you got a chief.

1193
00:51:44,640 --> 00:51:48,440
Speaker 4: Unfortunately I took it and I've used I used to

1194
00:51:48,440 --> 00:51:50,279
Speaker 4: hate when she said it when I was younger, but

1195
00:51:50,480 --> 00:51:52,360
Speaker 4: I say it now like when you just see a nigga,

1196
00:51:52,360 --> 00:51:53,920
Speaker 4: that's just all that You're like, I am, mister big dick.

1197
00:51:54,040 --> 00:51:55,879
Speaker 5: Do your thing? Do you think, mister big dick?

1198
00:51:55,960 --> 00:51:56,400
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1199
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1200
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