WEBVTT - Ms. Marvel and The Boys Finales + Stranger Things Season 4

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<v Speaker 1>Warning.

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<v Speaker 2>This podcast contains spoilers for the finale of Miss Marvel,

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<v Speaker 2>for the finale of Boys season three, and for all

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<v Speaker 2>of The Stranger Things season four, So be warned. If

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<v Speaker 2>you haven't watched any of that stuff, please watch it

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<v Speaker 2>and come back because it's a fun episode and I

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<v Speaker 2>think you'll like it, but we don't want to spoil you.

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<v Speaker 1>Oh.

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<v Speaker 2>My name is Jason Sepsi, and welcome ext to a

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<v Speaker 2>Vision the Crooked podcast where.

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<v Speaker 1>We dive all the way down to the.

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<v Speaker 2>Upside down, crawling up the ladder and then falling down

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<v Speaker 2>as gravity reverses it to your favorite shows, movies, comics

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<v Speaker 2>of pop culture. Today's episode, we're gonna such Stranger Things

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<v Speaker 2>and the previously on we're gonna go to the airlock

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<v Speaker 2>where we're gonna talk about Boys, the Bowl Please season three,

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<v Speaker 2>and the Ms Marvel finale. And also we're going to

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<v Speaker 2>take a victory lap. Who am I going to take

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<v Speaker 2>a victory lap with? I'm going to take a victory

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<v Speaker 2>lap right now with the Comics Encyclopedia, the number one

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<v Speaker 2>comics talker. She's writing, she's writing for outlets, she's writing

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<v Speaker 2>her own comics. She's a creator, a producer, and an

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<v Speaker 2>all around genius of nerd stuff. Please welcome to the stage,

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<v Speaker 2>Rosie Night.

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<v Speaker 3>Hello. Wow to be introduced like that by the Jason conception, imagine.

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<v Speaker 1>Imagine who could have dream? Rosie? How are you?

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<v Speaker 3>I'm good, I'm happy to be a a wild day

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<v Speaker 3>with that MS Marvel finale coming, my god, like that,

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<v Speaker 3>and then nobody was expecting it. And we just coming

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<v Speaker 3>off the boys and we are the things.

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<v Speaker 1>We get into that we write.

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<v Speaker 3>We need to make t shots, you know, like a

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<v Speaker 3>the Magni. I was right, and now we will get

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<v Speaker 3>into that.

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<v Speaker 1>But first let's get into Stranger Things.

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<v Speaker 2>Okay, Stranger Things season four, Uh, creative of course by

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<v Speaker 2>the the Duffer Brothers, starring Winoda Ryder, David Harbor, Milly,

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<v Speaker 2>Bobby Brown, the the incredible Stretchable Finn Wolf Hart Got Madrazo,

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<v Speaker 2>my good friend Dustin, I love him so much, and

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<v Speaker 2>of course the rest of them, including Myahawk, jo Keery,

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<v Speaker 2>Charlie Heaton, Sadie Sink Hope you're doing well, Max. Uh,

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<v Speaker 2>No recap to speak of, but let's just you know,

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<v Speaker 2>our good friends. They faced off against Vecna from different

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<v Speaker 2>locations Nevada, Russia over in Hawkins.

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<v Speaker 3>Uh.

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<v Speaker 1>And they did it.

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<v Speaker 2>They it was a multi part plan to lure Vecna

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<v Speaker 2>into Max's memories. UH eleven chipped in, of course over

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<v Speaker 2>in Russia, our buddies chipped in by when Joyce realized, hey,

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<v Speaker 2>hive Mind, I recognize those monsters. We can help them

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<v Speaker 2>by we can help them weaken the enemy, because if

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<v Speaker 2>we hurt these hive mind creatures, it.

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<v Speaker 1>Will it will hurt everything. And it was fantastic.

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<v Speaker 2>And I'll tell you as I was rewatching it this weekend,

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<v Speaker 2>I the thing part of what why I liked it

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<v Speaker 2>so much is seasons one, two.

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<v Speaker 1>Three are good.

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<v Speaker 2>I really I like them as well, but especially in

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<v Speaker 2>the early seasons I'm not gonna say they felt disposable,

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<v Speaker 2>but it felt like it was, you know, it was

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<v Speaker 2>so nostalgia based and call that based that I was

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<v Speaker 2>like that, it felt like what is here that is

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<v Speaker 2>just of this show and what.

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<v Speaker 1>The answer was the characters.

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<v Speaker 2>Yeah, Now in season four we've gotten to the point

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<v Speaker 2>where the nostalgia you know, we had these great moments

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<v Speaker 2>as in this like extended fight against Vekna that was

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<v Speaker 2>like operatic. It was operatic in the sense that, like everybody,

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<v Speaker 2>every emotional moment, whether it's Joyce and Hopper, you know,

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<v Speaker 2>Hopper finally like telling Joys like how he feels and

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<v Speaker 2>kissing her with a mouth that hasn't been brushed.

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<v Speaker 3>In as.

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<v Speaker 2>Because he's been in like in a prison, eating like

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<v Speaker 2>bed bugs and maggots and who lost those what It's like,

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<v Speaker 2>it's these moments where these characters who were always great

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<v Speaker 2>get to like create these mini loops of nostalgia from

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<v Speaker 2>within the very own series. And that's on top of

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<v Speaker 2>the nostalgia of all the callbacks to the pop culture

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<v Speaker 2>references and things that were happening at the time and

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<v Speaker 2>like and you know, like uh, textures from from Nightmare

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<v Speaker 2>on ELM Street, h Spielberg stuff, Yeah, all that stuff.

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<v Speaker 2>And then on top of that the nostalgia of, oh,

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<v Speaker 2>I'm getting to hang out with these characters that I

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<v Speaker 2>legitimately think are great, and we're getting all these emotional

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<v Speaker 2>payoffs of them finally like just coming clean with each

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<v Speaker 2>other about how they feel. And then on top of

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<v Speaker 2>all of that, after four seasons, we now have, as

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<v Speaker 2>we said in previous episodes, like a real world that

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<v Speaker 2>has rules that we kind of know the shape of it,

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<v Speaker 2>just like just like Joyce being like, oh, Hi've bind

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<v Speaker 2>like as a callback, setting up a.

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<v Speaker 1>Rule of the world so we know how it works.

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<v Speaker 2>All of that stuff is great, like all the popa

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<v Speaker 2>reveals all like the the mind Flayer flesh out. All

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<v Speaker 2>that stuff is just great and I really had a

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<v Speaker 2>great time.

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<v Speaker 1>Oh my, sorry about that.

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<v Speaker 3>Yeah, I think that Saul super regis a sawl just

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<v Speaker 3>pop something. And the thing that I think is a

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<v Speaker 3>really good point the characters have a history now, like

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<v Speaker 3>we know them, we care about them. It's about the

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<v Speaker 3>world building has grown alongside them. But something else that

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<v Speaker 3>you said that really spoke to me. I definitely agree.

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<v Speaker 3>Like seasons one into a cal but season three was

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<v Speaker 3>where I felt like the characters started to be on

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<v Speaker 3>journeys that I really really cared about, like Max and

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<v Speaker 3>Eleven having that friendships kind of building in the mall

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<v Speaker 3>and everything. I felt like that was really great from

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<v Speaker 3>that season. I loved Daker Montgomery as Max's brother. I

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<v Speaker 3>feel that was such a great inclusion and that really

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<v Speaker 3>added these emotional stakes. To me. It did something that

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<v Speaker 3>I think we're going to talk about with the boys

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<v Speaker 3>a lot this season. It did something that I think

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<v Speaker 3>the best versions of these shows can do using sci

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<v Speaker 3>fi and horror as a space to explore trauma because

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<v Speaker 3>so many of the reasons that we're drawn to horror

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<v Speaker 3>and we're onto these grotesque, gory things, whether it's classic

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<v Speaker 3>eighties style like Nightmare on Elm Street or like if

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<v Speaker 3>we're into really really bleak like Hostel style gore, Like

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<v Speaker 3>a lot of it comes from a place of wanting

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<v Speaker 3>to explore that stuff safely. So I think it's really

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<v Speaker 3>cool when these shows take the time to do that.

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<v Speaker 3>And obviously that's what Vecna's playing on here is like

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<v Speaker 3>the notion of trauma, and then how do you beat

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<v Speaker 3>that is by healing, is by personal journey, is by

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<v Speaker 3>coming clean, you know, and we get really cool moments here.

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<v Speaker 3>I wrote a really fun piece at Nerdict about putting

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<v Speaker 3>each of the characters into like a D and D class,

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<v Speaker 3>and I did so much research, and like, one of

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<v Speaker 3>the ones that I felt like is really strong here

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<v Speaker 3>is is Nancy as the fighter, Because yeah, she might

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<v Speaker 3>not be like a main stage but every time she's

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<v Speaker 3>there and you need her, she is there with that

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<v Speaker 3>shotgun shooting Vecner, I.

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<v Speaker 2>Love nothing more in any show, story book, whatever. Then

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<v Speaker 2>gearing up for the final fight, I just love that

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<v Speaker 2>shit like Monster Squad as a great one of those

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<v Speaker 2>home alone Like there's there's so many great Commando there's

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<v Speaker 2>great versions of this. And I'll tell you what man

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<v Speaker 2>Stranger things with Nancy pumping that shotgun and buying it, like.

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<v Speaker 1>At the store buying it, that.

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<v Speaker 2>Was an absolutely like top level gear up scene.

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<v Speaker 3>Yeah, I was just like so excited, you know what

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<v Speaker 3>you actually speak to something I think is part of

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<v Speaker 3>why season four has been received this way, right, A

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<v Speaker 3>lot of the stuff that happens in this season feels

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<v Speaker 3>like they are earning and adding to the tropes and

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<v Speaker 3>the cannon rather than just doing a trope because you've

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<v Speaker 3>seen it elsewhere. Like you said that gearing up scene,

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<v Speaker 3>people are gonna put that alongside famous gearing up scenes.

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<v Speaker 1>Now.

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<v Speaker 3>They didn't just do it because other movies do it,

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<v Speaker 3>and I think as well, like I have just because

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<v Speaker 3>this is this has been like my entire timeline for

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<v Speaker 3>the last like since the show dropped. I mean, I've

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<v Speaker 3>never seen a character come in and gain the absolute

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<v Speaker 3>obsessive fandom of Eddie Munson Joe Quinn as Eddie.

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<v Speaker 2>Talk to Joe, talk to Dojak about it, right, Like

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<v Speaker 2>I mean that dojah.

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<v Speaker 3>Please look at him without the wig. It's not the

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<v Speaker 3>same Eddie.

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<v Speaker 2>Eddie, he's a good looking guye did you see the

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<v Speaker 2>video of him really playing Master of PoCA.

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<v Speaker 3>Yeah, he played. He played guitar, and they asked him

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<v Speaker 3>that when he was one of the things they asked

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<v Speaker 3>him when he did the show, you know. And and

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<v Speaker 3>to me to see that character represented something that I

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<v Speaker 3>think has been at the fringes of Stranger Things for

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<v Speaker 3>a really long time, but in this series hit on

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<v Speaker 3>in a really really deep way, which is that notion

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<v Speaker 3>of being othered and being the outsider.

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<v Speaker 1>It's all these outsiders that yeah.

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<v Speaker 3>And Eddie brings them together in this way that is

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<v Speaker 3>completely selfless. And when you first meet him, you're like, okay,

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<v Speaker 3>it's the aies, he likes Metallica, Like is he a jock?

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<v Speaker 3>But then he has a do o back patch, so

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<v Speaker 3>I was like, he's probably a good guy. And then

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<v Speaker 3>but like he's actually this incredibly generous soul who's kind

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<v Speaker 3>of constantly fighting against the evil of Hawkins, which is

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<v Speaker 3>not just about the upside down, it's also about people's perceptions.

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<v Speaker 3>It's about this satanic panic kind of stuff. So I

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<v Speaker 3>think they did so much interesting stuff here, and also

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<v Speaker 3>I know nothing should ever be like just to set

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<v Speaker 3>up the next season, but this does set up some

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<v Speaker 3>really interesting stuff with Will and Eleven that to me,

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<v Speaker 3>I feel like was like hinted at from the first season.

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<v Speaker 3>But I feel like we might really get to see

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<v Speaker 3>come to fruition in the next season. So I'm I

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<v Speaker 3>would be most happy to see to see those two

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<v Speaker 3>have a little team up.

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<v Speaker 2>I love the the like the little miniarc of Mike

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<v Speaker 2>being like, yeah, you know Eleven, you know obviously, you know,

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<v Speaker 2>like we're with We've been through so much together and

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<v Speaker 2>I like you so much, and then she's like love whatever, love,

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<v Speaker 2>and then like.

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<v Speaker 3>I can't even write it on the floor.

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<v Speaker 1>I can't even write it on the floor.

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<v Speaker 2>And then finally, like he he pays it off while

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<v Speaker 2>everybody else is paying it off, and you get that

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<v Speaker 2>wonderful moment where he admits how he feels, you know,

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<v Speaker 2>he still feels that way.

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<v Speaker 3>You know, shouting out your little buddy. I think something

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<v Speaker 3>that's been really cool as well is to see Dustin

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<v Speaker 3>essentially go from like the comedy relief to being the

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<v Speaker 3>true leader of the party. Yeah, like that his his

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<v Speaker 3>pop culture knowledge and references. That is now his armory.

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<v Speaker 3>It's kind of like us. It's like that's what he

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<v Speaker 3>can pull from to know stuff. He doesn't drop it

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<v Speaker 3>to be cool. He that is how he solves mysteries.

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<v Speaker 3>That's how he solves problems. You know, he's the inventor,

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<v Speaker 3>the artificer. I thought I have always loved Dustin, but

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<v Speaker 3>I was very happy for that journey and I'm really

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<v Speaker 3>excited to see that because Mike used to be the

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<v Speaker 3>kind of like, you know, go to leader. But I

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<v Speaker 3>would say Dustin is really that.

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<v Speaker 1>I loved him.

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<v Speaker 2>I loved him, you know in the uh Luwer Away,

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<v Speaker 2>the demo bats mission with Master Puppets and eighty Months

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<v Speaker 2>and on Guitar Light like rip to my guy of

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<v Speaker 2>how like delight there's fucking demons like around. We could

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<v Speaker 2>die at any moment, and he's just like.

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<v Speaker 1>Yeah, this is he and he's like this is sick,

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<v Speaker 1>this is sick. That was just absolutely delightful.

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<v Speaker 2>And I'll just say like I was a little bit

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<v Speaker 2>as so as a as a reformed guitar player myself

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<v Speaker 2>who went through a pretty heavy metallica phase uh and

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<v Speaker 2>used to hang out with metal heads. The big thing

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<v Speaker 2>as I'm sure Eddiemunson would tell you. With metal is

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<v Speaker 2>it's all downstrokes that right hand picking technique. You know,

0:12:38.280 --> 0:12:40.960
<v Speaker 2>your hand, you know, moves up and down right, So

0:12:41.120 --> 0:12:43.600
<v Speaker 2>like the more efficient way to like do like a

0:12:44.800 --> 0:12:46.839
<v Speaker 2>is to go you know down up, down, down, you

0:12:46.880 --> 0:12:51.400
<v Speaker 2>know like that. But in Metal, that's wrong. Metal is

0:12:51.480 --> 0:12:56.880
<v Speaker 2>all downstrokes. Metal is all like punching down on the

0:12:56.920 --> 0:12:59.520
<v Speaker 2>ground again and again and again. And I was a

0:12:59.600 --> 0:13:05.080
<v Speaker 2>little disappointed that no like reporter, no journalist was like,

0:13:05.120 --> 0:13:11.120
<v Speaker 2>so okay, Joseph Quinn, great incredible video of you playing

0:13:11.120 --> 0:13:14.840
<v Speaker 2>Master Pubs. Are you doing all downstrokes as you were

0:13:14.880 --> 0:13:16.320
<v Speaker 2>supposed to do?

0:13:16.440 --> 0:13:20.800
<v Speaker 3>Joseph Quinn, please send Johns's on a postcard that straight vision.

0:13:21.360 --> 0:13:23.160
<v Speaker 3>We want to know. Come on here and show us.

0:13:23.280 --> 0:13:25.839
<v Speaker 3>Was it all downstrokes? We need to know that people

0:13:25.880 --> 0:13:26.320
<v Speaker 3>want to know.

0:13:27.200 --> 0:13:30.680
<v Speaker 2>Setting up for season five, which hopefully will not be

0:13:30.720 --> 0:13:33.400
<v Speaker 2>spoiled by Legos this time.

0:13:33.240 --> 0:13:34.679
<v Speaker 1>We can dream.

0:13:35.120 --> 0:13:37.720
<v Speaker 2>Well, I just we should say so that's the Doffer

0:13:37.800 --> 0:13:41.360
<v Speaker 2>Brothers were a little miffed because some plot stuff from

0:13:41.400 --> 0:13:44.600
<v Speaker 2>season four was spoiled by Lego, which joined the club like.

0:13:44.600 --> 0:13:46.200
<v Speaker 1>It happens to Star Wars.

0:13:47.679 --> 0:13:51.960
<v Speaker 2>Strange, fantastic beast stock are strange, many many properties have

0:13:52.040 --> 0:13:57.520
<v Speaker 2>been spoiled by legos. But I am ben what's gonna

0:13:57.520 --> 0:14:02.360
<v Speaker 2>happen with Max. All of that stuff like going like eleven,

0:14:03.160 --> 0:14:05.520
<v Speaker 2>uh searching like.

0:14:05.520 --> 0:14:09.199
<v Speaker 1>Her mind is going to be a big part of it.

0:14:09.360 --> 0:14:13.120
<v Speaker 3>And I think that as well, Like the I think

0:14:13.240 --> 0:14:14.839
<v Speaker 3>so from the outset, if we look at the D

0:14:14.920 --> 0:14:16.720
<v Speaker 3>and D stuff, which has always been really key to this,

0:14:16.840 --> 0:14:19.840
<v Speaker 3>Like you know, Will, I think was always their wizard

0:14:19.920 --> 0:14:22.160
<v Speaker 3>right and Eleven was a more generic like magic user

0:14:22.280 --> 0:14:24.960
<v Speaker 3>was how Mike saw her, but she's obviously a mage.

0:14:25.160 --> 0:14:28.640
<v Speaker 3>I think the end with Will's like connection to Vector Veckner,

0:14:29.040 --> 0:14:31.120
<v Speaker 3>I actually think we might see him kind of take

0:14:31.160 --> 0:14:33.800
<v Speaker 3>on like a good Hannibal reference, but like a Will

0:14:33.840 --> 0:14:37.960
<v Speaker 3>Graham like m Path style superhero. Well, he can hunt

0:14:38.040 --> 0:14:41.200
<v Speaker 3>down Vecna, he can team up to l and get

0:14:41.240 --> 0:14:41.760
<v Speaker 3>to have his.

0:14:41.960 --> 0:14:44.240
<v Speaker 1>For those of you hero moment for those of.

0:14:44.360 --> 0:14:48.640
<v Speaker 2>Us, that's a reference to Will Graham from the Thomas

0:14:48.680 --> 0:14:52.520
<v Speaker 2>Harris Silence of the Lamb's novel Red Dragon is the

0:14:53.040 --> 0:14:56.120
<v Speaker 2>one from and then adapted later by Michael Mann and

0:14:56.160 --> 0:14:57.840
<v Speaker 2>Manhunter and then later became a series.

0:14:57.880 --> 0:14:59.280
<v Speaker 1>And Will Graham is just.

0:15:00.960 --> 0:15:05.040
<v Speaker 2>He's a fascinating character, because basically the whole thing with

0:15:05.160 --> 0:15:09.560
<v Speaker 2>him is he understands what drives a serial killer so

0:15:09.800 --> 0:15:15.080
<v Speaker 2>well because as Lecter is always kind of like teasing him,

0:15:15.560 --> 0:15:18.560
<v Speaker 2>he almost he's like an inch away from me, like

0:15:18.640 --> 0:15:22.880
<v Speaker 2>he could almost be one. And that dynamic with Will,

0:15:22.920 --> 0:15:24.360
<v Speaker 2>I think would be so amazing.

0:15:25.280 --> 0:15:28.080
<v Speaker 3>He's the ulti outsider and he can start to feel

0:15:28.080 --> 0:15:30.280
<v Speaker 3>it and that it can take advantage of those manipulations.

0:15:30.360 --> 0:15:32.760
<v Speaker 3>And I would just say, like, if you haven't watched

0:15:32.840 --> 0:15:35.800
<v Speaker 3>the the if you can believe it was on NBC,

0:15:35.920 --> 0:15:41.040
<v Speaker 3>you'll never believe. It doesn't make sense. So it's so grotesque,

0:15:41.240 --> 0:15:44.800
<v Speaker 3>so brilliant, But that really explores that notion of of

0:15:44.800 --> 0:15:47.000
<v Speaker 3>of being an EmPATH to the point where it's like

0:15:47.000 --> 0:15:49.560
<v Speaker 3>a superhero and a curse and how it can be manipulated.

0:15:49.600 --> 0:15:51.360
<v Speaker 3>And I feel like they will be very smart to

0:15:51.360 --> 0:15:52.440
<v Speaker 3>bring in this element.

0:15:52.840 --> 0:15:55.280
<v Speaker 2>Yeah, I think that that's right on. I just need

0:15:55.280 --> 0:15:57.800
<v Speaker 2>them to get Will a better haircut.

0:15:57.840 --> 0:16:02.920
<v Speaker 1>We can't just commit yeah, yeah, let's just commit to it. Please.

0:16:03.080 --> 0:16:04.800
<v Speaker 3>Oh my god, no, it's so true. Did you see

0:16:04.840 --> 0:16:08.120
<v Speaker 3>that There was a really really hilarious meme and it

0:16:08.200 --> 0:16:10.560
<v Speaker 3>was like how could It was like somebody had posted

0:16:10.560 --> 0:16:13.160
<v Speaker 3>like how could Mike not see Will crying? And then

0:16:13.200 --> 0:16:15.040
<v Speaker 3>they were like, oh they could see, and it's just

0:16:15.080 --> 0:16:19.920
<v Speaker 3>the thumb with a bowl cut. Oh please, we need

0:16:19.960 --> 0:16:22.440
<v Speaker 3>the Joyce than the Joyce Special. Please.

0:16:22.840 --> 0:16:26.160
<v Speaker 2>One more thing I want to shout out is my

0:16:26.200 --> 0:16:29.120
<v Speaker 2>friend Heidi was said this to She's like, I realized

0:16:29.160 --> 0:16:31.160
<v Speaker 2>like the last like three episodes that I just had

0:16:31.160 --> 0:16:36.040
<v Speaker 2>my fist clench the whole time, Like particularly the uh

0:16:36.760 --> 0:16:40.280
<v Speaker 2>Chapter eight Papa episode when Eleven went, you know, Papa's

0:16:40.320 --> 0:16:44.280
<v Speaker 2>running and the sniper is from the helicopters like shooting

0:16:44.320 --> 0:16:49.480
<v Speaker 2>at him, and Eleven is like shaking the helicopter with

0:16:49.520 --> 0:16:54.240
<v Speaker 2>her powers trying to throw That was as visually like

0:16:54.520 --> 0:16:57.840
<v Speaker 2>stunning as anything I've seen in a while.

0:16:58.480 --> 0:16:59.520
<v Speaker 1>I was just like, this.

0:16:59.440 --> 0:17:02.480
<v Speaker 2>Looks great, Like I felt like I was watching this

0:17:02.560 --> 0:17:04.439
<v Speaker 2>on a big screen. Like some of the action sequence

0:17:04.520 --> 0:17:06.399
<v Speaker 2>in this were just so great.

0:17:06.920 --> 0:17:09.679
<v Speaker 3>It's actually nice to see where that thirty million dollars

0:17:09.720 --> 0:17:12.080
<v Speaker 3>an episode went, you know, aside from cast which like

0:17:12.119 --> 0:17:16.760
<v Speaker 3>pay those kids, because something definitely more.

0:17:17.200 --> 0:17:20.000
<v Speaker 1>Who has more leverage than these fucking kids? Right now?

0:17:21.440 --> 0:17:25.720
<v Speaker 1>You got five? What are you gonna do? Say, say Dustin?

0:17:26.200 --> 0:17:27.640
<v Speaker 1>Dustin died off screen.

0:17:28.720 --> 0:17:31.439
<v Speaker 3>Yeah, like he's gone up to space, you know, like

0:17:31.480 --> 0:17:35.240
<v Speaker 3>that's the episode. But it's definitely one of those things

0:17:35.280 --> 0:17:37.040
<v Speaker 3>where like the other thing that this show has always

0:17:37.040 --> 0:17:38.760
<v Speaker 3>done really great from the beginning, which I think is

0:17:38.760 --> 0:17:40.639
<v Speaker 3>why targets people like me and you because this is

0:17:40.640 --> 0:17:44.760
<v Speaker 3>one of our favorite things. Found family, kids, yagtag group,

0:17:45.200 --> 0:17:47.520
<v Speaker 3>who you care about, who you would die for? This

0:17:47.600 --> 0:17:50.320
<v Speaker 3>does that, Umbrella Academy does that. We're about to get

0:17:50.359 --> 0:17:53.720
<v Speaker 3>into how Miss Marvel really leans into that this episodeisode,

0:17:53.920 --> 0:17:56.679
<v Speaker 3>Like I love those stories. It goes back to the

0:17:56.840 --> 0:17:58.360
<v Speaker 3>X Men, which has always been one of the most

0:17:58.400 --> 0:18:00.520
<v Speaker 3>important touch points for this show. You know. The first

0:18:00.560 --> 0:18:02.480
<v Speaker 3>episode of this season is called The hall Fire Club,

0:18:02.960 --> 0:18:05.119
<v Speaker 3>a big you know, X Men reference, even though it

0:18:05.119 --> 0:18:08.000
<v Speaker 3>has historical resonance outside of that, it's also what D

0:18:08.040 --> 0:18:11.200
<v Speaker 3>and D Club is called. So it I just think

0:18:11.240 --> 0:18:15.560
<v Speaker 3>like there's so much in just those relationships that can

0:18:15.640 --> 0:18:18.240
<v Speaker 3>carry it, and that's kind of where the heart of

0:18:18.280 --> 0:18:18.919
<v Speaker 3>the show is.

0:18:20.080 --> 0:18:23.320
<v Speaker 2>We were talking about we were talking about the the

0:18:24.320 --> 0:18:28.280
<v Speaker 2>the Norwegian movie Worst Person in the World before we

0:18:28.480 --> 0:18:31.320
<v Speaker 2>hit record, and I was saying what I liked about

0:18:31.320 --> 0:18:34.800
<v Speaker 2>it was that it was less a plot driven movie

0:18:35.040 --> 0:18:41.040
<v Speaker 2>and more a movie in which everything turns on how

0:18:41.119 --> 0:18:43.680
<v Speaker 2>well the main character is fleshed out, and it's like

0:18:43.720 --> 0:18:46.800
<v Speaker 2>we've hit that. For me, Stranger Things has hit that

0:18:46.840 --> 0:18:49.040
<v Speaker 2>point where it's just like you just know who these

0:18:49.119 --> 0:18:52.080
<v Speaker 2>people are and it's so great to spend time with them.

0:18:52.119 --> 0:18:57.760
<v Speaker 2>I will say, here's my one. It's not even a disappointment. Lucas, man,

0:18:57.800 --> 0:18:59.040
<v Speaker 2>you gotta have hands.

0:18:59.240 --> 0:19:03.080
<v Speaker 1>How are you your ass? He won the fight. He

0:19:03.160 --> 0:19:04.000
<v Speaker 1>did win the fight.

0:19:04.520 --> 0:19:08.960
<v Speaker 3>I will say, though, bro, in terms of happened and

0:19:09.040 --> 0:19:11.480
<v Speaker 3>in terms of that very aspect of the characters, I

0:19:11.520 --> 0:19:15.240
<v Speaker 3>would love to see them bring in some writers who

0:19:15.240 --> 0:19:17.960
<v Speaker 3>can really do justice to Lucas and Erica next season.

0:19:18.040 --> 0:19:20.280
<v Speaker 3>That would be like my big gat. I also say,

0:19:20.320 --> 0:19:22.600
<v Speaker 3>like resurrect Eddie. I think that that that's what the

0:19:22.640 --> 0:19:23.160
<v Speaker 3>people want.

0:19:23.240 --> 0:19:26.320
<v Speaker 1>I could bring him back and spooky ship.

0:19:27.200 --> 0:19:29.320
<v Speaker 4>Like, that's what the people want, man, they're giving you

0:19:29.400 --> 0:19:36.080
<v Speaker 4>free that And next time Lucas gets to fight like

0:19:36.160 --> 0:19:38.639
<v Speaker 4>a like a dickhead jock who's been a piece of

0:19:38.680 --> 0:19:40.320
<v Speaker 4>ship for the entire season.

0:19:40.480 --> 0:19:43.560
<v Speaker 2>Instead of like, instead of making it like a like

0:19:43.640 --> 0:19:46.560
<v Speaker 2>a back and forth he saw battle. How about is

0:19:46.720 --> 0:19:52.040
<v Speaker 2>Lucas just pummels the guy's face and then eventually that

0:19:52.040 --> 0:19:53.920
<v Speaker 2>guy's body gets destroyed.

0:19:53.920 --> 0:19:56.240
<v Speaker 3>But I'm telling you.

0:19:55.760 --> 0:19:58.320
<v Speaker 2>Like, this is why just watch Lucas stop this guy

0:19:58.440 --> 0:19:59.240
<v Speaker 2>for five weeks.

0:20:00.359 --> 0:20:02.960
<v Speaker 3>That's the next step in this idea of like, look,

0:20:03.240 --> 0:20:06.239
<v Speaker 3>people are racist, and there are ways of showing that

0:20:06.280 --> 0:20:08.440
<v Speaker 3>and the dangers of it and how terrible it is.

0:20:08.520 --> 0:20:11.600
<v Speaker 3>But you know what, everyone has seen. Everyone's seen black

0:20:11.640 --> 0:20:14.560
<v Speaker 3>people being victims of racism. Everyone's gotten to see the

0:20:14.600 --> 0:20:17.119
<v Speaker 3>horrors of that. Can we just see somebody stumping out

0:20:17.119 --> 0:20:19.600
<v Speaker 3>a racist I would love to see it. That's the

0:20:19.640 --> 0:20:20.280
<v Speaker 3>next step.

0:20:20.560 --> 0:20:24.960
<v Speaker 2>I don't like there have been some critiques some of like, oh,

0:20:25.040 --> 0:20:28.280
<v Speaker 2>we're not exploring small town racism, bah blah b buh Okay.

0:20:28.320 --> 0:20:32.120
<v Speaker 2>I get it, Like that's that is an absolutely important

0:20:32.200 --> 0:20:34.600
<v Speaker 2>thing to explore and to show at times. But I

0:20:34.640 --> 0:20:36.960
<v Speaker 2>also like again, like and I don't want to speak

0:20:36.960 --> 0:20:40.280
<v Speaker 2>for anybody, I'm speaking for myself, Like just from my

0:20:40.560 --> 0:20:46.479
<v Speaker 2>personal experience that I can, I can interact with those ideas.

0:20:45.960 --> 0:20:50.760
<v Speaker 1>With that history, with stories like that, there's a million choices.

0:20:51.280 --> 0:20:54.159
<v Speaker 2>I really appreciate the fact that when I'm with my

0:20:54.800 --> 0:20:58.679
<v Speaker 2>friends from Hawkins, it's just the reality of this world

0:20:59.200 --> 0:21:03.840
<v Speaker 2>and it's and not to say disconnected from the real world.

0:21:04.119 --> 0:21:08.120
<v Speaker 2>But it's a different It's a more heightened pop culture

0:21:08.240 --> 0:21:11.600
<v Speaker 2>inflected version of that world in which we can just

0:21:11.600 --> 0:21:15.040
<v Speaker 2>like enjoy this plot. And I would have enjoyed Lucas

0:21:15.119 --> 0:21:19.840
<v Speaker 2>playing a little bit more if Lucas would have not struggled.

0:21:20.240 --> 0:21:27.240
<v Speaker 2>My god, Lucas, you gotta Getty before season Deva is.

0:21:27.200 --> 0:21:29.840
<v Speaker 3>From that that power that this has of getting to

0:21:29.920 --> 0:21:32.760
<v Speaker 3>be distanced. Lucas doesn't get that freedom. But I'm really

0:21:32.800 --> 0:21:36.840
<v Speaker 3>hoping Lucas and Max want to see it, Eleven want

0:21:36.840 --> 0:21:39.800
<v Speaker 3>to see it. Like there's things I want for these characters.

0:21:39.920 --> 0:21:42.960
<v Speaker 3>You know, I'm now a step and Eddie shipper, but

0:21:43.040 --> 0:21:45.760
<v Speaker 3>I like the Steve and Nancy stuff that they hinted at.

0:21:45.760 --> 0:21:48.120
<v Speaker 3>Come on, you're telling me, in any world, anyone's gonna

0:21:48.119 --> 0:21:50.360
<v Speaker 3>go out with Jonathan instead of Steve. I think that's

0:21:51.160 --> 0:21:53.560
<v Speaker 3>the same way Will Will has a crush on Mike. No,

0:21:53.840 --> 0:21:55.439
<v Speaker 3>you would have a crush on Steve Stephen.

0:21:55.760 --> 0:21:58.480
<v Speaker 1>Everyone would have a crush on one.

0:21:58.680 --> 0:22:01.840
<v Speaker 3>That is a character for the Ages like that is

0:22:02.440 --> 0:22:04.879
<v Speaker 3>there was one thing from the beginning to now that

0:22:04.920 --> 0:22:08.840
<v Speaker 3>has always been consistently great. It is a character of

0:22:09.000 --> 0:22:12.920
<v Speaker 3>Steve going from the jockish, bully, popular kid to becoming

0:22:12.960 --> 0:22:17.520
<v Speaker 3>his caretaker leader, who who he respected. Even in these

0:22:17.560 --> 0:22:19.560
<v Speaker 3>moments of telling Nancy how he felt it was all

0:22:19.600 --> 0:22:21.920
<v Speaker 3>about her boundaries. This is how I feel. I don't

0:22:21.960 --> 0:22:23.320
<v Speaker 3>want you to feel that way, but I need you

0:22:23.400 --> 0:22:23.639
<v Speaker 3>to know.

0:22:23.720 --> 0:22:26.439
<v Speaker 1>I know I did wrong, absolutely so much. Steve.

0:22:26.600 --> 0:22:29.280
<v Speaker 3>Yes, Steve's having a great time. Jonathan. I got to say,

0:22:30.640 --> 0:22:31.240
<v Speaker 3>next season.

0:22:31.720 --> 0:22:34.880
<v Speaker 2>I thought there was a second there where I thought

0:22:34.880 --> 0:22:37.440
<v Speaker 2>Steve was about to get topped off in the upside down.

0:22:38.440 --> 0:22:40.680
<v Speaker 2>I thought it was I thought it was about I

0:22:40.760 --> 0:22:42.280
<v Speaker 2>thought I thought it was about.

0:22:42.040 --> 0:22:46.639
<v Speaker 1>To go down. I'm talent. I'm telling you and listen,

0:22:46.680 --> 0:22:47.760
<v Speaker 1>has it ever happened before?

0:22:48.040 --> 0:22:51.720
<v Speaker 2>Let's make history, folks, Steve Nancy Like, next time we're

0:22:51.720 --> 0:22:52.919
<v Speaker 2>down there, let's make history.

0:22:53.040 --> 0:22:56.639
<v Speaker 3>That's all I happened. There was a moment, the feeling

0:22:56.760 --> 0:22:58.360
<v Speaker 3>like it isn't that you can put up. You could

0:22:58.359 --> 0:22:59.879
<v Speaker 3>put a warning beforehand.

0:23:00.520 --> 0:23:04.040
<v Speaker 1>Was watching this show? Okay, up next the airlock.

0:23:18.440 --> 0:23:20.720
<v Speaker 2>We're stepping out on the airlock to talk about the

0:23:20.760 --> 0:23:24.439
<v Speaker 2>Boys and Miss Marvel. First up season three of the Boys.

0:23:24.600 --> 0:23:28.920
<v Speaker 2>The season three finale Instant White Hot Wild, written by

0:23:28.960 --> 0:23:32.000
<v Speaker 2>Log and Richie and David Reid, directed by Sarah Boyd.

0:23:33.040 --> 0:23:33.520
<v Speaker 1>Here we go.

0:23:33.840 --> 0:23:37.080
<v Speaker 2>Homelander lands at the farmhouse where his soup son Ryan Butcher,

0:23:37.119 --> 0:23:39.879
<v Speaker 2>has been hiding under the care of Boys founder and

0:23:40.880 --> 0:23:45.920
<v Speaker 2>former Payback Team member and former CIA director Grace Moult.

0:23:46.080 --> 0:23:47.160
<v Speaker 3>Generally evil woman.

0:23:47.920 --> 0:23:48.600
<v Speaker 1>She's done a.

0:23:48.520 --> 0:23:50.879
<v Speaker 2>Lot of bad shit and she's trying to make up

0:23:50.920 --> 0:23:53.320
<v Speaker 2>for it, and she's not doing a great job.

0:23:53.359 --> 0:23:54.400
<v Speaker 1>She's doing a bad joke.

0:23:57.240 --> 0:24:00.000
<v Speaker 2>Homelanders like, I just want to talk. When is Wendy

0:24:00.119 --> 0:24:00.880
<v Speaker 2>ever believe that.

0:24:00.840 --> 0:24:01.920
<v Speaker 1>From this guy? Anyway?

0:24:02.000 --> 0:24:07.199
<v Speaker 2>This is Homelander. Grace and Ryan are terrified, clearly Homelander.

0:24:08.080 --> 0:24:14.000
<v Speaker 2>It reacts with the iconic and stereotypical Homelander simmering rage.

0:24:14.080 --> 0:24:17.040
<v Speaker 2>When Ryan refers to Malory as Aunt Grace, He's like, aunt,

0:24:17.240 --> 0:24:21.119
<v Speaker 2>okay whatever. Aunt Grace is like reaching for her cell phone, Homelander,

0:24:21.119 --> 0:24:21.880
<v Speaker 2>where this superhero?

0:24:21.960 --> 0:24:24.000
<v Speaker 1>Here's it? He's like, don't even fucking do it.

0:24:25.880 --> 0:24:31.480
<v Speaker 2>Ryan asks Homelander in a really actually like whenever this

0:24:32.080 --> 0:24:34.080
<v Speaker 2>show gets heartfelt, it's crazy.

0:24:34.560 --> 0:24:36.640
<v Speaker 1>But Ryan is really.

0:24:36.359 --> 0:24:39.080
<v Speaker 2>The touchstone for a real emotion in this show, and

0:24:39.080 --> 0:24:41.359
<v Speaker 2>he's like, Hey, you know, are you mad at me

0:24:41.760 --> 0:24:45.040
<v Speaker 2>for you know the thing where I burned Stormfront? The

0:24:45.040 --> 0:24:47.600
<v Speaker 2>woman you love, the Nazi woman you love into like

0:24:47.640 --> 0:24:52.359
<v Speaker 2>a little stump person with it was like melted face.

0:24:52.440 --> 0:24:54.640
<v Speaker 2>And also my mom died in that incident or.

0:24:54.560 --> 0:24:56.520
<v Speaker 1>It was mortally wounded. It was tough. Are you mad

0:24:56.520 --> 0:24:59.119
<v Speaker 1>at me for that? And Homelander's like, no, no, of

0:24:59.119 --> 0:25:00.880
<v Speaker 1>course not absolutely not.

0:25:00.960 --> 0:25:05.240
<v Speaker 2>Was I was I still masturbating to that stump Nazi.

0:25:05.240 --> 0:25:06.600
<v Speaker 1>Earlier in the season. I was.

0:25:06.680 --> 0:25:10.120
<v Speaker 2>But I'm not mad about that I killed. I'm Homelander,

0:25:10.440 --> 0:25:12.240
<v Speaker 2>and you know what, I kill people all the time

0:25:12.240 --> 0:25:12.960
<v Speaker 2>by accident.

0:25:13.119 --> 0:25:14.440
<v Speaker 1>It's really not a big deal.

0:25:14.760 --> 0:25:17.320
<v Speaker 2>I killed the whole passenger plane sort of by accident

0:25:17.359 --> 0:25:20.440
<v Speaker 2>once because I lasered through the pilot's skull and destroyed

0:25:20.480 --> 0:25:23.480
<v Speaker 2>the uh, the insurance panel. So that happens, And so

0:25:23.560 --> 0:25:25.119
<v Speaker 2>I'm not mad at you. And they embrace and they

0:25:25.119 --> 0:25:30.600
<v Speaker 2>fly off outside HQ pro Starlight protesters fired up by Starlights.

0:25:30.680 --> 0:25:31.840
<v Speaker 1>Social media leaks.

0:25:31.560 --> 0:25:36.360
<v Speaker 2>A lot of social media meeks in these finales, yes, lot,

0:25:36.400 --> 0:25:39.280
<v Speaker 2>it's a lot of it. Are squaring up against pro

0:25:39.400 --> 0:25:43.719
<v Speaker 2>Homelander protesters. Meanwhile inside the building, the Deep and Ashley

0:25:43.760 --> 0:25:44.080
<v Speaker 2>are like.

0:25:44.040 --> 0:25:45.080
<v Speaker 1>What the fuck do we do?

0:25:47.200 --> 0:25:51.959
<v Speaker 2>Uh? The AG the the Attorney General General is coming here. Uh,

0:25:52.600 --> 0:25:53.959
<v Speaker 2>she's got a search warrant.

0:25:54.000 --> 0:25:54.840
<v Speaker 1>And when did man.

0:25:54.880 --> 0:25:56.720
<v Speaker 2>You know it's serious when the Attorney General is coming

0:25:56.760 --> 0:25:57.280
<v Speaker 2>in person.

0:25:57.720 --> 0:25:59.600
<v Speaker 1>Yeah, uh, because I.

0:25:59.840 --> 0:26:03.240
<v Speaker 2>Take video because of a TikTok video saying that Mave

0:26:03.359 --> 0:26:06.400
<v Speaker 2>is not really in rehab, she is imprisoned in Vought HQ.

0:26:06.880 --> 0:26:09.320
<v Speaker 2>So they're like, what do we do. Here's what they do.

0:26:09.359 --> 0:26:12.280
<v Speaker 2>They spray some kind of sedative into mave cell and

0:26:12.320 --> 0:26:15.840
<v Speaker 2>they're going to get her out of there. Meanwhile, Hughing

0:26:15.880 --> 0:26:19.040
<v Speaker 2>and Butcher have their own concern. Soldier boy. Of course,

0:26:19.080 --> 0:26:21.640
<v Speaker 2>we've seen that this guy is suffering from a mighty,

0:26:21.680 --> 0:26:25.000
<v Speaker 2>mighty mighty case of PTSD, which is not an excuse

0:26:25.080 --> 0:26:26.959
<v Speaker 2>for what a terrible person he is, but he is

0:26:27.000 --> 0:26:30.200
<v Speaker 2>suffering from that. He's and now he's having to deal

0:26:30.640 --> 0:26:35.240
<v Speaker 2>with the prospect of murdering his the issue of his body, Homelander,

0:26:35.280 --> 0:26:39.480
<v Speaker 2>his son Homelander, and so he's kind of self medicating

0:26:39.520 --> 0:26:43.320
<v Speaker 2>as he's off to do with with whiskey. And then

0:26:43.359 --> 0:26:46.399
<v Speaker 2>there's of course the issue of the fact that Hughey

0:26:46.440 --> 0:26:49.280
<v Speaker 2>and Butcher could die at literally any second because they've

0:26:49.320 --> 0:26:53.280
<v Speaker 2>been taking the temporary v and Hugh he's like bleeding

0:26:53.359 --> 0:26:54.760
<v Speaker 2>black shit out of his ear.

0:26:56.200 --> 0:27:00.879
<v Speaker 3>Yeah right, he told you something like absolutely this was

0:27:00.920 --> 0:27:02.520
<v Speaker 3>a terrible idea, Quei.

0:27:03.240 --> 0:27:05.880
<v Speaker 2>Any times Starlight says, iying, just listen, because she's right

0:27:05.880 --> 0:27:07.240
<v Speaker 2>one hundred percent of the time.

0:27:07.440 --> 0:27:10.359
<v Speaker 3>I will say this is a great I feel like

0:27:10.440 --> 0:27:12.560
<v Speaker 3>the the use of ving this the temp V and

0:27:12.600 --> 0:27:16.320
<v Speaker 3>this show has been a really really great U microcosm

0:27:16.400 --> 0:27:20.240
<v Speaker 3>for how thoughtfully the boys hand or stuff because they don't.

0:27:20.440 --> 0:27:22.640
<v Speaker 3>They didn't use it to be like this is about addiction.

0:27:22.720 --> 0:27:25.240
<v Speaker 3>They used it to be about this is about toxic masculinity.

0:27:25.240 --> 0:27:26.919
<v Speaker 3>This is about an obsession with power.

0:27:27.160 --> 0:27:28.520
<v Speaker 1>And I think it's about power.

0:27:28.600 --> 0:27:31.520
<v Speaker 3>Yes, that's exactly so good and it's and they even

0:27:31.520 --> 0:27:34.600
<v Speaker 3>have a great moment where Starlight says to Qui, She's like,

0:27:34.680 --> 0:27:36.680
<v Speaker 3>I thought this was the drugs, but actually it's you,

0:27:36.960 --> 0:27:39.919
<v Speaker 3>and it's it really is a very thoughtful, like forward

0:27:39.920 --> 0:27:43.480
<v Speaker 3>thinking use of addiction to tell a story that's really

0:27:43.480 --> 0:27:44.320
<v Speaker 3>about something else.

0:27:44.440 --> 0:27:47.000
<v Speaker 2>Yeah, because really the central critique of The Boys, if

0:27:47.000 --> 0:27:49.639
<v Speaker 2>you could say there is one, is what would happen

0:27:49.640 --> 0:27:55.040
<v Speaker 2>if people had ultimate power, superhero level power, and then

0:27:55.080 --> 0:27:58.880
<v Speaker 2>the people who oppose them have to take the position

0:27:59.000 --> 0:28:02.040
<v Speaker 2>that power must be limited. So what happens when those

0:28:02.040 --> 0:28:03.840
<v Speaker 2>people begin to dabble.

0:28:03.560 --> 0:28:04.680
<v Speaker 1>In unlimited power?

0:28:04.760 --> 0:28:07.920
<v Speaker 2>And I and that's been a super super interesting driver

0:28:08.040 --> 0:28:12.120
<v Speaker 2>a lot of the a lot of the story this season. Butcher,

0:28:12.200 --> 0:28:18.359
<v Speaker 2>of course, uh is just like he's cannonballing straight ahead.

0:28:18.760 --> 0:28:22.760
<v Speaker 2>He does not care about any of this stuff. He's like, uh,

0:28:22.400 --> 0:28:25.120
<v Speaker 2>you know what we need to do. We to go,

0:28:25.840 --> 0:28:29.679
<v Speaker 2>we to go get Mostly we'll as Huie telepull us

0:28:29.880 --> 0:28:32.760
<v Speaker 2>to the bad guys and we'll take and after we

0:28:32.840 --> 0:28:34.080
<v Speaker 2>tight the lee, we'll kill.

0:28:33.960 --> 0:28:37.160
<v Speaker 1>Noir and that's it. We'll kill Helm and then we're finished.

0:28:37.160 --> 0:28:40.560
<v Speaker 2>A lot uh, and soldier boys like whatever, I'm gonna

0:28:40.560 --> 0:28:44.760
<v Speaker 2>go drink more whisky tonight. Vought paramilitaries take the sedated

0:28:44.800 --> 0:28:45.720
<v Speaker 2>mave across town.

0:28:46.440 --> 0:28:46.680
<v Speaker 1>Uh.

0:28:46.680 --> 0:28:48.720
<v Speaker 2>So the AG can't find her, but of course, maybe

0:28:48.840 --> 0:28:50.959
<v Speaker 2>is a fucking superhero. Folks, you think she hasn't been

0:28:51.000 --> 0:28:53.160
<v Speaker 2>through shit like this before? She wakes up, sheet run

0:28:53.240 --> 0:28:56.040
<v Speaker 2>the car. She's wonder woman, and what do you just think?

0:28:56.120 --> 0:28:57.480
<v Speaker 2>You gotta dose her again?

0:28:58.240 --> 0:29:03.480
<v Speaker 3>I can't do its in Jurassic Weld. You got to

0:29:03.560 --> 0:29:05.040
<v Speaker 3>keep them, got to keep them comped up.

0:29:05.080 --> 0:29:08.760
<v Speaker 2>Man, she can go toe to toe with Homelander and

0:29:08.800 --> 0:29:12.560
<v Speaker 2>you're just once, yeah, what are you doing? She wakes up,

0:29:12.600 --> 0:29:16.400
<v Speaker 2>she kills that one and fucking escapes frenchyet over at

0:29:16.480 --> 0:29:20.280
<v Speaker 2>mm's house comes to MM and is like, uh, hey,

0:29:20.440 --> 0:29:24.600
<v Speaker 2>I know what we can do to take down Soldier Boy.

0:29:25.280 --> 0:29:25.400
<v Speaker 4>Uh.

0:29:25.800 --> 0:29:29.200
<v Speaker 2>Now that we lost the previous sedative, we can use

0:29:29.320 --> 0:29:32.400
<v Speaker 2>the neurotoxin novachuk, which is a real life poison which

0:29:32.480 --> 0:29:36.440
<v Speaker 2>the Russians have often used to take care of troublesome dissidence.

0:29:36.800 --> 0:29:39.920
<v Speaker 2>There's only one dose on the Eastern seaboard, and so

0:29:40.000 --> 0:29:42.840
<v Speaker 2>they're going to try and get it. MM the moral

0:29:42.880 --> 0:29:45.360
<v Speaker 2>heart of the boys, And I would actually say, if

0:29:45.400 --> 0:29:49.360
<v Speaker 2>there is a hero on the Boys, it is MM.

0:29:49.680 --> 0:29:53.280
<v Speaker 2>Mother's milk is the hero of the story, the moral center,

0:29:53.360 --> 0:29:59.560
<v Speaker 2>the beating heart, the one character who is always keeping

0:29:59.640 --> 0:30:03.800
<v Speaker 2>insight like what they are there to do and what

0:30:04.120 --> 0:30:07.040
<v Speaker 2>and what they are fighting about, and keeping those lines

0:30:07.200 --> 0:30:08.160
<v Speaker 2>clearly drawn.

0:30:08.400 --> 0:30:10.160
<v Speaker 3>Yeah, it was really funny. I had a moment when

0:30:10.160 --> 0:30:11.920
<v Speaker 3>I was watching it and I was like, EMMM doesn't

0:30:11.960 --> 0:30:14.080
<v Speaker 3>have powers, And then I remember that the whole notion

0:30:14.120 --> 0:30:15.800
<v Speaker 3>of the boys is none of them have powers, and

0:30:15.840 --> 0:30:18.720
<v Speaker 3>they hate soups, but they've gone so far down this

0:30:18.840 --> 0:30:22.080
<v Speaker 3>rabbit hole of temporary v and experiments and stuff that

0:30:22.280 --> 0:30:24.880
<v Speaker 3>is it's easy to forget that. But he is not

0:30:24.920 --> 0:30:26.480
<v Speaker 3>only is he like a moral center. But what I

0:30:26.560 --> 0:30:30.080
<v Speaker 3>really love about him is it's not some pure botanical

0:30:30.760 --> 0:30:33.400
<v Speaker 3>He is like a great guy, and he is someone

0:30:33.400 --> 0:30:35.320
<v Speaker 3>who is very human in a way a lot of

0:30:35.320 --> 0:30:38.600
<v Speaker 3>the other characters have lost, and he is the one

0:30:38.640 --> 0:30:41.320
<v Speaker 3>who when Starlight says to him like, no, we need

0:30:41.360 --> 0:30:43.040
<v Speaker 3>to do something good, he is the only one who

0:30:43.080 --> 0:30:45.120
<v Speaker 3>will listen. He is the only one who remembers that

0:30:45.240 --> 0:30:47.520
<v Speaker 3>it's true she can't go to anyone else and get

0:30:47.560 --> 0:30:50.200
<v Speaker 3>that help. He is the helper, He is the care

0:30:50.520 --> 0:30:52.840
<v Speaker 3>I mean even this episode shows it really well, we'll

0:30:52.840 --> 0:30:54.280
<v Speaker 3>get into it in a minute, but even in his

0:30:54.320 --> 0:30:56.480
<v Speaker 3>personal life, he makes mistakes, but he makes up for

0:30:56.520 --> 0:30:57.400
<v Speaker 3>them in a way, and he.

0:30:58.400 --> 0:31:01.920
<v Speaker 2>Feels bad about them like a lot of our other heroes.

0:31:02.200 --> 0:31:04.480
<v Speaker 2>MM in this case, right now, in this scene, he's

0:31:04.480 --> 0:31:09.320
<v Speaker 2>feeling bad because he punched his daughter's stepfather, who is

0:31:09.360 --> 0:31:12.080
<v Speaker 2>a homelander loving fascist and deserved it, but still.

0:31:11.960 --> 0:31:13.880
<v Speaker 1>Don't want to do that. Yeah, you don't want to

0:31:13.880 --> 0:31:15.440
<v Speaker 1>do that in front of your daughter. I get it.

0:31:15.720 --> 0:31:19.480
<v Speaker 2>He feels bad for losing control. Frenchie tells MM, like,

0:31:19.520 --> 0:31:24.320
<v Speaker 2>you're the best human being I know. Just the respect

0:31:24.320 --> 0:31:25.640
<v Speaker 2>that French she shows to him is.

0:31:25.600 --> 0:31:26.520
<v Speaker 1>Really great here.

0:31:27.200 --> 0:31:30.120
<v Speaker 2>Uh. And then and then he's like, listen, you just

0:31:30.160 --> 0:31:32.800
<v Speaker 2>have to tell your daughter the truth about your family history.

0:31:32.840 --> 0:31:35.200
<v Speaker 2>Your family was murdered by soldier boy, et cetera.

0:31:35.440 --> 0:31:37.720
<v Speaker 1>And also get back on the lix of pro man

0:31:39.160 --> 0:31:41.760
<v Speaker 1>I love and Kamika.

0:31:41.880 --> 0:31:44.160
<v Speaker 3>That's like a I love them.

0:31:44.200 --> 0:31:47.120
<v Speaker 2>Back at Vaught, Ashley in the deep find Homelander in

0:31:47.120 --> 0:31:50.480
<v Speaker 2>his suite watching n NC news. Uh, just watching a

0:31:50.560 --> 0:31:53.000
<v Speaker 2>report about Vaught stock prices which are in the toilet.

0:31:53.080 --> 0:31:57.240
<v Speaker 2>Is the result of Starlight's various social media missives and

0:31:57.560 --> 0:32:01.240
<v Speaker 2>her most recent post, in which she secrets taped Homelander

0:32:01.320 --> 0:32:05.120
<v Speaker 2>going on one of his trademark psychotics creeds, which, let

0:32:05.120 --> 0:32:09.120
<v Speaker 2>me just say, they should have released the airplane tape. Originally,

0:32:09.160 --> 0:32:11.640
<v Speaker 2>this was like an actually crucial mistake that the boys

0:32:11.640 --> 0:32:14.680
<v Speaker 2>did when when Homeland was like, I'll kill a million people,

0:32:16.240 --> 0:32:20.360
<v Speaker 2>I call your bluff. Because here's the thing. If as

0:32:21.800 --> 0:32:27.840
<v Speaker 2>the champions of limited power, the Boy's backup is people,

0:32:28.000 --> 0:32:31.560
<v Speaker 2>it's public opinion, and they just needed to they should

0:32:31.560 --> 0:32:32.240
<v Speaker 2>have released the video.

0:32:32.240 --> 0:32:32.960
<v Speaker 1>But that's neither here.

0:32:33.040 --> 0:32:34.640
<v Speaker 3>No, no, no no. But I think that's really I think

0:32:34.640 --> 0:32:36.600
<v Speaker 3>you raised an interesting point because I wonder if the

0:32:36.680 --> 0:32:39.880
<v Speaker 3>notion of it is like you see over these three

0:32:39.920 --> 0:32:43.360
<v Speaker 3>seasons as like the boys going from this tiny enclave

0:32:43.440 --> 0:32:48.080
<v Speaker 3>of like violent men to like spreading out and understanding

0:32:48.320 --> 0:32:51.640
<v Speaker 3>more about like community and bringing in different voices, and

0:32:51.680 --> 0:32:55.080
<v Speaker 3>maybe they like needed to have that journey. But obviously, yeah,

0:32:55.080 --> 0:32:56.800
<v Speaker 3>that's one of those I call it like a walking

0:32:56.840 --> 0:32:59.520
<v Speaker 3>dead thing. That's like my walking dead thing is where

0:32:59.560 --> 0:33:02.480
<v Speaker 3>like you can you could have done something five episodes

0:33:02.560 --> 0:33:04.520
<v Speaker 3>or a season ago. I'm been in the same place,

0:33:04.800 --> 0:33:06.600
<v Speaker 3>but you have to do the journey to get that.

0:33:06.720 --> 0:33:08.400
<v Speaker 3>So this to me is smacks of that.

0:33:08.640 --> 0:33:12.200
<v Speaker 2>I love this season, but there are notes of that throughout. Yeah,

0:33:12.320 --> 0:33:18.200
<v Speaker 2>this episode will continue. Ashley and the Deep are absolutely

0:33:18.240 --> 0:33:21.520
<v Speaker 2>shitting themselves because they now have to break the news

0:33:21.520 --> 0:33:24.520
<v Speaker 2>to an already pissed Homelander that may have escaped, and

0:33:24.560 --> 0:33:28.640
<v Speaker 2>it's it is one hundred percent more Ashley's than the Deeps,

0:33:28.640 --> 0:33:31.560
<v Speaker 2>but it's their fault. Homelander here is this, and he's

0:33:31.600 --> 0:33:34.440
<v Speaker 2>about to fucking blow his top and maybe kill one

0:33:34.640 --> 0:33:39.400
<v Speaker 2>or both of them. Only when Black Noir prodigal son

0:33:39.720 --> 0:33:42.600
<v Speaker 2>Black Noir returns, he's of course been on the run,

0:33:43.760 --> 0:33:48.040
<v Speaker 2>and Ashley in the Deep clear out clearly relieved. Noir

0:33:48.120 --> 0:33:51.120
<v Speaker 2>Show's Homelander a note that says soldier boy will come

0:33:51.160 --> 0:33:55.000
<v Speaker 2>we kill and then they embrace at a gas station somewhere.

0:33:56.200 --> 0:34:00.120
<v Speaker 2>Butcher socks Hughey, knocking him out so Hughie can't make

0:34:00.200 --> 0:34:02.600
<v Speaker 2>more v and come on the mission with them, he'd

0:34:03.480 --> 0:34:06.239
<v Speaker 2>Homelander then gets back to the car or Soldier Boar

0:34:06.320 --> 0:34:07.040
<v Speaker 2>wakes up.

0:34:07.080 --> 0:34:09.200
<v Speaker 1>And says, where's the congosler.

0:34:10.800 --> 0:34:14.640
<v Speaker 2>Christ And he was like, you know what, you were right.

0:34:15.000 --> 0:34:17.640
<v Speaker 2>He was a coward. He ran for it and he

0:34:17.840 --> 0:34:20.719
<v Speaker 2>less and now we're gonna do it. All sells, aren't

0:34:20.760 --> 0:34:23.759
<v Speaker 2>we uh? And so s B is like, great, we'll

0:34:24.040 --> 0:34:26.719
<v Speaker 2>go back to sleep. A Tran arrives at his brother

0:34:26.840 --> 0:34:29.000
<v Speaker 2>Nathan's house. Nathan and now without the use of his

0:34:29.080 --> 0:34:32.360
<v Speaker 2>legs because of the attack by Blue Hawk, which is

0:34:32.440 --> 0:34:36.239
<v Speaker 2>essentially a train's fault, Nathan isn't doing great. Nathan is

0:34:36.280 --> 0:34:38.319
<v Speaker 2>surprised to see him, and a Train is like, hey,

0:34:40.480 --> 0:34:43.279
<v Speaker 2>I'm alive. After the events of herogasm, I got a

0:34:43.280 --> 0:34:45.239
<v Speaker 2>brand new heart. He does leave out the part where

0:34:45.239 --> 0:34:46.360
<v Speaker 2>it's Blue Hawk's heart.

0:34:49.000 --> 0:34:53.279
<v Speaker 3>Such an absolutely evil move by votes pr Pass and

0:34:53.320 --> 0:34:55.399
<v Speaker 3>she just did that to funk with him, like yeah,

0:34:55.440 --> 0:34:58.960
<v Speaker 3>come on, it's it's very cruel, it's very it's almost

0:34:59.000 --> 0:35:01.759
<v Speaker 3>like very like Arie Indiana, like you get the Hall

0:35:01.880 --> 0:35:04.960
<v Speaker 3>and will it make you? But I mean I will

0:35:05.000 --> 0:35:07.399
<v Speaker 3>also say as well, like we'll get into this later.

0:35:07.440 --> 0:35:11.080
<v Speaker 3>But something this season just does so well that all

0:35:11.120 --> 0:35:12.840
<v Speaker 3>the seasons have done well, but this is the extra

0:35:12.960 --> 0:35:15.880
<v Speaker 3>version of it. Is like this is just so searingly

0:35:17.440 --> 0:35:21.520
<v Speaker 3>real about how these corporations work and that relationship with

0:35:21.560 --> 0:35:24.440
<v Speaker 3>a tran I think is is very, very very key

0:35:25.200 --> 0:35:27.720
<v Speaker 3>for good way that these heroes are like token eyes

0:35:27.880 --> 0:35:29.600
<v Speaker 3>then and utilized as tools.

0:35:29.920 --> 0:35:32.279
<v Speaker 2>Someone on Twitter and I forget who and I apologize

0:35:32.320 --> 0:35:36.160
<v Speaker 2>to them for not getting their tag but said that

0:35:38.160 --> 0:35:42.080
<v Speaker 2>paraphrasing now, But it's like The Boys wields its satire

0:35:42.560 --> 0:35:47.480
<v Speaker 2>like Paul Verhoven, like RoboCop, like where it's just absolutely

0:35:47.560 --> 0:35:51.720
<v Speaker 2>bashing you in the face with the second Stashap Troopers.

0:35:51.719 --> 0:35:55.800
<v Speaker 2>That's what's great about the Boys. There's nothing subtle about

0:35:55.840 --> 0:35:59.799
<v Speaker 2>the Boys. They're still like there is a character named Stormfront,

0:36:00.040 --> 0:36:00.359
<v Speaker 2>I mean.

0:36:00.600 --> 0:36:03.040
<v Speaker 3>This season and they did and some people they didn't

0:36:03.080 --> 0:36:05.200
<v Speaker 3>realize she was a Nazi. But like this season as well,

0:36:05.239 --> 0:36:07.840
<v Speaker 3>you introduced the legend, you know, the stan Lee character

0:36:08.000 --> 0:36:11.560
<v Speaker 3>by play by Paul Riser, and they literally have words

0:36:11.600 --> 0:36:14.000
<v Speaker 3>of him. He literally sits there and has a scene

0:36:14.040 --> 0:36:16.680
<v Speaker 3>where he talks about how he sat there making up

0:36:16.800 --> 0:36:19.960
<v Speaker 3>myths and earned millions. Like they're not afraid to just

0:36:20.120 --> 0:36:23.399
<v Speaker 3>be real. They you know, at one point, Soldier Boy says,

0:36:23.440 --> 0:36:25.560
<v Speaker 3>you know, shut up or I'll slap you, like Connery,

0:36:25.880 --> 0:36:27.840
<v Speaker 3>Like they're just like and then you get the stuff

0:36:27.880 --> 0:36:30.480
<v Speaker 3>with when they're talking about Disney or Warner Brothers and

0:36:30.480 --> 0:36:32.560
<v Speaker 3>and the kind of notion of how these superheroes are

0:36:32.560 --> 0:36:35.560
<v Speaker 3>wielded almost like a modern god pantheon. It's it's very

0:36:36.160 --> 0:36:39.319
<v Speaker 3>very funny. But you're right, the vere Hooven, Yeah, Jacob.

0:36:39.680 --> 0:36:42.920
<v Speaker 2>Jacob Jacob Hall. This was Jacob har from.

0:36:41.640 --> 0:36:45.040
<v Speaker 3>The vere Hoven. Is such a good call because like

0:36:45.080 --> 0:36:48.319
<v Speaker 3>when Starship you know, he's maybe my favorite director, but

0:36:48.360 --> 0:36:51.480
<v Speaker 3>definitely one of them. And when Starship Troopers came out,

0:36:51.520 --> 0:36:54.080
<v Speaker 3>you know, that was a movie that was widely misunderstood

0:36:54.080 --> 0:36:56.360
<v Speaker 3>by critics who were like, oh, he's making this horrific

0:36:57.040 --> 0:37:00.680
<v Speaker 3>pro military, pro America movie, and it's actually just an

0:37:00.680 --> 0:37:05.200
<v Speaker 3>incredibly grotesque satire of those very things and the boys.

0:37:05.320 --> 0:37:08.120
<v Speaker 3>If you watched it, you could be like, oh, is

0:37:08.160 --> 0:37:09.799
<v Speaker 3>this like, are we supposed to like them?

0:37:09.880 --> 0:37:14.560
<v Speaker 2>But I mean, all the all the Homelander fans suddenly

0:37:15.160 --> 0:37:17.320
<v Speaker 2>that was this season was like, oh wait, he's the

0:37:17.360 --> 0:37:17.799
<v Speaker 2>dead guy.

0:37:18.800 --> 0:37:20.719
<v Speaker 3>Yeah. And I think Eric Kripkey does a really good

0:37:20.800 --> 0:37:26.200
<v Speaker 3>job of balancing that constant on that constant knife edge

0:37:26.200 --> 0:37:29.759
<v Speaker 3>of well, we're making entertainment and you're choosing to watch it,

0:37:30.280 --> 0:37:32.600
<v Speaker 3>and the entertainment we're making is also the thing we're

0:37:32.600 --> 0:37:35.799
<v Speaker 3>critiquing constantly. That's really hard to do, and I think

0:37:35.800 --> 0:37:38.080
<v Speaker 3>they do a really good job in this season. This

0:37:38.160 --> 0:37:40.799
<v Speaker 3>season did a better job than any other season.

0:37:40.840 --> 0:37:44.880
<v Speaker 2>Free so a Triann tries to reconcile with his brother,

0:37:45.000 --> 0:37:47.640
<v Speaker 2>but but Nate doesn't want to hear it. He's angry

0:37:47.680 --> 0:37:52.120
<v Speaker 2>because a Trian rather than bringing blue Hawk to justice,

0:37:52.160 --> 0:37:56.399
<v Speaker 2>which actually, listen, I wanted to see blue Hawk dead too.

0:37:56.600 --> 0:38:00.000
<v Speaker 2>But I think for actual act for what Nate want,

0:38:00.120 --> 0:38:02.600
<v Speaker 2>which is actual change in the community, someone needs to

0:38:02.640 --> 0:38:05.080
<v Speaker 2>pay a price in the in the legal system to

0:38:05.280 --> 0:38:06.239
<v Speaker 2>actually change things.

0:38:06.239 --> 0:38:08.680
<v Speaker 1>And now that's been taken from them because.

0:38:10.120 --> 0:38:13.680
<v Speaker 2>Held accountable in the light of of the courts, so

0:38:13.719 --> 0:38:16.960
<v Speaker 2>everybody can see it didn't happen because his brother killed him.

0:38:17.800 --> 0:38:21.080
<v Speaker 2>A train initially tries to lie like a soldier boy

0:38:21.120 --> 0:38:22.960
<v Speaker 2>did it, but Nate knows it's not true. And then

0:38:23.000 --> 0:38:25.120
<v Speaker 2>they fight and Nate falls out of his chair and

0:38:25.120 --> 0:38:28.200
<v Speaker 2>that's it for that relationship. Starlight picks Huey up from

0:38:28.239 --> 0:38:31.000
<v Speaker 2>the gas station. She is super mad because he has

0:38:31.040 --> 0:38:34.360
<v Speaker 2>been lying for a long time about taking vee and stuff,

0:38:35.120 --> 0:38:40.240
<v Speaker 2>and Starlight, realizing that Butcher has not as he promised

0:38:40.239 --> 0:38:45.120
<v Speaker 2>to do, told Hueye that that one more dose of

0:38:45.239 --> 0:38:48.960
<v Speaker 2>combat he could kill him, tells him and Huey realizes

0:38:49.000 --> 0:38:53.000
<v Speaker 2>then that Butcher punched him to save his life. He

0:38:53.080 --> 0:38:57.520
<v Speaker 2>has some further realizations about just like what moral strength is,

0:38:57.560 --> 0:38:59.320
<v Speaker 2>and he apologizes to Starlight for everything.

0:38:59.520 --> 0:39:01.919
<v Speaker 1>She's like, fucking told you, uh, And.

0:39:01.840 --> 0:39:04.360
<v Speaker 2>Then star gets a phone call from mave Mayve is

0:39:04.400 --> 0:39:07.880
<v Speaker 2>it m ms hue and mm give a star and

0:39:07.880 --> 0:39:12.160
<v Speaker 2>Mavee some privacy may have credit Starlight's social media campaign

0:39:12.239 --> 0:39:15.160
<v Speaker 2>with giving her the opportunity to escape, but she's also like,

0:39:15.200 --> 0:39:17.319
<v Speaker 2>why don't you just fucking like a real superhero just

0:39:17.320 --> 0:39:18.319
<v Speaker 2>fucking bust me out?

0:39:18.400 --> 0:39:19.360
<v Speaker 1>What is that?

0:39:20.280 --> 0:39:25.200
<v Speaker 2>Meanwhile, Camiko uh can't stand to see Frenchy abusing himself

0:39:25.239 --> 0:39:28.480
<v Speaker 2>the way he is, you know, totally depressed about like

0:39:28.640 --> 0:39:30.879
<v Speaker 2>the way that his past has come up and he's

0:39:30.920 --> 0:39:32.799
<v Speaker 2>been re traumatized by things that have happened in his

0:39:32.800 --> 0:39:35.000
<v Speaker 2>past and his past failures, and he's storting lines and

0:39:35.360 --> 0:39:38.719
<v Speaker 2>generally acting like he doesn't care about life anymore. Uh

0:39:39.120 --> 0:39:44.560
<v Speaker 2>but Camiko, and you're absolutely right, this is like I

0:39:45.320 --> 0:39:48.880
<v Speaker 2>nothing can happen to them. No, that's I'll protect them.

0:39:49.800 --> 0:39:52.439
<v Speaker 3>Yeah, real riot like their job.

0:39:53.040 --> 0:39:54.120
<v Speaker 1>Nothing can happen to that.

0:39:54.760 --> 0:39:56.560
<v Speaker 3>And they did. They did a much better job of

0:39:56.560 --> 0:39:58.760
<v Speaker 3>this season as well. I think of of giving Kimiko

0:39:58.800 --> 0:40:02.240
<v Speaker 3>a space to eliza feelings and her relationships with people

0:40:02.280 --> 0:40:06.120
<v Speaker 3>and stuff and in multiple inventive ways. So I really

0:40:06.120 --> 0:40:07.880
<v Speaker 3>love to see this, and I love the way that

0:40:07.920 --> 0:40:10.560
<v Speaker 3>for Kamika was like I didn't think I could ever be,

0:40:11.239 --> 0:40:14.000
<v Speaker 3>you know better, but you saw something in me and

0:40:14.160 --> 0:40:16.120
<v Speaker 3>and don't give up because I see it in you.

0:40:16.360 --> 0:40:18.799
<v Speaker 2>I think that's really powerful and the just an incredible

0:40:19.440 --> 0:40:22.960
<v Speaker 2>performance all around by Karen Fukarhar unbelievable.

0:40:23.520 --> 0:40:26.000
<v Speaker 3>She dores so many episodes in this season. When I

0:40:26.040 --> 0:40:28.960
<v Speaker 3>was watching and rewatching for the for the prep where

0:40:28.960 --> 0:40:32.560
<v Speaker 3>I was just like, oh, fuck, but you.

0:40:32.480 --> 0:40:38.800
<v Speaker 2>Are with with with facial expressions, with gesture, with posture,

0:40:38.880 --> 0:40:40.520
<v Speaker 2>and she's just so fucking good.

0:40:40.640 --> 0:40:43.120
<v Speaker 1>She's great. Uh.

0:40:43.320 --> 0:40:47.719
<v Speaker 2>Mavee is freaking out after learning that Soldier Boy is

0:40:48.000 --> 0:40:48.839
<v Speaker 2>Tom Landers Dad.

0:40:49.000 --> 0:40:51.239
<v Speaker 1>Undistudable, Yeah, understandable.

0:40:51.640 --> 0:40:55.839
<v Speaker 2>Starlight, meanwhile, is like on the phone to Vaught trying

0:40:55.840 --> 0:40:59.400
<v Speaker 2>to raise the alarm so several thousand people at tower

0:40:59.520 --> 0:41:02.200
<v Speaker 2>don't die. She leaves a message on the answering machine.

0:41:02.280 --> 0:41:04.600
<v Speaker 2>The boys plus star may have come up with a plan. Okay,

0:41:04.640 --> 0:41:07.600
<v Speaker 2>we're gonna go take down so Boy and save Butcher.

0:41:08.080 --> 0:41:08.279
<v Speaker 1>Right.

0:41:08.400 --> 0:41:10.759
<v Speaker 2>Hugh is like, we're save Butcher too. He's like, good,

0:41:10.800 --> 0:41:12.840
<v Speaker 2>he saved my life mms.

0:41:12.880 --> 0:41:15.479
<v Speaker 1>And so sure. He's pretty sure that that Butcher has.

0:41:15.360 --> 0:41:18.480
<v Speaker 2>Gone all the way bad because of all the compound

0:41:18.600 --> 0:41:22.120
<v Speaker 2>v he is taking. But Hughey says, listen really deep down,

0:41:22.280 --> 0:41:27.000
<v Speaker 2>like I mean deep, like all deep, Yeah, like all

0:41:27.520 --> 0:41:28.000
<v Speaker 2>the way down.

0:41:28.000 --> 0:41:29.360
<v Speaker 1>I think there's still so good.

0:41:30.200 --> 0:41:32.600
<v Speaker 2>And then he says the thing that I think is

0:41:33.440 --> 0:41:37.920
<v Speaker 2>kind of the central ethos of the stand that this

0:41:38.040 --> 0:41:40.640
<v Speaker 2>show is taking, which is we save everyone even if

0:41:40.680 --> 0:41:42.800
<v Speaker 2>they don't deserve it, especially if they don't deserve it,

0:41:42.840 --> 0:41:46.200
<v Speaker 2>which I think raises an interesting moral quandary which I've

0:41:46.200 --> 0:41:47.560
<v Speaker 2>been thinking about, which I'm now going to ask you

0:41:47.600 --> 0:41:52.200
<v Speaker 2>about now. Yes, So I think that unlimited power is

0:41:52.200 --> 0:41:56.120
<v Speaker 2>of course terrible. Superhero power is.

0:41:56.120 --> 0:42:01.160
<v Speaker 1>Of course bad, and that it should be critiqued and

0:42:01.239 --> 0:42:02.200
<v Speaker 1>should be fought against.

0:42:02.480 --> 0:42:05.799
<v Speaker 2>And if you're going to power yourself up, as as

0:42:05.800 --> 0:42:09.719
<v Speaker 2>our friends do here, it should be done very very carefully,

0:42:09.760 --> 0:42:11.640
<v Speaker 2>with a lot of a lot of oversight. But the

0:42:11.640 --> 0:42:15.200
<v Speaker 2>thing I was and I respect mm's stance and I

0:42:15.239 --> 0:42:17.480
<v Speaker 2>agree with it most of the time. The thing I

0:42:17.520 --> 0:42:20.000
<v Speaker 2>was thinking of in the context of our.

0:42:19.960 --> 0:42:21.560
<v Speaker 1>Broader world is.

0:42:23.840 --> 0:42:28.839
<v Speaker 2>When are you talking about power to win or are

0:42:28.840 --> 0:42:34.440
<v Speaker 2>you or are you talking about meeting structural power with

0:42:34.560 --> 0:42:39.040
<v Speaker 2>structure power? What I mean is this, if one side

0:42:39.080 --> 0:42:43.920
<v Speaker 2>is using power to win, at what point do you

0:42:44.000 --> 0:42:47.080
<v Speaker 2>decide the game? The rules of the game have now

0:42:47.120 --> 0:42:50.320
<v Speaker 2>been so warped that you have to meet that power

0:42:50.320 --> 0:42:54.279
<v Speaker 2>with power in order to balance things. And I think

0:42:54.520 --> 0:43:00.000
<v Speaker 2>that that is a very seductive question, and everybody thinks

0:43:00.120 --> 0:43:02.920
<v Speaker 2>that they know the right answer, and usually what happens

0:43:03.000 --> 0:43:05.080
<v Speaker 2>is you pick up the scepter of power.

0:43:04.800 --> 0:43:06.600
<v Speaker 1>And you are wrong or you go too far.

0:43:07.040 --> 0:43:09.920
<v Speaker 2>But I also think that it's a it's a it's

0:43:09.960 --> 0:43:11.920
<v Speaker 2>a thing that needs to be thought about in debated

0:43:12.000 --> 0:43:18.120
<v Speaker 2>because if the other side has all the superheroes, and they.

0:43:18.000 --> 0:43:23.480
<v Speaker 1>Are empowering and upholding like a despotic fascist system.

0:43:23.800 --> 0:43:25.759
<v Speaker 2>And the only way to bring them down is to

0:43:26.400 --> 0:43:28.440
<v Speaker 2>power yourself up for a little while.

0:43:29.120 --> 0:43:31.480
<v Speaker 1>Yeah, you have to seriously consider doing it.

0:43:31.520 --> 0:43:33.960
<v Speaker 3>I mean, it's the Boys, It's the it's the Boys

0:43:34.000 --> 0:43:37.600
<v Speaker 3>asking the ultimate superhero question. It's the Magnio argument versus

0:43:37.600 --> 0:43:40.600
<v Speaker 3>the Childs Xavier argument. It's the notion of do you

0:43:40.800 --> 0:43:43.759
<v Speaker 3>meet power and violence with power and violence, or do

0:43:43.840 --> 0:43:47.640
<v Speaker 3>you try and take the higher ground and protect everyone. Well,

0:43:47.680 --> 0:43:51.000
<v Speaker 3>I really actually like about the way that The Boys

0:43:51.640 --> 0:43:54.440
<v Speaker 3>is presenting it is it's not this notion of kind

0:43:54.480 --> 0:43:56.120
<v Speaker 3>of a lot of times this gets pulled down to

0:43:56.200 --> 0:43:59.279
<v Speaker 3>almost like a non violence versus violence and non power

0:43:59.400 --> 0:44:02.960
<v Speaker 3>versus power. Here, it's more like we're gonna do what

0:44:03.160 --> 0:44:06.440
<v Speaker 3>needs to be done and try and reek as little

0:44:06.520 --> 0:44:09.120
<v Speaker 3>damage as possible, which I actually think is a pretty

0:44:09.200 --> 0:44:13.439
<v Speaker 3>radical That's like a very realistic yet radical notion where

0:44:13.480 --> 0:44:17.440
<v Speaker 3>it's like you have to do something terrible to stop

0:44:18.280 --> 0:44:20.359
<v Speaker 3>you have to do something terrible to respond to him,

0:44:20.560 --> 0:44:22.600
<v Speaker 3>but and all you can do is think how many

0:44:22.600 --> 0:44:26.040
<v Speaker 3>people can we save and how can we cause as

0:44:26.080 --> 0:44:28.800
<v Speaker 3>little damage? Collateral damage as possible.

0:44:29.080 --> 0:44:31.800
<v Speaker 2>Yeah, that part of it is I found myself thinking

0:44:31.880 --> 0:44:32.440
<v Speaker 2>of that.

0:44:32.360 --> 0:44:34.440
<v Speaker 3>Very interesting question a lot.

0:44:35.480 --> 0:44:38.120
<v Speaker 2>Over at Boys HQ and the Flat Iron, Soldier Word

0:44:38.200 --> 0:44:42.560
<v Speaker 2>Butcher chatting about dads, and it turns out they both

0:44:42.600 --> 0:44:46.480
<v Speaker 2>had really bad ones. Butcher recks his phone rather than

0:44:46.480 --> 0:44:49.520
<v Speaker 2>pick up a call from Grace Mallory. We learned that

0:44:49.680 --> 0:44:52.840
<v Speaker 2>Soldier Boy's dad was a complete piece of shit that,

0:44:52.960 --> 0:44:56.319
<v Speaker 2>even after Soldier Word became the superhero's dad was like,

0:44:56.360 --> 0:45:00.840
<v Speaker 2>you cheated, you took a shortcut. This is Cly resonating

0:45:00.840 --> 0:45:03.400
<v Speaker 2>with Butcher, whose dad, as we have seen in the flashbacks,

0:45:03.600 --> 0:45:07.680
<v Speaker 2>was also like a real, real, real piece of shit. Troublingly,

0:45:07.760 --> 0:45:10.240
<v Speaker 2>Soldier Boy then says I always wanted to have kids.

0:45:10.320 --> 0:45:11.360
<v Speaker 1>I think I'd be a better.

0:45:11.200 --> 0:45:14.960
<v Speaker 2>Father than my dad, which triggers Butcher to be like,

0:45:15.160 --> 0:45:18.520
<v Speaker 2>you know, hey, he's no your son. Demind him to

0:45:18.600 --> 0:45:23.520
<v Speaker 2>replace you. You didn't rise him truth bombs. But listen,

0:45:23.680 --> 0:45:26.799
<v Speaker 2>Soldier Boy. Is he looking for that emotionalkitch? We don't know,

0:45:28.400 --> 0:45:30.960
<v Speaker 2>and it's unclear whether Butcher and Soldier Boys still have

0:45:31.000 --> 0:45:34.040
<v Speaker 2>a deal. Over at Vought Home, later finds Noir sharpening

0:45:34.120 --> 0:45:40.600
<v Speaker 2>his katana. He asks, Noir, uh, like a Soldier Boy.

0:45:41.239 --> 0:45:44.880
<v Speaker 2>What was what was he like that? Nora scribbles Homie

0:45:44.880 --> 0:45:49.200
<v Speaker 2>then asks Noir the key question, did you as Soldier

0:45:49.200 --> 0:45:53.879
<v Speaker 2>Boy's former teammate on Payback? No that And by the way,

0:45:53.880 --> 0:45:55.680
<v Speaker 2>I can see you because I have ExtraVision, I can

0:45:55.719 --> 0:45:57.399
<v Speaker 2>see your face under that fucking mask.

0:45:57.760 --> 0:46:01.160
<v Speaker 1>Did you know he was my dad? And Norah's like yeah, uh.

0:46:01.200 --> 0:46:05.040
<v Speaker 2>They embrace, and then Homelander disembowels Noir, tears his guts out,

0:46:05.360 --> 0:46:09.840
<v Speaker 2>and Noir dies as his cartoon friends keep him company

0:46:09.840 --> 0:46:10.760
<v Speaker 2>throughout his final moments.

0:46:10.880 --> 0:46:13.759
<v Speaker 1>Yeah, I think again, do we think is dead or no?

0:46:14.200 --> 0:46:16.680
<v Speaker 3>Generally I've kind of felt like he was near immortal

0:46:16.800 --> 0:46:19.080
<v Speaker 3>slash very good at healing in a Wolverine or Deadpool

0:46:19.120 --> 0:46:24.080
<v Speaker 3>star way in the past. This seemed pretty brutal and fine.

0:46:24.360 --> 0:46:26.560
<v Speaker 3>That's where everywhere I also, I have to say, like

0:46:27.080 --> 0:46:30.840
<v Speaker 3>this is to me, Noir's arc on this this season

0:46:31.360 --> 0:46:35.200
<v Speaker 3>has is a is proof of how inventive and thoughtful

0:46:35.360 --> 0:46:39.080
<v Speaker 3>the team behind this is because the using his this

0:46:39.120 --> 0:46:43.680
<v Speaker 3>is a character who is essentially faceless, emotionless in the experience.

0:46:44.040 --> 0:46:46.440
<v Speaker 1>Yeah, and is a clone of Homeless.

0:46:46.560 --> 0:46:48.920
<v Speaker 3>Yeah, exactly, And and and here is kind of like

0:46:49.280 --> 0:46:51.799
<v Speaker 3>that we only experienced so far in the show. Up

0:46:51.880 --> 0:46:54.839
<v Speaker 3>until this point, we've only really experienced his experiences through

0:46:54.880 --> 0:46:59.879
<v Speaker 3>other people's perceptions of them. And by adding this PTSD

0:47:00.239 --> 0:47:04.600
<v Speaker 3>imaginary friend to loocinogenic aspect of these animated characters, which one,

0:47:04.680 --> 0:47:09.120
<v Speaker 3>by the way, beautifully animated and Amazon's animation unbelievable, two,

0:47:10.000 --> 0:47:12.880
<v Speaker 3>it made his death have so much weight. It felt

0:47:12.920 --> 0:47:14.360
<v Speaker 3>really sad.

0:47:14.480 --> 0:47:18.960
<v Speaker 1>It felt really sad because it sucks, and he sucks.

0:47:18.760 --> 0:47:21.719
<v Speaker 3>He absolutely sucks. But you learn about his PTSD, you

0:47:21.840 --> 0:47:24.120
<v Speaker 3>learn about there's another thing, like we were saying, I

0:47:24.160 --> 0:47:25.920
<v Speaker 3>was saying about stranger things, and I think The Boys

0:47:26.000 --> 0:47:29.120
<v Speaker 3>does it in a way way more expansive and deep way.

0:47:29.360 --> 0:47:32.319
<v Speaker 3>This whole season is about these cycles of abuse and

0:47:32.400 --> 0:47:36.160
<v Speaker 3>cycles of trauma. The government is abusing these superheroes by

0:47:36.239 --> 0:47:39.200
<v Speaker 3>raising them. You know, Homelander was raised to be this

0:47:39.239 --> 0:47:41.640
<v Speaker 3>fascist Nazi piece of shit. Now does that mean he

0:47:41.640 --> 0:47:43.279
<v Speaker 3>could have changed a long way? Of course it does.

0:47:43.480 --> 0:47:46.359
<v Speaker 3>Does he constantly make terrible choices? Yes, but we get

0:47:46.360 --> 0:47:48.640
<v Speaker 3>to see you with his son as well, Like these

0:47:48.719 --> 0:47:52.239
<v Speaker 3>cycles continue until you break them. And this show has

0:47:52.280 --> 0:47:55.759
<v Speaker 3>done such a good job of just being really empathetic

0:47:56.239 --> 0:47:59.040
<v Speaker 3>to everyone, both good and bad and giving everyone a

0:47:59.120 --> 0:48:01.279
<v Speaker 3>kind of humanity. And it's so funny because if you

0:48:01.320 --> 0:48:03.200
<v Speaker 3>were like, yeah, there's a character who wears a mask

0:48:03.239 --> 0:48:05.440
<v Speaker 3>and he's kind of like a Deadpool esque Batman character,

0:48:05.600 --> 0:48:08.279
<v Speaker 3>and then he started seeing all these animated characters and

0:48:08.320 --> 0:48:09.960
<v Speaker 3>it was really emotional. People will be like, what the

0:48:10.000 --> 0:48:12.319
<v Speaker 3>fuck are you talking about, But when you actually watch it,

0:48:12.680 --> 0:48:14.600
<v Speaker 3>when it hits, it hits, and then when he dies,

0:48:14.640 --> 0:48:16.239
<v Speaker 3>you're like, oh, I care because it's not the first

0:48:16.239 --> 0:48:17.719
<v Speaker 3>time he died, and the other times I was.

0:48:17.719 --> 0:48:19.959
<v Speaker 2>Like, eh, do I catch what I think is part

0:48:20.000 --> 0:48:22.480
<v Speaker 2>of I love what you said, because I think part

0:48:22.480 --> 0:48:25.480
<v Speaker 2>of what our heroes in this show do really well

0:48:25.680 --> 0:48:29.239
<v Speaker 2>is give each other the opportunity to like take the

0:48:29.320 --> 0:48:32.640
<v Speaker 2>off rint before they pass on their trauma to someone else.

0:48:32.880 --> 0:48:34.160
<v Speaker 1>Before they act on it.

0:48:34.320 --> 0:48:36.439
<v Speaker 2>Act on that trauma as a way to take back

0:48:36.520 --> 0:48:39.680
<v Speaker 2>agency because something bad was done to them. Therefore I

0:48:39.719 --> 0:48:42.240
<v Speaker 2>can do something bad to somebody else. I'm taking back control.

0:48:42.280 --> 0:48:44.200
<v Speaker 2>This is the way the world works. But all of

0:48:44.200 --> 0:48:47.960
<v Speaker 2>our heroes, the way they talk to each other, the

0:48:47.960 --> 0:48:52.080
<v Speaker 2>way they suggest. You know that a character you know

0:48:52.120 --> 0:48:56.360
<v Speaker 2>talk to janis this French She says to mm as starlight.

0:48:56.480 --> 0:49:00.000
<v Speaker 2>You know the way Starlight comes clean and talks to Huge.

0:49:00.280 --> 0:49:05.400
<v Speaker 2>They're all giving each other these opportunities to like get

0:49:05.440 --> 0:49:08.440
<v Speaker 2>out of take the off ramp, yes the cycle before

0:49:08.560 --> 0:49:10.200
<v Speaker 2>they pass on the bad stuff.

0:49:10.280 --> 0:49:12.000
<v Speaker 3>I love that, and I'm very excited to see how

0:49:12.000 --> 0:49:15.240
<v Speaker 3>that kind of manifests for Butcher in the next season, because,

0:49:15.320 --> 0:49:19.000
<v Speaker 3>like he has these huge moments this season, especially when

0:49:19.000 --> 0:49:21.800
<v Speaker 3>he has that whole flashback to Lenny and his childhood

0:49:21.800 --> 0:49:23.839
<v Speaker 3>and the mistakes he made, and for the first time

0:49:23.920 --> 0:49:26.120
<v Speaker 3>he sees them. At every point when he is watching

0:49:26.160 --> 0:49:29.080
<v Speaker 3>that happen, he's saying, no, do something different, don't do that,

0:49:29.200 --> 0:49:32.319
<v Speaker 3>do this, He's already learning it. But the question but

0:49:32.360 --> 0:49:34.840
<v Speaker 3>then in that even after that experience, he couldn't just

0:49:34.880 --> 0:49:37.400
<v Speaker 3>be truthful to Huey face to face. It had to

0:49:37.560 --> 0:49:40.200
<v Speaker 3>he had to do it in some weird, convoluted way

0:49:40.200 --> 0:49:42.600
<v Speaker 3>that he turned to violence to push him away in order.

0:49:42.440 --> 0:49:44.719
<v Speaker 2>That You're right, just the fact that he is like

0:49:45.360 --> 0:49:47.560
<v Speaker 2>engaging with those memories in a.

0:49:47.560 --> 0:49:49.280
<v Speaker 3>Way, why he blaming himself.

0:49:49.320 --> 0:49:52.759
<v Speaker 2>He's he's actually taking for the first time seemingly in

0:49:52.800 --> 0:49:57.480
<v Speaker 2>his life, taking taking stock and processing those events and

0:49:57.560 --> 0:50:00.840
<v Speaker 2>finding out how they power him. Listen, Like, like for

0:50:00.840 --> 0:50:04.480
<v Speaker 2>anybody who's been to therapy. What happens you start talking

0:50:04.520 --> 0:50:09.000
<v Speaker 2>about shit, like the earliest stuff. It's that's always where

0:50:09.040 --> 0:50:12.120
<v Speaker 2>you go. You go for me anyway, you end up

0:50:12.160 --> 0:50:15.319
<v Speaker 2>going back to stuff from your kid and what that's

0:50:15.360 --> 0:50:18.440
<v Speaker 2>like the root of who everyone is, It's all comes

0:50:18.440 --> 0:50:22.200
<v Speaker 2>from there, Like, uh, all the feelings of like not

0:50:22.280 --> 0:50:25.640
<v Speaker 2>being accepted and being traumatized, it all comes from there.

0:50:25.680 --> 0:50:29.040
<v Speaker 2>And because that's the time in your life when you

0:50:29.120 --> 0:50:32.560
<v Speaker 2>just had no power, you no agency, uh, and you

0:50:32.600 --> 0:50:35.560
<v Speaker 2>were looking for it and you were looking for signals

0:50:35.600 --> 0:50:37.600
<v Speaker 2>about how to wield it. And so yeah, I loved

0:50:38.080 --> 0:50:41.680
<v Speaker 2>It'll be really interesting to see where Butcher goes next.

0:50:41.800 --> 0:50:44.000
<v Speaker 3>He's never going to be a classical hero. That's not

0:50:44.000 --> 0:50:45.440
<v Speaker 3>where he is, that's not what the show is. But

0:50:45.480 --> 0:50:49.040
<v Speaker 3>I'm interested to see what his you know, traditional classical

0:50:49.080 --> 0:50:51.799
<v Speaker 3>heroes journey is now that he's coming to terms with that,

0:50:51.920 --> 0:50:54.000
<v Speaker 3>and how it manifests itself in the next season.

0:50:54.560 --> 0:50:57.120
<v Speaker 2>Back at the Flat Iron, the boys find Butcher. He's

0:50:57.160 --> 0:51:00.000
<v Speaker 2>about to take some v MM gets in his face.

0:51:00.200 --> 0:51:04.759
<v Speaker 2>Hue pulls them away. They try in this moment to talk,

0:51:04.800 --> 0:51:08.160
<v Speaker 2>but you're into being like actual heroes for once, Like,

0:51:08.320 --> 0:51:10.600
<v Speaker 2>think about all the people that are in that tower

0:51:10.640 --> 0:51:13.280
<v Speaker 2>of thousands of people, there's janitors. It's just like normal

0:51:13.280 --> 0:51:15.960
<v Speaker 2>people going about their work. We need to stop Soldier Boy.

0:51:16.520 --> 0:51:19.400
<v Speaker 2>Uh maybe is like Dewey and she takes the novachuck.

0:51:19.440 --> 0:51:20.680
<v Speaker 2>She throws it twenty.

0:51:20.400 --> 0:51:21.960
<v Speaker 1>Miles out the fucking window.

0:51:22.719 --> 0:51:29.399
<v Speaker 3>Sorry to whoever that yes, it went into.

0:51:29.920 --> 0:51:32.800
<v Speaker 1>Yeah, They're like, oh, look at this, a little Starlight.

0:51:32.719 --> 0:51:36.200
<v Speaker 2>Perfew and then they're dead. Homelander needs to die, she says,

0:51:36.200 --> 0:51:39.279
<v Speaker 2>whatever it takes. Starlight is pissed, but then Soldier Boy

0:51:39.360 --> 0:51:41.680
<v Speaker 2>shows up and they all make everybody get in the safe.

0:51:41.840 --> 0:51:44.919
<v Speaker 2>At Vought, the Deep, a Train and Ashley are listening

0:51:45.000 --> 0:51:48.759
<v Speaker 2>to Starlight's voicemail. The Deep is like, uh, should we

0:51:49.280 --> 0:51:51.960
<v Speaker 2>should we do like an analysis to make sure it's

0:51:52.000 --> 0:51:55.839
<v Speaker 2>really her? And also should we evacuate a home? Layers like, no,

0:51:56.360 --> 0:51:59.279
<v Speaker 2>we stay in Project Strength. When the Deep lays out

0:51:59.320 --> 0:52:04.320
<v Speaker 2>his plan, you Nora's bait for Soldier Boy, Homelander drops

0:52:04.440 --> 0:52:08.799
<v Speaker 2>Norah's head just to help on the table, and then

0:52:09.120 --> 0:52:14.279
<v Speaker 2>Uh proceeds to tear into his teammates for being not

0:52:14.560 --> 0:52:17.879
<v Speaker 2>up to the standards of Homelander. He's like, you guys

0:52:17.880 --> 0:52:21.720
<v Speaker 2>fucking suck. He decides to teach them a lesson. He's like, Deep, Uh,

0:52:21.800 --> 0:52:25.360
<v Speaker 2>if if he wants to help, uh, here's what you do.

0:52:25.400 --> 0:52:27.839
<v Speaker 2>Anything whispers in his ear, and whatever it was he

0:52:27.920 --> 0:52:31.120
<v Speaker 2>said was clearly bad because the Deep very reluctantly agrees

0:52:31.160 --> 0:52:33.520
<v Speaker 2>to do whatever he says. Then he tells Ashley take

0:52:33.520 --> 0:52:34.080
<v Speaker 2>off your wig.

0:52:34.160 --> 0:52:34.920
<v Speaker 1>Here we learned that.

0:52:34.920 --> 0:52:40.520
<v Speaker 2>Ashley has has like a no hair.

0:52:41.200 --> 0:52:44.360
<v Speaker 3>I'm interested in this because like I can't, I can't

0:52:44.360 --> 0:52:46.760
<v Speaker 3>help but think, look, we have a character hair soldier

0:52:46.800 --> 0:52:50.719
<v Speaker 3>boy who's radioactive, right, that's very Doctor Manhattan. To then

0:52:50.840 --> 0:52:54.720
<v Speaker 3>have somebody who's in that realm losing their hair, maybe

0:52:54.760 --> 0:52:57.560
<v Speaker 3>being sick, maybe having cancer, I think that that is

0:52:57.600 --> 0:53:01.319
<v Speaker 3>going to become He does it to to shame her,

0:53:01.480 --> 0:53:04.239
<v Speaker 3>because he's to shame because he's misogynistic, but I think

0:53:04.239 --> 0:53:07.359
<v Speaker 3>it is going to lead to a bigger.

0:53:07.760 --> 0:53:10.239
<v Speaker 2>I've been We've been waiting, We've been waiting for now

0:53:10.280 --> 0:53:14.160
<v Speaker 2>three seasons for the turn from Ashley, and like maybe

0:53:14.239 --> 0:53:17.080
<v Speaker 2>it's in sight, but we're not quite clear if it is.

0:53:17.160 --> 0:53:19.640
<v Speaker 2>And then finally a Trane is like, how dare you

0:53:19.760 --> 0:53:22.360
<v Speaker 2>kill pop Club? Remember when you did that back in

0:53:22.440 --> 0:53:25.080
<v Speaker 2>season one? A fellow sloop and then he says noir

0:53:25.239 --> 0:53:29.400
<v Speaker 2>was worth more than all of you put together. Uh.

0:53:29.440 --> 0:53:32.840
<v Speaker 2>And what was the thing that Homelander whispered to the deep?

0:53:33.000 --> 0:53:35.880
<v Speaker 2>It was for the deep to kill Lamar Bishop aka

0:53:36.000 --> 0:53:37.080
<v Speaker 2>Dakota Bob's.

0:53:38.680 --> 0:53:40.360
<v Speaker 1>Vice presidential candidate.

0:53:40.680 --> 0:53:43.200
<v Speaker 2>Who and he does them by drowning him in his

0:53:43.280 --> 0:53:45.920
<v Speaker 2>pool by I guess, waiting in the pool, which is

0:53:45.960 --> 0:53:47.200
<v Speaker 2>the weirdest way to do it.

0:53:47.200 --> 0:53:51.400
<v Speaker 3>It's like he had to like sit at the bottom

0:53:51.520 --> 0:53:53.200
<v Speaker 3>like he was because he can breathe under the wall.

0:53:53.280 --> 0:53:56.040
<v Speaker 3>I had to show off he has really had Truly

0:53:56.120 --> 0:53:56.680
<v Speaker 3>what an oarc?

0:53:57.320 --> 0:53:58.480
<v Speaker 1>What an arc? From that guy?

0:53:59.320 --> 0:54:03.600
<v Speaker 2>Starlight punches our friend's way out of the safe. They

0:54:03.719 --> 0:54:06.759
<v Speaker 2>of course need more nerve gas and Frenchy figures it out.

0:54:06.760 --> 0:54:09.799
<v Speaker 2>He's like, hey, guess what, there is a lab that

0:54:09.840 --> 0:54:13.359
<v Speaker 2>has everything we need. It's inaught tower. Okay, So they

0:54:13.360 --> 0:54:15.560
<v Speaker 2>come up with a plan. Frenchie will cook up the

0:54:15.600 --> 0:54:19.279
<v Speaker 2>nerve agent while everybody else fights Homelander and Soldier Boy. Uh.

0:54:19.480 --> 0:54:21.600
<v Speaker 2>And on the way out the door, Huey finds like

0:54:21.800 --> 0:54:25.880
<v Speaker 2>under the couch another spare vial of some of that

0:54:25.920 --> 0:54:30.920
<v Speaker 2>temporary view. Butcher Mave and Soldier Boy find Homelander watching

0:54:31.120 --> 0:54:33.239
<v Speaker 2>old World War two footage.

0:54:32.760 --> 0:54:35.280
<v Speaker 1>Of Soldier Boy. Oh Dad.

0:54:35.640 --> 0:54:39.680
<v Speaker 2>Homelander then tells everybody that Nor's Dwett, that Noir is dead,

0:54:40.200 --> 0:54:42.680
<v Speaker 2>and then he is just like, hey, Dad, can we

0:54:42.760 --> 0:54:43.560
<v Speaker 2>just like reconnect?

0:54:43.680 --> 0:54:46.040
<v Speaker 1>Can we just like team up? Like no one could

0:54:46.120 --> 0:54:48.920
<v Speaker 1>stop us if we team up? Like uh?

0:54:48.960 --> 0:54:53.160
<v Speaker 2>And then Butcher alarmed to get it. This is like, Hi,

0:54:53.440 --> 0:54:58.360
<v Speaker 2>this zeal Son. Don't lose folk Soka, you didn't rise him.

0:54:58.760 --> 0:55:03.719
<v Speaker 2>Then Homelander brings out it's a very tough moment, terrible.

0:55:06.640 --> 0:55:07.800
<v Speaker 1>He's add into the annual.

0:55:09.320 --> 0:55:15.240
<v Speaker 2>Homelander wants them to be one big, weird, murderous, genocidal

0:55:15.520 --> 0:55:22.400
<v Speaker 2>fascist superhero family, and Soldier Boy luckily, weirdly luckily, Soldier

0:55:22.440 --> 0:55:26.000
<v Speaker 2>Boy is a complete piece of shit, and much like

0:55:26.080 --> 0:55:30.880
<v Speaker 2>Homelander is, is triggered by any.

0:55:30.719 --> 0:55:32.600
<v Speaker 1>Kind of vulnerability or weakness.

0:55:32.640 --> 0:55:35.920
<v Speaker 2>This is the toxic masculinity of which you spoke right.

0:55:36.440 --> 0:55:43.440
<v Speaker 2>The way that society imprints on men to treat weakness

0:55:43.800 --> 0:55:46.880
<v Speaker 2>or any kind of show of vulnerability.

0:55:46.239 --> 0:55:48.799
<v Speaker 1>Is attack it. And this is what Soldier Boy does

0:55:48.840 --> 0:55:49.319
<v Speaker 1>in this moment.

0:55:49.320 --> 0:55:52.279
<v Speaker 2>He's like, you're such a fucking sniveling pussy star for

0:55:52.360 --> 0:55:57.200
<v Speaker 2>attention and then they fight, which very again, very very

0:55:57.280 --> 0:56:00.120
<v Speaker 2>lucky for Butcher and our heroes that Soldier Boy is

0:56:00.160 --> 0:56:02.319
<v Speaker 2>so toxic because if not, they might have teamed up

0:56:02.360 --> 0:56:03.200
<v Speaker 2>and become a family.

0:56:03.400 --> 0:56:04.440
<v Speaker 1>It's kill everybody.

0:56:04.520 --> 0:56:06.920
<v Speaker 3>It's really interesting as well, because like we've had this

0:56:07.000 --> 0:56:09.399
<v Speaker 3>journey for Hue this season with the temp V where

0:56:09.640 --> 0:56:13.239
<v Speaker 3>he is essentially living out his toxic masculinity fantasies where

0:56:13.320 --> 0:56:15.719
<v Speaker 3>suddenly he's able to be the strong man and the

0:56:15.760 --> 0:56:17.960
<v Speaker 3>man who can do all the things that his girlfriend

0:56:18.000 --> 0:56:21.840
<v Speaker 3>can't do. And and he's seeing this kind of beautiful

0:56:23.040 --> 0:56:26.400
<v Speaker 3>to him, this kind of like you know, Garden of Ambrosia,

0:56:26.440 --> 0:56:28.400
<v Speaker 3>where he can be everything he's always been told he

0:56:28.440 --> 0:56:30.279
<v Speaker 3>can be. But at the same time he's been hanging

0:56:30.280 --> 0:56:32.719
<v Speaker 3>around Soldier Boy. He's just an absolute piece of shit.

0:56:32.760 --> 0:56:34.800
<v Speaker 3>And like there's a line where he is like everything

0:56:34.840 --> 0:56:37.279
<v Speaker 3>you say is gross, and I'm like please, son, Like

0:56:37.400 --> 0:56:40.319
<v Speaker 3>he this is the lesson, Like this is what you are.

0:56:40.480 --> 0:56:42.200
<v Speaker 3>This is the end game. You know, we were talking

0:56:42.200 --> 0:56:44.960
<v Speaker 3>today before on preper about end games, like where do

0:56:45.040 --> 0:56:47.480
<v Speaker 3>you end up if you follow that path? That is

0:56:47.520 --> 0:56:50.360
<v Speaker 3>the ultimate version of it. So yeah, Also, I just

0:56:50.400 --> 0:56:53.359
<v Speaker 3>had to say Jensen acles he was ready for this role.

0:56:53.640 --> 0:56:55.960
<v Speaker 3>He is just like he is so happy to not

0:56:56.000 --> 0:56:57.280
<v Speaker 3>be on TV.

0:56:59.560 --> 0:57:04.040
<v Speaker 2>He's exploded from the soap opera world, from the CW world,

0:57:04.160 --> 0:57:07.400
<v Speaker 2>and he is just fucking doing it.

0:57:07.440 --> 0:57:09.480
<v Speaker 1>Man, he's great good.

0:57:09.640 --> 0:57:11.200
<v Speaker 3>He is so good in this role.

0:57:11.960 --> 0:57:15.759
<v Speaker 2>Uh, it's almost like this is gonna be this is

0:57:15.840 --> 0:57:19.080
<v Speaker 2>not quite the comparison we're kind of. It reminds me

0:57:19.120 --> 0:57:21.600
<v Speaker 2>of the first time I saw John Hamm and Madman.

0:57:21.280 --> 0:57:22.800
<v Speaker 1>Where I was like, where the fuck is this guy?

0:57:23.000 --> 0:57:29.600
<v Speaker 2>Like do they just have like handsome good actors, like

0:57:29.680 --> 0:57:33.320
<v Speaker 2>in a warehouse somewhere where there.

0:57:32.200 --> 0:57:38.000
<v Speaker 3>Was absolutely deep, like gut wrenching acting, And Jensen just

0:57:38.040 --> 0:57:42.360
<v Speaker 3>like commits so deeply and he makes the character so unlikable,

0:57:42.600 --> 0:57:45.280
<v Speaker 3>which is his power as an actor. You're not also

0:57:45.480 --> 0:57:49.560
<v Speaker 3>Jensen being unlikable. You're watching this, You're watching I mean,

0:57:49.600 --> 0:57:51.840
<v Speaker 3>this is it's the most basic take, right, but this

0:57:51.960 --> 0:57:54.360
<v Speaker 3>is the truth. You are basically watching, like this is

0:57:54.360 --> 0:57:56.600
<v Speaker 3>what I would be like if Captain America existed. It

0:57:57.600 --> 0:57:58.640
<v Speaker 3>absolutely is.

0:57:58.960 --> 0:58:04.640
<v Speaker 2>And the thing that makes it not obviously again this

0:58:04.720 --> 0:58:07.280
<v Speaker 2>is it's not a subtle performance. But the thing that

0:58:07.840 --> 0:58:10.440
<v Speaker 2>I love about what Accles does here is he makes

0:58:10.880 --> 0:58:20.439
<v Speaker 2>Soldier boy so like marinated in his own like his

0:58:20.480 --> 0:58:25.000
<v Speaker 2>own like self hatred of him, you know, like his

0:58:25.040 --> 0:58:28.440
<v Speaker 2>own toxic self hatred and PTSD is this.

0:58:28.600 --> 0:58:31.720
<v Speaker 1>Intense stew that he just.

0:58:33.240 --> 0:58:38.160
<v Speaker 2>Can't deal with in any other way other than smoking

0:58:38.200 --> 0:58:40.760
<v Speaker 2>a lot of weed and drinking a lot of whiskey

0:58:40.760 --> 0:58:44.320
<v Speaker 2>and then occasionally literally blowing up.

0:58:44.240 --> 0:58:48.800
<v Speaker 3>In a so that I think is like the realist ship, right,

0:58:49.360 --> 0:58:51.720
<v Speaker 3>is not just this notion of self medication, which for

0:58:51.760 --> 0:58:54.320
<v Speaker 3>a lot of people can be the only way that

0:58:54.360 --> 0:58:57.200
<v Speaker 3>you can treat yourself. But also this is a great

0:58:57.200 --> 0:59:01.680
<v Speaker 3>example of the boys doing the most all version of

0:59:01.760 --> 0:59:06.120
<v Speaker 3>an analogy. Yeah, the notion of his PTSD is that

0:59:06.200 --> 0:59:09.320
<v Speaker 3>when he gets triggered, he literally explodes.

0:59:09.840 --> 0:59:11.560
<v Speaker 1>It's a literal exclusion.

0:59:11.640 --> 0:59:15.040
<v Speaker 3>It's not a violent it's not so but it works.

0:59:15.080 --> 0:59:18.480
<v Speaker 3>And it's really really especially because they even have like

0:59:18.520 --> 0:59:21.560
<v Speaker 3>a Geiger counter to measure how radioactive he is to

0:59:21.560 --> 0:59:23.120
<v Speaker 3>see if he's gonna go off. But no one at

0:59:23.160 --> 0:59:25.240
<v Speaker 3>any point does a good job of like trying to

0:59:25.400 --> 0:59:28.000
<v Speaker 3>comfort him or stop it. It's more like even they

0:59:28.080 --> 0:59:31.240
<v Speaker 3>just see him as a weapon. It's very interesting stuff.

0:59:31.400 --> 0:59:36.040
<v Speaker 2>Ryan gets knocked out and then Homelander goes to tend

0:59:36.040 --> 0:59:38.400
<v Speaker 2>to him, so our friends grab him and Soldier Boy

0:59:38.480 --> 0:59:41.960
<v Speaker 2>lines him up to do the hero gasm on him.

0:59:42.120 --> 0:59:43.200
<v Speaker 1>And depower him.

0:59:43.520 --> 0:59:47.240
<v Speaker 2>But then Butcher is like, Ryan's gonna get zap too,

0:59:47.400 --> 0:59:49.280
<v Speaker 2>and he feels bad about it. So now it's Butcher

0:59:49.360 --> 0:59:52.200
<v Speaker 2>versus Soldier Boy and May versus Homelander with starlight and

0:59:52.280 --> 0:59:55.200
<v Speaker 2>MM thrown in for some good measure, and we get

0:59:55.760 --> 1:00:00.920
<v Speaker 2>some truly like movie level super action. It's it's like,

1:00:02.040 --> 1:00:05.600
<v Speaker 2>it's just great superhero action, great great, great superhero action,

1:00:05.640 --> 1:00:09.480
<v Speaker 2>which the show is delivered all absolute season. Now, I

1:00:09.520 --> 1:00:13.480
<v Speaker 2>will say, small note, I think there's a great like

1:00:13.680 --> 1:00:17.080
<v Speaker 2>device that's at play here, and you see it a

1:00:17.120 --> 1:00:23.120
<v Speaker 2>lot in suspense movies, suspense books, where it's like, uh,

1:00:23.480 --> 1:00:28.000
<v Speaker 2>it's like every time our heroes get the thing that

1:00:28.040 --> 1:00:30.680
<v Speaker 2>they want in their grasp, it gets pulled away, It

1:00:30.680 --> 1:00:32.280
<v Speaker 2>gets pulled away, it gets pulled away.

1:00:32.480 --> 1:00:37.480
<v Speaker 1>I will say it's a little it flirted with a little.

1:00:37.200 --> 1:00:40.400
<v Speaker 2>Too, like just blast Homelander already, like it was a little.

1:00:42.240 --> 1:00:44.600
<v Speaker 1>Yeah, there was a little the walking Dead thing, there's

1:00:44.640 --> 1:00:45.360
<v Speaker 1>a little.

1:00:45.160 --> 1:00:48.160
<v Speaker 3>There's a little moment earlier this season as well where

1:00:48.560 --> 1:00:54.280
<v Speaker 3>Soldier Boy and uh, Butcher and Hue do get to

1:00:54.320 --> 1:00:55.760
<v Speaker 3>the point where they could have just killed him, but

1:00:55.760 --> 1:00:58.520
<v Speaker 3>Butcher and Butcher and hue having a little like you go, no,

1:00:58.640 --> 1:01:00.120
<v Speaker 3>you go, and I'm like, they just kill.

1:01:00.480 --> 1:01:02.240
<v Speaker 1>Just kill killing babe.

1:01:02.360 --> 1:01:04.520
<v Speaker 3>There's lots of just killing babe moments.

1:01:04.560 --> 1:01:07.880
<v Speaker 1>That is an absolutely minor. It's very.

1:01:09.440 --> 1:01:11.760
<v Speaker 3>You're like, I love the characters, so I'm okay with

1:01:11.880 --> 1:01:16.280
<v Speaker 3>chill him with them, but also just kill him ill again.

1:01:16.760 --> 1:01:18.080
<v Speaker 1>I just want to acknowledge that.

1:01:19.360 --> 1:01:22.080
<v Speaker 2>Huey gets on the PA he's in the security room

1:01:22.120 --> 1:01:25.080
<v Speaker 2>and he calls trying evacuation, so everybody's all the civilians

1:01:25.120 --> 1:01:28.520
<v Speaker 2>are leaving. Meanwhile, French, she is cooking up the nerve

1:01:28.560 --> 1:01:31.480
<v Speaker 2>agent as Comiko to the dancing to the tune of

1:01:31.480 --> 1:01:34.760
<v Speaker 2>Maniac from Flash Dance French. He finishes making the nerve agent,

1:01:34.760 --> 1:01:38.160
<v Speaker 2>but then he gets shot in the ankle. Upstairs, Homelander

1:01:38.160 --> 1:01:42.080
<v Speaker 2>pops out Mavee's eye. Terrible Soldier Boy gets the best

1:01:42.080 --> 1:01:44.840
<v Speaker 2>of Butcher, Comiko and MM and the security room.

1:01:44.880 --> 1:01:46.760
<v Speaker 1>Huie sees this. He sees the danger.

1:01:46.840 --> 1:01:49.680
<v Speaker 2>He's about to take the vial of v but instead

1:01:49.680 --> 1:01:51.320
<v Speaker 2>he turns up the lights in the studio to their

1:01:51.400 --> 1:01:54.560
<v Speaker 2>highest level. Starlight gets super super powered up to levels

1:01:54.560 --> 1:01:59.120
<v Speaker 2>we have never seen before, and she hits Soldier Boy

1:01:59.160 --> 1:02:02.880
<v Speaker 2>with all that she has doesn't knock him out, but

1:02:02.920 --> 1:02:04.680
<v Speaker 2>it stuns him and it's a big hit. Camiko and

1:02:04.720 --> 1:02:08.840
<v Speaker 2>Starlight hold him as mother's milk slips that nova chuck

1:02:08.880 --> 1:02:10.720
<v Speaker 2>in halo over Soldier Boy's mouth.

1:02:10.800 --> 1:02:13.800
<v Speaker 1>He says, from my family, he's breathing it in.

1:02:13.840 --> 1:02:16.480
<v Speaker 2>But Soldier Boy is super pissed. He's powering up to

1:02:16.560 --> 1:02:20.880
<v Speaker 2>blast off. And then Mave, after stebbing Homelander in the ear,

1:02:21.800 --> 1:02:25.880
<v Speaker 2>sees all of this and very very very regretfully understands

1:02:25.920 --> 1:02:26.800
<v Speaker 2>that she has to be the hero.

1:02:26.920 --> 1:02:27.960
<v Speaker 1>Now, she has to do something.

1:02:28.440 --> 1:02:32.520
<v Speaker 2>So she's like, fuck, I guess I gotta, I gotta,

1:02:32.800 --> 1:02:34.680
<v Speaker 2>I gotta do it. I gotta be wonder woman. She

1:02:34.800 --> 1:02:38.040
<v Speaker 2>tackles Soldier Boy clear of the building, and Soldier Boy

1:02:38.080 --> 1:02:40.880
<v Speaker 2>detonates in the air, wrecking the outside of Vaught. But

1:02:41.000 --> 1:02:44.640
<v Speaker 2>it's fine and killing Mave, we think, But everyone else

1:02:44.720 --> 1:02:48.480
<v Speaker 2>is okay, including Homelander. Fuck, this guy is still up

1:02:48.520 --> 1:02:49.000
<v Speaker 2>and going.

1:02:49.240 --> 1:02:53.320
<v Speaker 1>There's my guy. I can't believe this guy is. He's

1:02:53.440 --> 1:02:55.760
<v Speaker 1>not even sprat. He's a termination. He's going to.

1:02:57.480 --> 1:02:59.919
<v Speaker 2>He did take like a letter opener to the neck.

1:03:00.120 --> 1:03:03.280
<v Speaker 2>But like, this guy is still going. He confronts Butcher,

1:03:03.680 --> 1:03:07.200
<v Speaker 2>who's like raw in come but Ryan is like, Dad,

1:03:07.280 --> 1:03:09.120
<v Speaker 2>let's go, and he means Homelander.

1:03:09.200 --> 1:03:11.840
<v Speaker 1>Unfortunately he means Homelander.

1:03:12.560 --> 1:03:17.120
<v Speaker 2>But Ray, he's a he's a cut any but no,

1:03:17.400 --> 1:03:19.720
<v Speaker 2>Ryan definitely wants to go with Homelander and then they

1:03:19.760 --> 1:03:23.000
<v Speaker 2>just leave and Butcher's brain then starts bleeding black shit.

1:03:22.840 --> 1:03:23.360
<v Speaker 1>And he passes.

1:03:23.440 --> 1:03:24.200
<v Speaker 3>Sorry.

1:03:24.240 --> 1:03:27.720
<v Speaker 2>Fast forward, we watch a Vaught news piece on h

1:03:27.920 --> 1:03:31.240
<v Speaker 2>on Mave ri ip May the whole world is turning

1:03:31.280 --> 1:03:35.080
<v Speaker 2>out uh to celebrate the life of Mave. Butcher in

1:03:35.120 --> 1:03:37.480
<v Speaker 2>the hospital learns that the v damage is terminal and

1:03:37.520 --> 1:03:41.680
<v Speaker 2>he has maybe eighteen months. MM tells Janine about his

1:03:41.880 --> 1:03:44.800
<v Speaker 2>and his family's past, including the deaths of many of

1:03:44.840 --> 1:03:47.200
<v Speaker 2>the family at the hands of Soldier Boy. He tells

1:03:47.200 --> 1:03:49.920
<v Speaker 2>her how he's fighting just like her granddad did, to

1:03:49.960 --> 1:03:52.800
<v Speaker 2>get justice. We learned that Mave is alive.

1:03:53.240 --> 1:03:53.959
<v Speaker 1>Fantastic.

1:03:55.320 --> 1:03:58.280
<v Speaker 2>I was very very happy about this. She lost her eye, Yes,

1:03:58.360 --> 1:04:00.960
<v Speaker 2>she did lose her powers also, but she survived and

1:04:01.000 --> 1:04:03.640
<v Speaker 2>now she's just gonna lay low on a farm somewhere

1:04:03.640 --> 1:04:04.840
<v Speaker 2>with Elena and they're gonna go off.

1:04:04.840 --> 1:04:07.520
<v Speaker 1>They're gonna live a great life. Over at Vought. Ashley

1:04:07.560 --> 1:04:12.000
<v Speaker 1>and Anika UH see the security footage that may have survived.

1:04:12.040 --> 1:04:14.720
<v Speaker 2>They see MM and the rest like picking her up

1:04:14.760 --> 1:04:16.640
<v Speaker 2>and putting her in the van and spearing her away

1:04:16.680 --> 1:04:17.640
<v Speaker 2>on the security camera.

1:04:17.680 --> 1:04:19.400
<v Speaker 1>And as she's like a race that shit, they erase

1:04:19.440 --> 1:04:19.960
<v Speaker 1>it immediately.

1:04:19.960 --> 1:04:21.280
<v Speaker 3>The ton is it coming?

1:04:21.760 --> 1:04:23.400
<v Speaker 1>Is coming? They erase it is.

1:04:23.800 --> 1:04:24.520
<v Speaker 3>She sick of it.

1:04:25.080 --> 1:04:29.440
<v Speaker 2>Grace Mallory, back in power, oversees the return of her

1:04:29.520 --> 1:04:33.880
<v Speaker 2>former teammates Soldier Boys his body to Stasi's containment. Sleep well,

1:04:34.440 --> 1:04:38.440
<v Speaker 2>dear Prince Soldier Boy. The Deep watches Cassandra.

1:04:38.000 --> 1:04:41.040
<v Speaker 1>His X on TV announcing the the.

1:04:42.120 --> 1:04:47.040
<v Speaker 2>Very fast publication of her tell all. I guess she

1:04:47.120 --> 1:04:49.520
<v Speaker 2>must have been writing. You're absolutely right she was writing

1:04:49.560 --> 1:04:52.080
<v Speaker 2>it while she was with him of her new tell

1:04:52.120 --> 1:04:55.840
<v Speaker 2>all in Too Deep, My journey to Freedom to Choose

1:04:56.360 --> 1:04:59.080
<v Speaker 2>being the number two's of course, about her leaving a

1:04:59.120 --> 1:05:04.920
<v Speaker 2>toxic relationship with her squid fucking soup ex boyfriend. The

1:05:05.000 --> 1:05:09.720
<v Speaker 2>Deep at the Flatirn Starlight throws her starlight costume away.

1:05:10.800 --> 1:05:13.760
<v Speaker 2>Doesn't double bag it and tie and double knotted as

1:05:13.760 --> 1:05:17.800
<v Speaker 2>she as MM, who is ocd about cleanliness, would wish

1:05:17.800 --> 1:05:20.480
<v Speaker 2>her to do. But of course they're welcoming her to

1:05:20.560 --> 1:05:21.720
<v Speaker 2>the boys as wonderful.

1:05:22.000 --> 1:05:22.880
<v Speaker 1>She is part of the.

1:05:22.840 --> 1:05:26.440
<v Speaker 2>Team now, but then newsflash, the TV is announcing that

1:05:26.920 --> 1:05:30.800
<v Speaker 2>guess who, Victoria Newman is replacing Lamar's Dakota Bob's new

1:05:30.880 --> 1:05:35.800
<v Speaker 2>vice presidential candidate. That's right, Victoria Newman, who can pop

1:05:35.840 --> 1:05:38.400
<v Speaker 2>people's skulls. Though no one knows it, it will now

1:05:38.480 --> 1:05:44.520
<v Speaker 2>be one popped skull away from the highest the highest

1:05:46.000 --> 1:05:48.360
<v Speaker 2>throne of power in the land.

1:05:48.800 --> 1:05:52.120
<v Speaker 1>That bitch definitely has gotta go elsewhere.

1:05:52.320 --> 1:05:56.360
<v Speaker 2>Homelander introduces Ryan to his and stormfronts right wing supporters

1:05:56.400 --> 1:06:00.439
<v Speaker 2>at the protest that seems to be always going on

1:06:00.600 --> 1:06:04.800
<v Speaker 2>outside Vought. When a counter protester throws a drink at Ryan,

1:06:05.280 --> 1:06:07.960
<v Speaker 2>Homelander just lasers the guy's head off in the in

1:06:08.000 --> 1:06:11.880
<v Speaker 2>the broad daylight, in front of everybody. Yeah, and Janine's

1:06:11.880 --> 1:06:14.880
<v Speaker 2>stepdad is there and he's like, I love it, And

1:06:14.880 --> 1:06:17.680
<v Speaker 2>then Ryan smiles and season is over.

1:06:17.800 --> 1:06:18.240
<v Speaker 1>Wow.

1:06:18.560 --> 1:06:19.040
<v Speaker 3>What Wow?

1:06:19.120 --> 1:06:19.400
<v Speaker 1>Season?

1:06:20.160 --> 1:06:23.120
<v Speaker 3>If you didn't know who Homelander is meant to be,

1:06:23.240 --> 1:06:25.480
<v Speaker 3>they made that I could shoot someone in the street

1:06:25.480 --> 1:06:26.760
<v Speaker 3>and people would still vote for me.

1:06:27.240 --> 1:06:27.800
<v Speaker 1>They made it.

1:06:27.800 --> 1:06:31.560
<v Speaker 3>It's right there, bab he literally blows up a guy's head,

1:06:31.600 --> 1:06:33.080
<v Speaker 3>and Todd and everyone else is.

1:06:33.040 --> 1:06:37.240
<v Speaker 1>Like, yeah, this is great love that I knew. I

1:06:37.280 --> 1:06:37.560
<v Speaker 1>think the.

1:06:37.600 --> 1:06:41.040
<v Speaker 3>Ryan thing is a really good choice because it's just realistic.

1:06:41.280 --> 1:06:43.280
<v Speaker 3>That's what happens. When your dad is a fascist, You're

1:06:43.280 --> 1:06:45.120
<v Speaker 3>probably going to become a fascist, and if you go

1:06:45.240 --> 1:06:46.800
<v Speaker 3>out of it, it will be later. And I think

1:06:46.800 --> 1:06:50.360
<v Speaker 3>that there was a moment. I'm a softy in some ways,

1:06:50.680 --> 1:06:52.600
<v Speaker 3>even though I love like action and stuff. So there

1:06:52.600 --> 1:06:54.439
<v Speaker 3>was a moment at the end of season two where

1:06:54.440 --> 1:06:56.520
<v Speaker 3>I loved the idea of Butcher being there for Ryan

1:06:56.560 --> 1:06:58.240
<v Speaker 3>and that being a way of him showing his love

1:06:58.280 --> 1:07:00.800
<v Speaker 3>for Becka. But the reality was he was shipped to Becca,

1:07:00.960 --> 1:07:03.520
<v Speaker 3>he was shipped to die, and he basically abandoned Ryan

1:07:03.880 --> 1:07:05.360
<v Speaker 3>and allowed Homeline.

1:07:04.960 --> 1:07:07.760
<v Speaker 1>As Ryan extreame don't leave, Yeah.

1:07:07.640 --> 1:07:11.000
<v Speaker 3>And he's like bye, and he left up with Grace

1:07:11.040 --> 1:07:13.480
<v Speaker 3>and then he opened up this space for for Homelander.

1:07:13.520 --> 1:07:15.280
<v Speaker 3>So I think it will be really interesting. I think

1:07:16.080 --> 1:07:19.200
<v Speaker 3>we haven't really seen a soup with a sidekick yet,

1:07:19.240 --> 1:07:25.680
<v Speaker 3>so I'm very excited to see the Robin Batman Homeland

1:07:25.960 --> 1:07:28.320
<v Speaker 3>Ryan thing that they'll obviously do next season.

1:07:28.560 --> 1:07:33.280
<v Speaker 2>Can't wait for a season four coming next year. Miss

1:07:33.280 --> 1:07:36.720
<v Speaker 2>Marvel Finale episode six No Normal teleplay by Will done A. C.

1:07:36.880 --> 1:07:39.560
<v Speaker 2>Bradley and Matthew Chauncey story by Will Done, directed by

1:07:40.000 --> 1:07:43.840
<v Speaker 2>a deal in Billal We open on Jersey City agents

1:07:43.920 --> 1:07:46.360
<v Speaker 2>Diver and Berry of the Department of Damage Control or

1:07:46.400 --> 1:07:50.160
<v Speaker 2>examining the wreckage outside the Circle K Bruno's apartment, obviously

1:07:50.200 --> 1:07:53.080
<v Speaker 2>above that this is what happens when the wrong people

1:07:53.480 --> 1:07:57.920
<v Speaker 2>get powers. Diver says absolutely.

1:07:58.960 --> 1:08:02.280
<v Speaker 1>Absolutely about absolutely.

1:08:03.520 --> 1:08:07.480
<v Speaker 2>Absolutely letting us know that the Department of Damage Control

1:08:07.680 --> 1:08:13.600
<v Speaker 2>is gonna be a part of the Sentinel program eventually

1:08:13.720 --> 1:08:16.320
<v Speaker 2>all of these people who very very clearly don't like

1:08:16.360 --> 1:08:20.040
<v Speaker 2>Howard for or at least she is she is for sure,

1:08:20.120 --> 1:08:22.800
<v Speaker 2>and well, listen, I think what they were signaling two

1:08:22.840 --> 1:08:26.920
<v Speaker 2>episodes ago when the Clandestines were were being put in

1:08:26.960 --> 1:08:30.000
<v Speaker 2>prison but then the guards just started being really physical and.

1:08:31.600 --> 1:08:33.519
<v Speaker 1>Abusive towards them, is letting us know.

1:08:33.479 --> 1:08:36.320
<v Speaker 2>That this is an entire This department is staffed with

1:08:36.360 --> 1:08:39.840
<v Speaker 2>people who feel this way, and we're headed that way.

1:08:40.240 --> 1:08:42.960
<v Speaker 3>I think that that. I think this episode is really

1:08:43.000 --> 1:08:49.160
<v Speaker 3>interesting in that way because we see a distinct extremism

1:08:49.280 --> 1:08:51.800
<v Speaker 3>from Sadie Diva, which is not surprising because she's been

1:08:51.800 --> 1:08:54.880
<v Speaker 3>going that way. But then are the DODC agent who

1:08:54.880 --> 1:08:57.679
<v Speaker 3>he met in No Way home. He takes a ton

1:08:58.920 --> 1:09:01.559
<v Speaker 3>against that. I'm very interested to see if we'll get

1:09:01.640 --> 1:09:02.599
<v Speaker 3>some kind of split.

1:09:03.479 --> 1:09:06.760
<v Speaker 2>Yeah, I think that that is well, we'll get there,

1:09:06.800 --> 1:09:08.799
<v Speaker 2>but I think that that is going to happen. Notably,

1:09:08.840 --> 1:09:12.400
<v Speaker 2>Deaver says that she wants whoever this powered person is

1:09:12.439 --> 1:09:14.559
<v Speaker 2>that they haven't caught but they're looking for. She wants

1:09:14.640 --> 1:09:20.400
<v Speaker 2>him brought in and studied. Sounds like the Sentinel does. Meanwhile,

1:09:20.400 --> 1:09:23.160
<v Speaker 2>Bruno and Comrade are on the Path train and they're

1:09:23.160 --> 1:09:26.320
<v Speaker 2>headed for Manhattan. The plan is to transfer there and

1:09:26.360 --> 1:09:30.720
<v Speaker 2>then to head upstate, which I'll just say a in

1:09:30.760 --> 1:09:35.160
<v Speaker 2>an episode filled with Easter eggs about mutants and the

1:09:35.360 --> 1:09:38.400
<v Speaker 2>X men heading up state felt like it means something.

1:09:39.040 --> 1:09:43.720
<v Speaker 2>But listen, and there's a teenager who can't control his

1:09:43.960 --> 1:09:48.200
<v Speaker 2>powers and he's thinking about heading up state.

1:09:48.280 --> 1:09:51.600
<v Speaker 1>That's just like an X that's so many experts.

1:09:51.600 --> 1:09:55.760
<v Speaker 3>And I'll tell you this, So loo watch this episode

1:09:56.160 --> 1:09:58.360
<v Speaker 3>with this in mind. Compared it to the other episodes.

1:09:58.680 --> 1:10:01.800
<v Speaker 3>Not only is the camera moment and that's like part

1:10:01.840 --> 1:10:04.120
<v Speaker 3>of the story. We have Agent Divas starting talking about

1:10:04.240 --> 1:10:07.880
<v Speaker 3>experimenting on people. That screams Weapon X. It screams that

1:10:07.920 --> 1:10:11.800
<v Speaker 3>they could need genetics for the drones that will inevitably

1:10:11.840 --> 1:10:14.880
<v Speaker 3>become the Sentinels, as Jason so rightly pointed out last week.

1:10:15.280 --> 1:10:20.680
<v Speaker 3>And the other thing is this looks different. This episode

1:10:20.760 --> 1:10:23.680
<v Speaker 3>opens with these huge, sweeping shots of the New York

1:10:23.760 --> 1:10:27.559
<v Speaker 3>skyline and these towering images of the Statue of Liberty,

1:10:27.720 --> 1:10:30.160
<v Speaker 3>and then we go swiftly onto the train and it's

1:10:30.200 --> 1:10:32.400
<v Speaker 3>all very urban. It looks like it looks like a

1:10:32.520 --> 1:10:36.080
<v Speaker 3>zero S X Men movie. It evokes that exact thing.

1:10:36.160 --> 1:10:38.759
<v Speaker 3>It's letting you know where you are, it's it's placing

1:10:38.800 --> 1:10:41.719
<v Speaker 3>you in the mindset of that. And that continues throughout

1:10:41.720 --> 1:10:45.040
<v Speaker 3>this episode, not just thematically but also like literally, as

1:10:45.080 --> 1:10:45.759
<v Speaker 3>we'll get into.

1:10:46.840 --> 1:10:50.479
<v Speaker 2>Back at the can Household, Kamala tells her family that

1:10:50.560 --> 1:10:51.960
<v Speaker 2>she has superpowers.

1:10:52.000 --> 1:10:53.639
<v Speaker 1>She is the super hero.

1:10:53.920 --> 1:10:59.120
<v Speaker 2>The family reaction is very proud and very positive, which

1:10:59.160 --> 1:11:04.679
<v Speaker 2>is wonderful, although and fairly so, and understandably so, Uniba

1:11:04.720 --> 1:11:08.520
<v Speaker 2>and Usuf are worried about the danger inherent.

1:11:08.200 --> 1:11:09.400
<v Speaker 1>In a superhero life.

1:11:09.880 --> 1:11:12.720
<v Speaker 2>Nakia calls Kamala, learns about the destruction of the show

1:11:12.880 --> 1:11:19.000
<v Speaker 2>k and that Bruno is missing. She rushes upstairs trying

1:11:19.000 --> 1:11:20.920
<v Speaker 2>to call Bruno. She's in a panic, but then Munia

1:11:21.040 --> 1:11:26.960
<v Speaker 2>enters and Rosie prediction comes true.

1:11:27.240 --> 1:11:29.880
<v Speaker 1>Her mom made her a suit. Oh it's so great,

1:11:30.280 --> 1:11:32.519
<v Speaker 1>take a victory lap night.

1:11:32.760 --> 1:11:36.280
<v Speaker 3>We're just this is our most predictive series in one project.

1:11:37.000 --> 1:11:39.719
<v Speaker 3>And the thing I love about this is they made

1:11:39.720 --> 1:11:44.400
<v Speaker 3>the suit so narratively intertwined with the show and what

1:11:44.439 --> 1:11:46.240
<v Speaker 3>was important about the show and what worked about the

1:11:46.240 --> 1:11:50.400
<v Speaker 3>show an intergenerational story about family acceptance. It also does

1:11:50.400 --> 1:11:53.400
<v Speaker 3>something that contradicts one of my worst but also I

1:11:53.479 --> 1:11:56.960
<v Speaker 3>understand most necessary tropes in superhero comics. For a long time,

1:11:57.000 --> 1:11:59.480
<v Speaker 3>I felt like, over this one hundred year history of superheroes,

1:11:59.800 --> 1:12:02.160
<v Speaker 3>so much of what the heroes and the people that

1:12:02.200 --> 1:12:05.240
<v Speaker 3>we look up to do is predicated on lying. They

1:12:05.240 --> 1:12:07.479
<v Speaker 3>have to lie about their secret identity, They have to

1:12:07.520 --> 1:12:10.080
<v Speaker 3>put their family. Spider Man, how many times is aren't

1:12:10.080 --> 1:12:12.639
<v Speaker 3>May in the hospital because of him in his secret identity?

1:12:12.800 --> 1:12:16.479
<v Speaker 3>You know, Batman, even Clark Kent Superman's had that problem

1:12:16.520 --> 1:12:18.880
<v Speaker 3>at times. Like but what I love about this is

1:12:18.880 --> 1:12:21.720
<v Speaker 3>that contradicts this and in a way that it's not

1:12:21.840 --> 1:12:26.840
<v Speaker 3>only oh, my family are know about it, but they're

1:12:26.880 --> 1:12:29.400
<v Speaker 3>proud of me, and they're actually co conspirators. And her

1:12:29.439 --> 1:12:33.240
<v Speaker 3>mumble made her this gorgeous costume, classic superhiotrope as well.

1:12:33.240 --> 1:12:35.160
<v Speaker 3>This costume looks too legit.

1:12:35.800 --> 1:12:38.720
<v Speaker 2>My neighbor is a great seems stressed, but like this

1:12:38.800 --> 1:12:42.479
<v Speaker 2>is the other thing, a stark level costume. Not to keep,

1:12:42.600 --> 1:12:44.080
<v Speaker 2>not to not to bring it back to the X

1:12:44.120 --> 1:12:45.679
<v Speaker 2>Men as we're going to do multiple We're.

1:12:45.560 --> 1:12:46.040
<v Speaker 3>Going to bring.

1:12:48.960 --> 1:12:54.599
<v Speaker 2>Acceptance, acceptance and community is that's the key to an

1:12:54.760 --> 1:12:59.240
<v Speaker 2>X Men mutant story, and that's what this whole show

1:12:59.400 --> 1:13:02.280
<v Speaker 2>and then and in particular this episode is about, is

1:13:02.840 --> 1:13:04.760
<v Speaker 2>we are co conspirators because we're a community.

1:13:04.880 --> 1:13:06.840
<v Speaker 3>I totally agree. And also something that I think they

1:13:06.840 --> 1:13:10.320
<v Speaker 3>did really cheekily here that I'd love to know if

1:13:10.360 --> 1:13:12.160
<v Speaker 3>it was purposeful as well, because I feel like this

1:13:12.200 --> 1:13:14.519
<v Speaker 3>whole episode they basically got to write an X Men's story,

1:13:14.560 --> 1:13:16.880
<v Speaker 3>which is really fun. But they also the whole show

1:13:16.960 --> 1:13:19.519
<v Speaker 3>is about found family. But that's not just family. Who

1:13:19.560 --> 1:13:22.400
<v Speaker 3>isn't your family. It's about like finding your family again,

1:13:22.439 --> 1:13:25.000
<v Speaker 3>which I think is really cheeky because found family is

1:13:25.080 --> 1:13:26.640
<v Speaker 3>the heart of why we all love the X Men

1:13:26.760 --> 1:13:28.599
<v Speaker 3>so much. So there's just so much good stuff here.

1:13:28.680 --> 1:13:31.920
<v Speaker 3>I love that the costume now includes the red Dagger scarf,

1:13:32.400 --> 1:13:34.639
<v Speaker 3>you know that kind of hint about the connection between

1:13:34.640 --> 1:13:37.200
<v Speaker 3>the Red Dagger and the Clandestine and a collaboration in

1:13:37.240 --> 1:13:40.840
<v Speaker 3>their future, which we'll see more of later this episode

1:13:40.400 --> 1:13:45.519
<v Speaker 3>I needed. I love predictions, but this if Manieba after

1:13:45.560 --> 1:13:48.360
<v Speaker 3>them showing she's a brilliant seems to just showing her

1:13:48.400 --> 1:13:51.719
<v Speaker 3>punky roots and all that. If she hadn't made that costume,

1:13:51.960 --> 1:13:55.160
<v Speaker 3>I would have been actually pissed. Usually I'm like, my

1:13:55.160 --> 1:13:57.320
<v Speaker 3>predictions are wrong, I don't care, but this one meant

1:13:57.360 --> 1:14:00.400
<v Speaker 3>a lot and the moment is so well live it.

1:14:00.439 --> 1:14:03.879
<v Speaker 3>The actress who plays Maniever is so spectacular and obviously

1:14:03.960 --> 1:14:06.760
<v Speaker 3>imman Bellani is just so wonderful. So they just that

1:14:06.920 --> 1:14:11.439
<v Speaker 3>delivered and the costume is stunning. Jamie mckelvey's brilliant costume

1:14:11.479 --> 1:14:13.120
<v Speaker 3>design just brought to life on screen.

1:14:14.640 --> 1:14:15.280
<v Speaker 1>Uh.

1:14:15.479 --> 1:14:19.479
<v Speaker 2>Bruno and Comrade arrive at the mosque. Naki's like, what

1:14:19.520 --> 1:14:22.639
<v Speaker 2>are you doing here, and they're like, mosques are suppose

1:14:22.680 --> 1:14:24.720
<v Speaker 2>he place as a refuge And then one of the

1:14:24.720 --> 1:14:26.960
<v Speaker 2>funniest lines of the entire show, this is a mosque

1:14:26.960 --> 1:14:32.599
<v Speaker 2>in America very much? Do you don't understand that this

1:14:32.680 --> 1:14:35.200
<v Speaker 2>will not be respected as a place of refuge. Nakia

1:14:35.200 --> 1:14:37.160
<v Speaker 2>then suggests that they head to the high school because

1:14:37.160 --> 1:14:38.519
<v Speaker 2>it's Saturday, no one's gonna be there.

1:14:38.760 --> 1:14:40.160
<v Speaker 1>Damage Control and Agent.

1:14:39.960 --> 1:14:41.920
<v Speaker 2>Diva enter the mosque and they're looking for that high

1:14:42.040 --> 1:14:45.080
<v Speaker 2>level threat that is Comrade Shakob Dollah stands up for

1:14:45.160 --> 1:14:47.479
<v Speaker 2>his flock ably, but of course Diva and her goons

1:14:47.520 --> 1:14:51.240
<v Speaker 2>are gonna search anyway. The chic while that's going on,

1:14:51.320 --> 1:14:53.639
<v Speaker 2>is already escorting Bruno and Comrade out the back door

1:14:53.680 --> 1:14:55.639
<v Speaker 2>to an alley where Kamala finds him.

1:14:56.000 --> 1:14:57.800
<v Speaker 1>No time for catchups, however, I just.

1:14:57.840 --> 1:14:59.840
<v Speaker 3>Want to say really important moment there, which is where

1:15:00.160 --> 1:15:03.519
<v Speaker 3>we get another X Men moment where she Gabdullah says,

1:15:03.680 --> 1:15:08.599
<v Speaker 3>you know, just because he's being peaceful, he's he's meeting

1:15:08.640 --> 1:15:11.040
<v Speaker 3>them as friends. He offers them cookies. Agent Diva once

1:15:11.080 --> 1:15:13.960
<v Speaker 3>again doesn't take off her shoes, disrespectful, racist bitch like

1:15:14.000 --> 1:15:17.439
<v Speaker 3>she is just the worst. But he still comes to

1:15:17.520 --> 1:15:19.800
<v Speaker 3>her with cookies. He comes to her with friendship. And

1:15:19.840 --> 1:15:21.920
<v Speaker 3>you know, the kids want to know why, and he says,

1:15:22.320 --> 1:15:25.240
<v Speaker 3>just because they make you their enemy, it doesn't mean

1:15:25.240 --> 1:15:28.080
<v Speaker 3>you have to make them yours. That's your Charles Xavier moment,

1:15:28.160 --> 1:15:32.160
<v Speaker 3>right that just because they hate and fear us doesn't

1:15:32.200 --> 1:15:34.280
<v Speaker 3>mean we shouldn't protect them, doesn't mean, we shouldn't come

1:15:34.320 --> 1:15:34.719
<v Speaker 3>with peace.

1:15:34.800 --> 1:15:36.400
<v Speaker 1>And that was when I realized.

1:15:36.439 --> 1:15:38.880
<v Speaker 3>I was like, oh, this is this is textures.

1:15:39.120 --> 1:15:39.760
<v Speaker 1>They really are.

1:15:40.080 --> 1:15:41.479
<v Speaker 3>This is text going for it.

1:15:42.320 --> 1:15:43.439
<v Speaker 1>And it is early X.

1:15:43.400 --> 1:15:46.280
<v Speaker 2>Men too, because I will one thing that I think

1:15:46.720 --> 1:15:49.880
<v Speaker 2>in the mid two thousands to now that X Men

1:15:49.960 --> 1:15:56.600
<v Speaker 2>stories have done really well is is radicalized in a

1:15:56.640 --> 1:15:59.519
<v Speaker 2>way that felt earned. We can get in later when

1:15:59.520 --> 1:16:00.519
<v Speaker 2>we talk about the X Men.

1:16:00.560 --> 1:16:01.760
<v Speaker 1>But at a certain point.

1:16:02.880 --> 1:16:06.080
<v Speaker 2>When you've been engaging with the Charles Xavier philosophy for

1:16:06.120 --> 1:16:09.000
<v Speaker 2>that long and all you were met and all you

1:16:09.080 --> 1:16:12.040
<v Speaker 2>are met with is jen literal genocide like twenty million

1:16:12.080 --> 1:16:16.679
<v Speaker 2>dead on Genosha, constant genocide, you have to ask, at

1:16:16.760 --> 1:16:20.559
<v Speaker 2>what point is it enough? We're not there yet, but

1:16:20.600 --> 1:16:23.240
<v Speaker 2>it's uh. I love what Shakob Dilla said there, and

1:16:23.280 --> 1:16:24.280
<v Speaker 2>thank you for bringing that up.

1:16:24.479 --> 1:16:24.839
<v Speaker 1>Okay.

1:16:25.200 --> 1:16:29.120
<v Speaker 2>Kamala finds Bruno and Camraan in the alley and they

1:16:29.200 --> 1:16:33.120
<v Speaker 2>all get away just before the sirens find them. Kamala

1:16:33.160 --> 1:16:36.080
<v Speaker 2>calls Kareem. It's like, listen, I have a friend. He

1:16:36.200 --> 1:16:38.840
<v Speaker 2>is a clandestine I'm sorry about that. I know you

1:16:38.880 --> 1:16:41.200
<v Speaker 2>don't like them, but we got to I have to

1:16:41.240 --> 1:16:43.960
<v Speaker 2>get him out of here. And he's like, Okay, I

1:16:44.000 --> 1:16:45.800
<v Speaker 2>know someone who can get him out, get him to

1:16:45.840 --> 1:16:49.880
<v Speaker 2>the harbor at midnight. Very mysterious, but hello, Kareem, he's

1:16:50.120 --> 1:16:55.080
<v Speaker 2>bought some secret connections. We need to know more about this.

1:16:55.439 --> 1:16:58.240
<v Speaker 2>Our friends then break into the school where they meet Nokia,

1:16:58.240 --> 1:17:02.240
<v Speaker 2>who's definitely pissed because Kamala didn't tell her about the

1:17:02.280 --> 1:17:06.240
<v Speaker 2>powers and the bangle and stuff. Kamala apologizes, but there's

1:17:06.280 --> 1:17:08.720
<v Speaker 2>no time to apologize because damage.

1:17:08.400 --> 1:17:14.960
<v Speaker 1>Control is outside. Pause here. I think, damage control, how.

1:17:14.840 --> 1:17:17.240
<v Speaker 2>Are they following him? How did how are they one

1:17:17.320 --> 1:17:22.120
<v Speaker 2>step behind camera all the time. I think they've developed,

1:17:22.720 --> 1:17:26.880
<v Speaker 2>as the Sentinels in the comics, they have this technology.

1:17:27.080 --> 1:17:32.120
<v Speaker 2>They have developed somehow a way to target onto a

1:17:32.240 --> 1:17:34.040
<v Speaker 2>power signature and to follow it.

1:17:34.040 --> 1:17:35.639
<v Speaker 1>It's obviously at very early.

1:17:35.520 --> 1:17:39.160
<v Speaker 2>Days, it's not super refined, but they've figured out a

1:17:39.160 --> 1:17:40.000
<v Speaker 2>way to do it.

1:17:40.520 --> 1:17:43.599
<v Speaker 3>I agree, it's essentially in the MCU world right. There

1:17:43.720 --> 1:17:47.120
<v Speaker 3>is only so much fantastical stuff, and we're getting a

1:17:47.160 --> 1:17:49.120
<v Speaker 3>lot more into it. But I definitely think you could

1:17:49.160 --> 1:17:52.440
<v Speaker 3>do something like power signatures, heat signatures. There's a radioactivity

1:17:52.479 --> 1:17:56.799
<v Speaker 3>because the waves of power. It's not genetic mutation yet,

1:17:56.960 --> 1:17:59.559
<v Speaker 3>that's not what they're sensing. But they are sensing powered stuff.

1:17:59.600 --> 1:18:03.639
<v Speaker 3>And I was I just want to say, like when yeah,

1:18:03.680 --> 1:18:06.920
<v Speaker 3>the high choosing the high school, that is another X

1:18:07.000 --> 1:18:11.200
<v Speaker 3>Men moment, you X school and you know that is

1:18:11.240 --> 1:18:16.080
<v Speaker 3>something where as we'll see that there is no way

1:18:16.120 --> 1:18:19.040
<v Speaker 3>that it cannot evoke, especially the X Men comics, but

1:18:19.200 --> 1:18:21.880
<v Speaker 3>especially those Zeros X Men movies where the d O

1:18:22.000 --> 1:18:23.840
<v Speaker 3>d C are coming through these halls. So you've got

1:18:23.840 --> 1:18:27.000
<v Speaker 3>these military people in these school halls. It feels like

1:18:27.080 --> 1:18:28.920
<v Speaker 3>an X Men movie. They they know what they're doing

1:18:28.960 --> 1:18:31.400
<v Speaker 3>and there's a great moment where as.

1:18:31.320 --> 1:18:35.720
<v Speaker 2>The even the way they're geared up, well we'll get

1:18:35.800 --> 1:18:39.600
<v Speaker 2>to this, but like even the way they're geared up,

1:18:39.600 --> 1:18:44.200
<v Speaker 2>you're absolutely right, this is X two X Men United exactly, exactly.

1:18:43.960 --> 1:18:46.599
<v Speaker 3>Totally they have They have a moment that comes up

1:18:46.920 --> 1:18:49.120
<v Speaker 3>like just in one minute, which we would which is

1:18:49.200 --> 1:18:53.439
<v Speaker 3>just so throwaway, is like they what are they using

1:18:53.560 --> 1:18:56.280
<v Speaker 3>to prepare for this fight? Right in the high school

1:18:56.320 --> 1:18:59.080
<v Speaker 3>and they choose softballs, and the X Men playing softball

1:18:59.200 --> 1:18:59.759
<v Speaker 3>is like one.

1:18:59.600 --> 1:19:02.200
<v Speaker 1>Of the beloved t's an absolutely touchdown.

1:19:02.360 --> 1:19:04.719
<v Speaker 3>Technically they in the Clemont stuff, you know, it's baseball,

1:19:04.760 --> 1:19:06.880
<v Speaker 3>and throughout comics it kind of has changed between the two.

1:19:07.040 --> 1:19:09.080
<v Speaker 3>But you know that that was when I was like, oh, okay,

1:19:09.120 --> 1:19:11.240
<v Speaker 3>they know no. I was like, they're not doing this.

1:19:12.320 --> 1:19:14.960
<v Speaker 3>You're literally using softballs in your part, Like this is

1:19:15.040 --> 1:19:17.599
<v Speaker 3>a thing that you're doing, and you know that you're

1:19:17.640 --> 1:19:21.880
<v Speaker 3>essentially letting these kids, Bruno, Nokia, you know, Cameron soon

1:19:21.920 --> 1:19:24.080
<v Speaker 3>to be joined by Kamala's brother. You're letting them have

1:19:24.080 --> 1:19:26.040
<v Speaker 3>the X Men moment, and I just love that.

1:19:26.760 --> 1:19:30.479
<v Speaker 2>Kamala tries to get Bruno and Nakia to leave, but

1:19:30.600 --> 1:19:33.360
<v Speaker 2>before they even talk about that, Zoe shows up. She's like,

1:19:33.400 --> 1:19:35.280
<v Speaker 2>I was in the theater of filming tiktoks because of

1:19:35.280 --> 1:19:37.400
<v Speaker 2>the lighting. Babe, get a ring, light ring.

1:19:37.600 --> 1:19:38.639
<v Speaker 1>They're very, very cheap.

1:19:38.920 --> 1:19:41.240
<v Speaker 2>She wants to be a part of this big fight

1:19:41.320 --> 1:19:44.000
<v Speaker 2>mission and you know what, why not?

1:19:44.200 --> 1:19:44.439
<v Speaker 1>Sure?

1:19:44.560 --> 1:19:46.960
<v Speaker 2>Actually she has an important role to play. Everyone is

1:19:46.960 --> 1:19:51.080
<v Speaker 2>staying put, including Kamala's brother Amir shows up, and so

1:19:51.160 --> 1:19:52.680
<v Speaker 2>it's time for the big plan. And here it is

1:19:53.920 --> 1:19:57.720
<v Speaker 2>distract damage control so comrade can get the safety. Meanwhile,

1:19:58.120 --> 1:20:00.880
<v Speaker 2>Zoe will leverage her social media file to put out

1:20:00.880 --> 1:20:03.799
<v Speaker 2>a call to action to the community to get eyes

1:20:03.920 --> 1:20:07.639
<v Speaker 2>here so people can see what's happening, so damage control

1:20:08.360 --> 1:20:11.920
<v Speaker 2>can't just go like full like kill the mutants or

1:20:12.200 --> 1:20:15.559
<v Speaker 2>capture the mutants so they can well capture the powered people.

1:20:15.560 --> 1:20:19.120
<v Speaker 2>We'll just call it an individual and enhanced individuals so

1:20:19.160 --> 1:20:22.920
<v Speaker 2>that they can study them. By the way, you know,

1:20:23.080 --> 1:20:25.320
<v Speaker 2>just want to mention love the.

1:20:25.320 --> 1:20:28.639
<v Speaker 1>Use of the.

1:20:27.479 --> 1:20:32.760
<v Speaker 2>The Circular Star Wars and New Hope Stun ray.

1:20:32.840 --> 1:20:33.320
<v Speaker 1>That's what.

1:20:34.960 --> 1:20:37.439
<v Speaker 2>You know, established in nineteen seventy seven. This is what

1:20:37.520 --> 1:20:40.000
<v Speaker 2>the stun looks like. It's that little hollow, smoke ring

1:20:40.080 --> 1:20:44.120
<v Speaker 2>circle that goes out and hits people. Okay, outside Divers

1:20:44.160 --> 1:20:47.240
<v Speaker 2>on the phone with Agent Cleary, Damage Control is ready

1:20:47.320 --> 1:20:47.840
<v Speaker 2>for a siege.

1:20:47.880 --> 1:20:48.679
<v Speaker 1>They're outside the school.

1:20:48.680 --> 1:20:51.880
<v Speaker 2>They're getting ready to charge in, and Cleary is like,

1:20:52.080 --> 1:20:55.880
<v Speaker 2>are you fucking crazy? Even yeah, you're gonna tack kids

1:20:55.960 --> 1:20:59.600
<v Speaker 2>in a school. Don't do this, like stand down absolutely

1:20:59.680 --> 1:21:01.280
<v Speaker 2>right now. I want to hear you say it. And

1:21:01.280 --> 1:21:03.680
<v Speaker 2>Dever's like, yep, standing, yeah, you got it, hangs up

1:21:03.680 --> 1:21:06.200
<v Speaker 2>and goes Nope, call additional units.

1:21:06.200 --> 1:21:06.920
<v Speaker 1>We're going in.

1:21:07.600 --> 1:21:11.759
<v Speaker 2>Uh now our heroes for our friends. Their plan works.

1:21:12.160 --> 1:21:13.360
<v Speaker 2>There's only a few hiccups.

1:21:13.800 --> 1:21:14.200
<v Speaker 1>Uh.

1:21:14.560 --> 1:21:19.160
<v Speaker 2>One hiccup is Kamala and Comrade almost kiss, and then Bruno's.

1:21:18.640 --> 1:21:23.720
<v Speaker 3>In the classic The X Mans.

1:21:24.439 --> 1:21:29.479
<v Speaker 1>Trigle, gotta have that love. Trigle love love a love

1:21:29.560 --> 1:21:33.759
<v Speaker 1>triangle between enhanced the individuals. Uh uh.

1:21:34.000 --> 1:21:36.720
<v Speaker 2>And then the other little wrinkle is Comrade figures out

1:21:36.760 --> 1:21:39.400
<v Speaker 2>that his mom is dead and that uh and that

1:21:39.520 --> 1:21:42.479
<v Speaker 2>Kamala has been hiding this from him. And then naturally,

1:21:42.479 --> 1:21:45.800
<v Speaker 2>because he learns this, he's already not in control of

1:21:45.840 --> 1:21:49.080
<v Speaker 2>his powers, but then he just takes all the safeguards

1:21:49.160 --> 1:21:52.080
<v Speaker 2>off and we it's kind of cool because we get

1:21:52.080 --> 1:21:54.320
<v Speaker 2>to see what Commrad could really do. He pulls all

1:21:54.360 --> 1:21:56.800
<v Speaker 2>the lockers down on the damage.

1:21:56.400 --> 1:21:58.599
<v Speaker 1>Control goons, but and then.

1:22:00.240 --> 1:22:03.400
<v Speaker 2>He steps out of the high school doors and faces

1:22:03.400 --> 1:22:08.400
<v Speaker 2>down damage control. This is Magneto at the police station,

1:22:08.960 --> 1:22:13.760
<v Speaker 2>is the first, That's what it is.

1:22:13.840 --> 1:22:16.960
<v Speaker 3>And also he has his this is his Magneo moment,

1:22:17.000 --> 1:22:18.559
<v Speaker 3>you know, and Zoe.

1:22:18.520 --> 1:22:19.960
<v Speaker 1>Has Zoe has gone.

1:22:22.520 --> 1:22:26.639
<v Speaker 3>He's gone, right, but like, and Zoe's called all these

1:22:26.680 --> 1:22:30.080
<v Speaker 3>people via her social media and they're all outside watching

1:22:30.320 --> 1:22:33.559
<v Speaker 3>very Spider Man two on the train. Right. The public

1:22:33.640 --> 1:22:35.679
<v Speaker 3>is here, The public is in support, but for Cameron,

1:22:36.040 --> 1:22:39.880
<v Speaker 3>it's too heartbreaking and and it's very interesting because they

1:22:39.960 --> 1:22:45.200
<v Speaker 3>get to have Kamala and Cameron get to have this.

1:22:46.040 --> 1:22:49.920
<v Speaker 3>Eric and Charles moment, it is very Eric.

1:22:50.400 --> 1:22:51.280
<v Speaker 1>Where is that?

1:22:51.800 --> 1:22:56.320
<v Speaker 3>Kamala realizes that what Cameron needs she cannot give him.

1:22:56.400 --> 1:22:58.240
<v Speaker 3>But what she can do is give him a chance

1:22:58.320 --> 1:23:01.519
<v Speaker 3>to leave. This is not the right choice. Don't become

1:23:01.600 --> 1:23:03.920
<v Speaker 3>this danger, don't become the thing that they want you

1:23:04.000 --> 1:23:06.240
<v Speaker 3>to be. And if you can't do that, just go

1:23:06.439 --> 1:23:08.760
<v Speaker 3>and I'll let you go. And I was like, wow,

1:23:08.800 --> 1:23:10.439
<v Speaker 3>it's Charles and Eric, baby, it.

1:23:11.160 --> 1:23:14.200
<v Speaker 1>Is in miniature is Charles and Eric. Uh?

1:23:14.400 --> 1:23:20.519
<v Speaker 2>So Cam faces down damage troll, Kamala uh protects him.

1:23:20.880 --> 1:23:21.519
<v Speaker 1>This is all.

1:23:21.439 --> 1:23:26.879
<v Speaker 2>Witnessed by the crowds, who Zoe called Kamalavin like is able.

1:23:28.160 --> 1:23:31.360
<v Speaker 2>She has just been practicing enough, working at it enough,

1:23:31.840 --> 1:23:35.920
<v Speaker 2>has hit that emotional level into and intellectual level and

1:23:36.000 --> 1:23:39.120
<v Speaker 2>physical level where she's she unlocks like the final level

1:23:39.160 --> 1:23:41.680
<v Speaker 2>of her powers and we can see everything she can do.

1:23:41.840 --> 1:23:43.120
<v Speaker 1>She's got the two in big in hand.

1:23:43.200 --> 1:23:48.360
<v Speaker 2>She's punching Comvi's across the fucking She's giant, She's giant manning.

1:23:48.439 --> 1:23:50.960
<v Speaker 1>She's like bullets are bouncing off her.

1:23:51.080 --> 1:23:54.840
<v Speaker 2>She's catching the hum vy that that Comraon accidentally through

1:23:55.080 --> 1:23:56.920
<v Speaker 2>at like the entire community.

1:23:57.000 --> 1:23:59.479
<v Speaker 1>She saves all their lives. And then, as you said,

1:23:59.520 --> 1:23:59.960
<v Speaker 1>they have that.

1:24:00.040 --> 1:24:04.320
<v Speaker 2>At Eric and Charles moment, she puts this like shield

1:24:04.360 --> 1:24:06.720
<v Speaker 2>of light around them and then they have it out.

1:24:06.720 --> 1:24:10.120
<v Speaker 2>They have that talk and and she is like fine,

1:24:10.520 --> 1:24:13.840
<v Speaker 2>punches a hole in the ground as like just crawl

1:24:13.880 --> 1:24:15.280
<v Speaker 2>through there, escape to the harbor.

1:24:15.479 --> 1:24:15.559
<v Speaker 4>Go.

1:24:17.320 --> 1:24:20.960
<v Speaker 2>Damage Control tries to arrest Kamala, but the entire neighborhood

1:24:21.120 --> 1:24:25.719
<v Speaker 2>stands in between them and just crazy Dear. They deer

1:24:25.920 --> 1:24:30.200
<v Speaker 2>est her, and then Kamala escapes. Cleary calls Dever and

1:24:30.240 --> 1:24:34.360
<v Speaker 2>he is fucking heated. He relieves her of command. The

1:24:34.479 --> 1:24:37.439
<v Speaker 2>question is, well, let's let's finish this.

1:24:40.400 --> 1:24:42.200
<v Speaker 1>There's no glow. He relieves her a command.

1:24:42.320 --> 1:24:46.919
<v Speaker 2>Later, all of Jersey City is buzzing about the historic

1:24:46.960 --> 1:24:50.599
<v Speaker 2>events and they all got to witness it. And and

1:24:50.640 --> 1:24:53.160
<v Speaker 2>not only that, but they have their very own superheroes

1:24:53.200 --> 1:24:56.160
<v Speaker 2>protecting they are. And as Spider Man does Manhattan, as

1:24:56.240 --> 1:24:57.599
<v Speaker 2>Daredevil does else kitchen.

1:24:57.640 --> 1:24:58.200
<v Speaker 1>This is so great.

1:24:58.200 --> 1:25:02.360
<v Speaker 2>They got their own superhero. Kamala in her room, posing

1:25:02.400 --> 1:25:05.040
<v Speaker 2>in her suit as one would naturally do if one

1:25:05.080 --> 1:25:10.519
<v Speaker 2>was a superhero. She talks to her dad and they

1:25:10.560 --> 1:25:14.599
<v Speaker 2>talk about just life and her journey, and he says,

1:25:14.720 --> 1:25:17.360
<v Speaker 2>you know what Kamala means. It means kind of means

1:25:17.479 --> 1:25:19.960
<v Speaker 2>Marvel sort of, you're like our miss Marvel and the

1:25:20.080 --> 1:25:20.840
<v Speaker 2>name is coined.

1:25:20.880 --> 1:25:21.840
<v Speaker 1>It's a wonderful moment.

1:25:22.000 --> 1:25:22.320
<v Speaker 3>Love that.

1:25:22.920 --> 1:25:26.880
<v Speaker 2>Meanwhile, Cam makes it to Karachi where Kareem gives him

1:25:26.880 --> 1:25:29.559
<v Speaker 2>a little head nod and takes him in. And then

1:25:29.560 --> 1:25:32.639
<v Speaker 2>we fast forward. One week later, Brunio and Knakia pull

1:25:32.720 --> 1:25:36.120
<v Speaker 2>up in com Run's whip, his sports car, which I

1:25:36.280 --> 1:25:38.800
<v Speaker 2>have to say, who's paying the insurance?

1:25:39.360 --> 1:25:41.400
<v Speaker 1>There's a lot of questions about that. Can you just

1:25:41.479 --> 1:25:41.920
<v Speaker 1>keep doing?

1:25:42.040 --> 1:25:45.000
<v Speaker 2>Can you just keep driving this car? I understand did

1:25:45.040 --> 1:25:48.519
<v Speaker 2>he sign over the title and everything? Anyway, I'm not

1:25:48.520 --> 1:25:51.040
<v Speaker 2>gonna worry about it. Bruno has big news. He has

1:25:51.120 --> 1:25:55.439
<v Speaker 2>been studying Kamala's biological makeup and also her powers, and

1:25:55.479 --> 1:25:56.080
<v Speaker 2>he says.

1:25:55.840 --> 1:25:57.240
<v Speaker 1>You know what, your geets are a little different.

1:25:58.040 --> 1:26:08.400
<v Speaker 2>It's almost like you've undergone a mutation. Burning man. The

1:26:08.439 --> 1:26:12.400
<v Speaker 2>fact that they threw that in there, it almost felt

1:26:12.400 --> 1:26:13.080
<v Speaker 2>too much about it.

1:26:13.280 --> 1:26:14.360
<v Speaker 1>Honestly, they want to.

1:26:14.479 --> 1:26:16.720
<v Speaker 3>They had to do it because the truth they had

1:26:16.760 --> 1:26:19.919
<v Speaker 3>to tell you. You've heard, We've heard the term mutation

1:26:20.439 --> 1:26:21.559
<v Speaker 3>in the MCU before and.

1:26:21.520 --> 1:26:23.280
<v Speaker 1>You're like, ooh, but this one.

1:26:23.320 --> 1:26:26.679
<v Speaker 3>They were like X men. They were like, right, now

1:26:26.880 --> 1:26:29.200
<v Speaker 3>the plan will we see it for see? Who knows?

1:26:29.320 --> 1:26:32.360
<v Speaker 3>But the plan right now, she is a mutant. This

1:26:32.560 --> 1:26:35.080
<v Speaker 3>is X Men. She is an X Men style muntant.

1:26:35.320 --> 1:26:38.960
<v Speaker 3>And you that is how powerful that theme is that

1:26:39.040 --> 1:26:41.160
<v Speaker 3>you can put that there and everyone's like, oh shit,

1:26:41.320 --> 1:26:43.280
<v Speaker 3>she's an x Like, this is X Men, the X

1:26:43.320 --> 1:26:45.760
<v Speaker 3>Men in the MCU and you started it.

1:26:45.720 --> 1:26:51.160
<v Speaker 2>Here as old King Mike on Instagram DMed me, uh,

1:26:51.280 --> 1:26:54.960
<v Speaker 2>he dm me, he dm me that the meme picture

1:26:55.040 --> 1:26:57.360
<v Speaker 2>of the guy who was you know, outside is Hater's

1:26:57.400 --> 1:27:00.599
<v Speaker 2>funeral and he said how the X Men undressed as

1:27:00.600 --> 1:27:03.200
<v Speaker 2>they watched the final nail go in the in Humans coffin. Yes,

1:27:03.520 --> 1:27:07.720
<v Speaker 2>it is true, irony that the character who in the

1:27:07.800 --> 1:27:11.200
<v Speaker 2>comics was created because Marvel was looking for a way

1:27:11.760 --> 1:27:16.200
<v Speaker 2>to have X Men that they owned as their own IP.

1:27:16.200 --> 1:27:18.880
<v Speaker 1>To put in the movies and it was gonna be

1:27:18.880 --> 1:27:19.600
<v Speaker 1>the Inhumans.

1:27:19.880 --> 1:27:23.920
<v Speaker 2>To now have that character in the in the TV

1:27:24.240 --> 1:27:27.800
<v Speaker 2>and film property side now be revealed to be a

1:27:27.880 --> 1:27:33.519
<v Speaker 2>mutant is just crazy, unbelievable shit.

1:27:34.000 --> 1:27:37.439
<v Speaker 3>Especially because like Kamala, everyone's assumption was she just was

1:27:37.479 --> 1:27:40.000
<v Speaker 3>a mutant because that is how people in the comics

1:27:40.040 --> 1:27:42.720
<v Speaker 3>get their powers. But then it ended up being that

1:27:42.720 --> 1:27:45.400
<v Speaker 3>she got her powers through terogenesis, she made her an inhuman,

1:27:45.439 --> 1:27:49.280
<v Speaker 3>the most famous in human arguably ever honestly and the

1:27:49.280 --> 1:27:51.960
<v Speaker 3>most well known because of past successful The comic was

1:27:52.120 --> 1:27:53.640
<v Speaker 3>the very funny thing is it put her in this

1:27:53.800 --> 1:27:57.599
<v Speaker 3>very hilarious group of characters like Spider Man, like Falcon,

1:27:57.760 --> 1:27:59.840
<v Speaker 3>where it's like they were almost a mutant. But then

1:27:59.840 --> 1:28:02.360
<v Speaker 3>it revealed that they all at times they almost made

1:28:02.400 --> 1:28:05.320
<v Speaker 3>the mutes. So this feels very full circle.

1:28:05.800 --> 1:28:08.040
<v Speaker 1>Though I'm still talking to those birds.

1:28:07.680 --> 1:28:09.760
<v Speaker 3>Now, you know, I'm saying in the comics they never

1:28:09.800 --> 1:28:12.840
<v Speaker 3>really they never really bds.

1:28:13.160 --> 1:28:14.360
<v Speaker 1>Is that a secondary mutation?

1:28:14.520 --> 1:28:16.880
<v Speaker 3>So I have a I have a theory.

1:28:16.920 --> 1:28:20.519
<v Speaker 2>Well, let's go let's do the Oh, okay, okay, let's

1:28:20.520 --> 1:28:22.320
<v Speaker 2>go through the stinger and then and then we could

1:28:22.760 --> 1:28:25.559
<v Speaker 2>dive into it. So Stinger, Kamala's in her bedroom when

1:28:25.560 --> 1:28:29.280
<v Speaker 2>the Bengal starts acting weird, She's suddenly thrown through her

1:28:29.280 --> 1:28:32.000
<v Speaker 2>closet door, crashing into the closet, and then when she

1:28:32.200 --> 1:28:35.800
<v Speaker 2>comes out, it's not Kamala, it's Carol Danvers. They have

1:28:36.520 --> 1:28:42.400
<v Speaker 2>switched places in the universe somehow, and we can only

1:28:42.439 --> 1:28:46.280
<v Speaker 2>assume that Kamala is somewhere where Carol just was what

1:28:46.400 --> 1:28:50.040
<v Speaker 2>is going on? And then we're done, and then it says, uh,

1:28:50.320 --> 1:28:55.439
<v Speaker 2>miss Marvel will appear, will be back again in the Marvels. Okay,

1:28:55.520 --> 1:28:57.880
<v Speaker 2>let's talk about everything. First of all, let's just say

1:28:57.880 --> 1:28:58.360
<v Speaker 2>we were right.

1:28:58.560 --> 1:28:59.720
<v Speaker 3>Yeah, we were right, we were right.

1:29:00.479 --> 1:29:06.720
<v Speaker 1>We read about about this story, which yes.

1:29:06.680 --> 1:29:11.640
<v Speaker 3>Me, okay, I'll explain this thinger. So, so this is

1:29:11.720 --> 1:29:14.600
<v Speaker 3>very funny because I think it is a very interesting

1:29:14.760 --> 1:29:17.719
<v Speaker 3>choice because I think for maybe fifty or sixty percent

1:29:17.720 --> 1:29:19.360
<v Speaker 3>of people who watched it, they were like, oh, maybe

1:29:19.439 --> 1:29:22.599
<v Speaker 3>Kamala shape shifted into Carol. That's a comic book powers

1:29:22.680 --> 1:29:26.799
<v Speaker 3>They were like, maybe that was weird, why did it happen?

1:29:27.080 --> 1:29:30.120
<v Speaker 3>But if you are a comics reader of a certain age,

1:29:30.560 --> 1:29:32.599
<v Speaker 3>or you have read a lot of old comic books,

1:29:32.760 --> 1:29:35.240
<v Speaker 3>you were immediately like, oh my god, they just Rick

1:29:35.360 --> 1:29:40.519
<v Speaker 3>Jones us Jones. Now, who is Rick Jones mass. Rick

1:29:40.600 --> 1:29:43.960
<v Speaker 3>Jones is like the Marvel's perennial sidekick. He is very

1:29:44.000 --> 1:29:47.120
<v Speaker 3>much maligned. He began as a Hulk sidekick. He's been

1:29:47.120 --> 1:29:49.920
<v Speaker 3>a sidekick to Captain America, where he was essentially.

1:29:50.400 --> 1:29:52.400
<v Speaker 1>Captain America by pretending to be Bucky.

1:29:52.960 --> 1:29:55.200
<v Speaker 2>Let's just say that in the comics. So the origin

1:29:55.280 --> 1:29:59.240
<v Speaker 2>story of Rick Jones is the reason that Bruce Banner

1:29:59.320 --> 1:30:01.639
<v Speaker 2>is the hok is because Rick Jones is a fucking

1:30:01.760 --> 1:30:06.360
<v Speaker 2>moron and he wandered into wandered into like a Gamma

1:30:06.400 --> 1:30:11.720
<v Speaker 2>bomb experiment site and was just like hey, and so

1:30:11.800 --> 1:30:15.120
<v Speaker 2>Bruce Banner had run out and like tackle him into

1:30:15.160 --> 1:30:17.640
<v Speaker 2>like a ditch so he wouldn't get it radiated. And

1:30:17.640 --> 1:30:19.320
<v Speaker 2>that's how Bruce Bayner got I radiated.

1:30:19.320 --> 1:30:20.880
<v Speaker 1>And at some point.

1:30:20.640 --> 1:30:22.719
<v Speaker 3>Someone was like, oh, yeah, we should like make him

1:30:22.800 --> 1:30:25.879
<v Speaker 3>like a superhero. He's gonna from this team, the Team Brigade.

1:30:26.320 --> 1:30:30.760
<v Speaker 3>You know, he's gonna be an accessible kid hero and

1:30:30.760 --> 1:30:34.559
<v Speaker 3>and kind of throughout comics he's been. He's been in

1:30:34.600 --> 1:30:37.519
<v Speaker 3>that role for many many characters beginning he's.

1:30:39.160 --> 1:30:41.360
<v Speaker 1>A bomb and he was a rock star.

1:30:41.640 --> 1:30:45.320
<v Speaker 3>Yeah, and he's always just a really generic dude. That's

1:30:45.360 --> 1:30:49.160
<v Speaker 3>like the funniest thing. And it's like he is just

1:30:49.240 --> 1:30:54.160
<v Speaker 3>a perennial that guy in London. We would call him

1:30:54.160 --> 1:30:56.639
<v Speaker 3>a side man. Yeah, it's like so it's like it's

1:30:56.720 --> 1:31:00.200
<v Speaker 3>really funny. But the reason he is relevant here is

1:31:00.240 --> 1:31:07.000
<v Speaker 3>that in the original Captain Marvel comics, Marvel Marvel was

1:31:07.040 --> 1:31:10.880
<v Speaker 3>given the Naga Bands which we were right. We did

1:31:10.920 --> 1:31:14.599
<v Speaker 3>predict that the Negga bands may be the Bangles, maybe

1:31:14.600 --> 1:31:17.280
<v Speaker 3>a representation of them. Remember we saw the bangle first

1:31:17.280 --> 1:31:19.840
<v Speaker 3>come off a blue skinned arm, which implies they were Cree.

1:31:20.720 --> 1:31:23.400
<v Speaker 3>Captain Marvel was given the Nagga bands. When he and

1:31:23.520 --> 1:31:27.400
<v Speaker 3>Rick Jones wore the Negga bands, they could switch places. Yes,

1:31:27.640 --> 1:31:31.400
<v Speaker 3>Rick Jones essentially became Captain Marvel's Earth alter ego, and

1:31:31.479 --> 1:31:34.439
<v Speaker 3>when he tapped the Negga bands, Captain Marvel would take

1:31:34.439 --> 1:31:37.759
<v Speaker 3>his place. Now, whenever one of them was not on Earth,

1:31:37.880 --> 1:31:41.679
<v Speaker 3>the other one was stuck Nega bands in the negative zone.

1:31:43.120 --> 1:31:46.479
<v Speaker 3>It is very interesting to then see that here because

1:31:46.479 --> 1:31:48.880
<v Speaker 3>that is essentially what we just saw happen to Kamala.

1:31:48.920 --> 1:31:52.080
<v Speaker 3>The big question is, as we have briefly mentioned before

1:31:52.960 --> 1:31:55.559
<v Speaker 3>in Marvel, we have not met the negative zone. The

1:31:55.600 --> 1:31:58.720
<v Speaker 3>negative zone is an important Fantastic four location. There are

1:31:58.720 --> 1:32:01.200
<v Speaker 3>a lot of connections that could be made. Yeah, what

1:32:01.240 --> 1:32:04.600
<v Speaker 3>we have met is the quantum realm, and there is

1:32:04.640 --> 1:32:07.760
<v Speaker 3>a version, a later version of the bands that are

1:32:07.920 --> 1:32:11.479
<v Speaker 3>the quantum bands. So which one is it gonna be?

1:32:11.560 --> 1:32:13.640
<v Speaker 3>That's kind of the big question. But that's that's the

1:32:13.720 --> 1:32:15.680
<v Speaker 3>Rick jonesiness of it all and that is all.

1:32:15.760 --> 1:32:19.519
<v Speaker 2>So let let me add it well before we go there,

1:32:19.560 --> 1:32:21.960
<v Speaker 2>let me add another wrinkle to this, another X Men

1:32:22.160 --> 1:32:26.920
<v Speaker 2>style wrinkle in the comics UH Rogue, famous X Men.

1:32:27.120 --> 1:32:33.160
<v Speaker 2>Who's whose power is that she touches someone and then

1:32:33.200 --> 1:32:36.280
<v Speaker 2>she takes their memories And if she touches.

1:32:36.040 --> 1:32:38.800
<v Speaker 1>A powered she touches a music power, she steals.

1:32:38.479 --> 1:32:40.719
<v Speaker 2>Their powers for a time, and for a time because

1:32:41.040 --> 1:32:45.360
<v Speaker 2>she had come into contact with Carol Danvers, Captain Marvel, UH,

1:32:45.800 --> 1:32:51.520
<v Speaker 2>Captain Marvel's psyche became embedded in Rogue and would occasionally

1:32:51.560 --> 1:32:54.479
<v Speaker 2>come out at different times and it would be Carol Danvers,

1:32:54.920 --> 1:32:55.400
<v Speaker 2>where am I?

1:32:55.479 --> 1:32:55.679
<v Speaker 1>What?

1:32:55.680 --> 1:32:55.800
<v Speaker 3>What?

1:32:55.840 --> 1:32:56.320
<v Speaker 1>Body? Man?

1:32:56.400 --> 1:32:56.519
<v Speaker 3>What?

1:32:56.640 --> 1:32:56.680
<v Speaker 2>Was?

1:32:57.680 --> 1:32:58.400
<v Speaker 1>Are they?

1:32:59.520 --> 1:33:03.240
<v Speaker 2>Are they not just Rick joinsing Kamala? But are they

1:33:03.400 --> 1:33:04.439
<v Speaker 2>roguing Kamala?

1:33:04.800 --> 1:33:05.759
<v Speaker 3>Are they roguing?

1:33:06.040 --> 1:33:09.000
<v Speaker 1>Are they roguing Kamala? And Captain Marvel.

1:33:09.400 --> 1:33:12.160
<v Speaker 3>I'm trying to work out, like Saul just put Freaky Friday,

1:33:12.240 --> 1:33:14.599
<v Speaker 3>So I'm basically saying like I'm trying to work out

1:33:14.880 --> 1:33:18.639
<v Speaker 3>what the purpose of this choice is. It definitely seems

1:33:18.720 --> 1:33:22.760
<v Speaker 3>like it's setting up the Marvels, right. Carol has to

1:33:23.080 --> 1:33:27.360
<v Speaker 3>find where this young girl went missing or get back

1:33:27.400 --> 1:33:30.280
<v Speaker 3>to where she was, so she enlists Monica, and obviously

1:33:30.320 --> 1:33:32.400
<v Speaker 3>they're gonna have to get over that beef that Monica

1:33:32.479 --> 1:33:36.120
<v Speaker 3>understandably has with her for like constantly just breezing on Earth.

1:33:36.360 --> 1:33:38.959
<v Speaker 3>But what I think is really interesting is we definitely

1:33:39.000 --> 1:33:43.559
<v Speaker 3>know one thing. Carol was off Earth and nobody knew

1:33:43.560 --> 1:33:46.320
<v Speaker 3>where she was. That is a recurring talking point in

1:33:46.360 --> 1:33:48.559
<v Speaker 3>this season where people like, where's Captain Marvel? Why does

1:33:48.640 --> 1:33:50.960
<v Speaker 3>nobody know? We assumed she would just being her usual

1:33:51.560 --> 1:33:55.120
<v Speaker 3>off in the universe, leaving everyone by themselvesself, But obviously

1:33:55.160 --> 1:33:57.840
<v Speaker 3>she was trapped in this place, and in some way

1:33:58.000 --> 1:34:02.719
<v Speaker 3>it's connected to the band, or the band called Carol

1:34:02.800 --> 1:34:06.760
<v Speaker 3>back because of her connection to the Cree. It is unbelievable.

1:34:07.160 --> 1:34:11.960
<v Speaker 3>I've always ever since they did introduce Carol into the MCU,

1:34:12.400 --> 1:34:15.200
<v Speaker 3>I've wanted them to do the rogue stuff. I hope

1:34:15.200 --> 1:34:19.559
<v Speaker 3>that if it happens, that is another addition of rogue

1:34:19.560 --> 1:34:22.680
<v Speaker 3>coming in. Maybe they need rogue to separate the two

1:34:22.720 --> 1:34:24.519
<v Speaker 3>of them or something. But seeing as we only have

1:34:24.600 --> 1:34:27.479
<v Speaker 3>one bangle, I think the Marvels is going to continue

1:34:27.520 --> 1:34:29.040
<v Speaker 3>our art to fact trend and we're going to have

1:34:29.040 --> 1:34:33.599
<v Speaker 3>to see Carol seeking out that other bangle to kind

1:34:33.600 --> 1:34:36.040
<v Speaker 3>of get control of this. Now what I really want

1:34:36.080 --> 1:34:37.519
<v Speaker 3>to know because this could be very fun. I have

1:34:37.600 --> 1:34:40.840
<v Speaker 3>to say, yeah, this I'm hoping whatever the Marvels is

1:34:40.840 --> 1:34:43.439
<v Speaker 3>is a little bit of a recontextualization of Captain Marvel

1:34:43.520 --> 1:34:46.000
<v Speaker 3>in the way they did with Thor and with Doctor Strange.

1:34:46.439 --> 1:34:50.400
<v Speaker 3>Because I loved this end with Brie Larsen. There was

1:34:50.439 --> 1:34:52.799
<v Speaker 3>so much more humor in it than Carol's been allowed

1:34:52.800 --> 1:34:54.920
<v Speaker 3>to have before, and it was very kind of wacky,

1:34:54.960 --> 1:34:59.360
<v Speaker 3>and her costume was badass. So I would, yeah, I'd

1:34:59.400 --> 1:35:01.120
<v Speaker 3>be very happy to see where this is going to go.

1:35:01.200 --> 1:35:04.200
<v Speaker 3>And I really want to know if Caroly and Kamala

1:35:04.240 --> 1:35:07.559
<v Speaker 3>will be able to communicate because Rick James Jones and

1:35:07.600 --> 1:35:10.240
<v Speaker 3>Captain Marvel they can communicate when one of them is

1:35:10.240 --> 1:35:13.120
<v Speaker 3>in the negative zone. So it will be really fun

1:35:13.160 --> 1:35:15.160
<v Speaker 3>to see if that's something they bring in. And also

1:35:15.760 --> 1:35:18.479
<v Speaker 3>another thing, this is kind of more serious narrative, but

1:35:18.600 --> 1:35:21.640
<v Speaker 3>like I wonder if because now Caroly and Kamala are

1:35:21.720 --> 1:35:24.719
<v Speaker 3>so connected, I wonder if they'll follow the comic book

1:35:24.840 --> 1:35:27.880
<v Speaker 3>ark that they took, where Kamala comes to that realization

1:35:28.000 --> 1:35:32.439
<v Speaker 3>that Carol is not necessarily the hero on a pedestal.

1:35:32.400 --> 1:35:36.840
<v Speaker 2>That she and it's different. Yeah, there's a different. I mean, listen,

1:35:36.920 --> 1:35:43.200
<v Speaker 2>Carol is Carol. Carol in the comics has taken the

1:35:43.320 --> 1:35:45.720
<v Speaker 2>side that I would prefer her not to take. I

1:35:45.760 --> 1:35:49.519
<v Speaker 2>can come multiple multiple times across the history of the

1:35:49.560 --> 1:35:53.840
<v Speaker 2>Marvel she's on the wrong side of both civil wars.

1:35:53.880 --> 1:35:59.599
<v Speaker 1>Like I love her, but she she she's a cop.

1:35:59.640 --> 1:36:02.439
<v Speaker 2>She's just she's a space cop. She's a space cop.

1:36:02.479 --> 1:36:04.519
<v Speaker 2>I don't want to see who she votes for. Let's

1:36:04.520 --> 1:36:06.439
<v Speaker 2>just put it that way with Carol, who again I love.

1:36:08.040 --> 1:36:12.400
<v Speaker 2>Let's talk about you know what we've talked so many

1:36:12.439 --> 1:36:15.000
<v Speaker 2>times about how how are they going to bring the

1:36:15.120 --> 1:36:15.320
<v Speaker 2>X Men?

1:36:15.360 --> 1:36:16.120
<v Speaker 1>How are they going to do it?

1:36:16.160 --> 1:36:19.599
<v Speaker 2>First of all, let's just say that what this shows us,

1:36:19.720 --> 1:36:22.679
<v Speaker 2>and what WandaVision showed us as well, is that mutants

1:36:22.720 --> 1:36:26.960
<v Speaker 2>are here. Whatever however they do it, they've already laid.

1:36:26.800 --> 1:36:28.800
<v Speaker 1>The groundwork for mutants are already here.

1:36:28.840 --> 1:36:31.559
<v Speaker 2>Now, what we didn't know and what we said in

1:36:31.600 --> 1:36:35.680
<v Speaker 2>the past was super important track to be laid to

1:36:35.800 --> 1:36:37.800
<v Speaker 2>eventually introduce these mutants is we need to get to

1:36:37.840 --> 1:36:41.200
<v Speaker 2>a place where powered people are hated and feared or else.

1:36:41.240 --> 1:36:43.440
<v Speaker 2>Why even have the X Men? They're just like superheroes,

1:36:43.439 --> 1:36:46.519
<v Speaker 2>Like everyone we've we're getting there now. Ye yeah, we're

1:36:46.880 --> 1:36:50.439
<v Speaker 2>the way that Deaver acts the way they exactly department, which,

1:36:50.479 --> 1:36:52.799
<v Speaker 2>by the way, is hilarious because Department of Damage Control

1:36:52.920 --> 1:36:56.479
<v Speaker 2>is just like the fucking Keystone Cops and the car exactly.

1:36:56.960 --> 1:36:59.240
<v Speaker 3>So this is this is the thing I'm really interested in.

1:36:59.280 --> 1:37:01.400
<v Speaker 3>So I think that two routes that Diva could go.

1:37:02.120 --> 1:37:07.439
<v Speaker 3>I think that we will either see her essentially go

1:37:07.560 --> 1:37:12.600
<v Speaker 3>to Sword and steal some kind of technology from DODC

1:37:12.760 --> 1:37:15.000
<v Speaker 3>and take it there and create what the sentinels are

1:37:15.000 --> 1:37:18.080
<v Speaker 3>because we saw the big size mechs, we saw something

1:37:18.160 --> 1:37:20.640
<v Speaker 3>like that, So I feel like that could happen, or

1:37:21.160 --> 1:37:25.120
<v Speaker 3>a really interesting route, which is another incredibly important thing

1:37:25.160 --> 1:37:28.120
<v Speaker 3>to have in an x Men story. I wonder if

1:37:28.520 --> 1:37:32.680
<v Speaker 3>she doesn't necessarily continue her route as a agent, but

1:37:32.760 --> 1:37:36.120
<v Speaker 3>she becomes the x Men hate the pat that enhanced

1:37:36.120 --> 1:37:40.160
<v Speaker 3>individual hating politician. That's such a key part of the

1:37:40.400 --> 1:37:44.599
<v Speaker 3>x Men law, and I could definitely see her running

1:37:44.600 --> 1:37:48.600
<v Speaker 3>on a platform. It's very easy to stoke mass violence

1:37:48.640 --> 1:37:51.640
<v Speaker 3>and mass fear and mass confusion when you have a

1:37:51.720 --> 1:37:55.320
<v Speaker 3>huge political platform. So I think that could be another

1:37:55.400 --> 1:37:58.040
<v Speaker 3>route where we go on this escalated version and then

1:37:58.080 --> 1:38:01.680
<v Speaker 3>once she is in power, she can take over DODC

1:38:01.880 --> 1:38:04.640
<v Speaker 3>or she can create it. Even by the way stream version.

1:38:05.360 --> 1:38:09.600
<v Speaker 2>What a great platform for Armor Wars for roady O

1:38:10.479 --> 1:38:14.719
<v Speaker 2>to be like, they're using my friend's technology to hunt

1:38:14.760 --> 1:38:15.320
<v Speaker 2>people down.

1:38:15.400 --> 1:38:18.840
<v Speaker 1>That's what they're using it for. I have to stop this. Uh,

1:38:19.080 --> 1:38:21.559
<v Speaker 1>it's awesome, that's great.

1:38:21.600 --> 1:38:25.439
<v Speaker 2>And by the way, and so I think the X

1:38:25.479 --> 1:38:28.360
<v Speaker 2>Men are around somewhere. I agree as we said, as

1:38:28.400 --> 1:38:31.759
<v Speaker 2>we said last episode, like it would be no problem

1:38:31.840 --> 1:38:34.320
<v Speaker 2>for Charles using his powers of Magneto with the abilities

1:38:34.320 --> 1:38:38.080
<v Speaker 2>he has to just hide the whole school from everybody.

1:38:38.320 --> 1:38:42.280
<v Speaker 3>If Kamala exists as she does and is her only

1:38:42.320 --> 1:38:45.080
<v Speaker 3>interactions with Damage Control have been when she manifests her

1:38:45.120 --> 1:38:48.679
<v Speaker 3>powers in a very public way. There is no reason

1:38:49.280 --> 1:38:52.479
<v Speaker 3>that other people who a mutants might not have been around.

1:38:52.600 --> 1:38:55.519
<v Speaker 3>And it's actually very narratively easy to explain it. You

1:38:55.680 --> 1:39:00.280
<v Speaker 3>have these big government backed superheroes. You don't need to

1:39:00.320 --> 1:39:01.840
<v Speaker 3>go out there, you don't need to put yourself in

1:39:01.920 --> 1:39:06.040
<v Speaker 3>that risk. Captain America exists, the Avengers exist. That is gone.

1:39:06.120 --> 1:39:09.920
<v Speaker 3>Now there is a new or there is a new

1:39:10.000 --> 1:39:13.400
<v Speaker 3>generation of heroes. There is a potential that a more

1:39:13.479 --> 1:39:16.720
<v Speaker 3>responsible adult in that situation at Charles or maybe even

1:39:16.720 --> 1:39:19.559
<v Speaker 3>a magneto on the other side of things or a storm.

1:39:19.920 --> 1:39:21.280
<v Speaker 3>You know, that's one of them. She's one of the

1:39:21.320 --> 1:39:24.439
<v Speaker 3>most perennially popular characters and has been the head teacher.

1:39:24.520 --> 1:39:26.439
<v Speaker 3>I think that we could see a world where they're

1:39:26.479 --> 1:39:29.360
<v Speaker 3>gonna come out of that hiding to help these young people.

1:39:29.920 --> 1:39:32.439
<v Speaker 2>Well, I think that the cool thing is that we've

1:39:32.439 --> 1:39:36.559
<v Speaker 2>gotten to a place where it is actually the anti powered,

1:39:36.960 --> 1:39:41.600
<v Speaker 2>the anti enhanced individual kind of like feeling makes a

1:39:41.640 --> 1:39:44.040
<v Speaker 2>lot of sense because the previous people who had powers,

1:39:44.040 --> 1:39:45.160
<v Speaker 2>everybody knew who they were.

1:39:45.160 --> 1:39:45.639
<v Speaker 1>There were no.

1:39:47.760 --> 1:39:51.559
<v Speaker 2>Spider Man is the first character who had a secret identity.

1:39:51.560 --> 1:39:52.559
<v Speaker 1>Nobody knew who he was.

1:39:52.680 --> 1:39:56.400
<v Speaker 2>But crucially, Tony Stark co signed for this person. So

1:39:56.479 --> 1:39:58.559
<v Speaker 2>it seemed like, you know, you could see how the

1:39:58.600 --> 1:40:02.080
<v Speaker 2>general public Okay, well Tony's that's just fine.

1:40:02.240 --> 1:40:03.000
<v Speaker 1>Yeah, that's okay.

1:40:03.200 --> 1:40:08.479
<v Speaker 2>But but Deaver nailed it. This is what happens when

1:40:08.479 --> 1:40:11.760
<v Speaker 2>the wrong people get powers, and and that is the

1:40:11.880 --> 1:40:15.680
<v Speaker 2>dynamic that's going to be at play now that mutants

1:40:15.800 --> 1:40:20.320
<v Speaker 2>are starting to come to the Foe. Now, now we

1:40:20.439 --> 1:40:24.120
<v Speaker 2>mentioned that clearly Damage Control has some kind of technology

1:40:24.160 --> 1:40:27.240
<v Speaker 2>where they can track powers, they can hone in you know,

1:40:27.240 --> 1:40:30.040
<v Speaker 2>in a very very primitive way on a power signature

1:40:30.600 --> 1:40:33.960
<v Speaker 2>comrades in this case, and follow that person. They're going

1:40:34.040 --> 1:40:36.839
<v Speaker 2>to hone that I think right, And I already mentioned

1:40:36.840 --> 1:40:40.960
<v Speaker 2>my crazy theory that that Arnhem Sola's like algorithm is

1:40:41.000 --> 1:40:42.320
<v Speaker 2>going to be a part of this process.

1:40:42.520 --> 1:40:44.720
<v Speaker 1>That's actually really small. I think it makes sense.

1:40:45.280 --> 1:40:48.840
<v Speaker 2>We know what they knew about doctor Strom way back

1:40:48.840 --> 1:40:49.240
<v Speaker 2>in the day.

1:40:49.320 --> 1:40:52.280
<v Speaker 3>Look, you know what the history of real world has

1:40:52.320 --> 1:40:57.439
<v Speaker 3>told us. Yeah, any government does not have a problem

1:40:57.479 --> 1:41:01.080
<v Speaker 3>with using Nazi technology or Nazi a film's science. That

1:41:01.120 --> 1:41:02.719
<v Speaker 3>has been the history of.

1:41:02.840 --> 1:41:06.360
<v Speaker 1>Many whoever has done the best tech. It's exactly care

1:41:06.800 --> 1:41:08.360
<v Speaker 1>I like who you are.

1:41:08.520 --> 1:41:11.760
<v Speaker 3>I do not believe that d O DC wouldn't have

1:41:11.960 --> 1:41:16.639
<v Speaker 3>Shield tech because they care about er that is that

1:41:16.640 --> 1:41:19.639
<v Speaker 3>that is gonna be what I think.

1:41:20.120 --> 1:41:23.920
<v Speaker 2>I am like what we've again, we've been like, how

1:41:23.960 --> 1:41:24.400
<v Speaker 2>do they do it?

1:41:24.439 --> 1:41:25.040
<v Speaker 1>How do they do it?

1:41:25.240 --> 1:41:27.960
<v Speaker 2>I think that there's a world where as I mentioned

1:41:28.000 --> 1:41:31.080
<v Speaker 2>last episode, they have this technology where they can track powers.

1:41:31.240 --> 1:41:34.639
<v Speaker 2>They had that Hydra algorithm that Shield had that allowed

1:41:34.680 --> 1:41:36.680
<v Speaker 2>them to kind of like crunch numbers and figure out

1:41:36.680 --> 1:41:39.160
<v Speaker 2>who's going to be a threat. They combine those two things.

1:41:39.160 --> 1:41:41.280
<v Speaker 2>They turn on the computer one day and they just

1:41:41.360 --> 1:41:44.960
<v Speaker 2>see like some mansion in upstate New York is just

1:41:45.040 --> 1:41:48.240
<v Speaker 2>all lit up with power. What and so Diver or

1:41:48.280 --> 1:41:50.680
<v Speaker 2>whoever happens to be in control of this program at

1:41:50.680 --> 1:41:52.439
<v Speaker 2>that point in time, just says, you know what, send

1:41:52.439 --> 1:41:57.479
<v Speaker 2>in the upgraded drone and that gives us, gives us

1:41:57.479 --> 1:41:59.200
<v Speaker 2>our entree to the X Men. It's just like a

1:41:59.600 --> 1:42:04.920
<v Speaker 2>a classic the Sentinels are at the mansion fight between

1:42:04.960 --> 1:42:07.040
<v Speaker 2>the X Men and the Sentinels.

1:42:07.080 --> 1:42:09.000
<v Speaker 3>You know, we know how much X Men the animated

1:42:09.120 --> 1:42:12.120
<v Speaker 3>series is impacting this at this point with the theme

1:42:12.240 --> 1:42:14.320
<v Speaker 3>with the show coming out, you know, maybe they'll have

1:42:14.360 --> 1:42:17.160
<v Speaker 3>them at the mall classic style, you know, I mean

1:42:17.360 --> 1:42:19.760
<v Speaker 3>the classic fight where you find the Jubilee, you find

1:42:19.800 --> 1:42:21.760
<v Speaker 3>the more rare at kids. I feel like there is

1:42:21.800 --> 1:42:24.960
<v Speaker 3>a lot of scope. We have been thinking about this

1:42:25.040 --> 1:42:27.040
<v Speaker 3>a lot because we love the X Men shock spoiler

1:42:27.040 --> 1:42:30.920
<v Speaker 3>a lot, but like, I'm so impressed by how casually

1:42:31.000 --> 1:42:34.720
<v Speaker 3>and easily they made it seem absolutely possible.

1:42:35.360 --> 1:42:41.280
<v Speaker 2>Now Here's my question is, are have Charles and have

1:42:41.439 --> 1:42:45.640
<v Speaker 2>Charles and Magneto split yet in this in where we

1:42:45.720 --> 1:42:48.160
<v Speaker 2>are post end game, post blit, all this stuff is

1:42:48.200 --> 1:42:54.200
<v Speaker 2>for like, are they still together or did they split? Because,

1:42:55.080 --> 1:43:00.840
<v Speaker 2>as someone on Twitter replied to me, you could very

1:43:00.880 --> 1:43:04.599
<v Speaker 2>easily see Magneto saying, well, look, look who they accept

1:43:05.040 --> 1:43:08.120
<v Speaker 2>who has powers? These normal people, they accept them, but

1:43:08.200 --> 1:43:10.200
<v Speaker 2>if we were to come out, they would hate us.

1:43:11.840 --> 1:43:14.760
<v Speaker 2>So we should just the power people are here and

1:43:14.800 --> 1:43:18.759
<v Speaker 2>they're taking the spot that we should have as Homo superior.

1:43:18.840 --> 1:43:22.240
<v Speaker 2>We should just reveal ourselves. And I could see that being,

1:43:22.680 --> 1:43:26.479
<v Speaker 2>if not the break, the kind of philosophical argument that

1:43:26.760 --> 1:43:29.680
<v Speaker 2>starts the break, whether or not they've actually split up.

1:43:30.439 --> 1:43:34.519
<v Speaker 3>So I still think this is the biggest question because

1:43:34.560 --> 1:43:39.040
<v Speaker 3>we are, you know, so far away from World War

1:43:39.080 --> 1:43:45.519
<v Speaker 3>two now, but Magneto's origin is absolutely vital. So I

1:43:46.479 --> 1:43:50.240
<v Speaker 3>will be very interested to see in my because of

1:43:50.280 --> 1:43:52.799
<v Speaker 3>the stories I enjoy. I think I love to see

1:43:52.840 --> 1:43:55.640
<v Speaker 3>a contemporary Charles and Eric, but we are in the

1:43:55.680 --> 1:43:59.320
<v Speaker 3>realm of multi versus old timelines, et cetera. Time travel.

1:43:59.720 --> 1:44:01.800
<v Speaker 3>Maybe there is the way that you can still have that.

1:44:01.920 --> 1:44:04.840
<v Speaker 3>Maybe they're just slightly younger, Maybe they have a you know,

1:44:05.080 --> 1:44:10.600
<v Speaker 3>we've seen Wolverine. He's a character, never really agent.

1:44:11.760 --> 1:44:15.760
<v Speaker 2>Eric is a they can make Eric a grandchild of

1:44:17.160 --> 1:44:19.120
<v Speaker 2>another way they could do it too. But I do

1:44:19.200 --> 1:44:23.439
<v Speaker 2>think listen, if the again the Zola theory is all mine,

1:44:23.880 --> 1:44:25.600
<v Speaker 2>it's no, this is it's crackpot.

1:44:25.800 --> 1:44:27.479
<v Speaker 1>But at the same time, like you could.

1:44:27.320 --> 1:44:35.080
<v Speaker 2>See if if they maintain Eric having that lineage Jewish

1:44:35.120 --> 1:44:39.440
<v Speaker 2>superhero survivor of the Holocaust or children child of survivors,

1:44:39.800 --> 1:44:41.240
<v Speaker 2>where he'd like, go, look.

1:44:42.880 --> 1:44:44.720
<v Speaker 1>All their all their technology is.

1:44:44.760 --> 1:44:50.280
<v Speaker 2>Nazi anyway, Their main security international security apparatus was like

1:44:50.640 --> 1:44:55.040
<v Speaker 2>ninety five percent Nazis. Their Captain America was powered up

1:44:55.520 --> 1:44:57.920
<v Speaker 2>and was supported by active.

1:44:57.600 --> 1:44:59.519
<v Speaker 1>Nazis work for active Nazis.

1:44:59.520 --> 1:45:02.240
<v Speaker 2>Didn't know, but still, yeah, I think that's we need

1:45:02.280 --> 1:45:04.280
<v Speaker 2>to do something about this, Okay.

1:45:04.080 --> 1:45:07.479
<v Speaker 3>So then I think the funniest thing is it is

1:45:07.520 --> 1:45:11.080
<v Speaker 3>like very wild to be talking about this where next

1:45:11.160 --> 1:45:13.719
<v Speaker 3>week we will both be in San Diego Comic Con

1:45:14.080 --> 1:45:17.960
<v Speaker 3>and we will buy two weeks probably have an idea

1:45:18.200 --> 1:45:20.439
<v Speaker 3>of where this is all going, because I feel like

1:45:21.160 --> 1:45:24.240
<v Speaker 3>bringing in the term mutation playing the X Men team,

1:45:24.560 --> 1:45:27.799
<v Speaker 3>We're probably going to get at least a title reveal

1:45:27.960 --> 1:45:30.680
<v Speaker 3>or a release date for an X Men project at

1:45:30.760 --> 1:45:35.040
<v Speaker 3>San Diego, maybe casting for the Fantastic Four that seems

1:45:35.080 --> 1:45:38.280
<v Speaker 3>a little bit closer. So I'm very interested to see

1:45:38.280 --> 1:45:39.920
<v Speaker 3>how much more that will lay out, because I think

1:45:39.920 --> 1:45:44.160
<v Speaker 3>you make a really great point, and like, look, we

1:45:44.280 --> 1:45:48.519
<v Speaker 3>are both Marvel stands, Like we remember the world the

1:45:48.560 --> 1:45:51.560
<v Speaker 3>four Marvel studios, and we remember the desolate times of

1:45:51.600 --> 1:45:54.280
<v Speaker 3>the nineties and the like Captain America movies and stuff.

1:45:54.320 --> 1:45:58.120
<v Speaker 3>As much as I love them, it'sah it, we are big.

1:45:58.600 --> 1:46:00.960
<v Speaker 3>We have a lot of love for these franchises. But

1:46:01.120 --> 1:46:05.320
<v Speaker 3>there's probably never been a more pivotal moment since they

1:46:05.400 --> 1:46:08.120
<v Speaker 3>chose to make Iron Man and they cast Robert Downey Jr.

1:46:08.200 --> 1:46:10.080
<v Speaker 3>And they ended the movie with him saying I am

1:46:10.120 --> 1:46:14.799
<v Speaker 3>iron Man, and they took that near bankruptcy inducing deal

1:46:15.680 --> 1:46:17.720
<v Speaker 3>to put that movie up. There's probably never been an

1:46:17.760 --> 1:46:22.559
<v Speaker 3>as pivotal moment since then as there is now of

1:46:22.600 --> 1:46:25.640
<v Speaker 3>them getting this right, because if you don't get the

1:46:25.840 --> 1:46:30.200
<v Speaker 3>X Men and or the Fantastic Four right, you're probably

1:46:30.760 --> 1:46:34.840
<v Speaker 3>gonna that the road of the MCU is going to change.

1:46:35.320 --> 1:46:38.240
<v Speaker 3>So I feel like it's I'm so excited, and for me,

1:46:39.360 --> 1:46:42.160
<v Speaker 3>this is a great way to start with a young Also,

1:46:42.200 --> 1:46:44.840
<v Speaker 3>this is very very in the weeds, but I do

1:46:44.880 --> 1:46:47.320
<v Speaker 3>think it's very cute and I think it's intentional. In

1:46:47.360 --> 1:46:51.240
<v Speaker 3>the comics Cininically thanks to Chris Claremont's X Memoran Our

1:46:51.240 --> 1:46:57.040
<v Speaker 3>favor X Memoran, Jean Gray aka Marvel Girl, is Charles

1:46:57.200 --> 1:47:01.360
<v Speaker 3>Xavier's first student. I love that in the MCU there

1:47:01.400 --> 1:47:03.799
<v Speaker 3>is a world where Miss Marvel is his first student.

1:47:03.880 --> 1:47:06.040
<v Speaker 3>I think there are parallels here that they're trying to

1:47:06.120 --> 1:47:09.080
<v Speaker 3>make that would be really lovely and would hark back

1:47:09.120 --> 1:47:11.519
<v Speaker 3>to the past of the X Men while also doing

1:47:11.560 --> 1:47:12.160
<v Speaker 3>something new.

1:47:13.760 --> 1:47:14.519
<v Speaker 1>I cannot wait.

1:47:14.760 --> 1:47:17.840
<v Speaker 2>I cannot wait for the X Men to finally make

1:47:17.840 --> 1:47:22.160
<v Speaker 2>their appearance. I And to your point, it's obviously like

1:47:22.200 --> 1:47:27.200
<v Speaker 2>a huge, huge, huge step for the for Marvel to

1:47:27.280 --> 1:47:29.840
<v Speaker 2>introduce the first family, the Fantastic Four and of course

1:47:29.880 --> 1:47:33.840
<v Speaker 2>the X Men, who's been the flagship heroes for you know,

1:47:34.560 --> 1:47:37.880
<v Speaker 2>maybe not the last ten years, but certainly the previous

1:47:37.960 --> 1:47:42.680
<v Speaker 2>thirty five to forty, so it's going to be a

1:47:42.760 --> 1:47:45.679
<v Speaker 2>huge deal. I'm weirdly more worried about the Fantastic Four intro,

1:47:45.840 --> 1:47:48.040
<v Speaker 2>of course, though that's a class movie, because I think

1:47:48.640 --> 1:47:52.720
<v Speaker 2>because I think that they've really like every To your point,

1:47:52.960 --> 1:47:55.679
<v Speaker 2>this entire the finale of Miss Marvel was like an

1:47:55.840 --> 1:48:00.599
<v Speaker 2>X Men story, and if and how hard they went

1:48:00.760 --> 1:48:06.440
<v Speaker 2>into the Outsider no thiss, the the creating your own community,

1:48:07.000 --> 1:48:12.240
<v Speaker 2>the like just embracing who you are despite the fact

1:48:12.240 --> 1:48:15.760
<v Speaker 2>that like society is going to shun you if they

1:48:15.840 --> 1:48:18.960
<v Speaker 2>do that, that like, if they commit to it, that

1:48:19.439 --> 1:48:21.680
<v Speaker 2>this hard. When they introduce the X Men, it's all

1:48:21.680 --> 1:48:23.280
<v Speaker 2>gonna be fine. I can't wait to see what happens.

1:48:23.400 --> 1:48:24.600
<v Speaker 3>Yeah, unbelievable.

1:48:27.040 --> 1:48:28.280
<v Speaker 1>Well that's it for us.

1:48:28.360 --> 1:48:30.639
<v Speaker 2>It's a big thank you to Rosie Knight for joining

1:48:30.720 --> 1:48:31.599
<v Speaker 2>us on X ray Vision.

1:48:31.640 --> 1:48:34.360
<v Speaker 1>Rosie plugs plugs, plugs, plugs, plugs. Blug buh buh buh

1:48:34.360 --> 1:48:36.280
<v Speaker 1>bu bu bub blub blug. Hey, well, do you got

1:48:36.280 --> 1:48:36.639
<v Speaker 1>a plug?

1:48:37.160 --> 1:48:39.240
<v Speaker 3>I got things to plug so you can stop putting

1:48:39.280 --> 1:48:43.519
<v Speaker 3>things in your diary for cool uh events for the

1:48:43.600 --> 1:48:47.040
<v Speaker 3>Godzilla signing, So I'm gonna be signing Godzilla Versus Batcher

1:48:47.320 --> 1:48:50.920
<v Speaker 3>with Mark Martinez, who did an brilliant cover for that

1:48:51.200 --> 1:48:54.680
<v Speaker 3>at Nostalgia Comics, So you'll be able to see us

1:48:54.720 --> 1:48:57.400
<v Speaker 3>there on the release day, which is going to be Wednesday,

1:48:57.840 --> 1:49:01.080
<v Speaker 3>the third of August, and then on on Saturday, the

1:49:01.280 --> 1:49:04.120
<v Speaker 3>sixth of August, we will be at Pulp Fiction, which

1:49:04.200 --> 1:49:06.519
<v Speaker 3>is my local comic shop in Long Beach, doing a

1:49:06.640 --> 1:49:10.040
<v Speaker 3>massive Godzilla Day with a ton of cool artists. Oliver

1:49:10.080 --> 1:49:12.880
<v Speaker 3>will be there, the amazing artist. We will have a

1:49:12.920 --> 1:49:15.639
<v Speaker 3>bunch of local artists from the inc and Dral. We'll

1:49:15.680 --> 1:49:18.599
<v Speaker 3>have my friend Brenda Chieves, an incredible cover artist Fi DW.

1:49:19.240 --> 1:49:22.080
<v Speaker 3>It's just going to be really fun and that will

1:49:22.120 --> 1:49:24.360
<v Speaker 3>be really cool. And next week I'll be doing a

1:49:24.479 --> 1:49:26.800
<v Speaker 3>lot of stuff at San Diego, so you will be

1:49:26.880 --> 1:49:30.759
<v Speaker 3>able to see there live vicariously through me. There, Jason,

1:49:30.840 --> 1:49:31.840
<v Speaker 3>you will also be there.

1:49:31.760 --> 1:49:34.000
<v Speaker 1>Right, Yeah, we're gonna be there.

1:49:38.520 --> 1:49:41.360
<v Speaker 2>X Ray Vision has a new YouTube home that takeline

1:49:41.439 --> 1:49:44.360
<v Speaker 2>channels now dedicated all things Extra Vision, so check that

1:49:44.479 --> 1:49:49.000
<v Speaker 2>out for recaps, primers, etc. Also, we have a discord.

1:49:49.200 --> 1:49:51.759
<v Speaker 2>Check the show notes for the link to our discord.

1:49:51.880 --> 1:49:55.200
<v Speaker 2>Please join love to have you there for.

1:49:55.320 --> 1:49:56.240
<v Speaker 1>Next week's episode.

1:49:56.280 --> 1:49:58.200
<v Speaker 2>We're going to be at Comic Con, as we said,

1:49:58.600 --> 1:50:00.920
<v Speaker 2>and we're going to do this really we've decided this

1:50:01.000 --> 1:50:05.080
<v Speaker 2>whol thing. It's twenty twenty two, which means it's forty

1:50:05.160 --> 1:50:07.640
<v Speaker 2>years since the summer of nineteen eighty two when a

1:50:07.760 --> 1:50:10.280
<v Speaker 2>million million cool movies came out.

1:50:10.320 --> 1:50:12.440
<v Speaker 1>We've got to poll up now that will be running.

1:50:12.600 --> 1:50:14.960
<v Speaker 2>Up to next week, where you can choose. You can

1:50:15.080 --> 1:50:19.080
<v Speaker 2>vote on which of the many, many, many great movies

1:50:19.120 --> 1:50:20.760
<v Speaker 2>of nineteen eighty two. You want to hear us cover

1:50:21.600 --> 1:50:25.200
<v Speaker 2>from Comic Con next week, so check that out. The

1:50:25.320 --> 1:50:27.880
<v Speaker 2>voting process has already begun. Check out the Uncultured page

1:50:27.920 --> 1:50:28.600
<v Speaker 2>on social.

1:50:28.400 --> 1:50:32.120
<v Speaker 1>Media and vote. Your vote is your voice.

1:50:32.200 --> 1:50:34.400
<v Speaker 2>Please vote, then tune in July twenty second to find

1:50:34.400 --> 1:50:36.439
<v Speaker 2>out which film is chosen and which we talk about.

1:50:36.720 --> 1:50:40.479
<v Speaker 2>Don't forget five stars. Wherever you get your podcast, rate

1:50:40.520 --> 1:50:42.120
<v Speaker 2>and review us. If you want to review us, give

1:50:42.200 --> 1:50:42.880
<v Speaker 2>us the five stars.

1:50:42.960 --> 1:50:45.679
<v Speaker 1>We love it. X ray Vision is a Crooked Media production.

1:50:45.760 --> 1:50:47.600
<v Speaker 2>The show is produced by Chris Lord and Salrubin. The

1:50:47.600 --> 1:50:50.439
<v Speaker 2>show is executive produced by myself and Sandy Gerhard are

1:50:50.520 --> 1:50:54.519
<v Speaker 2>editing and sound designers by Vascillis Fatopoulos. Dylon Villanueva and

1:50:54.600 --> 1:50:57.840
<v Speaker 2>Matt Degroup provide video production support. Alex Rella for handle

1:50:57.920 --> 1:51:00.599
<v Speaker 2>social Media. Thank you Brian Vasquez for a see music,

1:51:01.080 --> 1:51:07.200
<v Speaker 2>See you next time. Bye bye mm hmm