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Speaker 1: In the morning. You gone the morning. I'm talking right,

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Speaker 1: I never you're about to experience a morning showing like

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Speaker 1: any yoast club. What you guys are doing right now,

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Speaker 1: it's the hump culture. Breakfast club is my morning. I

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Speaker 1: need it and I love it. Something like you're really

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Speaker 1: not popping until you do the breakfast club and waiting

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Speaker 1: come to y'all, show man. I know you gotta be

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Speaker 1: a big time celebt me to be up and here

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Speaker 1: you gotta be. You gotta be a big time DJ.

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Speaker 1: Entry at Lay and Charlotmagne the guy the breakfast Club bitching.

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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo. Good

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Speaker 1: morning Angela, yee hey, good man, Charlomagne the guy, Peace

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Speaker 1: to the plan. It is Tuesday. It's Tuesday, Yes week.

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Speaker 1: It's tough here in New York City in the Try State.

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Speaker 1: Now the weather's disgusting. Is about forty eight degrees. Yes,

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Speaker 1: it's disgusting out here. Well, maybe sooner than later people

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Speaker 1: will start taking climate change seriously, because if you don't

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Speaker 1: think climate change is a real thing at this point

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Speaker 1: in the games. Then I don't know what game you're

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Speaker 1: paying attention to. My goodness, it's the middle of May

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Speaker 1: in New York City, the New Jersey area, and it's

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Speaker 1: still cold, you're still got on hoodies. And I don't

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Speaker 1: know what's going on with sanitation, because New York is

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Speaker 1: disgusting right now. I was just walking walking over here

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Speaker 1: from the park a Lot and it's trash and garbage everywhere. Um,

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Speaker 1: that's been New York since the day I got here,

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Speaker 1: and that seems worse though I didn't get into two

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Speaker 1: thousand and six. New York's always gonna trashy place. If

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Speaker 1: you ask me. You go to so many different other places.

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Speaker 1: It's so clean, so neat they take care that city,

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Speaker 1: New York. It's just disgusting and wonder wonder way it

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Speaker 1: makes you wonder why your tax dollars going right? Yeah,

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Speaker 1: pretty much? Listen, somebody got to feed the rats rights

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Speaker 1: to New York bigg as hell, all right? The weather

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Speaker 1: for the t a, what would the rat feet? I

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Speaker 1: don't knows. Well. Last night I had a long lad

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Speaker 1: of course. Yesterday we celebrated my eighteenth year anniversary, me

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Speaker 1: and the wife yes, congratulations Again. We got massages and

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Speaker 1: we went to a nice restaurant and then we just

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Speaker 1: had a lot of sex. So it was great, great, great,

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Speaker 1: great great great for your legs, weak legs. My knee

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Speaker 1: hurts like am over man, I ain't even go from

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Speaker 1: my knee hurts, my back hurt. Once you get up

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Speaker 1: over forty boys, sex, sex especially after midnight, is very

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Speaker 1: screenuous tasks. Name was how all getting up this morning?

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Speaker 1: But yesterday I got it. Yes to hang out with Lizzo.

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Speaker 1: You know, I love her if she just did lip service,

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Speaker 1: So that'll be out on Friday. And then I hosted

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Speaker 1: this braid battle. Shout out to Mimi. She she does

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Speaker 1: gears here. Yeah, Mimi does gears here, brace for gears here.

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Speaker 1: So I hosted this braid battle. It was really fun

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Speaker 1: to see all these very talented stylists working on you know,

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Speaker 1: different competitions with the braids and everything. Yeah, she gets

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Speaker 1: big gears Envy's wife. Yeah, it gets my wife Asho,

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Speaker 1: who may just be joining us. And she also does

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Speaker 1: my son. She corn rolls my son's heir as well.

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Speaker 1: She's actually gonna be at the car show this year,

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Speaker 1: and she's gonna be braiding people if you need hair

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Speaker 1: braid during the car show, maybe women or kids or whatever.

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Speaker 1: She's gonna be braiding hairds during the show. She did

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Speaker 1: a last year. Her booth was rampacked, so yeah, it's

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Speaker 1: shout to me me going on vacation. Everybody wants to

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Speaker 1: get braids, and people came from all over. There were

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Speaker 1: people from Houston, from Atlanta, from Jamaica, like literally people

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Speaker 1: flew in for this competition. So it was pretty nice

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Speaker 1: to see everyone representing Ye put your braiders with respect. Man,

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Speaker 1: braids gonna get enough respect out here in these greets. Yeah,

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Speaker 1: you know how much patient you gotta have the braid. Yeah,

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Speaker 1: some of y'all be bringing y'all little nappy head kids

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Speaker 1: and then the kids only gotta half an inch your hand,

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Speaker 1: and y'all want them to get car rolls right, and

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Speaker 1: it needs the braids. Got to work. Miracles make that happen.

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Speaker 1: They do, They done, they do though. Yeah, she's done

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Speaker 1: an ALLANIV. Since she's done a while, she's had a

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Speaker 1: bunch of people, So shout to mee me. Now Today

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Speaker 1: on the show, Ava Duvenai will be joining us special coming. Yeah,

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Speaker 1: when they see us, when they see US Central Park five,

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Speaker 1: four part series on the Central Park five. It'll be

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Speaker 1: out on the thirty first from that mistaken that's right,

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Speaker 1: So we'll kick it with her today. And we got

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Speaker 1: from PAGs what we're talking about you all right, we're

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Speaker 1: gonna talk about this flight that was delayed because the

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Speaker 1: pilot got arrested and you won't believe why, my goodness.

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Speaker 1: All right, we'll get into that next. Keep a lot

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Speaker 1: just to Breakfast Club. Good morning morning. Everybody is DJ

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Speaker 1: mvy angela yee, Charlemagne the God we are to Breakfast Club.

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Speaker 1: Let's get in some front page news. Now. Last night

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Speaker 1: in sports, there was no games last name, but tonight

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Speaker 1: Game one Golden State Warriors take on the Portland Trail Blazes.

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Speaker 1: Am already YEP. Game on Wednesday. And also the NBA

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Speaker 1: lottery is tonight, and we'll see that the Knicks get

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Speaker 1: the first pick. So I'm excited about that. Yeah, man,

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Speaker 1: I hope that Zion Willison doesn't get kursted and the

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Speaker 1: New York Knicks get the number one pick. He deserves better,

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Speaker 1: my goodness. What else? Well, as long as James Dolan

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Speaker 1: is the owner of that organization, nothing, nothing will go

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Speaker 1: right for the New York Knicks. All right, Well, for

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Speaker 1: employees at Amazon that want to quit their job and

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Speaker 1: start their own delivery businesses, they are gonna help them out.

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Speaker 1: They are gonna pay ten thousand dollars and three months

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Speaker 1: salary to help workers start their own delivery businesses. So

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Speaker 1: it's gonna help them out a lot because they need

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Speaker 1: people to helped to deliver those Prime packages and those

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Speaker 1: Amazon branded vans and uniforms. And they had told employees

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Speaker 1: that they could apply to start their own small businesses

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Speaker 1: just last year, but unfortunately a lot of people didn't

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Speaker 1: have the capital that they needed to get their businesses

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Speaker 1: off the ground. So now they're going to give employees

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Speaker 1: up to ten thousand dollars of the startup money that

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Speaker 1: they need and three months of their existing Amazon got

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Speaker 1: to do something better, man, because these people will be

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Speaker 1: pulling up and you haul truck sometimes with Amazon shown,

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Speaker 1: I go get my pistol. I mean, I'll be nervous

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Speaker 1: because they come up in any type of vehicle. Yeah,

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Speaker 1: they do that, and they know in my neighborhood. They

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Speaker 1: pull up in like these non descript white vans and

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Speaker 1: you know, for somebody who has been in drug rade

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Speaker 1: before I got PTSD from stuff like that. You can't

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Speaker 1: just be pulling up Mark White vans makes me nervous.

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Speaker 1: What else we got you? All? Right? Now? Nike, according

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Speaker 1: to one Olympic runner, Alicia Montagno, says that they need

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Speaker 1: to do a better deal as far as maternally for

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Speaker 1: female athletes now. She was known as the pregnant runner

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Speaker 1: back in the twenty fourteen Olympics, and she did a

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Speaker 1: video where she says, basically, Nike's pretty hypocritical, but their

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Speaker 1: inspirational ad slogans and their maternity lead policy because they

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Speaker 1: said if she said, if you want to be an

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Speaker 1: athlete and a mother, well that's just crazy. She said, No, seriously,

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Speaker 1: it's not a good idea. She said when she told

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Speaker 1: Nike she was pregnant, they told her they would pause

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Speaker 1: her sponsorship contract and stop paying her. So she actually

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Speaker 1: had to tape her abs together and ship her breastmolk

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Speaker 1: from China to the United States during a competition after

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Speaker 1: her daughter was born because she didn't want to lose

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Speaker 1: sponsorships that she had because that's what made up her money. Wow,

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Speaker 1: So they just need to figure out a better way

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Speaker 1: to make sure that women are able to be on

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Speaker 1: maternity leave not be in risk of losing that sponsorship

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Speaker 1: money that helps them out a lot. I'm shocked going

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Speaker 1: to come to the maternity leave. Nike just doesn't tell them.

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Speaker 1: Just do it. Yeah, I mean they can. They just

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Speaker 1: have to pause their sponsorship. I know, I get it,

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Speaker 1: but I'm playing American Airlines. Let's talk about a pilot

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Speaker 1: that actually ended up getting arrested and the flight got delayed,

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Speaker 1: and that's because the pilot, Christian Richard Martin, was arrested

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Speaker 1: one day after a grand jury indicted him for triple murder.

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Speaker 1: He's a pilot, Yeah, he's pilot. Allegedly he killed his

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Speaker 1: Calvin and Pamela Phillips of Pembroke, Kentucky, and their neighbor.

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Speaker 1: They said Calvin Phillips was discovered dead in the cellar

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Speaker 1: of his house from a gunshot wound, while his wife

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Speaker 1: and the neighbor, Edward Dancerro were found dead in a

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Speaker 1: nearby phil So they did not list a possible motive,

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Speaker 1: but they did say that Christian Richard Martin served in

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Speaker 1: the military earlier this decade and was court marshaled in

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Speaker 1: a case involving physical and sexual abuse and mishandling classified information.

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Speaker 1: So so he was in the military, he might he

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Speaker 1: might be suffering from some type of PTS, some type

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Speaker 1: of trauma. Right. But yeah, that was the crazy magine

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Speaker 1: because people were actually about to get on the flight.

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Speaker 1: It was right there like boarding, and they pilot got arrested.

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Speaker 1: That's crazy, that's crazy. Yeah, that is insane, that's all

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Speaker 1: you know. That's why you when you got to speak

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Speaker 1: to the apology when you get on the plane. Man,

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Speaker 1: sometimes you just gotta look in the polot's eyes and

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Speaker 1: say hello, you know, just to make sure that he

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Speaker 1: or she is all there. You know what they started

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Speaker 1: doing on Delton. Now the pilot comes out and so

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Speaker 1: reach to everybody. That's kind of They don't always do that,

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Speaker 1: but now in every fight I've been on lately, they

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Speaker 1: do that. Think about how how we just put our

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Speaker 1: lives in the hands of certain people and don't even

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Speaker 1: know what that person looks like about all the time,

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Speaker 1: you just bought the plane, sit in your chair. You

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Speaker 1: may see the stewardess, but you don't never pay attention

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Speaker 1: to the pilot ever. Right, but that person is about

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Speaker 1: to take us in the sky. Right, Well, I like

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Speaker 1: that new policy they come out, greet everybody. How you doing,

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Speaker 1: I'm your pilot? Yeah, man, all right, well that is

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Speaker 1: front page news. Get it off your chests eight d

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Speaker 1: five one oh five one. If you're upset, you need

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Speaker 1: to vent hit us up right now. Maybe had a

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Speaker 1: bad night or bad morning, or maybe things are blessed

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Speaker 1: and you just want to spread some positivity. Eight five

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Speaker 1: eight five one oh five one. Get it off your chests.

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Speaker 1: It's the breakfast Club. Go morning, the Breakfast Club. It

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Speaker 1: is your time to get it off your chests. Whether

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Speaker 1: you're man or blast, but people to have the same end.

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Speaker 1: We want to hear from you on the Breakfast Club. Hello.

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Speaker 1: Who's that? I can't believe it. My name is joy

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Speaker 1: her chest. Yeah you sound joyous. I love the station

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Speaker 1: I always call. I mean, listen to y'all every morning.

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Speaker 1: But I'm from Columbia, SOD, I'm Carolina. My daughter recently

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Speaker 1: moved to Brooklyn, New York. Hey, shout out to bern

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Speaker 1: slew to the Metro two eight oh three was happening. Yeah,

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Speaker 1: she has her own business and she was recently on

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Speaker 1: the Oprah Winfrey Network on Sunday. She's twenty five years old.

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Speaker 1: Her name is Shadell Calwell, and her business is black

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Speaker 1: Girl Magic with a K at the end dot com.

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Speaker 1: And I was wondering if y'all could just help promote her.

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Speaker 1: You just did. What does she sell though? We gotta

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Speaker 1: know what she sells first? Well, actually, she's a motivational

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Speaker 1: speak up for young black girls. Why she spelled magic

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Speaker 1: wrong because black Girl Magic website wasn't available with the

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Speaker 1: sea it's another black Girl Magic with the cr Oh Okay,

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Speaker 1: that's what I just said. But yeah, I got you.

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Speaker 1: All right, We'll take you mom. Okay, I'm looking right now.

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Speaker 1: Keep by, yeah, keep it. Getting off your chess. I'm

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Speaker 1: getting out of my chest. I wanted to tell y'all cool,

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Speaker 1: Charlotte Man. The reason why all the crazy people come

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Speaker 1: from Florida because the school system is trash. They sent

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Speaker 1: them up to be crazy. I don't blame y'all crazy

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Speaker 1: on the school system. Now. I think it's the water.

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Speaker 1: You think so it's the water they're drinking sofa water

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Speaker 1: down here because the bat The bad part about Florida

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Speaker 1: you got educated people who've been to school who's still

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Speaker 1: got some crazy in them. They're so crazy. I agree,

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Speaker 1: all right, baby egg water Anthony. Hey, morning, d James,

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Speaker 1: Good morning, Charlotte mank Mornagually, what's up Anthony? Getting off

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Speaker 1: your chests? Bro Hey, I went to Charlotte May No

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Speaker 1: Chris Rock that he will executive producer a comedy special

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Speaker 1: for him. So why have you never took him up

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Speaker 1: on that? You know, just get Jarnald Rawlins, Chris Rock

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Speaker 1: and Andrew Schultz and then do it like a little

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Speaker 1: quick comedy tour. Make a couple of bucks off of it.

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Speaker 1: Because because I don't do things for money, and I'm

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Speaker 1: not a comedian, I respect the stage too much. I

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Speaker 1: respect all of those people you just said. And there's

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Speaker 1: nothing harder than getting on that stage with a microphone

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Speaker 1: and making people laugh like that, Like for people to

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Speaker 1: have that expectation that they're coming to see you and

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Speaker 1: to laugh, and then they actually fulfill that expectation. I

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Speaker 1: would never do that to myself. That takes years and

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Speaker 1: years and years of hard work. All right, this is

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Speaker 1: what I do. I'm I'm on this radio every day. Baby. Yeah,

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Speaker 1: that's true. That's true. And and be on. When are

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Speaker 1: you gonna bring cars through to California? Um? I don't know,

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Speaker 1: I really don't know. We're not actually on radio in California,

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Speaker 1: so I know we're hitting a lot of the markets

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Speaker 1: that we on radio. But maybe maybe one day I'll

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Speaker 1: bring it to California. It's a long way to bring

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Speaker 1: them cars out there, though. I got a perfect card

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Speaker 1: for the two thousand and nine Chevy equalnocks sixty thousand

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Speaker 1: mills on its first show. I put it right next

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Speaker 1: to Charlemagne's Cadillic Escalator two thousand and two. Remember you

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Speaker 1: gave a story, UM about you being in college and

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Speaker 1: you signed up for somebody that was getting picked on

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Speaker 1: by his kids on the football team. Yes, I finally

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Speaker 1: hurt to believe because you said you were five too.

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Speaker 1: When you're I need anybody that I was in, UM,

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Speaker 1: that went to school with you back in nineteen eighty

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Speaker 1: eight when you were a freshman. I need someone to

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Speaker 1: come and say that they were on the football team,

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Speaker 1: and that yeah that really we know, we know he's lying,

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Speaker 1: we know. I love your stats, I love your stabs,

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Speaker 1: but I was five two in high school, bro, not

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Speaker 1: in college. He shot up a shot out between between

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Speaker 1: sophomore year in junior. Just because he stood up doesn't

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Speaker 1: mean it worked. I went from five to the six

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Speaker 1: foot but thank you, though, good stabs. I'm glad you

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Speaker 1: that's not a stab. I remember that story too, And

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Speaker 1: he said he backed down the whole football team. I

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Speaker 1: never said I backed down. I said I said I

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Speaker 1: stood up for somebody that was getting picked on. I

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Speaker 1: never said I backed out. I had to said you

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Speaker 1: backed the ball now. You said you were nas had guns,

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Speaker 1: and y'all pulled them out on the football team and

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Speaker 1: then backed the whole football and said even the load.

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Speaker 1: Get it off your chests. Eight hundred five A five

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Speaker 1: one o five one. I need somebody stand up for me.

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Speaker 1: Did you got ye get chests? It's the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. Wake up, wake up, wake yap.

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Speaker 1: This is your time to get it off your chest

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Speaker 1: with your man or blas. We want to hear from

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Speaker 1: you on the Breakfast Club. Dan, Yeah, yeah, oh yeah no.

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Speaker 1: Just just Daniel MB just Daniel from Seattle. Ah my

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Speaker 1: bad Daniel. What's up? Get you off your chests? Are

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Speaker 1: you good? Y'all? Good man? This plager talking to me, y'all.

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Speaker 1: I just gotta get this off my chest. You're probably

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Speaker 1: all like you know about this five mister Rathburn from Arthur.

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Speaker 1: Uh you know he's about to be coming out. Yeah,

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Speaker 1: it's gonna be a gay wedding on Arthur. Yo yo yo.

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Speaker 1: I'm born in nineteen ninety two, my nineties. Baby, I'm

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Speaker 1: watching it from John. O'm sorry I can't get kiss

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Speaker 1: but it's just funny. Like you see the did you

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Speaker 1: see the clip? You see mostly talking like mister like,

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Speaker 1: how do you not know your old teacher? You go

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Speaker 1: to his wedding? You don't even know who he married? Like, bro,

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Speaker 1: like I don't even makes like so you mad? Mister

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Speaker 1: Rathburg is gay on the Author TV show. I'm not

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Speaker 1: at he doesn't understand the plot line. No, it's just

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Speaker 1: the fact that he didn't write that some jump street

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Speaker 1: like he didn't get him no type of storyline. He

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Speaker 1: didn't make them fall in love right, none of that.

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Speaker 1: He wanted to see the whole progress leading up to

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Speaker 1: How old are you to be watching the Author? Man?

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Speaker 1: WHOA I was born in ninety nine? Ten them not

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Speaker 1: like ninety nine, they're like seven eight years old probably. Yeah,

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Speaker 1: he's been following. I'm gonna tell you something though, Man,

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Speaker 1: when it comes to the author and they're talking about

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Speaker 1: in Marvel, comics, they're gonna be introducing gay characters, and

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Speaker 1: some of some of the characters gonna come out of gay.

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Speaker 1: I don't see the need for any of that in

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Speaker 1: my cartoons, all my comic books, Like I don't care

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Speaker 1: about you know who any of my favorite fictional cartoon

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Speaker 1: characters are sleeping with. I don't need that in my

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Speaker 1: comic books and in my cartoons, Like, what's the point.

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Speaker 1: I guess it's representation because that's really happens in real life.

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Speaker 1: So way, yeah, so he ye, they're superheroes and it's

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Speaker 1: aunt isn't what the author? Aunt eater? Love story has

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Speaker 1: been superheroes all the time. Yeah, I really know. Not

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Speaker 1: in the movies. You tell me, what's the love story

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Speaker 1: in the Marvel movies? I don't know. I was just

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Speaker 1: thinking about Supermann. I had a girlfriend whatever her name was,

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Speaker 1: Mary Jane, the Superman. Superman had a girlfriend. Lois Lane

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Speaker 1: was around. Didn't the whole a girlfriends? The wholes a girlfriend?

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Speaker 1: I think there's always love line came out of nowhere,

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Speaker 1: chapter snuck in the back door. Sometimes that's right here,

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Speaker 1: I am doing something. So what up? Trav? How you

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Speaker 1: doing this? You know who you look like? I look

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Speaker 1: like Andrew Carlwell, the deliver it guy, and like the

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Speaker 1: more and more I can never never. I rebuked that

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Speaker 1: in the name of Jesus, Andrew Carwell don't look nothing

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Speaker 1: to like he was hoping he was gonna say more Chesnut.

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Speaker 1: You know my tribe is Jeez Mars Chestnut. You know

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Speaker 1: what I'm saying. Joe Tyson, Blackfoot and them too, black

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Speaker 1: could be part of our tribe. You know what I'm saying.

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Speaker 1: I'm not Andrew car Well. It's not part of our tribe.

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Speaker 1: I just gonna leave out on and be singing. Joe,

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Speaker 1: But what's up track? How are you calling? Listen? I

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Speaker 1: want to talk about Listen. I hate to talk about

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Speaker 1: the dumb and straight people out there. Today I got

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Speaker 1: to talk about dumb and straight people who sit there

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Speaker 1: and think that having to explain why Rant is marrying

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Speaker 1: art of art on the show are there and it's

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Speaker 1: so hard to explain between their children, and they really

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Speaker 1: trying to make it seem like, I don't know. It

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Speaker 1: seems like every time a straight person drops a movie,

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Speaker 1: I don't see nobody from the LGBT community I hear screaming,

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Speaker 1: oh y'all are pushing the agenda. Y'all are pushing the attenda.

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Speaker 1: Straighty people have pushing and pushing the agenda on my

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Speaker 1: life since I was a town growing up, I didn't

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Speaker 1: see any representation of the LGBT community as far as cartoons,

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Speaker 1: as far as anything. And I am still gay. So

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Speaker 1: watching TV is not going to turn your children gay,

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Speaker 1: not gonna turn your children straight. If you lose to

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Speaker 1: a turnout gay, his ass gonna be gay anyway. Yeah,

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Speaker 1: I agree with that. I just think it's weird to

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Speaker 1: say representation matters when we're talking about a rat and

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Speaker 1: the art Bark getting married. Well, it was also because

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Speaker 1: they they are pots to represent two men. And now

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Speaker 1: I can just imagine back in the nineteen fifties when

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Speaker 1: black people first started appearing on television, when they first

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Speaker 1: started having interracial couples on television, the way black people

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Speaker 1: sound right now. A lot of us sound right now. No, no,

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Speaker 1: not even a lot of us. A lot of y'all

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Speaker 1: in straight community, the way that's y'all sound right now,

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Speaker 1: especially black people. I can only imagine how white people

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Speaker 1: sounded when we first started appearing on TV and they

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Speaker 1: first started showing us and show representation of black people.

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Speaker 1: That sounds stupid, and a lot of straight people going

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Speaker 1: to hell with y'all domination. Listen. I don't, I don't,

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Speaker 1: I don't. I don't care. I don't care either way.

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Speaker 1: I just, you know, I just I just don't want

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Speaker 1: any I don't want no love story in my superhero moves.

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Speaker 1: I don't care. Are you saying that all they's not

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Speaker 1: a superhero? But you're only saying that now because work,

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Speaker 1: because everybody talking about it and saying they don't want

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Speaker 1: homo sexuality representation. I think it's I haven't cared about it.

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Speaker 1: I never I never cared about love stories in my

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Speaker 1: superhero movies. I don't go watch the Hope to watch

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Speaker 1: him in uh his girlfriend kiss, you know what I mean.

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Speaker 1: I don't watch Piper Many. Yeah, it is part of

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Speaker 1: the every two cartoon I can think of. I think

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Speaker 1: that they've always had When you think of the Simpsons,

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Speaker 1: they had a man and a woman that was married.

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Speaker 1: When you think of any cartoons, bro Burton Hernie was gay.

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Speaker 1: We grew up on Burton Rnie. They were gay. I

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Speaker 1: don't think they were openly gay. Yeah, they never need

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Speaker 1: to take bath together. Then they used to take bath together,

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Speaker 1: you took a bath with your brother too, or you

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Speaker 1: know your friends watch each other's backs. All right, Yeah,

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00:18:51,960 --> 00:18:54,399
Speaker 1: but exactly what actually really shown it was gay. It

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Speaker 1: just came out to people. Gotta stop being weird. Whenever

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Speaker 1: you gotta drop a movie, We're not gonna scream that

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Speaker 1: y'all pushing that gender, even though y'all always pushing. They

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Speaker 1: just let it. Just let it be. That's all I'm

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Speaker 1: gonna tell you. I'm gonna tell you the weird to

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Speaker 1: think about this, y'all acting like y'all watch author, I

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Speaker 1: watched no goddamn author. Only the coolest author been in

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Speaker 1: the last twenty years is the memes with his fist

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00:19:12,640 --> 00:19:15,960
Speaker 1: balled up by There's a lot of issues here for you,

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00:19:17,560 --> 00:19:20,720
Speaker 1: damn author eight hundred five eight five one on five one.

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Speaker 1: If you need to vent, you can hit this up

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00:19:22,119 --> 00:19:24,440
Speaker 1: at any time that you've got rumors on the way. Well,

398
00:19:24,520 --> 00:19:27,200
Speaker 1: since we're talking about it, let's talk about Girard Carmichael

399
00:19:27,680 --> 00:19:31,159
Speaker 1: and his home video is his latest HPIO special, and

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Speaker 1: one thing he does discuss is his own sexuality. Are

401
00:19:34,440 --> 00:19:37,280
Speaker 1: you telling me that Girard is the art mark? Possibly? Alright,

402
00:19:37,480 --> 00:19:39,760
Speaker 1: turn into that next keep been locked as to Breakfast Club,

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Speaker 1: God Morning, the Breakfast Club. It's about who's report is

404
00:19:51,640 --> 00:19:56,840
Speaker 1: the rumor report? Angela Yee on the Breakfast Club. Well,

405
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Speaker 1: Steve Harvey is no longer hosting The Little Bit Shot Show,

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Speaker 1: That's a kid's Talent Show when they return to NBC.

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Speaker 1: He hosted the show for the first three seasons, but

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00:20:05,800 --> 00:20:09,000
Speaker 1: now Melissa McCarthy has taking over those duties. In addition

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Speaker 1: to that, we told you previously that his Steve Harvey

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Speaker 1: Talk Show is also coming to an end. His daytime

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Speaker 1: talk show Steve is canceled after seven years with the network,

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Speaker 1: and Kelly Clarkson is going to have her Kelly Collocson

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Speaker 1: Show in its place. Well, you know, he's still executive producing,

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Speaker 1: a co creative a Little Big Shots, so he's still

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Speaker 1: getting a check, yes, and he's still on Family Feud

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Speaker 1: as well. They said that they ended his talk show

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Speaker 1: because he had a higher percentage than NBC. Is that true.

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Speaker 1: I don't know the reason why. I know there's a

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Speaker 1: lot of talk about reasons why, and you know, and

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Speaker 1: I remember he was upset because he would have liked

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Speaker 1: for NBC to reveal the news to him personally instead

422
00:20:45,640 --> 00:20:47,120
Speaker 1: of him finding out in the press because he found

423
00:20:47,160 --> 00:20:49,920
Speaker 1: out the same way everybody else did, and so that's

424
00:20:50,000 --> 00:20:52,080
Speaker 1: kind of found Who the hell watching the Kelly Clarkson

425
00:20:52,160 --> 00:20:53,959
Speaker 1: Daytime Talk Show though, I mean it could be good,

426
00:20:54,000 --> 00:20:55,600
Speaker 1: but yeah, we don't know what it's gonna be like

427
00:20:55,680 --> 00:20:58,919
Speaker 1: it don't It don't look appealing on paper, yeah, I mean,

428
00:20:59,000 --> 00:21:00,640
Speaker 1: you know, it's a lot of day time talk show

429
00:21:00,640 --> 00:21:02,520
Speaker 1: hosts previously that I used to enjoy watching and I

430
00:21:02,520 --> 00:21:04,640
Speaker 1: didn't know who they were before their show. So as

431
00:21:04,640 --> 00:21:07,080
Speaker 1: long as no personality can make it work, I don't

432
00:21:07,080 --> 00:21:09,040
Speaker 1: know where personality is like. To be honest, I don't

433
00:21:09,080 --> 00:21:11,560
Speaker 1: really know. I never paid that much attention. Daytime talk

434
00:21:11,680 --> 00:21:14,480
Speaker 1: is tough man, all right. Now, Lee Daniels is being

435
00:21:14,560 --> 00:21:18,280
Speaker 1: sued now, and this is by Rachel Roy and Syndia Morale.

436
00:21:18,400 --> 00:21:21,120
Speaker 1: So to Damon Dash's exes, now, we told you that

437
00:21:21,160 --> 00:21:25,240
Speaker 1: he settled everything with Damon Dash, Lee Daniels did, but

438
00:21:25,480 --> 00:21:27,320
Speaker 1: now they're saying that they want to get the money

439
00:21:27,800 --> 00:21:30,600
Speaker 1: directly from Lee Daniels because they say the money that

440
00:21:30,640 --> 00:21:33,720
Speaker 1: he agreed to pay Damon Dash is there's really because

441
00:21:33,760 --> 00:21:36,480
Speaker 1: he owes money and back child support and other expenses

442
00:21:36,520 --> 00:21:39,400
Speaker 1: as well. So that mean Lee fault though, Like why

443
00:21:39,520 --> 00:21:42,280
Speaker 1: he's suing Lee. I guess he's trying to They're trying

444
00:21:42,320 --> 00:21:44,119
Speaker 1: to go directly to him to get that money that

445
00:21:44,160 --> 00:21:45,960
Speaker 1: he's going to pay Damon Dash, So it goes directly

446
00:21:46,000 --> 00:21:48,040
Speaker 1: to that they want to cut out the middle man.

447
00:21:48,400 --> 00:21:49,880
Speaker 1: I mean, they are suing. I don't know if it's

448
00:21:49,880 --> 00:21:53,000
Speaker 1: gonna work out, but they're trying Lee. I'm like, already

449
00:21:53,000 --> 00:21:55,920
Speaker 1: passed that money over. I gave that bag away already.

450
00:21:56,000 --> 00:21:59,000
Speaker 1: In the meantime, Empire is ending after season six, after

451
00:21:59,040 --> 00:22:02,639
Speaker 1: the next Upcomings sixth season. They did make that announcement.

452
00:22:02,760 --> 00:22:04,800
Speaker 1: They said, that's going to be a television event and

453
00:22:04,800 --> 00:22:07,920
Speaker 1: we're trying to go out guns blazing. According to Fox

454
00:22:08,040 --> 00:22:10,800
Speaker 1: Entertainment CEO Charlie Collier, he said that he said, you

455
00:22:10,840 --> 00:22:13,320
Speaker 1: allow fans to lean in and have the ending they deserve.

456
00:22:13,359 --> 00:22:15,480
Speaker 1: So I don't know what that ending could potentially be like,

457
00:22:16,040 --> 00:22:17,800
Speaker 1: but they said at this point, they also have no

458
00:22:17,840 --> 00:22:20,800
Speaker 1: plans for Jesse small Att to return. They buggin they

459
00:22:20,800 --> 00:22:23,280
Speaker 1: need to let Jesse write the season for Natalie because

460
00:22:23,280 --> 00:22:25,199
Speaker 1: there's nothing that they can write that's going to be

461
00:22:25,200 --> 00:22:27,320
Speaker 1: better than with Jesse concocted a couple of months ago,

462
00:22:27,359 --> 00:22:30,119
Speaker 1: he's stupid. All right. Now, let's talk about Gerard Carmichael.

463
00:22:30,160 --> 00:22:34,280
Speaker 1: He has an HBO special and that came on Sunday,

464
00:22:34,480 --> 00:22:38,440
Speaker 1: and he's revealing a discussion that he had with his mom.

465
00:22:38,440 --> 00:22:40,280
Speaker 1: It's Home. It's called Home Video. So it's the first

466
00:22:40,280 --> 00:22:43,320
Speaker 1: of two specials which he's having intimate conversations with his family.

467
00:22:43,640 --> 00:22:45,879
Speaker 1: He went back home to North Carolina, sat down with

468
00:22:45,920 --> 00:22:48,399
Speaker 1: his mother for a Q and A, and had his

469
00:22:48,480 --> 00:22:51,560
Speaker 1: mind reflect on different things. One thing he talked to

470
00:22:51,560 --> 00:22:54,720
Speaker 1: her about was bringing home a white girl. While bringing

471
00:22:54,760 --> 00:22:57,840
Speaker 1: home a white girl, what's your reaction to me after

472
00:22:57,960 --> 00:23:00,280
Speaker 1: we leave, I'm gonna have to process it. I just

473
00:23:00,400 --> 00:23:03,440
Speaker 1: really want you to celebrate it. Embrace black love. Does

474
00:23:03,440 --> 00:23:07,159
Speaker 1: that mean that? I don't if I did, Mary, But

475
00:23:07,200 --> 00:23:09,760
Speaker 1: if you did, embrace black love. When you have a

476
00:23:09,840 --> 00:23:15,360
Speaker 1: black partner, you can embrace without being involved, can't you. Yeah? Yeah,

477
00:23:16,840 --> 00:23:19,479
Speaker 1: hey man, tough time to bring home white women. Blame Trump?

478
00:23:19,760 --> 00:23:22,280
Speaker 1: All right? All right? In addition to that, he asked

479
00:23:22,280 --> 00:23:25,080
Speaker 1: his mother if she's ever had feelings for a woman,

480
00:23:25,520 --> 00:23:28,679
Speaker 1: and here's what happened. You ever been attracted to a woman? No,

481
00:23:29,280 --> 00:23:31,359
Speaker 1: I mean, I don't mean that ugly, but no, I

482
00:23:31,359 --> 00:23:36,200
Speaker 1: don't know. I prefer man, I hooked up with dudes before. Okay,

483
00:23:36,240 --> 00:23:39,640
Speaker 1: well that's your option drawed out here trying to steal

484
00:23:39,640 --> 00:23:42,439
Speaker 1: mister rat burn shine. All right. I saw that a

485
00:23:42,440 --> 00:23:45,399
Speaker 1: few weeks ago, you know, because and I remember Gerard

486
00:23:45,520 --> 00:23:47,359
Speaker 1: saying that, but I didn't. I didn't think anything of it.

487
00:23:47,400 --> 00:23:50,520
Speaker 1: I actually thought he was joking, joke, sarcastic. I thought

488
00:23:51,680 --> 00:23:54,880
Speaker 1: he's having real conversations. I mean, you can't never really

489
00:23:54,880 --> 00:23:58,000
Speaker 1: tell with comedians man. And then and I also said,

490
00:23:58,400 --> 00:24:00,400
Speaker 1: why would you have that conversation with your mother? I've

491
00:24:00,440 --> 00:24:02,240
Speaker 1: never talked to my mother about someone I was having

492
00:24:02,280 --> 00:24:05,439
Speaker 1: sex with, so even and even dawned on me that

493
00:24:05,480 --> 00:24:07,160
Speaker 1: he said he slept it other dudes. I was just saying,

494
00:24:07,200 --> 00:24:08,560
Speaker 1: why would you be talking to your mom about sex.

495
00:24:08,600 --> 00:24:11,000
Speaker 1: I'm sure your mom knows, Charlie. I'm sure I dull,

496
00:24:11,080 --> 00:24:12,399
Speaker 1: but you know, I've never sat there and had the

497
00:24:12,400 --> 00:24:16,680
Speaker 1: conversation with it a dude, with anybody period Like that's

498
00:24:16,720 --> 00:24:18,280
Speaker 1: why why would you have that conversation with your mother?

499
00:24:18,800 --> 00:24:21,040
Speaker 1: And have you had that conversation with your mom? No? Yeah,

500
00:24:21,080 --> 00:24:22,720
Speaker 1: but he's doing home video, so I guess the whole

501
00:24:22,720 --> 00:24:24,800
Speaker 1: point of this for him to have these conversations that

502
00:24:24,800 --> 00:24:28,360
Speaker 1: he's never had before. That's probably the candidness of it

503
00:24:28,359 --> 00:24:30,520
Speaker 1: comes from the fact that they've never had these discussions.

504
00:24:30,560 --> 00:24:32,840
Speaker 1: I've had a lot of handy conversations with my mother,

505
00:24:33,000 --> 00:24:35,879
Speaker 1: but I've never told her about who I was sleeping with. Yes,

506
00:24:35,920 --> 00:24:37,520
Speaker 1: So that's probably why it's fun to do something like

507
00:24:37,560 --> 00:24:39,600
Speaker 1: that on camera, because it's interesting to see what her

508
00:24:39,600 --> 00:24:42,520
Speaker 1: response is because he's the things you guys have never discussed. Yeah,

509
00:24:42,560 --> 00:24:43,679
Speaker 1: and that's what I thought. I thought he was just

510
00:24:43,680 --> 00:24:45,320
Speaker 1: trying to get a rise out of her by saying that.

511
00:24:45,320 --> 00:24:46,840
Speaker 1: But I won't say though. I love the fact that

512
00:24:46,880 --> 00:24:49,000
Speaker 1: you know, it isn't really news, meaning that a person

513
00:24:49,080 --> 00:24:51,359
Speaker 1: saying there slept with a man doesn't need a press conference,

514
00:24:51,400 --> 00:24:53,359
Speaker 1: doesn't need to be breaking news. If if that's what

515
00:24:53,400 --> 00:24:55,080
Speaker 1: you do, that's what you do. All right, Well let

516
00:24:55,080 --> 00:24:56,760
Speaker 1: me as you like. Yeah, and that's your room of report.

517
00:24:56,840 --> 00:24:58,600
Speaker 1: All right, thank you, Mischi fromt Page News. What we're

518
00:24:58,600 --> 00:25:00,400
Speaker 1: talking about you, Well, let's talk about some body else

519
00:25:00,440 --> 00:25:03,400
Speaker 1: who has just joined the twenty twenty Democratic presidential race.

520
00:25:03,640 --> 00:25:05,520
Speaker 1: All right, we'll get into that next. Keep the lock time.

521
00:25:05,760 --> 00:25:08,760
Speaker 1: It's the breakfast Club. Good morning, Good morning, everybody is

522
00:25:08,840 --> 00:25:12,320
Speaker 1: dj mv Angela Yee Charlomagne that God, we are the

523
00:25:12,359 --> 00:25:16,520
Speaker 1: breakfast Club. Let's getting some front page news. Now. No

524
00:25:16,640 --> 00:25:19,560
Speaker 1: games will last night, but tonight the Warriors take on

525
00:25:19,600 --> 00:25:22,479
Speaker 1: the Trail Blazes. And also is the NBA lottery, so

526
00:25:22,800 --> 00:25:24,440
Speaker 1: I'm sure the Knicks will get the first pick. Good

527
00:25:24,480 --> 00:25:26,359
Speaker 1: luck to the Knicks. It's a damn shame that all

528
00:25:26,440 --> 00:25:29,240
Speaker 1: y'all New York Knicks fans are wasting y'all prayers, wasting

529
00:25:29,280 --> 00:25:32,640
Speaker 1: God's valuable time sending that energy of asking him if

530
00:25:32,720 --> 00:25:35,560
Speaker 1: Zion Wimson can be y'all number one pick, please give

531
00:25:35,600 --> 00:25:37,359
Speaker 1: us the number one picks we can get Zion Wimson,

532
00:25:37,400 --> 00:25:40,199
Speaker 1: stop wasting your time, Godson and all in prayers. This bandfold. Now,

533
00:25:40,200 --> 00:25:43,600
Speaker 1: what's gonna happen? It might let us you're talking about you,

534
00:25:43,680 --> 00:25:47,119
Speaker 1: all right? Well, Montana Governor Steve Bullock is now saying

535
00:25:47,160 --> 00:25:51,280
Speaker 1: that he's joining the race for the twenty twenty presidential election.

536
00:25:51,440 --> 00:25:54,800
Speaker 1: So he's telling voters that he succeeded as a Democrat

537
00:25:54,800 --> 00:25:57,280
Speaker 1: in the state that's very Republican, that would make him

538
00:25:57,280 --> 00:25:59,320
Speaker 1: an ideal person to take on Donald Trump. So that's

539
00:25:59,359 --> 00:26:02,439
Speaker 1: somebody else who is now joining this race. He's the

540
00:26:02,520 --> 00:26:06,600
Speaker 1: third governor right now. Two dozen candidates, majority of y'all,

541
00:26:06,680 --> 00:26:09,800
Speaker 1: A large majority of y'all in the Democratic Party that

542
00:26:09,840 --> 00:26:12,800
Speaker 1: are announcing y'all candidacy for president. A lot of y'all

543
00:26:12,800 --> 00:26:15,200
Speaker 1: just wasting time. At this point. Our Democratic nomination field

544
00:26:15,280 --> 00:26:16,760
Speaker 1: is too crowded. This is like back in the day

545
00:26:16,760 --> 00:26:19,800
Speaker 1: and wrestling, when everybody started joining the nWo and after

546
00:26:19,800 --> 00:26:22,439
Speaker 1: a while you just stopped caring. That's what this is.

547
00:26:22,480 --> 00:26:24,399
Speaker 1: At this point, he's the only state wide elected official

548
00:26:24,440 --> 00:26:26,639
Speaker 1: to win a state that Donald Trump carried in twenty sixteen.

549
00:26:26,720 --> 00:26:29,000
Speaker 1: So that's where he's really going off of right now.

550
00:26:29,000 --> 00:26:31,080
Speaker 1: He needs to raise money and get enough supporting polls

551
00:26:31,080 --> 00:26:33,560
Speaker 1: to qualify for the first debates, which is in June.

552
00:26:33,560 --> 00:26:36,680
Speaker 1: For the Democrats, everybody or everybody already stretched out. It's

553
00:26:36,840 --> 00:26:41,400
Speaker 1: seventy three nominees now. Jerry has given a two billion

554
00:26:41,920 --> 00:26:45,200
Speaker 1: dollar verdict that's in favor of a couple in California.

555
00:26:45,240 --> 00:26:48,680
Speaker 1: They say their cancer was caused by long term exposure

556
00:26:48,800 --> 00:26:53,960
Speaker 1: to Monsanto's popular weed killer called Roundup. According to the attorneys,

557
00:26:53,960 --> 00:26:57,000
Speaker 1: the verdict is because they said basically using that is

558
00:26:57,000 --> 00:27:00,000
Speaker 1: what caused them to get cancer. So two billion dollars.

559
00:27:00,119 --> 00:27:04,080
Speaker 1: Verdict is with this couple one. But unfortunately they have cancer. Cancer.

560
00:27:04,440 --> 00:27:06,160
Speaker 1: It's not even worthy. That's not even a fair trade.

561
00:27:06,160 --> 00:27:09,719
Speaker 1: That's not even exchange. Right, anybody out there that thinks otherwise,

562
00:27:09,800 --> 00:27:12,000
Speaker 1: y'all got your priorities in life all messed up. And

563
00:27:12,000 --> 00:27:14,359
Speaker 1: I'm sure they'll never get that two billion regardless. Most

564
00:27:14,359 --> 00:27:16,920
Speaker 1: companies of file bankrupt and they'll never get that money.

565
00:27:17,080 --> 00:27:19,440
Speaker 1: And if they do get a percentity of that money,

566
00:27:19,480 --> 00:27:21,119
Speaker 1: is probably gonna take a while for them to get it.

567
00:27:21,200 --> 00:27:24,320
Speaker 1: And you know that whole couple of years it's gonna take,

568
00:27:24,400 --> 00:27:27,399
Speaker 1: they'll be battling cancer. Nah, they're older couple too, So

569
00:27:27,920 --> 00:27:31,040
Speaker 1: Lord have mercy and some positive news. Amazon is going

570
00:27:31,080 --> 00:27:33,480
Speaker 1: to start paying their workers who want to start their

571
00:27:33,480 --> 00:27:35,880
Speaker 1: own delivery businesses. They're going to pay them up to

572
00:27:35,880 --> 00:27:38,520
Speaker 1: ten thousand dollars and three months salary to help them

573
00:27:38,560 --> 00:27:41,280
Speaker 1: start their own businesses to coming entrepreneur. So what they

574
00:27:41,320 --> 00:27:43,560
Speaker 1: are looking for is for people to start their businesses

575
00:27:43,680 --> 00:27:48,040
Speaker 1: doing Prime packages deliveries and Amazon brand advance and with

576
00:27:48,119 --> 00:27:52,399
Speaker 1: Amazon uniforms on. Now. They had announced back in twenty eighteen,

577
00:27:52,440 --> 00:27:55,520
Speaker 1: just last year, that they need people to actually do

578
00:27:55,640 --> 00:27:57,280
Speaker 1: these jobs but I guess a lot of people didn't

579
00:27:57,320 --> 00:27:59,760
Speaker 1: have to start up money. So now they're offering their

580
00:28:00,000 --> 00:28:02,400
Speaker 1: eployees up to ten thousand dollars up that startup money.

581
00:28:02,680 --> 00:28:05,760
Speaker 1: Very capital. They need to start very important. They need

582
00:28:05,880 --> 00:28:09,520
Speaker 1: branded vans, branded vehicles, and they definitely need uniforms because

583
00:28:09,520 --> 00:28:12,440
Speaker 1: they'd be pulling up and then you know them non

584
00:28:12,520 --> 00:28:16,560
Speaker 1: descript white van. Yep, you know what I'm saying. I've

585
00:28:16,600 --> 00:28:18,879
Speaker 1: been in. I've been in kicked dogs before. Okay, I

586
00:28:18,920 --> 00:28:20,679
Speaker 1: got PTSD from stuff like that. You've got to be

587
00:28:20,680 --> 00:28:23,520
Speaker 1: pulling up in white vans and jumping out. Yeah, now

588
00:28:23,600 --> 00:28:25,719
Speaker 1: I'm with y'all. I let the dog out on somebody

589
00:28:25,760 --> 00:28:27,119
Speaker 1: the other day. He had a big U haul van

590
00:28:27,240 --> 00:28:29,480
Speaker 1: coming up my driveway. I opened it almost geared the

591
00:28:29,480 --> 00:28:30,879
Speaker 1: issh out of me. All Right, if you see that

592
00:28:30,880 --> 00:28:32,880
Speaker 1: white van pull up and you start thinking you gotta

593
00:28:32,880 --> 00:28:34,320
Speaker 1: go flush stuff, and you're like, man, I don't live

594
00:28:34,359 --> 00:28:36,159
Speaker 1: that life. Ain't live that life in twenty something years, well,

595
00:28:36,200 --> 00:28:38,040
Speaker 1: I didn't think I had to flush anything, but it

596
00:28:38,040 --> 00:28:39,880
Speaker 1: made me kind of nervous. You don't know my life,

597
00:28:39,920 --> 00:28:43,600
Speaker 1: all right. Well, all right, that is your front page news. Okay,

598
00:28:43,600 --> 00:28:46,240
Speaker 1: thank you. Now when we come back. Ava Duvenai will

599
00:28:46,280 --> 00:28:49,239
Speaker 1: be joining us, Queen Avau. We're gonna kick it with her.

600
00:28:49,360 --> 00:28:51,960
Speaker 1: She has a new show coming on Netflix. It's called

601
00:28:52,120 --> 00:28:53,840
Speaker 1: Up When they see Us. When they see us, it's

602
00:28:53,840 --> 00:28:56,120
Speaker 1: all about Central Park and the Central Park five. So

603
00:28:56,600 --> 00:28:58,320
Speaker 1: we'll talk to about it. Please make sure it's all

604
00:28:58,320 --> 00:29:00,000
Speaker 1: it's about the Central Park five and ain't about to

605
00:29:00,080 --> 00:29:02,360
Speaker 1: depart from the Central Park five. Yes, so we'll talk

606
00:29:02,440 --> 00:29:04,120
Speaker 1: to us when we come back. Don't move. It's to

607
00:29:04,120 --> 00:29:07,920
Speaker 1: Breakfast Club. Comoro envy Angela yee, Charlemagne the guy. We

608
00:29:07,960 --> 00:29:09,960
Speaker 1: are to Breakfast Club. We have a special guest in

609
00:29:10,000 --> 00:29:15,480
Speaker 1: the building, the queen director, miss Eva Dupina. Let's talk

610
00:29:15,520 --> 00:29:18,400
Speaker 1: about this this when they see us, when they see

611
00:29:18,600 --> 00:29:21,400
Speaker 1: if we needed another reason to hate white, Oh goodness,

612
00:29:22,000 --> 00:29:26,000
Speaker 1: it's very triggering. Oh my goodness, very triggering. Yes, yes, yes, man,

613
00:29:26,160 --> 00:29:28,440
Speaker 1: it's like but I knew that going in that it

614
00:29:28,560 --> 00:29:31,000
Speaker 1: was gonna make me feel that way, right, you know,

615
00:29:31,080 --> 00:29:32,479
Speaker 1: But I don't think I did that. You. I love

616
00:29:32,560 --> 00:29:34,360
Speaker 1: that you did. You did a great job of humanizing

617
00:29:34,720 --> 00:29:37,800
Speaker 1: these kids and showing their lives and how innocent they

618
00:29:37,880 --> 00:29:39,800
Speaker 1: were and how that was taken from them. Why was

619
00:29:39,840 --> 00:29:42,920
Speaker 1: that important? Well, I mean, it's the story of of

620
00:29:43,040 --> 00:29:45,520
Speaker 1: black and brown boys all over this country for generations

621
00:29:45,560 --> 00:29:49,360
Speaker 1: and generations. And so this case is this this this film,

622
00:29:49,440 --> 00:29:52,080
Speaker 1: it's a four part from AMO, a small series, is

623
00:29:52,800 --> 00:29:54,800
Speaker 1: on its surface about the Central Park five, but it's

624
00:29:54,880 --> 00:29:57,320
Speaker 1: really about all of us, both of you, you know,

625
00:29:57,880 --> 00:30:02,480
Speaker 1: and the assumption and of criminality and that is put

626
00:30:02,600 --> 00:30:05,320
Speaker 1: upon you when you just walk down the street. And

627
00:30:05,440 --> 00:30:09,000
Speaker 1: so it's trying to get under that and understand why

628
00:30:09,080 --> 00:30:10,840
Speaker 1: and how that happens and how it fits into the

629
00:30:10,840 --> 00:30:13,680
Speaker 1: criminal justice system. That the criminal justice system is really

630
00:30:13,760 --> 00:30:16,600
Speaker 1: built upon this deep, deep bias. And we know that

631
00:30:16,720 --> 00:30:18,600
Speaker 1: because we feel it and livid. But when you do

632
00:30:18,680 --> 00:30:20,200
Speaker 1: it through the case of these boys, which is a

633
00:30:20,280 --> 00:30:23,320
Speaker 1: real extreme case, it really allows you to show all

634
00:30:23,360 --> 00:30:25,800
Speaker 1: the levers and the looks and grannies of the criminal

635
00:30:25,880 --> 00:30:28,680
Speaker 1: justice system to people that don't know and for people

636
00:30:28,720 --> 00:30:30,200
Speaker 1: that take it for granted. And so I think this

637
00:30:30,440 --> 00:30:32,880
Speaker 1: is my goal, is to try to explain a little

638
00:30:32,880 --> 00:30:35,160
Speaker 1: bit more that we are caught in a system that

639
00:30:35,280 --> 00:30:37,200
Speaker 1: needs to be dismantled. I hated it and I loved

640
00:30:37,240 --> 00:30:40,680
Speaker 1: it good. I hated it because that's the best review

641
00:30:40,720 --> 00:30:43,320
Speaker 1: I can hear. It made me dislike so many different people.

642
00:30:43,360 --> 00:30:48,680
Speaker 1: I came so many different people, white people, may prosecutors.

643
00:30:48,920 --> 00:30:50,760
Speaker 1: It made me hate what they did to those young men,

644
00:30:50,960 --> 00:30:53,280
Speaker 1: made me hate people so bad, just the way they

645
00:30:53,320 --> 00:30:56,000
Speaker 1: took advantage of them. But I loved it because it

646
00:30:56,080 --> 00:30:58,600
Speaker 1: was a story that I could never retell. You know,

647
00:30:58,840 --> 00:31:01,120
Speaker 1: I'm from New York, Sol I grew up through that story.

648
00:31:01,160 --> 00:31:03,240
Speaker 1: But I watched it with my son who's fifteen years old,

649
00:31:03,480 --> 00:31:05,600
Speaker 1: and I watched it with my daughter who's seventeen years old,

650
00:31:05,920 --> 00:31:08,880
Speaker 1: and just watching their faces and asking too many questions

651
00:31:08,920 --> 00:31:10,560
Speaker 1: but that they can't do that, and I'm like, yes,

652
00:31:10,640 --> 00:31:13,320
Speaker 1: they can and they will try. And being able to

653
00:31:13,400 --> 00:31:16,000
Speaker 1: have that conversation and say, hey, just let you know

654
00:31:16,240 --> 00:31:18,440
Speaker 1: that if anything ever happens, just no, the police, not

655
00:31:18,560 --> 00:31:20,960
Speaker 1: your friends. Yeah, you don't say anything without a lawyer.

656
00:31:21,040 --> 00:31:23,080
Speaker 1: You called me first, and it was it was easy

657
00:31:23,160 --> 00:31:25,640
Speaker 1: to have that dialogue with them. Yes, Oh, I'm glad

658
00:31:25,680 --> 00:31:27,480
Speaker 1: you watched it with them. I think it's a good

659
00:31:27,560 --> 00:31:31,239
Speaker 1: piece because we take for granted what I mean at

660
00:31:31,280 --> 00:31:33,760
Speaker 1: the time, when you look at it like now, we feel, oh,

661
00:31:33,840 --> 00:31:36,560
Speaker 1: we would never go into an interrogation room and talk

662
00:31:36,640 --> 00:31:40,080
Speaker 1: like those boys talk. But we're not fourteen, fifteen years old.

663
00:31:40,520 --> 00:31:42,160
Speaker 1: What if you weren't there in the room. That's what

664
00:31:42,240 --> 00:31:44,920
Speaker 1: happened to these boys. They kept their their parents out

665
00:31:44,960 --> 00:31:47,160
Speaker 1: of the room. So if your kid, did you think,

666
00:31:47,320 --> 00:31:50,760
Speaker 1: is is street smarter, knows everything or you've taught everything?

667
00:31:51,240 --> 00:31:54,000
Speaker 1: Your kid was in an interrogation room, picked up for

668
00:31:54,080 --> 00:31:56,680
Speaker 1: something they didn't do, which could happen? Would they know

669
00:31:56,920 --> 00:32:00,440
Speaker 1: what to do? I've been in that same situation. The

670
00:32:00,480 --> 00:32:02,280
Speaker 1: first time I ever got arrested was for Sultan Bradley

671
00:32:02,280 --> 00:32:03,760
Speaker 1: would intent to kill And I was in the back

672
00:32:03,800 --> 00:32:06,280
Speaker 1: seat of a car with some of my homeboys and

673
00:32:06,520 --> 00:32:08,560
Speaker 1: my homeboy shot out the car. And when they came

674
00:32:08,600 --> 00:32:11,000
Speaker 1: to arrest me from high school, in my mind, I'm thinking, like,

675
00:32:11,040 --> 00:32:14,280
Speaker 1: I'm just in the principal's office, so I'm writing statements,

676
00:32:14,360 --> 00:32:16,520
Speaker 1: but I'm lying in the statements, and I'm saying I

677
00:32:16,560 --> 00:32:19,080
Speaker 1: got picked up by a hitchhiker, but I have no lawyer,

678
00:32:19,200 --> 00:32:21,320
Speaker 1: no nothing. But I didn't know that I had to

679
00:32:21,400 --> 00:32:23,200
Speaker 1: write to remain of cold and I wasn't supposed to

680
00:32:23,240 --> 00:32:25,360
Speaker 1: be norm Yes, that's exactly what happened to these kids,

681
00:32:25,520 --> 00:32:29,040
Speaker 1: right and so, and also the pressure of that police authority.

682
00:32:29,080 --> 00:32:31,440
Speaker 1: They're telling you to do it with an authoritative voice,

683
00:32:31,480 --> 00:32:34,400
Speaker 1: and you were wired to do it. And so the

684
00:32:34,600 --> 00:32:37,720
Speaker 1: piece beyond just being I think a compelling piece and

685
00:32:37,760 --> 00:32:39,760
Speaker 1: a piece that has a lot of emotion to it,

686
00:32:39,800 --> 00:32:43,440
Speaker 1: a lot of joy. It's real triumphant piece about over tragedy,

687
00:32:43,520 --> 00:32:47,200
Speaker 1: this this overall story. It's also teaching folks how to

688
00:32:47,280 --> 00:32:52,440
Speaker 1: act around police and police aggression and what not to do. Yeah,

689
00:32:52,560 --> 00:32:55,200
Speaker 1: how difficult was it for them to relive this situation?

690
00:32:55,440 --> 00:32:58,080
Speaker 1: It was. It was you know, the five real men living,

691
00:32:58,280 --> 00:33:02,360
Speaker 1: still living, still thriving, and they were really around the production,

692
00:33:02,520 --> 00:33:05,840
Speaker 1: so they worked with me. I want to make sure

693
00:33:05,880 --> 00:33:07,880
Speaker 1: that I was telling their story because even when they

694
00:33:07,920 --> 00:33:10,320
Speaker 1: were young, those statements that they made were coerced. Those

695
00:33:10,360 --> 00:33:13,320
Speaker 1: are not their voices, so their voices had never really

696
00:33:13,360 --> 00:33:15,280
Speaker 1: been heard. So I want to make sure that this

697
00:33:15,480 --> 00:33:18,880
Speaker 1: story was their voice heard, and so they were around

698
00:33:18,920 --> 00:33:21,320
Speaker 1: the production. I researched this for four years. I started

699
00:33:21,360 --> 00:33:24,080
Speaker 1: on this in twenty fifteen and pouring through all the

700
00:33:24,160 --> 00:33:27,160
Speaker 1: court documents, all of the press coverage, but really listening

701
00:33:27,200 --> 00:33:29,960
Speaker 1: to them sitting down, listen to the stories, their family stories.

702
00:33:30,320 --> 00:33:32,320
Speaker 1: So they were very involved. They were on the set,

703
00:33:33,400 --> 00:33:35,400
Speaker 1: they were there. It's it's there, it's their story. What

704
00:33:35,520 --> 00:33:38,160
Speaker 1: made you do this story? What intrigued you about this story?

705
00:33:38,360 --> 00:33:41,080
Speaker 1: Raymond Santana, one of the men, actually tweeted me and

706
00:33:41,200 --> 00:33:43,760
Speaker 1: he said, what, it's going to be your next film

707
00:33:43,960 --> 00:33:47,120
Speaker 1: after Selma CP five. So I slid it to his

708
00:33:47,240 --> 00:33:49,880
Speaker 1: DMS and I said, no, one has your story and

709
00:33:49,960 --> 00:33:51,360
Speaker 1: he said no, and I said, I'm going to be

710
00:33:51,360 --> 00:33:52,880
Speaker 1: in New York in a couple of months, maybe we'll

711
00:33:52,880 --> 00:33:56,560
Speaker 1: get together. Did And from there I got just pulled

712
00:33:56,600 --> 00:34:01,280
Speaker 1: into the story. That's the greatest DM slide I've ever Everybody,

713
00:34:05,080 --> 00:34:09,360
Speaker 1: all right, Wow, that's how happened. It's interesting, though, because

714
00:34:09,360 --> 00:34:11,839
Speaker 1: I always I thought this got pinned on these kids,

715
00:34:11,880 --> 00:34:13,880
Speaker 1: what you did with some of these people, especially that

716
00:34:13,960 --> 00:34:17,120
Speaker 1: blind detective. Oh my god, I hate her. She really

717
00:34:17,239 --> 00:34:19,279
Speaker 1: thought these kids did it. And I was wondering that

718
00:34:19,400 --> 00:34:21,760
Speaker 1: she really believed they did it, or was it because

719
00:34:21,760 --> 00:34:23,439
Speaker 1: they were black or because there was so many raps

720
00:34:23,480 --> 00:34:24,880
Speaker 1: going on in the city at the time, Like what

721
00:34:25,120 --> 00:34:28,359
Speaker 1: was her reasoning for going? Yeah, I mean, I think

722
00:34:28,400 --> 00:34:30,719
Speaker 1: I think people have to come up with that conclusion

723
00:34:30,760 --> 00:34:33,319
Speaker 1: when they watch it. The big question is why why

724
00:34:33,360 --> 00:34:35,680
Speaker 1: did they do it? Um, there's a lot of different answers.

725
00:34:35,719 --> 00:34:38,880
Speaker 1: But to this day, Linda Faerstein, who you know lives

726
00:34:38,880 --> 00:34:42,080
Speaker 1: in New York City and who's now a crime novelist,

727
00:34:42,760 --> 00:34:48,800
Speaker 1: um uh, maintains that they did it and there was

728
00:34:48,880 --> 00:34:53,040
Speaker 1: never any DNA, right. But even after the man came

729
00:34:53,080 --> 00:34:55,960
Speaker 1: out and said I did it take by blood and

730
00:34:56,160 --> 00:34:58,399
Speaker 1: they took his blood and they knew it was him,

731
00:34:58,680 --> 00:35:02,560
Speaker 1: and it was returned and they were exonerated and they

732
00:35:02,640 --> 00:35:05,000
Speaker 1: got forty one million dollars from the city, she's still

733
00:35:05,200 --> 00:35:11,279
Speaker 1: maintained that's crazy that they were involved. They don't want

734
00:35:11,280 --> 00:35:13,560
Speaker 1: to admit, Hey, we were wrong. That's that's what That's

735
00:35:13,600 --> 00:35:16,239
Speaker 1: what she says. And Donald Trump never apologized. No, he's

736
00:35:16,239 --> 00:35:19,279
Speaker 1: the same. He still he says they did it too. Yeah.

737
00:35:19,360 --> 00:35:21,200
Speaker 1: And for people that don't know, Donald Trump actually put

738
00:35:21,200 --> 00:35:24,880
Speaker 1: out a full page ad in the paper for New

739
00:35:24,960 --> 00:35:28,799
Speaker 1: York papers for papers, Yeah, trying to get these kids convicted, yes, well,

740
00:35:28,920 --> 00:35:30,960
Speaker 1: not trying to get these kids convicted, training and get

741
00:35:31,000 --> 00:35:35,080
Speaker 1: them executed. Definitely. He called for the death penalty before

742
00:35:35,160 --> 00:35:38,719
Speaker 1: their trial. Fourteen to sixteen year old boys. Called for

743
00:35:38,840 --> 00:35:43,520
Speaker 1: the execution of of these boys before they had even

744
00:35:43,560 --> 00:35:46,279
Speaker 1: gone to trial. Was two weeks after the arrest that's

745
00:35:46,680 --> 00:35:49,640
Speaker 1: how many times did you cry? I did a lot.

746
00:35:50,000 --> 00:35:52,360
Speaker 1: I cried a lot making Thirteenth, I cried making Selma

747
00:35:52,760 --> 00:35:54,920
Speaker 1: And this though, it was just really tough because the

748
00:35:55,040 --> 00:35:57,440
Speaker 1: boys they were just they were just young boys. And

749
00:35:57,480 --> 00:35:59,520
Speaker 1: when I still see the five men now and I

750
00:35:59,600 --> 00:36:02,040
Speaker 1: talked to and they've all become I love him like brothers.

751
00:36:02,080 --> 00:36:05,080
Speaker 1: I really do. Um. I see the boys in their face,

752
00:36:05,440 --> 00:36:07,279
Speaker 1: I could still see the young boy. Are there any

753
00:36:07,360 --> 00:36:10,280
Speaker 1: lifelong dramatic effects these these guys are dealing with today?

754
00:36:10,600 --> 00:36:14,440
Speaker 1: Gotta be right? Yeah, yeah, I think they're all working

755
00:36:14,520 --> 00:36:20,760
Speaker 1: really hard to to to stay focused on life and hill.

756
00:36:20,800 --> 00:36:23,680
Speaker 1: But yeah, even even Corey says, um, you know right

757
00:36:23,760 --> 00:36:26,520
Speaker 1: now he's living life after death because he already you know,

758
00:36:26,600 --> 00:36:28,919
Speaker 1: feels like he died a couple of times in prison,

759
00:36:29,000 --> 00:36:30,960
Speaker 1: the things that he'd gone through, and you see that

760
00:36:31,040 --> 00:36:34,399
Speaker 1: in the final episode, and so um, so yeah, it's

761
00:36:34,480 --> 00:36:37,200
Speaker 1: it's it's tough, but hopefully this piece will help. We

762
00:36:37,320 --> 00:36:39,680
Speaker 1: got more with Ava Duvenai when we come back. Don't move.

763
00:36:39,719 --> 00:36:43,640
Speaker 1: It's the Breakfast Club. Good morning, DJ Envy, Angela Yee,

764
00:36:43,800 --> 00:36:46,600
Speaker 1: Charlemagne the guy. We all the Breakfast Club. We're still

765
00:36:46,680 --> 00:36:49,960
Speaker 1: kicking it with Ava Duvenais, who has the Netflix series

766
00:36:50,040 --> 00:36:53,480
Speaker 1: coming out. When NAC is talking about Central Park five now,

767
00:36:53,560 --> 00:36:55,520
Speaker 1: they said, you interview people on both sides, the young

768
00:36:55,600 --> 00:36:58,160
Speaker 1: men and the police. Now where the police apologetic at

769
00:36:58,160 --> 00:37:01,120
Speaker 1: any time? No, I really had hope to find one.

770
00:37:01,760 --> 00:37:04,080
Speaker 1: I'd hope to find one. I'd hope to find one.

771
00:37:04,200 --> 00:37:06,440
Speaker 1: Very few of them talk to me. Some of them

772
00:37:06,480 --> 00:37:08,600
Speaker 1: talk to me off records. So some people on the

773
00:37:08,640 --> 00:37:11,320
Speaker 1: other side did talk to me, but that side doesn't

774
00:37:11,360 --> 00:37:14,920
Speaker 1: know that they did. But they weren't apologetic. They were

775
00:37:15,000 --> 00:37:17,560
Speaker 1: kind of like, this is how it happened, and you know,

776
00:37:17,760 --> 00:37:20,800
Speaker 1: very matter of fact, like we did our jobs and

777
00:37:20,880 --> 00:37:22,440
Speaker 1: they did to their jobs. Because the job of the

778
00:37:22,520 --> 00:37:26,279
Speaker 1: police is unfortunately in this teen age I believe in

779
00:37:26,360 --> 00:37:27,800
Speaker 1: the way that they've been trained and the way that

780
00:37:27,880 --> 00:37:34,759
Speaker 1: they've been mismanaged and under supervised on the job of

781
00:37:34,800 --> 00:37:38,439
Speaker 1: the police largely not always just as it's keeping order.

782
00:37:38,760 --> 00:37:42,200
Speaker 1: It's quote unquote law laws are just in order, which

783
00:37:42,280 --> 00:37:46,840
Speaker 1: is not always just. And so the idea that that

784
00:37:46,960 --> 00:37:49,719
Speaker 1: they would ever say, oh, no, this was wrong, it's

785
00:37:49,800 --> 00:37:51,600
Speaker 1: not a part of the way that they're trained there

786
00:37:51,640 --> 00:37:55,719
Speaker 1: to keep law in order. And you know, in their

787
00:37:55,800 --> 00:37:57,920
Speaker 1: point of view, they did because I'm like, how do

788
00:37:57,920 --> 00:38:00,200
Speaker 1: you keep order if you're locking up the wrong people?

789
00:38:00,239 --> 00:38:01,960
Speaker 1: Could that means that the people who are actually committing

790
00:38:02,000 --> 00:38:04,359
Speaker 1: the crimes still on the screet. Well, they mean that's

791
00:38:04,400 --> 00:38:06,800
Speaker 1: the question of the woman who was raped Trician Miley.

792
00:38:07,200 --> 00:38:10,680
Speaker 1: You know, for a long time, the wrong people were

793
00:38:11,480 --> 00:38:14,359
Speaker 1: locked up for her crimes, so her the man who

794
00:38:14,560 --> 00:38:16,960
Speaker 1: assaulted her and raped her and violated her was out.

795
00:38:17,080 --> 00:38:19,120
Speaker 1: He killed somebody else, He raped another woman and killed

796
00:38:19,160 --> 00:38:23,680
Speaker 1: some so, UM, it's just it's just this rush to judgment.

797
00:38:24,000 --> 00:38:26,920
Speaker 1: I was reading this incredible thing during that time in

798
00:38:27,000 --> 00:38:30,240
Speaker 1: New York City. It was a study done that ninety

799
00:38:30,320 --> 00:38:33,080
Speaker 1: percent of the articles about this case never used the

800
00:38:33,120 --> 00:38:38,960
Speaker 1: word alleged for the boys. They it wasn't like alleged rapist, alleged,

801
00:38:39,320 --> 00:38:42,000
Speaker 1: you know, assault, they were just it just said that

802
00:38:42,080 --> 00:38:44,680
Speaker 1: they did it. That's the New York Times, the New

803
00:38:44,760 --> 00:38:46,640
Speaker 1: York Daily News, and New York was all the New

804
00:38:46,760 --> 00:38:51,520
Speaker 1: York papers. UM really did not cover this properly, didn't

805
00:38:51,560 --> 00:38:54,880
Speaker 1: ask the second question, just believed what the state said,

806
00:38:55,520 --> 00:38:58,440
Speaker 1: UM and took it as fact and then basically buried

807
00:38:58,520 --> 00:39:01,160
Speaker 1: these boys. And the first episode they will shoot the

808
00:39:01,200 --> 00:39:03,480
Speaker 1: victims that you know, weren't even of aged being interrogated

809
00:39:03,560 --> 00:39:05,120
Speaker 1: unless they had an adult there. But they were still

810
00:39:05,160 --> 00:39:07,359
Speaker 1: making deals to sign a confession. So do you think

811
00:39:07,400 --> 00:39:11,600
Speaker 1: we'll see any repercussions from those cops that were depicted.

812
00:39:11,840 --> 00:39:16,680
Speaker 1: Do you think they'll be upset? Um? Maybe we didn't

813
00:39:16,719 --> 00:39:19,359
Speaker 1: make them lie. Um. These are the stories of the men,

814
00:39:19,440 --> 00:39:21,239
Speaker 1: and this is what the men told me. And so

815
00:39:21,719 --> 00:39:25,239
Speaker 1: we've believed the police side for you know, thirty years,

816
00:39:25,280 --> 00:39:28,080
Speaker 1: and so now it's time to listen to and believe

817
00:39:28,120 --> 00:39:30,879
Speaker 1: the men who've now been exonerated. They were innocent. All

818
00:39:30,960 --> 00:39:33,680
Speaker 1: that was done in those precincts, all those confessions, all

819
00:39:33,719 --> 00:39:36,880
Speaker 1: that stuff has been overturned. It was all eyes. It

820
00:39:36,960 --> 00:39:40,000
Speaker 1: has been overturned. The men are free, innocent, and so

821
00:39:40,120 --> 00:39:42,600
Speaker 1: everything that we're watching, I mean, don't be mad at it.

822
00:39:42,920 --> 00:39:45,640
Speaker 1: You convicted these boys and you were wrong. I mean,

823
00:39:45,680 --> 00:39:47,320
Speaker 1: but I'm sure they will be Did you did you

824
00:39:47,360 --> 00:39:49,239
Speaker 1: get a chance to talk to the Jagger and his

825
00:39:49,320 --> 00:39:50,920
Speaker 1: family and all that? Now? I reached out to her.

826
00:39:50,960 --> 00:39:53,680
Speaker 1: She she she wanted to keep her privacy, so she

827
00:39:53,760 --> 00:39:55,440
Speaker 1: did speak with me, but I tried. That's probably so

828
00:39:55,560 --> 00:39:57,120
Speaker 1: traumatic for her, so she probably don't want to talk

829
00:39:57,120 --> 00:39:59,279
Speaker 1: about that. Yeah, No, she talks about it. Okay, she

830
00:39:59,360 --> 00:40:01,879
Speaker 1: talks about a couple of Yeah, she's written some things,

831
00:40:02,360 --> 00:40:04,000
Speaker 1: and I think she wants to pick and choose what

832
00:40:04,120 --> 00:40:05,600
Speaker 1: she speaks to about it. But I figured she was

833
00:40:05,680 --> 00:40:08,160
Speaker 1: going to say something like these kids didn't do what

834
00:40:08,200 --> 00:40:10,080
Speaker 1: I feel. So no, she's never said that. Just this

835
00:40:10,239 --> 00:40:13,200
Speaker 1: past summer she came out and said, I don't know

836
00:40:13,320 --> 00:40:16,080
Speaker 1: that they didn't do it, but you know, I'm not sure.

837
00:40:16,680 --> 00:40:19,520
Speaker 1: You know, I'm not sure, and so usually shit said

838
00:40:19,560 --> 00:40:21,800
Speaker 1: I just don't know, I don't remember, But this summer

839
00:40:21,880 --> 00:40:24,920
Speaker 1: she went a little further and she seemed to be, um,

840
00:40:25,320 --> 00:40:28,000
Speaker 1: you know, feeling like they might have had some involvement.

841
00:40:28,400 --> 00:40:29,960
Speaker 1: And I think, you know, it has to do a

842
00:40:30,040 --> 00:40:35,239
Speaker 1: lot with this campaign that um, the state side has

843
00:40:35,280 --> 00:40:39,880
Speaker 1: been launching. They've released released all these new documents. You know,

844
00:40:40,080 --> 00:40:44,640
Speaker 1: you have Linda Fairstein out a flurry of articles last

845
00:40:44,680 --> 00:40:47,759
Speaker 1: summer when the when the new documents were released, kind

846
00:40:47,800 --> 00:40:50,239
Speaker 1: of defending their side. And it's it's kind of like,

847
00:40:50,560 --> 00:40:53,680
Speaker 1: you guys knew all that these men are free, innocent

848
00:40:53,880 --> 00:40:56,920
Speaker 1: or exonerated, so you can keep telling that story, but

849
00:40:57,120 --> 00:41:00,279
Speaker 1: now they have their story on record, and and my

850
00:41:00,400 --> 00:41:02,279
Speaker 1: thing is, we just need to always hear two sides

851
00:41:02,280 --> 00:41:04,160
Speaker 1: of the story. You know, you can't be out there

852
00:41:04,200 --> 00:41:06,200
Speaker 1: for thirty years only saying you're a piece. It's like

853
00:41:06,480 --> 00:41:08,799
Speaker 1: Trump and the smaller report. It's like I'm gonna get

854
00:41:08,840 --> 00:41:11,960
Speaker 1: out six weeks before and just keep saying, ain't nothing

855
00:41:12,000 --> 00:41:13,719
Speaker 1: in the report, ain't nothing in the report, and then

856
00:41:13,719 --> 00:41:15,759
Speaker 1: people start to believe that some when the report comes out,

857
00:41:15,880 --> 00:41:18,080
Speaker 1: it's got all this stuff in it. Oh, we're already

858
00:41:18,120 --> 00:41:21,160
Speaker 1: wired to just believe the first thing. Get to interrogate

859
00:41:21,239 --> 00:41:23,560
Speaker 1: the news, you know what I mean. We're we are

860
00:41:24,480 --> 00:41:26,560
Speaker 1: not free unless we can really free our minds and

861
00:41:26,680 --> 00:41:30,600
Speaker 1: gain knowledge. You cannot take everything on the pace value.

862
00:41:30,760 --> 00:41:32,960
Speaker 1: Nobody does that no more. Everything's so surface like and

863
00:41:33,040 --> 00:41:35,120
Speaker 1: nobody cares about the truth when the lives more entertaining.

864
00:41:35,239 --> 00:41:37,080
Speaker 1: So it's just like, well, that's why I think places

865
00:41:37,080 --> 00:41:38,840
Speaker 1: like this are important. I remember the first time I

866
00:41:38,880 --> 00:41:41,400
Speaker 1: came in here, it was really scared. Wow, I don't know,

867
00:41:41,440 --> 00:41:43,520
Speaker 1: I was scared of you guys. But um, I don't know,

868
00:41:43,560 --> 00:41:46,600
Speaker 1: I don't know, I don't know what's gonna happen. But anyway,

869
00:41:48,680 --> 00:41:53,000
Speaker 1: that was scared. That was scared. But um, but now

870
00:41:53,120 --> 00:41:55,120
Speaker 1: I start to listen to it more. It's just places

871
00:41:55,200 --> 00:41:57,920
Speaker 1: for conversation about things, and where we talk about things,

872
00:41:57,960 --> 00:42:00,640
Speaker 1: we can drill down and get beyond the surface, beyond

873
00:42:00,680 --> 00:42:02,719
Speaker 1: the click, beyond the tweet or the ig store. You

874
00:42:02,840 --> 00:42:08,000
Speaker 1: do realize you intimidate uh, people walking the room. But

875
00:42:08,080 --> 00:42:09,600
Speaker 1: when I when I interviewed you a BT, I was

876
00:42:09,600 --> 00:42:12,759
Speaker 1: scared to death. Well, because that's such this your comfort zone.

877
00:42:12,760 --> 00:42:15,879
Speaker 1: That wasn't your comfort zone. Now you're on TV doing

878
00:42:16,400 --> 00:42:17,640
Speaker 1: even when you coming here Now, I'm like, all right,

879
00:42:17,680 --> 00:42:22,920
Speaker 1: clean up, guys, all right, I've never seen them clean up. Now,

880
00:42:23,000 --> 00:42:27,879
Speaker 1: show up. The valerie just came up. Came you don't

881
00:42:27,880 --> 00:42:29,680
Speaker 1: clean up when you came. He was like, we got

882
00:42:29,760 --> 00:42:35,800
Speaker 1: to clean up up. But it looks lovely, thank you.

883
00:42:35,920 --> 00:42:39,560
Speaker 1: It looks really fantastic. You know what I noticed about you,

884
00:42:40,360 --> 00:42:43,319
Speaker 1: I noticed that you listen intently. How did that help

885
00:42:43,360 --> 00:42:46,480
Speaker 1: you with the director? Um? Well, I think people will

886
00:42:46,520 --> 00:42:47,880
Speaker 1: tell you what they need and what they want if

887
00:42:47,920 --> 00:42:49,480
Speaker 1: you just listen. But most of the time, when Pete,

888
00:42:49,520 --> 00:42:52,200
Speaker 1: when you're talking to someone, you're talking to someone. Most

889
00:42:52,200 --> 00:42:55,360
Speaker 1: of the time they're thinking about what they're gonna say next, truly,

890
00:42:55,840 --> 00:42:57,440
Speaker 1: And so if you can just wipe out what you're

891
00:42:57,440 --> 00:42:59,320
Speaker 1: gonna say next, and just look at the person that

892
00:42:59,400 --> 00:43:01,799
Speaker 1: I connect with them on what they're saying. You're gonna

893
00:43:01,840 --> 00:43:03,919
Speaker 1: get so much, gonna learn so much, and you're gonna

894
00:43:03,960 --> 00:43:06,879
Speaker 1: know what to do and say. I just think most

895
00:43:06,920 --> 00:43:09,080
Speaker 1: people are just trying to get their peace in and

896
00:43:09,200 --> 00:43:11,319
Speaker 1: be heard because everybody wants to be seen and heard.

897
00:43:11,560 --> 00:43:13,160
Speaker 1: So that's just something that I don't know how I

898
00:43:13,239 --> 00:43:15,800
Speaker 1: practiced that. I probably got it from my dad me

899
00:43:15,840 --> 00:43:18,680
Speaker 1: to stare you down. Listen. Yeah, that's what you do,

900
00:43:18,760 --> 00:43:20,440
Speaker 1: like when we have you a question, like you can

901
00:43:20,520 --> 00:43:27,319
Speaker 1: tell you're really absolutely Oh, okay, we're good, Thank you. Now,

902
00:43:27,360 --> 00:43:30,040
Speaker 1: What's what's the next project that I know you finished

903
00:43:30,080 --> 00:43:32,440
Speaker 1: with this? This one's coming out shortly. What's the next project?

904
00:43:32,480 --> 00:43:33,960
Speaker 1: Something else that you somebody hit you in the DM

905
00:43:34,080 --> 00:43:39,280
Speaker 1: about another passion project? So much I get on Twitter

906
00:43:39,400 --> 00:43:43,440
Speaker 1: almost every day, maybe two dozen things, Hey make this story,

907
00:43:43,640 --> 00:43:45,439
Speaker 1: or hey but you should do this, or you would

908
00:43:45,520 --> 00:43:47,480
Speaker 1: kill this or I saw this article. It's crazy and

909
00:43:47,520 --> 00:43:51,600
Speaker 1: it's an honor that people think I can tell whatever story. Um,

910
00:43:51,880 --> 00:43:54,520
Speaker 1: but Queen Sugar comes back in June. I've got a

911
00:43:54,600 --> 00:43:57,040
Speaker 1: new show that we're doing called Chairs Today. A new

912
00:43:57,560 --> 00:44:00,520
Speaker 1: romance romance Drawa that's coming on, So we're starting to

913
00:44:00,560 --> 00:44:04,840
Speaker 1: write that. Working on this Prince documentary. The estate m

914
00:44:05,239 --> 00:44:07,920
Speaker 1: you know, allowed me to be involved in telling his story.

915
00:44:08,040 --> 00:44:10,600
Speaker 1: So I'm in the vaults and I got all the

916
00:44:10,680 --> 00:44:14,719
Speaker 1: costs from the beginning to start everything Wow, cradle to

917
00:44:14,840 --> 00:44:18,360
Speaker 1: the unfortunately, and just getting into all his music, so

918
00:44:18,560 --> 00:44:20,960
Speaker 1: much music that we never even heard. And I could

919
00:44:21,000 --> 00:44:23,800
Speaker 1: just sit there and listen to unreleased music. See the

920
00:44:23,960 --> 00:44:27,200
Speaker 1: lyrics that he wrote in his own hand on napkins

921
00:44:27,400 --> 00:44:33,879
Speaker 1: from cafes and in Europe, and like incredible, incredible things.

922
00:44:33,920 --> 00:44:36,799
Speaker 1: A lot of wrote a lot of lyrics on notepads

923
00:44:36,880 --> 00:44:39,040
Speaker 1: of hotels around the world, so it would just be

924
00:44:39,120 --> 00:44:41,600
Speaker 1: like next to his man and he write things down anyway.

925
00:44:41,640 --> 00:44:45,640
Speaker 1: Fascinating brother. Um, So working on that and uh and yeah,

926
00:44:45,840 --> 00:44:47,919
Speaker 1: just trying to, you know, make sure that the story

927
00:44:47,960 --> 00:44:49,640
Speaker 1: gets out and people see it. All right. We got

928
00:44:49,719 --> 00:44:51,839
Speaker 1: more with Ava Duvenet when we come back, don't move.

929
00:44:51,880 --> 00:44:55,080
Speaker 1: It's to Breakfast Club. Good morning morning. Everybody is DJ

930
00:44:55,719 --> 00:44:58,920
Speaker 1: Envy Angela Yee. Charlomagne, the guy we all to Breakfast

931
00:44:59,000 --> 00:45:01,960
Speaker 1: Club were still kicking it with Ava Duvenais. Charman, you know,

932
00:45:02,160 --> 00:45:04,040
Speaker 1: as a creative. You know what I'm saying, somebody who

933
00:45:04,360 --> 00:45:07,279
Speaker 1: expresses themselves. What do you think about the Facebook band?

934
00:45:07,400 --> 00:45:09,840
Speaker 1: If you think since the Shipokah, do you think sensorship

935
00:45:10,000 --> 00:45:13,760
Speaker 1: is is warranted in our society? Well, Facebook is a business,

936
00:45:14,200 --> 00:45:17,759
Speaker 1: so I don't think. You know, censorship of of kind

937
00:45:17,760 --> 00:45:20,640
Speaker 1: of public expression is one thing. But you know if

938
00:45:20,960 --> 00:45:23,279
Speaker 1: you and I started you know something and we didn't

939
00:45:23,320 --> 00:45:26,239
Speaker 1: want him on it, yeah, and we would just be like,

940
00:45:28,440 --> 00:45:31,200
Speaker 1: you can't come, I cannot do this. So it's it's

941
00:45:31,680 --> 00:45:34,840
Speaker 1: I mean, I we we are. We have to remember

942
00:45:34,880 --> 00:45:37,600
Speaker 1: when we're dealing with Twitter and IG and Facebook, we're

943
00:45:37,640 --> 00:45:42,480
Speaker 1: participating in you know, the commodification of our expression absolutely,

944
00:45:42,560 --> 00:45:45,920
Speaker 1: and that at any point if that is is is

945
00:45:46,560 --> 00:45:50,160
Speaker 1: you know, um assaulting their ability to make money, then

946
00:45:50,200 --> 00:45:52,640
Speaker 1: we then we're then we're off. We've become unimportant. Then

947
00:45:52,680 --> 00:45:55,160
Speaker 1: we can get kicked off. So you know they're advertisers

948
00:45:55,239 --> 00:45:58,080
Speaker 1: and everyone's up in arms about those people. You know,

949
00:45:58,239 --> 00:46:00,840
Speaker 1: that's not a free space. So what's young black creatives?

950
00:46:00,920 --> 00:46:02,880
Speaker 1: Because I always say that we don't own any of

951
00:46:02,960 --> 00:46:04,880
Speaker 1: those platforms that y'all are giving out all of these

952
00:46:04,920 --> 00:46:07,960
Speaker 1: free materials. What should young black creators do well. I

953
00:46:08,000 --> 00:46:11,920
Speaker 1: think you should use it to further your own business,

954
00:46:12,000 --> 00:46:14,560
Speaker 1: but just to be really aware that you know, these

955
00:46:14,640 --> 00:46:18,440
Speaker 1: are not free spaces. These are commodified spaces. And to

956
00:46:18,560 --> 00:46:20,719
Speaker 1: make sure that you own your own I mean, own

957
00:46:20,760 --> 00:46:23,439
Speaker 1: your own content, own your own spaces. Man, I'm trying

958
00:46:23,440 --> 00:46:26,359
Speaker 1: to I'm really talking to peopleout owning space. There are

959
00:46:26,360 --> 00:46:30,319
Speaker 1: own spaces, you know, our theaters, our community centers are

960
00:46:30,840 --> 00:46:34,680
Speaker 1: our offices. Um, so I think that's that's important. But

961
00:46:35,120 --> 00:46:36,680
Speaker 1: but yeah, if you if you're on them with the

962
00:46:36,800 --> 00:46:40,799
Speaker 1: knowledge that I'm participating in this exchange, you know, then

963
00:46:41,000 --> 00:46:44,479
Speaker 1: then you'll be much more um, you'll be protecting yourself

964
00:46:44,600 --> 00:46:47,840
Speaker 1: much more than thinking that you're just you know, actually

965
00:46:47,880 --> 00:46:49,400
Speaker 1: in a free state. How hard is it for you

966
00:46:49,560 --> 00:46:51,800
Speaker 1: not to stunt because you are a boss? Not to

967
00:46:51,880 --> 00:46:59,080
Speaker 1: what stunt? What stunt? I know what it means, Say

968
00:46:59,280 --> 00:47:01,640
Speaker 1: what is he taught? We know that you are boss,

969
00:47:01,719 --> 00:47:03,960
Speaker 1: and we seen one hundred million dollars deals with Netflix

970
00:47:04,040 --> 00:47:05,520
Speaker 1: and all of that type of stuff, Like he's a

971
00:47:05,840 --> 00:47:10,400
Speaker 1: he can't your money. Every can't everybody money. But I

972
00:47:10,480 --> 00:47:12,320
Speaker 1: mean it's not the money, it's the fact that somebody

973
00:47:12,800 --> 00:47:15,160
Speaker 1: that does the type of art you do get rewarded

974
00:47:15,239 --> 00:47:16,759
Speaker 1: in that way. You know what I'm saying. You do

975
00:47:16,880 --> 00:47:19,320
Speaker 1: things that matter, you do things of substance, and you

976
00:47:19,400 --> 00:47:22,839
Speaker 1: get rewarded for To me, that is what inspires me. Yes,

977
00:47:23,400 --> 00:47:27,320
Speaker 1: well that's one hundred million dollars with Warner Brothers, not Netflixs.

978
00:47:27,400 --> 00:47:29,800
Speaker 1: But but that's a little stunt right there, you know,

979
00:47:29,960 --> 00:47:34,480
Speaker 1: just no, but it's only Likelix. But it's it's it's

980
00:47:34,600 --> 00:47:36,759
Speaker 1: it doesn't go in our pockets. It goes to make things,

981
00:47:37,080 --> 00:47:38,719
Speaker 1: you know what I mean. And so if they're gonna

982
00:47:38,760 --> 00:47:40,640
Speaker 1: give me the kinds of things that I make, which

983
00:47:40,680 --> 00:47:42,680
Speaker 1: I'm trying to uplift people, I'm trying to center black

984
00:47:42,719 --> 00:47:45,080
Speaker 1: and brown people and women. I'm trying to be able

985
00:47:45,120 --> 00:47:47,160
Speaker 1: to have that kind of wherewithal to tell these kinds

986
00:47:47,160 --> 00:47:49,439
Speaker 1: of stories. Um. I was just like, let me grab

987
00:47:49,560 --> 00:47:52,120
Speaker 1: this before they change their mind and make as much

988
00:47:52,120 --> 00:47:54,520
Speaker 1: as I care while I can. Um. And so that's

989
00:47:54,560 --> 00:47:56,120
Speaker 1: the thing, it's just like how much can we make?

990
00:47:56,200 --> 00:47:57,920
Speaker 1: How much can we do? You know? You look at

991
00:47:58,000 --> 00:48:01,640
Speaker 1: lean Away to the East Ray and Jordans and Coogler

992
00:48:01,719 --> 00:48:03,640
Speaker 1: and so many of us. You know, I was talking

993
00:48:03,719 --> 00:48:06,520
Speaker 1: to an older U creator who was saying, guy, you

994
00:48:06,520 --> 00:48:08,960
Speaker 1: guys are going so fast, Like you guys have one

995
00:48:09,040 --> 00:48:10,960
Speaker 1: hit and then pop out with three shows. It's like

996
00:48:11,360 --> 00:48:13,640
Speaker 1: doors open. We try to rush in and do as

997
00:48:13,719 --> 00:48:16,320
Speaker 1: much as we can before it closes, but also just

998
00:48:16,400 --> 00:48:18,759
Speaker 1: to put out as much in this era. But it's

999
00:48:18,800 --> 00:48:22,719
Speaker 1: a good time, so much out. But people are working hard.

1000
00:48:22,760 --> 00:48:24,680
Speaker 1: We also have to have self care. Every time I

1001
00:48:24,719 --> 00:48:27,320
Speaker 1: see my Carmmands, I'm like, are you taking a vacation,

1002
00:48:27,360 --> 00:48:30,320
Speaker 1: are you resting? Have you bought your home? Like? You

1003
00:48:30,440 --> 00:48:32,600
Speaker 1: know what I mean, Like, let's make sure that everybody's

1004
00:48:32,920 --> 00:48:35,920
Speaker 1: taking care of themselves, you know, and shout out to

1005
00:48:36,000 --> 00:48:41,800
Speaker 1: John you know who Singleton. You know, he was someone

1006
00:48:41,880 --> 00:48:46,160
Speaker 1: who you know, really did that. You know, he looked

1007
00:48:46,239 --> 00:48:48,400
Speaker 1: after all of us. He would call and you know,

1008
00:48:48,800 --> 00:48:51,239
Speaker 1: you'd see you out. He'd come and support and you

1009
00:48:51,280 --> 00:48:53,320
Speaker 1: know it's one of the real, you know, few people

1010
00:48:53,400 --> 00:48:56,840
Speaker 1: of that generation who would actually reach out actively or

1011
00:48:56,920 --> 00:49:00,319
Speaker 1: come show up to your thing as a filmmaker, you know. Um,

1012
00:49:00,760 --> 00:49:02,120
Speaker 1: And so we just have to keep doing that for

1013
00:49:02,200 --> 00:49:03,879
Speaker 1: each other. He was a great example of it. Rest

1014
00:49:03,920 --> 00:49:05,560
Speaker 1: in peace. Well kind of influence did he have on

1015
00:49:05,840 --> 00:49:08,120
Speaker 1: a young abel? He did, you know, because he went

1016
00:49:08,239 --> 00:49:10,200
Speaker 1: from around the same place. I mean he was South

1017
00:49:10,239 --> 00:49:13,600
Speaker 1: centraum Compton. It's not that far actually physically it's a

1018
00:49:13,600 --> 00:49:16,840
Speaker 1: little far, but it's the same kind of environment. And

1019
00:49:16,920 --> 00:49:18,960
Speaker 1: it was very supportive. Became from my first premiere in

1020
00:49:19,000 --> 00:49:22,800
Speaker 1: my fifty thousand dollars film he Um. He you know,

1021
00:49:23,040 --> 00:49:25,920
Speaker 1: always was encouraging and so I remember seeing Boyslhood and

1022
00:49:26,000 --> 00:49:28,719
Speaker 1: being like, those are people in my neighbor. Like that

1023
00:49:28,880 --> 00:49:31,960
Speaker 1: was the first time I saw them fully rendered on screen,

1024
00:49:32,360 --> 00:49:34,840
Speaker 1: not being like the thug that held up you know,

1025
00:49:35,239 --> 00:49:40,080
Speaker 1: Beverly Hill's coup or whatever, but like as as real people.

1026
00:49:40,719 --> 00:49:43,600
Speaker 1: And uh so it was it was huge. It was huge.

1027
00:49:43,719 --> 00:49:45,320
Speaker 1: It's a big it's a big loss because there's so

1028
00:49:45,440 --> 00:49:48,160
Speaker 1: few of us. It's a very small tribe out there.

1029
00:49:48,160 --> 00:49:50,879
Speaker 1: If people do it, um, it's a lot of people

1030
00:49:50,920 --> 00:49:52,920
Speaker 1: that can, but there's just a few that have been

1031
00:49:53,360 --> 00:49:55,160
Speaker 1: able to make it through. I mean, when you count

1032
00:49:55,200 --> 00:49:57,720
Speaker 1: on both hands all the filmmakers, there might be twenty

1033
00:49:57,840 --> 00:50:01,479
Speaker 1: twenty five. So to lose once early, um, it's something

1034
00:50:01,560 --> 00:50:03,160
Speaker 1: that we haven't really dealt with. Like when you look

1035
00:50:03,200 --> 00:50:06,440
Speaker 1: at our space, we haven't lost any black filmmakers who

1036
00:50:07,080 --> 00:50:10,080
Speaker 1: you know who we're still in their working prime. So

1037
00:50:10,400 --> 00:50:14,759
Speaker 1: it was it's devastating. What is ABA doing for self care? Uh?

1038
00:50:17,360 --> 00:50:20,279
Speaker 1: I do meditation. I Hi, I need to do more,

1039
00:50:20,600 --> 00:50:21,800
Speaker 1: you know what I mean? I really really need to

1040
00:50:21,800 --> 00:50:23,400
Speaker 1: do more because I'll be working on these things that

1041
00:50:23,480 --> 00:50:28,040
Speaker 1: are super I don't know, dramatic, violent subject matter. So

1042
00:50:28,080 --> 00:50:31,080
Speaker 1: I really need to do more. So, UM, I'm gonna

1043
00:50:31,080 --> 00:50:33,719
Speaker 1: take that encourage. How do you let it go? Um?

1044
00:50:34,080 --> 00:50:36,040
Speaker 1: I don't know. I don't have a real practice. I

1045
00:50:36,080 --> 00:50:38,160
Speaker 1: wish I could say something op like, but I really

1046
00:50:40,640 --> 00:50:42,279
Speaker 1: I really don't know. You know, she really helps we

1047
00:50:42,400 --> 00:50:45,160
Speaker 1: Usually I'll call her and it's such a blessing to

1048
00:50:45,200 --> 00:50:46,600
Speaker 1: be able to pick up the phone and like it's

1049
00:50:46,640 --> 00:50:49,680
Speaker 1: actually her other line. I'll be like, this is what's happening,

1050
00:50:49,760 --> 00:50:52,399
Speaker 1: and she'll be like okay, and it should just talk

1051
00:50:52,480 --> 00:50:54,960
Speaker 1: to me. And I mean like it's like therapy really is.

1052
00:50:55,040 --> 00:50:57,360
Speaker 1: She's just like the world's world's greatest therapy that was

1053
00:50:57,360 --> 00:51:06,440
Speaker 1: called a stunt leader. You know what I'm saying. Right now?

1054
00:51:07,920 --> 00:51:11,560
Speaker 1: Time you got time? Right time? It was not you

1055
00:51:11,640 --> 00:51:13,560
Speaker 1: know you know, um when they see us. One thing

1056
00:51:13,600 --> 00:51:16,120
Speaker 1: that I love is um it really put me back

1057
00:51:16,160 --> 00:51:19,239
Speaker 1: to that that era good from the music. As soon

1058
00:51:19,280 --> 00:51:22,600
Speaker 1: as it starts, all good you know, how how hard

1059
00:51:22,719 --> 00:51:24,960
Speaker 1: is it to really go into depth about all that

1060
00:51:25,040 --> 00:51:26,640
Speaker 1: because you know, I'm look, I'm looking at everything. I'm

1061
00:51:26,680 --> 00:51:28,239
Speaker 1: that type of person. I'm looking at the police cars

1062
00:51:28,239 --> 00:51:32,400
Speaker 1: and I'm looking at the cars, what they're selling in

1063
00:51:32,440 --> 00:51:34,960
Speaker 1: the store, what the kids are wearing on their feet. Good,

1064
00:51:35,080 --> 00:51:38,080
Speaker 1: But like, how deep do you go with that? That's

1065
00:51:38,120 --> 00:51:40,560
Speaker 1: what the director's job is, all of it. So every

1066
00:51:40,640 --> 00:51:43,640
Speaker 1: piece of the costume, everything that everyone's wearing, the production design,

1067
00:51:43,719 --> 00:51:45,040
Speaker 1: the way it looks. We have to go out and

1068
00:51:45,120 --> 00:51:48,200
Speaker 1: scout location, scout, look for those places in New York

1069
00:51:48,239 --> 00:51:50,200
Speaker 1: City that you can age back and make look like eighty.

1070
00:51:50,480 --> 00:51:53,640
Speaker 1: It's hard. Your city has changed. We look at pictures

1071
00:51:53,719 --> 00:51:56,440
Speaker 1: like so much has changed the way that signs were

1072
00:51:56,560 --> 00:51:59,800
Speaker 1: back then, cell phone, shoes, cars, all of that. A

1073
00:51:59,840 --> 00:52:02,120
Speaker 1: lot out of it. We have to change digitally, um

1074
00:52:02,440 --> 00:52:04,440
Speaker 1: and in visual effects, but try to get it as

1075
00:52:04,440 --> 00:52:06,640
Speaker 1: close as possible. I was looking for a Starbucks copy.

1076
00:52:06,719 --> 00:52:13,160
Speaker 1: Now quit because do you know how many people had

1077
00:52:13,640 --> 00:52:17,279
Speaker 1: do you know how many people that passed through? No? No,

1078
00:52:17,880 --> 00:52:20,200
Speaker 1: from the set. Okay, everyone is standing on the set.

1079
00:52:20,600 --> 00:52:22,960
Speaker 1: Then it goes to the editors. The editors watch it,

1080
00:52:23,040 --> 00:52:26,960
Speaker 1: then it goes through then everyone at Netflix, all the producers,

1081
00:52:27,400 --> 00:52:31,400
Speaker 1: the colorist sorry HBO, all the colorist, there's somebody that

1082
00:52:31,480 --> 00:52:33,520
Speaker 1: goes in and adjust the color, and the sound team.

1083
00:52:33,600 --> 00:52:36,160
Speaker 1: They watch it on a big I can't believe nobody

1084
00:52:36,239 --> 00:52:39,040
Speaker 1: saw it. Yeah, it's crazy, it's almost they told me.

1085
00:52:39,080 --> 00:52:41,759
Speaker 1: My friend Victoria Mahoney texted me and said somebody was

1086
00:52:41,800 --> 00:52:44,040
Speaker 1: mad and that saw it. Was like, I'm gonna let

1087
00:52:44,040 --> 00:52:47,680
Speaker 1: that step because it's not possible that so many people

1088
00:52:47,719 --> 00:52:50,120
Speaker 1: miss it, but it happens all the time when they

1089
00:52:50,160 --> 00:52:52,320
Speaker 1: see us. What does that title mean? It's it's a

1090
00:52:52,360 --> 00:52:54,360
Speaker 1: powerful title. I didn't want it to be called Central

1091
00:52:54,400 --> 00:52:56,600
Speaker 1: Park five because I feel like that's the name at

1092
00:52:56,640 --> 00:52:59,160
Speaker 1: the State and the press gave them, and that it

1093
00:52:59,360 --> 00:53:01,840
Speaker 1: allows you not to be able to see them as human.

1094
00:53:02,760 --> 00:53:05,000
Speaker 1: So when they see us, you know, opens it up,

1095
00:53:05,200 --> 00:53:08,000
Speaker 1: humanizes them more, but it also asks the question who's

1096
00:53:08,040 --> 00:53:10,480
Speaker 1: the they and who's the us? Check it out May

1097
00:53:10,600 --> 00:53:13,359
Speaker 1: thirty first, you can see it on Netflix. We've seen

1098
00:53:13,440 --> 00:53:16,080
Speaker 1: it already. Amazing. I loved it. Watch it with your kids.

1099
00:53:16,200 --> 00:53:18,200
Speaker 1: Let your kids watch it. I don't ever do music

1100
00:53:18,239 --> 00:53:21,200
Speaker 1: for your own soundtracks. Do you go back to your rapping? Then? Okay,

1101
00:53:21,520 --> 00:53:27,200
Speaker 1: thank you, so happy so happy to be here. Almost

1102
00:53:27,280 --> 00:53:33,040
Speaker 1: got out all right. The Breakfast Club, good morning, Hey,

1103
00:53:33,560 --> 00:53:37,520
Speaker 1: good morning. Everybody is DJ MV and Angela Yee, Charlomagne

1104
00:53:37,560 --> 00:53:40,600
Speaker 1: the guy we are the Breakfast Club. Good morning, good morning.

1105
00:53:40,719 --> 00:53:42,359
Speaker 1: Let's get to these rumors. Let's talk to the number

1106
00:53:42,360 --> 00:53:49,680
Speaker 1: one show Netflix's tea. This is the rumor Report with

1107
00:53:49,880 --> 00:53:53,480
Speaker 1: Angela Yee on The Breakfast Club. What would you say

1108
00:53:53,560 --> 00:53:56,400
Speaker 1: is the number one show on Netflix? I have no clue.

1109
00:53:56,960 --> 00:53:59,880
Speaker 1: The Office, Yes, so there were some issues people the

1110
00:54:00,120 --> 00:54:02,120
Speaker 1: show was gonna get taken off of Netflix and all

1111
00:54:02,200 --> 00:54:04,840
Speaker 1: of that, but they had to post hello, it's me

1112
00:54:04,920 --> 00:54:07,080
Speaker 1: with your regularly schedule reminder. The Office will be on

1113
00:54:07,120 --> 00:54:10,520
Speaker 1: Netflix until twenty twenty one at least. By the way,

1114
00:54:10,560 --> 00:54:12,440
Speaker 1: I was on a flight the other day watching The Office,

1115
00:54:12,440 --> 00:54:16,200
Speaker 1: because you know, that's one of my favorite shows. It's hilarious.

1116
00:54:16,320 --> 00:54:19,080
Speaker 1: Really yeah, you will love it. And my best friends

1117
00:54:19,080 --> 00:54:21,440
Speaker 1: Santi Gold was on two episodes and never even told me.

1118
00:54:21,840 --> 00:54:23,400
Speaker 1: So I'm watching it on the plane and then I

1119
00:54:23,480 --> 00:54:25,800
Speaker 1: see her on these two episodes of the Office, and

1120
00:54:25,840 --> 00:54:27,080
Speaker 1: I texted her. I was like, you didn't tell me

1121
00:54:27,160 --> 00:54:29,160
Speaker 1: you were on the show. That's like a dream come true?

1122
00:54:29,400 --> 00:54:31,640
Speaker 1: Are you show? Y'alls. For instance, she just was like,

1123
00:54:31,719 --> 00:54:33,279
Speaker 1: oh my god, I didn't know. It's so amazing. I

1124
00:54:33,360 --> 00:54:35,320
Speaker 1: did it before I even got pregnant with my twins.

1125
00:54:35,840 --> 00:54:38,640
Speaker 1: So yeah, we don't talk every day, but I'm like,

1126
00:54:38,719 --> 00:54:40,400
Speaker 1: how could you not bring that up? But The Office

1127
00:54:40,520 --> 00:54:43,359
Speaker 1: is the number one show on Netflix, So shout out

1128
00:54:43,400 --> 00:54:46,400
Speaker 1: to that show all right. Now, Lebron James he now

1129
00:54:46,520 --> 00:54:49,359
Speaker 1: has a brand new gym for his students. Well, he's

1130
00:54:49,360 --> 00:54:52,040
Speaker 1: gonna have have it for the I Primary School and

1131
00:54:52,160 --> 00:54:54,439
Speaker 1: acron Ohio. He just got a one million dollar check

1132
00:54:54,920 --> 00:54:57,800
Speaker 1: from Dick Sporting Goods Foundation, so they're going to provide

1133
00:54:57,880 --> 00:55:02,440
Speaker 1: that recreational center for everyone at that school. So that's amazing. Now,

1134
00:55:02,560 --> 00:55:04,279
Speaker 1: Lebron James said, I believe this guy is a limit

1135
00:55:04,320 --> 00:55:06,400
Speaker 1: for these kids and the results we're seeing are just

1136
00:55:06,560 --> 00:55:09,239
Speaker 1: the beginning. Dick Sporting Goods Foundation believes in the opportunities

1137
00:55:09,280 --> 00:55:12,399
Speaker 1: and values sports provide, and I've experienced at every level.

1138
00:55:12,880 --> 00:55:15,000
Speaker 1: So he said he's very excited to provide a space

1139
00:55:15,080 --> 00:55:17,400
Speaker 1: for the growth at the I Promise School, dropping a

1140
00:55:17,400 --> 00:55:19,919
Speaker 1: clos bunfle Lebron James having more faith in those kids

1141
00:55:19,960 --> 00:55:22,560
Speaker 1: than he does in the Los Angeles Lakers, as he should.

1142
00:55:22,840 --> 00:55:26,400
Speaker 1: Now Tiger Woods has a lawsuit. That's because one of

1143
00:55:26,440 --> 00:55:30,440
Speaker 1: the employees at his restaurant that he owns died in

1144
00:55:30,520 --> 00:55:33,840
Speaker 1: a car crash. Now, what they are saying is this

1145
00:55:34,000 --> 00:55:38,480
Speaker 1: man was drunk after he crashed his car and he

1146
00:55:38,640 --> 00:55:41,480
Speaker 1: died December tenth, And that's because he was leaving the

1147
00:55:41,600 --> 00:55:45,200
Speaker 1: Woods restaurant and bar and he crashed his corvette. They're

1148
00:55:45,200 --> 00:55:47,800
Speaker 1: saying that Tiger Woods, who owns the restaurant, and his

1149
00:55:47,920 --> 00:55:50,480
Speaker 1: girlfriend is the manager at the restaurant, she's a general manager,

1150
00:55:50,719 --> 00:55:53,160
Speaker 1: they're the ones who are to blame for the wrongful death.

1151
00:55:53,719 --> 00:55:56,000
Speaker 1: So he worked there as a bartender. He sat there

1152
00:55:56,080 --> 00:56:00,120
Speaker 1: and drank from three pm until six pm, as the

1153
00:56:00,120 --> 00:56:02,759
Speaker 1: blood alcohol level was three times the legal limit, and

1154
00:56:03,000 --> 00:56:06,480
Speaker 1: they said that he was suffering from alcohol alcoholism. He

1155
00:56:06,520 --> 00:56:09,560
Speaker 1: went to Alcoholics anonymous meetings and he had had another

1156
00:56:09,600 --> 00:56:12,640
Speaker 1: alcohol related crash in November, and that Tiger Woods and

1157
00:56:12,960 --> 00:56:15,440
Speaker 1: Erica Herman, who's the manager and Tiger Wood's girlfriend knew

1158
00:56:15,440 --> 00:56:18,239
Speaker 1: about his disease, but they were drinking with him before

1159
00:56:18,320 --> 00:56:20,759
Speaker 1: that crash happened a few nights ago. I never understood that.

1160
00:56:20,920 --> 00:56:22,600
Speaker 1: I never understood you go to a bar and then

1161
00:56:22,840 --> 00:56:24,400
Speaker 1: you get into an accident when you leave the bar,

1162
00:56:24,440 --> 00:56:26,160
Speaker 1: and then you could see the ball for oversuwing you,

1163
00:56:26,320 --> 00:56:30,600
Speaker 1: like I don't know how much serving you for saying

1164
00:56:30,719 --> 00:56:32,600
Speaker 1: so you're overserving you. You know, I don't know how

1165
00:56:32,680 --> 00:56:34,239
Speaker 1: much liquor you had. You know, you could come in

1166
00:56:34,280 --> 00:56:36,399
Speaker 1: and get three. Some people can take five shots before

1167
00:56:36,400 --> 00:56:38,640
Speaker 1: they drunk. Some people could take seven shots, like yeah,

1168
00:56:38,680 --> 00:56:40,320
Speaker 1: but I think you can when you look at somebody

1169
00:56:40,360 --> 00:56:43,560
Speaker 1: and you if they're slurring, they can't A bunch of

1170
00:56:43,600 --> 00:56:46,200
Speaker 1: people as drunk that that function from they do say

1171
00:56:46,239 --> 00:56:48,200
Speaker 1: as a bar attender, though, when you see somebody who

1172
00:56:48,600 --> 00:56:51,399
Speaker 1: is visibly drunk and slurring and they've had a certain

1173
00:56:51,400 --> 00:56:53,680
Speaker 1: amount of drinks, you're supposed to stop serving them. I've

1174
00:56:53,719 --> 00:56:56,680
Speaker 1: seen like flight attendants on the plane stopped giving people

1175
00:56:56,760 --> 00:57:00,200
Speaker 1: drinks because they were absolutely and you're sorry, can't do it.

1176
00:57:00,400 --> 00:57:01,960
Speaker 1: And if that person is sitting there for all of

1177
00:57:02,000 --> 00:57:05,160
Speaker 1: those hours, you can visibly tell if somebody's like super

1178
00:57:05,239 --> 00:57:08,239
Speaker 1: intoxic katy, right, And I understand that there's times you're

1179
00:57:08,239 --> 00:57:10,560
Speaker 1: not one hundred percent sure, like I don't know, but

1180
00:57:11,040 --> 00:57:13,120
Speaker 1: in this situation, they're saying that you knew he was

1181
00:57:13,120 --> 00:57:15,240
Speaker 1: an alcoholic, you knew he was going to these classes,

1182
00:57:15,680 --> 00:57:17,720
Speaker 1: but I don't know if that particular night. Tyger Wood

1183
00:57:17,760 --> 00:57:21,160
Speaker 1: wasn't tricky with him that night, so it probably wasn't

1184
00:57:21,160 --> 00:57:23,680
Speaker 1: a great idea for him to be a bartender if

1185
00:57:23,720 --> 00:57:27,480
Speaker 1: he was an alcoholic. Oh yeah, all right. Byron Allen,

1186
00:57:27,880 --> 00:57:32,360
Speaker 1: his company has just purchased Remember that whole acquisition of

1187
00:57:32,440 --> 00:57:35,640
Speaker 1: the twenty one Fox regional sports networks that everybody was

1188
00:57:35,720 --> 00:57:37,600
Speaker 1: trying to get, ice Q, Bellow, cool J. They were

1189
00:57:37,600 --> 00:57:40,160
Speaker 1: all bidding on it, while Byron Allen's empire just got it.

1190
00:57:40,720 --> 00:57:44,520
Speaker 1: So they acquire that, yes, ten billion dollar acquisition. Man

1191
00:57:44,720 --> 00:57:46,800
Speaker 1: drop on a clues box from Byron Allen. Y'all don't

1192
00:57:46,800 --> 00:57:49,080
Speaker 1: even know how Byron Byron Allen a black man out

1193
00:57:49,160 --> 00:57:53,120
Speaker 1: here getting it? Okay, Weather Channel last year, all right,

1194
00:57:53,720 --> 00:57:57,240
Speaker 1: so yeah, congratulations to him. I mean, everybody was trying

1195
00:57:57,280 --> 00:57:59,920
Speaker 1: to make it happen different groups, but Byron Allen is

1196
00:58:00,120 --> 00:58:03,120
Speaker 1: the person who actually won. I do want to say

1197
00:58:03,160 --> 00:58:05,120
Speaker 1: the Weather Channel has been wrong a lot since Byron

1198
00:58:05,200 --> 00:58:06,720
Speaker 1: Allen acquired it, though, I just want to throw that

1199
00:58:06,840 --> 00:58:12,360
Speaker 1: out there. They should hire Envy. No, now I'm joking.

1200
00:58:12,360 --> 00:58:14,480
Speaker 1: The Weather Channel is still the same Weather Channel has been,

1201
00:58:14,520 --> 00:58:16,640
Speaker 1: but Byron Allen. If you don't know who that is, kids,

1202
00:58:16,920 --> 00:58:20,160
Speaker 1: google Byron Allan. Okay, all right, I'm angela ye and

1203
00:58:20,240 --> 00:58:23,600
Speaker 1: that is your rumor report. All right, thank you, yee, Charlemagne. Donkey,

1204
00:58:23,640 --> 00:58:26,640
Speaker 1: who are giving that to Listen? Donkey of the day

1205
00:58:26,720 --> 00:58:28,760
Speaker 1: to day is a prime example of why you should

1206
00:58:28,760 --> 00:58:31,320
Speaker 1: go where you're celebrated, not where you're tolerated. We need

1207
00:58:31,400 --> 00:58:33,520
Speaker 1: Phoenix Hunts for Josh Jackson to come to the front

1208
00:58:33,560 --> 00:58:37,200
Speaker 1: of the conversation. We'd like to have a world with Okay,

1209
00:58:37,280 --> 00:58:38,920
Speaker 1: all right, we'll get to that next. Keeping lockedice to

1210
00:58:38,960 --> 00:58:44,600
Speaker 1: breakfast club. Good morning, it's time for Donkey of the day,

1211
00:58:47,880 --> 00:58:50,040
Speaker 1: being Dunky of the day, a little bit of a

1212
00:58:50,080 --> 00:58:57,920
Speaker 1: mix like a dope the other day. Now, I've been

1213
00:58:58,000 --> 00:59:02,520
Speaker 1: called a lot of my twenty three years, but wife, yeah,

1214
00:59:02,520 --> 00:59:04,840
Speaker 1: it's dunk here today for Tuesday, May for a teenth

1215
00:59:04,920 --> 00:59:08,480
Speaker 1: goes to Phoenix Suns forward Josh Jackson. Now Josh is

1216
00:59:08,520 --> 00:59:11,600
Speaker 1: twenty two years old. He got drafted in twenty seventeen

1217
00:59:11,720 --> 00:59:14,280
Speaker 1: first round pick. Uh he was number four. Actually a

1218
00:59:14,400 --> 00:59:17,439
Speaker 1: solid player so far in the league, I would say

1219
00:59:17,480 --> 00:59:19,640
Speaker 1: so rookie year, he averaged a little over thirteen points

1220
00:59:19,680 --> 00:59:22,280
Speaker 1: a game. This year he averaged around eleven points a game,

1221
00:59:22,400 --> 00:59:24,600
Speaker 1: so decent first couple of years. I think his career

1222
00:59:24,680 --> 00:59:26,440
Speaker 1: average is like twelve points a game something like that.

1223
00:59:26,520 --> 00:59:28,280
Speaker 1: He's still got a lot of work to do, though,

1224
00:59:28,520 --> 00:59:31,000
Speaker 1: a lot of work to do to be a household name,

1225
00:59:31,120 --> 00:59:33,600
Speaker 1: and he was reminded of that this past weekend at

1226
00:59:33,640 --> 00:59:36,160
Speaker 1: the Rolling Loud Festival in Miami. Now, I think, God,

1227
00:59:36,160 --> 00:59:38,440
Speaker 1: I've never been one of these negroes who have a desire,

1228
00:59:39,120 --> 00:59:41,760
Speaker 1: our problem getting in vi IP. Okay, let me tell

1229
00:59:41,760 --> 00:59:44,720
Speaker 1: you something to to this day, to this die. If

1230
00:59:44,800 --> 00:59:47,640
Speaker 1: I'm somewhere and there's a VIP section, if they don't

1231
00:59:47,720 --> 00:59:49,480
Speaker 1: let me in, I'm not tripping. I'm not about to

1232
00:59:49,520 --> 00:59:52,120
Speaker 1: beg anyone. I'm not about to ask to talk to anyone.

1233
00:59:52,160 --> 00:59:54,160
Speaker 1: To manager, I'm damn sure not hitting you with it.

1234
00:59:54,560 --> 00:59:56,840
Speaker 1: Do you know who I am? Because number one, security

1235
00:59:56,880 --> 00:59:59,160
Speaker 1: got a job to do, all right. Number two they

1236
00:59:59,280 --> 01:00:01,240
Speaker 1: may know who you you are and not care because

1237
01:00:01,280 --> 01:00:03,400
Speaker 1: they have a job to do. And number three, who

1238
01:00:03,440 --> 01:00:06,040
Speaker 1: the hell are you? Okay, No, I don't know who

1239
01:00:06,080 --> 01:00:08,040
Speaker 1: you are. And it's my job to keep people out

1240
01:00:08,120 --> 01:00:11,240
Speaker 1: of here, because duh, I have a job to do

1241
01:00:11,440 --> 01:00:13,440
Speaker 1: and you don't have the credentials to be in here. Well,

1242
01:00:13,560 --> 01:00:15,919
Speaker 1: Josh Jackson of the Phoenix Suns is one of those people,

1243
01:00:16,160 --> 01:00:18,160
Speaker 1: one of those annoying ass people who can't take no

1244
01:00:18,280 --> 01:00:20,720
Speaker 1: fa nancier. When it comes to not being allowed in

1245
01:00:20,760 --> 01:00:24,360
Speaker 1: the VIP, the male ego is so fragile. The rejection

1246
01:00:24,400 --> 01:00:26,680
Speaker 1: of not being allowed in the VIP is too much

1247
01:00:26,760 --> 01:00:30,560
Speaker 1: for Josh Jackson the handle, especially because he's an NBA player.

1248
01:00:30,840 --> 01:00:33,120
Speaker 1: And this happened. Let's go to Andy Slay the show

1249
01:00:33,160 --> 01:00:36,240
Speaker 1: for the report. Police. Josh Jackson plays with the Phoenix Suns.

1250
01:00:36,400 --> 01:00:39,160
Speaker 1: He was at Rolling Loud in Miami Gardens, which was

1251
01:00:39,200 --> 01:00:44,200
Speaker 1: at hard Rock Stadium, and according to my sources, Josh

1252
01:00:44,520 --> 01:00:48,760
Speaker 1: Jackson was arrested because he tried to get into the

1253
01:00:48,960 --> 01:00:56,240
Speaker 1: VIP area several times without having proper VIP access. Officers

1254
01:00:56,800 --> 01:00:59,640
Speaker 1: were being kind of polite to him. After like three

1255
01:00:59,720 --> 01:01:03,360
Speaker 1: or four were times he tried him and then they

1256
01:01:03,480 --> 01:01:06,280
Speaker 1: finally took him out. They put him in handcuffs, put

1257
01:01:06,400 --> 01:01:09,680
Speaker 1: him on a golf cart, and this NBA player gets

1258
01:01:09,800 --> 01:01:13,000
Speaker 1: off the golf cart in handcuffs and starts running away.

1259
01:01:13,200 --> 01:01:15,320
Speaker 1: So police catch up to him and then they charge

1260
01:01:15,400 --> 01:01:18,600
Speaker 1: him with a felony for escape and then also resisting

1261
01:01:18,640 --> 01:01:21,840
Speaker 1: a rise. Now I want to ask Angelie a question.

1262
01:01:21,920 --> 01:01:24,320
Speaker 1: If you couldn't get into the VP, would you beg

1263
01:01:24,400 --> 01:01:27,720
Speaker 1: to get int the VP? Absolutely not, I'll walk away, Envy.

1264
01:01:27,720 --> 01:01:29,440
Speaker 1: If you couldn't get into VP, would you beg to

1265
01:01:29,440 --> 01:01:32,520
Speaker 1: get into VFP? That doesn't happen to me, Bro, Angelie,

1266
01:01:32,560 --> 01:01:34,720
Speaker 1: I think Envy would definitely be put in this situation.

1267
01:01:34,800 --> 01:01:40,000
Speaker 1: They would definitely run through. And if he doesn't do that,

1268
01:01:40,160 --> 01:01:42,600
Speaker 1: he might argue with security and time him. You don't

1269
01:01:42,600 --> 01:01:44,160
Speaker 1: know who I am. That doesn't happen to me, Bro,

1270
01:01:45,320 --> 01:01:47,520
Speaker 1: This absolutely sounds like something that would happen in me.

1271
01:01:47,920 --> 01:01:51,120
Speaker 1: But I was keep in mind, Josh Jackson is six eight,

1272
01:01:51,440 --> 01:01:54,840
Speaker 1: all right? Running when handcuffs on that rolling loud? Josh Jackson,

1273
01:01:54,960 --> 01:01:57,000
Speaker 1: where are you going? All right? You think nobody is

1274
01:01:57,040 --> 01:01:59,560
Speaker 1: going to notice in six eight man running in handcuffs

1275
01:01:59,600 --> 01:02:02,040
Speaker 1: that rolling loud? And Josh, you would never you would

1276
01:02:02,120 --> 01:02:04,400
Speaker 1: never have been in this situation if you went where

1277
01:02:04,400 --> 01:02:06,640
Speaker 1: you are celebrating, not where you're tolerating. Not only that,

1278
01:02:06,920 --> 01:02:10,080
Speaker 1: instead of fighting and getting the VIP, take your ass

1279
01:02:10,160 --> 01:02:13,240
Speaker 1: to general population and do what we all do. Okay,

1280
01:02:13,720 --> 01:02:16,240
Speaker 1: daydream about one day being in position to get you

1281
01:02:16,360 --> 01:02:19,400
Speaker 1: and your friends into VIP if you want to, Well

1282
01:02:19,440 --> 01:02:21,400
Speaker 1: he should have did, was Texas agent and be like, look,

1283
01:02:21,400 --> 01:02:23,200
Speaker 1: I'm out here, I need you to get me into

1284
01:02:23,240 --> 01:02:26,040
Speaker 1: the VIP. Make it happen. And then you wait until

1285
01:02:26,080 --> 01:02:27,960
Speaker 1: they text you back and be like, okay, I have

1286
01:02:28,080 --> 01:02:29,760
Speaker 1: such a text coming to get you where you are.

1287
01:02:30,200 --> 01:02:33,320
Speaker 1: I highly doubt his basketball agent knows anything about some

1288
01:02:33,520 --> 01:02:36,200
Speaker 1: damn rolling loud. He'll figure it out, trust me. The

1289
01:02:36,320 --> 01:02:39,240
Speaker 1: money they get paid. Now here's another secret. Once you

1290
01:02:39,320 --> 01:02:41,280
Speaker 1: get into v IP, you'll realize you don't even want

1291
01:02:41,280 --> 01:02:42,680
Speaker 1: to be in there, all right, Nothing in there but

1292
01:02:42,720 --> 01:02:44,840
Speaker 1: a bunch of people acting fake important. Who got time

1293
01:02:44,880 --> 01:02:46,800
Speaker 1: for that? All right? You should feel like v IP

1294
01:02:46,920 --> 01:02:49,120
Speaker 1: wherever you go, and you don't need the validation of

1295
01:02:49,160 --> 01:02:52,880
Speaker 1: a VIP credential to be considered a very important person. Now,

1296
01:02:53,200 --> 01:02:56,200
Speaker 1: if Josh hits that court and does what he's supposed

1297
01:02:56,240 --> 01:02:58,919
Speaker 1: to do and becomes an all star, right, starts getting

1298
01:02:59,000 --> 01:03:02,080
Speaker 1: endorsement deals, gets into some commercials, gets the Suns in

1299
01:03:02,120 --> 01:03:04,680
Speaker 1: the playoffs so people can see him, he won't ever

1300
01:03:04,920 --> 01:03:07,760
Speaker 1: have to beg to get into a VIP ever. Again,

1301
01:03:08,040 --> 01:03:12,680
Speaker 1: the moral of the story is work, so you never

1302
01:03:12,800 --> 01:03:15,800
Speaker 1: have to introduce yourself. Please give Josh Jackson to the

1303
01:03:15,840 --> 01:03:21,000
Speaker 1: Phoenix Suns the biggest he hall. Although I will say

1304
01:03:21,080 --> 01:03:23,160
Speaker 1: at an event like that, maybe it was annoying for

1305
01:03:23,280 --> 01:03:25,960
Speaker 1: him because he is very tall, people might recognize him.

1306
01:03:26,440 --> 01:03:28,280
Speaker 1: So people might have just kept coming up to him

1307
01:03:28,680 --> 01:03:31,320
Speaker 1: and are just trying to not be out there. I

1308
01:03:31,360 --> 01:03:34,160
Speaker 1: don't know. I'm just guessing because he's so tall, people

1309
01:03:34,200 --> 01:03:38,720
Speaker 1: already look at you, Josh Jackson. But I Holly Dott,

1310
01:03:38,720 --> 01:03:42,800
Speaker 1: anybody knows who Josh Jackson. That's disrespectful, Holly dot not not. No,

1311
01:03:44,000 --> 01:03:46,360
Speaker 1: you know some basketball fans might give me some time.

1312
01:03:46,360 --> 01:03:47,880
Speaker 1: And he's only been in the league two years. Give

1313
01:03:47,960 --> 01:03:51,240
Speaker 1: him some time. All right, Wow, thank you for that.

1314
01:03:51,320 --> 01:03:57,160
Speaker 1: Donkey today. Now that's talk low Kisha no Quisha. All right,

1315
01:03:57,200 --> 01:03:59,240
Speaker 1: that's a new movie that's coming out that people are

1316
01:04:00,080 --> 01:04:06,280
Speaker 1: said about. Let's play at black Player's brilliant. I know,

1317
01:04:08,160 --> 01:04:10,800
Speaker 1: the biggest thing in radio, but I still need mine

1318
01:04:10,840 --> 01:04:16,880
Speaker 1: and you reserve quisa. What's your problem? Hi? It's oh,

1319
01:04:16,920 --> 01:04:18,840
Speaker 1: I ain't talking to you, not the way you sound.

1320
01:04:18,960 --> 01:04:22,760
Speaker 1: Nuts Dollar you go, girl, be good at her. If

1321
01:04:22,760 --> 01:04:25,080
Speaker 1: you're good at yourself, you can be good at others.

1322
01:04:25,520 --> 01:04:27,520
Speaker 1: Don't be too good because the police to come around

1323
01:04:28,400 --> 01:04:31,680
Speaker 1: is a pretty role motherfucker. If you're asking an America woman,

1324
01:04:32,760 --> 01:04:34,720
Speaker 1: I think I like being a black woman trapped in

1325
01:04:34,760 --> 01:04:36,960
Speaker 1: a white man's body. Now let's talk a little quistion.

1326
01:04:37,040 --> 01:04:40,200
Speaker 1: Now give him then, okay. So the truth to this

1327
01:04:40,240 --> 01:04:42,720
Speaker 1: story is it's a white man who is pretending to

1328
01:04:42,800 --> 01:04:45,000
Speaker 1: be a black woman because there was an opening that's

1329
01:04:45,040 --> 01:04:48,320
Speaker 1: looking for a black woman radio host and he wasn't

1330
01:04:48,360 --> 01:04:50,200
Speaker 1: able to get it as a white man. So he

1331
01:04:50,400 --> 01:04:53,560
Speaker 1: disguises himself just his voice to be talking as a

1332
01:04:53,800 --> 01:04:56,600
Speaker 1: black woman, calls himself a low Quisha, and that's his

1333
01:04:56,680 --> 01:04:58,880
Speaker 1: idea to try to land this job. Of course, they

1334
01:04:59,280 --> 01:05:01,360
Speaker 1: have not seen that he's a white man, so he

1335
01:05:01,440 --> 01:05:04,280
Speaker 1: basically gets the job and goes on the air pretending

1336
01:05:04,320 --> 01:05:07,840
Speaker 1: to be a black woman named Loquish. Amazing premise. All right,

1337
01:05:07,920 --> 01:05:09,840
Speaker 1: what's the problem. Let's hopen up the phone lines. How

1338
01:05:09,880 --> 01:05:13,280
Speaker 1: do you feel asked you yet? We didn't ask you yet?

1339
01:05:13,320 --> 01:05:17,200
Speaker 1: Eight hundred five one oh five one. How do you

1340
01:05:17,320 --> 01:05:20,320
Speaker 1: guys feel about it? A white man acting like a

1341
01:05:20,480 --> 01:05:22,520
Speaker 1: black woman to get a job seems out of te

1342
01:05:24,640 --> 01:05:27,000
Speaker 1: five eight five one o five one. We'll talk about

1343
01:05:27,040 --> 01:05:29,000
Speaker 1: it when we come back. It's kind of like a

1344
01:05:29,320 --> 01:05:31,000
Speaker 1: like what they did in White Chicks. It was a

1345
01:05:31,080 --> 01:05:33,280
Speaker 1: black guy that pretended to be a white chick, and

1346
01:05:33,440 --> 01:05:35,600
Speaker 1: now there's a white man that's pretending to be a

1347
01:05:36,680 --> 01:05:39,320
Speaker 1: hold on, I need more details, though, who's behind this film?

1348
01:05:39,400 --> 01:05:42,720
Speaker 1: Like a white man is the person that wrote, directed,

1349
01:05:42,760 --> 01:05:45,160
Speaker 1: and started it. He's the white man. Well that's the

1350
01:05:45,240 --> 01:05:47,760
Speaker 1: problem because because it's not it's not the idea that

1351
01:05:47,840 --> 01:05:49,840
Speaker 1: was bothering people, it's the presentation. He should have had

1352
01:05:49,840 --> 01:05:52,640
Speaker 1: a jeremyville is his name, Well, Jeremy should have had

1353
01:05:52,640 --> 01:05:55,520
Speaker 1: a black person, specifically a black woman be the executive producer.

1354
01:05:55,600 --> 01:05:57,680
Speaker 1: If this was a black woman's idea are presented as

1355
01:05:57,680 --> 01:05:59,640
Speaker 1: a black woman's idea, it wouldn't be an issue. Well,

1356
01:05:59,680 --> 01:06:01,360
Speaker 1: let's let's talk about it when we come back. Eight

1357
01:06:01,440 --> 01:06:03,920
Speaker 1: hundred five eight five one on five one, what are

1358
01:06:03,960 --> 01:06:06,160
Speaker 1: your thoughts? Call us now, it's the Breakfast Club. Good morning,

1359
01:06:06,640 --> 01:06:13,840
Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,

1360
01:06:14,000 --> 01:06:17,440
Speaker 1: Charlomagne the guy. We are the Breakfast Club. Good morning. Now,

1361
01:06:17,480 --> 01:06:19,880
Speaker 1: if you just joined us, we're talking low Quisha. Now

1362
01:06:19,920 --> 01:06:22,160
Speaker 1: tell him about low Quistion. La Quisha is a movie

1363
01:06:22,240 --> 01:06:24,640
Speaker 1: about a white man who's pretending to be a black

1364
01:06:24,720 --> 01:06:26,760
Speaker 1: woman in order to get a job on radio where

1365
01:06:26,760 --> 01:06:29,080
Speaker 1: they're looking for a black woman radio host. All right,

1366
01:06:29,120 --> 01:06:31,000
Speaker 1: so when the cross the show becomes successful when he

1367
01:06:31,120 --> 01:06:32,600
Speaker 1: lands the job even though he's a white man. So

1368
01:06:32,720 --> 01:06:36,360
Speaker 1: let's playing snippet at the trailer right fast. She's brilliant.

1369
01:06:36,480 --> 01:06:39,240
Speaker 1: I know, get her. We're gonna be the biggest thing

1370
01:06:39,320 --> 01:06:42,520
Speaker 1: in radio. Well, I still need mine, and you served

1371
01:06:42,840 --> 01:06:47,360
Speaker 1: with low Quisia. What's your problem? Hi? It's oh, I

1372
01:06:47,400 --> 01:06:49,560
Speaker 1: ain't talking to you, not the way you sound. Next

1373
01:06:49,640 --> 01:06:52,800
Speaker 1: callar you go, girl. You just be good at her.

1374
01:06:53,040 --> 01:06:55,439
Speaker 1: If you're good at yourself, you can be good at others.

1375
01:06:55,920 --> 01:06:57,920
Speaker 1: Don't be too good because the police to come around.

1376
01:06:58,280 --> 01:07:02,840
Speaker 1: Question is a real role for every African American play.

1377
01:07:03,200 --> 01:07:06,120
Speaker 1: I think a black woman trapped in a white man's body.

1378
01:07:06,240 --> 01:07:08,600
Speaker 1: So we're asking eight hundred five eighty five one on

1379
01:07:08,720 --> 01:07:10,640
Speaker 1: five one, what are your thoughts? Let's start with you. Yeah,

1380
01:07:10,640 --> 01:07:12,240
Speaker 1: you're a black woman. Yeah. I thought it was very

1381
01:07:12,280 --> 01:07:14,280
Speaker 1: offensive that he tried it. First of all, it sounds

1382
01:07:14,280 --> 01:07:16,880
Speaker 1: like a stereotypical what a white person thinks a black

1383
01:07:16,960 --> 01:07:19,960
Speaker 1: woman sounds like. And then the name Locuisia is that

1384
01:07:20,120 --> 01:07:23,880
Speaker 1: it just feels very like stereo typing what a black

1385
01:07:24,040 --> 01:07:26,600
Speaker 1: woman is. And it's already hard enough for black woman

1386
01:07:26,640 --> 01:07:28,840
Speaker 1: to get these positions in these jobs. So the fact

1387
01:07:28,880 --> 01:07:30,720
Speaker 1: that you make a movie about a white man getting

1388
01:07:30,800 --> 01:07:32,960
Speaker 1: this job because he can't get it because he's a

1389
01:07:33,000 --> 01:07:35,360
Speaker 1: white man, it's kind of like, you know, we have

1390
01:07:35,480 --> 01:07:37,640
Speaker 1: some type of affirmative action going on, like let us

1391
01:07:37,680 --> 01:07:40,200
Speaker 1: have a job that is very few and far between

1392
01:07:40,240 --> 01:07:42,000
Speaker 1: for us. But people would say, it's a movie. And

1393
01:07:42,080 --> 01:07:43,720
Speaker 1: you know, they did it in White Chicks with Marlin

1394
01:07:43,760 --> 01:07:46,560
Speaker 1: and Damon played h they were black men that played

1395
01:07:46,560 --> 01:07:48,640
Speaker 1: white chicks. I think that's the exact opposite of what

1396
01:07:48,800 --> 01:07:51,680
Speaker 1: this is. What Charloman, what do you think? Well, I mean,

1397
01:07:51,760 --> 01:07:54,080
Speaker 1: here's the problem. The problem is there's not a black

1398
01:07:54,160 --> 01:07:56,320
Speaker 1: woman behind us, all right. That white guy what's his name?

1399
01:07:56,400 --> 01:07:59,440
Speaker 1: That Jaremy Saville suld have went to one of his

1400
01:07:59,480 --> 01:08:01,880
Speaker 1: black fem comedian friends and let her be, let her

1401
01:08:01,920 --> 01:08:03,440
Speaker 1: be the face of this. You know, if he did that,

1402
01:08:03,720 --> 01:08:05,640
Speaker 1: I don't think it would be an issue because there's

1403
01:08:05,640 --> 01:08:08,400
Speaker 1: an unwritten rule that the oppressor can't make films like

1404
01:08:08,520 --> 01:08:11,160
Speaker 1: this about the oppressed, but the oppressed can do that

1405
01:08:11,400 --> 01:08:13,040
Speaker 1: to the oppressors, and that's just the way it is.

1406
01:08:13,120 --> 01:08:15,000
Speaker 1: But I think that, you know, people got to stop

1407
01:08:15,040 --> 01:08:17,879
Speaker 1: being offended by fictional world like it's a movie, it's entertainment.

1408
01:08:17,920 --> 01:08:20,760
Speaker 1: Like I grew up on people pretending to be other

1409
01:08:20,880 --> 01:08:24,200
Speaker 1: people all the time and living Color made fun of everybody.

1410
01:08:24,320 --> 01:08:26,760
Speaker 1: Dave Chappelle made fun of everybody. You got white chicks.

1411
01:08:26,800 --> 01:08:29,800
Speaker 1: Remember Jihuana Man where he pretended to be a woman

1412
01:08:30,000 --> 01:08:33,400
Speaker 1: NBA player. We would have never gotten Shenaa all Wanda

1413
01:08:33,520 --> 01:08:36,000
Speaker 1: in this generation. You tell me, You tell me Wanda

1414
01:08:36,520 --> 01:08:40,240
Speaker 1: were positive depictions of black women kind of this is

1415
01:08:40,280 --> 01:08:42,400
Speaker 1: what a white man thinks the black woman sounds and

1416
01:08:42,880 --> 01:08:44,600
Speaker 1: you know, looks like and what her name should be.

1417
01:08:44,640 --> 01:08:46,840
Speaker 1: But there is a black comedian from the movie who

1418
01:08:47,000 --> 01:08:50,040
Speaker 1: is defending the movie, and here is what he has

1419
01:08:50,120 --> 01:08:52,479
Speaker 1: to say. If anyone's offended, I'm very sorry. But I

1420
01:08:52,640 --> 01:08:54,639
Speaker 1: wasn't trying to make any The answer mockery, And in fact,

1421
01:08:54,720 --> 01:08:57,879
Speaker 1: I don't think the trailer does the movie an injustice.

1422
01:08:57,920 --> 01:08:59,840
Speaker 1: I don't think any of the black people I worked

1423
01:08:59,880 --> 01:09:02,559
Speaker 1: on so we were making a mockery. I think we're

1424
01:09:02,760 --> 01:09:05,080
Speaker 1: at least for myself, well versed in our plight and

1425
01:09:05,360 --> 01:09:07,679
Speaker 1: our history. And all of that. This is a comedy.

1426
01:09:07,840 --> 01:09:11,080
Speaker 1: It's a story about one guy who does the wrong

1427
01:09:11,200 --> 01:09:13,599
Speaker 1: thing for the right reasons and ultimately he pays the place.

1428
01:09:14,080 --> 01:09:16,760
Speaker 1: I think you kind of have to withhold judgment until

1429
01:09:16,760 --> 01:09:18,320
Speaker 1: you see the movie. All right, Well, let's go to

1430
01:09:18,360 --> 01:09:21,040
Speaker 1: the phone lines eight hundred five eight five, one oh

1431
01:09:21,120 --> 01:09:24,320
Speaker 1: five one. We have Elvis on the line. Elvis, good morning, Hey,

1432
01:09:24,400 --> 01:09:26,240
Speaker 1: good morning. What's up. What do you think about? What

1433
01:09:26,320 --> 01:09:28,400
Speaker 1: are your thoughts on the movie? I think it's great.

1434
01:09:28,600 --> 01:09:30,120
Speaker 1: I think it's a great idea. I think if the

1435
01:09:30,200 --> 01:09:33,720
Speaker 1: best idea his white chicks. Do you remember white chicks

1436
01:09:33,720 --> 01:09:35,960
Speaker 1: were good? I'm not afraid this movie sounds like a

1437
01:09:36,040 --> 01:09:39,080
Speaker 1: dope baddd y'all tripping? Well, he actually did. The writer

1438
01:09:39,320 --> 01:09:41,479
Speaker 1: and director did actual and the guy who starting they

1439
01:09:41,520 --> 01:09:45,120
Speaker 1: did actually tag Marlon Wayans and say, Lucretia meet white chicks,

1440
01:09:45,160 --> 01:09:47,280
Speaker 1: and Marlin said, please stop tagging me, and this BS

1441
01:09:49,280 --> 01:09:53,519
Speaker 1: well think so. But I mean, listen, white women could

1442
01:09:53,520 --> 01:09:55,400
Speaker 1: have been offended by white chicks. White women could have

1443
01:09:55,400 --> 01:09:57,680
Speaker 1: been like, we don't act like that, that's stereotypical. They

1444
01:09:57,760 --> 01:09:59,840
Speaker 1: could have done the same exact thing. Yeah, we're just

1445
01:10:00,000 --> 01:10:03,400
Speaker 1: always impressed, and um, you know always marginalized. But yeah,

1446
01:10:03,960 --> 01:10:07,280
Speaker 1: that's the thing. It's an unten rule. It's an unwritten

1447
01:10:07,360 --> 01:10:10,639
Speaker 1: rule that that the oppressed can't I mean, the oppressor

1448
01:10:11,080 --> 01:10:12,880
Speaker 1: can't do that to the oppressed, but their press can

1449
01:10:12,960 --> 01:10:14,719
Speaker 1: do that to their presser. This is the way it is. Hello,

1450
01:10:14,800 --> 01:10:18,479
Speaker 1: who's this? Hi? Hey, Janie's what are your thoughts on

1451
01:10:18,600 --> 01:10:21,720
Speaker 1: the quisha? I think it's offensive, Like number one, like

1452
01:10:21,920 --> 01:10:24,679
Speaker 1: just the name alone, Like that's the name he chose

1453
01:10:24,800 --> 01:10:28,320
Speaker 1: to um, you know, like like that's the first thing

1454
01:10:28,360 --> 01:10:30,120
Speaker 1: he thinks he thought of when he thought of a

1455
01:10:30,200 --> 01:10:33,240
Speaker 1: black woman. And and then I think, you can't compare

1456
01:10:33,360 --> 01:10:37,200
Speaker 1: to white chicks because the white chicks, it was they

1457
01:10:37,280 --> 01:10:40,680
Speaker 1: were studying Pacific to Pacific white girls that they had

1458
01:10:40,760 --> 01:10:42,160
Speaker 1: to like, you know what I mean, to tempt to

1459
01:10:42,240 --> 01:10:46,960
Speaker 1: be he decided to become a black woman and a

1460
01:10:47,120 --> 01:10:49,920
Speaker 1: caricature old on y'all haven't even seen y'all have not

1461
01:10:50,040 --> 01:10:52,559
Speaker 1: even seen the movie yet, because guess what we do radio?

1462
01:10:52,840 --> 01:10:54,760
Speaker 1: And when we first start doing radio, what's the first

1463
01:10:54,800 --> 01:10:56,280
Speaker 1: who they who they tell you that we're talking to?

1464
01:10:56,760 --> 01:10:59,120
Speaker 1: Tell me Angela and Envy, Come on, now, who who

1465
01:10:59,160 --> 01:11:00,800
Speaker 1: did the who did these can and stuff? Tell us

1466
01:11:00,840 --> 01:11:05,880
Speaker 1: were talking to from New York who got two kids? Okay,

1467
01:11:06,000 --> 01:11:08,679
Speaker 1: watches Loving hip hop all damn day. So we don't

1468
01:11:08,720 --> 01:11:10,240
Speaker 1: know if in this movie this guy was talking to

1469
01:11:10,320 --> 01:11:12,559
Speaker 1: a radio consultant who told him the same thing. Yeah,

1470
01:11:12,600 --> 01:11:17,200
Speaker 1: but yeah, nobody want to talk. So wait a second.

1471
01:11:17,479 --> 01:11:19,000
Speaker 1: I think from what we saw on the trailer, it

1472
01:11:19,080 --> 01:11:20,840
Speaker 1: looks like he didn't get this job when he applied

1473
01:11:20,840 --> 01:11:22,439
Speaker 1: as a white man, so he decided to disguise his

1474
01:11:22,520 --> 01:11:24,879
Speaker 1: voice as a black woman. Makes up the name loquisa.

1475
01:11:26,600 --> 01:11:28,519
Speaker 1: But we haven't seen a movie as a trailer. We're

1476
01:11:28,560 --> 01:11:30,880
Speaker 1: basing it off of what we know. But in the movie, no,

1477
01:11:31,160 --> 01:11:35,240
Speaker 1: come on, man, that's a small see I see, I

1478
01:11:35,280 --> 01:11:37,880
Speaker 1: don't know. I see. I'm answer the question about who

1479
01:11:37,920 --> 01:11:40,120
Speaker 1: they tell us we're talking to on this radio, then

1480
01:11:40,320 --> 01:11:42,080
Speaker 1: let's be talking to eighteen to thirty four year old

1481
01:11:42,080 --> 01:11:47,760
Speaker 1: African American woman is from New York. I don't know if,

1482
01:11:48,479 --> 01:11:50,639
Speaker 1: but they're definitely for me, the Newark of Brooklyn. That's

1483
01:11:50,640 --> 01:11:52,920
Speaker 1: when we was only watch Loving hip Hop all the time.

1484
01:11:53,040 --> 01:11:54,240
Speaker 1: That's what we was only in New York. You know,

1485
01:11:54,320 --> 01:11:56,120
Speaker 1: that was nine years ago we did that. I'm just

1486
01:11:56,200 --> 01:11:58,600
Speaker 1: saying now, So I'm just saying that that doesn't no

1487
01:11:58,960 --> 01:12:01,559
Speaker 1: longer apply to what we're talking about. I think there's

1488
01:12:01,560 --> 01:12:04,080
Speaker 1: a difference between a white man pretending to sound and

1489
01:12:04,280 --> 01:12:07,000
Speaker 1: talk like a black woman than knowing who your audience is.

1490
01:12:07,280 --> 01:12:10,040
Speaker 1: Were you ever offended by wander when when Martin used

1491
01:12:10,040 --> 01:12:13,960
Speaker 1: to he really is a black man that actually created

1492
01:12:14,000 --> 01:12:18,000
Speaker 1: those characters. But it's still a stereotype of black women.

1493
01:12:18,200 --> 01:12:20,320
Speaker 1: From what I've seen and from what I know about this,

1494
01:12:20,840 --> 01:12:22,640
Speaker 1: I think it's just different to see a white man

1495
01:12:22,760 --> 01:12:25,240
Speaker 1: pretending to be a black woman than it is to

1496
01:12:25,320 --> 01:12:27,880
Speaker 1: see a black man doing what he did. And also,

1497
01:12:27,960 --> 01:12:30,479
Speaker 1: Martin's a comedian. We know this guy's not a comedian.

1498
01:12:30,680 --> 01:12:34,360
Speaker 1: All right, let's open up five one o five one. See.

1499
01:12:34,960 --> 01:12:37,559
Speaker 1: I'm torn because I do feel it's disrespectful and it's

1500
01:12:37,600 --> 01:12:39,920
Speaker 1: like it makes fun of our coaching in front of

1501
01:12:39,960 --> 01:12:43,200
Speaker 1: our black queens. But also it is it's jokes, like

1502
01:12:43,320 --> 01:12:45,320
Speaker 1: we all have jokes like liver Color. With jokes he

1503
01:12:45,360 --> 01:12:47,360
Speaker 1: made fun of everybody, and liver color they made for

1504
01:12:47,400 --> 01:12:49,320
Speaker 1: the gay people, they made for the black people, they

1505
01:12:49,400 --> 01:12:51,880
Speaker 1: made for the white people. It was funny then, But

1506
01:12:52,080 --> 01:12:54,360
Speaker 1: is it too sensitive now where we can't laugh? I

1507
01:12:54,400 --> 01:12:56,360
Speaker 1: don't think. I think I think he should have had

1508
01:12:56,400 --> 01:12:58,559
Speaker 1: a black woman. I think if it was this whole thing,

1509
01:12:58,720 --> 01:13:01,479
Speaker 1: but I think that this just sounds like such a

1510
01:13:01,600 --> 01:13:03,679
Speaker 1: mockery of what it is to be a black woman.

1511
01:13:03,920 --> 01:13:05,360
Speaker 1: That's true too. Does that make it better if it

1512
01:13:05,439 --> 01:13:07,320
Speaker 1: was a black woman? There, it's still making a mockery

1513
01:13:07,320 --> 01:13:09,240
Speaker 1: of a black woman. All eight, I'm a black woman

1514
01:13:09,360 --> 01:13:11,519
Speaker 1: radio host? Do I need to be named Luquisha and

1515
01:13:11,560 --> 01:13:14,160
Speaker 1: talk like that? Eight five eight five one five one.

1516
01:13:14,200 --> 01:13:15,920
Speaker 1: Call us now as the Breakfast Club, Good morning morning.

1517
01:13:15,960 --> 01:13:19,840
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the God. We

1518
01:13:19,960 --> 01:13:21,800
Speaker 1: all the Breakfast Club. If you just joined us, we're

1519
01:13:21,840 --> 01:13:24,280
Speaker 1: talking Little Quisha. Now, what's a little Quisha about you?

1520
01:13:24,520 --> 01:13:27,080
Speaker 1: It's a movie about a white man who decides that

1521
01:13:27,120 --> 01:13:28,599
Speaker 1: he wants to get a job as a black woman

1522
01:13:28,720 --> 01:13:30,640
Speaker 1: radio host because that's what the ad was looking for,

1523
01:13:31,320 --> 01:13:34,080
Speaker 1: and so he decides to name himself Loquisha and adopt

1524
01:13:34,160 --> 01:13:36,519
Speaker 1: what he thinks sounds like a black woman and how

1525
01:13:36,600 --> 01:13:38,880
Speaker 1: an opinionated black woman would sound. Well, let's cool to

1526
01:13:38,920 --> 01:13:40,679
Speaker 1: the well, hold on, hold on, Sean, we got Coco

1527
01:13:40,720 --> 01:13:43,400
Speaker 1: on the line. No, this is Devin. Oh, I'm sorry,

1528
01:13:43,479 --> 01:13:45,800
Speaker 1: what Devin? What are you saying? Devin. I say, I

1529
01:13:45,840 --> 01:13:48,080
Speaker 1: don't want to say waltele was mad because it sounds

1530
01:13:48,120 --> 01:13:50,760
Speaker 1: just like that movie Starting to Bother You. I didn't

1531
01:13:50,760 --> 01:13:54,559
Speaker 1: see that. No, not not really, because Sorry to Bother

1532
01:13:54,680 --> 01:13:57,920
Speaker 1: You was about the black guy adopting the white voice

1533
01:13:58,000 --> 01:14:03,240
Speaker 1: to sell more of the telemarketer. I guess I lie

1534
01:14:03,280 --> 01:14:04,559
Speaker 1: what I did tell the mark You know, I had

1535
01:14:04,560 --> 01:14:06,720
Speaker 1: to definitely, I definitely had my white voice on. Hi,

1536
01:14:06,920 --> 01:14:11,639
Speaker 1: it is Sean from Pelco Fuel. How are you doing today, sir? Awesome? Yeah,

1537
01:14:12,080 --> 01:14:14,519
Speaker 1: it's really different because if you would say as a

1538
01:14:14,600 --> 01:14:16,240
Speaker 1: as a white person, right, if you wanted a job

1539
01:14:16,280 --> 01:14:17,720
Speaker 1: and tell the marketing as a white man, could you

1540
01:14:17,760 --> 01:14:19,519
Speaker 1: be like, hey, my name is the question, I'm trying

1541
01:14:19,520 --> 01:14:23,800
Speaker 1: to get this job, then what would happen in real life? Nat? Okay,

1542
01:14:24,000 --> 01:14:26,120
Speaker 1: I don't know about that. That was kind of the opposite. Hello,

1543
01:14:26,200 --> 01:14:28,599
Speaker 1: who's this? My name is Chief Keith for something man,

1544
01:14:28,640 --> 01:14:31,600
Speaker 1: we're talking about lo Keisha? What do you think? What

1545
01:14:31,680 --> 01:14:33,960
Speaker 1: are your thought? And I don't have no problem with that, man. Uh,

1546
01:14:34,320 --> 01:14:36,599
Speaker 1: you know, they just really did what the black claimsman

1547
01:14:36,760 --> 01:14:38,439
Speaker 1: was like kind of like that same context, like well,

1548
01:14:38,479 --> 01:14:42,560
Speaker 1: Homeboy was trying to uh change up its voice to

1549
01:14:42,600 --> 01:14:44,680
Speaker 1: be a white person to catch somebody or whatever like

1550
01:14:44,720 --> 01:14:47,040
Speaker 1: that same scenario. Right, I never saw black clansman. I

1551
01:14:47,120 --> 01:14:49,479
Speaker 1: don't see him. Black Claimers were good man, that was

1552
01:14:49,520 --> 01:14:52,920
Speaker 1: a good movie, but they had they had a recent

1553
01:14:53,000 --> 01:14:56,920
Speaker 1: movie like that same scenario. Showman was right too. White chicks, Yeah,

1554
01:14:56,920 --> 01:14:59,519
Speaker 1: a matter of stuff, Man, Weld. You have a problem

1555
01:14:59,560 --> 01:15:01,840
Speaker 1: if after seeing this movie, white man went around talking

1556
01:15:01,880 --> 01:15:04,840
Speaker 1: like they were loquisha. No, we threw the same thing

1557
01:15:04,880 --> 01:15:09,439
Speaker 1: to them all time. But it's as I would. I

1558
01:15:09,479 --> 01:15:11,080
Speaker 1: wouldn't want a white person to come up to me

1559
01:15:11,120 --> 01:15:13,639
Speaker 1: and be like, hey, sister girl, I hate when people

1560
01:15:13,640 --> 01:15:17,280
Speaker 1: do they do that. Now, hey, it's offensive. Now you

1561
01:15:17,400 --> 01:15:21,320
Speaker 1: ever seen an empire? Listen. The problem is there's an

1562
01:15:21,400 --> 01:15:24,760
Speaker 1: unwitten rule that the oppression can't make films. You know

1563
01:15:24,920 --> 01:15:26,800
Speaker 1: about the oppressed, but der press can do that to

1564
01:15:26,840 --> 01:15:28,599
Speaker 1: the oppress. That's just the way it is. Whether it's

1565
01:15:28,640 --> 01:15:31,320
Speaker 1: a man doing that to a woman, a strap person

1566
01:15:31,400 --> 01:15:33,320
Speaker 1: doing that to a gay person, a white person doing

1567
01:15:33,360 --> 01:15:35,920
Speaker 1: that to a black person like you, just it never

1568
01:15:36,040 --> 01:15:38,200
Speaker 1: looks good. You think a white man could know what

1569
01:15:38,280 --> 01:15:40,839
Speaker 1: it's like to be a black woman, No, and accurately

1570
01:15:40,920 --> 01:15:43,400
Speaker 1: portray that. But I'm sure that's the whole point of

1571
01:15:43,439 --> 01:15:45,000
Speaker 1: the movie. I'm sure by the end of this movie,

1572
01:15:45,280 --> 01:15:47,840
Speaker 1: his whole spot gets blown up. I'm sure by the

1573
01:15:47,920 --> 01:15:51,200
Speaker 1: end of this movie, his whole spot gets blown up. Mike, Hey, Hey,

1574
01:15:51,240 --> 01:15:52,200
Speaker 1: what's up? Bro? What are you? What do you? What

1575
01:15:52,280 --> 01:15:54,600
Speaker 1: are your thoughts or Liquisha? All right? I got I

1576
01:15:54,680 --> 01:15:56,640
Speaker 1: got three points. First of all, when I saw this thing,

1577
01:15:57,120 --> 01:15:59,799
Speaker 1: I'm like this movie where this man five, I couldn't

1578
01:15:59,800 --> 01:16:02,439
Speaker 1: put that. Someone put this on two thy and nineteen.

1579
01:16:02,760 --> 01:16:05,120
Speaker 1: One of my biggest deployments was when you see the

1580
01:16:05,200 --> 01:16:07,400
Speaker 1: Black movie. I can't believe any of them read the

1581
01:16:07,479 --> 01:16:10,560
Speaker 1: script and showed up for this cat. I think see that,

1582
01:16:10,680 --> 01:16:12,360
Speaker 1: you know they would endure something like this. I think

1583
01:16:12,400 --> 01:16:14,680
Speaker 1: that that was a huge pro problem. But honestly, the

1584
01:16:14,720 --> 01:16:17,799
Speaker 1: biggest plot hole is how many black women named Laquisha

1585
01:16:17,880 --> 01:16:20,160
Speaker 1: are getting hired without a face to face interview. Right,

1586
01:16:20,280 --> 01:16:23,479
Speaker 1: that doesn't happen. Ever, we haven't seen the movie. Well,

1587
01:16:23,520 --> 01:16:25,000
Speaker 1: that's what happens in the movie. He doesn't have a

1588
01:16:25,040 --> 01:16:27,280
Speaker 1: face to face interview. That's why he got hired because

1589
01:16:27,320 --> 01:16:29,920
Speaker 1: it I'm not about to sit here and try to

1590
01:16:29,920 --> 01:16:32,200
Speaker 1: figure out a fictional movie. It's because that is that's

1591
01:16:32,240 --> 01:16:34,439
Speaker 1: part of the plot is that he gets hired without

1592
01:16:34,439 --> 01:16:37,439
Speaker 1: them seeing him. But no, it's a movie. I'm not

1593
01:16:37,479 --> 01:16:39,840
Speaker 1: gonna pick a part a movie like if we know

1594
01:16:39,960 --> 01:16:43,040
Speaker 1: it for entertainment purposes, we know it's fictional. Hello, who's

1595
01:16:43,080 --> 01:16:47,559
Speaker 1: this Mica Michael? What's up? Bro? What what are your thoughts? Man? Well,

1596
01:16:47,800 --> 01:16:50,519
Speaker 1: I want to see people keep that same energy when

1597
01:16:50,560 --> 01:16:52,919
Speaker 1: it comes to other movies. If they're gonna be disgusted

1598
01:16:53,000 --> 01:16:55,920
Speaker 1: or something like Dinner. You can't watch like The Black

1599
01:16:55,960 --> 01:16:58,800
Speaker 1: plans Man or A White Sick or something like that,

1600
01:16:59,280 --> 01:17:01,880
Speaker 1: when when it's for one, it's a comedy. So al,

1601
01:17:01,920 --> 01:17:05,320
Speaker 1: I'm serious about it, and too it's I mean, it's

1602
01:17:05,360 --> 01:17:08,000
Speaker 1: a movie. You can't take something that that serious. Yeah,

1603
01:17:08,040 --> 01:17:10,400
Speaker 1: nobody defends black women. It don't have nothing to do

1604
01:17:10,479 --> 01:17:12,559
Speaker 1: with that. This is a movie like you get remember

1605
01:17:12,600 --> 01:17:14,800
Speaker 1: that old movie, Remember that old movie in ninety six

1606
01:17:14,840 --> 01:17:17,599
Speaker 1: with Whoope Goldberg called The Associate. We've seen Eddie Murphy

1607
01:17:17,640 --> 01:17:20,679
Speaker 1: play white people like Listen. The problem with this whole

1608
01:17:20,760 --> 01:17:23,560
Speaker 1: thing is they should have had a black woman behind it.

1609
01:17:23,600 --> 01:17:26,080
Speaker 1: It should have been a black woman executive producer. It

1610
01:17:26,080 --> 01:17:29,000
Speaker 1: should have been a black woman. Black women were writing

1611
01:17:29,080 --> 01:17:31,360
Speaker 1: on it, like that's the biggest issue here to me

1612
01:17:31,680 --> 01:17:34,120
Speaker 1: is that this white guy is at the forefront of this.

1613
01:17:34,160 --> 01:17:35,840
Speaker 1: If they would have had a black woman attached to this,

1614
01:17:35,960 --> 01:17:38,679
Speaker 1: it wouldn't even be an issue. That's that's why ashpect

1615
01:17:38,720 --> 01:17:40,920
Speaker 1: the black women. You give a black woman some coin

1616
01:17:41,000 --> 01:17:43,559
Speaker 1: and then make it make it seem okay. No, it's

1617
01:17:43,600 --> 01:17:45,519
Speaker 1: more than just having a black woman behind that says

1618
01:17:45,520 --> 01:17:48,080
Speaker 1: this disrespect It's a movie. If black women are finding

1619
01:17:48,120 --> 01:17:50,280
Speaker 1: a disrespectful and don't like it, then it's disrespectful. I'm

1620
01:17:50,280 --> 01:17:51,560
Speaker 1: not a black woman, so I can't sit here and

1621
01:17:51,640 --> 01:17:54,920
Speaker 1: tell you what. How listen. I mean some people are

1622
01:17:54,960 --> 01:17:56,560
Speaker 1: okay with it. Some people are n't what I go

1623
01:17:56,680 --> 01:17:59,080
Speaker 1: see this movie? Now? We shouldn't We shouldn't add no

1624
01:17:59,160 --> 01:18:01,360
Speaker 1: more reruns of than Him in Color. We shouldn't hed

1625
01:18:01,400 --> 01:18:03,720
Speaker 1: no more reruns a Chappelle show. We shouldn't add no

1626
01:18:03,800 --> 01:18:05,280
Speaker 1: more white chicks, no more do you want a man?

1627
01:18:05,320 --> 01:18:07,960
Speaker 1: We shouldn't no more Martin because he did. She ain't

1628
01:18:08,400 --> 01:18:10,360
Speaker 1: like what are we talking about him? I just think

1629
01:18:10,400 --> 01:18:12,360
Speaker 1: it's a lot harder. It's not as easy as saying.

1630
01:18:12,560 --> 01:18:14,479
Speaker 1: For us as a black woman, it's not very often

1631
01:18:14,560 --> 01:18:17,000
Speaker 1: I'm like, hey, we're looking to hire a black woman

1632
01:18:17,120 --> 01:18:20,360
Speaker 1: who is sassy opinionated to take this job. And then

1633
01:18:20,760 --> 01:18:22,679
Speaker 1: a white man who has a name like who makes

1634
01:18:22,720 --> 01:18:24,920
Speaker 1: up a name like Locuisia and then starts talking in

1635
01:18:25,120 --> 01:18:28,679
Speaker 1: what he considers to be a black woman sassy rhetoric

1636
01:18:28,960 --> 01:18:30,800
Speaker 1: comes against a job. It's weird to me, that's all.

1637
01:18:31,200 --> 01:18:33,880
Speaker 1: But to me it's weird. All right, guys, what's the

1638
01:18:33,960 --> 01:18:36,639
Speaker 1: world was? To me? I wasn't cracking up when I've

1639
01:18:36,640 --> 01:18:38,400
Speaker 1: seen it. So the moral of the story is, y'all

1640
01:18:38,439 --> 01:18:40,920
Speaker 1: promoted the hell out of this white man's movie. My god,

1641
01:18:40,960 --> 01:18:42,920
Speaker 1: he's gonna kill at the box office on Netflix or

1642
01:18:42,920 --> 01:18:44,360
Speaker 1: whatever the hell this is coming out. I doubt it.

1643
01:18:44,640 --> 01:18:48,040
Speaker 1: There you crazy? This movie about the pop. It's about

1644
01:18:48,080 --> 01:18:50,320
Speaker 1: the pop right now? Again, that's all right, Well, we

1645
01:18:50,360 --> 01:18:52,280
Speaker 1: got rumors on the way. Yes, let's talk about Hey,

1646
01:18:52,320 --> 01:18:54,120
Speaker 1: you mentioned Whoopie go Burg. Well, she has a new

1647
01:18:54,200 --> 01:18:56,040
Speaker 1: venture that she's working on, and gonna tell you what

1648
01:18:56,200 --> 01:18:58,680
Speaker 1: it is. It's about inclusivity. All right. We'll get into

1649
01:18:58,720 --> 01:19:00,800
Speaker 1: that next. Keeping locked this to break this club. Good morning,

1650
01:19:01,240 --> 01:19:12,439
Speaker 1: the Breakfast Club. Listen, just oh gosh, got guys, it's

1651
01:19:12,439 --> 01:19:15,839
Speaker 1: the report the Breakfast Club. Well, if you guys, remember

1652
01:19:15,880 --> 01:19:18,320
Speaker 1: Wendy Williams and Howard Stern used to have a great relationship,

1653
01:19:18,360 --> 01:19:20,840
Speaker 1: but then they had a falling out all because Wendy

1654
01:19:20,880 --> 01:19:23,040
Speaker 1: Williams is talking about Howard Stern's book coming out and

1655
01:19:23,080 --> 01:19:25,880
Speaker 1: said this on her show, Howard is so Hollywood right

1656
01:19:25,920 --> 01:19:28,679
Speaker 1: now that everything that you say is so predictable. Every

1657
01:19:28,760 --> 01:19:31,320
Speaker 1: story is going to be about you know, Oh, I

1658
01:19:31,520 --> 01:19:33,559
Speaker 1: love this one. And then we went on their yacht

1659
01:19:33,600 --> 01:19:38,120
Speaker 1: and he's a Hollywood insider now, which sucks because you started,

1660
01:19:38,240 --> 01:19:41,120
Speaker 1: like me, being of the people, but at some point

1661
01:19:41,240 --> 01:19:43,720
Speaker 1: you sat behind that microphone for too long and now

1662
01:19:43,840 --> 01:19:46,000
Speaker 1: you are the people. Yeah, that's whack. If we're supposed

1663
01:19:46,000 --> 01:19:47,360
Speaker 1: to be friends and we're supposed to be cool and

1664
01:19:47,439 --> 01:19:49,560
Speaker 1: you feel that way, come to me first, don't just

1665
01:19:49,640 --> 01:19:51,519
Speaker 1: say it on your show, and then don't expect me

1666
01:19:51,800 --> 01:19:53,840
Speaker 1: to clap back, because I'm gonna clap back. Well, Howard

1667
01:19:53,880 --> 01:19:56,599
Speaker 1: Stern was triggered, and here's what he had to say

1668
01:19:56,600 --> 01:19:58,479
Speaker 1: on his show because it was brought to his attention,

1669
01:19:58,640 --> 01:20:01,320
Speaker 1: and then he talked about it for like forty minutes.

1670
01:20:01,800 --> 01:20:08,880
Speaker 1: What ug you? You got those big fakes and I'm Hollywood, huh,

1671
01:20:09,120 --> 01:20:11,519
Speaker 1: shut the fuck up. Worry about your husband, not me.

1672
01:20:11,960 --> 01:20:15,439
Speaker 1: Shake a her or bullshit show. I'll bet twenty buckshee

1673
01:20:15,479 --> 01:20:17,960
Speaker 1: piece standing up. I hope hers get stuck in his

1674
01:20:18,479 --> 01:20:21,760
Speaker 1: I screw Paul before I watch True Paul's drag race.

1675
01:20:21,840 --> 01:20:24,120
Speaker 1: Do you make sure Paul look like Margot Robbie down

1676
01:20:24,200 --> 01:20:25,920
Speaker 1: see that the road with that? You tell you clap

1677
01:20:26,040 --> 01:20:27,680
Speaker 1: at me, I'm gonna clap backing. He just went a

1678
01:20:27,720 --> 01:20:30,559
Speaker 1: little fall, but he did it very he said forty minutes.

1679
01:20:30,600 --> 01:20:33,280
Speaker 1: He did it like three hours. Well, Howard Sarin has apologized.

1680
01:20:33,600 --> 01:20:37,439
Speaker 1: You know, he's um said that he does apologize and

1681
01:20:37,720 --> 01:20:41,040
Speaker 1: is expressing love for her and all of that at

1682
01:20:41,080 --> 01:20:44,599
Speaker 1: the Hollywood on the Hollywood Reporter, many apologized, I'm Hollywood Reporter.

1683
01:20:44,680 --> 01:20:47,760
Speaker 1: I apologize in this article there and Wendy Williams has

1684
01:20:47,920 --> 01:20:50,519
Speaker 1: responded to that apology on her show. And I saw

1685
01:20:50,600 --> 01:20:53,360
Speaker 1: that you mentioned me and that you apologize. Howard, You

1686
01:20:53,439 --> 01:20:55,840
Speaker 1: know what, if you never apologize to me ever in

1687
01:20:55,920 --> 01:20:57,920
Speaker 1: your life, you would still be one of the most

1688
01:20:58,000 --> 01:21:02,080
Speaker 1: influential people shaping my rear. And the idea that you

1689
01:21:02,200 --> 01:21:05,920
Speaker 1: apologize and you went on the air. He went on

1690
01:21:05,960 --> 01:21:07,320
Speaker 1: the air and ripped me a new one for no

1691
01:21:07,439 --> 01:21:10,000
Speaker 1: damn reason, because I knew I was right. And then

1692
01:21:10,160 --> 01:21:12,920
Speaker 1: in this article in Hollywood Reporter, he goes on to say,

1693
01:21:13,280 --> 01:21:16,360
Speaker 1: you know that he loves me and that he's kind

1694
01:21:16,360 --> 01:21:18,880
Speaker 1: of embarrassed by ripping me on the air, so he's

1695
01:21:19,000 --> 01:21:21,080
Speaker 1: pulled that from the archives. You will never hear that

1696
01:21:21,200 --> 01:21:23,720
Speaker 1: on repeat. Well, it's the Internet live on forever. Yeah,

1697
01:21:23,760 --> 01:21:25,760
Speaker 1: but they had it. But the whole thing is is no,

1698
01:21:26,200 --> 01:21:28,080
Speaker 1: she still doesn't think she was wrong. And that's the thing.

1699
01:21:28,120 --> 01:21:30,800
Speaker 1: If we're friends, if we're cool, if we're compadres, and

1700
01:21:30,880 --> 01:21:32,639
Speaker 1: you will respect me so much and as a problem,

1701
01:21:32,920 --> 01:21:34,280
Speaker 1: you should check me off fav of like, yo, I

1702
01:21:34,320 --> 01:21:35,640
Speaker 1: think your book is just that and the ovel you

1703
01:21:35,680 --> 01:21:37,360
Speaker 1: know not. But she hadn't read the book. She was

1704
01:21:37,360 --> 01:21:39,240
Speaker 1: just talking about him personally that she feels that he's

1705
01:21:39,280 --> 01:21:42,080
Speaker 1: Hollywood now and she didn't him. She didn't even read

1706
01:21:42,120 --> 01:21:43,720
Speaker 1: the book to say what, oh, you're gonna be on

1707
01:21:43,760 --> 01:21:45,479
Speaker 1: your yacht with chair of celebrity friends. No, you didn't

1708
01:21:45,479 --> 01:21:47,200
Speaker 1: even read the book to see I don't like that.

1709
01:21:47,800 --> 01:21:50,639
Speaker 1: We know all right. Now, let's talk about Kodak Black.

1710
01:21:50,800 --> 01:21:52,439
Speaker 1: We talked about how we got arrested at the Rolling

1711
01:21:52,479 --> 01:21:55,599
Speaker 1: Loud Music Festival. According to the Fezi said he falsified

1712
01:21:55,640 --> 01:21:59,360
Speaker 1: gun applications on two different occasions in order to buy firearms.

1713
01:21:59,400 --> 01:22:01,880
Speaker 1: So that's why he was arrested, and that he did

1714
01:22:01,920 --> 01:22:05,200
Speaker 1: acquire weapons in at least one of those transactions, and

1715
01:22:05,760 --> 01:22:08,160
Speaker 1: so that could land him in jail because he's also

1716
01:22:08,240 --> 01:22:10,200
Speaker 1: in the middle of a criminal case as well. Wait

1717
01:22:10,200 --> 01:22:14,800
Speaker 1: a minute, Kodak Black forced falsified, falsified documents to buy

1718
01:22:15,000 --> 01:22:16,960
Speaker 1: a gun. Yeah, and he doesn't know that they got

1719
01:22:17,040 --> 01:22:21,320
Speaker 1: to use fingerprints. I listen, I can't tell you exactly

1720
01:22:21,840 --> 01:22:23,759
Speaker 1: how it all went down, but in one of those cases,

1721
01:22:23,800 --> 01:22:26,080
Speaker 1: he did manage to get a gun. Now you drop

1722
01:22:26,240 --> 01:22:30,200
Speaker 1: one in one of those cases. His lawyer, however, and

1723
01:22:30,280 --> 01:22:31,760
Speaker 1: I thought this was weird too because you saw how

1724
01:22:31,760 --> 01:22:33,760
Speaker 1: they had that picture of him when he was in

1725
01:22:33,880 --> 01:22:37,160
Speaker 1: custody arrested. How did that picture get out? So as

1726
01:22:37,240 --> 01:22:39,320
Speaker 1: lawyer has an issue with the Florida Police Department for

1727
01:22:39,439 --> 01:22:42,320
Speaker 1: sharing that arrest photo of him where he's sitting in

1728
01:22:42,400 --> 01:22:44,240
Speaker 1: the police station, and that got sent out to all

1729
01:22:44,280 --> 01:22:47,120
Speaker 1: the different news stations and everything. So why would you

1730
01:22:47,200 --> 01:22:49,479
Speaker 1: do that. Clearly they're trying to embarrass him because I

1731
01:22:49,560 --> 01:22:51,760
Speaker 1: didn't know you could just put out pictures like that,

1732
01:22:52,920 --> 01:22:55,920
Speaker 1: all right, DJ Khalid is putting out an album Experienced

1733
01:22:56,280 --> 01:23:00,040
Speaker 1: documentary his father of aside the album Experienced documentary, So

1734
01:23:00,080 --> 01:23:01,680
Speaker 1: he's teaming up with Title and he's going to do

1735
01:23:01,760 --> 01:23:04,320
Speaker 1: a lot of content for this album release. So that

1736
01:23:04,479 --> 01:23:07,880
Speaker 1: documentary will come out this Friday on Title as well.

1737
01:23:08,080 --> 01:23:10,640
Speaker 1: So the trailer is available now. Also, you don't have

1738
01:23:10,760 --> 01:23:14,519
Speaker 1: to have a subscription to watch that either. So jay

1739
01:23:14,600 --> 01:23:16,479
Speaker 1: Z's on the trailer. Mkmil says it and a lot

1740
01:23:16,560 --> 01:23:18,120
Speaker 1: more shout to Kalig. So a lot of people don't

1741
01:23:18,160 --> 01:23:20,840
Speaker 1: give Kalid the necessary respect he deserves. He took the

1742
01:23:20,960 --> 01:23:23,439
Speaker 1: DJ game and upped it up one and he continues

1743
01:23:23,479 --> 01:23:25,560
Speaker 1: to work hard, and Kali gets busy. I know a

1744
01:23:25,560 --> 01:23:26,960
Speaker 1: lot of people are like, oh, Kell, it's not really

1745
01:23:27,000 --> 01:23:29,639
Speaker 1: a DJ. No, Kalig gets busy as well, So salute

1746
01:23:29,680 --> 01:23:32,160
Speaker 1: to Kalid. He's more than a DJ. Is alright. And

1747
01:23:32,240 --> 01:23:34,320
Speaker 1: Diddy is saying goodbye to social media for now. He

1748
01:23:34,439 --> 01:23:37,120
Speaker 1: posted back off the Grid and then he put a

1749
01:23:37,200 --> 01:23:39,080
Speaker 1: black heart in the caption. I know he's going through

1750
01:23:39,120 --> 01:23:41,560
Speaker 1: a lot right now and social media may not be

1751
01:23:41,640 --> 01:23:43,479
Speaker 1: the best place. I see people coming from him about

1752
01:23:43,520 --> 01:23:46,599
Speaker 1: how he treated Kim Porter and gotta like leave it alone.

1753
01:23:47,080 --> 01:23:49,600
Speaker 1: It's not necessary his kids to seeing this. He's seeing it.

1754
01:23:49,760 --> 01:23:52,800
Speaker 1: He's clearly hurt. So he's decided just to take a

1755
01:23:52,880 --> 01:23:54,479
Speaker 1: break from that, and I think that's good for your

1756
01:23:54,760 --> 01:23:57,639
Speaker 1: own energy. Right all right, I'm Angela Yee and that's

1757
01:23:57,720 --> 01:24:00,759
Speaker 1: your room of reports. All right, thank you, miss ye Revolt.

1758
01:24:00,840 --> 01:24:03,400
Speaker 1: We'll see you guys tomorrow. Everybody else to People's Choice

1759
01:24:03,439 --> 01:24:05,160
Speaker 1: Mixes up. Next. We got a lot of request for

1760
01:24:05,200 --> 01:24:06,960
Speaker 1: the City Girls joints, so we'll start off places with

1761
01:24:07,040 --> 01:24:11,280
Speaker 1: that acting up. Okay, it's the Breakfast Club corning morning.

1762
01:24:11,320 --> 01:24:15,360
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We

1763
01:24:15,439 --> 01:24:19,400
Speaker 1: are the Breakfast Club. Now. Thank you to Ava Duvenaid

1764
01:24:19,439 --> 01:24:22,200
Speaker 1: for joining us this morning. Man, it's Luther Queen avl

1765
01:24:22,920 --> 01:24:24,800
Speaker 1: You know, I got nothing but love and respect for

1766
01:24:24,880 --> 01:24:26,880
Speaker 1: Ava Duvenai. I would love to hear what Abel would

1767
01:24:26,880 --> 01:24:30,439
Speaker 1: have to say about Laquisia as other other you know,

1768
01:24:30,760 --> 01:24:33,519
Speaker 1: the black creative that she is, director boss that she is.

1769
01:24:33,560 --> 01:24:35,680
Speaker 1: I wonder what she would say about the trailer to

1770
01:24:35,720 --> 01:24:37,880
Speaker 1: the movie Luquisha. I'm sure she'll tweet about it or

1771
01:24:37,920 --> 01:24:40,880
Speaker 1: something if it comes across her radar. And also, you know,

1772
01:24:40,920 --> 01:24:43,160
Speaker 1: shout out to everybody that um, you know, we do

1773
01:24:43,280 --> 01:24:45,240
Speaker 1: the real estate seminars where we try to teach people

1774
01:24:45,240 --> 01:24:47,360
Speaker 1: about real estate and try to try to giving them

1775
01:24:47,400 --> 01:24:50,200
Speaker 1: an opening or how to invest so they can actually start.

1776
01:24:50,960 --> 01:24:53,200
Speaker 1: The venue that we had in Jersey, it was so

1777
01:24:53,360 --> 01:24:55,360
Speaker 1: many people that wanted to come, we had to move

1778
01:24:55,479 --> 01:24:58,360
Speaker 1: the location. So we had to move into a bigger

1779
01:24:58,400 --> 01:25:00,800
Speaker 1: location and we still damn there. Almost all the seats

1780
01:25:00,800 --> 01:25:03,439
Speaker 1: are going. So we appreciate you guys, and hopefully you

1781
01:25:03,520 --> 01:25:06,920
Speaker 1: guys will learn about real estate and start investing in

1782
01:25:06,960 --> 01:25:08,840
Speaker 1: yourself so you can have generational wealth, so you can

1783
01:25:08,880 --> 01:25:11,200
Speaker 1: have some kind of income for your kids, for yourself.

1784
01:25:11,880 --> 01:25:14,600
Speaker 1: So shout to all you guys. I event bright if

1785
01:25:14,640 --> 01:25:17,240
Speaker 1: you want more information about all seminars that we're doing,

1786
01:25:17,240 --> 01:25:19,320
Speaker 1: I know we're doing one of Chicago and New Orleans,

1787
01:25:20,280 --> 01:25:23,840
Speaker 1: LA Charlotte and New Jersey this Sunday, right when we

1788
01:25:23,920 --> 01:25:25,720
Speaker 1: come back. We got your positive note, don't move. It's

1789
01:25:25,720 --> 01:25:29,960
Speaker 1: to Breakfast Club. Good morning morning, Everybody's DJ Envy Angela Yee,

1790
01:25:30,160 --> 01:25:33,120
Speaker 1: Charlomagne the guy we are the Breakfast Club. You got

1791
01:25:33,200 --> 01:25:36,479
Speaker 1: a positive note? Yes, I do, Maniti. Well, first of all,

1792
01:25:36,520 --> 01:25:38,479
Speaker 1: I want to tell everybody, salute to everyone. Who's been

1793
01:25:38,520 --> 01:25:42,200
Speaker 1: watching Emerging Hollywood on The Hollywood Reporter. We got a

1794
01:25:42,280 --> 01:25:45,439
Speaker 1: new episode up with Jamila Jamil where we talk about

1795
01:25:45,640 --> 01:25:47,559
Speaker 1: a lot of different things, you know, when it comes

1796
01:25:47,600 --> 01:25:51,080
Speaker 1: to like diversity in Hollywood, female inclusion, all of that

1797
01:25:51,200 --> 01:25:53,719
Speaker 1: good stuff. And I got another one dropping this Thursday. Okay,

1798
01:25:53,800 --> 01:25:56,400
Speaker 1: so flew to everybody who's been watching it. Now. The

1799
01:25:56,479 --> 01:26:00,639
Speaker 1: positive note is simply this growth is painful. Change just painful.

1800
01:26:00,920 --> 01:26:04,320
Speaker 1: But nothing is as painful as staying stuck somewhere you

1801
01:26:04,439 --> 01:26:05,000
Speaker 1: don't belong.