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Speaker 1: Hello the Internet, and welcome to this episode of the

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Speaker 1: Weekly Geist. Uh. These are some of our favorite segments

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Speaker 1: from this week, all edited together into one uh NonStop

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Speaker 1: infotainment last stravaganza. Uh yeah, So, without further ado, here

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Speaker 1: is the Weekly Sitgeist. Please welcome today's guest, the brilliant, talented,

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Speaker 1: and somebody I've known for ages. Now it's wild to

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Speaker 1: see us reconnect here as on a podcast. But please

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Speaker 1: welcome Greg Adwall. Yeah he thank you, mothers how sweet

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Speaker 1: man man. We congratulations on your wedding. Thank you. I mean,

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Speaker 1: which is wild because I met my wife on YouTube

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Speaker 1: Nation where we first met. Yeah, yeah, yeah, she was

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Speaker 1: one of the producers on there. So this was like, look,

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Speaker 1: look look at us, come off. Look look I got one.

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Speaker 1: I've been it'll be a year in April. I got one. Tip.

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Speaker 1: People always say, don't People always say don't go to

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Speaker 1: bed angry, But that's bullshit. You're gonna go to bed angry.

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Speaker 1: That's just what happened. Don't even swea. The real tip

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Speaker 1: is bring food home all the time. Always bring a pizza,

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Speaker 1: bring some time food. If you're coming home and your

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Speaker 1: wife just at the crib, bring some food home. Dog

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Speaker 1: that's it. I'm always like whatever the thing I do

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Speaker 1: is always like find uh. Like she likes chocolate, so

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Speaker 1: I always try and buy like chocolates. When I'm out.

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Speaker 1: If I see something like interesting candy bar, I'm like,

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Speaker 1: let me get that, let me bring that home. Real question.

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Speaker 1: That's how you know the love is still there when

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Speaker 1: you think about something that I just want you to

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Speaker 1: have this. I just deserve this. You deserve this. And

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Speaker 1: and please don't mind the fact that the new Grand

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Speaker 1: Tarismo game just came out and my PS five is

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Speaker 1: calling my name. That's not why I bought this. I'm

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Speaker 1: just saying, please keep this in mind. And I vanished

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Speaker 1: for hours at a time, screaming because my Toyota Yaris

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Speaker 1: isn't performing the way I needed to. In the corners,

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Speaker 1: all that happy to have quiet time. She was like, yeah,

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Speaker 1: for real. I mean, I don't know, do you get this,

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Speaker 1: Greg like be, I don't know how on you are,

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Speaker 1: but there I have, Like you know, as a comedian,

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Speaker 1: sometimes I'm get in the mood and I can't stop

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Speaker 1: being like silly. And there are times where she's like, hey,

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Speaker 1: can you just shut then up a second? Like this

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Speaker 1: ship is funny? To me. My wife is always like,

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Speaker 1: shut up. I think it's that y'all think that's because

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Speaker 1: you're comedians right where I'm an immature boy who likes

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Speaker 1: to just talk nonsense NonStop. It's really what it is.

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Speaker 1: I think those differences some people leverage that into somewhat

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Speaker 1: of a career and don't and then you use excuse,

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Speaker 1: I mean comedy rather than I don't know when to

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Speaker 1: shut up? I get paid to do this, girl. Yeah

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Speaker 1: you like that? Oh man, okay, we'll see. This is

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Speaker 1: why is here to keep us grounded and also keep

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Speaker 1: us realizing we ain't ship true story. What is something

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Speaker 1: from your search history? Oh? My search history? Oh my god?

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Speaker 1: Let me see. The last thing that I searched. I

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Speaker 1: guess it was Looney Tunes characters so I could make

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Speaker 1: those puns. Uh that you love gooney Tunes? You're googling

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Speaker 1: Looney Tunes character. The last thing I searched was why

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Speaker 1: are why are their oscars? And I don't remember if

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Speaker 1: I meant like still or ever, like why the awards

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Speaker 1: ceremony happened? Yeah, but I just mostly because I it

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Speaker 1: doesn't It feels like we're in a post awards show world. Yes,

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Speaker 1: m hmm. Anyone doesnay did. I used to look forward

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Speaker 1: to the Oscars. I would love to win one if

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Speaker 1: they're giving them out like wordal sports. But I at

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Speaker 1: this point, I don't it's this month, it's next month.

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Speaker 1: It already happened. I don't know. I think the peak

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Speaker 1: Oscars for me even like, not even that I was

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Speaker 1: so excited. But the last thing I like participated in

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Speaker 1: was like wearing a tuxedo to watch the Oscars, just

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Speaker 1: as like a goof at someone's house. That was the

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Speaker 1: year these for like a casual viewing party. And yeah,

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Speaker 1: yeah and no no no that they were asking everybody

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Speaker 1: to dress up, dress up like the Boba Duke to

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Speaker 1: go to that normal Havoween party. That was really but yeah,

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Speaker 1: like and then after that, I honest, even then, I

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Speaker 1: was like, see, I don't even know why I'm here,

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Speaker 1: And now you're like, to your point, I don't really

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Speaker 1: understand what it means to even give it award out anymore.

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Speaker 1: I just something happened, you know. I'm sure it's probably

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Speaker 1: the only bad thing that's happened from the pandemic would

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Speaker 1: be this fallout about awards shows. But it's it is.

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Speaker 1: I don't know. I just I used to really care,

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Speaker 1: as like, oh, the guests them all and I'll see

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Speaker 1: all the movies. And I think I was looking it

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Speaker 1: up to see, like is there a movie I should watch?

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Speaker 1: But I don't know. If it's because I'm not going

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Speaker 1: to theaters, maybe movie pass. Maybe I don't know what's

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Speaker 1: going on. It just doesn't feel like I don't know.

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Speaker 1: Maybe I learned too much about celebrities personal lives, like

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Speaker 1: through the pandemic, and now I'm like, oh, why don't

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Speaker 1: you know? I don't care? And now I'm just sort

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Speaker 1: of I don't know. Yeah this month, Yeah, they're coming up,

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Speaker 1: I think, um, and maybe I probably won't watch, but

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Speaker 1: I'll look up and see what want and be excited

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Speaker 1: if it's actors or directors I like. But other than that,

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Speaker 1: I'm not sure. It feels like it used to feel

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Speaker 1: like we're in Los Angeles. You just feel like there's

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Speaker 1: like this wait to them that I guess people just

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Speaker 1: feel a little bit less. Maybe I'm seeing less people.

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Speaker 1: I don't know. I think it's just in general, like

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Speaker 1: this has always been an issue with awards, is like

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Speaker 1: when they really start departing from like what people are

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Speaker 1: enjoying and what they enjoy about something they don't like

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Speaker 1: align with their like, oh yeah, that makes sense. I

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Speaker 1: would want that award because these people are also thinking

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Speaker 1: the same way now, people like what got nominated, what

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Speaker 1: didn't get them? What? Who the funk are these people voting?

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Speaker 1: And that I think that energy has just sort of

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Speaker 1: completely made it. You know, I could definitely see that

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Speaker 1: that factoring into how I feel about it all where

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Speaker 1: you know, just are you throwing a popular movie a

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Speaker 1: bone to keep us on for a little while, or

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Speaker 1: are you not acknowledging that movies people like are real

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Speaker 1: if it's not just about like sometimes I see a

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Speaker 1: movie trailer now and I watched them, like that looks

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Speaker 1: like one you know what parts of all the guy

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Speaker 1: man got the situation with his parents influenced his life.

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Speaker 1: Yeah right, all right, there's another one of those. But

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Speaker 1: I think you're onto something with that, Miles. I think

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Speaker 1: it might have something to do with feeling like a

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Speaker 1: disconnect between what gets nominated for awards and what people consume.

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Speaker 1: And I think that's the hard part is how do

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Speaker 1: you even what group could actually embody that where you're like,

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Speaker 1: you know, who gives out the Awards. That makes sense,

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Speaker 1: this group of people over here, and I don't even

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Speaker 1: think like at that point, is there even anyway you

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Speaker 1: look back through years of what one best picture? It

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Speaker 1: is rarely the movie you ever think about from that

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Speaker 1: year anymore. Hereditary it's like the example I can think

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Speaker 1: of where it is, But other than that, you really

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Speaker 1: have to be like, what are you looking at it? Good?

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Speaker 1: Does that the movie that that remains in people's sit guys?

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Speaker 1: Shakespeare and Love? Very rarely? Yeah, because everyone going back

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Speaker 1: and rewatching Shakespeare and Love or do you rewatch Saving

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Speaker 1: Private Ryan? Like is that what movie? And the age

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Speaker 1: even faster than that, like Crash twenty minutes afterwards, like

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Speaker 1: green Book ten minutes afterwards, Like I don't even know

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Speaker 1: that was couldn't have been real. Green Book looked like

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Speaker 1: a tropic thunder trailer to me, And you're saying Hereditary

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Speaker 1: should have one. It was great, that was one. At

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Speaker 1: least that was like the last time. We were like,

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Speaker 1: that's the lasting movie from then, don't mess it up.

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Speaker 1: They even one year they tried to not give it

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Speaker 1: to the Lasting movie and the people who want it

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Speaker 1: were like, we didn't actually win the good one? It right,

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Speaker 1: right right, they're trying so hard. Yeah, like la la land,

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Speaker 1: I should say that we we we do a thing

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Speaker 1: every year when the nominees are announced where we talk

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Speaker 1: about like that it should be a five year delay

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Speaker 1: on the on the nominees so that, like you, it's

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Speaker 1: like the Hall of Fame for sports. Yeah, exactly, you

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Speaker 1: get to see what's stuck around. So oh that's funny.

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Speaker 1: But I personally, you know, I'm I just think Hollywood's

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Speaker 1: brightest stars need a night to come out and shine.

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Speaker 1: That's always been my stance. So it's yeah, it's what's

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Speaker 1: something you think is overrated for me? Honestly? Good segue.

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Speaker 1: I think that TikTok recipes are these Instagram chefs like

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Speaker 1: these like fifteen second, like hey, how to make ten

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Speaker 1: meals in one minute where you're like, get a get

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Speaker 1: a sheet pan and then put dry noodles on it,

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Speaker 1: and then put cubes of cheese and then put a

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Speaker 1: pile of meat, and then put a pile of this

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Speaker 1: and then put it in the oven and then it

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Speaker 1: looks gross but stirred all together and it's a dip.

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Speaker 1: Like no, bro, like I don't, I don't, that's not right.

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Speaker 1: You gotta you gotta blow them noodles, dok, Like I

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Speaker 1: just I'm over this, like TikTok chefing. There's such a

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Speaker 1: trend on it and it's so hilarious and everyone has

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Speaker 1: like a little catchphrase. There's this dude from New York

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Speaker 1: that literally just fries everything, and it's always like, you

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Speaker 1: gotta put paprika, you gotta put on your powder, you

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Speaker 1: gotta put garlic powder, you gotta put your loweries, and

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Speaker 1: then you know, you just dip it in the sauce,

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Speaker 1: you know. And then he always ends up with and

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Speaker 1: I got that BEV. Don't play with me, you know,

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Speaker 1: I got that BEV. And then he shows you like

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Speaker 1: a like a jar of like fucking ocean spreak hair

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Speaker 1: and berry juice. You're like, that's not an exclusive BEV,

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Speaker 1: my guy? You like, who cares? All right, you made

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Speaker 1: fried shrimp and you have some cranberry juice? Are you seven?

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Speaker 1: What is happening? Last time I checked out with the

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Speaker 1: social media, like chefs some recipes where you like actually

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Speaker 1: watch the video, Like we found out that the thing

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Speaker 1: that everybody was passing around was like a fetish bit.

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Speaker 1: You like those people who are like making lasagna on

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Speaker 1: the countertop, Like that's like that's the weird fetish video

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Speaker 1: that you know, everybody was like I can't believe, you know,

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Speaker 1: these people are so bad at cooking, And I was like,

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Speaker 1: now they're people are jerking off to this. Yeah. Well,

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Speaker 1: and there's also like these weird trends that are coming

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Speaker 1: over from that, like the food jerk off world. Like

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Speaker 1: there's a whole genre of like very cute sort of

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Speaker 1: like Homely Girl next Door cooks on Instagram and tiktop

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Speaker 1: and they all leaning over super close to the camera,

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Speaker 1: like in the worst kitchen position you could possibly do

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Speaker 1: to chop vegetables. But it's about a very specific angle,

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Speaker 1: like that chick who made the like salmon with the

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Speaker 1: like seaweed and the rice and the microwave that people

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Speaker 1: lost their fucking minds about. Like she does this same

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Speaker 1: movement where it's like I'm gonna over lean and get

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Speaker 1: really close to the camera and like a smr the

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Speaker 1: way I'm cutting stuff, and I'm just like, oh my god,

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Speaker 1: what is this is? Like You're you're making leftovers, bitch,

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Speaker 1: Like why is this a whole event? Like what is

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Speaker 1: hanging back? Julia Child's okay? I want my six ft

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Speaker 1: tall and crying when they eat bread. This is my ideal.

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Speaker 1: I just I just want people to know how to

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Speaker 1: actually cook. That's my whole thing. Is Like I learned

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Speaker 1: how to cook from the women in my family and

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Speaker 1: from my dad, and like I just feel like it's

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Speaker 1: such like a sacred thing, right, Like it's so awesome

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Speaker 1: to learn how to cook from your parents. And I

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Speaker 1: think that you should cook for yourself. And then that

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Speaker 1: would you cook for your family, but be at your

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Speaker 1: kids or your your loved ones or whatever. Like it's

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Speaker 1: just it's such a human thing to prepare a meal.

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Speaker 1: And I don't like seeing it sort of convenience sized,

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Speaker 1: and I don't like seeing it fetishized, and I don't

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Speaker 1: like seeing it just sort of like these girls are like, oh,

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Speaker 1: I don't know how to cook, so like I'm in

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Speaker 1: a microwave this and then show you this paper plate

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Speaker 1: and be like, oh, she's a she's a wife. You now,

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Speaker 1: it's like no, which you're gonna lose the entirety of

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Speaker 1: your man with that weight. Like that's like, just learn

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Speaker 1: how to cook. Just learn how to cook. What is

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Speaker 1: something you think is under rated? You know, like like

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Speaker 1: dancing around your house recently. Okay, so I'm real slow,

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Speaker 1: I know, but I just got on TikTok and it's

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Speaker 1: given me an excuse to like dance around in my

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Speaker 1: house when a baby sleep. And I was like, oh man,

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Speaker 1: not only do I have like excellent dance moves that

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Speaker 1: I forgot about? Yeah, I like I broke a sweat

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Speaker 1: and him breathing heavily. Like it's like a mini little workout.

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Speaker 1: So if it's like raining or whatever, you want to

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Speaker 1: go to the gym and gets spent on by somebody,

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Speaker 1: I covid like just you know, just bust out a

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Speaker 1: couple of moves, put it on for the put it

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Speaker 1: on a reel. Are you hitting challenges or are you

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Speaker 1: just oh no, no no, I just sanced to random

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Speaker 1: ship that like okay, I was just TikTok. I'm like,

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Speaker 1: oh you're you're there now? Oh no, not like not

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Speaker 1: to disparage that. That's cool and fine because now I'm

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Speaker 1: on TikTok. Who am I to judge? But no, I

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Speaker 1: just like put on my favorite jem, maybe some tanking

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Speaker 1: to Bangers or whatever, and like, okay, I just flex

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Speaker 1: a little bit. Yeah, what's uh? I mean I man,

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Speaker 1: there's just one. There's like one Flying Lotus song that

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Speaker 1: I remember. I started vacuuming too, and then I turned

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Speaker 1: into some like weird hood fredis stare thing with the

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Speaker 1: vacuum and then yeah, I mean, and there's just like

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Speaker 1: certain things I'm like starting to do the robot and ship.

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Speaker 1: I don't even I can't even really do the fucking robot,

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Speaker 1: Like this music is informing my body how to move.

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Speaker 1: Those are those are very underrated moments of breaking and

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Speaker 1: then dancing when the kid gets when the kids get

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Speaker 1: a little older, that's, oh yeah, he's gonna ye. I

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Speaker 1: feel like that's one of the life extenders are like

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Speaker 1: the things that keep your brain young type things that

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Speaker 1: you hear about that I actually believe in is dance.

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Speaker 1: Like dancing they say, because it like promotes like the

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Speaker 1: elasticity and like thinking in the moment. Just actually, you

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Speaker 1: can't dance if you're not in the actual moments. But

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Speaker 1: I feel like people tend to just immediately need jerk,

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Speaker 1: say like yoga meditation, but like dancing puts you in

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Speaker 1: the moment to take a little five a big three

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Speaker 1: minute break, like you know, what's jack, what's something that

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Speaker 1: gets you're put some honey in your hips because you're

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Speaker 1: gets your big toe shooting up in your boot. It's

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Speaker 1: really situational, you know, it can be anything that's a

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Speaker 1: cop out. Come on, no, I mean, he doesn't want

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Speaker 1: us to know his kryptonite, Like you're gonna open the

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Speaker 1: show with like his secret likes and then he's just

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Speaker 1: gonna be jiggling around instead of recording the show. I

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Speaker 1: do a lot of car dancing, so it's really whatever whatever.

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Speaker 1: I'm listening to a lot in the car. But like

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Speaker 1: my kids love dancing to the Beatles, which is like,

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Speaker 1: that's not that's not really danceable music. And I don't

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Speaker 1: let them. I don't let them, like, hey, why don't

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Speaker 1: you ever come to prom It's like, wella, my dad

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Speaker 1: yelled at me for dancing to the Beetle. We basically

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Speaker 1: have to playlists. One is like music I like the

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Speaker 1: you know, I just pick up independently wherever around the

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Speaker 1: world from TV shows. And then one is like, oh,

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Speaker 1: I bet they would like this song that like pops

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Speaker 1: into my head. So like that's all we listened to

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Speaker 1: basically at all times. But yeah, I'm taking with them.

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Speaker 1: I'm taking the approach of I think it'll make them

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Speaker 1: better dancers if I take the parenting approach of the

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Speaker 1: preacher from Footloose and I just say that they're not

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Speaker 1: allowed to dance anywhere that it breathes sin. And then

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Speaker 1: I catch them dancing and throwing dance parties and in

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Speaker 1: the middle of the night. What you have copies of

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Speaker 1: breaking all over the house. But they cant Turbo's got moves. Like,

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Speaker 1: what did I say about evoking Turbo's name? In this house?

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Speaker 1: We do not speak of boogaloo shrimp here? Yeah, how

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Speaker 1: about you, Miles, what's your visit? Well? God, fucking anything

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Speaker 1: that honestly depends on the beat, honestly sucking anything, anything

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Speaker 1: except for like classical I mean something obviously with like

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Speaker 1: a proper like backbeat to it. But the last thing

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Speaker 1: that I think, oh, it was probably it's there's just

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Speaker 1: this one. Oh you know what it was. I think

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Speaker 1: it was MC squared by Jay Diller in Common. I

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Speaker 1: was just listening to that song on the other day

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Speaker 1: because there's just the drums are sold your neck will

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Speaker 1: snap into But then I just started getting like I

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Speaker 1: can't can't control myself down from your music recommendations nouveau western.

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Speaker 1: I think that was you. That's that's heavy rotation with

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Speaker 1: both my playlists and my kids playlist and yeah, that's

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Speaker 1: what we were getting down to. That. That's got a

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Speaker 1: good sample. Yeah yeah, right, what do you? What do

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Speaker 1: you dance to? What's your what gets you? So? Yeah,

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Speaker 1: Tank of the Bang Is, I'll put on some gold Link.

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Speaker 1: He had that new album out in December remembers. It

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Speaker 1: was great, It was so good. Uma I like to do.

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Speaker 1: I love putting on weird stuff to dance to, to

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Speaker 1: like just stretch the boundaries of what you can do

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Speaker 1: hip hop dance moves too. So the other night I

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Speaker 1: was dancing to um Big Rock Candy Mountain Bye from

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Speaker 1: the Right. So I was like, let's if I can

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Speaker 1: get down to this, let's put it on to see

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Speaker 1: if I could like popping lock too. Ye, yeah, well

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Speaker 1: about it up. That song makes so much sense to

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Speaker 1: me when I'm incredibly hungry, I'm just like, yeah, it's

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Speaker 1: like a love song to candy, just like rock candy. Yeah,

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Speaker 1: what a time, What a time the depression must have

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Speaker 1: done that seem big rock Candy, Big rock Candy mount

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Speaker 1: that song, it's that's a funny that's you know. What's

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Speaker 1: weird though, is I've only seen Oh Brother like maybe once,

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Speaker 1: but I will not forget that that song. Probably I

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Speaker 1: won't forget that song because I was like, damn that

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Speaker 1: big rock. That movie was them streaming out a really

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Speaker 1: good soundtrack there, just like we'll put some images with us.

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Speaker 1: But what as a as a musician do you have

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Speaker 1: a strategy for? Is it it's a little early right

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Speaker 1: for your baby, but what do you have a strategy for,

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00:18:01,920 --> 00:18:06,600
Speaker 1: like what you're gonna expose him to? And wanting to

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00:18:06,640 --> 00:18:08,440
Speaker 1: ask you all about that, because like, we listen to

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Speaker 1: a lot of hip hop around the house, and we've

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00:18:10,440 --> 00:18:12,760
Speaker 1: been like wondering to ourselves at what time we need

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00:18:12,800 --> 00:18:15,000
Speaker 1: to like find kid friendly hip hop when he's gonna

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Speaker 1: start picking up on words, you know, because he's like,

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Speaker 1: we'll put on some like R C J or whatever,

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Speaker 1: and but like at some point he might be like, fuck,

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Speaker 1: you know, just learning the lingo. So I don't know,

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Speaker 1: I don't really know what the strategy is gonna be

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Speaker 1: when we get there, because I'm not I'm not wanting

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Speaker 1: to like censor much, but I don't want to go

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Speaker 1: into school and be like I'll piss on your shoes

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Speaker 1: in public. You're like, yeah, it's tricky because they only

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Speaker 1: put out the clean versions of the big hits usually,

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Speaker 1: right right. I mean, I think that the thing my

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00:18:51,760 --> 00:18:53,399
Speaker 1: dad did would be like, well, if I want to

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Speaker 1: deal with a dance stuff and it's not some like

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Speaker 1: soft ass kids ship. You've played a lot of like

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Speaker 1: Afro beat like Fella Coute and stuff, so like, I

356
00:19:03,200 --> 00:19:05,719
Speaker 1: don't know, like I'm not understanding of the lyrics, but

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00:19:05,840 --> 00:19:08,439
Speaker 1: the music is like super high energy and like you know,

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Speaker 1: those are like fucking eight minutes songs, so it's like, yo,

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00:19:10,640 --> 00:19:14,680
Speaker 1: what's the good point? Also, I just thought about, okay,

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Speaker 1: instrumentals to put the instrumental on and I can like

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00:19:17,400 --> 00:19:19,320
Speaker 1: and if it's like a song, that like is my song,

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00:19:19,840 --> 00:19:21,919
Speaker 1: like like you know, like I know, but you know

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00:19:22,000 --> 00:19:23,560
Speaker 1: where it's a little bit I can throw things and

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00:19:23,720 --> 00:19:25,960
Speaker 1: take things out, you know, some that might be the move.

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Speaker 1: It's like, yo, it's like you should hear my mom.

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Speaker 1: They did the verse on there, like it's called control.

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00:19:32,880 --> 00:19:35,240
Speaker 1: Some people think Kendrick Lamar did it. No, I remember

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Speaker 1: growing up that beat would be on My mom would

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Speaker 1: just spit that ship. Yo, It's so funny. Because when

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Speaker 1: I was growing up, you know that song Peaches by

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Speaker 1: the Presidents of the United States of America, like go,

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Speaker 1: I thought that my older brothers had made that song

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Speaker 1: up and until I got older and saw the music

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Speaker 1: video on MTV, and I was furious. I was like,

375
00:19:52,720 --> 00:19:55,479
Speaker 1: Aaron Sean, they like they stole your songs, So like

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Speaker 1: I kind of totally imagine the scenario. He grows up

377
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Speaker 1: and it's like he hears he like sees can Drift

378
00:20:00,280 --> 00:20:02,399
Speaker 1: Lamar and the super Bowl and it's like, wait, is

379
00:20:02,440 --> 00:20:05,440
Speaker 1: that not? Is that not? Is that not your Wait?

380
00:20:06,240 --> 00:20:08,440
Speaker 1: My mom always you say we're gonna be all right,

381
00:20:08,640 --> 00:20:16,560
Speaker 1: that's that's not that family saying like you know, world tradition. Man.

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00:20:16,600 --> 00:20:18,840
Speaker 1: I would actually that would be I think that's what

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Speaker 1: I would do to my kid. I would just play

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Speaker 1: instrumentals and I would split everything from the first Clips album.

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00:20:23,960 --> 00:20:27,240
Speaker 1: Hew uh lord women, and they would think, they're like,

386
00:20:27,720 --> 00:20:29,560
Speaker 1: I think my dad is pushed your tea and balad.

387
00:20:30,040 --> 00:20:34,600
Speaker 1: That's amazing. Multifaceted rappers is talking to me as if

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00:20:35,760 --> 00:20:39,000
Speaker 1: make an eye contact. We in the same boat. I

389
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Speaker 1: tell them, quick, no move coke, Like what that's a

390
00:20:43,080 --> 00:20:46,159
Speaker 1: great hack, that's a great all right, let's take a

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Speaker 1: quick break. We'll be right back. And we're back right

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Speaker 1: when we left. I said, we're in the break and

393
00:21:00,600 --> 00:21:04,560
Speaker 1: then Greg just goes and oatmeal too. Man. Wait, we're

394
00:21:04,560 --> 00:21:07,880
Speaker 1: not even recording. You really had to get that one

395
00:21:07,920 --> 00:21:11,240
Speaker 1: in there. Let you see my father eat anything else

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00:21:11,320 --> 00:21:14,439
Speaker 1: except for he eats oatmeal occasionally. I'll have a turkey

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00:21:14,480 --> 00:21:16,760
Speaker 1: sausage patty. I'm sorry, that's his breakfast. If we go

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Speaker 1: out and oh, meal is not an option, he's not

399
00:21:18,840 --> 00:21:21,280
Speaker 1: eating breakfast. Yeah, he's like this is He's like, this

400
00:21:21,359 --> 00:21:26,080
Speaker 1: is not a restaurant. Is the ship? Man? Is so good?

401
00:21:26,359 --> 00:21:30,399
Speaker 1: Keep your cholesterol low, it's good. Man. Do you how

402
00:21:30,400 --> 00:21:31,960
Speaker 1: do you just eat a plane? What do you do

403
00:21:31,800 --> 00:21:34,040
Speaker 1: to judge it up? I mean I put a little

404
00:21:34,080 --> 00:21:36,960
Speaker 1: I put sugar in mine. That's that's it. That's it.

405
00:21:37,680 --> 00:21:43,120
Speaker 1: Brown sugar, just like straight up sugar. He's like straight

406
00:21:43,200 --> 00:21:48,679
Speaker 1: up splendor. Like yo. I love brown sugar, you know,

407
00:21:48,760 --> 00:21:51,320
Speaker 1: but I'm like brown sugar like black women. Sometimes it's

408
00:21:51,359 --> 00:21:53,200
Speaker 1: just like, oh, girl, are you too fine? I gotta

409
00:21:53,200 --> 00:21:57,120
Speaker 1: I gotta put too much. See what's going on? Girl?

410
00:21:57,640 --> 00:22:04,240
Speaker 1: Got scaled back and go fast out again. I gotta

411
00:22:04,240 --> 00:22:08,200
Speaker 1: put on this white sick up, are you too much?

412
00:22:10,800 --> 00:22:13,840
Speaker 1: Too much brown sick? And shout out to all the

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00:22:13,880 --> 00:22:18,520
Speaker 1: oatmeal people out there. That's Devin, my dad included. Also, man,

414
00:22:18,560 --> 00:22:22,360
Speaker 1: I don't what is it? What about oatmeal? It's easy too,

415
00:22:22,400 --> 00:22:27,160
Speaker 1: It's just hot water. Oh do you ever put milk

416
00:22:27,320 --> 00:22:29,560
Speaker 1: in it, just to give yourself a little bit of

417
00:22:29,600 --> 00:22:31,680
Speaker 1: a luxury meal, a little bit? You know, you put

418
00:22:31,720 --> 00:22:37,040
Speaker 1: some oat milk and keep it oat you know, yeah,

419
00:22:37,080 --> 00:22:42,160
Speaker 1: okaytraight up, hot water and sugar. Yeah, alright, well, alright,

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00:22:42,160 --> 00:22:46,560
Speaker 1: shout out to the National Association of Oatmeal Makers for

421
00:22:46,640 --> 00:22:49,560
Speaker 1: sponsoring that segment. But now let's move on to the

422
00:22:49,640 --> 00:22:55,600
Speaker 1: anti war efforts of adult performers. So Russia has restricted

423
00:22:55,600 --> 00:22:58,119
Speaker 1: news from the outside at a pretty aggressive rate. But

424
00:22:58,200 --> 00:22:59,879
Speaker 1: you know, they're part like they're doing everything they can

425
00:23:00,040 --> 00:23:03,480
Speaker 1: to keep people from understanding all the dimensions of this invasion.

426
00:23:03,880 --> 00:23:05,960
Speaker 1: There was recently a bill that was passed that like

427
00:23:06,040 --> 00:23:08,280
Speaker 1: could potentially land Russians in jail for like up to

428
00:23:08,359 --> 00:23:11,760
Speaker 1: fifteen years if they tweet out of pocket about the war.

429
00:23:12,240 --> 00:23:16,200
Speaker 1: And we've seen thousands of people arrested for protesting, so basically,

430
00:23:16,240 --> 00:23:18,280
Speaker 1: you know, it's it's it's these people are living in

431
00:23:18,280 --> 00:23:21,320
Speaker 1: an information desert where the only things that are sort

432
00:23:21,320 --> 00:23:25,639
Speaker 1: of readily available to you or traditional propaganda channels. Facebook

433
00:23:25,680 --> 00:23:28,879
Speaker 1: has been restricted, I think Twitter has been like basically blocked. Also,

434
00:23:29,320 --> 00:23:34,200
Speaker 1: independent news is inaccessible. The BBC has like reintroduced their

435
00:23:34,200 --> 00:23:37,280
Speaker 1: short wave radio like in World War two, so people

436
00:23:37,320 --> 00:23:40,400
Speaker 1: can get some kind of information. But the one place

437
00:23:41,119 --> 00:23:43,879
Speaker 1: that is that is still able to offer people a

438
00:23:43,880 --> 00:23:46,680
Speaker 1: glimpse into what is happening is on sites like porn

439
00:23:46,720 --> 00:23:49,320
Speaker 1: Hub and only Fans. You know, there was an effort

440
00:23:49,520 --> 00:23:51,359
Speaker 1: of people to do things like do you go into

441
00:23:51,480 --> 00:23:54,520
Speaker 1: like yelp on Russia and leave reviews and post pictures

442
00:23:54,520 --> 00:23:57,959
Speaker 1: of what was happening in Ukraine or going on Google

443
00:23:58,000 --> 00:24:00,800
Speaker 1: Maps and posting in Google Maps, but then Google kind

444
00:24:00,800 --> 00:24:04,440
Speaker 1: of locked shut that kind of activity down. So now

445
00:24:04,480 --> 00:24:08,240
Speaker 1: we're seeing some Russian and Ukrainian adult performers using the

446
00:24:08,280 --> 00:24:11,600
Speaker 1: platforms to like upload vlogs like on They're Only Fans

447
00:24:11,640 --> 00:24:14,560
Speaker 1: that's like alive to the to the date, to the

448
00:24:14,600 --> 00:24:17,560
Speaker 1: moment updates about like what they're going through in Kiev

449
00:24:17,720 --> 00:24:20,880
Speaker 1: or or other parts of Ukraine. And in some instances

450
00:24:20,880 --> 00:24:23,920
Speaker 1: on porn Hub, people are just uploading straight up footage

451
00:24:23,960 --> 00:24:26,720
Speaker 1: like news footage of what's happening, just to be like,

452
00:24:27,000 --> 00:24:29,639
Speaker 1: there's a video site that the Russian government hasn't completely

453
00:24:29,680 --> 00:24:32,959
Speaker 1: cracked down on. Check this out, and it seems to

454
00:24:33,160 --> 00:24:36,639
Speaker 1: be somewhat effective, you know, because people are kind of

455
00:24:36,640 --> 00:24:38,840
Speaker 1: paying attention. Now, how many of those people are actually

456
00:24:39,440 --> 00:24:42,800
Speaker 1: viewing this content from Russia, you know, stands to be

457
00:24:43,119 --> 00:24:46,200
Speaker 1: known and still unknown and to this point, but it's

458
00:24:46,200 --> 00:24:48,040
Speaker 1: one of these things that we're kind of seeing many

459
00:24:48,040 --> 00:24:51,120
Speaker 1: people having to get a little bit more creative with

460
00:24:51,200 --> 00:24:53,600
Speaker 1: how they're able to get content out. And I'm just saying, like,

461
00:24:53,640 --> 00:24:55,800
Speaker 1: you know what, we have sex workers another one there.

462
00:24:56,240 --> 00:24:57,920
Speaker 1: Somebody was saying the other day and I'm sorry I

463
00:24:58,000 --> 00:25:00,680
Speaker 1: can't remember who it was on it are, but they

464
00:25:00,720 --> 00:25:04,080
Speaker 1: were talking about how in times of crisis, sex workers

465
00:25:04,080 --> 00:25:07,760
Speaker 1: are typically the best advocates because they're so frequently in

466
00:25:07,800 --> 00:25:11,159
Speaker 1: crisis and under a threat of like imprisonment, and so

467
00:25:11,240 --> 00:25:15,480
Speaker 1: they have like these systems that work almost autonomously now

468
00:25:15,640 --> 00:25:20,359
Speaker 1: already set in place for like notification and um legal

469
00:25:20,440 --> 00:25:23,199
Speaker 1: aid and all kinds of other things. So sex workers

470
00:25:23,200 --> 00:25:25,760
Speaker 1: really putting it down in sex workspace, really holding down

471
00:25:25,840 --> 00:25:29,280
Speaker 1: for it for us in these difficult times as always,

472
00:25:29,320 --> 00:25:32,040
Speaker 1: I mean I'm sorry to do this, dude, but what

473
00:25:32,119 --> 00:25:37,399
Speaker 1: about the same space from jerk Offers. What if you

474
00:25:37,440 --> 00:25:42,879
Speaker 1: try to what if you Russia? Right? A Man, I

475
00:25:43,000 --> 00:25:44,640
Speaker 1: just need to get one out, you know what I mean?

476
00:25:45,200 --> 00:25:48,680
Speaker 1: I need to politics out of you. And it's like, oh, man,

477
00:25:48,920 --> 00:25:51,520
Speaker 1: I can't go nowhere, you know, But do we think

478
00:25:51,520 --> 00:25:53,520
Speaker 1: that's on the main page though? I feel like you

479
00:25:53,640 --> 00:25:58,800
Speaker 1: got to search for it. Sexy step Mom teaches man

480
00:25:58,800 --> 00:26:03,240
Speaker 1: a lesson, And I am now seeing tanks roll into sins.

481
00:26:05,840 --> 00:26:08,240
Speaker 1: They're like, you know, and unfortunately think the jerk Offers

482
00:26:08,320 --> 00:26:12,919
Speaker 1: unfortunately are not the allies that in the alliance with

483
00:26:13,480 --> 00:26:16,560
Speaker 1: in this instance. But it's it's even wild the thing too,

484
00:26:16,600 --> 00:26:18,879
Speaker 1: because we don't we're still not really sure what the

485
00:26:19,000 --> 00:26:22,359
Speaker 1: real you know, how widespread the anti war sentiment is

486
00:26:22,359 --> 00:26:26,080
Speaker 1: in Russia. We definitely see people protesting and there are protests.

487
00:26:26,160 --> 00:26:29,280
Speaker 1: Is it arriving to like the you know, hundreds of

488
00:26:29,359 --> 00:26:32,280
Speaker 1: thousands of people or millions? Not quite, But that's also

489
00:26:32,320 --> 00:26:35,040
Speaker 1: because the government is very repressive and we'll just beat

490
00:26:35,080 --> 00:26:37,000
Speaker 1: the funk out of you for for getting out there.

491
00:26:37,359 --> 00:26:39,119
Speaker 1: And you do see a lot of instances or a

492
00:26:39,160 --> 00:26:41,720
Speaker 1: lot of people, you know, I saw this one headline

493
00:26:41,720 --> 00:26:44,880
Speaker 1: of this Russian woman who was stranded in Ukraine once

494
00:26:44,920 --> 00:26:47,440
Speaker 1: the invasion began and she was calling her mom in Russia,

495
00:26:47,720 --> 00:26:50,080
Speaker 1: and her mother in Russia did not believe what she

496
00:26:50,160 --> 00:26:52,080
Speaker 1: was saying because of what she was seeing on TV.

497
00:26:52,160 --> 00:26:54,159
Speaker 1: And she's like, I'm your daughter. She's like no, no, no,

498
00:26:54,560 --> 00:26:57,640
Speaker 1: that's not what they're saying on TV. And so there's

499
00:26:57,680 --> 00:27:01,679
Speaker 1: even those kinds of things to overcome. It's just, uh,

500
00:27:02,560 --> 00:27:05,560
Speaker 1: it'll be interesting to see like how all of this evolves.

501
00:27:05,640 --> 00:27:08,439
Speaker 1: But again, this isn't to speculate on what the outcome is.

502
00:27:08,560 --> 00:27:16,919
Speaker 1: Domestically bad relationship, right, you call your mama's she's like,

503
00:27:16,960 --> 00:27:19,400
Speaker 1: you did this last time. Every time. He said, well,

504
00:27:19,440 --> 00:27:22,199
Speaker 1: you need to borrow five hundred bucks too, because the

505
00:27:22,240 --> 00:27:24,840
Speaker 1: war broke out where you You did this last time, Julia,

506
00:27:25,119 --> 00:27:27,680
Speaker 1: We're not doing it again. I don't know, I don't

507
00:27:27,680 --> 00:27:29,280
Speaker 1: know what it is, but that is it is a

508
00:27:29,640 --> 00:27:32,199
Speaker 1: I think it's it's a few things where you know,

509
00:27:32,240 --> 00:27:36,680
Speaker 1: older generations of Russians have definitely through the generation seeing

510
00:27:36,800 --> 00:27:40,679
Speaker 1: how bad it can be to speak out and go

511
00:27:40,720 --> 00:27:43,679
Speaker 1: against what sort of like the state sponsored narrative is.

512
00:27:44,040 --> 00:27:46,080
Speaker 1: But you but it's mostly the you see a lot

513
00:27:46,080 --> 00:27:49,199
Speaker 1: of younger people who I think are kind of just

514
00:27:49,240 --> 00:27:51,639
Speaker 1: like I am really having trouble seeing what my future

515
00:27:51,720 --> 00:27:54,639
Speaker 1: is in this country, and maybe this is an opportunity

516
00:27:54,680 --> 00:27:59,000
Speaker 1: to speak out. But yeah, still very scary, and thoughts

517
00:27:59,000 --> 00:28:02,160
Speaker 1: and prayers for all those people around the world facing

518
00:28:02,400 --> 00:28:06,240
Speaker 1: global strife, because it's not just there. Okay, let's talk

519
00:28:06,280 --> 00:28:10,439
Speaker 1: about something a little bit lighter, which is the story

520
00:28:10,480 --> 00:28:13,280
Speaker 1: of Sherry Petpini. Do you guys hear about this? You

521
00:28:13,320 --> 00:28:18,320
Speaker 1: heard about Pepi? Not heard about this? Okay? Well, back

522
00:28:18,520 --> 00:28:23,440
Speaker 1: in she went missing in early November. There was a

523
00:28:23,520 --> 00:28:26,840
Speaker 1: huge search man hunt to try and find her and

524
00:28:26,880 --> 00:28:30,399
Speaker 1: maybe the people responsible for a kidnapping. She popped up

525
00:28:30,800 --> 00:28:33,080
Speaker 1: on the side of the road twenty two days later,

526
00:28:33,119 --> 00:28:35,920
Speaker 1: about a hundred fifty miles from her home. She had

527
00:28:36,000 --> 00:28:40,400
Speaker 1: injuries from being bound. She looked believably like injured. She

528
00:28:40,560 --> 00:28:44,560
Speaker 1: apparently had a branding scar on her shoulder. And people

529
00:28:44,560 --> 00:28:47,920
Speaker 1: were relieved, and then law enforcement began their search for

530
00:28:48,000 --> 00:28:51,920
Speaker 1: the kidnappers and they were coming up short just trying

531
00:28:51,920 --> 00:28:53,520
Speaker 1: to figure out who could have done this. We're not

532
00:28:53,600 --> 00:28:55,920
Speaker 1: seeing a lot of ways to figure out how to

533
00:28:56,080 --> 00:28:59,000
Speaker 1: like triangulate and bring these people in, even though she

534
00:28:59,080 --> 00:29:02,360
Speaker 1: gave a very agg description of two Hispanic women with

535
00:29:02,440 --> 00:29:06,760
Speaker 1: bandanas over their faces that kidnapped her. Then last week

536
00:29:07,360 --> 00:29:11,280
Speaker 1: they made an arrest and it was Sherry Pappini herself

537
00:29:11,800 --> 00:29:16,160
Speaker 1: for staging her own damn kidnapping. And it turns out

538
00:29:16,200 --> 00:29:18,480
Speaker 1: she made all that ship up and was staying with

539
00:29:18,520 --> 00:29:21,880
Speaker 1: an ex voluntarily as the search went on for her

540
00:29:22,240 --> 00:29:25,360
Speaker 1: in And the thing that they're saying in these in

541
00:29:25,640 --> 00:29:28,440
Speaker 1: in these articles about it is the FBI showed up

542
00:29:28,720 --> 00:29:31,440
Speaker 1: in right and they said, hey, we're having a lot

543
00:29:31,480 --> 00:29:35,920
Speaker 1: of trouble, like like corroborating your story. And in fact,

544
00:29:36,320 --> 00:29:38,040
Speaker 1: I'm gonna be real, we have and we have more

545
00:29:38,080 --> 00:29:40,560
Speaker 1: evidence that suggests you may have been involved with this.

546
00:29:41,280 --> 00:29:43,880
Speaker 1: And she did the and the normal thing that any

547
00:29:43,880 --> 00:29:46,840
Speaker 1: scumbag lawry would do and doubled down on that ship,

548
00:29:46,920 --> 00:29:48,880
Speaker 1: even though they said, before you answer, now before you

549
00:29:48,920 --> 00:29:53,760
Speaker 1: have to remember, lying to a federal investigator is a crime.

550
00:29:54,120 --> 00:29:56,680
Speaker 1: So I'm gonna say one more time, lying as a crime,

551
00:29:56,800 --> 00:29:59,400
Speaker 1: and I'm telling you we have evidence that you may

552
00:29:59,440 --> 00:30:01,000
Speaker 1: be involved. Now, do you want to change your story?

553
00:30:01,080 --> 00:30:03,360
Speaker 1: She said no, it was them. I don't know what

554
00:30:03,400 --> 00:30:07,680
Speaker 1: to say, and they got her. She's now facing twenty

555
00:30:07,800 --> 00:30:10,440
Speaker 1: years in prison. And not just and not just for

556
00:30:10,520 --> 00:30:13,239
Speaker 1: like the wasted resources of like people trying to find her.

557
00:30:13,440 --> 00:30:17,080
Speaker 1: She was also grifting money from the California Victims Compensation

558
00:30:17,200 --> 00:30:22,600
Speaker 1: Board and took and she she got thirty thirty dollars.

559
00:30:22,640 --> 00:30:25,840
Speaker 1: But this is my thing, what's it? What was this

560
00:30:25,920 --> 00:30:28,720
Speaker 1: all for? Because you only they're saying she only grifted,

561
00:30:28,800 --> 00:30:31,320
Speaker 1: she was only able to get thirty thousand dollars pay

562
00:30:31,320 --> 00:30:34,040
Speaker 1: it out over the last couple of years, and now

563
00:30:34,080 --> 00:30:35,440
Speaker 1: she could be going to jail for I mean, I

564
00:30:35,480 --> 00:30:37,840
Speaker 1: don't know, Like she's blond and blue eyed. I don't

565
00:30:37,840 --> 00:30:44,120
Speaker 1: know if they yeah, I know, I know, I know,

566
00:30:44,920 --> 00:30:47,960
Speaker 1: but just for everyone, just the reiter, you know, they

567
00:30:48,000 --> 00:30:52,040
Speaker 1: say maximum, but when the defendant is Sherry Pappini, that

568
00:30:52,120 --> 00:30:54,840
Speaker 1: looks like it might be a bit of a minimum

569
00:30:54,880 --> 00:30:57,400
Speaker 1: of sendency. But I don't know, I mean, like, what

570
00:30:57,400 --> 00:31:00,640
Speaker 1: what do you think compels somebody to do? Is it

571
00:31:01,120 --> 00:31:03,920
Speaker 1: just the idea of being at like the focal point

572
00:31:03,960 --> 00:31:07,240
Speaker 1: of everybody's concerns, like you know, or is it or

573
00:31:07,280 --> 00:31:09,240
Speaker 1: truly just feeling like, oh I can get one over me.

574
00:31:10,880 --> 00:31:13,920
Speaker 1: I don't I don't know what's happening. It shares life

575
00:31:14,240 --> 00:31:18,320
Speaker 1: at this time. I can understand you. It's a desperate

576
00:31:18,360 --> 00:31:20,280
Speaker 1: ship for Thirk. Though there was a time on life

577
00:31:21,120 --> 00:31:24,400
Speaker 1: was like transformative. I could really be doing some stuff

578
00:31:24,440 --> 00:31:27,400
Speaker 1: this week. Amazing. That being said, you also pull the

579
00:31:27,520 --> 00:31:31,920
Speaker 1: racism and your soul from folks who really could use

580
00:31:32,240 --> 00:31:36,800
Speaker 1: what little funds are available to them. Sharing, I think,

581
00:31:36,840 --> 00:31:40,960
Speaker 1: I think twenty years is excessive. But I'm a person abolitionist,

582
00:31:41,000 --> 00:31:45,560
Speaker 1: so maybe that's shipped to people. But I sharing they

583
00:31:45,560 --> 00:31:48,040
Speaker 1: are better ways go. You are blonde and you have

584
00:31:48,200 --> 00:31:50,800
Speaker 1: a look, go grift a man. Okay, how much money

585
00:31:50,840 --> 00:31:54,200
Speaker 1: you need, We'll give it to you, like figure it out.

586
00:31:55,240 --> 00:31:58,080
Speaker 1: I think I'd think hiding in line to the FBI

587
00:31:58,280 --> 00:32:01,920
Speaker 1: not worth. The risk, girl not worth I think, all right,

588
00:32:02,760 --> 00:32:05,600
Speaker 1: she needs that attention. You know, that's that's the sad part.

589
00:32:05,640 --> 00:32:08,680
Speaker 1: She did it strictly for attention. Thirty I mean thirty

590
00:32:08,680 --> 00:32:12,440
Speaker 1: grand over how many years? What's that? Three years? Five

591
00:32:13,440 --> 00:32:20,400
Speaker 1: or four? What? What's that's like? Seven? Seven? Three five

592
00:32:20,760 --> 00:32:23,600
Speaker 1: a year? You know what I mean? You know it's

593
00:32:23,640 --> 00:32:30,280
Speaker 1: all right, It's all right. Personally, I don't think. I

594
00:32:30,280 --> 00:32:32,400
Speaker 1: don't think people like this should go to jail. I

595
00:32:32,440 --> 00:32:35,560
Speaker 1: think they should have to like work at a waffle

596
00:32:35,600 --> 00:32:41,440
Speaker 1: house in the middle of Atlanta for twelve years, right,

597
00:32:44,560 --> 00:32:49,440
Speaker 1: I want you to work twelve years? Yeah, like you

598
00:32:49,440 --> 00:32:53,000
Speaker 1: your shift starts when the clubs let out. Yep, every day,

599
00:32:53,360 --> 00:32:56,920
Speaker 1: that's when your shift starts. That starts you have the

600
00:32:56,960 --> 00:33:00,320
Speaker 1: most active version of the restaurant. That's your black what's

601
00:33:00,360 --> 00:33:03,200
Speaker 1: that black mirror type? Prison type? You know what I mean,

602
00:33:03,400 --> 00:33:06,200
Speaker 1: because that's even how I felt right with um aunt

603
00:33:06,280 --> 00:33:09,800
Speaker 1: Becky right in the whole USC pay for my kid

604
00:33:09,840 --> 00:33:12,520
Speaker 1: to get in college things. It's like, nah, like I

605
00:33:12,560 --> 00:33:15,200
Speaker 1: don't it's not prison that's going to really affect these people.

606
00:33:15,240 --> 00:33:19,000
Speaker 1: It's like you need to take away their creature comforts

607
00:33:19,120 --> 00:33:23,120
Speaker 1: and have them toil like everybody else has to. And

608
00:33:23,200 --> 00:33:25,680
Speaker 1: that I think maybe we'll generate a little more empathy

609
00:33:25,680 --> 00:33:27,640
Speaker 1: than being like, I don't know, I'm in this federal

610
00:33:27,680 --> 00:33:30,760
Speaker 1: prison and it's kind of great. My bunk mate is

611
00:33:30,800 --> 00:33:39,880
Speaker 1: actually my accountants x white. It's really wow. That's what

612
00:33:39,960 --> 00:33:42,240
Speaker 1: I think. Maybe you feel like maybe that's how you

613
00:33:42,280 --> 00:33:45,760
Speaker 1: get conservatives on board with like changing the judicial system.

614
00:33:45,760 --> 00:33:48,440
Speaker 1: It's like, no, man, we're gonna turn up the punishments

615
00:33:48,480 --> 00:33:51,360
Speaker 1: to be more things that actually feel like there we

616
00:33:51,360 --> 00:33:54,280
Speaker 1: don't need jail. We need just to teach lessons like

617
00:33:54,320 --> 00:33:59,120
Speaker 1: an old grandfather would, but you know without the carcial system.

618
00:33:59,560 --> 00:34:04,480
Speaker 1: Very tricky road, very tricky. Needs you to cut grass

619
00:34:04,560 --> 00:34:10,040
Speaker 1: right with scissors. I want you to. I want you

620
00:34:10,080 --> 00:34:11,800
Speaker 1: to be able to do it for real, just regularly

621
00:34:11,800 --> 00:34:16,920
Speaker 1: cut grass, but all the grass. Oh wow, Okay, she's like,

622
00:34:17,840 --> 00:34:19,480
Speaker 1: you have to mow. You have to mow the grass

623
00:34:19,560 --> 00:34:24,080
Speaker 1: at every public park in the state, every until that's done.

624
00:34:24,560 --> 00:34:27,759
Speaker 1: We will see there. Yeah, just producers just said. Yeah,

625
00:34:27,760 --> 00:34:30,200
Speaker 1: Conservatives endorsing force labor sounds like you'd go wrong in

626
00:34:30,280 --> 00:34:32,520
Speaker 1: just about every way. Rich white people won't be the

627
00:34:32,520 --> 00:34:40,239
Speaker 1: ones doing it, pull us back, us back, like we're

628
00:34:40,239 --> 00:34:48,840
Speaker 1: talking about fine, fine, fine, I just want that the

629
00:34:48,920 --> 00:34:54,839
Speaker 1: whole one. Yeah, or just like you know, you give

630
00:34:54,920 --> 00:34:58,319
Speaker 1: like oppressed people like a punishment board that they run

631
00:34:58,640 --> 00:35:01,120
Speaker 1: where like rich white defenders they're at the mercy of

632
00:35:01,120 --> 00:35:03,120
Speaker 1: like oppressed people and be like, Okay, what do you

633
00:35:03,120 --> 00:35:05,200
Speaker 1: want to cook up for this person. It's not jail,

634
00:35:05,840 --> 00:35:08,719
Speaker 1: it's not jail. You stole this from children. Okay, let

635
00:35:08,760 --> 00:35:13,480
Speaker 1: me think white people will be okay, terrified. Yeah, they're

636
00:35:13,480 --> 00:35:17,279
Speaker 1: gonna enslave us. Now. This is a reverse racism. That

637
00:35:17,800 --> 00:35:21,760
Speaker 1: you don't want to imagine way more creative than that.

638
00:35:22,880 --> 00:35:25,120
Speaker 1: They don't know that they don't they don't realize that

639
00:35:25,320 --> 00:35:27,960
Speaker 1: they would be like these are death panels of brown people.

640
00:35:29,080 --> 00:35:35,200
Speaker 1: You know, that's how they would spin it right there,

641
00:35:35,200 --> 00:35:38,160
Speaker 1: Like honestly, we aality TV show productions. You can have

642
00:35:38,200 --> 00:35:41,279
Speaker 1: that one for free, Like oh yeah, do it? Just

643
00:35:41,360 --> 00:35:44,000
Speaker 1: really think I'm like, okay, outside like ways just the

644
00:35:44,040 --> 00:35:47,200
Speaker 1: creative way to abolish prisons. But but it's people who

645
00:35:47,239 --> 00:35:49,840
Speaker 1: have never actually had to account for their their crimes.

646
00:35:49,960 --> 00:35:52,760
Speaker 1: They do and they go to this very creative group

647
00:35:53,480 --> 00:36:01,239
Speaker 1: of punishers. Okay, side spinners spinning and like and in

648
00:36:01,360 --> 00:36:05,200
Speaker 1: the hottest intersection in the country, You're like, the cars

649
00:36:05,239 --> 00:36:07,799
Speaker 1: don't even go here. You're like, yeah, that sucks. Keep

650
00:36:08,200 --> 00:36:11,560
Speaker 1: that sign because there is a gyroscope on that thing.

651
00:36:11,600 --> 00:36:13,520
Speaker 1: And if you don't do three thousand flips, you're not

652
00:36:13,560 --> 00:36:16,879
Speaker 1: going home today. You gotta clean the AMC bathroom after

653
00:36:16,920 --> 00:36:22,879
Speaker 1: the next Marvel movie, right exactly, all about this This

654
00:36:22,920 --> 00:36:25,120
Speaker 1: is my deep dark ship. But all we're saying is

655
00:36:25,160 --> 00:36:27,480
Speaker 1: it's like saying, wealthy people, you actually have to do

656
00:36:27,560 --> 00:36:30,680
Speaker 1: wage work. But that's the dream. What if they actually

657
00:36:30,800 --> 00:36:32,600
Speaker 1: had to know what it was like right, and then

658
00:36:32,640 --> 00:36:35,200
Speaker 1: they come out there like they're like this is terrible.

659
00:36:35,239 --> 00:36:38,359
Speaker 1: They're doing this for for for ten dollar an hour.

660
00:36:39,080 --> 00:36:41,840
Speaker 1: We gotta do something. And by that it's like we

661
00:36:41,880 --> 00:36:44,480
Speaker 1: need to lobby our senators to get rid of this program.

662
00:36:44,880 --> 00:36:48,280
Speaker 1: I don't never want to do that again. Waffle House Atlanta,

663
00:36:51,440 --> 00:36:54,319
Speaker 1: Oh yeah, just star, just keep it safe, starting at

664
00:36:54,440 --> 00:37:01,600
Speaker 1: your shift starts at eleven eleven pm, even like four, Well, no,

665
00:37:01,680 --> 00:37:05,920
Speaker 1: you're doing a whole eight. Come on now eleven and seven.

666
00:37:06,120 --> 00:37:07,680
Speaker 1: Waffle House. Don'll give you a full eight because you're

667
00:37:07,680 --> 00:37:11,800
Speaker 1: not getting benefits, so you get the Maxico seven. Okay,

668
00:37:11,800 --> 00:37:15,560
Speaker 1: so eleven of six. Fine, you got us there. Nice,

669
00:37:15,640 --> 00:37:21,520
Speaker 1: nice end around on the labor labor protections worked many

670
00:37:21,560 --> 00:37:26,759
Speaker 1: a minimum. Wait, yeah, it's wild tour. It's yeah, because

671
00:37:26,800 --> 00:37:29,920
Speaker 1: they're like, well, an hour is actually your lunch and

672
00:37:30,200 --> 00:37:33,360
Speaker 1: we're not paying for an hour. Is so grateful, so grateful.

673
00:37:33,719 --> 00:37:35,759
Speaker 1: You have thirty minutes and times at the second part

674
00:37:35,760 --> 00:37:37,560
Speaker 1: of that clock, but you cannot eat on the floor.

675
00:37:37,760 --> 00:37:39,200
Speaker 1: You gotta go six lords up it. I'll take you

676
00:37:39,200 --> 00:37:41,879
Speaker 1: at least seven minutes, so ruck get back on time

677
00:37:41,880 --> 00:37:44,120
Speaker 1: where you're fired. They're like watching me eat on the

678
00:37:44,200 --> 00:37:48,200
Speaker 1: sales floor, don't give let's eat my sandwich in the hallway.

679
00:37:48,239 --> 00:37:54,160
Speaker 1: It's fine. They're multiple. There's so many fucking convoys right now.

680
00:37:54,200 --> 00:37:56,160
Speaker 1: The one we spoke about on Monday was this very

681
00:37:56,200 --> 00:37:59,640
Speaker 1: specific one that was meant to shut d C down

682
00:37:59,719 --> 00:38:01,080
Speaker 1: on the day of the State of the Union, and

683
00:38:01,080 --> 00:38:03,880
Speaker 1: we talked about how like twelve people showed up and

684
00:38:03,920 --> 00:38:06,720
Speaker 1: not one of them was a truck and they didn't

685
00:38:06,760 --> 00:38:08,560
Speaker 1: have a truck. Dude, there wasn't even a truck. And

686
00:38:08,600 --> 00:38:11,040
Speaker 1: the guy at the dude who was like the organizer,

687
00:38:11,080 --> 00:38:12,880
Speaker 1: was like, and you know, and I talked to some

688
00:38:12,960 --> 00:38:15,200
Speaker 1: truckers and like they were gonna come. I don't know

689
00:38:15,239 --> 00:38:17,400
Speaker 1: what happened, but it was gonna look like so cool,

690
00:38:17,800 --> 00:38:21,080
Speaker 1: is what the guys. It was gonna really cool with

691
00:38:21,360 --> 00:38:24,880
Speaker 1: some trucks there, but they didn't show up. And you know,

692
00:38:24,960 --> 00:38:26,719
Speaker 1: I think a lot of people this has become a

693
00:38:26,760 --> 00:38:30,560
Speaker 1: really popular grift format now on the right, because there's

694
00:38:30,600 --> 00:38:33,359
Speaker 1: this other convoy that started out to like in California

695
00:38:33,440 --> 00:38:35,080
Speaker 1: that was making its way across the country, and I

696
00:38:35,080 --> 00:38:37,120
Speaker 1: think a lot of people saw a lot of these

697
00:38:37,280 --> 00:38:40,000
Speaker 1: like this footage of these like trucks going by their

698
00:38:40,000 --> 00:38:41,680
Speaker 1: towns and be like, holy sh it, this is getting

699
00:38:41,680 --> 00:38:45,040
Speaker 1: pretty big. They are definitely now numbering in about the

700
00:38:45,120 --> 00:38:49,640
Speaker 1: hundreds of vehicles with numerous tractor trailers as part of this,

701
00:38:50,080 --> 00:38:54,640
Speaker 1: and they they got into the Beltway area recently. But

702
00:38:54,719 --> 00:38:56,200
Speaker 1: I just want to talk a little bit about like

703
00:38:56,360 --> 00:38:58,360
Speaker 1: what's sort of behind this. So far, they've breaked in

704
00:38:58,400 --> 00:39:02,520
Speaker 1: around one point seven milli million dollars in loose donations

705
00:39:02,600 --> 00:39:05,920
Speaker 1: and it's being all these funds are being processed by

706
00:39:05,960 --> 00:39:09,560
Speaker 1: a group called the American Foundation for Civil Liberties and Freedoms.

707
00:39:09,600 --> 00:39:12,840
Speaker 1: The person who's involved in the organization, like for the

708
00:39:13,400 --> 00:39:17,360
Speaker 1: Freedom Convoy as well as this a f c LF group.

709
00:39:17,680 --> 00:39:21,080
Speaker 1: One of these figures has been convicted of fraud in

710
00:39:21,120 --> 00:39:23,919
Speaker 1: the past, but don't let that affect how you look

711
00:39:23,920 --> 00:39:26,759
Speaker 1: at what this group is doing. And they seem to

712
00:39:26,800 --> 00:39:31,839
Speaker 1: be made up of mostly like really confused, like dumb

713
00:39:31,880 --> 00:39:35,560
Speaker 1: people because their goals are not clear and notably it's

714
00:39:35,640 --> 00:39:39,160
Speaker 1: not rife with conspiracy theories, unlike another convoy we'll talk

715
00:39:39,200 --> 00:39:42,520
Speaker 1: about in a second. But their whole like mission statement

716
00:39:42,560 --> 00:39:44,600
Speaker 1: is quote the average American worker needs to be able

717
00:39:44,640 --> 00:39:46,880
Speaker 1: to end run the economic hardships of the last two

718
00:39:46,960 --> 00:39:49,719
Speaker 1: years and get back to business of making bread so

719
00:39:49,760 --> 00:39:52,200
Speaker 1: they can pay their rents, mortgages and help jump start

720
00:39:52,200 --> 00:39:54,720
Speaker 1: this economy to that. And it's time for elected officials

721
00:39:54,760 --> 00:39:56,880
Speaker 1: to work with the blue collar and white collar workers

722
00:39:56,920 --> 00:40:00,880
Speaker 1: of America and restore accountability and liberty by lift all mandates,

723
00:40:01,040 --> 00:40:04,920
Speaker 1: which is already happening. So what is the point, y'all?

724
00:40:05,239 --> 00:40:08,359
Speaker 1: And that that's where they're having a real crisis as

725
00:40:08,360 --> 00:40:10,480
Speaker 1: a group. Like there are some people who are like,

726
00:40:10,640 --> 00:40:13,600
Speaker 1: I don't want to get caught up. Some people are like,

727
00:40:13,680 --> 00:40:16,160
Speaker 1: we don't want to go near d C. So let's

728
00:40:16,200 --> 00:40:18,920
Speaker 1: just drive around the belt Way just to show people

729
00:40:19,000 --> 00:40:21,440
Speaker 1: how many people are part of this. But the traffic

730
00:40:21,520 --> 00:40:23,879
Speaker 1: was so bad that like their convoy kind of got

731
00:40:23,880 --> 00:40:26,080
Speaker 1: split up by like other cars that weren't involved. And

732
00:40:26,080 --> 00:40:29,520
Speaker 1: they're like, and they're getting frustrated because some people like

733
00:40:29,680 --> 00:40:31,480
Speaker 1: we need to be doing more, Like they want to

734
00:40:31,520 --> 00:40:34,279
Speaker 1: park their trucks like right up Joe Biden's ass. And

735
00:40:34,320 --> 00:40:36,719
Speaker 1: other people are like, we can't get near d C

736
00:40:36,920 --> 00:40:40,480
Speaker 1: because we're gonna get false flagged January six and it's

737
00:40:40,480 --> 00:40:43,320
Speaker 1: gonna ruin the movement, so just stay out of d C.

738
00:40:43,880 --> 00:40:47,520
Speaker 1: And it's it's like, huh, so I'm not sure what

739
00:40:47,719 --> 00:40:50,680
Speaker 1: your plans exactly are, but it's just kind of really

740
00:40:50,680 --> 00:40:54,320
Speaker 1: funny to me that this group like that they saw

741
00:40:54,440 --> 00:40:57,759
Speaker 1: January six as being bad or to be associated with

742
00:40:57,800 --> 00:41:00,480
Speaker 1: it as bad. But then they use the logic of

743
00:41:00,680 --> 00:41:04,440
Speaker 1: it's a setup to keep the cognitive dissonance going, and

744
00:41:04,480 --> 00:41:07,440
Speaker 1: then that same logic is actually preventing them from actually

745
00:41:07,440 --> 00:41:10,000
Speaker 1: doing any direct action in d C. So they're like,

746
00:41:10,840 --> 00:41:12,879
Speaker 1: I feel like this is the best metaphor I've ever

747
00:41:12,920 --> 00:41:19,480
Speaker 1: seen for conservatives in America, because they want to gesture

748
00:41:19,640 --> 00:41:25,319
Speaker 1: towards being persecuted and the underdog, and they organize this

749
00:41:25,360 --> 00:41:31,680
Speaker 1: big thing to get the government to end the COVID restrictions.

750
00:41:32,040 --> 00:41:34,680
Speaker 1: The government is already doing that because they are on

751
00:41:34,719 --> 00:41:38,960
Speaker 1: the side of big business, like that that's just naturally happening.

752
00:41:39,680 --> 00:41:44,760
Speaker 1: And now they're like still doing the like this fucking

753
00:41:44,760 --> 00:41:48,920
Speaker 1: mad Max and they're the bad guys like gesture, but

754
00:41:49,480 --> 00:41:52,440
Speaker 1: the government has already capitulated because they're on the same

755
00:41:52,480 --> 00:41:56,360
Speaker 1: side as like the most powerful thing, the least persecuted

756
00:41:56,400 --> 00:42:00,080
Speaker 1: thing in America and maybe world history, which is the

757
00:42:00,120 --> 00:42:03,319
Speaker 1: interest of big business and you know, commerce in the

758
00:42:03,400 --> 00:42:07,319
Speaker 1: United States. But like they can't they're not happy with that,

759
00:42:07,400 --> 00:42:13,080
Speaker 1: like symbolically and like from an image perspective, they need

760
00:42:13,200 --> 00:42:17,400
Speaker 1: to act find something to complain about. So hopefully they

761
00:42:17,440 --> 00:42:20,640
Speaker 1: can switch streams seamlessly to whatever the fun their next

762
00:42:20,640 --> 00:42:22,839
Speaker 1: thing is. I think they will because we all know

763
00:42:22,960 --> 00:42:26,200
Speaker 1: the you know, the image of you know, the wall

764
00:42:26,320 --> 00:42:30,040
Speaker 1: that starts bursting holes and you rush to plug each

765
00:42:30,080 --> 00:42:33,160
Speaker 1: holl and a new one pops open. Well, this is

766
00:42:33,200 --> 00:42:35,960
Speaker 1: like the opposite of that, like the like they have.

767
00:42:36,280 --> 00:42:41,120
Speaker 1: There's a source somewhere for this collective rage, right and

768
00:42:41,280 --> 00:42:44,359
Speaker 1: you know, you know it's it's it probably stems from

769
00:42:44,600 --> 00:42:47,040
Speaker 1: you know, lots of different things, entitlement, which is one

770
00:42:47,080 --> 00:42:51,520
Speaker 1: of them. But they are the water behind the wall

771
00:42:52,360 --> 00:42:57,040
Speaker 1: and the world is patching the holes, and they're like, well,

772
00:42:57,080 --> 00:42:59,280
Speaker 1: we have to put this rage somewhere into a different

773
00:42:59,280 --> 00:43:01,080
Speaker 1: form now, and so they pop a new hole to

774
00:43:01,360 --> 00:43:03,560
Speaker 1: over here, and so now it's like, well, now we'll

775
00:43:03,560 --> 00:43:05,800
Speaker 1: do the you know, truck convoy, and then you know,

776
00:43:05,960 --> 00:43:08,319
Speaker 1: it's like, well, the mandates are being lifted, and so

777
00:43:08,360 --> 00:43:10,839
Speaker 1: that hole gets plugged, and now they're like, okay, now

778
00:43:10,840 --> 00:43:13,719
Speaker 1: they're rushing to find a new hole to burst in

779
00:43:13,800 --> 00:43:17,399
Speaker 1: the wall that will get plugged. It's just it's it's

780
00:43:17,440 --> 00:43:20,279
Speaker 1: really wild because you know there's and it's also like

781
00:43:20,360 --> 00:43:23,719
Speaker 1: this we people have such a desire for a savior, right,

782
00:43:23,880 --> 00:43:26,120
Speaker 1: whether it was Trump or you know other people. I know,

783
00:43:26,160 --> 00:43:29,160
Speaker 1: for me, it might even have been borderline Bernie's handers, right,

784
00:43:29,200 --> 00:43:30,880
Speaker 1: And so it's like I want someone else to like

785
00:43:30,960 --> 00:43:33,960
Speaker 1: save us all from this stuff, get control of this, yeah,

786
00:43:34,000 --> 00:43:37,920
Speaker 1: instead of me having to really do anything about it,

787
00:43:38,880 --> 00:43:40,919
Speaker 1: you know what I mean, Like Bernie will take care

788
00:43:40,960 --> 00:43:42,719
Speaker 1: of it for me. You know what I mean, I

789
00:43:42,719 --> 00:43:44,880
Speaker 1: can sit here and you know, watch baseball if they

790
00:43:44,920 --> 00:43:47,400
Speaker 1: ever in their labor dispute, which is disgusting, but like

791
00:43:48,160 --> 00:43:50,040
Speaker 1: you know, so it's like where is all this displaced

792
00:43:50,160 --> 00:43:53,719
Speaker 1: rage coming from? What's the source of that? And you know,

793
00:43:53,760 --> 00:43:56,960
Speaker 1: how do we fix that? You know, while they keep

794
00:43:56,960 --> 00:43:59,399
Speaker 1: trying to while the rest of the whole world's trying

795
00:43:59,400 --> 00:44:01,799
Speaker 1: to plug you know, first new holes, while we try

796
00:44:01,800 --> 00:44:04,560
Speaker 1: to plug them simultaneously. And it's funny that you talk about,

797
00:44:04,600 --> 00:44:06,480
Speaker 1: like what do we do with all this energy? Because

798
00:44:06,719 --> 00:44:09,560
Speaker 1: like I said, there's another like I guess sect of

799
00:44:09,680 --> 00:44:14,040
Speaker 1: this convoy or like adjacent convoy that's also going to

800
00:44:14,120 --> 00:44:17,560
Speaker 1: d C. And these were people this is the Q

801
00:44:17,760 --> 00:44:20,279
Speaker 1: and on one. Okay, and this is a lot of

802
00:44:20,320 --> 00:44:22,120
Speaker 1: there's a lot of people who are participating in this one.

803
00:44:22,160 --> 00:44:24,080
Speaker 1: We're the same group of folks who were in Dallas

804
00:44:24,200 --> 00:44:27,840
Speaker 1: waiting for JFK Jr. To fucking come back from the

805
00:44:27,920 --> 00:44:31,520
Speaker 1: dead to proclaim Trump, you know, Supreme god Lord Leader,

806
00:44:31,880 --> 00:44:35,960
Speaker 1: and it didn't happen. And that was fucking Prints playing

807
00:44:35,960 --> 00:44:39,080
Speaker 1: the concert for them, the poor bastard. Right with Michael

808
00:44:39,160 --> 00:44:42,520
Speaker 1: Jackson on drums or keys or something. You're gonna want

809
00:44:42,520 --> 00:44:46,520
Speaker 1: to put Michael Jackson on drums for sure. Oh yeah, underutilized.

810
00:44:47,640 --> 00:44:50,479
Speaker 1: So now these people are now putting all of their

811
00:44:50,560 --> 00:44:54,960
Speaker 1: eggs in this trucker convoy basket. But they're all for

812
00:44:55,080 --> 00:44:59,480
Speaker 1: these guys. They're sort of mythology and their motivation is

813
00:44:59,520 --> 00:45:04,080
Speaker 1: centered or around Ukraine. So this one is they're saying

814
00:45:04,080 --> 00:45:07,759
Speaker 1: that they allege that what is happening in Ukraine right

815
00:45:07,800 --> 00:45:11,560
Speaker 1: now is some as like a project, a collabo between

816
00:45:11,600 --> 00:45:15,880
Speaker 1: Trump and Putin to secretly stop bio weapons from being

817
00:45:15,920 --> 00:45:20,840
Speaker 1: made by Anthony Fauci in Ukraine. And so they're shelling

818
00:45:21,000 --> 00:45:25,120
Speaker 1: all the bio labs, the secret bio labs in Ukraine

819
00:45:25,160 --> 00:45:31,640
Speaker 1: to prevent Fauci from having these bio weapons and they

820
00:45:31,680 --> 00:45:34,759
Speaker 1: want to bring attention to that, but they're also in

821
00:45:34,760 --> 00:45:39,879
Speaker 1: a convoy, so it's very low invasion. Yeah yeah, yeah,

822
00:45:39,880 --> 00:45:42,000
Speaker 1: of course, of course, of course, because they don't know

823
00:45:42,000 --> 00:45:45,040
Speaker 1: what it's really a mainlinding, like they're they're mainlining like

824
00:45:45,120 --> 00:45:49,400
Speaker 1: Kremlin propaganda and re like sort of contextualizing it to

825
00:45:49,440 --> 00:45:52,640
Speaker 1: work with their you know, conspiracy theories. I blame Marvel

826
00:45:52,719 --> 00:45:54,640
Speaker 1: for all of this. I blame the success of the

827
00:45:54,680 --> 00:45:59,680
Speaker 1: Iron Man franchise, uh, the Avengers, and because I mean,

828
00:46:00,080 --> 00:46:06,920
Speaker 1: these these like stories, these ideas are so comic book

829
00:46:07,440 --> 00:46:12,160
Speaker 1: superhero style fantasies. And as someone who used to be

830
00:46:12,239 --> 00:46:16,080
Speaker 1: really into conspiracy theories, you know, I can I understand

831
00:46:16,080 --> 00:46:17,799
Speaker 1: and I can sympathize a little bit with like when

832
00:46:17,840 --> 00:46:20,320
Speaker 1: something happens, it's like people who follow a false prophet,

833
00:46:20,719 --> 00:46:22,640
Speaker 1: you know, and and that the day that they predict

834
00:46:23,040 --> 00:46:26,480
Speaker 1: something is going to happen doesn't happen. The people who

835
00:46:26,480 --> 00:46:30,440
Speaker 1: follow that prophet they doubled down as opposed to being like, oh,

836
00:46:30,480 --> 00:46:32,600
Speaker 1: clearly this was all bs, I need to get out

837
00:46:32,600 --> 00:46:34,880
Speaker 1: of here. But no, they don't do that because we

838
00:46:34,920 --> 00:46:39,120
Speaker 1: don't want to admit we're wrong. And it's just like oh,

839
00:46:39,160 --> 00:46:42,719
Speaker 1: my god, Are we were just that simple? I suppose

840
00:46:43,400 --> 00:46:47,359
Speaker 1: down themselves into a singularity? Oh my gosh. It's like

841
00:46:48,040 --> 00:46:52,200
Speaker 1: it's like to think that that there is this, you know.

842
00:46:52,320 --> 00:46:53,880
Speaker 1: And I think the problem with this is a lot

843
00:46:53,920 --> 00:46:56,160
Speaker 1: of people don't understand that so much of the conspiracy

844
00:46:56,200 --> 00:46:58,560
Speaker 1: theory talk and the you know, the banks and you know,

845
00:46:58,600 --> 00:47:01,799
Speaker 1: the one World order, they don't understand like the you know,

846
00:47:01,880 --> 00:47:05,640
Speaker 1: the anti Semitic origins of so much of this conspiracy

847
00:47:05,680 --> 00:47:09,480
Speaker 1: theory lore that they buy into from the Protocols of

848
00:47:09,520 --> 00:47:11,840
Speaker 1: the Learned Elders of Zion, which is such a bogus

849
00:47:11,960 --> 00:47:15,879
Speaker 1: document that Henry Ford helps spread around and and it's

850
00:47:15,880 --> 00:47:19,400
Speaker 1: like they so when they talk about George Soros, man

851
00:47:19,480 --> 00:47:22,960
Speaker 1: George Sorrows and it's it's like, okay, George Soros is

852
00:47:23,040 --> 00:47:25,840
Speaker 1: a billionaire or whatever. But you know, it's like this,

853
00:47:26,400 --> 00:47:30,360
Speaker 1: the origin of of of this fear, anger and hatred,

854
00:47:31,000 --> 00:47:33,640
Speaker 1: you know, comes from such a poisonous place, and it

855
00:47:33,760 --> 00:47:38,160
Speaker 1: just keeps bastardizing itself into new forms. And most of

856
00:47:38,160 --> 00:47:40,719
Speaker 1: these conspiracy theories, you know, you mentioned because I'll talk

857
00:47:40,719 --> 00:47:42,839
Speaker 1: to them, and if you ever even mentioned the Protocols,

858
00:47:43,080 --> 00:47:48,799
Speaker 1: they've never even heard of them. Exactly, and it's like,

859
00:47:48,840 --> 00:47:51,000
Speaker 1: I want to be president. Well, oh, what you think

860
00:47:51,040 --> 00:47:54,680
Speaker 1: about George Washington? Who's that guy? You know? Is he

861
00:47:54,760 --> 00:48:01,800
Speaker 1: trying to run against it? Like no, the first president, right, damn.

862
00:48:01,960 --> 00:48:04,239
Speaker 1: But the one thing that's very American though about the

863
00:48:04,760 --> 00:48:08,359
Speaker 1: other the trucker convoy, is they're really pissed that this

864
00:48:08,680 --> 00:48:11,840
Speaker 1: that Ukraine is getting all the attention from the news.

865
00:48:11,960 --> 00:48:16,200
Speaker 1: They're like, oh, great, fucking war breaks out in Europe

866
00:48:16,600 --> 00:48:18,719
Speaker 1: and that's all people are talking about, and like the

867
00:48:18,920 --> 00:48:23,480
Speaker 1: humanitarian aid that's needed, what about our truck or convoy?

868
00:48:23,600 --> 00:48:26,319
Speaker 1: And then they made some really salient points about like, well,

869
00:48:26,320 --> 00:48:29,400
Speaker 1: what about what's happening in Yemen and all these other places?

870
00:48:29,560 --> 00:48:31,760
Speaker 1: Is it just why do you pay attention to Ukraine?

871
00:48:32,760 --> 00:48:36,759
Speaker 1: Go on? He's like, okay, well yeah, just accidentally is

872
00:48:36,800 --> 00:48:40,439
Speaker 1: backing the Saudi Arabian government in a really horrific war

873
00:48:40,560 --> 00:48:44,240
Speaker 1: that's causing untold amounts of strife and we're not talking

874
00:48:44,239 --> 00:48:47,160
Speaker 1: about that. You're like, when did you learn it? It's

875
00:48:47,160 --> 00:48:51,520
Speaker 1: in my telegram group talk about this stuff now. Yeah,

876
00:48:51,840 --> 00:48:55,440
Speaker 1: it's it's unstoppable. It seems like that that reading that

877
00:48:55,560 --> 00:48:58,360
Speaker 1: conspiracy theory Miles that you just put forth that Fauci

878
00:48:58,480 --> 00:49:02,400
Speaker 1: and Ukraine and that like you know, Trump and Putin

879
00:49:02,480 --> 00:49:06,560
Speaker 1: are working together, like just it was so deflating because

880
00:49:06,560 --> 00:49:08,879
Speaker 1: it was just so it was like, wow, this has

881
00:49:09,040 --> 00:49:14,080
Speaker 1: metastasized like fifty times since I last even like checked

882
00:49:14,120 --> 00:49:18,759
Speaker 1: in with it at a glance, and um man, it's

883
00:49:18,880 --> 00:49:22,160
Speaker 1: it's pretty wild. I'm having a moment of clarity over here.

884
00:49:23,640 --> 00:49:27,120
Speaker 1: You know, in the paranormal world, often people are are

885
00:49:27,120 --> 00:49:30,120
Speaker 1: skeptical or argue against certain things, will say, well, you

886
00:49:30,160 --> 00:49:34,200
Speaker 1: can't use something even more unbelievable to explain something that's unbelievable.

887
00:49:35,280 --> 00:49:40,120
Speaker 1: And so when you examine this issue and like what

888
00:49:40,239 --> 00:49:43,000
Speaker 1: are this these events that are happening right now about

889
00:49:43,040 --> 00:49:48,959
Speaker 1: the you know, the invasion of Ukraine, it's like, well,

890
00:49:49,000 --> 00:49:51,359
Speaker 1: why would you know? Why is this really happening? And

891
00:49:51,480 --> 00:49:54,160
Speaker 1: it's like, okay, this is like it's unbelievable right to

892
00:49:54,239 --> 00:49:56,560
Speaker 1: a lot of us. And so it's like and then

893
00:49:56,640 --> 00:50:02,520
Speaker 1: you then steps in the more unbelievable explanation to explain

894
00:50:02,560 --> 00:50:05,640
Speaker 1: the unbelievable, like well, there's obviously secret labs over there

895
00:50:05,680 --> 00:50:08,400
Speaker 1: that you know, you know, so it's like this idea

896
00:50:08,440 --> 00:50:11,239
Speaker 1: of using something even further out on the spectrum of

897
00:50:11,280 --> 00:50:15,799
Speaker 1: belief to explain something below it is is something that

898
00:50:16,080 --> 00:50:18,600
Speaker 1: a lot of us will do in our lives for

899
00:50:18,640 --> 00:50:20,880
Speaker 1: all kinds of things. I know, I'm speaking for myself,

900
00:50:21,360 --> 00:50:23,719
Speaker 1: you know, because I'm so involved in and interested in

901
00:50:23,760 --> 00:50:29,440
Speaker 1: paranormal things, and it's easier than accepting the harsh real

902
00:50:29,480 --> 00:50:33,320
Speaker 1: truth of our reality, like the pandemic, Like it can't

903
00:50:33,320 --> 00:50:38,120
Speaker 1: just be nature saying I am going to put you

904
00:50:38,160 --> 00:50:40,920
Speaker 1: in your place. I Am going to really do something

905
00:50:40,960 --> 00:50:43,880
Speaker 1: that you can't stop, you have no control over. And

906
00:50:43,920 --> 00:50:46,080
Speaker 1: guess what, there's no real explanation for it that you

907
00:50:46,120 --> 00:50:48,440
Speaker 1: can make of, like as far as I ascribing meaning

908
00:50:48,480 --> 00:50:51,960
Speaker 1: from and so instead of facing the truth as human

909
00:50:52,000 --> 00:50:54,400
Speaker 1: beings of like oh man, nature is so powerful. We

910
00:50:54,440 --> 00:50:58,719
Speaker 1: can't control nature. We say it was made a bunch

911
00:50:58,719 --> 00:51:01,880
Speaker 1: of labs. But you know the by this foreign government

912
00:51:01,880 --> 00:51:03,600
Speaker 1: because you know, blah blah it two psy ops and

913
00:51:03,640 --> 00:51:06,120
Speaker 1: blah blah blah blah blah. It's a social experiment by

914
00:51:06,120 --> 00:51:10,560
Speaker 1: the New World Order. It's like this crazier you know,

915
00:51:11,440 --> 00:51:16,040
Speaker 1: examination of the cause gets created as opposed to just

916
00:51:16,080 --> 00:51:18,560
Speaker 1: accepting the simple truth that like yeah, this is you know,

917
00:51:18,600 --> 00:51:21,560
Speaker 1: we try to dominate nature. Our social status is dictated

918
00:51:21,600 --> 00:51:24,040
Speaker 1: by how well we dominate nature, Like do you have

919
00:51:24,080 --> 00:51:26,640
Speaker 1: a good lawn? Do you have a nice looking yard?

920
00:51:27,280 --> 00:51:31,600
Speaker 1: Because if you don't, you're letting, you're letting nature take

921
00:51:31,680 --> 00:51:34,640
Speaker 1: you over. And that's not how we define status here

922
00:51:34,680 --> 00:51:38,759
Speaker 1: because we're human beings and we control nature. Right. So

923
00:51:39,400 --> 00:51:44,000
Speaker 1: it is this whole worldwide consumption of grief and world

924
00:51:44,040 --> 00:51:47,799
Speaker 1: news on an individual basis is just really a lot

925
00:51:47,840 --> 00:51:52,680
Speaker 1: to handle for any single person. Yeah, for me, I

926
00:51:52,719 --> 00:51:57,320
Speaker 1: don't take care of my lawn, but I do display

927
00:51:57,360 --> 00:52:00,600
Speaker 1: my mastery over nature by just like having lots of

928
00:52:00,680 --> 00:52:04,480
Speaker 1: animal and bird traps all over my front lawn and

929
00:52:04,520 --> 00:52:08,440
Speaker 1: then mocking the birds and animals once I catch them,

930
00:52:08,520 --> 00:52:12,680
Speaker 1: and people still don't respect it. I want to see

931
00:52:12,680 --> 00:52:16,600
Speaker 1: a squirrel convoy outside your your driveway, just circling your

932
00:52:16,680 --> 00:52:19,680
Speaker 1: drive coming. They're coming. Let's take a quick break and

933
00:52:19,719 --> 00:52:23,400
Speaker 1: we'll come back and talk about how the batman ties

934
00:52:23,440 --> 00:52:34,600
Speaker 1: into what we were just talking about. And we're back,

935
00:52:34,960 --> 00:52:37,920
Speaker 1: and yeah, I actually I heard this article mentioned on

936
00:52:38,920 --> 00:52:43,600
Speaker 1: John Gabriel's podcast Action Boys and immediately was like, all right,

937
00:52:43,600 --> 00:52:45,560
Speaker 1: I'm gonna go read that article and then I want

938
00:52:45,560 --> 00:52:48,359
Speaker 1: to talk to Joel Monique about this. The next time

939
00:52:48,480 --> 00:52:50,799
Speaker 1: the next time she is on. It's just a good

940
00:52:50,840 --> 00:52:53,919
Speaker 1: like sort of meta analysis of movies of the past

941
00:52:53,960 --> 00:52:57,120
Speaker 1: twenty years. That's like, you know, like as recently as

942
00:52:57,120 --> 00:53:01,760
Speaker 1: the eighties and nineties, like people were horny in movie,

943
00:53:01,960 --> 00:53:06,560
Speaker 1: like movie cultures were horny, and now as like the

944
00:53:06,640 --> 00:53:09,760
Speaker 1: human body has like the human body as it appears

945
00:53:09,760 --> 00:53:13,359
Speaker 1: in movies has been like whittled down into this like

946
00:53:13,520 --> 00:53:16,879
Speaker 1: thing that requires you know, engineering from like a full

947
00:53:16,920 --> 00:53:23,480
Speaker 1: time chef and trainer and steroids steroid bartender. I don't know,

948
00:53:23,840 --> 00:53:30,080
Speaker 1: like as the bodies have gotten more like traditionally like beautiful,

949
00:53:30,560 --> 00:53:33,239
Speaker 1: the people have just gotten less horny, like people like

950
00:53:33,280 --> 00:53:35,759
Speaker 1: the movie characters are just I don't know, like it

951
00:53:36,400 --> 00:53:40,120
Speaker 1: really made sense to me in the article when the

952
00:53:40,160 --> 00:53:43,560
Speaker 1: author was talking about Christopher Nolan movies. I've always noticed

953
00:53:43,600 --> 00:53:46,520
Speaker 1: as about Christopher Nolan movies, there's not a like, like

954
00:53:46,560 --> 00:53:48,360
Speaker 1: I said, of Top, there's not a drop of sex

955
00:53:48,360 --> 00:53:51,799
Speaker 1: and any of the dreams of inception. But like it's

956
00:53:51,800 --> 00:53:54,839
Speaker 1: not just like it's not just Christopher Nolan movies like

957
00:53:54,920 --> 00:53:57,600
Speaker 1: we didn't. I didn't even I was not like that

958
00:53:57,640 --> 00:54:00,640
Speaker 1: movie is fucking weird, like that's a that's a movie

959
00:54:00,680 --> 00:54:04,200
Speaker 1: about dreams and like nobody. It's like a world in

960
00:54:04,239 --> 00:54:08,279
Speaker 1: which sex doesn't exist, and we just like, yeah, I

961
00:54:08,320 --> 00:54:11,120
Speaker 1: don't know, and then I mean it's true. Like the

962
00:54:11,120 --> 00:54:15,080
Speaker 1: The Dark Knight Rises sex scene between Christian Bale and

963
00:54:15,400 --> 00:54:20,440
Speaker 1: Marianne Courtyard is like I think the low point of

964
00:54:20,640 --> 00:54:23,920
Speaker 1: his movies and maybe all movies. It's just it doesn't

965
00:54:24,000 --> 00:54:30,000
Speaker 1: like so drab and unbelievable and just like plot mechanical,

966
00:54:31,239 --> 00:54:35,399
Speaker 1: it sucks, but you know the The author also points out,

967
00:54:35,440 --> 00:54:38,320
Speaker 1: like all the Marvel movies like pepper Pots and Tony Stark,

968
00:54:38,920 --> 00:54:40,840
Speaker 1: those people aren't fucking You can just look at that

969
00:54:40,880 --> 00:54:42,759
Speaker 1: and be like those people, what are you talking about?

970
00:54:42,800 --> 00:54:45,880
Speaker 1: Even Wonder Woman and Steve Trevor, the entire second movie

971
00:54:46,400 --> 00:54:50,839
Speaker 1: is based on her wanting to take Does she take

972
00:54:50,880 --> 00:54:53,799
Speaker 1: over a person in a coma's body or he takes over?

973
00:54:54,160 --> 00:54:56,160
Speaker 1: She takes over a person in a coma's body to

974
00:54:56,200 --> 00:55:01,040
Speaker 1: bring this person back to life, And they have clearly

975
00:55:01,239 --> 00:55:05,520
Speaker 1: like just it's like they've not heard of sex, let

976
00:55:05,560 --> 00:55:08,200
Speaker 1: alone like wanted to have it with one another. There's

977
00:55:08,200 --> 00:55:10,520
Speaker 1: no time for sex when you're saving the world. Jack

978
00:55:11,400 --> 00:55:15,440
Speaker 1: Orties and the Okay, So I have so many thoughts

979
00:55:16,520 --> 00:55:19,960
Speaker 1: on a direct handent from what we were just talking about,

980
00:55:20,320 --> 00:55:26,520
Speaker 1: the idea that movies are so focused on end of

981
00:55:26,560 --> 00:55:29,960
Speaker 1: the world scenarios. I think that we've been scared out

982
00:55:29,960 --> 00:55:32,960
Speaker 1: of sex. They're just like, there's no time. Like Christopher

983
00:55:32,960 --> 00:55:36,239
Speaker 1: Nolan isn't even interested in love. Even an inception which

984
00:55:36,280 --> 00:55:39,759
Speaker 1: is supposed to be about a guy getting back to

985
00:55:39,840 --> 00:55:42,840
Speaker 1: this woman that he lost, you know, it's falling deeper

986
00:55:42,840 --> 00:55:45,680
Speaker 1: into his dreams to get to It's more a figment

987
00:55:45,719 --> 00:55:48,799
Speaker 1: of his imagination than an actual person he's trying to

988
00:55:48,800 --> 00:55:51,880
Speaker 1: get back to. All we ever see of her is

989
00:55:52,280 --> 00:55:54,759
Speaker 1: like her with the kids. She's very beautiful, she's off

990
00:55:54,800 --> 00:55:57,920
Speaker 1: in the distance. They don't even show her face. We

991
00:55:57,920 --> 00:56:00,840
Speaker 1: don't know even about her. It's really more of a

992
00:56:00,880 --> 00:56:03,640
Speaker 1: representation of that's where he feels safe. It's about him.

993
00:56:03,800 --> 00:56:05,759
Speaker 1: It's not even about getting to her so that he

994
00:56:05,800 --> 00:56:07,839
Speaker 1: can love her right like the way that they may,

995
00:56:07,920 --> 00:56:09,200
Speaker 1: or at least that's what I got from it. I

996
00:56:09,239 --> 00:56:11,640
Speaker 1: was just like, so, this has nothing to do with her.

997
00:56:11,960 --> 00:56:14,359
Speaker 1: This has everything to do with him needing to have

998
00:56:14,480 --> 00:56:16,200
Speaker 1: the things that he thinks that he needs. Where he

999
00:56:16,280 --> 00:56:18,640
Speaker 1: was the way he wanted to be. It could have

1000
00:56:18,680 --> 00:56:22,520
Speaker 1: been his favorite armchair. The Yeah, that would have been

1001
00:56:22,880 --> 00:56:25,560
Speaker 1: amazing if it was just his favorite armchair. But he

1002
00:56:25,680 --> 00:56:28,319
Speaker 1: likes to sit in like that's what he's fantasizing about

1003
00:56:28,360 --> 00:56:31,040
Speaker 1: the whole time. Damn my lazy boy. But in the

1004
00:56:31,120 --> 00:56:34,680
Speaker 1: Dark Knight trilogy, both the most evil and exciting but

1005
00:56:34,760 --> 00:56:38,560
Speaker 1: like evil character of the trilogy is the only character

1006
00:56:38,640 --> 00:56:42,600
Speaker 1: with any sexual energy, and he's Ledger's joker, Like he's

1007
00:56:42,680 --> 00:56:45,440
Speaker 1: the only character that you're like, Okay, this guy is

1008
00:56:45,480 --> 00:56:48,479
Speaker 1: like fucked up, but he clearly like has some sort

1009
00:56:48,560 --> 00:56:54,080
Speaker 1: of like sexual urges, whereas everybody else is completely removed

1010
00:56:54,440 --> 00:56:57,359
Speaker 1: from that. It's happening on such alleged I think part

1011
00:56:57,400 --> 00:57:01,760
Speaker 1: of it is like a purification of our country, where

1012
00:57:01,760 --> 00:57:05,200
Speaker 1: we really like we we had a very large swift,

1013
00:57:05,200 --> 00:57:09,800
Speaker 1: at least in my childhood, this idea of like protect

1014
00:57:09,840 --> 00:57:13,279
Speaker 1: the children they can see like, don't talk to them

1015
00:57:13,320 --> 00:57:17,000
Speaker 1: about sex. Okay, we're gonna go back to abstinence training,

1016
00:57:17,200 --> 00:57:21,040
Speaker 1: like we avoid it. And then because of that, then

1017
00:57:21,080 --> 00:57:23,720
Speaker 1: you had this movement of the m p a A

1018
00:57:23,840 --> 00:57:26,800
Speaker 1: Which rates movies being a lot more stringent on how

1019
00:57:26,840 --> 00:57:30,920
Speaker 1: they were going to rate, and the theater industry or

1020
00:57:30,960 --> 00:57:33,440
Speaker 1: the movie making industry followed that and said, Okay, well,

1021
00:57:33,440 --> 00:57:36,400
Speaker 1: we'll just focus really hard on PG thirteen movies. You'll

1022
00:57:36,400 --> 00:57:39,560
Speaker 1: get your f bombs. A guy will definitely kill someone

1023
00:57:39,640 --> 00:57:42,760
Speaker 1: in a horrifying way, but they won't have sex and

1024
00:57:42,800 --> 00:57:45,760
Speaker 1: it will be fine. People will be okay with that.

1025
00:57:45,880 --> 00:57:47,280
Speaker 1: I mean, we used to be a proper country. You

1026
00:57:47,280 --> 00:57:50,440
Speaker 1: remember when we had like erotic thrillers. They're just everywhere,

1027
00:57:50,680 --> 00:57:53,640
Speaker 1: and they were so good and so like steamy and

1028
00:57:53,720 --> 00:57:57,520
Speaker 1: fun and mysterious, and someone died, but in the end,

1029
00:57:57,760 --> 00:58:00,320
Speaker 1: the hot person usually got away, and that's what really added.

1030
00:58:00,760 --> 00:58:03,240
Speaker 1: And I sort of missed these days of like, give

1031
00:58:03,280 --> 00:58:06,600
Speaker 1: me a basic instinct, a fatal attraction, if you will,

1032
00:58:06,680 --> 00:58:12,320
Speaker 1: I'll even take like a crush, you know. I just

1033
00:58:12,360 --> 00:58:19,360
Speaker 1: feel like as we embrace more violence and and and

1034
00:58:19,440 --> 00:58:22,480
Speaker 1: more brotherhood and friendship, we just aren't really interested in

1035
00:58:23,040 --> 00:58:30,000
Speaker 1: romantic relationships unless they're devastating your lifetime super they have cancer,

1036
00:58:30,080 --> 00:58:33,840
Speaker 1: they can't remember each other, they their families don't want

1037
00:58:33,840 --> 00:58:36,040
Speaker 1: them to be together. There's an entire war between that's

1038
00:58:36,080 --> 00:58:38,760
Speaker 1: what we're giving and our love movies, or they're silly

1039
00:58:38,760 --> 00:58:42,360
Speaker 1: beyond belief. We don't even have good romantic comedies anymore.

1040
00:58:42,680 --> 00:58:45,400
Speaker 1: Fight me, I just feel like there's we're not interested

1041
00:58:45,440 --> 00:58:48,680
Speaker 1: in in expressing love in our films anymore. Yeah, I

1042
00:58:48,720 --> 00:58:52,040
Speaker 1: think it's really interesting time in general. I mean it's

1043
00:58:52,080 --> 00:58:53,640
Speaker 1: something I think about a lot when we think about

1044
00:58:53,640 --> 00:58:56,520
Speaker 1: the quality of relationships that are presented, you know. And

1045
00:58:56,520 --> 00:58:58,720
Speaker 1: and I'm somebody that I don't really even like Rom

1046
00:58:58,760 --> 00:59:01,040
Speaker 1: Kong movies because I feel like they're so ridiculous and

1047
00:59:01,080 --> 00:59:03,560
Speaker 1: they're so out of touch with what life is truly

1048
00:59:03,680 --> 00:59:07,120
Speaker 1: like when you're actually in a relationship. But it's weird

1049
00:59:07,160 --> 00:59:10,640
Speaker 1: because we live in this country where we are supposed

1050
00:59:10,640 --> 00:59:13,640
Speaker 1: to be exceedingly hot, right, and we see this reflected,

1051
00:59:13,960 --> 00:59:15,880
Speaker 1: you know, Jack, as you were saying, movies, right, people

1052
00:59:15,880 --> 00:59:18,800
Speaker 1: are these chiseled sort of beautiful you know, or you know,

1053
00:59:18,840 --> 00:59:21,080
Speaker 1: the ideas of what society wants to think is a

1054
00:59:21,080 --> 00:59:24,479
Speaker 1: beautiful body. Right. But then there's also the other side

1055
00:59:24,480 --> 00:59:27,600
Speaker 1: of that is that you either are beautiful and non sexual,

1056
00:59:28,080 --> 00:59:31,080
Speaker 1: or you are sexual and not traditionally hot. I feel

1057
00:59:31,120 --> 00:59:33,240
Speaker 1: like those are the only two kind of like routes

1058
00:59:33,280 --> 00:59:35,520
Speaker 1: that we kind of want to see that And now

1059
00:59:35,560 --> 00:59:38,880
Speaker 1: that we're seeing people really talk a lot more about

1060
00:59:39,080 --> 00:59:41,920
Speaker 1: gender sort of being a construct, right, and we're moving

1061
00:59:42,000 --> 00:59:45,000
Speaker 1: towards recognizing and sort of accepting that there are people

1062
00:59:45,000 --> 00:59:47,680
Speaker 1: who are none non binary, who don't necessarily you know,

1063
00:59:47,760 --> 00:59:50,880
Speaker 1: sitting either gender, you know, or people who don't identify

1064
00:59:50,960 --> 00:59:54,120
Speaker 1: even sexually. Right like this, a sexuality kind of becomes

1065
00:59:54,120 --> 00:59:56,920
Speaker 1: a thing, and it's really weird because it makes me think, like,

1066
00:59:56,960 --> 00:59:59,280
Speaker 1: are we gonna see stuff continue down this road where

1067
00:59:59,280 --> 01:00:01,280
Speaker 1: people don't even want to touch the sex because it

1068
01:00:01,360 --> 01:00:03,640
Speaker 1: gets too close to gender and they're too worried about

1069
01:00:03,920 --> 01:00:07,400
Speaker 1: putting people off, you know, and not representing that. I mean,

1070
01:00:07,400 --> 01:00:11,760
Speaker 1: it's already sad that we don't see enough homosexual love stories, right,

1071
01:00:11,800 --> 01:00:14,240
Speaker 1: and then we do see them, it's usually like chittered

1072
01:00:14,280 --> 01:00:17,600
Speaker 1: and chattered about, and it's like this taboo thing that happens,

1073
01:00:18,040 --> 01:00:20,320
Speaker 1: you know, it's like a Brokeback Mountain situation, like oh

1074
01:00:20,360 --> 01:00:22,040
Speaker 1: my god, you know. Or it's like blue is the

1075
01:00:22,040 --> 01:00:24,000
Speaker 1: warmest color, like oh my god, there's lesbian sex in

1076
01:00:24,040 --> 01:00:27,200
Speaker 1: that one, and it becomes this like dirty thing. And

1077
01:00:27,240 --> 01:00:29,480
Speaker 1: I don't understand because America, it's like we want our

1078
01:00:29,520 --> 01:00:32,080
Speaker 1: teenagers to be hot, you know what I mean, Like

1079
01:00:32,120 --> 01:00:34,200
Speaker 1: we're we're we have movies that just to be teenagers,

1080
01:00:34,240 --> 01:00:36,520
Speaker 1: and we're casting thirty five year old women, you know

1081
01:00:36,560 --> 01:00:38,360
Speaker 1: what I mean. Where it's like that girl is thirty

1082
01:00:38,400 --> 01:00:40,800
Speaker 1: five and they're like, Okay, well that's so we can

1083
01:00:40,800 --> 01:00:43,080
Speaker 1: see her fucking not feel bad about it. And it's like,

1084
01:00:43,280 --> 01:00:46,080
Speaker 1: why do we need to see kids? Fuck? What is happening?

1085
01:00:46,200 --> 01:00:49,400
Speaker 1: Like we're we're all fucked up about sex in the

1086
01:00:49,440 --> 01:00:54,360
Speaker 1: United States. I think we have a really shitty relationship

1087
01:00:54,480 --> 01:00:57,000
Speaker 1: with our bodies and with who can have sex and

1088
01:00:57,000 --> 01:00:59,200
Speaker 1: who can't have sex, instead of just accepting that, like

1089
01:00:59,680 --> 01:01:02,960
Speaker 1: there's gender and then their sex and they don't necessarily

1090
01:01:02,960 --> 01:01:05,680
Speaker 1: go together. And then you don't have to be hot

1091
01:01:05,680 --> 01:01:07,200
Speaker 1: in order that for it to be a thing, right,

1092
01:01:07,200 --> 01:01:08,880
Speaker 1: Like you don't have to be hot enough to fuck,

1093
01:01:09,800 --> 01:01:11,920
Speaker 1: Like I just I hate that concept of it, you know,

1094
01:01:12,400 --> 01:01:14,200
Speaker 1: or like you said, it has to be tragic Joel,

1095
01:01:14,320 --> 01:01:17,800
Speaker 1: right where it's like, oh, this tragedy happened. Oh my god,

1096
01:01:17,920 --> 01:01:20,040
Speaker 1: like this is so sad. Where it's like, all right,

1097
01:01:20,080 --> 01:01:22,480
Speaker 1: so we have to be talking about either a devastating

1098
01:01:22,520 --> 01:01:24,560
Speaker 1: relationship or we have to be talking about rape in

1099
01:01:24,640 --> 01:01:26,880
Speaker 1: order for us to be able to comfortable exploring a

1100
01:01:26,960 --> 01:01:29,160
Speaker 1: sex scene. Because that's the other thing that I hate

1101
01:01:29,560 --> 01:01:31,440
Speaker 1: is where it's like we won't see sex unless it's

1102
01:01:31,440 --> 01:01:34,080
Speaker 1: a it's a rape, unless it's a violent crime that's happening,

1103
01:01:35,080 --> 01:01:37,320
Speaker 1: and you know, and then it's okay because it's contextual.

1104
01:01:37,360 --> 01:01:39,000
Speaker 1: And it's like, oh so in order for to feed

1105
01:01:39,000 --> 01:01:42,280
Speaker 1: me sex, it needs to be violent. What are we doing?

1106
01:01:42,840 --> 01:01:46,200
Speaker 1: This film is not yet rated? A movie from two

1107
01:01:46,240 --> 01:01:49,400
Speaker 1: thousand six, a documentary about the m p A process

1108
01:01:49,440 --> 01:01:52,520
Speaker 1: and like their standards and what they give our ratings

1109
01:01:52,600 --> 01:01:55,720
Speaker 1: and n C seventeen ratings, what they will and won't

1110
01:01:55,720 --> 01:01:59,600
Speaker 1: allow to be showed on camera is like as close

1111
01:01:59,640 --> 01:02:02,320
Speaker 1: to man tor re viewing as as possible for a

1112
01:02:02,360 --> 01:02:04,400
Speaker 1: listener to this podcast, like y'all need to watch it

1113
01:02:04,440 --> 01:02:07,560
Speaker 1: if you haven't. But they talk about the thing that

1114
01:02:07,840 --> 01:02:13,840
Speaker 1: the ratings board really objects to is women experiencing sexual pleasure.

1115
01:02:14,320 --> 01:02:18,200
Speaker 1: Oh yeah, it's not nudity, it's women, Like they are

1116
01:02:18,400 --> 01:02:23,800
Speaker 1: terrified of women experiencing sexual pleasure. A movie will show

1117
01:02:24,000 --> 01:02:28,520
Speaker 1: a rape scene and then that that will get an R.

1118
01:02:28,800 --> 01:02:32,400
Speaker 1: But if a woman is shown like having an orgasm,

1119
01:02:32,440 --> 01:02:34,360
Speaker 1: that is that will get you an n C sevent

1120
01:02:34,880 --> 01:02:39,360
Speaker 1: They'll always cut right before she hits climax, right like

1121
01:02:39,480 --> 01:02:44,560
Speaker 1: you could see her being penetrated and starting to enjoy

1122
01:02:44,680 --> 01:02:46,960
Speaker 1: and then they'll be like, and that's the end you

1123
01:02:47,000 --> 01:02:50,960
Speaker 1: can get out of here. That women can actually orgasm,

1124
01:02:51,040 --> 01:02:54,120
Speaker 1: that would be a problem. She's a witch. We can't

1125
01:02:54,120 --> 01:02:58,640
Speaker 1: show it. But fascism. So the this essay, which is

1126
01:02:58,680 --> 01:03:00,760
Speaker 1: really good, I highly recommend people. Well we'll link off

1127
01:03:00,800 --> 01:03:03,880
Speaker 1: to it, but it opens with a description of Starship

1128
01:03:03,920 --> 01:03:09,439
Speaker 1: Troopers the shower scene, which is you know, all of

1129
01:03:09,520 --> 01:03:14,800
Speaker 1: these like sculpted soldiers showering together because they're part of

1130
01:03:14,840 --> 01:03:17,520
Speaker 1: this like military battalion. But the whole undercurrent of that

1131
01:03:17,560 --> 01:03:20,919
Speaker 1: movie is fascism. And that's like a thing that's been

1132
01:03:21,280 --> 01:03:25,919
Speaker 1: remarked about repeatedly about fascist cultures, and just the ideology

1133
01:03:25,920 --> 01:03:30,080
Speaker 1: of fascism is it's all about like beautiful, efficient bodies,

1134
01:03:30,120 --> 01:03:34,480
Speaker 1: but like completely removed from sex and like completely taken

1135
01:03:34,480 --> 01:03:37,840
Speaker 1: out of the context of sex. And so so that

1136
01:03:37,880 --> 01:03:41,440
Speaker 1: movie was like making a commentary back in and it

1137
01:03:42,160 --> 01:03:44,480
Speaker 1: you know, presage a lot of things, but I think

1138
01:03:44,600 --> 01:03:47,560
Speaker 1: that's one of them that like just this idea that

1139
01:03:47,720 --> 01:03:51,919
Speaker 1: like bodies would be taken more in this direction of

1140
01:03:52,960 --> 01:03:56,400
Speaker 1: not not really like functional. They're not like we were

1141
01:03:56,400 --> 01:03:59,520
Speaker 1: trying to remove the function and just make them pleasing

1142
01:03:59,760 --> 01:04:04,760
Speaker 1: and pleasing to look at, but like, we don't we

1143
01:04:04,920 --> 01:04:10,000
Speaker 1: we don't let them have the horny nous that that

1144
01:04:10,200 --> 01:04:13,080
Speaker 1: is like so deeply human. You know, they're there for

1145
01:04:13,160 --> 01:04:17,240
Speaker 1: your visual consumption, for the audience to ogle and be like, wow,

1146
01:04:17,360 --> 01:04:23,280
Speaker 1: isn't that a perfect body? But there's again, no internal desires.

1147
01:04:23,360 --> 01:04:26,480
Speaker 1: Even when we had our first Marvel sex scene in

1148
01:04:26,680 --> 01:04:30,120
Speaker 1: The Eternals, which really kicked off a conversation about secklessness

1149
01:04:30,160 --> 01:04:33,800
Speaker 1: in heroic movies, in the Superhero Cape and calam movies

1150
01:04:34,280 --> 01:04:36,600
Speaker 1: and me, if you saw the movie, it is the

1151
01:04:36,680 --> 01:04:43,880
Speaker 1: most bland, non interesting sex. It is boring, and there's

1152
01:04:43,920 --> 01:04:50,480
Speaker 1: no the Eternals. Oh yeah, yeah. First of all, not

1153
01:04:50,560 --> 01:04:53,360
Speaker 1: a great movie. I feel like I've talked that to

1154
01:04:53,400 --> 01:04:55,400
Speaker 1: death of why I don't like it. Don't tell me

1155
01:04:55,440 --> 01:04:57,680
Speaker 1: about all your epic stories, just please show me. But

1156
01:04:58,120 --> 01:05:00,920
Speaker 1: the other idea of these two characters, we're supposed to

1157
01:05:00,960 --> 01:05:04,200
Speaker 1: have this great romance across thousands of eons and like

1158
01:05:04,880 --> 01:05:07,720
Speaker 1: always coming back together, and when you see them together,

1159
01:05:07,720 --> 01:05:10,400
Speaker 1: you're like, girl, get out. He's abusive. The whole time.

1160
01:05:10,440 --> 01:05:12,560
Speaker 1: You're just like, this man is not quite right. He's

1161
01:05:12,560 --> 01:05:15,120
Speaker 1: a little obsessed with you in a very unhealthy way.

1162
01:05:15,120 --> 01:05:18,080
Speaker 1: You just seem like a sweet, innocent person. Please remove yourself.

1163
01:05:18,120 --> 01:05:21,320
Speaker 1: And then when they are together, there isn't that the

1164
01:05:21,360 --> 01:05:25,160
Speaker 1: actors are trying to perform longing. It's staged so that

1165
01:05:25,200 --> 01:05:27,600
Speaker 1: it's supposed to be there, but it never connects or

1166
01:05:27,680 --> 01:05:30,240
Speaker 1: leaps off the screen. And it's because it's it's a

1167
01:05:30,240 --> 01:05:33,520
Speaker 1: Disney film. Disney's never going to allow you to truly

1168
01:05:34,400 --> 01:05:36,840
Speaker 1: invest in what it means to be like in a

1169
01:05:36,880 --> 01:05:41,480
Speaker 1: committed sexual relationship. That's not You are parents serving other people,

1170
01:05:41,640 --> 01:05:46,040
Speaker 1: You are doomed lovers. You are not ever happy and

1171
01:05:46,400 --> 01:05:48,400
Speaker 1: really enjoying yourself when they had every reason to be.

1172
01:05:49,040 --> 01:05:52,120
Speaker 1: It's and it's weird to me that we're continuing to

1173
01:05:52,160 --> 01:05:56,120
Speaker 1: get that in spaces where the studio could go there.

1174
01:05:56,360 --> 01:05:57,760
Speaker 1: It makes sense to me that Disney is like, that's

1175
01:05:57,760 --> 01:05:59,560
Speaker 1: not really what we're interested in. We are very strictly

1176
01:05:59,560 --> 01:06:03,720
Speaker 1: a family space. But Warner Brothers, y'all, you've got so

1177
01:06:03,800 --> 01:06:06,080
Speaker 1: much space and time just to bring out the fucking

1178
01:06:06,160 --> 01:06:08,200
Speaker 1: you could do it. It's not going to be a problem.

1179
01:06:08,320 --> 01:06:11,280
Speaker 1: Your audience is going to stay here for it. But

1180
01:06:11,360 --> 01:06:12,880
Speaker 1: I want, I do think that a lot of people

1181
01:06:12,920 --> 01:06:16,120
Speaker 1: are afraid of slipping into that. Our category, because even

1182
01:06:16,120 --> 01:06:19,120
Speaker 1: when you have movies like Deadpool, which does have a

1183
01:06:19,120 --> 01:06:21,360
Speaker 1: lot of sex and actually for some pretty good fun

1184
01:06:21,440 --> 01:06:25,160
Speaker 1: sex scenes in there, it didn't do the same kind

1185
01:06:25,160 --> 01:06:27,560
Speaker 1: of numbers that I think a studio hopes to hit

1186
01:06:27,640 --> 01:06:30,240
Speaker 1: every time they release a superhero movie. Did well, They're

1187
01:06:30,240 --> 01:06:32,920
Speaker 1: going to keep releasing Deadpool movies. But that our rating,

1188
01:06:33,040 --> 01:06:34,920
Speaker 1: it does have a It makes a difference. I think

1189
01:06:34,960 --> 01:06:37,040
Speaker 1: they try to go PT. Thirteen on movie too, I

1190
01:06:37,120 --> 01:06:40,920
Speaker 1: remember correctly and the best. So this article is kind

1191
01:06:40,920 --> 01:06:43,040
Speaker 1: of written in the context of maybe the Badman will

1192
01:06:43,080 --> 01:06:46,400
Speaker 1: save us from this trend. And I don't hope there

1193
01:06:46,560 --> 01:06:49,760
Speaker 1: there's no like overt sex scene, but I have read

1194
01:06:49,800 --> 01:06:53,600
Speaker 1: people say like it's the characters are clearly horny and

1195
01:06:53,680 --> 01:06:58,800
Speaker 1: like there's a like undercurrent of sexuality, at least as

1196
01:06:58,800 --> 01:07:03,280
Speaker 1: compared to previous bat In zee Kravitz is absolutely horny.

1197
01:07:03,320 --> 01:07:07,320
Speaker 1: For Batman, Batman has never had sex ever. This this

1198
01:07:07,440 --> 01:07:13,600
Speaker 1: version of Batman not fucking Man's just sad too, Like

1199
01:07:13,920 --> 01:07:16,360
Speaker 1: I mean, Batman has never been like the horny character

1200
01:07:16,400 --> 01:07:18,480
Speaker 1: for me, Like he's just such a sad boy, you

1201
01:07:18,520 --> 01:07:21,000
Speaker 1: know what It's like, he just seems to the kind

1202
01:07:21,000 --> 01:07:22,760
Speaker 1: of guy you'd fun and then you'd cry after and

1203
01:07:22,800 --> 01:07:24,760
Speaker 1: he'd be like, God, now I have to stay, like

1204
01:07:24,800 --> 01:07:27,160
Speaker 1: I can't leave, you know what I mean. Michael Keaton

1205
01:07:27,200 --> 01:07:30,440
Speaker 1: Batman did fuck and that was the only one that

1206
01:07:30,560 --> 01:07:36,080
Speaker 1: was like maybe because he had nipples. I would pay

1207
01:07:36,200 --> 01:07:39,240
Speaker 1: good money and I'm talking good money to see fat

1208
01:07:39,280 --> 01:07:42,880
Speaker 1: Thor fu somebody, everybody all things like when they had

1209
01:07:42,920 --> 01:07:44,880
Speaker 1: fat Thor. That really did it for me. I was

1210
01:07:44,920 --> 01:07:47,280
Speaker 1: just like, what's up? I like that that little belly.

1211
01:07:47,320 --> 01:07:52,720
Speaker 1: I was like, yeah, really was definitely hot. I'm into it.

1212
01:07:54,520 --> 01:07:58,200
Speaker 1: The writer points out like in Greek myths, Thor is like,

1213
01:07:58,760 --> 01:08:02,520
Speaker 1: oh yeah, you know Fox everyone, And in the Thor movies,

1214
01:08:02,640 --> 01:08:06,640
Speaker 1: like the first one is basically a you know wrong.

1215
01:08:06,960 --> 01:08:10,800
Speaker 1: I mean, there's like a very strong like lead actress

1216
01:08:10,960 --> 01:08:13,480
Speaker 1: in Natalie Portman, and he just like looks at her

1217
01:08:13,520 --> 01:08:16,920
Speaker 1: like a fucking, you know, dumb puppy and just like

1218
01:08:16,960 --> 01:08:20,000
Speaker 1: grins at her. And it's like movies are supposed to

1219
01:08:20,040 --> 01:08:23,400
Speaker 1: be our Greek myths, or at least in my opinion,

1220
01:08:23,520 --> 01:08:26,840
Speaker 1: like that's that's what reveals things about our inner lives

1221
01:08:26,840 --> 01:08:29,120
Speaker 1: and values and wishes and dreams. Is like the movies

1222
01:08:29,200 --> 01:08:33,200
Speaker 1: that we're into, but for some reason, like in the

1223
01:08:33,240 --> 01:08:37,519
Speaker 1: transition from like ancient Greece to today, We're like, get

1224
01:08:37,560 --> 01:08:40,679
Speaker 1: the sex out of there. We none of that. Bring

1225
01:08:40,680 --> 01:08:44,600
Speaker 1: back the fun hammer. Ah you anything thing might have

1226
01:08:44,640 --> 01:08:48,760
Speaker 1: happened in just the last decade is after like a

1227
01:08:48,800 --> 01:08:51,920
Speaker 1: little bit before me too, and for sure afterwards there's

1228
01:08:51,960 --> 01:08:55,559
Speaker 1: been this strange backlash of people being like, well, now,

1229
01:08:56,240 --> 01:08:59,080
Speaker 1: just no sex. I mean, if you guys remember immediately

1230
01:08:59,080 --> 01:09:00,760
Speaker 1: after me to the by gem men who are like, well,

1231
01:09:00,760 --> 01:09:02,320
Speaker 1: maybe I just want to hire women because I don't

1232
01:09:02,360 --> 01:09:07,160
Speaker 1: want to deal with this, which is I mean, it

1233
01:09:07,280 --> 01:09:11,000
Speaker 1: literally floored me. But at the same time, I think

1234
01:09:11,439 --> 01:09:15,480
Speaker 1: we're seeing a lot of especially big movie production studios,

1235
01:09:15,720 --> 01:09:19,439
Speaker 1: taking a step away from having sex scenes, and the

1236
01:09:19,479 --> 01:09:23,320
Speaker 1: smaller productions that are continuing to, you know, if they

1237
01:09:23,320 --> 01:09:25,519
Speaker 1: want to have sex scenes or if they have a

1238
01:09:25,640 --> 01:09:28,040
Speaker 1: rape scene, like they're bringing in counselors and and people

1239
01:09:28,040 --> 01:09:31,400
Speaker 1: who can sort of guide or set up a scene

1240
01:09:31,479 --> 01:09:34,240
Speaker 1: so that actors can feel safe and comfortable, which I

1241
01:09:34,240 --> 01:09:35,920
Speaker 1: think is a great thing and I think we should

1242
01:09:35,920 --> 01:09:39,680
Speaker 1: continue to do moving forward, because the one disturbing thing

1243
01:09:39,680 --> 01:09:43,439
Speaker 1: about if you look at older films that have sex

1244
01:09:43,439 --> 01:09:47,560
Speaker 1: scenes is like, sometimes so scenes were surprises to the actresses,

1245
01:09:48,240 --> 01:09:51,080
Speaker 1: which is a horrifying thought. A lot of times, if

1246
01:09:51,120 --> 01:09:53,040
Speaker 1: there is an actress involved, she is the only woman

1247
01:09:53,200 --> 01:09:56,479
Speaker 1: on set that day, which is a horrifying thought. Like

1248
01:09:56,520 --> 01:09:59,559
Speaker 1: there's a lot of I think in our New world

1249
01:10:00,040 --> 01:10:01,720
Speaker 1: discussions about how do we do this in a way

1250
01:10:01,760 --> 01:10:04,840
Speaker 1: that makes performers, makes the actually i'm gonna say feel safe,

1251
01:10:04,880 --> 01:10:07,080
Speaker 1: but where they're actually safe, where we're making sure that

1252
01:10:07,120 --> 01:10:09,960
Speaker 1: they don't leave us set with like mental and emotional scars,

1253
01:10:10,040 --> 01:10:12,320
Speaker 1: because that's we're just making art. You shouldn't leave with

1254
01:10:12,320 --> 01:10:14,960
Speaker 1: the mental and emotional scars. It's a tough thing to do.

1255
01:10:15,360 --> 01:10:18,160
Speaker 1: But in like adjacent to that, I think, you know,

1256
01:10:18,360 --> 01:10:22,560
Speaker 1: Barry Jenkins recently did an entire mini series about slavery

1257
01:10:22,680 --> 01:10:24,800
Speaker 1: and and he had to have a therapist on set

1258
01:10:24,840 --> 01:10:27,840
Speaker 1: the whole time because we have people like we're visiting

1259
01:10:27,880 --> 01:10:31,600
Speaker 1: these historic spaces, you know, it can be triggering and traumatizing,

1260
01:10:32,040 --> 01:10:34,000
Speaker 1: And I don't know, I just think it's like there's

1261
01:10:34,000 --> 01:10:36,320
Speaker 1: a lot of reasons for why Hollywood at this point

1262
01:10:36,360 --> 01:10:38,240
Speaker 1: is like, how are we going to do this, how

1263
01:10:38,280 --> 01:10:40,519
Speaker 1: we're gonna be judged, How do we sure the actors

1264
01:10:40,560 --> 01:10:42,439
Speaker 1: feel safe? How do we make sure that we don't

1265
01:10:42,439 --> 01:10:44,759
Speaker 1: get a rating that makes it impossible for our movie

1266
01:10:44,760 --> 01:10:46,360
Speaker 1: to do the kind of sales we needed to do.

1267
01:10:47,640 --> 01:10:50,639
Speaker 1: I do hope that we're seeing a surgeon. Indeed, films

1268
01:10:50,680 --> 01:10:55,040
Speaker 1: where these things are maybe not so taboo and smaller

1269
01:10:55,080 --> 01:10:58,400
Speaker 1: cast and crews tend to have better rapport overall, So

1270
01:10:59,080 --> 01:11:02,519
Speaker 1: I don't know. I I do think what one last

1271
01:11:02,880 --> 01:11:06,160
Speaker 1: sort of possible explanation is that, like, it seems like

1272
01:11:06,200 --> 01:11:09,800
Speaker 1: a lot of the trend is happening at the same

1273
01:11:09,840 --> 01:11:15,120
Speaker 1: time as the explosion of internet porn, and I feel like,

1274
01:11:15,280 --> 01:11:18,000
Speaker 1: maybe like it could be just that, like people are like, well,

1275
01:11:18,040 --> 01:11:20,240
Speaker 1: now we have a different place to go for that,

1276
01:11:20,360 --> 01:11:28,120
Speaker 1: but that's bad, because uh, internet porn is a horrible

1277
01:11:28,160 --> 01:11:31,519
Speaker 1: place to learn about sex. Not saying movies are great,

1278
01:11:31,560 --> 01:11:35,240
Speaker 1: but at least there's like a artistic vision that is

1279
01:11:35,280 --> 01:11:39,160
Speaker 1: trying to depict something that is realistic and like say

1280
01:11:39,200 --> 01:11:42,400
Speaker 1: something about it. Usually as opposed to you know, a

1281
01:11:42,400 --> 01:11:47,480
Speaker 1: lot of porn is really misleading and violent and not

1282
01:11:47,479 --> 01:11:49,920
Speaker 1: not leading people down. Again, so you're saying that gaping

1283
01:11:49,960 --> 01:11:56,000
Speaker 1: and throbbing aren't realistic words for a loving sexual like

1284
01:11:56,040 --> 01:12:04,479
Speaker 1: the thing that the whole that ship haunts me whenever

1285
01:12:04,479 --> 01:12:06,400
Speaker 1: I see that word. I'm just like, like, I just

1286
01:12:06,400 --> 01:12:08,559
Speaker 1: want to drop the keyboard. I'm like, I shouldn't been here.

1287
01:12:08,600 --> 01:12:11,920
Speaker 1: This is gross. I'm sorry. I'm like apologizing to like

1288
01:12:12,000 --> 01:12:14,920
Speaker 1: corn ghosts of my ancestors, and they're just like, what

1289
01:12:14,960 --> 01:12:17,400
Speaker 1: are you looking at. I'm like, I'm sorry, I didn't.

1290
01:12:17,479 --> 01:12:22,439
Speaker 1: I'm sorry. Oh god, you test the limits of your

1291
01:12:22,479 --> 01:12:24,600
Speaker 1: own ship there, man, whatever happened? And that I just

1292
01:12:24,680 --> 01:12:27,400
Speaker 1: want to see regular old actors who looked good and

1293
01:12:27,439 --> 01:12:30,559
Speaker 1: worked out in eight fucking boiled chicken breasts for a month,

1294
01:12:30,600 --> 01:12:33,639
Speaker 1: fuck or pretend to fuck, put on stockings and rub

1295
01:12:33,680 --> 01:12:38,320
Speaker 1: against each other, you know exactly. The writers like, well,

1296
01:12:38,360 --> 01:12:40,679
Speaker 1: hopefully this is going to change because they cast Robert

1297
01:12:40,680 --> 01:12:44,920
Speaker 1: Pattinson as Batman, and you know, he's a sexual being

1298
01:12:45,040 --> 01:12:47,880
Speaker 1: on film, and the evidence that he has sexual being

1299
01:12:47,920 --> 01:12:50,599
Speaker 1: on film is that he has masturbated in his last

1300
01:12:50,600 --> 01:12:55,519
Speaker 1: four films, which feels kind of appropriate for our modern

1301
01:12:55,600 --> 01:13:00,439
Speaker 1: world that that is like, what, what so sexual? It's

1302
01:13:00,520 --> 01:13:06,280
Speaker 1: just masturbating to a to a mermaid icon carved out

1303
01:13:06,320 --> 01:13:09,040
Speaker 1: of whale bone, which, by the way, Joe I did

1304
01:13:09,080 --> 01:13:14,040
Speaker 1: watch and I loved it. Yeah, thank you so much

1305
01:13:14,080 --> 01:13:18,080
Speaker 1: for that recommendation. Yeah, all right, that's gonna do it.

1306
01:13:18,240 --> 01:13:22,679
Speaker 1: For this week's weekly Zeitgeist, please like and review the show.

1307
01:13:23,320 --> 01:13:27,160
Speaker 1: If you like the show, uh means the world to Miles.

1308
01:13:27,240 --> 01:13:31,680
Speaker 1: He needs your validation, folks. I hope you're having a

1309
01:13:31,720 --> 01:14:08,320
Speaker 1: great weekend and I will talk to him Monday. By