WEBVTT - Lady MacRobert's Reply 

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<v Speaker 1>Before we start the episode. One production note. In this episode,

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<v Speaker 1>we have a lot of quotes from Roald Dahl from

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<v Speaker 1>his interviews with Barry Ferrell. Rather than just have me

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<v Speaker 1>read them in my terrible British accent, we decided to

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<v Speaker 1>bring them to life, so we use an actor's performance

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<v Speaker 1>and some custom software to create a doll like voice. Okay,

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<v Speaker 1>now onto the episode. We've heard a lot about Roll

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<v Speaker 1>Dall so far. His days is a fighter pilot, his

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<v Speaker 1>work as a spy with The Irregulars, his screenwriting in Hollywood.

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<v Speaker 1>What if I told you that on his way to

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<v Speaker 1>becoming the most successful children's author ever, Dahl took a

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<v Speaker 1>quick little detour to become a world class neuroscientist. At

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<v Speaker 1>this point in the season, I feel like you might

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<v Speaker 1>actually believe me as you should. Here's Tom Solomon, a

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<v Speaker 1>doctor who knew Dall, speaking on Liverpool TV.

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<v Speaker 2>In his life he did some amazing medical things. He

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<v Speaker 2>actually invented a neurosurgical device to treat watch on the

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<v Speaker 2>brain to treat hydroch for us, and the treatments leant

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<v Speaker 2>very good, so he invented a new one and it

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<v Speaker 2>was used around the world.

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<v Speaker 3>Thousands of children benefited.

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<v Speaker 1>Okay, then roll Doll the neuroscience engineer. I promise it's

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<v Speaker 1>an even crazier story than that doctor just alluded to.

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<v Speaker 1>But in order to really understand why it was necessary

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<v Speaker 1>for him to become an expert in the brain, I

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<v Speaker 1>got to tell you about Doll's kids. Of all the

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<v Speaker 1>masks that Doll tries on, this is going to be

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<v Speaker 1>his most challenging doting father. For my hard podcast Imagine

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<v Speaker 1>Entertainment and Parallax, I'm Marrion Tracy and this is the

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<v Speaker 1>Secret world of Role Dall Episode five. I didn't become

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<v Speaker 1>a father until after my career had sort of found

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<v Speaker 1>its footing, until I had some stability, which took a while,

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<v Speaker 1>because you know, I'm a writer. But when Dahl becomes

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<v Speaker 1>a dad, he's still trying to figure out his career,

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<v Speaker 1>to figure out what kind of writer he is. He

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<v Speaker 1>hasn't found his voice yet. He's still attempting adult fiction

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<v Speaker 1>in the vein of his heroes like Hemingway, Graham Green,

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<v Speaker 1>and C. S. Forrester. In other words, he's writing this muscular,

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<v Speaker 1>macho prose focused on action. His stories at this time

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<v Speaker 1>are also filled with the pretty explicit sexual adventures of

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<v Speaker 1>his heroes. If you've never read these stories and only

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<v Speaker 1>no Doll from his kids books, you will be shocked.

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<v Speaker 1>Start with my Uncle Oswald. It is raunchy, but here's

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<v Speaker 1>what I'm getting at. It takes Doll going on the

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<v Speaker 1>insane journey with his family that you're about to hear

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<v Speaker 1>for him to figure out who his natural audience is

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<v Speaker 1>and what kind of writer he is. In nineteen sixty,

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<v Speaker 1>Doll and Neil welcome their third child, Theo, their only son.

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<v Speaker 1>With two daughters already at home, Olivia and Tessa, Doll

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<v Speaker 1>is thrilled to finally have a boy. According to writer

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<v Speaker 1>Nadia Cohen, Doll writes pretty graphically about his excitement over

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<v Speaker 1>the babies boy parts that I'm not going to subject

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<v Speaker 1>you to here. I'll just say he compares it to

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<v Speaker 1>an exotic flower glowing with promise and leave it at that.

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<v Speaker 1>Dall immediately feels a special kinship with Theo, the only

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<v Speaker 1>boy in a family of sisters, just like Dahl had been.

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<v Speaker 1>Six weeks after Theo's birth, the family moves to New

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<v Speaker 1>York for the winter. Dahl explains what happens next to

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<v Speaker 1>Barry Ferrell, a journalist, to welcome back to a bunch

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<v Speaker 1>because he practically moves in with the family. During this period,

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<v Speaker 1>Farrell writes an entire book about what he witnesses. I

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<v Speaker 1>think Farrell was originally just hoping to write a cozy

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<v Speaker 1>Sunday profile, but ended up becoming embedded with the dolls,

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<v Speaker 1>like a war correspondent in a combat zone. So the

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<v Speaker 1>family is living in New York. Dall is struggling to

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<v Speaker 1>write his short stories while his wife pat Neil, is

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<v Speaker 1>on a break from shooting breakfast to Tiffany's. Dall tells

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<v Speaker 1>Ferrell what happens next.

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<v Speaker 4>It was December fifth, nineteen sixty. We had a nurse

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<v Speaker 4>then Susan and Susan had THEO in his pram on

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<v Speaker 4>their way to pick up Olivia from her nursery school

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<v Speaker 4>two blocks from home, and a cab shot passed and

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<v Speaker 4>took the pram right out of Susan's hands. Susan dashed

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<v Speaker 4>across after it. The plan had flown forty feet through

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<v Speaker 4>the air and into the side of a boss.

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<v Speaker 5>THEO was just four months old.

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<v Speaker 1>Tessa, three years old, is left standing alone on the

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<v Speaker 1>sidewalk as Susan rushes into the street. The police are

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<v Speaker 1>there within minutes and they rush them all to the hospital.

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<v Speaker 1>Neil is only a few blocks away when the accident happens.

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<v Speaker 1>She hears the sirens pass, but she has no idea

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<v Speaker 1>they're for her infant son. When she walks into their apartment,

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<v Speaker 1>the telephone is already ringing. As soon as she receives

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<v Speaker 1>the news, she hangs up and calls Doll at his office.

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<v Speaker 1>She doesn't have the full story, yet doesn't sound overly alarmed.

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<v Speaker 1>THEO has been hurt, she tells him. They say, not

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<v Speaker 1>too seriously, we have to go to the hospital. Dohl

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<v Speaker 1>throws on a coat and gets ready to leave, but

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<v Speaker 1>before he can get out the door, Susan calls from

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<v Speaker 1>the hospital, hysterical, saying, hurry, hurry, So then I knew

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<v Speaker 1>it was bad, Doll says, THEO is an emergency. When

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<v Speaker 1>we get there, Doll continues, they x ray him and

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<v Speaker 1>find lots of fractures, very critical shape, they say. In

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<v Speaker 1>her memoir, Neil goes even further, writing that the doctor

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<v Speaker 1>pulled them aside after examining THEO. He told them we

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<v Speaker 1>are doing everything we can, but he is going to die.

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<v Speaker 1>From that moment on, Neil essentially moves into the hospital,

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<v Speaker 1>living off stale coffee, sleeping in a chair beside her

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<v Speaker 1>son's bed, obsessed with the rhythms of his labored breathing

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<v Speaker 1>when he sleeps, which is a lot of the time.

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<v Speaker 1>Neil climbs two flights of stairs on unsteady legs to

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<v Speaker 1>another kind of visial. In an upstairs room at this

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<v Speaker 1>very same hospital is her old friend, the playwright Lillian Hellman,

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<v Speaker 1>who's keeping watch over Dashiell Hammett, the famous detective novelist

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<v Speaker 1>and her longtime romantic partner. He's dying lung cancer. It's

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<v Speaker 1>a really cruel symmetry. You might remember Hellman played matchmaker

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<v Speaker 1>for Doll o' neil by throwing that dinner party years ago.

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<v Speaker 1>That was the bright beginning of something in a beautiful

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<v Speaker 1>setting filled with brilliant writers and celebrities. Now the two

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<v Speaker 1>women are together again in the opposite of that glamorous setting,

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<v Speaker 1>no more fancy dresses, no makeup, just trapped in a

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<v Speaker 1>sterile Manhattan tower, terrified and grieving. But back to Dol.

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<v Speaker 1>He tells Ferrell about the dreadful special nurses that kept

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<v Speaker 1>getting called in to theo's room. One of these nurses

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<v Speaker 1>walks right in and before even attending to THEO. She

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<v Speaker 1>shows dollan Neil in newspaper clipping about the accident and says,

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<v Speaker 1>how thrilled she is to be assigned this case. This

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<v Speaker 1>is something Doll and Neil are going to have to

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<v Speaker 1>get used to. Unfortunately, Neil is a world famous movie star.

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<v Speaker 1>Her son being in an accident like this is huge

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<v Speaker 1>international news, and some of the nurses seem much more

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<v Speaker 1>interested in getting Neil's autograph than in paying attention to

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<v Speaker 1>her son. They seem downright distracted. One afternoon, Doll observes

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<v Speaker 1>a nurse giving THEO a dose of an anti convulsant,

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<v Speaker 1>and she's giving him a ton of it. Doll says,

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<v Speaker 1>isn't that rather a lot? Yeah, sir, no half an

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<v Speaker 1>ounce like it's supposed to be. She replies, calmly, well,

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<v Speaker 1>it was supposed to be a tenth of a gram.

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<v Speaker 1>Doll later explains, a hell of a lot less. Doctors

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<v Speaker 1>rush in and start to pump the stomach of this

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<v Speaker 1>poor four month old baby after the nurse's mistake. Despite

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<v Speaker 1>the comfort of having helmet and ham it right upstairs,

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<v Speaker 1>the Dolls decide to get the hell out of this hospital,

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<v Speaker 1>so they wrap THEO and blankets, pick him up in

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<v Speaker 1>their arms and just carry him out. All the doctors

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<v Speaker 1>are standing around, looking very worried and protesting, Doll says,

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<v Speaker 1>but their minds are made up to make matters worse.

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<v Speaker 1>It's a crazy snow day in New York. But then

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<v Speaker 1>Niel's longtime agent, Harvey Orkin, suddenly materializes with a car.

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<v Speaker 4>Doll continues, It was snowing like hell, and we were desperate.

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<v Speaker 4>But then Harvey suddenly materialized with a car, and he

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<v Speaker 4>drove very fast and very skillfully through the blizzard, with

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<v Speaker 4>cars skidding at odd angles all around us. I'd not

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<v Speaker 4>forgotten my ride, because here was Harvey, an unhappyish chap,

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<v Speaker 4>a wise, cracky fellow, a person I wasn't so keen on,

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<v Speaker 4>and who doubtlessly wasn't so fond of me. Yet there

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<v Speaker 4>was Harvey, still the sort of friend who would drive

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<v Speaker 4>through the snow for you in an emergency.

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<v Speaker 1>I love this, Dezel. Loyalty is such an important theme

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<v Speaker 1>in Doll's work. Think of Matilda and Miss Honey, Sophie

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<v Speaker 1>and the BFG Charlie and Grandpa Joe. You can just

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<v Speaker 1>feel how much it means to Doll that this guy,

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<v Speaker 1>this agent, who's not even a close friend, has nevertheless

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<v Speaker 1>shown up in a snowstorm to save them. Harvey drives

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<v Speaker 1>them to Presbyterian Hospital. I know it well, It's where

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<v Speaker 1>I had both of my kids. Here. The doctors evaluate

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<v Speaker 1>THEO and operate on him for a subdermal hematoma, which

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<v Speaker 1>is a kind of swelling cause by bleeding into the brain.

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<v Speaker 1>And they put it right, Dahl says, a huge, huge relief. Still,

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<v Speaker 1>THEO will stay in the hospital inside an oxygen tent

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<v Speaker 1>for the next two weeks. It's a terrible period. THEO

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<v Speaker 1>goes temporarily blind from cerebro spinal fluid accumulating around his brain,

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<v Speaker 1>which requires another operation. Remember he's only four months old.

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<v Speaker 1>Each operation is incredibly dangerous. Neil somehow stays relatively calm

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<v Speaker 1>through it all. She has a kind of strength you

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<v Speaker 1>could only step back from and admire. Doll later gushes

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<v Speaker 1>about his wife. THEO finally gets released from the hospital

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<v Speaker 1>right before Christmas. He goes home, but he's a bunch

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<v Speaker 1>of terrifying stepbacks, according to Dennison, including a build up

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<v Speaker 1>of cerebro spinal fluid pressing on the brain that renders

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<v Speaker 1>him silent, unseen, unmoving. Every time there's this build up

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<v Speaker 1>of food, they have to hurry him back to the

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<v Speaker 1>hospital for the fluid to be drained, and of course

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<v Speaker 1>this puts THEO at risk of blindness, brain damage, and death.

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<v Speaker 1>Doctors try to prevent further fluid build up with a

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<v Speaker 1>drainage tube, but the tube keeps getting blocked, making another

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<v Speaker 1>operation necessary, and with every operation the stakes are raised

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<v Speaker 1>and the chances lesson of restoring theo's sight and brain function.

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<v Speaker 1>Neil says, whenever they take THEO back in for surgery,

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<v Speaker 1>he looks up at us with those huge, desolate, bewildered

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<v Speaker 1>eyes that ask, why are you doing this to me again?

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<v Speaker 1>THEO has eight operations in thirty months, all before he's

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<v Speaker 1>three years old, and it's almost all due to the

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<v Speaker 1>inability of this tube to work. I think in a

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<v Speaker 1>lot of partnerships, when one person becomes pessimistic or feels

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<v Speaker 1>defeated about something, the other person just naturally becomes more

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<v Speaker 1>optimistic and upbeat. I've definitely experienced this over the years

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<v Speaker 1>in writing partnerships. While Neil may be showing a ton

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<v Speaker 1>of strength, THEO, she's genuinely not sure if he's going

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<v Speaker 1>to make it through all this so Dall takes the

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<v Speaker 1>opposite outlook. According to Dennison, Again, Dall sets aside any

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<v Speaker 1>assumption that THEO will die. He just puts it out

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<v Speaker 1>of his mind and sets out to find a way

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<v Speaker 1>to save him. Doll's sole focus becomes this tube that

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<v Speaker 1>keeps failing. He writes, I couldn't believe that with everything

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<v Speaker 1>science had come up with, they couldn't produce one little

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<v Speaker 1>clogproof tube. That little clogproof tube becomes his life's mission.

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<v Speaker 1>But what the hell does a writer know about medical tubes?

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<v Speaker 1>Without any medical expertise, a drawn Dall relies on his

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<v Speaker 1>creativity instead. But where to begin. His first call is

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<v Speaker 1>to doctor Kenneth Till, a pediatric neurosurgeon who's been in

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<v Speaker 1>charge of THEO at the hospital. Till can help with

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<v Speaker 1>the science, but they need someone else, to someone who

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<v Speaker 1>can help with the design. In a very inspired, very creative,

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<v Speaker 1>very dolly in move, Doll decides to call a toy maker.

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<v Speaker 1>He knows Stanley Wade. Doll had once bought model airplanes

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<v Speaker 1>from Wade for his nephew, and he remembers how ingenious

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<v Speaker 1>Wade was with tiny instruments. Together the three of them,

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<v Speaker 1>Doll Till and Wade spend hours in Doll's living room

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<v Speaker 1>brainstorming ideas. It's not that different from the writer's room

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<v Speaker 1>in la where Walt Disney first taught Doll how to

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<v Speaker 1>collaborate years ago. They throw ideas on the board, rejecting

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<v Speaker 1>ones that don't work and building on those that do.

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<v Speaker 1>They take breaks to play pool, They snack, they laugh,

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<v Speaker 1>They pour coffee down their throats by the gallon. In hindsight,

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<v Speaker 1>what they come up with seem so obvious, but no

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<v Speaker 1>one had done it before. For instance, until that moment,

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<v Speaker 1>all of these tubes were made of plastic, which was

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<v Speaker 1>expensive and hard to sterilize. Doll and his two partners

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<v Speaker 1>swapped out the plastic for stainless steel, which made the

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<v Speaker 1>device more durable and also way easier to disinfect and

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<v Speaker 1>prevent infections. They also changed the designs slightly to give

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<v Speaker 1>the tube a bigger surface area, which prevented fluid from

0:12:58.320 --> 0:13:02.920
<v Speaker 1>flowing back into the brain and eating blackage. Again, sounds obvious,

0:13:03.120 --> 0:13:04.960
<v Speaker 1>but no one had ever come up with a design

0:13:04.960 --> 0:13:07.599
<v Speaker 1>that reduced the risk of blockage before. I don't know

0:13:07.640 --> 0:13:10.080
<v Speaker 1>if it's the special alchemy of these three specific men

0:13:10.120 --> 0:13:12.600
<v Speaker 1>with their very different skill sets or the urgency. Doll

0:13:12.640 --> 0:13:14.480
<v Speaker 1>feels to get this done quickly to save his son.

0:13:14.920 --> 0:13:18.000
<v Speaker 1>But together, Doll, Till and Wade come up with a

0:13:18.040 --> 0:13:23.760
<v Speaker 1>better tube than has ever existed. Can I just stop

0:13:23.800 --> 0:13:26.600
<v Speaker 1>for a second here to say, Oh my God? With

0:13:26.720 --> 0:13:29.680
<v Speaker 1>absolutely no training, Doll wills himself to come up with

0:13:29.720 --> 0:13:33.000
<v Speaker 1>this breakthrough device in order to save theo his only son.

0:13:33.640 --> 0:13:35.560
<v Speaker 1>Is that not the greatest thing you've ever heard? His

0:13:35.720 --> 0:13:38.920
<v Speaker 1>poor infant son is dying. Nothing is working, and instead

0:13:38.920 --> 0:13:42.360
<v Speaker 1>of just throwing his hands up, he literally invents the solution.

0:13:43.120 --> 0:13:45.120
<v Speaker 1>It takes two years for them to build it, which

0:13:45.120 --> 0:13:47.320
<v Speaker 1>is roughly forty thousand years fewer than it would have

0:13:47.320 --> 0:13:53.120
<v Speaker 1>taken me. The Wade Doll Till valve name for its

0:13:53.160 --> 0:13:57.240
<v Speaker 1>three innovators, is so successful that it soon gets manufactured globally.

0:13:57.920 --> 0:14:00.040
<v Speaker 1>Dall insists they not make a profit on it in

0:14:00.120 --> 0:14:03.040
<v Speaker 1>order to be able to distribute it cheaply. According to

0:14:03.040 --> 0:14:06.280
<v Speaker 1>the National Library of Medicine at NIH, the device is

0:14:06.400 --> 0:14:09.120
<v Speaker 1>estimated to have been used in two to three thousand

0:14:09.240 --> 0:14:11.880
<v Speaker 1>children worldwide in the two years after they came up

0:14:11.920 --> 0:14:15.640
<v Speaker 1>with it. It's especially useful in developing nations, where medical

0:14:15.679 --> 0:14:18.120
<v Speaker 1>devices like this mean the difference between life and death.

0:14:21.280 --> 0:14:23.400
<v Speaker 1>Not to take us off topic, but a quick aside

0:14:23.480 --> 0:14:24.960
<v Speaker 1>just to say that I did a bunch of research

0:14:25.000 --> 0:14:27.480
<v Speaker 1>around this, and the only similar example I've found of

0:14:27.560 --> 0:14:30.760
<v Speaker 1>anything like this ever happening a breakthrough medical device getting

0:14:30.800 --> 0:14:34.240
<v Speaker 1>created by someone without medical training is exactly one year later,

0:14:34.720 --> 0:14:37.720
<v Speaker 1>a guy named Paul Winchell, a TV actor who appeared

0:14:37.720 --> 0:14:39.640
<v Speaker 1>in lots of sitcoms like The Brady Bunch and The

0:14:39.640 --> 0:14:42.160
<v Speaker 1>Beverly Hillbillies and was the original voice of Tigger and

0:14:42.200 --> 0:14:45.280
<v Speaker 1>Winnie the Pooh. He co creates the first artificial heart.

0:14:47.080 --> 0:14:49.200
<v Speaker 1>I have nothing more to say about that except what

0:14:49.240 --> 0:14:54.760
<v Speaker 1>the hell was happening in the sixties for Dahl. Creating

0:14:54.760 --> 0:14:57.120
<v Speaker 1>the tube is another incredible feat in a life full

0:14:57.120 --> 0:14:59.600
<v Speaker 1>of them. I think each of these accomplishments was only

0:14:59.600 --> 0:15:02.400
<v Speaker 1>possible because of the one that came before. They all

0:15:02.440 --> 0:15:05.120
<v Speaker 1>built on each other. When Doll was recruited into the

0:15:05.120 --> 0:15:08.520
<v Speaker 1>Irregulars in his twenties without any espionage training, he didn't

0:15:08.560 --> 0:15:10.240
<v Speaker 1>know what he was doing, but in a matter of

0:15:10.280 --> 0:15:13.280
<v Speaker 1>months he was hanging out with Franklin and Eleanor Roosevelt.

0:15:13.600 --> 0:15:16.440
<v Speaker 1>When he decided to write movies, he was completely clueless,

0:15:16.680 --> 0:15:19.040
<v Speaker 1>but soon he was on top of Hollywood, working with

0:15:19.080 --> 0:15:22.160
<v Speaker 1>Walt Disney and Alfred Hitchcock. When you go through life

0:15:22.200 --> 0:15:25.040
<v Speaker 1>like that with no apparent ceiling to what's possible, with

0:15:25.160 --> 0:15:28.960
<v Speaker 1>life constantly reinforcing your crazy ambitions, you must start to

0:15:29.000 --> 0:15:31.360
<v Speaker 1>feel like nothing is out of reach. So when no

0:15:31.480 --> 0:15:34.440
<v Speaker 1>device exists to help cure your infant son, you don't

0:15:34.440 --> 0:15:37.000
<v Speaker 1>go to church and pray. You call a doctor and

0:15:37.040 --> 0:15:42.960
<v Speaker 1>a toymaker you know, and say let's get to work. Doll,

0:15:43.040 --> 0:15:45.200
<v Speaker 1>of course, later puts all of this into his writing.

0:15:45.680 --> 0:15:48.240
<v Speaker 1>The lead character in Chitty Chitty Bang Bang is partly

0:15:48.280 --> 0:15:51.600
<v Speaker 1>based on the toymaker Wade, and Willy Wonka has parts

0:15:51.600 --> 0:15:54.920
<v Speaker 1>of all three men, an innovating scientist, a creative genius,

0:15:55.040 --> 0:15:58.200
<v Speaker 1>a toy making savant. But instead of torturing children like

0:15:58.240 --> 0:16:00.960
<v Speaker 1>Wonka does, Doll and his buddies build a device to

0:16:01.080 --> 0:16:01.600
<v Speaker 1>save them.

0:16:02.120 --> 0:16:05.560
<v Speaker 4>Invention, my dear friends, is ninety three percent per aspiration,

0:16:06.280 --> 0:16:11.400
<v Speaker 4>six percent electricity, four percent evaporation, and two percent.

0:16:11.560 --> 0:16:15.120
<v Speaker 1>But a Scotch ripple that's one hundred and five percent. That's,

0:16:15.120 --> 0:16:17.400
<v Speaker 1>of course, the line from Willy Wonka and the Chocolate Factory.

0:16:18.040 --> 0:16:20.240
<v Speaker 1>But Doll isn't yet ready to write that he's still

0:16:20.280 --> 0:16:22.840
<v Speaker 1>a few years away from dreaming wanka up. He's still

0:16:22.840 --> 0:16:26.800
<v Speaker 1>writing for the wrong audience, namely adults, and it's not

0:16:26.840 --> 0:16:30.920
<v Speaker 1>going well. Doll's creative frustration start bleeding into his home life,

0:16:31.040 --> 0:16:34.600
<v Speaker 1>adding strain to a family already fractured by theo's accident.

0:16:37.400 --> 0:16:39.440
<v Speaker 1>But if he thinks the pressures are intense right now,

0:16:39.720 --> 0:16:42.360
<v Speaker 1>they're nothing compared to what's lying right around the corner.

0:16:44.320 --> 0:16:47.520
<v Speaker 1>Doll o'niel's second oldest daughter, Tessa, sums up what's about

0:16:47.520 --> 0:16:49.640
<v Speaker 1>to happen well when she says, theirs was a family

0:16:49.680 --> 0:16:53.160
<v Speaker 1>that quote toppled unwittingly over the edge of a jagged

0:16:53.160 --> 0:16:56.160
<v Speaker 1>cliff face into a canyon of darkness, which was filled

0:16:56.160 --> 0:17:01.440
<v Speaker 1>with such sadness, such total devastation, that we would never recover. Yeah,

0:17:01.920 --> 0:17:15.000
<v Speaker 1>get ready. Olivia is Dall o'nil's first born. It's now

0:17:15.080 --> 0:17:18.840
<v Speaker 1>November nineteen sixty two, a little less than two years

0:17:18.840 --> 0:17:22.080
<v Speaker 1>after Theo's accident. The family has left New York and

0:17:22.160 --> 0:17:26.040
<v Speaker 1>is living in England. Now, Olivia comes home with a

0:17:26.080 --> 0:17:28.760
<v Speaker 1>note from the headmistress of her elementary school warning of

0:17:28.760 --> 0:17:34.359
<v Speaker 1>a measles outbreak. She's seven years old. Doll Emil's first thought,

0:17:34.359 --> 0:17:37.119
<v Speaker 1>of course, is about THEO. After what he's been through,

0:17:37.240 --> 0:17:40.040
<v Speaker 1>they can't risk him getting the virus under any circumstances.

0:17:40.480 --> 0:17:43.480
<v Speaker 1>Vaccines against the disease are still pretty uncommon in this era,

0:17:43.720 --> 0:17:47.920
<v Speaker 1>and doses are unlimited supply. But pulling some strings, Meal

0:17:48.040 --> 0:17:50.760
<v Speaker 1>is able to obtain the vaccine for THEO, which means Olivia,

0:17:50.840 --> 0:17:56.359
<v Speaker 1>who's perfectly healthy, doesn't get any protection. And of course

0:17:57.200 --> 0:18:01.000
<v Speaker 1>Olivia contracts measles. It does seem like a terrible case

0:18:01.000 --> 0:18:05.240
<v Speaker 1>at first, but here's doll on what happens next.

0:18:06.280 --> 0:18:10.560
<v Speaker 4>One morning, when Olivia was well on the road to recovery,

0:18:10.640 --> 0:18:14.159
<v Speaker 4>I was sitting on her bed showing her how to

0:18:14.880 --> 0:18:18.800
<v Speaker 4>fashion little animals out of colored pipe cleaners, And when

0:18:18.800 --> 0:18:21.399
<v Speaker 4>it came to her turn to make one herself, I

0:18:21.520 --> 0:18:24.880
<v Speaker 4>noticed that her fingers in her mind were not working together,

0:18:25.359 --> 0:18:26.640
<v Speaker 4>and she couldn't do anything.

0:18:27.359 --> 0:18:30.919
<v Speaker 5>How are you feeling all right, I asked her. I

0:18:30.960 --> 0:18:35.720
<v Speaker 5>feel all sleepy, she said. In an hour she was unconscious,

0:18:36.400 --> 0:18:39.399
<v Speaker 5>and in twelve hours she was dead.

0:18:42.840 --> 0:18:45.720
<v Speaker 1>In such a cruel mirror to his own childhood, Olivia

0:18:45.800 --> 0:18:48.760
<v Speaker 1>is seven when she dies, the same age Doll's older sister,

0:18:48.880 --> 0:18:53.680
<v Speaker 1>Astri was when she died. The defining moment of Doll's childhood,

0:18:53.840 --> 0:18:59.080
<v Speaker 1>repeated again in his adulthood. In Doll's memoir Boy, he

0:18:59.119 --> 0:19:02.480
<v Speaker 1>writes about Astri she was far and away my father's favorite.

0:19:02.560 --> 0:19:05.760
<v Speaker 1>He says he adored her beyond measure, and her sudden

0:19:05.800 --> 0:19:11.480
<v Speaker 1>death left him literally speechless for days afterwards. Dall's father

0:19:11.640 --> 0:19:14.280
<v Speaker 1>was so overwhelmed with grief that when he himself went

0:19:14.320 --> 0:19:17.040
<v Speaker 1>down in pneumonia a few weeks after Astrey died, he

0:19:17.080 --> 0:19:20.119
<v Speaker 1>didn't care whether or not he survived. Doll writes, a

0:19:20.200 --> 0:19:24.920
<v Speaker 1>patient had to fight to survive. My father refused to fight.

0:19:25.440 --> 0:19:28.399
<v Speaker 1>He was thinking, I am quite sure of his beloved daughter,

0:19:29.160 --> 0:19:32.040
<v Speaker 1>and he was wanting to join her in heaven. So

0:19:32.080 --> 0:19:35.480
<v Speaker 1>he died too. He was fifty seven years old. My

0:19:35.600 --> 0:19:38.520
<v Speaker 1>mother had now lost a daughter and a husband, all

0:19:38.560 --> 0:19:40.960
<v Speaker 1>in the space of a few weeks. Heaven knows what

0:19:41.000 --> 0:19:42.480
<v Speaker 1>it must have felt like to be hit with a

0:19:42.480 --> 0:19:46.159
<v Speaker 1>double catastrophe like this, Doll finishes, which is such a

0:19:46.200 --> 0:19:48.760
<v Speaker 1>strange turn of phrase, because, of course Dall was hit

0:19:48.800 --> 0:19:54.560
<v Speaker 1>with it too. He was three years old. So the

0:19:54.600 --> 0:19:57.320
<v Speaker 1>big question right now for Doll can he be stronger

0:19:57.359 --> 0:20:00.919
<v Speaker 1>than his father? Was? He genuine he doesn't know the answer.

0:20:01.280 --> 0:20:04.160
<v Speaker 1>He becomes lost. He begins drinking more and taking more

0:20:04.200 --> 0:20:07.280
<v Speaker 1>painkillers for his old back injury from the plane crash.

0:20:07.680 --> 0:20:10.040
<v Speaker 1>It happened so swiftly that one didn't have time to

0:20:10.080 --> 0:20:12.719
<v Speaker 1>prepare for it. Doll writes, I was in a kind

0:20:12.760 --> 0:20:15.720
<v Speaker 1>of daze, I suppose, and morbid thoughts kept after me.

0:20:16.320 --> 0:20:18.280
<v Speaker 1>That kind of thought can run you down, you know,

0:20:18.680 --> 0:20:21.399
<v Speaker 1>worrying about fate and the meaning of things. I couldn't

0:20:21.440 --> 0:20:24.240
<v Speaker 1>do any writing, and that went on for about a

0:20:24.320 --> 0:20:30.360
<v Speaker 1>year and a half. According to Dennison, Doll's only recourse

0:20:30.440 --> 0:20:32.880
<v Speaker 1>is to try to figure out exactly what happened to Olivia.

0:20:33.320 --> 0:20:35.639
<v Speaker 1>Maybe he can invent something that will help others in

0:20:35.680 --> 0:20:38.639
<v Speaker 1>the same situation, like the medical tube he made for THEO.

0:20:38.840 --> 0:20:41.720
<v Speaker 1>He remembers that Olivia strangely hadn't had a reaction to

0:20:41.760 --> 0:20:46.160
<v Speaker 1>her smallpox vaccinations years before, meaning she seemed naturally immune

0:20:46.200 --> 0:20:49.760
<v Speaker 1>to that disease. Huh, maybe there was a connection between

0:20:49.760 --> 0:20:52.840
<v Speaker 1>that and her measle's reaction. He begins writing letters to

0:20:52.880 --> 0:20:57.640
<v Speaker 1>specialists around the globe. He is desperate for answers. Dall

0:20:57.720 --> 0:20:58.960
<v Speaker 1>tells Barry Ferrell.

0:20:58.760 --> 0:21:01.040
<v Speaker 4>I got the idea that the must be some way

0:21:01.080 --> 0:21:03.919
<v Speaker 4>of finding out in advance if a child is susceptible

0:21:03.960 --> 0:21:06.880
<v Speaker 4>to this. I wanted to set up a careful investigation,

0:21:07.320 --> 0:21:09.200
<v Speaker 4>and I was prepared to get in touch with every

0:21:09.280 --> 0:21:11.800
<v Speaker 4>parent of every child in this country who had had

0:21:11.800 --> 0:21:15.480
<v Speaker 4>severe complications from measles. I thought of drawing up a

0:21:15.560 --> 0:21:19.040
<v Speaker 4>questionnaire and correlating the answers. But by then the inoculation

0:21:19.080 --> 0:21:21.800
<v Speaker 4>against measles had become more common in England, so the

0:21:21.800 --> 0:21:23.760
<v Speaker 4>problem had been very largely erased.

0:21:24.960 --> 0:21:28.720
<v Speaker 1>Still, Dahl seems hell banned on blaming himself for Olivia's death.

0:21:29.480 --> 0:21:32.359
<v Speaker 1>After Theo's accident on the Upper East Side, Dal O'Neil

0:21:32.600 --> 0:21:34.399
<v Speaker 1>had decided to get the hell out of Manhattan.

0:21:34.880 --> 0:21:37.800
<v Speaker 4>Normally we would have been in New York in November,

0:21:38.000 --> 0:21:41.399
<v Speaker 4>but after the accident we said, let's get out of

0:21:41.440 --> 0:21:45.080
<v Speaker 4>this place where children are hit by taxi cabs, and

0:21:45.119 --> 0:21:49.320
<v Speaker 4>we moved our permanent household to England. Of course, Olivia

0:21:49.480 --> 0:21:51.560
<v Speaker 4>wouldn't have died if we had stayed in New York.

0:21:52.000 --> 0:21:56.320
<v Speaker 4>They had the inoculations there, but here in England they

0:21:56.359 --> 0:21:58.760
<v Speaker 4>weren't available them.

0:21:58.880 --> 0:22:01.400
<v Speaker 1>Meal's strategy to deal with all this grief is through religion,

0:22:01.600 --> 0:22:05.000
<v Speaker 1>finding solace in her Southern Protestant upbringing. But Doll is

0:22:05.000 --> 0:22:08.600
<v Speaker 1>dismissive of nearly all religious beliefs, comparing them to superstition.

0:22:09.240 --> 0:22:11.360
<v Speaker 1>I don't have those feelings at all, he writes, though

0:22:11.359 --> 0:22:13.760
<v Speaker 1>he does confess to having moments of wondering how so

0:22:13.880 --> 0:22:17.280
<v Speaker 1>much misfortune could befall one family. But Doll doesn't see

0:22:17.280 --> 0:22:19.399
<v Speaker 1>it as a curse or, as he puts it, a

0:22:19.440 --> 0:22:22.760
<v Speaker 1>doom coming down on us. He just thought, how odd.

0:22:23.200 --> 0:22:25.119
<v Speaker 1>I don't think I'm capable of taking it beyond that,

0:22:25.680 --> 0:22:28.600
<v Speaker 1>Superstition is something one grows out of. You try avoiding

0:22:28.640 --> 0:22:30.600
<v Speaker 1>all the cracks in the pavement, or you touch all

0:22:30.600 --> 0:22:32.480
<v Speaker 1>the posts in the fence, but then you find out

0:22:32.520 --> 0:22:34.920
<v Speaker 1>later that it doesn't help. You find out that it's

0:22:34.960 --> 0:22:36.439
<v Speaker 1>not going to make a bit of difference if you

0:22:36.480 --> 0:22:38.520
<v Speaker 1>step on the cracks or not. I think I just

0:22:38.560 --> 0:22:41.440
<v Speaker 1>realized subconsciously that if you start thinking about bad luck,

0:22:41.600 --> 0:22:44.639
<v Speaker 1>you're starting to weaken. The great thing is to keep going.

0:22:44.880 --> 0:22:51.280
<v Speaker 1>Whatever happens, Doll finishes, so unlike his father, Doll decides

0:22:51.320 --> 0:22:54.600
<v Speaker 1>to live. He becomes the embodiment of that famous Samuel

0:22:54.640 --> 0:22:58.040
<v Speaker 1>Beckett phrase, you must go on. I can't go on.

0:22:58.880 --> 0:23:04.639
<v Speaker 1>I'll go on. Tessa meanwhile, needs her parents help to

0:23:05.359 --> 0:23:08.720
<v Speaker 1>this poor girl. She watched her brother's accident from the sidewalk,

0:23:08.840 --> 0:23:12.240
<v Speaker 1>and now her older sister is dead. She's understandably struggling.

0:23:13.119 --> 0:23:15.720
<v Speaker 1>The Dolls take her to see Anna Freud, a pioneering

0:23:15.720 --> 0:23:19.520
<v Speaker 1>psychoanalyst and the youngest daughter of Sigmund. Anna suggests family

0:23:19.560 --> 0:23:24.200
<v Speaker 1>therapy for the Dolls, but Roled refuses. His writing still

0:23:24.280 --> 0:23:26.000
<v Speaker 1>isn't going well and he doesn't want to take any

0:23:26.080 --> 0:23:28.679
<v Speaker 1>chances of losing his edge. He says he seemed too

0:23:28.720 --> 0:23:31.280
<v Speaker 1>many writers who could never create anymore after they had

0:23:31.280 --> 0:23:35.040
<v Speaker 1>all their nooks and crannies flattened like pancakes. No therapy

0:23:35.080 --> 0:23:39.639
<v Speaker 1>for him, but Doll does need to find something, something

0:23:39.640 --> 0:23:42.280
<v Speaker 1>that will give his life meaning again. He tells Barry

0:23:42.320 --> 0:23:44.480
<v Speaker 1>Ferrell that there was something that had a huge influence

0:23:44.480 --> 0:23:47.359
<v Speaker 1>on him during the war. It was called Mcrobert's Reply.

0:23:48.119 --> 0:23:51.800
<v Speaker 4>Lady McRobert was a fine Scottish woman with a manor house,

0:23:52.280 --> 0:23:56.440
<v Speaker 4>and she had three sons, all an the raf all pilots,

0:23:56.800 --> 0:23:59.600
<v Speaker 4>and all of them killed one after the other in

0:23:59.680 --> 0:24:04.800
<v Speaker 4>nineteen forty one. Lady McRobert, upon hearing this news, gave

0:24:04.800 --> 0:24:07.399
<v Speaker 4>a tremendous sum of money to pay for the cost

0:24:07.440 --> 0:24:11.240
<v Speaker 4>of a sterling bomber, and when that plane was built,

0:24:11.600 --> 0:24:16.520
<v Speaker 4>she had painted on it. Lady Mcrobert's reply, I can

0:24:16.560 --> 0:24:20.480
<v Speaker 4>remember being moved by that. It was something really dauntless.

0:24:21.359 --> 0:24:23.840
<v Speaker 4>You simply cannot defeat such people.

0:24:26.440 --> 0:24:28.840
<v Speaker 1>Doc comes up with his own version of this. He

0:24:28.880 --> 0:24:32.399
<v Speaker 1>dedicates his masterpiece, The BFG, to Olivia. The book was

0:24:32.440 --> 0:24:34.720
<v Speaker 1>inspired by a story he would tell Olivia at night

0:24:34.760 --> 0:24:37.760
<v Speaker 1>while she fell asleep. Now millions of other children benefit

0:24:37.800 --> 0:24:41.359
<v Speaker 1>from it. It's not exactly a sterling bomber to avenge

0:24:41.400 --> 0:24:44.119
<v Speaker 1>his child's death, but it is his own defiant reply

0:24:44.280 --> 0:24:49.239
<v Speaker 1>to loss, transforming grief into wonder, ensuring that while one

0:24:49.280 --> 0:24:53.480
<v Speaker 1>little girl's laughter was silenced, countless others will echo thanks

0:24:53.480 --> 0:24:58.399
<v Speaker 1>to the pages he writes in her memory. Okay, it's

0:24:58.480 --> 0:25:01.520
<v Speaker 1>nineteen sixty five. Now Dahl has lost a daughter. He

0:25:01.560 --> 0:25:03.440
<v Speaker 1>has a son who's in and out of the hospital.

0:25:03.760 --> 0:25:06.600
<v Speaker 1>His writing is not going well. He still hasn't found

0:25:06.600 --> 0:25:09.360
<v Speaker 1>his voice or his audience. But at least he's got

0:25:09.359 --> 0:25:14.320
<v Speaker 1>his wife right again. Hold on tight. Just a few

0:25:14.359 --> 0:25:17.480
<v Speaker 1>years after Olivia's death, Neil lands a huge acting job.

0:25:17.800 --> 0:25:20.199
<v Speaker 1>It's the lead in a studio film being directed by

0:25:20.240 --> 0:25:23.399
<v Speaker 1>one of Hollywood's All Time Legends four time Best Director

0:25:23.440 --> 0:25:24.720
<v Speaker 1>winner John Ford.

0:25:25.119 --> 0:25:27.440
<v Speaker 6>Back in the sixties, Orson Welles was interviewed and one

0:25:27.440 --> 0:25:29.280
<v Speaker 6>of the questions he was asked was who his favorite

0:25:29.280 --> 0:25:33.680
<v Speaker 6>American directors were. He said, well, I prefer the old masters,

0:25:33.760 --> 0:25:38.560
<v Speaker 6>by which I mean john Ford, john Ford and John Ford.

0:25:39.920 --> 0:25:42.920
<v Speaker 1>That was director of Peter Bugdanovich from a documentary called

0:25:43.119 --> 0:25:46.280
<v Speaker 1>Directed by John Ford. The movie Ford wants Patrician Neil

0:25:46.280 --> 0:25:49.119
<v Speaker 1>to star in will be his final film. He's retiring,

0:25:49.240 --> 0:25:51.280
<v Speaker 1>even though he's less than a decade removed from some

0:25:51.320 --> 0:25:53.600
<v Speaker 1>of his best work, like The Searchers and The Man

0:25:53.640 --> 0:25:57.440
<v Speaker 1>Who Shot Liberty Violence. Neil is ecstatic to work with Ford,

0:25:57.680 --> 0:25:59.400
<v Speaker 1>and it's maybe the only gig she would have said

0:25:59.440 --> 0:26:01.760
<v Speaker 1>yes to right now, because, in addition to everything else

0:26:01.800 --> 0:26:04.640
<v Speaker 1>going on with her family, she's just discovered she's three

0:26:04.680 --> 0:26:08.440
<v Speaker 1>months pregnant. Neil brings Doll and the kids out to

0:26:08.560 --> 0:26:11.399
<v Speaker 1>LA for the shoot. She's hoping, praying it'll be a

0:26:11.400 --> 0:26:14.960
<v Speaker 1>comforting change of scenery for the grieving family. Neil arranges

0:26:15.000 --> 0:26:17.919
<v Speaker 1>for all of them to stay in director Martin Ritt's house.

0:26:18.640 --> 0:26:22.160
<v Speaker 1>Years earlier, Ritt directed Neil to an Oscar in hud

0:26:22.520 --> 0:26:24.680
<v Speaker 1>By this point, his career has been derailed by the

0:26:24.720 --> 0:26:28.359
<v Speaker 1>Hollywood Blacklist for being a suspected communist. One look at

0:26:28.359 --> 0:26:30.480
<v Speaker 1>his crazy mansion of the Palisades, though, and you know

0:26:30.600 --> 0:26:33.879
<v Speaker 1>this guy isn't totally opposed to capitalism, writ and his

0:26:33.920 --> 0:26:36.600
<v Speaker 1>family are abroad, so Neil, Doll and the kids have

0:26:36.680 --> 0:26:44.119
<v Speaker 1>it all to themselves. When they arrive in La It's February.

0:26:44.359 --> 0:26:47.520
<v Speaker 1>Neil begins filming. Four days into the shoot, she has

0:26:47.560 --> 0:26:52.720
<v Speaker 1>the afternoon off. She comes home to give Tessa a bath. Suddenly,

0:26:52.840 --> 0:26:55.600
<v Speaker 1>out of nowhere, Neil feels a searing headache. Come on,

0:26:56.720 --> 0:26:58.919
<v Speaker 1>headache isn't even the right word. It's like a knife

0:26:58.920 --> 0:27:03.879
<v Speaker 1>in her skull. Later writes, she collapses to the floor

0:27:03.920 --> 0:27:08.080
<v Speaker 1>next to the bathtub. Dol happens to be in the bedroom,

0:27:08.160 --> 0:27:10.560
<v Speaker 1>so he hears the thud and comes rushing in. He

0:27:10.640 --> 0:27:14.119
<v Speaker 1>finds Neil unconscious. He quickly pulls poor Tessa out of

0:27:14.119 --> 0:27:17.239
<v Speaker 1>the tub. She's crying her eyes out looking at her

0:27:17.240 --> 0:27:23.280
<v Speaker 1>mom unconscious on the floor. Doll's panic only lasts a moment.

0:27:23.640 --> 0:27:27.680
<v Speaker 1>He's been here before. Almost an autopilot, Doll flies into action.

0:27:28.119 --> 0:27:32.600
<v Speaker 1>He's ready for this. THEO and Olivia have prepared him first,

0:27:32.640 --> 0:27:36.040
<v Speaker 1>he calls an ambulance, then quickly calls doctor Charles Carton,

0:27:36.160 --> 0:27:39.879
<v Speaker 1>a neurosurgeon who consulted on THEO. It's kind of an

0:27:39.880 --> 0:27:42.879
<v Speaker 1>amazing twist of fate. Only because of Theo's accident does

0:27:42.960 --> 0:27:44.720
<v Speaker 1>Doll have the home phone number of one of the

0:27:44.720 --> 0:27:48.000
<v Speaker 1>best neurosurgeons in the world. Thanks to Doll's quick thinking,

0:27:48.200 --> 0:27:50.920
<v Speaker 1>they're a UCLA medical center within twenty minutes of Neil

0:27:50.960 --> 0:27:55.760
<v Speaker 1>falling in the bathroom. Doctor Carton arrives at the same

0:27:55.800 --> 0:27:59.000
<v Speaker 1>time they do. He instantly takes charge, ordering tests and

0:27:59.160 --> 0:28:02.080
<v Speaker 1>X rays. Lead aprons are placed over Neil's belly to

0:28:02.080 --> 0:28:05.560
<v Speaker 1>protect the unborn child. Later, a TV movie will be

0:28:05.560 --> 0:28:08.119
<v Speaker 1>made about all this. I'm afraid it's what I suspected.

0:28:08.520 --> 0:28:11.359
<v Speaker 1>Here's the moment from the film. It's an enterrannial hemorrhage,

0:28:11.640 --> 0:28:13.680
<v Speaker 1>a stroke. If we had another.

0:28:13.480 --> 0:28:16.560
<v Speaker 7>Hemorrhage just now research sad happened while we were X

0:28:16.640 --> 0:28:18.879
<v Speaker 7>raying in the same place.

0:28:19.160 --> 0:28:21.840
<v Speaker 1>Yes, yes, I know.

0:28:22.280 --> 0:28:25.000
<v Speaker 3>Unfortunately, you're familiar with the brain because of Theo's accident

0:28:25.040 --> 0:28:25.560
<v Speaker 3>in New York.

0:28:26.280 --> 0:28:31.320
<v Speaker 1>Another emergency involving the brain. It's almost too hard to believe. First,

0:28:31.440 --> 0:28:33.800
<v Speaker 1>in his twenties, Doll had brain damage from his plane

0:28:33.800 --> 0:28:37.480
<v Speaker 1>crash in the war. Later, his mentor, Charles Marsh died

0:28:37.520 --> 0:28:40.920
<v Speaker 1>from brain inflammation from a mosquito bite. Then theo got

0:28:40.920 --> 0:28:43.880
<v Speaker 1>a brain injury from being hit by a taxi. Olivia

0:28:44.040 --> 0:28:47.160
<v Speaker 1>died from brain inflammation from the measles, and now Neil

0:28:47.280 --> 0:28:58.959
<v Speaker 1>has had a brain aneurysm. What on Earth? Doctor Carton

0:28:59.000 --> 0:29:04.160
<v Speaker 1>bluntly tells dol not to be optimistic. Without surgery, Neil

0:29:04.200 --> 0:29:08.120
<v Speaker 1>will definitely die, but she's unlikely to survive the surgery,

0:29:09.040 --> 0:29:11.720
<v Speaker 1>and if she does survive, she'll have severe complications for

0:29:11.760 --> 0:29:14.720
<v Speaker 1>the rest of her life. Dahl has to decide what

0:29:14.800 --> 0:29:18.440
<v Speaker 1>to do. He tells the doctor to do the surgery.

0:29:19.720 --> 0:29:22.840
<v Speaker 1>So Carton and six other doctors operate on Neil for

0:29:22.880 --> 0:29:27.200
<v Speaker 1>the next seven hours. They cut a four x six

0:29:27.240 --> 0:29:29.600
<v Speaker 1>trap door in her head to remove the blood clots

0:29:29.600 --> 0:29:35.120
<v Speaker 1>in her brain. After the seven hours, the surgery is successful,

0:29:35.440 --> 0:29:38.320
<v Speaker 1>which is sort of shocking even to the doctors. Neil

0:29:38.360 --> 0:29:41.480
<v Speaker 1>will live, but they're sure she'll never be herself again.

0:29:42.280 --> 0:29:46.880
<v Speaker 1>Here's Dahl recounting it all to BBC. One legend, Michael Parkinson.

0:29:46.920 --> 0:29:50.000
<v Speaker 3>I said to Charlie Carton, the surgeon, I said, well,

0:29:50.040 --> 0:29:52.160
<v Speaker 3>She's going to live now, isn't she? He said, yes,

0:29:52.240 --> 0:29:54.320
<v Speaker 3>she is. With that, I'm not sure how Tianya will

0:29:54.320 --> 0:29:58.120
<v Speaker 3>favor you see, which is the right thing to say?

0:29:58.160 --> 0:30:01.760
<v Speaker 1>Isn't heal? Because they odds are it's a vegetable?

0:30:02.320 --> 0:30:06.840
<v Speaker 3>Well they oh, yes, with that kind of brand, Abby.

0:30:06.920 --> 0:30:09.760
<v Speaker 1>It really shakes me up when Dahl says it's a vegetable,

0:30:10.120 --> 0:30:12.520
<v Speaker 1>as if he has to emotionally distance himself from her

0:30:12.560 --> 0:30:19.120
<v Speaker 1>by making her an object. The family does its best

0:30:19.160 --> 0:30:22.200
<v Speaker 1>to keep a low profile during this impossible time, but

0:30:22.320 --> 0:30:25.440
<v Speaker 1>Neil is only two years removed from winning Best Actress.

0:30:25.600 --> 0:30:27.320
<v Speaker 1>She's one of the most famous movie stars in the

0:30:27.320 --> 0:30:31.160
<v Speaker 1>world at the height of her powers. And then on

0:30:31.200 --> 0:30:34.560
<v Speaker 1>February twenty second, Variety runs a story with the banner

0:30:34.600 --> 0:30:39.560
<v Speaker 1>headline film actress Patricia Neil dies at thirty nine. Only

0:30:39.640 --> 0:30:45.920
<v Speaker 1>problem is she's not dead. Reporters, fans, and photographers swarm

0:30:46.000 --> 0:30:52.000
<v Speaker 1>the hospital for the ten days after the surgery. Neil

0:30:52.040 --> 0:30:54.600
<v Speaker 1>remains at a coma doll has to just sit and

0:30:54.640 --> 0:30:56.480
<v Speaker 1>wait to find out what his wife will be like

0:30:56.520 --> 0:30:58.640
<v Speaker 1>when she wakes up. But over that week and a

0:30:58.680 --> 0:31:01.560
<v Speaker 1>half he makes a decision. He decides it doesn't matter

0:31:01.600 --> 0:31:04.040
<v Speaker 1>what her abilities are. When she wakes up, He's gonna

0:31:04.080 --> 0:31:06.680
<v Speaker 1>will her back to her old self no matter what.

0:31:08.520 --> 0:31:11.320
<v Speaker 1>For all of Dall's character faults, he's an amazing caretaker

0:31:11.320 --> 0:31:14.600
<v Speaker 1>in times of crisis. During her coma, Doll remains at

0:31:14.600 --> 0:31:18.240
<v Speaker 1>his wife's bedside all day, every day, leaving only to eat,

0:31:18.480 --> 0:31:20.640
<v Speaker 1>see the kids, or catch a few hours of sleep.

0:31:21.120 --> 0:31:24.400
<v Speaker 1>And when she wakes up, his work begins. He's determined

0:31:24.440 --> 0:31:28.240
<v Speaker 1>to get his children their mother back. It's hard not

0:31:28.320 --> 0:31:30.720
<v Speaker 1>to imagine that this is what Doll wishes his mother

0:31:30.760 --> 0:31:33.000
<v Speaker 1>had done for his father when he was three years old.

0:31:33.640 --> 0:31:36.760
<v Speaker 1>If his mother had had Doll's forceful nature, his stubbornness,

0:31:36.800 --> 0:31:39.360
<v Speaker 1>his arrogance, might she have forced his dad to beat

0:31:39.400 --> 0:31:42.120
<v Speaker 1>his pneumonia and depression and live so the Doll could

0:31:42.120 --> 0:31:47.560
<v Speaker 1>have grown up with the father. Neil remains in the

0:31:47.560 --> 0:31:50.080
<v Speaker 1>hospital for over a month, a few days longer than

0:31:50.120 --> 0:31:53.640
<v Speaker 1>Theo's day. In the beginning, she can barely speak, and

0:31:53.680 --> 0:31:56.360
<v Speaker 1>she doesn't seem to remember words or names or events.

0:31:56.680 --> 0:31:59.120
<v Speaker 1>But Dol won't permit that to last. It's his new

0:31:59.240 --> 0:32:03.040
<v Speaker 1>version of creating Theo's tube. He's going to fix Neil himself.

0:32:03.880 --> 0:32:07.440
<v Speaker 1>As Dennison writes that Pat should recover and recover fully.

0:32:07.720 --> 0:32:12.160
<v Speaker 1>Became Rold's obsessive concern. More than any doctor, nurse, or therapist,

0:32:12.400 --> 0:32:17.280
<v Speaker 1>rolled dominated the steps of Pat's recovery. When Dahl finally

0:32:17.320 --> 0:32:19.280
<v Speaker 1>takes his wife home, her right leg is in a

0:32:19.320 --> 0:32:21.720
<v Speaker 1>brace and she has a patch over one eye. He

0:32:21.800 --> 0:32:25.280
<v Speaker 1>quickly hires a nurse, a physiotherapist, and a speech therapist.

0:32:25.920 --> 0:32:28.320
<v Speaker 1>Doctors warn him that more than an hour per day

0:32:28.320 --> 0:32:30.600
<v Speaker 1>of therapy is too much for Neil. But with no

0:32:30.640 --> 0:32:34.800
<v Speaker 1>formal medical or therapeutic training himself, just an unshakable belief

0:32:34.800 --> 0:32:37.840
<v Speaker 1>that he knows what's right, Dahal rejects their advice and

0:32:37.880 --> 0:32:41.560
<v Speaker 1>creates a rigorous schedule for his wife all day, every day.

0:32:43.640 --> 0:32:47.280
<v Speaker 1>Their friends who visit are shocked at Doll's militaristic attitude.

0:32:47.360 --> 0:32:51.000
<v Speaker 1>He seems to be torturing Neil. He becomes unrelenting, forcing

0:32:51.000 --> 0:32:54.080
<v Speaker 1>her to do speech therapy five hours a day. The

0:32:54.080 --> 0:32:56.520
<v Speaker 1>only thing that keeps Neil going is looking at theo

0:32:56.800 --> 0:32:59.480
<v Speaker 1>seeing how well he's doing, which convinces her of the

0:32:59.480 --> 0:33:03.720
<v Speaker 1>brains of to heal itself. But of course it's still

0:33:03.720 --> 0:33:07.280
<v Speaker 1>an impossible struggle for Neil. She can barely speak or move.

0:33:07.560 --> 0:33:10.960
<v Speaker 1>She has no agency. She cries all the time as

0:33:10.960 --> 0:33:13.680
<v Speaker 1>her speech comes back and fits and starts. She blows

0:33:13.760 --> 0:33:16.720
<v Speaker 1>up at Doll constantly, and she asks Barry Ferrell, the

0:33:16.800 --> 0:33:19.040
<v Speaker 1>journalist who's covering all this and who's become one of

0:33:19.080 --> 0:33:23.800
<v Speaker 1>her best friends, how to commit suicide. Farrell, who's just thirty,

0:33:24.040 --> 0:33:26.720
<v Speaker 1>is totally freaked out by this world famous actress asking

0:33:26.840 --> 0:33:29.480
<v Speaker 1>him these questions. He doesn't know whether he should tell

0:33:29.560 --> 0:33:32.400
<v Speaker 1>Doll or not. It turned out not to matter, because

0:33:32.440 --> 0:33:35.960
<v Speaker 1>one night at dinner, Ferrell explains pat mentioned suicide in

0:33:36.000 --> 0:33:38.720
<v Speaker 1>front of Rold and some guests, making her usual joke

0:33:38.760 --> 0:33:41.200
<v Speaker 1>about not knowing how she had drunk a bit too

0:33:41.280 --> 0:33:43.360
<v Speaker 1>much wine, and the laughter that spilled out of her

0:33:43.360 --> 0:33:47.120
<v Speaker 1>as she spoke sounded wild and demented. Well, if that's

0:33:47.160 --> 0:33:49.760
<v Speaker 1>all that's sopping you, your problems are solved, Doll tells

0:33:49.760 --> 0:33:51.960
<v Speaker 1>her in front of everyone. We've got knives in the

0:33:52.000 --> 0:33:53.800
<v Speaker 1>kitchen that will do you up fine, and there are

0:33:53.800 --> 0:33:56.480
<v Speaker 1>my razor blades upstairs or else. You can lock yourself

0:33:56.480 --> 0:33:58.280
<v Speaker 1>in the car and turn on the engine, and before

0:33:58.320 --> 0:34:03.000
<v Speaker 1>you know it, Bob's your uncle. Nothing to it. Making

0:34:03.000 --> 0:34:05.240
<v Speaker 1>a joke of it is, of course, Doll's way to cope,

0:34:05.480 --> 0:34:08.480
<v Speaker 1>and then he finds another way, turning it into his fiction.

0:34:09.160 --> 0:34:12.239
<v Speaker 1>Here's Doll explaining to Michael Parkinson.

0:34:11.760 --> 0:34:15.239
<v Speaker 3>Again when she started to pick up words, she made

0:34:15.239 --> 0:34:17.960
<v Speaker 3>them up, and I made her list them once. I

0:34:18.000 --> 0:34:20.200
<v Speaker 3>don't know where they asked. You'd just once say you'll

0:34:20.280 --> 0:34:22.640
<v Speaker 3>drive me crazy. She used to say, you'll jake my

0:34:22.800 --> 0:34:27.239
<v Speaker 3>de Arbels. It is a spindle phrase. She used to

0:34:27.239 --> 0:34:30.839
<v Speaker 3>call it a dry martini, a red screwdriver.

0:34:31.600 --> 0:34:34.640
<v Speaker 1>Dolls taking notes on all of his wife's funny, strange

0:34:34.640 --> 0:34:36.560
<v Speaker 1>turns of phrase, and it's going to put them into

0:34:36.560 --> 0:34:39.000
<v Speaker 1>the mouth of the BFG. If you haven't read that

0:34:39.000 --> 0:34:41.200
<v Speaker 1>book in a while. Here's a typical speech by the

0:34:41.239 --> 0:34:43.120
<v Speaker 1>giant from Steven Spielberg's adaptation.

0:34:44.120 --> 0:34:48.000
<v Speaker 8>And then there would be a great rumple dumpish, wouldn't they,

0:34:48.200 --> 0:34:51.040
<v Speaker 8>And all the human beans would be rummaging and whiffling

0:34:51.120 --> 0:34:53.960
<v Speaker 8>from the jarant what you saw and getting wildly excited.

0:34:53.960 --> 0:34:56.160
<v Speaker 8>And then they'd be locking me up in a cage

0:34:56.840 --> 0:35:00.319
<v Speaker 8>and to be looked at with all the squiggling, you know,

0:35:00.719 --> 0:35:05.640
<v Speaker 8>hippo dumplings and crocodilen dilly's and jiggy rabs, and then

0:35:05.840 --> 0:35:09.360
<v Speaker 8>there would be a joy gantious looksy joint hunt for

0:35:09.520 --> 0:35:10.520
<v Speaker 8>all of the boys.

0:35:10.640 --> 0:35:14.279
<v Speaker 1>I liked how that very unique speech pattern is part

0:35:14.280 --> 0:35:16.600
<v Speaker 1>of what makes the BFG one of the most indelible

0:35:16.680 --> 0:35:19.480
<v Speaker 1>characters ever put to print, And it comes right out

0:35:19.480 --> 0:35:22.960
<v Speaker 1>of his wife's stroke. On the one hand, it's not

0:35:23.040 --> 0:35:25.239
<v Speaker 1>Doll's most attractive trait to poke fun at his ill

0:35:25.280 --> 0:35:28.600
<v Speaker 1>wife's limitations. On the other, turning what must have been

0:35:28.640 --> 0:35:31.640
<v Speaker 1>intense private pain into his art is what all great

0:35:31.719 --> 0:35:34.200
<v Speaker 1>artists have always done. It just comes off a little

0:35:34.239 --> 0:35:36.759
<v Speaker 1>more comical in Doll's case, but he does make the

0:35:36.800 --> 0:35:39.960
<v Speaker 1>bfg's wordplay sympathetic, at least, like when he has him say,

0:35:40.320 --> 0:35:42.440
<v Speaker 1>please understand that I cannot be helping it if I

0:35:42.480 --> 0:35:45.600
<v Speaker 1>sometimes is saying things a little squiggly words, is oh,

0:35:45.640 --> 0:35:49.480
<v Speaker 1>such a twitch tickling problem to me. For Neil, of course,

0:35:49.680 --> 0:35:52.640
<v Speaker 1>it was much more terrifying than funny. Here she is

0:35:52.800 --> 0:35:55.440
<v Speaker 1>years later on Fresh Air speaking to Terry Gross.

0:35:56.360 --> 0:36:00.480
<v Speaker 7>I didn't even know one word from the other when

0:36:00.520 --> 0:36:05.080
<v Speaker 7>I first became conscious. My son he used to give

0:36:05.120 --> 0:36:09.760
<v Speaker 7>me reading lessons. You know. He would say cat and dog.

0:36:09.880 --> 0:36:12.680
<v Speaker 7>I mean they'd be written because he had had to

0:36:12.719 --> 0:36:15.680
<v Speaker 7>have those cards when he was young. I didn't even

0:36:15.680 --> 0:36:17.840
<v Speaker 7>know what that meant. I knew what nothing meant. You

0:36:17.920 --> 0:36:21.400
<v Speaker 7>have no idea when your brain is operating on me,

0:36:21.800 --> 0:36:24.279
<v Speaker 7>you have no brain. It's sad.

0:36:24.600 --> 0:36:26.799
<v Speaker 1>As you can hear from that clip, Neil did make

0:36:26.840 --> 0:36:30.080
<v Speaker 1>the amazing recovery that her husband insisted on. What maybe

0:36:30.160 --> 0:36:33.319
<v Speaker 1>most miraculous about the entire ordeal is that despite the

0:36:33.360 --> 0:36:37.040
<v Speaker 1>intense trauma Neil goes through, she somehow doesn't lose the pregnancy.

0:36:37.520 --> 0:36:40.120
<v Speaker 1>She was three months long when the stroke happened. In

0:36:40.160 --> 0:36:42.680
<v Speaker 1>the first week of August, Neil gives birth to their

0:36:42.760 --> 0:36:47.400
<v Speaker 1>fifth and final child, a happy, perfectly healthy baby girl, Lucy,

0:36:50.800 --> 0:36:54.440
<v Speaker 1>and life continues. Neil's good buddy, the actress Anne Bancroft,

0:36:54.520 --> 0:36:56.640
<v Speaker 1>steps into her role on the John Ford film and

0:36:56.680 --> 0:36:58.719
<v Speaker 1>comes by the house all the time, often with her

0:36:58.800 --> 0:37:02.480
<v Speaker 1>husband mel Brooks. Not for nothing, but knowing what we

0:37:02.520 --> 0:37:05.200
<v Speaker 1>do now about dolls feelings about Jews, there is no

0:37:05.239 --> 0:37:07.560
<v Speaker 1>amount of money I wouldn't pay to just watch him

0:37:07.600 --> 0:37:12.040
<v Speaker 1>interact with mel Brooks. Lots of Neil's friends come by

0:37:12.040 --> 0:37:14.560
<v Speaker 1>to see her during this period. Frank Sinatra shows up

0:37:14.560 --> 0:37:17.680
<v Speaker 1>with a stack of records, Judy Garland brings flowers, Carrie

0:37:17.719 --> 0:37:20.600
<v Speaker 1>Grant and john Ford come for coffee, Robert Altman drops

0:37:20.640 --> 0:37:25.040
<v Speaker 1>by to cook dinner for the family. Dahl's nutty rehab

0:37:25.080 --> 0:37:28.680
<v Speaker 1>program for his wife has worked. It's an incredible comeback story,

0:37:28.719 --> 0:37:31.800
<v Speaker 1>and Neil has offered tons of jobs. According to Cohen,

0:37:32.000 --> 0:37:34.479
<v Speaker 1>Mike Nichols offers her one of the most iconic roles

0:37:34.480 --> 0:37:37.960
<v Speaker 1>in cinema history, the part of Missus Robinson, opposite Dustin

0:37:38.000 --> 0:37:40.800
<v Speaker 1>Hoffman and the Graduate. But Neil doesn't think she's ready

0:37:40.840 --> 0:37:43.360
<v Speaker 1>for such a heavy lift, and the role goes again

0:37:43.600 --> 0:37:47.279
<v Speaker 1>to her pal An Bancroft. Instead, Neil takes on some

0:37:47.320 --> 0:37:51.240
<v Speaker 1>commercials for pain relievers, easy gigs, which speak to her recovery.

0:37:51.640 --> 0:37:54.120
<v Speaker 9>You can't let a simple headache interfere with the joy

0:37:54.160 --> 0:37:56.360
<v Speaker 9>of life get in the way of your day. The

0:37:56.440 --> 0:37:59.799
<v Speaker 9>joys of this world belong to the bjas. Let ann

0:38:00.280 --> 0:38:03.160
<v Speaker 9>to help you bite headache pain and win well.

0:38:03.200 --> 0:38:05.960
<v Speaker 1>The commercials pay well. The bills for Neil's medical care

0:38:06.120 --> 0:38:09.600
<v Speaker 1>are astronomical. Her insurance with the screen actor's Guil covers some,

0:38:10.040 --> 0:38:13.200
<v Speaker 1>but with Doll's insistance on round the clock rehab expenses

0:38:13.200 --> 0:38:15.720
<v Speaker 1>are adding up, and without Neil fully back at work,

0:38:16.200 --> 0:38:22.879
<v Speaker 1>Doll has to become the breadwinner. Doll tries to figure

0:38:22.880 --> 0:38:25.000
<v Speaker 1>out how he can start making some real money. He

0:38:25.080 --> 0:38:27.760
<v Speaker 1>shifts gears. Doll has always gotten a lot of pleasure

0:38:27.760 --> 0:38:29.799
<v Speaker 1>out of making up stories for his kids, and with

0:38:29.840 --> 0:38:32.480
<v Speaker 1>Olivia and Theo's accidents, his kids have been on his

0:38:32.520 --> 0:38:35.640
<v Speaker 1>mind non stop for several years now. He decides to

0:38:35.640 --> 0:38:38.640
<v Speaker 1>try an experiment. He takes one of his old stories

0:38:38.640 --> 0:38:41.600
<v Speaker 1>for adults, William and Mary, about a troubled marriage, and

0:38:41.640 --> 0:38:44.480
<v Speaker 1>more or less rewrites it for kids. It's a strange

0:38:44.520 --> 0:38:46.760
<v Speaker 1>idea for a children's story, but it's about to become

0:38:46.760 --> 0:38:49.560
<v Speaker 1>about a million times more successful in that forum than

0:38:49.600 --> 0:38:52.480
<v Speaker 1>it ever was for adults. He does the same thing

0:38:52.480 --> 0:38:55.560
<v Speaker 1>with another one of his adult stories, fifty Thousand frog Skins,

0:38:55.960 --> 0:39:01.239
<v Speaker 1>and again it becomes a classic. It took Dahl going

0:39:01.239 --> 0:39:04.200
<v Speaker 1>through everything you just heard with his wife and especially

0:39:04.280 --> 0:39:09.400
<v Speaker 1>with his children for him to finally find his voice.

0:39:09.760 --> 0:39:12.320
<v Speaker 1>Doll is about to get everything he's ever wanted become

0:39:12.320 --> 0:39:15.040
<v Speaker 1>one of the richest, most famous, most successful men in

0:39:15.080 --> 0:39:17.880
<v Speaker 1>the world. We'll hear all of that in our next episode,

0:39:18.239 --> 0:39:21.080
<v Speaker 1>and we'll also hear how he basically does everything he

0:39:21.280 --> 0:39:31.280
<v Speaker 1>possibly can to screw it all up. The secret world

0:39:31.320 --> 0:39:34.719
<v Speaker 1>of Role Dall is produced by Imagine Audio and Parallax

0:39:34.760 --> 0:39:39.440
<v Speaker 1>Studios for iHeart Podcasts. Created and written by me Aaron Tracy,

0:39:39.960 --> 0:39:44.440
<v Speaker 1>produced by Matt Schrader. Post production by wind Hill Studios,

0:39:44.760 --> 0:39:48.320
<v Speaker 1>with editing, scoring, and sound design by Mark Henry Phillips.

0:39:49.040 --> 0:39:54.239
<v Speaker 1>Editing by Ryan Seton, Music by a PM. Executive producers

0:39:54.520 --> 0:40:00.000
<v Speaker 1>Nathan Cloke, Karl Welker, Brian Grazer, Ron Howard, and Aaron Treece.

0:40:00.840 --> 0:40:04.600
<v Speaker 1>Additional voice performances and recreation by Mark Henry Phillips and

0:40:04.680 --> 0:40:07.880
<v Speaker 1>eleven Laps. If you enjoyed this episode, be sure to

0:40:08.000 --> 0:40:10.880
<v Speaker 1>rate and review The Secret World of Role Dall on

0:40:10.960 --> 0:40:15.120
<v Speaker 1>Apple Podcasts or wherever you get your podcasts. Copyright twenty

0:40:15.160 --> 0:40:19.279
<v Speaker 1>twenty six Imagine Entertainment, iHeartMedia and Parallax