WEBVTT - 114: Fan Cams & CHAZ Fans

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<v Speaker 1>It's ten forty six pm at the chairs and you're

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<v Speaker 1>listening to Nightcall. Hello, and welcome to Nightcall, a podcast

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<v Speaker 1>for artist Tope in reality. My name is Emily Rashida

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<v Speaker 1>and with me on the other line is Molly Lambert

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<v Speaker 1>and joining us this week, we have our producer Joel

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<v Speaker 1>because Test is out, so he sitting in the virtual

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<v Speaker 1>third seat. Yes, so we wanted to kick things off

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<v Speaker 1>with a night email that we got from a listener

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<v Speaker 1>regarding our episode a couple of weeks back. This emails

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<v Speaker 1>from Kathleen. Kathleen writes, I was really hoping you guys

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<v Speaker 1>would address the Launa del Rey conversation from a few

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<v Speaker 1>weeks ago on this week's pod, but no, dice. I've

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<v Speaker 1>listened to the podcast from almost the beginning and I

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<v Speaker 1>like it a lot, but the law of conversation did

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<v Speaker 1>not sit well with me at all. I know that you,

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<v Speaker 1>particularly Test, said that Lana was problematic for her posts

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<v Speaker 1>a few weeks ago throwing black women under the bus

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<v Speaker 1>and subsequent non apologies, but the way the conversation happened

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<v Speaker 1>made it sound like you are completely giving her a

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<v Speaker 1>pass for this behavior and essentially saying she's not smart.

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<v Speaker 1>Enough to realize how bad she sucked up. She's thirty

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<v Speaker 1>four years old. There's truly no excuse for her behavior,

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<v Speaker 1>no pretending that, oh, she didn't really mean to only

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<v Speaker 1>call out black artists, not to mention that she dated

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<v Speaker 1>a cop for an extended amount of time, and her

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<v Speaker 1>name is an effort to exoticize herself. I was genuinely

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<v Speaker 1>floored by the conversation, especially since you've all been pretty

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<v Speaker 1>vocal about racial justice and police abolition since the protests started.

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<v Speaker 1>I didn't even really want to listen to this week's episode,

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<v Speaker 1>but I wanted to see if you guys discussed this conversation.

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<v Speaker 1>I hope you will in the future. Again, I've listened

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<v Speaker 1>to the show for a while now, but from one

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<v Speaker 1>white but Latina woman to you all, the optics were bad.

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<v Speaker 1>So first off, I want to say that we say

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<v Speaker 1>this after every night email a nightcall, but we really

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<v Speaker 1>appreciate this night email. Um. I think you know, we

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<v Speaker 1>don't have a whole lot of uh. I don't know,

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<v Speaker 1>negative feedback, like you know, people calling us out for

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<v Speaker 1>things a lot, and when we do get it, it

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<v Speaker 1>just I don't know. I like being held accountable for

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<v Speaker 1>the stuff that we say on the show, it's like,

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<v Speaker 1>I feel like a great about of respect for a

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<v Speaker 1>night call listeners. So when we get stuff like this,

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<v Speaker 1>it makes me like really want to think about what

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<v Speaker 1>we're saying on air. Yes, thank you listeners for holding

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<v Speaker 1>us accountable, because we sunk up sometimes and we're definitely

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<v Speaker 1>being very cavalier in that segment. And Emily was saying

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<v Speaker 1>that was maybe like three days before the protests started. Um,

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<v Speaker 1>so we definitely are in a time where pop culture

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<v Speaker 1>is not divorced from reality. These two things are in

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<v Speaker 1>fact the same thing, and celebrities are not the people

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<v Speaker 1>anyone needs to be listening to primarily right now, especially

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<v Speaker 1>not Laana del Ray. I'm going to say, like as

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<v Speaker 1>a as a fan of hers, like I just don't

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<v Speaker 1>like and I think that she's proven to be, like

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<v Speaker 1>other artists have stepped up to be way more essential

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<v Speaker 1>people to follow and to listen to. If you're going

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<v Speaker 1>to listen to a celebrity about what's going on right

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<v Speaker 1>now in the country, um and police abolition and everything else.

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<v Speaker 1>Like I mean, Laana del Ray had to be told

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<v Speaker 1>to take down a photo of protesters a couple of

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<v Speaker 1>days later, Like it's very clear she does not care.

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<v Speaker 1>It is not actively a part of any sort of

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<v Speaker 1>activism moment. Yeah. I think also with this conversation which

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<v Speaker 1>I had gone back and listened to us um talking,

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<v Speaker 1>I think it was maybe before we got this email. Yeah,

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<v Speaker 1>it was like a week before we got this email.

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<v Speaker 1>For whatever reason, I was listening back to this conversation

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<v Speaker 1>and thinking about it and what I know that we

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<v Speaker 1>got into it kind of accidentally. We hadn't actually planned

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<v Speaker 1>on talking about Londa Delray that week, and then we

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<v Speaker 1>did anyway because it's like interesting and we all wanted

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<v Speaker 1>to talk about it. But um, it's very interesting to

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<v Speaker 1>look at our conversation then to look at other writing

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<v Speaker 1>and other conversations that were had about that, and again

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<v Speaker 1>like three days before George Floyd was murdered, and um,

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<v Speaker 1>how much we kind of took that in as an

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<v Speaker 1>internet happening and kind of like a symptom of quarantine

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<v Speaker 1>cabin fever and people just feeling powerless and wanting to

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<v Speaker 1>just wanting to cancel somebody because like, what are we

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<v Speaker 1>gonna do? We're all stuck inside. But I think like

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<v Speaker 1>in a way it's like we got to see very

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<v Speaker 1>very quickly after that that energy and that frustration with

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<v Speaker 1>the status quo being used in like a very like

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<v Speaker 1>a bigger way, and like, I think, a more impactful

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<v Speaker 1>way than individual celebrity callouts, which I think are also

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<v Speaker 1>like a function of the culture and like something that

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<v Speaker 1>is like part of a healthy you know, dialogue between

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<v Speaker 1>people who consume art and artists. But I don't know,

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<v Speaker 1>I think it's like, I think that the change that

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<v Speaker 1>you saw in what was happening online from that week

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<v Speaker 1>to the next was really really fascinating and I think

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<v Speaker 1>positive overall. What do you what do you guys think? Um?

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<v Speaker 1>I was going to say, I feel like the cancelations

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<v Speaker 1>didn't stop either, but then we got to get bond up,

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<v Speaker 1>the bond appetite stuff, which was also like very vindicating

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<v Speaker 1>and good, you know, and necessary. Yeah, even though it

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<v Speaker 1>was a largely online occurrence, it did feel like it

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<v Speaker 1>was like the conversation moved from being outward facing to

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<v Speaker 1>being sort of like inward facing for a lot of people.

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<v Speaker 1>Can I ask you guys a question, Yeah, do you

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<v Speaker 1>guys feel like you gave one a del rate a pass? Yeah? Well,

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<v Speaker 1>I don't think I was trying to say, like, we

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<v Speaker 1>give her a pass I think I was trying to say, like,

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<v Speaker 1>if if you like didn't stop giving her a pass,

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<v Speaker 1>like the first time she fucked up, you probably have

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<v Speaker 1>stopped like paying attention. I mean, not that you stopped

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<v Speaker 1>paying attention to like her funk ups, but that it's

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<v Speaker 1>like liking Woody Allen or something. You're like, no, I

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<v Speaker 1>know there's no actual, like legitimate excuse for this, but

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<v Speaker 1>you know it's sentimental or something. You know, it's I

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<v Speaker 1>will say, like I think I will cop up to

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<v Speaker 1>giving her a pass. And I also I think I

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<v Speaker 1>said something like the fact that she's naive, like it's

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<v Speaker 1>it was very naive of her to frame this conversation

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<v Speaker 1>and to list a bunch of non white artists and

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<v Speaker 1>to then beat Ariana Grande and yeah, yeah and Ariana Grande,

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<v Speaker 1>and like a lot of people were like, she maybe

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<v Speaker 1>didn't know that Ariana Grande is white because Ariana Grande

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<v Speaker 1>like obscures her own race. Fake tann with a whole

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<v Speaker 1>other conversation. But I think the appropriation conversation, which is yeah,

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<v Speaker 1>I mean that's what I was just saying. It's like

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<v Speaker 1>it's found appropriation, is like foundational Tolana del Rey, So

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<v Speaker 1>you know she she's super problematic as a human being,

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<v Speaker 1>but yeah, do you give somebody a pass if you

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<v Speaker 1>like the music enough? Feels like a more pressing issue

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<v Speaker 1>right now. Well, this has been a conversation that's been

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<v Speaker 1>happening forever, Like you said about Woody Allen about Roman Polanski,

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<v Speaker 1>like a bunch of different artists that you know are

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<v Speaker 1>problematic and like, and then there's such a wide range

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<v Speaker 1>of like what constitutes being problematic too, Like I think

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<v Speaker 1>the mistake I made personally was being like, well, like

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<v Speaker 1>she's bad, but like, she's not as bad as Joni

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<v Speaker 1>Mitchell who did blackface, and it's like obviously still very

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<v Speaker 1>much in the cannon, and like people don't talk about

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<v Speaker 1>that as a factor, and like why she should be canceled.

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<v Speaker 1>Although I feel free to cancel Joni Mitchell for that,

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<v Speaker 1>it's in saying she got away with it um at all.

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<v Speaker 1>And I think, uh, you can't do the sa adding

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<v Speaker 1>scale of you know, this isn't as bad as as

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<v Speaker 1>Roman Polanski, because there's a lot of people do stuff

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<v Speaker 1>that's bad in a microaggressive like a lot of things

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<v Speaker 1>that are in as bad as Roman Polanski at the

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<v Speaker 1>same time, and there's a lot of things that are

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<v Speaker 1>in as bad as r Kelly, and I think like

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<v Speaker 1>we're seeing the collapse of, like hopefully we're seeing the

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<v Speaker 1>collapse of white feminism at the same time as like

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<v Speaker 1>the Girl Bosses are all like sucking up really bad

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<v Speaker 1>and like you know, getting called out for being racist

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<v Speaker 1>because they're all like horrible white women, and then doing

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<v Speaker 1>this thing where they're like, now, I'm going to give

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<v Speaker 1>the company to like a more diverse staff and they

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<v Speaker 1>can deal with like all the mess I left, which

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<v Speaker 1>is also really fucked up, you know, like I abdicate responsibility.

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<v Speaker 1>You guys deal with it and like fix all the

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<v Speaker 1>problems that we have. Well, I just was going to

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<v Speaker 1>get back to Joe World's original question on whether or

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<v Speaker 1>not we gave Lana a pass, and like I was,

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<v Speaker 1>I was saying that, like I think that I did

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<v Speaker 1>as I said. I also think that this is kind

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<v Speaker 1>of part of something that maybe isn't the most like

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<v Speaker 1>I don't know. I I just in general think that

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<v Speaker 1>a lot of celebrities are really stupid, including one who's

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<v Speaker 1>whose art I like, And I am more interested in

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<v Speaker 1>the dismantling of like centering their opinions about things at all.

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<v Speaker 1>And I think when I am a fan of somebody

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<v Speaker 1>like Laana del Ray who constantly is putting her foot

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<v Speaker 1>in her mouth and doing stupid ship, dating a cop,

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<v Speaker 1>dating a cop for this, um, this live p D

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<v Speaker 1>show that just got canceled for for for murdering a

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<v Speaker 1>black man on camera or allegedly um. But I think

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<v Speaker 1>that I then have to do the mental work of like, well,

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<v Speaker 1>how important is this person to me? Like how and

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<v Speaker 1>how much status do I give them in my estimation

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<v Speaker 1>of the world. And you know, I'm not playing Laana

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<v Speaker 1>del Ray records right now. I don't know if I

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<v Speaker 1>never will again. But it's just like I don't, I'm not,

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<v Speaker 1>I'm not. I don't care about her right now, even

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<v Speaker 1>if somebody who's liked her music. You know, I was

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<v Speaker 1>just trying to situate her doing some racist ship in

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<v Speaker 1>the greater landscape of like musicians, a lot of famous

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<v Speaker 1>and and good musicians are fucked up people who have

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<v Speaker 1>done a lot of fucked up ship. Obviously a lot

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<v Speaker 1>of directors too. I personally don't feel like there's anything

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<v Speaker 1>to be accomplished by like taking those people out of

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<v Speaker 1>my iTunes. I just feel like that's like you know,

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<v Speaker 1>I don't go out of my way, like I'm not

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<v Speaker 1>a Morrissey person, and I never have been, you know,

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<v Speaker 1>But I know Morrissey is another one of those people

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<v Speaker 1>where it's like he's uncancellable even though he's like super

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<v Speaker 1>openly racist. Um, people's sentimentality or nostalgia for him like

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<v Speaker 1>overpowers whatever consciousness of that you know, would stop them

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<v Speaker 1>from seeing him on tour. But I do think, yeah,

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<v Speaker 1>I mean maybe we're talking about also it's like there's

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<v Speaker 1>a limited amount of funds in the attention economy, but

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<v Speaker 1>also in the real economy. There's so much to like

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<v Speaker 1>break down here because like, on the one hand, I

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<v Speaker 1>feel like Lana is the type of celebrity type of

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<v Speaker 1>person like wafy white girl who a lot of people

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<v Speaker 1>perceive as being not intelligent and therefore don't take anything

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<v Speaker 1>she has to say seriously, like period, and it's very

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<v Speaker 1>easy to brush off and be like, oh, there's Lana

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<v Speaker 1>again being wild. I think Lana does have like a

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<v Speaker 1>like a sizeable audience of like young, impressionable white women,

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<v Speaker 1>and I feel like when we call Laana out, we

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<v Speaker 1>can inform those girls in a way that is sometimes

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<v Speaker 1>uh not on their timeline. You know, they may not

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<v Speaker 1>even know who like Brianna Taylor is or anything like that.

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<v Speaker 1>And I think the other conversation is like when do you, like,

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<v Speaker 1>do you separate the artist from the crime or the

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<v Speaker 1>the mentality, and like what's that line? And like, for me,

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<v Speaker 1>that line is like R Kelly is a pretty hard

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<v Speaker 1>line my job, or like a lot of your songs

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<v Speaker 1>are about like the creepy, awful things you've done, and

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<v Speaker 1>so when I hear it, it like sense hills up

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<v Speaker 1>my spine and I don't want to hear and it

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<v Speaker 1>thing I certainly don't want to give them in any

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<v Speaker 1>kind of money, Like Lana, It's kind of hard because

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<v Speaker 1>it seems like, girl, this could easily be your aesthetic

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<v Speaker 1>in a way where you're actually doing like positive things,

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<v Speaker 1>and it's frustrating to me that you're like, I'm hippie,

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<v Speaker 1>like sixties love childlike out here like just loving people

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<v Speaker 1>and being radical. And then it's like, you know what,

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<v Speaker 1>you're dating a cop, and on top of that, like

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<v Speaker 1>you don't know not to show faces on your huge platform.

0:12:38.640 --> 0:12:41.160
<v Speaker 1>It's hard to want to support that or or even

0:12:41.160 --> 0:12:44.720
<v Speaker 1>be like, oh yeah, summertime, which is my jam I

0:12:44.760 --> 0:12:47.360
<v Speaker 1>can't even front like I love a said, like let's

0:12:47.360 --> 0:12:50.520
<v Speaker 1>go outside and smoke and date terrible men like very

0:12:50.600 --> 0:12:54.600
<v Speaker 1>It's like a deep l a aesthetic totally shake. But

0:12:54.960 --> 0:12:56.240
<v Speaker 1>it's just like I don't know if I want to

0:12:56.280 --> 0:12:58.680
<v Speaker 1>hear it right now. I feel you, and I feel

0:12:58.679 --> 0:13:02.080
<v Speaker 1>like the other deep la Is Dick is like a

0:13:02.080 --> 0:13:08.600
<v Speaker 1>superficial hippie white woman who you know, well like a

0:13:08.640 --> 0:13:14.000
<v Speaker 1>lot of like they all in West Hollywood. Um, but yeah,

0:13:14.040 --> 0:13:16.440
<v Speaker 1>that thing, you know, where the hippie aesthetic has become

0:13:16.480 --> 0:13:19.480
<v Speaker 1>so divorced from the actual like politics of hippie doom,

0:13:19.760 --> 0:13:24.720
<v Speaker 1>which um are an actual having a set you know.

0:13:24.760 --> 0:13:27.320
<v Speaker 1>And there are people who argue that, like the Tenants.

0:13:27.679 --> 0:13:30.520
<v Speaker 1>I read a conspiracy theory that was that acid was

0:13:30.559 --> 0:13:34.360
<v Speaker 1>invented by the CIA so that hippies would stop doing

0:13:34.400 --> 0:13:38.640
<v Speaker 1>protests and just like sit around self contemplating. Not a

0:13:38.640 --> 0:13:42.800
<v Speaker 1>bad theory, definitely not true, does not track, but good theory.

0:13:43.280 --> 0:13:45.840
<v Speaker 1>You know, Timothy Larry was at Harvard. It's a good

0:13:45.880 --> 0:13:48.240
<v Speaker 1>theory because it does account for this sort of like

0:13:48.960 --> 0:13:53.280
<v Speaker 1>you know, what happened between the Chicago Convention and you

0:13:53.320 --> 0:13:57.240
<v Speaker 1>know the seventies that made people sort of stopped the

0:13:57.240 --> 0:14:01.440
<v Speaker 1>outward facing protesting activism part of being a hippie, and

0:14:01.480 --> 0:14:04.520
<v Speaker 1>it just became this other thing. Um. Obviously, now we're

0:14:04.520 --> 0:14:06.959
<v Speaker 1>seeing a moment where like it's coming back in this way,

0:14:07.120 --> 0:14:10.840
<v Speaker 1>this totally organic way where people who never lived through

0:14:10.840 --> 0:14:14.360
<v Speaker 1>any of these other moments, you know, kids who weren't

0:14:14.360 --> 0:14:17.320
<v Speaker 1>even alive for the ninety two uprisings in l A,

0:14:18.080 --> 0:14:22.920
<v Speaker 1>but who know like instinctively that you know this is

0:14:23.240 --> 0:14:27.000
<v Speaker 1>this is what needs to happen right now. It's just, um,

0:14:27.040 --> 0:14:29.040
<v Speaker 1>it feels like, I don't know. I think. On the

0:14:29.080 --> 0:14:31.560
<v Speaker 1>other hand, it's like I'm I'm happy when those people

0:14:31.720 --> 0:14:34.400
<v Speaker 1>are like I'm going to educate myself rather than just

0:14:34.440 --> 0:14:36.640
<v Speaker 1>being like I'm going to double down on being racist

0:14:37.560 --> 0:14:41.600
<v Speaker 1>and ignorant. As somebody who has followed Lana for a

0:14:41.640 --> 0:14:44.080
<v Speaker 1>long time, this isn't her first breash with this sort

0:14:44.120 --> 0:14:46.560
<v Speaker 1>of controversy. And I mean there's like the time and

0:14:46.680 --> 0:14:50.440
<v Speaker 1>she was doubling down on playing a festival in Israel

0:14:50.760 --> 0:14:53.280
<v Speaker 1>and then like, and you can hear it both in

0:14:53.320 --> 0:14:56.520
<v Speaker 1>her public statements that she has made and then in

0:14:56.600 --> 0:15:00.120
<v Speaker 1>her music itself she has made reference to this, like

0:15:00.760 --> 0:15:06.720
<v Speaker 1>this idea of like, oh well, my contribution to the

0:15:06.760 --> 0:15:10.040
<v Speaker 1>suffering and injustice in the world is going to be

0:15:10.120 --> 0:15:13.320
<v Speaker 1>to like sing my songs about being sad and in love.

0:15:14.120 --> 0:15:17.720
<v Speaker 1>And I don't think that she should necessarily stop doing that,

0:15:17.800 --> 0:15:22.479
<v Speaker 1>but I think it's it's a very common celebrity, especially

0:15:22.520 --> 0:15:25.760
<v Speaker 1>white celebrity thing, to be like this is gonna be

0:15:25.880 --> 0:15:29.880
<v Speaker 1>what solves what like brings about world peace or something.

0:15:30.120 --> 0:15:33.200
<v Speaker 1>And and I think it's again super naive of her

0:15:33.960 --> 0:15:37.040
<v Speaker 1>um and and you see her and she that's the

0:15:37.080 --> 0:15:40.160
<v Speaker 1>doubling down that that that happened. I think after we

0:15:40.240 --> 0:15:42.960
<v Speaker 1>had our conversation, like the double triple down on this

0:15:43.080 --> 0:15:45.240
<v Speaker 1>is just she doubled down again by being like why

0:15:45.240 --> 0:15:47.680
<v Speaker 1>can fka Twigs do it? And I can't, And everybody

0:15:47.760 --> 0:15:49.560
<v Speaker 1>was like, oh my god, you're not bring up. I

0:15:49.560 --> 0:15:51.840
<v Speaker 1>feel like you even on Twitter like before that, you

0:15:51.880 --> 0:15:55.680
<v Speaker 1>were like like the obvious, like like like ifk Twigs

0:15:55.720 --> 0:15:57.840
<v Speaker 1>is like somebody who's like a good example of like

0:15:57.840 --> 0:16:00.160
<v Speaker 1>like you know, a kind of corollary a lot, And

0:16:00.200 --> 0:16:02.360
<v Speaker 1>then she like went and called her out too, and

0:16:02.400 --> 0:16:04.400
<v Speaker 1>it was like so little heard, but he was like

0:16:04.800 --> 0:16:10.360
<v Speaker 1>k Twigs is like a classically trained dancer who like technician, Yeah,

0:16:10.440 --> 0:16:13.280
<v Speaker 1>like what she does on the poll is different than

0:16:13.320 --> 0:16:15.280
<v Speaker 1>what you do on the poll for like a lot

0:16:15.320 --> 0:16:18.280
<v Speaker 1>of reasons. And to be like, why is it different

0:16:18.440 --> 0:16:20.960
<v Speaker 1>and to think that it is like not benefiting you,

0:16:21.960 --> 0:16:27.760
<v Speaker 1>um is crazy. I was happy that Kailani called Laana

0:16:27.840 --> 0:16:30.800
<v Speaker 1>out about because it wasn't just that she posted protester.

0:16:30.920 --> 0:16:34.000
<v Speaker 1>She posted looting and people were like, don't post this

0:16:34.160 --> 0:16:36.880
<v Speaker 1>is like your aesthetic, Like this is you know, these

0:16:36.880 --> 0:16:40.920
<v Speaker 1>are real people. You could get them in trouble um.

0:16:40.960 --> 0:16:43.880
<v Speaker 1>And Kailani was like, you have to stop, and she

0:16:44.000 --> 0:16:47.320
<v Speaker 1>took it down. And yeah, I was thinking about Kailani

0:16:47.360 --> 0:16:50.440
<v Speaker 1>again because I love Kailani and I was like, it

0:16:50.440 --> 0:16:54.480
<v Speaker 1>shouldn't be Kailani's job to have to tell Laana not

0:16:54.600 --> 0:16:59.360
<v Speaker 1>to do that, you know. But just also the way

0:16:59.400 --> 0:17:01.840
<v Speaker 1>that Lanie know, the fact that Lana is like a

0:17:01.880 --> 0:17:04.439
<v Speaker 1>thirty four year old woman who's still sort of like

0:17:04.480 --> 0:17:09.439
<v Speaker 1>a girl child, uh presenting, and you know, Kelowny is

0:17:09.480 --> 0:17:13.320
<v Speaker 1>like twenty five and has lived the life, you know,

0:17:13.560 --> 0:17:18.440
<v Speaker 1>and definitely gets treated as being like, you know, an adult.

0:17:19.240 --> 0:17:22.840
<v Speaker 1>It's it's just like it's the the larger framework of

0:17:22.960 --> 0:17:28.200
<v Speaker 1>racism in the music industry that allows fragile white women

0:17:28.240 --> 0:17:30.960
<v Speaker 1>to get away with making themselves the victims. So yeah,

0:17:31.160 --> 0:17:34.320
<v Speaker 1>we don't want to align ourselves with that connounce not

0:17:35.160 --> 0:17:41.040
<v Speaker 1>what this podcast is about. I yeah, I mean I definitely.

0:17:41.240 --> 0:17:43.000
<v Speaker 1>I feel like there's a thing too where it's like,

0:17:44.119 --> 0:17:46.800
<v Speaker 1>after I watched the Michael Jackson documentary, I couldn't hear

0:17:46.880 --> 0:17:49.800
<v Speaker 1>Michael Jackson song without having that same like chill up,

0:17:49.840 --> 0:17:52.760
<v Speaker 1>my spine is up. I never need to hear this again.

0:17:53.480 --> 0:17:57.199
<v Speaker 1>And then eventually it's just like you know, after the

0:17:57.240 --> 0:18:00.800
<v Speaker 1>initial exposure, you kind of get you see it again,

0:18:01.160 --> 0:18:03.879
<v Speaker 1>and that's bad. I think it's also just part of

0:18:03.920 --> 0:18:06.399
<v Speaker 1>living in the world. I think when when we're having

0:18:06.440 --> 0:18:09.760
<v Speaker 1>these isolated conversations about things that artists have done or

0:18:09.960 --> 0:18:13.680
<v Speaker 1>or any kind of public figure has done. Um, you know,

0:18:13.840 --> 0:18:16.439
<v Speaker 1>the initial shock of it is real and visceral. In

0:18:16.480 --> 0:18:18.679
<v Speaker 1>many cases, like even in the case of the law

0:18:18.760 --> 0:18:22.440
<v Speaker 1>adul Ray thing, like I was like, come on, when

0:18:22.440 --> 0:18:24.199
<v Speaker 1>I was watching that third video of hers, was like

0:18:24.280 --> 0:18:27.040
<v Speaker 1>what And it's this feeling of like it's like, this

0:18:27.119 --> 0:18:28.840
<v Speaker 1>is why it shouldn't be this way, because it's like,

0:18:29.200 --> 0:18:31.359
<v Speaker 1>this is my friend who's sucking up in public and

0:18:31.359 --> 0:18:33.760
<v Speaker 1>it's fucked up that like I identify it like that

0:18:33.800 --> 0:18:37.040
<v Speaker 1>where I'm like, what are you doing? Like, um, that's

0:18:37.080 --> 0:18:39.200
<v Speaker 1>this is like the thing that I want to eradicate

0:18:39.280 --> 0:18:42.320
<v Speaker 1>from my mentality. It's like thinking of somebody like alt

0:18:42.320 --> 0:18:45.439
<v Speaker 1>Adulray is my friend, but um, well, I don't know.

0:18:45.560 --> 0:18:48.119
<v Speaker 1>Don't you feel like it's just like an interviewer you

0:18:48.200 --> 0:18:51.000
<v Speaker 1>got you don't think of. I mean you know that

0:18:51.040 --> 0:18:53.640
<v Speaker 1>they're not really your friend, They're just like a stranger.

0:18:53.800 --> 0:18:56.040
<v Speaker 1>I don't know, you're the person who's who's interviewed LT

0:18:56.280 --> 0:19:00.080
<v Speaker 1>have me. I don't know. I mean I I have

0:19:00.160 --> 0:19:02.480
<v Speaker 1>that with some people for sure. But there's also you know,

0:19:02.720 --> 0:19:06.919
<v Speaker 1>there's a they're living in a markedly different reality for me,

0:19:07.080 --> 0:19:09.320
<v Speaker 1>and I think especially somebody like Lana is not that

0:19:09.359 --> 0:19:12.760
<v Speaker 1>tuned into what's going on, and she's not following threads

0:19:12.840 --> 0:19:16.560
<v Speaker 1>on you know, um, how to protect yourself from the

0:19:18.520 --> 0:19:23.960
<v Speaker 1>um surveillance state and stuff when you're able. I have

0:19:24.080 --> 0:19:29.680
<v Speaker 1>seen so many Silver Lake moms getting like so hilariously

0:19:29.760 --> 0:19:32.800
<v Speaker 1>militant all of a sudden, and I, for one, and

0:19:32.880 --> 0:19:36.480
<v Speaker 1>for it, I think it's fine. You know, like everyone's

0:19:36.520 --> 0:19:41.679
<v Speaker 1>board their home with their families. Like read about the

0:19:41.760 --> 0:19:46.600
<v Speaker 1>government murdering the Black Panthers like some co intel pro yeah,

0:19:46.840 --> 0:19:48.840
<v Speaker 1>you know, like I think it's like the instinct is

0:19:48.880 --> 0:19:51.399
<v Speaker 1>just to like make fun of that. It's obviously my

0:19:51.520 --> 0:19:54.639
<v Speaker 1>instinct to make fun of that, even as like, you know,

0:19:54.760 --> 0:20:00.600
<v Speaker 1>a white lady. But it's better than airying your head

0:20:00.600 --> 0:20:02.440
<v Speaker 1>in the sand and pretend it's not going on anymore.

0:20:02.520 --> 0:20:05.400
<v Speaker 1>And I do think that a lot of people are

0:20:05.440 --> 0:20:09.439
<v Speaker 1>getting like radicalized in real time, and that is good.

0:20:09.720 --> 0:20:13.080
<v Speaker 1>You know, some people that were more center before COVID

0:20:13.240 --> 0:20:16.639
<v Speaker 1>and before the protests I am seeing move in a

0:20:16.720 --> 0:20:21.359
<v Speaker 1>sort of more like radical direction towards police abolition, and

0:20:22.480 --> 0:20:27.760
<v Speaker 1>that seems cool and unprecedented. It's getting it's getting reasonable,

0:20:27.760 --> 0:20:30.000
<v Speaker 1>it's getting more and more normalized. I would not say

0:20:30.000 --> 0:20:32.679
<v Speaker 1>it's like fully normalized yet, but like I understand that

0:20:32.720 --> 0:20:35.639
<v Speaker 1>people who are like I've been here all along, where

0:20:35.640 --> 0:20:39.560
<v Speaker 1>the funk were? You? You know. It's but I think

0:20:39.600 --> 0:20:42.680
<v Speaker 1>that also just happens in in activism circles, where it's

0:20:42.680 --> 0:20:45.600
<v Speaker 1>like everybody like gets really excited to join, and then

0:20:45.640 --> 0:20:47.800
<v Speaker 1>you get burned out, and then you get excited again,

0:20:48.040 --> 0:20:50.520
<v Speaker 1>and then new people join and they're so excited and

0:20:51.440 --> 0:20:54.760
<v Speaker 1>you helped them in you know, like it's not Yeah,

0:20:55.000 --> 0:20:58.919
<v Speaker 1>I think like just to to to pivot slightly and

0:20:59.040 --> 0:21:02.159
<v Speaker 1>going off of this this night email about Lana like

0:21:02.920 --> 0:21:05.800
<v Speaker 1>and what we want to do as a show going forward,

0:21:06.080 --> 0:21:07.720
<v Speaker 1>I think, you know, we don't want to be those

0:21:07.760 --> 0:21:10.080
<v Speaker 1>sorts of people with their head in the sand about this,

0:21:10.160 --> 0:21:13.840
<v Speaker 1>and we want to be as informed and as possible

0:21:13.880 --> 0:21:17.720
<v Speaker 1>when we're talking about our dystopian reality, and also also

0:21:17.960 --> 0:21:22.560
<v Speaker 1>like the very hopeful and optimistic things that we see

0:21:22.600 --> 0:21:24.800
<v Speaker 1>happening in our world right now as well, Like we're

0:21:24.800 --> 0:21:30.080
<v Speaker 1>not edge lords and we're not cynics. So I think

0:21:30.160 --> 0:21:33.359
<v Speaker 1>we definitely just want to do better and be better,

0:21:33.720 --> 0:21:37.240
<v Speaker 1>and we welcome more feedback about that as well as

0:21:37.920 --> 0:21:40.239
<v Speaker 1>just things you'd like to see us cover and UH

0:21:40.720 --> 0:21:43.840
<v Speaker 1>guests you'd like us to have on that maybe aren't

0:21:44.200 --> 0:21:47.720
<v Speaker 1>celebrity focused or pop culture focused, although we are going

0:21:47.760 --> 0:21:49.880
<v Speaker 1>to have a great interview later in the show about

0:21:49.920 --> 0:21:52.640
<v Speaker 1>celebrities and pop culture, but I think it's it's worth

0:21:52.680 --> 0:21:55.120
<v Speaker 1>your time. But yeah, we we took a week off

0:21:55.119 --> 0:21:57.320
<v Speaker 1>and we've just been doing a lot of thinking between

0:21:57.359 --> 0:22:00.520
<v Speaker 1>the three of us with Joel's help. I ups to

0:22:00.600 --> 0:22:06.240
<v Speaker 1>Joel about um, how to just be UH a more

0:22:06.280 --> 0:22:09.800
<v Speaker 1>thoughtful and responsible show and still fully nightcall as we

0:22:09.880 --> 0:22:13.239
<v Speaker 1>go forward. So as we've announced we're not doing our

0:22:13.280 --> 0:22:15.920
<v Speaker 1>theme months anymore, we're going to kind of get into

0:22:16.040 --> 0:22:21.159
<v Speaker 1>some different um timely slash relevant subjects right now and

0:22:21.200 --> 0:22:23.160
<v Speaker 1>also just try to like own up to our own

0:22:23.200 --> 0:22:27.080
<v Speaker 1>shortcomings and limitations in perspective and and and try to

0:22:28.520 --> 0:22:31.280
<v Speaker 1>do the best we can to to learn and be

0:22:31.280 --> 0:22:34.240
<v Speaker 1>better as two and a half white ladies talking about

0:22:34.720 --> 0:22:39.159
<v Speaker 1>occasionally current events and pop culture. So yeah, we just

0:22:39.160 --> 0:22:42.160
<v Speaker 1>want to be super honest with our listeners and we

0:22:42.200 --> 0:22:45.600
<v Speaker 1>want to be held accountable by you feedback like this.

0:22:46.640 --> 0:22:50.080
<v Speaker 1>Uh so yeah, a long way of saying thank you

0:22:50.200 --> 0:22:55.640
<v Speaker 1>night called listeners. We're excited about the journey ahead, and

0:22:55.680 --> 0:22:59.800
<v Speaker 1>thanks for sticking with us. Yeah, and thanks Kathleen for

0:23:00.000 --> 0:23:05.240
<v Speaker 1>hopefully tuning back in because we we we love our listeners.

0:23:05.359 --> 0:23:07.520
<v Speaker 1>We want them to love us back. Even though we

0:23:07.640 --> 0:23:10.920
<v Speaker 1>just talked about how para social relationships aren't real, these

0:23:10.960 --> 0:23:15.119
<v Speaker 1>ones are. We want to be the boy band of

0:23:15.200 --> 0:23:20.879
<v Speaker 1>your dreams. We want to be your bias. Um. All right,

0:23:20.920 --> 0:23:23.240
<v Speaker 1>we're going to take a quick break and when we

0:23:23.320 --> 0:23:35.120
<v Speaker 1>come back, we're gonna enter the chairs. Hey, my name

0:23:35.160 --> 0:23:38.320
<v Speaker 1>is Molly. Um, I'm just polling in about autonomous zones.

0:23:38.760 --> 0:23:43.719
<v Speaker 1>I briefly was part of an autonomous community in London

0:23:43.800 --> 0:23:48.480
<v Speaker 1>during the Occupy UM protest. We took over a whole

0:23:49.320 --> 0:23:53.680
<v Speaker 1>lock in Mayfair. Um, and we would just cook and

0:23:53.880 --> 0:23:58.000
<v Speaker 1>share things and read and did everything my candle light. Um.

0:23:58.320 --> 0:24:02.280
<v Speaker 1>It was yeah, sot took ten life experiences. I was

0:24:02.320 --> 0:24:06.000
<v Speaker 1>like servent seen at the time. Um. Yeah, so sol

0:24:06.240 --> 0:24:10.399
<v Speaker 1>Arthy Forever Black Lives Mother, Tom the police, thank you

0:24:10.480 --> 0:24:13.679
<v Speaker 1>for the call. We had put out a request for

0:24:13.760 --> 0:24:17.320
<v Speaker 1>calls on our Twitter at Night call pod to talk

0:24:17.359 --> 0:24:19.400
<v Speaker 1>about autonomous zones because this is whom we have seen

0:24:19.440 --> 0:24:22.639
<v Speaker 1>in the news this week. Seattle now has an autonomous

0:24:22.680 --> 0:24:25.320
<v Speaker 1>zone called the Capitol Hill Autonomous Zone or the CHAZ,

0:24:25.680 --> 0:24:29.399
<v Speaker 1>also known as Free Capitol Hill, which came together on

0:24:29.880 --> 0:24:33.200
<v Speaker 1>June nine. Basically started to come together when the Seattle

0:24:33.200 --> 0:24:38.040
<v Speaker 1>Police Department UH seated UH several blocks around the East

0:24:38.040 --> 0:24:43.000
<v Speaker 1>Princinct Police Station and UH in Seattle and the Capitol

0:24:43.040 --> 0:24:46.520
<v Speaker 1>Hill neighborhood, a neighborhood I used to live very close

0:24:46.560 --> 0:24:48.440
<v Speaker 1>to and I'm very familiar with. So this has all

0:24:48.520 --> 0:24:51.360
<v Speaker 1>been kind of like I've been very glued to this

0:24:51.359 --> 0:24:56.600
<v Speaker 1>this week. Um, but this is uh, yeah, this is

0:24:56.640 --> 0:24:59.919
<v Speaker 1>a phenomenon and a and A. And there's been a

0:25:00.040 --> 0:25:03.680
<v Speaker 1>long tradition of autonomous zones and things like autonomous zones

0:25:03.760 --> 0:25:06.359
<v Speaker 1>that have gone on for years, and I kind of

0:25:06.400 --> 0:25:10.440
<v Speaker 1>got really into looking into them and deep diving on

0:25:11.520 --> 0:25:14.760
<v Speaker 1>what an autonomous zone is and what an autonomous zone does,

0:25:15.600 --> 0:25:18.320
<v Speaker 1>and just like all the different offshoots of things that

0:25:18.359 --> 0:25:21.680
<v Speaker 1>come out of the culture of autonomous zone. So, um,

0:25:21.800 --> 0:25:24.720
<v Speaker 1>I just wanted to chat about that today. Yeah, So

0:25:25.440 --> 0:25:27.080
<v Speaker 1>there's there are a lot of things that kind of

0:25:27.119 --> 0:25:31.160
<v Speaker 1>can be seen as as precursors to what we now

0:25:31.240 --> 0:25:34.959
<v Speaker 1>think of as um the kind of modern or contemporary

0:25:35.000 --> 0:25:37.480
<v Speaker 1>autonomous zone. I think the Paris Commune is probably like

0:25:37.520 --> 0:25:42.960
<v Speaker 1>the first example of like a modern autonomous zone, which

0:25:43.040 --> 0:25:47.160
<v Speaker 1>was a Marxist commune that was formed for about two

0:25:47.200 --> 0:25:52.640
<v Speaker 1>months in Paris in eighteen seventy one. UH. And there's

0:25:52.640 --> 0:25:57.960
<v Speaker 1>actually a long French tradition of these sorts of UH

0:25:58.320 --> 0:26:01.760
<v Speaker 1>basically encampments on land as a as a form of

0:26:01.800 --> 0:26:06.920
<v Speaker 1>resistance to law enforcement or the government. UM. And in

0:26:07.240 --> 0:26:10.879
<v Speaker 1>France they're called z A D s Z A Day's

0:26:11.680 --> 0:26:17.600
<v Speaker 1>UH zona the Fons with which um, yeah, the most

0:26:17.600 --> 0:26:21.680
<v Speaker 1>famous is still running now. It's the z I D

0:26:22.080 --> 0:26:24.840
<v Speaker 1>of the Notre Dame de Land, where there has been

0:26:24.880 --> 0:26:29.560
<v Speaker 1>an airport that has been planned to be built now

0:26:29.680 --> 0:26:34.840
<v Speaker 1>for multiple decades. And commune basically came together of people

0:26:34.840 --> 0:26:39.359
<v Speaker 1>who had been displaced from the rural communities and farmland

0:26:39.400 --> 0:26:42.800
<v Speaker 1>in the area UM and they basically came together to

0:26:42.880 --> 0:26:47.680
<v Speaker 1>form this network of UH kind of sites across this

0:26:48.080 --> 0:26:51.679
<v Speaker 1>very very large swath of land in the Loire region

0:26:51.720 --> 0:26:56.600
<v Speaker 1>of France UM and they have resisted multiple attempts at

0:26:56.640 --> 0:27:01.639
<v Speaker 1>eviction one as recently as UM eighteen and are still

0:27:01.720 --> 0:27:05.679
<v Speaker 1>there and are I think now working on having their

0:27:05.800 --> 0:27:10.880
<v Speaker 1>UM having having their their sites legalized UM. So that

0:27:10.880 --> 0:27:12.560
<v Speaker 1>that's like kind of a thing that can happen with

0:27:12.600 --> 0:27:17.080
<v Speaker 1>some of these more long term UM autonomous zones. Freetown,

0:27:17.160 --> 0:27:21.480
<v Speaker 1>Christiana and Copenhagen is like another another example of that

0:27:21.920 --> 0:27:25.480
<v Speaker 1>which is now kind of really I think a lot

0:27:25.480 --> 0:27:28.199
<v Speaker 1>of people who have observed it have seen it as

0:27:28.280 --> 0:27:30.640
<v Speaker 1>more of like a kind of tourist trap now than

0:27:30.680 --> 0:27:34.160
<v Speaker 1>an actual political site. But it is still is something

0:27:34.200 --> 0:27:37.560
<v Speaker 1>that's recognized by the Danish government as like being outside

0:27:37.600 --> 0:27:41.879
<v Speaker 1>of UM the country. So I think American people are

0:27:41.880 --> 0:27:45.239
<v Speaker 1>probably most familiar with this sort of thing happening with

0:27:45.320 --> 0:27:51.240
<v Speaker 1>the occupy movement and UM mostly and Zuccati Park in

0:27:51.280 --> 0:27:56.320
<v Speaker 1>New York UM, and these have all been temporary sites

0:27:56.680 --> 0:28:01.320
<v Speaker 1>and and kind of like extended extended protests temporary sites.

0:28:01.840 --> 0:28:04.080
<v Speaker 1>And I think the thing that I find kind of

0:28:04.880 --> 0:28:07.040
<v Speaker 1>um that I think doesn't get across a lot with

0:28:07.080 --> 0:28:09.960
<v Speaker 1>these sorts of things is that, like a lot of

0:28:09.960 --> 0:28:12.320
<v Speaker 1>people who are kind of making fun of the chats

0:28:12.480 --> 0:28:14.920
<v Speaker 1>now are saying like, oh, so, what's going to happen

0:28:14.960 --> 0:28:18.359
<v Speaker 1>when you you guys have to like get plumbing or

0:28:18.520 --> 0:28:21.320
<v Speaker 1>like you know, you're talking about infrastructure and long term

0:28:21.320 --> 0:28:22.960
<v Speaker 1>planning for this sort of thing. And a lot of

0:28:23.000 --> 0:28:27.800
<v Speaker 1>the value I think in setting up something like free

0:28:27.840 --> 0:28:32.560
<v Speaker 1>Capitol Hill is that it's temporary, Like the it is

0:28:32.600 --> 0:28:36.320
<v Speaker 1>a it is a temporary utopia basically, And I think

0:28:36.359 --> 0:28:38.640
<v Speaker 1>that's been a lot of the theory around this sort

0:28:38.680 --> 0:28:43.400
<v Speaker 1>of action has been an opportunity not intended to be

0:28:43.480 --> 0:28:46.560
<v Speaker 1>long term. You're not setting up a new society. You're

0:28:46.640 --> 0:28:51.560
<v Speaker 1>temporarily suspending society in order to create an environment for

0:28:51.680 --> 0:28:54.680
<v Speaker 1>new ideas and new ways of doing things, which I

0:28:54.720 --> 0:28:57.240
<v Speaker 1>think like you've seen happening if you've been following the

0:28:57.240 --> 0:29:00.560
<v Speaker 1>stuff that's been happening in Capitol hill. Um, that's been

0:29:01.360 --> 0:29:03.720
<v Speaker 1>that's been kind of going on already. They've they're they've

0:29:03.760 --> 0:29:06.320
<v Speaker 1>had some law enforcement issues and they had to figure

0:29:06.360 --> 0:29:10.000
<v Speaker 1>out how to get people to you know, kind of

0:29:10.040 --> 0:29:16.720
<v Speaker 1>adhere to the community a loosely defined set of community guidelines. Um,

0:29:16.800 --> 0:29:20.760
<v Speaker 1>and it's just the sort of site for experimentation, which um, okay,

0:29:20.760 --> 0:29:26.320
<v Speaker 1>But I want to remake society. Why can't remake society?

0:29:26.640 --> 0:29:29.880
<v Speaker 1>There are plenty of places where they've done long term

0:29:30.680 --> 0:29:34.800
<v Speaker 1>remaking sens. I mean the z and and Frances as

0:29:35.120 --> 0:29:41.480
<v Speaker 1>uh keep saying, Zaddie, Like that's a great example of

0:29:41.480 --> 0:29:45.560
<v Speaker 1>of a really long term project that is now kind

0:29:45.560 --> 0:29:48.840
<v Speaker 1>of after multiple failures to overthrow it is like kind

0:29:48.840 --> 0:29:52.520
<v Speaker 1>of having legitimacy is like a long term occupation. It's

0:29:52.600 --> 0:29:56.120
<v Speaker 1>this like, um, when libertarians start militias, but like for

0:29:56.200 --> 0:29:59.560
<v Speaker 1>good yeah kind of. I mean like like, wasn't there

0:29:59.600 --> 0:30:02.520
<v Speaker 1>something like this on a right wing thing recently where

0:30:02.520 --> 0:30:06.800
<v Speaker 1>there was like you know, kind of a weapon stockpile

0:30:07.360 --> 0:30:10.400
<v Speaker 1>were in in the Pacific Northwest also where it seems

0:30:10.440 --> 0:30:12.800
<v Speaker 1>like all of this stuff happens. It's always a Pacific

0:30:12.840 --> 0:30:19.880
<v Speaker 1>Northwest free cascadia, like the Yeah, that's like I don't

0:30:20.040 --> 0:30:23.040
<v Speaker 1>know so much about the more libertarian end of it.

0:30:23.120 --> 0:30:28.600
<v Speaker 1>I think that a lot of these kind of more anarchists, uh,

0:30:29.360 --> 0:30:31.680
<v Speaker 1>kind of these these movements that have more of an

0:30:31.720 --> 0:30:35.800
<v Speaker 1>anarchist skew to them or Marxist skew to them, are

0:30:36.200 --> 0:30:40.920
<v Speaker 1>really more about like not like basically the absence of

0:30:41.000 --> 0:30:45.200
<v Speaker 1>society rather than a presence of like a militarization or

0:30:45.280 --> 0:30:47.120
<v Speaker 1>presence of guns. There was a lot of like rumors

0:30:47.200 --> 0:30:49.640
<v Speaker 1>going around in the chairs of like people, you know,

0:30:50.040 --> 0:30:52.960
<v Speaker 1>they're being warlords and it being like mad Max. But

0:30:53.000 --> 0:30:55.080
<v Speaker 1>I think that when you look at people who are

0:30:55.080 --> 0:30:59.400
<v Speaker 1>actually there on the ground, it's been mostly just like

0:31:00.200 --> 0:31:06.280
<v Speaker 1>Raining the Thirteenth, the even do Verne documentary and like um,

0:31:06.320 --> 0:31:10.440
<v Speaker 1>you know for me, food co ops and stuff like that.

0:31:10.520 --> 0:31:13.040
<v Speaker 1>It's just been about like meeting people's basic needs. So

0:31:13.280 --> 0:31:16.600
<v Speaker 1>it's college, it's free college. It's like a it's like

0:31:16.640 --> 0:31:19.320
<v Speaker 1>a it's like a functional piece of performance art, right

0:31:19.720 --> 0:31:23.960
<v Speaker 1>like yeah, like in in this context, in the context

0:31:24.000 --> 0:31:27.320
<v Speaker 1>of something. And we'll see what long term happens with

0:31:27.400 --> 0:31:31.240
<v Speaker 1>the chairs. I mean. The other misunderstanding about it right

0:31:31.240 --> 0:31:33.520
<v Speaker 1>now is that it's like a hostile takeover of a

0:31:33.520 --> 0:31:37.040
<v Speaker 1>police station. But the Seattle Police department basically seated this area.

0:31:37.080 --> 0:31:39.360
<v Speaker 1>As I said before to the to them, what I

0:31:39.440 --> 0:31:44.200
<v Speaker 1>understood it as is that the Seattle police seated this base. UM.

0:31:44.400 --> 0:31:46.600
<v Speaker 1>And they assumed that it was going to get like

0:31:46.640 --> 0:31:49.760
<v Speaker 1>burnt down. There's like leaving it as as bait for

0:31:50.680 --> 0:31:53.520
<v Speaker 1>protesters to burn it down, And instead of burning it down,

0:31:53.560 --> 0:31:58.080
<v Speaker 1>they took it over and made it a community center. UM. Yeah. Yeah,

0:31:58.160 --> 0:32:00.520
<v Speaker 1>My my mom was part of an act in in

0:32:00.560 --> 0:32:05.920
<v Speaker 1>the seventies in Boston where UM, women took over a

0:32:06.000 --> 0:32:10.480
<v Speaker 1>building that was in UM, a poor black neighborhood in Boston,

0:32:10.800 --> 0:32:13.320
<v Speaker 1>and that Harvard was going to buy and turn into

0:32:13.400 --> 0:32:17.080
<v Speaker 1>some Harvard building. UM. And it's sort of like brought

0:32:17.160 --> 0:32:20.160
<v Speaker 1>together just all the threads of civil rights stuff in

0:32:20.280 --> 0:32:24.560
<v Speaker 1>Boston at this one moment UM, and they took over

0:32:25.400 --> 0:32:28.760
<v Speaker 1>a They took over the building for like two weeks UM.

0:32:28.800 --> 0:32:31.320
<v Speaker 1>But their demand was to have a women's health center.

0:32:31.400 --> 0:32:33.360
<v Speaker 1>So they were like, we're turning this into a women's

0:32:33.360 --> 0:32:38.800
<v Speaker 1>health education center until you know, until you give us

0:32:38.800 --> 0:32:41.080
<v Speaker 1>a place to do that. UM. And I spoke to

0:32:41.120 --> 0:32:43.040
<v Speaker 1>some of those activists too, I like interviewed them for

0:32:43.120 --> 0:32:46.720
<v Speaker 1>something that never actually ran UM, you know where I said,

0:32:46.760 --> 0:32:48.440
<v Speaker 1>like do you think we could do more stuff like this,

0:32:48.560 --> 0:32:51.360
<v Speaker 1>Like how do we do stuff like this now? You know?

0:32:51.400 --> 0:32:53.560
<v Speaker 1>And she said, I don't know if you can anymore

0:32:53.640 --> 0:32:57.120
<v Speaker 1>with the militarization of the police. And she also said

0:32:57.160 --> 0:33:01.240
<v Speaker 1>that the reason they weren't, you know, all sort of

0:33:02.120 --> 0:33:04.200
<v Speaker 1>the reason the police didn't come for them immediately was

0:33:04.240 --> 0:33:06.560
<v Speaker 1>because of the optics and because it was like, you

0:33:06.600 --> 0:33:09.160
<v Speaker 1>know a lot of a lot of white women and children,

0:33:09.640 --> 0:33:12.840
<v Speaker 1>um in this building. And she said, you know, I

0:33:12.920 --> 0:33:16.640
<v Speaker 1>absolutely don't think that that would happen. Um if this

0:33:16.680 --> 0:33:19.640
<v Speaker 1>had been like a you know, a militant black feminist group,

0:33:19.680 --> 0:33:22.040
<v Speaker 1>they would have just the police would have just come

0:33:22.040 --> 0:33:26.400
<v Speaker 1>in and rated it immediately. So, yeah, it's interesting to

0:33:26.480 --> 0:33:31.200
<v Speaker 1>think about, like how can we Yeah, I don't know.

0:33:31.320 --> 0:33:33.280
<v Speaker 1>It's just like everything's been governed so along by the

0:33:33.320 --> 0:33:37.040
<v Speaker 1>worst people in the world. What if, um, what if

0:33:37.040 --> 0:33:42.560
<v Speaker 1>we could take back the streets from from fascism. I mean,

0:33:42.720 --> 0:33:46.760
<v Speaker 1>I think that like short term actions like that are

0:33:47.120 --> 0:33:49.760
<v Speaker 1>like there's a huge use for them, Like even if

0:33:49.800 --> 0:33:55.680
<v Speaker 1>they don't necessarily result in their um the ends that

0:33:55.760 --> 0:33:59.280
<v Speaker 1>they have stated that they're requesting, Like, I think that

0:33:59.360 --> 0:34:02.480
<v Speaker 1>it's the ruption that counts. Like that at least like

0:34:02.560 --> 0:34:04.880
<v Speaker 1>for the people who are doing it. The disruption, it

0:34:04.960 --> 0:34:09.640
<v Speaker 1>is sort of half of the statement being made. Um,

0:34:09.800 --> 0:34:12.319
<v Speaker 1>totally And at this thing, my mom was part of

0:34:12.680 --> 0:34:14.960
<v Speaker 1>the documentary about it is called Left on Parole, and

0:34:15.000 --> 0:34:17.720
<v Speaker 1>I really recommend it. It's a great documentary. The Women's

0:34:17.719 --> 0:34:23.280
<v Speaker 1>Health Center is still there. Um, that's great. Yeah, yeah,

0:34:23.680 --> 0:34:27.759
<v Speaker 1>but yeah, I think having demands is key. Yeah. And

0:34:27.800 --> 0:34:31.000
<v Speaker 1>there was a list of demands that the Capitol Hill,

0:34:31.000 --> 0:34:33.600
<v Speaker 1>a ton of a Zona has um has posted it.

0:34:33.680 --> 0:34:38.320
<v Speaker 1>There's a medium post um and they're like they are

0:34:39.200 --> 0:34:43.719
<v Speaker 1>I would say reasonable and radical demands there include and

0:34:43.719 --> 0:34:46.920
<v Speaker 1>they're very very granular, they're very in depth. Like a

0:34:46.960 --> 0:34:49.480
<v Speaker 1>lot of them involved going back and reopening cases of

0:34:49.520 --> 0:34:52.880
<v Speaker 1>people who were who are in prison for marijuana possession

0:34:52.880 --> 0:34:55.680
<v Speaker 1>and stuff like that, and like you know, re examining

0:34:55.760 --> 0:34:59.240
<v Speaker 1>sentences for for people Like this is far reaching stuff

0:34:59.800 --> 0:35:05.600
<v Speaker 1>the they're asking for, um, And I think like being

0:35:05.640 --> 0:35:10.839
<v Speaker 1>able to have that document conjoined with the fact that

0:35:10.880 --> 0:35:14.879
<v Speaker 1>everybody is watching Capitol Hill right now like that can

0:35:14.920 --> 0:35:17.719
<v Speaker 1>send a very powerful message. And I feel like I

0:35:17.880 --> 0:35:21.280
<v Speaker 1>have no idea, like I could not prognosticate the success

0:35:21.280 --> 0:35:23.640
<v Speaker 1>of any of this, but I feel like it's the

0:35:23.760 --> 0:35:26.319
<v Speaker 1>visibility of it is like I've definitely seen a lot

0:35:26.360 --> 0:35:28.240
<v Speaker 1>of people who are like rooting for it to fail

0:35:28.480 --> 0:35:31.799
<v Speaker 1>because they're synext you know, and well and because it's

0:35:31.880 --> 0:35:35.120
<v Speaker 1>very threatening, like in the same way that people root

0:35:35.200 --> 0:35:40.160
<v Speaker 1>for anything that's not capitalism to fail, Like it's very threatening.

0:35:40.440 --> 0:35:43.560
<v Speaker 1>I think there's also some legitimate critiques of it. I've

0:35:43.560 --> 0:35:45.799
<v Speaker 1>seen some people saying it's like, you know, a lot

0:35:45.880 --> 0:35:49.719
<v Speaker 1>of white anarchists and that, um. Some people think it's

0:35:49.719 --> 0:35:51.960
<v Speaker 1>sort of like a burning man, like you know, LARPing,

0:35:52.040 --> 0:35:55.560
<v Speaker 1>the end of society kind of thing. Um, But I

0:35:55.560 --> 0:35:57.640
<v Speaker 1>don't know if that's true. I don't know that much

0:35:57.680 --> 0:36:00.239
<v Speaker 1>about it. Emily, you're at the jazz experts. Well, there's

0:36:00.280 --> 0:36:05.879
<v Speaker 1>a long history of white anarchy in Seattle, and there's

0:36:05.920 --> 0:36:09.399
<v Speaker 1>also a pretty low I don't necessarily think it's an

0:36:09.400 --> 0:36:14.160
<v Speaker 1>accident that, like, you know, the the black populations. Seattle

0:36:14.200 --> 0:36:18.440
<v Speaker 1>has a relatively low black population for American cities, and

0:36:18.440 --> 0:36:20.279
<v Speaker 1>and when you look at pictures of people on the

0:36:20.320 --> 0:36:23.839
<v Speaker 1>ground at the chairs, it is a largely white group

0:36:23.880 --> 0:36:26.719
<v Speaker 1>of people. Although you know, it's it's more diverse than

0:36:26.719 --> 0:36:30.960
<v Speaker 1>I would say Capitol Hill is regularly uh So that's

0:36:31.000 --> 0:36:35.680
<v Speaker 1>an improvement, right, and the Pacific Northwest UM is very

0:36:35.719 --> 0:36:39.600
<v Speaker 1>white because that is on purpose. They were formed as

0:36:39.640 --> 0:36:44.759
<v Speaker 1>like a racist colony. So it is interesting to think about. Yeah,

0:36:44.840 --> 0:36:46.440
<v Speaker 1>just it seems like a place where a lot of

0:36:46.440 --> 0:36:50.799
<v Speaker 1>like white supremacist militia type groups spring up. Um, but

0:36:50.960 --> 0:36:53.480
<v Speaker 1>also things that are on the total opposite end of

0:36:53.480 --> 0:36:57.359
<v Speaker 1>the spectrum, like the you know w t O protests

0:36:58.400 --> 0:37:02.560
<v Speaker 1>in Seattle. Yeah yeah, but some of some of the

0:37:02.920 --> 0:37:05.480
<v Speaker 1>you know, the people making fun of it for being

0:37:05.560 --> 0:37:10.000
<v Speaker 1>like extremely Seattle. It's pretty Seattle, it is, and and

0:37:10.239 --> 0:37:13.080
<v Speaker 1>and I think that that's like a there's pluses and

0:37:13.160 --> 0:37:15.560
<v Speaker 1>minuses to that, right, Like the first time I ever

0:37:15.719 --> 0:37:20.759
<v Speaker 1>encountered like alternate pronouns was in Seattle. I'd never I'd

0:37:20.800 --> 0:37:24.279
<v Speaker 1>never spoken to any of that, It's it's anybody about

0:37:24.280 --> 0:37:26.480
<v Speaker 1>that or been exposed to that at all. Like, I

0:37:26.520 --> 0:37:29.760
<v Speaker 1>think that Seattle can often be like at the forefront,

0:37:29.760 --> 0:37:32.480
<v Speaker 1>a lot of a lot of the stuff. And also

0:37:32.640 --> 0:37:34.600
<v Speaker 1>you know, have big blind spots in terms of like

0:37:34.640 --> 0:37:38.759
<v Speaker 1>who's actually living in Seattle. But um, but I think

0:37:38.880 --> 0:37:43.480
<v Speaker 1>you know, it's you know, it's all a mixed bag.

0:37:43.600 --> 0:37:46.800
<v Speaker 1>I mean, and I'm glad that you brought up Bernie Man,

0:37:46.880 --> 0:37:51.760
<v Speaker 1>because Bernie Man is not not connected to autonomous zone

0:37:51.880 --> 0:37:56.560
<v Speaker 1>movements in the past, and Burning Man is like it's

0:37:56.600 --> 0:37:59.279
<v Speaker 1>extremely white and it costs a lot of money at

0:37:59.280 --> 0:38:03.440
<v Speaker 1>this point, so at this point, yeah, I mean so there.

0:38:03.560 --> 0:38:07.560
<v Speaker 1>So Bernie Man came out of UM, out of a

0:38:07.640 --> 0:38:11.520
<v Speaker 1>group called the Cacophony Society, which is from the Bay

0:38:11.560 --> 0:38:16.000
<v Speaker 1>Area of course, um, the same group that incidentally also

0:38:16.080 --> 0:38:19.680
<v Speaker 1>brought you what we now know is Santa CON. So

0:38:19.840 --> 0:38:23.279
<v Speaker 1>if you really hate Burnie Man and Santa CN, you

0:38:23.400 --> 0:38:26.799
<v Speaker 1>have one organization to blame for it. But they were,

0:38:26.880 --> 0:38:30.200
<v Speaker 1>you know, they were kind of like a dadaist um

0:38:30.920 --> 0:38:33.799
<v Speaker 1>culture Jammie type group that came out of a lot

0:38:33.840 --> 0:38:37.920
<v Speaker 1>of this theory of autonomous zones and like temporarily suspending society,

0:38:37.960 --> 0:38:41.000
<v Speaker 1>I mean the other there's like very dicey history to

0:38:41.120 --> 0:38:44.520
<v Speaker 1>all of this, right because like the one of the

0:38:44.520 --> 0:38:47.799
<v Speaker 1>biggest like foundational anarchist text on this is called the

0:38:47.800 --> 0:38:52.640
<v Speaker 1>Temporary Autonomous Zone UM by Hakim Bay a k a.

0:38:52.760 --> 0:38:56.799
<v Speaker 1>Peter Lambard Wilson, who like huge, huge disclaimer is like

0:38:56.840 --> 0:39:01.920
<v Speaker 1>a very loud and proud advocate of pedophilia. Uh yeah,

0:39:02.200 --> 0:39:05.200
<v Speaker 1>so and like and it's a part of the theorization

0:39:05.320 --> 0:39:08.239
<v Speaker 1>around this as like a libertarian just like a living

0:39:08.280 --> 0:39:10.719
<v Speaker 1>outside of society. Yeah, as like as a guy living

0:39:10.760 --> 0:39:13.000
<v Speaker 1>an upstate New York on a trust fund because he

0:39:13.040 --> 0:39:17.240
<v Speaker 1>comes from like sugar money. Like it's crazy, Like, um,

0:39:17.280 --> 0:39:18.839
<v Speaker 1>he's like, you know, he was one of these guys

0:39:18.880 --> 0:39:25.160
<v Speaker 1>who went to India and like himself. Um, yeah, I

0:39:25.200 --> 0:39:27.160
<v Speaker 1>mean things like that. That's the thing too, is it's

0:39:27.200 --> 0:39:29.840
<v Speaker 1>like it does feel like it takes a certain amount

0:39:29.880 --> 0:39:33.240
<v Speaker 1>of privilege to decide that you can just eject yourself

0:39:33.280 --> 0:39:37.680
<v Speaker 1>from society, and most people do not have that privilege.

0:39:37.719 --> 0:39:40.680
<v Speaker 1>And sometimes when you see, like, you know, a white

0:39:40.760 --> 0:39:44.879
<v Speaker 1>person with green dreads being like, we can all live

0:39:44.920 --> 0:39:47.560
<v Speaker 1>on the barter system just like we do it burning man,

0:39:49.280 --> 0:39:53.160
<v Speaker 1>it feels out of touch with reality. Not because we

0:39:53.200 --> 0:39:55.759
<v Speaker 1>don't want to live on the barter system, but just

0:39:55.840 --> 0:39:59.759
<v Speaker 1>because again it's like I'm curious, like if something like

0:39:59.800 --> 0:40:03.399
<v Speaker 1>this had happened in like Oakland, you know, just having

0:40:03.440 --> 0:40:06.120
<v Speaker 1>seen what happened with the Moms for housing stuff recently,

0:40:06.280 --> 0:40:10.839
<v Speaker 1>where you know, groups of unhoused women were taking over

0:40:10.920 --> 0:40:14.799
<v Speaker 1>houses in Oakland and also in Los Angeles, there was

0:40:14.880 --> 0:40:18.520
<v Speaker 1>a a movement in solidarity with that, you know, and

0:40:18.600 --> 0:40:21.960
<v Speaker 1>the highway patrol showed up immediately with like a million

0:40:22.440 --> 0:40:24.720
<v Speaker 1>cars and you know, end up just been sitting outside

0:40:24.760 --> 0:40:27.799
<v Speaker 1>these houses where people are now you know, occupying peacefullies

0:40:27.880 --> 0:40:30.880
<v Speaker 1>or empty houses owned by the city. Just you see,

0:40:30.920 --> 0:40:33.720
<v Speaker 1>like when they really perceive something to be a threat

0:40:33.840 --> 0:40:37.279
<v Speaker 1>to the to the order and to property, um, they

0:40:37.320 --> 0:40:41.800
<v Speaker 1>are not shy about coming in to funk it up. Yeah. Yeah,

0:40:41.960 --> 0:40:44.680
<v Speaker 1>I mean, like I just wanted to go back to

0:40:45.120 --> 0:40:47.680
<v Speaker 1>the temperate Autonomous NWNE for a second, because I like,

0:40:47.760 --> 0:40:50.600
<v Speaker 1>I mean it's like a it's like very readily available

0:40:50.680 --> 0:40:57.200
<v Speaker 1>and still highly like highly influential, and a ton of

0:40:57.440 --> 0:41:03.520
<v Speaker 1>pedophilia advocacy is like woven into it. Yeah, and it's

0:41:03.560 --> 0:41:04.960
<v Speaker 1>like a thing that a lot of people kind of

0:41:04.960 --> 0:41:07.680
<v Speaker 1>turn a blind eye too as well, or like they

0:41:07.719 --> 0:41:09.600
<v Speaker 1>kind of cherrypick from it, which I don't think is

0:41:09.640 --> 0:41:13.640
<v Speaker 1>like impossible to do. Like there's some kind of like

0:41:14.040 --> 0:41:16.799
<v Speaker 1>very interesting ideas in it, but a lot of them

0:41:16.840 --> 0:41:20.280
<v Speaker 1>are kind of in his context used to be like yes,

0:41:20.360 --> 0:41:23.200
<v Speaker 1>experiment like no laws, like we can funk kids. Like

0:41:23.280 --> 0:41:26.600
<v Speaker 1>that's sort of the and has this very kind of

0:41:26.640 --> 0:41:31.160
<v Speaker 1>peculiar angle to it that I think could easily be

0:41:31.280 --> 0:41:33.040
<v Speaker 1>taken out of it. But I think I think it's

0:41:33.080 --> 0:41:34.760
<v Speaker 1>just something to keep an eye on that the people

0:41:34.760 --> 0:41:38.800
<v Speaker 1>who like are often advocating for this sort of culture

0:41:38.880 --> 0:41:44.520
<v Speaker 1>jamming activity for um, you know, like the creating these

0:41:44.840 --> 0:41:50.160
<v Speaker 1>undefined spaces where anything can happen. When it comes from

0:41:50.160 --> 0:41:52.480
<v Speaker 1>a certain kind of person, it can start to sound

0:41:53.760 --> 0:41:56.080
<v Speaker 1>like and I don't want to overuse this word, but

0:41:56.160 --> 0:41:58.440
<v Speaker 1>like it can sound rapey, Like that sounds like the

0:41:58.560 --> 0:42:01.520
<v Speaker 1>environment of like, oh, there are no rules, I can

0:42:01.560 --> 0:42:04.719
<v Speaker 1>do whatever I want. And there were cases of like

0:42:05.000 --> 0:42:07.399
<v Speaker 1>sexual violence and stuff at some of the occupy sites

0:42:07.440 --> 0:42:09.560
<v Speaker 1>and stuff like that that you know, so that's just

0:42:09.600 --> 0:42:12.080
<v Speaker 1>something to impressia. I think that's also just a hazard

0:42:12.080 --> 0:42:14.440
<v Speaker 1>of all commune totally, and it's a hazard of being

0:42:14.560 --> 0:42:17.040
<v Speaker 1>in the world also. I just think that, like, but

0:42:17.080 --> 0:42:18.680
<v Speaker 1>it's also it's like it comes as more of a

0:42:18.680 --> 0:42:20.839
<v Speaker 1>shock when it when it happens in the world that's

0:42:20.840 --> 0:42:23.279
<v Speaker 1>supposed to be the utopian world. I think there's a

0:42:23.280 --> 0:42:26.759
<v Speaker 1>lot of you know, failed communes and utopias that you

0:42:26.800 --> 0:42:28.960
<v Speaker 1>can look to, and I don't think that the fact

0:42:29.000 --> 0:42:32.239
<v Speaker 1>that they failed means that you shouldn't take lessons from

0:42:32.239 --> 0:42:35.279
<v Speaker 1>them exactly. Yeah, I think I think that's the right.

0:42:35.920 --> 0:42:39.280
<v Speaker 1>Like it's very easy to over romanticize this stuff, especially

0:42:39.320 --> 0:42:41.880
<v Speaker 1>as it's happening right now and everybody's getting their Chaz

0:42:42.000 --> 0:42:46.919
<v Speaker 1>jokes off. But like there's there's value in this kind

0:42:46.920 --> 0:42:49.799
<v Speaker 1>of thing, and it can also go sideways, like these

0:42:49.840 --> 0:42:51.920
<v Speaker 1>are all human beings who are doing this stuff. This

0:42:52.000 --> 0:42:55.960
<v Speaker 1>isn't and it's an imperfect process and that that's the

0:42:56.000 --> 0:42:58.719
<v Speaker 1>whole point of it. It's like an attempt to rethink

0:42:59.520 --> 0:43:03.040
<v Speaker 1>how this society could work. And and so like there

0:43:03.200 --> 0:43:06.080
<v Speaker 1>is a huge, huge area where people can funk up.

0:43:06.719 --> 0:43:10.040
<v Speaker 1>Uh and and and you know, unwise decisions can be

0:43:10.080 --> 0:43:12.080
<v Speaker 1>made and things that put people in danger like that

0:43:12.080 --> 0:43:15.040
<v Speaker 1>can all happen. Um. So I think that's important to

0:43:15.120 --> 0:43:17.160
<v Speaker 1>keep in mind as this sort of unfold. And like

0:43:17.239 --> 0:43:19.560
<v Speaker 1>by the time this episode comes out, who knows well

0:43:19.600 --> 0:43:21.600
<v Speaker 1>what will be happening. I've been trying to stay like

0:43:21.680 --> 0:43:24.440
<v Speaker 1>as up todate as possible before we record it, just

0:43:24.480 --> 0:43:28.480
<v Speaker 1>so that like I don't know, that's hopefully like nothing

0:43:28.560 --> 0:43:32.759
<v Speaker 1>horrible happens on Capitol Hill, um Like, And I don't

0:43:32.760 --> 0:43:34.600
<v Speaker 1>mean to laugh why I'm saying that. I truly mean that,

0:43:34.719 --> 0:43:37.319
<v Speaker 1>Like I wish them the best. I hope that the

0:43:37.360 --> 0:43:39.880
<v Speaker 1>experiment goes well and everybody learns from it, but like

0:43:39.920 --> 0:43:41.920
<v Speaker 1>who knows, Like that, that's the whole point. Who knows

0:43:41.960 --> 0:43:44.120
<v Speaker 1>what's going to happen. So you're saying, we're going to

0:43:44.239 --> 0:43:47.400
<v Speaker 1>build a new society at sea, Yeah, on top of

0:43:47.440 --> 0:43:50.680
<v Speaker 1>all the Confederate monuments that have that have been gathering

0:43:50.719 --> 0:43:53.799
<v Speaker 1>at the bottom of the ocean. But yeah, I uh,

0:43:54.640 --> 0:43:57.960
<v Speaker 1>I think this stuff is all super interesting to look into,

0:43:59.200 --> 0:44:02.879
<v Speaker 1>both because of the real political power that can have

0:44:03.000 --> 0:44:05.840
<v Speaker 1>in certain cases, like especially in the cases in France,

0:44:06.600 --> 0:44:10.120
<v Speaker 1>and like the overlap that it has with rave culture

0:44:10.400 --> 0:44:14.600
<v Speaker 1>and with like kind of party culture and counterculture and

0:44:14.640 --> 0:44:17.239
<v Speaker 1>all of that. Like that. I've been thinking so much

0:44:17.280 --> 0:44:20.040
<v Speaker 1>about the cave raves because I've seen so many things

0:44:20.040 --> 0:44:23.120
<v Speaker 1>since the protests started that gave me like cave rave

0:44:23.960 --> 0:44:27.759
<v Speaker 1>vibes in a great way. Um, particularly the Detroit protests

0:44:27.760 --> 0:44:32.319
<v Speaker 1>from there, just like playing incredible house music during the protests. Yeah.

0:44:32.400 --> 0:44:35.719
<v Speaker 1>My favorite thing about that was people were posting to

0:44:35.760 --> 0:44:38.120
<v Speaker 1>be like Detroit as the whole of techno, and then

0:44:38.160 --> 0:44:40.800
<v Speaker 1>all these people under the post like that's not techno,

0:44:40.960 --> 0:44:48.680
<v Speaker 1>it's house. It's like yes, um, but yeah, that's that

0:44:48.840 --> 0:44:51.600
<v Speaker 1>stuff is great. People are going to fuck up, Um,

0:44:51.719 --> 0:44:53.920
<v Speaker 1>and just because people are going to suck up doesn't

0:44:53.960 --> 0:44:56.880
<v Speaker 1>mean that these things aren't valuable to t And I

0:44:56.920 --> 0:45:01.000
<v Speaker 1>think also as long and and I keep watching it

0:45:01.320 --> 0:45:05.080
<v Speaker 1>for this reason also, like like I would hope that

0:45:05.160 --> 0:45:09.040
<v Speaker 1>the Capital Hill Autonomous Own continues to keep Black lives

0:45:09.040 --> 0:45:13.080
<v Speaker 1>Matter at the center of its purpose because it is

0:45:13.080 --> 0:45:18.000
<v Speaker 1>such a white kind of I mean comparatively. Um, there's

0:45:18.040 --> 0:45:20.360
<v Speaker 1>a lot of white people there, and a lot of

0:45:20.360 --> 0:45:22.399
<v Speaker 1>white people who are kind of being the loudest about

0:45:22.440 --> 0:45:24.319
<v Speaker 1>what's going on there, and so I would really hope

0:45:24.320 --> 0:45:29.040
<v Speaker 1>that they stay on message there. That's my opinion from

0:45:29.080 --> 0:45:31.279
<v Speaker 1>all the way down here in Los Angeles. And you

0:45:31.400 --> 0:45:33.760
<v Speaker 1>know that Seattle doesn't give a funk about what Los

0:45:33.760 --> 0:45:39.879
<v Speaker 1>Angeles thinks. Hey, you you count as Seattle. I'm I'm yeah,

0:45:39.920 --> 0:45:46.720
<v Speaker 1>I claim Seattle. I claim Iris City. Uh yeah, but yeah,

0:45:46.880 --> 0:45:49.759
<v Speaker 1>So I I just thought that was an interesting thing

0:45:49.800 --> 0:45:52.279
<v Speaker 1>to look into. And I have a feeling I saw

0:45:52.360 --> 0:45:55.600
<v Speaker 1>some stuff happening in Portland. You know, it's I don't

0:45:55.600 --> 0:45:58.000
<v Speaker 1>think it's a coincidence, and it's been in Seattle in Portland,

0:45:58.080 --> 0:46:00.600
<v Speaker 1>but I think like there's going to be more of

0:46:00.600 --> 0:46:03.000
<v Speaker 1>this and I keep picturing it is like one of

0:46:03.040 --> 0:46:05.640
<v Speaker 1>the Sonic the Hedgehog zones, because those are all called

0:46:05.680 --> 0:46:08.000
<v Speaker 1>like the Casino Zone and stuff like that. So I

0:46:08.080 --> 0:46:12.719
<v Speaker 1>keep imagining that. Um. I have a proposition for Los Angeles.

0:46:13.520 --> 0:46:15.759
<v Speaker 1>I think we should take over the Britney Spears the

0:46:15.840 --> 0:46:20.000
<v Speaker 1>Zone Museum and make that the Zone zone. Somebody like

0:46:20.040 --> 0:46:22.160
<v Speaker 1>that was one of the first big things to get tagged.

0:46:22.200 --> 0:46:24.320
<v Speaker 1>I feel like, oh so good. I drove past it

0:46:24.360 --> 0:46:26.319
<v Speaker 1>to see if it was still there, but it's not.

0:46:26.719 --> 0:46:29.960
<v Speaker 1>Somebody tagged smash White Supremacy on the Britney Spears on

0:46:29.960 --> 0:46:32.759
<v Speaker 1>the bright pink wall of the Britney Spears pop up.

0:46:33.280 --> 0:46:36.000
<v Speaker 1>It was pretty incredible. Even when I was reviewing it

0:46:36.160 --> 0:46:38.719
<v Speaker 1>before in the before times, I thought like this was

0:46:38.760 --> 0:46:40.680
<v Speaker 1>like an empty kmart and I was like, this could

0:46:40.680 --> 0:46:43.319
<v Speaker 1>so easily be turned into housing. The fact that it's

0:46:43.360 --> 0:46:47.359
<v Speaker 1>being used for this instead of that is crazy. There

0:46:47.400 --> 0:46:49.919
<v Speaker 1>have also just been tons of condos that have gone

0:46:49.960 --> 0:46:52.600
<v Speaker 1>up because construction hasn't halted in the middle of COVID,

0:46:52.800 --> 0:46:55.840
<v Speaker 1>so there's lots of new spaces out there, like even

0:46:55.880 --> 0:46:59.040
<v Speaker 1>and as of like two months ago, there's um. The

0:46:59.040 --> 0:47:01.560
<v Speaker 1>thing that excites me even more than the autonomous zone,

0:47:01.560 --> 0:47:05.000
<v Speaker 1>because I think the autonomous zone is cool. Um. But

0:47:05.440 --> 0:47:08.520
<v Speaker 1>the thing I'm the most excited about is the Minneapolis

0:47:09.000 --> 0:47:13.880
<v Speaker 1>hotel that you know is being used to house people. Now, Um,

0:47:13.920 --> 0:47:16.000
<v Speaker 1>that's something we've been trying to do in l A too,

0:47:16.480 --> 0:47:18.520
<v Speaker 1>is to try and get people housed in all these

0:47:18.560 --> 0:47:24.120
<v Speaker 1>empty buildings. Um. That to me is like, you know,

0:47:24.200 --> 0:47:27.480
<v Speaker 1>something we should all be pushing for. That would really

0:47:27.520 --> 0:47:31.200
<v Speaker 1>be like a radical transformation of the cities and the

0:47:31.200 --> 0:47:34.439
<v Speaker 1>way that they deal with their issues. The homeless count

0:47:34.480 --> 0:47:37.000
<v Speaker 1>just came out last night at midnight. Homelessness in l

0:47:37.000 --> 0:47:42.000
<v Speaker 1>A went up by like um. And so obviously just

0:47:42.080 --> 0:47:44.600
<v Speaker 1>like adding more money to the police budget, continuing to

0:47:44.640 --> 0:47:49.480
<v Speaker 1>militarize the police into harass on housed people hasn't worked ever, um.

0:47:49.560 --> 0:47:51.760
<v Speaker 1>And just to get people to see that like housing

0:47:51.800 --> 0:47:56.080
<v Speaker 1>people is the best for the best idea for everybody,

0:47:56.480 --> 0:47:59.839
<v Speaker 1>you know, for everyone involved, especially during a pandemic. It's

0:47:59.840 --> 0:48:02.080
<v Speaker 1>just all the ways that it's like coming out that

0:48:02.120 --> 0:48:06.560
<v Speaker 1>it's like, well, society is interdependent actually, and nobody can

0:48:06.680 --> 0:48:10.120
<v Speaker 1>actually like reject themselves from society because we all need

0:48:10.160 --> 0:48:13.560
<v Speaker 1>each other. Um, and that's great. Well, We're gonna take

0:48:13.600 --> 0:48:15.880
<v Speaker 1>a quick break. When we come back, we're gonna be

0:48:16.000 --> 0:48:20.680
<v Speaker 1>joined by Maria Sherman to talk about K pop, k

0:48:20.920 --> 0:48:25.080
<v Speaker 1>pop stand Twitter, and how k pop stand Twitter took

0:48:25.120 --> 0:48:29.200
<v Speaker 1>on the police in a very unlikely but welcome tourn

0:48:29.200 --> 0:48:43.600
<v Speaker 1>of events, So stay tuned for that. Welcome back to Nightcall,

0:48:43.920 --> 0:48:48.280
<v Speaker 1>we are now joined by Maria Sherman. She's a senior

0:48:48.320 --> 0:48:51.560
<v Speaker 1>writer at Jezebel and author of the new book Larger

0:48:51.640 --> 0:48:55.320
<v Speaker 1>Than Life, a history of boy bands from New Kids

0:48:55.320 --> 0:48:58.399
<v Speaker 1>on the Block to BTS, and she's here to talk

0:48:58.440 --> 0:49:03.280
<v Speaker 1>to us about the recent radicalization of stand Twitter, particularly

0:49:03.360 --> 0:49:05.120
<v Speaker 1>k pop stand Twitter, which I think has been like

0:49:05.200 --> 0:49:09.080
<v Speaker 1>one of the most interesting sub stories of the recent

0:49:09.800 --> 0:49:12.839
<v Speaker 1>Black Lives Matter movement, the recent wave of black Lives

0:49:12.840 --> 0:49:15.960
<v Speaker 1>Matter movements that have been happening. Uh so, yeah, welcome

0:49:16.000 --> 0:49:18.439
<v Speaker 1>to the show, Maria. I'm so glad to have you here. Yeah,

0:49:18.480 --> 0:49:20.600
<v Speaker 1>thanks so much for having me. Um. I'm excited to

0:49:20.640 --> 0:49:23.120
<v Speaker 1>talk about my favorite subjects, but also one that scares

0:49:23.200 --> 0:49:25.160
<v Speaker 1>me a little bit. I hope I do K pop

0:49:25.239 --> 0:49:28.680
<v Speaker 1>fans proud today. Yeah. I think that it's Uh, we

0:49:28.719 --> 0:49:31.080
<v Speaker 1>were talking a little before we recorded. It's like such

0:49:31.120 --> 0:49:36.560
<v Speaker 1>a it's such a vast universe. The K pop stand

0:49:36.680 --> 0:49:39.120
<v Speaker 1>army thing, and it's something that like I think up

0:49:39.200 --> 0:49:42.520
<v Speaker 1>until a couple of weeks ago, you would just be

0:49:42.680 --> 0:49:46.000
<v Speaker 1>you know, browsing Twitter, usually Twitter. I mean, I'm sure

0:49:46.040 --> 0:49:50.440
<v Speaker 1>that the sixists on other um social media platforms as well,

0:49:50.440 --> 0:49:52.120
<v Speaker 1>but Twitter is the one I'm at least most used,

0:49:52.480 --> 0:49:56.320
<v Speaker 1>like most have most experienced with this with and you

0:49:56.360 --> 0:49:58.319
<v Speaker 1>would just be like in a random threat or looking

0:49:58.360 --> 0:50:00.879
<v Speaker 1>at the responses in it, and a ocasionally there would

0:50:00.920 --> 0:50:05.400
<v Speaker 1>just be a zillion gifts of various K pop stars

0:50:05.680 --> 0:50:09.600
<v Speaker 1>doing choreography, and it kind of just it almost feels

0:50:09.600 --> 0:50:12.840
<v Speaker 1>like kind of just like a nonsense bombing in in

0:50:12.960 --> 0:50:17.040
<v Speaker 1>that in that context, especially if you don't really know

0:50:17.480 --> 0:50:20.360
<v Speaker 1>any stand more thing, if you just happen into it,

0:50:20.360 --> 0:50:23.680
<v Speaker 1>it's like if you don't know the lingo, it can

0:50:23.760 --> 0:50:28.560
<v Speaker 1>be a little impenetrable. Yeah, And there's so many K

0:50:28.719 --> 0:50:31.120
<v Speaker 1>pop groups, so it's like it's not you know, it

0:50:31.160 --> 0:50:33.759
<v Speaker 1>can appear monolithic from the outside, but there are all

0:50:33.800 --> 0:50:39.320
<v Speaker 1>these factions and like I started seeing the little subscript

0:50:39.440 --> 0:50:42.759
<v Speaker 1>seven over people's names, and I realized that that was

0:50:42.800 --> 0:50:48.319
<v Speaker 1>like that's a BTS thing, right, yea yeah. Um, So

0:50:48.400 --> 0:50:51.000
<v Speaker 1>it's just been like kind of interesting to see this

0:50:51.080 --> 0:50:53.120
<v Speaker 1>thing that's been a feature of Twitter for a long

0:50:53.160 --> 0:50:57.759
<v Speaker 1>time now become politicized in a more mainstream way. Yeah,

0:50:58.239 --> 0:51:01.480
<v Speaker 1>I'm happy you qualified as as a mainstream wings. I

0:51:01.520 --> 0:51:03.960
<v Speaker 1>think UM for some reason, even though this has been

0:51:04.000 --> 0:51:07.680
<v Speaker 1>like nothing but pretty positive press for K pop stands

0:51:07.719 --> 0:51:11.640
<v Speaker 1>in general, that they have like taken an active participatory

0:51:11.719 --> 0:51:15.439
<v Speaker 1>role in in Black Lives Matter, UM, is that they

0:51:15.560 --> 0:51:17.239
<v Speaker 1>think that they've been seen as just sort of like

0:51:17.600 --> 0:51:21.239
<v Speaker 1>another hysterical fan army as opposed to like a group

0:51:21.280 --> 0:51:26.960
<v Speaker 1>of very organized UM organized stands who often have political

0:51:27.000 --> 0:51:30.560
<v Speaker 1>opinions and participate in like charity and activism and everything.

0:51:30.600 --> 0:51:32.799
<v Speaker 1>But this this did feel different because it felt like

0:51:33.239 --> 0:51:36.600
<v Speaker 1>bigger than before UM stand armies that would normally be

0:51:36.640 --> 0:51:39.200
<v Speaker 1>competitive with one another, we're coming together, which is like

0:51:39.320 --> 0:51:43.640
<v Speaker 1>shocking UM and and like it felt like they put

0:51:43.680 --> 0:51:47.480
<v Speaker 1>the competition aside for for the good of the world,

0:51:48.200 --> 0:51:51.840
<v Speaker 1>which is great. Can you explain what they've been doing,

0:51:52.360 --> 0:51:57.960
<v Speaker 1>UM with just like bombarding the fan cams to people

0:51:58.280 --> 0:52:02.680
<v Speaker 1>and on hashtags? Yeah. UM. So the reason we're sort

0:52:02.680 --> 0:52:05.319
<v Speaker 1>of talking about them today is m At the end

0:52:05.440 --> 0:52:09.239
<v Speaker 1>of May, Dallas Police Department launched this app where they

0:52:09.280 --> 0:52:13.160
<v Speaker 1>asked civilians essentially to share and I think the quote

0:52:13.200 --> 0:52:17.960
<v Speaker 1>was illegal activity at protests and K pop stands. I know,

0:52:18.000 --> 0:52:20.680
<v Speaker 1>in particular a lot of like bts there's stand dumb.

0:52:20.840 --> 0:52:23.439
<v Speaker 1>I guess army saw this and we're like, no, let's

0:52:23.440 --> 0:52:26.680
<v Speaker 1>bombardo with fan cams and crash the app. Um. And

0:52:26.719 --> 0:52:29.600
<v Speaker 1>before it even crashed, which was very quickly, you think,

0:52:29.640 --> 0:52:33.239
<v Speaker 1>within a couple of hours, as very very bigos. They

0:52:33.280 --> 0:52:37.239
<v Speaker 1>also they went on the Apple app store and and

0:52:37.320 --> 0:52:40.920
<v Speaker 1>gave the Apple one star rating. So it's like completely devastated,

0:52:41.080 --> 0:52:42.560
<v Speaker 1>and it was like you can't find this, but if

0:52:42.560 --> 0:52:45.640
<v Speaker 1>you did, you would just see like really beautiful images

0:52:45.719 --> 0:52:50.319
<v Speaker 1>of like junk cook It's like um. And then like

0:52:50.360 --> 0:52:53.360
<v Speaker 1>the following day, m Grand Rapids Police Department did the

0:52:53.400 --> 0:52:56.280
<v Speaker 1>same thing. I'm not really sure why. If anybody was online,

0:52:56.320 --> 0:52:59.000
<v Speaker 1>they probably would have noticed that they were going to

0:52:59.120 --> 0:53:03.600
<v Speaker 1>overwhelm their app as well, and it crashed. And then um, simultaneously,

0:53:04.080 --> 0:53:07.919
<v Speaker 1>when a racist hashtag started cropping up like white Lives Matter,

0:53:08.080 --> 0:53:12.600
<v Speaker 1>white out Wednesday in response to blackout Tuesday, UM, all

0:53:12.640 --> 0:53:15.600
<v Speaker 1>that sort of stuff started happening. Fans did the same thing.

0:53:15.800 --> 0:53:18.799
<v Speaker 1>They started blasting their fan camps and memes what's the

0:53:18.840 --> 0:53:23.640
<v Speaker 1>fan cam? Yeah, I realized I probably probably should have

0:53:23.640 --> 0:53:27.680
<v Speaker 1>started there. Um, So a fan cam um as an

0:53:27.719 --> 0:53:30.640
<v Speaker 1>internet neologism I think now is just sort of like

0:53:30.719 --> 0:53:34.279
<v Speaker 1>a video of a celebrity you like, like I see

0:53:34.320 --> 0:53:36.920
<v Speaker 1>them a lot now referred to like as just really

0:53:36.960 --> 0:53:40.400
<v Speaker 1>like sexy videos of Timothy Shellomy, which is not their

0:53:40.400 --> 0:53:44.960
<v Speaker 1>original definition in the purest sense. Um, it's like um

0:53:45.280 --> 0:53:48.680
<v Speaker 1>live performance or like an award show reaction, where a

0:53:48.719 --> 0:53:52.080
<v Speaker 1>fan has filmed one member for the entirety of the performance,

0:53:52.520 --> 0:53:54.760
<v Speaker 1>So even when they're not dancing or singing or rapping,

0:53:54.840 --> 0:53:57.359
<v Speaker 1>or still watching your favorite or your bias as they're

0:53:57.400 --> 0:54:00.239
<v Speaker 1>called in k pop, and they're like so popular. Even

0:54:00.320 --> 0:54:03.520
<v Speaker 1>Korean television networks will film their own high death versions

0:54:03.560 --> 0:54:05.839
<v Speaker 1>of this and put them on YouTube and they'll get

0:54:05.840 --> 0:54:09.560
<v Speaker 1>like tens of millions of views. Um. It's it's really fascinating,

0:54:09.680 --> 0:54:13.360
<v Speaker 1>fascinating fan behavior. I did not know that that's what

0:54:13.400 --> 0:54:15.640
<v Speaker 1>a fan cam was because I just thought it was

0:54:15.719 --> 0:54:18.040
<v Speaker 1>just like I didn't know it was called a cam

0:54:18.080 --> 0:54:21.520
<v Speaker 1>because to me, it just felt like a fan edit. Sure, yeah,

0:54:21.560 --> 0:54:24.440
<v Speaker 1>but that's so interesting that it's just like like if

0:54:24.480 --> 0:54:26.839
<v Speaker 1>you have a multi cam broadcast of a concert. Yes,

0:54:26.880 --> 0:54:29.680
<v Speaker 1>there's going to be one that's always on your fave. Yeah,

0:54:30.200 --> 0:54:32.680
<v Speaker 1>I wanted to ask. I mean, I think this is

0:54:32.719 --> 0:54:37.120
<v Speaker 1>such an interesting development. Um, but specifically, you know, K

0:54:37.320 --> 0:54:41.760
<v Speaker 1>pop has had a lot of issues with racism. UM.

0:54:41.880 --> 0:54:45.360
<v Speaker 1>So I was totally a little surprised by this because

0:54:45.400 --> 0:54:47.920
<v Speaker 1>I didn't think of K pop as being sort of

0:54:47.960 --> 0:54:54.480
<v Speaker 1>like the most progressive or inclusive necessarily fandom. Um. A

0:54:54.520 --> 0:54:56.600
<v Speaker 1>lot of the K pop stars have gotten in trouble

0:54:56.719 --> 0:55:01.000
<v Speaker 1>for doing, you know, racist stuff, for being ignorant about

0:55:01.800 --> 0:55:05.360
<v Speaker 1>stuff like black lives matter. So I'm curious, what what

0:55:05.400 --> 0:55:08.800
<v Speaker 1>do you think, um, this says about the K pop fandom.

0:55:09.120 --> 0:55:10.799
<v Speaker 1>I was just going to add, there's also like, in

0:55:10.880 --> 0:55:14.120
<v Speaker 1>addition to that, In addition to the behavior of specific

0:55:14.239 --> 0:55:17.680
<v Speaker 1>CAPE pop stars, there's also been a lot of writing

0:55:17.719 --> 0:55:21.400
<v Speaker 1>I think about how indebted especially I don't think that

0:55:21.440 --> 0:55:23.520
<v Speaker 1>it's always been quite as much as it is now.

0:55:23.880 --> 0:55:26.600
<v Speaker 1>I think this has been gradual over the years, how

0:55:26.640 --> 0:55:29.759
<v Speaker 1>indebted K pop the music itself has been, UM to

0:55:30.040 --> 0:55:32.680
<v Speaker 1>black music, to hip hop, into R and B all

0:55:32.719 --> 0:55:36.520
<v Speaker 1>boy bands, you know, from the mold of new addition,

0:55:37.680 --> 0:55:40.200
<v Speaker 1>so I think that is just like part of the

0:55:40.280 --> 0:55:42.839
<v Speaker 1>DNA of boy bands, and it's interesting to see it's

0:55:42.840 --> 0:55:45.040
<v Speaker 1>sort of so divorced from the source material like it

0:55:45.160 --> 0:55:47.239
<v Speaker 1>is in K pop, where some of it is like

0:55:48.040 --> 0:55:52.960
<v Speaker 1>you know, in interpreting, like the in sync assimilation of

0:55:53.040 --> 0:55:57.040
<v Speaker 1>black culture. It's like several levels removed from the original thing,

0:55:58.080 --> 0:56:02.000
<v Speaker 1>but it's obviously still still there. And yeah, I know

0:56:02.040 --> 0:56:06.440
<v Speaker 1>there's been issues with some of the individual stars. Do

0:56:06.440 --> 0:56:10.239
<v Speaker 1>you have any K pop bands responded to this that

0:56:10.320 --> 0:56:13.120
<v Speaker 1>the K pop stands are doing this in America? It's

0:56:13.120 --> 0:56:17.759
<v Speaker 1>it's interesting because everything is sort of like specific to

0:56:18.360 --> 0:56:20.840
<v Speaker 1>the kind of artist. And what I mean by that

0:56:20.960 --> 0:56:24.239
<v Speaker 1>is after all of this started happening, you get BTS

0:56:24.400 --> 0:56:27.399
<v Speaker 1>is company big hit donating one million dollars to Black

0:56:27.400 --> 0:56:30.080
<v Speaker 1>Lives Matter, But that happens two weeks or so, or

0:56:30.080 --> 0:56:31.919
<v Speaker 1>maybe like a week and a half after K pop

0:56:32.120 --> 0:56:35.840
<v Speaker 1>stands are already doing all of this like online activism.

0:56:35.880 --> 0:56:38.680
<v Speaker 1>So it's kind of like the artist is subject to

0:56:39.000 --> 0:56:43.000
<v Speaker 1>whatever the political position is of their stand army because

0:56:43.040 --> 0:56:47.560
<v Speaker 1>obviously they benefit as from them as as consumers, so

0:56:47.600 --> 0:56:49.440
<v Speaker 1>they want to like sort of reflect their interest to

0:56:49.520 --> 0:56:53.160
<v Speaker 1>continue to have their loyalty and support. It's really interesting

0:56:53.160 --> 0:56:55.640
<v Speaker 1>with K pop. I think they have more direct control

0:56:55.719 --> 0:56:59.359
<v Speaker 1>they like participate in like what a lot of their

0:56:59.520 --> 0:57:04.360
<v Speaker 1>favorite artists do. However, UM, the thing about music specifically

0:57:04.400 --> 0:57:06.920
<v Speaker 1>like K pop obviously pulls from like hip hop and

0:57:07.000 --> 0:57:09.400
<v Speaker 1>R and B and also like in New Jack Swing,

0:57:09.440 --> 0:57:11.480
<v Speaker 1>which I think boy Bend's like Molly was saying, I've

0:57:11.520 --> 0:57:15.520
<v Speaker 1>done historically, UM, only a few artists have actually said

0:57:15.520 --> 0:57:19.360
<v Speaker 1>anything about that borrowing, and some of them UM said,

0:57:19.400 --> 0:57:21.560
<v Speaker 1>so it seems like probably because they had some sort

0:57:21.600 --> 0:57:25.320
<v Speaker 1>of fan pressure to do so, like I know BTS,

0:57:25.440 --> 0:57:28.080
<v Speaker 1>UM like their comment on on Black Lives Matter, like

0:57:28.080 --> 0:57:30.600
<v Speaker 1>included the hashtag and said that they didn't condone violence,

0:57:30.880 --> 0:57:33.880
<v Speaker 1>but an artist like c l from twenty one so

0:57:34.000 --> 0:57:38.080
<v Speaker 1>like a previous generation of K pop. UM specifically mentioned

0:57:38.160 --> 0:57:39.840
<v Speaker 1>that a lot of her music and a lot of

0:57:39.920 --> 0:57:44.840
<v Speaker 1>K pop comes from black music, like like all popular music. UM.

0:57:45.160 --> 0:57:47.919
<v Speaker 1>I also want to qualify that while we're talking about

0:57:47.960 --> 0:57:50.080
<v Speaker 1>all the wonderful things that K pop fans have done

0:57:50.120 --> 0:57:53.040
<v Speaker 1>and sort of vocalized their supported Black Lives Matter, some

0:57:53.160 --> 0:57:56.520
<v Speaker 1>of it is really specific to UM the success of

0:57:56.560 --> 0:58:00.080
<v Speaker 1>the artist as well. Like the day after the A

0:58:00.680 --> 0:58:05.760
<v Speaker 1>like destroyed this really ridiculous UM Dallas app I read

0:58:05.800 --> 0:58:08.880
<v Speaker 1>about a new girl group called Secret Number, where one

0:58:08.920 --> 0:58:12.840
<v Speaker 1>of the members had her Instagram and SoundCloud taken down

0:58:13.640 --> 0:58:16.640
<v Speaker 1>because she posted about Black Lives Matter on her Instagram story.

0:58:17.080 --> 0:58:19.520
<v Speaker 1>And the belief there's because it was a new group,

0:58:19.640 --> 0:58:21.640
<v Speaker 1>they didn't have the sort of fandom that could support

0:58:21.640 --> 0:58:25.959
<v Speaker 1>a political statement. I'm curious too about the labels, whether

0:58:26.000 --> 0:58:28.440
<v Speaker 1>the labels are sanctioning this, because we're seeing it kind

0:58:28.440 --> 0:58:31.080
<v Speaker 1>of go into directions with companies where it's like half

0:58:31.120 --> 0:58:33.120
<v Speaker 1>of them are like, we have to put out a statement,

0:58:34.040 --> 0:58:37.400
<v Speaker 1>you know, a sort of corporate pro black Lives Matter statement,

0:58:37.560 --> 0:58:39.720
<v Speaker 1>and then you have things like you know, Starbucks a

0:58:39.760 --> 0:58:42.360
<v Speaker 1>couple of days ago being like nobody can wear any

0:58:42.840 --> 0:58:47.000
<v Speaker 1>Black Lives Matter gear whatsoever. So I was a little

0:58:47.040 --> 0:58:50.160
<v Speaker 1>surprised that K pop, which is not necessarily you know,

0:58:50.200 --> 0:58:52.760
<v Speaker 1>which is known for like the labels having such a

0:58:52.840 --> 0:58:55.880
<v Speaker 1>tight hold on the artists and sort of controlling their images,

0:58:56.960 --> 0:59:01.120
<v Speaker 1>that they would let them express uh support for Black

0:59:01.120 --> 0:59:05.439
<v Speaker 1>Lives Matter because it could be divisive to fans, you know, Yeah,

0:59:05.480 --> 0:59:07.600
<v Speaker 1>I would say that, like it's it's also interesting in

0:59:07.640 --> 0:59:09.120
<v Speaker 1>the case of BTS, and I used them as the

0:59:09.160 --> 0:59:11.960
<v Speaker 1>example because I think that's who most people are most

0:59:11.960 --> 0:59:15.320
<v Speaker 1>familiar with. At least in America. UM. A week or

0:59:15.360 --> 0:59:19.200
<v Speaker 1>so before all this happened, Sugar, one of the rappers

0:59:19.200 --> 0:59:23.720
<v Speaker 1>in BTS, released a song that used a Jim Jones sample. Yeah,

0:59:23.760 --> 0:59:26.560
<v Speaker 1>I followed, did you see this? Yeah? And and and

0:59:26.600 --> 0:59:29.360
<v Speaker 1>that became like a really big, sort of contentious, divisive

0:59:29.400 --> 0:59:33.120
<v Speaker 1>thing within that army because some people were like, how

0:59:33.200 --> 0:59:37.400
<v Speaker 1>does Sugar not know about the Jonestown massacre that killed

0:59:37.920 --> 0:59:41.800
<v Speaker 1>hundreds of black people. Yeah, let's clarify that it's Jim Jones,

0:59:41.840 --> 0:59:45.560
<v Speaker 1>the cult leader, not the rapper. Yeah. Sorry, yeah, that

0:59:45.640 --> 0:59:47.480
<v Speaker 1>that would be that would be helpful. Well, that was

0:59:47.520 --> 0:59:49.640
<v Speaker 1>my first thought was I was like, oh, he sampled

0:59:49.720 --> 0:59:52.680
<v Speaker 1>Jim Jones, like from dip side. And then no, it

0:59:52.760 --> 0:59:56.280
<v Speaker 1>was not that right, And that was that was interesting

0:59:56.280 --> 0:59:58.840
<v Speaker 1>to follow because it did seem like there was division

0:59:58.880 --> 1:00:02.680
<v Speaker 1>within um BTSs army, which kind of speaks to, uh,

1:00:02.840 --> 1:00:05.560
<v Speaker 1>what Emily was saying earlier about this not CAPOP not

1:00:05.600 --> 1:00:07.800
<v Speaker 1>being the sort of monolithic thing, because you'd have like

1:00:07.840 --> 1:00:10.840
<v Speaker 1>fans of color saying, how did he not know this?

1:00:10.960 --> 1:00:13.280
<v Speaker 1>Or why didn't anybody do like the bare minimum research

1:00:13.320 --> 1:00:15.600
<v Speaker 1>to figure out where the sample came from. And then

1:00:15.680 --> 1:00:18.080
<v Speaker 1>some stands were like, oh, but he didn't know, like

1:00:18.160 --> 1:00:20.840
<v Speaker 1>this is not like his like knowledge base, and then

1:00:20.880 --> 1:00:24.280
<v Speaker 1>other fans are saying, how could you even question his artistry?

1:00:24.680 --> 1:00:28.040
<v Speaker 1>Like how day you're a fake fan for even making

1:00:28.040 --> 1:00:30.680
<v Speaker 1>any sort of criticism. And then it seems as though

1:00:30.760 --> 1:00:33.120
<v Speaker 1>like the fans are most critical or probably the most vocal,

1:00:33.200 --> 1:00:35.240
<v Speaker 1>or at least they one out because within a week

1:00:35.800 --> 1:00:39.920
<v Speaker 1>um bts released this statement that gets disseminated and translated

1:00:40.000 --> 1:00:43.640
<v Speaker 1>because k pop is global, essentially saying they didn't know

1:00:43.680 --> 1:00:48.040
<v Speaker 1>the origins of the sample and they're sorry. Um And

1:00:48.080 --> 1:00:50.200
<v Speaker 1>then of course it is also like the timing of

1:00:50.240 --> 1:00:52.680
<v Speaker 1>that seems a little like coincident. I don't know, I

1:00:52.680 --> 1:00:54.480
<v Speaker 1>don't want to put my tin hat on, but like

1:00:54.520 --> 1:00:58.120
<v Speaker 1>that also this is the place to put on Today's

1:00:58.400 --> 1:01:02.760
<v Speaker 1>allowed inside here. Great. Well yeah, well, it seems like

1:01:02.880 --> 1:01:05.800
<v Speaker 1>that statement came out I believe on May thirty, again

1:01:06.120 --> 1:01:09.280
<v Speaker 1>was the day that the Dallas app came up. So

1:01:09.360 --> 1:01:11.800
<v Speaker 1>it's very it very much seems like, okay, now we're

1:01:11.840 --> 1:01:15.040
<v Speaker 1>going to start actively doing something about this. Around the

1:01:15.080 --> 1:01:17.560
<v Speaker 1>time that K pop stands have taken it upon themselves

1:01:17.600 --> 1:01:21.080
<v Speaker 1>to do stuff, this is slightly parallel to that. But

1:01:21.200 --> 1:01:24.120
<v Speaker 1>I want your opinion as a scholar on boy bands,

1:01:24.160 --> 1:01:27.640
<v Speaker 1>and I want your honest opinion, and this is not

1:01:27.760 --> 1:01:33.600
<v Speaker 1>very poptimistic of me, but like, how much artistic control

1:01:33.880 --> 1:01:38.520
<v Speaker 1>does any K pop artists actually have over their music? Yeah,

1:01:38.600 --> 1:01:41.720
<v Speaker 1>that's an interesting question because I like, to be completely honest,

1:01:41.800 --> 1:01:44.440
<v Speaker 1>I think that is obscured, and I think it's like

1:01:45.200 --> 1:01:50.320
<v Speaker 1>purposefully obscured. Um though, Like I just watched BTSs docuseries

1:01:50.360 --> 1:01:53.360
<v Speaker 1>on their social media app wea Verse, and it shows

1:01:53.400 --> 1:01:57.000
<v Speaker 1>them writing their solo songs like together, but also it's

1:01:57.040 --> 1:02:01.360
<v Speaker 1>it seems to be their brainchild. Um. But yeah, I

1:02:01.720 --> 1:02:05.000
<v Speaker 1>it's really like that's that's so opaque, and I for

1:02:05.080 --> 1:02:08.200
<v Speaker 1>a good reason, I think, Yeah, and that's not limited

1:02:08.240 --> 1:02:12.400
<v Speaker 1>to K pop obviously. I think it's interesting to see

1:02:12.400 --> 1:02:16.160
<v Speaker 1>the stars in America who do have enough control and

1:02:16.400 --> 1:02:19.680
<v Speaker 1>clout to sort of make the statements themselves. I've just

1:02:19.720 --> 1:02:24.000
<v Speaker 1>been surprised by, you know, the pop fandom, like rushing

1:02:24.080 --> 1:02:26.400
<v Speaker 1>in to be part of this, because it does feel

1:02:26.440 --> 1:02:30.959
<v Speaker 1>like the good cyberpunk universe, where it's like we're using

1:02:31.000 --> 1:02:35.200
<v Speaker 1>idolization for something positive. Yeah, Like this is when when

1:02:35.240 --> 1:02:37.840
<v Speaker 1>I first reached out to you, Maria, I was trying

1:02:37.920 --> 1:02:40.240
<v Speaker 1>to find this tweet that I remember seeing and I

1:02:40.560 --> 1:02:42.760
<v Speaker 1>did find what I was thinking of, and it had

1:02:43.200 --> 1:02:46.760
<v Speaker 1>come out just days, like less than a week before

1:02:47.160 --> 1:02:51.720
<v Speaker 1>the protests really started, after George George Floyd's murder, and

1:02:51.800 --> 1:02:55.120
<v Speaker 1>it was it was it was actually about the Barbs.

1:02:55.200 --> 1:02:56.960
<v Speaker 1>I had thought that it was about K Pops dance

1:02:56.960 --> 1:02:58.360
<v Speaker 1>when it was at the Barbs, and it was. It

1:02:58.400 --> 1:03:04.520
<v Speaker 1>came from a Marxist twink. Um. Uh, if we took

1:03:04.680 --> 1:03:08.160
<v Speaker 1>Jeff Bezos into saying something negative about Nicki Minaj, the

1:03:08.160 --> 1:03:12.640
<v Speaker 1>Barbs would have the revolution done by at least October. Um.

1:03:12.680 --> 1:03:16.800
<v Speaker 1>This was from yeah and then and then down the threat.

1:03:16.840 --> 1:03:20.480
<v Speaker 1>There are a lot of responses that that we're both

1:03:20.520 --> 1:03:23.520
<v Speaker 1>Like a lot of them were just like no, like

1:03:23.520 --> 1:03:28.640
<v Speaker 1>like imagine fandom Twitter, you know, caring about anything outside

1:03:28.640 --> 1:03:31.360
<v Speaker 1>of their faves, like a lot of skepticism and some

1:03:31.440 --> 1:03:33.880
<v Speaker 1>people who are like oh yeah, like they are a

1:03:33.960 --> 1:03:37.000
<v Speaker 1>force to be reckoned with, like you know, or it's close,

1:03:37.120 --> 1:03:40.960
<v Speaker 1>it's happening soon. Like I feel like people say that

1:03:41.000 --> 1:03:44.000
<v Speaker 1>they send something in the water that like standhum twitt

1:03:44.320 --> 1:03:48.680
<v Speaker 1>stand on Twitter in general was getting organized to do

1:03:48.760 --> 1:03:51.120
<v Speaker 1>this sort of thing. Did you sense that at all

1:03:51.160 --> 1:03:55.680
<v Speaker 1>before all of this really started happening. Yeah, it's it's

1:03:55.680 --> 1:03:58.200
<v Speaker 1>it's funny because I think maybe I've just like been

1:03:58.320 --> 1:04:01.560
<v Speaker 1>in it for so long that my gut reaction is like,

1:04:01.880 --> 1:04:06.840
<v Speaker 1>this is just classic marginalization of like pop fans and

1:04:06.840 --> 1:04:09.320
<v Speaker 1>how dare they? Because I remember, like even five years ago,

1:04:09.360 --> 1:04:12.280
<v Speaker 1>there was a like a one direction meme construction that

1:04:12.400 --> 1:04:14.680
<v Speaker 1>was I joined Twitter because of one direction, and now

1:04:14.720 --> 1:04:18.400
<v Speaker 1>I'm a communist or like, and now I'm dedicated to

1:04:18.440 --> 1:04:22.840
<v Speaker 1>abolishing ice or something. So they're definitely like factions within

1:04:23.120 --> 1:04:28.200
<v Speaker 1>like stand armies that have always been like dedicated and radicalized. Um,

1:04:29.240 --> 1:04:32.720
<v Speaker 1>and and that pops up, that crops up in different ways.

1:04:32.840 --> 1:04:35.840
<v Speaker 1>I think this feels different just because it is something

1:04:35.880 --> 1:04:39.120
<v Speaker 1>that I don't It seems like more people are becoming radicalized,

1:04:39.160 --> 1:04:43.040
<v Speaker 1>and of course that is mirrored in in K pop

1:04:43.160 --> 1:04:46.920
<v Speaker 1>stand um specifically. UM. I also think that like, if

1:04:46.920 --> 1:04:48.880
<v Speaker 1>you were to ask a K pop fan how they

1:04:48.880 --> 1:04:51.320
<v Speaker 1>feel about it, I'm sure that they would say it's

1:04:51.360 --> 1:04:54.320
<v Speaker 1>not that like music or the fan army radicalize them,

1:04:54.360 --> 1:04:56.480
<v Speaker 1>but that they're trying to radicalize the fan army, and

1:04:56.520 --> 1:05:00.080
<v Speaker 1>like slowly but surely that's having effect, as as we

1:05:00.120 --> 1:05:03.320
<v Speaker 1>saw a couple of weeks ago, and continue to see. Yeah,

1:05:03.360 --> 1:05:06.280
<v Speaker 1>there was that quote from UM. Caitl An Tiffany at

1:05:06.280 --> 1:05:09.400
<v Speaker 1>The Atlantic wrote a piece that um it was also

1:05:09.400 --> 1:05:11.160
<v Speaker 1>about this whole thing, and there was a quote from

1:05:11.200 --> 1:05:14.000
<v Speaker 1>a stand on it that said, the phantom has been moving,

1:05:14.480 --> 1:05:18.240
<v Speaker 1>the phantom has been donating, the fans have been protesting. Um,

1:05:18.560 --> 1:05:21.120
<v Speaker 1>then the groups have shown support. The fandom paved the

1:05:21.160 --> 1:05:23.680
<v Speaker 1>way for the groups, which I thought was really interesting.

1:05:23.720 --> 1:05:26.960
<v Speaker 1>Like I and and that feels kind of new. That

1:05:27.000 --> 1:05:29.440
<v Speaker 1>feels like a new approach to fandom. Yeah, I mean

1:05:29.440 --> 1:05:31.960
<v Speaker 1>I feel like you've seen individual examples of it. The

1:05:32.000 --> 1:05:34.880
<v Speaker 1>one that I was thinking about was the Taylor Swift

1:05:35.000 --> 1:05:37.960
<v Speaker 1>stand who was like, oh, I just got out of

1:05:38.040 --> 1:05:40.960
<v Speaker 1>jail because I wouldn't join the I d F, which

1:05:41.000 --> 1:05:45.440
<v Speaker 1>was a big one where she was like, you know,

1:05:45.480 --> 1:05:54.040
<v Speaker 1>by reputation, by reputation, Free Palestine. Yeah. So I think

1:05:54.080 --> 1:05:55.920
<v Speaker 1>it's also you know what you were saying, It's like

1:05:55.960 --> 1:05:59.280
<v Speaker 1>people just kind of underestimate pop fandoms because they tend

1:05:59.320 --> 1:06:03.800
<v Speaker 1>to be young and email generally. But obviously, like young

1:06:03.840 --> 1:06:06.400
<v Speaker 1>people are behind a lot of this stuff, so it

1:06:06.440 --> 1:06:09.640
<v Speaker 1>makes sense that they would also be you know, crossing

1:06:09.640 --> 1:06:13.520
<v Speaker 1>the streams. Yeah, I like my focus is typically more

1:06:13.520 --> 1:06:15.520
<v Speaker 1>on boy bands, and just like even in the life

1:06:15.520 --> 1:06:18.160
<v Speaker 1>performance arena, it's been interesting to see the shift of

1:06:18.200 --> 1:06:22.280
<v Speaker 1>like fans getting some of their political opinions or like

1:06:22.320 --> 1:06:25.360
<v Speaker 1>socio political opinions, I should say from the artists that

1:06:25.360 --> 1:06:29.760
<v Speaker 1>they're obsessed with versus fans placing pressure on the artist

1:06:29.880 --> 1:06:33.520
<v Speaker 1>to like speak out um and I think they're They're

1:06:33.560 --> 1:06:35.720
<v Speaker 1>probably a lot of factors for that, and maybe like

1:06:35.760 --> 1:06:38.160
<v Speaker 1>a sociologist would do a better job, or like an

1:06:38.160 --> 1:06:40.320
<v Speaker 1>ether musicologist, But but I think a lot of it

1:06:40.400 --> 1:06:43.000
<v Speaker 1>is just because like younger people now are are just

1:06:43.480 --> 1:06:47.960
<v Speaker 1>more invested in being like over and involved in activism,

1:06:48.000 --> 1:06:50.040
<v Speaker 1>and it seems like you have to take a stand

1:06:50.240 --> 1:06:53.800
<v Speaker 1>in some direction at this point, which is very different

1:06:53.840 --> 1:06:55.880
<v Speaker 1>from every boy band of the past that I can

1:06:55.920 --> 1:06:59.120
<v Speaker 1>think of, who always had a very squeaky clean sort

1:06:59.160 --> 1:07:03.920
<v Speaker 1>of no conflict, like just definitely not wanting any conflict

1:07:03.960 --> 1:07:07.960
<v Speaker 1>about anything, which is you know, I feel like if

1:07:08.000 --> 1:07:09.960
<v Speaker 1>I think back to like in Sync and Backstreet Boys

1:07:10.000 --> 1:07:11.440
<v Speaker 1>and stuff like that, like I can't think of a

1:07:11.480 --> 1:07:15.080
<v Speaker 1>single political opinion any of those people held, you know,

1:07:15.280 --> 1:07:18.120
<v Speaker 1>or any just they didn't even have any, Like it's

1:07:18.120 --> 1:07:21.760
<v Speaker 1>like Disneyland territory. It's like, this is barely about your entertainment,

1:07:21.840 --> 1:07:24.920
<v Speaker 1>and we're going to depoliticize it, even though in doing

1:07:24.920 --> 1:07:27.560
<v Speaker 1>that we are actually it is a political statement to

1:07:27.600 --> 1:07:30.439
<v Speaker 1>say that these things don't exist here. I mean even

1:07:30.440 --> 1:07:33.720
<v Speaker 1>those bands are even from Orlando or mean like that, Well,

1:07:33.760 --> 1:07:37.920
<v Speaker 1>like entertainment first, reality doesn't exist here, no, totally, and

1:07:37.960 --> 1:07:41.080
<v Speaker 1>like they obviously are political and new addition was like

1:07:41.240 --> 1:07:46.320
<v Speaker 1>a bunch of teenagers from a Boston housing project. I believe. Um,

1:07:46.360 --> 1:07:49.320
<v Speaker 1>so it's not like, you know, those things don't play

1:07:49.360 --> 1:07:54.360
<v Speaker 1>into uh, these groups and their fandoms. But I don't know.

1:07:54.400 --> 1:07:56.760
<v Speaker 1>I'm surprised by the turn Pap has taken. I'm I'm

1:07:56.800 --> 1:07:59.760
<v Speaker 1>stoked on it. I was, you know, I've been surprised

1:07:59.800 --> 1:08:03.480
<v Speaker 1>by things. I was genuinely surprised that Taylor Swift like

1:08:03.520 --> 1:08:07.400
<v Speaker 1>said black lives matter, because it's been so hard to

1:08:07.400 --> 1:08:09.840
<v Speaker 1>get like a real statement on anything out of her.

1:08:09.960 --> 1:08:12.080
<v Speaker 1>So the fact that she was like I have to, like,

1:08:12.720 --> 1:08:15.480
<v Speaker 1>you know, I can't do the like let's all be

1:08:15.600 --> 1:08:18.680
<v Speaker 1>peaceful and like everyone joined together in love thing. It's like, no,

1:08:18.800 --> 1:08:21.920
<v Speaker 1>you have to say what side you fall on of

1:08:22.040 --> 1:08:24.960
<v Speaker 1>this culture war. I feel like the bar is getting

1:08:25.080 --> 1:08:29.920
<v Speaker 1>raised every day almost of like what we expect from

1:08:30.040 --> 1:08:34.920
<v Speaker 1>our faves. I'm not necessarily saying who my faves are personally,

1:08:35.000 --> 1:08:40.320
<v Speaker 1>but like, um, you know, like how different is Taylor Swift,

1:08:40.560 --> 1:08:45.280
<v Speaker 1>for example, saying black Lives Matter than like Chase Bank

1:08:46.200 --> 1:08:49.639
<v Speaker 1>saying we're all going to come together in this time

1:08:49.680 --> 1:08:53.240
<v Speaker 1>of crisis, you know, Like like I and I think

1:08:53.280 --> 1:08:57.640
<v Speaker 1>like money is obviously a factor, and the fact that

1:08:58.040 --> 1:09:03.400
<v Speaker 1>Big Hit bts Is Management company did donate a million

1:09:03.880 --> 1:09:06.680
<v Speaker 1>too black Lives Matter, which is like I feel like,

1:09:06.760 --> 1:09:11.200
<v Speaker 1>probably a very very small affection of money, but still

1:09:11.760 --> 1:09:15.200
<v Speaker 1>it's like a statement at least, Like I feel like

1:09:15.520 --> 1:09:19.519
<v Speaker 1>these these fan movements are also mobilizing to demand more,

1:09:19.640 --> 1:09:22.559
<v Speaker 1>like in a very not just in a tweet the

1:09:22.640 --> 1:09:27.360
<v Speaker 1>right thing, uh type way, but like do something like

1:09:27.439 --> 1:09:31.160
<v Speaker 1>put some action behind your words and your stance. It

1:09:31.200 --> 1:09:34.720
<v Speaker 1>feels it feels very late sixties to me also in

1:09:34.840 --> 1:09:38.200
<v Speaker 1>that like once it became clear that this was like

1:09:38.280 --> 1:09:41.519
<v Speaker 1>the popular stance to have, then everybody started jumping on.

1:09:41.680 --> 1:09:45.840
<v Speaker 1>Like there's definitely a lot of bandwagoning from you know,

1:09:46.280 --> 1:09:49.400
<v Speaker 1>pop culture things and corporations, and I think it's because

1:09:50.240 --> 1:09:52.240
<v Speaker 1>they do think like this is what the young people

1:09:52.280 --> 1:09:54.960
<v Speaker 1>are into and what they want, and if we want

1:09:54.960 --> 1:09:57.519
<v Speaker 1>to like sell them stuff, we have to sell it

1:09:57.560 --> 1:10:01.040
<v Speaker 1>to them on their terms. Yeah, slowly, And I will

1:10:01.040 --> 1:10:03.800
<v Speaker 1>say that there has been like some skepticism and I

1:10:03.840 --> 1:10:05.320
<v Speaker 1>don't know how much of this has been sort of

1:10:05.360 --> 1:10:07.400
<v Speaker 1>written about because it's just kind of nice to focus

1:10:07.439 --> 1:10:11.320
<v Speaker 1>on like K pop radicalizing. Um, but a lot of fans,

1:10:11.400 --> 1:10:14.200
<v Speaker 1>especially fans of color, have been sort of critical of

1:10:14.240 --> 1:10:16.759
<v Speaker 1>the movement because it seems like it was like, after

1:10:17.160 --> 1:10:19.920
<v Speaker 1>overtaking hashtag slowly but surely, it just seems like fan

1:10:20.040 --> 1:10:22.559
<v Speaker 1>armies were starting to compete with one another to get

1:10:22.600 --> 1:10:24.639
<v Speaker 1>to the top of the hashtag and it became less

1:10:24.640 --> 1:10:28.200
<v Speaker 1>about what they were actually doing. And then of course

1:10:28.240 --> 1:10:31.840
<v Speaker 1>with the like sugar Jim Jones sample, there's like dosing

1:10:32.080 --> 1:10:38.000
<v Speaker 1>of some fans of color who were saying this was wrong. Um. Yeah,

1:10:38.120 --> 1:10:42.360
<v Speaker 1>So there's definitely, like I think within any fan army

1:10:42.439 --> 1:10:47.000
<v Speaker 1>there is like probably an element of anti blackness and racism.

1:10:47.320 --> 1:10:49.360
<v Speaker 1>But it's just it's it's really it's it's hard to

1:10:49.360 --> 1:10:51.680
<v Speaker 1>think of it as earth. It's really unfortunate to think

1:10:51.720 --> 1:10:53.760
<v Speaker 1>about it in this case, because it does seem like

1:10:54.160 --> 1:10:56.880
<v Speaker 1>anti blackness is so prevalent everywhere. It seems like kay

1:10:56.880 --> 1:10:59.040
<v Speaker 1>pop was doing a good thing, and yet it's like

1:10:59.080 --> 1:11:02.559
<v Speaker 1>a can you practice what you preach sort of deal. Yeah,

1:11:02.880 --> 1:11:05.840
<v Speaker 1>I this is I think this is the thing that's

1:11:05.840 --> 1:11:09.000
<v Speaker 1>the most inscrutable about this thing, which on its surface

1:11:09.520 --> 1:11:13.400
<v Speaker 1>does feel like overall a positive development is that, like

1:11:13.600 --> 1:11:17.880
<v Speaker 1>I anytime I have gotten in deep into what's going

1:11:17.920 --> 1:11:20.200
<v Speaker 1>on in K pop stand culture or like you know,

1:11:20.280 --> 1:11:23.320
<v Speaker 1>gone onto the gossip blogs and stuff like that, the

1:11:24.160 --> 1:11:28.519
<v Speaker 1>level of toxicity among fans they're often just feels like

1:11:29.360 --> 1:11:33.240
<v Speaker 1>in a stratosphere that like me, as an American consumer

1:11:33.240 --> 1:11:37.120
<v Speaker 1>of pop culture, can scarcely even wrap my head around UM.

1:11:37.160 --> 1:11:40.160
<v Speaker 1>And this can have to do with race, it can

1:11:40.160 --> 1:11:44.639
<v Speaker 1>have to do with UM like body image, UM. People

1:11:44.680 --> 1:11:49.559
<v Speaker 1>just shaming people for looks UM, just like like dairy

1:11:49.640 --> 1:11:51.479
<v Speaker 1>very naice and stuff. There have obviously been a lot

1:11:51.479 --> 1:11:55.599
<v Speaker 1>of suicides within UM K pop groups and K pop stars,

1:11:56.360 --> 1:11:59.679
<v Speaker 1>and so I'm trying to like hold these two things

1:11:59.760 --> 1:12:02.840
<v Speaker 1>to other in my mind at the same time that

1:12:02.840 --> 1:12:06.880
<v Speaker 1>that a fan army that often can be mobilized to

1:12:06.960 --> 1:12:10.959
<v Speaker 1>do I think a lot of kind of despicable stuff

1:12:11.040 --> 1:12:16.040
<v Speaker 1>online could also be mobilized to support something as positive

1:12:16.080 --> 1:12:18.920
<v Speaker 1>as black Lives Matter, and like how I just wonder

1:12:19.320 --> 1:12:21.920
<v Speaker 1>when you're in the middle of that group, what how

1:12:22.000 --> 1:12:24.280
<v Speaker 1>you reckon those two things? Like how do how do

1:12:24.320 --> 1:12:27.559
<v Speaker 1>you balance those two things? Um? And I don't know

1:12:27.600 --> 1:12:29.600
<v Speaker 1>if you have the answer to that, but I just

1:12:29.760 --> 1:12:31.840
<v Speaker 1>like I've been thinking about yeah, I And I also

1:12:32.000 --> 1:12:34.280
<v Speaker 1>like I get really frustrated because I think so much,

1:12:34.360 --> 1:12:37.320
<v Speaker 1>especially like Western media when we discuss K pop, is

1:12:37.360 --> 1:12:39.880
<v Speaker 1>so often focused on the negative. So this felt like, Oh,

1:12:39.920 --> 1:12:43.080
<v Speaker 1>it's so nice. That's like they're recognizing like these wonderful

1:12:43.240 --> 1:12:47.120
<v Speaker 1>mobilization efforts from K pop and they have done good. Um.

1:12:47.160 --> 1:12:50.240
<v Speaker 1>I was thinking about in preparation for this conversation. Uh,

1:12:50.400 --> 1:12:51.720
<v Speaker 1>there's a time I guess it was a couple of

1:12:51.800 --> 1:12:57.080
<v Speaker 1>years ago now that uh BTSs Army like raised something

1:12:57.160 --> 1:13:00.680
<v Speaker 1>like almost forty meals for kids are like kids in

1:13:00.720 --> 1:13:03.360
<v Speaker 1>poverty in the UK because there was a children's charity

1:13:03.439 --> 1:13:06.160
<v Speaker 1>James Cordon supported and it had nothing to do with BTS.

1:13:06.240 --> 1:13:08.280
<v Speaker 1>They were just like, James Cordon is always so nice

1:13:08.280 --> 1:13:11.320
<v Speaker 1>to BTS, so like, why don't we do this? And

1:13:11.360 --> 1:13:14.120
<v Speaker 1>now they're like and there's so many like gestures like

1:13:14.200 --> 1:13:16.880
<v Speaker 1>that that happened all the time, there's like, um, yesterday

1:13:17.000 --> 1:13:19.599
<v Speaker 1>even UM I follow I started following this Twitter account

1:13:19.640 --> 1:13:22.880
<v Speaker 1>called one in Army where UM a group of BTS

1:13:22.920 --> 1:13:26.400
<v Speaker 1>fans come together and they organized a charity, like each

1:13:26.479 --> 1:13:28.840
<v Speaker 1>month they support a new cause. And it's just like

1:13:28.840 --> 1:13:31.800
<v Speaker 1>they're all these really wonderful things, and yet there's an

1:13:31.840 --> 1:13:36.639
<v Speaker 1>incredible dark side that is sort of like very much

1:13:36.640 --> 1:13:40.080
<v Speaker 1>worth discussing. Uh, And I don't know, it's it's it's

1:13:40.080 --> 1:13:42.479
<v Speaker 1>also strange that these fans are confronting it now. And

1:13:42.520 --> 1:13:44.679
<v Speaker 1>like I think back to like end Sync at backstree Points,

1:13:44.720 --> 1:13:47.120
<v Speaker 1>I wasn't thinking about what lou Perlman was doing to them.

1:13:47.160 --> 1:13:52.080
<v Speaker 1>I wasn't thinking about like being exploited financially and allegedly

1:13:52.120 --> 1:13:54.479
<v Speaker 1>sexually and all these things. And yet like k pop

1:13:54.520 --> 1:13:57.559
<v Speaker 1>vand's confront the sort of dark side and and all

1:13:57.560 --> 1:13:59.960
<v Speaker 1>of these great moments of activism at the same time,

1:14:00.000 --> 1:14:01.839
<v Speaker 1>it's got to be like a lot of cognitive dissonance

1:14:01.880 --> 1:14:05.559
<v Speaker 1>I even experience. It seems like it's also the way

1:14:05.600 --> 1:14:07.760
<v Speaker 1>that any group on the Internet is sort of a

1:14:07.840 --> 1:14:10.960
<v Speaker 1>microcosm of the whole Internet. You know, It's like it

1:14:11.040 --> 1:14:14.160
<v Speaker 1>kind of doesn't matter what the group is about. It

1:14:14.360 --> 1:14:17.599
<v Speaker 1>just eventually there will be a schism along some line

1:14:17.880 --> 1:14:22.479
<v Speaker 1>in a message board of any kind. So it's interesting

1:14:22.479 --> 1:14:25.840
<v Speaker 1>to see people mobilizing for something good. But it also

1:14:25.880 --> 1:14:28.160
<v Speaker 1>seems like this thing that's been happening a lot right now,

1:14:28.200 --> 1:14:32.040
<v Speaker 1>which is like groups that traditionally fight each other being like,

1:14:32.120 --> 1:14:35.479
<v Speaker 1>wait a minute, if we team up and fight like

1:14:35.560 --> 1:14:40.360
<v Speaker 1>the really bad guy, the actual bad actors instead of

1:14:40.400 --> 1:14:43.360
<v Speaker 1>just like arguing about like my faith versus your faith,

1:14:43.640 --> 1:14:47.240
<v Speaker 1>we can like use that to also take down a

1:14:47.320 --> 1:14:52.400
<v Speaker 1>police department. Uh, that feels new. I'm I'm holding out

1:14:52.439 --> 1:14:56.120
<v Speaker 1>for I'm holding out for the Amazon basis takedown. I'm

1:14:56.160 --> 1:14:58.519
<v Speaker 1>I'm I'm waiting for the K pop stands to to

1:14:58.640 --> 1:15:03.759
<v Speaker 1>completely dismantle am is on like Anonymous coming Together Toto

1:15:03.840 --> 1:15:07.960
<v Speaker 1>or whatever, just to see like the swarm assemble. Because yeah,

1:15:08.000 --> 1:15:11.760
<v Speaker 1>it's like you normally, normally people talk about when it's

1:15:12.040 --> 1:15:15.440
<v Speaker 1>when it happens, and it's it's bad or it's like overwhelming,

1:15:15.520 --> 1:15:19.160
<v Speaker 1>or people get ducks, or people get bullied because they

1:15:19.160 --> 1:15:23.640
<v Speaker 1>insulted somebody's faith. But again, it's like, you know, you

1:15:23.680 --> 1:15:26.479
<v Speaker 1>don't want to mess with people after your faith has

1:15:26.520 --> 1:15:32.840
<v Speaker 1>been insulted. They overwhelm you with fan camps, Maria, I

1:15:32.880 --> 1:15:37.120
<v Speaker 1>wanted to ask um you just one question, unrelatedly but

1:15:37.200 --> 1:15:40.080
<v Speaker 1>still on the boy band topic. Um, who do you

1:15:40.080 --> 1:15:43.800
<v Speaker 1>think is the horniest boy band of all time? Oh

1:15:43.920 --> 1:15:47.599
<v Speaker 1>my wow? No one's ever asked me this before, and

1:15:47.640 --> 1:15:49.920
<v Speaker 1>I wish I had an answer ready to go. It's

1:15:49.960 --> 1:15:53.200
<v Speaker 1>also like it, do you have an answer ready to go?

1:15:53.240 --> 1:15:56.160
<v Speaker 1>And maybe that I'll start jogging because I'm thinking there's like,

1:15:56.560 --> 1:15:59.439
<v Speaker 1>I don't know. The Wanted had the like come joke

1:15:59.560 --> 1:16:04.320
<v Speaker 1>in their un hit. I love that song like one

1:16:04.320 --> 1:16:07.639
<v Speaker 1>of my favorite boy band songs of all times. Really wow,

1:16:07.680 --> 1:16:09.840
<v Speaker 1>that's not the reaction I was expecting and so I

1:16:09.880 --> 1:16:15.080
<v Speaker 1>truly love it. It's great. Liquid Dreams by Otown another

1:16:15.160 --> 1:16:20.160
<v Speaker 1>song about ejaculating, Yeah, Otown. Otown was definitely into getting down,

1:16:20.200 --> 1:16:22.719
<v Speaker 1>even like on making the band there they had girls

1:16:22.760 --> 1:16:24.920
<v Speaker 1>over all the time, which is not very boy band like.

1:16:25.080 --> 1:16:27.880
<v Speaker 1>It's not very chaste of them, right, Granted they didn't

1:16:27.920 --> 1:16:30.720
<v Speaker 1>do much. I'll tell you who I really liked it

1:16:30.800 --> 1:16:36.600
<v Speaker 1>was pretty ricky Um then humping video that was my

1:16:36.680 --> 1:16:40.559
<v Speaker 1>all time favorite just boy band and and just like

1:16:40.760 --> 1:16:43.320
<v Speaker 1>very very good boy bands are such a safe space

1:16:43.400 --> 1:16:48.639
<v Speaker 1>for like teen horny nous y, which is not a crime. Yeah,

1:16:48.680 --> 1:16:51.240
<v Speaker 1>I love it, even like the Jonas Brothers. Like I

1:16:51.280 --> 1:16:54.200
<v Speaker 1>followed the Jonas Brothers really intensely because I was like

1:16:54.240 --> 1:16:56.880
<v Speaker 1>out of college and depressed and was like, we're going

1:16:56.920 --> 1:16:59.599
<v Speaker 1>to dive into this weird fandom because that was when

1:16:59.600 --> 1:17:03.519
<v Speaker 1>people started posting all these like incredibly filthy memes about

1:17:03.560 --> 1:17:06.439
<v Speaker 1>their faves. You know. I was like, Wow, these are

1:17:06.479 --> 1:17:08.760
<v Speaker 1>like sixteen year old girls and they're being like, you know,

1:17:09.479 --> 1:17:13.120
<v Speaker 1>I want to lick the whatever off Nick Jonas um

1:17:13.160 --> 1:17:18.760
<v Speaker 1>and and how opposite of their purity ring wearing abstinate

1:17:18.840 --> 1:17:23.360
<v Speaker 1>pledge signing. But that's always like the Osmond's too, there's

1:17:23.360 --> 1:17:32.880
<v Speaker 1>always like that wholesome, you know, horny critical reinterpretation. Yeah yeah, yeah,

1:17:32.920 --> 1:17:34.960
<v Speaker 1>you got your promised rings, but like this is what

1:17:35.000 --> 1:17:38.960
<v Speaker 1>it means to me. And also they turned into total

1:17:39.040 --> 1:17:41.680
<v Speaker 1>thoughts when they exited Disney, so you took the ring

1:17:41.760 --> 1:17:43.960
<v Speaker 1>off and then they were like let's talk about S

1:17:44.040 --> 1:17:45.880
<v Speaker 1>and M and you know what, blessed for it. And

1:17:46.000 --> 1:17:48.720
<v Speaker 1>I was very interested in the that whole phase of

1:17:48.760 --> 1:17:53.160
<v Speaker 1>like the purity ring virginal marketing. But then also there

1:17:53.200 --> 1:17:54.960
<v Speaker 1>was like all this gossip about like these people are

1:17:55.000 --> 1:17:57.880
<v Speaker 1>kissing each other because they're horny teenagers on a Disney

1:17:57.880 --> 1:18:01.320
<v Speaker 1>tour of course, and of course they were. It would

1:18:01.360 --> 1:18:04.880
<v Speaker 1>be weird if Yeah, Maria, do you have a favorite

1:18:04.960 --> 1:18:08.599
<v Speaker 1>K pop star? Who's who would your fan camp be of? Yeah?

1:18:08.600 --> 1:18:12.559
<v Speaker 1>Oh um in in bts Land, I'm a gin stand

1:18:12.600 --> 1:18:15.439
<v Speaker 1>now And like that kind of was because of this

1:18:15.479 --> 1:18:17.519
<v Speaker 1>like new docuseries I watched. I just feel like he's

1:18:17.560 --> 1:18:19.960
<v Speaker 1>just so pure of heart and I never really considered him.

1:18:20.120 --> 1:18:23.320
<v Speaker 1>But also I'm like not loyal. Mind change changes like

1:18:23.360 --> 1:18:25.280
<v Speaker 1>every day. I don't know. I was like that way

1:18:25.360 --> 1:18:28.880
<v Speaker 1>with one direction too until like I don't know what happened.

1:18:28.880 --> 1:18:31.840
<v Speaker 1>Maybe Liam Payne said something upsetting that that was all

1:18:31.840 --> 1:18:34.720
<v Speaker 1>about Harry Styles. I don't know. Um, yeah, I love

1:18:34.760 --> 1:18:36.639
<v Speaker 1>a group, I'm not. My bias is really all over

1:18:36.680 --> 1:18:39.520
<v Speaker 1>the place. That's good that as a as a journalist

1:18:39.600 --> 1:18:45.080
<v Speaker 1>should be. Thank you very much, very objective here. Well,

1:18:45.080 --> 1:18:48.839
<v Speaker 1>thank you so much for joining us. Um, Maria Sherman.

1:18:49.000 --> 1:18:52.680
<v Speaker 1>You are on Jezebel. As we mentioned earlier, you've got

1:18:52.760 --> 1:18:56.559
<v Speaker 1>a new book, Larger Than Life, which is available wherever

1:18:56.600 --> 1:18:59.720
<v Speaker 1>books are sold. Um, and where can people find you

1:18:59.720 --> 1:19:03.400
<v Speaker 1>on the probably Twitter world? Be talking about things relevant

1:19:03.439 --> 1:19:08.439
<v Speaker 1>to this conversation and that is just at Maria Scherm. Cool.

1:19:08.680 --> 1:19:12.360
<v Speaker 1>We'll give Maria follow check out her book. I'm I'm

1:19:12.400 --> 1:19:14.599
<v Speaker 1>gonna check out the book now, I'll send you one.

1:19:14.760 --> 1:19:16.960
<v Speaker 1>I want you guys to have it. Yeah, oh that

1:19:17.000 --> 1:19:19.759
<v Speaker 1>would be awesome. Yeah, thank you. Thank you for listening

1:19:19.760 --> 1:19:22.479
<v Speaker 1>to Night Call as always. Give us a night call

1:19:22.600 --> 1:19:24.519
<v Speaker 1>at one to four oh for six night or a

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<v Speaker 1>night email at Night Call Podcast at gmail dot com

1:19:27.640 --> 1:19:31.519
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1:19:31.560 --> 1:19:35.240
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1:20:06.320 --> 1:20:09.679
<v Speaker 1>hit our three thousand dollar goal, we're gonna do another

1:20:09.800 --> 1:20:12.320
<v Speaker 1>live stream. In this one ID be a muck bang.

1:20:12.600 --> 1:20:16.880
<v Speaker 1>We're going to do a muck bang. Apparently, what do

1:20:16.960 --> 1:20:21.439
<v Speaker 1>we gonna muck bang um Listeners, call in and tell

1:20:21.520 --> 1:20:23.280
<v Speaker 1>us what you'd like to see us see. Well, yeah,

1:20:23.320 --> 1:20:27.320
<v Speaker 1>we'll take your suggestions, although we will not necessarily honor them.

1:20:27.360 --> 1:20:31.160
<v Speaker 1>And uh, that does it for us this week. We'll

1:20:31.160 --> 1:20:34.280
<v Speaker 1>be back next week. Thanks all for listening, Stay safe

1:20:34.280 --> 1:20:42.759
<v Speaker 1>out there. Black Lives Matter. Defund the police