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Speaker 1: I am all in again. Let's you. I am all

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Speaker 1: in again with Scott Patterson and iHeartRadio Podcast. Hey everybody,

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Speaker 1: Scott Patterson, I am all in Podcast, one of them productions.

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Speaker 1: iHeartRadio Media. iHeart Podcast. Season two, Episode thirteen, A tisket

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Speaker 1: A tasket with the one and only, luminous, world famous

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Speaker 1: Easton Allen. Welcome today to the podcast. He's a huge

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Speaker 1: Gilmore Girls fan. He's a host of our incredible spinoff podcast,

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Speaker 1: I Smell pop culture, and boy do we ever we

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Speaker 1: smell even deeper when Easton is at the Rains and

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Speaker 1: he interviews singers, artists, movie stars, cultural icons that were

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Speaker 1: referenced in the show. I'm thrilled to have you back.

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Speaker 1: As we dive here into season two, episode thirteen, Easton Welcome.

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Speaker 2: Thank you, Scott. This is such a thrill. I'm so

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Speaker 2: honored to be here. I love baskets. I'm just having

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Speaker 2: the best time with.

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Speaker 1: This episode of the Baskets are great, aren't they? Yeah?

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Speaker 1: All right, here we go. The synopsis stars Hollow Charity

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Speaker 1: Picnic Basket Auction. Laurel and Rory face unexpected competition for

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Speaker 1: these baskets. Jackson refuses to bid on Suki's, prompting a

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Speaker 1: communication reset, while Rory and Lorelei clash over you Guessed

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Speaker 1: it Jess until Emily surprisingly backs. Laurel I directed by

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Speaker 1: Robert Berlinger, written by the one and only Amy Sherman Palladino.

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Speaker 1: Laurel's picnic basket, she finds out that Miss Patty is

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Speaker 1: keeping a photo of lorele in a wallet so she

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Speaker 1: can set her up with guys. Random guy, so Patty

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Speaker 1: sends laurrel I a bunch of pictures and resumes of

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Speaker 1: potential men. Laurel I recognizes the men bidding on her

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Speaker 1: basket from the photos Patty center. She runs to Luke's

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Speaker 1: and demands he bids on her basket. One of my

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Speaker 1: favorite scenes so far of the Luke Lorelei category. Luke

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Speaker 1: and larele I share a romantic moment. And that's what

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Speaker 1: I want to ask you about, is that it should

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Speaker 1: it be Luke Laurel or Laurel Ion Luke. It's always

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Speaker 1: been Luke or Laureli, but some people say Laurea ion Luke.

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Speaker 1: What's that about? Easton? I mean, I think respectfully, we

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Speaker 1: should probably be saying larel and Luke. You know it

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Speaker 1: doesn't it doesn't have the same rhythm. It does not

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Speaker 1: because Luke's that single syllable and rhythm, aren't we We

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Speaker 1: certainly are. Yeah, we're not going to change it, Luke

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Speaker 1: Laurelaw's scher omanic moment. While eating lunch together. Luke tells

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Speaker 1: Laurel I he is actually enjoying this, but then Dean interrupts. Okay, Easton,

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Speaker 1: where's miss Patty finding all these men?

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Speaker 2: I was curious about that too, that the guy that

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Speaker 2: stood out to me that she had for LOURAI was

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Speaker 2: the guy who had seen Ghostbust one hundred and twenty

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Speaker 2: four times, because I have done that, and I like

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Speaker 2: to think that if a guy like that can find love,

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Speaker 2: then any of us can.

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Speaker 1: A lot of eligible bachelor's and starts hollow. I had

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Speaker 1: no idea.

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Speaker 2: I'm wondering if she's going to surrounding villages the trit

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Speaker 2: So who did Laurla.

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Speaker 1: I really want to buy her basket? I mean, she

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Speaker 1: tells Luke she used her basket to get men to

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Speaker 1: do home improvements for Is that really true? What do

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Speaker 1: you think? Yes?

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Speaker 2: I mean I think she's she wants to use it

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Speaker 2: as a way to connect with Luke.

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Speaker 1: I think there you go. Yeah, and she ultimately does.

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Speaker 1: I mean, she really connects with Luke R Yeah, she

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Speaker 1: really forces And Luke tells Laura one day she will

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Speaker 1: have the perfect man bit on her basket. Why why

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Speaker 1: doesn't Luke think this can ever be him? Or is

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Speaker 1: he just playing game? Is this just Luke playing games

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Speaker 1: a little bit? You know?

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Speaker 2: I I I think it might be because I because

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Speaker 2: Luke is a confident guy. But I don't know if

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Speaker 2: Luke has visualized the true potential that could happen between

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Speaker 2: him and Laurrelai at this point. So you know, I

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Speaker 2: think Luke is looking for love at the bottom of

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Speaker 2: that basket just as much as Lauray is.

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Speaker 1: Oh No, I think he does. I think he thinks

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Speaker 1: the true potential all the time. And I think he's

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Speaker 1: he feels his only shot is to be aloof and

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Speaker 1: distant and detached and cool. That's that's so cool. He's

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Speaker 1: trying real hard to be just like not caring, and

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Speaker 1: I think that sort of convinces himself into at times

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Speaker 1: actually not caring. Yeah, Like at these opportune moments, he's

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Speaker 1: like so casual, laid back, he's sarcastic, he's dismissive and

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Speaker 1: it works against him, you know, but it's but it's

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Speaker 1: the game he's playing, so you know, it's a nice

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Speaker 1: scene between Louc and Laureless. It's really perfect until Dean interrhus.

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Speaker 1: If Dean didn't interrupt what do you think would have

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Speaker 1: happened next? You think you think there would have been, Hey,

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Speaker 1: you want to go out on a date? They have

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Speaker 1: They haven't been out on a date yet, have they? No?

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Speaker 1: Not not yet. Yeah, we're still dancing around each other.

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Speaker 2: I mean, I like to think that it would have

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Speaker 2: progressed to that point if Dean hadn't gotten in the way,

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Speaker 2: as Dean's apt to do at this point.

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Speaker 1: I wonder in the writer's room on the storyboard, they

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Speaker 1: had a postcard up there and said, Okay, in the

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Speaker 1: middle of the scene, Dean winds here. I know.

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Speaker 2: I'm watching this whole episode, and I'm like, poor, I

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Speaker 2: feel so bad for Jerry. Like all he does is why,

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Speaker 2: Like he just winds constantly, right, he's yeah and huffing

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Speaker 2: and puffing.

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Speaker 1: Oh no, And I'm just like it makes me sad

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Speaker 1: for him, right, yeah, I know, and he commits to it.

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Speaker 1: He's good at it. Yes, you know, let's talk about

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Speaker 1: Jess and Dean. This is a heating op, isn't it.

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Speaker 3: Yes.

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Speaker 1: Uh. Jess runs into Dean and roaring in the grocery store.

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Speaker 1: He's always there. They're about to kiss and kiss again,

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Speaker 1: there's Jess, and Dean tells Roy how much he hates Jess.

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Speaker 1: I mean, he's really just becoming uncorked at this point.

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Speaker 1: Rory tells Dean it's a waste of energy and it

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Speaker 1: would be easier if they just got along. Don't you

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Speaker 1: love hearing that when you're in the heat of your hatred?

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Speaker 1: Justin Dean go back and forth bidding on Rory's basket.

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Speaker 1: Jess outbids Dean, paying ninety dollars for it. That's Jada

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Speaker 1: ninety bucks man, and that's a lot of money to

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Speaker 1: a kid. Oh yeah, Jess and Roy share their basket,

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Speaker 1: share her basket, her bracelet Dean gave her falls off

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Speaker 1: at the bridge, Oh, the bridge over troubled waters. I

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Speaker 1: called the Simon and Garfunkle bridge that I pushed Jess

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Speaker 1: off of into the troubled waters. And he notices it

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Speaker 1: fell off her wrist. Jess finds it, snatches it, puts

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Speaker 1: in his pocket. He even gives it the old movie

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Speaker 1: he round his fingers. Yeah, but to do it? Do

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Speaker 1: you think that Rory made the right decision? Did she

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Speaker 1: have to share her basket with Jess, even if it's

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Speaker 1: a tradition, or she wouldn't it have been great just

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Speaker 1: to say, you know what, No, yeah, here, here's your

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Speaker 1: money back. I'll pay your money back. That's my man,

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Speaker 1: I know what you're doing. What's going on in Hooterville.

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Speaker 2: I know we love Jess. I'm so anti Rory in

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Speaker 2: this episode. I think every decision she makes is the

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Speaker 2: wrong one. I think she was wrong to do that.

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Speaker 2: I don't like I know it's tradition, but I just

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Speaker 2: think given the circumstances, she should have not done that,

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Speaker 2: or yeah, given the money back, or just said I'm

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Speaker 2: not going to share this basket.

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Speaker 1: With you, right yep, So it's not going to happen. Yeah,

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Speaker 1: that's what every guy wants. By the way, all your

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Speaker 1: girls listening out there, this is what your dudes want. Yes,

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Speaker 1: you know what, pal, I'll pay you the ninety bucks.

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Speaker 1: I'm not going to lunch. This is my dude f off. Yes,

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Speaker 1: right exactly, it's im messing with my dude. There's a

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Speaker 1: time where you got to stand up for the relationship.

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Speaker 1: Roy didn't do it. No, guys should be friends. Oh

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Speaker 1: it's okay, I'm going to go have lunch with him now.

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Speaker 1: I mean, wow, she wanted to spend time. Yes, she

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Speaker 1: really did. She did.

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Speaker 2: He really hooked her in with that Charlie McCarthy reference.

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Speaker 2: She was like, Oh, man, if this guy can talk

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Speaker 2: about a ventriloquist from the fifties, I'm there.

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Speaker 1: It's really not a fair fights in that regard. But

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Speaker 1: I mean, being a stand up kind of guy metric,

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Speaker 1: I think Dean. You know, Dean's a better dude, all right. Yeah,

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Speaker 1: Ess paid ninety dollars for her basket. How does Rory

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Speaker 1: not see that? Jess likes her. I mean, I mean

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Speaker 1: she sees it, right, She likes it. She does. She

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Speaker 1: likes having this.

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Speaker 2: Guy clearly look at her and trying to get her attention,

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Speaker 2: screwing with her boyfriend.

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Speaker 1: And then Dean does just the boner move of all time, right,

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Speaker 1: you know, he goes to her mommy, he complains talk

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Speaker 1: about self immolation. Yes, it just come on, guy, don't

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Speaker 1: do what he did it.

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Speaker 3: He did it?

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Speaker 1: Oh jeez, Yeah, that's that's the thing. What do you

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Speaker 1: think about that move?

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Speaker 2: I mean, again, every everyone in this episode is making

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Speaker 2: bad decisions, which I generally like to watch in a show.

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Speaker 1: I love watching people just do the wrong thing. It's entertaining.

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Speaker 2: But oh my god, man, like you're going to her

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Speaker 2: mom like this is so humiliating, and then it's just

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Speaker 2: and then like you know, now now Laurala is involved,

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Speaker 2: she this is going to drive away between her and Rory.

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Speaker 2: It's I don't know. And again, Rory's doing the wrong thing.

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Speaker 2: But but Dean's handling it poorly too. He should have

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Speaker 2: just confronted Laura and Jess, or sorry, Rory and Jess

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Speaker 2: about how he's feeling.

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Speaker 1: She would have gone to her mom. Takes a long

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Speaker 1: time to learn how to just say, you know what,

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Speaker 1: have fun, Yeah it does, bye, and then become remarkably unavailable. Yes,

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Speaker 1: he's just getting put through the meat grinder, this kid.

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Speaker 1: Oh yeah, I mean, this is just bad. They're just

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Speaker 1: they're just his character's just dying right now.

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Speaker 3: Why do you.

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Speaker 1: Think Rory feels the need to be nice to Jess.

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Speaker 2: I mean, I think that Rory likes the attention from Jess.

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Speaker 2: I think I think also, I mean, she and jes

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Speaker 2: connect intellectually a lot, like the they like the same

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Speaker 2: books that they clearly have a lot in common.

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Speaker 1: I I think.

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Speaker 2: She feels bad for him to a certain extent, but

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Speaker 2: mostly I think she just likes him and she likes

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Speaker 2: the attention. I don't think she like feels like I

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Speaker 2: have to be nice to him. I think she enjoys

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Speaker 2: hanging out with him. Yeah, yeah, you know, they do

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Speaker 2: sort of.

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Speaker 1: It's easy for her to have a conversation with him, yes,

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Speaker 1: you know, it's it's and they're gonna teach She's going

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Speaker 1: to teach him about Hemingway or no, she's gonna learn

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Speaker 1: about Hamingway. He's going to learn about Anne Ryan Hyan Rand.

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Speaker 1: I don't think her politics are terribly difficult to understand,

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Speaker 1: so I'm kind of scratching my head, you know. Anyway,

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Speaker 1: I guess for a sixteen year old, it's a big mystery.

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Speaker 1: All right, Let's get to Jackson and Suki more bad decisions.

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Speaker 1: You know. Jackson is laying it on really thick, like

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Speaker 1: do you want me to re up my lease at

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Speaker 1: the end of the month, And Suker says she doesn't

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Speaker 1: see why he shouldn't. Why on it's nice apartment time,

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Speaker 1: and uh, you know, it's a little weird that she

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Speaker 1: didn't pick up on his uh crestfall and countenance. Is

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Speaker 1: that a phrase?

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Speaker 2: Yeah, yes, yes it is and properly used. Uh yeah,

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Speaker 2: it's where she didn't pick up on that. But then also,

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Speaker 2: like he is he expecting her to read his mind?

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Speaker 2: I don't know, it's pretty obvious what he wants. But

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Speaker 2: at the same time, come on, man, just like just

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Speaker 2: say it. You don't why are you playing this weird game?

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Speaker 2: And then he then he continues to play the game

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Speaker 2: with the at the basket.

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Speaker 1: Auction right, yeah, he doesn't bid on the basket and

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Speaker 1: souctioned off, and that upsets Suki. And you know, she

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Speaker 1: never considered moving in together, she says, And then she

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Speaker 1: apologized to him that she was thought about living together,

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Speaker 1: but she doesn't want to ruin their relationship. Yeah, you know,

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Speaker 1: it's not on her, it's on him, right, Yeah, it's

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Speaker 1: on him to like just make that move, just bring

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Speaker 1: it up. This is what I want. And he finally

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Speaker 1: did yeah, which was which was great. He buys the

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Speaker 1: basket from Kirk for two hundred and fifty bucks, which

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Speaker 1: was an hysterical scene. Twelve children.

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Speaker 2: Yeah, finding out that Kirk has twelve brothers and sisters

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Speaker 2: is a wild reveal.

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Speaker 1: Right, that's a wild reveal. And then Jackson proposes to Suki.

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Speaker 1: She says yes, great, scene, tears in her eyes. She's

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Speaker 1: gonna marry the vegetable guy. She's gonna she's gonna she's

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Speaker 1: gonna be healthier whole life. It's gonna be great. So

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Speaker 1: Kirk is a little said that he is is he

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Speaker 1: doesn't have anyone else to make a basket for him,

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Speaker 1: not even his own mother. Is there anyone who stars

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Speaker 1: hollow for Kirk? You think.

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Speaker 3: So far?

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Speaker 1: I don't. I don't know. I don't know who could be.

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Speaker 2: Kirk is such a unique guy and he needs a

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Speaker 2: very special person, and I don't know if that person's

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Speaker 2: in the stars hollow for him at this point.

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Speaker 1: Here's my question, why have we never seen his twelve

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Speaker 1: brothers and sisters? Yes? Where are they? I mean, can

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Speaker 1: you imagine the fun the casting department would have casting

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Speaker 1: twelve brothers, Kirk brothers and sisters all.

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Speaker 2: Yes, I wanted to see that. I also really wanted

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Speaker 2: to see you get a look at it. When Kirk's

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Speaker 2: sitting on the bench kind of pondering his basket, but

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Speaker 2: I want to see more of the pretzel basket. So

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Speaker 2: he made the basket out of pretzel and.

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Speaker 1: Filled with goat cheese, and I thought them was so

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Speaker 1: exciting and I wanted to see more of that. Kirk

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Speaker 1: always leaves us wanting more. That's his way, right, But well,

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Speaker 1: there's your spinoff episode. There's your spinoff show. It's Kirk

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Speaker 1: and his brother's sisters, right, Yeah, twelve's company. Twelve's a crowd,

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Speaker 1: all right. So Jackson and Suki went from not living

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Speaker 1: together being gaged wid they are taking it too fast?

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Speaker 2: Yes, yes, I also thought that Jackson's little beanie bothers

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Speaker 2: me and is like his little hat ye crazy swinging

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Speaker 2: the wrong the other direction. I mean she was obviously

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Speaker 2: down to live with him. Uh, take it, take it

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Speaker 2: a step.

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Speaker 1: At a time. We don't have to get married here.

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Speaker 1: That's I thought. That was just crazy to see that happen. Well,

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Speaker 1: if Suki hasn't about living with him, you think their

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Speaker 1: marriage is going to work out? No? I mean, you

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Speaker 1: know people that want to get married and move in together.

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Speaker 1: It's it's kind of like a slam dunk. I mean

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Speaker 1: it's like yeah, yeah, there's no doubt, right, and it's

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Speaker 1: gonna work exactly.

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Speaker 2: But no, I think I don't think this is gonna work.

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Speaker 2: I don't think he should have proposed. I don't think

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Speaker 2: she should have said yeah. Like again, if she's not

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Speaker 2: jumping at the chance to live with them, why is

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Speaker 2: she saying yes to marrying him.

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Speaker 1: I don't like it all right, now, let's get this

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Speaker 1: is my favorite storyline in the episode, Laane and her

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Speaker 1: mother Lane and Henry, and I liked it. Henry, you know,

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Speaker 1: battered her away and said, listen, you know, I'm just

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Speaker 1: this isn't gonna work. It is silly, and it was

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Speaker 1: so heartbreaking. Right, So, her secret plan to share her

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Speaker 1: basket with Henry without her mom knowing, obviously just fails.

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Speaker 1: He lets her know that he just wants to date

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Speaker 1: a normal person without sneaking around, and he can't blame

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Speaker 1: the guy, right, yeah, and then he and then he

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Speaker 1: lowers the bone. He tells Lane he asked somebody else

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Speaker 1: to the prom, and she furious with her mother, and

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Speaker 1: this is when it starts getting interesting. You know, this

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Speaker 1: was one of the funniest scenes because Emily.

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Speaker 3: Said, a doctor, I.

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Speaker 1: Damn, it's so good. But man, these two. What a powerful,

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Speaker 1: powerfully acted scenes these two have. Yes, it's just fantastic.

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Speaker 1: The work is sterling, the writing is fantastic, the situation

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Speaker 1: is so relatable. Absolutely, I really think that, you know,

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Speaker 1: Lane is telling an extremely important story. These two are

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Speaker 1: telling a really powerful story. And it's one of the

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Speaker 1: highlights for me of this entire show is when these

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Speaker 1: two go head to head. Yes, or any scene with

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Speaker 1: Lane or and her mother in it, no matter who

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Speaker 1: else is in it, it's going to be incredibly satisfying.

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Speaker 1: Oh yeah, did Lane self sabotaged this relationship with Henry?

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Speaker 1: I mean, if he's a perfect man, why didn't Lane

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Speaker 1: tell her mom about him? I don't think she's self sabotaged.

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Speaker 2: I think that even though Henry is everything that her

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Speaker 2: mother would want, she still is so apprehensive about introducing

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Speaker 2: any kind of man to her mom that that's just

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Speaker 2: something that's going to be giving her so much anxiety

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Speaker 2: and seeking her mother's approval, even though this is a

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Speaker 2: slam dunk way to get it. Still just like I

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Speaker 2: don't want to have that confrontation. That's what I think

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Speaker 2: she's avoided.

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Speaker 1: But then she was afraid Mom's going to approve of him,

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Speaker 1: and I'm gonna hate him, yes, exactly, So I can't

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Speaker 1: you know, Yeah, where's the drummer in me? The rebel

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Speaker 1: in me? So so here's the question. Do you think

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Speaker 1: missus Kim is going to save the day get Henry

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Speaker 1: to contact Lane again? Can I hear? You know? I

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Speaker 1: don't know. I'm curious. Yeah, that's an.

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Speaker 2: Old move for missus Kim, it is to insert herself

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Speaker 2: that way.

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Speaker 1: But I mean, I hope she again. That moment you.

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Speaker 2: Describe when she's like a doctor is Korean like everything

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Speaker 2: that you could see. Yeah, you can see how close

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Speaker 2: she was to perfection.

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Speaker 1: I think she was. She will I loved it if

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Speaker 1: she did love to see a doctor. Emily's so good,

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Speaker 1: She's so funny. She's so funny. All right, So this

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Speaker 1: is the closing scene. This is at the Kim house,

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Speaker 1: and we just talked about all this, and Missus Kim

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Speaker 1: is so shocked. She's kind of shocked and thrilled at

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Speaker 1: the same time. And and now we go to Friday

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Speaker 1: night dinner and attentions between Laurela I and Rory are

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Speaker 1: really high. We've never really seen them like this before.

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Speaker 1: So they're fighting about Rory's friendship with Jess, and Emily

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Speaker 1: tells Laura I she agrees with her parenting decision to

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Speaker 1: try to keep Jess away from her daughter. And this

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Speaker 1: this was also a great scene in Richard's study when

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Speaker 1: she goes in and and can we talk Rory, you know,

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Speaker 1: and it's like she tells Rory she trusts and respects

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Speaker 1: her judgment about Jess. Does the app complete opposite of

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Speaker 1: what her mother recommends her doing. Yes, Oh my god,

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Speaker 1: you agreed with him? I'm so sorry. Yeah, I know.

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Speaker 1: Is this the first time that Emily's agreed with Laurel

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Speaker 1: about a parent parenting I mean I think so at

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Speaker 1: this point, I don't recall him. Major moment, Yeah, big moment.

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Speaker 2: Yeah.

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Speaker 1: So it's obvious why this freaks or a lie out

349
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Speaker 1: so much. I mean, it's like, this is not what

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Speaker 1: you want to hear. This is what she wants to hear.

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Speaker 1: Why do you think Rory decides to call Jess instead

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Speaker 1: of Dean at the end of the night. So that's

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Speaker 1: like the page turner aspect of the writing.

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Speaker 2: It's like, oh, yes, I mean, because at this point

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Speaker 2: Rory hung out with Jess on the bridge. They went

356
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Speaker 2: and got pizza and like shopped and walked around. Rory

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Speaker 2: is out on Dean. She is, in my opinion, she

358
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Speaker 2: is out at this point.

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Speaker 1: She is.

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00:21:35,240 --> 00:21:38,320
Speaker 2: Je The allure of Jess is too strong, She's too interested.

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Speaker 2: The way Dean's been acting. How could you not be

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Speaker 2: turned off by that? And she just she wants more Jess,

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Speaker 2: She's got it. She wants to talk to him more.

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Speaker 2: She wants to be around him more. Right, which is

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Speaker 2: not you know, a bad thing to do with you're

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Speaker 2: in a relationship with somebody else.

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Speaker 1: Listen, young fellas out there listening to this right now.

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Speaker 1: If you're high school guy and you're somehow listening to

369
00:22:01,920 --> 00:22:09,120
Speaker 1: this podcast, if this happens to you, take the hit, yes,

370
00:22:10,240 --> 00:22:14,040
Speaker 1: and don't scream out because the enemy will hear you

371
00:22:14,080 --> 00:22:20,679
Speaker 1: screaming and they will kill you. Do not react. Just

372
00:22:20,840 --> 00:22:26,000
Speaker 1: take the hit, smile, wish her well, have a nice time.

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Speaker 3: Bye bye.

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Speaker 1: Yes, that's your only move, because that's going to really

375
00:22:33,080 --> 00:22:36,159
Speaker 1: help out your reputation because the entire school is going

376
00:22:36,200 --> 00:22:40,400
Speaker 1: to be watching for your reaction. And if you don't care,

377
00:22:40,840 --> 00:22:42,960
Speaker 1: and you continue to act like you don't care and

378
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Speaker 1: you just move on, that's power. It's hard to do

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Speaker 1: as a young man. Yes, that's probably impossible. That's the move.

380
00:22:55,000 --> 00:22:57,680
Speaker 1: That's the move, and that also makes for a great

381
00:22:57,760 --> 00:23:03,840
Speaker 1: scene in a television series, you know, take away the whining.

382
00:23:04,359 --> 00:23:08,879
Speaker 1: That's still like good television. It's almost film, right, Yeah,

383
00:23:09,080 --> 00:23:13,000
Speaker 1: anyway it is. That's my boomer advice. Doll you spring

384
00:23:13,119 --> 00:23:17,800
Speaker 1: chickens out there, take note. Listen when Scott Patterson talks,

385
00:23:17,800 --> 00:23:21,840
Speaker 1: he speaks wisdom. Everybody. You'll thank yourself later. Take the hit.

386
00:23:22,600 --> 00:23:25,080
Speaker 1: Look how many times Easton, how many times you been

387
00:23:25,080 --> 00:23:28,760
Speaker 1: in that situation? A few? Yeah? And did you take

388
00:23:28,800 --> 00:23:31,399
Speaker 1: the hit? I took the hit the h not.

389
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Speaker 2: Yes, I did, and it always kind of worked out,

390
00:23:33,520 --> 00:23:37,719
Speaker 2: not because of maintaining my pride, but mostly because I

391
00:23:37,760 --> 00:23:38,600
Speaker 2: just really just.

392
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Speaker 1: Didn't want to deal with it.

393
00:23:39,880 --> 00:23:42,040
Speaker 2: It was worth I took the hit out of avoidance,

394
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Speaker 2: which you know I dealt with later in life.

395
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Speaker 1: There's almost a world where you should thank thanker. Yes, yes,

396
00:23:50,240 --> 00:23:53,959
Speaker 1: and thank god I found out now exactly because think

397
00:23:53,960 --> 00:23:56,439
Speaker 1: about this first would be if it kept going right,

398
00:23:57,160 --> 00:23:58,840
Speaker 1: what if we ended up marriage? You did it during

399
00:23:58,840 --> 00:24:01,919
Speaker 1: the marriage. Yes, Then it's hard to take the hit

400
00:24:01,920 --> 00:24:05,040
Speaker 1: because then you really take a hit in your bank

401
00:24:05,080 --> 00:24:07,200
Speaker 1: account and you you lose your house and the whole

402
00:24:08,800 --> 00:24:10,800
Speaker 1: What is this like? You know she still has a

403
00:24:10,840 --> 00:24:14,600
Speaker 1: box of my pencils. What am I gonna do? Yeah?

404
00:24:14,640 --> 00:24:17,840
Speaker 1: What assets are you dividing up? At that point? That's

405
00:24:17,880 --> 00:24:25,520
Speaker 1: my eraser. Just take the hit. Be cool man, be

406
00:24:25,640 --> 00:24:28,560
Speaker 1: a little Fonzie, Be a little Fonzie. Yeah, put on

407
00:24:28,600 --> 00:24:31,480
Speaker 1: your leather jackets, lick your hair back, and just go

408
00:24:31,600 --> 00:24:34,320
Speaker 1: to collar up. Hit that juke box. I have a

409
00:24:34,400 --> 00:24:38,240
Speaker 1: nice Let right, take care And it's really your only

410
00:24:38,320 --> 00:24:42,080
Speaker 1: shot that she's gonna circle back around. Yeah, because that's

411
00:24:42,320 --> 00:24:44,119
Speaker 1: that's the thing that's going to be on her mind.

412
00:24:44,160 --> 00:24:47,679
Speaker 1: You you young fellas out there. You know, she'll be

413
00:24:47,720 --> 00:24:51,600
Speaker 1: thinking about that and you and your non reaction while

414
00:24:51,640 --> 00:24:56,080
Speaker 1: she's on the date with mister dreamy eyes. Right. It'll

415
00:24:56,160 --> 00:24:58,159
Speaker 1: drive her crazy, it'll eat it. That's the way to

416
00:24:58,200 --> 00:25:01,160
Speaker 1: do it. And then you get all your power back

417
00:25:01,400 --> 00:25:04,600
Speaker 1: with or without her. It's wonderful anyway. All right, all right,

418
00:25:04,720 --> 00:25:09,159
Speaker 1: I think, uh, what do you think Jess and Rory?

419
00:25:09,200 --> 00:25:11,520
Speaker 1: They have more in common? Oh yeah, what do you think?

420
00:25:11,800 --> 00:25:17,400
Speaker 2: Absolutely, without a doubt they're more in common and this

421
00:25:17,480 --> 00:25:20,920
Speaker 2: relationship could be pursued from a more responsible angle. But hey,

422
00:25:20,920 --> 00:25:22,200
Speaker 2: that's that's how young love works.

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00:25:22,560 --> 00:25:25,879
Speaker 1: Yeah, you know, and she stays with Dean. It's you know,

424
00:25:25,960 --> 00:25:30,520
Speaker 1: it's a it's a pathway to bored him. Yep, maybe happiness, right,

425
00:25:30,560 --> 00:25:34,720
Speaker 1: you never know. Yeah. I think with Rory's mind, it's

426
00:25:34,800 --> 00:25:37,320
Speaker 1: it's a pathway to bored him and frustration. And I

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Speaker 1: think with Jess it's a it's boy, that's a disaster

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Speaker 1: waiting exactly. She'll have fun, It'll be a roller coaster, right,

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Speaker 1: that's right, man. What would you do if Roy was

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Speaker 1: your daughter? I mean, let's say you and Laura l A. Marrick, Okay, right, Yeah,

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Speaker 1: you're not Christopher, you're Easton. Okay, so it's Eastern and Laurel. I.

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Speaker 1: It's not Luke and Laurel. It's Eastern Laurel. I. Yeah.

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Speaker 1: And he stayed together, right yeah, and Laurela, I mean

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Speaker 1: Rory was your biological daughter. What would you do? And

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Speaker 1: I knew this was happening, Yeah, the Dean, the Jets,

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Speaker 1: the whole thing. Yeah, I would.

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Speaker 2: I mean I would tell her you are acting inappropriately,

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Speaker 2: you're acting responsibly. You need to think about the feelings

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00:26:28,760 --> 00:26:31,400
Speaker 2: that you have, and you need to follow those feelings

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00:26:32,000 --> 00:26:35,200
Speaker 2: and break up with Dean. You need to end things

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Speaker 2: the Dean immediately before you can move on with your life. Yes,

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Speaker 2: it's the car. Change the license.

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Speaker 1: Plate to UH to Roy loves Jess. Yes, drive the

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Speaker 1: man crazy. Yeah, that's what I tell her to do.

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Speaker 3: Oh my god.

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Speaker 1: All right, well I think we solved it. Yes, And

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Speaker 1: I don't mean to put you on the spot, but

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Speaker 1: I you know, I know how much you are on

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Speaker 1: your feet. Yeah, Sosh, you the good stuff anyway, Easton Allen,

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Speaker 1: Ladies and gentlemen, round of applause. Thank you so much, Scott.

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Speaker 1: This has been such a blast. You got to come

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Speaker 1: back real soon. I know you're very busy in your

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00:27:15,680 --> 00:27:18,160
Speaker 1: global superstar at this point. Are you doing a tour yet?

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00:27:18,200 --> 00:27:21,800
Speaker 1: Are you doing a stadium tour? Arena tour yet? You know,

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00:27:22,520 --> 00:27:23,199
Speaker 1: we're working on it.

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00:27:23,200 --> 00:27:25,920
Speaker 2: We're working on arenas first and then we're gonna go

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00:27:25,960 --> 00:27:29,600
Speaker 2: up to stadiums. We'll probably do Wrigley at some point.

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Speaker 2: But yeah, you know, it's it's a it's a wheels

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Speaker 2: or in motion.

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Speaker 1: We'll say it's all happening. Yes, all the best man,

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Speaker 1: congratulations and all your success. You're natural. Thank you so much,

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00:27:39,840 --> 00:27:44,400
Speaker 1: Scott and uh best fans on the plant keep those

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Speaker 1: cards in let are coming, and where you lead, we

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Speaker 1: will follow.

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Speaker 3: Stay safe, everyone, everybody.

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Speaker 1: And don't forget. Follow us on Instagram at i Am

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00:28:22,600 --> 00:28:27,520
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

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Speaker 1: dot com