WEBVTT - Get A Clue

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<v Speaker 1>Have you ever done any of those uh mystery dinners

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<v Speaker 1>where it's like you're eating dinner and the guy next

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<v Speaker 1>to you drops dead, and now you gotta can't finish

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<v Speaker 1>your salad because now you've got to figure out who

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<v Speaker 1>killed the dude next to you. Your dumb But.

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<v Speaker 2>If you ever host one, I'd like to, because I

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<v Speaker 2>really do think i'd be so good at it.

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<v Speaker 1>I think you should. To me, it's just a meal ruined. Frankly,

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<v Speaker 1>but it's like I'm trying to try and eat my bread.

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<v Speaker 1>I why are you fake bleeding all over the table

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<v Speaker 1>at this point?

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<v Speaker 3>I would love it.

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<v Speaker 2>I would love I would love to host one, but

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<v Speaker 2>I can't until I've gone to one.

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<v Speaker 1>That's fair enough. Are you titillated by the mystery genre?

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<v Speaker 1>He asks you. Are you're a big fan of mysteries favorites?

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<v Speaker 1>What are your favorites?

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<v Speaker 2>I think I like to read them more or do

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<v Speaker 2>audio books more, And in that sense, I just whip

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<v Speaker 2>through them so I find like an author or something

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<v Speaker 2>keep going, going, going, so it's like a marathon. So

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<v Speaker 2>I never remember the names of the books. I just

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<v Speaker 2>look back and someone asked me, I'll go on my

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<v Speaker 2>list of what I've listened to and then I'll send

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<v Speaker 2>them this was good, I think.

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<v Speaker 1>So the mystery for you is actually the title of

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<v Speaker 1>the book.

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<v Speaker 3>I like murder mysteries, or that I love that kind

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<v Speaker 3>of stuff.

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<v Speaker 1>Okay, well, then let's talk about one, because we've got

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<v Speaker 1>one for you this week. But first, welcome back to

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<v Speaker 1>Magical Rewind, the show that makes you want to grab

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<v Speaker 1>your friends, your pjs, and your popcorn and go back

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<v Speaker 1>to a time when all the houses were smart, the waves,

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<v Speaker 1>tsunamis and the high School's musical.

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<v Speaker 3>I'm Wilford Dell and I'm Sabrina Brien.

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<v Speaker 1>Let's get ready to sleuth people, because we're jumping right

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<v Speaker 1>into a mystery today with two thousand and two's Lindsey

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<v Speaker 1>lohand dcom vehicle Get a Clue the Who Done It?

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<v Speaker 1>Which I'm calling butter knives out? Huh everybody there, Okay,

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<v Speaker 1>forget it. I won't, I won't, I won't harp. It

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<v Speaker 1>premiered on June twenty eight, two thousand and two, and

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<v Speaker 1>it's remarkable for one major milestone. With one point two

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<v Speaker 1>million viewers, it marked the first d COM debut, clocking

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<v Speaker 1>in with over a million on its first broadcast. So hey,

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<v Speaker 1>there's something for people. It broke the million mark. That's

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<v Speaker 1>pretty great. This was also the third and final contracted

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<v Speaker 1>Disney film for Lindsay Lohan, who marked her release from

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<v Speaker 1>the three picture deal she originally had with the studio.

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<v Speaker 1>Can you name the other two she was in?

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<v Speaker 2>Sabrina Well, it's crazy to think because she's so much

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<v Speaker 2>older looking than Parent Trap.

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<v Speaker 3>But that was one. That's one was Freaky Friday another

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<v Speaker 3>or no.

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<v Speaker 1>No, I had never heard of the other one. It's

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<v Speaker 1>called Life Size. Yeah, that was my reaction as well. Anyway,

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<v Speaker 1>directly after Get a Clue came her major breakout, Freaky

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<v Speaker 1>Fridy eight alongside Jamie Lee Curtis. Oh, apparently we are

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<v Speaker 1>learning from producer Lisa that Tyra Banks. Oh was I okay?

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<v Speaker 3>I know? Tier Banks was a manniquin. Am I right?

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<v Speaker 3>She was a mannequin that becomes.

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<v Speaker 1>Like, okay, well that makes sense with Life Size, yes, okay,

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<v Speaker 1>which again was different than the movie we talked about

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<v Speaker 1>mannequin with Catral that was different. Anyway. Freaky Friday alongside

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<v Speaker 1>Jamie Lee Curtis, another Disney movie. So she didn't run

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<v Speaker 1>for Mickey Mouse or anything. She just started doing. You know,

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<v Speaker 1>she wasn't on her three picture deal anymore when she

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<v Speaker 1>was doing some other stuff. This movie was shot in

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<v Speaker 1>Wait for It People, Canada, Yes, primarily in Toronto, with

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<v Speaker 1>exterior shots obviously in New York City. And since the

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<v Speaker 1>movie was shot in March of two thousand and one,

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<v Speaker 1>months before nine eleven, that means that shots with the

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<v Speaker 1>Twin Towers included were actually edited out later. We think

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<v Speaker 1>so after the trash happened. That happened a lot in

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<v Speaker 1>film and right now, And the school itself, Millington Prep,

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<v Speaker 1>was actually Bishop Straitchen School in the up North DCOM capital,

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<v Speaker 1>So think I think we're saying that right it was

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<v Speaker 1>school by some Bishop. Get a Clue got a lot

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<v Speaker 1>of play in the summer of two thousand and two,

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<v Speaker 1>ranking up a ton of reruns hoping to bank on

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<v Speaker 1>Lohan's obviously rising star and recently, with Lohan's co star

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<v Speaker 1>DCOM Hall of Famer Brenda Song doing press for her

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<v Speaker 1>new movie The last show Girl, Get a Clue came up.

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<v Speaker 1>In an interview with Bussel, Song revealed that during taping,

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<v Speaker 1>Lohan convinced her to get a two way pager, which

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<v Speaker 1>is perhaps one of the most two thousand's Things That

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<v Speaker 1>Ever Existed? Lohan made Brenda save up alliver per Diem

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<v Speaker 1>and they went together to buy a two way pager.

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<v Speaker 1>It's a very cute Aughts specific story, to say the least.

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<v Speaker 1>Now in twenty five, twenty years ago, the Disney Channel

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<v Speaker 1>ran a special event for the debut of Go Figure,

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<v Speaker 1>where viewers got to vote on their top five d coms,

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<v Speaker 1>and Get a Clue came in second. Number five, for

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<v Speaker 1>the record, was Stuck in the Suburbs. Number four was

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<v Speaker 1>Got to Kick It Up. Number three was Halloween Town

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<v Speaker 1>High and what do you think? Number one was Sabrina.

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<v Speaker 3>Ooh.

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<v Speaker 2>In two thousand and five, did we make the top five?

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<v Speaker 1>Did you? I don't know. Number one Cheetah Girls, Yes,

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<v Speaker 1>was number one. Everybody. Cheetah Girls was number one. You

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<v Speaker 1>can go and watch Get a Clue on Disney Plus

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<v Speaker 1>right now before we talk about it, or you can

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<v Speaker 1>watch it later, but do not watch it while eating

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<v Speaker 1>a now and later, because your teeth will follow. Did

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<v Speaker 1>you know about Get a Clue before we made it

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<v Speaker 1>onto our beautiful podcast?

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<v Speaker 3>I did it. I didn't.

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<v Speaker 2>I mean I I think that the title fits. I

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<v Speaker 2>was expecting to see when it came up.

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<v Speaker 3>A girl with there was another movie.

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<v Speaker 2>I think it was maybe more of a Nickelodeon movie

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<v Speaker 2>where she had like a.

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<v Speaker 1>Big, big sleuth thing big. She had a what is

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<v Speaker 1>that it's a magnifying glass. Yes, Harriet the Spy. Harriet

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<v Speaker 1>the Spy once again, producer Lisa.

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<v Speaker 2>In my mind like on the spot, onto it. That's

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<v Speaker 2>what I was thinking it was, was Harriet the Spy.

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<v Speaker 2>But then when I started watching it, obviously Lindsay Lohan

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<v Speaker 2>popped in.

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<v Speaker 3>I knew that wasn't the right movie.

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<v Speaker 2>And I assume Harriet the Spy was like Nickelodeon or

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<v Speaker 2>something on a different network.

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<v Speaker 1>Yeah, I think it was too. I do not know.

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<v Speaker 1>I'm not even gonna pretend that I knew anything about

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<v Speaker 1>this movie, nor am I gonna do the old fake

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<v Speaker 1>out of like yeah I knew it. Nope, didn't know

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<v Speaker 1>anything about it.

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<v Speaker 3>Yeah.

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<v Speaker 1>Okay, So break out your most designer outfit because it's

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<v Speaker 1>time to find a murderer and look chic while doing it.

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<v Speaker 1>But first let's get into the synopsis. A teenage journalist

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<v Speaker 1>Lexi Gold, teams up the friends to solve the mystery

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<v Speaker 1>of their missing teacher using gadgets and wit they ucover

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<v Speaker 1>conspiracy and navigate danger to crack the case. Sabrina Early thoughts,

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<v Speaker 1>What did you think of the movie?

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<v Speaker 2>I man, this one, this one I liked. I was

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<v Speaker 2>I first of all Branda songs.

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<v Speaker 1>In it, so sure, big brand of song fan ms Brenda,

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<v Speaker 1>big big Branda song fan.

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<v Speaker 2>I loved her again, very similar to a character we seen,

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<v Speaker 2>but so cute. I right from the start was like, oh,

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<v Speaker 2>they're like dressed as little little baby sex and the

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<v Speaker 2>city girls there, so their fashion is so you know,

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<v Speaker 2>on this like big major platform of the movie.

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<v Speaker 3>So of course I always love it.

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<v Speaker 2>I love to love it, love to hate it, love

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<v Speaker 2>to do all that with the fashion part of it.

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<v Speaker 2>Enjoyed the music right from the start.

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<v Speaker 3>I noticed.

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<v Speaker 2>I'm like, oh, we've got some probably Robbie Neville tracks

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<v Speaker 2>in there. And the storyline totally got me. I thought

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<v Speaker 2>I had this whole thing figured out at the end

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<v Speaker 2>and I went, oh, I guess she wasn't sleeping the

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<v Speaker 2>whole time and this wasn't a dream.

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<v Speaker 1>Okay, well there you go.

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<v Speaker 3>So it got me, So I guess it did. It

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<v Speaker 3>got me. It got me. I was in enough to

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<v Speaker 3>think I knew what was going on. And didn't at

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<v Speaker 3>the end anyway, Okay, okay, what about you.

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<v Speaker 1>I didn't get this movie. I did not know what

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<v Speaker 1>this movie was. This movie did not know what it was.

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<v Speaker 1>The genre was changing like halfway through. I didn't. I mean,

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<v Speaker 1>that's not you know, let's be honest. Lindsay Lohan, especially

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<v Speaker 1>when she was younger, she was very good. I mean,

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<v Speaker 1>when you can see a child actor who is just

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<v Speaker 1>hitting beats and Kenny mote and has the great facial expressions,

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<v Speaker 1>you know, Claire Danes was like that, you can just

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<v Speaker 1>spot talent at a young age, and she was very,

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<v Speaker 1>very good. This movie was weird to me. I did

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<v Speaker 1>not know what this movie was. I didn't understand it.

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<v Speaker 1>And then it well we'll get into it was. Yeah,

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<v Speaker 1>it was strange.

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<v Speaker 2>That's where I sat with it in the sense of

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<v Speaker 2>I liked it, probably because we had Lindsay just completely

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<v Speaker 2>like she was just the drive reenforce of the movie.

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<v Speaker 2>So I liked seeing Lindsay, especially now that she's having

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<v Speaker 2>like this big light comeback. Yeah, seeing her like at

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<v Speaker 2>the very brink of everything that she was doing.

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<v Speaker 1>Well, this was not brink. This this was no break.

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<v Speaker 2>But I'm saying I liked her to see her back then,

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<v Speaker 2>because there was such a huge time where you just

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<v Speaker 2>loved Lindsay Lhan.

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<v Speaker 3>You loved everything that he did.

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<v Speaker 2>She was great from the beginning of it, and I

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<v Speaker 2>think I kind of just got nostalgic about that.

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<v Speaker 3>I think that's what happened to me. I jumped into

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<v Speaker 3>a nostalgia of like, well, yeah, her go.

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<v Speaker 1>This movie was very garbled to me where I was

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<v Speaker 1>just like what, wait, what theck was that at at

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<v Speaker 1>certain times, So yeah, okay, Get a Clue. Is directed

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<v Speaker 1>by Maggie Greenwald, who started her career in the sound

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<v Speaker 1>department of movies trading places in Weird Science Two Awesome Movies.

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<v Speaker 1>She'd graduate to directing on shows like The Adventures of

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<v Speaker 1>Pete and Pete and The Mystery Files of Shelby Wu

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<v Speaker 1>the movie stars. As we were just talking about, one

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<v Speaker 1>of the most famous or infamous names of that decade

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<v Speaker 1>in Lindsay Lohan, who played Lexi Gold. Lohan, who is

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<v Speaker 1>in the middle of her career resurgence right now, as

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<v Speaker 1>Sabrina was just talking about, is best known for her

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<v Speaker 1>roles in movies like Freaky Friday, Mean Girls, Confessions of

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<v Speaker 1>a Teenage Drama, Queen, and of course, the Parent Trap.

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<v Speaker 1>She also had a short lived pop career. At the

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<v Speaker 1>peak of her stardom, at one point she was literally

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<v Speaker 1>the face of Disney Studios. Speaking of the Face of Disney,

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<v Speaker 1>the movie co stars the aforementioned Brenda song who We Love.

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<v Speaker 1>We've already seen her in The Ultimate Christmas Present, which

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<v Speaker 1>we didn't love that much and Stuck in the Suburbs,

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<v Speaker 1>and we love her here at Magical rewind so much again.

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<v Speaker 1>When we do official nighting ceremonies, I think we'll have

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<v Speaker 1>to make Lady Brenda another member, and of course we'll

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<v Speaker 1>have to hand out awards. We'll just have to leave

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<v Speaker 1>them on the street, though, because none of these people

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<v Speaker 1>would be dumb enough to actually give us their addresses. Yes,

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<v Speaker 1>Brenda has also been seen in the TV show Doll

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<v Speaker 1>Face and The Social Network, But to our listeners, she's

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<v Speaker 1>best known as London Tipton, a character from the Sweet

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<v Speaker 1>Life of Zach and Cody that also appeared on Wizards

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<v Speaker 1>of Waverley Place and Hannah Montana. And now for one

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<v Speaker 1>of my favorite names in the history of Hollywood, Bug

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<v Speaker 1>Hall plays love interest Jack Downey. Bug played Alfalfa in

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<v Speaker 1>the nineteen ninety four version of Little Rascals and has

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<v Speaker 1>appeared on Charmed, Criminal Minds and Castle and I'm just

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<v Speaker 1>going to keep saying bug Hall all day long because

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<v Speaker 1>it's awesome. And then we've got legendary character actor Charles

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<v Speaker 1>Shaughnessy who plays Detective Meanie, but to us rewinds he

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<v Speaker 1>is Dmitri from Mom's Got a Date with a Vampire?

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<v Speaker 1>Remember that one. He also played Maxwell Sheffield on almost

0:11:07.320 --> 0:11:09.880
<v Speaker 1>one hundred and fifty episodes of The Nanny and was

0:11:09.920 --> 0:11:13.880
<v Speaker 1>a reoccurring character on Madmen and in The Reynolds Coleman Chair.

0:11:13.960 --> 0:11:17.560
<v Speaker 1>This week is actress Amanda Plummer as Miss Dawson. Plumber

0:11:17.600 --> 0:11:19.440
<v Speaker 1>can be seen in classic movies like Pulp Fiction and

0:11:19.440 --> 0:11:22.800
<v Speaker 1>The Fisher King and the Amazing Comedy Classic which might

0:11:22.840 --> 0:11:24.360
<v Speaker 1>be on my top ten list of all times. So

0:11:24.400 --> 0:11:26.640
<v Speaker 1>I Married an Axe Murderer, where she played a character

0:11:26.840 --> 0:11:29.680
<v Speaker 1>very similar to this one. She was a mainstay favorite

0:11:29.720 --> 0:11:32.600
<v Speaker 1>in the nineties. And lastly, for all the parents out there,

0:11:32.679 --> 0:11:36.120
<v Speaker 1>Kim Roberts is Miss Stern. Again. We got some great names.

0:11:36.240 --> 0:11:38.000
<v Speaker 1>She has a lot of Canadian credits to her name,

0:11:38.000 --> 0:11:40.079
<v Speaker 1>but the most notable might just be that she's the

0:11:40.160 --> 0:11:42.960
<v Speaker 1>voice of Mayor goodway on Paw Patrol.

0:11:43.520 --> 0:11:47.280
<v Speaker 3>She's also my mom in The Cheetah Girls, my foster mom.

0:11:47.400 --> 0:11:48.480
<v Speaker 1>Yes, Oh geez.

0:11:48.880 --> 0:11:51.240
<v Speaker 2>She was in another What Sabrina season. I tried to

0:11:51.360 --> 0:11:53.720
<v Speaker 2>find it because I can't remember what other movie she

0:11:53.920 --> 0:11:56.480
<v Speaker 2>was in. She played a teacher.

0:11:58.440 --> 0:12:01.280
<v Speaker 3>Huh, how did I miss that? I said it? I

0:12:01.320 --> 0:12:04.559
<v Speaker 3>said it. I said it that that's that episode. I've

0:12:04.559 --> 0:12:05.640
<v Speaker 3>got to find it. I couldn't.

0:12:05.640 --> 0:12:08.560
<v Speaker 2>I couldn't during my okay, smortishborg of notes that I've

0:12:08.559 --> 0:12:09.719
<v Speaker 2>got for sburta see man.

0:12:09.760 --> 0:12:13.360
<v Speaker 1>Well, she was also Sabrina's mom in The Cheetah Girls.

0:12:14.280 --> 0:12:18.840
<v Speaker 1>Of course, your foster mom. Of course, small part.

0:12:19.400 --> 0:12:21.320
<v Speaker 3>How do I have such a chance? That's a small

0:12:21.360 --> 0:12:23.080
<v Speaker 3>part because she's big on the channel.

0:12:23.440 --> 0:12:25.360
<v Speaker 1>Yeah, she's done a ton of stuff and in Pop

0:12:25.360 --> 0:12:29.120
<v Speaker 1>Control Get a Clue is just eighty three minutes seven

0:12:29.200 --> 0:12:32.959
<v Speaker 1>below the target. But that's on the right side of history, because,

0:12:33.000 --> 0:12:35.160
<v Speaker 1>as we know, a short D com is a good

0:12:35.240 --> 0:12:38.160
<v Speaker 1>d com. And it was written by Alano Senko, which

0:12:38.160 --> 0:12:40.640
<v Speaker 1>is a rare occurrence with the director and writer are

0:12:40.679 --> 0:12:43.880
<v Speaker 1>both women. This is great. Senko was a writer's assistant

0:12:43.920 --> 0:12:46.400
<v Speaker 1>on Roseanne, who went on to write for Murphy Brown

0:12:46.480 --> 0:12:48.880
<v Speaker 1>and a show she created with Whoopy Goldberg called Just

0:12:48.960 --> 0:12:50.720
<v Speaker 1>for Kicks and Little Einstein's.

0:12:50.800 --> 0:12:52.800
<v Speaker 2>Wow.

0:12:58.720 --> 0:13:01.120
<v Speaker 1>All right, so even though you're alibi, clears your name.

0:13:01.200 --> 0:13:05.480
<v Speaker 1>Let's break down. Get a clue. We open with credits

0:13:05.480 --> 0:13:07.320
<v Speaker 1>placed over shots in New York. We see the statue

0:13:07.320 --> 0:13:10.120
<v Speaker 1>of Liberty, high rise buildings, taxis, and flags. We hear

0:13:10.160 --> 0:13:13.360
<v Speaker 1>a total green day punk ripoff band shouting about how

0:13:13.400 --> 0:13:16.040
<v Speaker 1>things aren't exactly what they seem. You gotta look a

0:13:16.040 --> 0:13:19.160
<v Speaker 1>little closer, and man, that is what you call foreshadowing.

0:13:19.400 --> 0:13:21.640
<v Speaker 1>I also love a song that puts the title of

0:13:21.679 --> 0:13:23.079
<v Speaker 1>the movie into the song.

0:13:23.760 --> 0:13:26.600
<v Speaker 2>Get a Clue, that's what That's what I thought Robbie

0:13:26.600 --> 0:13:28.400
<v Speaker 2>Neville might have gotten his hands on.

0:13:29.040 --> 0:13:33.520
<v Speaker 1>Gotcha? Oh apparently again, Thank you so much, producer Lisa Again.

0:13:33.720 --> 0:13:36.200
<v Speaker 1>She was also He was also in Mom's Gotta Date

0:13:36.200 --> 0:13:37.040
<v Speaker 1>with a Vmpire, which were.

0:13:37.240 --> 0:13:38.320
<v Speaker 3>Like the one that I put down.

0:13:38.480 --> 0:13:40.800
<v Speaker 1>She was an she was a teacher, She's been in

0:13:40.880 --> 0:13:44.680
<v Speaker 1>everything amazing. We land at a fancy Park Avenue building

0:13:44.720 --> 0:13:47.480
<v Speaker 1>than in another Disney trope favorite which we've seen eight

0:13:47.800 --> 0:13:51.520
<v Speaker 1>billion times. We get a scan of our main character's bedroom.

0:13:51.520 --> 0:13:53.840
<v Speaker 1>This is a common move used in d COM's and

0:13:53.960 --> 0:13:55.720
<v Speaker 1>lets us know a little bit about our character without

0:13:55.760 --> 0:13:58.800
<v Speaker 1>wasting any time or dialogue, And in this case, we

0:13:58.840 --> 0:14:02.120
<v Speaker 1>see makeup, high pace boots, a vintage Apple computer, a

0:14:02.240 --> 0:14:05.040
<v Speaker 1>chair shaped like a high heel, and now we know

0:14:05.160 --> 0:14:08.000
<v Speaker 1>this girl is fashionable and cool. And we land on

0:14:08.080 --> 0:14:11.880
<v Speaker 1>Lexi and she is still sleeping, but as the alarm

0:14:11.920 --> 0:14:14.319
<v Speaker 1>goes off, she quickly grabs a headset like what gamers

0:14:14.360 --> 0:14:16.640
<v Speaker 1>wear nowadays play Call of Duty, but this one is

0:14:16.720 --> 0:14:20.800
<v Speaker 1>bedazzled in gold. Lexi logs into her desktop computer and

0:14:20.880 --> 0:14:24.200
<v Speaker 1>on the other end is Jen, her bestie, and she

0:14:24.640 --> 0:14:27.680
<v Speaker 1>is wearing fluffy headphones. They're excited to see each other

0:14:27.720 --> 0:14:30.600
<v Speaker 1>and show off their possible outfits for the day. Lexi

0:14:30.640 --> 0:14:34.200
<v Speaker 1>calls one of Jen's outfits trey cute, which I'm almost

0:14:34.240 --> 0:14:37.760
<v Speaker 1>sure was in another DCM, and Jen returns to favor

0:14:37.760 --> 0:14:43.120
<v Speaker 1>by calling Lexi's ensemble fabulus and yes, I just said that,

0:14:43.160 --> 0:14:45.760
<v Speaker 1>Please don't make it a mean. A few minutes later,

0:14:45.800 --> 0:14:48.240
<v Speaker 1>we join Lexi and her family at breakfast. We meet

0:14:48.280 --> 0:14:50.160
<v Speaker 1>her dad, who's a New York Times journalist in a

0:14:50.200 --> 0:14:53.120
<v Speaker 1>business suit, and her sister Taylor, who is wearing some

0:14:53.160 --> 0:14:56.280
<v Speaker 1>sort of neon green spyglasses, and we meet her mom

0:14:56.320 --> 0:14:59.600
<v Speaker 1>who announces she's going out of town for work. Lexi's

0:14:59.640 --> 0:15:02.480
<v Speaker 1>nanny makes them bacon and this reminds us, Yeah, these

0:15:02.560 --> 0:15:09.200
<v Speaker 1>peeps is rich. While scanning a I just realized that guy.

0:15:09.240 --> 0:15:11.560
<v Speaker 1>I'm sorry, I just realized that the guy who plays

0:15:11.600 --> 0:15:14.600
<v Speaker 1>her dad, I think was also in My Day. He

0:15:14.640 --> 0:15:16.480
<v Speaker 1>plays one of the secret service agents in My Day

0:15:16.520 --> 0:15:19.360
<v Speaker 1>with the President's daughter. Oh just remember that. That's why

0:15:19.360 --> 0:15:21.080
<v Speaker 1>I was like. I was like, I recognize this guy. Yeah,

0:15:21.080 --> 0:15:23.560
<v Speaker 1>that's where we know him from. Anyway. While scanning a

0:15:23.560 --> 0:15:27.400
<v Speaker 1>competitor's paper, her dad spots a huge surprise. He notices

0:15:27.440 --> 0:15:31.040
<v Speaker 1>that Lexi has a byline in the paper. She submitted

0:15:31.080 --> 0:15:34.200
<v Speaker 1>it for the junior Journalist section weeks ago, and everyone

0:15:34.280 --> 0:15:36.600
<v Speaker 1>is really proud to see that it was published. The

0:15:36.640 --> 0:15:39.760
<v Speaker 1>story is about two teachers, mister Walker and Miss Dawson,

0:15:40.000 --> 0:15:43.120
<v Speaker 1>having a secret relationship at their school. She even used

0:15:43.120 --> 0:15:45.800
<v Speaker 1>her sister's spycam to catch them in the act. And

0:15:45.880 --> 0:15:48.440
<v Speaker 1>while this really feels like some TMZ tabloid work, and

0:15:48.440 --> 0:15:51.800
<v Speaker 1>at the first time, I was like, huh, so, everybody's

0:15:51.880 --> 0:15:55.040
<v Speaker 1>proud of the fact that she's outing the secreting couple

0:15:55.960 --> 0:15:59.200
<v Speaker 1>at school. And not only that, but it somehow made

0:15:59.240 --> 0:16:02.920
<v Speaker 1>the paper because it's important that these two teachers are dating.

0:16:03.720 --> 0:16:05.040
<v Speaker 3>Why the drama.

0:16:05.360 --> 0:16:08.400
<v Speaker 2>The beginning part in the hallway was that this guy

0:16:08.520 --> 0:16:10.080
<v Speaker 2>was going to get fired or something.

0:16:10.120 --> 0:16:13.520
<v Speaker 3>That's right, like this students job caused him his job.

0:16:13.680 --> 0:16:16.720
<v Speaker 1>Yeah, no she didn't. She actually ended up costing him

0:16:16.800 --> 0:16:22.120
<v Speaker 1>his life essentially. But yeah, I thought that was kind

0:16:22.120 --> 0:16:24.360
<v Speaker 1>of like a oh, she's kind of scraping the bottom

0:16:24.360 --> 0:16:26.600
<v Speaker 1>of the barrel. I want to sneakily take pictures of

0:16:26.640 --> 0:16:29.960
<v Speaker 1>these two people that just want to have a consensual relationship.

0:16:30.000 --> 0:16:34.080
<v Speaker 1>I was like, hey, she's already not my favorite with that.

0:16:34.160 --> 0:16:37.440
<v Speaker 1>Their mom says goodbye, she's off on a trip. And

0:16:37.480 --> 0:16:40.480
<v Speaker 1>it's worth noting here that none of this matters because

0:16:41.120 --> 0:16:43.760
<v Speaker 1>we never see her mom again. We never mentioned her

0:16:43.760 --> 0:16:45.560
<v Speaker 1>mom again. The fact that her mom's on a trip

0:16:45.600 --> 0:16:47.920
<v Speaker 1>doesn't matter. He didn't. I was saying that.

0:16:47.920 --> 0:16:50.920
<v Speaker 2>There was gonna be a big storyline with the mom

0:16:50.960 --> 0:16:53.560
<v Speaker 2>and her because there's a giant eight x ten picture

0:16:53.600 --> 0:16:55.920
<v Speaker 2>of her and her mom on the bedside of her

0:16:55.960 --> 0:16:57.400
<v Speaker 2>that we see in the very big.

0:16:57.320 --> 0:16:59.360
<v Speaker 3>First scamp her room. Something.

0:16:59.360 --> 0:17:02.520
<v Speaker 2>You know, there's drama. Her mom goes way a lot.

0:17:02.720 --> 0:17:07.480
<v Speaker 2>It affects her, No no, literally literally halt thanks, Ma,

0:17:07.920 --> 0:17:10.560
<v Speaker 2>nod cares, the husband doesn't care, the sistor doesn't care,

0:17:10.920 --> 0:17:12.240
<v Speaker 2>No one cares.

0:17:12.920 --> 0:17:16.080
<v Speaker 1>And again, this is you think about Disney saving a budget.

0:17:16.200 --> 0:17:18.560
<v Speaker 1>It's so easy to just have the line, well, Mom's

0:17:18.600 --> 0:17:20.000
<v Speaker 1>off on a business trip, and then you don't need

0:17:20.040 --> 0:17:21.920
<v Speaker 1>that actor at all. You don't need to shit that scene,

0:17:21.960 --> 0:17:23.520
<v Speaker 1>you don't need to do any of that kind of stuff.

0:17:23.720 --> 0:17:26.080
<v Speaker 1>So hey, I'm all for having more actors and scripts.

0:17:26.119 --> 0:17:30.080
<v Speaker 1>You get to give them jobs, but just unnecessary the

0:17:30.240 --> 0:17:33.400
<v Speaker 1>entire character. Yeah, it's now later that morning, we see

0:17:33.440 --> 0:17:36.600
<v Speaker 1>students on their way to school, decked out in designer clothes,

0:17:36.600 --> 0:17:40.400
<v Speaker 1>sporting posh handbags, and chatting on their phones. Okay, Sabrina,

0:17:40.680 --> 0:17:42.119
<v Speaker 1>this is where I thought about you as I was

0:17:42.119 --> 0:17:45.280
<v Speaker 1>watching the movie, because of all the fashion stuff there,

0:17:45.359 --> 0:17:48.320
<v Speaker 1>and this is kind of right at your time of being. Well,

0:17:48.320 --> 0:17:50.040
<v Speaker 1>you weren't in high school. You would have been what

0:17:50.240 --> 0:17:53.119
<v Speaker 1>eighteen nineteen in the early two thousands, So what did

0:17:53.160 --> 0:17:55.840
<v Speaker 1>you think of all the fashion and all the sidekicks

0:17:55.840 --> 0:17:57.840
<v Speaker 1>and flip phones and everything else that was out there.

0:17:58.359 --> 0:18:01.959
<v Speaker 2>I feel again I related to it nostalgia of like

0:18:02.119 --> 0:18:04.240
<v Speaker 2>this is kind of a younger version of what we

0:18:04.240 --> 0:18:06.520
<v Speaker 2>saw in Sex and the City like that was they

0:18:06.520 --> 0:18:07.080
<v Speaker 2>were poppy.

0:18:07.119 --> 0:18:08.160
<v Speaker 3>They were wearing.

0:18:08.080 --> 0:18:10.639
<v Speaker 2>Bright, bright colors where New York when you see the

0:18:10.640 --> 0:18:13.400
<v Speaker 2>outside is only kind of gray. So they're popping off

0:18:13.440 --> 0:18:17.720
<v Speaker 2>the screen. The high boots for high school. Not so

0:18:17.880 --> 0:18:22.360
<v Speaker 2>into feeling a little too adult and mature for them.

0:18:22.400 --> 0:18:24.240
<v Speaker 1>Maybe if your mom also traveling all the time.

0:18:24.640 --> 0:18:28.560
<v Speaker 2>Attire like looked to adult as far as what they

0:18:28.560 --> 0:18:31.440
<v Speaker 2>were wearing. The scene where they come the second time

0:18:31.480 --> 0:18:34.000
<v Speaker 2>they're coming back into school, I was like, oh my gosh, like.

0:18:34.119 --> 0:18:36.200
<v Speaker 1>Oh, we'll get into that, because that made no doubt

0:18:36.240 --> 0:18:42.080
<v Speaker 1>of her anyway, Well we'll get there. So yes, Lexi

0:18:42.160 --> 0:18:45.040
<v Speaker 1>walks the halls. The people are buzzing about her scandalous article.

0:18:45.160 --> 0:18:47.960
<v Speaker 1>She's obviously very very popular. Everybody's saying hi to her.

0:18:48.119 --> 0:18:50.840
<v Speaker 1>That's when she spots mister Walker, who is called to

0:18:51.040 --> 0:18:53.960
<v Speaker 1>Miss Sterne's office, and again she's Stern. I love the

0:18:54.040 --> 0:18:58.879
<v Speaker 1>names again Miss Stern. And then we get Detective Meani.

0:18:59.720 --> 0:19:02.399
<v Speaker 1>It's it seemed like they were almost kind of going

0:19:02.480 --> 0:19:05.119
<v Speaker 1>tongue in cheek clue the game Clue where it's like

0:19:05.560 --> 0:19:09.359
<v Speaker 1>Professor Plum and Miss Scarlett, like it seemed a little

0:19:09.400 --> 0:19:12.080
<v Speaker 1>like they were trying to lean into the cheese factor

0:19:12.119 --> 0:19:15.200
<v Speaker 1>a bit, which I'm all for, Yes, but I don't

0:19:16.000 --> 0:19:18.400
<v Speaker 1>that I don't think they lean far enough is the problem.

0:19:18.480 --> 0:19:19.720
<v Speaker 3>Okay, that's what I would say.

0:19:19.920 --> 0:19:23.880
<v Speaker 1>Okay, but yes, so called into miss Stearn's office. She's

0:19:23.960 --> 0:19:27.399
<v Speaker 1>the admissions officer, and it looks like this guy is

0:19:27.520 --> 0:19:31.080
<v Speaker 1>already in trouble. Sorry, mister Walker, Thank you very much. Lexi.

0:19:31.760 --> 0:19:34.400
<v Speaker 1>Another student, then a cute boy named Jack Downey, who

0:19:34.400 --> 0:19:36.760
<v Speaker 1>has possibly one of the worst accents in movie history.

0:19:37.119 --> 0:19:39.200
<v Speaker 1>It comes, it goes, he's got it for this line,

0:19:39.240 --> 0:19:41.080
<v Speaker 1>it goes for that line. But this is also the

0:19:41.160 --> 0:19:43.960
<v Speaker 1>movie of bad accents. There's three or four people. Where

0:19:44.000 --> 0:19:45.919
<v Speaker 1>is that guy British? Now he's not now he is?

0:19:46.440 --> 0:19:48.320
<v Speaker 1>This is this guy from Brooklyn, Now he's not now

0:19:48.320 --> 0:19:51.720
<v Speaker 1>he is. It's they They are coming and going. Yes,

0:19:51.880 --> 0:19:54.920
<v Speaker 1>it says the article was pure gossip. This guy comes

0:19:54.960 --> 0:19:57.080
<v Speaker 1>up to her and says, what are you thinking? It's

0:19:57.119 --> 0:19:59.959
<v Speaker 1>pure gossip. Lexi is, of course offended. She is an

0:20:00.119 --> 0:20:02.439
<v Speaker 1>charge of the advice column for the school paper, and

0:20:02.480 --> 0:20:05.800
<v Speaker 1>today's piece was a human interest piece, which is what

0:20:05.880 --> 0:20:07.640
<v Speaker 1>her dad told her it was, And she's just kind

0:20:07.640 --> 0:20:10.359
<v Speaker 1>of parroting what her dad says, Jack, of course rolls

0:20:10.359 --> 0:20:13.040
<v Speaker 1>his eyes also with a bad accent, and takes off

0:20:14.240 --> 0:20:16.480
<v Speaker 1>his eyes. He's had a bad accent when he was

0:20:16.560 --> 0:20:18.160
<v Speaker 1>rolling his eyes. Lexi is, then.

0:20:19.520 --> 0:20:23.359
<v Speaker 2>You're gonna give it to him, which because first of all,

0:20:23.359 --> 0:20:24.919
<v Speaker 2>it was not that bad.

0:20:25.240 --> 0:20:29.760
<v Speaker 1>The actor is not bad. He's personable, he's a cute kid.

0:20:29.880 --> 0:20:32.680
<v Speaker 1>He pops off screen. They work well together.

0:20:32.520 --> 0:20:35.320
<v Speaker 2>Tuney, But isn't that what we always get with these

0:20:35.400 --> 0:20:36.760
<v Speaker 2>d coms is when we're.

0:20:36.640 --> 0:20:40.840
<v Speaker 1>Like, keep it, but it's I know, but it was

0:20:40.920 --> 0:20:43.280
<v Speaker 1>like I was waiting for like, youse, guys, Oh I'm

0:20:43.280 --> 0:20:45.119
<v Speaker 1>gonna punch in the mush. It was like, what what

0:20:45.160 --> 0:20:49.880
<v Speaker 1>the hell is happening? Anyway, Lexi is enjoined by Jen,

0:20:49.920 --> 0:20:52.159
<v Speaker 1>who is very proud that her friend made the Examiner,

0:20:52.200 --> 0:20:55.720
<v Speaker 1>and another boy, Gabe, is paparazzi ing them with a camcorder,

0:20:56.160 --> 0:20:59.160
<v Speaker 1>asking Lexi how she got the scoop. Eventually, the girls

0:20:59.240 --> 0:21:01.480
<v Speaker 1>entered their first class of the day, Miss Dawson's. Now

0:21:01.520 --> 0:21:04.600
<v Speaker 1>remember she's the other teacher that was in this little

0:21:04.600 --> 0:21:08.280
<v Speaker 1>tourrit affair with mister Walker. Now we're in the Millington

0:21:08.520 --> 0:21:11.520
<v Speaker 1>Bugle classroom with students hard at work on their next issue.

0:21:11.960 --> 0:21:15.160
<v Speaker 1>It's set decorated like an actual adult office, which felt

0:21:15.320 --> 0:21:18.760
<v Speaker 1>kind of strange, like they're in the New York Times bullpen.

0:21:19.119 --> 0:21:22.720
<v Speaker 2>They even have their like their cubicles are even like

0:21:23.240 --> 0:21:24.560
<v Speaker 2>able to be decorated.

0:21:24.640 --> 0:21:27.760
<v Speaker 1>Yeah, like you're waiting for to be called to HR.

0:21:28.119 --> 0:21:32.800
<v Speaker 2>No, didn't feel like a real classroom at all to me,

0:21:32.920 --> 0:21:35.640
<v Speaker 2>I mean as far as my experience. But again, we've

0:21:35.640 --> 0:21:38.199
<v Speaker 2>already seen the lockers, and you know, I think lockers

0:21:38.200 --> 0:21:40.919
<v Speaker 2>are fake because I didn't have them, especially hers.

0:21:40.680 --> 0:21:42.920
<v Speaker 3>With the purple boa.

0:21:42.800 --> 0:21:42.960
<v Speaker 1>Yeah.

0:21:43.000 --> 0:21:45.520
<v Speaker 2>When she shuts the door doesn't even stay in the locker.

0:21:45.600 --> 0:21:49.960
<v Speaker 2>I mean that was just too much anyway already, And again.

0:21:50.200 --> 0:21:51.200
<v Speaker 1>Did you have a school paper?

0:21:52.320 --> 0:21:53.600
<v Speaker 3>Yeah, yeah we did.

0:21:53.880 --> 0:21:55.800
<v Speaker 1>I think we did, but I don't. I don't know.

0:21:56.280 --> 0:21:58.159
<v Speaker 3>I think I'm thinking of your book. No, we didn't have.

0:21:58.240 --> 0:21:59.320
<v Speaker 1>Maybe we might not, I don't know.

0:21:59.560 --> 0:22:01.720
<v Speaker 3>It might have on one that came out like once

0:22:01.760 --> 0:22:02.840
<v Speaker 3>a month or something.

0:22:03.240 --> 0:22:05.600
<v Speaker 1>But maybe they did have a journalist classroom that looked

0:22:05.600 --> 0:22:08.199
<v Speaker 1>like a bullpen. I don't know, seem like all the

0:22:08.240 --> 0:22:12.800
<v Speaker 1>president's men. Yeah it was. Yeah, yeah, it was very strange,

0:22:12.800 --> 0:22:16.000
<v Speaker 1>but anyway, I got what they were going for. Yeah,

0:22:16.080 --> 0:22:18.240
<v Speaker 1>Jen and Lexi each have their own cubicles. They're facing

0:22:18.280 --> 0:22:21.600
<v Speaker 1>each other. Lexi is editing advice questions for her next assignment,

0:22:22.000 --> 0:22:26.160
<v Speaker 1>as a disinterested Jack listens on nearby. It is now

0:22:26.200 --> 0:22:28.480
<v Speaker 1>time for the week Who I know, right, It's now

0:22:28.520 --> 0:22:30.720
<v Speaker 1>time for the weekly paper meeting like you have with

0:22:30.800 --> 0:22:34.760
<v Speaker 1>instructor mister Goldbloom, who kicks it off by congratulating Lexi

0:22:34.840 --> 0:22:37.480
<v Speaker 1>on her Examiner article. The group of plauds and the

0:22:37.520 --> 0:22:40.720
<v Speaker 1>teacher asked the paper's editor, the cute but crabby Jack Downey,

0:22:40.800 --> 0:22:44.440
<v Speaker 1>who again has the perfect newspaper guy, Jack Downey, Jack

0:22:44.480 --> 0:22:49.159
<v Speaker 1>Downey Downey Daily Bugle wants him to say something, so

0:22:49.200 --> 0:22:51.560
<v Speaker 1>he stands up and timithally says he's proud of her,

0:22:51.680 --> 0:22:55.480
<v Speaker 1>especially since she works in the softer news area. Out

0:22:55.840 --> 0:22:59.280
<v Speaker 1>what a dick. The tension between them thickens when Lexi

0:22:59.280 --> 0:23:02.520
<v Speaker 1>thanks him for on the article, because it's the only

0:23:02.600 --> 0:23:06.120
<v Speaker 1>reason she submitted it to the Examiner. Will there won't they?

0:23:06.400 --> 0:23:08.920
<v Speaker 1>Who knows, but we know that eventually they will.

0:23:09.000 --> 0:23:09.360
<v Speaker 3>They will.

0:23:09.440 --> 0:23:11.560
<v Speaker 1>Later that day, Lexi stumbles on mister Walker and Miss

0:23:11.640 --> 0:23:15.560
<v Speaker 1>Dawson having an emotional conversation the staircase. Lexi hides to

0:23:15.600 --> 0:23:18.760
<v Speaker 1>listen in because that's not snooping, that's journalism. Mister Walker

0:23:18.800 --> 0:23:21.000
<v Speaker 1>says he never wanted to hurt miss Dawson, but the

0:23:21.040 --> 0:23:24.719
<v Speaker 1>newspaper has obviously caused a problem. Miss Dawson tears up

0:23:24.880 --> 0:23:27.680
<v Speaker 1>and proclaims her love, but is interrupted when he breaks

0:23:27.760 --> 0:23:29.879
<v Speaker 1>up with her. He says he never loved her, causing

0:23:29.920 --> 0:23:32.320
<v Speaker 1>her to say she's sorry she ever met him. Out

0:23:32.840 --> 0:23:35.000
<v Speaker 1>she proclaims that one of them must leave the high

0:23:35.040 --> 0:23:38.680
<v Speaker 1>school now, and it ain't gonna be her. She storms off,

0:23:38.680 --> 0:23:40.640
<v Speaker 1>bumping into Lexi, who is now joined by Jack, who

0:23:40.640 --> 0:23:43.239
<v Speaker 1>conveniently walked by, as well a lot of convenient walk

0:23:43.280 --> 0:23:45.400
<v Speaker 1>byes in this movie. They say hello to each other,

0:23:45.720 --> 0:23:48.960
<v Speaker 1>which is weird because when't all the teachers be mad

0:23:48.960 --> 0:23:52.879
<v Speaker 1>at Lexi? I mean, Lexi caused this, essentially, but she's

0:23:52.920 --> 0:23:56.080
<v Speaker 1>getting off scott free. That night, Lexi is typing away

0:23:56.080 --> 0:23:58.720
<v Speaker 1>when her dad gets home late. He praises her journalistic

0:23:58.760 --> 0:24:01.560
<v Speaker 1>skills once again, but she's clearly bothered by the recent

0:24:01.600 --> 0:24:04.280
<v Speaker 1>events involving her subjects. Lexi just wants to be a

0:24:04.280 --> 0:24:06.400
<v Speaker 1>hard hitting reporter like her dad, and he tells her

0:24:06.480 --> 0:24:08.680
<v Speaker 1>she's well on her way. It takes time, so just

0:24:08.760 --> 0:24:11.920
<v Speaker 1>keep your eyes open. And investigate any hunches. She goes

0:24:11.960 --> 0:24:15.720
<v Speaker 1>to bed and we have a rare good dcom Dad

0:24:16.040 --> 0:24:18.000
<v Speaker 1>he's there. Mark it down that we got a good

0:24:18.119 --> 0:24:21.359
<v Speaker 1>dcom pop. The mom not great, but then again it

0:24:21.400 --> 0:24:23.200
<v Speaker 1>doesn't matter because we don't ever see her. She left

0:24:23.240 --> 0:24:26.240
<v Speaker 1>and she's out of our lives. The next morning, we

0:24:26.320 --> 0:24:29.720
<v Speaker 1>see a beije Ford sedan being pulled out of a river.

0:24:30.000 --> 0:24:33.119
<v Speaker 1>Police around the scene, and one grizzly detective with the

0:24:33.160 --> 0:24:38.240
<v Speaker 1>world's most ridiculous handlebar mustache looks on in concern. On

0:24:38.280 --> 0:24:40.040
<v Speaker 1>the other side of town, Jack Downey, which is how

0:24:40.040 --> 0:24:42.480
<v Speaker 1>I'm gonna say it from now. And Jack Downey buys

0:24:42.520 --> 0:24:46.199
<v Speaker 1>an examiner and reads the headline teacher marked absent. Oh no,

0:24:46.320 --> 0:24:49.200
<v Speaker 1>mister Walker is missing, which leads me to believe hopefully

0:24:49.200 --> 0:24:51.920
<v Speaker 1>some time has passed, because if they're pulling the car

0:24:51.960 --> 0:24:54.560
<v Speaker 1>out of the river the same time the newspaper has

0:24:54.600 --> 0:24:56.359
<v Speaker 1>been written, I.

0:24:56.320 --> 0:25:01.000
<v Speaker 2>Feel like they needed to say some type of a

0:25:01.080 --> 0:25:03.480
<v Speaker 2>month after something, because.

0:25:03.400 --> 0:25:07.520
<v Speaker 3>We later so jarring of oh my gosh, and they

0:25:07.560 --> 0:25:08.520
<v Speaker 3>already know he's missing.

0:25:08.560 --> 0:25:10.600
<v Speaker 2>He hasn't been missing for at least twenty four hours

0:25:10.640 --> 0:25:12.280
<v Speaker 2>at this point, because that's what it came off as.

0:25:12.840 --> 0:25:16.560
<v Speaker 3>This was like the next morning, So yeah, I felt.

0:25:16.320 --> 0:25:18.040
<v Speaker 1>Like I felt the same thing. They're pulling the car

0:25:18.080 --> 0:25:19.639
<v Speaker 1>out of the river, but it's already in the paper

0:25:19.800 --> 0:25:20.600
<v Speaker 1>that he's.

0:25:20.560 --> 0:25:22.800
<v Speaker 2>But she went to sleep before this. So this made

0:25:22.840 --> 0:25:24.960
<v Speaker 2>me go, oh, this is okay. So this is a

0:25:24.960 --> 0:25:25.440
<v Speaker 2>whole dream.

0:25:25.480 --> 0:25:27.520
<v Speaker 3>This is going to be a whole all right.

0:25:27.520 --> 0:25:29.360
<v Speaker 1>Got it?

0:25:29.400 --> 0:25:31.240
<v Speaker 2>That's why we can dream the guy that's already dead,

0:25:31.359 --> 0:25:33.160
<v Speaker 2>Like what, okay, this is going.

0:25:33.160 --> 0:25:34.760
<v Speaker 1>To be a dream. I'm waiting for the music to

0:25:34.800 --> 0:25:38.200
<v Speaker 1>break out. Where are the zombies? Where are the exactly?

0:25:39.000 --> 0:25:41.080
<v Speaker 1>Back at her house, Lexi is awoken by her dad,

0:25:41.080 --> 0:25:43.560
<v Speaker 1>who breaks the bad news that was Walker's car in

0:25:43.600 --> 0:25:46.480
<v Speaker 1>the river, but he's nowhere to be found. Lexi's immediate

0:25:46.480 --> 0:25:49.600
<v Speaker 1>reaction is to called Jen, who performs possibly the greatest

0:25:49.640 --> 0:25:52.680
<v Speaker 1>move in dcom history. She's fast asleep wearing the headphones

0:25:52.840 --> 0:25:56.359
<v Speaker 1>when Lexi says, mister Walker is missing, and Jen springboards

0:25:56.440 --> 0:25:59.640
<v Speaker 1>up in concern and is now wide awake. And now

0:25:59.680 --> 0:26:02.480
<v Speaker 1>we really this movie is well, I guess we kind

0:26:02.480 --> 0:26:05.520
<v Speaker 1>of realize what this movie is going for, which is

0:26:05.680 --> 0:26:10.359
<v Speaker 1>Disney meets Colombo meets Sex in the City. Yep, do

0:26:10.400 --> 0:26:11.360
<v Speaker 1>you have you seen Colombo?

0:26:11.880 --> 0:26:14.440
<v Speaker 3>Nope? But I know Disney, and I know Sex and Stace.

0:26:16.119 --> 0:26:17.280
<v Speaker 1>I know two of the things you said.

0:26:17.280 --> 0:26:20.800
<v Speaker 3>So I'm smiling none and Jensen's scoring board. That means

0:26:20.840 --> 0:26:22.920
<v Speaker 3>I went, so we got it.

0:26:24.800 --> 0:26:28.480
<v Speaker 1>You gotta watch Columbo. It's Peter Falk. It's great. Columbo's awesome.

0:26:28.480 --> 0:26:33.440
<v Speaker 1>He very grizzled, old like seventies detective who likes He's great.

0:26:33.480 --> 0:26:34.760
<v Speaker 3>Oh yeah, I like that.

0:26:35.440 --> 0:26:41.280
<v Speaker 1>So, okay, this is where she comes. Lexi comes to

0:26:41.320 --> 0:26:44.919
<v Speaker 1>school the next day, okay, dressed in her outfit. Brenda

0:26:45.000 --> 0:26:47.280
<v Speaker 1>Song comes to school the next day, dressed in her outfit.

0:26:47.400 --> 0:26:50.560
<v Speaker 1>Jen comes to school. There's paparazzi everywhere. There's there's the

0:26:50.600 --> 0:26:53.440
<v Speaker 1>news media everywhere, and they say, oh my god, look

0:26:53.440 --> 0:26:56.120
<v Speaker 1>what's going on. Mister Walker's missing. This is terrible. Everybody's

0:26:56.160 --> 0:26:58.960
<v Speaker 1>being interviewed, The extras are being interviewed out front. What's happening?

0:26:59.400 --> 0:27:01.760
<v Speaker 1>I hope they catch my good side, she said, And

0:27:01.800 --> 0:27:06.160
<v Speaker 1>then they cut to a pulp fiction Sex and the City.

0:27:06.520 --> 0:27:08.800
<v Speaker 1>Slow moll walk through the hallway, and that's where I

0:27:08.840 --> 0:27:11.479
<v Speaker 1>started going, what the actual is happening?

0:27:11.520 --> 0:27:18.080
<v Speaker 2>Right? I can't get over her outfit. I'm like, where

0:27:18.160 --> 0:27:21.320
<v Speaker 2>are you going in that outfit? Then she makes a

0:27:21.359 --> 0:27:24.760
<v Speaker 2>comment about grieving and how and how they wear black

0:27:24.840 --> 0:27:25.600
<v Speaker 2>and all this stuff.

0:27:25.680 --> 0:27:29.240
<v Speaker 1>Yeah, like, are they going for sexy funeral.

0:27:30.400 --> 0:27:31.639
<v Speaker 3>School? You're going to?

0:27:31.960 --> 0:27:32.440
<v Speaker 1>Yeah?

0:27:32.640 --> 0:27:38.240
<v Speaker 2>Yeah, what and the lace nylons and it's too much,

0:27:38.560 --> 0:27:39.080
<v Speaker 2>Oh my.

0:27:39.040 --> 0:27:41.240
<v Speaker 1>God, I don't know. No, you know, it's too much.

0:27:41.760 --> 0:27:41.960
<v Speaker 3>Yeah.

0:27:42.000 --> 0:27:44.679
<v Speaker 1>But the whole situation is bothering Lexi everything going on.

0:27:44.800 --> 0:27:46.959
<v Speaker 1>She knows, for instance, that the river is too toxic

0:27:47.000 --> 0:27:49.720
<v Speaker 1>for mister Walker to have survived, and yet the whole

0:27:49.760 --> 0:27:54.960
<v Speaker 1>thing seems fishy, boom pun intended. So yes, they strut

0:27:55.000 --> 0:27:57.439
<v Speaker 1>through the halls like you do when your teacher is missing.

0:27:57.480 --> 0:28:00.119
<v Speaker 1>In slow motion, we then see miss Stearn, who who

0:28:00.160 --> 0:28:03.359
<v Speaker 1>is also shaken up and grieving. Lexi acknowledges it's weird

0:28:03.480 --> 0:28:07.200
<v Speaker 1>that the day after the article, mister Walker just disappeared.

0:28:07.640 --> 0:28:10.119
<v Speaker 3>So it is twenty four hours yes after.

0:28:10.720 --> 0:28:14.359
<v Speaker 1>Yes, twenty four hours later, the car's missing. It's already

0:28:14.359 --> 0:28:15.399
<v Speaker 1>written up in the paper.

0:28:15.720 --> 0:28:16.639
<v Speaker 3>I'm not buying it.

0:28:16.760 --> 0:28:17.280
<v Speaker 1>No, I'm not.

0:28:17.240 --> 0:28:21.399
<v Speaker 3>Buying it this timeline, guys, No, it is not.

0:28:21.840 --> 0:28:23.480
<v Speaker 1>And you know what else is not making sense is

0:28:23.520 --> 0:28:27.359
<v Speaker 1>paparazzi Gabe hounding Lexi again, this time for answers to

0:28:27.400 --> 0:28:31.240
<v Speaker 1>this outstanding mystery. This dude is really a pest. We're

0:28:31.240 --> 0:28:33.480
<v Speaker 1>now in miss Dawson's class. The teacher and former lover

0:28:33.600 --> 0:28:35.360
<v Speaker 1>is on the verge of tears. She can barely even

0:28:35.400 --> 0:28:38.400
<v Speaker 1>talk about mister Walker when a suited cop enters. He's

0:28:38.440 --> 0:28:42.120
<v Speaker 1>looking for Lexi Gold. Lexi is quickly whisked away into

0:28:42.160 --> 0:28:45.280
<v Speaker 1>the newspaper office where the weathered handlebar mustache policeman is

0:28:45.320 --> 0:28:47.120
<v Speaker 1>waiting for her. We get a better look at his

0:28:47.160 --> 0:28:50.520
<v Speaker 1>facial hair, and it genuinely looks like a raccoon has

0:28:50.600 --> 0:28:54.400
<v Speaker 1>landed on his lip. His name is Detective Potter, not

0:28:54.640 --> 0:28:57.120
<v Speaker 1>Harry Potter, different people, and he also has a strange

0:28:57.160 --> 0:28:59.720
<v Speaker 1>accent again that comes and goes. This is a strange

0:28:59.720 --> 0:29:03.640
<v Speaker 1>accent movie. This should be called Yes, Lexi Gold. In

0:29:03.640 --> 0:29:06.720
<v Speaker 1>the case of the strange accents, it's very strange. He

0:29:06.800 --> 0:29:10.600
<v Speaker 1>questions Lexi about her quote unquote gossip column, asking about

0:29:10.640 --> 0:29:13.760
<v Speaker 1>the Juicy Examiner article. She takes it one step further,

0:29:13.840 --> 0:29:16.200
<v Speaker 1>telling Hi about the breakup she witnessed, detailing that Miss

0:29:16.280 --> 0:29:19.480
<v Speaker 1>Dawson was upset and said he needed to leave the school.

0:29:19.840 --> 0:29:23.200
<v Speaker 1>Detective Potter is, of course intrigued. As she leaves, she

0:29:23.360 --> 0:29:27.200
<v Speaker 1>suggests that he shave his mustache. Whichess is something we

0:29:27.200 --> 0:29:29.040
<v Speaker 1>were all thinking, but probably not something we tell a

0:29:29.040 --> 0:29:33.880
<v Speaker 1>policeman investigating a missing person. Upon her exit, Miss Dawson enters,

0:29:33.920 --> 0:29:36.200
<v Speaker 1>and boy does she have some splain in the do

0:29:37.200 --> 0:29:39.440
<v Speaker 1>Lexi hangs by the door trying to eavesdrop. Of course,

0:29:39.520 --> 0:29:43.120
<v Speaker 1>when Jack approaches again, Jack, I love it. Miss Dawson

0:29:43.200 --> 0:29:45.880
<v Speaker 1>is getting grilled by Potter and completely leaves the breakup

0:29:45.880 --> 0:29:48.400
<v Speaker 1>out of her story, making her look very guilty. So

0:29:48.440 --> 0:29:51.480
<v Speaker 1>when Detective Potter brings up Lexi's story, she decides she

0:29:51.560 --> 0:30:01.120
<v Speaker 1>needs to contact a lawyer. So we're now back in

0:30:01.120 --> 0:30:03.520
<v Speaker 1>the hallways. Lexi feels bad that her article has caused

0:30:03.560 --> 0:30:06.080
<v Speaker 1>everyone to think miss Dawson did it, but she knows

0:30:06.320 --> 0:30:09.000
<v Speaker 1>that she's innocent. Jack doubts that, but Lexi is one

0:30:09.040 --> 0:30:10.840
<v Speaker 1>hundred percent sure. We don't know how, but she's somehow

0:30:10.880 --> 0:30:12.800
<v Speaker 1>a hundred percent sure. She is going to get to

0:30:12.840 --> 0:30:14.720
<v Speaker 1>the bottom of this and it'll be her first ever

0:30:14.800 --> 0:30:18.200
<v Speaker 1>front page news story. And since Jack knows mister Walker

0:30:18.240 --> 0:30:20.800
<v Speaker 1>really well, she wants to team up with him. Uh huh,

0:30:20.880 --> 0:30:24.760
<v Speaker 1>wink wink to crack the case wide open. These two

0:30:24.840 --> 0:30:26.880
<v Speaker 1>still go together like oil and vinegar. But we got

0:30:26.920 --> 0:30:30.680
<v Speaker 1>ourselves a little dcom reporter duo going on here, and

0:30:32.080 --> 0:30:34.840
<v Speaker 1>I guess I'm here for it. It's I We'll see.

0:30:35.280 --> 0:30:39.320
<v Speaker 2>Right, Yeah, I mean it's you know, it's starting. It's

0:30:39.400 --> 0:30:42.360
<v Speaker 2>obviously for me. It's like the cheese factor is just

0:30:42.640 --> 0:30:46.240
<v Speaker 2>in full force right now. Sure, but again it's Lindsay

0:30:46.280 --> 0:30:50.440
<v Speaker 2>Lohan and I'm, for whatever reason, okay with this and

0:30:50.560 --> 0:30:52.080
<v Speaker 2>keeping it going with this.

0:30:52.120 --> 0:30:55.200
<v Speaker 1>Okay, fair enough. We are back out in those New

0:30:55.280 --> 0:30:57.560
<v Speaker 1>York streets. Lexi and Jen are trying on new outfits.

0:30:57.600 --> 0:30:59.080
<v Speaker 1>Of course, you know, like you do when your teacher

0:30:59.120 --> 0:31:02.640
<v Speaker 1>is missing. Jen teezes Lexi for liking Jack, but Lexi

0:31:02.680 --> 0:31:05.440
<v Speaker 1>swears it's all just business. But of course her best

0:31:05.480 --> 0:31:08.520
<v Speaker 1>friend isn't buying it. Later that day, Lexi asked her

0:31:08.600 --> 0:31:11.400
<v Speaker 1>dad for some advice when investigating the story. He suggests

0:31:11.440 --> 0:31:14.600
<v Speaker 1>looking into the subject's background that usually leads to some answers.

0:31:14.640 --> 0:31:17.160
<v Speaker 1>Good advice for a reporter. Her dad quickly realizes that

0:31:17.200 --> 0:31:19.880
<v Speaker 1>she's asking for herself, and he warns her not to

0:31:19.920 --> 0:31:23.320
<v Speaker 1>get involved again. Very good advice. Maybe don't get involved

0:31:23.320 --> 0:31:26.120
<v Speaker 1>in what could possibly be a murder case when you're

0:31:26.200 --> 0:31:28.280
<v Speaker 1>in like the seventh grade. Maybe a good idea, but

0:31:28.320 --> 0:31:31.360
<v Speaker 1>that doesn't always go well on Disney Channel. We like

0:31:31.360 --> 0:31:33.880
<v Speaker 1>the kids get involved. She assures him that she's just

0:31:33.960 --> 0:31:37.320
<v Speaker 1>innocently curious and not to worry. Akuna matata, she says,

0:31:37.360 --> 0:31:39.880
<v Speaker 1>But her fingers were crossed behind her back when she

0:31:39.960 --> 0:31:43.400
<v Speaker 1>said it. What a rascal do kids do this? Still?

0:31:43.920 --> 0:31:45.240
<v Speaker 3>Why a kuna matata?

0:31:45.960 --> 0:31:48.320
<v Speaker 1>Because it means no worries because she says no worries.

0:31:48.480 --> 0:31:51.320
<v Speaker 2>But by two thousand and two that movie was so

0:31:51.480 --> 0:31:54.880
<v Speaker 2>old that wasn't a like no movie that was out,

0:31:55.040 --> 0:31:58.760
<v Speaker 2>that wasn't like something from Wicked that you repeat right now.

0:31:59.280 --> 0:32:00.360
<v Speaker 3>I didn't underst stand it.

0:32:00.480 --> 0:32:02.880
<v Speaker 2>I had to write on Sabartes, why the hell did

0:32:02.920 --> 0:32:03.440
<v Speaker 2>she just say?

0:32:04.440 --> 0:32:06.880
<v Speaker 1>Because she had just said no worries, and it means

0:32:06.920 --> 0:32:10.760
<v Speaker 1>no worries for the rest of your days. Come on,

0:32:12.800 --> 0:32:15.520
<v Speaker 1>And it's especially cool when they're like, Hakuna matata, your

0:32:15.560 --> 0:32:19.000
<v Speaker 1>teacher's dead, so we don't know what's going on. But

0:32:19.040 --> 0:32:21.760
<v Speaker 1>you're right, it was a strange attempt at synergy for

0:32:22.040 --> 0:32:26.400
<v Speaker 1>an older movie. Yeah, I thought the same things. Do

0:32:26.400 --> 0:32:27.400
<v Speaker 1>you do fingers crossed?

0:32:28.680 --> 0:32:31.600
<v Speaker 3>No, but that happens in dcom's we see all the time.

0:32:32.040 --> 0:32:34.920
<v Speaker 2>We've seen that probably now fifteen times a week because

0:32:34.920 --> 0:32:35.640
<v Speaker 2>this makes.

0:32:35.400 --> 0:32:37.960
<v Speaker 1>A lie not happen. Everybody knows that, like, it makes

0:32:38.000 --> 0:32:44.280
<v Speaker 1>you not guilty. Nine, I didn't kill my teacher. Uh,

0:32:45.720 --> 0:32:50.000
<v Speaker 1>that's not what happened. So Lexi's next stop is her

0:32:50.040 --> 0:32:52.640
<v Speaker 1>little sister's room. She is a tech wizard and presses

0:32:52.640 --> 0:32:54.560
<v Speaker 1>a button open the door. Her room is like an

0:32:54.560 --> 0:32:57.320
<v Speaker 1>inventor's lab, surrounded by gadgets and ideas. She's like Q

0:32:57.920 --> 0:33:01.040
<v Speaker 1>in James Bond. Lexi learns about some gadgets, but most

0:33:01.080 --> 0:33:03.760
<v Speaker 1>importantly finds out about the corner spy shop where her

0:33:03.800 --> 0:33:06.600
<v Speaker 1>sister buys this stuff. Now armed with this information, she

0:33:06.640 --> 0:33:09.680
<v Speaker 1>immediately visits the shop with Jack. I love a good

0:33:09.680 --> 0:33:13.120
<v Speaker 1>spy shop. There's nothing like really expensive tiny cameras you

0:33:13.120 --> 0:33:15.480
<v Speaker 1>can put in stuff. I think it's fun.

0:33:15.640 --> 0:33:18.440
<v Speaker 2>The first one they're doing is like a surveillance camera.

0:33:18.480 --> 0:33:22.160
<v Speaker 2>I'm like, that's two thousand and two. There were definitely

0:33:22.200 --> 0:33:24.080
<v Speaker 2>surveillance cameras everywhere.

0:33:24.200 --> 0:33:26.800
<v Speaker 3>Why was it? She's like, ooh oh, I can't cool.

0:33:27.040 --> 0:33:31.120
<v Speaker 1>I can't wait to get into the tiny surveillance camera

0:33:31.200 --> 0:33:33.680
<v Speaker 1>they put on the balcony of their teachers that it

0:33:33.720 --> 0:33:38.080
<v Speaker 1>was like a giant film camera. We'll get into that unbelievable.

0:33:38.320 --> 0:33:40.760
<v Speaker 1>So she's impressed with all the spy wears in the store,

0:33:40.960 --> 0:33:43.320
<v Speaker 1>most intrigued by rear viewing glasses where you can see

0:33:43.320 --> 0:33:46.360
<v Speaker 1>whoever's behind you without turning your head. Just then Jen

0:33:46.520 --> 0:33:50.280
<v Speaker 1>enters the spy shop, flanked by Gabe Gabe. Lexi's confused,

0:33:50.280 --> 0:33:52.840
<v Speaker 1>what are they doing there? Apparently Gabe lives down the

0:33:52.840 --> 0:33:55.080
<v Speaker 1>street from Miss Dawson and they're hoping to run some

0:33:55.120 --> 0:33:58.480
<v Speaker 1>surveillance and maybe clear her name or prove her guilt,

0:33:58.560 --> 0:34:01.040
<v Speaker 1>whatever the case may be. And so now the duo

0:34:01.360 --> 0:34:04.239
<v Speaker 1>is a foursome returning to Lexi's place, which becomes their

0:34:04.280 --> 0:34:07.000
<v Speaker 1>new headquarters, which Jack is of course wowed by because

0:34:07.040 --> 0:34:09.960
<v Speaker 1>it's a forty trillion dollar apartment in New York. It's

0:34:10.000 --> 0:34:12.760
<v Speaker 1>a twenty million dollar apartment all day long. Lexi immediately

0:34:12.760 --> 0:34:15.000
<v Speaker 1>sets the strategy. The girls will go to the Walker's

0:34:15.000 --> 0:34:18.200
<v Speaker 1>house for clues while the guys watch over Miss Dawson's place.

0:34:18.480 --> 0:34:20.920
<v Speaker 1>But Jen doesn't want to go to Brooklyn because apparently

0:34:21.000 --> 0:34:25.640
<v Speaker 1>Brooklyn is gross. So Lexi and Jack will go together

0:34:26.480 --> 0:34:28.799
<v Speaker 1>to the Walker's place. Very cool. Oh geez, what are

0:34:28.800 --> 0:34:32.000
<v Speaker 1>the chances of them being paired up again? I think

0:34:32.120 --> 0:34:33.920
<v Speaker 1>that I think there might be some synergy. By the way,

0:34:33.960 --> 0:34:35.680
<v Speaker 1>when I said twenty million dollars, it be twenty million

0:34:35.680 --> 0:34:37.319
<v Speaker 1>dollars now. In two thousand and two it was by

0:34:37.400 --> 0:34:39.560
<v Speaker 1>a seven or eight million dollars apart. It was a

0:34:39.719 --> 0:34:45.879
<v Speaker 1>very expensive apartment. They're obviously wealthy people. Yes, So this

0:34:45.920 --> 0:34:48.160
<v Speaker 1>is where Gabe and Jen go to set up a

0:34:48.200 --> 0:34:50.359
<v Speaker 1>camera to watch over Miss Dawson from his edit bay,

0:34:50.719 --> 0:34:52.840
<v Speaker 1>and they take this small little spy camera, which is

0:34:52.960 --> 0:34:56.520
<v Speaker 1>just five by five is the biggestest thing in the

0:34:56.520 --> 0:35:04.799
<v Speaker 1>world that they put this an inch from it is.

0:35:04.920 --> 0:35:09.600
<v Speaker 1>It's truly that big. It's an inch from the window sill,

0:35:09.640 --> 0:35:11.359
<v Speaker 1>and it's like, oh my god. And then he puts

0:35:11.360 --> 0:35:16.880
<v Speaker 1>a plant under it, which which I thought was pretty

0:35:16.880 --> 0:35:17.400
<v Speaker 1>funny to me.

0:35:17.480 --> 0:35:19.600
<v Speaker 3>I'm like, they had to do that on purpose. I

0:35:19.600 --> 0:35:23.319
<v Speaker 3>mean it had to be. There's no way I had to.

0:35:23.520 --> 0:35:27.799
<v Speaker 1>Because it was. It was crazy. It was crazy. Miss

0:35:27.880 --> 0:35:32.800
<v Speaker 1>Dawson eventually does arrive and casually starts and aerobics workout tape.

0:35:32.880 --> 0:35:35.239
<v Speaker 1>Of course, that's hey, I did mine this morning, to

0:35:35.280 --> 0:35:39.440
<v Speaker 1>my little my little zoom. It works. Jack finally convinces Lexi,

0:35:39.640 --> 0:35:42.000
<v Speaker 1>who has never been on the subway before, born and

0:35:42.080 --> 0:35:44.239
<v Speaker 1>raised in New York to go on the subway with

0:35:44.320 --> 0:35:47.560
<v Speaker 1>him to Brooklyn. So after a successful first subway ride,

0:35:47.600 --> 0:35:51.000
<v Speaker 1>Lexi treats Brooklyn like she's entered the Wizard of Oz's castle,

0:35:51.680 --> 0:35:54.000
<v Speaker 1>and residents look at her expensive outlet like it's a

0:35:54.040 --> 0:35:57.640
<v Speaker 1>chicken suit. She sees people playing the guitar wow, and

0:35:57.719 --> 0:36:00.560
<v Speaker 1>even incorrectly uses a map. She's in a differ world.

0:36:00.680 --> 0:36:07.000
<v Speaker 1>It's Brooklyn. It's unbelievable. And as if this wasn't enough,

0:36:07.040 --> 0:36:10.200
<v Speaker 1>she bumps into as at the day. Back in the

0:36:10.280 --> 0:36:12.640
<v Speaker 1>day would have been called a bum now it's called

0:36:12.680 --> 0:36:16.480
<v Speaker 1>an unhoused person, and swears he's wearing mister Walker's coat.

0:36:17.239 --> 0:36:19.360
<v Speaker 1>And once they arrive at mister Walker's house, they see

0:36:19.520 --> 0:36:23.560
<v Speaker 1>miss Stern mysteriously exiting his place, and Lexi remembers their

0:36:23.600 --> 0:36:25.920
<v Speaker 1>weird conversation in the hall the day before he disappears.

0:36:26.320 --> 0:36:29.759
<v Speaker 1>Now unfhazed, the two enter mister Walker's building through a

0:36:29.880 --> 0:36:33.279
<v Speaker 1>slightly a jar door. While snooping, Jack eventually finds a

0:36:33.320 --> 0:36:36.960
<v Speaker 1>locked briefcase with the initials NP on it, while Lexi

0:36:37.040 --> 0:36:39.120
<v Speaker 1>opens a closet door, only to be startled by a

0:36:39.160 --> 0:36:42.279
<v Speaker 1>man standing behind her, and she screams at the top

0:36:42.320 --> 0:36:45.000
<v Speaker 1>for lungs. We jumped to Gabe's place, where Jen notices

0:36:45.000 --> 0:36:47.719
<v Speaker 1>Miss Dawson has welcomed a man into her apartment. He's

0:36:47.760 --> 0:36:50.240
<v Speaker 1>carrying flowers and they embrace, and that's when they notice

0:36:50.400 --> 0:36:54.000
<v Speaker 1>it's mister Goldbloom, the newspaper teacher. Remember him, right, everybody

0:36:54.000 --> 0:36:57.720
<v Speaker 1>remembers mister Goldbloom. Of course you do. Back at mister Walker's,

0:36:57.760 --> 0:37:00.560
<v Speaker 1>Lexi has finished screaming, and the man introduces himself as

0:37:00.640 --> 0:37:04.320
<v Speaker 1>Detective Mini again, a very Nancy Drew character that sounds

0:37:04.360 --> 0:37:06.320
<v Speaker 1>like he was named by a four year old friend

0:37:06.800 --> 0:37:10.799
<v Speaker 1>of the writer, Very very possible. He wants to know

0:37:10.840 --> 0:37:13.480
<v Speaker 1>what they're doing in Walker's apartment. Lexi swears they don't

0:37:13.520 --> 0:37:16.920
<v Speaker 1>know anything about his whereabouts, and she notices his fancy watch.

0:37:17.640 --> 0:37:21.120
<v Speaker 1>Jack quickly rushes them out, terrified of getting in trouble

0:37:21.640 --> 0:37:23.719
<v Speaker 1>on their way home, Lexi says she knows Mini is

0:37:23.760 --> 0:37:26.399
<v Speaker 1>not a detective. A cop could never afford that platinum watch,

0:37:26.440 --> 0:37:29.120
<v Speaker 1>those alligator boots and a Pumoni suit. Which is that

0:37:29.160 --> 0:37:31.520
<v Speaker 1>a real thing Pomoni or is that supposed to be ARMANI?

0:37:31.560 --> 0:37:32.359
<v Speaker 1>They just can't say it.

0:37:32.719 --> 0:37:35.200
<v Speaker 3>I think that it's supposed to be a designer.

0:37:35.239 --> 0:37:37.880
<v Speaker 1>Brand that, but it's fake. It's fake, right, Pomoni is

0:37:37.920 --> 0:37:39.600
<v Speaker 1>not a real thing. Okay, that's what That's what I

0:37:39.640 --> 0:37:41.960
<v Speaker 1>thought too. I think it's better at least I don't

0:37:42.000 --> 0:37:44.520
<v Speaker 1>know of it. I don't either. Maybe it's so exclusive

0:37:44.560 --> 0:37:46.479
<v Speaker 1>that it's there's like four of them in the world

0:37:46.480 --> 0:37:49.160
<v Speaker 1>and I don't know. Oh, apparently we hear from producer Jensen.

0:37:49.200 --> 0:37:53.680
<v Speaker 1>Pumani is real. Oh but Pumoni isn't. Oh okay, So

0:37:53.800 --> 0:37:59.560
<v Speaker 1>Pumani is real. Pumoni isn't okay. I think that all

0:37:59.560 --> 0:38:01.759
<v Speaker 1>sounds like desert to me. So can I get the

0:38:01.760 --> 0:38:05.520
<v Speaker 1>pomony please? That'd be awesome, research producer Jensen with all

0:38:05.520 --> 0:38:08.440
<v Speaker 1>his research, I'm telling you. So it was the ultimate

0:38:08.560 --> 0:38:10.520
<v Speaker 1>in chic and her New York sense of fashion has

0:38:10.560 --> 0:38:13.880
<v Speaker 1>come in handy sniffing out this imposter, they decide to

0:38:14.000 --> 0:38:16.200
<v Speaker 1>run a check on mister Meniat Jack's house, which is

0:38:16.239 --> 0:38:19.560
<v Speaker 1>nearby and a beautiful house in Brooklyn by the way,

0:38:19.680 --> 0:38:21.840
<v Speaker 1>but as for some reason treated like a shack.

0:38:22.160 --> 0:38:22.960
<v Speaker 3>Oh my gosh.

0:38:23.000 --> 0:38:25.799
<v Speaker 2>I was like, why are they making this look like

0:38:25.960 --> 0:38:29.120
<v Speaker 2>such a I mean, I guess because her house is

0:38:29.120 --> 0:38:32.799
<v Speaker 2>so much like it is very expensive and you can tell.

0:38:32.840 --> 0:38:37.160
<v Speaker 2>But still like, this is looking like Brooklyn is fine living.

0:38:37.239 --> 0:38:39.120
<v Speaker 3>It's like nice. That house was cute.

0:38:39.360 --> 0:38:42.920
<v Speaker 1>Yes, it was big, Yeah, a big room. The neighbors

0:38:42.920 --> 0:38:46.680
<v Speaker 1>are super sweet, and it's Brooklyn. It's not like you

0:38:46.760 --> 0:38:50.680
<v Speaker 1>went to the like the worst parts of wherever. Yeah,

0:38:50.719 --> 0:38:53.839
<v Speaker 1>I mean it was. Yeah. So anyway, that was very

0:38:53.840 --> 0:38:55.400
<v Speaker 1>strange the way they were kind of doing that. But

0:38:55.480 --> 0:38:57.279
<v Speaker 1>we find out here that Jack goes to their private

0:38:57.320 --> 0:38:59.480
<v Speaker 1>school on a scholarship and loves his community, which is

0:38:59.520 --> 0:39:01.360
<v Speaker 1>spoken of out kind of like you'd mentioned in a

0:39:01.440 --> 0:39:04.360
<v Speaker 1>dark alley. But again, it's a beautiful house, so it

0:39:04.480 --> 0:39:08.120
<v Speaker 1>makes no sense. But once inside, Lexi notices pictures of

0:39:08.200 --> 0:39:11.760
<v Speaker 1>Jack's brother Todd, who he says is away in Hawaii

0:39:11.840 --> 0:39:13.919
<v Speaker 1>for the Navy. And he says all this while wearing

0:39:13.920 --> 0:39:18.240
<v Speaker 1>a giant shirt that reads Navy, which is funny because

0:39:18.320 --> 0:39:20.719
<v Speaker 1>my wife was wearing the same exact shirt to bed

0:39:20.760 --> 0:39:22.080
<v Speaker 1>last night. My dad was in the Navy, and we

0:39:22.120 --> 0:39:24.480
<v Speaker 1>all have Navy shirts, and she was literally wearing that

0:39:24.640 --> 0:39:27.360
<v Speaker 1>same exact shirt to bed last night. That's a tangent.

0:39:27.360 --> 0:39:28.839
<v Speaker 1>We didn't need that, But what the heck, I'm gonna

0:39:28.880 --> 0:39:30.480
<v Speaker 1>let you in on my own little life as we

0:39:30.560 --> 0:39:33.719
<v Speaker 1>do this podcast. We also find out that Todd's dad

0:39:33.760 --> 0:39:35.480
<v Speaker 1>died a few years ago. We start to see the

0:39:35.480 --> 0:39:37.760
<v Speaker 1>softer side of this hard shelled kid with a terrible

0:39:37.800 --> 0:39:41.480
<v Speaker 1>fake accent who apparently lives in Squalor, which again none

0:39:41.520 --> 0:39:44.760
<v Speaker 1>of that is accurate. His room is littered with bowling trophies,

0:39:44.800 --> 0:39:48.600
<v Speaker 1>and Lexi is grossed out. She quote unquote heard you

0:39:48.719 --> 0:39:52.560
<v Speaker 1>have to wear hues shoes to bowl. So are we

0:39:52.560 --> 0:39:55.560
<v Speaker 1>supposed to believe that she's so rich that she doesn't

0:39:55.600 --> 0:39:58.120
<v Speaker 1>know how to bowl? Has never been bowling, has only

0:39:58.280 --> 0:40:02.160
<v Speaker 1>heard about bowling. I don't get. I don't get the

0:40:02.239 --> 0:40:03.359
<v Speaker 1>dynamic they're going for.

0:40:03.800 --> 0:40:06.560
<v Speaker 2>First of all, within this house, in this small frame

0:40:06.600 --> 0:40:08.359
<v Speaker 2>of time, we fight a lot.

0:40:08.080 --> 0:40:10.799
<v Speaker 3>Of information that's just freezed by. We find out about his.

0:40:10.840 --> 0:40:15.160
<v Speaker 2>Brother, his dad, the bowling. Like at this one, I'm like, okay,

0:40:15.360 --> 0:40:16.760
<v Speaker 2>and it's going so fast.

0:40:16.920 --> 0:40:18.680
<v Speaker 1>Overload, information overload.

0:40:18.920 --> 0:40:22.200
<v Speaker 2>I thought the same thing, Like is that extreme? However,

0:40:22.960 --> 0:40:25.239
<v Speaker 2>I feel like I can say I've been to New

0:40:25.320 --> 0:40:26.600
<v Speaker 2>York quite a few times.

0:40:26.719 --> 0:40:28.120
<v Speaker 3>I have never been bowling.

0:40:28.400 --> 0:40:31.200
<v Speaker 2>I've never talked to people in New York about them

0:40:31.280 --> 0:40:33.440
<v Speaker 2>going bowling in New York.

0:40:34.120 --> 0:40:36.160
<v Speaker 3>No is bowling a big thing in New York.

0:40:36.280 --> 0:40:37.840
<v Speaker 1>That's not a big thing, but it's a thing. But

0:40:37.920 --> 0:40:41.120
<v Speaker 1>I mean people know enough to know what bowling is.

0:40:41.760 --> 0:40:44.560
<v Speaker 2>Well what it is, but not maybe go if it's

0:40:44.600 --> 0:40:47.160
<v Speaker 2>not like no, but I mean, you know how some

0:40:47.239 --> 0:40:49.759
<v Speaker 2>places have different things that you do as like a

0:40:49.840 --> 0:40:53.720
<v Speaker 2>cat fun night. I've never heard of people even talking

0:40:53.719 --> 0:40:55.120
<v Speaker 2>about going bowling in New York.

0:40:55.239 --> 0:40:57.400
<v Speaker 1>I think people in New York would know enough about

0:40:57.440 --> 0:40:59.720
<v Speaker 1>bowling to know that you have to wear rented shoes

0:40:59.760 --> 0:41:04.080
<v Speaker 1>to Okay, I mean again, I think it's it's not

0:41:04.160 --> 0:41:07.480
<v Speaker 1>this crazy micro world of what is this bowling you

0:41:07.520 --> 0:41:07.880
<v Speaker 1>speak of.

0:41:08.000 --> 0:41:12.160
<v Speaker 3>It's like, you know, I heard you have to wear

0:41:12.200 --> 0:41:13.360
<v Speaker 3>like other people's.

0:41:13.320 --> 0:41:15.319
<v Speaker 1>Yeah, I know. It just it seems like she's just

0:41:15.360 --> 0:41:17.359
<v Speaker 1>never It seems like they're really trying to push this

0:41:17.840 --> 0:41:21.560
<v Speaker 1>that she's hugely fabulously wealthy and he's horribly horribly poor

0:41:22.239 --> 0:41:26.399
<v Speaker 1>and he wasn't horribly horribly poor. No, so yeah. Jack

0:41:26.440 --> 0:41:28.200
<v Speaker 1>sits at his old computer, which we find out was

0:41:28.200 --> 0:41:30.600
<v Speaker 1>given to him by mister Walker, and immediately finds a

0:41:30.640 --> 0:41:33.880
<v Speaker 1>detective Charles Meani on the web. These kids are pretty

0:41:33.920 --> 0:41:36.640
<v Speaker 1>good private eyes. While deciding if it's the same Charles

0:41:36.640 --> 0:41:41.040
<v Speaker 1>media they met, Jack gets a surprising email from mister Walker.

0:41:41.480 --> 0:41:43.759
<v Speaker 1>It's a letter of recommendation you promised Jack. It was

0:41:43.760 --> 0:41:47.560
<v Speaker 1>written four days ago but only sent yesterday. This causes

0:41:47.640 --> 0:41:50.239
<v Speaker 1>Jack to check the general info on his computer and

0:41:50.320 --> 0:41:55.279
<v Speaker 1>sees the owner was someone named Nick Petrosian NP. Like

0:41:55.320 --> 0:41:57.960
<v Speaker 1>the briefcase, we are no closer understanding this, but it

0:41:58.000 --> 0:42:00.320
<v Speaker 1>sure seems like they're happy about finding so sort of

0:42:00.320 --> 0:42:02.759
<v Speaker 1>a clue. We're now back at h Q. Lexi goes

0:42:02.760 --> 0:42:04.959
<v Speaker 1>over the findings with the team, from Miss Stern at

0:42:04.960 --> 0:42:07.400
<v Speaker 1>Walker's apartment, to the homeless guy in the coat to

0:42:07.480 --> 0:42:10.719
<v Speaker 1>mister Gobloom possibly being involved with Stern. There's a lot

0:42:10.760 --> 0:42:13.399
<v Speaker 1>going on right now. Jack has found out that Nick

0:42:13.480 --> 0:42:17.279
<v Speaker 1>Petrosian is a missing banker from Arizona who disappeared in

0:42:17.360 --> 0:42:19.960
<v Speaker 1>nineteen eighty seven and was presumed dead after he was

0:42:20.040 --> 0:42:23.200
<v Speaker 1>charged with embezzlement and fraud. They find this Nick guy's

0:42:23.239 --> 0:42:25.800
<v Speaker 1>mom's address, so they decide to pay her a visit,

0:42:26.480 --> 0:42:28.760
<v Speaker 1>all the while to know in shock, Lexi is starting

0:42:28.760 --> 0:42:31.359
<v Speaker 1>to crush on Jack, the rugged guy from the other

0:42:31.400 --> 0:42:35.000
<v Speaker 1>side of the tracks. What didn't see that coming? Totally

0:42:35.080 --> 0:42:37.239
<v Speaker 1>saw that coming. Now at what they think is Nick

0:42:37.280 --> 0:42:40.160
<v Speaker 1>Petrosian's mom's house, they're met by an older lady wearing

0:42:40.160 --> 0:42:43.560
<v Speaker 1>a fancy brooch, who says, no one with that name

0:42:43.800 --> 0:42:46.799
<v Speaker 1>lives here. She's pretty adamant, but eventually we hear a

0:42:46.840 --> 0:42:49.719
<v Speaker 1>man's voice. He wants them to come in, and it's

0:42:49.760 --> 0:42:53.759
<v Speaker 1>mister Walker. He is alive in this old woman's home.

0:42:53.880 --> 0:42:57.799
<v Speaker 1>They found him very quickly. Leads me to believe that

0:42:58.719 --> 0:43:02.160
<v Speaker 1>all the police are terrible at their jobs. How I

0:43:02.160 --> 0:43:05.600
<v Speaker 1>mean it just if these two kids on this old

0:43:05.680 --> 0:43:09.160
<v Speaker 1>pc could find this out in nine minutes.

0:43:11.080 --> 0:43:13.359
<v Speaker 2>Well, this is one of my sabrinasis, so I'm really

0:43:13.360 --> 0:43:15.080
<v Speaker 2>probably not gonna have very many at the end. But

0:43:15.840 --> 0:43:19.280
<v Speaker 2>there were no cops at this guy's house that's missing,

0:43:19.440 --> 0:43:23.680
<v Speaker 2>that's being reported in the newspaper, being updated, but there's

0:43:23.760 --> 0:43:26.080
<v Speaker 2>no there's nothing taping it off.

0:43:26.360 --> 0:43:27.720
<v Speaker 3>It's not even locked.

0:43:28.280 --> 0:43:33.279
<v Speaker 2>It's like, I mean, there's not no sense of police,

0:43:34.600 --> 0:43:37.360
<v Speaker 2>and it's just kind of going that's again.

0:43:37.520 --> 0:43:39.399
<v Speaker 3>I'm already like, oh, well, she's dreaming something.

0:43:39.400 --> 0:43:42.680
<v Speaker 1>It's gonna be. The police are so bad in this movie,

0:43:42.719 --> 0:43:47.120
<v Speaker 1>it has to be a dream. Yeah. So mister Walker

0:43:47.200 --> 0:43:49.520
<v Speaker 1>or mister Petrojian or whatever you want to call him, says,

0:43:49.520 --> 0:43:53.560
<v Speaker 1>this whole situation is complicated. No the admits to being

0:43:53.600 --> 0:43:56.799
<v Speaker 1>a fugitive banker, but he was framed. Now we jump

0:43:56.800 --> 0:43:59.560
<v Speaker 1>into a flashback of him as a successful banker, now

0:43:59.560 --> 0:44:02.480
<v Speaker 1>with hair. Back in the eighties. Even his boss, mister Granville,

0:44:02.520 --> 0:44:05.160
<v Speaker 1>took notice of his success and hard work. But someone

0:44:05.239 --> 0:44:08.680
<v Speaker 1>secretly embezzled ten million dollars from his account and moved

0:44:08.680 --> 0:44:11.279
<v Speaker 1>it overseas in his name, and then before he could

0:44:11.280 --> 0:44:14.600
<v Speaker 1>fix it, it was quickly drained. He had no alibi

0:44:14.640 --> 0:44:16.319
<v Speaker 1>and knew the police were on his tail, so he

0:44:16.400 --> 0:44:19.000
<v Speaker 1>ran off with the briefcase, faking his death as someone

0:44:19.080 --> 0:44:22.680
<v Speaker 1>anonymously harassed him for the money. He took the name

0:44:22.719 --> 0:44:25.120
<v Speaker 1>of a local recently deceased teacher and entered into a

0:44:25.160 --> 0:44:28.080
<v Speaker 1>whole new life that he loved. Which again, wouldn't an

0:44:28.320 --> 0:44:31.840
<v Speaker 1>everybody know that the teacher died if he was recently deceased,

0:44:31.840 --> 0:44:34.759
<v Speaker 1>and wouldn't that pop up on computers. Not gonna get

0:44:34.800 --> 0:44:36.399
<v Speaker 1>too much into it, But he also fell in love

0:44:36.400 --> 0:44:39.080
<v Speaker 1>with a woman too, miss Dawson. Everything was going great

0:44:39.480 --> 0:44:43.960
<v Speaker 1>until Lexi's article and photo were published. The gig was up.

0:44:44.200 --> 0:44:47.040
<v Speaker 1>He instantly felt someone following him and found a blackmail

0:44:47.080 --> 0:44:49.279
<v Speaker 1>note at his house. It said he had to meet

0:44:49.280 --> 0:44:51.720
<v Speaker 1>this person at a hotel on Saturday at two pm

0:44:52.080 --> 0:44:55.799
<v Speaker 1>or his girlfriend will get hurt. Sadly, the hotel name

0:44:56.040 --> 0:44:58.960
<v Speaker 1>was smudged and illegible. This is heartbreaking because mister Walker

0:44:58.960 --> 0:45:02.080
<v Speaker 1>wants to eventually marry Miss Dawson, and now Lexi wants

0:45:02.120 --> 0:45:04.640
<v Speaker 1>to help. She loops her little sister on the situation,

0:45:04.800 --> 0:45:07.680
<v Speaker 1>hoping for some help, turning their team of four into

0:45:07.719 --> 0:45:10.240
<v Speaker 1>a squad of five. And that was the right decision

0:45:10.280 --> 0:45:12.640
<v Speaker 1>because back at the headquarters, Lexi's sister goes right to

0:45:12.680 --> 0:45:15.239
<v Speaker 1>work using brushes, ink and a black light like the

0:45:15.320 --> 0:45:18.320
<v Speaker 1>one you used to find grosses on sheets to decipher

0:45:18.360 --> 0:45:21.600
<v Speaker 1>the hotel name. It's the fair Mark and the gang

0:45:21.680 --> 0:45:25.640
<v Speaker 1>is going with mister Walker to meet this thug. Back

0:45:25.640 --> 0:45:28.160
<v Speaker 1>at her house, Lexi's dad knows all about Walker's pass

0:45:28.200 --> 0:45:30.399
<v Speaker 1>as a Russian banker on the run. He's facing years

0:45:30.400 --> 0:45:34.000
<v Speaker 1>of prison if caught, but no one knows where he is. Oh,

0:45:34.120 --> 0:45:37.279
<v Speaker 1>Lexi leaves, playing dumb and takes some walkie talkies, which

0:45:37.320 --> 0:45:39.680
<v Speaker 1>we know will come in handy later. By the way,

0:45:39.680 --> 0:45:41.440
<v Speaker 1>they had to make these people rich because they have

0:45:41.640 --> 0:45:44.120
<v Speaker 1>thousands of dollars worth of spy equipment that they keep

0:45:44.160 --> 0:45:48.959
<v Speaker 1>buying thousands. The original gang of four hop in a cab,

0:45:49.000 --> 0:45:51.040
<v Speaker 1>now all dressed like they're in the matrix. They meet

0:45:51.120 --> 0:45:53.200
<v Speaker 1>up with mister Walker at the Fairmont just in time

0:45:53.200 --> 0:45:57.279
<v Speaker 1>and equip each other with earpieces. Walker in a very

0:45:57.280 --> 0:46:00.160
<v Speaker 1>conspicuous disguise, and at two pm the only part and

0:46:00.200 --> 0:46:02.240
<v Speaker 1>they see is miss Dawson. Wait, what's going on here?

0:46:02.360 --> 0:46:04.879
<v Speaker 1>Also they decide to hide in plane sight. And by

0:46:04.880 --> 0:46:08.640
<v Speaker 1>that I mean just there. One sits in a chair

0:46:09.160 --> 0:46:13.000
<v Speaker 1>next to the wall. One kind of behind a plant.

0:46:13.680 --> 0:46:15.719
<v Speaker 1>I mean it's just holding the camera like an inch

0:46:15.760 --> 0:46:17.000
<v Speaker 1>from the It's it's.

0:46:16.800 --> 0:46:22.080
<v Speaker 2>Not the camera on it is the word the worst

0:46:22.280 --> 0:46:25.040
<v Speaker 2>hiding ever, it's just their bad hiders.

0:46:25.360 --> 0:46:27.759
<v Speaker 1>Ye. So yes, So all of a sudden we see

0:46:27.760 --> 0:46:29.600
<v Speaker 1>miss Dawson. What's she doing there? And then guess who

0:46:29.600 --> 0:46:33.040
<v Speaker 1>appears mister Goldbloom? Wait what? And then the homeless man

0:46:33.040 --> 0:46:35.640
<v Speaker 1>with the coat is being escorted out by security, and

0:46:35.680 --> 0:46:40.120
<v Speaker 1>then missus Petrosian walks in. Then Miss Stearn. This is

0:46:40.120 --> 0:46:42.960
<v Speaker 1>where I truly thought I was going insane. I felt

0:46:42.960 --> 0:46:44.920
<v Speaker 1>like this was a David Lynch movie, but not a

0:46:44.920 --> 0:46:48.320
<v Speaker 1>good one. This is the gang is in all fairness.

0:46:48.360 --> 0:46:51.279
<v Speaker 1>They write to this, the gang is totally confused too.

0:46:51.880 --> 0:46:54.560
<v Speaker 1>Just when they think you can't get any weirder, Detective

0:46:54.760 --> 0:46:58.200
<v Speaker 1>Mini shows up for the exchange. He's the blackmailer, but

0:46:58.239 --> 0:47:01.200
<v Speaker 1>Walker recognizes him as someone else. It's his boss, mister

0:47:01.320 --> 0:47:03.480
<v Speaker 1>Glanville from the bank. You remember him, of course you do.

0:47:03.920 --> 0:47:06.719
<v Speaker 1>Glanville set him up and stole the money, and now

0:47:06.760 --> 0:47:08.680
<v Speaker 1>he wants it back, but we know Walker doesn't have it.

0:47:08.920 --> 0:47:12.640
<v Speaker 1>This infuriates Glanville, who lunges for the briefcase and exposes

0:47:12.680 --> 0:47:15.200
<v Speaker 1>the elaborate walkie talkie system. And by that I mean

0:47:15.560 --> 0:47:18.680
<v Speaker 1>a giant microphone thing. I mean it's like, oh my god,

0:47:19.760 --> 0:47:22.360
<v Speaker 1>it's secret service. Yikes.

0:47:22.440 --> 0:47:22.800
<v Speaker 3>Man.

0:47:23.440 --> 0:47:26.120
<v Speaker 1>Yes, he might as well had a boombox on his

0:47:26.200 --> 0:47:30.640
<v Speaker 1>on his shoulder. It was bad. Mini thinks he's wired

0:47:30.680 --> 0:47:32.799
<v Speaker 1>for police, so he sprints off. The kids split up

0:47:32.800 --> 0:47:34.640
<v Speaker 1>and try to find him, and we enter an intricate

0:47:34.680 --> 0:47:37.239
<v Speaker 1>cat and mouse chase on many, many levels. We see

0:47:37.239 --> 0:47:39.840
<v Speaker 1>the homeless man still running from security. When Lexi and

0:47:39.920 --> 0:47:43.359
<v Speaker 1>Jack land in the basement, Glanville throws an empty barrel

0:47:43.360 --> 0:47:44.879
<v Speaker 1>at them, because of course, what you need to do

0:47:45.040 --> 0:47:51.440
<v Speaker 1>is run from two seventh graders, okay, and sets a

0:47:51.560 --> 0:47:55.560
<v Speaker 1>pipe trap that snags Lexi's bracelet. She's saved by Jack,

0:47:55.600 --> 0:47:57.440
<v Speaker 1>who of course gets a kiss on the cheek as

0:47:57.440 --> 0:47:59.719
<v Speaker 1>a reward, but now their target at this point is

0:47:59.800 --> 0:48:03.360
<v Speaker 1>long gone. They hear nearby muffled screaming, and Lexi finds

0:48:03.400 --> 0:48:06.600
<v Speaker 1>Miss Dawson tied up with towels. She was tricked into

0:48:06.640 --> 0:48:09.360
<v Speaker 1>a free spa day, and is shocked to hear mister

0:48:09.480 --> 0:48:12.760
<v Speaker 1>Walker is in fact alive. Lexi would love to stop

0:48:12.760 --> 0:48:15.880
<v Speaker 1>and chat more, but she needs to stop Walker's boss pronto.

0:48:16.440 --> 0:48:19.640
<v Speaker 1>The homeless man, still in that goddamn jacket, barges into

0:48:19.800 --> 0:48:23.320
<v Speaker 1>a convention hall at the hotel. It is a press conference,

0:48:23.360 --> 0:48:26.480
<v Speaker 1>and he's introduces someone who's spent the last four weeks undercover,

0:48:26.920 --> 0:48:29.560
<v Speaker 1>living on the streets of Brooklyn, and here with his

0:48:29.680 --> 0:48:35.680
<v Speaker 1>story to tell ladies and gentlemen. It's Councilman Gary I Care,

0:48:38.760 --> 0:48:42.480
<v Speaker 1>Gary I care this movie. In their obvious names, the

0:48:42.520 --> 0:48:44.640
<v Speaker 1>crowd erupts an applause. By the way, we have no

0:48:44.640 --> 0:48:46.400
<v Speaker 1>idea who this person is. Don't know what he has

0:48:46.440 --> 0:48:50.799
<v Speaker 1>to do with the movie. It's a strange acting, like

0:48:50.840 --> 0:48:53.960
<v Speaker 1>the whole performance is weird. We've never seen this guy before.

0:48:54.360 --> 0:48:58.000
<v Speaker 2>Oh he like if he's been undercover, he probably hasn't showered.

0:48:58.040 --> 0:49:01.120
<v Speaker 2>He's like putting his hand under people's noses.

0:49:01.040 --> 0:49:03.799
<v Speaker 1>And then he's like looking at the jacket like it's

0:49:03.840 --> 0:49:07.000
<v Speaker 1>the most in It was just one strange choice after another.

0:49:07.040 --> 0:49:09.560
<v Speaker 1>But of course the crowd erupts an applause, just as

0:49:09.680 --> 0:49:12.319
<v Speaker 1>Lexi and Jack creep inside. They hear the politicians say

0:49:12.320 --> 0:49:14.440
<v Speaker 1>he's learned a lot about poverty in the gross gross,

0:49:14.440 --> 0:49:17.200
<v Speaker 1>gross city of Brooklyn. Of course, because Brooklyn just keeps

0:49:17.200 --> 0:49:20.719
<v Speaker 1>getting on during this entire movie. Many see his coat

0:49:20.760 --> 0:49:22.920
<v Speaker 1>as an accessory, but now he knows it's also a

0:49:22.960 --> 0:49:25.920
<v Speaker 1>form of shelter. The coat was the only active kindness

0:49:25.920 --> 0:49:27.960
<v Speaker 1>he received while undercover, when a man gave it to

0:49:28.040 --> 0:49:32.640
<v Speaker 1>him for warmth, and we know that man was mister Walker. Okay,

0:49:32.800 --> 0:49:35.040
<v Speaker 1>but what does that have to do with Okay, This

0:49:35.120 --> 0:49:37.480
<v Speaker 1>all hits Lexi like a ton of bricks. She's realizing

0:49:37.800 --> 0:49:40.000
<v Speaker 1>she's a stuck up rat, and her dad is there

0:49:40.280 --> 0:49:42.879
<v Speaker 1>covering the press conference and spots her. But no time

0:49:42.920 --> 0:49:45.600
<v Speaker 1>to dwell on any of that negativity. The conniving boss

0:49:45.680 --> 0:49:48.359
<v Speaker 1>darts by, and Jack and Lexi run to go get

0:49:48.400 --> 0:49:50.359
<v Speaker 1>him again because we need to be caught by two

0:49:50.440 --> 0:49:54.000
<v Speaker 1>seventh graders. Back in the hotel, Walker's finally reunited with

0:49:54.040 --> 0:49:57.720
<v Speaker 1>Miss Dawson and they passionately embrace while his mom watches on. Also,

0:49:57.800 --> 0:50:00.400
<v Speaker 1>why is she there? We never get into that. In

0:50:00.440 --> 0:50:02.720
<v Speaker 1>a small break from the chase, Lexi has an idea.

0:50:03.120 --> 0:50:05.239
<v Speaker 1>She puts on her rear viewing sunglasses. You know the

0:50:05.239 --> 0:50:07.880
<v Speaker 1>ones from earlier. You remember those, right, of course you do. Well,

0:50:08.000 --> 0:50:11.960
<v Speaker 1>she wears them, and this is and this way she

0:50:12.040 --> 0:50:14.080
<v Speaker 1>can see the bad guys without turning her head. And

0:50:14.160 --> 0:50:18.359
<v Speaker 1>so she then spots Glanville, who hides again in plain sight,

0:50:18.440 --> 0:50:20.920
<v Speaker 1>just staring behind her at a desk. Jack jumps up

0:50:20.960 --> 0:50:23.400
<v Speaker 1>and slides a cart, in turn hitting an elaborate and

0:50:23.480 --> 0:50:26.719
<v Speaker 1>tall cake, flinging it into the air and landing all

0:50:26.719 --> 0:50:30.280
<v Speaker 1>over the bad guy. This, like any pastry Wood knocks

0:50:30.360 --> 0:50:34.040
<v Speaker 1>him to the ground and knocks him out cold, because

0:50:34.160 --> 0:50:38.480
<v Speaker 1>that's what cake does. Cops, led by Detective Potter, who

0:50:38.520 --> 0:50:41.239
<v Speaker 1>is now sands mustache and in Lexi's defense, looks so

0:50:41.320 --> 0:50:45.400
<v Speaker 1>much better, arrest Glanville, and now Lexi fills us in

0:50:45.440 --> 0:50:48.279
<v Speaker 1>on everything we now know or think we know. Miss

0:50:48.360 --> 0:50:52.520
<v Speaker 1>Stearne actually liked mister Walker and was jealous of Miss Dawson.

0:50:52.880 --> 0:50:54.920
<v Speaker 1>So she snooped around his place to see if she

0:50:55.320 --> 0:50:59.520
<v Speaker 1>ran him out of town. But also mister Goldbloom, who

0:50:59.560 --> 0:51:02.879
<v Speaker 1>was rejected by Miss Dawson, now found love with Miss

0:51:03.000 --> 0:51:06.719
<v Speaker 1>Stearn big Old. Another swap we got. We're swapping all

0:51:06.719 --> 0:51:09.839
<v Speaker 1>over the place lately. But even with this good news,

0:51:09.880 --> 0:51:13.280
<v Speaker 1>unfortunately the cops still need to arrest mister Walker. He's

0:51:13.520 --> 0:51:16.520
<v Speaker 1>just as guilty as Glanville. If he really was framed, well,

0:51:16.560 --> 0:51:19.640
<v Speaker 1>then where is the ten million dollars? Great question? Where

0:51:19.680 --> 0:51:22.160
<v Speaker 1>is this ten million bucks? Walker has no idea. He

0:51:22.239 --> 0:51:26.000
<v Speaker 1>is defeated. But that's when Lexi notices mister Walker's Mom's

0:51:26.080 --> 0:51:30.120
<v Speaker 1>brooch again. It's a unique bumblebee. Lexi wants to know

0:51:30.160 --> 0:51:31.920
<v Speaker 1>where she got it, and this is where we get

0:51:31.920 --> 0:51:34.400
<v Speaker 1>another flashback. It's the eighties and Walker's mom is in

0:51:34.440 --> 0:51:36.600
<v Speaker 1>the bank to meet her son for lunch. She notices

0:51:36.640 --> 0:51:40.200
<v Speaker 1>a paper bag on the floor and found the brooch inside.

0:51:40.600 --> 0:51:42.279
<v Speaker 1>She assumed it belonged to someone at the bank, but

0:51:42.320 --> 0:51:44.880
<v Speaker 1>the next day her son disappeared, and she says she

0:51:44.960 --> 0:51:48.080
<v Speaker 1>had no way of returning it, but she could have

0:51:48.120 --> 0:51:51.239
<v Speaker 1>just dropped it off the lost and found So I

0:51:51.239 --> 0:51:52.440
<v Speaker 1>think it goes without saying.

0:51:52.239 --> 0:51:55.239
<v Speaker 2>She's just hiding, Joli, right, he was, so he went

0:51:55.280 --> 0:51:58.520
<v Speaker 2>into hiding, so she had to like kind of disappear too, right.

0:51:58.560 --> 0:52:01.640
<v Speaker 1>But somebody just left it in a bag on the ground.

0:52:01.800 --> 0:52:02.279
<v Speaker 1>In the bag.

0:52:03.160 --> 0:52:06.439
<v Speaker 2>That was more of my question. Why would two Why

0:52:06.480 --> 0:52:09.000
<v Speaker 2>would he do? Why would why would that happen?

0:52:09.400 --> 0:52:12.040
<v Speaker 1>I don't know. But this is where Lexi reveals that

0:52:12.120 --> 0:52:15.359
<v Speaker 1>broach has a certified canary diamond on it and there

0:52:15.360 --> 0:52:17.680
<v Speaker 1>are only thirty that exists around the world. It's flawless

0:52:17.680 --> 0:52:21.359
<v Speaker 1>and worth around wait for it, ten million bucks, So

0:52:21.440 --> 0:52:25.000
<v Speaker 1>that's where the money went. Mini aka Boss Glanville admits

0:52:25.040 --> 0:52:27.040
<v Speaker 1>he bought it to launder the money and figured Walker

0:52:27.120 --> 0:52:30.080
<v Speaker 1>stole the jewel and left. This clears their teacher of

0:52:30.080 --> 0:52:33.040
<v Speaker 1>any wrongdoing and the day is saved. As a result.

0:52:33.120 --> 0:52:35.719
<v Speaker 1>We see Lexi's exclusive front page article about the whole

0:52:35.760 --> 0:52:38.839
<v Speaker 1>situation all in the Examiner the very next day, because

0:52:38.840 --> 0:52:42.560
<v Speaker 1>we know that these papers print really, really fast. I'm

0:52:42.600 --> 0:52:45.080
<v Speaker 1>amazed that the second she didn't go wait a minute,

0:52:45.200 --> 0:52:47.279
<v Speaker 1>that broach, there wasn't a picture of the newspaper of

0:52:47.320 --> 0:52:50.200
<v Speaker 1>her holding the brooch that was literally published the minute

0:52:50.239 --> 0:52:53.320
<v Speaker 1>she said it. It's like airplane in the beginning of

0:52:53.320 --> 0:52:55.120
<v Speaker 1>Airplane where they take a picture of him jumping out

0:52:55.120 --> 0:52:57.600
<v Speaker 1>of the truck and it's in the paper. Really as

0:52:57.760 --> 0:52:59.319
<v Speaker 1>the second they do it, you don't know what I'm

0:52:59.320 --> 0:53:02.640
<v Speaker 1>talking about. To watch Airplane it great. Mister Walker is

0:53:02.719 --> 0:53:07.200
<v Speaker 1>now a freeman and now he's marrying miss Dawson as

0:53:07.239 --> 0:53:09.640
<v Speaker 1>the new Mister and Missus Walker or Mister and Missus

0:53:09.680 --> 0:53:14.120
<v Speaker 1>Petrosian leave the ceremonies in a horse drawn carriage. Gabe

0:53:14.120 --> 0:53:16.719
<v Speaker 1>once again storms Lexi with his camera. He wants to

0:53:16.800 --> 0:53:19.760
<v Speaker 1>know her secret. How does she always get the inside scoop.

0:53:19.880 --> 0:53:22.560
<v Speaker 1>She says there is no secret, it's just skill, and

0:53:22.600 --> 0:53:24.840
<v Speaker 1>then we get a nice final moment between Jack and Lexi.

0:53:24.960 --> 0:53:27.680
<v Speaker 1>She learns something from Jack. Things aren't always what they appear,

0:53:28.160 --> 0:53:30.279
<v Speaker 1>like the fact that he's from smelly ass Brooklyn. But

0:53:30.400 --> 0:53:34.640
<v Speaker 1>he's not smelly, He's cute. I love it. She hands

0:53:34.719 --> 0:53:37.160
<v Speaker 1>him a bag. Instead of buying something for herself, she

0:53:37.200 --> 0:53:40.319
<v Speaker 1>brought him vintage bowling shoes and customize them for a

0:53:40.400 --> 0:53:43.960
<v Speaker 1>future date. Jenna is still grossed out about wearing old shoes,

0:53:44.040 --> 0:53:47.600
<v Speaker 1>but Lexi has matured she's ready to wear somebody else's

0:53:47.640 --> 0:53:50.960
<v Speaker 1>old nasty shoes. We get Lexi's final narration about how

0:53:51.000 --> 0:53:53.200
<v Speaker 1>much she loves New York and if you can't find

0:53:53.239 --> 0:53:55.920
<v Speaker 1>the beauty in the city, then you should get a clue.

0:53:56.160 --> 0:53:58.839
<v Speaker 1>And that's the name of the movie. And also the

0:53:59.040 --> 0:54:10.879
<v Speaker 1>end of the movie. Okay, well, this was a tough

0:54:10.880 --> 0:54:13.120
<v Speaker 1>one for me. It wasn't awful, but it was the

0:54:13.160 --> 0:54:15.400
<v Speaker 1>script was all over the place. I just didn't know

0:54:15.440 --> 0:54:17.640
<v Speaker 1>what this was. But let's see what other people thought

0:54:17.640 --> 0:54:20.200
<v Speaker 1>of it, and let's do some real reviews, and Sabrina,

0:54:20.880 --> 0:54:23.080
<v Speaker 1>you get the fun. I'm gonna call it the fun

0:54:23.239 --> 0:54:26.040
<v Speaker 1>star review because that's the fun one star review. This week,

0:54:26.520 --> 0:54:27.200
<v Speaker 1>what do we got?

0:54:28.239 --> 0:54:33.320
<v Speaker 2>We have a one star by Jenny two on July first,

0:54:33.880 --> 0:54:38.200
<v Speaker 2>This movie is so fake. Okay, maybe there's a tad issue.

0:54:38.800 --> 0:54:43.759
<v Speaker 2>I've had a bit. I've had the biggest crush on

0:54:43.800 --> 0:54:47.600
<v Speaker 2>bug call Jack forever, but really this movie could have

0:54:47.640 --> 0:54:51.320
<v Speaker 2>been better. And other than that, the characters are fashion freaks.

0:54:51.440 --> 0:54:52.239
<v Speaker 3>What's up with that?

0:54:53.480 --> 0:54:54.840
<v Speaker 1>Okay, well, there you go.

0:54:56.239 --> 0:54:59.320
<v Speaker 3>With like July first of twenty twenty four.

0:54:59.320 --> 0:55:01.919
<v Speaker 1>Is this no? No, here's no, here's why we're doing

0:55:01.920 --> 0:55:04.920
<v Speaker 1>that name. So her name is Jenny two. And on

0:55:05.040 --> 0:55:08.840
<v Speaker 1>July first, she left that one star review and now

0:55:09.480 --> 0:55:11.839
<v Speaker 1>I have the five star review which was left by

0:55:11.920 --> 0:55:19.840
<v Speaker 1>Jenny two on July twenty second. That's why producer Jensen

0:55:19.920 --> 0:55:20.480
<v Speaker 1>finds the.

0:55:20.440 --> 0:55:22.280
<v Speaker 3>Goal this is of twenty twenty four.

0:55:23.000 --> 0:55:24.400
<v Speaker 1>No, I don't. We don't know what year it is.

0:55:24.640 --> 0:55:27.160
<v Speaker 1>It's just we're just showing that. On July first, she

0:55:27.200 --> 0:55:31.000
<v Speaker 1>wrote a one star review, and on July twenty second,

0:55:31.480 --> 0:55:34.799
<v Speaker 1>Jenny two wrote this five star review. I wrote a

0:55:34.800 --> 0:55:37.120
<v Speaker 1>one star review before, but I definitely want to change that.

0:55:37.280 --> 0:55:40.799
<v Speaker 1>This movie is absolutely unrealistic but nonetheless entertaining. It kept

0:55:40.800 --> 0:55:43.040
<v Speaker 1>me entertained, and I'll definitely see it again. If it

0:55:43.040 --> 0:55:46.880
<v Speaker 1>comes out on video, I'll own it. Thanks Jenny two.

0:55:47.200 --> 0:55:49.080
<v Speaker 1>I am now as confused as I was when I

0:55:49.120 --> 0:55:53.520
<v Speaker 1>was watching the film. And now we come to Sabrina's

0:55:53.560 --> 0:55:55.279
<v Speaker 1>favorite part of the podcast. By the way, I know

0:55:55.320 --> 0:55:57.160
<v Speaker 1>everybody thinks it sounds like I dodne this movie. The

0:55:57.280 --> 0:56:00.160
<v Speaker 1>entire time, I wasn't trying to. It's it's thank you

0:56:00.400 --> 0:56:04.040
<v Speaker 1>for what it is. But the story was just all

0:56:04.080 --> 0:56:06.120
<v Speaker 1>over the place, and it was confusing and weird, and

0:56:06.160 --> 0:56:08.680
<v Speaker 1>the tone was weird, and it kept changing, and so

0:56:08.719 --> 0:56:10.920
<v Speaker 1>that's what I say. But anyway, we are now up

0:56:10.920 --> 0:56:15.160
<v Speaker 1>to our feature presentation made once again by producer Jensen. Uh,

0:56:15.320 --> 0:56:19.279
<v Speaker 1>and it's called this week, solve this in honor of

0:56:19.320 --> 0:56:21.680
<v Speaker 1>Lexi in her mystery solving ways. The two of us

0:56:21.760 --> 0:56:24.320
<v Speaker 1>must work together to solve three of these five riddles.

0:56:24.360 --> 0:56:29.279
<v Speaker 1>Like we're Lexi and Jake. Good luck to us. All right,

0:56:29.360 --> 0:56:32.840
<v Speaker 1>So let's figure out what we're gonna do here the

0:56:32.880 --> 0:56:35.200
<v Speaker 1>whole time we're doing it, all right? Is that alright

0:56:35.239 --> 0:56:35.759
<v Speaker 1>with you? There?

0:56:35.800 --> 0:56:40.040
<v Speaker 4>Sabrina's next sentence, you have now say in a regular

0:56:40.080 --> 0:56:42.120
<v Speaker 4>voice exactly and uh.

0:56:42.200 --> 0:56:44.120
<v Speaker 1>And then after that we're gonna do some cool stuff

0:56:44.160 --> 0:56:48.480
<v Speaker 1>because I'm for Brooklyn or whatever's so here we go.

0:56:50.760 --> 0:56:54.520
<v Speaker 1>Number one, What comes once in a minute, twice in

0:56:54.560 --> 0:56:59.440
<v Speaker 1>a moment, but never in a thousand years? I have

0:56:59.480 --> 0:57:03.840
<v Speaker 1>a really the answer, so I'm not gonna say it. Okay,

0:57:04.360 --> 0:57:08.080
<v Speaker 1>what comes once in a minute, twice in a moment,

0:57:08.840 --> 0:57:10.880
<v Speaker 1>but never in a thousand years.

0:57:11.160 --> 0:57:12.680
<v Speaker 4>We've gotta put time limits on these two.

0:57:12.719 --> 0:57:16.560
<v Speaker 1>So okay, God, once in a minute, twice in a moment,

0:57:16.680 --> 0:57:20.040
<v Speaker 1>but never in a thousand years.

0:57:21.680 --> 0:57:24.040
<v Speaker 3>I don't know, twice in a moment.

0:57:27.600 --> 0:57:31.640
<v Speaker 1>Oh, I think I know what it is, Okay. I

0:57:31.640 --> 0:57:34.560
<v Speaker 1>think it's the letter M.

0:57:34.680 --> 0:57:35.800
<v Speaker 4>It is the letter M.

0:57:36.120 --> 0:57:37.360
<v Speaker 1>Okay, good.

0:57:37.680 --> 0:57:40.240
<v Speaker 4>Wow on a tear to start?

0:57:40.400 --> 0:57:43.040
<v Speaker 1>Here we go one for one? There we go, okay.

0:57:43.160 --> 0:57:45.320
<v Speaker 4>Number I want to go like I don't know, to

0:57:45.400 --> 0:57:47.000
<v Speaker 4>take a break or whatever, whatever.

0:57:46.800 --> 0:57:48.920
<v Speaker 1>You want to do. It just has some answer.

0:57:51.040 --> 0:57:51.680
<v Speaker 3>That's awesome.

0:57:52.680 --> 0:57:57.560
<v Speaker 1>Number two, which word in the dictionary is spelled incorrectly?

0:57:59.400 --> 0:58:00.880
<v Speaker 3>Incorrectly?

0:58:02.000 --> 0:58:05.919
<v Speaker 4>We've done it one for Sabrina, one for will, one

0:58:06.000 --> 0:58:08.360
<v Speaker 4>more and they get it correct. I will, I will

0:58:08.400 --> 0:58:10.560
<v Speaker 4>eat crow if this is great?

0:58:11.360 --> 0:58:15.720
<v Speaker 1>Number three. Carlos's height is six feet. He's an assistant

0:58:15.720 --> 0:58:18.840
<v Speaker 1>at a butcher shop and wears size nine shoes. What

0:58:19.040 --> 0:58:22.440
<v Speaker 1>is he weigh?

0:58:22.480 --> 0:58:25.240
<v Speaker 3>What does he weigh? Does it like meat?

0:58:25.360 --> 0:58:26.600
<v Speaker 1>Meat? Would be my answer?

0:58:27.040 --> 0:58:32.640
<v Speaker 4>Three for three you guys, yes, yes, the sound of celebration. Here?

0:58:33.360 --> 0:58:34.439
<v Speaker 1>Should we do the last two?

0:58:35.320 --> 0:58:35.600
<v Speaker 2>Wow?

0:58:36.000 --> 0:58:37.000
<v Speaker 1>Here's the last two?

0:58:37.880 --> 0:58:38.080
<v Speaker 4>Uh?

0:58:38.240 --> 0:58:41.360
<v Speaker 1>Number four. When it is alive, we sing. When it

0:58:41.440 --> 0:58:43.800
<v Speaker 1>is dead, we clap our hands. What is it?

0:58:44.200 --> 0:58:44.400
<v Speaker 2>Oh?

0:58:44.480 --> 0:58:44.760
<v Speaker 3>God?

0:58:45.320 --> 0:58:49.960
<v Speaker 1>When it is alive, we sing d the four. When

0:58:50.000 --> 0:58:56.320
<v Speaker 1>it is dead, we clap our hands. What is it? Oh?

0:58:59.400 --> 0:59:00.320
<v Speaker 3>When it is a five?

0:59:00.440 --> 0:59:05.960
<v Speaker 1>We sing when it's dead like top our hands?

0:59:06.120 --> 0:59:06.840
<v Speaker 2>Is it? Well?

0:59:07.120 --> 0:59:07.840
<v Speaker 3>That's too easy?

0:59:07.880 --> 0:59:12.520
<v Speaker 4>Probably may uh in praises it's a birthday candle.

0:59:14.120 --> 0:59:17.480
<v Speaker 1>Oh? Okay, that's interesting, all right. I like that one

0:59:18.080 --> 0:59:21.640
<v Speaker 1>and number five. If two is company and three is

0:59:21.680 --> 0:59:25.200
<v Speaker 1>a crowd, what are four and five? I think the

0:59:25.240 --> 0:59:28.320
<v Speaker 1>answer is nine. The answer is nine.

0:59:28.560 --> 0:59:32.360
<v Speaker 4>Unbelievable showing by both of you. This is truly maybe

0:59:32.440 --> 0:59:33.720
<v Speaker 4>your best performance.

0:59:34.600 --> 0:59:39.240
<v Speaker 1>I think I am secretly a detectively whatever.

0:59:39.200 --> 0:59:41.680
<v Speaker 3>You're and Mikayla did it. We we got all of them.

0:59:41.720 --> 0:59:42.600
<v Speaker 3>We got all of them once.

0:59:43.040 --> 0:59:45.040
<v Speaker 1>She's going to pretend that happened. I'm not sure that's

0:59:45.040 --> 0:59:45.680
<v Speaker 1>actually happened.

0:59:45.720 --> 0:59:47.840
<v Speaker 4>Or I mean, number one, you didn't get all of them.

0:59:48.200 --> 0:59:48.800
<v Speaker 4>You still.

0:59:51.320 --> 0:59:51.360
<v Speaker 1>No.

0:59:51.480 --> 0:59:53.720
<v Speaker 2>You said our best performance, and I'm saying I think

0:59:53.760 --> 0:59:55.800
<v Speaker 2>we actually got all of them ones, but you weren't

0:59:55.840 --> 0:59:56.440
<v Speaker 2>there to see it.

0:59:56.640 --> 0:59:59.080
<v Speaker 3>It was like the one episode you haven't been here.

0:59:59.280 --> 1:00:03.240
<v Speaker 1>It's a tree far exactly exactly. Thank you so much.

1:00:04.080 --> 1:00:06.800
<v Speaker 1>I appreciate it, boy. And now we're gonna go to

1:00:10.600 --> 1:00:12.479
<v Speaker 1>if there are any left? Are there any Sabrina sees

1:00:12.560 --> 1:00:15.240
<v Speaker 1>left or did already see?

1:00:15.480 --> 1:00:18.160
<v Speaker 2>I saw most of these and have said almost all

1:00:18.200 --> 1:00:22.120
<v Speaker 2>of them, except there were a few, like continuity things

1:00:22.120 --> 1:00:23.520
<v Speaker 2>that kind of jumped out of me that.

1:00:23.480 --> 1:00:24.120
<v Speaker 3>I didn't love.

1:00:24.520 --> 1:00:28.120
<v Speaker 2>Okay, but that's just being super picky and looking obviously

1:00:28.240 --> 1:00:30.840
<v Speaker 2>it didn't make a difference of the storyline or anything,

1:00:30.920 --> 1:00:36.600
<v Speaker 2>but her red giant heel the first sweep that we get,

1:00:36.640 --> 1:00:38.640
<v Speaker 2>you know, you always kind of wonder when they film

1:00:38.680 --> 1:00:41.640
<v Speaker 2>those and what we're But the first sweep we see

1:00:41.680 --> 1:00:45.280
<v Speaker 2>her heel pretty close to like the I guess kind

1:00:45.320 --> 1:00:46.440
<v Speaker 2>of closet.

1:00:47.680 --> 1:00:48.120
<v Speaker 3>Computer.

1:00:48.760 --> 1:00:51.120
<v Speaker 2>And then she also like her looks like her nighttime

1:00:51.200 --> 1:00:53.880
<v Speaker 2>routine right would be this like mask thing. And then

1:00:53.920 --> 1:00:55.640
<v Speaker 2>the very next time we see her go to bed,

1:00:55.760 --> 1:00:58.840
<v Speaker 2>the heel has moved in her room. That's a big

1:00:59.040 --> 1:01:01.800
<v Speaker 2>piece of furniture to move, so that was weird to me.

1:01:01.840 --> 1:01:04.280
<v Speaker 2>And then she didn't have the mask thing. I told

1:01:04.360 --> 1:01:07.479
<v Speaker 2>you already. I was thinking that this was a dream that.

1:01:09.800 --> 1:01:10.520
<v Speaker 1>The entire time.

1:01:11.120 --> 1:01:15.600
<v Speaker 2>And then we didn't mention that the mister Meanie slash

1:01:16.680 --> 1:01:22.880
<v Speaker 2>mister Detective Meanie slash Granville was our vampire from Mom's

1:01:22.920 --> 1:01:24.040
<v Speaker 2>had a date with a vampire.

1:01:24.200 --> 1:01:28.080
<v Speaker 3>Yeah, we do that just at the beginning, at the beginning, okay.

1:01:29.880 --> 1:01:32.320
<v Speaker 2>And then just one of those small little things that

1:01:32.360 --> 1:01:35.880
<v Speaker 2>I'm gonna always look look out for is anytime there's gadgets,

1:01:37.320 --> 1:01:40.480
<v Speaker 2>is we saw what kind of eludes as an Apple watch,

1:01:40.520 --> 1:01:43.000
<v Speaker 2>which I was like, oh, we got our like smart

1:01:43.040 --> 1:01:44.080
<v Speaker 2>house little situation.

1:01:44.240 --> 1:01:46.280
<v Speaker 3>Yeah, we got an Apple watch in the movie.

1:01:47.000 --> 1:01:52.040
<v Speaker 2>And then I think that the last thing is and

1:01:52.120 --> 1:01:54.680
<v Speaker 2>I know it was a con, but I feel like

1:01:54.720 --> 1:01:57.400
<v Speaker 2>there would actually be a spa at where at the

1:01:57.800 --> 1:01:58.760
<v Speaker 2>hotel they were.

1:01:58.840 --> 1:02:03.840
<v Speaker 3>But that was the jankis like grosses locker room for

1:02:03.920 --> 1:02:05.600
<v Speaker 3>a spa. If that was a.

1:02:05.520 --> 1:02:09.240
<v Speaker 2>Spot, like, I would never because you know, spa, you're

1:02:09.360 --> 1:02:12.480
<v Speaker 2>like some you know, you're wearing sandals and whatever, like, oh,

1:02:12.520 --> 1:02:15.280
<v Speaker 2>that place looks so dirty and nasty. So she should

1:02:15.280 --> 1:02:18.840
<v Speaker 2>have left far before she got taped up and accosted.

1:02:18.960 --> 1:02:20.520
<v Speaker 1>I guess fair enough.

1:02:20.960 --> 1:02:21.320
<v Speaker 2>I like this.

1:02:22.080 --> 1:02:23.600
<v Speaker 1>And now, of course we come to the portion of

1:02:23.640 --> 1:02:25.480
<v Speaker 1>our program where we have to rate our film, and

1:02:25.600 --> 1:02:27.600
<v Speaker 1>we get to pick what we're rating. I picked last

1:02:27.600 --> 1:02:30.960
<v Speaker 1>time because I wanted to hear you say the word pooh.

1:02:31.040 --> 1:02:33.120
<v Speaker 1>So you're gonna get to pick this time. We're gonna

1:02:33.120 --> 1:02:35.040
<v Speaker 1>do one out of ten, as we always do, one

1:02:35.080 --> 1:02:36.680
<v Speaker 1>of course being the worst, ten being the best. Sunday

1:02:36.720 --> 1:02:39.560
<v Speaker 1>we're gonna switch it, but not today. Do you want

1:02:39.560 --> 1:02:42.000
<v Speaker 1>to do one out of ten? Rich people? Bacon slices,

1:02:42.640 --> 1:02:46.520
<v Speaker 1>one out of ten, lip raccoons grieving slow most struts,

1:02:47.000 --> 1:02:50.120
<v Speaker 1>Ugh one out of ten crossed finger lies, one out

1:02:50.160 --> 1:02:56.600
<v Speaker 1>of ten gross Brooklynites shirts that say Navy thrown empty barrels,

1:02:56.920 --> 1:02:58.680
<v Speaker 1>or one out of ten stolen brooches. What would you

1:02:58.760 --> 1:02:59.440
<v Speaker 1>like to do, Sabrina?

1:03:00.440 --> 1:03:05.240
<v Speaker 3>I think because it was so weird, we gotta go.

1:03:05.240 --> 1:03:08.360
<v Speaker 2>With the grieving slow most struts I agree with. It

1:03:08.440 --> 1:03:12.880
<v Speaker 2>just felt so weird and didn't make any sense in

1:03:12.960 --> 1:03:15.040
<v Speaker 2>any way, so we've got to go with those.

1:03:15.360 --> 1:03:16.880
<v Speaker 1>I love it, and I'll go first, because I think

1:03:16.880 --> 1:03:20.360
<v Speaker 1>he went first last time. Sure, this movie was very

1:03:20.400 --> 1:03:23.320
<v Speaker 1>garbled for me, it was not awful by any stretch.

1:03:23.400 --> 1:03:25.240
<v Speaker 1>I get what, I get what they're going for. I

1:03:25.280 --> 1:03:28.560
<v Speaker 1>love a good mystery. There are better versions of kid

1:03:28.600 --> 1:03:32.160
<v Speaker 1>mystery movies than this one. The thing that made this

1:03:32.800 --> 1:03:36.880
<v Speaker 1>slightly above average to me was the cast. Forget the

1:03:37.320 --> 1:03:42.240
<v Speaker 1>bad accents, which of which there were a plethora. The

1:03:42.320 --> 1:03:46.040
<v Speaker 1>kids are enjoyable, engaging. Lindsay Lohan's obviously a great actor,

1:03:46.080 --> 1:03:48.920
<v Speaker 1>Brenda Song's a great actor. The guys were good, the

1:03:49.000 --> 1:03:51.200
<v Speaker 1>adults were good. It was fine. That's the That's the

1:03:51.200 --> 1:03:52.920
<v Speaker 1>thing that saved it for me for being a totally

1:03:52.920 --> 1:03:55.680
<v Speaker 1>average movie to a slightly above average movie. So I'm

1:03:55.680 --> 1:04:00.800
<v Speaker 1>giving this six Grieving Slow most struts, all right.

1:04:01.480 --> 1:04:05.440
<v Speaker 2>I would say the same in the sense of there

1:04:05.480 --> 1:04:09.080
<v Speaker 2>was parts that were confusing, parts a little overwhelming, like

1:04:09.120 --> 1:04:11.400
<v Speaker 2>I said with the House, and like all of a sudden,

1:04:11.440 --> 1:04:16.840
<v Speaker 2>this just information is just getting thrown at you. And however,

1:04:18.200 --> 1:04:20.880
<v Speaker 2>part of this podcast that I love so much is

1:04:20.920 --> 1:04:25.560
<v Speaker 2>the nostalgia. And again because Lohan is coming out of

1:04:25.560 --> 1:04:28.400
<v Speaker 2>the woodworks and she's just having this revival and I'm

1:04:28.800 --> 1:04:31.480
<v Speaker 2>really really excited to see where she goes with her career,

1:04:31.840 --> 1:04:35.160
<v Speaker 2>it is nice to during this time look back at

1:04:35.160 --> 1:04:37.560
<v Speaker 2>one of the things she did while she was getting

1:04:37.600 --> 1:04:41.080
<v Speaker 2>into her you know, her main golden hour that we've

1:04:41.120 --> 1:04:42.080
<v Speaker 2>seen her in before.

1:04:42.200 --> 1:04:44.240
<v Speaker 3>So I gave it a little bit more.

1:04:44.360 --> 1:04:46.560
<v Speaker 2>I enjoyed it a little bit more, I think, And

1:04:46.600 --> 1:04:50.920
<v Speaker 2>so I'm gonna do seven Grieving Slow Motion, okay, But

1:04:50.960 --> 1:04:53.280
<v Speaker 2>I do have to say at the end of it

1:04:53.400 --> 1:04:55.480
<v Speaker 2>might not be the greatest. It did make me want

1:04:55.560 --> 1:04:59.760
<v Speaker 2>to watch Harriet the Spy because I feel like it

1:05:00.000 --> 1:05:01.200
<v Speaker 2>I have been.

1:05:01.760 --> 1:05:04.200
<v Speaker 3>A better version of what this movie was.

1:05:04.520 --> 1:05:06.200
<v Speaker 1>I've never seen Harriet the Spy too, but I know

1:05:06.280 --> 1:05:09.160
<v Speaker 1>that the kind of history of Harriett the Spy and

1:05:09.200 --> 1:05:11.200
<v Speaker 1>the idea that people really loved Harriet the Spy, so

1:05:11.280 --> 1:05:14.040
<v Speaker 1>I think I think it probably is a better version

1:05:14.080 --> 1:05:17.000
<v Speaker 1>of this. Well, thank you all for joining us and

1:05:17.040 --> 1:05:19.720
<v Speaker 1>not listening to a better version of our podcast somewhere else,

1:05:20.640 --> 1:05:23.000
<v Speaker 1>and you're listening to our version. And thank you Jenny

1:05:23.040 --> 1:05:27.000
<v Speaker 1>two for a one star and five star review this week.

1:05:27.080 --> 1:05:30.400
<v Speaker 1>I appreciate that, and remember to subscribe to our dedicated feed.

1:05:30.400 --> 1:05:32.280
<v Speaker 1>All you have to do is find Magical Rewind wherever

1:05:32.280 --> 1:05:35.400
<v Speaker 1>you get your podcasts them, subscribe and follow along, and

1:05:35.440 --> 1:05:39.000
<v Speaker 1>you can follow us on the Instagram machine at Magical

1:05:39.040 --> 1:05:41.840
<v Speaker 1>Rewind pod. Thank you for joining us and we will

1:05:41.840 --> 1:05:57.080
<v Speaker 1>see you next time. Bye bye,