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Speaker 1: Have you ever done any of those uh mystery dinners

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Speaker 1: where it's like you're eating dinner and the guy next

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Speaker 1: to you drops dead, and now you gotta can't finish

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Speaker 1: your salad because now you've got to figure out who

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Speaker 1: killed the dude next to you. Your dumb But.

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Speaker 2: If you ever host one, I'd like to, because I

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Speaker 2: really do think i'd be so good at it.

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Speaker 1: I think you should. To me, it's just a meal ruined. Frankly,

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Speaker 1: but it's like I'm trying to try and eat my bread.

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Speaker 1: I why are you fake bleeding all over the table

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Speaker 1: at this point?

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Speaker 3: I would love it.

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Speaker 2: I would love I would love to host one, but

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Speaker 2: I can't until I've gone to one.

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Speaker 1: That's fair enough. Are you titillated by the mystery genre?

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Speaker 1: He asks you. Are you're a big fan of mysteries favorites?

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Speaker 1: What are your favorites?

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Speaker 2: I think I like to read them more or do

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Speaker 2: audio books more, And in that sense, I just whip

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Speaker 2: through them so I find like an author or something

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Speaker 2: keep going, going, going, so it's like a marathon. So

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Speaker 2: I never remember the names of the books. I just

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Speaker 2: look back and someone asked me, I'll go on my

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Speaker 2: list of what I've listened to and then I'll send

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Speaker 2: them this was good, I think.

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Speaker 1: So the mystery for you is actually the title of

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Speaker 1: the book.

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Speaker 3: I like murder mysteries, or that I love that kind

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Speaker 3: of stuff.

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Speaker 1: Okay, well, then let's talk about one, because we've got

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Speaker 1: one for you this week. But first, welcome back to

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Speaker 1: Magical Rewind, the show that makes you want to grab

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Speaker 1: your friends, your pjs, and your popcorn and go back

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Speaker 1: to a time when all the houses were smart, the waves,

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Speaker 1: tsunamis and the high School's musical.

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Speaker 3: I'm Wilford Dell and I'm Sabrina Brien.

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Speaker 1: Let's get ready to sleuth people, because we're jumping right

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Speaker 1: into a mystery today with two thousand and two's Lindsey

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Speaker 1: lohand dcom vehicle Get a Clue the Who Done It?

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Speaker 1: Which I'm calling butter knives out? Huh everybody there, Okay,

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Speaker 1: forget it. I won't, I won't, I won't harp. It

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Speaker 1: premiered on June twenty eight, two thousand and two, and

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Speaker 1: it's remarkable for one major milestone. With one point two

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Speaker 1: million viewers, it marked the first d COM debut, clocking

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Speaker 1: in with over a million on its first broadcast. So hey,

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Speaker 1: there's something for people. It broke the million mark. That's

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Speaker 1: pretty great. This was also the third and final contracted

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Speaker 1: Disney film for Lindsay Lohan, who marked her release from

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Speaker 1: the three picture deal she originally had with the studio.

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Speaker 1: Can you name the other two she was in?

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Speaker 2: Sabrina Well, it's crazy to think because she's so much

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Speaker 2: older looking than Parent Trap.

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Speaker 3: But that was one. That's one was Freaky Friday another

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Speaker 3: or no.

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Speaker 1: No, I had never heard of the other one. It's

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Speaker 1: called Life Size. Yeah, that was my reaction as well. Anyway,

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Speaker 1: directly after Get a Clue came her major breakout, Freaky

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Speaker 1: Fridy eight alongside Jamie Lee Curtis. Oh, apparently we are

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Speaker 1: learning from producer Lisa that Tyra Banks. Oh was I okay?

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Speaker 3: I know? Tier Banks was a manniquin. Am I right?

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Speaker 3: She was a mannequin that becomes.

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Speaker 1: Like, okay, well that makes sense with Life Size, yes, okay,

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Speaker 1: which again was different than the movie we talked about

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Speaker 1: mannequin with Catral that was different. Anyway. Freaky Friday alongside

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Speaker 1: Jamie Lee Curtis, another Disney movie. So she didn't run

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Speaker 1: for Mickey Mouse or anything. She just started doing. You know,

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Speaker 1: she wasn't on her three picture deal anymore when she

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Speaker 1: was doing some other stuff. This movie was shot in

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Speaker 1: Wait for It People, Canada, Yes, primarily in Toronto, with

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Speaker 1: exterior shots obviously in New York City. And since the

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Speaker 1: movie was shot in March of two thousand and one,

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Speaker 1: months before nine eleven, that means that shots with the

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Speaker 1: Twin Towers included were actually edited out later. We think

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Speaker 1: so after the trash happened. That happened a lot in

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Speaker 1: film and right now, And the school itself, Millington Prep,

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Speaker 1: was actually Bishop Straitchen School in the up North DCOM capital,

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Speaker 1: So think I think we're saying that right it was

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Speaker 1: school by some Bishop. Get a Clue got a lot

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Speaker 1: of play in the summer of two thousand and two,

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Speaker 1: ranking up a ton of reruns hoping to bank on

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Speaker 1: Lohan's obviously rising star and recently, with Lohan's co star

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Speaker 1: DCOM Hall of Famer Brenda Song doing press for her

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Speaker 1: new movie The last show Girl, Get a Clue came up.

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Speaker 1: In an interview with Bussel, Song revealed that during taping,

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Speaker 1: Lohan convinced her to get a two way pager, which

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Speaker 1: is perhaps one of the most two thousand's Things That

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Speaker 1: Ever Existed? Lohan made Brenda save up alliver per Diem

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Speaker 1: and they went together to buy a two way pager.

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Speaker 1: It's a very cute Aughts specific story, to say the least.

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Speaker 1: Now in twenty five, twenty years ago, the Disney Channel

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Speaker 1: ran a special event for the debut of Go Figure,

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Speaker 1: where viewers got to vote on their top five d coms,

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Speaker 1: and Get a Clue came in second. Number five, for

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Speaker 1: the record, was Stuck in the Suburbs. Number four was

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Speaker 1: Got to Kick It Up. Number three was Halloween Town

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Speaker 1: High and what do you think? Number one was Sabrina.

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Speaker 3: Ooh.

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Speaker 2: In two thousand and five, did we make the top five?

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Speaker 1: Did you? I don't know. Number one Cheetah Girls, Yes,

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Speaker 1: was number one. Everybody. Cheetah Girls was number one. You

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Speaker 1: can go and watch Get a Clue on Disney Plus

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Speaker 1: right now before we talk about it, or you can

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Speaker 1: watch it later, but do not watch it while eating

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Speaker 1: a now and later, because your teeth will follow. Did

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Speaker 1: you know about Get a Clue before we made it

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Speaker 1: onto our beautiful podcast?

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Speaker 3: I did it. I didn't.

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Speaker 2: I mean I I think that the title fits. I

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Speaker 2: was expecting to see when it came up.

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Speaker 3: A girl with there was another movie.

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Speaker 2: I think it was maybe more of a Nickelodeon movie

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Speaker 2: where she had like a.

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Speaker 1: Big, big sleuth thing big. She had a what is

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Speaker 1: that it's a magnifying glass. Yes, Harriet the Spy. Harriet

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Speaker 1: the Spy once again, producer Lisa.

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Speaker 2: In my mind like on the spot, onto it. That's

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Speaker 2: what I was thinking it was, was Harriet the Spy.

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Speaker 2: But then when I started watching it, obviously Lindsay Lohan

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Speaker 2: popped in.

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Speaker 3: I knew that wasn't the right movie.

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Speaker 2: And I assume Harriet the Spy was like Nickelodeon or

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Speaker 2: something on a different network.

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Speaker 1: Yeah, I think it was too. I do not know.

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Speaker 1: I'm not even gonna pretend that I knew anything about

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Speaker 1: this movie, nor am I gonna do the old fake

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Speaker 1: out of like yeah I knew it. Nope, didn't know

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Speaker 1: anything about it.

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Speaker 3: Yeah.

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Speaker 1: Okay, So break out your most designer outfit because it's

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Speaker 1: time to find a murderer and look chic while doing it.

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Speaker 1: But first let's get into the synopsis. A teenage journalist

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Speaker 1: Lexi Gold, teams up the friends to solve the mystery

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Speaker 1: of their missing teacher using gadgets and wit they ucover

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Speaker 1: conspiracy and navigate danger to crack the case. Sabrina Early thoughts,

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Speaker 1: What did you think of the movie?

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Speaker 2: I man, this one, this one I liked. I was

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Speaker 2: I first of all Branda songs.

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Speaker 1: In it, so sure, big brand of song fan ms Brenda,

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Speaker 1: big big Branda song fan.

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Speaker 2: I loved her again, very similar to a character we seen,

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Speaker 2: but so cute. I right from the start was like, oh,

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Speaker 2: they're like dressed as little little baby sex and the

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Speaker 2: city girls there, so their fashion is so you know,

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Speaker 2: on this like big major platform of the movie.

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Speaker 3: So of course I always love it.

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Speaker 2: I love to love it, love to hate it, love

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Speaker 2: to do all that with the fashion part of it.

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Speaker 2: Enjoyed the music right from the start.

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Speaker 3: I noticed.

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Speaker 2: I'm like, oh, we've got some probably Robbie Neville tracks

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Speaker 2: in there. And the storyline totally got me. I thought

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Speaker 2: I had this whole thing figured out at the end

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Speaker 2: and I went, oh, I guess she wasn't sleeping the

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Speaker 2: whole time and this wasn't a dream.

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Speaker 1: Okay, well there you go.

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Speaker 3: So it got me, So I guess it did. It

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Speaker 3: got me. It got me. I was in enough to

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Speaker 3: think I knew what was going on. And didn't at

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Speaker 3: the end anyway, Okay, okay, what about you.

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Speaker 1: I didn't get this movie. I did not know what

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Speaker 1: this movie was. This movie did not know what it was.

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Speaker 1: The genre was changing like halfway through. I didn't. I mean,

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Speaker 1: that's not you know, let's be honest. Lindsay Lohan, especially

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Speaker 1: when she was younger, she was very good. I mean,

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Speaker 1: when you can see a child actor who is just

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Speaker 1: hitting beats and Kenny mote and has the great facial expressions,

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Speaker 1: you know, Claire Danes was like that, you can just

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Speaker 1: spot talent at a young age, and she was very,

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Speaker 1: very good. This movie was weird to me. I did

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Speaker 1: not know what this movie was. I didn't understand it.

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Speaker 1: And then it well we'll get into it was. Yeah,

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Speaker 1: it was strange.

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Speaker 2: That's where I sat with it in the sense of

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Speaker 2: I liked it, probably because we had Lindsay just completely

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Speaker 2: like she was just the drive reenforce of the movie.

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Speaker 2: So I liked seeing Lindsay, especially now that she's having

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Speaker 2: like this big light comeback. Yeah, seeing her like at

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Speaker 2: the very brink of everything that she was doing.

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Speaker 1: Well, this was not brink. This this was no break.

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Speaker 2: But I'm saying I liked her to see her back then,

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Speaker 2: because there was such a huge time where you just

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Speaker 2: loved Lindsay Lhan.

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Speaker 3: You loved everything that he did.

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Speaker 2: She was great from the beginning of it, and I

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Speaker 2: think I kind of just got nostalgic about that.

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Speaker 3: I think that's what happened to me. I jumped into

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Speaker 3: a nostalgia of like, well, yeah, her go.

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Speaker 1: This movie was very garbled to me where I was

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Speaker 1: just like what, wait, what theck was that at at

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Speaker 1: certain times, So yeah, okay, Get a Clue. Is directed

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Speaker 1: by Maggie Greenwald, who started her career in the sound

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Speaker 1: department of movies trading places in Weird Science Two Awesome Movies.

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Speaker 1: She'd graduate to directing on shows like The Adventures of

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Speaker 1: Pete and Pete and The Mystery Files of Shelby Wu

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Speaker 1: the movie stars. As we were just talking about, one

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Speaker 1: of the most famous or infamous names of that decade

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Speaker 1: in Lindsay Lohan, who played Lexi Gold. Lohan, who is

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Speaker 1: in the middle of her career resurgence right now, as

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Speaker 1: Sabrina was just talking about, is best known for her

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Speaker 1: roles in movies like Freaky Friday, Mean Girls, Confessions of

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Speaker 1: a Teenage Drama, Queen, and of course, the Parent Trap.

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Speaker 1: She also had a short lived pop career. At the

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Speaker 1: peak of her stardom, at one point she was literally

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Speaker 1: the face of Disney Studios. Speaking of the Face of Disney,

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Speaker 1: the movie co stars the aforementioned Brenda song who We Love.

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Speaker 1: We've already seen her in The Ultimate Christmas Present, which

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Speaker 1: we didn't love that much and Stuck in the Suburbs,

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Speaker 1: and we love her here at Magical rewind so much again.

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Speaker 1: When we do official nighting ceremonies, I think we'll have

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Speaker 1: to make Lady Brenda another member, and of course we'll

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Speaker 1: have to hand out awards. We'll just have to leave

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Speaker 1: them on the street, though, because none of these people

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Speaker 1: would be dumb enough to actually give us their addresses. Yes,

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Speaker 1: Brenda has also been seen in the TV show Doll

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Speaker 1: Face and The Social Network, But to our listeners, she's

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Speaker 1: best known as London Tipton, a character from the Sweet

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Speaker 1: Life of Zach and Cody that also appeared on Wizards

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Speaker 1: of Waverley Place and Hannah Montana. And now for one

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Speaker 1: of my favorite names in the history of Hollywood, Bug

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Speaker 1: Hall plays love interest Jack Downey. Bug played Alfalfa in

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Speaker 1: the nineteen ninety four version of Little Rascals and has

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Speaker 1: appeared on Charmed, Criminal Minds and Castle and I'm just

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Speaker 1: going to keep saying bug Hall all day long because

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Speaker 1: it's awesome. And then we've got legendary character actor Charles

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Speaker 1: Shaughnessy who plays Detective Meanie, but to us rewinds he

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Speaker 1: is Dmitri from Mom's Got a Date with a Vampire?

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Speaker 1: Remember that one. He also played Maxwell Sheffield on almost

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Speaker 1: one hundred and fifty episodes of The Nanny and was

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Speaker 1: a reoccurring character on Madmen and in The Reynolds Coleman Chair.

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Speaker 1: This week is actress Amanda Plummer as Miss Dawson. Plumber

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Speaker 1: can be seen in classic movies like Pulp Fiction and

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Speaker 1: The Fisher King and the Amazing Comedy Classic which might

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Speaker 1: be on my top ten list of all times. So

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Speaker 1: I Married an Axe Murderer, where she played a character

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Speaker 1: very similar to this one. She was a mainstay favorite

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Speaker 1: in the nineties. And lastly, for all the parents out there,

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Speaker 1: Kim Roberts is Miss Stern. Again. We got some great names.

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Speaker 1: She has a lot of Canadian credits to her name,

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Speaker 1: but the most notable might just be that she's the

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Speaker 1: voice of Mayor goodway on Paw Patrol.

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Speaker 3: She's also my mom in The Cheetah Girls, my foster mom.

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Speaker 1: Yes, Oh geez.

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Speaker 2: She was in another What Sabrina season. I tried to

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Speaker 2: find it because I can't remember what other movie she

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Speaker 2: was in. She played a teacher.

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Speaker 3: Huh, how did I miss that? I said it? I

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Speaker 3: said it. I said it that that's that episode. I've

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Speaker 3: got to find it. I couldn't.

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Speaker 2: I couldn't during my okay, smortishborg of notes that I've

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Speaker 2: got for sburta see man.

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Speaker 1: Well, she was also Sabrina's mom in The Cheetah Girls.

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Speaker 1: Of course, your foster mom. Of course, small part.

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Speaker 3: How do I have such a chance? That's a small

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Speaker 3: part because she's big on the channel.

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Speaker 1: Yeah, she's done a ton of stuff and in Pop

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Speaker 1: Control Get a Clue is just eighty three minutes seven

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Speaker 1: below the target. But that's on the right side of history, because,

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Speaker 1: as we know, a short D com is a good

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Speaker 1: d com. And it was written by Alano Senko, which

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Speaker 1: is a rare occurrence with the director and writer are

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Speaker 1: both women. This is great. Senko was a writer's assistant

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Speaker 1: on Roseanne, who went on to write for Murphy Brown

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Speaker 1: and a show she created with Whoopy Goldberg called Just

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Speaker 1: for Kicks and Little Einstein's.

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Speaker 2: Wow.

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Speaker 1: All right, so even though you're alibi, clears your name.

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Speaker 1: Let's break down. Get a clue. We open with credits

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Speaker 1: placed over shots in New York. We see the statue

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Speaker 1: of Liberty, high rise buildings, taxis, and flags. We hear

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Speaker 1: a total green day punk ripoff band shouting about how

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Speaker 1: things aren't exactly what they seem. You gotta look a

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Speaker 1: little closer, and man, that is what you call foreshadowing.

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Speaker 1: I also love a song that puts the title of

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Speaker 1: the movie into the song.

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Speaker 2: Get a Clue, that's what That's what I thought Robbie

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Speaker 2: Neville might have gotten his hands on.

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Speaker 1: Gotcha? Oh apparently again, Thank you so much, producer Lisa Again.

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Speaker 1: She was also He was also in Mom's Gotta Date

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Speaker 1: with a Vmpire, which were.

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Speaker 3: Like the one that I put down.

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Speaker 1: She was an she was a teacher, She's been in

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Speaker 1: everything amazing. We land at a fancy Park Avenue building

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Speaker 1: than in another Disney trope favorite which we've seen eight

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Speaker 1: billion times. We get a scan of our main character's bedroom.

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Speaker 1: This is a common move used in d COM's and

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Speaker 1: lets us know a little bit about our character without

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Speaker 1: wasting any time or dialogue, And in this case, we

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Speaker 1: see makeup, high pace boots, a vintage Apple computer, a

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Speaker 1: chair shaped like a high heel, and now we know

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Speaker 1: this girl is fashionable and cool. And we land on

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Speaker 1: Lexi and she is still sleeping, but as the alarm

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Speaker 1: goes off, she quickly grabs a headset like what gamers

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Speaker 1: wear nowadays play Call of Duty, but this one is

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Speaker 1: bedazzled in gold. Lexi logs into her desktop computer and

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Speaker 1: on the other end is Jen, her bestie, and she

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Speaker 1: is wearing fluffy headphones. They're excited to see each other

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Speaker 1: and show off their possible outfits for the day. Lexi

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Speaker 1: calls one of Jen's outfits trey cute, which I'm almost

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Speaker 1: sure was in another DCM, and Jen returns to favor

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Speaker 1: by calling Lexi's ensemble fabulus and yes, I just said that,

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Speaker 1: Please don't make it a mean. A few minutes later,

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Speaker 1: we join Lexi and her family at breakfast. We meet

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Speaker 1: her dad, who's a New York Times journalist in a

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Speaker 1: business suit, and her sister Taylor, who is wearing some

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Speaker 1: sort of neon green spyglasses, and we meet her mom

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Speaker 1: who announces she's going out of town for work. Lexi's

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Speaker 1: nanny makes them bacon and this reminds us, Yeah, these

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Speaker 1: peeps is rich. While scanning a I just realized that guy.

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Speaker 1: I'm sorry, I just realized that the guy who plays

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Speaker 1: her dad, I think was also in My Day. He

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Speaker 1: plays one of the secret service agents in My Day

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Speaker 1: with the President's daughter. Oh just remember that. That's why

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Speaker 1: I was like. I was like, I recognize this guy. Yeah,

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Speaker 1: that's where we know him from. Anyway. While scanning a

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Speaker 1: competitor's paper, her dad spots a huge surprise. He notices

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Speaker 1: that Lexi has a byline in the paper. She submitted

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Speaker 1: it for the junior Journalist section weeks ago, and everyone

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Speaker 1: is really proud to see that it was published. The

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Speaker 1: story is about two teachers, mister Walker and Miss Dawson,

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Speaker 1: having a secret relationship at their school. She even used

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Speaker 1: her sister's spycam to catch them in the act. And

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Speaker 1: while this really feels like some TMZ tabloid work, and

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Speaker 1: at the first time, I was like, huh, so, everybody's

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Speaker 1: proud of the fact that she's outing the secreting couple

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Speaker 1: at school. And not only that, but it somehow made

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Speaker 1: the paper because it's important that these two teachers are dating.

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Speaker 3: Why the drama.

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Speaker 2: The beginning part in the hallway was that this guy

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Speaker 2: was going to get fired or something.

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Speaker 3: That's right, like this students job caused him his job.

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Speaker 1: Yeah, no she didn't. She actually ended up costing him

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Speaker 1: his life essentially. But yeah, I thought that was kind

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Speaker 1: of like a oh, she's kind of scraping the bottom

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Speaker 1: of the barrel. I want to sneakily take pictures of

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Speaker 1: these two people that just want to have a consensual relationship.

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Speaker 1: I was like, hey, she's already not my favorite with that.

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Speaker 1: Their mom says goodbye, she's off on a trip. And

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Speaker 1: it's worth noting here that none of this matters because

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Speaker 1: we never see her mom again. We never mentioned her

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Speaker 1: mom again. The fact that her mom's on a trip

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Speaker 1: doesn't matter. He didn't. I was saying that.

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Speaker 2: There was gonna be a big storyline with the mom

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Speaker 2: and her because there's a giant eight x ten picture

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Speaker 2: of her and her mom on the bedside of her

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Speaker 2: that we see in the very big.

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Speaker 3: First scamp her room. Something.

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Speaker 2: You know, there's drama. Her mom goes way a lot.

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Speaker 2: It affects her, No no, literally literally halt thanks, Ma,

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Speaker 2: nod cares, the husband doesn't care, the sistor doesn't care,

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Speaker 2: No one cares.

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Speaker 1: And again, this is you think about Disney saving a budget.

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Speaker 1: It's so easy to just have the line, well, Mom's

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Speaker 1: off on a business trip, and then you don't need

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Speaker 1: that actor at all. You don't need to shit that scene,

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Speaker 1: you don't need to do any of that kind of stuff.

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Speaker 1: So hey, I'm all for having more actors and scripts.

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Speaker 1: You get to give them jobs, but just unnecessary the

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Speaker 1: entire character. Yeah, it's now later that morning, we see

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Speaker 1: students on their way to school, decked out in designer clothes,

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Speaker 1: sporting posh handbags, and chatting on their phones. Okay, Sabrina,

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Speaker 1: this is where I thought about you as I was

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Speaker 1: watching the movie, because of all the fashion stuff there,

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Speaker 1: and this is kind of right at your time of being. Well,

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Speaker 1: you weren't in high school. You would have been what

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Speaker 1: eighteen nineteen in the early two thousands, So what did

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Speaker 1: you think of all the fashion and all the sidekicks

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Speaker 1: and flip phones and everything else that was out there.

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Speaker 2: I feel again I related to it nostalgia of like

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Speaker 2: this is kind of a younger version of what we

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Speaker 2: saw in Sex and the City like that was they

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Speaker 2: were poppy.

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Speaker 3: They were wearing.

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Speaker 2: Bright, bright colors where New York when you see the

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Speaker 2: outside is only kind of gray. So they're popping off

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Speaker 2: the screen. The high boots for high school. Not so

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Speaker 2: into feeling a little too adult and mature for them.

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Speaker 1: Maybe if your mom also traveling all the time.

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Speaker 2: Attire like looked to adult as far as what they

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Speaker 2: were wearing. The scene where they come the second time

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Speaker 2: they're coming back into school, I was like, oh my gosh, like.

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Speaker 1: Oh, we'll get into that, because that made no doubt

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Speaker 1: of her anyway, Well we'll get there. So yes, Lexi

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Speaker 1: walks the halls. The people are buzzing about her scandalous article.

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Speaker 1: She's obviously very very popular. Everybody's saying hi to her.

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Speaker 1: That's when she spots mister Walker, who is called to

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Speaker 1: Miss Sterne's office, and again she's Stern. I love the

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Speaker 1: names again Miss Stern. And then we get Detective Meani.

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Speaker 1: It's it seemed like they were almost kind of going

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Speaker 1: tongue in cheek clue the game Clue where it's like

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Speaker 1: Professor Plum and Miss Scarlett, like it seemed a little

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Speaker 1: like they were trying to lean into the cheese factor

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Speaker 1: a bit, which I'm all for, Yes, but I don't

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Speaker 1: that I don't think they lean far enough is the problem.

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Speaker 3: Okay, that's what I would say.

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Speaker 1: Okay, but yes, so called into miss Stearn's office. She's

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Speaker 1: the admissions officer, and it looks like this guy is

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Speaker 1: already in trouble. Sorry, mister Walker, Thank you very much. Lexi.

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Speaker 1: Another student, then a cute boy named Jack Downey, who

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Speaker 1: has possibly one of the worst accents in movie history.

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Speaker 1: It comes, it goes, he's got it for this line,

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00:19:39,240 --> 00:19:41,080
Speaker 1: it goes for that line. But this is also the

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Speaker 1: movie of bad accents. There's three or four people. Where

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Speaker 1: is that guy British? Now he's not now he is?

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00:19:46,440 --> 00:19:48,320
Speaker 1: This is this guy from Brooklyn, Now he's not now

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Speaker 1: he is. It's they They are coming and going. Yes,

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Speaker 1: it says the article was pure gossip. This guy comes

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Speaker 1: up to her and says, what are you thinking? It's

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Speaker 1: pure gossip. Lexi is, of course offended. She is an

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Speaker 1: charge of the advice column for the school paper, and

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Speaker 1: today's piece was a human interest piece, which is what

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Speaker 1: her dad told her it was, And she's just kind

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Speaker 1: of parroting what her dad says, Jack, of course rolls

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Speaker 1: his eyes also with a bad accent, and takes off

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Speaker 1: his eyes. He's had a bad accent when he was

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Speaker 1: rolling his eyes. Lexi is, then.

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Speaker 2: You're gonna give it to him, which because first of all,

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Speaker 2: it was not that bad.

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Speaker 1: The actor is not bad. He's personable, he's a cute kid.

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Speaker 1: He pops off screen. They work well together.

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Speaker 2: Tuney, But isn't that what we always get with these

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Speaker 2: d coms is when we're.

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Speaker 1: Like, keep it, but it's I know, but it was

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Speaker 1: like I was waiting for like, youse, guys, Oh I'm

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Speaker 1: gonna punch in the mush. It was like, what what

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Speaker 1: the hell is happening? Anyway, Lexi is enjoined by Jen,

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Speaker 1: who is very proud that her friend made the Examiner,

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Speaker 1: and another boy, Gabe, is paparazzi ing them with a camcorder,

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Speaker 1: asking Lexi how she got the scoop. Eventually, the girls

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Speaker 1: entered their first class of the day, Miss Dawson's. Now

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Speaker 1: remember she's the other teacher that was in this little

431
00:21:04,600 --> 00:21:08,280
Speaker 1: tourrit affair with mister Walker. Now we're in the Millington

432
00:21:08,520 --> 00:21:11,520
Speaker 1: Bugle classroom with students hard at work on their next issue.

433
00:21:11,960 --> 00:21:15,160
Speaker 1: It's set decorated like an actual adult office, which felt

434
00:21:15,320 --> 00:21:18,760
Speaker 1: kind of strange, like they're in the New York Times bullpen.

435
00:21:19,119 --> 00:21:22,720
Speaker 2: They even have their like their cubicles are even like

436
00:21:23,240 --> 00:21:24,560
Speaker 2: able to be decorated.

437
00:21:24,640 --> 00:21:27,760
Speaker 1: Yeah, like you're waiting for to be called to HR.

438
00:21:28,119 --> 00:21:32,800
Speaker 2: No, didn't feel like a real classroom at all to me,

439
00:21:32,920 --> 00:21:35,640
Speaker 2: I mean as far as my experience. But again, we've

440
00:21:35,640 --> 00:21:38,199
Speaker 2: already seen the lockers, and you know, I think lockers

441
00:21:38,200 --> 00:21:40,919
Speaker 2: are fake because I didn't have them, especially hers.

442
00:21:40,680 --> 00:21:42,920
Speaker 3: With the purple boa.

443
00:21:42,800 --> 00:21:42,960
Speaker 1: Yeah.

444
00:21:43,000 --> 00:21:45,520
Speaker 2: When she shuts the door doesn't even stay in the locker.

445
00:21:45,600 --> 00:21:49,960
Speaker 2: I mean that was just too much anyway already, And again.

446
00:21:50,200 --> 00:21:51,200
Speaker 1: Did you have a school paper?

447
00:21:52,320 --> 00:21:53,600
Speaker 3: Yeah, yeah we did.

448
00:21:53,880 --> 00:21:55,800
Speaker 1: I think we did, but I don't. I don't know.

449
00:21:56,280 --> 00:21:58,159
Speaker 3: I think I'm thinking of your book. No, we didn't have.

450
00:21:58,240 --> 00:21:59,320
Speaker 1: Maybe we might not, I don't know.

451
00:21:59,560 --> 00:22:01,720
Speaker 3: It might have on one that came out like once

452
00:22:01,760 --> 00:22:02,840
Speaker 3: a month or something.

453
00:22:03,240 --> 00:22:05,600
Speaker 1: But maybe they did have a journalist classroom that looked

454
00:22:05,600 --> 00:22:08,199
Speaker 1: like a bullpen. I don't know, seem like all the

455
00:22:08,240 --> 00:22:12,800
Speaker 1: president's men. Yeah it was. Yeah, yeah, it was very strange,

456
00:22:12,800 --> 00:22:16,000
Speaker 1: but anyway, I got what they were going for. Yeah,

457
00:22:16,080 --> 00:22:18,240
Speaker 1: Jen and Lexi each have their own cubicles. They're facing

458
00:22:18,280 --> 00:22:21,600
Speaker 1: each other. Lexi is editing advice questions for her next assignment,

459
00:22:22,000 --> 00:22:26,160
Speaker 1: as a disinterested Jack listens on nearby. It is now

460
00:22:26,200 --> 00:22:28,480
Speaker 1: time for the week Who I know, right, It's now

461
00:22:28,520 --> 00:22:30,720
Speaker 1: time for the weekly paper meeting like you have with

462
00:22:30,800 --> 00:22:34,760
Speaker 1: instructor mister Goldbloom, who kicks it off by congratulating Lexi

463
00:22:34,840 --> 00:22:37,480
Speaker 1: on her Examiner article. The group of plauds and the

464
00:22:37,520 --> 00:22:40,720
Speaker 1: teacher asked the paper's editor, the cute but crabby Jack Downey,

465
00:22:40,800 --> 00:22:44,440
Speaker 1: who again has the perfect newspaper guy, Jack Downey, Jack

466
00:22:44,480 --> 00:22:49,159
Speaker 1: Downey Downey Daily Bugle wants him to say something, so

467
00:22:49,200 --> 00:22:51,560
Speaker 1: he stands up and timithally says he's proud of her,

468
00:22:51,680 --> 00:22:55,480
Speaker 1: especially since she works in the softer news area. Out

469
00:22:55,840 --> 00:22:59,280
Speaker 1: what a dick. The tension between them thickens when Lexi

470
00:22:59,280 --> 00:23:02,520
Speaker 1: thanks him for on the article, because it's the only

471
00:23:02,600 --> 00:23:06,120
Speaker 1: reason she submitted it to the Examiner. Will there won't they?

472
00:23:06,400 --> 00:23:08,920
Speaker 1: Who knows, but we know that eventually they will.

473
00:23:09,000 --> 00:23:09,360
Speaker 3: They will.

474
00:23:09,440 --> 00:23:11,560
Speaker 1: Later that day, Lexi stumbles on mister Walker and Miss

475
00:23:11,640 --> 00:23:15,560
Speaker 1: Dawson having an emotional conversation the staircase. Lexi hides to

476
00:23:15,600 --> 00:23:18,760
Speaker 1: listen in because that's not snooping, that's journalism. Mister Walker

477
00:23:18,800 --> 00:23:21,000
Speaker 1: says he never wanted to hurt miss Dawson, but the

478
00:23:21,040 --> 00:23:24,719
Speaker 1: newspaper has obviously caused a problem. Miss Dawson tears up

479
00:23:24,880 --> 00:23:27,680
Speaker 1: and proclaims her love, but is interrupted when he breaks

480
00:23:27,760 --> 00:23:29,879
Speaker 1: up with her. He says he never loved her, causing

481
00:23:29,920 --> 00:23:32,320
Speaker 1: her to say she's sorry she ever met him. Out

482
00:23:32,840 --> 00:23:35,000
Speaker 1: she proclaims that one of them must leave the high

483
00:23:35,040 --> 00:23:38,680
Speaker 1: school now, and it ain't gonna be her. She storms off,

484
00:23:38,680 --> 00:23:40,640
Speaker 1: bumping into Lexi, who is now joined by Jack, who

485
00:23:40,640 --> 00:23:43,239
Speaker 1: conveniently walked by, as well a lot of convenient walk

486
00:23:43,280 --> 00:23:45,400
Speaker 1: byes in this movie. They say hello to each other,

487
00:23:45,720 --> 00:23:48,960
Speaker 1: which is weird because when't all the teachers be mad

488
00:23:48,960 --> 00:23:52,879
Speaker 1: at Lexi? I mean, Lexi caused this, essentially, but she's

489
00:23:52,920 --> 00:23:56,080
Speaker 1: getting off scott free. That night, Lexi is typing away

490
00:23:56,080 --> 00:23:58,720
Speaker 1: when her dad gets home late. He praises her journalistic

491
00:23:58,760 --> 00:24:01,560
Speaker 1: skills once again, but she's clearly bothered by the recent

492
00:24:01,600 --> 00:24:04,280
Speaker 1: events involving her subjects. Lexi just wants to be a

493
00:24:04,280 --> 00:24:06,400
Speaker 1: hard hitting reporter like her dad, and he tells her

494
00:24:06,480 --> 00:24:08,680
Speaker 1: she's well on her way. It takes time, so just

495
00:24:08,760 --> 00:24:11,920
Speaker 1: keep your eyes open. And investigate any hunches. She goes

496
00:24:11,960 --> 00:24:15,720
Speaker 1: to bed and we have a rare good dcom Dad

497
00:24:16,040 --> 00:24:18,000
Speaker 1: he's there. Mark it down that we got a good

498
00:24:18,119 --> 00:24:21,359
Speaker 1: dcom pop. The mom not great, but then again it

499
00:24:21,400 --> 00:24:23,200
Speaker 1: doesn't matter because we don't ever see her. She left

500
00:24:23,240 --> 00:24:26,240
Speaker 1: and she's out of our lives. The next morning, we

501
00:24:26,320 --> 00:24:29,720
Speaker 1: see a beije Ford sedan being pulled out of a river.

502
00:24:30,000 --> 00:24:33,119
Speaker 1: Police around the scene, and one grizzly detective with the

503
00:24:33,160 --> 00:24:38,240
Speaker 1: world's most ridiculous handlebar mustache looks on in concern. On

504
00:24:38,280 --> 00:24:40,040
Speaker 1: the other side of town, Jack Downey, which is how

505
00:24:40,040 --> 00:24:42,480
Speaker 1: I'm gonna say it from now. And Jack Downey buys

506
00:24:42,520 --> 00:24:46,199
Speaker 1: an examiner and reads the headline teacher marked absent. Oh no,

507
00:24:46,320 --> 00:24:49,200
Speaker 1: mister Walker is missing, which leads me to believe hopefully

508
00:24:49,200 --> 00:24:51,920
Speaker 1: some time has passed, because if they're pulling the car

509
00:24:51,960 --> 00:24:54,560
Speaker 1: out of the river the same time the newspaper has

510
00:24:54,600 --> 00:24:56,359
Speaker 1: been written, I.

511
00:24:56,320 --> 00:25:01,000
Speaker 2: Feel like they needed to say some type of a

512
00:25:01,080 --> 00:25:03,480
Speaker 2: month after something, because.

513
00:25:03,400 --> 00:25:07,520
Speaker 3: We later so jarring of oh my gosh, and they

514
00:25:07,560 --> 00:25:08,520
Speaker 3: already know he's missing.

515
00:25:08,560 --> 00:25:10,600
Speaker 2: He hasn't been missing for at least twenty four hours

516
00:25:10,640 --> 00:25:12,280
Speaker 2: at this point, because that's what it came off as.

517
00:25:12,840 --> 00:25:16,560
Speaker 3: This was like the next morning, So yeah, I felt.

518
00:25:16,320 --> 00:25:18,040
Speaker 1: Like I felt the same thing. They're pulling the car

519
00:25:18,080 --> 00:25:19,639
Speaker 1: out of the river, but it's already in the paper

520
00:25:19,800 --> 00:25:20,600
Speaker 1: that he's.

521
00:25:20,560 --> 00:25:22,800
Speaker 2: But she went to sleep before this. So this made

522
00:25:22,840 --> 00:25:24,960
Speaker 2: me go, oh, this is okay. So this is a

523
00:25:24,960 --> 00:25:25,440
Speaker 2: whole dream.

524
00:25:25,480 --> 00:25:27,520
Speaker 3: This is going to be a whole all right.

525
00:25:27,520 --> 00:25:29,360
Speaker 1: Got it?

526
00:25:29,400 --> 00:25:31,240
Speaker 2: That's why we can dream the guy that's already dead,

527
00:25:31,359 --> 00:25:33,160
Speaker 2: Like what, okay, this is going.

528
00:25:33,160 --> 00:25:34,760
Speaker 1: To be a dream. I'm waiting for the music to

529
00:25:34,800 --> 00:25:38,200
Speaker 1: break out. Where are the zombies? Where are the exactly?

530
00:25:39,000 --> 00:25:41,080
Speaker 1: Back at her house, Lexi is awoken by her dad,

531
00:25:41,080 --> 00:25:43,560
Speaker 1: who breaks the bad news that was Walker's car in

532
00:25:43,600 --> 00:25:46,480
Speaker 1: the river, but he's nowhere to be found. Lexi's immediate

533
00:25:46,480 --> 00:25:49,600
Speaker 1: reaction is to called Jen, who performs possibly the greatest

534
00:25:49,640 --> 00:25:52,680
Speaker 1: move in dcom history. She's fast asleep wearing the headphones

535
00:25:52,840 --> 00:25:56,359
Speaker 1: when Lexi says, mister Walker is missing, and Jen springboards

536
00:25:56,440 --> 00:25:59,640
Speaker 1: up in concern and is now wide awake. And now

537
00:25:59,680 --> 00:26:02,480
Speaker 1: we really this movie is well, I guess we kind

538
00:26:02,480 --> 00:26:05,520
Speaker 1: of realize what this movie is going for, which is

539
00:26:05,680 --> 00:26:10,359
Speaker 1: Disney meets Colombo meets Sex in the City. Yep, do

540
00:26:10,400 --> 00:26:11,360
Speaker 1: you have you seen Colombo?

541
00:26:11,880 --> 00:26:14,440
Speaker 3: Nope? But I know Disney, and I know Sex and Stace.

542
00:26:16,119 --> 00:26:17,280
Speaker 1: I know two of the things you said.

543
00:26:17,280 --> 00:26:20,800
Speaker 3: So I'm smiling none and Jensen's scoring board. That means

544
00:26:20,840 --> 00:26:22,920
Speaker 3: I went, so we got it.

545
00:26:24,800 --> 00:26:28,480
Speaker 1: You gotta watch Columbo. It's Peter Falk. It's great. Columbo's awesome.

546
00:26:28,480 --> 00:26:33,440
Speaker 1: He very grizzled, old like seventies detective who likes He's great.

547
00:26:33,480 --> 00:26:34,760
Speaker 3: Oh yeah, I like that.

548
00:26:35,440 --> 00:26:41,280
Speaker 1: So, okay, this is where she comes. Lexi comes to

549
00:26:41,320 --> 00:26:44,919
Speaker 1: school the next day, okay, dressed in her outfit. Brenda

550
00:26:45,000 --> 00:26:47,280
Speaker 1: Song comes to school the next day, dressed in her outfit.

551
00:26:47,400 --> 00:26:50,560
Speaker 1: Jen comes to school. There's paparazzi everywhere. There's there's the

552
00:26:50,600 --> 00:26:53,440
Speaker 1: news media everywhere, and they say, oh my god, look

553
00:26:53,440 --> 00:26:56,120
Speaker 1: what's going on. Mister Walker's missing. This is terrible. Everybody's

554
00:26:56,160 --> 00:26:58,960
Speaker 1: being interviewed, The extras are being interviewed out front. What's happening?

555
00:26:59,400 --> 00:27:01,760
Speaker 1: I hope they catch my good side, she said, And

556
00:27:01,800 --> 00:27:06,160
Speaker 1: then they cut to a pulp fiction Sex and the City.

557
00:27:06,520 --> 00:27:08,800
Speaker 1: Slow moll walk through the hallway, and that's where I

558
00:27:08,840 --> 00:27:11,479
Speaker 1: started going, what the actual is happening?

559
00:27:11,520 --> 00:27:18,080
Speaker 2: Right? I can't get over her outfit. I'm like, where

560
00:27:18,160 --> 00:27:21,320
Speaker 2: are you going in that outfit? Then she makes a

561
00:27:21,359 --> 00:27:24,760
Speaker 2: comment about grieving and how and how they wear black

562
00:27:24,840 --> 00:27:25,600
Speaker 2: and all this stuff.

563
00:27:25,680 --> 00:27:29,240
Speaker 1: Yeah, like, are they going for sexy funeral.

564
00:27:30,400 --> 00:27:31,639
Speaker 3: School? You're going to?

565
00:27:31,960 --> 00:27:32,440
Speaker 1: Yeah?

566
00:27:32,640 --> 00:27:38,240
Speaker 2: Yeah, what and the lace nylons and it's too much,

567
00:27:38,560 --> 00:27:39,080
Speaker 2: Oh my.

568
00:27:39,040 --> 00:27:41,240
Speaker 1: God, I don't know. No, you know, it's too much.

569
00:27:41,760 --> 00:27:41,960
Speaker 3: Yeah.

570
00:27:42,000 --> 00:27:44,679
Speaker 1: But the whole situation is bothering Lexi everything going on.

571
00:27:44,800 --> 00:27:46,959
Speaker 1: She knows, for instance, that the river is too toxic

572
00:27:47,000 --> 00:27:49,720
Speaker 1: for mister Walker to have survived, and yet the whole

573
00:27:49,760 --> 00:27:54,960
Speaker 1: thing seems fishy, boom pun intended. So yes, they strut

574
00:27:55,000 --> 00:27:57,439
Speaker 1: through the halls like you do when your teacher is missing.

575
00:27:57,480 --> 00:28:00,119
Speaker 1: In slow motion, we then see miss Stearn, who who

576
00:28:00,160 --> 00:28:03,359
Speaker 1: is also shaken up and grieving. Lexi acknowledges it's weird

577
00:28:03,480 --> 00:28:07,200
Speaker 1: that the day after the article, mister Walker just disappeared.

578
00:28:07,640 --> 00:28:10,119
Speaker 3: So it is twenty four hours yes after.

579
00:28:10,720 --> 00:28:14,359
Speaker 1: Yes, twenty four hours later, the car's missing. It's already

580
00:28:14,359 --> 00:28:15,399
Speaker 1: written up in the paper.

581
00:28:15,720 --> 00:28:16,639
Speaker 3: I'm not buying it.

582
00:28:16,760 --> 00:28:17,280
Speaker 1: No, I'm not.

583
00:28:17,240 --> 00:28:21,399
Speaker 3: Buying it this timeline, guys, No, it is not.

584
00:28:21,840 --> 00:28:23,480
Speaker 1: And you know what else is not making sense is

585
00:28:23,520 --> 00:28:27,359
Speaker 1: paparazzi Gabe hounding Lexi again, this time for answers to

586
00:28:27,400 --> 00:28:31,240
Speaker 1: this outstanding mystery. This dude is really a pest. We're

587
00:28:31,240 --> 00:28:33,480
Speaker 1: now in miss Dawson's class. The teacher and former lover

588
00:28:33,600 --> 00:28:35,360
Speaker 1: is on the verge of tears. She can barely even

589
00:28:35,400 --> 00:28:38,400
Speaker 1: talk about mister Walker when a suited cop enters. He's

590
00:28:38,440 --> 00:28:42,120
Speaker 1: looking for Lexi Gold. Lexi is quickly whisked away into

591
00:28:42,160 --> 00:28:45,280
Speaker 1: the newspaper office where the weathered handlebar mustache policeman is

592
00:28:45,320 --> 00:28:47,120
Speaker 1: waiting for her. We get a better look at his

593
00:28:47,160 --> 00:28:50,520
Speaker 1: facial hair, and it genuinely looks like a raccoon has

594
00:28:50,600 --> 00:28:54,400
Speaker 1: landed on his lip. His name is Detective Potter, not

595
00:28:54,640 --> 00:28:57,120
Speaker 1: Harry Potter, different people, and he also has a strange

596
00:28:57,160 --> 00:28:59,720
Speaker 1: accent again that comes and goes. This is a strange

597
00:28:59,720 --> 00:29:03,640
Speaker 1: accent movie. This should be called Yes, Lexi Gold. In

598
00:29:03,640 --> 00:29:06,720
Speaker 1: the case of the strange accents, it's very strange. He

599
00:29:06,800 --> 00:29:10,600
Speaker 1: questions Lexi about her quote unquote gossip column, asking about

600
00:29:10,640 --> 00:29:13,760
Speaker 1: the Juicy Examiner article. She takes it one step further,

601
00:29:13,840 --> 00:29:16,200
Speaker 1: telling Hi about the breakup she witnessed, detailing that Miss

602
00:29:16,280 --> 00:29:19,480
Speaker 1: Dawson was upset and said he needed to leave the school.

603
00:29:19,840 --> 00:29:23,200
Speaker 1: Detective Potter is, of course intrigued. As she leaves, she

604
00:29:23,360 --> 00:29:27,200
Speaker 1: suggests that he shave his mustache. Whichess is something we

605
00:29:27,200 --> 00:29:29,040
Speaker 1: were all thinking, but probably not something we tell a

606
00:29:29,040 --> 00:29:33,880
Speaker 1: policeman investigating a missing person. Upon her exit, Miss Dawson enters,

607
00:29:33,920 --> 00:29:36,200
Speaker 1: and boy does she have some splain in the do

608
00:29:37,200 --> 00:29:39,440
Speaker 1: Lexi hangs by the door trying to eavesdrop. Of course,

609
00:29:39,520 --> 00:29:43,120
Speaker 1: when Jack approaches again, Jack, I love it. Miss Dawson

610
00:29:43,200 --> 00:29:45,880
Speaker 1: is getting grilled by Potter and completely leaves the breakup

611
00:29:45,880 --> 00:29:48,400
Speaker 1: out of her story, making her look very guilty. So

612
00:29:48,440 --> 00:29:51,480
Speaker 1: when Detective Potter brings up Lexi's story, she decides she

613
00:29:51,560 --> 00:30:01,120
Speaker 1: needs to contact a lawyer. So we're now back in

614
00:30:01,120 --> 00:30:03,520
Speaker 1: the hallways. Lexi feels bad that her article has caused

615
00:30:03,560 --> 00:30:06,080
Speaker 1: everyone to think miss Dawson did it, but she knows

616
00:30:06,320 --> 00:30:09,000
Speaker 1: that she's innocent. Jack doubts that, but Lexi is one

617
00:30:09,040 --> 00:30:10,840
Speaker 1: hundred percent sure. We don't know how, but she's somehow

618
00:30:10,880 --> 00:30:12,800
Speaker 1: a hundred percent sure. She is going to get to

619
00:30:12,840 --> 00:30:14,720
Speaker 1: the bottom of this and it'll be her first ever

620
00:30:14,800 --> 00:30:18,200
Speaker 1: front page news story. And since Jack knows mister Walker

621
00:30:18,240 --> 00:30:20,800
Speaker 1: really well, she wants to team up with him. Uh huh,

622
00:30:20,880 --> 00:30:24,760
Speaker 1: wink wink to crack the case wide open. These two

623
00:30:24,840 --> 00:30:26,880
Speaker 1: still go together like oil and vinegar. But we got

624
00:30:26,920 --> 00:30:30,680
Speaker 1: ourselves a little dcom reporter duo going on here, and

625
00:30:32,080 --> 00:30:34,840
Speaker 1: I guess I'm here for it. It's I We'll see.

626
00:30:35,280 --> 00:30:39,320
Speaker 2: Right, Yeah, I mean it's you know, it's starting. It's

627
00:30:39,400 --> 00:30:42,360
Speaker 2: obviously for me. It's like the cheese factor is just

628
00:30:42,640 --> 00:30:46,240
Speaker 2: in full force right now. Sure, but again it's Lindsay

629
00:30:46,280 --> 00:30:50,440
Speaker 2: Lohan and I'm, for whatever reason, okay with this and

630
00:30:50,560 --> 00:30:52,080
Speaker 2: keeping it going with this.

631
00:30:52,120 --> 00:30:55,200
Speaker 1: Okay, fair enough. We are back out in those New

632
00:30:55,280 --> 00:30:57,560
Speaker 1: York streets. Lexi and Jen are trying on new outfits.

633
00:30:57,600 --> 00:30:59,080
Speaker 1: Of course, you know, like you do when your teacher

634
00:30:59,120 --> 00:31:02,640
Speaker 1: is missing. Jen teezes Lexi for liking Jack, but Lexi

635
00:31:02,680 --> 00:31:05,440
Speaker 1: swears it's all just business. But of course her best

636
00:31:05,480 --> 00:31:08,520
Speaker 1: friend isn't buying it. Later that day, Lexi asked her

637
00:31:08,600 --> 00:31:11,400
Speaker 1: dad for some advice when investigating the story. He suggests

638
00:31:11,440 --> 00:31:14,600
Speaker 1: looking into the subject's background that usually leads to some answers.

639
00:31:14,640 --> 00:31:17,160
Speaker 1: Good advice for a reporter. Her dad quickly realizes that

640
00:31:17,200 --> 00:31:19,880
Speaker 1: she's asking for herself, and he warns her not to

641
00:31:19,920 --> 00:31:23,320
Speaker 1: get involved again. Very good advice. Maybe don't get involved

642
00:31:23,320 --> 00:31:26,120
Speaker 1: in what could possibly be a murder case when you're

643
00:31:26,200 --> 00:31:28,280
Speaker 1: in like the seventh grade. Maybe a good idea, but

644
00:31:28,320 --> 00:31:31,360
Speaker 1: that doesn't always go well on Disney Channel. We like

645
00:31:31,360 --> 00:31:33,880
Speaker 1: the kids get involved. She assures him that she's just

646
00:31:33,960 --> 00:31:37,320
Speaker 1: innocently curious and not to worry. Akuna matata, she says,

647
00:31:37,360 --> 00:31:39,880
Speaker 1: But her fingers were crossed behind her back when she

648
00:31:39,960 --> 00:31:43,400
Speaker 1: said it. What a rascal do kids do this? Still?

649
00:31:43,920 --> 00:31:45,240
Speaker 3: Why a kuna matata?

650
00:31:45,960 --> 00:31:48,320
Speaker 1: Because it means no worries because she says no worries.

651
00:31:48,480 --> 00:31:51,320
Speaker 2: But by two thousand and two that movie was so

652
00:31:51,480 --> 00:31:54,880
Speaker 2: old that wasn't a like no movie that was out,

653
00:31:55,040 --> 00:31:58,760
Speaker 2: that wasn't like something from Wicked that you repeat right now.

654
00:31:59,280 --> 00:32:00,360
Speaker 3: I didn't underst stand it.

655
00:32:00,480 --> 00:32:02,880
Speaker 2: I had to write on Sabartes, why the hell did

656
00:32:02,920 --> 00:32:03,440
Speaker 2: she just say?

657
00:32:04,440 --> 00:32:06,880
Speaker 1: Because she had just said no worries, and it means

658
00:32:06,920 --> 00:32:10,760
Speaker 1: no worries for the rest of your days. Come on,

659
00:32:12,800 --> 00:32:15,520
Speaker 1: And it's especially cool when they're like, Hakuna matata, your

660
00:32:15,560 --> 00:32:19,000
Speaker 1: teacher's dead, so we don't know what's going on. But

661
00:32:19,040 --> 00:32:21,760
Speaker 1: you're right, it was a strange attempt at synergy for

662
00:32:22,040 --> 00:32:26,400
Speaker 1: an older movie. Yeah, I thought the same things. Do

663
00:32:26,400 --> 00:32:27,400
Speaker 1: you do fingers crossed?

664
00:32:28,680 --> 00:32:31,600
Speaker 3: No, but that happens in dcom's we see all the time.

665
00:32:32,040 --> 00:32:34,920
Speaker 2: We've seen that probably now fifteen times a week because

666
00:32:34,920 --> 00:32:35,640
Speaker 2: this makes.

667
00:32:35,400 --> 00:32:37,960
Speaker 1: A lie not happen. Everybody knows that, like, it makes

668
00:32:38,000 --> 00:32:44,280
Speaker 1: you not guilty. Nine, I didn't kill my teacher. Uh,

669
00:32:45,720 --> 00:32:50,000
Speaker 1: that's not what happened. So Lexi's next stop is her

670
00:32:50,040 --> 00:32:52,640
Speaker 1: little sister's room. She is a tech wizard and presses

671
00:32:52,640 --> 00:32:54,560
Speaker 1: a button open the door. Her room is like an

672
00:32:54,560 --> 00:32:57,320
Speaker 1: inventor's lab, surrounded by gadgets and ideas. She's like Q

673
00:32:57,920 --> 00:33:01,040
Speaker 1: in James Bond. Lexi learns about some gadgets, but most

674
00:33:01,080 --> 00:33:03,760
Speaker 1: importantly finds out about the corner spy shop where her

675
00:33:03,800 --> 00:33:06,600
Speaker 1: sister buys this stuff. Now armed with this information, she

676
00:33:06,640 --> 00:33:09,680
Speaker 1: immediately visits the shop with Jack. I love a good

677
00:33:09,680 --> 00:33:13,120
Speaker 1: spy shop. There's nothing like really expensive tiny cameras you

678
00:33:13,120 --> 00:33:15,480
Speaker 1: can put in stuff. I think it's fun.

679
00:33:15,640 --> 00:33:18,440
Speaker 2: The first one they're doing is like a surveillance camera.

680
00:33:18,480 --> 00:33:22,160
Speaker 2: I'm like, that's two thousand and two. There were definitely

681
00:33:22,200 --> 00:33:24,080
Speaker 2: surveillance cameras everywhere.

682
00:33:24,200 --> 00:33:26,800
Speaker 3: Why was it? She's like, ooh oh, I can't cool.

683
00:33:27,040 --> 00:33:31,120
Speaker 1: I can't wait to get into the tiny surveillance camera

684
00:33:31,200 --> 00:33:33,680
Speaker 1: they put on the balcony of their teachers that it

685
00:33:33,720 --> 00:33:38,080
Speaker 1: was like a giant film camera. We'll get into that unbelievable.

686
00:33:38,320 --> 00:33:40,760
Speaker 1: So she's impressed with all the spy wears in the store,

687
00:33:40,960 --> 00:33:43,320
Speaker 1: most intrigued by rear viewing glasses where you can see

688
00:33:43,320 --> 00:33:46,360
Speaker 1: whoever's behind you without turning your head. Just then Jen

689
00:33:46,520 --> 00:33:50,280
Speaker 1: enters the spy shop, flanked by Gabe Gabe. Lexi's confused,

690
00:33:50,280 --> 00:33:52,840
Speaker 1: what are they doing there? Apparently Gabe lives down the

691
00:33:52,840 --> 00:33:55,080
Speaker 1: street from Miss Dawson and they're hoping to run some

692
00:33:55,120 --> 00:33:58,480
Speaker 1: surveillance and maybe clear her name or prove her guilt,

693
00:33:58,560 --> 00:34:01,040
Speaker 1: whatever the case may be. And so now the duo

694
00:34:01,360 --> 00:34:04,239
Speaker 1: is a foursome returning to Lexi's place, which becomes their

695
00:34:04,280 --> 00:34:07,000
Speaker 1: new headquarters, which Jack is of course wowed by because

696
00:34:07,040 --> 00:34:09,960
Speaker 1: it's a forty trillion dollar apartment in New York. It's

697
00:34:10,000 --> 00:34:12,760
Speaker 1: a twenty million dollar apartment all day long. Lexi immediately

698
00:34:12,760 --> 00:34:15,000
Speaker 1: sets the strategy. The girls will go to the Walker's

699
00:34:15,000 --> 00:34:18,200
Speaker 1: house for clues while the guys watch over Miss Dawson's place.

700
00:34:18,480 --> 00:34:20,920
Speaker 1: But Jen doesn't want to go to Brooklyn because apparently

701
00:34:21,000 --> 00:34:25,640
Speaker 1: Brooklyn is gross. So Lexi and Jack will go together

702
00:34:26,480 --> 00:34:28,799
Speaker 1: to the Walker's place. Very cool. Oh geez, what are

703
00:34:28,800 --> 00:34:32,000
Speaker 1: the chances of them being paired up again? I think

704
00:34:32,120 --> 00:34:33,920
Speaker 1: that I think there might be some synergy. By the way,

705
00:34:33,960 --> 00:34:35,680
Speaker 1: when I said twenty million dollars, it be twenty million

706
00:34:35,680 --> 00:34:37,319
Speaker 1: dollars now. In two thousand and two it was by

707
00:34:37,400 --> 00:34:39,560
Speaker 1: a seven or eight million dollars apart. It was a

708
00:34:39,719 --> 00:34:45,879
Speaker 1: very expensive apartment. They're obviously wealthy people. Yes, So this

709
00:34:45,920 --> 00:34:48,160
Speaker 1: is where Gabe and Jen go to set up a

710
00:34:48,200 --> 00:34:50,359
Speaker 1: camera to watch over Miss Dawson from his edit bay,

711
00:34:50,719 --> 00:34:52,840
Speaker 1: and they take this small little spy camera, which is

712
00:34:52,960 --> 00:34:56,520
Speaker 1: just five by five is the biggestest thing in the

713
00:34:56,520 --> 00:35:04,799
Speaker 1: world that they put this an inch from it is.

714
00:35:04,920 --> 00:35:09,600
Speaker 1: It's truly that big. It's an inch from the window sill,

715
00:35:09,640 --> 00:35:11,359
Speaker 1: and it's like, oh my god. And then he puts

716
00:35:11,360 --> 00:35:16,880
Speaker 1: a plant under it, which which I thought was pretty

717
00:35:16,880 --> 00:35:17,400
Speaker 1: funny to me.

718
00:35:17,480 --> 00:35:19,600
Speaker 3: I'm like, they had to do that on purpose. I

719
00:35:19,600 --> 00:35:23,319
Speaker 3: mean it had to be. There's no way I had to.

720
00:35:23,520 --> 00:35:27,799
Speaker 1: Because it was. It was crazy. It was crazy. Miss

721
00:35:27,880 --> 00:35:32,800
Speaker 1: Dawson eventually does arrive and casually starts and aerobics workout tape.

722
00:35:32,880 --> 00:35:35,239
Speaker 1: Of course, that's hey, I did mine this morning, to

723
00:35:35,280 --> 00:35:39,440
Speaker 1: my little my little zoom. It works. Jack finally convinces Lexi,

724
00:35:39,640 --> 00:35:42,000
Speaker 1: who has never been on the subway before, born and

725
00:35:42,080 --> 00:35:44,239
Speaker 1: raised in New York to go on the subway with

726
00:35:44,320 --> 00:35:47,560
Speaker 1: him to Brooklyn. So after a successful first subway ride,

727
00:35:47,600 --> 00:35:51,000
Speaker 1: Lexi treats Brooklyn like she's entered the Wizard of Oz's castle,

728
00:35:51,680 --> 00:35:54,000
Speaker 1: and residents look at her expensive outlet like it's a

729
00:35:54,040 --> 00:35:57,640
Speaker 1: chicken suit. She sees people playing the guitar wow, and

730
00:35:57,719 --> 00:36:00,560
Speaker 1: even incorrectly uses a map. She's in a differ world.

731
00:36:00,680 --> 00:36:07,000
Speaker 1: It's Brooklyn. It's unbelievable. And as if this wasn't enough,

732
00:36:07,040 --> 00:36:10,200
Speaker 1: she bumps into as at the day. Back in the

733
00:36:10,280 --> 00:36:12,640
Speaker 1: day would have been called a bum now it's called

734
00:36:12,680 --> 00:36:16,480
Speaker 1: an unhoused person, and swears he's wearing mister Walker's coat.

735
00:36:17,239 --> 00:36:19,360
Speaker 1: And once they arrive at mister Walker's house, they see

736
00:36:19,520 --> 00:36:23,560
Speaker 1: miss Stern mysteriously exiting his place, and Lexi remembers their

737
00:36:23,600 --> 00:36:25,920
Speaker 1: weird conversation in the hall the day before he disappears.

738
00:36:26,320 --> 00:36:29,759
Speaker 1: Now unfhazed, the two enter mister Walker's building through a

739
00:36:29,880 --> 00:36:33,279
Speaker 1: slightly a jar door. While snooping, Jack eventually finds a

740
00:36:33,320 --> 00:36:36,960
Speaker 1: locked briefcase with the initials NP on it, while Lexi

741
00:36:37,040 --> 00:36:39,120
Speaker 1: opens a closet door, only to be startled by a

742
00:36:39,160 --> 00:36:42,279
Speaker 1: man standing behind her, and she screams at the top

743
00:36:42,320 --> 00:36:45,000
Speaker 1: for lungs. We jumped to Gabe's place, where Jen notices

744
00:36:45,000 --> 00:36:47,719
Speaker 1: Miss Dawson has welcomed a man into her apartment. He's

745
00:36:47,760 --> 00:36:50,240
Speaker 1: carrying flowers and they embrace, and that's when they notice

746
00:36:50,400 --> 00:36:54,000
Speaker 1: it's mister Goldbloom, the newspaper teacher. Remember him, right, everybody

747
00:36:54,000 --> 00:36:57,720
Speaker 1: remembers mister Goldbloom. Of course you do. Back at mister Walker's,

748
00:36:57,760 --> 00:37:00,560
Speaker 1: Lexi has finished screaming, and the man introduces himself as

749
00:37:00,640 --> 00:37:04,320
Speaker 1: Detective Mini again, a very Nancy Drew character that sounds

750
00:37:04,360 --> 00:37:06,320
Speaker 1: like he was named by a four year old friend

751
00:37:06,800 --> 00:37:10,799
Speaker 1: of the writer, Very very possible. He wants to know

752
00:37:10,840 --> 00:37:13,480
Speaker 1: what they're doing in Walker's apartment. Lexi swears they don't

753
00:37:13,520 --> 00:37:16,920
Speaker 1: know anything about his whereabouts, and she notices his fancy watch.

754
00:37:17,640 --> 00:37:21,120
Speaker 1: Jack quickly rushes them out, terrified of getting in trouble

755
00:37:21,640 --> 00:37:23,719
Speaker 1: on their way home, Lexi says she knows Mini is

756
00:37:23,760 --> 00:37:26,399
Speaker 1: not a detective. A cop could never afford that platinum watch,

757
00:37:26,440 --> 00:37:29,120
Speaker 1: those alligator boots and a Pumoni suit. Which is that

758
00:37:29,160 --> 00:37:31,520
Speaker 1: a real thing Pomoni or is that supposed to be ARMANI?

759
00:37:31,560 --> 00:37:32,359
Speaker 1: They just can't say it.

760
00:37:32,719 --> 00:37:35,200
Speaker 3: I think that it's supposed to be a designer.

761
00:37:35,239 --> 00:37:37,880
Speaker 1: Brand that, but it's fake. It's fake, right, Pomoni is

762
00:37:37,920 --> 00:37:39,600
Speaker 1: not a real thing. Okay, that's what That's what I

763
00:37:39,640 --> 00:37:41,960
Speaker 1: thought too. I think it's better at least I don't

764
00:37:42,000 --> 00:37:44,520
Speaker 1: know of it. I don't either. Maybe it's so exclusive

765
00:37:44,560 --> 00:37:46,479
Speaker 1: that it's there's like four of them in the world

766
00:37:46,480 --> 00:37:49,160
Speaker 1: and I don't know. Oh, apparently we hear from producer Jensen.

767
00:37:49,200 --> 00:37:53,680
Speaker 1: Pumani is real. Oh but Pumoni isn't. Oh okay, So

768
00:37:53,800 --> 00:37:59,560
Speaker 1: Pumani is real. Pumoni isn't okay. I think that all

769
00:37:59,560 --> 00:38:01,759
Speaker 1: sounds like desert to me. So can I get the

770
00:38:01,760 --> 00:38:05,520
Speaker 1: pomony please? That'd be awesome, research producer Jensen with all

771
00:38:05,520 --> 00:38:08,440
Speaker 1: his research, I'm telling you. So it was the ultimate

772
00:38:08,560 --> 00:38:10,520
Speaker 1: in chic and her New York sense of fashion has

773
00:38:10,560 --> 00:38:13,880
Speaker 1: come in handy sniffing out this imposter, they decide to

774
00:38:14,000 --> 00:38:16,200
Speaker 1: run a check on mister Meniat Jack's house, which is

775
00:38:16,239 --> 00:38:19,560
Speaker 1: nearby and a beautiful house in Brooklyn by the way,

776
00:38:19,680 --> 00:38:21,840
Speaker 1: but as for some reason treated like a shack.

777
00:38:22,160 --> 00:38:22,960
Speaker 3: Oh my gosh.

778
00:38:23,000 --> 00:38:25,799
Speaker 2: I was like, why are they making this look like

779
00:38:25,960 --> 00:38:29,120
Speaker 2: such a I mean, I guess because her house is

780
00:38:29,120 --> 00:38:32,799
Speaker 2: so much like it is very expensive and you can tell.

781
00:38:32,840 --> 00:38:37,160
Speaker 2: But still like, this is looking like Brooklyn is fine living.

782
00:38:37,239 --> 00:38:39,120
Speaker 3: It's like nice. That house was cute.

783
00:38:39,360 --> 00:38:42,920
Speaker 1: Yes, it was big, Yeah, a big room. The neighbors

784
00:38:42,920 --> 00:38:46,680
Speaker 1: are super sweet, and it's Brooklyn. It's not like you

785
00:38:46,760 --> 00:38:50,680
Speaker 1: went to the like the worst parts of wherever. Yeah,

786
00:38:50,719 --> 00:38:53,839
Speaker 1: I mean it was. Yeah. So anyway, that was very

787
00:38:53,840 --> 00:38:55,400
Speaker 1: strange the way they were kind of doing that. But

788
00:38:55,480 --> 00:38:57,279
Speaker 1: we find out here that Jack goes to their private

789
00:38:57,320 --> 00:38:59,480
Speaker 1: school on a scholarship and loves his community, which is

790
00:38:59,520 --> 00:39:01,360
Speaker 1: spoken of out kind of like you'd mentioned in a

791
00:39:01,440 --> 00:39:04,360
Speaker 1: dark alley. But again, it's a beautiful house, so it

792
00:39:04,480 --> 00:39:08,120
Speaker 1: makes no sense. But once inside, Lexi notices pictures of

793
00:39:08,200 --> 00:39:11,760
Speaker 1: Jack's brother Todd, who he says is away in Hawaii

794
00:39:11,840 --> 00:39:13,919
Speaker 1: for the Navy. And he says all this while wearing

795
00:39:13,920 --> 00:39:18,240
Speaker 1: a giant shirt that reads Navy, which is funny because

796
00:39:18,320 --> 00:39:20,719
Speaker 1: my wife was wearing the same exact shirt to bed

797
00:39:20,760 --> 00:39:22,080
Speaker 1: last night. My dad was in the Navy, and we

798
00:39:22,120 --> 00:39:24,480
Speaker 1: all have Navy shirts, and she was literally wearing that

799
00:39:24,640 --> 00:39:27,360
Speaker 1: same exact shirt to bed last night. That's a tangent.

800
00:39:27,360 --> 00:39:28,839
Speaker 1: We didn't need that, But what the heck, I'm gonna

801
00:39:28,880 --> 00:39:30,480
Speaker 1: let you in on my own little life as we

802
00:39:30,560 --> 00:39:33,719
Speaker 1: do this podcast. We also find out that Todd's dad

803
00:39:33,760 --> 00:39:35,480
Speaker 1: died a few years ago. We start to see the

804
00:39:35,480 --> 00:39:37,760
Speaker 1: softer side of this hard shelled kid with a terrible

805
00:39:37,800 --> 00:39:41,480
Speaker 1: fake accent who apparently lives in Squalor, which again none

806
00:39:41,520 --> 00:39:44,760
Speaker 1: of that is accurate. His room is littered with bowling trophies,

807
00:39:44,800 --> 00:39:48,600
Speaker 1: and Lexi is grossed out. She quote unquote heard you

808
00:39:48,719 --> 00:39:52,560
Speaker 1: have to wear hues shoes to bowl. So are we

809
00:39:52,560 --> 00:39:55,560
Speaker 1: supposed to believe that she's so rich that she doesn't

810
00:39:55,600 --> 00:39:58,120
Speaker 1: know how to bowl? Has never been bowling, has only

811
00:39:58,280 --> 00:40:02,160
Speaker 1: heard about bowling. I don't get. I don't get the

812
00:40:02,239 --> 00:40:03,359
Speaker 1: dynamic they're going for.

813
00:40:03,800 --> 00:40:06,560
Speaker 2: First of all, within this house, in this small frame

814
00:40:06,600 --> 00:40:08,359
Speaker 2: of time, we fight a lot.

815
00:40:08,080 --> 00:40:10,799
Speaker 3: Of information that's just freezed by. We find out about his.

816
00:40:10,840 --> 00:40:15,160
Speaker 2: Brother, his dad, the bowling. Like at this one, I'm like, okay,

817
00:40:15,360 --> 00:40:16,760
Speaker 2: and it's going so fast.

818
00:40:16,920 --> 00:40:18,680
Speaker 1: Overload, information overload.

819
00:40:18,920 --> 00:40:22,200
Speaker 2: I thought the same thing, Like is that extreme? However,

820
00:40:22,960 --> 00:40:25,239
Speaker 2: I feel like I can say I've been to New

821
00:40:25,320 --> 00:40:26,600
Speaker 2: York quite a few times.

822
00:40:26,719 --> 00:40:28,120
Speaker 3: I have never been bowling.

823
00:40:28,400 --> 00:40:31,200
Speaker 2: I've never talked to people in New York about them

824
00:40:31,280 --> 00:40:33,440
Speaker 2: going bowling in New York.

825
00:40:34,120 --> 00:40:36,160
Speaker 3: No is bowling a big thing in New York.

826
00:40:36,280 --> 00:40:37,840
Speaker 1: That's not a big thing, but it's a thing. But

827
00:40:37,920 --> 00:40:41,120
Speaker 1: I mean people know enough to know what bowling is.

828
00:40:41,760 --> 00:40:44,560
Speaker 2: Well what it is, but not maybe go if it's

829
00:40:44,600 --> 00:40:47,160
Speaker 2: not like no, but I mean, you know how some

830
00:40:47,239 --> 00:40:49,759
Speaker 2: places have different things that you do as like a

831
00:40:49,840 --> 00:40:53,720
Speaker 2: cat fun night. I've never heard of people even talking

832
00:40:53,719 --> 00:40:55,120
Speaker 2: about going bowling in New York.

833
00:40:55,239 --> 00:40:57,400
Speaker 1: I think people in New York would know enough about

834
00:40:57,440 --> 00:40:59,720
Speaker 1: bowling to know that you have to wear rented shoes

835
00:40:59,760 --> 00:41:04,080
Speaker 1: to Okay, I mean again, I think it's it's not

836
00:41:04,160 --> 00:41:07,480
Speaker 1: this crazy micro world of what is this bowling you

837
00:41:07,520 --> 00:41:07,880
Speaker 1: speak of.

838
00:41:08,000 --> 00:41:12,160
Speaker 3: It's like, you know, I heard you have to wear

839
00:41:12,200 --> 00:41:13,360
Speaker 3: like other people's.

840
00:41:13,320 --> 00:41:15,319
Speaker 1: Yeah, I know. It just it seems like she's just

841
00:41:15,360 --> 00:41:17,359
Speaker 1: never It seems like they're really trying to push this

842
00:41:17,840 --> 00:41:21,560
Speaker 1: that she's hugely fabulously wealthy and he's horribly horribly poor

843
00:41:22,239 --> 00:41:26,399
Speaker 1: and he wasn't horribly horribly poor. No, so yeah. Jack

844
00:41:26,440 --> 00:41:28,200
Speaker 1: sits at his old computer, which we find out was

845
00:41:28,200 --> 00:41:30,600
Speaker 1: given to him by mister Walker, and immediately finds a

846
00:41:30,640 --> 00:41:33,880
Speaker 1: detective Charles Meani on the web. These kids are pretty

847
00:41:33,920 --> 00:41:36,640
Speaker 1: good private eyes. While deciding if it's the same Charles

848
00:41:36,640 --> 00:41:41,040
Speaker 1: media they met, Jack gets a surprising email from mister Walker.

849
00:41:41,480 --> 00:41:43,759
Speaker 1: It's a letter of recommendation you promised Jack. It was

850
00:41:43,760 --> 00:41:47,560
Speaker 1: written four days ago but only sent yesterday. This causes

851
00:41:47,640 --> 00:41:50,239
Speaker 1: Jack to check the general info on his computer and

852
00:41:50,320 --> 00:41:55,279
Speaker 1: sees the owner was someone named Nick Petrosian NP. Like

853
00:41:55,320 --> 00:41:57,960
Speaker 1: the briefcase, we are no closer understanding this, but it

854
00:41:58,000 --> 00:42:00,320
Speaker 1: sure seems like they're happy about finding so sort of

855
00:42:00,320 --> 00:42:02,759
Speaker 1: a clue. We're now back at h Q. Lexi goes

856
00:42:02,760 --> 00:42:04,959
Speaker 1: over the findings with the team, from Miss Stern at

857
00:42:04,960 --> 00:42:07,400
Speaker 1: Walker's apartment, to the homeless guy in the coat to

858
00:42:07,480 --> 00:42:10,719
Speaker 1: mister Gobloom possibly being involved with Stern. There's a lot

859
00:42:10,760 --> 00:42:13,399
Speaker 1: going on right now. Jack has found out that Nick

860
00:42:13,480 --> 00:42:17,279
Speaker 1: Petrosian is a missing banker from Arizona who disappeared in

861
00:42:17,360 --> 00:42:19,960
Speaker 1: nineteen eighty seven and was presumed dead after he was

862
00:42:20,040 --> 00:42:23,200
Speaker 1: charged with embezzlement and fraud. They find this Nick guy's

863
00:42:23,239 --> 00:42:25,800
Speaker 1: mom's address, so they decide to pay her a visit,

864
00:42:26,480 --> 00:42:28,760
Speaker 1: all the while to know in shock, Lexi is starting

865
00:42:28,760 --> 00:42:31,359
Speaker 1: to crush on Jack, the rugged guy from the other

866
00:42:31,400 --> 00:42:35,000
Speaker 1: side of the tracks. What didn't see that coming? Totally

867
00:42:35,080 --> 00:42:37,239
Speaker 1: saw that coming. Now at what they think is Nick

868
00:42:37,280 --> 00:42:40,160
Speaker 1: Petrosian's mom's house, they're met by an older lady wearing

869
00:42:40,160 --> 00:42:43,560
Speaker 1: a fancy brooch, who says, no one with that name

870
00:42:43,800 --> 00:42:46,799
Speaker 1: lives here. She's pretty adamant, but eventually we hear a

871
00:42:46,840 --> 00:42:49,719
Speaker 1: man's voice. He wants them to come in, and it's

872
00:42:49,760 --> 00:42:53,759
Speaker 1: mister Walker. He is alive in this old woman's home.

873
00:42:53,880 --> 00:42:57,799
Speaker 1: They found him very quickly. Leads me to believe that

874
00:42:58,719 --> 00:43:02,160
Speaker 1: all the police are terrible at their jobs. How I

875
00:43:02,160 --> 00:43:05,600
Speaker 1: mean it just if these two kids on this old

876
00:43:05,680 --> 00:43:09,160
Speaker 1: pc could find this out in nine minutes.

877
00:43:11,080 --> 00:43:13,359
Speaker 2: Well, this is one of my sabrinasis, so I'm really

878
00:43:13,360 --> 00:43:15,080
Speaker 2: probably not gonna have very many at the end. But

879
00:43:15,840 --> 00:43:19,280
Speaker 2: there were no cops at this guy's house that's missing,

880
00:43:19,440 --> 00:43:23,680
Speaker 2: that's being reported in the newspaper, being updated, but there's

881
00:43:23,760 --> 00:43:26,080
Speaker 2: no there's nothing taping it off.

882
00:43:26,360 --> 00:43:27,720
Speaker 3: It's not even locked.

883
00:43:28,280 --> 00:43:33,279
Speaker 2: It's like, I mean, there's not no sense of police,

884
00:43:34,600 --> 00:43:37,360
Speaker 2: and it's just kind of going that's again.

885
00:43:37,520 --> 00:43:39,399
Speaker 3: I'm already like, oh, well, she's dreaming something.

886
00:43:39,400 --> 00:43:42,680
Speaker 1: It's gonna be. The police are so bad in this movie,

887
00:43:42,719 --> 00:43:47,120
Speaker 1: it has to be a dream. Yeah. So mister Walker

888
00:43:47,200 --> 00:43:49,520
Speaker 1: or mister Petrojian or whatever you want to call him, says,

889
00:43:49,520 --> 00:43:53,560
Speaker 1: this whole situation is complicated. No the admits to being

890
00:43:53,600 --> 00:43:56,799
Speaker 1: a fugitive banker, but he was framed. Now we jump

891
00:43:56,800 --> 00:43:59,560
Speaker 1: into a flashback of him as a successful banker, now

892
00:43:59,560 --> 00:44:02,480
Speaker 1: with hair. Back in the eighties. Even his boss, mister Granville,

893
00:44:02,520 --> 00:44:05,160
Speaker 1: took notice of his success and hard work. But someone

894
00:44:05,239 --> 00:44:08,680
Speaker 1: secretly embezzled ten million dollars from his account and moved

895
00:44:08,680 --> 00:44:11,279
Speaker 1: it overseas in his name, and then before he could

896
00:44:11,280 --> 00:44:14,600
Speaker 1: fix it, it was quickly drained. He had no alibi

897
00:44:14,640 --> 00:44:16,319
Speaker 1: and knew the police were on his tail, so he

898
00:44:16,400 --> 00:44:19,000
Speaker 1: ran off with the briefcase, faking his death as someone

899
00:44:19,080 --> 00:44:22,680
Speaker 1: anonymously harassed him for the money. He took the name

900
00:44:22,719 --> 00:44:25,120
Speaker 1: of a local recently deceased teacher and entered into a

901
00:44:25,160 --> 00:44:28,080
Speaker 1: whole new life that he loved. Which again, wouldn't an

902
00:44:28,320 --> 00:44:31,840
Speaker 1: everybody know that the teacher died if he was recently deceased,

903
00:44:31,840 --> 00:44:34,759
Speaker 1: and wouldn't that pop up on computers. Not gonna get

904
00:44:34,800 --> 00:44:36,399
Speaker 1: too much into it, But he also fell in love

905
00:44:36,400 --> 00:44:39,080
Speaker 1: with a woman too, miss Dawson. Everything was going great

906
00:44:39,480 --> 00:44:43,960
Speaker 1: until Lexi's article and photo were published. The gig was up.

907
00:44:44,200 --> 00:44:47,040
Speaker 1: He instantly felt someone following him and found a blackmail

908
00:44:47,080 --> 00:44:49,279
Speaker 1: note at his house. It said he had to meet

909
00:44:49,280 --> 00:44:51,720
Speaker 1: this person at a hotel on Saturday at two pm

910
00:44:52,080 --> 00:44:55,799
Speaker 1: or his girlfriend will get hurt. Sadly, the hotel name

911
00:44:56,040 --> 00:44:58,960
Speaker 1: was smudged and illegible. This is heartbreaking because mister Walker

912
00:44:58,960 --> 00:45:02,080
Speaker 1: wants to eventually marry Miss Dawson, and now Lexi wants

913
00:45:02,120 --> 00:45:04,640
Speaker 1: to help. She loops her little sister on the situation,

914
00:45:04,800 --> 00:45:07,680
Speaker 1: hoping for some help, turning their team of four into

915
00:45:07,719 --> 00:45:10,240
Speaker 1: a squad of five. And that was the right decision

916
00:45:10,280 --> 00:45:12,640
Speaker 1: because back at the headquarters, Lexi's sister goes right to

917
00:45:12,680 --> 00:45:15,239
Speaker 1: work using brushes, ink and a black light like the

918
00:45:15,320 --> 00:45:18,320
Speaker 1: one you used to find grosses on sheets to decipher

919
00:45:18,360 --> 00:45:21,600
Speaker 1: the hotel name. It's the fair Mark and the gang

920
00:45:21,680 --> 00:45:25,640
Speaker 1: is going with mister Walker to meet this thug. Back

921
00:45:25,640 --> 00:45:28,160
Speaker 1: at her house, Lexi's dad knows all about Walker's pass

922
00:45:28,200 --> 00:45:30,399
Speaker 1: as a Russian banker on the run. He's facing years

923
00:45:30,400 --> 00:45:34,000
Speaker 1: of prison if caught, but no one knows where he is. Oh,

924
00:45:34,120 --> 00:45:37,279
Speaker 1: Lexi leaves, playing dumb and takes some walkie talkies, which

925
00:45:37,320 --> 00:45:39,680
Speaker 1: we know will come in handy later. By the way,

926
00:45:39,680 --> 00:45:41,440
Speaker 1: they had to make these people rich because they have

927
00:45:41,640 --> 00:45:44,120
Speaker 1: thousands of dollars worth of spy equipment that they keep

928
00:45:44,160 --> 00:45:48,959
Speaker 1: buying thousands. The original gang of four hop in a cab,

929
00:45:49,000 --> 00:45:51,040
Speaker 1: now all dressed like they're in the matrix. They meet

930
00:45:51,120 --> 00:45:53,200
Speaker 1: up with mister Walker at the Fairmont just in time

931
00:45:53,200 --> 00:45:57,279
Speaker 1: and equip each other with earpieces. Walker in a very

932
00:45:57,280 --> 00:46:00,160
Speaker 1: conspicuous disguise, and at two pm the only part and

933
00:46:00,200 --> 00:46:02,240
Speaker 1: they see is miss Dawson. Wait, what's going on here?

934
00:46:02,360 --> 00:46:04,879
Speaker 1: Also they decide to hide in plane sight. And by

935
00:46:04,880 --> 00:46:08,640
Speaker 1: that I mean just there. One sits in a chair

936
00:46:09,160 --> 00:46:13,000
Speaker 1: next to the wall. One kind of behind a plant.

937
00:46:13,680 --> 00:46:15,719
Speaker 1: I mean it's just holding the camera like an inch

938
00:46:15,760 --> 00:46:17,000
Speaker 1: from the It's it's.

939
00:46:16,800 --> 00:46:22,080
Speaker 2: Not the camera on it is the word the worst

940
00:46:22,280 --> 00:46:25,040
Speaker 2: hiding ever, it's just their bad hiders.

941
00:46:25,360 --> 00:46:27,759
Speaker 1: Ye. So yes, So all of a sudden we see

942
00:46:27,760 --> 00:46:29,600
Speaker 1: miss Dawson. What's she doing there? And then guess who

943
00:46:29,600 --> 00:46:33,040
Speaker 1: appears mister Goldbloom? Wait what? And then the homeless man

944
00:46:33,040 --> 00:46:35,640
Speaker 1: with the coat is being escorted out by security, and

945
00:46:35,680 --> 00:46:40,120
Speaker 1: then missus Petrosian walks in. Then Miss Stearn. This is

946
00:46:40,120 --> 00:46:42,960
Speaker 1: where I truly thought I was going insane. I felt

947
00:46:42,960 --> 00:46:44,920
Speaker 1: like this was a David Lynch movie, but not a

948
00:46:44,920 --> 00:46:48,320
Speaker 1: good one. This is the gang is in all fairness.

949
00:46:48,360 --> 00:46:51,279
Speaker 1: They write to this, the gang is totally confused too.

950
00:46:51,880 --> 00:46:54,560
Speaker 1: Just when they think you can't get any weirder, Detective

951
00:46:54,760 --> 00:46:58,200
Speaker 1: Mini shows up for the exchange. He's the blackmailer, but

952
00:46:58,239 --> 00:47:01,200
Speaker 1: Walker recognizes him as someone else. It's his boss, mister

953
00:47:01,320 --> 00:47:03,480
Speaker 1: Glanville from the bank. You remember him, of course you do.

954
00:47:03,920 --> 00:47:06,719
Speaker 1: Glanville set him up and stole the money, and now

955
00:47:06,760 --> 00:47:08,680
Speaker 1: he wants it back, but we know Walker doesn't have it.

956
00:47:08,920 --> 00:47:12,640
Speaker 1: This infuriates Glanville, who lunges for the briefcase and exposes

957
00:47:12,680 --> 00:47:15,200
Speaker 1: the elaborate walkie talkie system. And by that I mean

958
00:47:15,560 --> 00:47:18,680
Speaker 1: a giant microphone thing. I mean it's like, oh my god,

959
00:47:19,760 --> 00:47:22,360
Speaker 1: it's secret service. Yikes.

960
00:47:22,440 --> 00:47:22,800
Speaker 3: Man.

961
00:47:23,440 --> 00:47:26,120
Speaker 1: Yes, he might as well had a boombox on his

962
00:47:26,200 --> 00:47:30,640
Speaker 1: on his shoulder. It was bad. Mini thinks he's wired

963
00:47:30,680 --> 00:47:32,799
Speaker 1: for police, so he sprints off. The kids split up

964
00:47:32,800 --> 00:47:34,640
Speaker 1: and try to find him, and we enter an intricate

965
00:47:34,680 --> 00:47:37,239
Speaker 1: cat and mouse chase on many, many levels. We see

966
00:47:37,239 --> 00:47:39,840
Speaker 1: the homeless man still running from security. When Lexi and

967
00:47:39,920 --> 00:47:43,359
Speaker 1: Jack land in the basement, Glanville throws an empty barrel

968
00:47:43,360 --> 00:47:44,879
Speaker 1: at them, because of course, what you need to do

969
00:47:45,040 --> 00:47:51,440
Speaker 1: is run from two seventh graders, okay, and sets a

970
00:47:51,560 --> 00:47:55,560
Speaker 1: pipe trap that snags Lexi's bracelet. She's saved by Jack,

971
00:47:55,600 --> 00:47:57,440
Speaker 1: who of course gets a kiss on the cheek as

972
00:47:57,440 --> 00:47:59,719
Speaker 1: a reward, but now their target at this point is

973
00:47:59,800 --> 00:48:03,360
Speaker 1: long gone. They hear nearby muffled screaming, and Lexi finds

974
00:48:03,400 --> 00:48:06,600
Speaker 1: Miss Dawson tied up with towels. She was tricked into

975
00:48:06,640 --> 00:48:09,360
Speaker 1: a free spa day, and is shocked to hear mister

976
00:48:09,480 --> 00:48:12,760
Speaker 1: Walker is in fact alive. Lexi would love to stop

977
00:48:12,760 --> 00:48:15,880
Speaker 1: and chat more, but she needs to stop Walker's boss pronto.

978
00:48:16,440 --> 00:48:19,640
Speaker 1: The homeless man, still in that goddamn jacket, barges into

979
00:48:19,800 --> 00:48:23,320
Speaker 1: a convention hall at the hotel. It is a press conference,

980
00:48:23,360 --> 00:48:26,480
Speaker 1: and he's introduces someone who's spent the last four weeks undercover,

981
00:48:26,920 --> 00:48:29,560
Speaker 1: living on the streets of Brooklyn, and here with his

982
00:48:29,680 --> 00:48:35,680
Speaker 1: story to tell ladies and gentlemen. It's Councilman Gary I Care,

983
00:48:38,760 --> 00:48:42,480
Speaker 1: Gary I care this movie. In their obvious names, the

984
00:48:42,520 --> 00:48:44,640
Speaker 1: crowd erupts an applause. By the way, we have no

985
00:48:44,640 --> 00:48:46,400
Speaker 1: idea who this person is. Don't know what he has

986
00:48:46,440 --> 00:48:50,799
Speaker 1: to do with the movie. It's a strange acting, like

987
00:48:50,840 --> 00:48:53,960
Speaker 1: the whole performance is weird. We've never seen this guy before.

988
00:48:54,360 --> 00:48:58,000
Speaker 2: Oh he like if he's been undercover, he probably hasn't showered.

989
00:48:58,040 --> 00:49:01,120
Speaker 2: He's like putting his hand under people's noses.

990
00:49:01,040 --> 00:49:03,799
Speaker 1: And then he's like looking at the jacket like it's

991
00:49:03,840 --> 00:49:07,000
Speaker 1: the most in It was just one strange choice after another.

992
00:49:07,040 --> 00:49:09,560
Speaker 1: But of course the crowd erupts an applause, just as

993
00:49:09,680 --> 00:49:12,319
Speaker 1: Lexi and Jack creep inside. They hear the politicians say

994
00:49:12,320 --> 00:49:14,440
Speaker 1: he's learned a lot about poverty in the gross gross,

995
00:49:14,440 --> 00:49:17,200
Speaker 1: gross city of Brooklyn. Of course, because Brooklyn just keeps

996
00:49:17,200 --> 00:49:20,719
Speaker 1: getting on during this entire movie. Many see his coat

997
00:49:20,760 --> 00:49:22,920
Speaker 1: as an accessory, but now he knows it's also a

998
00:49:22,960 --> 00:49:25,920
Speaker 1: form of shelter. The coat was the only active kindness

999
00:49:25,920 --> 00:49:27,960
Speaker 1: he received while undercover, when a man gave it to

1000
00:49:28,040 --> 00:49:32,640
Speaker 1: him for warmth, and we know that man was mister Walker. Okay,

1001
00:49:32,800 --> 00:49:35,040
Speaker 1: but what does that have to do with Okay, This

1002
00:49:35,120 --> 00:49:37,480
Speaker 1: all hits Lexi like a ton of bricks. She's realizing

1003
00:49:37,800 --> 00:49:40,000
Speaker 1: she's a stuck up rat, and her dad is there

1004
00:49:40,280 --> 00:49:42,879
Speaker 1: covering the press conference and spots her. But no time

1005
00:49:42,920 --> 00:49:45,600
Speaker 1: to dwell on any of that negativity. The conniving boss

1006
00:49:45,680 --> 00:49:48,359
Speaker 1: darts by, and Jack and Lexi run to go get

1007
00:49:48,400 --> 00:49:50,359
Speaker 1: him again because we need to be caught by two

1008
00:49:50,440 --> 00:49:54,000
Speaker 1: seventh graders. Back in the hotel, Walker's finally reunited with

1009
00:49:54,040 --> 00:49:57,720
Speaker 1: Miss Dawson and they passionately embrace while his mom watches on. Also,

1010
00:49:57,800 --> 00:50:00,400
Speaker 1: why is she there? We never get into that. In

1011
00:50:00,440 --> 00:50:02,720
Speaker 1: a small break from the chase, Lexi has an idea.

1012
00:50:03,120 --> 00:50:05,239
Speaker 1: She puts on her rear viewing sunglasses. You know the

1013
00:50:05,239 --> 00:50:07,880
Speaker 1: ones from earlier. You remember those, right, of course you do. Well,

1014
00:50:08,000 --> 00:50:11,960
Speaker 1: she wears them, and this is and this way she

1015
00:50:12,040 --> 00:50:14,080
Speaker 1: can see the bad guys without turning her head. And

1016
00:50:14,160 --> 00:50:18,359
Speaker 1: so she then spots Glanville, who hides again in plain sight,

1017
00:50:18,440 --> 00:50:20,920
Speaker 1: just staring behind her at a desk. Jack jumps up

1018
00:50:20,960 --> 00:50:23,400
Speaker 1: and slides a cart, in turn hitting an elaborate and

1019
00:50:23,480 --> 00:50:26,719
Speaker 1: tall cake, flinging it into the air and landing all

1020
00:50:26,719 --> 00:50:30,280
Speaker 1: over the bad guy. This, like any pastry Wood knocks

1021
00:50:30,360 --> 00:50:34,040
Speaker 1: him to the ground and knocks him out cold, because

1022
00:50:34,160 --> 00:50:38,480
Speaker 1: that's what cake does. Cops, led by Detective Potter, who

1023
00:50:38,520 --> 00:50:41,239
Speaker 1: is now sands mustache and in Lexi's defense, looks so

1024
00:50:41,320 --> 00:50:45,400
Speaker 1: much better, arrest Glanville, and now Lexi fills us in

1025
00:50:45,440 --> 00:50:48,279
Speaker 1: on everything we now know or think we know. Miss

1026
00:50:48,360 --> 00:50:52,520
Speaker 1: Stearne actually liked mister Walker and was jealous of Miss Dawson.

1027
00:50:52,880 --> 00:50:54,920
Speaker 1: So she snooped around his place to see if she

1028
00:50:55,320 --> 00:50:59,520
Speaker 1: ran him out of town. But also mister Goldbloom, who

1029
00:50:59,560 --> 00:51:02,879
Speaker 1: was rejected by Miss Dawson, now found love with Miss

1030
00:51:03,000 --> 00:51:06,719
Speaker 1: Stearn big Old. Another swap we got. We're swapping all

1031
00:51:06,719 --> 00:51:09,839
Speaker 1: over the place lately. But even with this good news,

1032
00:51:09,880 --> 00:51:13,280
Speaker 1: unfortunately the cops still need to arrest mister Walker. He's

1033
00:51:13,520 --> 00:51:16,520
Speaker 1: just as guilty as Glanville. If he really was framed, well,

1034
00:51:16,560 --> 00:51:19,640
Speaker 1: then where is the ten million dollars? Great question? Where

1035
00:51:19,680 --> 00:51:22,160
Speaker 1: is this ten million bucks? Walker has no idea. He

1036
00:51:22,239 --> 00:51:26,000
Speaker 1: is defeated. But that's when Lexi notices mister Walker's Mom's

1037
00:51:26,080 --> 00:51:30,120
Speaker 1: brooch again. It's a unique bumblebee. Lexi wants to know

1038
00:51:30,160 --> 00:51:31,920
Speaker 1: where she got it, and this is where we get

1039
00:51:31,920 --> 00:51:34,400
Speaker 1: another flashback. It's the eighties and Walker's mom is in

1040
00:51:34,440 --> 00:51:36,600
Speaker 1: the bank to meet her son for lunch. She notices

1041
00:51:36,640 --> 00:51:40,200
Speaker 1: a paper bag on the floor and found the brooch inside.

1042
00:51:40,600 --> 00:51:42,279
Speaker 1: She assumed it belonged to someone at the bank, but

1043
00:51:42,320 --> 00:51:44,880
Speaker 1: the next day her son disappeared, and she says she

1044
00:51:44,960 --> 00:51:48,080
Speaker 1: had no way of returning it, but she could have

1045
00:51:48,120 --> 00:51:51,239
Speaker 1: just dropped it off the lost and found So I

1046
00:51:51,239 --> 00:51:52,440
Speaker 1: think it goes without saying.

1047
00:51:52,239 --> 00:51:55,239
Speaker 2: She's just hiding, Joli, right, he was, so he went

1048
00:51:55,280 --> 00:51:58,520
Speaker 2: into hiding, so she had to like kind of disappear too, right.

1049
00:51:58,560 --> 00:52:01,640
Speaker 1: But somebody just left it in a bag on the ground.

1050
00:52:01,800 --> 00:52:02,279
Speaker 1: In the bag.

1051
00:52:03,160 --> 00:52:06,439
Speaker 2: That was more of my question. Why would two Why

1052
00:52:06,480 --> 00:52:09,000
Speaker 2: would he do? Why would why would that happen?

1053
00:52:09,400 --> 00:52:12,040
Speaker 1: I don't know. But this is where Lexi reveals that

1054
00:52:12,120 --> 00:52:15,359
Speaker 1: broach has a certified canary diamond on it and there

1055
00:52:15,360 --> 00:52:17,680
Speaker 1: are only thirty that exists around the world. It's flawless

1056
00:52:17,680 --> 00:52:21,359
Speaker 1: and worth around wait for it, ten million bucks, So

1057
00:52:21,440 --> 00:52:25,000
Speaker 1: that's where the money went. Mini aka Boss Glanville admits

1058
00:52:25,040 --> 00:52:27,040
Speaker 1: he bought it to launder the money and figured Walker

1059
00:52:27,120 --> 00:52:30,080
Speaker 1: stole the jewel and left. This clears their teacher of

1060
00:52:30,080 --> 00:52:33,040
Speaker 1: any wrongdoing and the day is saved. As a result.

1061
00:52:33,120 --> 00:52:35,719
Speaker 1: We see Lexi's exclusive front page article about the whole

1062
00:52:35,760 --> 00:52:38,839
Speaker 1: situation all in the Examiner the very next day, because

1063
00:52:38,840 --> 00:52:42,560
Speaker 1: we know that these papers print really, really fast. I'm

1064
00:52:42,600 --> 00:52:45,080
Speaker 1: amazed that the second she didn't go wait a minute,

1065
00:52:45,200 --> 00:52:47,279
Speaker 1: that broach, there wasn't a picture of the newspaper of

1066
00:52:47,320 --> 00:52:50,200
Speaker 1: her holding the brooch that was literally published the minute

1067
00:52:50,239 --> 00:52:53,320
Speaker 1: she said it. It's like airplane in the beginning of

1068
00:52:53,320 --> 00:52:55,120
Speaker 1: Airplane where they take a picture of him jumping out

1069
00:52:55,120 --> 00:52:57,600
Speaker 1: of the truck and it's in the paper. Really as

1070
00:52:57,760 --> 00:52:59,319
Speaker 1: the second they do it, you don't know what I'm

1071
00:52:59,320 --> 00:53:02,640
Speaker 1: talking about. To watch Airplane it great. Mister Walker is

1072
00:53:02,719 --> 00:53:07,200
Speaker 1: now a freeman and now he's marrying miss Dawson as

1073
00:53:07,239 --> 00:53:09,640
Speaker 1: the new Mister and Missus Walker or Mister and Missus

1074
00:53:09,680 --> 00:53:14,120
Speaker 1: Petrosian leave the ceremonies in a horse drawn carriage. Gabe

1075
00:53:14,120 --> 00:53:16,719
Speaker 1: once again storms Lexi with his camera. He wants to

1076
00:53:16,800 --> 00:53:19,760
Speaker 1: know her secret. How does she always get the inside scoop.

1077
00:53:19,880 --> 00:53:22,560
Speaker 1: She says there is no secret, it's just skill, and

1078
00:53:22,600 --> 00:53:24,840
Speaker 1: then we get a nice final moment between Jack and Lexi.

1079
00:53:24,960 --> 00:53:27,680
Speaker 1: She learns something from Jack. Things aren't always what they appear,

1080
00:53:28,160 --> 00:53:30,279
Speaker 1: like the fact that he's from smelly ass Brooklyn. But

1081
00:53:30,400 --> 00:53:34,640
Speaker 1: he's not smelly, He's cute. I love it. She hands

1082
00:53:34,719 --> 00:53:37,160
Speaker 1: him a bag. Instead of buying something for herself, she

1083
00:53:37,200 --> 00:53:40,319
Speaker 1: brought him vintage bowling shoes and customize them for a

1084
00:53:40,400 --> 00:53:43,960
Speaker 1: future date. Jenna is still grossed out about wearing old shoes,

1085
00:53:44,040 --> 00:53:47,600
Speaker 1: but Lexi has matured she's ready to wear somebody else's

1086
00:53:47,640 --> 00:53:50,960
Speaker 1: old nasty shoes. We get Lexi's final narration about how

1087
00:53:51,000 --> 00:53:53,200
Speaker 1: much she loves New York and if you can't find

1088
00:53:53,239 --> 00:53:55,920
Speaker 1: the beauty in the city, then you should get a clue.

1089
00:53:56,160 --> 00:53:58,839
Speaker 1: And that's the name of the movie. And also the

1090
00:53:59,040 --> 00:54:10,879
Speaker 1: end of the movie. Okay, well, this was a tough

1091
00:54:10,880 --> 00:54:13,120
Speaker 1: one for me. It wasn't awful, but it was the

1092
00:54:13,160 --> 00:54:15,400
Speaker 1: script was all over the place. I just didn't know

1093
00:54:15,440 --> 00:54:17,640
Speaker 1: what this was. But let's see what other people thought

1094
00:54:17,640 --> 00:54:20,200
Speaker 1: of it, and let's do some real reviews, and Sabrina,

1095
00:54:20,880 --> 00:54:23,080
Speaker 1: you get the fun. I'm gonna call it the fun

1096
00:54:23,239 --> 00:54:26,040
Speaker 1: star review because that's the fun one star review. This week,

1097
00:54:26,520 --> 00:54:27,200
Speaker 1: what do we got?

1098
00:54:28,239 --> 00:54:33,320
Speaker 2: We have a one star by Jenny two on July first,

1099
00:54:33,880 --> 00:54:38,200
Speaker 2: This movie is so fake. Okay, maybe there's a tad issue.

1100
00:54:38,800 --> 00:54:43,759
Speaker 2: I've had a bit. I've had the biggest crush on

1101
00:54:43,800 --> 00:54:47,600
Speaker 2: bug call Jack forever, but really this movie could have

1102
00:54:47,640 --> 00:54:51,320
Speaker 2: been better. And other than that, the characters are fashion freaks.

1103
00:54:51,440 --> 00:54:52,239
Speaker 3: What's up with that?

1104
00:54:53,480 --> 00:54:54,840
Speaker 1: Okay, well, there you go.

1105
00:54:56,239 --> 00:54:59,320
Speaker 3: With like July first of twenty twenty four.

1106
00:54:59,320 --> 00:55:01,919
Speaker 1: Is this no? No, here's no, here's why we're doing

1107
00:55:01,920 --> 00:55:04,920
Speaker 1: that name. So her name is Jenny two. And on

1108
00:55:05,040 --> 00:55:08,840
Speaker 1: July first, she left that one star review and now

1109
00:55:09,480 --> 00:55:11,839
Speaker 1: I have the five star review which was left by

1110
00:55:11,920 --> 00:55:19,840
Speaker 1: Jenny two on July twenty second. That's why producer Jensen

1111
00:55:19,920 --> 00:55:20,480
Speaker 1: finds the.

1112
00:55:20,440 --> 00:55:22,280
Speaker 3: Goal this is of twenty twenty four.

1113
00:55:23,000 --> 00:55:24,400
Speaker 1: No, I don't. We don't know what year it is.

1114
00:55:24,640 --> 00:55:27,160
Speaker 1: It's just we're just showing that. On July first, she

1115
00:55:27,200 --> 00:55:31,000
Speaker 1: wrote a one star review, and on July twenty second,

1116
00:55:31,480 --> 00:55:34,799
Speaker 1: Jenny two wrote this five star review. I wrote a

1117
00:55:34,800 --> 00:55:37,120
Speaker 1: one star review before, but I definitely want to change that.

1118
00:55:37,280 --> 00:55:40,799
Speaker 1: This movie is absolutely unrealistic but nonetheless entertaining. It kept

1119
00:55:40,800 --> 00:55:43,040
Speaker 1: me entertained, and I'll definitely see it again. If it

1120
00:55:43,040 --> 00:55:46,880
Speaker 1: comes out on video, I'll own it. Thanks Jenny two.

1121
00:55:47,200 --> 00:55:49,080
Speaker 1: I am now as confused as I was when I

1122
00:55:49,120 --> 00:55:53,520
Speaker 1: was watching the film. And now we come to Sabrina's

1123
00:55:53,560 --> 00:55:55,279
Speaker 1: favorite part of the podcast. By the way, I know

1124
00:55:55,320 --> 00:55:57,160
Speaker 1: everybody thinks it sounds like I dodne this movie. The

1125
00:55:57,280 --> 00:56:00,160
Speaker 1: entire time, I wasn't trying to. It's it's thank you

1126
00:56:00,400 --> 00:56:04,040
Speaker 1: for what it is. But the story was just all

1127
00:56:04,080 --> 00:56:06,120
Speaker 1: over the place, and it was confusing and weird, and

1128
00:56:06,160 --> 00:56:08,680
Speaker 1: the tone was weird, and it kept changing, and so

1129
00:56:08,719 --> 00:56:10,920
Speaker 1: that's what I say. But anyway, we are now up

1130
00:56:10,920 --> 00:56:15,160
Speaker 1: to our feature presentation made once again by producer Jensen. Uh,

1131
00:56:15,320 --> 00:56:19,279
Speaker 1: and it's called this week, solve this in honor of

1132
00:56:19,320 --> 00:56:21,680
Speaker 1: Lexi in her mystery solving ways. The two of us

1133
00:56:21,760 --> 00:56:24,320
Speaker 1: must work together to solve three of these five riddles.

1134
00:56:24,360 --> 00:56:29,279
Speaker 1: Like we're Lexi and Jake. Good luck to us. All right,

1135
00:56:29,360 --> 00:56:32,840
Speaker 1: So let's figure out what we're gonna do here the

1136
00:56:32,880 --> 00:56:35,200
Speaker 1: whole time we're doing it, all right? Is that alright

1137
00:56:35,239 --> 00:56:35,759
Speaker 1: with you? There?

1138
00:56:35,800 --> 00:56:40,040
Speaker 4: Sabrina's next sentence, you have now say in a regular

1139
00:56:40,080 --> 00:56:42,120
Speaker 4: voice exactly and uh.

1140
00:56:42,200 --> 00:56:44,120
Speaker 1: And then after that we're gonna do some cool stuff

1141
00:56:44,160 --> 00:56:48,480
Speaker 1: because I'm for Brooklyn or whatever's so here we go.

1142
00:56:50,760 --> 00:56:54,520
Speaker 1: Number one, What comes once in a minute, twice in

1143
00:56:54,560 --> 00:56:59,440
Speaker 1: a moment, but never in a thousand years? I have

1144
00:56:59,480 --> 00:57:03,840
Speaker 1: a really the answer, so I'm not gonna say it. Okay,

1145
00:57:04,360 --> 00:57:08,080
Speaker 1: what comes once in a minute, twice in a moment,

1146
00:57:08,840 --> 00:57:10,880
Speaker 1: but never in a thousand years.

1147
00:57:11,160 --> 00:57:12,680
Speaker 4: We've gotta put time limits on these two.

1148
00:57:12,719 --> 00:57:16,560
Speaker 1: So okay, God, once in a minute, twice in a moment,

1149
00:57:16,680 --> 00:57:20,040
Speaker 1: but never in a thousand years.

1150
00:57:21,680 --> 00:57:24,040
Speaker 3: I don't know, twice in a moment.

1151
00:57:27,600 --> 00:57:31,640
Speaker 1: Oh, I think I know what it is, Okay. I

1152
00:57:31,640 --> 00:57:34,560
Speaker 1: think it's the letter M.

1153
00:57:34,680 --> 00:57:35,800
Speaker 4: It is the letter M.

1154
00:57:36,120 --> 00:57:37,360
Speaker 1: Okay, good.

1155
00:57:37,680 --> 00:57:40,240
Speaker 4: Wow on a tear to start?

1156
00:57:40,400 --> 00:57:43,040
Speaker 1: Here we go one for one? There we go, okay.

1157
00:57:43,160 --> 00:57:45,320
Speaker 4: Number I want to go like I don't know, to

1158
00:57:45,400 --> 00:57:47,000
Speaker 4: take a break or whatever, whatever.

1159
00:57:46,800 --> 00:57:48,920
Speaker 1: You want to do. It just has some answer.

1160
00:57:51,040 --> 00:57:51,680
Speaker 3: That's awesome.

1161
00:57:52,680 --> 00:57:57,560
Speaker 1: Number two, which word in the dictionary is spelled incorrectly?

1162
00:57:59,400 --> 00:58:00,880
Speaker 3: Incorrectly?

1163
00:58:02,000 --> 00:58:05,919
Speaker 4: We've done it one for Sabrina, one for will, one

1164
00:58:06,000 --> 00:58:08,360
Speaker 4: more and they get it correct. I will, I will

1165
00:58:08,400 --> 00:58:10,560
Speaker 4: eat crow if this is great?

1166
00:58:11,360 --> 00:58:15,720
Speaker 1: Number three. Carlos's height is six feet. He's an assistant

1167
00:58:15,720 --> 00:58:18,840
Speaker 1: at a butcher shop and wears size nine shoes. What

1168
00:58:19,040 --> 00:58:22,440
Speaker 1: is he weigh?

1169
00:58:22,480 --> 00:58:25,240
Speaker 3: What does he weigh? Does it like meat?

1170
00:58:25,360 --> 00:58:26,600
Speaker 1: Meat? Would be my answer?

1171
00:58:27,040 --> 00:58:32,640
Speaker 4: Three for three you guys, yes, yes, the sound of celebration. Here?

1172
00:58:33,360 --> 00:58:34,439
Speaker 1: Should we do the last two?

1173
00:58:35,320 --> 00:58:35,600
Speaker 2: Wow?

1174
00:58:36,000 --> 00:58:37,000
Speaker 1: Here's the last two?

1175
00:58:37,880 --> 00:58:38,080
Speaker 4: Uh?

1176
00:58:38,240 --> 00:58:41,360
Speaker 1: Number four. When it is alive, we sing. When it

1177
00:58:41,440 --> 00:58:43,800
Speaker 1: is dead, we clap our hands. What is it?

1178
00:58:44,200 --> 00:58:44,400
Speaker 2: Oh?

1179
00:58:44,480 --> 00:58:44,760
Speaker 3: God?

1180
00:58:45,320 --> 00:58:49,960
Speaker 1: When it is alive, we sing d the four. When

1181
00:58:50,000 --> 00:58:56,320
Speaker 1: it is dead, we clap our hands. What is it? Oh?

1182
00:58:59,400 --> 00:59:00,320
Speaker 3: When it is a five?

1183
00:59:00,440 --> 00:59:05,960
Speaker 1: We sing when it's dead like top our hands?

1184
00:59:06,120 --> 00:59:06,840
Speaker 2: Is it? Well?

1185
00:59:07,120 --> 00:59:07,840
Speaker 3: That's too easy?

1186
00:59:07,880 --> 00:59:12,520
Speaker 4: Probably may uh in praises it's a birthday candle.

1187
00:59:14,120 --> 00:59:17,480
Speaker 1: Oh? Okay, that's interesting, all right. I like that one

1188
00:59:18,080 --> 00:59:21,640
Speaker 1: and number five. If two is company and three is

1189
00:59:21,680 --> 00:59:25,200
Speaker 1: a crowd, what are four and five? I think the

1190
00:59:25,240 --> 00:59:28,320
Speaker 1: answer is nine. The answer is nine.

1191
00:59:28,560 --> 00:59:32,360
Speaker 4: Unbelievable showing by both of you. This is truly maybe

1192
00:59:32,440 --> 00:59:33,720
Speaker 4: your best performance.

1193
00:59:34,600 --> 00:59:39,240
Speaker 1: I think I am secretly a detectively whatever.

1194
00:59:39,200 --> 00:59:41,680
Speaker 3: You're and Mikayla did it. We we got all of them.

1195
00:59:41,720 --> 00:59:42,600
Speaker 3: We got all of them once.

1196
00:59:43,040 --> 00:59:45,040
Speaker 1: She's going to pretend that happened. I'm not sure that's

1197
00:59:45,040 --> 00:59:45,680
Speaker 1: actually happened.

1198
00:59:45,720 --> 00:59:47,840
Speaker 4: Or I mean, number one, you didn't get all of them.

1199
00:59:48,200 --> 00:59:48,800
Speaker 4: You still.

1200
00:59:51,320 --> 00:59:51,360
Speaker 1: No.

1201
00:59:51,480 --> 00:59:53,720
Speaker 2: You said our best performance, and I'm saying I think

1202
00:59:53,760 --> 00:59:55,800
Speaker 2: we actually got all of them ones, but you weren't

1203
00:59:55,840 --> 00:59:56,440
Speaker 2: there to see it.

1204
00:59:56,640 --> 00:59:59,080
Speaker 3: It was like the one episode you haven't been here.

1205
00:59:59,280 --> 01:00:03,240
Speaker 1: It's a tree far exactly exactly. Thank you so much.

1206
01:00:04,080 --> 01:00:06,800
Speaker 1: I appreciate it, boy. And now we're gonna go to

1207
01:00:10,600 --> 01:00:12,479
Speaker 1: if there are any left? Are there any Sabrina sees

1208
01:00:12,560 --> 01:00:15,240
Speaker 1: left or did already see?

1209
01:00:15,480 --> 01:00:18,160
Speaker 2: I saw most of these and have said almost all

1210
01:00:18,200 --> 01:00:22,120
Speaker 2: of them, except there were a few, like continuity things

1211
01:00:22,120 --> 01:00:23,520
Speaker 2: that kind of jumped out of me that.

1212
01:00:23,480 --> 01:00:24,120
Speaker 3: I didn't love.

1213
01:00:24,520 --> 01:00:28,120
Speaker 2: Okay, but that's just being super picky and looking obviously

1214
01:00:28,240 --> 01:00:30,840
Speaker 2: it didn't make a difference of the storyline or anything,

1215
01:00:30,920 --> 01:00:36,600
Speaker 2: but her red giant heel the first sweep that we get,

1216
01:00:36,640 --> 01:00:38,640
Speaker 2: you know, you always kind of wonder when they film

1217
01:00:38,680 --> 01:00:41,640
Speaker 2: those and what we're But the first sweep we see

1218
01:00:41,680 --> 01:00:45,280
Speaker 2: her heel pretty close to like the I guess kind

1219
01:00:45,320 --> 01:00:46,440
Speaker 2: of closet.

1220
01:00:47,680 --> 01:00:48,120
Speaker 3: Computer.

1221
01:00:48,760 --> 01:00:51,120
Speaker 2: And then she also like her looks like her nighttime

1222
01:00:51,200 --> 01:00:53,880
Speaker 2: routine right would be this like mask thing. And then

1223
01:00:53,920 --> 01:00:55,640
Speaker 2: the very next time we see her go to bed,

1224
01:00:55,760 --> 01:00:58,840
Speaker 2: the heel has moved in her room. That's a big

1225
01:00:59,040 --> 01:01:01,800
Speaker 2: piece of furniture to move, so that was weird to me.

1226
01:01:01,840 --> 01:01:04,280
Speaker 2: And then she didn't have the mask thing. I told

1227
01:01:04,360 --> 01:01:07,479
Speaker 2: you already. I was thinking that this was a dream that.

1228
01:01:09,800 --> 01:01:10,520
Speaker 1: The entire time.

1229
01:01:11,120 --> 01:01:15,600
Speaker 2: And then we didn't mention that the mister Meanie slash

1230
01:01:16,680 --> 01:01:22,880
Speaker 2: mister Detective Meanie slash Granville was our vampire from Mom's

1231
01:01:22,920 --> 01:01:24,040
Speaker 2: had a date with a vampire.

1232
01:01:24,200 --> 01:01:28,080
Speaker 3: Yeah, we do that just at the beginning, at the beginning, okay.

1233
01:01:29,880 --> 01:01:32,320
Speaker 2: And then just one of those small little things that

1234
01:01:32,360 --> 01:01:35,880
Speaker 2: I'm gonna always look look out for is anytime there's gadgets,

1235
01:01:37,320 --> 01:01:40,480
Speaker 2: is we saw what kind of eludes as an Apple watch,

1236
01:01:40,520 --> 01:01:43,000
Speaker 2: which I was like, oh, we got our like smart

1237
01:01:43,040 --> 01:01:44,080
Speaker 2: house little situation.

1238
01:01:44,240 --> 01:01:46,280
Speaker 3: Yeah, we got an Apple watch in the movie.

1239
01:01:47,000 --> 01:01:52,040
Speaker 2: And then I think that the last thing is and

1240
01:01:52,120 --> 01:01:54,680
Speaker 2: I know it was a con, but I feel like

1241
01:01:54,720 --> 01:01:57,400
Speaker 2: there would actually be a spa at where at the

1242
01:01:57,800 --> 01:01:58,760
Speaker 2: hotel they were.

1243
01:01:58,840 --> 01:02:03,840
Speaker 3: But that was the jankis like grosses locker room for

1244
01:02:03,920 --> 01:02:05,600
Speaker 3: a spa. If that was a.

1245
01:02:05,520 --> 01:02:09,240
Speaker 2: Spot, like, I would never because you know, spa, you're

1246
01:02:09,360 --> 01:02:12,480
Speaker 2: like some you know, you're wearing sandals and whatever, like, oh,

1247
01:02:12,520 --> 01:02:15,280
Speaker 2: that place looks so dirty and nasty. So she should

1248
01:02:15,280 --> 01:02:18,840
Speaker 2: have left far before she got taped up and accosted.

1249
01:02:18,960 --> 01:02:20,520
Speaker 1: I guess fair enough.

1250
01:02:20,960 --> 01:02:21,320
Speaker 2: I like this.

1251
01:02:22,080 --> 01:02:23,600
Speaker 1: And now, of course we come to the portion of

1252
01:02:23,640 --> 01:02:25,480
Speaker 1: our program where we have to rate our film, and

1253
01:02:25,600 --> 01:02:27,600
Speaker 1: we get to pick what we're rating. I picked last

1254
01:02:27,600 --> 01:02:30,960
Speaker 1: time because I wanted to hear you say the word pooh.

1255
01:02:31,040 --> 01:02:33,120
Speaker 1: So you're gonna get to pick this time. We're gonna

1256
01:02:33,120 --> 01:02:35,040
Speaker 1: do one out of ten, as we always do, one

1257
01:02:35,080 --> 01:02:36,680
Speaker 1: of course being the worst, ten being the best. Sunday

1258
01:02:36,720 --> 01:02:39,560
Speaker 1: we're gonna switch it, but not today. Do you want

1259
01:02:39,560 --> 01:02:42,000
Speaker 1: to do one out of ten? Rich people? Bacon slices,

1260
01:02:42,640 --> 01:02:46,520
Speaker 1: one out of ten, lip raccoons grieving slow most struts,

1261
01:02:47,000 --> 01:02:50,120
Speaker 1: Ugh one out of ten crossed finger lies, one out

1262
01:02:50,160 --> 01:02:56,600
Speaker 1: of ten gross Brooklynites shirts that say Navy thrown empty barrels,

1263
01:02:56,920 --> 01:02:58,680
Speaker 1: or one out of ten stolen brooches. What would you

1264
01:02:58,760 --> 01:02:59,440
Speaker 1: like to do, Sabrina?

1265
01:03:00,440 --> 01:03:05,240
Speaker 3: I think because it was so weird, we gotta go.

1266
01:03:05,240 --> 01:03:08,360
Speaker 2: With the grieving slow most struts I agree with. It

1267
01:03:08,440 --> 01:03:12,880
Speaker 2: just felt so weird and didn't make any sense in

1268
01:03:12,960 --> 01:03:15,040
Speaker 2: any way, so we've got to go with those.

1269
01:03:15,360 --> 01:03:16,880
Speaker 1: I love it, and I'll go first, because I think

1270
01:03:16,880 --> 01:03:20,360
Speaker 1: he went first last time. Sure, this movie was very

1271
01:03:20,400 --> 01:03:23,320
Speaker 1: garbled for me, it was not awful by any stretch.

1272
01:03:23,400 --> 01:03:25,240
Speaker 1: I get what, I get what they're going for. I

1273
01:03:25,280 --> 01:03:28,560
Speaker 1: love a good mystery. There are better versions of kid

1274
01:03:28,600 --> 01:03:32,160
Speaker 1: mystery movies than this one. The thing that made this

1275
01:03:32,800 --> 01:03:36,880
Speaker 1: slightly above average to me was the cast. Forget the

1276
01:03:37,320 --> 01:03:42,240
Speaker 1: bad accents, which of which there were a plethora. The

1277
01:03:42,320 --> 01:03:46,040
Speaker 1: kids are enjoyable, engaging. Lindsay Lohan's obviously a great actor,

1278
01:03:46,080 --> 01:03:48,920
Speaker 1: Brenda Song's a great actor. The guys were good, the

1279
01:03:49,000 --> 01:03:51,200
Speaker 1: adults were good. It was fine. That's the That's the

1280
01:03:51,200 --> 01:03:52,920
Speaker 1: thing that saved it for me for being a totally

1281
01:03:52,920 --> 01:03:55,680
Speaker 1: average movie to a slightly above average movie. So I'm

1282
01:03:55,680 --> 01:04:00,800
Speaker 1: giving this six Grieving Slow most struts, all right.

1283
01:04:01,480 --> 01:04:05,440
Speaker 2: I would say the same in the sense of there

1284
01:04:05,480 --> 01:04:09,080
Speaker 2: was parts that were confusing, parts a little overwhelming, like

1285
01:04:09,120 --> 01:04:11,400
Speaker 2: I said with the House, and like all of a sudden,

1286
01:04:11,440 --> 01:04:16,840
Speaker 2: this just information is just getting thrown at you. And however,

1287
01:04:18,200 --> 01:04:20,880
Speaker 2: part of this podcast that I love so much is

1288
01:04:20,920 --> 01:04:25,560
Speaker 2: the nostalgia. And again because Lohan is coming out of

1289
01:04:25,560 --> 01:04:28,400
Speaker 2: the woodworks and she's just having this revival and I'm

1290
01:04:28,800 --> 01:04:31,480
Speaker 2: really really excited to see where she goes with her career,

1291
01:04:31,840 --> 01:04:35,160
Speaker 2: it is nice to during this time look back at

1292
01:04:35,160 --> 01:04:37,560
Speaker 2: one of the things she did while she was getting

1293
01:04:37,600 --> 01:04:41,080
Speaker 2: into her you know, her main golden hour that we've

1294
01:04:41,120 --> 01:04:42,080
Speaker 2: seen her in before.

1295
01:04:42,200 --> 01:04:44,240
Speaker 3: So I gave it a little bit more.

1296
01:04:44,360 --> 01:04:46,560
Speaker 2: I enjoyed it a little bit more, I think, And

1297
01:04:46,600 --> 01:04:50,920
Speaker 2: so I'm gonna do seven Grieving Slow Motion, okay, But

1298
01:04:50,960 --> 01:04:53,280
Speaker 2: I do have to say at the end of it

1299
01:04:53,400 --> 01:04:55,480
Speaker 2: might not be the greatest. It did make me want

1300
01:04:55,560 --> 01:04:59,760
Speaker 2: to watch Harriet the Spy because I feel like it

1301
01:05:00,000 --> 01:05:01,200
Speaker 2: I have been.

1302
01:05:01,760 --> 01:05:04,200
Speaker 3: A better version of what this movie was.

1303
01:05:04,520 --> 01:05:06,200
Speaker 1: I've never seen Harriet the Spy too, but I know

1304
01:05:06,280 --> 01:05:09,160
Speaker 1: that the kind of history of Harriett the Spy and

1305
01:05:09,200 --> 01:05:11,200
Speaker 1: the idea that people really loved Harriet the Spy, so

1306
01:05:11,280 --> 01:05:14,040
Speaker 1: I think I think it probably is a better version

1307
01:05:14,080 --> 01:05:17,000
Speaker 1: of this. Well, thank you all for joining us and

1308
01:05:17,040 --> 01:05:19,720
Speaker 1: not listening to a better version of our podcast somewhere else,

1309
01:05:20,640 --> 01:05:23,000
Speaker 1: and you're listening to our version. And thank you Jenny

1310
01:05:23,040 --> 01:05:27,000
Speaker 1: two for a one star and five star review this week.

1311
01:05:27,080 --> 01:05:30,400
Speaker 1: I appreciate that, and remember to subscribe to our dedicated feed.

1312
01:05:30,400 --> 01:05:32,280
Speaker 1: All you have to do is find Magical Rewind wherever

1313
01:05:32,280 --> 01:05:35,400
Speaker 1: you get your podcasts them, subscribe and follow along, and

1314
01:05:35,440 --> 01:05:39,000
Speaker 1: you can follow us on the Instagram machine at Magical

1315
01:05:39,040 --> 01:05:41,840
Speaker 1: Rewind pod. Thank you for joining us and we will

1316
01:05:41,840 --> 01:05:57,080
Speaker 1: see you next time. Bye bye,