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Speaker 1: So should we do the thing where we talk over

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Speaker 1: the theme song, like you and Hayes do? What are

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Speaker 1: you talking about? Well, you and Hayes every episode you

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Speaker 1: talk over the theme song. I was like, this will

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Speaker 1: be I was kind of excited to do it. People

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Speaker 1: can't hear that. That's just Hayes and I. I mean,

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Speaker 1: we are talking at the beginning because we're finishing an

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Speaker 1: actual conversation we're having. Well, let's start a real conversation

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Speaker 1: real quick. How are you? This is hot? It's hot

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Speaker 1: out it comes? Hey, what up?

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Speaker 2: What up?

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Speaker 1: Welcome everybody to the Can you do the tagline? Dumb?

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Speaker 1: The Hayes usually does the like, oh, yeah, you know

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Speaker 1: Hollywood hand Book, it's the God I've actually I have

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Speaker 1: heard it and I know it. I just don't. I

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Speaker 1: can't rattle it off quite like he can, Goes, have

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Speaker 1: it written down in your phone or something. I don't.

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Speaker 3: If you want, we can take a second, I can

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Speaker 3: look it up or something. It's the the no holds.

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Speaker 1: I can't look at the Hollywood Okay, okay, So for

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Speaker 1: everyone listening at home, Hayes isn't here today. Normally we

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Speaker 1: wouldn't have done an episode. Uh the show is called

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Speaker 1: Hollywood Handbook. It's an inside men's guide to uh kicking

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Speaker 1: butts and uh and and and and uh and big

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Speaker 1: names and the and the and the red and the

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Speaker 1: red carpet lined up. So you don't you don't know

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Speaker 1: it either. Well, it's it's not my job to note.

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Speaker 1: It's Hayes's. Hayes does that part, and I know that.

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Speaker 1: And the part I know is what up? What up?

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Speaker 1: And people like that part and they like his too,

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Speaker 1: so but anyway, he's not uh here, and that's okay.

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Speaker 1: We have my uh sometime assistant, uh you know, writing partner,

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Speaker 1: and it's quote quote marks around that, but uh Dominic

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Speaker 1: Derkis and he I called him, uh just to say, look,

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Speaker 1: we don't have Hayes. I'm canceling the show this weekend,

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Speaker 1: so try to, you know, set up a lunch for

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Speaker 1: me with one of the people I've been putting off

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Speaker 1: who wants to have lunch and this Paul Abduel or

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Speaker 1: one of these women. Do you want me to put

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Speaker 1: Paul Abduel on the list people have lunch with? Uh? Yeah,

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Speaker 1: well we I wasn't finished, sorry, so and then you

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Speaker 1: and then I called dumb He set up one of

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Speaker 1: those lunches. And then he called me back and had

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Speaker 1: and said, you can't cancel the show even though you

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Speaker 1: don't have Hayes. We gotta do it this weekend and

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Speaker 1: tell them why because we got a I got a

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Speaker 1: good guest. I got a iconic Hollywood blonde. That's right,

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Speaker 1: he said, he's got a great guest, an iconic Hollywood blonde.

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Speaker 1: And I put two and two together. I said, it

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Speaker 1: must be miss Goldiehan and it and it is Goldiehan.

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Speaker 1: And she's gonna be here in the studio. I don't

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Speaker 1: know how you guys are friends, uh, but I'm a

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Speaker 1: huge fan Private Benjamin, Wildcats, Over Bowl, Lord House, Sitters Club,

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Speaker 1: First Wives Club, Foul Play yep, laughing. And she's doing

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Speaker 1: all the movies, and she's just such a delight And

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Speaker 1: she's one of these, uh, these inside out actors. She

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Speaker 1: brings herself to the to the role, you know, and

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Speaker 1: and you always are happy to see her.

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Speaker 3: Yeah, yeah, it'll be it'll be exciting to talk with

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Speaker 3: her in just a few minutes.

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Speaker 1: So the fact that you came through like this, dum

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Speaker 1: and I have not always been the nicest guy to you.

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Speaker 1: I think you see why I'm so tough on you

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Speaker 1: now because it made you step up big in a

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Speaker 1: big moment. Yes, you're you being tough on me really

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Speaker 1: made me kind of really kind of created this whole situation.

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Speaker 1: So I'm exactly because it's sometimes people need And this

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Speaker 1: is how Christian Leatner was to his teammates at Duke.

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Speaker 1: They need to be sort of smacked in the head

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Speaker 1: a little bit to light that fire inside them. And

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Speaker 1: that's and ask Bobby Hurley. So they So that's what

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Speaker 1: I did for Dom, And here we are, and he

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Speaker 1: finally stepped up, and I owe him an apology and

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Speaker 1: I owe him a few wow. And this is something

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Speaker 1: I've never done for you, But now that you actually delivered, Dom,

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Speaker 1: I'm sorry for some of the ways I treated you

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Speaker 1: over the years that may have seemed a little extreme.

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Speaker 1: The obvious stuff taking eighty five percent of your salary

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Speaker 1: because ok yeah, of course I've shared credit on these scripts,

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Speaker 1: but you know that you don't contribute.

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Speaker 3: Yeah yeah, okay, nearly as much. Thank you for apologizing

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Speaker 3: for that. I never you never kind of said that

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Speaker 3: was wrong. You always said that was fair.

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Speaker 1: Well, it's fair, it is fair. But I want to

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Speaker 1: apologize because I know sometimes you've said, can I have

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Speaker 1: a little bit of money because something would happen, like

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Speaker 1: you were hungry or you couldn't pay your rent. Yes,

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Speaker 1: And I would say, too, you're not Yes. Those were

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Speaker 1: the two big ones that I feel like I would

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Speaker 1: get the most. Yeah, and I would be, you know,

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Speaker 1: in the interest of having you stand on your own

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Speaker 1: two feet, I would be hesitant to give you that money,

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Speaker 1: and as a result, I would not do it. I

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Speaker 1: will say that I am sorry for some of the

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Speaker 1: names I've called you. I'm sorry for slapping you in

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Speaker 1: front of your dad and your at that time girlfriend.

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Speaker 1: And I'm sorry for paying your dad to slap you

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Speaker 1: in front of your at that time girlfriend and in

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Speaker 1: front of me. I just wish i'd known you were

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Speaker 1: coming home with me and my girlfriend for Christmas that year.

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Speaker 1: I just didn't know that was something well nice, I'm doing.

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Speaker 1: It brings me to the next thing, which is, I'm

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Speaker 1: sorry for trying to prove to you that your girlfriend

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Speaker 1: or at that time fiance, was the wrong woman for

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Speaker 1: you by sleeping with her. And I'm sorry that I

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Speaker 1: then married her and fathered several children with her. Yeah,

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Speaker 1: it was a long time ago. I mean, I'd be

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Speaker 1: lying if I said that didn't still hurt. It was

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Speaker 1: something that kind of sings. But you kind of see

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Speaker 1: also that you were headed down a bad path and

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Speaker 1: she was willing to do that with me. Who knows

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Speaker 1: what would have happened. Yeah, like you've told me multiple times.

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Speaker 3: I mean, if if i'd be better that I found out,

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Speaker 3: and better that I found out from someone who's a

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Speaker 3: good I mean friend, were you know who? I've had,

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Speaker 3: such a strong working boss, a good boss, yeah, such

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Speaker 3: a good good boss.

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Speaker 1: I'm sorry that I one time took your toothbrush to

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Speaker 1: a petting zoo and tried to brush all the animal's

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Speaker 1: teeth with it. I never knew about that one. Now, yeah,

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Speaker 1: you must have broken into my house. Yes, oh wow,

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Speaker 1: I accept these I accept this apology, and I'm sorry

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Speaker 1: for all the hidden camera footage. I then would watch

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Speaker 1: of you brushing your teeth with that brush and just

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Speaker 1: laugh and laugh with your at that time ex fiance

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Speaker 1: who I was married to, Steffi gret f Yes, yeah,

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Speaker 1: I mean Stephie.

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Speaker 3: Uh Stephanie and I really uh had I thought we

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Speaker 3: had something, and I appreciate you showing me that we didn't.

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Speaker 3: I also appreciate, Uh well, I always thought that my

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Speaker 3: team because my tea. I had a really bad gum

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Speaker 3: disease for like a month. Oh yeah yeah, and I

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Speaker 3: like it was kind.

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Speaker 1: Of inexplicable, and the human doctors really didn't know what

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Speaker 1: to make of me. I had to go to a vet. Thing.

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Speaker 1: I had to go to a vet.

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Speaker 3: The human doctors told me to go to a vet,

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Speaker 3: and they said, you have a goat gingervitis.

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Speaker 1: And I tell you credit for I did. I did

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Speaker 1: after you kept complaining, these doctors don't know what to

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Speaker 1: make of it. It's getting worse and worse. I did

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Speaker 1: slip an anonymous note into your mailbox that said check

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Speaker 1: the VAT. Yeah, it said checked. It said check the VAT.

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Speaker 1: And it was so cryptic. I had to Yes, I

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Speaker 1: went to the VAT. I showed him the note and

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Speaker 1: he said, I don't know what to make of this.

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Speaker 1: Let me take a look at your gums and the

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Speaker 1: Then around about that time, I figured out I had

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Speaker 1: goat gingervitis, and I just you know, anyway, it's a

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Speaker 1: lot of clearing it. Yeah, it really is water and

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Speaker 1: you came through big and is there anything I'm leaving

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Speaker 1: out dom because I want to cover it all, because

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Speaker 1: I do owe you this now that you have proven

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Speaker 1: to be, I mean, a better guest finder than Hayes

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Speaker 1: and almost as good as me. Yeah. No, Look, honestly,

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Speaker 1: it makes me a little uncomfortable having so much, getting

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Speaker 1: so many apologies. You know, it's not a big deal.

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Speaker 1: Well get it while it's hot, you know, I mean,

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Speaker 1: this thing doesn't come around that often. I'm not always

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Speaker 1: in this kind of mood. No, I mean you've told

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Speaker 1: me several times that you do not apologize. You only

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Speaker 1: you only look forward. You said that's you only have

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Speaker 1: one direction. Yes, yes, I only go in one direction.

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Speaker 1: R I P zane uh and and and so uh

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Speaker 1: in that direction? Did he die to me? He did?

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Speaker 1: When he when he a wonderful musical group. Oh, I

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Speaker 1: got it, I just gotta I just got a text art.

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Speaker 1: I think I think our guest is downstairs. Okay, well,

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Speaker 1: well listen up, kitties. When he come back, we're going

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Speaker 1: to take a quick break and then you are going

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Speaker 1: to be listening to the one, the only Miss Goldie Han,

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Speaker 1: comedic screen legend, and guys, I couldn't be more excited,

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Speaker 1: and thanks for all the questions that you sent in

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Speaker 1: and I just can't wait. And thank you, Dom, and

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Speaker 1: I don't say it enough. And you're a good assistant

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Speaker 1: and you're a good man. Thanks. Yeah, thanks. So here

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Speaker 1: we go and we'll be right back on Hollywood hand

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Speaker 1: hand hand Handbook. Don't don't, it's it's you. Just let

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Speaker 1: me explain. Don't even I knew you were going to

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Speaker 1: be mad? Okay, I didn't. You can understand from stop

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Speaker 1: it comesz and Shan, what up? What up? Now? Welcome

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Speaker 1: to Hollywood Him man him, Welcome to Hollywood Handbook. And

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Speaker 1: it's the and it's the inside guide to to crimping

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Speaker 1: butts and and and and and and and drinking name

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Speaker 1: and drinking names, and it's and it's stopped. Now stop it.

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Speaker 1: I'm gonna get through it. Or can you do it? No? No,

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Speaker 1: I can't do it. I can't Can you do it?

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Speaker 1: Do it? Because you knew that Hayes wasn't gonna be

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Speaker 1: here to do this part, and as an assistant, you

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Speaker 1: should have taken that as a responsibility to be able

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Speaker 1: to to be able to say the part that he says.

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Speaker 1: Did you even think about that?

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Speaker 3: I guess I thought I could put my own little spin.

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Speaker 3: It could be like a fun thing, you know, like

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Speaker 3: it's like, oh, it's not his but he well.

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Speaker 1: Guys, here we go. So, uh, the guest that we

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Speaker 1: have today is in fact is not Goldie Han, and

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Speaker 1: that is because of Dom's a liar. And what is

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Speaker 1: actually in the studio now is not even really a

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Speaker 1: guest or and not a welcome one. And it's his

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Speaker 1: friend Scuzman. What disgus Man is here? Wow? This is

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Speaker 1: a pretty Uh I've never been in a place like this, man,

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Speaker 1: it's pretty street doors. You don't look like usually I'm

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Speaker 1: not indoors. Usually I'm out just like chilling by the beach,

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Speaker 1: you know, well having some waves. Hey man, you need

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Speaker 1: to chill, dude, I'm well, I'm not gonna chill. Thanks

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Speaker 1: for the advice, gus Man. Now scus Man for people

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Speaker 1: who don't know, And why would you is Dom's beach

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Speaker 1: volleyball friend? That's right? Yeah, why don't you tell him?

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Speaker 1: How you guys met? I met scu So, first of all,

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Speaker 1: I do want to apologize that this isn't Goldie Han.

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Speaker 1: I felt pretty trapped, you know, really when you guessed

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Speaker 1: Goldiehan when I said it's an iconic Hollywood blonde. I mean,

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Speaker 1: Scusman's got this like waist length blonde hair. I have

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Speaker 1: these gorgeous locks, and I'm iconic around the beach. And

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Speaker 1: I don't think he's part of Hollywood. Yeah, I mean,

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Speaker 1: I guess that's I guess. Didn't you meet him on

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Speaker 1: Long Beach?

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Speaker 3: I met him on Okay, So the way I met

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Speaker 3: scus Man is Sean, you know, I've to talk to

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Speaker 3: you about this. I have cripply writer's block, like frequently,

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Speaker 3: like every other sentence is rippling.

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Speaker 1: I either say, you've never had an idea.

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Speaker 3: Yeah, yeah, I've never Yeah, I never met an idea

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Speaker 3: that I never met an idea.

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Speaker 1: I'm surprised by it a lot your writer's block, scus Man,

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Speaker 1: You're surprised. Yeah, it's you're you're just really crippled by it. Yeah. Well,

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Speaker 1: and that's what brought me to the beach. That's how

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Speaker 1: I met scus Man. I was like, I because I

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Speaker 1: read this. I have a stack of books on how.

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Speaker 3: To write because I just am always looking for new tools,

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Speaker 3: and one of them was like, change your environment, go

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Speaker 3: to different settings, try to write if you have writer's block.

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Speaker 1: So I was like, Okay, I went to the beach.

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Speaker 1: I'm like, I'm gonna go to the beach, open up

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Speaker 1: my laptop, and by the way, scoop troop, put away

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Speaker 1: your pens during this section. Don't take any of the

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Speaker 1: notes on anything that Dom has done, because that's not

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Speaker 1: a hot scoop on how to make it in Hollywood.

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Speaker 1: It's a scoop on how to lie.

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Speaker 3: Well, maybe the scoop troop can learn, you know, maybe

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Speaker 3: there's something you can learn whatnot to do. Don't talk

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Speaker 3: to the school scoop troop. I just hang on, I

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Speaker 3: talked to the scoop troop.

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Speaker 1: Okay, can I talk to the scoop trupcus Man? Is

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Speaker 1: that even a real question? Hey, scoop troop, get laid,

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Speaker 1: get paid? You better not say be responsible a scoop troop.

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Speaker 1: I'm just having fun. Get lay get paid? Is like

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Speaker 1: the first joke scus Man said to me. It really

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Speaker 1: cracked me up, the only one I've heard him say. Anyway,

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Speaker 1: I was i was at the beach and I had

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Speaker 1: my laptop open. I'm trying to grind my way through

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Speaker 1: some script and boom, I get hit in the head

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Speaker 1: with a beach volleyball. Oh yeah, hits me in the head,

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Speaker 1: knocks into my laptop. I'm immediately mad. But then scus Man,

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Speaker 1: you came over. Oh yeah, I came over and I

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Speaker 1: smoothed it over. People get hit in the head a

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Speaker 1: lot by Aaron volleyballs, and uh, you know, I was

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Speaker 1: just like, Oh, what's my little man doing over here?

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Speaker 1: What's he doing? He's like, he's like pounding away the keys.

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Speaker 1: He's really struggling, so uh yeah, you know, I was like,

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Speaker 1: I was like, oh man, I'm so sorry that the

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Speaker 1: Bible hit you, but like, what's what's going on? What's

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Speaker 1: your deal? Yeah? He did. Don't usually see a lot

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Speaker 1: of at the beach. Okay, So my understanding, I guess,

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Speaker 1: is that scus Man has served as some kind of

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Speaker 1: muse figure for you. And you keep telling me that

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Speaker 1: you've been doing more writing than you've ever done in

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Speaker 1: your life now that you've partnered up with this. Well

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Speaker 1: what man, that's the term I've been using too, muse figure,

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Speaker 1: muse figure. Yeah yeah, yeah, yeah, yeah, call me that more.

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Speaker 3: Okay, Okay, Yeah, I love the he he's always telling

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Speaker 3: he has a lot of different ideas of things. He

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Speaker 3: wants me to call him my kind of original uh thing.

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Speaker 1: With scus Man. Was like, was like, Oh, this guy

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Speaker 1: just seems like a lot of fun, you know, he

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Speaker 1: just seems like a fun guy to hang out around.

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Speaker 3: But then he looked over my shoulder at the screen.

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Speaker 3: He started kind of pitching me some jokes. Yeah, he

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Speaker 3: started pitching me some some stuff. He started taking my

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Speaker 3: computer out of my hands and typing, and I was like, so,

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Speaker 3: I'd like.

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Speaker 1: To tell my side of this story right now, which

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Speaker 1: is that dom who, for all his faults as a

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Speaker 1: writer and an assistant, has always been at his core

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Speaker 1: a good boy, thanks, a nice boy. And I like

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Speaker 1: that about him. And this Scusman fellow is your quintessential

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Speaker 1: bad influence and the behavior change and the change in dress.

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Speaker 1: And Brett, if you could get a photo. Dominick's hat

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Speaker 1: is on backwards right now, which is something of a

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Speaker 1: sort of hip hop style to wear someone's hat, and

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Speaker 1: I think that, Brett, are you getting the photo? I'm

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Speaker 1: not yet getting the camera, Okay, Brett. This is I've

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Speaker 1: been let down by a few people already today and

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Speaker 1: I would appreciate it if you could just I could

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Speaker 1: have got bed my rock. I don't know how to

297
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Speaker 1: believe that anymore, but he's got shades on indoors, he's

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Speaker 1: got a backwards hat, and he's doing some kind of

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Speaker 1: gang sign with his hands. And I've never seen this

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Speaker 1: kind of thing. And if I'm not mistaken, I believe

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Speaker 1: scus Man made you try beer? Is that true? Made me?

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Speaker 3: He had he had some beerds. I never, I you know,

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Speaker 3: I don't, I've never really.

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Speaker 1: No, you didn't try beer because I, first of all,

305
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Speaker 1: I need you alert for when you're taking the notes,

306
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Speaker 1: and I just don't like to lose control like that.

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Speaker 1: But then I had. Yeah, he gave me a beer.

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Speaker 1: I had a beer. It was fun. Yeah, it was fun.

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Speaker 1: You think it was fun? Dumb because you told me

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Speaker 1: you hated the taste at first. Everyone hates the taste

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Speaker 1: way you told him that. Look you love it, man, Yeah, Now,

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Speaker 1: which is it? You took that beer bog real hard,

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Speaker 1: like like a beer bong. I thought it was a

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Speaker 1: sip from a can. Well it started off as a

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Speaker 1: sip from a cant. Yeah. Look look, look it's not

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Speaker 1: black and white here, it's do I like the taste

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Speaker 1: of beer, No, not furt but I like the way

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Speaker 1: it makes me feel, and I like the way it

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Speaker 1: makes me feel around his cousin. He likes taking tylen

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Speaker 1: old Cody into with it too. What yeah, scissor. Yeah,

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Speaker 1: and alcohol, you're drinking purple drink. I didn't know that's

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Speaker 1: what it was called.

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Speaker 3: I just honestly, scus Man just hands me cups and

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Speaker 3: styrofoam cups.

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Speaker 1: What on the expense report there was a whole sleeve

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Speaker 1: of styrofoam cups that I didn't use. Yeah. Nice, it

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Speaker 1: was scus Man. He tricked you into buying them. In

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Speaker 1: my account, I expensed a bunch of styrofoam cups to

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Speaker 1: drink scus Man's booze or scissor. Look, okay, is it

330
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Speaker 1: a big deal, bro? I mean it's just styrofoam cups.

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Speaker 1: I mean when that set you back, like like two dollars, Man,

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Speaker 1: and we had a good time. You know, we had

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Speaker 1: a lot of ideas. We had a great ideas. That's

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Speaker 1: two dollars I worked for. I was doing. I was

335
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Speaker 1: doing whites and gold. It's a very important pilot, whites

336
00:17:48,560 --> 00:17:51,960
Speaker 1: and gold. Whites and gold, whites and gold. It's loosely

337
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Speaker 1: about the dress. If you remember the dress white gold. Yes,

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Speaker 1: I thought you meant like whites like we it tz oh, okay,

339
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Speaker 1: you're a law firmer, like the fights, you know, like yeah,

340
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Speaker 1: like fights.

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Speaker 3: He's got a lot of German like, he does this

342
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Speaker 3: German access.

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Speaker 1: I've been up. I was born on an army base

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Speaker 1: in Germany, so I know a little bit of German.

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Speaker 1: And uh you know my dad was was was in

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Speaker 1: the army. Well we can relate there. Oh yeah, yeah, yeah,

347
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Speaker 1: I mean I was a farm orphan, but also my

348
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Speaker 1: dad was in the army, so something of a farmy brat. Oh.

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Speaker 1: I had to move around to different farms a lot. Wow,

350
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Speaker 1: hey man, then you know, don't you dare find common

351
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Speaker 1: ground with me? Might not be straighted? Why please? I's

352
00:18:41,400 --> 00:18:43,879
Speaker 1: all him about you try to find common ground with people.

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Speaker 1: I mean, that's my deal. You don't even really play volleyball,

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Speaker 1: do you? I mean I don't. You were the coach

355
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Speaker 1: of the team that I was the coach when I

356
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Speaker 1: went down there to pick Tom up, and he was

357
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Speaker 1: green to the guill because who knows what you put

358
00:19:02,000 --> 00:19:03,600
Speaker 1: in him? But I went down to give them a

359
00:19:03,680 --> 00:19:06,840
Speaker 1: right home so you'd be safe. I saw you sitting

360
00:19:06,880 --> 00:19:10,480
Speaker 1: on a cooler with your arm around what I could

361
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Speaker 1: only describe as a honey Yeah, exactly. That's not playing volleyball. Hey,

362
00:19:16,960 --> 00:19:20,160
Speaker 1: that's not athletic. Hey man, that's part of playing volleyball,

363
00:19:20,200 --> 00:19:22,719
Speaker 1: you know, I mean, I mean I don't participate in

364
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Speaker 1: the game. No, siding out is part of playing volleyball.

365
00:19:25,960 --> 00:19:31,320
Speaker 1: Bump set spike, Yes, an overhand moon ball serve where

366
00:19:31,320 --> 00:19:33,320
Speaker 1: you hit it up so high and they lose track

367
00:19:33,359 --> 00:19:35,040
Speaker 1: in the sun. Well, let me tell you, let me

368
00:19:35,080 --> 00:19:38,840
Speaker 1: ask you something. Who who is there to like, you know,

369
00:19:39,600 --> 00:19:44,719
Speaker 1: provide people with encouragement, or provide people with booze or

370
00:19:44,840 --> 00:19:48,720
Speaker 1: scissor up while they play mentor do you attract some

371
00:19:48,880 --> 00:19:52,359
Speaker 1: honeyes to play on scissor? That's a great way to

372
00:19:52,400 --> 00:19:54,560
Speaker 1: go to dig a ball and end up in the

373
00:19:54,680 --> 00:19:59,160
Speaker 1: in the sand and hurt yourself. Now, my experience, ever

374
00:19:59,200 --> 00:20:01,959
Speaker 1: since you met man has been there have been several

375
00:20:02,000 --> 00:20:05,879
Speaker 1: attempts to get me to read the scripts that you

376
00:20:05,920 --> 00:20:07,920
Speaker 1: two are working gone together, and a lot of times

377
00:20:07,920 --> 00:20:11,000
Speaker 1: I'll go to open up a piece of my mail

378
00:20:11,119 --> 00:20:13,879
Speaker 1: and I find that it's been opened and resealed with

379
00:20:13,920 --> 00:20:15,879
Speaker 1: one of your scripts in there, and a lot of

380
00:20:16,280 --> 00:20:19,720
Speaker 1: trickery has been used, and it was printed out on

381
00:20:19,800 --> 00:20:21,840
Speaker 1: my sheets. At one point on my bed when I

382
00:20:21,880 --> 00:20:24,440
Speaker 1: had you make my bed, and I couldn't believe you.

383
00:20:24,480 --> 00:20:26,520
Speaker 1: I couldn't believe you didn't read it. Then, No, I

384
00:20:27,600 --> 00:20:31,760
Speaker 1: couldn't because I don't read unsolicited material. And even just

385
00:20:31,800 --> 00:20:34,439
Speaker 1: from skimming it, some of the language I saw was

386
00:20:34,680 --> 00:20:37,240
Speaker 1: so offensive to me. Well, it's an R to cut me.

387
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Speaker 3: First of all, I just want like Scusman's completely opened

388
00:20:41,359 --> 00:20:43,399
Speaker 3: up my writer's box, Like my writer's block is gone.

389
00:20:43,480 --> 00:20:45,760
Speaker 3: Like he just he's like a bulldozer man. He just

390
00:20:45,800 --> 00:20:48,480
Speaker 3: we did this, we did this kind of visualization exercise

391
00:20:48,480 --> 00:20:51,119
Speaker 3: where he was helping me crash through the wall in

392
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Speaker 3: my mind.

393
00:20:52,280 --> 00:20:56,359
Speaker 1: Yeah. I showed him a piece of paper. Yeah, and

394
00:20:56,400 --> 00:20:57,960
Speaker 1: I held that up and I was like, what is

395
00:20:58,080 --> 00:21:00,640
Speaker 1: what do you think here? I said, no, that man,

396
00:21:00,840 --> 00:21:02,520
Speaker 1: you held up a piece of paper and said what

397
00:21:02,520 --> 00:21:04,720
Speaker 1: do you think here? Yeah? So that so that I

398
00:21:04,800 --> 00:21:07,520
Speaker 1: might to ponder that. But then but then I crumpled

399
00:21:07,520 --> 00:21:09,720
Speaker 1: it up and I said, fuck that man, don't think

400
00:21:09,760 --> 00:21:13,399
Speaker 1: about this. And then I showed him a donut and

401
00:21:13,520 --> 00:21:15,800
Speaker 1: more items of food like bagel. Yeah, he had a

402
00:21:15,800 --> 00:21:18,680
Speaker 1: whole box stuff sort of say what they were? These

403
00:21:18,680 --> 00:21:22,359
Speaker 1: are like round doe breakfast foods. Yeah, yeah, he was

404
00:21:22,359 --> 00:21:25,439
Speaker 1: there a croissant as well. There's a cissant. There was

405
00:21:25,480 --> 00:21:33,920
Speaker 1: a Danish breakfast pretzel. There was toast cut in a circle. Okay, uh,

406
00:21:34,200 --> 00:21:37,600
Speaker 1: because that's how I eat toast, English muffin maybe English

407
00:21:37,720 --> 00:21:42,960
Speaker 1: muffin for sure. So yeah, So what that resulted this, Well,

408
00:21:43,720 --> 00:21:45,480
Speaker 1: I identified all those foods.

409
00:21:45,640 --> 00:21:47,680
Speaker 3: I identified all those foods, and he said, if you

410
00:21:47,720 --> 00:21:49,879
Speaker 3: can do that, then you can write.

411
00:21:49,920 --> 00:21:50,640
Speaker 1: Then you can write.

412
00:21:50,720 --> 00:21:55,000
Speaker 3: And man, I felt myself get overwhelmed with self confidence.

413
00:21:55,080 --> 00:21:56,520
Speaker 1: Yea. And it was just a simple thing like that,

414
00:21:56,720 --> 00:21:59,359
Speaker 1: just like looking at food. So so it was not

415
00:21:59,440 --> 00:22:03,400
Speaker 1: that simple. I speaking as maybe for you professional screenwriter.

416
00:22:03,520 --> 00:22:06,000
Speaker 1: Oh scus Man, don't you take that tone with me.

417
00:22:06,560 --> 00:22:09,760
Speaker 1: Don't you condescend to me. You're here for my help,

418
00:22:11,200 --> 00:22:12,680
Speaker 1: all right, Man, Sorry, I'm a guest.

419
00:22:12,880 --> 00:22:14,879
Speaker 3: I was just I was just bringing that stuff up

420
00:22:14,920 --> 00:22:17,280
Speaker 3: to say that we've It's just this is the most

421
00:22:17,280 --> 00:22:19,800
Speaker 3: prolific period of my career. And I mean, I guess

422
00:22:19,840 --> 00:22:21,840
Speaker 3: at this point kind of our career means scus Man

423
00:22:21,880 --> 00:22:24,360
Speaker 3: a little bit. I mean, because we we we collaborate

424
00:22:24,400 --> 00:22:26,120
Speaker 3: on these scripts. The script that the script that we're

425
00:22:26,160 --> 00:22:29,160
Speaker 3: really really trying to get you to read is it's

426
00:22:29,240 --> 00:22:32,080
Speaker 3: kind of a like modern day version of It's like

427
00:22:32,080 --> 00:22:33,040
Speaker 3: an rated comedy.

428
00:22:33,080 --> 00:22:36,439
Speaker 1: It's like a Dodgeball. Are you familiar with Dodgeball? Whose

429
00:22:36,560 --> 00:22:43,679
Speaker 1: idea was it? To tell me a lie? You're okay,

430
00:22:43,680 --> 00:22:47,200
Speaker 1: so you're talking about Goldiehan, the Goldiehan thing. Yeah, I'm

431
00:22:47,240 --> 00:22:50,800
Speaker 1: still not totally past it. I mean, I'm not totally

432
00:22:50,880 --> 00:22:54,240
Speaker 1: past it. And we'll get back to Dodgeball, a true

433
00:22:54,320 --> 00:23:02,040
Speaker 1: underdog story. Who's Goldiehan? Goldiehanus man? Oh, I hope that's

434
00:23:02,080 --> 00:23:05,879
Speaker 1: a joke. Is this another Jewish thing? Whoa okay? Okay,

435
00:23:06,280 --> 00:23:08,800
Speaker 1: scuse man, scuse man. I told him not to do

436
00:23:08,840 --> 00:23:10,720
Speaker 1: it today. But he has some very good humor in

437
00:23:10,760 --> 00:23:14,119
Speaker 1: that area. Yeah, I don't know that I played the

438
00:23:14,160 --> 00:23:17,840
Speaker 1: cats Skills. I mean I've seen, I've I've played the

439
00:23:17,840 --> 00:23:21,200
Speaker 1: Cat's skills a bunch. Yeah, that's what I mean. He's played.

440
00:23:21,240 --> 00:23:24,080
Speaker 1: He's played the Catskills. You catch yourself in a lie

441
00:23:24,119 --> 00:23:28,159
Speaker 1: and then decide to double down on it, That's what

442
00:23:28,240 --> 00:23:32,320
Speaker 1: it felt like. Hey man, that's what I I say.

443
00:23:32,320 --> 00:23:35,159
Speaker 1: Sometimes I lie, and then I teach people how to lie.

444
00:23:35,480 --> 00:23:38,040
Speaker 1: I mean, it's kind of my thing. You you believe

445
00:23:38,119 --> 00:23:42,840
Speaker 1: me that I played in the Catskills. I couldn't. Catskills

446
00:23:42,880 --> 00:23:47,240
Speaker 1: cann't hold me. I gotta be in the sun. Catskills

447
00:23:47,280 --> 00:23:50,400
Speaker 1: can put that down. Put that okay in the script here.

448
00:23:50,520 --> 00:23:53,960
Speaker 3: We'll figure out who's saying it to who later.

449
00:23:55,240 --> 00:24:00,120
Speaker 1: Specific it just got scuff for godscus. Every time I

450
00:24:00,119 --> 00:24:02,320
Speaker 1: come up with a sweet joke, that's what I That's

451
00:24:02,320 --> 00:24:05,000
Speaker 1: what I say. That's a sweet joke. Catskills can't hold me.

452
00:24:05,160 --> 00:24:11,600
Speaker 1: I gotta be in the sun. Wow, sounds like I

453
00:24:11,640 --> 00:24:14,920
Speaker 1: wonder who's saying that. I feels like I'm going crazy anyway,

454
00:24:14,960 --> 00:24:17,239
Speaker 1: you asked me about Goldie Hawn, Well, just I just

455
00:24:17,280 --> 00:24:20,399
Speaker 1: want to know, because Dominice, you'd never lied to me before.

456
00:24:20,520 --> 00:24:25,919
Speaker 1: You'd let me down, but you had never lied, And

457
00:24:26,000 --> 00:24:30,080
Speaker 1: I guess that's what made this hurt so much. I

458
00:24:30,160 --> 00:24:31,879
Speaker 1: you texted me and you said there's not going to

459
00:24:31,920 --> 00:24:34,720
Speaker 1: be a show this week because Haes Hayes is gone.

460
00:24:34,800 --> 00:24:38,080
Speaker 1: Hayses out of town or wherever Hayes is. And I thought,

461
00:24:38,680 --> 00:24:41,440
Speaker 1: I thought he's in space with Lance Bass. Is that right?

462
00:24:41,760 --> 00:24:44,160
Speaker 1: He and Lance Bass are doing some stuff on the moon.

463
00:24:44,560 --> 00:24:47,040
Speaker 1: Missed out on that. You missed out on this guys Man,

464
00:24:47,400 --> 00:24:49,120
Speaker 1: Oh yeah, Guysman was supposed to go to the Moon.

465
00:24:49,680 --> 00:24:54,320
Speaker 1: I but I had a game, had a game, Yeah,

466
00:24:55,840 --> 00:24:58,760
Speaker 1: v ball volleyball on the moon, so you can do

467
00:24:58,800 --> 00:25:01,040
Speaker 1: the ultimate moon ball had game. I couldn't make it.

468
00:25:01,320 --> 00:25:03,639
Speaker 1: Oh okay, Yeah, I thought you were saying you had

469
00:25:03,680 --> 00:25:09,159
Speaker 1: a game scheduled on the moon. He's not down right now.

470
00:25:09,280 --> 00:25:10,840
Speaker 1: You can't write that down. That's mine.

471
00:25:11,320 --> 00:25:14,560
Speaker 3: Well, but it's it's sort of like something that that

472
00:25:14,920 --> 00:25:15,919
Speaker 3: it's Guzman said Sev.

473
00:25:17,359 --> 00:25:19,560
Speaker 1: Yeah, so I'll just I'll leave a quarter of the

474
00:25:19,720 --> 00:25:21,560
Speaker 1: joke off. Yeah, I don't those numbers.

475
00:25:23,200 --> 00:25:27,600
Speaker 3: I I only lied because I thought you said we

476
00:25:27,640 --> 00:25:28,960
Speaker 3: we said we need a guest, and I thought, this

477
00:25:29,040 --> 00:25:30,120
Speaker 3: is my time to step up.

478
00:25:30,320 --> 00:25:32,240
Speaker 1: Hayes isn't there. They don't have to get This is

479
00:25:32,280 --> 00:25:35,280
Speaker 1: my time to really show Sean that I can deliver

480
00:25:35,680 --> 00:25:38,000
Speaker 1: in a moment where he didn't expect me to and

481
00:25:38,040 --> 00:25:40,600
Speaker 1: in a moment where where everything's on the line. And

482
00:25:40,680 --> 00:25:43,560
Speaker 1: so I said, I said, I'll get you a great guest.

483
00:25:43,680 --> 00:25:45,919
Speaker 1: I'll get And then you see, then you started pressing

484
00:25:45,960 --> 00:25:48,119
Speaker 1: me a little bit for details. You start pressing me

485
00:25:48,160 --> 00:25:52,720
Speaker 1: for who it is physical descriptions. That seemed fair. Yeah,

486
00:25:52,760 --> 00:25:54,160
Speaker 1: in hindsight, I guess it is fair.

487
00:25:54,240 --> 00:25:57,080
Speaker 3: But at the time, I felt very panicked, I felt pressured,

488
00:25:57,080 --> 00:25:58,360
Speaker 3: I felt cornered, I felt like.

489
00:25:58,720 --> 00:26:01,000
Speaker 1: A little a little bull you know.

490
00:26:01,240 --> 00:26:04,360
Speaker 3: Scusman's kind of helped me identify times in my life

491
00:26:04,400 --> 00:26:06,840
Speaker 3: where people are bullying me and I don't even realize it.

492
00:26:07,040 --> 00:26:11,639
Speaker 1: Yeah, dude, he yeah, you know, forgive him for saying,

493
00:26:11,760 --> 00:26:16,440
Speaker 1: whoever the fuck this is Goldie hawn? I mean, you

494
00:26:17,080 --> 00:26:19,399
Speaker 1: know you started were just riding him. He had a

495
00:26:19,400 --> 00:26:22,920
Speaker 1: lot of opportunities to correct me. We did a nine

496
00:26:23,160 --> 00:26:27,200
Speaker 1: minute intro where I apologized for a series of wrongs

497
00:26:27,240 --> 00:26:31,200
Speaker 1: all and I read all apologies predicated well, you shouldn't

498
00:26:31,240 --> 00:26:35,280
Speaker 1: because it's all gone now, it's undone. And it was

499
00:26:35,359 --> 00:26:39,639
Speaker 1: all predicated on the idea that he had gotten me

500
00:26:42,280 --> 00:26:45,760
Speaker 1: one of my favorite actresses and top two from First

501
00:26:45,760 --> 00:26:50,360
Speaker 1: Wives Club for me. Oh oh, okay, I think Elizabeth Berkeley.

502
00:26:50,520 --> 00:26:53,639
Speaker 1: Oh yeah, oh Elizabeth Berkeley. Yes, and we're probably the

503
00:26:53,680 --> 00:26:57,520
Speaker 1: two best actresses in that film. Now, I okay, I

504
00:26:57,560 --> 00:26:59,159
Speaker 1: sort of see what you're saying. Now. I didn't know

505
00:26:59,200 --> 00:27:01,879
Speaker 1: about that intro and stuff and your favorite actress. I

506
00:27:01,880 --> 00:27:06,679
Speaker 1: don't know, dumb discus Man. You're right, You're right, scus

507
00:27:06,680 --> 00:27:10,399
Speaker 1: Man find more common lessen to him, but not me.

508
00:27:11,080 --> 00:27:16,480
Speaker 3: Well, scus Man, Sean, this is just your criticism is helpful.

509
00:27:16,920 --> 00:27:20,159
Speaker 3: But scus Man just holds up a mirror like just

510
00:27:20,200 --> 00:27:23,119
Speaker 3: framing it. That seems to really get through to you. Yeah,

511
00:27:23,520 --> 00:27:25,440
Speaker 3: it was messed up for me to lie. And and

512
00:27:25,600 --> 00:27:29,320
Speaker 3: I I knew Goldie Han was your favorite actress actress.

513
00:27:29,320 --> 00:27:31,360
Speaker 3: I knew she was one of them, one of them.

514
00:27:32,480 --> 00:27:35,560
Speaker 3: I just and I thought, and believe me, I tried

515
00:27:35,600 --> 00:27:38,280
Speaker 3: to get her. I'm into it. I had a simple question,

516
00:27:38,320 --> 00:27:40,520
Speaker 3: which was whose idea was it to lie? And and

517
00:27:40,560 --> 00:27:42,200
Speaker 3: it hasn't really been made clear.

518
00:27:42,320 --> 00:27:45,480
Speaker 1: I guess it it wass Man. That was I said,

519
00:27:45,520 --> 00:27:47,719
Speaker 1: what am I supposed to do? He said, lie? That's okay,

520
00:27:47,800 --> 00:27:50,479
Speaker 1: that's all I wanted to know. Oh, sorry, now you

521
00:27:50,480 --> 00:27:53,760
Speaker 1: now you're comparing your script to Dodgeball. Yes, we got

522
00:27:53,760 --> 00:27:55,960
Speaker 1: a fast talking Vince Vaughan type.

523
00:27:56,640 --> 00:27:58,639
Speaker 3: A little bit. I mean, the name of it is,

524
00:27:58,880 --> 00:28:00,760
Speaker 3: the name of it is. It's kind of a more

525
00:28:00,760 --> 00:28:05,520
Speaker 3: heightened Dodgeball. It's volleyball, a real underdog story. And so

526
00:28:05,560 --> 00:28:08,280
Speaker 3: it's about this sport that people don't normally associate with

527
00:28:08,359 --> 00:28:10,280
Speaker 3: being with adults playing competitively.

528
00:28:10,320 --> 00:28:14,160
Speaker 1: It's a great title. Well, we're here to do the show.

529
00:28:14,200 --> 00:28:16,240
Speaker 1: I guess we might as well do a table read

530
00:28:16,280 --> 00:28:18,600
Speaker 1: of and I don't have any other material because it

531
00:28:18,680 --> 00:28:24,639
Speaker 1: was all going to be Goldie Han stuff. So let's

532
00:28:24,720 --> 00:28:28,320
Speaker 1: just let's highly script here in front of me, and

533
00:28:30,200 --> 00:28:32,960
Speaker 1: let's start reading some of the scenes from Volleyball A

534
00:28:33,080 --> 00:28:35,959
Speaker 1: real Underdog story, which I have to admit is a

535
00:28:35,960 --> 00:28:38,600
Speaker 1: good title. And Scu's Man, that was yours. That was

536
00:28:38,640 --> 00:28:41,360
Speaker 1: all me. Yeah, scus Man, I picked the font on

537
00:28:41,400 --> 00:28:43,360
Speaker 1: the cover page. But yeah, he was really good on

538
00:28:43,400 --> 00:28:46,040
Speaker 1: the font. Okay, I think we could probably go with

539
00:28:46,080 --> 00:28:48,000
Speaker 1: a different font, and I'm thinking in something sort of

540
00:28:48,080 --> 00:28:50,720
Speaker 1: a graffiti style. Do you feel me, Scu's man, Holy

541
00:28:50,800 --> 00:28:53,760
Speaker 1: shit kind of graffiti? Yeah, okay.

542
00:28:53,800 --> 00:28:56,000
Speaker 3: I thought comic Sans was funny because it's a comedy

543
00:28:56,440 --> 00:28:57,160
Speaker 3: like graffiti.

544
00:28:57,240 --> 00:28:59,480
Speaker 1: Like is that a font or just like a like

545
00:28:59,520 --> 00:29:02,080
Speaker 1: a we just use spray paint. It's sort of a

546
00:29:02,120 --> 00:29:05,320
Speaker 1: street wild style thing. Yeah, okay.

547
00:29:05,440 --> 00:29:07,760
Speaker 3: Remember when we watched Exit through the Gift Shop together,

548
00:29:07,920 --> 00:29:08,840
Speaker 3: I do remember that.

549
00:29:09,000 --> 00:29:11,440
Speaker 1: Yeah, yeah, yeah, that was that's that's kind of graffiti.

550
00:29:11,960 --> 00:29:15,520
Speaker 1: Oh all right, Banks, I was wondering why that had

551
00:29:15,560 --> 00:29:19,560
Speaker 1: been viewed recently on my Netflix Q. Oh yeah, you

552
00:29:19,640 --> 00:29:23,720
Speaker 1: watched my movie. Well you don't about me. Thanks for that.

553
00:29:24,120 --> 00:29:26,400
Speaker 1: Thanks for that too. You watched my movie about me

554
00:29:26,520 --> 00:29:30,520
Speaker 1: and all my work that I did, and and now

555
00:29:30,560 --> 00:29:33,560
Speaker 1: you have me on air admitting that I'm banksy. Practically

556
00:29:34,240 --> 00:29:36,480
Speaker 1: practically we stopped just short of it. So maybe it's

557
00:29:36,520 --> 00:29:39,680
Speaker 1: fine and this will get edited out. I'm sure, Brett. Now,

558
00:29:41,800 --> 00:29:46,000
Speaker 1: what did you say? Sorry? I didn't hear you. Oh what? Oh?

559
00:29:46,120 --> 00:29:51,480
Speaker 1: Really you have? Do you have your headphones on? No,

560
00:29:51,600 --> 00:29:54,880
Speaker 1: I can put them on. I think they should be

561
00:29:55,000 --> 00:29:58,520
Speaker 1: on since you're the sound engineer. Scus Man, don't don't

562
00:29:58,520 --> 00:30:00,360
Speaker 1: blame him. Man. Scus Man was showing him some pictures

563
00:30:00,400 --> 00:30:04,520
Speaker 1: on his phone. Scus Man, are those beaver picks? Yeah?

564
00:30:04,600 --> 00:30:12,440
Speaker 1: They are? Yeah, picks of fixing Damns and Oregon. Hell yeah,

565
00:30:12,680 --> 00:30:15,120
Speaker 1: he's got so many nature I think me and Brett

566
00:30:15,200 --> 00:30:19,240
Speaker 1: might take a trip there. Okay, Well we figured talking

567
00:30:19,280 --> 00:30:21,280
Speaker 1: about it, figure out the details off the air. You

568
00:30:21,560 --> 00:30:24,800
Speaker 1: just met Brett. You've been talking about taking a trip there. Yeah,

569
00:30:24,800 --> 00:30:26,680
Speaker 1: we've been, well, we've been texting. I thought we were

570
00:30:26,680 --> 00:30:29,520
Speaker 1: going to see the coast. I thought we were gonna

571
00:30:29,600 --> 00:30:32,320
Speaker 1: We're all gonna got man, what is this magic you

572
00:30:32,440 --> 00:30:36,600
Speaker 1: have in you? Every person you meet. I'm telling you,

573
00:30:37,400 --> 00:30:41,880
Speaker 1: it's just this just this magnetism, you know, it's just

574
00:30:41,920 --> 00:30:44,200
Speaker 1: come from it just comes from chill vibes. Just I

575
00:30:44,240 --> 00:30:46,200
Speaker 1: don't know how long I can stay immune to it.

576
00:30:47,600 --> 00:30:51,080
Speaker 1: A fellow FARMI Bratt, I'm surprised that you've stayed this

577
00:30:51,240 --> 00:30:53,520
Speaker 1: long immune to it. This is the longest. Let's read

578
00:30:53,560 --> 00:31:01,320
Speaker 1: the scenes. Volleyball a real underdog story. But I scus

579
00:31:01,360 --> 00:31:05,200
Speaker 1: Man and the Dahmer. Is that what you're having people

580
00:31:05,200 --> 00:31:08,880
Speaker 1: call you? Yeah? Well, yeah, ah, you saw that, you

581
00:31:08,920 --> 00:31:12,080
Speaker 1: caught that, you caught that my name was the Dahmer. Yeah,

582
00:31:12,160 --> 00:31:15,680
Speaker 1: what's written Scusman and the Dahmer. We just it just

583
00:31:15,720 --> 00:31:18,000
Speaker 1: wanted to brand ourselves differently from the work we do together.

584
00:31:18,320 --> 00:31:23,720
Speaker 1: Exterior Volleyball beach. Scus Man is chilling and people are

585
00:31:23,840 --> 00:31:27,520
Speaker 1: liking what he's doing. The Dahmer he's there too, and

586
00:31:27,920 --> 00:31:33,320
Speaker 1: he's and he's all right. The Dahmer says something to

587
00:31:33,360 --> 00:31:36,080
Speaker 1: scus Man. Now, guys, you could have just started the dialogue.

588
00:31:36,160 --> 00:31:38,040
Speaker 1: You don't have to say and you should know this

589
00:31:38,160 --> 00:31:39,320
Speaker 1: dom from doing scripts with me.

590
00:31:39,480 --> 00:31:41,760
Speaker 3: But what Scusman pointed out was that a lot of

591
00:31:41,800 --> 00:31:44,240
Speaker 3: times you want to see the moment where the character

592
00:31:44,720 --> 00:31:47,040
Speaker 3: gears up and decides to talk, like, you know what

593
00:31:47,120 --> 00:31:49,160
Speaker 3: I mean, the moment before words come out, the moment

594
00:31:49,160 --> 00:31:50,200
Speaker 3: we're kind of someone's.

595
00:31:49,920 --> 00:31:53,000
Speaker 1: Like the moment where the choice is Yeah, so that's

596
00:31:53,040 --> 00:31:55,920
Speaker 1: why he you know. Uh so he says, he stands

597
00:31:56,000 --> 00:31:58,080
Speaker 1: up and he takes a deep breath and he and

598
00:31:58,120 --> 00:32:01,200
Speaker 1: he begins. He doesn't say that though, right, but that's

599
00:32:01,240 --> 00:32:05,000
Speaker 1: implied in the says Okay, I mean, we're gonna do

600
00:32:05,040 --> 00:32:07,800
Speaker 1: that on camera. You're gonna see that on camera, So

601
00:32:07,880 --> 00:32:09,720
Speaker 1: we might as well write it out, Like, should I

602
00:32:09,760 --> 00:32:12,920
Speaker 1: just read on begins? Should I just read for the dahmer? Scusman?

603
00:32:13,000 --> 00:32:15,120
Speaker 1: Do you want to read for Scusman? Should we just

604
00:32:15,120 --> 00:32:16,840
Speaker 1: do it that way? Yeah? Why don't you read the

605
00:32:16,880 --> 00:32:19,960
Speaker 1: Dahmer and then Scusman. It's a little different usually, Dominah.

606
00:32:20,000 --> 00:32:21,800
Speaker 1: Normally when we get the table reads, we kind of

607
00:32:21,840 --> 00:32:23,520
Speaker 1: switch it. We'll do it, We'll do it this way.

608
00:32:23,600 --> 00:32:26,920
Speaker 3: Okay, Uh, what up scus Man?

609
00:32:27,960 --> 00:32:34,320
Speaker 1: Hey? What's up? What are you writing there? Dude? Nothing? Hey?

610
00:32:35,200 --> 00:32:37,240
Speaker 1: I was checking out that chick you were talking to.

611
00:32:37,920 --> 00:32:39,920
Speaker 1: Oh yeah, the one with the big boobs and the

612
00:32:39,920 --> 00:32:42,360
Speaker 1: one with the nice butt. No, the one with the

613
00:32:42,400 --> 00:32:46,760
Speaker 1: bigger boobs. And the nicer button, oh her, Oh yeah,

614
00:32:46,880 --> 00:32:49,840
Speaker 1: what about her? Man? Guys, the way you're talking about

615
00:32:49,880 --> 00:32:54,480
Speaker 1: women in this thing that doesn't seem okay to me.

616
00:32:56,400 --> 00:32:59,640
Speaker 1: Whether we're saying that's bad, well, you're really objectifying them.

617
00:33:00,040 --> 00:33:03,200
Speaker 1: And I just just stating what it is.

618
00:33:03,120 --> 00:33:05,520
Speaker 3: That this is something that the Scusman has told me

619
00:33:05,560 --> 00:33:07,320
Speaker 3: he's sick of, and I've kind of started to be like,

620
00:33:07,320 --> 00:33:09,160
Speaker 3: maybe I'm sick of it too, this notion that we

621
00:33:09,200 --> 00:33:12,080
Speaker 3: can't physically describe people to differentiate them. You know, like

622
00:33:12,160 --> 00:33:14,160
Speaker 3: if there's a if there's a black guy in the room,

623
00:33:14,200 --> 00:33:17,080
Speaker 3: you can't be like, WHOA, well it's the black guy.

624
00:33:17,200 --> 00:33:17,720
Speaker 1: Or if there's a.

625
00:33:17,640 --> 00:33:19,200
Speaker 3: Woman, you can't be like, oh, it's the one with

626
00:33:19,240 --> 00:33:22,160
Speaker 3: big tits or whatever. Like that's it's even worse then

627
00:33:22,200 --> 00:33:24,440
Speaker 3: what's in the script. Yeah, well I'm just I don't know.

628
00:33:24,720 --> 00:33:27,440
Speaker 1: Yeah, if there's like a bad driver, you can't be like, oh,

629
00:33:27,680 --> 00:33:30,840
Speaker 1: that Asian driver. Yeah, I mean, it's just these this

630
00:33:31,000 --> 00:33:32,800
Speaker 1: kind of whole you can't do that.

631
00:33:32,920 --> 00:33:35,960
Speaker 3: It's this kind of whole world of descriptive racial and

632
00:33:36,960 --> 00:33:39,520
Speaker 3: sexual humor that Scusman's really opened my mind up.

633
00:33:39,760 --> 00:33:44,600
Speaker 1: Oh, I guess as I think about it, do you

634
00:33:44,760 --> 00:33:48,680
Speaker 1: differentiate them. I mean, is a true way to describe someone,

635
00:33:48,760 --> 00:33:53,120
Speaker 1: to say what their physical appearance is. It's disgus man, right,

636
00:33:55,280 --> 00:33:59,560
Speaker 1: and no people shouldn't be reduced to that. Now. But

637
00:34:00,480 --> 00:34:03,600
Speaker 1: now a new character enters the scene here and it says,

638
00:34:05,960 --> 00:34:08,839
Speaker 1: some lame old car pulls up and some and some

639
00:34:09,280 --> 00:34:12,399
Speaker 1: winy old pussy gets out, and this guy really has

640
00:34:12,400 --> 00:34:14,200
Speaker 1: a stick in his button. He looks like you just

641
00:34:14,600 --> 00:34:19,920
Speaker 1: ate a whole bunch of lemonade, no sugar. Now do

642
00:34:19,960 --> 00:34:20,920
Speaker 1: you like that description?

643
00:34:21,200 --> 00:34:24,360
Speaker 3: Like that metaphor that actually is based on a real

644
00:34:24,840 --> 00:34:26,520
Speaker 3: thing that happened with me and the Scusman when we

645
00:34:26,520 --> 00:34:29,280
Speaker 3: were writing this, because he took a big sip of lemonade.

646
00:34:29,320 --> 00:34:30,520
Speaker 3: He asked me to make him up a big thing

647
00:34:30,520 --> 00:34:33,319
Speaker 3: of lemonade, and I did, but I forgot. I thought

648
00:34:33,400 --> 00:34:34,839
Speaker 3: lemons were sweet enough on their own.

649
00:34:35,600 --> 00:34:38,120
Speaker 1: But it's just it was no sugar. I was like,

650
00:34:38,680 --> 00:34:39,640
Speaker 1: what is this ship?

651
00:34:39,760 --> 00:34:41,440
Speaker 3: And when he made a face, when he made that face,

652
00:34:41,520 --> 00:34:43,960
Speaker 3: I was like, that looks exactly like well.

653
00:34:43,800 --> 00:34:47,960
Speaker 1: You know the character character, the character character? Do you

654
00:34:47,960 --> 00:34:50,560
Speaker 1: want to read that guy? Is this because the Skusman

655
00:34:50,600 --> 00:34:52,239
Speaker 1: and Damer seem to be based on you guys, is

656
00:34:52,280 --> 00:34:55,640
Speaker 1: this character based on someone you know, well everything you

657
00:34:55,640 --> 00:34:57,239
Speaker 1: know were you kind of write what you know? You're

658
00:34:57,280 --> 00:35:01,200
Speaker 1: inspired by people you spend time with, and yeah, yeah,

659
00:35:01,280 --> 00:35:07,359
Speaker 1: and you know it. I would say, I don't think so. Okay, well,

660
00:35:07,400 --> 00:35:09,080
Speaker 1: but if you want to read for him, then you

661
00:35:09,080 --> 00:35:10,640
Speaker 1: could read. I mean you might as well. I mean

662
00:35:10,719 --> 00:35:13,640
Speaker 1: unless you know Brett wants to read. But I think, like,

663
00:35:13,719 --> 00:35:17,120
Speaker 1: you know, you could, You're probably you probably should read

664
00:35:17,160 --> 00:35:24,160
Speaker 1: this one. Okay, Well, it says Shane Clement's a true

665
00:35:24,239 --> 00:35:31,280
Speaker 1: wiener head. The audience is gonna like that part starts

666
00:35:31,320 --> 00:35:36,359
Speaker 1: talking to the guys. I don't know why you need

667
00:35:36,400 --> 00:35:38,680
Speaker 1: to see them decide to talk every time. I feel

668
00:35:38,680 --> 00:35:40,719
Speaker 1: like they could just do it otherwise. It's just like,

669
00:35:40,760 --> 00:35:42,360
Speaker 1: think about how weird it is just have a character

670
00:35:42,400 --> 00:35:45,160
Speaker 1: standing there motionless and then just like like just start

671
00:35:45,200 --> 00:35:47,799
Speaker 1: talking like that. That's what I always think when I'm

672
00:35:47,840 --> 00:35:51,160
Speaker 1: reading scripts. I'm like, where, wait, what why is it?

673
00:35:51,320 --> 00:35:53,520
Speaker 1: Why are why are words coming out? Why are words

674
00:35:53,560 --> 00:35:55,160
Speaker 1: coming out of this guy's mouth? We didn't see this

675
00:35:55,200 --> 00:35:58,960
Speaker 1: guy wind up at all. Well, here we go, I'll

676
00:35:59,000 --> 00:36:04,200
Speaker 1: read Shane's lines. Uh. It says says there's a yes,

677
00:36:04,239 --> 00:36:08,200
Speaker 1: there's a reader on it parenthetical, it says like a

678
00:36:08,239 --> 00:36:14,120
Speaker 1: little bitch. Hi, guys, my cool friend Hayes ditch me.

679
00:36:14,320 --> 00:36:16,800
Speaker 1: So now I'm gonna come hang out with you because

680
00:36:17,760 --> 00:36:21,960
Speaker 1: normally I'm I'm sucking on his thing and and just

681
00:36:22,000 --> 00:36:24,960
Speaker 1: got my thumb up his ass all day and then

682
00:36:25,000 --> 00:36:27,480
Speaker 1: whenever he has something better to do, which is a lot,

683
00:36:27,920 --> 00:36:31,240
Speaker 1: then I come and talk down to you guys, because

684
00:36:31,280 --> 00:36:39,560
Speaker 1: I'm a total fucking loser. Oh, Shane, Hey, what's in

685
00:36:39,600 --> 00:36:44,960
Speaker 1: that cup you're drinking? It's a water. I like to

686
00:36:45,000 --> 00:36:52,680
Speaker 1: be hydrated. Okay, this is sounding familiar to me, guys.

687
00:36:53,800 --> 00:36:55,840
Speaker 1: This is sounding this scene at the beach because this

688
00:36:56,000 --> 00:36:57,719
Speaker 1: is a lot like when I came to pick you

689
00:36:57,800 --> 00:36:59,840
Speaker 1: up at the beach dom. And I don't know if

690
00:36:59,880 --> 00:37:01,880
Speaker 1: this is exactly what I said about Hayes, but I

691
00:37:01,880 --> 00:37:06,239
Speaker 1: may have said something similar about honest thing. This is

692
00:37:06,320 --> 00:37:08,840
Speaker 1: seem this is seeming well the thumb up is, but

693
00:37:09,040 --> 00:37:11,239
Speaker 1: thumbup is but part Yeah.

694
00:37:10,640 --> 00:37:13,960
Speaker 3: Well, look, I mean you've talked about I've watched you

695
00:37:14,080 --> 00:37:16,160
Speaker 3: kind of you know, go like you've talked about going

696
00:37:16,160 --> 00:37:18,160
Speaker 3: to the library before and just kind of people watching

697
00:37:18,280 --> 00:37:21,239
Speaker 3: or going to Starbucks and writing down what people say

698
00:37:21,320 --> 00:37:23,439
Speaker 3: to kind of use it and I feel like we're

699
00:37:23,480 --> 00:37:24,920
Speaker 3: just kind of doing that.

700
00:37:25,280 --> 00:37:29,080
Speaker 1: Yeah, exactly, well and sort of like write writing you know.

701
00:37:29,520 --> 00:37:32,480
Speaker 1: But Library Starbucks was a huge hit film that I

702
00:37:32,760 --> 00:37:34,799
Speaker 1: that I produced. I mean that this that was a

703
00:37:34,800 --> 00:37:35,480
Speaker 1: piece of art.

704
00:37:36,560 --> 00:37:39,239
Speaker 3: Look, it wasn't about that specific. I wasn't trying to

705
00:37:39,239 --> 00:37:40,480
Speaker 3: say that was that's the specific?

706
00:37:40,560 --> 00:37:43,600
Speaker 1: You you? Yes, I know Library Starbucks was really good. Yes,

707
00:37:43,640 --> 00:37:46,160
Speaker 1: I know. It's single handedly raised awareness of lib Giovanni

708
00:37:46,239 --> 00:37:51,279
Speaker 1: Ribisi was revelatory. Yes, well I actually saw that and

709
00:37:51,320 --> 00:37:53,960
Speaker 1: I loved it. And did you did you catch it? Yeah?

710
00:37:54,200 --> 00:37:56,919
Speaker 1: Thank you, because man, yeah it was actually did you

711
00:37:57,000 --> 00:38:02,719
Speaker 1: get it? No? No, me neither. No I didn't get

712
00:38:02,719 --> 00:38:08,160
Speaker 1: it me neither. But you know, Rubisi and libraries is

713
00:38:08,200 --> 00:38:12,160
Speaker 1: something I thought I would never care for when I

714
00:38:12,200 --> 00:38:15,719
Speaker 1: watched that, which I didn't think i'd like it either.

715
00:38:15,840 --> 00:38:17,800
Speaker 1: I don't even know how I watched it. I just

716
00:38:17,920 --> 00:38:19,840
Speaker 1: kind of like it was on Netflix. I played it

717
00:38:19,880 --> 00:38:21,919
Speaker 1: on the net. Oh right, right, right, right right right,

718
00:38:22,719 --> 00:38:26,319
Speaker 1: stay out of my queue. Sorry if it's does it

719
00:38:26,360 --> 00:38:30,040
Speaker 1: skew your recommendation? What's the script? This feels like it's

720
00:38:30,600 --> 00:38:34,520
Speaker 1: Oh I'm not going to fall for that again. Please?

721
00:38:34,560 --> 00:38:36,520
Speaker 1: What's the password? Like I'm just gonna sit here and

722
00:38:36,560 --> 00:38:44,080
Speaker 1: go I am Banksy is the pat Okay, Okay, well, okay,

723
00:38:44,160 --> 00:38:48,560
Speaker 1: we're editing that out too, Brett. Now, now this script

724
00:38:48,640 --> 00:38:50,919
Speaker 1: and this scene feels a lot like when I came

725
00:38:50,960 --> 00:38:53,960
Speaker 1: to pick you up. And I'm very disturbed in skimming

726
00:38:54,000 --> 00:39:03,560
Speaker 1: the next stage direction, which is sh Shane looks away

727
00:39:03,640 --> 00:39:07,719
Speaker 1: for a moment to admire the sunset like some kind

728
00:39:07,760 --> 00:39:14,120
Speaker 1: of weird little pantywaiste, and scuz Man and the Dahmer

729
00:39:14,640 --> 00:39:19,520
Speaker 1: have just enough time to slip some drink into his stupid, weak,

730
00:39:19,640 --> 00:39:21,320
Speaker 1: little baby water glass.

731
00:39:21,920 --> 00:39:24,279
Speaker 3: So so I think what we're hoping here, I mean,

732
00:39:24,280 --> 00:39:27,280
Speaker 3: because we're all what like one page in and already

733
00:39:27,320 --> 00:39:31,040
Speaker 3: we've established a real dynamic between our kind of three leads.

734
00:39:31,400 --> 00:39:34,160
Speaker 3: You know, there's like there's there's the scus Man, who

735
00:39:34,200 --> 00:39:36,279
Speaker 3: you know, you know where he's coming from. There's the

736
00:39:36,360 --> 00:39:39,239
Speaker 3: Damer and you're like, you're like, okay, this guy's got

737
00:39:39,280 --> 00:39:42,600
Speaker 3: something happening, and then there's this kind of fucking pantywaist.

738
00:39:42,680 --> 00:39:44,319
Speaker 3: I mean, that was a little bit of the Yeah,

739
00:39:44,320 --> 00:39:47,360
Speaker 3: we got the cool guy, we got the like guy

740
00:39:47,480 --> 00:39:50,799
Speaker 3: who you know, who's like gonna be cool, and then

741
00:39:50,840 --> 00:39:53,960
Speaker 3: we got the real fucking nerd Dick.

742
00:39:55,160 --> 00:39:59,480
Speaker 1: Nerds is cool you, And that's true. Nerds. Nerds is

743
00:39:59,520 --> 00:40:02,280
Speaker 1: cool now, scus Man, It's it's cool to be nerds.

744
00:40:02,880 --> 00:40:07,480
Speaker 1: Crack a podcast now and then, Yeah, really I think sorry,

745
00:40:07,480 --> 00:40:08,080
Speaker 1: I'm just all.

746
00:40:08,280 --> 00:40:08,360
Speaker 2: Uh.

747
00:40:08,760 --> 00:40:11,560
Speaker 1: I just used the Netflix account about all the media

748
00:40:11,640 --> 00:40:12,760
Speaker 1: I can handle.

749
00:40:13,360 --> 00:40:16,520
Speaker 3: Yeah, too much media, scus Man freaks out. I watched

750
00:40:16,560 --> 00:40:19,040
Speaker 3: him get just consume way too much media one night

751
00:40:19,080 --> 00:40:20,880
Speaker 3: and went bananas.

752
00:40:20,840 --> 00:40:25,440
Speaker 1: Just over stimulated. We can't. Yeah, I just need I

753
00:40:25,480 --> 00:40:28,399
Speaker 1: just need the sun and babes and booze. But if

754
00:40:28,440 --> 00:40:31,239
Speaker 1: I get too much media, social media. I'm actually one

755
00:40:31,280 --> 00:40:35,239
Speaker 1: eighth native American. Oh oh, I understand being more in

756
00:40:35,280 --> 00:40:38,960
Speaker 1: touch with the earth than necessarily Okay, well, with the

757
00:40:39,000 --> 00:40:41,359
Speaker 1: media and the screens and and and one and one

758
00:40:41,400 --> 00:40:43,239
Speaker 1: and one thing and one thing I've said about about

759
00:40:43,280 --> 00:40:44,880
Speaker 1: these screens is that that you know, they're supposed to

760
00:40:44,920 --> 00:40:48,200
Speaker 1: be connecting us, but they're they're kind of sometimes they're

761
00:40:48,239 --> 00:40:51,839
Speaker 1: actually well they're kind of yeah, driving us apart, Like, yeah,

762
00:40:51,840 --> 00:40:54,760
Speaker 1: they're not connecting us. I would sink that's a simpler

763
00:40:54,800 --> 00:40:58,360
Speaker 1: way to say it. Yeah, Scusman's cool, Huh, I'm not

764
00:40:58,600 --> 00:41:01,880
Speaker 1: there yet. Okay, you're cool too, I didn't know you

765
00:41:02,000 --> 00:41:04,600
Speaker 1: liked sunsets.

766
00:41:04,640 --> 00:41:06,520
Speaker 3: We put it in the script, so cause man, I

767
00:41:06,520 --> 00:41:08,719
Speaker 3: thought I thought you or I mean, you know.

768
00:41:08,719 --> 00:41:11,160
Speaker 1: A lot of times when I write something, I just

769
00:41:11,280 --> 00:41:13,520
Speaker 1: forget about it. Yeah.

770
00:41:13,600 --> 00:41:15,880
Speaker 3: Yeah, that's why it's always good there's a file, or

771
00:41:16,080 --> 00:41:18,440
Speaker 3: that writing necessitates a physical record.

772
00:41:18,480 --> 00:41:20,319
Speaker 1: It's always good. I could read it again and be like,

773
00:41:20,320 --> 00:41:25,440
Speaker 1: oh yeah, yeah, I guess that is helpful. So did

774
00:41:25,480 --> 00:41:27,759
Speaker 1: you really put drink in my cup? Because I had

775
00:41:27,920 --> 00:41:29,320
Speaker 1: the craziest night.

776
00:41:29,680 --> 00:41:32,319
Speaker 4: Did you you had? You had a wild night after

777
00:41:32,520 --> 00:41:38,160
Speaker 4: after we hung out. Yeah, oh really, get in your

778
00:41:38,200 --> 00:41:46,200
Speaker 4: car drive In fact, I did, and that's pretty dangerous. Yeah,

779
00:41:46,239 --> 00:41:48,200
Speaker 4: I guess, I guess it. I guess it is.

780
00:41:48,239 --> 00:41:51,640
Speaker 1: I mean, if you I woke up in my neighbor's garden. Whoa,

781
00:41:53,080 --> 00:41:58,440
Speaker 1: I wonder what happened. Well, I know what happened. I

782
00:41:58,480 --> 00:42:00,719
Speaker 1: thought I saw a groundhog and I start chasing it,

783
00:42:00,800 --> 00:42:03,879
Speaker 1: and then I tripped over a bunch of carrots. Oh

784
00:42:03,920 --> 00:42:05,920
Speaker 1: that's right, you've been gardening, and I hit my head

785
00:42:05,920 --> 00:42:08,480
Speaker 1: pretty hard. Well, No, I haven't been gardening. It was

786
00:42:08,480 --> 00:42:11,000
Speaker 1: in my neighbors. Oh oh that was your neighbor's garden.

787
00:42:11,000 --> 00:42:15,120
Speaker 1: I'm sorry, fucking I thought I thought maybe he'd been gardening.

788
00:42:15,360 --> 00:42:18,080
Speaker 1: That's a nice garden. I've been I've been by what

789
00:42:18,400 --> 00:42:19,120
Speaker 1: I've been by?

790
00:42:22,360 --> 00:42:24,759
Speaker 3: Yeah, well, well, because we need sometimes we have to

791
00:42:24,760 --> 00:42:26,440
Speaker 3: post up, and we need some Wi Fi to use,

792
00:42:26,480 --> 00:42:29,040
Speaker 3: and we need to get online, so we sit in

793
00:42:29,120 --> 00:42:29,399
Speaker 3: the car.

794
00:42:29,960 --> 00:42:31,840
Speaker 1: So I rent like a plumbing van and in the

795
00:42:31,840 --> 00:42:34,319
Speaker 1: back of it invasive. I would think you would know

796
00:42:34,400 --> 00:42:36,759
Speaker 1: that I haven't been gardening because my dad won't let

797
00:42:36,800 --> 00:42:42,000
Speaker 1: me have one. Oh he didn't. Oh, I'm sorry I didn't.

798
00:42:42,040 --> 00:42:44,120
Speaker 1: I didn't know that. That was just reminds him too much

799
00:42:44,160 --> 00:42:47,840
Speaker 1: of his farmy days. Yeah.

800
00:42:47,880 --> 00:42:50,640
Speaker 3: Does he ever talk about his time and what happened

801
00:42:50,640 --> 00:42:53,080
Speaker 3: in farmy day, like whether or not he had like

802
00:42:53,640 --> 00:42:54,239
Speaker 3: I don't know.

803
00:42:54,320 --> 00:42:56,760
Speaker 1: Not much. No, he gets real quiet when that stuff

804
00:42:56,800 --> 00:43:00,520
Speaker 1: comes up. Yeah, yeah, I can relate. My dad won't

805
00:43:00,560 --> 00:43:04,000
Speaker 1: let me, like have an army base or go near

806
00:43:04,239 --> 00:43:10,200
Speaker 1: any tanks. Wow, because it reminds me and does he

807
00:43:10,239 --> 00:43:13,600
Speaker 1: have those things to provide you? Sure of course he

808
00:43:13,640 --> 00:43:18,320
Speaker 1: could give it to me anytime, he just chooses not to. Yeah,

809
00:43:18,440 --> 00:43:21,040
Speaker 1: that's can be withholding, but that's because they care about

810
00:43:21,080 --> 00:43:25,040
Speaker 1: It reminds me of make you tough, make you tough

811
00:43:26,080 --> 00:43:28,720
Speaker 1: and that's what I am. So I want to skip

812
00:43:28,760 --> 00:43:32,160
Speaker 1: ahead a few scenes too, because that scene, yeah, that

813
00:43:32,239 --> 00:43:35,840
Speaker 1: scene as low long. Yes, it goes on for another

814
00:43:36,600 --> 00:43:41,520
Speaker 1: forty one pages. Well ten of those are a nap. Yeah,

815
00:43:41,840 --> 00:43:46,040
Speaker 1: I mean that's a note right off the bat. I

816
00:43:46,040 --> 00:43:47,600
Speaker 1: don't know that you want to have a nap that

817
00:43:47,760 --> 00:43:53,319
Speaker 1: long in what is essentially still the first scene. Right, well, GV,

818
00:43:53,480 --> 00:43:58,360
Speaker 1: sure what's going on during the nap? What do you

819
00:43:58,480 --> 00:44:00,239
Speaker 1: mean during the app?

820
00:44:00,280 --> 00:44:02,200
Speaker 3: We we're seeing what it's not like he takes a nap,

821
00:44:02,280 --> 00:44:05,640
Speaker 3: screen goes black and then we don't, like, you see

822
00:44:05,640 --> 00:44:06,959
Speaker 3: what happens during the nap.

823
00:44:08,360 --> 00:44:11,359
Speaker 1: He's just lying down napping, right, Yeah, you see the nap,

824
00:44:11,520 --> 00:44:13,959
Speaker 1: but you see, you know, like he could like turn over,

825
00:44:14,400 --> 00:44:16,759
Speaker 1: just like you know, there's so much stuff he could do,

826
00:44:17,320 --> 00:44:21,360
Speaker 1: yeah that we haven't written. Just could it's just for

827
00:44:21,440 --> 00:44:23,840
Speaker 1: ta Yeah, it's just it's just Z's. It should just

828
00:44:23,840 --> 00:44:29,440
Speaker 1: be Z's for ten pages, like the kind of cartoon sleep. Yeah.

829
00:44:29,480 --> 00:44:33,879
Speaker 1: Well yeah, it says right here, it says scus Man

830
00:44:33,960 --> 00:44:37,000
Speaker 1: starts catching Z's so he can be on his A game.

831
00:44:37,080 --> 00:44:38,880
Speaker 1: And I guess that's some play on the app. It's

832
00:44:38,880 --> 00:44:39,080
Speaker 1: a bit.

833
00:44:39,120 --> 00:44:41,000
Speaker 3: It's a fun it's a Yeah, it's just a fun

834
00:44:41,040 --> 00:44:42,960
Speaker 3: alphabet joke. I've been getting a lot more into word

835
00:44:43,040 --> 00:44:46,120
Speaker 3: humor since Skusman kind of Yeah, it's subtle tricks of

836
00:44:46,200 --> 00:44:47,200
Speaker 3: like turns of phrases.

837
00:44:47,239 --> 00:44:51,879
Speaker 1: Give me another examples gus Man, Uh, okay, hey man,

838
00:44:52,000 --> 00:44:54,879
Speaker 1: mind your p's and cues ooh, I gotta go take

839
00:44:54,920 --> 00:44:55,319
Speaker 1: a pe.

840
00:44:56,160 --> 00:45:00,440
Speaker 3: Yeah, it's just two different ways to use P you know,

841
00:45:00,560 --> 00:45:03,000
Speaker 3: And it's it's that I mean that one.

842
00:45:03,000 --> 00:45:05,960
Speaker 1: But I drank too much. Drank. Well, this is you

843
00:45:06,000 --> 00:45:08,080
Speaker 1: got to add that at the end because mind your

844
00:45:08,160 --> 00:45:10,120
Speaker 1: p's and q's because I gotta go p so b

845
00:45:10,400 --> 00:45:13,960
Speaker 1: Q because like Q meaning quiet because he can't pee

846
00:45:13,960 --> 00:45:17,719
Speaker 1: if someone's talking. But that's anyone say b Q.

847
00:45:19,160 --> 00:45:24,200
Speaker 3: And oh outside of that joke, uh, like, like it's

848
00:45:24,239 --> 00:45:26,560
Speaker 3: not a normal enough phrase to kind of turn.

849
00:45:26,719 --> 00:45:28,600
Speaker 1: Is that what you're saying? Oh, I say it all

850
00:45:28,600 --> 00:45:31,319
Speaker 1: the time. That's great. Yeah, I say it all the time.

851
00:45:31,360 --> 00:45:32,880
Speaker 1: I say it all the time to my honey's I

852
00:45:32,880 --> 00:45:35,680
Speaker 1: say hey, babe, BQ, and he's going to say it

853
00:45:35,680 --> 00:45:37,400
Speaker 1: more and more so that by the time the script

854
00:45:37,440 --> 00:45:39,279
Speaker 1: circulates that I mean, I don't want to go too

855
00:45:39,280 --> 00:45:43,759
Speaker 1: far down. But is that confusing because you are so

856
00:45:43,960 --> 00:45:50,359
Speaker 1: frequently attending a BBQ. It's it is very confusing people.

857
00:45:50,680 --> 00:45:54,759
Speaker 1: I sort of but I but I get like, I

858
00:45:54,800 --> 00:45:58,160
Speaker 1: get like the intonation, you know, like the way you

859
00:45:58,200 --> 00:46:05,640
Speaker 1: say uh be q. I sort of could decipher the difference. Yeah,

860
00:46:06,120 --> 00:46:09,239
Speaker 1: more things that you can learn if you hang out

861
00:46:09,239 --> 00:46:10,000
Speaker 1: with the scus Man.

862
00:46:10,600 --> 00:46:12,360
Speaker 3: Well, but yeah, if you want to skip ahead of

863
00:46:12,360 --> 00:46:13,960
Speaker 3: a few scenes, we're happy with Troup.

864
00:46:14,360 --> 00:46:16,480
Speaker 1: I kind of want to skip to the end. So

865
00:46:18,080 --> 00:46:25,080
Speaker 1: this last scene, scus Man and the Dahmer are standing

866
00:46:25,080 --> 00:46:28,439
Speaker 1: in the back of a flatbed pickup truck. There arms

867
00:46:28,480 --> 00:46:33,279
Speaker 1: each around two honeyes, which is basically has been the

868
00:46:33,280 --> 00:46:36,640
Speaker 1: description of them for all of the scenes since that

869
00:46:36,719 --> 00:46:37,279
Speaker 1: first one.

870
00:46:37,360 --> 00:46:38,960
Speaker 3: There's one scene in the middle where they don't have

871
00:46:39,000 --> 00:46:41,160
Speaker 3: honeys on their arm, and we actually kind of speak

872
00:46:41,200 --> 00:46:42,880
Speaker 3: to it like we have someone call it out. But

873
00:46:43,440 --> 00:46:45,120
Speaker 3: then the honey's immediately okay.

874
00:46:45,160 --> 00:46:48,120
Speaker 1: Well, a bald eagle flies by scus Man and gives

875
00:46:48,160 --> 00:46:51,560
Speaker 1: him a thumbs up with his wing because he thinks

876
00:46:51,560 --> 00:46:56,240
Speaker 1: scus Man's so cool. The Dahmer also thinks scus Man's cool.

877
00:46:56,800 --> 00:47:00,359
Speaker 1: But guess who don't that little bit Shane and guess

878
00:47:00,400 --> 00:47:05,840
Speaker 1: what he's doing getting beat up by by Frankenstein and

879
00:47:06,760 --> 00:47:11,040
Speaker 1: he speaks, and then should I read his line? Oh?

880
00:47:11,080 --> 00:47:16,440
Speaker 1: Okay if you want? Yeah, yeah, oh I deserve this, Frankenstein,

881
00:47:16,719 --> 00:47:19,359
Speaker 1: thank you for beating me up? Now? This is too

882
00:47:19,440 --> 00:47:23,439
Speaker 1: scary for kids. Well you read your lines? Okay, man,

883
00:47:23,480 --> 00:47:27,280
Speaker 1: we sure did, didn't we, scus Man? Hell yeah, man,

884
00:47:27,880 --> 00:47:30,600
Speaker 1: I think I'm going to keep that bald eagle. And

885
00:47:30,680 --> 00:47:34,440
Speaker 1: I think I'm going to keep that Frankenstein. Yeah, this

886
00:47:34,600 --> 00:47:37,880
Speaker 1: is too scary of an idea to keep it. And

887
00:47:37,960 --> 00:47:40,879
Speaker 1: is this your plan for me? I mean, this character

888
00:47:40,920 --> 00:47:43,279
Speaker 1: seems like it's based on me. Are you working on

889
00:47:43,320 --> 00:47:47,000
Speaker 1: a franking sign Sean?

890
00:47:48,200 --> 00:47:48,359
Speaker 2: Yo?

891
00:47:48,840 --> 00:47:50,600
Speaker 1: What work? Frankenstein?

892
00:47:51,440 --> 00:47:54,799
Speaker 3: No, I don't even know what that would collecting. We'd

893
00:47:54,800 --> 00:47:58,080
Speaker 3: have to be collecting body parts or something. Yeah, which

894
00:47:58,080 --> 00:47:59,640
Speaker 3: would I don't even know where we'd find that.

895
00:48:00,160 --> 00:48:02,960
Speaker 1: No, we don't. I mean I do, but like, yeah,

896
00:48:02,960 --> 00:48:05,400
Speaker 1: scus Man does. I I could get you a body

897
00:48:05,400 --> 00:48:10,160
Speaker 1: part easily. And you know what, dude, guess what should

898
00:48:10,200 --> 00:48:13,760
Speaker 1: I should? I tell him? Tell him what that character

899
00:48:13,880 --> 00:48:17,160
Speaker 1: is based upon you? Oh? No, I thought it might

900
00:48:17,239 --> 00:48:21,560
Speaker 1: be you need a cool, refreshing drink splash in your face.

901
00:48:24,080 --> 00:48:27,880
Speaker 1: That's what I've been trying to happen. That's well, I

902
00:48:27,920 --> 00:48:30,279
Speaker 1: hope they haven't. If we had a drink around here,

903
00:48:30,280 --> 00:48:32,719
Speaker 1: I would do it well, But that's supposed to be

904
00:48:32,840 --> 00:48:35,640
Speaker 1: allowed in the studio. Brett's too scared about the mics

905
00:48:35,640 --> 00:48:38,200
Speaker 1: and stuff. We've had some incidents where I use the

906
00:48:38,239 --> 00:48:41,680
Speaker 1: mics in ways that made Brett pretty uncomfortable. Oh okay,

907
00:48:41,880 --> 00:48:45,840
Speaker 1: you want water, Uh yeah, sure, scus Man can have water.

908
00:48:46,440 --> 00:48:48,200
Speaker 1: Oh yeah, I've been told I'm not allowed to have

909
00:48:48,280 --> 00:48:51,120
Speaker 1: water in here. Yeah, but I don't know. I like

910
00:48:51,320 --> 00:48:55,120
Speaker 1: this guy's cool. That's not cool. It happened to me

911
00:48:55,160 --> 00:48:58,000
Speaker 1: all the time, giving me things that I shouldn't get.

912
00:48:58,280 --> 00:49:01,399
Speaker 1: All right, forget it, Okay, look, get the script. I'm

913
00:49:01,400 --> 00:49:03,880
Speaker 1: not gonna side on for this, especially now that I

914
00:49:03,920 --> 00:49:05,359
Speaker 1: know it's me, and now that I know you're trying

915
00:49:05,400 --> 00:49:11,520
Speaker 1: to make a franken Stun beat me up. Now we're

916
00:49:11,560 --> 00:49:13,319
Speaker 1: supposed to have Goldie Hans, So I got a lot

917
00:49:13,400 --> 00:49:16,000
Speaker 1: of questions for her from the Popcorn Gallery, and we're

918
00:49:16,000 --> 00:49:19,560
Speaker 1: gonna ask the question. No, we're gonna ask him, and

919
00:49:19,560 --> 00:49:23,080
Speaker 1: we're gonna ask us Man. So Dom go ahead and

920
00:49:23,360 --> 00:49:28,160
Speaker 1: sing the Popcorn Gallery theme song, God fuck I am

921
00:49:28,200 --> 00:49:37,239
Speaker 1: Popcorn Gallery asking questions from the internet, keep going the

922
00:49:37,320 --> 00:49:39,759
Speaker 1: questions and for her, I guess we have on the

923
00:49:39,800 --> 00:49:42,200
Speaker 1: show and to come from the message boards and the

924
00:49:42,400 --> 00:49:47,840
Speaker 1: emails and the twitters popcorn gallery. Now I don't know

925
00:49:47,880 --> 00:49:49,919
Speaker 1: if that's right or not, because I don't I don't

926
00:49:49,960 --> 00:49:53,040
Speaker 1: know if I've actually heard the song. But I don't

927
00:49:53,040 --> 00:49:55,040
Speaker 1: have it with me. Usually Hayes has it with me,

928
00:49:56,200 --> 00:49:59,399
Speaker 1: and so I so there's nothing I can do. You're

929
00:49:59,440 --> 00:50:01,239
Speaker 1: so much, Sean. We don't have to ask these Goldie

930
00:50:01,280 --> 00:50:04,279
Speaker 1: honk questions. He can't cause man, no, no, no, we

931
00:50:04,320 --> 00:50:07,760
Speaker 1: should we should? We should? Should I answer as Goldie

932
00:50:07,800 --> 00:50:11,399
Speaker 1: haunt or as I guess you should man? Or as

933
00:50:11,440 --> 00:50:15,600
Speaker 1: both well you actually d oh he can answers me?

934
00:50:16,080 --> 00:50:19,719
Speaker 1: Or is that me better than I am? I really

935
00:50:19,760 --> 00:50:22,040
Speaker 1: want to keep that bald Eagle. I think we'll keep it.

936
00:50:22,080 --> 00:50:23,719
Speaker 1: I think I think the big note from Sean was

937
00:50:23,760 --> 00:50:26,719
Speaker 1: about Frankenstein. Right, well, just lose Frankenstein. Just replace it

938
00:50:26,760 --> 00:50:28,520
Speaker 1: with something else, you know what I mean? Like I

939
00:50:28,520 --> 00:50:33,239
Speaker 1: think otherwise it seemed like he responded. But okay, So

940
00:50:33,680 --> 00:50:36,400
Speaker 1: usually Hayes like collects the questions and stuff. Did you

941
00:50:36,480 --> 00:50:39,279
Speaker 1: do that dumb? Does that collect? No? No, I didn't

942
00:50:39,320 --> 00:50:41,920
Speaker 1: collect the question. I can look on my phone. I

943
00:50:41,920 --> 00:50:46,560
Speaker 1: can see if there's okay, uh so uh? This question,

944
00:50:47,440 --> 00:50:51,799
Speaker 1: Goldie is from Ben Goober's Goldie. Have you ever gone

945
00:50:51,840 --> 00:50:53,919
Speaker 1: swimming in a lake and touch your feet on the muck?

946
00:50:54,040 --> 00:50:57,400
Speaker 1: It's gross? Right? I'm sorry? Do you have the sound clips?

947
00:50:57,480 --> 00:50:59,520
Speaker 1: Do you have the mark sound bites from Mark? The

948
00:50:59,520 --> 00:51:04,080
Speaker 1: sound drop? I no, what are we gonna do? I

949
00:51:04,080 --> 00:51:07,280
Speaker 1: can't just make him with my mouth? Dom? What are they?

950
00:51:07,800 --> 00:51:09,239
Speaker 1: I can? I can try to make a sound with

951
00:51:09,320 --> 00:51:11,920
Speaker 1: my mouth or okay, well do the sound of the

952
00:51:11,960 --> 00:51:17,120
Speaker 1: question being pulled out? That's like a home improvement thing.

953
00:51:17,239 --> 00:51:22,960
Speaker 1: Oh sorry, sorry, sorry, yeah, that's that we can't use. Okay,

954
00:51:23,640 --> 00:51:25,399
Speaker 1: have you ever gone swimming in a lake and touched

955
00:51:25,400 --> 00:51:28,960
Speaker 1: your feet on the muck? It's gross? Right? God, that's

956
00:51:28,960 --> 00:51:35,040
Speaker 1: such a Goldie question. Oh oh yeah, it's gross. Would

957
00:51:35,120 --> 00:51:37,960
Speaker 1: rather be not in a lake? I would rather be like,

958
00:51:39,560 --> 00:51:44,239
Speaker 1: I don't know, chilling me you bangoobers. He's gonna like

959
00:51:44,280 --> 00:51:55,120
Speaker 1: you too, now, okay, okay, uh uh okay. Here. This

960
00:51:55,239 --> 00:51:59,680
Speaker 1: question is from Bruce Reid Robinson, the second Madam Goldie.

961
00:51:59,680 --> 00:52:02,320
Speaker 1: What was is your favorite part of working on Private Benjamin?

962
00:52:02,320 --> 00:52:04,040
Speaker 1: I don't know how you're gonna be able to answer this.

963
00:52:05,600 --> 00:52:14,360
Speaker 1: Oh oh yeah, I saw that. I saw that movie. Okay,

964
00:52:14,960 --> 00:52:18,480
Speaker 1: that's your answer. Hey, are these questions for the discusman

965
00:52:18,600 --> 00:52:20,759
Speaker 1: or Goldie Hans was scusman, What do you want me

966
00:52:20,800 --> 00:52:22,279
Speaker 1: to do? I didn't know that you were going to

967
00:52:22,320 --> 00:52:24,640
Speaker 1: be the guest. Just try to give what go? All right?

968
00:52:25,320 --> 00:52:31,880
Speaker 1: Goldiehan would say, okay, Private Benjamin. Do you think she'd

969
00:52:31,920 --> 00:52:37,120
Speaker 1: start like that? Yeah? She would, she so okay, she

970
00:52:37,160 --> 00:52:40,880
Speaker 1: would go well, first, she says, you would watch her

971
00:52:40,880 --> 00:52:43,000
Speaker 1: gear up to talk. You can't. I guess she'd have

972
00:52:43,000 --> 00:52:45,359
Speaker 1: a bit of a wind up, yeah, Goldie says. And

973
00:52:45,400 --> 00:52:51,400
Speaker 1: then Goldiehan says, Private Benjamin was the movie that I

974
00:52:51,440 --> 00:52:56,279
Speaker 1: worked on, and I had a lot of fun. This

975
00:52:56,480 --> 00:53:00,319
Speaker 1: is Badman's Man should have been there, but he wasn't

976
00:53:00,320 --> 00:53:02,360
Speaker 1: born yet. Do you think she would have wished that

977
00:53:02,440 --> 00:53:08,799
Speaker 1: you were there? More power? Okay, okay, scus man. Here's

978
00:53:08,840 --> 00:53:13,359
Speaker 1: another one. This is from Keith Urban Dictionary. Miss Han,

979
00:53:14,560 --> 00:53:16,879
Speaker 1: what is do you think of your daughter's new line

980
00:53:16,880 --> 00:53:25,560
Speaker 1: of exercise clothes for women? Goldiehans says, oh, who's my

981
00:53:25,719 --> 00:53:31,080
Speaker 1: daughter again? Ok? Goldiehunts, says Kate Hudson, don't help him

982
00:53:31,239 --> 00:53:36,320
Speaker 1: dob Sorry, Goldie Hunts is Kate Hudson's line of clothing

983
00:53:36,600 --> 00:53:45,600
Speaker 1: is really good, very good for babes. And we have

984
00:53:45,719 --> 00:53:51,840
Speaker 1: a new shirt designed by the Scusman called the Bahama Mama.

985
00:53:52,800 --> 00:53:58,080
Speaker 1: It's got flowers, coconuts and pineapples. You can buy it

986
00:53:58,160 --> 00:54:02,560
Speaker 1: now through scus Man didn't come he plugging a minute.

987
00:54:02,600 --> 00:54:05,120
Speaker 1: Discus Man has a website. He's plugging. You're plugging on

988
00:54:05,280 --> 00:54:09,040
Speaker 1: your website, and and you have shirts for sale. We

989
00:54:09,040 --> 00:54:12,319
Speaker 1: can't get shirts for sale for this show. Oh yeah, man,

990
00:54:12,880 --> 00:54:14,759
Speaker 1: Well you know a lot. I got like a lot

991
00:54:14,800 --> 00:54:16,719
Speaker 1: of my babes doing it because I don't like to

992
00:54:17,280 --> 00:54:22,240
Speaker 1: I don't like to CoNb what are these brainiac babes? Yeah,

993
00:54:22,360 --> 00:54:25,040
Speaker 1: they're very smart. They're very They're smarter than me. They're

994
00:54:25,040 --> 00:54:28,280
Speaker 1: smarter than all of us put together in this room.

995
00:54:28,320 --> 00:54:30,399
Speaker 1: I don't think so, Tim. Okay, I got one more

996
00:54:30,480 --> 00:54:36,840
Speaker 1: question for you for Goldie hunt Well, this one is

997
00:54:36,880 --> 00:54:42,400
Speaker 1: for Kurt Russell. Unfortunately, this one is for Kurt Russell. Okay,

998
00:54:43,280 --> 00:54:46,080
Speaker 1: it says Kurt Russell, when are you gonna put a

999
00:54:46,120 --> 00:54:51,200
Speaker 1: ring on it? So I should do it as Kurt Russell.

1000
00:54:51,320 --> 00:54:54,719
Speaker 1: I don't know, scus Man. I don't know what to do. Okay,

1001
00:54:55,080 --> 00:55:02,560
Speaker 1: I say, just do it, is what Goldiehunt thinks. Well, uh, ever,

1002
00:55:02,600 --> 00:55:08,200
Speaker 1: since Overboard, I've always loved you, so I'm gonna do

1003
00:55:08,239 --> 00:55:14,480
Speaker 1: it right now. Will you marry me? That's Kurt? Uh huh,

1004
00:55:14,600 --> 00:55:17,080
Speaker 1: that's so sweet. What is gold Okay? What did Goldie say?

1005
00:55:17,440 --> 00:55:24,000
Speaker 1: Goldie says, now, what's what's Gusman gonna do this? Gus

1006
00:55:24,040 --> 00:55:29,239
Speaker 1: Man goes, whoa, whoa, whoa Kurt, Goldie, Goldie, just just

1007
00:55:29,320 --> 00:55:32,160
Speaker 1: do it, man, just get married. It's okay, it's fine.

1008
00:55:32,200 --> 00:55:36,000
Speaker 1: You guys did Overboard, you did Private Benjamin, you did

1009
00:55:37,400 --> 00:55:41,560
Speaker 1: mister Mom. You did Mom. You did all these movies together,

1010
00:55:42,440 --> 00:55:48,520
Speaker 1: so like, you know, you should union yourselves in holy matrimony.

1011
00:55:48,560 --> 00:55:51,200
Speaker 1: What do you think they were doing in mister mom? Yeah?

1012
00:55:51,200 --> 00:55:56,640
Speaker 1: Who were they? And mister mom? Oh that's right. The babies.

1013
00:55:56,800 --> 00:55:57,680
Speaker 1: They were the babies.

1014
00:55:58,000 --> 00:56:00,560
Speaker 3: Oh yeah, the one who loves his black babies.

1015
00:56:00,560 --> 00:56:04,080
Speaker 1: And they were like they were like like shrunk down

1016
00:56:04,160 --> 00:56:06,839
Speaker 1: like Marlon Wayne's in that movie. Oh you're thinking of, honey,

1017
00:56:06,880 --> 00:56:09,759
Speaker 1: I shrunk the kid, right, That's what I'm thinking of, Honey,

1018
00:56:09,760 --> 00:56:15,320
Speaker 1: I shrunk the kids. Okay, what's that Netflix password again? Hey? Man?

1019
00:56:16,040 --> 00:56:19,759
Speaker 1: I gotta watch more movies. Yeah, he's Scusman. I like him.

1020
00:56:19,880 --> 00:56:23,040
Speaker 1: I am Banksy. I think, oh yeah, thank you, Brett.

1021
00:56:23,480 --> 00:56:26,120
Speaker 1: And I edit out you saying that I'm gonna go

1022
00:56:26,200 --> 00:56:28,120
Speaker 1: on it right now on my phone. Will you too

1023
00:56:28,200 --> 00:56:32,040
Speaker 1: stop figuring out your handshake Breton scus Man again, This

1024
00:56:32,080 --> 00:56:35,360
Speaker 1: can all happen after the show. There's way too many steps.

1025
00:56:35,360 --> 00:56:38,360
Speaker 1: You're never gonna remember all these explode? Can I like?

1026
00:56:38,400 --> 00:56:40,799
Speaker 3: What are the odds that you'll pass along Scusman and

1027
00:56:40,840 --> 00:56:45,000
Speaker 3: ies scripts to our agent? Like, I know you don't

1028
00:56:45,040 --> 00:56:47,560
Speaker 3: let me talk to our agent. And I was wondering

1029
00:56:47,640 --> 00:56:50,880
Speaker 3: if if maybe you could pass this along.

1030
00:56:51,560 --> 00:56:54,319
Speaker 1: We could attach you to produce or I gotta take

1031
00:56:54,360 --> 00:56:57,120
Speaker 1: a long hard look in the mirror this stuff today,

1032
00:56:57,400 --> 00:57:00,520
Speaker 1: or executive produce. Yeah, you could ep it, you could

1033
00:57:00,719 --> 00:57:05,560
Speaker 1: supervising produce. Gus Man watching the way you let's see wait,

1034
00:57:05,560 --> 00:57:07,800
Speaker 1: hold on, let me pull out some credit very easily,

1035
00:57:08,640 --> 00:57:12,160
Speaker 1: one over, Brett, the way you settled that ugly argument

1036
00:57:12,200 --> 00:57:15,719
Speaker 1: between Kurt Russell and Gildi Han just now, and all

1037
00:57:15,719 --> 00:57:18,720
Speaker 1: these other things. I just have to wonder if the

1038
00:57:18,760 --> 00:57:19,800
Speaker 1: problem lies with me.

1039
00:57:21,720 --> 00:57:24,600
Speaker 3: Hey, it's an off week, you know, Hey, Hayes has

1040
00:57:24,640 --> 00:57:28,360
Speaker 3: gone I wouldn't draw too many conclusions just from this.

1041
00:57:28,680 --> 00:57:31,000
Speaker 1: Let him think, let him think about it. It was

1042
00:57:31,040 --> 00:57:32,840
Speaker 1: a bad episode because Hayes is gone. I don't know

1043
00:57:32,880 --> 00:57:34,640
Speaker 1: if it's a bad episode. I think we had fun.

1044
00:57:34,680 --> 00:57:36,400
Speaker 3: We got the screenplay out there a little bit, we

1045
00:57:36,480 --> 00:57:38,400
Speaker 3: got we got some fun.

1046
00:57:38,480 --> 00:57:42,120
Speaker 1: Humm. It's pretty good. If I could remove from the

1047
00:57:42,200 --> 00:57:45,920
Speaker 1: if I could remove the idea that it's me in here.

1048
00:57:46,800 --> 00:57:50,080
Speaker 1: These are some very well drawn characters, and it's a

1049
00:57:50,080 --> 00:57:55,840
Speaker 1: pretty good observation that I am downright shocked when people

1050
00:57:55,920 --> 00:57:58,640
Speaker 1: begin speaking in movies most of the time. Yeah, you

1051
00:57:58,720 --> 00:58:02,600
Speaker 1: really realize that it's that moment before yes, yeah, well

1052
00:58:02,600 --> 00:58:05,360
Speaker 1: sometimes they have him start talking off screen. Yeah, and

1053
00:58:05,400 --> 00:58:07,160
Speaker 1: then that at that point, I know where is that

1054
00:58:07,200 --> 00:58:10,560
Speaker 1: coming from? It's so disorienting. That's the world. I shut

1055
00:58:10,600 --> 00:58:13,120
Speaker 1: it off. Yeah you have to. Yeah, if I'm in

1056
00:58:13,120 --> 00:58:19,280
Speaker 1: a movie theater, I just shut it off. Well, look, scusman, uh,

1057
00:58:19,760 --> 00:58:23,880
Speaker 1: Colt Barton bought the pro Version this week, so I

1058
00:58:23,920 --> 00:58:27,080
Speaker 1: guess maybe you could use his name in one of

1059
00:58:27,080 --> 00:58:33,560
Speaker 1: your wraps. Okay, sure, as a prize for buying the

1060
00:58:33,600 --> 00:58:38,120
Speaker 1: pro Version. Yeah, do you want to beat or anything? Yeah? Yeah,

1061
00:58:38,160 --> 00:58:40,920
Speaker 1: give me a beat. You drop beats, he toss. I

1062
00:58:40,960 --> 00:58:43,800
Speaker 1: mean I started a little bit. Alright, Well, let's hear it.

1063
00:58:44,400 --> 00:58:46,560
Speaker 1: I'm better when I'm on I sort of howked up

1064
00:58:46,960 --> 00:58:49,400
Speaker 1: one of the one of I like to, like, you know,

1065
00:58:49,840 --> 00:58:54,120
Speaker 1: just insert myself into some circles, uh, when I'm just

1066
00:58:54,240 --> 00:58:56,760
Speaker 1: chilling in, like on the Venice boardwalk and shit like that.

1067
00:58:56,960 --> 00:59:01,000
Speaker 1: So I'll give you a sample of one of my rhymes.

1068
00:59:04,000 --> 00:59:08,000
Speaker 2: Cool bart in while you fart in, get up and

1069
00:59:08,040 --> 00:59:12,040
Speaker 2: go to the bathroom. You got a poop, dude, Come on,

1070
00:59:12,560 --> 00:59:14,040
Speaker 2: don't hold it in your pants.

1071
00:59:14,080 --> 00:59:19,320
Speaker 1: That's foll cats. I love cats. I got a lot

1072
00:59:19,360 --> 00:59:23,280
Speaker 1: of cats in my house. They chilling with my babes.

1073
00:59:23,320 --> 00:59:30,680
Speaker 1: And much grouse. I gotta grouse. Yeah, that was a

1074
00:59:30,720 --> 00:59:33,880
Speaker 1: show up rhyme. Thank you. I didn't see that grouse

1075
00:59:33,920 --> 00:59:38,560
Speaker 1: thing coming, so I'm sorry I spit all over this microphone. Anyways,

1076
00:59:38,600 --> 00:59:41,560
Speaker 1: guz Man, thanks for wrapping, and thanks for saving the show.

1077
00:59:41,680 --> 00:59:46,960
Speaker 1: I can't obviously can't do it. I'm not the greater

1078
00:59:47,080 --> 00:59:51,000
Speaker 1: aspect of the show. And I so like us on

1079
00:59:51,040 --> 00:59:54,080
Speaker 1: Facebook and talk to us on the forums, talk to

1080
00:59:54,120 --> 01:00:01,880
Speaker 1: haz and and go rate on iTunes and invest in

1081
01:00:02,280 --> 01:00:06,200
Speaker 1: scus Man. Hey, yeah, email me at uh, Scusman's babes

1082
01:00:06,440 --> 01:00:10,120
Speaker 1: at gmail dot com. Your baby don't answer that email?

1083
01:00:10,320 --> 01:00:12,560
Speaker 1: What your babies don't answer that email? That's you know.

1084
01:00:13,280 --> 01:00:15,680
Speaker 3: Oh man, I've had some weird correspondences with that Gmail.

1085
01:00:15,680 --> 01:00:16,880
Speaker 3: I really thought it was your babes.

1086
01:00:17,400 --> 01:00:21,160
Speaker 1: You you were gmailing the other Gmail? Yeah, yeah, I

1087
01:00:21,200 --> 01:00:24,280
Speaker 1: thought anyway, Sorry, go ahead, finish your plug ahead. You

1088
01:00:24,320 --> 01:00:28,880
Speaker 1: were corresponding with the babes. Yeah, oh oh yeah, I've

1089
01:00:28,880 --> 01:00:33,840
Speaker 1: been reading notice. Okay, y man, okay, okay, ask them.

1090
01:00:33,840 --> 01:00:35,560
Speaker 1: I'll just ask them. It's kind of the wrap up

1091
01:00:35,560 --> 01:00:37,360
Speaker 1: part of the show, guys, is usually when we're trying

1092
01:00:37,360 --> 01:00:38,800
Speaker 1: to it's sort of a race to the finish line

1093
01:00:38,840 --> 01:00:42,800
Speaker 1: at this point. So I'm sorry. I'm a guest here, so.

1094
01:00:43,240 --> 01:00:45,160
Speaker 3: I just I'll just end on an apology to you, Sean.

1095
01:00:45,200 --> 01:00:47,720
Speaker 3: I hope this doesn't deflate you from doing future episodes

1096
01:00:47,760 --> 01:00:48,160
Speaker 3: of the show.

1097
01:00:48,880 --> 01:00:52,760
Speaker 1: I hope it's fine. I think it's my fault. Okay, Well, anyway,

1098
01:00:52,760 --> 01:00:54,400
Speaker 1: I'm just happy that we're all friends now that my

1099
01:00:54,400 --> 01:00:58,080
Speaker 1: two social circles are kind of combined. Yeah, I feel like, uh,

1100
01:00:58,160 --> 01:01:00,600
Speaker 1: you know, I feel like I learned a lot today,

1101
01:01:00,640 --> 01:01:03,800
Speaker 1: and I don't know if I have any friends oh man,

1102
01:01:04,560 --> 01:01:12,800
Speaker 1: I'll be your friend. What are we? He seems really depressed. Bye.

1103
01:01:15,680 --> 01:01:18,640
Speaker 1: This has been an Earwolf Media production. Executive producers Jeff

1104
01:01:18,680 --> 01:01:26,360
Speaker 1: Ulrick and Scott Ackerman. For more information, visit earwolf dot com,

1105
01:01:26,400 --> 01:01:37,160
Speaker 1: ear Warf Radio Boom dot com, The worlf Dead