1 00:00:02,080 --> 00:00:04,920 Speaker 1: Hey, welcome to episode one one of the Bobby Cast, 2 00:00:05,080 --> 00:00:07,320 Speaker 1: and I'm glad you're here. By the way, check out, 3 00:00:07,320 --> 00:00:10,320 Speaker 1: I got a couple of new podcasts. So Caroline Hobby 4 00:00:10,360 --> 00:00:13,440 Speaker 1: has a podcast called Get Real with Caroline Hobby, And 5 00:00:14,080 --> 00:00:15,600 Speaker 1: to be honest with you, I've known Caroline for a 6 00:00:15,640 --> 00:00:17,479 Speaker 1: long time, but I did not know for podcast until 7 00:00:17,520 --> 00:00:19,360 Speaker 1: Eddie said, Hey, she did a really good one with 8 00:00:19,400 --> 00:00:21,600 Speaker 1: Caroline Bryan Luke Bryan's is a good one. Like I 9 00:00:21,600 --> 00:00:24,800 Speaker 1: didn't think i'd i'd really be interested in people's wives 10 00:00:24,880 --> 00:00:28,200 Speaker 1: or spouses in general, and it was really interesting. She's 11 00:00:28,240 --> 00:00:29,760 Speaker 1: done a lot of talks with a lot of the 12 00:00:29,760 --> 00:00:32,680 Speaker 1: wives of country music stars. So search for Get Real. 13 00:00:32,720 --> 00:00:34,559 Speaker 1: If you listen to this, obviously you know how to podcast. 14 00:00:35,400 --> 00:00:37,400 Speaker 1: I always find that's a bit difficult for people and 15 00:00:37,440 --> 00:00:39,280 Speaker 1: for me too, especially because people like to have to 16 00:00:39,280 --> 00:00:42,040 Speaker 1: buy it is it? And so I turned how to 17 00:00:42,080 --> 00:00:45,360 Speaker 1: find them too. It's not easy. So, um, Get Real 18 00:00:45,560 --> 00:00:47,360 Speaker 1: with Caroline Hobby. Check that out. There's just so much 19 00:00:47,400 --> 00:00:49,599 Speaker 1: up there. Um, Eddie is in here. We're gonna talk 20 00:00:49,640 --> 00:00:52,640 Speaker 1: about comedy music for a second. We obviously have And 21 00:00:52,680 --> 00:00:54,120 Speaker 1: by the way, in the backside of this, Mike Deep 22 00:00:54,200 --> 00:00:59,000 Speaker 1: interviews a Little Dickie. Yeah, yeah, but she was like, which, 23 00:00:59,080 --> 00:01:01,080 Speaker 1: I like, a little Dicky's money to me. I remember 24 00:01:01,080 --> 00:01:03,000 Speaker 1: a little Dickie from back in the day when he 25 00:01:03,040 --> 00:01:05,840 Speaker 1: was like there was a music video he did where 26 00:01:05,840 --> 00:01:08,720 Speaker 1: he goes up to the house and I was like, yeah, 27 00:01:08,920 --> 00:01:11,679 Speaker 1: he goes out and pushes the button and the rich 28 00:01:11,720 --> 00:01:13,920 Speaker 1: person answers and he's like, hey, can I like use 29 00:01:13,959 --> 00:01:16,399 Speaker 1: your house from music video? And then he goes into 30 00:01:16,480 --> 00:01:19,280 Speaker 1: this hilarious music video. Oh my gosh, yes, I just 31 00:01:19,280 --> 00:01:21,440 Speaker 1: pulled up a picture a little Dickie. I know exactly 32 00:01:21,520 --> 00:01:25,080 Speaker 1: who this guy is. So Mike d will have a 33 00:01:25,120 --> 00:01:26,600 Speaker 1: talk a Little Dickie coming up in just a few 34 00:01:26,600 --> 00:01:29,119 Speaker 1: minutes here as he talks with him. The Freaky Friday 35 00:01:29,120 --> 00:01:31,440 Speaker 1: was his last song with Chris Brown that was huge. 36 00:01:34,280 --> 00:01:37,480 Speaker 1: Browner the controversy and I don't know what you talking 37 00:01:37,480 --> 00:01:39,080 Speaker 1: about the interview haven't heard yet you talk about the 38 00:01:39,120 --> 00:01:42,840 Speaker 1: N word part um there was a girl uh and 39 00:01:43,319 --> 00:01:45,880 Speaker 1: call and they because it's part of this song. Is like, 40 00:01:46,080 --> 00:01:48,800 Speaker 1: low Dickie is a white guy, Chris Brown's a black guy, 41 00:01:48,880 --> 00:01:50,520 Speaker 1: but Lottle Dickie is like, now that I'm black, I 42 00:01:50,560 --> 00:01:52,360 Speaker 1: can say the INN word. And then but this Chris 43 00:01:52,360 --> 00:01:55,360 Speaker 1: Brown saying, and you know, but so this girl at 44 00:01:55,360 --> 00:01:58,520 Speaker 1: a university, a white girl was saying, saying it, singing along, 45 00:01:58,560 --> 00:02:01,600 Speaker 1: and it was a big controversy. Can't she say it? 46 00:02:01,600 --> 00:02:04,440 Speaker 1: It was a whole thing. So, but I imagine you 47 00:02:04,480 --> 00:02:07,640 Speaker 1: guys did not go there. We did not get um 48 00:02:11,560 --> 00:02:14,120 Speaker 1: the history of comedy music and some of the stuff. 49 00:02:14,160 --> 00:02:18,480 Speaker 1: I wonder if people know, Like, for example, me, when 50 00:02:18,520 --> 00:02:20,840 Speaker 1: I was a kid, I was a big Adam Sandler 51 00:02:21,000 --> 00:02:25,160 Speaker 1: music fan to I mean the Hanakah song. To me, 52 00:02:25,280 --> 00:02:27,600 Speaker 1: he was the king of this stuff that just goes 53 00:02:27,639 --> 00:02:37,000 Speaker 1: with our age. I guess ye come so much. Used 54 00:02:37,000 --> 00:02:40,880 Speaker 1: to do whole albums and I like lunch Ladyland, yes, 55 00:02:41,760 --> 00:02:44,079 Speaker 1: all of that, and so yeah, me too. I would 56 00:02:44,120 --> 00:02:47,560 Speaker 1: buy them tapes, tapes and then c D S yea. 57 00:02:50,560 --> 00:02:52,720 Speaker 1: The song was written by Adam Sandler with two Riders. 58 00:02:52,720 --> 00:02:55,080 Speaker 1: It was performed by Sandler on Saturday night Lave's Weekend Update. 59 00:02:55,280 --> 00:02:57,720 Speaker 1: He pulled up to the desk. That's what you do, 60 00:02:57,760 --> 00:03:02,919 Speaker 1: like opera Man Weekend Update. He performed this song as 61 00:03:02,919 --> 00:03:05,400 Speaker 1: part of the stand up act. And then this is it. 62 00:03:09,120 --> 00:03:11,800 Speaker 1: Instead of one day of for instance, we had eight 63 00:03:12,120 --> 00:03:17,600 Speaker 1: crazy nights which became a movie later. So that reached 64 00:03:17,680 --> 00:03:19,680 Speaker 1: number twenty five on the rock chart. To other writers, 65 00:03:19,760 --> 00:03:23,600 Speaker 1: huh interesting it was as a CONTI bit, I mean 66 00:03:24,040 --> 00:03:27,000 Speaker 1: and explain that because you you do that. I mean, 67 00:03:27,040 --> 00:03:28,600 Speaker 1: you did a comedy tour and you had to write 68 00:03:28,639 --> 00:03:30,320 Speaker 1: stuff that. Did you have writers for any of that? 69 00:03:30,400 --> 00:03:33,000 Speaker 1: But this was like an SNL bit, which is different. 70 00:03:33,400 --> 00:03:36,160 Speaker 1: This was Yeah, the Honekah song was originally written as 71 00:03:36,200 --> 00:03:40,680 Speaker 1: a weekend update bit, pitch writers are there, we should 72 00:03:40,680 --> 00:03:42,400 Speaker 1: do with the honk song? Got it? And then he 73 00:03:42,480 --> 00:03:44,080 Speaker 1: end up doing a stand up act. But like the 74 00:03:44,160 --> 00:03:46,480 Speaker 1: songs that I performed in stand up, I've written with 75 00:03:46,520 --> 00:03:49,640 Speaker 1: either you or Brandon or a Kita. So all the songs, 76 00:03:49,800 --> 00:03:53,480 Speaker 1: for example, um, like we have had a comedy record 77 00:03:53,520 --> 00:03:55,760 Speaker 1: any now, the reg went number one on the comedy chart, 78 00:03:56,520 --> 00:03:59,480 Speaker 1: and but we all all those songs were written by 79 00:04:00,240 --> 00:04:04,560 Speaker 1: and different you know, never none by myself. None. Yeah, 80 00:04:04,840 --> 00:04:07,360 Speaker 1: I guess when listening to Adam Sandler and doing all 81 00:04:07,400 --> 00:04:11,040 Speaker 1: these by himself acoustically, I just pictured him doing them 82 00:04:11,040 --> 00:04:14,200 Speaker 1: and writing hi himself. But I wonder if people, for example, 83 00:04:14,240 --> 00:04:16,440 Speaker 1: like if I get up and sometimes I played this 84 00:04:16,480 --> 00:04:18,440 Speaker 1: by myself at a stand up show not on piano, 85 00:04:18,480 --> 00:04:25,719 Speaker 1: I playing guitar. I probably think I wrote that by myself. 86 00:04:26,800 --> 00:04:32,160 Speaker 1: And I wrote that with Mike d and Brandon Ray. 87 00:04:32,520 --> 00:04:34,880 Speaker 1: I was doing stand up. But I was doing stand 88 00:04:34,960 --> 00:04:37,320 Speaker 1: up and we were in a hotel room, right and 89 00:04:37,360 --> 00:04:40,440 Speaker 1: we were like, we're bored. It was the daytime, nothing 90 00:04:40,520 --> 00:04:42,560 Speaker 1: was open, and we sat in the room and we 91 00:04:42,640 --> 00:04:44,320 Speaker 1: were like, let's write a song by Chick fil A. 92 00:04:44,400 --> 00:04:46,600 Speaker 1: So we did and that's how it came together. It 93 00:04:46,680 --> 00:04:55,280 Speaker 1: was so that's what the Honk song was, just a 94 00:04:55,360 --> 00:04:58,720 Speaker 1: song was written by multiple people. Um, have you ever 95 00:04:58,720 --> 00:05:01,600 Speaker 1: read Steve Martin's book Born Standing Up? No? I think 96 00:05:01,600 --> 00:05:05,640 Speaker 1: it's maybe my favorite book that or How to Win 97 00:05:05,680 --> 00:05:09,320 Speaker 1: friends and influence others. But when he would do music 98 00:05:11,720 --> 00:05:14,000 Speaker 1: like King Tutt, this was a massive song before we 99 00:05:14,000 --> 00:05:21,600 Speaker 1: were even I don't know this King cut taking it 100 00:05:25,839 --> 00:05:28,280 Speaker 1: before we were born. I can hear that it was 101 00:05:28,520 --> 00:05:32,640 Speaker 1: performed by the Two Uncomments, which was actually members of 102 00:05:32,640 --> 00:05:35,560 Speaker 1: the Knitty Gritty Dart Ban. It was released as single 103 00:05:35,560 --> 00:05:37,640 Speaker 1: in nineteen seventy eight, sold over a million copies, reached 104 00:05:37,720 --> 00:05:40,880 Speaker 1: number seventeen on the Billboard Hot One. He used to 105 00:05:40,960 --> 00:05:42,640 Speaker 1: say he was like the first comedian to do stadiums 106 00:05:42,640 --> 00:05:44,119 Speaker 1: and he would do it with just like a terrible 107 00:05:44,120 --> 00:05:46,440 Speaker 1: PA system because there was no way to He used 108 00:05:46,440 --> 00:05:47,960 Speaker 1: to do this trick. I'm just such a fan of 109 00:05:47,960 --> 00:05:49,760 Speaker 1: steam bar. And I took his master class on that 110 00:05:50,040 --> 00:05:53,280 Speaker 1: thing where you subscribe and like learn, what's that called 111 00:05:53,480 --> 00:05:55,680 Speaker 1: called master class? Right? I took his master class. You 112 00:05:55,720 --> 00:05:58,400 Speaker 1: pay for that, and it was so good. He used 113 00:05:58,440 --> 00:05:59,760 Speaker 1: to do this bit where you'd be in a stadium 114 00:05:59,800 --> 00:06:01,760 Speaker 1: there we know cameras to put up on the JumboTron, 115 00:06:02,040 --> 00:06:04,080 Speaker 1: and he'd do it like a hidden pitany trick and 116 00:06:04,080 --> 00:06:05,479 Speaker 1: he'd be like, check it out, now you see it, 117 00:06:05,760 --> 00:06:10,560 Speaker 1: but nobody gets see I love it so in the 118 00:06:10,560 --> 00:06:13,320 Speaker 1: book was really good. It's my favorite full slow at 119 00:06:13,320 --> 00:06:15,440 Speaker 1: the beginning of all biographies are slow at the beginning 120 00:06:15,440 --> 00:06:18,120 Speaker 1: because you're just learning about well, I was born here, 121 00:06:18,520 --> 00:06:20,760 Speaker 1: this is my dad did but to me, yeah, but 122 00:06:20,839 --> 00:06:25,400 Speaker 1: this was really the big one that started it. He 123 00:06:25,480 --> 00:06:28,680 Speaker 1: did this on SNL and it was like on the 124 00:06:28,839 --> 00:06:30,720 Speaker 1: major chart, Like, I wonder, what's number seventeen on the 125 00:06:30,720 --> 00:06:33,039 Speaker 1: Billboard chart right now, let's see, but this was the 126 00:06:33,080 --> 00:06:36,600 Speaker 1: top twenty Billboard all all genre song. And then it's 127 00:06:36,600 --> 00:06:40,720 Speaker 1: a comedy st Martin did Yeah. Ray Stevens was a 128 00:06:40,760 --> 00:06:42,760 Speaker 1: big part of my childhood, which he didn't know much. Race, 129 00:06:42,839 --> 00:06:45,000 Speaker 1: I didn't know much, and you kind of introduced me 130 00:06:45,000 --> 00:06:49,720 Speaker 1: to Ray Stevens. Which the streak was the second number 131 00:06:49,720 --> 00:06:51,680 Speaker 1: one in the Billboard Hot One Singles chart. It's been 132 00:06:51,760 --> 00:06:55,440 Speaker 1: three weeks. In nineteen four it reached number three in 133 00:06:55,520 --> 00:06:59,679 Speaker 1: the Hot Country Singles chart in He's Going to the Country. 134 00:06:59,680 --> 00:07:04,000 Speaker 1: He's a called a favor, huge Ray Stevens fan. I 135 00:07:04,040 --> 00:07:06,320 Speaker 1: saw him driving down the street the other day. You 136 00:07:06,400 --> 00:07:09,000 Speaker 1: did yeah, and I think it's like just a Chevy 137 00:07:09,040 --> 00:07:11,280 Speaker 1: tahoers on or something like that, you know, just dropping 138 00:07:11,360 --> 00:07:13,480 Speaker 1: write down music, grow weird was a big part of 139 00:07:13,480 --> 00:07:26,320 Speaker 1: our lives. I'll come on tell me. He did parodies, yes, 140 00:07:27,080 --> 00:07:31,160 Speaker 1: and different than original comedy songs because he would add permission, yes, 141 00:07:31,560 --> 00:07:33,120 Speaker 1: these are already songs that were made. He would just 142 00:07:33,120 --> 00:07:35,080 Speaker 1: redo the words and he'd have to go to these 143 00:07:35,080 --> 00:07:37,840 Speaker 1: writers and say, hey, I wrote a song that makes 144 00:07:37,880 --> 00:07:40,400 Speaker 1: fun of your song. Sort of, you don't have to 145 00:07:41,520 --> 00:07:43,680 Speaker 1: you have to give them all the money. Yes, oh, 146 00:07:43,760 --> 00:07:46,600 Speaker 1: you do all of it. Yeah. Wow. I didn't know 147 00:07:46,640 --> 00:07:48,000 Speaker 1: that because there was a point where I was like, hey, 148 00:07:48,040 --> 00:07:50,000 Speaker 1: we should put our parodies up, and so I reached 149 00:07:50,000 --> 00:07:52,120 Speaker 1: out to some songwriters and I was like, Hey, what 150 00:07:52,160 --> 00:07:53,880 Speaker 1: if you just give me ten percent and we'll split 151 00:07:53,920 --> 00:07:55,440 Speaker 1: it and you guys can have all the rest because 152 00:07:55,440 --> 00:07:57,440 Speaker 1: you but they wrote the melody. You're just using all 153 00:07:57,480 --> 00:08:01,000 Speaker 1: their work to piggyback and you're just changing the words. Right. Yeah, 154 00:08:01,200 --> 00:08:07,800 Speaker 1: So but I remember once he asked, um Coulio and 155 00:08:07,800 --> 00:08:11,760 Speaker 1: then Coulio said no, he did it anyway, and it 156 00:08:11,880 --> 00:08:15,760 Speaker 1: was dramatic, weird, al you know the Coulio story. I 157 00:08:15,800 --> 00:08:19,320 Speaker 1: don't know that. Uh he even did something. It smells 158 00:08:19,320 --> 00:08:22,400 Speaker 1: like Nirvana and got there smells like teen Spirit and 159 00:08:22,400 --> 00:08:25,960 Speaker 1: got their permission and they weren't even like love it. Yeah, 160 00:08:26,200 --> 00:08:28,720 Speaker 1: that's a big one. Um, here's Chris Rock. No sex 161 00:08:28,760 --> 00:08:31,080 Speaker 1: in the champagne room. I do remember, And there's no 162 00:08:31,280 --> 00:08:39,199 Speaker 1: sex in the champagne room. This was jam for a minute. 163 00:08:40,679 --> 00:08:45,120 Speaker 1: Don't go to parties with metal detectives. Sure it feels 164 00:08:45,160 --> 00:08:50,120 Speaker 1: safe inside, but what about all those waiting outside with guns? 165 00:08:51,040 --> 00:08:56,400 Speaker 1: They know you ain't got one. Chris. Probably, I'm on 166 00:08:56,400 --> 00:09:01,600 Speaker 1: a boat lonely Island, huge on. They would play this out. 167 00:09:01,600 --> 00:09:04,040 Speaker 1: We were going Austin. I'm late Travis and beare to 168 00:09:04,120 --> 00:09:11,400 Speaker 1: be tied up and Tapan was in this. I'm on, 169 00:09:11,840 --> 00:09:19,120 Speaker 1: I'll take a look at me straight when we out. 170 00:09:20,200 --> 00:09:23,880 Speaker 1: That's big for Andy sand Burrs. Another SNL original pick 171 00:09:23,920 --> 00:09:26,400 Speaker 1: a Destiny from Tenacious D. I was never a big 172 00:09:26,440 --> 00:09:30,080 Speaker 1: Tenacious D either. Mighty Were You? I love? That was awesome? 173 00:09:30,520 --> 00:09:39,160 Speaker 1: Jack Blind Kyle gas because it's a bad any sane 174 00:09:41,200 --> 00:09:43,760 Speaker 1: I wouldn't watch this movie. I thought was terrible. Really yeah, 175 00:09:44,160 --> 00:09:46,000 Speaker 1: maybe because I wasn't in the right headspace for it. 176 00:09:46,280 --> 00:09:48,760 Speaker 1: But um, by the way we're putting by the time 177 00:09:48,760 --> 00:09:50,480 Speaker 1: you hear this, maybe out. But our new Reging Idiots 178 00:09:50,520 --> 00:09:54,320 Speaker 1: Live song Jesus Knows is gonna be out Jesus when 179 00:09:54,360 --> 00:09:58,040 Speaker 1: you're on a red lot of two am. Yes it does. Yes, 180 00:09:58,120 --> 00:10:03,760 Speaker 1: he does. When you feel your water cup with soda. 181 00:10:05,040 --> 00:10:07,640 Speaker 1: We were sitting around we wrote this song as me 182 00:10:07,800 --> 00:10:09,599 Speaker 1: Eddie and Brandon Ray. We were at the house and 183 00:10:09,640 --> 00:10:12,160 Speaker 1: we were like, well, let's write a song. And I 184 00:10:12,160 --> 00:10:14,080 Speaker 1: think Eddie your song. I think you said, hey, why 185 00:10:14,040 --> 00:10:16,120 Speaker 1: do we do a song about I'm gonna get you pregnant? That? 186 00:10:18,720 --> 00:10:21,680 Speaker 1: I'm like that. It's something where like you know you 187 00:10:21,679 --> 00:10:23,560 Speaker 1: you're it's like sexual. You want to tell the girl 188 00:10:23,559 --> 00:10:24,800 Speaker 1: like I want to have your baby. I like you 189 00:10:24,840 --> 00:10:27,280 Speaker 1: so much right now. But the joke is like you 190 00:10:27,320 --> 00:10:29,040 Speaker 1: can say, I want to like change diapers, I want 191 00:10:29,040 --> 00:10:30,720 Speaker 1: to do stuff that you know, no one ever says 192 00:10:30,760 --> 00:10:32,559 Speaker 1: they really want to do when they have a baby. 193 00:10:32,600 --> 00:10:34,240 Speaker 1: But that's how much you want a baby with her. 194 00:10:34,440 --> 00:10:36,400 Speaker 1: And we never wrote that song. No, never got done 195 00:10:36,480 --> 00:10:37,719 Speaker 1: because I was like, what have we do a song? 196 00:10:37,760 --> 00:10:40,720 Speaker 1: Like whatever we do? Jesus watching that. I think you 197 00:10:40,760 --> 00:10:42,960 Speaker 1: said it like thirty seconds after I said that, You're like, 198 00:10:43,600 --> 00:10:46,160 Speaker 1: I have an idea, and then we're like, oh, a 199 00:10:46,200 --> 00:10:50,000 Speaker 1: song about Jesus And there's no joke in it except 200 00:10:51,080 --> 00:10:54,360 Speaker 1: everything that you're doing that you think trivial that nobody's 201 00:10:54,400 --> 00:10:56,880 Speaker 1: watching Jesus is watching. Well, the thing is, you know, 202 00:10:56,960 --> 00:10:59,280 Speaker 1: like when you first said it, it's like tricky, like oh, 203 00:10:59,440 --> 00:11:01,240 Speaker 1: you know, like, well, I don't know if they get 204 00:11:01,280 --> 00:11:03,920 Speaker 1: offended by stuff like that because we're not say anything 205 00:11:03,920 --> 00:11:06,840 Speaker 1: bad about Jesus. Were actually saying the truth about Jesus, 206 00:11:06,920 --> 00:11:11,480 Speaker 1: like he's always watching, right. But the joke is is that, uh, 207 00:11:12,160 --> 00:11:14,000 Speaker 1: you want to be relatable when you write these songs, 208 00:11:14,160 --> 00:11:16,319 Speaker 1: and this is all relatable, but he steals not everybody. 209 00:11:16,320 --> 00:11:20,360 Speaker 1: I don't but Bones, Bones, have you ever stolen Netflix? Now? 210 00:11:20,400 --> 00:11:24,120 Speaker 1: I don't think. Never Hulu. I have with the lines Netflix, 211 00:11:24,160 --> 00:11:28,480 Speaker 1: it's like, uh, you use your friends Netflix account, you 212 00:11:28,559 --> 00:11:31,320 Speaker 1: think that they want that. Netflix won't ever find out. 213 00:11:31,640 --> 00:11:34,200 Speaker 1: You think you're getting away with watching Narcos. You're not. 214 00:11:34,400 --> 00:11:37,520 Speaker 1: You're not because Jesus knows right and even like the 215 00:11:37,559 --> 00:11:39,640 Speaker 1: water you know you're having getting a water cup at 216 00:11:39,640 --> 00:11:42,240 Speaker 1: a restaurant and then filling it up with soda. Come on, dude, 217 00:11:42,240 --> 00:11:44,560 Speaker 1: I've done that so many times. It's in the actual 218 00:11:44,640 --> 00:11:47,680 Speaker 1: course of the song. Jesus, when you're on a red 219 00:11:47,800 --> 00:11:51,800 Speaker 1: lot of two am. Yes he does, Yes, he does. 220 00:11:52,600 --> 00:11:58,560 Speaker 1: When you feel your water cup with soda when you 221 00:11:58,600 --> 00:12:03,360 Speaker 1: nobody is watching, then you're all alone. You're wrong because 222 00:12:03,480 --> 00:12:08,040 Speaker 1: Jesus news record that Live in Boston, which was on 223 00:12:08,120 --> 00:12:10,160 Speaker 1: the same Patrick's Day. They're all drunk, and I do 224 00:12:10,280 --> 00:12:12,000 Speaker 1: like seeing people when you sing the song they kind 225 00:12:12,040 --> 00:12:13,200 Speaker 1: of look at each other and they're just like, yeah, 226 00:12:13,200 --> 00:12:16,560 Speaker 1: I totally do that. That's me. That's me. Here is 227 00:12:17,160 --> 00:12:20,160 Speaker 1: from a number one comedy album. This is from nineteen 228 00:12:21,360 --> 00:12:26,959 Speaker 1: Do you know this one? Hello Mother, Hello Father? Here 229 00:12:27,000 --> 00:12:35,280 Speaker 1: I am at Camel Campers. Very entertaining and they say, 230 00:12:35,360 --> 00:12:39,600 Speaker 1: we'll have some fun if it stops raining. Who is 231 00:12:39,640 --> 00:12:48,960 Speaker 1: this Alan Sherman, Joe's five he developed You'll remember Leonard 232 00:12:49,000 --> 00:12:53,320 Speaker 1: Skinner he got told Maine poisoning last night after dinner 233 00:12:53,600 --> 00:12:58,000 Speaker 1: Tony Leonard Skinner, Yeah, Leonard Skinner Yeah, Um, we got that. 234 00:12:58,679 --> 00:13:00,320 Speaker 1: We got a whole bunch, That's what I mean. Listen, 235 00:13:00,600 --> 00:13:02,560 Speaker 1: Eddie and I are just bad interpretations of these are 236 00:13:02,559 --> 00:13:06,720 Speaker 1: really great people, great great comedy songs. I do think 237 00:13:06,720 --> 00:13:09,720 Speaker 1: that our it's it's our best work. Our live album 238 00:13:09,800 --> 00:13:12,760 Speaker 1: is coming out that we've ever done. Yes, because it's 239 00:13:12,800 --> 00:13:14,760 Speaker 1: an experience. There are people that are laughing. You hear 240 00:13:14,760 --> 00:13:17,800 Speaker 1: when jokes hit, when they don't. There are songs you 241 00:13:17,800 --> 00:13:25,520 Speaker 1: haven't heard yet. I think people still like Namastay, but 242 00:13:28,280 --> 00:13:30,600 Speaker 1: our live record coming out, I think it's our best. 243 00:13:30,600 --> 00:13:33,280 Speaker 1: It's I think it's our first like standalone. Somebody you 244 00:13:33,280 --> 00:13:34,760 Speaker 1: can just listen to it and think it's funny without 245 00:13:34,760 --> 00:13:36,679 Speaker 1: no one who were I agree all the time. You 246 00:13:36,720 --> 00:13:38,360 Speaker 1: gotta like know us, but like, oh there, that's funny. 247 00:13:38,360 --> 00:13:40,640 Speaker 1: I know that, man, that song's novel and funny. I 248 00:13:40,679 --> 00:13:43,120 Speaker 1: think this live record some people will listen to it 249 00:13:43,120 --> 00:13:44,760 Speaker 1: without knowing us to go oh that's pretty good. Well, 250 00:13:44,800 --> 00:13:46,840 Speaker 1: some of these songs that we've played already, like they 251 00:13:46,960 --> 00:13:49,600 Speaker 1: got radio play, Like you said that Steve Martin one. 252 00:13:49,640 --> 00:13:51,720 Speaker 1: I mean I remember Adam Sandler being on the radio 253 00:13:52,360 --> 00:13:56,400 Speaker 1: the Honikah song, and not only that, but um ah, 254 00:13:56,760 --> 00:13:59,760 Speaker 1: let me pull up a lady Land was no, there's 255 00:13:59,800 --> 00:14:02,920 Speaker 1: no out the wind though, that Thanksgiving song Thanksgiving. So 256 00:14:03,520 --> 00:14:07,520 Speaker 1: I think still everything's giving their play. Um yeah, I 257 00:14:07,600 --> 00:14:10,640 Speaker 1: have him up here, here we go. They want to 258 00:14:10,640 --> 00:14:16,800 Speaker 1: get a thanks It's love to eat turkey all night long. 259 00:14:17,679 --> 00:14:21,000 Speaker 1: This is this is a Thanksgiving song. I hope you 260 00:14:21,160 --> 00:14:38,800 Speaker 1: enjoy love toy turkey, love to eat turkey. But this 261 00:14:38,880 --> 00:14:43,640 Speaker 1: is the one where he says, all I hear is clapping. Yes. Yeah, 262 00:14:43,720 --> 00:14:46,120 Speaker 1: It's like he stops them from clapping in the middle 263 00:14:46,160 --> 00:14:57,600 Speaker 1: of it. A turkey consid love tweet, pluck of good 264 00:14:57,680 --> 00:15:07,280 Speaker 1: bush should Thus it's turkey to eat so good that 265 00:15:07,440 --> 00:15:15,320 Speaker 1: clappens messing my head. I appreciate it, but I was 266 00:15:15,600 --> 00:15:17,600 Speaker 1: I was trying to think of the next line. I'm like, 267 00:15:17,880 --> 00:15:22,640 Speaker 1: oh my, he was crappy. Did you watch a special Netflix, dude. 268 00:15:22,680 --> 00:15:24,760 Speaker 1: It's the best one I've ever seen, This new one, 269 00:15:25,480 --> 00:15:28,600 Speaker 1: like Current, it's the best one. It's the best comedy Miked. 270 00:15:28,680 --> 00:15:30,280 Speaker 1: I've had some time away from this point, and I 271 00:15:31,200 --> 00:15:33,000 Speaker 1: went and because I want. We were doing Dancing with 272 00:15:33,040 --> 00:15:35,160 Speaker 1: the Stars and I had like three hours in the 273 00:15:35,200 --> 00:15:36,480 Speaker 1: evening once and I was like, I gotta watch it 274 00:15:36,480 --> 00:15:38,840 Speaker 1: Adam Sandwich Special. And I walked down told Mike d 275 00:15:39,000 --> 00:15:40,600 Speaker 1: my D I think I watched the first right and 276 00:15:40,600 --> 00:15:42,400 Speaker 1: I was like, it's I said, I'm fresh off of it, 277 00:15:42,440 --> 00:15:45,440 Speaker 1: but it's the best special I've ever seen, really because 278 00:15:45,880 --> 00:15:49,440 Speaker 1: of all time, it's not traditional, Okay, I will say this, 279 00:15:49,560 --> 00:15:53,480 Speaker 1: It's the most entertaining comedy special I've ever seen. Dude. 280 00:15:53,520 --> 00:15:56,280 Speaker 1: I cried at one point in it. What watch the 281 00:15:56,320 --> 00:15:58,280 Speaker 1: Adam sailor Netflix? I just wrote it down. I'm gonna 282 00:15:58,280 --> 00:16:01,120 Speaker 1: have to watch it. Why you pride? And I don't 283 00:16:01,160 --> 00:16:04,040 Speaker 1: know if part of it's because we grew up with that. 284 00:16:04,040 --> 00:16:05,880 Speaker 1: I don't know if nineteen year olds think it's funny. Well, 285 00:16:05,920 --> 00:16:09,160 Speaker 1: I bet that's a huge part. But dude, you watch 286 00:16:09,280 --> 00:16:12,080 Speaker 1: it and then tell me now, I would watch that 287 00:16:12,080 --> 00:16:14,160 Speaker 1: before you watch him am a mile. I think it 288 00:16:14,200 --> 00:16:16,720 Speaker 1: was great, great, And I rewatched it like last month 289 00:16:16,760 --> 00:16:19,240 Speaker 1: again and I was like, this is still really good. Really, 290 00:16:19,960 --> 00:16:22,000 Speaker 1: um so Eddie and I are going out and doing shows. 291 00:16:22,560 --> 00:16:23,880 Speaker 1: I don't even know where we're going yet. I don't know. 292 00:16:23,960 --> 00:16:25,960 Speaker 1: The tours not fully booked. We're playing Biloxi, I know, 293 00:16:26,320 --> 00:16:28,920 Speaker 1: but um, we're gonna go and play a two man 294 00:16:29,440 --> 00:16:31,800 Speaker 1: theater show. But I'm bringing a keys player with us, 295 00:16:31,840 --> 00:16:34,240 Speaker 1: and something I always wanted to do because it's easy. 296 00:16:34,320 --> 00:16:35,800 Speaker 1: It's one person who can be back on the vocals 297 00:16:35,840 --> 00:16:37,960 Speaker 1: and play keys. But and I didn't do it on 298 00:16:38,040 --> 00:16:39,800 Speaker 1: my last comedy tour. But then I saw Adam Sandler 299 00:16:39,840 --> 00:16:41,000 Speaker 1: did on his show and I was like, Oh, it's 300 00:16:41,000 --> 00:16:45,080 Speaker 1: so cool. I have to do it now. And I 301 00:16:45,160 --> 00:16:46,600 Speaker 1: didn't have the guts to do it, and I didn't 302 00:16:46,640 --> 00:16:48,120 Speaker 1: want to pay for it. But then it was so 303 00:16:48,240 --> 00:16:50,280 Speaker 1: cool because you have to pay for their travel and 304 00:16:50,320 --> 00:16:53,400 Speaker 1: they pay them every show. But but there's I've seen 305 00:16:53,480 --> 00:16:55,960 Speaker 1: your your eyes light up when a key player comes 306 00:16:56,000 --> 00:16:59,520 Speaker 1: into the studio, like, dude, can you play tiny answers? 307 00:16:59,560 --> 00:17:03,920 Speaker 1: I couldn't, yeah, because and I never pulled the trigger. 308 00:17:03,960 --> 00:17:05,800 Speaker 1: But when Eddie I go into our shows, it's just 309 00:17:06,200 --> 00:17:09,199 Speaker 1: too and the keys player, and so we're gonna be like, hey, 310 00:17:09,240 --> 00:17:11,040 Speaker 1: can you play? And we're just gonna sing along with 311 00:17:11,200 --> 00:17:16,720 Speaker 1: bent fALS um and here we can't do comedy songs 312 00:17:16,800 --> 00:17:18,760 Speaker 1: that this one here, which was when I was a kid, 313 00:17:19,840 --> 00:17:22,960 Speaker 1: This freaking song from billing Ball. Here's your side, here's 314 00:17:22,960 --> 00:17:29,320 Speaker 1: your side picture all over country radio. We're not dealing 315 00:17:29,440 --> 00:17:33,320 Speaker 1: with the player. We're talking to the modern man. So 316 00:17:33,520 --> 00:17:36,680 Speaker 1: you people within missy, missy pt week time in mind. 317 00:17:38,359 --> 00:17:43,399 Speaker 1: Here's your side trip, here's your side. Yeah it's not 318 00:17:43,920 --> 00:17:48,800 Speaker 1: um what's his name? Um? No, no, no, no, a comedian. 319 00:17:49,080 --> 00:17:51,680 Speaker 1: Oh it is, Yeah, that's billing for here ready coms home. 320 00:17:51,720 --> 00:17:53,600 Speaker 1: I was driving around. I had a flat tired. I 321 00:17:53,680 --> 00:17:55,680 Speaker 1: pulled my truck and once outside of the road gas station, 322 00:17:55,800 --> 00:17:58,000 Speaker 1: the attendant walks out, looks at my truck, looks at me. 323 00:17:58,040 --> 00:18:02,680 Speaker 1: I sword god Win, tired, go play. I couldn't risk this. 324 00:18:03,680 --> 00:18:07,919 Speaker 1: No no, I was driving around those other three right up. 325 00:18:10,680 --> 00:18:12,399 Speaker 1: That was a big one man trying to check right. 326 00:18:17,560 --> 00:18:21,679 Speaker 1: We're not there with the planet there talking to them anyway. 327 00:18:21,760 --> 00:18:23,440 Speaker 1: There you go. That's just a little, a little funny 328 00:18:23,520 --> 00:18:28,880 Speaker 1: comedy deal. And you don't have cheech and Chong. I don't. 329 00:18:28,960 --> 00:18:30,600 Speaker 1: I didn't put that out. Oh dude, that is And 330 00:18:30,640 --> 00:18:32,680 Speaker 1: it's funny because myked was like some of these two. 331 00:18:34,080 --> 00:18:38,560 Speaker 1: Really that was a huge inspiration for me, like growing 332 00:18:38,640 --> 00:18:40,879 Speaker 1: up and and mainly because my parents were like, you 333 00:18:41,000 --> 00:18:42,440 Speaker 1: don't watch that, But then I want to go to 334 00:18:42,520 --> 00:18:44,600 Speaker 1: cousin's house and of course they'd be like, dude, you 335 00:18:44,720 --> 00:18:53,119 Speaker 1: have to watch mamaas my Ma Mama Sitada Santa please 336 00:18:54,280 --> 00:18:57,159 Speaker 1: with a bony knees to comment down the street with 337 00:18:57,280 --> 00:19:00,200 Speaker 1: no choose on his feet and he's going through none 338 00:19:00,240 --> 00:19:05,320 Speaker 1: on that Santa Claus, the guy with the hair on 339 00:19:05,480 --> 00:19:10,200 Speaker 1: his jaws. Hey, man, come over here, man, I need 340 00:19:10,280 --> 00:19:14,840 Speaker 1: some help. Man. Man, yeah, man, that like, what are 341 00:19:14,880 --> 00:19:18,520 Speaker 1: you doing? Damn? So was Cheech and Chong big with 342 00:19:18,680 --> 00:19:22,040 Speaker 1: like all your Mexican friends. Yes, it was huge my family, 343 00:19:22,240 --> 00:19:23,920 Speaker 1: Like it was just huge with our family. We would 344 00:19:23,960 --> 00:19:26,360 Speaker 1: bond through Cheach and Chong. We would quote Cheech and Chong. 345 00:19:26,520 --> 00:19:28,760 Speaker 1: We would say like I'm telling you. We would be 346 00:19:28,800 --> 00:19:30,199 Speaker 1: at our my cousin's house and they'd be like, oh, 347 00:19:30,200 --> 00:19:33,560 Speaker 1: we're watching teacher. Did we watch that last week? It 348 00:19:33,640 --> 00:19:38,040 Speaker 1: was like stopping smoke them all. I think was one 349 00:19:38,720 --> 00:19:41,119 Speaker 1: The weed stuff kind of made me not I was 350 00:19:41,200 --> 00:19:43,720 Speaker 1: so anti drug. I was just arounded by all the time. Yes, 351 00:19:44,440 --> 00:19:46,760 Speaker 1: we talked about it like it was normal. None of 352 00:19:46,840 --> 00:19:49,480 Speaker 1: us ever did it, like I still really have done 353 00:19:49,520 --> 00:19:51,240 Speaker 1: it like a handful of times, but I wasn't a 354 00:19:51,280 --> 00:19:53,399 Speaker 1: part of my life. But talking about it and joking 355 00:19:53,440 --> 00:19:56,479 Speaker 1: about yeah, man, like here's this and then like there 356 00:19:56,560 --> 00:19:59,239 Speaker 1: was no big deal and Mike anything we missed any 357 00:19:59,480 --> 00:20:01,840 Speaker 1: any comedy songs. I'm sure people are gonna did you 358 00:20:01,920 --> 00:20:03,879 Speaker 1: not think of so and so? That one got me. 359 00:20:03,920 --> 00:20:06,680 Speaker 1: I should have remember that che and Johns as a 360 00:20:06,720 --> 00:20:09,720 Speaker 1: fellow hispanic Mike, I know. I was more post teach 361 00:20:09,760 --> 00:20:14,840 Speaker 1: money after that. Well, Mike's interview with a little Dickie 362 00:20:14,880 --> 00:20:19,600 Speaker 1: coming up. Do you have a new song? Yeah? Is 363 00:20:19,640 --> 00:20:31,360 Speaker 1: it called Earth Hi? So it's just like the history 364 00:20:31,440 --> 00:20:34,960 Speaker 1: of Earth. It's like environmental awareness song. And he has 365 00:20:34,960 --> 00:20:37,439 Speaker 1: a bunch of artists on it. Really justin Bieber. It's 366 00:20:37,480 --> 00:20:39,440 Speaker 1: not funny. Oh that's justin Bieber. Yeah, I mean yeah, 367 00:20:39,480 --> 00:20:41,720 Speaker 1: but just we were being a baboon like co man, 368 00:20:42,000 --> 00:20:51,760 Speaker 1: just lets somebody shoote hey, are you und it? Yeah? No, 369 00:20:51,840 --> 00:20:54,280 Speaker 1: one knows what I'll do, but it's pretty cool in 370 00:20:54,440 --> 00:21:03,840 Speaker 1: a little bit. I'm okay. That's um uh um dua lipa. No, nope, 371 00:21:03,920 --> 00:21:14,960 Speaker 1: hold on, hold on, he's getting that's hal Hal I 372 00:21:14,960 --> 00:21:18,560 Speaker 1: don't know that is is that brown? That's the one 373 00:21:18,640 --> 00:21:22,359 Speaker 1: country guy didn't like. I'm nailing all the popular But 374 00:21:22,400 --> 00:21:26,360 Speaker 1: I wouldn't know. I wouldn't have got that sound bag. 375 00:21:26,440 --> 00:21:29,480 Speaker 1: I'm a coming guest. I'm just gonna shoot you. Well, 376 00:21:30,200 --> 00:21:37,800 Speaker 1: I'm playing back and get you the kind of just 377 00:21:39,720 --> 00:21:43,680 Speaker 1: Kevin Harvin Hard Okay. Oh and he's being that's funny. 378 00:21:43,760 --> 00:21:46,399 Speaker 1: Well that interviews coming up, Mike, Dean Lotle, Dicky. 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Right 418 00:23:41,320 --> 00:23:44,359 Speaker 1: get your today Dollar Shape Club dot Com slash Bones 419 00:23:44,800 --> 00:23:49,840 Speaker 1: Dollar Shape Club dot Com slash Bones. All right, we 420 00:23:49,880 --> 00:23:52,040 Speaker 1: got a little DIGGI on Now what's the man? Uh? 421 00:23:52,160 --> 00:23:55,000 Speaker 1: Not much at big fan, dude, Thank you. I think 422 00:23:55,040 --> 00:23:57,399 Speaker 1: ever since say that Money video came out, I've been 423 00:23:57,760 --> 00:24:00,280 Speaker 1: really following you. Dude. Well, it is hate to have 424 00:24:00,359 --> 00:24:02,199 Speaker 1: you on board. I've been listening to your new song 425 00:24:02,280 --> 00:24:04,360 Speaker 1: called Earth and you have all these artists on here 426 00:24:04,400 --> 00:24:07,399 Speaker 1: doing animal voices like Justin Bieber at Shearon, Katie Perry. 427 00:24:07,760 --> 00:24:09,520 Speaker 1: How do you get all these artists on this song? 428 00:24:10,920 --> 00:24:14,040 Speaker 1: So you know, it started with I got my friends, 429 00:24:14,240 --> 00:24:17,119 Speaker 1: like a select few of my friends, uh, Like, I 430 00:24:17,280 --> 00:24:18,920 Speaker 1: reached out to the people that I was friendly with 431 00:24:19,000 --> 00:24:21,719 Speaker 1: the most, like between me and the guy who produced 432 00:24:21,760 --> 00:24:23,960 Speaker 1: the song, Benny Blanco, we have a lot of relationships, 433 00:24:24,080 --> 00:24:26,520 Speaker 1: you know, and we started with who we were closest 434 00:24:26,600 --> 00:24:28,560 Speaker 1: with and said, hey, we're making a song where different 435 00:24:28,600 --> 00:24:32,000 Speaker 1: artists play different animals. Um, can you would you want 436 00:24:32,000 --> 00:24:34,359 Speaker 1: to do it? It's like a very short part. And 437 00:24:34,440 --> 00:24:36,000 Speaker 1: then we got like a group of like five to 438 00:24:36,040 --> 00:24:38,200 Speaker 1: seven people on it initially. And then once you get 439 00:24:38,240 --> 00:24:39,720 Speaker 1: like five to seven people on it, it's easy to 440 00:24:39,760 --> 00:24:41,560 Speaker 1: go to people who you aren't even as close with 441 00:24:41,680 --> 00:24:43,680 Speaker 1: and say, hey, so I've got this song with Ed 442 00:24:43,760 --> 00:24:48,800 Speaker 1: Shearon Uh, Charlie pouth Uh justin Bieber where everyone's playing 443 00:24:48,800 --> 00:24:51,560 Speaker 1: an animal and everything's for a good cause, everything is 444 00:24:51,600 --> 00:24:52,920 Speaker 1: to help save the earth? Would you want to do? It? 445 00:24:53,160 --> 00:24:56,680 Speaker 1: Only takes ten minutes to record, and people were very receptive, 446 00:24:56,880 --> 00:24:58,840 Speaker 1: like who do you think has the most distinct voice 447 00:24:58,880 --> 00:25:01,119 Speaker 1: out of everybody? Because I was sending to it and like, 448 00:25:01,240 --> 00:25:03,880 Speaker 1: for me, I think adamal Been is the vultures stuck 449 00:25:03,920 --> 00:25:06,040 Speaker 1: out to me really like it's when you're just like 450 00:25:06,080 --> 00:25:12,000 Speaker 1: grasping like, oh, that's animal being right. I tried to 451 00:25:12,080 --> 00:25:14,800 Speaker 1: get you know, like I treated like a movie in 452 00:25:14,840 --> 00:25:16,760 Speaker 1: the way that like, you know, for casting, like I 453 00:25:16,840 --> 00:25:20,040 Speaker 1: tried to cast people that had really distinct voices. I 454 00:25:20,080 --> 00:25:22,639 Speaker 1: don't Little John is pretty distinct with the clam. I 455 00:25:22,680 --> 00:25:24,080 Speaker 1: feel like I hear that and I'm like, oh my god, 456 00:25:24,119 --> 00:25:27,240 Speaker 1: that's a little John. Uh who else is really distinct? 457 00:25:27,840 --> 00:25:29,560 Speaker 1: I mean Ariana, like, how do you not know that? 458 00:25:29,600 --> 00:25:33,200 Speaker 1: You know what I mean belting out Yeah, she carries 459 00:25:33,280 --> 00:25:37,399 Speaker 1: the second the back end of that song. No one 460 00:25:37,480 --> 00:25:41,040 Speaker 1: knows what I do, but pretty cool, I don't know. Yeah, 461 00:25:41,119 --> 00:25:43,040 Speaker 1: like even little Yahti, I feel like I I just 462 00:25:43,080 --> 00:25:44,520 Speaker 1: wanted to have people that, like, you know, I feel 463 00:25:44,520 --> 00:25:45,879 Speaker 1: like little Yaddi. I think of him and I think 464 00:25:45,920 --> 00:25:47,720 Speaker 1: of his voice. So I wanted to get people that 465 00:25:47,760 --> 00:25:50,560 Speaker 1: I thought you could identify with their voices. So when 466 00:25:50,560 --> 00:25:52,520 Speaker 1: you approach a song like this, do you write it 467 00:25:53,359 --> 00:25:55,040 Speaker 1: like a hip hop song or do you approach it 468 00:25:55,160 --> 00:25:56,840 Speaker 1: like like a comedy sketule, like a movie. Like you 469 00:25:56,880 --> 00:25:59,119 Speaker 1: were saying, this song is just its own animal, no 470 00:25:59,240 --> 00:26:02,240 Speaker 1: pun intended. I uh like, it's not really like a 471 00:26:02,840 --> 00:26:05,080 Speaker 1: like I remember the initial version of it didn't have 472 00:26:05,160 --> 00:26:07,399 Speaker 1: a rat verse and it was it was just like 473 00:26:07,560 --> 00:26:10,000 Speaker 1: the animals and the hook, and I was thinking, I canna, 474 00:26:10,119 --> 00:26:12,280 Speaker 1: I'm barely even on my own song. So then I 475 00:26:13,080 --> 00:26:15,080 Speaker 1: but I wasn't there wasn't even a rat verse. So 476 00:26:15,160 --> 00:26:16,879 Speaker 1: then I said, I gotta have a rap first song, 477 00:26:16,960 --> 00:26:18,080 Speaker 1: you know what I mean. So we added and we 478 00:26:18,160 --> 00:26:20,439 Speaker 1: made a whole rat beat and added that part of it. Uh, 479 00:26:20,960 --> 00:26:22,600 Speaker 1: but how did I mean with this song? It was 480 00:26:22,640 --> 00:26:24,800 Speaker 1: a long writing process, like I I just thought of 481 00:26:24,880 --> 00:26:27,440 Speaker 1: I like went online and researched all the animals and 482 00:26:27,520 --> 00:26:29,200 Speaker 1: just like I thought of, like like what the coolest, 483 00:26:29,240 --> 00:26:31,840 Speaker 1: funniest animals would be, and wrote a ton of different 484 00:26:31,960 --> 00:26:34,920 Speaker 1: jokes and melodies for different animals, and then me and 485 00:26:35,000 --> 00:26:38,119 Speaker 1: Benny just picked our favorite ones and jig sawed it together. 486 00:26:38,320 --> 00:26:42,320 Speaker 1: And uh, I can't even uh compare this song to 487 00:26:42,359 --> 00:26:43,800 Speaker 1: another song that I've made because it was just such 488 00:26:43,800 --> 00:26:45,639 Speaker 1: a different process because I was thinking, like, like a 489 00:26:45,720 --> 00:26:48,440 Speaker 1: song like Pillow Talk and that songs like ten minutes. Yeah, 490 00:26:48,480 --> 00:26:50,040 Speaker 1: it was very long. When you're in the cudy are 491 00:26:50,040 --> 00:26:51,280 Speaker 1: doing a song like that. Did it get to a 492 00:26:51,320 --> 00:26:53,720 Speaker 1: point where like you're thinking, is this still funny? You 493 00:26:53,800 --> 00:26:56,480 Speaker 1: have to convince yourself again that this is funny. It depends, 494 00:26:56,640 --> 00:26:58,959 Speaker 1: Like I mean, by the end, by the time I'm 495 00:26:59,000 --> 00:27:01,760 Speaker 1: done recording this, anything I do, I'm so close to 496 00:27:01,880 --> 00:27:04,960 Speaker 1: it that I do lose like all concept of what's 497 00:27:05,000 --> 00:27:07,159 Speaker 1: going on. So I have like a small circle of 498 00:27:07,200 --> 00:27:08,920 Speaker 1: people that I send stuff to, you know, and they're 499 00:27:09,160 --> 00:27:11,119 Speaker 1: they'll tell me if it's funny or not. And for you, 500 00:27:11,240 --> 00:27:14,479 Speaker 1: it's like the concept of the song as important as 501 00:27:14,520 --> 00:27:16,040 Speaker 1: the music video, because the music video is like a 502 00:27:16,040 --> 00:27:19,199 Speaker 1: really big part of your songs. I think, yeah, I mean, 503 00:27:19,680 --> 00:27:22,200 Speaker 1: I definitely need music videos from my songs to thrive. 504 00:27:22,320 --> 00:27:24,760 Speaker 1: But you know, like I don't think people are going 505 00:27:24,800 --> 00:27:26,880 Speaker 1: to watch the music video on mute, but I think 506 00:27:26,880 --> 00:27:28,199 Speaker 1: a lot of people are gonna listen to the song 507 00:27:28,240 --> 00:27:30,320 Speaker 1: on Spotify with no music video, you know what I mean. 508 00:27:30,440 --> 00:27:32,399 Speaker 1: So we're like on the radio. So I think the 509 00:27:32,520 --> 00:27:35,639 Speaker 1: song is the most important part because without that there 510 00:27:35,760 --> 00:27:38,800 Speaker 1: is no video. I saw Justin Bieber just followed you 511 00:27:38,840 --> 00:27:43,760 Speaker 1: on INSTAGRAMM huh. At a moment, I feel like I've 512 00:27:43,840 --> 00:27:45,920 Speaker 1: made it. Do you like instantly get a bunch of 513 00:27:45,960 --> 00:27:48,720 Speaker 1: people following you after that because they like, go following 514 00:27:48,760 --> 00:27:50,240 Speaker 1: because I don't think follows a whole lot of people. 515 00:27:50,400 --> 00:27:52,840 Speaker 1: It's I'm sure I did. I Like, I really don't. 516 00:27:52,960 --> 00:27:55,520 Speaker 1: I don't really pay much attention to the Like I 517 00:27:55,560 --> 00:27:58,240 Speaker 1: don't I turn my notifications off. You don't post a 518 00:27:58,280 --> 00:28:00,399 Speaker 1: whole lot. Well, you know, I'm kind have like in 519 00:28:00,480 --> 00:28:03,000 Speaker 1: this period of like, uh where I've just been working 520 00:28:03,040 --> 00:28:05,160 Speaker 1: on my album and doing stuff like behind the scenes 521 00:28:05,240 --> 00:28:07,239 Speaker 1: for a while, and I think once I really come 522 00:28:07,320 --> 00:28:10,200 Speaker 1: back and like with Earth for example, I'm now Freaky 523 00:28:10,280 --> 00:28:11,760 Speaker 1: Friday was the last song I put out that was 524 00:28:11,800 --> 00:28:14,600 Speaker 1: like over a year ago. So I don't I'll be 525 00:28:14,720 --> 00:28:18,000 Speaker 1: posting more when I am putting more stuff out. But 526 00:28:18,040 --> 00:28:20,679 Speaker 1: I feel kind of badly posting, like, hey, look at 527 00:28:20,720 --> 00:28:23,560 Speaker 1: what I'm doing when I'm like working and not putting 528 00:28:23,680 --> 00:28:25,400 Speaker 1: music out. You know what I mean, Because your last 529 00:28:25,440 --> 00:28:28,520 Speaker 1: album is like five five years ago, four years ago, 530 00:28:28,640 --> 00:28:31,480 Speaker 1: years in a while, so you have a new thing working. Yeah, 531 00:28:31,720 --> 00:28:34,000 Speaker 1: I'm working on a new album. It's uh almost done. 532 00:28:34,000 --> 00:28:35,440 Speaker 1: I feel like I need like one or two songs 533 00:28:35,520 --> 00:28:40,200 Speaker 1: left to to make, but it's it's great. I think 534 00:28:40,240 --> 00:28:44,040 Speaker 1: everyone's gonna love it, and uh it'll be hopefully out 535 00:28:44,120 --> 00:28:45,400 Speaker 1: this year. I'm just really I just need to have 536 00:28:45,720 --> 00:28:47,880 Speaker 1: one or two more songs and then my itches are 537 00:28:47,880 --> 00:28:50,800 Speaker 1: fully scratched. Do you still get people like yelling at 538 00:28:50,840 --> 00:28:54,040 Speaker 1: you online saying that you're like not hip hop? Probably 539 00:28:54,400 --> 00:28:58,040 Speaker 1: do you care about not really? Because honestly, Like, anytime 540 00:28:58,080 --> 00:29:00,880 Speaker 1: I meet a rapper, they're like, man, you wrap your 541 00:29:00,920 --> 00:29:03,040 Speaker 1: ass off. So it's like, I really care what rappers 542 00:29:03,080 --> 00:29:06,440 Speaker 1: think about me more than what Joe Schmo does because 543 00:29:06,480 --> 00:29:08,800 Speaker 1: I've been your freestyles. Man, you go off, Oh I'm 544 00:29:08,800 --> 00:29:11,640 Speaker 1: an elite rappers. Yeah, that's why I don't really get concerned. 545 00:29:11,840 --> 00:29:14,200 Speaker 1: You've heard the Old Town Road song? Right? Yeah? What 546 00:29:14,280 --> 00:29:16,960 Speaker 1: do you think country longer hip hop song? Uh, it's 547 00:29:17,000 --> 00:29:19,480 Speaker 1: like a high, it's at both both. It's a great 548 00:29:19,520 --> 00:29:21,360 Speaker 1: song whatever it is, it's a great song. You know 549 00:29:21,400 --> 00:29:23,880 Speaker 1: a little no X. Did you ever do anything with him? 550 00:29:24,160 --> 00:29:25,960 Speaker 1: I have no idea. I've never met him. I've heard 551 00:29:26,000 --> 00:29:28,920 Speaker 1: one song. Let's see, let's see if you can do more. Yeah. 552 00:29:28,960 --> 00:29:30,680 Speaker 1: I mean I think you put out maybe one another one, 553 00:29:31,280 --> 00:29:33,920 Speaker 1: but I I like the song. It's pretty good. But 554 00:29:34,000 --> 00:29:37,400 Speaker 1: that's yeah, I haven't have to send me a link. 555 00:29:37,600 --> 00:29:41,280 Speaker 1: So you're also doing like a TV project? Yeah? Is 556 00:29:41,360 --> 00:29:44,400 Speaker 1: that that's about your life? Loosely? Yeah? That's about yeah, loosely, 557 00:29:44,520 --> 00:29:47,240 Speaker 1: it's like not totally fact based, but it's you know, 558 00:29:47,320 --> 00:29:50,240 Speaker 1: about a guy who you know, it's me, it's about 559 00:29:50,320 --> 00:29:54,440 Speaker 1: me and about it. Before I was really any sort 560 00:29:54,480 --> 00:29:56,719 Speaker 1: of accomplished, and you know, I've always kind of had 561 00:29:56,800 --> 00:29:58,920 Speaker 1: a high belief of myself, and it was It sounds 562 00:29:59,000 --> 00:30:01,240 Speaker 1: okay now when I say I believe in myself and 563 00:30:01,280 --> 00:30:03,360 Speaker 1: I'm putting out like a song like Earth. But five 564 00:30:03,480 --> 00:30:05,480 Speaker 1: years ago when I believed in myself to this extent, 565 00:30:05,520 --> 00:30:07,440 Speaker 1: I think my girlfriend at the time and my parents 566 00:30:07,520 --> 00:30:09,760 Speaker 1: thought I was insane. So it's kind of starting there. 567 00:30:09,800 --> 00:30:14,080 Speaker 1: And you'll see the rise of a rapper in modern 568 00:30:14,160 --> 00:30:18,040 Speaker 1: day America. So you play yourself. I play myself. Is 569 00:30:18,080 --> 00:30:19,760 Speaker 1: it like anything like? Because I think of effects and 570 00:30:19,760 --> 00:30:21,360 Speaker 1: I think of Atlanta, which is the show I love. 571 00:30:21,840 --> 00:30:24,800 Speaker 1: Is it any kind of like that? Uh? Different show? 572 00:30:25,000 --> 00:30:28,480 Speaker 1: Different show? Uh? You know, you could say they're both 573 00:30:28,600 --> 00:30:31,680 Speaker 1: kind of based around the hip hop world to an extent, 574 00:30:31,760 --> 00:30:34,320 Speaker 1: but I think Atlanta, I don't know. I think they're 575 00:30:34,400 --> 00:30:36,800 Speaker 1: pretty different shows, different tones, But I love Atlanta is 576 00:30:36,800 --> 00:30:39,200 Speaker 1: probably one of my favorite shows on TV. I love 577 00:30:39,240 --> 00:30:41,320 Speaker 1: Donald Glover man, I do too, So I had to 578 00:30:41,440 --> 00:30:44,280 Speaker 1: team up with the Leonardo DiCaprio. Well, so I knew 579 00:30:44,360 --> 00:30:47,480 Speaker 1: that for Earth, like, I don't think like I should 580 00:30:47,520 --> 00:30:48,920 Speaker 1: be like making money off this, Like we have an 581 00:30:48,960 --> 00:30:51,160 Speaker 1: environmental crisis going and I need to raise funds here. 582 00:30:51,400 --> 00:30:53,080 Speaker 1: But I at the same time, I know nothing about 583 00:30:53,080 --> 00:30:55,920 Speaker 1: the environmental space and the nonprofit space. So I wanted 584 00:30:55,960 --> 00:30:58,800 Speaker 1: to work with someone who was something that, you know, 585 00:30:58,920 --> 00:31:01,000 Speaker 1: who knew what was going on and how to approach this. 586 00:31:01,480 --> 00:31:03,520 Speaker 1: And one of the biggest things that woke me up 587 00:31:03,600 --> 00:31:06,480 Speaker 1: to the climate crisis in general was watching his documentary 588 00:31:06,520 --> 00:31:10,120 Speaker 1: Before the Flood, So that in tandem with you know, 589 00:31:10,240 --> 00:31:11,800 Speaker 1: being such a fan of his as an actor, like 590 00:31:11,840 --> 00:31:14,240 Speaker 1: he's like the Lebron James of acting, you know what 591 00:31:14,320 --> 00:31:17,240 Speaker 1: I mean, my generation and uh, you know, like he 592 00:31:17,440 --> 00:31:19,560 Speaker 1: literally wins Best Actor, waits his whole life to win 593 00:31:19,600 --> 00:31:21,440 Speaker 1: the Oscar for Best Actor, goes on stage and makes 594 00:31:21,480 --> 00:31:23,440 Speaker 1: a speech about climate change. And I always respected that. 595 00:31:23,560 --> 00:31:27,479 Speaker 1: So what's your favorite Leonardo DiCaprio movie. No one's ever 596 00:31:27,520 --> 00:31:29,520 Speaker 1: asked me this. I mean, Titanic is the first thing. 597 00:31:29,840 --> 00:31:31,200 Speaker 1: Catch me if you can, catch me, if you can. 598 00:31:31,920 --> 00:31:34,280 Speaker 1: But he won the award for The Revenant. Did you 599 00:31:34,320 --> 00:31:36,640 Speaker 1: see that? Yeah, I've seen that. Not my favorite. I 600 00:31:36,800 --> 00:31:42,640 Speaker 1: liked it. I thought it was crazy. It's awesome, but 601 00:31:42,720 --> 00:31:44,880 Speaker 1: it's it's nowhere close to catch me. If you can. 602 00:31:45,680 --> 00:31:50,880 Speaker 1: I go Titanic over the Revenant. Dude, anytime Titanics on TV, 603 00:31:51,000 --> 00:31:53,120 Speaker 1: I'm stopping everything I'm doing and watching until the end 604 00:31:54,760 --> 00:31:57,040 Speaker 1: whenever I whenever it is. I mean, that was one 605 00:31:57,080 --> 00:31:59,960 Speaker 1: of the movies that was in the two VHS tape. 606 00:32:00,800 --> 00:32:05,720 Speaker 1: It's so good Still Old Rose're Old Rose. Well, the 607 00:32:05,800 --> 00:32:07,880 Speaker 1: song is called Earth, So all the profits are going 608 00:32:07,920 --> 00:32:09,520 Speaker 1: to help the environment, and go do we Love the 609 00:32:09,600 --> 00:32:11,840 Speaker 1: Earth dot org? Yeah, you can go do we Love 610 00:32:11,840 --> 00:32:13,640 Speaker 1: the Earth dot ort to learn? I mean people should, like, Honestly, 611 00:32:13,640 --> 00:32:15,400 Speaker 1: I don't know if people are aware about what's going on. 612 00:32:15,520 --> 00:32:17,560 Speaker 1: I didn't even know anything about this until I made 613 00:32:17,640 --> 00:32:20,160 Speaker 1: this song. I had like a vague idea that like, oh, 614 00:32:20,240 --> 00:32:22,000 Speaker 1: we're doing something wrong with the environment here on Earth. 615 00:32:22,040 --> 00:32:23,920 Speaker 1: I didn't know that if we don't change everything about 616 00:32:23,960 --> 00:32:26,040 Speaker 1: our behavior in the next twelve years, the damage is 617 00:32:26,080 --> 00:32:29,000 Speaker 1: irreversible and like Earth will become uninhabitable within our lifetimes. 618 00:32:29,040 --> 00:32:31,800 Speaker 1: It's kind of shocking, Like every scientist says, yeah, that's 619 00:32:31,840 --> 00:32:34,440 Speaker 1: totally true. Yeah. People, I feel like you're just like 620 00:32:34,560 --> 00:32:36,760 Speaker 1: coasting and being like, I don't know, but it's true. 621 00:32:37,080 --> 00:32:38,920 Speaker 1: Look into it. Yeah, everybody go check it out and 622 00:32:38,920 --> 00:32:40,720 Speaker 1: read up on it. We'll appreciate the time. Man, Thank 623 00:32:40,760 --> 00:32:41,680 Speaker 1: you all right, you're talking to you