1 00:00:01,360 --> 00:00:05,040 Speaker 1: You're listening to Jo Josia now with me Jojo Ciua 2 00:00:05,160 --> 00:00:10,880 Speaker 1: an iHeartRadio podcast. Ohlcome back to Jojoffsey. 3 00:00:11,119 --> 00:00:17,360 Speaker 2: What now? Oh my god? What the last man? Two 4 00:00:17,400 --> 00:00:18,000 Speaker 2: weeks now? 5 00:00:18,040 --> 00:00:21,800 Speaker 1: It's been crazy ever since Guilty Pleasure came out. 6 00:00:22,000 --> 00:00:24,120 Speaker 2: I I can't. 7 00:00:23,840 --> 00:00:27,760 Speaker 1: Even believe how we have come to this point of 8 00:00:27,800 --> 00:00:31,040 Speaker 1: my life. I mean, I can remember two years ago 9 00:00:31,360 --> 00:00:34,360 Speaker 1: actually starting this project. It was right when I ended 10 00:00:34,400 --> 00:00:35,120 Speaker 1: Oh my god, is that. 11 00:00:35,040 --> 00:00:38,959 Speaker 2: Almost three years ago? Three years ago is crazy? Oh 12 00:00:38,960 --> 00:00:41,000 Speaker 2: my god. Okay, so it's almost three years ago. 13 00:00:41,479 --> 00:00:43,599 Speaker 1: Remember starting this project of writing new music is right 14 00:00:43,640 --> 00:00:45,959 Speaker 1: after I got off of Dream the Tour and this, 15 00:00:46,240 --> 00:00:49,360 Speaker 1: like for context, this was a very wild time in 16 00:00:49,400 --> 00:00:51,800 Speaker 1: my life because I had just filmed my movie, The 17 00:00:51,880 --> 00:00:54,440 Speaker 1: J Team. Right after The J Team wrapped, I went 18 00:00:54,480 --> 00:00:57,760 Speaker 1: straight into filming our show Seas Dance Proper Revolution. Right 19 00:00:57,760 --> 00:01:00,280 Speaker 1: when that wrapped, literally a day later, I started filming 20 00:01:00,360 --> 00:01:03,080 Speaker 1: Dancing with the Stars right when Dancing with the Stars 21 00:01:03,120 --> 00:01:05,720 Speaker 1: were After the next day, I started Dream Tour rehearsals. 22 00:01:06,040 --> 00:01:08,400 Speaker 1: Right after that is when I went on Dream Tour. 23 00:01:08,680 --> 00:01:10,480 Speaker 1: And then I came home from Dream Tour and started 24 00:01:10,520 --> 00:01:13,040 Speaker 1: working on this music project. So it was a lot 25 00:01:13,120 --> 00:01:16,000 Speaker 1: happening at once a lot in my life changing. I 26 00:01:16,080 --> 00:01:18,640 Speaker 1: had come out a year ago, so I had like 27 00:01:18,760 --> 00:01:21,920 Speaker 1: experienced love for the first time, I experienced this crazy 28 00:01:22,400 --> 00:01:24,760 Speaker 1: wave of the Internet, I experienced being on tour, like 29 00:01:24,840 --> 00:01:28,040 Speaker 1: it was just so much happening at once in my life. 30 00:01:28,440 --> 00:01:30,800 Speaker 1: And so to like think now that we are finally 31 00:01:30,840 --> 00:01:33,880 Speaker 1: at this point where some of this music is finally 32 00:01:34,160 --> 00:01:38,319 Speaker 1: out into the world is honestly like, it's such a 33 00:01:38,319 --> 00:01:40,280 Speaker 1: bit of a mind I'm not gonna lie, Like my 34 00:01:40,400 --> 00:01:44,360 Speaker 1: brain can't really process how long ago we started it 35 00:01:44,400 --> 00:01:48,040 Speaker 1: and now it's finally here. It makes me truly so happy. 36 00:01:48,080 --> 00:01:50,520 Speaker 1: And to see that the world's enjoying it and listening 37 00:01:50,560 --> 00:01:54,760 Speaker 1: and streaming and watching it just makes me so so happy. Now, 38 00:01:55,200 --> 00:01:58,200 Speaker 1: if you are insanely lost and you have no idea 39 00:01:58,240 --> 00:02:01,880 Speaker 1: what I am talking about, my brand new EP, Guilty Pleasure, 40 00:02:01,960 --> 00:02:06,680 Speaker 1: with five new songs on it just came out. I'm 41 00:02:06,800 --> 00:02:09,400 Speaker 1: so happy it came out on July twelfth. 42 00:02:09,480 --> 00:02:10,160 Speaker 2: Five new songs. 43 00:02:10,200 --> 00:02:13,079 Speaker 1: We have Balanced Baby, a song called Guilty Pleasure, We 44 00:02:13,160 --> 00:02:16,080 Speaker 1: have Choose Your Fighter, Yesterday's tomorrow is Today, and of 45 00:02:16,120 --> 00:02:19,239 Speaker 1: course old faithful Karma. You cannot go wrong with Karma. 46 00:02:19,720 --> 00:02:22,600 Speaker 1: And then a music video as well. For Guilty Pleasure 47 00:02:22,639 --> 00:02:26,360 Speaker 1: came out and the music video is doing crazy. I 48 00:02:26,360 --> 00:02:29,240 Speaker 1: mean today it went up again on the charts, which 49 00:02:29,320 --> 00:02:32,040 Speaker 1: is wild because I feel like for me, typically when 50 00:02:32,120 --> 00:02:34,280 Speaker 1: something comes out, it peaks and then it you know, 51 00:02:34,760 --> 00:02:38,640 Speaker 1: kind of tapers off. But for Guilty, it's still growing, 52 00:02:38,680 --> 00:02:40,959 Speaker 1: which is just wild and going up on the charts 53 00:02:40,960 --> 00:02:43,679 Speaker 1: and up, and it just ah, it makes my heart 54 00:02:43,800 --> 00:02:46,320 Speaker 1: so happy. Y'all are y'all are streaming, y'all are watching, 55 00:02:46,480 --> 00:02:49,359 Speaker 1: and I am so freaking grateful for that. 56 00:02:49,919 --> 00:02:51,040 Speaker 2: Now, if you've seen them. 57 00:02:50,919 --> 00:02:54,280 Speaker 1: Guilty Pleasure music video, you know that there's a lot 58 00:02:54,360 --> 00:02:57,080 Speaker 1: happening in it. You are entering JoJo's pleasure house and 59 00:02:57,120 --> 00:02:59,360 Speaker 1: you are in all these different rooms and there's lots 60 00:02:59,360 --> 00:03:01,960 Speaker 1: of things going on. But there's actually lots of hidden 61 00:03:02,040 --> 00:03:05,320 Speaker 1: things in this music video. And then also if you 62 00:03:05,400 --> 00:03:08,040 Speaker 1: haven't seen it yet, go watch it and then come 63 00:03:08,080 --> 00:03:09,640 Speaker 1: back to this that way you can have some context 64 00:03:09,639 --> 00:03:11,920 Speaker 1: of what I'm talking about, and then listen to this 65 00:03:11,960 --> 00:03:14,400 Speaker 1: podcast and then go back and watch it, so that 66 00:03:14,440 --> 00:03:16,480 Speaker 1: way you kind of know and you can kind of 67 00:03:16,520 --> 00:03:19,239 Speaker 1: see what I'm talking about. That is why today I'm 68 00:03:19,240 --> 00:03:22,000 Speaker 1: gonna be giving you the five things that are hidden 69 00:03:22,120 --> 00:03:26,320 Speaker 1: in Guilty Pleasure. Are you ready? If you're ready, buckle, 70 00:03:26,480 --> 00:03:30,080 Speaker 1: they'll frockle up. That's a new word I just invented. Anyways, 71 00:03:30,320 --> 00:03:33,120 Speaker 1: let's freaking dive right into this because I got lots 72 00:03:33,160 --> 00:03:35,120 Speaker 1: of stories for you all. So if you watch a 73 00:03:35,160 --> 00:03:38,280 Speaker 1: Guilty Pleasure music video, you will see there is two 74 00:03:38,600 --> 00:03:42,280 Speaker 1: very significant moments, and that is when the two pleasure 75 00:03:42,280 --> 00:03:45,560 Speaker 1: house customers come up to the Zultar ticket booth. That's 76 00:03:45,600 --> 00:03:47,960 Speaker 1: kind of what we call the like the ticket booth 77 00:03:47,960 --> 00:03:51,520 Speaker 1: thing where I'm not frozen statue, and they bring two 78 00:03:51,520 --> 00:03:53,280 Speaker 1: items up. So the first one is a girl and 79 00:03:53,360 --> 00:03:55,840 Speaker 1: she brings up a jojo bo and the second one 80 00:03:55,880 --> 00:03:58,240 Speaker 1: is a boy and he brings up slime and they 81 00:03:58,280 --> 00:04:00,160 Speaker 1: smack it on the window and they're like, let me 82 00:04:00,360 --> 00:04:01,640 Speaker 1: in this pleasure house. 83 00:04:01,760 --> 00:04:02,000 Speaker 2: Now. 84 00:04:02,520 --> 00:04:04,600 Speaker 1: The significance of that is, if you watch the beginning 85 00:04:04,640 --> 00:04:06,680 Speaker 1: of the video, you see a bunch of people running up. 86 00:04:06,680 --> 00:04:08,240 Speaker 1: Everyone wants to get in, and they. 87 00:04:08,120 --> 00:04:10,160 Speaker 2: All have money. 88 00:04:10,400 --> 00:04:14,160 Speaker 1: Now, money ain't gonna get you in. It's not gonna work. 89 00:04:14,200 --> 00:04:16,840 Speaker 2: So this Ultar me. I am frozen in there. I'm 90 00:04:16,880 --> 00:04:17,400 Speaker 2: not moving. 91 00:04:17,880 --> 00:04:19,719 Speaker 1: And then all of a sudden, someone walks up with 92 00:04:19,760 --> 00:04:22,600 Speaker 1: that jojobo when she smacks it on the window, that 93 00:04:22,720 --> 00:04:25,240 Speaker 1: is what activates like, yes, you can come in. And 94 00:04:25,240 --> 00:04:27,599 Speaker 1: that is to represent like you have to turn in 95 00:04:27,640 --> 00:04:29,520 Speaker 1: your jojobo to be a part of this new world, 96 00:04:29,560 --> 00:04:31,880 Speaker 1: you know. And that doesn't mean thwda way, that doesn't 97 00:04:31,920 --> 00:04:34,160 Speaker 1: mean burn it, that doesn't mean anything crazy. But that 98 00:04:34,200 --> 00:04:36,120 Speaker 1: does mean that this is a new world and it 99 00:04:36,200 --> 00:04:39,960 Speaker 1: is not this that's behind me right now anymore. It 100 00:04:40,080 --> 00:04:42,839 Speaker 1: is a full, full new thing, a full new vision 101 00:04:42,920 --> 00:04:46,200 Speaker 1: and a brace for impact. So that lets her into 102 00:04:46,200 --> 00:04:48,920 Speaker 1: the pleasure house. But then, you know, when we get 103 00:04:48,920 --> 00:04:51,239 Speaker 1: into the second verse, you see a bunch of people 104 00:04:51,240 --> 00:04:53,960 Speaker 1: now with their jojobo's. They think, oh, a jojobo's gonna 105 00:04:53,960 --> 00:04:55,320 Speaker 1: get me in. Oh that's gonna get me. And that 106 00:04:55,360 --> 00:04:56,880 Speaker 1: got her and I want to get in. Here's my 107 00:04:56,960 --> 00:05:00,000 Speaker 1: bo na na na na to recry someone else now, 108 00:05:00,040 --> 00:05:02,520 Speaker 1: I don't know what that is. And then you see 109 00:05:02,680 --> 00:05:05,520 Speaker 1: somebody his name is actually, his name is Diego. He 110 00:05:05,720 --> 00:05:10,120 Speaker 1: is freaking phenomenal. He actually he won season four of 111 00:05:10,160 --> 00:05:12,880 Speaker 1: the TV show World of Dance with a girl named 112 00:05:12,880 --> 00:05:15,040 Speaker 1: em and a girl named Madison. They were a little trio. 113 00:05:15,640 --> 00:05:20,599 Speaker 1: He's a phenomenal dancer. Unreal, and he walked up to 114 00:05:20,680 --> 00:05:24,560 Speaker 1: the ticket booth and he puts slime on the ticket booth. 115 00:05:25,160 --> 00:05:28,559 Speaker 1: And now slim could represent a couple of things. Slime 116 00:05:28,600 --> 00:05:31,360 Speaker 1: could represent people have dated. Slime could represent a company 117 00:05:31,400 --> 00:05:35,120 Speaker 1: I worked for a lot of different angles of my life. 118 00:05:35,240 --> 00:05:37,400 Speaker 1: And so that is the second ticket to get into 119 00:05:37,440 --> 00:05:39,680 Speaker 1: the pleasure house. And so it truly is just like, 120 00:05:40,120 --> 00:05:42,960 Speaker 1: you gotta be creative, you gotta come up with something 121 00:05:43,000 --> 00:05:45,719 Speaker 1: to let yourself in. And uh So, anyways, he puts 122 00:05:45,720 --> 00:05:47,760 Speaker 1: a slime up that gets him into the pleasure house 123 00:05:47,839 --> 00:05:50,599 Speaker 1: and then it is all for everybody. All of the 124 00:05:50,640 --> 00:05:53,919 Speaker 1: creatives are turned in and everybody is welcome. At this point. 125 00:05:54,920 --> 00:05:57,839 Speaker 1: The second thing in the music video is actually something 126 00:05:57,960 --> 00:06:02,360 Speaker 1: that I never noticed, and this is one of the 127 00:06:02,400 --> 00:06:04,240 Speaker 1: things that the world noticed about the music video, and 128 00:06:04,279 --> 00:06:06,880 Speaker 1: I was like, damn, you really just can't win, can you. 129 00:06:07,600 --> 00:06:09,560 Speaker 1: If you're watching the music video, it's the very end 130 00:06:09,600 --> 00:06:11,000 Speaker 1: of the video, it is when we do the church 131 00:06:11,080 --> 00:06:13,120 Speaker 1: dance break. Now, I'm gonna talk you through this church 132 00:06:13,200 --> 00:06:16,200 Speaker 1: dance break. Right, So we go snap our hands open, 133 00:06:16,320 --> 00:06:20,400 Speaker 1: we go head shoulder, drop leg leg. Then we do 134 00:06:20,480 --> 00:06:25,320 Speaker 1: a big jump on this big jump. According to the Internet, 135 00:06:25,560 --> 00:06:32,560 Speaker 1: my tampon falls out? What is actually blowing my actual mind? 136 00:06:33,920 --> 00:06:36,880 Speaker 1: People really believe that my tampon fell out? This is 137 00:06:37,120 --> 00:06:40,640 Speaker 1: freaking psychotic. How can people believe that I am wearing 138 00:06:40,720 --> 00:06:45,320 Speaker 1: a full costume shorts, one legs a pant, one legs 139 00:06:45,360 --> 00:06:48,839 Speaker 1: a short and it just was like and people like 140 00:06:49,400 --> 00:06:52,440 Speaker 1: truly think it was my tampon, and that, I mean 141 00:06:52,839 --> 00:06:56,080 Speaker 1: actually blows my mind because I'm like, Okay, number one, 142 00:06:56,440 --> 00:06:57,680 Speaker 1: do you not know how this works? 143 00:06:57,760 --> 00:07:01,120 Speaker 2: Number two? Why would your mind go? Number three? 144 00:07:01,360 --> 00:07:04,520 Speaker 1: This is actually hysterical, Like I have so much ammunition 145 00:07:04,600 --> 00:07:10,559 Speaker 1: with this because it's like how how Now? What really 146 00:07:10,640 --> 00:07:17,120 Speaker 1: happened was my costume was super, super super fragile for 147 00:07:17,280 --> 00:07:20,760 Speaker 1: the Guilty Pleasure music video. That ending church costume was 148 00:07:21,480 --> 00:07:24,160 Speaker 1: falling apart faster than we could keep it together. 149 00:07:24,200 --> 00:07:25,600 Speaker 2: I mean, it was actually really bad. 150 00:07:25,640 --> 00:07:28,559 Speaker 1: We were using gorilla tape to just keep it together, 151 00:07:28,680 --> 00:07:30,520 Speaker 1: keep it on my body. It is so fragile. It's 152 00:07:30,560 --> 00:07:33,240 Speaker 1: falling apart still to this day, and so we just 153 00:07:33,360 --> 00:07:35,840 Speaker 1: we kind of just leave it be. But on set, 154 00:07:35,920 --> 00:07:38,320 Speaker 1: obviously you know we're dancing and I'm going very full out, 155 00:07:38,320 --> 00:07:39,880 Speaker 1: and so it was like, hey, look, we probably have 156 00:07:39,920 --> 00:07:43,000 Speaker 1: three takes till this whole costume is apart, like, don't fuck. 157 00:07:42,800 --> 00:07:44,520 Speaker 2: It up anyways. 158 00:07:44,680 --> 00:07:46,800 Speaker 1: So what you're seeing is one of the feathers on 159 00:07:46,840 --> 00:07:49,120 Speaker 1: the costume. The feathers were made out of foam and 160 00:07:49,240 --> 00:07:51,440 Speaker 1: one of them fell. But the way that the lights 161 00:07:51,520 --> 00:07:54,200 Speaker 1: hitting it, even though it was dark with rhinestones on it, 162 00:07:54,200 --> 00:07:56,280 Speaker 1: it looks like it is white and it looks like 163 00:07:56,320 --> 00:07:58,760 Speaker 1: a tampon. And the way it falls, I mean, it 164 00:07:58,800 --> 00:08:01,640 Speaker 1: looks like it falls parfectly out of my you know where. 165 00:08:02,160 --> 00:08:05,480 Speaker 1: And I mean it I understand what the world's saying, 166 00:08:05,480 --> 00:08:08,920 Speaker 1: but I'm more so like, how how did this video 167 00:08:09,080 --> 00:08:10,720 Speaker 1: get approved by. 168 00:08:10,760 --> 00:08:14,240 Speaker 2: So many people and no one caught it? Not me, 169 00:08:14,360 --> 00:08:15,720 Speaker 2: not my mom, not the drugs or not the card 170 00:08:15,800 --> 00:08:16,640 Speaker 2: for not anyone on my. 171 00:08:16,600 --> 00:08:19,680 Speaker 1: Label, not the producers, not the editors, not the team, 172 00:08:19,800 --> 00:08:21,960 Speaker 1: not the dancers that I let watch it now, my 173 00:08:21,960 --> 00:08:23,960 Speaker 1: friends that I I mean, there was probably one hundred 174 00:08:23,960 --> 00:08:27,200 Speaker 1: people that had eyes on this video before it came out, 175 00:08:27,240 --> 00:08:29,160 Speaker 1: and not one person caught it. And then all of 176 00:08:29,160 --> 00:08:32,640 Speaker 1: a sudden, the Internet was like, oh, you're too that's crazy, 177 00:08:32,840 --> 00:08:36,880 Speaker 1: y'all are psycho. But hey, I'm just honored that y'all 178 00:08:36,920 --> 00:08:48,240 Speaker 1: watch the video that long I'll take it. The next 179 00:08:48,240 --> 00:08:50,040 Speaker 1: thing that I want to talk about is actually the 180 00:08:50,080 --> 00:08:54,000 Speaker 1: writing process of the song, so not necessarily the video itself, 181 00:08:54,040 --> 00:08:58,520 Speaker 1: but this song. I have such an incredible team that 182 00:08:58,559 --> 00:09:01,640 Speaker 1: worked on this song. Now, Guilty is one of two 183 00:09:01,760 --> 00:09:05,360 Speaker 1: songs on my EP, Guilty Pleasure, that I wrote. I 184 00:09:05,440 --> 00:09:08,320 Speaker 1: wrote Yesterday's Tomorrow's Today, and I'm also a writer on 185 00:09:08,440 --> 00:09:11,199 Speaker 1: Guilty Pleasure. It gets a little confusing when I talk 186 00:09:11,200 --> 00:09:13,600 Speaker 1: about it, because the whole EP is called Guilty Pleasure, 187 00:09:13,600 --> 00:09:16,120 Speaker 1: but then there's a specific song, Guilty Pleasure, and then 188 00:09:16,160 --> 00:09:18,200 Speaker 1: of course the Guilty Pleasure music video, and so it 189 00:09:18,200 --> 00:09:20,440 Speaker 1: gets he is a little confusing when I talk about it, 190 00:09:20,440 --> 00:09:23,040 Speaker 1: but we're talking about the two songs specifically Yesterday's, Tomorrow's 191 00:09:23,080 --> 00:09:26,680 Speaker 1: Today and then Guilty Pleasure. So Guilty Pleasure the writing 192 00:09:26,720 --> 00:09:30,600 Speaker 1: process was honestly some of the best days of my 193 00:09:31,160 --> 00:09:33,400 Speaker 1: entire life. You're gonna die when I tell you the 194 00:09:33,400 --> 00:09:36,600 Speaker 1: team behind this. Who's a guy named Matthew Koma. He 195 00:09:36,920 --> 00:09:40,160 Speaker 1: is freaking amazing. Y'all might know the name Hillary Duff 196 00:09:40,280 --> 00:09:44,559 Speaker 1: and he is Hillary Duff's husband. He's literally one of 197 00:09:44,600 --> 00:09:47,439 Speaker 1: the coolest guys ever. So fun brings so many good 198 00:09:47,440 --> 00:09:50,520 Speaker 1: ideas at the table and the second writer on the song. 199 00:09:50,559 --> 00:09:51,959 Speaker 2: You might have heard of her before. Her name is 200 00:09:52,000 --> 00:09:52,720 Speaker 2: Megan Trainor. 201 00:09:52,880 --> 00:09:55,680 Speaker 1: She's a small pop star, done a couple of things 202 00:09:55,679 --> 00:09:58,480 Speaker 1: here and there, a couple of couple of like almost hits. 203 00:09:58,520 --> 00:10:01,800 Speaker 2: Now not really too major, I'm kidding. She is. 204 00:10:02,440 --> 00:10:05,880 Speaker 1: She is mother. We love her like no other a 205 00:10:05,960 --> 00:10:09,560 Speaker 1: Miss Megan Trainer. She she is literally one of the 206 00:10:09,559 --> 00:10:11,880 Speaker 1: best humans ever. She is such a good friend, such 207 00:10:11,920 --> 00:10:14,480 Speaker 1: a good mentor, such a good mom, such a good artist. 208 00:10:14,679 --> 00:10:17,319 Speaker 2: She is brilliant. 209 00:10:17,559 --> 00:10:21,000 Speaker 1: I tell you, this girl can write a song faster 210 00:10:21,120 --> 00:10:23,400 Speaker 1: than anyone I've ever seen in my life. It comes 211 00:10:23,400 --> 00:10:25,200 Speaker 1: to her, Melody comes to her, lyrics comes to her, 212 00:10:25,200 --> 00:10:31,120 Speaker 1: production comes to her. She is just so genius. And 213 00:10:31,160 --> 00:10:33,920 Speaker 1: we wrote wrote Guilty Pleasure out her house. Her dad 214 00:10:33,960 --> 00:10:36,880 Speaker 1: always pops in, her brothers are always there, her mom's 215 00:10:36,920 --> 00:10:40,160 Speaker 1: always there. It is It's truly a family affair. Such 216 00:10:40,160 --> 00:10:43,160 Speaker 1: good people of course, Daryl, her husband, her kids, Ugh, 217 00:10:43,880 --> 00:10:47,880 Speaker 1: just like literally the best human I cannot speak highly 218 00:10:47,960 --> 00:10:52,079 Speaker 1: enough about this girl. She deserves the freaking world and 219 00:10:52,200 --> 00:10:54,000 Speaker 1: she has the world in the palm of her hand. 220 00:10:54,080 --> 00:10:57,520 Speaker 1: And I am so so grateful that she's in my 221 00:10:57,600 --> 00:11:00,560 Speaker 1: bubble and I actually I had a very candid conversation 222 00:11:00,640 --> 00:11:02,480 Speaker 1: with her because I was like, hey, look, I know 223 00:11:02,559 --> 00:11:06,160 Speaker 1: there's a lot of controversy surrounding me right now. What 224 00:11:06,360 --> 00:11:09,559 Speaker 1: is your take on me making it public knowledge that 225 00:11:09,720 --> 00:11:12,720 Speaker 1: you had something to do with guilty Pleasure? Because you know, 226 00:11:12,760 --> 00:11:15,280 Speaker 1: I know your image is very clean and you're very 227 00:11:15,320 --> 00:11:18,200 Speaker 1: family friendly, and I want to, you know, not drag 228 00:11:18,280 --> 00:11:22,400 Speaker 1: you into this whole of wildness that my life is 229 00:11:22,480 --> 00:11:23,640 Speaker 1: right now, you know what I mean, Like if you 230 00:11:23,679 --> 00:11:26,160 Speaker 1: want to stay removed, because I've had that happen with 231 00:11:26,240 --> 00:11:28,560 Speaker 1: other songs where certain writers want to stay on an 232 00:11:28,600 --> 00:11:30,880 Speaker 1: alias name, which is totally fine. That is a common 233 00:11:30,880 --> 00:11:34,679 Speaker 1: thing to do. And I was like, do you want that? 234 00:11:34,760 --> 00:11:36,400 Speaker 1: Like do you want me to not make it like public? 235 00:11:36,400 --> 00:11:38,280 Speaker 1: And she was like no, I'm so fucking proud of you. 236 00:11:38,320 --> 00:11:39,719 Speaker 1: I want the world to know. She's like I was 237 00:11:39,760 --> 00:11:42,040 Speaker 1: gonna do a post like I am stoked about this, 238 00:11:42,040 --> 00:11:44,280 Speaker 1: stoked about the song, stoked about the video, stoked for you, 239 00:11:44,480 --> 00:11:45,440 Speaker 1: like you. 240 00:11:45,320 --> 00:11:46,400 Speaker 2: Did this, own it. 241 00:11:46,600 --> 00:11:48,600 Speaker 1: I'm a part of it, but it's your thing, but 242 00:11:48,720 --> 00:11:50,640 Speaker 1: like I don't care at all, Like I want the 243 00:11:50,640 --> 00:11:52,400 Speaker 1: world to know, like this is this is us. 244 00:11:52,480 --> 00:11:53,120 Speaker 2: She was just so. 245 00:11:54,160 --> 00:11:57,400 Speaker 1: She's just such a good human and she genuinely cares 246 00:11:57,400 --> 00:12:00,200 Speaker 1: about the people around her, and I am so lucky 247 00:12:00,360 --> 00:12:03,640 Speaker 1: had become one of those people. And I can't think 248 00:12:03,679 --> 00:12:06,000 Speaker 1: her enough truly. So, Megan, if you're ever hearing this, 249 00:12:06,120 --> 00:12:07,920 Speaker 1: I love you. I would do literally anything for you. 250 00:12:07,960 --> 00:12:09,680 Speaker 1: I'd take a bullet for you. You're the most amazing, 251 00:12:09,679 --> 00:12:11,840 Speaker 1: beautiful woman ever and I want to be just like 252 00:12:11,880 --> 00:12:12,200 Speaker 1: you when. 253 00:12:12,120 --> 00:12:12,600 Speaker 2: I grew up. 254 00:12:13,160 --> 00:12:15,000 Speaker 1: Anyways, the last person I want to talk about on 255 00:12:15,000 --> 00:12:16,120 Speaker 1: the team. There was a few more people on the 256 00:12:16,120 --> 00:12:19,040 Speaker 1: Guilty Pleasure team and this they all came from Paul's team. 257 00:12:19,080 --> 00:12:20,680 Speaker 1: But the last person that I want to talk about 258 00:12:20,720 --> 00:12:23,720 Speaker 1: on the song sort of team is this guy named Paul, 259 00:12:23,800 --> 00:12:27,720 Speaker 1: and he has DJ White Shadow. Now, Paul, I actually 260 00:12:27,760 --> 00:12:30,280 Speaker 1: went out on a limb and in twenty twenty, I 261 00:12:30,800 --> 00:12:32,240 Speaker 1: made a list and I was like, I want to 262 00:12:32,280 --> 00:12:35,160 Speaker 1: look up all my favorite songs, look up the producers, 263 00:12:35,200 --> 00:12:36,400 Speaker 1: and I want to make a list of who I 264 00:12:36,440 --> 00:12:38,240 Speaker 1: want to write with and who I want to produce with. 265 00:12:39,000 --> 00:12:40,520 Speaker 2: And Paul was. 266 00:12:40,520 --> 00:12:43,280 Speaker 1: One of them. And now this list had twenty people 267 00:12:43,320 --> 00:12:46,160 Speaker 1: on it. I was obsessed with all these producers, a 268 00:12:46,160 --> 00:12:48,280 Speaker 1: lot of the same producers did like a lot of 269 00:12:48,280 --> 00:12:50,240 Speaker 1: the songs that I liked, and so it ended up 270 00:12:50,240 --> 00:12:52,640 Speaker 1: being it worked out really easily that there wasn't a 271 00:12:52,640 --> 00:12:56,440 Speaker 1: billion people, and I message all them on Instagram and 272 00:12:56,480 --> 00:12:58,720 Speaker 1: I just I shot my shot and I was just like, hey, 273 00:12:58,800 --> 00:13:01,360 Speaker 1: I love your work, like I love making music. I'm 274 00:13:01,440 --> 00:13:03,880 Speaker 1: gonna be tapping into a different music world soon, like 275 00:13:03,960 --> 00:13:06,480 Speaker 1: I would love to work with you. Pick your ear, 276 00:13:06,640 --> 00:13:09,079 Speaker 1: happy to be a part of my team. And everyone 277 00:13:09,120 --> 00:13:11,400 Speaker 1: responded like, oh, good luck, Oh have fun with that. 278 00:13:11,960 --> 00:13:14,600 Speaker 1: Paul responded and he was like, let's go, let's do this, 279 00:13:14,760 --> 00:13:16,360 Speaker 1: and so he took a meeting with me, and I 280 00:13:16,520 --> 00:13:17,480 Speaker 1: was I. 281 00:13:17,440 --> 00:13:17,880 Speaker 2: Was a baby. 282 00:13:17,880 --> 00:13:22,000 Speaker 1: I was only seventeen maybe maybe a fresh No, it 283 00:13:22,040 --> 00:13:23,760 Speaker 1: was still only seventeen because it was it was actually 284 00:13:23,760 --> 00:13:26,240 Speaker 1: it was before I came out, so that's for context, 285 00:13:26,320 --> 00:13:27,880 Speaker 1: like how early on in my life it was I 286 00:13:27,920 --> 00:13:31,720 Speaker 1: was straight. And so Paul we took he took a 287 00:13:31,760 --> 00:13:33,520 Speaker 1: call with me and he was like, look, he's like 288 00:13:33,559 --> 00:13:35,480 Speaker 1: you're a little young, but he was like I really 289 00:13:35,480 --> 00:13:36,720 Speaker 1: want to work with you. And he was like I 290 00:13:36,760 --> 00:13:39,200 Speaker 1: think you have something special and like let's freaking do this. 291 00:13:39,800 --> 00:13:41,960 Speaker 1: And we kind of just stayed in contact and then 292 00:13:42,040 --> 00:13:43,559 Speaker 1: when I signed with Columbia, they were like, who do 293 00:13:43,559 --> 00:13:44,800 Speaker 1: you want to work with? And I was like, actually, 294 00:13:44,880 --> 00:13:46,680 Speaker 1: I have I have a guy. I was like, I 295 00:13:46,720 --> 00:13:48,360 Speaker 1: want to work with this guy, Paul. Let's give him 296 00:13:48,360 --> 00:13:48,800 Speaker 1: a shot. 297 00:13:48,840 --> 00:13:50,160 Speaker 2: And Paul ended up. 298 00:13:50,120 --> 00:13:53,040 Speaker 1: Producing a bit of Karma along with Rock Mafia. Rock 299 00:13:53,040 --> 00:13:56,160 Speaker 1: Mafia started it, Paul finished it, and then Paul did 300 00:13:56,200 --> 00:14:01,959 Speaker 1: Guilty Pleasure. He he is, He's brilliant, and he gives 301 00:14:01,960 --> 00:14:04,400 Speaker 1: his two cents and his two cents and his ear 302 00:14:04,720 --> 00:14:07,240 Speaker 1: is unreal. He's done some of your favorite Gaga songs. 303 00:14:07,240 --> 00:14:09,560 Speaker 1: That's how I discovered him was through Gaga's music, and 304 00:14:09,640 --> 00:14:12,040 Speaker 1: so to have him be a part of this song 305 00:14:12,160 --> 00:14:16,200 Speaker 1: was just fascinating. And he now has like a bigger 306 00:14:16,240 --> 00:14:19,240 Speaker 1: picture play in my music world, which I'm so freaking 307 00:14:19,280 --> 00:14:22,520 Speaker 1: grateful for. But yeah, that is it's kind of the 308 00:14:22,560 --> 00:14:24,720 Speaker 1: team in the context behind the team of Karma and 309 00:14:24,760 --> 00:14:27,480 Speaker 1: the writing and the producing of the actual song. 310 00:14:27,880 --> 00:14:29,080 Speaker 2: But now back to the music video. 311 00:14:29,120 --> 00:14:31,360 Speaker 1: I've got two more things for you, and they both 312 00:14:31,480 --> 00:14:35,360 Speaker 1: are pretty freaking fascinating, So get ready for this. Five 313 00:14:35,400 --> 00:14:38,160 Speaker 1: things hidden in Guilty Pleasure. The fourth thing that is 314 00:14:38,200 --> 00:14:41,760 Speaker 1: hidden in Guilty Pleasure is that on set of the 315 00:14:41,840 --> 00:14:45,400 Speaker 1: music video. It actually was haunted. Now let me give 316 00:14:45,440 --> 00:14:47,960 Speaker 1: you some context. Let me not say that without bullshitting it, 317 00:14:48,040 --> 00:14:54,040 Speaker 1: like full transparency, This set was haunted. Wasn't until nighttime 318 00:14:54,120 --> 00:14:55,840 Speaker 1: that the people that were like, oh, by the way, 319 00:14:55,920 --> 00:14:58,040 Speaker 1: like you know, this is an iconic location, right, and 320 00:14:58,080 --> 00:15:00,440 Speaker 1: we were like, what do you mean. We're like, yeah, 321 00:15:00,440 --> 00:15:03,360 Speaker 1: this is where they filmed all the Saw movies SAW, like. 322 00:15:03,320 --> 00:15:06,600 Speaker 2: The scary movies Saw. And we were like, oh cute. 323 00:15:07,240 --> 00:15:10,640 Speaker 1: After they said that, so much freaky shit started happening. 324 00:15:10,720 --> 00:15:13,280 Speaker 1: I mean, lights going out, shit not working, Candle's Boy 325 00:15:13,400 --> 00:15:16,760 Speaker 1: like whax. So where we filmed the church stuff was 326 00:15:16,800 --> 00:15:19,840 Speaker 1: like upstairs and around a corner and like we all 327 00:15:19,840 --> 00:15:21,640 Speaker 1: thought we were gonna fall through the floor, Like it 328 00:15:21,800 --> 00:15:25,320 Speaker 1: was a little terrifying. Obviously we weren't and we were 329 00:15:25,400 --> 00:15:28,960 Speaker 1: very safe, but like, it was weird. And then get 330 00:15:29,160 --> 00:15:32,160 Speaker 1: freaking this. So if you'd watch all my BTS footage, 331 00:15:32,200 --> 00:15:35,280 Speaker 1: you'll notice that when we're in the like Zoltar booth area, 332 00:15:35,720 --> 00:15:39,840 Speaker 1: there's actually no real BTS footage, and the reason is 333 00:15:40,680 --> 00:15:43,640 Speaker 1: out of nowhere. Once it hit a certain hour, the 334 00:15:43,800 --> 00:15:46,960 Speaker 1: mic on the camera stopped working. So we have all 335 00:15:47,000 --> 00:15:49,760 Speaker 1: the footage, but there's no audience that we can't use 336 00:15:49,840 --> 00:15:51,960 Speaker 1: any of the like true bts. It's only like for 337 00:15:52,040 --> 00:15:55,560 Speaker 1: clips and stuff, and like there was no reason that 338 00:15:55,640 --> 00:15:58,200 Speaker 1: should should have happened. Like the MIC was working perfectly 339 00:15:58,280 --> 00:15:59,800 Speaker 1: fine when we left, like we used it together. The 340 00:15:59,800 --> 00:16:02,840 Speaker 1: next it was totally fine. Like nothing switch, not a 341 00:16:02,880 --> 00:16:05,560 Speaker 1: setting switched, nothing. All of a sudden when we were 342 00:16:05,560 --> 00:16:07,920 Speaker 1: filming outside, mic off like just like. 343 00:16:07,920 --> 00:16:12,640 Speaker 2: The weirdest, freakiest, like what the are the odds of that? 344 00:16:12,840 --> 00:16:15,280 Speaker 1: And there was just a lot of stuff that happened 345 00:16:15,280 --> 00:16:17,920 Speaker 1: on set where we started off with the Teddy Bears 346 00:16:18,360 --> 00:16:20,200 Speaker 1: and that was fine. It was like a little eerie, 347 00:16:20,280 --> 00:16:23,520 Speaker 1: and then construction was totally fine. It was just super hot. 348 00:16:23,560 --> 00:16:25,960 Speaker 1: It was so hot while we were filming construction stuff. 349 00:16:26,000 --> 00:16:28,280 Speaker 1: It was literally like one hundred degrees in there. It 350 00:16:28,360 --> 00:16:31,840 Speaker 1: was wild. And then when we went to church, so 351 00:16:31,880 --> 00:16:35,360 Speaker 1: our order of operations was Teddy Bear, Construction, Church, Zoltar. 352 00:16:35,960 --> 00:16:38,040 Speaker 1: And when we went to church is when it started 353 00:16:38,040 --> 00:16:41,400 Speaker 1: to get real fricking creepy. And there was this one 354 00:16:41,440 --> 00:16:44,080 Speaker 1: show that I did on Deariam the tour at the 355 00:16:44,080 --> 00:16:49,000 Speaker 1: Masonic Temple, and that show was Haunted. It's in the 356 00:16:49,000 --> 00:16:52,680 Speaker 1: Masonic Temple I believe it's in Detroit, Michigan. And essentially 357 00:16:52,760 --> 00:16:55,160 Speaker 1: the building is like one of the oldest buildings in America. 358 00:16:55,840 --> 00:16:58,280 Speaker 1: It's one hundred stories tall. Like it's this crazy building, 359 00:16:58,360 --> 00:17:00,920 Speaker 1: but it is like known to be hot. Stuff's known 360 00:17:00,960 --> 00:17:03,000 Speaker 1: to go wrong at shows, like when you're in the 361 00:17:03,080 --> 00:17:05,399 Speaker 1: dressing room, like shit's gonna happen. And like when I 362 00:17:05,560 --> 00:17:07,600 Speaker 1: tell you it was accurate, I mean we got stuck 363 00:17:07,640 --> 00:17:12,040 Speaker 1: in an elevator. We found a pool that was abandoned 364 00:17:12,280 --> 00:17:15,879 Speaker 1: in the building, like wild. Have you ever seen the 365 00:17:15,880 --> 00:17:18,120 Speaker 1: movie There's this movie called as Above So Below, and 366 00:17:18,200 --> 00:17:19,800 Speaker 1: that is what it felt like. It felt like we 367 00:17:19,800 --> 00:17:23,400 Speaker 1: were in the freaking catacombs in Paris. But this location 368 00:17:23,480 --> 00:17:26,160 Speaker 1: of filming this video was the same feeling where you're 369 00:17:26,240 --> 00:17:29,280 Speaker 1: just like something's off about this place and I don't 370 00:17:29,320 --> 00:17:30,040 Speaker 1: know what it is. 371 00:17:31,040 --> 00:17:34,600 Speaker 2: It's that same feeling, all right, everybody, We have made 372 00:17:34,640 --> 00:17:35,480 Speaker 2: it too. 373 00:17:35,600 --> 00:17:39,200 Speaker 1: Our last fun thing about Guilty Pleasure, last thing hidden 374 00:17:39,200 --> 00:17:40,440 Speaker 1: in the Guilty Pleasure music video. 375 00:17:40,920 --> 00:17:42,200 Speaker 2: If you look at. 376 00:17:41,960 --> 00:17:44,880 Speaker 1: The construction set, you will see we have all these 377 00:17:44,920 --> 00:17:45,560 Speaker 1: tools in there. 378 00:17:45,560 --> 00:17:46,920 Speaker 2: We got saws, we. 379 00:17:46,920 --> 00:17:50,280 Speaker 1: Got wood, we got hammers, we got screwdrivers, we have 380 00:17:50,320 --> 00:17:56,240 Speaker 1: electrical panels, everything in there is real except. 381 00:17:56,040 --> 00:17:57,000 Speaker 2: For our hammers. 382 00:17:57,359 --> 00:18:00,760 Speaker 1: So like this power saw only real. Be careful, don't 383 00:18:00,800 --> 00:18:03,280 Speaker 1: touch it. The electrical panels in the back were like, 384 00:18:03,359 --> 00:18:04,119 Speaker 1: do not touch them. 385 00:18:04,160 --> 00:18:06,000 Speaker 2: They are real. We are using them currently. 386 00:18:06,280 --> 00:18:08,960 Speaker 1: The wood that I'm holding fully real, fully, a real 387 00:18:09,000 --> 00:18:10,959 Speaker 1: blank wood. It wasn't supposed to be holding it at all. 388 00:18:11,000 --> 00:18:12,800 Speaker 1: I literally just thought I was like, this will be hot. 389 00:18:12,880 --> 00:18:16,360 Speaker 1: I want to hold it. But our hammers, our hammers 390 00:18:16,359 --> 00:18:18,119 Speaker 1: that we use and our hammers that we dance with 391 00:18:18,280 --> 00:18:20,919 Speaker 1: are fake. Now there's a couple of reasons for this. 392 00:18:21,000 --> 00:18:23,760 Speaker 1: Number one safety. Obviously, we should not be using a 393 00:18:23,800 --> 00:18:27,240 Speaker 1: metal heavy hammer that could hurt somebody, especially with us 394 00:18:27,560 --> 00:18:30,040 Speaker 1: dancing with them, flipping with them, being so in close 395 00:18:30,160 --> 00:18:35,080 Speaker 1: contact with each other, like you definitely want to stay safe. However, 396 00:18:36,000 --> 00:18:39,040 Speaker 1: these hammers are made out of styrofoam, so making it 397 00:18:39,160 --> 00:18:42,240 Speaker 1: look like it's a real hammer and making it feel 398 00:18:42,400 --> 00:18:45,199 Speaker 1: a little labored when you're using it. Especially when we 399 00:18:45,240 --> 00:18:49,000 Speaker 1: did the Bop Pop pop hammer flip, that was a 400 00:18:49,160 --> 00:18:53,280 Speaker 1: task in itself, like getting that to look just right, 401 00:18:53,440 --> 00:18:58,280 Speaker 1: so that way we made it believable was believe it 402 00:18:58,400 --> 00:19:01,760 Speaker 1: or not actually kind of hard. Now, am I grateful 403 00:19:01,800 --> 00:19:06,800 Speaker 1: that it was strofoam and not metal. Absolutely, but thank 404 00:19:07,520 --> 00:19:09,680 Speaker 1: god it ended up working. I could not get the 405 00:19:09,720 --> 00:19:14,120 Speaker 1: hammer flip for the longest time, I swear literally in rehearsals, 406 00:19:14,119 --> 00:19:15,800 Speaker 1: I think I did the hammer flip like twice, and 407 00:19:15,840 --> 00:19:17,879 Speaker 1: then on set I told everybody. I was like, look, 408 00:19:18,359 --> 00:19:19,919 Speaker 1: if you mess up the hammer flip, I was like, 409 00:19:19,960 --> 00:19:22,240 Speaker 1: it's totally fine. I was like, just tell me because 410 00:19:22,240 --> 00:19:24,159 Speaker 1: I don't want to finish the take and then be 411 00:19:24,359 --> 00:19:27,000 Speaker 1: editing and be like, crap, somebody dropped it, you know 412 00:19:27,000 --> 00:19:28,879 Speaker 1: what I mean, like, just tell me that way we 413 00:19:28,960 --> 00:19:29,600 Speaker 1: can fix it. 414 00:19:30,240 --> 00:19:33,320 Speaker 2: And nobody did except me. First take we did. 415 00:19:33,200 --> 00:19:34,639 Speaker 1: I dropped it and then I was like, Jojo, you 416 00:19:34,680 --> 00:19:36,719 Speaker 1: need to get your shit together. 417 00:19:37,119 --> 00:19:38,440 Speaker 2: Then I didn't drop it anymore. 418 00:19:39,119 --> 00:19:41,280 Speaker 1: There's this one time too, where somebody's hammer when we 419 00:19:41,320 --> 00:19:43,119 Speaker 1: do like the like big arm, big arm, like the 420 00:19:43,240 --> 00:19:47,639 Speaker 1: arm circles, somebody's hammer went flying and we were like, 421 00:19:47,720 --> 00:19:51,240 Speaker 1: thank god, it's fake. Thank god it's a fake, because 422 00:19:51,280 --> 00:19:55,000 Speaker 1: that thing would I mean, that would leave the mark 423 00:19:55,119 --> 00:19:57,359 Speaker 1: for sure, real hammer absolutely not. 424 00:19:57,680 --> 00:20:00,560 Speaker 2: All right, y'all. That That is. 425 00:20:00,520 --> 00:20:02,080 Speaker 1: The five things that I have hidden in the Guilty 426 00:20:02,080 --> 00:20:04,760 Speaker 1: Pleasure music video. Now, look, I'm sure there's more things. 427 00:20:04,800 --> 00:20:06,760 Speaker 1: That y'all are gonna spot kind of like my tampon 428 00:20:06,880 --> 00:20:10,760 Speaker 1: flying out and that that is on you. I truly 429 00:20:10,920 --> 00:20:14,440 Speaker 1: just cannot believe the love behind the Guilty Pleasure music video. 430 00:20:14,480 --> 00:20:17,199 Speaker 1: I mean, I wanted to make a visual and a 431 00:20:17,320 --> 00:20:21,320 Speaker 1: vision that was bigger and more dramatic than Karma could 432 00:20:21,320 --> 00:20:26,720 Speaker 1: have ever been. And I think somehow, somehow we cracked 433 00:20:26,880 --> 00:20:30,840 Speaker 1: that code and the team behind Guilty and it's unreal. 434 00:20:30,920 --> 00:20:33,320 Speaker 1: It's the same team that is behind Karma, and I'm 435 00:20:33,320 --> 00:20:36,280 Speaker 1: gonna talk about Karma next week, so stay tuned for 436 00:20:36,359 --> 00:20:36,760 Speaker 1: that one. 437 00:20:37,400 --> 00:20:38,720 Speaker 2: And it is the same team. 438 00:20:38,640 --> 00:20:42,000 Speaker 1: Behind the music video, and they truly are just the best, 439 00:20:42,080 --> 00:20:45,680 Speaker 1: most brilliant people ever me Shaw. If you haven't already 440 00:20:45,920 --> 00:20:48,080 Speaker 1: check out the Guilty Pleasure music video, you can see 441 00:20:48,119 --> 00:20:52,400 Speaker 1: it on my YouTube channel. It is it is special. 442 00:20:52,520 --> 00:20:54,399 Speaker 1: It is special. It makes you turn your head and 443 00:20:54,400 --> 00:20:56,480 Speaker 1: it makes you go, what the fuck is wrong with her? 444 00:20:56,520 --> 00:21:00,800 Speaker 2: And quite honestly, I don't know what is? And that's okay. 445 00:21:01,040 --> 00:21:01,520 Speaker 2: Something is. 446 00:21:01,560 --> 00:21:04,840 Speaker 1: I'm sure any users, I have said the word any 447 00:21:04,880 --> 00:21:07,880 Speaker 1: hoosers forty two times in the last hour. I need 448 00:21:07,880 --> 00:21:10,400 Speaker 1: to can it with the word any hoosers? 449 00:21:10,880 --> 00:21:12,840 Speaker 2: Any users? I'm gonna get out of here. 450 00:21:13,240 --> 00:21:15,520 Speaker 1: I love y'all stream my new Eve be Guilty Pleasure 451 00:21:15,640 --> 00:21:17,359 Speaker 1: five new songs. I want to know what your favorite 452 00:21:17,400 --> 00:21:20,600 Speaker 1: of the five new songs is. For me personally, I 453 00:21:20,600 --> 00:21:22,920 Speaker 1: gotta go with Balance Baby. I freaking love that song. 454 00:21:23,000 --> 00:21:26,960 Speaker 1: I can't help it. I also I like Yesterday's Tomorrow's Today. 455 00:21:26,960 --> 00:21:29,439 Speaker 1: There's something different about that song, and I've had that 456 00:21:29,520 --> 00:21:31,600 Speaker 1: idea for that song since I was fourteen, and so 457 00:21:31,680 --> 00:21:33,520 Speaker 1: like to have it finally be out. It's like, wait, 458 00:21:33,560 --> 00:21:35,240 Speaker 1: I feel like it just came up with that idea 459 00:21:36,000 --> 00:21:41,119 Speaker 1: literally yesterday. But it's out now. Go stream everything, Go 460 00:21:41,200 --> 00:21:44,040 Speaker 1: check it out. Everybody listen to music. I freaking love you. 461 00:21:44,200 --> 00:21:46,240 Speaker 1: I freaking adore you. Thank you for hanging out with me. 462 00:21:46,320 --> 00:21:47,440 Speaker 1: Thank you for listening to Josh. 463 00:21:47,600 --> 00:21:47,800 Speaker 2: Now. 464 00:21:48,000 --> 00:21:50,440 Speaker 1: Be sure you stay nice, you stay kind, you stay happy, 465 00:21:50,440 --> 00:21:52,760 Speaker 1: you stay humble, you stay positive, stay a good human, 466 00:21:52,840 --> 00:21:53,800 Speaker 1: and just have fun. 467 00:21:53,840 --> 00:21:57,400 Speaker 2: We literally only get one life. I love y'all, deuces, 468 00:21:58,119 --> 00:22:00,320 Speaker 2: Thank you so much for listening. Everybody. 469 00:22:00,320 --> 00:22:02,879 Speaker 1: Be sure to follow us on Instagram and TikTok at 470 00:22:03,000 --> 00:22:05,520 Speaker 1: Jojes You Are Now podcast. Be sure to write us 471 00:22:05,560 --> 00:22:07,879 Speaker 1: a review, and maybe if you're feeling to leave us. 472 00:22:07,920 --> 00:22:09,920 Speaker 1: Five stars i'll see you next week.