1 00:00:01,440 --> 00:00:04,040 Speaker 1: Joseph, are you ready to say goodbye? 2 00:00:05,040 --> 00:00:08,440 Speaker 2: Elana Barrak messes your right. 3 00:00:09,320 --> 00:00:11,920 Speaker 1: You and me both, baby, I mean you and me both. 4 00:00:12,520 --> 00:00:16,320 Speaker 3: We've seen one Gabriel through his highs and lows. Out 5 00:00:16,360 --> 00:00:20,520 Speaker 3: of a childhood filled with abandonment and loss, Wanga emerged 6 00:00:20,560 --> 00:00:21,880 Speaker 3: with a song in his heart. 7 00:00:22,040 --> 00:00:25,000 Speaker 4: And our boy touched the hearts of everyone around him 8 00:00:25,040 --> 00:00:27,000 Speaker 4: with his voice. Whether he was on the streets of 9 00:00:27,080 --> 00:00:31,480 Speaker 4: juad Is, slinging borritos with his mother, or doing undeserved 10 00:00:31,480 --> 00:00:32,479 Speaker 4: time inside a. 11 00:00:32,400 --> 00:00:36,080 Speaker 3: Prison cellth Wanga was in the wrong place at the 12 00:00:36,120 --> 00:00:39,839 Speaker 3: wrong time, but during his lowest low, the right person 13 00:00:39,920 --> 00:00:43,920 Speaker 3: heard his voice and carried him to stardom. 14 00:00:44,120 --> 00:00:47,400 Speaker 2: Hiki, that's the dream right, absolutely. 15 00:00:47,840 --> 00:00:48,040 Speaker 1: One. 16 00:00:48,080 --> 00:00:52,600 Speaker 3: Gabriel is the picture of rads to riches, perseverance. Anyone 17 00:00:52,640 --> 00:00:56,320 Speaker 3: who's experienced hardship can find hope in his story. He's 18 00:00:56,360 --> 00:00:58,840 Speaker 3: an ever man in glittering tassels. 19 00:00:58,640 --> 00:01:02,800 Speaker 2: The most fabulous rising from the Ashley and. 20 00:01:03,120 --> 00:01:08,000 Speaker 3: Rise he did decade after decade, selling millions of records 21 00:01:08,040 --> 00:01:12,400 Speaker 3: worldwide to become Mexico's most successful musical artist. 22 00:01:13,080 --> 00:01:15,560 Speaker 4: And at the height of Kwangat's fame, he let the 23 00:01:15,600 --> 00:01:18,240 Speaker 4: world know who he was with a wink and a smile, 24 00:01:18,520 --> 00:01:22,400 Speaker 4: and the fans stood by their man. 25 00:01:23,640 --> 00:01:26,520 Speaker 3: In two thousand, Wanga set an attendance record with a 26 00:01:26,560 --> 00:01:30,120 Speaker 3: string of shows at Mexico City's Zokalo Public Square, and 27 00:01:30,440 --> 00:01:32,560 Speaker 3: in two thousand and two he set a record for 28 00:01:32,600 --> 00:01:35,000 Speaker 3: the longest concert at seven hours. 29 00:01:35,280 --> 00:01:38,520 Speaker 4: Oh my God, like literally my abs hurt just thinking 30 00:01:38,600 --> 00:01:38,960 Speaker 4: of that. 31 00:01:39,319 --> 00:01:42,040 Speaker 2: And finally, in two thousand and six, he received the 32 00:01:42,080 --> 00:01:47,199 Speaker 2: Golden Garland and Universal Excellence Award from the King of Espana, 33 00:01:47,400 --> 00:01:49,320 Speaker 2: commemorating his thirty five year career. 34 00:01:50,080 --> 00:01:53,200 Speaker 3: But the most fitting tribute to Wanga might have come 35 00:01:53,480 --> 00:01:54,480 Speaker 3: nine years later. 36 00:01:55,080 --> 00:01:56,840 Speaker 1: That's when local Wattis. 37 00:01:56,640 --> 00:02:00,400 Speaker 3: Artist Arturo Damasco painted a mural featuring a a young 38 00:02:00,480 --> 00:02:04,080 Speaker 3: Wanga on a nine story building in the singer's hometown 39 00:02:04,320 --> 00:02:08,160 Speaker 3: on the US Mexico border, the same city where he 40 00:02:08,280 --> 00:02:12,200 Speaker 3: sang his songs and sold those famous burritos. 41 00:02:12,600 --> 00:02:17,120 Speaker 4: Okay otravez Maas says your way, I'm sorry, I'm sorry, 42 00:02:17,120 --> 00:02:19,400 Speaker 4: but you know what, You're not alone. 43 00:02:20,000 --> 00:02:22,720 Speaker 3: It was just a year later that the world would 44 00:02:22,760 --> 00:02:27,800 Speaker 3: say goodbye to one Gabriel. In The New York Times, 45 00:02:27,919 --> 00:02:31,640 Speaker 3: Kirk Semple and Elizabeth malkoln would write, it is difficult 46 00:02:31,680 --> 00:02:35,240 Speaker 3: to overstate the popularity in Mexico of One Gabriel, whose 47 00:02:35,320 --> 00:02:39,360 Speaker 3: music tapped a deeply sentimental lane in Mexican culture. His 48 00:02:39,440 --> 00:02:43,400 Speaker 3: appeal transcended regional, racial and class boundaries in an otherwise 49 00:02:43,520 --> 00:02:45,600 Speaker 3: stratified and fractured society. 50 00:02:46,000 --> 00:02:48,600 Speaker 4: His music was played at children's birthday parties and the 51 00:02:48,600 --> 00:02:52,520 Speaker 4: wedding anniversaries of retirees. It provided the soundtrack for joyous 52 00:02:52,560 --> 00:02:55,120 Speaker 4: occasions and just as much for heartbreak. 53 00:02:57,080 --> 00:03:00,280 Speaker 3: Today we're taking a closer look at the legac see 54 00:03:00,480 --> 00:03:01,240 Speaker 3: of one Gavin. 55 00:03:05,960 --> 00:03:08,400 Speaker 1: I'm your host Liliana Oscuez. 56 00:03:08,080 --> 00:03:12,400 Speaker 2: And I'm Joseph Carrio and this is Becoming an Icon. 57 00:03:12,880 --> 00:03:15,400 Speaker 3: A weekly podcast where we give you the rundown on 58 00:03:15,440 --> 00:03:19,359 Speaker 3: how today's most famous latinv stars have shaped pop culture 59 00:03:19,639 --> 00:03:21,880 Speaker 3: and given the world some extra level. 60 00:03:22,400 --> 00:03:24,680 Speaker 1: Sit back and get comfortable. 61 00:03:24,480 --> 00:03:28,400 Speaker 4: Because we are going in the only way we know how, 62 00:03:28,680 --> 00:03:31,960 Speaker 4: with whenas unassas. 63 00:03:32,720 --> 00:03:35,840 Speaker 3: And a lot of opinions as we relive their greatest 64 00:03:35,840 --> 00:03:38,960 Speaker 3: achievements on our journey to find out what makes them 65 00:03:39,000 --> 00:03:49,080 Speaker 3: so iconic. The first thing we think about when we 66 00:03:49,120 --> 00:03:52,440 Speaker 3: think about legacy, especially as latinos, is family. 67 00:03:53,000 --> 00:03:59,320 Speaker 2: Okay, but say it again, but it's time. Like Vin Diesel, family. Wait, 68 00:03:59,360 --> 00:04:00,280 Speaker 2: I thought it. 69 00:04:00,680 --> 00:04:08,000 Speaker 3: Familia anyway, moving right along, family loomed large for one 70 00:04:08,040 --> 00:04:08,760 Speaker 3: go too. 71 00:04:08,920 --> 00:04:10,080 Speaker 2: Which makes sense, right. 72 00:04:10,240 --> 00:04:13,720 Speaker 4: He never knew his biological father and things were always 73 00:04:13,760 --> 00:04:16,520 Speaker 4: complicated with his mom, and he. 74 00:04:16,560 --> 00:04:19,839 Speaker 3: Lost his mother just when his career was really taking 75 00:04:19,880 --> 00:04:23,800 Speaker 3: off in nineteen seventy four, which understandably had a major 76 00:04:23,880 --> 00:04:27,840 Speaker 3: impact on him. According to hardcore one gu fans, one 77 00:04:27,880 --> 00:04:31,640 Speaker 3: of his most beloved songs, Amoreno, was written in honor 78 00:04:31,760 --> 00:04:32,360 Speaker 3: of his mom. 79 00:04:32,960 --> 00:04:38,440 Speaker 4: Am damn, that's all I'm gonna sing, look at you? 80 00:04:39,640 --> 00:04:40,000 Speaker 2: I try. 81 00:04:40,520 --> 00:04:43,359 Speaker 3: And when he actually performs that song for his album 82 00:04:43,480 --> 00:04:46,360 Speaker 3: at the Palacio de bees Atis in Mexico in nineteen ninety, 83 00:04:46,720 --> 00:04:51,120 Speaker 3: he actually dedicates the song to all the mothers in 84 00:04:51,240 --> 00:04:54,960 Speaker 3: the audience. I almost cried watching that performance on YouTube, 85 00:04:55,000 --> 00:04:58,400 Speaker 3: Like as a mom, I was like, will Santi love. 86 00:04:58,360 --> 00:04:59,159 Speaker 1: Me this much? 87 00:05:00,000 --> 00:05:00,760 Speaker 2: Oh my god? 88 00:05:02,279 --> 00:05:05,880 Speaker 3: All right, So we know that Guanga was never ashamed 89 00:05:05,920 --> 00:05:08,120 Speaker 3: of his humble beginnings. Around the same time that his 90 00:05:08,160 --> 00:05:11,520 Speaker 3: mother passed away, he started making monthly donations of twenty 91 00:05:11,560 --> 00:05:14,440 Speaker 3: five thousand dollars to an orphanage. 92 00:05:15,080 --> 00:05:19,880 Speaker 2: In seventies money honey, that is a lot of Netflix subscriptions. 93 00:05:20,240 --> 00:05:22,800 Speaker 3: He also adopted a twelve year old boy from the 94 00:05:22,839 --> 00:05:27,680 Speaker 3: same orphanage and gave him his own name, Alberto Aguilera Junior. 95 00:05:28,320 --> 00:05:30,760 Speaker 2: What bury the lead much? Oh? 96 00:05:31,000 --> 00:05:32,560 Speaker 1: That is just the beginning. 97 00:05:33,080 --> 00:05:36,520 Speaker 3: Did you know that Juan Gabriel was an early pioneer 98 00:05:36,600 --> 00:05:40,280 Speaker 3: in vitro fertilization or IVF something I know way too 99 00:05:40,360 --> 00:05:40,839 Speaker 3: much about. 100 00:05:40,960 --> 00:05:45,279 Speaker 4: We shut your butt, Okay, explain all right, Okay, So here's. 101 00:05:45,120 --> 00:05:45,600 Speaker 2: How it goes. 102 00:05:45,920 --> 00:05:48,920 Speaker 3: Sojan Gabriel didn't want to go on without ever knowing 103 00:05:49,080 --> 00:05:52,000 Speaker 3: what it was like to father a child, so he 104 00:05:52,120 --> 00:05:57,560 Speaker 3: approached his best friend's sister, Laua Salas about artificial insemination. 105 00:05:58,120 --> 00:06:01,920 Speaker 3: So the two agreed to under go the procedure completely 106 00:06:02,000 --> 00:06:05,400 Speaker 3: out of the public eye, and so in nineteen eighty eight, 107 00:06:05,720 --> 00:06:07,520 Speaker 3: Ivan Gabriel was born. 108 00:06:09,440 --> 00:06:10,839 Speaker 1: Huh, I know, I know, I know. 109 00:06:10,880 --> 00:06:13,920 Speaker 3: Hold on, guys, we need to give Joseph a small 110 00:06:14,000 --> 00:06:16,840 Speaker 3: break to process all of this new information. 111 00:06:17,080 --> 00:06:18,360 Speaker 1: We will hold for you. 112 00:06:20,279 --> 00:06:24,520 Speaker 4: Like somebody gave me some juice or something. Okay, wow, okay, 113 00:06:24,560 --> 00:06:29,040 Speaker 4: So before Ricky Martin, before Sir Elton John, before Phoebe 114 00:06:29,080 --> 00:06:30,279 Speaker 4: from Friends. 115 00:06:30,040 --> 00:06:30,800 Speaker 2: Before Beyonce. 116 00:06:31,320 --> 00:06:35,680 Speaker 4: Okay, just kidding, Juan Gabriel had a baby with a Syracuse. 117 00:06:35,920 --> 00:06:41,640 Speaker 3: You're such a shady fucker, And the answer is yes. 118 00:06:42,320 --> 00:06:46,720 Speaker 3: Our man was a pioneer in many ways, and once 119 00:06:46,760 --> 00:06:50,000 Speaker 3: his dream of fatherhood came true, he decided to adopt 120 00:06:50,120 --> 00:06:53,760 Speaker 3: three more children from the same orphanage he'd been supporting 121 00:06:53,839 --> 00:07:00,719 Speaker 3: for years, Juan Gabriel, Joa n Hans Gabriel, and Jean 122 00:07:01,520 --> 00:07:03,320 Speaker 3: Gabriel Aguilera Salles. 123 00:07:03,520 --> 00:07:06,800 Speaker 4: Oh my god, all of these same names. They all 124 00:07:06,839 --> 00:07:10,880 Speaker 4: sound like Juangabriel. But anyways, that sounds like one big, 125 00:07:11,040 --> 00:07:12,720 Speaker 4: happy family, right. 126 00:07:13,040 --> 00:07:17,680 Speaker 3: Well, that's the sad part. Tragedy touched his family in 127 00:07:17,760 --> 00:07:21,640 Speaker 3: twenty twelve. His grandson died of a drug overdose. After 128 00:07:21,680 --> 00:07:25,960 Speaker 3: that one, Gabriel and his eldest Alberto, grew distant, and 129 00:07:26,160 --> 00:07:29,520 Speaker 3: that's without even getting into all the current legal drama 130 00:07:29,640 --> 00:07:35,760 Speaker 3: between the kids. Bad hurts Wanga also went through so 131 00:07:35,880 --> 00:07:38,400 Speaker 3: much pain early in his life, and that's probably what 132 00:07:38,480 --> 00:07:40,960 Speaker 3: he saw in Alberto Junior at the orphanage. 133 00:07:41,000 --> 00:07:44,920 Speaker 1: He gave him his own name after all, and listen, 134 00:07:45,120 --> 00:07:45,840 Speaker 1: as high as. 135 00:07:45,760 --> 00:07:49,360 Speaker 3: You can fly, no one leaves all of that behind 136 00:07:49,760 --> 00:08:02,760 Speaker 3: without a scar or two. It's August twenty sixth, twenty sixteen. 137 00:08:03,240 --> 00:08:06,360 Speaker 3: The Forum, which seats seventeen and a half thousand people 138 00:08:06,640 --> 00:08:09,480 Speaker 3: is packed, and so was a three hundred and sixty 139 00:08:09,480 --> 00:08:12,520 Speaker 3: degree stage in the middle of the crowd. An eighty 140 00:08:12,560 --> 00:08:17,040 Speaker 3: piece ensemble including fifty Mariacci and orchestral musicians, ten singers, 141 00:08:17,080 --> 00:08:22,160 Speaker 3: twenty dancers all wow the roaring crowd with just one 142 00:08:22,240 --> 00:08:23,680 Speaker 3: man at the center of it. 143 00:08:23,640 --> 00:08:28,600 Speaker 4: All one man in fabulous blue mariachi attire, sitting on 144 00:08:28,640 --> 00:08:31,400 Speaker 4: a throne with lines on the armrest. 145 00:08:32,320 --> 00:08:37,280 Speaker 3: This is the third stop on Juandabrie's Mexico Estol Gool Tour, 146 00:08:37,640 --> 00:08:40,720 Speaker 3: a twenty two date sprint through the US with knights 147 00:08:40,720 --> 00:08:45,400 Speaker 3: in Vegas, Miami, Dallas, and Brooklyn Barclays Center. 148 00:08:45,480 --> 00:08:47,600 Speaker 2: Baby, you might. 149 00:08:47,440 --> 00:08:51,160 Speaker 3: Call it a victory lap because earlier that year he 150 00:08:51,240 --> 00:08:54,800 Speaker 3: had won Top Latin Album at the Billboard Music Awards. 151 00:08:54,840 --> 00:08:58,640 Speaker 3: For Billboard, grise Leflores wrote he didn't waste any minute 152 00:08:58,640 --> 00:09:00,920 Speaker 3: of the night and started off with some of his classics, 153 00:09:01,120 --> 00:09:09,199 Speaker 3: including asifue Ino sent and Costumbres. The latter included a 154 00:09:09,280 --> 00:09:12,920 Speaker 3: homage to the late Spanish singer Rossilla Lurgal, whose photo 155 00:09:12,960 --> 00:09:15,719 Speaker 3: appeared on the screen while Gabriel sang his track made 156 00:09:15,800 --> 00:09:21,960 Speaker 3: popular by Urgal. My Heart Wanga also kept up with 157 00:09:22,000 --> 00:09:26,440 Speaker 3: the times inviting Colombian Reggaetndo Sona Prieta on stage for 158 00:09:26,520 --> 00:09:30,079 Speaker 3: a modernized take on Noe Neto, and he even did 159 00:09:30,080 --> 00:09:32,280 Speaker 3: a Credence Clearwater Revival cover. 160 00:09:32,880 --> 00:09:36,120 Speaker 2: Wow, our boy is just always full of surprises. 161 00:09:36,240 --> 00:09:38,400 Speaker 3: Well, when you're touring the US, you got to throw 162 00:09:38,440 --> 00:09:40,600 Speaker 3: one out for the classic rock deals in the crowd. 163 00:09:42,280 --> 00:09:45,880 Speaker 3: After an incredible setlist touring through past and present, Wangat 164 00:09:45,960 --> 00:09:48,839 Speaker 3: closed with his earliest hit and Noa Noah. 165 00:09:49,559 --> 00:09:53,200 Speaker 1: No no no so cud. 166 00:09:53,520 --> 00:09:54,440 Speaker 2: I was going to do that. 167 00:09:54,720 --> 00:09:56,600 Speaker 3: I mean, you can't not sing it, and as the 168 00:09:56,679 --> 00:09:59,200 Speaker 3: music faded, the crowd was left with the message on 169 00:09:59,480 --> 00:10:04,040 Speaker 3: towering screens saying congratulations to all the people that are 170 00:10:04,120 --> 00:10:05,720 Speaker 3: proud to be who they are. 171 00:10:06,440 --> 00:10:09,760 Speaker 4: Okay, seriously, how many times are you going to make 172 00:10:09,800 --> 00:10:10,360 Speaker 4: me cry to day? 173 00:10:10,440 --> 00:10:11,200 Speaker 2: You'd better stop. 174 00:10:11,400 --> 00:10:13,120 Speaker 1: We're almost done, I promise. 175 00:10:14,520 --> 00:10:18,040 Speaker 3: After his incredible show at the Forum One, Gabriel returned 176 00:10:18,040 --> 00:10:21,160 Speaker 3: to a beachside apartment he owned in Santa Monica to 177 00:10:21,240 --> 00:10:24,480 Speaker 3: rest up for his next show in your Hometown Joseph 178 00:10:24,880 --> 00:10:30,120 Speaker 3: el Paso, Texas, a city that shares a border with 179 00:10:30,200 --> 00:10:34,520 Speaker 3: his hometown of What Is. But tragically, Wanga would never 180 00:10:34,559 --> 00:10:38,880 Speaker 3: make it to that show On Sunday, August twenty eighth, 181 00:10:39,040 --> 00:10:43,160 Speaker 3: eleven seventeen Pacific time, one, Gabriel passed away due to 182 00:10:43,280 --> 00:10:48,000 Speaker 3: acute myocardial failure, the very morning before he was set 183 00:10:48,040 --> 00:10:50,320 Speaker 3: to take the stage for a hometown crowd. 184 00:10:50,640 --> 00:10:54,920 Speaker 1: He was only sixty six years old. My godh too young, 185 00:10:55,200 --> 00:10:55,800 Speaker 1: too soon. 186 00:10:56,080 --> 00:10:58,120 Speaker 2: Do you remember where you were when you heard the news. 187 00:10:59,080 --> 00:11:02,840 Speaker 3: I don't remember exactly where I was, But what really 188 00:11:03,200 --> 00:11:07,760 Speaker 3: surprised me was kind of the title wave of post 189 00:11:07,880 --> 00:11:12,320 Speaker 3: on social media about him, because let's just say, like, 190 00:11:12,480 --> 00:11:15,600 Speaker 3: my audience is really varied, right, Like I have all 191 00:11:15,720 --> 00:11:18,200 Speaker 3: kinds of people that I follow and that follow me, 192 00:11:18,840 --> 00:11:21,880 Speaker 3: and Wan Gabriel isn't an artist or a conversation that 193 00:11:21,920 --> 00:11:24,120 Speaker 3: I'm having a lot on social or that people are 194 00:11:24,160 --> 00:11:24,720 Speaker 3: citing on. 195 00:11:24,640 --> 00:11:27,440 Speaker 1: Social But what was crazy is all of. 196 00:11:27,320 --> 00:11:30,240 Speaker 3: My feed was Wan Gabriel, And I was like, wait 197 00:11:30,240 --> 00:11:32,880 Speaker 3: a second, I'm not the only one got fan. 198 00:11:33,000 --> 00:11:34,800 Speaker 1: Like all of these people who I never. 199 00:11:34,679 --> 00:11:38,040 Speaker 3: Suspected liked his music, grew up with his music, were 200 00:11:38,040 --> 00:11:38,840 Speaker 3: then sharing it. 201 00:11:39,120 --> 00:11:41,280 Speaker 1: And I thought that just goes to show you the 202 00:11:41,400 --> 00:11:42,199 Speaker 1: power of. 203 00:11:42,320 --> 00:11:47,080 Speaker 3: His impact and how wide his legacy reached to this day. 204 00:11:47,400 --> 00:11:48,680 Speaker 1: Yeah, where were do you remember? 205 00:11:48,960 --> 00:11:50,200 Speaker 2: You know? What I don't. 206 00:11:50,320 --> 00:11:53,719 Speaker 4: I don't, but I just remember that the SECA is 207 00:11:53,760 --> 00:11:56,440 Speaker 4: the DM day, like the Independence. I remember it being 208 00:11:56,480 --> 00:11:59,319 Speaker 4: all like Huanghi's stuff. So it was just kind of 209 00:11:59,320 --> 00:12:01,800 Speaker 4: like almost a month after he died and it was 210 00:12:01,840 --> 00:12:03,520 Speaker 4: all flungy. So I just kind of remember there was 211 00:12:03,559 --> 00:12:05,160 Speaker 4: a lot of tributes and all that stuff because I 212 00:12:05,200 --> 00:12:07,720 Speaker 4: partied in Quatus and I remember that, but I didn't 213 00:12:07,760 --> 00:12:09,560 Speaker 4: remember like he died in August, or I didn't have 214 00:12:09,600 --> 00:12:10,640 Speaker 4: that type of recollection. 215 00:12:10,920 --> 00:12:11,120 Speaker 2: Yeah. 216 00:12:11,160 --> 00:12:14,520 Speaker 3: I think for me, it was seeing so many social 217 00:12:14,559 --> 00:12:16,920 Speaker 3: posts and the fact that it was trending on now 218 00:12:17,000 --> 00:12:20,800 Speaker 3: Expec then Twitter just made me think, wow, like his 219 00:12:21,320 --> 00:12:23,840 Speaker 3: impact is huge, like it's global and people are talking 220 00:12:23,880 --> 00:12:25,840 Speaker 3: about it. And it made me so happy because it 221 00:12:25,880 --> 00:12:27,800 Speaker 3: took me back to my grandma. His music always takes 222 00:12:27,800 --> 00:12:29,560 Speaker 3: me back to my grandmother, and I had lost my 223 00:12:29,559 --> 00:12:32,440 Speaker 3: grandmother the year before, and so I think for me, 224 00:12:32,520 --> 00:12:34,280 Speaker 3: it was just like a really nice way to like 225 00:12:34,520 --> 00:12:38,520 Speaker 3: relive that moment where I saw her really enjoying music 226 00:12:38,600 --> 00:12:41,560 Speaker 3: as it was meant to be enjoyed, right, Like it 227 00:12:41,600 --> 00:12:44,520 Speaker 3: wasn't about church, it wasn't about praise or faith or prayer. 228 00:12:44,720 --> 00:12:47,520 Speaker 3: It was just music to have fun and dance and 229 00:12:47,600 --> 00:12:51,120 Speaker 3: sing and feel for yourself. So it was that I 230 00:12:51,120 --> 00:12:54,400 Speaker 3: think that really made me kind of like smile after 231 00:12:54,440 --> 00:12:56,679 Speaker 3: I dealt with all of my sadness and the loss. 232 00:12:57,160 --> 00:13:02,520 Speaker 4: Quemgabride's Mexi Costolo tour was tragically cut short, but his 233 00:13:02,600 --> 00:13:03,640 Speaker 4: legacy would live on. 234 00:13:13,200 --> 00:13:17,920 Speaker 3: The funeral for guan Gabriel was an event of public mourning. Impersonators, 235 00:13:18,040 --> 00:13:21,319 Speaker 3: dancers and admirers gathered from the Palacio de Bellas Artis, 236 00:13:21,360 --> 00:13:24,320 Speaker 3: where Wanga recorded his first live album, to the historic 237 00:13:24,360 --> 00:13:26,800 Speaker 3: center of Mexico City to say goodbye. 238 00:13:27,520 --> 00:13:31,040 Speaker 4: Wreaths of flowers adorned the steps of the palace, gifts 239 00:13:31,080 --> 00:13:33,360 Speaker 4: from the President of Mexico and from close friends of 240 00:13:33,440 --> 00:13:36,600 Speaker 4: Guanga such as singer Luis Migue. People lined up by 241 00:13:36,640 --> 00:13:39,800 Speaker 4: the thousands to view the artist's ashes, which had arrived 242 00:13:39,800 --> 00:13:41,360 Speaker 4: from sid al Fads. 243 00:13:41,320 --> 00:13:42,880 Speaker 1: Around five in the afternoon. 244 00:13:43,120 --> 00:13:46,679 Speaker 3: Ivan Gabriel Aguilera Salas placed his father's urn on a 245 00:13:46,679 --> 00:13:50,160 Speaker 3: pedestal in the palace lobby, engraved with the image of 246 00:13:50,200 --> 00:13:51,640 Speaker 3: the Virgen Reguadalupe. 247 00:13:52,400 --> 00:13:56,000 Speaker 4: The initials AA V were engraved in curse of lettering. 248 00:13:56,360 --> 00:13:59,880 Speaker 4: Quangabrie's birth name, Alberto Aguilera blades. 249 00:14:01,360 --> 00:14:03,920 Speaker 3: In a tribute that was broadcast across the country, the 250 00:14:03,960 --> 00:14:07,319 Speaker 3: Mexican tenor Fernando de la Mora, along with Wanga's backing 251 00:14:07,360 --> 00:14:13,000 Speaker 3: band Madiacimitiere, performed Amore Terno, the song Juangabriel had dedicated 252 00:14:13,080 --> 00:14:15,480 Speaker 3: to all the mothers in attendance at the very same 253 00:14:15,640 --> 00:14:17,959 Speaker 3: by Lacio de Bellas Artes decades prior. 254 00:14:18,720 --> 00:14:23,120 Speaker 4: The tributes continued with performances from Ida Cuevas, Lucia Mendez 255 00:14:23,160 --> 00:14:27,320 Speaker 4: and Daniella Romo, who had all collaborated with pugabrid La 256 00:14:27,400 --> 00:14:31,440 Speaker 4: Sonora Santana, a musica tropical orchestra had been a mainstay 257 00:14:31,440 --> 00:14:34,200 Speaker 4: in Mexico since the nineteen sixties, also played for the 258 00:14:34,280 --> 00:14:34,920 Speaker 4: Lake Gungas. 259 00:14:35,960 --> 00:14:38,920 Speaker 3: One hundred and thirty thousand what Insists gathered around his 260 00:14:38,960 --> 00:14:42,480 Speaker 3: house to mourn together, and years later they still celebrate 261 00:14:42,560 --> 00:14:45,280 Speaker 3: him on the anniversary of his passing by gathering around 262 00:14:45,280 --> 00:14:47,560 Speaker 3: his house, which is now cared for by a fan 263 00:14:47,720 --> 00:14:50,120 Speaker 3: whom Wuanga had met at one of his concerts and 264 00:14:50,160 --> 00:14:52,920 Speaker 3: whom he personally asked to take care of his house. 265 00:14:53,280 --> 00:14:58,960 Speaker 2: As say it again, Haiqi, the dream also take a shot. 266 00:14:59,000 --> 00:15:03,280 Speaker 3: I'm crying again, Okay, we are definitely listening to Wanga 267 00:15:03,440 --> 00:15:04,360 Speaker 3: when We're done here. 268 00:15:04,800 --> 00:15:08,520 Speaker 2: Followed by Huanga Karaoke Nothing Better. 269 00:15:10,040 --> 00:15:14,320 Speaker 3: Five years after One Gabriel's death, Roberto Jose Andrade Franco 270 00:15:14,360 --> 00:15:17,280 Speaker 3: would ride in Rolling Stone of the singer's relationship to 271 00:15:17,360 --> 00:15:18,080 Speaker 3: his hometown. 272 00:15:19,280 --> 00:15:21,520 Speaker 1: Even if this is a different what is than the 273 00:15:21,520 --> 00:15:22,840 Speaker 1: one Wan Gabrielle grew up in. 274 00:15:23,240 --> 00:15:26,720 Speaker 3: Even if he's not physically here, his presence remains. 275 00:15:27,280 --> 00:15:29,680 Speaker 2: He's still the one who made it out and never 276 00:15:29,720 --> 00:15:30,360 Speaker 2: forgot where he. 277 00:15:30,360 --> 00:15:33,480 Speaker 3: Came from, The one who, in doing that, made the 278 00:15:33,480 --> 00:15:37,560 Speaker 3: goals and dreams of everyone here that much more realistic. 279 00:15:38,160 --> 00:15:41,360 Speaker 4: The one who told everyone who'd listened that even if 280 00:15:41,400 --> 00:15:44,080 Speaker 4: pain and hurt were part of life, it was also 281 00:15:44,240 --> 00:15:45,960 Speaker 4: full of beauty and wonder. 282 00:15:46,320 --> 00:15:49,280 Speaker 3: The one whose songs on days like these mournful anniversaries 283 00:15:49,480 --> 00:15:53,000 Speaker 3: come from what sounds like every part of the city, 284 00:15:55,040 --> 00:15:58,000 Speaker 3: even without the accolades, which, just. 285 00:15:58,040 --> 00:16:02,000 Speaker 4: For the record seeks Grammy Noma Nations, three posthumous wins, 286 00:16:02,160 --> 00:16:05,280 Speaker 4: an induction into the Billboard Latin Music Hall of Fame, 287 00:16:05,960 --> 00:16:09,160 Speaker 4: four number one albums on the Billboard Latin Chart, over 288 00:16:09,240 --> 00:16:11,920 Speaker 4: a hundred million album sold. 289 00:16:12,320 --> 00:16:17,080 Speaker 3: It would be a massive understatement to call One Gabriel 290 00:16:17,320 --> 00:16:19,520 Speaker 3: one of the Latin world's biggest icons. 291 00:16:19,800 --> 00:16:22,680 Speaker 2: He's once in a generation icon. 292 00:16:22,920 --> 00:16:28,000 Speaker 3: Stats, but like the kind of icon that every generation needs. 293 00:16:28,760 --> 00:16:32,720 Speaker 3: I think one of my favorite quotes on Wangabriel's legacy 294 00:16:32,880 --> 00:16:35,840 Speaker 3: is from Gustavo Ariano. He's the author of the syndicated 295 00:16:35,880 --> 00:16:39,800 Speaker 3: column Asca Mexican in the La Times. He wrote, Mexican 296 00:16:39,840 --> 00:16:43,640 Speaker 3: boys are taught to ridicule Wangabriel, Mexican men learn to 297 00:16:43,680 --> 00:16:48,440 Speaker 3: respect the legend. He redefined masculinity as only a sequence 298 00:16:48,480 --> 00:16:52,640 Speaker 3: and silk loving man could. But Wanga's truest legacy is 299 00:16:52,680 --> 00:16:56,720 Speaker 3: not his music. It's what he represented personal freedom. 300 00:16:57,120 --> 00:17:02,880 Speaker 4: Like living authentically your health is so so so hard, 301 00:17:03,360 --> 00:17:06,520 Speaker 4: and we got to see him do it. 302 00:17:06,960 --> 00:17:09,240 Speaker 1: He did the thing, he. 303 00:17:09,280 --> 00:17:11,159 Speaker 2: Did the thing he came to live his life. 304 00:17:11,200 --> 00:17:13,440 Speaker 3: And I think what's amazing is that when you look 305 00:17:13,560 --> 00:17:15,840 Speaker 3: back at the time when these songs came out, like 306 00:17:16,359 --> 00:17:19,760 Speaker 3: we are the children of the people that Wangabrielle was 307 00:17:19,880 --> 00:17:23,800 Speaker 3: writing for performing for. You know, that was his generation 308 00:17:24,040 --> 00:17:29,920 Speaker 3: and it's our generation that has really taken advantage and 309 00:17:30,359 --> 00:17:35,440 Speaker 3: been able to use his declaration of freedom and independence 310 00:17:35,440 --> 00:17:38,280 Speaker 3: of living authentically to our best interests, right like we 311 00:17:38,400 --> 00:17:40,760 Speaker 3: are that generation. It wasn't our parents. Our parents couldn't 312 00:17:40,760 --> 00:17:43,640 Speaker 3: do this shit. We barely did it. And then our 313 00:17:43,760 --> 00:17:47,840 Speaker 3: kids are gonna like live, you know, especially as Latinos. 314 00:17:48,119 --> 00:17:50,200 Speaker 4: Well, my kid isn't going to live. My plans aren't 315 00:17:50,200 --> 00:17:52,880 Speaker 4: going to live. They're going to live authentically. Okay, don't 316 00:17:52,960 --> 00:17:53,280 Speaker 4: judge me. 317 00:17:56,240 --> 00:18:00,280 Speaker 3: An icon like Wanga lives on in his music just 318 00:18:00,320 --> 00:18:02,199 Speaker 3: a few blocks from his nine story mural, and what 319 00:18:02,400 --> 00:18:05,040 Speaker 3: is a statue of him bears an inscription that reads 320 00:18:05,640 --> 00:18:09,720 Speaker 3: miandras a Juan Gabriel vividra. 321 00:18:11,320 --> 00:18:14,640 Speaker 4: As long as someone keeps singing my songs, Juan Gabriel 322 00:18:14,760 --> 00:18:15,840 Speaker 4: will live forever. 323 00:18:22,680 --> 00:18:25,120 Speaker 3: Join us right here next week as we dive into 324 00:18:25,160 --> 00:18:27,640 Speaker 3: the story of another icon. 325 00:18:27,880 --> 00:18:31,680 Speaker 2: The Queen of Salsa curself seen Groups. 326 00:18:32,800 --> 00:18:35,000 Speaker 3: Thanks for listening, and we'll catch you here next week 327 00:18:35,119 --> 00:18:43,199 Speaker 3: on becoming an Icon. Becoming an Icon is presented by 328 00:18:43,240 --> 00:18:48,000 Speaker 3: Sonoo and Iheart's Michael Guda podcast Network. Listen to Becoming 329 00:18:48,000 --> 00:18:50,720 Speaker 3: an Icon on the iHeartRadio app, Apple 330 00:18:50,760 --> 00:18:53,560 Speaker 1: Podcast, or wherever you get your podcast