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Speaker 1: All right, what's up. My name is Michael Rapport. You

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Speaker 1: are now listening to the Iron Rapp Reports stereo podcast

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Speaker 1: and you could only hear it here first. Okay, we

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Speaker 1: got it here. We have the official album review of

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Speaker 1: the artist named Zoe a k a Alonzo Bowls first

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Speaker 1: record Born to Ball. We have the full listening party

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Speaker 1: and full review coming up on an Iron rapp Reports

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Speaker 1: Stereo podcast. Plus, we have so much drama in the NBA,

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Speaker 1: so many crazy things are going on in the world,

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Speaker 1: and we have special guests. Okay, Clint Bowyer, NASCAR racer.

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Speaker 1: He's racing in the sixty running of the Daytone of

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Speaker 1: five on February eighteen. Let me tell you something. This

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Speaker 1: isn't the normal Iron Rapports Stereo podcast interview, but Clint

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Speaker 1: Bowyer came, Saw conquered. My name is Michael Rappaport. You

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Speaker 1: were now rocking with the best Miles Jordan's. Let me

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Speaker 1: get something really really funky NBA All Star Weekend. I

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Speaker 1: am wrapping ports stereo podcast. Let's go. There's one event

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Speaker 1: that I'm looking forward to. Rough and Rowdy presented by

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Speaker 1: Barstool Sports. This is forty very amateur boxing matches starting

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Speaker 1: hours from West Virginia. Well worth the price of admission.

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Speaker 1: Remember the thrill you got from a fight back when

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Speaker 1: you were a kid. Take that, Put it in front

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Speaker 1: of thousands of rednecks thirsty for blood, and lace up

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Speaker 1: the gloves for the most unique production that you'll ever

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Speaker 1: see on the screen. All commentated by l Prez Dave Portnoy.

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Speaker 1: In the main event, hailing from bar Stools Heartland, the

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Speaker 1: twenty dollar chef himself, Sean Latham, I was looking to

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Speaker 1: make a name for himself by taking on one of

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Speaker 1: New York's barstool guys hand jobs. Smitty, Rough and Rowdy

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Speaker 1: Too is available online tonight for only fIF You do

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Speaker 1: not want to miss this. A whole lot of ass

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Speaker 1: kicking is going down. All right, We are back ce

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Speaker 1: Iron Rapports Stereo podcast coming live and direct from the

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Speaker 1: Los Angeles Gloom Tomb Studios. My name is Michael Rapport.

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Speaker 1: I'm in here with G. Moody, who was last name

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Speaker 1: rhymes with duty all day Uh. I've been asked a

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Speaker 1: few times recently what inspired the name Gloom to him?

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Speaker 1: Now we've talked about it on this year award winning

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Speaker 1: worldwide phenomenon podcast, the Iron rapp Reports Stereo Podcast. Um.

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Speaker 1: But Mr Moody used to live in a apartment, ground

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Speaker 1: floor apartment, small apartment, but classy, classy, nice um. And

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Speaker 1: we used to have little parties over there, and it was,

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Speaker 1: you know, we would sort of set the vibe, you know,

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Speaker 1: very dark red lights. You know, we'd have like, I

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Speaker 1: don't know, ten fifteen people. They were a really part

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Speaker 1: of They were like little look get together as people

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Speaker 1: would come over and drink and smoke marijuana. And Mr

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Speaker 1: Moody would be at the helms of the of the turntables.

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Speaker 1: And I believe I'll take credit for naming the old

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Speaker 1: apartment the gloom tom Am, I am, I right, absolutely correct.

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Speaker 1: We had some good people passed through there. It was

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Speaker 1: always legends, always legends passed through. Um. But that inspired

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Speaker 1: uh the name the gloom Tomb from Mr Moody's old apartment. Uh.

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Speaker 1: And then when we started this year Iron Reports Stereo podcast,

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Speaker 1: we we took that name. Uh and and the Iron

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Speaker 1: Reports Stereo podcast studios are called the Gloom to Yes. So,

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Speaker 1: as I said earlier, this is gonna be another fantastic

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Speaker 1: episode of the Iron Wrap Reports Stereo podcast. Um, me

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Speaker 1: and Moody are gonna do our thing. All Star Weekend,

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Speaker 1: NBA All Star Weekend is happening here in Los Angeles. Uh,

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Speaker 1: many different events. I've been part of the festivities for years. Uh.

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Speaker 1: You can only party so much. These parties are not

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Speaker 1: for the meek. They are not for the meet is.

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Speaker 1: People go fucking hard at these parties. I'm looking for

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Speaker 1: some uh you know, meet and greets to say hello,

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Speaker 1: not official meeting greets. Uh, God forbid, I did an

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Speaker 1: official meeting greet, like like a Lonzo Bull, who we're

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Speaker 1: gonna get to who's doing a hundred and nine dollar autograph?

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Speaker 1: You can meet and greet a lonzoo, but you can't

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Speaker 1: take pictures for a hundred and nine bucks. And I

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Speaker 1: think that Anzo Ball what he should do, and we're

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Speaker 1: gonna get to him in his c D Born to Ball.

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Speaker 1: We are doing the uh the full release party slash

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Speaker 1: Iron Reports, Stereo podcast review. But what I suggest a

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Speaker 1: Lonzo Ball does is he signs some of his own stuff,

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Speaker 1: puts it away somewhere in case things go awry, you know,

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Speaker 1: and then he could put it up on the internet, like,

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Speaker 1: oh I got this rare Alonzo ball T shirt from

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Speaker 1: two thousand eighteen, uh when he was stole on the Lakers,

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Speaker 1: or you know, Oh, I got practice jersey from his

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Speaker 1: first season on the Lakers before he got traded to

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Speaker 1: I don't know Orlando. Uh, you know, those kinds of things.

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Speaker 1: Because the way things are going, that could that could happen.

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Speaker 1: He could also wind up staying in l a and

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Speaker 1: have a fantastic career. Who the hell knows, who the

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Speaker 1: hell knows. We're gonna get to the full review of

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Speaker 1: Born to Ball by Zoe that's his MC name, because

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Speaker 1: you can't just be a Lonzo boy. You gotta have

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Speaker 1: a and M he need. What would I even start?

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Speaker 1: I was talking to All Star Weekend? What was I

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Speaker 1: even saying about All Star weeking about all all the

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Speaker 1: events and and oh it's NonStop events here, comedy clubs here,

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Speaker 1: four or five, six, seven, eight nine, ten, literally parties

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Speaker 1: a night. You run into the same people over and

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Speaker 1: over and over. I'll be making my way so a

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Speaker 1: couple of these events. Snoop Dogg is hosting the first

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Speaker 1: ever only Rappers, Only Rappers basketball game. Um, I'm gonna

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Speaker 1: go there and moderate that he wanted me to give

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Speaker 1: it a Rutger park Field. So I think what he

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Speaker 1: meant by that is to talk shit. Just talk it

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Speaker 1: as much as as much as you want, commentate, to

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Speaker 1: play and and and talk shit. Um. So, so I'm

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Speaker 1: looking forward to that. Kenny Smith, I don't even know

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Speaker 1: how long he's been doing. It's gotta be at least

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Speaker 1: twenty years now. Kenny Smith has been having his party,

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Speaker 1: which is a fun party. You're going to that? I

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Speaker 1: think I'm gonna go to that. Uh you do some

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Speaker 1: of these places they say come suited and booted. Now,

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Speaker 1: I can't get suited and booted. It's not happening. I'm

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Speaker 1: not getting suited and booted unless it's a fucking funeral

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Speaker 1: and not on wood. I don't have any funerals to

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Speaker 1: go to. I'm not wearing hard shoes to anything anything.

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Speaker 1: I don't even wear hard shoes to red carpet events.

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Speaker 1: From my own red carpet. I wear new ballots, I

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Speaker 1: wear sneakers, suited and booted. I'm not wearing a suit. No,

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Speaker 1: maybe a collared shirt and some jeans, that's it, and

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Speaker 1: some fucking sneakers. Um, because you know, they they don't

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Speaker 1: want any riff raff because there's so many. The trek

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Speaker 1: of the West coast, the Midwest, and some from the

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Speaker 1: East coast all converges to law Saews for All Star Weekend.

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Speaker 1: I've often thought about doing a documentary on All Star

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Speaker 1: Weekend because it's a fucking ship show. Yeah, everybody's there.

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Speaker 1: You got pimps, retired pimps, groupies, groupies, groupies, right, this

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Speaker 1: is yeah, this is to come up. This is like

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Speaker 1: the convention. This is where you you get off. Man.

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Speaker 1: I was fortunate enough to go to one. I went

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Speaker 1: to a Baron Davis's Valentine luncheon in West Hollywood. Uh. Great,

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Speaker 1: great atmosphere, good food, good folks. Met my man beat Dizzel.

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Speaker 1: He said I was part of the family now because

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Speaker 1: my wife is his uh their cousins, so he said

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Speaker 1: that to me. So I'm part of be Dizzel's family.

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Speaker 1: That's awesome. That's that's awesome. And did you go to

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Speaker 1: any other events yet so far? Now that's my first

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Speaker 1: one man ship first one, and so it's good. That

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Speaker 1: was a good one. Though. Of course we were in

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Speaker 1: New Orleans last year and you saw what it is

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Speaker 1: um before we get into you know, the real stuff.

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Speaker 1: I mean, I don't like to preach and talk too seriously.

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Speaker 1: And there's really nothing we could say. This terrible school

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Speaker 1: shooting in Florida that happened the other day. What can

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Speaker 1: I say? My heart is broken again for these kids,

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Speaker 1: for their families, for the adults. UM. Nothing. Ever, you

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Speaker 1: never hear a feel good story about anybody that has

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Speaker 1: these rifles. You never hear well in the news today. Uh,

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Speaker 1: this guy with this rifle that could kill people and

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Speaker 1: you know, devastate people immediately blah blah blah blah blah happened,

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Speaker 1: And we just wanted to share that with the people

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Speaker 1: because this was a fantastic story. You never hear that.

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Speaker 1: Anytime it's these assault rifles. It's always bad news. Every

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Speaker 1: single time. It's always bad news. Um. And this time,

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Speaker 1: because we're in such a viral age, you know, the kids,

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Speaker 1: we're actually videotaping on their cell phones. This was actually

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Speaker 1: a good time videotaping in the school, videotaping as they

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Speaker 1: were hiding, uh, you know, huddled up. You can hear

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Speaker 1: the gunshots and just hearing the kids crying and this

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Speaker 1: the fear in their voices and and the agony and

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Speaker 1: the screaming and the gunshots. I could not imagine my

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Speaker 1: kid or a friend of mine's kid being trapped in

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Speaker 1: their school while another student is going around spraying down people.

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Speaker 1: And I don't have no answers. I'm not educated enough

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Speaker 1: to make any statements on the ship. But there's no

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Speaker 1: reason why if you're not in the military, you're not

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Speaker 1: in the police, these guns should be given to civilians

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Speaker 1: for any for any reason, not for hunting, not for safety,

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Speaker 1: not for gun rights. I don't give you a ship.

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Speaker 1: There is no fucking reason. While these assault rifles like

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Speaker 1: the one in Vegas should be out there, they shouldn't

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Speaker 1: be for sale, yeah, to the general public for for

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Speaker 1: certain man, because I mean, you can't really stop these

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Speaker 1: things that are going on in these schools. But uh,

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Speaker 1: as far as people being able to purchase those are

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Speaker 1: assault rifles that that should be kind of outlawed, no

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Speaker 1: doubt about it. And I don't want to beat you

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Speaker 1: over the head with this kid. And they checked him

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Speaker 1: for this, and he's had guns before, and you know,

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Speaker 1: he was put on this list and that list, and

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Speaker 1: he's still got the guns, right, he still got still

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Speaker 1: got the guns. Man. So just so unfortunate terribly unfortunate.

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Speaker 1: Could could you imagine if you got a phone call,

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Speaker 1: you're on Twitter and your kid or your your cousins

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Speaker 1: or your friends kid and you see there's a shoe

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Speaker 1: being an active shooter at blah blah blah school, with

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Speaker 1: the horror you'd feel, knowing what we know, how these

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Speaker 1: these always end with massacres. Yeah, man, I don't want

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Speaker 1: to think about that. I know it's terrible. But when

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Speaker 1: I saw of these kids their videotaping in there of

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Speaker 1: the on their cell phones, and one of the kids said,

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Speaker 1: I was videotaping in case we died. What the fund

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Speaker 1: is that? This is the United States, this is Florida,

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Speaker 1: the United States of America. I'm videotaping in case we died.

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Speaker 1: This fucking insanity, right, And homeboy was a student in

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Speaker 1: the school. So how could you Well, you're gonna have

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Speaker 1: to have a metal detectives. When I went to school,

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Speaker 1: I went to Thomas Jefferson in Brooklyn, but we had

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Speaker 1: they had metal detectives. Bring that ship back. We had

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Speaker 1: metal detectives in a Rasmus hole. Remember, Yeah, I got wanded.

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Speaker 1: Everybody got wanded. We never had no fucking mass killings

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Speaker 1: because you got wanded. They had him in Luther King

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Speaker 1: High School. They had him in a razzlings hole. Bring

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Speaker 1: back the Metal Detectives. Anybody who's got a problem with it? Sorry, yeah,

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Speaker 1: kindergarten up. We don't care, terrible man. So condolences and

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Speaker 1: thoughts and prayers and and everything goes with them. And

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Speaker 1: I don't even know what to say. Um, how are

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Speaker 1: you enjoying the West Coast? Mr? Movie? Oh man? I

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Speaker 1: love the weather. I was just sitting out earlier today.

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Speaker 1: It's just beautiful. Man. It's it's winter, but it's seventy

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Speaker 1: two degrees seventy four. Good brees Man. You can't beat

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Speaker 1: uh l a weather man. It's the best. Yeah, the

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Speaker 1: l A weather is crazy. And as I said, it's

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Speaker 1: All Star weeking in Los Angeles. We're at the halfway

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Speaker 1: point of the NBA season. This is where you tighten

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Speaker 1: up your sneakers just a little bit. This is where

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Speaker 1: it really gets good. And I have to say, I

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Speaker 1: have to say the first half of the NBA season

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Speaker 1: was good. But all the sweet Dick Willie pundits and

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Speaker 1: sweet Dick Willie and be a experts, I don't know

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Speaker 1: how you become an NBA expert or a sweet dick

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Speaker 1: willy pundit. But you were wrong. You were wrong about

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Speaker 1: a lot of things. Number one right now at the

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Speaker 1: halfway point. Now, obviously these things are subject to change

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Speaker 1: because people are gonna continue to compete. But the number

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Speaker 1: one team in the East is not the Cleveland Cavaliers,

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Speaker 1: is not the Boston Celtics. It is the Toronto by right,

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Speaker 1: they have the best record in the East. The number

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Speaker 1: one team in the West is not the Golden State Warriors.

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Speaker 1: It is not the Oklahoma City Thunder, It is not

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Speaker 1: the San Antonio Spurs. The number one team if the

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Speaker 1: playoffs started today, the team with the number one ranking

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Speaker 1: is the fucking Houston Rockets. Everybody just picks it's just

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Speaker 1: the Cavalier years and just the Golden State Worries. I'm

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Speaker 1: telling you it's gonna get very competitive. The Toronto Raptors,

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Speaker 1: they've been grinding for years to margin. Rosen is a star.

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Speaker 1: Kyle Lowry's playing the best he's ever played. They have

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Speaker 1: a bunch of young dudes that the average layman NBA

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Speaker 1: fan has never heard of. Toronto is coming also. I

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Speaker 1: think actually Toronto is gonna be more formidable down the

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Speaker 1: East down the stretch than the Boston Celtics. That's my prediction, Okay,

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Speaker 1: And I didn't know pundit and I know fucking expert. Okay,

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Speaker 1: no matter what you say. The East, Cleveland is the

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Speaker 1: big dog four. They have a four game winning streak

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Speaker 1: going into the the All Star Break. So it's gonna

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Speaker 1: be customary. Cleveland's gonna come out, and Cleveland's gonna be

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Speaker 1: in the finals. Toronto is gonna be uh sent home,

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Speaker 1: Boston will be sent home, Cleveland comes out and they're

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Speaker 1: in the finals, and then we'll see what's happening from

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Speaker 1: there in Houston. They're not gonna beat Golden State. I mean,

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Speaker 1: this is ridiculous to even suggest such a thing. There's

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Speaker 1: been uh so many different different little little firestorms and

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Speaker 1: controversies in the last few days, uh since we last podcasted,

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Speaker 1: uh Me and Moody, um the the LaVar ball whole

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Speaker 1: thing with uh Alonzo getting traded and if Jello and

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Speaker 1: Melo and Bellow and the Good Fellow and and all

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Speaker 1: of them don't play for the Lakers, he's not gonna

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Speaker 1: sign his contract. Well, the Lakers apparently are not fucking

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Speaker 1: around anymore. The Lakers are low key treating LaVar Ball

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Speaker 1: like just another fan, like a wacky fan. They're making

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Speaker 1: him pay full price for seats. They could shut down

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Speaker 1: the access. You know, you could get a certain amount

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Speaker 1: of like it's it's still the Lakers are still the

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Speaker 1: Staples set. They could shut that down his Facebook show.

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Speaker 1: I don't know what the it's called, but they didn't

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Speaker 1: grant them access to filming in the Staples Center because,

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Speaker 1: you know, anytime you film in an NBA arena. I

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Speaker 1: found this out when I was doing UH, the Emmy

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Speaker 1: Award winning documentary that I directed called UH When the

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Speaker 1: Guarden Was Eaten about the nineteen Nicks. Um any time

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Speaker 1: you film something in an NBA arena, if it's on

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Speaker 1: your phone, if you take a picture, you might not

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Speaker 1: even be filming the games. You you could be filming

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Speaker 1: your girlfriend. If you post that and the NBA wants

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Speaker 1: to take it, they could take it. It's there right

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Speaker 1: anything you film, you don't even have to be filming

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Speaker 1: the game. You could be filming your feet on the

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Speaker 1: floor of the Staples Center. They own that. Now, obviously

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Speaker 1: they can't stop everything, but when they want to shut

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Speaker 1: shut down, they could shut shut down that cease and

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Speaker 1: desist can come and if they don't want you filming

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Speaker 1: your Facebook show in the Staples Center, they shut that

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Speaker 1: ship down. So apparently the Lakers are starting to put

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Speaker 1: the squeeze on LaVar Ball, Like, yo, we're not giving

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Speaker 1: you discount prices. You want tickets a hundred and fifty

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Speaker 1: thousand dollars twenty premier level tickets. That's how much he

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Speaker 1: had to pay for. They're not giving you discount. They're

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Speaker 1: not doing that friend and familieship, and and yo, keep

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Speaker 1: it funky. You know you could run out of money

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Speaker 1: in the NBA quickly. You're paying a hundred fifty thou

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Speaker 1: dollars to get twenty tickets for a game. Uh and

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Speaker 1: and and there's a reason why you're doing autograph signings

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Speaker 1: for a hundred dollars a pop. In my opinion, that's

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Speaker 1: mince me. You're supposed to be the most celebrated rookie

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Speaker 1: and all this and all this hype, and on All

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Speaker 1: Star weekend, you're not playing in the Rookie Challenge game.

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Speaker 1: What is it? The rookies versus the world? The United

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Speaker 1: States first, the rest of the World. Game used to

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Speaker 1: be the Rookie Sophomore Game because you're injured. You you're

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Speaker 1: not winning Rookie of the Year. There's nothing Linzo Ball

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Speaker 1: could do to win Rookie of the Year. That's not happening.

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Speaker 1: You're not even in the discussion, and you're not really

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Speaker 1: part of the All Star weekend because the injuries. But

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Speaker 1: you want to put out a fucking rap c D

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Speaker 1: on All Star weekend and and then you go and

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Speaker 1: do an autograph signing for a hundred dollars a pop

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Speaker 1: but no pictures. Ship is corny to me? Oh man,

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Speaker 1: how can they do that to his pops and say, Yo,

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Speaker 1: you can't come to the game. You know my son

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Speaker 1: is on the team. Why you could come? Discrimination ship?

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Speaker 1: He ain't You could come, but like you know, if

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Speaker 1: they want to hook you up, they could hook you up.

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Speaker 1: But I but if you're talking about the team and

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Speaker 1: you're you're making threats on the team, Yo, we don't

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Speaker 1: need this ship. You don't see the NBA doesn't lead

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Speaker 1: LaVar Ball. LaVar Ball needs his sons to be in

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Speaker 1: the NBA. Yeah, the NBA doesn't need anybody. Nobody's bigger

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Speaker 1: than the game. Certainly LaVar Ball ain't bigger than the game.

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Speaker 1: And Lonzo bawling bigger than in the game, nobody, Michael

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Speaker 1: Jordan's whoever your favorite player is Kobe Magic Bird, Nobody's

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Speaker 1: bigger than the than the game itself. Yeah, well LaVar,

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Speaker 1: yeah he needs to pipe down a little bit. But

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Speaker 1: that won't happen. So we'll see man. His son gotta

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Speaker 1: get out there and start doing some ship man. Really. Um,

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Speaker 1: the other day, the Golden State Warriors or were playing

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Speaker 1: the Phoenix Suns and they were beating their asses. This

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Speaker 1: is like maybe four or five days ago, and Steve

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Speaker 1: Kerr let Draymond Green and and a few other players

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Speaker 1: called plays during the time outs suckers ship. I took

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Speaker 1: offense to that as a as a former hooper. Man,

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Speaker 1: if I saw that in my team and we're getting

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Speaker 1: blown he's like, oh, letting other players coach and ship. Oh,

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Speaker 1: you're trying to diss me now, now you're rubbing it

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Speaker 1: in my face. Now, one of these motherfucker's gonna get

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Speaker 1: clothes lined straight up. Well, they didn't get clothes lined.

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Speaker 1: They didn't do ship. They got blown out. I'm not

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Speaker 1: sure how aware they were of it during the game,

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Speaker 1: because you know, when you're when you're losing a game,

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Speaker 1: you're the last thing you're gonna be doing is going

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Speaker 1: and being able to pay attention to what's going on

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Speaker 1: in the other team's huddle. But afterwards, you know, like

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Speaker 1: the Phoenix players said that they thought it was disrespectful

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Speaker 1: and all that stuff. You know what I think is

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00:21:18,800 --> 00:21:25,119
Speaker 1: disrespectful the Phoenix Suns defense, Yeah, stop them, stop them,

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Speaker 1: and Steve Kerr won't let them call plays. Stop him,

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Speaker 1: and Steve Kerr will have to think and the coaching

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Speaker 1: staff will have to think. Damn. I thought that was

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Speaker 1: just a bad look. I understand what you're saying, but

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Speaker 1: I thought that was like kind of thumbing your nose

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Speaker 1: that the other players. You know, you was a player

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Speaker 1: at Steve Kerr, you know, cool out, y'all, y'all, y'all

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Speaker 1: blew him. You don't gotta do that. You don't have to,

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Speaker 1: all right, you coach, and this motherfucking iggy with the

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Speaker 1: clipboard and all that. That's a bad sportsmanship for the

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Speaker 1: other team because you don't have to do that. That

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Speaker 1: was unnecessary. So Phoenix come back and try to blow

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Speaker 1: them off. It's not gonna happen. It's not gonna happen.

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Speaker 1: Even when Gold States losing I saw them lose uh

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Speaker 1: the other night to um Dame Dollar and them in Portland,

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Speaker 1: and they won't go and forth back and forth, back

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Speaker 1: and forth. And even when they're losing, it's like, Yo,

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00:22:20,960 --> 00:22:23,160
Speaker 1: the way they score and and and the way they

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00:22:23,200 --> 00:22:26,400
Speaker 1: move and cutting all that ship. It just I can't

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Speaker 1: wrap my head around like what it is they do.

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Speaker 1: But they do it quick, they do it efficiently, and

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Speaker 1: they do it very very very well. Yeah, they added

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Speaker 1: thirty points with uh Kevin Durant. Very tough to beat

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Speaker 1: beat these guys, so man, it's gonna be good. Finals though,

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Speaker 1: Cleveland is all revamped four in a row. I'm with

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Speaker 1: Cleveland B. Yeah, you're with Cleveland B. With Cleveland, They're

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Speaker 1: they're not winning jack shit, all right. You'll see. They

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Speaker 1: got guys that have no playoff experience and they're just

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Speaker 1: press though. Change. They're just gonna figure it all out

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Speaker 1: and and boom, of course they're revamped and they're all

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Speaker 1: they're all hyped up. They gotta be. They gotta be

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Speaker 1: hyped up. Lebron's gotta be smiling right now because if

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Speaker 1: this ship doesn't work, at least at least it doesn't

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Speaker 1: give the image of working, then you're a real deep

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Speaker 1: ship man, and we'll see. You'll see Man Lebron at

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Speaker 1: the helm with some young bucks. Come on, Man and

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Speaker 1: j R. Watch what happens. J R. Smith did really

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Speaker 1: really well last year in the finals. He did everybody

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00:23:33,119 --> 00:23:35,760
Speaker 1: can't fucking you're gonna have bad games and the whole

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Speaker 1: the whole playoffs. Remember that people thought he was fucking

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00:23:38,760 --> 00:23:42,359
Speaker 1: stoned out of his tree. Yeah, but he right now,

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00:23:42,720 --> 00:23:44,840
Speaker 1: he's all right now. The last four games, we'll see,

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Speaker 1: you'll see, we'll see. Um. We gotta take a break.

385
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Speaker 1: I want to hear something funky, something really funky, and

386
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Speaker 1: then when we come back, we're coming back with the

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Speaker 1: I Am Wrapp Reports Stereo podcast review. Both me and

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Speaker 1: g Moody has listened to Born to Ball by the

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Speaker 1: artist named zoe A k Alonzo Ball. We have the

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00:24:08,160 --> 00:24:10,520
Speaker 1: full review. I've listened to this record about four times

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00:24:10,560 --> 00:24:13,199
Speaker 1: all the way through, and I want to bang my

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00:24:13,280 --> 00:24:21,480
Speaker 1: fucking head against the wall. Stay tuned, all right. Brand

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Speaker 1: new butter Soft I Am Rapp Reports Stereo Podcast t

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Speaker 1: shirts are available at store dot bar stool sports dot com.

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Speaker 1: You wanted it, I wanted it. We are introducing the

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Speaker 1: very first stick Man Hall of Fame T shirt. Oh,

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403
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Speaker 1: I mean, who doesn't on a world famous Stickman Hall

404
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405
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Speaker 1: Go to store dot barstool sports dot com. Now, all right,

406
00:25:14,200 --> 00:25:17,280
Speaker 1: we're back, Okay, I told you it was coming in

407
00:25:17,359 --> 00:25:21,119
Speaker 1: here we go. So right during the middle of the

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Speaker 1: All Star festivities, a Lonzo Ball decided to drop not

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00:25:26,240 --> 00:25:30,720
Speaker 1: just a single, not just an EP. Some of you

410
00:25:30,720 --> 00:25:32,320
Speaker 1: guys might not know what the EP is. An EP

411
00:25:32,520 --> 00:25:34,119
Speaker 1: was like the ship that would come out before the

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00:25:34,119 --> 00:25:36,400
Speaker 1: whole record would be like six songs like or maybe

413
00:25:36,400 --> 00:25:40,360
Speaker 1: a remix and some instrumentals, remember them shits. You could

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00:25:40,359 --> 00:25:43,520
Speaker 1: get the EP cassette and then you get the E

415
00:25:43,680 --> 00:25:45,720
Speaker 1: P c D and it'd be like a short joint.

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00:25:45,720 --> 00:25:48,800
Speaker 1: It'd be like six or five ninety nine, depending on

417
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Speaker 1: how much fire was on there. He didn't drop a EP,

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Speaker 1: he dropped an entire fucking record. And I'll tell you this,

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Speaker 1: I listened to this record literally three times all the

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Speaker 1: way through, and then four times like I wasn't paying attention, Okay,

421
00:26:03,200 --> 00:26:05,800
Speaker 1: because I wanted to give it a fair shake. Okay,

422
00:26:05,840 --> 00:26:09,439
Speaker 1: this record is exactly what the fuck I thought it

423
00:26:09,600 --> 00:26:15,000
Speaker 1: would be. Okay, I don't understand why you're putting out

424
00:26:15,600 --> 00:26:19,600
Speaker 1: an entire motherfucking record. If I could even call that

425
00:26:19,680 --> 00:26:22,960
Speaker 1: a record, if I could call it a record or

426
00:26:23,000 --> 00:26:27,159
Speaker 1: a CD, or an album or a long form play

427
00:26:27,200 --> 00:26:30,040
Speaker 1: of you know, more than six songs, I don't see

428
00:26:30,080 --> 00:26:34,439
Speaker 1: how how this kid, I would even think about putting

429
00:26:34,440 --> 00:26:38,280
Speaker 1: out an entire fucking I'm not calling it rap record,

430
00:26:38,280 --> 00:26:43,040
Speaker 1: and I'm not calling it hip hop. I don't think

431
00:26:43,040 --> 00:26:46,439
Speaker 1: how you would put out an entire fucking mumble mumble

432
00:26:46,520 --> 00:26:52,640
Speaker 1: mouth record when I me, Michael Rappaport, forty seven years old,

433
00:26:52,760 --> 00:26:57,800
Speaker 1: have a better shooting form than you do. That's fact,

434
00:26:58,880 --> 00:27:02,399
Speaker 1: that's a fucking act. I have a better shooting form

435
00:27:02,800 --> 00:27:05,600
Speaker 1: than Linzo Ball. Yeah, you decided to put out an

436
00:27:05,720 --> 00:27:09,280
Speaker 1: entire fucking record during All Star Weekend, the balls and

437
00:27:09,320 --> 00:27:12,640
Speaker 1: the fucking ego. That's first of all. Second of all,

438
00:27:12,680 --> 00:27:15,720
Speaker 1: if you love hip hop and you love music so much,

439
00:27:15,840 --> 00:27:18,400
Speaker 1: why don't you do it to sort of bring some

440
00:27:18,480 --> 00:27:21,520
Speaker 1: people that are really really about it to the forefront,

441
00:27:22,640 --> 00:27:26,480
Speaker 1: some people that that have put their entire life, put

442
00:27:26,480 --> 00:27:29,720
Speaker 1: their entire like thought, some real artists who really give

443
00:27:29,760 --> 00:27:33,359
Speaker 1: a funk about this ship. Then I'd be like, Okay,

444
00:27:33,359 --> 00:27:36,600
Speaker 1: I can respect that yo, like Linso Ball, like you know,

445
00:27:36,680 --> 00:27:38,400
Speaker 1: he funks around with it, but he also put out

446
00:27:38,440 --> 00:27:40,520
Speaker 1: a bunch of you know, he's bringing these new artists

447
00:27:40,560 --> 00:27:43,960
Speaker 1: to the forefront. Or you have the audacity to think

448
00:27:44,000 --> 00:27:48,199
Speaker 1: that you should put out a whole fucking record, like

449
00:27:48,359 --> 00:27:52,639
Speaker 1: think about that ship, think about like the ego to

450
00:27:52,800 --> 00:27:55,280
Speaker 1: think that, like, Yo, I'm nice, I'm gonna put this out.

451
00:27:55,760 --> 00:27:58,680
Speaker 1: That's the climate we're in. Unfortunately, it's not like back

452
00:27:58,720 --> 00:28:00,879
Speaker 1: in the days where you had to have of real

453
00:28:01,000 --> 00:28:03,600
Speaker 1: talent and you know, you put it out and you

454
00:28:03,680 --> 00:28:06,520
Speaker 1: work you out doing talent shows and all that. Now

455
00:28:06,560 --> 00:28:09,080
Speaker 1: it's like social media. You could rock in your crib.

456
00:28:09,720 --> 00:28:12,239
Speaker 1: So it makes them feel that they could do this.

457
00:28:12,560 --> 00:28:15,760
Speaker 1: You know, you can't do it. You're not dope. Your

458
00:28:15,840 --> 00:28:19,720
Speaker 1: rhymes are toy there, hokey poke. Listen to the whole ship.

459
00:28:20,160 --> 00:28:23,600
Speaker 1: The song that people, even you G. Moody said over

460
00:28:23,640 --> 00:28:27,240
Speaker 1: text that people Angie Moody last name rhymes are duty

461
00:28:27,320 --> 00:28:30,679
Speaker 1: the Three Time podcast close here. When I said what

462
00:28:30,720 --> 00:28:33,720
Speaker 1: do you think of it? You said, the song called

463
00:28:33,760 --> 00:28:40,960
Speaker 1: what so this motherfucker puts out a c D. LaVar

464
00:28:41,080 --> 00:28:45,000
Speaker 1: Bulls dominating every single thing about his basketball career and

465
00:28:45,120 --> 00:28:49,480
Speaker 1: LaVar Balls dominating every single thing about his fucking rap

466
00:28:49,560 --> 00:28:53,440
Speaker 1: c D. The most exciting thing about Alonzo balls uh

467
00:28:53,760 --> 00:28:57,000
Speaker 1: entrance into the NBA has been LaVar ball And the

468
00:28:57,040 --> 00:29:00,440
Speaker 1: best thing about this subpar c D is a song

469
00:29:00,480 --> 00:29:05,400
Speaker 1: about his father. This is some bullshit. There's nothing original

470
00:29:05,440 --> 00:29:08,040
Speaker 1: on it. Even the titles of the songs are not original.

471
00:29:09,120 --> 00:29:13,000
Speaker 1: It's not a rapper you gotta you gotta apperd out

472
00:29:13,720 --> 00:29:17,000
Speaker 1: in context, you gotta judge it in context. Of course,

473
00:29:17,240 --> 00:29:19,880
Speaker 1: we're gonna judge him based on, you know, the ship

474
00:29:19,960 --> 00:29:23,400
Speaker 1: we grew up on. But yo, man, this is not

475
00:29:23,720 --> 00:29:27,840
Speaker 1: that music. I wouldn't call it hip hop. I would

476
00:29:27,840 --> 00:29:31,040
Speaker 1: call it trap music. It's that type of music. This

477
00:29:31,160 --> 00:29:34,280
Speaker 1: is different from hip hop, so you have to judge

478
00:29:34,280 --> 00:29:37,959
Speaker 1: it on that term. With these kids, he's twenty years old.

479
00:29:38,400 --> 00:29:40,680
Speaker 1: There's twenty years old. Nis put out The Almodic when

480
00:29:40,680 --> 00:29:45,400
Speaker 1: he was nineteen. This trap Call Quests put out people's

481
00:29:45,400 --> 00:29:47,640
Speaker 1: instinctive travels while they were still in high school. The

482
00:29:47,720 --> 00:29:50,000
Speaker 1: Jungle Brothers put out their first record when they were

483
00:29:50,040 --> 00:29:53,240
Speaker 1: still in high school. I agree, but this is he's

484
00:29:53,280 --> 00:29:55,720
Speaker 1: not the caliber of those artists. And why are you

485
00:29:55,760 --> 00:29:59,960
Speaker 1: putting out music because we're in that day and they

486
00:30:00,160 --> 00:30:03,000
Speaker 1: now what anybody could do this ship. That doesn't mean

487
00:30:03,040 --> 00:30:07,200
Speaker 1: it's good, but you can put it out. Anybody could

488
00:30:07,240 --> 00:30:09,640
Speaker 1: do it. Ye. Let me tell something, Let me just

489
00:30:10,560 --> 00:30:12,280
Speaker 1: let me tell you. Just be thankful that we grew

490
00:30:12,320 --> 00:30:15,080
Speaker 1: up in the time we grew up in where we

491
00:30:15,200 --> 00:30:17,800
Speaker 1: got the fucking standard of what the ship should be.

492
00:30:18,200 --> 00:30:23,160
Speaker 1: All those excuses and explanations and giving context to it,

493
00:30:23,360 --> 00:30:28,360
Speaker 1: all that ship is excuses for whack mother fucking music.

494
00:30:28,520 --> 00:30:31,600
Speaker 1: There's no different flows on this record. There's no different

495
00:30:31,640 --> 00:30:35,160
Speaker 1: beat patterns on the record. Yeah, there's not even any

496
00:30:35,400 --> 00:30:38,560
Speaker 1: original sounds like this. There's one of these sounds like that.

497
00:30:39,320 --> 00:30:41,680
Speaker 1: These kids say on these records, they go screen screen

498
00:30:41,800 --> 00:30:45,160
Speaker 1: some ship, some ship. He says that on his record,

499
00:30:45,200 --> 00:30:48,640
Speaker 1: make your own fucking sounds up. You're not even making

500
00:30:48,680 --> 00:30:51,920
Speaker 1: your own sounds up. It's living lavish and all that.

501
00:30:52,120 --> 00:30:55,000
Speaker 1: You're not living lavish, duke. You're doing an autograph signing

502
00:30:55,080 --> 00:30:59,440
Speaker 1: for a hundred dollars a pop. You're not living lavish.

503
00:30:59,600 --> 00:31:03,520
Speaker 1: That's not live in lavish, my man. I listened to

504
00:31:03,560 --> 00:31:06,840
Speaker 1: the album, and I'm not judging it on my my

505
00:31:06,960 --> 00:31:10,040
Speaker 1: fucking taste and my ship. I listened to that ship.

506
00:31:10,120 --> 00:31:14,800
Speaker 1: I give him a B a B because he was

507
00:31:14,840 --> 00:31:17,160
Speaker 1: saying some ships. Some of the ship he said was okay, whatever,

508
00:31:17,480 --> 00:31:21,080
Speaker 1: but it's it's these beats, it's their time and ain't funky.

509
00:31:21,200 --> 00:31:24,720
Speaker 1: It ain't funky. So but I judge it based on

510
00:31:25,080 --> 00:31:27,360
Speaker 1: the kids ship today, and I give it a B

511
00:31:27,480 --> 00:31:29,240
Speaker 1: plus and net this isn't even a B or you

512
00:31:29,320 --> 00:31:31,560
Speaker 1: give it a B plus. No A B, A B.

513
00:31:31,840 --> 00:31:34,840
Speaker 1: This isn't hip hop. There's no there's no scratching, there's

514
00:31:34,840 --> 00:31:39,720
Speaker 1: no chorus with turntable wizardry. This is just some mumble

515
00:31:39,880 --> 00:31:42,480
Speaker 1: ship trap music. That's what it is. Let me tell

516
00:31:42,480 --> 00:31:46,920
Speaker 1: you something. This ain't hip hop, all right, This ain't rapping.

517
00:31:46,960 --> 00:31:49,680
Speaker 1: I found the whole thing offensive top to bottom. I

518
00:31:49,720 --> 00:31:52,440
Speaker 1: found the whole thing offensive that when he's sitting on

519
00:31:52,480 --> 00:31:55,800
Speaker 1: the bench from an injury, having a subpar season, that

520
00:31:55,840 --> 00:31:59,120
Speaker 1: he would decide to put this out. That's true. They

521
00:31:59,160 --> 00:32:02,080
Speaker 1: mentioned that he meant uh B B B and big

522
00:32:02,120 --> 00:32:05,320
Speaker 1: bowl of brand and these Zoe twos like them sis dope.

523
00:32:05,680 --> 00:32:09,240
Speaker 1: He mentions it over and over, probably every song mentions

524
00:32:09,560 --> 00:32:12,280
Speaker 1: Zoe Twos or the fucking sneakers. The sneakers ain't dope.

525
00:32:13,120 --> 00:32:15,920
Speaker 1: You're mentioning them. Ship's like them, ships as Jordan's them.

526
00:32:16,000 --> 00:32:22,520
Speaker 1: Ships are not fly big Bowler, basic bullshit music, stick

527
00:32:22,600 --> 00:32:24,760
Speaker 1: to sell it, whack gass sneakers, stay the funk out

528
00:32:24,800 --> 00:32:30,480
Speaker 1: of hip hop. Hop's not hip hop. Listen when I

529
00:32:30,520 --> 00:32:34,680
Speaker 1: go to Amieva Records, when I called fucking snos, when

530
00:32:34,720 --> 00:32:37,680
Speaker 1: I go to title, there ain't no thing that's hiss

531
00:32:37,760 --> 00:32:40,200
Speaker 1: mumble rap. And until there's a thing that's a section

532
00:32:40,280 --> 00:32:42,760
Speaker 1: says his mumble rap. If it's his hip hop rap,

533
00:32:42,800 --> 00:32:44,760
Speaker 1: I'm gonna treat it and I'm gonna judge it that

534
00:32:45,280 --> 00:32:47,320
Speaker 1: and like we said the other day, I don't want

535
00:32:47,360 --> 00:32:49,520
Speaker 1: to hear anything. You know, he's a kid. Fuck all

536
00:32:49,600 --> 00:32:53,160
Speaker 1: that Ultang. We're kids when they put out their first record.

537
00:32:53,720 --> 00:32:56,120
Speaker 1: Beat Nuts were kids when they put out their first record.

538
00:32:56,640 --> 00:32:58,560
Speaker 1: Eric being Rock Him were kids when they put out

539
00:32:58,560 --> 00:33:01,040
Speaker 1: their first record k Restaurant was a kid when he

540
00:33:01,080 --> 00:33:03,760
Speaker 1: put out his first record. Kendrick Lamar was a kid

541
00:33:03,800 --> 00:33:05,600
Speaker 1: when he put out his first record. He's still a

542
00:33:05,680 --> 00:33:09,720
Speaker 1: fucking kid. Hip hop it's for the kids, made by

543
00:33:09,800 --> 00:33:12,720
Speaker 1: the kids. So I'm treating this ship like a hip

544
00:33:12,760 --> 00:33:15,320
Speaker 1: hop record. The ship was straight, dude, do on a

545
00:33:15,440 --> 00:33:19,600
Speaker 1: motherfucking stick. This motherfucker ain't rock him. He ain't none

546
00:33:19,640 --> 00:33:22,400
Speaker 1: of him. Guy. He put out some ship because he can.

547
00:33:23,000 --> 00:33:25,479
Speaker 1: It's not like he was hungry. You can put out

548
00:33:25,520 --> 00:33:29,800
Speaker 1: a CD. But why wouldn't you do it? Well, you

549
00:33:29,800 --> 00:33:32,600
Speaker 1: wouldn't do it because you respect the art form, of course,

550
00:33:33,120 --> 00:33:35,160
Speaker 1: of course. So I'm just saying I take the ship

551
00:33:35,520 --> 00:33:38,040
Speaker 1: as a person who's a fan of this ship. I

552
00:33:38,160 --> 00:33:41,040
Speaker 1: have no steak in music none. I've said this before.

553
00:33:41,040 --> 00:33:44,680
Speaker 1: I have no steak in hip hop. I'm not making

554
00:33:44,720 --> 00:33:47,920
Speaker 1: any money off of hip hop. I didn't even make

555
00:33:47,960 --> 00:33:50,760
Speaker 1: any fucking money off the Tripical Quest documentary. That's a fact.

556
00:33:50,840 --> 00:33:52,680
Speaker 1: I put a whole bunch of money into it and

557
00:33:52,760 --> 00:33:56,240
Speaker 1: didn't make any back. Fact. I did that ship out

558
00:33:56,280 --> 00:33:58,840
Speaker 1: of love. I love hip hop. I know what it

559
00:33:58,920 --> 00:34:01,240
Speaker 1: means to me, I know what it means to tons

560
00:34:01,280 --> 00:34:03,560
Speaker 1: of other people When you come in with this bullshit,

561
00:34:03,760 --> 00:34:06,120
Speaker 1: and you have the audacity to think that people want

562
00:34:06,160 --> 00:34:07,880
Speaker 1: to hear what you have to say other than the

563
00:34:07,960 --> 00:34:10,279
Speaker 1: fact that you play for the Lakers. You're bugging man

564
00:34:10,640 --> 00:34:13,040
Speaker 1: funk all that, and only a lot of these other

565
00:34:13,160 --> 00:34:15,120
Speaker 1: dudes and the rappers they won't say because they don't

566
00:34:15,120 --> 00:34:16,600
Speaker 1: want to come off like haters and all that, because

567
00:34:16,640 --> 00:34:18,719
Speaker 1: they're actually part of hip hop. I ain't part of

568
00:34:18,800 --> 00:34:22,759
Speaker 1: hip hop. I'm a fan of the ship, and I

569
00:34:22,840 --> 00:34:26,200
Speaker 1: get offended when motherfucker's think that they could just lollygag

570
00:34:26,280 --> 00:34:29,480
Speaker 1: into this and put out some motherfucking cornball, whack ass

571
00:34:29,480 --> 00:34:33,600
Speaker 1: ship that isn't pushing the art forward. It has no

572
00:34:33,760 --> 00:34:38,680
Speaker 1: intentions of pushing the art forward. I'm unlike you because

573
00:34:38,880 --> 00:34:42,279
Speaker 1: I kind of differentiate. I know what my hip hop

574
00:34:42,400 --> 00:34:47,359
Speaker 1: sounds like, and I don't call that hip hop. It's

575
00:34:47,440 --> 00:34:50,239
Speaker 1: under the umbrella, but I don't call it. It's not

576
00:34:50,640 --> 00:34:53,000
Speaker 1: you know for me, Now, I get it, I get it.

577
00:34:53,040 --> 00:34:54,800
Speaker 1: You you look at it a more rational thing, and

578
00:34:54,880 --> 00:34:57,319
Speaker 1: like you, you separate the tooth. But yeah, I mean,

579
00:34:57,400 --> 00:34:59,520
Speaker 1: you know, we're different like that, I get more. I

580
00:34:59,600 --> 00:35:02,160
Speaker 1: get get offended by this ship, man, Like I get

581
00:35:02,239 --> 00:35:04,919
Speaker 1: offended by this ship because I'm like, you know, there's

582
00:35:05,000 --> 00:35:10,040
Speaker 1: dudes struggling. Yeah, there's like real rappers, like who we

583
00:35:10,120 --> 00:35:14,440
Speaker 1: would consider stars struggling, you know, because they didn't make

584
00:35:14,560 --> 00:35:16,839
Speaker 1: money in their primes. They didn't want to make money

585
00:35:16,880 --> 00:35:19,520
Speaker 1: when they were really popping. They didn't make money because

586
00:35:19,719 --> 00:35:22,279
Speaker 1: you know, people didn't understand the idea of how to

587
00:35:22,600 --> 00:35:24,440
Speaker 1: you know, make money in hip hop. It was just

588
00:35:24,480 --> 00:35:26,719
Speaker 1: sort of happening and people were just doing it and

589
00:35:26,800 --> 00:35:29,360
Speaker 1: everything just sort of took off. So when a motherfucker

590
00:35:29,480 --> 00:35:33,120
Speaker 1: comes out with a bullshit CD like this with no

591
00:35:33,360 --> 00:35:36,080
Speaker 1: respect for the art form, you know, I'm here, I'm

592
00:35:36,160 --> 00:35:38,840
Speaker 1: laying in the fucking cut. All these motherfucker's want to

593
00:35:38,880 --> 00:35:43,839
Speaker 1: be businessmen, but you're not concentrating on your business man.

594
00:35:45,040 --> 00:35:50,000
Speaker 1: To Jay Z, your business is making baskets, okay, And

595
00:35:50,040 --> 00:35:51,480
Speaker 1: if you want to be in the business of hip

596
00:35:51,520 --> 00:35:54,120
Speaker 1: hop treated as that, He's like, I'm in like he

597
00:35:54,239 --> 00:35:56,000
Speaker 1: talks about it. I'm in the gym. I'm working, brother,

598
00:35:56,360 --> 00:36:00,840
Speaker 1: all this fucking scrape, all this bullshit. If you're in

599
00:36:00,920 --> 00:36:03,719
Speaker 1: the gym working and all that ship as much as

600
00:36:03,760 --> 00:36:05,520
Speaker 1: you say you are, how to fund do you even

601
00:36:05,560 --> 00:36:11,040
Speaker 1: have time to put out this? Mama? Johamba bullshit. Oh man, there,

602
00:36:12,920 --> 00:36:15,239
Speaker 1: I give it a B. Man, you you're too hard

603
00:36:15,280 --> 00:36:18,160
Speaker 1: on each motherfucker's give it a B. This fucking guy

604
00:36:18,280 --> 00:36:20,160
Speaker 1: give it a B. I'll give it a B. Man,

605
00:36:21,160 --> 00:36:25,440
Speaker 1: fucking B. All right, gave you the full review. That's

606
00:36:25,480 --> 00:36:28,200
Speaker 1: the That was the full Rapp report. Okay, and I

607
00:36:28,280 --> 00:36:32,800
Speaker 1: went full iverson. Yeah, okay, all star Weeken. We're bringing

608
00:36:32,800 --> 00:36:37,600
Speaker 1: that ship back iron Wrap por Stereo podcast going full iverson. Yes,

609
00:36:38,440 --> 00:36:40,200
Speaker 1: that don't need any explanation. If you don't know what

610
00:36:40,320 --> 00:36:43,800
Speaker 1: that means, I don't want to tell you. So they

611
00:36:43,920 --> 00:36:49,239
Speaker 1: got rid of Jeffrey Tambor, apparently I want to get

612
00:36:49,280 --> 00:36:52,640
Speaker 1: this right. But Jeffrey Tambor, who is the star of Transparent,

613
00:36:52,760 --> 00:36:56,239
Speaker 1: he's the Transparent. Now the show doesn't center around him.

614
00:36:56,280 --> 00:36:59,160
Speaker 1: It's sort of a it has a bunch of different

615
00:36:59,239 --> 00:37:01,920
Speaker 1: characters in it and just focus on him. But uh,

616
00:37:02,560 --> 00:37:07,400
Speaker 1: I guess these allegations have been found um A credible,

617
00:37:08,000 --> 00:37:11,520
Speaker 1: credible in some way. They're not saying what they are um.

618
00:37:11,640 --> 00:37:14,799
Speaker 1: But but he's no longer gonna be on the show.

619
00:37:14,960 --> 00:37:21,080
Speaker 1: Transparent ship is real in Hollywood. Yeah, all I ask

620
00:37:21,280 --> 00:37:25,920
Speaker 1: is for due process, investigate, Uh, don't ruin a guy's

621
00:37:26,080 --> 00:37:31,920
Speaker 1: or women's life on just somebody saying something, yo, suspension,

622
00:37:32,400 --> 00:37:35,600
Speaker 1: probation or whatever, and and investigate. When you find out

623
00:37:36,200 --> 00:37:39,880
Speaker 1: it's true, then you fire the guy. But just because

624
00:37:39,960 --> 00:37:44,520
Speaker 1: someone says something is totally unfair and I'm not gonna

625
00:37:44,680 --> 00:37:47,799
Speaker 1: just believe it just because you say it. It needs

626
00:37:47,840 --> 00:37:51,360
Speaker 1: to be proven, which is fair. That's it fair. Of course,

627
00:37:51,760 --> 00:37:54,279
Speaker 1: I can't get to the bottom of what he's been

628
00:37:54,320 --> 00:37:57,800
Speaker 1: accused of doing. It doesn't matter. It's uh, you know

629
00:37:58,440 --> 00:38:01,719
Speaker 1: he if he did anything, he's in that show. He's done.

630
00:38:02,360 --> 00:38:06,200
Speaker 1: If if obviously they found something, and YO, if you

631
00:38:06,320 --> 00:38:08,800
Speaker 1: did something like that and they investigated and they found it,

632
00:38:09,080 --> 00:38:12,680
Speaker 1: then you gotta go be that's it. But now motherfucker's

633
00:38:12,680 --> 00:38:16,360
Speaker 1: gotta watch themselves like we said, like, Yo, no no meetings.

634
00:38:16,520 --> 00:38:20,239
Speaker 1: Always your your rapp tell you too, man, Yo, keep

635
00:38:20,320 --> 00:38:23,800
Speaker 1: on your toes. I just started a season two of

636
00:38:23,960 --> 00:38:27,880
Speaker 1: A typical and YO, the way the way you speak

637
00:38:27,920 --> 00:38:30,719
Speaker 1: around people, the music you play. You can be in

638
00:38:30,800 --> 00:38:34,000
Speaker 1: the makeup of the wardrobe trailer listening to some offensive

639
00:38:34,080 --> 00:38:36,000
Speaker 1: what could be deemed defensive hip hop. You could be

640
00:38:36,040 --> 00:38:39,040
Speaker 1: listening to like some old snoop shit. I just want

641
00:38:39,080 --> 00:38:44,480
Speaker 1: to fuck you and if you sing that and you're

642
00:38:44,520 --> 00:38:47,560
Speaker 1: making eye contact with a woman, that could come back

643
00:38:47,640 --> 00:38:50,440
Speaker 1: on you. Like like now, I'm thinking like that, and

644
00:38:50,760 --> 00:38:53,520
Speaker 1: and like, Yo, I'm giving the fist pump goodbye with

645
00:38:53,640 --> 00:38:56,040
Speaker 1: an arms distance, and I got thirty seven in sleeves,

646
00:38:56,320 --> 00:38:57,759
Speaker 1: So I'm like down the street when I give you

647
00:38:57,840 --> 00:39:00,640
Speaker 1: the fist pump and put your headphone on when you're

648
00:39:00,640 --> 00:39:03,600
Speaker 1: playing your music and the trailer just silence, and that motherfucker. Yo,

649
00:39:04,000 --> 00:39:06,920
Speaker 1: be on your toes because anything can be taken and

650
00:39:07,000 --> 00:39:09,200
Speaker 1: you could lose your ship, and you've got too much

651
00:39:09,600 --> 00:39:12,080
Speaker 1: to lose, you know, So Yo, don't say nothing to

652
00:39:12,160 --> 00:39:15,160
Speaker 1: these broth man you just like on some Carrie Que

653
00:39:15,200 --> 00:39:18,440
Speaker 1: card they say, they say, Hi, just put pull out

654
00:39:18,480 --> 00:39:20,920
Speaker 1: a cute card. Hi. You gotta be, you gotta be.

655
00:39:21,040 --> 00:39:23,120
Speaker 1: You gotta be careful men and women, men and women

656
00:39:23,440 --> 00:39:27,040
Speaker 1: at least in this business. Another thing that happened is, uh,

657
00:39:27,239 --> 00:39:29,319
Speaker 1: I just think it's funny because Sex in the City,

658
00:39:29,480 --> 00:39:33,279
Speaker 1: that that TV show, uh iconic TV show obviously uh

659
00:39:33,760 --> 00:39:37,120
Speaker 1: HBO show. Um, it's funny because Sarah Jessica Parker, the

660
00:39:37,280 --> 00:39:42,000
Speaker 1: star of the show, her and Kim Contrel are having

661
00:39:42,200 --> 00:39:46,480
Speaker 1: a public feud and with all this uh me too,

662
00:39:46,640 --> 00:39:49,520
Speaker 1: and Woman's Movement and the show Sex in the City

663
00:39:49,600 --> 00:39:54,120
Speaker 1: that's so uh you know, supposedly empowered women. These women

664
00:39:54,160 --> 00:39:56,719
Speaker 1: are going back and forth on Twitter talking ship to

665
00:39:56,800 --> 00:40:00,600
Speaker 1: each other. Um, and Kim Control is just she's just

666
00:40:00,719 --> 00:40:03,600
Speaker 1: shipping all over Sarah Jessica park and Sarah Jessica Parker

667
00:40:03,800 --> 00:40:05,799
Speaker 1: and I just think it's funny because it's it's white

668
00:40:05,840 --> 00:40:10,279
Speaker 1: girl on white girl crime self destruction. Uh yeah. But

669
00:40:11,040 --> 00:40:13,840
Speaker 1: Kim Cantrells like probably got something. They're like, yo, she

670
00:40:13,960 --> 00:40:16,920
Speaker 1: went at her, So it seems kind of valid. I've

671
00:40:16,960 --> 00:40:19,319
Speaker 1: read some of the stuff, so you never know. Man,

672
00:40:19,400 --> 00:40:21,399
Speaker 1: you know how motherfucker's be. They don't get along even

673
00:40:21,440 --> 00:40:27,840
Speaker 1: though they're acting together. People don't get along. Um, Warner Wolf.

674
00:40:28,280 --> 00:40:30,800
Speaker 1: If you grew up in New York City or probably

675
00:40:30,800 --> 00:40:36,520
Speaker 1: in the Tri State area, iconic, iconic sportscast. I actually

676
00:40:36,600 --> 00:40:40,560
Speaker 1: did a third grade class report on Warner Wolf. He's

677
00:40:40,600 --> 00:40:43,239
Speaker 1: eighty years old. He had the famous line, let's go

678
00:40:43,440 --> 00:40:45,880
Speaker 1: to the video tape. He's like a New York I

679
00:40:46,080 --> 00:40:48,680
Speaker 1: got that, like that New York like Marv Albert. He

680
00:40:48,760 --> 00:40:50,800
Speaker 1: was never as big as Marv Albert, but he's more local.

681
00:40:51,200 --> 00:40:55,160
Speaker 1: But Mark Warner Wolf is suing that fuck don Imus

682
00:40:55,640 --> 00:41:00,760
Speaker 1: because don Imus apparently fired him, uh over his age.

683
00:41:01,120 --> 00:41:03,399
Speaker 1: I don't know what don Amos is talking about. Don

684
00:41:03,520 --> 00:41:08,840
Speaker 1: Amos looks like a fucking piece of shit. Yea, his

685
00:41:08,960 --> 00:41:11,960
Speaker 1: whole ship is chopped. Dona Amis you look your whole yo,

686
00:41:12,080 --> 00:41:14,839
Speaker 1: you look crazy and you want to shoot on an

687
00:41:15,040 --> 00:41:19,319
Speaker 1: icon like Warner Wolf. Fuck you, don Imus ages um

688
00:41:20,000 --> 00:41:22,920
Speaker 1: age discrimination, you can't do it. Good, good job, you

689
00:41:22,920 --> 00:41:25,959
Speaker 1: want to just let's go to the fucking court. Let's

690
00:41:26,000 --> 00:41:30,600
Speaker 1: go to the court. Remember Warner Wolf, of course man

691
00:41:30,800 --> 00:41:33,880
Speaker 1: New York icons man. In the third grade, one of

692
00:41:33,920 --> 00:41:36,480
Speaker 1: the last things I remember before getting kicked out of

693
00:41:36,560 --> 00:41:41,360
Speaker 1: PS in the third grade was my class report on

694
00:41:41,600 --> 00:41:49,359
Speaker 1: Warner Wolf. Oh yeah, um finally. Okay, before we bring

695
00:41:49,440 --> 00:41:53,240
Speaker 1: out the NASCAR guy, I told you Clint Bowyer, Okay,

696
00:41:53,680 --> 00:41:57,120
Speaker 1: students racing in the sixtieth running of the dayton of

697
00:41:57,200 --> 00:42:01,359
Speaker 1: five Sunday night. He races around in these cars Daytony's.

698
00:42:01,400 --> 00:42:03,759
Speaker 1: He's like one of the best NASCAR racers, And I

699
00:42:03,840 --> 00:42:06,000
Speaker 1: told him, I said, Clint, I have no idea what

700
00:42:06,120 --> 00:42:09,600
Speaker 1: the funk it's like, but I had a great informative conversation.

701
00:42:09,880 --> 00:42:11,520
Speaker 1: This guy's is one of these guys that they're in

702
00:42:11,600 --> 00:42:14,200
Speaker 1: the car for hours at a time, hours at a time.

703
00:42:14,360 --> 00:42:17,800
Speaker 1: My first question to Clint Boyer, I asked him, I said, Clint,

704
00:42:18,400 --> 00:42:21,320
Speaker 1: do you you Texan drive? So it's a great interview

705
00:42:21,360 --> 00:42:23,239
Speaker 1: with Clint Boyer coming up. But before we get to that,

706
00:42:23,680 --> 00:42:25,200
Speaker 1: the last thing I want to say, before we get

707
00:42:25,239 --> 00:42:28,959
Speaker 1: to Clint Boyer heading into All Star weekend and Moody,

708
00:42:28,960 --> 00:42:30,080
Speaker 1: I would love to hear what you have to say

709
00:42:30,120 --> 00:42:34,759
Speaker 1: about this Boston Celtics. I funk with you. KG Hard,

710
00:42:35,160 --> 00:42:38,359
Speaker 1: Paul Pierce one of my favorite players of all time,

711
00:42:38,480 --> 00:42:41,640
Speaker 1: Ray Allen, Jesus Shuttlesworth one of my favorite players of

712
00:42:41,760 --> 00:42:44,719
Speaker 1: all time. Doc Rivers. Loved him as an Atlanta Hawk,

713
00:42:44,960 --> 00:42:46,640
Speaker 1: loved him as a player, loved him on the Iron

714
00:42:46,719 --> 00:42:51,440
Speaker 1: Rapp Reports stereo podcast. Rondo one of the most iconic, unique,

715
00:42:51,800 --> 00:42:54,480
Speaker 1: sort of one of a kind players who just marches

716
00:42:54,520 --> 00:42:58,080
Speaker 1: to the beat of his own drum. Okay, I love

717
00:42:58,200 --> 00:43:03,520
Speaker 1: all these dudes at the Boston Celtics championship team. You

718
00:43:03,640 --> 00:43:09,560
Speaker 1: guys need to stop with the bullshit. Stop stop. You're

719
00:43:09,640 --> 00:43:13,480
Speaker 1: turning the Boston Celtics into an episode of the Real

720
00:43:13,600 --> 00:43:18,440
Speaker 1: Housewives of Boston. All this we're not inviting ray Allen

721
00:43:19,120 --> 00:43:21,920
Speaker 1: rand Will Knight. Uh. You know was was on the

722
00:43:22,040 --> 00:43:25,319
Speaker 1: court now, Isaiah Thomas at one point Isaiah Thomas uh,

723
00:43:25,560 --> 00:43:28,520
Speaker 1: formerly of the Boston Celtics, formerly of the Cleveland Cavaliers

724
00:43:28,719 --> 00:43:31,479
Speaker 1: and now with the Los Angeles Lakers at one point

725
00:43:31,600 --> 00:43:34,200
Speaker 1: during the season because last year he was killing it

726
00:43:34,280 --> 00:43:37,640
Speaker 1: for the Celtics. Yeah, he was in the in the

727
00:43:37,719 --> 00:43:40,759
Speaker 1: conversation at least for for the m v P. He

728
00:43:40,880 --> 00:43:44,560
Speaker 1: went through that terrible situation where, um, he lost his sister,

729
00:43:44,920 --> 00:43:48,239
Speaker 1: he played, he played hard, he suffered that injury, he

730
00:43:48,360 --> 00:43:50,960
Speaker 1: got traded, which has nothing to do with him, and

731
00:43:51,080 --> 00:43:54,080
Speaker 1: so forth and so on. The Boston Celtics wanted to

732
00:43:54,160 --> 00:43:58,480
Speaker 1: show a tribute video Frisaiah Thomas. Now obviously the first

733
00:43:58,520 --> 00:44:00,840
Speaker 1: time Cleveland came back in Boston and he wasn't there

734
00:44:00,880 --> 00:44:03,080
Speaker 1: because he was still injured. And then they were gonna

735
00:44:03,120 --> 00:44:06,560
Speaker 1: have a video tribute um with the same night of

736
00:44:06,680 --> 00:44:10,480
Speaker 1: Paul Pierce's retirement jersey, and then Paul Pierce got into it,

737
00:44:10,800 --> 00:44:13,080
Speaker 1: and then Paul Pierce and Jalen Rose got into We've

738
00:44:13,120 --> 00:44:16,920
Speaker 1: talked about this at somehow or another. Isaiah Thomas, who

739
00:44:17,760 --> 00:44:20,680
Speaker 1: has had a very very good career and last year

740
00:44:20,800 --> 00:44:23,400
Speaker 1: was his best season. Somehow or another, he went from

741
00:44:23,480 --> 00:44:27,400
Speaker 1: being the darling of the league just some sort of

742
00:44:27,640 --> 00:44:31,920
Speaker 1: scapegoat bad guy. So the other night, Rondo, who's playing

743
00:44:31,960 --> 00:44:34,680
Speaker 1: for New Orleans at the beginning of the game, he

744
00:44:34,840 --> 00:44:39,800
Speaker 1: comes into the game talking ship about the tribute. Isaiah

745
00:44:39,840 --> 00:44:43,759
Speaker 1: Thomas is no longer on the Cleveland Cavaliers, He's no

746
00:44:43,960 --> 00:44:46,440
Speaker 1: longer getting the tribute. He said, I don't give a

747
00:44:46,520 --> 00:44:49,160
Speaker 1: funk about the tribute. Yeah, he's the one who said

748
00:44:49,200 --> 00:44:51,360
Speaker 1: he didn't. He said, no, I don't do it. And

749
00:44:51,440 --> 00:44:53,800
Speaker 1: these guys are still going on and on and on

750
00:44:53,920 --> 00:44:57,120
Speaker 1: about now unless there's something behind the scenes that I

751
00:44:57,200 --> 00:45:02,000
Speaker 1: don't know about. Cut the ship. We're grow the funk up, man,

752
00:45:02,560 --> 00:45:05,200
Speaker 1: Like was like talking about like Rondo, you were you

753
00:45:05,239 --> 00:45:08,719
Speaker 1: were a disruption to that team. You helped them win championships.

754
00:45:08,800 --> 00:45:13,719
Speaker 1: But you are a fucking disruption yo. Uh yo. And

755
00:45:13,800 --> 00:45:18,319
Speaker 1: it's not like Isaiah Thomas uh put together the tribute. Yo.

756
00:45:18,560 --> 00:45:20,759
Speaker 1: If you're gonna go at somebody, you go at the

757
00:45:20,880 --> 00:45:24,319
Speaker 1: management that suggested, you know, maybe we should do something

758
00:45:24,400 --> 00:45:26,960
Speaker 1: for this guy because his sister, you know what happened

759
00:45:26,960 --> 00:45:29,279
Speaker 1: with his sister, and he was and and Danny Age

760
00:45:29,320 --> 00:45:32,360
Speaker 1: probably felt bad on the way they kind of treated

761
00:45:32,400 --> 00:45:36,480
Speaker 1: this dude, so they want to show so some gratification, so,

762
00:45:36,760 --> 00:45:38,799
Speaker 1: which is fine. But but but none of this has

763
00:45:38,840 --> 00:45:40,680
Speaker 1: anything to do with Isaiah Thomas. It's not like he's

764
00:45:40,680 --> 00:45:42,279
Speaker 1: calling up. Danny Age was like, Yo, when I come

765
00:45:42,320 --> 00:45:44,520
Speaker 1: back to you, guys, got to hook up a video

766
00:45:44,680 --> 00:45:46,879
Speaker 1: and make sure you show this clip and show that clip.

767
00:45:47,440 --> 00:45:50,279
Speaker 1: Cut this ship. Man. Yeah, they still they still on

768
00:45:50,400 --> 00:45:52,040
Speaker 1: that hate and ship with Ray. I didn't hear none

769
00:45:52,080 --> 00:45:54,000
Speaker 1: of that. Well, yeah, the other day Paul Pierce got

770
00:45:54,080 --> 00:45:57,359
Speaker 1: his jersey retired, and and and Rondo was there, Doc

771
00:45:57,520 --> 00:46:00,800
Speaker 1: Rivers was there, KG was there, and Rayal wasn't invited?

772
00:46:01,680 --> 00:46:04,600
Speaker 1: Oh man and KG? What got a ship staple? That

773
00:46:04,760 --> 00:46:08,200
Speaker 1: hoodie staple to this fucking scalp. Yo, take that ship off,

774
00:46:08,320 --> 00:46:12,720
Speaker 1: duke seven ft with a fucking Holly Hobby ship attached

775
00:46:12,760 --> 00:46:15,920
Speaker 1: to your fucking head. He looks crazy, man, And and

776
00:46:16,040 --> 00:46:19,520
Speaker 1: get off the ship with Ray Allen man, y'all men, Yo,

777
00:46:20,080 --> 00:46:23,239
Speaker 1: he left so what and he won another chip, so

778
00:46:23,400 --> 00:46:28,239
Speaker 1: obviously that decision was valid. You got one. Ray got

779
00:46:28,320 --> 00:46:33,719
Speaker 1: to all right, listen, I am Wrappors Stereo podcast. Yo,

780
00:46:34,120 --> 00:46:38,120
Speaker 1: this dude Clint Bowyer's bug out. The Daytona five hundred

781
00:46:38,719 --> 00:46:41,279
Speaker 1: is like the super Bowl of Nascar. Got to talk

782
00:46:41,280 --> 00:46:43,160
Speaker 1: to about what it's like to drive in one of

783
00:46:43,200 --> 00:46:45,960
Speaker 1: these cars for hour after hour, how hot it gets?

784
00:46:46,120 --> 00:46:48,800
Speaker 1: If I asked him his opinion, do you think NASCAR

785
00:46:49,480 --> 00:46:52,400
Speaker 1: is a sport? Or is it it just driving? You

786
00:46:52,480 --> 00:46:53,560
Speaker 1: know what I mean? Cause a lot of people don't

787
00:46:53,560 --> 00:46:55,600
Speaker 1: can see. What do you think of that? It's not

788
00:46:55,719 --> 00:47:00,880
Speaker 1: a sport. It's work. It's got a fucking sport. It's like, yo,

789
00:47:01,000 --> 00:47:04,479
Speaker 1: you gotta have that, your eyes gotta be back and forth,

790
00:47:04,560 --> 00:47:06,440
Speaker 1: and you've got a maneuver. But that's not a sport.

791
00:47:06,560 --> 00:47:09,040
Speaker 1: Is he getting tired in the motherfucker? Hey, listen, you're

792
00:47:09,040 --> 00:47:11,400
Speaker 1: in there. It's like an over a hundred degrees. I'm

793
00:47:11,440 --> 00:47:14,000
Speaker 1: gonna let him. I'm gonna let him explain. Clint Bowyer,

794
00:47:14,960 --> 00:47:17,840
Speaker 1: driver of number four teen Mobile one Ford, coming up

795
00:47:17,920 --> 00:47:25,640
Speaker 1: next on the Iron Rapp Reports Stereo podcast, Clint Boyer.

796
00:47:25,719 --> 00:47:28,960
Speaker 1: This is Michael Rappaport of the Iron Rappaport Stereo podcast.

797
00:47:29,000 --> 00:47:32,880
Speaker 1: How are you good? There are you? Now? From what

798
00:47:33,000 --> 00:47:37,239
Speaker 1: I know okay about you? You don't understand what the

799
00:47:37,320 --> 00:47:40,960
Speaker 1: hell podcasts are and where they live and all that stuff. Correct,

800
00:47:41,640 --> 00:47:47,160
Speaker 1: that confirmed? All right? Well, listen, first of all, podcast

801
00:47:47,360 --> 00:47:50,360
Speaker 1: this is a podcast. It's not just a podcast, Clint,

802
00:47:50,480 --> 00:47:54,160
Speaker 1: It's it's the worldwide phenomenon. It's the greatest podcast in

803
00:47:54,239 --> 00:47:56,399
Speaker 1: the world. So so if you, even though you don't

804
00:47:56,440 --> 00:47:58,440
Speaker 1: know why, get paid to be on a podcast, you

805
00:47:58,560 --> 00:48:03,840
Speaker 1: get absolutely post sitively nothing. You get nothing at all. Clinton,

806
00:48:04,760 --> 00:48:07,040
Speaker 1: Is there anything that comes good out of a podcast?

807
00:48:07,280 --> 00:48:09,799
Speaker 1: You know what's gonna come good from this podcast? One day,

808
00:48:10,440 --> 00:48:12,399
Speaker 1: somebody's gonna come up to you, and it's probably gonna

809
00:48:12,440 --> 00:48:17,319
Speaker 1: happen this weekend heading into uh the Daytona and they're

810
00:48:17,320 --> 00:48:19,360
Speaker 1: gonna say I heard you on the im Wrap Reports

811
00:48:19,360 --> 00:48:22,000
Speaker 1: stereo podcast and and and they're gonna be like, that

812
00:48:22,200 --> 00:48:25,400
Speaker 1: was awesome. I could guarantee you that will happen some

813
00:48:25,840 --> 00:48:29,560
Speaker 1: and I'm gonna and and those are the kinds of things, Clint. Listen,

814
00:48:30,239 --> 00:48:32,560
Speaker 1: you got millions and millions of dollars, you got millions

815
00:48:32,600 --> 00:48:34,440
Speaker 1: and millions of fans. Those are the kind of things

816
00:48:34,480 --> 00:48:35,960
Speaker 1: that means something at the end of the day. You

817
00:48:36,040 --> 00:48:40,080
Speaker 1: know what I'm saying, Yes, that I can finally make

818
00:48:40,200 --> 00:48:42,040
Speaker 1: some sense out of a podcast. If I have a

819
00:48:42,120 --> 00:48:44,680
Speaker 1: fan come up and say they heard me on a podcast.

820
00:48:44,880 --> 00:48:47,440
Speaker 1: I'm gonna be bumped. All right, Well, it's it's definitely

821
00:48:47,480 --> 00:48:50,279
Speaker 1: gonna happen. So I'm gonna be honest, Clint. Listen. I'm

822
00:48:50,320 --> 00:48:53,880
Speaker 1: a New York City guy. I don't know much about Nascar.

823
00:48:54,280 --> 00:48:56,920
Speaker 1: I don't know much about Daytona. Um, so I want

824
00:48:56,960 --> 00:48:59,920
Speaker 1: you to sort of walk me through this. You actually

825
00:49:00,120 --> 00:49:02,600
Speaker 1: know more about Daytona and NASCAR than you think you

826
00:49:02,680 --> 00:49:05,279
Speaker 1: do because you live it every day your life. If

827
00:49:05,320 --> 00:49:07,800
Speaker 1: you live in New York City and try to drive anywhere,

828
00:49:08,120 --> 00:49:10,000
Speaker 1: that's what it's like trying to drive from the back

829
00:49:10,080 --> 00:49:12,520
Speaker 1: of the pack to the front at Daytona. Now, so,

830
00:49:12,719 --> 00:49:14,680
Speaker 1: so you've probably been all over the country and all

831
00:49:14,719 --> 00:49:17,960
Speaker 1: over the world. Would you say, based on your expertise

832
00:49:18,000 --> 00:49:20,960
Speaker 1: as a driver, that New York City driving is the

833
00:49:21,040 --> 00:49:25,040
Speaker 1: most challenging out of all the places you've been. Yes,

834
00:49:25,520 --> 00:49:28,480
Speaker 1: you need like a big truck, You need to eat

835
00:49:28,680 --> 00:49:31,359
Speaker 1: something that will run over vehicles or something that will

836
00:49:31,400 --> 00:49:33,239
Speaker 1: push them out of the way. That's what you need

837
00:49:33,680 --> 00:49:36,200
Speaker 1: to get from point A to point B in New

838
00:49:36,280 --> 00:49:38,920
Speaker 1: York City. What do you think of California driving? You've

839
00:49:38,920 --> 00:49:42,320
Speaker 1: ever driven in California or like in Los Angeles, same problem,

840
00:49:42,480 --> 00:49:46,040
Speaker 1: same vehicle would have huge success at both places. All right,

841
00:49:46,080 --> 00:49:49,960
Speaker 1: that makes sense. Um, So Daytona, how much hype goes

842
00:49:50,120 --> 00:49:54,160
Speaker 1: into Daytona. It's it's it's like the super Bowl of NASCAR,

843
00:49:54,280 --> 00:49:56,719
Speaker 1: Like what what what is the excitement? What is the

844
00:49:56,920 --> 00:49:59,040
Speaker 1: energy like? And and what does it mean to you

845
00:49:59,160 --> 00:50:03,239
Speaker 1: to to continue participate in this race? Well, here's the thing.

846
00:50:03,320 --> 00:50:05,879
Speaker 1: I mean, it's no different than what the Super Bowl

847
00:50:05,960 --> 00:50:08,400
Speaker 1: is to a football fan. I can't imagine you know,

848
00:50:08,640 --> 00:50:10,680
Speaker 1: any football player going to the Super Bowl and and

849
00:50:10,880 --> 00:50:15,200
Speaker 1: and not having you know, those memories of Holy cow.

850
00:50:15,400 --> 00:50:17,160
Speaker 1: This is what I've worked my whole life for, you know,

851
00:50:17,280 --> 00:50:20,400
Speaker 1: since I was old enough to compete. This is what

852
00:50:20,560 --> 00:50:23,920
Speaker 1: I worked for. And uh, you know what it's all

853
00:50:23,960 --> 00:50:25,719
Speaker 1: playing out. You're out there in the start and creating. You.

854
00:50:25,760 --> 00:50:27,560
Speaker 1: Look over, there's your mom and dad, there's your brothers,

855
00:50:27,640 --> 00:50:29,479
Speaker 1: you know. I mean, this is the moment that you've

856
00:50:29,520 --> 00:50:32,120
Speaker 1: worked your whole life for as a family. Um, not

857
00:50:32,280 --> 00:50:34,560
Speaker 1: just you as a person, it's everybody that formed you

858
00:50:34,640 --> 00:50:36,960
Speaker 1: and shaped you to who you are today. Whether it's

859
00:50:37,080 --> 00:50:42,400
Speaker 1: fast competitors, um teams, you know, appears anybody to be

860
00:50:42,560 --> 00:50:45,440
Speaker 1: on that stage at the Daytona means the world and

861
00:50:45,640 --> 00:50:48,480
Speaker 1: and uh, when you get out there, Um, it's so

862
00:50:48,719 --> 00:50:51,440
Speaker 1: different because throughout the course of speed Weeks. I mean

863
00:50:51,480 --> 00:50:53,200
Speaker 1: I've been down here for two weeks and my dirt

864
00:50:53,280 --> 00:50:56,279
Speaker 1: cars racing around another local you know, short tracks and

865
00:50:56,360 --> 00:50:58,839
Speaker 1: things like that. I mean, that's what makeup speed Weeks,

866
00:50:58,880 --> 00:51:01,440
Speaker 1: and that's what builds to the excitement of the Daytona

867
00:51:01,520 --> 00:51:03,600
Speaker 1: five hundred. I mean, there's racing down the road at

868
00:51:03,640 --> 00:51:06,640
Speaker 1: New Summerna, there's racing Evolution, there's racing and Tampa. We've

869
00:51:06,680 --> 00:51:10,400
Speaker 1: been to Okala, runs with Georgia. We've been hammering the

870
00:51:10,600 --> 00:51:13,080
Speaker 1: racing seen on the on the weekly Racing series. Uh,

871
00:51:13,200 --> 00:51:15,439
Speaker 1: you know, you know, running or late models all around

872
00:51:15,480 --> 00:51:17,440
Speaker 1: the country. The print cars have been down here. We've

873
00:51:17,480 --> 00:51:20,400
Speaker 1: all been down here racing big time, pushing for the

874
00:51:20,480 --> 00:51:23,400
Speaker 1: hype of the dayton And what do you think of this?

875
00:51:23,640 --> 00:51:26,680
Speaker 1: This is an age old question and I'm asking you sincerely,

876
00:51:26,719 --> 00:51:28,840
Speaker 1: and I'm not trying to be offensive. What do you

877
00:51:28,880 --> 00:51:32,760
Speaker 1: think of this whole debate that NASCAR is in a sport,

878
00:51:32,840 --> 00:51:35,640
Speaker 1: car racing isn't a sport. What is your take on that?

879
00:51:35,840 --> 00:51:38,880
Speaker 1: And then follow that up with what you do to

880
00:51:39,040 --> 00:51:43,279
Speaker 1: personally train outside of the car. Uh to be a

881
00:51:43,400 --> 00:51:48,040
Speaker 1: competitive racer at your level? Yeah, I think you know,

882
00:51:48,200 --> 00:51:51,560
Speaker 1: instead of having a linebacker run you over on the

883
00:51:51,600 --> 00:51:55,319
Speaker 1: football field, you've got a thirty pound automobile. You're you're

884
00:51:55,360 --> 00:51:57,760
Speaker 1: hitting a wall that don't move, you know, No different

885
00:51:57,840 --> 00:52:01,440
Speaker 1: that linebacker did. I mean, it's it's it's all relevant. Um.

886
00:52:01,920 --> 00:52:04,640
Speaker 1: Does our sport hurt? Hell yeah, it hurts. It hurts

887
00:52:04,680 --> 00:52:06,640
Speaker 1: bad when you hit a you know, hit a wall.

888
00:52:06,760 --> 00:52:09,600
Speaker 1: Do we have Do we have concussions and things like that? Yes,

889
00:52:09,880 --> 00:52:12,560
Speaker 1: we do. There's risks that come with with sports at

890
00:52:12,600 --> 00:52:14,600
Speaker 1: this level, no different than any other sport. You know

891
00:52:14,719 --> 00:52:18,320
Speaker 1: those risks and and I'd get in tomorrow, you know,

892
00:52:18,440 --> 00:52:20,600
Speaker 1: in the following day knowing those risks are in front

893
00:52:20,640 --> 00:52:22,520
Speaker 1: of me. I mean, you can get killed doing this.

894
00:52:22,719 --> 00:52:24,600
Speaker 1: We go to you know, two in a mile an

895
00:52:24,640 --> 00:52:26,759
Speaker 1: hour in a pack and and go flying through the

896
00:52:26,840 --> 00:52:29,400
Speaker 1: air like long darts. I mean, it's it happens at

897
00:52:29,440 --> 00:52:31,600
Speaker 1: this track at Daytona. If you know that going in.

898
00:52:32,280 --> 00:52:33,840
Speaker 1: But this is what you've worked your whole life for.

899
00:52:34,000 --> 00:52:35,680
Speaker 1: This is what you love to do, no different than

900
00:52:35,719 --> 00:52:39,319
Speaker 1: any other sport or any other athlete. Um, yes, are

901
00:52:39,360 --> 00:52:41,640
Speaker 1: you sitting in a car. Are you you know, do

902
00:52:41,719 --> 00:52:44,200
Speaker 1: you do? You have to be able to bench press

903
00:52:44,239 --> 00:52:45,680
Speaker 1: with alsand pounds to be able to do what do

904
00:52:45,880 --> 00:52:49,640
Speaker 1: Hell no, we got para steering. But it's crazy hot

905
00:52:49,719 --> 00:52:54,680
Speaker 1: inside the cars. Um, it's it's mentally this this race

906
00:52:54,760 --> 00:52:57,600
Speaker 1: a Daytona more than any place. These Resuta plate tracks

907
00:52:57,600 --> 00:53:02,040
Speaker 1: are mentally taxing beyond belief. Um, there's so much that's

908
00:53:02,080 --> 00:53:05,120
Speaker 1: coming into the brain and that you're taking in. You're learning,

909
00:53:05,239 --> 00:53:07,480
Speaker 1: You're you're trying to get that car, you know, to

910
00:53:07,600 --> 00:53:10,560
Speaker 1: the front, you're pitting. Um, the athletes on pit road,

911
00:53:10,600 --> 00:53:12,440
Speaker 1: I mean, you won't talk about athletes. These guys are

912
00:53:12,719 --> 00:53:15,720
Speaker 1: are turning pit stops in twelve seconds, changing four tires,

913
00:53:15,840 --> 00:53:18,160
Speaker 1: filling the car. If you will make an adjustment. Let's see,

914
00:53:18,360 --> 00:53:20,960
Speaker 1: let's see somebody. You know when when you talk about athletes,

915
00:53:21,000 --> 00:53:24,480
Speaker 1: those are those are real life athletes that were you know,

916
00:53:24,600 --> 00:53:27,920
Speaker 1: past football players or or from another sport that are

917
00:53:27,920 --> 00:53:30,759
Speaker 1: competing within the sport and may not be driving, but

918
00:53:30,920 --> 00:53:34,600
Speaker 1: they're they're a big part of the sport. So um, yeah,

919
00:53:34,640 --> 00:53:36,880
Speaker 1: I mean no, do we use the same muscles as

920
00:53:36,920 --> 00:53:41,040
Speaker 1: a football player a basketball player? Hell no. But but

921
00:53:41,360 --> 00:53:44,040
Speaker 1: you know what I mean, there's it's definitely I feel

922
00:53:44,120 --> 00:53:46,920
Speaker 1: like there's an argument there to be an athlete. I

923
00:53:47,000 --> 00:53:50,239
Speaker 1: can guarantee you are seven time champion of Jimmy Johnson's

924
00:53:50,320 --> 00:53:54,680
Speaker 1: probably in better shape than most athletes that you see

925
00:53:54,680 --> 00:53:57,960
Speaker 1: out there today. Bees bubbly, but he's in good shape.

926
00:53:59,200 --> 00:54:00,800
Speaker 1: So what do you guys do to trainer? What do

927
00:54:00,880 --> 00:54:02,719
Speaker 1: you do to train? You know, like to to to

928
00:54:02,800 --> 00:54:05,480
Speaker 1: stay in shape and like to prepare for races because obviously,

929
00:54:05,640 --> 00:54:08,040
Speaker 1: like you said, you have to be in shape mentally

930
00:54:08,160 --> 00:54:11,399
Speaker 1: and physically, it's taxing. What what is your personal train?

931
00:54:11,480 --> 00:54:14,600
Speaker 1: Kind of leads that pack of putting spandex on riding

932
00:54:14,640 --> 00:54:17,279
Speaker 1: these bikes these these days, and I just I can't

933
00:54:17,320 --> 00:54:19,520
Speaker 1: do it. I'm a Midwestern boy, I'm a Kansas boy.

934
00:54:20,280 --> 00:54:22,759
Speaker 1: I have friends that would kick my ass if they

935
00:54:22,800 --> 00:54:27,600
Speaker 1: found me in spandex that would they would, it would happen. So,

936
00:54:27,840 --> 00:54:29,960
Speaker 1: I mean, you know, I have a trainer and we

937
00:54:30,120 --> 00:54:33,239
Speaker 1: work with with her and and you know what I mean,

938
00:54:33,320 --> 00:54:35,719
Speaker 1: we we do the same things that that any other

939
00:54:35,800 --> 00:54:37,640
Speaker 1: sport does. But I've always been a firm believe I

940
00:54:37,719 --> 00:54:40,680
Speaker 1: came from the you know, motocross world, and and everybody knows,

941
00:54:41,200 --> 00:54:44,239
Speaker 1: you know, that's very physically demanding and things like that. Um.

942
00:54:44,400 --> 00:54:47,000
Speaker 1: I've always been a firm believer in you know, your

943
00:54:47,040 --> 00:54:50,400
Speaker 1: best conditioning is being a ass outle doing whatever it

944
00:54:50,920 --> 00:54:53,040
Speaker 1: is that you do for a living. Um, that's the

945
00:54:53,160 --> 00:54:55,759
Speaker 1: best condition you could do for your mind and your body.

946
00:54:56,520 --> 00:55:00,719
Speaker 1: In two thousand seven, Clint, it's a dayton of five.

947
00:55:01,120 --> 00:55:05,200
Speaker 1: You wound up upside down and on fire, and fortunately

948
00:55:05,640 --> 00:55:08,200
Speaker 1: you made it out of that. Now it's it's been

949
00:55:08,360 --> 00:55:11,120
Speaker 1: almost eleven years since that happened. Can you tell me

950
00:55:12,000 --> 00:55:15,040
Speaker 1: what that was, like what you remember and and like

951
00:55:15,280 --> 00:55:18,120
Speaker 1: what the sounds were of going through some sort of

952
00:55:18,600 --> 00:55:21,840
Speaker 1: a crash like that. Well, I mean, it's all of this.

953
00:55:22,080 --> 00:55:24,759
Speaker 1: It's so hectic, especially when you get into like the

954
00:55:24,880 --> 00:55:27,360
Speaker 1: last ten laps of the race. Everybody's pushing your bumper,

955
00:55:27,719 --> 00:55:29,680
Speaker 1: you know, nose to tail, pushing on again in front

956
00:55:29,680 --> 00:55:31,839
Speaker 1: of me. Somebody's got your rear tires off the ground.

957
00:55:31,840 --> 00:55:34,320
Speaker 1: You're trying to keep this thing you know underneath of you,

958
00:55:34,480 --> 00:55:37,080
Speaker 1: and you're you're swatting flies with the wheel. You're you're

959
00:55:37,640 --> 00:55:40,560
Speaker 1: holding us to throttle through the floorboard, your temperature through

960
00:55:40,600 --> 00:55:42,320
Speaker 1: the roof. There's a guy and you're yelling at you

961
00:55:42,440 --> 00:55:44,680
Speaker 1: know you know what's going on around you. It's just

962
00:55:44,960 --> 00:55:47,120
Speaker 1: crazy hectic. As you're getting down to the end of

963
00:55:47,200 --> 00:55:49,600
Speaker 1: that thing, your cars just get sideways in front of

964
00:55:49,680 --> 00:55:52,120
Speaker 1: you and maybe jumbles everybody up. You're trying to avoid that.

965
00:55:52,719 --> 00:55:54,919
Speaker 1: You get that caught up. Now you're looking in the mirror.

966
00:55:54,920 --> 00:55:57,759
Speaker 1: The one thing that probably people don't realize that don't

967
00:55:57,800 --> 00:55:59,759
Speaker 1: watch this a lot when you watch Dayton and tell

968
00:55:59,840 --> 00:56:01,600
Speaker 1: it egg on these from Sugar to Blade tracks, is

969
00:56:02,000 --> 00:56:04,399
Speaker 1: you really drive more out of the rear of your

970
00:56:04,440 --> 00:56:06,440
Speaker 1: cars than you do even the windshield. What do you

971
00:56:06,480 --> 00:56:08,920
Speaker 1: mean by watching? What do you mean watching the mirror.

972
00:56:09,280 --> 00:56:11,920
Speaker 1: I'm watching the mirror more than I'm looking out the windshield.

973
00:56:11,960 --> 00:56:14,800
Speaker 1: I'm looking literally at the mirror more than you you

974
00:56:15,160 --> 00:56:18,120
Speaker 1: glance through the windshield. You watch the mirror. You have

975
00:56:18,320 --> 00:56:20,759
Speaker 1: to know what's behind you at all times, and your

976
00:56:20,800 --> 00:56:22,800
Speaker 1: spot or up top that's yelling in your ear is

977
00:56:22,880 --> 00:56:25,200
Speaker 1: telling you where those runs are coming from, who those

978
00:56:25,320 --> 00:56:29,720
Speaker 1: runs are, because it's more important who what cars you're around.

979
00:56:29,960 --> 00:56:32,040
Speaker 1: You want your teammates, you want your you know, you

980
00:56:32,160 --> 00:56:34,319
Speaker 1: want to be with your pack, your wolf pack when

981
00:56:34,360 --> 00:56:36,239
Speaker 1: it gets down to it, because you know they're gonna

982
00:56:36,280 --> 00:56:38,200
Speaker 1: have you back. They're not gonna lead you auesterday. They're

983
00:56:38,200 --> 00:56:40,879
Speaker 1: gonna push you to win that day twere And then

984
00:56:40,920 --> 00:56:42,719
Speaker 1: you've got to put them in a situation where they

985
00:56:42,800 --> 00:56:45,120
Speaker 1: they don't have any choice but to do that. You know,

986
00:56:45,280 --> 00:56:47,600
Speaker 1: if you're just two cars out there out front, you've

987
00:56:47,600 --> 00:56:49,879
Speaker 1: got a guy behind you, he's going to pull off

988
00:56:49,960 --> 00:56:52,839
Speaker 1: the slingshot around you and probably win the race. You've

989
00:56:52,840 --> 00:56:55,360
Speaker 1: got to strategize and try to have him in a

990
00:56:55,480 --> 00:56:58,320
Speaker 1: situation maybe door to door with other cars where he

991
00:56:58,440 --> 00:57:01,040
Speaker 1: has no choice but to push you. Which which is

992
00:57:01,080 --> 00:57:03,320
Speaker 1: gonna be his best chance of getting a good finish.

993
00:57:03,440 --> 00:57:06,080
Speaker 1: That's what you gotta try to strategize to do. So

994
00:57:06,280 --> 00:57:08,920
Speaker 1: when you look at this chaos that happens at daysone,

995
00:57:08,920 --> 00:57:11,080
Speaker 1: and there's so much more that goes into it than

996
00:57:11,160 --> 00:57:13,320
Speaker 1: just going out there and holding it wide open and

997
00:57:13,360 --> 00:57:15,800
Speaker 1: hoping for the best. So when that when that crash

998
00:57:15,880 --> 00:57:19,720
Speaker 1: happened to two, what do you remember about that? You

999
00:57:19,760 --> 00:57:22,800
Speaker 1: ever here? Will you live in New York City? You

1000
00:57:22,880 --> 00:57:24,640
Speaker 1: never really worked on a car or anything. Have you

1001
00:57:24,640 --> 00:57:27,160
Speaker 1: ever welded or anything? Let me tell you something, Clinton,

1002
00:57:27,240 --> 00:57:30,600
Speaker 1: I'm not good with my hands. I stopped even like hammering,

1003
00:57:31,000 --> 00:57:33,640
Speaker 1: like you know, nails. Have literally found a job where

1004
00:57:33,640 --> 00:57:36,400
Speaker 1: you just talk for a living. That's it. That's it, Clint.

1005
00:57:36,600 --> 00:57:39,480
Speaker 1: And because at this point nailed it. It's it's destruction.

1006
00:57:39,840 --> 00:57:41,840
Speaker 1: It's because at this point, like even when I try

1007
00:57:41,880 --> 00:57:44,120
Speaker 1: to hang like a picture on my wall, it turns

1008
00:57:44,160 --> 00:57:47,680
Speaker 1: into a whole process. So welding you when you like,

1009
00:57:47,800 --> 00:57:50,160
Speaker 1: when you're grinding on something, you have a scattered shield on,

1010
00:57:50,280 --> 00:57:52,360
Speaker 1: you know, like sparks are hitting even but they're just

1011
00:57:52,440 --> 00:57:55,480
Speaker 1: deflecting off. That's what it felt like. They're sliding. But

1012
00:57:55,800 --> 00:57:58,040
Speaker 1: I mean, honestly, you're still racing. You know, you come

1013
00:57:58,040 --> 00:58:00,840
Speaker 1: off a turn four and you're thinking, man, cars wreck.

1014
00:58:00,960 --> 00:58:03,920
Speaker 1: You see him for a split second, you're thinking this

1015
00:58:04,080 --> 00:58:06,320
Speaker 1: is an opportunity to capitalize on this and pass a

1016
00:58:06,360 --> 00:58:07,640
Speaker 1: lot of cars, and then all of a sudden you

1017
00:58:07,680 --> 00:58:09,320
Speaker 1: get clipped and you didn't even see the car that

1018
00:58:09,400 --> 00:58:12,280
Speaker 1: hitting your upside down. You're on fire. Fire is not good.

1019
00:58:12,400 --> 00:58:15,000
Speaker 1: The fire deal suck. It scary. Like are you like

1020
00:58:15,160 --> 00:58:18,680
Speaker 1: oh ship or are you like you ever been on fire? No, Clint,

1021
00:58:18,720 --> 00:58:22,280
Speaker 1: I've never been on fire. Yeah, you gotta live a little.

1022
00:58:23,120 --> 00:58:26,760
Speaker 1: You can't can't sit behind a micro forever. There's a

1023
00:58:26,800 --> 00:58:29,840
Speaker 1: life to be lived. No fire is never good. It sucks.

1024
00:58:30,160 --> 00:58:32,720
Speaker 1: I draw the line with fire and upside down not

1025
00:58:32,800 --> 00:58:34,400
Speaker 1: being at a beginning. But the funny thing about that

1026
00:58:34,520 --> 00:58:37,680
Speaker 1: whole story was my spotty. You can always tell that

1027
00:58:37,880 --> 00:58:40,680
Speaker 1: the you know, because our spotter's innet here all the time.

1028
00:58:40,720 --> 00:58:43,080
Speaker 1: They're up there bird's eye view on top of the grandstands.

1029
00:58:43,080 --> 00:58:45,840
Speaker 1: They can see everything. There are our eyes in the

1030
00:58:45,920 --> 00:58:50,080
Speaker 1: sky and he you can always tell the magnitude situation

1031
00:58:50,160 --> 00:58:52,560
Speaker 1: you're in by their voice when it starts cracking or

1032
00:58:53,200 --> 00:58:55,880
Speaker 1: you know, they get excited. You know, it's like, oh damn,

1033
00:58:56,240 --> 00:58:59,160
Speaker 1: where something's fixing to happen. And and he gets on

1034
00:58:59,240 --> 00:59:01,880
Speaker 1: the radio screams like all the brakes, all the brakes,

1035
00:59:01,880 --> 00:59:04,120
Speaker 1: all the brakes, and and I had slid so long

1036
00:59:04,240 --> 00:59:06,840
Speaker 1: I finally it was like got on the radio, was like, hey,

1037
00:59:06,920 --> 00:59:10,040
Speaker 1: but the brakes ain't helping me. The wheels are off

1038
00:59:10,080 --> 00:59:12,640
Speaker 1: the ground. So that was kind of our our last

1039
00:59:12,680 --> 00:59:15,320
Speaker 1: to calm everything down. But didn't flip back over and

1040
00:59:15,880 --> 00:59:19,160
Speaker 1: eventually quit quit burning, and we were fine, Well, I'm

1041
00:59:19,200 --> 00:59:20,960
Speaker 1: glad you made it out of there safe. Now I

1042
00:59:21,080 --> 00:59:23,760
Speaker 1: know you're you're you're from Kansas. Yeah, just to just

1043
00:59:23,840 --> 00:59:27,360
Speaker 1: to switch over to football. I'm a big Chiefs fan. Um,

1044
00:59:27,600 --> 00:59:30,360
Speaker 1: I thought, you guys, are you still are you still

1045
00:59:30,480 --> 00:59:33,960
Speaker 1: stinging over how like how quick and fast the Chiefs fell?

1046
00:59:34,080 --> 00:59:36,200
Speaker 1: And I'm a Giants I'm a Giants fan at heart,

1047
00:59:36,240 --> 00:59:38,880
Speaker 1: but I love that Chiefs team, and I thought you

1048
00:59:38,960 --> 00:59:41,280
Speaker 1: guys were gonna do it? How bad did that hurt?

1049
00:59:42,600 --> 00:59:45,560
Speaker 1: As a competitor, you realize their respect and everything that

1050
00:59:45,640 --> 00:59:48,160
Speaker 1: goes into the game or what what game it is,

1051
00:59:48,240 --> 00:59:50,360
Speaker 1: doesn't matter whether it's race and whether what you're doing

1052
00:59:50,760 --> 00:59:54,400
Speaker 1: as a professional athlete in a professional sport. You know

1053
00:59:54,880 --> 00:59:57,280
Speaker 1: that you in respect whatever goes into it, so you

1054
00:59:57,400 --> 00:59:59,840
Speaker 1: never get mad. I was so pissed after that game.

1055
01:00:00,280 --> 01:00:03,080
Speaker 1: I couldn't I couldn't be around. I couldn't be around anybody.

1056
01:00:03,160 --> 01:00:05,520
Speaker 1: You didn't want to see anybody like literally, I became

1057
01:00:05,600 --> 01:00:10,280
Speaker 1: that fan. You can be off the balcony. That's what

1058
01:00:10,400 --> 01:00:13,080
Speaker 1: it's all about. So much trash the first half to

1059
01:00:13,200 --> 01:00:15,480
Speaker 1: my peers and my friends. I mean, we had that

1060
01:00:15,640 --> 01:00:20,800
Speaker 1: game in the bag, no problem. Stuffer that devastating blow

1061
01:00:20,920 --> 01:00:23,720
Speaker 1: so quickly in the second half you can see it coming,

1062
01:00:24,240 --> 01:00:26,880
Speaker 1: and boy I had eat my words bad. So yeah,

1063
01:00:26,920 --> 01:00:29,320
Speaker 1: I was. I was pretty bummed out. But there's always

1064
01:00:29,400 --> 01:00:31,640
Speaker 1: next year. We'll be fine. There's always that year and

1065
01:00:31,800 --> 01:00:34,160
Speaker 1: they're gonna be fine, and and and trust me. I

1066
01:00:34,480 --> 01:00:37,640
Speaker 1: went through the Ringer all NFL playoffs, and I was

1067
01:00:37,760 --> 01:00:40,840
Speaker 1: talking so much trash and and you know, things were

1068
01:00:40,920 --> 01:00:43,760
Speaker 1: changing on a dime. All right. My final question before

1069
01:00:43,800 --> 01:00:44,840
Speaker 1: I let you go, and I want you to be

1070
01:00:44,920 --> 01:00:46,960
Speaker 1: honest with me. Okay, we don't know each other, but

1071
01:00:47,000 --> 01:00:48,560
Speaker 1: I want you to trust me and be honest with

1072
01:00:48,640 --> 01:00:51,680
Speaker 1: me when you're driving. Obviously you don't do this at Nascar.

1073
01:00:52,160 --> 01:00:58,000
Speaker 1: Do you text and drive? Be honest, be honest with me. No.

1074
01:00:58,440 --> 01:01:00,360
Speaker 1: And you know what that's like. One of my biggest

1075
01:01:00,400 --> 01:01:04,000
Speaker 1: pet peeves in life right now is in Nascar. You

1076
01:01:04,280 --> 01:01:06,920
Speaker 1: you teach yourself everything happens so far in front of

1077
01:01:06,960 --> 01:01:09,920
Speaker 1: you that you're you're watching so far in front of you.

1078
01:01:10,120 --> 01:01:13,400
Speaker 1: It's like, and I live on a farm. It's down

1079
01:01:13,640 --> 01:01:16,760
Speaker 1: down a highway, so it's like sixteen miles to town

1080
01:01:16,880 --> 01:01:19,200
Speaker 1: or whatever, and I drive it every day, and you

1081
01:01:19,320 --> 01:01:21,600
Speaker 1: can come up on a car and it can be

1082
01:01:21,960 --> 01:01:23,720
Speaker 1: half a mile in front of you and I will say,

1083
01:01:23,800 --> 01:01:26,800
Speaker 1: watched texting, and it's like you get up there and

1084
01:01:26,880 --> 01:01:28,960
Speaker 1: I'll be down there. He is texting all over the road,

1085
01:01:28,960 --> 01:01:31,800
Speaker 1: and it's it's like, so when you're a drive, you realize,

1086
01:01:32,280 --> 01:01:35,440
Speaker 1: you know, they're not being they're not fast, they're slow,

1087
01:01:35,520 --> 01:01:37,560
Speaker 1: they're all over the place. They're gonna wreck and they're

1088
01:01:37,600 --> 01:01:40,680
Speaker 1: not gonna finish you. Like, damn guy, you gotta do better.

1089
01:01:42,000 --> 01:01:44,080
Speaker 1: So don't text. You See. That's a good thing about

1090
01:01:44,120 --> 01:01:46,240
Speaker 1: where you live, is you just walk and you can text.

1091
01:01:46,320 --> 01:01:49,439
Speaker 1: But is it like you can't text and walk either.

1092
01:01:49,560 --> 01:01:50,960
Speaker 1: You mean, you don't want to be that guy that

1093
01:01:51,520 --> 01:01:55,600
Speaker 1: cleaned somebody out on the sidewalk because he's texting and walking, right,

1094
01:01:55,720 --> 01:01:58,160
Speaker 1: Is that is that rule? No, you don't want to

1095
01:01:58,200 --> 01:02:00,240
Speaker 1: do that. You look ridiculous. And at this point, if

1096
01:02:00,280 --> 01:02:03,880
Speaker 1: you're texting and walking and you're not paying attention, a

1097
01:02:04,080 --> 01:02:07,680
Speaker 1: driver who's texting and driver might take you out. Even

1098
01:02:07,760 --> 01:02:09,880
Speaker 1: the uh, the good old days of being able to

1099
01:02:09,960 --> 01:02:13,120
Speaker 1: text and drive, you can't do that because usually the drivers,

1100
01:02:13,200 --> 01:02:16,160
Speaker 1: especially in New York, especially the cab drivers, are texting

1101
01:02:16,600 --> 01:02:20,400
Speaker 1: and driving. Listen, Clint, I appreciate you taking the time

1102
01:02:20,440 --> 01:02:23,440
Speaker 1: with me on the im Wrapp Reports stereo podcast. I

1103
01:02:23,800 --> 01:02:28,280
Speaker 1: wish you a safe sixtieth running of the NASCAR. UH.

1104
01:02:28,440 --> 01:02:31,960
Speaker 1: This Sunday February eighteen to thirty on Fox. I hope

1105
01:02:32,000 --> 01:02:35,000
Speaker 1: you win. I hope you're safe, and uh you know,

1106
01:02:35,200 --> 01:02:37,240
Speaker 1: and I can't wait till the first person comes up

1107
01:02:37,240 --> 01:02:39,400
Speaker 1: to you and it's gonna happen and says yo, Clint,

1108
01:02:40,080 --> 01:02:42,600
Speaker 1: I Yo, you kicked ass on the im Wrap Reports

1109
01:02:42,640 --> 01:02:44,560
Speaker 1: Stereo Pockets, and then it'll all make sense to you.

1110
01:02:45,600 --> 01:02:48,320
Speaker 1: So here's the thing. If I win this thing, I'm

1111
01:02:48,360 --> 01:02:51,520
Speaker 1: coming back on this podcast or whatever this thing is,

1112
01:02:52,280 --> 01:02:54,480
Speaker 1: and we're gonna have way more fun. Let's do it.

1113
01:02:54,600 --> 01:02:57,760
Speaker 1: You we will have a relationship by then. Let's do it.

1114
01:02:57,800 --> 01:03:00,600
Speaker 1: Promise you we'll do this over a beer or something.

1115
01:03:00,640 --> 01:03:02,720
Speaker 1: How about that? Absolutely? And again I wish you was

1116
01:03:02,760 --> 01:03:05,640
Speaker 1: safe phrase, and I hope you win, and uh you know,

1117
01:03:05,720 --> 01:03:07,240
Speaker 1: And I just hope you get out of there safe

1118
01:03:07,280 --> 01:03:09,040
Speaker 1: and and have a great time down there and enjoy

1119
01:03:09,120 --> 01:03:16,040
Speaker 1: the experience. Everbody thank me. Alright, Clint, y'all want to

1120
01:03:16,080 --> 01:03:17,840
Speaker 1: thank Clint Boyer for rocking with me on the Iron

1121
01:03:17,840 --> 01:03:21,040
Speaker 1: Wrap Pors Stereo Pockets. As you heard, he's not very

1122
01:03:21,080 --> 01:03:24,160
Speaker 1: familiar with podcasts, and I said, trust me, one day

1123
01:03:24,280 --> 01:03:26,920
Speaker 1: somebody's gonna come up to and be like, yo, yo,

1124
01:03:27,480 --> 01:03:29,680
Speaker 1: I heard you on the Iron Wrap Coors Stereo Podcast,

1125
01:03:29,800 --> 01:03:31,680
Speaker 1: and then it will all make sense. So if anybody

1126
01:03:31,720 --> 01:03:34,000
Speaker 1: out there ever sees Clint Boyer, make sure you say

1127
01:03:34,080 --> 01:03:36,840
Speaker 1: something to him about the Iron Wrap Coors Stereo pockets. Um,

1128
01:03:37,040 --> 01:03:40,080
Speaker 1: we're done. What more can we do? We came, we

1129
01:03:40,200 --> 01:03:42,920
Speaker 1: saw what we conquered. Have no fear. The Iron Wrap

1130
01:03:43,000 --> 01:03:48,120
Speaker 1: Reports Stereo podcast is here. Okay, we get left blood

1131
01:03:48,160 --> 01:03:51,880
Speaker 1: on the floor. As always we leave blood on the floor.

1132
01:03:52,600 --> 01:03:54,640
Speaker 1: You know, someone said you always sound like you're screaming

1133
01:03:54,640 --> 01:03:57,720
Speaker 1: and yelling on the pockets. That's because I'm giving. I

1134
01:03:57,840 --> 01:04:01,680
Speaker 1: am fucking giving of myself every single time I pick

1135
01:04:01,800 --> 01:04:04,840
Speaker 1: up the golden microphones here in the gloom too, I

1136
01:04:04,920 --> 01:04:08,600
Speaker 1: am giving of myself. G. Moody last name rhymes with duty.

1137
01:04:08,720 --> 01:04:11,120
Speaker 1: My name is Michael Rappaport a K. The Gringo Man Dingle,

1138
01:04:11,560 --> 01:04:14,360
Speaker 1: Miles Jordan's a K. The Dust Brothers. Take us out

1139
01:04:14,400 --> 01:04:17,200
Speaker 1: with something like a smacker. I don't want some funky

1140
01:04:17,400 --> 01:04:20,320
Speaker 1: take us out with a smacker. A G. Moody beat

1141
01:04:20,680 --> 01:04:23,280
Speaker 1: that Lionzo Ball wouldn't even think quite to rhyme over.

1142
01:04:23,400 --> 01:04:25,520
Speaker 1: Let me get something, Let me get a smacker, some

1143
01:04:25,640 --> 01:04:25,920
Speaker 1: boom