WEBVTT - How Electronic Publishing Works

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you hey there, Text Stuff listeners, This

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<v Speaker 1>is Jonathan Strickland and I have got a request for

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<v Speaker 1>all of you. Now, Chris and I have decided that

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<v Speaker 1>we're going to try and experiment. We're doing our first

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<v Speaker 1>crowd sourced episode of tech Stuff and we want to

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<v Speaker 1>know what your pick is for the worst video game

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<v Speaker 1>of all time. Now, nominations you can. You can make

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<v Speaker 1>one nomination. You nominate one game, and you need to

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<v Speaker 1>tell us the name of the game and the platform

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<v Speaker 1>it was on. And it could be any platform. It

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<v Speaker 1>could be an arcade game, it could be a PC, Mac, Xbox,

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<v Speaker 1>PS three, Nintendo handheld console. It can be web based

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<v Speaker 1>if you like. But just you let us know what

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<v Speaker 1>the platform is so we can make sure we count

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<v Speaker 1>that as the votes. So you can nominate your game

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<v Speaker 1>either through email, which is tech Stuff at how stuff

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<v Speaker 1>works dot com, or you can nominate through Twitter or Facebook.

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<v Speaker 1>And we're gonna put a cut off date on this.

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<v Speaker 1>I want to have the episode go up by the

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<v Speaker 1>end of September of eleven. So let's say you need

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<v Speaker 1>to get your nominations in by September eleven, So if

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<v Speaker 1>you get those nominations into us, we will make sure

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<v Speaker 1>we include those in the process, and we will have

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<v Speaker 1>an episode where we give you the worst video games

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<v Speaker 1>of all time based upon the votes of our listeners.

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<v Speaker 1>Thanks a lot. Can't wait to hear from you. Get

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<v Speaker 1>in touch with technology with tech Stuff from how stuff

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<v Speaker 1>works dot com. Hello again, everyone, Welcome to tech stuff.

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<v Speaker 1>My name is Chris Poulette and I'm an editor at

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<v Speaker 1>how stuff works dot com. Sitting across from me, as

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<v Speaker 1>usual is senior writer Jonathan Strickland Butterfly in the Sky

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<v Speaker 1>I can go twice as high. Nice. Thank you. You know,

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<v Speaker 1>originally we were talking about the possibility of doing an

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<v Speaker 1>e books podcast, and then we realized we've done any

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<v Speaker 1>books podcast, but we really haven't talked about a lot

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<v Speaker 1>of the developments in publishing since then. That's right, and uh,

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<v Speaker 1>and we had some listeners on Google Plus. So here's

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<v Speaker 1>a little note from Google Plus. And John and Paul

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<v Speaker 1>very biblical fellows. I suppose us are very beatle fellows.

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<v Speaker 1>Perhaps so, but both John and Paul had asked that

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<v Speaker 1>we talked about the books and e publishing. John was

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<v Speaker 1>very insistent by the way, John, we do have an

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<v Speaker 1>episode on the books, which I had completely forgotten about. Um,

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<v Speaker 1>I believe Christi as well. And just this morning as

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<v Speaker 1>I was as I was looking at my notes, I realized,

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<v Speaker 1>wait a minute, this sounds really familiar, and sure enough

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<v Speaker 1>we have done one. But yeah, we wanted to talk

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<v Speaker 1>about sort of the back end, not from the technological

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<v Speaker 1>perspective so much as from sort of a business perspective

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<v Speaker 1>about publishing, what publishers do, and how all that's starting

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<v Speaker 1>to change in the e book era. Yeah, so I

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<v Speaker 1>guess first we should just start talking about what publishers do. Okay, Yeah,

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<v Speaker 1>that that's actually a good question, especially because a lot

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<v Speaker 1>of the discussions I've read recently. Uh. And when I

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<v Speaker 1>say recently, I would guess probably. I think I'm thinking

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<v Speaker 1>about probably the last year, because the books have become

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<v Speaker 1>a lot more popular. Uh. You see uh news reports

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<v Speaker 1>from Amazon that they are out selling paperbacks. Now, I

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<v Speaker 1>think it was like for every one paperbacks Amazon sold,

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<v Speaker 1>they'd sell a hundred and fifteen e books. So it's

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<v Speaker 1>already matched and outpaced the Dead Tree version of of books. Yep.

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<v Speaker 1>But the thing is a lot of in a lot

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<v Speaker 1>of cases, the electronic version of the book costs close to,

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<v Speaker 1>if not as much as, are in some cases more

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<v Speaker 1>than um the price of a paper book or p

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<v Speaker 1>book as I like to call them. UM, And people go,

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<v Speaker 1>what the heck is going on here? If this is

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<v Speaker 1>just bits and bites, it doesn't take up any floor space,

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<v Speaker 1>you don't have to design a special cover for it. Um.

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<v Speaker 1>You know, what are the publishers doing? What is the

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<v Speaker 1>point of this? And then you you have to realize

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<v Speaker 1>that they actually do quite a bit. So let's let's

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<v Speaker 1>look at it from let's let's take electronic publishing out

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<v Speaker 1>of the picture right now and just talk about publishers

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<v Speaker 1>and what they do from a traditional standpoint. So traditionally,

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<v Speaker 1>what a publisher would do is you have you have

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<v Speaker 1>your authors. These are the people who are creating work

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<v Speaker 1>right there. Then you've got editors who are editing the work,

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<v Speaker 1>making sure it it's uh worthy of publication. Now the

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<v Speaker 1>publishers the the entity that takes that work and produces

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<v Speaker 1>it in a mass production uh kind of way. And

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<v Speaker 1>then so that they're into production, they're into distribution, and

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<v Speaker 1>that they find buyers that buy up uh several units

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<v Speaker 1>of books all at once. So bookstores really is what

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<v Speaker 1>we're talking about here. Publishers look for bookstores outlets to

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<v Speaker 1>sell these So the publishers customers are really bookstores. They're

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<v Speaker 1>not really readers like you and I aren't. Aren't a

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<v Speaker 1>typical customer of a publisher, but rather a Barnes and

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<v Speaker 1>Noble or until recently, a Borders would be a customer

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<v Speaker 1>of a publisher. Right. So, Uh, the publisher's job is

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<v Speaker 1>to create, to to produce the physical copies of this work,

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<v Speaker 1>to send it to the various or actually sell it

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<v Speaker 1>to the various bookstores out there vendors out there, um

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<v Speaker 1>for a price that's usually about half of what the

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<v Speaker 1>list prices for the book. Although your min onle age

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<v Speaker 1>may vary. It's going to depend on a lot of conditions.

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<v Speaker 1>So let's say like the price that's actually on the

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<v Speaker 1>cover of the book. We're oversimplifying here, but in general,

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<v Speaker 1>the wholesale price that the publisher sells to the bookstore

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<v Speaker 1>is about that and then uh, a certain percentage of

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<v Speaker 1>that goes to overhead, some of it goes to uh

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<v Speaker 1>covering the cost of paying the advance to the author.

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<v Speaker 1>And also you have to keep in mind that bookstores

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<v Speaker 1>don't sell every single copy of every book, right, So

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<v Speaker 1>occasionally bookstores have to send back copies of books they

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<v Speaker 1>don't sell to the publisher um, in order to make

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<v Speaker 1>up room for new books. So that means that not

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<v Speaker 1>everything a publisher sends out is actually gonna get sold.

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<v Speaker 1>Some of it's gonna come back. So there are a

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<v Speaker 1>lot of costs here, and also it publishers other job

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<v Speaker 1>is to market the authors, to get the word out

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<v Speaker 1>about authors, and to drive up interest about authors. So

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<v Speaker 1>that's one of the things publishers theoretically will do for

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<v Speaker 1>their for the people who write for them in a way.

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<v Speaker 1>In that way, I would say, um, when you said

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<v Speaker 1>a few minutes ago that that the uh reader is

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<v Speaker 1>not the end customer the publisher, I would say that's

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<v Speaker 1>that's mostly the case, but in in some ways, I mean,

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<v Speaker 1>it is their responsibility to do a lot of the

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<v Speaker 1>marketing work, and so you know that, Yeah, they are

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<v Speaker 1>in touch with the reader and they do that as

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<v Speaker 1>a small portion of that, but they're really trying to

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<v Speaker 1>help the bookstore sell books so that both the bookstore

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<v Speaker 1>and the publisher went out and you can buy the books.

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<v Speaker 1>You can buy books directly from the publisher, but in general,

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<v Speaker 1>that tends to be a very small number of sales

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<v Speaker 1>compared to book sales through stores. And so you also

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<v Speaker 1>have another responsibility of publishers which is kind of interesting,

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<v Speaker 1>and this is an important one that is going to

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<v Speaker 1>be have a pretty big impact with the electronic publishing

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<v Speaker 1>UH era as well, and that is that publishers are

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<v Speaker 1>responsible for finding new talent. Right. That's kind of like

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<v Speaker 1>the music industry when you think of like a music

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<v Speaker 1>label going out and look, going to local venues and

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<v Speaker 1>scouting out bands and saying, you know, this band actually

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<v Speaker 1>has some promise, and they might not make it big

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<v Speaker 1>for an album or two, but I really see something

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<v Speaker 1>in them. Publishers do the same thing with authors. Now,

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<v Speaker 1>when an author writes a book UH the author generally

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<v Speaker 1>gets an advance on that book, and that advance is

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<v Speaker 1>a royalties advance. It's it's actually counted against whatever royalties

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<v Speaker 1>that author would make through book sales. Well, a lot

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<v Speaker 1>of authors, especially first time authors, will not make that

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<v Speaker 1>money back through book sales. They just aren't well known enough,

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<v Speaker 1>so they won't get enough books sold to pay off

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<v Speaker 1>that advance. So a lot of publishers are essentially paying

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<v Speaker 1>authors at a loss um lots of new authors at

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<v Speaker 1>a loss, but they're doing it by their betting. What

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<v Speaker 1>they're betting is that some of those authors are going

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<v Speaker 1>to make it to the big time, and those authors

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<v Speaker 1>are going to sell lots and lots and lots of books,

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<v Speaker 1>and that will help offset the cost of paying all

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<v Speaker 1>these other low level authors who may not go anywhere

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<v Speaker 1>that advance. So in a way, publishers are responsible for

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<v Speaker 1>encouraging and and sustaining authors who are trying to really

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<v Speaker 1>make it in the publishing world and trying to actually

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<v Speaker 1>become published authors. UH. Without them, then you would have

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<v Speaker 1>you know, you wouldn't have that that incentive really for

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<v Speaker 1>authors to try and create. So when you think about

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<v Speaker 1>things like, oh, well, Stephen king Man, he gets so

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<v Speaker 1>much money for a book, you know, you could have

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<v Speaker 1>some envy there. Perhaps you might question whether or not

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<v Speaker 1>it's the work he does is worth the amount of

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<v Speaker 1>money he makes. But at the same time, because Stephen

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<v Speaker 1>king novels sell so well, that's part of what funds

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<v Speaker 1>the publisher to uh, to encourage other authors to write.

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<v Speaker 1>So it's it's kind of it's a really big ecosystem

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<v Speaker 1>and it's actually pretty complex. I mean, The actual complexity

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<v Speaker 1>of how much money comes back to the publisher and

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<v Speaker 1>where that money goes is probably too complex for the

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<v Speaker 1>purposes of this podcast, but I thought that it was

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<v Speaker 1>important that we talked about that, and then we talked

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<v Speaker 1>about how E publishing is kind of shaking things up

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<v Speaker 1>a bit more than a bit in some cases. Well,

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<v Speaker 1>you talked about the music industry and how how things

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<v Speaker 1>have changed significantly, how the the music industry has been

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<v Speaker 1>nervous because, uh, you know, for one, on on the

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<v Speaker 1>one hand, they're concerned about things like piracy, but they're

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<v Speaker 1>also concerned because um, people are able to create their

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<v Speaker 1>own home studios and record their own music and post

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<v Speaker 1>it for sale on their own website because they don't

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<v Speaker 1>have to worry about, um, the costs of pressing c

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<v Speaker 1>d s or vinyl anymore, although a lot of them do. UM.

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<v Speaker 1>And uh, you know, the distribution is less of an

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<v Speaker 1>issue now because you know, once the marketing has gone

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<v Speaker 1>out online, Uh, rather than having to put up posters

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<v Speaker 1>and stores and do you know, uh different events and

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<v Speaker 1>things like that. You know, those are important, but uh,

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<v Speaker 1>a lot of bands can do a lot of that

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<v Speaker 1>work themselves, and so you know, this has already been

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<v Speaker 1>going on in the music industry. But um, you know,

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<v Speaker 1>this hasn't been so much of an issue for publishers

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<v Speaker 1>until just recently. Um, you know, and I didn't I

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<v Speaker 1>don't think we even touched on this when we talked

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<v Speaker 1>about e readers before. I don't even think about the

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<v Speaker 1>e books world going back that far. But it does

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<v Speaker 1>go back to around one UM when Michael Hart started

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<v Speaker 1>Project Guttenberg. And uh, you know, they the first person

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<v Speaker 1>who got an I S b N. That's an international

0:11:42.000 --> 0:11:45.400
<v Speaker 1>standard book number. It's a unique number assigned to every book.

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<v Speaker 1>Um was Kim blagg um around So these some people

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<v Speaker 1>have been publishing electronically for a while. I mean Random

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<v Speaker 1>House and HarperCollins, who are too big, Uh, regular publishers,

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<v Speaker 1>P E and E. Um. You know, they were starting

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<v Speaker 1>to sell digital in two thousand two. Um, and that

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<v Speaker 1>was all before the Kindle hit in two thousand seven.

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<v Speaker 1>Well yeah, and if you think about it, you know,

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<v Speaker 1>there are a lot of computers you would buy that

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<v Speaker 1>would come with a n Incard c D. Yeah. Well

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<v Speaker 1>that's that's a digital encyclopedia. Yes, you know, that's you know,

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<v Speaker 1>just because it comes on a solid form of medium

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<v Speaker 1>media rather that that that doesn't mean that it's not digital.

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<v Speaker 1>It is digital. It's just that it's digital store and

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<v Speaker 1>on a disk. Well, the the e publishing world is

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<v Speaker 1>is starting to shake up now. I mean it's no

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<v Speaker 1>secret that publishing has been having problems in the last

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<v Speaker 1>few years anyway, especially with the economic downturn. UM. I've

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<v Speaker 1>read that the closing of Borders stores here in the

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<v Speaker 1>United States. UM, that's going to create problems for traditional

0:12:48.000 --> 0:12:51.880
<v Speaker 1>publishing too, because they can no longer count on the

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<v Speaker 1>sales to come from the store. It's UM, if you're

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<v Speaker 1>unfamiliar with this, the situation here, UM Barnes and Noble

0:12:59.720 --> 0:13:03.040
<v Speaker 1>and Borders, and you know some of the other major

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<v Speaker 1>public UM sorry booksellers like Books a Million, UM basically

0:13:08.480 --> 0:13:13.640
<v Speaker 1>were UM credited with, I hate to say credited with

0:13:14.120 --> 0:13:18.480
<v Speaker 1>them the closing of a lot of local bookshops across

0:13:18.480 --> 0:13:20.280
<v Speaker 1>the United States over the past what would you say,

0:13:20.280 --> 0:13:23.520
<v Speaker 1>probably twenty years or so. I think something like like

0:13:23.559 --> 0:13:25.840
<v Speaker 1>the I had the number in front of me at

0:13:25.880 --> 0:13:28.720
<v Speaker 1>one point, but it was, you know, the the number

0:13:28.760 --> 0:13:33.439
<v Speaker 1>of of independent little bookstores had decreased dramatically, like by

0:13:33.440 --> 0:13:38.440
<v Speaker 1>more than fifty percent, because partially at least due to

0:13:38.640 --> 0:13:44.800
<v Speaker 1>these these big, big bookstores that could just take away

0:13:44.840 --> 0:13:47.160
<v Speaker 1>their business. Yeah. I mean there's some that are big enough,

0:13:47.160 --> 0:13:50.600
<v Speaker 1>people like Powells in Portland, Oregon, and the Strand up

0:13:50.600 --> 0:13:54.360
<v Speaker 1>in the New York City area, UM that are that

0:13:54.440 --> 0:13:57.040
<v Speaker 1>are big enough to hold their own. But a lot

0:13:57.120 --> 0:13:59.600
<v Speaker 1>of the smaller stores had had dropped out of the

0:13:59.600 --> 0:14:02.920
<v Speaker 1>the uh picture there for a while. Yeah, I've got

0:14:02.920 --> 0:14:06.839
<v Speaker 1>the number now. So according to a an article in

0:14:06.880 --> 0:14:10.760
<v Speaker 1>the New Yorker, UM, actually, the American Booksellers Association said

0:14:10.760 --> 0:14:14.080
<v Speaker 1>the number of independent booksellers declined from three thousand, two

0:14:14.160 --> 0:14:20.120
<v Speaker 1>hundred fifty to fourteen hundred since n Okay. Then, so

0:14:20.200 --> 0:14:23.320
<v Speaker 1>that's more than And I read an article about the

0:14:23.360 --> 0:14:25.800
<v Speaker 1>closing of borders that said that publishers are going to

0:14:25.840 --> 0:14:28.520
<v Speaker 1>have to cut their print runs because they no longer

0:14:28.600 --> 0:14:34.920
<v Speaker 1>have border stores to help them distribute their books to readers. Um.

0:14:35.040 --> 0:14:40.640
<v Speaker 1>And that's causing more turmoil. And now with the popularity

0:14:40.720 --> 0:14:44.040
<v Speaker 1>of e readers surging and the ability of people to

0:14:44.120 --> 0:14:47.800
<v Speaker 1>do things to publish on their own, this is going

0:14:47.920 --> 0:14:51.520
<v Speaker 1>to to cause things to shake up even further. And

0:14:52.440 --> 0:14:56.240
<v Speaker 1>um lion the new version of the Apple operating system,

0:14:56.280 --> 0:14:57.880
<v Speaker 1>some of you've written in that you want to a

0:14:57.960 --> 0:15:00.560
<v Speaker 1>podcast on it. We need to talk about the possibility

0:15:00.600 --> 0:15:03.640
<v Speaker 1>of doing that and possibly Windows eight. The Lion offers

0:15:03.680 --> 0:15:09.040
<v Speaker 1>people the ability to publish the pub documents um you know,

0:15:09.240 --> 0:15:13.680
<v Speaker 1>from different Lion documents, so you know it's not it's

0:15:13.720 --> 0:15:16.120
<v Speaker 1>built into the operating system. I wouldn't be surprised to

0:15:16.120 --> 0:15:19.560
<v Speaker 1>see that coming to other operating systems to in the future,

0:15:19.560 --> 0:15:22.080
<v Speaker 1>which just makes it that much easier to publish your

0:15:22.120 --> 0:15:25.440
<v Speaker 1>own e books, which can create another problem that we'll

0:15:25.440 --> 0:15:27.560
<v Speaker 1>get into in a little bit. But before we do that,

0:15:27.600 --> 0:15:29.400
<v Speaker 1>I wanted to talk a little more about some of

0:15:29.440 --> 0:15:32.200
<v Speaker 1>the other problems that the publishing industry faces, which is

0:15:32.240 --> 0:15:35.520
<v Speaker 1>that you've got some major, major companies that have not

0:15:35.680 --> 0:15:39.720
<v Speaker 1>traditionally been publishers getting into the publishing game. And one

0:15:39.760 --> 0:15:43.760
<v Speaker 1>of the biggest is Amazon. So you know Amazon and

0:15:43.840 --> 0:15:47.760
<v Speaker 1>e readers that those two terms go very well together

0:15:47.800 --> 0:15:50.080
<v Speaker 1>because we are all familiar with the Amazon Kindle, which

0:15:50.200 --> 0:15:54.360
<v Speaker 1>revolutionized the electronic publishing industry. Yeah, there were a couple

0:15:54.400 --> 0:15:58.360
<v Speaker 1>of e book readers before UM. I first became acquainted

0:15:58.400 --> 0:16:02.840
<v Speaker 1>with the Rocket e book and saw book back around UM,

0:16:02.880 --> 0:16:05.000
<v Speaker 1>but they were really expensive and there just weren't a

0:16:05.040 --> 0:16:09.040
<v Speaker 1>lot of books at the time, right, Amazon's plan was

0:16:09.120 --> 0:16:13.280
<v Speaker 1>to create this electronic book reader, and also the company

0:16:13.360 --> 0:16:18.640
<v Speaker 1>was incredibly intelligent in that they created apps for various

0:16:18.720 --> 0:16:23.400
<v Speaker 1>other platforms that could also read the electronic book format

0:16:23.440 --> 0:16:27.600
<v Speaker 1>that the Kindle uses. Um That's another thing to point

0:16:27.600 --> 0:16:31.680
<v Speaker 1>out is that we don't have a single standard for

0:16:31.760 --> 0:16:36.160
<v Speaker 1>electronic books. There are several different electronic book formats out

0:16:36.200 --> 0:16:38.800
<v Speaker 1>in the wild, and one of the really popular ones

0:16:38.880 --> 0:16:42.360
<v Speaker 1>is the Kindle format. Yes, um at, and I think

0:16:42.400 --> 0:16:45.640
<v Speaker 1>a lot of people like that format simply because since

0:16:45.840 --> 0:16:49.040
<v Speaker 1>they have apps on various other platforms and they can

0:16:49.080 --> 0:16:50.520
<v Speaker 1>read it on a computer, they can read it on

0:16:50.520 --> 0:16:54.280
<v Speaker 1>the smartphone, they can read it on their Kindle. Um

0:16:54.320 --> 0:16:58.640
<v Speaker 1>that sort of of utility is a very high selling point,

0:16:58.680 --> 0:17:01.880
<v Speaker 1>although some other companies like Apple have done a lot

0:17:01.920 --> 0:17:04.880
<v Speaker 1>to try and undermine that in some ways with their

0:17:04.880 --> 0:17:07.399
<v Speaker 1>own policies. We'll get into that as well, because that

0:17:07.520 --> 0:17:10.480
<v Speaker 1>also plays a role in publishing. So what makes publishers

0:17:10.720 --> 0:17:13.720
<v Speaker 1>a little nervous or really a little nervous is being

0:17:14.000 --> 0:17:17.960
<v Speaker 1>kind really scared of Amazon. One of the things was

0:17:18.000 --> 0:17:21.600
<v Speaker 1>that Amazon, for a while was really adamant about dictating

0:17:21.640 --> 0:17:24.680
<v Speaker 1>what the price was going to be for an electronic book,

0:17:25.400 --> 0:17:28.000
<v Speaker 1>and Amazon's decision was that it was going to be

0:17:29.280 --> 0:17:34.280
<v Speaker 1>for a new release, which publishers were not thrilled about.

0:17:34.359 --> 0:17:37.359
<v Speaker 1>They did not like the idea of and a vendor

0:17:37.440 --> 0:17:40.399
<v Speaker 1>being able to say that this is what the price

0:17:40.440 --> 0:17:42.879
<v Speaker 1>of e books needs to be, because it meant that

0:17:42.960 --> 0:17:46.240
<v Speaker 1>if that got into the minds of the consumers, that

0:17:46.400 --> 0:17:49.800
<v Speaker 1>people would expect all electronic books from that point forward

0:17:50.400 --> 0:17:54.040
<v Speaker 1>to cost that much. You know, so it's reasonable, right right.

0:17:54.080 --> 0:17:56.040
<v Speaker 1>It's like just like if you were to get something

0:17:56.080 --> 0:17:59.040
<v Speaker 1>for free for several years and then find out that

0:17:59.080 --> 0:18:01.080
<v Speaker 1>you have to pay for it, there's gonna be that

0:18:01.119 --> 0:18:04.639
<v Speaker 1>reaction of wait, what just last week I got this

0:18:04.680 --> 0:18:06.440
<v Speaker 1>for free? Why are you making me pay for it now?

0:18:07.160 --> 0:18:09.600
<v Speaker 1>Same sort of things like, wait what, I just bought

0:18:09.640 --> 0:18:11.560
<v Speaker 1>that book for ten bucks last week? Why are you

0:18:11.600 --> 0:18:14.720
<v Speaker 1>asking for sixteen bucks now? I'm sorry? I was seeing

0:18:14.720 --> 0:18:18.240
<v Speaker 1>pictures at the New York Times in my head. Yeah, So,

0:18:18.240 --> 0:18:21.439
<v Speaker 1>so what Amazon was doing was actually pretty interesting. It

0:18:21.480 --> 0:18:26.680
<v Speaker 1>was it was kind of Amazon does some pretty risky moves,

0:18:26.920 --> 0:18:28.879
<v Speaker 1>and what this move. What Amazon was doing was they

0:18:28.880 --> 0:18:32.800
<v Speaker 1>were the company was buying books just like any other bookstore,

0:18:33.119 --> 0:18:35.760
<v Speaker 1>like even digital copies. That was buying digital copies of

0:18:35.800 --> 0:18:39.160
<v Speaker 1>books just like in the other bookstore, paying the the

0:18:39.160 --> 0:18:42.320
<v Speaker 1>the wholesale amount to the publisher, and then that wholesale

0:18:42.320 --> 0:18:45.160
<v Speaker 1>amount might actually be more than nine dollars nine cents,

0:18:45.200 --> 0:18:47.280
<v Speaker 1>but Amazon would just turn around and sell it for

0:18:47.359 --> 0:18:49.680
<v Speaker 1>nine dollars nine nine cents, meaning that they're taking a

0:18:49.720 --> 0:18:52.640
<v Speaker 1>loss on the sale, but they're doing it in order

0:18:52.680 --> 0:18:57.160
<v Speaker 1>to build up that market share, to to attract consumers

0:18:57.240 --> 0:19:00.720
<v Speaker 1>to using the Kindle platform and purchasing books through the

0:19:00.760 --> 0:19:04.639
<v Speaker 1>Amazon Electronic Bookstore. And if they could hook enough people

0:19:04.680 --> 0:19:07.720
<v Speaker 1>doing that, and they do it by selling books cheaper

0:19:07.760 --> 0:19:09.880
<v Speaker 1>than any other vendor is going to sell it, because

0:19:10.240 --> 0:19:14.280
<v Speaker 1>most other vendors can't afford to cut the the price

0:19:14.320 --> 0:19:16.639
<v Speaker 1>that much and take a loss in every single unit sold.

0:19:17.119 --> 0:19:21.120
<v Speaker 1>Amazon can. But the idea was that maybe Amazon could

0:19:21.119 --> 0:19:24.760
<v Speaker 1>eventually get what effectively would amount to a monopoly on

0:19:24.840 --> 0:19:30.600
<v Speaker 1>the electronic books market. And uh, you know, the publishers

0:19:31.320 --> 0:19:33.640
<v Speaker 1>did not like this at all, And in fact, we

0:19:33.680 --> 0:19:36.760
<v Speaker 1>really saw this come to a head when Steve Jobs

0:19:36.800 --> 0:19:40.359
<v Speaker 1>announced the iPad and eyebooks, because then you saw five

0:19:40.400 --> 0:19:44.000
<v Speaker 1>out of the six major publishers sign on immediately with

0:19:44.040 --> 0:19:48.360
<v Speaker 1>Apple to provide books to the Eye Books Library, and

0:19:48.800 --> 0:19:52.320
<v Speaker 1>the price was no longer limited to nine dollars nine cents. However,

0:19:52.359 --> 0:19:55.080
<v Speaker 1>Steve Jobs was very firm and that it would not

0:19:55.200 --> 0:20:00.640
<v Speaker 1>go over I think it was. Yeah. They they it's

0:20:00.640 --> 0:20:04.119
<v Speaker 1>a different pricing model and the publishers are getting a

0:20:04.119 --> 0:20:08.119
<v Speaker 1>bigger cut. Um. And there's an agency fee that that

0:20:08.240 --> 0:20:13.960
<v Speaker 1>Apple gets out of it. Yes, um yeah about actually

0:20:14.400 --> 0:20:18.760
<v Speaker 1>um so uh the thing is with all of this

0:20:19.000 --> 0:20:22.360
<v Speaker 1>that uh you may be saying, well, you know, so

0:20:22.400 --> 0:20:24.560
<v Speaker 1>what is all this this price? It goes to all

0:20:24.600 --> 0:20:29.199
<v Speaker 1>those people we were talking about before, the editors, the publicists. Um,

0:20:29.240 --> 0:20:33.000
<v Speaker 1>there's not the cost of printing or distribution. Um. I

0:20:33.000 --> 0:20:36.479
<v Speaker 1>mean yeah, this completely falls under and it's you know,

0:20:36.640 --> 0:20:38.680
<v Speaker 1>we use this a lot, the long tail that Chris

0:20:38.720 --> 0:20:41.720
<v Speaker 1>Anderson talked about, because um books never have e books

0:20:41.720 --> 0:20:44.080
<v Speaker 1>never have to go out of print, but they can

0:20:44.119 --> 0:20:46.880
<v Speaker 1>be there, you know, taking up whatever space they're taking

0:20:46.920 --> 0:20:49.479
<v Speaker 1>up a hard brilliant Yeah, as long as you have

0:20:49.640 --> 0:20:53.960
<v Speaker 1>a a a good program that can take a master

0:20:54.119 --> 0:20:57.359
<v Speaker 1>copy and create a user copy from that master copy,

0:20:57.440 --> 0:20:59.760
<v Speaker 1>that makes that user copy unique in some way. Because

0:21:00.200 --> 0:21:06.080
<v Speaker 1>almost every single form of of of e book file

0:21:06.160 --> 0:21:08.560
<v Speaker 1>format that the major publishers want to use will have

0:21:08.600 --> 0:21:11.720
<v Speaker 1>some form of DRM on it. Yeah, to try and

0:21:11.760 --> 0:21:15.600
<v Speaker 1>prevent piracy. Yes, As a matter of fact, when the

0:21:15.600 --> 0:21:19.000
<v Speaker 1>the books sale goes through, UM, there's a little bit

0:21:19.000 --> 0:21:21.639
<v Speaker 1>of metadata that's encoded in that file that keys it

0:21:21.720 --> 0:21:25.879
<v Speaker 1>to you. So you know it's That's how people know

0:21:26.359 --> 0:21:29.159
<v Speaker 1>on some digital files that they have been corrupted, is

0:21:29.200 --> 0:21:31.840
<v Speaker 1>because that information is still embedded in there some way,

0:21:32.000 --> 0:21:34.760
<v Speaker 1>and that you know they've been cracked, and uh, it

0:21:34.840 --> 0:21:37.520
<v Speaker 1>is possible, but you know they they That's how if

0:21:37.560 --> 0:21:39.920
<v Speaker 1>you opened a book on your e reader. Um. Yeah,

0:21:39.920 --> 0:21:42.159
<v Speaker 1>we were talking about the different readers. We didn't talk

0:21:42.160 --> 0:21:44.080
<v Speaker 1>about the Nook. That was one of the features of

0:21:44.080 --> 0:21:46.480
<v Speaker 1>the Nook was you were able to lend a book

0:21:46.520 --> 0:21:52.000
<v Speaker 1>to a friend with another Nook. So, um, the DRM says, well, hey,

0:21:52.040 --> 0:21:55.960
<v Speaker 1>this is uh, this is Jonathan's file. Um, and Jonathan,

0:21:56.040 --> 0:21:58.360
<v Speaker 1>you know, allows me to read it and I get

0:21:58.400 --> 0:22:00.600
<v Speaker 1>the three weeks I believe it is on the Nook.

0:22:00.840 --> 0:22:04.200
<v Speaker 1>Was it? I thought was too? Well, however long it is. Yeah,

0:22:04.240 --> 0:22:09.239
<v Speaker 1>it's authorized for a specific set period and after that period, uh,

0:22:09.480 --> 0:22:13.040
<v Speaker 1>the book is no longer available on the other device.

0:22:13.400 --> 0:22:16.520
<v Speaker 1>And also I think during that time the owner of

0:22:16.520 --> 0:22:20.040
<v Speaker 1>the book cannot read the book right right, So it's

0:22:20.080 --> 0:22:21.879
<v Speaker 1>almost like it's a physical book in the sense that

0:22:21.920 --> 0:22:24.240
<v Speaker 1>if I lent Chris a physical copy of a book

0:22:24.240 --> 0:22:26.560
<v Speaker 1>I have, I could not read that physical copy unless

0:22:26.560 --> 0:22:28.199
<v Speaker 1>I came over to Chris's house and stood behind him

0:22:28.200 --> 0:22:30.880
<v Speaker 1>and looked over his shoulder. And trust me, he hates that.

0:22:31.560 --> 0:22:35.800
<v Speaker 1>So and ever again, knock all. I'm saying, you get

0:22:35.800 --> 0:22:37.760
<v Speaker 1>stabbed in the thigh once with a fork, and you

0:22:37.840 --> 0:22:41.080
<v Speaker 1>do not need to tell me twice. Mr. So, yeah,

0:22:41.080 --> 0:22:43.359
<v Speaker 1>that's all done through d r M. And and so

0:22:43.800 --> 0:22:46.320
<v Speaker 1>you know they're their costs associated with doing this, and

0:22:47.080 --> 0:22:49.680
<v Speaker 1>you know that's why they're they're trying to recoup those costs,

0:22:49.680 --> 0:22:51.159
<v Speaker 1>are trying to make a profit because a lot of

0:22:51.200 --> 0:22:54.240
<v Speaker 1>these are public companies, and also their business was built

0:22:54.280 --> 0:22:57.600
<v Speaker 1>around a different model, and to completely shift everything over,

0:22:57.800 --> 0:23:00.520
<v Speaker 1>you could argue that the electronic model is much more efficient,

0:23:00.560 --> 0:23:04.960
<v Speaker 1>and therefore your costs would decrease dramatically, and therefore you

0:23:05.000 --> 0:23:08.160
<v Speaker 1>would be able to make UH as good or better

0:23:08.280 --> 0:23:10.600
<v Speaker 1>a profit even if you cut your prices just because

0:23:10.600 --> 0:23:12.960
<v Speaker 1>your costs are lower. But you have to remember, you're

0:23:13.000 --> 0:23:16.520
<v Speaker 1>talking about revolutionizing an entire industry. Which is not something

0:23:16.560 --> 0:23:19.840
<v Speaker 1>that's simple to do. Um. And also there is still

0:23:19.840 --> 0:23:22.920
<v Speaker 1>a demand for printed books. There's not like that. It's

0:23:22.960 --> 0:23:25.879
<v Speaker 1>not like the demand for printed books is completely vanished.

0:23:26.400 --> 0:23:29.239
<v Speaker 1>It's so you have to balance that out, like how

0:23:29.400 --> 0:23:33.199
<v Speaker 1>much focus do you put towards your electronic publishing uh

0:23:33.480 --> 0:23:36.520
<v Speaker 1>arm of your company versus your physical publishing. But but

0:23:36.640 --> 0:23:38.959
<v Speaker 1>also just to get back to Amazon for a second.

0:23:39.600 --> 0:23:43.359
<v Speaker 1>Another reason why publishers get really scared about Amazon is

0:23:43.400 --> 0:23:47.679
<v Speaker 1>that Amazon has the potential to become a publisher and

0:23:47.760 --> 0:23:51.919
<v Speaker 1>that there is very little stopping Amazon. In fact, Amazon

0:23:51.960 --> 0:23:55.680
<v Speaker 1>has been talking about doing this from having courting writers

0:23:55.760 --> 0:23:59.240
<v Speaker 1>to write directly for Amazon. So a writer writes a

0:23:59.280 --> 0:24:02.679
<v Speaker 1>book and then Amazon acts as both the publisher and

0:24:02.720 --> 0:24:09.400
<v Speaker 1>the vendor. This could theoretically be a very beneficial uh

0:24:09.600 --> 0:24:13.639
<v Speaker 1>relationship for the author because authors, if you if you

0:24:13.680 --> 0:24:15.880
<v Speaker 1>take the advance out, like let's say that this would

0:24:16.040 --> 0:24:19.520
<v Speaker 1>really change publishing. Uh. The advance is the big deal

0:24:19.560 --> 0:24:23.320
<v Speaker 1>for authors right now, and if you are just starting out,

0:24:23.320 --> 0:24:26.400
<v Speaker 1>that advances your lifeblood because you may not sell enough

0:24:26.400 --> 0:24:30.199
<v Speaker 1>books to have made that much money. Otherwise. Now with

0:24:30.240 --> 0:24:33.840
<v Speaker 1>Amazon's model, you may not get an advance. Instead, Amazon's

0:24:33.840 --> 0:24:37.440
<v Speaker 1>model might be you will get a seventy cut of

0:24:37.520 --> 0:24:42.320
<v Speaker 1>every uh, every book we sell, so you'll make more

0:24:42.400 --> 0:24:46.600
<v Speaker 1>money per book sold through Amazon, but you might not

0:24:46.720 --> 0:24:50.480
<v Speaker 1>make more money total, because the advance you would have

0:24:50.680 --> 0:24:53.800
<v Speaker 1>received from a traditional publisher might have been more money

0:24:53.840 --> 0:24:56.080
<v Speaker 1>than you would have made through selling books in the

0:24:56.119 --> 0:24:59.680
<v Speaker 1>first place. So this is like a weird gamble here.

0:25:00.040 --> 0:25:03.600
<v Speaker 1>And publishers are worried that perhaps authors could would think

0:25:03.680 --> 0:25:06.800
<v Speaker 1>that they're going to have a much more beneficial relationship

0:25:06.840 --> 0:25:09.639
<v Speaker 1>through Amazons. They're going to go there. Um, they're scared

0:25:09.680 --> 0:25:12.600
<v Speaker 1>about that. They're scared that that Amazon will be able

0:25:12.600 --> 0:25:15.280
<v Speaker 1>to undercut all the other sales of books, so that

0:25:15.320 --> 0:25:20.439
<v Speaker 1>will hurt sales even more. But the publishers will also

0:25:20.720 --> 0:25:25.040
<v Speaker 1>counter with saying Amazon doesn't really know how to work

0:25:25.080 --> 0:25:28.960
<v Speaker 1>with authors, like the relationship between authors and publishers is

0:25:29.000 --> 0:25:33.359
<v Speaker 1>different than between authors and a direct like a vendor,

0:25:34.160 --> 0:25:37.480
<v Speaker 1>and that Amazon isn't the kind of company that can

0:25:37.560 --> 0:25:40.679
<v Speaker 1>take time to talk to a new author and and

0:25:40.760 --> 0:25:43.360
<v Speaker 1>kind of discussed with the new author of things, and

0:25:43.359 --> 0:25:46.320
<v Speaker 1>and to uh to adjust deadlines. That was a big

0:25:46.359 --> 0:25:51.000
<v Speaker 1>thing because writers sometimes don't make deadlines he he misterr

0:25:51.119 --> 0:25:54.200
<v Speaker 1>editor and um, and so to talk to you about that. Yeah,

0:25:54.200 --> 0:25:57.480
<v Speaker 1>I know I'm a little behind. But the Yeah, I

0:25:57.520 --> 0:25:59.480
<v Speaker 1>know that too well. I like big butts and I

0:25:59.480 --> 0:26:05.720
<v Speaker 1>cannotline the but yeah, the the Amazon may not be

0:26:05.800 --> 0:26:07.919
<v Speaker 1>able to take that time and effort to speak with

0:26:07.960 --> 0:26:11.360
<v Speaker 1>an author the way a publisher could. So there's there

0:26:11.359 --> 0:26:13.200
<v Speaker 1>are a lot of trade offs that we're talking about here.

0:26:13.480 --> 0:26:16.480
<v Speaker 1>And where this is gonna go is anyone's guess. Although

0:26:17.520 --> 0:26:20.280
<v Speaker 1>based upon the trends, I would say electronic publishing is

0:26:20.800 --> 0:26:24.360
<v Speaker 1>just going to continue to become increasingly important, so we

0:26:24.440 --> 0:26:29.399
<v Speaker 1>may see more authors moved to using a platform like

0:26:29.440 --> 0:26:33.520
<v Speaker 1>Amazon as their publisher. This also pulls into question things

0:26:33.520 --> 0:26:38.679
<v Speaker 1>like monopolies. Would Amazon's writers, would their works be sold

0:26:38.720 --> 0:26:42.359
<v Speaker 1>on any other like through any other bookseller, or would

0:26:42.400 --> 0:26:45.240
<v Speaker 1>they just be available through Amazon Do not Pass, Go,

0:26:45.520 --> 0:26:50.240
<v Speaker 1>do not collect. Yeah, this gets gets really complex. Uh

0:26:50.280 --> 0:26:53.160
<v Speaker 1>and and honestly, we don't have all the answers yet.

0:26:53.560 --> 0:26:58.080
<v Speaker 1>And speaking of complex and monopolies, it probably is worthwhile

0:26:58.119 --> 0:27:00.479
<v Speaker 1>to mention some of the controversies that have gone on

0:27:00.840 --> 0:27:04.359
<v Speaker 1>around the publishing model, including the recent as at the

0:27:04.359 --> 0:27:09.679
<v Speaker 1>time of recording this in mid August Um, Apple Telling,

0:27:10.359 --> 0:27:14.040
<v Speaker 1>Barnes and Noble, and Amazon that if they wanted to

0:27:14.520 --> 0:27:18.640
<v Speaker 1>continue to sell books through their apps for the iPad, UM,

0:27:18.760 --> 0:27:20.680
<v Speaker 1>that they were going to have to fork over some money.

0:27:20.720 --> 0:27:24.920
<v Speaker 1>So they cut. So that's which is standard across all

0:27:25.000 --> 0:27:28.240
<v Speaker 1>Apple Like, that's Apple's standard operating procedure is that any

0:27:28.480 --> 0:27:32.919
<v Speaker 1>any app that sells something to the end user, Apple

0:27:32.960 --> 0:27:36.520
<v Speaker 1>gives a cut of that. Yeah, an in app purchase. Um.

0:27:36.680 --> 0:27:40.960
<v Speaker 1>So both of them pulled their sales link out. And

0:27:41.000 --> 0:27:44.320
<v Speaker 1>of course you could still buy a book directly from

0:27:44.359 --> 0:27:47.600
<v Speaker 1>them and then upload it to your iPad if you

0:27:47.640 --> 0:27:50.639
<v Speaker 1>want to do that, but um, for now, even that

0:27:50.800 --> 0:27:53.000
<v Speaker 1>is a little complicated, I think because I think there

0:27:53.080 --> 0:27:56.680
<v Speaker 1>was a discussion about Apple saying that you could only

0:27:56.760 --> 0:28:01.600
<v Speaker 1>upload titles from a Kindle up that you could also

0:28:01.720 --> 0:28:07.080
<v Speaker 1>get through Apple Store. Yeah, it's interesting. And then they

0:28:07.640 --> 0:28:12.239
<v Speaker 1>Amazon countered with their cloud Reader application, which as an

0:28:12.359 --> 0:28:15.040
<v Speaker 1>HTML five reader that allows you to uh, it's not

0:28:15.119 --> 0:28:18.480
<v Speaker 1>actually an app, um, it's actually a site that allows

0:28:18.480 --> 0:28:22.520
<v Speaker 1>you to read your your Amazon books without um going

0:28:22.560 --> 0:28:25.679
<v Speaker 1>directly through Apple and the the Kindle app. So and

0:28:25.720 --> 0:28:28.120
<v Speaker 1>everybody's been crowing about that in the last few days

0:28:28.160 --> 0:28:30.560
<v Speaker 1>as of the time we're recording this, so UM, and

0:28:30.600 --> 0:28:32.480
<v Speaker 1>I have to say it's it was a pretty clever

0:28:32.600 --> 0:28:37.480
<v Speaker 1>mover on that. Another big UH controversy has been around

0:28:37.760 --> 0:28:41.640
<v Speaker 1>libraries who who worked with a service called overdrive, which

0:28:41.720 --> 0:28:44.440
<v Speaker 1>for a long time was an audio book service for

0:28:44.560 --> 0:28:47.640
<v Speaker 1>libraries public libraries to uh, you know, for people to

0:28:48.720 --> 0:28:51.200
<v Speaker 1>uh listen to stuff. And basically you download the book

0:28:51.200 --> 0:28:54.240
<v Speaker 1>through a through a little app and then you could

0:28:54.280 --> 0:28:57.080
<v Speaker 1>listen to it. And this at the end of the

0:28:57.160 --> 0:29:00.240
<v Speaker 1>checkout period UM the d RM and it would shut

0:29:00.280 --> 0:29:03.560
<v Speaker 1>it out so that you can't use it again. UM.

0:29:03.640 --> 0:29:08.040
<v Speaker 1>And they began offering e books. UM. Some libraries, like

0:29:08.080 --> 0:29:10.800
<v Speaker 1>the library that I belong to, UH does not have

0:29:11.320 --> 0:29:14.440
<v Speaker 1>has overdrives audio books, but does not yet have the

0:29:14.480 --> 0:29:17.600
<v Speaker 1>e book UM capabilities. But I've seen it in action.

0:29:17.600 --> 0:29:20.760
<v Speaker 1>It's pretty cool. The thing is UM. One of the

0:29:20.760 --> 0:29:26.080
<v Speaker 1>major publishers, HarperCollins, said UM that they wanted to limit

0:29:26.120 --> 0:29:29.479
<v Speaker 1>the number of checkouts that you could use with an

0:29:29.480 --> 0:29:33.120
<v Speaker 1>e book to twenty six and this caused a lot

0:29:33.120 --> 0:29:37.840
<v Speaker 1>of library people to be very upset because, um, again

0:29:37.920 --> 0:29:41.120
<v Speaker 1>there's nowhere and tear on an e book. But HarperCollins

0:29:41.200 --> 0:29:44.560
<v Speaker 1>point is okay. But once a paper book has a

0:29:44.600 --> 0:29:47.440
<v Speaker 1>certain number of checkouts, let's say about you know, twenty

0:29:47.520 --> 0:29:51.040
<v Speaker 1>six or so. It's the book is frayed, the binding

0:29:51.160 --> 0:29:53.640
<v Speaker 1>is bad. Um, it's been beaten up, it's been left

0:29:53.640 --> 0:29:56.440
<v Speaker 1>in someone's car. Uh. You know your kids build chocolate

0:29:56.440 --> 0:29:59.520
<v Speaker 1>milk on it. It needs to be replaced with an

0:29:59.520 --> 0:30:03.160
<v Speaker 1>e book. We're not selling more than one copy to you.

0:30:03.160 --> 0:30:06.080
<v Speaker 1>You know that one copy can be checked out indefinitely.

0:30:07.160 --> 0:30:10.560
<v Speaker 1>So UM. A lot of people have been very upset

0:30:10.600 --> 0:30:13.280
<v Speaker 1>about this. Um. The thing is, I could see both

0:30:13.440 --> 0:30:15.640
<v Speaker 1>both sides. Once you bought a copy, Hey, you know

0:30:15.800 --> 0:30:17.640
<v Speaker 1>you bought a copy. You should be able to check

0:30:17.640 --> 0:30:20.320
<v Speaker 1>this out, um, as many times as you want to,

0:30:20.440 --> 0:30:22.800
<v Speaker 1>because it's digital and it doesn't wear out. At the

0:30:22.840 --> 0:30:25.760
<v Speaker 1>same time, the publisher is not making anything past the

0:30:25.760 --> 0:30:29.640
<v Speaker 1>original sale, and a library would probably need to replace

0:30:29.680 --> 0:30:32.480
<v Speaker 1>that copy, especially if it's a popular book. So I

0:30:32.480 --> 0:30:34.200
<v Speaker 1>can see what you do. Yeah, I could see a

0:30:34.240 --> 0:30:36.440
<v Speaker 1>consumer saying if this were the case with the consumer,

0:30:36.480 --> 0:30:38.480
<v Speaker 1>I could say the consumers saying, hey, what if I

0:30:38.520 --> 0:30:40.880
<v Speaker 1>take really good care of my books and I never

0:30:41.320 --> 0:30:44.040
<v Speaker 1>need to replace them anyway, then you're telling me I'm

0:30:44.040 --> 0:30:47.400
<v Speaker 1>being punished for using the electronic format. Uh. There's also

0:30:47.480 --> 0:30:51.360
<v Speaker 1>the concept of windowing, where a publisher will publish the

0:30:51.360 --> 0:30:56.080
<v Speaker 1>hard copy of a book months ahead of any electronic publishing,

0:30:56.120 --> 0:30:58.840
<v Speaker 1>and usually this is done for two reasons, well three really.

0:30:59.400 --> 0:31:02.640
<v Speaker 1>One is electronic books don't count toward best seller lists.

0:31:03.680 --> 0:31:06.840
<v Speaker 1>They well, it depends. Now. New York Times does have

0:31:07.240 --> 0:31:09.040
<v Speaker 1>an e book best seller list, and they have a

0:31:09.040 --> 0:31:13.160
<v Speaker 1>combined print and e book best seller list, but not

0:31:13.600 --> 0:31:15.200
<v Speaker 1>all of them right there. There are a lot of

0:31:15.200 --> 0:31:16.840
<v Speaker 1>the recent things. Yeah, there are a lot of best

0:31:16.840 --> 0:31:20.800
<v Speaker 1>seller lists that would only would only factor in hard

0:31:20.840 --> 0:31:24.600
<v Speaker 1>copy sales, which means that you know publishers who want

0:31:24.640 --> 0:31:28.080
<v Speaker 1>who who count on best seller lists. As being a

0:31:28.160 --> 0:31:33.960
<v Speaker 1>marketing employ they would not want to hurt the chances

0:31:34.000 --> 0:31:36.280
<v Speaker 1>of a book getting on that best seller list by

0:31:36.320 --> 0:31:39.040
<v Speaker 1>also offering electronic copy and then let people buy the

0:31:39.040 --> 0:31:41.440
<v Speaker 1>electronic copy but don't buy the hard copy, and then

0:31:41.560 --> 0:31:44.280
<v Speaker 1>the book doesn't get on the list. Another was that

0:31:44.320 --> 0:31:47.280
<v Speaker 1>they just were worried about cannibalizing the hardcover sales anyway,

0:31:47.320 --> 0:31:50.360
<v Speaker 1>because the hardcovers tend to cost more than the electronic ones.

0:31:50.840 --> 0:31:54.600
<v Speaker 1>And then there's also the worry about piracy. Although we

0:31:54.720 --> 0:31:59.760
<v Speaker 1>have seen with books that have either delayed electronic publication

0:31:59.920 --> 0:32:03.480
<v Speaker 1>or not had any electronic publication at all show up

0:32:03.720 --> 0:32:08.640
<v Speaker 1>as pirated electronic copies on various peer to peer networks

0:32:08.800 --> 0:32:11.760
<v Speaker 1>from people who have scanned the books in the flip

0:32:11.800 --> 0:32:15.160
<v Speaker 1>side of that being people like um uh Corey doctor

0:32:15.200 --> 0:32:19.719
<v Speaker 1>Oh who have offered um their e book version of

0:32:19.840 --> 0:32:25.800
<v Speaker 1>their book immediately for free. And I think Neil Gaiman

0:32:25.880 --> 0:32:27.920
<v Speaker 1>has also done that. I know that there are several

0:32:27.960 --> 0:32:31.560
<v Speaker 1>authors who have arranged it so that their books will

0:32:31.600 --> 0:32:35.479
<v Speaker 1>publish in all formats simultaneously. And uh, the thing is,

0:32:35.600 --> 0:32:38.560
<v Speaker 1>when they've done a trial like that, a lot of

0:32:38.800 --> 0:32:42.040
<v Speaker 1>publishers have found that the e book will actually spur

0:32:42.200 --> 0:32:45.560
<v Speaker 1>sales of the print book. Yeah, and I have done that.

0:32:45.640 --> 0:32:48.040
<v Speaker 1>I have downloaded the free e book and I've started

0:32:48.080 --> 0:32:50.440
<v Speaker 1>reading it and I said, well, you know what, this

0:32:50.520 --> 0:32:53.240
<v Speaker 1>was before I had an iPad, so I was reading

0:32:53.240 --> 0:32:54.800
<v Speaker 1>it on a computer and I thought, you know what,

0:32:55.000 --> 0:32:57.080
<v Speaker 1>I'm I'm enjoying the first few pages of this book.

0:32:57.080 --> 0:32:58.680
<v Speaker 1>I'm gonna go buy the print book. And I've done

0:32:58.720 --> 0:33:01.080
<v Speaker 1>that two or three times. Well, there's some things that

0:33:01.120 --> 0:33:03.480
<v Speaker 1>are still easier to do with print books than them

0:33:03.480 --> 0:33:05.920
<v Speaker 1>with electronic copies. I mean, it's just you know that

0:33:06.000 --> 0:33:09.200
<v Speaker 1>tactile experience being able to put uh, you know markers

0:33:09.240 --> 0:33:10.840
<v Speaker 1>in your book. I mean you can do that with

0:33:10.880 --> 0:33:13.400
<v Speaker 1>a lot of the various electronic formats too, but it

0:33:13.520 --> 0:33:17.320
<v Speaker 1>just it's still there's something psychologically that's just not the

0:33:17.360 --> 0:33:23.320
<v Speaker 1>same with that at any rate. The the whole system

0:33:23.400 --> 0:33:26.720
<v Speaker 1>of publication is kind of in this turmoil right now,

0:33:26.760 --> 0:33:28.560
<v Speaker 1>and we really really don't know how it's all gonna

0:33:28.600 --> 0:33:31.040
<v Speaker 1>shake out. It'll really We've got a lot of stubborn

0:33:31.160 --> 0:33:34.960
<v Speaker 1>players with lots of lots of clout out there, So

0:33:35.080 --> 0:33:37.840
<v Speaker 1>it'll really depend on who shouts the loudest and shakes

0:33:37.880 --> 0:33:40.800
<v Speaker 1>their fist the hardest, and who has the most leverage,

0:33:40.880 --> 0:33:44.880
<v Speaker 1>and hopefully whatever happens will end up being good for

0:33:44.960 --> 0:33:50.920
<v Speaker 1>authors and consumers. Yeah, also for Chris's benefit. Editors, well,

0:33:50.920 --> 0:33:53.720
<v Speaker 1>I have to say, I think the publishing industry has

0:33:53.760 --> 0:33:58.560
<v Speaker 1>been a lot quicker to embrace E technology than the

0:33:58.800 --> 0:34:01.840
<v Speaker 1>recording where the movie industry definitely either of those two

0:34:01.920 --> 0:34:04.200
<v Speaker 1>yet um and and they've they've done so well. I

0:34:04.200 --> 0:34:08.440
<v Speaker 1>think I think in general, everybody, the publishers and the

0:34:08.480 --> 0:34:12.680
<v Speaker 1>technology providers and the readers have all made advances in

0:34:12.800 --> 0:34:15.640
<v Speaker 1>working together to to make this happen. There's just a

0:34:15.680 --> 0:34:18.000
<v Speaker 1>lot of issues that have to be worked out so

0:34:18.080 --> 0:34:21.520
<v Speaker 1>that everybody is able to coexist peacefully. Yeah, I have

0:34:21.560 --> 0:34:24.200
<v Speaker 1>a relatively peaceful I would imagine that that one of

0:34:24.239 --> 0:34:26.319
<v Speaker 1>the developments we will eventually see will have to be

0:34:26.400 --> 0:34:31.520
<v Speaker 1>some sort of antitrust charges against Amazon, because even though

0:34:31.560 --> 0:34:34.480
<v Speaker 1>there are other players in the electronic books market, I

0:34:34.480 --> 0:34:40.680
<v Speaker 1>think Amazon's domination is hard, too hard to argue. Um.

0:34:40.719 --> 0:34:42.839
<v Speaker 1>I know that eye Books when it first launch, had

0:34:43.080 --> 0:34:45.839
<v Speaker 1>a really positive launch, had a lot of interest in it.

0:34:46.320 --> 0:34:49.680
<v Speaker 1>But from what I understand, the eye books sales are

0:34:49.760 --> 0:34:52.759
<v Speaker 1>not comparable to Kindle sales, and I think part of

0:34:52.800 --> 0:34:55.200
<v Speaker 1>that is again what we mentioned earlier in the podcast,

0:34:55.280 --> 0:34:58.640
<v Speaker 1>which is the Kindle app just provides for a lot

0:34:58.680 --> 0:35:02.680
<v Speaker 1>of flexibility since you can read it on various devices

0:35:03.080 --> 0:35:06.000
<v Speaker 1>and the the whereas the Eyebooks app is a little

0:35:06.000 --> 0:35:08.040
<v Speaker 1>more limited, and it works great if you have a

0:35:08.080 --> 0:35:10.280
<v Speaker 1>lot of iOS devices, but if you've got other ones

0:35:10.360 --> 0:35:13.000
<v Speaker 1>that you would like to read stuff on, that's kind

0:35:13.000 --> 0:35:17.400
<v Speaker 1>of you're out of luck if you're using eyebooks. Anyway,

0:35:17.520 --> 0:35:22.680
<v Speaker 1>The situation is UH is changing dramatically and quickly, especially

0:35:22.719 --> 0:35:28.560
<v Speaker 1>for industry like publication, which remained unchanged for decades. It

0:35:28.680 --> 0:35:31.480
<v Speaker 1>was definitely one of those those legacy type industries that

0:35:31.560 --> 0:35:34.719
<v Speaker 1>you know, it's the longer you stay the way you are,

0:35:34.760 --> 0:35:36.799
<v Speaker 1>the harder it's gonna be when you when changes come.

0:35:37.320 --> 0:35:39.279
<v Speaker 1>So it's actually kind of surprising to see how fast

0:35:39.320 --> 0:35:41.680
<v Speaker 1>things are changing right now. We'll keep an eye on

0:35:41.719 --> 0:35:43.760
<v Speaker 1>it and we'll probably do another podcast in the future

0:35:43.840 --> 0:35:46.680
<v Speaker 1>once things kind of shake out a little bit more

0:35:47.080 --> 0:35:49.880
<v Speaker 1>to see sort of the pathway that we took and

0:35:50.000 --> 0:35:54.319
<v Speaker 1>why people chose the you know, the different ways to

0:35:54.400 --> 0:35:57.640
<v Speaker 1>get to where we go. It'll be exciting. I can't

0:35:57.640 --> 0:36:00.560
<v Speaker 1>wait to find out what I'm reading next. Any Way,

0:36:00.680 --> 0:36:03.600
<v Speaker 1>we're gonna wrap up this episode of tech Stuff. We've

0:36:03.600 --> 0:36:05.560
<v Speaker 1>got another one we have to cram in here in

0:36:05.640 --> 0:36:09.239
<v Speaker 1>the studio before we get kicked out. So I would

0:36:09.320 --> 0:36:11.360
<v Speaker 1>like to do is to invite all of our listeners

0:36:11.400 --> 0:36:14.680
<v Speaker 1>to submit their ideas for topics that we should tackle

0:36:14.680 --> 0:36:17.080
<v Speaker 1>in the future. You can let us know an email

0:36:17.440 --> 0:36:20.399
<v Speaker 1>our email addresses text stuff at how Stuff Works dot com,

0:36:20.600 --> 0:36:23.600
<v Speaker 1>or you can contact us through Facebook or Twitter. Are

0:36:23.680 --> 0:36:27.040
<v Speaker 1>handle there is Text Stuff H s W. Chris and

0:36:27.040 --> 0:36:31.759
<v Speaker 1>I will talk to you again really soon. Be sure

0:36:31.760 --> 0:36:34.680
<v Speaker 1>to check out our new video podcast, Stuff from the Future.

0:36:35.040 --> 0:36:37.359
<v Speaker 1>Join How Stuff Work staff as we explore the most

0:36:37.360 --> 0:36:42.200
<v Speaker 1>promising and perplexing possibilities us tomorrow. The How Stuff Works

0:36:42.200 --> 0:36:50.239
<v Speaker 1>iPhone app has arrived. Download it today on iTunes. Brought

0:36:50.280 --> 0:36:53.480
<v Speaker 1>to you by the reinvented two thousand twelve camera. It's ready,

0:36:53.640 --> 0:36:54.120
<v Speaker 1>are you