WEBVTT - Ep11 Dennis McCarthy

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<v Speaker 1>Okay, Fast and Furious fans, welcome back to another podcast.

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<v Speaker 1>My name's Amelia Hartford and I'm so kaying the reason

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<v Speaker 1>why I say Fast and Furious. Our guest today built

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<v Speaker 1>all the cars starting with Fast three, one of those

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<v Speaker 1>cars being Hans Are seven.

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<v Speaker 2>Yes, he built so many iconic.

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<v Speaker 1>Cars that we shouldn't try to name them all.

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<v Speaker 2>It's great to see him take his passion for cars

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<v Speaker 2>and convert it over to movies.

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<v Speaker 1>Yeah. We have cool conversations about cars dropping out of

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<v Speaker 1>planes on Fast and Furious seven, and we.

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<v Speaker 2>Also talk about the future of practical cars and CG

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<v Speaker 2>cars and movies.

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<v Speaker 1>Yeah. Yeah, we joke a little bit about the street

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<v Speaker 1>takeovers becoming a.

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<v Speaker 2>Thing which we would say this gentleman we're going to

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<v Speaker 2>speak to is actually responsible for unintentionally. Yeah, and without

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<v Speaker 2>further ado.

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<v Speaker 1>Dennis McCarthy. Everybody.

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<v Speaker 2>I think people know the cars in the film, but

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<v Speaker 2>nobody knows you, Dennis. Like I even the people that

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<v Speaker 2>work on the movie. It's like they don't know, like

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<v Speaker 2>where you're from, like where you started, Like you know,

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<v Speaker 2>I want to share that story, Like I want to

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<v Speaker 2>share Dennis's story, Like how'd you get into cars? Where'd

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<v Speaker 2>you grow up, like what was the history prior to

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<v Speaker 2>you coming to fest?

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<v Speaker 3>And fears like why cars?

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<v Speaker 4>Yeah, I'm like that guy behind the scenes and like

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<v Speaker 4>no one ever sees me, you know, I just you know,

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<v Speaker 4>cars show up and you know, and that's it. But

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<v Speaker 4>I've always been in the cars made since a very

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<v Speaker 4>very early age as long, honestly, as long as I

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<v Speaker 4>can remember.

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<v Speaker 3>I mean, I you know, my.

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<v Speaker 4>First memories, first memory of a car as being you know,

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<v Speaker 4>somewhere around two maybe three years old, my dad had

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<v Speaker 4>a sixty nine Camaro for speed car with the Hurst

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<v Speaker 4>white shift nob and you know, I would reach over

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<v Speaker 4>there and shift gears, you know.

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<v Speaker 3>From the passers.

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<v Speaker 4>City's a little tiny kid, so I think it was

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<v Speaker 4>just something that was always where it was. And with wheels, motorcycles, bicycles, skateboards,

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<v Speaker 4>you know, everything in my life was kind of focused

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<v Speaker 4>on that. I think I had a bicycle repair shop

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<v Speaker 4>in the third grade with my own business cards.

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<v Speaker 3>I'd pass out at school.

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<v Speaker 4>You know, So I was just kind of always working

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<v Speaker 4>on something, fixing something, or playing with something or driving something.

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<v Speaker 3>So you know, long story short.

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<v Speaker 4>In high school, I was a bad example in today's society,

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<v Speaker 4>but I did street racing was like my number one hobby,

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<v Speaker 4>you know, Like my my buddies played football, played baseball.

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<v Speaker 4>I went street racing. So that's what I did, you know,

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<v Speaker 4>And I knew all the hot spots. I knew all

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<v Speaker 4>the times to be there, the days to be there,

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<v Speaker 4>and you know, eventually, of course got in trouble here

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<v Speaker 4>and there for that reason, but nonetheless it was.

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<v Speaker 3>In the long run, I guess it was worth it.

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<v Speaker 2>Where'd you grow up?

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<v Speaker 3>Burbank? Burbank? Wow?

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<v Speaker 4>Yeah, So you know we used to race out by

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<v Speaker 4>u you know, Peoria Street, Roxford Street. You know, we'd

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<v Speaker 4>go way up Wheatland. There was a long stretch there

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<v Speaker 4>we could. You know, there was a lot of great

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<v Speaker 4>places actually right down. It's funny when I started the movie,

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<v Speaker 4>it reminded me because one of the places we would

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<v Speaker 4>race was right off of Fletcher. I remember the first

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<v Speaker 4>time going down and saying, oh man, that's my street,

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<v Speaker 4>right you know, they're all the burnout mark Shore right there.

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<v Speaker 3>Everything.

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<v Speaker 4>You know, it's like one of my favorite spots. But

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<v Speaker 4>h got a job at a dinosh job. I worked

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<v Speaker 4>at the Glen Dail's Speed Center for it. So that's

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<v Speaker 4>like if you ever noticed in Fast nine, the credit

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<v Speaker 4>car says Glendale Speed Center on the hood. I put

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<v Speaker 4>that there because that's where I worked when I was

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<v Speaker 4>in high school. So you know, I always try to

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<v Speaker 4>slip a few things in and it's and it's funny.

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<v Speaker 4>It's like we did some mock up with the car. Actually,

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<v Speaker 4>you know, your friend Jose at Extreme Wraps and I

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<v Speaker 4>do this hood and then you know, I'm asked, well,

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<v Speaker 4>do we have clearance? I go, yeah, and I called

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<v Speaker 4>the owners still around, you know, I got a hold

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<v Speaker 4>of them and we got kind of cleared. But nobody

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<v Speaker 4>asked me where it came from. And I think what

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<v Speaker 4>happens in these situations is I think that probably the

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<v Speaker 4>director maybe assumed the production designer came up with their vice.

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<v Speaker 3>Versa or producer.

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<v Speaker 4>They disassumed that it came from somewhere that nobody ever

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<v Speaker 4>bothers to ask me, what's the Glendail Speed Center?

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<v Speaker 3>You know what I mean.

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<v Speaker 4>But it's, uh, you know, there's so much going on

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<v Speaker 4>when you're you know, when you're you know, doing fifty

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<v Speaker 4>some cars, it just all kind of blends together. But anyways, Uh,

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<v Speaker 4>I started working there and then you know, shortly thereafter,

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<v Speaker 4>you know, I went to a trade school. I went

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<v Speaker 4>to Valley College briefly for engineering and just ended up

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<v Speaker 4>on my own shop by thinking around maybe twenty twenty one.

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<v Speaker 3>I have my own.

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<v Speaker 4>Business, so been doing that ever since. And you know,

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<v Speaker 4>so it's really you know, people always ask, wow, this

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<v Speaker 4>must be great. You know, what's it like compared to

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<v Speaker 4>with this, And it's really the same thing as what

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<v Speaker 4>I did. I mean, I had a shop with you know,

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<v Speaker 4>maybe six guys, what would build a bunch of cars.

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<v Speaker 4>I do the same thing now, just on a much

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<v Speaker 4>bigger scale.

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<v Speaker 3>That's all.

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<v Speaker 1>It's just a tighter deadline, right.

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<v Speaker 4>The deadlines are tight. Yeah, you know, like you know,

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<v Speaker 4>you can say, yea, I'm gonna bild you a custom car,

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<v Speaker 4>you know, frame up, you know everything else. You know,

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<v Speaker 4>you can say, yeah, give me about a year to

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<v Speaker 4>do it. You know, we'll have to build you know,

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<v Speaker 4>sixty cars like that in the span of three and

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<v Speaker 4>a half months. So you know, it's a different it's

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<v Speaker 4>a different speed, we'll say, for sure, grabbing another gear

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<v Speaker 4>there for sure, but you know higher accordingly, get the

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<v Speaker 4>right guys.

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<v Speaker 3>It always gets done.

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<v Speaker 2>We're at number ten, fast and fear as ten and

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<v Speaker 2>you started the same time you did, Yeah, Fast and

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<v Speaker 2>Fear As three. So could you give us thenus a

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<v Speaker 2>little history of how you got into the whole Fast

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<v Speaker 2>and Fear As franchise.

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<v Speaker 4>Yeah, sure, I mean it's uh, it's going way back.

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<v Speaker 4>But I was just you know, custom car builder had

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<v Speaker 4>a business in Burbank for forever, like literally since I

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<v Speaker 4>was twenty years old, and somehow, through a front of

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<v Speaker 4>a friend, I ended up working on. His name was

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<v Speaker 4>Jim Brubaker at the time, he was the head of

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<v Speaker 4>the studio. Yeah, so he got referred to me to

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<v Speaker 4>work on his cars through a friend of his son.

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<v Speaker 4>So anyways, it really just started off working on I

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<v Speaker 4>think he had he had seventy one L Camino.

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<v Speaker 3>He had a couple of cool cars, you know.

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<v Speaker 4>So one thing led to another and he wanted me

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<v Speaker 4>to build a modify a vehicle for a scene in

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<v Speaker 4>a movie called Dragonfly. Okay, it was a movie, Uh

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<v Speaker 4>Kevin Costner and his wife dies going off a cliff

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<v Speaker 4>in a bus. So they had purchased this old army vehicle.

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<v Speaker 4>Probably the worst possible choice, you know. I mean, there

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<v Speaker 4>could have been a lot of things that you could

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<v Speaker 4>as bought and would have worked. But anyways, they bought

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<v Speaker 4>this old army vehicle that had no suspension, manual transmission,

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<v Speaker 4>no power. I mean, it was just very not user

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<v Speaker 4>friendly at all. So they wanted a V eight. They

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<v Speaker 4>wanted air ride, suspension and automatic, you know, just all

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<v Speaker 4>this different stuff so we could go down the hill

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<v Speaker 4>smoothly with a camera mount. It was a point of

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<v Speaker 4>view shot as all it was. So they had basically

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<v Speaker 4>the front of the bus then goes off.

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<v Speaker 3>It's cliff.

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<v Speaker 4>So I said, yeah, no prom at all, you know,

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<v Speaker 4>So got that done for him, and then he called

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<v Speaker 4>me again for Bruce Almighty needed some help with some cars.

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<v Speaker 4>They had a Saline S seven. Long story on that one.

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<v Speaker 4>I won't go into a bit.

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<v Speaker 2>It was I want to hear the story, please, That's

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<v Speaker 2>why you're here to tell his stories.

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<v Speaker 3>All right, Well this is a funny story.

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<v Speaker 4>Yeah, I mean it's really not funny, but I guess

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<v Speaker 4>it was funny from being on the outside of it.

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<v Speaker 4>So he asked me to come to set to check

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<v Speaker 4>out this Saleine S seven and it had been postponed,

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<v Speaker 4>postpone because the car wasn't ready. This was literally right

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<v Speaker 4>when that car was debut. It was just you know

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<v Speaker 4>there was one in existence, which was owned by Steve Salan.

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<v Speaker 4>That was the only car that existed. So they kept moving,

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<v Speaker 4>the shop moving, the shot waited on this car. So

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<v Speaker 4>I'm there that day. He wants me to wait and

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<v Speaker 4>stand by and just check this car out, make sure

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<v Speaker 4>everything's cool. He wants me to be the guy that

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<v Speaker 4>places it. You know, shows Jim Garrey had to get

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<v Speaker 4>in out of it, all that good stuff. So like, okay, yeah, great,

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<v Speaker 4>it sounds like fine. So I head out there and

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<v Speaker 4>trailer roll up and the car had to be still right.

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<v Speaker 4>Don't if you saw the movie, but there's a scene

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<v Speaker 4>where the car, his silver Z morphs into the same lane.

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<v Speaker 4>So the color was a critical part of it. And

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<v Speaker 4>they'd already shot the Z. So trailer shows up, but

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<v Speaker 4>it's got a yellow one and a sober one. That's strange.

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<v Speaker 4>Wonder what they're bringing? A yell, I mean, what good

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<v Speaker 4>does a yellow car do us? So anyways, cars getting loaded,

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<v Speaker 4>and the rep says, hey, I apologize, but the silver

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<v Speaker 4>car is not done. It's it's cosmetically cool. It's a

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<v Speaker 4>good static car, but it doesn't run. And we just

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<v Speaker 4>figured you guys could just you know, either do a

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<v Speaker 4>static shot or you just do a change the car

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<v Speaker 4>to yellow. I'm going, well, that's not that's not my call.

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<v Speaker 4>So anyways, everyone comes over and that's not gonna work.

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<v Speaker 4>It's a driving shot. The car has to be silber.

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<v Speaker 4>They're talking about Tobar's is that. Nothing's going to work. So, uh,

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<v Speaker 4>you know, I'm asked, hey, can you fix the car?

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<v Speaker 4>I said, I look inside the car. You know, there's

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<v Speaker 4>no wiring, harness, there's no fuels. It's been haws a

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<v Speaker 4>motor sitting it. But that's about it. I go, not today,

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<v Speaker 4>you know, that's not gonna happen. So this is right

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<v Speaker 4>about the time that there was something called peel coat

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<v Speaker 4>paint that was around. It just kind of started, you know,

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<v Speaker 4>being used in the studio business. Basically, yeah, exactly, but

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<v Speaker 4>it's but not as good. It's like it's almost like

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<v Speaker 4>a rubberized it feels like a Latex glove on the car.

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<v Speaker 4>And then you spray paint basically the latext you know

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<v Speaker 4>how it works, and you have to spray it on

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<v Speaker 4>with a special gun kind of like a gun similar

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<v Speaker 4>to like a linex or a rhino lining gun.

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<v Speaker 3>You know.

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<v Speaker 4>So we send guys in all these different directions to

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<v Speaker 4>get the gun, to get the paint, to get the

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<v Speaker 4>you know, the peel coat product, and we reconvened in

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<v Speaker 4>a body shop. A friend of mine jacked out a

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<v Speaker 4>body we I called, I got a nine to one one.

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<v Speaker 4>I have to have this car back on setamorrow five am,

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<v Speaker 4>you know, get this down overnight.

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<v Speaker 3>And he goes, yeah, yeah, no problem. This is, you know,

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<v Speaker 3>probably three in the afternoon.

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<v Speaker 4>By this point, by the time we get all the materials,

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<v Speaker 4>it's probably five and we start trying to spray this

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<v Speaker 4>car and it was freezing cold, right, spraying the stuff,

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<v Speaker 4>spraying stuff, but the stuff is too cold and it

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<v Speaker 4>just keeps orange, peeling really bad, and then we have

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<v Speaker 4>to clean it all off, start over again.

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<v Speaker 3>We go through this process.

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<v Speaker 4>By the time I get to uh god, it was

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<v Speaker 4>probably ten pm, eleven pm at night, and I'm just going, man,

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<v Speaker 4>it's not gonna work. You know, we can't. It's just

0:09:11.720 --> 0:09:15.720
<v Speaker 4>it's about twenty five degrees too cold. So I call up,

0:09:15.800 --> 0:09:18.240
<v Speaker 4>call up, you go, hey, man, I got a little problem.

0:09:18.240 --> 0:09:19.960
<v Speaker 4>I said, It's just it's not gonna work. I said,

0:09:20.000 --> 0:09:22.080
<v Speaker 4>the only way I can, you know, have this car

0:09:22.200 --> 0:09:24.040
<v Speaker 4>for you tomorrow morning. At five am, and Silver is

0:09:24.040 --> 0:09:26.000
<v Speaker 4>if I just paint the car. I don't want to

0:09:26.400 --> 0:09:28.240
<v Speaker 4>use profanity on your show. But he goes, yeah, I

0:09:28.280 --> 0:09:30.680
<v Speaker 4>paint the car. I go, okay, all right, great man.

0:09:30.760 --> 0:09:32.560
<v Speaker 4>So next thing, you know, man, I got a crew

0:09:32.559 --> 0:09:34.920
<v Speaker 4>guy sand in this you know, brand new sanely S

0:09:34.920 --> 0:09:38.000
<v Speaker 4>seven and we painted at silver and we were up

0:09:38.040 --> 0:09:40.640
<v Speaker 4>on set the next morning five am. I'm touching up

0:09:40.640 --> 0:09:43.240
<v Speaker 4>the little little flaws with a sharpie. You know, I'm

0:09:43.240 --> 0:09:45.160
<v Speaker 4>just like, I'm literally right there as they all come out.

0:09:45.160 --> 0:09:46.280
<v Speaker 1>I been silver sharpie.

0:09:46.480 --> 0:09:48.640
<v Speaker 4>I was using a black sharpie because I didn't have

0:09:48.679 --> 0:09:50.640
<v Speaker 4>a silver sharp but the black was better than yellow.

0:09:50.720 --> 0:09:52.040
<v Speaker 4>So it was kind of like in the door seams

0:09:52.080 --> 0:09:53.840
<v Speaker 4>and everything, I'm just using a black sharpie and I'm

0:09:54.120 --> 0:09:56.160
<v Speaker 4>trying to hide any kind of any that's of yellow.

0:09:56.800 --> 0:09:57.880
<v Speaker 3>And we got it done.

0:09:58.040 --> 0:09:59.960
<v Speaker 4>There's a lot of discussion after that about that whole

0:10:00.120 --> 0:10:04.480
<v Speaker 4>process and potential legal action there, but anyways, we got

0:10:04.559 --> 0:10:05.960
<v Speaker 4>the car pain and we had it on set. It

0:10:06.000 --> 0:10:08.400
<v Speaker 4>looked great, and uh, you know, everything went well from

0:10:08.400 --> 0:10:08.679
<v Speaker 4>that one.

0:10:08.760 --> 0:10:11.559
<v Speaker 1>So not only paint but also prep a car within

0:10:11.600 --> 0:10:16.000
<v Speaker 1>that timeframe. I hope people listening can understand how unreal

0:10:16.040 --> 0:10:16.600
<v Speaker 1>that is.

0:10:16.760 --> 0:10:18.120
<v Speaker 3>Yeah, it was. I mean we did the car.

0:10:18.160 --> 0:10:19.720
<v Speaker 4>By that point, it was probably eleven at night and

0:10:19.760 --> 0:10:21.280
<v Speaker 4>we had it, you know, probably gave us about four

0:10:21.280 --> 0:10:22.320
<v Speaker 4>and a half hours.

0:10:22.000 --> 0:10:24.080
<v Speaker 1>To was it was the paint dry when you showed

0:10:24.160 --> 0:10:24.920
<v Speaker 1>up on Satacky.

0:10:26.720 --> 0:10:28.640
<v Speaker 3>We brought it back in an enclosed trailer so get

0:10:28.640 --> 0:10:29.400
<v Speaker 3>the bugs off of it.

0:10:29.800 --> 0:10:31.640
<v Speaker 4>But now it all worked out. But it was a

0:10:32.440 --> 0:10:35.160
<v Speaker 4>that was kind of my start in the business I got.

0:10:35.280 --> 0:10:37.680
<v Speaker 4>I got some sidetracked there. So back to the original question,

0:10:37.840 --> 0:10:40.600
<v Speaker 4>that's how I got kind of hooked up with Universal

0:10:40.800 --> 0:10:43.480
<v Speaker 4>and then uh, you know, one thing led to another,

0:10:44.120 --> 0:10:47.880
<v Speaker 4>and in regards to Fast and Furious, I get a

0:10:47.880 --> 0:10:50.640
<v Speaker 4>call once again, same same same man, Jim brup Hair

0:10:50.679 --> 0:10:51.920
<v Speaker 4>calls me after Zombe because, hey, what do you know

0:10:51.960 --> 0:10:54.480
<v Speaker 4>about this sport and drifting? You know, in my head,

0:10:54.480 --> 0:10:56.120
<v Speaker 4>I'm thinking when I was in high school, man, I

0:10:56.200 --> 0:10:57.960
<v Speaker 4>you know, slide cars right into a curb, you know.

0:10:58.040 --> 0:10:59.319
<v Speaker 3>So anyways, I said.

0:10:59.160 --> 0:11:01.040
<v Speaker 4>Yeah, that sounds yeah, I know, I know everything about it,

0:11:01.080 --> 0:11:04.800
<v Speaker 4>like you know, the usual answer, you know. So he goes, great,

0:11:04.840 --> 0:11:06.440
<v Speaker 4>can you do can you do a little research on

0:11:06.480 --> 0:11:07.920
<v Speaker 4>the topic for me? He doesn't tell me what it's

0:11:07.920 --> 0:11:10.280
<v Speaker 4>about or what it's for I mean, in retrospect, it

0:11:10.480 --> 0:11:12.800
<v Speaker 4>feels like I turned it like an eighth grade report

0:11:12.840 --> 0:11:14.160
<v Speaker 4>on the sport of drifting. You know. I did a

0:11:14.200 --> 0:11:17.439
<v Speaker 4>notebook with a picture of a card drifting and just

0:11:17.520 --> 0:11:19.000
<v Speaker 4>kind of went through the history of the tracks, the

0:11:19.080 --> 0:11:22.800
<v Speaker 4>key players and everything else, and uh, very rudimentary, but

0:11:22.880 --> 0:11:24.120
<v Speaker 4>just you know, brought to him and kind of sat

0:11:24.160 --> 0:11:25.480
<v Speaker 4>down them and just kind of went through a page

0:11:25.480 --> 0:11:28.640
<v Speaker 4>by page and showed them where it's at, the different

0:11:28.720 --> 0:11:31.600
<v Speaker 4>organizations that run and everything else. He sayes, great, Great,

0:11:31.880 --> 0:11:33.960
<v Speaker 4>I totally appreciate this. I said, okay, all right, thank you,

0:11:34.000 --> 0:11:35.640
<v Speaker 4>I can no problem. You know, left thought that was

0:11:35.760 --> 0:11:37.320
<v Speaker 4>that was the end of that. He calls you back

0:11:37.320 --> 0:11:38.640
<v Speaker 4>a few days, Lady, just had like you to come

0:11:38.720 --> 0:11:40.440
<v Speaker 4>up and talk to a few people. I said, yeah, no,

0:11:40.440 --> 0:11:42.319
<v Speaker 4>no problem. I head up to the Universal. We'll go

0:11:42.400 --> 0:11:45.199
<v Speaker 4>up to the eighth flour conference room and you know,

0:11:45.200 --> 0:11:47.240
<v Speaker 4>there's a whole bunch of people there. I'm you know,

0:11:47.320 --> 0:11:49.840
<v Speaker 4>horribly underdressed. You know, I'm just I was not not

0:11:49.840 --> 0:11:51.959
<v Speaker 4>expecting this. And they've actually made a copy of that

0:11:52.000 --> 0:11:53.800
<v Speaker 4>book and they've spread it around the whole table to

0:11:53.880 --> 0:11:56.400
<v Speaker 4>everybody there, and I'm just like wow, I woke. A

0:11:56.400 --> 0:11:57.720
<v Speaker 4>little heads up would have been nice, you know, like

0:11:57.760 --> 0:11:59.640
<v Speaker 4>a little bit of a hey, this is what we're

0:11:59.679 --> 0:12:00.760
<v Speaker 4>going to do. But just you know, I come and

0:12:00.800 --> 0:12:03.839
<v Speaker 4>blind and say, you know, same conversation, Can you explain

0:12:03.880 --> 0:12:04.760
<v Speaker 4>the sport of Christian to us?

0:12:05.080 --> 0:12:05.280
<v Speaker 3>Yeah?

0:12:05.360 --> 0:12:07.640
<v Speaker 4>I did a little pitch on it, and uh. At

0:12:07.640 --> 0:12:09.000
<v Speaker 4>the end of that meeting, they say, well, hey, we'd

0:12:09.040 --> 0:12:11.360
<v Speaker 4>like you to go to Japan and do some research

0:12:11.360 --> 0:12:14.679
<v Speaker 4>for us. I'm like, great, you know, but it happened

0:12:14.679 --> 0:12:16.960
<v Speaker 4>that quick. It was literally, you know, walked out of

0:12:16.960 --> 0:12:20.800
<v Speaker 4>that room, hooked up with travel, looked a flight.

0:12:20.760 --> 0:12:22.679
<v Speaker 3>And you know, I think within a few days I was,

0:12:22.960 --> 0:12:25.440
<v Speaker 3>you know, I was in Tokyo. So that's how it started.

0:12:25.480 --> 0:12:27.720
<v Speaker 4>That's how I got hooked up with the franchise, and

0:12:27.760 --> 0:12:30.720
<v Speaker 4>that's you know, that was my first experience with you know,

0:12:30.840 --> 0:12:32.480
<v Speaker 4>fun with a whole bunch of cars.

0:12:32.679 --> 0:12:36.439
<v Speaker 2>Amelia and I were talking about the street takeover donut scene.

0:12:36.840 --> 0:12:39.040
<v Speaker 2>Do you understand that, Dennis, I do.

0:12:39.080 --> 0:12:44.600
<v Speaker 3>Not understand it. All I've ever seen and it goes back.

0:12:44.679 --> 0:12:46.559
<v Speaker 4>I mean, this goes back to when I was a kid,

0:12:47.360 --> 0:12:50.040
<v Speaker 4>probably the sixth grade. You know, my my buddy's dad

0:12:50.200 --> 0:12:52.440
<v Speaker 4>was a big stock cartan. We'd go out to Sagas

0:12:53.120 --> 0:12:54.520
<v Speaker 4>and I remember, you know, when getting the seats, you'

0:12:54.520 --> 0:12:56.120
<v Speaker 4>always said, oh yeah, you never never sit on the

0:12:56.120 --> 0:12:58.160
<v Speaker 4>outside of the turn, you know, like we'd always you know,

0:12:58.800 --> 0:13:00.240
<v Speaker 4>you know, PLoP down in front of the straight away

0:13:00.280 --> 0:13:00.560
<v Speaker 4>or somebody.

0:13:00.720 --> 0:13:02.240
<v Speaker 3>Oh yeah, you know, the cars can climb the fence.

0:13:02.240 --> 0:13:04.000
<v Speaker 4>I've seen it, you know, all this stuff, so at

0:13:04.000 --> 0:13:05.640
<v Speaker 4>a very early age, you know, don't stand on the

0:13:05.640 --> 0:13:06.760
<v Speaker 4>outside of a sliding car.

0:13:07.040 --> 0:13:09.440
<v Speaker 3>And I watched these street takeovers. The cars are.

0:13:09.360 --> 0:13:11.760
<v Speaker 4>Doing donuts and the streets are packed five or six deep.

0:13:11.760 --> 0:13:13.320
<v Speaker 4>I mean, if something does go wrong, you can't get

0:13:13.320 --> 0:13:13.679
<v Speaker 4>out of the way.

0:13:13.720 --> 0:13:16.559
<v Speaker 3>It's just but it does, and it does.

0:13:16.720 --> 0:13:19.160
<v Speaker 1>Oh yeah, I just excited over getting hits.

0:13:19.240 --> 0:13:19.719
<v Speaker 3>I watch it.

0:13:19.760 --> 0:13:22.160
<v Speaker 4>I just don't understand what has happened to common sense,

0:13:22.200 --> 0:13:23.520
<v Speaker 4>you know. I mean that's something like when we were

0:13:23.520 --> 0:13:25.800
<v Speaker 4>like even my buddies, like, we would never do that,

0:13:25.880 --> 0:13:27.000
<v Speaker 4>you know. I mean, yeah, we might go into an

0:13:27.040 --> 0:13:28.400
<v Speaker 4>air so that should do a bunch of donuts, but

0:13:28.440 --> 0:13:30.560
<v Speaker 4>it's going to be, you know, somewhere where there's nobody

0:13:30.559 --> 0:13:32.560
<v Speaker 4>else around. And that was great, and we drive away

0:13:32.600 --> 0:13:34.080
<v Speaker 4>really quick to it. Don't get a ticket, you know,

0:13:34.440 --> 0:13:36.360
<v Speaker 4>but to do with a huge crowd. It's I don't know,

0:13:36.360 --> 0:13:38.720
<v Speaker 4>it's beyond me. No one's you know what. I just

0:13:38.800 --> 0:13:39.640
<v Speaker 4>I just figured it out.

0:13:39.720 --> 0:13:40.320
<v Speaker 1>Huh.

0:13:40.360 --> 0:13:42.920
<v Speaker 4>I know where it came from. It came from I

0:13:43.000 --> 0:13:44.640
<v Speaker 4>might be off one movie, but it came from Fastened

0:13:44.640 --> 0:13:47.319
<v Speaker 4>Furious Sport. We did that sequence down at downtown LA.

0:13:47.840 --> 0:13:49.760
<v Speaker 4>We had a BMW doing donuts. We had a huge

0:13:49.760 --> 0:13:50.280
<v Speaker 4>party scene.

0:13:50.320 --> 0:13:55.800
<v Speaker 5>It was down I want to say, take that back movie,

0:13:56.240 --> 0:14:00.400
<v Speaker 5>But it is so funny though, I just we have

0:14:00.400 --> 0:14:00.839
<v Speaker 5>the FBI.

0:14:01.240 --> 0:14:03.040
<v Speaker 4>I know, it's just so funny. When you ask that question,

0:14:03.040 --> 0:14:04.199
<v Speaker 4>where did it come from? I thought about I know,

0:14:04.200 --> 0:14:05.640
<v Speaker 4>I've seen this one before and it just popped in

0:14:05.679 --> 0:14:07.240
<v Speaker 4>my head. That's where I saw it. But we rigged

0:14:07.240 --> 0:14:10.480
<v Speaker 4>at BMW. Now what we did was we actually had

0:14:10.520 --> 0:14:12.679
<v Speaker 4>a BMW that was rigged like a like a track

0:14:12.679 --> 0:14:14.839
<v Speaker 4>on a spinning thing, so it couldn't get away. It

0:14:14.840 --> 0:14:17.120
<v Speaker 4>couldn't go anywhere, but you know it could had the

0:14:17.160 --> 0:14:18.040
<v Speaker 4>right look on screen.

0:14:31.920 --> 0:14:34.960
<v Speaker 1>On the set of Grand Tarrismo, I saw my first

0:14:35.080 --> 0:14:38.600
<v Speaker 1>pod car, and for the listeners who don't know what

0:14:38.640 --> 0:14:42.280
<v Speaker 1>a podcar is, everything that controls the car is now

0:14:42.320 --> 0:14:44.520
<v Speaker 1>on the roof and the actor gets to sit in

0:14:44.520 --> 0:14:47.080
<v Speaker 1>the driver's seat where you can't see anything because the

0:14:47.120 --> 0:14:50.760
<v Speaker 1>cameras are blocking your view, and the stunt driver drives

0:14:50.800 --> 0:14:52.360
<v Speaker 1>and you get to pretend like you're driving.

0:14:52.520 --> 0:14:54.200
<v Speaker 4>Yeah, because you can always tell when you're watching a

0:14:54.240 --> 0:14:55.880
<v Speaker 4>TV show of film or whatever if they're on a

0:14:55.880 --> 0:14:58.880
<v Speaker 4>process trailer just has that no suspension. Look, the car

0:14:58.880 --> 0:15:01.640
<v Speaker 4>sits too high. It's just it's just not the same.

0:15:01.880 --> 0:15:04.440
<v Speaker 4>But with the pod, it's really the car's doing what

0:15:04.480 --> 0:15:06.400
<v Speaker 4>it should be doing, but a stuntman is on the

0:15:06.480 --> 0:15:08.160
<v Speaker 4>roof driving it. So just imagine if you had a

0:15:08.200 --> 0:15:09.880
<v Speaker 4>roof rack with a lawn chair and a steering wheel.

0:15:09.920 --> 0:15:11.960
<v Speaker 4>That's about what it is. He's sitting up on the roof.

0:15:11.960 --> 0:15:14.000
<v Speaker 4>He has gas pedal, he has Oh, this was another

0:15:14.040 --> 0:15:17.520
<v Speaker 4>first too on Grand Turisma was a pod with a

0:15:17.520 --> 0:15:20.080
<v Speaker 4>manual transmission. Now, the only way we could do it

0:15:20.280 --> 0:15:23.080
<v Speaker 4>was because it was electronic shifted, so we didn't actually

0:15:23.080 --> 0:15:24.520
<v Speaker 4>have to have shift linkage because it was on the

0:15:24.520 --> 0:15:26.400
<v Speaker 4>steering wheel. So he basically just took the GT three

0:15:26.440 --> 0:15:29.760
<v Speaker 4>steering wheel, put that up on on the top, rewired

0:15:29.800 --> 0:15:32.080
<v Speaker 4>everything and put a coluct pedal up there, which was hydraulic.

0:15:32.160 --> 0:15:34.040
<v Speaker 4>So but it was pretty cool. Because that's something that

0:15:34.080 --> 0:15:37.840
<v Speaker 4>you usually don't get with the pod. But anyways, bottom

0:15:37.840 --> 0:15:40.280
<v Speaker 4>line is it just puts the actor in the car

0:15:40.520 --> 0:15:44.320
<v Speaker 4>for reel at real speeds and it just sells. It

0:15:44.360 --> 0:15:46.160
<v Speaker 4>just makes it makes the movie that much better. When

0:15:46.200 --> 0:15:48.040
<v Speaker 4>you can do that, it's a pretty cool way to

0:15:48.040 --> 0:15:49.760
<v Speaker 4>film an action car movie, for sure. I mean it's

0:15:49.760 --> 0:15:50.280
<v Speaker 4>really the best.

0:15:50.320 --> 0:15:51.880
<v Speaker 1>What's the fastest you've been in a quarter mile?

0:15:52.200 --> 0:15:55.840
<v Speaker 3>M Let's see. I don't know.

0:15:55.840 --> 0:15:57.960
<v Speaker 4>I've driven a lot of fast cars, but I can't say, okay,

0:15:58.000 --> 0:15:59.440
<v Speaker 4>this is a quarter mile. I'm gonna hammer this car

0:15:59.520 --> 0:16:01.360
<v Speaker 4>and go, oh you know what, Okay, I do have

0:16:02.120 --> 0:16:05.200
<v Speaker 4>I do have something to back this up. So on

0:16:05.280 --> 0:16:08.320
<v Speaker 4>Tokyo Drift, we built these Monty Carlos right and uh

0:16:09.120 --> 0:16:11.680
<v Speaker 4>one of them had a five seventy two was a

0:16:11.760 --> 0:16:14.320
<v Speaker 4>Richmond four speed, had a fourty six gear in it.

0:16:14.720 --> 0:16:17.960
<v Speaker 4>We went out to uh Cameral Airport and we literally

0:16:17.960 --> 0:16:20.560
<v Speaker 4>marked off a quarter mile with Edmunds online. Then we

0:16:20.640 --> 0:16:22.520
<v Speaker 4>ran all the cars. I got in that car to

0:16:22.520 --> 0:16:23.960
<v Speaker 4>make a pass and something broke.

0:16:24.000 --> 0:16:24.320
<v Speaker 3>I forget it.

0:16:24.320 --> 0:16:25.960
<v Speaker 4>I think the shift link and something something happened. I

0:16:26.000 --> 0:16:28.400
<v Speaker 4>couldn't make a pass, so we came back. I went

0:16:28.400 --> 0:16:30.560
<v Speaker 4>through everything just to the valves, got anything ready to go.

0:16:31.120 --> 0:16:32.920
<v Speaker 4>In the meantime, we ran the other car, which was

0:16:32.920 --> 0:16:35.440
<v Speaker 4>a five hundred and nine cubic chain car, which coincidentally,

0:16:35.440 --> 0:16:37.440
<v Speaker 4>I still own that car. I have that car in

0:16:37.440 --> 0:16:40.160
<v Speaker 4>my shop right now. But in that car, i'd have

0:16:40.160 --> 0:16:41.440
<v Speaker 4>to go back and watch. I think you can still

0:16:41.440 --> 0:16:42.720
<v Speaker 4>pull it up. But I think it ran an eleven

0:16:42.800 --> 0:16:44.880
<v Speaker 4>something in the quarter mile. And they had, you know,

0:16:45.320 --> 0:16:50.040
<v Speaker 4>all the proper equipment and everything else. And anyways, long

0:16:50.040 --> 0:16:51.360
<v Speaker 4>story short, I get back in the car with a

0:16:51.400 --> 0:16:54.120
<v Speaker 4>big motor and it's got slicks, I've got the air perer.

0:16:54.320 --> 0:16:57.040
<v Speaker 4>I'm really I want to get a ten second time

0:16:57.080 --> 0:17:00.600
<v Speaker 4>out of this car. And uh, you know, they got

0:17:00.320 --> 0:17:05.960
<v Speaker 4>the light green go, and for whatever reason, the first

0:17:06.560 --> 0:17:08.760
<v Speaker 4>you know light didn't trigger the car.

0:17:09.720 --> 0:17:11.480
<v Speaker 3>So I never got a quarter mile time.

0:17:12.000 --> 0:17:13.639
<v Speaker 4>But I went through the lights in one hundred and

0:17:13.640 --> 0:17:16.440
<v Speaker 4>thirty miles an hour, which is pretty damn fast. I mean,

0:17:16.760 --> 0:17:18.320
<v Speaker 4>in a nineteen seventy Monet card, to go through the

0:17:18.400 --> 0:17:20.439
<v Speaker 4>lights at one hundred and thirty miles an hour, it

0:17:20.600 --> 0:17:23.080
<v Speaker 4>had to be I'm going to in my mind, I

0:17:23.160 --> 0:17:26.120
<v Speaker 4>believe it had to be a ten second pass. But

0:17:26.520 --> 0:17:28.840
<v Speaker 4>you know, it never got officially recorded, so that.

0:17:28.800 --> 0:17:29.680
<v Speaker 3>Was very impressed about.

0:17:29.800 --> 0:17:31.879
<v Speaker 4>And the other thing that was horrible about that day is,

0:17:32.359 --> 0:17:35.440
<v Speaker 4>you know, that's not a real incredibly high Revy motor,

0:17:35.920 --> 0:17:37.720
<v Speaker 4>and there was no and I knew there was a

0:17:37.800 --> 0:17:39.199
<v Speaker 4>light at the quarter in the quarter mile, but there

0:17:39.240 --> 0:17:41.280
<v Speaker 4>was no visual reference, like we should have put a

0:17:41.280 --> 0:17:45.400
<v Speaker 4>traffic car. So I didn't want to shut up early,

0:17:45.440 --> 0:17:47.919
<v Speaker 4>so I was going to hold it in extra long. Well,

0:17:47.960 --> 0:17:50.200
<v Speaker 4>I kept going forth, gear, ran out of ran out

0:17:50.200 --> 0:17:52.679
<v Speaker 4>of gear, and I ended up scattering that motor. I

0:17:52.720 --> 0:17:54.959
<v Speaker 4>mean scattered it to the point where you know, connecting

0:17:55.040 --> 0:17:56.040
<v Speaker 4>rods came through the side.

0:17:55.840 --> 0:17:57.200
<v Speaker 1>Of the block, windowed the block.

0:17:57.440 --> 0:18:00.200
<v Speaker 4>Yeah, oil on the airstrip, and I think that was

0:18:00.200 --> 0:18:01.639
<v Speaker 4>the last time we were ever allowed to do that

0:18:01.640 --> 0:18:04.280
<v Speaker 4>again because of that, because it dumped you know, seven

0:18:04.359 --> 0:18:07.880
<v Speaker 4>quarts of oil right onto the airstrip. But anyways, all

0:18:07.880 --> 0:18:09.440
<v Speaker 4>that lawn the motor up, and I still want to

0:18:09.480 --> 0:18:12.879
<v Speaker 4>get a recorded quarter mile, So I'm still very depressed

0:18:12.880 --> 0:18:13.280
<v Speaker 4>about that.

0:18:13.280 --> 0:18:15.680
<v Speaker 3>It's okay, there you go.

0:18:15.760 --> 0:18:18.440
<v Speaker 4>I'll tell you guys a sad story of the car

0:18:18.480 --> 0:18:21.480
<v Speaker 4>that I wanted more than any new car. I can

0:18:21.920 --> 0:18:25.600
<v Speaker 4>probably say my whole life was the new CTFI V Corvette.

0:18:25.920 --> 0:18:28.480
<v Speaker 3>I'm sorry, black Wing, black Wing Cadillact.

0:18:28.520 --> 0:18:30.440
<v Speaker 1>I got one hundred and twentieth anniversary one.

0:18:30.640 --> 0:18:31.280
<v Speaker 3>You're gonna love it.

0:18:31.359 --> 0:18:32.600
<v Speaker 1>I'm so excited for it.

0:18:32.720 --> 0:18:34.760
<v Speaker 4>So when the black Wing, I started reading about it

0:18:34.800 --> 0:18:36.159
<v Speaker 4>as I going, oh my god, this is a car.

0:18:36.280 --> 0:18:38.520
<v Speaker 4>I can get a Cadillact with four doors on a clutch.

0:18:38.520 --> 0:18:40.639
<v Speaker 4>I said, I must have this. So and we were working,

0:18:40.680 --> 0:18:42.639
<v Speaker 4>we were on a show, we were doing something and

0:18:42.720 --> 0:18:43.840
<v Speaker 4>I missed the order day.

0:18:44.000 --> 0:18:45.119
<v Speaker 3>I just missed it.

0:18:45.240 --> 0:18:47.919
<v Speaker 4>And I was devastated because they were they all they

0:18:47.960 --> 0:18:49.000
<v Speaker 4>sold out like instantly.

0:18:49.640 --> 0:18:51.240
<v Speaker 3>Luckily, I have a couple of friends.

0:18:51.359 --> 0:18:54.320
<v Speaker 4>Her named Sandy from General Motors, but she was huge

0:18:54.359 --> 0:18:57.280
<v Speaker 4>help in making some phone calls to Michigan. She got me,

0:18:57.840 --> 0:18:59.560
<v Speaker 4>she got me the opportunity to order one. So I

0:18:59.640 --> 0:19:02.280
<v Speaker 4>ordered you black, the carbon seat, everything exactly what I wanted.

0:19:02.840 --> 0:19:05.400
<v Speaker 4>And uh, it's the coolest car ever. I mean, it's

0:19:05.720 --> 0:19:07.639
<v Speaker 4>absolutely Yeah. It's in my garage. But this is a

0:19:07.680 --> 0:19:09.320
<v Speaker 4>sad part that I have. I've had it for I

0:19:09.320 --> 0:19:11.879
<v Speaker 4>think a year and it has a thousand miles on it.

0:19:11.920 --> 0:19:13.639
<v Speaker 4>Like I don't drive it. You know, it's in my

0:19:13.720 --> 0:19:15.840
<v Speaker 4>garage at my house with the car cover on it,

0:19:15.880 --> 0:19:17.080
<v Speaker 4>and it's like we're going out here.

0:19:17.320 --> 0:19:18.520
<v Speaker 3>No, I can't ballet park this car.

0:19:18.680 --> 0:19:21.520
<v Speaker 1>Really burn the clutch out.

0:19:21.000 --> 0:19:22.359
<v Speaker 3>Screw it up. I'm not I'm not doing that. I

0:19:22.400 --> 0:19:23.360
<v Speaker 3>don't leave it anywhere.

0:19:23.440 --> 0:19:25.760
<v Speaker 1>Yeah, I feel that way about the Corvettes. But I

0:19:25.960 --> 0:19:27.639
<v Speaker 1>like when I tell you I'm so excited for this

0:19:27.760 --> 0:19:30.359
<v Speaker 1>black Wing, I like, I literally just can't wait to

0:19:30.359 --> 0:19:32.720
<v Speaker 1>go get it. It's like, what the last combustion manual

0:19:32.760 --> 0:19:33.399
<v Speaker 1>transmission car.

0:19:33.440 --> 0:19:35.080
<v Speaker 3>That is the coolest car ever. Like I said, that's

0:19:35.119 --> 0:19:36.960
<v Speaker 3>so cool. It's the one that I'm.

0:19:36.840 --> 0:19:38.520
<v Speaker 1>Going to daily drive. That's going to be like my

0:19:38.760 --> 0:19:40.520
<v Speaker 1>I joke that I'm buying the car from my dog.

0:19:40.680 --> 0:19:42.679
<v Speaker 1>I'm not that, you know, it's not really the case,

0:19:42.720 --> 0:19:44.480
<v Speaker 1>but like I don't even know if she's ever gonna

0:19:44.480 --> 0:19:46.240
<v Speaker 1>sit in it. Now they say it, but I was.

0:19:46.320 --> 0:19:48.280
<v Speaker 3>That was my intent. It was gonna be my daily driver.

0:19:48.359 --> 0:19:49.960
<v Speaker 3>But I'm gonna try to start putting some more miles

0:19:49.960 --> 0:19:50.560
<v Speaker 3>on it, for sure.

0:19:51.200 --> 0:19:54.480
<v Speaker 4>Congratulation. That's that's fine that we own the same car.

0:19:55.080 --> 0:19:56.560
<v Speaker 4>At first we work on the same movie and then

0:19:56.600 --> 0:19:57.639
<v Speaker 4>we own the same car.

0:19:58.280 --> 0:19:58.800
<v Speaker 3>Pretty cool.

0:19:59.040 --> 0:20:00.680
<v Speaker 2>Then, as you know, I have to working in the

0:20:00.720 --> 0:20:05.240
<v Speaker 2>Hollywood and with all these cars, what is your favorite

0:20:05.359 --> 0:20:08.560
<v Speaker 2>like car movie like that you've worked on or that

0:20:08.680 --> 0:20:10.840
<v Speaker 2>you just go, okay, this is this sets the bar

0:20:11.080 --> 0:20:13.239
<v Speaker 2>for a film that has cars in it.

0:20:13.320 --> 0:20:15.480
<v Speaker 4>Yeah, that is a great question, you know, and I

0:20:15.520 --> 0:20:19.040
<v Speaker 4>mean I lean back to like the older stuff, you know,

0:20:19.119 --> 0:20:22.119
<v Speaker 4>like seventy stuff. I mean, as a young kid, my

0:20:22.200 --> 0:20:24.119
<v Speaker 4>all time favorite movie was The Gunball Rally.

0:20:24.200 --> 0:20:25.399
<v Speaker 3>One of my favorite.

0:20:25.040 --> 0:20:27.560
<v Speaker 4>Scenes in that movie is it's a four to twenty

0:20:27.560 --> 0:20:31.280
<v Speaker 4>seven Cobra and a Ferrari Daytona racing through the La

0:20:31.720 --> 0:20:34.960
<v Speaker 4>River and it's just awesome. And there's there's backstories so

0:20:35.000 --> 0:20:37.359
<v Speaker 4>that too. There was a body shop in in Bertman

0:20:37.480 --> 0:20:39.679
<v Speaker 4>called Auto FM, which is coincidental where my dad took

0:20:39.720 --> 0:20:41.600
<v Speaker 4>all his cars. But he was one of the guys

0:20:41.600 --> 0:20:44.040
<v Speaker 4>that was responsible for fixing the Cobra overnight because they

0:20:44.080 --> 0:20:46.760
<v Speaker 4>spun the car out and went into the channel in

0:20:46.800 --> 0:20:49.320
<v Speaker 4>the center and you know, this is the old days

0:20:49.359 --> 0:20:51.200
<v Speaker 4>of film, and they had one Ferrari, they had one Cobra,

0:20:51.359 --> 0:20:53.000
<v Speaker 4>so when they wrecked it, they had to bring the

0:20:53.080 --> 0:20:54.639
<v Speaker 4>car back overnight, bring it back and it was it

0:20:54.680 --> 0:20:54.880
<v Speaker 4>was a.

0:20:54.840 --> 0:20:56.359
<v Speaker 3>Real one too, a woman and body car.

0:20:56.600 --> 0:20:59.560
<v Speaker 1>But it was a real Cobra. For twice seven.

0:20:59.600 --> 0:21:02.000
<v Speaker 4>Yeah, which back in nineteen seventy eight or seventy six whatever,

0:21:02.000 --> 0:21:03.560
<v Speaker 4>it was meant next to nothing. You know, it was

0:21:03.560 --> 0:21:04.840
<v Speaker 4>a four thousand dollars car back then.

0:21:05.200 --> 0:21:07.200
<v Speaker 1>But today there worth so much of course.

0:21:07.280 --> 0:21:09.200
<v Speaker 4>Yeah, so anyways, but if you ever get a chance,

0:21:09.320 --> 0:21:12.040
<v Speaker 4>check that movie out, you know, and really, I mean

0:21:12.080 --> 0:21:13.879
<v Speaker 4>what I like in the movie is realism. I'm not

0:21:13.920 --> 0:21:16.280
<v Speaker 4>a huge fan of massive CG. You know, I really

0:21:16.320 --> 0:21:18.960
<v Speaker 4>like it. You know, to me, if you're watching a

0:21:19.000 --> 0:21:21.359
<v Speaker 4>movie and you you can believe that the stunt is

0:21:21.400 --> 0:21:24.080
<v Speaker 4>really happening as you're watching it, I think it just

0:21:24.119 --> 0:21:25.760
<v Speaker 4>adds to the project. And I think that's one great

0:21:25.760 --> 0:21:27.720
<v Speaker 4>thing about the Fast and Furious franchises.

0:21:27.760 --> 0:21:28.320
<v Speaker 3>We try to do that now.

0:21:28.320 --> 0:21:30.720
<v Speaker 4>Obviously over the years, the cg's gotten a little bigger,

0:21:30.760 --> 0:21:33.840
<v Speaker 4>but we still try to keep the car stunts, you know,

0:21:34.480 --> 0:21:35.440
<v Speaker 4>being a real car stunt.

0:21:35.720 --> 0:21:37.919
<v Speaker 1>Do you watch car movies the same too? I mean

0:21:37.920 --> 0:21:39.800
<v Speaker 1>you're probably working on all of them, but do you

0:21:39.840 --> 0:21:43.760
<v Speaker 1>watch them the same today? Are you constantly looking at Oh,

0:21:43.800 --> 0:21:46.359
<v Speaker 1>I see how they did that? That's an interesting element.

0:21:46.400 --> 0:21:49.040
<v Speaker 4>I nitpick things that you know, like, hey, the wheels

0:21:49.040 --> 0:21:51.320
<v Speaker 4>are different on that car. You know, it's just little

0:21:51.320 --> 0:21:53.639
<v Speaker 4>things like that that I'm because I you know, I

0:21:53.680 --> 0:21:56.840
<v Speaker 4>would always criticize myself, you know, and it happens if

0:21:56.840 --> 0:21:58.679
<v Speaker 4>we screw something up, if a car looks a little bit,

0:21:58.680 --> 0:22:00.000
<v Speaker 4>you know, like I said, we're building to set it

0:22:00.040 --> 0:22:02.359
<v Speaker 4>ten cars, they all need to look identical, and if

0:22:02.359 --> 0:22:04.080
<v Speaker 4>something's off, I'll definitely catch it when I'm watching it.

0:22:04.080 --> 0:22:06.240
<v Speaker 4>But I unfortunately, I can't get that out of my mind.

0:22:06.240 --> 0:22:08.119
<v Speaker 4>So every time I watch a liver of the car chase,

0:22:08.560 --> 0:22:10.240
<v Speaker 4>I'm looking for a flaw. I'm looking for a double

0:22:10.240 --> 0:22:12.600
<v Speaker 4>car that has a different seat or a different interior, things.

0:22:12.400 --> 0:22:15.000
<v Speaker 1>That a lot of people probably wouldn't notice just watching it,

0:22:15.080 --> 0:22:17.639
<v Speaker 1>but you probably those tune die for it.

0:22:17.760 --> 0:22:18.520
<v Speaker 3>Right, yeah exactly.

0:22:18.560 --> 0:22:20.320
<v Speaker 4>I mean everything else is probably blur outside of that,

0:22:20.320 --> 0:22:21.280
<v Speaker 4>but the cars I'm focused on.

0:22:21.320 --> 0:22:24.159
<v Speaker 2>It was really cool on the last film where you know,

0:22:24.200 --> 0:22:27.040
<v Speaker 2>the director was leaning on you to like help the

0:22:27.119 --> 0:22:30.239
<v Speaker 2>dialogue to make it, you know, like legit because in

0:22:30.280 --> 0:22:33.399
<v Speaker 2>the past, I mean, the fans are complaining, They're like, yo, man,

0:22:33.760 --> 0:22:38.240
<v Speaker 2>you guys are in space. Well bro right, there's like

0:22:38.320 --> 0:22:41.360
<v Speaker 2>it's seventy thirty. It's it's like seventy percent. You know,

0:22:41.760 --> 0:22:45.600
<v Speaker 2>Like when I'm outside there. You know, the fans will

0:22:45.640 --> 0:22:48.320
<v Speaker 2>be like, I'm gonna watch the movie anyway, but hey man,

0:22:48.520 --> 0:22:50.400
<v Speaker 2>it'd be nice if, like, you know, you could go

0:22:50.480 --> 0:22:52.560
<v Speaker 2>back to the cars. And then thirty percent is like,

0:22:53.800 --> 0:22:56.880
<v Speaker 2>fuck you guys, man, you guys this bullshit. You guys

0:22:56.920 --> 0:22:58.560
<v Speaker 2>are in space and what the fuck is that?

0:22:58.720 --> 0:23:00.680
<v Speaker 3>Like, it's not a car movie and you are right,

0:23:00.800 --> 0:23:02.439
<v Speaker 3>so right right, yeah, no, I'm with you.

0:23:02.480 --> 0:23:06.000
<v Speaker 4>I mean, like I said, I I would love to see,

0:23:06.359 --> 0:23:08.760
<v Speaker 4>you know, like a flashback, like an old school flashback

0:23:08.800 --> 0:23:12.040
<v Speaker 4>and that maybe the maybe the history of uh, you know,

0:23:12.119 --> 0:23:14.800
<v Speaker 4>Toretto Seniors street racing days or something just kind of

0:23:14.840 --> 0:23:17.480
<v Speaker 4>ran that back. I mean, it's really it's hard to

0:23:17.520 --> 0:23:19.640
<v Speaker 4>do it today because it's just not really done today.

0:23:19.640 --> 0:23:21.000
<v Speaker 4>If it is, you know, it's like you said, it's

0:23:21.000 --> 0:23:23.720
<v Speaker 4>more of the street takeover. I don't know of any

0:23:23.880 --> 0:23:25.360
<v Speaker 4>you know, or I mean, I know it's out there,

0:23:25.400 --> 0:23:26.720
<v Speaker 4>but I guess I'm just out of the loop on it.

0:23:26.800 --> 0:23:29.000
<v Speaker 4>But uh, but I think it'd be great to have

0:23:29.040 --> 0:23:30.720
<v Speaker 4>like a flashback or something that goes back to the

0:23:30.960 --> 0:23:34.280
<v Speaker 4>to the real roots of you know, maybe you know,

0:23:34.359 --> 0:23:37.359
<v Speaker 4>the unknown where the franchise came from or something like that.

0:23:37.359 --> 0:23:39.080
<v Speaker 4>You know unknow where the Touretto name came from, you

0:23:39.080 --> 0:23:41.800
<v Speaker 4>know where where that'll stem from. Would be pretty awesome.

0:23:42.160 --> 0:23:45.240
<v Speaker 4>But uh yeah, I like, you know, street races that

0:23:45.280 --> 0:23:47.480
<v Speaker 4>are you know, as real as they can possibly be,

0:23:47.920 --> 0:23:49.000
<v Speaker 4>you know, I think would be great.

0:23:49.160 --> 0:23:52.240
<v Speaker 2>A lot of people ask what happens through the cars.

0:23:52.040 --> 0:23:53.720
<v Speaker 1>From I was just thinking that.

0:23:53.520 --> 0:23:57.800
<v Speaker 4>The cars usually, as you know, they get destroyed during filming.

0:23:58.000 --> 0:24:00.119
<v Speaker 4>You know, for instance, let's take a domb charge in

0:24:00.119 --> 0:24:01.840
<v Speaker 4>a Fast and Furious movie. You know, if we get

0:24:01.880 --> 0:24:05.760
<v Speaker 4>two that make it through, you know whatever, we've built ten, twelve,

0:24:05.760 --> 0:24:08.000
<v Speaker 4>fourteen of them, we're doing pretty good. And when I

0:24:08.000 --> 0:24:10.600
<v Speaker 4>stay destroyed, I mean really destroyed. I mean you know

0:24:10.960 --> 0:24:13.120
<v Speaker 4>it's on some effects rig, it's cut up, there's things

0:24:13.119 --> 0:24:15.480
<v Speaker 4>well to do it everywhere, So it's uh, you know,

0:24:15.480 --> 0:24:18.679
<v Speaker 4>we're definitely hard hard on vehicles. The ones that do remain,

0:24:18.760 --> 0:24:22.600
<v Speaker 4>you know, we'll always go into Universal's asset warehouse and

0:24:22.640 --> 0:24:25.720
<v Speaker 4>then they'll be used for tours, for special events, they'll

0:24:25.720 --> 0:24:28.200
<v Speaker 4>be on display at the theme park. Eventually some of

0:24:28.240 --> 0:24:30.280
<v Speaker 4>them do get sold. They're typically to sold to you know,

0:24:30.320 --> 0:24:34.080
<v Speaker 4>someone that has a museum or as a collector, you know,

0:24:34.119 --> 0:24:35.639
<v Speaker 4>so not a lot of the cars really survive and

0:24:35.640 --> 0:24:36.320
<v Speaker 4>I actually get out there.

0:24:36.359 --> 0:24:37.040
<v Speaker 3>I mean, you see them.

0:24:37.400 --> 0:24:38.919
<v Speaker 4>And the other thing too. This is something else that

0:24:38.920 --> 0:24:42.159
<v Speaker 4>always cracks me up. There's a lot of fakes that

0:24:42.240 --> 0:24:45.360
<v Speaker 4>are portrayed as real cars, so that I see all

0:24:45.400 --> 0:24:47.200
<v Speaker 4>the time. You know, cars like I know how many

0:24:47.240 --> 0:24:50.600
<v Speaker 4>cars were made and how many cars survived. And there

0:24:50.600 --> 0:24:54.200
<v Speaker 4>are several cars out there that I know none survived,

0:24:54.280 --> 0:24:56.359
<v Speaker 4>or if there's one, I know that it's part of

0:24:56.359 --> 0:24:58.479
<v Speaker 4>the universal. But yet here's one for sale, you know,

0:24:58.760 --> 0:25:01.800
<v Speaker 4>for a million dollars or something. So yeah, so you

0:25:01.880 --> 0:25:03.560
<v Speaker 4>have to be careful of that one. You know, a

0:25:03.560 --> 0:25:05.880
<v Speaker 4>lot of a lot of counterfeits out there.

0:25:06.440 --> 0:25:07.800
<v Speaker 1>Yeah, like anything, I'm sure.

0:25:08.040 --> 0:25:09.159
<v Speaker 2>Yeah, who would have guessed?

0:25:09.320 --> 0:25:09.640
<v Speaker 3>I guess.

0:25:09.720 --> 0:25:11.400
<v Speaker 4>I guess you're doing good. Yeah, they're kind of fitting

0:25:11.400 --> 0:25:13.440
<v Speaker 4>your cars he built, that's I guess. I said something.

0:25:13.480 --> 0:25:16.720
<v Speaker 2>But you're right by Jay Leno's garage right where else

0:25:16.760 --> 0:25:17.480
<v Speaker 2>You're very close.

0:25:17.560 --> 0:25:19.119
<v Speaker 3>Yeah. We see him every day, you know. I mean,

0:25:19.160 --> 0:25:20.199
<v Speaker 3>he's one of the coolest guys ever.

0:25:20.240 --> 0:25:23.120
<v Speaker 4>He's always riding a motorcycle, driving a steam car, driving something,

0:25:23.160 --> 0:25:24.800
<v Speaker 4>you know, And like I said, he drives right by

0:25:24.840 --> 0:25:26.920
<v Speaker 4>our shop. Sometimes you'll see him three different times in

0:25:26.920 --> 0:25:29.360
<v Speaker 4>the day driving a different vehicle. But one time I'm

0:25:29.359 --> 0:25:31.240
<v Speaker 4>coming down San Fernando. I'm making a left onto my

0:25:31.280 --> 0:25:34.200
<v Speaker 4>street and I see him pushing a motorcycle like an.

0:25:34.080 --> 0:25:34.920
<v Speaker 3>Old the Indian or hardy.

0:25:34.920 --> 0:25:36.119
<v Speaker 4>I don't know any what it is, but he's pushing

0:25:36.119 --> 0:25:38.080
<v Speaker 4>his motorcycle. Then he's a ways off. I mean, he's

0:25:38.119 --> 0:25:42.399
<v Speaker 4>probably a good mile from his shop or more so.

0:25:42.440 --> 0:25:43.760
<v Speaker 4>I pulled over to go, Jay, what are you doing?

0:25:43.760 --> 0:25:43.879
<v Speaker 1>Man?

0:25:44.240 --> 0:25:44.639
<v Speaker 3>It broke down?

0:25:44.680 --> 0:25:46.760
<v Speaker 4>I go, well, do let me let me call State Bed.

0:25:46.760 --> 0:25:48.280
<v Speaker 4>I'll get someone down here. We'll load your bike. We'll

0:25:48.280 --> 0:25:48.639
<v Speaker 4>get me O.

0:25:48.640 --> 0:25:50.679
<v Speaker 3>No, no, no, no no. This is a this is my

0:25:50.720 --> 0:25:51.520
<v Speaker 3>exercise planning.

0:25:51.560 --> 0:25:53.040
<v Speaker 4>I ride the bike. When it breaks down, I push

0:25:53.080 --> 0:25:55.520
<v Speaker 4>it back and he was like, take off, go I'm good.

0:25:55.800 --> 0:25:58.040
<v Speaker 4>He's all by himself, just pushing a motorcycle, you know,

0:25:58.119 --> 0:26:00.600
<v Speaker 4>through the streets of Sime Valley and a true car

0:26:00.680 --> 0:26:01.600
<v Speaker 4>lever motorcycle lever.

0:26:01.680 --> 0:26:03.600
<v Speaker 3>I mean it's yeah, what are you working on next?

0:26:03.960 --> 0:26:05.080
<v Speaker 3>Anything you can talk about?

0:26:05.720 --> 0:26:08.919
<v Speaker 4>Yeah, we're working on let's see right now, I'm working

0:26:09.000 --> 0:26:10.600
<v Speaker 4>on the Joker too.

0:26:11.040 --> 0:26:12.480
<v Speaker 3>We're working on a joker too.

0:26:13.000 --> 0:26:13.200
<v Speaker 1>Cool?

0:26:13.240 --> 0:26:14.399
<v Speaker 3>Yeah, what are you building for?

0:26:14.520 --> 0:26:16.480
<v Speaker 2>Are you building the moment?

0:26:17.840 --> 0:26:21.200
<v Speaker 4>His car or no, well, still in production there, so yeah,

0:26:21.200 --> 0:26:22.640
<v Speaker 4>I can't reveal too much about it, but I will

0:26:22.640 --> 0:26:25.479
<v Speaker 4>say there is a couple of cool cars. It's well,

0:26:25.520 --> 0:26:27.240
<v Speaker 4>as you know, this isn't a secret, but those cars

0:26:27.240 --> 0:26:29.680
<v Speaker 4>always have kind of like a late eighties early nineties

0:26:29.720 --> 0:26:30.760
<v Speaker 4>feel to them.

0:26:30.840 --> 0:26:32.880
<v Speaker 3>You know, it's they're never really like a peerod movie.

0:26:32.920 --> 0:26:35.560
<v Speaker 4>They just don't specify what it is, but all the

0:26:35.600 --> 0:26:36.520
<v Speaker 4>cars are in that era.

0:26:37.119 --> 0:26:37.560
<v Speaker 3>But it's cool.

0:26:37.600 --> 0:26:39.399
<v Speaker 4>We're working on another movie this this one's very painful.

0:26:39.400 --> 0:26:41.760
<v Speaker 4>I'm working on another movie. Jennifer Gardner's in it, and

0:26:41.800 --> 0:26:46.000
<v Speaker 4>we're We've built five sixty nine Camaro convertibles, which is

0:26:46.000 --> 0:26:47.399
<v Speaker 4>one of my favorite cars. You know, not maybe the

0:26:47.400 --> 0:26:49.280
<v Speaker 4>convertible apart, but sixty nine Camaros in general. I really

0:26:49.440 --> 0:26:53.160
<v Speaker 4>has always been one of my favorites. And I love

0:26:53.200 --> 0:26:54.520
<v Speaker 4>it because it's such a cool thing to do. But

0:26:54.560 --> 0:26:59.040
<v Speaker 4>I hate damaging sixty nine Camaro convertible. There's systemthing that's

0:26:59.080 --> 0:27:03.080
<v Speaker 4>so painful, but you know, it's it's funny. So that

0:27:03.160 --> 0:27:06.840
<v Speaker 4>the car count kept increasing and we bought I started

0:27:06.880 --> 0:27:09.200
<v Speaker 4>with three real convertibles, and then we built a couple

0:27:09.240 --> 0:27:10.959
<v Speaker 4>of stunt cars, and then we needed another stunt car.

0:27:11.480 --> 0:27:12.120
<v Speaker 3>Gosh, and I.

0:27:12.080 --> 0:27:15.000
<v Speaker 4>Don't have time to start over and buy hard top

0:27:15.040 --> 0:27:17.480
<v Speaker 4>and cut it because luckily the top is always plays down.

0:27:17.960 --> 0:27:21.720
<v Speaker 4>So yesterday we were you know, had to put you know,

0:27:21.760 --> 0:27:24.119
<v Speaker 4>all this rigging and rollcats and safety stuff in the car.

0:27:24.160 --> 0:27:26.640
<v Speaker 3>And I was so depressed about it. But my guys can.

0:27:26.720 --> 0:27:28.280
<v Speaker 4>Get Hey, man, you won't believe how you know, fucked

0:27:28.320 --> 0:27:30.200
<v Speaker 4>up this car is? We you know, we pulled the

0:27:30.920 --> 0:27:32.840
<v Speaker 4>convertible top bad. You can see the quarter pounds them

0:27:32.880 --> 0:27:35.040
<v Speaker 4>and smashed in and spliced and patched poorterally. And I

0:27:35.080 --> 0:27:37.520
<v Speaker 4>was like, ah, thank god, it's a piece of shit,

0:27:37.560 --> 0:27:38.919
<v Speaker 4>you know, I was so happy that the car was,

0:27:39.359 --> 0:27:42.960
<v Speaker 4>you know, not a nice car. But we're always maintaining,

0:27:42.960 --> 0:27:45.080
<v Speaker 4>you know, whether it's batmobiles, we're prepping some cars for

0:27:45.600 --> 0:27:48.720
<v Speaker 4>the next Ghostbusters movie, you know. So it's always there's

0:27:48.720 --> 0:27:51.000
<v Speaker 4>always something going on there. It's always you know, it's

0:27:51.040 --> 0:27:51.800
<v Speaker 4>never a dull moment.

0:27:51.840 --> 0:27:53.000
<v Speaker 3>Put it that way, Hey, Dennis.

0:27:53.000 --> 0:27:56.680
<v Speaker 2>For folks that are listening that want to do what

0:27:56.760 --> 0:27:59.200
<v Speaker 2>you do right and get in the business of what

0:27:59.240 --> 0:28:02.359
<v Speaker 2>you do, you know, there's no book and there's no

0:28:02.440 --> 0:28:05.120
<v Speaker 2>class they can take on like how to go and

0:28:05.440 --> 0:28:08.560
<v Speaker 2>break into Hollywood. I mean, what are some of the

0:28:08.640 --> 0:28:12.960
<v Speaker 2>values that you've taught your children like that you apply

0:28:13.119 --> 0:28:15.720
<v Speaker 2>and you're because you're super successful, you're like at the

0:28:15.760 --> 0:28:18.280
<v Speaker 2>top of your game, like you know, And if you

0:28:18.320 --> 0:28:21.399
<v Speaker 2>were to give like a young person advice on you know,

0:28:22.000 --> 0:28:24.840
<v Speaker 2>the traits that they need and the habits they needn't

0:28:24.840 --> 0:28:27.480
<v Speaker 2>need to be successful, and not just in Hollywood, but

0:28:27.520 --> 0:28:29.560
<v Speaker 2>in anything, what would you advice?

0:28:29.680 --> 0:28:33.000
<v Speaker 4>I'm just going to say, it's really not the answer

0:28:33.000 --> 0:28:34.479
<v Speaker 4>people are looking for, but it's it's really a lot

0:28:34.520 --> 0:28:36.560
<v Speaker 4>of it is luck, you know. And that's how I said,

0:28:36.560 --> 0:28:39.040
<v Speaker 4>I end up this business. Was just told you the backstory,

0:28:39.200 --> 0:28:41.400
<v Speaker 4>just working on a guy's car, turn into this, and

0:28:41.400 --> 0:28:44.719
<v Speaker 4>turn to that. But that being said, the best thing

0:28:44.720 --> 0:28:46.640
<v Speaker 4>you can do is get a job on a movie

0:28:46.680 --> 0:28:49.160
<v Speaker 4>with the you know, picture card department of the transportation department.

0:28:49.200 --> 0:28:50.360
<v Speaker 4>You know, at least pet your foot in the door

0:28:50.360 --> 0:28:52.240
<v Speaker 4>sea what goes on, see how it works. I mean,

0:28:52.280 --> 0:28:55.280
<v Speaker 4>I wish I had some some of that history, but

0:28:55.320 --> 0:28:58.440
<v Speaker 4>I don't. You know, I literally started off, you know,

0:28:59.040 --> 0:29:01.080
<v Speaker 4>doing Tokyota, you know, I mean like it was like

0:29:01.160 --> 0:29:03.200
<v Speaker 4>I started off my career doing like the biggest car

0:29:03.240 --> 0:29:05.000
<v Speaker 4>movie ever and the first thing I did is I

0:29:05.000 --> 0:29:06.120
<v Speaker 4>looked up who did the last one?

0:29:06.120 --> 0:29:07.280
<v Speaker 3>I hired them, you know what I mean.

0:29:07.200 --> 0:29:10.000
<v Speaker 4>I because I was like, wow, I'm really you know,

0:29:10.240 --> 0:29:13.600
<v Speaker 4>it was it was crazy what a huge production that was.

0:29:13.840 --> 0:29:15.200
<v Speaker 4>And I mean like as you know, you know, we

0:29:15.200 --> 0:29:17.720
<v Speaker 4>were scheduling changes, We had to you know, last minute

0:29:17.760 --> 0:29:19.560
<v Speaker 4>replicate all the cars in Japan because there was not

0:29:19.600 --> 0:29:22.040
<v Speaker 4>time to ship them to Japan. I mean, just crazy stuff.

0:29:22.440 --> 0:29:24.480
<v Speaker 4>So for me to get thrown into like a car

0:29:24.520 --> 0:29:26.800
<v Speaker 4>movie of that scale for my I mean granted it

0:29:26.840 --> 0:29:28.000
<v Speaker 4>was maybe my third or fourth job, and the other

0:29:28.080 --> 0:29:29.600
<v Speaker 4>jobs were like you know, like I mentioned standing by

0:29:29.600 --> 0:29:32.240
<v Speaker 4>here or they're not doing a whole lot. But for

0:29:32.360 --> 0:29:34.960
<v Speaker 4>someone that wants to do this, you know, the key

0:29:35.000 --> 0:29:37.440
<v Speaker 4>would be going to work for someone like myself or

0:29:38.200 --> 0:29:41.280
<v Speaker 4>you know. And it's hard too because it's it's very regional.

0:29:41.320 --> 0:29:46.120
<v Speaker 4>So you know, there's Atlanta, New Mexico, you know, I mean,

0:29:46.120 --> 0:29:47.960
<v Speaker 4>there's just not a lot of big.

0:29:49.160 --> 0:29:51.600
<v Speaker 3>Car guys outside of those areas. I mean, I I really,

0:29:51.600 --> 0:29:51.840
<v Speaker 3>if I.

0:29:51.840 --> 0:29:54.240
<v Speaker 4>Think about it, in Atlanta and La a couple of

0:29:54.280 --> 0:29:56.120
<v Speaker 4>guys in New Mexico, but outside that there's not much

0:29:56.120 --> 0:29:58.720
<v Speaker 4>going on. So but if you could get a job

0:29:58.840 --> 0:30:01.920
<v Speaker 4>with the you know, with a picture car company that

0:30:01.960 --> 0:30:04.480
<v Speaker 4>case you're familiar, gets to your foot in the door.

0:30:04.840 --> 0:30:06.000
<v Speaker 4>And I mean, I have a ton of guys that

0:30:06.040 --> 0:30:08.160
<v Speaker 4>have worked for me to actually do what I do now,

0:30:08.320 --> 0:30:10.000
<v Speaker 4>you know, which is great, you know. I mean, I

0:30:10.120 --> 0:30:12.600
<v Speaker 4>you know, couldn't be proud of these guys. And they've

0:30:12.640 --> 0:30:14.239
<v Speaker 4>done that by just you know, they're being on set,

0:30:14.280 --> 0:30:15.560
<v Speaker 4>they're taking in their cars. I guess to the point

0:30:15.560 --> 0:30:17.920
<v Speaker 4>when hey, this guy's great, he's responsible, I can leave

0:30:18.000 --> 0:30:21.120
<v Speaker 4>him on set to run it and not be there.

0:30:21.680 --> 0:30:23.800
<v Speaker 4>And then you know, sometimes you know, they get hired

0:30:23.840 --> 0:30:26.000
<v Speaker 4>for a new gig outside of that. Okay, great, that's

0:30:26.120 --> 0:30:29.640
<v Speaker 4>kind of the normal sequence of things. But yeah, I

0:30:29.680 --> 0:30:31.360
<v Speaker 4>think you just need to get some experience and then

0:30:31.640 --> 0:30:34.680
<v Speaker 4>meet some people and just do the best job you

0:30:34.720 --> 0:30:36.040
<v Speaker 4>can be as responsible as you can.

0:30:36.160 --> 0:30:36.800
<v Speaker 3>Never be late.

0:30:37.240 --> 0:30:40.080
<v Speaker 4>Try to solve every problem you can solve without making

0:30:40.080 --> 0:30:41.720
<v Speaker 4>a big deal that it's a problem, like that's one

0:30:41.760 --> 0:30:44.040
<v Speaker 4>of the things that I do. We might have something

0:30:44.120 --> 0:30:46.400
<v Speaker 4>absolutely catastrophic going on, and the last thing you want

0:30:46.440 --> 0:30:49.360
<v Speaker 4>to do is we got a blown up car, you know.

0:30:49.400 --> 0:30:52.160
<v Speaker 4>I mean, so I'm like, okay, before I alert that

0:30:52.200 --> 0:30:53.680
<v Speaker 4>there's a problem, how can I solve the problem? So

0:30:53.680 --> 0:30:56.360
<v Speaker 4>you always want to have an answer to the problem

0:30:56.360 --> 0:30:57.920
<v Speaker 4>before everybody knows.

0:30:57.760 --> 0:30:59.720
<v Speaker 3>There's a problem. Now it's not always possible, obviously.

0:30:59.840 --> 0:31:02.240
<v Speaker 1>But were you always like that growing up or do

0:31:02.280 --> 0:31:05.160
<v Speaker 1>you feel that's something that you learned in business over time.

0:31:05.360 --> 0:31:06.840
<v Speaker 4>I feel I was always that way because I had

0:31:06.840 --> 0:31:08.239
<v Speaker 4>a shop and I was always building cars, and as

0:31:08.240 --> 0:31:09.920
<v Speaker 4>you know, in the world of building cars, there's always.

0:31:09.680 --> 0:31:12.160
<v Speaker 3>Problems, you know. So so for instance, you.

0:31:12.160 --> 0:31:14.680
<v Speaker 4>Build a car for somebody, and you know, nine out

0:31:14.680 --> 0:31:16.000
<v Speaker 4>of ten times, it's not your fault.

0:31:16.000 --> 0:31:17.960
<v Speaker 3>The part fails. It just happens.

0:31:18.000 --> 0:31:21.080
<v Speaker 4>So you're always trying to well, back then, I'm trying

0:31:21.080 --> 0:31:22.760
<v Speaker 4>to appease the customer. Hey, I'm so sorry about that.

0:31:22.800 --> 0:31:24.800
<v Speaker 4>I'm gonna get a flat beat out of my ticket.

0:31:24.840 --> 0:31:24.960
<v Speaker 3>You know.

0:31:25.000 --> 0:31:27.160
<v Speaker 4>I was always into customer service, which is why my

0:31:27.440 --> 0:31:31.960
<v Speaker 4>shop did very well. But I just basically trans transferred

0:31:31.960 --> 0:31:35.000
<v Speaker 4>that same mindset into what I do now. And that

0:31:35.120 --> 0:31:37.240
<v Speaker 4>was the one thing that's that's funny about this business.

0:31:37.240 --> 0:31:39.880
<v Speaker 4>When I got in this business, that was non existent,

0:31:39.920 --> 0:31:41.720
<v Speaker 4>you know, like like when I, you know, would work

0:31:41.760 --> 0:31:43.520
<v Speaker 4>with these old school car guys. It's like that the

0:31:43.560 --> 0:31:45.200
<v Speaker 4>car broke to you bad you know, like everybody kind

0:31:45.200 --> 0:31:47.840
<v Speaker 4>of had that attitude, like, man, how do you guys

0:31:47.840 --> 0:31:50.040
<v Speaker 4>get hired of the next job? You know, it shocked

0:31:50.080 --> 0:31:54.440
<v Speaker 4>me the lack of you know, customer service and you know,

0:31:54.440 --> 0:31:56.880
<v Speaker 4>I always look at the studio as your customer, and

0:31:56.920 --> 0:31:58.320
<v Speaker 4>you want to get repeat business, so you try to

0:31:58.320 --> 0:32:00.240
<v Speaker 4>do the best possibility you can so they call for

0:32:00.280 --> 0:32:03.280
<v Speaker 4>the next one. And uh So it's really I think

0:32:03.320 --> 0:32:05.720
<v Speaker 4>just one of those things that's you know, more of

0:32:05.760 --> 0:32:08.880
<v Speaker 4>a general you know, just I think the way people

0:32:08.880 --> 0:32:13.240
<v Speaker 4>should always be in life that I think has helped me,

0:32:14.120 --> 0:32:16.080
<v Speaker 4>you know, excel in this business and you know, get

0:32:16.080 --> 0:32:17.080
<v Speaker 4>the job after the next job.

0:32:17.240 --> 0:32:19.560
<v Speaker 2>That's great advice, I mean, but don't be a part

0:32:19.600 --> 0:32:23.080
<v Speaker 2>of the problem. Be part of the solution. And anytime

0:32:23.280 --> 0:32:26.120
<v Speaker 2>anytime you and your your boys are on set, like

0:32:26.160 --> 0:32:28.480
<v Speaker 2>there's never any stress, I mean, or at least.

0:32:28.320 --> 0:32:32.479
<v Speaker 3>The right exactly, try not to show the stress.

0:32:32.800 --> 0:32:36.520
<v Speaker 2>There's something that's gonna happen or something that is not working.

0:32:36.560 --> 0:32:39.640
<v Speaker 2>But everyone's like chill and everyone leans on you, Dennis,

0:32:39.640 --> 0:32:41.720
<v Speaker 2>like they're like, doesn't call Dennis, You'll figure it out.

0:32:41.760 --> 0:32:42.560
<v Speaker 3>You're right there. That's it.

0:32:42.680 --> 0:32:44.800
<v Speaker 4>That's the key though, It's just you know, try to

0:32:44.800 --> 0:32:47.320
<v Speaker 4>be a solution person, not a problem person, and and

0:32:47.440 --> 0:32:51.680
<v Speaker 4>just try to you know, not you know, make my

0:32:51.800 --> 0:32:54.480
<v Speaker 4>picture card, apartment problem or whatever. That issue is a

0:32:54.520 --> 0:32:58.719
<v Speaker 4>problem for production, you know, So that's always the goal.

0:32:58.720 --> 0:33:00.320
<v Speaker 4>If something happens, try to fix it, or they call

0:33:00.400 --> 0:33:01.520
<v Speaker 4>for the car, try to you know, try to make

0:33:01.520 --> 0:33:01.880
<v Speaker 4>a handle.

0:33:01.920 --> 0:33:03.280
<v Speaker 3>Then have a backup plan. In the backup plan.

0:33:03.320 --> 0:33:07.120
<v Speaker 4>But you know, like I said, it works ninety percent

0:33:07.120 --> 0:33:08.560
<v Speaker 4>of the time. But you know, sometimes you just plane

0:33:08.600 --> 0:33:10.200
<v Speaker 4>run out of cars. That's the way it is.

0:33:10.240 --> 0:33:28.640
<v Speaker 2>So yeah, do you feel like with you know CG

0:33:29.000 --> 0:33:31.719
<v Speaker 2>and now with all this, you know, the special effects

0:33:31.760 --> 0:33:34.200
<v Speaker 2>that are happening with the volume and stuff, you think

0:33:34.880 --> 0:33:37.160
<v Speaker 2>car builds are going to be limited compared to what

0:33:37.200 --> 0:33:40.200
<v Speaker 2>they were when you started. I'm sure because when we

0:33:40.240 --> 0:33:43.280
<v Speaker 2>started talking drift, they would let me actually drive the cars.

0:33:43.280 --> 0:33:47.320
<v Speaker 2>I remember, which was great. I drove every single car.

0:33:47.680 --> 0:33:50.080
<v Speaker 1>They don't let you drive them anymore. We can't even

0:33:50.440 --> 0:33:50.800
<v Speaker 1>put them.

0:33:50.840 --> 0:33:52.240
<v Speaker 3>We can't even reverse the car.

0:33:53.120 --> 0:33:55.360
<v Speaker 4>Yeah right, exactly do you pull up there someone else

0:33:55.360 --> 0:33:56.800
<v Speaker 4>comes to back it into the spotroam.

0:33:56.840 --> 0:33:57.880
<v Speaker 1>Oh that's so crazy.

0:33:58.040 --> 0:34:01.680
<v Speaker 4>Yeah, yeah, I get nervous because the CG. I mean, honestly,

0:34:01.720 --> 0:34:03.760
<v Speaker 4>if you go, like in the in the video games,

0:34:04.240 --> 0:34:06.560
<v Speaker 4>like I'll walk by my kids playing you know whatever,

0:34:06.920 --> 0:34:09.000
<v Speaker 4>you know, Grand Tarisma or whatever game they're playing.

0:34:09.000 --> 0:34:11.600
<v Speaker 3>It's like, are they watching something like that's a game?

0:34:11.640 --> 0:34:17.840
<v Speaker 4>You know, Everything's become so good it scares me because

0:34:18.560 --> 0:34:20.879
<v Speaker 4>you know, I think that at some point we don't

0:34:20.920 --> 0:34:23.400
<v Speaker 4>need cars, we don't need a stunt driver. Just you know,

0:34:23.880 --> 0:34:25.799
<v Speaker 4>draw it out, do a storyboard or whatever it is,

0:34:25.840 --> 0:34:27.920
<v Speaker 4>and do a pre visit. Yeah, do that, and then

0:34:27.960 --> 0:34:31.400
<v Speaker 4>it'll just show up on screen. So I don't know,

0:34:31.480 --> 0:34:33.040
<v Speaker 4>I think. I mean, like I said, we talked about

0:34:33.080 --> 0:34:34.600
<v Speaker 4>it before. I want to go to a movie where

0:34:34.600 --> 0:34:36.759
<v Speaker 4>I see cars doing car stunts and sliding around, and

0:34:37.440 --> 0:34:39.640
<v Speaker 4>you know, I love like French Connection, for instance, is

0:34:39.680 --> 0:34:42.840
<v Speaker 4>a great one. You know, car just sideswiping stuff, hitting stuff,

0:34:42.840 --> 0:34:45.520
<v Speaker 4>but real no CG. Which I guess is why I

0:34:45.520 --> 0:34:47.440
<v Speaker 4>always gravitate to these older movies when I'm looking for

0:34:47.440 --> 0:34:51.399
<v Speaker 4>a good car chase. But yeah, so I think you're

0:34:51.440 --> 0:34:53.480
<v Speaker 4>definitely onto something there. We could be in trouble.

0:34:53.719 --> 0:34:55.440
<v Speaker 3>So but people can tell the difference.

0:34:55.480 --> 0:34:57.839
<v Speaker 1>I mean, when you when you feel like you can, you.

0:34:57.800 --> 0:35:00.160
<v Speaker 2>Can they at one time there were they know we

0:35:00.200 --> 0:35:01.440
<v Speaker 2>don't need actors anymore.

0:35:01.600 --> 0:35:03.759
<v Speaker 3>But you can, you can definitely tell.

0:35:03.800 --> 0:35:05.759
<v Speaker 4>I just I'm just worried about five years from now,

0:35:05.880 --> 0:35:07.040
<v Speaker 4>you know, five years, can you tell?

0:35:07.080 --> 0:35:07.440
<v Speaker 3>I don't know.

0:35:07.640 --> 0:35:11.040
<v Speaker 1>I don't know. I just can't imagine even just sitting

0:35:11.440 --> 0:35:14.200
<v Speaker 1>with the green screen acting like you're inside the car like.

0:35:14.360 --> 0:35:16.080
<v Speaker 1>I'm sure they do it now to a certain extent,

0:35:16.200 --> 0:35:18.759
<v Speaker 1>but I don't know. There's also that point of realism

0:35:18.880 --> 0:35:21.759
<v Speaker 1>that an actor wants to have to so they don't

0:35:21.760 --> 0:35:25.720
<v Speaker 1>lose touch with connecting with the character in the moment.

0:35:25.840 --> 0:35:28.400
<v Speaker 4>Yeah, I think it's I think, what's what helps you know,

0:35:29.160 --> 0:35:31.359
<v Speaker 4>you know, my cause or your cause, you know, for

0:35:31.520 --> 0:35:35.160
<v Speaker 4>realism would be behind the scenes videos that show how

0:35:35.480 --> 0:35:38.879
<v Speaker 4>a stunt is done. I think, Yeah, I think it's

0:35:38.880 --> 0:35:40.799
<v Speaker 4>really important because a lot of people don't realize. I mean,

0:35:40.840 --> 0:35:44.399
<v Speaker 4>for instance, you know Fast seven the cars coming out

0:35:44.400 --> 0:35:46.440
<v Speaker 4>of the plane. You know they're throwing cars out of

0:35:46.440 --> 0:35:48.840
<v Speaker 4>a plane. I mean it's with parachutes, you know. And

0:35:49.160 --> 0:35:51.480
<v Speaker 4>it was a I'll just tell you guys a real

0:35:51.520 --> 0:35:52.520
<v Speaker 4>funny story about that day.

0:35:52.600 --> 0:35:53.319
<v Speaker 3>I wasn't there.

0:35:53.360 --> 0:35:55.320
<v Speaker 4>I sent one of my guys, brad be even you

0:35:55.360 --> 0:35:58.400
<v Speaker 4>know Bright sent to send b rats be rad out

0:35:58.440 --> 0:36:00.799
<v Speaker 4>to Arizona for this whole you know plane deal, and

0:36:00.800 --> 0:36:02.839
<v Speaker 4>we had like maybe eight cars that we were gonna

0:36:03.520 --> 0:36:05.200
<v Speaker 4>you know, launch out of this airplane.

0:36:05.600 --> 0:36:06.680
<v Speaker 3>And it was completely real.

0:36:06.680 --> 0:36:07.960
<v Speaker 4>I mean they had the cars, they had the shoots,

0:36:07.960 --> 0:36:11.920
<v Speaker 4>they had everything, and one Camaro it was one of

0:36:11.920 --> 0:36:12.800
<v Speaker 4>the sixty eight Camaros.

0:36:12.800 --> 0:36:14.240
<v Speaker 3>A shoot didn't open for some reason.

0:36:15.040 --> 0:36:17.719
<v Speaker 4>And uh, I mean pretty crazy to see a car

0:36:17.760 --> 0:36:19.200
<v Speaker 4>that drops out of the sky for a mile.

0:36:19.239 --> 0:36:20.760
<v Speaker 1>And did anyone capture it on video?

0:36:21.280 --> 0:36:23.439
<v Speaker 4>I don't think so. The landing was not caught on video.

0:36:23.480 --> 0:36:25.319
<v Speaker 4>I had the car the aftermath that my shot. But

0:36:25.320 --> 0:36:27.520
<v Speaker 4>then there was another one where they wanted to, you know,

0:36:28.200 --> 0:36:28.680
<v Speaker 4>launch a car.

0:36:28.719 --> 0:36:28.960
<v Speaker 3>I can't.

0:36:29.320 --> 0:36:31.359
<v Speaker 4>I think it was a charger, but they didn't have

0:36:31.400 --> 0:36:33.279
<v Speaker 4>time to pack the shoot because they were losing light. No,

0:36:33.360 --> 0:36:35.959
<v Speaker 4>we just got to just sent a car we just built,

0:36:36.040 --> 0:36:37.680
<v Speaker 4>Like one of my favorite cars is like, we just

0:36:37.719 --> 0:36:41.400
<v Speaker 4>built this car. There's probably with it with labor and material.

0:36:41.400 --> 0:36:43.200
<v Speaker 4>There's probably one hundred and fifty two hundred thousand in

0:36:43.239 --> 0:36:46.920
<v Speaker 4>this off road charger and literally just chuck it out

0:36:46.920 --> 0:36:47.360
<v Speaker 4>of the plane.

0:36:47.560 --> 0:36:48.279
<v Speaker 3>We don't have time.

0:36:48.320 --> 0:36:50.600
<v Speaker 4>I'm like, no, Brad, don't let them do it. Like

0:36:50.640 --> 0:36:53.440
<v Speaker 4>Brad's call me go, no, but you know, some of

0:36:53.719 --> 0:36:55.799
<v Speaker 4>those decisions are way above my head. So they just

0:36:56.239 --> 0:36:59.400
<v Speaker 4>they do it, you know, and we have to be.

0:36:59.080 --> 0:37:01.440
<v Speaker 1>I'd be like, I get it. They have to do

0:37:01.480 --> 0:37:03.800
<v Speaker 1>it because they're like, but that car.

0:37:04.120 --> 0:37:04.480
<v Speaker 3>It's hard.

0:37:04.520 --> 0:37:06.080
<v Speaker 4>It's hard, you know, because I do love cars, but

0:37:06.239 --> 0:37:09.000
<v Speaker 4>so it's hard sometimes with these movies because you know,

0:37:09.160 --> 0:37:11.320
<v Speaker 4>to a studio or product, they're just expendable.

0:37:11.560 --> 0:37:12.960
<v Speaker 3>You know, yeah, it's just in their car. Yeah, bring

0:37:13.000 --> 0:37:13.840
<v Speaker 3>it on the one up, you know.

0:37:14.320 --> 0:37:19.320
<v Speaker 2>So anyways, but because especially with Dom's chargers, that they're

0:37:19.320 --> 0:37:22.080
<v Speaker 2>these super rare cars now, I mean when you started

0:37:22.080 --> 0:37:22.960
<v Speaker 2>there were plentiful.

0:37:23.040 --> 0:37:26.200
<v Speaker 4>Oh my god, I know it kills me because you know,

0:37:26.280 --> 0:37:28.560
<v Speaker 4>we used to wreck a car, scrap it, send it

0:37:28.560 --> 0:37:30.960
<v Speaker 4>to the scrapyard, and you know, today I'm spending twenty

0:37:31.000 --> 0:37:34.720
<v Speaker 4>grand plus for some damage crash charger from nineteen seventy.

0:37:36.160 --> 0:37:38.800
<v Speaker 4>We've been working with, you know, a couple of different companies,

0:37:39.920 --> 0:37:43.720
<v Speaker 4>Buddy Mind, Dave Selvagio last time built us complete carbon bodies.

0:37:43.920 --> 0:37:48.040
<v Speaker 4>So it's really ninety five percent. It's not a charger.

0:37:48.239 --> 0:37:50.960
<v Speaker 4>You know, there's some pieces that aren't made yet, but

0:37:51.000 --> 0:37:52.799
<v Speaker 4>I think next time around, but you know, like we'll

0:37:52.880 --> 0:37:56.360
<v Speaker 4>use like the factory firewall and eight pillar for the

0:37:56.440 --> 0:37:58.839
<v Speaker 4>door hinge mounts. You know, some of the sheet metal

0:37:58.880 --> 0:38:00.440
<v Speaker 4>towards the back of the car, but that's about it.

0:38:00.520 --> 0:38:04.960
<v Speaker 4>Everything else, quarters, roof doors, everything's carbon fiber.

0:38:05.360 --> 0:38:06.760
<v Speaker 3>But I'm hopefully in the next movie.

0:38:07.120 --> 0:38:08.960
<v Speaker 4>I really, I think we just have to have a

0:38:09.040 --> 0:38:12.319
<v Speaker 4>charge that we can build purely from the ground up

0:38:12.360 --> 0:38:14.400
<v Speaker 4>with no you know, no original car.

0:38:14.480 --> 0:38:17.399
<v Speaker 3>I mean literally, we're finding chargers out and so.

0:38:17.360 --> 0:38:19.319
<v Speaker 1>You're the reason I'm struggling to find one.

0:38:19.480 --> 0:38:20.080
<v Speaker 3>Well, I don't know.

0:38:20.120 --> 0:38:21.960
<v Speaker 4>I think the Dukes of Hazzard still has us beat

0:38:22.000 --> 0:38:24.799
<v Speaker 4>on wrecking chargers. I don't think we've hit that number yet,

0:38:24.840 --> 0:38:27.759
<v Speaker 4>but but yeah, we definitely have destroyed our share, that's

0:38:27.800 --> 0:38:28.160
<v Speaker 4>for sure.

0:38:28.360 --> 0:38:30.399
<v Speaker 2>It's been great insight to get to know you more,

0:38:30.760 --> 0:38:33.200
<v Speaker 2>get to know the man behind the cars, you know.

0:38:33.400 --> 0:38:35.319
<v Speaker 2>So thank you Dennis so much.

0:38:35.480 --> 0:38:37.960
<v Speaker 3>This has been so great. It was great to meet. Yeah,

0:38:38.040 --> 0:38:40.160
<v Speaker 3>totally appreciate me. Thank you.