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Speaker 1: When I say I'm like critical of like traditional religion

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Speaker 1: because like that like obviously that the conceptions of.

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Speaker 2: God or whatever.

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Speaker 1: We're supposed to like, you know, white guy with a beard,

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Speaker 1: sits on a cloud whatever, like this is what they

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Speaker 1: want us to understand is like God, yeah to me,

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Speaker 1: to me, he would God has glasses.

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Speaker 2: Well, this is this is the point I was going

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Speaker 2: to make, which is that it I think some people say, well,

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Speaker 2: that's just this specific thing that has been sold to us,

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Speaker 2: this like white guy with a beard on some cloud,

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Speaker 2: and I go, it's actually not specific enough.

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Speaker 3: Yes, I think he's Polish.

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Speaker 2: Yeah, I do not think he's white, right, you know,

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Speaker 2: I think that he is a Polish man.

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Speaker 3: Glasses is yes.

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Speaker 1: Yes, he for sure has glasses. He's really smart.

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Speaker 2: Mm hmm.

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Speaker 1: He's huge and we're tiny, so like he's looking at

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Speaker 1: us all the time, like he doesn't he glasses. We're

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Speaker 1: so tiny to him.

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Speaker 3: This is my right.

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Speaker 1: He's gigantic. He's like the biggest guy. I'd love to

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Speaker 1: hear your take on this.

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Speaker 3: He's bigger.

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Speaker 2: I think that you deal with this time. He's like

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Speaker 2: big questions, right, well, this is this, this is actually

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Speaker 2: a good question for you. Because you do tackle things

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Speaker 2: like this, but you wouldn't be able to tackle God.

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Speaker 3: He's huge.

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Speaker 2: Who's the think of the biggest Who do you think

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Speaker 2: of as like the biggest guy? I?

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Speaker 3: I mean, I would say, are well, the biggest guy

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Speaker 3: was eight foot eleven, so I like to think of

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Speaker 3: that guy.

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Speaker 2: I think the tallest God a little smaller than that.

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Speaker 3: You know, I not in the not not no, as

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Speaker 3: far as where I was raised, You're the tallest man

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Speaker 3: is God?

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Speaker 1: And God to guy that's like the tiniest inch worm.

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Speaker 2: Oh that's huge. My conception of God is that he's

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Speaker 2: that he's eight foot eight. So if this guy's eight

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Speaker 2: foot eleven, God's going like, that's not so tall.

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Speaker 3: It's just sort of a weird box to put God in.

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Speaker 3: I think I stand back to back. Well, if you're

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Speaker 3: gonna make him eight foot polish guy, he's saying polish, yeah, no, right, yeah,

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Speaker 3: he's definitely yeah. And I don't disagree with the polish thing.

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Speaker 2: The glasses thing you take issue with.

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Speaker 3: I just take issue with the idea that we're gonna,

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Speaker 3: you know, go eight eight eight eight. I guess if

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Speaker 3: I guess, I think we could probably meet. It's probably

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Speaker 3: Bobon Maronovich is probably who we're thinking God is. I mean,

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Speaker 3: he's not Polish, but to an American, I think we

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Speaker 3: could fudge him as Polish.

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Speaker 2: No difference between them and whatever he is.

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Speaker 3: That's the right way to say that, and I'm sure

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Speaker 3: that's the right way to say that. But uh yeah,

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Speaker 3: so something like that. I mean I just think, you know,

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Speaker 3: I definitely, you know, I support the idea that he's

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Speaker 3: he's big, but he's like relatable, you know. I think

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Speaker 3: that's what people loved about about Jesus. He was like

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Speaker 3: he was.

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Speaker 2: Also huge, big guy, but he's down down. Yeah, Jesus

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Speaker 2: is not as big as No, Well, he's kid.

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Speaker 3: I don't remember the tree, but I believe he's the

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Speaker 3: son of God.

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Speaker 2: He's either his kid or he's one of his kids,

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Speaker 2: like very very close friends.

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Speaker 1: So close to like he's around the house all the time,

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Speaker 1: and like basically at some point you're like, hey man.

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Speaker 3: Yeah, in that there's no actual direction relation. But he's

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Speaker 3: just like Uncle God, Uncle God's good, Uncle God.

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Speaker 2: Is there any ilios in the freezer? Uncle God's like

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Speaker 2: there's one ilios?

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Speaker 3: Now there are? Yeah? Yeah, he's about about me.

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Speaker 2: I just went to the store, I guess or what

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Speaker 2: are you saying?

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Speaker 3: It would be no, well it could be that that

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Speaker 3: didn't really picture of shopping. Now there are just put

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Speaker 3: the groceries away now there are I but some a

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Speaker 3: couple of hours ago.

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Speaker 1: Yeah, and is the name of is the name of

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Speaker 1: the sun god?

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Speaker 3: So like they have that up there, mm hmmm. Yeah.

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Speaker 3: The irony that he's working with the frozens is it's crazy.

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Speaker 2: Yeah, the sun is so hot that.

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Speaker 3: Matter to him.

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Speaker 2: They last long, they can be stored that way, and

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Speaker 2: he can cook them like this, he can just pinch them.

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Speaker 3: Yeah, yeah, which is really the form we all the form. Yeah, No,

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Speaker 3: I mean I think it's nice to like meet, you know,

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Speaker 3: because obviously we have we're we obviously have different denominations.

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Speaker 3: I mean the way we're talking, we have, but we're

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Speaker 3: able to meet in the middle and find like.

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Speaker 2: We were all raised in your demination with all different

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Speaker 2: kinds of being kept the neros.

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Speaker 3: Oh oh wow, what.

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Speaker 2: Were you my denomination?

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Speaker 3: Yeah?

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Speaker 1: Hundreds.

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Speaker 3: Yeah, it could be tough. I mean, that's a tough

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Speaker 3: way to grow up. I've heard about people who grew

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Speaker 3: up with that, and that's you have to be very

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Speaker 3: you know, nolet of other people break those.

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Speaker 1: But the clothes, Yeah, the clothes are very nice, and

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Speaker 1: that in my household fancy.

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Speaker 2: It's funny to think about it because when I was

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Speaker 2: growing up it seems so normally and now it would

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Speaker 2: be controversial. But in my household, Joe Biden got denomination.

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Speaker 3: That's crazy. That's wow, that's and that that was a

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Speaker 3: while ago.

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Speaker 1: Huh, that's when he was growing up though, he was saying,

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Speaker 1: he's talking about when he was growing up.

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Speaker 2: Yeah, it makes sense that would be a while. You

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Speaker 2: grow up around it, you don't even think about it.

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Speaker 2: But now obviously it's controversial that Joe Biden got denomination.

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Speaker 3: Ye, Garrett, but let's interest. But let's inter you have

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Speaker 3: not and it was now at this point, I don't

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Speaker 3: why rather not do it? I mean, I don't want

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Speaker 3: to do it unless it's if it's prepared and really good,

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Speaker 3: let's do it. But if it's going to be, let's

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Speaker 3: let's do it right. If we're going to do it,

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Speaker 3: and I don't mind doing it.

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Speaker 2: What would have what would have prepared one sound like

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Speaker 2: and all?

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Speaker 3: That's what I is incredible something like that, But starting

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Speaker 3: like that would be great for me because we're going off.

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Speaker 2: You've seen you've seen them on Comedy Central's premium blend, right.

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Speaker 3: Yeah, colleges all over the stuff like that, that sort of.

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Speaker 2: Stuff, shorties watching shorties, Yeah, pol comics.

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Speaker 3: Yeah, we just make me laugh. Yeah, I oh man,

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Speaker 3: when I was a kid, let me tell you, I

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Speaker 3: would have a lot to make me laugh. But no,

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Speaker 3: go ahead, I I guess if it's good, let's do it.

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Speaker 2: Were you sick?

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Speaker 1: Go on as a case, you're watching me make me

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Speaker 1: laugh at like two thirty pm. Yeah, yes, that's that's

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Speaker 1: the mark of a sick child.

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Speaker 3: I remember, as an older man meeting the guy who

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Speaker 3: hosted it, Mark and Hewen. Wow, that's fucking bonkers. Yeah,

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Speaker 3: and he was like playing like he was like opening

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Speaker 3: for someone I knew at the Golden Nugget and I

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Speaker 3: was like, that's a crazy reality check for this business.

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Speaker 2: I remember saying Walking in Memphis too, right, yep, Yes, he.

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Speaker 1: Did someone on make me laugh doing uh because you

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Speaker 1: only had a short amount of time.

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Speaker 3: Oh yeah, that's what was so horrible about the show.

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Speaker 1: And it was he just goes real quick. Al Pacino,

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Speaker 1: Jerry sien Thought and Christopher Walking as the Budweiser frogs just.

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Speaker 2: One by one, does it?

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Speaker 1: Budweiser annihilates, destroy is the entire studio and me at home?

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Speaker 1: And then I did it for my parents at dinner.

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Speaker 2: Wow, and sorry Pacino Seinfeld And who's the third Christopher Walking?

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Speaker 3: Oh yeah, but did it make me laugh?

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Speaker 1: Do you say you destroyed the entire fucking stude like

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Speaker 1: I've to make your family laugh? No, at some point

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Speaker 1: you were just doing the show make my dinner.

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Speaker 2: The chain reaction has to end somewhere, I mean, but we're.

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Speaker 3: Just talking about you know, one away you feel like, well,

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Speaker 3: it's the original source material.

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Speaker 2: It's got to end somewhere though.

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Speaker 3: I know, but it literally ended the first you know,

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Speaker 3: the first time away.

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Speaker 1: Well, I don't know who told, who gave it to

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Speaker 1: him someone that guy came.

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Speaker 3: Up, but he just beat that up. He had to.

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Speaker 3: He had to start out. He was watching make me laugh?

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Speaker 3: You know. It's very meta.

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Speaker 2: Yeah?

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Speaker 3: Is it? Is it crazy? Sorry? Is it crazy to

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Speaker 3: hear the full impression of it? Is it crazy to

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Speaker 3: ask for that to? Well?

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Speaker 1: I did, I did, I did Bud and I did

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Speaker 1: her and Jerry Seinfeld, Jerry Seinfeld, that one. I'm losing

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Speaker 1: a little bit.

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Speaker 3: Well, what if you put it all together so we

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Speaker 3: could just kind of hear that, and I think you

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Speaker 3: could kind of probably cover your tracks a little as the.

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Speaker 1: Start that, Yeah, that's really who is? That is what

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Speaker 1: it was. And I think that's where I went astray

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Speaker 1: at dinner.

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Speaker 3: Well, maybe the thing to do is to why don't

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Speaker 3: you do the Chris Rock and the walk and I'll

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Speaker 3: do the middle Chris Rock.

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Speaker 1: Now I am curious, so that is that is a

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Speaker 1: great way to trick me into.

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Speaker 2: To Chris Rock.

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Speaker 3: I think you're allowed to do it.

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Speaker 1: And Sean hadn't pointed it out, I would have done it.

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Speaker 1: I think here's my problem at dinner we have I

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Speaker 1: don't think I distinguished the why and the sign food

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Speaker 1: in the walk, and I didn't.

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Speaker 2: See this planning, months of planning and at the crucial

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Speaker 2: moment two years waiting to cancel him here so fucking

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Speaker 2: and then we got it so organically.

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Speaker 1: In the poem, someone mentions, of course I'm going to

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Speaker 1: bring up make me laugh.

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Speaker 2: Of course, I'm gonna We're in.

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Speaker 3: A war room, corkboards, yarn. I don't think premium blend

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Speaker 3: is going to get him to say it. I've worked

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Speaker 3: with him long enough, it'll he knows.

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Speaker 2: Gareth.

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Speaker 1: What we know of you is mostly what Kevin has.

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Speaker 3: It's nice a bad start to the entranm but uh,

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Speaker 3: well plow through.

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Speaker 1: He said your name was Garth, which I was. Yeah,

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Speaker 1: it's not so clear about this A.

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Speaker 3: He I don't know.

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Speaker 2: I don't know who to believe anymore.

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Speaker 3: It isn't it's just believe me. It's not kevint what

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Speaker 3: he's gonna get. The denomination jury still out. What was

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Speaker 3: is that wrong to do? Yeah? See, I think, yeah,

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Speaker 3: I think you would go more like what was.

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Speaker 2: Well, now I'm just doing an impression of you doing

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Speaker 2: an impression.

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Speaker 3: A lot of people are mmmmm yeah.

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Speaker 2: Just kind of set ship that face voice that watched

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Speaker 2: a thousand side felt sorry quite a few that crazy crazy, No, no,

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Speaker 2: not at all. That's why we wanted you in here.

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Speaker 2: That was the other thing we knew about you. We

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Speaker 2: knew what Kevin said, and we knew that you were

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Speaker 2: the original Jerry Seinfeld. The show is We're here to.

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Speaker 3: Help Hollywood Handbook?

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Speaker 1: Well show, no, no, it was it was the show

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Speaker 1: Hollywood Handbook.

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Speaker 2: The show was the show for the show.

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Speaker 3: Well We're here to help is my show, so I

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Speaker 3: don't think you're allowed to.

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Speaker 1: And now it's the show sidefelding me.

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Speaker 2: You can't. For a long time, the show was Hollywood

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Speaker 2: handbooking Man.

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Speaker 3: That was.

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Speaker 2: That was nice.

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Speaker 3: Legally, the movie you're making right now is not was.

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Speaker 1: I'm just saying this is now the show. It's been

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Speaker 1: covered and all right.

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Speaker 3: I mean I let her go on TV, that old

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Speaker 3: Gray lady.

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Speaker 2: Mm hmm.

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Speaker 3: You know, I don't really but yeah, I guess and

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Speaker 3: Gray bitch her. Come on, Kevin, and.

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Speaker 1: He says, but I tamed her, that's what Kevin says.

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Speaker 3: Kevin, he's not He's not doing any like hand motions

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Speaker 3: or anything.

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Speaker 2: In the middle of the night. Kevin, he's, yeah, he

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Speaker 2: is doing hand motions, but I don't know what they are.

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Speaker 2: I don't understand them.

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Speaker 3: That's crazy.

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Speaker 2: It sort of looks like he's playing the trumpet, but

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Speaker 2: it's really far away from his body. That is, I

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Speaker 2: don't know what it means.

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Speaker 3: That's wild. Yeah, that makes he's doing it now and

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Speaker 3: he says, I tamed her.

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Speaker 2: While he does that great bitch. Yeah, I can't don't

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Speaker 2: know what the hands are doing.

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Speaker 1: And he uh, it's Kevin's the producer yep. And he's

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Speaker 1: he's and he's on air talent as well.

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Speaker 2: Yep. And that's what he does. He works.

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Speaker 1: He works his way on there, doesn't he.

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Speaker 3: Yeah, he on that scene. Yeah, yeah, yeah, here's what

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Speaker 3: could work. He does a lot of that. Yes, he

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Speaker 3: does this part.

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Speaker 2: I think I'll need to explain.

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Speaker 3: Well, I'll listen to some of our edit our episodes

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Speaker 3: and they'll be edits, and I'll go, he really cut

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Speaker 3: a lot around me, but he really cut around himself

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Speaker 3: a lot.

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Speaker 2: Yeah, he just does that. He doesn't. I know my

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Speaker 2: stuff works. He always says, Yeah, we'll finish an episode

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Speaker 2: that's a little bumpy, kind of like this one, and

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Speaker 2: we'll go and we'll go, hey, can we even release this?

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Speaker 2: And he'll go, I know my stuff works.

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Speaker 3: And he should put it out because I'm on fire

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Speaker 3: this one.

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Speaker 2: Yeah.

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Speaker 1: And he talks to us like he's I don't know

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Speaker 1: how much he talks to you about us, but he

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Speaker 1: talks to us about you all the time, and come up,

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Speaker 1: it doesn't come up.

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Speaker 3: I mean it's come up. But it's been like he's

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Speaker 3: been you know. I mean, I don't think i'd be

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Speaker 3: out of line saying he's been pissed when he's talking

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Speaker 3: about you, guys.

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Speaker 2: Okay, how it is framed.

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Speaker 3: Yeah, it's it's and a lot of times it's comparative.

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Speaker 3: A lot of times he'll sort of tell us what

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Speaker 3: we're doing in the direction of something that he likes

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Speaker 3: and how it compares to you know, they won't ever get.

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Speaker 1: There what we do because we won't get there.

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Speaker 3: They'll never get there. He keeps saying that sort of stuff.

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Speaker 3: He said that they were so close, and that was

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Speaker 3: a few years ago, he says.

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Speaker 1: Right, Jesus, he's saying, Yeah, he's a fan first, and

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Speaker 1: that pisses him off so much. Yeah, when when he

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Speaker 1: doesn't get.

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Speaker 3: He killed hang a phone that he needs. Yeah, that's

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Speaker 3: what he says. A lot goes I need that content

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Speaker 3: isn't where I need.

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Speaker 2: It's so passionate about the content, and there's something very

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Speaker 2: specific he's looking for that we've been unable to provide.

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Speaker 2: That's what we've been doing the show for so long.

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Speaker 1: Yeah, when he talks, I mean, it's just like so

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Speaker 1: weird because when he talks to us about you, he's

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Speaker 1: like so pissed.

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Speaker 3: He's pissed at us. I thought, no, he's really sanely, Like,

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Speaker 3: what is he saying.

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Speaker 2: Yeah, he's like, it's like a blind rage. Well, when

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Speaker 2: I make a lot of times there's fiddle, I can't

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Speaker 2: even understand what he's saying, because.

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Speaker 1: Yes, from the trump bone, from playing the trombone and

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Speaker 1: trying to play it from so far away. Yeah, that's

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00:15:46,040 --> 00:15:47,600
Speaker 1: the part of what makes well.

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Speaker 3: He's doing a lot. He's doing a lot. He's saying

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Speaker 3: that he he tame that old he's playing that the

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Speaker 3: bone from far away.

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Speaker 2: Yeah, calls her gray to you.

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Speaker 1: No, he said great to us. That could catch every opportunity.

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Speaker 2: That he's handed you, trying to help you out.

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Speaker 3: You're on book scripty.

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Speaker 2: Okay, this was this was so good. Can we just

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Speaker 2: have you? Can we just get one where you do?

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00:16:19,840 --> 00:16:22,400
Speaker 3: Oh? Yeah, sorry I did. Yeah, I dropped that on

323
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Speaker 3: that one. I don't know why, just from the top.

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Speaker 2: No, no, no, no, yeah, I mean if you want. I

325
00:16:28,840 --> 00:16:30,520
Speaker 2: mean it's like, I like what you're doing. It's like

326
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Speaker 2: a subtle thing, but just for in case, like somebody

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Speaker 2: wants it, Like, let's get one that's sort of on

328
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Speaker 2: the nose and we just actually say the line as written.

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Speaker 3: Yeah I tamed that old ray, dirty bitch.

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Speaker 2: Sorry, Okay, Well that yeah, so I see you giving

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Speaker 2: yourself a thumbs up.

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Speaker 3: That's not that we don't need to. I don't think

333
00:16:50,160 --> 00:16:53,000
Speaker 3: that'll well, you shouldn't talk about that, but yeah I did.

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Speaker 2: I don't uh, I don't think dirty was in there,

335
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Speaker 2: and I I don't want to get caught in a loop.

336
00:17:02,520 --> 00:17:05,160
Speaker 3: I don't either. Yeah. I just worked for the guy

337
00:17:05,359 --> 00:17:07,119
Speaker 3: doing Chris Rock stuff, so I don't even want to

338
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Speaker 3: get I'm looking to stay away from.

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Speaker 2: Contraversy in your lane a little bit, a lot, a lot.

340
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Speaker 3: So the line again is I tamed that old gray bitch.

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Speaker 2: That yeah, and we can actually use that like that's

342
00:17:20,920 --> 00:17:24,280
Speaker 2: good enough for me? No, no, no, that was so

343
00:17:24,359 --> 00:17:24,920
Speaker 2: much better.

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00:17:25,080 --> 00:17:27,120
Speaker 3: I think I could definitely. Well, let me try one

345
00:17:27,400 --> 00:17:30,560
Speaker 3: as I want it, because just so there's levels, because

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Speaker 3: that one to me felt very.

347
00:17:32,840 --> 00:17:35,000
Speaker 2: Do one for you. Okay, so this is a pick up.

348
00:17:35,040 --> 00:17:36,959
Speaker 2: We're just gonna get that old gray bitch and then

349
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Speaker 2: we're gonna and then we're gonna get into something new.

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Speaker 3: I just want to say, it's gil. I just want

351
00:17:43,840 --> 00:17:45,720
Speaker 3: to say I feel like you guys already are going

352
00:17:45,760 --> 00:17:47,520
Speaker 3: to use the other one, which I just want to say,

353
00:17:47,560 --> 00:17:50,239
Speaker 3: if we could just give this one a shot. I

354
00:17:50,240 --> 00:17:52,199
Speaker 3: think that because even the way you just framed it

355
00:17:52,240 --> 00:17:53,200
Speaker 3: as this one's for me.

356
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Speaker 1: It's always great. We will we will definitely record this.

357
00:17:56,800 --> 00:17:59,399
Speaker 1: We will be using the other one. We will absolutely

358
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Speaker 1: be using it.

359
00:18:01,359 --> 00:18:03,399
Speaker 3: You could get into already on that.

360
00:18:03,640 --> 00:18:06,800
Speaker 2: Hold on, let me just take the previous one. It

361
00:18:07,040 --> 00:18:08,760
Speaker 2: just I think that is going to be I'd like

362
00:18:08,840 --> 00:18:09,280
Speaker 2: to see it.

363
00:18:09,240 --> 00:18:13,119
Speaker 3: In the when you get into post. I'll tell you

364
00:18:13,119 --> 00:18:16,840
Speaker 3: you might be looking for the next one, just to

365
00:18:16,880 --> 00:18:20,040
Speaker 3: be clear, So let's not. I wouldn't even marry yourself

366
00:18:20,080 --> 00:18:23,320
Speaker 3: so that Kevin, I would uncircle that and uh and

367
00:18:23,359 --> 00:18:24,840
Speaker 3: I would just let both be there.

368
00:18:25,119 --> 00:18:28,640
Speaker 1: Kevin, Kevin this one to circle it again and then

369
00:18:29,119 --> 00:18:30,640
Speaker 1: throw out the pen and the eraser.

370
00:18:31,320 --> 00:18:33,560
Speaker 3: I would love to have this one circle too. But uh,

371
00:18:33,880 --> 00:18:37,760
Speaker 3: I yeah, I feel like we're really I don't okay,

372
00:18:37,840 --> 00:18:40,440
Speaker 3: let's just we'll do it and I'll let the work

373
00:18:40,480 --> 00:18:41,199
Speaker 3: speak for itself.

374
00:18:41,240 --> 00:18:41,639
Speaker 2: I think.

375
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Speaker 3: We rolling. Anyone answering, I.

376
00:18:50,400 --> 00:18:53,320
Speaker 2: Mean that that's a nine.

377
00:18:53,440 --> 00:18:54,200
Speaker 3: We can be rolling.

378
00:18:54,280 --> 00:18:55,280
Speaker 2: Yeah, we can be rolling.

379
00:18:55,280 --> 00:18:58,080
Speaker 3: It's a weird way to say, yeah, for sure, like

380
00:18:58,160 --> 00:19:01,680
Speaker 3: that's not does anyone feel really confident that we are?

381
00:19:01,840 --> 00:19:05,560
Speaker 3: I feel like yeah, but it's a yes or no,

382
00:19:05,640 --> 00:19:07,160
Speaker 3: and for it to kind of take on so many

383
00:19:07,160 --> 00:19:08,359
Speaker 3: words feels really you.

384
00:19:08,400 --> 00:19:09,159
Speaker 2: Know, it's an option.

385
00:19:09,359 --> 00:19:11,320
Speaker 3: I mean, it definitely wasn't a no.

386
00:19:12,119 --> 00:19:14,520
Speaker 2: Just look, it looks like that's got to make you

387
00:19:14,560 --> 00:19:15,320
Speaker 2: feel comfortable.

388
00:19:15,840 --> 00:19:18,720
Speaker 3: Not what were you gonna say, Kevin? You are we rolling?

389
00:19:18,720 --> 00:19:21,680
Speaker 3: It looks like we're rolling. Yeah, it's better, but it's

390
00:19:21,680 --> 00:19:24,600
Speaker 3: still really like crazy because you're meticulous. We were just

391
00:19:25,440 --> 00:19:27,960
Speaker 3: we were all making fun of his meticulousness. And then

392
00:19:28,040 --> 00:19:29,720
Speaker 3: for you guys to be so all right, I'll just

393
00:19:29,720 --> 00:19:33,080
Speaker 3: do it and yeah, I'll record it. I have it

394
00:19:33,119 --> 00:19:35,040
Speaker 3: so I could send it. I think it'd be better

395
00:19:35,119 --> 00:19:37,600
Speaker 3: for I don't even want to make the whole big

396
00:19:37,640 --> 00:19:39,840
Speaker 3: stink about it, because it's obviously taken on a weird

397
00:19:39,840 --> 00:19:41,120
Speaker 3: little life of its own at this point.

398
00:19:41,320 --> 00:19:43,760
Speaker 2: No, now it's become such a big deal, yeah that

399
00:19:43,880 --> 00:19:47,200
Speaker 2: I'd almost rather just move on entirely. We don't even

400
00:19:47,240 --> 00:19:49,760
Speaker 2: get it, you know, because we have it.

401
00:19:50,080 --> 00:19:52,680
Speaker 3: We have it, but do we have everything we want?

402
00:19:52,840 --> 00:19:54,720
Speaker 3: And don't stop rolling. If that's what you're gonna say,

403
00:19:54,760 --> 00:19:56,240
Speaker 3: do now to swap SD cards.

404
00:19:56,240 --> 00:19:56,640
Speaker 2: We're out.

405
00:19:56,720 --> 00:19:57,960
Speaker 3: We're full on that one.

406
00:19:58,119 --> 00:20:00,760
Speaker 2: And our battery I think is going to die over here.

407
00:20:00,800 --> 00:20:03,399
Speaker 3: I can just let me give it to you, and

408
00:20:03,440 --> 00:20:05,680
Speaker 3: even if it's not rolling, I can get it to you,

409
00:20:05,920 --> 00:20:08,920
Speaker 3: or you can say you can call me at another

410
00:20:08,960 --> 00:20:11,840
Speaker 3: time and say we want that. I don't have to

411
00:20:11,880 --> 00:20:14,520
Speaker 3: do it. I mean I the vibe is horrendous right now,

412
00:20:14,520 --> 00:20:17,159
Speaker 3: to be quite honest with you, then the energy is

413
00:20:17,200 --> 00:20:21,159
Speaker 3: really it's it's bad and negative and I want to

414
00:20:21,200 --> 00:20:23,280
Speaker 3: do it. And I'm I can't even how long I'm

415
00:20:23,320 --> 00:20:24,159
Speaker 3: talking about it.

416
00:20:24,200 --> 00:20:29,880
Speaker 2: I don't know that amazing.

417
00:20:27,800 --> 00:20:28,479
Speaker 3: We got it.

418
00:20:28,600 --> 00:20:30,800
Speaker 2: I'm seeing it in the cut like.

419
00:20:31,240 --> 00:20:33,320
Speaker 3: That testing out.

420
00:20:33,440 --> 00:20:38,400
Speaker 1: All I care about is the finished products, more options,

421
00:20:38,440 --> 00:20:41,600
Speaker 1: and that is that isn't a great place right now,

422
00:20:41,640 --> 00:20:43,000
Speaker 1: because we only.

423
00:20:42,800 --> 00:20:46,480
Speaker 3: Do one is not great. So let me do one

424
00:20:46,520 --> 00:20:49,000
Speaker 3: more because I want to move on from this.

425
00:20:48,640 --> 00:20:51,400
Speaker 2: This has been sure, well you did three, you did

426
00:20:51,440 --> 00:20:53,160
Speaker 2: one correctly, and then you did two.

427
00:20:53,320 --> 00:20:55,359
Speaker 3: I want to do one more. I want to do

428
00:20:55,520 --> 00:20:57,480
Speaker 3: I want to be clear. And I'm not even pushing

429
00:20:57,480 --> 00:20:58,320
Speaker 3: back because I think it's.

430
00:20:58,560 --> 00:21:00,200
Speaker 2: Say, oh, we only did one and it's like you

431
00:21:00,280 --> 00:21:03,160
Speaker 2: want to do a full I don't make it.

432
00:21:03,040 --> 00:21:06,080
Speaker 3: Feel like there's friction. There's no I'm agreeing, im messing.

433
00:21:06,440 --> 00:21:08,400
Speaker 2: No, I'm I'm happy I'm.

434
00:21:09,840 --> 00:21:17,639
Speaker 3: I'm over the fucking moon the man. I'm listen, let's

435
00:21:17,680 --> 00:21:20,680
Speaker 3: not look at us. Are we having a good did

436
00:21:20,720 --> 00:21:26,720
Speaker 3: you say you're out? If possible? I don't want to

437
00:21:26,720 --> 00:21:28,000
Speaker 3: put too much on Kevin's plate.

438
00:21:28,200 --> 00:21:30,199
Speaker 2: It's just it's sort of a it's sort of a

439
00:21:30,280 --> 00:21:32,440
Speaker 2: misrepresentation with Zoloft. Either.

440
00:21:32,680 --> 00:21:35,760
Speaker 3: I agree, it's not. Let's let's get the line and

441
00:21:35,800 --> 00:21:37,760
Speaker 3: then we can circle back on the Zoloft thing, because

442
00:21:37,760 --> 00:21:39,640
Speaker 3: I'm not proud of it. I don't think anyone's super

443
00:21:39,680 --> 00:21:42,439
Speaker 3: into it. So let's get the line and move on

444
00:21:42,560 --> 00:21:45,040
Speaker 3: from that part, because this is again, it's ridiculous how

445
00:21:45,080 --> 00:21:47,879
Speaker 3: long this is taking. When I feel myself talking, I

446
00:21:47,920 --> 00:21:50,679
Speaker 3: feel myself losing everyone, and I don't like that feeling

447
00:21:50,960 --> 00:21:53,440
Speaker 3: at all. So let's just get it now, ready, Are

448
00:21:53,440 --> 00:21:57,320
Speaker 3: we rolling? Kevin is nsty card back in a new Yeah,

449
00:21:58,480 --> 00:21:59,920
Speaker 3: A lot of there's like an ellipses.

450
00:22:00,200 --> 00:22:02,359
Speaker 1: I said, it's a yes or no question. He said,

451
00:22:02,720 --> 00:22:05,120
Speaker 1: I mean that's a that's a. I mean it's very

452
00:22:05,240 --> 00:22:08,320
Speaker 1: very close to it. Yes, that's even and it's it's

453
00:22:09,600 --> 00:22:09,960
Speaker 1: not of No.

454
00:22:10,440 --> 00:22:12,680
Speaker 2: I'm really proud of Kevin because I know how hard

455
00:22:12,720 --> 00:22:16,440
Speaker 2: this is for him, especially with everything he's told me about,

456
00:22:16,600 --> 00:22:16,960
Speaker 2: you know.

457
00:22:17,880 --> 00:22:22,399
Speaker 1: And this is this is very very much resonating with

458
00:22:22,400 --> 00:22:24,040
Speaker 1: what ken. I know how pissed he is.

459
00:22:24,440 --> 00:22:26,960
Speaker 3: That's great for the character that I'm going for right now.

460
00:22:27,040 --> 00:22:31,119
Speaker 3: So that is while I I really would maybe flag

461
00:22:31,160 --> 00:22:32,880
Speaker 3: and push back a little bit on him being through

462
00:22:32,920 --> 00:22:34,840
Speaker 3: so much and how proud you are of him. I

463
00:22:34,880 --> 00:22:37,000
Speaker 3: love that. Let's just get the line so we can

464
00:22:37,119 --> 00:22:40,720
Speaker 3: move on right away, all right, So I'm just gonna

465
00:22:40,760 --> 00:22:43,399
Speaker 3: do it. Does anyone want to lead me in with anything?

466
00:22:43,480 --> 00:22:46,159
Speaker 2: Or I'll just go and established who would do that?

467
00:22:46,240 --> 00:22:46,480
Speaker 2: If it?

468
00:22:46,720 --> 00:22:49,280
Speaker 1: I mean, well, I definitely don't remember what the lead

469
00:22:49,320 --> 00:22:49,719
Speaker 1: in was.

470
00:22:50,359 --> 00:22:53,680
Speaker 3: I don't need it. And if you want to, anyone

471
00:22:53,840 --> 00:22:55,480
Speaker 3: want to do you want you want me to lead

472
00:22:55,480 --> 00:22:56,240
Speaker 3: you in with something?

473
00:22:57,480 --> 00:22:59,680
Speaker 2: Yeah? Yeah, it'd be great, all right here we okay,

474
00:22:59,680 --> 00:23:01,080
Speaker 2: all right, okay.

475
00:23:00,960 --> 00:23:06,320
Speaker 3: Look we want to in? Yeah? Well okay, all right, great, yeah,

476
00:23:06,400 --> 00:23:07,320
Speaker 3: give me a leaden.

477
00:23:07,160 --> 00:23:09,399
Speaker 2: Give me something. You give me something. It'll be a

478
00:23:09,440 --> 00:23:11,240
Speaker 2: two's be a two hander.

479
00:23:11,480 --> 00:23:15,160
Speaker 3: You give me whatever. We'll be using it, so you'll

480
00:23:15,200 --> 00:23:19,960
Speaker 3: set that's not okay, let's not say stuff like that

481
00:23:20,160 --> 00:23:22,879
Speaker 3: right away because it's not great energy. Okay, I'm going

482
00:23:22,960 --> 00:23:24,600
Speaker 3: to lead you in then, not right away.

483
00:23:24,720 --> 00:23:29,960
Speaker 4: Nothing about I'm not trying to create that tension.

484
00:23:30,359 --> 00:23:34,320
Speaker 3: I'm losing it now, I'm losing energy. Let me leag in,

485
00:23:34,400 --> 00:23:36,000
Speaker 3: let me lead. I'm going to leadin right now. Okay,

486
00:23:36,000 --> 00:23:38,160
Speaker 3: here we go. All right, I'm leading in. I think

487
00:23:38,160 --> 00:23:39,359
Speaker 3: this one's gonna be really good.

488
00:23:39,920 --> 00:23:41,840
Speaker 2: Yeah, we're not gonna use this, you old great bitch.

489
00:23:44,600 --> 00:23:51,960
Speaker 3: Come on, that's a bad What is that flod? Actually

490
00:23:52,720 --> 00:23:54,720
Speaker 3: I was in the zone and that's all you man.

491
00:23:54,840 --> 00:23:56,199
Speaker 2: You set me up, you let me in.

492
00:23:56,280 --> 00:24:01,080
Speaker 3: No, no, you can't. Really, I I went somewhere. I

493
00:24:01,119 --> 00:24:02,640
Speaker 3: didn't know what I was going to say.

494
00:24:02,520 --> 00:24:05,359
Speaker 1: That Actually, like for all this, I thought this was

495
00:24:05,400 --> 00:24:07,520
Speaker 1: such a waste of time, but we did end up

496
00:24:07,520 --> 00:24:08,399
Speaker 1: actually plussing it.

497
00:24:08,560 --> 00:24:11,359
Speaker 3: So hold on, allow me now that we're sort of

498
00:24:11,920 --> 00:24:13,720
Speaker 3: we've gone through. I do think the first one I

499
00:24:13,760 --> 00:24:16,120
Speaker 3: did worked. I think that might have been the one

500
00:24:16,480 --> 00:24:18,159
Speaker 3: that but that I'm actually looking at it now.

501
00:24:18,200 --> 00:24:20,280
Speaker 1: That one was uncircled though I don't even know how

502
00:24:20,320 --> 00:24:21,560
Speaker 1: old we are.

503
00:24:22,840 --> 00:24:26,399
Speaker 2: Instead, we weren't encircling when I said the eye line

504
00:24:26,480 --> 00:24:26,840
Speaker 2: is off.

505
00:24:28,280 --> 00:24:36,360
Speaker 3: That's I I think I pushed shouldn't have the one

506
00:24:36,400 --> 00:24:36,639
Speaker 3: I did.

507
00:24:36,840 --> 00:24:39,280
Speaker 2: But here we are, right, and that's the process. Isn't it,

508
00:24:39,359 --> 00:24:41,560
Speaker 2: You know what I mean, that's what's so beautiful.

509
00:24:41,720 --> 00:24:45,360
Speaker 3: And for every step of the way, pressure makes time

510
00:24:45,400 --> 00:24:45,919
Speaker 3: so funny.

511
00:24:46,560 --> 00:24:50,480
Speaker 2: And you were you were, then art happens the way

512
00:24:50,520 --> 00:24:53,800
Speaker 2: it's meant to happen. And so it's like it really

513
00:24:53,880 --> 00:24:55,840
Speaker 2: was an honor to be a part of your process,

514
00:24:55,880 --> 00:24:57,600
Speaker 2: for you to get me where I needed to be.

515
00:24:57,800 --> 00:25:00,800
Speaker 1: And and then and we had no idea the whole time. Yeah,

516
00:25:01,480 --> 00:25:04,240
Speaker 1: you're you've got it. You're just putting us all through

517
00:25:04,280 --> 00:25:05,680
Speaker 1: our paces to get there.

518
00:25:05,960 --> 00:25:07,679
Speaker 2: No, there was a point in the middle where I

519
00:25:07,760 --> 00:25:13,320
Speaker 2: was like, I hate this man, like I was hating you,

520
00:25:14,040 --> 00:25:16,600
Speaker 2: and then ultimately that was what I needed to go

521
00:25:17,240 --> 00:25:18,360
Speaker 2: way exactly.

522
00:25:19,359 --> 00:25:24,080
Speaker 3: I was pushing for you to get there. And remember

523
00:25:24,080 --> 00:25:26,480
Speaker 3: when you guys look at me that I was fucking crazy.

524
00:25:27,440 --> 00:25:30,240
Speaker 1: I do, I remember, And even that was so long

525
00:25:30,280 --> 00:25:31,320
Speaker 1: ago now, but I do.

526
00:25:31,680 --> 00:25:35,800
Speaker 4: I do still tell you what I'll Even though I

527
00:25:35,840 --> 00:25:38,520
Speaker 4: got h I swear we need to be I still

528
00:25:38,560 --> 00:25:41,600
Speaker 4: would give that original one to listen. I'm not ready

529
00:25:41,640 --> 00:25:44,480
Speaker 4: to throw it in the trash just yet. I'd still

530
00:25:44,480 --> 00:25:55,840
Speaker 4: give it another listen because we who knows.

531
00:25:53,960 --> 00:25:56,080
Speaker 2: How are we doing for STEC? I mean, did we

532
00:25:56,560 --> 00:25:58,479
Speaker 2: my sense from Kevin's.

533
00:25:58,560 --> 00:25:58,800
Speaker 3: Yeah.

534
00:25:58,880 --> 00:26:01,720
Speaker 1: The second time was that he taped over the old

535
00:26:01,840 --> 00:26:02,800
Speaker 1: SD cards.

536
00:26:02,880 --> 00:26:05,359
Speaker 3: Isn't that kind of the vibe you were getting? The

537
00:26:05,520 --> 00:26:09,080
Speaker 3: vibe was very switching, very much that he was switching

538
00:26:09,080 --> 00:26:11,639
Speaker 3: as D cards. He knowing Kevin, he would not I know.

539
00:26:11,880 --> 00:26:12,600
Speaker 3: I mean, I don't know.

540
00:26:12,640 --> 00:26:14,520
Speaker 1: I've been working Yeah, I know, we all worked with him,

541
00:26:14,520 --> 00:26:16,240
Speaker 1: but I've been working with him a long time, so

542
00:26:16,320 --> 00:26:16,919
Speaker 1: a little.

543
00:26:16,640 --> 00:26:17,320
Speaker 3: Bit longer than.

544
00:26:19,600 --> 00:26:22,000
Speaker 1: Whether it's a switching yes or a taping over yes.

545
00:26:22,080 --> 00:26:24,920
Speaker 1: And it's almost always a taping over yes.

546
00:26:25,440 --> 00:26:28,880
Speaker 2: Sometimes there's half of the old ones still around, you know, which.

547
00:26:28,680 --> 00:26:31,480
Speaker 1: Is most of his possessions were destroyed in a fire.

548
00:26:31,600 --> 00:26:35,880
Speaker 1: So we're not exactly like swimming in SD cards over here. Yeah,

549
00:26:36,960 --> 00:26:39,199
Speaker 1: I mean we literally were for a while because they

550
00:26:39,240 --> 00:26:39,800
Speaker 1: all melted.

551
00:26:41,119 --> 00:26:42,959
Speaker 3: I want to get into that because that's important.

552
00:26:42,960 --> 00:26:45,199
Speaker 2: You couldn't use them when they're melted. You just you

553
00:26:45,320 --> 00:26:47,040
Speaker 2: have to swim in them.

554
00:26:47,359 --> 00:26:50,800
Speaker 3: There's definitely a middle ground. But I definitely want to

555
00:26:50,840 --> 00:26:54,080
Speaker 3: get into that because that is interesting. I would suggest

556
00:26:54,119 --> 00:26:56,600
Speaker 3: maybe since we don't have that original one, you might

557
00:26:56,760 --> 00:27:00,199
Speaker 3: just want one more from me to make sure we

558
00:27:00,320 --> 00:27:00,600
Speaker 3: have it.

559
00:27:01,080 --> 00:27:02,879
Speaker 2: Can I talk about you said you did say you

560
00:27:02,880 --> 00:27:04,919
Speaker 2: wanted to get into it. Can I talk about something

561
00:27:04,920 --> 00:27:08,159
Speaker 2: that we discussed in terms of Kevin's fire thing that

562
00:27:08,240 --> 00:27:08,600
Speaker 2: he did?

563
00:27:09,600 --> 00:27:11,280
Speaker 3: Yeah, that is really sort of do you want to

564
00:27:11,320 --> 00:27:13,399
Speaker 3: get the line first and then get into that or

565
00:27:13,400 --> 00:27:14,760
Speaker 3: do you want to just get into that now?

566
00:27:15,040 --> 00:27:17,800
Speaker 2: I'd say time permitting, we we we could go back

567
00:27:17,840 --> 00:27:20,040
Speaker 2: for the line, and we have such a good one now.

568
00:27:20,760 --> 00:27:23,560
Speaker 2: And I think that I were you diminish your own work,

569
00:27:23,600 --> 00:27:26,000
Speaker 2: because you really did send me somewhere with that.

570
00:27:26,000 --> 00:27:28,919
Speaker 3: I did, and I'm not weeding. I'm not a credit.

571
00:27:28,960 --> 00:27:31,480
Speaker 3: I'm just I'm making sure we have the options, and

572
00:27:31,480 --> 00:27:32,879
Speaker 3: I am I worried about what I see.

573
00:27:32,760 --> 00:27:35,879
Speaker 2: In your future Gareth on this episode is a special thanks.

574
00:27:36,920 --> 00:27:41,200
Speaker 3: I don't even want that, but I what I I'm

575
00:27:41,280 --> 00:27:41,760
Speaker 3: worried about.

576
00:27:41,800 --> 00:27:43,520
Speaker 1: You want something more than that. So I'm sort of

577
00:27:43,560 --> 00:27:46,480
Speaker 1: wondering where I'm being taken now, you know what I mean,

578
00:27:46,680 --> 00:27:48,000
Speaker 1: Like if there is this.

579
00:27:47,920 --> 00:27:50,480
Speaker 3: One, this one is way more said. I just want

580
00:27:50,520 --> 00:27:52,040
Speaker 3: to do with the line once to make sure we

581
00:27:52,119 --> 00:27:54,360
Speaker 3: have it. And that's really this one's not a journey

582
00:27:54,600 --> 00:27:58,400
Speaker 3: the other one i'd been. I knew what I was doing, okay,

583
00:27:58,400 --> 00:27:59,000
Speaker 3: but that's what.

584
00:27:58,880 --> 00:28:01,960
Speaker 1: He was saying about that one too. The first was

585
00:28:02,040 --> 00:28:05,960
Speaker 1: this though I know that's what you do. I like,

586
00:28:06,040 --> 00:28:07,760
Speaker 1: I know you're like, it's interesting.

587
00:28:07,840 --> 00:28:10,400
Speaker 2: I'm going and I'm thinking, does he think I can

588
00:28:10,440 --> 00:28:11,480
Speaker 2: do it even better?

589
00:28:11,720 --> 00:28:11,960
Speaker 3: No?

590
00:28:11,960 --> 00:28:15,439
Speaker 2: No, this was that's what its right to hear me

591
00:28:15,520 --> 00:28:17,800
Speaker 2: say it again, And I wonder.

592
00:28:17,560 --> 00:28:19,200
Speaker 3: You need to get one of mine. We need to

593
00:28:19,240 --> 00:28:20,480
Speaker 3: get there more in the tank.

594
00:28:21,240 --> 00:28:23,520
Speaker 2: But I had something to say about Kevin's fire.

595
00:28:23,880 --> 00:28:26,159
Speaker 3: Okay, I that's just when you said time permitting. I

596
00:28:26,240 --> 00:28:28,959
Speaker 3: worry we will run out of time, and I just

597
00:28:29,080 --> 00:28:30,360
Speaker 3: that's the vibe.

598
00:28:30,840 --> 00:28:35,000
Speaker 1: We're not using anything like like there's still a whole

599
00:28:35,040 --> 00:28:37,720
Speaker 1: episode to do. We're not using except of course the

600
00:28:37,760 --> 00:28:38,760
Speaker 1: line that we got like.

601
00:28:38,720 --> 00:28:42,000
Speaker 3: That maybe the next option, which is very close to coming.

602
00:28:42,280 --> 00:28:46,080
Speaker 1: So that's just so you want to do. You either

603
00:28:46,120 --> 00:28:47,480
Speaker 1: want to go with the old one or you want

604
00:28:47,520 --> 00:28:48,080
Speaker 1: to take another.

605
00:28:48,200 --> 00:28:49,800
Speaker 3: I want to go I want to have the old

606
00:28:50,320 --> 00:28:51,120
Speaker 3: We can't.

607
00:28:50,800 --> 00:28:53,000
Speaker 1: We can't use both. I mean, we're like, we're not

608
00:28:53,080 --> 00:28:53,680
Speaker 1: using either.

609
00:28:54,160 --> 00:28:58,000
Speaker 2: Yeah, that would be weird. We're like wearing them or something.

610
00:28:58,360 --> 00:29:01,400
Speaker 2: I'm suggesting, so strange to use yours when I'm the

611
00:29:01,400 --> 00:29:02,560
Speaker 2: one who's gonna be talking.

612
00:29:03,280 --> 00:29:07,680
Speaker 3: Wait, let's wait to post for the big calls guy. Now,

613
00:29:07,840 --> 00:29:11,760
Speaker 3: let's just let what I'm suggesting is a lead in,

614
00:29:12,280 --> 00:29:16,000
Speaker 3: another lead in, not the line for this lead in. Trust, hey,

615
00:29:16,040 --> 00:29:19,320
Speaker 3: trust the process, not the line for this. Let me

616
00:29:19,480 --> 00:29:22,680
Speaker 3: get it out there, and then in post you have

617
00:29:23,000 --> 00:29:25,080
Speaker 3: the options and then we can get into this fire

618
00:29:25,120 --> 00:29:27,400
Speaker 3: thing which everyone's dying to here. I'm dying to hear

619
00:29:27,440 --> 00:29:30,200
Speaker 3: about the fire stuff. All right, so you're gonna lead

620
00:29:30,240 --> 00:29:32,640
Speaker 3: me into the lead in again. Yeah, but your lead

621
00:29:32,720 --> 00:29:35,280
Speaker 3: in shouldn't be the line this time, just to make

622
00:29:35,280 --> 00:29:35,680
Speaker 3: sure we.

623
00:29:35,720 --> 00:29:39,360
Speaker 2: Have it understood. Yeah, and I hope it's not because

624
00:29:39,360 --> 00:29:41,400
Speaker 2: that that that did feel like it took the wind

625
00:29:41,440 --> 00:29:43,280
Speaker 2: out of your sales in terms of doing the line. Well,

626
00:29:43,360 --> 00:29:46,760
Speaker 2: it's just what you hear leading gracious about, but that

627
00:29:46,920 --> 00:29:49,920
Speaker 2: was your intention. So yeah, no, I was doing all

628
00:29:50,440 --> 00:29:51,120
Speaker 2: you know what you did.

629
00:29:51,320 --> 00:29:53,680
Speaker 1: It was like that time you need want that happened,

630
00:29:53,680 --> 00:29:54,720
Speaker 1: but this time you don't.

631
00:29:55,000 --> 00:29:56,959
Speaker 2: This son of a bitch played me like a fiddle man.

632
00:29:57,000 --> 00:29:59,440
Speaker 2: He got me right where we needed to go. I'm

633
00:29:59,480 --> 00:30:02,320
Speaker 2: really happy with the cut right now as I'm seeing

634
00:30:02,320 --> 00:30:04,480
Speaker 2: as I'm taking a look at the just sort of

635
00:30:04,480 --> 00:30:09,200
Speaker 2: the rough assembly, there's an assembly okay, yeah, well you

636
00:30:09,240 --> 00:30:11,080
Speaker 2: know I mean the thing about that, what if there's

637
00:30:11,120 --> 00:30:14,200
Speaker 2: notes it's just an editor's past, but it really, I mean,

638
00:30:14,200 --> 00:30:17,720
Speaker 2: there's there's air, like the timing is not perfect.

639
00:30:17,360 --> 00:30:21,560
Speaker 1: The network network is honestly, I'm not seeing.

640
00:30:21,520 --> 00:30:24,400
Speaker 3: But they can change so fast, and if you don't

641
00:30:24,440 --> 00:30:27,840
Speaker 3: have the options, they'll be your ass. Yeah, they'll freak out. Man,

642
00:30:27,880 --> 00:30:30,960
Speaker 3: there your buddies till they ain't trust me. I've worked,

643
00:30:31,000 --> 00:30:35,560
Speaker 3: I've worked this game a long time. Boys, Let's just

644
00:30:35,720 --> 00:30:38,520
Speaker 3: get one more for safety and I'll do it. And

645
00:30:38,560 --> 00:30:41,400
Speaker 3: the leading will not be the line because that can

646
00:30:41,480 --> 00:30:45,280
Speaker 3: throw people. Not the first time, as I planned that

647
00:30:45,520 --> 00:30:47,560
Speaker 3: very clearly. Okay, so let's just get one more and

648
00:30:47,560 --> 00:30:49,800
Speaker 3: I'll do the leading. You do the lead in leading

649
00:30:49,840 --> 00:30:52,440
Speaker 3: should not be the line, and then we'll do it. Okay,

650
00:30:52,600 --> 00:30:56,200
Speaker 3: all right, uh yeah, okay, so I don't even remember

651
00:30:56,200 --> 00:30:58,920
Speaker 3: what I led you in with, but uh yeah, let's

652
00:30:59,040 --> 00:31:00,960
Speaker 3: let's get this right, So go ahead do it. Don't

653
00:31:01,000 --> 00:31:02,240
Speaker 3: do the line though. Well.

654
00:31:02,280 --> 00:31:04,480
Speaker 2: The thing about Kevin's fire that we never really talk

655
00:31:04,560 --> 00:31:08,520
Speaker 2: about that's been frustrated to me is like, obviously it's

656
00:31:08,800 --> 00:31:13,120
Speaker 2: it's tragic on his behalf, an explosion, the burning, he

657
00:31:13,160 --> 00:31:17,280
Speaker 2: wakes up, he's worried that excuse me, I'm fucking talking, okay,

658
00:31:17,360 --> 00:31:21,480
Speaker 2: I and he no, but come on, I've been doing

659
00:31:21,520 --> 00:31:27,440
Speaker 2: this forever, like he and you know. The the the

660
00:31:27,480 --> 00:31:29,600
Speaker 2: tail as it goes is that there was one of

661
00:31:29,600 --> 00:31:33,120
Speaker 2: these battery toards, these like mophy like battery charge, like

662
00:31:33,240 --> 00:31:38,000
Speaker 2: phone battery chargers, like a portable one that exploded in

663
00:31:38,040 --> 00:31:41,840
Speaker 2: a backpack. And of course it's very sad his possessions,

664
00:31:42,000 --> 00:31:44,880
Speaker 2: two years of his life, a lot of money put

665
00:31:44,920 --> 00:31:48,160
Speaker 2: into repairing this. But also I used to use those

666
00:31:48,200 --> 00:31:52,160
Speaker 2: little chargers that sometimes I want.

667
00:31:53,080 --> 00:31:54,280
Speaker 3: Can we just get the lead in?

668
00:31:54,720 --> 00:31:56,760
Speaker 2: Can we just get the lead in off? Can we

669
00:31:56,800 --> 00:31:59,360
Speaker 2: get the lead in cleanly? It's gonna feel weird if

670
00:31:59,360 --> 00:32:00,720
Speaker 2: you just say it out of nowhere.

671
00:32:00,880 --> 00:32:03,400
Speaker 3: Well, the lead in feels very much like a subject change,

672
00:32:03,400 --> 00:32:05,360
Speaker 3: which I was trying to avoid. If you remember when

673
00:32:05,360 --> 00:32:06,720
Speaker 3: we that was the whole thing.

674
00:32:06,920 --> 00:32:07,960
Speaker 2: Is this a new.

675
00:32:09,240 --> 00:32:10,400
Speaker 3: Direction for it?

676
00:32:10,440 --> 00:32:15,920
Speaker 2: Is this like a new lead in?

677
00:32:16,000 --> 00:32:19,720
Speaker 1: Because what I thought was you were leading into Shawn's

678
00:32:19,800 --> 00:32:23,240
Speaker 1: leading Sean was gonna be able to do it, be

679
00:32:23,360 --> 00:32:24,720
Speaker 1: able to do his lead.

680
00:32:24,560 --> 00:32:28,320
Speaker 3: Sean, Well, a lead in, yeah, go ahead, I absolutely

681
00:32:28,400 --> 00:32:30,480
Speaker 3: just a lead in is normally not a.

682
00:32:30,200 --> 00:32:32,320
Speaker 1: Well you now need to lead him in again to

683
00:32:32,400 --> 00:32:34,200
Speaker 1: his part, like, oh, we don't need to have him

684
00:32:34,240 --> 00:32:36,240
Speaker 1: do all that again. I mean that we can have

685
00:32:36,240 --> 00:32:37,800
Speaker 1: to be all of it, but he can at least

686
00:32:37,840 --> 00:32:39,320
Speaker 1: like be able to pick up a little bit where

687
00:32:39,320 --> 00:32:41,400
Speaker 1: he was, like where he was, Well.

688
00:32:41,320 --> 00:32:42,840
Speaker 3: Yeah, I do feel like it's hard.

689
00:32:42,920 --> 00:32:46,880
Speaker 2: It's hard to start from a dead stop and just okay,

690
00:32:46,960 --> 00:32:49,080
Speaker 2: I need to warm the engine up a little. Yeah, okay,

691
00:32:49,120 --> 00:32:50,720
Speaker 2: let's give him, give him something.

692
00:32:50,800 --> 00:32:54,000
Speaker 3: Okay, the leading will be, Hey, do the lead in.

693
00:32:54,040 --> 00:32:55,960
Speaker 3: But remember, I'm going to say the line. Do you

694
00:32:56,720 --> 00:33:00,520
Speaker 3: want the lead in to be the line? No? No,

695
00:33:00,840 --> 00:33:03,960
Speaker 3: no that no no no no, so no if my option,

696
00:33:04,160 --> 00:33:05,200
Speaker 3: go ahead, go ahead again.

697
00:33:05,240 --> 00:33:07,520
Speaker 2: I know you just had pushed so hard to not

698
00:33:07,600 --> 00:33:09,440
Speaker 2: have it be that, and then I'm not doing it,

699
00:33:09,480 --> 00:33:11,120
Speaker 2: and then you're like bugging out.

700
00:33:11,240 --> 00:33:17,160
Speaker 3: Yeah, by the way, I understand, Hello bugging out? Do

701
00:33:17,240 --> 00:33:20,360
Speaker 3: I look like it was bugging Excuse me. I'm not

702
00:33:20,480 --> 00:33:24,440
Speaker 3: a bugger guy. I'm chill. I want to let's get

703
00:33:24,480 --> 00:33:27,680
Speaker 3: it right, do it. That's what I want, what I love.

704
00:33:27,840 --> 00:33:31,320
Speaker 3: Do it. Let's get there great, very chill. Hey, don't forget,

705
00:33:31,360 --> 00:33:33,360
Speaker 3: I'm the fucking guy who got us that first line

706
00:33:33,360 --> 00:33:36,480
Speaker 3: of my process. So let's not get all, Hey, what's

707
00:33:36,480 --> 00:33:38,800
Speaker 3: this guy? No, that's what I'm I don't know where

708
00:33:38,800 --> 00:33:39,160
Speaker 3: we're at.

709
00:33:39,200 --> 00:33:42,720
Speaker 2: Maybe I'm not allowed to know. He knows what he's doing.

710
00:33:42,840 --> 00:33:46,800
Speaker 2: That's right, No, it's it's definitely, it's all right. Frustrating,

711
00:33:47,000 --> 00:33:48,880
Speaker 2: it's also should be frustrated.

712
00:33:48,880 --> 00:33:51,160
Speaker 3: Go ahead, just just get just go ahead again.

713
00:33:51,440 --> 00:33:53,200
Speaker 2: That's my lead in I love it.

714
00:33:53,600 --> 00:33:55,560
Speaker 3: Yeah, I don't. I mean, all right, so the leading

715
00:33:55,600 --> 00:33:58,520
Speaker 3: will be hey, and just go for it. Tell it, Hey,

716
00:33:58,560 --> 00:33:59,600
Speaker 3: what happened to the fire?

717
00:33:59,680 --> 00:34:03,000
Speaker 2: Don't make too Yes, well it's yeah, it's it's it's

718
00:34:03,080 --> 00:34:05,080
Speaker 2: just that the and I don't even know if this

719
00:34:05,120 --> 00:34:08,560
Speaker 2: is true, but supposedly one of these things just spontaneously combusted.

720
00:34:08,960 --> 00:34:10,840
Speaker 2: I'm in a position where some time, you know, whatever

721
00:34:10,840 --> 00:34:13,080
Speaker 2: I'm working, I'm on set lately. It's not a big

722
00:34:13,080 --> 00:34:17,120
Speaker 2: fucking deal. It's a piano show. But it's it's like, uh,

723
00:34:18,280 --> 00:34:23,080
Speaker 2: there's a so I'm not set. I mean, you know whatever, Okay, responsibilities,

724
00:34:23,239 --> 00:34:25,560
Speaker 2: but you're there and you're on location or something, your

725
00:34:25,640 --> 00:34:28,880
Speaker 2: your phone starts to wear down and or you're doing this,

726
00:34:28,960 --> 00:34:31,040
Speaker 2: you're recording a voice note. Kevin made me record a

727
00:34:31,120 --> 00:34:34,319
Speaker 2: voice note for this because my a SD card's messing up,

728
00:34:34,840 --> 00:34:39,000
Speaker 2: and uh, I could use one of those little portable

729
00:34:39,080 --> 00:34:41,759
Speaker 2: batteries and I used to have them. I would use them,

730
00:34:42,400 --> 00:34:46,200
Speaker 2: but I'm so scared of them now. And it's gotta

731
00:34:46,239 --> 00:34:49,799
Speaker 2: be if it's even true what he's saying. It's this

732
00:34:50,080 --> 00:34:56,960
Speaker 2: massive anomaly. But the trauma I've experienced from this guy's house,

733
00:34:57,800 --> 00:34:59,240
Speaker 2: you know, having it's some.

734
00:35:00,680 --> 00:35:05,200
Speaker 3: Re imagine that if I deliver the line now, it's

735
00:35:05,200 --> 00:35:11,680
Speaker 3: gonna seem so weird. It's just so it'll be weird.

736
00:35:11,880 --> 00:35:13,680
Speaker 2: I was really in it with Sean.

737
00:35:13,840 --> 00:35:14,719
Speaker 3: No, yeah, keep going.

738
00:35:14,960 --> 00:35:17,040
Speaker 2: I felt like you had gotten me to it. Yeah,

739
00:35:17,360 --> 00:35:21,759
Speaker 2: So it is sort of unfair, like the the emotional

740
00:35:21,880 --> 00:35:25,000
Speaker 2: burden that I've been asked to carry on Kevin's behalf

741
00:35:25,120 --> 00:35:29,280
Speaker 2: for this, and the sort of and the level of inconvenience,

742
00:35:29,320 --> 00:35:34,040
Speaker 2: because those things are extremely useful, helpful to have around, don't.

743
00:35:33,880 --> 00:35:38,040
Speaker 1: I'm actually sorry. I'm agreeing with Gareth. I I think

744
00:35:38,080 --> 00:35:39,759
Speaker 1: if he delivers the line out it will just be weird.

745
00:35:39,760 --> 00:35:41,640
Speaker 1: I think we should Yeah, I think we should just

746
00:35:41,680 --> 00:35:46,680
Speaker 1: move on. It's too weird like that, like it's it's

747
00:35:47,440 --> 00:35:49,800
Speaker 1: it has no place at the end of the story.

748
00:35:50,280 --> 00:35:52,800
Speaker 2: It's so weird, so weird. I am agreed.

749
00:35:52,880 --> 00:35:56,480
Speaker 1: I thought it do it. It's too weird to do it? Yeah,

750
00:35:56,520 --> 00:35:58,279
Speaker 1: I may I be able to move on.

751
00:35:58,440 --> 00:35:59,120
Speaker 3: We have to just.

752
00:35:59,239 --> 00:36:02,600
Speaker 2: Lead it like yes, I was.

753
00:36:02,719 --> 00:36:04,759
Speaker 3: This is what I was trying. Okay, all right, well

754
00:36:04,840 --> 00:36:05,440
Speaker 3: is it the light?

755
00:36:05,719 --> 00:36:08,279
Speaker 2: I am the take, I know.

756
00:36:08,320 --> 00:36:10,640
Speaker 3: But it's like in agreeing with me, and yeah, that's

757
00:36:10,680 --> 00:36:13,120
Speaker 3: like I was saying the whole time that that would happen,

758
00:36:13,200 --> 00:36:15,920
Speaker 3: So I'm not trying to I felt like I was

759
00:36:16,000 --> 00:36:19,120
Speaker 3: building to it. But you also, it just felt like

760
00:36:19,160 --> 00:36:21,600
Speaker 3: a total subject change, and it really felt like you

761
00:36:21,640 --> 00:36:24,320
Speaker 3: were just talking about a totally different thing the subject

762
00:36:24,320 --> 00:36:25,440
Speaker 3: we were on before was.

763
00:36:25,480 --> 00:36:28,360
Speaker 2: I guess just you saying the line yes didn't feel

764
00:36:28,360 --> 00:36:29,160
Speaker 2: like such a risk.

765
00:36:29,320 --> 00:36:31,799
Speaker 1: I guess what happened when when Kevin tries to bring

766
00:36:31,920 --> 00:36:34,759
Speaker 1: up the fire. Now I'm seeing what happens. These guys

767
00:36:34,760 --> 00:36:36,879
Speaker 1: are like, Hey, this is feeling like a total subject change.

768
00:36:36,880 --> 00:36:39,239
Speaker 1: I'm trying to do my thing. I'm trying to get like.

769
00:36:39,239 --> 00:36:43,520
Speaker 2: This horrible event in his life. Yeah, yeah, truly, I

770
00:36:43,520 --> 00:36:47,480
Speaker 2: mean traumatized, you know, as as I was. I mean,

771
00:36:47,520 --> 00:36:52,520
Speaker 2: I'm still dealing with the fallout. Yeah, but yeah, I

772
00:36:52,560 --> 00:36:57,560
Speaker 2: mean it's been so long like that we've been recording

773
00:36:57,560 --> 00:36:59,040
Speaker 2: to that to just like not.

774
00:36:59,320 --> 00:37:02,040
Speaker 3: I think I think if I get it out real quick,

775
00:37:02,080 --> 00:37:03,480
Speaker 3: then we could just be done with it.

776
00:37:04,040 --> 00:37:07,240
Speaker 2: You want one even, you want a one sentence setup

777
00:37:07,280 --> 00:37:08,520
Speaker 2: that is not the line?

778
00:37:08,600 --> 00:37:10,760
Speaker 3: Is this? Well, I don't even want to. I'm worried

779
00:37:10,760 --> 00:37:12,919
Speaker 3: that if I agree to a setup that that could

780
00:37:13,000 --> 00:37:16,399
Speaker 3: be bad. So I'm I'm.

781
00:37:15,400 --> 00:37:18,280
Speaker 2: Just understanding, I'm I'm trying to understand. I'm characters correctly.

782
00:37:18,360 --> 00:37:20,760
Speaker 2: You would like a one sentence set up that isn't

783
00:37:20,800 --> 00:37:21,280
Speaker 2: the line.

784
00:37:21,400 --> 00:37:24,080
Speaker 3: I just think you'll yes, I think you'll get Yeah,

785
00:37:24,080 --> 00:37:24,680
Speaker 3: So let's just.

786
00:37:24,640 --> 00:37:26,480
Speaker 2: Go walk me into it and I will give you

787
00:37:26,520 --> 00:37:27,440
Speaker 2: and I will give it to you.

788
00:37:27,840 --> 00:37:32,759
Speaker 3: Okay. Uh you know, hey, how about Kevin with all

789
00:37:32,800 --> 00:37:34,879
Speaker 3: that stuff he's saying about we're here to help that other.

790
00:37:35,040 --> 00:37:36,040
Speaker 2: Let's hope for room tone?

791
00:37:37,640 --> 00:37:40,319
Speaker 3: Is that the we need to I'll take we have to,

792
00:37:42,760 --> 00:37:45,040
Speaker 3: I'll tame that old great, we have to get the

793
00:37:44,800 --> 00:37:48,360
Speaker 3: U that are we even getting the need to do

794
00:37:48,400 --> 00:37:55,920
Speaker 3: in room tone? All right? All right, recorders on, so

795
00:37:56,000 --> 00:38:00,920
Speaker 3: we weren't. Okay, so be quiet through the Okay, should

796
00:38:00,920 --> 00:38:01,640
Speaker 3: I do the line?

797
00:38:01,800 --> 00:38:03,799
Speaker 2: Maybe I shouldn't be the set up guy. I mean,

798
00:38:03,840 --> 00:38:05,719
Speaker 2: I think what I'm learning is I'm just not the

799
00:38:05,800 --> 00:38:09,120
Speaker 2: set up guy, Like, is that the Yeah, yeah, I

800
00:38:09,160 --> 00:38:10,839
Speaker 2: think we found out I'm kind of the guy who

801
00:38:10,880 --> 00:38:13,920
Speaker 2: does the line. I probably don't take we have, but

802
00:38:13,960 --> 00:38:16,200
Speaker 2: I don't think I am the set up guy. That's

803
00:38:16,239 --> 00:38:16,880
Speaker 2: been the issue.

804
00:38:17,160 --> 00:38:20,239
Speaker 3: Split the line. I think that could be interesting too,

805
00:38:21,360 --> 00:38:24,000
Speaker 3: say it at the same time. Split the line could

806
00:38:24,000 --> 00:38:25,439
Speaker 3: be crazy, could work.

807
00:38:25,560 --> 00:38:30,480
Speaker 1: I don't know the two of you, yea, who then

808
00:38:30,520 --> 00:38:32,759
Speaker 1: who who does the lead into the If the two

809
00:38:32,800 --> 00:38:35,040
Speaker 1: of you are splitting it that you both do the

810
00:38:35,160 --> 00:38:36,640
Speaker 1: lead in to the lead in.

811
00:38:36,840 --> 00:38:40,839
Speaker 3: I think I think this whole lead in thing too.

812
00:38:40,920 --> 00:38:43,279
Speaker 3: I think that's sort of maybe where we where the

813
00:38:43,280 --> 00:38:45,560
Speaker 3: milk turned for us a little bit. I think that

814
00:38:45,640 --> 00:38:47,640
Speaker 3: lead in stuff. I don't know if we need that.

815
00:38:48,280 --> 00:38:51,719
Speaker 2: Let's go old well, I'm saying it in. No one's

816
00:38:51,760 --> 00:38:55,719
Speaker 2: been happy with the lead ins so well. I mean,

817
00:38:55,760 --> 00:38:57,960
Speaker 2: I feel like I didn't even want to.

818
00:38:58,080 --> 00:39:00,120
Speaker 1: That is how we got the one good version of

819
00:39:00,200 --> 00:39:00,879
Speaker 1: it that we have.

820
00:39:01,160 --> 00:39:01,359
Speaker 2: It.

821
00:39:01,320 --> 00:39:02,680
Speaker 1: It was weird to be like, hey, what if we

822
00:39:02,760 --> 00:39:04,280
Speaker 1: don't do the thing that worked?

823
00:39:05,000 --> 00:39:07,320
Speaker 3: Well? The thing is we had all right, let's just

824
00:39:07,440 --> 00:39:10,279
Speaker 3: let's let's move ahead and I'll tell you what I'll

825
00:39:10,280 --> 00:39:14,000
Speaker 3: send you guys some options after the show. That's it.

826
00:39:15,280 --> 00:39:17,319
Speaker 3: There you go, And I don't know why nobody's really

827
00:39:17,320 --> 00:39:19,680
Speaker 3: reacting to that, but uh.

828
00:39:19,920 --> 00:39:22,960
Speaker 2: I don't understand what the fuck it means. And I'm

829
00:39:23,600 --> 00:39:26,560
Speaker 2: and I'm trying to be nice again, like I am.

830
00:39:26,600 --> 00:39:28,600
Speaker 3: I'm trying to move on because I feel like we

831
00:39:28,640 --> 00:39:31,520
Speaker 3: are now fully fixated on this little thing and it

832
00:39:31,600 --> 00:39:34,279
Speaker 3: is not a big deal, and so let's just move on.

833
00:39:34,760 --> 00:39:37,880
Speaker 2: We had a lot of stuff planned for the episode,

834
00:39:38,000 --> 00:39:40,440
Speaker 2: like you were going to do let's do that.

835
00:39:40,520 --> 00:39:43,000
Speaker 3: Things with you about you, about your guy.

836
00:39:43,200 --> 00:39:43,439
Speaker 2: Guys.

837
00:39:43,480 --> 00:39:47,840
Speaker 1: Guys, guys, guys, guys, guys, guys. I'm looking at the numbers.

838
00:39:48,000 --> 00:39:52,680
Speaker 1: The episode just did amazing. It's it's how like it's

839
00:39:52,520 --> 00:39:58,200
Speaker 1: it did, Like I I haven't seen this in years.

840
00:39:59,000 --> 00:40:02,800
Speaker 2: This job shot. There were no notes.

841
00:40:02,920 --> 00:40:06,400
Speaker 1: I told you, man, the network has been so fucking

842
00:40:06,520 --> 00:40:07,279
Speaker 1: you guys did do.

843
00:40:07,280 --> 00:40:10,600
Speaker 3: The special thanks and the credits obviously to get because

844
00:40:10,640 --> 00:40:11,480
Speaker 3: at this point I'm ready.

845
00:40:11,560 --> 00:40:12,480
Speaker 2: You said you didn't want it.

846
00:40:12,840 --> 00:40:16,080
Speaker 3: No, I said, I said don't want it because I

847
00:40:16,080 --> 00:40:17,439
Speaker 3: said didn't want it because I.

848
00:40:17,360 --> 00:40:18,799
Speaker 2: Thought I don't even want that.

849
00:40:19,040 --> 00:40:21,480
Speaker 3: But I said that because I thought maybe you'd use

850
00:40:21,520 --> 00:40:24,000
Speaker 3: the line in lou In lieu of me not doing

851
00:40:24,040 --> 00:40:25,960
Speaker 3: the line, then yeah, I should have had that.

852
00:40:26,000 --> 00:40:28,239
Speaker 1: We told you that it would be great numbers, right,

853
00:40:28,320 --> 00:40:30,440
Speaker 1: but we told you that there was no line. We

854
00:40:30,520 --> 00:40:32,960
Speaker 1: said the Special Things was there. The Special Things was

855
00:40:33,080 --> 00:40:35,200
Speaker 1: right there. It was, it was. We were about to

856
00:40:35,200 --> 00:40:35,759
Speaker 1: ship it.

857
00:40:35,760 --> 00:40:39,560
Speaker 3: It didn't want it shipping. It is crazy. Just it

858
00:40:39,640 --> 00:40:43,640
Speaker 3: doesn't feel current. But I just think that it it.

859
00:40:44,000 --> 00:40:47,080
Speaker 3: There should be some sort of nod in my direction

860
00:40:47,239 --> 00:40:50,080
Speaker 3: for getting you there, Sean.

861
00:40:50,440 --> 00:40:53,239
Speaker 1: You know, on the video feed, we're all sort there's

862
00:40:53,280 --> 00:40:56,000
Speaker 1: like some of us are kind of nodding.

863
00:40:56,160 --> 00:41:00,160
Speaker 2: Not really actually, I'm like dissociating. I'm like experience and

864
00:41:00,200 --> 00:41:02,560
Speaker 2: singing like a whole other thing.

865
00:41:03,680 --> 00:41:08,200
Speaker 3: Because because because of the the numbers.

866
00:41:08,520 --> 00:41:11,680
Speaker 2: Yeah, just the reception that we've had to the episode,

867
00:41:11,840 --> 00:41:12,680
Speaker 2: and like how.

868
00:41:12,800 --> 00:41:13,799
Speaker 3: And that'll do it right.

869
00:41:13,880 --> 00:41:18,520
Speaker 1: It's like the more powerful you're a podcasters, Like people

870
00:41:18,520 --> 00:41:22,480
Speaker 1: talk about fucking ayahuasca or whatever, like what can really

871
00:41:22,520 --> 00:41:26,480
Speaker 1: give you these transportative highs? It's like, no, man, you

872
00:41:26,560 --> 00:41:29,200
Speaker 1: have no fucking idea until you've hit numbers like these,

873
00:41:30,440 --> 00:41:33,239
Speaker 1: like you you don't know what high is.

874
00:41:33,560 --> 00:41:37,360
Speaker 3: No. I just wanted I felt like we all were

875
00:41:37,600 --> 00:41:41,799
Speaker 3: doing a thing, you know, and I just wanted another change.

876
00:41:42,960 --> 00:41:45,600
Speaker 2: It's so funny because I felt like you. I felt

877
00:41:45,600 --> 00:41:50,000
Speaker 2: like I felt like you were doing a thing, and

878
00:41:50,040 --> 00:41:52,440
Speaker 2: then I felt like we were doing a thing.

879
00:41:52,560 --> 00:41:54,359
Speaker 3: Yeah, you know what I mean. Yeah, but that's why

880
00:41:54,360 --> 00:41:56,440
Speaker 3: where the funck is my name? And the special? You

881
00:41:56,480 --> 00:42:00,239
Speaker 3: know whatever? I'm happy. How about this, We'll work on another.

882
00:42:00,280 --> 00:42:02,480
Speaker 2: You didn't want because you explicitly said you didn't want to.

883
00:42:02,560 --> 00:42:05,280
Speaker 3: Please, let's just work on another line in the future together.

884
00:42:05,800 --> 00:42:08,279
Speaker 3: That's all I'm asking for. If you get maybe like

885
00:42:08,320 --> 00:42:10,520
Speaker 3: a three line deal with someone, let me just help

886
00:42:10,520 --> 00:42:12,319
Speaker 3: with that. It's all I'm asking for.

887
00:42:13,840 --> 00:42:17,680
Speaker 2: Yeah, I hate to approach it that way of just

888
00:42:17,719 --> 00:42:21,439
Speaker 2: like there will be some line like this line had

889
00:42:21,520 --> 00:42:24,279
Speaker 2: something to say. It was so organic, and it was

890
00:42:24,320 --> 00:42:27,400
Speaker 2: so of the moment, and it was inspired by like

891
00:42:27,600 --> 00:42:31,960
Speaker 2: real source material, Like it was Kevin's lived experience, and

892
00:42:32,040 --> 00:42:35,440
Speaker 2: I think that everyone connected to that, and so to

893
00:42:35,560 --> 00:42:37,560
Speaker 2: just go like and then we'll do a lot of

894
00:42:37,960 --> 00:42:43,120
Speaker 2: cynical these fucking sequels. It's this culture of like IP

895
00:42:43,600 --> 00:42:47,359
Speaker 2: and remakes and like no original thought. I don't really

896
00:42:47,400 --> 00:42:48,600
Speaker 2: want to participate in.

897
00:42:48,640 --> 00:42:50,240
Speaker 3: Life all on the same page.

898
00:42:50,560 --> 00:42:54,040
Speaker 2: Ye, just producting our audience in this way that is

899
00:42:54,080 --> 00:42:56,440
Speaker 2: not organic at all.

900
00:42:56,520 --> 00:42:58,680
Speaker 3: Let's keep the we came up with a great thing.

901
00:42:59,080 --> 00:43:03,160
Speaker 3: The numbers are un Let's keep the thing going. Let's

902
00:43:03,160 --> 00:43:07,560
Speaker 3: do another one sometime, not the same thing, different thing. Yeah,

903
00:43:08,000 --> 00:43:11,080
Speaker 3: the pushback is great. The pushback is great, and I

904
00:43:11,120 --> 00:43:13,840
Speaker 3: don't know why. I think we all were feeling something.

905
00:43:14,480 --> 00:43:16,719
Speaker 3: Then I got us there. Then I maybe did a

906
00:43:16,760 --> 00:43:19,360
Speaker 3: thing I should have just stayed away from because I

907
00:43:19,400 --> 00:43:22,480
Speaker 3: just wanted an option for you all. And then now

908
00:43:22,520 --> 00:43:25,799
Speaker 3: it's awkward and I don't like that. So let's get

909
00:43:25,800 --> 00:43:29,239
Speaker 3: it back to where it was. Let's talk about that

910
00:43:29,280 --> 00:43:33,280
Speaker 3: Polish god a little more. How about that guy? Huh? Yeah,

911
00:43:33,480 --> 00:43:35,919
Speaker 3: that is a fertile comedy there.

912
00:43:38,600 --> 00:43:40,920
Speaker 2: I was in my comfort zone when we were doing that.

913
00:43:41,120 --> 00:43:45,279
Speaker 2: Yees was also not as good as what we ended up, I.

914
00:43:45,280 --> 00:43:48,919
Speaker 3: Know, but let's let's it's the circle back.

915
00:43:49,080 --> 00:43:50,040
Speaker 2: I feel good.

916
00:43:50,239 --> 00:43:55,279
Speaker 1: There's still about I mean, it's well that it's shipped.

917
00:43:55,960 --> 00:43:57,800
Speaker 2: Garth Gareth Gary.

918
00:43:59,160 --> 00:44:02,000
Speaker 1: What we do is like we like, we do our

919
00:44:02,120 --> 00:44:03,680
Speaker 1: version of it, and then we release it at in

920
00:44:03,800 --> 00:44:05,760
Speaker 1: the world. We auction it off. The rights are gone.

921
00:44:05,840 --> 00:44:11,799
Speaker 1: Relativity has got them. Dana, Dana and Spacey have the

922
00:44:11,880 --> 00:44:17,600
Speaker 1: rights they will do with like with this project. What

923
00:44:17,640 --> 00:44:20,880
Speaker 1: they what the it's no, it's no longer ours.

924
00:44:21,080 --> 00:44:24,200
Speaker 2: Yeah, exactly. I am not one to say I know

925
00:44:24,320 --> 00:44:31,600
Speaker 2: better than you know medium moguls who have produced major hits,

926
00:44:32,280 --> 00:44:37,839
Speaker 2: culturally impactful hits. I'm not exactly going like, but let's

927
00:44:37,880 --> 00:44:40,600
Speaker 2: check with Gareth and that's not that's no. Well the

928
00:44:40,680 --> 00:44:43,760
Speaker 2: voice indication that in no way means to diminish the voice.

929
00:44:43,600 --> 00:44:47,240
Speaker 3: Is but that was not your normal voice.

930
00:44:47,480 --> 00:44:51,279
Speaker 2: I'm saying what I'm saying, that's what I'm not saying. Yeah,

931
00:44:51,320 --> 00:44:53,719
Speaker 2: but nor are you saying let's check with you know

932
00:44:53,880 --> 00:44:54,440
Speaker 2: me or.

933
00:44:55,920 --> 00:44:59,040
Speaker 3: Yeah, no, whoever, No, I know, It's just it just

934
00:44:59,120 --> 00:45:01,560
Speaker 3: there was such synergy going on for a while, and

935
00:45:01,560 --> 00:45:04,440
Speaker 3: now it feels like we're kinda I don't know. It's

936
00:45:04,520 --> 00:45:08,320
Speaker 3: kind of like if I'm crazy for saying I'm feeling

937
00:45:08,320 --> 00:45:10,440
Speaker 3: that you guys, but it just feels like, I don't know,

938
00:45:10,520 --> 00:45:15,520
Speaker 3: like we had something good back there. The first time

939
00:45:15,560 --> 00:45:17,840
Speaker 3: I got shown to say the lone. Remember that moment

940
00:45:18,719 --> 00:45:21,920
Speaker 3: that I planned? I do, I remember it.

941
00:45:21,920 --> 00:45:24,480
Speaker 1: I just went to the premiere like it's it's very

942
00:45:24,520 --> 00:45:27,080
Speaker 1: fresh in my mind, like that's I.

943
00:45:27,120 --> 00:45:30,160
Speaker 3: Mean, well, you can easily listen back to the episode

944
00:45:31,080 --> 00:45:34,160
Speaker 3: and remember that moment.

945
00:45:34,680 --> 00:45:35,120
Speaker 2: I just did.

946
00:45:35,200 --> 00:45:37,719
Speaker 1: I just went to the premiere seventeen minutes standing though.

947
00:45:38,480 --> 00:45:40,080
Speaker 3: Mm hmm, yeah, that's that's Wales.

948
00:45:40,480 --> 00:45:43,000
Speaker 1: And now we're upset, like this is exactly this is

949
00:45:43,040 --> 00:45:45,240
Speaker 1: what we've been chasing this whole time.

950
00:45:45,840 --> 00:45:48,400
Speaker 2: That's a that's a really good point. It is whale numbers.

951
00:45:48,640 --> 00:45:51,359
Speaker 3: See, there's good points, there's good synergy. There's a lot

952
00:45:51,400 --> 00:45:52,080
Speaker 3: of upset.

953
00:45:52,160 --> 00:45:55,319
Speaker 2: No, people were saying that in the room as they

954
00:45:55,320 --> 00:45:58,120
Speaker 2: were standing. They were going, Jesus Christ, these are whale numbers.

955
00:45:58,280 --> 00:46:00,880
Speaker 2: These are whale numbers. That's the minute of the standing out.

956
00:46:01,120 --> 00:46:02,400
Speaker 2: We did wheel numbers.

957
00:46:02,920 --> 00:46:05,440
Speaker 1: Yeah, I can't even sit down and Brandan and Brendan

958
00:46:05,560 --> 00:46:08,279
Speaker 1: was there crying just as much as he did, but

959
00:46:08,440 --> 00:46:11,319
Speaker 1: not but for but not for his own project, for

960
00:46:11,400 --> 00:46:13,239
Speaker 1: our project, right, So it's just sort of yeah, I

961
00:46:13,239 --> 00:46:15,360
Speaker 1: mean he's got like I have special thanks, but like

962
00:46:15,400 --> 00:46:17,719
Speaker 1: he was you know, the like.

963
00:46:17,680 --> 00:46:20,399
Speaker 3: There were okay, so there worst but there was an

964
00:46:20,520 --> 00:46:21,640
Speaker 3: area of special thanks in this.

965
00:46:21,760 --> 00:46:26,920
Speaker 2: There were a couple of Brendan and old you Okay,

966
00:46:27,000 --> 00:46:31,440
Speaker 2: all right, that's just uh to be clear, I didn't

967
00:46:31,560 --> 00:46:34,160
Speaker 2: want to be next off of that list. And it's

968
00:46:34,200 --> 00:46:37,200
Speaker 2: probably that well, none of them had actually said, and

969
00:46:37,239 --> 00:46:38,799
Speaker 2: I mean we didn't even talk, but none of them

970
00:46:38,840 --> 00:46:41,680
Speaker 2: had said, uh that they did not want it.

971
00:46:41,920 --> 00:46:44,640
Speaker 3: You could do and make good because I do want

972
00:46:44,920 --> 00:46:49,560
Speaker 3: I do want something for it. This could get legally.

973
00:46:49,840 --> 00:46:52,840
Speaker 3: I don't want to. And I did help with the line,

974
00:46:52,920 --> 00:46:54,480
Speaker 3: and I you know so, I don't want to.

975
00:46:55,360 --> 00:46:58,640
Speaker 1: I said near the beginning of the episode, the show

976
00:46:58,719 --> 00:47:01,239
Speaker 1: is we're here to help. Now all was saying at

977
00:47:01,280 --> 00:47:03,000
Speaker 1: the time, it was just saying the name of your show.

978
00:47:03,560 --> 00:47:06,200
Speaker 1: But you interpreted that as as I was saying that

979
00:47:06,239 --> 00:47:09,759
Speaker 1: the show we were doing was we're hearing. Yeah, you

980
00:47:10,120 --> 00:47:15,520
Speaker 1: fucking lost it. I've never never seen you like that.

981
00:47:15,640 --> 00:47:16,319
Speaker 1: Yes you did.

982
00:47:16,480 --> 00:47:20,520
Speaker 3: You bugged out hard. You bugged out. We need to

983
00:47:21,080 --> 00:47:23,480
Speaker 3: bury that term. I did not bug.

984
00:47:23,239 --> 00:47:24,959
Speaker 2: Out you such such.

985
00:47:25,080 --> 00:47:27,239
Speaker 1: You went so far out of your way to say

986
00:47:27,280 --> 00:47:29,600
Speaker 1: that the show we were doing was not we're here

987
00:47:29,600 --> 00:47:31,759
Speaker 1: to help. But I guess in retrospect that would have

988
00:47:31,760 --> 00:47:35,359
Speaker 1: been an opportunity to have all of this fall under

989
00:47:35,400 --> 00:47:36,560
Speaker 1: the we're here to help.

990
00:47:37,000 --> 00:47:40,480
Speaker 2: Even also tell me you've never been on a talk show.

991
00:47:40,520 --> 00:47:42,319
Speaker 2: Without telling me you've never been on a talk show,

992
00:47:42,520 --> 00:47:46,360
Speaker 2: This is what happened. You fucking you sit down on

993
00:47:46,600 --> 00:47:51,440
Speaker 2: the couch and fucking Seth or whoever goes like, the show.

994
00:47:51,280 --> 00:47:53,319
Speaker 3: Is, We're here to help that they're saying the name

995
00:47:53,360 --> 00:47:56,120
Speaker 3: of your show. They're not saying They're not saying fucking

996
00:47:56,200 --> 00:47:58,560
Speaker 3: late night has been changed to your here help.

997
00:47:58,600 --> 00:48:01,560
Speaker 2: They're saying, this is the show that this person is plugging,

998
00:48:01,600 --> 00:48:03,200
Speaker 2: like I'm promoting their thing for them.

999
00:48:03,480 --> 00:48:05,960
Speaker 3: They're gesturing to you this Hayes was doing.

1000
00:48:06,040 --> 00:48:10,080
Speaker 1: So the show is we're there, and and Eben Moss Backgrack.

1001
00:48:09,760 --> 00:48:11,400
Speaker 3: Is like, what the fuck are you talking about?

1002
00:48:11,600 --> 00:48:13,960
Speaker 1: The show is Lily Steph Mayas?

1003
00:48:14,560 --> 00:48:17,840
Speaker 3: Hey, am I laughing right now? I'm having a laugh

1004
00:48:18,040 --> 00:48:22,520
Speaker 3: because I'm having a good time. Okay, we're not. Nobody's

1005
00:48:22,600 --> 00:48:23,480
Speaker 3: bugging out.

1006
00:48:24,800 --> 00:48:28,319
Speaker 2: Well, I mean, I do love the positivity, but I

1007
00:48:28,400 --> 00:48:32,040
Speaker 2: also it doesn't erase. It's a little bit of gas

1008
00:48:32,200 --> 00:48:37,160
Speaker 2: lighting for me because you were bugging out very hard

1009
00:48:37,239 --> 00:48:40,840
Speaker 2: when Hayes said the show and you just assumed that

1010
00:48:40,960 --> 00:48:44,839
Speaker 2: someone was trying to steal from you. Uh and when

1011
00:48:44,920 --> 00:48:46,400
Speaker 2: we were trying to support you.

1012
00:48:46,760 --> 00:48:50,760
Speaker 3: Do I look like I'm bugging out? Come on, I'm

1013
00:48:51,239 --> 00:48:56,240
Speaker 3: very chill, very chill. I remember how about this whys

1014
00:48:58,400 --> 00:48:58,960
Speaker 3: Remember that?

1015
00:49:00,960 --> 00:49:05,879
Speaker 2: Yeah? Hello, that was that was the toughest thing.

1016
00:49:07,200 --> 00:49:09,520
Speaker 3: I didn't even know it was part of the that

1017
00:49:09,680 --> 00:49:14,080
Speaker 3: was frustrating. His product is tillier darlings. You know. Yeah,

1018
00:49:14,320 --> 00:49:16,040
Speaker 3: that was That was last.

1019
00:49:16,239 --> 00:49:19,799
Speaker 2: We clung for dear life to that moment because we

1020
00:49:19,960 --> 00:49:21,640
Speaker 2: really remembered it being so fun.

1021
00:49:22,160 --> 00:49:27,960
Speaker 3: Brandon was I said that like forty minutes ago, and

1022
00:49:28,000 --> 00:49:31,439
Speaker 3: that was yeah, okay, I look but yeah, I mean,

1023
00:49:31,560 --> 00:49:36,720
Speaker 3: like you know, I'm just I'm just here to say,

1024
00:49:37,000 --> 00:49:41,960
Speaker 3: fucking hey, this has been an awesome jam. Sash to

1025
00:49:42,080 --> 00:49:48,480
Speaker 3: get by the recording stopped