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Speaker 1: Big with these year Memphis, come back at it, niggas.

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Speaker 1: Notice the difference. Just pro pressy Stones. Yeah yeah, y'all

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Speaker 1: you already know what it is. Yours truly IM greasy

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Speaker 1: back with another exclusive of rock solid podcasts. And like

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Speaker 1: I tell you, if you're in the show, either you

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Speaker 1: was down with the rap or you certified solid in

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Speaker 1: these streets and his business and as a man walk

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Speaker 1: in the streets. And I like to welcome my brother

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Speaker 1: siting to the left of me, one of the best spinners,

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Speaker 1: underground soldiers ride for the crew to the wheels fall

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Speaker 1: off niggas out of Harlem holding it down, Jay Mills

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Speaker 1: in the fucking building. My geez up, my brother, man.

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Speaker 1: I appreciate you opening the platform to me. Man, congratulations

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Speaker 1: on what you got going. Appreciate you, bro, Appreciate you man. No, man,

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Speaker 1: I like to see guys like you. You know what

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Speaker 1: I mean, Real New York spinners coming up. You know

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Speaker 1: what I'm saying, putting in that work before we go.

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Speaker 1: I appreciate you know what I mean. I appreciate Oh yeah,

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Speaker 1: shout out to my man Chioda done. You know what

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Speaker 1: I'm saying. He got called a bakery up in Harlem.

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Speaker 1: He just celebrated ten years. That's why I got the decade.

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Speaker 1: He said. Make sure you get my man bleaks and

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Speaker 1: appreciate him. The bakery joint with the bee on it.

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Speaker 1: That's right, that's right, were out here black on from

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Speaker 1: the ground up. Ten years. That's a big bes on it.

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Speaker 1: Yeah yeah, Yo. Before before we get crazy, I want

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Speaker 1: to ask you one thing. I want to ask you

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Speaker 1: one thing. You was on a podcast one time and

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Speaker 1: you was talking about niggas that was on the board

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Speaker 1: at Rockefeller on the board. What you mean like, nor

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Speaker 1: you've seen the boy. I never seen the boy because

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Speaker 1: I never had the chance to ever be. They knew

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Speaker 1: where I was at, so they said it was a

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Speaker 1: boy in depth. Jam oh oh oh that yes, yes

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Speaker 1: I heard I was that boy. Yeah it was you.

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Speaker 1: They had you. They had fucking what Son and why

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Speaker 1: Yeah I remember him. I remember it was Corey Guns

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Speaker 1: was on their True Life Shout. All these people to

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Speaker 1: shouts on the list shot who else? There was a

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Speaker 1: lot of spinners on the list. Now, with that being said,

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Speaker 1: I just want to make sure so that means I

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Speaker 1: could have possibly rock Rock Life Familiar. It was Rock

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Speaker 1: Life Familiar. Take hundred hundred thousand, all of y'all. But

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Speaker 1: I'm y'all live with that. I'm gonna tell y'all right there,

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Speaker 1: it's crazy because they they asked me when you know,

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Speaker 1: they were staring to poll with everybody in the office

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Speaker 1: going on, and they like, your bleak, what's up? I'm like,

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Speaker 1: your everybody's spinners. But at that time, the industry was on,

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Speaker 1: it was on demon to it was different, and I

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Speaker 1: was just you know, smack DVD to come up all

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Speaker 1: them ships was I was just in the crib and

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Speaker 1: Nigga's like, your bleak, you gotta get on these waves.

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Speaker 1: And True Life in them was shooting ship. They was

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Speaker 1: in the park letting that gun fly out. The True

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Speaker 1: Life man. True Life had a he had a un

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Speaker 1: real he was viral before viral. They just reminded them,

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Speaker 1: saying like when I seen them, they reminded me of

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Speaker 1: Massy niggas. It was just like, oh ship, Puerto Rican

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Speaker 1: niggas deep then the motherfucker ready to just get buckied over,

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Speaker 1: kid York. I just wanted to know that only everybody

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Speaker 1: on that list, man, and everybody did they thing. Everybody

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Speaker 1: did they everybody on that list. So you know what

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Speaker 1: I'm saying, like I'm not. I know, nobody shouldn't be

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Speaker 1: ashamed if they hell know I was on the lists.

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Speaker 1: Let's go from that ship that didn't happen, but you

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Speaker 1: wound up making the Young Money move. Yeah, yeah, that happened.

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Speaker 1: The Young Money move was. I was going through my

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Speaker 1: transition from being at Universe wal sr C with Steve

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Speaker 1: Riskin and Sylvia Ron and all of them. Shout out

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Speaker 1: Sylvia Ron. She just retired too, just saying I read

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Speaker 1: an article. I don't know, you know, some of these

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Speaker 1: audicles be a I you never know. So what it

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Speaker 1: was is I was leaving a Universal right, but I

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Speaker 1: ain't really know what my situation. That wasn't my first

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Speaker 1: deal because I had to deal with Warner Brothers when

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Speaker 1: I put out No No No, that was my first single,

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Speaker 1: so I was with Warner Brothers with that, and then

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Speaker 1: when I put out Like Who and My Swag and

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Speaker 1: all that joint with Scott Stores, Jurne with Swiss Beads,

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Speaker 1: Cool and Dre, I was on Universal but it didn't

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Speaker 1: really pan out. The album then pan out. So when

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Speaker 1: I left Universal, I had a song called Hoghlight of Play.

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Speaker 1: I'll never forget and I was getting radio play, but

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Speaker 1: I didn't. I didn't have a deal no more. So

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Speaker 1: you know, at that time, everything revolved around yes spinds,

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Speaker 1: what your spins was. So I got I got enough

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Speaker 1: Camello trend. Everybody just spinning it. But it's mixed show.

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Speaker 1: They spinning it on their mix shows. So I'm like, damn.

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Speaker 1: I was smart enough to be from the mix the

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Speaker 1: remix era, so I know, don't go to the next song.

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Speaker 1: If you got some traction on this one, do whatever

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Speaker 1: you can do to keep this one going. I ain't

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Speaker 1: got no deal. I'm in the hood, I said, I've

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Speaker 1: reached out to Wayne. Wayne sent me a Verse for

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Speaker 1: it for free. But this is when this is around

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Speaker 1: the time where he doing three hundred features a year. Yeah, yeah,

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Speaker 1: he asked me for a damn damn. So I want

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Speaker 1: some shit like let me send you another one? Nah,

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Speaker 1: Like yo, what next time you're coming to New York

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Speaker 1: Because I'm like, no deal. So now I'm like, he

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Speaker 1: must fuck with me to some extent to send me

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Speaker 1: a Verse and don't ask for no bread or don't

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Speaker 1: say how much you got, So I said, I he

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Speaker 1: was like, I don't know when next time I'm coming

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Speaker 1: to New York. They don't really like me up there

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Speaker 1: like that, But what you want to holler me about?

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Speaker 1: So now I'm like, I could either be prideful and

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Speaker 1: just tell us nigga nine, thanks for the verse, or

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Speaker 1: I could tell him, y'a, I'm fucked up. I'm in Harlem.

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Speaker 1: I ain't got no situation. If you're building something, I

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Speaker 1: see you got the young money shit, let's figure something out.

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Speaker 1: I told him that shit. He said, so you ain't

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Speaker 1: got no deal. At that point, I'm like, oh, that

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Speaker 1: feature is a dub nigga. It's over. It's over for

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Speaker 1: that feature. He said, you ain't got no demn quarry

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Speaker 1: back caught me back with test like when can you

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Speaker 1: get on the flight? I was like yesterday. I started laughing.

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Speaker 1: Next day I flew to Miami. After that, I was

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Speaker 1: I ain't want to hear no music. Nothing I seen enough. Damn.

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Speaker 1: You know what I'm saying. I was like, that's that's

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Speaker 1: that's love right there. Put in that work and you

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Speaker 1: came up with spinners. I bro Mice song man like yo,

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Speaker 1: Mice like Mice raised me, like I know Ice raised,

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Speaker 1: I know, I know. That was that was my first

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Speaker 1: That was my first. Uh, that was my first time

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Speaker 1: being around somebody who wasn't really known yet. He wasn't

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Speaker 1: really that nigga yet, but he had my song left

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Speaker 1: the gun up in the right pom. He was battle DMX.

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Speaker 1: He was like a bad He was like an underground

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Speaker 1: nigga battling there. He had his weight up. I didn't

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Speaker 1: really know about him though, So when I get around him,

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Speaker 1: my favorite rappers Mace, when I meet Tone and Out

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Speaker 1: the Tone, INNAJ and Keisha Morris took me to meet

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Speaker 1: Tone and NOJ. That was pop life, you know what

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Speaker 1: I'm saying. Took me to meet Tone and NOAJ. When

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Speaker 1: I get in there, Mice in there. So when I

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Speaker 1: get around Mice, he's on Violator at that time, but

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Speaker 1: I don't know who he is. I don't know nothing.

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Speaker 1: Now may start coming around. So I'm looking at Toe like, oh,

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Speaker 1: you know, y'all know Mace and all that. I don't

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Speaker 1: even know that Mice is Mace. Homie Ice about to

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Speaker 1: be on Mace's album Double Up From So I'm like, oh,

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Speaker 1: so now I'm starting to be under Mice and I'm

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Speaker 1: realizing I'm a happy rapper. I rap about things I

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Speaker 1: don't have yet. I rap about cars and I got this.

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Speaker 1: I'm rapping about the car. Jay Z got on the

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Speaker 1: Valume two host that I pull out and I bought

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Speaker 1: the album and he got one leg up. I'm rapping

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Speaker 1: about that car. I'm nowhere and I don't have a license,

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Speaker 1: but I'm I'm rapping about that ship. So when I

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Speaker 1: got around Mice, Mice was the first person I seen

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Speaker 1: that talk rap like, yeah, yo, let me tell you

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Speaker 1: niggas about it. And I'm like, damn this niggas like

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Speaker 1: commanding the room. And I wanted that. So I would

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Speaker 1: go to high school and at the lunch table. Now

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Speaker 1: I'm that I want to command that shit. You know

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Speaker 1: what I'm saying. I feel like Mice caught a bad

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Speaker 1: break at a time where he was about to be

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Speaker 1: that nigga. He definitely was. You don't really know that

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Speaker 1: a lot of people don't know that, but I was

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Speaker 1: on the verd. I was just about to say that

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Speaker 1: he don't get the credit as one of the top

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Speaker 1: spinners out of New York, and he was, you know,

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Speaker 1: he like a politician. He was holding out. Yeah, he

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Speaker 1: used to be going crazy. I saw you saw that

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Speaker 1: son about hostile Ripper the other day. Yeah, I said,

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Speaker 1: we took it bag. He was nice. Yo was nice.

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Speaker 1: He was nice, super nice, man like, and those the

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Speaker 1: type of guys that like, you know, it's like the

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Speaker 1: guys in the block Gilds better than Jordan. I just

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Speaker 1: never got my break and it might be a few

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Speaker 1: people like Nah, I've seen that nigga put up sixty

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Speaker 1: three one word up like and them two niggas is them.

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Speaker 1: Because if you even take it back to the mace, mice,

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Speaker 1: the locks cam, Yeah, my g them niggas was fucking

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Speaker 1: they was killing everything. I was doggy dog. They was dogs,

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Speaker 1: the bulls in the room fighting and like what picking

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Speaker 1: I was a little kid listening to the children of the corn.

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Speaker 1: That's what I'm saying. The mace murder, mace murder man. Yeah,

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Speaker 1: heard the gruff, big l big al resting. I'm listening

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Speaker 1: to them like they the Juice crew. Now, the niggas

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Speaker 1: was next level. I love. I live on one forty fourth.

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Speaker 1: Gruff is forty forty Gruff used to be around. So

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Speaker 1: I used to grow up and be on the corner.

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Speaker 1: We'd be playing three or three on the monkey bars.

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Speaker 1: Come back on the block, you sweat, you chilling, you

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Speaker 1: get your butt roll in the quarterwall, sitting there, A

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Speaker 1: big l be walking by, Gore text pel a jeans

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Speaker 1: on ax hats. Then I go in the crib and

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Speaker 1: look at video music box and now I see if

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Speaker 1: rap was a game, I'd be m v P. I'm like,

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Speaker 1: oh shit, that's the nigga that just be walking by,

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Speaker 1: like regular yo. You know, Fat Joe and these niggas

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Speaker 1: were been digging in the you know diamond D. I'm

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Speaker 1: putting all this ship together as a kid, it made

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Speaker 1: it real for me. And bringing up Fat Joe from

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Speaker 1: back then, like you know a lot of these kids

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Speaker 1: today looking fat Joe, Yo, he capp it he is

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Speaker 1: nah nigga, Fat Joe was putting in. I tell that

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Speaker 1: Joe all the time. My first two cassettes was totally

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Speaker 1: crossed out into the thirty six chambers. That's right, that's

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Speaker 1: what that was my first I gotta walk in and

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Speaker 1: I listened to this. I listened to Woman Up Chris

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Speaker 1: and I missed the bus and then I listened to Room.

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Speaker 1: I'm gonna give it to you with no trivia as

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Speaker 1: a kid, but my first two CDs was fat Joe's

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Speaker 1: jealous ones, envy and go and die. Mm see my

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Speaker 1: first fat Joe ship was you gotta Flow Joe or

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Speaker 1: I didn't have money to cop it, but I remember

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Speaker 1: everybody that Joe's in town. I've never seen him with

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Speaker 1: that hit cut again in life Joe. If you could

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Speaker 1: get the flow Joe cut again, you gonna talking about

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Speaker 1: their hair. My man, Nori Yo, I saw Norri had

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Speaker 1: a part in the middle with he had like the

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Speaker 1: joint was like hanging a little bit, like I told him,

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Speaker 1: that's the Tevin Campbell's man. He capped and now that's

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Speaker 1: what Canbell can't wait? Can we talk crazy niggas up?

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Speaker 1: You see the Drake Champs. He's like, yeah, this is

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Speaker 1: this the we all take our hat off, try to

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Speaker 1: shop on now. When nor when you see the braids,

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Speaker 1: he could have it hang over the front of your

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Speaker 1: line when you was doing that fade on the side. Yeah,

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Speaker 1: I saw you in that. My man sent me a

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Speaker 1: picture of the rewind box the other day. He was like,

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Speaker 1: I thought had the braids. I was like, he must

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Speaker 1: have did that box about two three years the mad Kiss,

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Speaker 1: because how these niggas was balled their whole career, gonna

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Speaker 1: grow their ship back right now and they fifty kisses.

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Speaker 1: Benjamin Button of hip hop it's no way, it's no

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Speaker 1: way yo, and he got a line yeah, like like

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Speaker 1: a a shop line. Make you think like that's some

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Speaker 1: bullshit points and all that like got points yo, that

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Speaker 1: nigga want to battle be with their hair. I said

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Speaker 1: saying about it. I lost trying to come at you

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Speaker 1: with the heir like I can't fight. It's over. I accepted.

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Speaker 1: Listen when the beans, I accepted it. That that's that's growth. Yeah,

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Speaker 1: that accepted it. Bro over When did you feel like? Yo?

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Speaker 1: I'm just when did you go ball? Because I've seen

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Speaker 1: you with interviews and all in the video get it

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Speaker 1: it's your right video. The hair was gone once I

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Speaker 1: tied that shirt on the head over the do rag.

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Speaker 1: That ship took the hair away. I was doing that

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Speaker 1: in battles, yo, I was. I got, I got a battle.

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Speaker 1: I got a whole coogie yard with a white T

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Speaker 1: shirt tied around my head. I don't wish yo me see,

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Speaker 1: I used the video. My crew is the reason why

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Speaker 1: I never I always kept the do rag never Listen

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Speaker 1: between dang tie tie whole and Marie Yo, my nigga,

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Speaker 1: I just keep the hat on with that. What Dame

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Speaker 1: did to clue if I was you out of kept

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Speaker 1: my hab nah when Dame did the clue on on

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Speaker 1: backstage was that was m bolla. Bro. I can't see

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Speaker 1: to this day Tata as soon as he see me. Yo.

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Speaker 1: What's up? Beanhad nigga laughing like I'm telling you, bro,

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Speaker 1: them nigga's chopping from the day and y'all niggas from

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Speaker 1: Harlem made like y'all on that chopping each other ship.

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Speaker 1: I ain't even gonna lie. The older niggas on twenty

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Speaker 1: second in Linux, like all the niggas like Dame grew

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Speaker 1: up with, they're really like that. That's why when I

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Speaker 1: see like like him and Damon, oh yeah Yo, it's

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Speaker 1: crazy to see them going through it because if it

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Speaker 1: wasn't on camera, it probably wouldn't go that far. No,

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Speaker 1: of course not man, but niggas really do. Dudes talk

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Speaker 1: crazy to each other when you when you when you're

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Speaker 1: comfortable and you got loved. It's crazy because your best

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Speaker 1: friend say the most harmful hurt niggas can imagine you like,

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Speaker 1: I ain't gonna lie your mom's gotta fat you wouldn't

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Speaker 1: say that as adults, no, but as kids. Niggas niggas,

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Speaker 1: niggas crazy crazy. You come outside dead fly like I'm

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Speaker 1: killing it right, lass, nigga. Yeah, probably still got the

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Speaker 1: tags on that I want to fight. That's not fact

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Speaker 1: because you're willing on me now and I don't got

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Speaker 1: no comebacks. But your hold on. Let's let's rewind a

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Speaker 1: little bit because the young we ain't gonna brush over

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Speaker 1: the Young Money affiliation like that was just you joined

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Speaker 1: the navy. Yeah, we're cool as around a little bit.

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Speaker 1: We ain't going then call us in the war. We

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Speaker 1: never got acted. We just did fleet week and went home.

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Speaker 1: Nine nigga, y'all think it's with the war. Y'all did

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Speaker 1: some ship. It was a lot of spitters. But one

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Speaker 1: thing before actual how was the competition amongst y'all? It

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Speaker 1: was one picture y'all posted right with all the whole

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Speaker 1: Young Money roster. Mad at them niggas. I don't know

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Speaker 1: who the niggas. If you look at the Young Money

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Speaker 1: cover of We Are Young Money, if you wasn't really

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Speaker 1: a fan fan, like yo, who the fuck is day?

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Speaker 1: It's certain people. And I learned this when I got

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Speaker 1: around young money, because you gotta remember when I run

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Speaker 1: around young money, I always say that was like college

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Speaker 1: for me. Like I didn't get a chance to go

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Speaker 1: to college because I had a deal. So I got

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Speaker 1: accepted the NYU. But in my mind, fuck, I'm going

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Speaker 1: to NYU for I got a deal, probably with the

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Speaker 1: dumbest decision I ever made. I agree because I didn't

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Speaker 1: go to college because you had it. Yeah, you know

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Speaker 1: what I'm saying. I had a deal, but if i'd

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Speaker 1: have had the college chair, I'd have did both. Fuck that.

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Speaker 1: I'm out here, Megan, No Stallion did both. You know

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Speaker 1: what I'm saying. So being with young Money just real talk. Uh,

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Speaker 1: living in Miami, going on tour for four or five

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Speaker 1: six months. Like when I got around, Wayne was finishing

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Speaker 1: up cart at three. So when I got around, he

303
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Speaker 1: would be like, YO, play some joints on the album

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Speaker 1: and he would play me ship and I remember he

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00:16:04,800 --> 00:16:07,320
Speaker 1: played me Lollipop. I'll never forget this ship. I remember

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Speaker 1: the first time I heard Lollipop. It was like the

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Speaker 1: first time I heard Welcome to New York City. You

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Speaker 1: knew I heard Welcome in New York City and baseline

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Speaker 1: one day, Okay, it my man tone had went down

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Speaker 1: there took me he was going to see Cam this

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Speaker 1: when Cam used to Yeah, Cam argued on the phone

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Speaker 1: with a chick for an hour, cursed out all sorts

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Speaker 1: of crazy ship, and ended it on some real calm nights.

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Speaker 1: I love you shit say your tone and I won't

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Speaker 1: to play you something. I'm I'm just a regular. I'm

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Speaker 1: with my big homie. He played that ship, turned fucking

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Speaker 1: music up, just blaze like Baseline, Like what the fuck

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Speaker 1: this ship? Y'all left Baseline and went back to hunt

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Speaker 1: forty second in Lynux and in the rain, told everybody, Yo,

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Speaker 1: Cam got a song with jay Z about nobody. It

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Speaker 1: wasn't out, but I'm being like, he has a song

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Speaker 1: with word my nigga. They talking about I'm from They

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Speaker 1: going back and forth on it. They going back and

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Speaker 1: forth my nigga. That ship felt like, nah, this this

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Speaker 1: is you out of here with this nigga. Wayne played

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Speaker 1: me Lollipop and I heard him doing the T Pain

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Speaker 1: ship because that was like T Pain was a he

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Speaker 1: was a whole. You had to be in that error

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Speaker 1: to understand that nigga was everywhere. You couldn't SKay te Pain.

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Speaker 1: So when Wayne adopted that type of style. Remember I'm

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Speaker 1: coming around as a fan, I'm coming around as a

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Speaker 1: nigga that I just asked you to put a verse on

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Speaker 1: somen and you asked me when can I fly to Miami?

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Speaker 1: And now I'm on tour with you. I never been

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Speaker 1: on tour for I never been you know what I'm saying.

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Speaker 1: I went on tour for so long. I had you back.

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00:17:43,840 --> 00:17:46,320
Speaker 1: I was at the boat yard chill. They told your

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Speaker 1: ship I've been on roll so long the boat leave it.

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Speaker 1: I fuck it. I ain't even going back to get it. Now.

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00:17:55,240 --> 00:17:57,800
Speaker 1: I'm gonna let you finish your story. But then we're

341
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Speaker 1: gonna get into the marriage for you. I'd say, shit,

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00:18:00,640 --> 00:18:03,400
Speaker 1: but finish so with Wayne had a story for that.

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00:18:03,440 --> 00:18:07,800
Speaker 1: With Wayne, uh seeing with the lollipop shit, it was like, Yo,

344
00:18:08,640 --> 00:18:10,200
Speaker 1: this shit about to be crazy. So I used to

345
00:18:10,200 --> 00:18:12,760
Speaker 1: always asking Yo, let me put put lollipop on the

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Speaker 1: One day he was like, your miles, we ain't just

347
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Speaker 1: gonna ride around on the bus and listen to lollipop

348
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Speaker 1: all day, Bro, Like you could you could have this.

349
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Speaker 1: You could just listen to that. Nigga gave me a CD.

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Speaker 1: Now Wayne went to school for psychology very smart. I

351
00:18:26,800 --> 00:18:28,960
Speaker 1: didn't know this yet, but I was smart enough to

352
00:18:29,040 --> 00:18:33,000
Speaker 1: know this song can't never leave my premises. I ran

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Speaker 1: home and loaded it on the Xbox. If a nigga

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Speaker 1: want to take this from the crib, you're gonna have

355
00:18:37,880 --> 00:18:43,040
Speaker 1: to take my whole xbox. Asked Wayne before Carter three

356
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Speaker 1: came out, Ye, how much you how much you think

357
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Speaker 1: you're gonna do first week? Because remember Mary had just

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00:18:46,960 --> 00:18:50,320
Speaker 1: did like six or some crazy shit. How much you

359
00:18:50,320 --> 00:18:52,680
Speaker 1: think you're gonna do first week? He was like two

360
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Speaker 1: fifty three. I think. I'm I mean, we was like, yeah,

361
00:18:56,520 --> 00:18:59,080
Speaker 1: that'll be good. I remember. We was like that'll be good, bro,

362
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Speaker 1: you do like three. That's my nigga when themselves came back.

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Speaker 1: Niggas went in the club one night and he was like,

364
00:19:07,720 --> 00:19:09,119
Speaker 1: y'mna stay on the bus. You'll just gotta be in

365
00:19:09,160 --> 00:19:11,320
Speaker 1: there in a minute. And niggas came off the bus

366
00:19:11,320 --> 00:19:14,960
Speaker 1: and he had did the A Milli remix like congragt.

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00:19:15,000 --> 00:19:17,360
Speaker 1: You know, after sales came back, nigga did that shit

368
00:19:17,359 --> 00:19:19,760
Speaker 1: while niggas waiting for him to come in to club. Wow.

369
00:19:19,960 --> 00:19:21,840
Speaker 1: So seeing it's like it's like with you when you

370
00:19:21,920 --> 00:19:25,520
Speaker 1: be telling stories about you remember seeing whole with a

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Speaker 1: different type of dedication that anybody had. Definitely like even yourself,

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Speaker 1: Like like, Yo, my nigga, I seen him do shit

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Speaker 1: that I never seen other rappers, and I seen them

374
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Speaker 1: come around him and see his work effort and be like, nah,

375
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Speaker 1: I got to step my shit up. That's the shit

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Speaker 1: that kept me going a million percent being around a

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Speaker 1: nigga like Wayne. But you said something about being with

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Speaker 1: Young Money and the team. Shit. I always give this analogy, bro,

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Speaker 1: when niggas be like, Yo, what was it like being

380
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Speaker 1: with Young Money? When Drake came, I said, It's like

381
00:19:58,480 --> 00:20:02,600
Speaker 1: being Eddie Jones on the Lake when Kobe came. M

382
00:20:02,640 --> 00:20:04,680
Speaker 1: that's what it felt like for all of us. And

383
00:20:04,840 --> 00:20:07,119
Speaker 1: I can't speak for everybody. I'm gonna just speak for

384
00:20:07,240 --> 00:20:09,560
Speaker 1: j Mills. I know when we was going to the

385
00:20:09,600 --> 00:20:12,280
Speaker 1: Every Girl in the World video shoot, Jazz Prince was

386
00:20:12,320 --> 00:20:14,199
Speaker 1: still around Jarl so he was like, he was in

387
00:20:14,200 --> 00:20:16,960
Speaker 1: a limo with us, and he was like, uh, there's

388
00:20:17,000 --> 00:20:18,679
Speaker 1: a few few of us on the song and like

389
00:20:18,800 --> 00:20:21,280
Speaker 1: a few people. Wayne wasn't there. I don't think mac

390
00:20:21,280 --> 00:20:22,600
Speaker 1: Maine was in the car, but everybody else was in

391
00:20:22,600 --> 00:20:24,439
Speaker 1: the was in a limo going to the set. He said, Yo,

392
00:20:24,520 --> 00:20:26,280
Speaker 1: y'all want to hear something got draking the project if

393
00:20:26,280 --> 00:20:27,880
Speaker 1: you're we was like, hell yeah, put that ship on

394
00:20:27,960 --> 00:20:33,159
Speaker 1: like that A nigga put on so far gone. I know,

395
00:20:33,280 --> 00:20:36,520
Speaker 1: niggas shit quiet in the car. I should said, I

396
00:20:36,560 --> 00:20:41,280
Speaker 1: got a certain lust for life. We was like that.

397
00:20:41,359 --> 00:20:44,280
Speaker 1: Nigga said no, no, no, We was like this. Nigga

398
00:20:44,359 --> 00:20:47,960
Speaker 1: sing too, kept listening to that ship. By the time

399
00:20:48,000 --> 00:20:49,520
Speaker 1: we got to the video show, I looked at gut

400
00:20:49,520 --> 00:20:59,920
Speaker 1: a gutter. I said, my nigga in trouble now. I

401
00:21:00,280 --> 00:21:03,040
Speaker 1: talk about this when I heard when I heard Homie

402
00:21:03,080 --> 00:21:05,320
Speaker 1: say first time when he said we got we could

403
00:21:05,320 --> 00:21:07,840
Speaker 1: split it like the last slice, like oh yeah, yeah,

404
00:21:07,880 --> 00:21:11,560
Speaker 1: it's surprise. I could probably sell a blank disc. And

405
00:21:11,960 --> 00:21:13,639
Speaker 1: you know, I'm not gonna lie that time. And I

406
00:21:13,680 --> 00:21:18,639
Speaker 1: remember seeing that the Drake uh, the Drake wave. I

407
00:21:18,680 --> 00:21:21,680
Speaker 1: remember seeing the Nicky wave happened. Way ain't going to jail,

408
00:21:21,720 --> 00:21:24,280
Speaker 1: and we had to figure out what we're gonna do.

409
00:21:25,000 --> 00:21:26,920
Speaker 1: It was it was like Drake and Nikki kept the

410
00:21:26,960 --> 00:21:28,880
Speaker 1: lights on while Wayne was in jail. And Wayne came

411
00:21:28,920 --> 00:21:32,719
Speaker 1: home he caught fire again. So I tell niggas all

412
00:21:32,720 --> 00:21:34,400
Speaker 1: the time, it was a lot of artists on Young Money.

413
00:21:34,400 --> 00:21:38,200
Speaker 1: It's a lot of artists on Rockefeller. Yeah, gonna get

414
00:21:39,119 --> 00:21:42,399
Speaker 1: everybody not gonna You might be nice as fun, you

415
00:21:42,480 --> 00:21:45,119
Speaker 1: might be a crazy artist, but bro to still to

416
00:21:45,200 --> 00:21:48,919
Speaker 1: still have an impact and have a name. That's because

417
00:21:48,960 --> 00:21:51,760
Speaker 1: think about it, out of the whole Young Money roster,

418
00:21:51,760 --> 00:21:56,320
Speaker 1: the only people they remember is Drake, Nikki, Tiger You

419
00:21:57,200 --> 00:22:01,600
Speaker 1: that's it. Gotta gutta you know niggas, Remember Little Twists

420
00:22:02,040 --> 00:22:05,200
Speaker 1: and Little Chucky if you're younger, because those was people

421
00:22:05,240 --> 00:22:09,240
Speaker 1: you looked at like but young guys making real music. Bro,

422
00:22:09,280 --> 00:22:11,520
Speaker 1: They was making music for kids. That wasn't my era.

423
00:22:11,600 --> 00:22:13,400
Speaker 1: I'm nothing against them, you know what I'm saying. They

424
00:22:13,480 --> 00:22:16,080
Speaker 1: just wasn't making music that I'm putting on. Like, you

425
00:22:16,119 --> 00:22:18,720
Speaker 1: know what I'm saying. But y'all made your impact and

426
00:22:18,760 --> 00:22:20,879
Speaker 1: you did your thing. It's the same thing with Rockefeller.

427
00:22:21,000 --> 00:22:23,240
Speaker 1: P D. Krack never got the chance to drop an album,

428
00:22:23,280 --> 00:22:26,119
Speaker 1: but there were no crack. Yeah, you respect him for

429
00:22:26,160 --> 00:22:27,919
Speaker 1: what he did, you know what I'm saying. Like like

430
00:22:28,000 --> 00:22:30,640
Speaker 1: O Skeino and Sparks never dropped the album, but they

431
00:22:30,720 --> 00:22:32,880
Speaker 1: know who Oskeino and Sparks And you know what I think,

432
00:22:32,960 --> 00:22:34,879
Speaker 1: you know what I think helped me too, Bleak. I

433
00:22:34,920 --> 00:22:36,760
Speaker 1: think what helped me was by the time I got

434
00:22:36,800 --> 00:22:41,000
Speaker 1: to Young Money, I had had situations already, so you knew,

435
00:22:41,160 --> 00:22:43,640
Speaker 1: you know, the money Young Money didn't break my heart.

436
00:22:44,359 --> 00:22:47,040
Speaker 1: You know what I'm saying. I had already knew what

437
00:22:47,160 --> 00:22:51,439
Speaker 1: I'm signing up for. I had already knew. Uh, this

438
00:22:51,520 --> 00:22:53,800
Speaker 1: ain't all about me. You know what I'm saying, I'm

439
00:22:53,800 --> 00:22:57,600
Speaker 1: signing to a rapper at the height of his career. Yeah.

440
00:22:58,080 --> 00:23:00,440
Speaker 1: Anything he doing for me or any of us, that

441
00:23:00,480 --> 00:23:02,880
Speaker 1: ship is extra credit used to pull in the red

442
00:23:02,920 --> 00:23:08,560
Speaker 1: lobster seven tour buses. He wants steak shrimp, two lobster tails.

443
00:23:09,920 --> 00:23:15,520
Speaker 1: Seven busses get steak shrimp and two lobster tails. Wow,

444
00:23:16,359 --> 00:23:18,119
Speaker 1: I ain't about to ask you what you want? You

445
00:23:18,200 --> 00:23:20,239
Speaker 1: what you want? You I know you want. I know

446
00:23:20,280 --> 00:23:22,680
Speaker 1: you want steak trimp I know you want state trimpp

447
00:23:22,760 --> 00:23:24,879
Speaker 1: in and baked potato. I know you. I ain't gonna

448
00:23:24,880 --> 00:23:28,720
Speaker 1: cat Oh, we ain't do that. Everybody was ordering what

449
00:23:28,760 --> 00:23:32,280
Speaker 1: they wanted. We all wasn't getting one thing. Seven busses.

450
00:23:33,920 --> 00:23:35,560
Speaker 1: I remember you said, the nigga roll with the window

451
00:23:35,640 --> 00:23:38,359
Speaker 1: down all the bay we used to do ship, bro,

452
00:23:38,480 --> 00:23:41,560
Speaker 1: we were shooting, uh do my video in l A.

453
00:23:42,680 --> 00:23:45,080
Speaker 1: Niggas wanted this lastic. So when we first found out

454
00:23:45,080 --> 00:23:48,959
Speaker 1: about College Jr. Niggas shut that ship down for three hours.

455
00:23:49,000 --> 00:23:51,840
Speaker 1: Be pay them to close it just us what like?

456
00:23:51,920 --> 00:23:53,760
Speaker 1: That's how Hove did it. We were like, we want

457
00:23:53,800 --> 00:23:56,160
Speaker 1: to see a movie. He shut the whole movie thing,

458
00:23:56,640 --> 00:23:59,679
Speaker 1: put every everything in the theater free. That's fine. We

459
00:23:59,720 --> 00:24:01,920
Speaker 1: want to go to six Flags, We shut the whole

460
00:24:01,960 --> 00:24:04,720
Speaker 1: six Flags. We want to go to Disneylanders, shut the

461
00:24:04,760 --> 00:24:07,359
Speaker 1: whole park down, just for us, just for y'all, just

462
00:24:07,359 --> 00:24:10,000
Speaker 1: for us. That's fire. I still to this day, I

463
00:24:10,040 --> 00:24:12,800
Speaker 1: can't do that. No no, no, no, no no no I

464
00:24:13,080 --> 00:24:15,399
Speaker 1: shutting it down. I'll buy you whatever you want. Still

465
00:24:15,480 --> 00:24:20,120
Speaker 1: to this day, I'm not doing no. I would if

466
00:24:20,160 --> 00:24:23,640
Speaker 1: I had the chicken, me and all my niggas we wanted, Like, yo, bro,

467
00:24:23,760 --> 00:24:26,520
Speaker 1: I remember when we were when State Property came out.

468
00:24:27,400 --> 00:24:28,800
Speaker 1: You got to put that on the drink champs and

469
00:24:28,800 --> 00:24:30,639
Speaker 1: that budget that can't come out of yet that we

470
00:24:30,720 --> 00:24:34,280
Speaker 1: had a budget. Yeah, we had one one movie, you know,

471
00:24:34,720 --> 00:24:37,159
Speaker 1: Premier Nigga shut the whole movie there to day, or

472
00:24:37,160 --> 00:24:39,760
Speaker 1: we could go watch every movie that was in the theater,

473
00:24:40,160 --> 00:24:45,000
Speaker 1: everything from the concession stands, all the slushies, everything free.

474
00:24:45,200 --> 00:24:48,359
Speaker 1: We in there about twenty five hundred people. Bro, Yo,

475
00:24:48,440 --> 00:24:50,360
Speaker 1: I want to ask you some that's like how much

476
00:24:50,440 --> 00:24:52,360
Speaker 1: that costs? I want to ask you because I don't

477
00:24:52,400 --> 00:24:54,960
Speaker 1: even ask because I'm I'm an. I always tell you, man,

478
00:24:55,160 --> 00:24:58,160
Speaker 1: I'm a fan. I have no problem with telling you

479
00:24:58,320 --> 00:25:01,120
Speaker 1: I'm a fan. Bro As he was listening. Man, That's

480
00:25:01,119 --> 00:25:03,280
Speaker 1: how niggas was listening to me. I was listening to

481
00:25:03,520 --> 00:25:06,160
Speaker 1: That's how I am listening to y'all coming up, y'all,

482
00:25:06,160 --> 00:25:08,239
Speaker 1: the spinners, y'all, the next wave. It was like who

483
00:25:08,520 --> 00:25:10,880
Speaker 1: who Who's gonna carry the torch? Who the niggas that's

484
00:25:10,880 --> 00:25:15,720
Speaker 1: gonna hold it down? Between you, Pap Sigone true, fucking

485
00:25:16,160 --> 00:25:19,919
Speaker 1: uh fucking so many artist side of New York, Bro,

486
00:25:20,040 --> 00:25:23,119
Speaker 1: it's too many, man. As you can see, all of

487
00:25:23,200 --> 00:25:25,520
Speaker 1: y'all made John Mark though, bro so figured it out.

488
00:25:25,600 --> 00:25:27,960
Speaker 1: We fans of y'all too figured it out. I'm gonna

489
00:25:27,960 --> 00:25:29,680
Speaker 1: tell you some real ship. Rest in peace to my

490
00:25:29,760 --> 00:25:31,720
Speaker 1: man Omen. My man Omen just passed. I don't know

491
00:25:31,760 --> 00:25:34,200
Speaker 1: if you know that or not. No non God blessed

492
00:25:34,240 --> 00:25:39,080
Speaker 1: though Omen was the first person that showed me a

493
00:25:39,240 --> 00:25:43,000
Speaker 1: plaque and let me touch it. It was a Memphis

494
00:25:43,080 --> 00:25:45,960
Speaker 1: bleak coming to Age plaque. You know, Man put that

495
00:25:46,160 --> 00:25:49,640
Speaker 1: gold boy up on them. He did Regular Cat. Oh,

496
00:25:50,040 --> 00:25:52,520
Speaker 1: I used to I used to swear God, Jay Runner,

497
00:25:52,680 --> 00:25:55,280
Speaker 1: do you know who? I used to you across the

498
00:25:55,320 --> 00:25:58,240
Speaker 1: street from me. So he did a bunch of beats

499
00:25:58,240 --> 00:25:59,560
Speaker 1: for me. Like when I was coming up, Like so,

500
00:25:59,640 --> 00:26:01,280
Speaker 1: I used to go to his crib because I was

501
00:26:01,320 --> 00:26:02,840
Speaker 1: cool with his little cousin. We went to school together.

502
00:26:02,840 --> 00:26:04,680
Speaker 1: So I would go his crib, play play live and

503
00:26:04,760 --> 00:26:06,399
Speaker 1: all that. You know, he's a little older, he'd be

504
00:26:06,440 --> 00:26:08,480
Speaker 1: in there making beats. He's doing all this shit. And

505
00:26:08,560 --> 00:26:11,720
Speaker 1: I remember he had to come into Age plaque, you

506
00:26:11,800 --> 00:26:13,760
Speaker 1: know what I'm saying, presented the Sydney on bread and

507
00:26:13,760 --> 00:26:16,000
Speaker 1: I remember I was like, damn, bro, I used to

508
00:26:16,080 --> 00:26:18,320
Speaker 1: always listen to your album and listen to listen to

509
00:26:18,400 --> 00:26:21,080
Speaker 1: Regular Cat and be like, damn, I know the nigga,

510
00:26:21,080 --> 00:26:22,879
Speaker 1: who did you know? When you're young, you feel like

511
00:26:23,000 --> 00:26:26,119
Speaker 1: attached to ship like that, like the beat. That's the

512
00:26:26,160 --> 00:26:28,119
Speaker 1: same way I feel when I first seen Jay and

513
00:26:28,200 --> 00:26:31,320
Speaker 1: Big Daddy King video and Sauce Money and King video,

514
00:26:31,480 --> 00:26:35,240
Speaker 1: it was like, man, these niggas from my my my projects,

515
00:26:35,359 --> 00:26:38,640
Speaker 1: like what was your favorite what was your favorite era

516
00:26:38,880 --> 00:26:44,480
Speaker 1: of your career of mom of like not they don't.

517
00:26:44,600 --> 00:26:48,240
Speaker 1: I don't have to do it selling records anything, but

518
00:26:48,440 --> 00:26:50,800
Speaker 1: just like what what what matter is the most of you?

519
00:26:51,040 --> 00:26:53,480
Speaker 1: Like whatever matter is the most of you. My first

520
00:26:53,680 --> 00:26:57,439
Speaker 1: my first two albums, Coming to Age and the Understanding

521
00:26:57,720 --> 00:27:01,560
Speaker 1: was my baby's. I feel like after those albums, the

522
00:27:01,720 --> 00:27:04,919
Speaker 1: success and the tension I got is when people started

523
00:27:05,000 --> 00:27:07,160
Speaker 1: staring me and then I started trying to make music

524
00:27:07,200 --> 00:27:09,960
Speaker 1: to please the fans. But those first two albums was

525
00:27:10,160 --> 00:27:13,480
Speaker 1: just me rapping for my block, Me rapping for my niggas.

526
00:27:13,600 --> 00:27:15,639
Speaker 1: Like I didn't know the world yet, you know what

527
00:27:15,720 --> 00:27:19,399
Speaker 1: I'm saying. So all I knew was what Marcy taught me,

528
00:27:19,600 --> 00:27:22,520
Speaker 1: what Brooklyn showed me, what New York City, traveling over

529
00:27:22,640 --> 00:27:26,600
Speaker 1: here over there. So to me, if you wanted to

530
00:27:26,720 --> 00:27:30,399
Speaker 1: know who I really was back then, those first two albums,

531
00:27:30,480 --> 00:27:33,600
Speaker 1: Tellers Tell Understanding was probably my favorite album from you,

532
00:27:33,840 --> 00:27:35,520
Speaker 1: my brother, you know what I'm saying. I remember at

533
00:27:35,560 --> 00:27:40,520
Speaker 1: that point I felt like, uh, that was you. Yeah.

534
00:27:40,880 --> 00:27:43,600
Speaker 1: I felt like Coming to Age was still that was

535
00:27:43,640 --> 00:27:47,359
Speaker 1: still like Jay's this is my creation a little bit,

536
00:27:47,520 --> 00:27:49,600
Speaker 1: but he that's what So you know a lot of

537
00:27:49,680 --> 00:27:52,280
Speaker 1: people think that, but because that's how it looked, it

538
00:27:52,440 --> 00:27:56,080
Speaker 1: just felt like that because we knew you from see

539
00:27:56,200 --> 00:27:58,840
Speaker 1: But this is this is the thing that I'm glad

540
00:27:58,880 --> 00:28:00,760
Speaker 1: you're saying this because I get to say this now.

541
00:28:01,119 --> 00:28:04,040
Speaker 1: I always told the world right like Jay wrote coming

542
00:28:04,080 --> 00:28:06,520
Speaker 1: to Age for me, Come in Age one, Coming Age two,

543
00:28:06,680 --> 00:28:10,680
Speaker 1: not the album y the songs on his album. So

544
00:28:11,480 --> 00:28:15,399
Speaker 1: me being a rapper knowing people like Little C's no

545
00:28:15,560 --> 00:28:18,440
Speaker 1: disrespect sees my brother, but he wasn't a rapper so

546
00:28:18,600 --> 00:28:21,440
Speaker 1: big right for him. You know, that's why his raps

547
00:28:21,480 --> 00:28:25,800
Speaker 1: couldn't elevate to the same. So I always had to

548
00:28:25,960 --> 00:28:30,280
Speaker 1: compete with what Jay wrote for me. So with that

549
00:28:30,640 --> 00:28:34,200
Speaker 1: being said, him doing that made me better. It made

550
00:28:34,280 --> 00:28:37,400
Speaker 1: me an animal because when it came time to drop

551
00:28:37,520 --> 00:28:40,160
Speaker 1: my album, I knew people was gonna be like, yeah,

552
00:28:40,280 --> 00:28:42,840
Speaker 1: Jay helped him with that. Jay did it? Why because

553
00:28:43,920 --> 00:28:46,040
Speaker 1: and that's because that's what made me go hard on

554
00:28:46,160 --> 00:28:48,320
Speaker 1: the album because they felt like he was helping me

555
00:28:48,440 --> 00:28:51,280
Speaker 1: with everything. But Jay would leave you for Dad. Jay

556
00:28:51,320 --> 00:28:53,080
Speaker 1: are come in the studio and be like, yo, this

557
00:28:53,280 --> 00:28:56,760
Speaker 1: be hard, Yo, Yo. These two bars is dope. You

558
00:28:57,000 --> 00:29:00,800
Speaker 1: two lines a song is about one hundred and Steve Lions.

559
00:29:01,080 --> 00:29:03,360
Speaker 1: You gave me two What am I supposed to say

560
00:29:03,440 --> 00:29:06,600
Speaker 1: after this? You gave me the hardest lines in the song.

561
00:29:06,680 --> 00:29:09,040
Speaker 1: What I'm supposed to say after that? Whole? Now, I'm

562
00:29:09,080 --> 00:29:11,760
Speaker 1: sitting there for hours and hours and and Bro, that

563
00:29:12,080 --> 00:29:16,320
Speaker 1: meant to wear and tear. That's what prepared me to

564
00:29:16,400 --> 00:29:18,120
Speaker 1: get into the game. And that's why I say my

565
00:29:18,240 --> 00:29:21,760
Speaker 1: first album is my baby and my second album because

566
00:29:22,440 --> 00:29:25,640
Speaker 1: Rockefeller didn't even believe in me then, Bro, Beanie Sege.

567
00:29:26,600 --> 00:29:30,160
Speaker 1: It was a lot going on at Bean by the

568
00:29:30,200 --> 00:29:32,560
Speaker 1: time you got to understanding it was dip yet No,

569
00:29:33,120 --> 00:29:37,120
Speaker 1: you remember the scene? No, you remember the scene? And

570
00:29:37,280 --> 00:29:40,240
Speaker 1: fucking what is it in juice? Is it juice with

571
00:29:41,080 --> 00:29:46,440
Speaker 1: we're bishopping them? Which that's that's when by the locker,

572
00:29:46,560 --> 00:29:51,760
Speaker 1: when he closes locker. That's how what came last time

573
00:29:51,840 --> 00:29:56,080
Speaker 1: you said that. I was kind of tripping, yo. That's

574
00:29:56,120 --> 00:29:59,240
Speaker 1: how Beans came on Rockefeller when I closed the locker,

575
00:29:59,360 --> 00:30:01,600
Speaker 1: like I'm good, he's standing in there like this, YO.

576
00:30:01,720 --> 00:30:04,600
Speaker 1: But I felt like when Beans came when we when

577
00:30:04,640 --> 00:30:08,520
Speaker 1: I knew it was like oh ship, like they two

578
00:30:08,640 --> 00:30:13,240
Speaker 1: different artists and that's like it was a thousand bars freestyle.

579
00:30:13,400 --> 00:30:15,360
Speaker 1: Oh I hated it. I was like, why they why

580
00:30:15,960 --> 00:30:18,120
Speaker 1: ain't lying my man? I got yo, bro, I used

581
00:30:18,120 --> 00:30:20,040
Speaker 1: to argue, I was always a nigga to be like

582
00:30:20,160 --> 00:30:23,040
Speaker 1: I got schmoked. I used to know it. That why

583
00:30:24,000 --> 00:30:27,200
Speaker 1: I wouldn't just let him that. I can't that. That's

584
00:30:27,240 --> 00:30:29,480
Speaker 1: why I'm saying that. That's why it confused me when

585
00:30:29,520 --> 00:30:31,720
Speaker 1: Beans went on to you, and it's like, Yo, if

586
00:30:31,880 --> 00:30:35,960
Speaker 1: Jay helped me, thousand balls would have been way down

587
00:30:36,360 --> 00:30:39,240
Speaker 1: what it was. They didn't have to put bleak one thousand,

588
00:30:39,240 --> 00:30:40,560
Speaker 1: they didn't have to put no. And that was in

589
00:30:40,640 --> 00:30:44,240
Speaker 1: the time where Beanie was like was he was like

590
00:30:45,040 --> 00:30:47,320
Speaker 1: it was like it was kind of like undeniable too, Yo,

591
00:30:47,520 --> 00:30:49,520
Speaker 1: under it was undeniable. So it's like we just gonna

592
00:30:49,600 --> 00:30:51,200
Speaker 1: roll with the Waives. It's the same thing with the

593
00:30:51,280 --> 00:30:54,360
Speaker 1: Drake Ship. It's like, Yo, That's why I always say,

594
00:30:54,400 --> 00:30:56,680
Speaker 1: if that was my first deal, I might have took

595
00:30:56,720 --> 00:30:59,320
Speaker 1: a lot of things different, Like I left Young Money

596
00:30:59,400 --> 00:31:03,800
Speaker 1: because I didn't feel Wayne owed me nothing. That's why

597
00:31:03,800 --> 00:31:05,920
Speaker 1: I said, I that was my first deal, I might

598
00:31:05,960 --> 00:31:09,440
Speaker 1: have been emotionally attached, like man, them niggas fucked me up. Man,

599
00:31:09,840 --> 00:31:11,880
Speaker 1: if they would have did this, I could have. It's like, nah,

600
00:31:11,960 --> 00:31:15,160
Speaker 1: but fuck what they didn't do. You gonna run out

601
00:31:15,200 --> 00:31:17,600
Speaker 1: of time and the day trying to explain the shit

602
00:31:17,720 --> 00:31:20,080
Speaker 1: they did. Do you know what I'm saying, If a

603
00:31:20,160 --> 00:31:22,800
Speaker 1: nigga fighting for fifty million and fighting niggat his album out,

604
00:31:24,480 --> 00:31:26,200
Speaker 1: we ain't got time to fight for you, because I

605
00:31:26,280 --> 00:31:28,440
Speaker 1: know if I know, if a nigga owe me fifty million,

606
00:31:28,560 --> 00:31:31,480
Speaker 1: I'm on his ass. I don't even fuck about nobody

607
00:31:31,560 --> 00:31:34,080
Speaker 1: in this room album coming out. Straight up, I don't

608
00:31:34,080 --> 00:31:36,360
Speaker 1: care about none of y'all niggas rent, none of y'all

609
00:31:36,520 --> 00:31:38,200
Speaker 1: his problems. I don't care. You see what I'm going

610
00:31:38,640 --> 00:31:40,960
Speaker 1: I need that fifty And he never handled it like

611
00:31:41,040 --> 00:31:43,360
Speaker 1: that with us. He kept it moving, We stayed on

612
00:31:43,440 --> 00:31:46,080
Speaker 1: the road, He kept it, he kept it going. So

613
00:31:46,160 --> 00:31:50,360
Speaker 1: at some point I was like, all right, My fiance

614
00:31:50,560 --> 00:31:53,280
Speaker 1: used to always tell me this, do you think because

615
00:31:53,280 --> 00:31:54,800
Speaker 1: you know, you talked to your lady back and forth

616
00:31:54,800 --> 00:31:57,520
Speaker 1: about shit all the time. So I'm asking A, I

617
00:31:57,560 --> 00:32:01,800
Speaker 1: don't really want to leave yet, because that's like my umbrella,

618
00:32:02,480 --> 00:32:04,400
Speaker 1: that's you know what I'm saying, that's my If I

619
00:32:04,600 --> 00:32:07,479
Speaker 1: leave there right now, I gotta build something. So I started.

620
00:32:07,840 --> 00:32:10,160
Speaker 1: I started like building the Potent Department and my own

621
00:32:10,200 --> 00:32:13,480
Speaker 1: little kid before I left. But she used to be like,

622
00:32:13,840 --> 00:32:18,240
Speaker 1: do you think you've went like this at Young Money

623
00:32:18,280 --> 00:32:20,040
Speaker 1: and you could keep going up? Or do you think

624
00:32:20,480 --> 00:32:23,400
Speaker 1: you've went up and came back down and now you're

625
00:32:23,520 --> 00:32:25,320
Speaker 1: just doing like this? Because if you're doing like this,

626
00:32:25,480 --> 00:32:28,000
Speaker 1: you could do that on your own. If there's no

627
00:32:28,240 --> 00:32:31,200
Speaker 1: higher then whatever for you to go to at Young Money,

628
00:32:31,800 --> 00:32:36,240
Speaker 1: then you could fly at a level, at a base

629
00:32:36,400 --> 00:32:38,120
Speaker 1: level on your own, you know what I'm saying. So

630
00:32:38,160 --> 00:32:39,680
Speaker 1: at that point, it was like, yeah, I don't think

631
00:32:40,640 --> 00:32:42,800
Speaker 1: WA ain't gonna owe me nothing. I always say that

632
00:32:42,840 --> 00:32:44,560
Speaker 1: shit like Nigga gave me a chance, But it wasn't

633
00:32:44,600 --> 00:32:46,400
Speaker 1: nobody else giving me a chance when he told me

634
00:32:46,440 --> 00:32:47,760
Speaker 1: to get yo, you want to get on that flight.

635
00:32:48,160 --> 00:32:50,000
Speaker 1: Wasn't nobody else trying to put me on nothing? Ain't

636
00:32:50,000 --> 00:32:53,040
Speaker 1: nobody take me on tours. I don't have billboard plaques

637
00:32:53,080 --> 00:32:55,760
Speaker 1: on my walls and gold plaques and three hundred million

638
00:32:55,800 --> 00:32:58,800
Speaker 1: streams for bed rockets. I don't got none of that shit.

639
00:33:00,360 --> 00:33:02,840
Speaker 1: If he'll be like, yo, so you aren't gonna fight

640
00:33:02,920 --> 00:33:05,160
Speaker 1: them all? Like killed and some shit at Young Money

641
00:33:05,160 --> 00:33:06,160
Speaker 1: if you want to be a part of it, you

642
00:33:06,160 --> 00:33:08,600
Speaker 1: know what I'm saying. So at the end of the day,

643
00:33:08,640 --> 00:33:11,320
Speaker 1: you take if the long as the good outwagh to bad.

644
00:33:11,360 --> 00:33:13,040
Speaker 1: And I feel like the good at Young Money out

645
00:33:13,080 --> 00:33:16,360
Speaker 1: way too bad because you don't remember the bad. That's right,

646
00:33:16,640 --> 00:33:18,160
Speaker 1: you know what I'm saying. You remember, yo, bro, I

647
00:33:18,160 --> 00:33:20,160
Speaker 1: remember it was flaming shit. I remember on the Gangster

648
00:33:20,200 --> 00:33:22,240
Speaker 1: Grills ship when I heard you, he was going crazy.

649
00:33:22,280 --> 00:33:24,440
Speaker 1: I remember every every time I heard you on something

650
00:33:24,480 --> 00:33:28,080
Speaker 1: with Wayne, you were standing tall. So I'm cool with that,

651
00:33:28,360 --> 00:33:29,920
Speaker 1: you know what I'm saying. Everybody not gonna get a

652
00:33:30,040 --> 00:33:32,080
Speaker 1: chance to hang the platinum plaque on the water. It

653
00:33:32,160 --> 00:33:34,520
Speaker 1: was a lot of niggas at Rockefeller that I thought

654
00:33:34,640 --> 00:33:36,680
Speaker 1: was dope. But everybody ain't gonna get a chance to

655
00:33:36,760 --> 00:33:42,080
Speaker 1: have a not not like this is State Property album,

656
00:33:42,840 --> 00:33:45,640
Speaker 1: or this is a this is a compilation album, this

657
00:33:45,760 --> 00:33:47,880
Speaker 1: is the We Are Young Money album. Yeah, we are

658
00:33:47,920 --> 00:33:49,880
Speaker 1: Young Money did his thing Bedrock and every girl did

659
00:33:49,920 --> 00:33:53,680
Speaker 1: they thing. But Drake, Tiger and Nikki got their own plaques. Yea,

660
00:33:53,920 --> 00:33:56,280
Speaker 1: and that's cool. It's the same thing. High. Yeah, don't

661
00:33:56,320 --> 00:33:58,880
Speaker 1: take credit for the dynasty set. That ship went four

662
00:33:58,920 --> 00:34:00,720
Speaker 1: or five million. But you don't hear me say I

663
00:34:00,840 --> 00:34:03,640
Speaker 1: put up a nickel. But but you can. I can.

664
00:34:03,840 --> 00:34:05,800
Speaker 1: You know why you can, because I'm on that hour,

665
00:34:05,880 --> 00:34:09,480
Speaker 1: because sheikhluch is still on the Benjamins. That's right. That's

666
00:34:09,520 --> 00:34:12,360
Speaker 1: a fact. You talking about, nigga, You can't what you

667
00:34:12,480 --> 00:34:14,680
Speaker 1: want to do. That's a fact. You know what I'm saying.

668
00:34:14,760 --> 00:34:18,680
Speaker 1: So you can't. There ain't no parking lot pimping without you. No,

669
00:34:18,920 --> 00:34:21,200
Speaker 1: it ain't no one nine hundred hustler without you. So

670
00:34:21,280 --> 00:34:23,399
Speaker 1: that is your ship one hundred you might not want

671
00:34:23,440 --> 00:34:29,239
Speaker 1: to carry. And they and they hijacked me for my record, man, No, no, no, no,

672
00:34:29,480 --> 00:34:33,520
Speaker 1: the record I got on there Dolo holler. You know,

673
00:34:34,320 --> 00:34:36,080
Speaker 1: all right? So as a fan, can I tell you something?

674
00:34:37,760 --> 00:34:40,360
Speaker 1: They hijacked me. He dropped the biscuit, y'all you are

675
00:34:40,640 --> 00:34:43,720
Speaker 1: he's still running around goon and y'all. Now I'm captain, I'm.

676
00:34:46,800 --> 00:34:58,960
Speaker 2: No upt me my train of thought.

677
00:34:59,000 --> 00:35:02,520
Speaker 1: Back, hold on, just hold up. Were talking about how

678
00:35:02,560 --> 00:35:05,120
Speaker 1: I got hijacked for holler holler? All right, Look, this

679
00:35:05,160 --> 00:35:06,840
Speaker 1: is why I felt like holler was good at that

680
00:35:06,920 --> 00:35:09,320
Speaker 1: time for you. Yeah, that was the nigga. That was

681
00:35:09,400 --> 00:35:13,279
Speaker 1: it because the Dynasty album was phenomenal, which right, it

682
00:35:13,400 --> 00:35:18,520
Speaker 1: was phenomenal, but we needed to hear you without the

683
00:35:18,640 --> 00:35:22,040
Speaker 1: niggas at that time because it was segull huh myth league,

684
00:35:22,080 --> 00:35:24,160
Speaker 1: Well it was your niggas. Truly ain't ready for this

685
00:35:24,280 --> 00:35:29,879
Speaker 1: Dynasty thing. Yeah, everything was like it's him him, him her, Yeah,

686
00:35:30,239 --> 00:35:35,440
Speaker 1: and it was fire, but that one just him that

687
00:35:35,560 --> 00:35:40,479
Speaker 1: was listening to that song you fuck with him because

688
00:35:40,520 --> 00:35:42,920
Speaker 1: you could listen to Jay. You could listen to streets.

689
00:35:42,920 --> 00:35:45,640
Speaker 1: It's not only watching, but they talking. Now you could.

690
00:35:45,680 --> 00:35:48,200
Speaker 1: You could listen to Beanie. You listen to all that

691
00:35:48,280 --> 00:35:50,760
Speaker 1: ship if you want. But if you come to holler,

692
00:35:51,280 --> 00:35:54,040
Speaker 1: if you if you come there fucking with men, now

693
00:35:54,160 --> 00:35:56,080
Speaker 1: that's a fact. So that's why you needed that for

694
00:35:56,200 --> 00:35:58,960
Speaker 1: that album. And that was my Yo. That song where

695
00:35:58,960 --> 00:36:02,240
Speaker 1: I felt like I got hijacked for that song because

696
00:36:02,440 --> 00:36:06,120
Speaker 1: this is when I really learned the business. I stuck

697
00:36:06,200 --> 00:36:09,960
Speaker 1: a nigga up and got stuck up at the same time.

698
00:36:10,960 --> 00:36:15,279
Speaker 1: The beat, yes, me and my manager. It was a

699
00:36:15,520 --> 00:36:19,200
Speaker 1: two way robbery, so we robbed the nigga. We Yo

700
00:36:19,440 --> 00:36:21,600
Speaker 1: nigga produced the beat. I ain't gonna say no name

701
00:36:21,920 --> 00:36:24,960
Speaker 1: but we My manager rode on the napkin like, yo,

702
00:36:25,120 --> 00:36:27,040
Speaker 1: how much you want for the beat? The nigga wrote

703
00:36:27,080 --> 00:36:31,400
Speaker 1: down five thousands. So my manager like, I think you

704
00:36:31,520 --> 00:36:34,600
Speaker 1: put one too many zeros. So the nigga like, yeah,

705
00:36:34,640 --> 00:36:36,600
Speaker 1: I buggy, he took a zero where it was like

706
00:36:36,719 --> 00:36:39,160
Speaker 1: five hundred. So niggas like, all right, cool, five hundred.

707
00:36:39,200 --> 00:36:41,840
Speaker 1: You good. But then my manager, so I'm telling me,

708
00:36:42,120 --> 00:36:43,960
Speaker 1: he like, yo, we should buy the rights to the

709
00:36:44,040 --> 00:36:47,719
Speaker 1: beat everything, so I say, produced by us. So I'm like,

710
00:36:47,960 --> 00:36:51,719
Speaker 1: all right, cool, no problem, Let's give them the five

711
00:36:51,880 --> 00:36:54,440
Speaker 1: thousand and buy the rights. So niggas like, fuck it,

712
00:36:54,520 --> 00:36:56,720
Speaker 1: give them the five thousand. He sold us the rights

713
00:36:56,760 --> 00:37:02,160
Speaker 1: to publish it everything. Let's that's robbery. He would have

714
00:37:02,200 --> 00:37:04,640
Speaker 1: made way more money. He'd have kept his publisher. That

715
00:37:04,880 --> 00:37:07,399
Speaker 1: was a mother for you kidding me? Five thousand dollars

716
00:37:07,400 --> 00:37:10,080
Speaker 1: would never That's like imagine selling the rights to one

717
00:37:10,120 --> 00:37:12,640
Speaker 1: of your right for five thousand, and that shit went

718
00:37:12,840 --> 00:37:16,080
Speaker 1: five million. But he didn't know. I don't kids, jay Z.

719
00:37:16,520 --> 00:37:19,359
Speaker 1: It's on his album. This is Memphis Bleak. I'm selling

720
00:37:19,440 --> 00:37:23,200
Speaker 1: five hundred thousand records every album, yo, listen so by

721
00:37:24,280 --> 00:37:29,440
Speaker 1: So this is what I'm telling you, so we get

722
00:37:29,480 --> 00:37:31,640
Speaker 1: the rights. Now it's supposed to be the single to

723
00:37:31,800 --> 00:37:36,040
Speaker 1: the understand it. Jy come in the studio, he hit

724
00:37:36,160 --> 00:37:40,160
Speaker 1: the record. Nah, this's gotta be on the Dynasty. So

725
00:37:40,320 --> 00:37:46,080
Speaker 1: now in my mind, Chip fucking ching, yes, put it

726
00:37:46,200 --> 00:37:49,239
Speaker 1: on the Dynasty. It's produced by Memphis Bleak be High.

727
00:37:49,600 --> 00:37:52,600
Speaker 1: I wrote all the lyrics. I don't got nobody featured

728
00:37:52,640 --> 00:37:55,600
Speaker 1: on the hook. I don't gotta give no percentage to nobody,

729
00:37:55,640 --> 00:38:02,080
Speaker 1: one hundred percent of this record. Where's the upper cut? Yo?

730
00:38:02,160 --> 00:38:04,360
Speaker 1: You know this my album too? Right? This? Jay, I

731
00:38:04,400 --> 00:38:09,600
Speaker 1: gotta get PC anything. What what I'm saying. You ain't

732
00:38:09,719 --> 00:38:12,720
Speaker 1: help with the robbery. You ain't give me an idea.

733
00:38:12,880 --> 00:38:14,960
Speaker 1: If you came in here, be like bleak change this

734
00:38:15,120 --> 00:38:17,879
Speaker 1: to that? You know yo, holler you know you could

735
00:38:17,920 --> 00:38:21,000
Speaker 1: put this I then it'll be like cool that nigga.

736
00:38:21,040 --> 00:38:23,919
Speaker 1: I'm like, I'm fighting yo. That's probably the only time

737
00:38:24,040 --> 00:38:26,160
Speaker 1: I think I tried to fight Hole and it's like

738
00:38:26,320 --> 00:38:28,520
Speaker 1: go back and forth, like, Nah, I don't care, don't

739
00:38:28,520 --> 00:38:30,359
Speaker 1: put it on the album. No, put it on my album.

740
00:38:30,360 --> 00:38:33,880
Speaker 1: I don't care. You don't tell me I control these records.

741
00:38:34,440 --> 00:38:36,160
Speaker 1: I put it on any album I want to put

742
00:38:36,200 --> 00:38:39,800
Speaker 1: it on. So Nigga's like, a, fuck it, what the

743
00:38:39,920 --> 00:38:45,520
Speaker 1: percentage I'm gonna get that Nigga took half. Whenever you

744
00:38:45,760 --> 00:38:49,960
Speaker 1: get it, I want half. It's like I can't say.

745
00:38:50,120 --> 00:38:55,240
Speaker 1: You can't even yeah, argue with it, yo, one percent

746
00:38:55,320 --> 00:38:58,879
Speaker 1: of something is great. With ninety percent of side, it's

747
00:38:59,040 --> 00:39:04,600
Speaker 1: fucking heavy. Yeah. So that record, when you look at

748
00:39:04,600 --> 00:39:07,640
Speaker 1: the credits, niggas want to be like, yeah, Hole wrote

749
00:39:07,680 --> 00:39:15,000
Speaker 1: for I produce for Hole. Fuck it, No, Now you

750
00:39:15,040 --> 00:39:17,799
Speaker 1: gotta stand on that. You gotta stand on that one.

751
00:39:18,080 --> 00:39:20,120
Speaker 1: You gotta stand on that one. You know what I mean?

752
00:39:23,280 --> 00:39:28,360
Speaker 1: But Yo, I seen somewhere you was talking about ghost

753
00:39:28,400 --> 00:39:32,160
Speaker 1: writers and writers in the industry, and you was like, Kanye,

754
00:39:32,360 --> 00:39:35,719
Speaker 1: you felt rote for Jay? Oh, hold on now, hold

755
00:39:35,760 --> 00:39:40,240
Speaker 1: on now, disclaimer ya, because I ain't gonna lie. Niggas

756
00:39:40,239 --> 00:39:43,200
Speaker 1: started acting real funny with me after that clip came out.

757
00:39:43,239 --> 00:39:46,279
Speaker 1: I don't know what happened. I don't know who is

758
00:39:46,400 --> 00:39:49,520
Speaker 1: scared of Hole not being a friend no more. We

759
00:39:49,640 --> 00:39:53,320
Speaker 1: got spooky for about four five months. Nigga niggas was

760
00:39:53,400 --> 00:39:56,360
Speaker 1: like secret friends, Yo, Chill. You know how like niggas

761
00:39:58,160 --> 00:40:02,160
Speaker 1: not about Hole? Chill? Chill? Fuck is you talking about

762
00:40:02,600 --> 00:40:05,680
Speaker 1: I tried to say, you know, I'm glad you asked

763
00:40:05,719 --> 00:40:07,359
Speaker 1: me that because I could clear that up here, because

764
00:40:07,360 --> 00:40:10,640
Speaker 1: I know Hoo's gonna see this. I can clear it

765
00:40:10,760 --> 00:40:17,600
Speaker 1: up here, right, Yeah, I know. So I was basically saying, Ky,

766
00:40:17,640 --> 00:40:19,759
Speaker 1: they was talking about the Quentin Miller and the Drake ship,

767
00:40:19,800 --> 00:40:22,000
Speaker 1: right yeah, yeah, So I was basically saying, I was

768
00:40:22,040 --> 00:40:24,200
Speaker 1: trying to give an example. Playing Devil's Advocate. You just

769
00:40:24,239 --> 00:40:27,719
Speaker 1: trying to give example, like, all right, well, niggas a

770
00:40:27,800 --> 00:40:29,960
Speaker 1: hold Drake to that standard, or hold this person of

771
00:40:30,000 --> 00:40:32,520
Speaker 1: that standards. Not necessarily Drake, let's get away from Drake,

772
00:40:32,600 --> 00:40:34,400
Speaker 1: just any sort of rapper, you'll hold him to that standard.

773
00:40:34,680 --> 00:40:39,960
Speaker 1: But I've seen Fade the Black. Now, everybody that watched

774
00:40:40,000 --> 00:40:42,680
Speaker 1: that clip seen Fade the Black. Yeah, you're seen Kanye.

775
00:40:42,760 --> 00:40:48,239
Speaker 1: Get I've seen Kanye give whole songs before with the

776
00:40:48,320 --> 00:40:50,520
Speaker 1: hook on it and the clip. I said, we've all

777
00:40:50,719 --> 00:40:55,359
Speaker 1: seen Fade the Black. That doesn't change jay Z as

778
00:40:55,400 --> 00:40:59,359
Speaker 1: a but it changes Drake though. But I never thought

779
00:40:59,400 --> 00:41:01,680
Speaker 1: that because Ye said looser for loose for if you

780
00:41:01,680 --> 00:41:03,160
Speaker 1: don't use it something, use this on my album. I

781
00:41:03,200 --> 00:41:05,640
Speaker 1: gotta get them devils. I didn't think that was like, oh,

782
00:41:06,640 --> 00:41:09,080
Speaker 1: he's up. He'd be writing all jay z ship no,

783
00:41:09,320 --> 00:41:12,920
Speaker 1: but he gave him it was arrest yo. Listen, nigga.

784
00:41:12,960 --> 00:41:15,400
Speaker 1: I didn't want to hear it because you probably worded

785
00:41:15,480 --> 00:41:18,200
Speaker 1: it wrong. And Gilly said the same thing you probably

786
00:41:18,480 --> 00:41:21,160
Speaker 1: more months later, the same ship. Gilly said, the same ship.

787
00:41:21,400 --> 00:41:23,240
Speaker 1: Ain't no, it ain't break. No, it ain't break no outlets,

788
00:41:23,480 --> 00:41:25,520
Speaker 1: it ain't go viral. Same ship, he said, the same

789
00:41:25,640 --> 00:41:28,680
Speaker 1: exact ship. Sometimes, I said the messenger, niggas, don't funk

790
00:41:28,719 --> 00:41:31,840
Speaker 1: with the nigga. Sometimes. That's when I learned, shut the

791
00:41:31,920 --> 00:41:35,399
Speaker 1: funk up when you're talking about no. Man, I ain't

792
00:41:35,400 --> 00:41:38,520
Speaker 1: say ship about said. Everything been nice since then, I

793
00:41:38,640 --> 00:41:41,520
Speaker 1: guarantee you it ain't. It ain't that shit ain't even

794
00:41:41,719 --> 00:41:46,000
Speaker 1: penetrate the biggest just care about that. I was like

795
00:41:46,120 --> 00:41:50,320
Speaker 1: off the walk. Yeah, but but ever since I had kids,

796
00:41:50,680 --> 00:41:53,360
Speaker 1: I retired paws without you from hall. So I got

797
00:41:53,480 --> 00:41:55,920
Speaker 1: to say, won't let me my son twenty. I know

798
00:41:56,040 --> 00:41:59,200
Speaker 1: you ain't telling you your son get the rock. I

799
00:41:59,400 --> 00:42:01,640
Speaker 1: know you didn't grow up telling your son get the rock.

800
00:42:01,719 --> 00:42:03,560
Speaker 1: He gonna be that ad told him get the ball.

801
00:42:03,680 --> 00:42:09,120
Speaker 1: He gonna be like this yo wo yo yourself the

802
00:42:09,160 --> 00:42:11,480
Speaker 1: teacher boys friends in the Corty. I'm taking the football

803
00:42:12,000 --> 00:42:15,279
Speaker 1: like now isn quiet? Now everything quiet? You just not

804
00:42:15,520 --> 00:42:17,840
Speaker 1: me man I do Nah, I ain't do none of

805
00:42:17,880 --> 00:42:20,799
Speaker 1: that with with my kids because I'm like, I ain't

806
00:42:20,840 --> 00:42:24,320
Speaker 1: grow up like that. I can't my kids going, no

807
00:42:24,520 --> 00:42:27,239
Speaker 1: real ship, get the ball, not gonna be like, yo,

808
00:42:27,360 --> 00:42:29,360
Speaker 1: get the rock. You said you didn't grow up like

809
00:42:29,520 --> 00:42:33,920
Speaker 1: what Like you didn't grow up with the pash because no, pause,

810
00:42:33,960 --> 00:42:37,840
Speaker 1: ain't coming to Rockefeller. Pause, I didn't start to Rockefeller,

811
00:42:37,960 --> 00:42:42,960
Speaker 1: Dame dash Jayson grew up in Rockefellers. I was already

812
00:42:43,120 --> 00:42:47,320
Speaker 1: sixteen when Rockefeller got off the ground. But you you

813
00:42:47,440 --> 00:42:49,799
Speaker 1: still grew up in Rock. So you did. You're part

814
00:42:49,880 --> 00:42:52,480
Speaker 1: of the part the revolution of how that came. What

815
00:42:52,600 --> 00:42:54,840
Speaker 1: I'm trying to say is my moms didn't tell me

816
00:42:55,000 --> 00:42:58,719
Speaker 1: get the rock. This is what I'm saying. When I

817
00:42:59,000 --> 00:43:02,040
Speaker 1: was a kid growing up tied to tire, my right,

818
00:43:02,560 --> 00:43:06,040
Speaker 1: going to school, my mom's in say yo, paws, get

819
00:43:06,080 --> 00:43:09,080
Speaker 1: the peanut butter. Nah. None of my uncles, none of

820
00:43:09,120 --> 00:43:11,839
Speaker 1: my uncles said nothing like that. That's what I'm saying.

821
00:43:11,880 --> 00:43:14,520
Speaker 1: And maybe because I'm growing up with them with paws,

822
00:43:14,640 --> 00:43:17,879
Speaker 1: Maybe because I'm from Harlem because Dame forty seconds. Yes,

823
00:43:18,239 --> 00:43:21,279
Speaker 1: ay yo, everything everything was ao everything. It became too

824
00:43:21,400 --> 00:43:23,759
Speaker 1: much in Rockefeller with certain niggas. Used to be that

825
00:43:23,880 --> 00:43:26,120
Speaker 1: ass serious, don't play with it, you say, ay on

826
00:43:26,239 --> 00:43:28,920
Speaker 1: fucking you up like it became that serious in the

827
00:43:29,040 --> 00:43:32,000
Speaker 1: crew like niggas don't play It was wild. Nah, it

828
00:43:32,160 --> 00:43:36,239
Speaker 1: got outrageous. So now to see the youth gravitate to it,

829
00:43:36,320 --> 00:43:39,760
Speaker 1: it's it's like fuck that ship does pop back up? Okay,

830
00:43:40,040 --> 00:43:42,160
Speaker 1: they let let let a young niggas see you eating

831
00:43:42,160 --> 00:43:44,920
Speaker 1: a hot dog, get a cookout? Yo. Chill, oh viral

832
00:43:45,080 --> 00:43:47,400
Speaker 1: yo chill. I don't know, yo. They fucked up the

833
00:43:47,440 --> 00:43:49,920
Speaker 1: slang on a lot of shit. These young niggas violated

834
00:43:50,640 --> 00:43:54,680
Speaker 1: a dub. Is you done? A dub? Was twenty dollars

835
00:43:54,800 --> 00:43:58,560
Speaker 1: to me? They changed everything, but weird, but y'all changed

836
00:43:58,640 --> 00:44:02,680
Speaker 1: everything too. No, what we changed it from y'all change

837
00:44:03,000 --> 00:44:06,279
Speaker 1: what we changed? Everything stayed to say. We just elevated it.

838
00:44:06,600 --> 00:44:09,759
Speaker 1: Rockefeller changed a lot of slang, yo, from what to

839
00:44:09,880 --> 00:44:13,279
Speaker 1: what unless we took some Philly shit niggas drawn. You know,

840
00:44:13,360 --> 00:44:15,040
Speaker 1: everything is the joe now, But it was a lot

841
00:44:15,080 --> 00:44:16,640
Speaker 1: of It was a lot of ship that niggas used

842
00:44:16,640 --> 00:44:21,200
Speaker 1: to say, like even in y'all wrong Halla niggas was Brooklyn.

843
00:44:21,880 --> 00:44:25,680
Speaker 1: That was bek ship with Rockefellers. Just like they Yo,

844
00:44:25,840 --> 00:44:28,120
Speaker 1: they put y'all ship on us. They'd be like, Yo,

845
00:44:28,200 --> 00:44:31,360
Speaker 1: you New York niggas. Yeah, B Like wait, that's hallm.

846
00:44:31,480 --> 00:44:34,920
Speaker 1: We don't say be in Brooklyn. Everythiing is son in Brooklyn.

847
00:44:35,040 --> 00:44:38,239
Speaker 1: We don't say son and no just like done done,

848
00:44:38,520 --> 00:44:42,600
Speaker 1: that's queens. My cousins, that might be just queens. You

849
00:44:42,640 --> 00:44:47,080
Speaker 1: know my cousin mau Ravens would he's still with language trying.

850
00:44:47,120 --> 00:44:49,240
Speaker 1: When you get hit done talking, that's the piece Proudigy

851
00:44:49,440 --> 00:44:52,120
Speaker 1: used to be Mad niggas spoke the done language, rapped

852
00:44:52,200 --> 00:44:57,640
Speaker 1: about it. Don't talk to done but nah back to

853
00:44:57,719 --> 00:45:00,799
Speaker 1: the ghost writing thing, right, ghost right? How I feel

854
00:45:00,800 --> 00:45:02,680
Speaker 1: about the ghost writing things? I don't wrote. I don't

855
00:45:02,719 --> 00:45:04,880
Speaker 1: wrotehit for Peano before. Yeah, but I was about to

856
00:45:04,960 --> 00:45:08,320
Speaker 1: say this right, you probably worded it wrong with the

857
00:45:08,800 --> 00:45:13,239
Speaker 1: producer because beat makers. I say this all the time.

858
00:45:13,560 --> 00:45:17,080
Speaker 1: Beat Makers was just sending you a beat a producer.

859
00:45:17,840 --> 00:45:21,440
Speaker 1: He's gonna produce that record, He's gonna give you the idea,

860
00:45:22,000 --> 00:45:24,279
Speaker 1: and that's that's the ones you want. So if you

861
00:45:24,400 --> 00:45:28,800
Speaker 1: come with the hook, the idea, the direction I should go.

862
00:45:28,920 --> 00:45:32,959
Speaker 1: You can't consider that as writing for somebody that's producing

863
00:45:33,200 --> 00:45:35,399
Speaker 1: the record. You're a producer. You don't want to write.

864
00:45:35,560 --> 00:45:37,960
Speaker 1: Fuck your record. Probably was worded wrong, but niggas knew

865
00:45:37,960 --> 00:45:40,600
Speaker 1: what I was saying. Niggas knew what I was saying. Niggas.

866
00:45:40,600 --> 00:45:43,120
Speaker 1: Still it depends on what platform you said it on too,

867
00:45:43,360 --> 00:45:46,520
Speaker 1: like you know, like remember it could be the platform.

868
00:45:46,600 --> 00:45:48,399
Speaker 1: And that's when I learned. And you know what's crazy.

869
00:45:48,480 --> 00:45:51,040
Speaker 1: After that, I was in Miami. I was in Miami.

870
00:45:51,440 --> 00:45:55,640
Speaker 1: We was out there for Bado birthday and who tried

871
00:45:55,680 --> 00:45:59,520
Speaker 1: to act funny man. It was like, ain't no friends

872
00:45:59,600 --> 00:46:01,400
Speaker 1: and this man home was out there, My lady was

873
00:46:01,440 --> 00:46:02,800
Speaker 1: out there. We was all out there. We was chilling

874
00:46:02,880 --> 00:46:05,040
Speaker 1: and Noor was having like nor he always have real combo,

875
00:46:07,040 --> 00:46:10,000
Speaker 1: like the big homie joke a lot, but he'll fucking

876
00:46:10,080 --> 00:46:12,799
Speaker 1: wait for if you get a chance to get cool

877
00:46:12,920 --> 00:46:15,680
Speaker 1: enough with Norri, well he hit you or you can

878
00:46:15,760 --> 00:46:17,960
Speaker 1: hit him and y'all could go chill with no cameras

879
00:46:18,000 --> 00:46:21,000
Speaker 1: and they and you could just vibe with him. Nor

880
00:46:21,400 --> 00:46:22,680
Speaker 1: was one of the first people to hit me when

881
00:46:22,719 --> 00:46:26,239
Speaker 1: I left Young Money and he told me, Yo, you

882
00:46:26,320 --> 00:46:29,480
Speaker 1: stayed too long. Mmmm. So you should have been left,

883
00:46:30,400 --> 00:46:32,920
Speaker 1: not like you should have stopped fucking with Wayne, but

884
00:46:34,000 --> 00:46:37,000
Speaker 1: you you you uh, you dried up a little bit

885
00:46:37,040 --> 00:46:41,120
Speaker 1: out there because you should have been. But you gotta

886
00:46:41,120 --> 00:46:42,680
Speaker 1: remember that was the I was. I had never been

887
00:46:42,719 --> 00:46:45,080
Speaker 1: a part of anything that big before. You know what

888
00:46:45,120 --> 00:46:55,120
Speaker 1: I'm saying, Pause a big forgive me, father, forgive me.

889
00:46:55,239 --> 00:47:04,319
Speaker 1: That was disgusting, man, chill, Yo, See this is why

890
00:47:04,360 --> 00:47:06,960
Speaker 1: I stopped playing. That was the end of the game.

891
00:47:07,000 --> 00:47:09,719
Speaker 1: You're not like any street ball nigga do a crazy

892
00:47:09,800 --> 00:47:12,280
Speaker 1: move and hit the jump shot and everybody but everybody,

893
00:47:14,520 --> 00:47:18,720
Speaker 1: it's over, It's over. That was crazy. But I believe

894
00:47:20,000 --> 00:47:24,000
Speaker 1: what my problem was. I was. I was. I was

895
00:47:24,080 --> 00:47:26,800
Speaker 1: with the Sun. Oh was the Sun? Yeah? I was

896
00:47:26,920 --> 00:47:29,560
Speaker 1: just a fucking candle, just trying to get lick. You

897
00:47:29,840 --> 00:47:34,239
Speaker 1: was with two three? Yes, not bro. That ship don't happen.

898
00:47:34,640 --> 00:47:36,719
Speaker 1: And I tell people that don't happen. I tell people

899
00:47:36,719 --> 00:47:40,040
Speaker 1: all the time, like you gotta be happy and grateful

900
00:47:40,120 --> 00:47:42,200
Speaker 1: that you was a part of it. He was able

901
00:47:42,239 --> 00:47:45,239
Speaker 1: to be a part of that when you were you know,

902
00:47:46,360 --> 00:47:50,080
Speaker 1: history right there. Everybody's not gonna be drake. Everybody not

903
00:47:50,160 --> 00:47:52,920
Speaker 1: gonna be Nikki. Everybody not gonna be Tiger, Everybody not

904
00:47:53,000 --> 00:47:56,879
Speaker 1: gonna be Wayne, that's right. But everybody couldn't be whole.

905
00:47:57,000 --> 00:48:00,360
Speaker 1: Everybody couldn't be Kanye. That's right. Everybody can't be cold.

906
00:48:00,520 --> 00:48:02,480
Speaker 1: But you had to have You can't be Na. You

907
00:48:02,520 --> 00:48:04,160
Speaker 1: had to have a bleak. You had to have bean

908
00:48:04,440 --> 00:48:06,239
Speaker 1: to have a Beanie, that's you know what I'm saying.

909
00:48:06,239 --> 00:48:08,000
Speaker 1: You had You had to have a Christian neath. That's

910
00:48:08,040 --> 00:48:10,799
Speaker 1: a young niggas. You to have a PD. You had

911
00:48:10,840 --> 00:48:14,160
Speaker 1: to have a freeway with just so you can't name

912
00:48:14,239 --> 00:48:17,440
Speaker 1: another nigga with a flow like like freeway that's had

913
00:48:17,719 --> 00:48:20,279
Speaker 1: have that. That's you know what I'm saying. You lost

914
00:48:20,360 --> 00:48:24,759
Speaker 1: all of y'all to why they was wrong? Yeah, fuck

915
00:48:24,840 --> 00:48:27,680
Speaker 1: you lost to the Bat Cassidy battle. You made what

916
00:48:27,880 --> 00:48:30,080
Speaker 1: we do, That's right. You know what I'm say. Gonna

917
00:48:30,080 --> 00:48:32,880
Speaker 1: go forever, Bro, that should never go. But but freeway

918
00:48:32,960 --> 00:48:36,719
Speaker 1: at ya, freeway ain't hold, but free is free, you

919
00:48:36,760 --> 00:48:38,440
Speaker 1: know what I'm saying. So I had to be comfortable

920
00:48:38,480 --> 00:48:41,960
Speaker 1: with nigga. My chapter at Young Money is J Mills.

921
00:48:42,000 --> 00:48:43,359
Speaker 1: That's what I was, right. You know what I'm saying.

922
00:48:43,360 --> 00:48:45,400
Speaker 1: You got chapters in your book, but that's what it was.

923
00:48:45,480 --> 00:48:47,279
Speaker 1: And be grateful for that ship you done, did the

924
00:48:47,400 --> 00:48:50,279
Speaker 1: Battle League, how you felt about that? Man, Man, you're

925
00:48:50,280 --> 00:48:52,000
Speaker 1: gonna get me barred from the battle. Let me talk

926
00:48:52,000 --> 00:48:55,600
Speaker 1: about battle talk about the battle man. Battle Rap is great,

927
00:48:55,880 --> 00:48:57,719
Speaker 1: and I love battle Rap because before I was with

928
00:48:57,840 --> 00:49:00,959
Speaker 1: Young Money, or before I did No No No, before

929
00:49:00,960 --> 00:49:05,480
Speaker 1: I have rap deals. That's how New York doing all that, right,

930
00:49:06,040 --> 00:49:09,239
Speaker 1: So there wasn't no leagues yet, there wasn't no U

931
00:49:09,400 --> 00:49:11,520
Speaker 1: r L. You know what I'm saying. Shout out the Smack,

932
00:49:11,520 --> 00:49:14,879
Speaker 1: Shout the ARP and everybody else that created leagues along

933
00:49:14,920 --> 00:49:16,800
Speaker 1: the line that paid us and put money in our pocket.

934
00:49:16,800 --> 00:49:18,800
Speaker 1: Because at some point when I came back to battle

935
00:49:18,880 --> 00:49:22,959
Speaker 1: Rap after I left Young Money, I'm making good money

936
00:49:23,000 --> 00:49:25,719
Speaker 1: in battle Rap, but it's the tell end of it.

937
00:49:25,800 --> 00:49:27,440
Speaker 1: It was a time where Niggas was making even more

938
00:49:27,480 --> 00:49:29,920
Speaker 1: money than this. I know what I'm saying, but I

939
00:49:30,000 --> 00:49:33,239
Speaker 1: think now it done got too far into Like when

940
00:49:33,320 --> 00:49:35,560
Speaker 1: Niggas booked me for a battle. Sometimes, depending on who

941
00:49:35,560 --> 00:49:37,440
Speaker 1: I'm battling, ain't gonna say no names or whatever, But

942
00:49:38,040 --> 00:49:40,279
Speaker 1: depending on who you're battling, they'll be like, yo, you

943
00:49:40,360 --> 00:49:42,000
Speaker 1: got to create some traction. You got to call them

944
00:49:42,000 --> 00:49:43,680
Speaker 1: out on Twitter, you call them out on the Gram,

945
00:49:44,719 --> 00:49:47,440
Speaker 1: And I be like, why when we do the face off,

946
00:49:47,480 --> 00:49:50,960
Speaker 1: I'm clown ass, bump ass, nigga, you was never me.

947
00:49:52,239 --> 00:49:54,680
Speaker 1: I'm gonna wash you. I'm gonna talk so crazy to

948
00:49:54,800 --> 00:49:56,040
Speaker 1: him when we do the face So why do I

949
00:49:56,120 --> 00:49:58,879
Speaker 1: gotta keep posting things every other day? Because at some point,

950
00:49:58,880 --> 00:50:00,200
Speaker 1: all I want to do is go back into eat

951
00:50:00,200 --> 00:50:03,880
Speaker 1: it exactly all that ship like, but they want you

952
00:50:04,000 --> 00:50:07,520
Speaker 1: to hype it up. It's like wrestling. It's like, why

953
00:50:07,640 --> 00:50:10,560
Speaker 1: we need a storyline, nigga? Why the storyline can be?

954
00:50:10,640 --> 00:50:12,160
Speaker 1: I think I'm better than you, you think you better

955
00:50:12,200 --> 00:50:14,120
Speaker 1: than me? Let's do it because I can see that

956
00:50:14,320 --> 00:50:17,040
Speaker 1: though it's promotion, you know that make people click, you

957
00:50:17,080 --> 00:50:18,719
Speaker 1: know what I mean? That's why a lot of these

958
00:50:18,800 --> 00:50:21,480
Speaker 1: bloggers and podcasts lead. Or when you looked at battles

959
00:50:21,520 --> 00:50:23,719
Speaker 1: on the Smack DVDs and all them DVDs, you ain't

960
00:50:23,719 --> 00:50:27,360
Speaker 1: know who the fuck J Mills and Sia Castro or

961
00:50:27,440 --> 00:50:29,759
Speaker 1: Loaded Buck. You ain't know who we were. No, yes,

962
00:50:29,840 --> 00:50:33,359
Speaker 1: you just wanted you knew after y'all, mother, But when

963
00:50:33,400 --> 00:50:36,280
Speaker 1: you first saw me on a on a DVD, battling.

964
00:50:36,320 --> 00:50:38,200
Speaker 1: If you ain't really know me, you just gave me

965
00:50:38,280 --> 00:50:40,800
Speaker 1: a shot, and then after that you build with it.

966
00:50:41,160 --> 00:50:43,600
Speaker 1: I didn't have to call a mess out and say

967
00:50:43,719 --> 00:50:45,640
Speaker 1: fuck Philly, nigga, I ain't have to do all of

968
00:50:45,719 --> 00:50:49,600
Speaker 1: that to get I say, you have to. But I

969
00:50:49,640 --> 00:50:51,800
Speaker 1: can see why they would say that, because that's the

970
00:50:51,840 --> 00:50:53,920
Speaker 1: ship that get people to click, you know, on the

971
00:50:54,040 --> 00:50:56,120
Speaker 1: in and thatt That's that's the clickbait ship. So if

972
00:50:56,120 --> 00:50:58,719
Speaker 1: we're gonna play that game, this is the other part

973
00:50:58,760 --> 00:51:00,840
Speaker 1: I don't like. This is why, in a way, I

974
00:51:00,920 --> 00:51:02,960
Speaker 1: fell back a little bit off battle. I still do it,

975
00:51:03,320 --> 00:51:06,080
Speaker 1: but I'm more selective with who I'm a battle right.

976
00:51:07,200 --> 00:51:10,600
Speaker 1: I'll go in there and I'll say some shit about

977
00:51:10,680 --> 00:51:13,120
Speaker 1: I'm just braggadocious, you know what I'm saying. But that's

978
00:51:13,160 --> 00:51:15,360
Speaker 1: just my style. I'm a braggadoch's battle rapper. So I

979
00:51:15,440 --> 00:51:16,759
Speaker 1: might go in there and I might say some shit

980
00:51:16,800 --> 00:51:19,520
Speaker 1: about the signs of my house. You see, this person

981
00:51:19,600 --> 00:51:21,359
Speaker 1: got a small house. I'm just I'm just gonna I'm

982
00:51:21,360 --> 00:51:25,640
Speaker 1: gonna say that your crib eight hundred square feet, you

983
00:51:25,680 --> 00:51:27,520
Speaker 1: buy my ass, nigga, I got three floors, my ship

984
00:51:27,600 --> 00:51:29,960
Speaker 1: four thousand square feet. I'm just saying some ship. Now,

985
00:51:30,800 --> 00:51:35,640
Speaker 1: in my mind, I'm shitting on you. That's what we're

986
00:51:35,680 --> 00:51:37,360
Speaker 1: up here to do. I'm shitting on you, and I

987
00:51:37,440 --> 00:51:39,560
Speaker 1: feel like my ship is hitting even harder because I

988
00:51:39,680 --> 00:51:42,480
Speaker 1: know for a fact my house is really as big. Now.

989
00:51:42,600 --> 00:51:45,200
Speaker 1: Even if your house ain't nine hundred square feet, I

990
00:51:45,320 --> 00:51:48,680
Speaker 1: know it ain't mine. So I feel so much better

991
00:51:48,760 --> 00:51:50,560
Speaker 1: when I'm up here barring you down with When I'm

992
00:51:50,560 --> 00:51:52,960
Speaker 1: talking about different type of places I've been in my

993
00:51:53,000 --> 00:51:55,800
Speaker 1: life and I'm on my third passport, I know you

994
00:51:55,920 --> 00:51:58,279
Speaker 1: ain't never been this many places in your life. Post

995
00:51:58,320 --> 00:52:01,239
Speaker 1: everything on social media, so I know how you live.

996
00:52:01,440 --> 00:52:04,440
Speaker 1: So I wrote like that. But when we get on stage,

997
00:52:04,520 --> 00:52:09,279
Speaker 1: that's not appealing to the crowd because you're always talking

998
00:52:09,280 --> 00:52:12,759
Speaker 1: about you made it, nigga. Yeah, all right, we get it.

999
00:52:12,800 --> 00:52:15,000
Speaker 1: You got a big house, nigger, We get it. It

1000
00:52:15,080 --> 00:52:16,880
Speaker 1: becomes that and it's like, well, damn, I Nigga, I

1001
00:52:16,920 --> 00:52:18,759
Speaker 1: thought you was just coming here as a fan. Nah,

1002
00:52:18,840 --> 00:52:22,720
Speaker 1: They not fans no more. Now, when I tell you, Nigga,

1003
00:52:22,760 --> 00:52:25,480
Speaker 1: your career probably six hundred and fifty school, you probably

1004
00:52:25,520 --> 00:52:28,120
Speaker 1: one argument away from being homeless. Nigga, argue with your

1005
00:52:28,160 --> 00:52:29,839
Speaker 1: girl one more time, my nigga, you're gonna be calling

1006
00:52:29,840 --> 00:52:32,120
Speaker 1: the nigga can pick you up. That's not funny no more.

1007
00:52:32,520 --> 00:52:34,800
Speaker 1: Because a lot of them niggas in the crowd, probably

1008
00:52:36,680 --> 00:52:39,480
Speaker 1: with the girl from a lot of them niggas in

1009
00:52:39,520 --> 00:52:42,600
Speaker 1: the crowd, probably living the six hundred square foot they

1010
00:52:42,719 --> 00:52:45,360
Speaker 1: talking to you crazy. You're Memphis bleak, and the nigga

1011
00:52:45,400 --> 00:52:47,279
Speaker 1: gonna get on the stage and try to talk some

1012
00:52:47,400 --> 00:52:50,600
Speaker 1: fly ship to you. And then if you talk it back,

1013
00:52:50,680 --> 00:52:53,399
Speaker 1: it's like you shiitn't you you're talking down on Yeah.

1014
00:52:53,440 --> 00:52:56,919
Speaker 1: I'm not talking down on it, y'all. Y'all, I'm battling him. Yeah.

1015
00:52:57,120 --> 00:53:00,719
Speaker 1: Now it's like, now you you think you better than everybody? Nah,

1016
00:53:01,200 --> 00:53:03,600
Speaker 1: I think I'm better than the nigga. I'm battling right now,

1017
00:53:03,760 --> 00:53:07,400
Speaker 1: like now the crowd on you, not the crowd, the internet,

1018
00:53:07,680 --> 00:53:09,719
Speaker 1: now the comments section. Oh, he always he thinks he

1019
00:53:09,760 --> 00:53:11,719
Speaker 1: better than everybody. Been he been sounding like that for

1020
00:53:11,880 --> 00:53:14,200
Speaker 1: years and it just turned into something. It turned into

1021
00:53:14,360 --> 00:53:17,560
Speaker 1: narratives and niggas are join in and now they're on

1022
00:53:17,640 --> 00:53:20,640
Speaker 1: clubhouse and this Twitter. I don't do all that shit.

1023
00:53:20,719 --> 00:53:22,520
Speaker 1: I'm not. I just want to rap, you know what

1024
00:53:22,520 --> 00:53:25,240
Speaker 1: I'm saying. So I fuck with the whole battle rap community.

1025
00:53:25,840 --> 00:53:27,719
Speaker 1: But I feel like the way that the business doesn't

1026
00:53:27,719 --> 00:53:30,239
Speaker 1: turn it's like rap, it's like rap music. I'm gonna

1027
00:53:30,239 --> 00:53:32,520
Speaker 1: give you an analogy right now. I'm glad. I'm gonna

1028
00:53:32,520 --> 00:53:36,080
Speaker 1: say this on this platform too. Yo. You from a

1029
00:53:36,160 --> 00:53:39,000
Speaker 1: total different era than a lot of these artists from

1030
00:53:39,040 --> 00:53:40,640
Speaker 1: I'm from a total different era than a lot of

1031
00:53:40,680 --> 00:53:45,320
Speaker 1: these artists from my nigga. You can't tell me that

1032
00:53:45,880 --> 00:53:48,880
Speaker 1: if I go to the free throw line and I

1033
00:53:49,000 --> 00:53:53,480
Speaker 1: make a free throw, I don't get one point. You're

1034
00:53:53,520 --> 00:53:55,520
Speaker 1: not gonna tell me if I go to the free

1035
00:53:55,560 --> 00:53:58,440
Speaker 1: throw line and I make a free throw, I get

1036
00:53:58,760 --> 00:54:04,880
Speaker 1: zero points, zeros, zero six percent of a point. So

1037
00:54:05,040 --> 00:54:07,400
Speaker 1: I got to hit you know, I mean free throws.

1038
00:54:07,440 --> 00:54:11,000
Speaker 1: I gotta hit fifteen to get a point. Yeah, fifteen hundred.

1039
00:54:11,040 --> 00:54:13,239
Speaker 1: You know how many zero points zero zero, zero six

1040
00:54:13,320 --> 00:54:16,799
Speaker 1: percent we gotta get to get a dollar. Yeah. That's

1041
00:54:16,800 --> 00:54:20,400
Speaker 1: why I say, I'm very glad that you're doing because

1042
00:54:21,160 --> 00:54:23,759
Speaker 1: everything changed. I feel like everything I learned change the

1043
00:54:23,840 --> 00:54:27,160
Speaker 1: battle rap world. I learned it changed the industry, everything changing.

1044
00:54:27,280 --> 00:54:29,399
Speaker 1: When I got around my song Toning and was going

1045
00:54:29,440 --> 00:54:32,000
Speaker 1: to get reals, you ain't had that many times to

1046
00:54:32,080 --> 00:54:35,520
Speaker 1: do no ship switches on the SSL board. We're getting you.

1047
00:54:35,880 --> 00:54:38,640
Speaker 1: That's a fact. Them ships were getting. You stick the

1048
00:54:38,800 --> 00:54:41,200
Speaker 1: right money to cut that tape and rework at the

1049
00:54:41,320 --> 00:54:43,560
Speaker 1: end of the night before we wouldn leave Electric Lady

1050
00:54:43,680 --> 00:54:46,439
Speaker 1: or something like that. The TDK that costs a dollar

1051
00:54:46,520 --> 00:54:49,359
Speaker 1: on the corner, Niggas might spend two fifty for that ship.

1052
00:54:49,440 --> 00:54:54,160
Speaker 1: When you write down everything, five dollars for that dollar tape.

1053
00:54:54,239 --> 00:54:56,640
Speaker 1: You understand I'm saying. So you think about that. We

1054
00:54:56,760 --> 00:54:59,880
Speaker 1: went through all that eraror before it was Spotify and

1055
00:55:00,040 --> 00:55:04,120
Speaker 1: Apple Music, niggas beats music. It wasn't no then it

1056
00:55:04,200 --> 00:55:06,640
Speaker 1: was a blog Eraror and it was niggas was buying

1057
00:55:06,719 --> 00:55:10,200
Speaker 1: albums from targeting Best buy it one time. Bro, Yeah,

1058
00:55:10,239 --> 00:55:15,200
Speaker 1: super we don't buy home everywhere. No. I think people

1059
00:55:15,320 --> 00:55:18,439
Speaker 1: would if the physical copies was out, but it ain't

1060
00:55:18,440 --> 00:55:21,719
Speaker 1: ecause you even come with see that. That's the way

1061
00:55:21,760 --> 00:55:25,400
Speaker 1: it is. I think the director consumer ship, it's going

1062
00:55:25,480 --> 00:55:27,000
Speaker 1: to be the way that it's going to go. In

1063
00:55:27,080 --> 00:55:28,560
Speaker 1: a minute, it's going it's gonna be the way you

1064
00:55:28,600 --> 00:55:30,680
Speaker 1: gotta go. You're not going to get as many big cells,

1065
00:55:30,719 --> 00:55:32,879
Speaker 1: but you could get bread from it. But I feel

1066
00:55:32,920 --> 00:55:35,400
Speaker 1: like the whole industry doesn't changed, my nigga because it

1067
00:55:35,480 --> 00:55:38,640
Speaker 1: did with the with the way streaming is, it's not

1068
00:55:38,800 --> 00:55:41,120
Speaker 1: really set up for niggas to really make I don't

1069
00:55:41,160 --> 00:55:44,560
Speaker 1: know how the labels make bread. They do because that's

1070
00:55:44,600 --> 00:55:47,160
Speaker 1: why they you know what I'm saying, ships and you

1071
00:55:47,280 --> 00:55:52,439
Speaker 1: know called three sixty. They don't care about I ain't

1072
00:55:52,440 --> 00:55:55,800
Speaker 1: never been in. Yeah, they don't care about streaming everything.

1073
00:55:56,120 --> 00:55:59,680
Speaker 1: Merchant going the merch and I'm selling tours, So why

1074
00:55:59,719 --> 00:56:03,479
Speaker 1: would I give you that? That's the money. That's the money.

1075
00:56:04,040 --> 00:56:06,719
Speaker 1: So all this other stuff is just advertising to send

1076
00:56:06,760 --> 00:56:09,759
Speaker 1: you on the road to sell merchant tickets, and then

1077
00:56:09,800 --> 00:56:12,239
Speaker 1: that's where we get paid from. And then these sponsors

1078
00:56:12,320 --> 00:56:16,120
Speaker 1: come in. We want not cut because we built you. Yeah, man,

1079
00:56:16,600 --> 00:56:18,279
Speaker 1: that's what the game is turned. You see that. You

1080
00:56:18,360 --> 00:56:20,960
Speaker 1: see they got AI artists now, oh yeah, man, it's

1081
00:56:21,000 --> 00:56:24,640
Speaker 1: about to be yo. People trying to marry. I can't collect.

1082
00:56:25,280 --> 00:56:29,279
Speaker 1: I can't compete with a singer that you done put

1083
00:56:29,320 --> 00:56:31,360
Speaker 1: together from the best singers in the world and you

1084
00:56:31,719 --> 00:56:35,040
Speaker 1: you done basically made a creative player. Yeah yeah, on

1085
00:56:35,160 --> 00:56:41,560
Speaker 1: one hundred too, attributes everything, Come on, man, your budget

1086
00:56:41,840 --> 00:56:45,320
Speaker 1: y'are bugging man. Bugger, yo. But I've been hearing you

1087
00:56:45,480 --> 00:56:48,600
Speaker 1: throughout that us talking. You've been like my fiance a

1088
00:56:48,640 --> 00:56:51,160
Speaker 1: few times? How long you've been with your fiance. I've

1089
00:56:51,200 --> 00:56:56,520
Speaker 1: been with Dana since like t into twenty eleven, beginning

1090
00:56:56,560 --> 00:57:00,400
Speaker 1: twenty twelve. But I knew RS since I knew probably

1091
00:57:00,400 --> 00:57:03,319
Speaker 1: since like oh six o seven. I met in New

1092
00:57:03,400 --> 00:57:06,040
Speaker 1: York on a Wednesday night going to club miss. I

1093
00:57:06,080 --> 00:57:07,680
Speaker 1: can tell you. I can tell you to think she

1094
00:57:07,760 --> 00:57:14,400
Speaker 1: had on here when the wedding many, I'm playing with them.

1095
00:57:15,120 --> 00:57:16,800
Speaker 1: I wanted, I want, I wanted. I wanted to do

1096
00:57:16,880 --> 00:57:18,360
Speaker 1: it this year. She want to do something like she

1097
00:57:18,440 --> 00:57:21,800
Speaker 1: want to do it on New Year's ship because she wanted,

1098
00:57:21,880 --> 00:57:23,800
Speaker 1: she says she wanted. Well, don't get mad at it,

1099
00:57:23,880 --> 00:57:26,600
Speaker 1: he asked me when I get home, don't be like,

1100
00:57:26,640 --> 00:57:28,800
Speaker 1: why are you telling everybody? Gonnaep it all the way

1101
00:57:28,880 --> 00:57:31,240
Speaker 1: real with you? She was like, she want every year

1102
00:57:31,400 --> 00:57:34,240
Speaker 1: when the new year come in, for us to celebrate

1103
00:57:34,280 --> 00:57:36,919
Speaker 1: another year together. You know that's gonna happen on any

1104
00:57:37,000 --> 00:57:40,480
Speaker 1: day every year. I ain't gonna lie with my with

1105
00:57:40,600 --> 00:57:43,880
Speaker 1: my lady. I had to realize, like, and I tell

1106
00:57:43,960 --> 00:57:46,480
Speaker 1: everybody this this when I realized, like, yeah, I know

1107
00:57:46,480 --> 00:57:49,640
Speaker 1: I'm gonna be with her forever. Mm hmm. You're gonna

1108
00:57:49,720 --> 00:57:51,919
Speaker 1: argue with everybody. Hell yeah, you know what I'm saying.

1109
00:57:51,960 --> 00:57:54,480
Speaker 1: You're going You're gonna go through it with everybody. But

1110
00:57:54,800 --> 00:57:57,040
Speaker 1: it's been things that you go It's things that you

1111
00:57:57,160 --> 00:57:59,760
Speaker 1: go through in your life. And when people go through

1112
00:57:59,840 --> 00:58:02,040
Speaker 1: it with you and you see how they you see

1113
00:58:02,040 --> 00:58:03,840
Speaker 1: how they come go through it with you, and y'all

1114
00:58:03,880 --> 00:58:07,520
Speaker 1: come out on the other side, you can evaluate them

1115
00:58:07,640 --> 00:58:09,800
Speaker 1: and everybody else a little bit different. So so I

1116
00:58:09,880 --> 00:58:14,320
Speaker 1: got to evaluate this woman with all the other women

1117
00:58:14,400 --> 00:58:18,080
Speaker 1: I know in my life. I wouldn't mind if I

1118
00:58:18,160 --> 00:58:20,800
Speaker 1: spent the rest of my life with her. I ain't tripping.

1119
00:58:20,800 --> 00:58:24,040
Speaker 1: I always tell her, like, Babe, there's no one that

1120
00:58:24,160 --> 00:58:26,760
Speaker 1: got away, you know, Like sometimes niggas be like, damn,

1121
00:58:26,800 --> 00:58:28,160
Speaker 1: that's the one that got. I don't have a one

1122
00:58:28,200 --> 00:58:31,120
Speaker 1: that got That's how I know I'm where I'm at.

1123
00:58:31,800 --> 00:58:33,320
Speaker 1: I'm good, it's going, and I say, long as the

1124
00:58:33,360 --> 00:58:35,320
Speaker 1: good out way the bad. My ladies a Gemini, we

1125
00:58:35,640 --> 00:58:39,800
Speaker 1: argue like crazy. That's a fact. We talk. I'm a

1126
00:58:39,880 --> 00:58:45,680
Speaker 1: battle rapper. We talk crazy to each other, you know

1127
00:58:45,720 --> 00:58:49,200
Speaker 1: what I'm saying, But never nothing crazy where you can't

1128
00:58:49,240 --> 00:58:51,200
Speaker 1: come back from it. You know what I'm saying. I

1129
00:58:51,280 --> 00:58:53,560
Speaker 1: know what not to say, I know what not to cross.

1130
00:58:53,600 --> 00:58:56,640
Speaker 1: I know when it's like, man, you bugging grab grab

1131
00:58:56,720 --> 00:59:01,000
Speaker 1: some sneakers, roll a blunt or two, walk around these states,

1132
00:59:01,600 --> 00:59:04,720
Speaker 1: and even when you finish, come back. Roll another one

1133
00:59:04,760 --> 00:59:09,280
Speaker 1: in the garage, Go up to the guest room, sleep

1134
00:59:09,320 --> 00:59:13,720
Speaker 1: in there, get up, go back to the garage, smoke

1135
00:59:13,800 --> 00:59:17,920
Speaker 1: another one yo chair. He got the three blood process. No, no, no,

1136
00:59:18,000 --> 00:59:20,280
Speaker 1: I got. We might have to stretch this out over

1137
00:59:20,360 --> 00:59:24,600
Speaker 1: two three days. Oh shit, but you ain't never see

1138
00:59:24,640 --> 00:59:32,800
Speaker 1: me on the story with it in paradise. Nah. That's

1139
00:59:32,880 --> 00:59:35,760
Speaker 1: what Weed and Walker went for. One of my dogs, Man,

1140
00:59:35,960 --> 00:59:38,600
Speaker 1: one of my dogs, my man, Debo, man, true brother.

1141
00:59:38,720 --> 00:59:40,800
Speaker 1: He told me something when I was getting married, man,

1142
00:59:40,920 --> 00:59:43,600
Speaker 1: like one of the illy shits. Man. Me and my

1143
00:59:43,720 --> 00:59:46,160
Speaker 1: lady had to argument one time, and he was like, yo, bleak,

1144
00:59:47,160 --> 00:59:50,680
Speaker 1: Like every woman you're gonna remember you argue with your

1145
00:59:50,840 --> 00:59:53,960
Speaker 1: You and your moms disagree, you and your sister disagree.

1146
00:59:54,080 --> 00:59:57,160
Speaker 1: Every woman you meet you're gonna argue with. It's the

1147
00:59:57,240 --> 01:00:00,240
Speaker 1: one that you can tolerate. What's the argument that you

1148
01:00:00,360 --> 01:00:04,080
Speaker 1: can feel like? It's not really an argument. I'm just

1149
01:00:04,120 --> 01:00:06,280
Speaker 1: debating with my partner. That's the one when you know

1150
01:00:06,400 --> 01:00:09,320
Speaker 1: it's real. And then you said something earlier about your

1151
01:00:09,400 --> 01:00:13,240
Speaker 1: talk your car getting told. I remember when I first

1152
01:00:13,320 --> 01:00:16,640
Speaker 1: met my wife. Man, word, I invite out to New York.

1153
01:00:16,720 --> 01:00:20,000
Speaker 1: She's from Philly. I met at the Casino Many. I'm saying,

1154
01:00:20,200 --> 01:00:22,280
Speaker 1: how to come to New York and shit like, yeah,

1155
01:00:22,360 --> 01:00:27,040
Speaker 1: we're gonna go to dinner. I I she hit me here.

1156
01:00:27,600 --> 01:00:30,200
Speaker 1: I'm like, all right, cool, I'm coming downstairs. I was

1157
01:00:30,240 --> 01:00:32,040
Speaker 1: in the Lower East Side at this time too. I

1158
01:00:32,160 --> 01:00:34,840
Speaker 1: was at one of the Homies crib. I come downstairs

1159
01:00:35,560 --> 01:00:41,840
Speaker 1: and I'm outside, like, dude, where's my car? Like gone?

1160
01:00:42,040 --> 01:00:45,720
Speaker 1: They told the motherfucker gone. Now she looking at me

1161
01:00:45,920 --> 01:00:49,080
Speaker 1: like is he Like what's going on? Right? Nigga, don't

1162
01:00:49,120 --> 01:00:52,360
Speaker 1: got no car? Remember this is no uber back then,

1163
01:00:52,440 --> 01:00:54,240
Speaker 1: this ain't no no Let me get on the phone

1164
01:00:56,360 --> 01:00:59,040
Speaker 1: these Yeah. I had to call car service man. Shout

1165
01:00:59,080 --> 01:01:02,280
Speaker 1: out Romero been I've been the whole driver forever. He

1166
01:01:02,440 --> 01:01:04,400
Speaker 1: owned the car service out here. He called me one

1167
01:01:04,440 --> 01:01:07,120
Speaker 1: of the black cars took me to the crib. But

1168
01:01:07,240 --> 01:01:10,960
Speaker 1: I was so embarrassed, like god damn. And she was

1169
01:01:11,000 --> 01:01:12,560
Speaker 1: like we never even went on to day. She was

1170
01:01:12,600 --> 01:01:14,320
Speaker 1: like that sh it ain't about nothing. Yeah she did.

1171
01:01:14,440 --> 01:01:17,520
Speaker 1: She was like, it's nothing worse. She was like I'm

1172
01:01:17,560 --> 01:01:19,520
Speaker 1: with you the next day, like come on, let's go

1173
01:01:19,600 --> 01:01:22,000
Speaker 1: get the car. Yeah. Word is she paid to get

1174
01:01:22,040 --> 01:01:24,080
Speaker 1: the car like ship. I was supposed to take a

1175
01:01:24,120 --> 01:01:27,400
Speaker 1: new or d and it be little like that. Like that,

1176
01:01:27,600 --> 01:01:29,320
Speaker 1: you'll be like ship like that. And a lot of

1177
01:01:29,360 --> 01:01:31,360
Speaker 1: times women I don't want to. I don't want to

1178
01:01:32,080 --> 01:01:33,680
Speaker 1: a lot of times when I want to get in

1179
01:01:33,720 --> 01:01:35,640
Speaker 1: trouble for this. But a lot of times I think

1180
01:01:35,800 --> 01:01:40,640
Speaker 1: women they could be around you for so long and

1181
01:01:40,880 --> 01:01:43,439
Speaker 1: still not understanding. Like I used to tell my girl

1182
01:01:43,600 --> 01:01:48,560
Speaker 1: all the time, like babe, listen, I've seen them. Mm hmmm.

1183
01:01:49,440 --> 01:01:51,640
Speaker 1: Trust me. I've been on the road. I've been. I've been.

1184
01:01:52,840 --> 01:01:54,120
Speaker 1: You know how we said I just want to fuck

1185
01:01:54,160 --> 01:01:59,040
Speaker 1: every girl. I feel like I almost did it. I'm

1186
01:01:59,160 --> 01:02:02,360
Speaker 1: telling you, we put a will numbers. You look better

1187
01:02:02,520 --> 01:02:06,440
Speaker 1: than them. You go to work. That's right. I know

1188
01:02:06,560 --> 01:02:09,160
Speaker 1: what you look like when you get dressed up. That's

1189
01:02:09,440 --> 01:02:11,240
Speaker 1: what you look like with the lashes and the hair

1190
01:02:11,280 --> 01:02:13,280
Speaker 1: and the bun with the two strands hanging. I know,

1191
01:02:13,560 --> 01:02:17,520
Speaker 1: I know, I know what you look like. When you

1192
01:02:17,760 --> 01:02:20,040
Speaker 1: do it, I be fucking with my wife. I know

1193
01:02:20,160 --> 01:02:23,600
Speaker 1: what you look ship. They be buying the packs of edges.

1194
01:02:23,920 --> 01:02:25,919
Speaker 1: I'll be telling wife, I'm gonna buy you a couple

1195
01:02:25,960 --> 01:02:31,360
Speaker 1: of packs. Baby girl, little girl strands with a little bunny.

1196
01:02:31,360 --> 01:02:34,280
Speaker 1: You know what you look like when you do it.

1197
01:02:34,960 --> 01:02:38,120
Speaker 1: But I know what they look like when you wake

1198
01:02:38,200 --> 01:02:40,200
Speaker 1: up in the morning with them. I wake up in

1199
01:02:40,240 --> 01:02:43,320
Speaker 1: the morning with you every day, and I know what

1200
01:02:43,480 --> 01:02:45,800
Speaker 1: you look like when you go there. So you ain't

1201
01:02:45,800 --> 01:02:47,600
Speaker 1: got to be there every day with me. I'm cool

1202
01:02:47,640 --> 01:02:49,720
Speaker 1: with that, just like I ain't gotta be j Mills

1203
01:02:49,760 --> 01:02:52,760
Speaker 1: with all the jewels on every day shades on. Like nah,

1204
01:02:52,880 --> 01:02:59,360
Speaker 1: some days let's go catch happy y'all at the Mexican spot. No,

1205
01:02:59,520 --> 01:03:02,600
Speaker 1: that's everyday. Girls, what I'm saying, they want Mexican every day. Now.

1206
01:03:02,640 --> 01:03:05,760
Speaker 1: My lady grew up in she said, you from from Philly,

1207
01:03:06,000 --> 01:03:09,680
Speaker 1: my girl from Cali. She definitely won Mexican. Grew up

1208
01:03:09,720 --> 01:03:12,240
Speaker 1: in the when the Rodney King riots was going on.

1209
01:03:12,520 --> 01:03:14,840
Speaker 1: I like getting them. I could get them stories from

1210
01:03:14,880 --> 01:03:16,600
Speaker 1: my lady. That's another thing I learned when I moving

1211
01:03:17,040 --> 01:03:21,320
Speaker 1: started fires back then, because it was mad fires. They

1212
01:03:21,440 --> 01:03:25,000
Speaker 1: got up. We're on Jersey. But my lady is like,

1213
01:03:25,120 --> 01:03:28,080
Speaker 1: I've been living in Cali for ten years. You a

1214
01:03:28,120 --> 01:03:30,160
Speaker 1: good nigga. I always when you told me that was

1215
01:03:30,320 --> 01:03:32,040
Speaker 1: out there, Yo, when you told me that, I was like,

1216
01:03:32,120 --> 01:03:36,400
Speaker 1: you a good nigga. Listen, doctor dre ice Cube ice Tea.

1217
01:03:36,680 --> 01:03:39,200
Speaker 1: I took a page out of their book. What's the page?

1218
01:03:39,480 --> 01:03:43,919
Speaker 1: All black? All black? What everything? So what that means?

1219
01:03:44,120 --> 01:03:47,040
Speaker 1: Black hat? L A don't wear the blue Dodgers with

1220
01:03:47,160 --> 01:03:51,040
Speaker 1: the black Dodgers's what I mean. Black jeans, even throw

1221
01:03:51,080 --> 01:03:54,840
Speaker 1: some white ears on it. So that respect. Chill, chill stop.

1222
01:03:54,960 --> 01:03:56,520
Speaker 1: I hear you. I hear you. I hear you. I

1223
01:03:56,640 --> 01:03:59,120
Speaker 1: hear you. I'm not even gonna let you finish because

1224
01:04:00,040 --> 01:04:04,160
Speaker 1: what they call that over there is you following the politics.

1225
01:04:05,120 --> 01:04:06,800
Speaker 1: You could call it what you want. That's what they

1226
01:04:06,920 --> 01:04:08,840
Speaker 1: call it. I know when I give it and my

1227
01:04:09,000 --> 01:04:11,640
Speaker 1: daughter be watching, Hey, Jesse, Yeah, all that on the

1228
01:04:11,680 --> 01:04:13,760
Speaker 1: Disney Bunch. You be like, daddy, come that shit play

1229
01:04:13,800 --> 01:04:15,360
Speaker 1: in New York too? You know that? Right? No? But

1230
01:04:15,400 --> 01:04:18,919
Speaker 1: I mean, like I make it home. Yeah, I'm just saying,

1231
01:04:19,080 --> 01:04:22,120
Speaker 1: but I don't you follow real politics like that. I

1232
01:04:22,320 --> 01:04:25,560
Speaker 1: follow whatever godlines is gonna get me home now. But

1233
01:04:25,680 --> 01:04:28,120
Speaker 1: That's what I mean. Do you follow those guidelines the

1234
01:04:28,200 --> 01:04:31,440
Speaker 1: American way though you're gonna do it to live in

1235
01:04:31,720 --> 01:04:34,880
Speaker 1: La But no, no, I do it here too. No

1236
01:04:35,440 --> 01:04:38,479
Speaker 1: what godlines you following here? There was a time where

1237
01:04:38,680 --> 01:04:40,680
Speaker 1: if you getting on the train and you don't know

1238
01:04:40,760 --> 01:04:43,520
Speaker 1: what that red be like your Yankee FITSH shouldn't be red.

1239
01:04:44,160 --> 01:04:46,760
Speaker 1: There was a time. There was a time where you go,

1240
01:04:47,320 --> 01:04:49,240
Speaker 1: I can't relate. I haven't been on the train since

1241
01:04:49,320 --> 01:04:51,480
Speaker 1: nineteen ninety seven, when I was in high school in

1242
01:04:51,560 --> 01:04:54,960
Speaker 1: nineteen ninety last time I was on That's what I'll

1243
01:04:55,000 --> 01:04:58,520
Speaker 1: be saying. I was probably listening to you when I

1244
01:04:58,680 --> 01:05:00,720
Speaker 1: was going to school, making sure I my Yankee fit.

1245
01:05:00,800 --> 01:05:03,080
Speaker 1: It wasn't red. So nigga when asked me what that

1246
01:05:05,000 --> 01:05:07,920
Speaker 1: is that listen? You were with hole. I was on

1247
01:05:08,040 --> 01:05:10,480
Speaker 1: the three train, you know, in MARSI too. I was

1248
01:05:10,520 --> 01:05:14,360
Speaker 1: in Brooklyn moving around. We was outside, that's what. But

1249
01:05:14,480 --> 01:05:17,560
Speaker 1: it was no we I just we had too many

1250
01:05:17,600 --> 01:05:20,800
Speaker 1: guns around us. Yes, I was on the train. I

1251
01:05:20,920 --> 01:05:22,720
Speaker 1: was on the train where niggas go. One of my

1252
01:05:22,840 --> 01:05:24,880
Speaker 1: niggas still ride the train of this day. And hear

1253
01:05:25,000 --> 01:05:27,840
Speaker 1: real something red, blue, pink, and gray all at the

1254
01:05:27,920 --> 01:05:33,800
Speaker 1: same time. Yeah, but that's not me. I'm trying to

1255
01:05:33,880 --> 01:05:37,440
Speaker 1: explain this and I'm trying to understand it, but I

1256
01:05:37,480 --> 01:05:40,160
Speaker 1: don't know. Look why I'm saying that to you, because

1257
01:05:40,240 --> 01:05:42,920
Speaker 1: when they killed Nipsey in front of his store on

1258
01:05:43,160 --> 01:05:45,080
Speaker 1: the Lord's Day, my nigga, bro, if you're asking me

1259
01:05:45,160 --> 01:05:50,040
Speaker 1: if I politics was my bro, they killed your Listen.

1260
01:05:50,560 --> 01:05:52,080
Speaker 1: They they'll do it to their own. So don't think

1261
01:05:52,120 --> 01:05:53,640
Speaker 1: they won't do it to you just because you just

1262
01:05:53,960 --> 01:05:56,320
Speaker 1: what they say on some cool ship. But what they say,

1263
01:05:56,400 --> 01:06:00,800
Speaker 1: the fastest way it happens to you is where you're from. Yeah,

1264
01:06:00,960 --> 01:06:02,760
Speaker 1: you know what I'm saying, They'll do it to my

1265
01:06:07,280 --> 01:06:09,840
Speaker 1: l A. I remember when I'll be in l A

1266
01:06:09,920 --> 01:06:11,480
Speaker 1: a lot. You know. I got a lot of homies

1267
01:06:11,520 --> 01:06:14,200
Speaker 1: in LA. We move around LA and niggas be like, yo,

1268
01:06:15,160 --> 01:06:18,760
Speaker 1: you gotta follow the politics. It's politics out here, bleak

1269
01:06:18,840 --> 01:06:21,640
Speaker 1: and it's like you can't do this, do that, and

1270
01:06:21,720 --> 01:06:25,840
Speaker 1: it's like y'all politics everywhere, Like you know, man, y'all

1271
01:06:25,960 --> 01:06:29,000
Speaker 1: bugging this politics. Take me to Vegas, man, what are

1272
01:06:29,040 --> 01:06:32,640
Speaker 1: you talking about? I don't even follow America's politics. I'm

1273
01:06:32,680 --> 01:06:38,080
Speaker 1: gonna follow the street my politics sometimes. No, no, no, no,

1274
01:06:38,280 --> 01:06:40,560
Speaker 1: niggas trying to rob me at Drake video shoot for

1275
01:06:40,600 --> 01:06:43,400
Speaker 1: best I ever had in Brooklyn on Sunday at a

1276
01:06:43,520 --> 01:06:46,400
Speaker 1: church in Brooklyn. They're gonna rob you every day. It'sn't

1277
01:06:49,200 --> 01:06:53,680
Speaker 1: I wasn't following up. You're talking about robbed you on

1278
01:06:53,800 --> 01:06:55,920
Speaker 1: Brooklyn on a Sunday on church. It's a video that

1279
01:06:56,040 --> 01:07:00,360
Speaker 1: they robbed Power out Care out there with touring the

1280
01:07:00,480 --> 01:07:03,280
Speaker 1: watch and two chains on smoking a blunt outs where

1281
01:07:03,320 --> 01:07:05,520
Speaker 1: you was at in Brooklyn? What part of Brooklyn? I'm

1282
01:07:05,520 --> 01:07:07,640
Speaker 1: gonna tell you right now, because you're not niggas like

1283
01:07:07,880 --> 01:07:10,480
Speaker 1: you should have called me. Not in Brooklyn. Niggas gonna

1284
01:07:10,560 --> 01:07:14,800
Speaker 1: kill your big homie too. They don't care. Not that place.

1285
01:07:14,920 --> 01:07:19,360
Speaker 1: I don't know exactly where were a niggas around. Sent

1286
01:07:19,400 --> 01:07:20,960
Speaker 1: a few niggas over there for me. I remember that day.

1287
01:07:20,960 --> 01:07:23,960
Speaker 1: You see it, but it was a few niggas made.

1288
01:07:25,400 --> 01:07:27,760
Speaker 1: I had niggas with me, and I'm of course you're

1289
01:07:27,800 --> 01:07:29,720
Speaker 1: not thinking I'm going to Drake video. Shit, I'm not

1290
01:07:29,800 --> 01:07:32,120
Speaker 1: thinking nothing like that. Oh, once again, you're not following.

1291
01:07:33,480 --> 01:07:36,000
Speaker 1: You're not following politics. What's the politics? You and you

1292
01:07:36,160 --> 01:07:40,760
Speaker 1: a Harlem nigga in Brooklyn with all this jewelry on

1293
01:07:41,080 --> 01:07:44,320
Speaker 1: and you outside the video the video is being shot

1294
01:07:44,560 --> 01:07:48,560
Speaker 1: in there, You outside where niggas could just walk up

1295
01:07:48,640 --> 01:07:50,680
Speaker 1: on you and be like yo, Bigga walked up on me,

1296
01:07:50,760 --> 01:07:53,360
Speaker 1: say yo, you that rapper kid. Right, that's not because

1297
01:07:53,440 --> 01:07:56,080
Speaker 1: you ain't following politics. That's because you ain't get your

1298
01:07:56,160 --> 01:07:58,880
Speaker 1: own access pass. Nah, you should have kept your ass

1299
01:07:59,000 --> 01:08:01,360
Speaker 1: in near at that they shooting the video. Act you

1300
01:08:01,480 --> 01:08:04,880
Speaker 1: keep your harlem ass. Yeah there, that's that's what you

1301
01:08:05,040 --> 01:08:08,240
Speaker 1: all over with people where Kanye is directing the video.

1302
01:08:08,320 --> 01:08:10,800
Speaker 1: Act Listen, you stay your harlem ass. This is what

1303
01:08:10,920 --> 01:08:14,720
Speaker 1: I try to tell people. Life outside the velvet rope

1304
01:08:15,280 --> 01:08:18,760
Speaker 1: is only for a select few. Bro me. I never

1305
01:08:19,280 --> 01:08:22,080
Speaker 1: I never enjoyed life behind the velvet rope. I used

1306
01:08:22,080 --> 01:08:24,280
Speaker 1: to feel like I just enjoyed making it home. Like

1307
01:08:24,439 --> 01:08:29,320
Speaker 1: I used to feel like we was too fancy shit

1308
01:08:29,479 --> 01:08:32,960
Speaker 1: too like remember I hung with you, That's what I'm saying.

1309
01:08:33,240 --> 01:08:35,920
Speaker 1: It was a time we're holding them. We did Justin's,

1310
01:08:35,960 --> 01:08:39,000
Speaker 1: we did the Remember everything was the elevation with hoving them.

1311
01:08:39,040 --> 01:08:42,080
Speaker 1: We went from Justine's. I remember when Cheesecake Factory first

1312
01:08:42,120 --> 01:08:44,519
Speaker 1: came out. We used to shut Cheesecake Factory down, going

1313
01:08:44,560 --> 01:08:49,599
Speaker 1: there and spend ten thousand like niggas a look at cheesecake, Like, yes,

1314
01:08:49,760 --> 01:08:52,000
Speaker 1: your timeline was, but this is what I'm saying. But

1315
01:08:52,080 --> 01:08:53,840
Speaker 1: then it got at the time when Jay and them

1316
01:08:53,920 --> 01:08:58,320
Speaker 1: became that vegetarians, when they was just the Fish Committee,

1317
01:08:58,560 --> 01:09:00,519
Speaker 1: and it was like, I'm not hanging and with them.

1318
01:09:00,640 --> 01:09:03,200
Speaker 1: I don't eat fish. I still want a burger. And

1319
01:09:03,280 --> 01:09:05,639
Speaker 1: then when I got on a fish life, it was like, Okay,

1320
01:09:05,720 --> 01:09:07,840
Speaker 1: I can fuck with your niggas again. But then now

1321
01:09:07,920 --> 01:09:15,040
Speaker 1: they eat plants, flowers, flowers. My nigg got need real food.

1322
01:09:15,600 --> 01:09:17,840
Speaker 1: These niggas is different. Just like you went from the

1323
01:09:17,920 --> 01:09:22,320
Speaker 1: burger to the at some point, I'm not vegetarian, but

1324
01:09:22,400 --> 01:09:25,439
Speaker 1: I eat fish. I still need that burger dog and

1325
01:09:25,600 --> 01:09:28,320
Speaker 1: that real cheese. I'm not getting no fish. You think

1326
01:09:28,360 --> 01:09:31,599
Speaker 1: i'ma go over here and get a green bean burger,

1327
01:09:32,120 --> 01:09:34,840
Speaker 1: I'm gonna get a real burger man. Yeah, I don't

1328
01:09:34,880 --> 01:09:37,160
Speaker 1: need a black bean burger. Look shout out to Kevin

1329
01:09:37,200 --> 01:09:39,479
Speaker 1: Hart right. Me and my lady. We was in Cali

1330
01:09:39,600 --> 01:09:43,360
Speaker 1: one day, so we saw Kevin Hart joint. So I'm like, oh,

1331
01:09:43,479 --> 01:09:45,920
Speaker 1: let's go support, let's go pull into Kevin Hart joints.

1332
01:09:45,920 --> 01:09:47,680
Speaker 1: I pull into this, I'm looking at the men, I'm like,

1333
01:09:48,760 --> 01:09:52,840
Speaker 1: I'm like, miss, are these is this like real? No?

1334
01:09:53,920 --> 01:09:57,599
Speaker 1: Colie Flower, Chase said, no, this is all us. I said, Oh, okay,

1335
01:09:57,720 --> 01:09:59,000
Speaker 1: thank you, you have a good day. I put that

1336
01:09:59,040 --> 01:10:02,040
Speaker 1: bitch in drive and pull right about that motherfucker driver,

1337
01:10:02,520 --> 01:10:04,760
Speaker 1: like I know, not to the vegans, but fuck is

1338
01:10:04,800 --> 01:10:08,240
Speaker 1: going on. Man, We're not here for long. I'm gonna

1339
01:10:08,320 --> 01:10:11,479
Speaker 1: enjoy this ship. Man that we're not here for long.

1340
01:10:12,040 --> 01:10:14,800
Speaker 1: But no if if But back the way, we were saying, yes,

1341
01:10:14,960 --> 01:10:18,080
Speaker 1: I do make sure I respect where I'm at, because

1342
01:10:18,080 --> 01:10:20,120
Speaker 1: this is one thing I always say. All you had

1343
01:10:20,160 --> 01:10:24,840
Speaker 1: to do is have one Brooklyn nigga with you. He told, Yo, Son,

1344
01:10:24,920 --> 01:10:27,160
Speaker 1: you bugging with you? Yo, you want to be outside.

1345
01:10:27,240 --> 01:10:29,160
Speaker 1: Niggas going to hit you in the ad. But listen,

1346
01:10:29,280 --> 01:10:33,120
Speaker 1: I'm not following. I'm too comfortable. I'm young. But no

1347
01:10:33,320 --> 01:10:36,519
Speaker 1: politics in Brooklyn. It's just know where you're at and

1348
01:10:36,640 --> 01:10:40,120
Speaker 1: know who you are. It's true. But when you Harlem,

1349
01:10:40,200 --> 01:10:43,679
Speaker 1: you got two strikes already. Nah, they don't know where

1350
01:10:43,680 --> 01:10:45,439
Speaker 1: you're from. You want to do this right here on

1351
01:10:45,520 --> 01:10:48,519
Speaker 1: this platform. Yeah, so you're trying to tell me, Harlem,

1352
01:10:48,600 --> 01:10:51,360
Speaker 1: niggas is we're just good in Brooklyn. You should be

1353
01:10:51,400 --> 01:10:54,599
Speaker 1: good anywhere you're going. See you not answering the question

1354
01:10:54,840 --> 01:10:58,400
Speaker 1: I said. You trying to tell me Harlem, Niggas just

1355
01:10:58,600 --> 01:11:00,800
Speaker 1: we're just good in Brooklyn. It's good or we we

1356
01:11:00,880 --> 01:11:04,439
Speaker 1: gotta make a call and let me all right, you

1357
01:11:04,520 --> 01:11:07,280
Speaker 1: want me to be truthful and honest with you. They're

1358
01:11:07,320 --> 01:11:11,120
Speaker 1: not just say life outside the velvet rope is for

1359
01:11:11,240 --> 01:11:15,720
Speaker 1: a select right. They're not just say that right, you

1360
01:11:15,880 --> 01:11:18,120
Speaker 1: know what, hall them Nigga is part of that select

1361
01:11:18,200 --> 01:11:21,719
Speaker 1: few who good in Brooklyn. Not a lot of Jim Jones,

1362
01:11:22,160 --> 01:11:25,639
Speaker 1: Jim Jones sleeping in the Bentley, but not everybody. It's

1363
01:11:25,760 --> 01:11:29,160
Speaker 1: not for everybody the streets. This is what be trying

1364
01:11:29,240 --> 01:11:32,360
Speaker 1: to explain that. That's why you got not for everybody.

1365
01:11:32,640 --> 01:11:37,360
Speaker 1: You gotta follow pro No, no, you just don't live

1366
01:11:37,479 --> 01:11:40,639
Speaker 1: there then, man, like I'm not moving some now if

1367
01:11:40,680 --> 01:11:43,000
Speaker 1: they tell me right now, yo, bleak, you want to

1368
01:11:43,080 --> 01:11:46,080
Speaker 1: move to Kentucky, Nigga, you gotta shovel hey, or you

1369
01:11:46,160 --> 01:11:48,639
Speaker 1: gotta wrap some of this hay up or they gonna

1370
01:11:48,720 --> 01:11:51,840
Speaker 1: ride on you. Man, They're gonna have to ride. Nigga

1371
01:11:52,400 --> 01:11:56,519
Speaker 1: not fucking tieing, no hay out nice. So you're gonna

1372
01:11:56,520 --> 01:11:58,439
Speaker 1: be out there wrapping the hair up like fuck it.

1373
01:11:58,760 --> 01:12:01,559
Speaker 1: My horses gotta eat. It depends, it depends. Now, look,

1374
01:12:01,680 --> 01:12:03,840
Speaker 1: my daughter, my daughter was born. I told you my

1375
01:12:03,960 --> 01:12:06,720
Speaker 1: lady from Cali. My daughter was born in Cali, right,

1376
01:12:07,479 --> 01:12:10,960
Speaker 1: So I wanted to make sure your brothers, that's that's got.

1377
01:12:11,040 --> 01:12:14,120
Speaker 1: She had the older brother. My lady got. Make sure

1378
01:12:14,120 --> 01:12:18,160
Speaker 1: you're good. Cool. Her brothers they ain't look, they ain't tired. No,

1379
01:12:18,320 --> 01:12:22,320
Speaker 1: she she Muslim? Her family is they they really? They tapped.

1380
01:12:22,360 --> 01:12:25,320
Speaker 1: They tapped in on the muzzles and shock my man

1381
01:12:25,360 --> 01:12:27,800
Speaker 1: brother ic the f O I s. So this is

1382
01:12:27,840 --> 01:12:31,080
Speaker 1: why I'm telling you they tapped. I definitely don't need to.

1383
01:12:32,840 --> 01:12:36,400
Speaker 1: I don't play because if it goes left, it's gonna

1384
01:12:36,479 --> 01:12:38,720
Speaker 1: go bad. And you supposed to let it go all

1385
01:12:38,800 --> 01:12:41,280
Speaker 1: the way. No, I just want to take my daughter

1386
01:12:41,560 --> 01:12:43,320
Speaker 1: yoga Land. I just want to take my daughter to

1387
01:12:43,479 --> 01:12:47,320
Speaker 1: yogurt land and bring the dispensary and bring my ass home.

1388
01:12:47,640 --> 01:12:49,960
Speaker 1: Come on in the Florida with me, man Oh I was,

1389
01:12:50,200 --> 01:12:53,479
Speaker 1: I was. I was in Florida. You know where I left.

1390
01:12:53,640 --> 01:12:57,000
Speaker 1: You know where I left? Wow? Because my daughter was

1391
01:12:57,080 --> 01:12:59,439
Speaker 1: born in Calli and I had a balcony on the

1392
01:12:59,520 --> 01:13:04,160
Speaker 1: forty eight floor, and I was wilding the balcony went

1393
01:13:04,160 --> 01:13:07,400
Speaker 1: from the bedroom to the living room. I was wiling.

1394
01:13:07,479 --> 01:13:10,760
Speaker 1: They shoot wild corn in Miami. Oh my god, I

1395
01:13:10,920 --> 01:13:17,200
Speaker 1: was washing. I was willin'. I had to get out

1396
01:13:17,240 --> 01:13:20,040
Speaker 1: of there. So when I got to Cali, it's like,

1397
01:13:20,120 --> 01:13:22,920
Speaker 1: and I tried to come back, but there's I came

1398
01:13:23,760 --> 01:13:29,880
Speaker 1: only in Jacksonville. In Jacksonville, you better watch your ass. Jacksonville, Jacksonville, Memphis,

1399
01:13:30,000 --> 01:13:33,120
Speaker 1: all that. It's weird. But it's no protocol though. It's

1400
01:13:33,200 --> 01:13:36,600
Speaker 1: just called either you involved or you not. You know

1401
01:13:36,680 --> 01:13:38,439
Speaker 1: what I think it is with me? I always moved

1402
01:13:39,280 --> 01:13:42,120
Speaker 1: is different. Even when I lived in Miami. I moved

1403
01:13:42,200 --> 01:13:45,479
Speaker 1: like that too, because it's certain. It's certain ways you

1404
01:13:45,520 --> 01:13:47,599
Speaker 1: gotta move in Miami too. It's a certain little it's

1405
01:13:47,600 --> 01:13:49,479
Speaker 1: certain niggas would be out there and they run down

1406
01:13:49,520 --> 01:13:52,360
Speaker 1: on you like that's every city. That's why I said,

1407
01:13:52,360 --> 01:13:54,599
Speaker 1: you gotta follow yo. You know you could be yo.

1408
01:13:54,720 --> 01:13:57,120
Speaker 1: You know you could be a malleable in a surfer

1409
01:13:57,280 --> 01:13:58,760
Speaker 1: hit you in the ad too, if he kept you

1410
01:13:58,840 --> 01:14:05,080
Speaker 1: slipping right like, it's called slipping. Nah, Yes, La is different.

1411
01:14:05,160 --> 01:14:07,760
Speaker 1: It's called slipping. I don't care where you at it's you.

1412
01:14:07,960 --> 01:14:10,680
Speaker 1: You you in the wrong place, doing the wrong thing,

1413
01:14:10,880 --> 01:14:12,760
Speaker 1: and the right nigga catch you, hes gonna get you.

1414
01:14:13,200 --> 01:14:17,400
Speaker 1: That's just it. Bro. La is different. I'll see you

1415
01:14:17,800 --> 01:14:21,280
Speaker 1: following protocol. So you could tell me I'm driving, I'm

1416
01:14:21,280 --> 01:14:23,080
Speaker 1: gonna tell you. I'm gonna tell you. I treat La

1417
01:14:23,200 --> 01:14:26,880
Speaker 1: how people treat Delaware. What's Delaware? No? For you just

1418
01:14:27,040 --> 01:14:32,360
Speaker 1: drive through, spin through? No, I take all the highways

1419
01:14:32,360 --> 01:14:34,640
Speaker 1: and did you just did you ever get off the

1420
01:14:34,720 --> 01:14:36,680
Speaker 1: Highway of Delaware and be like, Yo, I'm go this

1421
01:14:36,800 --> 01:14:39,840
Speaker 1: restaurant over here. N I don't have no reason to

1422
01:14:39,880 --> 01:14:41,479
Speaker 1: be there. This is what I'm saying. That's how I

1423
01:14:41,600 --> 01:14:43,320
Speaker 1: treat l A. I pick up a bag and I'm

1424
01:14:43,360 --> 01:14:45,719
Speaker 1: going to Vegas. Yeah, but your family not my family

1425
01:14:45,800 --> 01:14:49,599
Speaker 1: in La. Move them. No, my family was in Brooklyn.

1426
01:14:49,720 --> 01:14:53,439
Speaker 1: I moved them. I tried to come back to the

1427
01:14:53,479 --> 01:14:58,360
Speaker 1: Tri State area. I came back to the Tri State area. No,

1428
01:14:59,080 --> 01:15:02,760
Speaker 1: after living in f living in Florida, and then when

1429
01:15:02,760 --> 01:15:04,679
Speaker 1: my daughter was born, I tried to come. I tried

1430
01:15:04,680 --> 01:15:06,160
Speaker 1: to I tried to do that. You know that, Jose,

1431
01:15:06,280 --> 01:15:08,800
Speaker 1: hear you you keep going back to my daughter like, yeah,

1432
01:15:08,800 --> 01:15:10,680
Speaker 1: I'm doing this for my daughter. Helen. But you made

1433
01:15:10,760 --> 01:15:14,960
Speaker 1: J Johnsons play pause, no making you followed protocl Look,

1434
01:15:15,479 --> 01:15:17,920
Speaker 1: I'm look, I'm gonna tell you, I'm gonna tell where

1435
01:15:17,920 --> 01:15:21,040
Speaker 1: I'm mat. I'm gonna tell you this. Listen, we gotta

1436
01:15:21,080 --> 01:15:24,400
Speaker 1: get J Mills. No more protocol for JA. He don't

1437
01:15:24,439 --> 01:15:26,600
Speaker 1: even know the protocol. I'm gonna tell you some he

1438
01:15:26,800 --> 01:15:32,240
Speaker 1: just dressing it. But I'm gonna tell you something. I'm

1439
01:15:32,240 --> 01:15:34,960
Speaker 1: gonna tell you I had a Yankee. I had a Yankee.

1440
01:15:34,960 --> 01:15:37,400
Speaker 1: Fill a nigga. Thought I was rolling sixties. Yees see

1441
01:15:37,520 --> 01:15:40,280
Speaker 1: Kenvin Web New York Yankees. Now listen to that. You

1442
01:15:40,960 --> 01:15:43,720
Speaker 1: listening to that. You're a Mets hat wearer. You never

1443
01:15:43,880 --> 01:15:45,800
Speaker 1: had a Mets hat in your life. You can't wear Mets.

1444
01:15:45,840 --> 01:15:48,760
Speaker 1: I'm not like Orange can't wear. You can't wear no

1445
01:15:49,000 --> 01:15:52,240
Speaker 1: hat with a logo in California. Man, that's probably the

1446
01:15:52,360 --> 01:15:54,599
Speaker 1: safest logo that a nigga might be able to wear

1447
01:15:54,640 --> 01:15:56,880
Speaker 1: on his cap when you in California. Right there, that's

1448
01:15:56,920 --> 01:15:59,840
Speaker 1: probably the safest logo because ain't no only niggas who banging.

1449
01:15:59,880 --> 01:16:03,760
Speaker 1: That is y'all some richness. It's playing gang were about

1450
01:16:03,800 --> 01:16:09,200
Speaker 1: to start playing gang niggas respect side. But we all.

1451
01:16:09,280 --> 01:16:11,639
Speaker 1: I know we're joking right now. By jokes side. When

1452
01:16:11,640 --> 01:16:14,920
Speaker 1: my daughter was born, and like I used to make,

1453
01:16:14,960 --> 01:16:16,519
Speaker 1: I had to make a choice with a lot of ship.

1454
01:16:16,560 --> 01:16:18,920
Speaker 1: And I always say this, I might have missed out

1455
01:16:18,960 --> 01:16:21,040
Speaker 1: on like a lot of like All Star weekends or

1456
01:16:21,080 --> 01:16:23,240
Speaker 1: Super Bowls or you know, you feel like, Damn, I

1457
01:16:23,280 --> 01:16:25,080
Speaker 1: supposed to be at the BT Award this weekend, but

1458
01:16:25,080 --> 01:16:26,960
Speaker 1: I'm doing this blah blah blah blah blah. And you

1459
01:16:27,080 --> 01:16:28,920
Speaker 1: look back on it, You're like, Damn, you ain't missed

1460
01:16:28,920 --> 01:16:32,600
Speaker 1: no recitals, you ain't missing graduations, you ain't miss no.

1461
01:16:32,920 --> 01:16:34,880
Speaker 1: It's like, yeah, you can have your daughter in Harlem. Yeah,

1462
01:16:35,000 --> 01:16:37,360
Speaker 1: that's little Mills, that's a little nigga. You don't want

1463
01:16:37,360 --> 01:16:39,519
Speaker 1: to be in Harlem, That's right. So what you're gonna

1464
01:16:39,560 --> 01:16:41,720
Speaker 1: raise you're just because you grew up in Harlem. That

1465
01:16:41,760 --> 01:16:43,559
Speaker 1: don't mean your daughter deserved to grow up in Harlem.

1466
01:16:43,640 --> 01:16:45,800
Speaker 1: I'ay no, no, I'm not saying you. I'm not saying you.

1467
01:16:45,880 --> 01:16:48,160
Speaker 1: I'm saying like, this is just my mentality as in

1468
01:16:48,360 --> 01:16:51,160
Speaker 1: Carolina can be out there shooting up like my family,

1469
01:16:51,320 --> 01:16:55,439
Speaker 1: my whole famius move gun. You ain't got no guns

1470
01:16:55,439 --> 01:16:59,000
Speaker 1: in La. Yeah, but no, no, no, no, listen to me.

1471
01:16:59,120 --> 01:17:01,320
Speaker 1: I don't have any guns in California. All right, I'm

1472
01:17:01,320 --> 01:17:03,760
Speaker 1: gonna put some in his house. Y'all know who he's

1473
01:17:03,840 --> 01:17:15,240
Speaker 1: about to happen. Listen, this is for promotional use. Whatever

1474
01:17:15,400 --> 01:17:20,519
Speaker 1: you say for promotion only disclaim my dad two or three,

1475
01:17:21,400 --> 01:17:23,160
Speaker 1: you know what I'm saying. And then you know, I

1476
01:17:23,160 --> 01:17:25,200
Speaker 1: gotta introduce you to my cousin out there. You know,

1477
01:17:25,479 --> 01:17:27,240
Speaker 1: you know, you know it's funny to you know, it's

1478
01:17:27,280 --> 01:17:30,920
Speaker 1: funny too. I enjoy living in California. It's funny, shi,

1479
01:17:30,960 --> 01:17:33,400
Speaker 1: it's nice a ship. Paul, give me, give me, give

1480
01:17:33,439 --> 01:17:35,240
Speaker 1: me like this is the chapter of my life where

1481
01:17:35,240 --> 01:17:38,360
Speaker 1: I'm at like you had the Harlem chapter, Miami chapter,

1482
01:17:38,479 --> 01:17:42,240
Speaker 1: the young Money chapter. Uh, the chapter where you know

1483
01:17:42,320 --> 01:17:44,360
Speaker 1: you're going through it, where your child is born and

1484
01:17:44,400 --> 01:17:45,920
Speaker 1: you're in the first couple of years and you don't

1485
01:17:45,920 --> 01:17:48,240
Speaker 1: know if your lady gonna make it. You don't know

1486
01:17:48,240 --> 01:17:50,120
Speaker 1: if you're gonna make it with her, So you go

1487
01:17:50,280 --> 01:17:52,479
Speaker 1: through that. You try to live in Miami, try to

1488
01:17:52,520 --> 01:17:54,200
Speaker 1: do you try to live in Jersey because this is

1489
01:17:54,200 --> 01:17:56,320
Speaker 1: where we're from. We both yea, you'd be like, you

1490
01:17:56,360 --> 01:17:58,439
Speaker 1: know why we do that? We all go to Jersey.

1491
01:17:58,520 --> 01:18:01,000
Speaker 1: Nobody go Cali. But because I moved her here from

1492
01:18:01,120 --> 01:18:03,200
Speaker 1: from When I moved her here from Cali, I said,

1493
01:18:03,200 --> 01:18:05,400
Speaker 1: you know, move to New York, you know, move to Jersey.

1494
01:18:05,439 --> 01:18:09,880
Speaker 1: We living in Jersey just wasn't right. And I was watching,

1495
01:18:09,880 --> 01:18:12,320
Speaker 1: you know how you watch your lady and you like, damn,

1496
01:18:13,680 --> 01:18:15,800
Speaker 1: she only she only going through this shit because I

1497
01:18:15,920 --> 01:18:18,160
Speaker 1: told her too, she only going through this shit. You're

1498
01:18:18,280 --> 01:18:19,920
Speaker 1: me for me. So I was like, you know what,

1499
01:18:20,160 --> 01:18:23,519
Speaker 1: she tried that shit for me. I make my money

1500
01:18:23,560 --> 01:18:25,880
Speaker 1: on the road anyway, so I could I could try Cali.

1501
01:18:25,960 --> 01:18:27,920
Speaker 1: You know what I'm saying. I make I don't make

1502
01:18:28,000 --> 01:18:30,760
Speaker 1: my money just in one state. No matter where I live,

1503
01:18:30,760 --> 01:18:32,280
Speaker 1: I gotta get on a flight. They got your bag,

1504
01:18:32,320 --> 01:18:33,960
Speaker 1: you know what I'm saying. I could go anywhere. So

1505
01:18:34,040 --> 01:18:36,640
Speaker 1: when I went out there, it was like, damn, you

1506
01:18:36,840 --> 01:18:39,439
Speaker 1: kind of away from everything, you get to breathe, you

1507
01:18:39,479 --> 01:18:41,840
Speaker 1: know what I'm saying. It ain't like eighteen floor projects.

1508
01:18:41,920 --> 01:18:45,400
Speaker 1: It ain't like it ain't like everything is close everything.

1509
01:18:45,680 --> 01:18:47,519
Speaker 1: You could go to the beach on Christmas if you want,

1510
01:18:47,560 --> 01:18:49,479
Speaker 1: and just think about some shit that was new to me,

1511
01:18:50,280 --> 01:18:53,040
Speaker 1: you know what I'm saying. And and to be real

1512
01:18:53,120 --> 01:18:55,120
Speaker 1: to you. When I first moved to Cali in twenty fifteen,

1513
01:18:55,200 --> 01:18:57,880
Speaker 1: at that time, we wasn't legal in New York, so

1514
01:18:57,920 --> 01:18:59,800
Speaker 1: I was like, oh shit, you could just body shit

1515
01:18:59,840 --> 01:19:02,920
Speaker 1: over counter and walk out n bring it to and

1516
01:19:02,960 --> 01:19:05,519
Speaker 1: shit like that. I'm never going back. Yeah, they bring

1517
01:19:05,640 --> 01:19:07,280
Speaker 1: it to the crib. You were a biggie. Rather it

1518
01:19:07,360 --> 01:19:10,000
Speaker 1: became legal at some point. But when I realized that

1519
01:19:10,120 --> 01:19:12,040
Speaker 1: I can go get weed over a counter and I

1520
01:19:12,080 --> 01:19:15,000
Speaker 1: can go smell shit niggas like a little museum. I

1521
01:19:15,040 --> 01:19:17,120
Speaker 1: don't have to stuff this ship in my box of

1522
01:19:17,160 --> 01:19:20,560
Speaker 1: briefs or dykeman and try to put a jar in

1523
01:19:20,680 --> 01:19:23,519
Speaker 1: a sock. You got a jar in your sock, you

1524
01:19:23,600 --> 01:19:25,160
Speaker 1: might as well put the shit in your pocket when

1525
01:19:25,200 --> 01:19:26,960
Speaker 1: the cops pull you over. As a fact, I was like,

1526
01:19:27,040 --> 01:19:28,680
Speaker 1: I'm never going back, you know what I'm saying. Then

1527
01:19:28,720 --> 01:19:30,760
Speaker 1: I had my surgery out there. Yeah, man, you know

1528
01:19:30,800 --> 01:19:32,800
Speaker 1: I heard about that man talk about I had. I

1529
01:19:32,880 --> 01:19:35,880
Speaker 1: had a tumor growing on the top of my vocal

1530
01:19:35,960 --> 01:19:38,840
Speaker 1: cords in like twenty fifteen, so I had to get

1531
01:19:38,840 --> 01:19:40,519
Speaker 1: a surgery to get that ship removed. But I was

1532
01:19:40,560 --> 01:19:42,920
Speaker 1: ready to stop rapping and all that. Wow, man, God,

1533
01:19:42,960 --> 01:19:46,479
Speaker 1: bless you back. Man, got surgery back there, Bro, And

1534
01:19:46,840 --> 01:19:48,400
Speaker 1: I don't know, I think Cali just be like a

1535
01:19:48,439 --> 01:19:49,760
Speaker 1: piece of mind for me, But I make sure I

1536
01:19:49,840 --> 01:19:52,719
Speaker 1: come back here. Don't get it twisted. Humble. I love humbling.

1537
01:19:52,760 --> 01:19:56,000
Speaker 1: It's humbling. It's some of the clients shit you ever

1538
01:19:56,120 --> 01:19:59,639
Speaker 1: going to see in your life in California, Los Angeles

1539
01:19:59,720 --> 01:20:02,360
Speaker 1: saying Francisco Oakland has some of the best times of

1540
01:20:02,439 --> 01:20:05,320
Speaker 1: my life. I just sink the shift. I was there

1541
01:20:05,840 --> 01:20:08,760
Speaker 1: before the East West Coast, you know what I mean,

1542
01:20:08,880 --> 01:20:11,160
Speaker 1: I was going to LA when they treated us like

1543
01:20:11,479 --> 01:20:14,599
Speaker 1: when you land in London like you was a fucking alien.

1544
01:20:14,800 --> 01:20:17,200
Speaker 1: Like that was like, man, you know what I'm saying that, Like,

1545
01:20:17,360 --> 01:20:18,920
Speaker 1: what was that like? Because I wasn't. I was a

1546
01:20:19,040 --> 01:20:20,760
Speaker 1: kid and I was on the block during the East

1547
01:20:20,800 --> 01:20:22,960
Speaker 1: Coast West I was a kid too, Bro, Like was

1548
01:20:23,000 --> 01:20:26,280
Speaker 1: you was you still? Like when when when Pak was

1549
01:20:26,360 --> 01:20:29,000
Speaker 1: saying all that Hawaiian sofa and he was like saying,

1550
01:20:29,080 --> 01:20:31,400
Speaker 1: we was going to LS what I'm saying before that,

1551
01:20:31,840 --> 01:20:33,519
Speaker 1: we was going to LA. But what was it like?

1552
01:20:33,600 --> 01:20:37,320
Speaker 1: And then during that time, Bro, it was militant like

1553
01:20:37,479 --> 01:20:40,000
Speaker 1: after the biggie shit with Pop God bless both of

1554
01:20:40,080 --> 01:20:44,080
Speaker 1: their souls, Bro, Death Jim wouldn't even allow us to

1555
01:20:44,200 --> 01:20:47,160
Speaker 1: go to La without having a security guard posted up

1556
01:20:47,360 --> 01:20:50,040
Speaker 1: with you all day every day. It was times when

1557
01:20:50,040 --> 01:20:52,559
Speaker 1: I was in La, renting cars, just riding around Dolo,

1558
01:20:52,880 --> 01:20:54,880
Speaker 1: just like this, I'll just go to Waffle, Well, let's

1559
01:20:54,880 --> 01:20:57,760
Speaker 1: go to Rosco and Chicken over here, Let's go over here,

1560
01:20:57,840 --> 01:20:59,720
Speaker 1: let's go to watch, let's go to Slaws. So let's

1561
01:20:59,760 --> 01:21:03,760
Speaker 1: go doing everything everything and nothing was nothing. And then

1562
01:21:03,880 --> 01:21:06,080
Speaker 1: after that East West ship, Bro, it was like, now

1563
01:21:06,160 --> 01:21:08,560
Speaker 1: we need security. Now you need to tap in with

1564
01:21:08,680 --> 01:21:11,680
Speaker 1: a local nigga, a gang member. Then you talking to

1565
01:21:11,760 --> 01:21:14,439
Speaker 1: these niggas, this nigga, that nigga. Yo, you gotta meet

1566
01:21:14,479 --> 01:21:18,200
Speaker 1: with the O G hit the pass over here and

1567
01:21:18,280 --> 01:21:20,920
Speaker 1: it just came too much. It's like, yo, bro, I'm

1568
01:21:20,960 --> 01:21:23,439
Speaker 1: not doing this in no city. I'm going to Why

1569
01:21:23,479 --> 01:21:27,760
Speaker 1: am I doing it crazy? It's like it ain't like

1570
01:21:27,840 --> 01:21:29,880
Speaker 1: that when we go here, when we go here, like

1571
01:21:30,040 --> 01:21:34,920
Speaker 1: we gotta go, it almost makes me feel like nah dog,

1572
01:21:35,040 --> 01:21:38,040
Speaker 1: I'm like nah nah, I just say if that's what

1573
01:21:38,200 --> 01:21:40,720
Speaker 1: it is, this fucking I just ain't it. I'm cool,

1574
01:21:40,800 --> 01:21:43,840
Speaker 1: I skip it, But I love La. They got the

1575
01:21:43,920 --> 01:21:47,120
Speaker 1: best weed. You're kidding me. Man, the best weather the

1576
01:21:47,240 --> 01:21:49,920
Speaker 1: beaches is crazy. It's just it be little things like that.

1577
01:21:50,000 --> 01:21:51,400
Speaker 1: I'll be like, Damn, I could go to the beach

1578
01:21:51,479 --> 01:21:54,559
Speaker 1: on Christmas. I could ship that. And then it's like, well,

1579
01:21:56,200 --> 01:21:57,760
Speaker 1: and I know we just joking talking about this shit,

1580
01:21:57,800 --> 01:22:00,160
Speaker 1: but it's like, when you really think about it, it's like, damn, bro,

1581
01:22:01,479 --> 01:22:06,120
Speaker 1: what you're gonna do in New York? New York? You

1582
01:22:06,240 --> 01:22:08,160
Speaker 1: got the business, you get your money. I tell people,

1583
01:22:08,520 --> 01:22:10,479
Speaker 1: But it's in New York. It's so much more to

1584
01:22:10,640 --> 01:22:14,280
Speaker 1: the world than That's what I try. No, that's a fact.

1585
01:22:14,320 --> 01:22:16,240
Speaker 1: But a lot of our niggas and you gotta think

1586
01:22:16,240 --> 01:22:18,639
Speaker 1: about this. I'm gonna tell you. It's it's three sides

1587
01:22:18,720 --> 01:22:21,280
Speaker 1: to New York, and a lot of our niggas only

1588
01:22:21,479 --> 01:22:23,880
Speaker 1: low the one side. So what what's the three sides?

1589
01:22:23,920 --> 01:22:26,040
Speaker 1: It's three sides in New York, Bros. You when you

1590
01:22:26,200 --> 01:22:28,800
Speaker 1: fucked up and you from poverty, the project, you're trying

1591
01:22:28,840 --> 01:22:31,200
Speaker 1: to make it, you're on the block, hustling. It's that

1592
01:22:31,560 --> 01:22:35,800
Speaker 1: underworld that you know, the shootouts, the bangouts, the ship

1593
01:22:35,880 --> 01:22:38,760
Speaker 1: you talking about, the raisors, on the train doing your thing.

1594
01:22:39,120 --> 01:22:42,840
Speaker 1: Then when you first start getting money, it's the other side.

1595
01:22:42,920 --> 01:22:46,240
Speaker 1: Now you're in Dumbo. Now you in fucking you coming

1596
01:22:46,320 --> 01:22:51,080
Speaker 1: downtown money you in the pause pause the meatpacking district.

1597
01:22:53,479 --> 01:22:55,439
Speaker 1: You know what I'm saying. You hanging on that side.

1598
01:22:55,760 --> 01:23:02,120
Speaker 1: But did that? I don't They would out then yo.

1599
01:23:02,760 --> 01:23:06,720
Speaker 1: Then from there right then, when you first chaste, get

1600
01:23:06,800 --> 01:23:10,360
Speaker 1: to taste the money, bro, you realize that the money

1601
01:23:10,439 --> 01:23:13,479
Speaker 1: is separated in the city. Yes, you realize then it's

1602
01:23:13,560 --> 01:23:16,320
Speaker 1: the third level. When you start doing shit only on

1603
01:23:16,439 --> 01:23:19,800
Speaker 1: the east side, you realize, I'm over the west side.

1604
01:23:20,120 --> 01:23:22,800
Speaker 1: The west side is where the hood. That damn, my nigga.

1605
01:23:22,840 --> 01:23:24,800
Speaker 1: You know it's crazy that you said this. I was

1606
01:23:24,920 --> 01:23:27,800
Speaker 1: just talking to one of my homies, a man Steve

1607
01:23:28,400 --> 01:23:29,800
Speaker 1: that I went to high school. I went to the

1608
01:23:29,840 --> 01:23:32,680
Speaker 1: high school Art and Design. Still talk to him every day, right,

1609
01:23:33,280 --> 01:23:34,559
Speaker 1: and I was telling him. I was like, Damn, when

1610
01:23:34,560 --> 01:23:36,879
Speaker 1: I come back to New York, it's crazy. We stumbled

1611
01:23:36,920 --> 01:23:39,439
Speaker 1: on this combo, my nigga, But I was like, it's

1612
01:23:39,479 --> 01:23:41,080
Speaker 1: crazy when I come back to New York. Now, I

1613
01:23:41,200 --> 01:23:44,439
Speaker 1: be feeling like I be bored, maybe because I've been

1614
01:23:44,640 --> 01:23:47,200
Speaker 1: I've been outside since I was like fifteen. I met

1615
01:23:47,240 --> 01:23:49,360
Speaker 1: Tony Naja mis in them at fifteen I was at

1616
01:23:49,560 --> 01:23:53,160
Speaker 1: Willie's at fifteen. There's all the young money shitting. So

1617
01:23:53,240 --> 01:23:55,320
Speaker 1: now when I come back to New York, I don't

1618
01:23:55,320 --> 01:23:57,000
Speaker 1: want to go to the hookah spot. No, I like

1619
01:23:57,080 --> 01:23:59,680
Speaker 1: to smoke weed. I don't want to go to the

1620
01:24:00,040 --> 01:24:02,519
Speaker 1: hip clubs because I grew up with gambling stuff, so

1621
01:24:02,640 --> 01:24:04,200
Speaker 1: I don't know how to throw my money. I know

1622
01:24:04,280 --> 01:24:07,840
Speaker 1: how to get not the knock it. It's just so

1623
01:24:08,080 --> 01:24:10,120
Speaker 1: different now. And I started thinking. I was like, you

1624
01:24:10,200 --> 01:24:12,800
Speaker 1: know what I think it is. I think I gotta

1625
01:24:12,960 --> 01:24:16,320
Speaker 1: change the people that I'm around. That's a fact act.

1626
01:24:16,520 --> 01:24:18,920
Speaker 1: So when you say that third level where it's like

1627
01:24:19,080 --> 01:24:21,599
Speaker 1: you go from, it's like this the east side the ship.

1628
01:24:21,720 --> 01:24:24,240
Speaker 1: That the reason why you're bored when you come back home.

1629
01:24:24,320 --> 01:24:27,200
Speaker 1: Sometimes you're still trying to do ship that you might

1630
01:24:27,280 --> 01:24:29,560
Speaker 1: have been doing. I grew already and you know, you

1631
01:24:29,600 --> 01:24:32,559
Speaker 1: got survivors remorse, and now you feel like you want

1632
01:24:32,600 --> 01:24:36,120
Speaker 1: to go back and still be It's crazy you said that.

1633
01:24:36,280 --> 01:24:38,760
Speaker 1: It's like, damn man, I was just feeling like, bro,

1634
01:24:38,960 --> 01:24:41,280
Speaker 1: it's clubs in the city. Niggas don't even know about

1635
01:24:41,479 --> 01:24:44,519
Speaker 1: underground boot like my nigga, when I tell you, it's

1636
01:24:44,560 --> 01:24:48,599
Speaker 1: another level of this city. That you gotta have at

1637
01:24:48,640 --> 01:24:50,800
Speaker 1: that point, big, at this point, that's where I got it.

1638
01:24:50,880 --> 01:24:53,360
Speaker 1: I got it. Wow, will you like my nigga? I'm

1639
01:24:53,400 --> 01:24:56,599
Speaker 1: telling you, I'm I'm just getting invited to the door

1640
01:24:56,760 --> 01:24:59,519
Speaker 1: of the door like I knew where it was at

1641
01:24:59,680 --> 01:25:02,320
Speaker 1: what they like glee you ain't welcome here Like now

1642
01:25:02,479 --> 01:25:04,920
Speaker 1: we could go up to the door because they letting

1643
01:25:04,960 --> 01:25:08,840
Speaker 1: me look and be like, oh ship, my man in

1644
01:25:08,960 --> 01:25:11,600
Speaker 1: there too. They like bleak a few more months, you

1645
01:25:11,640 --> 01:25:15,000
Speaker 1: could be in here too. It's that level. I'm telling you, bro,

1646
01:25:15,120 --> 01:25:17,000
Speaker 1: I'm telling you that's why when you said that, I

1647
01:25:17,080 --> 01:25:19,280
Speaker 1: was like, damn, I was just New Yorkers. It's three

1648
01:25:19,400 --> 01:25:22,559
Speaker 1: sides of New York. Now you can really enjoy, especially

1649
01:25:22,640 --> 01:25:26,120
Speaker 1: when you give through the eyes of hole. Think we

1650
01:25:26,200 --> 01:25:28,400
Speaker 1: don't like the traffic wide we the one behind the

1651
01:25:28,439 --> 01:25:30,439
Speaker 1: wheel hole sitting in the back of that may bag.

1652
01:25:32,400 --> 01:25:36,040
Speaker 1: He ain't even yeah ankle ain't even got ain't even

1653
01:25:36,200 --> 01:25:38,360
Speaker 1: doing all that ship on the break in the gas

1654
01:25:40,120 --> 01:25:43,760
Speaker 1: right here, whatever I want, smoke a jang mino Braham

1655
01:25:43,840 --> 01:25:47,080
Speaker 1: in the air. We're good. So the traffic don't affect him.

1656
01:25:47,439 --> 01:25:49,519
Speaker 1: Then you're pulling up in your building that you won't

1657
01:25:49,600 --> 01:25:53,880
Speaker 1: pay house it's a different vibe. When it's time to eat.

1658
01:25:54,720 --> 01:25:56,960
Speaker 1: I'm not going on the West side. On the east side,

1659
01:25:56,960 --> 01:25:59,800
Speaker 1: we're going to the We're going to Central Park West.

1660
01:26:00,040 --> 01:26:02,320
Speaker 1: It's restaurants in them buildings. You know, you never even

1661
01:26:02,400 --> 01:26:05,479
Speaker 1: can't even get in. No, we don't have to at tire. Yeah.

1662
01:26:05,560 --> 01:26:08,800
Speaker 1: And I'm like this, watch clubs in New York City

1663
01:26:08,880 --> 01:26:11,599
Speaker 1: that you can't get in. Yeah, my man Smoke Dizzel

1664
01:26:11,640 --> 01:26:15,000
Speaker 1: had took me to a secret like weed club just

1665
01:26:15,040 --> 01:26:19,240
Speaker 1: shot my man smoke business. By jeez. It was I'm like, oh,

1666
01:26:19,320 --> 01:26:21,600
Speaker 1: this is like this is some ship that and I

1667
01:26:21,680 --> 01:26:23,519
Speaker 1: started going. When I come back to the city, there's

1668
01:26:23,520 --> 01:26:26,439
Speaker 1: some secret shout. Nobody really know where it's at. Bros.

1669
01:26:26,520 --> 01:26:29,960
Speaker 1: This city is a lot. It's just going on. You

1670
01:26:30,040 --> 01:26:32,880
Speaker 1: gotta adapt, you gotta now. Man. For me to live

1671
01:26:32,960 --> 01:26:35,760
Speaker 1: in New York City, I need that fifty million wing

1672
01:26:35,960 --> 01:26:40,920
Speaker 1: was chasing. That's what I'm saying about. And I can

1673
01:26:41,080 --> 01:26:44,519
Speaker 1: live in the third chain right now. I know how

1674
01:26:44,560 --> 01:26:47,960
Speaker 1: to go there. I can't live there. I go visit.

1675
01:26:48,120 --> 01:26:50,320
Speaker 1: Say what up to a couple homies? Your money? You

1676
01:26:50,400 --> 01:26:54,479
Speaker 1: know probably like you're you're not raising your daughter, ain't Marsie?

1677
01:26:54,600 --> 01:26:58,719
Speaker 1: Right now? Never like not then either my son either.

1678
01:26:58,960 --> 01:27:00,800
Speaker 1: Even when I was a kid, they couldn't come if

1679
01:27:00,840 --> 01:27:03,720
Speaker 1: they was born when I was there with them. No,

1680
01:27:04,080 --> 01:27:05,599
Speaker 1: that's how I feel. I feel. I feel like when

1681
01:27:05,640 --> 01:27:09,080
Speaker 1: you you you supposed to see, show your kids better

1682
01:27:09,439 --> 01:27:11,639
Speaker 1: than what you saw see. And that's when I look

1683
01:27:11,680 --> 01:27:14,160
Speaker 1: at my son, my son twenty two years old. I

1684
01:27:14,320 --> 01:27:18,439
Speaker 1: raised my son with the mentality and the mindset of

1685
01:27:18,840 --> 01:27:22,280
Speaker 1: I wanted him to be the version of the man

1686
01:27:23,160 --> 01:27:25,960
Speaker 1: that I felt the streets took from me that I

1687
01:27:26,160 --> 01:27:28,280
Speaker 1: could I could have been if I would have stayed

1688
01:27:28,360 --> 01:27:31,400
Speaker 1: on that track facts, you know what I mean. So

1689
01:27:31,479 --> 01:27:34,639
Speaker 1: when I look at my son, he's like the alternate universe,

1690
01:27:35,000 --> 01:27:38,240
Speaker 1: the universe version of me, like that would That's how

1691
01:27:38,320 --> 01:27:41,639
Speaker 1: the benefit has followed all the rules and and he's

1692
01:27:41,640 --> 01:27:43,720
Speaker 1: a he's a great kid. Like I love it. So

1693
01:27:44,360 --> 01:27:46,800
Speaker 1: when I look at that, it's like I wouldn't trade

1694
01:27:46,840 --> 01:27:48,800
Speaker 1: that for the world. Bro. I love that my son

1695
01:27:49,439 --> 01:27:52,120
Speaker 1: can walk like a normal citizen, don't have to worry

1696
01:27:52,200 --> 01:27:58,240
Speaker 1: about no probation. You know, I've been got call like

1697
01:27:58,320 --> 01:28:00,519
Speaker 1: I get phone calls from my son and his his

1698
01:28:00,680 --> 01:28:03,479
Speaker 1: thing is your dad, what train in Germany should I

1699
01:28:03,600 --> 01:28:07,120
Speaker 1: take from dust off that takes me over here. It's like,

1700
01:28:07,200 --> 01:28:08,880
Speaker 1: that's how it's supposed to be. You know what I'm saying,

1701
01:28:09,000 --> 01:28:11,640
Speaker 1: that's supposed to I want to get I don't want

1702
01:28:11,640 --> 01:28:13,479
Speaker 1: to call your dad. I think I need a lawyer. Man.

1703
01:28:14,080 --> 01:28:15,880
Speaker 1: You know, I was fighting my girl like you know

1704
01:28:15,920 --> 01:28:18,080
Speaker 1: what I mean, ship like that, even even when we

1705
01:28:18,240 --> 01:28:20,920
Speaker 1: was living in because I was living in LA and

1706
01:28:21,040 --> 01:28:23,240
Speaker 1: then well my lady she got a son from a

1707
01:28:23,240 --> 01:28:24,960
Speaker 1: previous relationship. But I don't I don't like to say

1708
01:28:24,960 --> 01:28:26,599
Speaker 1: it's my step son. You know what I'm saying, that's

1709
01:28:26,600 --> 01:28:29,880
Speaker 1: your son. Yeah, so fat. When he was about to

1710
01:28:29,880 --> 01:28:31,559
Speaker 1: go to high school, I was on some ship, like dad,

1711
01:28:32,240 --> 01:28:34,800
Speaker 1: we got to move out of LA because I don't

1712
01:28:34,840 --> 01:28:37,639
Speaker 1: want him going to high school and in the inner

1713
01:28:37,720 --> 01:28:39,560
Speaker 1: city of l A. You know what I'm saying. I

1714
01:28:39,600 --> 01:28:42,800
Speaker 1: don't want him have to follow politics, real talk, real

1715
01:28:43,360 --> 01:28:45,479
Speaker 1: no all jokes aside. I don't want him to have

1716
01:28:45,560 --> 01:28:48,920
Speaker 1: to be at the bus stop he don't worry about. Yeah, chrome,

1717
01:28:48,960 --> 01:28:52,080
Speaker 1: hearts might be the wrong color his he might have

1718
01:28:52,400 --> 01:28:54,679
Speaker 1: a Cleveland Indians hat on, and that you're not supposed

1719
01:28:54,680 --> 01:28:57,160
Speaker 1: to have that hat on over here. That's they that's

1720
01:28:57,200 --> 01:28:59,280
Speaker 1: like a thirty block away hat. You're supposed to wear

1721
01:28:59,320 --> 01:29:01,120
Speaker 1: that over there. He don't need to go through that.

1722
01:29:01,160 --> 01:29:05,680
Speaker 1: He play football. So let's move ten minutes from Disneyland.

1723
01:29:06,640 --> 01:29:10,160
Speaker 1: I don't kill Nobody said you moved the way out there? No, no, no,

1724
01:29:10,240 --> 01:29:15,120
Speaker 1: you're right, yes, yes you scared, terrified. Yeah, I'm terrified,

1725
01:29:15,240 --> 01:29:17,400
Speaker 1: but you know what, you know what I also am.

1726
01:29:17,680 --> 01:29:19,640
Speaker 1: I'm trying to say, trying to get used to not

1727
01:29:19,800 --> 01:29:23,160
Speaker 1: hearing no siren, no a law note, that's right, ambulance,

1728
01:29:23,280 --> 01:29:28,479
Speaker 1: the fire truck bus. Ain't nobody on the corner. Really,

1729
01:29:28,560 --> 01:29:31,400
Speaker 1: it ain't really no sidewalks. It's just houses with the grass.

1730
01:29:31,439 --> 01:29:34,000
Speaker 1: If you want to walk, you walk in the street. Yo, bro,

1731
01:29:34,240 --> 01:29:36,280
Speaker 1: that makes me feel. That makes me a little better

1732
01:29:36,360 --> 01:29:39,160
Speaker 1: than any album I could have ever put out. Bro. Yo, Bro,

1733
01:29:39,479 --> 01:29:43,040
Speaker 1: my first time moving out the hood. Bro. Listen, I

1734
01:29:43,200 --> 01:29:46,880
Speaker 1: tell you one of the Ellis stories. Yo, listen. My

1735
01:29:47,040 --> 01:29:49,559
Speaker 1: first house I bought. I bought it, my first house.

1736
01:29:49,640 --> 01:29:54,360
Speaker 1: I was nineteen and uh and what was it? Leon?

1737
01:29:54,520 --> 01:29:57,080
Speaker 1: Not Leon? Yeah, it was Old Bridge, New Jersey Bridge

1738
01:29:57,240 --> 01:30:00,720
Speaker 1: Old Bridge, New Jersey. Right. So this is when I

1739
01:30:00,800 --> 01:30:02,400
Speaker 1: was with my baby moms at the time, and I

1740
01:30:02,479 --> 01:30:05,360
Speaker 1: remember we got in a big argument, shoot to get

1741
01:30:05,439 --> 01:30:07,160
Speaker 1: up and go to work, and in the morning the

1742
01:30:07,280 --> 01:30:09,599
Speaker 1: phone will always ring. This is when we had house

1743
01:30:09,680 --> 01:30:13,400
Speaker 1: phones landlines. The phone will always ring early in the morning.

1744
01:30:13,880 --> 01:30:16,920
Speaker 1: I'm answering the phone. That's people trying to sell me shit. Yo,

1745
01:30:17,080 --> 01:30:19,240
Speaker 1: we got on this, Yeah, tell the market this. So

1746
01:30:19,760 --> 01:30:22,360
Speaker 1: I call up and I'm bitching, yo, Yo, why you

1747
01:30:22,439 --> 01:30:25,559
Speaker 1: ain't signing up for all this bullshit? Like I don't

1748
01:30:25,560 --> 01:30:27,400
Speaker 1: want to buy none of this dumb shit. Fuck you

1749
01:30:27,479 --> 01:30:30,160
Speaker 1: got all these people calling the crib. I'm in the crib, sleep,

1750
01:30:30,360 --> 01:30:32,920
Speaker 1: stop signing up for this shit. People calling so listen

1751
01:30:33,000 --> 01:30:35,120
Speaker 1: and trying to sell me shit. And you know what

1752
01:30:35,280 --> 01:30:37,640
Speaker 1: she said to me, This is when I realized I

1753
01:30:37,800 --> 01:30:40,200
Speaker 1: never had money before because I'm like, yo, when I

1754
01:30:40,320 --> 01:30:43,240
Speaker 1: was in the hood, these motherfuckers never called nothing, no

1755
01:30:43,360 --> 01:30:45,559
Speaker 1: solicit to that. She said. You know why number wasn't

1756
01:30:45,760 --> 01:30:47,519
Speaker 1: radar because they knew you ain't have no money in

1757
01:30:47,560 --> 01:30:49,640
Speaker 1: the hoods you got a house. I didn't give the

1758
01:30:49,720 --> 01:30:52,120
Speaker 1: number out to nobody. They got the numbers listed. They

1759
01:30:52,200 --> 01:30:55,400
Speaker 1: just I'm like, oh, you start putting shit shit together,

1760
01:30:55,720 --> 01:30:58,920
Speaker 1: like this is what it's like when you get some chicken.

1761
01:30:59,080 --> 01:31:01,960
Speaker 1: They on you, like, we got these credit cards you

1762
01:31:02,040 --> 01:31:03,840
Speaker 1: want to come get We got this off on these

1763
01:31:03,920 --> 01:31:06,920
Speaker 1: ties start you start learning in real time. Yeah, learning

1764
01:31:07,000 --> 01:31:09,559
Speaker 1: in real time, and like that's all. When we were

1765
01:31:10,120 --> 01:31:11,840
Speaker 1: talking earlier and I was talking about that breakfast in

1766
01:31:11,920 --> 01:31:14,280
Speaker 1: the club and the breakfast club interview that you did,

1767
01:31:14,680 --> 01:31:17,280
Speaker 1: and I was like, I took I took Heed to

1768
01:31:17,400 --> 01:31:19,360
Speaker 1: that one line that you see, you know what I'm saying,

1769
01:31:19,400 --> 01:31:22,960
Speaker 1: And it was like, you never stopped working, you know

1770
01:31:22,960 --> 01:31:24,720
Speaker 1: what I'm saying. You're gonna keep grinding, You're gonna keep

1771
01:31:24,760 --> 01:31:27,280
Speaker 1: trying to figure it out. But coming from where we

1772
01:31:27,479 --> 01:31:30,120
Speaker 1: come from, it's like, yo, when the music, when the

1773
01:31:30,280 --> 01:31:34,000
Speaker 1: music stopped and you have to figure out something. Now,

1774
01:31:34,120 --> 01:31:38,519
Speaker 1: sometimes it might be like the music might be slowing up.

1775
01:31:39,360 --> 01:31:42,479
Speaker 1: I'm talking about whining when when as an artist you

1776
01:31:42,640 --> 01:31:45,799
Speaker 1: feel like it's over, you know, so like I'm forcing

1777
01:31:45,880 --> 01:31:48,439
Speaker 1: it right, you know what I'm saying. But every artists

1778
01:31:48,439 --> 01:31:50,240
Speaker 1: been to that point where you started gonna force it

1779
01:31:50,320 --> 01:31:53,639
Speaker 1: because we don't know how to retire. We never seen

1780
01:31:53,800 --> 01:31:55,719
Speaker 1: rappers be to this. On if I was telling niggas

1781
01:31:55,720 --> 01:31:57,880
Speaker 1: the other day, fifty year old rappers when I was young,

1782
01:31:58,000 --> 01:32:01,200
Speaker 1: name looked like nas No, hell no, they would they

1783
01:32:01,439 --> 01:32:07,160
Speaker 1: look nothing like these niggas all pocket squares with plaid

1784
01:32:07,240 --> 01:32:11,880
Speaker 1: shirts on, with flannel catli crazy blue blockers. Niggas ain't

1785
01:32:11,920 --> 01:32:13,720
Speaker 1: looked like hoving nads in these niggas, you know what

1786
01:32:13,760 --> 01:32:16,360
Speaker 1: I'm saying. So it's like we were we're at with

1787
01:32:16,479 --> 01:32:20,000
Speaker 1: it now just seeing with uh, with everything that you're

1788
01:32:20,040 --> 01:32:22,880
Speaker 1: doing with the podcast and everything, seeing everything that Gilly

1789
01:32:22,960 --> 01:32:25,479
Speaker 1: doing with the podcast and Whilo and Nori and Joe.

1790
01:32:26,120 --> 01:32:28,120
Speaker 1: I was telling my man, I'm like, yo, every even

1791
01:32:28,200 --> 01:32:31,600
Speaker 1: Cam and Mason, everybody that's doing something right now in

1792
01:32:31,680 --> 01:32:35,760
Speaker 1: the media space, it has nothing to do with what

1793
01:32:36,120 --> 01:32:38,879
Speaker 1: I know y'all for when I was hanging niggas pictures

1794
01:32:38,920 --> 01:32:43,880
Speaker 1: of the ball and all that shit, and I'm pretty

1795
01:32:43,880 --> 01:32:46,320
Speaker 1: sure everybody I just named they went through that point

1796
01:32:46,360 --> 01:32:49,280
Speaker 1: of feeling like, damn, is this ship? Like this ship?

1797
01:32:49,800 --> 01:32:51,960
Speaker 1: Is this what it feels? Is this it? You know

1798
01:32:52,000 --> 01:32:53,960
Speaker 1: what I'm saying. Like, And then you turn around the

1799
01:32:54,040 --> 01:32:56,479
Speaker 1: niggas is getting eight figure deals. I'll be telling people like, yo,

1800
01:32:56,600 --> 01:32:58,800
Speaker 1: y'all know what an eight figure deal is? You here,

1801
01:32:58,880 --> 01:33:00,920
Speaker 1: Cam and Mas got an eight you know, bigga deal?

1802
01:33:01,000 --> 01:33:04,200
Speaker 1: They killed. I don't think you willow all of them

1803
01:33:05,320 --> 01:33:07,519
Speaker 1: they killed. I don't know if Cam or Mace ever

1804
01:33:07,600 --> 01:33:10,240
Speaker 1: got an eight figure deal in Music World or Confessions

1805
01:33:10,280 --> 01:33:12,479
Speaker 1: and Figures. I had all of those albums they did.

1806
01:33:15,680 --> 01:33:17,880
Speaker 1: You know what, I'm telling you that radio figure deal

1807
01:33:18,040 --> 01:33:21,519
Speaker 1: for you like you gotta deal with you, not you.

1808
01:33:21,640 --> 01:33:23,320
Speaker 1: But I'm saying like there was an artist, there was

1809
01:33:23,439 --> 01:33:26,519
Speaker 1: artists getting like eight figure record deals. Yes you heard you.

1810
01:33:26,600 --> 01:33:29,040
Speaker 1: Ain't saying I walk in death jam like give me

1811
01:33:29,160 --> 01:33:32,680
Speaker 1: fifty million or I'm gonna quick Yeah. Right, But I

1812
01:33:32,760 --> 01:33:38,040
Speaker 1: don't think Mace and Cam was getting that bag. Trust.

1813
01:33:38,160 --> 01:33:40,800
Speaker 1: While I could be wrong, Trust but even with me

1814
01:33:40,880 --> 01:33:43,080
Speaker 1: saying and I could be wrong, then getting that bad

1815
01:33:43,840 --> 01:33:46,280
Speaker 1: probably was getting it. And I'm completely wrong. Trust. What

1816
01:33:46,360 --> 01:33:50,240
Speaker 1: I'm saying is the field. Let's just say the field now,

1817
01:33:50,320 --> 01:33:52,479
Speaker 1: everybody in the field got that. I don't want to

1818
01:33:52,520 --> 01:33:54,160
Speaker 1: make it seem like a Cam and Mason. I'm trying

1819
01:33:54,200 --> 01:33:56,320
Speaker 1: to make a point here. Wallow and Gilly just got

1820
01:33:56,360 --> 01:33:59,599
Speaker 1: the major bag from Bostea Wow putting no music out.

1821
01:33:59,680 --> 01:34:01,120
Speaker 1: So I'm I don't want to make it a Mason

1822
01:34:01,200 --> 01:34:04,439
Speaker 1: Camp thing because he dropping versus he dropping major a

1823
01:34:04,560 --> 01:34:07,400
Speaker 1: Copella verses though his verses is going harder than some

1824
01:34:07,520 --> 01:34:11,760
Speaker 1: of these niggas solved. So yo, while I'm gonna tell you, y'all,

1825
01:34:12,479 --> 01:34:15,200
Speaker 1: I learned so much from everybody I just named, too, right,

1826
01:34:15,600 --> 01:34:19,960
Speaker 1: I learned so much from just watching niggas. Like I remember,

1827
01:34:20,000 --> 01:34:22,320
Speaker 1: I heard Wilow say some shit like and he probably

1828
01:34:22,360 --> 01:34:23,960
Speaker 1: didn't mean to say it like that, but I forgot

1829
01:34:24,000 --> 01:34:25,479
Speaker 1: who he was doing an interview when he says some

1830
01:34:25,520 --> 01:34:29,760
Speaker 1: shit like, Yo. Our first sponsorship was I told them

1831
01:34:29,760 --> 01:34:32,960
Speaker 1: I want y'all to give us twenty million or I

1832
01:34:33,000 --> 01:34:36,439
Speaker 1: mean twenty thousand for a month, four episodes a month,

1833
01:34:36,479 --> 01:34:38,960
Speaker 1: so it'd be five. And I'm like, oh, I'm doing

1834
01:34:39,000 --> 01:34:42,799
Speaker 1: this shit all wrong. I'm being nice with the prices.

1835
01:34:43,040 --> 01:34:46,960
Speaker 1: That's right these niggas is, but that's the game. But

1836
01:34:47,600 --> 01:34:49,720
Speaker 1: a lot of niggas right now, they don't like when

1837
01:34:49,720 --> 01:34:51,960
Speaker 1: I was saying that zero points zero zil six, I

1838
01:34:52,040 --> 01:34:54,040
Speaker 1: was giving that analogy for the free throw. A lot

1839
01:34:54,080 --> 01:34:56,920
Speaker 1: of niggas don't understand that that's that's what they're working for,

1840
01:34:58,160 --> 01:35:00,760
Speaker 1: you know what I'm saying. They don't understand that they

1841
01:35:00,800 --> 01:35:02,960
Speaker 1: could do this. Yeah, but not a niggas ain't here

1842
01:35:03,000 --> 01:35:04,920
Speaker 1: with it yet. See, this is the thing they need

1843
01:35:04,960 --> 01:35:07,120
Speaker 1: to understand. It ain't even that you're working for I'm

1844
01:35:07,120 --> 01:35:10,439
Speaker 1: gonna put that into perspective. You're not working for the

1845
01:35:10,560 --> 01:35:14,120
Speaker 1: zero zero zero zero point six. Don't ever think that,

1846
01:35:14,360 --> 01:35:16,560
Speaker 1: And no artists out this should ever think that. You

1847
01:35:16,680 --> 01:35:19,599
Speaker 1: know what you're working for me. You're a brand. Bro

1848
01:35:19,920 --> 01:35:22,320
Speaker 1: Oh no, of course, of course you're a brand. Of course,

1849
01:35:22,560 --> 01:35:25,400
Speaker 1: and that zero point sit whatever, that sixth sense, don't

1850
01:35:25,479 --> 01:35:28,680
Speaker 1: that's just a fraction of what your brand is. Now

1851
01:35:28,760 --> 01:35:31,439
Speaker 1: it's for you to develop your brand and go make

1852
01:35:31,479 --> 01:35:33,960
Speaker 1: your brand what it's worth. You're one hundred percent right,

1853
01:35:34,080 --> 01:35:37,000
Speaker 1: so you working for your brand. I used to say,

1854
01:35:37,120 --> 01:35:38,760
Speaker 1: you know what I mean I was saying. I was saying,

1855
01:35:38,840 --> 01:35:42,320
Speaker 1: like music used to be Music used to be the tree. Y,

1856
01:35:42,520 --> 01:35:44,639
Speaker 1: So what you're saying is one hundred percent right. Music

1857
01:35:44,720 --> 01:35:47,200
Speaker 1: used to be the tree, and I feel like music

1858
01:35:47,360 --> 01:35:49,680
Speaker 1: was all of our tree. But now music is just

1859
01:35:49,760 --> 01:35:52,639
Speaker 1: a branch on the tree. We are the tree, You're

1860
01:35:52,680 --> 01:35:56,880
Speaker 1: the Korean brand. It's just an exit off. Like to me,

1861
01:35:57,120 --> 01:36:02,160
Speaker 1: I feel like everybody want to do media. Everybody can't

1862
01:36:02,200 --> 01:36:04,920
Speaker 1: do media. It's the same thing with rap. It's a

1863
01:36:05,040 --> 01:36:08,200
Speaker 1: lot of podcasts in the world. Anything in the world

1864
01:36:08,320 --> 01:36:13,320
Speaker 1: is not for everybody. So at some point every artist

1865
01:36:13,439 --> 01:36:15,240
Speaker 1: is gonna run into that point where they feel like

1866
01:36:15,880 --> 01:36:18,400
Speaker 1: they ain't checking for me. No more, dog, I gotta

1867
01:36:18,439 --> 01:36:23,040
Speaker 1: make that transition. This was not on my on my

1868
01:36:23,200 --> 01:36:25,600
Speaker 1: menu when I when I felt like I wanted to

1869
01:36:25,680 --> 01:36:28,439
Speaker 1: make that transition. You know what I'm saying. My first

1870
01:36:28,520 --> 01:36:33,080
Speaker 1: thing when rap was over was my baby do say?

1871
01:36:33,640 --> 01:36:35,519
Speaker 1: You know what I'm saying. You was moving with it

1872
01:36:35,960 --> 01:36:38,360
Speaker 1: and that and that had to I had to take

1873
01:36:38,439 --> 01:36:41,080
Speaker 1: the major humble pill with this because remember I'm used

1874
01:36:41,120 --> 01:36:42,840
Speaker 1: to going in the back door in the club, getting

1875
01:36:42,880 --> 01:36:45,559
Speaker 1: the brown bag and hitting that was that point where you, yes,

1876
01:36:45,680 --> 01:36:47,400
Speaker 1: I said, every rapper get to that point where they

1877
01:36:47,479 --> 01:36:49,880
Speaker 1: be like, damn, is this it? Yes? That and it was,

1878
01:36:50,040 --> 01:36:52,240
Speaker 1: and I knew it was over. They not checking for me.

1879
01:36:52,360 --> 01:36:54,200
Speaker 1: I have to find a way to pay these bills.

1880
01:36:54,200 --> 01:36:58,519
Speaker 1: I feel like what you're saying is completely right, And

1881
01:36:58,640 --> 01:37:01,000
Speaker 1: I just had a thought real quick. I think with

1882
01:37:01,120 --> 01:37:02,680
Speaker 1: a lot of niggas, like when you say you was

1883
01:37:02,720 --> 01:37:05,280
Speaker 1: at that point, a lot of niggas get to that

1884
01:37:05,479 --> 01:37:11,000
Speaker 1: point and they know it, but they never experienced it yet.

1885
01:37:11,080 --> 01:37:12,600
Speaker 1: I think because I be noticing that too, I'll be

1886
01:37:12,640 --> 01:37:14,040
Speaker 1: asking a lot of myself, Damn, why is a lot

1887
01:37:14,040 --> 01:37:17,240
Speaker 1: of niggas still chasing this because and because they never

1888
01:37:18,240 --> 01:37:22,160
Speaker 1: They wasn't on the Dynasty album Don't wasn't that no

1889
01:37:22,200 --> 01:37:24,880
Speaker 1: hold on on. They wasn't big in My Trouble or

1890
01:37:24,920 --> 01:37:28,400
Speaker 1: what they wasn't a They wasn't making the band with

1891
01:37:28,479 --> 01:37:30,240
Speaker 1: the Fuck You Verse. They didn't get a chance to

1892
01:37:30,280 --> 01:37:32,240
Speaker 1: do every girl in the world of Bedrocks. So when

1893
01:37:32,320 --> 01:37:34,519
Speaker 1: you looking at them, like, Bro, you could be doing

1894
01:37:34,760 --> 01:37:37,360
Speaker 1: way more with just you as who you are, as

1895
01:37:37,439 --> 01:37:40,080
Speaker 1: the brand. They looking at it like it's easy for

1896
01:37:40,240 --> 01:37:42,439
Speaker 1: you to say that Mills, it was with Lil Wayne

1897
01:37:42,520 --> 01:37:45,479
Speaker 1: and draking them nigga. Yeah, but they think and it's

1898
01:37:46,240 --> 01:37:48,080
Speaker 1: nigga look at you and be like, yeah, that's easy.

1899
01:37:50,160 --> 01:37:52,160
Speaker 1: It would be if they make the call for you

1900
01:37:52,360 --> 01:37:55,640
Speaker 1: and trying to put niggas on and tell them like, yo,

1901
01:37:56,439 --> 01:37:58,800
Speaker 1: I know what you chasing. I'm not trying to shoot

1902
01:37:58,840 --> 01:38:00,439
Speaker 1: on you and tell you don't do it. I'm just

1903
01:38:00,479 --> 01:38:04,360
Speaker 1: telling you. It's so different. Now that's a minor piece

1904
01:38:04,400 --> 01:38:06,960
Speaker 1: of the puzzle. Bro. That used to be the whole puzzle.

1905
01:38:07,120 --> 01:38:11,320
Speaker 1: Music used to be the everything, everything, but now it's

1906
01:38:11,439 --> 01:38:14,280
Speaker 1: just a branch on the tree. You the tree, and

1907
01:38:14,439 --> 01:38:17,160
Speaker 1: you have to figure out what your niche is because

1908
01:38:17,920 --> 01:38:21,280
Speaker 1: Like I said, I had to learn liquor ain't for everybody.

1909
01:38:21,640 --> 01:38:23,959
Speaker 1: I tried to do. The clothing thing. I'm not a designer,

1910
01:38:24,280 --> 01:38:26,280
Speaker 1: you know what I'm saying. I'm not a designer. Didn't

1911
01:38:26,320 --> 01:38:29,240
Speaker 1: work for me. Like I had no idea this was

1912
01:38:29,320 --> 01:38:32,200
Speaker 1: gonna work. So I'm just this shocked. There's anybody else

1913
01:38:32,320 --> 01:38:36,200
Speaker 1: that singing shown you're great and you tell stories without

1914
01:38:36,280 --> 01:38:38,760
Speaker 1: shitting on a nigga. That's my whole thing. I don't.

1915
01:38:38,840 --> 01:38:40,960
Speaker 1: That's what I try to do too, bro, That's what

1916
01:38:41,080 --> 01:38:43,519
Speaker 1: they look for. That yes, and that's what I wanted

1917
01:38:43,560 --> 01:38:46,080
Speaker 1: to bring. When Noriy was telling me, Yo, you gotta

1918
01:38:46,120 --> 01:38:47,880
Speaker 1: do the part. People fuck with you. They want to

1919
01:38:47,920 --> 01:38:49,680
Speaker 1: hear from you. They like when you talk, and my

1920
01:38:49,840 --> 01:38:53,320
Speaker 1: thing was, Nori, I would do it, don't get me wrong,

1921
01:38:53,760 --> 01:38:56,519
Speaker 1: But I'm not coming on this platform to ship on niggas,

1922
01:38:56,840 --> 01:38:59,920
Speaker 1: even niggas that I genuinely don't fuck with. I'm just

1923
01:39:00,080 --> 01:39:02,280
Speaker 1: I'm not gonna turn on this camera and kick them

1924
01:39:02,360 --> 01:39:05,040
Speaker 1: niggas while they down or throw a shot at them

1925
01:39:05,080 --> 01:39:07,639
Speaker 1: when they up. That's just not who I am. Following.

1926
01:39:07,680 --> 01:39:11,799
Speaker 1: The politics, I ain't following no no politics. My nigga

1927
01:39:12,240 --> 01:39:15,000
Speaker 1: ain't no politics because if I was following the politics,

1928
01:39:15,320 --> 01:39:18,600
Speaker 1: it's more already time. You feel me. But I'm just

1929
01:39:18,760 --> 01:39:21,880
Speaker 1: not in that. I feel like I even say it

1930
01:39:21,920 --> 01:39:24,120
Speaker 1: in my music. Bro. We all from the bottom, we

1931
01:39:24,240 --> 01:39:27,200
Speaker 1: all trying to get there. So if we got a problem,

1932
01:39:27,479 --> 01:39:29,760
Speaker 1: I deal with that. When I see you, I'm not

1933
01:39:29,920 --> 01:39:34,080
Speaker 1: gonna shoot on your craft, your talent, your music, your show,

1934
01:39:34,479 --> 01:39:36,519
Speaker 1: whatever you got going on to pay the bills and

1935
01:39:36,600 --> 01:39:39,200
Speaker 1: feed your kids. Come on, bro, I want niggas to eat.

1936
01:39:39,320 --> 01:39:41,280
Speaker 1: That's what's working for you. You feel me. I'm not

1937
01:39:41,400 --> 01:39:43,760
Speaker 1: against nobody, but it's a lot of niggas who just

1938
01:39:44,000 --> 01:39:46,080
Speaker 1: picked my name out that hat feel like, fuck it.

1939
01:39:46,560 --> 01:39:48,880
Speaker 1: We ain't. We ain't avoiding no smoke on this side,

1940
01:39:48,920 --> 01:39:51,960
Speaker 1: but we ain't picking and we ain't starting. No. I

1941
01:39:52,000 --> 01:39:54,360
Speaker 1: ain't with it, bro. It's like I'm a most fitty

1942
01:39:54,479 --> 01:39:57,120
Speaker 1: my nigga. I've been through that. So it's like, and

1943
01:39:57,240 --> 01:40:00,639
Speaker 1: that's a that's My birthday was last week. Happy belated,

1944
01:40:01,080 --> 01:40:03,920
Speaker 1: Happy belated. You said, I appreciate you, my brother. That

1945
01:40:04,280 --> 01:40:05,840
Speaker 1: I always tell you know what. I was telling a

1946
01:40:05,880 --> 01:40:07,160
Speaker 1: bunch of my homies every day when I was at

1947
01:40:07,200 --> 01:40:09,160
Speaker 1: the bakery the tenth year University. I'm shot out to

1948
01:40:09,200 --> 01:40:12,000
Speaker 1: bakers see niggas. I went to elementary school and all that,

1949
01:40:12,200 --> 01:40:14,840
Speaker 1: Like I just turned forty three. Oh shit, man, that's

1950
01:40:14,880 --> 01:40:16,880
Speaker 1: what's up. Man. You're on the fourth floor. Soon you're

1951
01:40:16,920 --> 01:40:19,559
Speaker 1: about to get that back forty five cause back room,

1952
01:40:19,840 --> 01:40:23,400
Speaker 1: upper room. Serious. So I'm seeing niggas right that. I

1953
01:40:23,479 --> 01:40:25,840
Speaker 1: went to elementary school that you grow in, and I'm like, damn, man,

1954
01:40:25,920 --> 01:40:28,600
Speaker 1: good to see you. I was like, Yo, it's just

1955
01:40:28,720 --> 01:40:31,400
Speaker 1: good to see you. He's like, Yo to me, I'm like, Yo,

1956
01:40:31,520 --> 01:40:35,160
Speaker 1: my nigga, you ain't in jail, you're dead. You here

1957
01:40:35,400 --> 01:40:37,120
Speaker 1: if I could still see you and give you a

1958
01:40:37,240 --> 01:40:38,760
Speaker 1: dap and say what up, my nigga? And we in

1959
01:40:38,840 --> 01:40:42,560
Speaker 1: our fourth chapter, that's a blessing. Hell yeah, nigga, We

1960
01:40:42,680 --> 01:40:44,320
Speaker 1: was gonna make it to the second. I tell niggas

1961
01:40:44,320 --> 01:40:45,840
Speaker 1: all the time. I used to me and Wayne. I

1962
01:40:45,920 --> 01:40:47,960
Speaker 1: used to always tell Wayne, it's like, Yo, my nigga,

1963
01:40:49,640 --> 01:40:53,000
Speaker 1: Big ain't big, would have gave anything to be my age,

1964
01:40:53,880 --> 01:40:56,439
Speaker 1: would have gave anything to say, Yo, bleak, I'm forty three,

1965
01:40:58,320 --> 01:41:01,720
Speaker 1: easy e pun. It's then name niggas fuck go on

1966
01:41:01,920 --> 01:41:05,560
Speaker 1: for days. Any of my niggas, man, from the my

1967
01:41:05,640 --> 01:41:07,559
Speaker 1: niggas that died, they didn't get a chance to get

1968
01:41:07,680 --> 01:41:10,400
Speaker 1: great forty three, be like, Yo, my son about to

1969
01:41:10,439 --> 01:41:13,120
Speaker 1: get his license, Your son about to get his license.

1970
01:41:15,080 --> 01:41:17,040
Speaker 1: You mean to tell me you raised somebody that ain't

1971
01:41:17,080 --> 01:41:19,200
Speaker 1: in jail, that ain't got you. He ain't about to

1972
01:41:19,400 --> 01:41:21,240
Speaker 1: like how you said. He ain't calling for no lawyer fees,

1973
01:41:21,320 --> 01:41:24,840
Speaker 1: like he had school in another country. He got a passport.

1974
01:41:24,920 --> 01:41:27,360
Speaker 1: That's a fact. I know. Niggas. Ship that ain't got

1975
01:41:27,439 --> 01:41:29,880
Speaker 1: a passport. They don't know what it's like to go

1976
01:41:30,040 --> 01:41:32,920
Speaker 1: through customs and ship like that on the block who

1977
01:41:32,960 --> 01:41:42,360
Speaker 1: got more money between just like my nigga that that's

1978
01:41:42,439 --> 01:41:44,600
Speaker 1: a fact. The landlord want this, And now it's to

1979
01:41:44,680 --> 01:41:46,800
Speaker 1: the point where the school wants this. You want to

1980
01:41:46,840 --> 01:41:48,840
Speaker 1: keep your daughter, your son in that school. They want

1981
01:41:48,920 --> 01:41:50,720
Speaker 1: this every thirty days. So what you're gonna do to

1982
01:41:50,800 --> 01:41:52,680
Speaker 1: do it? What you're gonna do to get it? And

1983
01:41:52,840 --> 01:41:55,519
Speaker 1: sometimes it be like, I can't play with you niggas.

1984
01:41:56,040 --> 01:41:58,040
Speaker 1: You don't want to feel like you like you said,

1985
01:41:58,080 --> 01:42:01,120
Speaker 1: you outgrown niggas, And sometimes you get that survivors remorse, Well,

1986
01:42:01,120 --> 01:42:02,720
Speaker 1: you still want to be cool with the niggas you

1987
01:42:02,760 --> 01:42:06,400
Speaker 1: grow with you look back forty I don't want to

1988
01:42:06,520 --> 01:42:08,320
Speaker 1: niggas don't want to I don't want to be cool.

1989
01:42:08,800 --> 01:42:10,920
Speaker 1: If niggas don't want to be cool, I don't want

1990
01:42:10,960 --> 01:42:14,479
Speaker 1: to be cool either. I'm cool with the breeze. I'm

1991
01:42:14,560 --> 01:42:18,479
Speaker 1: going with my wife, my daughter, my son, my riders,

1992
01:42:19,080 --> 01:42:21,200
Speaker 1: married men too, And you gotta come to the way.

1993
01:42:22,960 --> 01:42:25,200
Speaker 1: I come to the way said that invite there. I'm

1994
01:42:25,240 --> 01:42:30,720
Speaker 1: not performing though. We just were just gonna play. We play.

1995
01:42:30,760 --> 01:42:33,160
Speaker 1: We're just gonna play. Do my you know what I'm saying.

1996
01:42:33,200 --> 01:42:35,400
Speaker 1: We're gonna let her right and like that, because there's

1997
01:42:35,479 --> 01:42:37,200
Speaker 1: enough that me and my lady, me and my lady Dad,

1998
01:42:37,200 --> 01:42:41,479
Speaker 1: we being a look, my lady, my lady Dana. That's right,

1999
01:42:42,320 --> 01:42:46,920
Speaker 1: one of the biggest Memphis bleaking Manuch love man. My

2000
01:42:47,080 --> 01:42:52,240
Speaker 1: lady got the fucking Rockefeller tank top, she says, she yeah,

2001
01:42:52,320 --> 01:42:55,640
Speaker 1: she says she got it from speed on a Sunday night.

2002
01:42:55,720 --> 01:42:59,040
Speaker 1: When you perform that is I'm gonna take a picture

2003
01:42:59,080 --> 01:43:01,880
Speaker 1: of it. I'm gonna say, you can pray that's the

2004
01:43:01,960 --> 01:43:06,080
Speaker 1: sh in the cryst the white one with the blue letters. Right, Yeah,

2005
01:43:06,400 --> 01:43:10,600
Speaker 1: I know, I remember that SHIPM got this ship in

2006
01:43:10,800 --> 01:43:14,880
Speaker 1: the fred So just to just to have moments like that,

2007
01:43:15,040 --> 01:43:17,920
Speaker 1: it's like like, yo, bro, when you getting married, It's like, nah,

2008
01:43:18,040 --> 01:43:21,840
Speaker 1: I want to get married because I feel like my nigga.

2009
01:43:22,080 --> 01:43:26,240
Speaker 1: I want my kids to know, like Daddy and mom,

2010
01:43:26,360 --> 01:43:28,400
Speaker 1: this is what we this is all we know. Like

2011
01:43:28,479 --> 01:43:31,200
Speaker 1: I don't have a picture with my moms and my pops.

2012
01:43:31,760 --> 01:43:33,920
Speaker 1: I never prayed with my moms and my pops. I

2013
01:43:34,000 --> 01:43:36,280
Speaker 1: never seen my moms and my pops hugged. I never

2014
01:43:36,560 --> 01:43:38,960
Speaker 1: ate together with my moms in my pops. So for

2015
01:43:39,120 --> 01:43:41,400
Speaker 1: me to be in my kids life like that, I

2016
01:43:41,560 --> 01:43:44,599
Speaker 1: already did some ship that my pops. I never spent

2017
01:43:44,720 --> 01:43:47,599
Speaker 1: the night under the roof with my moms and neither

2018
01:43:47,760 --> 01:43:49,639
Speaker 1: neither have you know what I'm saying. So a lot

2019
01:43:49,680 --> 01:43:51,320
Speaker 1: of the ship that would make me like that, it

2020
01:43:51,439 --> 01:43:53,519
Speaker 1: makes me like I want to be like you know

2021
01:43:53,560 --> 01:43:56,280
Speaker 1: what I'm saying. I had different reasons Like me as

2022
01:43:56,320 --> 01:43:58,719
Speaker 1: a kid, I used to dream of having a big family.

2023
01:43:59,400 --> 01:44:01,400
Speaker 1: I didn't have a big family. I'm from such a

2024
01:44:01,479 --> 01:44:05,599
Speaker 1: small many brothers and sisters. I only got two brothers

2025
01:44:05,640 --> 01:44:07,519
Speaker 1: and two sisters. I got one brother, you know what

2026
01:44:07,560 --> 01:44:09,559
Speaker 1: I'm saying. But I mean like I only got one aunt,

2027
01:44:10,000 --> 01:44:12,760
Speaker 1: I mean two aunts, one uncle. You know what I mean.

2028
01:44:12,920 --> 01:44:17,240
Speaker 1: Both my aunts passed my uncle, and like my family

2029
01:44:17,400 --> 01:44:19,760
Speaker 1: was small. It was Marsie and then it was Brownsville.

2030
01:44:20,080 --> 01:44:22,320
Speaker 1: That's as far as my family went. Okay, it was

2031
01:44:22,439 --> 01:44:25,960
Speaker 1: Rockaway Avenue and Flushed Ava. That's it. It's all you knew.

2032
01:44:26,080 --> 01:44:27,640
Speaker 1: So when I used to go back to school and

2033
01:44:27,720 --> 01:44:29,760
Speaker 1: all my friends' kids be like, yo, what you did

2034
01:44:29,840 --> 01:44:31,479
Speaker 1: this summer? And they'd be like, oh, I was in Virginia.

2035
01:44:31,840 --> 01:44:33,800
Speaker 1: I was in North Carolina. Got the ink well like,

2036
01:44:35,720 --> 01:44:37,160
Speaker 1: and they'd be like, get to me, and it's like

2037
01:44:37,600 --> 01:44:40,800
Speaker 1: I was in Brownsville. Teacher be looking like, God, damn,

2038
01:44:41,960 --> 01:44:47,200
Speaker 1: big your most died. Take your like. Now, I went

2039
01:44:47,280 --> 01:44:50,000
Speaker 1: from bars the Browns I spent my son in Brownsville.

2040
01:44:50,040 --> 01:44:52,479
Speaker 1: They're like, oh ship. So that used to make me

2041
01:44:52,560 --> 01:44:54,920
Speaker 1: feel like, damn, I ain't got no family out of town,

2042
01:44:55,080 --> 01:44:58,920
Speaker 1: no aunts, no uncles, nothing. Yeah, like I want my

2043
01:44:59,080 --> 01:45:02,240
Speaker 1: kids to experience that. So when I had my daughter,

2044
01:45:02,400 --> 01:45:06,160
Speaker 1: like when I got married, man, I knew my wife

2045
01:45:06,320 --> 01:45:09,200
Speaker 1: like I was going with her to see her dad,

2046
01:45:09,280 --> 01:45:13,000
Speaker 1: God rest, you know, his soul, God blessed to get

2047
01:45:13,040 --> 01:45:15,559
Speaker 1: his permission, you know, let him know, marrying his daughters,

2048
01:45:15,600 --> 01:45:18,000
Speaker 1: doing it, you know the right way. Yeah, you'a got

2049
01:45:18,080 --> 01:45:22,600
Speaker 1: married two thousand and four. Oh man, yeah, you I

2050
01:45:22,680 --> 01:45:26,800
Speaker 1: gotta call you more. No, No, two thousand and thirteen. Yeah,

2051
01:45:26,880 --> 01:45:29,120
Speaker 1: I'm bugging two thousand about say two thousand and four,

2052
01:45:29,840 --> 01:45:31,640
Speaker 1: I gotta call you more like, God damn you got

2053
01:45:31,720 --> 01:45:34,960
Speaker 1: some insight. No twenty fourteen, God damn buggein we got

2054
01:45:35,040 --> 01:45:40,160
Speaker 1: married twelve thirteen four Still that's the date, Jack, thirteen fourteen. Yes,

2055
01:45:40,400 --> 01:45:42,120
Speaker 1: that's the date we got man, I'm bugging. That's what

2056
01:45:42,200 --> 01:45:45,000
Speaker 1: do we do. That's the effects ladies, And don't get

2057
01:45:45,040 --> 01:45:48,280
Speaker 1: your mind right, yo, listen. So twelve fourteen, So I

2058
01:45:48,360 --> 01:45:50,639
Speaker 1: went with her down you know, to visit her dad

2059
01:45:50,720 --> 01:45:53,759
Speaker 1: and ship to get permission, and bro, like the family

2060
01:45:53,960 --> 01:45:58,439
Speaker 1: was just like two hundred people down there. It's like, yo,

2061
01:45:58,560 --> 01:46:01,080
Speaker 1: all is your family? And she like, yeah, you were

2062
01:46:01,160 --> 01:46:03,719
Speaker 1: just amazing and everything. It is like wait, whoa, whoa

2063
01:46:04,120 --> 01:46:07,400
Speaker 1: everybody from this part, that part, this, that, this, everywhere,

2064
01:46:07,880 --> 01:46:11,599
Speaker 1: everybody owned businesses, houses here, this that. I'm like, they

2065
01:46:11,800 --> 01:46:15,439
Speaker 1: fucking deep then and she's like, yeah, this ain't even

2066
01:46:15,520 --> 01:46:18,120
Speaker 1: my mom's side, it's my dad's side. Then on the

2067
01:46:18,240 --> 01:46:21,240
Speaker 1: Christmas we went to mom's side in Philly and it's

2068
01:46:21,840 --> 01:46:25,479
Speaker 1: flooded over there. It's like this is what it is. Yeah,

2069
01:46:25,520 --> 01:46:28,080
Speaker 1: my kid coming in this family, my kid gonna be

2070
01:46:28,200 --> 01:46:30,880
Speaker 1: traveling around the world like this, moving around and I

2071
01:46:31,040 --> 01:46:33,760
Speaker 1: always wanted that. So that's what the life I wanted

2072
01:46:33,800 --> 01:46:35,720
Speaker 1: to give my kids, you know what I mean? My

2073
01:46:36,160 --> 01:46:40,679
Speaker 1: son that just that that just happened. That wasn't It's

2074
01:46:40,680 --> 01:46:45,000
Speaker 1: one of those what's my dog? But it happened. I

2075
01:46:45,120 --> 01:46:50,840
Speaker 1: was twenty four years old. I was outside. Yeah, oh cool.

2076
01:46:51,360 --> 01:46:53,360
Speaker 1: I mean, niggas gave you a Dutch They got you

2077
01:46:53,640 --> 01:46:57,200
Speaker 1: ready because and I'm look man, look we can't click

2078
01:46:57,360 --> 01:46:59,600
Speaker 1: us out, yo, niggas. I had a whole surgery and

2079
01:47:00,160 --> 01:47:04,400
Speaker 1: smoking dutchess what one pa sorry to not follow because

2080
01:47:04,439 --> 01:47:07,080
Speaker 1: me and my dogs over here. You know, it's cousin.

2081
01:47:07,200 --> 01:47:09,800
Speaker 1: It's blood in New York and when we go there

2082
01:47:09,880 --> 01:47:13,719
Speaker 1: because blad blood cause I got I got my family

2083
01:47:14,080 --> 01:47:16,839
Speaker 1: that are crips, and I have cousins, so you literally

2084
01:47:17,040 --> 01:47:22,879
Speaker 1: have bloods. So you have literal cous blood and blood cousins.

2085
01:47:24,479 --> 01:47:30,880
Speaker 1: Don't say that in La Joe now, you know, you

2086
01:47:31,000 --> 01:47:33,640
Speaker 1: know you know what's crazy about like about like me,

2087
01:47:33,840 --> 01:47:36,000
Speaker 1: I've always been like low, like even when I was

2088
01:47:36,000 --> 01:47:38,439
Speaker 1: living in Miami. You know who the fuck with see

2089
01:47:38,600 --> 01:47:40,519
Speaker 1: you know who not the fuck with even when you're

2090
01:47:40,520 --> 01:47:43,439
Speaker 1: in New York. As I started becoming J. Mills, it's

2091
01:47:43,479 --> 01:47:45,719
Speaker 1: like now when you go out the duvet on Thursday

2092
01:47:45,760 --> 01:47:49,080
Speaker 1: or Sunday, take your Harlem niggas with. Don't you don't

2093
01:47:49,080 --> 01:47:50,960
Speaker 1: know what these niggas is involved. Because I was a guy.

2094
01:47:51,000 --> 01:47:53,000
Speaker 1: I was a true believer of being caught up in

2095
01:47:53,080 --> 01:47:55,280
Speaker 1: ship niggas, seeing niggas in the club. You're on seven days,

2096
01:47:55,320 --> 01:47:58,280
Speaker 1: seven nights. I got popping down net like yo, nggs,

2097
01:47:58,280 --> 01:48:02,160
Speaker 1: I'm gonna get youna loan. You like five Lower east

2098
01:48:02,200 --> 01:48:04,920
Speaker 1: Side niggas and like two Brooklyn niggas. So you're good.

2099
01:48:04,960 --> 01:48:07,520
Speaker 1: So you ain't got a follow no protocols or politics

2100
01:48:07,560 --> 01:48:11,320
Speaker 1: out here. Don't know out here, you know. My little

2101
01:48:11,360 --> 01:48:14,200
Speaker 1: man the other day bud Out, I was going to

2102
01:48:14,280 --> 01:48:15,760
Speaker 1: I was going to get a haircut. I was gonna

2103
01:48:15,760 --> 01:48:17,400
Speaker 1: get a haircut. So I was going to my man

2104
01:48:17,479 --> 01:48:19,880
Speaker 1: Kenny get a haircut. And it's my little brother's homie.

2105
01:48:19,920 --> 01:48:22,760
Speaker 1: So we walking around the corner. He like, he's like, yo,

2106
01:48:22,840 --> 01:48:26,360
Speaker 1: you're not gonna drive the rental. I'm like right, like nah,

2107
01:48:26,400 --> 01:48:29,640
Speaker 1: I've been I'm all. I've been living. I lived on

2108
01:48:29,680 --> 01:48:32,040
Speaker 1: East Hall and West hallm wash Heights. I am. I

2109
01:48:32,080 --> 01:48:35,280
Speaker 1: don't owe nobody nothing, that's right. Nobody ain't looking for me. Yeah,

2110
01:48:35,320 --> 01:48:37,360
Speaker 1: I'm not. I don't live like that. I don't live

2111
01:48:37,400 --> 01:48:39,040
Speaker 1: that type of life where I can't go to the

2112
01:48:39,200 --> 01:48:42,840
Speaker 1: barber shop talk about the knicks or this or that.

2113
01:48:43,080 --> 01:48:46,240
Speaker 1: I'm not going to no, not saying that the gun

2114
01:48:46,400 --> 01:48:49,360
Speaker 1: is under the apron. Listen, the gun is under the apron.

2115
01:48:49,439 --> 01:48:52,240
Speaker 1: But I can't but but that. But but the fact

2116
01:48:52,280 --> 01:48:54,439
Speaker 1: that you can't. Yeah, you know you're always gonna need

2117
01:48:54,520 --> 01:48:56,240
Speaker 1: to make sure you're right. Yeah, don't get a twisted.

2118
01:48:56,280 --> 01:48:57,960
Speaker 1: I don't move around like it can't happen to me.

2119
01:48:58,360 --> 01:49:00,960
Speaker 1: But I think niggas just be a the see Mills

2120
01:49:01,000 --> 01:49:05,120
Speaker 1: in the store order. I just told you I got

2121
01:49:05,160 --> 01:49:07,880
Speaker 1: one with the like we. I think I might have felt.

2122
01:49:07,960 --> 01:49:10,720
Speaker 1: The Illis Chop cheese spot in New York City be

2123
01:49:11,360 --> 01:49:14,439
Speaker 1: on Pitt right over here fire. I ain't gonna give

2124
01:49:14,520 --> 01:49:16,920
Speaker 1: up the location cause niggas not fucking up my spot

2125
01:49:17,000 --> 01:49:20,720
Speaker 1: in Brooklyn farming the Delhi, I love it. But the

2126
01:49:20,920 --> 01:49:25,479
Speaker 1: line be around the black. You gotta mess everything up,

2127
01:49:25,520 --> 01:49:28,160
Speaker 1: TikTok and mess everything up. I want to. I want

2128
01:49:28,160 --> 01:49:32,240
Speaker 1: to ask you, what's your what's your favorite three songs

2129
01:49:32,280 --> 01:49:34,920
Speaker 1: that you ever did? Like your favorite? Not not that

2130
01:49:35,200 --> 01:49:38,400
Speaker 1: that you feel like you got busy on, like because

2131
01:49:38,400 --> 01:49:40,880
Speaker 1: I heard you talking about Hypnotic one time. Hypnotic you got.

2132
01:49:41,320 --> 01:49:43,559
Speaker 1: I always used to love change up, I get high

2133
01:49:43,640 --> 01:49:49,720
Speaker 1: right down. I listened to that. I listen, I get

2134
01:49:49,800 --> 01:49:52,360
Speaker 1: high right down to nine five and holler is like

2135
01:49:52,600 --> 01:49:56,479
Speaker 1: one and the same to me, Like, that's that's not favorite,

2136
01:49:56,560 --> 01:50:00,639
Speaker 1: that's like my favorite bleak. I appreciate you my favorites.

2137
01:50:00,680 --> 01:50:03,200
Speaker 1: None of those do mine? Like that now that's my fiance.

2138
01:50:03,479 --> 01:50:06,519
Speaker 1: They not even he said, Swiss gave Beyonce to template.

2139
01:50:06,560 --> 01:50:09,240
Speaker 1: But I ain't gonna say nothing, but she said, Swiss

2140
01:50:09,320 --> 01:50:12,120
Speaker 1: gave Beyonce say what I did? Yeah, he saying what

2141
01:50:12,200 --> 01:50:14,479
Speaker 1: I did with like that he needed that tempo he gave.

2142
01:50:15,080 --> 01:50:17,920
Speaker 1: Hold up, they gotta they I got. Yeah, I got

2143
01:50:17,960 --> 01:50:19,680
Speaker 1: a lot of influence out here. They don't give me

2144
01:50:19,760 --> 01:50:22,719
Speaker 1: my props, you know what I'm saying. But my favorite

2145
01:50:22,800 --> 01:50:26,679
Speaker 1: joint to me, like one of them, I gotta gotta

2146
01:50:26,720 --> 01:50:30,400
Speaker 1: put who the fuck on what in there? Because that's

2147
01:50:30,520 --> 01:50:33,720
Speaker 1: when I felt totally forgot about that, like cause you

2148
01:50:33,840 --> 01:50:36,719
Speaker 1: got to get back That's why I gotta get Jazzo

2149
01:50:37,360 --> 01:50:41,360
Speaker 1: on the show, because Jazzo played the major role in

2150
01:50:41,520 --> 01:50:43,760
Speaker 1: me coming up because he used to always say to me,

2151
01:50:44,160 --> 01:50:46,439
Speaker 1: Y'll just keep writing. I used to be to him like,

2152
01:50:46,600 --> 01:50:49,400
Speaker 1: say to him, Yo, how you come up with the choruses? Man,

2153
01:50:49,680 --> 01:50:51,720
Speaker 1: Y'll just keep writing? You know how you know when

2154
01:50:51,760 --> 01:50:54,120
Speaker 1: it's sixteen bars? Just keep writing. No matter what I

2155
01:50:54,200 --> 01:50:56,639
Speaker 1: said to him, his answer was, just keep writing. When

2156
01:50:56,640 --> 01:50:59,600
Speaker 1: you done. When you find out who you are, you

2157
01:50:59,760 --> 01:51:01,640
Speaker 1: gonna know where the hook is. You're gonna know what

2158
01:51:01,800 --> 01:51:04,439
Speaker 1: the verse donna stop at, because you're gonna come into

2159
01:51:04,520 --> 01:51:09,000
Speaker 1: your And I feel like that song was when I

2160
01:51:09,160 --> 01:51:13,360
Speaker 1: became who I dreamed of being like on them as

2161
01:51:13,400 --> 01:51:16,760
Speaker 1: an MC. That song is when I knew I'm here,

2162
01:51:17,040 --> 01:51:19,240
Speaker 1: I can stand told the told with you beans, Now

2163
01:51:19,400 --> 01:51:22,519
Speaker 1: what up? You ain't gonna wash me no more? I will, sup.

2164
01:51:23,040 --> 01:51:26,040
Speaker 1: And that's why I think he started feeling like how

2165
01:51:26,120 --> 01:51:28,160
Speaker 1: this nigga just gets so good? Like and then a

2166
01:51:28,200 --> 01:51:29,960
Speaker 1: lot of the records that y'all would be on together,

2167
01:51:30,080 --> 01:51:32,040
Speaker 1: even like the understanding of a lot of that ship

2168
01:51:32,160 --> 01:51:34,760
Speaker 1: we hustlers, all of that money cash hold like a

2169
01:51:34,800 --> 01:51:37,400
Speaker 1: lot of that A lot of that ship was like, damn,

2170
01:51:37,479 --> 01:51:40,479
Speaker 1: man like, look, it's a pleasure for me to be

2171
01:51:40,560 --> 01:51:43,479
Speaker 1: sitting here back that you bro. Like to be honest

2172
01:51:43,479 --> 01:51:46,720
Speaker 1: with you, it ain't no interview. Were chopping it, but no, no,

2173
01:51:46,920 --> 01:51:49,840
Speaker 1: not not fuck that because you this is gonna be

2174
01:51:49,920 --> 01:51:51,880
Speaker 1: one of your interviews. And he's like, nah, that interview

2175
01:51:51,960 --> 01:51:54,479
Speaker 1: with him and Mills. Yeah, this is what We're gonna

2176
01:51:54,520 --> 01:51:57,479
Speaker 1: respect what you doing now, my nigga. This is an interview.

2177
01:51:58,280 --> 01:52:00,800
Speaker 1: We have conversations outside of it. This is an in

2178
01:52:00,880 --> 01:52:03,679
Speaker 1: a You're conducting an interview, right, my brother, My brother,

2179
01:52:04,240 --> 01:52:07,000
Speaker 1: Just as somebody that grew up listening to you, my nigga,

2180
01:52:07,520 --> 01:52:09,280
Speaker 1: I was one of them people that would argue in

2181
01:52:09,360 --> 01:52:11,840
Speaker 1: school and be like, nah, my nigga, jay Z don't

2182
01:52:11,880 --> 01:52:16,200
Speaker 1: be writing all his ship. Because I read credits booklets.

2183
01:52:16,240 --> 01:52:18,320
Speaker 1: I wanted to see where samples came from. So I knew.

2184
01:52:18,760 --> 01:52:22,080
Speaker 1: When I saw as Dot Carter was the only name

2185
01:52:22,560 --> 01:52:24,880
Speaker 1: on the Coming to Age ship, I'm like, oh, But

2186
01:52:24,960 --> 01:52:27,519
Speaker 1: then I started seeing m dot m dot co o X.

2187
01:52:27,640 --> 01:52:30,200
Speaker 1: That's right, Oh, that ship is trying to say my

2188
01:52:30,280 --> 01:52:35,439
Speaker 1: last name of Paul's. I wasn't gonna say it. To

2189
01:52:35,560 --> 01:52:42,679
Speaker 1: fight for that that a lot, mister mister what oh

2190
01:52:43,400 --> 01:52:49,519
Speaker 1: just say Malik. I wasn't about to say that name.

2191
01:52:49,560 --> 01:52:51,640
Speaker 1: I spell it out. I had to fight for that,

2192
01:52:52,000 --> 01:52:55,719
Speaker 1: nah man. I mean, Brooklyn was tough. It was tough.

2193
01:52:56,560 --> 01:52:59,519
Speaker 1: It's not what's a pleasure just for just to be

2194
01:52:59,640 --> 01:53:02,640
Speaker 1: sitting with you and your next chapter of what you do.

2195
01:53:02,720 --> 01:53:04,400
Speaker 1: I never got a chance to do music with you

2196
01:53:04,520 --> 01:53:06,720
Speaker 1: and do all that, but just listening to you, I

2197
01:53:06,760 --> 01:53:09,240
Speaker 1: could say, like, Yo, you inspired me in a way

2198
01:53:09,800 --> 01:53:11,880
Speaker 1: where it was like, nah, I don't give a fuck

2199
01:53:12,000 --> 01:53:15,080
Speaker 1: with them niggas, say my nigga, I'm talking my shit,

2200
01:53:15,400 --> 01:53:18,400
Speaker 1: you know what I'm saying, like mine right round here.

2201
01:53:18,640 --> 01:53:21,040
Speaker 1: I remember when you did round Here. I was like,

2202
01:53:22,120 --> 01:53:24,040
Speaker 1: because I was that round Here was probably the first

2203
01:53:24,120 --> 01:53:26,600
Speaker 1: time I ever heard you, because I'm a fan, that

2204
01:53:26,680 --> 01:53:30,240
Speaker 1: was probably the first time I ever heard you get

2205
01:53:30,320 --> 01:53:32,479
Speaker 1: on that type of shit. Yeah yeah, And I know

2206
01:53:32,600 --> 01:53:34,040
Speaker 1: you have been like it. I remember you was like,

2207
01:53:34,080 --> 01:53:36,200
Speaker 1: y'all put niggas on the ross, you know, So I

2208
01:53:36,360 --> 01:53:38,240
Speaker 1: know you had an ear for listening to that type

2209
01:53:38,240 --> 01:53:41,240
Speaker 1: of shit, but you never gave us. You never gave

2210
01:53:41,360 --> 01:53:44,360
Speaker 1: us nothing like round here until round Here. Yeah no,

2211
01:53:44,680 --> 01:53:47,320
Speaker 1: because you know, and I mean it was so fire,

2212
01:53:47,520 --> 01:53:50,080
Speaker 1: and I got to give props to myst Cool for that. Man.

2213
01:53:50,280 --> 01:53:53,080
Speaker 1: Mister Cool was one of the first, like you know,

2214
01:53:53,720 --> 01:53:56,559
Speaker 1: outside of New York music that I heard, like down

2215
01:53:56,640 --> 01:53:59,000
Speaker 1: South with the eight o weights and the drums like that.

2216
01:53:59,479 --> 01:54:02,840
Speaker 1: When I first heard the man right here, I knew

2217
01:54:03,560 --> 01:54:05,479
Speaker 1: we wasn't we didn't have beats like that, And I

2218
01:54:05,640 --> 01:54:10,000
Speaker 1: knew beats I don't give a don't sound like what

2219
01:54:10,120 --> 01:54:12,800
Speaker 1: they bring it to the studio for me. I'm telling you,

2220
01:54:12,960 --> 01:54:16,240
Speaker 1: I just knew, like, damn this this this sound right here.

2221
01:54:16,360 --> 01:54:20,360
Speaker 1: Then you start hearing you know, Atlanta, the what was it?

2222
01:54:20,479 --> 01:54:24,559
Speaker 1: The fuck young bloods and you know what I mean.

2223
01:54:24,680 --> 01:54:28,200
Speaker 1: I went to house when he was working on an

2224
01:54:28,280 --> 01:54:32,640
Speaker 1: urban legend, you yo, he had the ankle monitor round

2225
01:54:32,720 --> 01:54:34,880
Speaker 1: had brought the bust to his house. She had the

2226
01:54:34,960 --> 01:54:37,360
Speaker 1: bust out here. This is how fire t I was

2227
01:54:37,440 --> 01:54:40,760
Speaker 1: on and he was doing the song super Freak and

2228
01:54:40,920 --> 01:54:43,920
Speaker 1: Tiny was bringing them food down to the studio and

2229
01:54:44,040 --> 01:54:45,840
Speaker 1: he got the song played. But she's a freak though,

2230
01:54:47,480 --> 01:54:51,320
Speaker 1: and she's just there listen to the song. This nigga like,

2231
01:54:52,680 --> 01:54:55,400
Speaker 1: but he was locked in hell. Yeah, that's how like,

2232
01:54:55,760 --> 01:54:57,800
Speaker 1: that's how you gotta be. I feel like those the

2233
01:54:57,920 --> 01:55:00,960
Speaker 1: best moments when you really get the lock in, like

2234
01:55:01,520 --> 01:55:04,320
Speaker 1: I feel like the best times in recording me, like

2235
01:55:06,120 --> 01:55:08,560
Speaker 1: it's with my guy young guru man. But like you

2236
01:55:09,440 --> 01:55:11,440
Speaker 1: like to get back to what your question was you

2237
01:55:11,640 --> 01:55:16,720
Speaker 1: like my favorite three? I said, of course, who want what?

2238
01:55:17,240 --> 01:55:22,560
Speaker 1: Number one? And then like I gotta put handed down

2239
01:55:22,720 --> 01:55:25,600
Speaker 1: up there. That was my only time working with Primo,

2240
01:55:26,320 --> 01:55:29,120
Speaker 1: you know what I mean, and D and D Studio,

2241
01:55:29,320 --> 01:55:32,920
Speaker 1: you know, so it's like that's like, yeah, so that's

2242
01:55:33,040 --> 01:55:36,680
Speaker 1: like superhi historic for me, you know, like being in

2243
01:55:36,800 --> 01:55:39,760
Speaker 1: there doing that with him in that iconic studio with

2244
01:55:40,080 --> 01:55:42,520
Speaker 1: j Too. It was like that was tough. You can't

2245
01:55:42,600 --> 01:55:48,160
Speaker 1: you can't beat that like that. And then man, the

2246
01:55:48,280 --> 01:55:52,840
Speaker 1: third one, I gotta say probably something like understand Me Still,

2247
01:55:53,360 --> 01:55:56,120
Speaker 1: produced by my dog T T T T Beats. That's

2248
01:55:56,200 --> 01:56:00,680
Speaker 1: O g one cousin from Harlem, you know, one uptown. Yeah,

2249
01:56:00,680 --> 01:56:01,880
Speaker 1: you know what I'm saying. You know what I'm saying.

2250
01:56:01,920 --> 01:56:04,160
Speaker 1: You know what I'm saying. Yeah, but understand me Still.

2251
01:56:04,240 --> 01:56:07,400
Speaker 1: I felt like that was at a point in my

2252
01:56:07,560 --> 01:56:10,760
Speaker 1: life when ship was going down and I was and

2253
01:56:10,880 --> 01:56:15,280
Speaker 1: I knew that, you know, the industry break niggas when

2254
01:56:15,320 --> 01:56:18,280
Speaker 1: they feel like they lose it all they lose it

2255
01:56:18,640 --> 01:56:20,680
Speaker 1: and niggas don't talk about that, and me, I was,

2256
01:56:20,800 --> 01:56:24,160
Speaker 1: I just knew, like they don't understand who I am. Man,

2257
01:56:24,360 --> 01:56:27,880
Speaker 1: I'm born in the recession. I'm born in poverty. Bro,

2258
01:56:28,600 --> 01:56:32,400
Speaker 1: I'm born fucked up. Can't break me, No, ain't nothing

2259
01:56:32,480 --> 01:56:35,080
Speaker 1: that man. I'm happy. I'm still like and I could

2260
01:56:35,240 --> 01:56:36,840
Speaker 1: cause I remember, I know the song you're talking about.

2261
01:56:37,160 --> 01:56:40,520
Speaker 1: That was the standpoint where it was like, nigga, I

2262
01:56:40,760 --> 01:56:43,040
Speaker 1: did me off. Yeah, like you know what, I'm so

2263
01:56:43,240 --> 01:56:46,120
Speaker 1: good where I'm messed. I was never again did it

2264
01:56:46,240 --> 01:56:48,280
Speaker 1: my way type ship? Yes, And it was like if

2265
01:56:48,320 --> 01:56:50,400
Speaker 1: I could never do this again and I can never

2266
01:56:50,680 --> 01:56:54,120
Speaker 1: enjoy it, my family will. Yes, they ain't never got

2267
01:56:54,240 --> 01:56:57,120
Speaker 1: to do what we used to do. And I knew that,

2268
01:56:57,640 --> 01:56:59,400
Speaker 1: So that's why I would put that one up there.

2269
01:56:59,560 --> 01:57:03,120
Speaker 1: Yeah yeah, man, that's dope, you know what I mean?

2270
01:57:03,320 --> 01:57:05,800
Speaker 1: So that was my thing and now now and what

2271
01:57:06,080 --> 01:57:07,960
Speaker 1: like I always say, Jay used to tell me back

2272
01:57:08,040 --> 01:57:09,520
Speaker 1: in the day, you'll bleak why you don't put your

2273
01:57:09,560 --> 01:57:12,440
Speaker 1: personality and music? You a funny nigga. Man, you're crazy

2274
01:57:12,480 --> 01:57:14,440
Speaker 1: you be saying some of the illy shit I used

2275
01:57:14,480 --> 01:57:16,040
Speaker 1: to be like. Man, I don't know when I getting

2276
01:57:16,080 --> 01:57:18,280
Speaker 1: that booth. Shit serious, ain't time to play, yo. Some

2277
01:57:18,400 --> 01:57:21,800
Speaker 1: of the some of the coolest, funniest rapper I've ever

2278
01:57:21,960 --> 01:57:25,160
Speaker 1: been around. You all, you got crazy person. When I

2279
01:57:25,240 --> 01:57:26,920
Speaker 1: used to be in the studio with like Tony and I,

2280
01:57:27,080 --> 01:57:28,520
Speaker 1: we would go see Fat Joe and he worked on

2281
01:57:28,560 --> 01:57:30,600
Speaker 1: I used to be like, Yo, Fat Joe is crying you.

2282
01:57:30,680 --> 01:57:32,720
Speaker 1: I'm sitting there like this is the first CD I've had.

2283
01:57:34,240 --> 01:57:36,560
Speaker 1: He Mills, you spit that ship and I'm watching the

2284
01:57:36,640 --> 01:57:38,600
Speaker 1: show here and there in the studio at three in

2285
01:57:38,600 --> 01:57:41,800
Speaker 1: the afternoon. Yo. But I'm old. I work early, and

2286
01:57:42,000 --> 01:57:44,040
Speaker 1: I'm a kid at that time. Like Fat Joe, you

2287
01:57:44,160 --> 01:57:46,120
Speaker 1: be in the studio at two o'clock in the afternoon.

2288
01:57:46,240 --> 01:57:48,600
Speaker 1: Now I'm older, I'm like ship my ship at one

2289
01:57:48,680 --> 01:57:51,400
Speaker 1: in the afternoon. I remember the first time I did

2290
01:57:51,400 --> 01:57:53,200
Speaker 1: a song with Fab, shout out the Fab he can't

2291
01:57:53,360 --> 01:57:55,880
Speaker 1: shoot fave. I remember I went back to the block.

2292
01:57:55,920 --> 01:57:58,080
Speaker 1: I say, Yo, my nigga, Fab might be one of

2293
01:57:58,120 --> 01:58:01,920
Speaker 1: the funniest niggash I've ever been around in my life,

2294
01:58:02,000 --> 01:58:05,200
Speaker 1: and y'all would never know it. That's right, because I

2295
01:58:05,200 --> 01:58:07,080
Speaker 1: remember that day we was in the studio one night Rember.

2296
01:58:07,080 --> 01:58:09,600
Speaker 1: I was like Yo, this is yo. Every page we

2297
01:58:09,840 --> 01:58:11,760
Speaker 1: looking at a double ex Cell magazine while were smoking,

2298
01:58:11,840 --> 01:58:14,800
Speaker 1: every page we turned to, the nigga was joking on

2299
01:58:14,960 --> 01:58:20,200
Speaker 1: something like flaming these niggas and I'm like, yo, fabs,

2300
01:58:20,320 --> 01:58:23,760
Speaker 1: but he was doing it like buggets. Yeah is that

2301
01:58:23,840 --> 01:58:25,360
Speaker 1: he got on? And I'm just looking like Yo, this

2302
01:58:25,480 --> 01:58:28,960
Speaker 1: nigga is hilarious. But all I know is the clue

2303
01:58:29,040 --> 01:58:32,080
Speaker 1: free styles Jersey interviews, you know what I'm saying. So

2304
01:58:32,240 --> 01:58:34,880
Speaker 1: now with this space, it feels good to be able

2305
01:58:34,960 --> 01:58:37,280
Speaker 1: to see like a nigga like Nori just conduct the

2306
01:58:37,480 --> 01:58:40,320
Speaker 1: interviews to And I know Nori like to drink and smoke,

2307
01:58:40,840 --> 01:58:42,200
Speaker 1: but the fact that he figured out a way to

2308
01:58:42,280 --> 01:58:44,400
Speaker 1: make money of drinking and smoking and having a real convo.

2309
01:58:45,360 --> 01:58:47,320
Speaker 1: You know how how to have good convo. You know

2310
01:58:47,360 --> 01:58:52,200
Speaker 1: how to tell stories. And you're not about to even

2311
01:58:52,240 --> 01:58:53,920
Speaker 1: sit up here and talk to nobody that you don't

2312
01:58:53,920 --> 01:58:55,960
Speaker 1: feel like you can have a good conbo. You don't

2313
01:58:55,960 --> 01:58:57,600
Speaker 1: have to no more, you know what I'm saying. And

2314
01:58:57,760 --> 01:59:01,360
Speaker 1: and my platform is for us the underdogs, niggas that

2315
01:59:01,440 --> 01:59:03,320
Speaker 1: they counted out, you know what I mean, that they

2316
01:59:03,360 --> 01:59:08,560
Speaker 1: didn't think can still be the phoenix and come through

2317
01:59:08,600 --> 01:59:11,480
Speaker 1: the ashes and whether the storm man like you know,

2318
01:59:11,640 --> 01:59:14,640
Speaker 1: niggas that you the underdogs. They think like it's over

2319
01:59:15,080 --> 01:59:18,520
Speaker 1: because if you really think about it, all the underdogs

2320
01:59:18,600 --> 01:59:21,880
Speaker 1: right now is the guys. Like the guy next to

2321
01:59:22,000 --> 01:59:25,120
Speaker 1: the guy is the guy now because the top dogs

2322
01:59:25,240 --> 01:59:28,000
Speaker 1: is all falling back and you gotta work hard in

2323
01:59:28,040 --> 01:59:31,240
Speaker 1: this era. Be a talented or you could be a talent.

2324
01:59:31,680 --> 01:59:34,040
Speaker 1: That talent shit don't matter. That shit don't mean nothing. Man,

2325
01:59:34,160 --> 01:59:35,560
Speaker 1: what do you know how to? And you better know

2326
01:59:35,640 --> 01:59:38,160
Speaker 1: how to do more than just one thing? Yo? What

2327
01:59:38,320 --> 01:59:41,480
Speaker 1: they say? What's the saying? Uh? Hard work beat talent.

2328
01:59:41,560 --> 01:59:45,920
Speaker 1: When talent don't work hard, that's word. That talent don't

2329
01:59:45,960 --> 01:59:50,720
Speaker 1: mean shit. You better get actives. They making music out

2330
01:59:50,840 --> 01:59:53,000
Speaker 1: like you said, it's an AI and they on the

2331
01:59:53,120 --> 01:59:57,400
Speaker 1: charts and somebody created that bot, so he has no talent.

2332
01:59:57,640 --> 01:59:59,600
Speaker 1: That's why you put it with that. How you feel

2333
01:59:59,640 --> 02:00:01,880
Speaker 1: about that AI shit? I feel different about it because

2334
02:00:01,960 --> 02:00:06,120
Speaker 1: I watch too much Terminator. That's how I feel. I

2335
02:00:06,240 --> 02:00:09,200
Speaker 1: watched too much Terminator. I feel like, man, y'all niggas

2336
02:00:09,320 --> 02:00:13,040
Speaker 1: was sitting up. We got John Connor showing me dinosaurs

2337
02:00:13,120 --> 02:00:15,440
Speaker 1: and all sorts of shit in Jurassic Parking now y'all

2338
02:00:15,480 --> 02:00:17,960
Speaker 1: want to get mad at AI. Yeah, y'all niggas never

2339
02:00:18,040 --> 02:00:20,840
Speaker 1: seen how t rexes used to walk, but y'all made

2340
02:00:20,880 --> 02:00:23,600
Speaker 1: them ships walking Jurassic Park in front of our face. Yeah,

2341
02:00:23,640 --> 02:00:25,400
Speaker 1: but they said that ship is cap They said them

2342
02:00:25,480 --> 02:00:29,480
Speaker 1: dinosaurs didn't even exist before. They never found the full movies.

2343
02:00:29,680 --> 02:00:33,440
Speaker 1: Look how many movies they didn't because some computer graphics

2344
02:00:33,520 --> 02:00:37,360
Speaker 1: with now AI niggas my nigga Beanie, Beanie, I saw

2345
02:00:37,400 --> 02:00:39,440
Speaker 1: some ship the every day with Beanie and Kiss and

2346
02:00:39,520 --> 02:00:41,680
Speaker 1: they said the AI ship gave him made it with

2347
02:00:41,760 --> 02:00:44,200
Speaker 1: his voice could sound like in ninety eight. Yeah, yeah,

2348
02:00:44,280 --> 02:00:46,560
Speaker 1: Bean's voice is back with the AI ship. I'm not

2349
02:00:46,720 --> 02:00:49,560
Speaker 1: mad at how we know AI ain't write that verse. Nah,

2350
02:00:49,560 --> 02:00:57,480
Speaker 1: I'm chilling, fucking No, it's Yo, shout out to bean

2351
02:00:58,880 --> 02:01:02,720
Speaker 1: Yo nigga name. It's a little nigga name like baby

2352
02:01:02,840 --> 02:01:05,920
Speaker 1: Chief do it. I think that's right. And he did

2353
02:01:05,960 --> 02:01:09,720
Speaker 1: an interview with he said he let chat GPT right

2354
02:01:10,560 --> 02:01:12,200
Speaker 1: like he told him what he wants to rhyme to

2355
02:01:12,280 --> 02:01:13,640
Speaker 1: be and he let it come out and shit was

2356
02:01:13,680 --> 02:01:15,880
Speaker 1: fire and he did a song to it. See now

2357
02:01:16,080 --> 02:01:18,920
Speaker 1: GPT ghosts right now now we up here, we up

2358
02:01:18,960 --> 02:01:21,880
Speaker 1: here fighting our life away to do this shit. You're

2359
02:01:21,880 --> 02:01:24,640
Speaker 1: gonna chat GPT that shit write you coming to age.

2360
02:01:24,920 --> 02:01:28,000
Speaker 1: I never chat. I don't even chat GPT that asks nothing.

2361
02:01:28,080 --> 02:01:31,160
Speaker 1: Niggas be asking recipes and everything. I don't talk to

2362
02:01:31,320 --> 02:01:34,720
Speaker 1: chat GPT. Niggas be like how many albums in Memphis bleed?

2363
02:01:34,800 --> 02:01:37,879
Speaker 1: Selling on his first album coming to age? Yo, GPT,

2364
02:01:38,440 --> 02:01:40,360
Speaker 1: tell him some whole other shit you like, nigga ain't

2365
02:01:40,440 --> 02:01:42,400
Speaker 1: seldom fucking I saw him way more than that. You

2366
02:01:42,480 --> 02:01:46,320
Speaker 1: know what GPT mean to me? Gary Payton caused the turnover.

2367
02:01:46,480 --> 02:01:54,520
Speaker 1: He stole the ball from somebody the glove. That's chat GPT.

2368
02:01:55,000 --> 02:01:59,400
Speaker 1: Seeing my niggas chatting about GP, chatting about GP where

2369
02:01:59,440 --> 02:02:03,400
Speaker 1: he got the hurt over? Order to look, niggas can't

2370
02:02:03,400 --> 02:02:06,960
Speaker 1: even help but be rapping. Niggas can't even help but

2371
02:02:07,120 --> 02:02:13,000
Speaker 1: be rapping. That's some metaphorical double We can't even help it,

2372
02:02:13,120 --> 02:02:15,680
Speaker 1: my nigga. You know what I'm saying, Like, Yo, I

2373
02:02:15,720 --> 02:02:20,040
Speaker 1: ain't gonna lie, man, I ain't gonna know a lot

2374
02:02:20,120 --> 02:02:22,400
Speaker 1: of a lot of niggas right now in the rap game.

2375
02:02:23,240 --> 02:02:24,840
Speaker 1: I feel like if niggas would have came up in

2376
02:02:24,920 --> 02:02:27,720
Speaker 1: our era, well, I say, oh, ever, you was there

2377
02:02:27,800 --> 02:02:29,360
Speaker 1: before me. But I still feel like I caught the

2378
02:02:29,400 --> 02:02:32,080
Speaker 1: tail end of that error. I feel like if niggas

2379
02:02:32,080 --> 02:02:33,840
Speaker 1: would have came up and to get your tape decks

2380
02:02:33,920 --> 02:02:37,360
Speaker 1: ready or fighting for a number one spot of tape.

2381
02:02:37,520 --> 02:02:39,600
Speaker 1: You know what I'm saying, God fighting for that type

2382
02:02:39,600 --> 02:02:43,640
Speaker 1: of ship you take pride in. Nah My, nigga, you

2383
02:02:43,760 --> 02:02:45,880
Speaker 1: heard what I said. You know what I We take

2384
02:02:46,000 --> 02:02:49,680
Speaker 1: pride in that ship that we take. Did you hear

2385
02:02:49,760 --> 02:02:52,480
Speaker 1: what I said? Though? Not want to listen to that

2386
02:02:52,520 --> 02:02:55,960
Speaker 1: ship again? And I feel like now songs is one

2387
02:02:56,120 --> 02:03:00,240
Speaker 1: verse yo, yo, whole album is one verse through. The

2388
02:03:00,320 --> 02:03:03,760
Speaker 1: whole job might be twenty eight minutes. You know what

2389
02:03:03,800 --> 02:03:06,280
Speaker 1: I'm saying. I thought when I got the two verses,

2390
02:03:06,360 --> 02:03:09,440
Speaker 1: I was cutting this show up, niggae, I was doing

2391
02:03:09,520 --> 02:03:12,400
Speaker 1: three verse songs still like Ma's niggas ain't doing that now?

2392
02:03:12,440 --> 02:03:15,640
Speaker 1: You doing niggas like I'm lit two hooks in a

2393
02:03:15,720 --> 02:03:17,840
Speaker 1: verse in the middle, that word up and it is

2394
02:03:17,880 --> 02:03:19,920
Speaker 1: over us. You know what I'm going It's different. Ship

2395
02:03:20,000 --> 02:03:22,680
Speaker 1: doesn't change now. What's next for you? Though? Males? Anymore

2396
02:03:22,800 --> 02:03:25,080
Speaker 1: music dropping? Yeah? I just put out Potent Vibes only

2397
02:03:25,160 --> 02:03:27,800
Speaker 1: six and I've just seen the mellow feeling like Mellow,

2398
02:03:27,880 --> 02:03:30,840
Speaker 1: feeling like Mellow. What I'm saying Mellow Mellow might be

2399
02:03:31,040 --> 02:03:33,560
Speaker 1: my favorite basketball player of all time. I don't think

2400
02:03:33,760 --> 02:03:37,240
Speaker 1: the best, I'm ship the best. I'm a Kobe Bryant

2401
02:03:37,280 --> 02:03:39,920
Speaker 1: fanatic too. I love Bro, that ship, Talk, that ship,

2402
02:03:40,440 --> 02:03:43,160
Speaker 1: Mike AI, all of them, but Mello is somebody. I

2403
02:03:43,280 --> 02:03:47,040
Speaker 1: feel like my ship run parallel with Mellow. My career,

2404
02:03:47,200 --> 02:03:49,720
Speaker 1: like Nigga, they say he could only do one thing.

2405
02:03:49,760 --> 02:03:52,000
Speaker 1: Nigga say he only a battle rapper. He's Mellow, only

2406
02:03:52,040 --> 02:03:54,440
Speaker 1: a scorer. Mello ain't never win no ring, but all

2407
02:03:54,480 --> 02:03:56,840
Speaker 1: the niggas who won rings respect them. I might have

2408
02:03:56,880 --> 02:04:00,320
Speaker 1: never went platinum solo, but my young Money ship did right,

2409
02:04:00,680 --> 02:04:02,680
Speaker 1: so we won as a team. I'm wanting them. I

2410
02:04:02,720 --> 02:04:05,840
Speaker 1: could accept that, but yeah, I just always followed the

2411
02:04:05,920 --> 02:04:08,080
Speaker 1: Nigga career. I always felt like then when he was

2412
02:04:08,120 --> 02:04:10,400
Speaker 1: in New York, I was we was mellowed out. When

2413
02:04:10,480 --> 02:04:12,520
Speaker 1: he was playing for the five next whole New York

2414
02:04:12,680 --> 02:04:14,800
Speaker 1: was repping. So I just said, let me just do

2415
02:04:14,880 --> 02:04:17,040
Speaker 1: a song like that, a little metaphorical. The whole song

2416
02:04:17,160 --> 02:04:19,800
Speaker 1: is about him, but it's really about me, like like

2417
02:04:19,960 --> 02:04:23,120
Speaker 1: my whole fucking career too. I got the podcast with

2418
02:04:23,200 --> 02:04:25,880
Speaker 1: my lady. It's called Jane after Dark, Jane after Dog.

2419
02:04:25,960 --> 02:04:29,560
Speaker 1: We're gonna talk with distribute ship. Yeah, come on, let's

2420
02:04:29,600 --> 02:04:32,640
Speaker 1: do it. Drink Champs Network, let's do it beyond Rock

2421
02:04:32,760 --> 02:04:38,200
Speaker 1: Solid Network. I film it, I edited, come on, let's

2422
02:04:38,240 --> 02:04:41,360
Speaker 1: do it. The man highlight at me. Yeah, come on, yeah,

2423
02:04:41,440 --> 02:04:44,400
Speaker 1: let's do it the other day like two times. That's

2424
02:04:44,440 --> 02:04:45,840
Speaker 1: oh that she was. When I was in my Favorite

2425
02:04:46,000 --> 02:04:48,160
Speaker 1: trying to get me, they told me he wanted to

2426
02:04:48,200 --> 02:04:52,520
Speaker 1: start a network now fifteen cool, We'll get past that shit.

2427
02:04:52,560 --> 02:04:54,760
Speaker 1: Let's get to that and not let Sexy Red or

2428
02:04:55,200 --> 02:04:59,440
Speaker 1: Remend do it. They better let the people that sing yo.

2429
02:05:01,400 --> 02:05:03,960
Speaker 1: But a lot of a lot of this ship I

2430
02:05:04,000 --> 02:05:05,960
Speaker 1: think I want to get You're not direct, and I'll

2431
02:05:06,000 --> 02:05:08,040
Speaker 1: do all that ship too. I want to start doing

2432
02:05:08,160 --> 02:05:10,280
Speaker 1: like mini series. You know what I'm saying, Like trying

2433
02:05:10,320 --> 02:05:14,000
Speaker 1: to do like mini series following the politics. Following the politics.

2434
02:05:14,040 --> 02:05:17,840
Speaker 1: You ain't got no problems, That's what I'm saying. You

2435
02:05:18,280 --> 02:05:22,400
Speaker 1: definitely have to check in, only check into hotels. Yeah,

2436
02:05:24,000 --> 02:05:25,800
Speaker 1: I'm not with all that, I'm right, but I'm working

2437
02:05:25,840 --> 02:05:27,880
Speaker 1: on it. I'm working on a book too, That's what

2438
02:05:29,200 --> 02:05:30,880
Speaker 1: just doing a bunch of ship that really ain't. The

2439
02:05:31,000 --> 02:05:33,640
Speaker 1: music is gonna be there. I got music that's coming out,

2440
02:05:33,640 --> 02:05:35,360
Speaker 1: but I'm trying to do a bunch of other ship

2441
02:05:36,200 --> 02:05:38,480
Speaker 1: that you might not expect. Like the reason why I

2442
02:05:38,560 --> 02:05:40,720
Speaker 1: started a podcast with my ladies because I'm like, damn,

2443
02:05:40,760 --> 02:05:42,680
Speaker 1: I could talk about sports, I could just talk about

2444
02:05:42,760 --> 02:05:44,400
Speaker 1: rapping again, you don't want to just be talking about

2445
02:05:44,440 --> 02:05:47,600
Speaker 1: niggas albums, albums and doing all that. Like, I don't

2446
02:05:47,600 --> 02:05:49,600
Speaker 1: want to do that. So I said, I don't know

2447
02:05:49,760 --> 02:05:53,440
Speaker 1: nobody that's doing nothing with the girl. Like it might

2448
02:05:53,520 --> 02:05:55,320
Speaker 1: be other people that do it that's older, but none

2449
02:05:55,360 --> 02:05:57,240
Speaker 1: of my niggas that I talked to on the phone

2450
02:05:57,280 --> 02:05:59,440
Speaker 1: and I text and we keep they ain't doing nothing

2451
02:05:59,520 --> 02:06:01,520
Speaker 1: with the girl. They don't make posts and share the

2452
02:06:01,600 --> 02:06:04,880
Speaker 1: comment section with it. Because these relationships don't last. That's why.

2453
02:06:05,560 --> 02:06:07,600
Speaker 1: That's why next year, you're not gonna be saying, you know,

2454
02:06:07,680 --> 02:06:10,560
Speaker 1: I'm doing with my girl, I'm doing with my wife.

2455
02:06:10,800 --> 02:06:13,280
Speaker 1: You know what I'm saying, because that I haven't said

2456
02:06:13,360 --> 02:06:15,240
Speaker 1: my girl is so low I should sound kind of

2457
02:06:15,320 --> 02:06:17,960
Speaker 1: funny to me because I feel like if I sit

2458
02:06:18,040 --> 02:06:20,400
Speaker 1: up here and I say my wife, then niggas gonna

2459
02:06:20,440 --> 02:06:22,520
Speaker 1: be like you ain't even married yet, and then it

2460
02:06:22,640 --> 02:06:25,160
Speaker 1: makes you, it make your girl look critzy. Yeah, I know,

2461
02:06:25,680 --> 02:06:27,880
Speaker 1: I know, I know how to hate yo they throw

2462
02:06:28,000 --> 02:06:30,480
Speaker 1: I know, but no, I'm gon get. I'm gonna get

2463
02:06:30,520 --> 02:06:32,440
Speaker 1: married next year, that's son. I'm looking forward to do too.

2464
02:06:33,040 --> 02:06:36,840
Speaker 1: Not inviting the mail though, no I'm not. But when

2465
02:06:36,880 --> 02:06:38,840
Speaker 1: I when they throwing like that to me, when they

2466
02:06:38,880 --> 02:06:40,440
Speaker 1: throwing like that, and I'll be like, YO might check

2467
02:06:40,480 --> 02:06:50,160
Speaker 1: on to on on y. I appreciate you for having

2468
02:06:51,520 --> 02:06:53,880
Speaker 1: so much. I don't drink this much. Do say neither,

2469
02:06:54,200 --> 02:06:58,080
Speaker 1: But that's how YO. Welcome to the dark side, my brother.

2470
02:06:58,480 --> 02:07:01,040
Speaker 1: It's just that ship right here. Listen. You can mix

2471
02:07:01,120 --> 02:07:04,040
Speaker 1: it with anything to tell wifey. This should mixed with

2472
02:07:04,600 --> 02:07:07,160
Speaker 1: what would you suggest? What would you suggest for wife

2473
02:07:07,400 --> 02:07:10,440
Speaker 1: or for you? Because our wife feeling it for me, like,

2474
02:07:11,320 --> 02:07:14,440
Speaker 1: let's make two all right. We got this drink called

2475
02:07:14,480 --> 02:07:18,760
Speaker 1: the dreada where it's like, uh, duce margarita. So you

2476
02:07:18,880 --> 02:07:20,840
Speaker 1: make it the same way you would make a margarita

2477
02:07:20,920 --> 02:07:24,040
Speaker 1: with tequila, but you use the duce and it's fire.

2478
02:07:24,120 --> 02:07:27,120
Speaker 1: I like that. That all you could just do, you know,

2479
02:07:27,200 --> 02:07:29,280
Speaker 1: if you want to just keep it cool. Duce lemonade

2480
02:07:29,760 --> 02:07:32,760
Speaker 1: I keep it me. The ginger real works just fine.

2481
02:07:32,880 --> 02:07:40,280
Speaker 1: Gingerrell works just fine, Nigga sa ginger works fine, works fine.

2482
02:07:40,400 --> 02:07:42,640
Speaker 1: Lets me know you had some trouble before. You know

2483
02:07:42,640 --> 02:07:44,680
Speaker 1: what I'm saying. It works fine. Then you could do

2484
02:07:44,800 --> 02:07:47,960
Speaker 1: the pineapple the cranberry mix like it's mad. Like when

2485
02:07:48,000 --> 02:07:50,680
Speaker 1: you have a whole pineapple cranberry with the duce. Sound

2486
02:07:50,760 --> 02:07:53,080
Speaker 1: like vacation, yo, Yeah, you definitely feel like you're in

2487
02:07:53,120 --> 02:07:57,480
Speaker 1: the Bahamas. I like that, definitely like that. Or you know,

2488
02:07:57,600 --> 02:07:59,600
Speaker 1: you could just do a sidecar. You know what I'm saying.

2489
02:08:00,120 --> 02:08:02,720
Speaker 1: This ship we got, yo, my g. This ship you

2490
02:08:02,800 --> 02:08:05,440
Speaker 1: can mix it with water in this school head. All right,

2491
02:08:06,600 --> 02:08:14,120
Speaker 1: you better drink. You can mix it with water. Drink

2492
02:08:14,440 --> 02:08:16,480
Speaker 1: because if I drink a little more of this bottle,

2493
02:08:16,520 --> 02:08:23,480
Speaker 1: I'm gonna drink the finger Poland Spring. But now, my g. Anytime,

2494
02:08:23,600 --> 02:08:26,160
Speaker 1: like I tell people all the time, man, this platform

2495
02:08:26,600 --> 02:08:29,280
Speaker 1: is for us. It's for the underdogs and niggas still

2496
02:08:29,360 --> 02:08:33,320
Speaker 1: making their way, putting pressure out here. Anytime you want to,

2497
02:08:33,800 --> 02:08:35,680
Speaker 1: you want to get your word off, say anything, you

2498
02:08:35,760 --> 02:08:39,480
Speaker 1: got anything to say anybody anything, you want to promote anything,

2499
02:08:39,520 --> 02:08:41,240
Speaker 1: even if you want to have an episode, you and

2500
02:08:41,320 --> 02:08:43,840
Speaker 1: your wife, come up here and promote your show. Oh yeah,

2501
02:08:44,520 --> 02:08:46,760
Speaker 1: my door's always you know what, I'm gonna bring the

2502
02:08:46,800 --> 02:08:49,480
Speaker 1: T shirt back. My door's always open. Like you said,

2503
02:08:49,520 --> 02:08:53,440
Speaker 1: shout out the bakery to the fresh Figger. I'm a rocket, Definitely,

2504
02:08:54,640 --> 02:08:57,000
Speaker 1: definitely with the pink. My daughter gonna be on my

2505
02:08:57,200 --> 02:09:01,800
Speaker 1: Hell's daddy, you better wear it. So it's all my appreciate,

2506
02:09:01,880 --> 02:09:05,000
Speaker 1: I appreciate truth. Yes're doing your thing. Stay bless my

2507
02:09:05,120 --> 02:09:10,240
Speaker 1: brother and stop following politics unless he's gonna be a politician. Y'all.

2508
02:09:10,640 --> 02:09:15,640
Speaker 1: This is rock solid. Do say we don't follow politics,

2509
02:09:16,040 --> 02:09:24,720
Speaker 1: We drink Yeah. For more podcasts from iHeart Radio, visit

2510
02:09:24,840 --> 02:09:28,560
Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your

2511
02:09:28,600 --> 02:09:31,160
Speaker 1: favorite shows app and you can follow me on any

2512
02:09:31,240 --> 02:09:34,600
Speaker 1: social media platform under the name Memphis Bleak. You see

2513
02:09:34,640 --> 02:09:36,440
Speaker 1: anybody fraud in flagging