WEBVTT - Binging the Purge 

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<v Speaker 1>It's two fifteen am at the Hotel Cecil and you're

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<v Speaker 1>listening to Night Call. Welcome tonight Call. I am Emily Yoshida.

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<v Speaker 1>I am back with my Nightcall friends on the West Coast,

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<v Speaker 1>Tests and Molly. Sorry, usually we introduce ourselves, but I'm

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<v Speaker 1>just too excited now, so I'm introducing you guys for you, um,

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<v Speaker 1>you've been gone so long you have to just take

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<v Speaker 1>over entirely of course. Well for this is my show now. Yes,

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<v Speaker 1>it feels great. It feels like it's been forever. But

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<v Speaker 1>I was away, as as was detailed on the show,

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<v Speaker 1>marrying somebody I met on a podcast, met on this podcast.

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<v Speaker 1>Technically it is podcast grandfather, yes, grandfather grand like I

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<v Speaker 1>would think of it as like a like a mother, grandmother, grandmother,

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<v Speaker 1>because there's there's been other incarnations along the true Yeah,

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<v Speaker 1>there have been. There's a there's a there's a m

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<v Speaker 1>c U of the Girls and Hoodies. Yeah. We talked

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<v Speaker 1>about this last week about all the podcasts that we've had,

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<v Speaker 1>Molly's five podcasts. I just keep starting more. I can't

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<v Speaker 1>stop podcasting. Emily. Yeah, welcome back. Thank you. We missed

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<v Speaker 1>you a me too. I really, I really wish that

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<v Speaker 1>we could have podcasted like from Afar, because I feel

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<v Speaker 1>like there are so many things I wanted to tell

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<v Speaker 1>you guys about, especially when we were on our honeymoon.

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<v Speaker 1>We got some really good texts from you at times

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<v Speaker 1>that were like made sense to us, right, yes, wait,

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<v Speaker 1>like what it's all kind of a fog. Oh you know,

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<v Speaker 1>just like sometimes I'm wake very late at night and

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<v Speaker 1>maybe it's daytime in Japan during that time, and you

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<v Speaker 1>send a nice text of some forest crabs, and then

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<v Speaker 1>all we talked about on this podcast while you're gone

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<v Speaker 1>is the four forest craps. We need to spend a

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<v Speaker 1>minute talking about the forest crabs. Well, also, you should

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<v Speaker 1>just tell us every like, tell us all of the highlights,

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<v Speaker 1>because your Instagram was full of some really good ones

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<v Speaker 1>and what we have to get to the lost in

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<v Speaker 1>Translation hotel. I felt like we were all on vacation together.

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<v Speaker 1>We were good. Oh good. First, I rarely am on vacation,

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<v Speaker 1>but I guess this is the first time I was

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<v Speaker 1>on really on a vacation with Instagram stories, so I

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<v Speaker 1>kind of I really liked falling back on Instagram stories

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<v Speaker 1>instead of say Twitter to talk about whatever was going on,

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<v Speaker 1>because it felt like I didn't have to explain or

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<v Speaker 1>make a joke about whatever I was doing and just

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<v Speaker 1>be like, look at this cool thing that I'm looking at,

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<v Speaker 1>and that could be it. I didn't have to be

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<v Speaker 1>a writer about it. So that felt like a kind

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<v Speaker 1>of nice way to to share the vacation without being

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<v Speaker 1>too without having the social media thing take it over.

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<v Speaker 1>So there were so many cool things to look at. Yeah, yeah,

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<v Speaker 1>I mean, and and that's the other thing I say

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<v Speaker 1>about stories is it doesn't all need to go on

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<v Speaker 1>your actual feed. It can just sort of like My

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<v Speaker 1>only complain there about stories is that then they go away,

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<v Speaker 1>and they go away. All I wanted was to see

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<v Speaker 1>the forest craft I have. I saved the video of

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<v Speaker 1>the forest craft, so I I made the joke on

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<v Speaker 1>on Instagram that they were confused and thought it was

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<v Speaker 1>the ocean. I think it's more like they just got

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<v Speaker 1>washed up from a nearby creek and we're just like

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<v Speaker 1>wandering on the pavement. So we went during the rainy season,

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<v Speaker 1>which I think is kind of the reason why our

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<v Speaker 1>tickets weren't in a zillion dollars when we were out there. Um,

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<v Speaker 1>and it really wasn't that bad. But the one day

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<v Speaker 1>where it really rained a ton was of course, the

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<v Speaker 1>one day we decided we were going to be walking

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<v Speaker 1>around Kyoto and doing like having our most touristy day.

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<v Speaker 1>It was so beautiful though. Yeah, it was nice, like

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<v Speaker 1>it was very atmospheric, and it was nice because it

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<v Speaker 1>wasn't too crowded because of the weather. But um, the

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<v Speaker 1>side note, um, like, very shortly after I got married, Um,

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<v Speaker 1>I bought my first pair of Teva's um and I

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<v Speaker 1>feel like this like this transformation took place over the

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<v Speaker 1>course of one week where I'm like, I love my Tevas,

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<v Speaker 1>I'm gonna go be a tourist and wearing my squashy sandals.

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<v Speaker 1>You entered the seriously because like, when it's raining that much,

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<v Speaker 1>you can't even really wear boots because it'll just get

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<v Speaker 1>inside the boot. So I just thought, why fight it,

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<v Speaker 1>Just be barefoot and let the water wash over. You

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<v Speaker 1>became a forest crab yourself. I did, Yeah, I I

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<v Speaker 1>became slightly amphibious. So we were leaving um Nansen g

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<v Speaker 1>which is this huge Buddhist temple, and of course as

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<v Speaker 1>we're leaving, like the five PM was the closing time,

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<v Speaker 1>so we couldn't be inside anymore. And then it just

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<v Speaker 1>starts pouring down rain. So we were just like running,

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<v Speaker 1>like bolting down this path um trying to get back

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<v Speaker 1>to the subway, which basically took an hour because it

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<v Speaker 1>starts lighten up, and then we'd start walking and then

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<v Speaker 1>I would start pouring again, and we'd like find shelter

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<v Speaker 1>under the nearest thing. But see, that sounds so nice

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<v Speaker 1>because we are in a place that doesn't have a

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<v Speaker 1>rainy season anymore. And I talked about how we look

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<v Speaker 1>at the weather app every day and it says zero

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<v Speaker 1>percent chance of rain for every entire week, for every

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<v Speaker 1>entire year. It's like everything you can just fill in

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<v Speaker 1>rain with whatever else you good, you want to have happened, Like, yeah,

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<v Speaker 1>it's sometimes it will be raining and it will say

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<v Speaker 1>zero percent chance of rain. Sounds it was so it

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<v Speaker 1>was so and it was it was really moisoking everything

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<v Speaker 1>you posted. I was like, oh my god, yeah, it's

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<v Speaker 1>so crazy because we were there. We were staying. We're

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<v Speaker 1>staying outside of Kyoto in this um like of yokam

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<v Speaker 1>which is like the kind of a bed and breakfast,

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<v Speaker 1>like the Japanese version of a bed and breakfast, and

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<v Speaker 1>the one we stayed at It's like they had this

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<v Speaker 1>river side thing where they turned off all the lights

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<v Speaker 1>at a certain points so you could see the fireflies,

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<v Speaker 1>which was so funny because it reminded you me of

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<v Speaker 1>you Molly, because there were like three fireflies on the

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<v Speaker 1>river when I saw the fire in New York and yeah,

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<v Speaker 1>lost your ship? What are those? Well? I think I've

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<v Speaker 1>said this before, but this is like a lot of

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<v Speaker 1>l A kids, I know, have this thing. We're the

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<v Speaker 1>only place we've ever seen fireflies is on pirates of

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<v Speaker 1>the Caribbean. Yes, you know. And then that's like what

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<v Speaker 1>I expect them to look like. And then when we

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<v Speaker 1>saw them in real life, I was like, what they exist?

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<v Speaker 1>I was looking for them here. Nobody tells you there's

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<v Speaker 1>no fireflies l A. When I moved here, I was like,

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<v Speaker 1>trained summer, where are the bugs? That the trade of mosquitoes?

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<v Speaker 1>Well no, but now we have the mosquitoes. We now

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<v Speaker 1>we also have some mosquitoes because you're getting but wait,

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<v Speaker 1>but it's not raining. How do you have mosquitoes water?

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<v Speaker 1>You know people have pools. There's the mighty l A River. Yes, Rory,

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<v Speaker 1>wait at this bed and breakfast, did you have to

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<v Speaker 1>have communal breakfast and dinner. Um, yes, it's a well

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<v Speaker 1>everybody gets there on little table. It's okay, that's I mean,

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<v Speaker 1>it's like very formal. It's very old school communal tables.

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<v Speaker 1>Worst nightmare. No no, no no, no, you don't have

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<v Speaker 1>to you don't have to talk to anybody else. They

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<v Speaker 1>accept huge exception, and I think not not a good

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<v Speaker 1>trade off this This place, like many of these types

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<v Speaker 1>of super traditional like I would say, like fancy real

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<v Speaker 1>cons had geisha's, Like they come through and they like

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<v Speaker 1>perform some kind of dance or whatever. I mean, I

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<v Speaker 1>didn't know that this was a part of this hotel's

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<v Speaker 1>deal when I booked it, and then I saw later on,

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<v Speaker 1>I was like, oh that's interesting. I have very little

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<v Speaker 1>interest in that. But okay, but it's like a mandatory

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<v Speaker 1>part of your meeting that you have to like sit

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<v Speaker 1>and watch the geisha performance. But you there, mic goes

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<v Speaker 1>I like geishas and training. But uh, but then they

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<v Speaker 1>come through and they talk like to each table and

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<v Speaker 1>you have to talk to them and you have to

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<v Speaker 1>talk to them. It's like one of them that came

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<v Speaker 1>through and talked she spoke a little more English and

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<v Speaker 1>it was okay, But then those of them mostly don't,

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<v Speaker 1>and so I was speaking to them in Japanese, and

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<v Speaker 1>my Japanese is really bad and also takes a lot

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<v Speaker 1>of brain power for me to use, and especially at

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<v Speaker 1>the end of the day, I feel like like almost

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<v Speaker 1>wiped out, like I cannot like speak Japanese like it

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<v Speaker 1>just it would like take it out of me at

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<v Speaker 1>the at the end of every day to try to

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<v Speaker 1>have a conversation with the mico. But uh yeah, so

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<v Speaker 1>that I would rather be at a communal table with

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<v Speaker 1>other people who are staying at the hotel than than

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<v Speaker 1>with what did you guys talk about? Like, oh, where

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<v Speaker 1>are you from? And I found it to be supremely awkward,

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<v Speaker 1>but like the drunk businessman who were there for dinner

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<v Speaker 1>gotta gotta kick out of it, So I guess it's

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<v Speaker 1>not really for me. What else did you see? And

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<v Speaker 1>where else did you go? Are three main places we

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<v Speaker 1>were with Kyoto Osaka and Tokyo Osaka is the best.

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<v Speaker 1>We only spend a day there, but I really want

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<v Speaker 1>to spend like a whole trip there next time I

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<v Speaker 1>go to Japan, because it's um really really on and

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<v Speaker 1>the food is amazing and people are just like it's

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<v Speaker 1>more fun. But I wanted to tell you guys. So

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<v Speaker 1>this campaign was started a few years ago in Kyoto

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<v Speaker 1>to get more people to use public transportation and to

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<v Speaker 1>use the subway. They decided, like the best tactic to

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<v Speaker 1>attract people to the subway would be to make like

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<v Speaker 1>cute anome girl mascots for the train. Um. And so

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<v Speaker 1>it's called like the Moe Moe Kyoto like campaign. UM.

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<v Speaker 1>And they have like they have this full cast of

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<v Speaker 1>characters now, Like this started a while ago and so

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<v Speaker 1>by now they've unveiled more and more characters. UM. And

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<v Speaker 1>there's uh, like the main girl, she has like a brother,

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<v Speaker 1>and then another one of her friends as a brother,

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<v Speaker 1>and they're all these bios for them. And I think

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<v Speaker 1>they made some kind of short animation, but it's just

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<v Speaker 1>hilarious because like all of the subways are plastered with

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<v Speaker 1>these ads of like these cute aunome girls like holding

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<v Speaker 1>their their subway passes and like showing how cool and

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<v Speaker 1>cute it is to have a subway. Doesn't work? Did

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<v Speaker 1>people ride the subway more? I guess? I guess it's

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<v Speaker 1>been successful because they've kept it up. Are they like

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<v Speaker 1>moa versions of the trains like, are they supposed to

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<v Speaker 1>be like a character who is the train? No? No, no,

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<v Speaker 1>so they're right. Yeah, they're writers and I guess they're

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<v Speaker 1>supposed to be like Kyoto residents. But they're also named

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<v Speaker 1>after some of the different stops on the Kyoto subway. Um,

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<v Speaker 1>it's so funny because they all have these official profiles.

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<v Speaker 1>It's like somebody at this who works for the city.

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<v Speaker 1>How do we get I know, it's amazing, but but

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<v Speaker 1>there's one of the guys who's like kind of like

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<v Speaker 1>a jockish guy wearing a pink kodie is named Takeru

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<v Speaker 1>and say Takara attended the same high school as Yo

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<v Speaker 1>and his best friend, who's like the other boy there.

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<v Speaker 1>He has an easy going and optimistic side. After graduating

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<v Speaker 1>from high school, his desire to become a breadmaker let

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<v Speaker 1>him to study at a bakery in Kyoto. He likes

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<v Speaker 1>how people can buy bread around Kyoto subway stations. Now

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<v Speaker 1>I'm just picturing somebody riding the train and falling in

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<v Speaker 1>love with one of these characters. It seems as though

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<v Speaker 1>that happens, and people are collecting the posters, right Emily, Yeah, yeah,

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<v Speaker 1>And I was trying to find them because I I

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<v Speaker 1>realized that this was the thing, and then I started

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<v Speaker 1>trying to figure out where I could get the posters.

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<v Speaker 1>But like they have different promotions like if you use

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<v Speaker 1>if you get a day pass and then go to

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<v Speaker 1>the zoo, you can get a poster or something, but

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<v Speaker 1>like none of those were happening while I was there.

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<v Speaker 1>I was I was so charmed and and and delighted

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<v Speaker 1>by think we should have more train mascots. There's that

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<v Speaker 1>really good Twitter account. I think it's Mondo mascots, and

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<v Speaker 1>it's all just Japanese mascots for different things, and a

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<v Speaker 1>lot of it is like mascots for like a precinct

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<v Speaker 1>or whatever, you know, like they do just having a

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<v Speaker 1>mascot for everything. It's great the grain industry or something.

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<v Speaker 1>Some of the ones I've seen on Mondo mascots, it's

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<v Speaker 1>like they're always about like well, like their main trades

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<v Speaker 1>are like growing melons and like trees, so it's like

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<v Speaker 1>an oak tree with a melon for ahead. Well. The

0:12:03.480 --> 0:12:07.000
<v Speaker 1>weird thing about it the boy who's not the bread baker,

0:12:07.080 --> 0:12:10.040
<v Speaker 1>who's like the older brother. His picture makes him look

0:12:10.080 --> 0:12:12.160
<v Speaker 1>like he's just like shady, he's got something to hide,

0:12:12.480 --> 0:12:15.120
<v Speaker 1>and his description is like, you know, he's really cold

0:12:15.160 --> 0:12:17.959
<v Speaker 1>to his younger sister, which he is protective of her,

0:12:18.160 --> 0:12:20.160
<v Speaker 1>but it was also like he hates when the trains

0:12:20.160 --> 0:12:24.920
<v Speaker 1>don't run on time. Everybody has like normal personality traits

0:12:24.920 --> 0:12:30.640
<v Speaker 1>and then one hyper specific transportation. Let's take a subway

0:12:30.679 --> 0:12:35.280
<v Speaker 1>train to our next topic. Oh so we recently started

0:12:35.559 --> 0:12:40.600
<v Speaker 1>um a Facebook group from the Facebook page and uh,

0:12:40.679 --> 0:12:45.360
<v Speaker 1>somebody whose name is Emily asked if we had any

0:12:45.440 --> 0:12:49.439
<v Speaker 1>thoughts about the Cecil Hotel, which, um, if you were

0:12:50.040 --> 0:12:53.720
<v Speaker 1>following maccabre stories a few years ago, you may remember

0:12:53.840 --> 0:12:56.959
<v Speaker 1>from a woman named Lisa Lamb who was found dead

0:12:57.480 --> 0:13:02.160
<v Speaker 1>in a water vault, is that the terminal was the

0:13:02.200 --> 0:13:05.880
<v Speaker 1>water tank and the water tank and it was like

0:13:05.920 --> 0:13:09.640
<v Speaker 1>a huge mystery because um, she she had she was

0:13:09.679 --> 0:13:12.400
<v Speaker 1>like using tumbler, I guess, so there was a lot

0:13:12.480 --> 0:13:15.440
<v Speaker 1>of stuff to pour over, like her you know, musings

0:13:15.440 --> 0:13:17.600
<v Speaker 1>on tumbler. And then there was a she had been

0:13:17.640 --> 0:13:21.360
<v Speaker 1>seen on the like surveillance cameras sort of wandering in

0:13:21.360 --> 0:13:24.360
<v Speaker 1>the hotel. There was a video and they it was

0:13:24.480 --> 0:13:27.439
<v Speaker 1>later referred to as the elevator game because the surveillance

0:13:27.520 --> 0:13:31.280
<v Speaker 1>video shows her getting into an elevator and like this weird.

0:13:31.920 --> 0:13:33.640
<v Speaker 1>I mean, there was no audio, you couldn't it was

0:13:33.640 --> 0:13:35.240
<v Speaker 1>hard to make sense of. But it looked as if

0:13:35.320 --> 0:13:39.280
<v Speaker 1>there was someone outside unseen on the surveillance tape, and

0:13:39.360 --> 0:13:41.360
<v Speaker 1>she was in the elevator and like almost like she

0:13:41.360 --> 0:13:43.240
<v Speaker 1>wanted to step out out of the elevator and then

0:13:43.280 --> 0:13:45.800
<v Speaker 1>was kind of hiding in the elevator from someone. So

0:13:45.840 --> 0:13:49.080
<v Speaker 1>it kind of sparked some conspiracy theories. And yeah, there

0:13:49.080 --> 0:13:51.400
<v Speaker 1>were a lot of conspiracy theories about it because it

0:13:51.520 --> 0:13:54.280
<v Speaker 1>was like, it's impossible to get in the water tank

0:13:54.440 --> 0:13:56.720
<v Speaker 1>by yourself, so they're like somebody must have gone with her,

0:13:56.800 --> 0:13:58.800
<v Speaker 1>Like how did she get up there? There were all

0:13:58.840 --> 0:14:01.960
<v Speaker 1>these did she close the back over her? Yeah, it's

0:14:02.040 --> 0:14:05.480
<v Speaker 1>really horrible. And then somebody wrote a really good long

0:14:05.520 --> 0:14:07.840
<v Speaker 1>piece about it that was on medium, and I think

0:14:08.000 --> 0:14:10.800
<v Speaker 1>that was about sort of going over the details and

0:14:10.840 --> 0:14:12.599
<v Speaker 1>it was like, hey, you know, the answer to this

0:14:12.720 --> 0:14:15.440
<v Speaker 1>mystery is that this person probably had like mental illness

0:14:15.520 --> 0:14:18.240
<v Speaker 1>and she had a psychotic break, a psychotic break, and

0:14:18.520 --> 0:14:21.760
<v Speaker 1>it's like not not that cool, right, I Mean, that

0:14:21.880 --> 0:14:24.000
<v Speaker 1>was the thing that as soon as it was kind

0:14:24.000 --> 0:14:27.680
<v Speaker 1>of like that the likelihood of her having been killed

0:14:27.680 --> 0:14:30.200
<v Speaker 1>and put in this vault or whatever was seemed like

0:14:30.240 --> 0:14:33.480
<v Speaker 1>the least likely explanation. It just became very sad. But

0:14:33.560 --> 0:14:36.960
<v Speaker 1>regardless of Cecil has kind of like a creepy aura around.

0:14:37.000 --> 0:14:40.280
<v Speaker 1>It's haunted a f Yeah, yeah, it's super haunted because

0:14:40.320 --> 0:14:43.680
<v Speaker 1>it's an old ass hotel in downtown l A. It

0:14:43.720 --> 0:14:47.240
<v Speaker 1>gets all the shine as as being like, oh, the

0:14:47.320 --> 0:14:54.480
<v Speaker 1>one creepy hotel. They're all creepy. These are all my

0:14:54.560 --> 0:14:57.360
<v Speaker 1>favorite places in Last Angeles too. I had to say,

0:14:57.480 --> 0:14:59.600
<v Speaker 1>like I wanted to talk about this just because I

0:14:59.640 --> 0:15:01.240
<v Speaker 1>was clean it out a hard driver. I was looking

0:15:01.240 --> 0:15:02.720
<v Speaker 1>for something on a hard drive, so I found all

0:15:02.720 --> 0:15:05.680
<v Speaker 1>these old pictures. Um, because I had done this um

0:15:05.800 --> 0:15:07.960
<v Speaker 1>kind of conceptual photo shoot for a project I've been

0:15:07.960 --> 0:15:10.760
<v Speaker 1>working on at the time. Uh and and did it

0:15:10.800 --> 0:15:13.040
<v Speaker 1>at the Cecil Hotel because I needed like a kind

0:15:13.040 --> 0:15:16.240
<v Speaker 1>of this before or after this happened. This was before

0:15:16.400 --> 0:15:19.640
<v Speaker 1>this would have been in like ten or twenty eleven

0:15:19.720 --> 0:15:21.160
<v Speaker 1>or something that would have been like two or three

0:15:21.240 --> 0:15:24.400
<v Speaker 1>years before this happened. Yeah, it was after they had

0:15:24.440 --> 0:15:27.840
<v Speaker 1>done this sort of um remodeling to kind of make

0:15:27.880 --> 0:15:30.320
<v Speaker 1>it more of a tourist hotel or like kind of

0:15:30.360 --> 0:15:32.920
<v Speaker 1>something like a low budget hotel. For like people who

0:15:33.000 --> 0:15:35.600
<v Speaker 1>would you know, be using hostels or something like that.

0:15:35.840 --> 0:15:37.960
<v Speaker 1>They were trying to market themselves that way. This is

0:15:38.000 --> 0:15:41.960
<v Speaker 1>like the very beginnings of downtown starting to be rehabbed

0:15:41.960 --> 0:15:44.160
<v Speaker 1>in a way. But so there was like a coffee

0:15:44.160 --> 0:15:46.600
<v Speaker 1>shop out from but it wasn't really that operational, like

0:15:46.600 --> 0:15:48.720
<v Speaker 1>like all of these early efforts in downtown l A.

0:15:48.760 --> 0:15:51.840
<v Speaker 1>It was like there was a thing that looked like gentrification,

0:15:51.920 --> 0:15:55.440
<v Speaker 1>but it didn't really work, like like nobody worked there. Yeah,

0:15:55.600 --> 0:15:57.280
<v Speaker 1>like a lot of it is. They put it up.

0:15:57.280 --> 0:15:59.280
<v Speaker 1>They were like, we'll build a stage set of a

0:15:59.360 --> 0:16:02.880
<v Speaker 1>downtown and then people will fill it with real downtown

0:16:02.880 --> 0:16:06.000
<v Speaker 1>and then still have a crape shop that nobody ever

0:16:06.040 --> 0:16:09.960
<v Speaker 1>works at. That's probably most people experience downtown driving through it,

0:16:10.240 --> 0:16:12.040
<v Speaker 1>you know, it's not like I mean a lot of

0:16:12.040 --> 0:16:14.840
<v Speaker 1>the people who are downtown are working there and don't

0:16:15.320 --> 0:16:17.840
<v Speaker 1>have that much time to explore the quirky place. Like

0:16:17.920 --> 0:16:20.640
<v Speaker 1>the Cecil Hotel was always like a hotel for like

0:16:20.680 --> 0:16:23.880
<v Speaker 1>people passing through. It's like right right in the middle

0:16:24.160 --> 0:16:27.720
<v Speaker 1>of the heart of downtown. But they do keep trying

0:16:27.720 --> 0:16:29.280
<v Speaker 1>to flip it and make it like now it's a

0:16:29.320 --> 0:16:32.520
<v Speaker 1>fancy hotel and now it's gentrified and it just is

0:16:32.560 --> 0:16:35.960
<v Speaker 1>so scary but still so they are actually like the

0:16:36.000 --> 0:16:39.680
<v Speaker 1>people who own the Bowery here New York about it

0:16:39.720 --> 0:16:41.200
<v Speaker 1>and are going to try to make it into like

0:16:41.240 --> 0:16:45.480
<v Speaker 1>an ace, Like I actually think this is super interesting.

0:16:45.560 --> 0:16:47.080
<v Speaker 1>This is the main thing I want to talk about,

0:16:47.160 --> 0:16:49.160
<v Speaker 1>is like how long do you have to wait before

0:16:49.160 --> 0:16:52.440
<v Speaker 1>a place it's hunted becomes like something that people like

0:16:52.800 --> 0:16:56.640
<v Speaker 1>young urban professionals like are attracted to it and can

0:16:56.680 --> 0:16:59.560
<v Speaker 1>find it, like like think it's hip because the the

0:16:59.720 --> 0:17:03.080
<v Speaker 1>Black Dollia stayed there or something like. I was totally

0:17:03.120 --> 0:17:05.600
<v Speaker 1>into the Builtmore for a long time because it was

0:17:05.640 --> 0:17:08.040
<v Speaker 1>the last place that the Black Dolly was seen and

0:17:08.080 --> 0:17:10.840
<v Speaker 1>it was at the bar, the gallery bar at the Biltmore,

0:17:10.880 --> 0:17:14.199
<v Speaker 1>which is incredible. It's one of the best bars, like

0:17:14.280 --> 0:17:17.000
<v Speaker 1>just for appearance alone. So I lived downtown for a while,

0:17:17.000 --> 0:17:19.760
<v Speaker 1>so I would go there and I would like wander

0:17:19.800 --> 0:17:21.440
<v Speaker 1>through the lobby of the ce Cil just because I

0:17:21.480 --> 0:17:23.400
<v Speaker 1>thought all these places were so cool. But like that

0:17:23.480 --> 0:17:26.480
<v Speaker 1>was I wasn't like rehabbing it. It It as like a

0:17:26.720 --> 0:17:30.040
<v Speaker 1>hip ace hotel. But I'm wondering how long does it take?

0:17:30.119 --> 0:17:32.240
<v Speaker 1>What's that window for where you can be like Okay,

0:17:32.520 --> 0:17:36.480
<v Speaker 1>we can turn this into a Ace hotel esque project

0:17:36.560 --> 0:17:39.240
<v Speaker 1>and and the kids will flock to it because ghosts

0:17:39.280 --> 0:17:41.679
<v Speaker 1>are hip now or what I feel like, I don't know, right,

0:17:41.760 --> 0:17:45.240
<v Speaker 1>And also, like the Chateau mormont Is, many people have

0:17:45.359 --> 0:17:48.320
<v Speaker 1>died there and there are many ghosts and that's part

0:17:48.320 --> 0:17:50.840
<v Speaker 1>of its appeal. I guess my mom stayed there once

0:17:50.880 --> 0:17:53.119
<v Speaker 1>and she said that, um, she was staying in a

0:17:53.200 --> 0:17:55.919
<v Speaker 1>room with a broken mirror and was like, she just

0:17:56.000 --> 0:17:59.919
<v Speaker 1>couldn't stay there. I have to move rooms, and I

0:18:00.000 --> 0:18:02.240
<v Speaker 1>feel like she just kept energy broken mirrors and like

0:18:02.359 --> 0:18:04.679
<v Speaker 1>ghostly things. But I talked to somebody. I went on

0:18:04.920 --> 0:18:07.480
<v Speaker 1>um this podcast Bizarre States a little while ago, and

0:18:07.560 --> 0:18:09.639
<v Speaker 1>they were talking about how they went to the Stanley Hotel,

0:18:09.680 --> 0:18:12.359
<v Speaker 1>which is one of the Shining hotels. They were like,

0:18:12.440 --> 0:18:16.679
<v Speaker 1>it actually wasn't scary at all. It was disappointingly unscary.

0:18:16.920 --> 0:18:19.240
<v Speaker 1>Somebody was like having a wedding there and we kept

0:18:19.280 --> 0:18:21.320
<v Speaker 1>being like, oh, we're trying to get spooky, and you

0:18:21.359 --> 0:18:23.720
<v Speaker 1>guys are just like having a wedding. They said that

0:18:23.760 --> 0:18:26.199
<v Speaker 1>they kind of like downplay the spook nous because like

0:18:26.240 --> 0:18:28.720
<v Speaker 1>they got bored of people only wanting it to be

0:18:28.800 --> 0:18:30.800
<v Speaker 1>a spooky Shining hotel and they're like, no, no, we're

0:18:30.840 --> 0:18:33.760
<v Speaker 1>also just a nice hotel. Well, they have a film

0:18:33.800 --> 0:18:37.000
<v Speaker 1>fest now called the Overlook Film Festival. It's like a

0:18:37.000 --> 0:18:39.320
<v Speaker 1>horror film festival and for the past two years, not

0:18:39.440 --> 0:18:42.240
<v Speaker 1>this year, but um, they've they've had it once once

0:18:42.240 --> 0:18:44.320
<v Speaker 1>I had at the Stanley Hotel and then the other

0:18:44.720 --> 0:18:47.520
<v Speaker 1>which is the one where where Stephen King wrote The

0:18:47.560 --> 0:18:49.439
<v Speaker 1>Shining there's one that he wrote it and then the

0:18:49.480 --> 0:18:52.880
<v Speaker 1>one that that they shot the Shining Net. Well, there's

0:18:52.920 --> 0:18:56.119
<v Speaker 1>two different shot it um in Pine Win Studios. They

0:18:56.280 --> 0:18:59.160
<v Speaker 1>built a set, but there's a couple of different hotels.

0:18:58.560 --> 0:19:02.199
<v Speaker 1>They Yeah, the exterior I think is the Stanley, and

0:19:02.240 --> 0:19:09.399
<v Speaker 1>then the interiors modeled after a hotel in Yosemite's I

0:19:09.440 --> 0:19:12.920
<v Speaker 1>think he wrote it in Colorado. I think that's yeah,

0:19:13.080 --> 0:19:16.160
<v Speaker 1>that's the Stanley. But yeah, the one in Yosemite that

0:19:16.320 --> 0:19:19.120
<v Speaker 1>the interior is based off of has a lot of

0:19:19.160 --> 0:19:23.320
<v Speaker 1>like Native American themed stuff because it's in Yosemite. But

0:19:23.400 --> 0:19:26.760
<v Speaker 1>also that's like why people think The Shining is about

0:19:27.200 --> 0:19:32.200
<v Speaker 1>Jennifer Native Americans because it kind of is uh guys

0:19:32.240 --> 0:19:37.320
<v Speaker 1>speaking of downtown l a uh we Binge to vary

0:19:37.480 --> 0:19:41.600
<v Speaker 1>degrees the Purge. Yes, over the past week. Um, the

0:19:41.680 --> 0:19:44.440
<v Speaker 1>first Purge just came out or not just came out

0:19:44.520 --> 0:19:48.399
<v Speaker 1>on July fourth. We talked this is one of the

0:19:48.400 --> 0:19:50.159
<v Speaker 1>first things we talked about doing for the podcast. And

0:19:50.160 --> 0:19:51.679
<v Speaker 1>then we're like, oh, but the movie doesn't come out

0:19:51.760 --> 0:19:54.320
<v Speaker 1>until July, and we're like, well, that gives us so

0:19:55.000 --> 0:19:57.679
<v Speaker 1>a lot of time to watch some Purges. Molly and

0:19:57.680 --> 0:19:59.760
<v Speaker 1>I are not completely caught up on all of the

0:19:59.800 --> 0:20:03.439
<v Speaker 1>p ridges because it turns out that binging the Purge

0:20:03.480 --> 0:20:08.040
<v Speaker 1>is also like a tremendously stressful and depressing experience. Who knew,

0:20:08.119 --> 0:20:10.879
<v Speaker 1>who knew? Who knew it would be that way? Um,

0:20:10.920 --> 0:20:13.480
<v Speaker 1>but yeah, I had seen the first one when just

0:20:13.640 --> 0:20:15.800
<v Speaker 1>when it came out on v O D, so it

0:20:15.880 --> 0:20:18.800
<v Speaker 1>was probably or something I think it came out in

0:20:20.280 --> 0:20:22.000
<v Speaker 1>and then I watched it right when it came out,

0:20:22.040 --> 0:20:23.440
<v Speaker 1>So it had been a couple of years, but I

0:20:23.480 --> 0:20:30.159
<v Speaker 1>remembered it as fun. I remembered as we first loved it.

0:20:31.160 --> 0:20:34.119
<v Speaker 1>Anarchy is the best in the somebody asked me recently

0:20:34.160 --> 0:20:37.280
<v Speaker 1>to rank them, and having not watched all of them recently,

0:20:37.440 --> 0:20:40.200
<v Speaker 1>I still would put Anarchy at the top. I think

0:20:40.240 --> 0:20:42.760
<v Speaker 1>Anarchy is the best one. So so I watched the

0:20:42.800 --> 0:20:46.480
<v Speaker 1>first one and the second one, and then I'll be honest,

0:20:46.560 --> 0:20:49.880
<v Speaker 1>I couldn't couldn't do the third one. I'd had enough purging.

0:20:49.960 --> 0:20:52.720
<v Speaker 1>I was like, man, I gotta watch something really dumb

0:20:53.080 --> 0:20:56.000
<v Speaker 1>to chase this. Well, what was it dumb? Just so

0:20:56.040 --> 0:20:58.800
<v Speaker 1>that we're in on the all right, there we go,

0:20:58.840 --> 0:21:02.600
<v Speaker 1>there we go. You know it was a Christmas episode,

0:21:03.480 --> 0:21:07.399
<v Speaker 1>Good Purge, Purge, Taste cleaner. Um. Yeah, but the second

0:21:07.400 --> 0:21:10.320
<v Speaker 1>Purges all takes place in downtown l A, which is

0:21:10.359 --> 0:21:12.680
<v Speaker 1>why we're talking about it. And I was like, oh,

0:21:12.680 --> 0:21:15.080
<v Speaker 1>of course, I only love this movie. It's all about

0:21:15.119 --> 0:21:19.440
<v Speaker 1>like just running around through downtown l A. Yeah, with

0:21:19.520 --> 0:21:25.439
<v Speaker 1>Matt Saracen. Also Frank Grillo. Yeah. And who's then in

0:21:25.480 --> 0:21:28.560
<v Speaker 1>the third one as well? Yeah? I mean because not

0:21:28.840 --> 0:21:31.520
<v Speaker 1>in in the most recent one. So I was wondering

0:21:31.560 --> 0:21:33.280
<v Speaker 1>if they were going to try to sell Frank Grillo

0:21:33.400 --> 0:21:35.800
<v Speaker 1>as a kind of thread throughout the franchise, if not

0:21:35.880 --> 0:21:38.240
<v Speaker 1>an actual hero, then at least like a connecting thread.

0:21:38.320 --> 0:21:40.480
<v Speaker 1>But he couldn't have been. He couldn't have the first

0:21:40.600 --> 0:21:45.960
<v Speaker 1>first eight. You know, Well, it's unclear how much time

0:21:46.000 --> 0:21:49.200
<v Speaker 1>passes between the first Purge and by that I mean

0:21:49.280 --> 0:21:53.479
<v Speaker 1>the most recent movie, not the first Purge. No, that's aasing.

0:21:53.480 --> 0:21:55.280
<v Speaker 1>Two is you're like, the second Purge is about the

0:21:55.320 --> 0:21:58.280
<v Speaker 1>sixth Purge. Okay, wait, so the first one is supposed

0:21:58.280 --> 0:22:01.680
<v Speaker 1>to be two, right, so that's the fifth that this

0:22:01.760 --> 0:22:05.040
<v Speaker 1>is like the the initial Purge. But then there's the yeah,

0:22:05.119 --> 0:22:09.800
<v Speaker 1>the Purge anarchy is rights the following year. Let's explain

0:22:09.840 --> 0:22:11.760
<v Speaker 1>the Purge to listeners who might not know how the

0:22:11.760 --> 0:22:14.440
<v Speaker 1>Purge works. Everybody knows about that person. I did not

0:22:14.560 --> 0:22:18.200
<v Speaker 1>know how it worked. How the Purge is of series

0:22:18.280 --> 0:22:21.639
<v Speaker 1>of horror films. They're not sequels. They are all about

0:22:21.720 --> 0:22:24.720
<v Speaker 1>one idea and different takes on the same idea. They're

0:22:24.840 --> 0:22:29.760
<v Speaker 1>created by a guy named Jason Demonica James Demonica rather, no,

0:22:29.840 --> 0:22:32.960
<v Speaker 1>I confused him and before the Purge for writing the

0:22:33.000 --> 0:22:36.240
<v Speaker 1>movie Jack Yes, where Robin Williams ages four times faster

0:22:36.320 --> 0:22:39.400
<v Speaker 1>than he Just the concept is that it's some at

0:22:39.400 --> 0:22:42.760
<v Speaker 1>some point in the in the near future, America has

0:22:42.840 --> 0:22:46.919
<v Speaker 1>has elected a party like a super right wing the

0:22:47.040 --> 0:22:50.720
<v Speaker 1>New Founding Fathers of America, the New Founding Fathers of

0:22:50.760 --> 0:22:54.719
<v Speaker 1>America and f A because the crime and whatever like,

0:22:54.760 --> 0:22:57.480
<v Speaker 1>there's so there's so many problems in in America and

0:22:57.520 --> 0:23:01.280
<v Speaker 1>somebody decides that they can all be solved once a year. Uh,

0:23:01.400 --> 0:23:04.679
<v Speaker 1>for a twenty four hour period, all crime is legal,

0:23:04.960 --> 0:23:09.560
<v Speaker 1>including murders especially. I thought it was twelve hours. I

0:23:09.560 --> 0:23:12.640
<v Speaker 1>thought it was seven pm to seven am once a year,

0:23:12.920 --> 0:23:15.359
<v Speaker 1>but I may be wrong, but that's why. Yeah, it is,

0:23:15.640 --> 0:23:18.560
<v Speaker 1>it is. It's only twelve hours. It's only twelve hours,

0:23:18.560 --> 0:23:21.320
<v Speaker 1>so it's yeah, it's it's I guess it's framed by

0:23:21.320 --> 0:23:23.760
<v Speaker 1>the n f f A as like, well, there's so

0:23:23.880 --> 0:23:26.120
<v Speaker 1>much unrest, We're going to solve it by having everyone

0:23:26.240 --> 0:23:29.960
<v Speaker 1>expressed their violence during get it all out. During this

0:23:30.000 --> 0:23:34.600
<v Speaker 1>twelve hour period, you can't be tried for anything legal.

0:23:34.920 --> 0:23:39.720
<v Speaker 1>Hospitals are closed. Importantly, I think government officials are protected

0:23:40.600 --> 0:23:44.880
<v Speaker 1>when you kill the third until per election year, and

0:23:45.840 --> 0:23:48.840
<v Speaker 1>all rich people are are protected because they can afford

0:23:48.880 --> 0:23:51.520
<v Speaker 1>to like armorize their house. But as we're seeing in

0:23:51.560 --> 0:23:53.879
<v Speaker 1>the first one, it doesn't always work. First one is

0:23:53.920 --> 0:23:57.880
<v Speaker 1>like a home invasion movie about Ethan Hawk and Searcy

0:23:58.800 --> 0:24:03.560
<v Speaker 1>Uh in a house in Chatsworth, Um, and they get

0:24:03.680 --> 0:24:06.920
<v Speaker 1>it kind of makes no sense. He's a security expert,

0:24:07.400 --> 0:24:10.640
<v Speaker 1>so he's re installed all the systems in the neighborhood,

0:24:10.680 --> 0:24:12.920
<v Speaker 1>but that kind of was like beside the point, Like

0:24:13.480 --> 0:24:15.760
<v Speaker 1>it really just is like a home invasion movie about

0:24:15.760 --> 0:24:19.280
<v Speaker 1>the Purge that focuses on this one couple, like a

0:24:19.359 --> 0:24:23.360
<v Speaker 1>homeless black guy tries to enter this suburban community. They

0:24:23.400 --> 0:24:26.639
<v Speaker 1>take him in like because there's just the scuffle and

0:24:26.680 --> 0:24:32.480
<v Speaker 1>then they're keeping him. But the like white evil preps

0:24:32.520 --> 0:24:36.000
<v Speaker 1>and blazers that that come and try to terrorize them

0:24:36.040 --> 0:24:38.040
<v Speaker 1>want want to take the guy away from them so

0:24:38.080 --> 0:24:40.600
<v Speaker 1>that they can murder him. So it's sort did this

0:24:40.720 --> 0:24:43.280
<v Speaker 1>chamber play. I read about the making of it. A

0:24:43.320 --> 0:24:45.080
<v Speaker 1>lot of it was like we we wrote it because

0:24:45.119 --> 0:24:48.080
<v Speaker 1>it was cheap to make it, all right, that's like

0:24:48.280 --> 0:24:50.840
<v Speaker 1>that's ingenious, genius. And then in the second one they

0:24:50.840 --> 0:24:53.400
<v Speaker 1>expand the world of the Purge because they have more money,

0:24:53.400 --> 0:24:56.880
<v Speaker 1>because they have more money, and uh, it's but it's

0:24:56.920 --> 0:24:58.800
<v Speaker 1>the same I think as the first one, Like it's

0:24:58.840 --> 0:25:01.120
<v Speaker 1>all kind of cozy catast fee, which is like where

0:25:01.119 --> 0:25:03.160
<v Speaker 1>it's like a group of survivors trying to get through,

0:25:03.640 --> 0:25:06.280
<v Speaker 1>you know, something insane. It's kind of like just a

0:25:06.280 --> 0:25:09.080
<v Speaker 1>post apocalyptic movie, but the post apocalypse only lasts for

0:25:09.119 --> 0:25:11.960
<v Speaker 1>twelve hours at a time, and if you break the

0:25:12.040 --> 0:25:15.080
<v Speaker 1>rules during the purge, then you get executed after the purge.

0:25:15.480 --> 0:25:17.119
<v Speaker 1>I forgot about that. That's one of the things is

0:25:17.160 --> 0:25:19.160
<v Speaker 1>if you break the rules, if you like do something

0:25:19.200 --> 0:25:21.320
<v Speaker 1>you're not supposed to, there's some rules you can It

0:25:21.400 --> 0:25:24.919
<v Speaker 1>was it's something about the level of weapons. Guns are okay,

0:25:25.000 --> 0:25:28.680
<v Speaker 1>but not to your gas or something. I was really

0:25:28.720 --> 0:25:31.360
<v Speaker 1>into the rules. I don't know why. I just that's

0:25:31.400 --> 0:25:33.520
<v Speaker 1>as a horror film, I think that makes it really

0:25:33.560 --> 0:25:35.760
<v Speaker 1>good because, like I think most horror films have a

0:25:35.800 --> 0:25:38.000
<v Speaker 1>set of rules, and it's all about like when the

0:25:38.119 --> 0:25:40.000
<v Speaker 1>rules get broken or if the rules are going to

0:25:40.080 --> 0:25:42.359
<v Speaker 1>get broken. So that's like kind of built into the

0:25:42.400 --> 0:25:44.959
<v Speaker 1>purge Sherris and I think it's really smart. But I

0:25:45.040 --> 0:25:47.560
<v Speaker 1>also like that it tends to and now with the

0:25:47.880 --> 0:25:51.240
<v Speaker 1>fourth one, also the recurring imagery is, yeah, like a

0:25:51.280 --> 0:25:53.760
<v Speaker 1>bunch of like middle or lower class people kind of

0:25:53.800 --> 0:25:57.960
<v Speaker 1>like huddling together in their like dumpy apartments and trying

0:25:57.960 --> 0:26:02.320
<v Speaker 1>to just like survive together. These that wild political is

0:26:02.359 --> 0:26:04.800
<v Speaker 1>what I'm not really you know. I feel like James

0:26:04.800 --> 0:26:07.879
<v Speaker 1>Demonica was was kind of avoiding talking about that up

0:26:07.960 --> 0:26:10.879
<v Speaker 1>until the release of this one. Um. I think he

0:26:10.920 --> 0:26:14.360
<v Speaker 1>was talking about it also during election year two. Well,

0:26:14.359 --> 0:26:18.600
<v Speaker 1>the second one, the second one came out, there's some

0:26:18.600 --> 0:26:21.479
<v Speaker 1>stuff in it that's very like like at the end,

0:26:21.520 --> 0:26:24.320
<v Speaker 1>there's like a guy with like a scary American flag

0:26:24.359 --> 0:26:27.240
<v Speaker 1>hat who's like the scariest guy. And I was like,

0:26:27.359 --> 0:26:30.679
<v Speaker 1>this is like, this is directly just maga hats. But

0:26:31.040 --> 0:26:34.399
<v Speaker 1>what's crazy is that it does kind of accidentally predict

0:26:34.600 --> 0:26:36.440
<v Speaker 1>I mean it it has its finger on the pulse

0:26:36.480 --> 0:26:38.320
<v Speaker 1>in a way that's kind of it's kind of hard

0:26:38.400 --> 0:26:41.280
<v Speaker 1>to watch because it was like, this reminds me way

0:26:41.280 --> 0:26:44.199
<v Speaker 1>too much of reality exactly. You know, there have been

0:26:44.200 --> 0:26:46.080
<v Speaker 1>a bunch of pieces that have kind of broken broken

0:26:46.080 --> 0:26:48.760
<v Speaker 1>this down. There's a good one on vox Um. But

0:26:49.160 --> 0:26:52.399
<v Speaker 1>the first one it was kind of like, you know,

0:26:52.640 --> 0:26:55.399
<v Speaker 1>just playing off the Home invasion and like, you know,

0:26:55.760 --> 0:26:58.720
<v Speaker 1>almost like the Hunger Games aspect of the government pitting

0:26:58.720 --> 0:27:01.240
<v Speaker 1>citizens against each other was almost like an incidental thing.

0:27:01.600 --> 0:27:03.959
<v Speaker 1>And then this in the second one, they brought in

0:27:04.000 --> 0:27:07.440
<v Speaker 1>like this class anxiety. They brought in mistrust of the government.

0:27:07.560 --> 0:27:10.000
<v Speaker 1>In the second one, it was like a really big

0:27:10.040 --> 0:27:12.280
<v Speaker 1>thing because there was you know, you have to watch

0:27:12.280 --> 0:27:14.399
<v Speaker 1>like the YouTube channels to get the real dirt on

0:27:14.440 --> 0:27:17.840
<v Speaker 1>what's going to find out that the Purge sucks in

0:27:17.880 --> 0:27:20.040
<v Speaker 1>the second one. I mean, I don't even know if

0:27:20.040 --> 0:27:21.320
<v Speaker 1>they allude to it in the first one or if

0:27:21.359 --> 0:27:23.520
<v Speaker 1>they decided in the second one that this was the thing,

0:27:23.640 --> 0:27:26.320
<v Speaker 1>if they had this all along. But the whole thing

0:27:26.320 --> 0:27:28.600
<v Speaker 1>about the first one is just like the illusion of

0:27:28.640 --> 0:27:31.840
<v Speaker 1>this being a thing about families versus like some kind

0:27:31.880 --> 0:27:35.400
<v Speaker 1>of marauding outsiders, right, kind of gets broken down in

0:27:35.600 --> 0:27:39.240
<v Speaker 1>like social and racial and economic terms in the second one. Yeah.

0:27:39.280 --> 0:27:41.480
<v Speaker 1>In the second one, it's like you find out there's

0:27:41.480 --> 0:27:48.600
<v Speaker 1>a counterinsurgency against the Purge, the consistence counter pergers Williams

0:27:49.280 --> 0:27:55.439
<v Speaker 1>so good, it's amazing. Fuck the Purge, Yeah, fuck the

0:27:55.480 --> 0:27:58.640
<v Speaker 1>new Founding Fathers of America, because it's great. It really,

0:27:59.280 --> 0:28:01.240
<v Speaker 1>it's great. So yeah, And the second one you find

0:28:01.240 --> 0:28:03.879
<v Speaker 1>out that the Purge is basically just a scam for

0:28:04.119 --> 0:28:06.679
<v Speaker 1>rich people to kill poor people, and that they have

0:28:06.800 --> 0:28:10.879
<v Speaker 1>started hiring like outside contractors, that the government is like

0:28:11.000 --> 0:28:14.959
<v Speaker 1>sending in people basically to like kill people during the purge,

0:28:15.240 --> 0:28:18.400
<v Speaker 1>just to like kill more poor people during the purge,

0:28:18.600 --> 0:28:22.320
<v Speaker 1>and that they use the fact that poor people are

0:28:22.400 --> 0:28:26.119
<v Speaker 1>like excited about the Purge like against them because everybody's

0:28:26.160 --> 0:28:28.280
<v Speaker 1>like this is my right, like these are my freedoms.

0:28:28.280 --> 0:28:30.280
<v Speaker 1>A lot of it seems very gun control e because

0:28:30.280 --> 0:28:33.199
<v Speaker 1>it's like people who are like I have nothing, but

0:28:33.280 --> 0:28:35.359
<v Speaker 1>like one day a year I get to go shoot

0:28:35.400 --> 0:28:39.360
<v Speaker 1>whoever I want, and like that makes everything worthwhile. Yeah,

0:28:39.400 --> 0:28:44.320
<v Speaker 1>they actually like name check and the new one. So

0:28:44.440 --> 0:28:47.160
<v Speaker 1>the new one is basically about um the first Purge

0:28:47.160 --> 0:28:49.040
<v Speaker 1>as it's called, but um that they do a trial

0:28:49.120 --> 0:28:54.200
<v Speaker 1>run of it on Staten Island. And of course the

0:28:54.200 --> 0:28:56.880
<v Speaker 1>first one is Chatsworth, the second one is downtown l A.

0:28:57.440 --> 0:29:00.360
<v Speaker 1>The third one is apparently was shot in these ends

0:29:00.400 --> 0:29:03.080
<v Speaker 1>but takes place in d C. But um, it was

0:29:03.080 --> 0:29:05.720
<v Speaker 1>shot in Providence. So a friend of the pot who

0:29:06.360 --> 0:29:08.120
<v Speaker 1>went to Rizzy sent us a picture of when they

0:29:08.120 --> 0:29:12.480
<v Speaker 1>built the giant guillotine in the alleyway outside her studio.

0:29:13.440 --> 0:29:16.719
<v Speaker 1>She was like, it was actually like everything was blocked

0:29:16.720 --> 0:29:19.320
<v Speaker 1>off because they were filming the Purge, so like nobody

0:29:19.320 --> 0:29:22.120
<v Speaker 1>could like get food to their studio. And I was like, oh,

0:29:22.240 --> 0:29:25.520
<v Speaker 1>so it was like the Purse And I was like,

0:29:25.560 --> 0:29:31.080
<v Speaker 1>what about like Purge mates the new ones in of course,

0:29:31.360 --> 0:29:33.400
<v Speaker 1>plenty of jokes to be made about that. But the

0:29:33.800 --> 0:29:36.120
<v Speaker 1>thing that they set up is that they so they

0:29:36.120 --> 0:29:39.640
<v Speaker 1>pay everybody. If they stay, they get five thousand dollars.

0:29:39.640 --> 0:29:41.680
<v Speaker 1>And so all these people who are like super poor, like, well,

0:29:41.720 --> 0:29:43.600
<v Speaker 1>I'm not going to turn down five thou dollars if

0:29:43.600 --> 0:29:45.920
<v Speaker 1>I can just stay in my house and like you know,

0:29:46.200 --> 0:29:47.760
<v Speaker 1>wait for it to blow over. But then they pay

0:29:47.800 --> 0:29:50.240
<v Speaker 1>people more if they say that they're going to participate

0:29:50.320 --> 0:29:53.840
<v Speaker 1>in it. Um and then they wear these um they

0:29:53.880 --> 0:29:57.000
<v Speaker 1>are given these contacts so that they can monitor their activity,

0:29:57.160 --> 0:30:03.680
<v Speaker 1>and the contacts turned their eyes blue. Uh it's so nuts.

0:30:03.760 --> 0:30:05.880
<v Speaker 1>But but so the thing that the thing is crazy

0:30:06.000 --> 0:30:11.320
<v Speaker 1>is that um, when they when they start the experiment, uh,

0:30:11.520 --> 0:30:14.920
<v Speaker 1>nobody's killing each other, Like they're just like having parties

0:30:15.120 --> 0:30:16.920
<v Speaker 1>and kind of just like hanging down. Some people are

0:30:16.960 --> 0:30:18.800
<v Speaker 1>like stealing money from a T M S or whatever.

0:30:19.160 --> 0:30:21.760
<v Speaker 1>So then that's when they start sending in the outsiders,

0:30:23.080 --> 0:30:25.640
<v Speaker 1>and then also broadcasting when they're like, oh, there's been

0:30:25.680 --> 0:30:28.040
<v Speaker 1>all this gig activity at whatever street and whatever street,

0:30:28.280 --> 0:30:30.720
<v Speaker 1>and then broadcasting that back out to the people who

0:30:30.800 --> 0:30:33.960
<v Speaker 1>live in sat Niland, being like, look at your neighbors,

0:30:33.960 --> 0:30:35.920
<v Speaker 1>look at how crazy they're being, Like you should be

0:30:36.000 --> 0:30:38.240
<v Speaker 1>afraid of them, which just felt like such a chilling

0:30:38.960 --> 0:30:41.800
<v Speaker 1>I had never seen that kind of laid out in

0:30:41.800 --> 0:30:44.640
<v Speaker 1>those terms, or like a narrative that allows that kind

0:30:44.680 --> 0:30:46.760
<v Speaker 1>of dynamic to be laid out in those terms, which

0:30:46.760 --> 0:30:48.880
<v Speaker 1>I thought was so so smart. I was so impressed

0:30:48.920 --> 0:30:51.680
<v Speaker 1>with it. It's very smart. I mean, weirdly, this is

0:30:51.720 --> 0:30:54.040
<v Speaker 1>a genre that I think we all love, which is

0:30:54.080 --> 0:30:59.000
<v Speaker 1>like weird sort of side science fiction of like this

0:30:59.040 --> 0:31:01.600
<v Speaker 1>could be happening now. It's not like quite in the future.

0:31:01.720 --> 0:31:04.000
<v Speaker 1>It's like this feels like now, but like a slightly

0:31:04.080 --> 0:31:08.480
<v Speaker 1>more insane version of now, but like reality becomes more

0:31:08.560 --> 0:31:10.960
<v Speaker 1>like the Purge every day. If you would know that,

0:31:11.040 --> 0:31:15.719
<v Speaker 1>describe who did Jack would have basically predicted or current dystopia.

0:31:15.840 --> 0:31:19.080
<v Speaker 1>Can you confirm, Emily, is there really a pair of

0:31:19.160 --> 0:31:22.760
<v Speaker 1>people in the first Purge named Anna and Elsa or

0:31:22.880 --> 0:31:27.560
<v Speaker 1>any so in the first the first Purge meaning the

0:31:27.600 --> 0:31:30.760
<v Speaker 1>most decent Purge. I heard that there are two sex

0:31:30.800 --> 0:31:35.160
<v Speaker 1>workers whose names are Anna and Elsa, which, of course

0:31:35.840 --> 0:31:38.120
<v Speaker 1>I mean there are two sex workers, but I don't

0:31:38.160 --> 0:31:41.880
<v Speaker 1>I didn't remember catching their names. Curious if true, Well,

0:31:41.880 --> 0:31:46.440
<v Speaker 1>they're not. They're not Scandinavian. If did you guys ever

0:31:46.480 --> 0:31:51.120
<v Speaker 1>see Death Rays five thousand? Okay, so there's like a

0:31:51.120 --> 0:31:54.120
<v Speaker 1>lot of Roger Corman movies that are about things like

0:31:54.160 --> 0:31:57.800
<v Speaker 1>this because they're like exploitation movies and they're like an

0:31:57.800 --> 0:32:00.000
<v Speaker 1>excuse for everyone to like kill each other in a movie.

0:32:00.080 --> 0:32:02.920
<v Speaker 1>Be Death Threes five thousand is a car race where

0:32:02.920 --> 0:32:06.560
<v Speaker 1>you get points for running people over five thousand or

0:32:06.600 --> 0:32:08.800
<v Speaker 1>two thousand. I think it's two thousand. Yeah, So it's

0:32:08.800 --> 0:32:10.840
<v Speaker 1>always people in a car race. It's basically like a

0:32:10.920 --> 0:32:14.320
<v Speaker 1>like a gumball rally, but you get points for running

0:32:14.320 --> 0:32:16.560
<v Speaker 1>people over, So the more people you run over, the

0:32:16.560 --> 0:32:19.400
<v Speaker 1>more points you get. And then David Carradine is like

0:32:19.760 --> 0:32:23.080
<v Speaker 1>a guy whose name is Frankenstein who turns out to

0:32:23.120 --> 0:32:26.480
<v Speaker 1>be like against the death Race, I think um, but

0:32:26.560 --> 0:32:31.320
<v Speaker 1>also Battle Royale Um, a movie we all love. Have

0:32:31.400 --> 0:32:35.720
<v Speaker 1>you seen Punishment Park? Anyone? Punishment Park? I think it's

0:32:35.720 --> 0:32:37.840
<v Speaker 1>like on Criterion, But it's just like an art movie

0:32:37.920 --> 0:32:40.920
<v Speaker 1>about like it's a punishment park. It's like a theme

0:32:40.960 --> 0:32:47.760
<v Speaker 1>park where where hippies get chased by cops. Basically, so

0:32:47.840 --> 0:32:50.280
<v Speaker 1>there's a thing where it's really obvious, like an exploitation

0:32:50.320 --> 0:32:53.640
<v Speaker 1>type movie thing where it's like, okay, the bad government

0:32:53.720 --> 0:32:56.800
<v Speaker 1>and this movie has created a set of circumstances that

0:32:56.840 --> 0:32:59.120
<v Speaker 1>create a very entertaining movie for us, and you can

0:32:59.200 --> 0:33:00.800
<v Speaker 1>kind of like lay at and like as long as

0:33:00.840 --> 0:33:04.480
<v Speaker 1>you accept those terms, you understand, like you know, there

0:33:04.560 --> 0:33:07.440
<v Speaker 1>can be some social commentary, but also you're like enjoying

0:33:07.440 --> 0:33:09.880
<v Speaker 1>the violence and on its own terms. In a way,

0:33:10.280 --> 0:33:14.480
<v Speaker 1>it's hard to watch sometimes because you're like a little

0:33:14.520 --> 0:33:17.880
<v Speaker 1>bit it's just it's hard to watch. It's disturbing. But

0:33:17.920 --> 0:33:21.040
<v Speaker 1>I would argue that compared to things like funny games,

0:33:22.360 --> 0:33:26.160
<v Speaker 1>there's so much more. They're also funny. It's not like

0:33:26.240 --> 0:33:29.680
<v Speaker 1>torture porn. It doesn't feel just like people getting tortured

0:33:29.880 --> 0:33:32.320
<v Speaker 1>and like, oh, isn't this bad. It's like a little

0:33:32.320 --> 0:33:35.280
<v Speaker 1>bit funny. It's a little bit like more poppy or

0:33:35.320 --> 0:33:38.800
<v Speaker 1>something that makes it well. It's also it's interesting to

0:33:38.840 --> 0:33:41.440
<v Speaker 1>see the different iterations of it, like it opens up,

0:33:41.480 --> 0:33:43.680
<v Speaker 1>and especially to end it with the idea that like

0:33:43.720 --> 0:33:45.440
<v Speaker 1>there was a time a long time ago when it

0:33:45.480 --> 0:33:47.680
<v Speaker 1>was an experiment and you could escape because it's just

0:33:47.680 --> 0:33:50.680
<v Speaker 1>sat An Island, and then in each subsequent film that's

0:33:50.760 --> 0:33:52.880
<v Speaker 1>a race, so it's like you can't. It's like got

0:33:52.960 --> 0:33:55.920
<v Speaker 1>like hyper normalization too. It's like, oh, this thing that

0:33:55.960 --> 0:33:58.440
<v Speaker 1>seemed really fucked up when they first announced it. Then

0:33:58.480 --> 0:34:01.080
<v Speaker 1>everybody just got used to it really fast, which is

0:34:01.120 --> 0:34:03.400
<v Speaker 1>like something we've all been dealing with a lot that

0:34:03.440 --> 0:34:06.560
<v Speaker 1>can't happen, and then it's like, oh, it's happening, and

0:34:06.840 --> 0:34:09.319
<v Speaker 1>everyone just sort of like got used to it. And

0:34:09.320 --> 0:34:12.000
<v Speaker 1>it's also the question of how do you kind of

0:34:12.040 --> 0:34:15.400
<v Speaker 1>moderate your response to something very extreme? And in the purge,

0:34:15.560 --> 0:34:18.400
<v Speaker 1>the good guys will fight back with the same violence

0:34:18.440 --> 0:34:20.520
<v Speaker 1>that the bad guys are fighting with, and you know,

0:34:20.560 --> 0:34:24.120
<v Speaker 1>it's it makes you really consider like how extreme things

0:34:24.200 --> 0:34:27.720
<v Speaker 1>have to get before you are complicit just by nothing.

0:34:27.840 --> 0:34:31.120
<v Speaker 1>Like the counter perjurers in the second one are kind

0:34:31.120 --> 0:34:33.200
<v Speaker 1>of like they seem like kind of like patterned after

0:34:33.200 --> 0:34:35.960
<v Speaker 1>the Black Panthers or something, but you know they're militant.

0:34:36.040 --> 0:34:40.440
<v Speaker 1>They're like the government is a bunch of militant, insane people,

0:34:40.600 --> 0:34:43.680
<v Speaker 1>and like we have to fight back against them using

0:34:43.760 --> 0:34:46.399
<v Speaker 1>like things that are illegal, because like they're doing things

0:34:46.400 --> 0:34:50.480
<v Speaker 1>that should be illegal. I just think like there are

0:34:50.520 --> 0:34:52.600
<v Speaker 1>there are parts of in all the movies where it's

0:34:52.640 --> 0:34:54.160
<v Speaker 1>like the only way to fight back is to just

0:34:54.200 --> 0:34:56.200
<v Speaker 1>like do more violence. But I think that the most

0:34:56.239 --> 0:35:00.440
<v Speaker 1>the most recent one definitely interrogates that more and it's

0:35:00.520 --> 0:35:04.040
<v Speaker 1>like I don't ever feel like there actually is less violence,

0:35:04.080 --> 0:35:06.680
<v Speaker 1>I would say in the most recent one, And it's

0:35:06.719 --> 0:35:09.800
<v Speaker 1>more just about like this sort of sense of dread

0:35:10.160 --> 0:35:14.319
<v Speaker 1>and like kind of this closing, there's a lot of dread. Um.

0:35:14.320 --> 0:35:16.680
<v Speaker 1>It wasn't maybe as cathartic because I wanted it to be.

0:35:16.800 --> 0:35:19.040
<v Speaker 1>I was sort of just like, oh, like this also

0:35:19.160 --> 0:35:23.759
<v Speaker 1>feels like things feel a lot right now. Um, But yeah,

0:35:23.800 --> 0:35:26.000
<v Speaker 1>I mean it's also like it's obviously none of it

0:35:26.040 --> 0:35:29.520
<v Speaker 1>feels very far fetched at this point especially, but it

0:35:29.560 --> 0:35:32.200
<v Speaker 1>also was just making me think about, like if it's

0:35:32.239 --> 0:35:35.319
<v Speaker 1>a comment on like sundown or laws, which were the

0:35:35.400 --> 0:35:40.000
<v Speaker 1>super racist laws that everywhere had, especially there's been like

0:35:40.040 --> 0:35:42.400
<v Speaker 1>some incidents in l A. And somebody was talking about, like,

0:35:42.560 --> 0:35:45.279
<v Speaker 1>you know, Glendale being such a nice town, and then

0:35:45.320 --> 0:35:47.520
<v Speaker 1>somebody was like, well, you know, Glendale had like sundown

0:35:47.600 --> 0:35:50.959
<v Speaker 1>laws until like very recently, and for people who don't

0:35:50.960 --> 0:35:54.279
<v Speaker 1>know what sundown laws are, it was basically you know,

0:35:54.360 --> 0:35:56.799
<v Speaker 1>and it wasn't It wasn't an actual It was like

0:35:56.800 --> 0:35:59.480
<v Speaker 1>an unwritten rule understood thing that if you were a

0:35:59.480 --> 0:36:01.359
<v Speaker 1>person of all or you could not be in that

0:36:01.400 --> 0:36:03.560
<v Speaker 1>place after dark. It was an unwritten rule of like,

0:36:03.600 --> 0:36:06.160
<v Speaker 1>if a person of colors in this white neighborhood after dark,

0:36:06.200 --> 0:36:09.440
<v Speaker 1>then like whatever happens to them is like I'm not

0:36:09.480 --> 0:36:13.160
<v Speaker 1>gonna you won't be prosecuted for that. Yeah, so man,

0:36:13.239 --> 0:36:18.719
<v Speaker 1>the purge, the purge. Well, you can either call or

0:36:18.800 --> 0:36:21.440
<v Speaker 1>text us at two four oh four six night or

0:36:21.480 --> 0:36:24.440
<v Speaker 1>you can send us an email at Nightcall Podcast at

0:36:24.440 --> 0:36:27.640
<v Speaker 1>gmail dot com. Um Also, as always, if you're enjoying

0:36:27.640 --> 0:36:31.880
<v Speaker 1>the podcast, please rate, review, subscribe, and follow us on

0:36:31.920 --> 0:36:35.399
<v Speaker 1>social media. We have a Facebook group Nightcall Podcast, uh,

0:36:35.560 --> 0:36:40.520
<v Speaker 1>Instagram Nightcall Podcast, and Twitter Nightcall Pod. And now let's

0:36:40.640 --> 0:36:46.920
<v Speaker 1>roll that beautiful being footage HI called podcasts. I'm not

0:36:47.000 --> 0:36:50.279
<v Speaker 1>sure if this belongs on Nightcall, but we're trying to

0:36:50.320 --> 0:36:53.600
<v Speaker 1>ask for any advice speaking like that. I'm a twenty

0:36:53.680 --> 0:36:56.839
<v Speaker 1>year old guy living in Berkeley, California. I just got

0:36:56.840 --> 0:37:00.520
<v Speaker 1>our college that are pretty useless degree on I think

0:37:00.840 --> 0:37:04.440
<v Speaker 1>my inters Luckily I don't want you, just didn't want it.

0:37:05.560 --> 0:37:07.960
<v Speaker 1>Only what advice you have for people getting out of

0:37:08.000 --> 0:37:10.600
<v Speaker 1>college who I have no idea what to see with

0:37:10.640 --> 0:37:13.920
<v Speaker 1>their lives. Non we passed into fin any particular acts

0:37:14.400 --> 0:37:17.080
<v Speaker 1>to make it a clear, I do want to be

0:37:17.080 --> 0:37:20.800
<v Speaker 1>able to support my family, be successful with the future,

0:37:22.480 --> 0:37:25.279
<v Speaker 1>but for strange days and momentas. This is what I've

0:37:25.280 --> 0:37:28.239
<v Speaker 1>been thinking about, and I'm sure any people think about this.

0:37:29.400 --> 0:37:33.360
<v Speaker 1>If you have any advice, please do some podcast. Thank you.

0:37:34.160 --> 0:37:37.399
<v Speaker 1>I feel like we've been talking about this in some

0:37:37.640 --> 0:37:40.880
<v Speaker 1>form or another, Uh, colors, just asking about you know,

0:37:41.160 --> 0:37:45.560
<v Speaker 1>post college general anxiety, trying to figure out what you're

0:37:45.560 --> 0:37:48.680
<v Speaker 1>gonna do, you know, big questions like that. Um, and

0:37:48.760 --> 0:37:51.919
<v Speaker 1>we've certainly been thinking about that, I think in terms

0:37:52.040 --> 0:37:55.360
<v Speaker 1>of our jobs and how we came to our jobs

0:37:55.400 --> 0:38:00.360
<v Speaker 1>and all the weird uncertainty that proceeded us having the

0:38:00.440 --> 0:38:04.239
<v Speaker 1>various lines of work that we have. UM. So yeah,

0:38:04.320 --> 0:38:06.120
<v Speaker 1>I mean, do you guys have any advice that you

0:38:06.160 --> 0:38:13.239
<v Speaker 1>have for our caller? Uh. On the way here, we

0:38:13.239 --> 0:38:15.759
<v Speaker 1>were like, we're gonna have a fun time answering this

0:38:15.880 --> 0:38:19.439
<v Speaker 1>question because we're the worst people to answer it. But UM,

0:38:19.520 --> 0:38:22.280
<v Speaker 1>we've been talking, all of the three of us about

0:38:23.400 --> 0:38:29.120
<v Speaker 1>the general kind of like just implosion of online media, um,

0:38:29.239 --> 0:38:34.200
<v Speaker 1>the Univision, sale of the Onion, a V club, the

0:38:34.239 --> 0:38:37.799
<v Speaker 1>Gizmoto media group. I mean, it's just kind of endless. Uh.

0:38:38.040 --> 0:38:40.120
<v Speaker 1>Every week it seems like a new place that we

0:38:40.200 --> 0:38:42.120
<v Speaker 1>either one of us used to write for we or

0:38:42.160 --> 0:38:46.000
<v Speaker 1>we're all big fans of is Folding. And I think, um,

0:38:46.080 --> 0:38:49.680
<v Speaker 1>right after we graduated from college, that was a time

0:38:49.840 --> 0:38:52.800
<v Speaker 1>when people were you know, if you had a blog,

0:38:53.000 --> 0:38:56.320
<v Speaker 1>it was like kind of embarrassing slightly. There's a time

0:38:56.320 --> 0:38:58.799
<v Speaker 1>when people were embarrassed to admit how much time they

0:38:58.840 --> 0:39:01.719
<v Speaker 1>spent on the internet, right, like to tend not to

0:39:01.760 --> 0:39:03.720
<v Speaker 1>be on the internet. You'd say like, oh a friend

0:39:03.719 --> 0:39:05.799
<v Speaker 1>of mine said, and it's like, no, they weren't your friend,

0:39:05.800 --> 0:39:08.160
<v Speaker 1>and they didn't say it out loud on a blog.

0:39:08.320 --> 0:39:10.759
<v Speaker 1>And then there's like a point when it turned where

0:39:10.760 --> 0:39:13.400
<v Speaker 1>suddenly everybody was like open about how much time they

0:39:13.400 --> 0:39:15.120
<v Speaker 1>spent on the internet. And then it became kind of

0:39:15.160 --> 0:39:17.320
<v Speaker 1>a joke like ha ha, we all spend our whole

0:39:17.360 --> 0:39:21.319
<v Speaker 1>lives on the internet, extremely online. And then some of

0:39:21.400 --> 0:39:26.080
<v Speaker 1>us got paid to right on the internet for a while. Um,

0:39:26.160 --> 0:39:28.879
<v Speaker 1>I totally naively thought that like the money and add

0:39:28.960 --> 0:39:32.040
<v Speaker 1>stuff from magazines would just like eventually move to the web,

0:39:32.440 --> 0:39:36.160
<v Speaker 1>you know that, Like, well, magazines did just such a diffuse.

0:39:37.040 --> 0:39:39.160
<v Speaker 1>I don't even know that it did. Yeah, I mean

0:39:39.239 --> 0:39:41.640
<v Speaker 1>I did. For like fifteen minutes, it felt like it

0:39:41.719 --> 0:39:43.640
<v Speaker 1>was any moment. Now we're going to figure out how

0:39:43.640 --> 0:39:47.279
<v Speaker 1>to monetize blogs the way that we monetize magazines with

0:39:47.320 --> 0:39:50.640
<v Speaker 1>like big ads. And then it turned out that's way

0:39:50.680 --> 0:39:56.160
<v Speaker 1>harder than anyone thought, or just it's because it works differently,

0:39:56.560 --> 0:39:59.120
<v Speaker 1>because the web had been around and creating good content

0:39:59.200 --> 0:40:02.360
<v Speaker 1>for free for so along, but nobody had really acknowledged

0:40:02.400 --> 0:40:06.160
<v Speaker 1>it as a legitimate source. I think everybody was like

0:40:06.560 --> 0:40:11.200
<v Speaker 1>very skeptical and kind of um took offense at reading

0:40:11.200 --> 0:40:14.000
<v Speaker 1>like an advertorial, having a pop up ad, having like

0:40:14.120 --> 0:40:16.960
<v Speaker 1>embedded ad links. It was very offensive. It was like,

0:40:17.200 --> 0:40:19.440
<v Speaker 1>this is supposed to be free, this is supposed to

0:40:19.480 --> 0:40:22.000
<v Speaker 1>be something we all create together. But I think between

0:40:22.400 --> 0:40:27.000
<v Speaker 1>like two thousand seven and it seemed reasonable all of

0:40:27.040 --> 0:40:29.360
<v Speaker 1>a sudden to believe that there was like an actual

0:40:29.480 --> 0:40:31.600
<v Speaker 1>career to be had. I don't think any of us

0:40:31.680 --> 0:40:36.480
<v Speaker 1>were like trying to get into. I mean, I think

0:40:36.520 --> 0:40:39.239
<v Speaker 1>that the way I can generalize a little bit of

0:40:39.280 --> 0:40:42.359
<v Speaker 1>advice to break it outside of just the media thing,

0:40:42.440 --> 0:40:45.440
<v Speaker 1>but just I think some something we've all kind of shared.

0:40:46.280 --> 0:40:48.319
<v Speaker 1>I think we all kind of thought of ourselves as

0:40:48.360 --> 0:40:51.799
<v Speaker 1>writers in somewhere or another, and then this sort of

0:40:51.880 --> 0:40:55.080
<v Speaker 1>opportunity came up, or like you could sense that there

0:40:55.200 --> 0:40:59.040
<v Speaker 1>was some kind of gold rush happening maybe two steps

0:40:59.040 --> 0:41:01.800
<v Speaker 1>to the left of what maybe we would have envisioned

0:41:01.800 --> 0:41:05.440
<v Speaker 1>as being a writer's job or something, and so you

0:41:05.520 --> 0:41:08.880
<v Speaker 1>kind of just sort of make that shift over, well,

0:41:09.000 --> 0:41:12.000
<v Speaker 1>this is basically like what I want to do. This

0:41:12.080 --> 0:41:14.240
<v Speaker 1>is the way that I could maybe see some money

0:41:14.280 --> 0:41:17.480
<v Speaker 1>for it. And I think in those times too, this

0:41:17.560 --> 0:41:19.640
<v Speaker 1>is like a theme I think of our generation, Like

0:41:19.840 --> 0:41:22.200
<v Speaker 1>you come into everything with a fear of selling out,

0:41:22.320 --> 0:41:26.880
<v Speaker 1>and you get that worn down and then they're like, please,

0:41:27.200 --> 0:41:31.479
<v Speaker 1>please may I sell out? Ye give me to sell out?

0:41:32.000 --> 0:41:34.160
<v Speaker 1>You know. That's the thing is like we graduated kind

0:41:34.160 --> 0:41:36.920
<v Speaker 1>of right into the recession, and so a lot of

0:41:36.920 --> 0:41:39.440
<v Speaker 1>the things that were of the recession I just thought

0:41:39.480 --> 0:41:41.840
<v Speaker 1>were like what happens when you're twenty two, which is

0:41:41.840 --> 0:41:44.920
<v Speaker 1>like nobody wants to hire you and you can't get

0:41:45.600 --> 0:41:49.000
<v Speaker 1>jobs you are overqualified for, and then you start applying

0:41:49.040 --> 0:41:51.520
<v Speaker 1>for like retail and food service jobs and you can't

0:41:51.520 --> 0:41:53.640
<v Speaker 1>get those either because like everybody else is trying to

0:41:53.680 --> 0:41:56.440
<v Speaker 1>get those, And I think you should take the most

0:41:56.600 --> 0:42:00.480
<v Speaker 1>interesting shitty job you can, like apply I for an

0:42:00.600 --> 0:42:02.719
<v Speaker 1>array of things and they don't have to at all

0:42:02.800 --> 0:42:05.040
<v Speaker 1>correspond to what you studied in college and pick the

0:42:05.080 --> 0:42:09.440
<v Speaker 1>most interesting one, because the interesting ones always lead to

0:42:09.520 --> 0:42:12.560
<v Speaker 1>something else, but the uninteresting ones take up so much

0:42:12.560 --> 0:42:14.439
<v Speaker 1>of your time and leave you with nothing. I think

0:42:14.520 --> 0:42:16.759
<v Speaker 1>I would I would add to the interesting ones if

0:42:16.760 --> 0:42:19.000
<v Speaker 1>you can find an interesting one that also has a

0:42:19.040 --> 0:42:22.879
<v Speaker 1>heart out every day, which is more and more rare

0:42:22.920 --> 0:42:25.600
<v Speaker 1>than more and more that jobs are our our telecommunication.

0:42:25.960 --> 0:42:29.200
<v Speaker 1>Something we talked about a lot is being able to

0:42:29.360 --> 0:42:31.919
<v Speaker 1>have a division between your work life and your life

0:42:31.960 --> 0:42:35.160
<v Speaker 1>life is like very important and maybe not something that

0:42:35.200 --> 0:42:37.680
<v Speaker 1>any of us like knew we needed to prioritize when

0:42:37.680 --> 0:42:40.319
<v Speaker 1>we started because we were just like so excited to

0:42:40.360 --> 0:42:44.160
<v Speaker 1>get paid on something. Yeah, I'm assuming that there's kind

0:42:44.200 --> 0:42:46.000
<v Speaker 1>of a deadline on this that you need to start

0:42:46.080 --> 0:42:47.920
<v Speaker 1>making money soon. So I would say, if you need

0:42:47.960 --> 0:42:50.719
<v Speaker 1>to like find a job that you're telling yourself you're

0:42:50.719 --> 0:42:52.680
<v Speaker 1>not going to have forever, but it's like the job

0:42:52.760 --> 0:42:55.960
<v Speaker 1>you have all you're figuring stuff out, then then definitely

0:42:56.040 --> 0:42:58.319
<v Speaker 1>have one that you can walk away from when you

0:42:58.440 --> 0:43:00.680
<v Speaker 1>leave it, and don't like pressure your self to get

0:43:00.719 --> 0:43:02.400
<v Speaker 1>the job you're going to have for the rest of

0:43:02.400 --> 0:43:06.560
<v Speaker 1>your life, because those jobs don't exist anymore anyway, and

0:43:06.600 --> 0:43:09.840
<v Speaker 1>nobody has that. Nobody has that, And also they secretly

0:43:09.920 --> 0:43:12.879
<v Speaker 1>suck because they know that they have cashet with you,

0:43:12.960 --> 0:43:15.160
<v Speaker 1>and so they can treat you like garbage. But if

0:43:15.160 --> 0:43:18.319
<v Speaker 1>there's something that's like a little quirky that you are

0:43:18.400 --> 0:43:20.920
<v Speaker 1>into but that maybe other people wouldn't be, then at

0:43:21.000 --> 0:43:22.759
<v Speaker 1>least you get a great story, and at least you

0:43:22.800 --> 0:43:24.800
<v Speaker 1>get an idea of what you liked about the weird

0:43:24.840 --> 0:43:27.359
<v Speaker 1>thing and didn't like. Whereas I think, like, I mean,

0:43:27.400 --> 0:43:30.640
<v Speaker 1>definitely the worst jobs I've worked. We're not in food

0:43:30.680 --> 0:43:33.640
<v Speaker 1>service or retail, but in offices doing nothing for a

0:43:33.640 --> 0:43:36.879
<v Speaker 1>company that didn't matter to me because it just you leave.

0:43:36.920 --> 0:43:39.560
<v Speaker 1>It's like it sucks your brain dry, it hasn't given

0:43:39.560 --> 0:43:43.000
<v Speaker 1>you any interesting experiences. You're interacting with the same people

0:43:43.040 --> 0:43:45.560
<v Speaker 1>all the time. There's like it's a higher pressure job,

0:43:45.680 --> 0:43:48.320
<v Speaker 1>so you can't really leave it when you leave. Two

0:43:48.360 --> 0:43:51.520
<v Speaker 1>of the people that I most uh kind of have

0:43:51.640 --> 0:43:55.799
<v Speaker 1>been interested in their careers since we all graduated. One

0:43:55.840 --> 0:43:58.560
<v Speaker 1>of them was a girl in a box at the

0:43:58.719 --> 0:44:02.279
<v Speaker 1>Standard hotel, and I was like, like, should I apply

0:44:02.400 --> 0:44:04.440
<v Speaker 1>to this? I don't think I'm cute enough to apply

0:44:04.520 --> 0:44:07.640
<v Speaker 1>to this, But also like I would feel crappy about myself.

0:44:07.640 --> 0:44:09.160
<v Speaker 1>She went through that whole thing and she wrote a

0:44:09.160 --> 0:44:11.759
<v Speaker 1>book and it was great. Yeah, I think a lot

0:44:11.760 --> 0:44:13.880
<v Speaker 1>of probably there was a time when it feels like

0:44:13.920 --> 0:44:15.440
<v Speaker 1>a lot of people were like, I'm going to do

0:44:15.480 --> 0:44:17.400
<v Speaker 1>something weird, so then I can write a book about it.

0:44:17.480 --> 0:44:19.439
<v Speaker 1>But if but even if it's just like it would

0:44:19.480 --> 0:44:21.640
<v Speaker 1>it would pay you the same amount as waiting tables.

0:44:21.640 --> 0:44:23.399
<v Speaker 1>But at least even if even if you don't write

0:44:23.400 --> 0:44:25.959
<v Speaker 1>a book's like you have the story and you're thinking, like, god,

0:44:25.960 --> 0:44:27.759
<v Speaker 1>I hate it for these reasons, I've got to get out.

0:44:27.760 --> 0:44:29.960
<v Speaker 1>So it like motivates you more because you got that fire,

0:44:30.560 --> 0:44:32.640
<v Speaker 1>and it puts you in a situation you wouldn't have

0:44:32.680 --> 0:44:34.759
<v Speaker 1>been in normally, with people that you might not have

0:44:34.800 --> 0:44:37.760
<v Speaker 1>been in with normally, even if it's unpleasant, like nothing's

0:44:37.760 --> 0:44:39.719
<v Speaker 1>going to be forever at that age. Oh, this is

0:44:39.760 --> 0:44:41.680
<v Speaker 1>the other thing I would say, don't get married to

0:44:41.719 --> 0:44:46.600
<v Speaker 1>the idea that your best work you're gonna don't get married. Also,

0:44:46.680 --> 0:44:49.640
<v Speaker 1>don't get right when you get out of Hey, I'm

0:44:49.680 --> 0:44:53.319
<v Speaker 1>back from my no I thought, you know, like like

0:44:53.440 --> 0:44:56.080
<v Speaker 1>don't get married when you're twenty two. But also we

0:44:56.320 --> 0:44:59.279
<v Speaker 1>also don't do that honestly, but also just don't fall

0:44:59.280 --> 0:45:02.800
<v Speaker 1>in love with this idea it that you will create

0:45:02.840 --> 0:45:04.799
<v Speaker 1>your best work, or that you're the prime of your

0:45:04.840 --> 0:45:07.000
<v Speaker 1>professional and or creative or whatever you're trying to do.

0:45:07.160 --> 0:45:11.840
<v Speaker 1>Life is post collegiate, because it's not, like I speaking

0:45:11.840 --> 0:45:14.560
<v Speaker 1>from a very specific instance, this goes back to why

0:45:14.600 --> 0:45:17.640
<v Speaker 1>I was at the c Cell Hotel, Like I graduated

0:45:17.640 --> 0:45:20.799
<v Speaker 1>from school. I had I got a script optioned. In

0:45:20.840 --> 0:45:22.560
<v Speaker 1>heavy scared quotes, I don't want to get too much

0:45:22.600 --> 0:45:26.600
<v Speaker 1>into the legal aspects of it, and it didn't happen

0:45:26.719 --> 0:45:29.600
<v Speaker 1>because it just didn't happen and there wasn't the funny

0:45:29.640 --> 0:45:31.680
<v Speaker 1>for it. It It was also two eight or two nine,

0:45:31.760 --> 0:45:36.240
<v Speaker 1>like nobody was funny independent film. But had it happened,

0:45:36.440 --> 0:45:38.160
<v Speaker 1>like that would be the end of my career because

0:45:38.160 --> 0:45:40.520
<v Speaker 1>it was a terrible script and it would have been

0:45:40.520 --> 0:45:43.200
<v Speaker 1>a really bad movie. I wouldn't be able to still

0:45:43.200 --> 0:45:46.719
<v Speaker 1>accumulate experiences and like think about what I actually want

0:45:46.719 --> 0:45:48.600
<v Speaker 1>to do instead of like hurrying up after school to

0:45:48.600 --> 0:45:50.360
<v Speaker 1>be like this is my genius piece of work that

0:45:50.440 --> 0:45:52.640
<v Speaker 1>I'm going to do, like as a college graduate. So

0:45:52.760 --> 0:45:55.239
<v Speaker 1>don't like let yourself like not be a student for

0:45:55.280 --> 0:45:57.440
<v Speaker 1>a while. Well as a rebuttal to that, though, I

0:45:57.440 --> 0:45:59.000
<v Speaker 1>think my life would have been a lot better if

0:45:59.040 --> 0:46:01.400
<v Speaker 1>I just booked that role in the movie that I

0:46:01.440 --> 0:46:04.200
<v Speaker 1>auditioned for pretty much right out of college, that was

0:46:04.239 --> 0:46:09.400
<v Speaker 1>Golden Retrievers in Space. So I'm just saying, like, sometimes

0:46:09.440 --> 0:46:16.279
<v Speaker 1>you yeah, I would say my main advice, not that

0:46:16.320 --> 0:46:18.799
<v Speaker 1>I'm the person to give advice, but yeah, don't do

0:46:18.880 --> 0:46:23.239
<v Speaker 1>something you hate. And it's okay to like get life

0:46:23.280 --> 0:46:28.080
<v Speaker 1>experience and not think that you have to like find

0:46:28.200 --> 0:46:30.600
<v Speaker 1>your passion immediately and do it. It's like picking a major.

0:46:30.640 --> 0:46:32.640
<v Speaker 1>It's like you give yourself some time in college to

0:46:32.760 --> 0:46:35.520
<v Speaker 1>pick a major, give yourself some time out of college

0:46:35.520 --> 0:46:36.840
<v Speaker 1>to like find out what you actually want to do.

0:46:36.880 --> 0:46:38.880
<v Speaker 1>And if you want to be around people, be around

0:46:38.920 --> 0:46:42.480
<v Speaker 1>people and go party because you should. You feel like

0:46:42.520 --> 0:46:46.440
<v Speaker 1>you shouldn't because now you're an adult. Definitely later your

0:46:46.440 --> 0:46:48.279
<v Speaker 1>bones will hurt. Your bones will hurt, and right now,

0:46:48.320 --> 0:46:50.560
<v Speaker 1>like everything is so bad. I just wish I was

0:46:50.840 --> 0:46:53.720
<v Speaker 1>twenty years old and was like, just put it away

0:46:53.719 --> 0:46:55.400
<v Speaker 1>and party, but I can. I just read that I

0:46:55.440 --> 0:46:57.759
<v Speaker 1>wouldn't be able to party. I feel like I'm glad that,

0:46:57.920 --> 0:47:01.719
<v Speaker 1>like nothing nothing category is mich was happening, and it

0:47:01.800 --> 0:47:04.160
<v Speaker 1>was just, yeah, we were like Y two K partying.

0:47:04.320 --> 0:47:06.160
<v Speaker 1>I would have loved to be at a Y two K, right,

0:47:06.320 --> 0:47:07.960
<v Speaker 1>but no, I was not. I would I basically just

0:47:08.000 --> 0:47:09.279
<v Speaker 1>wanted to be at the party at the end of

0:47:09.320 --> 0:47:12.160
<v Speaker 1>strange days. But I wanted to be um an Independence

0:47:12.239 --> 0:47:14.080
<v Speaker 1>Day when the strippers on the roof and she's holding

0:47:14.160 --> 0:47:16.839
<v Speaker 1>up the sign to welcome the aliens, that's me. Yeah.

0:47:16.840 --> 0:47:19.719
<v Speaker 1>I mean, one really honest piece of advice that I

0:47:19.719 --> 0:47:21.440
<v Speaker 1>would give is like, if you know, if you can

0:47:21.520 --> 0:47:24.880
<v Speaker 1>learn how to program, do that, you've just gone full dad.

0:47:25.200 --> 0:47:29.040
<v Speaker 1>But it's true and something everyone's dad has already I know,

0:47:29.160 --> 0:47:31.520
<v Speaker 1>but I'm just like, the thing about writing is like

0:47:32.440 --> 0:47:36.799
<v Speaker 1>everyone gets paid completely different amounts of money, just you know,

0:47:36.960 --> 0:47:39.160
<v Speaker 1>depending on who you're doing it for and how much

0:47:39.160 --> 0:47:41.839
<v Speaker 1>money they have. And sometimes you hear people who used

0:47:41.880 --> 0:47:43.440
<v Speaker 1>to work in magazines and they tell you how much

0:47:43.440 --> 0:47:45.360
<v Speaker 1>money you used to be able to make in magazines,

0:47:45.400 --> 0:47:49.680
<v Speaker 1>and then you have to go like walk into the ocean. However,

0:47:49.760 --> 0:47:52.279
<v Speaker 1>let me just say, how many times has either your

0:47:52.400 --> 0:47:54.680
<v Speaker 1>dad or someone else's dad, or just the person who's

0:47:54.719 --> 0:47:56.760
<v Speaker 1>not a dad been like, Molly, you should learn to program,

0:47:57.000 --> 0:47:59.239
<v Speaker 1>because great advice, but I'm not going to do it

0:47:59.440 --> 0:48:02.839
<v Speaker 1>because of plastics of our My brain doesn't know how

0:48:02.840 --> 0:48:06.040
<v Speaker 1>to program. But my friends Sarah, who went to film

0:48:06.080 --> 0:48:08.879
<v Speaker 1>school then also taught herself how to program and now

0:48:08.920 --> 0:48:10.880
<v Speaker 1>she works as a programmer. I'm just saying, it's a

0:48:10.920 --> 0:48:13.600
<v Speaker 1>field where people actually get hired to do a thing

0:48:14.040 --> 0:48:17.720
<v Speaker 1>and they need it. So I'm like vibrating with happiness. Also,

0:48:18.320 --> 0:48:20.760
<v Speaker 1>you can't tell Molly and I are out of the garage.

0:48:20.800 --> 0:48:23.920
<v Speaker 1>We are in a studio. Thank you, studio and a

0:48:24.040 --> 0:48:29.520
<v Speaker 1>studio and studio, so thank you to Audio Boom for

0:48:29.520 --> 0:48:33.440
<v Speaker 1>doing that. Hopefully we'll be sounding um even more yeah

0:48:33.680 --> 0:48:36.040
<v Speaker 1>than more us than we are in a sound proof room.

0:48:36.040 --> 0:48:39.000
<v Speaker 1>It's really cool. It's really nice. Um And and thank

0:48:39.040 --> 0:48:43.640
<v Speaker 1>you to to our producer has always been host East Coast.

0:48:44.560 --> 0:48:48.000
<v Speaker 1>We got double studio action, double studio. This was this

0:48:48.120 --> 0:48:50.200
<v Speaker 1>for this week. We are back next week with more

0:48:50.320 --> 0:48:56.719
<v Speaker 1>night calls. Give us a night calls on the Facebook. Yeah,

0:48:56.800 --> 0:48:58.960
<v Speaker 1>Facebook now has a group if you want to join. Yeah,

0:48:58.960 --> 0:49:01.520
<v Speaker 1>we have a group. Ever, whoever runs the Twitter account

0:49:01.520 --> 0:49:05.239
<v Speaker 1>will start tweeting. Whoever runs the Twitter account is back

0:49:05.239 --> 0:49:09.200
<v Speaker 1>from Japan and we'll start tweeting whoever runs the Instagram account.

0:49:09.480 --> 0:49:11.439
<v Speaker 1>You can also send us questions there. You can really

0:49:11.480 --> 0:49:14.600
<v Speaker 1>send us questions or comments or All channels are open.

0:49:14.600 --> 0:49:17.000
<v Speaker 1>All channels are open, but now the Facebook group. UM.

0:49:17.040 --> 0:49:20.600
<v Speaker 1>If you want a little more interactivity, to meet fellow

0:49:20.640 --> 0:49:22.920
<v Speaker 1>your fellow night callers, and if you want to send

0:49:22.960 --> 0:49:25.680
<v Speaker 1>us memes or make memes, make some night call memes,

0:49:26.800 --> 0:49:30.839
<v Speaker 1>we'll take it. Emily, welcome back, we missed you. Welcome back.

0:49:31.360 --> 0:49:33.080
<v Speaker 1>I'm not glad to be back. We're gonna have a

0:49:33.120 --> 0:49:36.600
<v Speaker 1>We're gonna have a legendary summer. I can the surgical summer.

0:49:36.760 --> 0:49:40.839
<v Speaker 1>Oh no, it's the purgical summer summer. Thank you for listening.

0:49:40.880 --> 0:49:55.160
<v Speaker 1>We'll see you next week.