WEBVTT - Lucy Wainwright Roche on Parenthood

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<v Speaker 1>Hey, everybody, welcome to movie Crush. This is another Friday

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<v Speaker 1>Interview edition. And today I had the great great pleasure

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<v Speaker 1>of sitting down for Waynewright Family Part two. Uh, if

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<v Speaker 1>you remember correctly, I interviewed and had a conversation with

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<v Speaker 1>Loud and Waynewright. The third about Tokyo Story and his

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<v Speaker 1>daughter Lucy came in today and Lucy and I, Uh,

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<v Speaker 1>if you follow Stuff you Should Know, then you know

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<v Speaker 1>Lucy played Jerry on the Stuff you Should Know TV show.

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<v Speaker 1>Quite a task to play the unknown Jerry. And Lucy's great.

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<v Speaker 1>She's just one of my dear friends who I don't

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<v Speaker 1>see often enough, um but every time we see each

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<v Speaker 1>other is just wonderful. She's such a just sweet, lovely, wonderful, endearing,

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<v Speaker 1>kind human soul, one of the greats walking around on planet.

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<v Speaker 1>Over everybody, and not only that everybody, but she is

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<v Speaker 1>a great singer and songwriter. Um as she likes to joke,

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<v Speaker 1>and Loud and likes to joke. It's the family business

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<v Speaker 1>when you are a Waynewright, and Lucy is actually a

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<v Speaker 1>Waynewright Roach because her mom, Susy Roach, is a singer

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<v Speaker 1>and had a group with her sisters, A three part

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<v Speaker 1>harmony group called the Roaches UM in the eighties that

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<v Speaker 1>was really really great and sort of under undersung in

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<v Speaker 1>my opinion, tight tight, great three part harmonies. It just

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<v Speaker 1>comes from a really talented family of Rufus and Martha

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<v Speaker 1>and Louden and Susy and the whole gang. And Lucy

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<v Speaker 1>is really good. She has a new album out called

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<v Speaker 1>Little Beast and Uh, as you will learn in this episode, Lucy,

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<v Speaker 1>although she's very sweet and kind person, has a a

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<v Speaker 1>an undercurrent of sadness that just sort of courses through

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<v Speaker 1>her body and she pours that out in her music

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<v Speaker 1>and writes some some really great sad, lovely songs and

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<v Speaker 1>just says the voice of an angel and so talented.

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<v Speaker 1>So check out Little Beast for sure, and go see

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<v Speaker 1>Lucy in a town near you. Um, because she's always

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<v Speaker 1>on the road, everybody with her her great dog maybe

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<v Speaker 1>who we talk about and uh, here we go. She

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<v Speaker 1>picked uh Parenthood, which is I know, a favorite of

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<v Speaker 1>many many people. The great great Ron Howard Um comedy

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<v Speaker 1>drama Y I guess you would say, from nine, starring

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<v Speaker 1>uh Steve Martin and Jason Robards and uh Diane West

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<v Speaker 1>and just a whole host Canna Reeves and Martha Plimpton

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<v Speaker 1>and just a young uh Joaquin Phoenix is just loaded.

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<v Speaker 1>Tom holtse good lord, what a cast in this movie.

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<v Speaker 1>And it was a lot of fun going back and

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<v Speaker 1>rewatching that as an adult and as a parent because

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<v Speaker 1>it's been many years. That kind of took on new

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<v Speaker 1>meaning for me. So we had a great talk about

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<v Speaker 1>parenthood and about growing up in as a Waynewright and

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<v Speaker 1>Roach and what that's all about. And so here we

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<v Speaker 1>go with Lucy Waynewright, Roach on parenthood. What's new? Not much?

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<v Speaker 1>I nothing. I was just in New York really yeah,

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<v Speaker 1>but I mean I came home on Wednesday. You were,

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<v Speaker 1>I think that's uh. And I interviewed Peter McNerney. Oh yeah,

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<v Speaker 1>oh my gosh, he's the best. Yeah. We did Hedwig

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<v Speaker 1>in The Angry Inch was his coach, so I got

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<v Speaker 1>to see that again. I love him. I've seen I

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<v Speaker 1>I've seen Julie. I rewrote that script which you should read.

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<v Speaker 1>Oh yeah, yeah, I'd like for you to read it.

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<v Speaker 1>And I saw Julie. I haven't seen anybody else. No

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<v Speaker 1>Caitlin appearances, although I met someone who was her, but

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<v Speaker 1>I've never seen her since. She like came to my

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<v Speaker 1>house for the Super Bowl drop Macaron Couch her. How's

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<v Speaker 1>the relation her? I think husband's sister. Maybe so her

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<v Speaker 1>sister in law listens to this show because I was

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<v Speaker 1>there's a lot of like Facebook interaction stuff for the show,

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<v Speaker 1>and uh, I saw a bits a guy and of

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<v Speaker 1>course you know how many of those are. Yeah, and

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<v Speaker 1>I was like, are you or she may have even

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<v Speaker 1>told me first or whatever. Yeah, I don't know what

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<v Speaker 1>she's up to. Or maybe she's married. I think she's

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<v Speaker 1>married to Caitlin's husband's brother, so that's another kind of

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<v Speaker 1>in law. Yeah, I have never seen her again. Yeah,

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<v Speaker 1>that's your on Facebook. Yeah, that's the only way. And

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<v Speaker 1>then nothing, nothing really. I hang get with Chad still. Yeah,

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<v Speaker 1>he's great. He's like one of my bros. I mean,

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<v Speaker 1>we're both really busy, so it's not a lot. But

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<v Speaker 1>I saw him the other day. I saw him. Oh.

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<v Speaker 1>We do this thing called porch Fest every year in

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<v Speaker 1>the neighborhood. It's a music there's like two hundred porches

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<v Speaker 1>in our neighborhood with two hundred bands and then they're

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<v Speaker 1>just slotted at different hours all day long and people

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<v Speaker 1>just walk around and listen to my music. So his

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<v Speaker 1>daughter is sixteen now, Grace, and she played her very

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<v Speaker 1>first gig with her. She's the lead singer and they

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<v Speaker 1>did like Rolling Stones and Fleetwood Mac and that's so cool.

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<v Speaker 1>I haven't seen him since his like, well, he's had

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<v Speaker 1>a third kid. Yeah. Um, she's a little older than Ruby,

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<v Speaker 1>I think, so like close to four, but we don't.

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<v Speaker 1>They moved from Decatur, so I don't see them as much,

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<v Speaker 1>which really stinks because I love his whole family and

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<v Speaker 1>it would be fun to all hang out like that.

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<v Speaker 1>So great. But I did go by and see Grace saying,

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<v Speaker 1>you know it was you would have loved it. That's

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<v Speaker 1>pretty awesome. It's like all those kind of first gig

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<v Speaker 1>jitters and it's like the total high school band, which

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<v Speaker 1>was kind of fun. That's so cool to think that

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<v Speaker 1>a high schooler is doing that with their time makes

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<v Speaker 1>me feel good. Yeah. Yeah, I didn't get my first bantil.

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<v Speaker 1>I was like, yeah, yeah, but you're saying your whole life, Yeah,

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<v Speaker 1>but I would not in that I was. I was.

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<v Speaker 1>I mostly played with dolls, really, yeah, what was your

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<v Speaker 1>favorite doll? Oh? All of them. I used to cut

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<v Speaker 1>them open and do surgeries on them. And then stitch

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<v Speaker 1>them back up, which, um, a friend of mine once

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<v Speaker 1>encountered them in like a box years later and was alarmed,

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<v Speaker 1>right because they were stitched up. Horror? Yes, uh so

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<v Speaker 1>what like I had your dad in here, which was

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<v Speaker 1>Did you listen to that? By any chance? I listened

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<v Speaker 1>to it? Yeah, it was kind of cool, and I

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<v Speaker 1>thought very interest thing that he picked, Like, well, you

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<v Speaker 1>picked parenthood, which is like the sweetest like family story ever.

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<v Speaker 1>He picked Tokyo story, which was like about this father

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<v Speaker 1>basically telling his children like, you've all disappointed me. Well,

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<v Speaker 1>there's some overlap there. I feel like parenthood and that,

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<v Speaker 1>but yeah, that sounds about right. Well, we'll get to

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<v Speaker 1>parenthood a little bit. I was just kind of thought

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<v Speaker 1>that was funny story, like the most like a somber

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<v Speaker 1>downer movie of all time. Have you seen it? No?

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<v Speaker 1>You should watch it sometimes when you want to be

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<v Speaker 1>thoroughly sad, maybe write a song about it. All Right,

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<v Speaker 1>how's the family though? Good? They're good. They're all good.

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<v Speaker 1>My sister has two kids that are big now eight

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<v Speaker 1>and four, and my brother's kid is seven. He is

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<v Speaker 1>a son, a daughter, oh, a daughter. Okay, but everybody's fine.

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<v Speaker 1>Ish you know, like kind of the same. Yeah, how's

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<v Speaker 1>your mom? She's good. We are about to do some

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<v Speaker 1>shows together with my dad, the three of Us Cool

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<v Speaker 1>next month, and those are always huh interesting. We're gearing

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<v Speaker 1>up for those. She's really into rehearsing, so we're currently

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<v Speaker 1>in hardcore rehearsing mode. Has she always been into rehearsing. Yes,

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<v Speaker 1>she's a big rehearser I'm a little bit of a

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<v Speaker 1>like wing it. Yeah, let's just you know, but she's

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<v Speaker 1>not like that. So when I work with her, we

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<v Speaker 1>we really lock in. Yeah, and it pays off because

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<v Speaker 1>you know, we are very together when we play Yeah,

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<v Speaker 1>and the and the Roaches just had those tight, tight

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<v Speaker 1>harmonies Like that was kind of the thing I think

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<v Speaker 1>they started the rehearsing lockdown. You had to be really

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<v Speaker 1>rehearsed to do three parts of anything. Yeah. Sure, we're

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<v Speaker 1>doing a lot of rehearsing. And does you do do

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<v Speaker 1>all three sing together at any point? Yeah? Oh yeah.

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<v Speaker 1>So well, when we do a show, the three of Us,

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<v Speaker 1>my mom and I do the first maybe forty five minutes,

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<v Speaker 1>then he comes out and does forty five minutes, and

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<v Speaker 1>then we do together, and then you come back out

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<v Speaker 1>and do some more. Yeah, and I always say that, Um, well,

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<v Speaker 1>I don't always say this, but I say it in

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<v Speaker 1>my head. I say it in my heart that I

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<v Speaker 1>used to be an elementary school teacher and when you'd

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<v Speaker 1>have the kids for the first maybe six weeks of school,

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<v Speaker 1>and you'd be like, okay, getting to know the kids,

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<v Speaker 1>and then a parent teacher conferences come, the parents come

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<v Speaker 1>in and you'll be like, oh, now I understand about

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<v Speaker 1>the children. And so the shows are kind of like

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<v Speaker 1>that for me because I'm there and both my parents

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<v Speaker 1>are there, so the audience can see what happened. That's

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<v Speaker 1>super interesting in a weird form of therapy. Probably maybe

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<v Speaker 1>it's a good way to spend time with your family

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<v Speaker 1>because you're getting paid. Man, that would make it all easier.

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<v Speaker 1>We went on a cruise ship altogether as a family,

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<v Speaker 1>and and that I feel like is the way to

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<v Speaker 1>take a cruise is to be paid. And that was

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<v Speaker 1>a waynewright family singing. It's a cruise called Kayamo, which

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<v Speaker 1>is a folk music cruise mostly, and actually it has

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<v Speaker 1>a subtitle it's called Kyamo a Journey Through Song. So

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<v Speaker 1>I'm glad at least you know how corny that. Yeah,

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<v Speaker 1>we took a journey through song together and Emma Lou

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<v Speaker 1>Harris was there, Richard Thompson and uh, Brandy Carlyle. A

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<v Speaker 1>lot of people go and then they're like three thousand

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<v Speaker 1>audience members on the boat, right, rubbin elbows, which you

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<v Speaker 1>had already done with the I talked your dad about

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<v Speaker 1>the train thing. Yeah, the train thing. This is like

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<v Speaker 1>a step up because you can't you really can't get

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<v Speaker 1>away because you're in the middle of ocean. So we

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<v Speaker 1>raised the stakes. And also my sister came, which she

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<v Speaker 1>hadn't been able to come to Alaska, so she came

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<v Speaker 1>on the boat. What about Um, have you ever been

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<v Speaker 1>on a cruise only then? Yeah, I did one, a

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<v Speaker 1>work cruise to I did the Maximun cruise, which was

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<v Speaker 1>comedians and performers, and I did a tribute thing with Hodgeman. Well,

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<v Speaker 1>I had a lot of fun because the people we're awesome,

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<v Speaker 1>like Eugene Merman and Nick Thune and Wyatt Sinac and

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<v Speaker 1>Hodgeman and John Roderick and like a lot of my

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<v Speaker 1>pals were there and we just had a blast. But

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<v Speaker 1>I can't say that I would enjoy a cruise other

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<v Speaker 1>than that. Yeah, I I found myself wondering without the music,

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<v Speaker 1>what would you be doing? That's true. I mean those

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<v Speaker 1>pools gross me out because there's like a thousand people

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<v Speaker 1>trying to get in them. Yeah, most of the stuff

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<v Speaker 1>is grosses me out. The food. The way I described

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<v Speaker 1>it was because Emily was like, what's it like because

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<v Speaker 1>we're not cruisers, and I said, it's like someone took

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<v Speaker 1>a a tall building that was a shopping mall and

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<v Speaker 1>tipped it on its side and shoved it out to see.

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<v Speaker 1>They should really put that in the ad. I was

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<v Speaker 1>not into it, though, I imagine, like in Alaska, cruise

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<v Speaker 1>might be a little more fun. There was something cool

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<v Speaker 1>about being out in the open ocean like that. I

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<v Speaker 1>had one moment at night like that where a bunch

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<v Speaker 1>of us went up to the top deck and I

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<v Speaker 1>had never been out to see so I was like, well,

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<v Speaker 1>this is kind of cool. Yeah, yeah, And that that's

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<v Speaker 1>the thing about my job that I like that you

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<v Speaker 1>probably encounter two is like I probably would never ever

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<v Speaker 1>ever have taken a cruise in my whole life, but

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<v Speaker 1>then I ended up doing it for work, and I'm

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<v Speaker 1>glad because it was. Now I know so much about it.

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<v Speaker 1>I have so many feelings about it, and the same

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<v Speaker 1>thing with other just or even visiting places multiple times.

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<v Speaker 1>If I just had maybe like a two week vacation

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<v Speaker 1>to choose a place to go, I probably wouldn't go

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<v Speaker 1>back again and again to like Princeton, Illinois, for example. Yeah,

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<v Speaker 1>did you just do a show there? I have done

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<v Speaker 1>a couple, but it's not really the kind of place

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<v Speaker 1>you would vacation normally. But I like that you get

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<v Speaker 1>to go because it's like cool, you see the world

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<v Speaker 1>that way. Yeah, we've done some shows. Like it's I'm

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<v Speaker 1>always pushing to do shows in places we haven't been yet,

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<v Speaker 1>Like we always go back to Seattle, in Portland and

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<v Speaker 1>Boston and d C. And sort of the cities that

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<v Speaker 1>are really good for us. But we've been I've been

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<v Speaker 1>trying to knock off some of the uh, you know,

0:13:13.160 --> 0:13:16.440
<v Speaker 1>flyover states as they say. So we went to Lawrence, Kansas.

0:13:17.480 --> 0:13:21.240
<v Speaker 1>It was great. It's so good that town. It really

0:13:21.280 --> 0:13:25.240
<v Speaker 1>reminded me of being in Athens, and like St. Louis

0:13:25.320 --> 0:13:28.600
<v Speaker 1>was cool. And have you done Iowa City? No, we

0:13:28.640 --> 0:13:31.520
<v Speaker 1>haven't been to Iowa. Iowa City, that's a good one.

0:13:31.640 --> 0:13:34.760
<v Speaker 1>We just went to Salt Lake City and they were great. Yeah,

0:13:35.000 --> 0:13:37.880
<v Speaker 1>like they were. It was one of the best crowds

0:13:37.880 --> 0:13:40.959
<v Speaker 1>we've ever had as far as enthusiasm goes. And they

0:13:40.960 --> 0:13:46.200
<v Speaker 1>weren't even drinking. It was a dry video. They must

0:13:46.200 --> 0:13:48.800
<v Speaker 1>have really liked you. Then, uh. And then we did

0:13:48.840 --> 0:13:50.640
<v Speaker 1>Salt Lake City and Phoenix. We do like two shows

0:13:50.679 --> 0:13:55.160
<v Speaker 1>at a time. Not hard. It's not like grueling touring. Yeah,

0:13:55.160 --> 0:13:59.120
<v Speaker 1>it's good to get off the regular big city, but

0:13:59.160 --> 0:14:01.880
<v Speaker 1>you drive around. Yeah. I spend most of my time

0:14:01.920 --> 0:14:07.360
<v Speaker 1>in the car. Yeah, she's so good. Okay. I thought

0:14:07.360 --> 0:14:08.800
<v Speaker 1>she was here and I was like, man, if she

0:14:08.840 --> 0:14:11.600
<v Speaker 1>didn't bring that dog, No, I I flew here, so

0:14:11.640 --> 0:14:14.600
<v Speaker 1>she didn't. She used to fly when I worked with

0:14:14.679 --> 0:14:17.120
<v Speaker 1>you guys, and she was a teeny tiny puppy. I

0:14:17.160 --> 0:14:19.960
<v Speaker 1>flew back and forth times. But now she's too big

0:14:20.080 --> 0:14:22.960
<v Speaker 1>and you haven't gotten the designation is the comfort animal

0:14:23.040 --> 0:14:29.240
<v Speaker 1>or whatever? Well I may have, but I feel I

0:14:29.240 --> 0:14:31.320
<v Speaker 1>will you in order to Okay, Well, I don't know

0:14:31.640 --> 0:14:33.920
<v Speaker 1>how does that work? Okay, In order to get an

0:14:33.920 --> 0:14:38.080
<v Speaker 1>emotional service animal in the past, you have to take

0:14:38.120 --> 0:14:43.280
<v Speaker 1>a psychological test to see if you're well enough, which

0:14:43.320 --> 0:14:46.920
<v Speaker 1>I've passed passed in the which way I was unwell

0:14:47.000 --> 0:14:52.320
<v Speaker 1>enough for sure, and then they send you a psychiatrist

0:14:52.440 --> 0:14:56.200
<v Speaker 1>letter saying you need your dog. So I did that,

0:14:56.440 --> 0:14:59.080
<v Speaker 1>but I feel too guilty to use it because it

0:14:59.160 --> 0:15:01.640
<v Speaker 1>just feels I mean, I I have used it a

0:15:01.680 --> 0:15:03.920
<v Speaker 1>couple of times, like if I'm driving late at night

0:15:03.920 --> 0:15:05.920
<v Speaker 1>and I can't find a hotel that allows dogs, but

0:15:06.000 --> 0:15:08.680
<v Speaker 1>we need a place to stay. I've done it with that.

0:15:09.560 --> 0:15:12.120
<v Speaker 1>But some people I know have flown with their dogs

0:15:12.120 --> 0:15:13.680
<v Speaker 1>and stuff, and I would love to do that, but

0:15:13.720 --> 0:15:16.040
<v Speaker 1>I just feel like if anyone questioned me, I would

0:15:16.080 --> 0:15:18.640
<v Speaker 1>just burst into tears and be like, I'm sorry, I

0:15:18.680 --> 0:15:21.040
<v Speaker 1>shouldn't be taking my dog on the plane, which may

0:15:21.520 --> 0:15:24.960
<v Speaker 1>indicate to them that I need the dog. You're good,

0:15:25.480 --> 0:15:29.560
<v Speaker 1>good dog? Yeah, I mean people, you definitely see people

0:15:29.600 --> 0:15:33.760
<v Speaker 1>that are clearly sort of taking advantage of that designation.

0:15:34.560 --> 0:15:37.400
<v Speaker 1>Um or maybe not. I don't want to judge. I

0:15:37.440 --> 0:15:39.520
<v Speaker 1>don't either, but they certainly look like I just wanted

0:15:39.520 --> 0:15:42.640
<v Speaker 1>to bring my dog, yeah, which I totally get. Yeah. Yeah,

0:15:43.040 --> 0:15:47.000
<v Speaker 1>I love touring with Maybe. She's so good. Yeah, she's

0:15:47.000 --> 0:15:50.040
<v Speaker 1>a very very I got so lucky because she can

0:15:50.080 --> 0:15:52.760
<v Speaker 1>be left in a hotel room without ruining anything, she

0:15:52.800 --> 0:15:57.080
<v Speaker 1>can be left backstage anywhere. She just she's so exceedingly

0:15:57.160 --> 0:15:59.560
<v Speaker 1>lazy that she just like lies down and does nothing

0:15:59.680 --> 0:16:03.240
<v Speaker 1>during anything. She's perfect for going on the road and

0:16:03.280 --> 0:16:05.320
<v Speaker 1>I could have so easily ended up with a dog

0:16:05.360 --> 0:16:09.080
<v Speaker 1>who I love. Yeah, she was kind of made to

0:16:09.120 --> 0:16:11.680
<v Speaker 1>be her little buddy. Yeah, she's so great. Um. For

0:16:11.720 --> 0:16:14.000
<v Speaker 1>those of you listening, Lucy has a dog that she

0:16:14.280 --> 0:16:18.040
<v Speaker 1>got while she was working on our TV show and

0:16:18.080 --> 0:16:22.800
<v Speaker 1>I think one of our Jordans costroom, the wardrobe person. Yeah,

0:16:22.880 --> 0:16:25.000
<v Speaker 1>she found this dog like in the parking lot, in

0:16:25.040 --> 0:16:28.720
<v Speaker 1>the parking lot of I think. Is there something in

0:16:29.240 --> 0:16:37.640
<v Speaker 1>called the Big Chicken. It's an Atlanta thing, right, Yeah, Yeah,

0:16:37.720 --> 0:16:40.920
<v Speaker 1>there's a it's a Kentucky Fried Chicken in Marietta that

0:16:40.960 --> 0:16:44.120
<v Speaker 1>has this giant it's an old school KFC that has

0:16:44.160 --> 0:16:46.800
<v Speaker 1>like a thirty foot chicken and it's a bit known

0:16:46.800 --> 0:16:49.680
<v Speaker 1>as the Big Chicken. That's where maybe it was found, Yeah,

0:16:49.720 --> 0:16:53.200
<v Speaker 1>in the parking lot. But chi, yeah, I gotta go

0:16:53.280 --> 0:16:55.360
<v Speaker 1>back there and visit, like and make a little pilgrimage

0:16:55.680 --> 0:16:58.560
<v Speaker 1>to the chicken. You'd be disappointed. She doesn't remember. I

0:16:58.560 --> 0:17:01.440
<v Speaker 1>don't think she's so good. She was teeny tiny then,

0:17:01.480 --> 0:17:04.159
<v Speaker 1>she was like three months old and she was like

0:17:04.240 --> 0:17:06.960
<v Speaker 1>fifteen pounds now she's fifty pounds. I remember there was

0:17:06.960 --> 0:17:10.040
<v Speaker 1>so much consternation about whether or not you should keep

0:17:10.119 --> 0:17:12.919
<v Speaker 1>this dog, and you really had a hard time, and

0:17:12.960 --> 0:17:14.359
<v Speaker 1>I was just right next to you, going to keep

0:17:14.400 --> 0:17:16.720
<v Speaker 1>the dog. Yeah, you should keep the dog, because I

0:17:16.760 --> 0:17:19.359
<v Speaker 1>just wanted her to come to set every day. Totally. Yeah.

0:17:19.400 --> 0:17:21.760
<v Speaker 1>She was so good. She was so teeny tiny and

0:17:21.800 --> 0:17:26.160
<v Speaker 1>she's still so good and she Um. Yeah. I lived

0:17:26.160 --> 0:17:28.280
<v Speaker 1>in an apartment that didn't allow dogs at the time,

0:17:28.359 --> 0:17:32.680
<v Speaker 1>so I for the first few weeks I had to

0:17:32.800 --> 0:17:35.080
<v Speaker 1>bring her in and out of the apartment in a bag,

0:17:35.840 --> 0:17:37.840
<v Speaker 1>and so she learned that the bag was like the

0:17:37.880 --> 0:17:41.240
<v Speaker 1>portal to getting to pee, So if she had to pee,

0:17:41.280 --> 0:17:43.720
<v Speaker 1>she would go and put her body halfway in the bag,

0:17:43.800 --> 0:17:47.879
<v Speaker 1>like I need to go down stairs. And then I moved,

0:17:48.560 --> 0:17:50.639
<v Speaker 1>so now she's allowed. Where do you live now? You're

0:17:50.640 --> 0:17:56.040
<v Speaker 1>in Brooklyn Stah in Clinton Hill, Clinton Hill? Yeah? Nice? Um, well,

0:17:56.040 --> 0:18:03.359
<v Speaker 1>tell me about growing up a waynewright? Well? Um, what

0:18:03.480 --> 0:18:08.320
<v Speaker 1>was that like? It was? It was pretty good? Nothing, Yeah,

0:18:08.520 --> 0:18:10.879
<v Speaker 1>it was well, first of all, I grew up mostly

0:18:10.880 --> 0:18:15.159
<v Speaker 1>with my mom by myself, and so I was really

0:18:15.200 --> 0:18:17.840
<v Speaker 1>in the seat of the roach family a lot with

0:18:17.880 --> 0:18:20.720
<v Speaker 1>my aunts and my mom. They were touring a lot,

0:18:20.760 --> 0:18:22.239
<v Speaker 1>and I was touring with them a lot, and so

0:18:22.280 --> 0:18:27.320
<v Speaker 1>they were kind of my early early childhood. Um, main

0:18:27.680 --> 0:18:30.199
<v Speaker 1>people that I was with most of the time. And

0:18:30.240 --> 0:18:32.399
<v Speaker 1>then my dad lived in England when I was really little,

0:18:32.400 --> 0:18:37.399
<v Speaker 1>but then he came back to the States, and but

0:18:37.440 --> 0:18:40.560
<v Speaker 1>I would say as adults, oh, we definitely knew each

0:18:40.600 --> 0:18:42.919
<v Speaker 1>other well as when I was a kid, But as

0:18:42.920 --> 0:18:45.199
<v Speaker 1>adults we've spent a lot more time together than we

0:18:45.240 --> 0:18:47.760
<v Speaker 1>did when I was a kid. So it wasn't like

0:18:47.800 --> 0:18:50.080
<v Speaker 1>when you were a little kid, it was you and

0:18:50.160 --> 0:18:53.520
<v Speaker 1>mom and dad and Martha and Rufus all like, you know,

0:18:53.640 --> 0:18:56.560
<v Speaker 1>every day hanging out. No, it was Martha and Rufus

0:18:56.560 --> 0:19:00.159
<v Speaker 1>were up in Canada with their mom. We have have

0:19:00.200 --> 0:19:02.280
<v Speaker 1>a good setup in the family. It's like everybody has

0:19:02.280 --> 0:19:05.280
<v Speaker 1>their own mom almost like my younger sister has her

0:19:05.320 --> 0:19:07.679
<v Speaker 1>own mom, and then I have my own mom, and

0:19:07.680 --> 0:19:10.040
<v Speaker 1>then Martha and Rufus they had to share. And your

0:19:10.119 --> 0:19:13.000
<v Speaker 1>dad's just the fulkm. Yeah, and it's cool because like,

0:19:13.160 --> 0:19:15.399
<v Speaker 1>you know, that's cool to get your own mom. Yeah

0:19:15.440 --> 0:19:20.880
<v Speaker 1>you know, yeah, I've got my own mom and so um, yeah,

0:19:20.920 --> 0:19:23.240
<v Speaker 1>they were up in Canada. With their mom. And I

0:19:23.280 --> 0:19:26.600
<v Speaker 1>was with my mom in New York and we all

0:19:26.640 --> 0:19:30.919
<v Speaker 1>the kids were together for holidays sometimes and summers and

0:19:31.200 --> 0:19:33.000
<v Speaker 1>with my dad and but my dad and my mom

0:19:33.040 --> 0:19:35.800
<v Speaker 1>were very close always throughout my life. So that's good.

0:19:35.880 --> 0:19:39.200
<v Speaker 1>Would hang out a lot. Yeah, that's uh, that's good.

0:19:39.760 --> 0:19:45.160
<v Speaker 1>I wonder what that's like. Yeah, they I was never

0:19:45.200 --> 0:19:48.639
<v Speaker 1>bummed about my parents not being together, I think because

0:19:48.680 --> 0:19:51.040
<v Speaker 1>it like seemed like, well, this seems good, you know,

0:19:51.240 --> 0:19:53.760
<v Speaker 1>like I was hanging out with my mom, I like that,

0:19:53.840 --> 0:19:55.960
<v Speaker 1>and then my dad came around and we'd all go

0:19:56.040 --> 0:19:58.120
<v Speaker 1>out to dinner and it was fine and no one

0:19:58.160 --> 0:20:01.440
<v Speaker 1>was stressed out, and yeah, it's really good. Yeah. Um,

0:20:01.520 --> 0:20:03.560
<v Speaker 1>you grew up in New York though, right, Yeah in

0:20:03.600 --> 0:20:06.639
<v Speaker 1>Greenwich Village. Wow, the best place in the world. It

0:20:06.800 --> 0:20:09.400
<v Speaker 1>is pretty great, although it's kind of like a fancy

0:20:09.440 --> 0:20:13.520
<v Speaker 1>mall right now, Well, like what area like Bleaker Street

0:20:13.600 --> 0:20:18.240
<v Speaker 1>used to be pretty interesting, you know, guitar stores and

0:20:18.240 --> 0:20:23.960
<v Speaker 1>and now it's like all Mark Jacobs, you know, like

0:20:24.080 --> 0:20:27.600
<v Speaker 1>stores that are very very expensive. But John's Pizza is

0:20:27.640 --> 0:20:30.240
<v Speaker 1>still there and that's what really counts because that's where

0:20:30.280 --> 0:20:32.160
<v Speaker 1>I used to go for my birthday parties. And if

0:20:32.160 --> 0:20:33.960
<v Speaker 1>you are ever in New York. You should go to

0:20:34.040 --> 0:20:36.800
<v Speaker 1>John's Pizza on Bleaker Street. It's so good. There's some

0:20:36.840 --> 0:20:38.320
<v Speaker 1>place in the village, and I think it was near

0:20:38.359 --> 0:20:41.159
<v Speaker 1>the school that you taught at. Didn't you teach over there?

0:20:41.240 --> 0:20:42.679
<v Speaker 1>Or maybe you went through the school I went to

0:20:43.000 --> 0:20:45.600
<v Speaker 1>a couple of schools. That was the best egg rolls

0:20:45.720 --> 0:20:48.080
<v Speaker 1>I've ever had. Was a little Chinese place kind of

0:20:48.080 --> 0:20:50.439
<v Speaker 1>over near there. I think I wonder where it was,

0:20:50.560 --> 0:20:52.200
<v Speaker 1>and I will go down there, because you know, I mean,

0:20:52.240 --> 0:20:54.920
<v Speaker 1>for me, an egg roll is got to be a

0:20:55.000 --> 0:20:58.320
<v Speaker 1>very specific kind of egg roll, like the big, huge,

0:20:58.680 --> 0:21:03.160
<v Speaker 1>dimply Onind's Okay, um, not the more spring roll types

0:21:03.320 --> 0:21:05.480
<v Speaker 1>right right right, like the little cheap egg rolls. Yeah,

0:21:05.560 --> 0:21:08.920
<v Speaker 1>the look on your face says, not those no, no, no,

0:21:09.080 --> 0:21:14.640
<v Speaker 1>like the big, big daddy simple egg rolls. Well, you'll

0:21:14.640 --> 0:21:16.320
<v Speaker 1>have to take me there next time you come to

0:21:16.320 --> 0:21:18.600
<v Speaker 1>it down I will. I feel like you're never there

0:21:18.600 --> 0:21:20.800
<v Speaker 1>when I'm there. I know I'm never there is part

0:21:20.800 --> 0:21:23.920
<v Speaker 1>of the problem. Um, And where does maybe stay when

0:21:23.920 --> 0:21:28.960
<v Speaker 1>you're gone? She stays with um my mom sometimes, or

0:21:29.200 --> 0:21:31.960
<v Speaker 1>we have sort of a patchwork collection of people who

0:21:32.080 --> 0:21:34.760
<v Speaker 1>take care of her, or she comes with me, so

0:21:35.640 --> 0:21:39.359
<v Speaker 1>she's very she has many different New York City apartments.

0:21:39.560 --> 0:21:41.560
<v Speaker 1>She's very malleable though she always has been. I feel

0:21:41.560 --> 0:21:44.639
<v Speaker 1>like I've got this house, that house, this person, that person.

0:21:45.000 --> 0:21:48.640
<v Speaker 1>That's good. It's got many mothers. Whereas we all had

0:21:48.640 --> 0:21:51.199
<v Speaker 1>our own mother, she's got so many mothers. She's just

0:21:51.240 --> 0:21:55.280
<v Speaker 1>like a cat with all these mothers, um not that

0:21:55.400 --> 0:21:58.320
<v Speaker 1>have taken on her full care. She has. Well, my

0:21:58.359 --> 0:22:01.000
<v Speaker 1>stepdad Stewart, did you ever meet to her? I think so.

0:22:01.440 --> 0:22:04.160
<v Speaker 1>He and my mom lived together, and she loves him

0:22:04.280 --> 0:22:06.880
<v Speaker 1>and so maybe stays with them. I feel like your

0:22:06.920 --> 0:22:11.080
<v Speaker 1>mom's old dog has passed, right, she did? Yeah, sorry

0:22:11.080 --> 0:22:14.679
<v Speaker 1>to hear that. Friend. She for example, could not have

0:22:14.720 --> 0:22:17.040
<v Speaker 1>gone on the road ever. Yeah, she was every time

0:22:17.080 --> 0:22:21.640
<v Speaker 1>you get her in the car, she just stress breathe. Yeah,

0:22:21.680 --> 0:22:23.879
<v Speaker 1>maybe something seems to always be sort of chilling with

0:22:23.880 --> 0:22:27.639
<v Speaker 1>that one ear up. She's chilling, which means also she

0:22:27.680 --> 0:22:29.920
<v Speaker 1>won't do anything. When you take her to the park,

0:22:30.040 --> 0:22:32.800
<v Speaker 1>she sits down, Yeah, and looks at the other dogs

0:22:32.880 --> 0:22:35.040
<v Speaker 1>like why are I know? You must really like to

0:22:35.080 --> 0:22:37.800
<v Speaker 1>come here. Does she get along with other dogs? Yeah,

0:22:37.960 --> 0:22:42.680
<v Speaker 1>she's a little bit um on the doggie spectrum, perhaps

0:22:42.720 --> 0:22:46.480
<v Speaker 1>like she she doesn't fight with other dogs, but she's

0:22:46.600 --> 0:22:48.880
<v Speaker 1>kind of like what dogs, you know, if they come

0:22:48.880 --> 0:22:50.600
<v Speaker 1>around her and they're like, let's play, and she's like,

0:22:50.640 --> 0:22:53.480
<v Speaker 1>I don't understand what what you could possibly mean? Yeah,

0:22:53.520 --> 0:22:56.160
<v Speaker 1>our our dog Lucy, who passed away a long time ago,

0:22:56.560 --> 0:23:00.480
<v Speaker 1>pre pre knowing you, which is to say that we

0:23:00.520 --> 0:23:04.000
<v Speaker 1>did not name our dog after you. Cool. Cool, but

0:23:04.040 --> 0:23:07.960
<v Speaker 1>I would Lucy. Emily used to say that Lucy's not

0:23:08.000 --> 0:23:10.440
<v Speaker 1>a dog person because she was sort of the same way.

0:23:10.760 --> 0:23:13.320
<v Speaker 1>She like eventually would fight when dogs would corner her,

0:23:14.080 --> 0:23:16.560
<v Speaker 1>but she generally just wasn't like I didn't know how

0:23:16.560 --> 0:23:19.040
<v Speaker 1>to play. Yeah, when the dogs come to smell her butt,

0:23:19.119 --> 0:23:23.320
<v Speaker 1>she sits down. She's like, no, thanks, that's enough, thank you.

0:23:23.440 --> 0:23:26.160
<v Speaker 1>Well that might be the proper reaction. Fair enough. It's her.

0:23:26.520 --> 0:23:29.960
<v Speaker 1>It's her right, isn't it. Um How did movies and

0:23:30.080 --> 0:23:32.440
<v Speaker 1>like stuff like that play a part in your early life?

0:23:32.440 --> 0:23:35.000
<v Speaker 1>Like your dad was acting, and did you ever go

0:23:35.080 --> 0:23:36.960
<v Speaker 1>to set? Did you think that was cool or was

0:23:37.000 --> 0:23:41.439
<v Speaker 1>it just normal? He wasn't um in. He really started

0:23:41.480 --> 0:23:43.600
<v Speaker 1>to be in more movies when I was like in

0:23:43.680 --> 0:23:46.280
<v Speaker 1>high school and college, and I did go to set

0:23:46.280 --> 0:23:48.800
<v Speaker 1>when he was he was on that TV show Undeclared,

0:23:50.440 --> 0:23:53.040
<v Speaker 1>and I went to that set and that was really cool.

0:23:53.080 --> 0:23:54.520
<v Speaker 1>That was the first time I've been to a set,

0:23:54.560 --> 0:23:56.600
<v Speaker 1>and then the next time was probably when we did

0:23:56.920 --> 0:24:00.880
<v Speaker 1>our show, which was so fun too. But yeah, So

0:24:00.960 --> 0:24:02.800
<v Speaker 1>he and my mom was in a movie when I

0:24:02.840 --> 0:24:05.680
<v Speaker 1>was really little. I actually thought about choosing that movie

0:24:05.760 --> 0:24:09.200
<v Speaker 1>crossing to Lancy. Your mom was in no way. Yeah,

0:24:09.240 --> 0:24:13.280
<v Speaker 1>she plays Irving Irving and maybe he like she's trying

0:24:13.320 --> 0:24:16.480
<v Speaker 1>to get set up with the pickleman on the Laurie's side,

0:24:16.800 --> 0:24:20.879
<v Speaker 1>and Amy Irving tries to pawn off the date on

0:24:20.920 --> 0:24:23.760
<v Speaker 1>her friend. And that's my mom. Really. I believe her

0:24:23.840 --> 0:24:28.719
<v Speaker 1>character's name is Marilyn's kind of fun and so I

0:24:28.760 --> 0:24:31.040
<v Speaker 1>remember going to the movie theater to see my mom

0:24:31.080 --> 0:24:36.760
<v Speaker 1>in that movie, and that was weird because you were

0:24:36.760 --> 0:24:39.000
<v Speaker 1>a kid. Yeah, I was like six or seven, so

0:24:39.080 --> 0:24:43.120
<v Speaker 1>I was like, this is confusing. But then my dad

0:24:43.200 --> 0:24:45.000
<v Speaker 1>was in more stuff when I was older, and that's

0:24:45.000 --> 0:24:47.359
<v Speaker 1>just been really fun. You know. He I love that

0:24:47.400 --> 0:24:49.840
<v Speaker 1>because he loves to do that. Yeah, he seemed like

0:24:49.680 --> 0:24:52.960
<v Speaker 1>he likes it, and so it's just and he's funny

0:24:52.960 --> 0:24:54.679
<v Speaker 1>and it's fun to see him in things. But it

0:24:54.800 --> 0:24:57.240
<v Speaker 1>is odd to see people you know in movies, don't

0:24:57.280 --> 0:25:02.560
<v Speaker 1>you think. Yeah, it's hard to a little bit from that. Yeah. Yeah,

0:25:02.600 --> 0:25:05.840
<v Speaker 1>but I mean I don't know a ton of actor actors,

0:25:06.520 --> 0:25:09.280
<v Speaker 1>just a handful here and there. Yeah, but it is

0:25:09.280 --> 0:25:12.359
<v Speaker 1>always a little weird. Yeah. And I was really into

0:25:13.560 --> 0:25:16.120
<v Speaker 1>going to the video store when I was a kid

0:25:16.359 --> 0:25:18.320
<v Speaker 1>and in the summer, getting to go to the video

0:25:18.320 --> 0:25:25.879
<v Speaker 1>store and Bleaker Street videos. Yeah, and then but I

0:25:25.880 --> 0:25:28.359
<v Speaker 1>would get the same video over and over and over

0:25:28.960 --> 0:25:32.640
<v Speaker 1>like incessantly. And and Parenthood is one of those videos

0:25:32.680 --> 0:25:35.040
<v Speaker 1>that I watched over and over and over and over

0:25:35.080 --> 0:25:37.840
<v Speaker 1>as a little kid. And there were other ones too,

0:25:38.040 --> 0:25:43.120
<v Speaker 1>like really stellar choices, like Big Business with Lily Tomlin

0:25:43.200 --> 0:25:47.560
<v Speaker 1>and and Bette Midler, where they are two sets of

0:25:47.600 --> 0:25:50.639
<v Speaker 1>twins are switched at birth and they get one Lily

0:25:50.720 --> 0:25:54.640
<v Speaker 1>Tomlin and one Bette Midler. Yeah, and then they meet.

0:25:55.640 --> 0:25:59.920
<v Speaker 1>They are so different, you know. I love Lately tom

0:26:00.000 --> 0:26:02.440
<v Speaker 1>And now I'm surprised you didn't see that. And Bette Midler. Yeah,

0:26:02.480 --> 0:26:04.359
<v Speaker 1>I mean, I haven't watched it since I was a kid,

0:26:04.440 --> 0:26:07.040
<v Speaker 1>but I'd be curious to see how it holds up.

0:26:07.200 --> 0:26:09.240
<v Speaker 1>That's kind of like this movie. I hadn't watched it

0:26:09.280 --> 0:26:11.520
<v Speaker 1>in a long time. Yeah, did you watch it? Yeah?

0:26:11.760 --> 0:26:15.080
<v Speaker 1>For this? Oh good, But there are lines from Parenthood

0:26:15.160 --> 0:26:17.600
<v Speaker 1>that I like here in my head constantly because I

0:26:17.640 --> 0:26:26.720
<v Speaker 1>watched it so much. Well, let's go ahead and talk

0:26:26.720 --> 0:26:31.919
<v Speaker 1>about Parenthood something. I was surprised that it's because I

0:26:31.960 --> 0:26:34.920
<v Speaker 1>graduated high school that year. I'm older than you, as

0:26:34.960 --> 0:26:38.000
<v Speaker 1>you know, and I just don't think I remembered it

0:26:38.040 --> 0:26:39.960
<v Speaker 1>being that old. I thought it was in the mid

0:26:40.040 --> 0:26:43.119
<v Speaker 1>nineties or something. Yeah, it was. I was pretty little

0:26:43.160 --> 0:26:45.679
<v Speaker 1>when I got into this movie and U which is

0:26:45.880 --> 0:26:49.600
<v Speaker 1>very funny kind of yeah, sweet, right, I was thinking

0:26:49.640 --> 0:26:52.800
<v Speaker 1>watching it like this. I don't know whether this has

0:26:52.960 --> 0:26:56.440
<v Speaker 1>shaped part of who I am or if it says

0:26:56.480 --> 0:26:58.760
<v Speaker 1>something about who I am that I liked it so much.

0:26:59.080 --> 0:27:02.919
<v Speaker 1>I think that. Yeah. Second, Yeah, like Emily watched remember

0:27:02.960 --> 0:27:06.040
<v Speaker 1>the show thirty something, Oh my gosh, I love Yeah.

0:27:06.080 --> 0:27:08.000
<v Speaker 1>She and her friend would like obsess over that in

0:27:08.080 --> 0:27:10.480
<v Speaker 1>high school. Yeah, and it's just so funny. I think.

0:27:10.760 --> 0:27:14.160
<v Speaker 1>I think, especially with young uh, with girls and young women,

0:27:14.240 --> 0:27:18.520
<v Speaker 1>there's a little bit of a play adult or fantasized

0:27:18.520 --> 0:27:22.760
<v Speaker 1>about being older. Because like every like woman I talked

0:27:22.760 --> 0:27:26.320
<v Speaker 1>to when they were like middle school aged, watch things

0:27:26.320 --> 0:27:29.080
<v Speaker 1>like thirty something and he's sort of grown up TV

0:27:29.160 --> 0:27:32.280
<v Speaker 1>shows and movies. Yeah, thirty something. I was a little

0:27:32.359 --> 0:27:34.199
<v Speaker 1>younger when that, when that was on and my mom

0:27:34.240 --> 0:27:36.119
<v Speaker 1>would let me watch that. And then I had this

0:27:36.280 --> 0:27:40.359
<v Speaker 1>kid named Rebecca Oyama who I didn't She was a

0:27:40.400 --> 0:27:43.760
<v Speaker 1>kid in my class, and um, I don't know, maybe

0:27:43.760 --> 0:27:47.720
<v Speaker 1>she listens to this podcast, but she once came over

0:27:47.760 --> 0:27:49.640
<v Speaker 1>for a play date and I remember that I made

0:27:49.680 --> 0:27:53.280
<v Speaker 1>her play thirty something. Really yeah, like we're going to

0:27:53.400 --> 0:27:55.800
<v Speaker 1>play thirty something. I remember that she was maybe a

0:27:55.880 --> 0:27:58.240
<v Speaker 1>little bit not totally on board, but we did it

0:27:58.720 --> 0:28:01.080
<v Speaker 1>and just acted out the characters. Yeah. I mean I

0:28:01.119 --> 0:28:04.439
<v Speaker 1>was like, Okay, now you're the dad and also the

0:28:04.520 --> 0:28:07.040
<v Speaker 1>sister and also we've just got some really bad news

0:28:07.080 --> 0:28:13.000
<v Speaker 1>from you know, like bus film. Yeah. So I loved

0:28:13.080 --> 0:28:15.480
<v Speaker 1>thirty something, but yeah, Parenthood I think is sort of

0:28:15.520 --> 0:28:18.480
<v Speaker 1>in the same It's not a kid's movie. No. In fact,

0:28:19.200 --> 0:28:21.439
<v Speaker 1>I thought of it. I watched it so much as

0:28:21.480 --> 0:28:25.160
<v Speaker 1>a kid that I remember when my younger sister was small,

0:28:25.640 --> 0:28:28.359
<v Speaker 1>my dad and her mom were asking for ideas of

0:28:28.400 --> 0:28:30.239
<v Speaker 1>the movies that they could all watch together, and I

0:28:30.320 --> 0:28:32.679
<v Speaker 1>was like, Parenthood, you should totally watch Parenthood, and they

0:28:32.720 --> 0:28:34.480
<v Speaker 1>called the next day and my dad was like, oh,

0:28:34.880 --> 0:28:38.760
<v Speaker 1>that was not appropriate. We had to turn that off. Yeah.

0:28:38.760 --> 0:28:41.240
<v Speaker 1>I mean, I guess there's a few things there are,

0:28:41.320 --> 0:28:43.440
<v Speaker 1>but I think a lot I missed a lot of them.

0:28:43.480 --> 0:28:46.640
<v Speaker 1>It's pretty sanitized. But yeah, I imagine you didn't understand,

0:28:46.720 --> 0:28:49.600
<v Speaker 1>like maybe because it wasn't so explicit with like the

0:28:50.320 --> 0:28:53.200
<v Speaker 1>and your buddy Martha Primpton's in it. I know, I know.

0:28:53.320 --> 0:28:55.560
<v Speaker 1>It's so cool to watch her again and that because

0:28:55.600 --> 0:28:57.640
<v Speaker 1>I I didn't know her then, but I've come to

0:28:57.800 --> 0:29:00.000
<v Speaker 1>be good friends with her, so so you guys got

0:29:00.040 --> 0:29:04.000
<v Speaker 1>to be friends later. Yeah, way later. Yeah, just like

0:29:04.080 --> 0:29:08.760
<v Speaker 1>maybe ten or eleven years ago, And so it's fun

0:29:08.800 --> 0:29:10.440
<v Speaker 1>to go back and see her in that movie because

0:29:10.480 --> 0:29:13.440
<v Speaker 1>she's so young. Yeah, did she know that you love Parenthood?

0:29:13.480 --> 0:29:19.880
<v Speaker 1>I don't think so, I will. And little Joaquin Phoenix, Yeah,

0:29:19.920 --> 0:29:23.520
<v Speaker 1>which was crazy. I just love all the people in it.

0:29:23.960 --> 0:29:26.440
<v Speaker 1>They're so good and and I think when I was

0:29:26.480 --> 0:29:28.120
<v Speaker 1>a kid, one of the highlights of it was that

0:29:28.360 --> 0:29:31.320
<v Speaker 1>it ends with a lot of babies and into babies,

0:29:31.360 --> 0:29:33.880
<v Speaker 1>So anything with babies was like, yes, cool, good. And

0:29:33.920 --> 0:29:38.720
<v Speaker 1>then I also think it's so much like the things

0:29:38.720 --> 0:29:42.680
<v Speaker 1>that I like the best funny and sad and like dark,

0:29:42.880 --> 0:29:48.400
<v Speaker 1>like the the sadness of regular life, which I'm pretty into.

0:29:48.640 --> 0:29:51.640
<v Speaker 1>Yeah me too, Yeah, but you sure are. Yeah, I

0:29:51.680 --> 0:29:56.160
<v Speaker 1>really am. I know. Yeah. And it kind of didn't

0:29:56.200 --> 0:29:58.440
<v Speaker 1>surprise me at all when you pick this, because I

0:29:58.440 --> 0:30:00.640
<v Speaker 1>was really curious because any anytime it's somebody who's like

0:30:00.680 --> 0:30:02.840
<v Speaker 1>a really good friend of mine, Mike, I wonder what

0:30:02.920 --> 0:30:05.040
<v Speaker 1>they're going to pick. It felt a little. It feels

0:30:05.040 --> 0:30:10.920
<v Speaker 1>a little like like a very exposed thing to pick

0:30:10.960 --> 0:30:13.640
<v Speaker 1>a movie, because it's like when someone asks about music

0:30:13.720 --> 0:30:15.440
<v Speaker 1>and you're like, oh god, I want to say something

0:30:15.480 --> 0:30:18.160
<v Speaker 1>that encompasses my whole self and shows you that I'm

0:30:18.160 --> 0:30:21.160
<v Speaker 1>a total idiot. But I just went with my gut.

0:30:21.200 --> 0:30:23.120
<v Speaker 1>I was like, I love that movie. I want to

0:30:23.120 --> 0:30:26.000
<v Speaker 1>watch it again. So no, that's what the show is

0:30:26.000 --> 0:30:28.080
<v Speaker 1>about too. Like most of the picks have been like

0:30:28.760 --> 0:30:32.000
<v Speaker 1>die Hard or you know, Back to the Future. It's like,

0:30:32.080 --> 0:30:34.320
<v Speaker 1>it's not some high mine your dad Tokyo story. It

0:30:34.360 --> 0:30:37.000
<v Speaker 1>was probably about his art houses We've gotten you when

0:30:37.000 --> 0:30:40.320
<v Speaker 1>you're trying to get serious bring him in for But

0:30:40.440 --> 0:30:43.080
<v Speaker 1>I think that was legit, your dad's favorite movie. He

0:30:43.200 --> 0:30:46.800
<v Speaker 1>wasn't like, well, let me be impressive. No, no, which

0:30:46.840 --> 0:30:50.360
<v Speaker 1>is interesting because the sadness in that movie really like

0:30:50.400 --> 0:30:53.440
<v Speaker 1>he was really into that too, So I wonder if

0:30:53.520 --> 0:30:55.360
<v Speaker 1>that's a little bit and your mom is seems like

0:30:55.800 --> 0:30:57.760
<v Speaker 1>I might be wrong, but when I've been around her,

0:30:57.760 --> 0:31:00.600
<v Speaker 1>she seems like a really kind of happy type person.

0:31:01.720 --> 0:31:04.160
<v Speaker 1>I mean, yeah, she she can go over some sadness,

0:31:04.680 --> 0:31:06.960
<v Speaker 1>but I don't think that she wallows in it in

0:31:07.000 --> 0:31:11.920
<v Speaker 1>the same way as I do. But yeah, it's funny

0:31:11.920 --> 0:31:15.920
<v Speaker 1>because my dad's work, a lot of his songs, and

0:31:16.000 --> 0:31:20.440
<v Speaker 1>some of his most amazing songs are about familial relationships

0:31:20.440 --> 0:31:23.080
<v Speaker 1>and families and stuff. And I don't know if you

0:31:23.080 --> 0:31:25.440
<v Speaker 1>ever saw a parenthood and it's certainly not his kind

0:31:25.440 --> 0:31:28.000
<v Speaker 1>of thing, but they do feel like it does it

0:31:28.080 --> 0:31:30.960
<v Speaker 1>does touch on some of the same things that he's

0:31:31.040 --> 0:31:35.880
<v Speaker 1>trying to say in his work, just the the difficulty

0:31:35.920 --> 0:31:40.680
<v Speaker 1>of your family and how and how much love there

0:31:40.760 --> 0:31:43.160
<v Speaker 1>is there, and how much pain there is there, and

0:31:43.200 --> 0:31:46.480
<v Speaker 1>how ridiculous everybody is. Yeah, and I thought that, like,

0:31:47.160 --> 0:31:48.640
<v Speaker 1>I mean, I love this movie, and I hadn't seen

0:31:48.680 --> 0:31:51.560
<v Speaker 1>it in a long time, and they really did a

0:31:51.560 --> 0:31:56.960
<v Speaker 1>great job of weaving together so many different storylines and

0:31:56.960 --> 0:31:59.640
<v Speaker 1>and it never came across like you know, they dealt

0:31:59.640 --> 0:32:04.560
<v Speaker 1>with like younger kids having sex and the youngest like

0:32:04.640 --> 0:32:09.200
<v Speaker 1>little Joaquin Phoenix having porn, and and interracial relationships and

0:32:09.560 --> 0:32:12.560
<v Speaker 1>growing old with someone and cheating and leaving someone, and

0:32:13.560 --> 0:32:16.880
<v Speaker 1>the Tom Holtz character disappointing someone, and then the Jason Robards.

0:32:16.880 --> 0:32:19.960
<v Speaker 1>There were so many different character types, but it never

0:32:20.000 --> 0:32:23.720
<v Speaker 1>felt like like, oh, you know, we're just putting this

0:32:23.800 --> 0:32:25.440
<v Speaker 1>in there because we had we don't have this kind

0:32:25.480 --> 0:32:29.160
<v Speaker 1>of character totally as it felt believable. I mean, it's

0:32:29.400 --> 0:32:31.320
<v Speaker 1>in the kind of genre that it is so not

0:32:31.400 --> 0:32:34.880
<v Speaker 1>like total realism, but just like but like, yeah, I

0:32:34.920 --> 0:32:37.920
<v Speaker 1>could see how these characters are a family and that's

0:32:37.920 --> 0:32:40.280
<v Speaker 1>on life, like it is real, Like you might have

0:32:40.320 --> 0:32:44.080
<v Speaker 1>one kid that is has some emotional issues and is

0:32:44.080 --> 0:32:46.480
<v Speaker 1>trying to work things out and another kid who's ramming

0:32:46.520 --> 0:32:49.080
<v Speaker 1>his head into the wall constantly, and their cousin might

0:32:49.120 --> 0:32:52.400
<v Speaker 1>be a little future minsum member. Like none of it

0:32:52.440 --> 0:32:55.400
<v Speaker 1>felt false totally. And that part where the little kid

0:32:55.440 --> 0:32:57.520
<v Speaker 1>is banging his head of against the wall is one

0:32:57.560 --> 0:32:59.360
<v Speaker 1>of the moments in the movie that I used to

0:32:59.400 --> 0:33:02.040
<v Speaker 1>reference love and I remember telling my mom like when

0:33:02.040 --> 0:33:04.360
<v Speaker 1>I was a little little kid, like it's so funny.

0:33:04.560 --> 0:33:06.600
<v Speaker 1>And then he's banging his hand on the wall, and

0:33:06.640 --> 0:33:09.520
<v Speaker 1>then and then the other kid says, looks at him

0:33:09.520 --> 0:33:12.240
<v Speaker 1>and says, and I'm the one in therapy. And I

0:33:12.240 --> 0:33:14.480
<v Speaker 1>remember my mom saying to me, why is it that

0:33:14.520 --> 0:33:17.640
<v Speaker 1>you think that's so funny? Like she was like trying

0:33:17.640 --> 0:33:21.880
<v Speaker 1>to find out what was wrong with me. I loved it.

0:33:21.920 --> 0:33:26.040
<v Speaker 1>And I love the grandmother's character and the moment when

0:33:26.080 --> 0:33:31.720
<v Speaker 1>she talks about her ups and downs. Yeah, I just

0:33:31.840 --> 0:33:33.960
<v Speaker 1>I love I love all of them. Well, And it

0:33:34.280 --> 0:33:37.120
<v Speaker 1>was a very sweet line when she talks about she

0:33:37.200 --> 0:33:40.000
<v Speaker 1>prefers the roller coaster to the merry go round but

0:33:40.880 --> 0:33:43.360
<v Speaker 1>and it was could have been like a surrupy, sweet

0:33:43.360 --> 0:33:46.160
<v Speaker 1>movie moment. But then right afterwards Steve Martin kind of

0:33:46.160 --> 0:33:48.640
<v Speaker 1>makes fun of it, and that really kind of takes

0:33:48.680 --> 0:33:50.560
<v Speaker 1>the piss out of it, I think totally, and like

0:33:50.640 --> 0:33:52.800
<v Speaker 1>the perfect way. If Grandma is so smart, why is

0:33:52.800 --> 0:33:56.960
<v Speaker 1>she sitting in the neighbor's car? Favorite And the line

0:33:57.000 --> 0:33:58.560
<v Speaker 1>with Kevin at the end when he said, and I'm

0:33:58.600 --> 0:34:01.239
<v Speaker 1>the one in therapy. It's a cute little line, but

0:34:01.760 --> 0:34:05.280
<v Speaker 1>what that means is that like it's showing him fully

0:34:05.280 --> 0:34:08.279
<v Speaker 1>coming around to sort of accepting and even making a

0:34:08.280 --> 0:34:11.399
<v Speaker 1>little joke that he's in therapy, which because you want

0:34:11.440 --> 0:34:13.960
<v Speaker 1>I mean, poor little Kevin, I know, And he loses

0:34:14.040 --> 0:34:18.360
<v Speaker 1>a retainer. That's one of the worst. That scene is

0:34:18.400 --> 0:34:21.839
<v Speaker 1>so hard, harrowing, where he that like, what are they

0:34:21.840 --> 0:34:24.520
<v Speaker 1>at Chucky Cheese or something like that, and he loses

0:34:24.560 --> 0:34:27.520
<v Speaker 1>his retainer and he flips out. It's like he's really

0:34:27.560 --> 0:34:33.080
<v Speaker 1>good when he's like, it's so like stressful, yeah, and

0:34:33.160 --> 0:34:35.960
<v Speaker 1>like and he's causing a scene and then the parents

0:34:35.960 --> 0:34:39.160
<v Speaker 1>are like Steve Martin's trying to stop the scene, and

0:34:39.560 --> 0:34:42.480
<v Speaker 1>it's just so real. Like I think everyone, even if

0:34:42.520 --> 0:34:44.319
<v Speaker 1>you don't have kids, you've been a kid and been

0:34:44.360 --> 0:34:47.560
<v Speaker 1>in families that like you've been in the situations. Yeah,

0:34:47.760 --> 0:34:50.720
<v Speaker 1>it was so sad. The kid was so great, Yeah,

0:34:50.960 --> 0:34:53.720
<v Speaker 1>so great. And even the kid in the very beginning

0:34:53.760 --> 0:34:57.400
<v Speaker 1>who plays young Steve Martin talking to the usher at

0:34:57.400 --> 0:35:03.439
<v Speaker 1>the baseball game, he's great. Yeah, They're all really good.

0:35:03.480 --> 0:35:07.120
<v Speaker 1>I feel like it shows it says a lot about relationships,

0:35:07.160 --> 0:35:12.600
<v Speaker 1>like how much room there is for total dysfunction in

0:35:12.640 --> 0:35:17.160
<v Speaker 1>the in the kind of affection of it. Yes, yeah,

0:35:17.280 --> 0:35:21.759
<v Speaker 1>And of course the Steve Martin's dad's character, man, he's

0:35:21.800 --> 0:35:24.759
<v Speaker 1>not very nice. No, but it was that was sort

0:35:24.760 --> 0:35:27.200
<v Speaker 1>of like necessary, you know, because those were a lot

0:35:27.239 --> 0:35:32.759
<v Speaker 1>of the dads or granddad's and Jason Robards is just mean. Yeah.

0:35:32.800 --> 0:35:34.680
<v Speaker 1>I was always such a big fan of his. Yeah,

0:35:34.960 --> 0:35:38.759
<v Speaker 1>so sad when he died. Um. And then the you know,

0:35:38.840 --> 0:35:42.399
<v Speaker 1>Tom Holtz is so good as the Black Sheep who

0:35:42.520 --> 0:35:45.000
<v Speaker 1>sort of one of my favorite parts of that he

0:35:45.080 --> 0:35:48.160
<v Speaker 1>actually is when the limo flies around the corner of

0:35:48.200 --> 0:35:50.600
<v Speaker 1>the Black Caddie or whatever and dumps him out and

0:35:50.680 --> 0:35:53.120
<v Speaker 1>he just gets up and he's like, oh, yeah, just

0:35:53.160 --> 0:35:56.720
<v Speaker 1>some friends just dropped me off. Jason Robarts like friends

0:35:56.800 --> 0:36:01.000
<v Speaker 1>usually stopped, slow down, even stopped. Yeah, that's such a

0:36:01.000 --> 0:36:04.239
<v Speaker 1>good moment. And then his kid cool, it's such the

0:36:04.280 --> 0:36:09.040
<v Speaker 1>saddest little boy, so cute. What was the stories the

0:36:09.080 --> 0:36:12.719
<v Speaker 1>mom shot somebody and had to leave town or something. Yeah, yeah,

0:36:12.760 --> 0:36:15.759
<v Speaker 1>because they were doing Elvis on Ice together. Yes, there's

0:36:15.760 --> 0:36:18.359
<v Speaker 1>so many dumb jokes, but like funny dumb jokes. Yeah,

0:36:18.520 --> 0:36:21.960
<v Speaker 1>really really funny. And and and then the Martha Plimpton

0:36:22.040 --> 0:36:27.680
<v Speaker 1>Kanu Reeves storyline is great. Two just the people in

0:36:27.760 --> 0:36:33.080
<v Speaker 1>the movie, every single person was like so compelling. The

0:36:33.160 --> 0:36:35.640
<v Speaker 1>cast is yeah, and they managed to juggle at all,

0:36:35.680 --> 0:36:38.000
<v Speaker 1>I think really well, like that was pretty daunting to

0:36:38.040 --> 0:36:42.759
<v Speaker 1>have that many characters and storylines. But yeah, their relationship

0:36:42.880 --> 0:36:46.960
<v Speaker 1>was just so real and teen angsty and like I'm

0:36:46.960 --> 0:36:51.040
<v Speaker 1>just so in love, you know, like it hurts there

0:36:51.080 --> 0:36:53.680
<v Speaker 1>and so in love and you know they're not gonna last.

0:36:53.719 --> 0:36:57.400
<v Speaker 1>And even at the end, Diane Wee is like give it.

0:36:58.400 --> 0:37:00.759
<v Speaker 1>I know. I love that about them. Movie. It's so

0:37:00.840 --> 0:37:03.839
<v Speaker 1>much gray area. Yeah, like it's so it could be

0:37:03.880 --> 0:37:06.480
<v Speaker 1>one of those movies that like everything ties up in

0:37:06.560 --> 0:37:10.600
<v Speaker 1>a yeah, but it isn't. Thank goodness, no, I mean

0:37:10.680 --> 0:37:14.600
<v Speaker 1>there were some satisfying resolutions like the babies, all the

0:37:14.600 --> 0:37:18.239
<v Speaker 1>babies that babies and well we'll get to the end

0:37:18.239 --> 0:37:21.880
<v Speaker 1>in a minute. But um, the Diane Wes character, I

0:37:21.920 --> 0:37:25.520
<v Speaker 1>love her, love love love her, and Mary Steen Virgin

0:37:25.640 --> 0:37:28.160
<v Speaker 1>like in real life, Like I just worship both of

0:37:28.160 --> 0:37:33.080
<v Speaker 1>them and the character Dane character to have and it

0:37:33.120 --> 0:37:36.560
<v Speaker 1>all comes around. But having these two children, especially Gary

0:37:36.719 --> 0:37:40.680
<v Speaker 1>the little Jokin, Like that's every parent's worst nightmare is

0:37:40.719 --> 0:37:45.399
<v Speaker 1>to lose your children, lose that connection to where there's

0:37:45.400 --> 0:37:48.920
<v Speaker 1>just nothing there. And I hadn't seen that movie since

0:37:48.960 --> 0:37:51.319
<v Speaker 1>I had a kid at all, And that's like that's

0:37:51.320 --> 0:37:54.000
<v Speaker 1>my worst nightmares, so not like having my little buddy

0:37:54.200 --> 0:37:56.839
<v Speaker 1>like forever, and for there to be a time where

0:37:56.880 --> 0:37:59.400
<v Speaker 1>she's like, I have anything to do with you, and

0:37:59.440 --> 0:38:01.200
<v Speaker 1>I'm just like, I can't even think about that. I

0:38:01.239 --> 0:38:05.839
<v Speaker 1>get like sad. And even his his character is not

0:38:07.320 --> 0:38:11.720
<v Speaker 1>that straight up like I'm a teenager whatever. Mom. He's

0:38:11.800 --> 0:38:14.600
<v Speaker 1>sadder than that. He's so much sadder than that, and

0:38:14.719 --> 0:38:17.440
<v Speaker 1>so much lonelier than that. And when he comes to

0:38:17.560 --> 0:38:21.399
<v Speaker 1>life and and is happier and Kianu reeves cuts his hair,

0:38:22.040 --> 0:38:24.439
<v Speaker 1>she cuts his hair, and they all they all want

0:38:24.440 --> 0:38:27.239
<v Speaker 1>to get their hair cut or whatever, and he smiles

0:38:27.280 --> 0:38:29.560
<v Speaker 1>for the first time. It was so great. Yeah, because

0:38:29.640 --> 0:38:31.719
<v Speaker 1>I mean he's sad because he's a kid of a

0:38:31.719 --> 0:38:35.240
<v Speaker 1>broken family and has a father that doesn't want anything

0:38:35.239 --> 0:38:37.520
<v Speaker 1>to do with him. Yeah, so that's like how that's

0:38:37.520 --> 0:38:42.480
<v Speaker 1>how kids react. It's just so real. Again, good, I

0:38:42.600 --> 0:38:45.440
<v Speaker 1>love all of them. What are some of your and

0:38:45.560 --> 0:38:48.279
<v Speaker 1>Rick Moran's I forgot, Oh my gosh, that whole part

0:38:48.360 --> 0:38:52.280
<v Speaker 1>two where they've got the little girl who's yeah smart

0:38:53.040 --> 0:38:58.520
<v Speaker 1>or something trained. And I love the moment when he

0:38:58.840 --> 0:39:00.840
<v Speaker 1>wants to get back together with his wife and he

0:39:00.880 --> 0:39:03.280
<v Speaker 1>comes into the classroom and she's teaching and he sings

0:39:03.320 --> 0:39:08.640
<v Speaker 1>to That's very sweet. Yeah, there's so many awkward, uncomfortable

0:39:08.760 --> 0:39:12.160
<v Speaker 1>moments too, like when the black Sheep brother comes in

0:39:12.880 --> 0:39:16.399
<v Speaker 1>comes home and they're all sort of like hey, yeah, yeah,

0:39:16.760 --> 0:39:18.759
<v Speaker 1>and you can just feel like you know it right

0:39:18.800 --> 0:39:22.080
<v Speaker 1>away exactly what the whole situation, how the mom feels,

0:39:22.080 --> 0:39:25.759
<v Speaker 1>how the dad feels, how the siblings feel. I love it. Yeah,

0:39:25.800 --> 0:39:27.920
<v Speaker 1>And I think everyone's been in situations like that in

0:39:27.960 --> 0:39:31.360
<v Speaker 1>their own families, whether it's the weird cousin who shows

0:39:31.440 --> 0:39:34.799
<v Speaker 1>up and everyone, you know, it's just like okay, yeah,

0:39:35.040 --> 0:39:36.399
<v Speaker 1>but then you get a little older and the weird

0:39:36.440 --> 0:39:39.960
<v Speaker 1>cousins probably normal, yeah, you know, although Tom holds him

0:39:39.960 --> 0:39:41.759
<v Speaker 1>he had a gambling probably yeah he did. He was

0:39:41.840 --> 0:39:46.920
<v Speaker 1>having a yeah right, Because then of course the dad

0:39:47.000 --> 0:39:50.640
<v Speaker 1>has told, uh, Steve Martin he never should have had

0:39:50.680 --> 0:39:54.680
<v Speaker 1>four kids, sne was tough. And then Steve Martin knows

0:39:54.719 --> 0:39:59.959
<v Speaker 1>that his wife is pregnant with their fourth child. Yeah, done,

0:40:00.040 --> 0:40:03.160
<v Speaker 1>done done. I made a note because at the very beginning,

0:40:03.160 --> 0:40:06.520
<v Speaker 1>when with young gil Um that seems really funny, but

0:40:06.560 --> 0:40:09.359
<v Speaker 1>he says something about I'm thirty five now and I'm

0:40:09.440 --> 0:40:13.080
<v Speaker 1>forty seven, and I was just like, oh my god,

0:40:13.320 --> 0:40:16.520
<v Speaker 1>twelve years older than this character. Me too, I had

0:40:16.560 --> 0:40:19.759
<v Speaker 1>the same thought. I was like, wait a minute, yeah,

0:40:19.800 --> 0:40:23.840
<v Speaker 1>I thought he was like grown up googling ages. Was like,

0:40:23.880 --> 0:40:26.840
<v Speaker 1>how old was Steve Martin when he played? I didn't,

0:40:26.880 --> 0:40:29.400
<v Speaker 1>I didn't find out, but he was probably younger than me.

0:40:30.080 --> 0:40:32.960
<v Speaker 1>Like he went gray super early, so he was gray

0:40:33.000 --> 0:40:35.719
<v Speaker 1>in his like twenties, So he's not the best, you know,

0:40:35.840 --> 0:40:38.120
<v Speaker 1>person to look at, right. I was alarmed by that

0:40:38.160 --> 0:40:40.680
<v Speaker 1>moment as well, the age moment. And I also learned

0:40:40.719 --> 0:40:42.879
<v Speaker 1>a new word when I was a kid, that word

0:40:42.920 --> 0:40:46.480
<v Speaker 1>amalgolm that he explains, Oh yeah, he said, gone on

0:40:46.600 --> 0:40:48.560
<v Speaker 1>to like every time I've ever said that word, I've

0:40:48.560 --> 0:40:54.000
<v Speaker 1>thought of that scene that was really funny. Um. I

0:40:54.000 --> 0:40:56.040
<v Speaker 1>had a couple of favorite lines picked out here too.

0:40:56.920 --> 0:41:04.239
<v Speaker 1>Um Oh when when Diane Weese finds the naked pictures

0:41:05.080 --> 0:41:08.839
<v Speaker 1>and and she says, Martha goes, it's just for fun, mom,

0:41:08.880 --> 0:41:10.600
<v Speaker 1>and she says, well, I'm glad it's not a job.

0:41:12.440 --> 0:41:14.680
<v Speaker 1>That scene where she's looking at the naked pictures and

0:41:14.800 --> 0:41:20.200
<v Speaker 1>reacting like, oh, this one's for the fridge, really really good. Yeah,

0:41:20.360 --> 0:41:22.160
<v Speaker 1>and then she goes, oh, here's one for my wallet.

0:41:22.239 --> 0:41:25.880
<v Speaker 1>Later on to man, it's so funny. How old is

0:41:25.920 --> 0:41:27.320
<v Speaker 1>she supposed to be in that? Are they supposed to

0:41:27.320 --> 0:41:30.000
<v Speaker 1>be teenagers? I guess, so she must be supposed to

0:41:30.040 --> 0:41:32.399
<v Speaker 1>be like seventeen or sixteen. Yeah, it's kind of hard

0:41:32.440 --> 0:41:34.800
<v Speaker 1>to tell. Her hair was so bad at the beginning

0:41:34.840 --> 0:41:40.120
<v Speaker 1>of she was so young and uh great, I mean

0:41:40.160 --> 0:41:44.279
<v Speaker 1>I just thought she was great in this, and I

0:41:44.280 --> 0:41:47.760
<v Speaker 1>mean it's only a few years after Goon. He's really yeah,

0:41:48.040 --> 0:41:50.040
<v Speaker 1>you know, that was probably eighty five or something. I

0:41:50.080 --> 0:41:54.839
<v Speaker 1>have to confess I've never seen that. What no, oh

0:41:54.920 --> 0:41:57.799
<v Speaker 1>my lord, I know, how did you manage to miss

0:41:57.840 --> 0:42:01.200
<v Speaker 1>that one? You know, I have some weird cultural gaps

0:42:01.520 --> 0:42:10.000
<v Speaker 1>in my past. Example, I never saw Star Wars. I

0:42:10.040 --> 0:42:17.120
<v Speaker 1>never saw Keep Going Dirty Dancing. Okay, well, my mom

0:42:17.280 --> 0:42:19.640
<v Speaker 1>says e t was the first movie she ever took

0:42:19.680 --> 0:42:21.520
<v Speaker 1>me to in the theater. But I looked up when

0:42:21.520 --> 0:42:24.680
<v Speaker 1>it came out, and that seems impossible that you saw.

0:42:25.200 --> 0:42:27.160
<v Speaker 1>I mean, I was six months old when it came out.

0:42:27.239 --> 0:42:29.080
<v Speaker 1>I can't imagine that she took me to it, but

0:42:29.200 --> 0:42:31.200
<v Speaker 1>maybe she did. Who knows. Well. I think they may

0:42:31.239 --> 0:42:33.239
<v Speaker 1>have done it like a rerelease of that too, So yeah,

0:42:33.320 --> 0:42:35.319
<v Speaker 1>that's maybe it. Ran for a while. So you didn't

0:42:35.360 --> 0:42:39.160
<v Speaker 1>see dirty Dancing, didn't see Star Wars, didn't what else?

0:42:39.480 --> 0:42:43.800
<v Speaker 1>What other piggies can you think of? I didn't see.

0:42:44.760 --> 0:42:47.400
<v Speaker 1>This happens all the time where things come up and

0:42:47.440 --> 0:42:50.480
<v Speaker 1>everybody in the room record scratches and looks at me like,

0:42:50.520 --> 0:42:55.000
<v Speaker 1>what's wrong with you? Where have you been? Um? Gosh,

0:42:55.000 --> 0:42:57.600
<v Speaker 1>now I'm blanking on. It's hard to remember things you

0:42:57.680 --> 0:43:01.080
<v Speaker 1>haven't experienced. Sometimes the you know, it's not too late.

0:43:01.640 --> 0:43:08.319
<v Speaker 1>I guess favorite movie, come over something the next time

0:43:08.320 --> 0:43:10.279
<v Speaker 1>you come to Atlanta, will have a good side. Yeah,

0:43:10.320 --> 0:43:12.840
<v Speaker 1>I know that. People. I've learned to kind of cover

0:43:13.640 --> 0:43:16.040
<v Speaker 1>for my cultural gaps, so like I've kind of like

0:43:16.120 --> 0:43:19.120
<v Speaker 1>gotten some yeah, some of the Star Wars lingo. Like

0:43:19.160 --> 0:43:21.160
<v Speaker 1>I'm like, okay, they're talking about Star Wars. In fact,

0:43:21.200 --> 0:43:26.200
<v Speaker 1>I had like a I had like a weird quasi

0:43:26.360 --> 0:43:34.200
<v Speaker 1>romantic interaction once that was over Instagram message and I

0:43:34.280 --> 0:43:37.560
<v Speaker 1>was really thrown off by one of the person's responses

0:43:37.880 --> 0:43:40.960
<v Speaker 1>to something. And then I showed it to someone else

0:43:41.200 --> 0:43:44.680
<v Speaker 1>after I had responded like cluelessly like I don't know,

0:43:44.760 --> 0:43:50.440
<v Speaker 1>like this person, I forget what it was exactly it was. Oh,

0:43:50.800 --> 0:43:58.000
<v Speaker 1>I said something like you're my favorite and the person

0:43:58.120 --> 0:44:03.799
<v Speaker 1>said I know, and I was like what, this is

0:44:03.800 --> 0:44:06.399
<v Speaker 1>so confusing, And then I showed it to someone else

0:44:06.400 --> 0:44:08.759
<v Speaker 1>and they're like, that's a Star Wars reference. I know

0:44:09.120 --> 0:44:14.040
<v Speaker 1>because I know, So I like, I have to brush

0:44:14.160 --> 0:44:16.000
<v Speaker 1>up on my things because you never know when somebody

0:44:16.080 --> 0:44:19.160
<v Speaker 1>might be like making I'm not obscure, but like that

0:44:19.600 --> 0:44:21.759
<v Speaker 1>didn't even jump to my mind immediately. That makes me

0:44:21.800 --> 0:44:23.680
<v Speaker 1>feel better. Did you see have you seen none of

0:44:23.680 --> 0:44:26.400
<v Speaker 1>the Star Wars is ever? No, none ever? You know,

0:44:26.520 --> 0:44:28.120
<v Speaker 1>I'm going to give you a pass on that because

0:44:28.560 --> 0:44:31.319
<v Speaker 1>that insurprised me. You're not you wouldn't. That's not your thing?

0:44:31.719 --> 0:44:33.640
<v Speaker 1>Probably not. I mean, do they have a lot of

0:44:33.680 --> 0:44:40.440
<v Speaker 1>familial angst? Well? Yeah, okay, so I might like, but

0:44:40.480 --> 0:44:43.120
<v Speaker 1>actually there is a lot of familiar lines. Um I

0:44:43.239 --> 0:44:45.880
<v Speaker 1>had another really funny line into her. I like the

0:44:45.920 --> 0:44:50.560
<v Speaker 1>bart Win Patty the little girl. Um Rick Morani's kid

0:44:50.680 --> 0:44:53.760
<v Speaker 1>is looking at the flash cards that have the dots

0:44:53.800 --> 0:44:56.680
<v Speaker 1>on them, and she the square rut of some crazy

0:44:56.760 --> 0:45:00.360
<v Speaker 1>numbers and then his kid, uh, Steve Martin's could except

0:45:00.360 --> 0:45:03.440
<v Speaker 1>the cardboard thing and and they're like, see, you know,

0:45:03.520 --> 0:45:05.200
<v Speaker 1>he could be just as smart, And then they cut

0:45:05.200 --> 0:45:10.640
<v Speaker 1>back to the kidneys eating and Martin. Martin says, slow down,

0:45:10.680 --> 0:45:14.720
<v Speaker 1>justin I'll get you some dips. Yeah. Well, he always

0:45:14.719 --> 0:45:17.759
<v Speaker 1>handles it so well, like you can tell it like

0:45:17.880 --> 0:45:21.319
<v Speaker 1>behind the scenes with his wife, he kind of lets

0:45:21.320 --> 0:45:23.680
<v Speaker 1>out how much some of that stuff bothers him, but

0:45:23.800 --> 0:45:27.439
<v Speaker 1>he doesn't let his brother in law see that, which

0:45:27.480 --> 0:45:32.279
<v Speaker 1>is good. Yeah, and they there was it's hard to

0:45:32.320 --> 0:45:36.640
<v Speaker 1>have kids in movies, yea, and it can go really wrong, Yeah,

0:45:36.680 --> 0:45:40.120
<v Speaker 1>if they're too acting. In precoc they totally pulled it off.

0:45:40.160 --> 0:45:42.520
<v Speaker 1>I feel like with these kids, the set of kids,

0:45:42.680 --> 0:45:46.120
<v Speaker 1>yeah for real. Yeah, And I mean a couple of

0:45:46.160 --> 0:45:49.280
<v Speaker 1>the best scenes in the movie to me that even

0:45:49.400 --> 0:45:51.600
<v Speaker 1>like you have a cold dead heart. If you don't,

0:45:52.200 --> 0:45:55.520
<v Speaker 1>you can't watch the cowboy Gil scene and not like

0:45:55.960 --> 0:45:58.400
<v Speaker 1>just smile from ear to ear totally, it's one of

0:45:58.440 --> 0:46:02.200
<v Speaker 1>the great movie scenes totally, you know. And again like

0:46:02.320 --> 0:46:05.600
<v Speaker 1>the retainer scene, it's so awful. Yeah, when when it

0:46:05.640 --> 0:46:08.319
<v Speaker 1>looks like it's going wrong and the kid's birthday party

0:46:08.400 --> 0:46:10.759
<v Speaker 1>is going wrong, and it's like, oh no, this is

0:46:10.800 --> 0:46:13.400
<v Speaker 1>not what Kevin needs right now, not what he means. No,

0:46:13.719 --> 0:46:16.480
<v Speaker 1>and then it doesn't seem like there's any way that

0:46:16.520 --> 0:46:19.640
<v Speaker 1>Steve Martin could possibly face it. But he does, and

0:46:20.160 --> 0:46:23.240
<v Speaker 1>but not again, not in like a you know beyond

0:46:23.320 --> 0:46:26.800
<v Speaker 1>it's it's ridiculous enough that it's totally like, yeah, okay,

0:46:26.840 --> 0:46:28.839
<v Speaker 1>I'm with you. Yeah. The way it plays out too,

0:46:29.000 --> 0:46:30.680
<v Speaker 1>they do. I think they were smart enough to where

0:46:31.080 --> 0:46:33.400
<v Speaker 1>he didn't rush out there and everyone was like yeah,

0:46:34.160 --> 0:46:37.200
<v Speaker 1>like he had to win them, and he started off

0:46:37.239 --> 0:46:39.959
<v Speaker 1>and they're like, this is lame. Yeah, he talks about

0:46:40.000 --> 0:46:42.680
<v Speaker 1>the bullet hole being bigger and bigger, and then he's like, wait,

0:46:42.680 --> 0:46:45.320
<v Speaker 1>these are kids, and he talks about slipping around in

0:46:45.360 --> 0:46:49.000
<v Speaker 1>the guts and like and then they're like, yeah, yeah,

0:46:49.040 --> 0:46:51.160
<v Speaker 1>it's so good. Yeah, in the riding way and the

0:46:51.200 --> 0:46:53.640
<v Speaker 1>horse and falling off it was and then popping back

0:46:53.760 --> 0:46:56.680
<v Speaker 1>up over the hedge. It's just like such a great moment.

0:46:56.920 --> 0:47:00.279
<v Speaker 1>And then even afterwards when he's talking to his life

0:47:00.280 --> 0:47:05.440
<v Speaker 1>about it, and it hasn't it hasn't like quinged his

0:47:05.520 --> 0:47:11.640
<v Speaker 1>worry about anything. It's like, but what next the next Kevin,

0:47:11.680 --> 0:47:12.879
<v Speaker 1>Like what are we going to do? And I think

0:47:12.920 --> 0:47:19.000
<v Speaker 1>that's what it's like to be grown up. Yeah, I'm

0:47:19.040 --> 0:47:23.359
<v Speaker 1>a ray of sunshine. What can I say? You know?

0:47:23.560 --> 0:47:26.640
<v Speaker 1>Like just he just is like he's like, yeah, I

0:47:26.680 --> 0:47:28.440
<v Speaker 1>did that and it went well, but like, what are

0:47:28.440 --> 0:47:29.960
<v Speaker 1>we going to do for these kids? And they're not

0:47:30.080 --> 0:47:32.640
<v Speaker 1>going to make sure that they're okay? And it's like

0:47:32.680 --> 0:47:36.439
<v Speaker 1>happiness is fleeting, Sadness is Forever. Yeah, totally. I want

0:47:36.440 --> 0:47:39.000
<v Speaker 1>a T shirt that says that would be pretty good.

0:47:39.560 --> 0:47:41.759
<v Speaker 1>It sounds like the name of a Lucy Wayne Right album. Yeah,

0:47:41.760 --> 0:47:45.600
<v Speaker 1>it could just be even called Sadness is Forever. That's

0:47:45.600 --> 0:47:47.759
<v Speaker 1>pretty good. Yeah, I like it. Uh. And then the

0:47:47.760 --> 0:47:50.399
<v Speaker 1>other scene too that like, again, you have a cold

0:47:50.400 --> 0:47:52.400
<v Speaker 1>dead heart if you're not like at least a little

0:47:52.400 --> 0:47:56.480
<v Speaker 1>teary eyed. Is the baseball scene when Kevin finally like

0:47:56.560 --> 0:48:00.800
<v Speaker 1>catches that ball. Yeah, and Steven three actually as goofy

0:48:00.880 --> 0:48:04.400
<v Speaker 1>as he is. It's so great. That little movie he

0:48:04.440 --> 0:48:09.439
<v Speaker 1>does is just like no one does that. It's so good. Yeah,

0:48:09.960 --> 0:48:13.440
<v Speaker 1>and I love there are so many For some reason,

0:48:13.560 --> 0:48:17.200
<v Speaker 1>it's it's funny and like genuinely funny enough to get

0:48:17.200 --> 0:48:20.959
<v Speaker 1>away with the cheesiness of it, like where things go right. Yeah,

0:48:21.280 --> 0:48:25.600
<v Speaker 1>And like when Diane Wee's character has that boyfriend biology

0:48:25.640 --> 0:48:29.120
<v Speaker 1>teacher and she says she peeed in the field that

0:48:29.200 --> 0:48:34.319
<v Speaker 1>would stop, Like just the moments where people get when

0:48:34.360 --> 0:48:39.320
<v Speaker 1>something goes right, are totally enjoyable because it's not because

0:48:39.320 --> 0:48:42.160
<v Speaker 1>it's also like everything is sad and novel. Yeah, and

0:48:42.160 --> 0:48:45.480
<v Speaker 1>and you need sort of like sometimes you need to

0:48:45.480 --> 0:48:48.319
<v Speaker 1>see something kind of sugary sweet like that, you know,

0:48:49.360 --> 0:48:52.520
<v Speaker 1>because it is rough in real I r L. Yeah.

0:48:54.040 --> 0:48:57.880
<v Speaker 1>I wonder if people generally experience this movie as like

0:48:59.800 --> 0:49:02.680
<v Speaker 1>as sad as I do. Like, I mean, it's not.

0:49:02.880 --> 0:49:05.600
<v Speaker 1>I also think it's funny. But the reason I love

0:49:05.640 --> 0:49:08.040
<v Speaker 1>it is because it has sort of like an undercurrent

0:49:08.120 --> 0:49:10.560
<v Speaker 1>of and now I totally agree, and I think a

0:49:10.560 --> 0:49:14.319
<v Speaker 1>lot of people may not. Like I think when people think, oh, parenthood,

0:49:15.080 --> 0:49:19.960
<v Speaker 1>they remember Cowboy Go and hitting the head on the

0:49:19.960 --> 0:49:21.840
<v Speaker 1>the kid ramming his head into things and all the

0:49:21.880 --> 0:49:24.680
<v Speaker 1>sort of kind of silly jokes and not like all

0:49:24.719 --> 0:49:28.799
<v Speaker 1>the pathos underneath all these characters. Yeah, I think it's

0:49:29.360 --> 0:49:32.040
<v Speaker 1>it says something that I loved that movie as a kid,

0:49:32.080 --> 0:49:34.320
<v Speaker 1>but when I watched as an adult so I'm thirty

0:49:34.320 --> 0:49:40.120
<v Speaker 1>six now, and I I felt like, yeah, they're they're

0:49:40.160 --> 0:49:44.680
<v Speaker 1>totally hitting on like adult stuff. Also, like it wasn't

0:49:44.719 --> 0:49:47.400
<v Speaker 1>like I was like, oh my god, like I thought,

0:49:47.400 --> 0:49:52.040
<v Speaker 1>like it's a I totally get what they're getting at um.

0:49:52.040 --> 0:49:55.840
<v Speaker 1>When Royal Tannon Bombs came out, another one of my

0:49:55.840 --> 0:50:04.120
<v Speaker 1>favorite family family movies, family depiction movies. Haven't seen it, Lucy,

0:50:05.200 --> 0:50:08.200
<v Speaker 1>really nope. Have you ever seen a Wes Anderson movie?

0:50:11.480 --> 0:50:16.240
<v Speaker 1>I'm not sure your treasure. Try me on some others.

0:50:16.640 --> 0:50:23.840
<v Speaker 1>Just the best Rushmore No, uh, Royal Tanning Bombs, Bottle

0:50:23.920 --> 0:50:29.560
<v Speaker 1>Rocket like Aquatic darg Darjiling Limited. I'm going to go

0:50:29.640 --> 0:50:35.520
<v Speaker 1>with no. Across the board. What was the one with

0:50:35.600 --> 0:50:37.719
<v Speaker 1>the You haven't seen any of them? Maybe you don't

0:50:37.719 --> 0:50:40.520
<v Speaker 1>think so? All right, you'd like it, You'd like Royal

0:50:40.560 --> 0:50:44.520
<v Speaker 1>Tannon Bombs. It's another good movie about families that has

0:50:44.520 --> 0:50:49.080
<v Speaker 1>a sad underbelly for sure. And the log line for

0:50:49.120 --> 0:50:50.920
<v Speaker 1>that movie or maybe it was on the poster or

0:50:50.960 --> 0:50:53.360
<v Speaker 1>something I'll never forget. It was so good. It was

0:50:53.719 --> 0:50:56.200
<v Speaker 1>family isn't a word, It's a sentence. And I was

0:50:56.239 --> 0:51:01.520
<v Speaker 1>like a man, Yeah, that's deep. That's the real deal. God,

0:51:02.640 --> 0:51:05.520
<v Speaker 1>I haven't seen Royal Fantom Bombs or any Wes Anderson

0:51:05.600 --> 0:51:09.160
<v Speaker 1>movie at all. Yeah. We've only just begun to scratch

0:51:09.200 --> 0:51:13.200
<v Speaker 1>the surface of what's missing from my consciousness. You know

0:51:13.239 --> 0:51:16.240
<v Speaker 1>what's funny is my I have the little mini episodes

0:51:16.280 --> 0:51:18.440
<v Speaker 1>to do on Monday with my co host Noel, who

0:51:18.520 --> 0:51:22.200
<v Speaker 1>was usually over there, and I make fun of him

0:51:22.200 --> 0:51:24.200
<v Speaker 1>all the time for the things he hasn't seen. So

0:51:24.239 --> 0:51:27.480
<v Speaker 1>I did a little game called Knowles Holes where I

0:51:27.560 --> 0:51:30.960
<v Speaker 1>picked like twenty movies from across a range of generations

0:51:31.000 --> 0:51:35.719
<v Speaker 1>and but all really popular, and he kind of got

0:51:35.960 --> 0:51:37.920
<v Speaker 1>piste off about it, which is kind of funny. But

0:51:38.040 --> 0:51:42.120
<v Speaker 1>I think he saw eleven out of the twenty because

0:51:42.239 --> 0:51:45.279
<v Speaker 1>we had a bet that it would be over under,

0:51:45.600 --> 0:51:48.040
<v Speaker 1>so he just eked by, just eaked by. I could

0:51:48.080 --> 0:51:51.799
<v Speaker 1>probably do really well slashed poorly at Knowles Holes if

0:51:51.800 --> 0:51:53.400
<v Speaker 1>you played it with me. I just thought of another

0:51:53.400 --> 0:51:57.600
<v Speaker 1>one Titanic I didn't see that. Or Romeo and Juliet

0:51:57.640 --> 0:52:00.480
<v Speaker 1>with Claire Danes. I didn't see that either. You can

0:52:00.520 --> 0:52:02.920
<v Speaker 1>get a pass on that one Titanic that was just

0:52:03.080 --> 0:52:08.160
<v Speaker 1>so like big. It's hard to imagine you avoiding that. Well.

0:52:08.360 --> 0:52:11.680
<v Speaker 1>Romeo and Juliet when I was in high school, was

0:52:11.760 --> 0:52:16.920
<v Speaker 1>like that all of the girls had seen. Yah. I

0:52:16.960 --> 0:52:20.360
<v Speaker 1>should have seen, but I don't know what happened. But

0:52:20.440 --> 0:52:23.439
<v Speaker 1>you've probably seen the seventies or the sixties version, right.

0:52:24.080 --> 0:52:30.319
<v Speaker 1>I bet Romeo and Juliet. Maybe no, basually show that

0:52:30.360 --> 0:52:33.879
<v Speaker 1>to school. I was too busy watching thirty something right

0:52:34.040 --> 0:52:36.759
<v Speaker 1>over and over, over and over, or Parenthood over and ever.

0:52:37.680 --> 0:52:39.919
<v Speaker 1>Let me see what else I have here. I think

0:52:39.960 --> 0:52:44.560
<v Speaker 1>that's it, Grandma with the helium tank. I mean, it's

0:52:44.600 --> 0:52:47.520
<v Speaker 1>so goofy, but like, why not, she's so good? She

0:52:47.640 --> 0:52:52.439
<v Speaker 1>was wonderful. Um, you got anything else on Parenthood? Well,

0:52:52.560 --> 0:52:55.040
<v Speaker 1>we didn't talk about the end. End. Really, we danced

0:52:55.040 --> 0:52:58.600
<v Speaker 1>around it. That great bit of misdirection when the baby

0:52:58.719 --> 0:53:03.680
<v Speaker 1>scene you think it's Mary Steen Virgin and then you think, well, no,

0:53:03.840 --> 0:53:07.520
<v Speaker 1>maybe it was Martha. Yeah. But then the big reveal,

0:53:07.840 --> 0:53:12.439
<v Speaker 1>I know, right, it's a latent life. Yes, baby from

0:53:12.440 --> 0:53:15.839
<v Speaker 1>the biology teacher and Diane. We know it's pretty good.

0:53:16.040 --> 0:53:21.400
<v Speaker 1>It's great. It's their babies and it's just kids and

0:53:21.440 --> 0:53:25.200
<v Speaker 1>babies everywhere, and that's a really wonderful. I'm still totally

0:53:25.280 --> 0:53:28.400
<v Speaker 1>sold on that. I think that was my idea of

0:53:28.960 --> 0:53:32.279
<v Speaker 1>every movie, every happy movie. I know that, like Shakespeare's

0:53:32.280 --> 0:53:34.279
<v Speaker 1>supposed to end with a wedding. Yeah, I don't care

0:53:34.320 --> 0:53:38.000
<v Speaker 1>about that. How about a bunch of babies. That seems good.

0:53:39.160 --> 0:53:41.920
<v Speaker 1>I miss having a baby, yeah, And I get why

0:53:42.000 --> 0:53:45.560
<v Speaker 1>people have more babies because you miss babies and you

0:53:45.560 --> 0:53:47.120
<v Speaker 1>get a little bit out of it and you're like,

0:53:47.320 --> 0:53:49.000
<v Speaker 1>have a whatever three year old you're like, oh man,

0:53:49.040 --> 0:53:51.640
<v Speaker 1>I miss babies. Yeah totally, And I have to stop

0:53:51.680 --> 0:53:55.160
<v Speaker 1>myself when I see babies from touching them. Yeah, because

0:53:55.200 --> 0:53:58.960
<v Speaker 1>you up, yeah, you should not do that. But I

0:53:59.160 --> 0:54:02.000
<v Speaker 1>want to have like hat that says I'm a dad.

0:54:02.680 --> 0:54:05.439
<v Speaker 1>I like babies. I'm not a creek. Right. Well, when

0:54:05.440 --> 0:54:08.080
<v Speaker 1>I was like, to your baby's foot exactly when I

0:54:08.120 --> 0:54:09.600
<v Speaker 1>was a kid, I could get away with that. I

0:54:09.960 --> 0:54:11.920
<v Speaker 1>sometimes that my mom shows. I would go out in

0:54:11.960 --> 0:54:14.600
<v Speaker 1>the audience and if somebody had a baby, I would

0:54:14.640 --> 0:54:17.040
<v Speaker 1>like hang out with them and get them to give

0:54:17.080 --> 0:54:20.000
<v Speaker 1>me the baby. So then I'd walk around the whole

0:54:20.080 --> 0:54:21.880
<v Speaker 1>night with the baby. It was like a thing that

0:54:21.920 --> 0:54:23.359
<v Speaker 1>I used to do. But it doesn't work when you're

0:54:23.360 --> 0:54:26.120
<v Speaker 1>an adult. It seems dangerous and scary. When you're an adult,

0:54:26.200 --> 0:54:29.080
<v Speaker 1>you can get away with it. You're a lady. You

0:54:29.120 --> 0:54:32.839
<v Speaker 1>got a sweet face. You have to be real, real careful. Yeah,

0:54:32.920 --> 0:54:39.960
<v Speaker 1>well true, but it's not bring up there like people run. Well,

0:54:40.000 --> 0:54:45.399
<v Speaker 1>if I had a baby, I'd let you touch it. Okay, Yeah,

0:54:45.560 --> 0:54:48.839
<v Speaker 1>how miss those babies? They're fine? And people that hate

0:54:48.920 --> 0:54:51.200
<v Speaker 1>kids and babies. I mean, I get it, it's if

0:54:51.200 --> 0:54:54.480
<v Speaker 1>that's your thing. Yeah, but like I'm always like you

0:54:54.560 --> 0:54:57.359
<v Speaker 1>were a kid once. Yeah, I mean they're annoying but

0:54:57.400 --> 0:55:00.680
<v Speaker 1>they're but they're also great. Yeah. Mean, it's it's a

0:55:00.760 --> 0:55:04.160
<v Speaker 1>challenge to be sure. And um, you know, maybe I

0:55:04.160 --> 0:55:06.439
<v Speaker 1>didn't love everyone else's kid before I had a kid.

0:55:07.280 --> 0:55:10.080
<v Speaker 1>So maybe that's part of the endlessly interesting I think,

0:55:10.120 --> 0:55:12.120
<v Speaker 1>and I used to when I was a teacher. I

0:55:12.120 --> 0:55:14.919
<v Speaker 1>think that's part of what's so magical about that job,

0:55:15.040 --> 0:55:17.560
<v Speaker 1>is just the array of people that you're dealing with

0:55:17.600 --> 0:55:21.520
<v Speaker 1>in that intimate way. These a class full of people

0:55:21.520 --> 0:55:27.840
<v Speaker 1>who are just so fully themselves. Yeah, and there's no um,

0:55:27.880 --> 0:55:30.919
<v Speaker 1>I don't know all the correct psychological terms, but there's

0:55:30.960 --> 0:55:37.080
<v Speaker 1>just no pretension about anything. It's just raw human beings

0:55:37.160 --> 0:55:42.279
<v Speaker 1>and raw human nature and personality before they know, you know,

0:55:42.760 --> 0:55:46.319
<v Speaker 1>it's it's what sucks is is to see little bits

0:55:46.360 --> 0:55:49.320
<v Speaker 1>of innocence being lost along the way. It's the saddest

0:55:49.360 --> 0:55:53.160
<v Speaker 1>thing to see, like even little things like the first

0:55:53.280 --> 0:55:57.879
<v Speaker 1>up true upsets. And that's the worst thing is they

0:55:57.880 --> 0:56:03.040
<v Speaker 1>go from these perfect little pure beings and then he

0:56:03.160 --> 0:56:05.760
<v Speaker 1>just gets chipped away as you grow older and older.

0:56:06.760 --> 0:56:13.160
<v Speaker 1>That's the log line of parenthood. Yea, and yeah, I

0:56:13.200 --> 0:56:16.200
<v Speaker 1>was putting my niece to bed a couple of years ago,

0:56:16.280 --> 0:56:18.399
<v Speaker 1>and I don't see her that much because she lives

0:56:18.400 --> 0:56:20.799
<v Speaker 1>in l a And I live in New York. And

0:56:20.840 --> 0:56:24.040
<v Speaker 1>so she was milking. You know, I'd read like twelve books,

0:56:24.440 --> 0:56:29.120
<v Speaker 1>sung a bunch of songs, sparently totally I have terrible boundaries,

0:56:29.200 --> 0:56:32.880
<v Speaker 1>and so she was really getting a lot for her money.

0:56:32.920 --> 0:56:37.000
<v Speaker 1>And so I finally said, like, hey, why don't you

0:56:38.040 --> 0:56:41.040
<v Speaker 1>sing yourself a song. I'm just going to go out

0:56:41.080 --> 0:56:43.000
<v Speaker 1>in the other room with the adults good night. And

0:56:43.080 --> 0:56:46.160
<v Speaker 1>she said, fine, but I'm going to sing a song

0:56:46.200 --> 0:56:51.760
<v Speaker 1>about a sad human. I was like, yeah, well, welcome

0:56:51.800 --> 0:56:55.760
<v Speaker 1>to the family. What we do here? Seeing you tomorrow?

0:56:55.960 --> 0:56:58.520
<v Speaker 1>Oh that's so funny. And how old At the time

0:56:58.600 --> 0:57:03.160
<v Speaker 1>she was probably three almost four. Now she's seven, she's big. Now, yeah,

0:57:03.239 --> 0:57:06.120
<v Speaker 1>that's so funny. Ruby will start to she's you just

0:57:06.120 --> 0:57:08.440
<v Speaker 1>get more clued in. Or she does two things and

0:57:09.160 --> 0:57:11.640
<v Speaker 1>like little things like I was mad this morning because

0:57:11.680 --> 0:57:15.080
<v Speaker 1>my stupid I was in a hurry and like the

0:57:15.120 --> 0:57:17.200
<v Speaker 1>gate didn't shut and I had to get out and

0:57:17.200 --> 0:57:19.840
<v Speaker 1>go do it. And I was just like outside and

0:57:19.840 --> 0:57:22.880
<v Speaker 1>she went, Daddy, were you frustrated? I said I was,

0:57:23.200 --> 0:57:25.280
<v Speaker 1>and she said why. I was like, it's fine, I'm

0:57:25.320 --> 0:57:27.479
<v Speaker 1>just in a hurrying you it Were you frustrated because

0:57:27.520 --> 0:57:30.960
<v Speaker 1>the gate didn't close? I was like, yes, I was.

0:57:31.680 --> 0:57:35.200
<v Speaker 1>She was like I didn't miss any of that. Well,

0:57:35.200 --> 0:57:39.280
<v Speaker 1>and part of it, too, is teaching future adults like

0:57:39.680 --> 0:57:42.840
<v Speaker 1>to embrace all those feelings. I try my best to

0:57:42.880 --> 0:57:46.320
<v Speaker 1>not say don't cry, you know. I'm like, cry, It's fine.

0:57:46.560 --> 0:57:49.320
<v Speaker 1>You know, it's okay to be sad. And that's what

0:57:49.400 --> 0:57:54.600
<v Speaker 1>this movie maybe has to say. Yeah, it's like all

0:57:54.640 --> 0:57:57.840
<v Speaker 1>the emotions are here, yea, And even though they end

0:57:57.880 --> 0:58:01.160
<v Speaker 1>on a high note, a baby filled, I know, we

0:58:01.200 --> 0:58:04.120
<v Speaker 1>can assume that things are going to go downhill again shortly,

0:58:04.200 --> 0:58:07.080
<v Speaker 1>even later that day, Like that's the whole movie is like, yeah,

0:58:07.480 --> 0:58:10.440
<v Speaker 1>it's the grandmother roller coaster thing. Uh huh, Like I

0:58:10.480 --> 0:58:15.520
<v Speaker 1>wonder her parenthood. The movie ten years later, like Canna

0:58:15.600 --> 0:58:20.080
<v Speaker 1>Reeves and Martha totally divorced, probably like a couple of kids.

0:58:21.080 --> 0:58:24.760
<v Speaker 1>Who knows of little Joaquin? Little Gary is truly on

0:58:24.800 --> 0:58:26.760
<v Speaker 1>the straight narrow. I guess it depends on if the

0:58:26.800 --> 0:58:29.800
<v Speaker 1>biology teacher stuck around. Yeah, which you look, you know,

0:58:29.840 --> 0:58:31.280
<v Speaker 1>they kind of set you up to think that they

0:58:31.320 --> 0:58:33.240
<v Speaker 1>have they have a good thing going. Yep, and the

0:58:33.520 --> 0:58:39.160
<v Speaker 1>grandparents are probably gone. They're gone. Inversion two, Yeah, chapter two.

0:58:39.280 --> 0:58:40.920
<v Speaker 1>Mom might be around, but she didn't really have much

0:58:40.960 --> 0:58:43.120
<v Speaker 1>of a part in this. No, she didn't. But but

0:58:43.400 --> 0:58:46.440
<v Speaker 1>that said so much too sure, the kind of wife,

0:58:46.480 --> 0:58:48.160
<v Speaker 1>the kind of marriage that she was in with her

0:58:48.320 --> 0:58:51.160
<v Speaker 1>husband like that, and how he's kind of taking shots

0:58:51.200 --> 0:58:53.560
<v Speaker 1>at her all the time but she doesn't say anything. Yeah,

0:58:53.960 --> 0:58:56.880
<v Speaker 1>it was he wasn't nice to his wife. No, it

0:58:57.040 --> 0:59:00.560
<v Speaker 1>was not not nice to hit her mother either, Grandma. No.

0:59:00.720 --> 0:59:03.520
<v Speaker 1>And I thought Steve Martin the way he handled that

0:59:03.600 --> 0:59:08.080
<v Speaker 1>situation was so real. Um like, didn't show a lot

0:59:08.120 --> 0:59:11.200
<v Speaker 1>of outward anger at his dad for being a shitty dad.

0:59:11.800 --> 0:59:14.160
<v Speaker 1>It was just sort of like, he's got to be

0:59:14.200 --> 0:59:17.240
<v Speaker 1>around and I'll tolerate it. But he did have that

0:59:17.320 --> 0:59:22.000
<v Speaker 1>one good moment where Jason Robards, I mean, he's such

0:59:22.000 --> 0:59:23.920
<v Speaker 1>a lovable guy and he played such a dick in this,

0:59:24.640 --> 0:59:27.520
<v Speaker 1>but when he's saying, like Kevin, that kid, he's you know,

0:59:27.600 --> 0:59:29.360
<v Speaker 1>he's no bigger than you are, you should blah blah

0:59:29.400 --> 0:59:32.440
<v Speaker 1>blah blah, blah, And finally Steve Martins snapped and it's

0:59:32.520 --> 0:59:34.919
<v Speaker 1>like Gina, shut up dad or whatever he said. Yeah,

0:59:35.120 --> 0:59:37.600
<v Speaker 1>but I was so glad for that moment. It's like,

0:59:37.680 --> 0:59:39.960
<v Speaker 1>somebody tell him to shut the funk up? Yeah, because

0:59:40.000 --> 0:59:42.800
<v Speaker 1>he didn't. He needed to be really yelled at. Because,

0:59:42.840 --> 0:59:44.480
<v Speaker 1>of course, earlier in the movie they have the thing

0:59:44.480 --> 0:59:47.000
<v Speaker 1>where he's like, who's wedding? Did I get drunk at?

0:59:47.000 --> 0:59:53.080
<v Speaker 1>And Steve Martn's like, all three, dad, yeah, which flies

0:59:53.200 --> 0:59:56.160
<v Speaker 1>right past Jason Robarts. He doesn't care, you know, but

0:59:56.240 --> 0:59:59.160
<v Speaker 1>he needed to be in his place there at the end. Yeah.

0:59:59.200 --> 1:00:03.840
<v Speaker 1>And and the sadness too of cool when Tom Holtz

1:00:03.880 --> 1:00:06.560
<v Speaker 1>is basically setting up like the next thing and he's

1:00:06.600 --> 1:00:11.000
<v Speaker 1>leaving and he fucking forgets about his son because Jason

1:00:11.080 --> 1:00:13.280
<v Speaker 1>Robarts is like, and what about cool? And he was like,

1:00:13.320 --> 1:00:18.880
<v Speaker 1>oh right, right, And that was so depressing and cool

1:00:19.040 --> 1:00:21.960
<v Speaker 1>is so cute. I know, this little face and already

1:00:22.000 --> 1:00:24.280
<v Speaker 1>has such a like is behind the eight ball in

1:00:24.360 --> 1:00:28.480
<v Speaker 1>life because of his messed up dad. And then I

1:00:28.480 --> 1:00:33.720
<v Speaker 1>guess he's staying with his super messed up granddad. So yeah,

1:00:33.760 --> 1:00:35.800
<v Speaker 1>things are really going to go great for all of them.

1:00:36.240 --> 1:00:38.360
<v Speaker 1>But they showed in the next chapter, they all seem

1:00:38.400 --> 1:00:40.920
<v Speaker 1>happy in the hospital, they all had fun, all those

1:00:41.000 --> 1:00:44.160
<v Speaker 1>babies and everything was fine and cut and we don't

1:00:44.320 --> 1:00:46.480
<v Speaker 1>we don't see what happens. Did you watch the TV

1:00:46.520 --> 1:00:49.640
<v Speaker 1>show it off? No? Is it? Are they the same?

1:00:50.160 --> 1:00:52.800
<v Speaker 1>No idea? I was going to ask you. I mean,

1:00:52.960 --> 1:00:55.200
<v Speaker 1>I'm sure it is probably right. I don't know. I

1:00:55.600 --> 1:01:00.440
<v Speaker 1>I don't know. I think in a way, I was afraid, no,

1:01:00.560 --> 1:01:02.080
<v Speaker 1>I don't want to see it look at it, because

1:01:02.080 --> 1:01:04.000
<v Speaker 1>I was because I love this one so much. And

1:01:04.080 --> 1:01:05.840
<v Speaker 1>I was like, oh, I don't know what they've done

1:01:05.840 --> 1:01:09.560
<v Speaker 1>with it. Surely aren't enough babies in it. And they

1:01:09.640 --> 1:01:11.480
<v Speaker 1>made it so many years later too, which is weird.

1:01:12.800 --> 1:01:15.240
<v Speaker 1>Um yeah, who knows. I have to check it out,

1:01:22.480 --> 1:01:25.160
<v Speaker 1>all right, Lucy. So we finished with a couple of segments.

1:01:26.360 --> 1:01:34.440
<v Speaker 1>What Ebert said, this movie is a complete disappointment. He

1:01:34.480 --> 1:01:37.920
<v Speaker 1>gave it four stars. That Roger Ebert, how many can

1:01:37.960 --> 1:01:40.439
<v Speaker 1>you get? Four? Oh? Great? Yeah, he got four out

1:01:40.440 --> 1:01:43.280
<v Speaker 1>of four. I feel like I won four out of

1:01:44.080 --> 1:01:48.960
<v Speaker 1>your awesome. Um. Ron Howard's Parenthood is a delicate balancing

1:01:48.960 --> 1:01:51.440
<v Speaker 1>act between comedy and truth, a movie that contains a

1:01:51.480 --> 1:01:53.520
<v Speaker 1>lot of laughter and yet is more concerned with character

1:01:53.560 --> 1:01:56.480
<v Speaker 1>than punch lines. It's the best kind of comedy where

1:01:56.480 --> 1:01:59.800
<v Speaker 1>we recognize the truth of what's happening even while we're smiling,

1:02:00.440 --> 1:02:02.760
<v Speaker 1>and where we eventually acknowledge that there is a truth

1:02:02.760 --> 1:02:05.480
<v Speaker 1>in comedy that series drama can never quite reach. What

1:02:05.560 --> 1:02:07.200
<v Speaker 1>I enjoyed most about the movie is the way so

1:02:07.200 --> 1:02:11.560
<v Speaker 1>many scenes were thought through to an additional level. Howard

1:02:11.600 --> 1:02:14.280
<v Speaker 1>and his collaborators don't simply make a point. They make

1:02:14.440 --> 1:02:16.760
<v Speaker 1>the point and then take another look at it from

1:02:16.800 --> 1:02:20.200
<v Speaker 1>a new angle, finding a different kind of truth. I

1:02:20.240 --> 1:02:22.520
<v Speaker 1>agree with that. That's what I meant to say. No,

1:02:22.760 --> 1:02:29.200
<v Speaker 1>I like sadness is forever better. Uh. And then five questions, Um,

1:02:29.320 --> 1:02:32.120
<v Speaker 1>what's the first movie you remember seeing in the theater? Well,

1:02:32.120 --> 1:02:34.439
<v Speaker 1>like I said, my mom says, my first movie was ET,

1:02:34.640 --> 1:02:37.440
<v Speaker 1>But I was like, I couldn't speak or talk at

1:02:37.480 --> 1:02:40.440
<v Speaker 1>that time, so that seems weird. I do remember seeing Bambi,

1:02:41.200 --> 1:02:44.560
<v Speaker 1>and I remember that we went with my aunt Anna,

1:02:44.680 --> 1:02:47.120
<v Speaker 1>who actually is a year younger than me because of

1:02:47.160 --> 1:02:51.120
<v Speaker 1>an interesting family set up, and Anna she was into

1:02:51.200 --> 1:02:54.520
<v Speaker 1>happy things and she was scared easily, and I remember

1:02:54.600 --> 1:02:58.000
<v Speaker 1>that her mom had to remove her from the theater

1:02:58.400 --> 1:03:02.920
<v Speaker 1>during Bambi, And also during the Fox in the Hound later,

1:03:03.680 --> 1:03:05.480
<v Speaker 1>but I was like watching her go at the ais

1:03:06.120 --> 1:03:09.240
<v Speaker 1>because of sadness, Yeah, like too scary, too sad. Bambi's

1:03:09.280 --> 1:03:11.120
<v Speaker 1>mom gets shot. No boy, I have to go. No.

1:03:11.840 --> 1:03:14.360
<v Speaker 1>And but I was like, I remember, like why watching

1:03:14.360 --> 1:03:16.840
<v Speaker 1>her going up the I'll be like, no this, I'm

1:03:16.880 --> 1:03:21.280
<v Speaker 1>I'm staying. Yeah, I'm in for this. Well, because they

1:03:21.280 --> 1:03:24.040
<v Speaker 1>started off with Bambi's mom being shot and you're probably huh, yeah,

1:03:24.080 --> 1:03:27.120
<v Speaker 1>I was like, that's that's right, that's what happens. That

1:03:27.240 --> 1:03:32.200
<v Speaker 1>movie ruined Emily for Disney movie. She's yeah, She's like,

1:03:32.240 --> 1:03:34.600
<v Speaker 1>they're all they all have some sort of death. Yeah,

1:03:34.640 --> 1:03:36.360
<v Speaker 1>they do. Like, yeah, I think that's kind of one

1:03:36.400 --> 1:03:38.640
<v Speaker 1>of the points as they're trying to teach kids about

1:03:38.680 --> 1:03:43.960
<v Speaker 1>death through Bamby, Sadness is forever. She's like, nope, uh,

1:03:44.200 --> 1:03:47.760
<v Speaker 1>do you remember your first R rated movie? No, but

1:03:47.880 --> 1:03:51.920
<v Speaker 1>I do remember that my mom let me watch on

1:03:52.000 --> 1:03:56.720
<v Speaker 1>TV when I was about seven or eight, Fatal Attraction.

1:03:58.680 --> 1:04:01.040
<v Speaker 1>That was probably your first. Sorry. She let me watch

1:04:01.080 --> 1:04:03.800
<v Speaker 1>it all the way until the end, and there was

1:04:03.880 --> 1:04:06.560
<v Speaker 1>one scene she wouldn't let me watch. I know, I

1:04:06.600 --> 1:04:09.960
<v Speaker 1>bet the rabbit. She wouldn't let me watch that part,

1:04:09.960 --> 1:04:11.440
<v Speaker 1>and she was like, you have to go to bed now.

1:04:11.480 --> 1:04:13.600
<v Speaker 1>You can't see the rest because that would have truly

1:04:13.680 --> 1:04:16.320
<v Speaker 1>upset you. Yeah. Well, yeah, I liked animals a lot

1:04:17.080 --> 1:04:20.800
<v Speaker 1>and I still do Bilny, and it took years for

1:04:20.920 --> 1:04:23.840
<v Speaker 1>me to discover what it was I didn't get to see,

1:04:24.520 --> 1:04:29.120
<v Speaker 1>which is that she boiled the bunny. Yeah, good job, mom, Yeah,

1:04:29.440 --> 1:04:31.920
<v Speaker 1>that's totally the right thing to do. I don't know

1:04:31.960 --> 1:04:37.080
<v Speaker 1>what I mean. The rest of the movie isn't particularly

1:04:38.080 --> 1:04:41.520
<v Speaker 1>child friendly. No, not at all. Uh, will you walk

1:04:41.560 --> 1:04:46.240
<v Speaker 1>out of a bad movie? Um? I know you. Talked

1:04:46.240 --> 1:04:48.080
<v Speaker 1>with my dad about this, and he talked about how

1:04:48.080 --> 1:04:50.240
<v Speaker 1>he walks out of movies a lot, and I find

1:04:50.280 --> 1:04:53.040
<v Speaker 1>that to be very stressful to walk out of movie.

1:04:53.080 --> 1:04:55.120
<v Speaker 1>When he walks out of a movie that I'm at

1:04:55.160 --> 1:04:57.640
<v Speaker 1>with him, he'll just get up and leave with you.

1:04:58.160 --> 1:05:00.560
<v Speaker 1>Or when I was a kid, I remember we once

1:05:00.760 --> 1:05:02.840
<v Speaker 1>went to see a different Steve Martin movie, that one

1:05:02.880 --> 1:05:08.720
<v Speaker 1>where he's like a um televangelists or something. Oh yeah,

1:05:10.880 --> 1:05:13.200
<v Speaker 1>we left in the middle because my dad would I

1:05:13.280 --> 1:05:17.880
<v Speaker 1>can't do this, So I didn't like that feeling. So

1:05:17.920 --> 1:05:20.320
<v Speaker 1>I would say, for the most part, no, I would

1:05:20.360 --> 1:05:24.880
<v Speaker 1>stay okay because I'm a dormat. Yeah, would take me.

1:05:27.560 --> 1:05:30.240
<v Speaker 1>I'm a movie dormat. I'll watch whatever if if you

1:05:30.240 --> 1:05:34.120
<v Speaker 1>get me in there, I'm in until the end. Movie dormat.

1:05:34.880 --> 1:05:39.000
<v Speaker 1>I like that term. Yeah. Um, all right, this is

1:05:39.040 --> 1:05:43.400
<v Speaker 1>tailored for you. What what song do you wish you

1:05:43.440 --> 1:05:46.480
<v Speaker 1>had written? Like when you hear it, you're just like

1:05:46.520 --> 1:05:53.760
<v Speaker 1>a man if I could write that song. Yeah, Well

1:05:54.120 --> 1:06:02.600
<v Speaker 1>it's not necessarily your favorite song either, right the song? Mmm, gosh,

1:06:02.640 --> 1:06:10.440
<v Speaker 1>this is really gotta think about this. Okay. There's a

1:06:10.480 --> 1:06:14.400
<v Speaker 1>song called Holy by a songwriter called Chris Parika that

1:06:14.760 --> 1:06:17.520
<v Speaker 1>I've uttered the words I wish I wrote this song.

1:06:18.160 --> 1:06:20.080
<v Speaker 1>It's not a song that a lot of people would

1:06:20.080 --> 1:06:26.680
<v Speaker 1>probably know, but it's really really sad so good. Um

1:06:27.440 --> 1:06:31.280
<v Speaker 1>yeah yeah, it's like, God, damn it, this sadness chunk

1:06:31.320 --> 1:06:39.560
<v Speaker 1>has taken already. You already wrote it, um, and I'm

1:06:39.560 --> 1:06:41.760
<v Speaker 1>trying to think of something more. Well, one thing I've

1:06:42.120 --> 1:06:45.680
<v Speaker 1>I've noticed is that some really famous songs that I

1:06:45.720 --> 1:06:51.960
<v Speaker 1>have known always, I've covered them and they've changed into

1:06:52.000 --> 1:06:55.880
<v Speaker 1>a different thing for me. So, like you up plenty

1:06:55.880 --> 1:06:59.520
<v Speaker 1>of cover songs, Right, I'm like a dirge machine. You

1:06:59.560 --> 1:07:02.120
<v Speaker 1>can just give me something upbeat and I'll just dirgify

1:07:02.160 --> 1:07:07.520
<v Speaker 1>it for Yeah, that would be tragic. So I've been

1:07:07.560 --> 1:07:12.000
<v Speaker 1>singing lately. I've been singing in my show lately, um

1:07:12.040 --> 1:07:14.760
<v Speaker 1>because I feel like people are so stressed about the

1:07:14.800 --> 1:07:16.920
<v Speaker 1>world and things are really hard and people having a

1:07:16.960 --> 1:07:21.160
<v Speaker 1>hard time. I've been singing won't back down, but like

1:07:21.640 --> 1:07:25.800
<v Speaker 1>super sad and slow. I could hear that, like I'm

1:07:25.800 --> 1:07:28.040
<v Speaker 1>picturing that coming from you, and I bet that's great.

1:07:28.400 --> 1:07:30.080
<v Speaker 1>You won't have to picture it too much longer because

1:07:30.080 --> 1:07:34.040
<v Speaker 1>I'm going to put it up on Spotify. But yeah,

1:07:34.120 --> 1:07:36.560
<v Speaker 1>like that's a song I've always known, I've always liked,

1:07:37.080 --> 1:07:40.480
<v Speaker 1>but then in that context, you're like, oh, like it's

1:07:40.520 --> 1:07:44.080
<v Speaker 1>really actually totally heartbreaking. I know, I'm thinking of those

1:07:44.120 --> 1:07:50.120
<v Speaker 1>words now. Yeah, And so you know that ability for

1:07:50.160 --> 1:07:53.160
<v Speaker 1>somebody to write a song like that that lives its

1:07:53.160 --> 1:07:56.120
<v Speaker 1>whole life as one thing but holds up as a

1:07:56.200 --> 1:07:59.000
<v Speaker 1>totally different thing, that's pretty cool, you know, like a

1:07:59.560 --> 1:08:02.480
<v Speaker 1>hungry art I did that to same thing like I've

1:08:02.520 --> 1:08:04.280
<v Speaker 1>had in my whole life, you know. But then when

1:08:04.320 --> 1:08:08.520
<v Speaker 1>I heard it, yeah, we did that. And also on

1:08:08.640 --> 1:08:11.640
<v Speaker 1>my record, I sang it with Martha Plimpton and it

1:08:11.760 --> 1:08:14.600
<v Speaker 1>was her idea to first cover it. Yeah, that's a

1:08:14.640 --> 1:08:17.599
<v Speaker 1>good one too. Yeah, and so I admire that kind

1:08:17.600 --> 1:08:21.880
<v Speaker 1>of writing where maybe the song even has two lives. Yeah,

1:08:22.240 --> 1:08:31.280
<v Speaker 1>you wouldn't expect Petty and Springsteen. Um, but that was

1:08:31.280 --> 1:08:34.280
<v Speaker 1>a good answer. Oh, good movie, going one on one?

1:08:35.520 --> 1:08:36.960
<v Speaker 1>What what do you do with the theater? Where do

1:08:37.000 --> 1:08:40.360
<v Speaker 1>you sit? And what do you eat? Um? I will

1:08:40.360 --> 1:08:44.439
<v Speaker 1>sit anywhere. This is this is like I'm. Like I

1:08:44.479 --> 1:08:48.439
<v Speaker 1>said earlier, I have pretty bad boundaries and practice pretty

1:08:48.439 --> 1:08:50.840
<v Speaker 1>poor self care. So really I'll do whatever the other

1:08:50.880 --> 1:08:55.120
<v Speaker 1>person wants. I'll sit anywhere, and I'll eat anything, and

1:08:55.160 --> 1:09:01.280
<v Speaker 1>I'll do whatever you want mostly and I but I

1:09:01.400 --> 1:09:04.000
<v Speaker 1>used I like I'm I'm really I like babies, but

1:09:04.040 --> 1:09:07.400
<v Speaker 1>I also really like candy. Um. I never think I

1:09:07.479 --> 1:09:11.759
<v Speaker 1>want popcorn, but usually if someone gets it, I started

1:09:11.880 --> 1:09:15.240
<v Speaker 1>with the popcorn, and that I can do. I can

1:09:15.240 --> 1:09:17.960
<v Speaker 1>put away some popcorn. I like babies, but I really

1:09:18.000 --> 1:09:21.479
<v Speaker 1>like candy. That's another T shirt. If you ever taken

1:09:21.520 --> 1:09:25.840
<v Speaker 1>candy from the baby not yet take a baby with

1:09:26.240 --> 1:09:28.679
<v Speaker 1>this has the candy. Yeah, that's the movie. And you've

1:09:28.680 --> 1:09:31.000
<v Speaker 1>got all of them, got it all, got it all, babies,

1:09:31.080 --> 1:09:34.800
<v Speaker 1>candy and a record, a criminal record. I think it's

1:09:34.800 --> 1:09:37.840
<v Speaker 1>a perfect way to end. All right, Thanks Lucy, Thank

1:09:37.880 --> 1:09:49.599
<v Speaker 1>you all right, folks. I hope you dug that one.

1:09:50.120 --> 1:09:52.519
<v Speaker 1>That was fun. I like to get these musicians in here.

1:09:52.520 --> 1:09:56.559
<v Speaker 1>And I guess technically Lucy's an actor as well because

1:09:56.880 --> 1:09:59.080
<v Speaker 1>she was on The Stuff You Should Know Show. And

1:09:59.160 --> 1:10:00.960
<v Speaker 1>I'll tell you what if you like Jerry, I mean

1:10:01.000 --> 1:10:03.400
<v Speaker 1>she should have got an Emmy nomination for that because

1:10:03.520 --> 1:10:09.400
<v Speaker 1>Cherry is an enigma and she really captured that on screen. Everybody. Uh,

1:10:09.479 --> 1:10:11.320
<v Speaker 1>So check out the Stuff you Should Know show. Go

1:10:11.320 --> 1:10:13.680
<v Speaker 1>give it a look if you never saw it. Um,

1:10:13.720 --> 1:10:15.920
<v Speaker 1>it's a very odd little show that we did. And

1:10:16.040 --> 1:10:18.519
<v Speaker 1>like I said, you can get on Amazon Prime and

1:10:18.800 --> 1:10:21.360
<v Speaker 1>check out Lucy's handiwork as an actor. I thought she

1:10:21.439 --> 1:10:24.439
<v Speaker 1>was just so good and natural. And Lucy doesn't have

1:10:24.479 --> 1:10:26.839
<v Speaker 1>a false bone in her body and that comes across

1:10:26.840 --> 1:10:30.400
<v Speaker 1>on screen. Uh, And so support her her work. Go

1:10:30.479 --> 1:10:32.599
<v Speaker 1>see her on tour. Like I said, get Little Beast

1:10:32.640 --> 1:10:35.599
<v Speaker 1>and check that out. Put it on when it's raining outside,

1:10:35.600 --> 1:10:38.120
<v Speaker 1>and you know, thank yourself, and uh, I hope you

1:10:38.120 --> 1:10:41.479
<v Speaker 1>had a good time. Until next time, write a sad

1:10:41.479 --> 1:10:58.160
<v Speaker 1>song yourself and sing it and cry. Movie Crush is produced, engineered, edited,

1:10:58.200 --> 1:11:01.720
<v Speaker 1>and soundtracked by Noel Brown own in Ramsay, unt at

1:11:01.720 --> 1:11:04.679
<v Speaker 1>How Stuff Work Studios, Pont City Market, Atlanta, Georgia,