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Speaker 1: The Nikki Gliser podcast.

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Speaker 2: Here's Nikki here.

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Speaker 1: I am hello, it's Nikki. What a little bop that

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Speaker 1: is that that Anya wrote?

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Speaker 2: I don't appreciate it enough.

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Speaker 3: What a do you do?

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Speaker 2: What a genius she is?

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Speaker 4: I appreciate it.

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Speaker 2: Yeah, Taylor's here, Brian's here, Noah's here.

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Speaker 1: What's up?

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Speaker 2: Everyone?

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Speaker 1: Welcome to the show. Yeah, Anya just like busts out.

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Speaker 1: She she's in the songwriting group, so she writes songs

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Speaker 1: every single week.

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Speaker 2: They get like a prompt we should do it for.

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Speaker 1: For comedians, Brian, where you have like a word or

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Speaker 1: two and you have to write a joke around it.

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Speaker 5: I used to do that back in the day, and

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Speaker 5: it's just it doesn't work. It's not productive. I used

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Speaker 5: to call it the five by five And there was

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Speaker 5: some pretty pretty good names in this five by five group.

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Speaker 3: Okay, and.

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Speaker 2: Let me let's name some names. This is like the

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Speaker 2: Epstein list.

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Speaker 6: Bill Clinton.

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Speaker 1: Released yea and Vid Copperfield's talking about him being on

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Speaker 1: that list.

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Speaker 6: I know, disappear. Yeah, that same joke opposite in.

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Speaker 1: I didn't make the joke because I've made it so

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Speaker 1: many times. Every time it comes up, I go, oh,

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Speaker 1: it must not be that good. You can't make.

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Speaker 5: I thought I was clever, but no, though Michelle Wolfe

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Speaker 5: was on the five by five Alice Wetterland from Silicon

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Speaker 5: Valley Matt Coff, who is a writer for The Daily Show.

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Speaker 1: For these are great names, Michelle wolf can I just

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Speaker 1: bookmark really quick and just slide in and say she

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Speaker 1: was the first person I ever knew who had to

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Speaker 1: quit froyo.

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Speaker 2: Because I have a Froyo is an addiction.

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Speaker 1: Anya has been addicted to it before I've been addicted

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Speaker 1: to it. It's been like the only thing I eat

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Speaker 1: all day. I'll eat it for every meal, Like I've

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Speaker 1: gone through stages in my life where it's the only thing.

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Speaker 1: And she was the first person who we used to

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Speaker 1: Michelle and I used to go get froyo together. That

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Speaker 1: was like our thing. And she was the first person

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Speaker 1: to be like, oh, yeah, I don't I don't eat

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Speaker 1: that anymore. And I was just like wait what. She's like, well,

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Speaker 1: we can go do something else. But I was like, how,

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Speaker 1: what do you mean you don't eat anymore? Like this

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Speaker 1: is it's twelve hands wait, sixteen handles. Yeah, that was

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Speaker 1: the name of the place in New York, sixteen Handles

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Speaker 1: that was our thing, but she quit it and I

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Speaker 1: really respected that, and I.

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Speaker 2: Also respect.

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Speaker 6: As you think it is no it.

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Speaker 1: It is in moderation, but if you're eating it constantly

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Speaker 1: and it's all you eat it, it's it can be

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Speaker 1: like you know, lowly caloric, but it's not good for

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Speaker 1: you to only eat that.

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Speaker 2: Do you remember the topics you put on it? Do

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Speaker 2: you have?

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Speaker 1: Like I just like sprinkles and rice crispies and coconut

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Speaker 1: would be my ideal, But if I was trying to

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Speaker 1: be anorexic, it would be rice crispies and then sprinkles.

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Speaker 2: I got really into.

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Speaker 1: But then you get obsessed with the sugar and you go,

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Speaker 1: I can't have any sugar and there's no like sugar

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Speaker 1: free sprinkles. It's all it's yeah, it's it's not good.

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Speaker 1: Now I avoid I don't crave fro you.

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Speaker 2: Like I used to. But it used to be. Oh,

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Speaker 2: remember I'm not safe.

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Speaker 1: Like that's when you know you have an eating disorder

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Speaker 1: when everyone knows about it and everyone like everyone is

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Speaker 1: just operating around it and everyone normalizes it. Like no

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Speaker 1: one's like, Nikki, this is.

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Speaker 2: All you eat.

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Speaker 1: They're like, go get your time again, because I was

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Speaker 1: the boss on that show, so everyone sure, I'm sure

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Speaker 1: everyone's whispering about like this is not normal, but like

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Speaker 1: it was just it was just so.

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Speaker 5: It was like Nikki, you go get your meat balls.

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Speaker 5: I think I'd be a little more embarrassing.

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Speaker 7: Or your one carrot or something that was saddening.

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Speaker 1: That one's hard to do, the carrot one when you're

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Speaker 1: not eating that one's hard to like operate with and

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Speaker 1: like have a full life to like get away with

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Speaker 1: not eating around people.

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Speaker 2: But yeah, when you when you can lean into it, like.

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Speaker 1: I'm just a froio. And I remember I remember Tim Convey,

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Speaker 1: Chris's brother, made a joke that the size contained that

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Speaker 1: I get for froyo is like if you flipped it over,

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Speaker 1: it would be like what like lion tamers.

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Speaker 4: That's what I was gonna say with a bearwood.

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Speaker 1: Damn shit it was. And I remember I cried secretly

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Speaker 1: to Chris about it, being like to made a joke

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Speaker 1: about my froyo, and like Chris was like, why are

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Speaker 1: you crying? Like we always make jokes about your froyo.

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Speaker 1: But it's like he didn't know the under like all

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Speaker 1: of the bullshit underneath all the shame of like this

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Speaker 1: is the only thing I eat and like it. It

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Speaker 1: just sucks when you're thing that you are addicted to

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Speaker 1: that's ruining your life. No one notices it because it's

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Speaker 1: like a big joke or whatever, you know, like it's

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Speaker 1: just so and you do it to yourself. It's no

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Speaker 1: one else's fault. But you don't really do it yourself

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Speaker 1: because there's no free will. But go back to your the.

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Speaker 5: Joke group taking the bookmark out yeaokmark.

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Speaker 6: Yeah.

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Speaker 5: So it's called five by five because we would do

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Speaker 5: five jokes every week. I don't remember if it was

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Speaker 5: every week or every day, but that's why it's called

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Speaker 5: five by Oh five jokes every day for five days

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Speaker 5: a week, so Monday through Friday.

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Speaker 1: Oh that's a lot though.

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Speaker 6: It could just be premises.

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Speaker 5: It could and then we toss things out and we'd

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Speaker 5: all reply to each other and discuss like, oh, that

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Speaker 5: premise is really good, or here's a text is it

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Speaker 5: a text chain? It was email? Oh, okay, an email,

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Speaker 5: and it was I don't think it got you thinking

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Speaker 5: about jokes. But other than that, I don't think it

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Speaker 5: really helped anybody all that much. It was just like, oh,

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Speaker 5: I gotta do the five by five, and then you

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Speaker 5: would just poop out some shit joke like what if

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Speaker 5: dogs could talk?

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Speaker 2: And it's just like that be good at it. I

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Speaker 2: think I would.

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Speaker 1: I think I would operate well in this. I think

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Speaker 1: I want to do the five by five.

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Speaker 6: I think I'm gonna So who would be in your

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Speaker 6: five by five?

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Speaker 1: Which I think you are like people who I'm not

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Speaker 1: embarrassed to be unfunny around, because that's the thing is,

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Speaker 1: you're going to be in funny. But I also want

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Speaker 1: people who I respect comedically, who I know respect me,

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Speaker 1: and so I have to keep that respect up. Like

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Speaker 1: I learned yesterday my voice lesson. I was playing this

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Speaker 1: new song that I'm working on and he was like,

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Speaker 1: this is really interesting, Like he was like laughing at

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Speaker 1: the lyrics. He was just he's always bowled over by

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Speaker 1: like the songs I bring in because he's just like,

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Speaker 1: what is she saying in this one? Like Taylor Swift lyrics.

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Speaker 1: I'll just be like, wait, what are we talking about?

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Speaker 1: So the song I did was by the Mountain Goats

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Speaker 1: and I love it. It's called No Children. Have you

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Speaker 1: ever heard it? It's just like this really upbeat song,

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Speaker 1: but it's really about a couple like breaking up and

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Speaker 1: how they want to stay together, but they're also like

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Speaker 1: they hate each other and it's just but it's all done.

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Speaker 1: I love the paradox of like a happy song and

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Speaker 1: it's so dark, and so the chorus is like I

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Speaker 1: hope you die. I hope we both die, and it's

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Speaker 1: just all about just hoping the person dies but also

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Speaker 1: wanting to stay with them and like I hope we

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Speaker 1: I hope we hang on past the last exit. I

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Speaker 1: hope it's already too late. So it's like I hope

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Speaker 1: we hang on, but I also hope, like we're doomed

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Speaker 1: and it's starty too late.

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Speaker 2: So it's just this juxtaposition.

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Speaker 1: Anyway, I sing the whole song and he goes, He's

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Speaker 1: just like, oh, every time you sing, like I went

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Speaker 1: through it two times, and he goes, every time you

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Speaker 1: play it, like I keep hearing new things. This is

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Speaker 1: this song is bonkers, and so he's like, I need

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Speaker 1: to record this. So he's like, I want to record you.

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Speaker 1: He was like, I gotta play this for Angela, his wife.

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Speaker 2: Later it's like I gotta play this for a Laric.

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Speaker 2: She's gonna love these lyrics. This is crazy.

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Speaker 1: So he records it and then suddenly I'm like, really

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Speaker 1: much better, like because he's recording it, and then he goes,

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Speaker 1: then I kind of fucked up, But then I go,

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Speaker 1: can we do it again? I record it again and

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Speaker 1: it's even better, and then I fuck and I go,

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Speaker 1: let me try to get one more time, and he

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Speaker 1: at the end of it, he's like, I think I

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Speaker 1: just stumbled onto something with you. When you are forced

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Speaker 1: to perform and like it's going to be record, you

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Speaker 1: step it up more so than just in front of me.

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Speaker 1: And I was like, Yeah, I think that that needs

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Speaker 1: to I need to implement that more in my life

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Speaker 1: to have results of like the pressure, which you know

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Speaker 1: is not a new concept whatsoever, but that's I think

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Speaker 1: the five by five might work for me.

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Speaker 2: Can I add an idea to five by five?

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Speaker 4: Yeah?

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Speaker 3: Why don't you guys give yourself an end date so

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Speaker 3: that no one feels guilty about dropping out and more

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Speaker 3: people want to participate because there's.

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Speaker 6: A dry catuary or something you do like February.

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Speaker 1: I kind of like the idea of if you don't

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Speaker 1: do it, then you're out of the group. That's what

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Speaker 1: Anya's group is like. If she doesn't turn in a song,

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Speaker 1: you get kicked out. I'm sure there's ever not forever,

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Speaker 1: but like you got to really earn your way back

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Speaker 1: in and be like, I'm really gonna stick with this

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Speaker 1: because it's not this isn't just everyone has to that

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Speaker 1: keeps it honest.

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Speaker 2: So that you have to turn in crap if crap

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Speaker 2: is all you have, that's the.

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Speaker 7: Whole point of it. Yes, you don't do it then.

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Speaker 1: And there's an excuse for turning in crap because you're like,

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Speaker 1: I had to turn in something or else I get

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Speaker 1: kicked in the group.

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Speaker 2: So you have like a little fallback.

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Speaker 1: So I kind of like that idea of like you

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Speaker 1: can miss two weeks or whatever it is, but then

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Speaker 1: you're out. I kind of like that maybe yeah, but

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Speaker 1: also having a being able.

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Speaker 7: To but a song is so much harder. I mean

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Speaker 7: I could think of a thousand jokes a day and just.

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Speaker 6: To come up with that.

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Speaker 4: Oh yeah. I mean they might not be good, but

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Speaker 4: I think.

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Speaker 1: I think songwriters if I was trying to Conny Taylor

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Speaker 1: is okay.

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Speaker 7: Look in my notebook, I write, I have a note

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Speaker 7: Will you give me such a media?

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Speaker 4: I'm not just why.

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Speaker 1: What are you doing.

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Speaker 4: What do they pitch you joke?

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Speaker 1: I say it, Yeah, you just like write you go,

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Speaker 1: I think you can make a joke about this, and

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Speaker 1: then like I would pay you for that stuff.

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Speaker 4: Okay, I get out my dictionary.

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Speaker 2: Yeah, you gotta do. You should pitch me some jokes

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Speaker 2: on the podcast.

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Speaker 4: I'll bring it.

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Speaker 2: That would be so fun. Yeah, because I would love something.

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Speaker 5: I just sometimes I don't think how much one thousand is.

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Speaker 6: I mean, that is so.

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Speaker 4: Okay, that's obviously I.

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Speaker 1: Think.

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Speaker 4: Yeah, the joke is.

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Speaker 1: I'm a wire was just being exaggerated a hundred.

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Speaker 4: I could do it.

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Speaker 7: I could see they might be stupid, and then I

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Speaker 7: wouldn't have for the next day.

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Speaker 2: I think it's similar.

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Speaker 1: The only thing about jokes is that songs have to

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Speaker 1: have a verse chorus like sometimes pree chorus bridge, like

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Speaker 1: it just has so many parts to it.

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Speaker 2: Yeah, I mean, I guess you can write a little jingle.

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Speaker 6: He can write jack.

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Speaker 1: But I asked Anya, like, do you have to turn in?

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Speaker 1: Do you have to turn in like a whole song,

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Speaker 1: And she was like, no, sometimes my song's only two

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Speaker 1: minute songs. I don't really know what that means, but

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Speaker 1: like sometimes she writes shorter songs.

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Speaker 4: Good songs are only two minutes. Yeah, I mean Eric

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Speaker 4: Clapton really is the master of that?

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Speaker 6: What Jimmy really?

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Speaker 2: Eric Clapton is the master of yeah songs?

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Speaker 4: Yeah, I didn't know name.

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Speaker 1: Okay, Yeah, there's no rule, Tom Petty really except that, yeah,

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Speaker 1: I have to write a song.

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Speaker 5: It's only those who want the rules that truly succeed

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Speaker 5: is what I'm finding.

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Speaker 6: Yet to bend to the rules.

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Speaker 5: No, yeah, people who this is this is like the

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Speaker 5: theme of Fargo in the first season of Fargo, where

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Speaker 5: it's like the main character is following all the rules

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Speaker 5: and he's not succeeding, and Billy Bob Thornton's character is

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Speaker 5: breaking the rules and getting to do whatever he wants.

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Speaker 6: And that's the question.

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Speaker 5: It's like, do you if you follow all the rules,

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Speaker 5: will you just become this like weak little uh person

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Speaker 5: who's taken advantage of And if you break the rules

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Speaker 5: just enough with a good moral compass, you wind up succeeding.

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Speaker 5: This is why people who are narcissists, they just steamroll

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Speaker 5: and become the precess.

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Speaker 1: They don't have that self doubt. Yes, yeah, it's true.

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Speaker 1: It's kind of goes into this. Did you see that

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Speaker 1: clip going around some a best. He sent it to

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Speaker 1: me and said, I think you've referenced this, but you

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Speaker 1: didn't know who it was, but I believe I don't

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Speaker 1: know whatever it is is. It was Rick Rubin talking

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Speaker 1: to Oh, I.

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Speaker 2: Sent it to you.

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Speaker 1: You sent it to me to a bunch of people,

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Speaker 1: did too, like or you did? And then another person

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Speaker 1: and then this other person said, I think this is

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Speaker 1: who you're referencing. But it was Rick Rubin talking about

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Speaker 1: how you are not supposed to make art for the audience.

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Speaker 1: You supposed to make it for yourself, and then that

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Speaker 1: will be you don't you shouldn't care what the audience thinks.

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Speaker 1: And then I sent it to Chris and was like,

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Speaker 1: what are you think about this? Because I think Chris

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Speaker 1: is more of the mindset of like there's a little

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Speaker 1: of both, like I because there's some jokes in my

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Speaker 1: special where I'm like, I like this a lot and

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Speaker 1: it makes me laugh, but like it didn't do well.

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Speaker 1: I tested it many times. It's not like I just

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Speaker 1: asd it that night it did do well, Like it

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Speaker 1: hasn't done well? Ever?

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Speaker 2: Do I keep it because it brings me joy?

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Speaker 1: Like, clearly it's not an the and the audience is

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Speaker 1: what you that's how you make money, and you should

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Speaker 1: be pleasing them. So I'm kind of I don't know

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Speaker 1: how to feel about that.

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Speaker 5: And only art you can push it till it's too far.

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Speaker 5: Like if someone makes a short film and it's just

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Speaker 5: it's their ultimate artistic expression, but you watch it and

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Speaker 5: it's just like, this makes no fucking sense.

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Speaker 6: It's just a bunch of colors and shapes and.

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Speaker 5: There's no dialogue, and it's like, yeah, now you're just

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Speaker 5: being obnoxious and pretentious.

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Speaker 2: But that's your interpret that's what Rick Rubin was saying.

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Speaker 6: That's everyone's interpretation.

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Speaker 2: No, everybody, there's someone out there who will like it.

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Speaker 6: And there's more than one person.

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Speaker 2: Yeah, the odds person audience will find you.

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Speaker 5: Fine, that audience, the audience finds you, and then you

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Speaker 5: have four total fans.

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Speaker 1: Yeah you're There's been so many times where I've thought

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Speaker 1: something is so shitty, and I go, this person is

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Speaker 1: so proud of themselves for making this choice, and it's

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Speaker 1: the wrong choice because it's just even and I'm talking

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Speaker 1: about myself, Like watching this edit for my special which

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Speaker 1: I just finished doing, the I think the final edit

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Speaker 1: on Brian you.

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Speaker 2: You gave notes on it too. Thank you so much, Brian.

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Speaker 5: I just watched it. Can I just say it is great? Yeah,

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Speaker 5: it came out better than I thought it was gonna

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Speaker 5: Me too.

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Speaker 6: Me too tight. It's tight.

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Speaker 2: Yeah, the edit was and it looks amazing.

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Speaker 1: The edit's really good because we tightened it up. And

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Speaker 1: I mean both shows were amazing, and they would be

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Speaker 1: so nice to have so much more time and fill

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Speaker 1: it up with all the jokes. But do release we

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Speaker 1: made it cuts? No, not yet, but hopefully soon. I'll

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Speaker 1: tell you as soon as I know for sure. But

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Speaker 1: in watching there were parts of it that I was

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Speaker 1: so frustrated with yesterday. I like, I finished the edit

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Speaker 1: this morning. I woke up really early because yesterday I

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Speaker 1: tempted it and I got so bummed out because like,

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Speaker 1: at the top of the show, I just was making

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Speaker 1: some choices with my performance that I'm just like, why

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Speaker 1: did you do that? Why are you being kid like?

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Speaker 1: I made some choices where I'd like, I think because.

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Speaker 2: I was so overwhelmed.

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Speaker 1: I literally almost cried when I walked out because the

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Speaker 1: audience was clapping so much and so enthusiastic. I've never

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Speaker 1: become emotional from a crowd in my whole life, and

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Speaker 1: there's been amazing crowds, but for some reason, that one

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00:14:25,880 --> 00:14:28,520
Speaker 1: would like hit me like a fucking wall and I

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Speaker 1: almost cried. So then I had to like go to

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Speaker 1: a place where I was like turn off feelings, and

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Speaker 1: so it kind of made the start of the show

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Speaker 1: for me to be I seem pretty callous because I'm

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Speaker 1: not smiling a lot because I'm trying to. I had

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Speaker 1: to shut that off right before I began, because I

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Speaker 1: was just like, Jesus Christ, you guys, like I haven't

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Speaker 1: even talked yet, You're making me cry without you like

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Speaker 1: love me, And so I had to turn that off.

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Speaker 1: And then when I go into my jokes, I'm not

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Speaker 1: like smiling as much as I usually smile during these jokes,

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Speaker 1: so they just seem psychopathic. So I was so mad

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Speaker 1: at myself. I'm like, why why are you so cool?

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Speaker 1: Like I'm giving a special, I'm not gonna smile. And

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Speaker 1: then I realized you did it because you were preserving.

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Speaker 1: You didn't want to give, like you were trying your best. Girl,

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Speaker 1: You're just trying your best, and you didn't do it

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Speaker 1: the way you should have, and you give anything to

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Speaker 1: do it. Again, but you can't. And the idea, the

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Speaker 1: fact that I know I fucked up is something.

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Speaker 4: I didn't notice.

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Speaker 6: You learn from you.

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Speaker 2: Now you'll notice because I called it out.

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Speaker 1: But I swear to God, I want everyone don't don't

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Speaker 1: read into that too much. If you're like, she seems

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Speaker 1: like a bitch up to the top, it's because I

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Speaker 1: was overwhelmed by feelings and I shut them off for

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Speaker 1: a little bit, and then I let it back in

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Speaker 1: and then I start smiling more throughout the special because

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Speaker 1: as I'm watching those, I'm like, no one likes a

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Speaker 1: girl who doesn't smile, Like you got to be a

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Speaker 1: likable woman.

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Speaker 2: You gotta smile more.

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Speaker 1: And I'm like, you.

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Speaker 6: Gotta take that construction workers advice.

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Speaker 3: Yeah, yeah, all of these construction workers who care so much.

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Speaker 5: Yes, you know it's best for the Nikki Glazer jokes

385
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Speaker 5: that if you take away the sarcasm and the smile,

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Speaker 5: she becomes a mine.

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Speaker 6: Compe friends.

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Speaker 1: Yeah, not only that you should get like you should

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Speaker 1: kill their pregnant. Yes, there's some psychotic message. So wild

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Speaker 1: Annie watched the cut before this one, and she even said.

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Speaker 2: Like, hey, maybe you can take out this one joke

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Speaker 2: just to like soften.

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Speaker 1: It a little bit. And I hadn't seen it, like

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Speaker 1: I hadn't really paid attention yet at this point, and

395
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Speaker 1: I was like, oh no. So as I'm watching it,

396
00:16:37,320 --> 00:16:39,000
Speaker 1: I'm like, oh, I see what she's talking about. Like

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Speaker 1: this is so if you don't know who I am,

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Speaker 1: this is your first intro to who I am. It's

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Speaker 1: really jarring. And so I just want to warn everyone

400
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Speaker 1: to just stick with it a little bit. The jokes

401
00:16:49,240 --> 00:16:51,320
Speaker 1: are good, but I'm not smiling, so they seem a

402
00:16:51,320 --> 00:16:54,480
Speaker 1: little insane. But the special did turn out great, but

403
00:16:54,520 --> 00:16:57,680
Speaker 1: there was just so many moments of like why did

404
00:16:57,720 --> 00:16:59,720
Speaker 1: you do that? Like to and I felt that way

405
00:16:59,760 --> 00:17:02,520
Speaker 1: about other artists, like why did you do that? And

406
00:17:02,600 --> 00:17:04,520
Speaker 1: so to feel about it about yourself, you kind of

407
00:17:04,920 --> 00:17:11,480
Speaker 1: realize everyone's just trying their fucking best, and sometimes Camrah

408
00:17:13,240 --> 00:17:19,000
Speaker 1: I get so many Camra moments, but I feel so

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Speaker 1: accomplished that I'm.

410
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Speaker 2: Done editing is hell.

411
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Speaker 1: I I think it's the worst time of my life.

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Speaker 2: It just everything feels unbalanced.

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Speaker 1: I think it's the absolute It's it's like being pregnant

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Speaker 1: in your last month.

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Speaker 2: Noah, Like, is that what's the hardest month for people?

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00:17:40,240 --> 00:17:40,680
Speaker 2: Last month?

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Speaker 4: I wouldn't know.

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00:17:41,320 --> 00:17:43,159
Speaker 1: No, But I mean, like you've done your research, like

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00:17:43,480 --> 00:17:46,240
Speaker 1: you know what you're in for. What what do people say? Yeah,

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Speaker 1: I guess because they just wanted to be over. Yes,

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00:17:50,400 --> 00:17:53,400
Speaker 1: And it's uncomfortable and you don't like the way you

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Speaker 1: look or feel like like I don't mean to, I'm

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Speaker 1: just trying to compare it to something I've heard is

424
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Speaker 1: like just always is going to be bad. And for me,

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00:18:01,160 --> 00:18:03,720
Speaker 1: before I give birth to a special, I have to

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Speaker 1: edit it and I hate it because you can't go

427
00:18:06,400 --> 00:18:08,679
Speaker 1: back and change it. You gotta deal with what you

428
00:18:08,840 --> 00:18:12,040
Speaker 1: already did. There's nothing you can do to change it. Nothing.

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00:18:12,160 --> 00:18:14,880
Speaker 2: There's nothing I can do to go back and retake

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Speaker 2: a senior in high school.

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00:18:18,960 --> 00:18:19,919
Speaker 4: Senior itis.

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00:18:20,200 --> 00:18:21,959
Speaker 2: Yeah, but you don't have to edit itis.

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Speaker 1: I'm trying to also encapsulate the having to look at

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Speaker 1: yourself and realize you're a failure in all the ways.

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Speaker 5: Look at it with a fine detail, and cut out

436
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Speaker 5: anything that's possibly going to make the special worse.

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00:18:40,119 --> 00:18:40,359
Speaker 2: Yes.

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Speaker 1: And oh no, I haven't even looked at the pictures

439
00:18:43,400 --> 00:18:45,880
Speaker 1: for the new podcast logo yet because I can't look

440
00:18:45,880 --> 00:18:48,040
Speaker 1: at myself in any other way yet. I did a

441
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Speaker 1: photo shoot a month ago, and I have not posted

442
00:18:51,880 --> 00:18:53,640
Speaker 1: any of the photos or looked at a single one

443
00:18:54,040 --> 00:18:56,680
Speaker 1: because I've just been I just don't want to look

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00:18:56,680 --> 00:18:57,600
Speaker 1: at myself right now.

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00:18:57,640 --> 00:18:59,720
Speaker 2: It's too much. But then you reach you get this

446
00:19:00,000 --> 00:19:01,000
Speaker 2: over this hump where if.

447
00:19:00,880 --> 00:19:03,080
Speaker 1: You watch yourself enough you start to think of them

448
00:19:03,080 --> 00:19:06,800
Speaker 1: as someone else, and then it gets easier. But then

449
00:19:07,040 --> 00:19:09,920
Speaker 1: it's just I'm just so glad it's over, and I'm

450
00:19:09,920 --> 00:19:12,520
Speaker 1: so glad I like it, and it always gets to

451
00:19:12,560 --> 00:19:14,760
Speaker 1: be this way, So look forward to that. It's coming

452
00:19:14,760 --> 00:19:18,439
Speaker 1: out this year at some point, and then it's on

453
00:19:18,520 --> 00:19:20,119
Speaker 1: to the next one, and which I want to talk

454
00:19:20,160 --> 00:19:22,560
Speaker 1: about a bit. I started writing this morning when we

455
00:19:22,600 --> 00:19:24,200
Speaker 1: get back after this, because I'm watching.

456
00:19:24,000 --> 00:19:24,560
Speaker 2: You a material.

457
00:19:27,160 --> 00:19:31,040
Speaker 1: Yeah, so I'm working on the new hour of Stand

458
00:19:31,080 --> 00:19:32,840
Speaker 1: up or like just new jokes, and I was thinking

459
00:19:32,880 --> 00:19:35,520
Speaker 1: about this moment I had with this young girl. I

460
00:19:35,560 --> 00:19:40,600
Speaker 1: was doing this podcast George Jenko is that is, yes,

461
00:19:40,640 --> 00:19:43,400
Speaker 1: George Jenko's podcast, and his girlfriend's this young hot girl.

462
00:19:43,520 --> 00:19:47,000
Speaker 6: Jean Guy. Jean Guy, Yeah, oh.

463
00:19:46,960 --> 00:19:49,880
Speaker 1: Yeah, Jacob Jean's he would look at some of those,

464
00:19:49,920 --> 00:19:53,840
Speaker 1: but he's just a Jeanie's guy. He's so he's so great.

465
00:19:53,840 --> 00:19:54,920
Speaker 1: I didn't know what I was in for when I

466
00:19:54,920 --> 00:19:57,080
Speaker 1: went in. But he has this beautiful girlfriend who he's

467
00:19:57,119 --> 00:19:59,840
Speaker 1: now engaged to. But she was talking about being worried

468
00:20:00,280 --> 00:20:02,480
Speaker 1: about a woman following her around a store and she

469
00:20:02,560 --> 00:20:05,440
Speaker 1: thought she was being trafficked. And I realized that that's

470
00:20:05,520 --> 00:20:07,840
Speaker 1: just never a fear I've ever had, like.

471
00:20:08,359 --> 00:20:10,320
Speaker 4: During like like sex trafficked.

472
00:20:10,520 --> 00:20:11,960
Speaker 2: Yeah, I mean I should have feared it when I

473
00:20:11,960 --> 00:20:12,359
Speaker 2: was younger.

474
00:20:12,400 --> 00:20:14,760
Speaker 4: That's what it is. They just follow you, like, yeah,

475
00:20:15,000 --> 00:20:16,000
Speaker 4: they traffic.

476
00:20:15,720 --> 00:20:19,960
Speaker 2: They Juliane Maxwell you, but they just and then they steal.

477
00:20:20,000 --> 00:20:21,080
Speaker 2: They find a way to steal you.

478
00:20:21,160 --> 00:20:24,159
Speaker 1: They track you, they study you, they they kind of

479
00:20:24,200 --> 00:20:26,879
Speaker 1: they video the videotape. This guy girl was filming her

480
00:20:26,960 --> 00:20:29,879
Speaker 1: oldest girl. She's the early twenties. Oh okay, and so

481
00:20:30,480 --> 00:20:33,080
Speaker 1: but I remember her saying this and me being like,

482
00:20:33,119 --> 00:20:36,920
Speaker 1: oh my god, I've never i never worried about being trafficked.

483
00:20:36,920 --> 00:20:39,600
Speaker 1: And I'm past the trafficking age, like I'm out of it.

484
00:20:42,200 --> 00:20:45,159
Speaker 1: Well maybe to like clean someone's home or something to

485
00:20:45,320 --> 00:20:47,320
Speaker 1: raise their kids, but like, I'm.

486
00:20:47,160 --> 00:20:51,040
Speaker 6: Not getting trafficked for sex, because.

487
00:20:50,960 --> 00:20:52,960
Speaker 2: Oh that's good, thank god.

488
00:20:54,359 --> 00:20:54,880
Speaker 1: Bit there.

489
00:20:55,000 --> 00:20:57,399
Speaker 4: But I don't encourage people, no.

490
00:20:57,320 --> 00:21:04,840
Speaker 1: Please, and no one's gonna pay that I don't good press. Yeah,

491
00:21:04,840 --> 00:21:07,040
Speaker 1: I just I thought that was a funny thing to hear,

492
00:21:07,080 --> 00:21:10,119
Speaker 1: A new fear that I could have felt when I

493
00:21:10,160 --> 00:21:13,040
Speaker 1: was in my early twenties. But I didn't fear that

494
00:21:13,080 --> 00:21:15,639
Speaker 1: because it wasn't as prevalent or known about, you know,

495
00:21:15,720 --> 00:21:18,520
Speaker 1: like being trafficked wasn't something people talked about average. There

496
00:21:18,560 --> 00:21:22,520
Speaker 1: weren't signs on every bathroom at bathroom door saying like

497
00:21:22,520 --> 00:21:24,520
Speaker 1: when are you being traffic It's always just like a

498
00:21:24,560 --> 00:21:28,000
Speaker 1: depressed girl covering They cover her ethnicity, even though we know.

499
00:21:28,160 --> 00:21:28,920
Speaker 4: She has a hoodie.

500
00:21:28,960 --> 00:21:31,640
Speaker 1: Always oh yeah, yeah, yeah, she's got a hoodie, and

501
00:21:32,320 --> 00:21:35,600
Speaker 1: they I really hope that helps some people. And I

502
00:21:35,640 --> 00:21:39,240
Speaker 1: try to look out for girls being trafficked, but you do, yeah,

503
00:21:39,280 --> 00:21:41,919
Speaker 1: because it's like usually a girl who's kind of scared,

504
00:21:41,960 --> 00:21:45,480
Speaker 1: not dressed right for the weather, is what they say.

505
00:21:45,840 --> 00:21:48,320
Speaker 7: Why would she be in an airport? They're really flying

506
00:21:48,359 --> 00:21:49,840
Speaker 7: them on like a cocial plane.

507
00:21:50,040 --> 00:21:53,840
Speaker 4: Oh yeah, and they're not going they're not going like help.

508
00:21:53,560 --> 00:21:55,000
Speaker 2: Ever they do.

509
00:21:55,040 --> 00:21:57,560
Speaker 1: They have hand signals that they can do to flight

510
00:21:57,560 --> 00:22:01,440
Speaker 1: attendants are like trained to look for these certain Wow,

511
00:22:01,720 --> 00:22:03,240
Speaker 1: almost did the white power hand signal?

512
00:22:03,400 --> 00:22:05,080
Speaker 4: But you know that what is it.

513
00:22:05,200 --> 00:22:06,280
Speaker 2: No, it's some kind of.

514
00:22:06,280 --> 00:22:08,400
Speaker 1: Hand signal that a girl can and all the flight

515
00:22:08,400 --> 00:22:10,320
Speaker 1: attendants are now trained to know what that is. But

516
00:22:10,359 --> 00:22:12,679
Speaker 1: you're supposed to look with like a shady guy or

517
00:22:12,760 --> 00:22:14,919
Speaker 1: shady woman with a scared girl.

518
00:22:15,240 --> 00:22:17,760
Speaker 5: And if the girl the signals you make, you make

519
00:22:17,760 --> 00:22:19,879
Speaker 5: the white power symbol and then you go the Jews

520
00:22:19,880 --> 00:22:22,040
Speaker 5: will not replace us. And that's the signal to the

521
00:22:22,080 --> 00:22:25,120
Speaker 5: flight attendant that you you're being sex trafficked.

522
00:22:27,600 --> 00:22:29,159
Speaker 1: That's what they're doing when they say that.

523
00:22:30,760 --> 00:22:33,000
Speaker 6: Those guys were all being sex trafficked.

524
00:22:33,640 --> 00:22:35,280
Speaker 2: Malicious at all this whole time.

525
00:22:35,800 --> 00:22:39,080
Speaker 7: Why don't the women know the women with them know

526
00:22:39,200 --> 00:22:39,760
Speaker 7: the signal?

527
00:22:39,920 --> 00:22:40,919
Speaker 2: Yeah, that's my question.

528
00:22:41,119 --> 00:22:42,919
Speaker 1: Or you just probably do, but you just do it

529
00:22:42,920 --> 00:22:44,720
Speaker 1: when they're not looking. They can't look at you all

530
00:22:44,760 --> 00:22:46,400
Speaker 1: the time. There's always going to be a time where

531
00:22:46,400 --> 00:22:48,879
Speaker 1: they might write and it's.

532
00:22:48,720 --> 00:22:50,280
Speaker 3: They're going to have to piss so but how do

533
00:22:50,359 --> 00:22:52,399
Speaker 3: the victims know how to do it? Where do they

534
00:22:52,480 --> 00:22:52,800
Speaker 3: learn it?

535
00:22:54,800 --> 00:22:57,320
Speaker 5: I listened to a podcast about a woman who escaped

536
00:22:57,600 --> 00:23:00,920
Speaker 5: being sex trafficked and she kind of just over time

537
00:23:01,000 --> 00:23:05,040
Speaker 5: picked it up via message boards and just you.

538
00:23:05,000 --> 00:23:06,920
Speaker 4: Know, they're shares the message boards.

539
00:23:07,080 --> 00:23:09,680
Speaker 5: You get to the library somehow, you get on a computer,

540
00:23:10,080 --> 00:23:12,000
Speaker 5: you start figuring out like what can I do to

541
00:23:12,000 --> 00:23:12,480
Speaker 5: get out of this?

542
00:23:12,720 --> 00:23:15,800
Speaker 1: Also, get left in rooms alone with other girls being

543
00:23:15,800 --> 00:23:18,080
Speaker 1: trafficked a lot. You spend a lot of your time.

544
00:23:18,160 --> 00:23:20,920
Speaker 1: From what I've read about it, I've watched those YouTube

545
00:23:21,000 --> 00:23:23,639
Speaker 1: videos of like the Soft Underbelly I think is what

546
00:23:23,680 --> 00:23:26,080
Speaker 1: they're called, and it was a girl that had been

547
00:23:26,160 --> 00:23:29,040
Speaker 1: sex trafficked and she just spends They spent all day

548
00:23:29,040 --> 00:23:31,879
Speaker 1: in motel rooms just waiting, and then they run out

549
00:23:31,920 --> 00:23:33,520
Speaker 1: another motel room and you just go to that motel

550
00:23:33,600 --> 00:23:36,399
Speaker 1: room and fuck John's that your pimp has brought in

551
00:23:36,440 --> 00:23:38,640
Speaker 1: for you, and you're your John eventually has to go

552
00:23:38,800 --> 00:23:41,800
Speaker 1: and get lunch or whatever, and so you can kind

553
00:23:41,800 --> 00:23:44,119
Speaker 1: of talk to the other girls, and there's there's little ways.

554
00:23:44,600 --> 00:23:48,480
Speaker 2: But man, also they probably have Stockholm syndrome where it's

555
00:23:48,520 --> 00:23:49,280
Speaker 2: hard to leave you.

556
00:23:49,440 --> 00:23:51,800
Speaker 7: Sure, but if they're on if they are gonna do

557
00:23:51,840 --> 00:23:54,600
Speaker 7: the symbol, and they're on the internet, then why don't

558
00:23:54,600 --> 00:23:56,240
Speaker 7: they just reach out to someone on the internet.

559
00:23:56,240 --> 00:23:57,560
Speaker 4: That's what I'm asking Stockholm.

560
00:23:58,040 --> 00:24:01,760
Speaker 6: But will also have a fear that they killed, they'll

561
00:24:01,800 --> 00:24:02,600
Speaker 6: get the shit out of you.

562
00:24:02,720 --> 00:24:04,560
Speaker 7: Okay, yes, then that's not the same people looking at

563
00:24:04,600 --> 00:24:06,760
Speaker 7: the symbol, then what do you mean? Because if they're

564
00:24:06,840 --> 00:24:09,400
Speaker 7: willing to do the symbol on an airplane to get

565
00:24:09,480 --> 00:24:12,359
Speaker 7: to save themselves, okay, why aren't they willing to just

566
00:24:12,440 --> 00:24:14,159
Speaker 7: go on the internet and say.

567
00:24:13,920 --> 00:24:16,760
Speaker 2: Save me because they don't have access to the internet.

568
00:24:17,080 --> 00:24:18,439
Speaker 4: But that's how they learned the symbol.

569
00:24:18,480 --> 00:24:23,040
Speaker 5: I thought it makes February or something like that to

570
00:24:23,040 --> 00:24:24,840
Speaker 5: get access to the internet. But if they found out

571
00:24:24,880 --> 00:24:27,560
Speaker 5: that you tried to be saved on the Internet, they'll

572
00:24:27,600 --> 00:24:29,159
Speaker 5: just beat the shit out of you or kill you.

573
00:24:29,720 --> 00:24:32,080
Speaker 5: And if you're on an airplane, it's like a public

574
00:24:32,119 --> 00:24:34,000
Speaker 5: spot and like you might be able to get away

575
00:24:34,000 --> 00:24:34,199
Speaker 5: with it.

576
00:24:34,240 --> 00:24:36,240
Speaker 6: That might be the thought process there, Like if.

577
00:24:36,200 --> 00:24:38,320
Speaker 5: I can get out right now on this plane where

578
00:24:38,320 --> 00:24:40,040
Speaker 5: everyone's around, they're not going to kill me.

579
00:24:40,760 --> 00:24:44,040
Speaker 3: Not like a certain symbol, but maybe the flight attendants

580
00:24:44,080 --> 00:24:46,399
Speaker 3: and whoever is trained to look for certain marks on

581
00:24:46,440 --> 00:24:49,320
Speaker 3: the body or like just a certain body language.

582
00:24:49,480 --> 00:24:51,960
Speaker 6: I thought that's what the bottom was. Would you press.

583
00:24:52,440 --> 00:24:56,600
Speaker 1: Yes the person I have I've just mouthed help to

584
00:24:56,720 --> 00:24:59,280
Speaker 1: a flight attendant, but it's because the guy next to

585
00:24:59,320 --> 00:25:01,840
Speaker 1: me is listening to his Wait, didn't you.

586
00:25:01,840 --> 00:25:03,760
Speaker 2: Have a guy like sleep on you on the plane

587
00:25:03,840 --> 00:25:04,240
Speaker 2: or something.

588
00:25:04,280 --> 00:25:06,600
Speaker 1: He was just I filmed it and it looked way

589
00:25:06,640 --> 00:25:09,080
Speaker 1: worse than it was. Everyone was like, holy shit, what's

590
00:25:09,119 --> 00:25:11,920
Speaker 1: happening here? He was leaning to talk to the person

591
00:25:11,960 --> 00:25:14,320
Speaker 1: behind him, but he was leaning into my seat. So

592
00:25:14,359 --> 00:25:16,680
Speaker 1: it only lasted as long as you saw me film

593
00:25:16,680 --> 00:25:18,359
Speaker 1: it for. But people were like, if this is happening.

594
00:25:18,520 --> 00:25:21,200
Speaker 1: It was still annoying, and it was funny to capture,

595
00:25:21,359 --> 00:25:23,040
Speaker 1: but it wasn't the whole time, and I absolutely would

596
00:25:23,040 --> 00:25:27,840
Speaker 1: have called it out had it been. Yes, So, but

597
00:25:28,000 --> 00:25:31,439
Speaker 1: you know about this Elizabeth, like Elizabeth Smart when she

598
00:25:31,560 --> 00:25:35,040
Speaker 1: was captured, she went to parties right stuck on.

599
00:25:35,119 --> 00:25:35,639
Speaker 2: Like under him.

600
00:25:35,640 --> 00:25:38,160
Speaker 7: I was just saying, I don't think they're like going

601
00:25:38,200 --> 00:25:40,840
Speaker 7: to the library and learning the symbol there.

602
00:25:40,880 --> 00:25:41,880
Speaker 2: No, I don't think they are either.

603
00:25:41,920 --> 00:25:42,280
Speaker 4: I don't know.

604
00:25:42,320 --> 00:25:43,280
Speaker 1: We got to get the more.

605
00:25:43,240 --> 00:25:45,640
Speaker 4: Everyone more what they're allowed to do.

606
00:25:45,880 --> 00:25:47,240
Speaker 2: I think I already said this on the show.

607
00:25:47,240 --> 00:25:49,520
Speaker 3: But I used to work in trucking radio and a

608
00:25:49,520 --> 00:25:53,000
Speaker 3: lot of sex trafficking would be witnessed at truck stops.

609
00:25:53,520 --> 00:25:58,119
Speaker 3: So there was this organization of women truckers who created

610
00:25:58,160 --> 00:26:02,639
Speaker 3: these chapsticks, and in the cap of the chaps they

611
00:26:02,680 --> 00:26:04,720
Speaker 3: would give it to girls in the bathroom who they

612
00:26:04,760 --> 00:26:07,199
Speaker 3: would feel like are victims, Like they would notice things

613
00:26:07,240 --> 00:26:08,880
Speaker 3: about them because you know, there's showers.

614
00:26:08,520 --> 00:26:10,680
Speaker 4: And your lips look gross. Here you go.

615
00:26:11,640 --> 00:26:13,520
Speaker 3: So they would give them an inside of the cap

616
00:26:13,600 --> 00:26:16,800
Speaker 3: there was like a number like or like a message,

617
00:26:16,880 --> 00:26:20,560
Speaker 3: need help give this signal or something like that, and

618
00:26:20,600 --> 00:26:22,800
Speaker 3: it would be hidden inside the cap so the men

619
00:26:22,840 --> 00:26:23,399
Speaker 3: wouldn't know.

620
00:26:23,960 --> 00:26:27,080
Speaker 7: Oh my god, that's insane that we have to do

621
00:26:27,119 --> 00:26:28,880
Speaker 7: stuff like that as humans.

622
00:26:28,960 --> 00:26:29,720
Speaker 4: But that's cool.

623
00:26:30,320 --> 00:26:33,720
Speaker 5: There's a Bree Larson movie. What was that movie called Room? Yes,

624
00:26:34,040 --> 00:26:36,040
Speaker 5: it's one of those tense movies of all time.

625
00:26:36,560 --> 00:26:39,840
Speaker 6: I mean that that. Go watch her. Before Brie Larson

626
00:26:39,920 --> 00:26:41,920
Speaker 6: became Missus Marvel.

627
00:26:43,560 --> 00:26:45,840
Speaker 1: She was Amy Schumer's sister in train Wreck, the movie

628
00:26:45,880 --> 00:26:47,800
Speaker 1: I was in. Oh my god, you I was a

629
00:26:47,880 --> 00:26:49,720
Speaker 1: scene with her. Well, now we were at the same

630
00:26:49,800 --> 00:26:52,199
Speaker 1: party in a scene, but I don't think I acted

631
00:26:52,240 --> 00:26:54,000
Speaker 1: with her. But yeah, we went out to lunch during

632
00:26:54,040 --> 00:26:54,560
Speaker 1: that time too.

633
00:26:54,680 --> 00:26:57,080
Speaker 6: Oh my god. Wow, she's very nice.

634
00:26:57,280 --> 00:26:59,679
Speaker 1: But yeah, that that movie Room where she's kept in

635
00:26:59,720 --> 00:27:01,680
Speaker 1: a in a room.

636
00:27:02,280 --> 00:27:05,560
Speaker 6: With her son, with her son, and then she gets.

637
00:27:05,400 --> 00:27:08,080
Speaker 1: And the guy ipregnates her, right like the kidnapper is

638
00:27:08,080 --> 00:27:09,120
Speaker 1: the one that impregnates her.

639
00:27:09,119 --> 00:27:12,240
Speaker 5: Right potentially, Yeah, and it's just it's so tense. I

640
00:27:12,240 --> 00:27:13,840
Speaker 5: can't believe they're able to ratchet up.

641
00:27:13,920 --> 00:27:16,280
Speaker 2: I read that, but I don't think I wanted to

642
00:27:16,320 --> 00:27:16,639
Speaker 2: see that.

643
00:27:17,240 --> 00:27:20,120
Speaker 5: Yeah, yeah, it was really good. But the tension, it's

644
00:27:20,200 --> 00:27:21,800
Speaker 5: like you ever see Uncut Gems?

645
00:27:22,480 --> 00:27:25,160
Speaker 2: No, because I've heard about the tension.

646
00:27:25,760 --> 00:27:28,600
Speaker 5: There's a few movies that are just so tense, and

647
00:27:28,640 --> 00:27:31,040
Speaker 5: then the release of tension you think would be relieving,

648
00:27:31,080 --> 00:27:33,840
Speaker 5: but it's almost like I got not Like when the

649
00:27:33,880 --> 00:27:37,320
Speaker 5: tension gets released in Uncut Gems, it's almost like that

650
00:27:37,400 --> 00:27:39,520
Speaker 5: tension just follows you for the rest of your life.

651
00:27:39,600 --> 00:27:41,760
Speaker 6: Now you cannot it will.

652
00:27:42,400 --> 00:27:44,159
Speaker 2: What about It Follows? Have you ever heard about the

653
00:27:44,160 --> 00:27:44,679
Speaker 2: plot of that?

654
00:27:45,000 --> 00:27:46,520
Speaker 6: I love it Follows.

655
00:27:46,560 --> 00:27:50,400
Speaker 5: It Follows is maybe one of the only horror movies

656
00:27:50,440 --> 00:27:52,159
Speaker 5: that I actually would rewatch.

657
00:27:52,600 --> 00:27:54,720
Speaker 1: Wait what about the scene? I don't even I've never

658
00:27:54,760 --> 00:27:56,520
Speaker 1: seen it. But I was reading on a Reddit thread

659
00:27:56,560 --> 00:27:58,439
Speaker 1: the other day it was like, what are the what

660
00:27:58,640 --> 00:28:01,960
Speaker 1: screen screencrab the scariest moments in movies for you?

661
00:28:02,000 --> 00:28:03,520
Speaker 2: And so people were just posting.

662
00:28:03,200 --> 00:28:05,639
Speaker 1: Just like a screenshot of like these, like you know,

663
00:28:05,680 --> 00:28:07,879
Speaker 1: when a face suddenly appears in a doorway, and there

664
00:28:07,960 --> 00:28:10,159
Speaker 1: was one from it follows where a tall man was

665
00:28:10,160 --> 00:28:13,679
Speaker 1: in a house and it is so creepy, and a

666
00:28:13,760 --> 00:28:16,080
Speaker 1: lot of it follows because it's like, there's this thing

667
00:28:16,119 --> 00:28:18,760
Speaker 1: that is always walking to you to kill you, and

668
00:28:18,880 --> 00:28:21,200
Speaker 1: you can and it is always walking at like a

669
00:28:21,240 --> 00:28:23,280
Speaker 1: walking pace, so you can run from it your whole life,

670
00:28:23,320 --> 00:28:25,240
Speaker 1: but it will always be walking to you and will

671
00:28:25,280 --> 00:28:27,400
Speaker 1: always find you. So you've got to keep going, which

672
00:28:27,480 --> 00:28:35,240
Speaker 1: is really not that hard to do. But this, yeah, John,

673
00:28:35,400 --> 00:28:39,760
Speaker 1: like a giant John Lennon, I hate it. Is that

674
00:28:39,800 --> 00:28:41,400
Speaker 1: such a scary scene, Brian, what happens?

675
00:28:41,480 --> 00:28:46,680
Speaker 7: Oh my god, I got the nipples are so hard.

676
00:28:46,720 --> 00:28:47,080
Speaker 4: I hate that.

677
00:28:47,640 --> 00:28:50,280
Speaker 5: That's actually that that guy is not scary. That is

678
00:28:50,280 --> 00:28:52,600
Speaker 5: actually Tony Hawk and they're about to go skateboarding. The

679
00:28:52,680 --> 00:28:58,240
Speaker 5: monster comes later. It follows as a it's uh, it's

680
00:28:58,280 --> 00:29:03,040
Speaker 5: a parable about urging sexuality and the monster is.

681
00:29:04,560 --> 00:29:04,800
Speaker 4: Gay.

682
00:29:05,640 --> 00:29:10,400
Speaker 5: The monster is basically like your sexuality and the fears

683
00:29:10,400 --> 00:29:13,560
Speaker 5: and dangers that come with it because it is the

684
00:29:13,560 --> 00:29:16,680
Speaker 5: monster itself is actually a sexually transmitted disease.

685
00:29:16,920 --> 00:29:18,480
Speaker 1: Yeah, you have sex with someone and then the monster

686
00:29:18,560 --> 00:29:21,440
Speaker 1: will start chasing them until they die, and then it

687
00:29:21,480 --> 00:29:21,960
Speaker 1: goes back.

688
00:29:21,800 --> 00:29:24,920
Speaker 4: To Christian Scirity, you can just.

689
00:29:24,920 --> 00:29:27,760
Speaker 1: You fuck people to get the monster off chasing you,

690
00:29:28,040 --> 00:29:30,280
Speaker 1: but then the monster eventually gets them and then they

691
00:29:30,320 --> 00:29:30,880
Speaker 1: comes back to.

692
00:29:30,800 --> 00:29:33,400
Speaker 4: Get So it follows studded at sex.

693
00:29:34,120 --> 00:29:37,040
Speaker 6: Yeah, but it's not for you never to have sex.

694
00:29:37,080 --> 00:29:39,640
Speaker 5: It's telling you that, like your loss of innocence, it's

695
00:29:39,640 --> 00:29:42,280
Speaker 5: basically like a symbol symbolism of your loss of innocence

696
00:29:42,280 --> 00:29:44,520
Speaker 5: and entering this new world where you are now a

697
00:29:44,600 --> 00:29:47,080
Speaker 5: sexual being that it's more like an act.

698
00:29:47,160 --> 00:29:47,280
Speaker 7: Me.

699
00:29:48,160 --> 00:29:50,080
Speaker 2: You didn't feel different after you lost your virginity. You

700
00:29:50,120 --> 00:29:51,040
Speaker 2: weren't like the worlds.

701
00:29:51,200 --> 00:29:54,240
Speaker 4: I was like, I'm cool, but I was years old,

702
00:29:54,360 --> 00:29:55,400
Speaker 4: so I was twenty.

703
00:29:55,160 --> 00:29:57,520
Speaker 1: One, and I felt like I remember eating an omelet

704
00:29:57,560 --> 00:29:59,640
Speaker 1: and being like, this is like the first omelet, as

705
00:29:59,680 --> 00:30:00,240
Speaker 1: like an a doll.

706
00:30:00,640 --> 00:30:03,080
Speaker 2: It was like right after and we were barely talking.

707
00:30:03,120 --> 00:30:04,680
Speaker 1: We had nothing to talk about after we had sex

708
00:30:04,680 --> 00:30:06,320
Speaker 1: because he was regretting it because he had a girlfriend,

709
00:30:07,240 --> 00:30:09,080
Speaker 1: and I could just tell everything is shifted. It was

710
00:30:09,120 --> 00:30:12,800
Speaker 1: the first time that I felt talk about It follows

711
00:30:12,840 --> 00:30:18,800
Speaker 1: you follow sex, men being weird, men getting changing so much,

712
00:30:19,080 --> 00:30:21,960
Speaker 1: men suddenly not being able to hold conversation, men suddenly

713
00:30:22,000 --> 00:30:24,480
Speaker 1: like not really wanting to talk to you anymore, not

714
00:30:24,480 --> 00:30:27,520
Speaker 1: really having anything to say, suddenly regretting everything they did,

715
00:30:27,720 --> 00:30:30,680
Speaker 1: just did. That was what it followed for me after that.

716
00:30:30,760 --> 00:30:32,800
Speaker 1: I just remember being like, this guy isn't like cool

717
00:30:32,840 --> 00:30:34,080
Speaker 1: to me anymore.

718
00:30:34,040 --> 00:30:37,880
Speaker 7: Standing in a doorway facing you, Yeah, doorway, turning to

719
00:30:37,960 --> 00:30:38,480
Speaker 7: get out, but.

720
00:30:38,400 --> 00:30:40,680
Speaker 1: Instead of running from it, I like ran towards it.

721
00:30:41,120 --> 00:30:45,800
Speaker 1: That that terrifying change. Okay, so it fallows. I love that.

722
00:30:45,880 --> 00:30:46,800
Speaker 2: You love that movie?

723
00:30:46,920 --> 00:30:48,920
Speaker 1: Is it? But it's so scary, right, Like, I don't

724
00:30:48,920 --> 00:30:51,000
Speaker 1: think I can handle something, you know what? The idea

725
00:30:51,120 --> 00:30:56,680
Speaker 1: is creeping at me slowly, yeah, fucking instead of running, No,

726
00:30:56,920 --> 00:30:58,920
Speaker 1: walking so much scarier running.

727
00:30:59,000 --> 00:31:01,400
Speaker 6: They're always walked in that well.

728
00:31:01,680 --> 00:31:04,920
Speaker 5: And like most classic movies, the monster like either can

729
00:31:05,200 --> 00:31:07,240
Speaker 5: can like space jump and all of a sudden it's

730
00:31:07,280 --> 00:31:08,760
Speaker 5: right in front of you when it was just across

731
00:31:08,800 --> 00:31:09,800
Speaker 5: the room or the.

732
00:31:12,240 --> 00:31:19,640
Speaker 1: Yeah, like ing or scared scattering the wall. Like the

733
00:31:19,720 --> 00:31:22,320
Speaker 1: other scene is the movie Hereditary. There was a screenshot

734
00:31:22,360 --> 00:31:24,200
Speaker 1: of it and she's in the corner of the wall

735
00:31:24,240 --> 00:31:25,880
Speaker 1: and you can barely see her because it's so dark.

736
00:31:25,960 --> 00:31:28,080
Speaker 1: You really you have to like really look and you go,

737
00:31:28,160 --> 00:31:30,360
Speaker 1: oh my god, what the fuck is up? There. It's

738
00:31:30,400 --> 00:31:32,719
Speaker 1: so creaty. I wouldn't see the Mireditary is the one

739
00:31:32,840 --> 00:31:35,840
Speaker 1: is the movie that, like everyone says, is the most

740
00:31:35,880 --> 00:31:36,840
Speaker 1: scarring insane.

741
00:31:36,840 --> 00:31:39,440
Speaker 6: Have you seen that, Brian, No, I haven't seen her.

742
00:31:39,600 --> 00:31:41,280
Speaker 6: I talked about watch it.

743
00:31:41,400 --> 00:31:43,280
Speaker 2: No, it's it's traumatic, Okay.

744
00:31:43,160 --> 00:31:45,360
Speaker 4: I know. Is the scariest thing I ever saw.

745
00:31:45,440 --> 00:31:47,959
Speaker 7: That made me like I slept with my sister that night,

746
00:31:47,960 --> 00:31:50,040
Speaker 7: which has never happened event Horizon.

747
00:31:50,400 --> 00:31:51,200
Speaker 1: Wait, why.

748
00:31:52,520 --> 00:31:55,680
Speaker 4: It's a ship that goes to head like a spaceship.

749
00:31:55,760 --> 00:31:56,520
Speaker 4: You've never seen it?

750
00:31:56,760 --> 00:32:00,480
Speaker 7: Oh my god, it's so scary. They like recover the

751
00:32:01,600 --> 00:32:03,840
Speaker 7: like tapes from the spaceship. I remember the part that

752
00:32:03,920 --> 00:32:07,680
Speaker 7: was the worst is they just the ship disappears and

753
00:32:07,720 --> 00:32:09,080
Speaker 7: someone has to go find it. They find the ship,

754
00:32:09,120 --> 00:32:10,600
Speaker 7: the crew is not on it, but there's like blood

755
00:32:10,600 --> 00:32:12,800
Speaker 7: and stuff. Everyone like, okay, what happened people?

756
00:32:12,840 --> 00:32:14,840
Speaker 4: One guy's like pulling his intestines. I was not, like,

757
00:32:14,880 --> 00:32:18,760
Speaker 4: well no, people are like like chopping each other up.

758
00:32:19,080 --> 00:32:22,080
Speaker 7: But then when he's on the ship, like he's hallucinating.

759
00:32:22,880 --> 00:32:24,560
Speaker 7: So the lights are going on and off, and then

760
00:32:24,560 --> 00:32:27,400
Speaker 7: this woman is just facing him. That's his like wife

761
00:32:27,400 --> 00:32:28,560
Speaker 7: that killed herself or whatever.

762
00:32:28,600 --> 00:32:30,600
Speaker 2: Oh so when the lights go off, so it gets

763
00:32:30,600 --> 00:32:32,000
Speaker 2: closer as they've.

764
00:32:31,920 --> 00:32:35,280
Speaker 7: Got so many shots of like, yes, that kind of

765
00:32:35,680 --> 00:32:36,520
Speaker 7: oh my god.

766
00:32:36,480 --> 00:32:38,640
Speaker 1: Creepy little things like even the Blair Witch at the

767
00:32:38,720 --> 00:32:41,200
Speaker 1: very end where the guys just him facing the wall.

768
00:32:41,400 --> 00:32:44,360
Speaker 1: There's there's nothing you see, but it's just like really

769
00:32:44,440 --> 00:32:46,880
Speaker 1: like a thing that's challenging you to find it in

770
00:32:46,960 --> 00:32:49,360
Speaker 1: the thing, and like it's there's a subred of like

771
00:32:49,720 --> 00:32:51,520
Speaker 1: when you see it or whatever you like.

772
00:32:52,160 --> 00:32:55,440
Speaker 5: For the days, some of those things are so stupid.

773
00:32:55,480 --> 00:32:57,560
Speaker 5: Like I was watching I think it was like Insidious

774
00:32:57,800 --> 00:33:00,960
Speaker 5: two or some something, and it was like there were

775
00:33:01,200 --> 00:33:03,840
Speaker 5: this this woman was in an attic or a basement

776
00:33:03,880 --> 00:33:05,920
Speaker 5: and it was pitch black. I don't know why she

777
00:33:05,960 --> 00:33:08,000
Speaker 5: went down there, but she decided to go into the

778
00:33:08,040 --> 00:33:11,000
Speaker 5: pitch back placement laundry. She was doing her laundry and

779
00:33:11,040 --> 00:33:13,920
Speaker 5: she had to uh, she couldn't see anything, but there

780
00:33:13,960 --> 00:33:16,239
Speaker 5: was a chance there was a monster down there, and

781
00:33:16,320 --> 00:33:18,840
Speaker 5: so at some point she took out a match and

782
00:33:18,920 --> 00:33:21,720
Speaker 5: she lit the mask, and then of course the monster

783
00:33:21,880 --> 00:33:24,640
Speaker 5: was right there facing her. And I think that's just

784
00:33:24,680 --> 00:33:28,240
Speaker 5: so stupid because that means that like the monster was

785
00:33:28,360 --> 00:33:30,360
Speaker 5: just sitting there waiting.

786
00:33:30,920 --> 00:33:32,880
Speaker 6: I can't wait till she likes this match.

787
00:33:33,560 --> 00:33:35,680
Speaker 5: When she she's gonna be so scared when she sees

788
00:33:35,680 --> 00:33:38,280
Speaker 5: something close to you day and then.

789
00:33:38,560 --> 00:33:41,040
Speaker 7: She's walking and he's backing up to be face to

790
00:33:41,080 --> 00:33:44,000
Speaker 7: face with her, like stumbling over like trash that's in

791
00:33:44,080 --> 00:33:47,160
Speaker 7: the base, like the Lawndowers pitch silently.

792
00:33:47,640 --> 00:33:49,800
Speaker 5: If you think, if you want scary movies to be

793
00:33:49,880 --> 00:33:52,840
Speaker 5: less scary, just start thinking about all the prep and

794
00:33:52,920 --> 00:33:54,800
Speaker 5: set up that the monster had to do to make

795
00:33:54,840 --> 00:33:56,080
Speaker 5: this movement happen.

796
00:33:56,280 --> 00:33:58,040
Speaker 4: The monster really works hard.

797
00:33:57,920 --> 00:33:59,160
Speaker 2: Yeah, like to get on her bed.

798
00:33:59,200 --> 00:34:00,640
Speaker 1: So they have to like clean are out all the

799
00:34:00,640 --> 00:34:04,520
Speaker 1: clutter and like putting somewhere else there.

800
00:34:04,400 --> 00:34:07,800
Speaker 4: And be like they can't fart, burp or anything.

801
00:34:08,160 --> 00:34:10,799
Speaker 5: Like imagine the guy from the moving like he has

802
00:34:10,840 --> 00:34:13,040
Speaker 5: to go to home depot. You got to get a

803
00:34:13,040 --> 00:34:16,160
Speaker 5: hook from somewhere. You guys have a hook, you know.

804
00:34:17,239 --> 00:34:17,680
Speaker 4: He's like.

805
00:34:20,600 --> 00:34:23,080
Speaker 1: Just picture them eating lunch, Like the guy from Saw

806
00:34:23,239 --> 00:34:26,080
Speaker 1: had to like stop building a contraption, so he did,

807
00:34:26,120 --> 00:34:29,920
Speaker 1: like make a turkey sandwich salad.

808
00:34:30,200 --> 00:34:32,839
Speaker 6: My standwich was supposed to be here five minutes ago.

809
00:34:34,080 --> 00:34:38,320
Speaker 7: Picture like just horny, but it's like I can't I

810
00:34:38,360 --> 00:34:40,120
Speaker 7: can't do anything about it right now.

811
00:34:40,040 --> 00:34:42,320
Speaker 1: Like Waldreins.

812
00:34:45,040 --> 00:34:47,000
Speaker 2: That takes away some of the fear.

813
00:34:47,480 --> 00:34:49,720
Speaker 1: I think the scariest movie that scarred me the most

814
00:34:50,239 --> 00:34:54,919
Speaker 1: was in eighth grade when Missus Cannon stupidly showed us

815
00:34:56,040 --> 00:34:57,080
Speaker 1: The Day After Tomorrow.

816
00:34:57,440 --> 00:34:59,040
Speaker 4: I've never seen it, but I've heard you talk about.

817
00:34:59,200 --> 00:35:00,960
Speaker 2: Yeah, it's I've talked about it before.

818
00:35:00,960 --> 00:35:03,640
Speaker 1: But it was like this apocalyptic movie about what if

819
00:35:03,760 --> 00:35:05,960
Speaker 1: there was a nuclear war and it was all set

820
00:35:05,960 --> 00:35:08,160
Speaker 1: in Lawrence, Kansas, I guess, which I didn't even know

821
00:35:08,200 --> 00:35:09,560
Speaker 1: I would end up going to college there. It was

822
00:35:09,640 --> 00:35:11,319
Speaker 1: eighth grade, but we were reading this book called Z

823
00:35:11,520 --> 00:35:14,080
Speaker 1: for Zachariah about the end of the world, like a

824
00:35:14,160 --> 00:35:17,800
Speaker 1: nuclear apocalypse, and she was like, this would be appropriate

825
00:35:17,840 --> 00:35:20,399
Speaker 1: to show them to tie into this book. And it

826
00:35:20,520 --> 00:35:25,200
Speaker 1: was so just like the idea that this thing could

827
00:35:25,280 --> 00:35:27,799
Speaker 1: hit and then we all are just like skeletons, Like hey,

828
00:35:28,080 --> 00:35:29,960
Speaker 1: like it would flash and then you would be these

829
00:35:30,040 --> 00:35:32,000
Speaker 1: kids like playing baseball and they would just go ring

830
00:35:32,160 --> 00:35:33,839
Speaker 1: and it would be like an X ray of them

831
00:35:33,880 --> 00:35:36,680
Speaker 1: and they're like ring and that. For whatever reason, that

832
00:35:36,760 --> 00:35:38,960
Speaker 1: was so scary to me, like just seeing people in

833
00:35:39,000 --> 00:35:43,000
Speaker 1: their everyday lives become skeletons. And I couldn't sleep and

834
00:35:43,040 --> 00:35:46,880
Speaker 1: I had so much fear, and it was probably the

835
00:35:47,160 --> 00:35:49,120
Speaker 1: most scared I've ever been as a kid for an

836
00:35:49,120 --> 00:35:52,319
Speaker 1: extended period. And then I always tell the story, but

837
00:35:52,560 --> 00:35:55,520
Speaker 1: I remember so distinctly going down to my parents' bedroom

838
00:35:55,560 --> 00:35:59,360
Speaker 1: to sleep on their floor for the probably twentieth time

839
00:35:59,680 --> 00:36:02,759
Speaker 1: that month, like I spent, I slept on my parents' floor.

840
00:36:02,800 --> 00:36:05,319
Speaker 1: I would pull out this gymnastic mac from under the bed.

841
00:36:05,440 --> 00:36:07,080
Speaker 1: The monster would be there. I'd say, excuse me, can

842
00:36:07,120 --> 00:36:08,680
Speaker 1: I get this mat? And I would pull out the

843
00:36:08,680 --> 00:36:11,200
Speaker 1: mat and I would unfold it and sadly make my bed,

844
00:36:11,200 --> 00:36:13,399
Speaker 1: and I really remember, how is that the first time

845
00:36:13,440 --> 00:36:16,760
Speaker 1: in my life I was like, you gotta get it together, Niki,

846
00:36:16,920 --> 00:36:19,759
Speaker 1: Like this isn't gonna las. You have to quit this,

847
00:36:20,320 --> 00:36:22,040
Speaker 1: Like it was my I've quit so many things in

848
00:36:22,080 --> 00:36:23,960
Speaker 1: my life and had that moment of like, this isn't

849
00:36:24,000 --> 00:36:27,799
Speaker 1: working for you, this isn't manageable you you gotta quit this.

850
00:36:27,840 --> 00:36:30,160
Speaker 1: And that was the I remember pulling out that mattress.

851
00:36:30,200 --> 00:36:30,919
Speaker 2: It was so sad.

852
00:36:30,960 --> 00:36:32,920
Speaker 1: It was like having a drink after you've been sober

853
00:36:32,960 --> 00:36:34,400
Speaker 1: for a bit, Like I would like, you know, be

854
00:36:34,440 --> 00:36:35,560
Speaker 1: able to sleep in my room for a week.

855
00:36:35,560 --> 00:36:37,279
Speaker 2: And then I quote down like, can I sleep with you?

856
00:36:37,800 --> 00:36:41,040
Speaker 1: Unfold the map, make the bed, and I went down

857
00:36:41,120 --> 00:36:42,479
Speaker 1: the final time I ever went down.

858
00:36:42,880 --> 00:36:43,960
Speaker 2: I opened the door.

859
00:36:44,040 --> 00:36:46,920
Speaker 1: And I said, I'm scared, and my dad goes, of

860
00:36:47,200 --> 00:36:50,359
Speaker 1: what and they're like asleep, and I would go nuclear war,

861
00:36:50,480 --> 00:36:54,200
Speaker 1: and my dad just goes, what and I go, I'm

862
00:36:54,360 --> 00:36:57,360
Speaker 1: just scared, Like any second it could just like happen.

863
00:36:57,440 --> 00:37:00,520
Speaker 1: There's no morning, there's no light, sirens or anything like,

864
00:37:00,520 --> 00:37:08,239
Speaker 1: it just will like skeletons and skeletons. Yeah, he just

865
00:37:08,280 --> 00:37:12,279
Speaker 1: called ears so much, which was the simplest thing. He

866
00:37:12,360 --> 00:37:16,400
Speaker 1: just said, Nikki, there is literally nothing you can do

867
00:37:16,480 --> 00:37:19,760
Speaker 1: about it. And I was just like, and I remember

868
00:37:19,800 --> 00:37:22,399
Speaker 1: thinking that he goes, what are what? What can you do?

869
00:37:22,800 --> 00:37:23,600
Speaker 1: What are you going to do?

870
00:37:23,800 --> 00:37:25,640
Speaker 2: Like this is a guy that lived with their parents

871
00:37:25,680 --> 00:37:27,279
Speaker 2: in the sixties, you know, like.

872
00:37:27,480 --> 00:37:31,960
Speaker 1: Bay of Pigs, nuclear like he's he had run this

873
00:37:32,000 --> 00:37:32,839
Speaker 1: one through, I could tell.

874
00:37:33,640 --> 00:37:35,240
Speaker 6: And that was just the dating scene.

875
00:37:36,760 --> 00:37:40,280
Speaker 1: He had lived through this fear of like the world ending,

876
00:37:40,520 --> 00:37:42,160
Speaker 1: and there it's true, there's nothing you can do, and

877
00:37:42,200 --> 00:37:45,239
Speaker 1: it really made me. I just remember shutting the door

878
00:37:45,239 --> 00:37:47,960
Speaker 1: and being like, I can live now because I don't

879
00:37:48,000 --> 00:37:49,600
Speaker 1: I'm not responsible for this anymore.

880
00:37:49,840 --> 00:37:50,279
Speaker 2: And it was.

881
00:37:50,760 --> 00:37:53,560
Speaker 1: It was so freeing, and I can't believe that's what

882
00:37:53,640 --> 00:37:55,359
Speaker 1: did it. I would have never thought that was what

883
00:37:55,440 --> 00:37:55,719
Speaker 1: did it.

884
00:37:55,760 --> 00:37:57,480
Speaker 5: But I don't know if that would have comforted me

885
00:37:57,520 --> 00:38:00,440
Speaker 5: as a child because of the need for control.

886
00:38:00,480 --> 00:38:02,759
Speaker 6: I think it. I don't know. I wonder if I

887
00:38:02,800 --> 00:38:03,040
Speaker 6: was that.

888
00:38:03,239 --> 00:38:06,560
Speaker 1: If your parents, the people who know so know everything

889
00:38:06,840 --> 00:38:08,560
Speaker 1: to you, I guess at this point in eighth grade,

890
00:38:08,719 --> 00:38:10,680
Speaker 1: they were starting to learn that they didn't know everything,

891
00:38:10,719 --> 00:38:13,280
Speaker 1: but there's still the authority and they tell you there's

892
00:38:13,320 --> 00:38:16,000
Speaker 1: nothing you can do. It's like, it's my same joke

893
00:38:16,040 --> 00:38:18,319
Speaker 1: about like I like being bondage because I like being

894
00:38:18,320 --> 00:38:21,480
Speaker 1: tied up because someone's like you can't, you can't do anything.

895
00:38:21,520 --> 00:38:24,800
Speaker 1: It's like forced laziness. So like if you can't do anything,

896
00:38:24,840 --> 00:38:27,600
Speaker 1: you don't, you are free to not worry. It was

897
00:38:27,600 --> 00:38:28,920
Speaker 1: like we were talking about the other day where I

898
00:38:28,960 --> 00:38:32,759
Speaker 1: was like, I like knowing that nothing's my fault. I

899
00:38:32,760 --> 00:38:34,680
Speaker 1: forget what we were saying, but there was some comfort

900
00:38:34,760 --> 00:38:37,480
Speaker 1: I took from the adopting thing.

901
00:38:38,200 --> 00:38:39,560
Speaker 2: Yeah, knowing thing.

902
00:38:40,080 --> 00:38:42,360
Speaker 1: Maybe it was that, but it was something about not

903
00:38:42,840 --> 00:38:44,040
Speaker 1: feeling responsible.

904
00:38:44,160 --> 00:38:44,520
Speaker 6: First.

905
00:38:44,800 --> 00:38:46,960
Speaker 1: If I if I don't feel responsible, then I can

906
00:38:47,040 --> 00:38:49,040
Speaker 1: just like let go of it and be like it's

907
00:38:49,080 --> 00:38:51,160
Speaker 1: not my problem. That's why I like that phrase, like

908
00:38:51,600 --> 00:38:53,680
Speaker 1: it's none of your business what other people think about you.

909
00:38:53,880 --> 00:38:56,120
Speaker 1: That that works on me when I'm reminded of it,

910
00:38:56,800 --> 00:38:59,000
Speaker 1: because it just cuts right through it of like, okay,

911
00:38:59,040 --> 00:39:02,200
Speaker 1: well now now it's annoying if I care. Now I'm

912
00:39:02,280 --> 00:39:04,280
Speaker 1: like being a little nosy bitch.

913
00:39:04,640 --> 00:39:07,600
Speaker 7: Okay, great, never know anyway, so it's like, why are

914
00:39:07,600 --> 00:39:08,120
Speaker 7: you trying?

915
00:39:08,360 --> 00:39:12,440
Speaker 5: Yeah, I liked that healthier reaction when just letting go,

916
00:39:12,719 --> 00:39:14,960
Speaker 5: like the book you're reading, You've just let go of

917
00:39:15,040 --> 00:39:18,240
Speaker 5: your responsibility. Whereas if that happened to me, I'd probably

918
00:39:18,280 --> 00:39:20,239
Speaker 5: be like, I need to get in touch with Krbachev

919
00:39:20,760 --> 00:39:22,160
Speaker 5: maybe if he just listens to me.

920
00:39:22,600 --> 00:39:25,000
Speaker 6: You know, I write a little letter, but.

921
00:39:25,000 --> 00:39:27,680
Speaker 1: I think I can't even that we can do. He

922
00:39:27,760 --> 00:39:29,120
Speaker 1: was like, are you going to write a letter? Like

923
00:39:29,160 --> 00:39:30,400
Speaker 1: you don't even know where to send it? Like I

924
00:39:30,400 --> 00:39:36,760
Speaker 1: think we kind of every day. I had no idea.

925
00:39:36,920 --> 00:39:40,000
Speaker 1: Even my therapist I remember one time said because I

926
00:39:40,000 --> 00:39:42,200
Speaker 1: was struggling with imposter syndrome. And I know I've said

927
00:39:42,200 --> 00:39:44,600
Speaker 1: this before, so I'm sorry to repeat myself, but she

928
00:39:45,760 --> 00:39:47,560
Speaker 1: I was like, I just feel like i'm fooling everyone,

929
00:39:47,600 --> 00:39:50,400
Speaker 1: And she was like, how dare you think that? So

930
00:39:50,440 --> 00:39:52,919
Speaker 1: you think you're smarter than everyone, So you literally think

931
00:39:52,960 --> 00:39:56,319
Speaker 1: you are so smart that all these smart people you

932
00:39:56,400 --> 00:39:58,600
Speaker 1: tricked them. You're so good. And I was like, as

933
00:39:58,640 --> 00:40:01,439
Speaker 1: soon as she makes it that, I think I'm hot. Shit,

934
00:40:01,719 --> 00:40:04,000
Speaker 1: I don't feel that way. It took it away. Yeah,

935
00:40:04,160 --> 00:40:08,600
Speaker 1: and then I like, there's something that soothing about that. Brian,

936
00:40:08,640 --> 00:40:09,720
Speaker 1: you watched the stand up special?

937
00:40:09,800 --> 00:40:14,080
Speaker 5: You said, well, Ree listened because I don't think I'm

938
00:40:14,400 --> 00:40:16,560
Speaker 5: if I'm not mistaken, I don't think there's video of

939
00:40:16,600 --> 00:40:17,040
Speaker 5: this special.

940
00:40:17,120 --> 00:40:18,400
Speaker 6: I think it's simply an album.

941
00:40:18,840 --> 00:40:21,320
Speaker 1: What David l that skanks for the Memories?

942
00:40:21,640 --> 00:40:23,200
Speaker 6: No, but close, Mitch.

943
00:40:22,960 --> 00:40:26,520
Speaker 2: Hedburg, Okay, hold on, let me try to get it.

944
00:40:27,040 --> 00:40:30,920
Speaker 5: Oh that Mitch Hedburg won called it's about corn, ear

945
00:40:31,000 --> 00:40:31,920
Speaker 5: of corn or something.

946
00:40:32,080 --> 00:40:34,920
Speaker 1: God, I don't that's not ringing a bell. But that

947
00:40:35,000 --> 00:40:40,680
Speaker 1: was definitely a Louis c k No. No, okay, well,

948
00:40:40,719 --> 00:40:41,600
Speaker 1: what what was it.

949
00:40:42,000 --> 00:40:44,920
Speaker 6: Brian Reagan standing up his first album?

950
00:40:45,120 --> 00:40:45,440
Speaker 1: Oh?

951
00:40:45,800 --> 00:40:47,959
Speaker 2: Yeah, really that's not on VID.

952
00:40:48,520 --> 00:40:50,120
Speaker 6: I don't think so. I don't.

953
00:40:50,239 --> 00:40:52,000
Speaker 5: I tried to look for it, and it was just

954
00:40:52,040 --> 00:40:55,080
Speaker 5: an album. And I have to say, you got if

955
00:40:55,080 --> 00:40:57,600
Speaker 5: you haven't listened to that album in a while. Listen

956
00:40:57,640 --> 00:40:59,759
Speaker 5: to the first twelve minutes of that album. I don't

957
00:40:59,760 --> 00:41:04,560
Speaker 5: think I've ever heard any recording of anyone crushing harder

958
00:41:05,080 --> 00:41:08,200
Speaker 5: for that long sustained amount of time than the first

959
00:41:08,239 --> 00:41:11,560
Speaker 5: eleven minutes of that album. It is absurd. The people

960
00:41:11,800 --> 00:41:15,480
Speaker 5: and that audience are in hysterics. It's almost like they

961
00:41:15,520 --> 00:41:18,600
Speaker 5: need to leave for their own help. They're laughing so much.

962
00:41:19,640 --> 00:41:24,839
Speaker 5: Every single line is an uproarious laughter. And and I'm

963
00:41:24,880 --> 00:41:25,399
Speaker 5: laughing too.

964
00:41:25,440 --> 00:41:25,640
Speaker 6: I'm not.

965
00:41:25,880 --> 00:41:27,640
Speaker 5: I'm I'm listening to it. And usually if people are

966
00:41:27,680 --> 00:41:28,839
Speaker 5: laughing too much, I'm like.

967
00:41:28,880 --> 00:41:29,720
Speaker 6: Okay, chill.

968
00:41:30,480 --> 00:41:33,000
Speaker 5: This is like, I get why they're laughing this much.

969
00:41:33,040 --> 00:41:36,400
Speaker 5: This is absurd. Just the just the rhythm and the

970
00:41:36,440 --> 00:41:37,960
Speaker 5: amount of jokes and the way he you know, he

971
00:41:38,000 --> 00:41:40,680
Speaker 5: does his like act outs are so funny and he

972
00:41:40,840 --> 00:41:43,200
Speaker 5: just piles on the ta the.

973
00:41:43,160 --> 00:41:46,400
Speaker 2: You two stuff, Yeah, well you two is that the bit.

974
00:41:46,640 --> 00:41:49,920
Speaker 5: And the setups are so simple, because the setups just

975
00:41:50,000 --> 00:41:53,280
Speaker 5: like I'm stupid, and then it's like learning words.

976
00:41:53,680 --> 00:41:56,000
Speaker 6: Yes, yes, so good.

977
00:41:56,640 --> 00:41:57,440
Speaker 1: I agree with you.

978
00:41:57,480 --> 00:42:01,200
Speaker 6: I don't think peace for with geese. What's the ploor

979
00:42:01,239 --> 00:42:05,320
Speaker 6: of for a moose? Mosin? Yes, I fed the mosin

980
00:42:05,400 --> 00:42:07,319
Speaker 6: in the trees and the woods engine and the woods.

981
00:42:07,480 --> 00:42:09,200
Speaker 6: The meats want the food. And then he just switched

982
00:42:09,280 --> 00:42:09,600
Speaker 6: it to me.

983
00:42:09,920 --> 00:42:14,240
Speaker 1: And I remember, I remember seeing him at God where

984
00:42:14,360 --> 00:42:16,760
Speaker 1: was I. I was with Ryan Hamilton. We were at the Beacon.

985
00:42:17,080 --> 00:42:19,600
Speaker 1: We got to go see him. And I remember nearly

986
00:42:20,120 --> 00:42:22,120
Speaker 1: falling out of my chair, which has never happened to

987
00:42:22,160 --> 00:42:24,640
Speaker 1: me at a comedy show. But I remember because he

988
00:42:24,719 --> 00:42:29,160
Speaker 1: was talking with the word cabinet, we have to I

989
00:42:29,200 --> 00:42:32,719
Speaker 1: don't even know. I couldn't even repeat any of what

990
00:42:32,760 --> 00:42:34,279
Speaker 1: he was saying about it, but just the idea that

991
00:42:34,320 --> 00:42:38,200
Speaker 1: it's cabinet, capbinet, like we have to do that. It's

992
00:42:38,200 --> 00:42:41,120
Speaker 1: so fun He's just a cabinet, like, it's cabinet, Like

993
00:42:41,160 --> 00:42:43,800
Speaker 1: why do we smell it the way? It was so funny.

994
00:42:44,080 --> 00:42:49,040
Speaker 1: And then he I remember almost falling, and which is rarely,

995
00:42:49,160 --> 00:42:50,960
Speaker 1: rarely happened to me. I think it's only happened to

996
00:42:51,000 --> 00:42:52,640
Speaker 1: me like when laughing with friends. I don't think a

997
00:42:52,640 --> 00:42:55,359
Speaker 1: comedian has ever made me nearly fall out of my chair.

998
00:42:55,600 --> 00:42:58,680
Speaker 1: But he's he's he's one of the greatest of all time.

999
00:42:58,840 --> 00:42:59,080
Speaker 6: Yeah.

1000
00:42:59,239 --> 00:43:03,279
Speaker 5: No, the question I keep telling Alie, I keeped like

1001
00:43:03,440 --> 00:43:05,600
Speaker 5: you know she wasn't a huge stand up fan before

1002
00:43:05,600 --> 00:43:07,719
Speaker 5: she met me. And I keep like showing your comedians

1003
00:43:07,719 --> 00:43:09,680
Speaker 5: and I go, oh, this person is like the greatest

1004
00:43:09,680 --> 00:43:12,719
Speaker 5: comedian of all time. And she says, Brian, you say

1005
00:43:12,719 --> 00:43:15,719
Speaker 5: that about every comedian. Yeah, and it's like, well, no,

1006
00:43:15,800 --> 00:43:17,880
Speaker 5: I say that about there's like thirty of them. And

1007
00:43:17,920 --> 00:43:20,560
Speaker 5: I keep showing you those guys over and over again.

1008
00:43:20,719 --> 00:43:23,680
Speaker 1: Yeah. Okay, well who's who's who? Are you putting your

1009
00:43:23,680 --> 00:43:24,400
Speaker 1: top five right now?

1010
00:43:24,480 --> 00:43:26,080
Speaker 6: Let's just do my top five right now.

1011
00:43:26,400 --> 00:43:27,760
Speaker 2: Yeah, it doesn't have to be perfect.

1012
00:43:27,800 --> 00:43:31,719
Speaker 5: We can amend this, Okay, I'll top five favorite or

1013
00:43:31,719 --> 00:43:32,760
Speaker 5: Greatest fall Time Mount.

1014
00:43:32,680 --> 00:43:34,400
Speaker 1: Rushmore, Greates of all Time Mount Rushmore.

1015
00:43:34,560 --> 00:43:36,560
Speaker 5: Oh, so then you know greatest fall Time Aunt Rushmore

1016
00:43:36,600 --> 00:43:39,040
Speaker 5: is different than my favorite. I think it would probably

1017
00:43:39,080 --> 00:43:40,600
Speaker 5: be Prior Carlin.

1018
00:43:43,840 --> 00:43:43,960
Speaker 1: Uh.

1019
00:43:44,920 --> 00:43:49,759
Speaker 5: I think luisyk is up there as Chappelle, and I

1020
00:43:49,760 --> 00:43:52,960
Speaker 5: don't know Robin Williams top five of all time.

1021
00:43:53,360 --> 00:43:54,880
Speaker 2: I'm going to add Burn mulaney to that.

1022
00:43:55,920 --> 00:43:58,520
Speaker 6: Oh, but who would you replace? The Mount Rushmore is

1023
00:43:58,520 --> 00:43:59,120
Speaker 6: only four.

1024
00:43:58,920 --> 00:44:00,720
Speaker 2: Faces I'm making bigger.

1025
00:44:01,000 --> 00:44:04,800
Speaker 6: You're gonna expand you're going to intrude further into the

1026
00:44:04,880 --> 00:44:05,479
Speaker 6: native land.

1027
00:44:05,520 --> 00:44:07,719
Speaker 1: I didn't know what that meant just for I just

1028
00:44:07,760 --> 00:44:11,040
Speaker 1: meant it was like in Stone that I just pictured

1029
00:44:11,040 --> 00:44:14,879
Speaker 1: these are the greatest men's faces to be in Stone. Yeah,

1030
00:44:15,800 --> 00:44:18,240
Speaker 1: I'm not well versed in prior, but I just trust

1031
00:44:18,280 --> 00:44:20,520
Speaker 1: that he's one of the best, because yeah, Joan Rivers

1032
00:44:20,560 --> 00:44:21,239
Speaker 1: is up there, But.

1033
00:44:21,360 --> 00:44:25,440
Speaker 5: Like, you gotta give historical significance to some of them too.

1034
00:44:25,480 --> 00:44:28,359
Speaker 5: It's just I wouldn't put Lenny Bruce up there because

1035
00:44:28,360 --> 00:44:30,319
Speaker 5: I don't think I've ever heard of Lenny Bruce's joke

1036
00:44:30,360 --> 00:44:33,280
Speaker 5: that made me actually laugh. But you have to respect

1037
00:44:33,320 --> 00:44:35,120
Speaker 5: the fact that he was the first one to start

1038
00:44:35,160 --> 00:44:37,280
Speaker 5: really like just talking like a normal person.

1039
00:44:38,000 --> 00:44:41,880
Speaker 1: Okay, how did stand up not become something before?

1040
00:44:41,920 --> 00:44:41,960
Speaker 7: It?

1041
00:44:42,400 --> 00:44:45,279
Speaker 1: Like it's such a new art in terms of the

1042
00:44:45,320 --> 00:44:50,000
Speaker 1: history of the sixties. Yeah, and oh okay, so after

1043
00:44:50,040 --> 00:44:51,480
Speaker 1: we get to the break, I want to talk about

1044
00:44:51,640 --> 00:44:53,239
Speaker 1: my mom and I went on a date last night

1045
00:44:53,320 --> 00:44:55,680
Speaker 1: and I saw some of the most talented people in

1046
00:44:55,719 --> 00:44:58,640
Speaker 1: the world, and yeah, I won't talk about that well

1047
00:44:58,680 --> 00:45:03,560
Speaker 1: right after this. So last night my mom and I

1048
00:45:03,840 --> 00:45:07,120
Speaker 1: my mom two days ago was like wrote to me

1049
00:45:07,120 --> 00:45:08,839
Speaker 1: and my sister, do you guys want to go see

1050
00:45:08,840 --> 00:45:12,000
Speaker 1: Funny Girl at the Fox? Because it's at the Fox's

1051
00:45:12,080 --> 00:45:14,400
Speaker 1: Musical and I instantly was like, hell yeah, and my

1052
00:45:14,440 --> 00:45:17,040
Speaker 1: mom's like, what you want to go? No way. My

1053
00:45:17,080 --> 00:45:19,200
Speaker 1: mom like thinks I don't want to do anything. She

1054
00:45:19,239 --> 00:45:21,920
Speaker 1: doesn't understand that. She's like my friend and I like

1055
00:45:21,960 --> 00:45:24,160
Speaker 1: hanging out with her. She's so excited. So she bought

1056
00:45:24,160 --> 00:45:26,160
Speaker 1: tickets to Funny Girl. I'm guessing when she was drunk,

1057
00:45:26,200 --> 00:45:29,799
Speaker 1: because she doesn't ever spend any money on anything. I

1058
00:45:29,840 --> 00:45:31,880
Speaker 1: think she maybe had an edible or something when she

1059
00:45:31,920 --> 00:45:34,440
Speaker 1: bought this, Like, my mom does not spend money, she

1060
00:45:34,480 --> 00:45:36,560
Speaker 1: does not treat herself. But she was like, I'm gonna

1061
00:45:36,560 --> 00:45:38,960
Speaker 1: see Funny Girl the day after my birthday. It's her

1062
00:45:39,000 --> 00:45:41,400
Speaker 1: because it's her favorite movie of all time. And so

1063
00:45:41,440 --> 00:45:45,200
Speaker 1: we went last night, and oh my god, the girl

1064
00:45:45,239 --> 00:45:47,440
Speaker 1: that played Fanny Brice is.

1065
00:45:48,200 --> 00:45:48,919
Speaker 2: Her name is.

1066
00:45:48,920 --> 00:45:54,919
Speaker 1: Katrina mc crimin McCrimmon. And I think she's the best

1067
00:45:54,920 --> 00:45:57,239
Speaker 1: thinger I've ever heard live in my life. I mean,

1068
00:45:57,640 --> 00:46:01,400
Speaker 1: it was insane. I can not believe this talent. I

1069
00:46:01,960 --> 00:46:04,799
Speaker 1: think she's the best singer i've I just I wrote

1070
00:46:04,800 --> 00:46:06,640
Speaker 1: her on Instagram and I felt bad saying the best

1071
00:46:06,640 --> 00:46:08,720
Speaker 1: singer I've ever heard live, But I just I can't

1072
00:46:09,360 --> 00:46:11,960
Speaker 1: confirm that I haven't heard better on audio, but I

1073
00:46:12,040 --> 00:46:12,680
Speaker 1: knew live.

1074
00:46:12,800 --> 00:46:16,000
Speaker 2: This was like it was just perfect. She was so good.

1075
00:46:16,400 --> 00:46:18,319
Speaker 1: And we were sitting kind of far away because my

1076
00:46:18,320 --> 00:46:20,400
Speaker 1: mom bought the tickets and so it was I couldn't

1077
00:46:20,400 --> 00:46:21,799
Speaker 1: see how old she was the whole movie.

1078
00:46:21,800 --> 00:46:22,840
Speaker 2: But then Fanny Bryce was so.

1079
00:46:23,040 --> 00:46:24,840
Speaker 4: Like, dig yeah.

1080
00:46:25,360 --> 00:46:28,520
Speaker 1: I was like me by them next time. I like,

1081
00:46:28,840 --> 00:46:31,120
Speaker 1: I want to be all to see faces. But she's

1082
00:46:31,239 --> 00:46:34,200
Speaker 1: twenty five years oldest girl, and she fucking nails it.

1083
00:46:34,760 --> 00:46:36,680
Speaker 2: And we just can't even believe how good.

1084
00:46:36,600 --> 00:46:38,440
Speaker 1: She is, my mom and I and we're walking out

1085
00:46:38,440 --> 00:46:40,800
Speaker 1: and we're like, oh my god, like that's one of

1086
00:46:40,840 --> 00:46:44,160
Speaker 1: the most talented people I've ever seen in my life, singing, dancing, acting,

1087
00:46:44,400 --> 00:46:50,640
Speaker 1: just funny, just just able to belt and lower register,

1088
00:46:50,760 --> 00:46:51,320
Speaker 1: higher register.

1089
00:46:51,440 --> 00:46:53,239
Speaker 2: She just it was so impressive.

1090
00:46:53,840 --> 00:46:56,560
Speaker 1: And then we were leaving and I was like, you know,

1091
00:46:57,160 --> 00:47:00,560
Speaker 1: I have to say, like my mom, go, how is

1092
00:47:00,600 --> 00:47:03,680
Speaker 1: she just on this like little regional? Like it's not little,

1093
00:47:03,680 --> 00:47:05,440
Speaker 1: I mean, the Fox is a big place, but how

1094
00:47:05,480 --> 00:47:07,600
Speaker 1: is this just not the Broadway? How is she not

1095
00:47:07,960 --> 00:47:13,359
Speaker 1: so famous? And I was like, because unfortunately, there are

1096
00:47:13,400 --> 00:47:16,200
Speaker 1: a lot of people who can do that, and I

1097
00:47:16,239 --> 00:47:18,120
Speaker 1: know it doesn't seem like there's a lot of people

1098
00:47:18,160 --> 00:47:21,520
Speaker 1: that can do it, because yeah, it is an extraordinary talent,

1099
00:47:21,800 --> 00:47:24,400
Speaker 1: but there are a lot of singers in the world,

1100
00:47:24,920 --> 00:47:29,799
Speaker 1: and based on my just training and stuff, like, I

1101
00:47:29,880 --> 00:47:32,439
Speaker 1: know there's a lot of people that can sing that good.

1102
00:47:32,520 --> 00:47:35,239
Speaker 1: Not I think she's exceptional even for how good she is.

1103
00:47:35,640 --> 00:47:40,040
Speaker 1: But it's true like singing and dancing, and there's lots

1104
00:47:40,040 --> 00:47:43,120
Speaker 1: of people doing it. It's very competitive. There's not as

1105
00:47:43,160 --> 00:47:46,759
Speaker 1: many rules comedy, there's lots of people doing it. I

1106
00:47:46,840 --> 00:47:49,680
Speaker 1: really am glad I selected something that less people do.

1107
00:47:50,200 --> 00:47:53,520
Speaker 7: And also there's more of a like if you can sing,

1108
00:47:53,560 --> 00:47:56,480
Speaker 7: you can sing. It's more like there's lots of different

1109
00:47:56,480 --> 00:47:58,360
Speaker 7: ways to be funny. I know there's lots of different

1110
00:47:58,360 --> 00:48:00,960
Speaker 7: ways to sing, but like there's lots of different levels

1111
00:48:00,960 --> 00:48:01,480
Speaker 7: of talent.

1112
00:48:01,800 --> 00:48:03,960
Speaker 2: Yes, I think overall.

1113
00:48:03,520 --> 00:48:07,239
Speaker 5: Though, there's just too many people pursuing art. And you know,

1114
00:48:07,280 --> 00:48:08,040
Speaker 5: we grew up.

1115
00:48:08,000 --> 00:48:09,880
Speaker 4: In a society stop everyone.

1116
00:48:09,640 --> 00:48:13,360
Speaker 5: Where everyone has like pretty much the comforts of existence.

1117
00:48:13,360 --> 00:48:16,160
Speaker 5: They don't have to, you know, do much, and then

1118
00:48:16,160 --> 00:48:18,640
Speaker 5: the boomers told all of the millennials that they could

1119
00:48:18,640 --> 00:48:20,319
Speaker 5: be whatever they want to be when they grow up.

1120
00:48:20,600 --> 00:48:22,600
Speaker 5: And so now we have just a glut of people

1121
00:48:22,640 --> 00:48:25,279
Speaker 5: who are pursuing their passion and their dreams, and it's

1122
00:48:25,320 --> 00:48:28,360
Speaker 5: like just I just want there to be about half.

1123
00:48:28,840 --> 00:48:32,640
Speaker 1: But there are because they eventually fall away because they're

1124
00:48:32,640 --> 00:48:35,160
Speaker 1: not going to ever make it and they can't sustain

1125
00:48:35,960 --> 00:48:38,839
Speaker 1: doing these open mics forever and trying, and so they

1126
00:48:38,840 --> 00:48:42,600
Speaker 1: fall off either because they're unlucky because they're they were

1127
00:48:42,760 --> 00:48:45,279
Speaker 1: born talented, or they just don't work hard enough for

1128
00:48:45,360 --> 00:48:48,080
Speaker 1: whatever they or they just have no luck and they're

1129
00:48:48,080 --> 00:48:50,719
Speaker 1: the most talented, which doesn't really happen that often. If

1130
00:48:50,760 --> 00:48:54,040
Speaker 1: you're talented enough, you'll find a way, I think, and

1131
00:48:54,080 --> 00:48:56,120
Speaker 1: if you work hard enough. But it is. There was

1132
00:48:56,160 --> 00:48:57,840
Speaker 1: a guy in the show that was so good at

1133
00:48:57,880 --> 00:49:00,359
Speaker 1: tap dancing, and I was like, this guy is more

1134
00:49:00,360 --> 00:49:03,360
Speaker 1: hours into tap dancing than I haven't sleeping, Like he

1135
00:49:03,640 --> 00:49:07,160
Speaker 1: is so good at tap dancing, but what a very weird.

1136
00:49:07,000 --> 00:49:09,520
Speaker 4: Skill to hasp so old timing.

1137
00:49:09,719 --> 00:49:12,600
Speaker 1: It was so incredible to watch, but it was just like,

1138
00:49:13,120 --> 00:49:15,080
Speaker 1: what a funny thing to be great at.

1139
00:49:15,160 --> 00:49:18,279
Speaker 5: Second always baffles me when someone is so good. It's

1140
00:49:18,360 --> 00:49:20,920
Speaker 5: something that like there's maybe a grand total of a

1141
00:49:21,040 --> 00:49:23,120
Speaker 5: thousand fans in the world.

1142
00:49:23,440 --> 00:49:26,680
Speaker 7: And like twenty five different steps like tap dancing doesn't

1143
00:49:26,680 --> 00:49:29,160
Speaker 7: have like a lot of defeat have to be on

1144
00:49:29,200 --> 00:49:31,120
Speaker 7: the floor a lot, so you can't do.

1145
00:49:31,280 --> 00:49:36,759
Speaker 4: Many different things. You have to constantly be doing this.

1146
00:49:36,880 --> 00:49:37,640
Speaker 1: It was so good.

1147
00:49:37,880 --> 00:49:42,160
Speaker 2: Percussionist, Yes, absolutely, drums.

1148
00:49:41,680 --> 00:49:44,520
Speaker 1: With your feet. It totally is that. No, it was incredible.

1149
00:49:44,560 --> 00:49:47,359
Speaker 1: I mean, there's no question these people are infinitely more

1150
00:49:47,400 --> 00:49:49,919
Speaker 1: talented than than I am in my field. I really

1151
00:49:49,920 --> 00:49:52,560
Speaker 1: truly believe that, Like, I don't have to be this

1152
00:49:52,800 --> 00:49:56,120
Speaker 1: good at what I do to make it because there

1153
00:49:56,160 --> 00:50:00,319
Speaker 1: aren't as many of us. So it's like, I'm I'm great.

1154
00:50:00,360 --> 00:50:02,399
Speaker 1: I'm not gonna say that I'm not. And I work

1155
00:50:02,480 --> 00:50:06,719
Speaker 1: really hard. But if if comedy were as popular as

1156
00:50:06,760 --> 00:50:09,719
Speaker 1: singing and dancing is, and people started when they're like

1157
00:50:09,840 --> 00:50:12,799
Speaker 1: four or five, or I think this girl started when

1158
00:50:12,840 --> 00:50:16,279
Speaker 1: she was eight, it would be much more competitive and

1159
00:50:16,320 --> 00:50:19,200
Speaker 1: you probably wouldn't know my name, is all I'm saying. Like,

1160
00:50:19,719 --> 00:50:21,080
Speaker 1: and I had to explain that to my mom, and like,

1161
00:50:21,080 --> 00:50:23,760
Speaker 1: you should be so glad I didn't choose musical theater

1162
00:50:23,840 --> 00:50:26,120
Speaker 1: because I even if I was amazing, it would be

1163
00:50:26,160 --> 00:50:28,760
Speaker 1: so hard to break through because there's so many people

1164
00:50:29,000 --> 00:50:31,799
Speaker 1: that are amazing. Because there is there's places to go

1165
00:50:31,920 --> 00:50:34,399
Speaker 1: and learn early. You can't start stand up till you're

1166
00:50:34,400 --> 00:50:34,880
Speaker 1: an adult.

1167
00:50:35,280 --> 00:50:38,600
Speaker 5: No parent like parents are like encouraging their kids to

1168
00:50:38,640 --> 00:50:41,520
Speaker 5: become good singers, and there's no there's very few parents

1169
00:50:41,640 --> 00:50:43,920
Speaker 5: who are encouraging their eight year olds to pursue stand

1170
00:50:43,960 --> 00:50:44,480
Speaker 5: up comedy.

1171
00:50:44,600 --> 00:50:46,000
Speaker 1: And if they are, if they wanted to be stand

1172
00:50:46,080 --> 00:50:48,520
Speaker 1: up comics, and therefore your kid does not have the same.

1173
00:50:48,920 --> 00:50:50,759
Speaker 1: Your kid only is gonna be a stand up comic if

1174
00:50:50,800 --> 00:50:51,680
Speaker 1: you neglect them in.

1175
00:50:51,640 --> 00:50:55,400
Speaker 3: A weird, you know, very specific way, have low self esteem,

1176
00:50:55,920 --> 00:50:56,480
Speaker 3: have depression.

1177
00:50:56,560 --> 00:50:58,000
Speaker 5: Yeah, and I'm gonna go out on a limb hear

1178
00:50:58,000 --> 00:51:00,200
Speaker 5: and say, if you start stand up when you're eight

1179
00:51:00,239 --> 00:51:02,320
Speaker 5: years old, you will never be funny.

1180
00:51:02,600 --> 00:51:04,320
Speaker 6: No, because never be funny.

1181
00:51:04,360 --> 00:51:06,000
Speaker 2: You're doing stand up because you like jokes.

1182
00:51:06,040 --> 00:51:09,239
Speaker 1: Like, it's rare that kids, it's rare that you find

1183
00:51:09,239 --> 00:51:11,520
Speaker 1: stand ups that are like I always knew I was

1184
00:51:11,520 --> 00:51:12,799
Speaker 1: going to be stand up when I was a kid.

1185
00:51:13,320 --> 00:51:13,920
Speaker 2: It's not rare.

1186
00:51:13,960 --> 00:51:15,520
Speaker 1: But I'd say, it's half of us, and I think

1187
00:51:15,520 --> 00:51:19,080
Speaker 1: the other half are just like, oh yeah, like I didn't.

1188
00:51:19,840 --> 00:51:21,600
Speaker 1: I didn't think about it until it was like time

1189
00:51:21,680 --> 00:51:22,080
Speaker 1: to do it.

1190
00:51:22,200 --> 00:51:27,000
Speaker 7: Kids don't even understand jokes until they're like between six

1191
00:51:27,160 --> 00:51:30,480
Speaker 7: or eight, because they don't understand symbolism yet. There's no

1192
00:51:30,560 --> 00:51:34,960
Speaker 7: way for children to metaphors. Yeah, they think concretely, so

1193
00:51:35,000 --> 00:51:37,600
Speaker 7: they can't understand metaphor. So there's like no way to

1194
00:51:37,600 --> 00:51:40,080
Speaker 7: start early. And that's why you hear like kids saying

1195
00:51:40,160 --> 00:51:43,080
Speaker 7: jokes and they parents are laughing, like kids say the

1196
00:51:43,160 --> 00:51:47,440
Speaker 7: darnis things or whatever, or like TV shows, Yeah, kind

1197
00:51:47,480 --> 00:51:49,240
Speaker 7: of being like this, and I have to be prompted,

1198
00:51:49,280 --> 00:51:50,960
Speaker 7: and you can tell they don't really understand it.

1199
00:51:51,080 --> 00:51:54,320
Speaker 1: No, there's nothing funnier than the kid reading his dad's jokes.

1200
00:51:55,080 --> 00:51:57,200
Speaker 1: That's all you get when there's kids doing comedies, the

1201
00:51:57,320 --> 00:52:00,239
Speaker 1: least interesting thing ever, there's not. There's no funny kids

1202
00:52:00,280 --> 00:52:03,760
Speaker 1: except Ava Ryan, whose mom filmed her. You can Katie

1203
00:52:03,800 --> 00:52:07,000
Speaker 1: Ryan on Instagram is the funniest child. Ava Ryan is

1204
00:52:07,000 --> 00:52:08,680
Speaker 1: her daughter. But Katie Ryan is the mom and she's

1205
00:52:08,680 --> 00:52:10,840
Speaker 1: the funniest little girl ever, and she is trying to

1206
00:52:10,880 --> 00:52:12,680
Speaker 1: be funny, So there is an exception to it. And

1207
00:52:12,719 --> 00:52:13,960
Speaker 1: I also want to say soul.

1208
00:52:14,520 --> 00:52:16,040
Speaker 2: She has an old soul. That's it.

1209
00:52:16,120 --> 00:52:18,120
Speaker 4: There's no way around to that for that girl.

1210
00:52:18,440 --> 00:52:20,600
Speaker 1: I want to say though, I said on a previous

1211
00:52:20,640 --> 00:52:24,160
Speaker 1: episode that autistic people aren't funny on purpose. And I

1212
00:52:24,200 --> 00:52:25,839
Speaker 1: want to take that back because I've been watching more

1213
00:52:25,880 --> 00:52:28,840
Speaker 1: of Love on the Spectrum and they absolutely do understand jokes,

1214
00:52:28,960 --> 00:52:30,640
Speaker 1: and but they love.

1215
00:52:30,600 --> 00:52:33,920
Speaker 2: Puns, yes, the love they love the puns.

1216
00:52:33,960 --> 00:52:36,040
Speaker 1: Like this girl in this episode was asked this guy

1217
00:52:36,040 --> 00:52:38,160
Speaker 1: if he wants a big kiss, and he kind of

1218
00:52:38,239 --> 00:52:39,759
Speaker 1: like gets like freaked out, and then she.

1219
00:52:39,680 --> 00:52:43,640
Speaker 2: Pulls kiss and they like love it and it was

1220
00:52:43,680 --> 00:52:44,120
Speaker 2: so cute.

1221
00:52:44,120 --> 00:52:46,320
Speaker 1: So I want to say that I misspoke when I

1222
00:52:46,320 --> 00:52:48,479
Speaker 1: said that, and I and I might they might also

1223
00:52:48,560 --> 00:52:50,000
Speaker 1: understand irony and things like that're.

1224
00:52:49,920 --> 00:52:51,839
Speaker 4: Funny without knowing it.

1225
00:52:51,920 --> 00:52:52,799
Speaker 2: Yeah, that's what I'm saying.

1226
00:52:52,920 --> 00:52:54,839
Speaker 1: They don't do it on purpose unless it's a pun

1227
00:52:54,920 --> 00:52:57,400
Speaker 1: from what I've noticed, but I could be wrong. Final

1228
00:52:57,400 --> 00:53:02,800
Speaker 1: thought the movie, the production Funny Girl. I had seen

1229
00:53:02,840 --> 00:53:05,120
Speaker 1: the movie before because it's my mom's favorite movie, but

1230
00:53:05,160 --> 00:53:08,080
Speaker 1: not because of that. My my actually, my therapist, my

1231
00:53:08,840 --> 00:53:12,640
Speaker 1: abusive therapist, doctor abusive recommended, which I want to say,

1232
00:53:12,640 --> 00:53:15,680
Speaker 1: by the way, I recommended Michelle Wolf go to my therapist,

1233
00:53:16,239 --> 00:53:18,759
Speaker 1: my abusive and she went like twice and was like

1234
00:53:19,120 --> 00:53:21,880
Speaker 1: no way, Like she was so odd. She like knew

1235
00:53:21,920 --> 00:53:22,279
Speaker 1: early on.

1236
00:53:22,360 --> 00:53:23,880
Speaker 2: She was like, I'm not seeing you're still seeing her.

1237
00:53:23,920 --> 00:53:26,439
Speaker 1: Oh my god. I dropped her for two, like within

1238
00:53:26,480 --> 00:53:28,479
Speaker 1: two sessions, so I was like, God, she's so good.

1239
00:53:28,840 --> 00:53:32,280
Speaker 1: Michelle's Michelle knows what to do. Drop fro Yo, drop Donna.

1240
00:53:32,360 --> 00:53:36,480
Speaker 1: But so, my abusive therapist told me once during a session,

1241
00:53:36,520 --> 00:53:37,880
Speaker 1: she was like, have you ever seen Funny Girl? You

1242
00:53:37,920 --> 00:53:39,640
Speaker 1: would relate to that. You should watch that, And I

1243
00:53:39,680 --> 00:53:41,520
Speaker 1: was like, that's my mom's favorite movie. I should see it.

1244
00:53:41,640 --> 00:53:44,200
Speaker 1: So then I watched it because my therapist told me

1245
00:53:44,239 --> 00:53:47,520
Speaker 1: to and it and then I forgot about what I

1246
00:53:47,600 --> 00:53:50,479
Speaker 1: learned because that was over ten years ago or about

1247
00:53:50,520 --> 00:53:53,279
Speaker 1: ten years ago, and then saw it last night. The

1248
00:53:53,320 --> 00:53:57,600
Speaker 1: whole premise of Funny Girl is that women who aren't

1249
00:53:57,680 --> 00:54:01,319
Speaker 1: beautiful have to be funny and they don't deserve love

1250
00:54:01,440 --> 00:54:04,000
Speaker 1: or fame or success except this one Fanny Bryce. She's

1251
00:54:04,040 --> 00:54:08,359
Speaker 1: not beautiful, and the whole first song is like, you're

1252
00:54:08,360 --> 00:54:12,280
Speaker 1: not pretty as a girl in Atlantic City. You're pretty,

1253
00:54:12,360 --> 00:54:15,640
Speaker 1: You're disgusting, and you will never have success or just

1254
00:54:15,719 --> 00:54:17,759
Speaker 1: accept that your life is not gonna be as good

1255
00:54:17,760 --> 00:54:19,319
Speaker 1: as if you were pretty, which is kind of the

1256
00:54:19,320 --> 00:54:22,400
Speaker 1: premise of my whole special and which I kind of

1257
00:54:22,480 --> 00:54:24,400
Speaker 1: like that they were just calling this out. But then

1258
00:54:24,440 --> 00:54:26,759
Speaker 1: this girl is like, but I'm funny. So then she's like,

1259
00:54:26,800 --> 00:54:29,000
Speaker 1: but I but I'm really talented. So she's really talented.

1260
00:54:29,000 --> 00:54:30,959
Speaker 1: She's a really good dancer, really good singer, but she's

1261
00:54:31,000 --> 00:54:33,640
Speaker 1: not pretty and she has a flat chest, and so

1262
00:54:33,680 --> 00:54:35,359
Speaker 1: they're like, you're never gonna make it, but she turns

1263
00:54:35,360 --> 00:54:39,200
Speaker 1: out her talent gets her ahead. So then she gets

1264
00:54:39,200 --> 00:54:42,480
Speaker 1: noticed by this like really handsome guy who believes in

1265
00:54:42,520 --> 00:54:45,080
Speaker 1: her success, and he's just like dazzled by how talented

1266
00:54:45,120 --> 00:54:48,040
Speaker 1: she is. But he's like really handsome and seems to

1267
00:54:48,040 --> 00:54:50,799
Speaker 1: be very rich, and he she's just like, oh my god,

1268
00:54:50,840 --> 00:54:53,839
Speaker 1: this guy likes me. He's so like, obviously, I would

1269
00:54:53,880 --> 00:54:55,960
Speaker 1: never think he would even look twice at me. So

1270
00:54:56,000 --> 00:54:58,279
Speaker 1: then they both like each other because they both feel

1271
00:54:58,280 --> 00:55:00,239
Speaker 1: like they don't deserve each other. He's so enamored by

1272
00:55:00,280 --> 00:55:02,480
Speaker 1: how funny she is and how talented that he's like,

1273
00:55:02,520 --> 00:55:05,520
Speaker 1: I don't deserve her. And then and he's not that rich.

1274
00:55:05,680 --> 00:55:07,920
Speaker 1: Turns out and she becomes very rich and famous, so

1275
00:55:07,960 --> 00:55:09,840
Speaker 1: he's just like, I don't deserve her, and she's like

1276
00:55:09,880 --> 00:55:12,239
Speaker 1: I don't deserve him because he's so hot, And then

1277
00:55:12,640 --> 00:55:13,560
Speaker 1: I don't want to give away the.

1278
00:55:13,520 --> 00:55:18,360
Speaker 7: Ending, but he's only hot, but she's famous, talented, funny.

1279
00:55:18,800 --> 00:55:19,000
Speaker 1: Yep.

1280
00:55:19,360 --> 00:55:21,080
Speaker 4: He also oh she thought he was rich.

1281
00:55:21,080 --> 00:55:22,839
Speaker 1: Okay, she thought he was rich, and he's just like

1282
00:55:22,880 --> 00:55:25,319
Speaker 1: he he comes from like better stock than her. So

1283
00:55:25,360 --> 00:55:27,720
Speaker 1: he talked like this, and in the in the movie,

1284
00:55:27,760 --> 00:55:31,200
Speaker 1: he's he's like foreign and kind of mysterious, and he

1285
00:55:31,320 --> 00:55:34,080
Speaker 1: just like deals. He just dresses better, and he just

1286
00:55:34,120 --> 00:55:37,200
Speaker 1: carries himself better. And he was the first one to

1287
00:55:37,280 --> 00:55:39,960
Speaker 1: really believe in her. And so she also has that

1288
00:55:40,000 --> 00:55:42,239
Speaker 1: where she's trying to keep him around because she's like,

1289
00:55:42,320 --> 00:55:44,040
Speaker 1: you gave me everything, and everyone in her life is

1290
00:55:44,040 --> 00:55:45,440
Speaker 1: going like what does this guy even give you? And

1291
00:55:45,440 --> 00:55:48,000
Speaker 1: she's like you don't understand, like he he I can't

1292
00:55:48,160 --> 00:55:51,640
Speaker 1: sing or dance without his belief in me. And and

1293
00:55:51,680 --> 00:55:53,480
Speaker 1: I like that The ending isn't what you think it's

1294
00:55:53,520 --> 00:55:55,600
Speaker 1: gonna be. But I was watching it like, oh my god,

1295
00:55:55,640 --> 00:55:58,640
Speaker 1: this is like I love that. This is kind of

1296
00:55:59,719 --> 00:56:02,200
Speaker 1: my life life a little bit. Like I I was

1297
00:56:02,200 --> 00:56:05,279
Speaker 1: talking on the Girl's chat about how we were I

1298
00:56:05,320 --> 00:56:09,359
Speaker 1: sent some video about these girls being interviewed about do

1299
00:56:09,400 --> 00:56:12,200
Speaker 1: you want to be hotter than your do you want

1300
00:56:12,200 --> 00:56:14,080
Speaker 1: to be the catch? Or do they do you want

1301
00:56:14,120 --> 00:56:17,120
Speaker 1: them to be the catch, your partner, them to be

1302
00:56:17,200 --> 00:56:19,359
Speaker 1: the catch. And most most of the girls were like,

1303
00:56:19,560 --> 00:56:21,680
Speaker 1: I want to be the prize. I want him to

1304
00:56:21,800 --> 00:56:25,320
Speaker 1: be like so enamored with me. I want to be

1305
00:56:25,440 --> 00:56:28,520
Speaker 1: the one that's the prize in the relationship. And most

1306
00:56:28,560 --> 00:56:30,520
Speaker 1: of the girls and our girls chat agreed with those girls,

1307
00:56:31,040 --> 00:56:33,880
Speaker 1: except I guess you you would rather them be the catch.

1308
00:56:34,000 --> 00:56:37,400
Speaker 7: Yeah, so I can get a hottie and so, because

1309
00:56:37,400 --> 00:56:39,719
Speaker 7: then I'll know that they must I must be good.

1310
00:56:40,000 --> 00:56:44,520
Speaker 1: Yes anyway, yeah, you must be like yes, like it's

1311
00:56:44,560 --> 00:56:46,439
Speaker 1: not just your hotness that got them.

1312
00:56:46,800 --> 00:56:51,680
Speaker 2: I don't want no, but I do want that.

1313
00:56:51,760 --> 00:56:54,600
Speaker 1: But I also want people to go, whoa she's with

1314
00:56:54,719 --> 00:56:55,880
Speaker 1: like such a hot person?

1315
00:56:56,440 --> 00:56:59,000
Speaker 2: She he could get way hotter than her. She must be.

1316
00:57:04,239 --> 00:57:07,120
Speaker 5: To me all the time, every time I introduce Ali

1317
00:57:07,200 --> 00:57:09,640
Speaker 5: to someone, people are like, I like you better now

1318
00:57:10,239 --> 00:57:12,000
Speaker 5: because I met your wife.

1319
00:57:13,080 --> 00:57:14,719
Speaker 1: Your wife is pretty FANTASTICO.

1320
00:57:14,760 --> 00:57:17,120
Speaker 7: When I meet guys that their wife's are amazing, then

1321
00:57:17,120 --> 00:57:19,440
Speaker 7: I'm like, oh, okay, then there's like kind of no

1322
00:57:19,520 --> 00:57:21,640
Speaker 7: way this guy's going to be annoying if I don't

1323
00:57:21,640 --> 00:57:23,840
Speaker 7: know them, Yes, they're probably not gonna man explain to

1324
00:57:23,880 --> 00:57:26,680
Speaker 7: me today or anything because their wife is cool.

1325
00:57:27,320 --> 00:57:28,920
Speaker 1: It's not even like I want the wife to be

1326
00:57:29,200 --> 00:57:30,880
Speaker 1: the man to be cool, though, I just want him

1327
00:57:30,920 --> 00:57:33,960
Speaker 1: to be like physically, I know this is social. I

1328
00:57:33,960 --> 00:57:36,120
Speaker 1: just want people to go, how did she get him?

1329
00:57:36,360 --> 00:57:40,840
Speaker 1: How she must be so funny and cool? Because I'm

1330
00:57:40,920 --> 00:57:43,120
Speaker 1: leaning into the thing that I do have as opposed

1331
00:57:43,120 --> 00:57:45,120
Speaker 1: to the thing that I feel it I don't have

1332
00:57:45,160 --> 00:57:47,200
Speaker 1: as much Like I I know I'm never going to

1333
00:57:47,240 --> 00:57:49,200
Speaker 1: be as hot as like the hottest girl, but like

1334
00:57:49,440 --> 00:57:51,880
Speaker 1: I can probably be as cool as the coolest girl

1335
00:57:51,920 --> 00:57:54,400
Speaker 1: like that that's within reach for me, even though I

1336
00:57:54,440 --> 00:57:56,760
Speaker 1: also feel sometimes that that's out of reach. But I

1337
00:57:56,800 --> 00:57:59,000
Speaker 1: just thought that was I can't relate at all to

1338
00:57:59,080 --> 00:58:03,000
Speaker 1: a woman who wants to be the one who's the prize,

1339
00:58:03,520 --> 00:58:06,760
Speaker 1: but I feel most women do. Noll, can you speak

1340
00:58:06,800 --> 00:58:07,720
Speaker 1: to how you feel about this?

1341
00:58:07,840 --> 00:58:12,400
Speaker 3: I think it's more about having like an insecurity that

1342
00:58:12,800 --> 00:58:15,320
Speaker 3: he could leave if he's hotter, and he'll have more

1343
00:58:15,360 --> 00:58:16,479
Speaker 3: temptation out there.

1344
00:58:17,000 --> 00:58:19,240
Speaker 2: Oh, I think that's what it's about.

1345
00:58:19,800 --> 00:58:22,919
Speaker 7: But he chose us because it's not that that part

1346
00:58:23,000 --> 00:58:26,080
Speaker 7: isn't as important as and as is important nothing as

1347
00:58:26,120 --> 00:58:30,640
Speaker 7: retailer as our humor and coolness.

1348
00:58:30,360 --> 00:58:33,400
Speaker 5: Right, if I catch in a relationship, doesn't that mean

1349
00:58:33,400 --> 00:58:34,840
Speaker 5: that you just that you settled.

1350
00:58:35,560 --> 00:58:37,440
Speaker 4: Yeah, that's what I'm thinking too, Like, oh, I.

1351
00:58:37,360 --> 00:58:39,760
Speaker 6: Guess I could have done better if I'm the catch.

1352
00:58:39,920 --> 00:58:43,000
Speaker 1: That's how I feel too. And I want and I

1353
00:58:43,040 --> 00:58:44,320
Speaker 1: and I want, I want.

1354
00:58:45,320 --> 00:58:45,920
Speaker 2: We all know this.

1355
00:58:45,960 --> 00:58:48,360
Speaker 1: I want to constantly prove that, like, yeah, he could

1356
00:58:48,440 --> 00:58:50,240
Speaker 1: leave me, but he's gonna stay with me, Like he

1357
00:58:50,280 --> 00:58:54,000
Speaker 1: could do better. Everyone knows he could get anyone he wants,

1358
00:58:54,040 --> 00:58:58,480
Speaker 1: but he's choosing this, Like that makes me feel so

1359
00:58:58,600 --> 00:59:02,000
Speaker 1: special And I feel yeah, like I'm constantly starting.

1360
00:59:02,080 --> 00:59:04,600
Speaker 3: Girl talks about like you both choose to be in

1361
00:59:04,640 --> 00:59:07,240
Speaker 3: the relationship, and I think that's what makes people feel

1362
00:59:07,400 --> 00:59:10,959
Speaker 3: special to each other, because people both choose to be here.

1363
00:59:11,040 --> 00:59:14,520
Speaker 3: We're not being forced. Yes, it's not our last resort

1364
00:59:14,600 --> 00:59:14,960
Speaker 3: or anything.

1365
00:59:14,960 --> 00:59:17,760
Speaker 6: We're just not getting on a plane making symbols with the.

1366
00:59:18,240 --> 00:59:22,040
Speaker 7: Flight get me away from this hotie please.

1367
00:59:23,440 --> 00:59:24,520
Speaker 4: Okay.

1368
00:59:24,560 --> 00:59:29,200
Speaker 1: I feel like, yeah, I figured it out. Yeah, But

1369
00:59:29,280 --> 00:59:33,040
Speaker 1: this play, I gotta say musicals. I go in and

1370
00:59:33,080 --> 00:59:37,080
Speaker 1: I'm like, the most of it, I spend just being like, man,

1371
00:59:37,240 --> 00:59:39,080
Speaker 1: I wish this was my life, Like I should have

1372
00:59:39,120 --> 00:59:39,919
Speaker 1: done musical theater.

1373
00:59:40,000 --> 00:59:40,800
Speaker 2: This looks so fun.

1374
00:59:40,840 --> 00:59:42,360
Speaker 1: God, it would be so fun to dance and things

1375
00:59:42,360 --> 00:59:44,640
Speaker 1: like that, and oh my god, I'll never be that

1376
00:59:44,680 --> 00:59:46,920
Speaker 1: good of a singer. God, what do I even try for?

1377
00:59:47,040 --> 00:59:49,200
Speaker 1: And I go through all these like making it about

1378
00:59:49,200 --> 00:59:53,480
Speaker 1: me and like you're thinking the whole time, yeah, and

1379
00:59:53,520 --> 00:59:56,040
Speaker 1: I barely can enjoy it. And then we get to intermission.

1380
00:59:56,040 --> 00:59:58,160
Speaker 1: I'm like, it's not over yet, like I have to

1381
00:59:58,200 --> 01:00:02,280
Speaker 1: now wait a half hour, and then the second half

1382
01:00:02,560 --> 01:00:06,200
Speaker 1: I I lose all of that insecurity and I'm just

1383
01:00:06,600 --> 01:00:08,120
Speaker 1: I'm just I'm bored.

1384
01:00:08,960 --> 01:00:13,320
Speaker 2: Until the end I wanted to do I was starting

1385
01:00:13,360 --> 01:00:18,680
Speaker 2: to communicate with that. No, not really, I don't have

1386
01:00:18,800 --> 01:00:19,160
Speaker 2: much of.

1387
01:00:19,120 --> 01:00:22,600
Speaker 1: An attention span. Even though this was one of the

1388
01:00:22,600 --> 01:00:26,200
Speaker 1: most incredible performances I've ever seen, I was like, Okay,

1389
01:00:26,400 --> 01:00:28,400
Speaker 1: let's I'm hungry. I want to go home.

1390
01:00:28,720 --> 01:00:31,400
Speaker 7: I feel everything even shows. If I love them, then

1391
01:00:31,400 --> 01:00:33,800
Speaker 7: I'm counting like they've done twelve songs. They can't possibly

1392
01:00:33,840 --> 01:00:36,400
Speaker 7: do like three.

1393
01:00:37,280 --> 01:00:38,640
Speaker 2: I only don't feel that way, tylor.

1394
01:00:38,840 --> 01:00:41,040
Speaker 5: I want to give a shout out to my sister

1395
01:00:41,120 --> 01:00:46,800
Speaker 5: in law's aunt. So my sister in law, let me

1396
01:00:46,800 --> 01:00:52,960
Speaker 5: do my brother's wife's aunt. Okay, she's she's Victoria Clark

1397
01:00:53,040 --> 01:00:56,480
Speaker 5: and she's the star of Broadway musical called Kimberly of Kimbo.

1398
01:00:56,560 --> 01:00:59,000
Speaker 5: It's it's currently in its second year on Broadway, and

1399
01:00:59,040 --> 01:01:03,120
Speaker 5: it won the Tony Award for Best Musical, and she

1400
01:01:03,240 --> 01:01:07,600
Speaker 5: won the Tony Award for Best Performer in a Musical

1401
01:01:08,400 --> 01:01:12,760
Speaker 5: in this past year. Whoa yeah, and she's an incredible

1402
01:01:13,480 --> 01:01:18,040
Speaker 5: Tony Award winning musical performer. Dan go see Kimberly Akimbo

1403
01:01:18,080 --> 01:01:20,480
Speaker 5: because it got extended even though it's a small musical

1404
01:01:20,520 --> 01:01:23,160
Speaker 5: and a smaller theater, which it's rare that a small

1405
01:01:23,240 --> 01:01:25,760
Speaker 5: musical in a smaller theater gets extended beyond its first run.

1406
01:01:25,800 --> 01:01:28,160
Speaker 5: Because of this, the money, this got extended to a

1407
01:01:28,160 --> 01:01:29,560
Speaker 5: second run, so you can go see it in New

1408
01:01:29,640 --> 01:01:30,480
Speaker 5: York on Broadway.

1409
01:01:30,560 --> 01:01:31,520
Speaker 6: Kimberly Akimbo.

1410
01:01:32,120 --> 01:01:33,480
Speaker 2: I do want to see more musicals.

1411
01:01:33,480 --> 01:01:34,920
Speaker 1: I was kidding when I said I was bored, but

1412
01:01:35,200 --> 01:01:37,280
Speaker 1: that is how I feel about anything I even love.

1413
01:01:37,560 --> 01:01:40,960
Speaker 1: But musicals are amazing and I will go see Kimberly

1414
01:01:40,960 --> 01:01:42,080
Speaker 1: Akimbo if I'm able to.

1415
01:01:42,440 --> 01:01:46,040
Speaker 2: And I really get a music. A musical so fun.

1416
01:01:46,800 --> 01:01:47,600
Speaker 6: Yeah, it is.

1417
01:01:47,600 --> 01:01:51,680
Speaker 1: Funny, and you get to dance with other people, like

1418
01:01:51,920 --> 01:01:55,240
Speaker 1: doing dances with people is so fun learning a dance

1419
01:01:56,560 --> 01:02:01,560
Speaker 1: and then harmonizing and yeah, just like, oh man, it's

1420
01:02:01,560 --> 01:02:02,280
Speaker 1: that was the day.

1421
01:02:02,360 --> 01:02:03,080
Speaker 2: Those were the days.

1422
01:02:03,160 --> 01:02:05,320
Speaker 5: This has a whole other discussion we after wrap, but

1423
01:02:05,360 --> 01:02:09,040
Speaker 5: we should talk about just musicals and stuff in high

1424
01:02:09,080 --> 01:02:11,120
Speaker 5: school and drama and if you did any of that.

1425
01:02:11,280 --> 01:02:12,080
Speaker 2: Did you do that stuff?

1426
01:02:12,080 --> 01:02:12,320
Speaker 1: Friend?

1427
01:02:12,760 --> 01:02:13,960
Speaker 6: I don't know. We're gonna have to wait.

1428
01:02:13,840 --> 01:02:17,280
Speaker 1: Time next episode of the podcast. Thank you guys so

1429
01:02:17,400 --> 01:02:21,320
Speaker 1: much for listening. Come see us this weekend in Atlanta

1430
01:02:21,640 --> 01:02:24,840
Speaker 1: and Kansas City. I'm so excited for those shows. Uh,

1431
01:02:24,920 --> 01:02:27,360
Speaker 1: Friday Night in Kansas, Friday Night in Atlanta, Saturday in

1432
01:02:27,440 --> 01:02:30,280
Speaker 1: Kansas City, and then yeah, then I'm at the Fox

1433
01:02:30,320 --> 01:02:32,439
Speaker 1: Theater where I saw a Funny Girl on April twenty seven.

1434
01:02:32,480 --> 01:02:33,960
Speaker 1: So if you're in the Saint Louis area, please come

1435
01:02:34,000 --> 01:02:35,400
Speaker 1: to that show. I want to sell it out. I

1436
01:02:35,440 --> 01:02:36,080
Speaker 1: cannot wait.

1437
01:02:36,600 --> 01:02:38,680
Speaker 2: Thank you for listening. Dobeka and.

1438
01:02:41,200 --> 01:02:41,640
Speaker 1: Jim Tho.

1439
01:02:42,720 --> 01:02:43,520
Speaker 2: Yeah that's good.

1440
01:02:43,560 --> 01:02:44,000
Speaker 6: I like that