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Speaker 1: Look, Mayer, Oh, I see you. Look over there is

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Speaker 1: that culture. Yes, goodness, lost cult.

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Speaker 2: Dang dong last Culturesta's calling sorry about the quality of

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Speaker 2: the audio.

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Speaker 1: Okay, look things are. You don't have to apologize. First thing.

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Speaker 1: This is what's happening. Matt is stopping into New York

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Speaker 1: in between tour dates. He's not gonna bring the mic

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Speaker 1: with him every time. I mean, I could have and

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Speaker 1: should have because I'm not going to be back in

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Speaker 1: LA for a while and I want to give y'all quality. Okay,

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Speaker 1: that's all I ever want is to give you, honey.

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Speaker 1: We will make up the quality with the content. In

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Speaker 1: the content. You're so right, and not that you have

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Speaker 1: any problem doing that, or should I say, congress queen girl,

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Speaker 1: we're not going to talk about that. Why well, what

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Speaker 1: do you want to know? It's not that I want

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Speaker 1: to know anything. I want to acknowledge.

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Speaker 2: You think that the readers aren't tuning into this episode

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Speaker 2: saying they want to hear all the bts.

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Speaker 1: The BTS was that we're not gonna talk about by

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Speaker 1: saying the full version of Candle in the Wind because

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Speaker 1: Lorne wanted to see me do it Friday night. We

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Speaker 1: didn't have a script page. We didn't, so you just

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Speaker 1: sang candle in the window. So then like Janine DeVito

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Speaker 1: are beautiful associate producers headed the script departments, like Bowen,

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Speaker 1: I'm really sorry, but I think you know you have

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Speaker 1: to stick around until this was like eighteen hour a

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Speaker 1: day on Friday, and this is my new thing. I'm

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Speaker 1: not complaining anymore. I'm not saying the words I'm tired,

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Speaker 1: and me Celest Sarah and Alison Gates at work are

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Speaker 1: saying if one of us catches the other saying the

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Speaker 1: words I'm tired, then that person has to pay everyone

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Speaker 1: like five hundred dollars or something. What we needed, like

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Speaker 1: we need a crazy like a swear jar. It's a

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Speaker 1: swear jar thing, but where it's like because you know

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Speaker 1: what saying I'm tired and I you know me, I'm

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Speaker 1: the tired culture. I'm finally hitting this point now where

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Speaker 1: I'm like saying those where its only reinforces that state,

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Speaker 1: it doesn't really do anything. It's also contagious, just telling

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Speaker 1: Charlie bar Day came to the show as a guest

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Speaker 1: of the last and he was like, it's contagious, and

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Speaker 1: it also like it is conversational filler. It only yes

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Speaker 1: when you don't know what else to say. I think

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Speaker 1: that is.

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Speaker 2: Why I don't like when people are like, oh, I'm tired,

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Speaker 2: is because I just feel like it is inherently not interesting.

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Speaker 1: I wrote a whole sketch about this for Popularlette, I remember,

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Speaker 1: but that was a kind of a self read. It

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Speaker 1: was the Storytellers where study was oh yeah, yeah, yeah,

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Speaker 1: yeah yeah. It was like a nature documentary about like

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Speaker 1: this really fascinating. It was like an anthropological documentary. A

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Speaker 1: fascinating storyteller shares in the tradition of ancient cultures, like

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Speaker 1: sharing interesting parts of her day. And she's like, I'm tired. Wait,

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Speaker 1: I remember this is the first ketch I ever got

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Speaker 1: on populatte Wait. Yes, I remember that. It was a runner, right,

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Speaker 1: it was a runner. It was a runner. It was yeah.

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Speaker 1: I think it didn't come in as a runner, and

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Speaker 1: we made it a runner. It worked perfectly, display it up.

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Speaker 1: It was really good. Anyway, Janine calls me. She's like,

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Speaker 1: and I think Lauren wanted to see me sing it

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Speaker 1: like and try it out, and we didn't have pages,

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Speaker 1: and so then it was like, I guess I'm singing

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Speaker 1: all of Candle on the way. So you just said,

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Speaker 1: so it seems to me live like a Candle in

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Speaker 1: the Wow, what a great song. Beautiful, it's so rich

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Speaker 1: Alton Halton for the pods, for the pod. But then

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Speaker 1: it was mortifying because it was like one in the morning.

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Speaker 1: It was Lauren was sitting right in front of me,

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Speaker 1: all these crew members who just wanted to go home,

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Speaker 1: and they were like, why the fuck are we listening

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Speaker 1: to bow and singing Candle in the Wind? Did they

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Speaker 1: applod after? No, they did it, of course not. I'm

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Speaker 1: so mad at that. They had every reason to not applod.

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Speaker 1: If you give all of candle, can I say, this

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Speaker 1: is a real culture. If you give all of Candle

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Speaker 1: in the Wind and no one the pods, I'm mad

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Speaker 1: at you. That's really forty eight. If you give all

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Speaker 1: of Candle in the Wind and no one on the pods,

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Speaker 1: I'm mad at you. So I went in to Saturday.

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Speaker 1: It's like not knowing what the hell was going on

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Speaker 1: until like we ran through it like a couple hours before.

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Speaker 1: So it was very I was very unprepared.

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Speaker 2: I said, that was the tape. You can take the

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Speaker 2: rest of the year, easy way, do you even no way?

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Speaker 2: You're coming hard every week about no war? I'm kidding

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Speaker 2: what you see are my head's at in the gutter?

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Speaker 1: Well, speaking of the gutter, what the gutter between your toes? Oh?

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Speaker 2: God, can I say I'm ready to tell everyone my truth.

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Speaker 2: I think it's because I've been traveling a lot. I've

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Speaker 2: been out on the road. I've been stopping the pavement

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Speaker 2: trying to get this album promoted. That my athlete's foot

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Speaker 2: is back. And I actually just showed Bowen in the person,

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Speaker 2: in the flesh as it were, and he was really upset.

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Speaker 1: And that's not that I'm upset any part of you.

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Speaker 1: I I think it's so beautiful. That was really shocking

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Speaker 1: to see. Yeah, it's got to get dealt with, and

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Speaker 1: trust you will be dealt with. And this actually segues

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Speaker 1: perfectly into something that I am very late on mm hm,

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Speaker 1: But love has won. This HBO documentary on the Cult

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Speaker 1: of Mother God is really upsetting. I still have to

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Speaker 1: watch the third and final part. But this woman, basically

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Speaker 1: this cult leader. This is a popular documentary. Are people

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Speaker 1: talking about it? I think people are talking about you know,

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Speaker 1: like people at work, we're talking about it. Just so

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Speaker 1: they were like all the crew members were like, yeah,

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Speaker 1: you're watching Mother God blah blah blah. It's called Love

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Speaker 1: has Won. Love, So the cult is called Love has Won.

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Speaker 1: Love has Won, which is so hm hmm. That's not

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Speaker 1: a name for a cult. No.

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Speaker 2: For me, it's like love has Won. If I found

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Speaker 2: out there was an organization called Love Has One.

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Speaker 1: He'd be like, I'm going to the gala. I don't know.

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Speaker 1: I would think, oh, that's a cult. No. If I

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Speaker 1: say the words you love has One, you think, oh,

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Speaker 1: I guess that's on a shirt. Yeah, yeah, yeah's some

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Speaker 1: sort of like tweet phrase. Yeah, yeah, exactly, which something

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Speaker 1: can between and cult, which I think is what period,

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Speaker 1: which I think is what this whole thing is. Basically,

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Speaker 1: this woman, her name is Amy Carlson, is just normal

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Speaker 1: gal working at McDonald's, managing McDonald's, being very successful manager

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Speaker 1: at McDonald's. And then I guess she tried extasy one

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Speaker 1: day and liked it so much that it broke her.

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Speaker 1: And then she believed that she was the creator of

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Speaker 1: the universe, and it starts this internet community that ends

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Speaker 1: up coming to her and they all believe genuinely in

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Speaker 1: their hearts that she is the next iteration of not

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Speaker 1: only Jesus Christ, but of Marilyn Monroe and of Prince

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Speaker 1: Diana Kendel and the wynd subjects. And then there's the Galactics,

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Speaker 1: which is this like group of deceased people who speak

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Speaker 1: through her, and those people include Whitney Houston, Robin Williams.

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Speaker 1: Most saddeningly, like Robin Williams is like figures hugely into

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Speaker 1: this really posthumously obviously, but like Robin Williams is like

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Speaker 1: one of the prophets. It's the craziest. You need to watch.

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Speaker 1: How many people are in this cult? And is it inactive?

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Speaker 1: It's hard to say it people so there are so

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Speaker 1: so they shot this in twenty twenty one, like a

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Speaker 1: couple of years ago. I don't want to give away

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Speaker 1: too much, but like the first moment in the documentary

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Speaker 1: is really crazy and I will have nightmares about it

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Speaker 1: for the rest of my life. Seriously, Yeah, oh my god,

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Speaker 1: I don't want that to deter you from watching. To watch,

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Speaker 1: it's not like horror, it's like something so disturbing, Oh

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Speaker 1: my god, what is it? Okay, So I think a

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Speaker 1: lot of spoiler I learned for the first moment of

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Speaker 1: love love is one Mother God. I think I think

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Speaker 1: a lot of It's so funny that it's mother God

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Speaker 1: sounds like mother God. So I'm very behind on this.

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Speaker 1: So the first moment is this town in southern Colorado

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Speaker 1: called the Crestone, and it's the cops who have a

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Speaker 1: warrant to search this house. And this guy greets them,

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Speaker 1: and then the cops are like, how many people are here?

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Speaker 1: And he goes, there are five beings and what there

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Speaker 1: are five beings and a few other people and and

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Speaker 1: then the cops are like anyone else. They're like, you're

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Speaker 1: not telling Like it's like he's he's withholding something. And

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Speaker 1: he goes, there is a mother and she she has rested.

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Speaker 1: So at first you watch it, they're like, okay, so

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Speaker 1: the mom might be in bed or something. So then

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Speaker 1: they go search the department. It's filthy, disgusting. It has

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Speaker 1: rainbows and flowers on the ceiling. The paint is disgusting.

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Speaker 1: There's like it's been through like ten layers of paint.

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Speaker 1: There are Christmas lights everywhere. It is so nauseatingly disgusting

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Speaker 1: in there. Oh my God, like Lisa Frank but fucked up.

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Speaker 1: And then they go into this bedroom and there are

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Speaker 1: like I want to say, it's like a really adorned bed,

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Speaker 1: flowers Christmas lights hanging on it, and there's like a

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Speaker 1: body under like duvets, and then they lift up like

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Speaker 1: a pillow and you just see a silver face with

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Speaker 1: like makeup, eyes over the eyelids. What and it's Mother, God,

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Speaker 1: mummified it's her, mummified her. She she's been dead for

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Speaker 1: I think a couple months, and these people have decided

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Speaker 1: to mummify her by like putting all this fucking glitter

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Speaker 1: makeup on her face and like painting eyes on her

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Speaker 1: eyelids and putting like a turban on her. It's You

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Speaker 1: said at the beginning of this that this wasn't horror.

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Speaker 1: What you just described is the most horror, horrifying horror

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Speaker 1: I ever understand. There are five beings and one mother

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Speaker 1: and she has rested rest You go in. You see

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Speaker 1: a POV of them going into this Lisa Frank Hell.

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Speaker 1: They go up to a bedroom, unveil a duvet. It's

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Speaker 1: a mummified woman who's been dead for two months in

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Speaker 1: makeup and that is a forget about Mother God, that's mother.

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Speaker 1: Excamation point the movie that is horror like that film,

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Speaker 1: which I still haven't seen. I do know Jef Lawrence,

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Speaker 1: I've never seen Jennifer. I'm not I'm not watching Mother

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Speaker 1: exclamation point. And I think people that listen to this

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Speaker 1: podcast know that's your health for me. No, I'm not

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Speaker 1: seeing anything like the Houses Like, I'm not gonna see

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Speaker 1: anything that's gonna like upset me viscerally. Yeah. I say

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Speaker 1: this as a great fan of literally everyone involved in

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Speaker 1: that film, but I won't watch that one because it

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Speaker 1: feels like what you just said. So then are you

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Speaker 1: not going to watch this document? Well, I have to say,

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Speaker 1: because it's actually this really disturbing every moment, honestly, because

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Speaker 1: there's footage, because these people are obsessed with live streams.

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Speaker 1: The thing, God, cult aesthetics are so can look like.

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Speaker 1: A cult can look like anything. To paraphrase a Pat reaganism,

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Speaker 1: he says, a family can look like anything all the time.

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Speaker 1: A cult can look like anything. It's really culture number eight.

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Speaker 1: A cult can look like anything. And so the cult

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Speaker 1: aesthetic for them is everyone has a laptop, everyone's going live.

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Speaker 1: It's like Starbucks. It's like Starbucks. Everyone's going live. Everyone

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Speaker 1: is doing shrooms or tripping or ayahuasca or on meth

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Speaker 1: like it makes me it's well, it just never, It

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Speaker 1: makes me never want to do a drug ever again.

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Speaker 1: It would that be the worst thing. It would not

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Speaker 1: be the worst thing. It is so shocking when you realize,

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Speaker 1: like how the human brain and the human spirit are

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Speaker 1: so fragile and they be so easily tempted to believing anything,

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Speaker 1: Like how this woman, who I'm sorry it looks completely

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Speaker 1: average in a very okay way. She has an average woman,

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Speaker 1: is whipping up all of these people into believing that

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Speaker 1: she is Jesus Christ herself and that she is the

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Speaker 1: most beautiful woman in the world. Yeah, well there are

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Speaker 1: monsters among us. Well, of course, a monster can look

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Speaker 1: like anything, because can look like literally anything. It looks

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Speaker 1: like Amy Carlson. Bitch, Amy Carlson is making these people

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Speaker 1: they cut to like all these notes and her part

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Speaker 1: of her thing as a cult leader is make me

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Speaker 1: a sandwich, make me a galactic taco salad is what

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Speaker 1: one of the recipes is called. Make me crab legs.

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Speaker 1: I want lobster. Now they're in Colorado. Bitch like she like,

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Speaker 1: this woman is about food. She sounds like no hiking.

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Speaker 1: I'm like, oh, That's that's me Like on a Sunday

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Speaker 1: after a hard day of work. I want a lobster now,

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Speaker 1: making me a sandwich.

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Speaker 2: And Halen alright, p miss, Can I say I didn't

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Speaker 2: even know Halen Hardy gone.

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Speaker 1: Until it was too late. I mean there obviously is

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Speaker 1: like an organized crime thing. Wait what it, Matt? It

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Speaker 1: disappeared with no notice, So you think it was an

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Speaker 1: organized thing. You think Hallen Hardy was the mob. I

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Speaker 1: think there was something going on there. We need the

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Speaker 1: Hale and Hardy documentary now. Halen Hardy for people who

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Speaker 1: don't know, as it used to be a soup chain

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Speaker 1: in New York that everyone loved, right Yeah, I mean

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Speaker 1: I was there all the time. We could get a

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Speaker 1: half soup. Well, I guess it was a cup soup

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Speaker 1: half Sandwichera could never literally Panera could never. And they

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Speaker 1: had unbelievable chili. They had so many soup op shops.

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Speaker 1: Someone should step up and sort of do a Hale

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Speaker 1: and Hardy esque thing. There's a huge hole in the

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Speaker 1: market major, especially for my soup queens, which I'm the leader. Yeah,

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Speaker 1: I know you are. I'm more soup. There are two

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Speaker 1: different things.

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Speaker 2: We really don't have time to talk about the differences

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Speaker 2: between stew and soup. Right now, we might this that's

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Speaker 2: gonna be a quick hour. I would say that stew

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Speaker 2: there's more consistency there because it's probably based in a

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Speaker 2: protein or a starch, whereas the soup is based in

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Speaker 2: the liquid.

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Speaker 1: To liquid and in a stew you would maybe put

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Speaker 1: in it would maybe have a rue base, not a

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Speaker 1: rue base that you would start, you would start. Yeah,

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Speaker 1: you develop the flavors in a very specific way. And soup,

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Speaker 1: the beauty of soup is you can kind of just

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Speaker 1: it can be anything. A soup can be anything not

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Speaker 1: accept stew. Oh yeah, A soup cannot be stew. A

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Speaker 1: soup cannot be Rachel Ray tried to make stoop happen,

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Speaker 1: which is a did she actually? Which is something that

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Speaker 1: lives between a soup, a soup, and a stew. Hubris

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Speaker 1: no part of it. Can we talk about Rachel Ray? Sure? Can?

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Speaker 1: She's still doing it. She's still doing the thing, and

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Speaker 1: I actually have to admire her. And you know, my

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Speaker 1: ass didn't give two shits about Giata or Bobby or

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Speaker 1: even I'm gonna say Aina. I was tuning in the

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Speaker 1: Food Network growing up for Rachel. It makes me I'm

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Speaker 1: looking at Amy Carlson right now on my computer and

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Speaker 1: is that her? That's her? And actually part of her

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Speaker 1: narrative is that she's pretty stunned. She looks like Maggie Rodgers.

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Speaker 1: She not looks like Maggie Rodgers. She looks like Maggie

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Speaker 1: Rodgers before Divinity School. That's her. When she died. That's

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Speaker 1: her when she died. So that's Father God. So she

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Speaker 1: had so she had multiple partners, all named Father God.

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Speaker 1: But they were like the Prince Phillips to her. Someone

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Speaker 1: says they were like the Prince Phillips to her, Queen Elizabeth,

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Speaker 1: they were just so can I ask your question? In

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Speaker 1: this documentary, in the opening moments, you see this woman's

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Speaker 1: dead body. You see her. Her body is covered up.

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Speaker 1: But what's the most chilling is that it killing. Before

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Speaker 1: it cuts to the title card, it's just you. It's

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Speaker 1: just slow, slowed down, shaky police cam footage set to

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Speaker 1: scoring a metallic face staring back at you, staring at

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Speaker 1: the camera, but the eyes are actually painted on. I've

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Speaker 1: never seen anything like that, and in every bit of footage.

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Speaker 1: So because of the live streams, they have so much

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Speaker 1: footage of these people just like being on every drug, cackling, screaming,

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Speaker 1: singing stupid songs, acting a damn fool. But it's like,

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Speaker 1: I guess this is what I'm like when I'm stoned

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Speaker 1: with friends. I mean, yeah, but like I think these

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Speaker 1: people clearly were just like must have been just like warped.

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Speaker 1: They were warped. But like, but look at her. I

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Speaker 1: mean if someone looked that looked like Maggie Rodgers came

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Speaker 1: to me and was like, get me a sandwich, not

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Speaker 1: for nothing.

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Speaker 2: I think I would drop most everything I was doing

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Speaker 2: to get her a sandwich.

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Speaker 1: Girl, she's look at her kind face too, that's not

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Speaker 1: it's not a kind face. That But this is when

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Speaker 1: when we say a cult clok like anything, a cult

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Speaker 1: leader clok like anything, it could look like a fucking

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Speaker 1: fifth grade teacher. This woman, well, Joel Joel Kim Booster

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Speaker 1: was telling us about the Twin Flames documentary and how

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Speaker 1: those hey, you guys have been going off with yours. Well,

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Speaker 1: I had documentaries, Joel has not started as one. I

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Speaker 1: have not started the Twin Flames documentary. I don't know

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Speaker 1: that I the subculture that you guys belong to, well,

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Speaker 1: there's a million HBO documentary that The Twin flamesland is

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Speaker 1: on Prime. But so he was saying about them, like

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Speaker 1: they are the most uncharismatic cult leaders. And I want

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Speaker 1: to say, like, I guess it's such a fine line

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Speaker 1: between charisma and uniqueness, nerve and talent. Absolutely, and like

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Speaker 1: I don't think that many cult leaders. I can't name

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Speaker 1: that many cult leaders that are like yeah, I would

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Speaker 1: follow them, you know what I mean, Like even fucking

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Speaker 1: like the Nexium guy. I'm like Keith Ranieriam like no fuck,

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Speaker 1: oh yeah, no way. That's the thing is, it's like

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Speaker 1: they're all fucking weeds. Yeah, she probably has trauma. Well,

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Speaker 1: the mom and the sister, like, I honestly think they

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Speaker 1: were doing their best because the mom and the sister

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Speaker 1: were like, she was never mother God to us, she

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Speaker 1: was just amen. She was never mothered God to us.

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Speaker 1: And then whatever. I don't want to spoil much, but

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Speaker 1: she just hurt her life in her adulthood, I guess

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Speaker 1: was defined by like these really toxic relationships with men,

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Speaker 1: and that carries over into her relationships with the multiple

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Speaker 1: father gods. Yeah.

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Speaker 2: So when I walked in here today, this was on

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Speaker 2: there was twelve minutes off to the episode. I said, no,

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Speaker 2: go ahead, finish, and Bowen said, I don't want to finish,

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Speaker 2: And yet here you are giving it sort of a

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Speaker 2: ringing endorsement on here I just had I can't was.

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Speaker 1: That the wait, no, no, no, oh my god, is

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Speaker 1: that it? No? No, no, no, that's not it. That's

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Speaker 1: oh my god. That's her in like a mask. Okay,

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Speaker 1: so everyone there's a photo of her on Google Images

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Speaker 1: with like a sheet mask on, and I thought that

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Speaker 1: was we're not looking at her anymore. It's actually too much. Yeah,

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Speaker 1: you're really. I can tell this has really shaken you. Well,

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Speaker 1: the reason I'm watching it is because it is presented

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Speaker 1: in a very watchable format, which is three part documentary

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Speaker 1: series fifty five minute episodes each. Yeah, I can that. Well.

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Speaker 2: That was my problem with the vow was I was like, why, well,

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Speaker 2: it was a lot. It was like twelve episode first season,

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Speaker 2: and they were gonna like, we're doing a season two.

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Speaker 1: I'm like to say, what, I know, Well, it's the

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Speaker 1: second things was like the aftermath of like the conviction

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Speaker 1: or whatever. Yeah, I guess, but it's just like, I

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Speaker 1: don't know if we need more of this. It's this

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Speaker 1: is an interesting one. This is a new flavor of

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Speaker 1: cult documentary that I think is important to consider. It's

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Speaker 1: just deep. I'm very disturbed and it makes me sad

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Speaker 1: to think about. I mean, cults are about self surrender,

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Speaker 1: Like there are all these pieces about how like you

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Speaker 1: can't feel too bad for anyone who joins a cult

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Speaker 1: because there's a level of self surrender to it. Well yeah,

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Speaker 1: I mean I guess they would call it faith, which

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Speaker 1: is really scary. But I think that about everything. Sorry,

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Speaker 1: I feel like it's in the It's good that we're

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Speaker 1: talking about it. It's it's out there.

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Speaker 3: It's it's don't worry, it's not real housewives.

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Speaker 2: Our media diets could not be more different. Right now,

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Speaker 2: do you know what I saw the other day? The

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Speaker 2: Renaissance World Tour film tell me everything. First of all,

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Speaker 2: this is a fifteen out of ten, like you're going

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Speaker 2: to have the best time. It's different than the Eras

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Speaker 2: tour because if this is an actual like it's more

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Speaker 2: of a documentary like stuff.

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Speaker 1: Yes, so two things, three things stuck out to me.

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Speaker 1: One just to talk about the actual concert itself. If

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Speaker 1: you've seen the Renaissance World Tour concert, you know how

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Speaker 1: unbelievabullet is as a spectacle, but when you really see

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Speaker 1: just the minutia of the set, the lighting, the sound,

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Speaker 1: Like I took my band that I've been on the

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Speaker 1: road with the Gay Strangers comes see Matt Rodgers and

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Speaker 1: the Gay Strangers live on tour, and they were like,

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Speaker 1: musically so blown away. They were like, it's all bas

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Speaker 1: it's so crazy, Like the music is just cranking. She

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Speaker 1: is calling every single shot you see her in like this, yes,

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Speaker 1: oh yes.

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Speaker 2: So that was the first thing I noticed was when

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Speaker 2: you're not watching it as part of the audience and

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Speaker 2: you can actually see like a well shot, like you know,

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Speaker 2: following it as if you're right there with her. She

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Speaker 2: is such an unbelievable performer in the midst of all that,

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Speaker 2: et cetera. We all knew that. That's obviously the first thing.

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Speaker 2: It's just just how incredible that show is too. The

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Speaker 2: thing that is so clear is how hard she still

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Speaker 2: has to fight, really so that people don't gaslight her

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Speaker 2: into thinking that her vision is not achievable. Wow, Like

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Speaker 2: her exhaustion level in preparing for this is so high. Yes,

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Speaker 2: because it's so difficult to prepare for that. She had

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Speaker 2: a knee surgery before the Renaissance store, Like it was

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Speaker 2: a full surgery. It wasn't just an injury she had

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Speaker 2: to get like operated on. She was rehearsing while she

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Speaker 2: was in recovery for it. Like there's footage of her,

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Speaker 2: you know, doing pet and whole training at the same time.

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Speaker 2: Like this is just like truly an unblo believable, like

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Speaker 2: insurmountable really thing for anyone else. But she did it

400
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Speaker 2: all while dealing with people, even Beyonce. And she says,

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Speaker 2: because I'm a black woman, I still have to fight

402
00:22:13,680 --> 00:22:17,800
Speaker 2: every single person to execute my vision in the way

403
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Speaker 2: that I know. They don't talk to other people like this.

404
00:22:22,119 --> 00:22:24,840
Speaker 2: And there's an amazing scene where she's asking for like

405
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Speaker 2: a certain type of rig and they're saying it's not possible,

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Speaker 2: it doesn't exist, and she's like, okay, well I looked

407
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Speaker 2: it up while you guys were talking, and it does exist,

408
00:22:32,400 --> 00:22:34,080
Speaker 2: and here it is, and here's how you're gonna get

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Speaker 2: it here. So that was number two is really just

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Speaker 2: how tenacious she is and anyone else would just be like,

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Speaker 2: you know what, fine, let's just do the easy thing,

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Speaker 2: but she never does that. Three the highlight of the

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Speaker 2: whole doc to me was now, well, the Uncle Johnny

414
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Speaker 2: stuff was amazing, and I'm really happy that was like

415
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Speaker 2: an extended part of it because they really Tina gets

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Speaker 2: like a whole action where they're interviewing her about Uncle Johnny,

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Speaker 2: and you know, Tina's just a legend. She really gets

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Speaker 2: her flowers in the documentary. Like there's a part where

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Speaker 2: Beyonce's being interviewed in Tina's next to her the whole time,

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Speaker 2: and Beyonce just says, you know, the only reason why

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Speaker 2: I'm here unable to do all this is you.

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Speaker 1: You're the only reason. And they hug and it's just

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00:23:17,560 --> 00:23:20,719
Speaker 1: so beautiful. But speaking of her family, my favorite part

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Speaker 1: of the whole Renaissance world to our film was Blue Ivy.

425
00:23:25,480 --> 00:23:29,560
Speaker 1: Like there's a sequence where Beyonce says, Blue Ivy came

426
00:23:29,600 --> 00:23:31,239
Speaker 1: to me and said she's ready to perform, and I

427
00:23:31,280 --> 00:23:35,120
Speaker 1: said no, because she's not ready, Like she hasn't gone

428
00:23:35,119 --> 00:23:36,879
Speaker 1: through nearly enough to be ready to go out in

429
00:23:36,880 --> 00:23:38,879
Speaker 1: front of all those people and do this, et cetera.

430
00:23:39,920 --> 00:23:42,359
Speaker 1: And she was like, you can do one show. And

431
00:23:42,400 --> 00:23:44,800
Speaker 1: then I guess it's really the first time I've seen

432
00:23:44,840 --> 00:23:48,880
Speaker 1: Blue Ivy like talk and exist but she's cool as

433
00:23:48,920 --> 00:23:51,399
Speaker 1: fuck and like, you know, seems to have it together,

434
00:23:51,520 --> 00:23:54,399
Speaker 1: and she's got opinions about the things that her mom

435
00:23:55,240 --> 00:23:57,879
Speaker 1: is doing, and like her mom wants to cut a

436
00:23:57,920 --> 00:24:01,919
Speaker 1: song from the show. I think it's I forget exactly

437
00:24:02,000 --> 00:24:04,520
Speaker 1: what song it is, but it's one of the older ones.

438
00:24:04,640 --> 00:24:07,359
Speaker 1: It's Diva Diva. Beyonce is like, I kind of want

439
00:24:07,400 --> 00:24:09,480
Speaker 1: to cut Diva or make it way shorter, and Blue

440
00:24:09,520 --> 00:24:11,399
Speaker 1: Ivy's in the corner like doing her homework, and she

441
00:24:11,440 --> 00:24:14,720
Speaker 1: turns around and she's like, no, you cannot cut Diva.

442
00:24:14,800 --> 00:24:17,960
Speaker 1: You can't do it. She's like, Blue, stop and she's like, no,

443
00:24:18,080 --> 00:24:19,520
Speaker 1: you can't cut those songs.

444
00:24:19,680 --> 00:24:23,040
Speaker 2: You cannot cut those songs. I think she was trying

445
00:24:23,040 --> 00:24:25,199
Speaker 2: to say, like what you can't cut the classics, Like

446
00:24:25,240 --> 00:24:28,359
Speaker 2: you just can't. And then Beyonce turns to Blue and says,

447
00:24:28,600 --> 00:24:31,760
Speaker 2: I appreciate your opinion, but you need to calm down

448
00:24:31,800 --> 00:24:34,680
Speaker 2: and you can't be cutting people off. And it's intercut

449
00:24:34,720 --> 00:24:38,440
Speaker 2: with Beyonce doing all of Diva. That's which I love.

450
00:24:38,720 --> 00:24:40,760
Speaker 1: I love it. And so then to speak more about

451
00:24:40,760 --> 00:24:45,840
Speaker 1: Blue Ivy, Blue gets on the Internet and sees troll

452
00:24:46,160 --> 00:24:49,199
Speaker 1: mean comments about her dancing and in the beginning, she

453
00:24:49,320 --> 00:24:51,520
Speaker 1: wasn't at the level she was at at the end,

454
00:24:51,960 --> 00:24:55,280
Speaker 1: and so they just show her working really really hard

455
00:24:55,320 --> 00:24:58,240
Speaker 1: to get it right and like really taking it seriously.

456
00:24:58,280 --> 00:25:02,080
Speaker 1: And Beyonce was like, this is not only a renaissance

457
00:25:02,119 --> 00:25:03,520
Speaker 1: for me and everyone here, but it was truly a

458
00:25:03,880 --> 00:25:07,920
Speaker 1: renaissance for Blue Ivy because she learned what happens when

459
00:25:07,920 --> 00:25:11,000
Speaker 1: she applies herself and what she's capable of. And then

460
00:25:11,040 --> 00:25:15,760
Speaker 1: they show Blue doing the number with Beyonce, like, and

461
00:25:15,800 --> 00:25:18,040
Speaker 1: what I loved about the movie too, is and this

462
00:25:18,160 --> 00:25:21,600
Speaker 1: set it apart from eras, like they filmed so many

463
00:25:21,640 --> 00:25:23,720
Speaker 1: of the concerts so that they were able to cut

464
00:25:24,000 --> 00:25:27,399
Speaker 1: I know, the cuts were insane and bowen, the garments,

465
00:25:27,760 --> 00:25:32,360
Speaker 1: the outfits, the stunning, the costumes, the robot arms into

466
00:25:32,400 --> 00:25:34,919
Speaker 1: cozy like people have been like putting down on their

467
00:25:34,920 --> 00:25:38,119
Speaker 1: stories and my jaws on the floor, Like there is

468
00:25:38,280 --> 00:25:41,240
Speaker 1: never a moment you're not gasping at what she and

469
00:25:41,320 --> 00:25:45,960
Speaker 1: the whole cast, the dancers, the band, what everyone, even

470
00:25:46,000 --> 00:25:48,160
Speaker 1: the crew, And she goes on to talk about how

471
00:25:48,320 --> 00:25:50,600
Speaker 1: she wants to dress the crew specifically because she wants

472
00:25:50,640 --> 00:25:53,119
Speaker 1: the cruise movement to actually be part of the show

473
00:25:53,200 --> 00:25:58,359
Speaker 1: because the mechanism of it. She wants as much of

474
00:25:58,359 --> 00:26:01,240
Speaker 1: a light shone on that. So that's why the crew

475
00:26:01,280 --> 00:26:03,640
Speaker 1: were in those like metallic outfits, because when a crew

476
00:26:03,640 --> 00:26:07,320
Speaker 1: member comes out, that's for her the world of the show,

477
00:26:07,520 --> 00:26:08,280
Speaker 1: I'm telling you.

478
00:26:08,359 --> 00:26:12,719
Speaker 2: Like they show this sequence of Blue and Beyonce dancing together,

479
00:26:13,040 --> 00:26:15,360
Speaker 2: and you see it at the end just how hard

480
00:26:15,400 --> 00:26:19,719
Speaker 2: Blue Ivy was slaying it, and you just feel at

481
00:26:19,720 --> 00:26:21,399
Speaker 2: the end of that sequence of the movie like it

482
00:26:21,440 --> 00:26:24,639
Speaker 2: was really well done and like snaps to Beyonce for

483
00:26:24,720 --> 00:26:28,440
Speaker 2: that the whole thing, but especially this because the pride

484
00:26:28,480 --> 00:26:30,800
Speaker 2: that Beyonce as her mother feels at the end, you

485
00:26:30,880 --> 00:26:32,760
Speaker 2: feel as the audience for her because of the way

486
00:26:32,760 --> 00:26:37,000
Speaker 2: that it's been edited totally, lots of great cameos. Megan

487
00:26:37,040 --> 00:26:39,440
Speaker 2: the Stallions in it, Kendrick is in it.

488
00:26:39,600 --> 00:26:43,720
Speaker 1: There's a really funny moment during the mute challenge where

489
00:26:43,720 --> 00:26:46,040
Speaker 1: in the middle of it they cut to Cardi b

490
00:26:46,200 --> 00:26:48,640
Speaker 1: and the audience being on mute, and it's a test

491
00:26:48,680 --> 00:26:50,720
Speaker 1: for the audience because you don't know Cardi is coming,

492
00:26:51,000 --> 00:26:52,480
Speaker 1: and then when you see her you just want to

493
00:26:52,520 --> 00:26:56,320
Speaker 1: laugh and scream so much so fine someone in my

494
00:26:56,560 --> 00:26:59,920
Speaker 1: theater did laugh and we all turned to her rooms,

495
00:26:59,960 --> 00:27:02,520
Speaker 1: like that's a trap? That is?

496
00:27:02,880 --> 00:27:06,919
Speaker 2: It was so good anyway, best time watching it, Like

497
00:27:07,119 --> 00:27:10,919
Speaker 2: obviously seeing the tour I thought twice was brilliant. But

498
00:27:11,560 --> 00:27:13,800
Speaker 2: I think this could be a really fun idea for

499
00:27:13,880 --> 00:27:14,640
Speaker 2: Christmas Day.

500
00:27:15,560 --> 00:27:18,560
Speaker 1: Like I'm thinking, because are you gonna be here for Christmas? Okay,

501
00:27:18,600 --> 00:27:20,280
Speaker 1: so a bunch of us are going to be here

502
00:27:20,280 --> 00:27:23,840
Speaker 1: in New York City for Christmas. I want to maybe

503
00:27:23,920 --> 00:27:26,160
Speaker 1: this will need to me joining a cult to the behive.

504
00:27:26,760 --> 00:27:30,199
Speaker 1: I'm already in the behind, but do a little period,

505
00:27:30,400 --> 00:27:32,639
Speaker 1: do a little mushroom and then go to the Renaissance

506
00:27:32,680 --> 00:27:35,960
Speaker 1: tour film on Christmas in New York City. That could be.

507
00:27:36,160 --> 00:27:39,840
Speaker 1: That would be absolutely because I'm definitely seeing this again.

508
00:27:40,520 --> 00:27:44,760
Speaker 1: Can I tell you the fact that Thick was not

509
00:27:44,880 --> 00:27:47,000
Speaker 1: in every show. I didn't get to see Thick live,

510
00:27:47,440 --> 00:27:50,000
Speaker 1: Thick and all up in your Mind in the Renaissance

511
00:27:50,160 --> 00:27:55,679
Speaker 1: film highlights. Really Sick is a contender for me to

512
00:27:55,760 --> 00:27:58,800
Speaker 1: be number one song on the album Really Yes, I

513
00:27:58,840 --> 00:28:02,680
Speaker 1: mean it's excellent, so good All your Mind made the cut.

514
00:28:03,240 --> 00:28:06,800
Speaker 1: That's interesting. The whole thing is in there.

515
00:28:07,200 --> 00:28:11,159
Speaker 2: The only thing that I remember she definitely cut was

516
00:28:12,000 --> 00:28:13,840
Speaker 2: a few of the numbers from the beginning, which she's

517
00:28:13,880 --> 00:28:16,639
Speaker 2: like doing her own opening with the ballads. Ye you

518
00:28:16,720 --> 00:28:22,480
Speaker 2: get dangerously in love into flaws and all, and then.

519
00:28:22,600 --> 00:28:26,159
Speaker 1: She disappears into the stage and the renaissance begins. But

520
00:28:26,240 --> 00:28:27,680
Speaker 1: they cut the rest of it, So they cut I

521
00:28:27,800 --> 00:28:29,960
Speaker 1: care they cut one plus one and you do see

522
00:28:30,000 --> 00:28:33,160
Speaker 1: a little bit of the Tina Turner tribute that's later

523
00:28:33,240 --> 00:28:36,359
Speaker 1: in the movie. That's yeah, brilliant, brilliant, of course. I

524
00:28:36,359 --> 00:28:43,560
Speaker 1: mean that is she is the paragon the student of performance. Yeah,

525
00:28:43,640 --> 00:28:47,400
Speaker 1: it's like Beyonce is the student of performance. Gaga is

526
00:28:47,400 --> 00:28:51,840
Speaker 1: the student of like, let's just say art, and like

527
00:28:53,320 --> 00:28:57,920
Speaker 1: theater theater. I think Ariyana is a student of vocals.

528
00:28:57,920 --> 00:29:01,280
Speaker 1: Bean is a student of coolness. Taylor is a student

529
00:29:01,320 --> 00:29:07,960
Speaker 1: of songwriting. And that is a very hard thing, Yeah,

530
00:29:08,040 --> 00:29:11,320
Speaker 1: to like occupy. I think all the girlies have like

531
00:29:11,840 --> 00:29:15,040
Speaker 1: their their niche. It's not even a niche, it's like

532
00:29:15,640 --> 00:29:18,920
Speaker 1: their superpower. Yeah, you know, like their stats are like

533
00:29:18,960 --> 00:29:24,000
Speaker 1: distributed different. It's the only real way to describe Beyonce

534
00:29:24,160 --> 00:29:29,600
Speaker 1: on stage is as superwoman. Yes, it's I mean I

535
00:29:29,800 --> 00:29:33,520
Speaker 1: complimented Taylor on her actual like acting performance in the

536
00:29:33,560 --> 00:29:43,440
Speaker 1: Eras Tour film. Beyonce is such an unbelievably focused, focused,

537
00:29:43,680 --> 00:29:48,600
Speaker 1: committed like she's just in it the whole time in

538
00:29:48,600 --> 00:29:53,080
Speaker 1: the sense of fun and play, especially after you see

539
00:29:53,120 --> 00:29:55,360
Speaker 1: how seriously and how difficult.

540
00:29:55,320 --> 00:29:57,280
Speaker 2: How seriously she takes it in how difficult it was

541
00:29:57,320 --> 00:29:59,800
Speaker 2: to achieve that, to see her having fun doing this

542
00:30:00,240 --> 00:30:02,120
Speaker 2: and to see it all paying off in the moment

543
00:30:02,160 --> 00:30:05,560
Speaker 2: to the point where she can be so like improvisational

544
00:30:05,720 --> 00:30:08,960
Speaker 2: free because she knows it so well. And she talks

545
00:30:09,000 --> 00:30:09,560
Speaker 2: about that too.

546
00:30:09,600 --> 00:30:13,560
Speaker 1: She talks about how as a performer she is a

547
00:30:13,800 --> 00:30:18,640
Speaker 1: storied perfectionist. But the reason why she's that way is

548
00:30:18,760 --> 00:30:22,240
Speaker 1: so that when the performance happens, there can be that

549
00:30:22,320 --> 00:30:24,480
Speaker 1: sense of fun because it's in your body and it

550
00:30:24,640 --> 00:30:28,920
Speaker 1: is almost not robotic in like a derogatory or pejorative sense, like,

551
00:30:29,360 --> 00:30:32,680
Speaker 1: but it's already there, and so you can survive and

552
00:30:32,760 --> 00:30:35,640
Speaker 1: live and thrive in what is happening in the moment.

553
00:30:36,080 --> 00:30:39,480
Speaker 1: It's on the largest scale. It's the whole idea of

554
00:30:39,560 --> 00:30:42,160
Speaker 1: like knowing the rules to break them or yeah, she

555
00:30:43,720 --> 00:30:48,800
Speaker 1: is our best performer, especially in those moments when at

556
00:30:48,840 --> 00:30:51,400
Speaker 1: the show, I mean everyone was noticing like that she

557
00:30:51,520 --> 00:30:54,720
Speaker 1: just knows where every yep shot and frame is down

558
00:30:54,800 --> 00:30:56,640
Speaker 1: to like looking up at the like to serve it

559
00:30:56,720 --> 00:30:59,480
Speaker 1: up to a drone. Is I don't know how to

560
00:30:59,480 --> 00:31:01,479
Speaker 1: do that? No, I don't know how any if, if

561
00:31:01,520 --> 00:31:05,520
Speaker 1: anyone besides Beyonce knows how to do that so effortlessly.

562
00:31:05,120 --> 00:31:08,720
Speaker 2: I mean, and also like we were there at the

563
00:31:08,720 --> 00:31:12,120
Speaker 2: show she was finding those cameras. I mean like that

564
00:31:12,240 --> 00:31:14,960
Speaker 2: was one of the things I clocked at the London show,

565
00:31:15,640 --> 00:31:19,240
Speaker 2: which was in the documentary. Yes, oh wow, yes it

566
00:31:19,360 --> 00:31:22,320
Speaker 2: was because she was wearing the London There were two

567
00:31:22,320 --> 00:31:26,160
Speaker 2: outfits that they show Break My Soul from London definitely,

568
00:31:26,680 --> 00:31:29,800
Speaker 2: and they show the movie Girl Girl. In many ways,

569
00:31:29,840 --> 00:31:33,520
Speaker 2: I was on the shoar very that, but but there

570
00:31:33,560 --> 00:31:34,920
Speaker 2: was I was. That was one of the things I

571
00:31:34,920 --> 00:31:36,840
Speaker 2: was blown away with when I was there. Was I

572
00:31:36,880 --> 00:31:39,400
Speaker 2: was like, there's like this one moment where like a

573
00:31:39,480 --> 00:31:42,000
Speaker 2: camera flies over her head on like it's like a

574
00:31:42,000 --> 00:31:44,320
Speaker 2: suspended camera and she looks up at it and makes

575
00:31:44,760 --> 00:31:48,080
Speaker 2: eye contact with it, and I'm like, with everything that

576
00:31:48,200 --> 00:31:51,520
Speaker 2: is going on, how do you pinpoint the exact three

577
00:31:51,640 --> 00:31:54,400
Speaker 2: D spatial coordinates of something that's like up in the air.

578
00:31:54,480 --> 00:31:56,360
Speaker 1: No, do you know what I'm saying? Yeah, that is hard.

579
00:31:56,440 --> 00:31:59,800
Speaker 1: It's hard to find that one eye line one hundred

580
00:31:59,760 --> 00:32:05,400
Speaker 1: thou inc. And that's just a commitment to the just

581
00:32:05,800 --> 00:32:13,640
Speaker 1: pinpoint accuracy of every decision. It's just a flawless piece

582
00:32:13,680 --> 00:32:17,479
Speaker 1: of art. Almost feels too small. It's like it is

583
00:32:17,600 --> 00:32:22,520
Speaker 1: just such a feat of culture. That's really what it is.

584
00:32:22,560 --> 00:32:25,400
Speaker 1: It is a moment in culture.

585
00:32:25,560 --> 00:32:28,400
Speaker 2: And to even say that on this podcast where we

586
00:32:28,440 --> 00:32:33,320
Speaker 2: talk about that, yeah, this is just like this. Actually,

587
00:32:33,400 --> 00:32:36,400
Speaker 2: the Renaissance World Tour is actually winning an award right now?

588
00:32:37,400 --> 00:32:38,200
Speaker 1: Are you serious?

589
00:32:38,960 --> 00:32:43,200
Speaker 2: We're actually really thrilled to announce that the Renaissance World

590
00:32:43,200 --> 00:32:48,000
Speaker 2: Tour is winning the Pinnacle Award. There will only be

591
00:32:48,400 --> 00:32:50,560
Speaker 2: there will only be three given out in our lifetime,

592
00:32:53,760 --> 00:32:57,600
Speaker 2: and today we have awarded the Pinnacle Award to Beyonce

593
00:32:57,720 --> 00:32:58,760
Speaker 2: for the Renaissance World Tour.

594
00:32:58,840 --> 00:33:00,000
Speaker 1: There are only two more allowed.

595
00:33:00,320 --> 00:33:05,000
Speaker 2: It's like the horre Crukses, the Deathitely Hallows How. It's

596
00:33:05,000 --> 00:33:10,600
Speaker 2: like the Deathly Hallows hun It's like the hor Crutches were.

597
00:33:10,800 --> 00:33:12,640
Speaker 1: Do you think there might be a special moment at

598
00:33:12,760 --> 00:33:17,360
Speaker 1: next year's Cultural Awards in honor to honor Renaissance World

599
00:33:17,400 --> 00:33:19,320
Speaker 1: Tours Pinnacle Award.

600
00:33:19,480 --> 00:33:21,680
Speaker 2: I think the Pinnacle Award is being given to the

601
00:33:21,720 --> 00:33:24,360
Speaker 2: Renaissance World Tour, and there will be.

602
00:33:24,200 --> 00:33:27,920
Speaker 1: A moment in the show. I'm very excited about that,

603
00:33:28,040 --> 00:33:31,240
Speaker 1: which is not yet planned or confirmed. Speaking of moments,

604
00:33:31,480 --> 00:33:33,400
Speaker 1: I actually thought about this and I did not consult

605
00:33:33,440 --> 00:33:37,880
Speaker 1: with you. What I think we should announce something on

606
00:33:37,960 --> 00:33:40,840
Speaker 1: this episode? What is it? I think we should announce

607
00:33:41,040 --> 00:33:44,160
Speaker 1: that because you're doing it and you're still not running

608
00:33:44,200 --> 00:33:50,880
Speaker 1: it by me. Well, what is it? Oh? Yeah, wow,

609
00:33:51,280 --> 00:33:53,600
Speaker 1: that's amazing. No, we don't, don't cut around it. This

610
00:33:53,680 --> 00:33:57,480
Speaker 1: is they want to see the BTS. They love the friendship. Yes, okay.

611
00:33:57,680 --> 00:34:01,080
Speaker 1: So if now for any reader's kidies publicist finalists who

612
00:34:01,280 --> 00:34:03,120
Speaker 1: have tapped out because they said, I don't want to

613
00:34:03,120 --> 00:34:05,280
Speaker 1: listen to this bad sound quality episode, this is what

614
00:34:05,320 --> 00:34:07,720
Speaker 1: they're missing. You missed out on something major. So for

615
00:34:07,840 --> 00:34:10,239
Speaker 1: all of you who are sticking with us in this episode,

616
00:34:10,880 --> 00:34:14,680
Speaker 1: thank you, and this is your reward. As we're approaching

617
00:34:14,680 --> 00:34:19,160
Speaker 1: our four hundred episode, we can now announce that the

618
00:34:19,200 --> 00:34:24,760
Speaker 1: four hundred episode special will be called Iconic four hundred,

619
00:34:25,280 --> 00:34:29,920
Speaker 1: the four hundred people of Culture. These are the top

620
00:34:30,160 --> 00:34:35,880
Speaker 1: four hundred most iconic people I would say, living or

621
00:34:35,920 --> 00:34:42,400
Speaker 1: dead or yet to be born in the culture, Realistic

622
00:34:43,000 --> 00:34:50,239
Speaker 1: or fictional and that was my surprise to you. Now,

623
00:34:50,280 --> 00:34:54,600
Speaker 1: can we announce number four hundred? No, we can't. We can't,

624
00:34:54,800 --> 00:34:57,839
Speaker 1: but just to say this, we know who number four

625
00:34:57,880 --> 00:35:01,360
Speaker 1: hundred is and it's and it will start the list

626
00:35:01,400 --> 00:35:05,759
Speaker 1: off in a way that will make you say, I'm

627
00:35:05,800 --> 00:35:09,760
Speaker 1: going to keep guessing. Oh, that is the perfect description.

628
00:35:10,960 --> 00:35:15,319
Speaker 1: No one saw that one hundred is. I think this

629
00:35:15,400 --> 00:35:20,160
Speaker 1: person deserves the spot one hundred percent.

630
00:35:20,239 --> 00:35:25,280
Speaker 2: This person is a legend, beacon, a legend, a vibe.

631
00:35:26,160 --> 00:35:27,760
Speaker 2: This person is vibe style.

632
00:35:28,440 --> 00:35:32,239
Speaker 1: Everything you said you said, I said a gender, Well

633
00:35:32,320 --> 00:35:39,040
Speaker 1: that's okay, okay, but this person is a vibe, multidisciplinary legend,

634
00:35:39,080 --> 00:35:43,920
Speaker 1: a talent, a huge talent, no matter in what context.

635
00:35:44,400 --> 00:35:46,640
Speaker 1: Oh god, it's very hard. It's so hard to be

636
00:35:46,920 --> 00:35:51,360
Speaker 1: kg about this. But needless to say, we are very excited.

637
00:35:51,440 --> 00:35:54,000
Speaker 1: I know exactly the moment where we came up with this.

638
00:35:54,719 --> 00:35:57,040
Speaker 1: When was that we were in London on our way

639
00:35:57,040 --> 00:36:00,600
Speaker 1: to the airport to go to Berlin. Yes, I felt

640
00:36:00,600 --> 00:36:02,480
Speaker 1: it in my and I've been thinking about an iconic

641
00:36:02,520 --> 00:36:05,319
Speaker 1: four hundred. I'm so excited for this, and we hope

642
00:36:05,360 --> 00:36:08,520
Speaker 1: you are too. And it's coming up. Yeah, it's probably

643
00:36:08,520 --> 00:36:10,680
Speaker 1: like in a few months. It might be I'm gonna

644
00:36:10,760 --> 00:36:14,839
Speaker 1: venture to say bless you, thank you so much, queen

645
00:36:14,960 --> 00:36:17,680
Speaker 1: for a part episode. I think it might even be

646
00:36:17,719 --> 00:36:20,640
Speaker 1: more part special. Okay, we're gonna have to fly through it.

647
00:36:20,680 --> 00:36:23,759
Speaker 2: If it's for because that per episode, Yeah, that would

648
00:36:23,840 --> 00:36:26,920
Speaker 2: mean even if we spent one minute on every single person,

649
00:36:27,080 --> 00:36:28,560
Speaker 2: and that would be in an hour.

650
00:36:28,640 --> 00:36:32,120
Speaker 1: And okay, it might be five. It might be the

651
00:36:32,120 --> 00:36:34,520
Speaker 1: whole week. It might be a whole week of lost Culture.

652
00:36:34,520 --> 00:36:37,680
Speaker 1: It might be a Monday through Friday, so Joway, Monday, Tuesday, Wednesday, Thursday, Friday.

653
00:36:37,760 --> 00:36:40,400
Speaker 1: Each day of the week you get an episode. Oh

654
00:36:40,400 --> 00:36:44,640
Speaker 1: my god. And the way that people were like, they're

655
00:36:44,680 --> 00:36:47,879
Speaker 1: gonna flop soon. So why people were like they're going

656
00:36:47,920 --> 00:36:52,000
Speaker 1: into their flop era. They have seen their best days. Like,

657
00:36:52,320 --> 00:36:55,560
Speaker 1: there's no way the podcast can be better. It's not iconic.

658
00:36:56,440 --> 00:37:01,600
Speaker 1: There are flops. Everyone was saying flops. But this is

659
00:37:01,800 --> 00:37:07,520
Speaker 1: a more substantial, important, prestigious list than Time one hundred, Oh,

660
00:37:07,680 --> 00:37:13,799
Speaker 1: I'll forget it, forty forty Forbes Forbes. This is the

661
00:37:14,360 --> 00:37:20,000
Speaker 1: list of people animals. Now it's a real curble bitch.

662
00:37:20,800 --> 00:37:26,320
Speaker 1: I kind of four D includes animals, whoa beings, anything

663
00:37:26,360 --> 00:37:28,799
Speaker 1: with the spirit is eligible to be on the list.

664
00:37:28,800 --> 00:37:31,919
Speaker 1: Can I say, who's not on the list? Mother God

665
00:37:32,480 --> 00:37:36,000
Speaker 1: Amy Carlson is not on the list, And she she

666
00:37:36,120 --> 00:37:38,239
Speaker 1: would say, if she were still alive, she'd say, oh, well,

667
00:37:38,239 --> 00:37:39,520
Speaker 1: all these other people who are on the list are

668
00:37:39,560 --> 00:37:41,960
Speaker 1: actually me. You can't this is what I'm saying. You

669
00:37:42,000 --> 00:37:45,880
Speaker 1: cannot reason with people like her. But it's what's crazy

670
00:37:45,960 --> 00:37:48,960
Speaker 1: is that she gets multiple a big group of people

671
00:37:49,040 --> 00:37:52,880
Speaker 1: who agree with her and say, yes, you are communicating

672
00:37:53,040 --> 00:37:57,000
Speaker 1: through Robert Williams. Yes, you are like the next Whitney Houston.

673
00:37:57,000 --> 00:38:00,759
Speaker 1: It's it's so unbelievable what drugs can due to your brain.

674
00:38:00,800 --> 00:38:04,120
Speaker 1: I'm sorry, I'm being such I'm being so dare right now.

675
00:38:04,160 --> 00:38:06,799
Speaker 1: I'm being so dare pilled. I'm like, drugs are bad.

676
00:38:06,960 --> 00:38:09,359
Speaker 1: Maybe I don't even know if it's drugs. I have

677
00:38:09,400 --> 00:38:11,560
Speaker 1: to say, because can I ask you a question? Serious question?

678
00:38:11,640 --> 00:38:14,120
Speaker 2: And sorry to even bring him up, but if Donald

679
00:38:14,120 --> 00:38:16,719
Speaker 2: Trump said I spoke to Robin Williams last night in

680
00:38:16,760 --> 00:38:18,360
Speaker 2: my dream and he told me that this is true,

681
00:38:18,640 --> 00:38:21,120
Speaker 2: there would be a lot of his followers that would

682
00:38:21,120 --> 00:38:21,760
Speaker 2: be like, yeah.

683
00:38:21,920 --> 00:38:27,200
Speaker 1: Of course no, it is like lost people. Yeah, And

684
00:38:27,520 --> 00:38:31,800
Speaker 1: it makes me sad that this is the human condition.

685
00:38:32,160 --> 00:38:34,560
Speaker 1: It makes me really said that this is the human condition.

686
00:38:35,200 --> 00:38:38,640
Speaker 1: And it also like I just want to reach out.

687
00:38:39,680 --> 00:38:41,640
Speaker 1: Can I say, if you're in a cult, reach out

688
00:38:41,680 --> 00:38:46,120
Speaker 1: and touch somebody. Now you sound a little cult dish, yeah,

689
00:38:46,120 --> 00:38:48,080
Speaker 1: but I would have a cool cult. You would have

690
00:38:48,120 --> 00:38:52,560
Speaker 1: a cool cult. What would it be called? Amazing cult?

691
00:38:53,600 --> 00:38:55,600
Speaker 2: Having a cult with the word cult in the name

692
00:38:55,719 --> 00:38:59,200
Speaker 2: was the countiest thing of all cut County culty.

693
00:38:59,000 --> 00:39:03,440
Speaker 1: County culty cult. It should be called amazing cult counter culture.

694
00:39:04,200 --> 00:39:07,080
Speaker 1: Now amazing cults may go with your first instinct.

695
00:39:07,160 --> 00:39:18,239
Speaker 2: All right, Well it's called amazing cult. So by the

696
00:39:18,280 --> 00:39:20,960
Speaker 2: time this airs will have performed my song Rockefellersena on

697
00:39:21,040 --> 00:39:24,440
Speaker 2: the Today Show with Hoda and Jenna looking on.

698
00:39:25,040 --> 00:39:26,719
Speaker 1: We hope it went good. We hope it went good.

699
00:39:26,760 --> 00:39:30,040
Speaker 1: If it went terribly, we're so sorry. Yeah. I don't

700
00:39:30,080 --> 00:39:31,919
Speaker 1: think it will go terribly, though. I think we're gonna

701
00:39:31,960 --> 00:39:35,160
Speaker 1: kind of eat and slay. It does not get more

702
00:39:35,160 --> 00:39:39,120
Speaker 1: full circle than this. You wrote a song Bitch about

703
00:39:39,200 --> 00:39:42,640
Speaker 1: Rockefeller Senna and about the people who work there, and

704
00:39:42,640 --> 00:39:45,440
Speaker 1: then you end up working there and we ended up

705
00:39:45,480 --> 00:39:47,879
Speaker 1: performing it there in front of people who are name

706
00:39:47,960 --> 00:39:51,239
Speaker 1: checked in the song. Literally you did that. You know,

707
00:39:51,560 --> 00:39:54,520
Speaker 1: there's rumors that I might have to fly around Rockefeller

708
00:39:54,560 --> 00:39:56,920
Speaker 1: Center and get content with other people mentioned in the

709
00:39:56,960 --> 00:40:00,319
Speaker 1: song so that they can sit together music video. But yeah,

710
00:40:00,840 --> 00:40:03,040
Speaker 1: oh my god, I don't know who is going to

711
00:40:03,080 --> 00:40:07,239
Speaker 1: be in it, Honey. We're gonna find out, honey. It is.

712
00:40:07,840 --> 00:40:12,000
Speaker 1: It is a living building. So watch that on YouTube.

713
00:40:12,640 --> 00:40:14,799
Speaker 2: They'll have posted it, honey, if you didn't see it

714
00:40:14,920 --> 00:40:17,040
Speaker 2: yesterday live on the Today Show.

715
00:40:17,440 --> 00:40:19,080
Speaker 1: Hoda and Jenna talked to us after.

716
00:40:19,239 --> 00:40:20,840
Speaker 2: I think, oh, we're going to have an interview and

717
00:40:20,960 --> 00:40:22,800
Speaker 2: have an interview if they don't know you're coming.

718
00:40:23,440 --> 00:40:25,400
Speaker 1: Yeah, they might have the surprise ruin for them because

719
00:40:25,520 --> 00:40:26,960
Speaker 1: we have to rehearse this and they're gonna put it

720
00:40:27,040 --> 00:40:28,840
Speaker 1: on the monitors, and I think Hoda and Jenna have

721
00:40:28,920 --> 00:40:31,240
Speaker 1: the monitors. I think they're going to be seeing the monitors.

722
00:40:31,520 --> 00:40:33,719
Speaker 1: I wanted to quickly touch on a couple other things

723
00:40:33,719 --> 00:40:35,400
Speaker 1: before we guess. I don't think so, honey, because we

724
00:40:35,480 --> 00:40:37,960
Speaker 1: have not yet wrapped up the Morning Show. We've had

725
00:40:37,960 --> 00:40:41,880
Speaker 1: so many other present matters. I guess I just want to,

726
00:40:41,920 --> 00:40:46,120
Speaker 1: I guess apologize because I was incorrectly informed that something

727
00:40:46,160 --> 00:40:48,080
Speaker 1: happens in the finale of the Morning Show. That was

728
00:40:48,080 --> 00:40:49,960
Speaker 1: the craziest thing that's ever happened on the show, And

729
00:40:50,000 --> 00:40:50,840
Speaker 1: I would say.

730
00:40:50,640 --> 00:40:54,560
Speaker 2: That, like, in totality, I think the craziest thing that's

731
00:40:54,600 --> 00:40:56,719
Speaker 2: ever happened on the show is Bradley Jackson being at

732
00:40:56,719 --> 00:40:58,799
Speaker 2: the insurrection getting found out by the FBI and going

733
00:40:58,840 --> 00:41:01,920
Speaker 2: to prison. That's probably, in totality, the craziest thing has

734
00:41:01,960 --> 00:41:06,480
Speaker 2: ever happened. But nothing in the finale was like singular

735
00:41:06,960 --> 00:41:09,680
Speaker 2: insanity in the way that I think I set it

736
00:41:09,760 --> 00:41:11,600
Speaker 2: up and was assuming it would be. And I want

737
00:41:11,600 --> 00:41:14,880
Speaker 2: to apologize for that, because you certainly the ninth episode

738
00:41:15,120 --> 00:41:16,960
Speaker 2: was better than the tenth episode.

739
00:41:16,600 --> 00:41:19,239
Speaker 1: Certainly, but I don't think you have anything to apologize for.

740
00:41:19,440 --> 00:41:22,400
Speaker 1: You set it up that way based on what someone

741
00:41:22,400 --> 00:41:25,000
Speaker 1: else had told you. Yeah, and I think that that

742
00:41:25,080 --> 00:41:26,480
Speaker 1: person articulated to me.

743
00:41:27,080 --> 00:41:30,080
Speaker 2: The season wraps up in the craziest way a season has,

744
00:41:31,400 --> 00:41:33,680
Speaker 2: which I think is debatable actually, but.

745
00:41:33,600 --> 00:41:37,280
Speaker 1: Then I guess season of any television show. That show.

746
00:41:37,480 --> 00:41:39,920
Speaker 1: I think the season two finale was bonkers.

747
00:41:40,360 --> 00:41:43,680
Speaker 2: It was for sure bonkers. I think Bradley at the

748
00:41:43,719 --> 00:41:48,279
Speaker 2: Insurrection just those wow can you how can you top that?

749
00:41:48,760 --> 00:41:50,560
Speaker 2: I mean, we're gonna find out. I wonder because that's

750
00:41:50,600 --> 00:41:53,520
Speaker 2: one of the craziest moments in American history. Yeah, and

751
00:41:53,560 --> 00:41:56,640
Speaker 2: so like it. It's stranger than fiction. You cannot make

752
00:41:56,800 --> 00:42:01,320
Speaker 2: up something crazier than that. Maybe close second is Bradley

753
00:42:01,400 --> 00:42:02,320
Speaker 2: Jackson going to space?

754
00:42:02,640 --> 00:42:07,799
Speaker 1: I think so here's my question, Bradley in prison? Are

755
00:42:07,800 --> 00:42:12,680
Speaker 1: her roots growing in red? Are her roots growing in red? Wait?

756
00:42:12,680 --> 00:42:15,960
Speaker 1: I'm so sorry. I was under the impression that her

757
00:42:16,040 --> 00:42:19,040
Speaker 1: natural hair color was blonde and that she dyed her

758
00:42:19,080 --> 00:42:22,520
Speaker 1: hair red for what she dyed her hair red for

759
00:42:22,760 --> 00:42:28,799
Speaker 1: her Adirondack Conservative Channel. Yeah, she was getting just off

760
00:42:28,840 --> 00:42:31,120
Speaker 1: the shelf color anyway, what.

761
00:42:31,200 --> 00:42:34,120
Speaker 2: I'm sure that's what they would say. Well, first of all,

762
00:42:34,120 --> 00:42:36,960
Speaker 2: if we're to look at Riese's actual roots, she's a

763
00:42:37,000 --> 00:42:38,600
Speaker 2: brunette queen of course.

764
00:42:38,640 --> 00:42:41,160
Speaker 1: I mean love Reese is one of those actors who

765
00:42:41,200 --> 00:42:43,120
Speaker 1: can look good at any hair, any hair. Her and

766
00:42:43,120 --> 00:42:46,160
Speaker 1: hem stone face for wigs, face for wigs, good for them.

767
00:42:46,280 --> 00:42:50,080
Speaker 1: Not everyone has that anyway, Yeah, I mean Morning Show.

768
00:42:50,960 --> 00:42:52,600
Speaker 1: I think it sort of ended up with a whimper.

769
00:42:52,840 --> 00:42:55,960
Speaker 1: Every episode was a bang yep, and so it's still

770
00:42:56,000 --> 00:42:57,799
Speaker 1: my favorite show. Can't wait for season four? Are we

771
00:42:57,800 --> 00:42:59,600
Speaker 1: going to see Bradley on trial? Are we going to

772
00:42:59,600 --> 00:43:01,520
Speaker 1: see her in Are we gonna see her broken out

773
00:43:01,560 --> 00:43:05,360
Speaker 1: of jail? I mean what? Certainly now they've made it

774
00:43:05,400 --> 00:43:10,040
Speaker 1: really easy to shoot Jennifer and Rae separately. Certainly there

775
00:43:10,080 --> 00:43:12,319
Speaker 1: was a scene in the finale that the friends I

776
00:43:12,400 --> 00:43:14,480
Speaker 1: was with were like, oh, they're not together in the

777
00:43:14,480 --> 00:43:16,680
Speaker 1: same room, and I was like, are you serious? Which

778
00:43:16,680 --> 00:43:20,320
Speaker 1: one it was? When Alex goes over to Bradley's apartment.

779
00:43:20,440 --> 00:43:21,719
Speaker 1: Uh huh.

780
00:43:21,760 --> 00:43:25,799
Speaker 2: It's very possible, And it's crazy because their acting is

781
00:43:25,840 --> 00:43:28,520
Speaker 2: so like good in that moment, They're like, I wonder

782
00:43:28,560 --> 00:43:29,200
Speaker 2: if they're together.

783
00:43:29,920 --> 00:43:31,640
Speaker 1: To think about them doing that with a stand in

784
00:43:32,880 --> 00:43:35,439
Speaker 1: blew me Away? I mean, these are these after for good.

785
00:43:35,760 --> 00:43:38,200
Speaker 2: They're so good. Speaking of good acting, we talked about

786
00:43:38,200 --> 00:43:41,040
Speaker 2: it last week. I can't believe how big and how

787
00:43:41,120 --> 00:43:44,200
Speaker 2: large May December is looming in the culture.

788
00:43:45,160 --> 00:43:47,480
Speaker 1: It is a hit. I mean, if something ends up

789
00:43:47,520 --> 00:43:50,120
Speaker 1: on Netflix, it's getting seen. I have to.

790
00:43:50,080 --> 00:43:54,120
Speaker 2: Say Charles Melton won the Gotham for Supporting Performance. For him,

791
00:43:54,280 --> 00:43:58,080
Speaker 2: I believe he is a contender for the win absolutely.

792
00:43:57,680 --> 00:44:00,520
Speaker 1: And now I'm pretty I'm pretty feeling pretty good about

793
00:44:00,600 --> 00:44:03,879
Speaker 1: Natalie and Juliet too. It has to feel to share

794
00:44:03,920 --> 00:44:06,360
Speaker 1: a trophy with him. I guess we do share a

795
00:44:06,400 --> 00:44:10,480
Speaker 1: trophy with him, the award. Wow, I believe the same trophy,

796
00:44:10,719 --> 00:44:14,440
Speaker 1: different categories, different ears, but the same material of trophy,

797
00:44:14,600 --> 00:44:17,840
Speaker 1: troph which is a heavy trophy that one. Where's yours?

798
00:44:18,200 --> 00:44:20,880
Speaker 1: You display awards? I don't, I don't. I don't. I

799
00:44:20,880 --> 00:44:23,040
Speaker 1: have the Culture ICA's Culture Award on my office shelf.

800
00:44:23,040 --> 00:44:24,360
Speaker 1: But I don't want to. I don't want to be

801
00:44:24,440 --> 00:44:26,440
Speaker 1: that person. And nothing wrong with that person. I just

802
00:44:26,480 --> 00:44:28,400
Speaker 1: don't think that. Can I say I'm gonna be that?

803
00:44:28,680 --> 00:44:31,440
Speaker 2: Yes, if I ever, if I ever win awards, they'll

804
00:44:31,480 --> 00:44:34,799
Speaker 2: be They'll be somewhere in the house, absolutely more for

805
00:44:34,920 --> 00:44:35,799
Speaker 2: me than anyone else.

806
00:44:35,880 --> 00:44:38,600
Speaker 1: More to be like, hey, look you did it, girl.

807
00:44:38,920 --> 00:44:40,560
Speaker 1: I have not had that. I don't have people over.

808
00:44:40,640 --> 00:44:42,640
Speaker 1: And so I'm saying it's like if I display something,

809
00:44:42,680 --> 00:44:45,520
Speaker 1: it's probably not for other people. Period. Well that's not

810
00:44:45,560 --> 00:44:49,200
Speaker 1: really true if you're We're in Bowen's sort of iconic

811
00:44:49,239 --> 00:44:50,880
Speaker 1: apartment and I have to say, my one just went

812
00:44:50,920 --> 00:44:53,799
Speaker 1: to the bathroom for a minute and I tried every chair.

813
00:44:54,680 --> 00:44:58,719
Speaker 2: These are unbelievable. The dining room chairs are unbelievable. He's

814
00:44:58,719 --> 00:45:02,960
Speaker 2: got several different couches that are so comfortable. Look at

815
00:45:03,000 --> 00:45:05,000
Speaker 2: that piece under your television.

816
00:45:05,040 --> 00:45:08,000
Speaker 1: It's so long. Oh that's the son of soundbar. Oh

817
00:45:08,040 --> 00:45:12,400
Speaker 1: you what, No, no, no, I'm talking about the console.

818
00:45:12,480 --> 00:45:15,440
Speaker 2: But the console anyway. I'm just such a fan of

819
00:45:15,840 --> 00:45:17,680
Speaker 2: everything you've done here with the place, Queen.

820
00:45:17,840 --> 00:45:20,759
Speaker 1: Thank you, Queen. Alvin Wayne worked with Alvin Wayne. I

821
00:45:20,800 --> 00:45:25,279
Speaker 1: want a true deer. I wanted to say, where do

822
00:45:25,320 --> 00:45:29,640
Speaker 1: you sit on Kyle versus Sutton? Can I reveal that

823
00:45:29,760 --> 00:45:33,399
Speaker 1: I am behind on Beverly Hills. I hear it's really

824
00:45:33,400 --> 00:45:36,200
Speaker 1: picking up. Beverly Hills is great. There there are proxy

825
00:45:36,239 --> 00:45:39,120
Speaker 1: wars happening, is what I hear. But Kyle versus Sun,

826
00:45:39,200 --> 00:45:41,600
Speaker 1: I think Sutton. I mean, we talked about Sutton on

827
00:45:41,600 --> 00:45:44,880
Speaker 1: the last episode. I am concerned. I don't know if

828
00:45:44,920 --> 00:45:47,880
Speaker 1: she's turning around for herself on the show. But I

829
00:45:47,920 --> 00:45:51,520
Speaker 1: also not you know, I'm not like standing Kyle. I

830
00:45:51,560 --> 00:45:54,279
Speaker 1: never really have. I don't really maybe I don't really

831
00:45:54,320 --> 00:45:57,200
Speaker 1: care about this fight. Okay, So basically Kyle being the

832
00:45:57,239 --> 00:46:00,600
Speaker 1: protagonist of the real housewise of Beverly Hills. I think

833
00:46:00,640 --> 00:46:02,879
Speaker 1: that if you're a fan from Go, which I am,

834
00:46:03,440 --> 00:46:05,479
Speaker 1: you kind of have to care because it's like Kyle

835
00:46:05,560 --> 00:46:09,520
Speaker 1: and Mowe. So it's like they're Kyle mounting is So

836
00:46:09,560 --> 00:46:12,960
Speaker 1: basically the thing is like Sutton is being very like,

837
00:46:13,239 --> 00:46:15,200
Speaker 1: what's going on, what's going on? What's going on?

838
00:46:15,239 --> 00:46:18,279
Speaker 2: And Kyle's like, you're not being sensitive because Kyle ha

839
00:46:18,320 --> 00:46:20,760
Speaker 2: stopped drinking and started working out a lot, and she's

840
00:46:20,880 --> 00:46:22,560
Speaker 2: you know, things are going on. She's now got this

841
00:46:22,760 --> 00:46:26,240
Speaker 2: very close friendship quote unquote with Morgan Wade, this country

842
00:46:26,280 --> 00:46:28,160
Speaker 2: singer who's got a lot of tattoos. Kyle's getting a

843
00:46:28,200 --> 00:46:30,919
Speaker 2: lot of tattoos without telling her husband or anyone. She's

844
00:46:30,960 --> 00:46:33,560
Speaker 2: just kind of really doing her own thing. And Sutton

845
00:46:33,680 --> 00:46:35,520
Speaker 2: is like, what's going on in your life? What's going

846
00:46:35,520 --> 00:46:38,200
Speaker 2: on in your life? Like being very invasive. And I

847
00:46:38,200 --> 00:46:41,080
Speaker 2: think Kyle's problem is like, you know, you don't have

848
00:46:41,120 --> 00:46:42,560
Speaker 2: a light to stand out to treat me like this,

849
00:46:42,680 --> 00:46:44,680
Speaker 2: You're not being a friend, You're not being sensitive, like

850
00:46:44,719 --> 00:46:47,480
Speaker 2: if something's going on, like, let me just handle my

851
00:46:47,520 --> 00:46:49,160
Speaker 2: shit the way that I am and trust that I'll

852
00:46:49,160 --> 00:46:49,879
Speaker 2: tell you in time.

853
00:46:50,480 --> 00:46:54,440
Speaker 1: So can I just say the discourse about Kyle and Sutton.

854
00:46:55,320 --> 00:46:57,480
Speaker 1: First of all, I'll say about Sutton High High's lo

855
00:46:57,600 --> 00:47:01,680
Speaker 1: lows totally Hi High Lolo's on this show, and it's

856
00:47:01,719 --> 00:47:06,000
Speaker 1: hard to cape for a housewife like that in general

857
00:47:06,040 --> 00:47:06,840
Speaker 1: on any face.

858
00:47:07,080 --> 00:47:09,640
Speaker 2: Yeah, and Kyle, I would say high Hi's lolos too,

859
00:47:09,719 --> 00:47:12,840
Speaker 2: But here's Sun's.

860
00:47:12,120 --> 00:47:16,480
Speaker 1: Southern girl prone to dramatics. Yeah, in a fun way

861
00:47:16,480 --> 00:47:18,520
Speaker 1: that works for reality TV, but it just in terms

862
00:47:18,520 --> 00:47:21,160
Speaker 1: of like signing with her, I think, well, she could

863
00:47:21,200 --> 00:47:23,040
Speaker 1: never be like the lead of the show, you know

864
00:47:23,040 --> 00:47:23,440
Speaker 1: what I mean.

865
00:47:23,560 --> 00:47:27,719
Speaker 2: Sudden is like this like orbital that comes in and

866
00:47:27,760 --> 00:47:30,320
Speaker 2: out and you're just like it's like an agent of

867
00:47:30,440 --> 00:47:33,839
Speaker 2: chaos almost where you're like, I don't really understand this

868
00:47:33,880 --> 00:47:37,000
Speaker 2: woman's reality and so I don't ever know what she's

869
00:47:37,040 --> 00:47:39,880
Speaker 2: going to give. Whereas Kyle has been the star of

870
00:47:39,920 --> 00:47:43,800
Speaker 2: the show for thirteen years and she is so audience

871
00:47:43,880 --> 00:47:48,279
Speaker 2: stand in like that you really feel connected to her

872
00:47:48,320 --> 00:47:51,239
Speaker 2: in that way. I would say that one thing that

873
00:47:51,280 --> 00:47:53,680
Speaker 2: hasn't been featuring into the show that much, which I

874
00:47:53,760 --> 00:47:57,040
Speaker 2: think people should consider when they come on a side

875
00:47:57,040 --> 00:47:59,640
Speaker 2: of Sutton or Kyle with this whole thing is Kyle

876
00:48:00,040 --> 00:48:04,560
Speaker 2: and trigger warning, her best friend took her own life,

877
00:48:04,719 --> 00:48:07,680
Speaker 2: like right before the season started, And I think, like,

878
00:48:08,920 --> 00:48:11,719
Speaker 2: if someone wants to stop drinking or start working out,

879
00:48:11,840 --> 00:48:15,600
Speaker 2: or make changes or like their relationship changes because of

880
00:48:15,680 --> 00:48:18,640
Speaker 2: something they've went through, like jumping to call it a

881
00:48:18,680 --> 00:48:22,600
Speaker 2: midlife crisis feels weird to me. Like, and I don't

882
00:48:22,640 --> 00:48:24,120
Speaker 2: like the way the women on the show are talking

883
00:48:24,160 --> 00:48:27,399
Speaker 2: about Kyle's not drinking like it sucks for them. If

884
00:48:27,960 --> 00:48:32,319
Speaker 2: if someone not drinking is a problem for you, that

885
00:48:32,480 --> 00:48:37,440
Speaker 2: is a problem for you. That is a serious problem

886
00:48:37,440 --> 00:48:39,640
Speaker 2: for you. And I haven't loved the way Garcella's talked

887
00:48:39,680 --> 00:48:43,239
Speaker 2: about it something for sure, all of them, and like

888
00:48:43,280 --> 00:48:45,440
Speaker 2: even Deurt who's like doing her best to do her

889
00:48:45,520 --> 00:48:47,880
Speaker 2: job as a housewife. It's just like, I feel like

890
00:48:47,960 --> 00:48:50,520
Speaker 2: what's being lost in this show is that Kyle suffered

891
00:48:50,560 --> 00:48:54,440
Speaker 2: an immense personal tragedy and if you don't understand what

892
00:48:54,520 --> 00:48:57,880
Speaker 2: she's going through, like probably the best way to handle

893
00:48:57,920 --> 00:49:00,600
Speaker 2: it is not to put her under a short cooker

894
00:49:00,800 --> 00:49:03,640
Speaker 2: like this. But that's my thoughts on Beverly Hills. I

895
00:49:03,640 --> 00:49:04,960
Speaker 2: haven't even watched Potomac.

896
00:49:05,560 --> 00:49:08,440
Speaker 1: Did not watch last night. I couldn't care. I read

897
00:49:08,600 --> 00:49:14,239
Speaker 1: I skimmed through the Vulture recap. Recapper for Potomac is

898
00:49:14,239 --> 00:49:16,560
Speaker 1: doing excellent work. But I don't envy her job because

899
00:49:16,560 --> 00:49:19,160
Speaker 1: I think she has a lot of She's just watching

900
00:49:19,160 --> 00:49:22,000
Speaker 1: a lot of bummer footage. Yeah, it seems like this

901
00:49:22,040 --> 00:49:24,080
Speaker 1: whole necka Wendy thing is still going on, and it's

902
00:49:24,160 --> 00:49:25,560
Speaker 1: really tough. I feel like it's gonna go on for

903
00:49:25,600 --> 00:49:30,640
Speaker 1: a while. Salt Lake, God, thank goodness, what a blessing.

904
00:49:31,000 --> 00:49:35,279
Speaker 1: It's a blessing. And Miami also a blessing. I would say, I.

905
00:49:35,239 --> 00:49:37,160
Speaker 2: Would say all those shows are blessings. I have an

906
00:49:37,200 --> 00:49:39,520
Speaker 2: opportunity to be on a podcast coming up called The

907
00:49:39,520 --> 00:49:42,120
Speaker 2: Brav Bros. It's two straight men who talk about bro

908
00:49:42,320 --> 00:49:45,359
Speaker 2: they are so they're really good, and they're really good there.

909
00:49:45,640 --> 00:49:47,959
Speaker 1: I could listen to them talk about this all day.

910
00:49:48,400 --> 00:49:52,080
Speaker 2: So I'm going on their show. And they offered one

911
00:49:52,160 --> 00:49:55,200
Speaker 2: spot to talk about Potomac and Southern Charm and another

912
00:49:55,320 --> 00:49:58,040
Speaker 2: to talk about Miami, Beverly Hills and Salt Lake, and

913
00:49:58,080 --> 00:50:01,360
Speaker 2: I was like, it has to be the latter because

914
00:50:01,360 --> 00:50:03,000
Speaker 2: I will not talk about for tom now.

915
00:50:03,320 --> 00:50:09,000
Speaker 1: I'm not getting into it. It's evil, evil, evil, evil, ugly, ugly.

916
00:50:09,200 --> 00:50:12,600
Speaker 2: I wanted to say I saw the color purple. I'm

917
00:50:12,600 --> 00:50:17,280
Speaker 2: going to withhold my review until it's closer. Okay, lots

918
00:50:17,360 --> 00:50:20,960
Speaker 2: of great things, a couple things to discuss, Okay, but

919
00:50:21,320 --> 00:50:24,399
Speaker 2: let's just say no one has anything to worry about

920
00:50:24,400 --> 00:50:26,120
Speaker 2: about these goddamn performances.

921
00:50:26,160 --> 00:50:26,600
Speaker 1: I love.

922
00:50:26,840 --> 00:50:29,319
Speaker 2: The performances are shining bright. I would give it a

923
00:50:29,320 --> 00:50:32,160
Speaker 2: big old see it when it comes out on Christmas,

924
00:50:32,760 --> 00:50:35,239
Speaker 2: and we'll talk more about it as it comes. But

925
00:50:35,680 --> 00:50:36,319
Speaker 2: I did see it.

926
00:50:36,400 --> 00:50:39,120
Speaker 1: I just wanted to say that I have seen it

927
00:50:39,160 --> 00:50:40,879
Speaker 1: since I said I was going to see it last time.

928
00:50:40,920 --> 00:50:43,719
Speaker 2: I've seen it much to say, this is a moment

929
00:50:43,760 --> 00:50:46,399
Speaker 2: in color purple. If I get the sense of what

930
00:50:46,520 --> 00:50:49,080
Speaker 2: the vibe in the screening I saw was, this will be.

931
00:50:49,000 --> 00:50:51,879
Speaker 1: A moment in culture. I can't wait. And I guess

932
00:50:51,880 --> 00:50:53,719
Speaker 1: that's really it. I guess other than that, it's time

933
00:50:53,760 --> 00:50:55,120
Speaker 1: to do I don't think so, honey, unless you have

934
00:50:55,120 --> 00:50:58,000
Speaker 1: any cultural addendums. Well, I was maybe thinking about doing

935
00:50:58,040 --> 00:51:00,120
Speaker 1: this right and think someone, but I think let's just

936
00:50:59,800 --> 00:51:02,920
Speaker 1: I just want to say this now, speaking of the

937
00:51:02,960 --> 00:51:05,040
Speaker 1: morning show, Oh this is my I don't think so, honey.

938
00:51:05,040 --> 00:51:08,319
Speaker 1: Oh the great is it? Juliana? And then mine is

939
00:51:08,400 --> 00:51:20,400
Speaker 1: much less of the bummer? Okay? Cool? Yeah? Great? And

940
00:51:20,440 --> 00:51:22,040
Speaker 1: then I'll start with you. Yeah, we'll start with me.

941
00:51:22,160 --> 00:51:23,760
Speaker 1: This is I don't think, so, honey.

942
00:51:24,520 --> 00:51:27,080
Speaker 2: One minute to rant against something in culture and look

943
00:51:27,400 --> 00:51:28,960
Speaker 2: it's just fucking too much.

944
00:51:29,000 --> 00:51:31,319
Speaker 1: At this point, I gotta here you go. This is

945
00:51:31,320 --> 00:51:33,120
Speaker 1: Matt Rogers. I don't think how many a time starts now,

946
00:51:33,160 --> 00:51:35,399
Speaker 1: I don't think so. Honey, Juliana are released. You should

947
00:51:35,440 --> 00:51:39,040
Speaker 1: have kept your mouth shut on that podcast, because now

948
00:51:39,080 --> 00:51:42,600
Speaker 1: we hear you saying with your full chest you're I'm sorry,

949
00:51:42,960 --> 00:51:46,080
Speaker 1: but those were racist things that you were saying. That

950
00:51:46,280 --> 00:51:49,759
Speaker 1: was ridiculous. The way that she was referring to, the

951
00:51:49,800 --> 00:51:53,520
Speaker 1: way she said the black disgusting. These people that want

952
00:51:53,600 --> 00:51:56,760
Speaker 1: us to call them they them, It's like, fuck you say,

953
00:51:57,040 --> 00:52:02,359
Speaker 1: you say you respect people so much less without even

954
00:52:02,600 --> 00:52:05,560
Speaker 1: I mean, it's not even without even saying you said it.

955
00:52:05,640 --> 00:52:09,920
Speaker 1: Also to drop this imagery of people getting their fucking

956
00:52:10,160 --> 00:52:13,480
Speaker 1: heads cut off and like kicked around like a soccer ball.

957
00:52:13,960 --> 00:52:16,760
Speaker 1: Can I just say, if Susan Sarandon.

958
00:52:16,360 --> 00:52:18,640
Speaker 2: Is being dropped by her agency for what she said,

959
00:52:19,040 --> 00:52:23,279
Speaker 2: where is the movement on this with Juliana Argolis? And

960
00:52:23,320 --> 00:52:25,960
Speaker 2: you know what, here's why, because she's probably making the

961
00:52:26,000 --> 00:52:29,399
Speaker 2: agency a lot of money and that's bullshit, and like,

962
00:52:29,600 --> 00:52:31,920
Speaker 2: this is a much bigger topic. But if we're going

963
00:52:32,000 --> 00:52:34,640
Speaker 2: to do something about Sarandon, do something about this.

964
00:52:34,760 --> 00:52:39,080
Speaker 1: I don't think about everybody who is suffering some professional

965
00:52:39,120 --> 00:52:42,359
Speaker 1: consequence for being propus. I'm sorry, but you know what,

966
00:52:43,239 --> 00:52:45,680
Speaker 1: especially in a world where you can filter what someone

967
00:52:45,800 --> 00:52:49,359
Speaker 1: actually said through something and then report on it. This

968
00:52:49,480 --> 00:52:51,239
Speaker 1: was on a podcast. You heard her say it with

969
00:52:51,280 --> 00:52:55,160
Speaker 1: her full chest, And where is the movement? Where are

970
00:52:55,200 --> 00:52:59,279
Speaker 1: the consequences? I'm not seeing them. I am not seeing them.

971
00:52:59,400 --> 00:53:03,680
Speaker 1: It's so so. I mean the disturbing thing, like the

972
00:53:03,760 --> 00:53:07,040
Speaker 1: disturbing addendum to it all is like her saying that

973
00:53:07,480 --> 00:53:09,879
Speaker 1: I'm more offended as a lesbian than I am as

974
00:53:09,920 --> 00:53:13,880
Speaker 1: a Jew. You are such a moron, like she doesn't.

975
00:53:14,040 --> 00:53:18,719
Speaker 1: This woman's grasp on reality is like not there. My

976
00:53:18,960 --> 00:53:22,279
Speaker 1: view on it is just that, like I'm processing images

977
00:53:22,320 --> 00:53:26,000
Speaker 1: and news in a way that I'm trying to detach

978
00:53:26,040 --> 00:53:30,040
Speaker 1: as much as possible from social media. I'm obviously learning,

979
00:53:30,320 --> 00:53:32,160
Speaker 1: I'm being very informed by it, as we all are.

980
00:53:32,239 --> 00:53:36,239
Speaker 1: But I think if you're at all able to have

981
00:53:36,440 --> 00:53:43,399
Speaker 1: conversations offline, I think that is, on its face, there's

982
00:53:43,400 --> 00:53:46,160
Speaker 1: a higher floor there, I think than what can be

983
00:53:46,200 --> 00:53:49,160
Speaker 1: done on social media. And I think what's driving people

984
00:53:49,239 --> 00:53:53,800
Speaker 1: to say really wild things like maybe what Juliana Margley

985
00:53:53,880 --> 00:53:56,360
Speaker 1: is saying on podcasts is I think her feet is

986
00:53:56,400 --> 00:54:01,560
Speaker 1: probably completely infected by bullshit like what she repeated on

987
00:54:01,560 --> 00:54:05,319
Speaker 1: that podcast. I think you're probably right shocking. I mean,

988
00:54:05,440 --> 00:54:12,600
Speaker 1: they them. Her language was shockingly disgusting. She fucking sucks

989
00:54:12,640 --> 00:54:14,840
Speaker 1: and that's what she believes. That's what she believes in

990
00:54:14,840 --> 00:54:17,439
Speaker 1: that apology. I don't buy for one second.

991
00:54:17,160 --> 00:54:21,880
Speaker 2: And I'm sorry, but this bad faith conflation with wanting

992
00:54:22,680 --> 00:54:26,239
Speaker 2: human rights for people in Palestine and in Gaza with

993
00:54:26,400 --> 00:54:28,840
Speaker 2: anti semitism has got to stop.

994
00:54:29,040 --> 00:54:31,440
Speaker 1: Also, I don't think somebody holler a reporter for still

995
00:54:31,480 --> 00:54:34,080
Speaker 1: confusing me and Joel can Booster in an article about

996
00:54:34,080 --> 00:54:38,480
Speaker 1: this whole Juliana Markley's thing. An article, How funny is that?

997
00:54:38,520 --> 00:54:40,840
Speaker 1: How ironic is that? It made me so upset?

998
00:54:40,960 --> 00:54:43,520
Speaker 2: It's an article reporting on racism, and then you do

999
00:54:43,600 --> 00:54:46,120
Speaker 2: the racist bullshit of Saturday.

1000
00:54:48,400 --> 00:54:54,440
Speaker 1: The second time, give like, this is your job, these trades,

1001
00:54:54,560 --> 00:54:57,920
Speaker 1: this is your fucking job. But to get this shit right,

1002
00:54:58,120 --> 00:54:59,680
Speaker 1: you know, we're not going to talk about that show,

1003
00:54:59,719 --> 00:55:01,720
Speaker 1: and then like when one of the stars says something

1004
00:55:01,840 --> 00:55:06,200
Speaker 1: like that, just be like we'll skip around it. That

1005
00:55:06,239 --> 00:55:08,840
Speaker 1: would be I would make me really feel uncomfortable. Okay,

1006
00:55:09,200 --> 00:55:09,480
Speaker 1: I have.

1007
00:55:09,480 --> 00:55:14,960
Speaker 2: Something Girleena magoo, I have something, Bowen has something. This

1008
00:55:15,080 --> 00:55:19,040
Speaker 2: is Bowen Yang's I don't think's funny this time starts now.

1009
00:55:19,160 --> 00:55:20,240
Speaker 2: I don't think so, honey.

1010
00:55:20,600 --> 00:55:23,880
Speaker 1: I wasn't able to put my poor thing screener onto

1011
00:55:23,880 --> 00:55:27,440
Speaker 1: my Apple TV. Why I need to be able to

1012
00:55:27,480 --> 00:55:33,360
Speaker 1: watch this on a larger screen than my computer? Issues girl,

1013
00:55:34,320 --> 00:55:37,080
Speaker 1: And all week I'm going into work wanting to compliment

1014
00:55:37,080 --> 00:55:40,800
Speaker 1: Emma on what might win hert another Oscar period and

1015
00:55:40,960 --> 00:55:43,239
Speaker 1: her team was kind of to send everybody at work

1016
00:55:43,280 --> 00:55:45,840
Speaker 1: a link, and I was We were all so excited.

1017
00:55:45,840 --> 00:55:47,480
Speaker 1: We were like, oh my god, I would love Maybe

1018
00:55:47,480 --> 00:55:49,000
Speaker 1: I'll have people over and we can watch. We can

1019
00:55:49,000 --> 00:55:54,239
Speaker 1: want thirty seconds. It couldn't happen. All I could do

1020
00:55:54,360 --> 00:55:58,480
Speaker 1: was chrometast it. I'm sorry. I only have certain Google

1021
00:55:58,520 --> 00:56:00,360
Speaker 1: things in my house. I don't want to do a

1022
00:56:00,360 --> 00:56:04,320
Speaker 1: little chrome cast dongle on my television. Fifteen. I can't

1023
00:56:04,320 --> 00:56:05,759
Speaker 1: believe that this is getting in the way of my

1024
00:56:05,880 --> 00:56:07,879
Speaker 1: viewing experience. I'm not going to watch the latest your

1025
00:56:07,920 --> 00:56:11,320
Speaker 1: Ghosts on a small screen period. Okay, this is cinema

1026
00:56:11,360 --> 00:56:13,880
Speaker 1: of the highest order. Five. I need to experience it

1027
00:56:13,920 --> 00:56:15,200
Speaker 1: as such. And if I can't do it in a

1028
00:56:15,239 --> 00:56:17,840
Speaker 1: theater with other cinophiles and other movie lovers. Then I

1029
00:56:17,880 --> 00:56:19,319
Speaker 1: want to do it in the comfort on my own hall,

1030
00:56:19,360 --> 00:56:21,880
Speaker 1: but not from the comfort of a hot computer on

1031
00:56:21,920 --> 00:56:24,120
Speaker 1: my chest. That is one minute, and I think that's

1032
00:56:24,200 --> 00:56:26,040
Speaker 1: just a sign that you're going to have to experience

1033
00:56:26,120 --> 00:56:31,160
Speaker 1: Yugoslanthemos's Poor Things in theaters I'm starring. I don't mind

1034
00:56:32,040 --> 00:56:34,759
Speaker 1: more and more I'm just saying and willing to foe.

1035
00:56:34,840 --> 00:56:38,600
Speaker 1: Let's not forget and romy yusif I'm just saying, I

1036
00:56:38,760 --> 00:56:41,800
Speaker 1: was so invigorated by the promise of being able to

1037
00:56:41,880 --> 00:56:45,200
Speaker 1: watch Poor Things from my own couch. I couldn't do that,

1038
00:56:45,239 --> 00:56:48,120
Speaker 1: and it was a huge disappointment the fact that the

1039
00:56:48,160 --> 00:56:53,520
Speaker 1: screener technology still is not there. It's so stupid. Stop

1040
00:56:53,560 --> 00:56:55,279
Speaker 1: sending DVDs. Yeah, that's the thing.

1041
00:56:55,400 --> 00:56:57,799
Speaker 2: Is like, if you're in SAG or WGA, you know this,

1042
00:56:57,920 --> 00:57:01,560
Speaker 2: But if you're someone listening at home, can you actually

1043
00:57:01,640 --> 00:57:05,799
Speaker 2: believe they still send physical copies of all these things

1044
00:57:05,840 --> 00:57:07,799
Speaker 2: and no one has a DVD player to watch them.

1045
00:57:07,800 --> 00:57:10,640
Speaker 2: I guess it's for the older membership members. But even so,

1046
00:57:11,040 --> 00:57:13,960
Speaker 2: like the older members know how to use a computer.

1047
00:57:14,360 --> 00:57:18,040
Speaker 1: Period also, do their computers have dis drives anymore.

1048
00:57:18,520 --> 00:57:20,520
Speaker 2: That's another thing is this was like, first of all,

1049
00:57:21,000 --> 00:57:24,440
Speaker 2: even if you are an older member of the Academy

1050
00:57:24,520 --> 00:57:27,880
Speaker 2: or of some guild and you are traditionalists and you

1051
00:57:28,080 --> 00:57:30,560
Speaker 2: like to use the DVD, it's like, Okay, the times

1052
00:57:30,600 --> 00:57:33,200
Speaker 2: are changing, Yeah, they're changing. Now it's a link you

1053
00:57:33,240 --> 00:57:36,000
Speaker 2: can click instead of physical DVD.

1054
00:57:36,360 --> 00:57:40,400
Speaker 1: It makes it way easier. Anyway, girl, I just feel

1055
00:57:40,400 --> 00:57:44,040
Speaker 1: like I'm being fucking blue balled here with good movies.

1056
00:57:44,720 --> 00:57:47,960
Speaker 1: I'm so excited to see it. I cannot wait. I

1057
00:57:47,960 --> 00:57:50,360
Speaker 1: saw the first like I mean, I pressed play because

1058
00:57:50,360 --> 00:57:52,400
Speaker 1: I had to on my computer. I was like, what,

1059
00:57:52,440 --> 00:57:54,000
Speaker 1: I all, just like see the first couple of moments

1060
00:57:54,000 --> 00:57:57,680
Speaker 1: of this, and of course I'm drawn in. Everyone I

1061
00:57:57,680 --> 00:57:59,400
Speaker 1: talked to I said, it's the performance of the year.

1062
00:57:59,520 --> 00:58:01,880
Speaker 1: Of course, I'm like fifteen minutes ago by it, I'm like,

1063
00:58:01,880 --> 00:58:03,600
Speaker 1: I can't. I had to stop myself, and I'm really

1064
00:58:03,640 --> 00:58:05,800
Speaker 1: proud of myself to be like, no, I'm watching this

1065
00:58:05,880 --> 00:58:08,160
Speaker 1: on a big screen. But the first moments of the film,

1066
00:58:08,200 --> 00:58:10,640
Speaker 1: I'm like, what is going on? Oh my god? What

1067
00:58:10,720 --> 00:58:13,400
Speaker 1: is that? What There's a little goosehead on a fucking

1068
00:58:13,480 --> 00:58:16,160
Speaker 1: dog body. Oh my god. Like I was Joe and

1069
00:58:16,240 --> 00:58:20,120
Speaker 1: Yang was just acting. He went somewhere, listen to my voice,

1070
00:58:23,360 --> 00:58:27,520
Speaker 1: this queen, I need my instrument. Christmas is like a

1071
00:58:27,600 --> 00:58:30,160
Speaker 1: high wire act for all of us, but especially for

1072
00:58:30,240 --> 00:58:32,560
Speaker 1: Matt obviously, but all of us are here being like

1073
00:58:33,320 --> 00:58:36,280
Speaker 1: our kay needs to sing. The album has crossed two

1074
00:58:36,320 --> 00:58:41,680
Speaker 1: million streams. Thank you club, two million club. My one song,

1075
00:58:41,720 --> 00:58:43,320
Speaker 1: I Don't Need It to be Christmas at All is

1076
00:58:43,480 --> 00:58:46,040
Speaker 1: right now at one point five million streams. It has

1077
00:58:46,080 --> 00:58:48,360
Speaker 1: been the sleeper hit. This is the power of the

1078
00:58:48,360 --> 00:58:49,320
Speaker 1: Spotify playlist.

1079
00:58:49,440 --> 00:58:52,080
Speaker 2: Please come to the show, everybody. We're having such a

1080
00:58:52,120 --> 00:58:54,600
Speaker 2: fun time with the show. The band is a sleigh

1081
00:58:54,640 --> 00:58:55,080
Speaker 2: in the hand.

1082
00:58:55,280 --> 00:58:57,160
Speaker 1: The gay strangers. Give it up to the gay strangers.

1083
00:58:57,240 --> 00:59:00,960
Speaker 1: Talk about in Boston, this person in a Wrinch costume.

1084
00:59:01,080 --> 00:59:02,520
Speaker 1: Someone was in a Grinch costume.

1085
00:59:02,640 --> 00:59:04,640
Speaker 2: You brought them on stage and I so, I'm not

1086
00:59:04,680 --> 00:59:08,360
Speaker 2: gonna reveal how I start the number, but let's just

1087
00:59:08,400 --> 00:59:11,080
Speaker 2: say I wasn't even there. A special guest came out

1088
00:59:11,200 --> 00:59:15,920
Speaker 2: to sing how to Swim Inhoville, and she saw that

1089
00:59:16,040 --> 00:59:18,120
Speaker 2: someone in the audience was dressed as the Grinch.

1090
00:59:18,360 --> 00:59:22,280
Speaker 1: Christine Baransky, No, it wasn't her. It was to Christine

1091
00:59:22,320 --> 00:59:25,520
Speaker 1: Bbransky played in the movie. She actually showed up. It's

1092
00:59:25,520 --> 00:59:28,240
Speaker 1: like a Santa Fe. For a second, I thought you

1093
00:59:28,280 --> 00:59:31,560
Speaker 1: were gonna say that a grown up CINDI lu who

1094
00:59:31,560 --> 00:59:35,040
Speaker 1: And I thought fucking Taylor Momson, Taylor, Miss Taylor Momson.

1095
00:59:35,240 --> 00:59:37,360
Speaker 2: No, no, no, no, let's just say I leave the stage

1096
00:59:37,400 --> 00:59:40,200
Speaker 2: and then someone else comes back out. Okay, I see,

1097
00:59:40,240 --> 00:59:44,000
Speaker 2: I just sing who Will? And there was someone dressed

1098
00:59:44,040 --> 00:59:46,480
Speaker 2: as a Grinch and I pointed to him. I mean

1099
00:59:46,600 --> 00:59:49,280
Speaker 2: she pointed to him and said get up here. And

1100
00:59:49,360 --> 00:59:52,840
Speaker 2: there was a strip tease moment. It was hot, sexy

1101
00:59:52,880 --> 00:59:53,880
Speaker 2: and more and more.

1102
00:59:54,320 --> 00:59:56,960
Speaker 1: And the shows have been really fun and I love

1103
00:59:57,040 --> 01:00:00,360
Speaker 1: doing it with the band. It's just great. He's crowds. Look,

1104
01:00:01,440 --> 01:00:02,480
Speaker 1: the crowds have been amazing.

1105
01:00:02,560 --> 01:00:05,439
Speaker 2: I signed vinyls after the show, So if you come,

1106
01:00:05,880 --> 01:00:07,640
Speaker 2: you can buy a vinyl and some other merchant I'll

1107
01:00:07,680 --> 01:00:09,720
Speaker 2: sign it for you. We can hang out for a

1108
01:00:09,800 --> 01:00:13,360
Speaker 2: sec and you can go to www. Dot Matt rodgersofficial

1109
01:00:13,440 --> 01:00:16,720
Speaker 2: dot com for tickets and tour info and more.

1110
01:00:16,920 --> 01:00:19,760
Speaker 1: Girl is it official? Now? Have you beat the SEO

1111
01:00:20,000 --> 01:00:21,960
Speaker 1: and argue you the first Matt Rodgers that comes up.

1112
01:00:22,400 --> 01:00:25,040
Speaker 1: I actually that's happened for quite a bit of time.

1113
01:00:25,160 --> 01:00:27,640
Speaker 1: I knew it. I don't think we ever celebrated that.

1114
01:00:27,840 --> 01:00:30,880
Speaker 1: I mean, that's that's fine, and we all love and

1115
01:00:30,960 --> 01:00:33,080
Speaker 1: respect to the other. Matt Rodgers is of the internet.

1116
01:00:33,480 --> 01:00:36,080
Speaker 1: You are all legends who have been all legends. But

1117
01:00:36,160 --> 01:00:39,360
Speaker 1: for now I'm really toasting it to my girl, who

1118
01:00:39,880 --> 01:00:43,280
Speaker 1: deserves her Google flowers. We just got a text from

1119
01:00:43,320 --> 01:00:47,920
Speaker 1: Mamas who Connect, which is our text chain with Joekin Booster,

1120
01:00:48,400 --> 01:00:51,360
Speaker 1: and he said, Karen's tagline is up. There is one

1121
01:00:51,400 --> 01:00:53,960
Speaker 1: of the most nonsense taglines in history. Most of these

1122
01:00:53,960 --> 01:00:56,680
Speaker 1: women are despicable. It's impossible to enjoy now. With the

1123
01:00:56,720 --> 01:01:00,440
Speaker 1: exception of Karen, Candace and Wendy. We love you guys,

1124
01:01:00,600 --> 01:01:04,200
Speaker 1: but everyone else is Actually I thought to tell its

1125
01:01:04,240 --> 01:01:07,400
Speaker 1: evil as an evil person. I just told him. We

1126
01:01:07,520 --> 01:01:10,240
Speaker 1: just read this on the podcast Live Love It. We

1127
01:01:10,320 --> 01:01:10,600
Speaker 1: love that.

1128
01:01:10,680 --> 01:01:13,280
Speaker 2: Joel has to come back soon. Joel's time for your return.

1129
01:01:13,880 --> 01:01:14,680
Speaker 2: They're clamoring.

1130
01:01:14,760 --> 01:01:16,680
Speaker 1: They're thinking, we're Bethan on the raddit.

1131
01:01:17,600 --> 01:01:20,200
Speaker 2: Why because he hasn't been on a tenth time. So

1132
01:01:20,240 --> 01:01:23,240
Speaker 2: they're like, they're beething, you are ridiculous.

1133
01:01:23,400 --> 01:01:24,800
Speaker 1: What do you mean, We don't know you never look

1134
01:01:24,800 --> 01:01:28,800
Speaker 1: at the raddit. We love you love y'all, Love y'all,

1135
01:01:28,840 --> 01:01:32,680
Speaker 1: be yourselves. We end every episode with the song It

1136
01:01:32,800 --> 01:01:37,720
Speaker 1: seems to me you live your life like Candon no Wind,

1137
01:01:38,880 --> 01:01:45,360
Speaker 1: never knowing who to claim to Hell no what of

1138
01:01:45,400 --> 01:01:48,720
Speaker 1: its have known you. I was just the.

1139
01:01:48,800 --> 01:01:56,280
Speaker 2: Kid you candle burned out before.

1140
01:01:54,240 --> 01:02:11,400
Speaker 1: Legend who who oo boo boo boo Yeah Bashi m

1141
01:02:11,560 --> 01:02:11,640
Speaker 1: hm