1 00:00:05,440 --> 00:00:09,039 Speaker 1: That's pretty interesting because I think people don't talk enough about. 2 00:00:09,119 --> 00:00:11,280 Speaker 2: How Eminem is the greatest rapper of all time. 3 00:00:11,160 --> 00:00:14,560 Speaker 1: Well right to white people, definitely, yeah, like like secretly 4 00:00:14,600 --> 00:00:16,200 Speaker 1: and white people are like, oh no, I also like 5 00:00:16,280 --> 00:00:17,040 Speaker 1: Kendrick Lamar. 6 00:00:17,360 --> 00:00:21,560 Speaker 2: Yeah yeah, but he's very marshal esque. You know, he's 7 00:00:21,960 --> 00:00:23,919 Speaker 2: very Methurian. 8 00:00:24,280 --> 00:00:26,520 Speaker 1: But they don't talk about like, you know that that 9 00:00:26,680 --> 00:00:29,320 Speaker 1: song whatever that one about I got throw up on 10 00:00:29,400 --> 00:00:30,400 Speaker 1: my sweater whatever. 11 00:00:30,200 --> 00:00:32,800 Speaker 2: That song is, mom spaghetti. 12 00:00:32,840 --> 00:00:37,800 Speaker 1: There's like the unofficial like fucking white that's like the 13 00:00:37,840 --> 00:00:40,040 Speaker 1: white venture capitalist national anthem. 14 00:00:43,200 --> 00:00:46,840 Speaker 2: It's all about a pitch to get VC funding everything. 15 00:00:46,960 --> 00:00:49,920 Speaker 1: They fucking like Peter Thial like right before J. D 16 00:00:50,080 --> 00:00:51,960 Speaker 1: Vance got nominated, was like, listen to that in this 17 00:00:52,080 --> 00:00:57,440 Speaker 1: fucking car. It's like it's it's like it's very significant. 18 00:00:57,520 --> 00:00:59,720 Speaker 1: And so yeah, I think why I think certain like 19 00:00:59,760 --> 00:01:03,680 Speaker 1: white chen exters are definitely like really like Eminem. Yeah, 20 00:01:03,760 --> 00:01:06,560 Speaker 1: like he's fucking man. But I don't, I don't not. 21 00:01:06,720 --> 00:01:09,399 Speaker 1: I'm not part of that. I like, Yeah, the last 22 00:01:09,400 --> 00:01:11,319 Speaker 1: time I really checked in with Eminem is when he 23 00:01:11,360 --> 00:01:12,840 Speaker 1: was in the Parking Garage. 24 00:01:12,480 --> 00:01:14,759 Speaker 2: About Trump and he's orange. 25 00:01:15,080 --> 00:01:20,360 Speaker 3: Yeahyle off the door hinge and he's orange orange, flapping 26 00:01:20,400 --> 00:01:23,559 Speaker 3: around like a bapkin. Oh my god, three little bears 27 00:01:23,560 --> 00:01:25,840 Speaker 3: trying to find the perfect porge and orange. 28 00:01:28,560 --> 00:01:32,800 Speaker 2: Is that where that rhyme came from? Well, porridge out? 29 00:01:34,480 --> 00:01:38,280 Speaker 2: He got real stuck on. There's a thing early, I 30 00:01:38,319 --> 00:01:42,360 Speaker 2: can't rhyme anything with orange and so, like we talked about, 31 00:01:42,360 --> 00:01:44,000 Speaker 2: you can do porge door hinge. 32 00:01:44,440 --> 00:01:46,399 Speaker 1: Well, listen to you, guys. All I've had is one 33 00:01:46,440 --> 00:01:49,560 Speaker 1: banana so far to eat today. Do you think that's enough? 34 00:01:49,880 --> 00:01:52,200 Speaker 1: Because I just woke up like recently, think that's enough 35 00:01:52,240 --> 00:01:54,040 Speaker 1: for the show? And I'm just gonna get a couple 36 00:01:54,040 --> 00:01:54,520 Speaker 1: of cold. 37 00:01:54,320 --> 00:01:55,160 Speaker 3: Brew and I'm ready to go. 38 00:01:56,400 --> 00:01:57,120 Speaker 2: I think that's fine. 39 00:01:57,160 --> 00:01:58,960 Speaker 1: I'm not gonna have a brain wife for one banana. 40 00:01:59,000 --> 00:02:04,280 Speaker 1: Am I should have another banana? Maybe not on mic no, no, 41 00:02:04,320 --> 00:02:11,480 Speaker 1: but that I did, I won't. I'm gonna eat bananas 42 00:02:11,480 --> 00:02:15,919 Speaker 1: for the whole show and during the I've done worse. 43 00:02:16,320 --> 00:02:19,560 Speaker 1: I've done worse. I mean, being twenty feet away from 44 00:02:19,560 --> 00:02:25,040 Speaker 1: my laptop microphone was way worse than that from inside 45 00:02:25,080 --> 00:02:29,200 Speaker 1: a well yeah, standing outside of my microphone constantly talking 46 00:02:29,280 --> 00:02:30,000 Speaker 1: into nothing. 47 00:02:30,320 --> 00:02:32,560 Speaker 2: That is something that we're actually pitching around is getting 48 00:02:32,560 --> 00:02:36,520 Speaker 2: a baby. Jessica now grown up recording from inside a Well. 49 00:02:36,720 --> 00:02:37,560 Speaker 1: That's a good idea. 50 00:02:37,960 --> 00:02:40,800 Speaker 4: You've since been one up to, though, Chris, in terms 51 00:02:40,880 --> 00:02:44,520 Speaker 4: of like the audacity that people have. I still think 52 00:02:44,520 --> 00:02:46,960 Speaker 4: that guy who called in from like a work orientation 53 00:02:47,120 --> 00:02:50,320 Speaker 4: outside of like a lecture hall was by far the 54 00:02:50,360 --> 00:02:52,359 Speaker 4: worst thing we ever experienced. 55 00:02:52,400 --> 00:02:55,360 Speaker 3: Yeah, there was like a work yeah, work intake orientation. 56 00:02:55,560 --> 00:02:57,040 Speaker 3: He was just trying to make it work, and I 57 00:02:57,080 --> 00:02:58,680 Speaker 3: was like, bro, you should have just canceled. 58 00:02:58,880 --> 00:03:00,400 Speaker 1: Yeah, I see. 59 00:03:00,440 --> 00:03:00,639 Speaker 4: Yeah. 60 00:03:00,720 --> 00:03:03,800 Speaker 1: Yeah, Well you're never gonna catch me having a multitask 61 00:03:03,840 --> 00:03:07,080 Speaker 1: at a conference as far as I know. Unless I 62 00:03:07,080 --> 00:03:08,680 Speaker 1: don't see that in my future. 63 00:03:08,840 --> 00:03:11,000 Speaker 5: Ted Talk coming up for you, I don't Maybe you know, 64 00:03:11,080 --> 00:03:13,919 Speaker 5: maybe you know, hey, bread talks with Chris. 65 00:03:15,520 --> 00:03:18,480 Speaker 1: Chris, Yeah, I got a lot of nonprofit ideas up 66 00:03:18,520 --> 00:03:18,960 Speaker 1: my sleeve. 67 00:03:19,240 --> 00:03:21,920 Speaker 2: I debuted it on bread X, but I think for 68 00:03:22,000 --> 00:03:23,840 Speaker 2: the bread Bread Talk circuit. 69 00:03:23,840 --> 00:03:26,720 Speaker 1: Yeah I could do that, you know, actually do I 70 00:03:27,000 --> 00:03:27,680 Speaker 1: already do that? 71 00:03:28,000 --> 00:03:30,200 Speaker 3: Yeah, you just need a stage, I think, Chris. We 72 00:03:30,320 --> 00:03:33,240 Speaker 3: just recontextualized you talking. But we put a big red 73 00:03:33,560 --> 00:03:36,760 Speaker 3: sign that says bread like the Ted Talk logo, and 74 00:03:36,920 --> 00:03:38,000 Speaker 3: just back and forth. 75 00:03:38,840 --> 00:03:41,360 Speaker 1: Oh that's another thing I'll do. Okay, I'll do that too. 76 00:03:45,960 --> 00:03:51,880 Speaker 2: You're overwhelming Chris with this, Chris, I've only had one. 77 00:03:52,800 --> 00:03:59,680 Speaker 2: We're just gonna go to the next slide on the deck, Chris, 78 00:03:59,720 --> 00:04:04,040 Speaker 2: I knew hairstyle for you, picturing somebody like getting pumped 79 00:04:04,120 --> 00:04:06,720 Speaker 2: up to pitch to Peter Thiel listening to. 80 00:04:08,480 --> 00:04:12,240 Speaker 3: Oh dude, you totally hear someone sniffing cocaine in their 81 00:04:12,280 --> 00:04:16,279 Speaker 3: fucking Honda before too, just blasting that ship like, hey babe, 82 00:04:17,960 --> 00:04:21,679 Speaker 3: oh man, Oh, it's kind of crazy. I'm just thinking 83 00:04:21,680 --> 00:04:23,159 Speaker 3: about your babe so much. 84 00:04:22,960 --> 00:04:26,479 Speaker 2: About how much fun we had. It's kind of crazy, right, 85 00:04:27,880 --> 00:04:28,520 Speaker 2: He's gonna. 86 00:04:28,360 --> 00:04:31,680 Speaker 3: Love this idea. It's like it's tender for young people 87 00:04:31,760 --> 00:04:33,839 Speaker 3: to sell their blood to tech billionaires. 88 00:04:38,160 --> 00:04:40,640 Speaker 2: I love you, babe, wish me luck. I'm not gonna 89 00:04:40,720 --> 00:04:41,599 Speaker 2: let this one slip. 90 00:04:47,920 --> 00:04:51,880 Speaker 1: That's good. That's a good bit. That'd be a fun 91 00:04:51,920 --> 00:04:56,159 Speaker 1: bit to do forever. Actually, you know what I mean, 92 00:04:55,600 --> 00:04:58,359 Speaker 1: you know, like going on and on with that like 93 00:04:58,400 --> 00:05:01,799 Speaker 1: a million ideas and just playing that is the show 94 00:05:01,920 --> 00:05:07,560 Speaker 1: every day? Yeah, I mean that is fucking fun, all right, babe. 95 00:05:07,600 --> 00:05:10,760 Speaker 1: Not ide that's such a good idea, Just new app 96 00:05:10,800 --> 00:05:11,760 Speaker 1: ideas with that music. 97 00:05:11,800 --> 00:05:14,680 Speaker 3: Find the idea. 98 00:05:16,480 --> 00:05:20,640 Speaker 2: My nose bleeding. I need to I need to invent 99 00:05:20,720 --> 00:05:23,560 Speaker 2: an app that chops your cocaine up more. Finally, I'm 100 00:05:23,560 --> 00:05:24,560 Speaker 2: on the way to a meeting. 101 00:05:25,040 --> 00:05:28,159 Speaker 1: I got way to a meeting with falling out my nostrils. 102 00:05:28,200 --> 00:05:30,240 Speaker 1: They're on my payroll that can't say no to me. 103 00:05:30,360 --> 00:05:32,440 Speaker 1: But I'm still hyping myself up, like I'm doing some 104 00:05:32,520 --> 00:05:34,839 Speaker 1: big pitch, you know what I mean, Like Peters, he'll 105 00:05:34,920 --> 00:05:37,160 Speaker 1: be like, I gotta nail this, and like everybody in 106 00:05:37,240 --> 00:05:38,920 Speaker 1: the boardroom is like, whatever he says, we have to say. 107 00:05:39,200 --> 00:05:41,960 Speaker 3: Yeah, you know, we're all scared scared of ship, you 108 00:05:42,000 --> 00:05:42,440 Speaker 3: know what I mean. 109 00:05:42,520 --> 00:05:44,440 Speaker 1: They're gonna love this. 110 00:05:46,120 --> 00:05:48,920 Speaker 2: Oh I knew it. I fucking knew it. Knock. I 111 00:05:48,920 --> 00:05:51,720 Speaker 2: don't even pitch yet. Stop clapping, you know what. 112 00:05:51,839 --> 00:05:57,760 Speaker 1: You're sick fan, Get the yeah I didn't even sweater yet. Yeah, yeah, 113 00:05:58,040 --> 00:05:59,640 Speaker 1: fucking Eminem would be so proud of me. 114 00:06:00,960 --> 00:06:05,640 Speaker 2: And and that has to take so many calls from 115 00:06:05,720 --> 00:06:06,680 Speaker 2: ten billionaires. 116 00:06:07,360 --> 00:06:10,960 Speaker 3: Oh yeah, Marshall, I got an idea for you. 117 00:06:12,520 --> 00:06:17,560 Speaker 5: Maybe it is, Oh my bad, let me turn that down. 118 00:06:19,040 --> 00:06:22,440 Speaker 5: Turn that off, caller, Turn your radio down, caller, You 119 00:06:22,480 --> 00:06:23,679 Speaker 5: need to turn your radio down. 120 00:06:23,960 --> 00:06:31,120 Speaker 1: Servants, Hey, have you ever summoned K two. Yeah, why 121 00:06:31,160 --> 00:06:32,160 Speaker 1: do they always want to do. 122 00:06:32,120 --> 00:06:37,480 Speaker 6: That K two high on cocaine. I'm gonna do Everest 123 00:06:37,520 --> 00:06:41,520 Speaker 6: without fucking oxygen. Man, you fucking down have a sirpa. 124 00:06:41,600 --> 00:06:43,200 Speaker 6: Fuckers walk us up the whole mountain. 125 00:06:50,839 --> 00:06:53,960 Speaker 2: Hello the Internet, and welcome to Season three, forty eight, 126 00:06:54,000 --> 00:06:58,279 Speaker 2: Episode five of Dally's Like Guys Stay introduction of iHeart Radio. 127 00:06:58,400 --> 00:07:00,400 Speaker 2: This is up Gust where we take it diving to 128 00:07:00,480 --> 00:07:07,600 Speaker 2: America's share consciousness. And it is Friday, July twenty sixth, Friday. 129 00:07:08,680 --> 00:07:13,640 Speaker 3: Yes, it's fucking National Bagels Fest Day, National Coffee Milkshake Day, 130 00:07:13,960 --> 00:07:19,520 Speaker 3: All or Nothing Day, National Get Gnarly Day. Yeah, shout 131 00:07:19,520 --> 00:07:22,320 Speaker 3: out to fucking nephews and nieces in them, the fucking 132 00:07:22,400 --> 00:07:25,920 Speaker 3: children of the siblings. Because it's National Aunt and Uncle's Day. 133 00:07:25,920 --> 00:07:28,800 Speaker 3: It's your day to be that person. That's also National 134 00:07:28,800 --> 00:07:34,440 Speaker 3: Disability Independence Day, National System Administrator Appreciation Day. Oh boy, 135 00:07:34,800 --> 00:07:39,360 Speaker 3: I've been they've been having a fucked up week ago time. Yeah. Man, 136 00:07:40,040 --> 00:07:42,760 Speaker 3: good for y'all. It couldn't have come sooner, but hey 137 00:07:42,880 --> 00:07:46,440 Speaker 3: it's here, National System Admin Day. Yeah. 138 00:07:46,640 --> 00:07:50,960 Speaker 2: They're they're usually invisible. This week less invisible. We want 139 00:07:51,000 --> 00:07:52,800 Speaker 2: them to go back to being invisible. And I'm sure 140 00:07:52,840 --> 00:07:58,800 Speaker 2: they concur. My name is Jack O'Brien AKA. Some people 141 00:07:58,880 --> 00:08:04,520 Speaker 2: call me the Vance couch boy. Yeah. Some call me 142 00:08:04,640 --> 00:08:09,240 Speaker 2: the Bangster of glove. That is courtesy of keV whatever 143 00:08:09,680 --> 00:08:14,680 Speaker 2: on the discord, it won't die. I'm sorry. I'm sorry. 144 00:08:14,720 --> 00:08:19,200 Speaker 2: We fucking debunked that ship yesterday and uh, I don't know. 145 00:08:19,480 --> 00:08:22,120 Speaker 2: It's not our fault, buzz, not on our hands. I'm 146 00:08:22,120 --> 00:08:25,920 Speaker 2: thrilled to be joined. It's only picked up steam after 147 00:08:26,120 --> 00:08:29,040 Speaker 2: everybody debunked it. People are like, Nah, this guy has 148 00:08:29,120 --> 00:08:33,240 Speaker 2: the couch fuckingst energy of all time. We're just gonna 149 00:08:33,280 --> 00:08:33,679 Speaker 2: run with it. 150 00:08:33,720 --> 00:08:37,480 Speaker 3: You can kill a man, but you can't kill an idea. 151 00:08:38,160 --> 00:08:45,560 Speaker 2: I'm sorry to be joined. I'm throwing to be joined 152 00:08:45,600 --> 00:08:49,560 Speaker 2: as always by my co host, mister Miles Gray. Oh, 153 00:08:49,600 --> 00:08:59,200 Speaker 2: thank you so much, Miles Gray. A kababy, I'm on it, 154 00:08:59,400 --> 00:09:13,560 Speaker 2: uh babe, baby, and much longer. He's getting stronger and 155 00:09:13,720 --> 00:09:19,560 Speaker 2: stronger when I get that killing. I'm a sectional healing 156 00:09:22,240 --> 00:09:23,719 Speaker 2: healing all right. 157 00:09:23,760 --> 00:09:24,920 Speaker 3: Shout out to Zach Van. 158 00:09:26,520 --> 00:09:27,280 Speaker 2: For that one. 159 00:09:27,520 --> 00:09:30,400 Speaker 3: We need some sectional healing, baby, you know what I mean. 160 00:09:30,880 --> 00:09:32,520 Speaker 2: I'm oiling up my glove. 161 00:09:32,320 --> 00:09:38,360 Speaker 3: Baby, I can't hold it much longer Zach, beautiful contribution. 162 00:09:38,840 --> 00:09:39,800 Speaker 3: Thank you for that. 163 00:09:40,320 --> 00:09:43,680 Speaker 2: It's was the last time we saw a story where 164 00:09:43,679 --> 00:09:45,839 Speaker 2: everyone was like, oh, that's a fake story and then 165 00:09:45,840 --> 00:09:50,000 Speaker 2: it like picked up steam. I can't really remember another. 166 00:09:50,440 --> 00:09:53,520 Speaker 3: The election was actually won by Donald Trump, so. 167 00:09:54,120 --> 00:09:57,160 Speaker 2: I guess on that side. And yeah, that's just what 168 00:09:57,200 --> 00:10:02,600 Speaker 2: we're seeing now, is that we're just all openly being like, yeah, 169 00:10:02,640 --> 00:10:07,120 Speaker 2: the Internet is a writer's room where we're just like workshopping. 170 00:10:07,200 --> 00:10:10,040 Speaker 3: I feel like Elon Musk is the kind of guy 171 00:10:10,040 --> 00:10:12,079 Speaker 3: who also has that energy where it's like, even if 172 00:10:12,080 --> 00:10:15,079 Speaker 3: something isn't true, everyone will just keep calling him whatever 173 00:10:15,240 --> 00:10:18,720 Speaker 3: the dumb joke of the day thing is. Yeah, but yeah, 174 00:10:18,760 --> 00:10:20,480 Speaker 3: I don't know this one, Like this one is so 175 00:10:21,040 --> 00:10:25,240 Speaker 3: consequential in a weird way that it's just looking hilarious. 176 00:10:24,720 --> 00:10:28,679 Speaker 2: And yeah, I'm loving every love and every second. Hey, 177 00:10:28,720 --> 00:10:32,200 Speaker 2: speaking of love and every second, we are thrilled to 178 00:10:32,360 --> 00:10:35,280 Speaker 2: be joined in our third seat by one of our 179 00:10:35,320 --> 00:10:41,640 Speaker 2: favorite guests, hilarious stand up comedian, actor, musician. You can 180 00:10:41,679 --> 00:10:45,080 Speaker 2: listen to his podcast Colebrew Got Me like Anywhere Fine 181 00:10:45,120 --> 00:10:48,120 Speaker 2: podcasts are given away for free. His book, The Advice 182 00:10:48,200 --> 00:10:53,240 Speaker 2: King Anthology is available. The Poetry Window is open because 183 00:10:53,280 --> 00:10:55,960 Speaker 2: it's Chris motherfucking Kraft. 184 00:11:02,679 --> 00:11:05,240 Speaker 1: Chris oil Boy. 185 00:11:05,559 --> 00:11:06,079 Speaker 2: Yeah. 186 00:11:06,280 --> 00:11:08,199 Speaker 1: Yeah, I was going to say, right when I came 187 00:11:08,200 --> 00:11:09,800 Speaker 1: in here, I forgot almost I got my A K 188 00:11:10,000 --> 00:11:15,120 Speaker 1: A all and all just uh you know the brick 189 00:11:15,280 --> 00:11:17,319 Speaker 1: and the Chris Croft and. 190 00:11:17,040 --> 00:11:21,400 Speaker 2: There it is, there it is. Yeah, I mean it 191 00:11:21,480 --> 00:11:23,079 Speaker 2: was just sitting right there. 192 00:11:24,480 --> 00:11:25,400 Speaker 1: And I wrote that. 193 00:11:25,840 --> 00:11:28,400 Speaker 2: Yeah, that was an original. 194 00:11:28,720 --> 00:11:31,360 Speaker 3: Oh yeah, yeah, how about another one? 195 00:11:31,480 --> 00:11:35,000 Speaker 1: I see you on the dark side of the Chris Croft. 196 00:11:34,840 --> 00:11:38,720 Speaker 3: And of the brew. 197 00:11:40,200 --> 00:11:41,640 Speaker 2: I just keep yeah. 198 00:11:41,679 --> 00:11:45,319 Speaker 1: Yeah, you're trying to You're trying to punch it up. Yeah, yeah, 199 00:11:45,360 --> 00:11:46,280 Speaker 1: but it's no use. 200 00:11:46,880 --> 00:11:49,000 Speaker 2: It's no use, man, how are you doing? 201 00:11:49,600 --> 00:11:51,640 Speaker 1: I just got you know, I'm just doing so many 202 00:11:51,520 --> 00:11:54,800 Speaker 1: it's no use energy I'm doing so, I'm doing so 203 00:11:54,800 --> 00:11:57,280 Speaker 1: many things that don't pay that I just am exhausted 204 00:11:57,600 --> 00:12:00,360 Speaker 1: and and yeah I can't. I don't have time to 205 00:12:00,400 --> 00:12:02,040 Speaker 1: do the A K A s right that I should, 206 00:12:02,120 --> 00:12:03,840 Speaker 1: you know, Like I mean, I don't know how to 207 00:12:03,840 --> 00:12:05,280 Speaker 1: write the good ones, you know what I mean, Like 208 00:12:05,280 --> 00:12:06,480 Speaker 1: I'm trying to think of it. I can think of 209 00:12:06,520 --> 00:12:08,640 Speaker 1: another one, you know, they're they're fun to do, you know, 210 00:12:08,679 --> 00:12:10,760 Speaker 1: I wish I had. I can't think of another one. 211 00:12:12,120 --> 00:12:14,120 Speaker 1: Chris Crofton just likes to have fun. 212 00:12:14,679 --> 00:12:17,200 Speaker 2: You're standing here. 213 00:12:17,480 --> 00:12:22,000 Speaker 1: Crop have fun. That's girls just want to have fun 214 00:12:22,040 --> 00:12:22,800 Speaker 1: with Chris Crofton. 215 00:12:23,040 --> 00:12:25,680 Speaker 2: Yeah, Chris, Chris Crofton want to have fun. 216 00:12:26,080 --> 00:12:29,240 Speaker 1: Yeah exactly. I'm too tired to do the proper work 217 00:12:29,280 --> 00:12:29,559 Speaker 1: on the A. 218 00:12:29,679 --> 00:12:30,720 Speaker 3: K As Craft. 219 00:12:31,679 --> 00:12:35,880 Speaker 2: He was a blast. Grab that cash. We're both and. 220 00:12:36,080 --> 00:12:38,600 Speaker 3: Make We're just gonna keep doing pink Flight. 221 00:12:39,200 --> 00:12:40,080 Speaker 2: Oh yeah, totally. 222 00:12:40,200 --> 00:12:43,880 Speaker 3: And then I could learn how to play when I 223 00:12:43,880 --> 00:12:44,959 Speaker 3: was teaching myself on to play. 224 00:12:44,760 --> 00:12:49,920 Speaker 1: B Yeah, cold bro, just change all the words to 225 00:12:49,960 --> 00:12:51,760 Speaker 1: cold any other words at all? 226 00:12:52,800 --> 00:12:53,760 Speaker 3: Oh my god? 227 00:12:53,840 --> 00:12:58,520 Speaker 1: And then ring a bell. I'm a when you run 228 00:12:58,559 --> 00:13:04,120 Speaker 1: out of content? What cole brew over the tune of money? 229 00:13:04,440 --> 00:13:06,320 Speaker 1: What have I've been up to? He I have been 230 00:13:07,520 --> 00:13:12,840 Speaker 1: fucking losing my ship, basically getting super depressed from reading 231 00:13:12,880 --> 00:13:17,280 Speaker 1: the news, like trying to recalibrate my whole like life 232 00:13:17,320 --> 00:13:19,959 Speaker 1: a little bit like I've basically been in a midlife 233 00:13:20,000 --> 00:13:24,600 Speaker 1: crisis where you sort of figure out that making music 234 00:13:24,679 --> 00:13:29,320 Speaker 1: and writing poetry on Twitter doesn't pay, and and you 235 00:13:29,960 --> 00:13:33,160 Speaker 1: one of those two things I knew, but you know 236 00:13:33,280 --> 00:13:35,280 Speaker 1: you can giggy guess which one I knew, but one 237 00:13:35,320 --> 00:13:37,960 Speaker 1: of them I thought by my you know maybe you know, 238 00:13:38,000 --> 00:13:39,960 Speaker 1: you watch enough behind the music as a kid, and 239 00:13:40,080 --> 00:13:43,400 Speaker 1: you know you start to think, maybe maybe I could 240 00:13:43,400 --> 00:13:45,440 Speaker 1: also have a private jet and vomit all the time 241 00:13:46,720 --> 00:13:48,959 Speaker 1: and have handlers, which I think I've talked about on 242 00:13:49,040 --> 00:13:50,880 Speaker 1: the show. How that was like really attractive to me, 243 00:13:51,800 --> 00:13:53,280 Speaker 1: Like if you can't, if you don't have a proper 244 00:13:53,320 --> 00:13:55,440 Speaker 1: if you like, if your family fails you, you can 245 00:13:55,480 --> 00:13:58,079 Speaker 1: have handlers. You know, getting a big enough drug and 246 00:13:58,120 --> 00:14:00,440 Speaker 1: alcohol problem and you're signed to like a major, then 247 00:14:00,480 --> 00:14:04,160 Speaker 1: they issue you like a family of like bodyguards and 248 00:14:04,200 --> 00:14:06,800 Speaker 1: then alive and then yeah, and like just makes you 249 00:14:06,840 --> 00:14:09,360 Speaker 1: like stop, like instead of going to like rehab or 250 00:14:09,400 --> 00:14:11,679 Speaker 1: anything or like getting your ship together, you just are 251 00:14:11,840 --> 00:14:14,400 Speaker 1: constantly being blocked from doing drugs physically by like a 252 00:14:14,440 --> 00:14:18,480 Speaker 1: karate guy. I always thought that was so awesome, Like 253 00:14:18,520 --> 00:14:20,680 Speaker 1: this guy's like kicking out of your way, like and 254 00:14:20,720 --> 00:14:24,200 Speaker 1: you're just grabbing for it. No, no, you know what 255 00:14:24,600 --> 00:14:27,600 Speaker 1: my way, fucking Steve, get out of my way. And 256 00:14:27,640 --> 00:14:29,360 Speaker 1: then they end up like then they end up Like 257 00:14:29,440 --> 00:14:31,280 Speaker 1: this is the best part because I figured this would 258 00:14:31,320 --> 00:14:33,520 Speaker 1: be me, Like I would get a handler issued to 259 00:14:33,520 --> 00:14:35,520 Speaker 1: me by Epic Records or whatever, and they're like, listen, 260 00:14:35,640 --> 00:14:38,280 Speaker 1: this guy will not stop doing drugs anything anybody hands them. 261 00:14:38,280 --> 00:14:40,280 Speaker 1: This Crafton guy, he's like out of control. He had 262 00:14:40,280 --> 00:14:42,600 Speaker 1: that hit, you know where he did the sang cole 263 00:14:42,640 --> 00:14:45,360 Speaker 1: Brew instead of money to the sound of that to 264 00:14:45,400 --> 00:14:47,160 Speaker 1: the Pink Floyd song. I don't know how it became 265 00:14:47,200 --> 00:14:50,200 Speaker 1: a hit. It's like a gangam style type thing. Anyway, 266 00:14:50,200 --> 00:14:52,080 Speaker 1: he's a huge he's a huge star now, and everybody's 267 00:14:52,080 --> 00:14:53,600 Speaker 1: just trying to hand them drugs because that's what happens 268 00:14:53,600 --> 00:14:55,320 Speaker 1: as soon as you get famous. Everybody just wants to 269 00:14:55,360 --> 00:14:58,040 Speaker 1: give you drugs. So he won't stop doing them, so 270 00:14:58,080 --> 00:14:59,360 Speaker 1: you have to just kick him out of the way, 271 00:14:59,480 --> 00:15:02,920 Speaker 1: and you have to. But then I'm so fucking charming 272 00:15:03,080 --> 00:15:05,320 Speaker 1: that the karate guy, and. 273 00:15:06,680 --> 00:15:11,000 Speaker 2: Yeah he story and I wanted to be that guy there. 274 00:15:11,160 --> 00:15:12,040 Speaker 2: I wanted to be that guy. 275 00:15:12,560 --> 00:15:14,720 Speaker 1: I went to like kind of like like in The 276 00:15:14,720 --> 00:15:17,200 Speaker 1: Apocalypse now where the guy goes and like I don't 277 00:15:17,240 --> 00:15:19,080 Speaker 1: know or something where you're supposed to like go murder 278 00:15:19,120 --> 00:15:20,880 Speaker 1: somebody and then you end up just like being their 279 00:15:20,880 --> 00:15:23,320 Speaker 1: friend instead and being like, actually, I see things your way. 280 00:15:23,600 --> 00:15:27,040 Speaker 2: I was going to be that guy, yeah, but instead Yeah, 281 00:15:27,120 --> 00:15:29,200 Speaker 2: are you a Kennedy fan? Are you into the Kennedy's 282 00:15:29,240 --> 00:15:29,520 Speaker 2: at all? 283 00:15:29,800 --> 00:15:31,400 Speaker 1: The family? 284 00:15:31,640 --> 00:15:37,440 Speaker 2: Yeah, the family. Yeah, I'm doing I'm doing a Kennedy show. 285 00:15:37,520 --> 00:15:41,960 Speaker 2: And there's a crazy story where like the JFK's like 286 00:15:42,400 --> 00:15:46,760 Speaker 2: college best friend, high school best friend, like all along 287 00:15:47,000 --> 00:15:49,360 Speaker 2: was like with JFK, like one of his like right 288 00:15:49,400 --> 00:15:52,840 Speaker 2: hand hand man, like was put in charge of like 289 00:15:53,000 --> 00:15:56,760 Speaker 2: keeping RFK junior and his brother is like clean, and 290 00:15:56,880 --> 00:16:00,400 Speaker 2: they actually got him hooked on Heroin was like a 291 00:16:00,440 --> 00:16:05,120 Speaker 2: fifty something. Yeah, he didn't know I think the problem. 292 00:16:05,240 --> 00:16:08,080 Speaker 1: Yeah, that's charisma I thought I had. Yeah, I was like, 293 00:16:08,160 --> 00:16:10,120 Speaker 1: that's what I wanted to see how that works. I 294 00:16:10,120 --> 00:16:12,840 Speaker 1: wanted to see if you know, if they could they 295 00:16:12,920 --> 00:16:14,240 Speaker 1: just keep throwing them at me too, you know what 296 00:16:14,280 --> 00:16:16,160 Speaker 1: I mean, And because you're they'll be like, oh, well 297 00:16:16,200 --> 00:16:18,640 Speaker 1: that guy's done, that guy's done now, oh ship the 298 00:16:18,760 --> 00:16:21,440 Speaker 1: god that Green Beret guys started doing Heroin too. 299 00:16:23,400 --> 00:16:30,440 Speaker 2: Away. We hired Ermie. Yeah, Ermie, yeah, like, what's the 300 00:16:30,480 --> 00:16:30,880 Speaker 2: matter with you? 301 00:16:31,880 --> 00:16:33,640 Speaker 1: Michael Flynn will be my guy. 302 00:16:33,840 --> 00:16:34,600 Speaker 2: It's so good. 303 00:16:34,680 --> 00:16:35,440 Speaker 1: Michael Flynn. 304 00:16:36,080 --> 00:16:38,960 Speaker 2: Yeah hooked up. Yeah, yeah, Michael Flint. You could spend 305 00:16:38,960 --> 00:16:41,360 Speaker 2: it twenty four hours is Michael Flynn and just like 306 00:16:41,440 --> 00:16:43,080 Speaker 2: get him hooked on what he's. 307 00:16:42,960 --> 00:16:47,800 Speaker 1: Already hooked on, saying you want to hell, yeah, he's rabid. 308 00:16:48,240 --> 00:16:49,320 Speaker 2: Yeah exactly. 309 00:16:49,560 --> 00:16:54,280 Speaker 1: Okay, So like what happens is you I've been calling 310 00:16:54,320 --> 00:16:56,880 Speaker 1: it a midlife crisis, which and somebody, some friend of 311 00:16:56,920 --> 00:16:59,280 Speaker 1: mine pointed out, like what are you gonna do? You're 312 00:16:59,280 --> 00:17:01,480 Speaker 1: gonna live to be a hund and ten, you know, 313 00:17:01,520 --> 00:17:07,200 Speaker 1: it's like okay, hey, yeah, okay, fine, just a crisis then. 314 00:17:10,640 --> 00:17:13,119 Speaker 1: So yeah, I'm just like trying to like I'm trying 315 00:17:13,160 --> 00:17:16,080 Speaker 1: to get a job at a rehab place to be 316 00:17:16,200 --> 00:17:20,280 Speaker 1: a like a greeter or like a someone who acclimates 317 00:17:20,440 --> 00:17:22,440 Speaker 1: new patients to a place. Like I'm trying to get 318 00:17:22,480 --> 00:17:26,080 Speaker 1: a job that is not just sitting around like fucking yeah, 319 00:17:26,119 --> 00:17:29,199 Speaker 1: waiting to get famous, and because it's so boring, Like 320 00:17:29,240 --> 00:17:32,280 Speaker 1: that's the thing is, even if you do, even if 321 00:17:32,280 --> 00:17:34,840 Speaker 1: you did get famous, no wonder, everybody's out of their 322 00:17:34,880 --> 00:17:37,080 Speaker 1: minds and like you know, trying to like seduce their 323 00:17:37,640 --> 00:17:41,160 Speaker 1: judo masters into doing cocaine with them or whatever because 324 00:17:41,160 --> 00:17:43,680 Speaker 1: they're bored out of their fucking mind because they only 325 00:17:43,680 --> 00:17:46,000 Speaker 1: have to play like one hour a day and the 326 00:17:46,040 --> 00:17:47,719 Speaker 1: rest of the day they just lose their shit, and 327 00:17:47,760 --> 00:17:50,480 Speaker 1: like try and think of diabolical ways to spend the time. 328 00:17:50,520 --> 00:17:54,919 Speaker 1: And anyway, I'm like just realizing that you don't have 329 00:17:54,960 --> 00:17:56,560 Speaker 1: to do one or the other. Like I can have 330 00:17:56,600 --> 00:17:59,560 Speaker 1: a job, like a normal job and not be. 331 00:18:01,080 --> 00:18:03,600 Speaker 2: Like you know where you actually help people, yeah, or. 332 00:18:03,560 --> 00:18:06,360 Speaker 1: Something where you heard of something. Yeah, I mean I'm 333 00:18:06,400 --> 00:18:09,240 Speaker 1: not there yet. I'm just trying. I'm trying. I'm making steps, 334 00:18:09,280 --> 00:18:11,920 Speaker 1: you know. And I got this new therapist who's so funny. 335 00:18:12,040 --> 00:18:16,000 Speaker 1: Oh my god. Really yeah, he's run addiction counselor but 336 00:18:16,040 --> 00:18:19,240 Speaker 1: he's not a licensed therapist, but he's running a therapy. 337 00:18:19,280 --> 00:18:22,159 Speaker 1: He just has an addiction counselor thing. And I'm not 338 00:18:22,200 --> 00:18:23,760 Speaker 1: even I didn't even go to him for that, Like 339 00:18:23,800 --> 00:18:25,600 Speaker 1: I just got wreck. He got recommended to me and 340 00:18:25,640 --> 00:18:28,080 Speaker 1: I found out he's an addiction counselor, and he just 341 00:18:28,200 --> 00:18:30,560 Speaker 1: is like, you know, addiction counselors have to be like, 342 00:18:30,600 --> 00:18:32,480 Speaker 1: well you better cut that out, you know. So he 343 00:18:32,480 --> 00:18:34,919 Speaker 1: says that about everything, like about family stuff, like I'm like, 344 00:18:34,920 --> 00:18:36,760 Speaker 1: my dad's a nightmares. Like sounds like you've got to 345 00:18:36,760 --> 00:18:38,119 Speaker 1: put him down, you know, And I'm. 346 00:18:38,000 --> 00:18:39,520 Speaker 2: Like what I like? 347 00:18:41,600 --> 00:18:44,000 Speaker 1: So it's kind of fun. And he's a dude and 348 00:18:44,040 --> 00:18:46,880 Speaker 1: I prefer female therapist because I was raised by my 349 00:18:46,920 --> 00:18:52,080 Speaker 1: mother primarily, and she's nice. You know, she's a good 350 00:18:52,320 --> 00:18:54,600 Speaker 1: she's a good nice one. She's a good one. Yeah, 351 00:18:54,640 --> 00:18:56,600 Speaker 1: she's a good cop. So I would like to go 352 00:18:56,600 --> 00:18:59,320 Speaker 1: to a woman therapist because I feel more comfortable. And 353 00:18:59,320 --> 00:19:02,080 Speaker 1: and so I'm like into this guy, and and and 354 00:19:02,080 --> 00:19:03,840 Speaker 1: and I'm like into like the idea that we're not 355 00:19:03,840 --> 00:19:07,640 Speaker 1: getting along that well either because he like in the beginning, 356 00:19:08,280 --> 00:19:10,880 Speaker 1: but then the last couple of meetings we started to 357 00:19:11,040 --> 00:19:13,119 Speaker 1: get along because I kind of like him. He's just 358 00:19:13,160 --> 00:19:15,080 Speaker 1: got to go tee. That's all he has, just to 359 00:19:15,119 --> 00:19:19,040 Speaker 1: go tee. No mustache, just a ball, just a freaking 360 00:19:19,080 --> 00:19:23,840 Speaker 1: go to. Yeah, just kind of like unbelievable. Like I'm like, 361 00:19:24,520 --> 00:19:25,840 Speaker 1: I feel totally dominated. 362 00:19:25,920 --> 00:19:27,640 Speaker 2: Yeah, that's what I mean. It's a strong look. 363 00:19:27,680 --> 00:19:29,760 Speaker 1: I'm like, Okay, who I know who's in charge in 364 00:19:29,800 --> 00:19:30,120 Speaker 1: this room? 365 00:19:30,359 --> 00:19:32,160 Speaker 2: I guess I got to put my dad down, he said, so. 366 00:19:32,480 --> 00:19:34,639 Speaker 1: Yeah, I know this is I know who's the alpha 367 00:19:34,680 --> 00:19:35,280 Speaker 1: in this room. 368 00:19:35,560 --> 00:19:35,879 Speaker 2: Damn. 369 00:19:37,040 --> 00:19:39,320 Speaker 1: Anyway, he's like, I said, what kind of music do 370 00:19:39,359 --> 00:19:41,360 Speaker 1: you like? Because I see tattoos poking out from under 371 00:19:41,359 --> 00:19:44,000 Speaker 1: his sleeves. Yeah, I saw one. I knew because I 372 00:19:44,080 --> 00:19:46,040 Speaker 1: knew something was up, Like I knew me and him 373 00:19:46,040 --> 00:19:48,960 Speaker 1: were going to connect some Marshall you like, he's like, man, 374 00:19:49,040 --> 00:19:52,240 Speaker 1: have you heard the new eminem He goes man, he 375 00:19:52,240 --> 00:19:58,480 Speaker 1: goes man, I like grunge what and uh, there was 376 00:19:58,520 --> 00:20:00,880 Speaker 1: just something amazing about that. I like, I like that too. 377 00:20:00,920 --> 00:20:02,080 Speaker 1: I like, now I trust you. 378 00:20:02,200 --> 00:20:02,360 Speaker 2: Yeah. 379 00:20:02,520 --> 00:20:04,479 Speaker 1: Yeah. And then we're we're seriously and we're talking. Next 380 00:20:04,520 --> 00:20:07,959 Speaker 1: thing when we're talking about what I was, you know 381 00:20:08,080 --> 00:20:10,280 Speaker 1: what we're talking about Scott Wiland. And then I was like, 382 00:20:10,280 --> 00:20:11,479 Speaker 1: wait a minute, I'm paying for this. 383 00:20:11,800 --> 00:20:14,359 Speaker 2: Yeah, he's about Scott Wild. 384 00:20:14,440 --> 00:20:17,600 Speaker 1: Scott Warland was a talented guy, no question about it. 385 00:20:17,800 --> 00:20:17,960 Speaker 2: Chris. 386 00:20:18,040 --> 00:20:21,240 Speaker 3: You might listen to my demo. Man two of us to. 387 00:20:21,160 --> 00:20:24,760 Speaker 1: Start doing four track recordings while I'm paying for it anyway. 388 00:20:24,800 --> 00:20:26,240 Speaker 1: So that's what's going on with me. I'm trying to 389 00:20:27,119 --> 00:20:29,760 Speaker 1: I'm trying to like realize, like I'm going to talk 390 00:20:29,760 --> 00:20:31,359 Speaker 1: about it in other parts of it so it doesn't 391 00:20:31,359 --> 00:20:33,680 Speaker 1: matter because one of one of the things I said, 392 00:20:34,320 --> 00:20:36,520 Speaker 1: one of the things I've set up for Overrated Underrated 393 00:20:36,640 --> 00:20:38,840 Speaker 1: is about about this sort of thing. 394 00:20:39,280 --> 00:20:41,600 Speaker 2: Perfect. All right, well, Chris, we're gonna get to know 395 00:20:41,640 --> 00:20:43,720 Speaker 2: you a little bit better in a moment. First, a 396 00:20:43,760 --> 00:20:47,440 Speaker 2: couple of the things that we're talking about on today's episode, 397 00:20:48,080 --> 00:20:52,840 Speaker 2: maybe maybe not. We'll talk so jd Vance. We're just 398 00:20:52,840 --> 00:20:55,480 Speaker 2: going to continue to talk about jd Vance. Where what 399 00:20:55,480 --> 00:20:59,800 Speaker 2: what's going on? They did debunk the story on Wednesday. Yes, 400 00:21:00,600 --> 00:21:04,040 Speaker 2: the story took off after being officially debunked by every 401 00:21:04,119 --> 00:21:07,240 Speaker 2: like major media outlet. It just like took off. Everyone 402 00:21:07,320 --> 00:21:11,360 Speaker 2: was like, nah, we we think there's there's the spirit 403 00:21:11,440 --> 00:21:14,680 Speaker 2: of truth to this one. So talk about that. We'll 404 00:21:14,680 --> 00:21:17,320 Speaker 2: talk about the conspiracy theory that Biden is dead which 405 00:21:17,359 --> 00:21:21,240 Speaker 2: continues to not go away, and how Hollywood has worked 406 00:21:21,280 --> 00:21:25,399 Speaker 2: our image of the presidency. Maybe even a new theory 407 00:21:25,400 --> 00:21:28,520 Speaker 2: that a fan has for why Donald Trump keeps bringing 408 00:21:28,600 --> 00:21:32,120 Speaker 2: up Hannibal Lecter. All of that plenty more. But first, 409 00:21:32,200 --> 00:21:35,160 Speaker 2: Chris Crofton, we do like to ask our guest, what 410 00:21:35,320 --> 00:21:37,679 Speaker 2: is something from your search history? 411 00:21:38,200 --> 00:21:41,600 Speaker 1: Okay, it's the Minnesota Public TV YouTube. 412 00:21:42,720 --> 00:21:44,679 Speaker 3: Oh a nice, another new YouTube pulp. 413 00:21:44,680 --> 00:21:48,080 Speaker 1: And man, it is Minnesota Public Television. I mean they're 414 00:21:48,119 --> 00:21:51,239 Speaker 1: just doing the thing that WGBAH and Boston does it too, 415 00:21:51,240 --> 00:21:54,400 Speaker 1: where they're kind of like just re airing all these 416 00:21:54,480 --> 00:21:56,800 Speaker 1: old features they did in the seventies and eighties, like 417 00:21:56,880 --> 00:22:00,840 Speaker 1: on their YouTube, okay, and like just some times they'll 418 00:22:00,920 --> 00:22:03,440 Speaker 1: just take parts of reports, even news reports they did, 419 00:22:03,520 --> 00:22:05,840 Speaker 1: like there's a there's a report on there from nightlife 420 00:22:05,840 --> 00:22:08,840 Speaker 1: where guys just goes to like all these like bars 421 00:22:09,040 --> 00:22:13,720 Speaker 1: in nineteen eighties Minneapolis and it's just so fun, you know, 422 00:22:14,160 --> 00:22:15,720 Speaker 1: and he's just like in them and he's like, Oh, 423 00:22:15,760 --> 00:22:18,800 Speaker 1: he's like, here's the nightlife on whatever avenue it is. 424 00:22:18,800 --> 00:22:20,560 Speaker 1: He's like, this is the avenue everybody goes out. So 425 00:22:20,600 --> 00:22:22,879 Speaker 1: I'm just gonna walk around in my member's only jacket 426 00:22:22,920 --> 00:22:27,080 Speaker 1: and like with a microphone and like talk about bars 427 00:22:27,359 --> 00:22:30,240 Speaker 1: and like go to TGI Fridays and stuff, and it's 428 00:22:30,320 --> 00:22:32,280 Speaker 1: just great. Anyway. They do do a lot of stuff 429 00:22:32,320 --> 00:22:34,520 Speaker 1: like that, but there's one particular thing. 430 00:22:34,680 --> 00:22:37,520 Speaker 2: Like not even local bars, like just like hey, we're 431 00:22:37,560 --> 00:22:38,960 Speaker 2: at the TV Fridays. 432 00:22:39,280 --> 00:22:41,560 Speaker 1: Well just yeah whatever, He's just like, here's what's going 433 00:22:41,600 --> 00:22:45,840 Speaker 1: on on at Bennegan's. Like no one like no one 434 00:22:45,920 --> 00:22:48,280 Speaker 1: was like posting videos from those bars back then. You 435 00:22:48,320 --> 00:22:50,119 Speaker 1: actually had to go in and like find out what. 436 00:22:50,440 --> 00:22:52,040 Speaker 2: No, Yeah, I don't know. 437 00:22:52,880 --> 00:22:54,639 Speaker 3: Because I remember you because this is the same This 438 00:22:54,680 --> 00:22:56,320 Speaker 3: feels like in the same vibe when you were watching 439 00:22:56,320 --> 00:22:58,679 Speaker 3: all that like mob news footage, because it's so like 440 00:22:58,720 --> 00:23:01,120 Speaker 3: it's just like texture too, you know what I mean, 441 00:23:01,320 --> 00:23:04,360 Speaker 3: Like that we don't have because everything is fucking recorded now. 442 00:23:04,359 --> 00:23:07,159 Speaker 3: It's like, wait, dude, I need to see video of 443 00:23:07,359 --> 00:23:10,399 Speaker 3: nineteen eighties bars in Minnesota and yeah, and now you 444 00:23:10,440 --> 00:23:12,240 Speaker 3: get like a really nice speak into that. 445 00:23:12,680 --> 00:23:14,680 Speaker 1: I love it. I love it because it's a very 446 00:23:14,720 --> 00:23:16,719 Speaker 1: different world that I did live through a little bit 447 00:23:16,760 --> 00:23:18,239 Speaker 1: of it. And I'm not saying it was better. It 448 00:23:18,240 --> 00:23:19,719 Speaker 1: was pretty boring, I mean, you know what I mean. 449 00:23:19,760 --> 00:23:21,520 Speaker 1: And there was a lot more crimes. Everybody had to 450 00:23:21,520 --> 00:23:23,240 Speaker 1: go out of the house and just cause trouble to 451 00:23:23,280 --> 00:23:25,280 Speaker 1: pass the time. Yeah, so like there was no you know, 452 00:23:25,280 --> 00:23:26,919 Speaker 1: you had to go out out of the house and 453 00:23:26,920 --> 00:23:29,080 Speaker 1: just dress up and be like, well let's see what happens, 454 00:23:29,080 --> 00:23:33,119 Speaker 1: you know. And that's like not really better, but it 455 00:23:33,240 --> 00:23:36,080 Speaker 1: is more adventure. There's more adventure involved, right, I mean, 456 00:23:36,119 --> 00:23:38,439 Speaker 1: it's definitely safer now because you can stay home and 457 00:23:38,480 --> 00:23:41,040 Speaker 1: just door Dash and Tinder or whatever. I mean, you 458 00:23:41,080 --> 00:23:45,200 Speaker 1: can just order boyfriends and and sushi and whatever else, 459 00:23:45,560 --> 00:23:46,359 Speaker 1: which is fine. 460 00:23:47,240 --> 00:23:49,760 Speaker 2: Three boyfriends and one sushi, please. 461 00:23:53,320 --> 00:23:56,040 Speaker 1: How about eight boyfriends? And no sushi and you know, 462 00:23:56,600 --> 00:23:59,840 Speaker 1: the dangerous it's a dangerous internet, so that you know, 463 00:24:00,040 --> 00:24:02,000 Speaker 1: that's that's what's interesting to me is like this was 464 00:24:02,040 --> 00:24:05,919 Speaker 1: like sort of a wild West of payphones, and I 465 00:24:05,920 --> 00:24:07,840 Speaker 1: mean that still blows my mind that like if you 466 00:24:07,840 --> 00:24:10,000 Speaker 1: couldn't get to a payphone, you were basically. 467 00:24:09,800 --> 00:24:11,160 Speaker 3: Kids someone could die. 468 00:24:11,240 --> 00:24:13,040 Speaker 1: I mean that was you know, you were just like 469 00:24:13,280 --> 00:24:16,439 Speaker 1: I died forty yards away from a payphone I couldn't get. 470 00:24:16,280 --> 00:24:18,280 Speaker 3: I was just thinking of how like I was talking 471 00:24:18,280 --> 00:24:20,080 Speaker 3: to somebody about how I remember when I had to 472 00:24:20,160 --> 00:24:22,720 Speaker 3: used to have a calling card number memorized so I 473 00:24:22,720 --> 00:24:24,520 Speaker 3: could make a like if I didn't have change, I 474 00:24:24,520 --> 00:24:29,200 Speaker 3: could die, right that from a payphone. Oh yeah yeah, yeah, 475 00:24:29,240 --> 00:24:29,720 Speaker 3: yeah yeah. 476 00:24:30,040 --> 00:24:32,119 Speaker 1: I died of a treatable disease because I didn't have 477 00:24:32,119 --> 00:24:37,159 Speaker 1: a dime slumped over in the phone booth or it 478 00:24:37,200 --> 00:24:38,800 Speaker 1: was out of order. Like you get in there and 479 00:24:38,800 --> 00:24:41,920 Speaker 1: you're like finally phone, you know, and there's no receiver. 480 00:24:42,080 --> 00:24:45,280 Speaker 1: It's like ripped off and you're just like okay, it's over. 481 00:24:45,880 --> 00:24:48,120 Speaker 1: So anyway, this is what this is about. It's this 482 00:24:48,680 --> 00:24:54,600 Speaker 1: movie called Shinders to Shinders. A surreal portrait of Hennepin Avenue. 483 00:24:54,920 --> 00:24:58,160 Speaker 1: Now Hennepin Avenue was like the red light district of Minneapolis. 484 00:24:58,600 --> 00:25:01,600 Speaker 1: I've got this right, Like Mini Apple was Minnesota, right, 485 00:25:01,640 --> 00:25:01,959 Speaker 1: that's right? 486 00:25:02,040 --> 00:25:03,040 Speaker 2: Yeah right, yeah, yeah yeah. 487 00:25:03,040 --> 00:25:05,120 Speaker 1: Because always want to call it Minneapolis, Wisconsin. I don't 488 00:25:05,160 --> 00:25:08,000 Speaker 1: know why, but but it just sounds better to me. 489 00:25:08,080 --> 00:25:09,960 Speaker 1: I cannot get it through my fucking head, but. 490 00:25:10,359 --> 00:25:13,439 Speaker 2: Because it's like like the part of Minnesota's in the 491 00:25:13,440 --> 00:25:14,120 Speaker 2: world anyways. 492 00:25:14,160 --> 00:25:16,440 Speaker 1: I also don't know where Minneapolis is. Like when I've 493 00:25:16,440 --> 00:25:18,720 Speaker 1: been in Minneapolis, I'm like, we're up north, Like I'm 494 00:25:18,760 --> 00:25:21,200 Speaker 1: like totally insane, Like I don't look at the map. 495 00:25:21,240 --> 00:25:22,680 Speaker 3: I thought we were near Arizona. 496 00:25:22,720 --> 00:25:24,080 Speaker 1: I don't look at the map. Ever, I'm like, I 497 00:25:24,119 --> 00:25:26,800 Speaker 1: thought we were somewhere near Oklahoma. Like that's seriously what 498 00:25:26,840 --> 00:25:29,560 Speaker 1: happens when I'm right, They're like, dude, we're almost in Canada. 499 00:25:29,640 --> 00:25:31,640 Speaker 2: Minneapolis is supposed to be a great city. I think 500 00:25:31,640 --> 00:25:33,479 Speaker 2: I say this a lot on the show, but like 501 00:25:33,560 --> 00:25:35,760 Speaker 2: the we were there for I want to move there. 502 00:25:35,920 --> 00:25:38,040 Speaker 3: We were there for like a yeah, yeah, I mean 503 00:25:38,080 --> 00:25:40,240 Speaker 3: I remember Hannah and I went to the Hennepin County 504 00:25:40,280 --> 00:25:41,399 Speaker 3: Courthouse because. 505 00:25:41,359 --> 00:25:45,240 Speaker 2: Way uh cool, did you hear it? Doing just sleeping. 506 00:25:45,840 --> 00:25:48,000 Speaker 3: Yeah, that because I think at the time, you're like, bro, 507 00:25:48,160 --> 00:25:48,960 Speaker 3: I do not get this. 508 00:25:49,280 --> 00:25:51,560 Speaker 1: Jack finds out. Jack finds out he has no friends 509 00:25:51,640 --> 00:25:53,760 Speaker 1: right now. 510 00:25:55,280 --> 00:25:56,159 Speaker 2: I don't know, dude. 511 00:25:56,240 --> 00:25:58,359 Speaker 3: I think we were at Tago John don't want to 512 00:25:58,400 --> 00:25:59,080 Speaker 3: go or something. 513 00:26:01,040 --> 00:26:04,680 Speaker 1: We went acts throwing too. It's pretty fun day, pretty 514 00:26:04,720 --> 00:26:07,399 Speaker 1: nice little Saturday. 515 00:26:08,960 --> 00:26:13,920 Speaker 2: Sorry, and all sorts of yeah. 516 00:26:14,119 --> 00:26:16,680 Speaker 1: No, no, same with Madison. The only problem is it's 517 00:26:16,720 --> 00:26:19,840 Speaker 1: like frozen, like nine months out of the year. That's 518 00:26:19,840 --> 00:26:22,719 Speaker 1: why it's like full. Like no one wants to go there, 519 00:26:22,760 --> 00:26:25,440 Speaker 1: even venture you know, venture capitalists will leave it alone, 520 00:26:26,160 --> 00:26:28,720 Speaker 1: like private equities like it's too cold for us to like. 521 00:26:28,920 --> 00:26:31,000 Speaker 3: Ruin our money doesn't work there for some reason. 522 00:26:31,080 --> 00:26:34,359 Speaker 1: Seriously, I'm not kidding. You want to stay where it's eventually, 523 00:26:34,400 --> 00:26:37,159 Speaker 1: where it's uninhabitable is the only place that private equity 524 00:26:37,200 --> 00:26:40,439 Speaker 1: won't go, Like Nashville has been totally made over just 525 00:26:40,520 --> 00:26:45,000 Speaker 1: because these guys ostensibly like live music and quotes, which 526 00:26:45,040 --> 00:26:46,840 Speaker 1: is not even true. They just like to be standing 527 00:26:46,880 --> 00:26:48,520 Speaker 1: near it while they do. 528 00:26:48,680 --> 00:26:51,280 Speaker 3: They want to that's why they're there. 529 00:26:51,520 --> 00:26:53,600 Speaker 1: They think they like Nashville. They don't even know what 530 00:26:53,640 --> 00:26:55,720 Speaker 1: they like. They just like fucking the you know, like 531 00:26:56,240 --> 00:26:59,000 Speaker 1: taking pictures and your stuff and like like Kim Jong Unn, 532 00:26:59,280 --> 00:27:01,440 Speaker 1: like they just stand next to like a band and. 533 00:27:01,359 --> 00:27:02,840 Speaker 2: Go me like music. 534 00:27:03,600 --> 00:27:06,200 Speaker 1: I also like music, and I like taking over the world. 535 00:27:06,240 --> 00:27:07,560 Speaker 1: But also I'm into the arts. 536 00:27:07,760 --> 00:27:08,240 Speaker 3: Capitalist. 537 00:27:08,760 --> 00:27:10,840 Speaker 1: Yeah, I mean, that's what Nashville suffering from. And they 538 00:27:10,880 --> 00:27:13,600 Speaker 1: won't go to the north, so that's where we gotta go. 539 00:27:13,680 --> 00:27:16,480 Speaker 1: We all got to go to Minneapolis. Hell yeah, and 540 00:27:16,560 --> 00:27:19,719 Speaker 1: seriously for too much longer. I went to Eau Claire 541 00:27:20,240 --> 00:27:22,600 Speaker 1: on that tour with Neil Hamburger. Yeah, that was one 542 00:27:22,600 --> 00:27:25,240 Speaker 1: of the stops. Man, oh man, that place is like 543 00:27:25,359 --> 00:27:28,639 Speaker 1: stuck in the nineteen sixties. It's got coin operated freaking 544 00:27:29,040 --> 00:27:32,120 Speaker 1: barking meters, And I was like, this is what I'm 545 00:27:32,119 --> 00:27:36,280 Speaker 1: talking about. What I'm talking I'm not kidding. I'm so 546 00:27:36,400 --> 00:27:39,399 Speaker 1: sick of barcodes. I mean, if you have to I 547 00:27:39,480 --> 00:27:43,320 Speaker 1: just spit all my microphone. If you have to use 548 00:27:43,359 --> 00:27:45,359 Speaker 1: a bar code to park, if you have to scan 549 00:27:45,520 --> 00:27:47,800 Speaker 1: anything to park or put in your email to park, 550 00:27:47,920 --> 00:27:51,480 Speaker 1: that's when you move. That's when you move out of town. 551 00:27:51,560 --> 00:27:55,560 Speaker 1: If you've not gone crazy, do you keep I would 552 00:27:55,600 --> 00:27:58,360 Speaker 1: be fucked well you eventually, I've always got a fat 553 00:27:58,400 --> 00:28:03,520 Speaker 1: bocket chancer down seventy bus change that happened. 554 00:28:03,520 --> 00:28:08,480 Speaker 2: I have just jangling around. You got a growth there. 555 00:28:08,760 --> 00:28:11,200 Speaker 1: It's a bunch of quarters, just left over from the eighties. 556 00:28:11,240 --> 00:28:13,119 Speaker 1: I always keep a fat pocket to change on me. 557 00:28:13,720 --> 00:28:16,960 Speaker 1: So anyway, this this movie is uh, it's called whatever 558 00:28:16,960 --> 00:28:19,440 Speaker 1: I said, it was called uh and uh it's called 559 00:28:19,480 --> 00:28:27,200 Speaker 1: a hint. What's called no shinders to shinders. A surreal 560 00:28:27,240 --> 00:28:29,399 Speaker 1: portrait of Hennepin Avenue. So Hennepen Avenue is like this 561 00:28:29,440 --> 00:28:32,919 Speaker 1: little red light district, like a block long where all 562 00:28:32,960 --> 00:28:36,320 Speaker 1: the cool ship was like adult bookstores and and like 563 00:28:36,440 --> 00:28:38,760 Speaker 1: red light things and also just like bars and also 564 00:28:38,800 --> 00:28:40,240 Speaker 1: just a lot of people standing out on the street 565 00:28:40,240 --> 00:28:43,160 Speaker 1: looking for trouble, you know, like and and sex workers 566 00:28:43,200 --> 00:28:46,000 Speaker 1: and but but like it was everybody said basically like 567 00:28:46,080 --> 00:28:47,400 Speaker 1: this is where it was a cool place to go 568 00:28:47,440 --> 00:28:49,560 Speaker 1: because you never knew what was going to happen, Like 569 00:28:49,640 --> 00:28:51,240 Speaker 1: you know, there are bad parts to it, I'm sure, 570 00:28:51,280 --> 00:28:52,440 Speaker 1: and that's what I'm saying. This is all you know, 571 00:28:52,480 --> 00:28:55,000 Speaker 1: this is all relative like but but it was an 572 00:28:55,040 --> 00:28:58,760 Speaker 1: action pack block. And so they made a musical. These 573 00:28:58,800 --> 00:29:03,920 Speaker 1: two dudes and a poet made a short film where 574 00:29:03,920 --> 00:29:08,040 Speaker 1: they had their friends like who were dancers. They choreographed 575 00:29:08,120 --> 00:29:11,880 Speaker 1: dancers in the peep shows, in the in the pinball arcade, 576 00:29:11,960 --> 00:29:16,120 Speaker 1: dancing around and they had a voiceover from a black 577 00:29:16,160 --> 00:29:19,640 Speaker 1: poet who's just reading about, like about writing a poem 578 00:29:19,680 --> 00:29:23,000 Speaker 1: about Hennepin Avenue, and he said, his voiceover is happening 579 00:29:23,000 --> 00:29:26,840 Speaker 1: while these people are doing dances in the actual locales. 580 00:29:27,440 --> 00:29:32,720 Speaker 1: Oh yeah, it's the end. WHOA this is. 581 00:29:34,200 --> 00:29:39,320 Speaker 2: On fucking incredible. 582 00:29:41,360 --> 00:29:46,680 Speaker 1: Uh eighty three maybe eight. So there's two features. There's 583 00:29:46,720 --> 00:29:49,080 Speaker 1: a feature. They made a documentary about the making of 584 00:29:49,120 --> 00:29:50,840 Speaker 1: this movie, and that's what I watched first, and then 585 00:29:50,880 --> 00:29:53,800 Speaker 1: I watched the movie and they're both badass, and the 586 00:29:53,840 --> 00:29:57,320 Speaker 1: whole thing is like, okay, the punchline or not the punchline, 587 00:29:57,320 --> 00:29:59,000 Speaker 1: but the most amazing thing of all, which maybe me 588 00:29:59,040 --> 00:30:02,560 Speaker 1: want to bring it on here, was these guys made 589 00:30:02,560 --> 00:30:04,720 Speaker 1: this short film. You know, this is the kind of 590 00:30:04,760 --> 00:30:07,120 Speaker 1: thing where no phones involved. They had to make this happen. 591 00:30:07,120 --> 00:30:09,200 Speaker 1: They were like, I want to see people dance, not 592 00:30:09,360 --> 00:30:12,200 Speaker 1: on TikTok. I want to choreograph a freaking thing with 593 00:30:12,240 --> 00:30:15,360 Speaker 1: my friends on TikTok because it's nineteen eighty two. Yeah, 594 00:30:15,480 --> 00:30:16,960 Speaker 1: we're not doing this on TikTok. 595 00:30:17,040 --> 00:30:20,040 Speaker 2: Let me just say up front, not on TikTok. I'm sorry, Randy, 596 00:30:20,080 --> 00:30:20,720 Speaker 2: what's TikTok? 597 00:30:20,760 --> 00:30:21,479 Speaker 3: What's you shut up? 598 00:30:21,520 --> 00:30:24,240 Speaker 2: Okay, Well, it was before it was it. 599 00:30:24,120 --> 00:30:26,080 Speaker 1: Was before M and M made that song, so nobody 600 00:30:26,160 --> 00:30:27,640 Speaker 1: knew how to do anything right. 601 00:30:27,800 --> 00:30:31,800 Speaker 2: So when the eminem of his time, Prince was just 602 00:30:31,880 --> 00:30:32,360 Speaker 2: coming up. 603 00:30:32,440 --> 00:30:38,320 Speaker 1: In fantastic documentary on this same channel, absolutely fantastic documentary 604 00:30:38,800 --> 00:30:42,480 Speaker 1: also made by that local public television which is obviously 605 00:30:42,520 --> 00:30:45,240 Speaker 1: well funded, but their stuff is not seen nationally. It's 606 00:30:45,240 --> 00:30:48,600 Speaker 1: a documentary about First Avenue, the whole history of First Avenue. 607 00:30:48,240 --> 00:30:50,600 Speaker 2: Of the club, the one from Purple Rain. 608 00:30:50,960 --> 00:30:53,600 Speaker 1: Yes, and it's unbelievable. And there's even a part where 609 00:30:53,640 --> 00:30:56,240 Speaker 1: they talk about when Purple Rain came out, people were 610 00:30:56,240 --> 00:30:58,680 Speaker 1: calling up First Avenue because they thought it was where 611 00:30:58,720 --> 00:31:01,280 Speaker 1: Prince lived and leaving just for him. And they played 612 00:31:01,280 --> 00:31:03,400 Speaker 1: one of them and it was like all these women 613 00:31:03,440 --> 00:31:06,560 Speaker 1: calling up being like hey Prince, like they were calling 614 00:31:06,720 --> 00:31:09,080 Speaker 1: First Avenue of the music club. There was like being 615 00:31:09,080 --> 00:31:10,760 Speaker 1: like you give me call him back when you get 616 00:31:10,760 --> 00:31:18,000 Speaker 1: a chance, and Prince Jack for real. 617 00:31:16,760 --> 00:31:19,400 Speaker 3: So where do they sell like raspberry berets? 618 00:31:19,440 --> 00:31:19,960 Speaker 2: For real? 619 00:31:20,160 --> 00:31:22,440 Speaker 1: So people saw that movie. It still blows my mind. 620 00:31:22,480 --> 00:31:24,440 Speaker 1: It's like the people call phone numbers and movies, you know, 621 00:31:24,480 --> 00:31:25,600 Speaker 1: and try and talk to the characters. 622 00:31:28,120 --> 00:31:32,560 Speaker 7: Five five, So this is the number, mom. 623 00:31:32,800 --> 00:31:34,800 Speaker 1: Someone saw rain or a bunch of people saw that 624 00:31:34,840 --> 00:31:36,840 Speaker 1: and decided that's where Prince lived, was in that club. 625 00:31:36,920 --> 00:31:39,160 Speaker 1: So anyway, that that's a great documentary. 626 00:31:39,760 --> 00:31:41,640 Speaker 2: Did Yeah, I guess he was shown up, but. 627 00:31:41,640 --> 00:31:46,040 Speaker 1: They talk about they interview, They interview like Soul Asylum 628 00:31:46,080 --> 00:31:48,400 Speaker 1: and the bands that were doing like you know, the 629 00:31:48,440 --> 00:31:50,640 Speaker 1: replacements and things. But they didn't interview their replacements in that. 630 00:31:50,680 --> 00:31:52,640 Speaker 1: But but anyway, Soul Asylum guy was like he didn't 631 00:31:52,680 --> 00:31:55,160 Speaker 1: like when Prince came around because he was like he's 632 00:31:55,200 --> 00:31:56,640 Speaker 1: acting like he owned the place. He's like, what's in 633 00:31:56,720 --> 00:31:57,880 Speaker 1: the retrospect he did? 634 00:31:58,440 --> 00:32:02,440 Speaker 2: Yeah, he was too cool. Who is this guy as 635 00:32:02,480 --> 00:32:06,080 Speaker 2: a rock star? About this other rock star? Way too cool? 636 00:32:06,600 --> 00:32:08,880 Speaker 1: Yeah, basically he's like he's ruining what he really was. 637 00:32:08,920 --> 00:32:10,480 Speaker 1: Like he would come through when I was playing my 638 00:32:10,480 --> 00:32:13,360 Speaker 1: gig and I would just feel like an idiot and 639 00:32:13,360 --> 00:32:16,640 Speaker 1: and uh, you know appropriately so But anyway, it's a 640 00:32:16,640 --> 00:32:19,640 Speaker 1: great documentary, really great nice about First Avenue and anybody 641 00:32:19,680 --> 00:32:22,120 Speaker 1: who's into music would love it. It's very deep and 642 00:32:22,200 --> 00:32:24,040 Speaker 1: has it's just anyway. 643 00:32:24,000 --> 00:32:27,840 Speaker 2: Same people from the filmmakers behind Shinders to Shinders, a 644 00:32:27,880 --> 00:32:28,760 Speaker 2: different filmmaker. 645 00:32:28,760 --> 00:32:32,440 Speaker 1: I think there's also a great one about about Minneapolis's 646 00:32:32,680 --> 00:32:35,480 Speaker 1: skid row where this guy who was a bartender on 647 00:32:35,520 --> 00:32:39,360 Speaker 1: skid row in Minneapolis. Every city had him back then, 648 00:32:39,360 --> 00:32:42,200 Speaker 1: where they had the single room occupancy hotels where people 649 00:32:42,240 --> 00:32:44,400 Speaker 1: lived in the chicken wire above the It was like, 650 00:32:44,960 --> 00:32:48,440 Speaker 1: you guys, you know what I'm talking about those hotels 651 00:32:48,480 --> 00:32:50,080 Speaker 1: that were like ten bucks a night, you know. And 652 00:32:50,320 --> 00:32:51,840 Speaker 1: then there were all these bars around him and they 653 00:32:51,840 --> 00:32:56,000 Speaker 1: were the classic skid row from the sixties, fifties, forties. Yeah, anyway, 654 00:32:56,240 --> 00:32:58,800 Speaker 1: a documentary by the guy who was a bar, a 655 00:32:58,840 --> 00:33:01,680 Speaker 1: bar owner down there who's shot all his customers and 656 00:33:01,720 --> 00:33:03,520 Speaker 1: all the stuff that happened on the street. And that's 657 00:33:03,640 --> 00:33:05,400 Speaker 1: that's and and then narrated it. 658 00:33:05,680 --> 00:33:07,840 Speaker 3: Well, there's also another cool and I'm looking at here 659 00:33:07,960 --> 00:33:11,120 Speaker 3: like about like anti racist skinheads in Minneapolis. 660 00:33:11,600 --> 00:33:12,960 Speaker 2: So cool, it's so cool. 661 00:33:13,000 --> 00:33:15,880 Speaker 1: I did seriously recommend this is not a joke. I'm 662 00:33:15,920 --> 00:33:18,480 Speaker 1: recommending this, and this then this Shinders the Shinders thing, 663 00:33:18,800 --> 00:33:20,640 Speaker 1: and I'll tell I'm take it too long. This is 664 00:33:20,680 --> 00:33:23,120 Speaker 1: a we got to get to this JD. Van's character, 665 00:33:23,120 --> 00:33:25,160 Speaker 1: we do, we do, fucking asshole. 666 00:33:25,680 --> 00:33:28,120 Speaker 2: Yeah, we haven't talked about him up to this point 667 00:33:28,320 --> 00:33:29,360 Speaker 2: on every single. 668 00:33:29,120 --> 00:33:32,160 Speaker 1: Episode piece of fucking Ship. But oh yeah, So these 669 00:33:32,160 --> 00:33:35,440 Speaker 1: guys made this movie and they show it Get a 670 00:33:35,440 --> 00:33:40,080 Speaker 1: load of this. They show it like gorilla style on 671 00:33:40,320 --> 00:33:48,760 Speaker 1: a cigarette billboard, unannounced at night and cause a traffic jam. 672 00:33:49,000 --> 00:33:51,920 Speaker 1: They put up huge speakers on the street and everyone 673 00:33:52,000 --> 00:33:54,640 Speaker 1: stopped their cars to watch this short film. 674 00:33:55,160 --> 00:33:55,840 Speaker 3: That's amazing. 675 00:33:56,000 --> 00:34:01,440 Speaker 1: You imagine showing a short film anywhere people telling you 676 00:34:01,440 --> 00:34:03,000 Speaker 1: to just get out of their way, you know what 677 00:34:03,080 --> 00:34:05,080 Speaker 1: I mean, Like, hey, look, I'm showing a short film. 678 00:34:05,200 --> 00:34:08,839 Speaker 3: Fuck off way now, it's like, get out of my way. 679 00:34:08,880 --> 00:34:12,800 Speaker 3: I'm shooting a TikTok of myself short film. 680 00:34:12,840 --> 00:34:14,640 Speaker 1: Why didn't you make it a long film? Get the 681 00:34:14,640 --> 00:34:16,960 Speaker 1: fuck out of my way? So anyway, just like I 682 00:34:17,000 --> 00:34:19,200 Speaker 1: can't even imagine. But here's the best part. The King 683 00:34:19,200 --> 00:34:21,480 Speaker 1: of Sweden was in town for some reason, and like 684 00:34:21,520 --> 00:34:23,600 Speaker 1: they interviewed him after he was in He was King 685 00:34:23,640 --> 00:34:29,000 Speaker 1: of Sweden, was there for some Frederick event. He happened 686 00:34:29,000 --> 00:34:31,520 Speaker 1: to see the goddamn projection of the fucking he was 687 00:34:31,560 --> 00:34:34,239 Speaker 1: in the traffic jam, so he goes this after his 688 00:34:34,320 --> 00:34:36,640 Speaker 1: like official state visit. They said, what was your favorite part? 689 00:34:36,680 --> 00:34:38,719 Speaker 1: And he's like when they showed that movie on that 690 00:34:38,760 --> 00:34:43,880 Speaker 1: cigarette billboard? Yeah, wow, what was your favorite part about America? 691 00:34:43,960 --> 00:34:50,200 Speaker 1: He's like, anyway, it's just a beautiful, beautiful thing and 692 00:34:50,239 --> 00:34:53,520 Speaker 1: it's really weird man, and it's inspiring. His ship in 693 00:34:53,560 --> 00:34:58,240 Speaker 1: Minneapolis is cool. It's cool, it's super multicultural and fucking 694 00:34:58,600 --> 00:35:00,960 Speaker 1: just it just feels like a eddy still, it doesn't 695 00:35:01,000 --> 00:35:02,680 Speaker 1: feel like a hashtag. 696 00:35:02,200 --> 00:35:06,240 Speaker 2: Or yeah the whole steady. That album Separation Sunday about 697 00:35:06,239 --> 00:35:09,120 Speaker 2: Minneapolis as well. Yeah, that's the hell of an album. 698 00:35:09,480 --> 00:35:10,560 Speaker 2: I highly recommend that. 699 00:35:10,719 --> 00:35:13,080 Speaker 1: Yeah. I just feel like people need to like get 700 00:35:13,120 --> 00:35:16,439 Speaker 1: away from all this QR code stuff and just try 701 00:35:16,480 --> 00:35:18,520 Speaker 1: to find somewhere where it has to be. I did 702 00:35:18,520 --> 00:35:20,480 Speaker 1: we just arrived at it. I did not realize it. 703 00:35:20,520 --> 00:35:22,960 Speaker 1: But it has to be somewhere freezing. Yes, it has 704 00:35:22,960 --> 00:35:26,000 Speaker 1: to be really cool because fucking private private are. 705 00:35:26,000 --> 00:35:29,759 Speaker 2: Money scanners don't work there. 706 00:35:30,040 --> 00:35:31,920 Speaker 1: They want to go comfortable places, they don't want to 707 00:35:31,920 --> 00:35:34,280 Speaker 1: do their evil and in the freezing cold. 708 00:35:34,640 --> 00:35:36,880 Speaker 2: Yeah, it's funny that one guy, Sam Bank Ben Freed, 709 00:35:37,160 --> 00:35:40,279 Speaker 2: he was like all about you know, preparing for the 710 00:35:40,320 --> 00:35:44,760 Speaker 2: climate apocalypse that's coming. And but then he like bought 711 00:35:44,760 --> 00:35:47,839 Speaker 2: an island that was going to be like completely impossible 712 00:35:47,840 --> 00:35:51,560 Speaker 2: to live on in five years. Yeah, he just can't 713 00:35:51,960 --> 00:35:53,040 Speaker 2: can't deal with being cold. 714 00:35:53,160 --> 00:35:55,279 Speaker 1: He fucking deserves it. Yeah, I hope he gets that, 715 00:35:55,400 --> 00:35:57,359 Speaker 1: gets out of his private island and gets attacked by 716 00:35:57,360 --> 00:36:01,520 Speaker 1: snakes immediately, just overcome by Yeah, has his eyes packed 717 00:36:01,520 --> 00:36:02,440 Speaker 1: out by sea birds. 718 00:36:03,719 --> 00:36:06,279 Speaker 2: Let's take a quick break. We'll come back and we'll 719 00:36:06,280 --> 00:36:21,080 Speaker 2: do it. Overrated, underrated, We'll be right back and we're back, 720 00:36:21,160 --> 00:36:24,480 Speaker 2: And Chris Crofton, we do like to ask our guests, 721 00:36:24,560 --> 00:36:27,799 Speaker 2: and especially you, what is something you think is underrated? 722 00:36:28,320 --> 00:36:34,040 Speaker 1: Underrated is oh low rent? That's crazy? Underrated is low rent? 723 00:36:34,080 --> 00:36:37,040 Speaker 1: I was just gonna say that because I'm realizing that 724 00:36:37,239 --> 00:36:41,040 Speaker 1: high rent is a trick. Well it's a trick. Also, Yeah, 725 00:36:41,080 --> 00:36:43,600 Speaker 1: it's terrible, Like that's why it's sort of funny it's underrated, 726 00:36:43,680 --> 00:36:46,360 Speaker 1: Like you know, like, what do you mean silly? But 727 00:36:46,880 --> 00:36:48,839 Speaker 1: I was just trying to think of, like why does 728 00:36:48,920 --> 00:36:53,120 Speaker 1: like like the real taco place get replaced by a 729 00:36:53,200 --> 00:36:55,600 Speaker 1: taco place that's part of a corporate chain. How does 730 00:36:55,640 --> 00:36:58,920 Speaker 1: that happen? Like there's a functioning taco place that people like, 731 00:36:59,040 --> 00:37:02,440 Speaker 1: and then it is removed because the rent gets too high, 732 00:37:02,480 --> 00:37:04,959 Speaker 1: and then it is replaced by a chain taco place. 733 00:37:05,000 --> 00:37:07,640 Speaker 1: So it's not even like subtle. It's like, oh, we're 734 00:37:07,680 --> 00:37:10,439 Speaker 1: just replacing this taco place with a taco place that's 735 00:37:10,480 --> 00:37:13,759 Speaker 1: like publicly traded so we can so we can like 736 00:37:14,200 --> 00:37:16,560 Speaker 1: leverage it. There's no fun to have a taco place 737 00:37:16,560 --> 00:37:19,200 Speaker 1: that's a standalone family business because you can't leverage it. 738 00:37:19,480 --> 00:37:19,640 Speaker 2: Yeah. 739 00:37:19,680 --> 00:37:25,440 Speaker 1: Yeah, So like market, what happens is the corporate landlords 740 00:37:25,480 --> 00:37:28,200 Speaker 1: hike their rent. First, they hype a town. First, they 741 00:37:28,239 --> 00:37:30,400 Speaker 1: hype a town artificially, which is what happened in Nashville. 742 00:37:30,440 --> 00:37:33,320 Speaker 1: They put played they hire publicists, and they plant pieces 743 00:37:33,320 --> 00:37:35,799 Speaker 1: in New York Times and wherever else, like all over 744 00:37:35,840 --> 00:37:37,480 Speaker 1: the place and just say Nashville is the most fun 745 00:37:37,520 --> 00:37:40,959 Speaker 1: place ever and it's super inclusive and all this shit 746 00:37:41,040 --> 00:37:44,160 Speaker 1: that's not and and then you and then they hype 747 00:37:44,160 --> 00:37:47,880 Speaker 1: it and then and then people started coming here before 748 00:37:47,920 --> 00:37:49,560 Speaker 1: there was any stuff. And I know this for a 749 00:37:49,600 --> 00:37:52,200 Speaker 1: fact because I would I was working in places where 750 00:37:52,200 --> 00:37:54,520 Speaker 1: they would come in and say, like, where is the stuff? 751 00:37:54,800 --> 00:37:56,480 Speaker 1: And it was like, no, you're here too early. You 752 00:37:56,480 --> 00:37:58,520 Speaker 1: read the hype pieces, but the stuff's not here yet. 753 00:37:58,800 --> 00:38:01,360 Speaker 2: This is a this is this is a where's the 754 00:38:01,400 --> 00:38:04,280 Speaker 2: grocery store? 755 00:38:04,640 --> 00:38:07,440 Speaker 1: It's like reverse engineering or forward engineer. I don't know 756 00:38:07,480 --> 00:38:09,239 Speaker 1: how to describe it. But they said the things were there. 757 00:38:09,280 --> 00:38:11,520 Speaker 1: Before they were there, people started coming and then and 758 00:38:11,560 --> 00:38:16,239 Speaker 1: then they got filled in. Like, but they attracted all 759 00:38:16,320 --> 00:38:19,840 Speaker 1: kinds of capital by doing this, and that capital raises 760 00:38:19,880 --> 00:38:22,879 Speaker 1: the rent. And all the other landlords who were mom 761 00:38:22,880 --> 00:38:24,600 Speaker 1: and pop landlords say, oh, we got to raise the 762 00:38:24,600 --> 00:38:27,399 Speaker 1: rent then, But if when they do that, they don't 763 00:38:27,440 --> 00:38:30,000 Speaker 1: understand that they're sowing the seeds of their own destruction, 764 00:38:30,120 --> 00:38:34,640 Speaker 1: these mom and pop landlords too, because it's really a replacement. 765 00:38:34,680 --> 00:38:40,040 Speaker 1: What high rent does is it enables corporations to put 766 00:38:40,120 --> 00:38:43,040 Speaker 1: every single local business out of business and replace them 767 00:38:43,080 --> 00:38:46,239 Speaker 1: with the exact same businesses except they have them. And 768 00:38:46,320 --> 00:38:47,680 Speaker 1: I just it never occurred to me because I just 769 00:38:47,719 --> 00:38:50,160 Speaker 1: didn't understand that. I was like, why is this totally fine, 770 00:38:50,320 --> 00:38:53,760 Speaker 1: successful business being put out of business for the same business, 771 00:38:54,560 --> 00:38:56,400 Speaker 1: except just an inferior one. 772 00:38:56,640 --> 00:38:58,560 Speaker 2: A worse one that has VC funding. 773 00:38:58,760 --> 00:39:01,160 Speaker 1: Yeah, and those taco plays a man are a good example, 774 00:39:01,280 --> 00:39:03,960 Speaker 1: Like we have all these taco places, like that's like 775 00:39:04,040 --> 00:39:06,480 Speaker 1: the main dystopian business. I don't know why. 776 00:39:07,640 --> 00:39:10,880 Speaker 3: Yeah, with so many areas gentrifying like that, like in downtown, 777 00:39:11,000 --> 00:39:13,400 Speaker 3: like in little Tokyo, there's so many of these Japanese 778 00:39:13,480 --> 00:39:15,920 Speaker 3: restaurants that are just going like. They're not going out 779 00:39:15,960 --> 00:39:18,400 Speaker 3: of business because no one's patronizing them. They're going out 780 00:39:18,440 --> 00:39:20,919 Speaker 3: of business because the landlords are like this dude said 781 00:39:20,920 --> 00:39:23,200 Speaker 3: he could open up a weed dispensary and give me 782 00:39:23,280 --> 00:39:25,719 Speaker 3: seven times the rent you do, So we're going to 783 00:39:25,760 --> 00:39:26,000 Speaker 3: do that. 784 00:39:26,360 --> 00:39:30,280 Speaker 1: So it comes down to landlords doing an active resistance basically, 785 00:39:30,360 --> 00:39:33,480 Speaker 1: I mean, and it's not going to happen, but it 786 00:39:33,560 --> 00:39:35,440 Speaker 1: could be something to at least talk about. 787 00:39:35,200 --> 00:39:38,839 Speaker 2: Pretty cool, they're usually pretty cool. 788 00:39:39,040 --> 00:39:45,000 Speaker 1: They're always making Yeah, they're pretty open to conversations about 789 00:39:45,000 --> 00:39:46,280 Speaker 1: how they should make less money. 790 00:39:46,560 --> 00:39:47,560 Speaker 2: Yeah. 791 00:39:47,719 --> 00:39:51,279 Speaker 1: No, but that is the thing until like regular landlords say, 792 00:39:51,280 --> 00:39:53,440 Speaker 1: we're not going along with this. Just because the market 793 00:39:53,480 --> 00:39:55,080 Speaker 1: raid all of a sudden is four times what it 794 00:39:55,160 --> 00:39:57,239 Speaker 1: used to be. That doesn't mean that I can't just 795 00:39:57,320 --> 00:39:59,440 Speaker 1: charge the old rent and be okay, because it's not 796 00:39:59,480 --> 00:40:01,799 Speaker 1: like property taxes went up four times. This is just 797 00:40:01,840 --> 00:40:04,120 Speaker 1: an art of This is a bubble created for them 798 00:40:04,160 --> 00:40:06,919 Speaker 1: to replace an entire town. That's mine. I just hadn't 799 00:40:07,000 --> 00:40:07,560 Speaker 1: quite figured it. 800 00:40:07,719 --> 00:40:09,359 Speaker 3: Was the name of the taco place that closed up. 801 00:40:09,880 --> 00:40:11,960 Speaker 1: Well, I don't know one that I don't I don't 802 00:40:12,000 --> 00:40:15,560 Speaker 1: know one particular one. It's all made up. This is 803 00:40:15,560 --> 00:40:16,160 Speaker 1: all made up. 804 00:40:17,000 --> 00:40:18,920 Speaker 3: No, but I don't even know of any of the concepts. 805 00:40:19,000 --> 00:40:19,920 Speaker 3: I just said out loud. 806 00:40:19,960 --> 00:40:21,800 Speaker 1: Hold everything, national's going fine. 807 00:40:22,480 --> 00:40:24,480 Speaker 3: Some cool people are in town with their flags. 808 00:40:24,800 --> 00:40:29,480 Speaker 1: Chris talks about it for clicks, But that shit. I 809 00:40:29,520 --> 00:40:31,400 Speaker 1: could tell you the names of the taco places that 810 00:40:31,440 --> 00:40:33,120 Speaker 1: have popped up. Well, I can tell you about one 811 00:40:33,160 --> 00:40:36,440 Speaker 1: business which nobody liked here, called Calypso Cafe, but I 812 00:40:36,480 --> 00:40:38,640 Speaker 1: loved it. And it was just like where I stayed with. 813 00:40:39,320 --> 00:40:42,040 Speaker 1: I doubt maybe black bean salads whatever. It was just 814 00:40:42,080 --> 00:40:43,880 Speaker 1: like this, and everyone who worked there was like, you know, 815 00:40:43,960 --> 00:40:45,600 Speaker 1: that shit's all trash, and I was like, I don't care. 816 00:40:45,719 --> 00:40:48,760 Speaker 1: I don't care. It's like maybe I'm trash. It's not Wendy's, 817 00:40:48,800 --> 00:40:50,080 Speaker 1: you know what I mean. It was like lettuce and 818 00:40:50,200 --> 00:40:51,960 Speaker 1: black beans and they're like we sift those through an 819 00:40:51,960 --> 00:40:54,320 Speaker 1: old shoe or whatever back behind the counter. I was like, 820 00:40:54,360 --> 00:40:55,920 Speaker 1: I don't care, I don't care. Just don't tell me, 821 00:40:56,400 --> 00:40:59,040 Speaker 1: so like I would eat these healthy things. So Clypso 822 00:40:59,080 --> 00:41:02,600 Speaker 1: Cafe goes out of business because and it wasn't doing badly, 823 00:41:03,880 --> 00:41:07,240 Speaker 1: and it was replaced by this place called the Velvet Taco. 824 00:41:08,320 --> 00:41:09,480 Speaker 3: Yeah there's a Velvet Taco. 825 00:41:09,600 --> 00:41:12,160 Speaker 1: Yeah, yeah, yeah, the Velvet Taco. First of all, that's 826 00:41:12,160 --> 00:41:15,520 Speaker 1: the name. That's slang for that's that's sex slang. 827 00:41:16,080 --> 00:41:18,799 Speaker 2: There was pink Taco, right, Pink Tacos. There was like 828 00:41:18,840 --> 00:41:24,040 Speaker 2: a global taco chain that was there, just like a 829 00:41:24,080 --> 00:41:24,680 Speaker 2: sex joke. 830 00:41:25,000 --> 00:41:27,360 Speaker 3: There's still pink Taco, Like there's one on Sunset. I 831 00:41:27,360 --> 00:41:28,920 Speaker 3: feel like still there was one and I remember in 832 00:41:29,000 --> 00:41:31,080 Speaker 3: Century City and they were like what the fuck is this? 833 00:41:31,239 --> 00:41:33,240 Speaker 3: And then they went away very quickly. 834 00:41:33,560 --> 00:41:35,640 Speaker 1: And it's not even like a taco place. It's like 835 00:41:35,640 --> 00:41:37,120 Speaker 1: they have all this like you know, it's like it's 836 00:41:37,160 --> 00:41:37,720 Speaker 1: like a taco. 837 00:41:38,040 --> 00:41:40,480 Speaker 3: It's like coyote ugly, but they have tacos. 838 00:41:40,680 --> 00:41:43,920 Speaker 1: Yeah, and they put like tacos like they're like I 839 00:41:44,040 --> 00:41:45,759 Speaker 1: mentioned this in my new advice column that comes out 840 00:41:45,800 --> 00:41:47,719 Speaker 1: next week, but it's like a it's about you know, 841 00:41:47,760 --> 00:41:49,759 Speaker 1: they put like strudle in the taco, you know. 842 00:41:49,760 --> 00:41:50,040 Speaker 2: What I mean. 843 00:41:50,080 --> 00:41:53,560 Speaker 1: They put like you know, my stupid joke was they 844 00:41:53,560 --> 00:41:57,960 Speaker 1: put zolof Zoloft tacos, you know, like they don't, They 845 00:41:58,000 --> 00:41:59,960 Speaker 1: just don't. We're just erupting taco. 846 00:42:00,440 --> 00:42:00,560 Speaker 4: You know. 847 00:42:00,640 --> 00:42:02,640 Speaker 7: You're like, oh, what if we put Captain Crunch in 848 00:42:02,680 --> 00:42:04,399 Speaker 7: a taco and called it a breakfast taco? 849 00:42:05,760 --> 00:42:07,719 Speaker 1: You know, And that's what's going on. And it's like, 850 00:42:08,480 --> 00:42:12,200 Speaker 1: not only is it fucking just fucking just gross and dystopian. 851 00:42:12,239 --> 00:42:14,440 Speaker 1: It makes everybody sad because no one wants a Captain 852 00:42:14,480 --> 00:42:17,120 Speaker 1: Crunch taco, and it makes everybody fucking sad, But it 853 00:42:17,120 --> 00:42:19,040 Speaker 1: also makes me sad to see a fifty foot high 854 00:42:19,080 --> 00:42:21,440 Speaker 1: sign that says fucking velvet taco. Or I used to 855 00:42:21,440 --> 00:42:23,719 Speaker 1: be able to get a normal meal that kept me 856 00:42:23,800 --> 00:42:26,400 Speaker 1: alive and now it's turned into a novelty. He jumped 857 00:42:26,480 --> 00:42:28,640 Speaker 1: place where you have to order everything off of damn 858 00:42:28,640 --> 00:42:32,840 Speaker 1: barcode and then they interview the freaking CEO and he's. 859 00:42:32,680 --> 00:42:34,160 Speaker 2: Like, oh, how did I do it? Well? 860 00:42:34,320 --> 00:42:37,359 Speaker 7: I paid the labor as the least I could, and uh, 861 00:42:37,440 --> 00:42:40,160 Speaker 7: I guess that's the end of that. Basically that I 862 00:42:40,200 --> 00:42:42,239 Speaker 7: made them all wear big plastic gloves and I made 863 00:42:42,280 --> 00:42:44,480 Speaker 7: them real sad and made everybody order off the app. 864 00:42:45,800 --> 00:42:48,319 Speaker 2: Oh now I have all your information, I can sell it. 865 00:42:48,560 --> 00:42:51,319 Speaker 1: And I named it velvet taco because that's funny because 866 00:42:51,320 --> 00:42:55,200 Speaker 1: it means sex stuff. Anyway, it's just sad. My mom 867 00:42:55,320 --> 00:42:57,439 Speaker 1: was like, I don't know if this is the stuff 868 00:42:57,480 --> 00:42:58,759 Speaker 1: we talked about at the top of the show is 869 00:42:58,800 --> 00:43:00,359 Speaker 1: going to be on the show, But like my mom, 870 00:43:01,000 --> 00:43:03,000 Speaker 1: My mom was sad, you know about that. She's like, 871 00:43:03,040 --> 00:43:06,880 Speaker 1: doesn't that mean like velvet taco because she's like she 872 00:43:07,000 --> 00:43:08,879 Speaker 1: watches like HBO. She knows what that. 873 00:43:08,800 --> 00:43:12,320 Speaker 3: Means, right, She's like, what do you fucking think it means? 874 00:43:12,360 --> 00:43:13,040 Speaker 1: Mom? 875 00:43:13,400 --> 00:43:13,640 Speaker 3: Mom? 876 00:43:15,760 --> 00:43:18,000 Speaker 1: Every time you voted a Republican in your life, you've 877 00:43:18,080 --> 00:43:20,880 Speaker 1: ushered in these places called the velvet taco. You pretty 878 00:43:20,920 --> 00:43:22,360 Speaker 1: much hold the velvet tato. 879 00:43:24,000 --> 00:43:25,759 Speaker 3: So what's overrated? Velvet taco. 880 00:43:27,120 --> 00:43:27,480 Speaker 2: Anyway? 881 00:43:27,600 --> 00:43:31,440 Speaker 1: Just overrated, as is mom and pop landlords getting on 882 00:43:31,480 --> 00:43:33,640 Speaker 1: the bandwagon and being like, oh, we can also charge 883 00:43:33,640 --> 00:43:36,520 Speaker 1: thirty five hundred dollars a month for you know, they 884 00:43:36,520 --> 00:43:38,960 Speaker 1: don't understand that they're playing themselves. 885 00:43:39,160 --> 00:43:47,359 Speaker 2: Sure you played yourself and yeahs what's that song called 886 00:43:47,400 --> 00:43:48,520 Speaker 2: lose Yourself? Yeah? 887 00:43:48,680 --> 00:43:50,799 Speaker 1: Yeah, I'm gonna play lose Yourself. I'm gonna invite all 888 00:43:50,840 --> 00:43:52,880 Speaker 1: the landlords down to the ramod. 889 00:43:53,120 --> 00:43:58,160 Speaker 3: Yeah, I get set myself. 890 00:43:56,280 --> 00:43:57,680 Speaker 1: Up at the front of the room, tell them it's 891 00:43:57,719 --> 00:44:00,399 Speaker 1: about how to make more money with venture capital or whatever. 892 00:44:00,400 --> 00:44:02,160 Speaker 1: And they're all going to show up and I'm just 893 00:44:02,160 --> 00:44:04,200 Speaker 1: gonna put on that song and I will start saying 894 00:44:04,239 --> 00:44:04,720 Speaker 1: the truth. 895 00:44:04,960 --> 00:44:09,719 Speaker 2: Tell me you got a deck with some pretty compelling slides. Yeah, 896 00:44:10,080 --> 00:44:11,759 Speaker 2: I'm gonna make them knock it over. 897 00:44:11,920 --> 00:44:15,839 Speaker 1: I'm gonna make them much shiners, shiners and all. 898 00:44:15,920 --> 00:44:22,640 Speaker 2: We could have what we lost because you motherfuckers. All right, 899 00:44:22,760 --> 00:44:26,440 Speaker 2: let's take a quick break and we'll be right back. 900 00:44:37,040 --> 00:44:39,879 Speaker 2: All right, We're not gonna keep talking about We talked 901 00:44:39,880 --> 00:44:43,479 Speaker 2: about the JD Vance thing yesterday. We're back by the way, 902 00:44:43,800 --> 00:44:46,799 Speaker 2: we talked about the JD on yesterday's trending. If you 903 00:44:46,800 --> 00:44:49,560 Speaker 2: want to hear more speculation about. 904 00:44:49,280 --> 00:44:53,920 Speaker 3: The the couch, restrain ourselves. Yeah, yeah, we have to. 905 00:44:54,080 --> 00:44:55,479 Speaker 2: We have to cut ourselves off. 906 00:44:55,680 --> 00:44:58,600 Speaker 3: You know, they're saying no glove, no love, as JD 907 00:44:58,719 --> 00:44:59,280 Speaker 3: Van says. 908 00:44:59,640 --> 00:45:02,160 Speaker 1: If that true that JD. Vans had sex with a couch, 909 00:45:02,200 --> 00:45:04,799 Speaker 1: that would be one of the most likable things about him. 910 00:45:05,280 --> 00:45:07,680 Speaker 2: That's what I've been saying. If he did that and 911 00:45:07,719 --> 00:45:10,120 Speaker 2: then wrote it in his memoir, in his like coming 912 00:45:10,160 --> 00:45:12,360 Speaker 2: of age memoir. I would be like, oh, maybe like 913 00:45:12,800 --> 00:45:15,680 Speaker 2: he actually told the truth in this memoir. Maybe there's 914 00:45:15,760 --> 00:45:18,440 Speaker 2: like a core of like something interesting. 915 00:45:18,160 --> 00:45:20,400 Speaker 1: Or yeah, but exactly that's relatable. 916 00:45:20,680 --> 00:45:21,879 Speaker 2: Yeah, that's really we all did. 917 00:45:23,600 --> 00:45:26,240 Speaker 1: I mean, we're all acting like we've never fucked a couch. 918 00:45:26,360 --> 00:45:27,479 Speaker 3: Come on, come on. 919 00:45:28,120 --> 00:45:30,279 Speaker 2: I mean, I'm definitely not acting like that. 920 00:45:31,800 --> 00:45:34,239 Speaker 3: Fance was a deck chair, you know. 921 00:45:34,400 --> 00:45:36,480 Speaker 1: I mean, I'm serious, though, that don't make it more 922 00:45:36,480 --> 00:45:39,400 Speaker 1: and more human. I mean, the guys have a dark money, 923 00:45:39,640 --> 00:45:44,399 Speaker 1: you know, Trojan Horse, absolute fucking Nazi. I mean, there's 924 00:45:44,400 --> 00:45:45,239 Speaker 1: no way around it. 925 00:45:45,400 --> 00:45:48,239 Speaker 2: You can put them in the outfit Chris he said, 926 00:45:48,400 --> 00:45:49,160 Speaker 2: I love you. 927 00:45:49,800 --> 00:45:51,399 Speaker 1: Oh that thing where he did on the joke where 928 00:45:51,400 --> 00:45:53,239 Speaker 1: he made that joke about diet. Yeah, like he doesn't 929 00:45:53,239 --> 00:45:55,560 Speaker 1: even know what he's talking about. Yeah, that's what I mean. 930 00:45:55,640 --> 00:45:57,560 Speaker 1: He's out of his fucking mind. He doesn't even have 931 00:45:57,640 --> 00:45:59,680 Speaker 1: to talk to the world or anything. He's so used 932 00:45:59,719 --> 00:46:02,640 Speaker 1: to talk to Peter Teal or whoever, like dark money 933 00:46:02,640 --> 00:46:05,239 Speaker 1: people who he just goes yeah yeah, yeah, yeah, yeah 934 00:46:05,280 --> 00:46:06,680 Speaker 1: yeah yeah. And then he goes out in public and 935 00:46:06,719 --> 00:46:08,800 Speaker 1: he's like, it's good I drank mountain dew and everybody 936 00:46:08,800 --> 00:46:09,719 Speaker 1: thinks I'm racist? 937 00:46:09,880 --> 00:46:12,920 Speaker 2: What is it? 938 00:46:12,960 --> 00:46:13,880 Speaker 3: Maybe other racist? 939 00:46:13,920 --> 00:46:16,080 Speaker 2: Shouldn't that you say? Nah, it's fry the mountain dew. 940 00:46:16,440 --> 00:46:17,160 Speaker 1: No, I don't know. 941 00:46:17,320 --> 00:46:17,680 Speaker 2: I don't know. 942 00:46:17,800 --> 00:46:19,600 Speaker 1: Get me back, take me off. 943 00:46:19,600 --> 00:46:24,600 Speaker 3: The stood out of you guys anyway. 944 00:46:23,840 --> 00:46:26,200 Speaker 1: So yeah, I hope he sucked a couch. 945 00:46:26,600 --> 00:46:27,359 Speaker 2: Yeah me too. 946 00:46:27,800 --> 00:46:33,399 Speaker 1: That's our only hope. Yeah, you're you're our only hope 947 00:46:33,640 --> 00:46:36,759 Speaker 1: somewhere in there. Yeah, there's still a couch fucker, a 948 00:46:36,800 --> 00:46:37,560 Speaker 1: passionate man. 949 00:46:38,080 --> 00:46:41,320 Speaker 2: All right. So I want to talk about how Kamala 950 00:46:41,400 --> 00:46:46,240 Speaker 2: Harris's nomination her run is being covered in the mainstream media, 951 00:46:46,840 --> 00:46:52,239 Speaker 2: specifically a series of headlines that are kind of disparaging 952 00:46:52,280 --> 00:46:56,040 Speaker 2: the idea of a black woman running for president, But 953 00:46:56,239 --> 00:46:58,279 Speaker 2: since they put a question mark at the end of 954 00:46:58,320 --> 00:47:02,120 Speaker 2: the headline, it's okays be The logic in Newsweek, is 955 00:47:02,160 --> 00:47:08,359 Speaker 2: America ready for a black woman president? Question mark the conversation, Race, 956 00:47:08,480 --> 00:47:11,279 Speaker 2: Gender and politics? Is the United States ready for a 957 00:47:11,280 --> 00:47:16,160 Speaker 2: black woman president? Question mark USA Today? And they didn't 958 00:47:16,160 --> 00:47:18,759 Speaker 2: manage to put it into a colorful pie chart, but 959 00:47:18,760 --> 00:47:21,640 Speaker 2: they said, is the US ready for a black woman president? 960 00:47:21,760 --> 00:47:25,040 Speaker 2: Question mark? Why a leading congressman isn't sure? 961 00:47:25,640 --> 00:47:29,560 Speaker 3: You know she's also half South Asian, right. But that's 962 00:47:29,719 --> 00:47:32,080 Speaker 3: it's like, it's so funny to see Democrats also push 963 00:47:32,160 --> 00:47:34,879 Speaker 3: that because like they're trying to really pitch her as 964 00:47:34,920 --> 00:47:38,800 Speaker 3: this person too when she's biracial, which is very interesting 965 00:47:38,840 --> 00:47:41,799 Speaker 3: to see also, but yeah, are they ready for this 966 00:47:41,920 --> 00:47:45,600 Speaker 3: black woman? I mean, I see, I understand like questioning that, 967 00:47:45,640 --> 00:47:47,600 Speaker 3: but that has to be more of an investigation into 968 00:47:47,719 --> 00:47:51,360 Speaker 3: the white supremacy that like presides over the entirety of 969 00:47:51,360 --> 00:47:54,560 Speaker 3: American thinking versus like this shit, which is like, I 970 00:47:54,600 --> 00:47:57,480 Speaker 3: don't know, like a black lady. It's like when this 971 00:47:57,760 --> 00:48:00,200 Speaker 3: is like what these headlines feel like, rather than maybe 972 00:48:00,280 --> 00:48:01,520 Speaker 3: something a bit deeper. 973 00:48:01,960 --> 00:48:06,239 Speaker 1: Oh yeah, yeah, I think I can't believe it because 974 00:48:06,239 --> 00:48:10,640 Speaker 1: those headlines are really just saying, like I mean, they're 975 00:48:10,640 --> 00:48:13,120 Speaker 1: really putting a question mark on it, but yeah, we're 976 00:48:13,120 --> 00:48:15,440 Speaker 1: not ready for a black president. We don't. I mean 977 00:48:15,440 --> 00:48:17,759 Speaker 1: that's like you, I mean, those headlines are just like 978 00:48:17,800 --> 00:48:19,960 Speaker 1: you don't really want a black president, do you? That's 979 00:48:19,960 --> 00:48:22,759 Speaker 1: all it is. And and and it's insanity that we 980 00:48:22,800 --> 00:48:24,760 Speaker 1: talk about race as much as we do in this country. 981 00:48:24,840 --> 00:48:27,640 Speaker 1: I mean, it's just so sad. It's so sad that 982 00:48:27,640 --> 00:48:30,920 Speaker 1: that is like even and why does that enter into everything. 983 00:48:30,960 --> 00:48:32,480 Speaker 1: I mean, I know, I but you know what I mean, 984 00:48:32,480 --> 00:48:35,600 Speaker 1: it's like who gives a shit? You know, we you 985 00:48:35,640 --> 00:48:39,520 Speaker 1: know what for people, you know, especially when you're coming off, 986 00:48:40,239 --> 00:48:41,359 Speaker 1: that's just unbelievable. 987 00:48:41,719 --> 00:48:44,879 Speaker 2: Yeah, the the idea of the president being an old 988 00:48:44,960 --> 00:48:50,640 Speaker 2: white guy is very deeply rooted in how America thinks 989 00:48:50,680 --> 00:48:54,360 Speaker 2: about the job, both on the right end on the left, 990 00:48:54,520 --> 00:48:57,640 Speaker 2: and a big part of that. I don't know. I 991 00:48:57,680 --> 00:48:59,640 Speaker 2: don't know if we can say the problem is caused 992 00:48:59,640 --> 00:49:04,160 Speaker 2: by or if it's reflected by, but you know, Hollywood 993 00:49:04,239 --> 00:49:09,800 Speaker 2: liberalism certainly is in lockstep with this trend. The Washington 994 00:49:09,840 --> 00:49:13,200 Speaker 2: Post in twenty twenty publisher report finding that the vast 995 00:49:13,200 --> 00:49:16,280 Speaker 2: majority of mainstream movies have portrayed the president as a straight, 996 00:49:16,320 --> 00:49:19,480 Speaker 2: cis white male, which that's obviously been the case in 997 00:49:19,520 --> 00:49:22,600 Speaker 2: real life as well. But literally anything can happen in 998 00:49:22,600 --> 00:49:26,279 Speaker 2: a movie. But you know, one of these movies that 999 00:49:26,520 --> 00:49:30,680 Speaker 2: made the president a straight white, CIS male had aliens 1000 00:49:30,719 --> 00:49:33,960 Speaker 2: being taken out by a floppy disc, you know, like 1001 00:49:34,080 --> 00:49:38,000 Speaker 2: literally a floppy disc that they uploaded on. Somehow the 1002 00:49:38,040 --> 00:49:43,160 Speaker 2: fucking alien ship had a slot for a floppy disc. 1003 00:49:43,680 --> 00:49:47,200 Speaker 2: But in examining one hundred and forty eight presidential depictions 1004 00:49:47,200 --> 00:49:49,960 Speaker 2: in movies since nineteen thirty two. They found that one 1005 00:49:50,040 --> 00:49:52,120 Speaker 2: hundred and twenty three out of one hundred and forty 1006 00:49:52,160 --> 00:49:56,120 Speaker 2: eight movie character presidents were white men, and they found 1007 00:49:56,200 --> 00:50:00,840 Speaker 2: precisely zero examples of women of color playing fig presidents. 1008 00:50:01,239 --> 00:50:04,960 Speaker 2: That's fucking bonkered. Like, of the twenty five characters who 1009 00:50:04,960 --> 00:50:08,920 Speaker 2: didn't fall into the like straight white guy category, sixteen 1010 00:50:08,920 --> 00:50:12,120 Speaker 2: more people of color. Thirteen were black two where hispanic, 1011 00:50:12,160 --> 00:50:15,240 Speaker 2: one was Asian. The remaining nine characters were white women, 1012 00:50:15,680 --> 00:50:20,160 Speaker 2: and there were yeah, no women of color playing fictional presidents. 1013 00:50:20,320 --> 00:50:22,520 Speaker 3: But yeah, it's a I mean, it's a it's a 1014 00:50:22,560 --> 00:50:25,279 Speaker 3: reflect I don't I can't say this is caused by Hollywood. 1015 00:50:25,360 --> 00:50:27,440 Speaker 3: This is I mean, like, this is the momentum of 1016 00:50:27,520 --> 00:50:31,040 Speaker 3: American culture. Is too, is to box people out that 1017 00:50:31,080 --> 00:50:33,759 Speaker 3: aren't white CIS men in terms of like who can 1018 00:50:33,800 --> 00:50:36,680 Speaker 3: actually lead. Obviously other people are able to rise to 1019 00:50:36,719 --> 00:50:39,799 Speaker 3: those heights, But yeah, I think maybe what it does though, too, 1020 00:50:39,880 --> 00:50:45,279 Speaker 3: is it reinforces this sort of cultural racist momentum that 1021 00:50:45,320 --> 00:50:47,880 Speaker 3: we have by always being like, yeah, I mean like 1022 00:50:47,920 --> 00:50:49,920 Speaker 3: it's probably a white guy, right, Like that's what that's 1023 00:50:49,920 --> 00:50:51,520 Speaker 3: what the president has to be so we can feel 1024 00:50:51,520 --> 00:50:53,200 Speaker 3: okay about it. And if it's a black guy as 1025 00:50:53,200 --> 00:50:55,400 Speaker 3: a president, means the world is ending in a movie, 1026 00:50:55,520 --> 00:50:57,480 Speaker 3: or there's a disaster happening. 1027 00:50:57,400 --> 00:51:01,200 Speaker 2: Yeah, like Deep Impact or Danny Glover intwoenty twelve or 1028 00:51:01,320 --> 00:51:04,400 Speaker 2: Jamie Fox and White House Down, like those are the 1029 00:51:04,520 --> 00:51:06,880 Speaker 2: types of movies where the president is allowed to be 1030 00:51:06,960 --> 00:51:11,800 Speaker 2: black or twenty four you know, where there's a different 1031 00:51:11,920 --> 00:51:16,240 Speaker 2: terrorist attack every like twenty five minutes. But just in general, 1032 00:51:16,320 --> 00:51:21,200 Speaker 2: both voting and in movies, the idea of a woman 1033 00:51:21,360 --> 00:51:25,520 Speaker 2: president seems to cause some problems for people. The first 1034 00:51:25,560 --> 00:51:29,520 Speaker 2: movie to introduce this idea was nineteen sixty five's Kisses 1035 00:51:29,600 --> 00:51:36,560 Speaker 2: for My President. Got what movie is that? Kiss My President? 1036 00:51:37,280 --> 00:51:41,840 Speaker 2: The poster has a woman president answering the phone at 1037 00:51:42,000 --> 00:51:46,680 Speaker 2: you know, the desk in the Oval office, and her 1038 00:51:47,160 --> 00:51:50,719 Speaker 2: husband standing next to her in a hat that has 1039 00:51:50,800 --> 00:51:53,000 Speaker 2: like flowers all over it. For some reason. 1040 00:51:53,120 --> 00:51:55,239 Speaker 3: Yeah, well, he's like wearing like a like a like 1041 00:51:55,320 --> 00:51:57,840 Speaker 3: what a first lady would wear. Like it's the inverse, 1042 00:51:57,960 --> 00:52:00,680 Speaker 3: you know, yeah, on his head lady as a suit on. 1043 00:52:01,080 --> 00:52:04,080 Speaker 2: When a woman becomes president of the US, what happens 1044 00:52:04,120 --> 00:52:07,840 Speaker 2: to her poor husband when he becomes the first Lady. 1045 00:52:09,160 --> 00:52:10,680 Speaker 1: That's one of my favorite movies. I don't know why 1046 00:52:10,680 --> 00:52:11,560 Speaker 1: you guys are laughing about. 1047 00:52:12,160 --> 00:52:13,719 Speaker 2: You're like, yeah, yeah, no, but where are you gonna 1048 00:52:13,719 --> 00:52:15,480 Speaker 2: get to the weird part to say, you're talking about 1049 00:52:15,560 --> 00:52:16,440 Speaker 2: kiss from my Presidence? 1050 00:52:16,560 --> 00:52:17,480 Speaker 1: Such a good movie. 1051 00:52:17,840 --> 00:52:21,840 Speaker 2: So it tries to mind laughter from the idea of 1052 00:52:21,840 --> 00:52:24,640 Speaker 2: a guy becoming the first lady and concludes with a 1053 00:52:24,719 --> 00:52:28,280 Speaker 2: happy ending in which the president resigns because she gets pregnant. 1054 00:52:28,440 --> 00:52:31,839 Speaker 3: Oh my god, wow, that's like fucking nineteen sixty five. 1055 00:52:32,000 --> 00:52:34,319 Speaker 1: That's like that fucking Ali G ship where he would say, 1056 00:52:34,880 --> 00:52:37,960 Speaker 1: aren't you worried, like if Hillary Clinton becomes president that 1057 00:52:38,000 --> 00:52:44,480 Speaker 1: she's gonna fall in love with? Sadama was saying, literally, 1058 00:52:44,880 --> 00:52:48,520 Speaker 1: oh my god, those did exactly those interviews he did 1059 00:52:48,600 --> 00:52:49,200 Speaker 1: as Ali G. 1060 00:52:49,680 --> 00:52:50,359 Speaker 3: Those early ones. 1061 00:52:50,400 --> 00:52:52,720 Speaker 1: Yeah, oh my god, those early ones where he interviews 1062 00:52:52,719 --> 00:52:55,480 Speaker 1: like Henry kissing Jership are so fucking good. 1063 00:52:55,600 --> 00:52:56,040 Speaker 2: Yeah. 1064 00:52:56,080 --> 00:52:58,399 Speaker 1: But yeah, that that that whole thing is like, there 1065 00:52:58,480 --> 00:53:02,640 Speaker 1: are there are the people control everything. Sadly are just 1066 00:53:02,680 --> 00:53:06,160 Speaker 1: a bunch of graduates from Harvard and Yale, mostly lawyers. 1067 00:53:06,680 --> 00:53:09,319 Speaker 1: They have these secret clubs and they're all white men, 1068 00:53:09,760 --> 00:53:12,520 Speaker 1: you know, and so it is it's it's reflecting just that. 1069 00:53:12,600 --> 00:53:14,960 Speaker 1: I mean, this for me was like a moment. Maybe 1070 00:53:15,040 --> 00:53:17,000 Speaker 1: a lot of people knew about it, but I mean 1071 00:53:17,000 --> 00:53:18,480 Speaker 1: it was on CNN, so a lot of people knew 1072 00:53:18,480 --> 00:53:21,120 Speaker 1: about it, But it was right after they were starting 1073 00:53:21,120 --> 00:53:23,080 Speaker 1: to call for Joe Biden to resign, which I was 1074 00:53:23,160 --> 00:53:26,600 Speaker 1: down with, Like I understood the idea certainly. After that debate, 1075 00:53:26,760 --> 00:53:28,600 Speaker 1: it made sense to me that was debate was like 1076 00:53:28,600 --> 00:53:29,480 Speaker 1: I had to turn it off. 1077 00:53:29,520 --> 00:53:29,600 Speaker 4: You know. 1078 00:53:29,640 --> 00:53:32,120 Speaker 1: It's like when he said he beat Medicare. I was like, okay, 1079 00:53:32,239 --> 00:53:37,000 Speaker 1: we're going you know what I mean, you know, and I. 1080 00:53:36,960 --> 00:53:39,560 Speaker 7: Loved Trump goes, yeah, you beat Medicare, You beat the 1081 00:53:39,600 --> 00:53:41,319 Speaker 7: hell out of it whatever that means, you know. 1082 00:53:42,600 --> 00:53:44,719 Speaker 1: But at that moment, I was like, okay, this is 1083 00:53:44,760 --> 00:53:48,480 Speaker 1: a problem. But I did not like, well, I don't 1084 00:53:48,480 --> 00:53:52,040 Speaker 1: think anyone like George Clooney wang in, you know, a 1085 00:53:52,120 --> 00:53:56,040 Speaker 1: white male, you know, and this was a panel on 1086 00:53:56,160 --> 00:53:59,239 Speaker 1: CNN about this decision, and and I just did not 1087 00:53:59,440 --> 00:54:02,160 Speaker 1: like the tone one of these insiders, like forget about 1088 00:54:02,200 --> 00:54:04,160 Speaker 1: carsal he's always a fucking dick, but. 1089 00:54:04,200 --> 00:54:05,040 Speaker 2: Also he's a guy. 1090 00:54:05,080 --> 00:54:07,839 Speaker 1: What is his fucking qualification? Why do they always put 1091 00:54:07,840 --> 00:54:14,719 Speaker 1: that white man who's just incredibly not thoughtful obviously, no, 1092 00:54:15,400 --> 00:54:17,439 Speaker 1: you know, and they constantly put them on because they're 1093 00:54:17,440 --> 00:54:19,160 Speaker 1: just like, here's our rolodex and people that we have 1094 00:54:19,239 --> 00:54:21,200 Speaker 1: to comment on this shit, and it's all white dudes 1095 00:54:21,200 --> 00:54:22,800 Speaker 1: who went to Yale and went to Harvard. It's the 1096 00:54:22,840 --> 00:54:26,680 Speaker 1: same club. And you know, like some white guy just says, hey, 1097 00:54:26,719 --> 00:54:29,520 Speaker 1: guess what, whole country, we're swapping out the president because 1098 00:54:29,640 --> 00:54:32,640 Speaker 1: me and Larry Summers and whoever the fuck else and 1099 00:54:32,840 --> 00:54:34,720 Speaker 1: and John Podesta or whatever decided he's. 1100 00:54:34,560 --> 00:54:37,640 Speaker 3: Got to Gothzenberg. Yeah, but it's it's also interesting to 1101 00:54:37,640 --> 00:54:39,560 Speaker 3: see like how the media has gone from like before 1102 00:54:39,600 --> 00:54:42,320 Speaker 3: they're like, don't you talk shit about Joe Biden, like 1103 00:54:42,320 --> 00:54:44,200 Speaker 3: because there are a lot of pundits too who like, 1104 00:54:44,280 --> 00:54:46,640 Speaker 3: we're like it's gonna be him. Maybe they're gonna have 1105 00:54:46,640 --> 00:54:50,120 Speaker 3: a virtual role call to like solidify the nomination and 1106 00:54:50,440 --> 00:54:53,000 Speaker 3: really telling people that were like, I don't like is 1107 00:54:53,040 --> 00:54:54,920 Speaker 3: this the best we can do? Like do we need 1108 00:54:54,960 --> 00:54:57,279 Speaker 3: to consider other things? And then suddenly like, oh my god, 1109 00:54:57,360 --> 00:54:59,359 Speaker 3: we love Kamala. This is the greatest thing that has 1110 00:54:59,360 --> 00:55:02,880 Speaker 3: ever happened. And you're like, what, yeah, last week it 1111 00:55:02,920 --> 00:55:04,520 Speaker 3: was this and now it's this, And I think that 1112 00:55:04,600 --> 00:55:07,480 Speaker 3: the the enthusiasm changes in your reporting on that. But 1113 00:55:07,480 --> 00:55:10,520 Speaker 3: it's interesting to see how quickly, like the punditry goes 1114 00:55:10,600 --> 00:55:13,319 Speaker 3: from you know, one one extreme to the other like 1115 00:55:15,120 --> 00:55:16,080 Speaker 3: and yeah, like. 1116 00:55:16,040 --> 00:55:18,640 Speaker 2: Okay, we're on board with this and always were. It 1117 00:55:18,719 --> 00:55:21,080 Speaker 2: turns out yeah, right, and it. 1118 00:55:21,040 --> 00:55:22,640 Speaker 1: Turns out like I mean, well, if it was an 1119 00:55:22,640 --> 00:55:26,759 Speaker 1: honest discussion, which cable news is useless for any any 1120 00:55:27,000 --> 00:55:31,080 Speaker 1: you know, thing that's funded by advertising is completely you know, 1121 00:55:31,360 --> 00:55:34,560 Speaker 1: and often often these outlets are out outright owned by billionaires. 1122 00:55:34,600 --> 00:55:38,279 Speaker 1: They just will not talk about when one party has 1123 00:55:38,280 --> 00:55:41,440 Speaker 1: got jd Vance who's part of a secret society of 1124 00:55:41,520 --> 00:55:45,160 Speaker 1: Roman Catholics who thinks fucking liberals are demons that need 1125 00:55:45,200 --> 00:55:48,160 Speaker 1: to be basically killed. You know, that's what they're pitching 1126 00:55:48,160 --> 00:55:50,480 Speaker 1: on that far right religious stuff, that there's this the 1127 00:55:50,520 --> 00:55:53,239 Speaker 1: devil is real and it's liberals. So like, when you've 1128 00:55:53,239 --> 00:55:57,399 Speaker 1: got one side doing that, you know, it's still we'll 1129 00:55:57,480 --> 00:56:00,840 Speaker 1: vote for whatever. That's the discussion. You don't you know 1130 00:56:01,000 --> 00:56:02,719 Speaker 1: the fact that it's even like yeah, I don't care 1131 00:56:02,760 --> 00:56:05,280 Speaker 1: if it's Biden, I don't care. I'll vote for Biden 1132 00:56:05,400 --> 00:56:07,359 Speaker 1: because the other you know, I just I just felt 1133 00:56:07,360 --> 00:56:12,359 Speaker 1: like the discussion was like, yes, like either way, we're 1134 00:56:12,400 --> 00:56:15,080 Speaker 1: voting against authoritarianism, right, you know what I mean? Right, 1135 00:56:15,200 --> 00:56:17,680 Speaker 1: David Axelrod, this is not time for you to show off. 1136 00:56:17,760 --> 00:56:20,000 Speaker 1: Why are you showing off? Why are you on here 1137 00:56:20,160 --> 00:56:22,839 Speaker 1: with an attitude? This is not a time for attitude, 1138 00:56:22,880 --> 00:56:23,480 Speaker 1: you dope? 1139 00:56:24,040 --> 00:56:27,040 Speaker 2: Yeah, I mean you need to have attitude with one person, 1140 00:56:27,160 --> 00:56:30,160 Speaker 2: Joe Biden. Maybe like talk to him with attitude. 1141 00:56:29,600 --> 00:56:32,600 Speaker 1: But maybe and Joe Biden, he was like he wasn't 1142 00:56:32,600 --> 00:56:35,120 Speaker 1: trying to hear that. He doesn't know, he doesn't know, 1143 00:56:35,239 --> 00:56:37,080 Speaker 1: he doesn't know even know what he was saying. You 1144 00:56:37,160 --> 00:56:38,680 Speaker 1: have to drop out of the race. What race? 1145 00:56:39,880 --> 00:56:42,160 Speaker 2: It? Really? It was? It was the debate and also 1146 00:56:42,239 --> 00:56:46,479 Speaker 2: the like five to ten subsequent interviews and appearances where 1147 00:56:46,480 --> 00:56:49,359 Speaker 2: it's just like, wow, well yeah it was really bad. 1148 00:56:49,400 --> 00:56:51,120 Speaker 1: I was just like he was too old to begin with. 1149 00:56:51,200 --> 00:56:52,360 Speaker 1: I knew it all all along. 1150 00:56:52,480 --> 00:56:56,640 Speaker 3: Yeah, anything, But people like David Axelrod, like they it's 1151 00:56:56,680 --> 00:56:59,879 Speaker 3: easier to get mad at Joe Biden than themselves. Who 1152 00:56:59,880 --> 00:57:03,600 Speaker 3: are the people who put like, you know, reinforced this 1153 00:57:04,000 --> 00:57:05,399 Speaker 3: reelection campaign for. 1154 00:57:05,400 --> 00:57:08,040 Speaker 2: Yeah, tried to just like force it through. 1155 00:57:08,080 --> 00:57:10,400 Speaker 3: Because there was there was no real primary. You know 1156 00:57:10,440 --> 00:57:12,319 Speaker 3: what I mean, like they really they were like, broll, 1157 00:57:12,400 --> 00:57:14,800 Speaker 3: don't even fucking try and step to the fucking incumbent. 1158 00:57:14,840 --> 00:57:17,520 Speaker 3: And I get that that's not a great look usually, 1159 00:57:17,600 --> 00:57:19,680 Speaker 3: but when that, given the age and what he said 1160 00:57:19,680 --> 00:57:21,720 Speaker 3: about it being a bridge to like a new generation, 1161 00:57:22,240 --> 00:57:24,880 Speaker 3: you'd kind of be like, the voters were clearly down 1162 00:57:25,000 --> 00:57:28,320 Speaker 3: for someone even before he announced that he was going 1163 00:57:28,360 --> 00:57:30,680 Speaker 3: for reelection. So like, when I see those people be like, 1164 00:57:30,720 --> 00:57:32,360 Speaker 3: you know, Joe really needs to suiside, it's like, dude, 1165 00:57:32,440 --> 00:57:36,200 Speaker 3: you were the people telling before, telling people not to worry. 1166 00:57:36,320 --> 00:57:38,920 Speaker 3: Shut the fuck up, Joe Biden is fine, and now 1167 00:57:39,120 --> 00:57:41,360 Speaker 3: you're switching it up to be like he's got to go. 1168 00:57:41,600 --> 00:57:43,360 Speaker 3: It's like, well, dude, you were You were the fucking 1169 00:57:43,400 --> 00:57:45,760 Speaker 3: person propping this up, so don't don't act news. 1170 00:57:45,960 --> 00:57:47,960 Speaker 1: That's what I think so too about David Oxlerod. It 1171 00:57:48,000 --> 00:57:50,160 Speaker 1: was like what you weren't aware, like everybody else was 1172 00:57:50,200 --> 00:57:51,920 Speaker 1: that this guy was old until like now, all of 1173 00:57:51,960 --> 00:57:54,000 Speaker 1: a sudden, it's an emergency. It was an emergency the 1174 00:57:54,040 --> 00:57:54,439 Speaker 1: whole time. 1175 00:57:54,480 --> 00:57:57,320 Speaker 2: Then you everybody else knew, you know, it seems like 1176 00:57:57,360 --> 00:58:00,360 Speaker 2: we suspected, but you like the new Yeah, you're. 1177 00:58:00,200 --> 00:58:01,840 Speaker 1: Supposed to be the Democrat you're supposed to be the 1178 00:58:01,920 --> 00:58:04,000 Speaker 1: good guys, and this is this is what you're you know, 1179 00:58:04,040 --> 00:58:07,200 Speaker 1: you're trying to like make everybody feel like insane because 1180 00:58:07,280 --> 00:58:09,400 Speaker 1: everybody knew this that we just accepted it because we 1181 00:58:09,400 --> 00:58:11,560 Speaker 1: were told we had to. You know, we just aren't 1182 00:58:11,600 --> 00:58:14,800 Speaker 1: voting for fucking Trump. People, get it. Stop talking. We're 1183 00:58:14,840 --> 00:58:17,120 Speaker 1: not idiots. That's the other thing is like they just 1184 00:58:17,200 --> 00:58:20,800 Speaker 1: think these people think that the general public, the whole 1185 00:58:20,880 --> 00:58:24,400 Speaker 1: general public, everybody is a goddamn idiot. Yeah, and it's 1186 00:58:24,480 --> 00:58:27,920 Speaker 1: not fucking true. It is not true at all. Everyone 1187 00:58:27,960 --> 00:58:31,600 Speaker 1: I talked to who's you know, cartoonishly what you would 1188 00:58:31,600 --> 00:58:33,400 Speaker 1: assume is, you know, whatever, I'm not gonna even it 1189 00:58:33,480 --> 00:58:35,200 Speaker 1: doesn't matter. But I but when I did those like 1190 00:58:35,360 --> 00:58:37,360 Speaker 1: man on the Street reports that talk to people like 1191 00:58:37,680 --> 00:58:41,080 Speaker 1: at bus stops and ship and like, it's just like 1192 00:58:41,200 --> 00:58:43,200 Speaker 1: every person who's down and out that you figure, oh, 1193 00:58:43,320 --> 00:58:45,439 Speaker 1: that person's down and out because they're dumb. No, they're 1194 00:58:45,440 --> 00:58:47,320 Speaker 1: not down and out because they're dumb. They're so smart. 1195 00:58:47,440 --> 00:58:48,439 Speaker 1: They're just down and out. 1196 00:58:49,000 --> 00:58:55,200 Speaker 2: Yeah, anyway, they're unlucky, like lottery system. We live in 1197 00:58:55,240 --> 00:58:57,840 Speaker 2: a fucking real world, open air casino. 1198 00:58:58,280 --> 00:59:00,880 Speaker 3: Actually, I should be fair to because he was he 1199 00:59:01,080 --> 00:59:04,080 Speaker 3: was a little bit more consistent with saying Biden shouldn't run. 1200 00:59:04,240 --> 00:59:06,600 Speaker 3: But that was like at the end of last year. 1201 00:59:06,640 --> 00:59:08,800 Speaker 3: But again and I and I guess I act the 1202 00:59:08,800 --> 00:59:11,280 Speaker 3: axel Rod aside of it. There are many people that 1203 00:59:11,320 --> 00:59:14,240 Speaker 3: were part of the established friends with Rod. 1204 00:59:14,520 --> 00:59:16,520 Speaker 1: Huh are you friends with David Axelron? 1205 00:59:16,600 --> 00:59:19,160 Speaker 2: I heard Axelrod fucked a couch all. I don't know. 1206 00:59:19,240 --> 00:59:23,640 Speaker 3: I mean he's my father in law's picking up. 1207 00:59:28,800 --> 00:59:31,640 Speaker 2: Daddy. I mean David. 1208 00:59:32,160 --> 00:59:35,600 Speaker 3: He likes to be called David actually, But I do just. 1209 00:59:35,560 --> 00:59:39,040 Speaker 2: Want to just something you said, Chris, that like, yes, 1210 00:59:39,080 --> 00:59:42,920 Speaker 2: that this idea of there's a lot of like tropes 1211 00:59:42,960 --> 00:59:45,720 Speaker 2: you grow up thinking are true because you see them 1212 00:59:45,720 --> 00:59:49,160 Speaker 2: in movies and you know one of them that like 1213 00:59:49,440 --> 00:59:52,040 Speaker 2: other people are stupid, or that the vast majority of 1214 00:59:52,080 --> 00:59:55,240 Speaker 2: people are stupid, turns out not to be true. Like, 1215 00:59:55,320 --> 00:59:58,160 Speaker 2: the more you learn about the world, the more you're like, no, 1216 00:59:58,240 --> 01:00:02,160 Speaker 2: they're just like a lot a lot of people that 1217 01:00:02,400 --> 01:00:06,800 Speaker 2: get written off are just people. The more you read 1218 01:00:06,840 --> 01:00:09,960 Speaker 2: and learn about the world, the more it becomes clear 1219 01:00:10,840 --> 01:00:15,919 Speaker 2: that the one like theory that you always see when 1220 01:00:16,200 --> 01:00:18,400 Speaker 2: in movies and when you're a kid, that there is 1221 01:00:18,480 --> 01:00:20,840 Speaker 2: a small group of white guys who make all the 1222 01:00:20,880 --> 01:00:24,920 Speaker 2: decisions together and freeze everyone else out. That one is like, 1223 01:00:25,080 --> 01:00:28,360 Speaker 2: it seems like the most far fetched. That's the one. 1224 01:00:28,760 --> 01:00:31,640 Speaker 2: That's the one that we've been right about all along. 1225 01:00:31,960 --> 01:00:35,040 Speaker 2: Like the wealthiest one percent of the global population, it 1226 01:00:35,360 --> 01:00:39,080 Speaker 2: was just reported accumulated forty two trillion dollars in the 1227 01:00:39,120 --> 01:00:44,400 Speaker 2: past ten years. Like they're getting so much richer, so 1228 01:00:44,600 --> 01:00:48,760 Speaker 2: much faster. Like in the ten years since we started 1229 01:00:48,800 --> 01:00:52,240 Speaker 2: talking about the one percent being a problem, they've gotten 1230 01:00:52,880 --> 01:00:56,440 Speaker 2: so much richer, so much faster. 1231 01:00:56,800 --> 01:00:58,320 Speaker 1: And that's why it's hard to get out of bed 1232 01:00:58,320 --> 01:01:00,280 Speaker 1: in the morning. I mean, honestly, it's like, you know, 1233 01:01:00,400 --> 01:01:03,680 Speaker 1: so it seems overwhelming, but I just like made a 1234 01:01:03,720 --> 01:01:04,840 Speaker 1: deal with myself. 1235 01:01:05,880 --> 01:01:06,720 Speaker 3: It's crazy. 1236 01:01:07,240 --> 01:01:10,040 Speaker 1: I was just deal with myself. Oh good, I can't 1237 01:01:10,080 --> 01:01:13,080 Speaker 1: wait to hear about this. I'm just gonna be quiet. 1238 01:01:16,760 --> 01:01:19,160 Speaker 1: But no, I just think that like I made I 1239 01:01:19,240 --> 01:01:21,600 Speaker 1: made it. You know. I really have been feeling lately, 1240 01:01:22,080 --> 01:01:25,360 Speaker 1: you know, really like especially because I write the column 1241 01:01:25,440 --> 01:01:27,240 Speaker 1: and I do podcasts and stuff. I was just on 1242 01:01:27,360 --> 01:01:30,200 Speaker 1: Zach Ben's podcast Grinding to a Halt the other day, 1243 01:01:30,200 --> 01:01:33,000 Speaker 1: which was really fun. I don't just thought of that one, 1244 01:01:33,280 --> 01:01:35,960 Speaker 1: and uh yeah, and uh but but I, you know, 1245 01:01:36,040 --> 01:01:38,320 Speaker 1: I I think about these things a lot, and I 1246 01:01:38,360 --> 01:01:42,240 Speaker 1: don't know how to I'm realizing that I'm not changing it. 1247 01:01:42,320 --> 01:01:44,800 Speaker 1: I'm not changing I'm not gonna change it. I can't 1248 01:01:44,880 --> 01:01:48,400 Speaker 1: change what that cabal of white men are gonna do 1249 01:01:48,440 --> 01:01:52,520 Speaker 1: with the candidates. But I can like stay alive and 1250 01:01:52,600 --> 01:01:56,280 Speaker 1: not despair because somehow I can be of help. I 1251 01:01:56,320 --> 01:01:58,360 Speaker 1: know it, and I don't know how it looks, but 1252 01:01:58,480 --> 01:02:00,960 Speaker 1: I will remain, you know, And I think about all 1253 01:02:01,000 --> 01:02:02,920 Speaker 1: the all the other countries that have had all these 1254 01:02:02,920 --> 01:02:06,880 Speaker 1: horrible things happen, fucking Palestigne, you know, just like those 1255 01:02:06,920 --> 01:02:09,520 Speaker 1: people are still getting up in the fucking morning and 1256 01:02:09,600 --> 01:02:12,040 Speaker 1: trying to live a life, and and it is absolutely 1257 01:02:12,080 --> 01:02:15,880 Speaker 1: horrible what people have to go through. And I, you know, 1258 01:02:15,960 --> 01:02:18,760 Speaker 1: I just am trying to remember that. I guess the 1259 01:02:18,760 --> 01:02:20,520 Speaker 1: deal with myself is that I'm going to try and 1260 01:02:20,560 --> 01:02:22,520 Speaker 1: keep showing up, even though I'm not sure how to 1261 01:02:23,440 --> 01:02:25,800 Speaker 1: how to help. I guess that's the point. But I 1262 01:02:25,840 --> 01:02:27,960 Speaker 1: know that waking up helps if you're if you're not 1263 01:02:28,000 --> 01:02:31,080 Speaker 1: a bad person, just being present, just being present on 1264 01:02:31,080 --> 01:02:34,560 Speaker 1: the damn earth as a good person is inspiring to 1265 01:02:34,760 --> 01:02:36,840 Speaker 1: other people who will then hang around to we all 1266 01:02:36,880 --> 01:02:38,840 Speaker 1: just have to hang around for each other and be like, oh, 1267 01:02:38,880 --> 01:02:41,040 Speaker 1: well that's guys, we're all still here, so I guess 1268 01:02:41,040 --> 01:02:42,360 Speaker 1: we need to stay, you know. I mean, just like 1269 01:02:42,600 --> 01:02:45,680 Speaker 1: there's something about just and that was my under overrated 1270 01:02:45,800 --> 01:02:48,000 Speaker 1: was just going to be that saying of putting on 1271 01:02:48,040 --> 01:02:52,400 Speaker 1: the oxygen mask on yourself, like before yeah, like you 1272 01:02:52,440 --> 01:02:54,240 Speaker 1: gotta do you gotta do the thing, you gotta put 1273 01:02:54,280 --> 01:02:56,680 Speaker 1: it on the child afterwards, because I feel like everybody's. 1274 01:02:56,240 --> 01:02:58,000 Speaker 2: Like, I don't think put it on at all. 1275 01:02:58,240 --> 01:03:01,720 Speaker 1: I feel like that's oxygen mask on themselves and that's it. 1276 01:03:01,840 --> 01:03:05,600 Speaker 1: That there's a second part to that anyway, but that's 1277 01:03:05,600 --> 01:03:08,000 Speaker 1: what I do think that that that's it. Like I mean, 1278 01:03:08,040 --> 01:03:10,360 Speaker 1: I'm not sure. This is all like a crazy situation, 1279 01:03:10,560 --> 01:03:13,280 Speaker 1: you know, and you know, I just want to keep 1280 01:03:13,280 --> 01:03:16,920 Speaker 1: showing up, which is which is also some MODI modified 1281 01:03:16,960 --> 01:03:18,520 Speaker 1: slogan for some other organization. 1282 01:03:18,600 --> 01:03:21,320 Speaker 2: I can't think of keep showing up something like that 1283 01:03:21,560 --> 01:03:24,360 Speaker 2: and just doing it. Yeah yeah, yeah, there we go. 1284 01:03:24,440 --> 01:03:26,520 Speaker 2: Well I can't put it any better than that. Chris 1285 01:03:26,520 --> 01:03:28,320 Speaker 2: Crofton has always a pleasure having you. 1286 01:03:28,800 --> 01:03:31,280 Speaker 1: Thanks so fun, so fun, so wild. 1287 01:03:31,760 --> 01:03:36,040 Speaker 2: Yeah, one bananas one banana, one banana, He's off that 1288 01:03:36,120 --> 01:03:38,600 Speaker 2: one banana and cold brew and one. 1289 01:03:38,360 --> 01:03:41,320 Speaker 1: Spoon of one spoon of of almond butter. 1290 01:03:41,720 --> 01:03:43,680 Speaker 2: Okay, that'll do give you? 1291 01:03:45,960 --> 01:03:46,880 Speaker 1: Is that what it is? 1292 01:03:46,960 --> 01:03:50,800 Speaker 2: Yeah? Almond butter? That's Chris. Where can people find you? 1293 01:03:51,040 --> 01:03:52,800 Speaker 2: Follow you all that good stuff? 1294 01:03:53,400 --> 01:03:55,800 Speaker 1: You can find me on at the Crofton Show, on 1295 01:03:55,920 --> 01:03:59,960 Speaker 1: Instagram and Twitter. You can order my book, The Advice 1296 01:04:00,080 --> 01:04:03,560 Speaker 1: Can Anthology from any dystopian company you would like. It's 1297 01:04:03,600 --> 01:04:06,520 Speaker 1: like twelve bucks from freaking Walmart. I buy him from 1298 01:04:06,520 --> 01:04:09,200 Speaker 1: Walmart because it's cheaper than getting in from Vanderbilt University Press. 1299 01:04:09,240 --> 01:04:12,720 Speaker 1: But anyway, go get that book. And uh, I got 1300 01:04:12,720 --> 01:04:14,920 Speaker 1: a record coming out this fall, and I and I 1301 01:04:14,520 --> 01:04:17,080 Speaker 1: have a plot. I have a plot too. I'm finally 1302 01:04:17,080 --> 01:04:18,880 Speaker 1: gonna put it out, and I have a plot to 1303 01:04:18,920 --> 01:04:22,320 Speaker 1: somehow include you guys in that launch. So I'll talk 1304 01:04:22,360 --> 01:04:24,600 Speaker 1: to you guys about that maybe later. But I have 1305 01:04:24,640 --> 01:04:26,840 Speaker 1: an idea of like maybe I can premiere the singles 1306 01:04:26,840 --> 01:04:29,040 Speaker 1: on the Daily Zeitgeist or something like that. Oh that'd 1307 01:04:29,040 --> 01:04:32,200 Speaker 1: be awesome. But uh, it's a beautiful record and I'm 1308 01:04:32,240 --> 01:04:34,680 Speaker 1: really excited to finally be putting it out. So that's 1309 01:04:34,720 --> 01:04:37,200 Speaker 1: gonna happen. That's called I'm Your Man. And also go 1310 01:04:37,320 --> 01:04:39,400 Speaker 1: check out my last record Hello It's Me, which got 1311 01:04:39,400 --> 01:04:40,920 Speaker 1: a seven point four from Pitchfork. 1312 01:04:41,000 --> 01:04:44,240 Speaker 2: That's how It's me amazing exactly. 1313 01:04:44,240 --> 01:04:45,840 Speaker 1: That's what it was named for. Yeah, that song. 1314 01:04:45,960 --> 01:04:48,960 Speaker 2: I mean, Chris, is there a work of media that 1315 01:04:49,000 --> 01:04:50,360 Speaker 2: you've been enjoying? Man? 1316 01:04:50,600 --> 01:04:54,800 Speaker 1: For this one? It's just that whole Minneapolis public television 1317 01:04:54,840 --> 01:04:57,640 Speaker 1: thing and that shinders the shinders thing. Man, Let's start 1318 01:04:57,720 --> 01:05:05,320 Speaker 1: choreographing dances in fucking arcades again. Yeah, and like using payphones, 1319 01:05:05,360 --> 01:05:07,920 Speaker 1: let's change it up. Not well, using payphones is out 1320 01:05:07,920 --> 01:05:09,959 Speaker 1: of the question, but you know what I'm talking about. 1321 01:05:10,000 --> 01:05:12,360 Speaker 1: Let's bring it back to the fucking tap dancing on 1322 01:05:12,440 --> 01:05:14,680 Speaker 1: the on the on the sidewalks. 1323 01:05:14,480 --> 01:05:15,240 Speaker 3: That's exactly. 1324 01:05:15,320 --> 01:05:17,960 Speaker 1: Remember that doctor pepper ad Remember that doctor. Are you 1325 01:05:18,000 --> 01:05:19,720 Speaker 1: guys old enough to remember? No, but there's a doctor 1326 01:05:19,760 --> 01:05:22,400 Speaker 1: Pepper Addy tell us in the street. It was like 1327 01:05:22,440 --> 01:05:24,440 Speaker 1: TikTok except it was except it was just like you know, 1328 01:05:24,600 --> 01:05:29,120 Speaker 1: everybody had sex afterward. There there's no sex in TikTok. 1329 01:05:29,280 --> 01:05:33,480 Speaker 2: There's no sex in anything anymore. No, Yeah, the fuck? 1330 01:05:33,560 --> 01:05:36,480 Speaker 1: You know what those dancers that did the choreograph dances 1331 01:05:36,520 --> 01:05:39,440 Speaker 1: in the freaking peep show. You think they didn't. 1332 01:05:39,160 --> 01:05:42,160 Speaker 2: All come on, naive? 1333 01:05:42,280 --> 01:05:44,200 Speaker 1: Now, come on, now, come now. 1334 01:05:44,440 --> 01:05:46,720 Speaker 2: Where can people find you as their workI media you've 1335 01:05:46,720 --> 01:05:47,280 Speaker 2: been enjoying. 1336 01:05:47,400 --> 01:05:49,520 Speaker 3: Yeah, you can find me on Twitter and Instagram at 1337 01:05:49,560 --> 01:05:51,800 Speaker 3: Miles of Gray. You find Jack and I on the 1338 01:05:51,800 --> 01:05:56,400 Speaker 3: basketball podcast Miles and where We're talking. Some of the 1339 01:05:56,680 --> 01:05:59,360 Speaker 3: are one of our guests, Ravon Edwards favorite players from 1340 01:05:59,360 --> 01:06:02,200 Speaker 3: the nineties like Nick Van Exwell, Jason K. Grant Hill 1341 01:06:02,200 --> 01:06:06,040 Speaker 3: look Back and a look to the present exactly. Also 1342 01:06:07,840 --> 01:06:10,400 Speaker 3: and find me talking ninety day fiance on four to 1343 01:06:10,440 --> 01:06:15,720 Speaker 3: twenty Day Fiance. I tweet I like is from at 1344 01:06:15,800 --> 01:06:18,960 Speaker 3: Eagleman four two oh six ' nine. I don't know 1345 01:06:18,960 --> 01:06:21,680 Speaker 3: if you remember the JG. Went Worth eight seven seven 1346 01:06:21,720 --> 01:06:25,560 Speaker 3: cash Now commercials and it would be like a fake opera. Well, 1347 01:06:25,640 --> 01:06:28,360 Speaker 3: this one has JD Vance in a Viking helmet and 1348 01:06:28,400 --> 01:06:31,920 Speaker 3: it says I have a raging boner and I need 1349 01:06:32,160 --> 01:06:37,320 Speaker 3: couch now called jd Vance eight seven seven couch Now. 1350 01:06:39,040 --> 01:06:40,000 Speaker 2: This was stupid. 1351 01:06:41,120 --> 01:06:42,240 Speaker 3: Oh my god. 1352 01:06:42,880 --> 01:06:45,160 Speaker 2: A lot of good a lot of good couch content, 1353 01:06:45,320 --> 01:06:48,280 Speaker 2: a lot of good couch con The end of the 1354 01:06:48,280 --> 01:06:49,160 Speaker 2: world is funny. 1355 01:06:49,560 --> 01:06:52,919 Speaker 3: Yeah, dude, it's this is our These are our circuses 1356 01:06:52,920 --> 01:06:56,320 Speaker 3: and bread right here, fucking memes. 1357 01:06:56,000 --> 01:07:02,439 Speaker 2: At Lowlan, we tweeted myt vance Couch No Angel, which 1358 01:07:02,480 --> 01:07:05,760 Speaker 2: is I'm sure the story that we'll be seeing eventually 1359 01:07:06,720 --> 01:07:12,280 Speaker 2: Vance Couch No Angel. And also I was enjoying a 1360 01:07:12,520 --> 01:07:15,520 Speaker 2: tweet from trash Jones who tweeted having siblings is so 1361 01:07:15,560 --> 01:07:18,800 Speaker 2: important because you learn the exact amount you can annoy 1362 01:07:18,840 --> 01:07:23,160 Speaker 2: someone before they try to physically kill you, which is 1363 01:07:23,200 --> 01:07:26,720 Speaker 2: an important lesson that we all learn along the way. 1364 01:07:27,120 --> 01:07:29,760 Speaker 2: You can find me on Twitter at Jack Underscore o Brian. 1365 01:07:29,760 --> 01:07:31,880 Speaker 2: You can find us on Twitter at daily Zeikeeist or 1366 01:07:31,880 --> 01:07:34,440 Speaker 2: at the Daily Zeitgeist on Instagram. We have a Facebook 1367 01:07:34,440 --> 01:07:36,680 Speaker 2: fan page and a website Daily zeikeist dot com, where 1368 01:07:36,720 --> 01:07:41,000 Speaker 2: we post our episodes and our footnotes. We're link off 1369 01:07:41,000 --> 01:07:43,080 Speaker 2: to the information that we talked about in today's episode, 1370 01:07:43,120 --> 01:07:46,560 Speaker 2: as well as a song that we think you might enjoy. Miles, 1371 01:07:46,560 --> 01:07:51,000 Speaker 2: what song do you think wentworth? Yeah? 1372 01:07:51,720 --> 01:07:55,240 Speaker 3: Just bloop that shit? Actually no, this is a track 1373 01:07:55,280 --> 01:07:59,240 Speaker 3: I was talking about with producer justin yesterday. We were 1374 01:07:59,280 --> 01:08:02,840 Speaker 3: talking about this Tame and Paula Justice. There's like a 1375 01:08:02,880 --> 01:08:04,520 Speaker 3: new Justice album that came out in the beginning of 1376 01:08:04,560 --> 01:08:06,160 Speaker 3: the year, but they do a track with Tam and 1377 01:08:06,160 --> 01:08:11,200 Speaker 3: Paula and Kevin Parker's voice goes surprisingly well over the 1378 01:08:11,240 --> 01:08:14,560 Speaker 3: electronic beats of Justice. So this track is called it 1379 01:08:14,600 --> 01:08:18,080 Speaker 3: never Ender Justice featuring Tame and Paula, and it just 1380 01:08:18,080 --> 01:08:20,320 Speaker 3: feels like some ship you could play with, you know, 1381 01:08:20,520 --> 01:08:23,400 Speaker 3: on a hot day, weekend vibes kicking it off. So 1382 01:08:23,520 --> 01:08:26,479 Speaker 3: do that made the weekend? Never end, never Ender Justice 1383 01:08:26,520 --> 01:08:27,160 Speaker 3: and table Paula. 1384 01:08:27,560 --> 01:08:31,880 Speaker 2: Oh damn. Justice's album hyper Drama came out earlier this 1385 01:08:32,000 --> 01:08:35,840 Speaker 2: year on Pitchfork six point three. They don't got shipped on, 1386 01:08:35,920 --> 01:08:38,320 Speaker 2: Chris Cross, I got shipped. 1387 01:08:37,960 --> 01:08:41,519 Speaker 1: On from that album? Must that album must be terrible, 1388 01:08:43,160 --> 01:08:45,880 Speaker 1: lot of skips. Their numbers are crazy though, those those 1389 01:08:46,240 --> 01:08:48,559 Speaker 1: those numbers don't mean anything, but well. 1390 01:08:48,600 --> 01:08:49,400 Speaker 2: You should have had a test. 1391 01:08:50,000 --> 01:08:50,839 Speaker 3: Yeah, they are crazy. 1392 01:08:50,840 --> 01:08:52,519 Speaker 1: So I have a giant tattoo of it on my back. 1393 01:08:53,160 --> 01:08:56,559 Speaker 2: So what so what next to the Nixon one? All right? 1394 01:08:57,240 --> 01:08:59,919 Speaker 2: We will link off to that song in the footnote. 1395 01:09:00,080 --> 01:09:02,639 Speaker 2: The Daily Zeitgeist is a production of iHeartRadio. For more 1396 01:09:02,680 --> 01:09:06,400 Speaker 2: podcasts from iHeartRadio, visit the iHeartRadio ap Apple podcast, or 1397 01:09:06,400 --> 01:09:08,800 Speaker 2: wherever you listen to your favorite shows. That is gonna 1398 01:09:08,840 --> 01:09:12,439 Speaker 2: do it for US this week. We are back on 1399 01:09:12,560 --> 01:09:14,519 Speaker 2: Monday to tell you what was trending over the weekend. 1400 01:09:15,439 --> 01:09:19,640 Speaker 2: We also have the weekly Zeitgeist that drops on Saturdays 1401 01:09:19,680 --> 01:09:23,080 Speaker 2: that gives you a digest of all the things that 1402 01:09:23,160 --> 01:09:26,040 Speaker 2: happened on this week's episode US, so you can check 1403 01:09:26,040 --> 01:09:28,799 Speaker 2: in for that. Otherwise, we'll talk to you on Monday morning. 1404 01:09:29,000 --> 01:09:29,719 Speaker 2: Have a good one. 1405 01:09:29,840 --> 01:09:33,599 Speaker 1: Bye bye bye