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Speaker 1: Todd was nervous. He hadn't been enthusiastic about the project

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Speaker 1: that Universal Studios had handed him, but it paid the bills.

3
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Speaker 1: Truth be told, he was just glad to have a job.

4
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Speaker 1: The nineteen thirties might have been the golden age of Hollywood,

5
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Speaker 1: but that was partly because America was in the throes

6
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Speaker 1: of the Great Depression. Escapism was becoming a favorite American pastime.

7
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Speaker 1: Theaters opened across the country, and the film industry thrived

8
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Speaker 1: during the economic collapse. But Todd was also a superstitious man,

9
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Speaker 1: so when he learned that the Roxy Theater in New

10
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Speaker 1: York City wanted to release his film on Friday, he

11
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Speaker 1: urged them to change the date. In the end, the

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Speaker 1: Roxy granted Todd his wish. On Thursday, February twelfth of

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Speaker 1: nineteen thirty one, movie goers packed sidewalks outside of the theater,

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Speaker 1: hoping to snag tickets to his latest creation. For eighty

15
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Speaker 1: five minutes that night, the audience found themselves transported to

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Speaker 1: a mountaintop in Europe. They were immersed in a powerful

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Speaker 1: visual spectacle, complete with clever cinematography, haunting soundscapes, and Bella

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Speaker 1: Lagosi's legendary method acting how legendary you ask, Well, when

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Speaker 1: he died, he was buried in a black silk cape,

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Speaker 1: just like his character in the film. And of course,

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Speaker 1: Dracula was a smashing success. The film forever changed the

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Speaker 1: movies and the monsters we see there. It's reported, in fact,

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Speaker 1: that numerous people in the opening night audience fainted from fright.

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Speaker 1: While it's hard to imagine now, scary movies were major

25
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Speaker 1: risks for studios back then, but in large part due

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Speaker 1: to dracula success, movie makers realized something important. Fear makes money.

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Speaker 1: It was true then and it's still true today. The

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Speaker 1: psychological effects of fight or flights can be intoxicating, after all,

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Speaker 1: and who doesn't love a good adrenaline and dopamine brain cocktail, right,

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Speaker 1: It's a trick of evolution. We like to be scared

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Speaker 1: in tightly controlled settings. That is. In two thousand, Dracula

32
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Speaker 1: was inducted into the National Film Registry by the Library

33
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Speaker 1: of Congress. This was not, however, Todd Browning's first film

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Speaker 1: to be given that honor. A much more controversial flick

35
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Speaker 1: of his was given the same treatment, a movie that

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Speaker 1: featured a very special individual, a crossover actor who bridged

37
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Speaker 1: both the world of the side Show and the world

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Speaker 1: of the silver screen. A much beloved man who went

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Speaker 1: by a single name, Schlitze. I'm Aaron Manky, and welcome

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Speaker 1: to this side show. Everyone has gaps in their history,

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Speaker 1: moments they can't recall, or other pieces of time that

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Speaker 1: they've chosen to forget. I do, and you do, whether

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Speaker 1: you are consciously aware of it or not. These have

44
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Speaker 1: been left on the cutting room floor of our lives.

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Speaker 1: So resurrecting other people's stories, especially when they're long gone,

46
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Speaker 1: creates a very particular kind of challenge. Sometimes all that's

47
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Speaker 1: left of them is a fragment of a diary or

48
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Speaker 1: an unset letter. Other times we can trace their names

49
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Speaker 1: to a passenger list or a guest book at a hotel,

50
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Speaker 1: or maybe we have an old photo album with missing

51
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Speaker 1: images or a few stray pieces of celluloid. And we

52
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Speaker 1: never know the complete story of what was happening outside

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Speaker 1: of this frame, but we can guess. What we do

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Speaker 1: know is this, Like many of the performers who fell

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Speaker 1: into the gravitational pull of the American Side Show, a

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Speaker 1: great deal of Schlitze's life is undocumented. Those early years,

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Speaker 1: it seems, have held tightly to their secrets. One theory

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Speaker 1: tells us that he was born to a prominent Texan

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Speaker 1: family and then kept in their attic for twenty five years.

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Speaker 1: Another says he hailed from New Mexico. More than likely, though,

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Speaker 1: he was born in the Bronx in New York in

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Speaker 1: nineteen o one, and if the sleuths are correct, he

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Speaker 1: had another name first, Simon Metz. We also know something else.

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Speaker 1: He was born with a severe case of microcephaly, a

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Speaker 1: neurodevelopmental disorder that gave his skull a pointed shape. He

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Speaker 1: had a limited cognitive capacity and a sunny nature. We

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Speaker 1: like to think that his first few years were relatively happy,

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Speaker 1: and we'd hope for this for any kid, but it's

69
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Speaker 1: in his childhood. Historians believe that he was sold to

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Speaker 1: the side show. It seems the old joke of selling

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Speaker 1: your little brother to the circus has very deep and

72
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Speaker 1: very dark real life roots, but it wasn't uncommon. In fact,

73
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Speaker 1: sideshow managers often recruited new acts from vulnerable families. They

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Speaker 1: made it seem like they were doing the family a

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Speaker 1: favor or acting in their best interest, and there may

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Speaker 1: have been some truth to this. At a time when

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Speaker 1: social services to poor families were limited, and those with

78
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Speaker 1: a typical neurological functions had fewer resources. Living was hard.

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Speaker 1: There's an argument to be made that for some the

80
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Speaker 1: side show was a saving grace. Simon began his life

81
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Speaker 1: on the road with Stephen and Augusta Mills in nineteen

82
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Speaker 1: o nine. It's here that he became someone totally new.

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Speaker 1: His first incarnation would be Schlitzy the Aztec. Sometimes he

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Speaker 1: was dressed as a girl. At other times he wore

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Speaker 1: a fur body suit posed as a half human half monkey,

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Speaker 1: one of nature's honest experiments with the brain the size

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Speaker 1: of a golf ball. He was marketed as savage and

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Speaker 1: would sometimes be displayed behind bars. Part of Schlitze's act

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Speaker 1: was answering questions posed by the showman. He did simple

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Speaker 1: math and card tricks. He was billed as wild so

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Speaker 1: that those feats would seem even more impressive. At the time,

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Speaker 1: America was still fascinated by ideas of evolution and the

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Speaker 1: search for the missing link, a favorite trope of Barnum's,

94
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Speaker 1: and the legacy that he left behind, Let's See quickly

95
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Speaker 1: gained the adoration of his fellow performers. While his work

96
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Speaker 1: largely consisted of him being jeered at. It was also

97
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Speaker 1: on the side show circuit that he found his chosen family,

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Speaker 1: and even though his speech was limited, he gave that

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Speaker 1: love back in kind. In schlets was sold to a

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Speaker 1: man named Ted Metz no relation that we know of,

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Speaker 1: who operated the Frequatorium at the Dreamland side show at

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Speaker 1: Coney Island. There, he and a fellow performer who had

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Speaker 1: also been born with microcephaly, a fellow by the name

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Speaker 1: of Zip, performed a musical duet together. But schlet See

105
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Speaker 1: wouldn't stay on the East Coast for long. You see,

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Speaker 1: his manager was based in California and soon decided that

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Speaker 1: they were going to take their show to that side

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Speaker 1: of the country. It seems the Coney Island boardwalks weren't

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Speaker 1: big enough for him. No, he was going to go

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Speaker 1: west to Hollywood, in fact, because Schlitze wanted to become

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Speaker 1: a star. Todd Browning had once been a living corpse.

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Speaker 1: When he was sixteen, he fell in love and joined

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Speaker 1: the Manhattan Fair and Carnival Company. He worked as a

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Speaker 1: snake eater and escape artist, a clown, and even a contortionist.

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Speaker 1: His famous corpse act, though involved him being buried alive,

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Speaker 1: for up to forty eight hours at a time. It's

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Speaker 1: fair to say that he had done it all. So

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Speaker 1: after Dracula's commercial success and critical acclaim, Todd Browning decided

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Speaker 1: that he would work on something a bit closer to home.

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Speaker 1: He had an idea that he'd been thinking about for

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Speaker 1: a long time, and when he pitched it to MGM,

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Speaker 1: they gave him their blessing. But they wanted him to

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Speaker 1: film his concept as a horror movie, so that's what

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Speaker 1: they were going to get. It would be a movie

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Speaker 1: about seduction, murder, and revenge, all set upon the backdrop

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Speaker 1: of the side show, and Todd wanted real performers in

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Speaker 1: his cast. I think it's safe to say that he

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Speaker 1: had good intentions, but that, as they say, is what

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Speaker 1: the road to Hell is paved with. It was through

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Speaker 1: Hollywood Small Network that Todd met Schlitze and they took

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Speaker 1: a liking to each other immediately. He was cast alongside

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Speaker 1: sideshow performers from across the country, Johnny Eck the Half Boy,

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Speaker 1: Prince Randy and the Human Caterpillar, Pete Robinson the Living Skeleton,

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Speaker 1: Olga the Bearded Woman, and Cuckoo the bird Girl. The

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Speaker 1: movie was named Freaks and it was the first Hollywood

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Speaker 1: production for many of the performers involved. Now, of course,

137
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Speaker 1: that title is a word that has certainly fallen out

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Speaker 1: of fashion since then. Scholars believe that it comes from

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Speaker 1: an old English word meaning something unusual or fancy. But

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Speaker 1: by the mid eighteen hundreds, the phrase freak of nature

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Speaker 1: had become a popular advertising slogan within side shows. In fact,

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Speaker 1: many in the community at the time, the term freak

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Speaker 1: was worn as a badge of honor. For a lot

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Speaker 1: of these performers. Their shows allowed them to make an

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Speaker 1: honorable living. It gave them a chance to travel, to

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Speaker 1: be employed, and to find family. But as we'll see,

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Speaker 1: Todd's film in many ways helped us cement the word

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Speaker 1: as something a bit more sinister in mainstream America. As

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Speaker 1: filming began in November of nine, the side show performers

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Speaker 1: came to the set. Several MGM employees and actors, having

151
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Speaker 1: never seen folks with such a spectrum of physical conditions,

152
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Speaker 1: were overwhelmed nauseated. Even among this weak, stomached group was

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Speaker 1: none other than f Scott Fitzgerald, who, while also drinking heavily,

154
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Speaker 1: apparently vomited after seeing conjoined twins Daisy and Violet Hilton

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Speaker 1: in the studios dining hall. After this, the side show

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Speaker 1: performers were banished to an outside table. The film had

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Speaker 1: a remarkably quick production schedule. It wrapped in just a

158
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Speaker 1: month and prom mirrored a little over a month after

159
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Speaker 1: that to a tittering crowd in San Diego. But just

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Speaker 1: halfway through the preview people got up and ran out.

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Speaker 1: You might be asking why, Well, one newspaper wrote, and

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Speaker 1: I quote for pure sensationalism, freaks tops any picture yet produced.

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Speaker 1: It's more fantastic and grotesque than any shocker ever written.

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Speaker 1: One woman in the audience, who had been pregnant at

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Speaker 1: the time, apparently threatened to sue MGM, claiming the film

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Speaker 1: had induced a miscarriage and the film was indeed violent.

167
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Speaker 1: So the studio decided to recut it as an attempt

168
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Speaker 1: to salvage it. But these new editorial decisions meant to

169
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Speaker 1: rectify the problem, ended up creating a new monster because

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Speaker 1: it fundamentally changed the story and the message. You see,

171
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Speaker 1: Todd's goal had been to critique social intolerance, the exact

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Speaker 1: kind of social intolerance that had played out on his set.

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Speaker 1: That in the widely distributed recut. Moments that let the

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Speaker 1: freaks shine and showcase their humanity were lost, and scenes

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00:11:03,760 --> 00:11:07,559
Speaker 1: where the quote normal humans revealed themselves to be disgusting

176
00:11:07,559 --> 00:11:11,760
Speaker 1: creatures were similarly removed. The studio even tried to counter

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Speaker 1: the revulsion felt by the public with a new advertising blitz,

178
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Speaker 1: What about abnormal people? Their posters asked, they have lives too.

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Speaker 1: In the end, MGM resorted the old tricks of the

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Speaker 1: side show trade. They published new show bills that emphasized

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Speaker 1: the incredible strangeness of the characters, and even included some

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Speaker 1: of the same warnings that Barnum and his contemporaries had used.

183
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Speaker 1: Warning the ad said children positively not admitted adults not

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Speaker 1: in normal health are advised not to see this picture.

185
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Speaker 1: Offended reviewers responded by voicing their complaints. Major outlets called

186
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Speaker 1: the film unkind and brutal, loathsome obscene, grotesque, and bizarre.

187
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Speaker 1: One review even said that anyone who considers this entertainment

188
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Speaker 1: should be placed in the pathological ward in some hospital.

189
00:12:00,920 --> 00:12:04,680
Speaker 1: It is not fit to be shown anywhere. In the end,

190
00:12:05,120 --> 00:12:08,360
Speaker 1: the film was a complete and total flop. It recorded

191
00:12:08,400 --> 00:12:11,960
Speaker 1: a loss that would amount to almost three million dollars today.

192
00:12:12,120 --> 00:12:14,840
Speaker 1: But looking back, we can glimpse the canary in the

193
00:12:14,840 --> 00:12:19,000
Speaker 1: coal mine. It seems that maybe, just maybe, the times

194
00:12:19,080 --> 00:12:23,520
Speaker 1: were changing, and Schlitze was that the center of it all.

195
00:12:34,360 --> 00:12:37,600
Speaker 1: Freaks had failed in the theaters, but it succeeded in

196
00:12:37,640 --> 00:12:41,240
Speaker 1: getting people talking. Schlitz thankfully had the benefit of a

197
00:12:41,280 --> 00:12:44,160
Speaker 1: career beyond Hollywood. He took to the road once more,

198
00:12:44,400 --> 00:12:48,640
Speaker 1: covering territory that certainly makes me envious, criss crossing North America,

199
00:12:48,760 --> 00:12:51,959
Speaker 1: writing the rails and finding friends and good fortune along

200
00:12:51,960 --> 00:12:55,240
Speaker 1: the way. He had witnessed the popularity of sideshows peak

201
00:12:55,320 --> 00:12:57,840
Speaker 1: in his lifetime, but he would also get mixed up

202
00:12:57,840 --> 00:13:02,120
Speaker 1: in the institution's demise. In nineteen thirty six, Schlitze's manager,

203
00:13:02,240 --> 00:13:05,040
Speaker 1: Ted Mets, took over management for the side show of

204
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Speaker 1: a New Circus, and it was during his year's touring

205
00:13:07,600 --> 00:13:10,760
Speaker 1: with them that Schlitze men a man named George Surtees.

206
00:13:11,640 --> 00:13:14,640
Speaker 1: That same year, George and his wife Dottie became Schlitze's

207
00:13:14,720 --> 00:13:19,000
Speaker 1: legal guardians, becoming in effect both Schlitze's parents and managers,

208
00:13:19,400 --> 00:13:21,520
Speaker 1: and he continued to tour with them well into the

209
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Speaker 1: nineteen forties, joining a group of performers that included the

210
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Speaker 1: Three Legged Frank Lentini and Grady Styles the Lobster Boy.

211
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Speaker 1: By the mid nineteen fifties, other carnival companies began exhibiting

212
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Speaker 1: Schlitzi lookalikes, at times even giving their knockoffs the exact

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Speaker 1: same name. Honestly, the practice was true side show energy.

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Speaker 1: If ever, there was some elements were added to Schlitze's

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Speaker 1: act along the way, because, as you know by now,

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Speaker 1: part of the side show game was to stay relevant.

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Speaker 1: In one advertisement from July of nineteen sixty two, Schlitze

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Speaker 1: was billed as the oldest human side show attraction in America.

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Speaker 1: The article even claimed that he was first exhibited at

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Speaker 1: the Buffalo World's Fair in nineteen o one, when President

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Speaker 1: McKinley was assassinated. By this time, though, attitudes towards sideshow

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Speaker 1: acts and human oddities in particular, we're changing. In March

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Speaker 1: of nineteen sixty two, officials in San Bernardino County, California,

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Speaker 1: closed down two different side show exhibits at the National

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Speaker 1: Orange Show. Police cited a law from the eighteen hundreds

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Speaker 1: that prohibited exhibiting deformed persons for profits, and Schlitze's act

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Speaker 1: became collateral damage during that same decade, Schlitze was exhibited

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Speaker 1: as the last of the Aztecs. The problem, of course,

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Speaker 1: was that the Bakersfield area of California, where Schlitzy was

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Speaker 1: spending time on the carnival circuit, was home to a

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Speaker 1: significant population of Mexican Americans who strongly objected to Schlitze's

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Speaker 1: as tech title. More and more, it was becoming increasingly

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Speaker 1: difficult for human oddity acts to get permission to perform,

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Speaker 1: and there was a general growing distaste for such shows

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Speaker 1: even when they were permitted. Some side shows eliminated these

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Speaker 1: acts altogether and focused instead on the self made freaks,

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Speaker 1: the snake charmers, the knife throwers, and the flame eaters.

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Speaker 1: Others made the switch to pictures of human oddities, including Schlitze,

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Speaker 1: instead of the real thing. The tectonic plates of culture

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Speaker 1: were shifting. The only world Schlitze had ever known was

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Speaker 1: slowly being taken away from him, his friends, his chosen family,

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Speaker 1: even his ability to make a living. He was in

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Speaker 1: his sixties at this point, but he wasn't ready to quit,

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Speaker 1: at least not willingly. In April of nineteen sixty, George died,

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Speaker 1: leaving his daughter legally in charge of Schlitze. She had

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Speaker 1: always disliked him, maybe the only person who had, it seems,

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Speaker 1: and she didn't know how to care for someone with

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Speaker 1: his special needs, so she decided to put him away,

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Speaker 1: having him institutionalized at the Los Angeles County Hospital. And

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Speaker 1: I can't imagine how hard this must have been for him.

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Speaker 1: Schlitze was a deeply social person who had spent his

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Speaker 1: life around other people on stage and among friends, and

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Speaker 1: now he was all alone. But in a small world

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Speaker 1: twist of fate, it just so happened that Bill Unk's

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Speaker 1: sword swallower worked as an orderly at the very same

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Speaker 1: hospital during the off season, and one day, as Unks

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Speaker 1: was cleaning a hallway, he heard a familiar catchphrase, someone

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Speaker 1: repeating over and over you see, you see, and he

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Speaker 1: recognized the voice and the phrase immediately as Schlitze, and

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Speaker 1: when Unks found him, he was nearly catatonic. Unks quickly

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Speaker 1: discovered that his friend had been there for seven months.

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Speaker 1: He wanted to help, and figured the only way to

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Speaker 1: do so was to get Schlitze out of the hospital

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Speaker 1: and back onto the circuit. With Unk's help, he was

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Speaker 1: able to leave and returned to the side show in

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Speaker 1: late nineteen sixty and with that, finally he was back

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Speaker 1: among family, which brings us full circle. I think you see.

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Speaker 1: While there are valid critiques to be made about the

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Speaker 1: inherent dehumanization of the formers in quote Freak Shows, there

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Speaker 1: is also a complicated tension in Schlitzey's life story that

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Speaker 1: calls for a closer, more nuanced look, because when his

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Speaker 1: parents sold him to the side show, they quite possibly

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Speaker 1: provided him with the happiest and most independent life possible

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Speaker 1: for someone like him at the time. It was that

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Speaker 1: same lack of options that led George's daughter to institutionalize Schlitze,

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Speaker 1: an option that ended up making him deeply unhappy. Even

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Speaker 1: the doctors of the hospital knew that if he stayed

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Speaker 1: there rather than being released, it's possible that he would

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Speaker 1: have died from heartbreak. But thankfully that's not where we're

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Speaker 1: going to leave him today. Picture this. We're in MacArthur

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Speaker 1: Park in Los Angeles, sitting on a bench in the

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Speaker 1: setting sun. The sky has that golden pink glow broken

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Speaker 1: up by rows of palm trees, and the air is warm.

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Speaker 1: It's nineteen seventy and schlitze now lives close by with

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Speaker 1: his caretaker. As the sun sets on his life, and

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Speaker 1: it's there that he could be found feeding the animals

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Speaker 1: with handful of sunflower seeds. All of the ducks, according

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Speaker 1: to him, were named tam Robert, and all of the pigeons,

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Speaker 1: he said, were called Alan bar Allen. The Spanish speaking

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Speaker 1: locals of the park called him raton Cito, a pet

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Speaker 1: name meaning little mouse. Sometimes they would even buy him

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Speaker 1: a treat. And it's there, in a place where he

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Speaker 1: was loved and happy, that he would live out the

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Speaker 1: rest of his days. Schlitzi passed away quietly in his

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Speaker 1: old age, but today he lives on in Hollywood. As

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Speaker 1: the decades ticked by the same impulse that brought folks

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Speaker 1: to the side show was now driving them to the theater.

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Speaker 1: Movie attendants increased with every passing decade, and it's easy

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Speaker 1: to see why people didn't have to wait for circus

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Speaker 1: trains to roll through town anymore. In the same way

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Speaker 1: that Barnum and his cronies had constantly reinvented their acts,

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Speaker 1: Hollywood had begun making money by churning out news stories

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Speaker 1: with the same actors again and again and again. In

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Speaker 1: nineteen sixty two, Freaks was screened at the Venice Film Festival,

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Speaker 1: but this time to highly critical reviews. Enough had changed

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Speaker 1: culturally in those thirty intervening years that new audiences were

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Speaker 1: able to see the film in a fresh light. As

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Speaker 1: the kids say these days, it hit just a bit differently.

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Speaker 1: Looking back, critics now recognized the film and its early

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Speaker 1: reception as a cultural touchstone, a snapshot of a moment

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Speaker 1: in time, and freaks reappearance also meant a resurgence of

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Speaker 1: interest in and appreciation for Schltzie and cemented him within

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Speaker 1: the broader consciousness of pop culture. In Freaks was selected

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Speaker 1: by the National Film Registry as one of the most

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Speaker 1: influential films of all time, six years before Dracula was

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Speaker 1: given the same honor, which is somewhat ironic, and that

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Speaker 1: it was the success of Dracula that made it possible

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Speaker 1: for Todd Brown to make Freaks in the first place.

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Speaker 1: In return, Freaks had more or less ruined his career,

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Speaker 1: but thankfully notch Letsie's. We hope you've enjoyed this little

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Speaker 1: bit of movie history so far. It's fascinating just how

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Speaker 1: connected today's world of entertainment is to the side shows

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Speaker 1: of the past, for better or for worse. But we're

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Speaker 1: not done just yet. Stick around through this brief sponsor

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Speaker 1: break to hear one more tale of the side show.

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Speaker 1: It was their smallest Sunday crowd yet, roughly a quarter

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Speaker 1: of a million people. Coney Island had opened to the

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Speaker 1: public just two years before in and the subway line

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Speaker 1: had finally extended far enough to bring the Maths out

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Speaker 1: of the city. Sometimes more than a million people might

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Speaker 1: show up to lounge in the sun. Seven year old

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Speaker 1: Irene Reynolds was one of those people. She and her

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Speaker 1: family had planned to take full advantage of their beach day.

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Speaker 1: Even though the skies above were gray. It was going

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Speaker 1: to be a chance for everyone to kick their feet up,

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Speaker 1: to relax, to play. Irene never intended to drown. According

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Speaker 1: to eyewitness accounts, The wave that came for her was

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Speaker 1: huge and quick. It crested and slammed, sweeping her off

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Speaker 1: her feet and dragging her under, allowing only a moment

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Speaker 1: for her screams to escape, and when Zip heard them,

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Speaker 1: he turned and he began to run. Zip, who was

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Speaker 1: born William Henry Johnson, was a local celebrity. He was

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Speaker 1: a fixture at Coney Island's Dreamland side Show that year,

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Speaker 1: and just like let's see, he had been born with microcephaly.

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Speaker 1: He was a small man. During his time with P. T. Barnum,

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Speaker 1: he was often marketed as the missing Link. He later

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Speaker 1: made his way to Coney Island and his character evolved

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Speaker 1: there Over the years. It's been said that he never spoke,

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Speaker 1: and that his careful adherence to his vow of silence

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Speaker 1: helped prolong his career. But on this day, words didn't matter,

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Speaker 1: only speed. He quickly made it to the shoreline and

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Speaker 1: into the water, diving through the waves to reach Irene.

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Speaker 1: He grabbed her and he pulled her back onto the sand.

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Speaker 1: Within a few moments she had come to coughing and

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Speaker 1: sputtering and convulsive, back to life. If Zip hadn't already

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Speaker 1: been a local hero, he sure was now. Zip, the

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Speaker 1: newspapers reported, almost wilted under the cheers of the crowd,

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Speaker 1: and honestly, I can't blame him. Years later, it would

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Speaker 1: be estimated that he had been seen in person by

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Speaker 1: more people than anyone else who would ever lived, close

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Speaker 1: to one hundred million folks. By some accounts, his career

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Speaker 1: was long and illustrious and highly successful. In fact, Zip

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Speaker 1: will go on to perform well into his sixties, his

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Speaker 1: hallmark silence was one of the things that set him

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Speaker 1: apart from everyone else. But some Starcus veterans believe that

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Speaker 1: this was a creation of Barnum's, but one that Zip

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Speaker 1: stuck to for his whole life. So who was he really?

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Speaker 1: Was he a man who had been exploited for six

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Speaker 1: decades or was he a true method actor, committed to

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Speaker 1: his form and to always staying in character. Did he

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Speaker 1: have a deep understanding of how to market himself and

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Speaker 1: what it would take for him to be a rousing

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Speaker 1: success us. A year after Irene's rescue, Zip died at

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Speaker 1: New York's Bellevue Hospital. As a story goes, his sister

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Speaker 1: was at his bedside as he lay dying, and in

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Speaker 1: his final moments he turned to her. He had something

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Speaker 1: to say. Well, he told her, we fooled them for

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Speaker 1: a long time. Huh. Side Show was written by Robin

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Speaker 1: Minat with narration by me Aaron Mankey research for the

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Speaker 1: series was by Robin Minator, Taylor Haggard Dorn, and Sam Alberty,

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Speaker 1: with production assistants from Josh Thayne, Jesse Funk, Alex Williams

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Speaker 1: and Matt Frederick Grim and Mile Presents was created in

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Speaker 1: partnership with I Heart Radio. You can learn more about

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Speaker 1: this show and everything else from Grim and mild Over

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Speaker 1: at Grim and mild dot com, and, as always, thanks

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Speaker 1: for listening. Boo old old