WEBVTT - So Much We Didn’t See (“Laryngitis” S1 E18)

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<v Speaker 1>And That's what you Really missed with Jenna and Kevin

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<v Speaker 1>an iHeartRadio podcast. Welcome to and That's what You Really

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<v Speaker 1>Missed podcast. I'm Jenna, I'm Kevin, And today's one of

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<v Speaker 1>those days. We're racking our brains to remember the week

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<v Speaker 1>of May eleventh, twenty in Glee history, when episode eighteen

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<v Speaker 1>of season one aired laryngitis, because we were trying to

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<v Speaker 1>remember what we were doing in the real world outside

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<v Speaker 1>of the show, which was we were about to start

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<v Speaker 1>our tour, first tour, yes, which was one of those

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<v Speaker 1>things that you didn't imagine that you would be doing

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<v Speaker 1>as part of a TV show. But there we were

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<v Speaker 1>in Phoenix, Arizona, in early summer, and it was hot

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<v Speaker 1>as hell. Heather's from Scottsdale, yes, and so we she

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<v Speaker 1>kind of knew the territory. I do remember that it

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<v Speaker 1>was very hot, but we were in a dark room

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<v Speaker 1>a lot of the time. Yeah, we were in a

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<v Speaker 1>theater in downtown Phoenix, Arizona. It felt like I think

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<v Speaker 1>it was like a hundred degrees and I remember walking

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<v Speaker 1>outside in the sun blinding our eyes and there was

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<v Speaker 1>nobody around because of course nobody would be walking the

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<v Speaker 1>streets and that heat, and it did feel like a

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<v Speaker 1>ghost town like we we had like free rain. It

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<v Speaker 1>was summer break sort of thing, summer brick. It was

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<v Speaker 1>very exciting. It was my first time in two gay bars.

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<v Speaker 1>I do remember I went to only went to one

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<v Speaker 1>of those. I believe it was fun. I remember when

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<v Speaker 1>Zach Woodley were at one and we got invited to

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<v Speaker 1>go upstairs in this like secret room of this place

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<v Speaker 1>to try expensive tequila, and I thought it tasted like

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<v Speaker 1>light or fluid, so I didn't have the palette I

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<v Speaker 1>have now. Was this the club where they announced that

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<v Speaker 1>you were there? It was the same night, different club

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<v Speaker 1>where you know, closeted. Me was in a gay club

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<v Speaker 1>for the first time, and then like the cast of

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<v Speaker 1>Glee is here, and we ran out of there so quickly.

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<v Speaker 1>I was like, where's Chris. Get Chris, because at that

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<v Speaker 1>point it was me, Chris, Kelly, and I think Megan,

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<v Speaker 1>which was also funny because I obviously was not closeted

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<v Speaker 1>to you guys. But by the time we got to

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<v Speaker 1>La Jane Lynch came up to me after the show

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<v Speaker 1>and was like, I heard you were a little gay boy,

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<v Speaker 1>like in a sweet way, and I turned bright red

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<v Speaker 1>and was like, She's like, oh, okay, never mind, Sorry,

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<v Speaker 1>you shouldn't have said that. I was like, no, it's fine.

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<v Speaker 1>I just want other people to know. I don't know

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<v Speaker 1>what my problem was. That's funny. I recently was back

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<v Speaker 1>in Phoenix and went to a gay bar and I

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<v Speaker 1>was like, I wonder if this is the same place,

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<v Speaker 1>and it didn't look the same at all, and I

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<v Speaker 1>was like, well, my one memory of it is being

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<v Speaker 1>in this like back bar. I knew, like geographically the

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<v Speaker 1>opposite of what you would have done. Jennet. Yeah, yeah,

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<v Speaker 1>I don't remember anything geographically because I don't know geography.

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<v Speaker 1>And I wandered through this crowd and I saw the

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<v Speaker 1>back corner bar. I was like, oh my god, this

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<v Speaker 1>is it. I gave a drag queen tickets to the show.

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<v Speaker 1>I don't know if she came, but it all happened better. Yeah, wow,

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<v Speaker 1>the one gay bar. Yeah, it was really magical. I

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<v Speaker 1>was happy to find it a billion years later. M

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<v Speaker 1>very exciting. Do you remember too. So for this tour,

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<v Speaker 1>Phoenix was our place where we were working out what

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<v Speaker 1>the show was going to be, because there was still

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<v Speaker 1>a debate of whether or not we were going to

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<v Speaker 1>be in character the entire time or were we going

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<v Speaker 1>to be ourselves? And we had skits. There were skits

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<v Speaker 1>in this tour and the skits in this tool and

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<v Speaker 1>during the first show there wasn't a consistent like, sometimes

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<v Speaker 1>we refer to each other and as our real name,

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<v Speaker 1>sometimes we refer to each other and our character names.

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<v Speaker 1>I was in the wheelchair the whole time, so I

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<v Speaker 1>was always ardy, right, And so it was a weird

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<v Speaker 1>mix of we didn't quite know what we were doing yet,

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<v Speaker 1>trial and error, and there was also the thing of

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<v Speaker 1>the people behind the scenes who are running the tour,

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<v Speaker 1>who that's what they normally did. They're like, Oh, it's

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<v Speaker 1>gonna be crazy. It's gonna be like one Direction where

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<v Speaker 1>there's people screaming everywhere. And then do you remember nobody cheered.

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<v Speaker 1>We went out on stage and after each number like

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<v Speaker 1>people applauded a little bit. And then we finished the show.

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<v Speaker 1>Everyone went crazy, and we realized the demographic of the

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<v Speaker 1>audience was so far off from what they thought it

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<v Speaker 1>would be. They thought it was going to be like teens,

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<v Speaker 1>and it was teens and younger children and through their

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<v Speaker 1>grandparents it was body and that was so people react

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<v Speaker 1>differently in different demographics, and then people were reacting like

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<v Speaker 1>they were watching a theater show and not necessarily a concert.

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<v Speaker 1>I don't remember. It was the first night and every

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<v Speaker 1>afterwards like did people like it? And we had to

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<v Speaker 1>have sort of like a meeting to sort of dissect

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<v Speaker 1>what was going on. And we realized because we were

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<v Speaker 1>doing so many skits and in our characters, that people

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<v Speaker 1>thought it was a theater show. So you don't clap

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<v Speaker 1>in the middle of a theater show, really, and so

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<v Speaker 1>we had to then add in bits to like involve

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<v Speaker 1>the crowd, crowd participation, make them feel like, no, this

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<v Speaker 1>is a concert. We're not putting out a theater show,

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<v Speaker 1>even though this is like a musical theater type thing.

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<v Speaker 1>That's funny. Well, what a memory, Kevin that I don't

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<v Speaker 1>remember any of that. I just remember because I was

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<v Speaker 1>just like, they hate it, We're not nobody. I was

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<v Speaker 1>taking it very personally. Well. It's also it was like

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<v Speaker 1>a new format for a TV show to go on tour,

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<v Speaker 1>and I think before that high school musical had gone

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<v Speaker 1>on tour, and that was a heavily skewed demographic in

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<v Speaker 1>terms of you knew exactly who was showing up. It's

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<v Speaker 1>Disney Channel. It's a young audience and kids will screen tweens. Yeah, exactly,

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<v Speaker 1>exactly with us, which is what they expected. I don't

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<v Speaker 1>think people knew, right, you know, we met people when

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<v Speaker 1>we were out getting recognized, and there was grandparents to children.

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<v Speaker 1>So no, truly, I mean even like people would come

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<v Speaker 1>to visit and said and on tour, like when they

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<v Speaker 1>come up to us some coffee shops, they'd be like,

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<v Speaker 1>my girlfriend really likes the show, but I love the show.

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<v Speaker 1>It was very much that so the show, I mean

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<v Speaker 1>this episode am aired on May eleventh, which also was

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<v Speaker 1>Corey Corey's birthday, yea, and my dad's birthday. Oh and

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<v Speaker 1>you know my mom's birthday is the same as Lea's day.

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<v Speaker 1>Really yeah, and now we know that my mom's birthday

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<v Speaker 1>is the same as Ryan's birth Ryan's birthday, and you

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<v Speaker 1>and Harry and my friend Will and there was one

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<v Speaker 1>other person, Marco's brother, Marco's brother. There's quite a few

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<v Speaker 1>people with April twenty anyway, it's one of those days. Yes, Well,

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<v Speaker 1>the tour was a hit, obviously after we figured it

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<v Speaker 1>out with your memory, there was an experiment it wasn't

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<v Speaker 1>and then didn't we also film at Radio City? You're right,

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<v Speaker 1>we filmed at Radio City and we weren't really sure

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<v Speaker 1>what it was for what they were going to do

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<v Speaker 1>with it, but Ryan was like, let's just film it,

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<v Speaker 1>and we never saw it. We should have asked Ryan

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<v Speaker 1>if he has it, Oh, we gotta check him and

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<v Speaker 1>ask let's ask him, because I need to pull that

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<v Speaker 1>out of the archives. I would love to see that,

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<v Speaker 1>especially you know shot the way it was shot. Do

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<v Speaker 1>you remember like a steady camp was following Lee down

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<v Speaker 1>the aisles for don't Random My Parade and like the

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<v Speaker 1>whole thing. I remember too. At Radio City all of

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<v Speaker 1>the Fox executives and Ryan everybody came and that's when

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<v Speaker 1>they sort of fest up to it being like a

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<v Speaker 1>pilot program. They're like, basically, we're doing this like we're

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<v Speaker 1>not going to make any money this time, because as

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<v Speaker 1>much as it's costing to put on this tour, we're

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<v Speaker 1>not putting you on the road long enough to actually

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<v Speaker 1>recoup all of that money. But if this is successful,

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<v Speaker 1>then next season we'll do a bigger tour. And we're like,

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<v Speaker 1>oh no, what does that mean? And it we broke.

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<v Speaker 1>I think at the time the merch sales record at

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<v Speaker 1>Radio City, right, and like it worked as successful? So

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<v Speaker 1>next season get ready all right? What else was going on?

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<v Speaker 1>Number one song nothing on You Bob featured Brutal Mars Right.

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<v Speaker 1>The movie Iron Man two released on May seventh, with

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<v Speaker 1>our friend Gwyneth Paltrow, our future friend, our future friend. Yeah,

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<v Speaker 1>and then on the Stay. In two thousand and nine,

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<v Speaker 1>the Glee cast attended their season one premiere screening event.

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<v Speaker 1>Oh yeah, at Santa Monica High School in Santa Monica.

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<v Speaker 1>How far we had come in a year? Right? Right?

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<v Speaker 1>I mean it was right when the show premiered, like

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<v Speaker 1>after American Idol in two thousand and nine, we did

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<v Speaker 1>that high school thing. And it is weird to think

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<v Speaker 1>within a year than we were selling out Radio City. Yeah.

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<v Speaker 1>Nobody could have told the cast of Glee at that

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<v Speaker 1>amphitheater that we would be on a tour selling out

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<v Speaker 1>Radio City or like my home. And and yes, we

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<v Speaker 1>can talk more about the tour another time. Let us

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<v Speaker 1>know you guys if you want to hear more about

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<v Speaker 1>tour number one, and also we'll ask Ryan about seeing it.

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<v Speaker 1>That's where I got that tour was fun and Drea

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<v Speaker 1>was fun. We went out of the night after Radio

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<v Speaker 1>City to that restaurant that they rented out for us,

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<v Speaker 1>and we got buck wild dancing on the I think

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<v Speaker 1>you talked about this in the previous episode Dancing on

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<v Speaker 1>the Tables. I was also able to like order sushi

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<v Speaker 1>from my favorite place because which is now closed, our

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<v Speaker 1>ip Codama, because I was home. I was like, Wow,

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<v Speaker 1>this is this in my hood. It was a very

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<v Speaker 1>good time, we very exciting. We got to go in

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<v Speaker 1>a private chat for we'll talk about the next week. Okay,

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<v Speaker 1>So this episode Laryngitis was special for a number of reasons.

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<v Speaker 1>So if you hadn't noticed up to this point during

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<v Speaker 1>the back nine so far, Naya is progressively singing more

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<v Speaker 1>and more and more and it's yes, thank God, and

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<v Speaker 1>it seems like the creative team starting to recognize how

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<v Speaker 1>damn good she was at everything yep, which leads us

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<v Speaker 1>to the Boy's mind this episode. And this also goes

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<v Speaker 1>to with our interview with Ryan where and he was

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<v Speaker 1>talking about how it was so special that we got

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<v Speaker 1>to spend so much time in between set scenes where

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<v Speaker 1>he got to know us, because this episode is exactly

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<v Speaker 1>a product of that. The Boy is Mine and the

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<v Speaker 1>Climb there was also a lot of us getting to

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<v Speaker 1>bond with Alfonso Gomez, who will be one of our

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<v Speaker 1>resident directors, yes, who was amazing, did a great job,

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<v Speaker 1>very artistic though. So sometimes there are some directors that

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<v Speaker 1>would take really quickly Eric Stults, she takes done. There

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<v Speaker 1>are some directors that some are men in the middle.

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<v Speaker 1>And Alfonso really I got these like very special shots

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<v Speaker 1>and he was very specific and so sometimes we would

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<v Speaker 1>do it all and we weren't used to that. But

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<v Speaker 1>it looks are like who is this? But they looked

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<v Speaker 1>his episodes like we'll get two grilled cheeses, oh goodness, gracious.

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<v Speaker 1>And if you watch American Horror Story, he became a

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<v Speaker 1>central figure on that show with all of those like

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<v Speaker 1>crazy from the ceiling to the floor, like spinning around

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<v Speaker 1>type shots. That's all well Fonzie. So if we refer

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<v Speaker 1>to him as Fawnsie, um, that's why. And that's him

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<v Speaker 1>quite good friends with him too, Yeah, just he was

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<v Speaker 1>like around and poor guy. I remember him like I'd

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<v Speaker 1>seen him for ever around led and would just be

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<v Speaker 1>like and he's a quiet guy, and we were the opposite.

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<v Speaker 1>And I think you had a good impression of him.

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<v Speaker 1>Kevin He's the only impression I can do. It's niche

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<v Speaker 1>and it only works for a certain group of people,

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<v Speaker 1>but he is the only impression I can do. And

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<v Speaker 1>a little Ryan all right, and yeah, definitely right. And

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<v Speaker 1>so this was technically written by Ryan, but we know

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<v Speaker 1>it's the holy trinity Um Brad, Ryan and Ian. And

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<v Speaker 1>we have guest stars Michael Malley who feels like regular

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<v Speaker 1>UM Zach Weinstein very special guest star um Eve Gordon

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<v Speaker 1>as Miss fret Hold as Zach's mom or a Sean's mom,

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<v Speaker 1>and um actually think is in this episode. Everything is

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<v Speaker 1>very funny in this episode. Yeah, we get we get Fink,

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<v Speaker 1>we get a lot more thinks soon. And unfortunately there's

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<v Speaker 1>no Jesseline or Jama, which is sad. You know, we

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<v Speaker 1>need them. Tell us about the music, Kevin, tell me

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<v Speaker 1>about them. We have some gigantic songs. We have Jesse's

0:13:44.200 --> 0:13:47.199
<v Speaker 1>Girl by Rick Springfield. We have Lady as a Tramp

0:13:47.240 --> 0:13:49.240
<v Speaker 1>by the cast of Babes and Arms. I don't know

0:13:49.240 --> 0:13:51.880
<v Speaker 1>what Babes and Arms is, Jenna, it's a show. Well,

0:13:52.480 --> 0:13:55.480
<v Speaker 1>I thought this was like a Frank Sinatra song. You know,

0:13:55.559 --> 0:13:57.880
<v Speaker 1>they made it like Frank Sinatra songs. So I would

0:13:57.920 --> 0:14:00.480
<v Speaker 1>have believed somebody covered it, but it's a Broadway song.

0:14:01.720 --> 0:14:04.760
<v Speaker 1>I had no idea, all right, The Boy's Mind by

0:14:04.920 --> 0:14:08.439
<v Speaker 1>Brandy and Monica, The Song of Our Time, Rose's Term

0:14:08.480 --> 0:14:12.720
<v Speaker 1>by the cast of Gypsy, and One by You two. Specifically,

0:14:13.400 --> 0:14:16.040
<v Speaker 1>it is the new version of one that features Mary

0:14:16.120 --> 0:14:19.560
<v Speaker 1>jay Blige. It is. I wouldn't have known that it's

0:14:19.560 --> 0:14:22.440
<v Speaker 1>the cover because I was obsessed with that cover and

0:14:22.480 --> 0:14:24.040
<v Speaker 1>I was a little sad I didn't get to sing

0:14:24.080 --> 0:14:26.600
<v Speaker 1>on this one. Oh No, but I was really happy

0:14:26.640 --> 0:14:29.240
<v Speaker 1>they used the cover because I remember Bono also said

0:14:29.240 --> 0:14:31.120
<v Speaker 1>he preferred that version because he hates how he sounds

0:14:31.120 --> 0:14:44.560
<v Speaker 1>on the original version. Oh wow. A little tidbit break

0:14:44.600 --> 0:14:47.640
<v Speaker 1>this episode down for us, Jenna, let's do it so

0:14:47.840 --> 0:14:51.280
<v Speaker 1>A sort of throat affects Rachel's singing voice and she

0:14:51.360 --> 0:14:53.920
<v Speaker 1>goes into panic mode. She's one of my favorite quotes

0:14:53.960 --> 0:14:58.200
<v Speaker 1>of the series in this episode. Meanwhile, Kurt tries to

0:14:58.280 --> 0:15:02.160
<v Speaker 1>change his persona to across his father get his dad's attention,

0:15:02.840 --> 0:15:05.920
<v Speaker 1>and Puck tries to regain his social status by dating

0:15:06.200 --> 0:15:14.840
<v Speaker 1>Mercedes after he shaves the mohawk. He was so sick

0:15:14.880 --> 0:15:19.960
<v Speaker 1>about mohawk A lot to maintain. It was a lot,

0:15:20.000 --> 0:15:23.640
<v Speaker 1>and it just made him so distinguishable out more. That's right,

0:15:24.600 --> 0:15:27.480
<v Speaker 1>there was no hiding. Should we get into the episode

0:15:27.680 --> 0:15:30.800
<v Speaker 1>to talk about some some memories here? So all right,

0:15:31.360 --> 0:15:34.720
<v Speaker 1>Puck shows up at school and his mohawk is gone,

0:15:35.560 --> 0:15:38.600
<v Speaker 1>you know, Hell's frozen over, and all of a sudden

0:15:38.880 --> 0:15:42.000
<v Speaker 1>we realized that the mohawk gave him his popularity, that

0:15:42.080 --> 0:15:44.360
<v Speaker 1>gave him his power, and now that it was gone,

0:15:45.160 --> 0:15:48.320
<v Speaker 1>gone was his power and people being scared of him.

0:15:48.400 --> 0:15:52.720
<v Speaker 1>And he's noticing that Mercedes is now a cheerio, she's

0:15:52.720 --> 0:15:57.000
<v Speaker 1>totally up to her social status and thinks, well, maybe

0:15:57.000 --> 0:15:59.240
<v Speaker 1>I need to go after her because she can make

0:15:59.280 --> 0:16:01.920
<v Speaker 1>me popular. After he gets thrown at the dumpster, and

0:16:01.960 --> 0:16:06.600
<v Speaker 1>he has this you know, aha momentum fun fact. I

0:16:06.640 --> 0:16:09.320
<v Speaker 1>don't know if you noticed this, but there's a on

0:16:09.360 --> 0:16:12.920
<v Speaker 1>the waste management sign on the trash band that he

0:16:12.960 --> 0:16:17.240
<v Speaker 1>gets thrown into. It's spelled incorrectly. Yeah. I wonder if

0:16:17.240 --> 0:16:19.000
<v Speaker 1>they had to do that for like legal reasons. I

0:16:19.000 --> 0:16:23.920
<v Speaker 1>don't know, but it's like trademarked or something. I don't know.

0:16:23.960 --> 0:16:26.880
<v Speaker 1>That seems pretty general. That's funny, yeah, or somebody just

0:16:26.920 --> 0:16:32.840
<v Speaker 1>doesn't know how to spell right, which is fine, um,

0:16:32.920 --> 0:16:36.080
<v Speaker 1>so Puck tries to go after Mercedes, saying all kinds

0:16:36.080 --> 0:16:41.960
<v Speaker 1>of offense appropriate inappropriate things, calling her the black girl

0:16:42.440 --> 0:16:50.920
<v Speaker 1>several times. I'm like that emoji with the teeth. Um

0:16:52.360 --> 0:16:55.600
<v Speaker 1>he was very funny this episode. He doesn't get to

0:16:55.640 --> 0:16:58.720
<v Speaker 1>do a lot of silly comedy, I think, And it

0:16:58.880 --> 0:17:02.200
<v Speaker 1>was and he's a funny kid, Like he really did

0:17:02.360 --> 0:17:07.120
<v Speaker 1>make us laugh a lot. And then and then because

0:17:07.160 --> 0:17:12.160
<v Speaker 1>of Puck and Mercedes actually Mercedes actually being wooed by

0:17:12.160 --> 0:17:14.439
<v Speaker 1>Puck even though she really kind of knows exactly what

0:17:14.520 --> 0:17:18.480
<v Speaker 1>this is. It takes us to the Santana and Mercedes

0:17:18.560 --> 0:17:21.800
<v Speaker 1>singing the song of the Century, the Boy's Mind, because

0:17:21.880 --> 0:17:24.400
<v Speaker 1>Quinn has given her heads up, because Quinn's like, I'm

0:17:24.440 --> 0:17:27.720
<v Speaker 1>not worried about Puck breaking your heart. I'm worried about

0:17:27.760 --> 0:17:32.800
<v Speaker 1>the ramifications of Santana of you going after Santana's man

0:17:32.920 --> 0:17:37.040
<v Speaker 1>like good luck. And then after the assignment when he

0:17:37.080 --> 0:17:41.439
<v Speaker 1>does Ladies a Tramp with Mercedes, Santana is like, no, no,

0:17:42.600 --> 0:17:48.440
<v Speaker 1>this will not stand. We're not having this. So do

0:17:48.480 --> 0:17:54.560
<v Speaker 1>you want to talk about Boy's Mind? Basically, and this

0:17:54.640 --> 0:17:57.399
<v Speaker 1>is also where tour comes in handy. You need to

0:17:57.440 --> 0:18:02.720
<v Speaker 1>go watch some bootlegs because somehow when we were sitting around,

0:18:02.800 --> 0:18:06.359
<v Speaker 1>we'd have our chairs in our director's chairs, cast chairs

0:18:06.359 --> 0:18:08.640
<v Speaker 1>in a circle in the middle of the sound stage

0:18:08.640 --> 0:18:12.280
<v Speaker 1>while they're setting up shots, and Nia starts doing this

0:18:12.400 --> 0:18:17.159
<v Speaker 1>Monica impression, which involves a lot of neck movement and

0:18:17.240 --> 0:18:23.919
<v Speaker 1>head bobbing and hair moving, and she did this incredible,

0:18:24.080 --> 0:18:28.040
<v Speaker 1>incredible spot on monica impression. And Ryan comes up, because

0:18:28.080 --> 0:18:33.359
<v Speaker 1>this was happening probably during Madonna, right when Ryan was around,

0:18:33.440 --> 0:18:35.080
<v Speaker 1>He's like, what do you He would show up out

0:18:35.080 --> 0:18:39.239
<v Speaker 1>of nowhere, like just appear like a phantom and be like,

0:18:39.880 --> 0:18:42.400
<v Speaker 1>what are you all laughing at? And so we're like, Naia,

0:18:42.520 --> 0:18:45.560
<v Speaker 1>do the thing, Please show him and he was dying laughing.

0:18:45.640 --> 0:18:48.200
<v Speaker 1>And then what do you know, in the next episode

0:18:48.680 --> 0:18:52.760
<v Speaker 1>or two episodes there it is. I would say, Amber

0:18:52.800 --> 0:18:58.879
<v Speaker 1>also sounds phenomenous. Oh my god, it's it's literally my dream.

0:19:01.359 --> 0:19:04.080
<v Speaker 1>I couldn't believe. It felt like a coup, like we

0:19:04.160 --> 0:19:07.280
<v Speaker 1>had tricked Ryan into doing the thing we wanted to do.

0:19:07.440 --> 0:19:10.840
<v Speaker 1>I mean sometimes we definitely try before, Like Ryan listened

0:19:10.880 --> 0:19:13.479
<v Speaker 1>to this and it worked. You just had to make

0:19:13.560 --> 0:19:16.280
<v Speaker 1>him think it was his idea, you know, And then

0:19:16.280 --> 0:19:19.200
<v Speaker 1>he's like, let's do this thing. I came up with

0:19:19.240 --> 0:19:23.639
<v Speaker 1>her great and so I remember Naya. She went to

0:19:23.640 --> 0:19:25.879
<v Speaker 1>record it, and then afterwards she was like, well, I

0:19:26.000 --> 0:19:28.679
<v Speaker 1>tried to do the full Monica impression, but Adam wouldn't

0:19:28.760 --> 0:19:32.919
<v Speaker 1>let me, and she threw it in there. She definitely

0:19:32.920 --> 0:19:35.800
<v Speaker 1>got it in. If you notice, it's sort of like

0:19:35.880 --> 0:19:38.880
<v Speaker 1>how she pronounces some of the vowels and the verbrato

0:19:38.960 --> 0:19:42.520
<v Speaker 1>on some of the wards dude things dud do like

0:19:43.920 --> 0:19:46.639
<v Speaker 1>And there's a shot if you go watch the number

0:19:47.359 --> 0:19:51.080
<v Speaker 1>where she's at the piano and her Amber started the

0:19:51.080 --> 0:19:54.359
<v Speaker 1>piano and Amber walks to perform to the kids, and

0:19:54.520 --> 0:19:57.760
<v Speaker 1>when she leaves the piano, yes, it's her last shot

0:19:57.760 --> 0:19:59.359
<v Speaker 1>at the piano. She puts her hand up and she

0:19:59.440 --> 0:20:03.280
<v Speaker 1>does this nice thing. And that was part of the

0:20:03.280 --> 0:20:06.520
<v Speaker 1>original impression that she did for us, and she snuck

0:20:06.560 --> 0:20:09.920
<v Speaker 1>it in there, and it got in there. Her ability

0:20:10.080 --> 0:20:13.800
<v Speaker 1>to put in inside jokes constantly and keep a straight

0:20:13.840 --> 0:20:19.679
<v Speaker 1>face was unmatched, unmatched. It's so good and it's so funny,

0:20:19.720 --> 0:20:23.439
<v Speaker 1>so good. And I discovered when I was sort of

0:20:23.440 --> 0:20:26.040
<v Speaker 1>like looking you know this episode up, I found her

0:20:26.080 --> 0:20:29.920
<v Speaker 1>doing this on that first tour and she does full

0:20:30.000 --> 0:20:34.399
<v Speaker 1>Monica impression. Yeah, she watch some recordings on YouTube. It

0:20:34.560 --> 0:20:39.240
<v Speaker 1>is full Monica and then a bit with the recorded version,

0:20:39.280 --> 0:20:43.879
<v Speaker 1>you'll see what we're talking about. Then that is the

0:20:43.960 --> 0:20:46.159
<v Speaker 1>boy is Mine. I mean, there's not much else to

0:20:46.200 --> 0:20:49.359
<v Speaker 1>say other than the fact that it's brilliant and we

0:20:49.560 --> 0:20:51.959
<v Speaker 1>couldn't we literally couldn't be happier that it was in

0:20:52.000 --> 0:20:54.800
<v Speaker 1>the episode, and we weren't probably jumping up and down

0:20:54.800 --> 0:20:59.119
<v Speaker 1>when we saw it in the Scriptum. So Mercedes quits

0:20:59.160 --> 0:21:03.119
<v Speaker 1>the cheerios the end of it goodbye and says, nobody

0:21:03.200 --> 0:21:05.560
<v Speaker 1>quits the cheerio as you either die or I kick

0:21:05.640 --> 0:21:11.080
<v Speaker 1>you off. But at some point Mercedes the jig is

0:21:11.160 --> 0:21:15.680
<v Speaker 1>up right, like she's got back to Gale Club. Um, okay,

0:21:15.720 --> 0:21:21.160
<v Speaker 1>so can we just at some point during this, him

0:21:21.240 --> 0:21:23.560
<v Speaker 1>trying to woo her, says Blacks and Jews have a

0:21:23.640 --> 0:21:26.240
<v Speaker 1>history of sticking up for each other, and Wikipedia says

0:21:26.240 --> 0:21:31.920
<v Speaker 1>that King Martin Luther loved the Jews. I can I mean,

0:21:31.960 --> 0:21:34.960
<v Speaker 1>I have a cringe line for later, but he just

0:21:35.320 --> 0:21:38.800
<v Speaker 1>it would like he joins a black church. It was

0:21:38.840 --> 0:21:41.240
<v Speaker 1>sort of like the same thing he did to get Rachel.

0:21:41.320 --> 0:21:47.160
<v Speaker 1>It's always like I'm going to leave my Jewishness. It's

0:21:47.200 --> 0:21:51.760
<v Speaker 1>it is funny um, but it's also very wildly inappropriate.

0:21:51.920 --> 0:21:56.200
<v Speaker 1>It's pretty crazy. So this leads us to our inside

0:21:56.280 --> 0:22:02.600
<v Speaker 1>joke number two, which was also a thing we showed Ryan. Well, yeah,

0:22:02.680 --> 0:22:09.520
<v Speaker 1>this was okay, this is amazing. Leah Lead had this

0:22:09.600 --> 0:22:14.320
<v Speaker 1>thing where she bad sings, and because she has such

0:22:14.320 --> 0:22:19.040
<v Speaker 1>a phenomenal voice, the juxtaposition of her bad singing is

0:22:19.200 --> 0:22:24.159
<v Speaker 1>so good. It's it's cringing, it's off key, it is piercing,

0:22:24.240 --> 0:22:27.879
<v Speaker 1>and it's so freaking funny. And she would do it

0:22:27.920 --> 0:22:29.399
<v Speaker 1>all the time. We'd ask her to do it all

0:22:29.440 --> 0:22:33.000
<v Speaker 1>the time on set, in between takes and when she's

0:22:33.080 --> 0:22:34.359
<v Speaker 1>up in the choir room kind of like when she

0:22:34.440 --> 0:22:36.560
<v Speaker 1>did the climb, like standing there. She would do it

0:22:36.600 --> 0:22:39.240
<v Speaker 1>with a song and she had the ability to like

0:22:39.400 --> 0:22:42.760
<v Speaker 1>just get just off key enough that you're like, oh God.

0:22:43.400 --> 0:22:45.320
<v Speaker 1>And we made her do it for Ryan and he

0:22:45.520 --> 0:22:49.800
<v Speaker 1>was laughing. And so that is the name of our episode,

0:22:49.880 --> 0:22:54.080
<v Speaker 1>because she would the face she performs the climb with

0:22:54.320 --> 0:22:56.359
<v Speaker 1>is the face she always does her bad singing with

0:22:56.480 --> 0:22:59.320
<v Speaker 1>where she's like, she's not aware, but she knows something

0:22:59.440 --> 0:23:03.639
<v Speaker 1>is up. You know, I think something's wrong. You were

0:23:03.680 --> 0:23:07.760
<v Speaker 1>all I remember her joining the climb and because it

0:23:07.840 --> 0:23:10.480
<v Speaker 1>wasn't she did it live, so she wasn't singing to

0:23:10.560 --> 0:23:14.440
<v Speaker 1>pre record because it obviously wasn't a recorded, recordable thing.

0:23:15.400 --> 0:23:18.160
<v Speaker 1>She had an earwig in and you can see it,

0:23:18.960 --> 0:23:20.840
<v Speaker 1>go back and see it in her right ear when

0:23:20.840 --> 0:23:23.600
<v Speaker 1>she looks at mister Shoe. She has the earwig in

0:23:23.680 --> 0:23:28.040
<v Speaker 1>so she can keep time and hear the track. But

0:23:28.200 --> 0:23:31.000
<v Speaker 1>she's singing and there's no music. So imagine us in

0:23:31.040 --> 0:23:36.720
<v Speaker 1>the choir room with silence, with her singing the climb.

0:23:37.600 --> 0:23:40.600
<v Speaker 1>And this is the first time. Phonzie also was directing

0:23:40.600 --> 0:23:42.880
<v Speaker 1>and didn't really know us, and we all are all

0:23:42.880 --> 0:23:48.879
<v Speaker 1>trying to keep it together. Yeah, but it was so hard.

0:23:49.000 --> 0:23:51.719
<v Speaker 1>I'm crying thinking about it. There was a shot of

0:23:51.800 --> 0:24:02.000
<v Speaker 1>me right before she starts singing, and I'm also I'm

0:24:02.080 --> 0:24:06.720
<v Speaker 1>already laughing. It's hard. It's really quick. I'm I'm doing

0:24:06.760 --> 0:24:09.439
<v Speaker 1>my frowny face to keep from smiling, and I'm turning

0:24:09.520 --> 0:24:13.360
<v Speaker 1>away from her before she's even started, and I got

0:24:13.359 --> 0:24:17.520
<v Speaker 1>caught i camera doing it. Because I also remember her

0:24:17.600 --> 0:24:19.480
<v Speaker 1>being like, guys, you got to stop while thing because

0:24:19.480 --> 0:24:21.560
<v Speaker 1>I kind of get this done because she we were

0:24:21.640 --> 0:24:25.680
<v Speaker 1>making her laugh. Um, but the only way for us

0:24:25.720 --> 0:24:29.359
<v Speaker 1>to not laugh was to make confused faces, which were worked.

0:24:29.520 --> 0:24:32.760
<v Speaker 1>It worked for the scene. Harry's face was phenomenal in this.

0:24:33.080 --> 0:24:36.760
<v Speaker 1>My gosh, that was so funny. I was laughing. It

0:24:36.760 --> 0:24:39.760
<v Speaker 1>makes me want to cry. Um, it's so funny. Nothing

0:24:39.800 --> 0:24:41.520
<v Speaker 1>I think every in my life has made me laugh

0:24:41.520 --> 0:24:44.600
<v Speaker 1>harder than when she would do those impressions or that single.

0:24:45.800 --> 0:24:47.640
<v Speaker 1>I used to tell her when I have a bad day,

0:24:47.640 --> 0:24:49.080
<v Speaker 1>I'm going to call you, and I think I did

0:24:49.119 --> 0:24:51.000
<v Speaker 1>once and I was like, just give it to me.

0:24:51.080 --> 0:24:53.520
<v Speaker 1>I'm going to call you in like ten seconds. I

0:24:53.560 --> 0:24:55.720
<v Speaker 1>need you to be She picked up the phone and

0:24:55.800 --> 0:25:01.080
<v Speaker 1>just started singing terribly, and I was crying. It's so

0:25:01.720 --> 0:25:05.080
<v Speaker 1>never got old, never got old, all right. So in

0:25:05.119 --> 0:25:10.640
<v Speaker 1>the storyline, Rachel gets laryngitis and she she realizes, as um,

0:25:10.840 --> 0:25:13.320
<v Speaker 1>we're warming up in things that, which is a very

0:25:13.320 --> 0:25:16.080
<v Speaker 1>cute montage as well, that people aren't pulling their way

0:25:16.080 --> 0:25:20.359
<v Speaker 1>they've stopped singing. Um, So she gets she bribes ICs

0:25:20.680 --> 0:25:24.919
<v Speaker 1>with Candy to bug the choir room, and all of

0:25:24.920 --> 0:25:29.720
<v Speaker 1>her suspicions are confirmed and Finn's definitely not singing because

0:25:29.760 --> 0:25:33.280
<v Speaker 1>obviously Jesse's getting all of the solos and everybody else

0:25:33.520 --> 0:25:41.040
<v Speaker 1>just kind of yeah, and then Jesse Corey for some

0:25:41.080 --> 0:25:44.199
<v Speaker 1>reason or Finn, sorry, Finn goes with Rachel to the

0:25:44.240 --> 0:25:47.920
<v Speaker 1>doctor's appointment and I thought that was very His performance

0:25:47.960 --> 0:25:49.879
<v Speaker 1>was very funny. The doctor's appointments are very funny in

0:25:49.880 --> 0:25:52.720
<v Speaker 1>the show. Um, he's like, you're never going to sing again,

0:25:52.840 --> 0:25:57.640
<v Speaker 1>Jess kidding. But then we get into one of our

0:25:57.680 --> 0:26:02.040
<v Speaker 1>most iconic songs, which Ryan Murphy confirmed in his last

0:26:02.080 --> 0:26:05.680
<v Speaker 1>interview that g SEC James was named so that Corey

0:26:06.440 --> 0:26:09.640
<v Speaker 1>or Finn rather Sorry, I keep calling Corey that Finn

0:26:10.480 --> 0:26:14.960
<v Speaker 1>could sing this number, and this number is just when

0:26:14.960 --> 0:26:17.600
<v Speaker 1>I think of Corey, this is the number, that's the one.

0:26:18.200 --> 0:26:22.760
<v Speaker 1>This is Finn, this is this is his this is his.

0:26:22.840 --> 0:26:25.879
<v Speaker 1>Don't ring in my parade, that's right, Like this is

0:26:25.920 --> 0:26:29.280
<v Speaker 1>his thing. He did it on the tour. Every every

0:26:29.359 --> 0:26:32.320
<v Speaker 1>night we would dance backstage to it and ordered under

0:26:32.359 --> 0:26:34.680
<v Speaker 1>this stage. Really, Jenna, how would you dance to the song?

0:26:35.160 --> 0:26:37.480
<v Speaker 1>All right? Well, the girls had a changing room under

0:26:37.520 --> 0:26:39.680
<v Speaker 1>the stage, a quick change room where we would change

0:26:39.680 --> 0:26:45.399
<v Speaker 1>our coustumes real fast. And somehow along the way we

0:26:45.560 --> 0:26:50.040
<v Speaker 1>turned into like us pole dancing and stripper strippering. As

0:26:50.080 --> 0:26:53.560
<v Speaker 1>we were undressing, strippering, stripping, um stripping as we were

0:26:53.600 --> 0:26:55.679
<v Speaker 1>undressing and changing into our next and we had like

0:26:55.680 --> 0:26:58.120
<v Speaker 1>a little bit of a long stretch in this one.

0:26:58.359 --> 0:27:00.720
<v Speaker 1>And so Kevin heard about it and he came in

0:27:00.760 --> 0:27:04.200
<v Speaker 1>and he would see us literally in our fish nets

0:27:04.200 --> 0:27:07.320
<v Speaker 1>with our thongs like fully, with our legs in the air.

0:27:07.400 --> 0:27:11.760
<v Speaker 1>Day it was full stripped tease. It was so much fun. Yeah,

0:27:11.760 --> 0:27:14.080
<v Speaker 1>it was great. Wait was this the tour that I

0:27:14.160 --> 0:27:22.560
<v Speaker 1>peed in the bucket? Second tour? Bucket? No, you stripped

0:27:22.560 --> 0:27:27.960
<v Speaker 1>teas second tour? No, No, because there wasn't. We didn't

0:27:27.960 --> 0:27:32.320
<v Speaker 1>have that stage underneath. Stripped Jesse's Girl a second tour?

0:27:33.400 --> 0:27:36.240
<v Speaker 1>Oh okay, okay, okay, so never mind, I take it back.

0:27:36.240 --> 0:27:37.960
<v Speaker 1>But you'll have to wait now to hear about the

0:27:37.960 --> 0:27:42.040
<v Speaker 1>pee in the bucket if you haven't heard about any yea, yeah, okay, okay.

0:27:42.280 --> 0:27:46.040
<v Speaker 1>So does Jesse's Girl Jesse's Girl, which it becomes an

0:27:46.160 --> 0:27:52.320
<v Speaker 1>iconic number. But then Rachel ends up losing her mind

0:27:52.680 --> 0:27:57.840
<v Speaker 1>and she finds she loses her will to live. Um,

0:27:57.880 --> 0:28:00.360
<v Speaker 1>she is just she has no purpose anymore, or they're

0:28:00.359 --> 0:28:02.080
<v Speaker 1>told she she's told she has to have surgery, which

0:28:02.119 --> 0:28:03.800
<v Speaker 1>is a very scary thing, and as a singer, it

0:28:03.880 --> 0:28:05.320
<v Speaker 1>is a scary thing if you have to have anything

0:28:05.359 --> 0:28:08.960
<v Speaker 1>down to your voice when your throat. Um. So Finn

0:28:09.000 --> 0:28:14.760
<v Speaker 1>decides to take Rachel to m see his friend Fredder

0:28:14.840 --> 0:28:18.640
<v Speaker 1>and he doesn't pre empt any kind of information with Rachel.

0:28:18.720 --> 0:28:22.639
<v Speaker 1>So when they go to see him, Um, he's in.

0:28:22.840 --> 0:28:25.159
<v Speaker 1>She sees a photo of him and he's in his

0:28:25.200 --> 0:28:29.320
<v Speaker 1>football uniform and everything. But they go to visit and

0:28:29.440 --> 0:28:32.520
<v Speaker 1>they learn that the wonderful Zac Line scene, who is

0:28:32.560 --> 0:28:36.959
<v Speaker 1>an incredible actor who was actually a paralyzed actor from

0:28:37.000 --> 0:28:42.520
<v Speaker 1>the waist down. He does a beautiful job of playing

0:28:42.560 --> 0:28:46.960
<v Speaker 1>Sean fred Hold who in the show ingly also had

0:28:47.000 --> 0:28:52.760
<v Speaker 1>an accident, a football accident and was also paralyzed. And

0:28:53.160 --> 0:28:57.440
<v Speaker 1>I remember Lean telling coming back after shooting these scenes

0:28:57.440 --> 0:29:00.640
<v Speaker 1>because we didn't meet Um, I didn't meet Zach not

0:29:00.720 --> 0:29:04.320
<v Speaker 1>until tour he came to exactly, I didn't need him

0:29:04.840 --> 0:29:09.480
<v Speaker 1>till after. And UM remember Lea being so moved by

0:29:09.560 --> 0:29:14.320
<v Speaker 1>working with him, and um just crying. You can see

0:29:14.360 --> 0:29:16.720
<v Speaker 1>in her scenes the whole time she's just crying. Yeah

0:29:16.760 --> 0:29:20.400
<v Speaker 1>that's real, Yeah, definitely real. Um. And it's beautiful. I mean,

0:29:20.400 --> 0:29:22.920
<v Speaker 1>they really do a beautiful job with it. And this

0:29:22.920 --> 0:29:25.360
<v Speaker 1>this is the beginning of like falsie handling. These like

0:29:25.560 --> 0:29:29.480
<v Speaker 1>very heavy scenes and kind of like the more traumatic

0:29:29.520 --> 0:29:34.640
<v Speaker 1>stuff of Glee, like, um, so beautifully really so beautifully yeah,

0:29:35.160 --> 0:29:38.360
<v Speaker 1>um a great storytelling. They get to sank together at

0:29:38.360 --> 0:29:42.520
<v Speaker 1>the end, which just broke me. I agree, yeah, just

0:29:42.680 --> 0:29:47.560
<v Speaker 1>crying right. Um. I thought it was interesting. There's an

0:29:47.640 --> 0:29:52.360
<v Speaker 1>MPR article that they did on Zach that came out

0:29:52.360 --> 0:29:57.040
<v Speaker 1>the day that this episode came out, and he didn't

0:29:57.040 --> 0:29:59.360
<v Speaker 1>say anything bad about you know, you being in the

0:29:59.640 --> 0:30:02.040
<v Speaker 1>wheel share or anything like that. He just asked for

0:30:02.080 --> 0:30:08.440
<v Speaker 1>equal opportunity, for there to be opportunities for you know,

0:30:08.520 --> 0:30:12.840
<v Speaker 1>paralyzed actors to work and not just in paralyzed roles.

0:30:13.400 --> 0:30:15.160
<v Speaker 1>You know, like he can do more than that. It's

0:30:15.160 --> 0:30:18.200
<v Speaker 1>like not being pigeonholed. And she just just this one thing,

0:30:18.240 --> 0:30:21.880
<v Speaker 1>which I think is so beautiful. It's also important to

0:30:22.120 --> 0:30:24.160
<v Speaker 1>have him on. I think that was sort of like

0:30:24.200 --> 0:30:31.200
<v Speaker 1>a we're paying attention, we're listening, like, yeah, we're learning. Yeah, definitely.

0:30:32.400 --> 0:30:36.960
<v Speaker 1>And when they sing, so Rachel offers him obviously, Wait,

0:30:37.000 --> 0:30:39.360
<v Speaker 1>so let's go back. So Rachel's in the in the

0:30:39.440 --> 0:30:42.360
<v Speaker 1>hallway and she's eating cereal and she's in her pajamas.

0:30:42.400 --> 0:30:45.840
<v Speaker 1>She looks on kempt and Fins like what is going on?

0:30:45.960 --> 0:30:49.160
<v Speaker 1>And she's like, I can't get out of bad. I'm miserable.

0:30:49.640 --> 0:30:56.960
<v Speaker 1>I'm like tinker Bell, I need applause to lift. I

0:30:56.960 --> 0:30:58.800
<v Speaker 1>don't know why. It just tickles me so much. Oh,

0:30:58.800 --> 0:31:02.560
<v Speaker 1>it's so good, so good. It's so funny to see.

0:31:02.360 --> 0:31:05.600
<v Speaker 1>I like seeing Rachel kind of off her game. It's

0:31:05.600 --> 0:31:10.480
<v Speaker 1>fun to see UM's so dramatic about everything. So it's like, right,

0:31:10.520 --> 0:31:13.520
<v Speaker 1>of course she has tonsils like she's gonna be fine.

0:31:14.200 --> 0:31:17.600
<v Speaker 1>I get it together, um. And that's kind of what

0:31:19.800 --> 0:31:22.760
<v Speaker 1>this spearhead, this thing, this idea for Finn to be like,

0:31:23.080 --> 0:31:25.760
<v Speaker 1>get your shit together. I said, you don't have it

0:31:25.800 --> 0:31:29.040
<v Speaker 1>that bad. Yeah, let's let's talk about perspective. Yeah, exactly.

0:31:29.400 --> 0:31:32.120
<v Speaker 1>And then Rachel obviously knows and she gets her voice back,

0:31:32.160 --> 0:31:35.360
<v Speaker 1>and she offers Zach to have or Sean to get

0:31:35.520 --> 0:31:38.760
<v Speaker 1>voice lessons, and they sing one together. We break into one.

0:31:38.800 --> 0:31:43.880
<v Speaker 1>Did you like doing one? Kevin? I? Did? I just remember?

0:31:44.560 --> 0:31:47.920
<v Speaker 1>Weren't we saying that we were dressed like a gap

0:31:47.920 --> 0:31:54.720
<v Speaker 1>ad white converse? Yes, I'm sure, I think, goes Zach Woodley.

0:31:54.760 --> 0:31:58.480
<v Speaker 1>This is our gap ad moment. We do these a

0:31:58.480 --> 0:32:02.520
<v Speaker 1>lot too, with Fonzi because we do um uh, what

0:32:02.640 --> 0:32:04.840
<v Speaker 1>of god? That was one of us and we're all white.

0:32:04.840 --> 0:32:12.200
<v Speaker 1>Remember por poor Alfonso, you guys Alfonso? Did he do

0:32:12.320 --> 0:32:17.600
<v Speaker 1>fix you too? Oh? God, we tortured this poor man.

0:32:18.000 --> 0:32:20.400
<v Speaker 1>I don't know why. It was always him, probably because

0:32:20.440 --> 0:32:23.000
<v Speaker 1>he was the sweetest. He would never get mad, and

0:32:23.160 --> 0:32:30.160
<v Speaker 1>we abused him because we serious serious numbers. We could

0:32:30.280 --> 0:32:37.080
<v Speaker 1>not control ourselves. We lose it and the more serious

0:32:37.120 --> 0:32:39.280
<v Speaker 1>it was, the more we started laughing. It was like,

0:32:39.320 --> 0:32:41.640
<v Speaker 1>you know people who get laugh attacks at funerals. That's

0:32:41.640 --> 0:32:44.720
<v Speaker 1>how we behaved. We'll fix you. It was the worst

0:32:44.720 --> 0:32:47.360
<v Speaker 1>and we'll get there. He was really the worst. That

0:32:47.400 --> 0:32:59.520
<v Speaker 1>was embarrassing. So the other thing that's happening in this

0:32:59.520 --> 0:33:05.800
<v Speaker 1>episode is Kurt Kurt, because the assignment for the week

0:33:06.000 --> 0:33:09.560
<v Speaker 1>was everybody to find their voice because Rachel has lost

0:33:09.600 --> 0:33:12.560
<v Speaker 1>hers or people aren't singing, and so you need to

0:33:12.560 --> 0:33:14.920
<v Speaker 1>pick a song that really represents who you are, which

0:33:14.960 --> 0:33:18.239
<v Speaker 1>is why we get all these great solos. Kurt, on

0:33:18.320 --> 0:33:23.280
<v Speaker 1>the other hand, is really threatened with what's going on

0:33:23.360 --> 0:33:27.480
<v Speaker 1>with Burt and Finn, and Finn's getting treated to all

0:33:27.480 --> 0:33:32.520
<v Speaker 1>these like sports ball games. He's you know, he's going

0:33:32.560 --> 0:33:39.000
<v Speaker 1>to football games, and Kurt's like, okay, I need to

0:33:39.040 --> 0:33:41.960
<v Speaker 1>get it together. He missed Hero's practice because you're so upset,

0:33:42.240 --> 0:33:46.000
<v Speaker 1>and Sue confronts him, and Sue's like, how do you

0:33:46.040 --> 0:33:48.480
<v Speaker 1>know you're gay? Have you kissed a boy? Have you

0:33:48.520 --> 0:33:52.280
<v Speaker 1>kissed a girl? Like your generation? She says, See, that's

0:33:52.280 --> 0:33:54.800
<v Speaker 1>the problem with the generation. You're obsessed with labels. So

0:33:54.840 --> 0:33:57.520
<v Speaker 1>you like show tunes doesn't mean you're gay, means you're awful,

0:34:00.200 --> 0:34:06.400
<v Speaker 1>which is ac very funny. Um, now not accurate, obviously,

0:34:07.720 --> 0:34:12.480
<v Speaker 1>it's for the joke Jenna. And and so he's like,

0:34:12.560 --> 0:34:16.440
<v Speaker 1>you know what, Sure, I'm gonna try this thing, and

0:34:16.520 --> 0:34:21.960
<v Speaker 1>all of a sudden goes on this John Mellencamp trip

0:34:22.440 --> 0:34:26.239
<v Speaker 1>where he starts dressing in flannel and Bert is like,

0:34:26.880 --> 0:34:34.520
<v Speaker 1>what's happening? Okay, we'll go with it, and things ain't

0:34:34.560 --> 0:34:37.759
<v Speaker 1>that America? After? I feel like that was also a

0:34:37.760 --> 0:34:40.560
<v Speaker 1>Brad foul truck moment. She had to write all of this,

0:34:40.680 --> 0:34:45.560
<v Speaker 1>But the scene where he's making out Brittany and purposefully

0:34:45.600 --> 0:34:47.480
<v Speaker 1>puts the thing on to knock come down and Bert

0:34:47.560 --> 0:34:51.560
<v Speaker 1>comes down and wants him to see and Bert says,

0:34:51.600 --> 0:34:56.719
<v Speaker 1>Michael Malley the brilliant Sure he is says either what

0:34:56.920 --> 0:35:02.359
<v Speaker 1>we when you decide, let me know and it Yeah,

0:35:02.400 --> 0:35:08.680
<v Speaker 1>it is always so poignant and it really is so

0:35:08.719 --> 0:35:12.319
<v Speaker 1>impactful and every time it gets me. And also it's

0:35:12.560 --> 0:35:16.239
<v Speaker 1>the show constantly is going sort of like high low,

0:35:16.520 --> 0:35:20.879
<v Speaker 1>where you have like the comedy of them making out

0:35:21.440 --> 0:35:23.839
<v Speaker 1>in him being like, what do boys lips taste like?

0:35:24.680 --> 0:35:27.080
<v Speaker 1>You smell like this? Then she's met you know, boys

0:35:27.120 --> 0:35:30.840
<v Speaker 1>really like my armpits. And then Bert comes down and

0:35:30.840 --> 0:35:34.759
<v Speaker 1>has that really touching, grounded scene, right, and the show

0:35:34.880 --> 0:35:39.280
<v Speaker 1>is constantly swinging back and forth between this within a scene. Yeah,

0:35:39.320 --> 0:35:45.439
<v Speaker 1>and that is I think, great, impressive. Yeah, so he's

0:35:45.480 --> 0:35:48.080
<v Speaker 1>over that, he realizes this isn't probably working for me,

0:35:48.160 --> 0:35:53.640
<v Speaker 1>gets upset. Finn and Bert are still have a great relationship,

0:35:53.640 --> 0:35:55.560
<v Speaker 1>and Bert's like, look, this is why I'm doing this,

0:35:55.880 --> 0:35:59.040
<v Speaker 1>you know, like he's opening up to me when we

0:35:59.080 --> 0:36:01.680
<v Speaker 1>have these one on one and like he deserves this.

0:36:01.800 --> 0:36:07.320
<v Speaker 1>It's okay. And then Kurt burst into Rose's turn and

0:36:08.280 --> 0:36:11.480
<v Speaker 1>has I have pictures of this of his name and lights.

0:36:11.520 --> 0:36:16.720
<v Speaker 1>It was this really phenomenal performance Chris just like Blade.

0:36:17.120 --> 0:36:19.799
<v Speaker 1>I mean, he was nominated for an Emmy for this

0:36:20.400 --> 0:36:26.360
<v Speaker 1>episode that I believe that, and he didn't win unfortunately, whatever,

0:36:26.840 --> 0:36:30.839
<v Speaker 1>but a golden globe later. It's fine, Yeah, next year,

0:36:30.840 --> 0:36:34.640
<v Speaker 1>it's this year, and it was just like a really

0:36:34.640 --> 0:36:37.480
<v Speaker 1>phenomenal thing in Bird's there to see him, and it's

0:36:37.480 --> 0:36:40.279
<v Speaker 1>sort of like you don't need to try to change

0:36:40.280 --> 0:36:42.440
<v Speaker 1>who you are to like make me love you type thing.

0:36:42.520 --> 0:36:46.480
<v Speaker 1>Do you remember Chris getting the song Rose's Turn? I

0:36:46.640 --> 0:36:49.680
<v Speaker 1>know he wanted this song so bad, and I know

0:36:49.760 --> 0:36:53.279
<v Speaker 1>he had been pitching this song so hard. Really I

0:36:53.320 --> 0:36:56.279
<v Speaker 1>did not know this, Oh my gosh. I mean Chris,

0:36:56.320 --> 0:36:58.960
<v Speaker 1>I think I knew this song. Yeah, no you didn't,

0:36:59.040 --> 0:37:01.919
<v Speaker 1>but but Patty LAPONI did. I mean, there's a million

0:37:01.920 --> 0:37:05.359
<v Speaker 1>people who've done it, and it's so iconic and it

0:37:05.480 --> 0:37:07.600
<v Speaker 1>was so brilliant and the fact that he got a

0:37:07.880 --> 0:37:12.680
<v Speaker 1>sign kind of like roxy Heart in Chicago. I was

0:37:13.120 --> 0:37:17.319
<v Speaker 1>change the lyrics. Yeah, I was just blown away. And

0:37:17.360 --> 0:37:19.680
<v Speaker 1>I was so happy for him. He was so excited

0:37:19.760 --> 0:37:22.680
<v Speaker 1>to do it. I remember going that day to see

0:37:22.680 --> 0:37:26.920
<v Speaker 1>it to watch him. Yeah, do it, because gosh, what

0:37:27.040 --> 0:37:30.480
<v Speaker 1>a nun better never sounded better? What a great number,

0:37:30.760 --> 0:37:33.720
<v Speaker 1>What a great number. Also, if you haven't seen Billy

0:37:33.800 --> 0:37:36.840
<v Speaker 1>Porter doing this and the commercial break of the Tony's

0:37:36.840 --> 0:37:39.640
<v Speaker 1>a couple of years ago. Um, YouTube that it is

0:37:40.400 --> 0:37:45.920
<v Speaker 1>pretty brilliant. That's right, literally, just like off the cuff. Yeah,

0:37:45.960 --> 0:37:50.959
<v Speaker 1>it is unbelievable. Um, that's the episode, and that's that's

0:37:51.040 --> 0:37:55.879
<v Speaker 1>the episode. You guys, you're in dry Yeah, that was it.

0:37:56.320 --> 0:37:59.120
<v Speaker 1>That's it. Nice. Lots of memories, I you know, with

0:37:59.520 --> 0:38:02.600
<v Speaker 1>now no thing that Chris really wanted this song. This

0:38:02.719 --> 0:38:06.839
<v Speaker 1>episode really hit hit. It was you know, I think

0:38:06.880 --> 0:38:10.680
<v Speaker 1>them listening and giving everybody what they wanted truly, which

0:38:10.760 --> 0:38:14.239
<v Speaker 1>was great. Nice. We had a great time we did.

0:38:14.320 --> 0:38:17.200
<v Speaker 1>This was an episode built storylines around these songs, which

0:38:17.239 --> 0:38:26.800
<v Speaker 1>is so fun. Blast okay, party takes, tardy takes, Daddy takes,

0:38:27.040 --> 0:38:33.800
<v Speaker 1>cringe moments. I think right off the bat, Puck just

0:38:34.000 --> 0:38:36.680
<v Speaker 1>referring to Mercedes black Girl as black Girl not once

0:38:36.719 --> 0:38:39.800
<v Speaker 1>but twice, but maybe three times was not my favor.

0:38:40.760 --> 0:38:45.680
<v Speaker 1>Specifically for me. I think it was the girl you

0:38:45.760 --> 0:38:48.560
<v Speaker 1>got more curves than a nissan Ad and the way

0:38:48.600 --> 0:38:53.880
<v Speaker 1>he says it, Um, yeah, I'm sure I let that

0:38:53.920 --> 0:38:59.080
<v Speaker 1>sit there. The worst dance move, okay, I pick the

0:38:59.120 --> 0:39:01.839
<v Speaker 1>best dance Oh great, and I'm going with the Naya

0:39:01.920 --> 0:39:06.680
<v Speaker 1>head bob for Monica. Absolutely, that's it. That's that's the

0:39:06.719 --> 0:39:14.040
<v Speaker 1>one best song, Kevin, I mean, I know, I'm I

0:39:14.200 --> 0:39:19.319
<v Speaker 1>will go with the Boy's mine. I'll go with Jesse's Girl.

0:39:19.440 --> 0:39:21.920
<v Speaker 1>We'll call it even great, Okay great, I love that

0:39:21.960 --> 0:39:25.480
<v Speaker 1>for us. It's a tie. Yeah performance by a prop

0:39:26.320 --> 0:39:29.640
<v Speaker 1>Kurt and lights on the stage. Yeah yeah, yeah, yeah,

0:39:29.680 --> 0:39:33.760
<v Speaker 1>yea yeah yeah better. That's good. And the best line

0:39:34.800 --> 0:39:37.120
<v Speaker 1>what do you got? What do you love? I'm like

0:39:37.239 --> 0:39:42.360
<v Speaker 1>Tinger Bell thin, I need applause to live so good.

0:39:42.719 --> 0:39:46.280
<v Speaker 1>I think mine is the so you like show tunes.

0:39:46.320 --> 0:39:50.400
<v Speaker 1>It doesn't mean you're gay, just makes her awful. And

0:39:50.480 --> 0:39:52.960
<v Speaker 1>there's also another moment in that scene too, where she's like,

0:39:53.480 --> 0:39:55.640
<v Speaker 1>I check out of this conversation a minute ago. I

0:39:55.680 --> 0:39:58.520
<v Speaker 1>gotta remember remind myself to not stop and talk to students.

0:40:02.400 --> 0:40:04.880
<v Speaker 1>Even when she's not really in an episode. She's in

0:40:04.920 --> 0:40:10.040
<v Speaker 1>an episode. She shows up, says the greatest shit ever

0:40:10.080 --> 0:40:16.799
<v Speaker 1>heard out, and the check clears. Yeah, um, okay, are

0:40:16.800 --> 0:40:20.839
<v Speaker 1>you ready for the ship we found on TikTok? Are

0:40:21.080 --> 0:40:26.680
<v Speaker 1>you ready? I'm ready? Okay. There is this TikTok called

0:40:26.920 --> 0:40:31.560
<v Speaker 1>Glee is My Therapy, and they rank the songs in

0:40:31.600 --> 0:40:36.520
<v Speaker 1>their opinion of every single episode. So if you go

0:40:36.600 --> 0:40:40.680
<v Speaker 1>to their TikTok. Yeah, it's actually pretty great. So for laryngitis,

0:40:40.719 --> 0:40:46.040
<v Speaker 1>for example, they okay, they ranked the climb at number seven.

0:40:46.560 --> 0:40:50.560
<v Speaker 1>I'm going to disagree obviously. Yeah, maybe they don't know

0:40:50.560 --> 0:40:52.359
<v Speaker 1>the story. You know, they don't know the story, that's right.

0:40:52.760 --> 0:40:56.760
<v Speaker 1>And then um, pink houses well made in America, ladies

0:40:56.800 --> 0:41:04.120
<v Speaker 1>a tramp one okay, Rosa's Turn, Jesse's Girl, and the

0:41:04.200 --> 0:41:07.960
<v Speaker 1>Boy is Mine. They got some of those right, yes, yeah, yeah,

0:41:08.000 --> 0:41:10.759
<v Speaker 1>they got the top three correct. That's awesome. Um, but

0:41:10.920 --> 0:41:15.080
<v Speaker 1>go to their go to their TikTok. It's pretty great, okay.

0:41:15.160 --> 0:41:17.640
<v Speaker 1>And I'm like, I'm going to go through here and

0:41:17.719 --> 0:41:19.959
<v Speaker 1>see what they say about all of us. Yeah, please send,

0:41:20.640 --> 0:41:22.880
<v Speaker 1>all right, I will send. Yeah, So go check him out.

0:41:22.920 --> 0:41:24.920
<v Speaker 1>Thank you for tagging us in these things, and thanks

0:41:24.920 --> 0:41:27.759
<v Speaker 1>to all the TikTok accounts that are i guess dedicated

0:41:27.840 --> 0:41:33.080
<v Speaker 1>to Glee. Things still mind blowing, and that is laryngitis.

0:41:33.200 --> 0:41:36.480
<v Speaker 1>We have a very exciting episode next week, Kevin. That's right,

0:41:36.560 --> 0:41:39.359
<v Speaker 1>more of us, Jenna, It's like Wheels Part two and

0:41:39.440 --> 0:41:45.040
<v Speaker 1>more of us, but more of you dancing. That's right. Yes,

0:41:45.160 --> 0:41:47.480
<v Speaker 1>as huge, it's as huge, as huge as it's huge,

0:41:47.520 --> 0:41:50.160
<v Speaker 1>I can't wait. Yeah, I can't wait. I decided to

0:41:50.160 --> 0:41:53.960
<v Speaker 1>watch it. I almost watched it last night. Same. All right,

0:41:54.000 --> 0:41:57.800
<v Speaker 1>Well thanks for joining us, you guys, um, that's what

0:41:57.920 --> 0:42:01.360
<v Speaker 1>you really missed. I took your line, Vin, and that's

0:42:01.400 --> 0:42:06.239
<v Speaker 1>what you really missed. It's in caps, Jenna. See you

0:42:06.280 --> 0:42:10.360
<v Speaker 1>next week. Everyone. Thanks for listening and follow us on

0:42:10.400 --> 0:42:13.400
<v Speaker 1>Instagram at and that's what you really miss pod. Make

0:42:13.440 --> 0:42:15.720
<v Speaker 1>sure to write us a review and leave us five stars.

0:42:15.960 --> 0:42:16.640
<v Speaker 1>See you next time.