1 00:00:01,760 --> 00:00:05,200 Speaker 1: And That's what you Really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:12,399 Speaker 1: an iHeartRadio podcast. Welcome to and That's what You Really 3 00:00:12,440 --> 00:00:19,079 Speaker 1: Missed podcast. I'm Jenna, I'm Kevin, And today's one of 4 00:00:19,120 --> 00:00:22,479 Speaker 1: those days. We're racking our brains to remember the week 5 00:00:22,520 --> 00:00:28,040 Speaker 1: of May eleventh, twenty in Glee history, when episode eighteen 6 00:00:28,040 --> 00:00:32,040 Speaker 1: of season one aired laryngitis, because we were trying to 7 00:00:32,080 --> 00:00:35,720 Speaker 1: remember what we were doing in the real world outside 8 00:00:35,720 --> 00:00:38,320 Speaker 1: of the show, which was we were about to start 9 00:00:38,320 --> 00:00:43,400 Speaker 1: our tour, first tour, yes, which was one of those 10 00:00:43,400 --> 00:00:44,919 Speaker 1: things that you didn't imagine that you would be doing 11 00:00:44,960 --> 00:00:48,519 Speaker 1: as part of a TV show. But there we were 12 00:00:48,680 --> 00:00:52,600 Speaker 1: in Phoenix, Arizona, in early summer, and it was hot 13 00:00:52,640 --> 00:00:57,080 Speaker 1: as hell. Heather's from Scottsdale, yes, and so we she 14 00:00:57,240 --> 00:01:00,680 Speaker 1: kind of knew the territory. I do remember that it 15 00:01:00,760 --> 00:01:03,240 Speaker 1: was very hot, but we were in a dark room 16 00:01:03,280 --> 00:01:06,400 Speaker 1: a lot of the time. Yeah, we were in a 17 00:01:07,240 --> 00:01:10,679 Speaker 1: theater in downtown Phoenix, Arizona. It felt like I think 18 00:01:10,680 --> 00:01:12,880 Speaker 1: it was like a hundred degrees and I remember walking 19 00:01:12,880 --> 00:01:15,679 Speaker 1: outside in the sun blinding our eyes and there was 20 00:01:15,720 --> 00:01:17,920 Speaker 1: nobody around because of course nobody would be walking the 21 00:01:18,000 --> 00:01:20,960 Speaker 1: streets and that heat, and it did feel like a 22 00:01:21,000 --> 00:01:24,240 Speaker 1: ghost town like we we had like free rain. It 23 00:01:24,280 --> 00:01:28,399 Speaker 1: was summer break sort of thing, summer brick. It was 24 00:01:28,520 --> 00:01:32,160 Speaker 1: very exciting. It was my first time in two gay bars. 25 00:01:33,800 --> 00:01:35,960 Speaker 1: I do remember I went to only went to one 26 00:01:36,000 --> 00:01:40,520 Speaker 1: of those. I believe it was fun. I remember when 27 00:01:40,600 --> 00:01:43,959 Speaker 1: Zach Woodley were at one and we got invited to 28 00:01:44,000 --> 00:01:47,240 Speaker 1: go upstairs in this like secret room of this place 29 00:01:47,280 --> 00:01:49,720 Speaker 1: to try expensive tequila, and I thought it tasted like 30 00:01:49,800 --> 00:01:53,840 Speaker 1: light or fluid, so I didn't have the palette I 31 00:01:53,880 --> 00:01:56,880 Speaker 1: have now. Was this the club where they announced that 32 00:01:56,920 --> 00:02:00,360 Speaker 1: you were there? It was the same night, different club 33 00:02:00,720 --> 00:02:04,840 Speaker 1: where you know, closeted. Me was in a gay club 34 00:02:04,880 --> 00:02:07,880 Speaker 1: for the first time, and then like the cast of 35 00:02:07,960 --> 00:02:10,919 Speaker 1: Glee is here, and we ran out of there so quickly. 36 00:02:12,280 --> 00:02:14,640 Speaker 1: I was like, where's Chris. Get Chris, because at that 37 00:02:14,639 --> 00:02:17,799 Speaker 1: point it was me, Chris, Kelly, and I think Megan, 38 00:02:19,160 --> 00:02:23,840 Speaker 1: which was also funny because I obviously was not closeted 39 00:02:23,880 --> 00:02:27,120 Speaker 1: to you guys. But by the time we got to 40 00:02:27,280 --> 00:02:30,080 Speaker 1: La Jane Lynch came up to me after the show 41 00:02:30,919 --> 00:02:33,160 Speaker 1: and was like, I heard you were a little gay boy, 42 00:02:33,480 --> 00:02:35,839 Speaker 1: like in a sweet way, and I turned bright red 43 00:02:35,919 --> 00:02:38,880 Speaker 1: and was like, She's like, oh, okay, never mind, Sorry, 44 00:02:38,880 --> 00:02:41,000 Speaker 1: you shouldn't have said that. I was like, no, it's fine. 45 00:02:41,040 --> 00:02:43,120 Speaker 1: I just want other people to know. I don't know 46 00:02:43,160 --> 00:02:49,239 Speaker 1: what my problem was. That's funny. I recently was back 47 00:02:49,280 --> 00:02:53,560 Speaker 1: in Phoenix and went to a gay bar and I 48 00:02:53,600 --> 00:02:55,240 Speaker 1: was like, I wonder if this is the same place, 49 00:02:55,840 --> 00:02:58,000 Speaker 1: and it didn't look the same at all, and I 50 00:02:58,040 --> 00:03:01,400 Speaker 1: was like, well, my one memory of it is being 51 00:03:01,400 --> 00:03:05,640 Speaker 1: in this like back bar. I knew, like geographically the 52 00:03:05,680 --> 00:03:07,840 Speaker 1: opposite of what you would have done. Jennet. Yeah, yeah, 53 00:03:07,840 --> 00:03:10,799 Speaker 1: I don't remember anything geographically because I don't know geography. 54 00:03:11,280 --> 00:03:15,680 Speaker 1: And I wandered through this crowd and I saw the 55 00:03:15,720 --> 00:03:18,240 Speaker 1: back corner bar. I was like, oh my god, this 56 00:03:18,320 --> 00:03:21,919 Speaker 1: is it. I gave a drag queen tickets to the show. 57 00:03:22,000 --> 00:03:26,040 Speaker 1: I don't know if she came, but it all happened better. Yeah, wow, 58 00:03:26,320 --> 00:03:29,200 Speaker 1: the one gay bar. Yeah, it was really magical. I 59 00:03:29,240 --> 00:03:32,720 Speaker 1: was happy to find it a billion years later. M 60 00:03:34,760 --> 00:03:39,520 Speaker 1: very exciting. Do you remember too. So for this tour, 61 00:03:40,200 --> 00:03:43,840 Speaker 1: Phoenix was our place where we were working out what 62 00:03:44,000 --> 00:03:46,520 Speaker 1: the show was going to be, because there was still 63 00:03:46,520 --> 00:03:49,200 Speaker 1: a debate of whether or not we were going to 64 00:03:49,240 --> 00:03:51,280 Speaker 1: be in character the entire time or were we going 65 00:03:51,320 --> 00:03:55,720 Speaker 1: to be ourselves? And we had skits. There were skits 66 00:03:55,720 --> 00:04:00,200 Speaker 1: in this tour and the skits in this tool and 67 00:04:00,320 --> 00:04:04,520 Speaker 1: during the first show there wasn't a consistent like, sometimes 68 00:04:04,520 --> 00:04:06,480 Speaker 1: we refer to each other and as our real name, 69 00:04:06,560 --> 00:04:09,480 Speaker 1: sometimes we refer to each other and our character names. 70 00:04:09,560 --> 00:04:11,240 Speaker 1: I was in the wheelchair the whole time, so I 71 00:04:11,280 --> 00:04:15,320 Speaker 1: was always ardy, right, And so it was a weird 72 00:04:15,440 --> 00:04:19,480 Speaker 1: mix of we didn't quite know what we were doing yet, 73 00:04:20,400 --> 00:04:22,520 Speaker 1: trial and error, and there was also the thing of 74 00:04:22,920 --> 00:04:24,840 Speaker 1: the people behind the scenes who are running the tour, 75 00:04:25,680 --> 00:04:27,200 Speaker 1: who that's what they normally did. They're like, Oh, it's 76 00:04:27,200 --> 00:04:29,800 Speaker 1: gonna be crazy. It's gonna be like one Direction where 77 00:04:29,800 --> 00:04:34,400 Speaker 1: there's people screaming everywhere. And then do you remember nobody cheered. 78 00:04:35,240 --> 00:04:39,839 Speaker 1: We went out on stage and after each number like 79 00:04:39,880 --> 00:04:42,960 Speaker 1: people applauded a little bit. And then we finished the show. 80 00:04:43,360 --> 00:04:48,640 Speaker 1: Everyone went crazy, and we realized the demographic of the 81 00:04:48,680 --> 00:04:52,120 Speaker 1: audience was so far off from what they thought it 82 00:04:52,120 --> 00:04:54,200 Speaker 1: would be. They thought it was going to be like teens, 83 00:04:54,720 --> 00:04:58,680 Speaker 1: and it was teens and younger children and through their 84 00:04:58,680 --> 00:05:03,599 Speaker 1: grandparents it was body and that was so people react 85 00:05:03,600 --> 00:05:08,159 Speaker 1: differently in different demographics, and then people were reacting like 86 00:05:08,200 --> 00:05:12,120 Speaker 1: they were watching a theater show and not necessarily a concert. 87 00:05:12,240 --> 00:05:16,000 Speaker 1: I don't remember. It was the first night and every 88 00:05:16,080 --> 00:05:19,320 Speaker 1: afterwards like did people like it? And we had to 89 00:05:19,360 --> 00:05:22,479 Speaker 1: have sort of like a meeting to sort of dissect 90 00:05:22,640 --> 00:05:26,440 Speaker 1: what was going on. And we realized because we were 91 00:05:26,480 --> 00:05:30,039 Speaker 1: doing so many skits and in our characters, that people 92 00:05:30,040 --> 00:05:32,559 Speaker 1: thought it was a theater show. So you don't clap 93 00:05:32,560 --> 00:05:35,200 Speaker 1: in the middle of a theater show, really, and so 94 00:05:35,600 --> 00:05:39,440 Speaker 1: we had to then add in bits to like involve 95 00:05:39,480 --> 00:05:42,520 Speaker 1: the crowd, crowd participation, make them feel like, no, this 96 00:05:42,600 --> 00:05:44,240 Speaker 1: is a concert. We're not putting out a theater show, 97 00:05:44,279 --> 00:05:46,880 Speaker 1: even though this is like a musical theater type thing. 98 00:05:47,720 --> 00:05:51,240 Speaker 1: That's funny. Well, what a memory, Kevin that I don't 99 00:05:51,240 --> 00:05:54,880 Speaker 1: remember any of that. I just remember because I was 100 00:05:54,880 --> 00:05:58,840 Speaker 1: just like, they hate it, We're not nobody. I was 101 00:05:58,880 --> 00:06:02,000 Speaker 1: taking it very personally. Well. It's also it was like 102 00:06:02,200 --> 00:06:05,600 Speaker 1: a new format for a TV show to go on tour, 103 00:06:06,279 --> 00:06:08,520 Speaker 1: and I think before that high school musical had gone 104 00:06:08,560 --> 00:06:13,360 Speaker 1: on tour, and that was a heavily skewed demographic in 105 00:06:13,440 --> 00:06:15,839 Speaker 1: terms of you knew exactly who was showing up. It's 106 00:06:15,920 --> 00:06:21,280 Speaker 1: Disney Channel. It's a young audience and kids will screen tweens. Yeah, exactly, 107 00:06:21,440 --> 00:06:24,080 Speaker 1: exactly with us, which is what they expected. I don't 108 00:06:24,080 --> 00:06:27,200 Speaker 1: think people knew, right, you know, we met people when 109 00:06:27,200 --> 00:06:31,040 Speaker 1: we were out getting recognized, and there was grandparents to children. 110 00:06:31,160 --> 00:06:34,120 Speaker 1: So no, truly, I mean even like people would come 111 00:06:34,120 --> 00:06:36,600 Speaker 1: to visit and said and on tour, like when they 112 00:06:36,600 --> 00:06:38,240 Speaker 1: come up to us some coffee shops, they'd be like, 113 00:06:38,279 --> 00:06:40,800 Speaker 1: my girlfriend really likes the show, but I love the show. 114 00:06:42,400 --> 00:06:45,720 Speaker 1: It was very much that so the show, I mean 115 00:06:46,160 --> 00:06:49,680 Speaker 1: this episode am aired on May eleventh, which also was 116 00:06:49,880 --> 00:06:56,440 Speaker 1: Corey Corey's birthday, yea, and my dad's birthday. Oh and 117 00:06:56,560 --> 00:07:00,280 Speaker 1: you know my mom's birthday is the same as Lea's day. 118 00:07:00,800 --> 00:07:04,320 Speaker 1: Really yeah, and now we know that my mom's birthday 119 00:07:04,320 --> 00:07:06,680 Speaker 1: is the same as Ryan's birth Ryan's birthday, and you 120 00:07:06,920 --> 00:07:10,800 Speaker 1: and Harry and my friend Will and there was one 121 00:07:10,800 --> 00:07:15,240 Speaker 1: other person, Marco's brother, Marco's brother. There's quite a few 122 00:07:15,320 --> 00:07:20,960 Speaker 1: people with April twenty anyway, it's one of those days. Yes, Well, 123 00:07:21,000 --> 00:07:26,880 Speaker 1: the tour was a hit, obviously after we figured it 124 00:07:27,080 --> 00:07:31,640 Speaker 1: out with your memory, there was an experiment it wasn't 125 00:07:32,080 --> 00:07:36,480 Speaker 1: and then didn't we also film at Radio City? You're right, 126 00:07:37,600 --> 00:07:40,840 Speaker 1: we filmed at Radio City and we weren't really sure 127 00:07:40,840 --> 00:07:42,560 Speaker 1: what it was for what they were going to do 128 00:07:42,960 --> 00:07:45,440 Speaker 1: with it, but Ryan was like, let's just film it, 129 00:07:46,200 --> 00:07:48,560 Speaker 1: and we never saw it. We should have asked Ryan 130 00:07:48,600 --> 00:07:51,520 Speaker 1: if he has it, Oh, we gotta check him and 131 00:07:51,520 --> 00:07:54,040 Speaker 1: ask let's ask him, because I need to pull that 132 00:07:54,040 --> 00:07:56,040 Speaker 1: out of the archives. I would love to see that, 133 00:07:56,480 --> 00:07:59,400 Speaker 1: especially you know shot the way it was shot. Do 134 00:07:59,440 --> 00:08:01,480 Speaker 1: you remember like a steady camp was following Lee down 135 00:08:01,520 --> 00:08:04,760 Speaker 1: the aisles for don't Random My Parade and like the 136 00:08:04,840 --> 00:08:08,760 Speaker 1: whole thing. I remember too. At Radio City all of 137 00:08:08,800 --> 00:08:12,640 Speaker 1: the Fox executives and Ryan everybody came and that's when 138 00:08:12,680 --> 00:08:15,960 Speaker 1: they sort of fest up to it being like a 139 00:08:16,000 --> 00:08:19,640 Speaker 1: pilot program. They're like, basically, we're doing this like we're 140 00:08:19,640 --> 00:08:22,080 Speaker 1: not going to make any money this time, because as 141 00:08:22,160 --> 00:08:23,840 Speaker 1: much as it's costing to put on this tour, we're 142 00:08:23,840 --> 00:08:25,720 Speaker 1: not putting you on the road long enough to actually 143 00:08:25,760 --> 00:08:29,400 Speaker 1: recoup all of that money. But if this is successful, 144 00:08:29,440 --> 00:08:33,160 Speaker 1: then next season we'll do a bigger tour. And we're like, 145 00:08:33,240 --> 00:08:37,520 Speaker 1: oh no, what does that mean? And it we broke. 146 00:08:37,559 --> 00:08:41,959 Speaker 1: I think at the time the merch sales record at 147 00:08:42,040 --> 00:08:45,720 Speaker 1: Radio City, right, and like it worked as successful? So 148 00:08:45,880 --> 00:08:50,800 Speaker 1: next season get ready all right? What else was going on? 149 00:08:51,480 --> 00:08:57,360 Speaker 1: Number one song nothing on You Bob featured Brutal Mars Right. 150 00:08:58,920 --> 00:09:04,640 Speaker 1: The movie Iron Man two released on May seventh, with 151 00:09:04,679 --> 00:09:09,679 Speaker 1: our friend Gwyneth Paltrow, our future friend, our future friend. Yeah, 152 00:09:09,720 --> 00:09:12,160 Speaker 1: and then on the Stay. In two thousand and nine, 153 00:09:12,760 --> 00:09:17,800 Speaker 1: the Glee cast attended their season one premiere screening event. 154 00:09:18,320 --> 00:09:21,760 Speaker 1: Oh yeah, at Santa Monica High School in Santa Monica. 155 00:09:21,920 --> 00:09:25,040 Speaker 1: How far we had come in a year? Right? Right? 156 00:09:25,440 --> 00:09:27,320 Speaker 1: I mean it was right when the show premiered, like 157 00:09:27,440 --> 00:09:30,000 Speaker 1: after American Idol in two thousand and nine, we did 158 00:09:30,000 --> 00:09:32,480 Speaker 1: that high school thing. And it is weird to think 159 00:09:32,520 --> 00:09:36,679 Speaker 1: within a year than we were selling out Radio City. Yeah. 160 00:09:36,679 --> 00:09:39,559 Speaker 1: Nobody could have told the cast of Glee at that 161 00:09:39,679 --> 00:09:43,160 Speaker 1: amphitheater that we would be on a tour selling out 162 00:09:43,280 --> 00:09:50,080 Speaker 1: Radio City or like my home. And and yes, we 163 00:09:50,120 --> 00:09:52,880 Speaker 1: can talk more about the tour another time. Let us 164 00:09:52,880 --> 00:09:56,160 Speaker 1: know you guys if you want to hear more about 165 00:09:56,200 --> 00:09:59,839 Speaker 1: tour number one, and also we'll ask Ryan about seeing it. 166 00:10:00,360 --> 00:10:03,680 Speaker 1: That's where I got that tour was fun and Drea 167 00:10:04,320 --> 00:10:06,680 Speaker 1: was fun. We went out of the night after Radio 168 00:10:06,720 --> 00:10:09,160 Speaker 1: City to that restaurant that they rented out for us, 169 00:10:09,160 --> 00:10:12,199 Speaker 1: and we got buck wild dancing on the I think 170 00:10:12,240 --> 00:10:14,960 Speaker 1: you talked about this in the previous episode Dancing on 171 00:10:15,000 --> 00:10:20,679 Speaker 1: the Tables. I was also able to like order sushi 172 00:10:20,720 --> 00:10:24,679 Speaker 1: from my favorite place because which is now closed, our 173 00:10:24,679 --> 00:10:28,640 Speaker 1: ip Codama, because I was home. I was like, Wow, 174 00:10:28,880 --> 00:10:31,560 Speaker 1: this is this in my hood. It was a very 175 00:10:31,559 --> 00:10:33,960 Speaker 1: good time, we very exciting. We got to go in 176 00:10:33,960 --> 00:10:36,560 Speaker 1: a private chat for we'll talk about the next week. Okay, 177 00:10:36,800 --> 00:10:42,120 Speaker 1: So this episode Laryngitis was special for a number of reasons. 178 00:10:43,760 --> 00:10:47,160 Speaker 1: So if you hadn't noticed up to this point during 179 00:10:47,200 --> 00:10:51,480 Speaker 1: the back nine so far, Naya is progressively singing more 180 00:10:51,679 --> 00:10:56,000 Speaker 1: and more and more and it's yes, thank God, and 181 00:10:56,080 --> 00:10:59,679 Speaker 1: it seems like the creative team starting to recognize how 182 00:10:59,760 --> 00:11:03,360 Speaker 1: damn good she was at everything yep, which leads us 183 00:11:03,400 --> 00:11:07,760 Speaker 1: to the Boy's mind this episode. And this also goes 184 00:11:07,800 --> 00:11:10,520 Speaker 1: to with our interview with Ryan where and he was 185 00:11:10,520 --> 00:11:13,079 Speaker 1: talking about how it was so special that we got 186 00:11:13,080 --> 00:11:17,040 Speaker 1: to spend so much time in between set scenes where 187 00:11:17,080 --> 00:11:20,520 Speaker 1: he got to know us, because this episode is exactly 188 00:11:21,840 --> 00:11:26,040 Speaker 1: a product of that. The Boy is Mine and the 189 00:11:26,160 --> 00:11:32,000 Speaker 1: Climb there was also a lot of us getting to 190 00:11:32,040 --> 00:11:36,240 Speaker 1: bond with Alfonso Gomez, who will be one of our 191 00:11:36,240 --> 00:11:41,440 Speaker 1: resident directors, yes, who was amazing, did a great job, 192 00:11:41,679 --> 00:11:45,840 Speaker 1: very artistic though. So sometimes there are some directors that 193 00:11:45,840 --> 00:11:49,160 Speaker 1: would take really quickly Eric Stults, she takes done. There 194 00:11:49,160 --> 00:11:51,760 Speaker 1: are some directors that some are men in the middle. 195 00:11:51,800 --> 00:11:56,160 Speaker 1: And Alfonso really I got these like very special shots 196 00:11:56,160 --> 00:11:59,600 Speaker 1: and he was very specific and so sometimes we would 197 00:11:59,600 --> 00:12:02,679 Speaker 1: do it all and we weren't used to that. But 198 00:12:02,720 --> 00:12:06,280 Speaker 1: it looks are like who is this? But they looked 199 00:12:06,520 --> 00:12:11,520 Speaker 1: his episodes like we'll get two grilled cheeses, oh goodness, gracious. 200 00:12:11,640 --> 00:12:15,440 Speaker 1: And if you watch American Horror Story, he became a 201 00:12:15,480 --> 00:12:18,240 Speaker 1: central figure on that show with all of those like 202 00:12:18,320 --> 00:12:21,920 Speaker 1: crazy from the ceiling to the floor, like spinning around 203 00:12:22,040 --> 00:12:28,600 Speaker 1: type shots. That's all well Fonzie. So if we refer 204 00:12:28,679 --> 00:12:33,320 Speaker 1: to him as Fawnsie, um, that's why. And that's him 205 00:12:33,400 --> 00:12:36,439 Speaker 1: quite good friends with him too, Yeah, just he was 206 00:12:36,480 --> 00:12:39,840 Speaker 1: like around and poor guy. I remember him like I'd 207 00:12:39,840 --> 00:12:41,320 Speaker 1: seen him for ever around led and would just be 208 00:12:41,360 --> 00:12:47,000 Speaker 1: like and he's a quiet guy, and we were the opposite. 209 00:12:47,080 --> 00:12:48,880 Speaker 1: And I think you had a good impression of him. 210 00:12:48,920 --> 00:12:52,480 Speaker 1: Kevin He's the only impression I can do. It's niche 211 00:12:52,559 --> 00:12:54,600 Speaker 1: and it only works for a certain group of people, 212 00:12:54,640 --> 00:12:57,440 Speaker 1: but he is the only impression I can do. And 213 00:12:57,520 --> 00:13:01,040 Speaker 1: a little Ryan all right, and yeah, definitely right. And 214 00:13:01,040 --> 00:13:03,840 Speaker 1: so this was technically written by Ryan, but we know 215 00:13:03,960 --> 00:13:07,600 Speaker 1: it's the holy trinity Um Brad, Ryan and Ian. And 216 00:13:07,640 --> 00:13:10,040 Speaker 1: we have guest stars Michael Malley who feels like regular 217 00:13:10,559 --> 00:13:15,880 Speaker 1: UM Zach Weinstein very special guest star um Eve Gordon 218 00:13:16,040 --> 00:13:19,520 Speaker 1: as Miss fret Hold as Zach's mom or a Sean's mom, 219 00:13:19,640 --> 00:13:26,920 Speaker 1: and um actually think is in this episode. Everything is 220 00:13:27,080 --> 00:13:31,600 Speaker 1: very funny in this episode. Yeah, we get we get Fink, 221 00:13:31,679 --> 00:13:33,840 Speaker 1: we get a lot more thinks soon. And unfortunately there's 222 00:13:33,840 --> 00:13:37,800 Speaker 1: no Jesseline or Jama, which is sad. You know, we 223 00:13:37,840 --> 00:13:40,160 Speaker 1: need them. Tell us about the music, Kevin, tell me 224 00:13:40,200 --> 00:13:44,160 Speaker 1: about them. We have some gigantic songs. We have Jesse's 225 00:13:44,200 --> 00:13:47,199 Speaker 1: Girl by Rick Springfield. We have Lady as a Tramp 226 00:13:47,240 --> 00:13:49,240 Speaker 1: by the cast of Babes and Arms. I don't know 227 00:13:49,240 --> 00:13:51,880 Speaker 1: what Babes and Arms is, Jenna, it's a show. Well, 228 00:13:52,480 --> 00:13:55,480 Speaker 1: I thought this was like a Frank Sinatra song. You know, 229 00:13:55,559 --> 00:13:57,880 Speaker 1: they made it like Frank Sinatra songs. So I would 230 00:13:57,920 --> 00:14:00,480 Speaker 1: have believed somebody covered it, but it's a Broadway song. 231 00:14:01,720 --> 00:14:04,760 Speaker 1: I had no idea, all right, The Boy's Mind by 232 00:14:04,920 --> 00:14:08,439 Speaker 1: Brandy and Monica, The Song of Our Time, Rose's Term 233 00:14:08,480 --> 00:14:12,720 Speaker 1: by the cast of Gypsy, and One by You two. Specifically, 234 00:14:13,400 --> 00:14:16,040 Speaker 1: it is the new version of one that features Mary 235 00:14:16,120 --> 00:14:19,560 Speaker 1: jay Blige. It is. I wouldn't have known that it's 236 00:14:19,560 --> 00:14:22,440 Speaker 1: the cover because I was obsessed with that cover and 237 00:14:22,480 --> 00:14:24,040 Speaker 1: I was a little sad I didn't get to sing 238 00:14:24,080 --> 00:14:26,600 Speaker 1: on this one. Oh No, but I was really happy 239 00:14:26,640 --> 00:14:29,240 Speaker 1: they used the cover because I remember Bono also said 240 00:14:29,240 --> 00:14:31,120 Speaker 1: he preferred that version because he hates how he sounds 241 00:14:31,120 --> 00:14:44,560 Speaker 1: on the original version. Oh wow. A little tidbit break 242 00:14:44,600 --> 00:14:47,640 Speaker 1: this episode down for us, Jenna, let's do it so 243 00:14:47,840 --> 00:14:51,280 Speaker 1: A sort of throat affects Rachel's singing voice and she 244 00:14:51,360 --> 00:14:53,920 Speaker 1: goes into panic mode. She's one of my favorite quotes 245 00:14:53,960 --> 00:14:58,200 Speaker 1: of the series in this episode. Meanwhile, Kurt tries to 246 00:14:58,280 --> 00:15:02,160 Speaker 1: change his persona to across his father get his dad's attention, 247 00:15:02,840 --> 00:15:05,920 Speaker 1: and Puck tries to regain his social status by dating 248 00:15:06,200 --> 00:15:14,840 Speaker 1: Mercedes after he shaves the mohawk. He was so sick 249 00:15:14,880 --> 00:15:19,960 Speaker 1: about mohawk A lot to maintain. It was a lot, 250 00:15:20,000 --> 00:15:23,640 Speaker 1: and it just made him so distinguishable out more. That's right, 251 00:15:24,600 --> 00:15:27,480 Speaker 1: there was no hiding. Should we get into the episode 252 00:15:27,680 --> 00:15:30,800 Speaker 1: to talk about some some memories here? So all right, 253 00:15:31,360 --> 00:15:34,720 Speaker 1: Puck shows up at school and his mohawk is gone, 254 00:15:35,560 --> 00:15:38,600 Speaker 1: you know, Hell's frozen over, and all of a sudden 255 00:15:38,880 --> 00:15:42,000 Speaker 1: we realized that the mohawk gave him his popularity, that 256 00:15:42,080 --> 00:15:44,360 Speaker 1: gave him his power, and now that it was gone, 257 00:15:45,160 --> 00:15:48,320 Speaker 1: gone was his power and people being scared of him. 258 00:15:48,400 --> 00:15:52,720 Speaker 1: And he's noticing that Mercedes is now a cheerio, she's 259 00:15:52,720 --> 00:15:57,000 Speaker 1: totally up to her social status and thinks, well, maybe 260 00:15:57,000 --> 00:15:59,240 Speaker 1: I need to go after her because she can make 261 00:15:59,280 --> 00:16:01,920 Speaker 1: me popular. After he gets thrown at the dumpster, and 262 00:16:01,960 --> 00:16:06,600 Speaker 1: he has this you know, aha momentum fun fact. I 263 00:16:06,640 --> 00:16:09,320 Speaker 1: don't know if you noticed this, but there's a on 264 00:16:09,360 --> 00:16:12,920 Speaker 1: the waste management sign on the trash band that he 265 00:16:12,960 --> 00:16:17,240 Speaker 1: gets thrown into. It's spelled incorrectly. Yeah. I wonder if 266 00:16:17,240 --> 00:16:19,000 Speaker 1: they had to do that for like legal reasons. I 267 00:16:19,000 --> 00:16:23,920 Speaker 1: don't know, but it's like trademarked or something. I don't know. 268 00:16:23,960 --> 00:16:26,880 Speaker 1: That seems pretty general. That's funny, yeah, or somebody just 269 00:16:26,920 --> 00:16:32,840 Speaker 1: doesn't know how to spell right, which is fine, um, 270 00:16:32,920 --> 00:16:36,080 Speaker 1: so Puck tries to go after Mercedes, saying all kinds 271 00:16:36,080 --> 00:16:41,960 Speaker 1: of offense appropriate inappropriate things, calling her the black girl 272 00:16:42,440 --> 00:16:50,920 Speaker 1: several times. I'm like that emoji with the teeth. Um 273 00:16:52,360 --> 00:16:55,600 Speaker 1: he was very funny this episode. He doesn't get to 274 00:16:55,640 --> 00:16:58,720 Speaker 1: do a lot of silly comedy, I think, And it 275 00:16:58,880 --> 00:17:02,200 Speaker 1: was and he's a funny kid, Like he really did 276 00:17:02,360 --> 00:17:07,120 Speaker 1: make us laugh a lot. And then and then because 277 00:17:07,160 --> 00:17:12,160 Speaker 1: of Puck and Mercedes actually Mercedes actually being wooed by 278 00:17:12,160 --> 00:17:14,439 Speaker 1: Puck even though she really kind of knows exactly what 279 00:17:14,520 --> 00:17:18,480 Speaker 1: this is. It takes us to the Santana and Mercedes 280 00:17:18,560 --> 00:17:21,800 Speaker 1: singing the song of the Century, the Boy's Mind, because 281 00:17:21,880 --> 00:17:24,400 Speaker 1: Quinn has given her heads up, because Quinn's like, I'm 282 00:17:24,440 --> 00:17:27,720 Speaker 1: not worried about Puck breaking your heart. I'm worried about 283 00:17:27,760 --> 00:17:32,800 Speaker 1: the ramifications of Santana of you going after Santana's man 284 00:17:32,920 --> 00:17:37,040 Speaker 1: like good luck. And then after the assignment when he 285 00:17:37,080 --> 00:17:41,439 Speaker 1: does Ladies a Tramp with Mercedes, Santana is like, no, no, 286 00:17:42,600 --> 00:17:48,440 Speaker 1: this will not stand. We're not having this. So do 287 00:17:48,480 --> 00:17:54,560 Speaker 1: you want to talk about Boy's Mind? Basically, and this 288 00:17:54,640 --> 00:17:57,399 Speaker 1: is also where tour comes in handy. You need to 289 00:17:57,440 --> 00:18:02,720 Speaker 1: go watch some bootlegs because somehow when we were sitting around, 290 00:18:02,800 --> 00:18:06,359 Speaker 1: we'd have our chairs in our director's chairs, cast chairs 291 00:18:06,359 --> 00:18:08,640 Speaker 1: in a circle in the middle of the sound stage 292 00:18:08,640 --> 00:18:12,280 Speaker 1: while they're setting up shots, and Nia starts doing this 293 00:18:12,400 --> 00:18:17,159 Speaker 1: Monica impression, which involves a lot of neck movement and 294 00:18:17,240 --> 00:18:23,919 Speaker 1: head bobbing and hair moving, and she did this incredible, 295 00:18:24,080 --> 00:18:28,040 Speaker 1: incredible spot on monica impression. And Ryan comes up, because 296 00:18:28,080 --> 00:18:33,359 Speaker 1: this was happening probably during Madonna, right when Ryan was around, 297 00:18:33,440 --> 00:18:35,080 Speaker 1: He's like, what do you He would show up out 298 00:18:35,080 --> 00:18:39,239 Speaker 1: of nowhere, like just appear like a phantom and be like, 299 00:18:39,880 --> 00:18:42,400 Speaker 1: what are you all laughing at? And so we're like, Naia, 300 00:18:42,520 --> 00:18:45,560 Speaker 1: do the thing, Please show him and he was dying laughing. 301 00:18:45,640 --> 00:18:48,200 Speaker 1: And then what do you know, in the next episode 302 00:18:48,680 --> 00:18:52,760 Speaker 1: or two episodes there it is. I would say, Amber 303 00:18:52,800 --> 00:18:58,879 Speaker 1: also sounds phenomenous. Oh my god, it's it's literally my dream. 304 00:19:01,359 --> 00:19:04,080 Speaker 1: I couldn't believe. It felt like a coup, like we 305 00:19:04,160 --> 00:19:07,280 Speaker 1: had tricked Ryan into doing the thing we wanted to do. 306 00:19:07,440 --> 00:19:10,840 Speaker 1: I mean sometimes we definitely try before, Like Ryan listened 307 00:19:10,880 --> 00:19:13,479 Speaker 1: to this and it worked. You just had to make 308 00:19:13,560 --> 00:19:16,280 Speaker 1: him think it was his idea, you know, And then 309 00:19:16,280 --> 00:19:19,200 Speaker 1: he's like, let's do this thing. I came up with 310 00:19:19,240 --> 00:19:23,639 Speaker 1: her great and so I remember Naya. She went to 311 00:19:23,640 --> 00:19:25,879 Speaker 1: record it, and then afterwards she was like, well, I 312 00:19:26,000 --> 00:19:28,679 Speaker 1: tried to do the full Monica impression, but Adam wouldn't 313 00:19:28,760 --> 00:19:32,919 Speaker 1: let me, and she threw it in there. She definitely 314 00:19:32,920 --> 00:19:35,800 Speaker 1: got it in. If you notice, it's sort of like 315 00:19:35,880 --> 00:19:38,880 Speaker 1: how she pronounces some of the vowels and the verbrato 316 00:19:38,960 --> 00:19:42,520 Speaker 1: on some of the wards dude things dud do like 317 00:19:43,920 --> 00:19:46,639 Speaker 1: And there's a shot if you go watch the number 318 00:19:47,359 --> 00:19:51,080 Speaker 1: where she's at the piano and her Amber started the 319 00:19:51,080 --> 00:19:54,359 Speaker 1: piano and Amber walks to perform to the kids, and 320 00:19:54,520 --> 00:19:57,760 Speaker 1: when she leaves the piano, yes, it's her last shot 321 00:19:57,760 --> 00:19:59,359 Speaker 1: at the piano. She puts her hand up and she 322 00:19:59,440 --> 00:20:03,280 Speaker 1: does this nice thing. And that was part of the 323 00:20:03,280 --> 00:20:06,520 Speaker 1: original impression that she did for us, and she snuck 324 00:20:06,560 --> 00:20:09,920 Speaker 1: it in there, and it got in there. Her ability 325 00:20:10,080 --> 00:20:13,800 Speaker 1: to put in inside jokes constantly and keep a straight 326 00:20:13,840 --> 00:20:19,679 Speaker 1: face was unmatched, unmatched. It's so good and it's so funny, 327 00:20:19,720 --> 00:20:23,439 Speaker 1: so good. And I discovered when I was sort of 328 00:20:23,440 --> 00:20:26,040 Speaker 1: like looking you know this episode up, I found her 329 00:20:26,080 --> 00:20:29,920 Speaker 1: doing this on that first tour and she does full 330 00:20:30,000 --> 00:20:34,399 Speaker 1: Monica impression. Yeah, she watch some recordings on YouTube. It 331 00:20:34,560 --> 00:20:39,240 Speaker 1: is full Monica and then a bit with the recorded version, 332 00:20:39,280 --> 00:20:43,879 Speaker 1: you'll see what we're talking about. Then that is the 333 00:20:43,960 --> 00:20:46,159 Speaker 1: boy is Mine. I mean, there's not much else to 334 00:20:46,200 --> 00:20:49,359 Speaker 1: say other than the fact that it's brilliant and we 335 00:20:49,560 --> 00:20:51,959 Speaker 1: couldn't we literally couldn't be happier that it was in 336 00:20:52,000 --> 00:20:54,800 Speaker 1: the episode, and we weren't probably jumping up and down 337 00:20:54,800 --> 00:20:59,119 Speaker 1: when we saw it in the Scriptum. So Mercedes quits 338 00:20:59,160 --> 00:21:03,119 Speaker 1: the cheerios the end of it goodbye and says, nobody 339 00:21:03,200 --> 00:21:05,560 Speaker 1: quits the cheerio as you either die or I kick 340 00:21:05,640 --> 00:21:11,080 Speaker 1: you off. But at some point Mercedes the jig is 341 00:21:11,160 --> 00:21:15,680 Speaker 1: up right, like she's got back to Gale Club. Um, okay, 342 00:21:15,720 --> 00:21:21,160 Speaker 1: so can we just at some point during this, him 343 00:21:21,240 --> 00:21:23,560 Speaker 1: trying to woo her, says Blacks and Jews have a 344 00:21:23,640 --> 00:21:26,240 Speaker 1: history of sticking up for each other, and Wikipedia says 345 00:21:26,240 --> 00:21:31,920 Speaker 1: that King Martin Luther loved the Jews. I can I mean, 346 00:21:31,960 --> 00:21:34,960 Speaker 1: I have a cringe line for later, but he just 347 00:21:35,320 --> 00:21:38,800 Speaker 1: it would like he joins a black church. It was 348 00:21:38,840 --> 00:21:41,240 Speaker 1: sort of like the same thing he did to get Rachel. 349 00:21:41,320 --> 00:21:47,160 Speaker 1: It's always like I'm going to leave my Jewishness. It's 350 00:21:47,200 --> 00:21:51,760 Speaker 1: it is funny um, but it's also very wildly inappropriate. 351 00:21:51,920 --> 00:21:56,200 Speaker 1: It's pretty crazy. So this leads us to our inside 352 00:21:56,280 --> 00:22:02,600 Speaker 1: joke number two, which was also a thing we showed Ryan. Well, yeah, 353 00:22:02,680 --> 00:22:09,520 Speaker 1: this was okay, this is amazing. Leah Lead had this 354 00:22:09,600 --> 00:22:14,320 Speaker 1: thing where she bad sings, and because she has such 355 00:22:14,320 --> 00:22:19,040 Speaker 1: a phenomenal voice, the juxtaposition of her bad singing is 356 00:22:19,200 --> 00:22:24,159 Speaker 1: so good. It's it's cringing, it's off key, it is piercing, 357 00:22:24,240 --> 00:22:27,879 Speaker 1: and it's so freaking funny. And she would do it 358 00:22:27,920 --> 00:22:29,399 Speaker 1: all the time. We'd ask her to do it all 359 00:22:29,440 --> 00:22:33,000 Speaker 1: the time on set, in between takes and when she's 360 00:22:33,080 --> 00:22:34,359 Speaker 1: up in the choir room kind of like when she 361 00:22:34,440 --> 00:22:36,560 Speaker 1: did the climb, like standing there. She would do it 362 00:22:36,600 --> 00:22:39,240 Speaker 1: with a song and she had the ability to like 363 00:22:39,400 --> 00:22:42,760 Speaker 1: just get just off key enough that you're like, oh God. 364 00:22:43,400 --> 00:22:45,320 Speaker 1: And we made her do it for Ryan and he 365 00:22:45,520 --> 00:22:49,800 Speaker 1: was laughing. And so that is the name of our episode, 366 00:22:49,880 --> 00:22:54,080 Speaker 1: because she would the face she performs the climb with 367 00:22:54,320 --> 00:22:56,359 Speaker 1: is the face she always does her bad singing with 368 00:22:56,480 --> 00:22:59,320 Speaker 1: where she's like, she's not aware, but she knows something 369 00:22:59,440 --> 00:23:03,639 Speaker 1: is up. You know, I think something's wrong. You were 370 00:23:03,680 --> 00:23:07,760 Speaker 1: all I remember her joining the climb and because it 371 00:23:07,840 --> 00:23:10,480 Speaker 1: wasn't she did it live, so she wasn't singing to 372 00:23:10,560 --> 00:23:14,440 Speaker 1: pre record because it obviously wasn't a recorded, recordable thing. 373 00:23:15,400 --> 00:23:18,160 Speaker 1: She had an earwig in and you can see it, 374 00:23:18,960 --> 00:23:20,840 Speaker 1: go back and see it in her right ear when 375 00:23:20,840 --> 00:23:23,600 Speaker 1: she looks at mister Shoe. She has the earwig in 376 00:23:23,680 --> 00:23:28,040 Speaker 1: so she can keep time and hear the track. But 377 00:23:28,200 --> 00:23:31,000 Speaker 1: she's singing and there's no music. So imagine us in 378 00:23:31,040 --> 00:23:36,720 Speaker 1: the choir room with silence, with her singing the climb. 379 00:23:37,600 --> 00:23:40,600 Speaker 1: And this is the first time. Phonzie also was directing 380 00:23:40,600 --> 00:23:42,880 Speaker 1: and didn't really know us, and we all are all 381 00:23:42,880 --> 00:23:48,879 Speaker 1: trying to keep it together. Yeah, but it was so hard. 382 00:23:49,000 --> 00:23:51,719 Speaker 1: I'm crying thinking about it. There was a shot of 383 00:23:51,800 --> 00:24:02,000 Speaker 1: me right before she starts singing, and I'm also I'm 384 00:24:02,080 --> 00:24:06,720 Speaker 1: already laughing. It's hard. It's really quick. I'm I'm doing 385 00:24:06,760 --> 00:24:09,439 Speaker 1: my frowny face to keep from smiling, and I'm turning 386 00:24:09,520 --> 00:24:13,360 Speaker 1: away from her before she's even started, and I got 387 00:24:13,359 --> 00:24:17,520 Speaker 1: caught i camera doing it. Because I also remember her 388 00:24:17,600 --> 00:24:19,480 Speaker 1: being like, guys, you got to stop while thing because 389 00:24:19,480 --> 00:24:21,560 Speaker 1: I kind of get this done because she we were 390 00:24:21,640 --> 00:24:25,680 Speaker 1: making her laugh. Um, but the only way for us 391 00:24:25,720 --> 00:24:29,359 Speaker 1: to not laugh was to make confused faces, which were worked. 392 00:24:29,520 --> 00:24:32,760 Speaker 1: It worked for the scene. Harry's face was phenomenal in this. 393 00:24:33,080 --> 00:24:36,760 Speaker 1: My gosh, that was so funny. I was laughing. It 394 00:24:36,760 --> 00:24:39,760 Speaker 1: makes me want to cry. Um, it's so funny. Nothing 395 00:24:39,800 --> 00:24:41,520 Speaker 1: I think every in my life has made me laugh 396 00:24:41,520 --> 00:24:44,600 Speaker 1: harder than when she would do those impressions or that single. 397 00:24:45,800 --> 00:24:47,640 Speaker 1: I used to tell her when I have a bad day, 398 00:24:47,640 --> 00:24:49,080 Speaker 1: I'm going to call you, and I think I did 399 00:24:49,119 --> 00:24:51,000 Speaker 1: once and I was like, just give it to me. 400 00:24:51,080 --> 00:24:53,520 Speaker 1: I'm going to call you in like ten seconds. I 401 00:24:53,560 --> 00:24:55,720 Speaker 1: need you to be She picked up the phone and 402 00:24:55,800 --> 00:25:01,080 Speaker 1: just started singing terribly, and I was crying. It's so 403 00:25:01,720 --> 00:25:05,080 Speaker 1: never got old, never got old, all right. So in 404 00:25:05,119 --> 00:25:10,640 Speaker 1: the storyline, Rachel gets laryngitis and she she realizes, as um, 405 00:25:10,840 --> 00:25:13,320 Speaker 1: we're warming up in things that, which is a very 406 00:25:13,320 --> 00:25:16,080 Speaker 1: cute montage as well, that people aren't pulling their way 407 00:25:16,080 --> 00:25:20,359 Speaker 1: they've stopped singing. Um, So she gets she bribes ICs 408 00:25:20,680 --> 00:25:24,919 Speaker 1: with Candy to bug the choir room, and all of 409 00:25:24,920 --> 00:25:29,720 Speaker 1: her suspicions are confirmed and Finn's definitely not singing because 410 00:25:29,760 --> 00:25:33,280 Speaker 1: obviously Jesse's getting all of the solos and everybody else 411 00:25:33,520 --> 00:25:41,040 Speaker 1: just kind of yeah, and then Jesse Corey for some 412 00:25:41,080 --> 00:25:44,199 Speaker 1: reason or Finn, sorry, Finn goes with Rachel to the 413 00:25:44,240 --> 00:25:47,920 Speaker 1: doctor's appointment and I thought that was very His performance 414 00:25:47,960 --> 00:25:49,879 Speaker 1: was very funny. The doctor's appointments are very funny in 415 00:25:49,880 --> 00:25:52,720 Speaker 1: the show. Um, he's like, you're never going to sing again, 416 00:25:52,840 --> 00:25:57,640 Speaker 1: Jess kidding. But then we get into one of our 417 00:25:57,680 --> 00:26:02,040 Speaker 1: most iconic songs, which Ryan Murphy confirmed in his last 418 00:26:02,080 --> 00:26:05,680 Speaker 1: interview that g SEC James was named so that Corey 419 00:26:06,440 --> 00:26:09,640 Speaker 1: or Finn rather Sorry, I keep calling Corey that Finn 420 00:26:10,480 --> 00:26:14,960 Speaker 1: could sing this number, and this number is just when 421 00:26:14,960 --> 00:26:17,600 Speaker 1: I think of Corey, this is the number, that's the one. 422 00:26:18,200 --> 00:26:22,760 Speaker 1: This is Finn, this is this is his this is his. 423 00:26:22,840 --> 00:26:25,879 Speaker 1: Don't ring in my parade, that's right, Like this is 424 00:26:25,920 --> 00:26:29,280 Speaker 1: his thing. He did it on the tour. Every every 425 00:26:29,359 --> 00:26:32,320 Speaker 1: night we would dance backstage to it and ordered under 426 00:26:32,359 --> 00:26:34,680 Speaker 1: this stage. Really, Jenna, how would you dance to the song? 427 00:26:35,160 --> 00:26:37,480 Speaker 1: All right? Well, the girls had a changing room under 428 00:26:37,520 --> 00:26:39,680 Speaker 1: the stage, a quick change room where we would change 429 00:26:39,680 --> 00:26:45,399 Speaker 1: our coustumes real fast. And somehow along the way we 430 00:26:45,560 --> 00:26:50,040 Speaker 1: turned into like us pole dancing and stripper strippering. As 431 00:26:50,080 --> 00:26:53,560 Speaker 1: we were undressing, strippering, stripping, um stripping as we were 432 00:26:53,600 --> 00:26:55,679 Speaker 1: undressing and changing into our next and we had like 433 00:26:55,680 --> 00:26:58,120 Speaker 1: a little bit of a long stretch in this one. 434 00:26:58,359 --> 00:27:00,720 Speaker 1: And so Kevin heard about it and he came in 435 00:27:00,760 --> 00:27:04,200 Speaker 1: and he would see us literally in our fish nets 436 00:27:04,200 --> 00:27:07,320 Speaker 1: with our thongs like fully, with our legs in the air. 437 00:27:07,400 --> 00:27:11,760 Speaker 1: Day it was full stripped tease. It was so much fun. Yeah, 438 00:27:11,760 --> 00:27:14,080 Speaker 1: it was great. Wait was this the tour that I 439 00:27:14,160 --> 00:27:22,560 Speaker 1: peed in the bucket? Second tour? Bucket? No, you stripped 440 00:27:22,560 --> 00:27:27,960 Speaker 1: teas second tour? No, No, because there wasn't. We didn't 441 00:27:27,960 --> 00:27:32,320 Speaker 1: have that stage underneath. Stripped Jesse's Girl a second tour? 442 00:27:33,400 --> 00:27:36,240 Speaker 1: Oh okay, okay, okay, so never mind, I take it back. 443 00:27:36,240 --> 00:27:37,960 Speaker 1: But you'll have to wait now to hear about the 444 00:27:37,960 --> 00:27:42,040 Speaker 1: pee in the bucket if you haven't heard about any yea, yeah, okay, okay. 445 00:27:42,280 --> 00:27:46,040 Speaker 1: So does Jesse's Girl Jesse's Girl, which it becomes an 446 00:27:46,160 --> 00:27:52,320 Speaker 1: iconic number. But then Rachel ends up losing her mind 447 00:27:52,680 --> 00:27:57,840 Speaker 1: and she finds she loses her will to live. Um, 448 00:27:57,880 --> 00:28:00,360 Speaker 1: she is just she has no purpose anymore, or they're 449 00:28:00,359 --> 00:28:02,080 Speaker 1: told she she's told she has to have surgery, which 450 00:28:02,119 --> 00:28:03,800 Speaker 1: is a very scary thing, and as a singer, it 451 00:28:03,880 --> 00:28:05,320 Speaker 1: is a scary thing if you have to have anything 452 00:28:05,359 --> 00:28:08,960 Speaker 1: down to your voice when your throat. Um. So Finn 453 00:28:09,000 --> 00:28:14,760 Speaker 1: decides to take Rachel to m see his friend Fredder 454 00:28:14,840 --> 00:28:18,640 Speaker 1: and he doesn't pre empt any kind of information with Rachel. 455 00:28:18,720 --> 00:28:22,639 Speaker 1: So when they go to see him, Um, he's in. 456 00:28:22,840 --> 00:28:25,159 Speaker 1: She sees a photo of him and he's in his 457 00:28:25,200 --> 00:28:29,320 Speaker 1: football uniform and everything. But they go to visit and 458 00:28:29,440 --> 00:28:32,520 Speaker 1: they learn that the wonderful Zac Line scene, who is 459 00:28:32,560 --> 00:28:36,959 Speaker 1: an incredible actor who was actually a paralyzed actor from 460 00:28:37,000 --> 00:28:42,520 Speaker 1: the waist down. He does a beautiful job of playing 461 00:28:42,560 --> 00:28:46,960 Speaker 1: Sean fred Hold who in the show ingly also had 462 00:28:47,000 --> 00:28:52,760 Speaker 1: an accident, a football accident and was also paralyzed. And 463 00:28:53,160 --> 00:28:57,440 Speaker 1: I remember Lean telling coming back after shooting these scenes 464 00:28:57,440 --> 00:29:00,640 Speaker 1: because we didn't meet Um, I didn't meet Zach not 465 00:29:00,720 --> 00:29:04,320 Speaker 1: until tour he came to exactly, I didn't need him 466 00:29:04,840 --> 00:29:09,480 Speaker 1: till after. And UM remember Lea being so moved by 467 00:29:09,560 --> 00:29:14,320 Speaker 1: working with him, and um just crying. You can see 468 00:29:14,360 --> 00:29:16,720 Speaker 1: in her scenes the whole time she's just crying. Yeah 469 00:29:16,760 --> 00:29:20,400 Speaker 1: that's real, Yeah, definitely real. Um. And it's beautiful. I mean, 470 00:29:20,400 --> 00:29:22,920 Speaker 1: they really do a beautiful job with it. And this 471 00:29:22,920 --> 00:29:25,360 Speaker 1: this is the beginning of like falsie handling. These like 472 00:29:25,560 --> 00:29:29,480 Speaker 1: very heavy scenes and kind of like the more traumatic 473 00:29:29,520 --> 00:29:34,640 Speaker 1: stuff of Glee, like, um, so beautifully really so beautifully yeah, 474 00:29:35,160 --> 00:29:38,360 Speaker 1: um a great storytelling. They get to sank together at 475 00:29:38,360 --> 00:29:42,520 Speaker 1: the end, which just broke me. I agree, yeah, just 476 00:29:42,680 --> 00:29:47,560 Speaker 1: crying right. Um. I thought it was interesting. There's an 477 00:29:47,640 --> 00:29:52,360 Speaker 1: MPR article that they did on Zach that came out 478 00:29:52,360 --> 00:29:57,040 Speaker 1: the day that this episode came out, and he didn't 479 00:29:57,040 --> 00:29:59,360 Speaker 1: say anything bad about you know, you being in the 480 00:29:59,640 --> 00:30:02,040 Speaker 1: wheel share or anything like that. He just asked for 481 00:30:02,080 --> 00:30:08,440 Speaker 1: equal opportunity, for there to be opportunities for you know, 482 00:30:08,520 --> 00:30:12,840 Speaker 1: paralyzed actors to work and not just in paralyzed roles. 483 00:30:13,400 --> 00:30:15,160 Speaker 1: You know, like he can do more than that. It's 484 00:30:15,160 --> 00:30:18,200 Speaker 1: like not being pigeonholed. And she just just this one thing, 485 00:30:18,240 --> 00:30:21,880 Speaker 1: which I think is so beautiful. It's also important to 486 00:30:22,120 --> 00:30:24,160 Speaker 1: have him on. I think that was sort of like 487 00:30:24,200 --> 00:30:31,200 Speaker 1: a we're paying attention, we're listening, like, yeah, we're learning. Yeah, definitely. 488 00:30:32,400 --> 00:30:36,960 Speaker 1: And when they sing, so Rachel offers him obviously, Wait, 489 00:30:37,000 --> 00:30:39,360 Speaker 1: so let's go back. So Rachel's in the in the 490 00:30:39,440 --> 00:30:42,360 Speaker 1: hallway and she's eating cereal and she's in her pajamas. 491 00:30:42,400 --> 00:30:45,840 Speaker 1: She looks on kempt and Fins like what is going on? 492 00:30:45,960 --> 00:30:49,160 Speaker 1: And she's like, I can't get out of bad. I'm miserable. 493 00:30:49,640 --> 00:30:56,960 Speaker 1: I'm like tinker Bell, I need applause to lift. I 494 00:30:56,960 --> 00:30:58,800 Speaker 1: don't know why. It just tickles me so much. Oh, 495 00:30:58,800 --> 00:31:02,560 Speaker 1: it's so good, so good. It's so funny to see. 496 00:31:02,360 --> 00:31:05,600 Speaker 1: I like seeing Rachel kind of off her game. It's 497 00:31:05,600 --> 00:31:10,480 Speaker 1: fun to see UM's so dramatic about everything. So it's like, right, 498 00:31:10,520 --> 00:31:13,520 Speaker 1: of course she has tonsils like she's gonna be fine. 499 00:31:14,200 --> 00:31:17,600 Speaker 1: I get it together, um. And that's kind of what 500 00:31:19,800 --> 00:31:22,760 Speaker 1: this spearhead, this thing, this idea for Finn to be like, 501 00:31:23,080 --> 00:31:25,760 Speaker 1: get your shit together. I said, you don't have it 502 00:31:25,800 --> 00:31:29,040 Speaker 1: that bad. Yeah, let's let's talk about perspective. Yeah, exactly. 503 00:31:29,400 --> 00:31:32,120 Speaker 1: And then Rachel obviously knows and she gets her voice back, 504 00:31:32,160 --> 00:31:35,360 Speaker 1: and she offers Zach to have or Sean to get 505 00:31:35,520 --> 00:31:38,760 Speaker 1: voice lessons, and they sing one together. We break into one. 506 00:31:38,800 --> 00:31:43,880 Speaker 1: Did you like doing one? Kevin? I? Did? I just remember? 507 00:31:44,560 --> 00:31:47,920 Speaker 1: Weren't we saying that we were dressed like a gap 508 00:31:47,920 --> 00:31:54,720 Speaker 1: ad white converse? Yes, I'm sure, I think, goes Zach Woodley. 509 00:31:54,760 --> 00:31:58,480 Speaker 1: This is our gap ad moment. We do these a 510 00:31:58,480 --> 00:32:02,520 Speaker 1: lot too, with Fonzi because we do um uh, what 511 00:32:02,640 --> 00:32:04,840 Speaker 1: of god? That was one of us and we're all white. 512 00:32:04,840 --> 00:32:12,200 Speaker 1: Remember por poor Alfonso, you guys Alfonso? Did he do 513 00:32:12,320 --> 00:32:17,600 Speaker 1: fix you too? Oh? God, we tortured this poor man. 514 00:32:18,000 --> 00:32:20,400 Speaker 1: I don't know why. It was always him, probably because 515 00:32:20,440 --> 00:32:23,000 Speaker 1: he was the sweetest. He would never get mad, and 516 00:32:23,160 --> 00:32:30,160 Speaker 1: we abused him because we serious serious numbers. We could 517 00:32:30,280 --> 00:32:37,080 Speaker 1: not control ourselves. We lose it and the more serious 518 00:32:37,120 --> 00:32:39,280 Speaker 1: it was, the more we started laughing. It was like, 519 00:32:39,320 --> 00:32:41,640 Speaker 1: you know people who get laugh attacks at funerals. That's 520 00:32:41,640 --> 00:32:44,720 Speaker 1: how we behaved. We'll fix you. It was the worst 521 00:32:44,720 --> 00:32:47,360 Speaker 1: and we'll get there. He was really the worst. That 522 00:32:47,400 --> 00:32:59,520 Speaker 1: was embarrassing. So the other thing that's happening in this 523 00:32:59,520 --> 00:33:05,800 Speaker 1: episode is Kurt Kurt, because the assignment for the week 524 00:33:06,000 --> 00:33:09,560 Speaker 1: was everybody to find their voice because Rachel has lost 525 00:33:09,600 --> 00:33:12,560 Speaker 1: hers or people aren't singing, and so you need to 526 00:33:12,560 --> 00:33:14,920 Speaker 1: pick a song that really represents who you are, which 527 00:33:14,960 --> 00:33:18,239 Speaker 1: is why we get all these great solos. Kurt, on 528 00:33:18,320 --> 00:33:23,280 Speaker 1: the other hand, is really threatened with what's going on 529 00:33:23,360 --> 00:33:27,480 Speaker 1: with Burt and Finn, and Finn's getting treated to all 530 00:33:27,480 --> 00:33:32,520 Speaker 1: these like sports ball games. He's you know, he's going 531 00:33:32,560 --> 00:33:39,000 Speaker 1: to football games, and Kurt's like, okay, I need to 532 00:33:39,040 --> 00:33:41,960 Speaker 1: get it together. He missed Hero's practice because you're so upset, 533 00:33:42,240 --> 00:33:46,000 Speaker 1: and Sue confronts him, and Sue's like, how do you 534 00:33:46,040 --> 00:33:48,480 Speaker 1: know you're gay? Have you kissed a boy? Have you 535 00:33:48,520 --> 00:33:52,280 Speaker 1: kissed a girl? Like your generation? She says, See, that's 536 00:33:52,280 --> 00:33:54,800 Speaker 1: the problem with the generation. You're obsessed with labels. So 537 00:33:54,840 --> 00:33:57,520 Speaker 1: you like show tunes doesn't mean you're gay, means you're awful, 538 00:34:00,200 --> 00:34:06,400 Speaker 1: which is ac very funny. Um, now not accurate, obviously, 539 00:34:07,720 --> 00:34:12,480 Speaker 1: it's for the joke Jenna. And and so he's like, 540 00:34:12,560 --> 00:34:16,440 Speaker 1: you know what, Sure, I'm gonna try this thing, and 541 00:34:16,520 --> 00:34:21,960 Speaker 1: all of a sudden goes on this John Mellencamp trip 542 00:34:22,440 --> 00:34:26,239 Speaker 1: where he starts dressing in flannel and Bert is like, 543 00:34:26,880 --> 00:34:34,520 Speaker 1: what's happening? Okay, we'll go with it, and things ain't 544 00:34:34,560 --> 00:34:37,759 Speaker 1: that America? After? I feel like that was also a 545 00:34:37,760 --> 00:34:40,560 Speaker 1: Brad foul truck moment. She had to write all of this, 546 00:34:40,680 --> 00:34:45,560 Speaker 1: But the scene where he's making out Brittany and purposefully 547 00:34:45,600 --> 00:34:47,480 Speaker 1: puts the thing on to knock come down and Bert 548 00:34:47,560 --> 00:34:51,560 Speaker 1: comes down and wants him to see and Bert says, 549 00:34:51,600 --> 00:34:56,719 Speaker 1: Michael Malley the brilliant Sure he is says either what 550 00:34:56,920 --> 00:35:02,359 Speaker 1: we when you decide, let me know and it Yeah, 551 00:35:02,400 --> 00:35:08,680 Speaker 1: it is always so poignant and it really is so 552 00:35:08,719 --> 00:35:12,319 Speaker 1: impactful and every time it gets me. And also it's 553 00:35:12,560 --> 00:35:16,239 Speaker 1: the show constantly is going sort of like high low, 554 00:35:16,520 --> 00:35:20,879 Speaker 1: where you have like the comedy of them making out 555 00:35:21,440 --> 00:35:23,839 Speaker 1: in him being like, what do boys lips taste like? 556 00:35:24,680 --> 00:35:27,080 Speaker 1: You smell like this? Then she's met you know, boys 557 00:35:27,120 --> 00:35:30,840 Speaker 1: really like my armpits. And then Bert comes down and 558 00:35:30,840 --> 00:35:34,759 Speaker 1: has that really touching, grounded scene, right, and the show 559 00:35:34,880 --> 00:35:39,280 Speaker 1: is constantly swinging back and forth between this within a scene. Yeah, 560 00:35:39,320 --> 00:35:45,439 Speaker 1: and that is I think, great, impressive. Yeah, so he's 561 00:35:45,480 --> 00:35:48,080 Speaker 1: over that, he realizes this isn't probably working for me, 562 00:35:48,160 --> 00:35:53,640 Speaker 1: gets upset. Finn and Bert are still have a great relationship, 563 00:35:53,640 --> 00:35:55,560 Speaker 1: and Bert's like, look, this is why I'm doing this, 564 00:35:55,880 --> 00:35:59,040 Speaker 1: you know, like he's opening up to me when we 565 00:35:59,080 --> 00:36:01,680 Speaker 1: have these one on one and like he deserves this. 566 00:36:01,800 --> 00:36:07,320 Speaker 1: It's okay. And then Kurt burst into Rose's turn and 567 00:36:08,280 --> 00:36:11,480 Speaker 1: has I have pictures of this of his name and lights. 568 00:36:11,520 --> 00:36:16,720 Speaker 1: It was this really phenomenal performance Chris just like Blade. 569 00:36:17,120 --> 00:36:19,799 Speaker 1: I mean, he was nominated for an Emmy for this 570 00:36:20,400 --> 00:36:26,360 Speaker 1: episode that I believe that, and he didn't win unfortunately, whatever, 571 00:36:26,840 --> 00:36:30,839 Speaker 1: but a golden globe later. It's fine, Yeah, next year, 572 00:36:30,840 --> 00:36:34,640 Speaker 1: it's this year, and it was just like a really 573 00:36:34,640 --> 00:36:37,480 Speaker 1: phenomenal thing in Bird's there to see him, and it's 574 00:36:37,480 --> 00:36:40,279 Speaker 1: sort of like you don't need to try to change 575 00:36:40,280 --> 00:36:42,440 Speaker 1: who you are to like make me love you type thing. 576 00:36:42,520 --> 00:36:46,480 Speaker 1: Do you remember Chris getting the song Rose's Turn? I 577 00:36:46,640 --> 00:36:49,680 Speaker 1: know he wanted this song so bad, and I know 578 00:36:49,760 --> 00:36:53,279 Speaker 1: he had been pitching this song so hard. Really I 579 00:36:53,320 --> 00:36:56,279 Speaker 1: did not know this, Oh my gosh. I mean Chris, 580 00:36:56,320 --> 00:36:58,960 Speaker 1: I think I knew this song. Yeah, no you didn't, 581 00:36:59,040 --> 00:37:01,919 Speaker 1: but but Patty LAPONI did. I mean, there's a million 582 00:37:01,920 --> 00:37:05,359 Speaker 1: people who've done it, and it's so iconic and it 583 00:37:05,480 --> 00:37:07,600 Speaker 1: was so brilliant and the fact that he got a 584 00:37:07,880 --> 00:37:12,680 Speaker 1: sign kind of like roxy Heart in Chicago. I was 585 00:37:13,120 --> 00:37:17,319 Speaker 1: change the lyrics. Yeah, I was just blown away. And 586 00:37:17,360 --> 00:37:19,680 Speaker 1: I was so happy for him. He was so excited 587 00:37:19,760 --> 00:37:22,680 Speaker 1: to do it. I remember going that day to see 588 00:37:22,680 --> 00:37:26,920 Speaker 1: it to watch him. Yeah, do it, because gosh, what 589 00:37:27,040 --> 00:37:30,480 Speaker 1: a nun better never sounded better? What a great number, 590 00:37:30,760 --> 00:37:33,720 Speaker 1: What a great number. Also, if you haven't seen Billy 591 00:37:33,800 --> 00:37:36,840 Speaker 1: Porter doing this and the commercial break of the Tony's 592 00:37:36,840 --> 00:37:39,640 Speaker 1: a couple of years ago. Um, YouTube that it is 593 00:37:40,400 --> 00:37:45,920 Speaker 1: pretty brilliant. That's right, literally, just like off the cuff. Yeah, 594 00:37:45,960 --> 00:37:50,959 Speaker 1: it is unbelievable. Um, that's the episode, and that's that's 595 00:37:51,040 --> 00:37:55,879 Speaker 1: the episode. You guys, you're in dry Yeah, that was it. 596 00:37:56,320 --> 00:37:59,120 Speaker 1: That's it. Nice. Lots of memories, I you know, with 597 00:37:59,520 --> 00:38:02,600 Speaker 1: now no thing that Chris really wanted this song. This 598 00:38:02,719 --> 00:38:06,839 Speaker 1: episode really hit hit. It was you know, I think 599 00:38:06,880 --> 00:38:10,680 Speaker 1: them listening and giving everybody what they wanted truly, which 600 00:38:10,760 --> 00:38:14,239 Speaker 1: was great. Nice. We had a great time we did. 601 00:38:14,320 --> 00:38:17,200 Speaker 1: This was an episode built storylines around these songs, which 602 00:38:17,239 --> 00:38:26,800 Speaker 1: is so fun. Blast okay, party takes, tardy takes, Daddy takes, 603 00:38:27,040 --> 00:38:33,800 Speaker 1: cringe moments. I think right off the bat, Puck just 604 00:38:34,000 --> 00:38:36,680 Speaker 1: referring to Mercedes black Girl as black Girl not once 605 00:38:36,719 --> 00:38:39,800 Speaker 1: but twice, but maybe three times was not my favor. 606 00:38:40,760 --> 00:38:45,680 Speaker 1: Specifically for me. I think it was the girl you 607 00:38:45,760 --> 00:38:48,560 Speaker 1: got more curves than a nissan Ad and the way 608 00:38:48,600 --> 00:38:53,880 Speaker 1: he says it, Um, yeah, I'm sure I let that 609 00:38:53,920 --> 00:38:59,080 Speaker 1: sit there. The worst dance move, okay, I pick the 610 00:38:59,120 --> 00:39:01,839 Speaker 1: best dance Oh great, and I'm going with the Naya 611 00:39:01,920 --> 00:39:06,680 Speaker 1: head bob for Monica. Absolutely, that's it. That's that's the 612 00:39:06,719 --> 00:39:14,040 Speaker 1: one best song, Kevin, I mean, I know, I'm I 613 00:39:14,200 --> 00:39:19,319 Speaker 1: will go with the Boy's mine. I'll go with Jesse's Girl. 614 00:39:19,440 --> 00:39:21,920 Speaker 1: We'll call it even great, Okay great, I love that 615 00:39:21,960 --> 00:39:25,480 Speaker 1: for us. It's a tie. Yeah performance by a prop 616 00:39:26,320 --> 00:39:29,640 Speaker 1: Kurt and lights on the stage. Yeah yeah, yeah, yeah, 617 00:39:29,680 --> 00:39:33,760 Speaker 1: yea yeah yeah better. That's good. And the best line 618 00:39:34,800 --> 00:39:37,120 Speaker 1: what do you got? What do you love? I'm like 619 00:39:37,239 --> 00:39:42,360 Speaker 1: Tinger Bell thin, I need applause to live so good. 620 00:39:42,719 --> 00:39:46,280 Speaker 1: I think mine is the so you like show tunes. 621 00:39:46,320 --> 00:39:50,400 Speaker 1: It doesn't mean you're gay, just makes her awful. And 622 00:39:50,480 --> 00:39:52,960 Speaker 1: there's also another moment in that scene too, where she's like, 623 00:39:53,480 --> 00:39:55,640 Speaker 1: I check out of this conversation a minute ago. I 624 00:39:55,680 --> 00:39:58,520 Speaker 1: gotta remember remind myself to not stop and talk to students. 625 00:40:02,400 --> 00:40:04,880 Speaker 1: Even when she's not really in an episode. She's in 626 00:40:04,920 --> 00:40:10,040 Speaker 1: an episode. She shows up, says the greatest shit ever 627 00:40:10,080 --> 00:40:16,799 Speaker 1: heard out, and the check clears. Yeah, um, okay, are 628 00:40:16,800 --> 00:40:20,839 Speaker 1: you ready for the ship we found on TikTok? Are 629 00:40:21,080 --> 00:40:26,680 Speaker 1: you ready? I'm ready? Okay. There is this TikTok called 630 00:40:26,920 --> 00:40:31,560 Speaker 1: Glee is My Therapy, and they rank the songs in 631 00:40:31,600 --> 00:40:36,520 Speaker 1: their opinion of every single episode. So if you go 632 00:40:36,600 --> 00:40:40,680 Speaker 1: to their TikTok. Yeah, it's actually pretty great. So for laryngitis, 633 00:40:40,719 --> 00:40:46,040 Speaker 1: for example, they okay, they ranked the climb at number seven. 634 00:40:46,560 --> 00:40:50,560 Speaker 1: I'm going to disagree obviously. Yeah, maybe they don't know 635 00:40:50,560 --> 00:40:52,359 Speaker 1: the story. You know, they don't know the story, that's right. 636 00:40:52,760 --> 00:40:56,760 Speaker 1: And then um, pink houses well made in America, ladies 637 00:40:56,800 --> 00:41:04,120 Speaker 1: a tramp one okay, Rosa's Turn, Jesse's Girl, and the 638 00:41:04,200 --> 00:41:07,960 Speaker 1: Boy is Mine. They got some of those right, yes, yeah, yeah, 639 00:41:08,000 --> 00:41:10,759 Speaker 1: they got the top three correct. That's awesome. Um, but 640 00:41:10,920 --> 00:41:15,080 Speaker 1: go to their go to their TikTok. It's pretty great, okay. 641 00:41:15,160 --> 00:41:17,640 Speaker 1: And I'm like, I'm going to go through here and 642 00:41:17,719 --> 00:41:19,959 Speaker 1: see what they say about all of us. Yeah, please send, 643 00:41:20,640 --> 00:41:22,880 Speaker 1: all right, I will send. Yeah, So go check him out. 644 00:41:22,920 --> 00:41:24,920 Speaker 1: Thank you for tagging us in these things, and thanks 645 00:41:24,920 --> 00:41:27,759 Speaker 1: to all the TikTok accounts that are i guess dedicated 646 00:41:27,840 --> 00:41:33,080 Speaker 1: to Glee. Things still mind blowing, and that is laryngitis. 647 00:41:33,200 --> 00:41:36,480 Speaker 1: We have a very exciting episode next week, Kevin. That's right, 648 00:41:36,560 --> 00:41:39,359 Speaker 1: more of us, Jenna, It's like Wheels Part two and 649 00:41:39,440 --> 00:41:45,040 Speaker 1: more of us, but more of you dancing. That's right. Yes, 650 00:41:45,160 --> 00:41:47,480 Speaker 1: as huge, it's as huge, as huge as it's huge, 651 00:41:47,520 --> 00:41:50,160 Speaker 1: I can't wait. Yeah, I can't wait. I decided to 652 00:41:50,160 --> 00:41:53,960 Speaker 1: watch it. I almost watched it last night. Same. All right, 653 00:41:54,000 --> 00:41:57,800 Speaker 1: Well thanks for joining us, you guys, um, that's what 654 00:41:57,920 --> 00:42:01,360 Speaker 1: you really missed. I took your line, Vin, and that's 655 00:42:01,400 --> 00:42:06,239 Speaker 1: what you really missed. It's in caps, Jenna. See you 656 00:42:06,280 --> 00:42:10,360 Speaker 1: next week. Everyone. Thanks for listening and follow us on 657 00:42:10,400 --> 00:42:13,400 Speaker 1: Instagram at and that's what you really miss pod. Make 658 00:42:13,440 --> 00:42:15,720 Speaker 1: sure to write us a review and leave us five stars. 659 00:42:15,960 --> 00:42:16,640 Speaker 1: See you next time.